Ludwig van Beethoven

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Berliner Philharmoniker performing orchestra "Turkish March" from The Ruins of Athens, op. 113, Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto, Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Concerto pour Violon en ré majeur Op. 61: 3°mvt - Rondo. Allegro, Die Weihe des Hauses, op. 124: Maestoso e sostenuto - Allegro con brio, Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet, Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin), Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro), Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag", Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo - Kadenz, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto - attacca:, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro - Kadenz, König Stephan, op. 117: Andante con moto - Allegro, ma non troppo, Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch, Ouvertüre aus Fidelio, Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio, Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Symphonie No. 9 d-Moll, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphonie No. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie No. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie No. 9 d-Moll, Op. 125: IV. Presto - Allegro assai, Symphony No. 3 - first movement, Allegro con brio (beginning), Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso (rehearsal), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile (rehearsal), Symphony no. 9 in D minor, op. 125: IV. Presto (rehearsal), Symphony no.4 in B flat, op. 60: I Adagio - Allegro vivace, Symphony no.4 in B flat, op. 60: II Adagio, Symphony no.4 in B flat, op. 60: III menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony no.4 in B flat, op. 60: IV Allegro ma non troppo, The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!", The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl), The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen", The Ruins of Athens, Op. 113: IV. Turkish March. Vivace, The Ruins of Athens, Op. 113: Overture. Andante con moto - Allegro ma non troppo, The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!", The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!", The Ruins of Athens, Op. 113: VIb. Recitation. Poco Adagio "Mit reger Freude, die nie erkaltet", Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca, Yorck’scher Marsch, Zur Namensfeier, op. 115: Maestoso - Allegro assai vivace
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) performing orchestra Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Die Geschöpfe des Prometheus - Ballet Op. 43: 16. Finale, Die Geschöpfe des Prometheus - Ballet Op. 43: 5. Adagio, Egmont - Incidental Music Op. 84: 1. Die Trommel gerühret, Egmont - Incidental Music Op. 84: 4. Freudvoll und leidvoll, Egmont - Incidental Music Op. 84: 7. Klärchens Tod bezeichnend, Egmont-Ouvertüre, op. 84, Fidelio, Act I, No. 10: "Ach! Vater, eilt!", Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht", Fidelio, Act I, No. 10: "Nun sprecht, wie ging's", Fidelio, Act I, No. 10: "Verwegener Alter", Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen", Fidelio, Act I, No. 1: Duett. "Jetzt, Schätzchen, jetzt sind wir allein", Fidelio, Act I, No. 1: Rezitativ. "Der arme Jaquino dauert mich beinahe", Fidelio, Act I, No. 2: Arie. "O wär ich schon mit dir vereint", Fidelio, Act I, No. 2: Rezitativ. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?", Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar", Fidelio, Act I, No. 3: Rezitativ. "Höre, Fidelio, weißt du, was ich tue?", Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben, Fidelio, Act I, No. 4: Rezitativ. "Ihr könnt das leicht sagen, Meister Rocco", Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben", Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut", Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut", Fidelio, Act I, No. 6: Marsch, Fidelio, Act I, No. 6: Rezitativ. "Wo sind die Depeschen?", Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick!, Fidelio, Act I, No. 7: Rezitativ. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm", Fidelio, Act I, No. 8: Duett. "Jetzt, Alter, jetzt hat es Eile!", Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern", Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?", Fidelio, Act I, No. 9: Rezitativ: "Rocco, ihr verspracht mir so oft", Fidelio, Act I, No. No. 10: Finale. "O welche Lust!", Fidelio, Act I: Ouvertüre, Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen", Fidelio, Act II, No. 11: "Und spür ich nicht linde", Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!", Fidelio, Act II, No. 11: Introduktion, Fidelio, Act II, No. 12: Duett. "Nur hurtig fort, nur frisch gegraben", Fidelio, Act II, No. 12: Melodram. "Wie kalt ist es", Fidelio, Act II, No. 12: Rezitativ. "Er erwacht!", Fidelio, Act II, No. 13: Rezitativ. "Alles ist bereit", Fidelio, Act II, No. 13: Terzett. "Euch werde Lohn in besser'n Welten", Fidelio, Act II, No. 14: "Es schlägt der Rache Stunde!", Fidelio, Act II, No. 14: Quartett. "Er sterbe!", Fidelio, Act II, No. 14: Rezitativ. "Vater Rocco!", Fidelio, Act II, No. 15: Duett. "O namenlose Freude!", Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille", Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab", Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!", Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen", Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!", Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag", Fidelio, Op. 72: Act I. " Abscheulicher!" - "Komm, Hoffnung", Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung", In questa tomba oscura, WoO 133 (arr. Alexander Faris), Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Music to Goethe's Tragedy "Egmont" op.84: Overture, Ouvertüre "Leonore" No. 3 Op. 72a, Overture to Fidelio, Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro), Romance Cantabile, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": IV. Gewitter. Sturm. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No 4 in B flat, Op 60: I. Adagio — Allegro vivace, Symphony No 4 in B flat, Op 60: II. Adagio, Symphony No 4 in B flat, Op 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro), Symphony No 4 in B flat, Op 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook - Andante molto mosso, Symphony No.7 in A, Op.92: 1. Poco sostenuto - Vivace, Symphony No.7 in A, Op.92: 2. Allegretto, Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto, Symphony No.7 in A, Op.92: 4. Allegro con brio, Symphony no. 5 in C Minor, op. 67: I. Allegro con brio, Violin Concerto in D major, op. 61: I: Allegro ma non troppo, Violin Concerto in D major, op. 61: II: Larghetto, Violin Concerto in D major, op. 61: III: Rondo (Allegro)
Otto Klemperer conductor Die Geschöpfe des Prometheus - Ballet Op. 43: 16. Finale, Die Geschöpfe des Prometheus - Ballet Op. 43: 5. Adagio, Egmont - Incidental Music Op. 84: 1. Die Trommel gerühret, Egmont - Incidental Music Op. 84: 4. Freudvoll und leidvoll, Egmont - Incidental Music Op. 84: 7. Klärchens Tod bezeichnend, Fidelio, Act I, No. 10: "Ach! Vater, eilt!", Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht", Fidelio, Act I, No. 10: "Nun sprecht, wie ging's", Fidelio, Act I, No. 10: "Verwegener Alter", Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen", Fidelio, Act I, No. 1: Duett. "Jetzt, Schätzchen, jetzt sind wir allein", Fidelio, Act I, No. 1: Rezitativ. "Der arme Jaquino dauert mich beinahe", Fidelio, Act I, No. 2: Arie. "O wär ich schon mit dir vereint", Fidelio, Act I, No. 2: Rezitativ. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?", Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar", Fidelio, Act I, No. 3: Rezitativ. "Höre, Fidelio, weißt du, was ich tue?", Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben, Fidelio, Act I, No. 4: Rezitativ. "Ihr könnt das leicht sagen, Meister Rocco", Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben", Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut", Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut", Fidelio, Act I, No. 6: Marsch, Fidelio, Act I, No. 6: Rezitativ. "Wo sind die Depeschen?", Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick!, Fidelio, Act I, No. 7: Rezitativ. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm", Fidelio, Act I, No. 8: Duett. "Jetzt, Alter, jetzt hat es Eile!", Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern", Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?", Fidelio, Act I, No. 9: Rezitativ: "Rocco, ihr verspracht mir so oft", Fidelio, Act I, No. No. 10: Finale. "O welche Lust!", Fidelio, Act I: Aber Marzelline-, Fidelio, Act I: Abscheulicher! Wo eilst du hin, Fidelio, Act I: Ach! Vater, eilt!, Fidelio, Act I: Drei Schildwachen auf den Wall, Fidelio, Act I: Finale: O welche Lust!, Fidelio, Act I: Gut, Sohnchen, gut, hab'immer Mut, Fidelio, Act I: Guten Tag, Marzelline, Fidelio, Act I: Ha! Welch ein Augenblick!, Fidelio, Act I: Hat man nicht auch Gold, Fidelio, Act I: Hauptmann, besteigen Sie so gleich, Fidelio, Act I: Hore, Fidelio, wenn ich auch nicht weiss, Fidelio, Act I: Ihr konnt das leicht sagen, Meister Rocco, Fidelio, Act I: JJetzt, Alter, jetzt hat es Eile!, Fidelio, Act I: Jetzt, Schatzchen, sind wir allen, Fidelio, Act I: March, Fidelio, Act I: Mir ist so wunderbar.., Fidelio, Act I: Nun sprecht, wie ging's, Fidelio, Act I: O war' ich schon mit dir vereint, Fidelio, Act I: Ouvertüre, Fidelio, Act I: Wenn ich diese Tur heute nicht schon, Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen", Fidelio, Act II, No. 11: "Und spür ich nicht linde", Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!", Fidelio, Act II, No. 11: Introduktion, Fidelio, Act II, No. 12: Duett. "Nur hurtig fort, nur frisch gegraben", Fidelio, Act II, No. 12: Melodram. "Wie kalt ist es", Fidelio, Act II, No. 12: Rezitativ. "Er erwacht!", Fidelio, Act II, No. 13: Rezitativ. "Alles ist bereit", Fidelio, Act II, No. 13: Terzett. "Euch werde Lohn in besser'n Welten", Fidelio, Act II, No. 14: "Es schlägt der Rache Stunde!", Fidelio, Act II, No. 14: Quartett. "Er sterbe!", Fidelio, Act II, No. 14: Rezitativ. "Vater Rocco!", Fidelio, Act II, No. 15: Duett. "O namenlose Freude!", Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille", Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab", Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!", Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen", Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!", Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag", Fidelio, Act II: Alles ist bereit, Fidelio, Act II: Du schlossest auf des Edlen Grab, Fidelio, Act II: Er erwacht!, Fidelio, Act II: Er sterbe! Doch er soll erst wissen.., Fidelio, Act II: Es schlagt der Rache Stunde!, Fidelio, Act II: Euch werde Lohn in besser'n Welten, Fidelio, Act II: Finale: Heil sei dem Tag, heil sei der Stunde, Fidelio, Act II: Gott! Welch Dunkel hier!, Fidelio, Act II: Nur hurtig fort.., Fidelio, Act II: O namenlose Freude!, Fidelio, Act II: Vater Rocco! Vater Rocco!, Fidelio, Act II: Wie kalt ist es in diesem unterirdischen Gewolbe!, Fidelio: Ouverture, Fidelio: Overture Leonore No.3
Leonard Bernstein conductor Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Armer Jaquino, ich war ihm sonst recht gut" (Marzelline), Fidelio, Op. 72: Act I, Scene I. "Höre, Fidelio!" (Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) / No. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco) / No. 10d. Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) / No. 10e. / No. 10f., Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore), Fidelio, Op. 72: Act I, Scene II. "Drei Mann Schildwachen auf den Wall" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Marzelline!" - "Nein, ich will nicht ..." (Jaquino, Marzelline, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 11. Introduction "Gott! Welch Dunkel hier!" - Aria "In des Lebens Frühlingstagen", Fidelio, Op. 72: Act II, Scene I, No. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" - Duet "Nur hurtig fort, nur frisch gegraben", Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessem Welten", Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe! Doch er soll erst wissen" - "Vater Rocco! Der Herr Minister ist angekommen" - "Es schlägt der Rache Stunder", Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!", Fidelio, Op. 72: Act II, Scene I. "Alles ist bereit", Fidelio, Op. 72: Act II, Scene I. "Er erwacht", Fidelio, Op. 72: Act II, Scene II, No. 16. Finale "Heil sei dem Tag" - "Bestrafet sei der Bösewicht" - "O Gott! Welch ein Augenblick!" - "Wer ein holdes Weib errungen", Fidelio, Op. 72: Act II. Overture "Leonore III", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem, Overture, op. 117 "King Stephen": Andante con moto - Presto, Overture, op. 72b "Fidelio": Allegro, Overture, op. 84 "Egmont": Sostenuto, ma non troppo - Allegro, Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro, Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)...
Berliner Solisten performer, clarinet, double bass, piano, violin 2-part Canon in E flat major "Te solo adoro", WoO 186, 20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy", 25 Irish Songs WoO 152, No. 10 "The deserter", Canon for 2 "Ewig dein", WoO 161, Canon for 2 "Glück zum neuen Jahr", WoO 165, Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104, Canon for 2 "Te solo adoro", WoO 186, Canon for 2 Instruments in G major, Hess 274, Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191, Canon for 2 voices "Wir irren allesamt", WoO 198, Canon for 2, Anglaise in D major for piano, Hess 61, Canon for 3 "Ars longa, vita brevis", WoO 192, Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183, Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185, Canon for 3 "Falstafferel", WoO 184, Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164, Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1, Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173, Canon for 3 "Ich Küsse Sie", WoO 169, Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163, Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162, Canon for 3 "Wir irren allesamt", WoO 198, Canon for 4 "Brauchle, Linke", WoO 167, Canon for 4 "Es muss sein", WoO 196, Canon for 4 "Freu dich des Lebens", WoO 195, Canon for 4 "Gehabt euch wohl", WoO 181 No. 2, Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172, Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159, Canon for 4 "O Tobias!", WoO 182, Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179, Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102, Canon for 5 "Glaube und hoffe", WoO 174, Canon for 6 "Bester Magistrat, Ihr friert", WoO 177, Canon in 2 parts in B flat major "Gott ist eine feste Burg", WoO 188, Canon in 2 parts in C major "Freu dich des Lebens", WoO 195, Canon in 2 parts in C major "Hoffmann, sei ja kein Hofmann", WoO 180, Canon in 2 parts in C major "Ich küsse Sie", WoO 169, Canon in 2 parts in C major "Ich war hier, Doktor", WoO 190, Canon in 3 parts "Herr Graf, ich komme zu fragen", Hess 276, Canon in 3 parts in B flat major "Kühl, nicht lau", WoO 191, Canon in 3 parts in B flat major "Signor Abate ...", WoO 178, Canon in 3 parts in C major "Brauchle, Linke", WoO 167, Canon in 3 parts in C major "Ewig dein", WoO 161, Canon in 3 parts in C major "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164, Canon in 3 parts in D minor "O Tobias", WoO 182, Canon in 3 parts in E flat major "Ich bitt' dich, schreib' mir die Es-Scala auf ", WoO 172, Canon in 3 parts in F major "Das Schweigen: Lerne schweigen, o Freund", WoO 168/1, Canon in 3 parts in F major "Im Arm der Liebe ruht sich's wohl", WoO 159, Canon in 3 parts in F minor "Kurz ist der Schmerz", WoO 163, Canon in 4 parts in C major "Seiner Kaiserlichen Hoheit", WoO 179, Canon in 4 parts in F major "Bester Herr Graf, Sie sind ein Schaf", WoO 183, Canon in 4 parts in F major "Es muß sein ...", WoO 196, Canon in 4 parts in F major "Schwenke dich ohne Schwänke", WoO 187, Canon in 5 parts in C major "Das ist das Werk ...", WoO 197, Canon in 5 parts in G major "Falstafferel, lass dich sehen!", WoO 184, Canon in 6 parts in E major "Edel sei der Mensch, hülfreich und gut", WoO 185, Canon in E major for 2 male voices and 2 double-basses "Bester Magistrat, Ihr friert", WoO 177, Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180, Duet for 2 Violins in A major, WoO 34, Gesang der Mönche "Rasch tritt der Tod den Menschen an, ..." for 2 tenors and bass, WoO 104, Instrumental Canon for 2 in A flat major, Hess 275, Instrumental Canon for 3, WoO 160 No. 1, Instrumental Canon for 4, WoO 160 No. 2, Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 8. "Farewell mirth and hilarity", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 10. "The deserter", Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197, Musical Joke "Herr Graf, ich komme zu fragen", Hess 276, Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101, Musical joke for three voices "Lob auf den Dicken", WoO 100, Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277, Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1, Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187, Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188, Riddle Canon for 2 "Languisco e moro", Hess 229, Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175, Riddle Canon for 2 "Signor abate", WoO 178, Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2, Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3, Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190

Collaborators on this artist's recordings

Artist name Roles Recordings
Berliner Philharmoniker performing orchestra "Turkish March" from The Ruins of Athens, op. 113, Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto, Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Concerto pour Violon en ré majeur Op. 61: 3°mvt - Rondo. Allegro, Die Weihe des Hauses, op. 124: Maestoso e sostenuto - Allegro con brio, Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet, Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin), Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro), Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag", Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo - Kadenz, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto - attacca:, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro - Kadenz, König Stephan, op. 117: Andante con moto - Allegro, ma non troppo, Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch, Ouvertüre aus Fidelio, Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio, Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Symphonie No. 9 d-Moll, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphonie No. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie No. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie No. 9 d-Moll, Op. 125: IV. Presto - Allegro assai, Symphony No. 3 - first movement, Allegro con brio (beginning), Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso (rehearsal), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile (rehearsal), Symphony no. 9 in D minor, op. 125: IV. Presto (rehearsal), Symphony no.4 in B flat, op. 60: I Adagio - Allegro vivace, Symphony no.4 in B flat, op. 60: II Adagio, Symphony no.4 in B flat, op. 60: III menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony no.4 in B flat, op. 60: IV Allegro ma non troppo, The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!", The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl), The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen", The Ruins of Athens, Op. 113: IV. Turkish March. Vivace, The Ruins of Athens, Op. 113: Overture. Andante con moto - Allegro ma non troppo, The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!", The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!", The Ruins of Athens, Op. 113: VIb. Recitation. Poco Adagio "Mit reger Freude, die nie erkaltet", Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca, Yorck’scher Marsch, Zur Namensfeier, op. 115: Maestoso - Allegro assai vivace
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) performing orchestra Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Die Geschöpfe des Prometheus - Ballet Op. 43: 16. Finale, Die Geschöpfe des Prometheus - Ballet Op. 43: 5. Adagio, Egmont - Incidental Music Op. 84: 1. Die Trommel gerühret, Egmont - Incidental Music Op. 84: 4. Freudvoll und leidvoll, Egmont - Incidental Music Op. 84: 7. Klärchens Tod bezeichnend, Egmont-Ouvertüre, op. 84, Fidelio, Act I, No. 10: "Ach! Vater, eilt!", Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht", Fidelio, Act I, No. 10: "Nun sprecht, wie ging's", Fidelio, Act I, No. 10: "Verwegener Alter", Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen", Fidelio, Act I, No. 1: Duett. "Jetzt, Schätzchen, jetzt sind wir allein", Fidelio, Act I, No. 1: Rezitativ. "Der arme Jaquino dauert mich beinahe", Fidelio, Act I, No. 2: Arie. "O wär ich schon mit dir vereint", Fidelio, Act I, No. 2: Rezitativ. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?", Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar", Fidelio, Act I, No. 3: Rezitativ. "Höre, Fidelio, weißt du, was ich tue?", Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben, Fidelio, Act I, No. 4: Rezitativ. "Ihr könnt das leicht sagen, Meister Rocco", Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben", Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut", Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut", Fidelio, Act I, No. 6: Marsch, Fidelio, Act I, No. 6: Rezitativ. "Wo sind die Depeschen?", Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick!, Fidelio, Act I, No. 7: Rezitativ. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm", Fidelio, Act I, No. 8: Duett. "Jetzt, Alter, jetzt hat es Eile!", Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern", Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?", Fidelio, Act I, No. 9: Rezitativ: "Rocco, ihr verspracht mir so oft", Fidelio, Act I, No. No. 10: Finale. "O welche Lust!", Fidelio, Act I: Ouvertüre, Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen", Fidelio, Act II, No. 11: "Und spür ich nicht linde", Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!", Fidelio, Act II, No. 11: Introduktion, Fidelio, Act II, No. 12: Duett. "Nur hurtig fort, nur frisch gegraben", Fidelio, Act II, No. 12: Melodram. "Wie kalt ist es", Fidelio, Act II, No. 12: Rezitativ. "Er erwacht!", Fidelio, Act II, No. 13: Rezitativ. "Alles ist bereit", Fidelio, Act II, No. 13: Terzett. "Euch werde Lohn in besser'n Welten", Fidelio, Act II, No. 14: "Es schlägt der Rache Stunde!", Fidelio, Act II, No. 14: Quartett. "Er sterbe!", Fidelio, Act II, No. 14: Rezitativ. "Vater Rocco!", Fidelio, Act II, No. 15: Duett. "O namenlose Freude!", Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille", Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab", Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!", Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen", Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!", Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag", Fidelio, Op. 72: Act I. " Abscheulicher!" - "Komm, Hoffnung", Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung", In questa tomba oscura, WoO 133 (arr. Alexander Faris), Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Music to Goethe's Tragedy "Egmont" op.84: Overture, Ouvertüre "Leonore" No. 3 Op. 72a, Overture to Fidelio, Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro), Romance Cantabile, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": IV. Gewitter. Sturm. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No 4 in B flat, Op 60: I. Adagio — Allegro vivace, Symphony No 4 in B flat, Op 60: II. Adagio, Symphony No 4 in B flat, Op 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro), Symphony No 4 in B flat, Op 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook - Andante molto mosso, Symphony No.7 in A, Op.92: 1. Poco sostenuto - Vivace, Symphony No.7 in A, Op.92: 2. Allegretto, Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto, Symphony No.7 in A, Op.92: 4. Allegro con brio, Symphony no. 5 in C Minor, op. 67: I. Allegro con brio, Violin Concerto in D major, op. 61: I: Allegro ma non troppo, Violin Concerto in D major, op. 61: II: Larghetto, Violin Concerto in D major, op. 61: III: Rondo (Allegro)
Otto Klemperer conductor Die Geschöpfe des Prometheus - Ballet Op. 43: 16. Finale, Die Geschöpfe des Prometheus - Ballet Op. 43: 5. Adagio, Egmont - Incidental Music Op. 84: 1. Die Trommel gerühret, Egmont - Incidental Music Op. 84: 4. Freudvoll und leidvoll, Egmont - Incidental Music Op. 84: 7. Klärchens Tod bezeichnend, Fidelio, Act I, No. 10: "Ach! Vater, eilt!", Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht", Fidelio, Act I, No. 10: "Nun sprecht, wie ging's", Fidelio, Act I, No. 10: "Verwegener Alter", Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen", Fidelio, Act I, No. 1: Duett. "Jetzt, Schätzchen, jetzt sind wir allein", Fidelio, Act I, No. 1: Rezitativ. "Der arme Jaquino dauert mich beinahe", Fidelio, Act I, No. 2: Arie. "O wär ich schon mit dir vereint", Fidelio, Act I, No. 2: Rezitativ. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?", Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar", Fidelio, Act I, No. 3: Rezitativ. "Höre, Fidelio, weißt du, was ich tue?", Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben, Fidelio, Act I, No. 4: Rezitativ. "Ihr könnt das leicht sagen, Meister Rocco", Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben", Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut", Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut", Fidelio, Act I, No. 6: Marsch, Fidelio, Act I, No. 6: Rezitativ. "Wo sind die Depeschen?", Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick!, Fidelio, Act I, No. 7: Rezitativ. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm", Fidelio, Act I, No. 8: Duett. "Jetzt, Alter, jetzt hat es Eile!", Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern", Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?", Fidelio, Act I, No. 9: Rezitativ: "Rocco, ihr verspracht mir so oft", Fidelio, Act I, No. No. 10: Finale. "O welche Lust!", Fidelio, Act I: Aber Marzelline-, Fidelio, Act I: Abscheulicher! Wo eilst du hin, Fidelio, Act I: Ach! Vater, eilt!, Fidelio, Act I: Drei Schildwachen auf den Wall, Fidelio, Act I: Finale: O welche Lust!, Fidelio, Act I: Gut, Sohnchen, gut, hab'immer Mut, Fidelio, Act I: Guten Tag, Marzelline, Fidelio, Act I: Ha! Welch ein Augenblick!, Fidelio, Act I: Hat man nicht auch Gold, Fidelio, Act I: Hauptmann, besteigen Sie so gleich, Fidelio, Act I: Hore, Fidelio, wenn ich auch nicht weiss, Fidelio, Act I: Ihr konnt das leicht sagen, Meister Rocco, Fidelio, Act I: JJetzt, Alter, jetzt hat es Eile!, Fidelio, Act I: Jetzt, Schatzchen, sind wir allen, Fidelio, Act I: March, Fidelio, Act I: Mir ist so wunderbar.., Fidelio, Act I: Nun sprecht, wie ging's, Fidelio, Act I: O war' ich schon mit dir vereint, Fidelio, Act I: Ouvertüre, Fidelio, Act I: Wenn ich diese Tur heute nicht schon, Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen", Fidelio, Act II, No. 11: "Und spür ich nicht linde", Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!", Fidelio, Act II, No. 11: Introduktion, Fidelio, Act II, No. 12: Duett. "Nur hurtig fort, nur frisch gegraben", Fidelio, Act II, No. 12: Melodram. "Wie kalt ist es", Fidelio, Act II, No. 12: Rezitativ. "Er erwacht!", Fidelio, Act II, No. 13: Rezitativ. "Alles ist bereit", Fidelio, Act II, No. 13: Terzett. "Euch werde Lohn in besser'n Welten", Fidelio, Act II, No. 14: "Es schlägt der Rache Stunde!", Fidelio, Act II, No. 14: Quartett. "Er sterbe!", Fidelio, Act II, No. 14: Rezitativ. "Vater Rocco!", Fidelio, Act II, No. 15: Duett. "O namenlose Freude!", Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille", Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab", Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!", Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen", Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!", Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag", Fidelio, Act II: Alles ist bereit, Fidelio, Act II: Du schlossest auf des Edlen Grab, Fidelio, Act II: Er erwacht!, Fidelio, Act II: Er sterbe! Doch er soll erst wissen.., Fidelio, Act II: Es schlagt der Rache Stunde!, Fidelio, Act II: Euch werde Lohn in besser'n Welten, Fidelio, Act II: Finale: Heil sei dem Tag, heil sei der Stunde, Fidelio, Act II: Gott! Welch Dunkel hier!, Fidelio, Act II: Nur hurtig fort.., Fidelio, Act II: O namenlose Freude!, Fidelio, Act II: Vater Rocco! Vater Rocco!, Fidelio, Act II: Wie kalt ist es in diesem unterirdischen Gewolbe!, Fidelio: Ouverture, Fidelio: Overture Leonore No.3
Leonard Bernstein conductor Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Armer Jaquino, ich war ihm sonst recht gut" (Marzelline), Fidelio, Op. 72: Act I, Scene I. "Höre, Fidelio!" (Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) / No. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco) / No. 10d. Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) / No. 10e. / No. 10f., Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore), Fidelio, Op. 72: Act I, Scene II. "Drei Mann Schildwachen auf den Wall" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Marzelline!" - "Nein, ich will nicht ..." (Jaquino, Marzelline, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 11. Introduction "Gott! Welch Dunkel hier!" - Aria "In des Lebens Frühlingstagen", Fidelio, Op. 72: Act II, Scene I, No. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" - Duet "Nur hurtig fort, nur frisch gegraben", Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessem Welten", Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe! Doch er soll erst wissen" - "Vater Rocco! Der Herr Minister ist angekommen" - "Es schlägt der Rache Stunder", Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!", Fidelio, Op. 72: Act II, Scene I. "Alles ist bereit", Fidelio, Op. 72: Act II, Scene I. "Er erwacht", Fidelio, Op. 72: Act II, Scene II, No. 16. Finale "Heil sei dem Tag" - "Bestrafet sei der Bösewicht" - "O Gott! Welch ein Augenblick!" - "Wer ein holdes Weib errungen", Fidelio, Op. 72: Act II. Overture "Leonore III", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem, Overture, op. 117 "King Stephen": Andante con moto - Presto, Overture, op. 72b "Fidelio": Allegro, Overture, op. 84 "Egmont": Sostenuto, ma non troppo - Allegro, Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro, Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)...
Berliner Solisten performer, clarinet, double bass, piano, violin 2-part Canon in E flat major "Te solo adoro", WoO 186, 20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy", 25 Irish Songs WoO 152, No. 10 "The deserter", Canon for 2 "Ewig dein", WoO 161, Canon for 2 "Glück zum neuen Jahr", WoO 165, Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104, Canon for 2 "Te solo adoro", WoO 186, Canon for 2 Instruments in G major, Hess 274, Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191, Canon for 2 voices "Wir irren allesamt", WoO 198, Canon for 2, Anglaise in D major for piano, Hess 61, Canon for 3 "Ars longa, vita brevis", WoO 192, Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183, Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185, Canon for 3 "Falstafferel", WoO 184, Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164, Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1, Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173, Canon for 3 "Ich Küsse Sie", WoO 169, Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163, Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162, Canon for 3 "Wir irren allesamt", WoO 198, Canon for 4 "Brauchle, Linke", WoO 167, Canon for 4 "Es muss sein", WoO 196, Canon for 4 "Freu dich des Lebens", WoO 195, Canon for 4 "Gehabt euch wohl", WoO 181 No. 2, Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172, Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159, Canon for 4 "O Tobias!", WoO 182, Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179, Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102, Canon for 5 "Glaube und hoffe", WoO 174, Canon for 6 "Bester Magistrat, Ihr friert", WoO 177, Canon in 2 parts in B flat major "Gott ist eine feste Burg", WoO 188, Canon in 2 parts in C major "Freu dich des Lebens", WoO 195, Canon in 2 parts in C major "Hoffmann, sei ja kein Hofmann", WoO 180, Canon in 2 parts in C major "Ich küsse Sie", WoO 169, Canon in 2 parts in C major "Ich war hier, Doktor", WoO 190, Canon in 3 parts "Herr Graf, ich komme zu fragen", Hess 276, Canon in 3 parts in B flat major "Kühl, nicht lau", WoO 191, Canon in 3 parts in B flat major "Signor Abate ...", WoO 178, Canon in 3 parts in C major "Brauchle, Linke", WoO 167, Canon in 3 parts in C major "Ewig dein", WoO 161, Canon in 3 parts in C major "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164, Canon in 3 parts in D minor "O Tobias", WoO 182, Canon in 3 parts in E flat major "Ich bitt' dich, schreib' mir die Es-Scala auf ", WoO 172, Canon in 3 parts in F major "Das Schweigen: Lerne schweigen, o Freund", WoO 168/1, Canon in 3 parts in F major "Im Arm der Liebe ruht sich's wohl", WoO 159, Canon in 3 parts in F minor "Kurz ist der Schmerz", WoO 163, Canon in 4 parts in C major "Seiner Kaiserlichen Hoheit", WoO 179, Canon in 4 parts in F major "Bester Herr Graf, Sie sind ein Schaf", WoO 183, Canon in 4 parts in F major "Es muß sein ...", WoO 196, Canon in 4 parts in F major "Schwenke dich ohne Schwänke", WoO 187, Canon in 5 parts in C major "Das ist das Werk ...", WoO 197, Canon in 5 parts in G major "Falstafferel, lass dich sehen!", WoO 184, Canon in 6 parts in E major "Edel sei der Mensch, hülfreich und gut", WoO 185, Canon in E major for 2 male voices and 2 double-basses "Bester Magistrat, Ihr friert", WoO 177, Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180, Duet for 2 Violins in A major, WoO 34, Gesang der Mönche "Rasch tritt der Tod den Menschen an, ..." for 2 tenors and bass, WoO 104, Instrumental Canon for 2 in A flat major, Hess 275, Instrumental Canon for 3, WoO 160 No. 1, Instrumental Canon for 4, WoO 160 No. 2, Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 8. "Farewell mirth and hilarity", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 10. "The deserter", Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197, Musical Joke "Herr Graf, ich komme zu fragen", Hess 276, Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101, Musical joke for three voices "Lob auf den Dicken", WoO 100, Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277, Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1, Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187, Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188, Riddle Canon for 2 "Languisco e moro", Hess 229, Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175, Riddle Canon for 2 "Signor abate", WoO 178, Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2, Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3, Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190
Herbert von Karajan conductor Concerto pour Violon en ré majeur Op. 61: 3°mvt - Rondo. Allegro, Concerto pour piano No. 1 en ut majeur, Op. 15: II. Largo (ouverture), Concerto pour violon en ré majeur op. 61 : I. Allegro ma non troppo, Concerto pour violon en ré majeur op. 61 : II. Larghetto, Concerto pour violon en ré majeur op. 61 : Rondo : allegro, Die Weihe des Hauses, op. 124: Maestoso e sostenuto - Allegro con brio, Fidelio, Op. 72: Act II, Scene I, No. 16. "Du schlossest auf des Edlen Grab (Don Fernando, Leonore, Florestan, Marzelline, Rocco, Chor, Jaquino), Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro), Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco), Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline), Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung", Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo - Kadenz, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto - attacca:, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro - Kadenz, König Stephan, op. 117: Andante con moto - Allegro, ma non troppo, Leonore III, Missa Solemnis in D major, Op. 123, Gloria: Gloria in excelsis, Missa Solemnis in D major, Op. 123, Gloria: Qui tollis, Missa Solemnis in D major, Op. 123, Gloria: Quoniam tu solus sanctus, Missa Solemnis in D major, Op. 123: IIIa. Credo: Credo in unum Deum, Missa Solemnis in D major, Op. 123: IIIb. Credo: Et incarnatus est, Missa Solemnis in D major, Op. 123: IIIc. Credo: Et resurrexit, Missa Solemnis in D major, Op. 123: IVa. Sanctus, Missa Solemnis in D major, Op. 123: IVb. Benedictus, Missa Solemnis in D major, Op. 123: Kyrie, Missa Solemnis in D major, Op. 123: Va. Agnus Dei: Agnus Dei, Missa Solemnis in D major, Op. 123: Vb. Agnus Dei: Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Agnus Dei: Va. Agnus Dei, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Agnus Dei: Vb. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Credo: IIIa. Credo in unam Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Credo: IIIb. Et in carnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Credo: IIIc. Et resurrexit, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Gloria: IIa. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Gloria: IIb. Qui tollis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Gloria: IIc. Quoniam tu solus sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: I. Kyrie, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Sanctus: IVa. Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Sanctus: IVb. Benedictus, Ouvertüre aus Fidelio, Sinfonia No. 7: I., Sinfonia No. 7: II., Sinfonia No. 7: III., Sinfonia No. 7: IV., Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio, Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Symphonie No. 9 d-Moll, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphonie No. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie No. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie No. 9 d-Moll, Op. 125: IV. Presto - Allegro assai, Symphonie n°9, Symphony No. 3 in E Minor: Allegro Con Brio, Symphony No. 3 in E Minor: Allegro Molto, Symphony No. 3 in E Minor: Marcia Funebre, Symphony No. 3 in E Minor: Scherzo, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso (rehearsal), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile (rehearsal), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile -, Symphony no. 9 in D minor, op. 125: IV. Presto (rehearsal), Symphony no.4 in B flat, op. 60: I Adagio - Allegro vivace, Symphony no.4 in B flat, op. 60: II Adagio, Symphony no.4 in B flat, op. 60: III menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony no.4 in B flat, op. 60: IV Allegro ma non troppo, Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca, Zur Namensfeier, op. 115: Maestoso - Allegro assai vivace
Wiener Philharmoniker performing orchestra Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca, Coriolan, Ouvertüre op. 62, Des Frühlings Kommen Scena XII, Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Armer Jaquino, ich war ihm sonst recht gut" (Marzelline), Fidelio, Op. 72: Act I, Scene I. "Höre, Fidelio!" (Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) / No. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco) / No. 10d. Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) / No. 10e. / No. 10f., Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore), Fidelio, Op. 72: Act I, Scene II. "Drei Mann Schildwachen auf den Wall" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Marzelline!" - "Nein, ich will nicht ..." (Jaquino, Marzelline, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 11. Introduction "Gott! Welch Dunkel hier!" - Aria "In des Lebens Frühlingstagen", Fidelio, Op. 72: Act II, Scene I, No. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" - Duet "Nur hurtig fort, nur frisch gegraben", Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessem Welten", Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe! Doch er soll erst wissen" - "Vater Rocco! Der Herr Minister ist angekommen" - "Es schlägt der Rache Stunder", Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!", Fidelio, Op. 72: Act II, Scene I. "Alles ist bereit", Fidelio, Op. 72: Act II, Scene I. "Er erwacht", Fidelio, Op. 72: Act II, Scene II, No. 16. Finale "Heil sei dem Tag" - "Bestrafet sei der Bösewicht" - "O Gott! Welch ein Augenblick!" - "Wer ein holdes Weib errungen", Fidelio, Op. 72: Act II. Overture "Leonore III", Leonore N.3, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live), N.1 Duetto, N.10 Finale Scene IX, N.10 Finale Scene X, N.10 Finale Scene XI - XII, N.11 Introduzione E Aria, N.12 Melodramma E Duetto, N.13 Terzetto, N.14 Quartetto, N.15 Duetto, N.16 Finale Scene VI, N.16 Finale Scene VII, N.16 Finale Scene VII O Gott, N.16 Finale Scene VII Wer Ein Holdes Weib Errungen, N.2 Aria, N.3 Quartetto, N.4 Aria, N.5 Terzetto, N.6 Marcia, N.7 Aria Con Coro, N.8 Duetto, N.9 Recitativo E Aria, Ouverture, Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro, Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)..., Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio, Symphonie No. 5 c-Moll, Op. 67: II. Andante con moto, Symphonie No. 5 c-Moll, Op. 67: III. Allegro, Symphonie No. 5 c-Moll, Op. 67: IV. Allegro, Symphony no. 6 in F, op. 68 "Pastoral": II. Szene am Bach: (Andante molto mosso), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile -, Willingtons Sieg, op. 91, ベートーヴェン:交響曲 第9番 『合唱』 第4楽章より
Suske-Quartett (string quartet) performer Große Fuge in B-Flat Major, Op. 133, Minuet in A-Flat Major, Hess 33, String Quartet No. 1 in F Major, Op. 18 No. 1: I. Allegro con brio, String Quartet No. 1 in F Major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato, String Quartet No. 1 in F Major, Op. 18 No. 1: III. Scherzo. Allegro molto – Trio, String Quartet No. 1 in F Major, Op. 18 No. 1: IV. Allegro, String Quartet No. 10 in E-Flat Major, Op. 74 ‘Harp’: I. Poco adagio – Allegro, String Quartet No. 10 in E-Flat Major, Op. 74 ‘Harp’: II. Adagio ma non troppo, String Quartet No. 10 in E-Flat Major, Op. 74 ‘Harp’: III. Presto, String Quartet No. 10 in E-Flat Major, Op. 74 ‘Harp’: IV. Allegretto con variazioni, String Quartet No. 11 in F Minor, Op. 95 ‘Quartetto serioso’: I. Allegro con brio, String Quartet No. 11 in F Minor, Op. 95 ‘Quartetto serioso’: II. Allegretto ma non troppo, String Quartet No. 11 in F Minor, Op. 95 ‘Quartetto serioso’: III. Allegro assai vivace, ma serioso, String Quartet No. 11 in F Minor, Op. 95 ‘Quartetto serioso’: IV. Larghetto espressivo – Allegretto agitato – Allegro, String Quartet No. 12 in E-Flat Major, Op. 127: I. Maestoso – Allegro, String Quartet No. 12 in E-Flat Major, Op. 127: II. Adagio ma non troppo e molto cantabile, String Quartet No. 12 in E-Flat Major, Op. 127: III. Scherzando vivace, String Quartet No. 12 in E-Flat Major, Op. 127: IV. Finale, String Quartet No. 13 in B-Flat Major, Op. 130: I. Adagio ma non troppo – Allegro, String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto, String Quartet No. 13 in B-Flat Major, Op. 130: III. Andante con moto, ma non troppo, String Quartet No. 13 in B-Flat Major, Op. 130: IV. Alla danza tedesca: Allegro assai, String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina: Adagio molto espressivo, String Quartet No. 13 in B-Flat Major, Op. 130: VI. Finale: Allegro, String Quartet No. 14 in C-Sharp Minor, Op. 131: I. Adagio ma non troppo e molto espressivo, String Quartet No. 14 in C-Sharp Minor, Op. 131: II. Allegro molto vivace, String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro molto moderato – Adagio – Più vivace, String Quartet No. 14 in C-Sharp Minor, Op. 131: IV. Andante ma non troppo e molto cantabile, String Quartet No. 14 in C-Sharp Minor, Op. 131: V. Presto, String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio quasi un poco andante, String Quartet No. 14 in C-Sharp Minor, Op. 131: VII. Allegro, String Quartet No. 15 in A Minor, Op. 132: I. Assai sostenuto – Allegro, String Quartet No. 15 in A Minor, Op. 132: II. Allegro ma non troppo, String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio: Heiliger Dankgesang eines Genesenen an die Gottheit in der lydischen Tonart, String Quartet No. 15 in A Minor, Op. 132: IV. Alla marcia, assai vivace, String Quartet No. 15 in A Minor, Op. 132: V. Finale: Allegro appassionato, String Quartet No. 16 in F Major, Op. 135: I. Allegretto, String Quartet No. 16 in F Major, Op. 135: II. Vivace, String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo, String Quartet No. 16 in F Major, Op. 135: IV. Grave ma non troppo tratto – Allegro, String Quartet No. 2 in G Major, Op. 18 No. 2: I. Allegro, String Quartet No. 2 in G Major, Op. 18 No. 2: II. Adagio cantabile – Allegro – Tempo I, String Quartet No. 2 in G Major, Op. 18 No. 2: III. Scherzo. Allegro – Trio, String Quartet No. 2 in G Major, Op. 18 No. 2: IV. Allegro molto, quasi presto, String Quartet No. 3 in D Major, Op. 18 No. 3: I. Allegro, String Quartet No. 3 in D Major, Op. 18 No. 3: II. Andante con moto, String Quartet No. 3 in D Major, Op. 18 No. 3: III. Allegro, String Quartet No. 3 in D Major, Op. 18 No. 3: IV. Presto, String Quartet No. 4 in C Minor, Op. 18 No. 4: I. Allegro ma non tanto, String Quartet No. 4 in C Minor, Op. 18 No. 4: II. Scherzo. Andante scherzo, quasi allegretto, String Quartet No. 4 in C Minor, Op. 18 No. 4: III. Menuetto. Allegretto – Trio, String Quartet No. 4 in C Minor, Op. 18 No. 4: IV. Allegro, String Quartet No. 5 in A Major, Op. 18 No. 5: I. Allegro, String Quartet No. 5 in A Major, Op. 18 No. 5: II. Menuetto – Trio, String Quartet No. 5 in A Major, Op. 18 No. 5: III. Andante cantabile, String Quartet No. 5 in A Major, Op. 18 No. 5: IV. Allegro, String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: I. Allegro con brio, String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: II. Adagio ma non troppo, String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: III. Scherzo. Allegro – Trio, String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: IV. Adagio (La Malinconia) – Allegretto, quasi allegro, String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: I. Allegro, String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: III. Adagio molto e mesto, String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: IV. Allegro (Thème russe), String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: I. Allegro, String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: II. Molto adagio, String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: III. Allegretto, String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: IV. Finale. Presto, String Quartet No. 9 in C Major, Op. 59 No. 3 ‘Rasumovsky’: I. Introduzione: Andante con moto – Allegro vivace, String Quartet No. 9 in C Major, Op. 59 No. 3 ‘Rasumovsky’: II. Andante con moto, quasi allegretto, String Quartet No. 9 in C Major, Op. 59 No. 3 ‘Rasumovsky’: III. Menuetto: Grazioso – Trio, String Quartet No. 9 in C Major, Op. 59 No. 3 ‘Rasumovsky’: IV. Allegro molto
Hungarian Quartet strings Quartet 1, Op 18, No.1 In F Major: 1. Allegro Con Brio, Quartet 1, Op 18, No.1 In F Major: 2. Adagio Affettuose Appassionato, Quartet 1, Op 18, No.1 In F Major: 3. Scherzo (Allegro Molto), Quartet 1, Op 18, No.1 In F Major: 4. Allegro, Quartet 10, Op. 74, In E Flat Major: 1. Poco Adagio - Allegro, Quartet 10, Op. 74, In E Flat Major: 2. Adagio Ma Non Troppo, Quartet 10, Op. 74, In E Flat Major: 3. Presto, Quartet 10, Op. 74, In E Flat Major: 4. Allegretto Con Variazioni, Quartet 11, Op. 95, In F Minor: 1. Allegro Con Brio, Quartet 11, Op. 95, In F Minor: 2. Allegretto Ma Non Troppo, Quartet 11, Op. 95, In F Minor: 3. Allegro Assai Vivace, Ma Serioso, Quartet 11, Op. 95, In F Minor: 4. Larghetto Espressivo - Allegro Agitato - Allegro, Quartet 12, Op. 127, In E Flat Major: 1. Maestoso - Allegro, Quartet 12, Op. 127, In E Flat Major: 2. Adagio Ma Non Troppo E Molto Cantabile, Quartet 12, Op. 127, In E Flat Major: 3. Scherzando Vivace, Quartet 12, Op. 127, In E Flat Major: 4. Finale, Quartet 13, Op. 130, In B Flat Major: 1. Adagio Ma Non Troppo - Allegro, Quartet 13, Op. 130, In B Flat Major: 2. Presto, Quartet 13, Op. 130, In B Flat Major: 3. Andante Con Moto Ma Non Troppo, Quartet 13, Op. 130, In B Flat Major: 4. Alla Danza Tedesca (Allegro Assai), Quartet 13, Op. 130, In B Flat Major: 5. Cavatine (Adagio Molto Espressivo), Quartet 13, Op. 130, In B Flat Major: 6. Finale (Allegro), Quartet 17, Op. 133, In B Flat Major: Grande Fugue, Quartet 2, Op 18, No.2 In G Major: 1. Allegro, Quartet 2, Op 18, No.2 In G Major: 2. Adagio Cantbile - Allegro, Quartet 2, Op 18, No.2 In G Major: 3. Scherzo (Allegro), Quartet 2, Op 18, No.2 In G Major: 4. Allegro Molto Quasi Presto, Quartet 3, Op 18, No.3 In D Major: 1. Allegro, Quartet 3, Op 18, No.3 In D Major: 2. Andante Con Moto, Quartet 3, Op 18, No.3 In D Major: 3. Allegro, Quartet 3, Op 18, No.3 In D Major: 4. Presto, Quartet 4, Op 18, No.4 In C Minor: 1. Allegro Ma Non Tanto, Quartet 4, Op 18, No.4 In C Minor: 2. Andante Scherzo Quasi Allegretto, Quartet 4, Op 18, No.4 In C Minor: 3. Minuetto (Allegretto), Quartet 4, Op 18, No.4 In C Minor: 4. Allegro, Quartet 5, Op 18, No.5 In A Major: 1. Allegro, Quartet 5, Op 18, No.5 In A Major: 2. Minuetto, Quartet 5, Op 18, No.5 In A Major: 3. Andante Cantabile, Quartet 5, Op 18, No.5 In A Major: 4. Allegro, Quartet 6, Op 18, No.6 In B Flat Major: 1. Allegro Con Brio, Quartet 6, Op 18, No.6 In B Flat Major: 2. Adagio Ma Non Troppo, Quartet 6, Op 18, No.6 In B Flat Major: 3. Scherzo (Allegro), Quartet 6, Op 18, No.6 In B Flat Major: 4. Adagio (La Melancolica) - Allegretto, Quartet 7, Op. 59, No.1 In F Major: 1. Allegro, Quartet 7, Op. 59, No.1 In F Major: 2. Allegretto Vivace E Sempre Scherzando, Quartet 7, Op. 59, No.1 In F Major: 3. Adagio Molto E Mesto, Quartet 7, Op. 59, No.1 In F Major: 4. Allegro (Theme Russe), Quartet 8, Op. 59, No.2 In E Minor: 1. Allegro, Quartet 8, Op. 59, No.2 In E Minor: 2. Molto Adagio, Quartet 8, Op. 59, No.2 In E Minor: 3. Allegretto, Quartet 8, Op. 59, No.2 In E Minor: 4. Finale (Presto), Quartet 9, Op. 59, No.3 In C Major: 1. Andante Con Moto - Allegro Vivace, Quartet 9, Op. 59, No.3 In C Major: 2. Andante Con Moto Quasi Allegretto, Quartet 9, Op. 59, No.3 In C Major: 3. Minuetto, Quartet 9, Op. 59, No.3 In C Major: 4. Allegro Molto, String Quartet No. 14 in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo, String Quartet No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace, String Quartet No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, String Quartet No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile, String Quartet No. 14 in C-sharp minor, Op. 131: V. Presto, String Quartet No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, String Quartet No. 14 in C-sharp minor, Op. 131: VII. Allegro, String Quartet No. 15 in A minor, Op. 132: I. Assai sostenuto - Allegro, String Quartet No. 15 in A minor, Op. 132: II. Allegro ma non tanto, String Quartet No. 15 in A minor, Op. 132: III. Molto adagio. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart, String Quartet No. 15 in A minor, Op. 132: IV. Alla marcia, assai vivace, String Quartet No. 15 in A minor, Op. 132: V. Allegro appassionato, String Quartet No. 16 in F major, Op. 135: I. Allegretto, String Quartet No. 16 in F major, Op. 135: II. Vivace, String Quartet No. 16 in F major, Op. 135: III. Lento assai, cantate e tranquillo, String Quartet No. 16 in F major, Op. 135: IV. Grave, ma non troppo tratto - Allegro
Kammerchor der Berliner Singakademie vocal "Ars longa, vita brevis", WoO 192, "Bester Herr Graf, Sie sind ein Schaf!", WoO 183, "Bester Magistrat, lhr friert!", WoO 177, "Esel aller Esel", Hess 277, "Freu dich des Lebens!", WoO 195, "Glaube und hoffe!", WoO 174, "Glück zum neuen Jahr!", WoO 165, "Gott ist eine feste Burg", WoO 188, "Hol' euch der Teufel! B'hüt' euch Gott!", WoO 173, "Lob auf den Dicken", WoO 100, "Sankt Petrus war ein Fels!", WoO 175, "Wir irren allesamt", WoO 198, Canon "Glaube und hoffe", for 4 voices, WoO 174, Canon for 2 "Ewig dein", WoO 161, Canon for 2 "Glück zum neuen Jahr", WoO 165, Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104, Canon for 2 "Te solo adoro", WoO 186, Canon for 2 Instruments in G major, Hess 274, Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191, Canon for 2, Anglaise in D major for piano, Hess 61, Canon for 3 "Ars longa, vita brevis", WoO 192, Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183, Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185, Canon for 3 "Falstafferel", WoO 184, Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164, Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1, Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173, Canon for 3 "Ich Küsse Sie", WoO 169, Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163, Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162, Canon for 3 "Wir irren allesamt", WoO 198, Canon for 4 "Brauchle, Linke", WoO 167, Canon for 4 "Es muss sein", WoO 196, Canon for 4 "Freu dich des Lebens", WoO 195, Canon for 4 "Gehabt euch wohl", WoO 181 No. 2, Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172, Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159, Canon for 4 "O Tobias!", WoO 182, Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179, Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102, Canon for 5 "Glaube und hoffe", WoO 174, Canon for 6 "Bester Magistrat, Ihr friert", WoO 177, Canon in 2 parts in B flat major "Hol' euch der Teufel! B'hüt euch Gott", WoO 173, Canon in 2 parts in F major "Ars longa, vita brevis", WoO 192, Canon in 2 parts with 1 ostinato part "Esel aller Esel", Hess 277, Canon in 4 parts in E flat major "Glück zum neuen Jahr", WoO 165, Canon in 4 parts in F major "Bester Herr Graf, Sie sind ein Schaf", WoO 183, Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180, Canons (2) in 2 parts "Sankt Petrus war ein Fels!", WoO 175, Duet for 2 Violins in A major, WoO 34, Instrumental Canon for 2 in A flat major, Hess 275, Instrumental Canon for 3, WoO 160 No. 1, Instrumental Canon for 4, WoO 160 No. 2, Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171, Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197, Musical Joke "Herr Graf, ich komme zu fragen", Hess 276, Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101, Musical joke for three voices "Lob auf den Dicken", WoO 100, Musical joke for three voices & chorus "Lob auf den Dicken"; WoO 100: "Schuppanzigh ist ein Lump", Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277, Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1, Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187, Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188, Riddle Canon for 2 "Languisco e moro", Hess 229, Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175, Riddle Canon for 2 "Signor abate", WoO 178, Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2, Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3, Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190, Three canons, WoO 181 No. 3 - canon for 3 voices "Tugend ist kein leerer Name"
Rainer Maria Klaas piano 12 Deutsche Tänze WoO 13 No. 1 in D major, 12 Deutsche Tänze WoO 13 No. 10 in C major, 12 Deutsche Tänze WoO 13 No. 11 in A major, 12 Deutsche Tänze WoO 13 No. 12 in D major, 12 Deutsche Tänze WoO 13 No. 2 in B-flat major, 12 Deutsche Tänze WoO 13 No. 3 in G major, 12 Deutsche Tänze WoO 13 No. 4 in D major, 12 Deutsche Tänze WoO 13 No. 5 in F major, 12 Deutsche Tänze WoO 13 No. 6 in B-flat major, 12 Deutsche Tänze WoO 13 No. 7 in D major, 12 Deutsche Tänze WoO 13 No. 8 in G major, 12 Deutsche Tänze WoO 13 No. 9 in E-flat major, 20 Irish Songs WoO 153, No. 11, "When Far From the Home", 20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints", 20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last", 20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty", 20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love", 20 Irish Songs WoO 153, No. 18, "No More, My Mary", 20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature", 20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store", 20 Irish Songs WoO 153, No. 3, "The British Light Dragoons", 20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season", 20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left", 25 Irish Songs WoO 152, No. 1, "The Return to Ulster", 25 Irish Songs WoO 152, No. 12, "English Bulls", 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", 25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home", 25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin", 25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee", 25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face", 25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide", 25 Irish Songs WoO 152, No. 9, "The Soldier's Dream", 6 Ecossaises in E-flat major WoO 83 No. 1, 6 Ecossaises in E-flat major WoO 83 No. 2, 6 Ecossaises in E-flat major WoO 83 No. 3, 6 Ecossaises in E-flat major WoO 83 No. 4, 6 Ecossaises in E-flat major WoO 83 No. 5, 6 Ecossaises in E-flat major WoO 83 No. 6, 7 Ländler in D major WoO 11 No. 1, 7 Ländler in D major WoO 11 No. 2, 7 Ländler in D major WoO 11 No. 3, 7 Ländler in D major WoO 11 No. 4, 7 Ländler in D major WoO 11 No. 5, 7 Ländler in D major WoO 11 No. 6, 7 Ländler in D major WoO 11 No. 7, Ecossaise in G major WoO 23, Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp", Seven British Folksongs, WoO 158/b, "Erin! O Erin!", Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk", Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)", Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab", Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion", Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears", Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal), Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine), Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian), Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol), Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol)
Eva Ander piano 12 Variations for Violin and Piano on "Se vuol ballare" from Mozart's "Le nozze di Figaro", WoO 40, Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy", Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart", Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad", Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father", Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd", Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be", Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset", Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie", Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress", Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch", Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song", Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre", Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley", Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours", Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla", Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie", Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye", Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie", Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves", Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I
Hermann Scherchen conductor Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn", Symphony no. 1 in C major, op.21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op.21: II. Andante cantabile con moto, Symphony no. 1 in C major, op.21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op.21: IV. Adagio - Allegro molto e vivace, Symphony no. 2 in D major, op. 36: I. Adagio - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Schrezo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 2 in D, op. 36: 1. Adagio Molto - Allegro Con Brio, Symphony no. 2 in D, op. 36: 3. Scherzo (Allegro), Symphony no. 2 in D, op. 36: 4. Allegro Molto, Symphony no. 3 in E-flat major, op.55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op.55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op.55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op.55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in E-flat, op. 55 "Eroica": 2. Marcia Funebre (Adagio Assai), Symphony no. 3 in E-flat, op. 55 "Eroica": 3. Scherzo (Allegro Vivace), Symphony no. 4 in B Flat, op. 60: 1. Adagio - Allegro Vivace, Symphony no. 4 in B Flat, op. 60: 2. Adagio, Symphony no. 4 in B Flat, op. 60: 3. Allegro Vivace, Symphony no. 4 in B-flat major, op.60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op.60: II. Adagio, Symphony no. 4 in B-flat major, op.60: III. Allegro vivace, Symphony no. 4 in B-flat major, op.60: IV. Allegro ma non troppo, Symphony no. 5 in C minor "Fate", op. 67: I. Allegro con brio, Symphony no. 5 in C minor "Fate", op. 67: II. Andante con moto, Symphony no. 5 in C minor "Fate", op. 67: III. Allegro, Symphony no. 5 in C minor "Fate", op. 67: IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto moto, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": V. Allegretto, Symphony no. 6 in F, op. 68 "Pastoral": 2. Szene Am Bach (Andante Molto Mosso), Symphony no. 6 in F, op. 68 "Pastoral": 4. Gewitter, Sturm (Allegro), Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op.93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op.93: II. Allegretto scherzando, Symphony no. 8 in F major, op.93: III.Tempo di menuetto, Symphony no. 8 in F major, op.93: IV. Allegro vivace, Symphony no. 8 in F, op. 93: 2. Allegretto Scherzando, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, Un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto, Allegro assai, Wellington's Victory or the Battle Symphony, op. 91: 1. Battle
Anton Nanut (conductor) conductor As criaturas de Prometeu, op. 43: Abertura, As ruínas de Atenas, op. 113: Abertura, Egmont, Op. 84: Overture, Fidelio, Op. 72: Ouvertüre, Fidelio, op. 72, Klavierkonzert Nr. 1 C-DUR, op. 15: Allegro con brio, Klavierkonzert Nr. 1 C-DUR, op. 15: Largo, Klavierkonzert Nr. 1 C-DUR, op. 15: Rondo: Allegro, Konzert für Klavier und Orchester Nr. 1 C-Dur op. 15, 3. Satz: Rondo: Allegro, Leonore III op. 72a, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Overture 'King Stephan' Op. 117, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro, Sinfonie Nr. 5 c-moll op. 67, 1.Satz: Allegro con brio, Sinfonie Nr. 8 F-Dur op. 93, 2.Satz: Allegretto scherzando, Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto - Vivace (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: II. Allegretto (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: III. Presto - Assai meno presto (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brio (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie Nr. 5 Op. 67 C-Moll I: Allegro con brio, Symphonie Nr. 5 Op. 67 C-Moll II: Andante con moto, Symphonie Nr. 5 Op. 67 C-Moll III: Allegro, Symphonie Nr. 5 Op. 67 C-Moll V: Allegro, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: II. Funeral March. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: IV. Finale. Allegro molto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4: Adagio, Symphony No. 4: Adagio - Allegro vivace, Symphony No. 4: Allegro ma non troppo, Symphony No. 4: Allegro vivace, Symphony No. 5 in C minor Op. 67: I. Allegro, Symphony No. 5 in C minor Op. 67: I. Allegro con brio, Symphony No. 5 in C minor Op. 67: II. Andante con moto, Symphony No. 5 in C minor Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 7: Allegretto, Symphony No. 7: Allegro con brio, Symphony No. 7: Poco sostenuto - Vivace, Symphony No. 7: Presto, Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio, Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso, Symphony no. 7 in A major, op. 92: III. Presto assai, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Violin Romance No. 2 in F major, Op. 50
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) performing orchestra As criaturas de Prometeu, op. 43: Abertura, As ruínas de Atenas, op. 113: Abertura, Egmont, Op. 84: Overture, Fidelio Overture Op.72, Fidelio, Op. 72: Ouvertüre, Fidelio, op. 72, Introduction to Symphony No. 5, Klavierkonzert Nr. 1 C-DUR, op. 15: Allegro con brio, Klavierkonzert Nr. 1 C-DUR, op. 15: Largo, Klavierkonzert Nr. 1 C-DUR, op. 15: Rondo: Allegro, Konzert für Klavier und Orchester Nr. 1 C-Dur op. 15, 3. Satz: Rondo: Allegro, Leonore III op. 72a, Overture 'King Stephan' Op. 117, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro, Sinfonie Nr. 5 c-moll op. 67, 1.Satz: Allegro con brio, Sinfonie Nr. 8 F-Dur op. 93, 2.Satz: Allegretto scherzando, Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto - Vivace (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: II. Allegretto (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: III. Presto - Assai meno presto (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brio (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie Nr. 5 Op. 67 C-Moll I: Allegro con brio, Symphonie Nr. 5 Op. 67 C-Moll II: Andante con moto, Symphonie Nr. 5 Op. 67 C-Moll III: Allegro, Symphonie Nr. 5 Op. 67 C-Moll V: Allegro, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: II. Funeral March. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: IV. Finale. Allegro molto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4: Adagio, Symphony No. 4: Adagio - Allegro vivace, Symphony No. 4: Allegro ma non troppo, Symphony No. 4: Allegro vivace, Symphony No. 5 in C minor Op. 67: I. Allegro, Symphony No. 5 in C minor Op. 67: I. Allegro con brio, Symphony No. 5 in C minor Op. 67: II. Andante con moto, Symphony No. 5 in C minor Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 7: Allegretto, Symphony No. 7: Allegro con brio, Symphony No. 7: Poco sostenuto - Vivace, Symphony No. 7: Presto, Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio, Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso, Symphony no. 7 in A major, op. 92: III. Presto assai, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Triple Concerto: I. Allegro, Triple Concerto: II. Largo, Triple Concerto: III. Rondo alla Polka, Violin Romance No. 2 in F major, Op. 50
London Symphony Orchestra conductor, performer, performing orchestra Adagio Sostenuto "Moonlight Sonata", Adaptation - The Pathetique, Egmont Overture - Incidental Music, op. 84, Epilogue (Beethoven Piano Concerto No. 5 "Emperor" - II), Fidelio - Mir Ist So Wundebar, Für Elise, Leonora: Overture No. 3 in C minor, Op. 72a, Leonore Overture No. 3, Op. 72b, Mass in C: I. Kyrie, Mass in C: II. Gloria, Mass in C: III. Credo, Mass in C: IV. Sanctus, Mass in C: V. Benedictus, Mass in C: VI. Agnus Dei, Menuet en sol majeur, Menuett In G, Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Ode to Joy 9th Symphony 4th Movement, Ode to joy, 9th symphony, Seid Umschlungen, Millionen, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Speaking Unto Nations (Beethoven Symphony No. 7 - II), Symphonie Nr. 5 - 1. Satz, Symphonie Nr. 5 - 2. Satz, Symphonie Nr. 5 - 3. Satz, Symphonie Nr. 5 - 4. Satz, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 5 in C Minor, Op. 67: IV. Allegro, Symphony No. 5 in C minor, Op. 67 "Fate": I. Allegro con brio, Symphony No. 5 in C minor, Op. 67 "Fate": II. Andante con moto, Symphony No. 5 in C minor, Op. 67 "Fate": III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67 "Fate": IV. Allegro, Symphony No. 5 in C minor, Op. 67: Allegro / Allegro - Allegro - Presto, Symphony No. 5 in C minor, Op. 67: Allegro con brio, Symphony No. 5 in C minor, Op. 67: Andante con moto, Symphony No. 6 in F major, Op. 68 'Pastorale': V. Allegretto, Symphony No. 7 in A major, Op. 92, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV 4. Allegro con brio, Symphony No. 9, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Ode to Joy (excerpt), Symphony No. 9 in D minor, Op. 125 'Choral': II. Scherzo. Molto vivace, Symphony No. 9 in D minor, Op. 125: 4th Movement (excerpt), Symphony No.9 in D minor, Op.125 "Choral": 1. Allegro ma non troppo, un poco maestoso, Symphony No.9 in D minor, Op.125 "Choral": 2. Molto vivace, Symphony No.9 in D minor, Op.125 "Choral": 3. Adagio molto e cantabile, Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai, Symphony no. 5 in C minor, op. 67 "Fate", Symphony no. 6 in F major, op. 68 "Pastoral", Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro, Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai, Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio
Arthur Rubinstein (pianist) piano Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco moto, Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro., Concerto for Piano and Orchestra No.1 in C major, Op. 15: I. Allegro con brio, Concerto for Piano and Orchestra No.1 in C major, Op. 15: II. Largo, Concerto for Piano and Orchestra No.1 in C major, Op. 15: III. Rondo. Allegro scherzando, Concerto for Piano and Orchestra No.2 in B-flat major, Op. 19: I. Allegro con brio, Concerto for Piano and Orchestra No.2 in B-flat major, Op. 19: II. Adagio, Concerto for Piano and Orchestra No.2 in B-flat major, Op. 19: III. Rondo. Molto allegro, Concerto for Piano and Orchestra No.3 in C minor, Op. 37: I. Allegro con brio, Concerto for Piano and Orchestra No.3 in C minor, Op. 37: II. Largo, Concerto for Piano and Orchestra No.3 in C minor, Op. 37: III. Rondo. Allegro, Concerto for Piano and Orchestra No.4 in G major, Op. 58: I. Allegro moderato, Concerto for Piano and Orchestra No.4 in G major, Op. 58: II. Andante con moto, Concerto for Piano and Orchestra No.4 in G major, Op. 58: III. Rondo. Vivace, Concerto for Piano and Orchestra No.4 in G major, Op. 58: III. Rondo: Vivace, Piano Sonata No. 18 in E-Flat Major, Op. 31/3 "The Hunt": I. Allegro, Piano Sonata No. 18 in E-Flat Major, Op. 31/3 "The Hunt": II. Scherzo. Allegretto Vivace, Piano Sonata No. 18 in E-Flat Major, Op. 31/3 "The Hunt": III. Menuetto. Moderato E Grazioso, Piano Sonata No. 18 in E-Flat Major, Op. 31/3 "The Hunt": IV. Presto Con Fuoco, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt" III. Minuetto: Moderato e grazioso, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt": I. Sonata Allegro, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt": II. Scherzo: Allegretto vivace, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt": III. Menuetto: Moderato e grazioso, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt": IV. Presto con fuoco, Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro Con Brio, Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": II. Introduzione. Adagio Molto, Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": III. Rondo. Allegretto Moderato - Prestissimo, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto - attacca:, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro, ma non troppo - Presto, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": I. Grave - Allegro di molto con brio, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": I. Grave - Allegro di molto e con brio, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": II. Adagio cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": III. Rondo. Allegro, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": III. Rondo: Allegro, Piano Sonata no. 14 in C-sharp minor, op. 27/2 "Moonlight": I. Adagio sostenuto, Piano Sonata no. 14 in C-sharp minor, op. 27/2 "Moonlight": II. Allegretto, Piano Sonata no. 14 in C-sharp minor, op. 27/2 "Moonlight": III. Presto agitato, Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl (Les Adieux), Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Abwesenheit (L'Absence), Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn (Le Retour), Piano Sonata no. 8 in C minor, op. 13 "Pathetique": I. Grave - Allegro di molto e con brio, Piano Sonata no. 8 in C minor, op. 13 "Pathetique": II. Adagio cantabile, Piano Sonata no. 8 in C minor, op. 13 "Pathetique": III. Rondo. Allegro, Sonata for Piano and Violin No. 5 in F Major, Op. 24 "Spring": I. Allegro, Sonata for Piano and Violin No. 5 in F Major, Op. 24 "Spring": II. Adagio Molto Espressivo, Sonata for Piano and Violin No. 5 in F Major, Op. 24 "Spring": III. Scherzo. Allegro Molto - Trio, Sonata for Piano and Violin No. 5 in F Major, Op. 24 "Spring": IV. Rondo. Allegro Ma Non Troppo, Sonata for Piano and Violin No. 9 in a Major, Op. 47 "Kreutzer": I. Adagio Sostenuto - Presto, Sonata for Piano and Violin No. 9 in a Major, Op. 47 "Kreutzer": II. Andante Con Variazioni (I-IV), Sonata for Piano and Violin No. 9 in a Major, Op. 47 "Kreutzer": III. Finale. Presto, Sonata for Piano and Violin no. 8 in G major, op. 30/3: I. Allegro assai, Sonata for Piano and Violin no. 8 in G major, op. 30/3: II. Tempo di minuetto, ma molto moderato e grazioso, Sonata for Piano and Violin no. 8 in G major, op. 30/3: III. Allegro vivace
John Newton (editor, engineer mixer) engineer, producer Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53)
Staatskapelle Dresden performing orchestra "Pastoral" Symphony: V., Fidelio: Act I, No. 1. "Der arme Jaquino!" (Marzeline), Fidelio: Act I, No. 10. "Leb' wohl, du warmes Sonnenlicht" (Geganfenen, Marzeline, Leonore, Jaquino, Pizarro, Rocco), Fidelio: Act I, No. 10. "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizzarro), Fidelio: Act I, No. 10. Finale "O welche Lust" (Gefangenen, Erster Gefangener, Zweiter Gefanfener), Fidelio: Act I, No. 2. Aria "O wär ich schon mit der vereint" (Marzeline), Fidelio: Act I, No. 3. "Marzelline, ist Fidelio noch nicht zurück-gokommen?" (Rocco, Mazeline, Leonore), Fidelio: Act I, No. 3. Quartet "Mir ist so Wunderbar" (Mazeline, Leonore, Rocco, Jaquino), Fidelio: Act I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio: Act I, No. 4. Aria "Höre, Fidelio!" (Rocco, Marzeline. Leonore), Fidelio: Act I, No. 5. "Ihr Könnt das leicht sagen" (Leonore, Rocco, Mrzeline), Fidelio: Act I, No. 5. Trio "Gut, Söhnchen gut" (Rocco, Leonore, Marzeline), Fidelio: Act I, No. 6. "Hauptmann! drei Schildwachen auf den Wall!" (Pizzarro, Rocco), Fidelio: Act I, No. 6. March, Fidelio: Act I, No. 7. "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizzarro, Rocco), Fidelio: Act I, No. 7. Aria and Chorus "Ha! welch ein Augenblick!" (pizzarro, Chor der wache), Fidelio: Act I, No. 8. Duet "Jetzt, Alter jetzt hat es Eile!" (Pizzarro, Rocco), Fidelio: Act I, No. 9. "Aber Marzelline..." (Jaquino, Marzeline, Rocco, Leonore), Fidelio: Act I, No. 9. Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore), Fidelio: Act II, No. 11. Recitative and Aria "Gott! Welch Dunkel hier!" (Florestan), Fidelio: Act II, No. 12. "Er erwacht, sagst du?" (Rocco, Leonore, Florestan), Fidelio: Act II, No. 12. Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco), Fidelio: Act II, No. 13. "Ist alles bereit?" (Pizarro, Rocco, Leonore), Fidelio: Act II, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio: Act II, No. 14. "Vater, Rocco" (Jaquino, Rocco, Leonore, Florestan, Pizarro), Fidelio: Act II, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio: Act II, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan), Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino), Fidelio: Overture, Fidelio: Overture "Leonore III", Klavierkonzert Nr. 5: II. Adagio, Leonore, Op. 72: "Ach brich noch nicht, komm Hoffnung" (Leonore), Leonore, Op. 72: "O welche Lust!" (Gefangenenchor), Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto, Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 6 in F, Op. 68, "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No. 9 in D minor, Op. 125 "Choral":"O Freunde, nicht diese Tone!", Symphony No. 9 in D minor, Op. 125 "Choral":Allegro assai, Symphony No.3 in E flat major, op.55 "Eroica" - I. Allegro con brio, Symphony No.3 in E flat major, op.55 "Eroica" - II. Marcia funebre: Adagio assai, Symphony No.3 in E flat major, op.55 "Eroica" - III. Scherzo: Allegro vivace, Symphony No.3 in E flat major, op.55 "Eroica" - IV. Finale: Allegro molto, Symphony no. 5: I., Symphony no. 7: II.
Peter Schreier vocal "Als die Geliebte sich trennen wollte", WoO 132, "An die Hoffnung", Op. 94, "Der Jüngling in der Fremde", song for voice & piano, WoO 138, "La partenza", WoO 124, "Lied aus der Ferne", for voice & piano, WoO 137, "Ruf vom Berge", song for voice & piano, WoO 147, "Sehnsucht", song for voice & piano, WoO 146, "Seufzer eines Ungeliebten", WoO 118, Abendlied unterm gestirnten Himmel, song for voice & piano, WoO 150, Agnus Dei, An Laura, song for voice & piano, WoO 112, An Minna, song for voice & piano, WoO 115, An die Geliebte, song for voice & piano, WoO 140 (1. version), An die Geliebte, song for voice & piano, WoO 140 (2. version), An die ferne Geliebte , Op. 98, No. 1: ‘Auf dem Hügel sitz ich spähend’ (extract), Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen", Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur", Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?", Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen", Benedictus, Credo, Das Geheimnis, song for voice & piano, WoO 145, Der Freie Mann, song for voice & piano (or orchestra), WoO 117, Der Liebende, song for voice & piano, WoO 139, Des Kriegers Abschied, song for voice & piano, WoO 143, Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verblühen", Elegie auf den Tod eines Pudels, for voice & piano, WoO 110, Gedenke mein, for voice & piano, WoO 130, Gloria, Klage, song for voice & piano, WoO 113, Kyrie, La Tiranna for voice & piano, WoO 125, O care selve, oh cara, for voice & piano/orchestra, WoO 119, Plaisir d'aimer, for voice & piano "Romance", WoO 128, Punschlied "Wer nicht, wenn warm von Hand" for voice, unsion chorus & piano, WoO 111, Que le temps me dure, song for voice & piano (2 versions), WoO 116, Sanctus, Schilderung eines Mädchens, song for voice & piano, WoO 107, Selbstgespräch "Ich, der mit flatterndem Sinn", song for voice & piano, WoO 114, So oder so, song for voice & piano, WoO 148, Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich", Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott, deine Güte reicht so weit", Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!", Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht", Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft und Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!", Symphonie Nr. 9 d-Moll, Op. 125: I. Allegro ma non troppo, Symphonie Nr. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie Nr. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie Nr. 9 d-Moll, Op. 125: IVa. Presto, Symphonie Nr. 9 d-Moll, Op. 125: IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Trinklied (beim Abschied zu singen) for voice & piano (or orchestra), WoO 109, Variations (6) on "Ich denke dein," for piano, 4 hands in D major, WoO 74
Reinhard Ulbricht violin Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy", Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart", Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad", Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father", Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd", Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be", Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset", Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie", Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress", Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch", Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song", Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre", Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley", Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours", Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla", Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie", Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye", Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie", Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves"
Joachim Bischof cello Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy", Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart", Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad", Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father", Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd", Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be", Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset", Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie", Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress", Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch", Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song", Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre", Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley", Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours", Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla", Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie", Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye", Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie", Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves"
Dietrich Knothe chorus master, conductor "Alles Gute", WoO 179, "Ars longa, vita brevis", WoO 170, "Ars longa, vita brevis", WoO 192, "Ars longa, vita brevis", WoO 193, "Bester Herr Graf, Sie sind ein Schaf!", WoO 183, "Bester Magistrat, lhr friert!", WoO 177, "Brauchle, Linke", WoO 167, "Da ist das Werk", WoO 197, "Das Reden", WoO 168 No. 2, "Das Schweigen", WoO 168 No. 1, "Das Schöne zu dem Guten!", WoO 203, "Das Schöne zum Guten!", WoO 202, "Doktor sperrt das Tor dem Tod", WoO 189, "Edel sei der Mensch", WoO 185, "Es muß sein!", WoO 196, "Esel aller Esel", Hess 277, "Ewig dein", WoO 161, "Falstafferel, laß dich sehen!", WoO 184, "Freu dich des Lebens!", WoO 195, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Glaube und hoffe!", WoO 174, "Glück zum neuen Jahr!", WoO 165, "Glück zum neuen Jahr!", WoO 176, "Gott ist eine feste Burg", WoO 188, "Graf, liebster Graf", WoO 101, "Herr Graf, ich komme zu fragen", Hess 276, "Hoffmann, sei ja kein Hofmann", WoO 180, "Hol' euch der Teufel! B'hüt' euch Gott!", WoO 173, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Ich küsse Sie", WoO 169, "Ich war hier, Doktor, ich war hier", WoO 190, "Im Arm der Liebe ruht sich's wohl", WoO 159, "Kurz ist der Schmerz", WoO 163, "Kurz ist der Schmerz", WoO 166, "Kühl, nicht lau", WoO 191, "Lob auf den Dicken", WoO 100, "O Tobias!", WoO 182, "Sankt Petrus war ein Fels!", WoO 175, "Schwenke dich ohne Schwänke!", WoO 187, "Si non per portas, per muros", WoO 194, "Signor Abate!", WoO 178, "Te solo adoro", WoO 186, "Wir irren allesamt", WoO 198, Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105
Michael Clark (pianist) piano 26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell", 26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter", 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 13, "Helpless Woman", 26 Welsh Songs WoO 155, No. 14, "The Dream", 26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire", 26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan", 26 Welsh Songs WoO 155, No. 17, "The Dairy House", 26 Welsh Songs WoO 155, No. 18, "Sweet Richard", 26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 20, "To the Blackbird", 26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 23, "The Old Strain", 26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds", 26 Welsh Songs WoO 155, No. 25, "The Parting Kiss", 26 Welsh Songs WoO 155, No. 26, "Good Night", 26 Welsh Songs WoO 155, No. 3, "The Cottage Maid", 26 Welsh Songs WoO 155, No. 4, "Love Without Hope", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona", 26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide", 26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town", 26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning", Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry", Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta", Twelve Various Folksongs, WoO 157, No. 2, "The Soldier", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair", Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament"
Ottetto Italiano performer 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: I. Allegro comodo, 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: II. Larghetto sostenuto, 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: III. Rondo. Allegretto, 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: I. Allegro affettuoso, 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: II. Aria. Larghetto, 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: III. Rondo. allegretto moderato, 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: I. Allegro sostenuto, 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: II. Aria con variazioni, 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: III. Allegro assai, Adagio for 3 horns in F major, Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio, Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto, Duo for clarinet and bassoon in F major, WoO 27 No. 2: I. Allegro affettuoso, Duo for clarinet and bassoon in F major, WoO 27 No. 2: II. Aria Larghetto, Duo for clarinet and bassoon in F major, WoO 27 No. 2: III. Rondo: Allegretto moderato, Ecossaise in D major for military band, WoO 22, Equale for 4 trombones, WoO 30: I. Andante, Equale for 4 trombones, WoO 30: II. Poco adagio, Equale for 4 trombones, WoO 30: III. Poco sostenuto, March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich", March and Trio in F major for military band, WoO 19, March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward", March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29, March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29, Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: I. Allegro, Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: II. Andante, Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: III. Menuetto, Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: IV. Finale. Presto, Polonaise in D major for military band, WoO 21, Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro, Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso, Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto, Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, WoO 25, Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: I. Adagio – Allegro, Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: II. Adagio, Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: III. Menuetto. Quasi allegretto, Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: IV. Rondo. Allegro, Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro, Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio, Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto, Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8
Zsuzsa Zsizsmann violin 26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell", 26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter", 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 13, "Helpless Woman", 26 Welsh Songs WoO 155, No. 14, "The Dream", 26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire", 26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan", 26 Welsh Songs WoO 155, No. 17, "The Dairy House", 26 Welsh Songs WoO 155, No. 18, "Sweet Richard", 26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 20, "To the Blackbird", 26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 23, "The Old Strain", 26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds", 26 Welsh Songs WoO 155, No. 25, "The Parting Kiss", 26 Welsh Songs WoO 155, No. 26, "Good Night", 26 Welsh Songs WoO 155, No. 3, "The Cottage Maid", 26 Welsh Songs WoO 155, No. 4, "Love Without Hope", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona", 26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide", 26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town", 26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning", Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry", Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta", Twelve Various Folksongs, WoO 157, No. 2, "The Soldier", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair", Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament"
Cornelius Boensch cello 26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell", 26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter", 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 13, "Helpless Woman", 26 Welsh Songs WoO 155, No. 14, "The Dream", 26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire", 26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan", 26 Welsh Songs WoO 155, No. 17, "The Dairy House", 26 Welsh Songs WoO 155, No. 18, "Sweet Richard", 26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 20, "To the Blackbird", 26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 23, "The Old Strain", 26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds", 26 Welsh Songs WoO 155, No. 25, "The Parting Kiss", 26 Welsh Songs WoO 155, No. 26, "Good Night", 26 Welsh Songs WoO 155, No. 3, "The Cottage Maid", 26 Welsh Songs WoO 155, No. 4, "Love Without Hope", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona", 26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide", 26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town", 26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning", Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry", Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta", Twelve Various Folksongs, WoO 157, No. 2, "The Soldier", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair", Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament"
Helmut Koch conductor 11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major, 12 Contredanses for Small Orchestra WoO 14 No. 1 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 10 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 11 in G major, 12 Contredanses for Small Orchestra WoO 14 No. 2 in A major, 12 Contredanses for Small Orchestra WoO 14 No. 3 in D major, 12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 6 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 8 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 9 in A major, 12 German Dances for Orchestra WoO 8 No. 1 in C major, 12 German Dances for Orchestra WoO 8 No. 10 in D major, 12 German Dances for Orchestra WoO 8 No. 11 in G major, 12 German Dances for Orchestra WoO 8 No. 12 in C major, 12 German Dances for Orchestra WoO 8 No. 2 in A major, 12 German Dances for Orchestra WoO 8 No. 3 in F major, 12 German Dances for Orchestra WoO 8 No. 4 in B-flat major, 12 German Dances for Orchestra WoO 8 No. 5 in E-flat major, 12 German Dances for Orchestra WoO 8 No. 6 in G major, 12 German Dances for Orchestra WoO 8 No. 7 in C major, 12 German Dances for Orchestra WoO 8 No. 8 in A major, 12 German Dances for Orchestra WoO 8 No. 9 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major, Choral Part-Song for Orchestra, Chorus & Solo Voice(s) "Opferlied", Op. 121b, Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major, Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b, Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor, Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major
Kammerorchester Berlin performing orchestra 11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major, 12 Contredanses for Small Orchestra WoO 14 No. 1 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 10 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 11 in G major, 12 Contredanses for Small Orchestra WoO 14 No. 2 in A major, 12 Contredanses for Small Orchestra WoO 14 No. 3 in D major, 12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 6 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 8 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 9 in A major, 12 German Dances for Orchestra WoO 8 No. 1 in C major, 12 German Dances for Orchestra WoO 8 No. 10 in D major, 12 German Dances for Orchestra WoO 8 No. 11 in G major, 12 German Dances for Orchestra WoO 8 No. 12 in C major, 12 German Dances for Orchestra WoO 8 No. 2 in A major, 12 German Dances for Orchestra WoO 8 No. 3 in F major, 12 German Dances for Orchestra WoO 8 No. 4 in B-flat major, 12 German Dances for Orchestra WoO 8 No. 5 in E-flat major, 12 German Dances for Orchestra WoO 8 No. 6 in G major, 12 German Dances for Orchestra WoO 8 No. 7 in C major, 12 German Dances for Orchestra WoO 8 No. 8 in A major, 12 German Dances for Orchestra WoO 8 No. 9 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major, Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major, Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor, Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major
Jan Peerce (operatic tenor) vocal Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn", Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3
New York Philharmonic performing orchestra Concerto No. 3 for Piano and Orchestra, Op. 37: I. Allegro con brio, Concerto No. 3 for Piano and Orchestra, Op. 37: II. Largo, Concerto No. 3 for Piano and Orchestra, Op. 37: III. Rondo: Allegro, Leonore Overture No. 3, Op. 72a, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem", Overture, op. 117 "King Stephen": Andante con moto - Presto, Overture, op. 72b "Fidelio": Allegro, Overture, op. 84 "Egmont": Sostenuto, ma non troppo - Allegro, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: I. Allegro con brio, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: II. Marcia funebre: Adagio assai, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: III. Scherzo: Allegro vivace - Trio, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: IV. Finale: Allegro molto - Poco Andante - Presto, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro - Attacca, Symphony No. 5 in C minor, Op. 67: III. Allegro - attaca, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 9 (extract), Symphony No. 9 in D minor, Op. 125 "Choral": Finale (excerpt) (New York Philharmonic feat. conductor: Zubin Mehta), Symphony no. 9 "Choral": Adagio molto e cantabile; Andante moderato, Symphony no. 9 "Choral": Allegro ma non troppo, un poco maestoso, Symphony no. 9 "Choral": Molto vivace; Presto; Molto vivace, Symphony no. 9 "Choral": Presto; Allegro assai, The Huntley-Brinkley Report: Symphony No. 9: II.
Royal Philharmonic Orchestra performer, performing orchestra Concierto para piano y orquesta n.º 1 en do mayor, op. 15: I. Allegro con brio, Concierto para piano y orquesta n.º 1 en do mayor, op. 15: II. Largo, Concierto para piano y orquesta n.º 1 en do mayor, op. 15: III. Rondo: Allegro, Für Elise, Moonlight Sonata, Ouvertüre 'Egmont' Op. 84 aus der Musik zu J W Goethes Trauerspiel, Overture "Fidelio", Op. 72b, Overture "Leonore" No. 3, Op. 72a, Overture to The Creatures of Prometheus, Pathetique, Piano Concerto No. 5 "Emperor" (3rd MVT), Romance for Violin and Orchestra No. 2 in F major, Op. 50, Sinfonía n.º 5 en do menor, op. 67: I. Allegro con brio, Sinfonía n.º 5 en do menor, op. 67: II. Andante con moto, Sinfonía n.º 5 en do menor, op. 67: III. Allegro, Sinfonía n.º 5 en do menor, op. 67: IV. Allegro, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: I. Allegro ma non troppo, un poco maestoso, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: II. Molto vivace, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: III: Adagio molto e cantabile, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto. Allegro assai, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight", Symphonie, No. 9, Op. 125 (Choral "Ode an Die Freude"), Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante - Moderato, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": V. Presto "O Freunde, nicht diese Töne!" - Allegro assai, "Ode to Joy", Symphony No.6 in F 'Pastoral' - 1st Movement, Symphony No.9 ('Choral') (Fourth Movement), Symphony no. 2 in D, op. 36: 1. Adagio Molto - Allegro Con Brio, Symphony no. 2 in D, op. 36: 3. Scherzo (Allegro), Symphony no. 2 in D, op. 36: 4. Allegro Molto, Symphony no. 4 in B Flat, op. 60: 1. Adagio - Allegro Vivace, Symphony no. 4 in B Flat, op. 60: 2. Adagio, Symphony no. 4 in B Flat, op. 60: 3. Allegro Vivace, Symphony no. 8 in F, op. 93: 2. Allegretto Scherzando, The Pastoral
Walter Olbertz piano "Als die Geliebte sich trennen wollte", WoO 132, "An die Hoffnung", Op. 94, "Der Jüngling in der Fremde", song for voice & piano, WoO 138, "La partenza", WoO 124, "Lied aus der Ferne", for voice & piano, WoO 137, "Ruf vom Berge", song for voice & piano, WoO 147, "Sehnsucht", song for voice & piano, WoO 146, "Seufzer eines Ungeliebten", WoO 118, Abendlied unterm gestirnten Himmel, song for voice & piano, WoO 150, An Laura, song for voice & piano, WoO 112, An Minna, song for voice & piano, WoO 115, An die Geliebte, song for voice & piano, WoO 140 (1. version), An die Geliebte, song for voice & piano, WoO 140 (2. version), Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen", Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur", Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?", Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen", Das Geheimnis, song for voice & piano, WoO 145, Der Freie Mann, song for voice & piano (or orchestra), WoO 117, Der Liebende, song for voice & piano, WoO 139, Des Kriegers Abschied, song for voice & piano, WoO 143, Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verblühen", Elegie auf den Tod eines Pudels, for voice & piano, WoO 110, Gedenke mein, for voice & piano, WoO 130, Klage, song for voice & piano, WoO 113, La Tiranna for voice & piano, WoO 125, Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, O care selve, oh cara, for voice & piano/orchestra, WoO 119, Plaisir d'aimer, for voice & piano "Romance", WoO 128, Punschlied "Wer nicht, wenn warm von Hand" for voice, unsion chorus & piano, WoO 111, Que le temps me dure, song for voice & piano (2 versions), WoO 116, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Schilderung eines Mädchens, song for voice & piano, WoO 107, Selbstgespräch "Ich, der mit flatterndem Sinn", song for voice & piano, WoO 114, So oder so, song for voice & piano, WoO 148, Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich", Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott, deine Güte reicht so weit", Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!", Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht", Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft und Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!", Trinklied (beim Abschied zu singen) for voice & piano (or orchestra), WoO 109, Variations (6) on "Ich denke dein," for piano, 4 hands in D major, WoO 74, Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105
Herbert Kegel conductor Agnus Dei, Benedictus, Concerto for Piano, Violin and Cello in C major, Op. 56 "Triple Concerto": II. Largo, Coriolan-Ouvertüre, op. 62, Credo, Gloria, Kyrie, Leonore Overture No. 2 in C major, Op. 72, Sanctus, Symphonie No. 1: III. Menuetto. Allegro molto e vivace, Symphonie no. 3, op. 55 "Eroica": Allegro con brio, Symphonie no. 3, op. 55 "Eroica": Finale (Allegro molto), Symphonie no. 3, op. 55 "Eroica": Marcia funebre (Adagio assai), Symphonie no. 3, op. 55 "Eroica": Scherzo (Allegro vivace), Symphonie no. 4 op. 60 B-dur: I. Adagio - Allegro vivace, Symphonie no. 4 op. 60 B-dur: II. Adagio, Symphonie no. 4 op. 60 B-dur: III. Allegro vivace, Symphonie no. 4 op. 60 B-dur: IV. Allegro ma non troppo, Symphonie no. 9 op. 125 d-moll: I. Allegro ma non troppo, un poco maestoso, Symphonie no. 9 op. 125 d-moll: II. Molto vivace, Symphonie no. 9 op. 125 d-moll: III. Adagio molto e cantabile, Symphonie no. 9 op. 125 d-moll: IV. Presto - Allegro assai, Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of happy feelings on arriving in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "By the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene by the Brook", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the brook, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Peasants' merrymaking", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "The Storm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song. Happy and thankful feelings after the storm", Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro, Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto. Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 9, Choral: IV. Finale
Orchestra of St. Luke’s performing orchestra Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen", Contredanse No. 1, Contredanse No. 10, Contredanse No. 11, Contredanse No. 12, Contredanse No. 2, Contredanse No. 3, Contredanse No. 4, Contredanse No. 5, Contredanse No. 6, Contredanse No. 7, Contredanse No. 8, Contredanse No. 9, Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture, Symphony no. 3 "Eroica": I. Allegro con brio, Symphony no. 3 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 "Eroica": IV. Finale: Allegro molto; Poco andante, Twelve Contre-dances, WoO 14
Bernhard Schwarz cello 20 Irish Songs WoO 153, No. 11, "When Far From the Home", 20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints", 20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last", 20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty", 20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love", 20 Irish Songs WoO 153, No. 18, "No More, My Mary", 20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature", 20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store", 20 Irish Songs WoO 153, No. 3, "The British Light Dragoons", 20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season", 20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left", 25 Irish Songs WoO 152, No. 1, "The Return to Ulster", 25 Irish Songs WoO 152, No. 12, "English Bulls", 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", 25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home", 25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin", 25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee", 25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face", 25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide", 25 Irish Songs WoO 152, No. 9, "The Soldier's Dream", Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp", Seven British Folksongs, WoO 158/b, "Erin! O Erin!", Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk", Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)", Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab", Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion", Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears", Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal), Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine), Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian), Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol), Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol)
Martin Haunhorst violin 20 Irish Songs WoO 153, No. 11, "When Far From the Home", 20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints", 20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last", 20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty", 20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love", 20 Irish Songs WoO 153, No. 18, "No More, My Mary", 20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature", 20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store", 20 Irish Songs WoO 153, No. 3, "The British Light Dragoons", 20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season", 20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left", 25 Irish Songs WoO 152, No. 1, "The Return to Ulster", 25 Irish Songs WoO 152, No. 12, "English Bulls", 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", 25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home", 25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin", 25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee", 25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face", 25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide", 25 Irish Songs WoO 152, No. 9, "The Soldier's Dream", Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp", Seven British Folksongs, WoO 158/b, "Erin! O Erin!", Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk", Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)", Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab", Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion", Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears", Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal), Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine), Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian), Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol), Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol)
Koninklijk Concertgebouworkest performing orchestra Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem, Overture “Leonore”, op. 138, Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile, Symphonie No. 5 en do mineur, Op. 67: I. Allegro con brio, Symphonie No. 9 in D minor, Op. 125: IV. Allegro ma non tanto - Prestissimo (Royal Concertgebouw Orchestra), Symphony No. 3 "Eroica": Allegro Con Brio, Symphony No. 3 "Eroica": Finale (Allegro Molto), Symphony No. 3 "Eroica": Marcia Funebre (Adagio Assai), Symphony No. 3 "Eroica": Scherzo (Allegro Vivace), Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IVb. O Freunde, Nicht Diese Toene!, Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVe. Andante maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": IVf. Allegro energico, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony no. 4 in B-flat major, op. 60: I. Andante - Allegro ma non troppo, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
Michael Leslie (Australian concert pianist) piano Diabelli Variations, Op. 120: Tema. Vivace, Diabelli Variations, Op. 120: Var. I. Alla marcia maestoso, Diabelli Variations, Op. 120: Var. II. Poco allegro, Diabelli Variations, Op. 120: Var. III. L'istesso tempo, Diabelli Variations, Op. 120: Var. IV. Un poco più vivace, Diabelli Variations, Op. 120: Var. IX. Allegro pesante e risoluto, Diabelli Variations, Op. 120: Var. V. Allegro vivace, Diabelli Variations, Op. 120: Var. VI. Allegro ma non troppo e serioso, Diabelli Variations, Op. 120: Var. VII. Un poco più allegro, Diabelli Variations, Op. 120: Var. VIII. Poco vivace, Diabelli Variations, Op. 120: Var. X. Presto, Diabelli Variations, Op. 120: Var. XI. Allegretto, Diabelli Variations, Op. 120: Var. XII. Un poco più moto, Diabelli Variations, Op. 120: Var. XIII. Vivace, Diabelli Variations, Op. 120: Var. XIV. Grave e maestoso, Diabelli Variations, Op. 120: Var. XIX. Presto, Diabelli Variations, Op. 120: Var. XV. Presto scherzando, Diabelli Variations, Op. 120: Var. XVI. Allegro, Diabelli Variations, Op. 120: Var. XVII, Diabelli Variations, Op. 120: Var. XVIII. Poco moderato, Diabelli Variations, Op. 120: Var. XX. Andante, Diabelli Variations, Op. 120: Var. XXI. Allegro con brio - Meno allegro, Diabelli Variations, Op. 120: Var. XXII. Allegro molto, Diabelli Variations, Op. 120: Var. XXIII. Allegro assai, Diabelli Variations, Op. 120: Var. XXIV. Fughetta - Andante, Diabelli Variations, Op. 120: Var. XXIX. Adagio ma non troppo, Diabelli Variations, Op. 120: Var. XXV. Allegro, Diabelli Variations, Op. 120: Var. XXVI, Diabelli Variations, Op. 120: Var. XXVII. Vivace, Diabelli Variations, Op. 120: Var. XXVIII. Allegro, Diabelli Variations, Op. 120: Var. XXX. Andante, sempre cantabile, Diabelli Variations, Op. 120: Var. XXXI. Largo, molto espressivo, Diabelli Variations, Op. 120: Var. XXXII. Fuga - Allegro, Diabelli Variations, Op. 120: Var. XXXIII. Tempo di menuetto moderato, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': I. Allegro, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': II. Scherzo. Assai vivace - Presto - Prestissimo, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': III. Adagio Sostenuto. Appassionato e con molto sentimento, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': IV. Largo, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': V. Allegro risoluto
Stephanie McCallum piano "Fragatelle" for Piano in A major, "Fragatelle" for Piano in C-sharp minor, "Fragatelle" for Piano in E-flat major, Allegretto for Piano in B minor, WoO 61, Allegretto for Piano in C major, WoO 56, Allegretto quasi andante for Piano in G minor, WoO 61a, Bagatelle for Piano in A minor, WoO 59 "Für Elise", Bagatelle for Piano in B-flat major, WoO 60, Bagatelle for Piano in C major, WoO 54, Bagatelle for Piano in F minor, Bagatelle for Piano, Op. 119 No. 1 in G minor, Bagatelle for Piano, Op. 119 No. 10 in A major, Bagatelle for Piano, Op. 119 No. 11 in B-flat major, Bagatelle for Piano, Op. 119 No. 2 in C major, Bagatelle for Piano, Op. 119 No. 3 in D major, Bagatelle for Piano, Op. 119 No. 4 in A major, Bagatelle for Piano, Op. 119 No. 5 in C minor, Bagatelle for Piano, Op. 119 No. 6 in G major, Bagatelle for Piano, Op. 119 No. 7 in C major, Bagatelle for Piano, Op. 119 No. 8 in C major, Bagatelle for Piano, Op. 119 No. 9 in A minor, Bagatelle for Piano, Op. 126 No. 1 in G major, Bagatelle for Piano, Op. 126 No. 2 in G minor, Bagatelle for Piano, Op. 126 No. 3 in E-flat major, Bagatelle for Piano, Op. 126 No. 4 in B minor, Bagatelle for Piano, Op. 126 No. 5 in G major, Bagatelle for Piano, Op. 126 No. 6 in E-flat major, Bagatelle for Piano, Op. 33 No. 1 in E-flat major, Bagatelle for Piano, Op. 33 No. 2 in C major, Bagatelle for Piano, Op. 33 No. 3 in F major, Bagatelle for Piano, Op. 33 No. 4 in A major, Bagatelle for Piano, Op. 33 No. 5 in C major, Bagatelle for Piano, Op. 33 No. 6 in D major, Bagatelle for Piano, Op. 33 No. 7 in A-flat major, Bagatelle in A minor, ‘Für Elise’, Cavatina from String Quartet in B-flat major, Op. 130, transcr. Alkan, Ecossaise for Piano in E-flat major, WoO 86, Presto for Piano in C minor, WoO 52, Waltz for Piano in D major, WoO 85
Staatskapelle Berlin performer, performing orchestra "Es ist vollbracht", WoO 97 (Finale from Treitschke's "Die Ehrenpforten"), "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, Aria in B flat major for tenor & orchestra for Umlauf’s Singspiel "Die schöne Schusterin", WoO 91: "Soll ein Schuh nicht drücken", Aria in D major for bass & orchestra, WoO 90; "Mit Mädeln sich vertragen", Aria in F major for bass & orchestra, WoO 89: "Prüfung des Küssens", Aria in F major for tenor & orchestra for Umlauf’s Singspiel "Die schöne Schusterin", WoO 91: "O welch ein Leben!", Duet for 2 voices & orchestra, WoO 93: "Nei giorni tuoi felici", Egmont, Op. 84: Klärchens Tod: Larghetto "Arme Seele", Egmont, Op. 84: Lied: Andante con moto "Freudvoll und leidvoll", Egmont, Op. 84: Lied: Vivace "Die Trommel gerühret!, Egmont, Op. 84: Melodrama: Poco sostenuto "Süsser Schlaf! Du kommst wie ein reines Glück", Egmont, Op. 84: Monolog I., Egmont, Op. 84: Monolog II., Egmont, Op. 84: Monolog III., Egmont, Op. 84: Ouvertüre, Egmont, Op. 84: Siegessymphonie: Allegro con brio, Egmont, Op. 84: Zwischenakt I: Andante - Allegro con brio "Es ist keine falsche Ader an ihm", Egmont, Op. 84: Zwischenakt II: Larghetto, Egmont, Op. 84: Zwischenakt III: Allegro - Marcia; Vivace "Der König meint", Egmont, Op. 84: Zwischenakt IV: Poco sostenuto e risoluto, Fidelio Overture, Op. 72c, Fidelio, Op. 72: Introduction and Florestan's Aria. "Gott! welch' Dunkel hier! - In des Lebens Fruhlingstagen", Leonore Overture No. 1, Op. 138, Leonore Overture No. 2, Op. 72a, Leonore Overture No. 3, Op. 72b, Scena and aria for soprano & orchestra, WoO 92: "Primo amore . . . Tal amor", Scena and aria for soprano & orchestra, WoO 92a: "No, non turbarti! . . . Ma tu tremi, o mio tesoro", Symphony No 9, "Ode to Joy", Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Tremate, Empi, Tremate for 3 voices & orchestra, Op. 116, Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate"
Henk Kooistra editor Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53)
Amelia Rogers editor, producer Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53)
朝比奈隆 (Japanese conductor) conductor Symphony no. 1: I. Adagio molto – Allegro con brio, Symphony no. 1: II. Andante cantabile con moto, Symphony no. 1: III. Menuetto Allegro molto e vivace, Symphony no. 1: IV. Adagio – Allegro molto e vivace, Symphony no. 2: I. Adagio molto – Allegro con brio, Symphony no. 2: II. Larghetto, Symphony no. 2: III. Scherzo. Allegro, Symphony no. 2: IV. Allegro molto, Symphony no. 3: I. Allegro con brio, Symphony no. 3: II. Marcia funebre. Adagio assai, Symphony no. 3: III. Scherzo. Allegro vivace, Symphony no. 3: IV. Finale. Allegro molto, Symphony no. 4: I. Adagio – Allegro vivace, Symphony no. 4: II. Adagio, Symphony no. 4: III. Allegro vivace – Un poco meno allegro, Symphony no. 4: IV. Allegro ma non troppo, Symphony no. 5: I. Allegro con brio, Symphony no. 5: II. Andante con moto, Symphony no. 5: III. Allegro, Symphony no. 5: IV. Allegro, Symphony no. 6: I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande (Allegro ma non troppo), Symphony no. 6: II. Szene am Bach (Andante molto moss), Symphony no. 6: III. Lustiges Zusammensein der Landleute (Allegro), Symphony no. 6: IV. Gewitter, Sturm (Allegro), Symphony no. 6: V. Hirtengesang-Frohe und dankbare Gefuhle nach dem Sturm (Allegretto), Symphony no. 7: I. Poco sostenuto – Vivace, Symphony no. 7: II. Allegretto, Symphony no. 7: III. Presto, Symphony no. 7: IV. Allegro con brio, Symphony no. 8: I. Allegro vivace e con brio, Symphony no. 8: II. Allegretto scherzando, Symphony no. 8: III. Tempo di menuetto, Symphony no. 8: IV. Allegro vivace, Symphony no. 9: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9: II. Molto vivace, Symphony no. 9: III. Adagio molto e cantabile, Symphony no. 9: IV. Presto – Allegro assai, Symphony no. 9: IV. Presto – Recitativo
Benjamin Zander conductor Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53)
Orchester der Wiener Staatsoper performing orchestra Symphony no. 1 in C major, op.21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op.21: II. Andante cantabile con moto, Symphony no. 1 in C major, op.21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op.21: IV. Adagio - Allegro molto e vivace, Symphony no. 2 in D major, op. 36: I. Adagio - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Schrezo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in E-flat major, op.55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op.55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op.55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op.55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in E-flat, op. 55 "Eroica": 2. Marcia Funebre (Adagio Assai), Symphony no. 3 in E-flat, op. 55 "Eroica": 3. Scherzo (Allegro Vivace), Symphony no. 4 in B-flat major, op.60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op.60: II. Adagio, Symphony no. 4 in B-flat major, op.60: III. Allegro vivace, Symphony no. 4 in B-flat major, op.60: IV. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto moto, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": V. Allegretto, Symphony no. 6 in F, op. 68 "Pastoral": 2. Szene Am Bach (Andante Molto Mosso), Symphony no. 6 in F, op. 68 "Pastoral": 4. Gewitter, Sturm (Allegro), Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op.93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op.93: II. Allegretto scherzando, Symphony no. 8 in F major, op.93: III.Tempo di menuetto, Symphony no. 8 in F major, op.93: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, Un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto, Allegro assai, Wellington's Victory or the Battle Symphony, op. 91: 1. Battle
Arturo Toscanini conductor Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Fidelio: Overture, Leonore Overture no. 2, op. 72b, Leonore Overture no. 3, Overture Lenore III, Symphony No. 3 - first movement, Allegro con brio (beginning), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Micha Schattner engineer Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53)
Boston Philharmonic Orchestra performing orchestra Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53)
大阪フィルハーモニー交響楽団 performing orchestra Symphony no. 1: I. Adagio molto – Allegro con brio, Symphony no. 1: II. Andante cantabile con moto, Symphony no. 1: III. Menuetto Allegro molto e vivace, Symphony no. 1: IV. Adagio – Allegro molto e vivace, Symphony no. 2: I. Adagio molto – Allegro con brio, Symphony no. 2: II. Larghetto, Symphony no. 2: III. Scherzo. Allegro, Symphony no. 2: IV. Allegro molto, Symphony no. 3: I. Allegro con brio, Symphony no. 3: II. Marcia funebre. Adagio assai, Symphony no. 3: III. Scherzo. Allegro vivace, Symphony no. 3: IV. Finale. Allegro molto, Symphony no. 4: I. Adagio – Allegro vivace, Symphony no. 4: II. Adagio, Symphony no. 4: III. Allegro vivace – Un poco meno allegro, Symphony no. 4: IV. Allegro ma non troppo, Symphony no. 5: I. Allegro con brio, Symphony no. 5: II. Andante con moto, Symphony no. 5: III. Allegro, Symphony no. 5: IV. Allegro, Symphony no. 6: I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande (Allegro ma non troppo), Symphony no. 6: II. Szene am Bach (Andante molto moss), Symphony no. 6: III. Lustiges Zusammensein der Landleute (Allegro), Symphony no. 6: IV. Gewitter, Sturm (Allegro), Symphony no. 6: V. Hirtengesang-Frohe und dankbare Gefuhle nach dem Sturm (Allegretto), Symphony no. 7: I. Poco sostenuto – Vivace, Symphony no. 7: II. Allegretto, Symphony no. 7: III. Presto, Symphony no. 7: IV. Allegro con brio, Symphony no. 8: I. Allegro vivace e con brio, Symphony no. 8: II. Allegretto scherzando, Symphony no. 8: III. Tempo di menuetto, Symphony no. 8: IV. Allegro vivace, Symphony no. 9: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9: II. Molto vivace, Symphony no. 9: III. Adagio molto e cantabile, Symphony no. 9: IV. Presto – Allegro assai, Symphony no. 9: IV. Presto – Recitativo
Dresdner Philharmonie performing orchestra Concerto for Piano, Violin and Cello in C major, Op. 56 "Triple Concerto": II. Largo, Coriolan-Ouvertüre, op. 62, Leonore Overture No. 2 in C major, Op. 72, Symphonie No. 1: III. Menuetto. Allegro molto e vivace, Symphonie no. 3, op. 55 "Eroica": Allegro con brio, Symphonie no. 3, op. 55 "Eroica": Finale (Allegro molto), Symphonie no. 3, op. 55 "Eroica": Marcia funebre (Adagio assai), Symphonie no. 3, op. 55 "Eroica": Scherzo (Allegro vivace), Symphonie no. 4 op. 60 B-dur: I. Adagio - Allegro vivace, Symphonie no. 4 op. 60 B-dur: II. Adagio, Symphonie no. 4 op. 60 B-dur: III. Allegro vivace, Symphonie no. 4 op. 60 B-dur: IV. Allegro ma non troppo, Symphonie no. 9 op. 125 d-moll: I. Allegro ma non troppo, un poco maestoso, Symphonie no. 9 op. 125 d-moll: II. Molto vivace, Symphonie no. 9 op. 125 d-moll: III. Adagio molto e cantabile, Symphonie no. 9 op. 125 d-moll: IV. Presto - Allegro assai, Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of happy feelings on arriving in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "By the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene by the Brook", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the brook, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Peasants' merrymaking", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "The Storm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song. Happy and thankful feelings after the storm", Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro, Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto. Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 9, Choral: IV. Finale
Till Fellner piano 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Thema. Allegretto, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 1, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 10. Adagio, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 11. Poco adagio, quasi andante, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 12. Allegro, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 2, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 3, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 4, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 5, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 6, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 7, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 8, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 9, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Thema. Allegretto, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 1, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 10, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 11. Adagio, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 12. Allegro, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 2, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 3, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 4, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 5, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 6, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 7, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 8, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 9, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Thema. Andante, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 1, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 2, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 3, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 4, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 5. Si prenda il tempo un poco, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 6. Adagio, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 7. Allegro ma non troppo, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo
Sir Colin Davis conductor "Pastoral" Symphony: V., Fidelio - Mir Ist So Wundebar, Fidelio: O welche Lust!, Mass in C: I. Kyrie, Mass in C: II. Gloria, Mass in C: III. Credo, Mass in C: IV. Sanctus, Mass in C: V. Benedictus, Mass in C: VI. Agnus Dei, Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo (Molto allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto, Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 6 in F, Op. 68, "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral":"O Freunde, nicht diese Tone!", Symphony No. 9 in D minor, Op. 125 "Choral":Allegro assai, Symphony No.3 in E flat major, op.55 "Eroica" - I. Allegro con brio, Symphony No.3 in E flat major, op.55 "Eroica" - II. Marcia funebre: Adagio assai, Symphony No.3 in E flat major, op.55 "Eroica" - III. Scherzo: Allegro vivace, Symphony No.3 in E flat major, op.55 "Eroica" - IV. Finale: Allegro molto, Symphony no. 5: I., Symphony no. 7: II., Triumphmarsch
Sir Simon Rattle conductor Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag", ベートーヴェン:交響曲 第9番 『合唱』 第4楽章より
Heinrich Schiff cello 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Thema. Allegretto, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 1, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 10. Adagio, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 11. Poco adagio, quasi andante, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 12. Allegro, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 2, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 3, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 4, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 5, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 6, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 7, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 8, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 9, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Thema. Allegretto, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 1, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 10, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 11. Adagio, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 12. Allegro, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 2, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 3, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 4, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 5, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 6, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 7, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 8, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 9, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Thema. Andante, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 1, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 2, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 3, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 4, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 5. Si prenda il tempo un poco, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 6. Adagio, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 7. Allegro ma non troppo
Stephen Johns (producer) producer Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag"
NBC Symphony Orchestra performing orchestra Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Fidelio: Overture, Leonore Overture no. 2, op. 72b, Leonore Overture no. 3, Overture Lenore III, Symphony No. 3 - first movement, Allegro con brio (beginning), Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Hermann Prey vocal 6 Lieder von Gellert, Op. 48 No. 1: Bitten, 6 Lieder von Gellert, Op. 48 No. 2: Die Liebe des Nächsten, 6 Lieder von Gellert, Op. 48 No. 3: Vom Tode, 6 Lieder von Gellert, Op. 48 No. 4: Die Ehre Gottes aus der Natur, 6 Lieder von Gellert, Op. 48 No. 5: Gottes Macht und Vorsehung, 6 Lieder von Gellert, Op. 48 No. 6: Bußlied, Abschiedsgesang an Wiens Bürger, song for voice & piano (or orchestra), WoO 121, Acht Lieder, Op. 52 No. 4: Mailied, Acht Lieder, Op. 52 No. 7: Marmotte, Acht Lieder, Op. 52 No. 8: Das Blümchen Wunderhold, Adelaide, Op. 46, An die Hoffnung, Op. 32, Der Bardengeist, for voice & piano, WoO 142, Der edle Mensch sei hilfreich und gut, for voice & piano, WoO 151, Die laute Klage, song for voice & piano, WoO 135, Drey Gesaenge, Op. 83 No. 1: Wonne der Wehmut, Drey Gesaenge, Op. 83 No. 2: Sehnsucht, Hochzeitslied for solo, chorus & piano, WoO 105 "Auf, Freunde, singt dem Gott der Ehen", Kriegslied der Österreicher "Ein großes deutsches Volk" for voice & piano (or orchestra), WoO 122, Man strebt, die Flamme zu verhehlen, song for voice & piano, WoO 120, Merkenstein, song for voice & piano, WoO 144, Sechs Gesaenge, Op. 75 No. 2: Neue Liede, neues Leben, Sechs Gesaenge, Op. 75 No. 3: Aus Goethe's Faust "Mephistos Flohlied", Song for Voice and Piano in F major, Op. 100 "Merkenstein: Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend, Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: Du sagtest, Freund, an diesen Ort komm ich zurück", Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut", Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl", Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur", Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann", Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land", Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blümchen Wunderhold: Es blüht ein Blümchen irgendwo in einem stillen Tal", Songs for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?", Songs for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig", Songs for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Glück hienieden"
Mike Clements (engineer) balance Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag"
William Kinderman (American pianist) piano Theme & Var. 01: Vivace, Var. 02: Poco Allegro, Var. 03: L'Istesso Tempo, Var. 04: Un Poco Più Vivace, Var. 05: Allegro Vivace, Var. 06: Allegro Ma Non Troppo, Var. 07: Un Poco Più Allegro, Var. 08: Poco Vivace, Var. 09: Allegro Pesante & Risoluto, Var. 10: Presto, Var. 11: Allegretto, Var. 12: Un Poco Più Moto, Var. 13: Vivace, Var. 14: Grave & Maestoso, Var. 15: Presto Scherzando, Var. 16: Allegro, Var. 17: Allegro, Var. 18: Poco Moderato, Var. 19: Presto, Var. 20: Andante, Var. 21: Allegro Con Brio, Var. 22: Allegro Molto, Var. 23: Allegro Assai, Var. 24: Fughetta, Var. 25: Allegro, Var. 26: (Piacevole), Var. 27: Vivace, Var. 28: Allegro, Var. 29: Adagio Ma Non Troppo, Var. 30: Andante, Sempre Cantabile, Var. 31: Largo, Molto Espressivo, Var. 32: Fuga, Var. 33: Tempo Di Menuetto Moderato
Orchestra of the Royal Opera House, Covent Garden performing orchestra Fidelio, Act I: Aber Marzelline-, Fidelio, Act I: Abscheulicher! Wo eilst du hin, Fidelio, Act I: Ach! Vater, eilt!, Fidelio, Act I: Drei Schildwachen auf den Wall, Fidelio, Act I: Finale: O welche Lust!, Fidelio, Act I: Gut, Sohnchen, gut, hab'immer Mut, Fidelio, Act I: Guten Tag, Marzelline, Fidelio, Act I: Ha! Welch ein Augenblick!, Fidelio, Act I: Hat man nicht auch Gold, Fidelio, Act I: Hauptmann, besteigen Sie so gleich, Fidelio, Act I: Hore, Fidelio, wenn ich auch nicht weiss, Fidelio, Act I: Ihr konnt das leicht sagen, Meister Rocco, Fidelio, Act I: JJetzt, Alter, jetzt hat es Eile!, Fidelio, Act I: Jetzt, Schatzchen, sind wir allen, Fidelio, Act I: March, Fidelio, Act I: Mir ist so wunderbar.., Fidelio, Act I: Nun sprecht, wie ging's, Fidelio, Act I: O war' ich schon mit dir vereint, Fidelio, Act I: Wenn ich diese Tur heute nicht schon, Fidelio, Act II: Alles ist bereit, Fidelio, Act II: Du schlossest auf des Edlen Grab, Fidelio, Act II: Er erwacht!, Fidelio, Act II: Er sterbe! Doch er soll erst wissen.., Fidelio, Act II: Es schlagt der Rache Stunde!, Fidelio, Act II: Euch werde Lohn in besser'n Welten, Fidelio, Act II: Finale: Heil sei dem Tag, heil sei der Stunde, Fidelio, Act II: Gott! Welch Dunkel hier!, Fidelio, Act II: Nur hurtig fort.., Fidelio, Act II: O namenlose Freude!, Fidelio, Act II: Vater Rocco! Vater Rocco!, Fidelio, Act II: Wie kalt ist es in diesem unterirdischen Gewolbe!, Fidelio: Ouverture, Fidelio: Overture Leonore No.3
MDR Rundfunkchor Leipzig vocal "Bundeslied" for soloists, chorus & wind instruments, Op. 122, Agnus Dei, Benedictus, Credo, Gloria, Kyrie, Leonore, Op. 72: "O welche Lust!" (Gefangenenchor), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live), Sanctus, Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Symphony no. 9, Choral: IV. Finale, Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat"
Daniel Barenboim conductor, grand piano, piano 12 Variations sur le thème "Ein Mädchen oder Weibchen", Cello Sonata No. 3 in A major, Op. 69: III. Adagio cantabile, Cello Sonata No. 3 in A major, Op. 69: IV. Allegro vivace, Fidelio Overture, Op. 72c, Leonore Overture No. 1, Op. 138, Leonore Overture No. 2, Op. 72a, Leonore Overture No. 3, Op. 72b, Piano Sonata No. 11 in B-flat major, Op. 22: I. Allegro con brio, Piano Sonata No. 11 in B-flat major, Op. 22: II. Adagio con molta espressione, Piano Sonata No. 11 in B-flat major, Op. 22: III. Minuetto, Piano Sonata No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto, Piano Sonata No. 12 in A-flat major, Op. 26: I. Andante von Variazioni 1-5, Piano Sonata No. 12 in A-flat major, Op. 26: II. Scherzo. Allegro molto, Piano Sonata No. 12 in A-flat major, Op. 26: III. Marcia funebre sulla morte d'un Eroe, Piano Sonata No. 12 in A-flat major, Op. 26: IV. Allegro, Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: I. Andante - Allegro, Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace, Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione - Allegro vivace, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - I. Adagio sostenuto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - II. Allegretto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - III. Presto agitato - Adagio - Presto agitato, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - I. Allegro assai, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - II. Andante con moto, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - III. Allegro ma non troppo - Presto, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - I. Grave - Allegro molto e con brio, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - II. Adagio cantabile, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - III. Rondo: Allegro, Romance for Violin and Orchestra No. 2 in F major, Op. 50, Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: II. Adagio - Tempo d'Andante - Allegro vivace, Symphony No 9, "Ode to Joy", Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
Eberhard Büchner vocal 20 Irish Songs WoO 153, No. 4 "Since greybeards inpourm us that youth will decay", 25 Irish Songs WoO 152, No. 10 "The deserter", 25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet), 25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet), Duet for Soprano and Tenor accompanied by Orchestra, WoO 93 "Ne' giorni tuoi felici", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 4. "Since greybeards inform us that youth will decay", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 10. "The deserter", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 19. "Wife, children and friends", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 6. "What shall I do to shew how much I love her?" (duet), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch", Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley", Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: X. "Sympathy", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XII. "Oh, Had My Fate Been Join'd With Thine", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XV. "O Cruel was My Father", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXII. "The Highland Watch", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXIV. "Again, my Lyre, yet once again"
Kurt Mahn oboe Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)"
Nicolai Moscona vocal Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3
Eleanor Steber vocal Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3
NBC Symphony Chorus vocal Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3
Werner Pauli guitar Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)"
Sidor Belarsky vocal Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3
Peter J. Wilhousky chorus master Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3
Claudio Abbado conductor Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca, Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet, Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin), Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch, Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: I. Allegro, Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: II. Adagio un poco mosso [Attacca:], Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: III. Rondo. Allegro, The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide"
Joseph Laderoute (operatic tenor) vocal Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3
Herbert Janssen (operatic base) vocal Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3
Rose Bampton vocal Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3
David Mulvenna Hamilton vocal 26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell", 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 14, "The Dream", 26 Welsh Songs WoO 155, No. 17, "The Dairy House", 26 Welsh Songs WoO 155, No. 18, "Sweet Richard", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 25, "The Parting Kiss", 26 Welsh Songs WoO 155, No. 26, "Good Night", 26 Welsh Songs WoO 155, No. 4, "Love Without Hope", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta", Twelve Various Folksongs, WoO 157, No. 2, "The Soldier", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament"
Leonard Hokanson performer, piano Abschiedsgesang an Wiens Bürger, song for voice & piano (or orchestra), WoO 121, Bagatelle in A minor, WoO 59 "Für Elise", Der Bardengeist, for voice & piano, WoO 142, Der edle Mensch sei hilfreich und gut, for voice & piano, WoO 151, Die laute Klage, song for voice & piano, WoO 135, Für Elise, Hochzeitslied for solo, chorus & piano, WoO 105 "Auf, Freunde, singt dem Gott der Ehen", Kriegslied der Österreicher "Ein großes deutsches Volk" for voice & piano (or orchestra), WoO 122, Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106, "Es lebe unser teurer Fürst", Man strebt, die Flamme zu verhehlen, song for voice & piano, WoO 120, Merkenstein, song for voice & piano, WoO 144, Sehnsucht "Nur wer die Sehnsucht kennt", song for voice & piano, WoO 134 (4 settings), Song for Voice and Piano in F major, Op. 100 "Merkenstein: Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend, Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: Du sagtest, Freund, an diesen Ort komm ich zurück", Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut", Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe", Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl", Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur", Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust", Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann", Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land", Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blümchen Wunderhold: Es blüht ein Blümchen irgendwo in einem stillen Tal", Songs for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?", Songs for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig", Songs for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebesblick und Spiel und Sang", Songs for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten süsse Ruh' und gold'ner Frieden In meiner Brust", Songs for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Glück hienieden"
Slovenská filharmónia (Slovak Philharmonic, Bratislava) performer, performing orchestra Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Klavierkonzert no. 5 in Es-Dur, op. 73: Adagio un poco mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Adagio Un Poco Mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Allegro, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Rondo: Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie, Sinfonie Nr. 7 A-Dur op. 92, 2.Satz: Allegretto, Symphonie Nr. 7 Op. 92 A-Dur I: Poco sostenuto, Vivace, Symphonie Nr. 7 Op. 92 A-Dur II: Allegretto, Symphonie Nr. 7 Op. 92 A-Dur III: Presto, Symphonie Nr. 7 Op. 92 A-Dur V: Finale: Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Finale. Allegro con brio
Bruno Canino piano Serenade in D for Piano and Flute, Op. 41: 1. Entrata (Allegro), Serenade in D for Piano and Flute, Op. 41: 2. Tempo Ordinario D Un Menuetto, Serenade in D for Piano and Flute, Op. 41: 3. Molto Allegro, Serenade in D for Piano and Flute, Op. 41: 4. Andante Con Variazioni, Serenade in D for Piano and Flute, Op. 41: 5. Allegro, Scherezando E Vivace, Serenade in D for Piano and Flute, Op. 41: 6. Adagio, Serenade in D for Piano and Flute, Op. 41: 7. Allegro, Vivace E Disinvolto, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 1. The Cottage Maid, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 2. Von Edlem Geschlecht War Shinkin, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 3. A Schüsserl Und a Reindl, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 4.The Last Rose of Summer, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 5. Chiling O'Guiry, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 6. Paddy Whack, Sonata in B Flat for Piano and Flute: 1. Allegro, Sonata in B Flat for Piano and Flute: 2. Polonaise, Sonata in B Flat for Piano and Flute: 3. Largo, Sonata in B Flat for Piano and Flute: 4. Tema (Allegretto Con Variazioni), Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 1. I Bin a Tiroler Bua, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 10. The Highland Watch, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 2. Bonny Laddie, Highland Laddie, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 3. Volkslied Aus Kleinrußland, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 4. St. Patrick's Day, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 5. A Madel, Ja a Madel, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 6. Peggy's Daughter, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 7. Schöne Minka, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 8. O Mary, at the Window Be, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 9. Oh, Thou Art the Lad of My Heart
Wilhelm Furtwängler conductor Coriolan, Ouvertüre op. 62, Des Frühlings Kommen Scena XII, Leonore N.3, N.1 Duetto, N.10 Finale Scene IX, N.10 Finale Scene X, N.10 Finale Scene XI - XII, N.11 Introduzione E Aria, N.12 Melodramma E Duetto, N.13 Terzetto, N.14 Quartetto, N.15 Duetto, N.16 Finale Scene VI, N.16 Finale Scene VII, N.16 Finale Scene VII O Gott, N.16 Finale Scene VII Wer Ein Holdes Weib Errungen, N.2 Aria, N.3 Quartetto, N.4 Aria, N.5 Terzetto, N.6 Marcia, N.7 Aria Con Coro, N.8 Duetto, N.9 Recitativo E Aria, Ouverture, Symphony No. 3 - first movement, Allegro con brio (beginning), Symphony No. 7, Op. 92: II. Allegretto
Severino Gazzelloni flute Serenade in D for Piano and Flute, Op. 41: 1. Entrata (Allegro), Serenade in D for Piano and Flute, Op. 41: 2. Tempo Ordinario D Un Menuetto, Serenade in D for Piano and Flute, Op. 41: 3. Molto Allegro, Serenade in D for Piano and Flute, Op. 41: 4. Andante Con Variazioni, Serenade in D for Piano and Flute, Op. 41: 5. Allegro, Scherezando E Vivace, Serenade in D for Piano and Flute, Op. 41: 6. Adagio, Serenade in D for Piano and Flute, Op. 41: 7. Allegro, Vivace E Disinvolto, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 1. The Cottage Maid, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 2. Von Edlem Geschlecht War Shinkin, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 3. A Schüsserl Und a Reindl, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 4.The Last Rose of Summer, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 5. Chiling O'Guiry, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 6. Paddy Whack, Sonata in B Flat for Piano and Flute: 1. Allegro, Sonata in B Flat for Piano and Flute: 2. Polonaise, Sonata in B Flat for Piano and Flute: 3. Largo, Sonata in B Flat for Piano and Flute: 4. Tema (Allegretto Con Variazioni), Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 1. I Bin a Tiroler Bua, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 10. The Highland Watch, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 2. Bonny Laddie, Highland Laddie, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 3. Volkslied Aus Kleinrußland, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 4. St. Patrick's Day, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 5. A Madel, Ja a Madel, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 6. Peggy's Daughter, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 7. Schöne Minka, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 8. O Mary, at the Window Be, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 9. Oh, Thou Art the Lad of My Heart
Michael Halász (conductor) conductor Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan), Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco), Fidelio, Op. 72: Overture, Fidelio, Op. 72: Prisoners' Chorus, "O welche Lust", Leonora Overture no. 1, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (excerpt), Symphony no. 3 "Eroica": I. Allegro con brio, Symphony no. 3 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 "Eroica": IV. Finale. Allegro molto
Joachim Vogt vocal "Da ist das Werk", WoO 197, "Das Schweigen", WoO 168 No. 1, "Es muß sein!", WoO 196, "Ewig dein", WoO 161, "Fra tutte le pene" (1st version), WoO 99 No. 3c/Hess 224, "Fra tutte le pene", WoO 99 No. 3b/Hess 225, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Già la notte s'avvicina", WoO 99 No. 4b/Hess 223, "Graf, liebster Graf", WoO 101, "Hoffmann, sei ja kein Hofmann", WoO 180, "Ich küsse Sie", WoO 169, "Ich war hier, Doktor, ich war hier", WoO 190, "Lob auf den Dicken", WoO 100, "Ma tu tremi", WoO 99 No. 6/Hess 212, "Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217, "O Tobias!", WoO 182, "Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219, "Sankt Petrus war ein Fels!", WoO 175, "Te solo adoro", WoO 186, "The Monk's Song" for 3 a cappella Male Voices from Schiller's play "William Tell", WoO 104, Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious), Chorus for male voices, Abschiedsgesang, "Die Stunde schlägt" WoO 102, Musical joke for three voices "Graf, Graf, liebster Graf", WoO 101, Musical joke for three voices & chorus "Lob auf den Dicken"; WoO 100: "Schuppanzigh ist ein Lump", Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Farewell for Tenor and 2 Basses, WoO 102
Bernhard Klee conductor "Turkish March" from The Ruins of Athens, op. 113, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" / Vc. Choir of Children "Was soll der Lärm bedeuten?", The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!", The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl), The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen", The Ruins of Athens, Op. 113: IV. Turkish March. Vivace, The Ruins of Athens, Op. 113: Overture. Andante con moto - Allegro ma non troppo, The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!", The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!", The Ruins of Athens, Op. 113: VIb. Recitation. Poco Adagio "Mit reger Freude, die nie erkaltet"
The Cleveland Orchestra performing orchestra Adagio from Piano Concerto no. 5 "Emperor", Concerto for Piano and Orchestra no. 4 in G, Second Movement, Fidelio, Op. 72: Overture, Symphony No. 3, Op. 55 "Eroica": Allegro con brio, Symphony No. 3, Op. 55 "Eroica": Finale: Allegro molto, Symphony No. 3, Op. 55 "Eroica": Marcia funebre – Adagio assai, Symphony No. 3, Op. 55 "Eroica": Scherzo: Allegro vivace, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo, Symphony No. 9, Op. 125 "Choral": IV (excerpt), Symphony no. 2 in D major, op. 36: I. Adagio molto — Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3: conclusion, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 9 in D minor ('Choral'), op. 125: I. Allegro ma non troppo, Symphony no. 9 in D minor ('Choral'), op. 125: II. Molto vivace, Symphony no. 9 in D minor ('Choral'), op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai, Violin Concerto, op. 61: I. Allegro ma non troppo, Violin Concerto, op. 61: II. Larghetto, Violin Concerto, op. 61: III. Rondo
Dubravka Tomšič piano Adagio sostenuto from Moonlight Sonata, Op. 27 No. 2, Adagio, Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune", Bagatelle in A minor, WoO 59 "Für Elise", For Elise, Klavierkonzert Nr. 1 C-DUR, op. 15: Allegro con brio, Klavierkonzert Nr. 1 C-DUR, op. 15: Largo, Klavierkonzert Nr. 1 C-DUR, op. 15: Rondo: Allegro, Konzert für Klavier und Orchester Nr. 1 C-Dur op. 15, 3. Satz: Rondo: Allegro, Moonlight Sonata: Quasi una fantasia, Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro, Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro, Sonata no. 21 in C major for Piano, op. 53 "Waldstein": I. Allegro con brio, Sonata no. 21 in C major for Piano, op. 53 "Waldstein": II. Adagio molto (attacca), Sonata no. 21 in C major for Piano, op. 53 "Waldstein": III. Adagio - Allegretto moderato, Sonate für Klavier Nr. 14 op. 27,2 cis-moll Mondschein-Sonate, 3.Satz: Presto agitato
Renate Krahmer vocal Irish Songs (20) for voice & piano trio, WoO 153 Nr. 10. "Oh! Thou hapless soldier" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 15. "T'is but in vain, for nothing thrives", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 20. "Thy ship must sail, my Henry dear", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 5. "I dream'd I lay where flow'rs were springing" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 7. "O soothe me, my lyre", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 13. "Musing on the roaring ocean", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 17. "In vain to this desert my fate I deplore", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 19. "Wife, children and friends", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 2. "Sweet Power of Song" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 20. "Farewell bliss and farewell Nancy" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 23. "The wandering gypsy, Sirs, am I", Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IV. "The Maid of Isla", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VIII. "The lovely lass of Inverness", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XIII. "Come Fill, Fill, My Good Fellow", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XIV. "O How Can I Be Blithe", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVII. "O Mary at Thy Window Be", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVIII. "Enchantress, Farewell", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XX. "Faithfu' Johnie"
Kalichstein-Laredo-Robinson Trio performer Variations in E-flat major, Op. 44: I., Variations in E-flat major, Op. 44: II., Variations in E-flat major, Op. 44: III., Variations in E-flat major, Op. 44: IV., Variations in E-flat major, Op. 44: IX., Variations in E-flat major, Op. 44: V., Variations in E-flat major, Op. 44: VI., Variations in E-flat major, Op. 44: VII., Variations in E-flat major, Op. 44: VIII., Variations in E-flat major, Op. 44: X., Variations in E-flat major, Op. 44: XI., Variations in E-flat major, Op. 44: XII., Variations in E-flat major, Op. 44: XIV., Variations in E-flat major, Op. 44: XV., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: I., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: II., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: III., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: IV., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: IX., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: V., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: VI., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: VII., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: X., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: XI., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: XII.
Kent Nagano conductor Egmont, Op. 84: I. Ouverture, Egmont, Op. 84: II. "Die Trommel gerühret", Egmont, Op. 84: III. "Freudvoll und Leidvoll", Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame], Opferlied (piano arrangement from Opus 121b): Die Flamme lodert, Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Dennis Russell Davies conductor, piano Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture, Quintet for piano, oboe, clarinet, horn & bassoon in E flat major, Op. 16: 3. Rondo. Allegro ma non troppo, Symphony No. 3 in E flat major ("Eroica"), Op. 55: I. Allegro con Brio, Symphony No. 3 in E flat major ("Eroica"), Op. 55: II. Marcia funebre, Symphony No. 3 in E flat major ("Eroica"), Op. 55: III. Scherzo, Symphony No. 3 in E flat major ("Eroica"), Op. 55: IV. Allegro molto
Trio Élégiaque performer Piano Trio in C Minor, Op. 1 No. 3: I. Allegro con brio, Piano Trio in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni, Piano Trio in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro – Trio, Piano Trio in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo, Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: I. Allegro vivace, Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: II. Largo assai ed espressivo, Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: III. Presto, Piano Trio in D Major, after Symphony No. 2: I. Adagio – Allegro con brio, Piano Trio in E-Flat, Op. 1 No. 1: I. Allegro, Piano Trio in E-Flat, Op. 1 No. 1: II. Adagio cantabile, Piano Trio in E-Flat, Op. 1 No. 1: III. Scherzo. Allegro assai, Piano Trio in E-Flat, Op. 1 No. 1: IV. Finale. Presto, Piano Trio in E-Flat, Op. 44: 14 Variations on an original theme. Tema (Andante) con variazioni, Piano Trio in E-Flat, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo, Piano Trio in E-Flat, Op. 70 No. 2: II. Allegretto, Piano Trio in E-Flat, Op. 70 No. 2: III. Allegretto ma non troppo, Piano Trio in E-Flat, Op. 70 No. 2: IV. Finale. Allegro, Piano Trio in E-Flat, WoO 38: I. Allegro moderato, Piano Trio in E-Flat, WoO 38: II. Scherzo. Allegro ma non troppo, Piano Trio in E-Flat, WoO 38: III. Rondo. Allegretto, Piano Trio in G Major, Op. 1 No. 2: I. Adagio – Allegro vivace, Piano Trio in G Major, Op. 1 No. 2: II. Largo con espressione, Piano Trio in G Major, Op. 1 No. 2: III. Scherzo. Allegro, Piano Trio in G Major, Op. 1 No. 2:. IV. Finale. Presto
Siegfried Hausmann vocal "Chi mai di questo core", WoO 99 No. 2/Hess 214, "Es muß sein!", WoO 196, "Fra tutte le pene" (2nd version), Hess 210, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Giura il nocchier" (1st version), Hess 230, "Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221, "Già la notte s'avvicina", WoO 99 No. 4a/Hess 222, "Herr Graf, ich komme zu fragen", Hess 276, "Kühl, nicht lau", WoO 191, "Lob auf den Dicken", WoO 100, "Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220, "Per te d'amico aprile", WoO 99 No. 9/Hess 216, "Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213, "Quella cetra ah pur tu sei", WoO 99 No. 10b/Hess 218, "Sankt Petrus war ein Fels!", WoO 175, "Signor Abate!", WoO 178, "The Monk's Song" for 3 a cappella Male Voices from Schiller's play "William Tell", WoO 104, Chorus for male voices, Abschiedsgesang, "Die Stunde schlägt" WoO 102, Musical joke for three voices & chorus "Lob auf den Dicken"; WoO 100: "Schuppanzigh ist ein Lump", Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Farewell for Tenor and 2 Basses, WoO 102, Three canons, WoO 181 No. 1 - Canon in 4 parts in C major "Gedenket heute an Baden", WoO 181/1, Three canons, WoO 181 No. 2 - Canon in 3 parts in C major "Gehabt euch wohl", Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105
Antonia Bourvé vocal 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 13, "Helpless Woman", 26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire", 26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness", 26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds", 26 Welsh Songs WoO 155, No. 3, "The Cottage Maid", 26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair"
Gewandhausorchester Leipzig performing orchestra Agnus Dei, Benedictus, Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa), Credo, Die Ruinen von Athen - Overture, Op. 113, Die Weihe des Hauses - Overture, Op. 124, Egmont, Op. 84: Overture, Fidelio - Overture, Op. 72b, Gloria, Kyrie, König Stephan - Overture, Op. 117, Leonore - Overture No. 3, Op. 72a, Ode to Joy (Symphony No.9, Choral), Ouverture _ Egmont, Sanctus, Symphonie No.5 c-moll op. 67 - 1. Allegro con brio, Symphonie Nr. 9 d-Moll, Op. 125: I. Allegro ma non troppo, Symphonie Nr. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie Nr. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie Nr. 9 d-Moll, Op. 125: IVa. Presto, Symphonie Nr. 9 d-Moll, Op. 125: IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 8 in F major, Op. 93: 2. Allegretto scherzando
Nicolaus Esterházy Sinfonia performing orchestra Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan), Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco), Fidelio, Op. 72: Overture, Fidelio, Op. 72: Prisoners' Chorus, "O welche Lust", Music for a Ballet on Horseback, WoO 1, Symphony No. 9 in D minor, Op. 125, 'Choral': Finale: Allegro assai vivace: Alla Marcia (conclusion), Tarpeja, WoO 2a: Triumpfmarsch
Helmuth Rilling conductor Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Doch weh!" Die frech entehren, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Preiset ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte - O Heil euch, ihr Erlösten - Doch weh! Die frech entehrten" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VII "Preist ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte", Gloria in excelsis Deo
Renate Kramer vocal 20 Irish Songs WoO 153, No. 10 "The hapless soldier" (duet), 20 Irish Songs WoO 153, No. 15 "'t is but in vain, pour nothing thrives", 20 Irish Songs WoO 153, No. 20 "Thy ship must sail, my Henry dear", 20 Irish Songs WoO 153, No. 5 "I dream'd I lay where flowers were springing" (duet), 20 Irish Songs WoO 153, No. 7 "O soothe me, my lyre", 25 Irish Songs WoO 152, No. 13 "Musing on the roaring ocean", 25 Irish Songs WoO 152, No. 17 "In vain to this desert" (duet), 25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet), 25 Irish Songs WoO 152, No. 2 "Sweet power of song" (duet), 25 Irish Songs WoO 152, No. 20 "Farewell bliss and farewell Nancy" (duet), 25 Irish Songs WoO 152, No. 23 "The wand'ring gypsy", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves"
Richard Lewis (Welsh tenor) vocal Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem", Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai
Kim Borg vocal Die Ehre Gottes aus der Natur, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem"
Michael Wagner piano 12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 2, "O Harp of Erin", 12 Irish Songs WoO 154, No. 3, "The Farewell Song", 12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman", 12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot", 12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine", 12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", 6 Deutsche Tänze WoO 42, Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio, Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile, Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto, Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante, Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace, Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto, Trio for Violin, Cello and Piano in E-flat major, H. 48
Michael Tilson Thomas conductor Contredanse No. 1, Contredanse No. 10, Contredanse No. 11, Contredanse No. 12, Contredanse No. 2, Contredanse No. 3, Contredanse No. 4, Contredanse No. 5, Contredanse No. 6, Contredanse No. 7, Contredanse No. 8, Contredanse No. 9, II. Molto vivace from Symphony No. 9 in D Minor, Op. 125 "Choral", Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Symphony no. 3 "Eroica": I. Allegro con brio, Symphony no. 3 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 "Eroica": IV. Finale: Allegro molto; Poco andante, Symphony no. 5 in C minor, op. 67: III. Allegro (attacca), Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Twelve Contre-dances, WoO 14
Orchestre symphonique de Montréal performing orchestra Egmont, Op. 84: I. Ouverture, Egmont, Op. 84: II. "Die Trommel gerühret", Egmont, Op. 84: III. "Freudvoll und Leidvoll", Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame], Opferlied (piano arrangement from Opus 121b): Die Flamme lodert, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Ingeborg Springer vocal 20 Irish Songs WoO 153, No. 10 "The hapless soldier" (duet), 20 Irish Songs WoO 153, No. 5 "I dream'd I lay where flowers were springing" (duet), 25 Irish Songs WoO 152, No. 2 "Sweet power of song" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 10. "Oh! Thou hapless soldier" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 5. "I dream'd I lay where flow'rs were springing" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 2. "Sweet Power of Song" (duet), Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad", Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset", Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie", Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress", Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie", Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye", Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVIII. "Enchantress, Farewell", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XX. "Faithfu' Johnie"
Bach-Collegium Stuttgart performing orchestra Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Doch weh!" Die frech entehren, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Preiset ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte - O Heil euch, ihr Erlösten - Doch weh! Die frech entehrten" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VII "Preist ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte"
London Festival Orchestra (Alfred Scholz pseudonym, not Decca/Ross Pople orchestra) performing orchestra Creatures of Prometheus, Op. 43 - Overture, Finale from Symphony no. 9, "Choral" (from Die Hard), Overture to "The Creatures of Prometheus", Op. 43, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Symphonie Nr. 8 Op. 93 F-Dur I: Allegro vivace con brio, Symphonie Nr. 8 Op. 93 F-Dur II: Allegretto scherzando, Symphonie Nr. 8 Op. 93 F-Dur III: Tempo di menuetto, Symphonie Nr. 8 Op. 93 F-Dur V: Finale: Allegro vivace, Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto: Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio; Allegro molto e vivace, Symphony No. 4, Op. 60: I. Adagio-Allegro vivace, Symphony No. 4, Op. 60: II. Adagio, Symphony No. 4, Op. 60: III. Allegro vivace, Symphony No. 4, Op. 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, The Ruins of Athens, Op. 113 - Overture
Felix Schmidt cello 14 Variations for Piano, Violin & Cello Op. 44: I. Thema, Andante, 14 Variations for Piano, Violin & Cello Op. 44: II. Variation I (Sempre staccato), 14 Variations for Piano, Violin & Cello Op. 44: III. Variation II, 14 Variations for Piano, Violin & Cello Op. 44: IV. Variation III, 14 Variations for Piano, Violin & Cello Op. 44: IX. Variation VIII, Un poco adagio, 14 Variations for Piano, Violin & Cello Op. 44: V. Variation IV, 14 Variations for Piano, Violin & Cello Op. 44: VI. Variation V, 14 Variations for Piano, Violin & Cello Op. 44: VII. Variation VI, 14 Variations for Piano, Violin & Cello Op. 44: VIII. Variation VII, Largo, 14 Variations for Piano, Violin & Cello Op. 44: X. Variation IX, Tempo primo, 14 Variations for Piano, Violin & Cello Op. 44: XI. Variation X, 14 Variations for Piano, Violin & Cello Op. 44: XII. Variation XI, 14 Variations for Piano, Violin & Cello Op. 44: XIII. Variation XII, 14 Variations for Piano, Violin & Cello Op. 44: XIV. Variation XIII, Adagio, 14 Variations for Piano, Violin & Cello Op. 44: XV. Variation XIV, Allegro-Andante-Presto, Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 4. "Love without hope", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 7. "Oh let the night my blushes hide"
Günther Leib vocal Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine", Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd", Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song", Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla", Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: I. "Music, Love and Wine", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IX. "Behold, my Love", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VII. "Bonnie Laddie, Highland Laddie", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XII. "Oh, Had My Fate Been Join'd With Thine"
Česká filharmonie (Czech Philharmonic) performing orchestra Adagio molto e cantabile, Allegro ma non troppo, un poco maestoso, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Presto, allegro assai, Scherzo, molto vivace, Symphony No. 2 in D major, Op. 36: I. Adagio molto, Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo, Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony no. 9 in D minor 'Choral', op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor 'Choral', op. 125: II. Molto vivace, Symphony no. 9 in D minor 'Choral', op. 125: III. Adagio molto e cantible – Andante moderato, Symphony no. 9 in D minor 'Choral', op. 125: IV. Ode to Joy. Presto – Allegro assai
Gisela Fetting vocal "Alles Gute", WoO 179, "Brauchle, Linke", WoO 167, "Chi mai di questo core", WoO 99 No. 2/Hess 214, "Da ist das Werk", WoO 197, "Das Reden", WoO 168 No. 2, "Falstafferel, laß dich sehen!", WoO 184, "Fra tutte le pene" (2nd version), Hess 210, "Giura il nocchier" (1st version), Hess 230, "Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221, "Già la notte s'avvicina", WoO 99 No. 4a/Hess 222, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Kurz ist der Schmerz", WoO 163, "Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220, "O Tobias!", WoO 182, "Per te d'amico aprile", WoO 99 No. 9/Hess 216, "Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213, "Quella cetra ah pur tu sei", WoO 99 No. 10b/Hess 218, "Schwenke dich ohne Schwänke!", WoO 187, "Te solo adoro", WoO 186, Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171
Georg Poplutz vocal 20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last", 20 Irish Songs WoO 153, No. 18, "No More, My Mary", 20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature", 20 Irish Songs WoO 153, No. 3, "The British Light Dragoons", 25 Irish Songs WoO 152, No. 12, "English Bulls", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin", 25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee", Seven British Folksongs, WoO 158/b, "Erin! O Erin!", Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk", Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab", Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)", Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion", Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal), Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine), Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian), Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol), Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol)
小林幸子 (Violinist, was in Lotus String Quartet) violin 12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 2, "O Harp of Erin", 12 Irish Songs WoO 154, No. 3, "The Farewell Song", 12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman", 12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot", 12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine", 12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", 6 Deutsche Tänze WoO 42, Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio, Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile, Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto, Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante, Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace, Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto, Trio for Violin, Cello and Piano in E-flat major, H. 48
Siegfried Lorenz vocal 20 Irish Songs WoO 153, No. 1 "When eve's last rays in twilight" (duet), 20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy", 25 Irish Songs WoO 152, No. 11 "Thou emblem of faith", 25 Irish Songs WoO 152, No. 15 "Let brainspinning swains", 25 Irish Songs WoO 152, No. 17 "In vain to this desert" (duet), 25 Irish Songs WoO 152, No. 20 "Farewell bliss and farewell Nancy" (duet), 25 Irish Songs WoO 152, No. 24 "The Traugh welcome", 25 Irish Songs WoO 152, No. 5 "On the massacre of Glencoe", 25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet), 25 Irish Songs WoO 152, No. 8 "Come draw we round a cheerful ring", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 1. "When Eve's last rays in twilight", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 8. "Farewell mirth and hilarity", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 11. "Thou emblem of faith", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 15. "Let brain-spinning swains", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 17. "In vain to this desert my fate I deplore", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 20. "Farewell bliss and farewell Nancy" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 24. "The trough welcome", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 5. "On the massacre of Glencoe", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 6. "What shall I do to shew how much I love her?" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 8. "Come draw we round a cheerful ring"
London Philharmonic Orchestra performing orchestra Leonora Overture No. 3, Romance for Violin and Orchestra No. 2 in F major, Op. 50, Symphonie No. 5, Op. 67: I. Allegro con brio, Symphonie No. 5, Op. 67: I. Allegro con brio (version entendue par bébé), Symphonie Nr. 2 Op. 36 D-Dur II: Larghetto, Symphonie Nr. 2 Op. 36 D-Dur III: Scherzo: Allegro, Symphonie Nr. 2 Op. 36 d-Dur I: Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No.5 in C minor, Op.67: 1. Allegro con brio, Symphony No.5 in C minor, Op.67: 2. Andante con moto, Symphony No.5 in C minor, Op.67: 3. Allegro, Symphony No.5 in C minor, Op.67: 4. Allegro, Symphony no. 5 in C minor "Fate", op. 67: I. Allegro con brio, Symphony no. 5 in C minor "Fate", op. 67: II. Andante con moto, Symphony no. 5 in C minor "Fate", op. 67: III. Allegro, Symphony no. 5 in C minor "Fate", op. 67: IV. Allegro
Patti Laursen producer Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture
Horst Neumann (choir master and conductor) chorus master Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat"
Everett Porter engineer Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture
Australian Intervarsity Choral Festival Choir vocal Calm Sea and Prosperous Voyage, Drei Equali, Mass in C: Agnus Dei, Mass in C: Benedictus, Mass in C: Credo, Mass in C: Gloria, Mass in C: Kyrie, Mass in C: Sanctus, Missa Solemnis: Agnus Dei, Missa Solemnis: Credo, Missa Solemnis: Gloria, Missa Solemnis: Kyrie, Missa Solemnis: Santcus, Mount of Olives: Behold him, Mount of Olives: Introduction, Mount of Olives: Mine inmost heart, Mount of Olives: Praise, Oh Triumph, Mount of Olives: We surely, Prisoner's chorus from Fidelio
Александр Титов (conductor) conductor Leonore Overture No. 2, Op. 72, Leonore Overture No.3, Op. 72, Leonore Overture no. 3, op. 72, Ouvertüre "Leonore" No. 3 Op. 72a, Overture to Egmont, Op. 84, Overture to Prometheus, Op. 43, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II Adagio un poco moto, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": IV. Gewitter. Sturm. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No.3 in E flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No.5. in C minor, Op. 67: I. Allegro con brio
Chihiro Saito cello 12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 2, "O Harp of Erin", 12 Irish Songs WoO 154, No. 3, "The Farewell Song", 12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman", 12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot", 12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine", 12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio, Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile, Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto, Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante, Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace, Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto, Trio for Violin, Cello and Piano in E-flat major, H. 48
Henk Kooislra engineer Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture
Sylvia McNair vocal Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet, Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze"
Anthony Caronia producer Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture
Carol Smith vocal Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem"
Hans-Hubert Schönzeler conductor Die Ruinen von Athen, Op. 113: Arie mit Chor: Will unser Genius noch einen Wunsch gewähren, Die Ruinen von Athen, Op. 113: Chor der Derwische: Du hast in deines Ärmels Falten den Mond getragen, Die Ruinen von Athen, Op. 113: Chor: Tochter des mächtigen Zeus, Die Ruinen von Athen, Op. 113: Chor: Wir trafen empfängliche Herzen im Busen, Die Ruinen von Athen, Op. 113: Chor: heil unserem König! Heil!, Die Ruinen von Athen, Op. 113: Duett: Ohne verschulden Knechtschaft dulden, Die Ruinen von Athen, Op. 113: Marsch und Chor: Schmückt die Altäre, Die Ruinen von Athen, Op. 113: Musik hinter der Szene: Es wandelt schon das Volk im Feierkleide, Die Ruinen von Athen, Op. 113: Overtüre, Die Ruinen von Athen, Op. 113: Rezitativ: Mit reger Freude, die nie erkaltet, Die Ruinen von Athen, Op. 113: Türkischer Marsch, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) performing orchestra Die Ruinen von Athen, Op. 113: Arie mit Chor: Will unser Genius noch einen Wunsch gewähren, Die Ruinen von Athen, Op. 113: Chor der Derwische: Du hast in deines Ärmels Falten den Mond getragen, Die Ruinen von Athen, Op. 113: Chor: Tochter des mächtigen Zeus, Die Ruinen von Athen, Op. 113: Chor: Wir trafen empfängliche Herzen im Busen, Die Ruinen von Athen, Op. 113: Chor: heil unserem König! Heil!, Die Ruinen von Athen, Op. 113: Duett: Ohne verschulden Knechtschaft dulden, Die Ruinen von Athen, Op. 113: Marsch und Chor: Schmückt die Altäre, Die Ruinen von Athen, Op. 113: Musik hinter der Szene: Es wandelt schon das Volk im Feierkleide, Die Ruinen von Athen, Op. 113: Overtüre, Die Ruinen von Athen, Op. 113: Rezitativ: Mit reger Freude, die nie erkaltet, Die Ruinen von Athen, Op. 113: Türkischer Marsch, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde
Westminster Choir (Princeton, NJ) vocal Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem"
Eileen Farrell vocal Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem"
Christina Klopsch vocal "Alles Gute", WoO 179, "Brauchle, Linke", WoO 167, "Da ist das Werk", WoO 197, "Das Reden", WoO 168 No. 2, "Falstafferel, laß dich sehen!", WoO 184, "Fra tutte le pene" (1st version), WoO 99 No. 3c/Hess 224, "Fra tutte le pene", WoO 99 No. 3b/Hess 225, "Giura il nocchier", WoO 99 No. 5b/Hess 227, "Graf, liebster Graf", WoO 101, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Kurz ist der Schmerz", WoO 163, "Ma tu tremi", WoO 99 No. 6/Hess 212, "Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217, "O Tobias!", WoO 182, "Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219, "Schwenke dich ohne Schwänke!", WoO 187, Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171, Musical joke for three voices "Graf, Graf, liebster Graf", WoO 101
Günther Beyer vocal "Das Schweigen", WoO 168 No. 1, "Es muß sein!", WoO 196, "Fra tutte le pene" (1st version), WoO 99 No. 3c/Hess 224, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Giura il nocchier", WoO 99 No. 5b/Hess 227, "Già la notte s'avvicina", WoO 99 No. 4b/Hess 223, "Herr Graf, ich komme zu fragen", Hess 276, "Ich küsse Sie", WoO 169, "Ich war hier, Doktor, ich war hier", WoO 190, "Kühl, nicht lau", WoO 191, "Lob auf den Dicken", WoO 100, "Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217, "O Tobias!", WoO 182, "Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219, "Sankt Petrus war ein Fels!", WoO 175, "Signor Abate!", WoO 178, "The Monk's Song" for 3 a cappella Male Voices from Schiller's play "William Tell", WoO 104, Song of Farewell for Tenor and 2 Basses, WoO 102
정명훈 (pianist and conductor) conductor Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”, Der glorreiche Augenblick, Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio, Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram, Romance Cantabile
James Taylor (operatic tenor) vocal I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus, V. Benedictus, VI. Agnus Dei
Coro dell’Accademia Nazionale di Santa Cecilia vocal Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”, Der glorreiche Augenblick, Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio, Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram
Tbilisi Symphony Orchestra performing orchestra Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Finale. Allegro molto, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace - Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of happy feelings on arrival in the country): Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach (By the brook): Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute (Joyous gathering of country folk): Allegro (attacca), Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm (Thunderstorm, Storm): Allegro (attacca), Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang, Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; happy and thankful feelings after the storm): Allegretto, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto (Ode to Joy)
Djansug Kakhidze conductor Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Finale. Allegro molto, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace - Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of happy feelings on arrival in the country): Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach (By the brook): Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute (Joyous gathering of country folk): Allegro (attacca), Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm (Thunderstorm, Storm): Allegro (attacca), Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang, Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; happy and thankful feelings after the storm): Allegretto, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto (Ode to Joy)
Arthur Grumiaux (Belgian violinist) violin Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Adagio, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Molto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Scherzando E Vivace, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Vivace E Disinvolta - Presto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Andante Con Variazioni, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Entrata (Allegro), Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Tempo Ordinario D'Un Menuetto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Adagio - Scherzo (Allegro Molto) - Adagio (Tempo I) - Allegro Molto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Allegretto Alla Polacca, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Andante Quasi Allegretto - Allegro - Tempo I, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro - Adagio), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Menuetto (Allegretto), Serenade in D, Op. 25: 6. Adagio - 7. Allegro vivace e disinvolto - Presto, Serenade in D, Op. 8: 5. Andante quasi allegretto - Allegro - Tempo I - 6. Marcia (Allegro)
Wolfgang Wagner vocal "Chi mai di questo core", WoO 99 No. 2/Hess 214, "Ewig dein", WoO 161, "Fra tutte le pene" (2nd version), Hess 210, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Giura il nocchier" (1st version), Hess 230, "Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221, "Già la notte s'avvicina", WoO 99 No. 4a/Hess 222, "Hoffmann, sei ja kein Hofmann", WoO 180, "Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220, "Per te d'amico aprile", WoO 99 No. 9/Hess 216, "Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213, "Quella cetra ah pur tu sei", WoO 99 No. 10b/Hess 218, "Sankt Petrus war ein Fels!", WoO 175, "Schwenke dich ohne Schwänke!", WoO 187, Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious), Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Three canons, WoO 181 No. 1 - Canon in 4 parts in C major "Gedenket heute an Baden", WoO 181/1
Wolfgang Sawallisch conductor, piano 6 Lieder von Gellert, Op. 48 No. 1: Bitten, 6 Lieder von Gellert, Op. 48 No. 2: Die Liebe des Nächsten, 6 Lieder von Gellert, Op. 48 No. 3: Vom Tode, 6 Lieder von Gellert, Op. 48 No. 4: Die Ehre Gottes aus der Natur, 6 Lieder von Gellert, Op. 48 No. 5: Gottes Macht und Vorsehung, 6 Lieder von Gellert, Op. 48 No. 6: Bußlied, Acht Lieder, Op. 52 No. 4: Mailied, Acht Lieder, Op. 52 No. 7: Marmotte, Acht Lieder, Op. 52 No. 8: Das Blümchen Wunderhold, Adelaide, Op. 46, An die Hoffnung, Op. 32, Drey Gesaenge, Op. 83 No. 1: Wonne der Wehmut, Drey Gesaenge, Op. 83 No. 2: Sehnsucht, Mondscheinsonate: Adagio, Sechs Gesaenge, Op. 75 No. 2: Neue Liede, neues Leben, Sechs Gesaenge, Op. 75 No. 3: Aus Goethe's Faust "Mephistos Flohlied", Symphonie No. 9 in D minor, Op. 125: IV. Allegro ma non tanto - Prestissimo (Royal Concertgebouw Orchestra)
Orchestra dell’Accademia Nazionale di Santa Cecilia performing orchestra Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”, Der glorreiche Augenblick, Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio, Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram
György Éder cello Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto, Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro, Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Marcia. Adagio, Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Menuetto - Trio, Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Adagio - Scherzo, Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Allegretto alla polacca, Serenade for Violin, Viola, and Cello in D major, Op. 8: VI. Tema con Variazioni. Andante quasi allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro
Mikayel Hakhnazaryan cello 6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto
Marika Kuzma chorus master Egmont, Op. 84: I. Ouverture, Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame]
Adrianne Pieczonka (soprano) vocal Egmont, Op. 84: I. Ouverture, Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame]
Norbert Balatsch (baritone, chorus master and conductor) chorus master Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”, Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio, Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram
Boris Livschitz violin 6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto
Elizabeth Layton violin 14 Variations for Piano, Violin & Cello Op. 44: I. Thema, Andante, 14 Variations for Piano, Violin & Cello Op. 44: II. Variation I (Sempre staccato), 14 Variations for Piano, Violin & Cello Op. 44: III. Variation II, 14 Variations for Piano, Violin & Cello Op. 44: IV. Variation III, 14 Variations for Piano, Violin & Cello Op. 44: IX. Variation VIII, Un poco adagio, 14 Variations for Piano, Violin & Cello Op. 44: V. Variation IV, 14 Variations for Piano, Violin & Cello Op. 44: VI. Variation V, 14 Variations for Piano, Violin & Cello Op. 44: VII. Variation VI, 14 Variations for Piano, Violin & Cello Op. 44: VIII. Variation VII, Largo, 14 Variations for Piano, Violin & Cello Op. 44: X. Variation IX, Tempo primo, 14 Variations for Piano, Violin & Cello Op. 44: XI. Variation X, 14 Variations for Piano, Violin & Cello Op. 44: XII. Variation XI, 14 Variations for Piano, Violin & Cello Op. 44: XIII. Variation XII, 14 Variations for Piano, Violin & Cello Op. 44: XIV. Variation XIII, Adagio, 14 Variations for Piano, Violin & Cello Op. 44: XV. Variation XIV, Allegro-Andante-Presto, Music, Love and Wine
Otto Wiener vocal Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn"
Maria Stader vocal Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn"
Mátyás Bartha violin 6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto
Chœur de l’Orchestre symphonique de Montréal vocal Egmont, Op. 84: I. Ouverture, Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame]
Zvi Livschitz viola 6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto
Haakon Schaub vocal 26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 20, "To the Blackbird", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair"
Vienna Academy Chorus vocal Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn"
Attila Falvay violin Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto, Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro, Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Marcia. Adagio, Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Menuetto - Trio, Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Adagio - Scherzo, Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Allegretto alla polacca, Serenade for Violin, Viola, and Cello in D major, Op. 8: VI. Tema con Variazioni. Andante quasi allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro
Dominik Ostertag viola 6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto
Libor Pešek conductor Klavierkonzert no. 5 in Es-Dur, op. 73: Adagio un poco mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Adagio Un Poco Mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Allegro, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Rondo: Allegro, Sinfonie Nr. 7 A-Dur op. 92, 2.Satz: Allegretto, Symphonie Nr. 7 Op. 92 A-Dur I: Poco sostenuto, Vivace, Symphonie Nr. 7 Op. 92 A-Dur II: Allegretto, Symphonie Nr. 7 Op. 92 A-Dur III: Presto, Symphonie Nr. 7 Op. 92 A-Dur V: Finale: Allegro con brio, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Finale. Allegro con brio
Maria Rebekka Stöhr vocal 26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan", 26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 23, "The Old Strain", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide", 26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament"
Chorus pro Musica vocal Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431)
Georges Janzer (viola, Grumiaux Trio) viola Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Adagio, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Molto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Scherzando E Vivace, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Vivace E Disinvolta - Presto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Andante Con Variazioni, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Entrata (Allegro), Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Tempo Ordinario D'Un Menuetto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Adagio - Scherzo (Allegro Molto) - Adagio (Tempo I) - Allegro Molto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Allegretto Alla Polacca, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Andante Quasi Allegretto - Allegro - Tempo I, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro - Adagio), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Menuetto (Allegretto), Serenade in D, Op. 25: 6. Adagio - 7. Allegro vivace e disinvolto - Presto, Serenade in D, Op. 8: 5. Andante quasi allegretto - Allegro - Tempo I - 6. Marcia (Allegro)
BBC Symphony Orchestra performing orchestra "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Chor auf die verbündeteten Fürsten, Chorus for the Allied Princes, WoO 95, Germania, WoO 94: Final Chorus from "Die gute Nachricht", Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo (Molto allegro), Scene (One) from "Vesta's Fire", Hess 115, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Triumphal March, WoO 2a: from "Tarpeja". Alla marcia, ma non troppo presto, Triumphmarsch, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume"
Dominique Labelle vocal Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431)
Brad Cresswell vocal Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431)
Wiener Symphoniker performing orchestra Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" / Vc. Choir of Children "Was soll der Lärm bedeuten?"
Donald M. Kendrick chorus master Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431)
D'Anna Fortunato vocal Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431)
Soli e Coro della Radio Svizzera italiana performer Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103, Der Gesang der Nachtigall "Höre, die Nachtigall singt" for voice & piano, WoO 141, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 2. "The soldier", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament", Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 10c. "Quella cetra ah pur tu sei" (H 219), Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 2. "Chi mai di questo core", Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 3b. "Fra tutte le pene" (H 225), Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 4a. "Gia la notte s'avvicina" (H 222), Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 5a. "Giura il nocchier" (H 221), Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 7b. "Nei campi e nelle selve" (H 220)
Michael Gielen conductor Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Agnus Dei, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Credo, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Gloria, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Kyrie, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Sanctus, Missa Solemnis in D major, op. 123: I. Kyrie, Missa Solemnis in D major, op. 123: II. Gloria, Missa Solemnis in D major, op. 123: IV. Sanctus, Missa Solemnis in D major, op. 123: V. Agnus Dei, Piano Concerto no. 2 in B flat, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B flat, op. 19: II. Adagio, Piano Concerto no. 2 in B flat, op. 19: III. Rondo: Molto allegro, Violin Concerto in D major, op. 61: I. Allegro ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo Allegro
David Arnold (baritone) vocal Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431)
Annette Cole piano 14 Variations for Piano, Violin & Cello Op. 44: I. Thema, Andante, 14 Variations for Piano, Violin & Cello Op. 44: II. Variation I (Sempre staccato), 14 Variations for Piano, Violin & Cello Op. 44: III. Variation II, 14 Variations for Piano, Violin & Cello Op. 44: IV. Variation III, 14 Variations for Piano, Violin & Cello Op. 44: IX. Variation VIII, Un poco adagio, 14 Variations for Piano, Violin & Cello Op. 44: V. Variation IV, 14 Variations for Piano, Violin & Cello Op. 44: VI. Variation V, 14 Variations for Piano, Violin & Cello Op. 44: VII. Variation VI, 14 Variations for Piano, Violin & Cello Op. 44: VIII. Variation VII, Largo, 14 Variations for Piano, Violin & Cello Op. 44: X. Variation IX, Tempo primo, 14 Variations for Piano, Violin & Cello Op. 44: XI. Variation X, 14 Variations for Piano, Violin & Cello Op. 44: XII. Variation XI, 14 Variations for Piano, Violin & Cello Op. 44: XIII. Variation XII, 14 Variations for Piano, Violin & Cello Op. 44: XIV. Variation XIII, Adagio, 14 Variations for Piano, Violin & Cello Op. 44: XV. Variation XIV, Allegro-Andante-Presto
Richard Burnett (British pianist) fortepiano, piano "Der Wachtelschlag", WoO 129, An die ferne Geliebte, Op. 98 Nos. 1-6, Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio, Song for voice & piano "Andenken", WoO 136, Songs for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?", Songs for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mit einem gemalten Band: Kleine Blumen, kleine Blätter", Violin Sonata No. 5 in F major, Op. 24 "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto, Violin Sonata No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo, Violin Sonata No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio, Violin Sonata No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile, Violin Sonata No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro, Violin Sonata No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro
Cummings String Trio performer, cello, viola, violins Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: I. Allegro vivace, Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: II. Adagio con espressione, Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: III. Rondo. Allegro, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: I. Allegro moderato, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: II. Andante con moto, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: III. Rondo. Allegro, Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: I. Adagio assai – Allegro con spirito, Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: II. Tema con variazioni, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro
Leopold Stokowski arranger, conductor Mondscheinsonate: Adagio, Music to Goethe's Tragedy "Egmont" op.84: Overture, Symphony No.5 in C minor, Op.67: 1. Allegro con brio, Symphony No.5 in C minor, Op.67: 2. Andante con moto, Symphony No.5 in C minor, Op.67: 3. Allegro, Symphony No.5 in C minor, Op.67: 4. Allegro, Symphony No.7 in A, Op.92: 1. Poco sostenuto - Vivace, Symphony No.7 in A, Op.92: 2. Allegretto, Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto, Symphony No.7 in A, Op.92: 4. Allegro con brio, Symphony No.9 in D minor, Op.125 "Choral": 1. Allegro ma non troppo, un poco maestoso, Symphony No.9 in D minor, Op.125 "Choral": 2. Molto vivace, Symphony No.9 in D minor, Op.125 "Choral": 3. Adagio molto e cantabile, Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai
Hans Weber (producer/engineer) producer Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo - Kadenz, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto - attacca:, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro - Kadenz, Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro, Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)...
Heinz Bongartz conductor Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa), Egmont, Op. 84: Klärchens Tod: Larghetto "Arme Seele", Egmont, Op. 84: Lied: Andante con moto "Freudvoll und leidvoll", Egmont, Op. 84: Lied: Vivace "Die Trommel gerühret!, Egmont, Op. 84: Melodrama: Poco sostenuto "Süsser Schlaf! Du kommst wie ein reines Glück", Egmont, Op. 84: Monolog I., Egmont, Op. 84: Monolog II., Egmont, Op. 84: Monolog III., Egmont, Op. 84: Ouvertüre, Egmont, Op. 84: Siegessymphonie: Allegro con brio, Egmont, Op. 84: Zwischenakt I: Andante - Allegro con brio "Es ist keine falsche Ader an ihm", Egmont, Op. 84: Zwischenakt II: Larghetto, Egmont, Op. 84: Zwischenakt III: Allegro - Marcia; Vivace "Der König meint", Egmont, Op. 84: Zwischenakt IV: Poco sostenuto e risoluto
Václav Neumann conductor Die Ruinen von Athen - Overture, Op. 113, Die Weihe des Hauses - Overture, Op. 124, Egmont, Op. 84: Overture, Fidelio - Overture, Op. 72b, König Stephan - Overture, Op. 117, Leonore - Overture No. 3, Op. 72a, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony no. 9 in D minor 'Choral', op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor 'Choral', op. 125: II. Molto vivace, Symphony no. 9 in D minor 'Choral', op. 125: III. Adagio molto e cantible – Andante moderato, Symphony no. 9 in D minor 'Choral', op. 125: IV. Ode to Joy. Presto – Allegro assai
Stuttgart Piano Trio performer Allegretto for Piano, Violin, and Cello in B-flat major, WoO 39: Allegretto, Allegretto for Piano, Violin, and Cello in E-flat major, Hess 48, Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: I. Allegro, Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile, Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo: Allegro assai, Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: IV. Finale. Presto, Trio for Piano, Violin, and Cello No. 10 in E-flat major, Op. 44 (14 variations on an original theme): Thema. Andante - Var. I-IV - Andante, Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: I. Adagio - Allegro vivace, Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: II. Largo con espressione, Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: III. Scherzo. Allegro, Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: IV. Finale. Presto, Trio for Piano, Violin, and Cello in E-flat major, WoO 38: I. Allegro moderato, Trio for Piano, Violin, and Cello in E-flat major, WoO 38: II. Scherzo. Allegro ma non troppo, Trio for Piano, Violin, and Cello in E-flat major, WoO 38: III. Rondo. Allegretto
The Philadelphia Orchestra performing orchestra Fidelio, Op. 72b: Overture, Marcia turca da "Le rovine di Atene", Menuett G-dur, Menuett Nr. 2 G-dur, WoO 10, 2, Mondscheinsonate: Adagio, Sinfonie Nr. 7: II. Allegretto, Symphonie n° 6 en fa majeur, Op. 68 ''Pastorale'' : I. Eveil d'impressions agréables en arrivant à la campagne, Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto, Turkish March From "The Ruins of Athens"
Anthony Goldstone piano Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: I. Allegro vivace, Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: II. Adagio con espressione, Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: III. Rondo. Allegro, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: I. Allegro moderato, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: II. Andante con moto, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: III. Rondo. Allegro, Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: I. Adagio assai – Allegro con spirito, Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: II. Tema con variazioni, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro
John O'Conor (pianist) piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con variazioni, Sonata No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo; allegro molto, Sonata No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre, Sonata No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro, Sonata No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio, Sonata No. 5 in C minor, Op. 10 No. 1: II. Adagio molto, Sonata No. 5 in C minor, Op. 10 No. 1: III. Finale. Prestissimo, Sonata No. 6 in F major, Op. 10 No. 2: I. Allegro, Sonata No. 6 in F major, Op. 10 No. 2: II. Allegretto, Sonata No. 7 in D major, Op. 10 No. 3: I. Presto, Sonata No. 7 in D major, Op. 10 No. 3: II. Largo e mesto, Sonata No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro, Sonata No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro
Orchestre des Champs-Élysées performing orchestra I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemis: Quoniam tu solus sanctus, Missa solemnis in D major, Op. 123: I. Kyrie, Missa solemnis in D major, Op. 123: II. Gloria, Missa solemnis in D major, Op. 123: III. Credo, Missa solemnis in D major, Op. 123: IV. Sanctus, Missa solemnis in D major, Op. 123: V. Benedictus, Missa solemnis in D major, Op. 123: VI. Agnus Dei, V. Benedictus, VI. Agnus Dei
SWR Sinfonieorchester Baden-Baden und Freiburg performing orchestra Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Agnus Dei, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Credo, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Gloria, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Kyrie, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Sanctus, Missa Solemnis in D major, op. 123: I. Kyrie, Missa Solemnis in D major, op. 123: II. Gloria, Missa Solemnis in D major, op. 123: IV. Sanctus, Missa Solemnis in D major, op. 123: V. Agnus Dei, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funébre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto
Jenő Jandó piano 7 Ländler for Piano in D major, WoO 11, Bagatelle for Piano in C major, WoO 56. Allegretto, Bagatelle for Piano in C minor, WoO 52: Presto, Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente, Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo, Lettre à elise, Piano Sonata no. 14 in C sharp minor, op. 27, no. 2, "Moonlight": I Adagio sostenuto, Rondo in A major, WoO 49. Allegretto, Rondo à Capriccio, Op. 129, Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Molto adagio, Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato, Sonate No. 8, Op. 13 "Pathétique", Sonate No. 8, Op. 13 "Pathétique": II. Adagio cantabile
Alfred Scholz conductor Fidelio-Ouvertüre, Op. 72b (Süddeutsche Philharmonie feat. conductor: Alfred Scholz), Symphonie No. 5, Op. 67: I. Allegro con brio, Symphonie No. 5, Op. 67: I. Allegro con brio (version entendue par bébé), Symphonie Nr. 2 Op. 36 D-Dur II: Larghetto, Symphonie Nr. 2 Op. 36 D-Dur III: Scherzo: Allegro, Symphonie Nr. 2 Op. 36 d-Dur I: Adagio molto - Allegro con brio, Symphonie Nr. 8 Op. 93 F-Dur I: Allegro vivace con brio, Symphonie Nr. 8 Op. 93 F-Dur II: Allegretto scherzando, Symphonie Nr. 8 Op. 93 F-Dur III: Tempo di menuetto, Symphonie Nr. 8 Op. 93 F-Dur V: Finale: Allegro vivace, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro
Collegium Vocale Gent vocal I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemis: Quoniam tu solus sanctus, Missa solemnis in D major, Op. 123: I. Kyrie, Missa solemnis in D major, Op. 123: II. Gloria, Missa solemnis in D major, Op. 123: III. Credo, Missa solemnis in D major, Op. 123: IV. Sanctus, Missa solemnis in D major, Op. 123: V. Benedictus, Missa solemnis in D major, Op. 123: VI. Agnus Dei, V. Benedictus, VI. Agnus Dei
Friedemann Bätzel conductor 12 Menuets for Orchestra WoO 7 No. 1 in D major, 12 Menuets for Orchestra WoO 7 No. 10 in E-flat major, 12 Menuets for Orchestra WoO 7 No. 11 in C major, 12 Menuets for Orchestra WoO 7 No. 12 in F major, 12 Menuets for Orchestra WoO 7 No. 2 in B-flat major, 12 Menuets for Orchestra WoO 7 No. 3 G major, 12 Menuets for Orchestra WoO 7 No. 4 in E-flat major, 12 Menuets for Orchestra WoO 7 No. 5 in C major, 12 Menuets for Orchestra WoO 7 No. 6 in A major, 12 Menuets for Orchestra WoO 7 No. 7 in D major, 12 Menuets for Orchestra WoO 7 No. 8 in B-flat major, 12 Menuets for Orchestra WoO 7 No. 9 in G major, Congratulatory Minuet for Orchestra in E-flat major, WoO 3: Tempo di menuetto quasi allegretto
La Chapelle Royale performing orchestra, vocal I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemis: Quoniam tu solus sanctus, Missa solemnis in D major, Op. 123: I. Kyrie, Missa solemnis in D major, Op. 123: II. Gloria, Missa solemnis in D major, Op. 123: III. Credo, Missa solemnis in D major, Op. 123: IV. Sanctus, Missa solemnis in D major, Op. 123: V. Benedictus, Missa solemnis in D major, Op. 123: VI. Agnus Dei, V. Benedictus, VI. Agnus Dei
Kurt Moll vocal Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live)
Philippe Herreweghe conductor I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemis: Quoniam tu solus sanctus, Missa solemnis in D major, Op. 123: I. Kyrie, Missa solemnis in D major, Op. 123: II. Gloria, Missa solemnis in D major, Op. 123: III. Credo, Missa solemnis in D major, Op. 123: IV. Sanctus, Missa solemnis in D major, Op. 123: V. Benedictus, Missa solemnis in D major, Op. 123: VI. Agnus Dei, V. Benedictus, VI. Agnus Dei
Kammerorchester der Staatskapelle Weimar performing orchestra 12 Menuets for Orchestra WoO 7 No. 1 in D major, 12 Menuets for Orchestra WoO 7 No. 10 in E-flat major, 12 Menuets for Orchestra WoO 7 No. 11 in C major, 12 Menuets for Orchestra WoO 7 No. 12 in F major, 12 Menuets for Orchestra WoO 7 No. 2 in B-flat major, 12 Menuets for Orchestra WoO 7 No. 3 G major, 12 Menuets for Orchestra WoO 7 No. 4 in E-flat major, 12 Menuets for Orchestra WoO 7 No. 5 in C major, 12 Menuets for Orchestra WoO 7 No. 6 in A major, 12 Menuets for Orchestra WoO 7 No. 7 in D major, 12 Menuets for Orchestra WoO 7 No. 8 in B-flat major, 12 Menuets for Orchestra WoO 7 No. 9 in G major, Congratulatory Minuet for Orchestra in E-flat major, WoO 3: Tempo di menuetto quasi allegretto
Astrid Pilzecker vocal "Alles Gute", WoO 179, "Das Schweigen", WoO 168 No. 1, "Edel sei der Mensch", WoO 185, "Fra tutte le pene" (1st version), WoO 99 No. 3c/Hess 224, "Fra tutte le pene", WoO 99 No. 3b/Hess 225, "Giura il nocchier", WoO 99 No. 5b/Hess 227, "Già la notte s'avvicina", WoO 99 No. 4b/Hess 223, "Graf, liebster Graf", WoO 101, "Im Arm der Liebe ruht sich's wohl", WoO 159, "Ma tu tremi", WoO 99 No. 6/Hess 212, "Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217, "Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219, Musical joke for three voices "Graf, Graf, liebster Graf", WoO 101
Bratislava Chamber Orchestra performing orchestra 12 Contredances for Orchestra, WoO 14 No. 1 in C major, 12 Contredances for Orchestra, WoO 14 No. 10 in C major, 12 Contredances for Orchestra, WoO 14 No. 11 in G major, 12 Contredances for Orchestra, WoO 14 No. 12 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 2 in A major, 12 Contredances for Orchestra, WoO 14 No. 3 in D major, 12 Contredances for Orchestra, WoO 14 No. 4 in B-flat major, 12 Contredances for Orchestra, WoO 14 No. 5 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 6 in C major, 12 Contredances for Orchestra, WoO 14 No. 7 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 8 in C major, 12 Contredances for Orchestra, WoO 14 No. 9 in A major
Vlastimil Horák conductor 12 Contredances for Orchestra, WoO 14 No. 1 in C major, 12 Contredances for Orchestra, WoO 14 No. 10 in C major, 12 Contredances for Orchestra, WoO 14 No. 11 in G major, 12 Contredances for Orchestra, WoO 14 No. 12 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 2 in A major, 12 Contredances for Orchestra, WoO 14 No. 3 in D major, 12 Contredances for Orchestra, WoO 14 No. 4 in B-flat major, 12 Contredances for Orchestra, WoO 14 No. 5 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 6 in C major, 12 Contredances for Orchestra, WoO 14 No. 7 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 8 in C major, 12 Contredances for Orchestra, WoO 14 No. 9 in A major
Ekaterina Murina (piano) performer, piano Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio Cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro, Piano Sonata No.2 in A major, Op. 2 No.2: I. Allegro Vivace, Piano Sonata No.2 in A major, Op. 2 No.2: II. Largo appassionato, Piano Sonata No.2 in A major, Op. 2 No.2: III. Scherzo. Allegratto, Piano Sonata No.2 in A major, Op. 2 No.2: IV. Rondo. Grazioso, Piano Sonata No.23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No.23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Piano Sonata No.23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo, Piano Sonata no. 8 in C minor “Pathetique”: Adagio cantabile
Silvia Čápová piano Adagio Moonlight Sonata, Albumblatt/Bagatella A-Moll 'Für Elise' - WoO 59, Bagatelle No. 59 en La mineur "Pour Elise", Bagatelle in A minor, WoO 59 "Für Elise", For Elise, Moonlight Sonata: Quasi una fantasia, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Adagio, Sonate pour piano No. 23, Op. 57 "Appassionata": I. Allegro assai, Sonate pour piano No. 23, Op. 57 "Appassionata": III. Allegro ma non troppo
Николай Луганский piano Piano Sonata no. 14 in C-sharp minor, op. 27/2, "Moonlight": I. Adagio sostenuto, Piano Sonata no. 14 in C-sharp minor, op. 27/2, "Moonlight": II. Allegretto, Piano Sonata no. 14 in C-sharp minor, op. 27/2, "Moonlight": III. Presto agitato, Piano Sonata no. 22 in F, op. 54: I. In tempo di menuetto, Piano Sonata no. 22 in F, op. 54: II. Allegretto, piu allegro, Piano Sonata no. 23 in F minor, op. 57, "Appassionata": I. Allegro assai, Piano Sonata no. 23 in F minor, op. 57, "Appassionata": II. Andante con moto, Piano Sonata no. 23 in F minor, op. 57, "Appassionata": III. Allegro ma non troppo, Piano Sonata no. 7 in D, op. 10/3: I. Presto, Piano Sonata no. 7 in D, op. 10/3: II. Largo e mesto, Piano Sonata no. 7 in D, op. 10/3: III. Menuetto: allegro, Piano Sonata no. 7 in D, op. 10/3: IV. Rondo: allegro
Ede Banda (Hungarian cellist) cello Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto
János Fejérvári viola Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro, Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Marcia. Adagio, Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Menuetto - Trio, Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Adagio - Scherzo, Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Allegretto alla polacca, Serenade for Violin, Viola, and Cello in D major, Op. 8: VI. Tema con Variazioni. Andante quasi allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro
Paul Kletzki conductor Adagio molto e cantabile, Allegro ma non troppo, un poco maestoso, Presto, allegro assai, Scherzo, molto vivace, Symphony No. 2 in D major, Op. 36: I. Adagio molto, Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo, Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace
Lori Phillips vocal Mass in D major, op. 123 "Missa Solemnis": Benedictus, Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus
Dénes Kovács violin Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto
Géza Németh viola Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto
Theo Adam (German classical bass-baritone) vocal Agnus Dei, Benedictus, Credo, Gloria, Kyrie, Sanctus, Symphonie Nr. 9 d-Moll, Op. 125: I. Allegro ma non troppo, Symphonie Nr. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie Nr. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie Nr. 9 d-Moll, Op. 125: IVa. Presto, Symphonie Nr. 9 d-Moll, Op. 125: IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai
Nashville Symphony Orchestra performing orchestra Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus
Robynne Redmon vocal Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus
Nashville Symphony Chorus vocal Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus
George Mabry chorus master Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus
Hansjörg Schellenberger oboe Duo für Oboe und Fagott WoO 27/1: I. Allegro commodo, Duo für Oboe und Fagott WoO 27/1: II. Larghetto sostenuto, Duo für Oboe und Fagott WoO 27/1: III. Rondo: Allegretto, Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro, Trio für zwei Oboen und Englischhorn, Op. 87: I. Allegro, Trio für zwei Oboen und Englischhorn, Op. 87: II. Adagio cantabile, Trio für zwei Oboen und Englischhorn, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio für zwei Oboen und Englischhorn, Op. 87: IV. Finale. Presto, Variationen über „La ci darem la mano“ für zwei Oboen und Englischhorn
Orchestre de Festival Belgique performing orchestra Romance for Violin and Orchestra no. 1 in G major, op. 40, Romance for Violin and Orchestra no. 2 in F major, op. 50, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro
Kenneth Schermerhorn conductor Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus
Arthur Apelt conductor "Es ist vollbracht", WoO 97 (Finale from Treitschke's "Die Ehrenpforten"), "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, Aria in B flat major for tenor & orchestra for Umlauf’s Singspiel "Die schöne Schusterin", WoO 91: "Soll ein Schuh nicht drücken", Aria in D major for bass & orchestra, WoO 90; "Mit Mädeln sich vertragen", Aria in F major for bass & orchestra, WoO 89: "Prüfung des Küssens", Aria in F major for tenor & orchestra for Umlauf’s Singspiel "Die schöne Schusterin", WoO 91: "O welch ein Leben!", Duet for 2 voices & orchestra, WoO 93: "Nei giorni tuoi felici", Scena and aria for soprano & orchestra, WoO 92: "Primo amore . . . Tal amor", Scena and aria for soprano & orchestra, WoO 92a: "No, non turbarti! . . . Ma tu tremi, o mio tesoro", Tremate, Empi, Tremate for 3 voices & orchestra, Op. 116, Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate"
Dorothee Wohlgemuth vocal 20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints", 20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty", 20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love", 20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store", 25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home", 25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine)
Mikuláš Škuta (pianist) piano Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro, Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio, Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto, Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo, Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace, Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato, Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto, Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso, Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro, Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto, Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto
Friedrich Gulda piano Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Sonate No. 14 en Ut dièse mineur, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto, Sonate No. 14 en Ut dièse mineur, Op. 27 No. 2 "Clair de lune": II. Allegretto, Sonate No. 14 en Ut dièse mineur, Op. 27 No. 2 "Clair de lune": III. Presto agitato, Sonate No. 23 en Fa mineur, Op. 57 "Appassionata": I. Allegro assai, Sonate No. 23 en Fa mineur, Op. 57 "Appassionata": II. Andante con moto, Sonate No. 23 en Fa mineur, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto, Sonate No. 8 en Ut mineur, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Sonate No. 8 en Ut mineur, Op. 13 "Pathétique": II. Adagio cantabile, Sonate No. 8 en Ut mineur, Op. 13 "Pathétique": III. Rondo - Allegro, Variations Diabelli, Op. 120: VII. Var. VI
Saint Luke Chamber Orchestra performing orchestra Duo in E-flat for viola and cello: I. Allegro, Duo in E-flat for viola and cello: II. Minuetto, Septet in E-flat major, Op. 20: I. Adagio - Allegro con brio, Septet in E-flat major, Op. 20: II. Adagio cantablie, Septet in E-flat major, Op. 20: III. Tempo di menuetto, Septet in E-flat major, Op. 20: IV. Tema con variazioni, Septet in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet in E-flat major, Op. 20: VI. Andante con moto alla marcia - Presto, Sextet in E-flat major, Op. 81b: I. Allegro con brio, Sextet in E-flat major, Op. 81b: II. Adagio, Sextet in E-flat major, Op. 81b: III. Rondo. Allegro
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) performing orchestra Leonora Overture no. 1, March of the Turks, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (excerpt), Symphony no. 3 "Eroica": I. Allegro con brio, Symphony no. 3 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 "Eroica": IV. Finale. Allegro molto, Two Marches for Military Band: No. 1, Two Marches for Military Band: No. 2, Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle Symphony", Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle"
Nikolaus Harnoncourt conductor Missa solemnis for Soloists, Chorus and Orchestra, op. 123: I. KYRIE. Assai sostenuto. Mit Andacht [¢]- Andante assia ben marcato [3/2] - Tempo I [¢], Missa solemnis, Op. 123: I. Kyrie, Missa solemnis, Op. 123: II. Gloria, Missa solemnis, Op. 123: III. Credo, Missa solemnis, Op. 123: IV. Benedictus, Missa solemnis, Op. 123: IV. Sanctus, Missa solemnis, Op. 123: V. Agnus Dei, Piano Concerto no.5, ’Emperor’: Rondo, The Creatures of Prometheus, Op. 43: Act II: No. 5 Adagio - Andante quasi allegretto, Violin Concerto - Rondo: Allegro (excerpt), Violin Concerto in D major, Op. 61: II. Larghetto
Jay Baylon vocal Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus
Jens Hamann vocal 20 Irish Songs WoO 153, No. 11, "When Far From the Home", 20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season", 20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left", 25 Irish Songs WoO 152, No. 1, "The Return to Ulster", 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", 25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face", 25 Irish Songs WoO 152, No. 9, "The Soldier's Dream", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany)
Steven Beck piano 12 German Dances for Piano, Hess 100 (dances for orchestra WoO 8, for piano), 12 Minuets for Piano, Hess 101 (minuets for orchestra WoO 7, for piano), March for Military Music in D major, WoO 24, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Coda, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Deutscher Gesang, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Jagdlied, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Kriegslied, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): March, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Minnelied, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Tanzlied, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Trinklied
Tim Handley (engineer/editor/producer) editor, engineer, producer Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus
Peter Glatte violin 12 Variations for Violin and Piano on "Se vuol ballare" from Mozart's "Le nozze di Figaro", WoO 40, Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace, Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I
Peter Maus vocal "Ars longa, vita brevis", WoO 170, "Ars longa, vita brevis", WoO 193, "Bei labbri, che Amore", WoO 99 No. 1/Hess 211, "Das Schöne zum Guten!", WoO 202, "Doktor sperrt das Tor dem Tod", WoO 189, "Fra tutte le pene", WoO 99 No. 3a, "Glück zum neuen Jahr!", WoO 176, "Kurz ist der Schmerz", WoO 166, "Salvo tu vuoi lo sposo?", Hess 228, "Scrivo in te", WoO 99 No. 11/Hess 215, "Sei mio ben", Hess 231
Alfred Brendel grand piano, piano 12 Variations on “See the conju'ring hero comes” WoO 45:Variation IX, 12 Variations on “See the conju'ring hero comes” WoO 45:Variation VIII, 12 Variations on “See the conju'ring hero comes” WoO 45:Variation X: Adagio, 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation V: Si prenda..., Diabelli Variations, Op. 120: V. Allegro vivace, Diabelli Variations, Op. 120: XIX. Presto, Diabelli Variations, Op. 120: XXI. Allegro con brio - Meno allegro, Diabelli Variations, Op. 120: XXV. Allegro, Diabelli Variations, Op. 120: XXXII. Fuga: Allegro - Poco adagio, Piano sonata no. 13 in E-flat major, op. 27 no. 1 “Quasi una fantasia”, Sonata no. 8 in C minor, op.13 “Pathetique”
Josef Suk (violinist) violin Romance No. 2 in F major, Op. 50, Sonata for Violin and Piano no. 5 in F major, op. 24: Adagio molto espressivo, Sonata for Violin and Piano no. 5 in F major, op. 24: Allegro, Sonata for Violin and Piano no. 5 in F major, op. 24: Rondo. Allegro ma non troppo, Sonata for Violin and Piano no. 5 in F major, op. 24: Scherzo, Allegro molto, Sonata for Violin and Piano no. 9 in A major, op. 47: Adagio sostenuto, Presto, Sonata for Violin and Piano no. 9 in A major, op. 47: Andante con variazoni, Sonata for Violin and Piano no. 9 in A major, op. 47: Finale, Presto, Violin Concerto in D major, op. 61: I: Allegro ma non troppo, Violin Concerto in D major, op. 61: II: Larghetto, Violin Concerto in D major, op. 61: III: Rondo (Allegro)
Эмиль Григорьевич Гилельс piano Klaviersonate Nr. 21 C-Dur, op. 53 »Waldstein-Sonate«: III. Rondo. Allegretto moderato – Prestissimo, Klaviersonate Nr. 21 C-Dur, op. 53 »Waldstein-Sonate«: IV. Prestissimo, Klaviersonate f-moll, op. 57 „Appassionata" –, Klaviersonate f-moll, op. 57 „Appassionata" – I. Allegro assai, Klaviersonate f-moll, op. 57 „Appassionata" – II. Andante con moto, Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro)
Bruno Ganz performer, vocal Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet, The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide"
Academy of St Martin in the Fields performing orchestra Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Romance No. 2 in F major, Op. 50, Romance no. 1 in G major, op. 40, Romance no. 2 in F major, op. 50, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto
Pierre Narrato conductor Romance for Violin and Orchestra no. 1 in G major, op. 40, Romance for Violin and Orchestra no. 2 in F major, op. 50, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro
RIAS Kammerchor vocal Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin), The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!", The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen", The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!", The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!"
Johannes Walter (flautist) flute Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace, Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I
Hanne-Lore Kuhse vocal Agnus Dei, Benedictus, Credo, Duet for Soprano and Tenor accompanied by Orchestra, WoO 93 "Ne' giorni tuoi felici", Gloria, Kyrie, Sanctus, Scene and Aria for Soprano and Orchestra, WoO 92 "Primo amore", Scene and Aria for Soprano and Orchestra, WoO 92a "No, non turbarti", Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate"
Hagen Quartett strings String Quartet In C Sharp Minor, Op.131: 1. Adagio ma non troppo e molto espressivo, String Quartet In C Sharp Minor, Op.131: 2. Allegro molto vivace, String Quartet In C Sharp Minor, Op.131: 3. Allegro moderato, String Quartet In C Sharp Minor, Op.131: 4. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto, String Quartet In C Sharp Minor, Op.131: 5. Presto, String Quartet In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante, String Quartet In C Sharp Minor, Op.131: 7. Allegro, String Quartet in B flat, Op.130: 2. Presto, String Quartet in B flat, Op.130: 3. Andante con moto ma non troppo. Poco scherzando, String Quartet in B flat, Op.130: 4. Alla danza tedesca (Allegro assai)
Günther Arndt chorus master The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!", The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen", The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!", The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!"
James Levine (US conductor and pianist) conductor, piano An die Hoffnung, Op. 94, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live), Symphonie no. 3 Es-Dur, op. 55 "Eroica": I. Allegro con brio, Symphonie no. 3 Es-Dur, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphonie no. 3 Es-Dur, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphonie no. 3 Es-Dur, op. 55 "Eroica": IV. Finale. Allegro molto, Zärtliche Liebe "Ich liebe Dich", WoO 123
Bryn Terfel (bass-baritone opera singer) vocal Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet
Daniel Schreiber vocal 12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 3, "The Farewell Song", 12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", 3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz", Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122
Wilhelm Krumbach organ 5 Pieces for Mechanical Clock, WoO 33 No. 1 in F major. Adagio assai, 5 Pieces for Mechanical Clock, WoO 33 No. 2 in G major. Scherzo. Allegro, Five 4-part double fugues in double counterpoint, Hess 243: No. 4 in D minor, Nine 4-part simple fugues in strict counterpoint, Hess 238: No. 2 in D minor, Nine 4-part simple fugues in strict counterpoint, Hess 238: No. 4 in A minor, Prelude & Fugue for Violins & Cello in E minor, Hess 29 (arrangement for organ): I. Präludium, Prelude & Fugue for Violins & Cello in E minor, Hess 29 (arrangement for organ): II. Fuge, Seven 3-part simple fugues in strict counterpoint, Hess 237: No. 4 in D minor, Three choral fugues, Hess 239: No. 2 in D minor, Two 4-part triple fugues, Hess 244: No. 1 in D minor
Bernard Haitink conductor Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile, Symphony No. 6 in F major, Op. 68 'Pastorale': V. Allegretto, Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IVb. O Freunde, Nicht Diese Toene!, Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVe. Andante maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": IVf. Allegro energico, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony No. 9 in D minor, Op. 125 'Choral': II. Scherzo. Molto vivace
Raymond Leppard conductor Sinfonía n.º 9 en re mayor, op. 125 «Coral»: I. Allegro ma non troppo, un poco maestoso, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: II. Molto vivace, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: III: Adagio molto e cantabile, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante - Moderato, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": V. Presto "O Freunde, nicht diese Töne!" - Allegro assai, "Ode to Joy"
Святослав Теофилович Рихтер (Sviatoslav Richter, pianist) piano Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con variazioni, Triple Concerto in C major, Op. 56: I. Allegro, Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca, Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro, Violin Sonata no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo, Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo (Allegro molto) & Trio, Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo (Allegro ma non troppo)
George Szell conductor Adagio from Piano Concerto no. 5 "Emperor", Fidelio, Op. 72: Overture, Symphony no. 2 in D major, op. 36: I. Adagio molto — Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro
Süddeutsche Philharmonie (an Alfred Scholz pseudonym) performing orchestra King Stephan Overture, op.117, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto, Symphony no. 3 in E flat major, "Eroica": I. Allegro con brio, Symphony no. 3 in E flat major, "Eroica": II. Marcia funebre, Adagio assai, Symphony no. 3 in E flat major, "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E flat major, "Eroica": IV. Finale: Allegro molto - Poco andante - Presto, Symphony no. 3 in E flat major, op. 55 "Eroica": Adagio assai (theme)
Michel Debost flute Airs variés pour Flûte & Piano - Air autrichien, Op.105 No.3, Airs variés pour Flûte & Piano - Air de la petite Russie, Op.107 No.3, Airs variés pour Flûte & Piano - Air russe, Op.107 No.7, Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.1, Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.5, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.1, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.2, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.4, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.6, Airs variés pour Flûte & Piano - Air écossais, Op.107 No.9
Brahms Trio performer Irish Songs (20) for voice & piano trio, WoO 153 Nr. 10. "Oh! Thou hapless soldier" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 15. "T'is but in vain, for nothing thrives", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 20. "Thy ship must sail, my Henry dear", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 5. "I dream'd I lay where flow'rs were springing" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 7. "O soothe me, my lyre", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 13. "Musing on the roaring ocean", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 17. "In vain to this desert my fate I deplore", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 19. "Wife, children and friends", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 2. "Sweet Power of Song" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 20. "Farewell bliss and farewell Nancy" (duet)
Elisabeth Breul vocal Egmont, Op. 84: Klärchens Tod: Larghetto "Arme Seele", Egmont, Op. 84: Lied: Andante con moto "Freudvoll und leidvoll", Egmont, Op. 84: Lied: Vivace "Die Trommel gerühret!, Egmont, Op. 84: Melodrama: Poco sostenuto "Süsser Schlaf! Du kommst wie ein reines Glück", Egmont, Op. 84: Ouvertüre, Egmont, Op. 84: Siegessymphonie: Allegro con brio, Egmont, Op. 84: Zwischenakt I: Andante - Allegro con brio "Es ist keine falsche Ader an ihm", Egmont, Op. 84: Zwischenakt II: Larghetto, Egmont, Op. 84: Zwischenakt III: Allegro - Marcia; Vivace "Der König meint", Egmont, Op. 84: Zwischenakt IV: Poco sostenuto e risoluto
علی رهبری (Ali Rahbari, sometimes credited as "Alexander") conductor Egmont Op. 84: I. Lied From Clärchen: "Die Trommel gerühret!". Vivace, Egmont Op. 84: II. Entr'acte 1. Andante - Allegro con brio, Egmont Op. 84: III. Entr'acte 2. Larghetto, Egmont Op. 84: IV. Lied From Clärchen: "Freudvoll und leidvoll". Andante con moto - Allegro assai vivace, Egmont Op. 84: IX. Symphony of Victory. Allegro con brio, Egmont Op. 84: V. Entr'acte 3. Allegro - Marcia. Vivace, Egmont Op. 84: VI. Entr'acte 4. Poco sostenuto e risoluto - Larghetto - Andante agitato, Egmont Op. 84: VII. Music, marking the death of Clärchen. Larghetto, Egmont Op. 84: VIII. Melodrama: "Süsser Schlaf". Poco sostenuto, Leonora Overture No. 3
Eugene Ormandy conductor Marcia turca da "Le rovine di Atene", Menuett G-dur, Menuett Nr. 2 G-dur, WoO 10, 2, Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto, Turkish March From "The Ruins of Athens"
Peter Rösel piano Concerto for Piano, Violin and Cello in C major, Op. 56 "Triple Concerto": II. Largo, Sonate für Klavier Nr. 14 in cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto, Sonate für Klavier Nr. 14 in cis-Moll, Op. 27 Nr. 2 "Mondschein": II. Allegretto, Sonate für Klavier Nr. 14 in cis-Moll, Op. 27 Nr. 2 "Mondschein": III. Presto agitato, Sonate für Klavier Nr. 23 in f-Moll, Op. 57 "Appassionata": I. Allegro assai, Sonate für Klavier Nr. 23 in f-Moll, Op. 57 "Appassionata": II. Andante con moto, Sonate für Klavier Nr. 23 in f-Moll, Op. 57 "Appassionata": III. Allegro ma non troppo, Sonate für Klavier Nr. 8 in c-Moll, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Sonate für Klavier Nr. 8 in c-Moll, Op. 13 "Pathétique": II. Adagio cantabile, Sonate für Klavier Nr. 8 in c-Moll, Op. 13 "Pathétique": III. Rondo. Allegro
Christian Ivaldi (French pianist) piano Airs variés pour Flûte & Piano - Air autrichien, Op.105 No.3, Airs variés pour Flûte & Piano - Air de la petite Russie, Op.107 No.3, Airs variés pour Flûte & Piano - Air russe, Op.107 No.7, Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.1, Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.5, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.1, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.2, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.4, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.6, Airs variés pour Flûte & Piano - Air écossais, Op.107 No.9
Ernst Erich Buder performer Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet
Melos Ensemble performer Octet in E-flat major, op. 103: I. Allegro, Octet in E-flat major, op. 103: II. Andante, Octet in E-flat major, op. 103: III. Menuetto: Allegro, Octet in E-flat major, op. 103: IV. Finale: Presto, Septet in E-flat major, op. 20: I. Adagio - Allegro con brio, Septet in E-flat major, op. 20: II. Adagio cantabile, Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio, Septet in E-flat major, op. 20: IV. Tema con Variazioni (Andante), Septet in E-flat major, op. 20: V. Scherzo: Allegro molto e vivace & Trio, Septet in E-flat major, op. 20: VI. Andante con moto alla marcia - Presto
Carlo Maria Giulini (conductor) conductor Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Symphony No. 7 in A: I. Poco Sostenuto - Vivace, Symphony No. 7 in A: II. Allegretto, Symphony No. 7 in A: III. Presto - Assai Meno Presto - Presto - Assai Meno Presto - Presto, Symphony No. 7 in A: IV. Allegro Con Brio, Symphony no. 6 in F major, op. 68 "Pastoral": III. Merry Gathering of Country Folk
Chamber Orchestra of Europe performing orchestra Missa solemnis, Op. 123: I. Kyrie, Missa solemnis, Op. 123: II. Gloria, Missa solemnis, Op. 123: III. Credo, Missa solemnis, Op. 123: IV. Benedictus, Missa solemnis, Op. 123: IV. Sanctus, Missa solemnis, Op. 123: V. Agnus Dei, Piano Concerto no.5, ’Emperor’: Rondo, The Creatures of Prometheus, Op. 43: Act II: No. 5 Adagio - Andante quasi allegretto, Violin Concerto - Rondo: Allegro (excerpt), Violin Concerto in D major, Op. 61: II. Larghetto
Keith Lewis (tenor) vocal Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus)
Hella Weigmann vocal "Bester Herr Graf, Sie sind ein Schaf!", WoO 183, "Edel sei der Mensch", WoO 185, "Fra tutte le pene" (2nd version), Hess 210, "Giura il nocchier" (1st version), Hess 230, "Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221, "Già la notte s'avvicina", WoO 99 No. 4a/Hess 222, "Im Arm der Liebe ruht sich's wohl", WoO 159, "Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220, "Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213
横山幸雄 piano 6 Variations for Piano in D major on an Original Theme, op. 76: Tema. Allegro risoluto, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. I, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. II, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. III, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. IV, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. V, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. VI. Presto, 6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio molto, 未来への戦い / ベートーヴェン「月光」
Radio Kamerorkest performer, performing orchestra Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVe. Andante maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": IVf. Allegro energico, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony no. 1: Adagio - Allegro molto e vivace, Symphony no. 1: Adagio molto - Allegro con brio, Symphony no. 1: Andante cantabile con moto, Symphony no. 1: Menuetto. Allegro molto e vivace
Christoph von Dohnányi (German conductor) conductor Symphony No. 3, Op. 55 "Eroica": Allegro con brio, Symphony No. 3, Op. 55 "Eroica": Finale: Allegro molto, Symphony No. 3, Op. 55 "Eroica": Marcia funebre – Adagio assai, Symphony No. 3, Op. 55 "Eroica": Scherzo: Allegro vivace, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo, Symphony No. 9, Op. 125 "Choral": IV (excerpt), Violin Concerto, op. 61: I. Allegro ma non troppo, Violin Concerto, op. 61: II. Larghetto, Violin Concerto, op. 61: III. Rondo
Quartetto Paolo Borciani (Fulvio Luciani, violin/Elena Ponzoni, violin/Roberto Tarenzi, viola/Claudia Ravetto, cello) strings Fugue for 2 Violins, Viola, and Cello, Hess 36 (arrangement from Handel's "Solomon, HWV 67: Overture"), Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Fugue, Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Prelude, Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Fugue, Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Prelude, Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): I. Allegro con brio, Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): II. Adagio molto, Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): III. Scherzo. Allegro, Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): IV. Allegretto
Christopher Parker (engineer) sound Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - I. Adagio sostenuto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - II. Allegretto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - III. Presto agitato - Adagio - Presto agitato, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - I. Allegro assai, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - II. Andante con moto, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - III. Allegro ma non troppo - Presto, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - I. Grave - Allegro molto e con brio, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - II. Adagio cantabile, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - III. Rondo: Allegro
Kurt Sanderling conductor Symphony No 4 in B flat, Op 60: I. Adagio — Allegro vivace, Symphony No 4 in B flat, Op 60: II. Adagio, Symphony No 4 in B flat, Op 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro), Symphony No 4 in B flat, Op 60: IV. Allegro ma non troppo, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro - Presto, Symphony no. 5 in C Minor, op. 67: I. Allegro con brio
Columbia Symphony Orchestra performing orchestra Overture "Leonore II": Adagio, Symphony No. 5: I. Allegro con brio, Symphony No. 5: II. Andante con moto, Symphony No. 5: III. Allegro, Symphony No. 5: IV. Allegro, Symphony No. 7: I. Poco sostenuto. Vivace, Symphony No. 7: II. Allegretto, Symphony No. 7: III. Presto, Symphony No. 7: IV. Allegro con brio
London Symphony Chorus performer, vocal Mass in C: I. Kyrie, Mass in C: II. Gloria, Mass in C: III. Credo, Mass in C: IV. Sanctus, Mass in C: V. Benedictus, Mass in C: VI. Agnus Dei, Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Seid Umschlungen, Millionen, Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai
Manfred Bittner vocal 26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town", Hess 91 - Opferlied (piano arrangement from Op. 121b), Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament", Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105
James King (tenor) vocal Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus)
Pierre Monteux conductor Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo - Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, The Ruins of Athens, op. 113: Overture
Cees Heijkoop (recording engineer) engineer Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace
André Previn conductor Overture "Fidelio", Op. 72b, Overture "Leonore" No. 3, Op. 72a, Overture to The Creatures of Prometheus, Piano Concerto No. 5 "Emperor" (3rd MVT), Symphonie No. 9 en Ré mineur, Op. 125 "Choral": Allegro, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Suvi Raj Grubb producer Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - I. Adagio sostenuto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - II. Allegretto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - III. Presto agitato - Adagio - Presto agitato, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - I. Allegro assai, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - II. Andante con moto, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - III. Allegro ma non troppo - Presto, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - I. Grave - Allegro molto e con brio, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - II. Adagio cantabile, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - III. Rondo: Allegro
Yehudi Menuhin conductor, violin Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": I. Allegro, Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": II. Adagio molto espressivo, Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": III. Scherzo. Allegro molto, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": I. Adagio sostenuto - Presto, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": II. Andante con variazioni, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": III. Finale. Presto, Symphony No. 6 in F major, Op. 68, "Pastoral": I. Allegro ma non troppo: Erwachen heiterer Gefühle bei der Ankunft auf dem Lande, Violin Concerto in D, Op. 61: II. Larghetto, Violin Sonata no. 5, op. 24 “Spring”: Rondo - Allegro ma non troppo
Heidi Person vocal "Ars longa, vita brevis", WoO 170, "Ars longa, vita brevis", WoO 193, "Bei labbri, che Amore", WoO 99 No. 1/Hess 211, "Das Schöne zu dem Guten!", WoO 203, "Das Schöne zum Guten!", WoO 202, "Kurz ist der Schmerz", WoO 166, "Salvo tu vuoi lo sposo?", Hess 228, "Scrivo in te", WoO 99 No. 11/Hess 215, "Sei mio ben", Hess 231
Deutsche Kammerphilharmonie Bremen (German Chamber Philharmonic Bremen) performing orchestra Leonore Overture No. 3, Op. 72a, Romance for Violin and Orchestra No. 2 in F major, Op. 50, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto, The Ruins of Athens Overture, Op. 113
Walter Legge producer Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung", Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile -
Gerhard Oppitz piano Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto, Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato, Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo, Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile, Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) piano Moonlight Sonata: I., Piano Sonata No. 32 in C minor, Op. 111: Arietta, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata no. 8 in C minor, Pathétique: Adagio cantabile, Sonata No. 23, Op. 57 "Appassionata": I. Allegro assai, Sonata No. 23, Op. 57 "Appassionata": II. Andante con moto, Sonata No. 23, Op. 57 "Appassionata": III. Allegro ma non troppo, Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Violin Sonata No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo
Ursula Singer producer Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace
Brussels Philharmonic performing orchestra Egmont Op. 84: I. Lied From Clärchen: "Die Trommel gerühret!". Vivace, Egmont Op. 84: II. Entr'acte 1. Andante - Allegro con brio, Egmont Op. 84: III. Entr'acte 2. Larghetto, Egmont Op. 84: IV. Lied From Clärchen: "Freudvoll und leidvoll". Andante con moto - Allegro assai vivace, Egmont Op. 84: IX. Symphony of Victory. Allegro con brio, Egmont Op. 84: V. Entr'acte 3. Allegro - Marcia. Vivace, Egmont Op. 84: VI. Entr'acte 4. Poco sostenuto e risoluto - Larghetto - Andante agitato, Egmont Op. 84: VII. Music, marking the death of Clärchen. Larghetto, Egmont Op. 84: VIII. Melodrama: "Süsser Schlaf". Poco sostenuto
Boston Symphony Orchestra performing orchestra Symphony No. 5 (extract), Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony no. 9 in D minor, op. 125: I. Allegro ma troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Trio Fontenay performer, strings Irish Songs (12) for voice & piano trio, WoO 154 Nr. 1. "The elfin fairies", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 5. "Oh! Who, my dear Dermot", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 11. "When far from the home of our youth we have rang'd", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 9. "The kiss, dear maid, thy lip has left", Trio No. 4 in B-flat major, Op. 11 "Gassenhauer": II. Adagio, Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 12. "Waken lords and ladies gay", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 21. "Cupid's kindness", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 25. "The parting kiss", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 26. "Good night"
Maria Venuti vocal Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte - O Heil euch, ihr Erlösten - Doch weh! Die frech entehrten" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre"
Robert Woods (classical producer) producer Symphony No. 3, Op. 55 "Eroica": Allegro con brio, Symphony No. 3, Op. 55 "Eroica": Finale: Allegro molto, Symphony No. 3, Op. 55 "Eroica": Marcia funebre – Adagio assai, Symphony No. 3, Op. 55 "Eroica": Scherzo: Allegro vivace, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Ralph Holmes violin Violin Sonata No. 5 in F major, Op. 24 "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto, Violin Sonata No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo, Violin Sonata No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio, Violin Sonata No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile, Violin Sonata No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro, Violin Sonata No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro
Smetana Quartet strings Quartet no. 9 in C, op. 59 no. 3 "Razumovsky": III: Menuetto Grazioso, Quartet no. 9 in C, op. 59 no. 3 "Razumovsky": IV: Allegro Molto, String Quartet in C minor, op. 18 no. 4: 1. Allegro Ma Non Tanto, String Quartet in C minor, op. 18 no. 4: 2. Andante Scherzoso, Quasi Allegretto, String Quartet in C minor, op. 18 no. 4: 3. Menuetto (Allegretto), String Quartet in C minor, op. 18 no. 4: 4. Allegro, String Quartet in C, op. 59 no. 3 "Rasumovsky no. 3": 1. Introduzione (Andante Con Moto) - Allegro Vivace, String Quartet in C, op. 59 no. 3 "Rasumovsky no. 3": 2. Andante Con Moto Quasi Allegretto
Paul Tortelier cello Cello Sonata no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro, Cello Sonata no. 1 in F, op. 5 no. 1: II. Rondo. Allegro vivace, Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo, Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto più tosto presto, Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro, Cello Sonata no. 3 in A, op. 69: I. Allegro ma non tanto, Cello Sonata no. 3 in A, op. 69: II. Scherzo. Allegro molto, Cello Sonata no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace
Kurt Masur conductor Ouverture _ Egmont, Symphonie No.5 c-moll op. 67 - 1. Allegro con brio, Symphonie Nr. 9 d-Moll, Op. 125: I. Allegro ma non troppo, Symphonie Nr. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie Nr. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie Nr. 9 d-Moll, Op. 125: IVa. Presto, Symphonie Nr. 9 d-Moll, Op. 125: IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai, Symphony No. 2 in D major, Op. 36: II. Larghetto
Franz Crass vocal Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIb. Recitation. Poco Adagio "Mit reger Freude, die nie erkaltet"
Josef Bulva performer, piano Moonlight Sonata, Op. 27 No. 2: I. Adagio sostenuto, Piano Sonata No. 13 in E flat major ("Quasi una fantasia"), Op. 27/1: 1. Andante: Allegro-Tempo I, Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: II. Andante con moto, Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: III. Allegro ma non troppo: Presto, Piano Sonata No. 23 in F minor ("Appassionata"), Op. 57: I. Allegro assai: Più allegro, Piano Sonata No. 23 in F minor ("Appassionata"), Op. 57: II. Andante con moto, Piano Sonata No. 23 in F minor ("Appassionata"), Op. 57: III. Allegro ma non troppo: Presto, Rondo a Capriccio G-Dur op. 129, Die Wut über den verlorenen Groschen
Renate Schunke vocal "Da ist das Werk", WoO 197, "Das Reden", WoO 168 No. 2, "Falstafferel, laß dich sehen!", WoO 184, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Kurz ist der Schmerz", WoO 163, "O Tobias!", WoO 182, "Schwenke dich ohne Schwänke!", WoO 187, Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171
Andrea Marcon fortepiano Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 2. "The soldier", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament"
Мстислав Ростропович cello, violin Cello Sonata No. 4 in C major, Op. 102 No. 1: I. Andante - Allegro vivace, Cello Sonata No. 4 in C major, Op. 102 No. 1: II. Adagio, Serenade op. 8:2. Menuetto. Allegretto, Triple Concerto in C major, Op. 56: I. Allegro, Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca
Andrew Davis (conductor, keyboardist, composer, arranger) conductor "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Chor auf die verbündeteten Fürsten, Chorus for the Allied Princes, WoO 95, Germania, WoO 94: Final Chorus from "Die gute Nachricht", Scene (One) from "Vesta's Fire", Hess 115, Triumphal March, WoO 2a: from "Tarpeja". Alla marcia, ma non troppo presto, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume"
Viorel Alexandru double bass 6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto
Jack Renner (engineer for Telarc) engineer, recording Symphony No. 3, Op. 55 "Eroica": Allegro con brio, Symphony No. 3, Op. 55 "Eroica": Finale: Allegro molto, Symphony No. 3, Op. 55 "Eroica": Marcia funebre – Adagio assai, Symphony No. 3, Op. 55 "Eroica": Scherzo: Allegro vivace, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Karoline Eichhorn performer, vocal Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch
Georgian SIMI Festival Orchestra performing orchestra Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace "Froh, wie seine Sonnen" - Andante maestoso "Seid umschlungen, Millionen!" - Adagio ma non troppo, ma divoto "Ihr, stürzt nieder" - Allegro energico, sempre ben marcato ("Freude, schöner Götterfunken" - "Seid umschlungen, Millionen!") - Allegro ma non tanto "Freude, Tochter aus Elysium!" - Prestissimo "Seid umschlungen, Millionen!"
Maxence Larrieu (flautist) flute Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Adagio, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Molto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Scherzando E Vivace, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Vivace E Disinvolta - Presto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Andante Con Variazioni, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Entrata (Allegro), Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Tempo Ordinario D'Un Menuetto, Serenade in D, Op. 25: 6. Adagio - 7. Allegro vivace e disinvolto - Presto
Владимир Самойлович Горовиц piano "Moonlight" Sonata I Adagio sostenuto, "Pathetique" Sonata Il Adagio Cantabile, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto, Sonata in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo, Sonata in A major, Op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia, Sonata in A major, Op. 101: III. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, con affetto - attacca / IV. Geschwind, doch nicht zu sehr, und mit entschlossenheit: Allegro
Álvaro Cassuto conductor Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funébre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
Nova Filarmonia Portuguesa performing orchestra Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funébre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
Capella Istropolitana performing orchestra 6 Menuets for Orchestra WoO 10 No. 1 in C major, 6 Menuets for Orchestra WoO 10 No. 2 in G major, 6 Menuets for Orchestra WoO 10 No. 3 in E-flat major, 6 Menuets for Orchestra WoO 10 No. 4 in B-flat major, 6 Menuets for Orchestra WoO 10 No. 5 in D major, 6 Menuets for Orchestra WoO 10 No. 6 in C major, Eleven Dances/Mödlinger Tänze, WoO 17: No. 2 Menuett, Military March in D major WoO 24
Gryphon Trio performer Piano Trio No. 1 in E-flat major, Op. 1 No. 1: I. Allegro, Piano Trio No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile, Piano Trio No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo, Piano Trio No. 1 in E-flat major, Op. 1 No. 1: IV. Finale. Presto, Piano Trio No. 3 in C minor, Op. 1 No. 3: I. Allegro con brio, Piano Trio No. 3 in C minor, Op. 1 No. 3: II. Adagio cantabile con variazioni, Piano Trio No. 3 in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro, Piano Trio No. 3 in C minor, Op. 1 No. 3: IV. Finale. Prestissimo
Wolfgang Holzmair vocal Irish Songs (12) for voice & piano trio, WoO 154 Nr. 1. "The elfin fairies", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 5. "Oh! Who, my dear Dermot", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 11. "When far from the home of our youth we have rang'd", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 9. "The kiss, dear maid, thy lip has left", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 12. "Waken lords and ladies gay", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 21. "Cupid's kindness", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 25. "The parting kiss", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 26. "Good night"
Gächinger Kantorei Stuttgart vocal Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Doch weh!" Die frech entehren, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Preiset ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte"
Walter Vestidello cello Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 2. "The soldier", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament"
Werner Eberhardt vocal "Es muß sein!", WoO 196, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Herr Graf, ich komme zu fragen", Hess 276, "Kühl, nicht lau", WoO 191, "Signor Abate!", WoO 178, Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious), Three canons, WoO 181 No. 1 - Canon in 4 parts in C major "Gedenket heute an Baden", WoO 181/1, Three canons, WoO 181 No. 2 - Canon in 3 parts in C major "Gehabt euch wohl"
Rundfunkchor Berlin vocal "Bundeslied" for soloists, chorus & wind instruments, Op. 122, Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Symphony no. 9, Choral: IV. Finale, The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze"
Barbara Emilia Schedel vocal 12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122
Eva Czako (cellist) cello Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Adagio - Scherzo (Allegro Molto) - Adagio (Tempo I) - Allegro Molto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Allegretto Alla Polacca, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Andante Quasi Allegretto - Allegro - Tempo I, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro - Adagio), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Menuetto (Allegretto), Serenade in D, Op. 8: 5. Andante quasi allegretto - Allegro - Tempo I - 6. Marcia (Allegro)
Jörg Demus piano Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo), Sonata for Horn and Piano in F, op. 17: 1. Allegro moderato, Sonata for Horn and Piano in F, op. 17: 2. Poco adagio, quasi andante, Sonata for Horn and Piano in F, op. 17: 3. Rondo (Allegro moderato), Zärtliche Liebe
Cristina Ortiz piano Piano Concerto No. 5 in E flat major, op. 73 "Emperor", Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio, Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto, Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato
Klaus Scheibe (editor/engineer) engineer Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro
Ernst Gröschel (classical pianist) piano Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: I. Allegro, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: II. Adagio molto espressivo, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: III. Scherzo. Allegro molto, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: IV. Rondo. Allegro ma non troppo, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: I. Adagio sostenuto - Presto, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: II. Andante con Variazioni, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: III. Finale: Presto
Enoch zu Guttenberg conductor Missa Solemnis in D-Dur, Op. 123: I. Kyrie, Missa Solemnis in D-Dur, Op. 123: II. Gloria, Missa Solemnis in D-Dur, Op. 123: III. Credo, Missa Solemnis in D-Dur, Op. 123: IV. Sanctus, Missa Solemnis in D-Dur, Op. 123: V. Benedictus, Missa Solemnis in D-Dur, Op. 123: VI. Agnus Dei, Missa Solemnis in D-Dur, Op. 123: VII. Dona Nobis Pacem
Orchestra della Svizzera italiana (known by this name since 1991) performing orchestra Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: I. Allegro, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: III. Rondo Allegro, Symphony no. 3 in E flat major, op. 55, "Eroica": I. Allegro con brio, Symphony no. 3 in E flat major, op. 55, "Eroica": II. Marcia funebre, Symphony no. 3 in E flat major, op. 55, "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E flat major, op. 55, "Eroica": IV. Finale: Allegro molto
Alexander Svéd vocal "Zärtliche Liebe", WoO 123, Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Frühlings Garten", In questa tomba oscura, arietta for voice and piano (or orchestra), WoO 133, Opferlied "Die Flamme lodert", song for voice & piano, WoO 126, Song for Voice and Piano, Op. 48 No. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre", Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Bußlied: An Dir allein, an Dir hab' ich gesündigt", Songs for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmut: Trocknet nicht"
Pamela Coburn vocal Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106, "Es lebe unser teurer Fürst", Sehnsucht "Nur wer die Sehnsucht kennt", song for voice & piano, WoO 134 (4 settings), Song for Voice and Piano in F major, Op. 100 "Merkenstein: Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend, Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe", Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust", Songs for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebesblick und Spiel und Sang", Songs for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten süsse Ruh' und gold'ner Frieden In meiner Brust"
Marieddy Rossetto (Brazilian choir master and pianist) chorus master I. Allegro ma non troppo, un poco maestoso, II. Molto vivace, III. Adagio molto e cantabile, IV. a. Presto, IV. b. Allegro assai "Freund. schöner Götterfunke", IV. c. Alla marcia (Allegro vivace assai) "Froh. wie seine Sonnen fliegen", IV. d. Andante maestoso "Seid umschlungen. Millionen"
Karl Suske violin 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major, Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa)
Inga Nielsen vocal Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco)
Ian Partridge vocal "Der Wachtelschlag", WoO 129, An die ferne Geliebte, Op. 98 Nos. 1-6, Resignation "Lisch aus, mein Licht", song for voice & piano, WoO 149, Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio, Song for voice & piano "Andenken", WoO 136, Songs for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?", Songs for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mit einem gemalten Band: Kleine Blumen, kleine Blätter"
Aaron Shorr piano Violin Sonata No. 4 in A minor, Op. 23: I. Presto, Violin Sonata No. 4 in A minor, Op. 23: II. Andante scherzoso, piu allegretto, Violin Sonata No. 4 in A minor, Op. 23: III. Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24, "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24, "Spring": III. Scherzo: Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": IV. Rondo: Allegro ma non troppo
Elisso Bolkvadze piano Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con variazioni, Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d’un Eroe (Funeral March for a Dead Hero), Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Sonata no. 12 in A-flat major for Piano, op. 26 "Funeral March": II. Scherzo, Sonata no. 12 in A-flat major for Piano, op. 26 "Funeral March": IV. Allegro, Sonata no. 14 in C-sharp minor for Piano, op. 27 no. 2 "Moonlight": II. Allegretto
St. Petersburg New Philharmony Orchestra performing orchestra Leonore Overture No. 2, Op. 72, Leonore Overture no. 3, op. 72, Overture to Prometheus, Op. 43, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Chor der Konzertgesellschaft Wuppertal vocal I. Allegro ma non troppo, un poco maestoso, II. Molto vivace, III. Adagio molto e cantabile, IV. a. Presto, IV. b. Allegro assai "Freund. schöner Götterfunke", IV. c. Alla marcia (Allegro vivace assai) "Froh. wie seine Sonnen fliegen", IV. d. Andante maestoso "Seid umschlungen. Millionen"
Vladimir de Kanel vocal König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde
Annelies Burmeister vocal Agnus Dei, Benedictus, Credo, Gloria, Kyrie, Presto, allegro assai, Sanctus
Orchester der KlangVerwaltung performing orchestra Missa Solemnis in D-Dur, Op. 123: I. Kyrie, Missa Solemnis in D-Dur, Op. 123: II. Gloria, Missa Solemnis in D-Dur, Op. 123: III. Credo, Missa Solemnis in D-Dur, Op. 123: IV. Sanctus, Missa Solemnis in D-Dur, Op. 123: V. Benedictus, Missa Solemnis in D-Dur, Op. 123: VI. Agnus Dei, Missa Solemnis in D-Dur, Op. 123: VII. Dona Nobis Pacem
Zubin Mehta (conductor) conductor Symphony No. 9 (extract), Symphony No. 9 in D minor, Op. 125 "Choral": Finale (excerpt) (New York Philharmonic feat. conductor: Zubin Mehta), Symphony no. 9 "Choral": Adagio molto e cantabile; Andante moderato, Symphony no. 9 "Choral": Allegro ma non troppo, un poco maestoso, Symphony no. 9 "Choral": Molto vivace; Presto; Molto vivace, Symphony no. 9 "Choral": Presto; Allegro assai, The Huntley-Brinkley Report: Symphony No. 9: II.
Herbert Blomstedt conductor Leonore, Op. 72: "Ach brich noch nicht, komm Hoffnung" (Leonore), Leonore, Op. 72: "O welche Lust!" (Gefangenenchor), Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto
Giorgio Fava violin Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament"
Christian Schmitt (organist) organ Fugue for Organ in D major, WoO 31, Grenadiermarsch, Hess 107, Stücke für Flötenuhr, WoO 33: Adagio assai, Stücke für Flötenuhr, WoO 33: Allegretto, Stücke für Flötenuhr, WoO 33: Allegro, Stücke für Flötenuhr, WoO 33: Allegro non più molto, Stücke für Flötenuhr, WoO 33: Scherzo. Allegro
Sir Neville Marriner conductor Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Romance No. 2 in F major, Op. 50, Romance no. 1 in G major, op. 40, Romance no. 2 in F major, op. 50, Symphony no. 1 in D major, op. 36: Allegro, Symphony no. 1 in D major, op. 36: Allegro molto
Leon Spierer violin Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: I. Allegro, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: II. Adagio molto espressivo, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: III. Scherzo. Allegro molto, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: IV. Rondo. Allegro ma non troppo, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: I. Adagio sostenuto - Presto, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: II. Andante con Variazioni, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: III. Finale: Presto
Nodar Gabunia (piano) performer, piano Piano Sonata No.14 in C sharp minor, Op. 27, No. 2 "Moonlight": I. Adagio sostenuto, Sonata no. 26 in E-flat major for Piano, op. 81a "Les Adieux": I. The Farewell: Adagio - Allegro, Sonata no. 26 in E-flat major for Piano, op. 81a "Les Adieux": II. The Absence: Andante espressivo (attacca), Sonata no. 26 in E-flat major for Piano, op. 81a "Les Adieux": III. The Return: Vivacissimamente, Sonata no. 8 in C minor for Piano, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Sonata no. 8 in C minor for Piano, op. 13 "Pathétique": II. Adagio cantabile, Sonata no. 8 in C minor for Piano, op. 13 "Pathétique": III. Rondo. Allegro
Chor der KlangVerwaltung vocal Missa Solemnis in D-Dur, Op. 123: I. Kyrie, Missa Solemnis in D-Dur, Op. 123: II. Gloria, Missa Solemnis in D-Dur, Op. 123: III. Credo, Missa Solemnis in D-Dur, Op. 123: IV. Sanctus, Missa Solemnis in D-Dur, Op. 123: V. Benedictus, Missa Solemnis in D-Dur, Op. 123: VI. Agnus Dei, Missa Solemnis in D-Dur, Op. 123: VII. Dona Nobis Pacem
Hephzibah Menuhin piano Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": I. Allegro, Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": II. Adagio molto espressivo, Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": III. Scherzo. Allegro molto, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": I. Adagio sostenuto - Presto, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": II. Andante con variazioni, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": III. Finale. Presto, Violin Sonata no. 5, op. 24 “Spring”: Rondo - Allegro ma non troppo
Arnold Schönberg Chor performing orchestra, vocal Missa solemnis for Soloists, Chorus and Orchestra, op. 123: I. KYRIE. Assai sostenuto. Mit Andacht [¢]- Andante assia ben marcato [3/2] - Tempo I [¢], Missa solemnis, Op. 123: I. Kyrie, Missa solemnis, Op. 123: II. Gloria, Missa solemnis, Op. 123: III. Credo, Missa solemnis, Op. 123: IV. Benedictus, Missa solemnis, Op. 123: IV. Sanctus, Missa solemnis, Op. 123: V. Agnus Dei
Stanisław Skrowaczewski conductor Aus: Leonore Prohaska, WoO. 96: Trauermarsch, Die Weihe des Hauses: Wo sich die Pulse jugendlich jagen WoO. 98, Fidelio Overture, Op. 72b, Gratulationsmenuett, WoO 3, Leonore Overture No. 2, Op. 72, Leonore Overture No. 3, Op. 72a, Triumphal March from Tarpeja, WoO 2
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created) performing orchestra Symphony No. 6 in F major, Op. 68 "Pastoral": I. Awakening of happy feelings on arriving in the country (Allegro ma non troppo), Symphony No. 6 in F major, Op. 68 "Pastoral": II. By the brook (Andante molto mosso), Symphony No. 6 in F major, Op. 68 "Pastoral": III. Peasants' merry-making (Allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": IV. The Storm (Allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": Shepherd's Song - Happy and Thankful Feelings After the Storm (Allegretto), Symphony No. 6 in F major, Op. 68 "Pastoral": V. Shepherd's song: Happy and thankful feelings after the storm (Allegretto), Symphony No. 9 in D minor, Op. 125: Finale. Allegro assai (Final Chorus to Schiller's 'Ode to Joy')
Minnesota Orchestra performing orchestra Aus: Leonore Prohaska, WoO. 96: Trauermarsch, Die Weihe des Hauses: Wo sich die Pulse jugendlich jagen WoO. 98, Fidelio Overture, Op. 72b, Gratulationsmenuett, WoO 3, Leonore Overture No. 2, Op. 72, Leonore Overture No. 3, Op. 72a, Triumphal March from Tarpeja, WoO 2
Nikolai Demidenko piano Sonate für Klavier No. 29 B-Dur, Op. 106 "Hammer-Klavier": I. Allegro, Sonate für Klavier No. 29 B-Dur, Op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace, Sonate für Klavier No. 29 B-Dur, Op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento, Sonate für Klavier No. 29 B-Dur, Op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto, Sonate für Klavier No. 6 F-Dur, Op. 10 No. 2: I. Allegro, Sonate für Klavier No. 6 F-Dur, Op. 10 No. 2: II. Allegretto, Sonate für Klavier No. 6 F-Dur, Op. 10 No. 2: III. Presto
Lovro von Matačić conductor Fidelio, op. 72, Fidelio: Abscheulicher! Wo eilst du hin?, Fidelio: Aus der Ouvertüre, Fidelio: Gott! Welch' Dunkel hier! / In des Lebens Frühlingstagen, Fidelio: Ha, welch ein Augenblick, Fidelio: Mir ist so wunderbar, Fidelio: O welche Lust, in freier Luft
David Lefeber (engineer) engineer Violin Sonata No. 4 in A minor, Op. 23: I. Presto, Violin Sonata No. 4 in A minor, Op. 23: II. Andante scherzoso, piu allegretto, Violin Sonata No. 4 in A minor, Op. 23: III. Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24, "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24, "Spring": III. Scherzo: Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": IV. Rondo: Allegro ma non troppo
Ewald Donhoffer conductor 6 Menuets for Orchestra WoO 10 No. 1 in C major, 6 Menuets for Orchestra WoO 10 No. 2 in G major, 6 Menuets for Orchestra WoO 10 No. 3 in E-flat major, 6 Menuets for Orchestra WoO 10 No. 4 in B-flat major, 6 Menuets for Orchestra WoO 10 No. 5 in D major, 6 Menuets for Orchestra WoO 10 No. 6 in C major, Military March in D major WoO 24
Heinrich-Schütz-Kreis Berlin performer Abschiedsgesang an Wiens Bürger, song for voice & piano (or orchestra), WoO 121, An einen Säugling, song for voice & piano, WoO 108, Hochzeitslied for solo, chorus & piano, WoO 105 "Auf, Freunde, singt dem Gott der Ehen", Kriegslied der Österreicher "Ein großes deutsches Volk" for voice & piano (or orchestra), WoO 122, Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106, "Es lebe unser teurer Fürst", Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut", Songs for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig"
Bayer Philharmoniker performing orchestra I. Allegro ma non troppo, un poco maestoso, II. Molto vivace, III. Adagio molto e cantabile, IV. a. Presto, IV. b. Allegro assai "Freund. schöner Götterfunke", IV. c. Alla marcia (Allegro vivace assai) "Froh. wie seine Sonnen fliegen", IV. d. Andante maestoso "Seid umschlungen. Millionen"
Günther Breest producer Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro
Rainer Koch conductor I. Allegro ma non troppo, un poco maestoso, II. Molto vivace, III. Adagio molto e cantabile, IV. a. Presto, IV. b. Allegro assai "Freund. schöner Götterfunke", IV. c. Alla marcia (Allegro vivace assai) "Froh. wie seine Sonnen fliegen", IV. d. Andante maestoso "Seid umschlungen. Millionen"
Tonhalle-Orchester Zürich performing orchestra Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto, Symphony no. 6 in F "Pastorale"
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) performing orchestra Symphonie Nr. 9, op. 125 D-Moll, I: Allegro ma non troppo, un poco maestoso, Symphonie Nr. 9, op. 125 D-Moll, II: Molto vivace, Symphonie Nr. 9, op. 125 D-Moll, III: Adagio molto e cantabile, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk"
David Zinman conductor Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto, Symphony no. 6 in F "Pastorale"
Peter Sheppard Skærved violin Violin Sonata No. 4 in A minor, Op. 23: I. Presto, Violin Sonata No. 4 in A minor, Op. 23: II. Andante scherzoso, piu allegretto, Violin Sonata No. 4 in A minor, Op. 23: III. Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24, "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24, "Spring": III. Scherzo: Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": IV. Rondo: Allegro ma non troppo
Jan Panenka piano Sonata for Violin and Piano no. 5 in F major, op. 24: Adagio molto espressivo, Sonata for Violin and Piano no. 5 in F major, op. 24: Allegro, Sonata for Violin and Piano no. 5 in F major, op. 24: Rondo. Allegro ma non troppo, Sonata for Violin and Piano no. 5 in F major, op. 24: Scherzo, Allegro molto, Sonata for Violin and Piano no. 9 in A major, op. 47: Adagio sostenuto, Presto, Sonata for Violin and Piano no. 9 in A major, op. 47: Andante con variazoni, Sonata for Violin and Piano no. 9 in A major, op. 47: Finale, Presto
Neumar Starling (Neumar de Kanel-Starling?) vocal König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde
Manfred Braun bassoon Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto
Michel Rouilly viola Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto
Natascha Konsistorum piano British Folk Songs (7) for voice & piano trio in A major, WoO 158b No. 1: Adieu, my loved harp (Irish), Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 11: "Yo no quiero embarcarme" (Ich traue nicht den Wogen)(Iberian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 16: "Schöne Minka, ich muß scheiden" (Ukrainian-Cossack), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 19: "Una paloma blanca" (Mein Täubchen ist entflogen)(Spanish Bolero a Solo), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 2: "Horch auf, mein Liebchen" (German)
Robert Mann (American violinist) violin Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio, Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con Variazioni. Andante con moto, Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molto espressione, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto
Robert Köbler organ Agnus Dei, Benedictus, Credo, Gloria, Kyrie, Sanctus
Ronald Dangel double bass Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto
Rosa Mannion vocal I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei
Wilhelm Kempff piano Für Elise, Klaviersonate Nr. 31 As-Dur op. 110 – II. Allegro molto, Klaviersonate Nr. 31 As-Dur op. 110 – III. Adagio, ma non troppo. Fuga: Allegro, ma non troppo, Klaviertrio Es-Dur, op. 70 no. 2: III. Allegretto ma non troppo, Sonate Pathétique, op. 13: II. Adagio cantabile, Variations on a Tukish march op. 76 (Shellac Disc)
Wiener Oktett instrument Septet in E Flat, Op. 20: I. Adagio - Allegro con brio, Septet in E Flat, Op. 20: II. Adagio cantabile, Septet in E Flat, Op. 20: III. Tempo di menuetto, Septet in E Flat, Op. 20: IV. Tema con variazioni. Andante, Septet in E Flat, Op. 20: V. Scherzo. Allegro molto e vivace, Septet in E Flat, Op. 20: VI. Andante con moto alla marcia - Presto
Münchner Solo Ensemble performer Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: I. Adagio - Allegro con brio, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: II. Adagio cantabile, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: IV. Tema con Variazioni, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: VI. Andante con moto - Presto
Heinrich Majowski cello Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto
Robert Gooch (engineer) balance Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro)
Günter Köpp (horn player) French horn Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto
Robert Bass conductor Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"
Helga Tietze vocal "Bester Herr Graf, Sie sind ein Schaf!", WoO 183, "Brauchle, Linke", WoO 167, "Edel sei der Mensch", WoO 185, "Im Arm der Liebe ruht sich's wohl", WoO 159, "Schwenke dich ohne Schwänke!", WoO 187, Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171
Dietrich Gerhard viola Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto
SWF Sinfonieorchester Baden-Baden performing orchestra Piano Concerto no. 2 in B flat, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B flat, op. 19: II. Adagio, Piano Concerto no. 2 in B flat, op. 19: III. Rondo: Molto allegro, Violin Concerto in D major, op. 61: I. Allegro ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo Allegro
Darrel Barnes viola Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro, Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto, Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto, Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni, Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace, Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto
Elisabeth Westenholz piano Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro, Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato, Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto, Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace
Gil Shaham (violinist) violin Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto
Daniele Damiano bassoon Duo für Oboe und Fagott WoO 27/1: I. Allegro commodo, Duo für Oboe und Fagott WoO 27/1: II. Larghetto sostenuto, Duo für Oboe und Fagott WoO 27/1: III. Rondo: Allegretto, Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro
Herbert Stähr clarinet Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto
Peter Pettinger piano Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 4. "Love without hope", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 7. "Oh let the night my blushes hide"
Antal Doráti conductor Leonore Overture No. 3, Op. 72b, Missa Solemnis - Kyrie, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV 4. Allegro con brio
The Hanover Band performing orchestra Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro, Symphony no. 3 in E-flat major, op. 55: II. Marcia funebre. Adagio assai, Symphony no. 9 in D minor, op. 125 "Choral": IV. "Ode to Joy" (extract), The Creatures of Prometheus, Overture, op. 43
Orchester der städtischen Bühnen Frankfurt am Main performing orchestra Fidelio: Abscheulicher! Wo eilst du hin?, Fidelio: Aus der Ouvertüre, Fidelio: Gott! Welch' Dunkel hier! / In des Lebens Frühlingstagen, Fidelio: Ha, welch ein Augenblick, Fidelio: Mir ist so wunderbar, Fidelio: O welche Lust, in freier Luft
André-Michel Schub (pianist) piano Piano Sonata no. 23 in F minor, op. 57 "Appassionata": Allegro assai, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": Andante con moto - Allegro ma non troppo, Piano Sonata no. 3 in C major, op. 2 no. 3: Adagio, Piano Sonata no. 3 in C major, op. 2 no. 3: Allegro assai, Piano Sonata no. 3 in C major, op. 2 no. 3: Allegro con brio, Piano Sonata no. 3 in C major, op. 2 no. 3: Scherzo, Allegro
Truls Mørk cello Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto
András Székely producer c-moll szonáta, Op. 111: I. Arietta. Adagio molto, semplice e cantabile, c-moll szonáta, Op. 111: I. Maestoso – Allegro con brio ed appassionato, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): II. Allegretto, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): III. Presto agitato, e-moll szonáta, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, e-moll szonáta, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen
Gerd Seifert French horn Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo), Sonata for Horn and Piano in F, op. 17: 1. Allegro moderato, Sonata for Horn and Piano in F, op. 17: 2. Poco adagio, quasi andante, Sonata for Horn and Piano in F, op. 17: 3. Rondo (Allegro moderato)
Владимир Фельцман (Russian American classical pianist) piano 6 Variations on an Original Theme in D Major, Op. 76: Theme: Allegro resoluto, 6 Variations on an Original Theme in D Major, Op. 76: Variation I., 6 Variations on an Original Theme in D Major, Op. 76: Variation III., 6 Variations on an Original Theme in D Major, Op. 76: Variation IV., 6 Variations on an Original Theme in D Major, Op. 76: Variation V., 6 Variations on an Original Theme in D Major, Op. 76: Variation VI.: Presto
Gerard Willems piano Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 'Pathétique', Adagio cantabile from Piano ‘Pathétique’ Sonata, Adagio sostenuto from Piano Sonata No. 13 in C-sharp minor, Op. 27 No. 2 'Moonlight', Adagio sostenuto from ‘Moonlight’ Sonata, Adagio un poco moto from Piano Concerto No. 5 in E-flat major, Op. 73 'Emperor', Andante from Piano Sonata No. 25 in G major, Op. 79
Max Rabinovitsj violin Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro, Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto, Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto, Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni, Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace, Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto
Maurizio Pollini piano Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: I. Allegro, Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: II. Adagio un poco mosso [Attacca:], Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: III. Rondo. Allegro, Piano Concerto no. 6 in D major, Op. 61a: I. Allegro ma non troppo, Piano Concerto no. 6 in D major, Op. 61a: II. Larghetto, Piano Concerto no. 6 in D major, Op. 61a: III. Rondo. Allegro
Matthias Pfaender cello 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major
Markus Tillier cello Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto
The New York Vocal Arts Ensemble performer Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 9. "Lochnagar", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire"
Bächer Mihály (pianist (Mihaly Bächer)) piano c-moll szonáta, Op. 111: I. Arietta. Adagio molto, semplice e cantabile, c-moll szonáta, Op. 111: I. Maestoso – Allegro con brio ed appassionato, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): II. Allegretto, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): III. Presto agitato, e-moll szonáta, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, e-moll szonáta, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen
Jacob Berg (flautist) flute Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro, Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto, Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto, Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni, Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace, Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto
Jakob Hefti horn Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto
Victor Yoran (Russian cellist) cello British Folk Songs (7) for voice & piano trio in A major, WoO 158b No. 1: Adieu, my loved harp (Irish), Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 11: "Yo no quiero embarcarme" (Ich traue nicht den Wogen)(Iberian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 16: "Schöne Minka, ich muß scheiden" (Ukrainian-Cossack), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 19: "Una paloma blanca" (Mein Täubchen ist entflogen)(Spanish Bolero a Solo), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 2: "Horch auf, mein Liebchen" (German)
Valentina Kameníková piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Concerto No. 1 in C major, Op. 15: II. Largo, Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato
New Classical Orchestra, Saint Petersburg performing orchestra Leonore Overture No.3, Op. 72, Overture to Egmont, Op. 84, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II Adagio un poco moto, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Symphony No.3 in E flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No.5. in C minor, Op. 67: I. Allegro con brio
Richard Hickox conductor Choral Part-Song for Solo Voice(s) & Instrument(s) "Elegischer Gesang" for 4 Voices with String Qrt or Piano, Op. 118, Pastoral Symphony: Shepherd's Thanksgiving (excerpt), Piano Concerto No. 5 in E flat major, op. 73 "Emperor", Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro
René Leibowitz conductor Ouvertüre 'Egmont' Op. 84 aus der Musik zu J W Goethes Trauerspiel, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai, Symphony No.9 ('Choral') (Fourth Movement)
Magyar Rádió és Televízió énekkara vocal Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists), Fidelio, Op. 72: Prisoners' Chorus, "O welche Lust"
Fritz Busch conductor Leonore II, Op. 72: Overture. Adagio - Allegro (live), Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso (live), Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto (live), Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante Moderato - Adagio - Lo Stesso Tempo (live), Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - (live), Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo (live)
Coro di voci bianche dell'Arcum vocal Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”
László Csintalan engineer c-moll szonáta, Op. 111: I. Arietta. Adagio molto, semplice e cantabile, c-moll szonáta, Op. 111: I. Maestoso – Allegro con brio ed appassionato, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): II. Allegretto, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): III. Presto agitato, e-moll szonáta, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, e-moll szonáta, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen
Jean-Martial Golaz recording I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei
Jean-Philippe Rousseau recording I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei
Ludwig Hoffmann piano Mondschein-Sonate op. 27, Nr. 2, cis-moll: I. Adagio sostenuto, Mondschein-Sonate op. 27, Nr. 2, cis-moll: II. Allegretto, Mondschein-Sonate op. 27, Nr. 2, cis-moll: III. Presto agitato, Pathetique, op. 13, c-moll: I. Grave, Pathetique, op. 13, c-moll: II. Adagio cantabile, Pathetique, op. 13, c-moll: III. Rondo, Allegro
Stuttgarter Philharmoniker performing orchestra, vocal Christus am Ölberg, op. 85: No. 1 Rezitativ und Arie (Jesus), Christus am Ölberg, op. 85: No. 2 Rezitativ und Arie (Seraph), Christus am Ölberg, op. 85: No. 3 Rezitativ und Duett (Serapj, Jesus), Christus am Ölberg, op. 85: No. 4 Rezitativ (Jesus und Chor der Krieger), Christus am Ölberg, op. 85: No. 5 Rezitativ (Jesus, Chor der Jünger, Chor der Krieger), Christus am Ölberg, op. 85: No. 6 Rezitativ (Jesus, Petrus), Terzett (Seraph, Jesus, Petrus), Chor der Jünger, Chor der Krieger
Cornelius Hauptmann vocal I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei
Orquesta Filarmónica de la Ciudad de México performing orchestra Overture "Leonore III", Op. 72a, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Conrad von der Goltz violin Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56: I. Allegro, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": I. Allegro vivace e con brio, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": II. Largo assai e espressivo, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": III. Presto, Triple Concerto in C major for Violin, Cello, Piano and Orchestra, op. 56: II. Largo - Rondo alla Polacca
Alla Kravchuk vocal British Folk Songs (7) for voice & piano trio in A major, WoO 158b No. 1: Adieu, my loved harp (Irish), Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 11: "Yo no quiero embarcarme" (Ich traue nicht den Wogen)(Iberian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 16: "Schöne Minka, ich muß scheiden" (Ukrainian-Cossack), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 19: "Una paloma blanca" (Mein Täubchen ist entflogen)(Spanish Bolero a Solo), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 2: "Horch auf, mein Liebchen" (German)
Leopold Ludwig conductor Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro)
Alfred Malaček violin Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto
Friedemann Rieger piano Fidelio, opera, Op. 72: Leonora Overture III, Op. 72a, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: II. Adagio molto espressivo, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: III. Scherzo; Allegro molto, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: IV. Rondo: Allegro ma non troppo, Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46, Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66
Busch Quartet performer, strings Op.135 Nº16 - III. Lento assai, cantante e tranquillo, Op.135 Nº16 - IV. Grave, ma non troppo tratto - Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro
Fred Sherry cello Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 9. "Lochnagar", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire"
Birgit Remmert vocal I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei
Pražský filharmonický sbor (Prague Philharmonic Choir) vocal Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Agnus Dei, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Credo, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Gloria, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Kyrie, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Sanctus, Presto, allegro assai
Stephen Hough (pianist) piano Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio, Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con Variazioni. Andante con moto, Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molto espressione, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto
Josef Bloser conductor Christus am Ölberg, op. 85: No. 1 Rezitativ und Arie (Jesus), Christus am Ölberg, op. 85: No. 2 Rezitativ und Arie (Seraph), Christus am Ölberg, op. 85: No. 3 Rezitativ und Duett (Serapj, Jesus), Christus am Ölberg, op. 85: No. 4 Rezitativ (Jesus und Chor der Krieger), Christus am Ölberg, op. 85: No. 5 Rezitativ (Jesus, Chor der Jünger, Chor der Krieger), Christus am Ölberg, op. 85: No. 6 Rezitativ (Jesus, Petrus), Terzett (Seraph, Jesus, Petrus), Chor der Jünger, Chor der Krieger
Ulrich Stærk piano Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: I. Allegro cantabile, Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: II. Andante, Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: III. Rondo. Vivace, Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: I. Larghetto maestoso, Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: II. Andante, Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: III. Presto
Uppsala Kammarorkester bassoon, cello, clarinet, horn, viola, violin Septet in E-flat major, op. 20: I. Adagio - Allegro con brio, Septet in E-flat major, op. 20: II. Adagio cantabile, Septet in E-flat major, op. 20: III. Tempo di menuetto, Septet in E-flat major, op. 20: IV. Tema con variazioni: Andante, Septet in E-flat major, op. 20: V. Scherzo. Allegro molto e vivace, Septet in E-flat major, op. 20: VI. Andante con moto alla marcia - Presto
Pražský komorní orchestr performer Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Concerto No. 1 in C major, Op. 15: II. Largo, Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato
Paolo Lucci chorus master Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”
Kodály Quartet performer, strings Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: I. Maestoso - Allegro, Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I, Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: III. Scherzando. Vivace, Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: IV. Allegro - Allegro comodo, Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto, Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): III. Allegro
Julia Khodyko violin British Folk Songs (7) for voice & piano trio in A major, WoO 158b No. 1: Adieu, my loved harp (Irish), Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 11: "Yo no quiero embarcarme" (Ich traue nicht den Wogen)(Iberian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 16: "Schöne Minka, ich muß scheiden" (Ukrainian-Cossack), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 19: "Una paloma blanca" (Mein Täubchen ist entflogen)(Spanish Bolero a Solo), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 2: "Horch auf, mein Liebchen" (German)
Christine Wehler vocal 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp", Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears"
Ulrike Helzel vocal "Ars longa, vita brevis", WoO 193, "Das Schöne zu dem Guten!", WoO 203, "Das Schöne zum Guten!", WoO 202, "Doktor sperrt das Tor dem Tod", WoO 189, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Kurz ist der Schmerz", WoO 166
Klaus Peters violin 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major
Kirsti Hjort (Kirsti Hjort-Goltz) piano Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56: I. Allegro, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": I. Allegro vivace e con brio, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": II. Largo assai e espressivo, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": III. Presto, Triple Concerto in C major for Violin, Cello, Piano and Orchestra, op. 56: II. Largo - Rondo alla Polacca
Elisabeth Perry violin Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 4. "Love without hope", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 7. "Oh let the night my blushes hide"
Jürgen Demmler clarinet Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto
Alexander Gurning piano Sonate für Klavier Nr. 23 f-Moll, Op. 57 "Appassionata": I. Allegro assai, Sonate für Klavier Nr. 23 f-Moll, Op. 57 "Appassionata": II. Andante con moto / III. Allegro ma non troppo, Sonate für Klavier Nr. 27 e-Moll, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, Sonate für Klavier Nr. 27 e-Moll, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen, Sonate für Klavier Nr. 6 F-Dur, Op. 10 Nr. 2: I. Allegro, Sonate für Klavier Nr. 6 F-Dur, Op. 10 Nr. 2: II. Allegretto / III. Presto
Alberto Delande (conductor, possibly Alfred Scholz pseudonym) conductor King Stephan Overture, op.117, Symphony no. 3 in E flat major, "Eroica": I. Allegro con brio, Symphony no. 3 in E flat major, "Eroica": II. Marcia funebre, Adagio assai, Symphony no. 3 in E flat major, "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E flat major, "Eroica": IV. Finale: Allegro molto - Poco andante - Presto, Symphony no. 3 in E flat major, op. 55 "Eroica": Adagio assai (theme)
Raymond Beegle piano Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 9. "Lochnagar", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire"
Peter Grabinger piano Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto
Rainer Zepperitz double bass Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto
Fernando Lozano conductor Overture "Leonore III", Op. 72a, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Ralf Lukas vocal "Ars longa, vita brevis", WoO 170, "Das Schöne zum Guten!", WoO 202, "Doktor sperrt das Tor dem Tod", WoO 189, "Fra tutte le pene", WoO 99 No. 3a, "Glück zum neuen Jahr!", WoO 176, "Si non per portas, per muros", WoO 194
Rafael Frühbeck de Burgos conductor Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro, Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai, Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) vocal Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus
Horst Laubenthal vocal Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei
Erich Leinsdorf conductor Symphony No. 5 (extract), Symphony no. 9 in D minor, op. 125: I. Allegro ma troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Arturo Delmoni violin Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire"
Wyn Morris conductor Symphony No. 5 in C minor, Op. 67 "Fate": I. Allegro con brio, Symphony No. 5 in C minor, Op. 67 "Fate": II. Andante con moto, Symphony No. 5 in C minor, Op. 67 "Fate": III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67 "Fate": IV. Allegro, Symphony no. 5 in C minor, op. 67 "Fate"
Vagabond Children's Ensemble vocal Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin), Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"
Lorin Maazel conductor Symphony no. 9 in D minor ('Choral'), op. 125: I. Allegro ma non troppo, Symphony no. 9 in D minor ('Choral'), op. 125: II. Molto vivace, Symphony no. 9 in D minor ('Choral'), op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai, Willingtons Sieg, op. 91
Münchener Bach-Chor vocal Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei
Symphonieorchester des Bayerischen Rundfunks performing orchestra Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai, Symphony no. 9: Molto vivace
Günther Herbig (German conductor) conductor Fidelio, op. 72: Obertura, Sinfonía n.º 3 en mi bemol mayor, op. 55 «Heroica»: I. Allegro con brio, Sinfonía n.º 3 en mi bemol mayor, op. 55 «Heroica»: II. Marcha fúnebre: Adagio assai, Sinfonía n.º 3 en mi bemol mayor, op. 55 «Heroica»: III. Scherzo: Allegro vivace, Sinfonía n.º 3 en mi bemol mayor, op. 55 «Heroica»: IV. Finale: Allegro molto
Cheryl Studer vocal Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live)
Jerzy Semkow conductor Elegiac Song for Choir and Orchestra, Op. 118, Elegischer Gesang, Op. 118, Fantasia, Op. 80, "Choral Fantasy", Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy", Rondo in B flat major, WoO 6
English Chamber Orchestra performing orchestra II. Molto vivace from Symphony No. 9 in D Minor, Op. 125 "Choral", Symphony no. 5 in C minor, op. 67: III. Allegro (attacca), Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace
Gerard Schwarz (conductor) conductor Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of cheerful feelings upon arrival in the country. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene at the brook. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Happy gathering of country folk. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Thunderstorm. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherds' song: Cheerful and thankful feelings after the storm. Allegretto
Plácido Domingo vocal Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live), Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) conductor Symphony No. 6 in F major, Op. 68 "Pastoral": I. Awakening of happy feelings on arriving in the country (Allegro ma non troppo), Symphony No. 6 in F major, Op. 68 "Pastoral": II. By the brook (Andante molto mosso), Symphony No. 6 in F major, Op. 68 "Pastoral": III. Peasants' merry-making (Allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": IV. The Storm (Allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": V. Shepherd's song: Happy and thankful feelings after the storm (Allegretto)
Chicago Symphony Orchestra performer, performing orchestra Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar", Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Overture "Leonore no. 3", Overture 'Leonora' No. 3, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
Simon Deffner cello Minuet for for 2 Violins, Viola and Cello, H. 33, Prelude and Fugue for 2 Violins and Cello in E minor, H. 29, Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30, Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31, Prelude for 2 Violins, Viola and Cello, H. 40
Clemens Schuldt violin Minuet for for 2 Violins, Viola and Cello, H. 33, Prelude and Fugue for 2 Violins and Cello in E minor, H. 29, Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30, Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31, Prelude for 2 Violins, Viola and Cello, H. 40
John Abberger oboe Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto, Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28
Sinfonia Varsovia performing orchestra Symphony No. 6 in F major, Op. 68, "Pastoral": I. Allegro ma non troppo: Erwachen heiterer Gefühle bei der Ankunft auf dem Lande, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Finale. Allegro con brio
Gundula Janowitz vocal Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei
Heinrich Schlusnus vocal "Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123, "In questa tomba oscura", WoO 133, An die ferne Geliebte, Op. 98, Andenken, WoO 136 "Ich denke dein", Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten"
MasterVoices (choir) vocal Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin), Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"
Ilmar Lapinsch conductor Romance no. 2 in F major for Violin and Orchestra, op. 50, Symphony no. 5 in C minor, op. 67 "Fate": I. Allegro con brio, Symphony no. 5 in C minor, op. 67 "Fate": II. Andante con moto, Symphony no. 5 in C minor, op. 67 "Fate": III. Allegro (attacca), Symphony no. 5 in C minor, op. 67 "Fate": IV. Allegro
Симфонический оркестр Санкт-Петербургской филармонии performing orchestra Howards End: Symphony No. 5: Allegro (excerpt), Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo
Lani Spahr English horn Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto, Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28
Государственная академическая симфоническая капелла России (Polyansky) performing orchestra Romance no. 2 in F major for Violin and Orchestra, op. 50, Symphony no. 5 in C minor, op. 67 "Fate": I. Allegro con brio, Symphony no. 5 in C minor, op. 67 "Fate": II. Andante con moto, Symphony no. 5 in C minor, op. 67 "Fate": III. Allegro (attacca), Symphony no. 5 in C minor, op. 67 "Fate": IV. Allegro
Gerald Finley vocal "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Germania, WoO 94: Final Chorus from "Die gute Nachricht", Scene (One) from "Vesta's Fire", Hess 115, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume"
Arleen Augér vocal The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl)
Давид Фёдорович Ойстрах violin Triple Concerto in C major, Op. 56: I. Allegro, Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca
Евгений Александрович Мравинский conductor Howards End: Symphony No. 5: Allegro (excerpt), Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo
Wiener Singverein vocal Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" / Vc. Choir of Children "Was soll der Lärm bedeuten?"
Marie-Pierre Langlamet harp Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch
Josef Krips conductor Egmont Overture - Incidental Music, op. 84, Symphony no. 4 in B-flat major, op. 60: I. Andante - Allegro ma non troppo, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
István Székely performer, piano Piano Sonata No. 8 in C minor ("Pathétique"), Op. 13, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": II. Adagio cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro, Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto
Carolina Kurkowski Perez violin Minuet for for 2 Violins, Viola and Cello, H. 33, Prelude and Fugue for 2 Violins and Cello in E minor, H. 29, Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30, Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31, Prelude for 2 Violins, Viola and Cello, H. 40
Joseph Flummerfelt conductor Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen
Elizabeth Harwood vocal Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph)
Josephine Veasey vocal Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Christoph Hartmann oboe Trio für zwei Oboen und Englischhorn, Op. 87: I. Allegro, Trio für zwei Oboen und Englischhorn, Op. 87: II. Adagio cantabile, Trio für zwei Oboen und Englischhorn, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio für zwei Oboen und Englischhorn, Op. 87: IV. Finale. Presto, Variationen über „La ci darem la mano“ für zwei Oboen und Englischhorn
Кирилл Петрович Кондрашин (conductor) conductor Symphony No. 3 "Eroica": Allegro Con Brio, Symphony No. 3 "Eroica": Finale (Allegro Molto), Symphony No. 3 "Eroica": Marcia Funebre (Adagio Assai), Symphony No. 3 "Eroica": Scherzo (Allegro Vivace), Triple Concerto in C major, Op. 56: I. Allegro
Klaus-Peter Hahn conductor, cello Fidelio, opera, Op. 72: Leonora Overture III, Op. 72a, Septet, III. Menuetto, Symphony No. 6, 'Pastoral,' Andante, Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46, Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66
Julia Hamari vocal Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei
George Richter (conductor, probably fictitious, or Alfred Scholz pseudonym) conductor Leonora: Overture No. 3 in C minor, Op. 72a, Symphony No. 5 in C minor, Op. 67: Allegro / Allegro - Allegro - Presto, Symphony No. 5 in C minor, Op. 67: Allegro con brio, Symphony No. 5 in C minor, Op. 67: Andante con moto, Symphony No. 9 in D minor, Op. 125: 4th Movement (excerpt)
Klaus Tennstedt conductor Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Violin Concerto in D major, Op. 61: III. Rondo. Allegro (live recording)
New York Choral Artists vocal Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen
Jacqueline du Pré cello 12 Variations sur le thème "Ein Mädchen oder Weibchen", Cello Sonata No. 3 in A major, Op. 69: III. Adagio cantabile, Cello Sonata No. 3 in A major, Op. 69: IV. Allegro vivace, Seven Variations on "Bei Männern" from Mozart's Die Zauberflöte, WoO. 46, Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: II. Adagio - Tempo d'Andante - Allegro vivace
Hans Peter Ebner (sound engineer) sound Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus
Klaus Hirte vocal The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl)
New York Chamber Symphony performer Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of cheerful feelings upon arrival in the country. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene at the brook. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Happy gathering of country folk. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Thunderstorm. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherds' song: Cheerful and thankful feelings after the storm. Allegretto
Dominik Wollenweber English horn Trio für zwei Oboen und Englischhorn, Op. 87: I. Allegro, Trio für zwei Oboen und Englischhorn, Op. 87: II. Adagio cantabile, Trio für zwei Oboen und Englischhorn, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio für zwei Oboen und Englischhorn, Op. 87: IV. Finale. Presto, Variationen über „La ci darem la mano“ für zwei Oboen und Englischhorn
Marc Schachman oboe Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto, Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28
Alexander Kiss viola Minuet for for 2 Violins, Viola and Cello, H. 33, Prelude and Fugue for 2 Violins and Cello in E minor, H. 29, Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30, Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31, Prelude for 2 Violins, Viola and Cello, H. 40
Kerstin Wagner vocal 12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 2, "O Harp of Erin", 12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122
Saint Louis Symphony Orchestra performing orchestra Elegiac Song for Choir and Orchestra, Op. 118, Elegischer Gesang, Op. 118, Fantasia, Op. 80, "Choral Fantasy", Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy", Rondo in B flat major, WoO 6
Sascha Reckert glass harmonica Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch
Ondrej Lenárd conductor March of the Turks, Two Marches for Military Band: No. 1, Two Marches for Military Band: No. 2, Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle Symphony", Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle"
Münchener Bach-Orchester performing orchestra Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei
Elmar Schloter (Organist) organ Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei
Karl Richter (conductor/ choir master/ organist/ harpsichordist) conductor Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei
Ernst Gerold Schramm (German baritone) vocal Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei
Fritz Kreisler (violinist / composer) violin Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo - Kadenz, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro - Kadenz, Sonate Nr. 6 für Klavier und Violine A-dur, Op. 30 Nr. 1: I. Allegro, Sonate Nr. 6 für Klavier und Violine A-dur, Op. 30 Nr. 1: II. Adagio molto espressivo, Sonate Nr. 6 für Klavier und Violine A-dur, Op. 30 Nr. 1: III. Allegretto con Variazioni
Édouard Lindenberg conductor Symphony No. 6 in F major, Op. 68: I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68: II. Andante molto mosso, Symphony No. 6 in F major, Op. 68: III. Allegro, Symphony No. 6 in F major, Op. 68: IV. Allegro, Symphony No. 6 in F major, Op. 68: V. Allegretto
DR SymfoniOrkestret performing orchestra Leonore II, Op. 72: Overture. Adagio - Allegro (live), Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto (live), Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante Moderato - Adagio - Lo Stesso Tempo (live), Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - (live), Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo (live)
Candida Thompson concertmaster Beethoven - String Quartet no. 11 in f minor, opus 95 - I. Allegro con brio, Beethoven - String Quartet no. 11 in f minor, opus 95 - II. Allegretto ma non troppo, Beethoven - String Quartet no. 11 in f minor, opus 95 - III. Allegro assai vivace ma serioso, Beethoven - String Quartet no. 11 in f minor, opus 95 - IV. Larghetto espressivo – Allegro
Günter Appenheimer (producer/engineer) producer Two Marches for Military Band: No. 1, Two Marches for Military Band: No. 2, Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle Symphony", Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle"
Mariss Jansons (Latvian conductor) conductor Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai
Smithsonian Chamber Players performing orchestra Quartetto serioso, F minor, op. 95 (arr. Mahler): I. Allegro con brio, Quartetto serioso, F minor, op. 95 (arr. Mahler): II. Allegretto, ma non troppo, Quartetto serioso, F minor, op. 95 (arr. Mahler): III. Allegro assai vivace, ma serioso, Quartetto serioso, F minor, op. 95 (arr. Mahler): IV. Larghetto espressivo - Allegro agitato
Bamberger Symphoniker performing orchestra Symphony No. 3, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 7 in A major, Op. 92: II. Allegretto
Peter Oswald (tenor) vocal Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie
Peter Mikuláš (bass) vocal Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) balance, performer, producer, piano 'Moonlight' Piano Sonata, op. 27, no. 2: I. Adagio sostenuto, 'Pathétique' Piano Sonata, op. 13: I. Grave - Allegro, Klaviersonate Nr. 14, Cis-Moll, „Mondscheinsonate“, Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: II. Adagio - Tempo d'Andante - Allegro vivace
Adrian Brendel cello 12 Variations on “See the conju'ring hero comes” WoO 45:Variation IX, 12 Variations on “See the conju'ring hero comes” WoO 45:Variation VIII, 12 Variations on “See the conju'ring hero comes” WoO 45:Variation X: Adagio, 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation V: Si prenda...
City of London Sinfonia (chamber orchestra) performing orchestra Piano Concerto No. 5 in E flat major, op. 73 "Emperor", Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro
Nicholas Wilks conductor Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
David Breitman performer Piano Sonata No. 3 in C major, Op. 2/3: I. Allegro con brio, Piano Sonata No. 3 in C major, Op. 2/3: II. Adagio, Piano Sonata No. 3 in C major, Op. 2/3: III. Scherzo: Allegro, Piano Sonata No. 3 in C major, Op. 2/3: IV. Allegro assai
Carlos Kleiber conductor Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio, Symphonie No. 5 c-Moll, Op. 67: II. Andante con moto, Symphonie No. 5 c-Moll, Op. 67: III. Allegro, Symphonie No. 5 c-Moll, Op. 67: IV. Allegro
Christophe Coin cello Sonate pour piano et violencelle, Op. 5 No. 1: I. Adagio sostenuto - Allegro, Sonate pour piano et violencelle, Op. 5 No. 1: II. Rondo. Allegro vivace, Sonate pour piano et violencelle, Op. 5 No. 2: I. Adagio sostenuto e espressivo - Allegro molto piu tosto presto, Sonate pour piano et violencelle, Op. 5 No. 2: II. Rondo. Allegro
Elaine Martone (engineer) producer Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Marcel Moyse performer Octet for Winds in E-flat major, Op. 103: I. Allegro, Octet for Winds in E-flat major, Op. 103: II. Andante, Octet for Winds in E-flat major, Op. 103: III. Menuetto, Octet for Winds in E-flat major, Op. 103: IV. Finale - Presto
Hamburger Symphoniker performing orchestra Symphony No. 9 in D minor, Op. 125 "Choral": Adagio molto cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": Allegro ma non troppo, Symphony No. 9 in D minor, Op. 125 "Choral": Finale, Symphony No. 9 in D minor, Op. 125 "Choral": Molto vivace
Alain Lombard conductor Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto
Patrick Cohen (pianist) piano Sonate pour piano et violencelle, Op. 5 No. 1: I. Adagio sostenuto - Allegro, Sonate pour piano et violencelle, Op. 5 No. 1: II. Rondo. Allegro vivace, Sonate pour piano et violencelle, Op. 5 No. 2: I. Adagio sostenuto e espressivo - Allegro molto piu tosto presto, Sonate pour piano et violencelle, Op. 5 No. 2: II. Rondo. Allegro
Beethoven Orchester Bonn performing orchestra Symphony No. 3 in E flat major ("Eroica"), Op. 55: I. Allegro con Brio, Symphony No. 3 in E flat major ("Eroica"), Op. 55: II. Marcia funebre, Symphony No. 3 in E flat major ("Eroica"), Op. 55: III. Scherzo, Symphony No. 3 in E flat major ("Eroica"), Op. 55: IV. Allegro molto
Werner Ludwig Baum conductor Symphony No. 9 in D minor, Op. 125 "Choral": Adagio molto cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": Allegro ma non troppo, Symphony No. 9 in D minor, Op. 125 "Choral": Finale, Symphony No. 9 in D minor, Op. 125 "Choral": Molto vivace
Frans Brüggen conductor Symphony no. 1: Adagio - Allegro molto e vivace, Symphony no. 1: Adagio molto - Allegro con brio, Symphony no. 1: Andante cantabile con moto, Symphony no. 1: Menuetto. Allegro molto e vivace
Jan Pollacek cello Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": I. Allegro vivace e con brio, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": II. Largo assai e espressivo, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": III. Presto
Alison Ames producer Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)...
Malcolm Bilson performer Piano Sonata No. 1 in F minor, Op. 2/1: I. Allegro, Piano Sonata No. 1 in F minor, Op. 2/1: II. Adagio, Piano Sonata No. 1 in F minor, Op. 2/1: III. Menuetto: Allegretto, Piano Sonata No. 1 in F minor, Op. 2/1: IV. Prestissimo
Alan Titus vocal Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco)
Magdaléna Hajóssyová vocal Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie
Sir Georg Solti (conductor) conductor Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar", Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Overture "Leonore no. 3", Overture 'Leonora' No. 3
Ronald Whitaker producer Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Otmar Suitner conductor Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
梅田俊明 conductor Symphony no. 7 in A major, op. 92: Movements I - IV (Ending) (“Christmas concert drama version”), 交響曲第7番イ長調作品92より 第1楽章 (主題曲音源), 交響曲第7番イ長調作品92より 第4楽章, 交響曲第9番ニ短調作品125<合唱>より第1楽章冒頭部
Orquesta Sinfónica del Estado de México performing orchestra Symphony No. 9 in D minor: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor: II. Molto vivace, Symphony No. 9 in D minor: III. Adagio molto e cantabile, Symphony No. 9 in D minor: IV. Presto - "O Freunde, nicht dies Toene!" - Allegro Assai - "An die Freude"
Lutz Herbig (conductor) conductor Eroica Variations: 15 Variations with Fugue in E flat major, Triple Concerto: I. Allegro, Triple Concerto: II. Largo, Triple Concerto: III. Rondo alla Polka
Hans-Peter Schweigmann engineer Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)...
Woldemar Nelsson conductor Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funébre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto
Roderick Brydon (conductor) conductor Symphony no. 3 in E flat major, op. 55, "Eroica": I. Allegro con brio, Symphony no. 3 in E flat major, op. 55, "Eroica": II. Marcia funebre, Symphony no. 3 in E flat major, op. 55, "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E flat major, op. 55, "Eroica": IV. Finale: Allegro molto
Alun Francis conductor Sinfonia no. 4 em si bemol maior: I. Adagio - Allegro vivace, Sinfonia no. 4 em si bemol maior: II. Adagio, Sinfonia no. 4 em si bemol maior: III. Menuetto: Allegro vivace. Trio - un poco meno allegro, Sinfonia no. 4 em si bemol maior: IV. Allegro ma non troppo
Walter Goehr conductor Symphonie Nr. 5 - 1. Satz, Symphonie Nr. 5 - 2. Satz, Symphonie Nr. 5 - 3. Satz, Symphonie Nr. 5 - 4. Satz
Radiokören vocal Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live)
Orchestre philarmonique de France performing orchestra Symphonie N° 7 - Allegretto, Symphonie N° 7 - Allegro con brio, Symphonie N° 7 - Poco sostenuto - Vivace, Symphonie N° 7 - Presto
Winchester Symphony Orchestra performing orchestra Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
Jessye Norman vocal Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live)
Олег Каган violin Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro, Violin Sonata no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo, Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo (Allegro molto) & Trio, Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo (Allegro ma non troppo)
Jitka Zerhanova (Alto) vocal Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie
Robert Taub piano Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": II. Adagio cantabile, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": III. Rondo. Allegro, Piano Sonata no.21 in C major, op. 53 "Waldstein": I. Allegro Con Brio (Excerpt)
Anthony Newman piano Choral Fantasy, Op. 80, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro
Orchestre National de l'ORTF (not to be confused with the Orchestre philarmonique de l'ORTF) performing orchestra Symphony no. 7 in A, op. 92: I. Poco sostenuto - vivace, Symphony no. 7 in A, op. 92: II. Allegretto, Symphony no. 7 in A, op. 92: III. Presto - assai meno presto, Symphony no. 7 in A, op. 92: IV. Allegro con brio
Orchestre National Bordeaux Aquitaine performing orchestra Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto
Wilhelm Meister (Tonmeister / Recording Producer) producer Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai
Musopen Symphony Orchestra performing orchestra Symphony no. 3 in E-flat major "Eroica", op. 55: I. Allegro con brio, Symphony no. 3 in E-flat major "Eroica", op. 55: II. Marcia funebre adagio assai, Symphony no. 3 in E-flat major "Eroica", op. 55: III. Scherzo allegro vivace, Symphony no. 3 in E-flat major "Eroica", op. 55: IV. Finale allegro molto
Tom Beghin performer Piano Sonata No. 2 in A major, Op. 2/2: I. Allegro vivace, Piano Sonata No. 2 in A major, Op. 2/2: II. Largo appassionato, Piano Sonata No. 2 in A major, Op. 2/2: III. Scherzo: Allegretto, Piano Sonata No. 2 in A major, Op. 2/2: VI. Rondo: Grazioso
Siegfried Vogel vocal "Es ist vollbracht", WoO 97 (Finale from Treitschke's "Die Ehrenpforten"), "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, Aria for Bass and Orchestra, WoO 89 "Prufung des Küssens", Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen"
Pilar Lorengar vocal Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus
Emperor Quartet (string quartet from the United Kingdom) cello, viola, violin String Quartet no. 4 in C minor, op. 18: I. Allegro ma non tanto, String Quartet no. 4 in C minor, op. 18: II. Andante scherzoso quasi allegretto, String Quartet no. 4 in C minor, op. 18: III. Menuetto: Allegretto, String Quartet no. 4 in C minor, op. 18: IV. Allegro - Prestissimo
Zoltán Szívós (Conductor) conductor Fidelio, Op. 72 (1814), overture to opera Leonora/Fidelio, fourth version, King Stephen (König Stefan), Op. 117 (1812), overture to incidental music to words by von Kotzebue, The Creatures of Prometheus (Die Geschöpfe von Prometheus), Op. 43 (1801), overture to incidental music for play by Viganò, The Ruins of Athens (Die Ruinen von Athen), Op. 113 (1812), overture to incidental music for play by von Kotzebue
Stephen Simon conductor Choral Fantasy, Op. 80, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro
Laurent Petitgirard conductor Symphonie N° 7 - Allegretto, Symphonie N° 7 - Allegro con brio, Symphonie N° 7 - Poco sostenuto - Vivace, Symphonie N° 7 - Presto
Adolf Busch violin String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro
Enrique Bátiz conductor Symphony No. 9 in D minor: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor: II. Molto vivace, Symphony No. 9 in D minor: III. Adagio molto e cantabile, Symphony No. 9 in D minor: IV. Presto - "O Freunde, nicht dies Toene!" - Allegro Assai - "An die Freude"
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) conductor Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Konzert Für Violine Und Orchester D-Dur Pp.61 - Allegro, Symphony No. 9 in D minor, Op. 125 "Choral Symphony": Presto, Symphony No. 9 in D minor, Op. 125 "Choral"
Ladislav Slovák conductor Symphonie Nr. 5 c-Moll, Op. 67: I. Allegro con brio (feat. conductor: Ladislav Slovák), Symphonie Nr. 5 c-Moll, Op. 67: II. Andante con moto (feat. conductor: Ladislav Slovák), Symphonie Nr. 5 c-Moll, Op. 67: III. Allegro (feat. conductor: Ladislav Slovák), Symphonie Nr. 5 c-Moll, Op. 67: IV. Allegro (feat. conductor: Ladislav Slovák)
Henry Adolph (conductor, an Alfred Scholz pseudonym) conductor Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto
Philomusica of London performing orchestra Choral Fantasy, Op. 80, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro
Orchestra Haydn di Bolzano e Trento performing orchestra Sinfonia no. 4 em si bemol maior: I. Adagio - Allegro vivace, Sinfonia no. 4 em si bemol maior: II. Adagio, Sinfonia no. 4 em si bemol maior: III. Menuetto: Allegro vivace. Trio - un poco meno allegro, Sinfonia no. 4 em si bemol maior: IV. Allegro ma non troppo
Jos van Immerseel conductor Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
Zdeněk Košler conductor Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
Eric Ericsons Kammarkör vocal Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live)
Philharmonisches Ensemble Baden-Baden performer Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: I. Adagio - Allegro, Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: II. Adagio, Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: III. Menuetto. Quasi allegretto, Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: IV. Rondò. Allegro
Gerhard Gruber balance Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai
Philharmonia Slavonica (an Alfred Scholz pseudonym) performing orchestra Konzert Für Violine Und Orchester D-Dur Pp.61 - Allegro, Konzert für Violine und Orchester D-Dur op. 61, 3.Satz: Rondo, Romanze für Violine und Orchester Nr. 2 F-Dur op. 50, Symphony No. 9 Finale (Coda)
Erich Appel (pianist) piano Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": I. Allegro (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": II. Adagio molto espressivo (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": III. Scherzo. Allegro molto (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": IV. Rondo. Allegro ma non troppo (feat. violin: Oliver Colbentson, piano: Erich Appel)
Hermann Busch (cellist) cello String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006) performing orchestra Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro - Presto
Gert Frischmuth chorus master Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live)
BBC Singers (professional chamber choir of the BBC) vocal "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Chor auf die verbündeteten Fürsten, Chorus for the Allied Princes, WoO 95
Chor der Wiener Staatsoper vocal Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, Un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto, Allegro assai
Michel Brodard vocal Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Mass in C major, Op. 86: I. Kyrie
Peter Toperczer piano Klavierkonzert no. 5 in Es-Dur, op. 73: Adagio un poco mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Adagio Un Poco Mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Allegro, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Rondo: Allegro
Anima Eterna Brugge performing orchestra Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
Oliver Colbentson (violinist) violin Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": I. Allegro (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": II. Adagio molto espressivo (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": III. Scherzo. Allegro molto (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": IV. Rondo. Allegro ma non troppo (feat. violin: Oliver Colbentson, piano: Erich Appel)
Amsterdam Sinfonietta performing orchestra Beethoven - String Quartet no. 11 in f minor, opus 95 - I. Allegro con brio, Beethoven - String Quartet no. 11 in f minor, opus 95 - II. Allegretto ma non troppo, Beethoven - String Quartet no. 11 in f minor, opus 95 - III. Allegro assai vivace ma serioso, Beethoven - String Quartet no. 11 in f minor, opus 95 - IV. Larghetto espressivo – Allegro
Jussi Björling vocal Adelaide, Op. 46, Adelaide, Op. 46: song for voice & piano, Guds lov i naturen, Guds lov i naturen, Op. 48:4
Justus Frantz conductor Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Finale. Allegro con brio
Armin Ude vocal 20 Irish Songs WoO 153, No. 1 "When eve's last rays in twilight" (duet), 20 Irish Songs WoO 153, No. 17 "Come, Darby dear, easy, be easy", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 1. "When Eve's last rays in twilight", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 17. "Come, Darby dear, easy, be easy"
Erika Tóth violin Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto
Nürnberger Symphoniker performing orchestra Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56: I. Allegro, Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73: III. Rondo: Allegro, Triple Concerto in C major for Violin, Cello, Piano and Orchestra, op. 56: II. Largo - Rondo alla Polacca
Riccardo Muti conductor Fidelio, Op. 72b: Overture, Sinfonie Nr. 7: II. Allegretto, Symphonie n° 6 en fa majeur, Op. 68 ''Pastorale'' : I. Eveil d'impressions agréables en arrivant à la campagne, Symphony no. 9 in D Minor, 'Choral', op. 125: IV. 'Ode to Joy'
Софийска Филхармония performing orchestra Fidelio, Op. 72: Final Chorus. "Wer ein holdes Weib errungen", Fidelio, Op. 72: Prisoners' Chorus. "O welche Lust", Fidelio: Gefangenenchor, Piano Concerto no. 5, Emperor: II. Adagio un poco mosso
Metropolitan Opera Orchestra performing orchestra Symphonie no. 3 Es-Dur, op. 55 "Eroica": I. Allegro con brio, Symphonie no. 3 Es-Dur, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphonie no. 3 Es-Dur, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphonie no. 3 Es-Dur, op. 55 "Eroica": IV. Finale. Allegro molto
Nodar Tsatishvili conductor Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
Hungarian Concert Orchestra performing orchestra Fidelio, Op. 72 (1814), overture to opera Leonora/Fidelio, fourth version, King Stephen (König Stefan), Op. 117 (1812), overture to incidental music to words by von Kotzebue, The Creatures of Prometheus (Die Geschöpfe von Prometheus), Op. 43 (1801), overture to incidental music for play by Viganò, The Ruins of Athens (Die Ruinen von Athen), Op. 113 (1812), overture to incidental music for play by von Kotzebue
Alexander von Pitamic (an Alfred Scholz pseudonym) conductor Symphonie Nr. 9, op. 125 D-Moll, I: Allegro ma non troppo, un poco maestoso, Symphonie Nr. 9, op. 125 D-Moll, II: Molto vivace, Symphonie Nr. 9, op. 125 D-Moll, III: Adagio molto e cantabile, Symphonie Nr. 9, op. 125 D-Moll, V: Presto: Allegro assai
Sherry Kloss violin Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio, Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile, Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro, Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro - Presto
Dresden Symphony performing orchestra Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto
Kammerharmonie Bläsersolisten der Staatskapelle Dresden performer Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: I. Allegro, Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: II. Andante, Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: III. Menuetto, Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: IV. Finale. Presto
Gustaf Sjökvist chorus master Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live)
小澤征爾 (conductor) conductor Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Karl Doktor (violist) viola String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro
The Ambrosian Singers vocal Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto. Allegro assai, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Symphonie, No. 9, Op. 125 (Choral "Ode an Die Freude"), Symphony No. 9 in D minor, Op. 125 "Choral": V. Presto "O Freunde, nicht diese Töne!" - Allegro assai, "Ode to Joy"
Sergiu Celibidache conductor Symphony no. 7 in A, op. 92: I. Poco sostenuto - vivace, Symphony no. 7 in A, op. 92: II. Allegretto, Symphony no. 7 in A, op. 92: III. Presto - assai meno presto, Symphony no. 7 in A, op. 92: IV. Allegro con brio
Kenneth Slowik conductor Quartetto serioso, F minor, op. 95 (arr. Mahler): I. Allegro con brio, Quartetto serioso, F minor, op. 95 (arr. Mahler): II. Allegretto, ma non troppo, Quartetto serioso, F minor, op. 95 (arr. Mahler): III. Allegro assai vivace, ma serioso, Quartetto serioso, F minor, op. 95 (arr. Mahler): IV. Larghetto espressivo - Allegro agitato
Canadian Trio performer Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Adagio, Allegro con brio, Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Allegro molto, Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Larghetto quasi andante, Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Scherzo
Gösta Andreasson violin String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro
Kempf Trio (piano trio founded by Freddy Kempf) cello, piano, violin Piano Trio in B-flat major, op. 97 "Archduke": I. Allegro moderato, Piano Trio in B-flat major, op. 97 "Archduke": II. Scherzo. Allegro, Piano Trio in B-flat major, op. 97 "Archduke": III. Andante cantabile, ma però con moto (attacca), Piano Trio in B-flat major, op. 97 "Archduke": IV. Allegro moderato - Presto
Marlboro Festival Octet performer Octet for Winds in E-flat major, Op. 103: I. Allegro, Octet for Winds in E-flat major, Op. 103: II. Andante, Octet for Winds in E-flat major, Op. 103: III. Menuetto, Octet for Winds in E-flat major, Op. 103: IV. Finale - Presto
Gösta Winbergh vocal Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan), Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan)
Christian Tetzlaff violin Violin Concerto in D major, op. 61: I. Allegro ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo Allegro
Othmar Mága conductor Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56: I. Allegro, Triple Concerto in C major for Violin, Cello, Piano and Orchestra, op. 56: II. Largo - Rondo alla Polacca
Jürgen Gode bassoon Duo for clarinet and bassoon in C major, WoO 27 No. 1: I. Allegro commodo, Duo for clarinet and bassoon in C major, WoO 27 No. 1: II. Larghetto sostenuto, Duo for clarinet and bassoon in C major, WoO 27 No. 1: III. Rondo: Allegretto
Albert Linder cornet Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato, Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante, Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato
János Keveházi cornet Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Junge Süddeutsche Philharmonie Esslingen performing orchestra Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Alexander Lonquich piano Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca
Klára Würtz piano Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo
中村紘子 piano PIANO SONATA No. 14 IN C-SHARP MINOR, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio
のだめオーケストラ performing orchestra 交響曲第7番イ長調作品92より 第1楽章 (主題曲音源), 交響曲第7番イ長調作品92より 第4楽章, 交響曲第9番ニ短調作品125<合唱>より第1楽章冒頭部
Joseph Keilberth conductor Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony no. 5 op. 67 In C Minor
Alexander Permovalsky (violinist, an Alfred Scholz pseudonym) violin Konzert Für Violine Und Orchester D-Dur Pp.61 - Allegro, Konzert für Violine und Orchester D-Dur op. 61, 3.Satz: Rondo, Romanze für Violine und Orchester Nr. 2 F-Dur op. 50
Сергей СЛОВАЧЕВСКИЙ (Russian cellist) cello Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto, Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace, Sonata no. 3 in A major for Cello and Piano, op. 69: I. Allegro ma non tanto
Игорь Владимирович Урьяш piano Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto, Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace, Sonata no. 3 in A major for Cello and Piano, op. 69: I. Allegro ma non tanto
Josef Wolfsthal violin Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto, Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro
Jordi Mora conductor Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: I. Allegro con brio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: II. Adagio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: III. Rondo. Allegro molto
Губернаторский симфонический оркестр Санкт-Петербурга performing orchestra Concerto no. 3 in C minor for Piano and Orchestra, op. 37: I. Allegro con brio, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: II. Largo, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: III. Rondo. Allegro
Andrew Wilde piano 'Pour Elise', Bagatelle en la mineur, Wo 059, Piano Sonata No. 14 In C-Sharp Minor, Op. 27:2, ''Moonlight Sonata'': Adagio Sostenuto, Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto
Георги Робев conductor, performer Fidelio, Op. 72: Final Chorus. "Wer ein holdes Weib errungen", Fidelio, Op. 72: Prisoners' Chorus. "O welche Lust", Fidelio: Gefangenenchor
Angelica Morales von Sauer (pianist) piano Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca
John Noble (baritone) vocal Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan"
Арнольд Кац conductor Concerto no. 3 in C minor for Piano and Orchestra, op. 37: I. Allegro con brio, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: II. Largo, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: III. Rondo. Allegro
Leon Pommers piano Trio B-dur für klavier, klarinette und violoncello, Op. 11: I. Allegro con brio, Trio B-dur für klavier, klarinette und violoncello, Op. 11: II. Adagio, Trio B-dur für klavier, klarinette und violoncello, Op. 11: III. Tema: Pria ch'io l'impegno, Allegretto
John Lill piano Fantasia in C minor, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro
Wolfgang Schneiderhan violin Concerto pour violon en ré majeur op. 61 : I. Allegro ma non troppo, Concerto pour violon en ré majeur op. 61 : II. Larghetto, Concerto pour violon en ré majeur op. 61 : Rondo : allegro
Wolf-Dieter Batzdorf violin "Falstafferel, laß dich sehen!", WoO 184, Canon in 5 parts in G major "Falstafferel, lass dich sehen!", WoO 184, Two canons, in 3 and 4 parts, WoO 160: II. Vierstimmiger Kanon
Artúr Nikisch conductor Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Atlanta Symphony Orchestra performing orchestra Choral Finale From "Symphony No. 9", Fidelio: O welche Lust! (Prisoners' Chorus), Finale From Symphony No. 9, Choral
Balint Vazsonyi piano Für Elise, Menuett in G, Rondo, op. 52 no. 1
Bamberg Piano Quartet performer Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: I. Grave - Allegro ma non troppo, Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: II. Andante cantabile, Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: III. Rondo. Allegro ma non troppo
Bamberger Quartett performer Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: I. Allegro vivace, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: II. Adagio con espressione, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: III. Rondo. Allegro
Jenö Keveházi cornet Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Benjamin Glorieux (Belgian cellist) cello Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno''
Lothar Koch (oboist) oboe Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo)
Benny Goodman (clarinetist and bandleader) clarinet Trio B-dur für klavier, klarinette und violoncello, Op. 11: I. Allegro con brio, Trio B-dur für klavier, klarinette und violoncello, Op. 11: II. Adagio, Trio B-dur für klavier, klarinette und violoncello, Op. 11: III. Tema: Pria ch'io l'impegno, Allegretto
Lucia Popp (soprano) vocal Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai
Berlin Philharmonic Octet performer Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet in E-flat major, Op. 20: Adagio cantabile, Septet in E-flat major, op. 20: V.
Walter Klien piano Fantasia, Op. 80, "Choral Fantasy", Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy", Rondo in B flat major, WoO 6
Berliner Symphonisches Orchester (West Berlin, 1949-1967, renamed Symphonisches Orchester Berlin in 1967) performing orchestra German Dance In A Major WoO, German Dance In C Major WoO, German Dance In F Major WoO
Volker Horn (operatic tenor singer) vocal "Ars longa, vita brevis", WoO 193, "Glück zum neuen Jahr!", WoO 176, "Si non per portas, per muros", WoO 194
Bernard Greenhouse cello Clarinet Trio in B-flat, op. 11: I. Allegro con brio, Clarinet Trio in B-flat, op. 11: II. Adagio, Clarinet Trio in B-flat, op. 11: III. Allegretto, (Thema "Pria ch'io l'impegno" con variazioni)
Vlad Weverberg (Belgian clarinettist and multi instrumentalist) clarinet Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno''
Bernd Niedermayr violin "Falstafferel, laß dich sehen!", WoO 184, Canon in 5 parts in G major "Falstafferel, lass dich sehen!", WoO 184, Two canons, in 3 and 4 parts, WoO 160: II. Vierstimmiger Kanon
Bernhard Güller conductor Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Vasily Ilisavsky (Russian pianist and fortepianist) piano Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno''
Magyar Rádió Szimfonikus Zenekara (a.k.a. Budapest Symphony) performing orchestra Fidelio Overture, Op. 72b, Fidelio, Op. 72, No. 6: March, Fidelio, Op. 72: Overture
Bronislaw Huberman violin Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: I. Adagio sostenuto - Presto, Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: II. Andante con Variazioni, Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: III. Finale: Presto
Manfred Gurlitt conductor Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto, Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro
Manfred Klier horn Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro
Trio Bamberg performer Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": I. Allegro con brio, Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": II. Adagio, Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": III. Allegretto con variazioni
Maria João Pires (pianist) piano Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 quasi una fantasia "Moonlight": I. Adagio sostenuto, Piano Sonata No.14 op. 27 No.2 "Mondschein-Sonate": 2. Allegretto (attacca), Piano Sonata, op 27 no. 2 "Moonlight": I. Adagio sostenuto
Thomas Franke clarinet "Edel sei der Mensch", WoO 185, "Graf, liebster Graf", WoO 101, Two canons, in 3 and 4 parts, WoO 160: I. Dreistimmiger Kanon
Béla Drahos conductor Music for a Ballet on Horseback, WoO 1, Symphony No. 9 in D minor, Op. 125, 'Choral': Finale: Allegro assai vivace: Alla Marcia (conclusion), Tarpeja, WoO 2a: Triumpfmarsch
The London Classical Players performing orchestra Symphonie No. 3 "Héroïque": II. Marche funèbre (extrait) (feat. London Classical Players, Roger Norrington), Symphony No. 6 (‘Pastoral’) I. (extract), Symphony No. 6 (‘Pastoral’): III. (extract)
Carl-August Bünte conductor German Dance In A Major WoO, German Dance In C Major WoO, German Dance In F Major WoO
Tamás Pál (conductor) conductor Fidelio Overture, Op. 72b, Fidelio, Op. 72, No. 6: March, Fidelio, Op. 72: Overture
Tamara Sanikidze piano Sonata no. 23 in F minor for Piano, op. 57 "Appassionata": I. Allegro assai, Sonata no. 23 in F minor for Piano, op. 57 "Appassionata": II. Andante con moto (attacca), Sonata no. 23 in F minor for Piano, op. 57 "Appassionata": III. Allegro ma non troppo - Presto
Mario Brunello cello Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca
Ingemar Bergfelt piano Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato, Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante, Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato
Chor der Staatsoper Dresden vocal Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No. 9 in D minor, Op. 125 "Choral":"O Freunde, nicht diese Tone!", Symphony No. 9 in D minor, Op. 125 "Choral":Allegro assai
Ilya Gringolts violin Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca
Stefan de Leval Jezierski horn Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro
Martin van de Merwe horn Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo
Stefan Auber (cellist) cello Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca
Mary Verney piano Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
Ildikó Hegyi violin Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Ignaz Friedman piano Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: I. Adagio sostenuto - Presto, Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: II. Andante con Variazioni, Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: III. Finale: Presto
Karl Leister clarinet Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo)
Mayumi Fujikawa (Japanese violinist) violin Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto - Adagio, Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni, Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": III. Presto
Mechthild Gessendorf vocal Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden
Howard Shelley (British pianist and conductor) conductor, piano Cadenza to Mozart’s Keyboard Concerto in D minor, K.466: I., Concierto para piano y orquesta n.º 1 en do mayor, op. 15: I. Allegro con brio, Concierto para piano y orquesta n.º 1 en do mayor, op. 15: III. Rondo: Allegro
Sir Roger Norrington conductor Symphonie No. 3 "Héroïque": II. Marche funèbre (extrait) (feat. London Classical Players, Roger Norrington), Symphony No. 6 (‘Pastoral’) I. (extract), Symphony No. 6 (‘Pastoral’): III. (extract)
Menahem Pressler piano Clarinet Trio in B-flat, op. 11: I. Allegro con brio, Clarinet Trio in B-flat, op. 11: II. Adagio, Clarinet Trio in B-flat, op. 11: III. Allegretto, (Thema "Pria ch'io l'impegno" con variazioni)
Sir John Eliot Gardiner conductor Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Adagio, Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Finale, Leonore - Chor Der Gefangenen
Horst Schulze vocal Egmont, Op. 84: Monolog I., Egmont, Op. 84: Monolog II., Egmont, Op. 84: Monolog III.
Homero Francesch piano Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: I. Allegro, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: III. Rondo Allegro
Claire Gibault conductor Sinfonía n.º 5 en do menor, op. 67: I. Allegro con brio, Sinfonía n.º 5 en do menor, op. 67: IV. Allegro, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
Sir Adrian Boult conductor Violin Concerto in D major, op. 61: I: Allegro ma non troppo, Violin Concerto in D major, op. 61: II: Larghetto, Violin Concerto in D major, op. 61: III: Rondo (Allegro)
Dame Moura Lympany (pianist) piano Immortal Beloved (Moonlight Sonata, Op. 27 No. 2), Minuet in G, Piano Sonata No. 14 "Moonlight", Op. 27 No. 2
Michael Roll (English pianist) piano Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto - Adagio, Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni, Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": III. Presto
Serge Baudo (conductor) conductor Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: I. Allegro, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: III. Rondo Allegro
Sebastian Peschko piano An die ferne Geliebte, Op. 98, Andenken, WoO 136 "Ich denke dein", Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten"
Daniel Raschinsky vocal 12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise"
Hermann Franke clarinet "Edel sei der Mensch", WoO 185, "Graf, liebster Graf", WoO 101, Two canons, in 3 and 4 parts, WoO 160: I. Dreistimmiger Kanon
Ránki Dezső piano Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato, Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante, Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato
Rudolf Hörold horn Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Rudolf Buchbinder (Austrian classical pianist) piano Acht Variationen über das Lied, "Ich hab' ein kleines Hüttchen nur: Thema - Variationen I-VIII, Für Elise, The Lost World: Jurassic Park: Piano Sonata No. 8: Pathétique: Andante cantabile
Henk de Graaf clarinet Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo
David Rowland piano Piano Sonata in G op. 79: I. (exposition), Piano Sonata in G op. 79: III. (extract), Sally in Our Alley
Ronald Brautigam fortepiano, piano Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto, Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato, Rondo in B-flat major for Piano and Orchestra, WoO 6
Roger Andrews (baritone) vocal Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen
Misha Dichter piano Sonate Nr. 14 Cis-moll, Op. 27 Nr. 2 "Mondschein-Sonate": I. Adagio sostenuto, Sonate Nr. 8 C-Moll, Op. 13 "Pathétique": 2. Adagio cantabile, Sonate Nr. 8 C-moll, Op. 13 "Pathétique: II. Adagio cantabile
Misha Goldstein piano Adagio from Mondschein Sonata, Adagio from Sonata Pathétique Op. 13, Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile
Máté Győző viola Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Münchner Jugendorchester performing orchestra Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: I. Allegro con brio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: II. Adagio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: III. Rondo. Allegro molto
Ricardo Odnoposoff (violinist) violin Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca
Mария Израилевна Гринберг piano Piano Concerto No. 5 in E flat, Op. 73 'Emperor': I. Allegro, Piano Concerto No. 5 in E flat, Op. 73 'Emperor': II. Adagio un poco mosso, Piano Concerto No. 5 in E flat, Op. 73 'Emperor': III. Rondo: Allegro
Reiner Goldberg vocal Fidelio, Op. 72: Introduction and Florestan's Aria. "Gott! welch' Dunkel hier! - In des Lebens Fruhlingstagen", Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto
Edgar Fleet vocal Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne"
Hans-Jurgen Dietrich piano Pathetique Adagio: Piano Sonata No. 8 in C minor, Op. 13, Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight Sonata": I. Adagio sostenuto, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile (More Than Love)
Hans Swarowsky conductor Symphony No. 6 in F major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk"
Nederlands Blazers Ensemble performing orchestra Tattoo no. 1 in F, WoO. 18, Tattoo no. 2 in C, WoO. 20, Tattoo no. 3 in F, WoO. 19
Elisabeth Leonskaja piano Piano Concerto no. 2 in B flat, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B flat, op. 19: II. Adagio, Piano Concerto no. 2 in B flat, op. 19: III. Rondo: Molto allegro
Elisabeth Schwarzkopf (German-born Austrian/British soprano opera) vocal Fidelio (Akt I) : »Ach war' ich schon«, Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung"
Rafał Blechacz piano Piano Sonata in A major, Op. 2 No. 2: I. Allegro vivace, Piano Sonata in A major, Op. 2 No. 2: II. Largo appassionato, Piano Sonata in A major, Op. 2 No. 2: IV. Rondo. Grazioso
Hans Meijer oboe Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo
Günther Piesk bassoon Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo)
Elizabeth Sombart (pianist) piano Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: I. Allegro con brio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: II. Adagio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: III. Rondo. Allegro molto
Günter Wäsch clarinet "Edel sei der Mensch", WoO 185, "Graf, liebster Graf", WoO 101, Two canons, in 3 and 4 parts, WoO 160: I. Dreistimmiger Kanon
Karl Schlechta clarinet Duo for clarinet and bassoon in C major, WoO 27 No. 1: I. Allegro commodo, Duo for clarinet and bassoon in C major, WoO 27 No. 1: II. Larghetto sostenuto, Duo for clarinet and bassoon in C major, WoO 27 No. 1: III. Rondo: Allegretto
Péter Szabó cello Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Povilas Stravinsky piano Concerto no. 3 in C minor for Piano and Orchestra, op. 37: I. Allegro con brio, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: II. Largo, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: III. Rondo. Allegro
Nora Chastain violin Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: II. Adagio molto espressivo, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: III. Scherzo; Allegro molto, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: IV. Rondo: Allegro ma non troppo
Norbert Groh piano "Abschiedsgesang an Wiens Bürger", WoO 121, "Opferlied", WoO 126, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122
Pinchas Zukerman conductor, viola, violin Romance for Violin and Orchestra No. 2 in F major, Op. 50, String Trios, Violin Romance No. 2 in F major, Op. 50
Glenn Gould (pianist) piano Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo: Molto allegro, Sonata No. 14, Op. 27 No. 2 "Moonlight" (feat. piano: Glenn Gould), Sonata No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegro vivace
Erben Quartet strings Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Gidon Kremer violin Frühlings-Sonate, op. 24: II. Adagio molto espressivo, Violin Concerto - Rondo: Allegro (excerpt), Violin Concerto in D major, Op. 61: II. Larghetto
Peter Schmidl clarinet Trio for Piano, Clarinet, and Cello No. 4 in B-flat major, Op. 11: II. Adagio, Trio in B-flat major for Piano, Clarinet and Cello, Op. 11: I. Allegro con brio, Trio in B-flat major for Piano, Clarinet and Cello, Op. 11: III. Allegretto
Peter Popa violin Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Felix Weingartner conductor Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca
Gerhard Meyer (horn player) horn Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Ferenc Tarjáni horn Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato, Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante, Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato
George Pieterson clarinet Clarinet Trio in B-flat, op. 11: I. Allegro con brio, Clarinet Trio in B-flat, op. 11: II. Adagio, Clarinet Trio in B-flat, op. 11: III. Allegretto, (Thema "Pria ch'io l'impegno" con variazioni)
Georg Schreckenberger horn Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro
Peter Gaasterland bassoon Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo
Florian Prey vocal "Abschiedsgesang an Wiens Bürger", WoO 121, "Opferlied", WoO 126, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122
Orchestra sinfonica di Milano della RAI (—1994; merged into RAI National SO) performing orchestra Piano Concerto no. 6 in D major, Op. 61a: I. Allegro ma non troppo, Piano Concerto no. 6 in D major, Op. 61a: II. Larghetto, Piano Concerto no. 6 in D major, Op. 61a: III. Rondo. Allegro
Orchestra sinfonica di Roma della RAI performing orchestra Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: I. Allegro, Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: II. Adagio un poco mosso [Attacca:], Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: III. Rondo. Allegro
Franco Caracciolo conductor Piano Concerto no. 6 in D major, Op. 61a: I. Allegro ma non troppo, Piano Concerto no. 6 in D major, Op. 61a: II. Larghetto, Piano Concerto no. 6 in D major, Op. 61a: III. Rondo. Allegro
Orchestre Révolutionnaire et Romantique performing orchestra Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Adagio, Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Finale, Leonore - Chor Der Gefangenen
Orchestre du Festival de Lucerne (dissolved 1993) performing orchestra Concerto pour violon en ré majeur op. 61 : I. Allegro ma non troppo, Concerto pour violon en ré majeur op. 61 : II. Larghetto, Concerto pour violon en ré majeur op. 61 : Rondo : allegro
Otto Gerdes producer Die Weihe des Hauses, op. 124: Maestoso e sostenuto - Allegro con brio, König Stephan, op. 117: Andante con moto - Allegro, ma non troppo, Zur Namensfeier, op. 115: Maestoso - Allegro assai vivace
Orquesta Sinfónica Simón Bolívar performing orchestra Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca
Karl-Heinz Stryczek vocal Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto
Christa Jehser vocal Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103
Lorna Haywood vocal Elegiac Song for Choir and Orchestra, Op. 118, Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b
Christiane Jaccottet (harpsichord) performer For Elise, Moonlight Sonata: Quasi una fantasia
Christine Brewer vocal Ah! perfido! concert aria for soprano and orchestra, Op. 65, Fidelio - Mir Ist So Wundebar
Wendy Carlos performer "March From A Clockwork Orange" - Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro Assai (abridged), "Suicide Scherzo" - Symphony No. 9 in D minor, Op. 125: II. Molto vivace (abridged)
Kirsten Flagstad vocal Abscheulicher! Wo Eilst Du Hin? (From Fidelio), Ah! Perfido
Jennie Tourel vocal An die Hoffnung, Op. 94, Zärtliche Liebe "Ich liebe Dich", WoO 123
日本フィルハーモニー交響楽団 performing orchestra ゴルイ / ベートーヴェン「エグモント序曲」, 未来への戦い / ベートーヴェン「月光」
Houston Symphony performing orchestra The Ruins of Athens: Turkish March, Turkish March
Большой симфонический оркестр имени П. И. Чайковского performing orchestra Septet, III. Menuetto, Symphony No. 6, 'Pastoral,' Andante
Michael Chertock piano Immortal Beloved: Für Elise, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
Walter Klier (bass player) double bass "Bester Magistrat, lhr friert!", WoO 177, "Gott ist eine feste Burg", WoO 188
Lajos Mayer mandolin Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: I. Andante, Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: II. Variazioni 1–6
Berliner Barock Solisten vocal Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105
Waldo de los Ríos conductor Novena Sinfonia en Re Menor, Sinfonía No. 1 en Do mayor, Op. 21
Convivium musicum München performing orchestra Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "O welch ein Leben!". Allegretto, Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "Soll ein Schuh nicht drücken". Andante con moto
Kovács Béla clarinet Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: I. Allegro sostenuto, Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: II. Aria con variazioni
Daniel Harding conductor Leonore Overture No. 3, Op. 72a, The Ruins of Athens Overture, Op. 113
Lars Hannibal guitar Sonatina in C major, WoO 44, Sonatina in C minor, WoO 43a
Daniel Johannsen vocal Hess 91 - Opferlied (piano arrangement from Op. 121b), Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105
Alexander Dedyukhin piano Cello Sonata No. 4 in C major, Op. 102 No. 1: I. Andante - Allegro vivace, Cello Sonata No. 4 in C major, Op. 102 No. 1: II. Adagio
Laura Ward piano Andenken (I Think of Thee), Ich liebe Dich (I Love You)
John McCarthy (British choral conductor, scholar, composer and arranger) chorus master Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Symphony No. 9 in D minor, Op. 125 "Choral": V. Presto "O Freunde, nicht diese Töne!" - Allegro assai, "Ode to Joy"
Michala Petri recorder