| Berliner Philharmoniker |
performing orchestra |
"Turkish March" from The Ruins of Athens, op. 113, Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto, Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Concerto pour Violon en ré majeur Op. 61: 3°mvt - Rondo. Allegro, Die Weihe des Hauses, op. 124: Maestoso e sostenuto - Allegro con brio, Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet, Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin), Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro), Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag", Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo - Kadenz, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto - attacca:, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro - Kadenz, König Stephan, op. 117: Andante con moto - Allegro, ma non troppo, Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch, Ouvertüre aus Fidelio, Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio, Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Symphonie No. 9 d-Moll, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphonie No. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie No. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie No. 9 d-Moll, Op. 125: IV. Presto - Allegro assai, Symphony No. 3 - first movement, Allegro con brio (beginning), Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso (rehearsal), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile (rehearsal), Symphony no. 9 in D minor, op. 125: IV. Presto (rehearsal), Symphony no.4 in B flat, op. 60: I Adagio - Allegro vivace, Symphony no.4 in B flat, op. 60: II Adagio, Symphony no.4 in B flat, op. 60: III menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony no.4 in B flat, op. 60: IV Allegro ma non troppo, The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!", The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl), The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen", The Ruins of Athens, Op. 113: IV. Turkish March. Vivace, The Ruins of Athens, Op. 113: Overture. Andante con moto - Allegro ma non troppo, The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!", The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!", The Ruins of Athens, Op. 113: VIb. Recitation. Poco Adagio "Mit reger Freude, die nie erkaltet", Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca, Yorck’scher Marsch, Zur Namensfeier, op. 115: Maestoso - Allegro assai vivace |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Die Geschöpfe des Prometheus - Ballet Op. 43: 16. Finale, Die Geschöpfe des Prometheus - Ballet Op. 43: 5. Adagio, Egmont - Incidental Music Op. 84: 1. Die Trommel gerühret, Egmont - Incidental Music Op. 84: 4. Freudvoll und leidvoll, Egmont - Incidental Music Op. 84: 7. Klärchens Tod bezeichnend, Egmont-Ouvertüre, op. 84, Fidelio, Act I, No. 10: "Ach! Vater, eilt!", Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht", Fidelio, Act I, No. 10: "Nun sprecht, wie ging's", Fidelio, Act I, No. 10: "Verwegener Alter", Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen", Fidelio, Act I, No. 1: Duett. "Jetzt, Schätzchen, jetzt sind wir allein", Fidelio, Act I, No. 1: Rezitativ. "Der arme Jaquino dauert mich beinahe", Fidelio, Act I, No. 2: Arie. "O wär ich schon mit dir vereint", Fidelio, Act I, No. 2: Rezitativ. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?", Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar", Fidelio, Act I, No. 3: Rezitativ. "Höre, Fidelio, weißt du, was ich tue?", Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben, Fidelio, Act I, No. 4: Rezitativ. "Ihr könnt das leicht sagen, Meister Rocco", Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben", Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut", Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut", Fidelio, Act I, No. 6: Marsch, Fidelio, Act I, No. 6: Rezitativ. "Wo sind die Depeschen?", Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick!, Fidelio, Act I, No. 7: Rezitativ. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm", Fidelio, Act I, No. 8: Duett. "Jetzt, Alter, jetzt hat es Eile!", Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern", Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?", Fidelio, Act I, No. 9: Rezitativ: "Rocco, ihr verspracht mir so oft", Fidelio, Act I, No. No. 10: Finale. "O welche Lust!", Fidelio, Act I: Ouvertüre, Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen", Fidelio, Act II, No. 11: "Und spür ich nicht linde", Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!", Fidelio, Act II, No. 11: Introduktion, Fidelio, Act II, No. 12: Duett. "Nur hurtig fort, nur frisch gegraben", Fidelio, Act II, No. 12: Melodram. "Wie kalt ist es", Fidelio, Act II, No. 12: Rezitativ. "Er erwacht!", Fidelio, Act II, No. 13: Rezitativ. "Alles ist bereit", Fidelio, Act II, No. 13: Terzett. "Euch werde Lohn in besser'n Welten", Fidelio, Act II, No. 14: "Es schlägt der Rache Stunde!", Fidelio, Act II, No. 14: Quartett. "Er sterbe!", Fidelio, Act II, No. 14: Rezitativ. "Vater Rocco!", Fidelio, Act II, No. 15: Duett. "O namenlose Freude!", Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille", Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab", Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!", Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen", Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!", Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag", Fidelio, Op. 72: Act I. " Abscheulicher!" - "Komm, Hoffnung", Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung", In questa tomba oscura, WoO 133 (arr. Alexander Faris), Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Music to Goethe's Tragedy "Egmont" op.84: Overture, Ouvertüre "Leonore" No. 3 Op. 72a, Overture to Fidelio, Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro), Romance Cantabile, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": IV. Gewitter. Sturm. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No 4 in B flat, Op 60: I. Adagio — Allegro vivace, Symphony No 4 in B flat, Op 60: II. Adagio, Symphony No 4 in B flat, Op 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro), Symphony No 4 in B flat, Op 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook - Andante molto mosso, Symphony No.7 in A, Op.92: 1. Poco sostenuto - Vivace, Symphony No.7 in A, Op.92: 2. Allegretto, Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto, Symphony No.7 in A, Op.92: 4. Allegro con brio, Symphony no. 5 in C Minor, op. 67: I. Allegro con brio, Violin Concerto in D major, op. 61: I: Allegro ma non troppo, Violin Concerto in D major, op. 61: II: Larghetto, Violin Concerto in D major, op. 61: III: Rondo (Allegro) |
| Otto Klemperer |
conductor |
Die Geschöpfe des Prometheus - Ballet Op. 43: 16. Finale, Die Geschöpfe des Prometheus - Ballet Op. 43: 5. Adagio, Egmont - Incidental Music Op. 84: 1. Die Trommel gerühret, Egmont - Incidental Music Op. 84: 4. Freudvoll und leidvoll, Egmont - Incidental Music Op. 84: 7. Klärchens Tod bezeichnend, Fidelio, Act I, No. 10: "Ach! Vater, eilt!", Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht", Fidelio, Act I, No. 10: "Nun sprecht, wie ging's", Fidelio, Act I, No. 10: "Verwegener Alter", Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen", Fidelio, Act I, No. 1: Duett. "Jetzt, Schätzchen, jetzt sind wir allein", Fidelio, Act I, No. 1: Rezitativ. "Der arme Jaquino dauert mich beinahe", Fidelio, Act I, No. 2: Arie. "O wär ich schon mit dir vereint", Fidelio, Act I, No. 2: Rezitativ. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?", Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar", Fidelio, Act I, No. 3: Rezitativ. "Höre, Fidelio, weißt du, was ich tue?", Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben, Fidelio, Act I, No. 4: Rezitativ. "Ihr könnt das leicht sagen, Meister Rocco", Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben", Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut", Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut", Fidelio, Act I, No. 6: Marsch, Fidelio, Act I, No. 6: Rezitativ. "Wo sind die Depeschen?", Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick!, Fidelio, Act I, No. 7: Rezitativ. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm", Fidelio, Act I, No. 8: Duett. "Jetzt, Alter, jetzt hat es Eile!", Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern", Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?", Fidelio, Act I, No. 9: Rezitativ: "Rocco, ihr verspracht mir so oft", Fidelio, Act I, No. No. 10: Finale. "O welche Lust!", Fidelio, Act I: Aber Marzelline-, Fidelio, Act I: Abscheulicher! Wo eilst du hin, Fidelio, Act I: Ach! Vater, eilt!, Fidelio, Act I: Drei Schildwachen auf den Wall, Fidelio, Act I: Finale: O welche Lust!, Fidelio, Act I: Gut, Sohnchen, gut, hab'immer Mut, Fidelio, Act I: Guten Tag, Marzelline, Fidelio, Act I: Ha! Welch ein Augenblick!, Fidelio, Act I: Hat man nicht auch Gold, Fidelio, Act I: Hauptmann, besteigen Sie so gleich, Fidelio, Act I: Hore, Fidelio, wenn ich auch nicht weiss, Fidelio, Act I: Ihr konnt das leicht sagen, Meister Rocco, Fidelio, Act I: JJetzt, Alter, jetzt hat es Eile!, Fidelio, Act I: Jetzt, Schatzchen, sind wir allen, Fidelio, Act I: March, Fidelio, Act I: Mir ist so wunderbar.., Fidelio, Act I: Nun sprecht, wie ging's, Fidelio, Act I: O war' ich schon mit dir vereint, Fidelio, Act I: Ouvertüre, Fidelio, Act I: Wenn ich diese Tur heute nicht schon, Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen", Fidelio, Act II, No. 11: "Und spür ich nicht linde", Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!", Fidelio, Act II, No. 11: Introduktion, Fidelio, Act II, No. 12: Duett. "Nur hurtig fort, nur frisch gegraben", Fidelio, Act II, No. 12: Melodram. "Wie kalt ist es", Fidelio, Act II, No. 12: Rezitativ. "Er erwacht!", Fidelio, Act II, No. 13: Rezitativ. "Alles ist bereit", Fidelio, Act II, No. 13: Terzett. "Euch werde Lohn in besser'n Welten", Fidelio, Act II, No. 14: "Es schlägt der Rache Stunde!", Fidelio, Act II, No. 14: Quartett. "Er sterbe!", Fidelio, Act II, No. 14: Rezitativ. "Vater Rocco!", Fidelio, Act II, No. 15: Duett. "O namenlose Freude!", Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille", Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab", Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!", Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen", Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!", Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag", Fidelio, Act II: Alles ist bereit, Fidelio, Act II: Du schlossest auf des Edlen Grab, Fidelio, Act II: Er erwacht!, Fidelio, Act II: Er sterbe! Doch er soll erst wissen.., Fidelio, Act II: Es schlagt der Rache Stunde!, Fidelio, Act II: Euch werde Lohn in besser'n Welten, Fidelio, Act II: Finale: Heil sei dem Tag, heil sei der Stunde, Fidelio, Act II: Gott! Welch Dunkel hier!, Fidelio, Act II: Nur hurtig fort.., Fidelio, Act II: O namenlose Freude!, Fidelio, Act II: Vater Rocco! Vater Rocco!, Fidelio, Act II: Wie kalt ist es in diesem unterirdischen Gewolbe!, Fidelio: Ouverture, Fidelio: Overture Leonore No.3 |
| Leonard Bernstein |
conductor |
Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Armer Jaquino, ich war ihm sonst recht gut" (Marzelline), Fidelio, Op. 72: Act I, Scene I. "Höre, Fidelio!" (Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) / No. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco) / No. 10d. Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) / No. 10e. / No. 10f., Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore), Fidelio, Op. 72: Act I, Scene II. "Drei Mann Schildwachen auf den Wall" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Marzelline!" - "Nein, ich will nicht ..." (Jaquino, Marzelline, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 11. Introduction "Gott! Welch Dunkel hier!" - Aria "In des Lebens Frühlingstagen", Fidelio, Op. 72: Act II, Scene I, No. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" - Duet "Nur hurtig fort, nur frisch gegraben", Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessem Welten", Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe! Doch er soll erst wissen" - "Vater Rocco! Der Herr Minister ist angekommen" - "Es schlägt der Rache Stunder", Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!", Fidelio, Op. 72: Act II, Scene I. "Alles ist bereit", Fidelio, Op. 72: Act II, Scene I. "Er erwacht", Fidelio, Op. 72: Act II, Scene II, No. 16. Finale "Heil sei dem Tag" - "Bestrafet sei der Bösewicht" - "O Gott! Welch ein Augenblick!" - "Wer ein holdes Weib errungen", Fidelio, Op. 72: Act II. Overture "Leonore III", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem, Overture, op. 117 "King Stephen": Andante con moto - Presto, Overture, op. 72b "Fidelio": Allegro, Overture, op. 84 "Egmont": Sostenuto, ma non troppo - Allegro, Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro, Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)... |
| Berliner Solisten |
performer, clarinet, double bass, piano, violin |
2-part Canon in E flat major "Te solo adoro", WoO 186, 20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy", 25 Irish Songs WoO 152, No. 10 "The deserter", Canon for 2 "Ewig dein", WoO 161, Canon for 2 "Glück zum neuen Jahr", WoO 165, Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104, Canon for 2 "Te solo adoro", WoO 186, Canon for 2 Instruments in G major, Hess 274, Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191, Canon for 2 voices "Wir irren allesamt", WoO 198, Canon for 2, Anglaise in D major for piano, Hess 61, Canon for 3 "Ars longa, vita brevis", WoO 192, Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183, Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185, Canon for 3 "Falstafferel", WoO 184, Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164, Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1, Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173, Canon for 3 "Ich Küsse Sie", WoO 169, Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163, Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162, Canon for 3 "Wir irren allesamt", WoO 198, Canon for 4 "Brauchle, Linke", WoO 167, Canon for 4 "Es muss sein", WoO 196, Canon for 4 "Freu dich des Lebens", WoO 195, Canon for 4 "Gehabt euch wohl", WoO 181 No. 2, Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172, Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159, Canon for 4 "O Tobias!", WoO 182, Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179, Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102, Canon for 5 "Glaube und hoffe", WoO 174, Canon for 6 "Bester Magistrat, Ihr friert", WoO 177, Canon in 2 parts in B flat major "Gott ist eine feste Burg", WoO 188, Canon in 2 parts in C major "Freu dich des Lebens", WoO 195, Canon in 2 parts in C major "Hoffmann, sei ja kein Hofmann", WoO 180, Canon in 2 parts in C major "Ich küsse Sie", WoO 169, Canon in 2 parts in C major "Ich war hier, Doktor", WoO 190, Canon in 3 parts "Herr Graf, ich komme zu fragen", Hess 276, Canon in 3 parts in B flat major "Kühl, nicht lau", WoO 191, Canon in 3 parts in B flat major "Signor Abate ...", WoO 178, Canon in 3 parts in C major "Brauchle, Linke", WoO 167, Canon in 3 parts in C major "Ewig dein", WoO 161, Canon in 3 parts in C major "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164, Canon in 3 parts in D minor "O Tobias", WoO 182, Canon in 3 parts in E flat major "Ich bitt' dich, schreib' mir die Es-Scala auf ", WoO 172, Canon in 3 parts in F major "Das Schweigen: Lerne schweigen, o Freund", WoO 168/1, Canon in 3 parts in F major "Im Arm der Liebe ruht sich's wohl", WoO 159, Canon in 3 parts in F minor "Kurz ist der Schmerz", WoO 163, Canon in 4 parts in C major "Seiner Kaiserlichen Hoheit", WoO 179, Canon in 4 parts in F major "Bester Herr Graf, Sie sind ein Schaf", WoO 183, Canon in 4 parts in F major "Es muß sein ...", WoO 196, Canon in 4 parts in F major "Schwenke dich ohne Schwänke", WoO 187, Canon in 5 parts in C major "Das ist das Werk ...", WoO 197, Canon in 5 parts in G major "Falstafferel, lass dich sehen!", WoO 184, Canon in 6 parts in E major "Edel sei der Mensch, hülfreich und gut", WoO 185, Canon in E major for 2 male voices and 2 double-basses "Bester Magistrat, Ihr friert", WoO 177, Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180, Duet for 2 Violins in A major, WoO 34, Gesang der Mönche "Rasch tritt der Tod den Menschen an, ..." for 2 tenors and bass, WoO 104, Instrumental Canon for 2 in A flat major, Hess 275, Instrumental Canon for 3, WoO 160 No. 1, Instrumental Canon for 4, WoO 160 No. 2, Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 8. "Farewell mirth and hilarity", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 10. "The deserter", Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197, Musical Joke "Herr Graf, ich komme zu fragen", Hess 276, Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101, Musical joke for three voices "Lob auf den Dicken", WoO 100, Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277, Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1, Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187, Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188, Riddle Canon for 2 "Languisco e moro", Hess 229, Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175, Riddle Canon for 2 "Signor abate", WoO 178, Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2, Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3, Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190 |
| Herbert von Karajan |
conductor |
Concerto pour Violon en ré majeur Op. 61: 3°mvt - Rondo. Allegro, Concerto pour piano No. 1 en ut majeur, Op. 15: II. Largo (ouverture), Concerto pour violon en ré majeur op. 61 : I. Allegro ma non troppo, Concerto pour violon en ré majeur op. 61 : II. Larghetto, Concerto pour violon en ré majeur op. 61 : Rondo : allegro, Die Weihe des Hauses, op. 124: Maestoso e sostenuto - Allegro con brio, Fidelio, Op. 72: Act II, Scene I, No. 16. "Du schlossest auf des Edlen Grab (Don Fernando, Leonore, Florestan, Marzelline, Rocco, Chor, Jaquino), Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro), Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco), Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline), Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung", Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo - Kadenz, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto - attacca:, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro - Kadenz, König Stephan, op. 117: Andante con moto - Allegro, ma non troppo, Leonore III, Missa Solemnis in D major, Op. 123, Gloria: Gloria in excelsis, Missa Solemnis in D major, Op. 123, Gloria: Qui tollis, Missa Solemnis in D major, Op. 123, Gloria: Quoniam tu solus sanctus, Missa Solemnis in D major, Op. 123: IIIa. Credo: Credo in unum Deum, Missa Solemnis in D major, Op. 123: IIIb. Credo: Et incarnatus est, Missa Solemnis in D major, Op. 123: IIIc. Credo: Et resurrexit, Missa Solemnis in D major, Op. 123: IVa. Sanctus, Missa Solemnis in D major, Op. 123: IVb. Benedictus, Missa Solemnis in D major, Op. 123: Kyrie, Missa Solemnis in D major, Op. 123: Va. Agnus Dei: Agnus Dei, Missa Solemnis in D major, Op. 123: Vb. Agnus Dei: Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Agnus Dei: Va. Agnus Dei, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Agnus Dei: Vb. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Credo: IIIa. Credo in unam Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Credo: IIIb. Et in carnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Credo: IIIc. Et resurrexit, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Gloria: IIa. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Gloria: IIb. Qui tollis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Gloria: IIc. Quoniam tu solus sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: I. Kyrie, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Sanctus: IVa. Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Sanctus: IVb. Benedictus, Ouvertüre aus Fidelio, Sinfonia No. 7: I., Sinfonia No. 7: II., Sinfonia No. 7: III., Sinfonia No. 7: IV., Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio, Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Symphonie No. 9 d-Moll, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphonie No. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie No. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie No. 9 d-Moll, Op. 125: IV. Presto - Allegro assai, Symphonie n°9, Symphony No. 3 in E Minor: Allegro Con Brio, Symphony No. 3 in E Minor: Allegro Molto, Symphony No. 3 in E Minor: Marcia Funebre, Symphony No. 3 in E Minor: Scherzo, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso (rehearsal), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile (rehearsal), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile -, Symphony no. 9 in D minor, op. 125: IV. Presto (rehearsal), Symphony no.4 in B flat, op. 60: I Adagio - Allegro vivace, Symphony no.4 in B flat, op. 60: II Adagio, Symphony no.4 in B flat, op. 60: III menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony no.4 in B flat, op. 60: IV Allegro ma non troppo, Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca, Zur Namensfeier, op. 115: Maestoso - Allegro assai vivace |
| Wiener Philharmoniker |
performing orchestra |
Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca, Coriolan, Ouvertüre op. 62, Des Frühlings Kommen Scena XII, Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Armer Jaquino, ich war ihm sonst recht gut" (Marzelline), Fidelio, Op. 72: Act I, Scene I. "Höre, Fidelio!" (Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) / No. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco) / No. 10d. Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) / No. 10e. / No. 10f., Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore), Fidelio, Op. 72: Act I, Scene II. "Drei Mann Schildwachen auf den Wall" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Marzelline!" - "Nein, ich will nicht ..." (Jaquino, Marzelline, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 11. Introduction "Gott! Welch Dunkel hier!" - Aria "In des Lebens Frühlingstagen", Fidelio, Op. 72: Act II, Scene I, No. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" - Duet "Nur hurtig fort, nur frisch gegraben", Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessem Welten", Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe! Doch er soll erst wissen" - "Vater Rocco! Der Herr Minister ist angekommen" - "Es schlägt der Rache Stunder", Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!", Fidelio, Op. 72: Act II, Scene I. "Alles ist bereit", Fidelio, Op. 72: Act II, Scene I. "Er erwacht", Fidelio, Op. 72: Act II, Scene II, No. 16. Finale "Heil sei dem Tag" - "Bestrafet sei der Bösewicht" - "O Gott! Welch ein Augenblick!" - "Wer ein holdes Weib errungen", Fidelio, Op. 72: Act II. Overture "Leonore III", Leonore N.3, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live), N.1 Duetto, N.10 Finale Scene IX, N.10 Finale Scene X, N.10 Finale Scene XI - XII, N.11 Introduzione E Aria, N.12 Melodramma E Duetto, N.13 Terzetto, N.14 Quartetto, N.15 Duetto, N.16 Finale Scene VI, N.16 Finale Scene VII, N.16 Finale Scene VII O Gott, N.16 Finale Scene VII Wer Ein Holdes Weib Errungen, N.2 Aria, N.3 Quartetto, N.4 Aria, N.5 Terzetto, N.6 Marcia, N.7 Aria Con Coro, N.8 Duetto, N.9 Recitativo E Aria, Ouverture, Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro, Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)..., Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio, Symphonie No. 5 c-Moll, Op. 67: II. Andante con moto, Symphonie No. 5 c-Moll, Op. 67: III. Allegro, Symphonie No. 5 c-Moll, Op. 67: IV. Allegro, Symphony no. 6 in F, op. 68 "Pastoral": II. Szene am Bach: (Andante molto mosso), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile -, Willingtons Sieg, op. 91, ベートーヴェン：交響曲 第9番 『合唱』 第4楽章より |
| Suske-Quartett (string quartet) |
performer |
Große Fuge in B-Flat Major, Op. 133, Minuet in A-Flat Major, Hess 33, String Quartet No. 1 in F Major, Op. 18 No. 1: I. Allegro con brio, String Quartet No. 1 in F Major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato, String Quartet No. 1 in F Major, Op. 18 No. 1: III. Scherzo. Allegro molto – Trio, String Quartet No. 1 in F Major, Op. 18 No. 1: IV. Allegro, String Quartet No. 10 in E-Flat Major, Op. 74 ‘Harp’: I. Poco adagio – Allegro, String Quartet No. 10 in E-Flat Major, Op. 74 ‘Harp’: II. Adagio ma non troppo, String Quartet No. 10 in E-Flat Major, Op. 74 ‘Harp’: III. Presto, String Quartet No. 10 in E-Flat Major, Op. 74 ‘Harp’: IV. Allegretto con variazioni, String Quartet No. 11 in F Minor, Op. 95 ‘Quartetto serioso’: I. Allegro con brio, String Quartet No. 11 in F Minor, Op. 95 ‘Quartetto serioso’: II. Allegretto ma non troppo, String Quartet No. 11 in F Minor, Op. 95 ‘Quartetto serioso’: III. Allegro assai vivace, ma serioso, String Quartet No. 11 in F Minor, Op. 95 ‘Quartetto serioso’: IV. Larghetto espressivo – Allegretto agitato – Allegro, String Quartet No. 12 in E-Flat Major, Op. 127: I. Maestoso – Allegro, String Quartet No. 12 in E-Flat Major, Op. 127: II. Adagio ma non troppo e molto cantabile, String Quartet No. 12 in E-Flat Major, Op. 127: III. Scherzando vivace, String Quartet No. 12 in E-Flat Major, Op. 127: IV. Finale, String Quartet No. 13 in B-Flat Major, Op. 130: I. Adagio ma non troppo – Allegro, String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto, String Quartet No. 13 in B-Flat Major, Op. 130: III. Andante con moto, ma non troppo, String Quartet No. 13 in B-Flat Major, Op. 130: IV. Alla danza tedesca: Allegro assai, String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina: Adagio molto espressivo, String Quartet No. 13 in B-Flat Major, Op. 130: VI. Finale: Allegro, String Quartet No. 14 in C-Sharp Minor, Op. 131: I. Adagio ma non troppo e molto espressivo, String Quartet No. 14 in C-Sharp Minor, Op. 131: II. Allegro molto vivace, String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro molto moderato – Adagio – Più vivace, String Quartet No. 14 in C-Sharp Minor, Op. 131: IV. Andante ma non troppo e molto cantabile, String Quartet No. 14 in C-Sharp Minor, Op. 131: V. Presto, String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio quasi un poco andante, String Quartet No. 14 in C-Sharp Minor, Op. 131: VII. Allegro, String Quartet No. 15 in A Minor, Op. 132: I. Assai sostenuto – Allegro, String Quartet No. 15 in A Minor, Op. 132: II. Allegro ma non troppo, String Quartet No. 15 in A Minor, Op. 132: III. Molto adagio: Heiliger Dankgesang eines Genesenen an die Gottheit in der lydischen Tonart, String Quartet No. 15 in A Minor, Op. 132: IV. Alla marcia, assai vivace, String Quartet No. 15 in A Minor, Op. 132: V. Finale: Allegro appassionato, String Quartet No. 16 in F Major, Op. 135: I. Allegretto, String Quartet No. 16 in F Major, Op. 135: II. Vivace, String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo, String Quartet No. 16 in F Major, Op. 135: IV. Grave ma non troppo tratto – Allegro, String Quartet No. 2 in G Major, Op. 18 No. 2: I. Allegro, String Quartet No. 2 in G Major, Op. 18 No. 2: II. Adagio cantabile – Allegro – Tempo I, String Quartet No. 2 in G Major, Op. 18 No. 2: III. Scherzo. Allegro – Trio, String Quartet No. 2 in G Major, Op. 18 No. 2: IV. Allegro molto, quasi presto, String Quartet No. 3 in D Major, Op. 18 No. 3: I. Allegro, String Quartet No. 3 in D Major, Op. 18 No. 3: II. Andante con moto, String Quartet No. 3 in D Major, Op. 18 No. 3: III. Allegro, String Quartet No. 3 in D Major, Op. 18 No. 3: IV. Presto, String Quartet No. 4 in C Minor, Op. 18 No. 4: I. Allegro ma non tanto, String Quartet No. 4 in C Minor, Op. 18 No. 4: II. Scherzo. Andante scherzo, quasi allegretto, String Quartet No. 4 in C Minor, Op. 18 No. 4: III. Menuetto. Allegretto – Trio, String Quartet No. 4 in C Minor, Op. 18 No. 4: IV. Allegro, String Quartet No. 5 in A Major, Op. 18 No. 5: I. Allegro, String Quartet No. 5 in A Major, Op. 18 No. 5: II. Menuetto – Trio, String Quartet No. 5 in A Major, Op. 18 No. 5: III. Andante cantabile, String Quartet No. 5 in A Major, Op. 18 No. 5: IV. Allegro, String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: I. Allegro con brio, String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: II. Adagio ma non troppo, String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: III. Scherzo. Allegro – Trio, String Quartet No. 6 in B-Flat Major, Op. 18 No. 6: IV. Adagio (La Malinconia) – Allegretto, quasi allegro, String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: I. Allegro, String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: III. Adagio molto e mesto, String Quartet No. 7 in F Major, Op. 59 No. 1 ‘Rasumovsky’: IV. Allegro (Thème russe), String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: I. Allegro, String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: II. Molto adagio, String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: III. Allegretto, String Quartet No. 8 in E Minor, Op. 59 No. 2 ‘Rasumovsky’: IV. Finale. Presto, String Quartet No. 9 in C Major, Op. 59 No. 3 ‘Rasumovsky’: I. Introduzione: Andante con moto – Allegro vivace, String Quartet No. 9 in C Major, Op. 59 No. 3 ‘Rasumovsky’: II. Andante con moto, quasi allegretto, String Quartet No. 9 in C Major, Op. 59 No. 3 ‘Rasumovsky’: III. Menuetto: Grazioso – Trio, String Quartet No. 9 in C Major, Op. 59 No. 3 ‘Rasumovsky’: IV. Allegro molto |
| Hungarian Quartet |
strings |
Quartet 1, Op 18, No.1 In F Major: 1. Allegro Con Brio, Quartet 1, Op 18, No.1 In F Major: 2. Adagio Affettuose Appassionato, Quartet 1, Op 18, No.1 In F Major: 3. Scherzo (Allegro Molto), Quartet 1, Op 18, No.1 In F Major: 4. Allegro, Quartet 10, Op. 74, In E Flat Major: 1. Poco Adagio - Allegro, Quartet 10, Op. 74, In E Flat Major: 2. Adagio Ma Non Troppo, Quartet 10, Op. 74, In E Flat Major: 3. Presto, Quartet 10, Op. 74, In E Flat Major: 4. Allegretto Con Variazioni, Quartet 11, Op. 95, In F Minor: 1. Allegro Con Brio, Quartet 11, Op. 95, In F Minor: 2. Allegretto Ma Non Troppo, Quartet 11, Op. 95, In F Minor: 3. Allegro Assai Vivace, Ma Serioso, Quartet 11, Op. 95, In F Minor: 4. Larghetto Espressivo - Allegro Agitato - Allegro, Quartet 12, Op. 127, In E Flat Major: 1. Maestoso - Allegro, Quartet 12, Op. 127, In E Flat Major: 2. Adagio Ma Non Troppo E Molto Cantabile, Quartet 12, Op. 127, In E Flat Major: 3. Scherzando Vivace, Quartet 12, Op. 127, In E Flat Major: 4. Finale, Quartet 13, Op. 130, In B Flat Major: 1. Adagio Ma Non Troppo - Allegro, Quartet 13, Op. 130, In B Flat Major: 2. Presto, Quartet 13, Op. 130, In B Flat Major: 3. Andante Con Moto Ma Non Troppo, Quartet 13, Op. 130, In B Flat Major: 4. Alla Danza Tedesca (Allegro Assai), Quartet 13, Op. 130, In B Flat Major: 5. Cavatine (Adagio Molto Espressivo), Quartet 13, Op. 130, In B Flat Major: 6. Finale (Allegro), Quartet 17, Op. 133, In B Flat Major: Grande Fugue, Quartet 2, Op 18, No.2 In G Major: 1. Allegro, Quartet 2, Op 18, No.2 In G Major: 2. Adagio Cantbile - Allegro, Quartet 2, Op 18, No.2 In G Major: 3. Scherzo (Allegro), Quartet 2, Op 18, No.2 In G Major: 4. Allegro Molto Quasi Presto, Quartet 3, Op 18, No.3 In D Major: 1. Allegro, Quartet 3, Op 18, No.3 In D Major: 2. Andante Con Moto, Quartet 3, Op 18, No.3 In D Major: 3. Allegro, Quartet 3, Op 18, No.3 In D Major: 4. Presto, Quartet 4, Op 18, No.4 In C Minor: 1. Allegro Ma Non Tanto, Quartet 4, Op 18, No.4 In C Minor: 2. Andante Scherzo Quasi Allegretto, Quartet 4, Op 18, No.4 In C Minor: 3. Minuetto (Allegretto), Quartet 4, Op 18, No.4 In C Minor: 4. Allegro, Quartet 5, Op 18, No.5 In A Major: 1. Allegro, Quartet 5, Op 18, No.5 In A Major: 2. Minuetto, Quartet 5, Op 18, No.5 In A Major: 3. Andante Cantabile, Quartet 5, Op 18, No.5 In A Major: 4. Allegro, Quartet 6, Op 18, No.6 In B Flat Major: 1. Allegro Con Brio, Quartet 6, Op 18, No.6 In B Flat Major: 2. Adagio Ma Non Troppo, Quartet 6, Op 18, No.6 In B Flat Major: 3. Scherzo (Allegro), Quartet 6, Op 18, No.6 In B Flat Major: 4. Adagio (La Melancolica) - Allegretto, Quartet 7, Op. 59, No.1 In F Major: 1. Allegro, Quartet 7, Op. 59, No.1 In F Major: 2. Allegretto Vivace E Sempre Scherzando, Quartet 7, Op. 59, No.1 In F Major: 3. Adagio Molto E Mesto, Quartet 7, Op. 59, No.1 In F Major: 4. Allegro (Theme Russe), Quartet 8, Op. 59, No.2 In E Minor: 1. Allegro, Quartet 8, Op. 59, No.2 In E Minor: 2. Molto Adagio, Quartet 8, Op. 59, No.2 In E Minor: 3. Allegretto, Quartet 8, Op. 59, No.2 In E Minor: 4. Finale (Presto), Quartet 9, Op. 59, No.3 In C Major: 1. Andante Con Moto - Allegro Vivace, Quartet 9, Op. 59, No.3 In C Major: 2. Andante Con Moto Quasi Allegretto, Quartet 9, Op. 59, No.3 In C Major: 3. Minuetto, Quartet 9, Op. 59, No.3 In C Major: 4. Allegro Molto, String Quartet No. 14 in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo, String Quartet No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace, String Quartet No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, String Quartet No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile, String Quartet No. 14 in C-sharp minor, Op. 131: V. Presto, String Quartet No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, String Quartet No. 14 in C-sharp minor, Op. 131: VII. Allegro, String Quartet No. 15 in A minor, Op. 132: I. Assai sostenuto - Allegro, String Quartet No. 15 in A minor, Op. 132: II. Allegro ma non tanto, String Quartet No. 15 in A minor, Op. 132: III. Molto adagio. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart, String Quartet No. 15 in A minor, Op. 132: IV. Alla marcia, assai vivace, String Quartet No. 15 in A minor, Op. 132: V. Allegro appassionato, String Quartet No. 16 in F major, Op. 135: I. Allegretto, String Quartet No. 16 in F major, Op. 135: II. Vivace, String Quartet No. 16 in F major, Op. 135: III. Lento assai, cantate e tranquillo, String Quartet No. 16 in F major, Op. 135: IV. Grave, ma non troppo tratto - Allegro |
| Kammerchor der Berliner Singakademie |
vocal |
"Ars longa, vita brevis", WoO 192, "Bester Herr Graf, Sie sind ein Schaf!", WoO 183, "Bester Magistrat, lhr friert!", WoO 177, "Esel aller Esel", Hess 277, "Freu dich des Lebens!", WoO 195, "Glaube und hoffe!", WoO 174, "Glück zum neuen Jahr!", WoO 165, "Gott ist eine feste Burg", WoO 188, "Hol' euch der Teufel! B'hüt' euch Gott!", WoO 173, "Lob auf den Dicken", WoO 100, "Sankt Petrus war ein Fels!", WoO 175, "Wir irren allesamt", WoO 198, Canon "Glaube und hoffe", for 4 voices, WoO 174, Canon for 2 "Ewig dein", WoO 161, Canon for 2 "Glück zum neuen Jahr", WoO 165, Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104, Canon for 2 "Te solo adoro", WoO 186, Canon for 2 Instruments in G major, Hess 274, Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191, Canon for 2, Anglaise in D major for piano, Hess 61, Canon for 3 "Ars longa, vita brevis", WoO 192, Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183, Canon for 3 "Edel sei der mensch, hülfreich und gut", WoO 185, Canon for 3 "Falstafferel", WoO 184, Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164, Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1, Canon for 3 "Hol'euch der Teufel! B'hüt euch Gott!", WoO 173, Canon for 3 "Ich Küsse Sie", WoO 169, Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163, Canon for 3 "Ta ta ta, lieber Mälzel", WoO 162, Canon for 3 "Wir irren allesamt", WoO 198, Canon for 4 "Brauchle, Linke", WoO 167, Canon for 4 "Es muss sein", WoO 196, Canon for 4 "Freu dich des Lebens", WoO 195, Canon for 4 "Gehabt euch wohl", WoO 181 No. 2, Canon for 4 "Ich bitt'dich, schreib'mir die Es-Scala auf", WoO 172, Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159, Canon for 4 "O Tobias!", WoO 182, Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179, Canon for 5 "Abschiedsgesang «Die Stunde schlägt»", WoO 102, Canon for 5 "Glaube und hoffe", WoO 174, Canon for 6 "Bester Magistrat, Ihr friert", WoO 177, Canon in 2 parts in B flat major "Hol' euch der Teufel! B'hüt euch Gott", WoO 173, Canon in 2 parts in F major "Ars longa, vita brevis", WoO 192, Canon in 2 parts with 1 ostinato part "Esel aller Esel", Hess 277, Canon in 4 parts in E flat major "Glück zum neuen Jahr", WoO 165, Canon in 4 parts in F major "Bester Herr Graf, Sie sind ein Schaf", WoO 183, Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180, Canons (2) in 2 parts "Sankt Petrus war ein Fels!", WoO 175, Duet for 2 Violins in A major, WoO 34, Instrumental Canon for 2 in A flat major, Hess 275, Instrumental Canon for 3, WoO 160 No. 1, Instrumental Canon for 4, WoO 160 No. 2, Introduction and Canon for 4 "Glück fehl'dir vor allem", WoO 171, Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197, Musical Joke "Herr Graf, ich komme zu fragen", Hess 276, Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101, Musical joke for three voices "Lob auf den Dicken", WoO 100, Musical joke for three voices & chorus "Lob auf den Dicken"; WoO 100: "Schuppanzigh ist ein Lump", Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277, Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1, Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187, Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188, Riddle Canon for 2 "Languisco e moro", Hess 229, Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175, Riddle Canon for 2 "Signor abate", WoO 178, Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2, Riddle Canon for 4 "Tugend ist keinleerer name", WoO 181 No. 3, Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190, Three canons, WoO 181 No. 3 - canon for 3 voices "Tugend ist kein leerer Name" |
| Rainer Maria Klaas |
piano |
12 Deutsche Tänze WoO 13 No. 1 in D major, 12 Deutsche Tänze WoO 13 No. 10 in C major, 12 Deutsche Tänze WoO 13 No. 11 in A major, 12 Deutsche Tänze WoO 13 No. 12 in D major, 12 Deutsche Tänze WoO 13 No. 2 in B-flat major, 12 Deutsche Tänze WoO 13 No. 3 in G major, 12 Deutsche Tänze WoO 13 No. 4 in D major, 12 Deutsche Tänze WoO 13 No. 5 in F major, 12 Deutsche Tänze WoO 13 No. 6 in B-flat major, 12 Deutsche Tänze WoO 13 No. 7 in D major, 12 Deutsche Tänze WoO 13 No. 8 in G major, 12 Deutsche Tänze WoO 13 No. 9 in E-flat major, 20 Irish Songs WoO 153, No. 11, "When Far From the Home", 20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints", 20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last", 20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty", 20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love", 20 Irish Songs WoO 153, No. 18, "No More, My Mary", 20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature", 20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store", 20 Irish Songs WoO 153, No. 3, "The British Light Dragoons", 20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season", 20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left", 25 Irish Songs WoO 152, No. 1, "The Return to Ulster", 25 Irish Songs WoO 152, No. 12, "English Bulls", 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", 25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home", 25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin", 25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee", 25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face", 25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide", 25 Irish Songs WoO 152, No. 9, "The Soldier's Dream", 6 Ecossaises in E-flat major WoO 83 No. 1, 6 Ecossaises in E-flat major WoO 83 No. 2, 6 Ecossaises in E-flat major WoO 83 No. 3, 6 Ecossaises in E-flat major WoO 83 No. 4, 6 Ecossaises in E-flat major WoO 83 No. 5, 6 Ecossaises in E-flat major WoO 83 No. 6, 7 Ländler in D major WoO 11 No. 1, 7 Ländler in D major WoO 11 No. 2, 7 Ländler in D major WoO 11 No. 3, 7 Ländler in D major WoO 11 No. 4, 7 Ländler in D major WoO 11 No. 5, 7 Ländler in D major WoO 11 No. 6, 7 Ländler in D major WoO 11 No. 7, Ecossaise in G major WoO 23, Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp", Seven British Folksongs, WoO 158/b, "Erin! O Erin!", Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk", Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)", Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab", Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion", Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears", Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal), Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine), Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian), Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol), Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol) |
| Eva Ander |
piano |
12 Variations for Violin and Piano on "Se vuol ballare" from Mozart's "Le nozze di Figaro", WoO 40, Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy", Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart", Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad", Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father", Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd", Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be", Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset", Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie", Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress", Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch", Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song", Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre", Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley", Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours", Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla", Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie", Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye", Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie", Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves", Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I |
| Hermann Scherchen |
conductor |
Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn", Symphony no. 1 in C major, op.21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op.21: II. Andante cantabile con moto, Symphony no. 1 in C major, op.21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op.21: IV. Adagio - Allegro molto e vivace, Symphony no. 2 in D major, op. 36: I. Adagio - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Schrezo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 2 in D, op. 36: 1. Adagio Molto - Allegro Con Brio, Symphony no. 2 in D, op. 36: 3. Scherzo (Allegro), Symphony no. 2 in D, op. 36: 4. Allegro Molto, Symphony no. 3 in E-flat major, op.55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op.55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op.55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op.55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in E-flat, op. 55 "Eroica": 2. Marcia Funebre (Adagio Assai), Symphony no. 3 in E-flat, op. 55 "Eroica": 3. Scherzo (Allegro Vivace), Symphony no. 4 in B Flat, op. 60: 1. Adagio - Allegro Vivace, Symphony no. 4 in B Flat, op. 60: 2. Adagio, Symphony no. 4 in B Flat, op. 60: 3. Allegro Vivace, Symphony no. 4 in B-flat major, op.60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op.60: II. Adagio, Symphony no. 4 in B-flat major, op.60: III. Allegro vivace, Symphony no. 4 in B-flat major, op.60: IV. Allegro ma non troppo, Symphony no. 5 in C minor "Fate", op. 67: I. Allegro con brio, Symphony no. 5 in C minor "Fate", op. 67: II. Andante con moto, Symphony no. 5 in C minor "Fate", op. 67: III. Allegro, Symphony no. 5 in C minor "Fate", op. 67: IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto moto, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": V. Allegretto, Symphony no. 6 in F, op. 68 "Pastoral": 2. Szene Am Bach (Andante Molto Mosso), Symphony no. 6 in F, op. 68 "Pastoral": 4. Gewitter, Sturm (Allegro), Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op.93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op.93: II. Allegretto scherzando, Symphony no. 8 in F major, op.93: III.Tempo di menuetto, Symphony no. 8 in F major, op.93: IV. Allegro vivace, Symphony no. 8 in F, op. 93: 2. Allegretto Scherzando, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, Un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto, Allegro assai, Wellington's Victory or the Battle Symphony, op. 91: 1. Battle |
| Anton Nanut (conductor) |
conductor |
As criaturas de Prometeu, op. 43: Abertura, As ruínas de Atenas, op. 113: Abertura, Egmont, Op. 84: Overture, Fidelio, Op. 72: Ouvertüre, Fidelio, op. 72, Klavierkonzert Nr. 1 C-DUR, op. 15: Allegro con brio, Klavierkonzert Nr. 1 C-DUR, op. 15: Largo, Klavierkonzert Nr. 1 C-DUR, op. 15: Rondo: Allegro, Konzert für Klavier und Orchester Nr. 1 C-Dur op. 15, 3. Satz: Rondo: Allegro, Leonore III op. 72a, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Overture 'King Stephan' Op. 117, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro, Sinfonie Nr. 5 c-moll op. 67, 1.Satz: Allegro con brio, Sinfonie Nr. 8 F-Dur op. 93, 2.Satz: Allegretto scherzando, Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto - Vivace (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: II. Allegretto (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: III. Presto - Assai meno presto (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brio (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie Nr. 5 Op. 67 C-Moll I: Allegro con brio, Symphonie Nr. 5 Op. 67 C-Moll II: Andante con moto, Symphonie Nr. 5 Op. 67 C-Moll III: Allegro, Symphonie Nr. 5 Op. 67 C-Moll V: Allegro, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: II. Funeral March. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: IV. Finale. Allegro molto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4: Adagio, Symphony No. 4: Adagio - Allegro vivace, Symphony No. 4: Allegro ma non troppo, Symphony No. 4: Allegro vivace, Symphony No. 5 in C minor Op. 67: I. Allegro, Symphony No. 5 in C minor Op. 67: I. Allegro con brio, Symphony No. 5 in C minor Op. 67: II. Andante con moto, Symphony No. 5 in C minor Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 7: Allegretto, Symphony No. 7: Allegro con brio, Symphony No. 7: Poco sostenuto - Vivace, Symphony No. 7: Presto, Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio, Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso, Symphony no. 7 in A major, op. 92: III. Presto assai, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Violin Romance No. 2 in F major, Op. 50 |
| Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) |
performing orchestra |
As criaturas de Prometeu, op. 43: Abertura, As ruínas de Atenas, op. 113: Abertura, Egmont, Op. 84: Overture, Fidelio Overture Op.72, Fidelio, Op. 72: Ouvertüre, Fidelio, op. 72, Introduction to Symphony No. 5, Klavierkonzert Nr. 1 C-DUR, op. 15: Allegro con brio, Klavierkonzert Nr. 1 C-DUR, op. 15: Largo, Klavierkonzert Nr. 1 C-DUR, op. 15: Rondo: Allegro, Konzert für Klavier und Orchester Nr. 1 C-Dur op. 15, 3. Satz: Rondo: Allegro, Leonore III op. 72a, Overture 'King Stephan' Op. 117, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro, Sinfonie Nr. 5 c-moll op. 67, 1.Satz: Allegro con brio, Sinfonie Nr. 8 F-Dur op. 93, 2.Satz: Allegretto scherzando, Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto - Vivace (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: II. Allegretto (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: III. Presto - Assai meno presto (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brio (Symphonieorchester des Slowenischen Rundfunks feat. conductor: Anton Nanut), Symphonie Nr. 5 Op. 67 C-Moll I: Allegro con brio, Symphonie Nr. 5 Op. 67 C-Moll II: Andante con moto, Symphonie Nr. 5 Op. 67 C-Moll III: Allegro, Symphonie Nr. 5 Op. 67 C-Moll V: Allegro, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: II. Funeral March. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 “Eroica”: IV. Finale. Allegro molto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4: Adagio, Symphony No. 4: Adagio - Allegro vivace, Symphony No. 4: Allegro ma non troppo, Symphony No. 4: Allegro vivace, Symphony No. 5 in C minor Op. 67: I. Allegro, Symphony No. 5 in C minor Op. 67: I. Allegro con brio, Symphony No. 5 in C minor Op. 67: II. Andante con moto, Symphony No. 5 in C minor Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 7: Allegretto, Symphony No. 7: Allegro con brio, Symphony No. 7: Poco sostenuto - Vivace, Symphony No. 7: Presto, Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio, Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso, Symphony no. 7 in A major, op. 92: III. Presto assai, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Triple Concerto: I. Allegro, Triple Concerto: II. Largo, Triple Concerto: III. Rondo alla Polka, Violin Romance No. 2 in F major, Op. 50 |
| London Symphony Orchestra |
conductor, performer, performing orchestra |
Adagio Sostenuto "Moonlight Sonata", Adaptation - The Pathetique, Egmont Overture - Incidental Music, op. 84, Epilogue (Beethoven Piano Concerto No. 5 "Emperor" - II), Fidelio - Mir Ist So Wundebar, Für Elise, Leonora: Overture No. 3 in C minor, Op. 72a, Leonore Overture No. 3, Op. 72b, Mass in C: I. Kyrie, Mass in C: II. Gloria, Mass in C: III. Credo, Mass in C: IV. Sanctus, Mass in C: V. Benedictus, Mass in C: VI. Agnus Dei, Menuet en sol majeur, Menuett In G, Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Ode to Joy 9th Symphony 4th Movement, Ode to joy, 9th symphony, Seid Umschlungen, Millionen, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Speaking Unto Nations (Beethoven Symphony No. 7 - II), Symphonie Nr. 5 - 1. Satz, Symphonie Nr. 5 - 2. Satz, Symphonie Nr. 5 - 3. Satz, Symphonie Nr. 5 - 4. Satz, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 5 in C Minor, Op. 67: IV. Allegro, Symphony No. 5 in C minor, Op. 67 "Fate": I. Allegro con brio, Symphony No. 5 in C minor, Op. 67 "Fate": II. Andante con moto, Symphony No. 5 in C minor, Op. 67 "Fate": III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67 "Fate": IV. Allegro, Symphony No. 5 in C minor, Op. 67: Allegro / Allegro - Allegro - Presto, Symphony No. 5 in C minor, Op. 67: Allegro con brio, Symphony No. 5 in C minor, Op. 67: Andante con moto, Symphony No. 6 in F major, Op. 68 'Pastorale': V. Allegretto, Symphony No. 7 in A major, Op. 92, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV 4. Allegro con brio, Symphony No. 9, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Ode to Joy (excerpt), Symphony No. 9 in D minor, Op. 125 'Choral': II. Scherzo. Molto vivace, Symphony No. 9 in D minor, Op. 125: 4th Movement (excerpt), Symphony No.9 in D minor, Op.125 "Choral": 1. Allegro ma non troppo, un poco maestoso, Symphony No.9 in D minor, Op.125 "Choral": 2. Molto vivace, Symphony No.9 in D minor, Op.125 "Choral": 3. Adagio molto e cantabile, Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai, Symphony no. 5 in C minor, op. 67 "Fate", Symphony no. 6 in F major, op. 68 "Pastoral", Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro, Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai, Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio |
| Arthur Rubinstein (pianist) |
piano |
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco moto, Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro., Concerto for Piano and Orchestra No.1 in C major, Op. 15: I. Allegro con brio, Concerto for Piano and Orchestra No.1 in C major, Op. 15: II. Largo, Concerto for Piano and Orchestra No.1 in C major, Op. 15: III. Rondo. Allegro scherzando, Concerto for Piano and Orchestra No.2 in B-flat major, Op. 19: I. Allegro con brio, Concerto for Piano and Orchestra No.2 in B-flat major, Op. 19: II. Adagio, Concerto for Piano and Orchestra No.2 in B-flat major, Op. 19: III. Rondo. Molto allegro, Concerto for Piano and Orchestra No.3 in C minor, Op. 37: I. Allegro con brio, Concerto for Piano and Orchestra No.3 in C minor, Op. 37: II. Largo, Concerto for Piano and Orchestra No.3 in C minor, Op. 37: III. Rondo. Allegro, Concerto for Piano and Orchestra No.4 in G major, Op. 58: I. Allegro moderato, Concerto for Piano and Orchestra No.4 in G major, Op. 58: II. Andante con moto, Concerto for Piano and Orchestra No.4 in G major, Op. 58: III. Rondo. Vivace, Concerto for Piano and Orchestra No.4 in G major, Op. 58: III. Rondo: Vivace, Piano Sonata No. 18 in E-Flat Major, Op. 31/3 "The Hunt": I. Allegro, Piano Sonata No. 18 in E-Flat Major, Op. 31/3 "The Hunt": II. Scherzo. Allegretto Vivace, Piano Sonata No. 18 in E-Flat Major, Op. 31/3 "The Hunt": III. Menuetto. Moderato E Grazioso, Piano Sonata No. 18 in E-Flat Major, Op. 31/3 "The Hunt": IV. Presto Con Fuoco, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt" III. Minuetto: Moderato e grazioso, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt": I. Sonata Allegro, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt": II. Scherzo: Allegretto vivace, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt": III. Menuetto: Moderato e grazioso, Piano Sonata No. 18 in E-flat major, Op. 31/3 "The Hunt": IV. Presto con fuoco, Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro Con Brio, Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": II. Introduzione. Adagio Molto, Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": III. Rondo. Allegretto Moderato - Prestissimo, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto - attacca:, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro, ma non troppo - Presto, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": I. Grave - Allegro di molto con brio, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": I. Grave - Allegro di molto e con brio, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": II. Adagio cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": III. Rondo. Allegro, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": III. Rondo: Allegro, Piano Sonata no. 14 in C-sharp minor, op. 27/2 "Moonlight": I. Adagio sostenuto, Piano Sonata no. 14 in C-sharp minor, op. 27/2 "Moonlight": II. Allegretto, Piano Sonata no. 14 in C-sharp minor, op. 27/2 "Moonlight": III. Presto agitato, Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl (Les Adieux), Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Abwesenheit (L'Absence), Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn (Le Retour), Piano Sonata no. 8 in C minor, op. 13 "Pathetique": I. Grave - Allegro di molto e con brio, Piano Sonata no. 8 in C minor, op. 13 "Pathetique": II. Adagio cantabile, Piano Sonata no. 8 in C minor, op. 13 "Pathetique": III. Rondo. Allegro, Sonata for Piano and Violin No. 5 in F Major, Op. 24 "Spring": I. Allegro, Sonata for Piano and Violin No. 5 in F Major, Op. 24 "Spring": II. Adagio Molto Espressivo, Sonata for Piano and Violin No. 5 in F Major, Op. 24 "Spring": III. Scherzo. Allegro Molto - Trio, Sonata for Piano and Violin No. 5 in F Major, Op. 24 "Spring": IV. Rondo. Allegro Ma Non Troppo, Sonata for Piano and Violin No. 9 in a Major, Op. 47 "Kreutzer": I. Adagio Sostenuto - Presto, Sonata for Piano and Violin No. 9 in a Major, Op. 47 "Kreutzer": II. Andante Con Variazioni (I-IV), Sonata for Piano and Violin No. 9 in a Major, Op. 47 "Kreutzer": III. Finale. Presto, Sonata for Piano and Violin no. 8 in G major, op. 30/3: I. Allegro assai, Sonata for Piano and Violin no. 8 in G major, op. 30/3: II. Tempo di minuetto, ma molto moderato e grazioso, Sonata for Piano and Violin no. 8 in G major, op. 30/3: III. Allegro vivace |
| John Newton (editor, engineer mixer) |
engineer, producer |
Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53) |
| Staatskapelle Dresden |
performing orchestra |
"Pastoral" Symphony: V., Fidelio: Act I, No. 1. "Der arme Jaquino!" (Marzeline), Fidelio: Act I, No. 10. "Leb' wohl, du warmes Sonnenlicht" (Geganfenen, Marzeline, Leonore, Jaquino, Pizarro, Rocco), Fidelio: Act I, No. 10. "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizzarro), Fidelio: Act I, No. 10. Finale "O welche Lust" (Gefangenen, Erster Gefangener, Zweiter Gefanfener), Fidelio: Act I, No. 2. Aria "O wär ich schon mit der vereint" (Marzeline), Fidelio: Act I, No. 3. "Marzelline, ist Fidelio noch nicht zurück-gokommen?" (Rocco, Mazeline, Leonore), Fidelio: Act I, No. 3. Quartet "Mir ist so Wunderbar" (Mazeline, Leonore, Rocco, Jaquino), Fidelio: Act I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio: Act I, No. 4. Aria "Höre, Fidelio!" (Rocco, Marzeline. Leonore), Fidelio: Act I, No. 5. "Ihr Könnt das leicht sagen" (Leonore, Rocco, Mrzeline), Fidelio: Act I, No. 5. Trio "Gut, Söhnchen gut" (Rocco, Leonore, Marzeline), Fidelio: Act I, No. 6. "Hauptmann! drei Schildwachen auf den Wall!" (Pizzarro, Rocco), Fidelio: Act I, No. 6. March, Fidelio: Act I, No. 7. "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizzarro, Rocco), Fidelio: Act I, No. 7. Aria and Chorus "Ha! welch ein Augenblick!" (pizzarro, Chor der wache), Fidelio: Act I, No. 8. Duet "Jetzt, Alter jetzt hat es Eile!" (Pizzarro, Rocco), Fidelio: Act I, No. 9. "Aber Marzelline..." (Jaquino, Marzeline, Rocco, Leonore), Fidelio: Act I, No. 9. Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore), Fidelio: Act II, No. 11. Recitative and Aria "Gott! Welch Dunkel hier!" (Florestan), Fidelio: Act II, No. 12. "Er erwacht, sagst du?" (Rocco, Leonore, Florestan), Fidelio: Act II, No. 12. Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco), Fidelio: Act II, No. 13. "Ist alles bereit?" (Pizarro, Rocco, Leonore), Fidelio: Act II, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio: Act II, No. 14. "Vater, Rocco" (Jaquino, Rocco, Leonore, Florestan, Pizarro), Fidelio: Act II, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio: Act II, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan), Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino), Fidelio: Overture, Fidelio: Overture "Leonore III", Klavierkonzert Nr. 5: II. Adagio, Leonore, Op. 72: "Ach brich noch nicht, komm Hoffnung" (Leonore), Leonore, Op. 72: "O welche Lust!" (Gefangenenchor), Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto, Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 6 in F, Op. 68, "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No. 9 in D minor, Op. 125 "Choral":"O Freunde, nicht diese Tone!", Symphony No. 9 in D minor, Op. 125 "Choral":Allegro assai, Symphony No.3 in E flat major, op.55 "Eroica" - I. Allegro con brio, Symphony No.3 in E flat major, op.55 "Eroica" - II. Marcia funebre: Adagio assai, Symphony No.3 in E flat major, op.55 "Eroica" - III. Scherzo: Allegro vivace, Symphony No.3 in E flat major, op.55 "Eroica" - IV. Finale: Allegro molto, Symphony no. 5: I., Symphony no. 7: II. |
| Peter Schreier |
vocal |
"Als die Geliebte sich trennen wollte", WoO 132, "An die Hoffnung", Op. 94, "Der Jüngling in der Fremde", song for voice & piano, WoO 138, "La partenza", WoO 124, "Lied aus der Ferne", for voice & piano, WoO 137, "Ruf vom Berge", song for voice & piano, WoO 147, "Sehnsucht", song for voice & piano, WoO 146, "Seufzer eines Ungeliebten", WoO 118, Abendlied unterm gestirnten Himmel, song for voice & piano, WoO 150, Agnus Dei, An Laura, song for voice & piano, WoO 112, An Minna, song for voice & piano, WoO 115, An die Geliebte, song for voice & piano, WoO 140 (1. version), An die Geliebte, song for voice & piano, WoO 140 (2. version), An die ferne Geliebte , Op. 98, No. 1: ‘Auf dem Hügel sitz ich spähend’ (extract), Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen", Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur", Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?", Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen", Benedictus, Credo, Das Geheimnis, song for voice & piano, WoO 145, Der Freie Mann, song for voice & piano (or orchestra), WoO 117, Der Liebende, song for voice & piano, WoO 139, Des Kriegers Abschied, song for voice & piano, WoO 143, Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verblühen", Elegie auf den Tod eines Pudels, for voice & piano, WoO 110, Gedenke mein, for voice & piano, WoO 130, Gloria, Klage, song for voice & piano, WoO 113, Kyrie, La Tiranna for voice & piano, WoO 125, O care selve, oh cara, for voice & piano/orchestra, WoO 119, Plaisir d'aimer, for voice & piano "Romance", WoO 128, Punschlied "Wer nicht, wenn warm von Hand" for voice, unsion chorus & piano, WoO 111, Que le temps me dure, song for voice & piano (2 versions), WoO 116, Sanctus, Schilderung eines Mädchens, song for voice & piano, WoO 107, Selbstgespräch "Ich, der mit flatterndem Sinn", song for voice & piano, WoO 114, So oder so, song for voice & piano, WoO 148, Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich", Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott, deine Güte reicht so weit", Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!", Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht", Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft und Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!", Symphonie Nr. 9 d-Moll, Op. 125: I. Allegro ma non troppo, Symphonie Nr. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie Nr. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie Nr. 9 d-Moll, Op. 125: IVa. Presto, Symphonie Nr. 9 d-Moll, Op. 125: IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Trinklied (beim Abschied zu singen) for voice & piano (or orchestra), WoO 109, Variations (6) on "Ich denke dein," for piano, 4 hands in D major, WoO 74 |
| Reinhard Ulbricht |
violin |
Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy", Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart", Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad", Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father", Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd", Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be", Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset", Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie", Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress", Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch", Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song", Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre", Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley", Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours", Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla", Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie", Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye", Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie", Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves" |
| Joachim Bischof |
cello |
Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy", Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart", Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad", Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father", Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd", Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be", Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset", Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie", Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress", Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch", Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song", Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre", Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley", Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours", Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla", Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie", Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye", Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie", Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves" |
| Dietrich Knothe |
chorus master, conductor |
"Alles Gute", WoO 179, "Ars longa, vita brevis", WoO 170, "Ars longa, vita brevis", WoO 192, "Ars longa, vita brevis", WoO 193, "Bester Herr Graf, Sie sind ein Schaf!", WoO 183, "Bester Magistrat, lhr friert!", WoO 177, "Brauchle, Linke", WoO 167, "Da ist das Werk", WoO 197, "Das Reden", WoO 168 No. 2, "Das Schweigen", WoO 168 No. 1, "Das Schöne zu dem Guten!", WoO 203, "Das Schöne zum Guten!", WoO 202, "Doktor sperrt das Tor dem Tod", WoO 189, "Edel sei der Mensch", WoO 185, "Es muß sein!", WoO 196, "Esel aller Esel", Hess 277, "Ewig dein", WoO 161, "Falstafferel, laß dich sehen!", WoO 184, "Freu dich des Lebens!", WoO 195, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Glaube und hoffe!", WoO 174, "Glück zum neuen Jahr!", WoO 165, "Glück zum neuen Jahr!", WoO 176, "Gott ist eine feste Burg", WoO 188, "Graf, liebster Graf", WoO 101, "Herr Graf, ich komme zu fragen", Hess 276, "Hoffmann, sei ja kein Hofmann", WoO 180, "Hol' euch der Teufel! B'hüt' euch Gott!", WoO 173, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Ich küsse Sie", WoO 169, "Ich war hier, Doktor, ich war hier", WoO 190, "Im Arm der Liebe ruht sich's wohl", WoO 159, "Kurz ist der Schmerz", WoO 163, "Kurz ist der Schmerz", WoO 166, "Kühl, nicht lau", WoO 191, "Lob auf den Dicken", WoO 100, "O Tobias!", WoO 182, "Sankt Petrus war ein Fels!", WoO 175, "Schwenke dich ohne Schwänke!", WoO 187, "Si non per portas, per muros", WoO 194, "Signor Abate!", WoO 178, "Te solo adoro", WoO 186, "Wir irren allesamt", WoO 198, Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 |
| Michael Clark (pianist) |
piano |
26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell", 26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter", 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 13, "Helpless Woman", 26 Welsh Songs WoO 155, No. 14, "The Dream", 26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire", 26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan", 26 Welsh Songs WoO 155, No. 17, "The Dairy House", 26 Welsh Songs WoO 155, No. 18, "Sweet Richard", 26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 20, "To the Blackbird", 26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 23, "The Old Strain", 26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds", 26 Welsh Songs WoO 155, No. 25, "The Parting Kiss", 26 Welsh Songs WoO 155, No. 26, "Good Night", 26 Welsh Songs WoO 155, No. 3, "The Cottage Maid", 26 Welsh Songs WoO 155, No. 4, "Love Without Hope", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona", 26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide", 26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town", 26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning", Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry", Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta", Twelve Various Folksongs, WoO 157, No. 2, "The Soldier", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair", Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament" |
| Ottetto Italiano |
performer |
3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: I. Allegro comodo, 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: II. Larghetto sostenuto, 3 Duos for Clarinet and Bassoon, WoO 27 No. 1 in C major: III. Rondo. Allegretto, 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: I. Allegro affettuoso, 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: II. Aria. Larghetto, 3 Duos for Clarinet and Bassoon, WoO 27 No. 2 in F major: III. Rondo. allegretto moderato, 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: I. Allegro sostenuto, 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: II. Aria con variazioni, 3 Duos for Clarinet and Bassoon, WoO 27 No. 3 in B-flat major: III. Allegro assai, Adagio for 3 horns in F major, Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio, Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto, Duo for clarinet and bassoon in F major, WoO 27 No. 2: I. Allegro affettuoso, Duo for clarinet and bassoon in F major, WoO 27 No. 2: II. Aria Larghetto, Duo for clarinet and bassoon in F major, WoO 27 No. 2: III. Rondo: Allegretto moderato, Ecossaise in D major for military band, WoO 22, Equale for 4 trombones, WoO 30: I. Andante, Equale for 4 trombones, WoO 30: II. Poco adagio, Equale for 4 trombones, WoO 30: III. Poco sostenuto, March and Trio in C major for wind ensemble, WoO 20 "Zapfenstreich", March and Trio in F major for military band, WoO 19, March and Trio in F major for wind ensemble, WoO 18 "For the Bohemian Ward", March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29, March for 2 clarinets, 2 horns and 2 bassoons in B-flat major, WoO 29, Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: I. Allegro, Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: II. Andante, Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: III. Menuetto, Octet for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 103: IV. Finale. Presto, Polonaise in D major for military band, WoO 21, Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: I. Allegro, Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: II. Adagio maestoso, Quintet for oboe, 3 horns and bassoon in E-flat major, Hess 19: III. Minuetto, Rondino for 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, WoO 25, Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: I. Adagio – Allegro, Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: II. Adagio, Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: III. Menuetto. Quasi allegretto, Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat major, Op. 71: IV. Rondo. Allegro, Trio for 2 oboes and english horn in C major, Op. 87: I. Allegro, Trio for 2 oboes and english horn in C major, Op. 87: II. Adagio, Trio for 2 oboes and english horn in C major, Op. 87: III. Minuetto, Trio for 2 oboes and english horn in C major, Op. 87: IV. Finale, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: I. Theme, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: II. Var1, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: III. Var 2, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IV. Var 3, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: IX. Coda, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: V. Var 4 & 5, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VI. Var 6, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VII. Var 7, Variations in C major for 2 oboes and english horn on Mozart's "La ci darem la mano", WoO 28: VIII. Var 8 |
| Zsuzsa Zsizsmann |
violin |
26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell", 26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter", 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 13, "Helpless Woman", 26 Welsh Songs WoO 155, No. 14, "The Dream", 26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire", 26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan", 26 Welsh Songs WoO 155, No. 17, "The Dairy House", 26 Welsh Songs WoO 155, No. 18, "Sweet Richard", 26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 20, "To the Blackbird", 26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 23, "The Old Strain", 26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds", 26 Welsh Songs WoO 155, No. 25, "The Parting Kiss", 26 Welsh Songs WoO 155, No. 26, "Good Night", 26 Welsh Songs WoO 155, No. 3, "The Cottage Maid", 26 Welsh Songs WoO 155, No. 4, "Love Without Hope", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona", 26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide", 26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town", 26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning", Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry", Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta", Twelve Various Folksongs, WoO 157, No. 2, "The Soldier", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair", Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament" |
| Cornelius Boensch |
cello |
26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell", 26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter", 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 13, "Helpless Woman", 26 Welsh Songs WoO 155, No. 14, "The Dream", 26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire", 26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan", 26 Welsh Songs WoO 155, No. 17, "The Dairy House", 26 Welsh Songs WoO 155, No. 18, "Sweet Richard", 26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 20, "To the Blackbird", 26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 23, "The Old Strain", 26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds", 26 Welsh Songs WoO 155, No. 25, "The Parting Kiss", 26 Welsh Songs WoO 155, No. 26, "Good Night", 26 Welsh Songs WoO 155, No. 3, "The Cottage Maid", 26 Welsh Songs WoO 155, No. 4, "Love Without Hope", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona", 26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide", 26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town", 26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning", Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry", Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta", Twelve Various Folksongs, WoO 157, No. 2, "The Soldier", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair", Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament" |
| Helmut Koch |
conductor |
11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major, 12 Contredanses for Small Orchestra WoO 14 No. 1 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 10 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 11 in G major, 12 Contredanses for Small Orchestra WoO 14 No. 2 in A major, 12 Contredanses for Small Orchestra WoO 14 No. 3 in D major, 12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 6 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 8 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 9 in A major, 12 German Dances for Orchestra WoO 8 No. 1 in C major, 12 German Dances for Orchestra WoO 8 No. 10 in D major, 12 German Dances for Orchestra WoO 8 No. 11 in G major, 12 German Dances for Orchestra WoO 8 No. 12 in C major, 12 German Dances for Orchestra WoO 8 No. 2 in A major, 12 German Dances for Orchestra WoO 8 No. 3 in F major, 12 German Dances for Orchestra WoO 8 No. 4 in B-flat major, 12 German Dances for Orchestra WoO 8 No. 5 in E-flat major, 12 German Dances for Orchestra WoO 8 No. 6 in G major, 12 German Dances for Orchestra WoO 8 No. 7 in C major, 12 German Dances for Orchestra WoO 8 No. 8 in A major, 12 German Dances for Orchestra WoO 8 No. 9 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major, Choral Part-Song for Orchestra, Chorus & Solo Voice(s) "Opferlied", Op. 121b, Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major, Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b, Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor, Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major |
| Kammerorchester Berlin |
performing orchestra |
11 Dances for Seven String and Wind Instruments WoO 17 No. 10: Waltz in D major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 11: Waltz in D major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 1: Waltz in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 2: Minuet in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 3: Waltz in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 4: Minuet in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 5: Minuet in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 6: Ländler in E-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 7: Minuet in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 8: Ländler in B-flat major, 11 Dances for Seven String and Wind Instruments WoO 17 No. 9: Minuet in G major, 12 Contredanses for Small Orchestra WoO 14 No. 1 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 10 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 11 in G major, 12 Contredanses for Small Orchestra WoO 14 No. 2 in A major, 12 Contredanses for Small Orchestra WoO 14 No. 3 in D major, 12 Contredanses for Small Orchestra WoO 14 No. 4 in B-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 5 in E-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 6 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 7 in E-flat major, 12 Contredanses for Small Orchestra WoO 14 No. 8 in C major, 12 Contredanses for Small Orchestra WoO 14 No. 9 in A major, 12 German Dances for Orchestra WoO 8 No. 1 in C major, 12 German Dances for Orchestra WoO 8 No. 10 in D major, 12 German Dances for Orchestra WoO 8 No. 11 in G major, 12 German Dances for Orchestra WoO 8 No. 12 in C major, 12 German Dances for Orchestra WoO 8 No. 2 in A major, 12 German Dances for Orchestra WoO 8 No. 3 in F major, 12 German Dances for Orchestra WoO 8 No. 4 in B-flat major, 12 German Dances for Orchestra WoO 8 No. 5 in E-flat major, 12 German Dances for Orchestra WoO 8 No. 6 in G major, 12 German Dances for Orchestra WoO 8 No. 7 in C major, 12 German Dances for Orchestra WoO 8 No. 8 in A major, 12 German Dances for Orchestra WoO 8 No. 9 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major, Contredanses for Small Orchestra WoO 14 No. 12 in E-flat major, Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor, Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D major, Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D major |
| Jan Peerce (operatic tenor) |
vocal |
Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn", Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3 |
| New York Philharmonic |
performing orchestra |
Concerto No. 3 for Piano and Orchestra, Op. 37: I. Allegro con brio, Concerto No. 3 for Piano and Orchestra, Op. 37: II. Largo, Concerto No. 3 for Piano and Orchestra, Op. 37: III. Rondo: Allegro, Leonore Overture No. 3, Op. 72a, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem", Overture, op. 117 "King Stephen": Andante con moto - Presto, Overture, op. 72b "Fidelio": Allegro, Overture, op. 84 "Egmont": Sostenuto, ma non troppo - Allegro, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: I. Allegro con brio, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: II. Marcia funebre: Adagio assai, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: III. Scherzo: Allegro vivace - Trio, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: IV. Finale: Allegro molto - Poco Andante - Presto, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro - Attacca, Symphony No. 5 in C minor, Op. 67: III. Allegro - attaca, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 9 (extract), Symphony No. 9 in D minor, Op. 125 "Choral": Finale (excerpt) (New York Philharmonic feat. conductor: Zubin Mehta), Symphony no. 9 "Choral": Adagio molto e cantabile; Andante moderato, Symphony no. 9 "Choral": Allegro ma non troppo, un poco maestoso, Symphony no. 9 "Choral": Molto vivace; Presto; Molto vivace, Symphony no. 9 "Choral": Presto; Allegro assai, The Huntley-Brinkley Report: Symphony No. 9: II. |
| Royal Philharmonic Orchestra |
performer, performing orchestra |
Concierto para piano y orquesta n.º 1 en do mayor, op. 15: I. Allegro con brio, Concierto para piano y orquesta n.º 1 en do mayor, op. 15: II. Largo, Concierto para piano y orquesta n.º 1 en do mayor, op. 15: III. Rondo: Allegro, Für Elise, Moonlight Sonata, Ouvertüre 'Egmont' Op. 84 aus der Musik zu J W Goethes Trauerspiel, Overture "Fidelio", Op. 72b, Overture "Leonore" No. 3, Op. 72a, Overture to The Creatures of Prometheus, Pathetique, Piano Concerto No. 5 "Emperor" (3rd MVT), Romance for Violin and Orchestra No. 2 in F major, Op. 50, Sinfonía n.º 5 en do menor, op. 67: I. Allegro con brio, Sinfonía n.º 5 en do menor, op. 67: II. Andante con moto, Sinfonía n.º 5 en do menor, op. 67: III. Allegro, Sinfonía n.º 5 en do menor, op. 67: IV. Allegro, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: I. Allegro ma non troppo, un poco maestoso, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: II. Molto vivace, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: III: Adagio molto e cantabile, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto. Allegro assai, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight", Symphonie, No. 9, Op. 125 (Choral "Ode an Die Freude"), Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante - Moderato, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": V. Presto "O Freunde, nicht diese Töne!" - Allegro assai, "Ode to Joy", Symphony No.6 in F 'Pastoral' - 1st Movement, Symphony No.9 ('Choral') (Fourth Movement), Symphony no. 2 in D, op. 36: 1. Adagio Molto - Allegro Con Brio, Symphony no. 2 in D, op. 36: 3. Scherzo (Allegro), Symphony no. 2 in D, op. 36: 4. Allegro Molto, Symphony no. 4 in B Flat, op. 60: 1. Adagio - Allegro Vivace, Symphony no. 4 in B Flat, op. 60: 2. Adagio, Symphony no. 4 in B Flat, op. 60: 3. Allegro Vivace, Symphony no. 8 in F, op. 93: 2. Allegretto Scherzando, The Pastoral |
| Walter Olbertz |
piano |
"Als die Geliebte sich trennen wollte", WoO 132, "An die Hoffnung", Op. 94, "Der Jüngling in der Fremde", song for voice & piano, WoO 138, "La partenza", WoO 124, "Lied aus der Ferne", for voice & piano, WoO 137, "Ruf vom Berge", song for voice & piano, WoO 147, "Sehnsucht", song for voice & piano, WoO 146, "Seufzer eines Ungeliebten", WoO 118, Abendlied unterm gestirnten Himmel, song for voice & piano, WoO 150, An Laura, song for voice & piano, WoO 112, An Minna, song for voice & piano, WoO 115, An die Geliebte, song for voice & piano, WoO 140 (1. version), An die Geliebte, song for voice & piano, WoO 140 (2. version), Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen", Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur", Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?", Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen", Das Geheimnis, song for voice & piano, WoO 145, Der Freie Mann, song for voice & piano (or orchestra), WoO 117, Der Liebende, song for voice & piano, WoO 139, Des Kriegers Abschied, song for voice & piano, WoO 143, Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verblühen", Elegie auf den Tod eines Pudels, for voice & piano, WoO 110, Gedenke mein, for voice & piano, WoO 130, Klage, song for voice & piano, WoO 113, La Tiranna for voice & piano, WoO 125, Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, O care selve, oh cara, for voice & piano/orchestra, WoO 119, Plaisir d'aimer, for voice & piano "Romance", WoO 128, Punschlied "Wer nicht, wenn warm von Hand" for voice, unsion chorus & piano, WoO 111, Que le temps me dure, song for voice & piano (2 versions), WoO 116, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Schilderung eines Mädchens, song for voice & piano, WoO 107, Selbstgespräch "Ich, der mit flatterndem Sinn", song for voice & piano, WoO 114, So oder so, song for voice & piano, WoO 148, Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich", Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott, deine Güte reicht so weit", Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!", Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht", Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft und Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!", Trinklied (beim Abschied zu singen) for voice & piano (or orchestra), WoO 109, Variations (6) on "Ich denke dein," for piano, 4 hands in D major, WoO 74, Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 |
| Herbert Kegel |
conductor |
Agnus Dei, Benedictus, Concerto for Piano, Violin and Cello in C major, Op. 56 "Triple Concerto": II. Largo, Coriolan-Ouvertüre, op. 62, Credo, Gloria, Kyrie, Leonore Overture No. 2 in C major, Op. 72, Sanctus, Symphonie No. 1: III. Menuetto. Allegro molto e vivace, Symphonie no. 3, op. 55 "Eroica": Allegro con brio, Symphonie no. 3, op. 55 "Eroica": Finale (Allegro molto), Symphonie no. 3, op. 55 "Eroica": Marcia funebre (Adagio assai), Symphonie no. 3, op. 55 "Eroica": Scherzo (Allegro vivace), Symphonie no. 4 op. 60 B-dur: I. Adagio - Allegro vivace, Symphonie no. 4 op. 60 B-dur: II. Adagio, Symphonie no. 4 op. 60 B-dur: III. Allegro vivace, Symphonie no. 4 op. 60 B-dur: IV. Allegro ma non troppo, Symphonie no. 9 op. 125 d-moll: I. Allegro ma non troppo, un poco maestoso, Symphonie no. 9 op. 125 d-moll: II. Molto vivace, Symphonie no. 9 op. 125 d-moll: III. Adagio molto e cantabile, Symphonie no. 9 op. 125 d-moll: IV. Presto - Allegro assai, Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of happy feelings on arriving in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "By the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene by the Brook", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the brook, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Peasants' merrymaking", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "The Storm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song. Happy and thankful feelings after the storm", Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro, Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto. Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 9, Choral: IV. Finale |
| Orchestra of St. Luke’s |
performing orchestra |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen", Contredanse No. 1, Contredanse No. 10, Contredanse No. 11, Contredanse No. 12, Contredanse No. 2, Contredanse No. 3, Contredanse No. 4, Contredanse No. 5, Contredanse No. 6, Contredanse No. 7, Contredanse No. 8, Contredanse No. 9, Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture, Symphony no. 3 "Eroica": I. Allegro con brio, Symphony no. 3 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 "Eroica": IV. Finale: Allegro molto; Poco andante, Twelve Contre-dances, WoO 14 |
| Bernhard Schwarz |
cello |
20 Irish Songs WoO 153, No. 11, "When Far From the Home", 20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints", 20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last", 20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty", 20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love", 20 Irish Songs WoO 153, No. 18, "No More, My Mary", 20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature", 20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store", 20 Irish Songs WoO 153, No. 3, "The British Light Dragoons", 20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season", 20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left", 25 Irish Songs WoO 152, No. 1, "The Return to Ulster", 25 Irish Songs WoO 152, No. 12, "English Bulls", 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", 25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home", 25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin", 25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee", 25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face", 25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide", 25 Irish Songs WoO 152, No. 9, "The Soldier's Dream", Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp", Seven British Folksongs, WoO 158/b, "Erin! O Erin!", Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk", Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)", Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab", Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion", Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears", Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal), Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine), Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian), Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol), Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol) |
| Martin Haunhorst |
violin |
20 Irish Songs WoO 153, No. 11, "When Far From the Home", 20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints", 20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last", 20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty", 20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love", 20 Irish Songs WoO 153, No. 18, "No More, My Mary", 20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature", 20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store", 20 Irish Songs WoO 153, No. 3, "The British Light Dragoons", 20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season", 20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left", 25 Irish Songs WoO 152, No. 1, "The Return to Ulster", 25 Irish Songs WoO 152, No. 12, "English Bulls", 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", 25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home", 25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin", 25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee", 25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face", 25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide", 25 Irish Songs WoO 152, No. 9, "The Soldier's Dream", Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp", Seven British Folksongs, WoO 158/b, "Erin! O Erin!", Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk", Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)", Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab", Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion", Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears", Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal), Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine), Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian), Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol), Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol) |
| Koninklijk Concertgebouworkest |
performing orchestra |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem, Overture “Leonore”, op. 138, Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile, Symphonie No. 5 en do mineur, Op. 67: I. Allegro con brio, Symphonie No. 9 in D minor, Op. 125: IV. Allegro ma non tanto - Prestissimo (Royal Concertgebouw Orchestra), Symphony No. 3 "Eroica": Allegro Con Brio, Symphony No. 3 "Eroica": Finale (Allegro Molto), Symphony No. 3 "Eroica": Marcia Funebre (Adagio Assai), Symphony No. 3 "Eroica": Scherzo (Allegro Vivace), Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IVb. O Freunde, Nicht Diese Toene!, Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVe. Andante maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": IVf. Allegro energico, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony no. 4 in B-flat major, op. 60: I. Andante - Allegro ma non troppo, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo |
| Michael Leslie (Australian concert pianist) |
piano |
Diabelli Variations, Op. 120: Tema. Vivace, Diabelli Variations, Op. 120: Var. I. Alla marcia maestoso, Diabelli Variations, Op. 120: Var. II. Poco allegro, Diabelli Variations, Op. 120: Var. III. L'istesso tempo, Diabelli Variations, Op. 120: Var. IV. Un poco più vivace, Diabelli Variations, Op. 120: Var. IX. Allegro pesante e risoluto, Diabelli Variations, Op. 120: Var. V. Allegro vivace, Diabelli Variations, Op. 120: Var. VI. Allegro ma non troppo e serioso, Diabelli Variations, Op. 120: Var. VII. Un poco più allegro, Diabelli Variations, Op. 120: Var. VIII. Poco vivace, Diabelli Variations, Op. 120: Var. X. Presto, Diabelli Variations, Op. 120: Var. XI. Allegretto, Diabelli Variations, Op. 120: Var. XII. Un poco più moto, Diabelli Variations, Op. 120: Var. XIII. Vivace, Diabelli Variations, Op. 120: Var. XIV. Grave e maestoso, Diabelli Variations, Op. 120: Var. XIX. Presto, Diabelli Variations, Op. 120: Var. XV. Presto scherzando, Diabelli Variations, Op. 120: Var. XVI. Allegro, Diabelli Variations, Op. 120: Var. XVII, Diabelli Variations, Op. 120: Var. XVIII. Poco moderato, Diabelli Variations, Op. 120: Var. XX. Andante, Diabelli Variations, Op. 120: Var. XXI. Allegro con brio - Meno allegro, Diabelli Variations, Op. 120: Var. XXII. Allegro molto, Diabelli Variations, Op. 120: Var. XXIII. Allegro assai, Diabelli Variations, Op. 120: Var. XXIV. Fughetta - Andante, Diabelli Variations, Op. 120: Var. XXIX. Adagio ma non troppo, Diabelli Variations, Op. 120: Var. XXV. Allegro, Diabelli Variations, Op. 120: Var. XXVI, Diabelli Variations, Op. 120: Var. XXVII. Vivace, Diabelli Variations, Op. 120: Var. XXVIII. Allegro, Diabelli Variations, Op. 120: Var. XXX. Andante, sempre cantabile, Diabelli Variations, Op. 120: Var. XXXI. Largo, molto espressivo, Diabelli Variations, Op. 120: Var. XXXII. Fuga - Allegro, Diabelli Variations, Op. 120: Var. XXXIII. Tempo di menuetto moderato, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': I. Allegro, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': II. Scherzo. Assai vivace - Presto - Prestissimo, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': III. Adagio Sostenuto. Appassionato e con molto sentimento, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': IV. Largo, Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier-Sonate': V. Allegro risoluto |
| Stephanie McCallum |
piano |
"Fragatelle" for Piano in A major, "Fragatelle" for Piano in C-sharp minor, "Fragatelle" for Piano in E-flat major, Allegretto for Piano in B minor, WoO 61, Allegretto for Piano in C major, WoO 56, Allegretto quasi andante for Piano in G minor, WoO 61a, Bagatelle for Piano in A minor, WoO 59 "Für Elise", Bagatelle for Piano in B-flat major, WoO 60, Bagatelle for Piano in C major, WoO 54, Bagatelle for Piano in F minor, Bagatelle for Piano, Op. 119 No. 1 in G minor, Bagatelle for Piano, Op. 119 No. 10 in A major, Bagatelle for Piano, Op. 119 No. 11 in B-flat major, Bagatelle for Piano, Op. 119 No. 2 in C major, Bagatelle for Piano, Op. 119 No. 3 in D major, Bagatelle for Piano, Op. 119 No. 4 in A major, Bagatelle for Piano, Op. 119 No. 5 in C minor, Bagatelle for Piano, Op. 119 No. 6 in G major, Bagatelle for Piano, Op. 119 No. 7 in C major, Bagatelle for Piano, Op. 119 No. 8 in C major, Bagatelle for Piano, Op. 119 No. 9 in A minor, Bagatelle for Piano, Op. 126 No. 1 in G major, Bagatelle for Piano, Op. 126 No. 2 in G minor, Bagatelle for Piano, Op. 126 No. 3 in E-flat major, Bagatelle for Piano, Op. 126 No. 4 in B minor, Bagatelle for Piano, Op. 126 No. 5 in G major, Bagatelle for Piano, Op. 126 No. 6 in E-flat major, Bagatelle for Piano, Op. 33 No. 1 in E-flat major, Bagatelle for Piano, Op. 33 No. 2 in C major, Bagatelle for Piano, Op. 33 No. 3 in F major, Bagatelle for Piano, Op. 33 No. 4 in A major, Bagatelle for Piano, Op. 33 No. 5 in C major, Bagatelle for Piano, Op. 33 No. 6 in D major, Bagatelle for Piano, Op. 33 No. 7 in A-flat major, Bagatelle in A minor, ‘Für Elise’, Cavatina from String Quartet in B-flat major, Op. 130, transcr. Alkan, Ecossaise for Piano in E-flat major, WoO 86, Presto for Piano in C minor, WoO 52, Waltz for Piano in D major, WoO 85 |
| Staatskapelle Berlin |
performer, performing orchestra |
"Es ist vollbracht", WoO 97 (Finale from Treitschke's "Die Ehrenpforten"), "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, Aria in B flat major for tenor & orchestra for Umlauf’s Singspiel "Die schöne Schusterin", WoO 91: "Soll ein Schuh nicht drücken", Aria in D major for bass & orchestra, WoO 90; "Mit Mädeln sich vertragen", Aria in F major for bass & orchestra, WoO 89: "Prüfung des Küssens", Aria in F major for tenor & orchestra for Umlauf’s Singspiel "Die schöne Schusterin", WoO 91: "O welch ein Leben!", Duet for 2 voices & orchestra, WoO 93: "Nei giorni tuoi felici", Egmont, Op. 84: Klärchens Tod: Larghetto "Arme Seele", Egmont, Op. 84: Lied: Andante con moto "Freudvoll und leidvoll", Egmont, Op. 84: Lied: Vivace "Die Trommel gerühret!, Egmont, Op. 84: Melodrama: Poco sostenuto "Süsser Schlaf! Du kommst wie ein reines Glück", Egmont, Op. 84: Monolog I., Egmont, Op. 84: Monolog II., Egmont, Op. 84: Monolog III., Egmont, Op. 84: Ouvertüre, Egmont, Op. 84: Siegessymphonie: Allegro con brio, Egmont, Op. 84: Zwischenakt I: Andante - Allegro con brio "Es ist keine falsche Ader an ihm", Egmont, Op. 84: Zwischenakt II: Larghetto, Egmont, Op. 84: Zwischenakt III: Allegro - Marcia; Vivace "Der König meint", Egmont, Op. 84: Zwischenakt IV: Poco sostenuto e risoluto, Fidelio Overture, Op. 72c, Fidelio, Op. 72: Introduction and Florestan's Aria. "Gott! welch' Dunkel hier! - In des Lebens Fruhlingstagen", Leonore Overture No. 1, Op. 138, Leonore Overture No. 2, Op. 72a, Leonore Overture No. 3, Op. 72b, Scena and aria for soprano & orchestra, WoO 92: "Primo amore . . . Tal amor", Scena and aria for soprano & orchestra, WoO 92a: "No, non turbarti! . . . Ma tu tremi, o mio tesoro", Symphony No 9, "Ode to Joy", Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Tremate, Empi, Tremate for 3 voices & orchestra, Op. 116, Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate" |
| Henk Kooistra |
editor |
Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53) |
| Amelia Rogers |
editor, producer |
Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53) |
| 朝比奈隆 (Japanese conductor) |
conductor |
Symphony no. 1: I. Adagio molto – Allegro con brio, Symphony no. 1: II. Andante cantabile con moto, Symphony no. 1: III. Menuetto Allegro molto e vivace, Symphony no. 1: IV. Adagio – Allegro molto e vivace, Symphony no. 2: I. Adagio molto – Allegro con brio, Symphony no. 2: II. Larghetto, Symphony no. 2: III. Scherzo. Allegro, Symphony no. 2: IV. Allegro molto, Symphony no. 3: I. Allegro con brio, Symphony no. 3: II. Marcia funebre. Adagio assai, Symphony no. 3: III. Scherzo. Allegro vivace, Symphony no. 3: IV. Finale. Allegro molto, Symphony no. 4: I. Adagio – Allegro vivace, Symphony no. 4: II. Adagio, Symphony no. 4: III. Allegro vivace – Un poco meno allegro, Symphony no. 4: IV. Allegro ma non troppo, Symphony no. 5: I. Allegro con brio, Symphony no. 5: II. Andante con moto, Symphony no. 5: III. Allegro, Symphony no. 5: IV. Allegro, Symphony no. 6: I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande (Allegro ma non troppo), Symphony no. 6: II. Szene am Bach (Andante molto moss), Symphony no. 6: III. Lustiges Zusammensein der Landleute (Allegro), Symphony no. 6: IV. Gewitter, Sturm (Allegro), Symphony no. 6: V. Hirtengesang-Frohe und dankbare Gefuhle nach dem Sturm (Allegretto), Symphony no. 7: I. Poco sostenuto – Vivace, Symphony no. 7: II. Allegretto, Symphony no. 7: III. Presto, Symphony no. 7: IV. Allegro con brio, Symphony no. 8: I. Allegro vivace e con brio, Symphony no. 8: II. Allegretto scherzando, Symphony no. 8: III. Tempo di menuetto, Symphony no. 8: IV. Allegro vivace, Symphony no. 9: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9: II. Molto vivace, Symphony no. 9: III. Adagio molto e cantabile, Symphony no. 9: IV. Presto – Allegro assai, Symphony no. 9: IV. Presto – Recitativo |
| Benjamin Zander |
conductor |
Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53) |
| Orchester der Wiener Staatsoper |
performing orchestra |
Symphony no. 1 in C major, op.21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op.21: II. Andante cantabile con moto, Symphony no. 1 in C major, op.21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op.21: IV. Adagio - Allegro molto e vivace, Symphony no. 2 in D major, op. 36: I. Adagio - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Schrezo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in E-flat major, op.55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op.55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op.55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op.55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in E-flat, op. 55 "Eroica": 2. Marcia Funebre (Adagio Assai), Symphony no. 3 in E-flat, op. 55 "Eroica": 3. Scherzo (Allegro Vivace), Symphony no. 4 in B-flat major, op.60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op.60: II. Adagio, Symphony no. 4 in B-flat major, op.60: III. Allegro vivace, Symphony no. 4 in B-flat major, op.60: IV. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto moto, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": V. Allegretto, Symphony no. 6 in F, op. 68 "Pastoral": 2. Szene Am Bach (Andante Molto Mosso), Symphony no. 6 in F, op. 68 "Pastoral": 4. Gewitter, Sturm (Allegro), Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op.93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op.93: II. Allegretto scherzando, Symphony no. 8 in F major, op.93: III.Tempo di menuetto, Symphony no. 8 in F major, op.93: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, Un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto, Allegro assai, Wellington's Victory or the Battle Symphony, op. 91: 1. Battle |
| Arturo Toscanini |
conductor |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Fidelio: Overture, Leonore Overture no. 2, op. 72b, Leonore Overture no. 3, Overture Lenore III, Symphony No. 3 - first movement, Allegro con brio (beginning), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio |
| Micha Schattner |
engineer |
Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53) |
| Boston Philharmonic Orchestra |
performing orchestra |
Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53) |
| 大阪フィルハーモニー交響楽団 |
performing orchestra |
Symphony no. 1: I. Adagio molto – Allegro con brio, Symphony no. 1: II. Andante cantabile con moto, Symphony no. 1: III. Menuetto Allegro molto e vivace, Symphony no. 1: IV. Adagio – Allegro molto e vivace, Symphony no. 2: I. Adagio molto – Allegro con brio, Symphony no. 2: II. Larghetto, Symphony no. 2: III. Scherzo. Allegro, Symphony no. 2: IV. Allegro molto, Symphony no. 3: I. Allegro con brio, Symphony no. 3: II. Marcia funebre. Adagio assai, Symphony no. 3: III. Scherzo. Allegro vivace, Symphony no. 3: IV. Finale. Allegro molto, Symphony no. 4: I. Adagio – Allegro vivace, Symphony no. 4: II. Adagio, Symphony no. 4: III. Allegro vivace – Un poco meno allegro, Symphony no. 4: IV. Allegro ma non troppo, Symphony no. 5: I. Allegro con brio, Symphony no. 5: II. Andante con moto, Symphony no. 5: III. Allegro, Symphony no. 5: IV. Allegro, Symphony no. 6: I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande (Allegro ma non troppo), Symphony no. 6: II. Szene am Bach (Andante molto moss), Symphony no. 6: III. Lustiges Zusammensein der Landleute (Allegro), Symphony no. 6: IV. Gewitter, Sturm (Allegro), Symphony no. 6: V. Hirtengesang-Frohe und dankbare Gefuhle nach dem Sturm (Allegretto), Symphony no. 7: I. Poco sostenuto – Vivace, Symphony no. 7: II. Allegretto, Symphony no. 7: III. Presto, Symphony no. 7: IV. Allegro con brio, Symphony no. 8: I. Allegro vivace e con brio, Symphony no. 8: II. Allegretto scherzando, Symphony no. 8: III. Tempo di menuetto, Symphony no. 8: IV. Allegro vivace, Symphony no. 9: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9: II. Molto vivace, Symphony no. 9: III. Adagio molto e cantabile, Symphony no. 9: IV. Presto – Allegro assai, Symphony no. 9: IV. Presto – Recitativo |
| Dresdner Philharmonie |
performing orchestra |
Concerto for Piano, Violin and Cello in C major, Op. 56 "Triple Concerto": II. Largo, Coriolan-Ouvertüre, op. 62, Leonore Overture No. 2 in C major, Op. 72, Symphonie No. 1: III. Menuetto. Allegro molto e vivace, Symphonie no. 3, op. 55 "Eroica": Allegro con brio, Symphonie no. 3, op. 55 "Eroica": Finale (Allegro molto), Symphonie no. 3, op. 55 "Eroica": Marcia funebre (Adagio assai), Symphonie no. 3, op. 55 "Eroica": Scherzo (Allegro vivace), Symphonie no. 4 op. 60 B-dur: I. Adagio - Allegro vivace, Symphonie no. 4 op. 60 B-dur: II. Adagio, Symphonie no. 4 op. 60 B-dur: III. Allegro vivace, Symphonie no. 4 op. 60 B-dur: IV. Allegro ma non troppo, Symphonie no. 9 op. 125 d-moll: I. Allegro ma non troppo, un poco maestoso, Symphonie no. 9 op. 125 d-moll: II. Molto vivace, Symphonie no. 9 op. 125 d-moll: III. Adagio molto e cantabile, Symphonie no. 9 op. 125 d-moll: IV. Presto - Allegro assai, Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of happy feelings on arriving in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "By the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene by the Brook", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the brook, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Peasants' merrymaking", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "The Storm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song. Happy and thankful feelings after the storm", Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro, Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto. Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 9, Choral: IV. Finale |
| Till Fellner |
piano |
12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Thema. Allegretto, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 1, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 10. Adagio, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 11. Poco adagio, quasi andante, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 12. Allegro, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 2, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 3, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 4, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 5, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 6, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 7, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 8, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 9, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Thema. Allegretto, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 1, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 10, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 11. Adagio, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 12. Allegro, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 2, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 3, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 4, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 5, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 6, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 7, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 8, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 9, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Thema. Andante, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 1, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 2, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 3, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 4, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 5. Si prenda il tempo un poco, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 6. Adagio, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 7. Allegro ma non troppo, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo |
| Sir Colin Davis |
conductor |
"Pastoral" Symphony: V., Fidelio - Mir Ist So Wundebar, Fidelio: O welche Lust!, Mass in C: I. Kyrie, Mass in C: II. Gloria, Mass in C: III. Credo, Mass in C: IV. Sanctus, Mass in C: V. Benedictus, Mass in C: VI. Agnus Dei, Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo (Molto allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto, Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 6 in F, Op. 68, "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral":"O Freunde, nicht diese Tone!", Symphony No. 9 in D minor, Op. 125 "Choral":Allegro assai, Symphony No.3 in E flat major, op.55 "Eroica" - I. Allegro con brio, Symphony No.3 in E flat major, op.55 "Eroica" - II. Marcia funebre: Adagio assai, Symphony No.3 in E flat major, op.55 "Eroica" - III. Scherzo: Allegro vivace, Symphony No.3 in E flat major, op.55 "Eroica" - IV. Finale: Allegro molto, Symphony no. 5: I., Symphony no. 7: II., Triumphmarsch |
| Sir Simon Rattle |
conductor |
Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag", ベートーヴェン：交響曲 第9番 『合唱』 第4楽章より |
| Heinrich Schiff |
cello |
12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Thema. Allegretto, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 1, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 10. Adagio, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 11. Poco adagio, quasi andante, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 12. Allegro, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 2, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 3, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 4, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 5, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 6, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 7, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 8, 12 Variations for Cello and Piano on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, Op. 66: Variation 9, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Thema. Allegretto, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 1, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 10, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 11. Adagio, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 12. Allegro, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 2, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 3, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 4, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 5, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 6, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 7, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 8, 12 Variations for Cello and Piano on “See the Conqu’ring Hero comes” from Handel’s “Judas Maccabeus”, WoO 45: Variation 9, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Thema. Andante, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 1, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 2, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 3, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 4, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 5. Si prenda il tempo un poco, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 6. Adagio, 7 Variations for Cello and Piano on “Bei Männern welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46: Variation 7. Allegro ma non troppo |
| Stephen Johns (producer) |
producer |
Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag" |
| NBC Symphony Orchestra |
performing orchestra |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Fidelio: Overture, Leonore Overture no. 2, op. 72b, Leonore Overture no. 3, Overture Lenore III, Symphony No. 3 - first movement, Allegro con brio (beginning), Symphony no. 5 in C minor, op. 67: I. Allegro con brio |
| Hermann Prey |
vocal |
6 Lieder von Gellert, Op. 48 No. 1: Bitten, 6 Lieder von Gellert, Op. 48 No. 2: Die Liebe des Nächsten, 6 Lieder von Gellert, Op. 48 No. 3: Vom Tode, 6 Lieder von Gellert, Op. 48 No. 4: Die Ehre Gottes aus der Natur, 6 Lieder von Gellert, Op. 48 No. 5: Gottes Macht und Vorsehung, 6 Lieder von Gellert, Op. 48 No. 6: Bußlied, Abschiedsgesang an Wiens Bürger, song for voice & piano (or orchestra), WoO 121, Acht Lieder, Op. 52 No. 4: Mailied, Acht Lieder, Op. 52 No. 7: Marmotte, Acht Lieder, Op. 52 No. 8: Das Blümchen Wunderhold, Adelaide, Op. 46, An die Hoffnung, Op. 32, Der Bardengeist, for voice & piano, WoO 142, Der edle Mensch sei hilfreich und gut, for voice & piano, WoO 151, Die laute Klage, song for voice & piano, WoO 135, Drey Gesaenge, Op. 83 No. 1: Wonne der Wehmut, Drey Gesaenge, Op. 83 No. 2: Sehnsucht, Hochzeitslied for solo, chorus & piano, WoO 105 "Auf, Freunde, singt dem Gott der Ehen", Kriegslied der Österreicher "Ein großes deutsches Volk" for voice & piano (or orchestra), WoO 122, Man strebt, die Flamme zu verhehlen, song for voice & piano, WoO 120, Merkenstein, song for voice & piano, WoO 144, Sechs Gesaenge, Op. 75 No. 2: Neue Liede, neues Leben, Sechs Gesaenge, Op. 75 No. 3: Aus Goethe's Faust "Mephistos Flohlied", Song for Voice and Piano in F major, Op. 100 "Merkenstein: Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend, Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: Du sagtest, Freund, an diesen Ort komm ich zurück", Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut", Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl", Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur", Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann", Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land", Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blümchen Wunderhold: Es blüht ein Blümchen irgendwo in einem stillen Tal", Songs for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?", Songs for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig", Songs for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Glück hienieden" |
| Mike Clements (engineer) |
balance |
Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag" |
| William Kinderman (American pianist) |
piano |
Theme & Var. 01: Vivace, Var. 02: Poco Allegro, Var. 03: L'Istesso Tempo, Var. 04: Un Poco Più Vivace, Var. 05: Allegro Vivace, Var. 06: Allegro Ma Non Troppo, Var. 07: Un Poco Più Allegro, Var. 08: Poco Vivace, Var. 09: Allegro Pesante & Risoluto, Var. 10: Presto, Var. 11: Allegretto, Var. 12: Un Poco Più Moto, Var. 13: Vivace, Var. 14: Grave & Maestoso, Var. 15: Presto Scherzando, Var. 16: Allegro, Var. 17: Allegro, Var. 18: Poco Moderato, Var. 19: Presto, Var. 20: Andante, Var. 21: Allegro Con Brio, Var. 22: Allegro Molto, Var. 23: Allegro Assai, Var. 24: Fughetta, Var. 25: Allegro, Var. 26: (Piacevole), Var. 27: Vivace, Var. 28: Allegro, Var. 29: Adagio Ma Non Troppo, Var. 30: Andante, Sempre Cantabile, Var. 31: Largo, Molto Espressivo, Var. 32: Fuga, Var. 33: Tempo Di Menuetto Moderato |
| Orchestra of the Royal Opera House, Covent Garden |
performing orchestra |
Fidelio, Act I: Aber Marzelline-, Fidelio, Act I: Abscheulicher! Wo eilst du hin, Fidelio, Act I: Ach! Vater, eilt!, Fidelio, Act I: Drei Schildwachen auf den Wall, Fidelio, Act I: Finale: O welche Lust!, Fidelio, Act I: Gut, Sohnchen, gut, hab'immer Mut, Fidelio, Act I: Guten Tag, Marzelline, Fidelio, Act I: Ha! Welch ein Augenblick!, Fidelio, Act I: Hat man nicht auch Gold, Fidelio, Act I: Hauptmann, besteigen Sie so gleich, Fidelio, Act I: Hore, Fidelio, wenn ich auch nicht weiss, Fidelio, Act I: Ihr konnt das leicht sagen, Meister Rocco, Fidelio, Act I: JJetzt, Alter, jetzt hat es Eile!, Fidelio, Act I: Jetzt, Schatzchen, sind wir allen, Fidelio, Act I: March, Fidelio, Act I: Mir ist so wunderbar.., Fidelio, Act I: Nun sprecht, wie ging's, Fidelio, Act I: O war' ich schon mit dir vereint, Fidelio, Act I: Wenn ich diese Tur heute nicht schon, Fidelio, Act II: Alles ist bereit, Fidelio, Act II: Du schlossest auf des Edlen Grab, Fidelio, Act II: Er erwacht!, Fidelio, Act II: Er sterbe! Doch er soll erst wissen.., Fidelio, Act II: Es schlagt der Rache Stunde!, Fidelio, Act II: Euch werde Lohn in besser'n Welten, Fidelio, Act II: Finale: Heil sei dem Tag, heil sei der Stunde, Fidelio, Act II: Gott! Welch Dunkel hier!, Fidelio, Act II: Nur hurtig fort.., Fidelio, Act II: O namenlose Freude!, Fidelio, Act II: Vater Rocco! Vater Rocco!, Fidelio, Act II: Wie kalt ist es in diesem unterirdischen Gewolbe!, Fidelio: Ouverture, Fidelio: Overture Leonore No.3 |
| MDR Rundfunkchor Leipzig |
vocal |
"Bundeslied" for soloists, chorus & wind instruments, Op. 122, Agnus Dei, Benedictus, Credo, Gloria, Kyrie, Leonore, Op. 72: "O welche Lust!" (Gefangenenchor), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live), Sanctus, Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Symphony no. 9, Choral: IV. Finale, Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat" |
| Daniel Barenboim |
conductor, grand piano, piano |
12 Variations sur le thème "Ein Mädchen oder Weibchen", Cello Sonata No. 3 in A major, Op. 69: III. Adagio cantabile, Cello Sonata No. 3 in A major, Op. 69: IV. Allegro vivace, Fidelio Overture, Op. 72c, Leonore Overture No. 1, Op. 138, Leonore Overture No. 2, Op. 72a, Leonore Overture No. 3, Op. 72b, Piano Sonata No. 11 in B-flat major, Op. 22: I. Allegro con brio, Piano Sonata No. 11 in B-flat major, Op. 22: II. Adagio con molta espressione, Piano Sonata No. 11 in B-flat major, Op. 22: III. Minuetto, Piano Sonata No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto, Piano Sonata No. 12 in A-flat major, Op. 26: I. Andante von Variazioni 1-5, Piano Sonata No. 12 in A-flat major, Op. 26: II. Scherzo. Allegro molto, Piano Sonata No. 12 in A-flat major, Op. 26: III. Marcia funebre sulla morte d'un Eroe, Piano Sonata No. 12 in A-flat major, Op. 26: IV. Allegro, Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: I. Andante - Allegro, Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace, Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione - Allegro vivace, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - I. Adagio sostenuto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - II. Allegretto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - III. Presto agitato - Adagio - Presto agitato, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - I. Allegro assai, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - II. Andante con moto, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - III. Allegro ma non troppo - Presto, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - I. Grave - Allegro molto e con brio, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - II. Adagio cantabile, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - III. Rondo: Allegro, Romance for Violin and Orchestra No. 2 in F major, Op. 50, Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: II. Adagio - Tempo d'Andante - Allegro vivace, Symphony No 9, "Ode to Joy", Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato |
| Eberhard Büchner |
vocal |
20 Irish Songs WoO 153, No. 4 "Since greybeards inpourm us that youth will decay", 25 Irish Songs WoO 152, No. 10 "The deserter", 25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet), 25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet), Duet for Soprano and Tenor accompanied by Orchestra, WoO 93 "Ne' giorni tuoi felici", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 4. "Since greybeards inform us that youth will decay", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 10. "The deserter", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 19. "Wife, children and friends", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 6. "What shall I do to shew how much I love her?" (duet), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch", Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley", Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: X. "Sympathy", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XII. "Oh, Had My Fate Been Join'd With Thine", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XV. "O Cruel was My Father", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXII. "The Highland Watch", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXIV. "Again, my Lyre, yet once again" |
| Kurt Mahn |
oboe |
Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)" |
| Nicolai Moscona |
vocal |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3 |
| Eleanor Steber |
vocal |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3 |
| NBC Symphony Chorus |
vocal |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3 |
| Werner Pauli |
guitar |
Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)" |
| Sidor Belarsky |
vocal |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3 |
| Peter J. Wilhousky |
chorus master |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3 |
| Claudio Abbado |
conductor |
Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca, Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet, Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin), Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch, Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: I. Allegro, Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: II. Adagio un poco mosso [Attacca:], Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: III. Rondo. Allegro, The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide" |
| Joseph Laderoute (operatic tenor) |
vocal |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3 |
| Herbert Janssen (operatic base) |
vocal |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3 |
| Rose Bampton |
vocal |
Fidelio: Act I: Abscheulicher! Wo eilst du hin?, Fidelio: Act I: Ach, Vater, eilt!, Fidelio: Act I: Gut, Söhnchen, gut, Fidelio: Act I: Ha! welch ein Augenblick!, Fidelio: Act I: Hat man nicht auch Gold beineben, Fidelio: Act I: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I: Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I: Leb wohl, du warmes Sonnenlicht, Fidelio: Act I: March, Fidelio: Act I: Mir ist so wunderbar, Fidelio: Act I: Nun sprecht, wie ging's?, Fidelio: Act I: O welche Lust in freier Luft, Fidelio: Act I: O wär ich schon mit dir vereint, Fidelio: Act I: Verwegner Alter, welche Rechte, Fidelio: Act I: Wir müssen gleich zu Werke schreiten, Fidelio: Act II: Scene 1: Ach! Du bist gerettet!, Fidelio: Act II: Scene 1: Er sterbe!, Fidelio: Act II: Scene 1: Es schlägt der Rache Stunde!, Fidelio: Act II: Scene 1: Euch werde Lohn in bessern Welten, Fidelio: Act II: Scene 1: Gott! welch Dunkel hier!, Fidelio: Act II: Scene 1: In des Lebens Frühlingstagen, Fidelio: Act II: Scene 1: Nur hurtig fort, nur frisch gegraben!, Fidelio: Act II: Scene 1: O namenlose Freude!, Fidelio: Act II: Scene 1: Wie kalt ist es, Fidelio: Act II: Scene 2: Des besten Königs Wink und Wille, Fidelio: Act II: Scene 2: Du schlossest auf des Edlen Grab, Fidelio: Act II: Scene 2: Heil sei dem Tag!, Fidelio: Act II: Scene 2: Wer ein solches Weib errungen, Leonore Overture no. 3 |
| David Mulvenna Hamilton |
vocal |
26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell", 26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 14, "The Dream", 26 Welsh Songs WoO 155, No. 17, "The Dairy House", 26 Welsh Songs WoO 155, No. 18, "Sweet Richard", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 25, "The Parting Kiss", 26 Welsh Songs WoO 155, No. 26, "Good Night", 26 Welsh Songs WoO 155, No. 4, "Love Without Hope", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 7, "Polly Stewart", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 10, "Sir Johnnie Cope", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 12, "La Gondoletta", Twelve Various Folksongs, WoO 157, No. 2, "The Soldier", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament" |
| Leonard Hokanson |
performer, piano |
Abschiedsgesang an Wiens Bürger, song for voice & piano (or orchestra), WoO 121, Bagatelle in A minor, WoO 59 "Für Elise", Der Bardengeist, for voice & piano, WoO 142, Der edle Mensch sei hilfreich und gut, for voice & piano, WoO 151, Die laute Klage, song for voice & piano, WoO 135, Für Elise, Hochzeitslied for solo, chorus & piano, WoO 105 "Auf, Freunde, singt dem Gott der Ehen", Kriegslied der Österreicher "Ein großes deutsches Volk" for voice & piano (or orchestra), WoO 122, Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106, "Es lebe unser teurer Fürst", Man strebt, die Flamme zu verhehlen, song for voice & piano, WoO 120, Merkenstein, song for voice & piano, WoO 144, Sehnsucht "Nur wer die Sehnsucht kennt", song for voice & piano, WoO 134 (4 settings), Song for Voice and Piano in F major, Op. 100 "Merkenstein: Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend, Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: Du sagtest, Freund, an diesen Ort komm ich zurück", Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut", Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe", Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl", Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur", Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust", Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann", Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land", Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blümchen Wunderhold: Es blüht ein Blümchen irgendwo in einem stillen Tal", Songs for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?", Songs for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig", Songs for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebesblick und Spiel und Sang", Songs for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten süsse Ruh' und gold'ner Frieden In meiner Brust", Songs for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Glück hienieden" |
| Slovenská filharmónia (Slovak Philharmonic, Bratislava) |
performer, performing orchestra |
Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Klavierkonzert no. 5 in Es-Dur, op. 73: Adagio un poco mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Adagio Un Poco Mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Allegro, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Rondo: Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie, Sinfonie Nr. 7 A-Dur op. 92, 2.Satz: Allegretto, Symphonie Nr. 7 Op. 92 A-Dur I: Poco sostenuto, Vivace, Symphonie Nr. 7 Op. 92 A-Dur II: Allegretto, Symphonie Nr. 7 Op. 92 A-Dur III: Presto, Symphonie Nr. 7 Op. 92 A-Dur V: Finale: Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Finale. Allegro con brio |
| Bruno Canino |
piano |
Serenade in D for Piano and Flute, Op. 41: 1. Entrata (Allegro), Serenade in D for Piano and Flute, Op. 41: 2. Tempo Ordinario D Un Menuetto, Serenade in D for Piano and Flute, Op. 41: 3. Molto Allegro, Serenade in D for Piano and Flute, Op. 41: 4. Andante Con Variazioni, Serenade in D for Piano and Flute, Op. 41: 5. Allegro, Scherezando E Vivace, Serenade in D for Piano and Flute, Op. 41: 6. Adagio, Serenade in D for Piano and Flute, Op. 41: 7. Allegro, Vivace E Disinvolto, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 1. The Cottage Maid, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 2. Von Edlem Geschlecht War Shinkin, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 3. A Schüsserl Und a Reindl, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 4.The Last Rose of Summer, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 5. Chiling O'Guiry, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 6. Paddy Whack, Sonata in B Flat for Piano and Flute: 1. Allegro, Sonata in B Flat for Piano and Flute: 2. Polonaise, Sonata in B Flat for Piano and Flute: 3. Largo, Sonata in B Flat for Piano and Flute: 4. Tema (Allegretto Con Variazioni), Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 1. I Bin a Tiroler Bua, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 10. The Highland Watch, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 2. Bonny Laddie, Highland Laddie, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 3. Volkslied Aus Kleinrußland, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 4. St. Patrick's Day, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 5. A Madel, Ja a Madel, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 6. Peggy's Daughter, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 7. Schöne Minka, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 8. O Mary, at the Window Be, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 9. Oh, Thou Art the Lad of My Heart |
| Wilhelm Furtwängler |
conductor |
Coriolan, Ouvertüre op. 62, Des Frühlings Kommen Scena XII, Leonore N.3, N.1 Duetto, N.10 Finale Scene IX, N.10 Finale Scene X, N.10 Finale Scene XI - XII, N.11 Introduzione E Aria, N.12 Melodramma E Duetto, N.13 Terzetto, N.14 Quartetto, N.15 Duetto, N.16 Finale Scene VI, N.16 Finale Scene VII, N.16 Finale Scene VII O Gott, N.16 Finale Scene VII Wer Ein Holdes Weib Errungen, N.2 Aria, N.3 Quartetto, N.4 Aria, N.5 Terzetto, N.6 Marcia, N.7 Aria Con Coro, N.8 Duetto, N.9 Recitativo E Aria, Ouverture, Symphony No. 3 - first movement, Allegro con brio (beginning), Symphony No. 7, Op. 92: II. Allegretto |
| Severino Gazzelloni |
flute |
Serenade in D for Piano and Flute, Op. 41: 1. Entrata (Allegro), Serenade in D for Piano and Flute, Op. 41: 2. Tempo Ordinario D Un Menuetto, Serenade in D for Piano and Flute, Op. 41: 3. Molto Allegro, Serenade in D for Piano and Flute, Op. 41: 4. Andante Con Variazioni, Serenade in D for Piano and Flute, Op. 41: 5. Allegro, Scherezando E Vivace, Serenade in D for Piano and Flute, Op. 41: 6. Adagio, Serenade in D for Piano and Flute, Op. 41: 7. Allegro, Vivace E Disinvolto, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 1. The Cottage Maid, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 2. Von Edlem Geschlecht War Shinkin, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 3. A Schüsserl Und a Reindl, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 4.The Last Rose of Summer, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 5. Chiling O'Guiry, Six Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 105: 6. Paddy Whack, Sonata in B Flat for Piano and Flute: 1. Allegro, Sonata in B Flat for Piano and Flute: 2. Polonaise, Sonata in B Flat for Piano and Flute: 3. Largo, Sonata in B Flat for Piano and Flute: 4. Tema (Allegretto Con Variazioni), Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 1. I Bin a Tiroler Bua, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 10. The Highland Watch, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 2. Bonny Laddie, Highland Laddie, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 3. Volkslied Aus Kleinrußland, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 4. St. Patrick's Day, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 5. A Madel, Ja a Madel, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 6. Peggy's Daughter, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 7. Schöne Minka, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 8. O Mary, at the Window Be, Ten Variations on Folk Songs for Piano With Accompaniment on Flute, Op. 107: 9. Oh, Thou Art the Lad of My Heart |
| Michael Halász (conductor) |
conductor |
Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan), Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco), Fidelio, Op. 72: Overture, Fidelio, Op. 72: Prisoners' Chorus, "O welche Lust", Leonora Overture no. 1, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (excerpt), Symphony no. 3 "Eroica": I. Allegro con brio, Symphony no. 3 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 "Eroica": IV. Finale. Allegro molto |
| Joachim Vogt |
vocal |
"Da ist das Werk", WoO 197, "Das Schweigen", WoO 168 No. 1, "Es muß sein!", WoO 196, "Ewig dein", WoO 161, "Fra tutte le pene" (1st version), WoO 99 No. 3c/Hess 224, "Fra tutte le pene", WoO 99 No. 3b/Hess 225, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Già la notte s'avvicina", WoO 99 No. 4b/Hess 223, "Graf, liebster Graf", WoO 101, "Hoffmann, sei ja kein Hofmann", WoO 180, "Ich küsse Sie", WoO 169, "Ich war hier, Doktor, ich war hier", WoO 190, "Lob auf den Dicken", WoO 100, "Ma tu tremi", WoO 99 No. 6/Hess 212, "Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217, "O Tobias!", WoO 182, "Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219, "Sankt Petrus war ein Fels!", WoO 175, "Te solo adoro", WoO 186, "The Monk's Song" for 3 a cappella Male Voices from Schiller's play "William Tell", WoO 104, Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious), Chorus for male voices, Abschiedsgesang, "Die Stunde schlägt" WoO 102, Musical joke for three voices "Graf, Graf, liebster Graf", WoO 101, Musical joke for three voices & chorus "Lob auf den Dicken"; WoO 100: "Schuppanzigh ist ein Lump", Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Farewell for Tenor and 2 Basses, WoO 102 |
| Bernhard Klee |
conductor |
"Turkish March" from The Ruins of Athens, op. 113, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" / Vc. Choir of Children "Was soll der Lärm bedeuten?", The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!", The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl), The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen", The Ruins of Athens, Op. 113: IV. Turkish March. Vivace, The Ruins of Athens, Op. 113: Overture. Andante con moto - Allegro ma non troppo, The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!", The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!", The Ruins of Athens, Op. 113: VIb. Recitation. Poco Adagio "Mit reger Freude, die nie erkaltet" |
| The Cleveland Orchestra |
performing orchestra |
Adagio from Piano Concerto no. 5 "Emperor", Concerto for Piano and Orchestra no. 4 in G, Second Movement, Fidelio, Op. 72: Overture, Symphony No. 3, Op. 55 "Eroica": Allegro con brio, Symphony No. 3, Op. 55 "Eroica": Finale: Allegro molto, Symphony No. 3, Op. 55 "Eroica": Marcia funebre – Adagio assai, Symphony No. 3, Op. 55 "Eroica": Scherzo: Allegro vivace, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo, Symphony No. 9, Op. 125 "Choral": IV (excerpt), Symphony no. 2 in D major, op. 36: I. Adagio molto — Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3: conclusion, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 9 in D minor ('Choral'), op. 125: I. Allegro ma non troppo, Symphony no. 9 in D minor ('Choral'), op. 125: II. Molto vivace, Symphony no. 9 in D minor ('Choral'), op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai, Violin Concerto, op. 61: I. Allegro ma non troppo, Violin Concerto, op. 61: II. Larghetto, Violin Concerto, op. 61: III. Rondo |
| Dubravka Tomšič |
piano |
Adagio sostenuto from Moonlight Sonata, Op. 27 No. 2, Adagio, Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune", Bagatelle in A minor, WoO 59 "Für Elise", For Elise, Klavierkonzert Nr. 1 C-DUR, op. 15: Allegro con brio, Klavierkonzert Nr. 1 C-DUR, op. 15: Largo, Klavierkonzert Nr. 1 C-DUR, op. 15: Rondo: Allegro, Konzert für Klavier und Orchester Nr. 1 C-Dur op. 15, 3. Satz: Rondo: Allegro, Moonlight Sonata: Quasi una fantasia, Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro, Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro, Sonata no. 21 in C major for Piano, op. 53 "Waldstein": I. Allegro con brio, Sonata no. 21 in C major for Piano, op. 53 "Waldstein": II. Adagio molto (attacca), Sonata no. 21 in C major for Piano, op. 53 "Waldstein": III. Adagio - Allegretto moderato, Sonate für Klavier Nr. 14 op. 27,2 cis-moll Mondschein-Sonate, 3.Satz: Presto agitato |
| Renate Krahmer |
vocal |
Irish Songs (20) for voice & piano trio, WoO 153 Nr. 10. "Oh! Thou hapless soldier" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 15. "T'is but in vain, for nothing thrives", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 20. "Thy ship must sail, my Henry dear", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 5. "I dream'd I lay where flow'rs were springing" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 7. "O soothe me, my lyre", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 13. "Musing on the roaring ocean", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 17. "In vain to this desert my fate I deplore", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 19. "Wife, children and friends", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 2. "Sweet Power of Song" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 20. "Farewell bliss and farewell Nancy" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 23. "The wandering gypsy, Sirs, am I", Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 13: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 14: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 17: "Lilla Carl, sov sött i frid!" (Schlaf, mein Liebling, schlafe ein)(Swedish lullaby), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 4: "Wann i in der Früh aufsteh" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 8: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean), Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IV. "The Maid of Isla", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VIII. "The lovely lass of Inverness", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XIII. "Come Fill, Fill, My Good Fellow", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XIV. "O How Can I Be Blithe", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVII. "O Mary at Thy Window Be", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVIII. "Enchantress, Farewell", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XX. "Faithfu' Johnie" |
| Kalichstein-Laredo-Robinson Trio |
performer |
Variations in E-flat major, Op. 44: I., Variations in E-flat major, Op. 44: II., Variations in E-flat major, Op. 44: III., Variations in E-flat major, Op. 44: IV., Variations in E-flat major, Op. 44: IX., Variations in E-flat major, Op. 44: V., Variations in E-flat major, Op. 44: VI., Variations in E-flat major, Op. 44: VII., Variations in E-flat major, Op. 44: VIII., Variations in E-flat major, Op. 44: X., Variations in E-flat major, Op. 44: XI., Variations in E-flat major, Op. 44: XII., Variations in E-flat major, Op. 44: XIV., Variations in E-flat major, Op. 44: XV., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: I., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: II., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: III., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: IV., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: IX., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: V., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: VI., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: VII., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: X., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: XI., Variations in G major on Wenzel Muller's "Ich bin der Schneider Kakadu", Op. 121a: XII. |
| Kent Nagano |
conductor |
Egmont, Op. 84: I. Ouverture, Egmont, Op. 84: II. "Die Trommel gerühret", Egmont, Op. 84: III. "Freudvoll und Leidvoll", Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame], Opferlied (piano arrangement from Opus 121b): Die Flamme lodert, Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Dennis Russell Davies |
conductor, piano |
Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture, Quintet for piano, oboe, clarinet, horn & bassoon in E flat major, Op. 16: 3. Rondo. Allegro ma non troppo, Symphony No. 3 in E flat major ("Eroica"), Op. 55: I. Allegro con Brio, Symphony No. 3 in E flat major ("Eroica"), Op. 55: II. Marcia funebre, Symphony No. 3 in E flat major ("Eroica"), Op. 55: III. Scherzo, Symphony No. 3 in E flat major ("Eroica"), Op. 55: IV. Allegro molto |
| Trio Élégiaque |
performer |
Piano Trio in C Minor, Op. 1 No. 3: I. Allegro con brio, Piano Trio in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni, Piano Trio in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro – Trio, Piano Trio in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo, Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: I. Allegro vivace, Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: II. Largo assai ed espressivo, Piano Trio in D Major, Op. 70 No. 1 ‘Ghost’: III. Presto, Piano Trio in D Major, after Symphony No. 2: I. Adagio – Allegro con brio, Piano Trio in E-Flat, Op. 1 No. 1: I. Allegro, Piano Trio in E-Flat, Op. 1 No. 1: II. Adagio cantabile, Piano Trio in E-Flat, Op. 1 No. 1: III. Scherzo. Allegro assai, Piano Trio in E-Flat, Op. 1 No. 1: IV. Finale. Presto, Piano Trio in E-Flat, Op. 44: 14 Variations on an original theme. Tema (Andante) con variazioni, Piano Trio in E-Flat, Op. 70 No. 2: I. Poco sostenuto – Allegro ma non troppo, Piano Trio in E-Flat, Op. 70 No. 2: II. Allegretto, Piano Trio in E-Flat, Op. 70 No. 2: III. Allegretto ma non troppo, Piano Trio in E-Flat, Op. 70 No. 2: IV. Finale. Allegro, Piano Trio in E-Flat, WoO 38: I. Allegro moderato, Piano Trio in E-Flat, WoO 38: II. Scherzo. Allegro ma non troppo, Piano Trio in E-Flat, WoO 38: III. Rondo. Allegretto, Piano Trio in G Major, Op. 1 No. 2: I. Adagio – Allegro vivace, Piano Trio in G Major, Op. 1 No. 2: II. Largo con espressione, Piano Trio in G Major, Op. 1 No. 2: III. Scherzo. Allegro, Piano Trio in G Major, Op. 1 No. 2:. IV. Finale. Presto |
| Siegfried Hausmann |
vocal |
"Chi mai di questo core", WoO 99 No. 2/Hess 214, "Es muß sein!", WoO 196, "Fra tutte le pene" (2nd version), Hess 210, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Giura il nocchier" (1st version), Hess 230, "Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221, "Già la notte s'avvicina", WoO 99 No. 4a/Hess 222, "Herr Graf, ich komme zu fragen", Hess 276, "Kühl, nicht lau", WoO 191, "Lob auf den Dicken", WoO 100, "Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220, "Per te d'amico aprile", WoO 99 No. 9/Hess 216, "Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213, "Quella cetra ah pur tu sei", WoO 99 No. 10b/Hess 218, "Sankt Petrus war ein Fels!", WoO 175, "Signor Abate!", WoO 178, "The Monk's Song" for 3 a cappella Male Voices from Schiller's play "William Tell", WoO 104, Chorus for male voices, Abschiedsgesang, "Die Stunde schlägt" WoO 102, Musical joke for three voices & chorus "Lob auf den Dicken"; WoO 100: "Schuppanzigh ist ein Lump", Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Farewell for Tenor and 2 Basses, WoO 102, Three canons, WoO 181 No. 1 - Canon in 4 parts in C major "Gedenket heute an Baden", WoO 181/1, Three canons, WoO 181 No. 2 - Canon in 3 parts in C major "Gehabt euch wohl", Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 |
| Antonia Bourvé |
vocal |
26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay", 26 Welsh Songs WoO 155, No. 13, "Helpless Woman", 26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire", 26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness", 26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds", 26 Welsh Songs WoO 155, No. 3, "The Cottage Maid", 26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 5, "Cease Your Funning", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair" |
| Gewandhausorchester Leipzig |
performing orchestra |
Agnus Dei, Benedictus, Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa), Credo, Die Ruinen von Athen - Overture, Op. 113, Die Weihe des Hauses - Overture, Op. 124, Egmont, Op. 84: Overture, Fidelio - Overture, Op. 72b, Gloria, Kyrie, König Stephan - Overture, Op. 117, Leonore - Overture No. 3, Op. 72a, Ode to Joy (Symphony No.9, Choral), Ouverture _ Egmont, Sanctus, Symphonie No.5 c-moll op. 67 - 1. Allegro con brio, Symphonie Nr. 9 d-Moll, Op. 125: I. Allegro ma non troppo, Symphonie Nr. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie Nr. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie Nr. 9 d-Moll, Op. 125: IVa. Presto, Symphonie Nr. 9 d-Moll, Op. 125: IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 8 in F major, Op. 93: 2. Allegretto scherzando |
| Nicolaus Esterházy Sinfonia |
performing orchestra |
Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan), Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco), Fidelio, Op. 72: Overture, Fidelio, Op. 72: Prisoners' Chorus, "O welche Lust", Music for a Ballet on Horseback, WoO 1, Symphony No. 9 in D minor, Op. 125, 'Choral': Finale: Allegro assai vivace: Alla Marcia (conclusion), Tarpeja, WoO 2a: Triumpfmarsch |
| Helmuth Rilling |
conductor |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Doch weh!" Die frech entehren, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Preiset ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte - O Heil euch, ihr Erlösten - Doch weh! Die frech entehrten" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VII "Preist ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte", Gloria in excelsis Deo |
| Renate Kramer |
vocal |
20 Irish Songs WoO 153, No. 10 "The hapless soldier" (duet), 20 Irish Songs WoO 153, No. 15 "'t is but in vain, pour nothing thrives", 20 Irish Songs WoO 153, No. 20 "Thy ship must sail, my Henry dear", 20 Irish Songs WoO 153, No. 5 "I dream'd I lay where flowers were springing" (duet), 20 Irish Songs WoO 153, No. 7 "O soothe me, my lyre", 25 Irish Songs WoO 152, No. 13 "Musing on the roaring ocean", 25 Irish Songs WoO 152, No. 17 "In vain to this desert" (duet), 25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet), 25 Irish Songs WoO 152, No. 2 "Sweet power of song" (duet), 25 Irish Songs WoO 152, No. 20 "Farewell bliss and farewell Nancy" (duet), 25 Irish Songs WoO 152, No. 23 "The wand'ring gypsy", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 11, "O, Thou Art the Lad of My Heart", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 24, "Again, My Dyre", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves" |
| Richard Lewis (Welsh tenor) |
vocal |
Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem", Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai |
| Kim Borg |
vocal |
Die Ehre Gottes aus der Natur, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem" |
| Michael Wagner |
piano |
12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 2, "O Harp of Erin", 12 Irish Songs WoO 154, No. 3, "The Farewell Song", 12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman", 12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot", 12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine", 12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", 6 Deutsche Tänze WoO 42, Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio, Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile, Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto, Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante, Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace, Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto, Trio for Violin, Cello and Piano in E-flat major, H. 48 |
| Michael Tilson Thomas |
conductor |
Contredanse No. 1, Contredanse No. 10, Contredanse No. 11, Contredanse No. 12, Contredanse No. 2, Contredanse No. 3, Contredanse No. 4, Contredanse No. 5, Contredanse No. 6, Contredanse No. 7, Contredanse No. 8, Contredanse No. 9, II. Molto vivace from Symphony No. 9 in D Minor, Op. 125 "Choral", Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Symphony no. 3 "Eroica": I. Allegro con brio, Symphony no. 3 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 "Eroica": IV. Finale: Allegro molto; Poco andante, Symphony no. 5 in C minor, op. 67: III. Allegro (attacca), Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Twelve Contre-dances, WoO 14 |
| Orchestre symphonique de Montréal |
performing orchestra |
Egmont, Op. 84: I. Ouverture, Egmont, Op. 84: II. "Die Trommel gerühret", Egmont, Op. 84: III. "Freudvoll und Leidvoll", Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame], Opferlied (piano arrangement from Opus 121b): Die Flamme lodert, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Ingeborg Springer |
vocal |
20 Irish Songs WoO 153, No. 10 "The hapless soldier" (duet), 20 Irish Songs WoO 153, No. 5 "I dream'd I lay where flowers were springing" (duet), 25 Irish Songs WoO 152, No. 2 "Sweet power of song" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 10. "Oh! Thou hapless soldier" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 5. "I dream'd I lay where flow'rs were springing" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 2. "Sweet Power of Song" (duet), Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 18: "An ä Bergli bin i gesässe" (Swiss), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 20: "Como la mariposa soy" (Spanish Bolero a due), Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Twenty-Five Scottish Songs, Op. 108, No. 14, "O, How Can I Be Blithe and Glad", Twenty-Five Scottish Songs, Op. 108, No. 15, "O Cruel Was My Father", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 2, "Sunset", Twenty-Five Scottish Songs, Op. 108, No. 20, "Faithfu' Johnie", Twenty-Five Scottish Songs, Op. 108, No. 21, "Jeanie's Distress", Twenty-Five Scottish Songs, Op. 108, No. 5, "The Sweetest Lad Was Laimie", Twenty-Five Scottish Songs, Op. 108, No. 6, "Dim, Dim Is My Eye", Twenty-Five Scottish Songs, Op. 108, No. 8, "The Lovely Lass of Inverness", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVIII. "Enchantress, Farewell", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XX. "Faithfu' Johnie" |
| Bach-Collegium Stuttgart |
performing orchestra |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Doch weh!" Die frech entehren, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Preiset ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte - O Heil euch, ihr Erlösten - Doch weh! Die frech entehrten" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VII "Preist ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" |
| London Festival Orchestra (Alfred Scholz pseudonym, not Decca/Ross Pople orchestra) |
performing orchestra |
Creatures of Prometheus, Op. 43 - Overture, Finale from Symphony no. 9, "Choral" (from Die Hard), Overture to "The Creatures of Prometheus", Op. 43, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Symphonie Nr. 8 Op. 93 F-Dur I: Allegro vivace con brio, Symphonie Nr. 8 Op. 93 F-Dur II: Allegretto scherzando, Symphonie Nr. 8 Op. 93 F-Dur III: Tempo di menuetto, Symphonie Nr. 8 Op. 93 F-Dur V: Finale: Allegro vivace, Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto: Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio; Allegro molto e vivace, Symphony No. 4, Op. 60: I. Adagio-Allegro vivace, Symphony No. 4, Op. 60: II. Adagio, Symphony No. 4, Op. 60: III. Allegro vivace, Symphony No. 4, Op. 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, The Ruins of Athens, Op. 113 - Overture |
| Felix Schmidt |
cello |
14 Variations for Piano, Violin & Cello Op. 44: I. Thema, Andante, 14 Variations for Piano, Violin & Cello Op. 44: II. Variation I (Sempre staccato), 14 Variations for Piano, Violin & Cello Op. 44: III. Variation II, 14 Variations for Piano, Violin & Cello Op. 44: IV. Variation III, 14 Variations for Piano, Violin & Cello Op. 44: IX. Variation VIII, Un poco adagio, 14 Variations for Piano, Violin & Cello Op. 44: V. Variation IV, 14 Variations for Piano, Violin & Cello Op. 44: VI. Variation V, 14 Variations for Piano, Violin & Cello Op. 44: VII. Variation VI, 14 Variations for Piano, Violin & Cello Op. 44: VIII. Variation VII, Largo, 14 Variations for Piano, Violin & Cello Op. 44: X. Variation IX, Tempo primo, 14 Variations for Piano, Violin & Cello Op. 44: XI. Variation X, 14 Variations for Piano, Violin & Cello Op. 44: XII. Variation XI, 14 Variations for Piano, Violin & Cello Op. 44: XIII. Variation XII, 14 Variations for Piano, Violin & Cello Op. 44: XIV. Variation XIII, Adagio, 14 Variations for Piano, Violin & Cello Op. 44: XV. Variation XIV, Allegro-Andante-Presto, Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 4. "Love without hope", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 7. "Oh let the night my blushes hide" |
| Günther Leib |
vocal |
Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 1: "Ridder Stigs Runer" (Danish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 7: "Wer solche Buema afipackt" (Tyrolean), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 9: "Oj Oj upilem sie w karczmie" (Auf, auf, ihr Freunde) (Polish), Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 12, "O, Had My Fate Been Join'd With Thine", Twenty-Five Scottish Songs, Op. 108, No. 16, "Could This Ill World Have Been Contriv'd", Twenty-Five Scottish Songs, Op. 108, No. 17, "O Mary, at Thy Window Be", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 23, "The Shepherd's Song", Twenty-Five Scottish Songs, Op. 108, No. 4, "The Maid of Isla", Twenty-Five Scottish Songs, Op. 108, No. 7, "Bonnie, Laddie, Highland Laddie", Twenty-Five Scottish Songs, Op. 108, No. 9, "Behold My Love How Green the Groves", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: I. "Music, Love and Wine", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IX. "Behold, my Love", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VII. "Bonnie Laddie, Highland Laddie", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XII. "Oh, Had My Fate Been Join'd With Thine" |
| Česká filharmonie (Czech Philharmonic) |
performing orchestra |
Adagio molto e cantabile, Allegro ma non troppo, un poco maestoso, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Presto, allegro assai, Scherzo, molto vivace, Symphony No. 2 in D major, Op. 36: I. Adagio molto, Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo, Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony no. 9 in D minor 'Choral', op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor 'Choral', op. 125: II. Molto vivace, Symphony no. 9 in D minor 'Choral', op. 125: III. Adagio molto e cantible – Andante moderato, Symphony no. 9 in D minor 'Choral', op. 125: IV. Ode to Joy. Presto – Allegro assai |
| Gisela Fetting |
vocal |
"Alles Gute", WoO 179, "Brauchle, Linke", WoO 167, "Chi mai di questo core", WoO 99 No. 2/Hess 214, "Da ist das Werk", WoO 197, "Das Reden", WoO 168 No. 2, "Falstafferel, laß dich sehen!", WoO 184, "Fra tutte le pene" (2nd version), Hess 210, "Giura il nocchier" (1st version), Hess 230, "Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221, "Già la notte s'avvicina", WoO 99 No. 4a/Hess 222, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Kurz ist der Schmerz", WoO 163, "Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220, "O Tobias!", WoO 182, "Per te d'amico aprile", WoO 99 No. 9/Hess 216, "Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213, "Quella cetra ah pur tu sei", WoO 99 No. 10b/Hess 218, "Schwenke dich ohne Schwänke!", WoO 187, "Te solo adoro", WoO 186, Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171 |
| Georg Poplutz |
vocal |
20 Irish Songs WoO 153, No. 13, "'Tis Sunshine at Last", 20 Irish Songs WoO 153, No. 18, "No More, My Mary", 20 Irish Songs WoO 153, No. 19, "Judy, Lovely, Matchless Creature", 20 Irish Songs WoO 153, No. 3, "The British Light Dragoons", 25 Irish Songs WoO 152, No. 12, "English Bulls", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 25, "Oh Harp of Erin", 25 Irish Songs WoO 152, No. 3, "Once More I Hail Thee", Seven British Folksongs, WoO 158/b, "Erin! O Erin!", Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk", Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab", Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)", Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion", Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal), Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine), Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain), Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian), Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol), Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol) |
| 小林幸子 (Violinist, was in Lotus String Quartet) |
violin |
12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 2, "O Harp of Erin", 12 Irish Songs WoO 154, No. 3, "The Farewell Song", 12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman", 12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot", 12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine", 12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", 6 Deutsche Tänze WoO 42, Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio, Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile, Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto, Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante, Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace, Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto, Trio for Violin, Cello and Piano in E-flat major, H. 48 |
| Siegfried Lorenz |
vocal |
20 Irish Songs WoO 153, No. 1 "When eve's last rays in twilight" (duet), 20 Irish Songs WoO 153, No. 8 "Norah of Balamagairy", 25 Irish Songs WoO 152, No. 11 "Thou emblem of faith", 25 Irish Songs WoO 152, No. 15 "Let brainspinning swains", 25 Irish Songs WoO 152, No. 17 "In vain to this desert" (duet), 25 Irish Songs WoO 152, No. 20 "Farewell bliss and farewell Nancy" (duet), 25 Irish Songs WoO 152, No. 24 "The Traugh welcome", 25 Irish Songs WoO 152, No. 5 "On the massacre of Glencoe", 25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet), 25 Irish Songs WoO 152, No. 8 "Come draw we round a cheerful ring", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 1. "When Eve's last rays in twilight", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 8. "Farewell mirth and hilarity", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 11. "Thou emblem of faith", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 15. "Let brain-spinning swains", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 17. "In vain to this desert my fate I deplore", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 20. "Farewell bliss and farewell Nancy" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 24. "The trough welcome", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 5. "On the massacre of Glencoe", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 6. "What shall I do to shew how much I love her?" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 8. "Come draw we round a cheerful ring" |
| London Philharmonic Orchestra |
performing orchestra |
Leonora Overture No. 3, Romance for Violin and Orchestra No. 2 in F major, Op. 50, Symphonie No. 5, Op. 67: I. Allegro con brio, Symphonie No. 5, Op. 67: I. Allegro con brio (version entendue par bébé), Symphonie Nr. 2 Op. 36 D-Dur II: Larghetto, Symphonie Nr. 2 Op. 36 D-Dur III: Scherzo: Allegro, Symphonie Nr. 2 Op. 36 d-Dur I: Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No.5 in C minor, Op.67: 1. Allegro con brio, Symphony No.5 in C minor, Op.67: 2. Andante con moto, Symphony No.5 in C minor, Op.67: 3. Allegro, Symphony No.5 in C minor, Op.67: 4. Allegro, Symphony no. 5 in C minor "Fate", op. 67: I. Allegro con brio, Symphony no. 5 in C minor "Fate", op. 67: II. Andante con moto, Symphony no. 5 in C minor "Fate", op. 67: III. Allegro, Symphony no. 5 in C minor "Fate", op. 67: IV. Allegro |
| Patti Laursen |
producer |
Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture |
| Horst Neumann (choir master and conductor) |
chorus master |
Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)", Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)", Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)", Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)", Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)", Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)", Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat" |
| Everett Porter |
engineer |
Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture |
| Australian Intervarsity Choral Festival Choir |
vocal |
Calm Sea and Prosperous Voyage, Drei Equali, Mass in C: Agnus Dei, Mass in C: Benedictus, Mass in C: Credo, Mass in C: Gloria, Mass in C: Kyrie, Mass in C: Sanctus, Missa Solemnis: Agnus Dei, Missa Solemnis: Credo, Missa Solemnis: Gloria, Missa Solemnis: Kyrie, Missa Solemnis: Santcus, Mount of Olives: Behold him, Mount of Olives: Introduction, Mount of Olives: Mine inmost heart, Mount of Olives: Praise, Oh Triumph, Mount of Olives: We surely, Prisoner's chorus from Fidelio |
| Александр Титов (conductor) |
conductor |
Leonore Overture No. 2, Op. 72, Leonore Overture No.3, Op. 72, Leonore Overture no. 3, op. 72, Ouvertüre "Leonore" No. 3 Op. 72a, Overture to Egmont, Op. 84, Overture to Prometheus, Op. 43, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II Adagio un poco moto, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": IV. Gewitter. Sturm. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No.3 in E flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No.5. in C minor, Op. 67: I. Allegro con brio |
| Chihiro Saito |
cello |
12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 2, "O Harp of Erin", 12 Irish Songs WoO 154, No. 3, "The Farewell Song", 12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman", 12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot", 12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine", 12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", Trio for Piano, Violin and Cello in E-flat major, Op. 38: I. Adagio – Allegro con brio, Trio for Piano, Violin and Cello in E-flat major, Op. 38: II. Adagio cantabile, Trio for Piano, Violin and Cello in E-flat major, Op. 38: III. Tempo di minuetto, Trio for Piano, Violin and Cello in E-flat major, Op. 38: IV. Tema con variazioni. Andante, Trio for Piano, Violin and Cello in E-flat major, Op. 38: V. Scherzo. Allegro molto e vivace, Trio for Piano, Violin and Cello in E-flat major, Op. 38: VI. Andante con moto alla marcia – Presto, Trio for Violin, Cello and Piano in E-flat major, H. 48 |
| Henk Kooislra |
engineer |
Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture |
| Sylvia McNair |
vocal |
Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet, Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze" |
| Anthony Caronia |
producer |
Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture |
| Carol Smith |
vocal |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem" |
| Hans-Hubert Schönzeler |
conductor |
Die Ruinen von Athen, Op. 113: Arie mit Chor: Will unser Genius noch einen Wunsch gewähren, Die Ruinen von Athen, Op. 113: Chor der Derwische: Du hast in deines Ärmels Falten den Mond getragen, Die Ruinen von Athen, Op. 113: Chor: Tochter des mächtigen Zeus, Die Ruinen von Athen, Op. 113: Chor: Wir trafen empfängliche Herzen im Busen, Die Ruinen von Athen, Op. 113: Chor: heil unserem König! Heil!, Die Ruinen von Athen, Op. 113: Duett: Ohne verschulden Knechtschaft dulden, Die Ruinen von Athen, Op. 113: Marsch und Chor: Schmückt die Altäre, Die Ruinen von Athen, Op. 113: Musik hinter der Szene: Es wandelt schon das Volk im Feierkleide, Die Ruinen von Athen, Op. 113: Overtüre, Die Ruinen von Athen, Op. 113: Rezitativ: Mit reger Freude, die nie erkaltet, Die Ruinen von Athen, Op. 113: Türkischer Marsch, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde |
| Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) |
performing orchestra |
Die Ruinen von Athen, Op. 113: Arie mit Chor: Will unser Genius noch einen Wunsch gewähren, Die Ruinen von Athen, Op. 113: Chor der Derwische: Du hast in deines Ärmels Falten den Mond getragen, Die Ruinen von Athen, Op. 113: Chor: Tochter des mächtigen Zeus, Die Ruinen von Athen, Op. 113: Chor: Wir trafen empfängliche Herzen im Busen, Die Ruinen von Athen, Op. 113: Chor: heil unserem König! Heil!, Die Ruinen von Athen, Op. 113: Duett: Ohne verschulden Knechtschaft dulden, Die Ruinen von Athen, Op. 113: Marsch und Chor: Schmückt die Altäre, Die Ruinen von Athen, Op. 113: Musik hinter der Szene: Es wandelt schon das Volk im Feierkleide, Die Ruinen von Athen, Op. 113: Overtüre, Die Ruinen von Athen, Op. 113: Rezitativ: Mit reger Freude, die nie erkaltet, Die Ruinen von Athen, Op. 113: Türkischer Marsch, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde |
| Westminster Choir (Princeton, NJ) |
vocal |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem" |
| Eileen Farrell |
vocal |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem" |
| Christina Klopsch |
vocal |
"Alles Gute", WoO 179, "Brauchle, Linke", WoO 167, "Da ist das Werk", WoO 197, "Das Reden", WoO 168 No. 2, "Falstafferel, laß dich sehen!", WoO 184, "Fra tutte le pene" (1st version), WoO 99 No. 3c/Hess 224, "Fra tutte le pene", WoO 99 No. 3b/Hess 225, "Giura il nocchier", WoO 99 No. 5b/Hess 227, "Graf, liebster Graf", WoO 101, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Kurz ist der Schmerz", WoO 163, "Ma tu tremi", WoO 99 No. 6/Hess 212, "Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217, "O Tobias!", WoO 182, "Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219, "Schwenke dich ohne Schwänke!", WoO 187, Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171, Musical joke for three voices "Graf, Graf, liebster Graf", WoO 101 |
| Günther Beyer |
vocal |
"Das Schweigen", WoO 168 No. 1, "Es muß sein!", WoO 196, "Fra tutte le pene" (1st version), WoO 99 No. 3c/Hess 224, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Giura il nocchier", WoO 99 No. 5b/Hess 227, "Già la notte s'avvicina", WoO 99 No. 4b/Hess 223, "Herr Graf, ich komme zu fragen", Hess 276, "Ich küsse Sie", WoO 169, "Ich war hier, Doktor, ich war hier", WoO 190, "Kühl, nicht lau", WoO 191, "Lob auf den Dicken", WoO 100, "Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217, "O Tobias!", WoO 182, "Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219, "Sankt Petrus war ein Fels!", WoO 175, "Signor Abate!", WoO 178, "The Monk's Song" for 3 a cappella Male Voices from Schiller's play "William Tell", WoO 104, Song of Farewell for Tenor and 2 Basses, WoO 102 |
| 정명훈 (pianist and conductor) |
conductor |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”, Der glorreiche Augenblick, Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio, Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram, Romance Cantabile |
| James Taylor (operatic tenor) |
vocal |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus, V. Benedictus, VI. Agnus Dei |
| Coro dell’Accademia Nazionale di Santa Cecilia |
vocal |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”, Der glorreiche Augenblick, Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio, Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram |
| Tbilisi Symphony Orchestra |
performing orchestra |
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Finale. Allegro molto, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace - Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of happy feelings on arrival in the country): Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach (By the brook): Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute (Joyous gathering of country folk): Allegro (attacca), Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm (Thunderstorm, Storm): Allegro (attacca), Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang, Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; happy and thankful feelings after the storm): Allegretto, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto (Ode to Joy) |
| Djansug Kakhidze |
conductor |
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Finale. Allegro molto, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace - Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of happy feelings on arrival in the country): Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach (By the brook): Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute (Joyous gathering of country folk): Allegro (attacca), Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm (Thunderstorm, Storm): Allegro (attacca), Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang, Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; happy and thankful feelings after the storm): Allegretto, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto (Ode to Joy) |
| Arthur Grumiaux (Belgian violinist) |
violin |
Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Adagio, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Molto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Scherzando E Vivace, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Vivace E Disinvolta - Presto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Andante Con Variazioni, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Entrata (Allegro), Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Tempo Ordinario D'Un Menuetto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Adagio - Scherzo (Allegro Molto) - Adagio (Tempo I) - Allegro Molto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Allegretto Alla Polacca, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Andante Quasi Allegretto - Allegro - Tempo I, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro - Adagio), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Menuetto (Allegretto), Serenade in D, Op. 25: 6. Adagio - 7. Allegro vivace e disinvolto - Presto, Serenade in D, Op. 8: 5. Andante quasi allegretto - Allegro - Tempo I - 6. Marcia (Allegro) |
| Wolfgang Wagner |
vocal |
"Chi mai di questo core", WoO 99 No. 2/Hess 214, "Ewig dein", WoO 161, "Fra tutte le pene" (2nd version), Hess 210, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Giura il nocchier" (1st version), Hess 230, "Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221, "Già la notte s'avvicina", WoO 99 No. 4a/Hess 222, "Hoffmann, sei ja kein Hofmann", WoO 180, "Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220, "Per te d'amico aprile", WoO 99 No. 9/Hess 216, "Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213, "Quella cetra ah pur tu sei", WoO 99 No. 10b/Hess 218, "Sankt Petrus war ein Fels!", WoO 175, "Schwenke dich ohne Schwänke!", WoO 187, Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious), Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Three canons, WoO 181 No. 1 - Canon in 4 parts in C major "Gedenket heute an Baden", WoO 181/1 |
| Wolfgang Sawallisch |
conductor, piano |
6 Lieder von Gellert, Op. 48 No. 1: Bitten, 6 Lieder von Gellert, Op. 48 No. 2: Die Liebe des Nächsten, 6 Lieder von Gellert, Op. 48 No. 3: Vom Tode, 6 Lieder von Gellert, Op. 48 No. 4: Die Ehre Gottes aus der Natur, 6 Lieder von Gellert, Op. 48 No. 5: Gottes Macht und Vorsehung, 6 Lieder von Gellert, Op. 48 No. 6: Bußlied, Acht Lieder, Op. 52 No. 4: Mailied, Acht Lieder, Op. 52 No. 7: Marmotte, Acht Lieder, Op. 52 No. 8: Das Blümchen Wunderhold, Adelaide, Op. 46, An die Hoffnung, Op. 32, Drey Gesaenge, Op. 83 No. 1: Wonne der Wehmut, Drey Gesaenge, Op. 83 No. 2: Sehnsucht, Mondscheinsonate: Adagio, Sechs Gesaenge, Op. 75 No. 2: Neue Liede, neues Leben, Sechs Gesaenge, Op. 75 No. 3: Aus Goethe's Faust "Mephistos Flohlied", Symphonie No. 9 in D minor, Op. 125: IV. Allegro ma non tanto - Prestissimo (Royal Concertgebouw Orchestra) |
| Orchestra dell’Accademia Nazionale di Santa Cecilia |
performing orchestra |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”, Der glorreiche Augenblick, Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio, Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram |
| György Éder |
cello |
Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto, Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro, Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Marcia. Adagio, Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Menuetto - Trio, Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Adagio - Scherzo, Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Allegretto alla polacca, Serenade for Violin, Viola, and Cello in D major, Op. 8: VI. Tema con Variazioni. Andante quasi allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro |
| Mikayel Hakhnazaryan |
cello |
6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto |
| Marika Kuzma |
chorus master |
Egmont, Op. 84: I. Ouverture, Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame] |
| Adrianne Pieczonka (soprano) |
vocal |
Egmont, Op. 84: I. Ouverture, Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame] |
| Norbert Balatsch (baritone, chorus master and conductor) |
chorus master |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”, Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio, Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese, Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto, Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram |
| Boris Livschitz |
violin |
6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto |
| Elizabeth Layton |
violin |
14 Variations for Piano, Violin & Cello Op. 44: I. Thema, Andante, 14 Variations for Piano, Violin & Cello Op. 44: II. Variation I (Sempre staccato), 14 Variations for Piano, Violin & Cello Op. 44: III. Variation II, 14 Variations for Piano, Violin & Cello Op. 44: IV. Variation III, 14 Variations for Piano, Violin & Cello Op. 44: IX. Variation VIII, Un poco adagio, 14 Variations for Piano, Violin & Cello Op. 44: V. Variation IV, 14 Variations for Piano, Violin & Cello Op. 44: VI. Variation V, 14 Variations for Piano, Violin & Cello Op. 44: VII. Variation VI, 14 Variations for Piano, Violin & Cello Op. 44: VIII. Variation VII, Largo, 14 Variations for Piano, Violin & Cello Op. 44: X. Variation IX, Tempo primo, 14 Variations for Piano, Violin & Cello Op. 44: XI. Variation X, 14 Variations for Piano, Violin & Cello Op. 44: XII. Variation XI, 14 Variations for Piano, Violin & Cello Op. 44: XIII. Variation XII, 14 Variations for Piano, Violin & Cello Op. 44: XIV. Variation XIII, Adagio, 14 Variations for Piano, Violin & Cello Op. 44: XV. Variation XIV, Allegro-Andante-Presto, Music, Love and Wine |
| Otto Wiener |
vocal |
Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn" |
| Maria Stader |
vocal |
Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn" |
| Mátyás Bartha |
violin |
6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto |
| Chœur de l’Orchestre symphonique de Montréal |
vocal |
Egmont, Op. 84: I. Ouverture, Le Général, No 1 Chanson: Au loin un tambour [Egmont: No 1, Chanson: Die Trommel gerühret], Le Général, No 10 Chanson: Désespéré, tu te sens seul ici [Egmont: No 4, Chanson: Freudvoll und leidvoll], Le Général, No 11 Entracte 6 [Egmont: No 5, Entracte 3], Le Général, No 12 Entracte 7 [König Stephan: No 8, Marche solennelle], Le Général, No 13 Mélodrame: Je n'avais rien à dire à ces gens [König Stephan: No 8, Mélodrame, de la section Grave risoluto e ben marcato], Le Général, No 14 ‘Symphonie de victoire' [Egmont: No 9], Le Général, No 15 Final [Opferlied, Op.121b], Le Général, No 2 Mélodrame: Une chose que j'ai apprise [König Stephan: No 7, Mélodrame], Le Général, No 3 Mélodrame: Délateurs, espions [König Stephan: No. 5, Le Général, Mélodrame], Le Général, No 4 Entracte 1 [Egmont: No 6, Entracte 4], Le Général, No 5 Entracte 2 [Leonore Prohaska: Marche funèbre], Le Général, No 6 Entracte 3 / Mélodrame: Je pourrais faire quelque chose [Egmont: No 2, Entr'acte 1], Le Général, No 7 Entracte 4 [Egmont: No 3, Entracte 2], Le Général, No 8 Entr'acte 5 [Egmont: No 7, La Mort de Clärchen], Le Général, No 9 Mélodrame: Je n'étais qu'un être humain [Egmont: No 8, Mélodrame] |
| Zvi Livschitz |
viola |
6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto |
| Haakon Schaub |
vocal |
26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan", 26 Welsh Songs WoO 155, No. 20, "To the Blackbird", Twelve Scottish Folksongs, WoO 156, No. 1, "The Banner of Buccleuch", Twelve Scottish Folksongs, WoO 156, No. 10, "Glencoe", Twelve Scottish Folksongs, WoO 156, No. 12, "The Quaker's Wife", Twelve Scottish Folksongs, WoO 156, No. 2, "Duncan Cray", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 4, "Ye Shepherds of This Pleasant Vale", Twelve Scottish Folksongs, WoO 156, No. 8, "Womankind", Twelve Scottish Folksongs, WoO 156, No. 9, "Lochnagar", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 11, "The Wandering Minstrel", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 5, "The Miller of Dee", Twelve Various Folksongs, WoO 157, No. 7, "Robin Adair" |
| Vienna Academy Chorus |
vocal |
Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele Ist Erschüttert", Christus Am Oelberge (Christ on the Mount of Olives): Arie: "Preist Des Erlösers Güte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: " o Heil Euch, Ihr Erlösten", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Engel: "Welten Singen Dank Und Ehre", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Hier Ist Er, Der Verbannte", Christus Am Oelberge (Christ on the Mount of Olives): Chor Der Krieger: "Wir Haben Ihn Gesehen", Christus Am Oelberge (Christ on the Mount of Olives): Chor: "Preiset Ihn, Ihr Engelchöre", Christus Am Oelberge (Christ on the Mount of Olives): Duett: "So Ruhe Denn Mit Ganzer Schwere", Christus Am Oelberge (Christ on the Mount of Olives): Introduktion. Grave - Adagio, Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die Mich Zu Fangen Ausgezogen Sind", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, Du Mein Vater!", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht Ungestraft Soll Der Verweg'Nen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, Mir Dein Mund Erbarmen", Christus Am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod", Christus Am Oelberge (Christ on the Mount of Olives): Terzett: "In Meinen Adern Wühlen Gerechter Zorn" |
| Attila Falvay |
violin |
Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto, Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro, Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Marcia. Adagio, Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Menuetto - Trio, Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Adagio - Scherzo, Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Allegretto alla polacca, Serenade for Violin, Viola, and Cello in D major, Op. 8: VI. Tema con Variazioni. Andante quasi allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro |
| Dominik Ostertag |
viola |
6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto, Quintet for Strings in C major, Op. 29: I. Allegro moderato, Quintet for Strings in C major, Op. 29: II. Adagio molto espressivo, Quintet for Strings in C major, Op. 29: III. Scherzo. Allegro, Quintet for Strings in C major, Op. 29: IV. Presto, Quintet for Strings in C minor, Op. 104: I. Allegro con brio, Quintet for Strings in C minor, Op. 104: II. Andante cantabile con variazioni, Quintet for Strings in C minor, Op. 104: III. Menuetto. Quasi allegro, Quintet for Strings in C minor, Op. 104: IV. Finale. Presto |
| Libor Pešek |
conductor |
Klavierkonzert no. 5 in Es-Dur, op. 73: Adagio un poco mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Adagio Un Poco Mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Allegro, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Rondo: Allegro, Sinfonie Nr. 7 A-Dur op. 92, 2.Satz: Allegretto, Symphonie Nr. 7 Op. 92 A-Dur I: Poco sostenuto, Vivace, Symphonie Nr. 7 Op. 92 A-Dur II: Allegretto, Symphonie Nr. 7 Op. 92 A-Dur III: Presto, Symphonie Nr. 7 Op. 92 A-Dur V: Finale: Allegro con brio, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Finale. Allegro con brio |
| Maria Rebekka Stöhr |
vocal |
26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan", 26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd", 26 Welsh Songs WoO 155, No. 22, "Constancy", 26 Welsh Songs WoO 155, No. 23, "The Old Strain", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide", 26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp", Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Scottish Folksongs, WoO 156, No. 3, "Up! Quit Thy Bower", Twelve Scottish Folksongs, WoO 156, No. 6, "Highland Harry", Twelve Various Folksongs, WoO 157, No. 1, "God Save the King", Twelve Various Folksongs, WoO 157, No. 3, "Charlie Is My Darling", Twelve Various Folksongs, WoO 157, No. 4, "O Sanctissima", Twelve Various Folksongs, WoO 157, No. 6, "A Health to the Brave", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament" |
| Chorus pro Musica |
vocal |
Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431) |
| Georges Janzer (viola, Grumiaux Trio) |
viola |
Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Adagio, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Molto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Scherzando E Vivace, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Vivace E Disinvolta - Presto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Andante Con Variazioni, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Entrata (Allegro), Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Tempo Ordinario D'Un Menuetto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Adagio - Scherzo (Allegro Molto) - Adagio (Tempo I) - Allegro Molto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Allegretto Alla Polacca, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Andante Quasi Allegretto - Allegro - Tempo I, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro - Adagio), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Menuetto (Allegretto), Serenade in D, Op. 25: 6. Adagio - 7. Allegro vivace e disinvolto - Presto, Serenade in D, Op. 8: 5. Andante quasi allegretto - Allegro - Tempo I - 6. Marcia (Allegro) |
| BBC Symphony Orchestra |
performing orchestra |
"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Chor auf die verbündeteten Fürsten, Chorus for the Allied Princes, WoO 95, Germania, WoO 94: Final Chorus from "Die gute Nachricht", Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo (Molto allegro), Scene (One) from "Vesta's Fire", Hess 115, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Triumphal March, WoO 2a: from "Tarpeja". Alla marcia, ma non troppo presto, Triumphmarsch, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume" |
| Dominique Labelle |
vocal |
Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431) |
| Brad Cresswell |
vocal |
Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431) |
| Wiener Symphoniker |
performing orchestra |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" / Vc. Choir of Children "Was soll der Lärm bedeuten?" |
| Donald M. Kendrick |
chorus master |
Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431) |
| D'Anna Fortunato |
vocal |
Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431) |
| Soli e Coro della Radio Svizzera italiana |
performer |
Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103, Der Gesang der Nachtigall "Höre, die Nachtigall singt" for voice & piano, WoO 141, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 2. "The soldier", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament", Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 10c. "Quella cetra ah pur tu sei" (H 219), Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 2. "Chi mai di questo core", Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 3b. "Fra tutte le pene" (H 225), Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 4a. "Gia la notte s'avvicina" (H 222), Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 5a. "Giura il nocchier" (H 221), Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 7b. "Nei campi e nelle selve" (H 220) |
| Michael Gielen |
conductor |
Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Agnus Dei, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Credo, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Gloria, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Kyrie, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Sanctus, Missa Solemnis in D major, op. 123: I. Kyrie, Missa Solemnis in D major, op. 123: II. Gloria, Missa Solemnis in D major, op. 123: IV. Sanctus, Missa Solemnis in D major, op. 123: V. Agnus Dei, Piano Concerto no. 2 in B flat, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B flat, op. 19: II. Adagio, Piano Concerto no. 2 in B flat, op. 19: III. Rondo: Molto allegro, Violin Concerto in D major, op. 61: I. Allegro ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo Allegro |
| David Arnold (baritone) |
vocal |
Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431) |
| Annette Cole |
piano |
14 Variations for Piano, Violin & Cello Op. 44: I. Thema, Andante, 14 Variations for Piano, Violin & Cello Op. 44: II. Variation I (Sempre staccato), 14 Variations for Piano, Violin & Cello Op. 44: III. Variation II, 14 Variations for Piano, Violin & Cello Op. 44: IV. Variation III, 14 Variations for Piano, Violin & Cello Op. 44: IX. Variation VIII, Un poco adagio, 14 Variations for Piano, Violin & Cello Op. 44: V. Variation IV, 14 Variations for Piano, Violin & Cello Op. 44: VI. Variation V, 14 Variations for Piano, Violin & Cello Op. 44: VII. Variation VI, 14 Variations for Piano, Violin & Cello Op. 44: VIII. Variation VII, Largo, 14 Variations for Piano, Violin & Cello Op. 44: X. Variation IX, Tempo primo, 14 Variations for Piano, Violin & Cello Op. 44: XI. Variation X, 14 Variations for Piano, Violin & Cello Op. 44: XII. Variation XI, 14 Variations for Piano, Violin & Cello Op. 44: XIII. Variation XII, 14 Variations for Piano, Violin & Cello Op. 44: XIV. Variation XIII, Adagio, 14 Variations for Piano, Violin & Cello Op. 44: XV. Variation XIV, Allegro-Andante-Presto |
| Richard Burnett (British pianist) |
fortepiano, piano |
"Der Wachtelschlag", WoO 129, An die ferne Geliebte, Op. 98 Nos. 1-6, Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio, Song for voice & piano "Andenken", WoO 136, Songs for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?", Songs for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mit einem gemalten Band: Kleine Blumen, kleine Blätter", Violin Sonata No. 5 in F major, Op. 24 "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto, Violin Sonata No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo, Violin Sonata No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio, Violin Sonata No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile, Violin Sonata No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro, Violin Sonata No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro |
| Cummings String Trio |
performer, cello, viola, violins |
Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: I. Allegro vivace, Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: II. Adagio con espressione, Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: III. Rondo. Allegro, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: I. Allegro moderato, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: II. Andante con moto, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: III. Rondo. Allegro, Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: I. Adagio assai – Allegro con spirito, Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: II. Tema con variazioni, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro |
| Leopold Stokowski |
arranger, conductor |
Mondscheinsonate: Adagio, Music to Goethe's Tragedy "Egmont" op.84: Overture, Symphony No.5 in C minor, Op.67: 1. Allegro con brio, Symphony No.5 in C minor, Op.67: 2. Andante con moto, Symphony No.5 in C minor, Op.67: 3. Allegro, Symphony No.5 in C minor, Op.67: 4. Allegro, Symphony No.7 in A, Op.92: 1. Poco sostenuto - Vivace, Symphony No.7 in A, Op.92: 2. Allegretto, Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto, Symphony No.7 in A, Op.92: 4. Allegro con brio, Symphony No.9 in D minor, Op.125 "Choral": 1. Allegro ma non troppo, un poco maestoso, Symphony No.9 in D minor, Op.125 "Choral": 2. Molto vivace, Symphony No.9 in D minor, Op.125 "Choral": 3. Adagio molto e cantabile, Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai |
| Hans Weber (producer/engineer) |
producer |
Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo - Kadenz, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto - attacca:, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro - Kadenz, Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro, Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)... |
| Heinz Bongartz |
conductor |
Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa), Egmont, Op. 84: Klärchens Tod: Larghetto "Arme Seele", Egmont, Op. 84: Lied: Andante con moto "Freudvoll und leidvoll", Egmont, Op. 84: Lied: Vivace "Die Trommel gerühret!, Egmont, Op. 84: Melodrama: Poco sostenuto "Süsser Schlaf! Du kommst wie ein reines Glück", Egmont, Op. 84: Monolog I., Egmont, Op. 84: Monolog II., Egmont, Op. 84: Monolog III., Egmont, Op. 84: Ouvertüre, Egmont, Op. 84: Siegessymphonie: Allegro con brio, Egmont, Op. 84: Zwischenakt I: Andante - Allegro con brio "Es ist keine falsche Ader an ihm", Egmont, Op. 84: Zwischenakt II: Larghetto, Egmont, Op. 84: Zwischenakt III: Allegro - Marcia; Vivace "Der König meint", Egmont, Op. 84: Zwischenakt IV: Poco sostenuto e risoluto |
| Václav Neumann |
conductor |
Die Ruinen von Athen - Overture, Op. 113, Die Weihe des Hauses - Overture, Op. 124, Egmont, Op. 84: Overture, Fidelio - Overture, Op. 72b, König Stephan - Overture, Op. 117, Leonore - Overture No. 3, Op. 72a, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony no. 9 in D minor 'Choral', op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor 'Choral', op. 125: II. Molto vivace, Symphony no. 9 in D minor 'Choral', op. 125: III. Adagio molto e cantible – Andante moderato, Symphony no. 9 in D minor 'Choral', op. 125: IV. Ode to Joy. Presto – Allegro assai |
| Stuttgart Piano Trio |
performer |
Allegretto for Piano, Violin, and Cello in B-flat major, WoO 39: Allegretto, Allegretto for Piano, Violin, and Cello in E-flat major, Hess 48, Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: I. Allegro, Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile, Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo: Allegro assai, Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: IV. Finale. Presto, Trio for Piano, Violin, and Cello No. 10 in E-flat major, Op. 44 (14 variations on an original theme): Thema. Andante - Var. I-IV - Andante, Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: I. Adagio - Allegro vivace, Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: II. Largo con espressione, Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: III. Scherzo. Allegro, Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: IV. Finale. Presto, Trio for Piano, Violin, and Cello in E-flat major, WoO 38: I. Allegro moderato, Trio for Piano, Violin, and Cello in E-flat major, WoO 38: II. Scherzo. Allegro ma non troppo, Trio for Piano, Violin, and Cello in E-flat major, WoO 38: III. Rondo. Allegretto |
| The Philadelphia Orchestra |
performing orchestra |
Fidelio, Op. 72b: Overture, Marcia turca da "Le rovine di Atene", Menuett G-dur, Menuett Nr. 2 G-dur, WoO 10, 2, Mondscheinsonate: Adagio, Sinfonie Nr. 7: II. Allegretto, Symphonie n° 6 en fa majeur, Op. 68 ''Pastorale'' : I. Eveil d'impressions agréables en arrivant à la campagne, Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto, Turkish March From "The Ruins of Athens" |
| Anthony Goldstone |
piano |
Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: I. Allegro vivace, Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: II. Adagio con espressione, Quartet for Piano, Violin, Viola and Cello in C major, WoO 36 No. 3: III. Rondo. Allegro, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: I. Allegro moderato, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: II. Andante con moto, Quartet for Piano, Violin, Viola and Cello in D major, WoO 36 No. 2: III. Rondo. Allegro, Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: I. Adagio assai – Allegro con spirito, Quartet for Piano, Violin, Viola and Cello in E-flat major, WoO 36 No. 1: II. Tema con variazioni, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro |
| John O'Conor (pianist) |
piano |
Sonata No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con variazioni, Sonata No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo; allegro molto, Sonata No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre, Sonata No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro, Sonata No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio, Sonata No. 5 in C minor, Op. 10 No. 1: II. Adagio molto, Sonata No. 5 in C minor, Op. 10 No. 1: III. Finale. Prestissimo, Sonata No. 6 in F major, Op. 10 No. 2: I. Allegro, Sonata No. 6 in F major, Op. 10 No. 2: II. Allegretto, Sonata No. 7 in D major, Op. 10 No. 3: I. Presto, Sonata No. 7 in D major, Op. 10 No. 3: II. Largo e mesto, Sonata No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro, Sonata No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro |
| Orchestre des Champs-Élysées |
performing orchestra |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemis: Quoniam tu solus sanctus, Missa solemnis in D major, Op. 123: I. Kyrie, Missa solemnis in D major, Op. 123: II. Gloria, Missa solemnis in D major, Op. 123: III. Credo, Missa solemnis in D major, Op. 123: IV. Sanctus, Missa solemnis in D major, Op. 123: V. Benedictus, Missa solemnis in D major, Op. 123: VI. Agnus Dei, V. Benedictus, VI. Agnus Dei |
| SWR Sinfonieorchester Baden-Baden und Freiburg |
performing orchestra |
Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Agnus Dei, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Credo, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Gloria, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Kyrie, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Sanctus, Missa Solemnis in D major, op. 123: I. Kyrie, Missa Solemnis in D major, op. 123: II. Gloria, Missa Solemnis in D major, op. 123: IV. Sanctus, Missa Solemnis in D major, op. 123: V. Agnus Dei, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funébre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto |
| Jenő Jandó |
piano |
7 Ländler for Piano in D major, WoO 11, Bagatelle for Piano in C major, WoO 56. Allegretto, Bagatelle for Piano in C minor, WoO 52: Presto, Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente, Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo, Lettre à elise, Piano Sonata no. 14 in C sharp minor, op. 27, no. 2, "Moonlight": I Adagio sostenuto, Rondo in A major, WoO 49. Allegretto, Rondo à Capriccio, Op. 129, Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Molto adagio, Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato, Sonate No. 8, Op. 13 "Pathétique", Sonate No. 8, Op. 13 "Pathétique": II. Adagio cantabile |
| Alfred Scholz |
conductor |
Fidelio-Ouvertüre, Op. 72b (Süddeutsche Philharmonie feat. conductor: Alfred Scholz), Symphonie No. 5, Op. 67: I. Allegro con brio, Symphonie No. 5, Op. 67: I. Allegro con brio (version entendue par bébé), Symphonie Nr. 2 Op. 36 D-Dur II: Larghetto, Symphonie Nr. 2 Op. 36 D-Dur III: Scherzo: Allegro, Symphonie Nr. 2 Op. 36 d-Dur I: Adagio molto - Allegro con brio, Symphonie Nr. 8 Op. 93 F-Dur I: Allegro vivace con brio, Symphonie Nr. 8 Op. 93 F-Dur II: Allegretto scherzando, Symphonie Nr. 8 Op. 93 F-Dur III: Tempo di menuetto, Symphonie Nr. 8 Op. 93 F-Dur V: Finale: Allegro vivace, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro |
| Collegium Vocale Gent |
vocal |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemis: Quoniam tu solus sanctus, Missa solemnis in D major, Op. 123: I. Kyrie, Missa solemnis in D major, Op. 123: II. Gloria, Missa solemnis in D major, Op. 123: III. Credo, Missa solemnis in D major, Op. 123: IV. Sanctus, Missa solemnis in D major, Op. 123: V. Benedictus, Missa solemnis in D major, Op. 123: VI. Agnus Dei, V. Benedictus, VI. Agnus Dei |
| Friedemann Bätzel |
conductor |
12 Menuets for Orchestra WoO 7 No. 1 in D major, 12 Menuets for Orchestra WoO 7 No. 10 in E-flat major, 12 Menuets for Orchestra WoO 7 No. 11 in C major, 12 Menuets for Orchestra WoO 7 No. 12 in F major, 12 Menuets for Orchestra WoO 7 No. 2 in B-flat major, 12 Menuets for Orchestra WoO 7 No. 3 G major, 12 Menuets for Orchestra WoO 7 No. 4 in E-flat major, 12 Menuets for Orchestra WoO 7 No. 5 in C major, 12 Menuets for Orchestra WoO 7 No. 6 in A major, 12 Menuets for Orchestra WoO 7 No. 7 in D major, 12 Menuets for Orchestra WoO 7 No. 8 in B-flat major, 12 Menuets for Orchestra WoO 7 No. 9 in G major, Congratulatory Minuet for Orchestra in E-flat major, WoO 3: Tempo di menuetto quasi allegretto |
| La Chapelle Royale |
performing orchestra, vocal |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemis: Quoniam tu solus sanctus, Missa solemnis in D major, Op. 123: I. Kyrie, Missa solemnis in D major, Op. 123: II. Gloria, Missa solemnis in D major, Op. 123: III. Credo, Missa solemnis in D major, Op. 123: IV. Sanctus, Missa solemnis in D major, Op. 123: V. Benedictus, Missa solemnis in D major, Op. 123: VI. Agnus Dei, V. Benedictus, VI. Agnus Dei |
| Kurt Moll |
vocal |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live) |
| Philippe Herreweghe |
conductor |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, Missa Solemis: Quoniam tu solus sanctus, Missa solemnis in D major, Op. 123: I. Kyrie, Missa solemnis in D major, Op. 123: II. Gloria, Missa solemnis in D major, Op. 123: III. Credo, Missa solemnis in D major, Op. 123: IV. Sanctus, Missa solemnis in D major, Op. 123: V. Benedictus, Missa solemnis in D major, Op. 123: VI. Agnus Dei, V. Benedictus, VI. Agnus Dei |
| Kammerorchester der Staatskapelle Weimar |
performing orchestra |
12 Menuets for Orchestra WoO 7 No. 1 in D major, 12 Menuets for Orchestra WoO 7 No. 10 in E-flat major, 12 Menuets for Orchestra WoO 7 No. 11 in C major, 12 Menuets for Orchestra WoO 7 No. 12 in F major, 12 Menuets for Orchestra WoO 7 No. 2 in B-flat major, 12 Menuets for Orchestra WoO 7 No. 3 G major, 12 Menuets for Orchestra WoO 7 No. 4 in E-flat major, 12 Menuets for Orchestra WoO 7 No. 5 in C major, 12 Menuets for Orchestra WoO 7 No. 6 in A major, 12 Menuets for Orchestra WoO 7 No. 7 in D major, 12 Menuets for Orchestra WoO 7 No. 8 in B-flat major, 12 Menuets for Orchestra WoO 7 No. 9 in G major, Congratulatory Minuet for Orchestra in E-flat major, WoO 3: Tempo di menuetto quasi allegretto |
| Astrid Pilzecker |
vocal |
"Alles Gute", WoO 179, "Das Schweigen", WoO 168 No. 1, "Edel sei der Mensch", WoO 185, "Fra tutte le pene" (1st version), WoO 99 No. 3c/Hess 224, "Fra tutte le pene", WoO 99 No. 3b/Hess 225, "Giura il nocchier", WoO 99 No. 5b/Hess 227, "Già la notte s'avvicina", WoO 99 No. 4b/Hess 223, "Graf, liebster Graf", WoO 101, "Im Arm der Liebe ruht sich's wohl", WoO 159, "Ma tu tremi", WoO 99 No. 6/Hess 212, "Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217, "Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219, Musical joke for three voices "Graf, Graf, liebster Graf", WoO 101 |
| Bratislava Chamber Orchestra |
performing orchestra |
12 Contredances for Orchestra, WoO 14 No. 1 in C major, 12 Contredances for Orchestra, WoO 14 No. 10 in C major, 12 Contredances for Orchestra, WoO 14 No. 11 in G major, 12 Contredances for Orchestra, WoO 14 No. 12 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 2 in A major, 12 Contredances for Orchestra, WoO 14 No. 3 in D major, 12 Contredances for Orchestra, WoO 14 No. 4 in B-flat major, 12 Contredances for Orchestra, WoO 14 No. 5 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 6 in C major, 12 Contredances for Orchestra, WoO 14 No. 7 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 8 in C major, 12 Contredances for Orchestra, WoO 14 No. 9 in A major |
| Vlastimil Horák |
conductor |
12 Contredances for Orchestra, WoO 14 No. 1 in C major, 12 Contredances for Orchestra, WoO 14 No. 10 in C major, 12 Contredances for Orchestra, WoO 14 No. 11 in G major, 12 Contredances for Orchestra, WoO 14 No. 12 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 2 in A major, 12 Contredances for Orchestra, WoO 14 No. 3 in D major, 12 Contredances for Orchestra, WoO 14 No. 4 in B-flat major, 12 Contredances for Orchestra, WoO 14 No. 5 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 6 in C major, 12 Contredances for Orchestra, WoO 14 No. 7 in E-flat major, 12 Contredances for Orchestra, WoO 14 No. 8 in C major, 12 Contredances for Orchestra, WoO 14 No. 9 in A major |
| Ekaterina Murina (piano) |
performer, piano |
Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio Cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro, Piano Sonata No.2 in A major, Op. 2 No.2: I. Allegro Vivace, Piano Sonata No.2 in A major, Op. 2 No.2: II. Largo appassionato, Piano Sonata No.2 in A major, Op. 2 No.2: III. Scherzo. Allegratto, Piano Sonata No.2 in A major, Op. 2 No.2: IV. Rondo. Grazioso, Piano Sonata No.23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No.23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Piano Sonata No.23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo, Piano Sonata no. 8 in C minor “Pathetique”: Adagio cantabile |
| Silvia Čápová |
piano |
Adagio Moonlight Sonata, Albumblatt/Bagatella A-Moll 'Für Elise' - WoO 59, Bagatelle No. 59 en La mineur "Pour Elise", Bagatelle in A minor, WoO 59 "Für Elise", For Elise, Moonlight Sonata: Quasi una fantasia, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Adagio, Sonate pour piano No. 23, Op. 57 "Appassionata": I. Allegro assai, Sonate pour piano No. 23, Op. 57 "Appassionata": III. Allegro ma non troppo |
| Николай Луганский |
piano |
Piano Sonata no. 14 in C-sharp minor, op. 27/2, "Moonlight": I. Adagio sostenuto, Piano Sonata no. 14 in C-sharp minor, op. 27/2, "Moonlight": II. Allegretto, Piano Sonata no. 14 in C-sharp minor, op. 27/2, "Moonlight": III. Presto agitato, Piano Sonata no. 22 in F, op. 54: I. In tempo di menuetto, Piano Sonata no. 22 in F, op. 54: II. Allegretto, piu allegro, Piano Sonata no. 23 in F minor, op. 57, "Appassionata": I. Allegro assai, Piano Sonata no. 23 in F minor, op. 57, "Appassionata": II. Andante con moto, Piano Sonata no. 23 in F minor, op. 57, "Appassionata": III. Allegro ma non troppo, Piano Sonata no. 7 in D, op. 10/3: I. Presto, Piano Sonata no. 7 in D, op. 10/3: II. Largo e mesto, Piano Sonata no. 7 in D, op. 10/3: III. Menuetto: allegro, Piano Sonata no. 7 in D, op. 10/3: IV. Rondo: allegro |
| Ede Banda (Hungarian cellist) |
cello |
Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto |
| János Fejérvári |
viola |
Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro, Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Marcia. Adagio, Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Menuetto - Trio, Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Adagio - Scherzo, Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Allegretto alla polacca, Serenade for Violin, Viola, and Cello in D major, Op. 8: VI. Tema con Variazioni. Andante quasi allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato, Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro |
| Paul Kletzki |
conductor |
Adagio molto e cantabile, Allegro ma non troppo, un poco maestoso, Presto, allegro assai, Scherzo, molto vivace, Symphony No. 2 in D major, Op. 36: I. Adagio molto, Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo, Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace |
| Lori Phillips |
vocal |
Mass in D major, op. 123 "Missa Solemnis": Benedictus, Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus |
| Dénes Kovács |
violin |
Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto |
| Géza Németh |
viola |
Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace, Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro, Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro, Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto |
| Theo Adam (German classical bass-baritone) |
vocal |
Agnus Dei, Benedictus, Credo, Gloria, Kyrie, Sanctus, Symphonie Nr. 9 d-Moll, Op. 125: I. Allegro ma non troppo, Symphonie Nr. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie Nr. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie Nr. 9 d-Moll, Op. 125: IVa. Presto, Symphonie Nr. 9 d-Moll, Op. 125: IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai |
| Nashville Symphony Orchestra |
performing orchestra |
Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus |
| Robynne Redmon |
vocal |
Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus |
| Nashville Symphony Chorus |
vocal |
Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus |
| George Mabry |
chorus master |
Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus |
| Hansjörg Schellenberger |
oboe |
Duo für Oboe und Fagott WoO 27/1: I. Allegro commodo, Duo für Oboe und Fagott WoO 27/1: II. Larghetto sostenuto, Duo für Oboe und Fagott WoO 27/1: III. Rondo: Allegretto, Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro, Trio für zwei Oboen und Englischhorn, Op. 87: I. Allegro, Trio für zwei Oboen und Englischhorn, Op. 87: II. Adagio cantabile, Trio für zwei Oboen und Englischhorn, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio für zwei Oboen und Englischhorn, Op. 87: IV. Finale. Presto, Variationen über „La ci darem la mano“ für zwei Oboen und Englischhorn |
| Orchestre de Festival Belgique |
performing orchestra |
Romance for Violin and Orchestra no. 1 in G major, op. 40, Romance for Violin and Orchestra no. 2 in F major, op. 50, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro |
| Kenneth Schermerhorn |
conductor |
Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus |
| Arthur Apelt |
conductor |
"Es ist vollbracht", WoO 97 (Finale from Treitschke's "Die Ehrenpforten"), "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, Aria in B flat major for tenor & orchestra for Umlauf’s Singspiel "Die schöne Schusterin", WoO 91: "Soll ein Schuh nicht drücken", Aria in D major for bass & orchestra, WoO 90; "Mit Mädeln sich vertragen", Aria in F major for bass & orchestra, WoO 89: "Prüfung des Küssens", Aria in F major for tenor & orchestra for Umlauf’s Singspiel "Die schöne Schusterin", WoO 91: "O welch ein Leben!", Duet for 2 voices & orchestra, WoO 93: "Nei giorni tuoi felici", Scena and aria for soprano & orchestra, WoO 92: "Primo amore . . . Tal amor", Scena and aria for soprano & orchestra, WoO 92a: "No, non turbarti! . . . Ma tu tremi, o mio tesoro", Tremate, Empi, Tremate for 3 voices & orchestra, Op. 116, Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate" |
| Dorothee Wohlgemuth |
vocal |
20 Irish Songs WoO 153, No. 12, "I'll Praise the Saints", 20 Irish Songs WoO 153, No. 14, "Paddy O'Rafferty", 20 Irish Songs WoO 153, No. 16, "O Might I but My Patrick Love", 20 Irish Songs WoO 153, No. 2, "No Riches From His Scanty Store", 25 Irish Songs WoO 152, No. 16, "Hide Not Thy Anguish", 25 Irish Songs WoO 152, No. 18, "They Bid Me Slight My Dermot Dear", 25 Irish Songs WoO 152, No. 22, "From Garyone, My Happy Home", 25 Irish Songs WoO 152, No. 7, "His Boat Comes on the Sunny Tide", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine) |
| Mikuláš Škuta (pianist) |
piano |
Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro, Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio, Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto, Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo, Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace, Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato, Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto, Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso, Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro, Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto, Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto |
| Friedrich Gulda |
piano |
Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Sonate No. 14 en Ut dièse mineur, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto, Sonate No. 14 en Ut dièse mineur, Op. 27 No. 2 "Clair de lune": II. Allegretto, Sonate No. 14 en Ut dièse mineur, Op. 27 No. 2 "Clair de lune": III. Presto agitato, Sonate No. 23 en Fa mineur, Op. 57 "Appassionata": I. Allegro assai, Sonate No. 23 en Fa mineur, Op. 57 "Appassionata": II. Andante con moto, Sonate No. 23 en Fa mineur, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto, Sonate No. 8 en Ut mineur, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Sonate No. 8 en Ut mineur, Op. 13 "Pathétique": II. Adagio cantabile, Sonate No. 8 en Ut mineur, Op. 13 "Pathétique": III. Rondo - Allegro, Variations Diabelli, Op. 120: VII. Var. VI |
| Saint Luke Chamber Orchestra |
performing orchestra |
Duo in E-flat for viola and cello: I. Allegro, Duo in E-flat for viola and cello: II. Minuetto, Septet in E-flat major, Op. 20: I. Adagio - Allegro con brio, Septet in E-flat major, Op. 20: II. Adagio cantablie, Septet in E-flat major, Op. 20: III. Tempo di menuetto, Septet in E-flat major, Op. 20: IV. Tema con variazioni, Septet in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet in E-flat major, Op. 20: VI. Andante con moto alla marcia - Presto, Sextet in E-flat major, Op. 81b: I. Allegro con brio, Sextet in E-flat major, Op. 81b: II. Adagio, Sextet in E-flat major, Op. 81b: III. Rondo. Allegro |
| Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) |
performing orchestra |
Leonora Overture no. 1, March of the Turks, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (excerpt), Symphony no. 3 "Eroica": I. Allegro con brio, Symphony no. 3 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 "Eroica": IV. Finale. Allegro molto, Two Marches for Military Band: No. 1, Two Marches for Military Band: No. 2, Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle Symphony", Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle" |
| Nikolaus Harnoncourt |
conductor |
Missa solemnis for Soloists, Chorus and Orchestra, op. 123: I. KYRIE. Assai sostenuto. Mit Andacht [¢]- Andante assia ben marcato [3/2] - Tempo I [¢], Missa solemnis, Op. 123: I. Kyrie, Missa solemnis, Op. 123: II. Gloria, Missa solemnis, Op. 123: III. Credo, Missa solemnis, Op. 123: IV. Benedictus, Missa solemnis, Op. 123: IV. Sanctus, Missa solemnis, Op. 123: V. Agnus Dei, Piano Concerto no.5, ’Emperor’: Rondo, The Creatures of Prometheus, Op. 43: Act II: No. 5 Adagio - Andante quasi allegretto, Violin Concerto - Rondo: Allegro (excerpt), Violin Concerto in D major, Op. 61: II. Larghetto |
| Jay Baylon |
vocal |
Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus |
| Jens Hamann |
vocal |
20 Irish Songs WoO 153, No. 11, "When Far From the Home", 20 Irish Songs WoO 153, No. 6, "Sad and Luckless Was the Season", 20 Irish Songs WoO 153, No. 9, "The Kiss, Dear Maid, Thy Lip Has Left", 25 Irish Songs WoO 152, No. 1, "The Return to Ulster", 25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", 25 Irish Songs WoO 152, No. 4, "The Morning Air Plays on My Face", 25 Irish Songs WoO 152, No. 9, "The Soldier's Dream", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany), Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany) |
| Steven Beck |
piano |
12 German Dances for Piano, Hess 100 (dances for orchestra WoO 8, for piano), 12 Minuets for Piano, Hess 101 (minuets for orchestra WoO 7, for piano), March for Military Music in D major, WoO 24, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Coda, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Deutscher Gesang, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Jagdlied, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Kriegslied, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): March, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Minnelied, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Tanzlied, Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Trinklied |
| Tim Handley (engineer/editor/producer) |
editor, engineer, producer |
Missa Solemnis, op. 123: Agnus Dei: Agnus Dei, Missa Solemnis, op. 123: Agnus Dei: Dona nobis pacem, Missa Solemnis, op. 123: Credo: Credo in unum Deum, Missa Solemnis, op. 123: Credo: Et incarnatus est, Missa Solemnis, op. 123: Credo: Et resurrexit tertia die, Missa Solemnis, op. 123: Gloria: Gloria in excelsis Deo, Missa Solemnis, op. 123: Gloria: Qui tollis peccata mundu, Missa Solemnis, op. 123: Gloria: Quoniam tu solus sanctus, Missa Solemnis, op. 123: Kyrie eleison, Missa Solemnis, op. 123: Sanctus: Benedictus, Missa Solemnis, op. 123: Sanctus: Sanctus |
| Peter Glatte |
violin |
12 Variations for Violin and Piano on "Se vuol ballare" from Mozart's "Le nozze di Figaro", WoO 40, Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace, Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I |
| Peter Maus |
vocal |
"Ars longa, vita brevis", WoO 170, "Ars longa, vita brevis", WoO 193, "Bei labbri, che Amore", WoO 99 No. 1/Hess 211, "Das Schöne zum Guten!", WoO 202, "Doktor sperrt das Tor dem Tod", WoO 189, "Fra tutte le pene", WoO 99 No. 3a, "Glück zum neuen Jahr!", WoO 176, "Kurz ist der Schmerz", WoO 166, "Salvo tu vuoi lo sposo?", Hess 228, "Scrivo in te", WoO 99 No. 11/Hess 215, "Sei mio ben", Hess 231 |
| Alfred Brendel |
grand piano, piano |
12 Variations on “See the conju'ring hero comes” WoO 45:Variation IX, 12 Variations on “See the conju'ring hero comes” WoO 45:Variation VIII, 12 Variations on “See the conju'ring hero comes” WoO 45:Variation X: Adagio, 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation V: Si prenda..., Diabelli Variations, Op. 120: V. Allegro vivace, Diabelli Variations, Op. 120: XIX. Presto, Diabelli Variations, Op. 120: XXI. Allegro con brio - Meno allegro, Diabelli Variations, Op. 120: XXV. Allegro, Diabelli Variations, Op. 120: XXXII. Fuga: Allegro - Poco adagio, Piano sonata no. 13 in E-flat major, op. 27 no. 1 “Quasi una fantasia”, Sonata no. 8 in C minor, op.13 “Pathetique” |
| Josef Suk (violinist) |
violin |
Romance No. 2 in F major, Op. 50, Sonata for Violin and Piano no. 5 in F major, op. 24: Adagio molto espressivo, Sonata for Violin and Piano no. 5 in F major, op. 24: Allegro, Sonata for Violin and Piano no. 5 in F major, op. 24: Rondo. Allegro ma non troppo, Sonata for Violin and Piano no. 5 in F major, op. 24: Scherzo, Allegro molto, Sonata for Violin and Piano no. 9 in A major, op. 47: Adagio sostenuto, Presto, Sonata for Violin and Piano no. 9 in A major, op. 47: Andante con variazoni, Sonata for Violin and Piano no. 9 in A major, op. 47: Finale, Presto, Violin Concerto in D major, op. 61: I: Allegro ma non troppo, Violin Concerto in D major, op. 61: II: Larghetto, Violin Concerto in D major, op. 61: III: Rondo (Allegro) |
| Эмиль Григорьевич Гилельс |
piano |
Klaviersonate Nr. 21 C-Dur, op. 53 »Waldstein-Sonate«: III. Rondo. Allegretto moderato – Prestissimo, Klaviersonate Nr. 21 C-Dur, op. 53 »Waldstein-Sonate«: IV. Prestissimo, Klaviersonate f-moll, op. 57 „Appassionata" –, Klaviersonate f-moll, op. 57 „Appassionata" – I. Allegro assai, Klaviersonate f-moll, op. 57 „Appassionata" – II. Andante con moto, Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro) |
| Bruno Ganz |
performer, vocal |
Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet, The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide" |
| Academy of St Martin in the Fields |
performing orchestra |
Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Romance No. 2 in F major, Op. 50, Romance no. 1 in G major, op. 40, Romance no. 2 in F major, op. 50, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto |
| Pierre Narrato |
conductor |
Romance for Violin and Orchestra no. 1 in G major, op. 40, Romance for Violin and Orchestra no. 2 in F major, op. 50, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile, Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro |
| RIAS Kammerchor |
vocal |
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin), The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!", The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen", The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!", The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!" |
| Johannes Walter (flautist) |
flute |
Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro, Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai, Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace, Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I |
| Hanne-Lore Kuhse |
vocal |
Agnus Dei, Benedictus, Credo, Duet for Soprano and Tenor accompanied by Orchestra, WoO 93 "Ne' giorni tuoi felici", Gloria, Kyrie, Sanctus, Scene and Aria for Soprano and Orchestra, WoO 92 "Primo amore", Scene and Aria for Soprano and Orchestra, WoO 92a "No, non turbarti", Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate" |
| Hagen Quartett |
strings |
String Quartet In C Sharp Minor, Op.131: 1. Adagio ma non troppo e molto espressivo, String Quartet In C Sharp Minor, Op.131: 2. Allegro molto vivace, String Quartet In C Sharp Minor, Op.131: 3. Allegro moderato, String Quartet In C Sharp Minor, Op.131: 4. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto, String Quartet In C Sharp Minor, Op.131: 5. Presto, String Quartet In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante, String Quartet In C Sharp Minor, Op.131: 7. Allegro, String Quartet in B flat, Op.130: 2. Presto, String Quartet in B flat, Op.130: 3. Andante con moto ma non troppo. Poco scherzando, String Quartet in B flat, Op.130: 4. Alla danza tedesca (Allegro assai) |
| Günther Arndt |
chorus master |
The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: I. Chorus. Andante poco sostenuto "Tochter des mächtigen Zeus!", The Ruins of Athens, Op. 113: III. Chorus of Dervishes. Allegro ma non troppo "Du hast in deines Ärmels Falten den Mond getragen", The Ruins of Athens, Op. 113: VIII. Chorus. Allegro con fuoco "Heil unserm König! Heil!", The Ruins of Athens, Op. 113: VIIa. Chorus. Allegretto, ma non troppo "Wir tragen empfängliche Herzen im Busen", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIa. March and Chorus. Assai moderato "Schmückt die Altäre!" |
| James Levine (US conductor and pianist) |
conductor, piano |
An die Hoffnung, Op. 94, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live), Symphonie no. 3 Es-Dur, op. 55 "Eroica": I. Allegro con brio, Symphonie no. 3 Es-Dur, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphonie no. 3 Es-Dur, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphonie no. 3 Es-Dur, op. 55 "Eroica": IV. Finale. Allegro molto, Zärtliche Liebe "Ich liebe Dich", WoO 123 |
| Bryn Terfel (bass-baritone opera singer) |
vocal |
Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet |
| Daniel Schreiber |
vocal |
12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 3, "The Farewell Song", 12 Irish Songs WoO 154, No. 6, "Put Round the Bright Wine", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", 3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz", Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 |
| Wilhelm Krumbach |
organ |
5 Pieces for Mechanical Clock, WoO 33 No. 1 in F major. Adagio assai, 5 Pieces for Mechanical Clock, WoO 33 No. 2 in G major. Scherzo. Allegro, Five 4-part double fugues in double counterpoint, Hess 243: No. 4 in D minor, Nine 4-part simple fugues in strict counterpoint, Hess 238: No. 2 in D minor, Nine 4-part simple fugues in strict counterpoint, Hess 238: No. 4 in A minor, Prelude & Fugue for Violins & Cello in E minor, Hess 29 (arrangement for organ): I. Präludium, Prelude & Fugue for Violins & Cello in E minor, Hess 29 (arrangement for organ): II. Fuge, Seven 3-part simple fugues in strict counterpoint, Hess 237: No. 4 in D minor, Three choral fugues, Hess 239: No. 2 in D minor, Two 4-part triple fugues, Hess 244: No. 1 in D minor |
| Bernard Haitink |
conductor |
Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile, Symphony No. 6 in F major, Op. 68 'Pastorale': V. Allegretto, Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IVb. O Freunde, Nicht Diese Toene!, Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVe. Andante maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": IVf. Allegro energico, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony No. 9 in D minor, Op. 125 'Choral': II. Scherzo. Molto vivace |
| Raymond Leppard |
conductor |
Sinfonía n.º 9 en re mayor, op. 125 «Coral»: I. Allegro ma non troppo, un poco maestoso, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: II. Molto vivace, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: III: Adagio molto e cantabile, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante - Moderato, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": V. Presto "O Freunde, nicht diese Töne!" - Allegro assai, "Ode to Joy" |
| Святослав Теофилович Рихтер (Sviatoslav Richter, pianist) |
piano |
Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con variazioni, Triple Concerto in C major, Op. 56: I. Allegro, Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca, Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro, Violin Sonata no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo, Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo (Allegro molto) & Trio, Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo (Allegro ma non troppo) |
| George Szell |
conductor |
Adagio from Piano Concerto no. 5 "Emperor", Fidelio, Op. 72: Overture, Symphony no. 2 in D major, op. 36: I. Adagio molto — Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro |
| Süddeutsche Philharmonie (an Alfred Scholz pseudonym) |
performing orchestra |
King Stephan Overture, op.117, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto, Symphony no. 3 in E flat major, "Eroica": I. Allegro con brio, Symphony no. 3 in E flat major, "Eroica": II. Marcia funebre, Adagio assai, Symphony no. 3 in E flat major, "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E flat major, "Eroica": IV. Finale: Allegro molto - Poco andante - Presto, Symphony no. 3 in E flat major, op. 55 "Eroica": Adagio assai (theme) |
| Michel Debost |
flute |
Airs variés pour Flûte & Piano - Air autrichien, Op.105 No.3, Airs variés pour Flûte & Piano - Air de la petite Russie, Op.107 No.3, Airs variés pour Flûte & Piano - Air russe, Op.107 No.7, Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.1, Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.5, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.1, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.2, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.4, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.6, Airs variés pour Flûte & Piano - Air écossais, Op.107 No.9 |
| Brahms Trio |
performer |
Irish Songs (20) for voice & piano trio, WoO 153 Nr. 10. "Oh! Thou hapless soldier" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 15. "T'is but in vain, for nothing thrives", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 20. "Thy ship must sail, my Henry dear", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 5. "I dream'd I lay where flow'rs were springing" (duet), Irish Songs (20) for voice & piano trio, WoO 153 Nr. 7. "O soothe me, my lyre", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 13. "Musing on the roaring ocean", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 17. "In vain to this desert my fate I deplore", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 19. "Wife, children and friends", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 2. "Sweet Power of Song" (duet), Irish Songs (25) for voice & piano trio, WoO 152 Nr. 20. "Farewell bliss and farewell Nancy" (duet) |
| Elisabeth Breul |
vocal |
Egmont, Op. 84: Klärchens Tod: Larghetto "Arme Seele", Egmont, Op. 84: Lied: Andante con moto "Freudvoll und leidvoll", Egmont, Op. 84: Lied: Vivace "Die Trommel gerühret!, Egmont, Op. 84: Melodrama: Poco sostenuto "Süsser Schlaf! Du kommst wie ein reines Glück", Egmont, Op. 84: Ouvertüre, Egmont, Op. 84: Siegessymphonie: Allegro con brio, Egmont, Op. 84: Zwischenakt I: Andante - Allegro con brio "Es ist keine falsche Ader an ihm", Egmont, Op. 84: Zwischenakt II: Larghetto, Egmont, Op. 84: Zwischenakt III: Allegro - Marcia; Vivace "Der König meint", Egmont, Op. 84: Zwischenakt IV: Poco sostenuto e risoluto |
| علی رهبری (Ali Rahbari, sometimes credited as "Alexander") |
conductor |
Egmont Op. 84: I. Lied From Clärchen: "Die Trommel gerühret!". Vivace, Egmont Op. 84: II. Entr'acte 1. Andante - Allegro con brio, Egmont Op. 84: III. Entr'acte 2. Larghetto, Egmont Op. 84: IV. Lied From Clärchen: "Freudvoll und leidvoll". Andante con moto - Allegro assai vivace, Egmont Op. 84: IX. Symphony of Victory. Allegro con brio, Egmont Op. 84: V. Entr'acte 3. Allegro - Marcia. Vivace, Egmont Op. 84: VI. Entr'acte 4. Poco sostenuto e risoluto - Larghetto - Andante agitato, Egmont Op. 84: VII. Music, marking the death of Clärchen. Larghetto, Egmont Op. 84: VIII. Melodrama: "Süsser Schlaf". Poco sostenuto, Leonora Overture No. 3 |
| Eugene Ormandy |
conductor |
Marcia turca da "Le rovine di Atene", Menuett G-dur, Menuett Nr. 2 G-dur, WoO 10, 2, Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto, Turkish March From "The Ruins of Athens" |
| Peter Rösel |
piano |
Concerto for Piano, Violin and Cello in C major, Op. 56 "Triple Concerto": II. Largo, Sonate für Klavier Nr. 14 in cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto, Sonate für Klavier Nr. 14 in cis-Moll, Op. 27 Nr. 2 "Mondschein": II. Allegretto, Sonate für Klavier Nr. 14 in cis-Moll, Op. 27 Nr. 2 "Mondschein": III. Presto agitato, Sonate für Klavier Nr. 23 in f-Moll, Op. 57 "Appassionata": I. Allegro assai, Sonate für Klavier Nr. 23 in f-Moll, Op. 57 "Appassionata": II. Andante con moto, Sonate für Klavier Nr. 23 in f-Moll, Op. 57 "Appassionata": III. Allegro ma non troppo, Sonate für Klavier Nr. 8 in c-Moll, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Sonate für Klavier Nr. 8 in c-Moll, Op. 13 "Pathétique": II. Adagio cantabile, Sonate für Klavier Nr. 8 in c-Moll, Op. 13 "Pathétique": III. Rondo. Allegro |
| Christian Ivaldi (French pianist) |
piano |
Airs variés pour Flûte & Piano - Air autrichien, Op.105 No.3, Airs variés pour Flûte & Piano - Air de la petite Russie, Op.107 No.3, Airs variés pour Flûte & Piano - Air russe, Op.107 No.7, Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.1, Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.5, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.1, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.2, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.4, Airs variés pour Flûte & Piano - Air écossais, Op.105 No.6, Airs variés pour Flûte & Piano - Air écossais, Op.107 No.9 |
| Ernst Erich Buder |
performer |
Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch, Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!, Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden, Die Weihe des Hauses: No. 3 Chor der Derwische, Die Weihe des Hauses: No. 4 Marcia alla turca, Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze, Die Weihe des Hauses: No. 6 Marsch mit Chor Op. 114 Schmückt die Altäre!, Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi, Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!, Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet |
| Melos Ensemble |
performer |
Octet in E-flat major, op. 103: I. Allegro, Octet in E-flat major, op. 103: II. Andante, Octet in E-flat major, op. 103: III. Menuetto: Allegro, Octet in E-flat major, op. 103: IV. Finale: Presto, Septet in E-flat major, op. 20: I. Adagio - Allegro con brio, Septet in E-flat major, op. 20: II. Adagio cantabile, Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio, Septet in E-flat major, op. 20: IV. Tema con Variazioni (Andante), Septet in E-flat major, op. 20: V. Scherzo: Allegro molto e vivace & Trio, Septet in E-flat major, op. 20: VI. Andante con moto alla marcia - Presto |
| Carlo Maria Giulini (conductor) |
conductor |
Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Symphony No. 7 in A: I. Poco Sostenuto - Vivace, Symphony No. 7 in A: II. Allegretto, Symphony No. 7 in A: III. Presto - Assai Meno Presto - Presto - Assai Meno Presto - Presto, Symphony No. 7 in A: IV. Allegro Con Brio, Symphony no. 6 in F major, op. 68 "Pastoral": III. Merry Gathering of Country Folk |
| Chamber Orchestra of Europe |
performing orchestra |
Missa solemnis, Op. 123: I. Kyrie, Missa solemnis, Op. 123: II. Gloria, Missa solemnis, Op. 123: III. Credo, Missa solemnis, Op. 123: IV. Benedictus, Missa solemnis, Op. 123: IV. Sanctus, Missa solemnis, Op. 123: V. Agnus Dei, Piano Concerto no.5, ’Emperor’: Rondo, The Creatures of Prometheus, Op. 43: Act II: No. 5 Adagio - Andante quasi allegretto, Violin Concerto - Rondo: Allegro (excerpt), Violin Concerto in D major, Op. 61: II. Larghetto |
| Keith Lewis (tenor) |
vocal |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus) |
| Hella Weigmann |
vocal |
"Bester Herr Graf, Sie sind ein Schaf!", WoO 183, "Edel sei der Mensch", WoO 185, "Fra tutte le pene" (2nd version), Hess 210, "Giura il nocchier" (1st version), Hess 230, "Giura il nocchier" (2nd version), WoO 99 No. 5a/Hess 221, "Già la notte s'avvicina", WoO 99 No. 4a/Hess 222, "Im Arm der Liebe ruht sich's wohl", WoO 159, "Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220, "Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213 |
| 横山幸雄 |
piano |
6 Variations for Piano in D major on an Original Theme, op. 76: Tema. Allegro risoluto, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. I, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. II, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. III, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. IV, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. V, 6 Variations for Piano in D major on an Original Theme, op. 76: Var. VI. Presto, 6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio molto, 未来への戦い / ベートーヴェン「月光」 |
| Radio Kamerorkest |
performer, performing orchestra |
Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVe. Andante maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": IVf. Allegro energico, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony no. 1: Adagio - Allegro molto e vivace, Symphony no. 1: Adagio molto - Allegro con brio, Symphony no. 1: Andante cantabile con moto, Symphony no. 1: Menuetto. Allegro molto e vivace |
| Christoph von Dohnányi (German conductor) |
conductor |
Symphony No. 3, Op. 55 "Eroica": Allegro con brio, Symphony No. 3, Op. 55 "Eroica": Finale: Allegro molto, Symphony No. 3, Op. 55 "Eroica": Marcia funebre – Adagio assai, Symphony No. 3, Op. 55 "Eroica": Scherzo: Allegro vivace, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo, Symphony No. 9, Op. 125 "Choral": IV (excerpt), Violin Concerto, op. 61: I. Allegro ma non troppo, Violin Concerto, op. 61: II. Larghetto, Violin Concerto, op. 61: III. Rondo |
| Quartetto Paolo Borciani (Fulvio Luciani, violin/Elena Ponzoni, violin/Roberto Tarenzi, viola/Claudia Ravetto, cello) |
strings |
Fugue for 2 Violins, Viola, and Cello, Hess 36 (arrangement from Handel's "Solomon, HWV 67: Overture"), Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Fugue, Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Prelude, Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Fugue, Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Prelude, Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): I. Allegro con brio, Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): II. Adagio molto, Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): III. Scherzo. Allegro, Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): IV. Allegretto |
| Christopher Parker (engineer) |
sound |
Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - I. Adagio sostenuto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - II. Allegretto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - III. Presto agitato - Adagio - Presto agitato, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - I. Allegro assai, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - II. Andante con moto, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - III. Allegro ma non troppo - Presto, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - I. Grave - Allegro molto e con brio, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - II. Adagio cantabile, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - III. Rondo: Allegro |
| Kurt Sanderling |
conductor |
Symphony No 4 in B flat, Op 60: I. Adagio — Allegro vivace, Symphony No 4 in B flat, Op 60: II. Adagio, Symphony No 4 in B flat, Op 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro), Symphony No 4 in B flat, Op 60: IV. Allegro ma non troppo, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro - Presto, Symphony no. 5 in C Minor, op. 67: I. Allegro con brio |
| Columbia Symphony Orchestra |
performing orchestra |
Overture "Leonore II": Adagio, Symphony No. 5: I. Allegro con brio, Symphony No. 5: II. Andante con moto, Symphony No. 5: III. Allegro, Symphony No. 5: IV. Allegro, Symphony No. 7: I. Poco sostenuto. Vivace, Symphony No. 7: II. Allegretto, Symphony No. 7: III. Presto, Symphony No. 7: IV. Allegro con brio |
| London Symphony Chorus |
performer, vocal |
Mass in C: I. Kyrie, Mass in C: II. Gloria, Mass in C: III. Credo, Mass in C: IV. Sanctus, Mass in C: V. Benedictus, Mass in C: VI. Agnus Dei, Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Seid Umschlungen, Millionen, Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai |
| Manfred Bittner |
vocal |
26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter", 26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March", 26 Welsh Songs WoO 155, No. 5, "The Golden Robe", 26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town", Hess 91 - Opferlied (piano arrangement from Op. 121b), Twelve Scottish Folksongs, WoO 156, No. 11, "Auld Lang Syne", Twelve Various Folksongs, WoO 157, No. 8, "By the Side of the Shannon", Twelve Various Folksongs, WoO 157, No. 9, "Highlander's Lament", Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 |
| James King (tenor) |
vocal |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus) |
| Pierre Monteux |
conductor |
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo - Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, The Ruins of Athens, op. 113: Overture |
| Cees Heijkoop (recording engineer) |
engineer |
Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace |
| André Previn |
conductor |
Overture "Fidelio", Op. 72b, Overture "Leonore" No. 3, Op. 72a, Overture to The Creatures of Prometheus, Piano Concerto No. 5 "Emperor" (3rd MVT), Symphonie No. 9 en Ré mineur, Op. 125 "Choral": Allegro, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Suvi Raj Grubb |
producer |
Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - I. Adagio sostenuto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - II. Allegretto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - III. Presto agitato - Adagio - Presto agitato, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - I. Allegro assai, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - II. Andante con moto, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - III. Allegro ma non troppo - Presto, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - I. Grave - Allegro molto e con brio, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - II. Adagio cantabile, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - III. Rondo: Allegro |
| Yehudi Menuhin |
conductor, violin |
Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": I. Allegro, Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": II. Adagio molto espressivo, Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": III. Scherzo. Allegro molto, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": I. Adagio sostenuto - Presto, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": II. Andante con variazioni, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": III. Finale. Presto, Symphony No. 6 in F major, Op. 68, "Pastoral": I. Allegro ma non troppo: Erwachen heiterer Gefühle bei der Ankunft auf dem Lande, Violin Concerto in D, Op. 61: II. Larghetto, Violin Sonata no. 5, op. 24 “Spring”: Rondo - Allegro ma non troppo |
| Heidi Person |
vocal |
"Ars longa, vita brevis", WoO 170, "Ars longa, vita brevis", WoO 193, "Bei labbri, che Amore", WoO 99 No. 1/Hess 211, "Das Schöne zu dem Guten!", WoO 203, "Das Schöne zum Guten!", WoO 202, "Kurz ist der Schmerz", WoO 166, "Salvo tu vuoi lo sposo?", Hess 228, "Scrivo in te", WoO 99 No. 11/Hess 215, "Sei mio ben", Hess 231 |
| Deutsche Kammerphilharmonie Bremen (German Chamber Philharmonic Bremen) |
performing orchestra |
Leonore Overture No. 3, Op. 72a, Romance for Violin and Orchestra No. 2 in F major, Op. 50, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: I. Adagio – Allegro con brio, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: II. Adagio cantabile, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: IV. Tema con variazioni. Andante, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20: VI. Andante con moto alla marcia – Presto, The Ruins of Athens Overture, Op. 113 |
| Walter Legge |
producer |
Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung", Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro), Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - |
| Gerhard Oppitz |
piano |
Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto, Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato, Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo, Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile, Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro |
| Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) |
piano |
Moonlight Sonata: I., Piano Sonata No. 32 in C minor, Op. 111: Arietta, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata no. 8 in C minor, Pathétique: Adagio cantabile, Sonata No. 23, Op. 57 "Appassionata": I. Allegro assai, Sonata No. 23, Op. 57 "Appassionata": II. Andante con moto, Sonata No. 23, Op. 57 "Appassionata": III. Allegro ma non troppo, Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Violin Sonata No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo |
| Ursula Singer |
producer |
Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace |
| Brussels Philharmonic |
performing orchestra |
Egmont Op. 84: I. Lied From Clärchen: "Die Trommel gerühret!". Vivace, Egmont Op. 84: II. Entr'acte 1. Andante - Allegro con brio, Egmont Op. 84: III. Entr'acte 2. Larghetto, Egmont Op. 84: IV. Lied From Clärchen: "Freudvoll und leidvoll". Andante con moto - Allegro assai vivace, Egmont Op. 84: IX. Symphony of Victory. Allegro con brio, Egmont Op. 84: V. Entr'acte 3. Allegro - Marcia. Vivace, Egmont Op. 84: VI. Entr'acte 4. Poco sostenuto e risoluto - Larghetto - Andante agitato, Egmont Op. 84: VII. Music, marking the death of Clärchen. Larghetto, Egmont Op. 84: VIII. Melodrama: "Süsser Schlaf". Poco sostenuto |
| Boston Symphony Orchestra |
performing orchestra |
Symphony No. 5 (extract), Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony no. 9 in D minor, op. 125: I. Allegro ma troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai |
| Trio Fontenay |
performer, strings |
Irish Songs (12) for voice & piano trio, WoO 154 Nr. 1. "The elfin fairies", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 5. "Oh! Who, my dear Dermot", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 11. "When far from the home of our youth we have rang'd", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 9. "The kiss, dear maid, thy lip has left", Trio No. 4 in B-flat major, Op. 11 "Gassenhauer": II. Adagio, Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 12. "Waken lords and ladies gay", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 21. "Cupid's kindness", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 25. "The parting kiss", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 26. "Good night" |
| Maria Venuti |
vocal |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte - O Heil euch, ihr Erlösten - Doch weh! Die frech entehrten" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre" |
| Robert Woods (classical producer) |
producer |
Symphony No. 3, Op. 55 "Eroica": Allegro con brio, Symphony No. 3, Op. 55 "Eroica": Finale: Allegro molto, Symphony No. 3, Op. 55 "Eroica": Marcia funebre – Adagio assai, Symphony No. 3, Op. 55 "Eroica": Scherzo: Allegro vivace, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Ralph Holmes |
violin |
Violin Sonata No. 5 in F major, Op. 24 "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto, Violin Sonata No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo, Violin Sonata No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio, Violin Sonata No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile, Violin Sonata No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro, Violin Sonata No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro |
| Smetana Quartet |
strings |
Quartet no. 9 in C, op. 59 no. 3 "Razumovsky": III: Menuetto Grazioso, Quartet no. 9 in C, op. 59 no. 3 "Razumovsky": IV: Allegro Molto, String Quartet in C minor, op. 18 no. 4: 1. Allegro Ma Non Tanto, String Quartet in C minor, op. 18 no. 4: 2. Andante Scherzoso, Quasi Allegretto, String Quartet in C minor, op. 18 no. 4: 3. Menuetto (Allegretto), String Quartet in C minor, op. 18 no. 4: 4. Allegro, String Quartet in C, op. 59 no. 3 "Rasumovsky no. 3": 1. Introduzione (Andante Con Moto) - Allegro Vivace, String Quartet in C, op. 59 no. 3 "Rasumovsky no. 3": 2. Andante Con Moto Quasi Allegretto |
| Paul Tortelier |
cello |
Cello Sonata no. 1 in F, op. 5 no. 1: I. Adagio sostenuto - Allegro, Cello Sonata no. 1 in F, op. 5 no. 1: II. Rondo. Allegro vivace, Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo, Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto più tosto presto, Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro, Cello Sonata no. 3 in A, op. 69: I. Allegro ma non tanto, Cello Sonata no. 3 in A, op. 69: II. Scherzo. Allegro molto, Cello Sonata no. 3 in A, op. 69: III. Adagio cantabile - Allegro vivace |
| Kurt Masur |
conductor |
Ouverture _ Egmont, Symphonie No.5 c-moll op. 67 - 1. Allegro con brio, Symphonie Nr. 9 d-Moll, Op. 125: I. Allegro ma non troppo, Symphonie Nr. 9 d-Moll, Op. 125: II. Molto vivace, Symphonie Nr. 9 d-Moll, Op. 125: III. Adagio molto e cantabile, Symphonie Nr. 9 d-Moll, Op. 125: IVa. Presto, Symphonie Nr. 9 d-Moll, Op. 125: IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai, Symphony No. 2 in D major, Op. 36: II. Larghetto |
| Franz Crass |
vocal |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: VIIb. Aria with Chorus. Adagio "Will unser Genius noch einen Wunsch gewähren?", The Ruins of Athens, Op. 113: VIb. Recitation. Poco Adagio "Mit reger Freude, die nie erkaltet" |
| Josef Bulva |
performer, piano |
Moonlight Sonata, Op. 27 No. 2: I. Adagio sostenuto, Piano Sonata No. 13 in E flat major ("Quasi una fantasia"), Op. 27/1: 1. Andante: Allegro-Tempo I, Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: II. Andante con moto, Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: III. Allegro ma non troppo: Presto, Piano Sonata No. 23 in F minor ("Appassionata"), Op. 57: I. Allegro assai: Più allegro, Piano Sonata No. 23 in F minor ("Appassionata"), Op. 57: II. Andante con moto, Piano Sonata No. 23 in F minor ("Appassionata"), Op. 57: III. Allegro ma non troppo: Presto, Rondo a Capriccio G-Dur op. 129, Die Wut über den verlorenen Groschen |
| Renate Schunke |
vocal |
"Da ist das Werk", WoO 197, "Das Reden", WoO 168 No. 2, "Falstafferel, laß dich sehen!", WoO 184, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Kurz ist der Schmerz", WoO 163, "O Tobias!", WoO 182, "Schwenke dich ohne Schwänke!", WoO 187, Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171 |
| Andrea Marcon |
fortepiano |
Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 2. "The soldier", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament" |
| Мстислав Ростропович |
cello, violin |
Cello Sonata No. 4 in C major, Op. 102 No. 1: I. Andante - Allegro vivace, Cello Sonata No. 4 in C major, Op. 102 No. 1: II. Adagio, Serenade op. 8:2. Menuetto. Allegretto, Triple Concerto in C major, Op. 56: I. Allegro, Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca |
| Andrew Davis (conductor, keyboardist, composer, arranger) |
conductor |
"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Chor auf die verbündeteten Fürsten, Chorus for the Allied Princes, WoO 95, Germania, WoO 94: Final Chorus from "Die gute Nachricht", Scene (One) from "Vesta's Fire", Hess 115, Triumphal March, WoO 2a: from "Tarpeja". Alla marcia, ma non troppo presto, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume" |
| Viorel Alexandru |
double bass |
6 Ländlerische Tänze for 2 Violins, Cello and Double Bass, WoO 15, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: I. Allegro, Duet for Viola and Cello in E-flat major, WoO 32 “mit zwei obligaten Augengläsern”: II. Minuetto. Allegretto, Fugue for 2 Violins, 2 Violas, Cello and Double Bass in D major, Op. 137, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: I. Allegro con brio, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: II. Andante, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: III. Menuetto, Quintet for 2 Violins, 2 Violas, Cello and Double Bass in E-flat major, Op. 4: IV. Finale. Presto |
| Jack Renner (engineer for Telarc) |
engineer, recording |
Symphony No. 3, Op. 55 "Eroica": Allegro con brio, Symphony No. 3, Op. 55 "Eroica": Finale: Allegro molto, Symphony No. 3, Op. 55 "Eroica": Marcia funebre – Adagio assai, Symphony No. 3, Op. 55 "Eroica": Scherzo: Allegro vivace, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Karoline Eichhorn |
performer, vocal |
Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch |
| Georgian SIMI Festival Orchestra |
performing orchestra |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace "Froh, wie seine Sonnen" - Andante maestoso "Seid umschlungen, Millionen!" - Adagio ma non troppo, ma divoto "Ihr, stürzt nieder" - Allegro energico, sempre ben marcato ("Freude, schöner Götterfunken" - "Seid umschlungen, Millionen!") - Allegro ma non tanto "Freude, Tochter aus Elysium!" - Prestissimo "Seid umschlungen, Millionen!" |
| Maxence Larrieu (flautist) |
flute |
Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Adagio, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Molto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Scherzando E Vivace, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Vivace E Disinvolta - Presto, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Andante Con Variazioni, Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Entrata (Allegro), Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Tempo Ordinario D'Un Menuetto, Serenade in D, Op. 25: 6. Adagio - 7. Allegro vivace e disinvolto - Presto |
| Владимир Самойлович Горовиц |
piano |
"Moonlight" Sonata I Adagio sostenuto, "Pathetique" Sonata Il Adagio Cantabile, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto, Sonata in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo, Sonata in A major, Op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia, Sonata in A major, Op. 101: III. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, con affetto - attacca / IV. Geschwind, doch nicht zu sehr, und mit entschlossenheit: Allegro |
| Álvaro Cassuto |
conductor |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funébre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio |
| Nova Filarmonia Portuguesa |
performing orchestra |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funébre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio |
| Capella Istropolitana |
performing orchestra |
6 Menuets for Orchestra WoO 10 No. 1 in C major, 6 Menuets for Orchestra WoO 10 No. 2 in G major, 6 Menuets for Orchestra WoO 10 No. 3 in E-flat major, 6 Menuets for Orchestra WoO 10 No. 4 in B-flat major, 6 Menuets for Orchestra WoO 10 No. 5 in D major, 6 Menuets for Orchestra WoO 10 No. 6 in C major, Eleven Dances/Mödlinger Tänze, WoO 17: No. 2 Menuett, Military March in D major WoO 24 |
| Gryphon Trio |
performer |
Piano Trio No. 1 in E-flat major, Op. 1 No. 1: I. Allegro, Piano Trio No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile, Piano Trio No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo, Piano Trio No. 1 in E-flat major, Op. 1 No. 1: IV. Finale. Presto, Piano Trio No. 3 in C minor, Op. 1 No. 3: I. Allegro con brio, Piano Trio No. 3 in C minor, Op. 1 No. 3: II. Adagio cantabile con variazioni, Piano Trio No. 3 in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro, Piano Trio No. 3 in C minor, Op. 1 No. 3: IV. Finale. Prestissimo |
| Wolfgang Holzmair |
vocal |
Irish Songs (12) for voice & piano trio, WoO 154 Nr. 1. "The elfin fairies", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 5. "Oh! Who, my dear Dermot", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 11. "When far from the home of our youth we have rang'd", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 9. "The kiss, dear maid, thy lip has left", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 12. "Waken lords and ladies gay", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 21. "Cupid's kindness", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 25. "The parting kiss", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 26. "Good night" |
| Gächinger Kantorei Stuttgart |
vocal |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Doch weh!" Die frech entehren, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Choir "Preiset ihn, ihr Engelchöre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" |
| Walter Vestidello |
cello |
Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 2. "The soldier", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament" |
| Werner Eberhardt |
vocal |
"Es muß sein!", WoO 196, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164, "Herr Graf, ich komme zu fragen", Hess 276, "Kühl, nicht lau", WoO 191, "Signor Abate!", WoO 178, Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious), Three canons, WoO 181 No. 1 - Canon in 4 parts in C major "Gedenket heute an Baden", WoO 181/1, Three canons, WoO 181 No. 2 - Canon in 3 parts in C major "Gehabt euch wohl" |
| Rundfunkchor Berlin |
vocal |
"Bundeslied" for soloists, chorus & wind instruments, Op. 122, Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben", Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung, Symphony no. 9, Choral: IV. Finale, The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze" |
| Barbara Emilia Schedel |
vocal |
12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 11, "The Soldier in a Foreign Land", 12 Irish Songs WoO 154, No. 12, "He Promised Me at Parting", 12 Irish Songs WoO 154, No. 5, "Oh! Who, My Dear Dermot", 12 Irish Songs WoO 154, No. 9, "Oh! Would I Were but That Sweet Linnet!", Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 |
| Eva Czako (cellist) |
cello |
Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Adagio - Scherzo (Allegro Molto) - Adagio (Tempo I) - Allegro Molto, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Allegretto Alla Polacca, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Andante Quasi Allegretto - Allegro - Tempo I, Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro - Adagio), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro), Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Menuetto (Allegretto), Serenade in D, Op. 8: 5. Andante quasi allegretto - Allegro - Tempo I - 6. Marcia (Allegro) |
| Jörg Demus |
piano |
Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo), Sonata for Horn and Piano in F, op. 17: 1. Allegro moderato, Sonata for Horn and Piano in F, op. 17: 2. Poco adagio, quasi andante, Sonata for Horn and Piano in F, op. 17: 3. Rondo (Allegro moderato), Zärtliche Liebe |
| Cristina Ortiz |
piano |
Piano Concerto No. 5 in E flat major, op. 73 "Emperor", Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio, Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto, Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato |
| Klaus Scheibe (editor/engineer) |
engineer |
Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro |
| Ernst Gröschel (classical pianist) |
piano |
Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: I. Allegro, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: II. Adagio molto espressivo, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: III. Scherzo. Allegro molto, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: IV. Rondo. Allegro ma non troppo, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: I. Adagio sostenuto - Presto, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: II. Andante con Variazioni, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: III. Finale: Presto |
| Enoch zu Guttenberg |
conductor |
Missa Solemnis in D-Dur, Op. 123: I. Kyrie, Missa Solemnis in D-Dur, Op. 123: II. Gloria, Missa Solemnis in D-Dur, Op. 123: III. Credo, Missa Solemnis in D-Dur, Op. 123: IV. Sanctus, Missa Solemnis in D-Dur, Op. 123: V. Benedictus, Missa Solemnis in D-Dur, Op. 123: VI. Agnus Dei, Missa Solemnis in D-Dur, Op. 123: VII. Dona Nobis Pacem |
| Orchestra della Svizzera italiana (known by this name since 1991) |
performing orchestra |
Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: I. Allegro, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: III. Rondo Allegro, Symphony no. 3 in E flat major, op. 55, "Eroica": I. Allegro con brio, Symphony no. 3 in E flat major, op. 55, "Eroica": II. Marcia funebre, Symphony no. 3 in E flat major, op. 55, "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E flat major, op. 55, "Eroica": IV. Finale: Allegro molto |
| Alexander Svéd |
vocal |
"Zärtliche Liebe", WoO 123, Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Frühlings Garten", In questa tomba oscura, arietta for voice and piano (or orchestra), WoO 133, Opferlied "Die Flamme lodert", song for voice & piano, WoO 126, Song for Voice and Piano, Op. 48 No. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre", Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Bußlied: An Dir allein, an Dir hab' ich gesündigt", Songs for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmut: Trocknet nicht" |
| Pamela Coburn |
vocal |
Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106, "Es lebe unser teurer Fürst", Sehnsucht "Nur wer die Sehnsucht kennt", song for voice & piano, WoO 134 (4 settings), Song for Voice and Piano in F major, Op. 100 "Merkenstein: Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend, Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe", Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust", Songs for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebesblick und Spiel und Sang", Songs for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten süsse Ruh' und gold'ner Frieden In meiner Brust" |
| Marieddy Rossetto (Brazilian choir master and pianist) |
chorus master |
I. Allegro ma non troppo, un poco maestoso, II. Molto vivace, III. Adagio molto e cantabile, IV. a. Presto, IV. b. Allegro assai "Freund. schöner Götterfunke", IV. c. Alla marcia (Allegro vivace assai) "Froh. wie seine Sonnen fliegen", IV. d. Andante maestoso "Seid umschlungen. Millionen" |
| Karl Suske |
violin |
6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major, Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa) |
| Inga Nielsen |
vocal |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) |
| Ian Partridge |
vocal |
"Der Wachtelschlag", WoO 129, An die ferne Geliebte, Op. 98 Nos. 1-6, Resignation "Lisch aus, mein Licht", song for voice & piano, WoO 149, Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio, Song for voice & piano "Andenken", WoO 136, Songs for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?", Songs for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mit einem gemalten Band: Kleine Blumen, kleine Blätter" |
| Aaron Shorr |
piano |
Violin Sonata No. 4 in A minor, Op. 23: I. Presto, Violin Sonata No. 4 in A minor, Op. 23: II. Andante scherzoso, piu allegretto, Violin Sonata No. 4 in A minor, Op. 23: III. Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24, "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24, "Spring": III. Scherzo: Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": IV. Rondo: Allegro ma non troppo |
| Elisso Bolkvadze |
piano |
Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con variazioni, Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d’un Eroe (Funeral March for a Dead Hero), Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto, Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Sonata no. 12 in A-flat major for Piano, op. 26 "Funeral March": II. Scherzo, Sonata no. 12 in A-flat major for Piano, op. 26 "Funeral March": IV. Allegro, Sonata no. 14 in C-sharp minor for Piano, op. 27 no. 2 "Moonlight": II. Allegretto |
| St. Petersburg New Philharmony Orchestra |
performing orchestra |
Leonore Overture No. 2, Op. 72, Leonore Overture no. 3, op. 72, Overture to Prometheus, Op. 43, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Chor der Konzertgesellschaft Wuppertal |
vocal |
I. Allegro ma non troppo, un poco maestoso, II. Molto vivace, III. Adagio molto e cantabile, IV. a. Presto, IV. b. Allegro assai "Freund. schöner Götterfunke", IV. c. Alla marcia (Allegro vivace assai) "Froh. wie seine Sonnen fliegen", IV. d. Andante maestoso "Seid umschlungen. Millionen" |
| Vladimir de Kanel |
vocal |
König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde |
| Annelies Burmeister |
vocal |
Agnus Dei, Benedictus, Credo, Gloria, Kyrie, Presto, allegro assai, Sanctus |
| Orchester der KlangVerwaltung |
performing orchestra |
Missa Solemnis in D-Dur, Op. 123: I. Kyrie, Missa Solemnis in D-Dur, Op. 123: II. Gloria, Missa Solemnis in D-Dur, Op. 123: III. Credo, Missa Solemnis in D-Dur, Op. 123: IV. Sanctus, Missa Solemnis in D-Dur, Op. 123: V. Benedictus, Missa Solemnis in D-Dur, Op. 123: VI. Agnus Dei, Missa Solemnis in D-Dur, Op. 123: VII. Dona Nobis Pacem |
| Zubin Mehta (conductor) |
conductor |
Symphony No. 9 (extract), Symphony No. 9 in D minor, Op. 125 "Choral": Finale (excerpt) (New York Philharmonic feat. conductor: Zubin Mehta), Symphony no. 9 "Choral": Adagio molto e cantabile; Andante moderato, Symphony no. 9 "Choral": Allegro ma non troppo, un poco maestoso, Symphony no. 9 "Choral": Molto vivace; Presto; Molto vivace, Symphony no. 9 "Choral": Presto; Allegro assai, The Huntley-Brinkley Report: Symphony No. 9: II. |
| Herbert Blomstedt |
conductor |
Leonore, Op. 72: "Ach brich noch nicht, komm Hoffnung" (Leonore), Leonore, Op. 72: "O welche Lust!" (Gefangenenchor), Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto |
| Giorgio Fava |
violin |
Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103, Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament" |
| Christian Schmitt (organist) |
organ |
Fugue for Organ in D major, WoO 31, Grenadiermarsch, Hess 107, Stücke für Flötenuhr, WoO 33: Adagio assai, Stücke für Flötenuhr, WoO 33: Allegretto, Stücke für Flötenuhr, WoO 33: Allegro, Stücke für Flötenuhr, WoO 33: Allegro non più molto, Stücke für Flötenuhr, WoO 33: Scherzo. Allegro |
| Sir Neville Marriner |
conductor |
Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Romance No. 2 in F major, Op. 50, Romance no. 1 in G major, op. 40, Romance no. 2 in F major, op. 50, Symphony no. 1 in D major, op. 36: Allegro, Symphony no. 1 in D major, op. 36: Allegro molto |
| Leon Spierer |
violin |
Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: I. Allegro, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: II. Adagio molto espressivo, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: III. Scherzo. Allegro molto, Violinsonate Nr. 5 F-Dur, op. 24 “Frühlingssonate”: IV. Rondo. Allegro ma non troppo, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: I. Adagio sostenuto - Presto, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: II. Andante con Variazioni, Violinsonate Nr. 9 A-Dur, op. 47 “Kreutzersonate”: III. Finale: Presto |
| Nodar Gabunia (piano) |
performer, piano |
Piano Sonata No.14 in C sharp minor, Op. 27, No. 2 "Moonlight": I. Adagio sostenuto, Sonata no. 26 in E-flat major for Piano, op. 81a "Les Adieux": I. The Farewell: Adagio - Allegro, Sonata no. 26 in E-flat major for Piano, op. 81a "Les Adieux": II. The Absence: Andante espressivo (attacca), Sonata no. 26 in E-flat major for Piano, op. 81a "Les Adieux": III. The Return: Vivacissimamente, Sonata no. 8 in C minor for Piano, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Sonata no. 8 in C minor for Piano, op. 13 "Pathétique": II. Adagio cantabile, Sonata no. 8 in C minor for Piano, op. 13 "Pathétique": III. Rondo. Allegro |
| Chor der KlangVerwaltung |
vocal |
Missa Solemnis in D-Dur, Op. 123: I. Kyrie, Missa Solemnis in D-Dur, Op. 123: II. Gloria, Missa Solemnis in D-Dur, Op. 123: III. Credo, Missa Solemnis in D-Dur, Op. 123: IV. Sanctus, Missa Solemnis in D-Dur, Op. 123: V. Benedictus, Missa Solemnis in D-Dur, Op. 123: VI. Agnus Dei, Missa Solemnis in D-Dur, Op. 123: VII. Dona Nobis Pacem |
| Hephzibah Menuhin |
piano |
Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": I. Allegro, Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": II. Adagio molto espressivo, Sonate pour violon et piano No. 5 en Fa majeur, Op. 24 "Le Printemps": III. Scherzo. Allegro molto, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": I. Adagio sostenuto - Presto, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": II. Andante con variazioni, Sonate pour violon et piano No. 9 en La majeur, Op. 47 "Sonate à Kreutzer": III. Finale. Presto, Violin Sonata no. 5, op. 24 “Spring”: Rondo - Allegro ma non troppo |
| Arnold Schönberg Chor |
performing orchestra, vocal |
Missa solemnis for Soloists, Chorus and Orchestra, op. 123: I. KYRIE. Assai sostenuto. Mit Andacht [¢]- Andante assia ben marcato [3/2] - Tempo I [¢], Missa solemnis, Op. 123: I. Kyrie, Missa solemnis, Op. 123: II. Gloria, Missa solemnis, Op. 123: III. Credo, Missa solemnis, Op. 123: IV. Benedictus, Missa solemnis, Op. 123: IV. Sanctus, Missa solemnis, Op. 123: V. Agnus Dei |
| Stanisław Skrowaczewski |
conductor |
Aus: Leonore Prohaska, WoO. 96: Trauermarsch, Die Weihe des Hauses: Wo sich die Pulse jugendlich jagen WoO. 98, Fidelio Overture, Op. 72b, Gratulationsmenuett, WoO 3, Leonore Overture No. 2, Op. 72, Leonore Overture No. 3, Op. 72a, Triumphal March from Tarpeja, WoO 2 |
| Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created) |
performing orchestra |
Symphony No. 6 in F major, Op. 68 "Pastoral": I. Awakening of happy feelings on arriving in the country (Allegro ma non troppo), Symphony No. 6 in F major, Op. 68 "Pastoral": II. By the brook (Andante molto mosso), Symphony No. 6 in F major, Op. 68 "Pastoral": III. Peasants' merry-making (Allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": IV. The Storm (Allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": Shepherd's Song - Happy and Thankful Feelings After the Storm (Allegretto), Symphony No. 6 in F major, Op. 68 "Pastoral": V. Shepherd's song: Happy and thankful feelings after the storm (Allegretto), Symphony No. 9 in D minor, Op. 125: Finale. Allegro assai (Final Chorus to Schiller's 'Ode to Joy') |
| Minnesota Orchestra |
performing orchestra |
Aus: Leonore Prohaska, WoO. 96: Trauermarsch, Die Weihe des Hauses: Wo sich die Pulse jugendlich jagen WoO. 98, Fidelio Overture, Op. 72b, Gratulationsmenuett, WoO 3, Leonore Overture No. 2, Op. 72, Leonore Overture No. 3, Op. 72a, Triumphal March from Tarpeja, WoO 2 |
| Nikolai Demidenko |
piano |
Sonate für Klavier No. 29 B-Dur, Op. 106 "Hammer-Klavier": I. Allegro, Sonate für Klavier No. 29 B-Dur, Op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace, Sonate für Klavier No. 29 B-Dur, Op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento, Sonate für Klavier No. 29 B-Dur, Op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto, Sonate für Klavier No. 6 F-Dur, Op. 10 No. 2: I. Allegro, Sonate für Klavier No. 6 F-Dur, Op. 10 No. 2: II. Allegretto, Sonate für Klavier No. 6 F-Dur, Op. 10 No. 2: III. Presto |
| Lovro von Matačić |
conductor |
Fidelio, op. 72, Fidelio: Abscheulicher! Wo eilst du hin?, Fidelio: Aus der Ouvertüre, Fidelio: Gott! Welch' Dunkel hier! / In des Lebens Frühlingstagen, Fidelio: Ha, welch ein Augenblick, Fidelio: Mir ist so wunderbar, Fidelio: O welche Lust, in freier Luft |
| David Lefeber (engineer) |
engineer |
Violin Sonata No. 4 in A minor, Op. 23: I. Presto, Violin Sonata No. 4 in A minor, Op. 23: II. Andante scherzoso, piu allegretto, Violin Sonata No. 4 in A minor, Op. 23: III. Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24, "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24, "Spring": III. Scherzo: Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": IV. Rondo: Allegro ma non troppo |
| Ewald Donhoffer |
conductor |
6 Menuets for Orchestra WoO 10 No. 1 in C major, 6 Menuets for Orchestra WoO 10 No. 2 in G major, 6 Menuets for Orchestra WoO 10 No. 3 in E-flat major, 6 Menuets for Orchestra WoO 10 No. 4 in B-flat major, 6 Menuets for Orchestra WoO 10 No. 5 in D major, 6 Menuets for Orchestra WoO 10 No. 6 in C major, Military March in D major WoO 24 |
| Heinrich-Schütz-Kreis Berlin |
performer |
Abschiedsgesang an Wiens Bürger, song for voice & piano (or orchestra), WoO 121, An einen Säugling, song for voice & piano, WoO 108, Hochzeitslied for solo, chorus & piano, WoO 105 "Auf, Freunde, singt dem Gott der Ehen", Kriegslied der Österreicher "Ein großes deutsches Volk" for voice & piano (or orchestra), WoO 122, Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106, "Es lebe unser teurer Fürst", Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut", Songs for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig" |
| Bayer Philharmoniker |
performing orchestra |
I. Allegro ma non troppo, un poco maestoso, II. Molto vivace, III. Adagio molto e cantabile, IV. a. Presto, IV. b. Allegro assai "Freund. schöner Götterfunke", IV. c. Alla marcia (Allegro vivace assai) "Froh. wie seine Sonnen fliegen", IV. d. Andante maestoso "Seid umschlungen. Millionen" |
| Günther Breest |
producer |
Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro |
| Rainer Koch |
conductor |
I. Allegro ma non troppo, un poco maestoso, II. Molto vivace, III. Adagio molto e cantabile, IV. a. Presto, IV. b. Allegro assai "Freund. schöner Götterfunke", IV. c. Alla marcia (Allegro vivace assai) "Froh. wie seine Sonnen fliegen", IV. d. Andante maestoso "Seid umschlungen. Millionen" |
| Tonhalle-Orchester Zürich |
performing orchestra |
Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto, Symphony no. 6 in F "Pastorale" |
| Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) |
performing orchestra |
Symphonie Nr. 9, op. 125 D-Moll, I: Allegro ma non troppo, un poco maestoso, Symphonie Nr. 9, op. 125 D-Moll, II: Molto vivace, Symphonie Nr. 9, op. 125 D-Moll, III: Adagio molto e cantabile, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" |
| David Zinman |
conductor |
Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto, Symphony no. 6 in F "Pastorale" |
| Peter Sheppard Skærved |
violin |
Violin Sonata No. 4 in A minor, Op. 23: I. Presto, Violin Sonata No. 4 in A minor, Op. 23: II. Andante scherzoso, piu allegretto, Violin Sonata No. 4 in A minor, Op. 23: III. Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": I. Allegro, Violin Sonata No. 5 in F major, Op. 24, "Spring": II. Adagio molto espressivo, Violin Sonata No. 5 in F major, Op. 24, "Spring": III. Scherzo: Allegro molto, Violin Sonata No. 5 in F major, Op. 24, "Spring": IV. Rondo: Allegro ma non troppo |
| Jan Panenka |
piano |
Sonata for Violin and Piano no. 5 in F major, op. 24: Adagio molto espressivo, Sonata for Violin and Piano no. 5 in F major, op. 24: Allegro, Sonata for Violin and Piano no. 5 in F major, op. 24: Rondo. Allegro ma non troppo, Sonata for Violin and Piano no. 5 in F major, op. 24: Scherzo, Allegro molto, Sonata for Violin and Piano no. 9 in A major, op. 47: Adagio sostenuto, Presto, Sonata for Violin and Piano no. 9 in A major, op. 47: Andante con variazoni, Sonata for Violin and Piano no. 9 in A major, op. 47: Finale, Presto |
| Neumar Starling (Neumar de Kanel-Starling?) |
vocal |
König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre, König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde |
| Manfred Braun |
bassoon |
Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto |
| Michel Rouilly |
viola |
Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto |
| Natascha Konsistorum |
piano |
British Folk Songs (7) for voice & piano trio in A major, WoO 158b No. 1: Adieu, my loved harp (Irish), Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 11: "Yo no quiero embarcarme" (Ich traue nicht den Wogen)(Iberian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 16: "Schöne Minka, ich muß scheiden" (Ukrainian-Cossack), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 19: "Una paloma blanca" (Mein Täubchen ist entflogen)(Spanish Bolero a Solo), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 2: "Horch auf, mein Liebchen" (German) |
| Robert Mann (American violinist) |
violin |
Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio, Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con Variazioni. Andante con moto, Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molto espressione, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto |
| Robert Köbler |
organ |
Agnus Dei, Benedictus, Credo, Gloria, Kyrie, Sanctus |
| Ronald Dangel |
double bass |
Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto |
| Rosa Mannion |
vocal |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei |
| Wilhelm Kempff |
piano |
Für Elise, Klaviersonate Nr. 31 As-Dur op. 110 – II. Allegro molto, Klaviersonate Nr. 31 As-Dur op. 110 – III. Adagio, ma non troppo. Fuga: Allegro, ma non troppo, Klaviertrio Es-Dur, op. 70 no. 2: III. Allegretto ma non troppo, Sonate Pathétique, op. 13: II. Adagio cantabile, Variations on a Tukish march op. 76 (Shellac Disc) |
| Wiener Oktett |
instrument |
Septet in E Flat, Op. 20: I. Adagio - Allegro con brio, Septet in E Flat, Op. 20: II. Adagio cantabile, Septet in E Flat, Op. 20: III. Tempo di menuetto, Septet in E Flat, Op. 20: IV. Tema con variazioni. Andante, Septet in E Flat, Op. 20: V. Scherzo. Allegro molto e vivace, Septet in E Flat, Op. 20: VI. Andante con moto alla marcia - Presto |
| Münchner Solo Ensemble |
performer |
Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: I. Adagio - Allegro con brio, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: II. Adagio cantabile, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: IV. Tema con Variazioni, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: VI. Andante con moto - Presto |
| Heinrich Majowski |
cello |
Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto |
| Robert Gooch (engineer) |
balance |
Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro) |
| Günter Köpp (horn player) |
French horn |
Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto |
| Robert Bass |
conductor |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen" |
| Helga Tietze |
vocal |
"Bester Herr Graf, Sie sind ein Schaf!", WoO 183, "Brauchle, Linke", WoO 167, "Edel sei der Mensch", WoO 185, "Im Arm der Liebe ruht sich's wohl", WoO 159, "Schwenke dich ohne Schwänke!", WoO 187, Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171 |
| Dietrich Gerhard |
viola |
Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto |
| SWF Sinfonieorchester Baden-Baden |
performing orchestra |
Piano Concerto no. 2 in B flat, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B flat, op. 19: II. Adagio, Piano Concerto no. 2 in B flat, op. 19: III. Rondo: Molto allegro, Violin Concerto in D major, op. 61: I. Allegro ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo Allegro |
| Darrel Barnes |
viola |
Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro, Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto, Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto, Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni, Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace, Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto |
| Elisabeth Westenholz |
piano |
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro, Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato, Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto, Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace |
| Gil Shaham (violinist) |
violin |
Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto |
| Daniele Damiano |
bassoon |
Duo für Oboe und Fagott WoO 27/1: I. Allegro commodo, Duo für Oboe und Fagott WoO 27/1: II. Larghetto sostenuto, Duo für Oboe und Fagott WoO 27/1: III. Rondo: Allegretto, Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro |
| Herbert Stähr |
clarinet |
Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto |
| Peter Pettinger |
piano |
Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 4. "Love without hope", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 7. "Oh let the night my blushes hide" |
| Antal Doráti |
conductor |
Leonore Overture No. 3, Op. 72b, Missa Solemnis - Kyrie, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV 4. Allegro con brio |
| The Hanover Band |
performing orchestra |
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro, Symphony no. 3 in E-flat major, op. 55: II. Marcia funebre. Adagio assai, Symphony no. 9 in D minor, op. 125 "Choral": IV. "Ode to Joy" (extract), The Creatures of Prometheus, Overture, op. 43 |
| Orchester der städtischen Bühnen Frankfurt am Main |
performing orchestra |
Fidelio: Abscheulicher! Wo eilst du hin?, Fidelio: Aus der Ouvertüre, Fidelio: Gott! Welch' Dunkel hier! / In des Lebens Frühlingstagen, Fidelio: Ha, welch ein Augenblick, Fidelio: Mir ist so wunderbar, Fidelio: O welche Lust, in freier Luft |
| André-Michel Schub (pianist) |
piano |
Piano Sonata no. 23 in F minor, op. 57 "Appassionata": Allegro assai, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": Andante con moto - Allegro ma non troppo, Piano Sonata no. 3 in C major, op. 2 no. 3: Adagio, Piano Sonata no. 3 in C major, op. 2 no. 3: Allegro assai, Piano Sonata no. 3 in C major, op. 2 no. 3: Allegro con brio, Piano Sonata no. 3 in C major, op. 2 no. 3: Scherzo, Allegro |
| Truls Mørk |
cello |
Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto |
| András Székely |
producer |
c-moll szonáta, Op. 111: I. Arietta. Adagio molto, semplice e cantabile, c-moll szonáta, Op. 111: I. Maestoso – Allegro con brio ed appassionato, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): II. Allegretto, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): III. Presto agitato, e-moll szonáta, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, e-moll szonáta, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen |
| Gerd Seifert |
French horn |
Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo), Sonata for Horn and Piano in F, op. 17: 1. Allegro moderato, Sonata for Horn and Piano in F, op. 17: 2. Poco adagio, quasi andante, Sonata for Horn and Piano in F, op. 17: 3. Rondo (Allegro moderato) |
| Владимир Фельцман (Russian American classical pianist) |
piano |
6 Variations on an Original Theme in D Major, Op. 76: Theme: Allegro resoluto, 6 Variations on an Original Theme in D Major, Op. 76: Variation I., 6 Variations on an Original Theme in D Major, Op. 76: Variation III., 6 Variations on an Original Theme in D Major, Op. 76: Variation IV., 6 Variations on an Original Theme in D Major, Op. 76: Variation V., 6 Variations on an Original Theme in D Major, Op. 76: Variation VI.: Presto |
| Gerard Willems |
piano |
Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 'Pathétique', Adagio cantabile from Piano ‘Pathétique’ Sonata, Adagio sostenuto from Piano Sonata No. 13 in C-sharp minor, Op. 27 No. 2 'Moonlight', Adagio sostenuto from ‘Moonlight’ Sonata, Adagio un poco moto from Piano Concerto No. 5 in E-flat major, Op. 73 'Emperor', Andante from Piano Sonata No. 25 in G major, Op. 79 |
| Max Rabinovitsj |
violin |
Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro, Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto, Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto, Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni, Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace, Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto |
| Maurizio Pollini |
piano |
Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: I. Allegro, Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: II. Adagio un poco mosso [Attacca:], Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: III. Rondo. Allegro, Piano Concerto no. 6 in D major, Op. 61a: I. Allegro ma non troppo, Piano Concerto no. 6 in D major, Op. 61a: II. Larghetto, Piano Concerto no. 6 in D major, Op. 61a: III. Rondo. Allegro |
| Matthias Pfaender |
cello |
6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major |
| Markus Tillier |
cello |
Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto |
| The New York Vocal Arts Ensemble |
performer |
Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 9. "Lochnagar", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire" |
| Bächer Mihály (pianist (Mihaly Bächer)) |
piano |
c-moll szonáta, Op. 111: I. Arietta. Adagio molto, semplice e cantabile, c-moll szonáta, Op. 111: I. Maestoso – Allegro con brio ed appassionato, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): II. Allegretto, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): III. Presto agitato, e-moll szonáta, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, e-moll szonáta, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen |
| Jacob Berg (flautist) |
flute |
Serenade for Flute, Violin and Viola in D major, Op. 25: I. Entrata. Allegro, Serenade for Flute, Violin and Viola in D major, Op. 25: II. Tempo ordinario d’un Menuetto, Serenade for Flute, Violin and Viola in D major, Op. 25: III. Allegro molto, Serenade for Flute, Violin and Viola in D major, Op. 25: IV. Andante con variazioni, Serenade for Flute, Violin and Viola in D major, Op. 25: V. Allegro scherzando e vivace, Serenade for Flute, Violin and Viola in D major, Op. 25: VI. Adagio – Allegro vivace disinvolto |
| Jakob Hefti |
horn |
Septet, op. 20: I. Adagio. Allegro con brio, Septet, op. 20: II. Adagio cantabile, Septet, op. 20: III. Tempo di minuetto, Septet, op. 20: IV. Andante con variazioni, Septet, op. 20: V. Scherzo. Allegro molto e vivace, Septet, op. 20: VI. Andante con moto alla marcia. Presto |
| Victor Yoran (Russian cellist) |
cello |
British Folk Songs (7) for voice & piano trio in A major, WoO 158b No. 1: Adieu, my loved harp (Irish), Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 11: "Yo no quiero embarcarme" (Ich traue nicht den Wogen)(Iberian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 16: "Schöne Minka, ich muß scheiden" (Ukrainian-Cossack), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 19: "Una paloma blanca" (Mein Täubchen ist entflogen)(Spanish Bolero a Solo), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 2: "Horch auf, mein Liebchen" (German) |
| Valentina Kameníková |
piano |
Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Concerto No. 1 in C major, Op. 15: II. Largo, Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato |
| New Classical Orchestra, Saint Petersburg |
performing orchestra |
Leonore Overture No.3, Op. 72, Overture to Egmont, Op. 84, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II Adagio un poco moto, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Symphony No.3 in E flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No.5. in C minor, Op. 67: I. Allegro con brio |
| Richard Hickox |
conductor |
Choral Part-Song for Solo Voice(s) & Instrument(s) "Elegischer Gesang" for 4 Voices with String Qrt or Piano, Op. 118, Pastoral Symphony: Shepherd's Thanksgiving (excerpt), Piano Concerto No. 5 in E flat major, op. 73 "Emperor", Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro |
| René Leibowitz |
conductor |
Ouvertüre 'Egmont' Op. 84 aus der Musik zu J W Goethes Trauerspiel, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai, Symphony No.9 ('Choral') (Fourth Movement) |
| Magyar Rádió és Televízió énekkara |
vocal |
Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus), Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists), Fidelio, Op. 72: Prisoners' Chorus, "O welche Lust" |
| Fritz Busch |
conductor |
Leonore II, Op. 72: Overture. Adagio - Allegro (live), Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso (live), Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto (live), Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante Moderato - Adagio - Lo Stesso Tempo (live), Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - (live), Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo (live) |
| Coro di voci bianche dell'Arcum |
vocal |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen” |
| László Csintalan |
engineer |
c-moll szonáta, Op. 111: I. Arietta. Adagio molto, semplice e cantabile, c-moll szonáta, Op. 111: I. Maestoso – Allegro con brio ed appassionato, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): II. Allegretto, cisz-moll szonáta, Op. 27 No. 2 (Mondscheinsonate): III. Presto agitato, e-moll szonáta, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, e-moll szonáta, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen |
| Jean-Martial Golaz |
recording |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei |
| Jean-Philippe Rousseau |
recording |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei |
| Ludwig Hoffmann |
piano |
Mondschein-Sonate op. 27, Nr. 2, cis-moll: I. Adagio sostenuto, Mondschein-Sonate op. 27, Nr. 2, cis-moll: II. Allegretto, Mondschein-Sonate op. 27, Nr. 2, cis-moll: III. Presto agitato, Pathetique, op. 13, c-moll: I. Grave, Pathetique, op. 13, c-moll: II. Adagio cantabile, Pathetique, op. 13, c-moll: III. Rondo, Allegro |
| Stuttgarter Philharmoniker |
performing orchestra, vocal |
Christus am Ölberg, op. 85: No. 1 Rezitativ und Arie (Jesus), Christus am Ölberg, op. 85: No. 2 Rezitativ und Arie (Seraph), Christus am Ölberg, op. 85: No. 3 Rezitativ und Duett (Serapj, Jesus), Christus am Ölberg, op. 85: No. 4 Rezitativ (Jesus und Chor der Krieger), Christus am Ölberg, op. 85: No. 5 Rezitativ (Jesus, Chor der Jünger, Chor der Krieger), Christus am Ölberg, op. 85: No. 6 Rezitativ (Jesus, Petrus), Terzett (Seraph, Jesus, Petrus), Chor der Jünger, Chor der Krieger |
| Cornelius Hauptmann |
vocal |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei |
| Orquesta Filarmónica de la Ciudad de México |
performing orchestra |
Overture "Leonore III", Op. 72a, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Conrad von der Goltz |
violin |
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56: I. Allegro, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": I. Allegro vivace e con brio, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": II. Largo assai e espressivo, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": III. Presto, Triple Concerto in C major for Violin, Cello, Piano and Orchestra, op. 56: II. Largo - Rondo alla Polacca |
| Alla Kravchuk |
vocal |
British Folk Songs (7) for voice & piano trio in A major, WoO 158b No. 1: Adieu, my loved harp (Irish), Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 11: "Yo no quiero embarcarme" (Ich traue nicht den Wogen)(Iberian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 16: "Schöne Minka, ich muß scheiden" (Ukrainian-Cossack), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 19: "Una paloma blanca" (Mein Täubchen ist entflogen)(Spanish Bolero a Solo), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 2: "Horch auf, mein Liebchen" (German) |
| Leopold Ludwig |
conductor |
Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro) |
| Alfred Malaček |
violin |
Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto |
| Friedemann Rieger |
piano |
Fidelio, opera, Op. 72: Leonora Overture III, Op. 72a, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: II. Adagio molto espressivo, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: III. Scherzo; Allegro molto, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: IV. Rondo: Allegro ma non troppo, Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46, Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 |
| Busch Quartet |
performer, strings |
Op.135 Nº16 - III. Lento assai, cantante e tranquillo, Op.135 Nº16 - IV. Grave, ma non troppo tratto - Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro |
| Fred Sherry |
cello |
Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 9. "Lochnagar", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire" |
| Birgit Remmert |
vocal |
I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei |
| Pražský filharmonický sbor (Prague Philharmonic Choir) |
vocal |
Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Agnus Dei, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Credo, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Gloria, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Kyrie, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Sanctus, Presto, allegro assai |
| Stephen Hough (pianist) |
piano |
Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio, Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con Variazioni. Andante con moto, Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molto espressione, Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto |
| Josef Bloser |
conductor |
Christus am Ölberg, op. 85: No. 1 Rezitativ und Arie (Jesus), Christus am Ölberg, op. 85: No. 2 Rezitativ und Arie (Seraph), Christus am Ölberg, op. 85: No. 3 Rezitativ und Duett (Serapj, Jesus), Christus am Ölberg, op. 85: No. 4 Rezitativ (Jesus und Chor der Krieger), Christus am Ölberg, op. 85: No. 5 Rezitativ (Jesus, Chor der Jünger, Chor der Krieger), Christus am Ölberg, op. 85: No. 6 Rezitativ (Jesus, Petrus), Terzett (Seraph, Jesus, Petrus), Chor der Jünger, Chor der Krieger |
| Ulrich Stærk |
piano |
Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: I. Allegro cantabile, Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: II. Andante, Sonata for Piano in E-flat major, WoO 47 No. 1 “Kurfürsten”: III. Rondo. Vivace, Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: I. Larghetto maestoso, Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: II. Andante, Sonata for Piano in F minor, WoO 47 No. 2 “Kurfürsten”: III. Presto |
| Uppsala Kammarorkester |
bassoon, cello, clarinet, horn, viola, violin |
Septet in E-flat major, op. 20: I. Adagio - Allegro con brio, Septet in E-flat major, op. 20: II. Adagio cantabile, Septet in E-flat major, op. 20: III. Tempo di menuetto, Septet in E-flat major, op. 20: IV. Tema con variazioni: Andante, Septet in E-flat major, op. 20: V. Scherzo. Allegro molto e vivace, Septet in E-flat major, op. 20: VI. Andante con moto alla marcia - Presto |
| Pražský komorní orchestr |
performer |
Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Concerto No. 1 in C major, Op. 15: II. Largo, Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato |
| Paolo Lucci |
chorus master |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin), Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen” |
| Kodály Quartet |
performer, strings |
Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: I. Maestoso - Allegro, Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I, Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: III. Scherzando. Vivace, Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: IV. Allegro - Allegro comodo, Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto, Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): III. Allegro |
| Julia Khodyko |
violin |
British Folk Songs (7) for voice & piano trio in A major, WoO 158b No. 1: Adieu, my loved harp (Irish), Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning, Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 11: "Yo no quiero embarcarme" (Ich traue nicht den Wogen)(Iberian), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 16: "Schöne Minka, ich muß scheiden" (Ukrainian-Cossack), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 19: "Una paloma blanca" (Mein Täubchen ist entflogen)(Spanish Bolero a Solo), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 2: "Horch auf, mein Liebchen" (German) |
| Christine Wehler |
vocal |
25 Irish Songs WoO 152, No. 14, "Dermot and Shelah", Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp", Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)", Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing", Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go", Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears" |
| Ulrike Helzel |
vocal |
"Ars longa, vita brevis", WoO 193, "Das Schöne zu dem Guten!", WoO 203, "Das Schöne zum Guten!", WoO 202, "Doktor sperrt das Tor dem Tod", WoO 189, "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172, "Kurz ist der Schmerz", WoO 166 |
| Klaus Peters |
violin |
6 Minuets for Two Violins and Violoncello WoO 9 No. 1 in E-flat major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 2 in G major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 3 in C major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 4 in F major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 5 in D major, 6 Minuets for Two Violins and Violoncello WoO 9 No. 6 in G major |
| Kirsti Hjort (Kirsti Hjort-Goltz) |
piano |
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56: I. Allegro, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": I. Allegro vivace e con brio, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": II. Largo assai e espressivo, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": III. Presto, Triple Concerto in C major for Violin, Cello, Piano and Orchestra, op. 56: II. Largo - Rondo alla Polacca |
| Elisabeth Perry |
violin |
Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 4. "Love without hope", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 7. "Oh let the night my blushes hide" |
| Jürgen Demmler |
clarinet |
Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto |
| Alexander Gurning |
piano |
Sonate für Klavier Nr. 23 f-Moll, Op. 57 "Appassionata": I. Allegro assai, Sonate für Klavier Nr. 23 f-Moll, Op. 57 "Appassionata": II. Andante con moto / III. Allegro ma non troppo, Sonate für Klavier Nr. 27 e-Moll, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, Sonate für Klavier Nr. 27 e-Moll, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen, Sonate für Klavier Nr. 6 F-Dur, Op. 10 Nr. 2: I. Allegro, Sonate für Klavier Nr. 6 F-Dur, Op. 10 Nr. 2: II. Allegretto / III. Presto |
| Alberto Delande (conductor, possibly Alfred Scholz pseudonym) |
conductor |
King Stephan Overture, op.117, Symphony no. 3 in E flat major, "Eroica": I. Allegro con brio, Symphony no. 3 in E flat major, "Eroica": II. Marcia funebre, Adagio assai, Symphony no. 3 in E flat major, "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E flat major, "Eroica": IV. Finale: Allegro molto - Poco andante - Presto, Symphony no. 3 in E flat major, op. 55 "Eroica": Adagio assai (theme) |
| Raymond Beegle |
piano |
Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 9. "Lochnagar", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire" |
| Peter Grabinger |
piano |
Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace, Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto |
| Rainer Zepperitz |
double bass |
Septet in E flat, op. 20: 1. Adagio - Allegro con brio, Septet in E flat, op. 20: 2. Adagio cantabile, Septet in E flat, op. 20: 3. Tempo di Menuetto, Septet in E flat, op. 20: 4. Tema con variazioni (Andante), Septet in E flat, op. 20: 5. Scherzo (Allegro molto e vivace), Septet in E flat, op. 20: 6. Andante con moto alla Marcia - Presto |
| Fernando Lozano |
conductor |
Overture "Leonore III", Op. 72a, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Ralf Lukas |
vocal |
"Ars longa, vita brevis", WoO 170, "Das Schöne zum Guten!", WoO 202, "Doktor sperrt das Tor dem Tod", WoO 189, "Fra tutte le pene", WoO 99 No. 3a, "Glück zum neuen Jahr!", WoO 176, "Si non per portas, per muros", WoO 194 |
| Rafael Frühbeck de Burgos |
conductor |
Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro, Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai, Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio |
| Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) |
vocal |
Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus |
| Horst Laubenthal |
vocal |
Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei |
| Erich Leinsdorf |
conductor |
Symphony No. 5 (extract), Symphony no. 9 in D minor, op. 125: I. Allegro ma troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai |
| Arturo Delmoni |
violin |
Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land", Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love", Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire" |
| Wyn Morris |
conductor |
Symphony No. 5 in C minor, Op. 67 "Fate": I. Allegro con brio, Symphony No. 5 in C minor, Op. 67 "Fate": II. Andante con moto, Symphony No. 5 in C minor, Op. 67 "Fate": III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67 "Fate": IV. Allegro, Symphony no. 5 in C minor, op. 67 "Fate" |
| Vagabond Children's Ensemble |
vocal |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin), Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen" |
| Lorin Maazel |
conductor |
Symphony no. 9 in D minor ('Choral'), op. 125: I. Allegro ma non troppo, Symphony no. 9 in D minor ('Choral'), op. 125: II. Molto vivace, Symphony no. 9 in D minor ('Choral'), op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai, Willingtons Sieg, op. 91 |
| Münchener Bach-Chor |
vocal |
Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei |
| Symphonieorchester des Bayerischen Rundfunks |
performing orchestra |
Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai, Symphony no. 9: Molto vivace |
| Günther Herbig (German conductor) |
conductor |
Fidelio, op. 72: Obertura, Sinfonía n.º 3 en mi bemol mayor, op. 55 «Heroica»: I. Allegro con brio, Sinfonía n.º 3 en mi bemol mayor, op. 55 «Heroica»: II. Marcha fúnebre: Adagio assai, Sinfonía n.º 3 en mi bemol mayor, op. 55 «Heroica»: III. Scherzo: Allegro vivace, Sinfonía n.º 3 en mi bemol mayor, op. 55 «Heroica»: IV. Finale: Allegro molto |
| Cheryl Studer |
vocal |
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live) |
| Jerzy Semkow |
conductor |
Elegiac Song for Choir and Orchestra, Op. 118, Elegischer Gesang, Op. 118, Fantasia, Op. 80, "Choral Fantasy", Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy", Rondo in B flat major, WoO 6 |
| English Chamber Orchestra |
performing orchestra |
II. Molto vivace from Symphony No. 9 in D Minor, Op. 125 "Choral", Symphony no. 5 in C minor, op. 67: III. Allegro (attacca), Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace |
| Gerard Schwarz (conductor) |
conductor |
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of cheerful feelings upon arrival in the country. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene at the brook. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Happy gathering of country folk. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Thunderstorm. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherds' song: Cheerful and thankful feelings after the storm. Allegretto |
| Plácido Domingo |
vocal |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live), Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai |
| Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) |
conductor |
Symphony No. 6 in F major, Op. 68 "Pastoral": I. Awakening of happy feelings on arriving in the country (Allegro ma non troppo), Symphony No. 6 in F major, Op. 68 "Pastoral": II. By the brook (Andante molto mosso), Symphony No. 6 in F major, Op. 68 "Pastoral": III. Peasants' merry-making (Allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": IV. The Storm (Allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": V. Shepherd's song: Happy and thankful feelings after the storm (Allegretto) |
| Chicago Symphony Orchestra |
performer, performing orchestra |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar", Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Overture "Leonore no. 3", Overture 'Leonora' No. 3, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio |
| Simon Deffner |
cello |
Minuet for for 2 Violins, Viola and Cello, H. 33, Prelude and Fugue for 2 Violins and Cello in E minor, H. 29, Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30, Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31, Prelude for 2 Violins, Viola and Cello, H. 40 |
| Clemens Schuldt |
violin |
Minuet for for 2 Violins, Viola and Cello, H. 33, Prelude and Fugue for 2 Violins and Cello in E minor, H. 29, Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30, Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31, Prelude for 2 Violins, Viola and Cello, H. 40 |
| John Abberger |
oboe |
Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto, Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28 |
| Sinfonia Varsovia |
performing orchestra |
Symphony No. 6 in F major, Op. 68, "Pastoral": I. Allegro ma non troppo: Erwachen heiterer Gefühle bei der Ankunft auf dem Lande, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Finale. Allegro con brio |
| Gundula Janowitz |
vocal |
Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei |
| Heinrich Schlusnus |
vocal |
"Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123, "In questa tomba oscura", WoO 133, An die ferne Geliebte, Op. 98, Andenken, WoO 136 "Ich denke dein", Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten" |
| MasterVoices (choir) |
vocal |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!", Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin), Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen" |
| Ilmar Lapinsch |
conductor |
Romance no. 2 in F major for Violin and Orchestra, op. 50, Symphony no. 5 in C minor, op. 67 "Fate": I. Allegro con brio, Symphony no. 5 in C minor, op. 67 "Fate": II. Andante con moto, Symphony no. 5 in C minor, op. 67 "Fate": III. Allegro (attacca), Symphony no. 5 in C minor, op. 67 "Fate": IV. Allegro |
| Симфонический оркестр Санкт-Петербургской филармонии |
performing orchestra |
Howards End: Symphony No. 5: Allegro (excerpt), Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo |
| Lani Spahr |
English horn |
Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto, Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28 |
| Государственная академическая симфоническая капелла России (Polyansky) |
performing orchestra |
Romance no. 2 in F major for Violin and Orchestra, op. 50, Symphony no. 5 in C minor, op. 67 "Fate": I. Allegro con brio, Symphony no. 5 in C minor, op. 67 "Fate": II. Andante con moto, Symphony no. 5 in C minor, op. 67 "Fate": III. Allegro (attacca), Symphony no. 5 in C minor, op. 67 "Fate": IV. Allegro |
| Gerald Finley |
vocal |
"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Germania, WoO 94: Final Chorus from "Die gute Nachricht", Scene (One) from "Vesta's Fire", Hess 115, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume" |
| Arleen Augér |
vocal |
The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl) |
| Давид Фёдорович Ойстрах |
violin |
Triple Concerto in C major, Op. 56: I. Allegro, Triple Concerto pour piano, violon & violoncelle en ut majeur Op.56 : III. Rondo alla polacca, Triple concerto in C op. 56: I. Allegro, Triple concerto in C op. 56: II. Largo, Triple concerto in C op. 56: III. Rondo alla Polacca |
| Евгений Александрович Мравинский |
conductor |
Howards End: Symphony No. 5: Allegro (excerpt), Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo |
| Wiener Singverein |
vocal |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" / Vc. Choir of Children "Was soll der Lärm bedeuten?" |
| Marie-Pierre Langlamet |
harp |
Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein", Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch |
| Josef Krips |
conductor |
Egmont Overture - Incidental Music, op. 84, Symphony no. 4 in B-flat major, op. 60: I. Andante - Allegro ma non troppo, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo |
| István Székely |
performer, piano |
Piano Sonata No. 8 in C minor ("Pathétique"), Op. 13, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": II. Adagio cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro, Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto |
| Carolina Kurkowski Perez |
violin |
Minuet for for 2 Violins, Viola and Cello, H. 33, Prelude and Fugue for 2 Violins and Cello in E minor, H. 29, Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30, Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31, Prelude for 2 Violins, Viola and Cello, H. 40 |
| Joseph Flummerfelt |
conductor |
Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen |
| Elizabeth Harwood |
vocal |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) |
| Josephine Veasey |
vocal |
Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai |
| Christoph Hartmann |
oboe |
Trio für zwei Oboen und Englischhorn, Op. 87: I. Allegro, Trio für zwei Oboen und Englischhorn, Op. 87: II. Adagio cantabile, Trio für zwei Oboen und Englischhorn, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio für zwei Oboen und Englischhorn, Op. 87: IV. Finale. Presto, Variationen über „La ci darem la mano“ für zwei Oboen und Englischhorn |
| Кирилл Петрович Кондрашин (conductor) |
conductor |
Symphony No. 3 "Eroica": Allegro Con Brio, Symphony No. 3 "Eroica": Finale (Allegro Molto), Symphony No. 3 "Eroica": Marcia Funebre (Adagio Assai), Symphony No. 3 "Eroica": Scherzo (Allegro Vivace), Triple Concerto in C major, Op. 56: I. Allegro |
| Klaus-Peter Hahn |
conductor, cello |
Fidelio, opera, Op. 72: Leonora Overture III, Op. 72a, Septet, III. Menuetto, Symphony No. 6, 'Pastoral,' Andante, Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46, Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 |
| Julia Hamari |
vocal |
Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei |
| George Richter (conductor, probably fictitious, or Alfred Scholz pseudonym) |
conductor |
Leonora: Overture No. 3 in C minor, Op. 72a, Symphony No. 5 in C minor, Op. 67: Allegro / Allegro - Allegro - Presto, Symphony No. 5 in C minor, Op. 67: Allegro con brio, Symphony No. 5 in C minor, Op. 67: Andante con moto, Symphony No. 9 in D minor, Op. 125: 4th Movement (excerpt) |
| Klaus Tennstedt |
conductor |
Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Violin Concerto in D major, Op. 61: III. Rondo. Allegro (live recording) |
| New York Choral Artists |
vocal |
Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen |
| Jacqueline du Pré |
cello |
12 Variations sur le thème "Ein Mädchen oder Weibchen", Cello Sonata No. 3 in A major, Op. 69: III. Adagio cantabile, Cello Sonata No. 3 in A major, Op. 69: IV. Allegro vivace, Seven Variations on "Bei Männern" from Mozart's Die Zauberflöte, WoO. 46, Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: II. Adagio - Tempo d'Andante - Allegro vivace |
| Hans Peter Ebner (sound engineer) |
sound |
Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus |
| Klaus Hirte |
vocal |
The Consecration of the House, Op. 114: VI. March and Chorus. Assai moderato "Schmückt die Altäre!", The Consecration of the House, Op. 124: Overture. Maestoso e sostenuto - Allegro con brio, The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze", The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo "Es wandelt schon das Volk im Feierkleide", The Ruins of Athens, Op. 113: II. Duet. Andante con moto - Poco più mosso "Ohne Verschulden Knechtschaft dulden" (A Greek, A Greek Girl) |
| New York Chamber Symphony |
performer |
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of cheerful feelings upon arrival in the country. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene at the brook. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Happy gathering of country folk. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Thunderstorm. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherds' song: Cheerful and thankful feelings after the storm. Allegretto |
| Dominik Wollenweber |
English horn |
Trio für zwei Oboen und Englischhorn, Op. 87: I. Allegro, Trio für zwei Oboen und Englischhorn, Op. 87: II. Adagio cantabile, Trio für zwei Oboen und Englischhorn, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio für zwei Oboen und Englischhorn, Op. 87: IV. Finale. Presto, Variationen über „La ci darem la mano“ für zwei Oboen und Englischhorn |
| Marc Schachman |
oboe |
Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo, Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto, Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28 |
| Alexander Kiss |
viola |
Minuet for for 2 Violins, Viola and Cello, H. 33, Prelude and Fugue for 2 Violins and Cello in E minor, H. 29, Prelude and Fugue for 2 Violins, Viola and Cello in F major, H. 30, Prelude and Fugue for for 2 Violins, Viola and Cello in C major, H. 31, Prelude for 2 Violins, Viola and Cello, H. 40 |
| Kerstin Wagner |
vocal |
12 Irish Songs WoO 154, No. 1, "The Elfin Fairies", 12 Irish Songs WoO 154, No. 2, "O Harp of Erin", 12 Irish Songs WoO 154, No. 7, "From Garyone, My Happy Home", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise", Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 |
| Saint Louis Symphony Orchestra |
performing orchestra |
Elegiac Song for Choir and Orchestra, Op. 118, Elegischer Gesang, Op. 118, Fantasia, Op. 80, "Choral Fantasy", Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy", Rondo in B flat major, WoO 6 |
| Sascha Reckert |
glass harmonica |
Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden", Leonore Prohaska: No. 1 Kriegerchor. Wir bauen und sterben, Leonore Prohaska: No. 2 Romanze. Es blüht eine Blume in Garten mein, Leonore Prohaska: No. 3 Melodram. Du, dem sie gewunden, Leonore Prohaska: No. 4 Trauermarsch |
| Ondrej Lenárd |
conductor |
March of the Turks, Two Marches for Military Band: No. 1, Two Marches for Military Band: No. 2, Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle Symphony", Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle" |
| Münchener Bach-Orchester |
performing orchestra |
Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei |
| Elmar Schloter (Organist) |
organ |
Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei |
| Karl Richter (conductor/ choir master/ organist/ harpsichordist) |
conductor |
Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei |
| Ernst Gerold Schramm (German baritone) |
vocal |
Mass in C major, Op. 86: I. Kyrie, Mass in C major, Op. 86: II. Gloria, Mass in C major, Op. 86: III. Credo, Mass in C major, Op. 86: IV. Sanctus, Mass in C major, Op. 86: V. Agnus Dei |
| Fritz Kreisler (violinist / composer) |
violin |
Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo - Kadenz, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro - Kadenz, Sonate Nr. 6 für Klavier und Violine A-dur, Op. 30 Nr. 1: I. Allegro, Sonate Nr. 6 für Klavier und Violine A-dur, Op. 30 Nr. 1: II. Adagio molto espressivo, Sonate Nr. 6 für Klavier und Violine A-dur, Op. 30 Nr. 1: III. Allegretto con Variazioni |
| Édouard Lindenberg |
conductor |
Symphony No. 6 in F major, Op. 68: I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68: II. Andante molto mosso, Symphony No. 6 in F major, Op. 68: III. Allegro, Symphony No. 6 in F major, Op. 68: IV. Allegro, Symphony No. 6 in F major, Op. 68: V. Allegretto |
| DR SymfoniOrkestret |
performing orchestra |
Leonore II, Op. 72: Overture. Adagio - Allegro (live), Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto (live), Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante Moderato - Adagio - Lo Stesso Tempo (live), Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - (live), Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo (live) |
| Candida Thompson |
concertmaster |
Beethoven - String Quartet no. 11 in f minor, opus 95 - I. Allegro con brio, Beethoven - String Quartet no. 11 in f minor, opus 95 - II. Allegretto ma non troppo, Beethoven - String Quartet no. 11 in f minor, opus 95 - III. Allegro assai vivace ma serioso, Beethoven - String Quartet no. 11 in f minor, opus 95 - IV. Larghetto espressivo – Allegro |
| Günter Appenheimer (producer/engineer) |
producer |
Two Marches for Military Band: No. 1, Two Marches for Military Band: No. 2, Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle Symphony", Wellington's Victory, or the Battle of Vitoria, Op. 91 "Battle" |
| Mariss Jansons (Latvian conductor) |
conductor |
Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai |
| Smithsonian Chamber Players |
performing orchestra |
Quartetto serioso, F minor, op. 95 (arr. Mahler): I. Allegro con brio, Quartetto serioso, F minor, op. 95 (arr. Mahler): II. Allegretto, ma non troppo, Quartetto serioso, F minor, op. 95 (arr. Mahler): III. Allegro assai vivace, ma serioso, Quartetto serioso, F minor, op. 95 (arr. Mahler): IV. Larghetto espressivo - Allegro agitato |
| Bamberger Symphoniker |
performing orchestra |
Symphony No. 3, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 7 in A major, Op. 92: II. Allegretto |
| Peter Oswald (tenor) |
vocal |
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie |
| Peter Mikuláš (bass) |
vocal |
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie |
| [unknown] (Special Purpose Artist - Do not add releases here, if possible.) |
balance, performer, producer, piano |
'Moonlight' Piano Sonata, op. 27, no. 2: I. Adagio sostenuto, 'Pathétique' Piano Sonata, op. 13: I. Grave - Allegro, Klaviersonate Nr. 14, Cis-Moll, „Mondscheinsonate“, Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: II. Adagio - Tempo d'Andante - Allegro vivace |
| Adrian Brendel |
cello |
12 Variations on “See the conju'ring hero comes” WoO 45:Variation IX, 12 Variations on “See the conju'ring hero comes” WoO 45:Variation VIII, 12 Variations on “See the conju'ring hero comes” WoO 45:Variation X: Adagio, 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Variation V: Si prenda... |
| City of London Sinfonia (chamber orchestra) |
performing orchestra |
Piano Concerto No. 5 in E flat major, op. 73 "Emperor", Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro |
| Nicholas Wilks |
conductor |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto |
| David Breitman |
performer |
Piano Sonata No. 3 in C major, Op. 2/3: I. Allegro con brio, Piano Sonata No. 3 in C major, Op. 2/3: II. Adagio, Piano Sonata No. 3 in C major, Op. 2/3: III. Scherzo: Allegro, Piano Sonata No. 3 in C major, Op. 2/3: IV. Allegro assai |
| Carlos Kleiber |
conductor |
Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio, Symphonie No. 5 c-Moll, Op. 67: II. Andante con moto, Symphonie No. 5 c-Moll, Op. 67: III. Allegro, Symphonie No. 5 c-Moll, Op. 67: IV. Allegro |
| Christophe Coin |
cello |
Sonate pour piano et violencelle, Op. 5 No. 1: I. Adagio sostenuto - Allegro, Sonate pour piano et violencelle, Op. 5 No. 1: II. Rondo. Allegro vivace, Sonate pour piano et violencelle, Op. 5 No. 2: I. Adagio sostenuto e espressivo - Allegro molto piu tosto presto, Sonate pour piano et violencelle, Op. 5 No. 2: II. Rondo. Allegro |
| Elaine Martone (engineer) |
producer |
Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Marcel Moyse |
performer |
Octet for Winds in E-flat major, Op. 103: I. Allegro, Octet for Winds in E-flat major, Op. 103: II. Andante, Octet for Winds in E-flat major, Op. 103: III. Menuetto, Octet for Winds in E-flat major, Op. 103: IV. Finale - Presto |
| Hamburger Symphoniker |
performing orchestra |
Symphony No. 9 in D minor, Op. 125 "Choral": Adagio molto cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": Allegro ma non troppo, Symphony No. 9 in D minor, Op. 125 "Choral": Finale, Symphony No. 9 in D minor, Op. 125 "Choral": Molto vivace |
| Alain Lombard |
conductor |
Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto |
| Patrick Cohen (pianist) |
piano |
Sonate pour piano et violencelle, Op. 5 No. 1: I. Adagio sostenuto - Allegro, Sonate pour piano et violencelle, Op. 5 No. 1: II. Rondo. Allegro vivace, Sonate pour piano et violencelle, Op. 5 No. 2: I. Adagio sostenuto e espressivo - Allegro molto piu tosto presto, Sonate pour piano et violencelle, Op. 5 No. 2: II. Rondo. Allegro |
| Beethoven Orchester Bonn |
performing orchestra |
Symphony No. 3 in E flat major ("Eroica"), Op. 55: I. Allegro con Brio, Symphony No. 3 in E flat major ("Eroica"), Op. 55: II. Marcia funebre, Symphony No. 3 in E flat major ("Eroica"), Op. 55: III. Scherzo, Symphony No. 3 in E flat major ("Eroica"), Op. 55: IV. Allegro molto |
| Werner Ludwig Baum |
conductor |
Symphony No. 9 in D minor, Op. 125 "Choral": Adagio molto cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": Allegro ma non troppo, Symphony No. 9 in D minor, Op. 125 "Choral": Finale, Symphony No. 9 in D minor, Op. 125 "Choral": Molto vivace |
| Frans Brüggen |
conductor |
Symphony no. 1: Adagio - Allegro molto e vivace, Symphony no. 1: Adagio molto - Allegro con brio, Symphony no. 1: Andante cantabile con moto, Symphony no. 1: Menuetto. Allegro molto e vivace |
| Jan Pollacek |
cello |
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": I. Allegro vivace e con brio, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": II. Largo assai e espressivo, Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": III. Presto |
| Alison Ames |
producer |
Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)... |
| Malcolm Bilson |
performer |
Piano Sonata No. 1 in F minor, Op. 2/1: I. Allegro, Piano Sonata No. 1 in F minor, Op. 2/1: II. Adagio, Piano Sonata No. 1 in F minor, Op. 2/1: III. Menuetto: Allegretto, Piano Sonata No. 1 in F minor, Op. 2/1: IV. Prestissimo |
| Alan Titus |
vocal |
Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) |
| Magdaléna Hajóssyová |
vocal |
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie |
| Sir Georg Solti (conductor) |
conductor |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar", Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Overture "Leonore no. 3", Overture 'Leonora' No. 3 |
| Ronald Whitaker |
producer |
Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Otmar Suitner |
conductor |
Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio |
| 梅田俊明 |
conductor |
Symphony no. 7 in A major, op. 92: Movements I - IV (Ending) (“Christmas concert drama version”), 交響曲第7番イ長調作品92より 第1楽章 (主題曲音源), 交響曲第7番イ長調作品92より 第4楽章, 交響曲第9番ニ短調作品125<合唱>より第1楽章冒頭部 |
| Orquesta Sinfónica del Estado de México |
performing orchestra |
Symphony No. 9 in D minor: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor: II. Molto vivace, Symphony No. 9 in D minor: III. Adagio molto e cantabile, Symphony No. 9 in D minor: IV. Presto - "O Freunde, nicht dies Toene!" - Allegro Assai - "An die Freude" |
| Lutz Herbig (conductor) |
conductor |
Eroica Variations: 15 Variations with Fugue in E flat major, Triple Concerto: I. Allegro, Triple Concerto: II. Largo, Triple Concerto: III. Rondo alla Polka |
| Hans-Peter Schweigmann |
engineer |
Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)... |
| Woldemar Nelsson |
conductor |
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funébre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto |
| Roderick Brydon (conductor) |
conductor |
Symphony no. 3 in E flat major, op. 55, "Eroica": I. Allegro con brio, Symphony no. 3 in E flat major, op. 55, "Eroica": II. Marcia funebre, Symphony no. 3 in E flat major, op. 55, "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E flat major, op. 55, "Eroica": IV. Finale: Allegro molto |
| Alun Francis |
conductor |
Sinfonia no. 4 em si bemol maior: I. Adagio - Allegro vivace, Sinfonia no. 4 em si bemol maior: II. Adagio, Sinfonia no. 4 em si bemol maior: III. Menuetto: Allegro vivace. Trio - un poco meno allegro, Sinfonia no. 4 em si bemol maior: IV. Allegro ma non troppo |
| Walter Goehr |
conductor |
Symphonie Nr. 5 - 1. Satz, Symphonie Nr. 5 - 2. Satz, Symphonie Nr. 5 - 3. Satz, Symphonie Nr. 5 - 4. Satz |
| Radiokören |
vocal |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live) |
| Orchestre philarmonique de France |
performing orchestra |
Symphonie N° 7 - Allegretto, Symphonie N° 7 - Allegro con brio, Symphonie N° 7 - Poco sostenuto - Vivace, Symphonie N° 7 - Presto |
| Winchester Symphony Orchestra |
performing orchestra |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto |
| Jessye Norman |
vocal |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live) |
| Олег Каган |
violin |
Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro, Violin Sonata no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo, Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo (Allegro molto) & Trio, Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo (Allegro ma non troppo) |
| Jitka Zerhanova (Alto) |
vocal |
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro, Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie |
| Robert Taub |
piano |
Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": II. Adagio cantabile, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": III. Rondo. Allegro, Piano Sonata no.21 in C major, op. 53 "Waldstein": I. Allegro Con Brio (Excerpt) |
| Anthony Newman |
piano |
Choral Fantasy, Op. 80, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro |
| Orchestre National de l'ORTF (not to be confused with the Orchestre philarmonique de l'ORTF) |
performing orchestra |
Symphony no. 7 in A, op. 92: I. Poco sostenuto - vivace, Symphony no. 7 in A, op. 92: II. Allegretto, Symphony no. 7 in A, op. 92: III. Presto - assai meno presto, Symphony no. 7 in A, op. 92: IV. Allegro con brio |
| Orchestre National Bordeaux Aquitaine |
performing orchestra |
Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto |
| Wilhelm Meister (Tonmeister / Recording Producer) |
producer |
Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai |
| Musopen Symphony Orchestra |
performing orchestra |
Symphony no. 3 in E-flat major "Eroica", op. 55: I. Allegro con brio, Symphony no. 3 in E-flat major "Eroica", op. 55: II. Marcia funebre adagio assai, Symphony no. 3 in E-flat major "Eroica", op. 55: III. Scherzo allegro vivace, Symphony no. 3 in E-flat major "Eroica", op. 55: IV. Finale allegro molto |
| Tom Beghin |
performer |
Piano Sonata No. 2 in A major, Op. 2/2: I. Allegro vivace, Piano Sonata No. 2 in A major, Op. 2/2: II. Largo appassionato, Piano Sonata No. 2 in A major, Op. 2/2: III. Scherzo: Allegretto, Piano Sonata No. 2 in A major, Op. 2/2: VI. Rondo: Grazioso |
| Siegfried Vogel |
vocal |
"Es ist vollbracht", WoO 97 (Finale from Treitschke's "Die Ehrenpforten"), "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, Aria for Bass and Orchestra, WoO 89 "Prufung des Küssens", Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen" |
| Pilar Lorengar |
vocal |
Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus |
| Emperor Quartet (string quartet from the United Kingdom) |
cello, viola, violin |
String Quartet no. 4 in C minor, op. 18: I. Allegro ma non tanto, String Quartet no. 4 in C minor, op. 18: II. Andante scherzoso quasi allegretto, String Quartet no. 4 in C minor, op. 18: III. Menuetto: Allegretto, String Quartet no. 4 in C minor, op. 18: IV. Allegro - Prestissimo |
| Zoltán Szívós (Conductor) |
conductor |
Fidelio, Op. 72 (1814), overture to opera Leonora/Fidelio, fourth version, King Stephen (König Stefan), Op. 117 (1812), overture to incidental music to words by von Kotzebue, The Creatures of Prometheus (Die Geschöpfe von Prometheus), Op. 43 (1801), overture to incidental music for play by Viganò, The Ruins of Athens (Die Ruinen von Athen), Op. 113 (1812), overture to incidental music for play by von Kotzebue |
| Stephen Simon |
conductor |
Choral Fantasy, Op. 80, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro |
| Laurent Petitgirard |
conductor |
Symphonie N° 7 - Allegretto, Symphonie N° 7 - Allegro con brio, Symphonie N° 7 - Poco sostenuto - Vivace, Symphonie N° 7 - Presto |
| Adolf Busch |
violin |
String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro |
| Enrique Bátiz |
conductor |
Symphony No. 9 in D minor: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor: II. Molto vivace, Symphony No. 9 in D minor: III. Adagio molto e cantabile, Symphony No. 9 in D minor: IV. Presto - "O Freunde, nicht dies Toene!" - Allegro Assai - "An die Freude" |
| Alberto Lizzio (conductor, an Alfred Scholz pseudonym) |
conductor |
Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Konzert Für Violine Und Orchester D-Dur Pp.61 - Allegro, Symphony No. 9 in D minor, Op. 125 "Choral Symphony": Presto, Symphony No. 9 in D minor, Op. 125 "Choral" |
| Ladislav Slovák |
conductor |
Symphonie Nr. 5 c-Moll, Op. 67: I. Allegro con brio (feat. conductor: Ladislav Slovák), Symphonie Nr. 5 c-Moll, Op. 67: II. Andante con moto (feat. conductor: Ladislav Slovák), Symphonie Nr. 5 c-Moll, Op. 67: III. Allegro (feat. conductor: Ladislav Slovák), Symphonie Nr. 5 c-Moll, Op. 67: IV. Allegro (feat. conductor: Ladislav Slovák) |
| Henry Adolph (conductor, an Alfred Scholz pseudonym) |
conductor |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto |
| Philomusica of London |
performing orchestra |
Choral Fantasy, Op. 80, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro |
| Orchestra Haydn di Bolzano e Trento |
performing orchestra |
Sinfonia no. 4 em si bemol maior: I. Adagio - Allegro vivace, Sinfonia no. 4 em si bemol maior: II. Adagio, Sinfonia no. 4 em si bemol maior: III. Menuetto: Allegro vivace. Trio - un poco meno allegro, Sinfonia no. 4 em si bemol maior: IV. Allegro ma non troppo |
| Jos van Immerseel |
conductor |
Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio |
| Zdeněk Košler |
conductor |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto |
| Eric Ericsons Kammarkör |
vocal |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live) |
| Philharmonisches Ensemble Baden-Baden |
performer |
Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: I. Adagio - Allegro, Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: II. Adagio, Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: III. Menuetto. Quasi allegretto, Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: IV. Rondò. Allegro |
| Gerhard Gruber |
balance |
Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai |
| Philharmonia Slavonica (an Alfred Scholz pseudonym) |
performing orchestra |
Konzert Für Violine Und Orchester D-Dur Pp.61 - Allegro, Konzert für Violine und Orchester D-Dur op. 61, 3.Satz: Rondo, Romanze für Violine und Orchester Nr. 2 F-Dur op. 50, Symphony No. 9 Finale (Coda) |
| Erich Appel (pianist) |
piano |
Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": I. Allegro (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": II. Adagio molto espressivo (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": III. Scherzo. Allegro molto (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": IV. Rondo. Allegro ma non troppo (feat. violin: Oliver Colbentson, piano: Erich Appel) |
| Hermann Busch (cellist) |
cello |
String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro |
| Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006) |
performing orchestra |
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro - Presto |
| Gert Frischmuth |
chorus master |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live) |
| BBC Singers (professional chamber choir of the BBC) |
vocal |
"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Chor auf die verbündeteten Fürsten, Chorus for the Allied Princes, WoO 95 |
| Chor der Wiener Staatsoper |
vocal |
Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, Un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto, Allegro assai |
| Michel Brodard |
vocal |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) - VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" - VIf. Choir of Angels "Welten singen Dank und Ehre", Mass in C major, Op. 86: I. Kyrie |
| Peter Toperczer |
piano |
Klavierkonzert no. 5 in Es-Dur, op. 73: Adagio un poco mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Adagio Un Poco Mosso, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Allegro, Konzert Für Klavier Und Orchester No.5 Es-Dur Op.73 - Rondo: Allegro |
| Anima Eterna Brugge |
performing orchestra |
Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio |
| Oliver Colbentson (violinist) |
violin |
Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": I. Allegro (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": II. Adagio molto espressivo (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": III. Scherzo. Allegro molto (feat. violin: Oliver Colbentson, piano: Erich Appel), Sonate für Violine und Klavier Nr. 5 F-Dur, Op. 24 "Frühlingssonate": IV. Rondo. Allegro ma non troppo (feat. violin: Oliver Colbentson, piano: Erich Appel) |
| Amsterdam Sinfonietta |
performing orchestra |
Beethoven - String Quartet no. 11 in f minor, opus 95 - I. Allegro con brio, Beethoven - String Quartet no. 11 in f minor, opus 95 - II. Allegretto ma non troppo, Beethoven - String Quartet no. 11 in f minor, opus 95 - III. Allegro assai vivace ma serioso, Beethoven - String Quartet no. 11 in f minor, opus 95 - IV. Larghetto espressivo – Allegro |
| Jussi Björling |
vocal |
Adelaide, Op. 46, Adelaide, Op. 46: song for voice & piano, Guds lov i naturen, Guds lov i naturen, Op. 48:4 |
| Justus Frantz |
conductor |
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Finale. Allegro con brio |
| Armin Ude |
vocal |
20 Irish Songs WoO 153, No. 1 "When eve's last rays in twilight" (duet), 20 Irish Songs WoO 153, No. 17 "Come, Darby dear, easy, be easy", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 1. "When Eve's last rays in twilight", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 17. "Come, Darby dear, easy, be easy" |
| Erika Tóth |
violin |
Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro, Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto |
| Nürnberger Symphoniker |
performing orchestra |
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56: I. Allegro, Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73: III. Rondo: Allegro, Triple Concerto in C major for Violin, Cello, Piano and Orchestra, op. 56: II. Largo - Rondo alla Polacca |
| Riccardo Muti |
conductor |
Fidelio, Op. 72b: Overture, Sinfonie Nr. 7: II. Allegretto, Symphonie n° 6 en fa majeur, Op. 68 ''Pastorale'' : I. Eveil d'impressions agréables en arrivant à la campagne, Symphony no. 9 in D Minor, 'Choral', op. 125: IV. 'Ode to Joy' |
| Софийска Филхармония |
performing orchestra |
Fidelio, Op. 72: Final Chorus. "Wer ein holdes Weib errungen", Fidelio, Op. 72: Prisoners' Chorus. "O welche Lust", Fidelio: Gefangenenchor, Piano Concerto no. 5, Emperor: II. Adagio un poco mosso |
| Metropolitan Opera Orchestra |
performing orchestra |
Symphonie no. 3 Es-Dur, op. 55 "Eroica": I. Allegro con brio, Symphonie no. 3 Es-Dur, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphonie no. 3 Es-Dur, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphonie no. 3 Es-Dur, op. 55 "Eroica": IV. Finale. Allegro molto |
| Nodar Tsatishvili |
conductor |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto |
| Hungarian Concert Orchestra |
performing orchestra |
Fidelio, Op. 72 (1814), overture to opera Leonora/Fidelio, fourth version, King Stephen (König Stefan), Op. 117 (1812), overture to incidental music to words by von Kotzebue, The Creatures of Prometheus (Die Geschöpfe von Prometheus), Op. 43 (1801), overture to incidental music for play by Viganò, The Ruins of Athens (Die Ruinen von Athen), Op. 113 (1812), overture to incidental music for play by von Kotzebue |
| Alexander von Pitamic (an Alfred Scholz pseudonym) |
conductor |
Symphonie Nr. 9, op. 125 D-Moll, I: Allegro ma non troppo, un poco maestoso, Symphonie Nr. 9, op. 125 D-Moll, II: Molto vivace, Symphonie Nr. 9, op. 125 D-Moll, III: Adagio molto e cantabile, Symphonie Nr. 9, op. 125 D-Moll, V: Presto: Allegro assai |
| Sherry Kloss |
violin |
Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio, Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile, Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro, Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro - Presto |
| Dresden Symphony |
performing orchestra |
Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto |
| Kammerharmonie Bläsersolisten der Staatskapelle Dresden |
performer |
Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: I. Allegro, Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: II. Andante, Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: III. Menuetto, Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: IV. Finale. Presto |
| Gustaf Sjökvist |
chorus master |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live) |
| 小澤征爾 (conductor) |
conductor |
Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Karl Doktor (violist) |
viola |
String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro |
| The Ambrosian Singers |
vocal |
Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto. Allegro assai, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Symphonie, No. 9, Op. 125 (Choral "Ode an Die Freude"), Symphony No. 9 in D minor, Op. 125 "Choral": V. Presto "O Freunde, nicht diese Töne!" - Allegro assai, "Ode to Joy" |
| Sergiu Celibidache |
conductor |
Symphony no. 7 in A, op. 92: I. Poco sostenuto - vivace, Symphony no. 7 in A, op. 92: II. Allegretto, Symphony no. 7 in A, op. 92: III. Presto - assai meno presto, Symphony no. 7 in A, op. 92: IV. Allegro con brio |
| Kenneth Slowik |
conductor |
Quartetto serioso, F minor, op. 95 (arr. Mahler): I. Allegro con brio, Quartetto serioso, F minor, op. 95 (arr. Mahler): II. Allegretto, ma non troppo, Quartetto serioso, F minor, op. 95 (arr. Mahler): III. Allegro assai vivace, ma serioso, Quartetto serioso, F minor, op. 95 (arr. Mahler): IV. Larghetto espressivo - Allegro agitato |
| Canadian Trio |
performer |
Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Adagio, Allegro con brio, Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Allegro molto, Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Larghetto quasi andante, Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Scherzo |
| Gösta Andreasson |
violin |
String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": I. Allegro, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": III. Adagio molto e mesto, String Quartet No. 7 in F major, Op. 59, No. 1 "Rasumovsky": IV. Thème Russe. Allegro |
| Kempf Trio (piano trio founded by Freddy Kempf) |
cello, piano, violin |
Piano Trio in B-flat major, op. 97 "Archduke": I. Allegro moderato, Piano Trio in B-flat major, op. 97 "Archduke": II. Scherzo. Allegro, Piano Trio in B-flat major, op. 97 "Archduke": III. Andante cantabile, ma però con moto (attacca), Piano Trio in B-flat major, op. 97 "Archduke": IV. Allegro moderato - Presto |
| Marlboro Festival Octet |
performer |
Octet for Winds in E-flat major, Op. 103: I. Allegro, Octet for Winds in E-flat major, Op. 103: II. Andante, Octet for Winds in E-flat major, Op. 103: III. Menuetto, Octet for Winds in E-flat major, Op. 103: IV. Finale - Presto |
| Gösta Winbergh |
vocal |
Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan), Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco), Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan) |
| Christian Tetzlaff |
violin |
Violin Concerto in D major, op. 61: I. Allegro ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo Allegro |
| Othmar Mága |
conductor |
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca, Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56: I. Allegro, Triple Concerto in C major for Violin, Cello, Piano and Orchestra, op. 56: II. Largo - Rondo alla Polacca |
| Jürgen Gode |
bassoon |
Duo for clarinet and bassoon in C major, WoO 27 No. 1: I. Allegro commodo, Duo for clarinet and bassoon in C major, WoO 27 No. 1: II. Larghetto sostenuto, Duo for clarinet and bassoon in C major, WoO 27 No. 1: III. Rondo: Allegretto |
| Albert Linder |
cornet |
Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato, Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante, Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato |
| János Keveházi |
cornet |
Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
| Junge Süddeutsche Philharmonie Esslingen |
performing orchestra |
Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Alexander Lonquich |
piano |
Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca |
| Klára Würtz |
piano |
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo |
| 中村紘子 |
piano |
PIANO SONATA No. 14 IN C-SHARP MINOR, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto, Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio |
| のだめオーケストラ |
performing orchestra |
交響曲第7番イ長調作品92より 第1楽章 (主題曲音源), 交響曲第7番イ長調作品92より 第4楽章, 交響曲第9番ニ短調作品125<合唱>より第1楽章冒頭部 |
| Joseph Keilberth |
conductor |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony no. 5 op. 67 In C Minor |
| Alexander Permovalsky (violinist, an Alfred Scholz pseudonym) |
violin |
Konzert Für Violine Und Orchester D-Dur Pp.61 - Allegro, Konzert für Violine und Orchester D-Dur op. 61, 3.Satz: Rondo, Romanze für Violine und Orchester Nr. 2 F-Dur op. 50 |
| Сергей СЛОВАЧЕВСКИЙ (Russian cellist) |
cello |
Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto, Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace, Sonata no. 3 in A major for Cello and Piano, op. 69: I. Allegro ma non tanto |
| Игорь Владимирович Урьяш |
piano |
Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto, Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace, Sonata no. 3 in A major for Cello and Piano, op. 69: I. Allegro ma non tanto |
| Josef Wolfsthal |
violin |
Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto, Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro |
| Jordi Mora |
conductor |
Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: I. Allegro con brio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: II. Adagio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: III. Rondo. Allegro molto |
| Губернаторский симфонический оркестр Санкт-Петербурга |
performing orchestra |
Concerto no. 3 in C minor for Piano and Orchestra, op. 37: I. Allegro con brio, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: II. Largo, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: III. Rondo. Allegro |
| Andrew Wilde |
piano |
'Pour Elise', Bagatelle en la mineur, Wo 059, Piano Sonata No. 14 In C-Sharp Minor, Op. 27:2, ''Moonlight Sonata'': Adagio Sostenuto, Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto |
| Георги Робев |
conductor, performer |
Fidelio, Op. 72: Final Chorus. "Wer ein holdes Weib errungen", Fidelio, Op. 72: Prisoners' Chorus. "O welche Lust", Fidelio: Gefangenenchor |
| Angelica Morales von Sauer (pianist) |
piano |
Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca |
| John Noble (baritone) |
vocal |
Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan" |
| Арнольд Кац |
conductor |
Concerto no. 3 in C minor for Piano and Orchestra, op. 37: I. Allegro con brio, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: II. Largo, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: III. Rondo. Allegro |
| Leon Pommers |
piano |
Trio B-dur für klavier, klarinette und violoncello, Op. 11: I. Allegro con brio, Trio B-dur für klavier, klarinette und violoncello, Op. 11: II. Adagio, Trio B-dur für klavier, klarinette und violoncello, Op. 11: III. Tema: Pria ch'io l'impegno, Allegretto |
| John Lill |
piano |
Fantasia in C minor, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro |
| Wolfgang Schneiderhan |
violin |
Concerto pour violon en ré majeur op. 61 : I. Allegro ma non troppo, Concerto pour violon en ré majeur op. 61 : II. Larghetto, Concerto pour violon en ré majeur op. 61 : Rondo : allegro |
| Wolf-Dieter Batzdorf |
violin |
"Falstafferel, laß dich sehen!", WoO 184, Canon in 5 parts in G major "Falstafferel, lass dich sehen!", WoO 184, Two canons, in 3 and 4 parts, WoO 160: II. Vierstimmiger Kanon |
| Artúr Nikisch |
conductor |
Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Atlanta Symphony Orchestra |
performing orchestra |
Choral Finale From "Symphony No. 9", Fidelio: O welche Lust! (Prisoners' Chorus), Finale From Symphony No. 9, Choral |
| Balint Vazsonyi |
piano |
Für Elise, Menuett in G, Rondo, op. 52 no. 1 |
| Bamberg Piano Quartet |
performer |
Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: I. Grave - Allegro ma non troppo, Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: II. Andante cantabile, Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: III. Rondo. Allegro ma non troppo |
| Bamberger Quartett |
performer |
Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: I. Allegro vivace, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: II. Adagio con espressione, Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: III. Rondo. Allegro |
| Jenö Keveházi |
cornet |
Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
| Benjamin Glorieux (Belgian cellist) |
cello |
Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno'' |
| Lothar Koch (oboist) |
oboe |
Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo) |
| Benny Goodman (clarinetist and bandleader) |
clarinet |
Trio B-dur für klavier, klarinette und violoncello, Op. 11: I. Allegro con brio, Trio B-dur für klavier, klarinette und violoncello, Op. 11: II. Adagio, Trio B-dur für klavier, klarinette und violoncello, Op. 11: III. Tema: Pria ch'io l'impegno, Allegretto |
| Lucia Popp (soprano) |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai |
| Berlin Philharmonic Octet |
performer |
Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace, Septet in E-flat major, Op. 20: Adagio cantabile, Septet in E-flat major, op. 20: V. |
| Walter Klien |
piano |
Fantasia, Op. 80, "Choral Fantasy", Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy", Rondo in B flat major, WoO 6 |
| Berliner Symphonisches Orchester (West Berlin, 1949-1967, renamed Symphonisches Orchester Berlin in 1967) |
performing orchestra |
German Dance In A Major WoO, German Dance In C Major WoO, German Dance In F Major WoO |
| Volker Horn (operatic tenor singer) |
vocal |
"Ars longa, vita brevis", WoO 193, "Glück zum neuen Jahr!", WoO 176, "Si non per portas, per muros", WoO 194 |
| Bernard Greenhouse |
cello |
Clarinet Trio in B-flat, op. 11: I. Allegro con brio, Clarinet Trio in B-flat, op. 11: II. Adagio, Clarinet Trio in B-flat, op. 11: III. Allegretto, (Thema "Pria ch'io l'impegno" con variazioni) |
| Vlad Weverberg (Belgian clarinettist and multi instrumentalist) |
clarinet |
Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno'' |
| Bernd Niedermayr |
violin |
"Falstafferel, laß dich sehen!", WoO 184, Canon in 5 parts in G major "Falstafferel, lass dich sehen!", WoO 184, Two canons, in 3 and 4 parts, WoO 160: II. Vierstimmiger Kanon |
| Bernhard Güller |
conductor |
Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Vasily Ilisavsky (Russian pianist and fortepianist) |
piano |
Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: I. Allegro con brio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: II. Adagio, Trio for Clarinet, Cello and Piano in B-flat major, Op. 11: III. Allegretto. Variations on ''Pria ch'io l'impegno'' |
| Magyar Rádió Szimfonikus Zenekara (a.k.a. Budapest Symphony) |
performing orchestra |
Fidelio Overture, Op. 72b, Fidelio, Op. 72, No. 6: March, Fidelio, Op. 72: Overture |
| Bronislaw Huberman |
violin |
Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: I. Adagio sostenuto - Presto, Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: II. Andante con Variazioni, Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: III. Finale: Presto |
| Manfred Gurlitt |
conductor |
Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto, Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro |
| Manfred Klier |
horn |
Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro |
| Trio Bamberg |
performer |
Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": I. Allegro con brio, Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": II. Adagio, Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": III. Allegretto con variazioni |
| Maria João Pires (pianist) |
piano |
Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 quasi una fantasia "Moonlight": I. Adagio sostenuto, Piano Sonata No.14 op. 27 No.2 "Mondschein-Sonate": 2. Allegretto (attacca), Piano Sonata, op 27 no. 2 "Moonlight": I. Adagio sostenuto |
| Thomas Franke |
clarinet |
"Edel sei der Mensch", WoO 185, "Graf, liebster Graf", WoO 101, Two canons, in 3 and 4 parts, WoO 160: I. Dreistimmiger Kanon |
| Béla Drahos |
conductor |
Music for a Ballet on Horseback, WoO 1, Symphony No. 9 in D minor, Op. 125, 'Choral': Finale: Allegro assai vivace: Alla Marcia (conclusion), Tarpeja, WoO 2a: Triumpfmarsch |
| The London Classical Players |
performing orchestra |
Symphonie No. 3 "Héroïque": II. Marche funèbre (extrait) (feat. London Classical Players, Roger Norrington), Symphony No. 6 (‘Pastoral’) I. (extract), Symphony No. 6 (‘Pastoral’): III. (extract) |
| Carl-August Bünte |
conductor |
German Dance In A Major WoO, German Dance In C Major WoO, German Dance In F Major WoO |
| Tamás Pál (conductor) |
conductor |
Fidelio Overture, Op. 72b, Fidelio, Op. 72, No. 6: March, Fidelio, Op. 72: Overture |
| Tamara Sanikidze |
piano |
Sonata no. 23 in F minor for Piano, op. 57 "Appassionata": I. Allegro assai, Sonata no. 23 in F minor for Piano, op. 57 "Appassionata": II. Andante con moto (attacca), Sonata no. 23 in F minor for Piano, op. 57 "Appassionata": III. Allegro ma non troppo - Presto |
| Mario Brunello |
cello |
Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca |
| Ingemar Bergfelt |
piano |
Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato, Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante, Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato |
| Chor der Staatsoper Dresden |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No. 9 in D minor, Op. 125 "Choral":"O Freunde, nicht diese Tone!", Symphony No. 9 in D minor, Op. 125 "Choral":Allegro assai |
| Ilya Gringolts |
violin |
Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca |
| Stefan de Leval Jezierski |
horn |
Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro |
| Martin van de Merwe |
horn |
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo |
| Stefan Auber (cellist) |
cello |
Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca |
| Mary Verney |
piano |
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro |
| Ildikó Hegyi |
violin |
Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
| Ignaz Friedman |
piano |
Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: I. Adagio sostenuto - Presto, Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: II. Andante con Variazioni, Sonate Nr. 9 für Klavier und Violine A-dur, Op. 47 „Kreutzer“: III. Finale: Presto |
| Karl Leister |
clarinet |
Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo) |
| Mayumi Fujikawa (Japanese violinist) |
violin |
Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto - Adagio, Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni, Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": III. Presto |
| Mechthild Gessendorf |
vocal |
Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden |
| Howard Shelley (British pianist and conductor) |
conductor, piano |
Cadenza to Mozart’s Keyboard Concerto in D minor, K.466: I., Concierto para piano y orquesta n.º 1 en do mayor, op. 15: I. Allegro con brio, Concierto para piano y orquesta n.º 1 en do mayor, op. 15: III. Rondo: Allegro |
| Sir Roger Norrington |
conductor |
Symphonie No. 3 "Héroïque": II. Marche funèbre (extrait) (feat. London Classical Players, Roger Norrington), Symphony No. 6 (‘Pastoral’) I. (extract), Symphony No. 6 (‘Pastoral’): III. (extract) |
| Menahem Pressler |
piano |
Clarinet Trio in B-flat, op. 11: I. Allegro con brio, Clarinet Trio in B-flat, op. 11: II. Adagio, Clarinet Trio in B-flat, op. 11: III. Allegretto, (Thema "Pria ch'io l'impegno" con variazioni) |
| Sir John Eliot Gardiner |
conductor |
Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Adagio, Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Finale, Leonore - Chor Der Gefangenen |
| Horst Schulze |
vocal |
Egmont, Op. 84: Monolog I., Egmont, Op. 84: Monolog II., Egmont, Op. 84: Monolog III. |
| Homero Francesch |
piano |
Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: I. Allegro, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: III. Rondo Allegro |
| Claire Gibault |
conductor |
Sinfonía n.º 5 en do menor, op. 67: I. Allegro con brio, Sinfonía n.º 5 en do menor, op. 67: IV. Allegro, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio |
| Sir Adrian Boult |
conductor |
Violin Concerto in D major, op. 61: I: Allegro ma non troppo, Violin Concerto in D major, op. 61: II: Larghetto, Violin Concerto in D major, op. 61: III: Rondo (Allegro) |
| Dame Moura Lympany (pianist) |
piano |
Immortal Beloved (Moonlight Sonata, Op. 27 No. 2), Minuet in G, Piano Sonata No. 14 "Moonlight", Op. 27 No. 2 |
| Michael Roll (English pianist) |
piano |
Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto - Adagio, Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni, Violin Sonata No. 9 in A major, Op. 47 "Kreutzer": III. Presto |
| Serge Baudo (conductor) |
conductor |
Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: I. Allegro, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E flat major op.73 "The Emperor: III. Rondo Allegro |
| Sebastian Peschko |
piano |
An die ferne Geliebte, Op. 98, Andenken, WoO 136 "Ich denke dein", Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten" |
| Daniel Raschinsky |
vocal |
12 Irish Songs WoO 154, No. 10, "The Hero May Perish", 12 Irish Songs WoO 154, No. 4, "The Pulse of an Irishman", 12 Irish Songs WoO 154, No. 8, "Save Me From the Grace and Wise" |
| Hermann Franke |
clarinet |
"Edel sei der Mensch", WoO 185, "Graf, liebster Graf", WoO 101, Two canons, in 3 and 4 parts, WoO 160: I. Dreistimmiger Kanon |
| Ránki Dezső |
piano |
Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato, Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante, Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato |
| Rudolf Hörold |
horn |
Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
| Rudolf Buchbinder (Austrian classical pianist) |
piano |
Acht Variationen über das Lied, "Ich hab' ein kleines Hüttchen nur: Thema - Variationen I-VIII, Für Elise, The Lost World: Jurassic Park: Piano Sonata No. 8: Pathétique: Andante cantabile |
| Henk de Graaf |
clarinet |
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo |
| David Rowland |
piano |
Piano Sonata in G op. 79: I. (exposition), Piano Sonata in G op. 79: III. (extract), Sally in Our Alley |
| Ronald Brautigam |
fortepiano, piano |
Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto, Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato, Rondo in B-flat major for Piano and Orchestra, WoO 6 |
| Roger Andrews (baritone) |
vocal |
Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen |
| Misha Dichter |
piano |
Sonate Nr. 14 Cis-moll, Op. 27 Nr. 2 "Mondschein-Sonate": I. Adagio sostenuto, Sonate Nr. 8 C-Moll, Op. 13 "Pathétique": 2. Adagio cantabile, Sonate Nr. 8 C-moll, Op. 13 "Pathétique: II. Adagio cantabile |
| Misha Goldstein |
piano |
Adagio from Mondschein Sonata, Adagio from Sonata Pathétique Op. 13, Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile |
| Máté Győző |
viola |
Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
| Münchner Jugendorchester |
performing orchestra |
Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: I. Allegro con brio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: II. Adagio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: III. Rondo. Allegro molto |
| Ricardo Odnoposoff (violinist) |
violin |
Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca |
| Mария Израилевна Гринберг |
piano |
Piano Concerto No. 5 in E flat, Op. 73 'Emperor': I. Allegro, Piano Concerto No. 5 in E flat, Op. 73 'Emperor': II. Adagio un poco mosso, Piano Concerto No. 5 in E flat, Op. 73 'Emperor': III. Rondo: Allegro |
| Reiner Goldberg |
vocal |
Fidelio, Op. 72: Introduction and Florestan's Aria. "Gott! welch' Dunkel hier! - In des Lebens Fruhlingstagen", Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto |
| Edgar Fleet |
vocal |
Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne" |
| Hans-Jurgen Dietrich |
piano |
Pathetique Adagio: Piano Sonata No. 8 in C minor, Op. 13, Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight Sonata": I. Adagio sostenuto, Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile (More Than Love) |
| Hans Swarowsky |
conductor |
Symphony No. 6 in F major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" |
| Nederlands Blazers Ensemble |
performing orchestra |
Tattoo no. 1 in F, WoO. 18, Tattoo no. 2 in C, WoO. 20, Tattoo no. 3 in F, WoO. 19 |
| Elisabeth Leonskaja |
piano |
Piano Concerto no. 2 in B flat, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B flat, op. 19: II. Adagio, Piano Concerto no. 2 in B flat, op. 19: III. Rondo: Molto allegro |
| Elisabeth Schwarzkopf (German-born Austrian/British soprano opera) |
vocal |
Fidelio (Akt I) : »Ach war' ich schon«, Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung" |
| Rafał Blechacz |
piano |
Piano Sonata in A major, Op. 2 No. 2: I. Allegro vivace, Piano Sonata in A major, Op. 2 No. 2: II. Largo appassionato, Piano Sonata in A major, Op. 2 No. 2: IV. Rondo. Grazioso |
| Hans Meijer |
oboe |
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo |
| Günther Piesk |
bassoon |
Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 1. Grave - Allegro ma non troppo, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 2. Andante cantabile, Quintet for Piano and Wind Quartet in E Flat Major, op. 16: 3. Rondo (Allegro ma non troppo) |
| Elizabeth Sombart (pianist) |
piano |
Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: I. Allegro con brio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: II. Adagio, Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: III. Rondo. Allegro molto |
| Günter Wäsch |
clarinet |
"Edel sei der Mensch", WoO 185, "Graf, liebster Graf", WoO 101, Two canons, in 3 and 4 parts, WoO 160: I. Dreistimmiger Kanon |
| Karl Schlechta |
clarinet |
Duo for clarinet and bassoon in C major, WoO 27 No. 1: I. Allegro commodo, Duo for clarinet and bassoon in C major, WoO 27 No. 1: II. Larghetto sostenuto, Duo for clarinet and bassoon in C major, WoO 27 No. 1: III. Rondo: Allegretto |
| Péter Szabó |
cello |
Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
| Povilas Stravinsky |
piano |
Concerto no. 3 in C minor for Piano and Orchestra, op. 37: I. Allegro con brio, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: II. Largo, Concerto no. 3 in C minor for Piano and Orchestra, op. 37: III. Rondo. Allegro |
| Nora Chastain |
violin |
Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: II. Adagio molto espressivo, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: III. Scherzo; Allegro molto, Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: IV. Rondo: Allegro ma non troppo |
| Norbert Groh |
piano |
"Abschiedsgesang an Wiens Bürger", WoO 121, "Opferlied", WoO 126, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 |
| Pinchas Zukerman |
conductor, viola, violin |
Romance for Violin and Orchestra No. 2 in F major, Op. 50, String Trios, Violin Romance No. 2 in F major, Op. 50 |
| Glenn Gould (pianist) |
piano |
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo: Molto allegro, Sonata No. 14, Op. 27 No. 2 "Moonlight" (feat. piano: Glenn Gould), Sonata No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegro vivace |
| Erben Quartet |
strings |
Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
| Gidon Kremer |
violin |
Frühlings-Sonate, op. 24: II. Adagio molto espressivo, Violin Concerto - Rondo: Allegro (excerpt), Violin Concerto in D major, Op. 61: II. Larghetto |
| Peter Schmidl |
clarinet |
Trio for Piano, Clarinet, and Cello No. 4 in B-flat major, Op. 11: II. Adagio, Trio in B-flat major for Piano, Clarinet and Cello, Op. 11: I. Allegro con brio, Trio in B-flat major for Piano, Clarinet and Cello, Op. 11: III. Allegretto |
| Peter Popa |
violin |
Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
| Felix Weingartner |
conductor |
Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): i Allegro, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): ii Largo, Concerto for Violin, ‘cello and piano in C, Op. 56 (“Triple”): iii Rondo alla Polacca |
| Gerhard Meyer (horn player) |
horn |
Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: I. Allegro con brio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: II. Adagio, Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
| Ferenc Tarjáni |
horn |
Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato, Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante, Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato |
| George Pieterson |
clarinet |
Clarinet Trio in B-flat, op. 11: I. Allegro con brio, Clarinet Trio in B-flat, op. 11: II. Adagio, Clarinet Trio in B-flat, op. 11: III. Allegretto, (Thema "Pria ch'io l'impegno" con variazioni) |
| Georg Schreckenberger |
horn |
Quintett für Oboe, drei Hörner und Fagott: I. Allegro, Quintett für Oboe, drei Hörner und Fagott: II. Adagio maestoso, Quintett für Oboe, drei Hörner und Fagott: III. Minuetto: Allegro |
| Peter Gaasterland |
bassoon |
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: I. Grave – Allegro ma non troppo, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: II. Andante cantabile, Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo |
| Florian Prey |
vocal |
"Abschiedsgesang an Wiens Bürger", WoO 121, "Opferlied", WoO 126, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122 |
| Orchestra sinfonica di Milano della RAI (—1994; merged into RAI National SO) |
performing orchestra |
Piano Concerto no. 6 in D major, Op. 61a: I. Allegro ma non troppo, Piano Concerto no. 6 in D major, Op. 61a: II. Larghetto, Piano Concerto no. 6 in D major, Op. 61a: III. Rondo. Allegro |
| Orchestra sinfonica di Roma della RAI |
performing orchestra |
Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: I. Allegro, Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: II. Adagio un poco mosso [Attacca:], Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: III. Rondo. Allegro |
| Franco Caracciolo |
conductor |
Piano Concerto no. 6 in D major, Op. 61a: I. Allegro ma non troppo, Piano Concerto no. 6 in D major, Op. 61a: II. Larghetto, Piano Concerto no. 6 in D major, Op. 61a: III. Rondo. Allegro |
| Orchestre Révolutionnaire et Romantique |
performing orchestra |
Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Adagio, Fantasie für Klavier, Chor und Orchester c-Moll Op. 80: Finale, Leonore - Chor Der Gefangenen |
| Orchestre du Festival de Lucerne (dissolved 1993) |
performing orchestra |
Concerto pour violon en ré majeur op. 61 : I. Allegro ma non troppo, Concerto pour violon en ré majeur op. 61 : II. Larghetto, Concerto pour violon en ré majeur op. 61 : Rondo : allegro |
| Otto Gerdes |
producer |
Die Weihe des Hauses, op. 124: Maestoso e sostenuto - Allegro con brio, König Stephan, op. 117: Andante con moto - Allegro, ma non troppo, Zur Namensfeier, op. 115: Maestoso - Allegro assai vivace |
| Orquesta Sinfónica Simón Bolívar |
performing orchestra |
Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca |
| Karl-Heinz Stryczek |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto |
| Christa Jehser |
vocal |
Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Rural Cantata for 4 Voices accopmanied by Piano, WoO 103 |
| Lorna Haywood |
vocal |
Elegiac Song for Choir and Orchestra, Op. 118, Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b |
| Christiane Jaccottet (harpsichord) |
performer |
For Elise, Moonlight Sonata: Quasi una fantasia |
| Christine Brewer |
vocal |
Ah! perfido! concert aria for soprano and orchestra, Op. 65, Fidelio - Mir Ist So Wundebar |
| Wendy Carlos |
performer |
"March From A Clockwork Orange" - Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro Assai (abridged), "Suicide Scherzo" - Symphony No. 9 in D minor, Op. 125: II. Molto vivace (abridged) |
| Kirsten Flagstad |
vocal |
Abscheulicher! Wo Eilst Du Hin? (From Fidelio), Ah! Perfido |
| Jennie Tourel |
vocal |
An die Hoffnung, Op. 94, Zärtliche Liebe "Ich liebe Dich", WoO 123 |
| 日本フィルハーモニー交響楽団 |
performing orchestra |
ゴルイ / ベートーヴェン「エグモント序曲」, 未来への戦い / ベートーヴェン「月光」 |
| Houston Symphony |
performing orchestra |
The Ruins of Athens: Turkish March, Turkish March |
| Большой симфонический оркестр имени П. И. Чайковского |
performing orchestra |
Septet, III. Menuetto, Symphony No. 6, 'Pastoral,' Andante |
| Michael Chertock |
piano |
Immortal Beloved: Für Elise, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto |
| Walter Klier (bass player) |
double bass |
"Bester Magistrat, lhr friert!", WoO 177, "Gott ist eine feste Burg", WoO 188 |
| Lajos Mayer |
mandolin |
Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: I. Andante, Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: II. Variazioni 1–6 |
| Berliner Barock Solisten |
vocal |
Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106, Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 |
| Waldo de los Ríos |
conductor |
Novena Sinfonia en Re Menor, Sinfonía No. 1 en Do mayor, Op. 21 |
| Convivium musicum München |
performing orchestra |
Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "O welch ein Leben!". Allegretto, Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "Soll ein Schuh nicht drücken". Andante con moto |
| Kovács Béla |
clarinet |
Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: I. Allegro sostenuto, Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: II. Aria con variazioni |
| Daniel Harding |
conductor |
Leonore Overture No. 3, Op. 72a, The Ruins of Athens Overture, Op. 113 |
| Lars Hannibal |
guitar |
Sonatina in C major, WoO 44, Sonatina in C minor, WoO 43a |
| Daniel Johannsen |
vocal |
Hess 91 - Opferlied (piano arrangement from Op. 121b), Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 |
| Alexander Dedyukhin |
piano |
Cello Sonata No. 4 in C major, Op. 102 No. 1: I. Andante - Allegro vivace, Cello Sonata No. 4 in C major, Op. 102 No. 1: II. Adagio |
| Laura Ward |
piano |
Andenken (I Think of Thee), Ich liebe Dich (I Love You) |
| John McCarthy (British choral conductor, scholar, composer and arranger) |
chorus master |
Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Symphony No. 9 in D minor, Op. 125 "Choral": V. Presto "O Freunde, nicht diese Töne!" - Allegro assai, "Ode to Joy" |
| Michala Petri |
recorder |
Sonatina in C major, WoO 44, Sonatina in C minor, WoO 43a |
| Saint Louis Symphony Chorus |
vocal |
Elegiac Song for Choir and Orchestra, Op. 118, Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy" |
| David Kuebler |
vocal |
Scene (One) from "Vesta's Fire", Hess 115, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume" |
| Anja Silja (soprano) |
vocal |
Fidelio: Abscheulicher! Wo eilst du hin?, Fidelio: Mir ist so wunderbar |
| Vermeer Quartet |
performer |
String Quartet in F major, op. 59 no. 1: I. (extract), String Quartet in F minor, Op. 95: I. (extract) |
| Rundfunk-Sinfonieorchester Berlin (East Berlin, 1923–) |
performing orchestra |
Choral Part-Song for Orchestra, Chorus & Solo Voice(s) "Opferlied", Op. 121b, Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b |
| Leon Fleisher |
piano |
Adagio from Piano Concerto no. 5 "Emperor", Concerto for Piano and Orchestra no. 4 in G, Second Movement |
| Alexander Sandler (piano) |
piano |
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II Adagio un poco moto, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro |
| Valery Lloyd-Watts (pianist) |
piano |
Sonatina in G major, Anh. 5 No. 1: Moderato, Sonatina in G major, Anh. 5 No. 1: Romance, Allegretto |
| Ute Walther |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto |
| Ursula Smith (classical cellist) |
cello |
6 Songs of Various Nationalities, WoO 158c no. 6: [untitled], Music, Love and Wine |
| Roger Woodward (pianist) |
piano |
'Moonlight' Sonata, Op. 27, No. 2, 1st movement, Scottish Dance |
| Minsoo Sohn |
piano |
Sonata No. 22 in F major, Op. 54: I. In tempo d'un menuetto (feat. piano: MinSoo Sohn), Sonata No. 22 in F major, Op. 54: II. Allegretto (feat. piano: MinSoo Sohn) |
| Malcolm Martineau (pianist) |
piano |
6 Songs of Various Nationalities, WoO 158c no. 6: [untitled], Music, Love and Wine |
| Jan Polášek (cellist) |
cello |
Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56: I. Allegro, Triple Concerto in C major for Violin, Cello, Piano and Orchestra, op. 56: II. Largo - Rondo alla Polacca |
| Anne Bierwirth |
vocal |
Hess 91 - Opferlied (piano arrangement from Op. 121b), Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 |
| Deborah Voigt |
vocal |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin) |
| Robin Leggate (operatic tenor) |
vocal |
Scene (One) from "Vesta's Fire", Hess 115, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume" |
| Robert Lloyd (operatic bass) |
vocal |
Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Symphony No. 9, Op. 125 "Choral": IV (excerpt) |
| Robert Holl |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano |
| 石岡久乃 |
piano |
ピアノ・ソナタ第8番ハ短調作品13〈悲愴〉より 第2楽章(のだめヴァージョン), 交響曲第7番イ長調作品92より 第1楽章ピアノ版 |
| Heike Heilmann |
vocal |
Hess 91 - Opferlied (piano arrangement from Op. 121b), Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 |
| Robert Beckett |
sound |
Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung" |
| Dietrich Fischer-Dieskau |
vocal |
Neue Liebe, Neues Lieben, Zärtliche Liebe |
| Anne-Marie Fijal |
piano |
Arietta, Sonate N° 32, Op. III |
| Münchner Philharmoniker |
performing orchestra |
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" |
| Manfred Pernutz |
double bass |
"Bester Magistrat, lhr friert!", WoO 177, "Gott ist eine feste Burg", WoO 188 |
| Harry Ebert |
piano |
Adelaide, Op. 46, Adelaide, Op. 46: song for voice & piano |
| Anne-Sophie Mutter |
violin |
Concerto pour Violon en ré majeur Op. 61: 3°mvt - Rondo. Allegro, Serenade op. 8:2. Menuetto. Allegretto |
| Renaud Capuçon |
violin |
Adagio molto esspressio uit Vioolsonate 'Fruhling', Sonate pour violon & piano no 5 en fa majeur Op.24 « Printemps » : I. Allegro |
| Bruno Leonardo Gelber |
performer |
Moonlight Sonata: Adagio (Misery), Pathétique Sonata, Op. 13: II. Adagio cantabile |
| NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester) |
performing orchestra |
Romanze für Violine und Orchester Nr. 2 F-dur, op. 50, Violin Concerto in D major, Op. 61: III. Rondo. Allegro (live recording) |
| Bruno Weil |
conductor, performer |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio, The Creatures of Prometheus: Overture |
| Edith Lienbacher |
vocal |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) |
| Tibor Fülemile |
bassoon |
Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: I. Allegro sostenuto, Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: II. Aria con variazioni |
| Hans Vonk |
conductor |
Klavierkonzert Nr. 5: II. Adagio, Romance for Violin and Orchestra No. 2 in F major, Op. 50 |
| Natalie Shea (Alto and producer) |
producer |
'Moonlight' Sonata, Op. 27, No. 2, 1st movement, Scottish Dance |
| Zoltán Kocsis |
piano |
Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato, Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile |
| Edith Wiens |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": Final Chorus. "Freude schoner Gotterfunken", Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto |
| Elisabeth Grünert |
piano |
Hess 91 - Opferlied (piano arrangement from Op. 121b), Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 |
| Thomas Zehetmair |
violin |
Romance for Violin and Orchestra No. 2 in F major, Op. 50, Violin Sonata No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo |
| Artur Schnabel |
piano |
The Moonlight Sonata - Adagio Sostenuto, Thirty-Three Variations on a Waltz by Anton Diabelli in C major, Op. 120: Variation 8: Poco vivace |
| Rainer Tetenberg |
vocal |
3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz", Rural Cantata for 4 Voices accopmanied by Piano, WoO 103 |
| Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) |
performing orchestra |
Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto, Violin Concerto in D major, Op. 61: III. Rondo. Allegro |
| Националния филхармоничен хор „Светослав Обретенов“ |
vocal |
Fidelio, Op. 72: Final Chorus. "Wer ein holdes Weib errungen", Fidelio, Op. 72: Prisoners' Chorus. "O welche Lust" |
| Neville Boyling (engineer) |
sound |
Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung" |
| Elizabeth Futral |
vocal |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna), Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähne" (Seherin) |
| New World Symphony |
performing orchestra |
Für Elise, Moonlight Sonata, Op. 27 No. 2: I. Adagio sostenuto |
| Wolfgang Glashof |
vocal |
Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus), Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) |
| Itzhak Perlman |
violin |
String Trios, Violin Sonata No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo |
| The Cleveland Orchestra Chorus |
vocal |
Symphony No. 9, Op. 125 "Choral": IV (excerpt), Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai |
| Günther Koch |
vocal |
"Ewig dein", WoO 161, "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164 |
| Marian Szymański |
producer |
Symphony no. 1 in D major, op. 36: Allegro, Symphony no. 1 in D major, op. 36: Allegro molto |
| Terry Davies |
conductor |
Epilogue (Beethoven Piano Concerto No. 5 "Emperor" - II), Speaking Unto Nations (Beethoven Symphony No. 7 - II) |
| Elly Ney |
piano |
Klaviersonate c-Moll op. 111 – I. Maestoso – Allegro con brio ed appassionato, Klaviersonate c-Moll op. 111 – II. Adagio molto semplice e cantabile |
| Terence Dennis |
piano |
Minuet in G, Minuet in G, WoO 10, No. 2 |
| Nigel Rogers |
vocal |
Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan", Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 4. "Love without hope" |
| Rachel Elkind |
producer, vocal |
"March From A Clockwork Orange" - Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro Assai (abridged), "Suicide Scherzo" - Symphony No. 9 in D minor, Op. 125: II. Molto vivace (abridged) |
| Győriványi Ráth György |
conductor |
Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto, Violin Concerto in D major, Op. 61: III. Rondo. Allegro |
| Andreas Staier |
fortepiano |
Diabelli Variations, op. 120: Var. XX. Andante, Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto |
| Großer Chor des Berliner Rundfunks |
vocal |
Choral Part-Song for Orchestra, Chorus & Solo Voice(s) "Opferlied", Op. 121b, Sacrificial Song for Soprano accompanied by Choir and Orchestra, Op. 121b |
| Adele Stolte |
vocal |
"Bundeslied" for soloists, chorus & wind instruments, Op. 122, Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verblühen" |
| Wojciech Nentwig |
producer |
Symphony no. 1 in D major, op. 36: Allegro, Symphony no. 1 in D major, op. 36: Allegro molto |
| Piotr Mańkowski |
recording |
Symphony no. 1 in D major, op. 36: Allegro, Symphony no. 1 in D major, op. 36: Allegro molto |
| Talichovo kvarteto (Talich Quartet) |
strings |
String Quartet no. 14 in C-sharp minor, op. 131: IV. Andante, ma non troppo e molto cantabile, String Quartet no. 14 in C-sharp minor, op. 131: V. Presto: Molto poco adagio |
| 東誠三 (Japanese pianist) |
piano |
Eccosaise, Theme, from Symphony no. 3 ("Eroica") |
| Atlanta Symphony Orchestra Chorus |
vocal |
Choral Finale From "Symphony No. 9", Fidelio: O welche Lust! (Prisoners' Chorus) |
| Takács Quartet |
performer |
Grosse Fugue in B-flat major, Op. 133, String Quartet No. 9 in C major, Op. 59 No. 3 "Razumovsky" |
| Philharmoniker Hamburg |
performing orchestra |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 5 op. 67 In C Minor |
| Marián Pivka |
performer |
For Elise, Moonlight Sonata: Quasi una fantasia |
| Erich Keller |
conductor |
Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "O welch ein Leben!". Allegretto, Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "Soll ein Schuh nicht drücken". Andante con moto |
| Carolyn Watkinson |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano |
| Eugen Jochum |
conductor |
Fidelio Op.72b - Overture, Overture “Leonore”, op. 138 |
| Sydney Symphony Orchestra |
performing orchestra |
Allegretto from Symphony No. 7 in A major, Op. 92, The Creatures of Prometheus: Overture |
| Susan Gritton |
vocal |
Scene (One) from "Vesta's Fire", Hess 115, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume" |
| Charlotte Rimkus |
vocal |
"Alles Gute", WoO 179, "Brauchle, Linke", WoO 167 |
| Stephen Kovacevich (classical pianist, aka Stephen Bishop) |
piano |
11 Bagatelles, op. 119: 4. Andante cantabile, Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo (Molto allegro) |
| Filharmonia Poznańska |
performing orchestra |
Symphony no. 1 in D major, op. 36: Allegro, Symphony no. 1 in D major, op. 36: Allegro molto |
| Imre Rohmann |
piano |
Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: I. Andante, Andante con variazioni for Mandolin and Piano in D major, WoO 44 No. 2: II. Variazioni 1–6 |
| Chor der Deutschen Oper Berlin |
vocal |
"Es ist vollbracht", WoO 97 (Finale from Treitschke's "Die Ehrenpforten"), "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto |
| Andrew McKeich (producer) |
producer |
'Moonlight' Sonata, Op. 27, No. 2, 1st movement, Scottish Dance |
| Peter Alexander Stadtmüller |
organ |
5 Pieces for Mechanical Clock, WoO 33 No. 3 in G major. Allegro, 5 Pieces for Mechanical Clock, WoO 33 No. 5 in C major. Menuett. Allegretto |
| Martha Argerich |
piano |
Cello-Sonate A-Dur, op. 69: II. Scherzo. Allegro molto, Frühlings-Sonate, op. 24: II. Adagio molto espressivo |
| Francesco Macci (an Alfred Scholz pseudonym) |
conductor |
Konzert für Violine und Orchester D-Dur op. 61, 3.Satz: Rondo, Romanze für Violine und Orchester Nr. 2 F-Dur op. 50 |
| 大友直人 |
conductor |
ゴルイ / ベートーヴェン「エグモント序曲」, 未来への戦い / ベートーヴェン「月光」 |
| Joachim Krukowski |
recording |
Symphony no. 1 in D major, op. 36: Allegro, Symphony no. 1 in D major, op. 36: Allegro molto |
| Garrick Ohlsson |
piano |
Piano Sonata No. 8 in C minor, Op. 13 (‘Pathétique’): I. (extract), Piano Sonata no. 21 in C major, Op. 53 (‘Waldstein’): I. (extract) |
| Kurt Redel |
conductor |
Creatures of Prometheus, Op. 43 - Overture, The Ruins of Athens, Op. 113 - Overture |
| Patricia Clark |
vocal |
Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe", Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne" |
| Jiri Malát |
conductor |
Piano Concerto No. 4 in G major, Op. 58: III. Rondo vivace, Piano Concerto No.4 in G major, Op. 58 - Andante Con Moto |
| Frank Braley |
piano |
Adagio molto esspressio uit Vioolsonate 'Fruhling', Sonate pour violon & piano no 5 en fa majeur Op.24 « Printemps » : I. Allegro |
| Franz Grundheber |
bass |
Symphony No. 9 in D minor, Op. 125 "Choral":"O Freunde, nicht diese Tone!", Symphony No. 9 in D minor, Op. 125 "Choral":Allegro assai |
| Stanley Black |
conductor |
Menuet en sol majeur, Menuett In G |
| Jon Vickers (tenor) |
vocal |
Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro), Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai |
| Franz Rupp |
piano |
"Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123, "In questa tomba oscura", WoO 133 |
| Friedrich Guttenberg |
vocal |
Symphonie Nr. 9, op. 125 D-Moll, I: Allegro ma non troppo, un poco maestoso, Symphonie Nr. 9, op. 125 D-Moll, V: Presto: Allegro assai |
| Orquesta Manuel de Falla (existing in 1970s) |
performing orchestra |
Novena Sinfonia en Re Menor, Sinfonía No. 1 en Do mayor, Op. 21 |
| Beecham Choral Society |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai, Symphony No.9 ('Choral') (Fourth Movement) |
| 鈴木慶一 |
producer |
No.9, 交響曲第9番 ニ短調 フィドルヴァージョン |
| Marshall McGuire |
instrument |
Mit einem gemalten Band (With a Painted Ribbon), Op. 83 No. 3 |
| Friedel Vogel |
vocal |
Symphonie Nr. 9, op. 125 D-Moll, V: Presto: Allegro assai |
| Orquesta Sinfónica de Radio Televisión Española |
performing orchestra |
Sinfonía n.º 9: III. |
| François-René Duchâble |
piano |
Sonate pour piano No. 8 en do mineur, Op. 13 "Pathétique": II. Adagio Cantabile (feat. piano: François-René Duchable) |
| Friedrich Molsberger |
vocal |
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin) |
| Friedrich Wührer (pianist, 1900-1975) |
piano |
Choral Fantasy in C minor, Op. 80 |
| Fritz Reiner |
conductor |
Symphony No. 7 in A major, Op. 92: IV. Allegro con brio |
| Frantisek Vajnar |
conductor |
Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio |
| Frank Vignola |
arranger, guitar |
Beethoven’s Fifth |
| Gabriele Lechner |
vocal |
Symphonie nº9 : Ode à la joie |
| Pascal Gallois |
bassoon |
Romance Cantabile |
| Orchestre Philharmonique de Monte-Carlo |
performing orchestra |
Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": II. Largo |
| Patricia Payne |
vocal |
Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis) |
| Gabrieli Consort & Players |
performing orchestra |
"Ah! perfido", Op. 65 |
| Patrick Gallois |
flute |
Romance Cantabile |
| Gary Karr |
double bass |
Ode to Joy from Symphony No. 9 in D minor, Op. 125 |
| Paul Badura-Skoda |
piano |
Scherzo de la sonate "Hammerklavier", opus 106 |
| Florin Paul (violinist) |
violin |
Sonata for violin & piano No. 9 in A major ("Kreutzer"), Op. 47: Adagio sostenuto: Presto |
| Paul Komen |
piano |
Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto |
| Paul McCreesh |
conductor |
"Ah! perfido", Op. 65 |
| Orchestra of the Eighteenth Century |
performing orchestra |
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" |
| Gene Tucker |
vocal |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Orchestra filarmonica della Scala |
performing orchestra |
Symphony no. 6 in F major, op. 68 "Pastoral": III. Merry Gathering of Country Folk |
| Finghin Collins |
piano |
Bagatelle in A minor, WoO 59 "Für Elise" |
| Fine Arts Quartet |
performer |
String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo |
| Gerald Moore (pianist) |
piano |
Neue Liebe, Neues Lieben |
| Peter Lagger (operatic bass singer) |
vocal |
Fidelio: Mir ist so wunderbar |
| Peter Lang (classical pianist) |
piano |
Piano Concerto No. 2 in B-flat major, Op. 19 |
| Festivalový orchestr Praha |
performing orchestra |
Symphony No. 9 in D minor, Op. 125 "Choral" |
| Orchestra Alessandro Scarlatti |
performing orchestra |
Romance for Violin and Orchestra No. 2 in F major, Op. 50 |
| Gertraud Prenzlow |
vocal |
"Bundeslied" for soloists, chorus & wind instruments, Op. 122 |
| Evelyne Dubourg |
piano |
Bagatelle for Piano in A minor, WoO 59 "Für Elise" |
| Gheorghe Zamfir |
nai |
Romance for Violin and Orchestra No. 2 in F major, Op. 50 |
| Gianluca Cascioli |
piano |
7 Ländler |
| Peter Schmalfuss (pianist) |
piano |
Piano Concerto No.4 in G major, Op. 58 - Andante Con Moto |
| Oliver von Dohnányi |
conductor |
Eleven Dances/Mödlinger Tänze, WoO 17: No. 2 Menuett |
| Erwin Ortner |
chorus master |
Missa solemnis for Soloists, Chorus and Orchestra, op. 123: I. KYRIE. Assai sostenuto. Mit Andacht [¢]- Andante assia ben marcato [3/2] - Tempo I [¢] |
| Peter Seiffert |
vocal |
Fidelio, Op. 72: Akt II. "In des Lebens Frühlingstagen" |
| Peter Serkin (pianist) |
conductor |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Erik Sjöberg |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo (live) |
| Erich Kunzel |
conductor |
Turkish March |
| Erich Kleiber |
conductor |
Symphonie No. 5 en do mineur, Op. 67: I. Allegro con brio |
| Oliver Strobel (violinist) |
violin |
Violin Romance No. 2 in F major, Op. 50 |
| Philharmonia Hungarica |
performing orchestra |
Fidelio: Gott! welch' Dunkel hier |
| Erich Gruenberg |
violin |
Violin Sonata no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto |
| Eric N'Kaoua (pianist) |
piano |
German Dance in F |
| Olaf Dressler (Pianist) |
piano |
Sonata for violin & piano No. 9 in A major ("Kreutzer"), Op. 47: Adagio sostenuto: Presto |
| Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) |
conductor |
Minuet in G |
| Philip Kraus |
vocal |
Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust" |
| Erhard Fietz |
mandolin |
Sonatina for Mandolin and Piano in C major, WoO 44 No. 1 |
| Gisela Franke |
piano |
Variations (6) on "Ich denke dein," for piano, 4 hands in D major, WoO 74 |
| Phyllis Bryn-Julson |
vocal |
Die Weihe des Hauses: Wo sich die Pulse jugendlich jagen WoO. 98 |
| Piero Gamba |
conductor |
In questa tomba oscura, WoO 133 (arr. Alexander Faris) |
| Pierre Fournier |
cello |
Klaviertrio Es-Dur, op. 70 no. 2: III. Allegretto ma non troppo |
| Enrique García Asensio |
conductor |
Sinfonía n.º 9: III. |
| Ennio Morricone |
conductor |
Sonata #17 in D Minor (Opus 31, No. 2 “tempest”) |
| Pierre-Laurent Aimard |
piano |
Piano Concerto no.5, ’Emperor’: Rondo |
| Pieter Wispelwey |
cello |
Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto |
| Emmy Verhey |
violin |
Romance for Violin and Orchestra No. 2 in F major, Op. 50 |
| Norrköpings Symfoniorkester |
performing orchestra |
Rondo in B-flat major for Piano and Orchestra, WoO 6 |
| Gregory Cross |
vocal |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!" |
| Emmanuel Pahud |
flute |
Serenade in D for Flute & Piano, op. 41 - Andante Con Variazioni |
| Grigorios Zamparas |
piano |
Romance Cantabile for flute, bassoon & orchestra in E minor, Hess 13 |
| Emiko Suga (soprano) |
vocal |
Symphony no. 9: IV. Presto – Allegro assai |
| Emerson String Quartet |
strings |
Quartetto Serioso, op. 95: 4. Larghetto espressivo - Allegretto agitato |
| Nina Tichman (American pianist) |
piano |
Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace |
| Emanuel Bay |
piano |
Sonata No. 5 in F major, Op. 24 "Spring": I. Allegro |
| Quatuor de trombones de Liège |
performer |
March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 |
| Emanuel Ax |
piano |
Piano Concerto No. 5 "Emperor" (3rd MVT) |
| Göteborgs Symfoniker |
performing orchestra |
Introduction to Act 2 (Entr'acte), WoO 2b (probably to "Tarpeja"). Alla marcia, ma non troppo presto |
| Else Jena |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo (live) |
| Nigel Kennedy |
violin |
Violin Concerto in D major, Op. 61: III. Rondo. Allegro (live recording) |
| Günter Koch |
vocal |
Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious) |
| Nicolai Gedda |
vocal |
Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "O welch ein Leben!". Allegretto |
| Hans Priem-Bergrath |
conductor |
Yorck’scher Marsch |
| Hans Schmidt-Isserstedt |
conductor |
Symphony no. 6 in F, op. 68 "Pastoral": II. Szene am Bach: (Andante molto mosso) |
| Hans Sotin |
vocal |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" |
| Nelly Kokinos |
piano |
Für Elise (extract) |
| Neeme Järvi |
conductor |
Introduction to Act 2 (Entr'acte), WoO 2b (probably to "Tarpeja"). Alla marcia, ma non troppo presto |
| Nationalchor Sofia |
vocal |
Fidelio: Gefangenenchor |
| National Arts Centre Orchestra |
performing orchestra |
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" |
| Naoko Ihara |
vocal |
Symphony no. 9: IV. Presto – Allegro assai |
| Nan Nall |
vocal |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Hans-Ola Ericsson |
organ |
5 Pieces for Mechanical Clock, WoO 33 No. 4 in C major. Allegro non più molto |
| Edelgard Walch |
piano |
Menuet, no. 2, WoO, in G major |
| Edda Moser |
vocal |
Leonore, Op. 72: "Ach brich noch nicht, komm Hoffnung" (Leonore) |
| Dresden Symphony Chorus |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto |
| Dr. Stefan Schaub |
vocal |
Klaviersonate op. 109 |
| Harmon Lewis (Pianist) |
piano |
Ode to Joy from Symphony No. 9 in D minor, Op. 125 |
| René Kollo |
vocal |
Fidelio, Op. 72: Act II, Scene I, No. 11. Introduction "Gott! Welch Dunkel hier!" - Aria "In des Lebens Frühlingstagen" |
| Douglas Larter |
balance |
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - |
| Harry van Hoof |
conductor |
Romance for Violin and Orchestra No. 2 in F major, Op. 50 |
| Riccardo Chailly |
conductor |
Symphony No. 8 in F major, Op. 93: 2. Allegretto scherzando |
| Dorel Handman |
piano |
Bagatelle for Piano in A minor, WoO 59 "Für Elise": Poco moto |
| Donald McIntyre |
vocal |
Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai |
| Richard Edlinger |
conductor |
Symphonie nº9 : Ode à la joie |
| Don Jackson (conductor) |
conductor |
Adagio Sostenuto "Moonlight Sonata" |
| Dolph Taylor (Production music composer) |
arranger |
Moonlight Sonata |
| Richard Tognetti (violinist & conductor) |
violin |
Larghetto from Violin Concerto in D major, Op. 61 |
| Münchner Chorvereinigung |
vocal |
Symphonie Nr. 9, op. 125 D-Moll, V: Presto: Allegro assai |
| Heather Harper |
vocal |
Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai |
| Robert Casadesus (French pianist/composer) |
piano |
Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto |
| Dieter Reinhold |
vocal |
Three canons, WoO 181 No. 2 - Canon in 3 parts in C major "Gehabt euch wohl" |
| Robert Heger (conductor) |
conductor |
Fidelio, Op. 72: Act I. "O welche Lust" (Chor der Gefangenen) |
| Heinz Wallberg |
conductor |
Fidelio, Op. 72: Act I. " Abscheulicher!" - "Komm, Hoffnung" |
| Robert Holzer |
vocal |
Symphonie nº9 : Ode à la joie |
| Robert Johnson (Tenor) |
vocal |
Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust" |
| Dieter Goldmann |
piano |
Moonlight Sonata |
| Helen Watts (contralto) |
vocal |
Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai |
| Diego Fasolis |
conductor, fortepiano |
Der Gesang der Nachtigall "Höre, die Nachtigall singt" for voice & piano, WoO 141 |
| Robert Page (conductor/choir master) |
chorus master |
Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai |
| Robert Shaw (conductor) |
conductor |
Fidelio: O welche Lust! (Prisoners' Chorus) |
| Diane Elias |
vocal |
Symphonie nº9 : Ode à la joie |
| Robert Tear |
vocal |
Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis) |
| Diane Cyr-Liss |
piano |
Piano Sonata No. 8, Op. 13 "Pathétique" |
| Monteverdi Choir |
vocal |
Leonore - Chor Der Gefangenen |
| Dene Olding (Australian violinist) |
violin |
Adagio molto espressivo from Violin Sonata in F major, Op. 24 'Spring' |
| Mogens Wöldike |
organ |
Die Ehre Gottes aus der Natur |
| Mischa Maisky (cellist) |
cello |
Cello-Sonate A-Dur, op. 69: II. Scherzo. Allegro molto |
| Roger Steptoe |
piano |
Bagatelle in A minor, WoO 59 "Für Elise" |
| Roger Vignoles |
piano |
Klage |
| Helga Dernesch |
vocal |
Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro) |
| Ron Craig (engineer/editor) |
recording |
Scottish Dance |
| Henk Lagendaal |
piano |
Für Elise |
| David Wilde |
piano |
Violin Sonata no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto |
| David Stanhope |
piano |
Adagio sostenuto: Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight" (feat. piano David Stanhope) |
| Mikhail Krutikov |
vocal |
Missa Solemnis - Kyrie |
| David Parry (conductor) |
conductor |
Ah! perfido! concert aria for soprano and orchestra, Op. 65 |
| Rosemarie Lang |
vocal |
Missa Solemnis - Kyrie |
| Royal Liverpool Philharmonic Orchestra |
performing orchestra |
Symphony no. 5 : I. |
| Royal Northern Sinfonia |
performing orchestra |
Pastoral Symphony: Shepherd's Thanksgiving (excerpt) |
| David Newman (film composer) |
arranger, conductor |
Fleur De Lis (Beethoven, arr. Newman) |
| Royal Scottish National Orchestra Chorus |
performing orchestra |
Fantasia in C minor |
| Rudi Knabl Ensemble |
performer |
German Dances: Rondo (arr. Knabl) |
| Henryk Szeryng |
violin |
Klaviertrio Es-Dur, op. 70 no. 2: III. Allegretto ma non troppo |
| Michio Tatara (bass) |
vocal |
Symphony no. 9: IV. Presto – Allegro assai |
| Rudolf Serkin |
piano |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Herbert Waltl |
piano |
Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai |
| David Nadien |
violin |
Minuet in G, WoO 10 No. 2 |
| Russell Emanuel (Production music composer) |
arranger |
Moonlight Sonata |
| Michel Glotz |
producer |
Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro) |
| Michel Corboz |
conductor |
Mass in C major, Op. 86: I. Kyrie |
| David Evitts |
vocal |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Herwig Pecoraro |
vocal |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) |
| Daniela Ruso |
piano |
Piano Sonata No. 12: V. Allegro molto |
| Daniel Sepec |
violin |
Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto |
| Saint Paul Chamber Orchestra |
performing orchestra |
Violin Romance No. 2 in F major, Op. 50 |
| Sally Matthews |
vocal |
Fidelio - Mir Ist So Wundebar |
| Sanford Sylvan |
vocal |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Sarah Brightman |
vocal |
Figlio Perduto |
| Hilary Hahn |
violin |
Violin Concerto |
| Saschko Gawriloff |
violin |
Romanze für Violine und Orchester Nr. 2 F-dur, op. 50 |
| Saulius Sondeckis |
conductor |
Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50 |
| Michael Volle |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai |
| Hildegard Behrens |
vocal |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" |
| Michael Schade |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai |
| Sergiu Comissiona (conductor and violinist) |
conductor |
Turkish March |
| Michael Pabst |
vocal |
Symphonie nº9 : Ode à la joie |
| Sherrill Milnes |
vocal |
Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai |
| Hiroshi Oshima |
vocal |
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin) |
| Shirley Close |
vocal |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Shirley Minty |
vocal |
Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 7. "Oh let the night my blushes hide" |
| Dallas Symphony Orchestra |
performing orchestra |
Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio |
| Coro Gulbenkian |
vocal |
Mass in C major, Op. 86: I. Kyrie |
| Siegfried Jerusalem |
vocal |
Symphony No. 9, Op. 125 "Choral": IV (excerpt) |
| Siegfried Kurz |
conductor |
Fidelio, Op. 72: Introduction and Florestan's Aria. "Gott! welch' Dunkel hier! - In des Lebens Fruhlingstagen" |
| Michael Korstick |
piano |
6 Bagatellen Op. 126 |
| Concentus Musicus Wien |
performing orchestra |
Missa solemnis for Soloists, Chorus and Orchestra, op. 123: I. KYRIE. Assai sostenuto. Mit Andacht [¢]- Andante assia ben marcato [3/2] - Tempo I [¢] |
| ConTempo String Quartet |
performer |
String Quartet in C-sharp minor, Op. 131 |
| Colorado Symphony |
performing orchestra |
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando |
| Simi Studio Choir |
vocal |
Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto (Ode to Joy) |
| Simon C. Jansen (organist) |
organ |
Die Ehre Gottes aus der Natur, Op. 48 Nr. 4: Die Himmel rühmen (Pro Musica Chor feat. conductor: Simon C. Jansen, organ: Lex Kasemeijer) |
| Collegium Musicum 90 |
performing orchestra |
Choral Part-Song for Solo Voice(s) & Instrument(s) "Elegischer Gesang" for 4 Voices with String Qrt or Piano, Op. 118 |
| Sinfonia Australis |
performing orchestra |
Adagio un poco moto from Piano Concerto No. 5 in E-flat major, Op. 73 'Emperor' |
| Clemens Krauss |
conductor |
Choral Fantasy in C minor, Op. 80 |
| Singapore Symphony Orchestra |
performing orchestra |
Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo. Allegro |
| Holger Byrding |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo (live) |
| Sir Alexander Gibson |
conductor |
Fantasia in C minor |
| Michael Gläser (German singer and choral conductor) |
chorus master |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai |
| Aaron Nathanson |
engineer |
Egmont Overture - Incidental Music, op. 84 |
| Horst Stein |
conductor |
Romanze für Violine und Orchester Nr. 2 F-dur, op. 50 |
| City of Birmingham Symphony Orchestra |
performing orchestra |
Symphony no. 3 in E-flat major, "Eroica": I. (extract) |
| Melvyn Tan |
fortepiano |
Piano Sonata in E-flat op. 81a: I. (start of allegro) |
| Cincinnati Pops Orchestra |
performing orchestra |
Turkish March |
| Sir Thomas Allen (baritone) |
vocal |
Music, Love and Wine |
| Christopher Hogwood |
conductor |
Egmont, Op. 84: Overture. Sostenuto, ma non troppo |
| Hymisher Greenburg |
conductor |
Ode to Joy |
| Ian Whyte |
conductor |
Violin Concerto in D, Op. 61: II. Larghetto |
| Christian Zacharias |
piano |
Klavierkonzert Nr. 5: II. Adagio |
| Sona Ghazarian |
vocal |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" |
| St. Petersburg Festival Symphony Orchestra |
performing orchestra |
Egmont, Op. 84: Overture |
| Max Olding (Australian pianist) |
piano |
Adagio molto espressivo from Violin Sonata in F major, Op. 24 'Spring' |
| Christian Lukasz |
violin |
Two canons, in 3 and 4 parts, WoO 160: II. Vierstimmiger Kanon |
| Christian Funke (violinist) |
violin |
Concerto for Piano, Violin and Cello in C major, Op. 56 "Triple Concerto": II. Largo |
| Ifor James |
French horn |
Horn Sonata in F major, Op. 17: I. Allegro moderato |
| Mary Kathryn Vanosdale |
violin |
Missa Solemnis, op. 123: Sanctus: Benedictus |
| Martti Talvela (bass) |
vocal |
Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai |
| Martin Hill |
vocal |
Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto. Allegro assai |
| Stephan Genz |
vocal |
Klage |
| Chor des Bayerischen Rundfunks |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai |
| Orquestra Gulbenkian |
performing orchestra |
Mass in C major, Op. 86: I. Kyrie |
| Marlboro Festival Orchestra |
performing orchestra |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Inge Borkh |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai |
| Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) |
vocal |
Fidelio, Op. 72: Act I. "O welche Lust" (Chor der Gefangenen) |
| Chiho Takata |
viola |
Prelude for 2 Violins, Viola and Cello, H. 40 |
| Steven Osborne (pianist) |
piano |
Epilogue (Beethoven Piano Concerto No. 5 "Emperor" - II) |
| Chicago Symphony Chorus |
vocal |
Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust" |
| Stuttgarter Bläserquintett |
performer |
Quintet for piano, oboe, clarinet, horn & bassoon in E flat major, Op. 16: 3. Rondo. Allegro ma non troppo |
| Markus Schäfer (Tenor) |
vocal |
Mass in C major, Op. 86: I. Kyrie |
| Mark Levinson |
arranger |
Moonlight Sonata |
| Catrin Wyn Davies |
vocal |
Music, Love and Wine |
| Catherine Wyn-Rogers |
vocal |
Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto. Allegro assai |
| Svenska Kammarorkestern |
performing orchestra |
Tarpeja, WoO 2b: Einzug Akt II |
| Mark Egan |
bass guitar |
Beethoven’s Fifth |
| Casey Ayers |
piano |
Sonata, Op. 2 No. 1: Allegro |
| Sylvia Stahlman |
vocal |
Fidelio: Mir ist so wunderbar |
| Mark Ayres |
synthesizer |
A Clockwork Orange |
| Symfonický orchestr hlavního města Prahy FOK (Prague Symphony Orchestra) |
performing orchestra |
Violin Concerto in D major, op. 61: III. Larghetto |
| Symfonický orchestr Českého rozhlasu (Prague Radio Symphony Orchestra) |
performing orchestra |
Piano Concerto No. 4 in G major, Op. 58: III. Rondo vivace |
| Symphonic Festival Orchestra and Choir |
performing orchestra |
Symphony No. 9 in D minor, Op. 125 "Choral Symphony": Presto |
| Carol Vaness |
vocal |
Symphony No. 9, Op. 125 "Choral": IV (excerpt) |
| Szenthelyi Miklós |
violin |
Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto |
| Sándor Végh |
conductor |
String Quartet No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo |
| Carlos Feller |
vocal |
Fidelio: O welche Lust, in freier Luft |
| Tafelmusik |
performing orchestra |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio |
| Marius Sima |
violin |
Violin Concerto (fragment) in C major, WoO 5 |
| Mario Bernardi |
conductor |
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" |
| Marin Alsop |
conductor |
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando |
| Inger Forsblom |
producer |
Adelaide, Op. 46: song for voice & piano |
| Marielle Nordmann |
harp |
Adagio für eine Spieluhr in F major, WoO 33 Nr. 1 |
| Teije van Geest (engineer/producer) |
producer |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (excerpt) |
| International Musicians Seminar Soloists |
performing orchestra |
String Quartet No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo |
| Isidora Schwarzberg-Romanoff |
violin |
Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50 |
| Camille Capasso |
vocal |
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin) |
| The Baby Einstein Music Box Orchestra |
performing orchestra |
Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto |
| Camilla Tilling |
vocal |
"Ah! perfido", Op. 65 |
| Marian Bilner |
chorus master |
Symphony No. 5 in C minor: Allegro con brio |
| The European Philharmonic Orchestra |
performing orchestra |
Ode to Joy |
| The European Symphony Orchestra |
performing orchestra |
Missa Solemnis - Kyrie |
| Camerata Budapest |
performing orchestra |
Die Ehre Gottes aus der Natur, from Six songs, Op. 48 |
| Maria Tipo |
piano |
Piano Concertos no. 1 & 4 [Extract] |
| Ivan Zenaty |
violin |
Violin Concerto in D major, op. 61: III. Larghetto |
| Bystrík Režucha |
conductor |
Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro |
| Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra) |
performing orchestra |
König Stephan, op. 117: Overture |
| Theodor Guschlbauer |
conductor |
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook - Andante molto mosso |
| Thomas Bloch |
glass harmonica |
Aus: Leonore Prohaska, WoO. 96: Melodram: Du, dem sie gewunden |
| Thomas Dausgaard |
conductor |
Tarpeja, WoO 2b: Einzug Akt II |
| James DePreist |
conductor |
交響曲第7番イ長調作品92より 第4楽章 |
| Thomas Frost |
arranger |
Menuett Nr. 2 G-dur, WoO 10, 2 |
| Maria Kliegel |
cello |
Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace |
| Mari Kodama |
piano |
Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio |
| Budapest String Quartet |
performer |
Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3: IV. Allegro molto |
| Marcus Creed |
chorus master |
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin) |
| Timothy Martyn |
producer |
Piano Sonata no.21 in C major, op. 53 "Waldstein": I. Allegro Con Brio (Excerpt) |
| Tina Kiberg |
vocal |
Missa Solemnis - Kyrie |
| Tobias Altvater |
vocal |
3 Voice Canon in F major, WoO 166: "Kurz ist der Schmerz" |
| Bruno Walter |
conductor |
Overture "Leonore II": Adagio |
| James Last |
arranger, conductor |
Andante From Symphony no. 5 |
| James Last Orchestra |
performing orchestra |
Andante From Symphony no. 5 |
| Bruno Giuranna |
viola |
Serenade op. 8:2. Menuetto. Allegretto |
| Jan Opalach (choral vocalist) |
vocal |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa steht!" |
| Brigham Young University Philharmonic Orchestra |
performing orchestra |
Hallelujah |
| Brigham Young University Concert Choir |
vocal |
Hallelujah |
| Boston Pops Orchestra |
performing orchestra |
Turkish March (extract) |
| United Philharmonia Moscow |
performing orchestra |
Symphony No. 5 in C minor: Allegro con brio |
| University of Maryland Chorus |
vocal |
Missa Solemnis - Kyrie |
| Borodin Trio |
cello, piano, violin |
Allegretto for Piano, Violin and Cello in B-flat major, WoO 38 |
| Borodin Quartet |
strings |
String Quartet No. 9, Op. 59 No. 3 "Rasumovsky": IV. Allegro molto |
| Malcolm Frager |
fortepiano |
Violin Sonata No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo |
| Jana Holaskova |
flute |
Romance Cantabile for flute, bassoon & orchestra in E minor, Hess 13 |
| Birgit Nilsson |
vocal |
Fidelio, Op. 72: Act I. " Abscheulicher!" - "Komm, Hoffnung" |
| Beverly Morgan |
vocal |
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Jane Edwards (Australian soprano) |
performer |
Mit einem gemalten Band (With a Painted Ribbon), Op. 83 No. 3 |
| Van Cliburn |
piano |
Für Elise |
| Janice Taylor |
vocal |
Symphony No. 9, Op. 125 "Choral": IV (excerpt) |
| Vasily Petrenko |
conductor |
Symphony no. 5 : I. |
| Macquarie Trio |
performer |
Adagio cantabile from Piano Trio in E-flat major, Op. 1 No. 1 |
| Bert Whyte |
producer |
Egmont Overture - Incidental Music, op. 84 |
| Jascha Heifetz |
violin |
Sonata No. 5 in F major, Op. 24 "Spring": I. Allegro |
| Vinny Raniolo |
guitar |
Beethoven’s Fifth |
| L’Orchestre de la Suisse Romande |
performing orchestra |
Symphonie No. 3 en Mi bémol majeur, Op. 55 "Eroica": II. Marche funèbre: Adagio assai |
| Lëtzebuerger philharmoneschen Orchester |
performing orchestra |
Adagio Cantabile |
| Bernarda Fink |
vocal |
Missa solemnis for Soloists, Chorus and Orchestra, op. 123: I. KYRIE. Assai sostenuto. Mit Andacht [¢]- Andante assia ben marcato [3/2] - Tempo I [¢] |
| Bernard Roberts |
piano |
Sonata No. 1 in F minor, Op. 2 No 1: I. Allegro |
| László Kovács |
conductor |
Die Ehre Gottes aus der Natur, from Six songs, Op. 48 |
| Jean Martin (classical pianist) |
piano |
Sonatine en fa majeur |
| Lynn Harrell |
cello |
String Trios |
| Waldemar Malicki |
piano |
Anna's Etude and Variations |
| Jean-Pierre Rampal |
flute |
Adagio für eine Spieluhr in F major, WoO 33 Nr. 1 |
| Ludwig Weber |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai |
| Jenaer Philharmonie |
performing orchestra |
Violin Concerto (fragment) in C major, WoO 5 |
| Lucy Howard |
violin |
Sally in Our Alley |
| Luciano Pavarotti |
vocal |
In questa tomba oscura, WoO 133 (arr. Alexander Faris) |
| Louis de Froment (conductor) |
conductor |
Adagio Cantabile |
| Benjamin Wallfisch |
conductor |
Seid Umschlungen, Millionen |
| Walter Weller |
conductor |
Symphony no. 3 in E-flat major, "Eroica": I. (extract) |
| Lorraine McAslan |
violin |
Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo (feat. violin: Lorraine McAslan piano: John Blakely) |
| Jennifer Partridge |
piano |
Horn Sonata in F major, Op. 17: I. Allegro moderato |
| Werner Haas (classical pianist, NOT the 50s schlager singer Werner Hass) |
piano |
Sonate für Klavier No.14 op 27,2 Mondscheinsonate:Adagio sostenuto |
| Bengt Hallberg |
piano |
Allegretto from Symphony no. 7 in A major, op. 92 |
| Jennifer Ward Clarke (cellist) |
cello |
Sally in Our Alley |
| Bayerisches Staatsorchester |
performing orchestra |
Fidelio, Op. 72: Act I. "O welche Lust" (Chor der Gefangenen) |
| Wiener Kammerensemble |
instrument |
Septett, op. 20: 3. Tempo di Menuetto |
| London Promenade Orchestra |
performing orchestra |
Minuet in G |
| London Mozart Players |
performing orchestra |
Cadenza to Mozart’s Keyboard Concerto in D minor, K.466: I. |
| Johannes Chum |
vocal |
Missa solemnis for Soloists, Chorus and Orchestra, op. 123: I. KYRIE. Assai sostenuto. Mit Andacht [¢]- Andante assia ben marcato [3/2] - Tempo I [¢] |
| Bach Society of Minnesota |
vocal |
Die Weihe des Hauses: Wo sich die Pulse jugendlich jagen WoO. 98 |
| BBC Scottish Symphony Orchestra |
performing orchestra |
Violin Concerto in D, Op. 61: II. Larghetto |
| Australian Classical Wind Band |
instrument |
Andante from Octet in E-flat major, Op. 103 |
| Australian Chamber Orchestra |
performing orchestra |
Larghetto from Violin Concerto in D major, Op. 61 |
| Audrey Michael |
vocal |
Mass in C major, Op. 86: I. Kyrie |
| Willem van Otterloo |
conductor |
Allegretto from Symphony No. 7 in A major, Op. 92 |
| Willi Boskovsky |
violin |
Romance No. 2 in F major, Op. 50 (Willi Boskovsky) |
| William Cochran |
vocal |
Missa Solemnis - Kyrie |
| London Festival Chorus |
vocal |
Finale from Symphony no. 9, "Choral" (from Die Hard) |
| Willy Müller |
vocal |
Fidelio: Mir ist so wunderbar |
| Livgardets dragontrumpetarkår |
instrument |
Marsch des York'schen Korps |
| Lioba Braun (Mezzo-soprano) |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai |
| Lilia Bizimeche-Eisinger |
vocal |
Mass in C major, Op. 86: I. Kyrie |
| Lietuvos kamerinis orkestras (Lithuanian Chamber Orchestra) |
performing orchestra |
Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50 |
| Johannes Kittel |
violin |
Two canons, in 3 and 4 parts, WoO 160: II. Vierstimmiger Kanon |
| Wolfgang Gülich (engineer) |
balance |
Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro) |
| Arturo Sergi |
vocal |
Fidelio: Gott! Welch' Dunkel hier! / In des Lebens Frühlingstagen |
| Arturo Benedetti Michelangeli |
piano |
Beethoven: Missa Solemnis, Op. 123: Gloria |
| Lex Karsemeijer (conductor) |
conductor |
Die Ehre Gottes aus der Natur, Op. 48 Nr. 4: Die Himmel rühmen (Pro Musica Chor feat. conductor: Simon C. Jansen, organ: Lex Kasemeijer) |
| John Aler |
vocal |
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin) |
| Arthur Fiedler |
conductor |
Turkish March (extract) |
| Armin Jordan |
conductor |
Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": II. Largo |
| Yves Nat |
grand piano |
Sonate No. 15 en ré majeur, Op. 28: IV. Rondo. Allegro ma non troppo |
| Zagrebačka filharmonija |
performing orchestra |
Symphonie nº9 : Ode à la joie |
| Zdenek Skrabal |
bassoon |
Romance Cantabile for flute, bassoon & orchestra in E minor, Hess 13 |
| Antony Walker (conductor) |
conductor |
Adagio un poco moto from Piano Concerto No. 5 in E-flat major, Op. 73 'Emperor' |
| John Blakely |
piano |
Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo (feat. violin: Lorraine McAslan piano: John Blakely) |
| Zoltán Rozsnyai (Hungarian conductor) |
performer |
Fidelio: Gott! welch' Dunkel hier |
| Anton Dikov |
piano |
Piano Concerto no. 5, Emperor: II. Adagio un poco mosso |
| Zsolt Deaky |
conductor |
Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73: III. Rondo: Allegro |
| Anni Hermann |
vocal |
Symphonie Nr. 9, op. 125 D-Moll, V: Presto: Allegro assai |
| Anneliese Rothenberger |
vocal |
Two arias for "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes", WoO 91: "Soll ein Schuh nicht drücken". Andante con moto |
| Leonardo Wolovsky |
vocal |
Fidelio: Ha, welch ein Augenblick |
| John Currie |
chorus master |
Fantasia in C minor |
| John Mark Ainsley |
vocal |
Music, Love and Wine |
| Anna Tomowa-Sintow |
vocal |
Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis) |
| Éric Le Sage |
piano |
Serenade in D for Flute & Piano, op. 41 - Andante Con Variazioni |
| Anna Gourari |
piano |
Piano Concerto No. 3 in C minor, Op. 37: II. Largo |
| Ľuba Orgonášová (soprano) |
vocal |
Der glorreiche Augenblick |
| Академический симфонический оркестр Московской филармонии |
performing orchestra |
Triple Concerto in C major, Op. 56: I. Allegro |
| Александр Загоринский |
cello |
Seven Variations in E-flat major, WoO 46 |
| Lazar Berman |
piano |
6 Minuets for Piano, WoO 10 No. 2 in G major |
| Lars Tocklin |
producer |
Adelaide, Op. 46: song for voice & piano |
| John Ogdon |
piano |
Sonata no. 14 in C-Sharp minor, op. 27 no. 2 |
| Валерий Павлович Афанасьев |
piano |
11 neue Bagatellen, op. 119: XI. Andante ma non troppo |
| LaSalle Quartet |
instrument |
Streichquartett, op. 135: 2. Vivace |
| András Schiff |
piano |
An die ferne Geliebte , Op. 98, No. 1: ‘Auf dem Hügel sitz ich spähend’ (extract) |
| John Potter |
vocal |
Sally in Our Alley |
| Köckert quartet |
strings |
String Quartet No. 13 in B-flat major, Op. 130: Adagio ma non troppo - Allegro |
| Kurt Wolinski |
vocal |
Fidelio: O welche Lust, in freier Luft |
| Andrew Parrott |
conductor |
Rondo in B-flat major for Piano and Orchestra, WoO 6 |
| Josef Hermann |
vocal |
Symphonie Nr. 9, op. 125 D-Moll, V: Presto: Allegro assai |
| Евгений Игоревич Кисин |
piano |
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin) |
| Елена Образцова |
vocal |
Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai |
| Емил Табаков |
conductor |
Piano Concerto no. 5, Emperor: II. Adagio un poco mosso |
| Krysia Osostowicz |
violin |
6 Songs of Various Nationalities, WoO 158c no. 6: [untitled] |
| Andrew Kennedy (tenor vocalist) |
vocal |
Fidelio - Mir Ist So Wundebar |
| Леонид Малышев |
conductor |
Egmont, Op. 84: Overture |
| Михаил Васильевич Плетнёв (pianist & conductor) |
piano |
Moonlight Sonata, Op. 27 No. 2: I. Adagio sostenuto |
| Kristinn Sigmundsson (bass singer) |
vocal |
Fidelio - Mir Ist So Wundebar |
| Kristina Clemenz |
vocal |
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin) |
| Николaй Гиршевич Кaпустин |
piano |
Seven Variations in E-flat major, WoO 46 |
| Amadeus Webersinke |
piano |
Sonatina for Mandolin and Piano in C major, WoO 44 No. 1 |
| Amadeus Quartet |
instrument |
Streichquartett Hess 34 (nach der Klaviersonate, op. 14 no. 1): 3. Rondo. Allegro |
| Allan Maclean (engineer/editor) |
recording |
'Moonlight' Sonata, Op. 27, No. 2, 1st movement |
| Krista Bennion Feeney |
violin |
Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!" |
| Alexei Bruni |
violin |
Romance no. 2 in F major for Violin and Orchestra, op. 50 |
| Alexander Young (tenor) |
vocal |
Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai |
| Krassimira Stoyanova |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai |
| Kovács János |
conductor |
König Stephan, op. 117: Overture |
| José van Dam |
vocal |
Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro) |
| ムーンライダーズ |
arranger |
No.9 |
| 三輪郁 |
piano |
ヴァイオリン・ソナタ 第5番 作品24「春」より 第1楽章 |
| José-Luis García (violinist & conductor) |
violin |
Missa Solemnis in D major, Op. 123: IV. Sanctus. Benedictus |
| Juilliard String Quartet |
performer |
String Quartet in B-flat major, op. 130: V. Cavatina. Adagio molto espressivo |
| Klaus Wunderlich |
arranger, electronic organ |
Piano Sonata, Pathetique, Op. 13: Adagio Cantabile |
| János Starker |
cello |
Sonata for Piano and Cello No. 3 in A major, Op. 69: III. Adagio cantabile |
| Alceo Galliera |
conductor |
Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro |
| 戸田信子 |
arranger |
Symphony No.6 "Pastoral" Op.68 |
| János Sándor |
conductor |
Egmont-Ouvertüre, op. 84 |
| József Mukk |
vocal |
Die Ehre Gottes aus der Natur, from Six songs, Op. 48 |
| 東京都交響楽団 |
performing orchestra |
交響曲第7番イ長調作品92より 第4楽章 |
| Kevin Maynor (bass) |
vocal |
Fidelio: O welche Lust! (Prisoners' Chorus) |
| 松本あすか |
piano |
Piano Sonata No. 21 in C major, Op. 53 "Waldstein" |
| Jürnjakob Timm |
cello |
Concerto for Piano, Violin and Cello in C major, Op. 56 "Triple Concerto": II. Largo |
| Academy of Ancient Music |
performing orchestra |
Egmont, Op. 84: Overture. Sostenuto, ma non troppo |
| 武川雅寛 |
arranger |
交響曲第9番 ニ短調 フィドルヴァージョン |
| Kerstin Lindberg-Torlind |
vocal |
Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo (live) |
| 福井敬 |
vocal |
Symphony no. 9: IV. Presto – Allegro assai |
| 西崎崇子 |
violin |
Minuet in G |
| Karl Ridderbusch |
vocal |
Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro) |
| 鈴木鎮一 |
arranger |
Minuet in G |
| 정경화 (violinist) |
violin |
Violin Concerto nos. 1 & 2 |
| Radio Symphony Orchestra Pilsen |
performing orchestra |
Piano Concerto No.4 in G major, Op. 58 - Andante Con Moto |