| Timmy Gibson |
performing orchestra |
1812 Overture, op. 49, A Midsummer Night’s Dream, op. 61: I. Scherzo (after Act 1), A Midsummer Night’s Dream, op. 61: II. “Over hill, over dale”, A Midsummer Night’s Dream, op. 61: III. “Ye spotted snakes”, A Midsummer Night’s Dream, op. 61: IV. The Spells, A Midsummer Night’s Dream, op. 61: IX. Wedding March (after Act 4), A Midsummer Night’s Dream, op. 61: Overture, op. 21, A Midsummer Night’s Dream, op. 61: V. Entr’acte (Hermia Seeks Lysander and entry of the Rude Mechanicals), A Midsummer Night’s Dream, op. 61: VI. “What hempen homespuns”, A Midsummer Night’s Dream, op. 61: VII. Nocturne, A Midsummer Night’s Dream, op. 61: VIII. The Removal of the Spells, A Midsummer Night’s Dream, op. 61: X. Fanfare and Funeral March, A Midsummer Night’s Dream, op. 61: XI. Bergomask, A Midsummer Night’s Dream, op. 61: XII. Wedding March (reprise), A Midsummer Night’s Dream, op. 61: XIII. Finale. "Through the house", Adagio for Strings, Adagio for Strings (London Symphony Orchestra feat. conductor: André Previn), Adagio in G minor, Aleko: Intermezzo, Aleko: Woman’s Dance, An American in Paris, Bolero, Boléro (feat. André Previn), Candide, Candide Overture, Candide: Overture, Captain Blood: Main Title, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo Vere: Ecce gratum, Carmina Burana: I. Primo Vere: Omnia sol temperat, Carmina Burana: I. Primo Vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'Amour: Amor volat undique, Carmina Burana: III. Cour d'Amour: Circa mea pectora, Carmina Burana: III. Cour d'Amour: Dies, nox et omnia, Carmina Burana: III. Cour d'Amour: Dulcissime, Carmina Burana: III. Cour d'Amour: In trutina, Carmina Burana: III. Cour d'Amour: Si puer cum puellula, Carmina Burana: III. Cour d'Amour: Stetit puella, Carmina Burana: III. Cour d'Amour: Tempus est iocundum, Carmina Burana: III. Cour d'Amour: Veni, veni, venias, Carmina Burana: O fortuna, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret Silva, Carmina Burana: Uf dem Anger: Tanz, Carmina Burana: Uf dem Anger: Were Diu werlt alle min, Carmina Burana: Uf dem Anger: a) Reie; b) Swaz hie gat umbe; c) Chume, chum gesselle min (Swaz hie gat umbe), Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe, Cinderella, Op. 87, Act I: Cinderella (Andante dolce), Cinderella, Op. 87, Act I: Cinderella Dreams of the Ball (Andante dolce), Cinderella, Op. 87, Act I: Cinderella's departure for the Ball (Allegro espressivo), Cinderella, Op. 87, Act I: Clock Scene (Allegro moderato), Cinderella, Op. 87, Act I: Departure for the Ball (Vivo), Cinderella, Op. 87, Act I: Gavotte (Allegretto), Cinderella, Op. 87, Act I: Grasshoppers and Dragonflies (Vivace con brio), Cinderella, Op. 87, Act I: Interrupted departure (Vivo), Cinderella, Op. 87, Act I: Introduction (Andante dolce), Cinderella, Op. 87, Act I: Pas de châle (Allegretto), Cinderella, Op. 87, Act I: The Autumn Fairy (Allegretto moderato), Cinderella, Op. 87, Act I: The Beggar-woman Fairy (Adagio), Cinderella, Op. 87, Act I: The Beggar-woman returns (Adagio), Cinderella, Op. 87, Act I: The Dancing Lesson (Allegretto), Cinderella, Op. 87, Act I: The Father (Andantino), Cinderella, Op. 87, Act I: The Sister's New Clothes (Vivo), Cinderella, Op. 87, Act I: The Sleeping Fairy (Presto), Cinderella, Op. 87, Act I: The Summer Fairy (Andantino sognando), Cinderella, Op. 87, Act I: The Winter Fairy (Allegro moderato), Cinderella, Op. 87, Act II: Cavalier's dance (Bourrée; Allegro pesante), Cinderella, Op. 87, Act II: Cinderella's Arrival at the Ball (Allegro Andante), Cinderella, Op. 87, Act II: Cinderella's variation (Allegro grazioso), Cinderella, Op. 87, Act II: Court dance (Andante grazioso), Cinderella, Op. 87, Act II: Dance of the Prince's Companions (Allegro moderato), Cinderella, Op. 87, Act II: Duet of the Sisters with their Oranges (Allegro con brio), Cinderella, Op. 87, Act II: Dumpy's variation (Allegretto capriccioso), Cinderella, Op. 87, Act II: Grand Waltz (Allegretto), Cinderella, Op. 87, Act II: Mazurka (Allegro ma non troppo), Cinderella, Op. 87, Act II: Mazurka and Entry of the Prince (Allegro), Cinderella, Op. 87, Act II: Midnight (Allegro moderato), Cinderella, Op. 87, Act II: Pas de deux: The Prince and Cinderella (Adagio), Cinderella, Op. 87, Act II: Passepied (Allegretto), Cinderella, Op. 87, Act II: Promenade (Allegro tranquillo), Cinderella, Op. 87, Act II: Skinny's variation (Allegretto), Cinderella, Op. 87, Act II: The Guests take refreshment (Moderato), Cinderella, Op. 87, Act II: The Prince's variation (Andante con brio), Cinderella, Op. 87, Act II: Waltz-Coda (Allegro espressivo), Cinderella, Op. 87, Act III: Amoroso (Andante dolcissimo), Cinderella, Op. 87, Act III: Cinderella awakes (Andante dolce), Cinderella, Op. 87, Act III: First galop (Presto), Cinderella, Op. 87, Act III: Orientalia (Andante dolce), Cinderella, Op. 87, Act III: Second galop (Presto), Cinderella, Op. 87, Act III: Slow Waltz (Adagio), Cinderella, Op. 87, Act III: Temptation (Moderato - Allegretto), Cinderella, Op. 87, Act III: The Morning after the Ball (Allegretto capriccioso - Moderato - Vivo), Cinderella, Op. 87, Act III: The Prince and the Shoemakers (Allegro scherzando), Cinderella, Op. 87, Act III: The Prince finds Cincerella (Adagio passionato), Cinderella, Op. 87, Act III: The Prince's visit (Vivace), Cinderella, Op. 87, Act III: Third galop (Allegro marcato), Cinderella, Op. 87: Act I. Cinderella Dreams of the Ball: Andante dolce, Cinderella, Op. 87: Act I. Cinderella's Departure for the Ball: Allegro espressivo, Cinderella, Op. 87: Act I. Clock Scene: Allegro moderato, Cinderella, Op. 87: Act I. Interrupted Departure: Vivo, Cinderella, Op. 87: Act I. Intro: Andante dolce, Cinderella, Op. 87: Act I. Pas de chale: Allegretto, Cinderella, Op. 87: Act I. The Dancing Lesson: Allegretto, Cinderella, Op. 87: Act I. The Spring Fairy: Presto, Cinderella, Op. 87: Act I. The Summer Fairy: Andantino sgnando, Cinderella, Op. 87: Act II. Cinderella's Arrival at the Ball: Allegretto - Andante, Cinderella, Op. 87: Act II. Court Dance: Andante grazioso, Cinderella, Op. 87: Act II. Duet of the Sisters With Their Oranges: Allegro con brio, Cinderella, Op. 87: Act II. Grand Waltz: Allegretto, Cinderella, Op. 87: Act II. Mazurka: Allegro ma non troppo, Cinderella, Op. 87: Act II. Midnight: Allegro moderato, Cinderella, Op. 87: Act II. Pas de deux: The Prince and Cinderella: Adagio, Cinderella, Op. 87: Act II. The Guests Take Refreshment: Moderato, Cinderella, Op. 87: Act II. Waltz-Coda: Allegro esprssivo, Cinderella, Op. 87: Act III. Amoroso: Andante dolcissimo, Cinderella, Op. 87: Act III. First Galop: Presto, Cinderella, Op. 87: Act III. Orientalia: Andante dolce, Cinderella, Op. 87: Act III. Second Galop: Presto, Cinderella, Op. 87: Act III. Slow Waltz: Adagio, Cinderella, Op. 87: Act III. Temptation: Moderato - Allegretto, Cinderella, Op. 87: Act III. The Morning After the Ball: Allegretto capriccioso - Moderato - Vivo, Cinderella, Op. 87: Act III. The Prince Finds Cinderella: Adagio passionato, Cinderella, Op. 87: Act III. The Prince's Visit: Vivace, Concerto Accademico for Violin and Orchestra (in D Minor) - Adagio, Concerto Accademico for Violin and Orchestra (in D Minor) - Allegro pesante, Concerto Accademico for Violin and Orchestra (in D Minor) - Presto, Concerto for Bass Tuba and Orchestra, in F minor: I. Allegro moderato, Concerto for Bass Tuba and Orchestra, in F minor: II. Romanza: Andante sostenuto, Concerto for Bass Tuba and Orchestra, in F minor: III. Finale: Rondo alla tedesca, Concerto for Two Pianos, K. 365: III. Rondo, allegro, Coronation March 1953 "Orb and Sceptre", Cuban Overture, Daphnes et Chloé, Suite no. 2: Lever du jour / Pantomime / Danse générale, Daphnis et Chloé: Part I: Introduction, Daphnis et Chloé:Part I: Danse generale, Daphnis et Chloé:Part I: Danse grotesque de Dorcon, Daphnis et Chloé:Part I: Danse legere et gracieuse de Daphnis, Daphnis et Chloé:Part I: Danse lente et mysterieuse des nymphes, Daphnis et Chloé:Part I: Danse religieuse, Daphnis et Chloé:Part I: Interlude, Daphnis et Chloé:Part I: Nocturne, Daphnis et Chloé:Part I: Scene, Daphnis et Chloé:Part II: Danse guerriere, Daphnis et Chloé:Part II: Danse suppliante de Chloe, Daphnis et Chloé:Part II: Introduction, Daphnis et Chloé:Part III: Danse generale / Bacchanale, Daphnis et Chloé:Part III: Introduction, Daphnis et Chloé:Part III: Lever du jour, Daphnis et Chloé:Part III: Pantomime, Egdon Heath (Homage to Hardy), op. 47, Ein Sommernachtstraum, op. 61 no. 7: Hochzeitsmarsch: Allegro vivace, Ein deutsches Requiem, op. 45: Denn alles Fleisch, es ist wie Gras, Ein deutsches Requiem, op. 45: Denn wir haben hie keine bleibende Stadt, Ein deutsches Requiem, op. 45: Herr, lehre doch mich, Ein deutsches Requiem, op. 45: Ihr habt nun Traurigkeit, Ein deutsches Requiem, op. 45: Selig sind die Toten, Ein deutsches Requiem, op. 45: Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: Wie lieblich sind Deine Wohnungen, Emperor Waltz, op. 437, Fantasia on "Greensleeves", Four Sea Interludes, Four Sea Interludes from Peter Grimes, Op. 33a: I. Dawn (Lento e tranquillo), Four Sea Interludes from Peter Grimes, Op. 33a: II. Sunday Morning (Allegro spiritoso), Four Sea Interludes from Peter Grimes, Op. 33a: III. Moonlight (Andante comodo e rubato), Four Sea Interludes from Peter Grimes, Op. 33a: IV. Storm (Presto con fuoco), Hansel and Gretel: Overture, Hänsel and Gretel: Overture, Images for Orchestra: I. Gigues, Images for Orchestra: II. Iberia - a) Par les rues et par les chemins, Images for Orchestra: II. Iberia - b) Les parfums de la nuit, Images for Orchestra: II. Iberia - c) Le matin d'un jour de fête, Images for Orchestra: III. Rondes de printemps, Jupiter, the Bringer of Jollity, L'Enfant et Les Sortileges: Ah! C'est l'Enfant au couteau, L'Enfant et Les Sortileges: Ah! quelle joie de te retrouver, Jardin!, L'Enfant et Les Sortileges: Deux robinets coulent dans un reservoir, L'Enfant et Les Sortileges: How's your mug, L'Enfant et Les Sortileges: Introduction, L'Enfant et Les Sortileges: Oui, c'est Elle, ta Princess enchantee, L'Enfant et Les Sortileges: Sauve-toi, sotte! Et la cage La cage, L'Enfant et Les Sortileges: Votre serviteur humble, Bergere, L'enfant et les sortilèges: (Ronde des Chauves-Souris) Rends-la moi! Tsk, tsk . . ., L'enfant et les sortilèges: Adieu, pastourelles!, L'enfant et les sortilèges: Ah! C'est Elle! C'est Elle!, L'enfant et les sortilèges: Ah! C'est l'Enfant au couteau!, L'enfant et les sortilèges: Ah! Quelle joie de te retrouver, Jardin!, L'enfant et les sortilèges: Arriere! Je rechauffe les bons, L'enfant et les sortilèges: Bebe a ete sage?, L'enfant et les sortilèges: Ca m'est egal!, L'enfant et les sortilèges: Danse des rainettes, L'enfant et les sortilèges: Deux robinets coulent dans un reservoir!, L'enfant et les sortilèges: Ding, ding, ding, ding, L'enfant et les sortilèges: Duo miaulé, L'enfant et les sortilèges: How's your mug?, L'enfant et les sortilèges: Il a panse la plaie . . ., L'enfant et les sortilèges: Il est bon, l'Enfant, il est sage, L'enfant et les sortilèges: J'ai pas envie de faire ma page, L'enfant et les sortilèges: Keng-ca-fou, Mah-jong, L'enfant et les sortilèges: La cage, c'etait pour mieux voir ta prestesse, L'enfant et les sortilèges: Musique d'insectes, de rainettes, etc., L'enfant et les sortilèges: Oh! Ma belle tasse chinoise!, L'enfant et les sortilèges: Oh! ma tete!, L'enfant et les sortilèges: Où es tu ? Je te cherche..., L'enfant et les sortilèges: Sauve-toi, sotte! Et la cage? La cage?, L'enfant et les sortilèges: Toi, le coeur de la rose, L'enfant et les sortilèges: Votre serviteur humble, Bergere, La Mer: De l'aube à midi sur la mer, La Mer: Dialogue du vent et de la mer, La Mer: Jeux de vagues, La mer, trois esquisses symphoniques pour orchestre, L. 109: I. "De l'aube à midi sur la mer", La mer, trois esquisses symphoniques pour orchestre, L. 109: II. "Jeux de vagues", La mer, trois esquisses symphoniques pour orchestre, L. 109: III. "Dialogue du vent et de la mer", Le Vol du bourdon, Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé, Lieutenant Kijé Suite, op. 60: II. Romance, Lieutenant Kijé Suite, op. 60: III. Wedding of Kijé, Lieutenant Kijé Suite, op. 60: IV. Troika, Lieutenant Kijé Suite, op. 60: V. Burial of Kijé, L’Heure espagnole: Introduction, L’Heure espagnole: Scène I: (Señor Torquemada, horloger de Tolede?), L’Heure espagnole: Scène II: (Totor!), L’Heure espagnole: Scène III: (Il reste, voila bien ma chance!), L’Heure espagnole: Scène IV: (Il était temps , voici Gonzalve!), L’Heure espagnole: Scène IX: (Évidemment, elle me congédie), L’Heure espagnole: Scène V: (C’est fait, L’horloge est a sa place), L’Heure espagnole: Scène VI: (Maintenant pas de temps a perdre!), L’Heure espagnole: Scène VII: (Salut a la belle horlogère!), L’Heure espagnole: Scène VII: (Voila !…Et Maintenant a l’autre!), L’Heure espagnole: Scène X: (Voila ce que j’appelle une femme charmante), L’Heure espagnole: Scène XI: (Monsieur, ah! Monsieur!), L’Heure espagnole: Scène XII: (Enfin, il part!), L’Heure espagnole: Scène XIII: (Voila l’objet!), L’Heure espagnole: Scène XIV: (Ah! vous, n’est‐ce pas, preste! leste!), L’Heure espagnole: Scène XIX: (Adieu, cellule, adieu, donjon!), L’Heure espagnole: Scène XIX: (Mon œil anxieux interroge), L’Heure espagnole: Scène XV: (En dépit de cette inhumaine), L’Heure espagnole: Scène XVI: (Voila ce que j’appelle une femme charmante!), L’Heure espagnole: Scène XVII: (Oh! la pitoyable aventure!), L’Heure espagnole: Scène XVIII: (Voila!…Et maintenant, Senora, je suis prêt), L’Heure espagnole: Scène XX: (Il n’est, pour l’horloger, de joie égale), L’Heure espagnole: Scène XXI: (Pardieu, déménageur, vous venez a propos!), L’Heure espagnole: Scène XXI: (Un financier…‐…Et un poète), Ma Mere L'Oye: Apotheose - Le Jardin feerique: Lent et grave, Ma Mere L'Oye: Danse du rouet et Scene: Allegro, Ma Mere L'Oye: Laideronnette, Imperatrice des pagodes: Mouvement de marche-Allegro-Tres modere, Ma Mere L'Oye: Les Entretiens de la Belle et de la Bete: Mouvement de valse modere, Ma Mere L'Oye: Pavane de la Belle au bois dormant: Lent-Allegro-Mouvement de valse modere, Ma Mere L'Oye: Petit Poucet: Tres modere, Ma Mere L'Oye: Prelude: Tres lent, Marche Slave, op. 31, Mars, the Bringer of War, Mercury, the Winged Messenger, Midsummer Night’s Dream Incidental Music, op. 61: Wedding March, Neptune, the Mystic, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nocturnes: Fêtes, Nocturnes: Nuages, Nocturnes: Sirènes, Passacaglia from Peter Grimes, Op. 33b, Pavane Pour Une Infante Defunte, Pavane pour une infante défunte, for piano (or orchestra), Piano Concerto in F major: I. Allegro, Piano Concerto in F major: II. Adagio - Andante con moto (trumpet: Howard Snell), Piano Concerto in F major: III. Allegro agitato, Porgy and Bess, Porgy and Bess: A Symphonic Picture (London Symphony Orchestra feat. conductor: André Previn), Prélude à l'après-midi d'un faune, Rapsode espagnole: I. Prélude a la nuit: Tres modere, Rapsodie espagnole: II. malaguena: Assez vif, Rapsodie espagnole: III. Habanera: Assez lent et d’un rythme las, Rapsodie espagnole: IV. Feria. Assez anime, Rhapsody in Blue, Romeo & Juliet, Fantasy Overture, Romeo and Juliet, Op. 64: Act I. Scene I. No. 1 Introduction, Romeo and Juliet, Op. 64: Act I. Scene I. No. 2 Romeo, Romeo and Juliet, Op. 64: Act I. Scene I. No. 3 The street awakens, Romeo and Juliet, Op. 64: Act I. Scene I. No. 4 Morning Dance, Romeo and Juliet, Op. 64: Act I. Scene I. No. 5 The quarrel, Romeo and Juliet, Op. 64: Act I. Scene I. No. 6 The fight, Romeo and Juliet, Op. 64: Act I. Scene I. No. 7 The prince gives his order, Romeo and Juliet, Op. 64: Act I. Scene I. No. 8 Interlude, Romeo and Juliet, Op. 64: Act I. Scene II. No. 10 Juliet as a young girl, Romeo and Juliet, Op. 64: Act I. Scene II. No. 11 Arrival of the guests (Minuet), Romeo and Juliet, Op. 64: Act I. Scene II. No. 12 Masks, Romeo and Juliet, Op. 64: Act I. Scene II. No. 13 Dance of the knights, Romeo and Juliet, Op. 64: Act I. Scene II. No. 14 Juliet's variation, Romeo and Juliet, Op. 64: Act I. Scene II. No. 15 Mercutio, Romeo and Juliet, Op. 64: Act I. Scene II. No. 16 Madrigal, Romeo and Juliet, Op. 64: Act I. Scene II. No. 17 Tybalt recognizes Romeo, Romeo and Juliet, Op. 64: Act I. Scene II. No. 18 Departure of the guests (Gavotte), Romeo and Juliet, Op. 64: Act I. Scene II. No. 19 Balcony scene, Romeo and Juliet, Op. 64: Act I. Scene II. No. 20 Romeo's variation, Romeo and Juliet, Op. 64: Act I. Scene II. No. 21 Love dance, Romeo and Juliet, Op. 64: Act I. Scene II. No. 9 Preparing for the ball (Juliet and the nurse), Romeo and Juliet, Op. 64: Act II. Scene I. No. 22 Folk dance, Romeo and Juliet, Op. 64: Act II. Scene I. No. 23 Romeo and Mercutio, Romeo and Juliet, Op. 64: Act II. Scene I. No. 24 Dance of the five couples, Romeo and Juliet, Op. 64: Act II. Scene I. No. 25 Dance with the mandolins, Romeo and Juliet, Op. 64: Act II. Scene I. No. 26 The nurse, Romeo and Juliet, Op. 64: Act II. Scene I. No. 27 The nurse gives Romeo the note from Juliet, Romeo and Juliet, Op. 64: Act II. Scene II. No. 28 Romeo with Friar Lawrence, Romeo and Juliet, Op. 64: Act II. Scene II. No. 29 Juliet with Friar Lawrence, Romeo and Juliet, Op. 64: Act II. Scene III. No. 31 Folk dance, Romeo and Juliet, Op. 64: Act II. Scene III. No. 32 Tybalt meets Mercutio, Romeo and Juliet, Op. 64: Act II. Scene III. No. 33 Tybalt and Mercutio fight, Romeo and Juliet, Op. 64: Act II. Scene III. No. 34 Mercutio dies, Romeo and Juliet, Op. 64: Act II. Scene III. No. 35 Romeo decides to avenge Mercutio's death, Romeo and Juliet, Op. 64: Act II. Scene III. No. 36 Finale, Romeo and Juliet, Op. 64: Act III. Epilogue. No. 51 Juliet's funeral, Romeo and Juliet, Op. 64: Act III. Epilogue. No. 52 Death of Juliet, Romeo and Juliet, Op. 64: Act III. Scene I. No 38 Romeo and Juliet (Juliet's Bedroom), Romeo and Juliet, Op. 64: Act III. Scene I. No. 37 Introduction, Romeo and Juliet, Op. 64: Act III. Scene I. No. 39 The last farewell, Romeo and Juliet, Op. 64: Act III. Scene I. No. 40 The nurse, Romeo and Juliet, Op. 64: Act III. Scene I. No. 41 Juliet refuses to marry Paris, Romeo and Juliet, Op. 64: Act III. Scene I. No. 42 Juliet alone, Romeo and Juliet, Op. 64: Act III. Scene I. No. 43 Interlude, Romeo and Juliet, Op. 64: Act III. Scene II. No. 44 At Friar Laurence's, Romeo and Juliet, Op. 64: Act III. Scene II. No. 45 Interlude, Romeo and Juliet, Op. 64: Act III. Scene III. No. 46 Juliet's bedroom, Romeo and Juliet, Op. 64: Act III. Scene III. No. 47 Juliet alone, Romeo and Juliet, Op. 64: Act III. Scene III. No. 48 Morning serenade, Romeo and Juliet, Op. 64: Act III. Scene III. No. 49 Dance of the girls with the lilies, Romeo and Juliet, Op. 64: Act III. Scene III. No. 50 At Juliet's bedside, Romeo and Juliet, Op. 64: Act: II. Scene III. No. 30 The people continue to make merry, Rumanian Rhapsody no. 1, Russlan and Ludmilla: Overture, Saturn, the Bringer of Old Age, Saul and David: Prelude to Act II, Scheherazade, Op. 35: Festival in Bagdad; The Sea; The Ship Goes to Pieces on a Rock; Surmounted by a Bronze Warrior (Shipwreck); Conclusion, Scheherazade, Op. 35: The Sea and Sinbad's Ship, Scheherazade, Op. 35: The Story of the Kalender Prince, Scheherazade, Op. 35: The Young Prince and the Young Princess, Sinfonia da Requiem, Op. 20: I. Lachrymosa (Andante ben misurato), Sinfonia da Requiem, Op. 20: II. Dies Irae (Allegro con fuoco), Sinfonia da Requiem, Op. 20: III. Requiem aeternam (Andante molto tranquillo), Slavonic Dance no. 1 in B minor, op. 72, Slavonic Dance no. 9, op. 72 no. 1, Sleeping Beauty, Op.66 (Highlights) Act I №8a: Pas d’action, Sleeping Beauty, Op.66 (Highlights) Act III №28: Coda, Sleeping Beauty, Op.66 (Highlights) Act III №28: Pas de deux, Sleeping Beauty, op. 66: Act I "The Spell": No. 5. Scene (Allegro vivo - Moderato), Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse), Sleeping Beauty, op. 66: Act I "The Spell": No. 7. Scene (Andante), Sleeping Beauty, op. 66: Act I "The Spell": No. 9. Finale, Sleeping Beauty, op. 66: Act II "The Vision": No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo), Sleeping Beauty, op. 66: Act II "The Vision": No. 11. Blind Man's Buff (Allegro vivo), Sleeping Beauty, op. 66: Act II "The Vision": No. 14. Scene: Prince Florimund and the Lilac Fairy, Sleeping Beauty, op. 66: Act II "The Vision": No. 16. Scene (Allegro agitato), Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino), Sleeping Beauty, op. 66: Act II "The Vision": No. 18. Entr'acte, Sleeping Beauty, op. 66: Act II "The Vision": No. 19. Symphonic Entr'acte (The Sleep) and Scene (Andante misterioso), Sleeping Beauty, op. 66: Act II "The Vision": No. 20. Finale: The Awakening (Allegro agitato), Sleeping Beauty, op. 66: Act III "The Wedding": No. 21. March (Allegro non troppo), Sleeping Beauty, op. 66: Act III "The Wedding": No. 22. Polonaise: Procession of Fairy-Tale Characters (Allegro moderato e brillante), Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro Moderato), Sleeping Beauty, op. 66: Introduction (Allegro vivo - Andantino), Sleeping Beauty, op. 66: Prologue "The Christening": No. 1. March (Moderato), Sleeping Beauty, op. 66: Prologue "The Christening": No. 2. Dance Scene (Moderato con moto), Sleeping Beauty, op. 66: Prologue "The Christening": No. 4. Finale, Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Aurora's Variation, Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Coda (Allegro giusto), Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Dance of the Maids of Honour and the Pages, Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Code (L'istesso tempo), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Introduction (Allegro non tanto), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro: Tempo di valse), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation III. The Sapphire Fairy (Vivacissimo), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Coda (Presto), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Introduction (Adagio), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino), Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Cinderella and Prince Charming (Allegro agitato - Tempo di valse - Vivace assai), Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato), Sleeping Beauty: Act Three "The Wedding": No. 27. Pas Berrichon, Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Adagio (Andante non troppo), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Coda (Allegro vivace), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Entrée (Allegretto - Allegro moderato), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation I. Florimund (Vivace - Prestissimo), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation II. Aurora (Andantino), Sleeping Beauty: Act Three "The Wedding": No. 29. Sarabande, Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso), Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) -, Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dance of the Baronesses (Gavotte), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Scene, Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo), Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Scene (Poco più vivo), Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora and Florimund (Andante cantabile), Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora's Variation (Allegro con moto), Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Coda (Presto), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Adagio, Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Coda (Allegro giusto), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction, Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation I. The Fair of the Crystal Fountain (Allegro moderato), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation II. the Fairy of the Enchanted Garden (Allegro), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse), Swan Lake Op. 20: Act 1: Introduction - No. 1 Scene, Swan Lake Op. 20: Act 1: No. 4 Pas de trois: Intrada - Adagio - Allegro semplice - Presto - Moderato - Allegro - Coda, Swan Lake Op. 20: Act 1: No. 5 Pas de deux: Tempo di valse - Andante - Allegro - Molto piu mosso - Tempo di valse - Coda, Swan Lake Op. 20: Act 2: No. 11 Scene, Swan Lake Op. 20: Act 2: No. 13 Danse des cygnes: Tempo di valse - Moderato assai - Molto piu mosso - Tempo di valse - Andante - Andante non troppo - Allegro - Tempo di Valse - Coda, Swan Lake, Op.20 (Highlights) Act II №13: Dance of the Swans ⓔ Andante non troppo, Allegro, Swan Lake, op. 20: Act I. No. 9. Finale, Swan Lake, op. 20: Act II, no. 10. Scene (Moderato), Swan Lake, op. 20: Act II, no. 12. Scene (Allegro), Swan Lake, op. 20: Act II, no. 14. Scene (Moderato), Swan Lake, op. 20: Act III, no. 18. Scene (Allegro - Allegro giusto), Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace), Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero), Swan Lake, op. 20: Act III, no. 22. Neopolitan Dance (Allegro moderato - Andantino quasi moderato), Swan Lake, op. 20: Act III, no. 23. Mazurka, Swan Lake, op. 20: Act III, no. 24. Scene (Allegro - Valse - Allegro vivo), Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number], Swan Lake, op. 20: Act IV, no. 28. Scene (Allegro agitato - Allegro vivace), Swan Lake, op. 20: Act IV, no. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso), Swan Lake: Act Four. No. 25. Entr'acte (Moderato), Swan Lake: Act Four. No. 26. Scene (Allegro non troppo), Swan Lake: Act Four. No. 27. Dance of the Little Swans (Moderato), Swan Lake: Act II, no. 13. Scène, Swan Lake: Act III. Appendix I: Pas de deux (a: Introduction, b: Variation I, c: Variation II, d: Coda), Swan Lake: Act III. No. 15 Scène, Swan Lake: Act III. No. 16 Danse du Corps de Ballet et des Nains, Swan Lake: Act III. No. 17 Sortie des invités / Valse, Swan Lake: Act III. No. 19 Pas de six (a: Intrada -- Variation I, b: Variation II, c: Variation III, d: Variation IV, e: Variation V, f: Coda), Swan Lake: Act IV. No. 25 Entr'acte, Swan Lake: Act IV. No. 26 Scène, Swan Lake: Act IV. No. 27 Danse des petits cygnes, Swan Lake: Act One. Introduction, Swan Lake: Act One. No. 1. Scene (Allegro giusto), Swan Lake: Act One. No. 2. Waltz (Tempo di valse), Swan Lake: Act One. No. 3. Scene (Allegro moderato), Swan Lake: Act One. No. 4. Pas de trois: I. Intrada (Allegro), Swan Lake: Act One. No. 4. Pas de trois: II. Andante sostenuto, Swan Lake: Act One. No. 4. Pas de trois: III. Allegro semplice - Presto, Swan Lake: Act One. No. 4. Pas de trois: IV. Moderato, Swan Lake: Act One. No. 4. Pas de trois: V. Allegro, Swan Lake: Act One. No. 4. Pas de trois: VI. Coda (Allegro vivace), Swan Lake: Act One. No. 5. Pas de deux: I. Tempo di valse, Swan Lake: Act One. No. 5. Pas de deux: II. Andante - Allegro - Molto più mosso, Swan Lake: Act One. No. 5. Pas de deux: III. Tempo di valse, Swan Lake: Act One. No. 5. Pas de deux: IV. Coda (Allegro molto vivace), Swan Lake: Act One. No. 6. Pas d'action (Andantino quasi moderato - Allegro), Swan Lake: Act One. No. 7. Subject, Swan Lake: Act One. No. 8. Dance with Goblets (Tempo di polacca), Swan Lake: Act Three. No. 15. Scene (Allegro giusto), Swan Lake: Act Three. No. 16. Danse of the Guests and the Dwarfs (Moderato assai - Allegro vivo), Swan Lake: Act Three. No. 17. Scene. Entrance and Waltz of the Special Guests (Allegro - Tempo di valse), Swan Lake: Act Three. No. 19. Pas de six: Coda (Allegro molto), Swan Lake: Act Three. No. 19. Pas de six: Intrada, Swan Lake: Act Three. No. 19. Pas de six: Variation I (Allegro), Swan Lake: Act Three. No. 19. Pas de six: Variation II (Andante con moto), Swan Lake: Act Three. No. 19. Pas de six: Variation III (Moderato), Swan Lake: Act Three. No. 19. Pas de six: Variation IV (Allegro), Swan Lake: Act Three. No. 19. Pas de six: Variation V (Moderato - Allegro semplice), Swan Lake: Act Three. Pas de deux [additional number]: Coda (Allegro molto vivace), Swan Lake: Act Three. Pas de deux [additional number]: Introduction (Moderato - Andante), Swan Lake: Act Three. Pas de deux [additional number]: Variation I (Allegro moderato), Swan Lake: Act Three. Pas de deux [additional number]: Variation II (Allegro), Swan Lake: Act Two. No. 11. Scene (Allegro moderato - Allegro vivo), Swan Lake: Act Two. No. 13. Dances of the Swans: I. Tempo di valse, Swan Lake: Act Two. No. 13. Dances of the Swans: II. Moderato assai - Molto più mosso, Swan Lake: Act Two. No. 13. Dances of the Swans: III. Tempo di valse, Swan Lake: Act Two. No. 13. Dances of the Swans: IV. Dance of the Little Swans (Allegro moderato), Swan Lake: Act Two. No. 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro, Swan Lake: Act Two. No. 13. Dances of the Swans: VI. Tempo di valse, Swan Lake: Act Two. No. 13. Dances of the Swans: VII. Coda (Allegro vivace), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di Valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships, Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone, Symphony No. 1 "A Sea Symphony": III. Scherzo: The Waves, Symphony No. 1 "A Sea Symphony": IV. The Explorers, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 5 in D major: I. Preludio, Symphony No. 5 in D major: II. Scherzo, Symphony No. 5 in D major: III. Romanza, Symphony No. 5 in D major: IV. Passacaglia, Symphony No. 6 in E minor: I. Allegro, Symphony No. 6 in E minor: II. Moderato, Symphony No. 6 in E minor: III. Scherzo, Symphony No. 6 in E minor: IV. Epilogue, Symphony No. 7, "Sinfonia antartica": Epilogue: Alla marcia moderato (ma non troppo), Symphony No. 7, "Sinfonia antartica": Intermezzo: Andante Sostenuto, Symphony No. 7, "Sinfonia antartica": Landscape: Lento, Symphony No. 7, "Sinfonia antartica": Prelude: Andante maestoso, Symphony No. 7, "Sinfonia antartica": Scherzo: Moderato; Poco animato, Symphony No. 7, "Sinfonia antartica": Spoken introduction, Symphony No. 8 in D minor: Cavatina (per stromenti ad arco), Symphony No. 8 in D minor: Fantasia (Variazioni senza tema), Symphony No. 8 in D minor: Scherzo alla marcia (per stromenti a fiato), Symphony No. 8 in D minor: Toccata, Symphony No. 9 in E minor: I. Moderato maestoso, Symphony No. 9 in E minor: II. Andante sostenuto, Symphony No. 9 in E minor: III. Scherzo (Allegro pesante), Symphony No. 9 in E minor: IV. Finale (Andante tranquillo), Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro, Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto, Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotte (Non troppo allegro), Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale: Allegro con fuoco, Symphony no. 2 "A London Symphony": I. Lento - Allegro risoluto, Symphony no. 2 "A London Symphony": II. Lento, Symphony no. 2 "A London Symphony": III. Scherzo (Nocturne), Symphony no. 2 "A London Symphony": IV. Andante con moto - Maestoso alla marcia - Allegro - Lento - Epilogue, Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Finale. Allegro vivace, Symphony no. 2: I. Largo, Symphony no. 2: II. Allegro molto, Symphony no. 2: III. Adagio, Symphony no. 2: IV. Allegro vivace, Symphony no. 3, "A Pastoral Symphony": I. Molto moderato, Symphony no. 3, "A Pastoral Symphony": II. Lento moderato, Symphony no. 3, "A Pastoral Symphony": III. Moderato pesante, Symphony no. 3, "A Pastoral Symphony": IV. Lento, Symphony no. 4 in F Minor: I. Allegro, Symphony no. 4 in F Minor: II. Andante moderato, Symphony no. 4 in F Minor: III. Scherzo (allegro molto), Symphony no. 4 in F Minor: IV. Finale con epilogo fugata (allegro molto), Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5: I. Moderato, Symphony no. 5: II. Allegretto, Symphony no. 5: III. Largo, Symphony no. 5: IV. Allegro non troppo, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 7 in C♯ minor, op. 131: I. Moderato, Symphony no. 7 in C♯ minor, op. 131: II. Allegretto, Symphony no. 7 in C♯ minor, op. 131: III. Andante expressivo, Symphony no. 7 in C♯ minor, op. 131: IV. Vivace, Symphony no. 8 in C minor, op. 65 “Stalingrad”: I. Adagio - Allegro - Adagio, Symphony no. 8 in C minor, op. 65 “Stalingrad”: II. Allegretto, Symphony no. 8 in C minor, op. 65 “Stalingrad”: III. Allegro non troppo, Symphony no. 8 in C minor, op. 65 “Stalingrad”: IV. Largo, Symphony no. 8 in C minor, op. 65 “Stalingrad”: V. Allegretto - Allegro - Adagio - Allegretto, Symphony no. 8 in C minor, op. 65: I. Adagio - Allegro non troppo, Symphony no. 8 in C minor, op. 65: II. Allegretto, Symphony no. 8 in C minor, op. 65: III. Allegro non troppo, Symphony no. 8 in C minor, op. 65: IV. Largo, Symphony no. 8 in C minor, op. 65: V. Allegretto, The Banks of Green Willow, The Isle of the Dead, op. 29, The Nutcracker - op. 71 - "Waltz of the Flowers", The Nutcracker, Act II: No. 14 Pas de deux: Coda, The Nutcracker, Act II: No. 14 Pas de deux: Variation II: Dance of the Sugar Plum Fairy, The Nutcracker, op. 71: Act 2 - Pas de deux - Variation II (Dance of the Sugar-Plum Fairy), The Nutcracker, op. 71: Act I, Scene I. Arrival of Dosselmeyer, The Nutcracker, op. 71: Act I, Scene I. Children's Galop and Entry of the Parents, The Nutcracker, op. 71: Act I, Scene I. Clara and the Nutcracker, The Nutcracker, op. 71: Act I, Scene I. Grandfather Dance, The Nutcracker, op. 71: Act I, Scene I. The Decoration of the Christmas Tree, The Nutcracker, op. 71: Act I, Scene I: March, The Nutcracker, op. 71: Act I, Scene II. Battle, The Nutcracker, op. 71: Act I, Scene II. In the Pine Forest, The Nutcracker, op. 71: Act I, Scene II. Waltz of the Snowflakes, The Nutcracker, op. 71: Act II, Scene III. Divertissement: Dance of the reed pipes, The Nutcracker, op. 71: Overture, The Nutcracker: Act II. Scene II: The Kingdom of Sweets, The Nutcracker: Act II: Scene III: Clara and the Prince, The Nutcracker: Act II: Scene III: Divertissement A: Chocolate (Spanish dance), The Nutcracker: Act II: Scene III: Divertissement B: Coffee (Arab dance), The Nutcracker: Act II: Scene III: Divertissement C: Tea (Chinese dance), The Nutcracker: Act II: Scene III: Divertissement D: Trepak (Russian dance), The Nutcracker: Act II: Scene III: Divertissement F: Mother Gigogne, The Nutcracker: Act II: Scene III: Final Waltz and Apotheosis, The Nutcracker: Act II: Scene III: Pas de Deux, The Nutcracker: Act II: Scene III: Pas de Deux: Variation I: Tarantella, The Nutcracker: Act II: Scene III: Pas de Deux: Variation II: Dance of the Sugar-Plum Fairy, The Nutcracker: Act II: Scene III: Waltz of the Flowers, The Perfect Fool, op. 39: Andante, The Perfect Fool, op. 39: Dance of Spirits of Earth, The Perfect Fool, op. 39: Dance of Spirits of Fire, The Perfect Fool, op. 39: Dance of Spirits of Water, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets, Op. 32: VII. Neptune, the Mystic, The Planets, op. 32: I. Mars, the Bringer of War, The Planets, op. 32: II. Venus, the Bringer of Peace, The Planets, op. 32: III. Mercury, the Winged Messenger, The Planets, op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32: V. Saturn, the Bringer of Old Age, The Planets, op. 32: VI. Uranus, the Magician, The Rock, The Sleeping Beauty, op. 66: Act I, no. 6. Valse, The Sleeping Beauty, op. 66: Act I, no. 8. Pas d'action: a. Introduction, The Sleeping Beauty, op. 66: Act I: The Spell: no. 8: Pas d'action, The Sleeping Beauty, op. 66: Act II: The Vision: no. 12: Scéne, The Sleeping Beauty, op. 66: Act II: The Vision: no. 13: Farandole, The Sleeping Beauty, op. 66: Act II: The Vision: no. 15: Pas d'action, The Sleeping Beauty, op. 66: Act III, no. 24. Pas de caractère: Le Chat botté et la chatte blanche, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 23: Pas de quatre, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 25: Pas de quatre, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 26: Pas de caractére, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 28: Pas de deux, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 30: Finale et Apothéose, The Sleeping Beauty, op. 66: Prologue: The Christening: no. 3: I. Introduction / II. Adagio / III. - VIII. Variations 1-6 / IX. Coda, The Sorcerer's Apprentice, The Wasps: Overture, The Young Person's Guide to the Orchestra, op. 34: Fuge (Thema in den Blechbläsern), The Young Person's Guide to the Orchestra, op. 34: Fuge (großes Orchester), The Young Person's Guide to the Orchestra, op. 34: Thema A (Großes Orchester), The Young Person's Guide to the Orchestra, op. 34: Thema B (Holzbläser), The Young Person's Guide to the Orchestra, op. 34: Thema C (Blechbläser), The Young Person's Guide to the Orchestra, op. 34: Thema D (Streicher), The Young Person's Guide to the Orchestra, op. 34: Thema E (Schlagzeug), The Young Person's Guide to the Orchestra, op. 34: Thema F (Großes Orchester), The Young Person's Guide to the Orchestra, op. 34: Variation A (Flöte/Piccoloflöte), The Young Person's Guide to the Orchestra, op. 34: Variation B (Oboe), The Young Person's Guide to the Orchestra, op. 34: Variation C (Klarinette), The Young Person's Guide to the Orchestra, op. 34: Variation D (Fagotte), The Young Person's Guide to the Orchestra, op. 34: Variation E (Violine), The Young Person's Guide to the Orchestra, op. 34: Variation F (Viola), The Young Person's Guide to the Orchestra, op. 34: Variation G (Violoncello), The Young Person's Guide to the Orchestra, op. 34: Variation H (Kontrabass), The Young Person's Guide to the Orchestra, op. 34: Variation I (Harfe), The Young Person's Guide to the Orchestra, op. 34: Variation J (Horn), The Young Person's Guide to the Orchestra, op. 34: Variation K (Trompete), The Young Person's Guide to the Orchestra, op. 34: Variation L (Posaune/Tuba), The Young Person's Guide to the Orchestra, op. 34: Variation M (Schlagzeug), Three Dances from "The Three-cornered Hat", Three Portraits from "The England of Elizabeth": I. Explorer, Three Portraits from "The England of Elizabeth": II. Poet, Three Portraits from "The England of Elizabeth": III. Queen, Tsar Saltan, Op. 57: Flight of the Bumble Bee, Tsar Saltan, Op. 57: March, Uranus, the Magician, Venus, the Bringer of Peace, Vocalise, op. 34 no. 14 |
| Ralf Kiwit |
performing orchestra, phonographic copyright |
"Enigma" Variations, op. 36: (B.G.N.) Andante, "Enigma" Variations, op. 36: (C.A.E.) L'istesso tempo, "Enigma" Variations, op. 36: (G.R.S.) Allegro di molto, "Enigma" Variations, op. 36: (H.D.S.-P.) Allegro, "Enigma" Variations, op. 36: (Nimrod) Adagio, "Enigma" Variations, op. 36: (R.B.T.) Allegretto, "Enigma" Variations, op. 36: (R.P.A.) Moderato, "Enigma" Variations, op. 36: (Troyte) Presto, "Enigma" Variations, op. 36: (W.M.B.) Allegro di molto, "Enigma" Variations, op. 36: (W.N.) Allegretto, "Enigma" Variations, op. 36: (Ysobel) Andantino, "Enigma" Variations, op. 36: Andante, "Enigma" Variations, op. 36: Finale (E.D.U.) Allegro - Presto, "Enigma" Variations, op. 36: Intermezzo (Dorabella) Allegretto, "Enigma" Variations, op. 36: Romanza (***) Moderato, A Midsummer Night’s Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena), A Midsummer Night’s Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania), A Midsummer Night’s Dream, op. 64: Act I. "Fair love, you faint with wand’ring in the wood" (Lysander, Hermia), A Midsummer Night’s Dream, op. 64: Act I. "Is all our company here?" (Rustics), A Midsummer Night’s Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia), A Midsummer Night’s Dream, op. 64: Act I. "Through the forest I have gone" (Puck), A Midsummer Night’s Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon), A Midsummer Night’s Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon), A Midsummer Night’s Dream, op. 64: Act I. "You spotted snakes with double tongue" (Fairies), A Midsummer Night’s Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck), A Midsummer Night’s Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania), A Midsummer Night’s Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia), A Midsummer Night’s Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania), A Midsummer Night’s Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia), A Midsummer Night’s Dream, op. 64: Act II. "I have a reas’nable good ear in music" (Bottom, Tytania), A Midsummer Night’s Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies), A Midsummer Night’s Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies), A Midsummer Night’s Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius), A Midsummer Night’s Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck), A Midsummer Night’s Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act II. Introduction: the Wood, A Midsummer Night’s Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby), A Midsummer Night’s Dream, op. 64: Act III. "Come, your Bergomask" (Theseus), A Midsummer Night’s Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue), A Midsummer Night’s Dream, op. 64: Act III. "Have you sent to Bottom’s house?" (Rustics), A Midsummer Night’s Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics), A Midsummer Night’s Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall), A Midsummer Night’s Dream, op. 64: Act III. "My gentle Robin, see’st thou this sweet sight?" (Oberon, Puck, Tytania), A Midsummer Night’s Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania), A Midsummer Night’s Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus), A Midsummer Night’s Dream, op. 64: Act III. "O grim-look’d night, o night with hue so black" (Bottom/Pyramus), A Midsummer Night’s Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus), A Midsummer Night’s Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion), A Midsummer Night’s Dream, op. 64: Act III. "When my cue comes, call me" (Bottom), A Midsummer Night’s Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion), Béatrice et Bénédict, Cockaigne (In London Town), op. 40: Concert overture, Concerto for Orchestra: I. Allegro - Più mosso, Concerto for Orchestra: II. Largo, Concerto for Orchestra: III. Allegro molto - Sub. pochissimo meno mosso, Der Freischutz: Act 1. No. 1. Introduction: "Victoria, Der Meister Soll Leben", Der Freischutz: Act 1. No. 2. Terzett Mit Chor: "O! Diese Sonne!", Der Freischutz: Act 1. No. 3. Scene, Walzer Und Arie: "Nein! Langer Trag' Ich Nicht Die Qualen", Der Freischutz: Act 1. No. 4. Lied: "Hier Im Ird'Schen Jammerthal", Der Freischutz: Act 1. No. 5. Arie: "Schweig'! Schweig'! Damit Dich Niemand Warnt", Der Freischutz: Act 2. No. 10. Finale - Die Wolfsschlucht: "Milch Des Mondes Fiel Aufs Kraut", Der Freischutz: Act 2. No. 6. Duett: "Schelm! Halt Fest!", Der Freischutz: Act 2. No. 7. Ariette: "Kommt Ein Schlanker Bursch Gegangen", Der Freischutz: Act 2. No. 8. Scene Und Arie: "Wie Nahte Mir Der Schlummer", Der Freischutz: Act 2. No. 9. Terzett: "Wie? Was? Entsetzen!", Der Freischutz: Act 3. No. 11. Entre-Acte, Der Freischutz: Act 3. No. 12. Cavatine: "Und Ob Die Wolke Sie Verhulle", Der Freischutz: Act 3. No. 13. Romanze Und Arie: "Einst Traumte Meiner Sel'Gen Base", Der Freischutz: Act 3. No. 14. Volkslied: "Wir Winden Dir Den Jungfernkranz", Der Freischutz: Act 3. No. 15. Jagerchor: "Was Gleicht Wohl Auf Erden Dem Jagervergnugen", Der Freischutz: Act 3. No. 16. Finale: "Schaut, o Schaut, Er Traf Die Eig'Ne Braut!", Der Freischutz: Overture, Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre, Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No 4 Arie - "Schon eilet froh der Ackersmann", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 1a - "Einleitung", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 1b Rezitativ - "Seht, wie der strenge Winter flieht!", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 2 Chor des Landvolks - "Komm, holder Lenz!", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 3 Rezitativ - "Vom Widder strahlet jetzt", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 5 Rezitativ - "Der Landmann hat sein Werk vollbracht", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 6 Terzett und Chor: Bittgesang - "Sei nun gnaedig, milder Himmel", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 7 Rezitativ - "Erhoert ist unser Fleh'n", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 8a Freudenlied, mit abwechselndem Chor der Jugend - "O wie lieblich", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 8b Allegro - "Ehre, Lob und Preis sei dir", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19, Einleitung und Rezitativ - "Was durch seine Bluete", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20, Terzett mit Chor - "So lohnet die Natur den Fleiss", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21, Rezitativ - "Seht, wie zum Haselbusche dort", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22, Duett - "Ihr Schoenen aus der Stadt", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23, Rezitativ - "Nun zeiget das entbloesste Feld", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24, Arie - "Seht auf die breiten Wiesen hin!", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25, Rezitativ: "Hier treibt ein dichter Kreis", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26, Chor - "Hoert!", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27, Rezitativ: "Am Rebenstocke blinket jetzt", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28a, Chor - "Juchhe, Juchhe!", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28b, Allegro assai - "Nun toenen die Pfeifen", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 11 Terzett und Chor: "Sie steigt herauf", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 14 Rezitativ: "Willkommen jetzt", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 15 Arie - "Welche Labung fuer die Sinne", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 16 Rezitativ - "O seht!", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 18b Allegro - "Von oben winkt der helle Stern", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Arie und Rezitativ - "Der munt're Hirt", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12a Rezitativ: "Nun regt und bewegt sich alles umher", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12b Rezitativ - "Die Mittagssonne", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatine - "Dem Druck erlieget die Natur", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chor -"Ach! Das Ungewitter naht!", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18a Terzett und Chor - "Die duest'ren Wolken trennen sich", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Einleitung und Rezitativ - "In grauem Schleier", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29a, Einleitung, Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29b, Rezitativ - "Nun senket sich das blasse Jahr", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 30, Cavatine - "Licht und Leben", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 31, Rezitativ - "Gefesselt steht der breite See", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 32, Arie: "Hier steht der Wand'rer nun", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 33, Rezitativ - "So wie er naht", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 34, Lied mit Chor - "Knurre, schnurre", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 35, Rezitativ - "Abgesponnen ist der Flachs", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 36, Lied mit Cho - "Ein Maedchen", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 37, Rezitativ - "Vom duerrem Oste", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 38, Arie und Rezitativ - "Erblicke hier", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39, Terzett und Doppelchor - "Dann bricht der grosse Morgen an", Die Schöpfung: Part I. No. 1. Einleitung: Die Vorstellung des Chaos, Die Schöpfung: Part I. No. 10. Und die himmlischen Heerscharen (tenor), Die Schöpfung: Part I. No. 11. Stimmt an die Saiten (chorus), Die Schöpfung: Part I. No. 13. In vollem Glanze steiget jetzt (tenor), Die Schöpfung: Part I. No. 14. Die Himmel erzählen die Ehre Gottes (chorus, soprano, tenor, baritone), Die Schöpfung: Part I. No. 2. Im Anfange schuf Gott Himmel und Erde (baritone, chorus, tenor), Die Schöpfung: Part I. No. 3. Nun schwanden vor dem heiligen Strahle (tenor, chorus), Die Schöpfung: Part I. No. 4. Und Gott machte das Firmanent (baritone), Die Schöpfung: Part I. No. 5. Mit Staunen sieht das Wunderwerk (soprano, chorus), Die Schöpfung: Part I. No. 6. Und Gott sprach: Es sammle sich das Wasser (baritone), Die Schöpfung: Part I. No. 7. Rollend in schäumenden Wellen (baritone), Die Schöpfung: Part I. No. 8. Und Gott sprach: Es bringe die Erde Gras hervor (soprano), Die Schöpfung: Part I. No. 9. Nun beut die Flur das frische Grün (soprano), Die Schöpfung: Part I. No.12. Und Gott sprarh: Es sei'n Lichter and der Feste (tenor), Die Schöpfung: Part II. No. 15. Und Gott sparch: Es bringe das wesser (soprano), Die Schöpfung: Part II. No. 16. Auf starkem Fittiche schwinget sich (soprano), Die Schöpfung: Part II. No. 17. Und Gott schuf große Walfische (baritone), Die Schöpfung: Part II. No. 18. Und die Engel rührten ihr' unsterblichen Harfen (baritone), Die Schöpfung: Part II. No. 19. In holder Anmut stehn, mit jungem Grün (soprano, tenor, baritone), Die Schöpfung: Part II. No. 20. Der Herr ist groß in seiner Macht (soprano, tenor, baritone, chorus), Die Schöpfung: Part II. No. 21. Und Gott sparch: Es bringe die Erde hervor (baritone), Die Schöpfung: Part II. No. 22. Gleich öffnet sich der Erde Schoß (baritone), Die Schöpfung: Part II. No. 23. Nun scheint in vollem Glanze der Himmel (baritone), Die Schöpfung: Part II. No. 24. Und Gott schuf den Menschen (tenor), Die Schöpfung: Part II. No. 25. Mit würd' und Hoheit angetan (tenor), Die Schöpfung: Part II. No. 26. Und Gott sah jedes Ding (baritone), Die Schöpfung: Part II. No. 27. Vollendet ist das große Werk (chorus), Die Schöpfung: Part II. No. 28. Zu dir, o Herr, blickt alles auf (soprano, tenor, baritone), Die Schöpfung: Part II. No. 29. Vollendet ist das große Werk (chorus), Die Schöpfung: Part III. No. 30. Aus Rosenwolken bricht (tenor), Die Schöpfung: Part III. No. 31. Von deiner Güt', o Herr und Gott (soprano, baritone, chorus), Die Schöpfung: Part III. No. 32. Nun ist die erste Pflicht erfüllt (soprano, baritone), Die Schöpfung: Part III. No. 33. Holde Gattin, dir zur Seite (soprano, baritone), Die Schöpfung: Part III. No. 34. O glücklich Paar, und glücklich immerfort (tenor), Die Schöpfung: Part III. No. 35. Singt dem Herrn alle Stimmen (chorus, soprano, alto, tenor, baritone), En Saga, op. 9, Enigma Variations, op. 36: (***), Enigma Variations, op. 36: BGN, Enigma Variations, op. 36: CAE, Enigma Variations, op. 36: Dorabella, Enigma Variations, op. 36: EDU, Enigma Variations, op. 36: GRS, Enigma Variations, op. 36: HDS-P, Enigma Variations, op. 36: Nimrod, Enigma Variations, op. 36: RBT, Enigma Variations, op. 36: RPA, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Troyte, Enigma Variations, op. 36: WMB, Enigma Variations, op. 36: WN, Enigma Variations, op. 36: Ysobel, Finlandia, op. 26, Grande symphonie funèbre et triomphale, op. 15: 1. Marche funèbre (Moderato un poco lento), Grande symphonie funèbre et triomphale, op. 15: 2. Oraison funèbre (Adagio non tanto - Andantino un poco lento e sostenuto), Grande symphonie funèbre et triomphale, op. 15: 3. Apothèose (Allegro non troppo e pomposo), Introduction and Allegro for Strings, op. 47, Jupiter, the Bringer of Jollity, Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla marcia, Kullervo, op. 7: I. Introduction. Allegro moderato, Kullervo, op. 7: II. Kullervo's Youth: Grave, Kullervo, op. 7: IV. Kullervo Goes to War: Alla marcia, Kullervo: I. Introduction: Allegro moderato, Kullervo: II. Kullervo's Youth: Grave, Kullervo: IV. Kullervo Goes to Battle: Alla marcia, La Damnation de Faust, op. 24: Marche hongroise, La Damnation de Faust, op. 24: Menuet des follets, Le Corsaire, op. 21: Ouverture, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le roi Lear, op. 4, Lemminkäinen Suite, op. 22: I. Lemminkäinen and the Maidens of the Islands, Lemminkäinen Suite, op. 22: II. Lemminkäinen in Tuonela, Lemminkäinen Suite, op. 22: III. The Swan of Tuonela, Lemminkäinen Suite, op. 22: IV. Lemminkäinen's Return, Les Francs-juges, op. 3, Les Troyens à Carthage: Prelude from Part II, Act 3, Les Troyens à Carthage: Prélude à l'Acte II, Les Troyens, H. 133a: Act I. No. 5 Gauntelet Combat / Wrestlers' Dance, Les Troyens, H. 133a: Act I. No. 7 Recitative "Du peuple et des soldats" (Aeneas), Les Troyens, H. 133a: Act II, Scene 1. No. 12 Scene and Recitative. Introduction, Les Troyens, H. 133a: Act III. No. 20 Entry of the Builders, Les Troyens, H. 133a: Act III. No. 21 Entry of the Sailors, Les Troyens, H. 133a: Act III. No. 22 Entry of the Farm-Workers, Les Troyens, H. 133a: Act IV, Scene 1. No. 29 Royal Hunt and Storm (Pantomime), Les Troyens, H. 133a: Act IV, Scene 2. No. 32 March for the Entry of the Queen, Les Troyens, H. 133a: Act IV, Scene 2. No. 33a Ballet: Dance of the Egyptian Dancing Girls, Les Troyens, H. 133a: Act IV, Scene 2. No. 33b Ballet: Dance of the Slaves, Les Troyens, H. 133a: Act IV, Scene 2. No. 33c Ballet: Dance of the Nubian Slave Girls, Les Troyens, H. 133a: Act IV, Scene 2. No. 34 Scene and Iopas' Song "Ô blonde Cérès" (Iopas), Les Troyens: Act IV. Ballet. Danse des esclaves, Les Troyens: Act IV. Ballet. Pas d'esclaves nubiennes, Les Troyens: Act IV. Ballet. Pas des almées, Les Troyens: Act IV. Marche pour l'entree de la reine, Lélio ou Le retour à la vie, op. 14b: 2. Cœur d'ombres, Lélio ou Le retour à la vie, op. 14b: 6. Fantaisie sur la Tempête de Shakespeare, Mars, the Bringer of War, Mercury, the Winged Messenger, Messiah: Part I, No. 13 Pifa "Pastoral Symphony", Messiah: Part I, Symphony, Má Vlast: I. Vyšehrad (The High Castle), Má Vlast: II. Vltava, Nightride & Sunrise, op. 55, Overture "Béatrice et Bénédict", Overture "Le carnaval romain", op. 9, Overture "Les francs-juges", op. 3, Pohjola's Daughter, op. 49, Pohjola’s Daughter, op. 49, Rakastava, op. 14: I. The Lover, Rakastava, op. 14: II. The Path of His Beloved, Rakastava, op. 14: III. Good Evening - Farewell!, Rome and Juliet: Lovescene (excerpt), Romeo et Juliette, op. 17: Part I. Introduction, Romeo et Juliette, op. 17: Part II. Grande fete chez les Capulets, Romeo et Juliette, op. 17: Part II. Roméo seul - Tristesse - Concert et Bal, Romeo et Juliette, op. 17: Part III. Scène d'amour, Romeo et Juliette, op. 17: Part IV. Roméo au trombeau des Capulets, Roméo et Juliette "Symphonie dramatique": Scène 1a. Introduction. Combats / Tumulte / Intervention du Prince, Roméo et Juliette "Symphonie dramatique": Scène 2. Roméo seul / Tristesse / Concert et bal / Grande fête chez Capulet, Roméo et Juliette "Symphonie dramatique": Scène 4. La Reine Mab, ou La fée des songes (Scherzo), Roméo et Juliette "Symphonie dramatique": Scène 6. Roméo au tombeau des Capulets / Invocation / Reveil de Juliette / Final: La foule accourt au cimetière, Saturn, the Bringer of Old Age, Symphonic Variations, op. 78: Finale, Symphonic Variations, op. 78: Theme, Symphonic Variations, op. 78: Variations 1-27, Symphonie Fantastique "Un Bal": Waltz. Allegro non troppo, Symphonie fantastique, Op.14: II. Un bal (Valse: Allegro non troppo), Symphonie fantastique, Op.14: III. Scène aux champs (Adagio), Symphonie fantastique, Op.14: IV. Marche au supplice (Allegretto non troppo), Symphonie fantastique, Op.14: V. Songe d'une nuit de Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso), Symphonie fantastique, op. 14: I. Rêveries, passions, Symphonie fantastique, op. 14: I. Rêveries, passions (Largo - Allegro agitato ed appassionato assai), Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'un nuit de sabbat, Symphonie funèbre et triomphale, op. 15: I. Marche funèbre (Moderato un poco lento), Symphonie funèbre et triomphale, op. 15: II. Oraison funèbre (Adagio non tanto - Andantino un poco lento e sostenuto), Symphonie funèbre et triomphale, op. 15: III. Apothéose (Allegro non troppo e pomposo), Symphony no 99 in E-flat major: I. Adagio - Vivace assai, Symphony no 99 in E-flat major: II. Adagio, Symphony no 99 in E-flat major: III. Menuetto e trio: Allegretto, Symphony no 99 in E-flat major: IV. Finale: Vivace, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo, Symphony no. 1 in E minor, op. 39: II. Andante ma non troppo lento, Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento, Symphony no. 1 in E minor, op. 39: III. Scherzo, allegro, Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro - Lento, Symphony no. 1 in E minor, op. 39: IV. Finale, quasi una fantasia, andante, Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia, Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale. Allegro con fuoco, Symphony no. 1: I. Allegro assai, Symphony no. 1: II. Scherzo - Presto, con malizia, Symphony no. 1: II. Scherzo: Presto, con malizia, Symphony no. 1: III. Andante con malincolia, Symphony no. 1: IV. Maestoso - Brio ed ardentemente vivacissimo maestoso, Symphony no. 1: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 2 "The Four Temperaments": IV. Allegro sanguineo - Marziale (Sanguine), Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Allegro moderato, Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilimente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 25 in G minor, K. 183: I. Allegro con brio, Symphony no. 25 in G minor, K. 183: II. Andante, Symphony no. 25 in G minor, K. 183: III. Minuetto, Symphony no. 25 in G minor, K. 183: IV. Allegro, Symphony no. 2: I. Allegro collerico, Symphony no. 2: II. Allegro comodo e flemmatico, Symphony no. 2: III. Andante malincolico, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato allegro, ma non tanto, Symphony no. 3 in C major, op. 52: III. Moderato ‐ Allegro (ma non tanto), Symphony no. 3 in C minor: I. Allegro molto maestoso, Symphony no. 3 in C minor: II. Scherzo: Allegretto, Symphony no. 3 in C minor: III. Adagio solenne, Symphony no. 3 in C minor: IV. Allegro, Symphony no. 32 in G major, K. 318, Symphony no. 3: I. Allegro espansivo, Symphony no. 3: II. Andante pastorale, Symphony no. 3: III. Allegretto un poco, Symphony no. 3: IV. Finale: Allegro, Symphony no. 3: Part I. 2. Lento, Symphony no. 3: Part II. 3. Allegro molto, Symphony no. 3: Part II. 4. Slow blues, Symphony no. 3: Part II. 5. Fast blues, Symphony no. 3: Part II. 6. Slow blues, Symphony no. 3: Part II. 7. Scena, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace tranquillo, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: III. Tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in A minor, op. 63: IV. Finale: Allegro, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Allegro, Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto, Symphony no. 40 in G minor, K. 550: IV. Allegro assai, Symphony no. 4: I. Allegro, Symphony no. 4: II. Andante moderato, Symphony no. 4: III. Scherzo - Allegro molto, Symphony no. 4: IV. Finale con epilogo fugato - Allegro molto, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5 in E‐flat major, op. 82: I. Tempo molto moderato ‐ Allegro moderato, Symphony no. 5 in E‐flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E‐flat major, op. 82: III. Allegro molto, Symphony no. 5: I. Adagio non troppo, Symphony no. 5: I. Tempo giusto -, Symphony no. 5: II Allegro - Presto - Andante poco tranquillo - Allegro (Tempo I), Symphony no. 6 in A major: I. Majestoso, Symphony no. 6 in A major: II. Adagio: Sehr feierlich, Symphony no. 6 in A major: III. Scherzo: Nicht schnell – Trio: Langsam – Scherzo, Symphony no. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in D major, op. 60: I. Allegro non tanto, Symphony no. 6 in D major, op. 60: II. Adagio, Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant), Symphony no. 6 in D major, op. 60: IV. Allegro con spirito, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: II. Allegro moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 6 “Sinfonia semplice": I. Tempo giusto, Symphony no. 6 “Sinfonia semplice": II. Humoreske: Allegretto, Symphony no. 6 “Sinfonia semplice": III. Proposta seria: Adagio, Symphony no. 6 “Sinfonia semplice": IV. Tema con variazioni, Symphony no. 6, op. 104: 3. Poco vivace, Symphony no. 7 in C major, op. 105, Symphony no. 7 in D minor, op. 70: Allegro, Symphony no. 7 in D minor, op. 70: Allegro maestoso, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo - Vivace - Poco meno mosso, Symphony no. 7 in D minor, op. 70: IV. Allegro, Symphony no. 7 in D minor, op. 70: Poco adagio, Symphony no. 7 in D minor, op. 70: Scherzo: vivace - Poco meno mosso, Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in D minor: I. Feierlich, Misterioso, Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 92 in G major “Oxford”: I. Adagio Allegro spiritoso, Symphony no. 92 in G major “Oxford”: II. Adagio cantabile, Symphony no. 92 in G major “Oxford”: III. Menuetto: Allegretto, Symphony no. 92 in G major “Oxford”: IV. Presto, Symphony no. 93 in D major: I. Adagio Allegro assai, Symphony no. 93 in D major: II. Largo cantabile, Symphony no. 93 in D major: III. Menuetto: Allegro, Symphony no. 93 in D major: IV. Finale: Presto ma non troppo, Symphony no. 97 in C major: I. Adagio Allegro assai, Symphony no. 97 in C major: II. Adagio ma non troppo, Symphony no. 97 in C major: III. Menuetto e trio: Allegretto, Symphony no. 97 in C major: IV. Finale: Presto assai, Symphony no. 98 in B-flat major: I. Adagio Allegro, Symphony no. 98 in B-flat major: II. Adagio, Symphony no. 98 in B-flat major: III. Menuetto: Presto, Symphony no. 98 in B-flat major: IV. Finale: Presto, Tapiola, op. 112, The Bard, op. 64, The Confession of Isobel Gowdie, The Dream of Gerontius (1900): Part 1, 01. Prelude, The Dream of Gerontius (1900): Part 1, 02. Jesu, Maria — I am near to death (Gerontius), The Dream of Gerontius (1900): Part 1, 03. Kyrie eleison ... Holy Mary, pray for him (semi-chorus, chorus), The Dream of Gerontius (1900): Part 1, 04. Rouse thee, my fainting soul (Gerontius), The Dream of Gerontius (1900): Part 1, 05. Be merciful, be gracious (chorus), The Dream of Gerontius (1900): Part 1, 06. Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius (1900): Part 1, 07. I can no more (Gerontius), The Dream of Gerontius (1900): Part 1, 08. Rescue him, O lord (Gerontius, chorus, semi-chorus), The Dream of Gerontius (1900): Part 1, 09. Novissima hora est (Gerontius), The Dream of Gerontius (1900): Part 1, 10. Profisciscere, anima Christiana (priest), The Dream of Gerontius (1900): Part 1, 11. Go, in the name of angels and archangels (chorus, priest, semi-chorus), The Oceanides, op. 73, Tristan und Isolde: Isoldes Liebestod, Uranus, the Magician, Valse Triste, op. 44 no. 1, Venus, the Bringer of Peace, Waverley, op. 1 |
| Connor Olthuis |
performing orchestra |
A Hive of Villainy (Star Wars), A New Hope / End Credits, A Thought for Marion / To Nepal, Across the Stars (Love Theme From Attack of the Clones), Activate the Droids, Airplane Fight, Alliance Assembly, Anakin Defeats Sebulba, Anakin Is Free, Anakin Takes Off in Spaceship, Anakin Vs. Obi-Wan, Anakin and Group to Coruscant, Anakin and Padmé, Anakin's Home and the Introduction to Threepio, Anakin's Test, Anakin, Pod Racer Mechanic, Anakin’s Betrayal, Anakin’s Dark Deeds, Anakin’s Dream, Anakin’s Theme, Appolini's Decision, Ark Trek, Arrival on Dagobah, At the Forum, Attack Position (The Empire Strikes Back), Attack of the Giant Fish, Attacking a Star Destroyer, Audience With the Holy Father, Augie’s Great Municipal Band / End Credits, Bad Dates, Battle of the Heroes, Ben Kenobi's Death / Tie Fighter Attack (medley), Ben Kenobi’s Death / TIE Fighter Attack, Ben’s Death / TIE Fighter Attack, Betrayal at Bespin, Binary Sunset (alternate), Boarding the Federation Battleship, Bounty Hunter’s Pursuit, Bounty for a Wookiee, Brother and Sister (Return of the Jedi), Brother and Sister / Father and Son / The Fleet Enters Hyperspace / Heroic Ewok, Burning Homestead, Can You Read My Mind? (alternate instrumental), Cantina Band, Cantina Band #2, Cantina Band #2 (Star Wars), Carbon Freeze / Darth Vader’s Trap / Departure of Boba Fett, Carbon Freeze / Luke Pursues the Captives / Departure of Boba Fett (The Empire Strikes Back), Chasing Rockets, City in the Clouds, Colors of the Wind, Confrontation with Count Dooku / Finale, Crash Landing (The Empire Strikes Back), Crime of the Century, Darth Maul and the Sith Spacecraft, Darth Sidious, Darth Sidious Receives News of the Gungan Army, Darth Sidious and Darth Maul, Darth Vader’s Death, Deal With Dark Lord, Death Warrant for Qui-Gon and Obi-Wan, Death of Jonathan Kent, Death on the Carousel (original version), Death on the Carousel and End Titles, Departing Coruscant, Departure of Boba Fett, Desert Chase, Desert Winds, Destruction of Alderaan, Destruction of Alderaan (Star Wars), Destruction of Krypton, Dracula's Death, Drawing the Battle Lines / Leia’s Instructions (The Empire Strikes Back), Dream Sequence / Mountain Lodge, Duel of the Fates (dialogue version), Emperor’s Throne Room, End Credits, End Title (From Star Wars Episode VI), End Titles, Enter Darth Maul, Enter Lord Vader, Epilogue, Escape From Naboo, Escape From the Temple, Ewok Celebration (film version) (Return of the Jedi) / End Credits (film version) (The Empire Strikes Back), Ewok Celebration / Finale, Ewok Feast / Part of the Tribe, Faking the Code (Return of the Jedi), Fight in the Dungeon, Fighting the Destroyer Droids, Fighting the Guards, Final Duel / Into the Death Star, Finale, Finale / End Credits, Finale and End Title March, First Ewok Battle / Fight With the Fighters, Flight From Peru, Flight from Peru, Flight to Cairo, Flying Theme, For Gillian, For Mina, Forgotten Vows, General Grievous, Gillian's Escape, Gillian's Vision, Gloria, Grievous Speaks to Lord Sidious, Grievous and the Droids, Growing Up, Hail to the Winner, Anakin Skywalker, Han Solo Returns, Han Solo Returns (At the Court of Jabba the Hutt), Han Solo and the Princess, He Is the Chosen One, Heroic Ewok / The Fleet Goes Into Hyperspace (Return of the Jedi), Hester's Theme and The House, High Council Meeting, Hyperspace, Imperial Attack, Imperial Starfleet Deployed / City in the Clouds, In the Idol's Temple, In the Jungle, Indy Follows the Ark, Indy Rides the Statue, Inner City, Inside the Bubble City, Into the Trap, Jabba’s Baroque Recital, Jango’s Escape, Jar Jar Leads Group to the Gungans, Jar Jar's Run-In With Sebulba, Jar Jar’s Introduction / The Swim to Otoh Gunga, Jedi Master Revealed / Mynock Cave, John Dunbar Theme, Journey to Nepal, Lando’s Palace, Landspeeder Search / Attack of the Sand People, Leaving Home, Leia Breaks the News (alternate) / Funeral Pyre for a Jedi (film version) (Return of the Jedi), Leia Breaks the News / Funeral Pyre for a Jedi, Leia Is Wounded / Luke and Vader Duel (Return of the Jedi), Leia’s News / Light of the Force, Lex Luthor’s Lair, Lois and Clark, Losing a Hand (The Empire Strikes Back), Love Pledge / The Arena, Love Theme From Superman, Luke Confronts Jabba / Den of the Rancor / Sarlacc Sentence, Luke and Leia, Luke’s Escape, Luke’s First Crash, Luke’s Nocturnal Visitor, Luke’s Rescue, Luthor’s Luau (source), Main Title, Main Title (alternate) (Star Wars), Main Title / Approaching the Death Star, Main Title / Approaching the Death Star / Tatooine Rendezvous, Main Title / Rebel Blockade Runner, Main Title / Storm Sequence, Main Title / The Ice Planet Hoth, Main Title / The Immigrant, Main Title / The Imperial Probe (extended version), Main Title March (alternate), Main Title: South America, 1936, Marion's Theme, Marion's Theme / The Crate, Meeting in the Cave, Misguided Missiles and Kryptonite, Monsignor, Mos Eisley Spaceport, Mos Espa Arena Band, Mouse Robot / Blasting Off, Mr. Scratch, Night Journeys, Nute and Rune Confer With Darth Sidious, Old and Lost Rivers, Overture, Padmé Meets Anakin, Padmé’s Ruminations, Palpatine's Teachings, Panaka and the Queen’s Protectors, Parade of the Ewoks, Passage Through the Planet Core, Prelude and Main Title March, Princess Leia’s Theme, Queen Amidala / The Naboo Palace, Queen Amidala Warns the Federation, Qui-Gon and Darth Maul Meet, Qui-Gon and Obi-Wan Rescue the Queen, Qui-Gon's Mission / Obi-Wan's Warning, Qui-Gon, Darth Maul and the Invisible Wall, Qui-Gon, Obi-Wan and Darth Maul Continue Battle, Qui-Gon’s Noble End, Rebels at Bay, Rescue From Cloud City / Hyperspace, Rescue of the Princess, Return to Tatooine, Reunion and The Dig Begins, Reunion in Italy, Reunion in the Tent / Searching for the Well, Ride to the Nazi Hideout, Robin Hood and His Merry Men, Sail Barge Assault, Sail Barge Assault (alternate), Santoni's Confession, Sebulba's Dirty Hand / Qui-Gon's Pep Talk, Shootout in the Cell Bay / Dianoga, Shuttle Tydirium Approaches Endor, Sonic Greeting, Speeder Bike Chase / Land of the Ewoks, Standing By (Star Wars), Star Ship Escapes, Star Wars (Main Theme), Star Wars / The Revenge of the Sith, Star Wars Main Title, Star Wars Main Title / Ambush on Coruscant, Star Wars Main Title / The Arrival at Naboo, Street Band of Mos Espa, Super Crime Fighter, Super Dam and Finding Lois, Super Rescues, Superfeats, Superman March (alternate), Swimming to Otoh Gunga, Symphony no. 2, op. 132 "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132 "Mysterious Mountain": II. Double fugue (Moderato maestoso, allegro vivo), Symphony no. 2, op. 132 "Mysterious Mountain": III. Andante espressivo, Tales of a Jedi Knight / Learn About the Force, Talk of Podracing, The Abduction of Lucy, The Arrival at Tatooine, The Arrival at Tatooine / The Flag Parade, The Asteroid Field, The Basket Game, The Bat Attack, The Battle Begins, The Battle Rages On, The Battle in the Snow, The Battle of Endor I (Into the Trap / Forest Ambush / Scout Walker Scramble / Prime Weapon Fires), The Battle of Endor II (Leia Is Wounded - The Duel Begins / Overtaking the Bunker / The Dark Side Beckons / The Emperor’s Death), The Battle of Endor III (Superstructure Chase / Darth Vader’s Death / The Main Reactor), The Battle of Hoth (Ion Cannon / Imperial Walkers / Beneath the AT-AT / Escape in the Millennium Falcon), The Battle of Yavin: Launch From the Fourth Moon / X‐Wings Draw Fire / Use the Force, The Big Rescue, The Birth of the Twins / Padmé's Destiny, The City in the Clouds, The Clash of Lightsabers, The Death Star / The Stormtroopers, The Death of Qui-Gon and the Surrender of the Gungans, The Death of Yoda, The Desert / The Robot Auction, The Droid Invasion, The Droid Invasion / The Appearance of Darth Maul, The Droids Are Captured, The Duel, The Duel Begins, The Duel Continues, The Dune Sea of Tatooine / Jawa Sandcrawler, The Emperor Arrives, The Emperor Arrives / The Death of Yoda / Obi-Wan’s Revelation, The Emperor Confronts Luke, The Emperor’s Death, The Ewok Battle (Return of the Jedi), The Fist Fight / The Flying Wing, The Flag Parade, The Flying Sequence, The Forest Battle, The Forest Battle (Concert Suite), The Fortress of Solitude, The Funeral of Qui-Gon, The German Sub, The German Sub / To the Nazi Hideout, The Giant Squid and the Attack on Theed, The Gungans Fight Back, The Gungans March, The Gungans Retreat and the Queen Surrenders, The Heroics of Luke and Han, The High Council Meeting / Qui-Gon’s Funeral, The Hologram / Binary Sunset, The Idol Temple, The Immolation Scene, The Imperial March (Darth Vader’s Theme), The Imperial Probe / Aboard the Executor, The Land of the Sand People, The Land of the Sandpeople, The Last Battle, The Levitation / Threepio’s Bedtime Story, The Lightsaber / The Ewok Battle, The Little People Work, The Love Scene, The Magic Tree, The Map Room: Dawn, The March of the Villains, The Meadow Picnic, The Medallion, The Meeting in Sicily, The Millennium Falcon / Imperial Cruiser Pursuit, The Miracle of the Ark, The Moisture Farm, The Night Visitor, The Parade, The Pit of Carkoon / Sail Barge Assault, The Planet Krypton, The Planet Krypton (alternate), The Princess Appears, The Queen Confronts Nute and Rune, The Queen and Group Land on Naboo, The Queen and Her Group Sneak Back to the Palace, The Queen and Palpatine, The Racer Roars to Life / Anakin's Midi-Chlorian Count, The Raiders March, The Rebel Fleet / End Title, The Rebels Escape Again, The Republic Pilots Take Off Into Space, The Return Home, The Return of the Jedi, The Return of the Jedi (alternate) (Return of the Jedi), The Search for Robin, The Senate, The Sith Spacecraft / The Droid Battle, The Street Singer, The Terrace, The Throne Room / End Title, The Throne Room / End Titles, The Tide Turns / The Death of Darth Maul, The Tractor Beam / Chasm Crossfire, The Training of a Jedi Knight, The Training of a Jedi Knight / The Magic Tree, The Trash Compactor, The Trip to Earth, The Trip to the Naboo Temple / The Audience With Boss Nass, The Tusken Camp / The Homestead, The Walls Converge, The Wampa’s Lair / Vision of Obi-Wan / Snowspeeders Take Flight, The Warehouse, The Well of the Souls, The Wizard of Oz: Fantasy for Orchestra, Theme, Theme From Monsignor, Through the Flames, To Cairo, To Scarborough, Tree Line, Turning Back the World, Victory Celebration / End Title, Vision on The Stairs, War Plans, Washington Ending & Raiders March, Washington Men / Indy's Home, Watto's Deal / Shmi and Qui-Gon Talk, Watto's Roll of the Die, Watto’s Deal / Kids at Play, Welcome to Metropolis, Wookiee Prisoner / Detention Block Ambush, Yoda and the Force, Yoda and the Younglings, Yoda’s Theme, Zam the Assassin / The Chase Through Coruscant |
| Tamara Mumford |
performing orchestra |
A Child of Our Time: Part II: 19. Burn Down Their Houses!, A Child of Our Time: Part II: 24. The Dark Forces Rise Like a Flood, A London Symphony (1913 version): Lento. Allegro risoluto, A London Symphony: Lento (excerpt), Bridge on the River Kwai: Colonel Bogey, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret silva, Carmina Burana: Uf dem Anger: Tanz, Carmina Burana: Uf dem anger: Reie, Carmina Burana: Uf dem anger: Were diu werlt alle min, Elijah, op. 70: Part I, no. 1. Chorus and Recitative, Elijah, op. 70: Part I, no. 10. Recitative (Elijah) and Chorus, Elijah, op. 70: Part I, no. 11. Chorus, Elijah, op. 70: Part I, no. 12. Recitative (Elijah) and Chorus, Elijah, op. 70: Part I, no. 13. Recitative (Elijah) and Chorus, Elijah, op. 70: Part I, no. 14. Air (Elijah), Elijah, op. 70: Part I, no. 15. Chorale (Angels), Elijah, op. 70: Part I, no. 16. Recitative (Elijah) and Chorus, Elijah, op. 70: Part I, no. 17. Air (Elijah), Elijah, op. 70: Part I, no. 18. Arioso (Contralto), Elijah, op. 70: Part I, no. 19. Recitative (Obadiah) and Chorus, Elijah, op. 70: Part I, no. 2. Duet and Chorus, Elijah, op. 70: Part I, no. 20. Chorus, Elijah, op. 70: Part I, no. 3. Recitative (Obadiah), Elijah, op. 70: Part I, no. 4. Air (Obadiah), Elijah, op. 70: Part I, no. 5. Chorus, Elijah, op. 70: Part I, no. 6. Recitative (An Angel (Contralto)), Elijah, op. 70: Part I, no. 7. Semi-Chorus (Angels), Elijah, op. 70: Part I, no. 8. Air (The Widow (Soprano)), Elijah, op. 70: Part I, no. 9. Chorus, Elijah, op. 70: Part I. Introduction, Elijah, op. 70: Part I. Overture, Elijah, op. 70: Part II, no. 21. Air (Soprano), Elijah, op. 70: Part II, no. 22. Chorus, Elijah, op. 70: Part II, no. 23. Recitative (Elijah) and Chorus, Elijah, op. 70: Part II, no. 24. Chorus, Elijah, op. 70: Part II, no. 25. Recitative (Obadiah and Elijah), Elijah, op. 70: Part II, no. 26. Air (Elijah), Elijah, op. 70: Part II, no. 27. Recitative (Tenor), Elijah, op. 70: Part II, no. 28. Trio (The Angels), Elijah, op. 70: Part II, no. 29. Chorus (Angels), Elijah, op. 70: Part II, no. 30. Recitative (The Angel (Contralto) and Elijah), Elijah, op. 70: Part II, no. 31. Air (The Angel (Contralto)), Elijah, op. 70: Part II, no. 32. Chorus, Elijah, op. 70: Part II, no. 33. Recitative (Elijah), Elijah, op. 70: Part II, no. 34. Chorus, Elijah, op. 70: Part II, no. 35. Recitative (Contralto) - Semi-chorus and Chorus, Elijah, op. 70: Part II, no. 36. Chorus and Recitative (Elijah), Elijah, op. 70: Part II, no. 37. Arioso (Elijah), Elijah, op. 70: Part II, no. 38. Chorus, Elijah, op. 70: Part II, no. 39. Air (Tenor), Elizabethan Dances: I. Moderato e ritmico, Elizabethan Dances: II. Waltz tempo, languidamente, Elizabethan Dances: III. Allegro scherzando (ma non troppo allegro), Elizabethan Dances: IV. Moderato, Elizabethan Dances: V. Poco allegretto e semplice, Elizabethan Dances: VI. Allegro giocoso, Elizabethian Dances: Waltz Tempo - Languidamente, Fanfare for a Joyful Occasion, Festival March, Hobson's Choice: I. Overture and Shoe Ballet, Hobson's Choice: II. Willie and Maggie (Theme and Variations I), Hobson's Choice: III. Wedding Night (Theme and Variations II), Hobson's Choice: IV. Finale, Hymn-tune Prelude on Song 13 by Orlando Gibbons, Jupiter, the Bringer of Jollity, King's Herald, Mars, the Bringer of War, Mercury, the Winged Messenger, Messa da Requiem: I. Requiem, Messa da Requiem: II. Dies irae: Confutatis, Messa da Requiem: II. Dies irae: Dies irae, Messa da Requiem: II. Dies irae: Ingemisco, Messa da Requiem: II. Dies irae: Lacrymosa, Messa da Requiem: II. Dies irae: Liber scriptus, Messa da Requiem: II. Dies irae: Mors stupebit, Messa da Requiem: II. Dies irae: Quid sum miser, Messa da Requiem: II. Dies irae: Recordare, Messa da Requiem: II. Dies irae: Rex tremendae, Messa da Requiem: II. Dies irae: Tuba mirum, Messa da Requiem: III. Offertorio, Messa da Requiem: IV. Sanctus, Messa da Requiem: V. Agnus Dei, Messa da Requiem: VI. Lux aeterna, Messa da Requiem: VII. Libera me, Norfolk Rhapsody no. 1 in E minor: Adagio- Allegro vivace - Tempo I (Lento), Norfolk Rhapsody no. 2 in D minor: Larghetto - Allegro - Molto tranquillo, Overture "Derby Day", Overture to "The Wasps", Overture to a Masque, Overture: At the Tabard Inn, Pageantry: King’s Herald, Paradise Rondel, Pastoral Rhapsody, Planets: Suite or Orchestra, op. 32 (1916) - Uranus, The Magician, Prelude (from Odd Man Out), Prelude And Fugue in C minor; Prelude, Procession, Requiem: Libera Me (Extract), Saturn, the Bringer of Old Age, Sinfonia da Requiem, op. 20: I. Lacrymosa, Sinfonia da Requiem, op. 20: II. Dies irae, Sinfonia da Requiem, op. 20: III. Requiem aeternam, Sinfonietta for Strings: I. Moderato molto ritmico, Sinfonietta for Strings: II. Adagio e poco rubato, Sinfonietta for Strings: III. Allegro, Suite for Orchestra "The B's": I. Overture: Bublum, Suite for Orchestra "The B's": II. Lament: Bartholomew, Suite for Orchestra "The B's": III. Scherzo: Blissy, Suite for Orchestra "The B's": IV. Mazurka alias Minuet: Bunny, Suite for Orchestra "The B's": V. March: Benjee, Symphonic Prelude "The Magic Island", Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships, Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone, Symphony No. 1 "A Sea Symphony": III. The Waves, Symphony No. 1 "A Sea Symphony": IV. The Explorers, Symphony no. 1, op. 22: I. Allegro, Symphony no. 1, op. 22: II. Andantino, Symphony no. 1, op. 22: III. Vivace con fuoco - Alla marcia - Maestoso, Symphony no. 1: I. Adagio, Symphony no. 1: II. Allegro leggiero, Symphony no. 1: III. Adagio ma con moto, Symphony no. 1: IV. Allegro jubilante, Symphony no. 2 in G major "A London Symphony": I. Lento - Allegro risoluto, Symphony no. 2 in G major "A London Symphony": II. Lento, Symphony no. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino, Symphony no. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento, Symphony no. 2, op. 40: I. Allegretto, Symphony no. 2, op. 40: II. Vivace, Symphony no. 2, op. 40: III. Lento, Symphony no. 2, op. 40: IV. Allegro con brio - Lento molto e maestoso, Symphony no. 2: Part I. Con moto - Molto moderato - Quasi adagio molto calmato, Symphony no. 2: Part II. Allegro molto - Moderato largamente - Molto tranquillo, Symphony no. 3 "Pastoral": I. Molto moderato - Poco tranquillo - Tempo I - Largamente - Tempo I, Symphony no. 3 "Pastoral": II. Lento moderato - Poco tranquillo, tempo rubato - Tempo I, Symphony no. 3 "Pastoral": III. Moderato pesante - Poco animato - A tempo - Presto, Symphony no. 3: I. Allegro molto, Symphony no. 3: II. Poco adagio, Symphony no. 3: III. Allegro con fuoco, Symphony no. 4 in F minor: I. Allegro - Meno mosso - Largamente - Lento, Symphony no. 4 in F minor: II. Andante moderato - Tranquillo, Symphony no. 4 in F minor: III. Scherzo: Allegro molto, Symphony no. 4 in F minor: IV. Finale con Epilogo Fugato: Allegro molto - Lento (non troppo) - Tempo I - Con anima - Meno mosso, Symphony no. 4: I. Maestoso ma con moto - Allegro - A tempo primo, Symphony no. 4: II. Molto vivace - Meno mosso, ma con moto - Tempo primo, Symphony no. 4: III. Adagio e molto calmato - Allegro - Tempo primo - Maestoso, Symphony no. 5 "Hydriotaphia": Allegro con fuoco -, Symphony no. 5 "Hydriotaphia": Moderato - Allegro ma non troppo -, Symphony no. 5 "Hydriotaphia": Tempo di Marcia funebre, Symphony no. 5 "Hydriotaphia:": Andante sostenuto -, Symphony no. 5: I. Preludio - Moderato, Symphony no. 5: II. Scherzo - Presto misterioso, Symphony no. 5: III. Romanza - Lento, Symphony no. 5: IV. Passacaglia - Moderato, Symphony no. 6 in E minor: I. Allegro - Poco animato - Tranquillo, Symphony no. 6 in E minor: II. Moderato, Symphony no. 6 in E minor: III. Scherzo (Allegro vivace), Symphony no. 6 in E minor: IV. Epilogue (Moderato), Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema), Symphony no. 8 in D minor: II. Scherzo alla marcia, Per glo stromenti a vento, Symphony no. 8 in D minor: III. Cavatina, Per gli stromenti a corde, Symphony no. 8 in D minor: IV. Toccata colle campanelle, THE MOLDAU, The Banks of Green Willow: Idyll, The Bridge on the River Kwai: I. Prelude The Prison Camp, The Bridge on the River Kwai: II. Colonel Bogey, The Bridge on the River Kwai: III. The Jungle Trek, The Bridge on the River Kwai: IV. Sunset, The Bridge on the River Kwai: V. Finale: The River Kwai March, The Dream of Gerontius, op. 38: Part I. Prelude, The Inn of the Sixth Happiness: I. London Prelude, The Inn of the Sixth Happiness: II. Romantic Interlude, The Inn of the Sixth Happiness: III. Happy Ending, The Running Set: Presto, The Sound Barrier, a Rhapsody for Orchestra, op. 38, Uranus, the Magician, Venus, the Bringer of Peace, Whistle Down the Wind: I. Prelude (Theme), Whistle Down the Wind: II. The Three Kings, Whistle Down the Wind: III. Finale |
| djaycunningtiger |
performing orchestra |
A Night on Bald Mountain, Appalachian Spring: I. Very Slowly, Appalachian Spring: II. Allegro, Appalachian Spring: III. Moderato: The Bride and Her Intended, Appalachian Spring: IV. Fast: The Revivalist and His Flock, Appalachian Spring: V. Allegro: Solo Dance of the Bride, Appalachian Spring: VI. Meno mosso, Appalachian Spring: VII. Doppio movimento: Variations on a Shaker Hymn, Appalachian Spring: VIII. Moderato: Coda, Billy the Kid: Billy's Death, Billy the Kid: Celebration (After Billy's Capture), Billy the Kid: Gun Battle, Billy the Kid: Introduction: The Open Prairie, Billy the Kid: Mexican Dance and Finale, Billy the Kid: Prairie Night (Card Game at Night), Billy the Kid: Street in a Frontier Town, Billy the Kid: The Open Prairie Again, Billy the Kid: Waltz, Brazillian Impressions: 1. Tropical Night, Brazillian Impressions: 2. Butantan, Brazillian Impressions: 3. Song and Dance, Concertino for Piano and Orchestra: 1. Presto leggiero, Concertino for Piano and Orchestra: 2. Lent, Concertino for Piano and Orchestra: 3. Allegretto. Rondeau, Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace), Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra, Sz. 116: III. Elegia (Andante non troppo), Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto), Concerto for Orchestra, Sz. 116: V. Finale (Presto), Egmont Overture, Op. 84, En saga, op. 9, Fingal's Cave, Overture For Orchestra, Op. 26 ("Herbrides"), Fireworks, Fantasy for Orchestra, Five Pieces for Orchestra, Op. 10, Five Pieces for Orchestra: I. Vorgefuhle, Five Pieces for Orchestra: II. Vergangenes, Five Pieces for Orchestra: III. Sommermorgen an einem See, Five Pieces for Orchestra: IV. Peripetie, Five Pieces for Orchestra: V. Das obligate Rezitativ, Four Études for Orchestra: I. Danse, Four Études for Orchestra: II. Excentrique, Four Études for Orchestra: III. Cantique, Four Études for Orchestra: IV. Madrid, Gayne Ballet Music: Armen's Variation, Gayne Ballet Music: Ayesha's Dance, Gayne Ballet Music: Dance of the Kurds, Gayne Ballet Music: Dance of the Rose Maidens, Gayne Ballet Music: Dance of the Young Kurds, Gayne Ballet Music: Lezghinka, Gayne Ballet Music: Lullaby, Gayne Ballet Music: Sabre Dance, Hungarian Rhapsody no. 3 in D major, S 359: III, La Traviata: Prelude to Act I, Le Bœuf sur le toit, Les préludes, Music for Strings, Percussion and Celesta: I. Andante tranquillo, Music for Strings, Percussion and Celesta: II. Allegro, Music for Strings, Percussion and Celesta: III. Adagio, Music for Strings, Percussion and Celesta: IV. Allegro molto, Night-ride and Sunrise, op. 55, Overture, Parade, Prince Igor: Overture, Prince Igor: Polovtsian Dances, Rapsodia rumana N.º 1, op. 11 (Final), Romeo and Juliet, Roumanian Rhapsody no. 2 in D major, op. 11, Scherzo a la Russe, Scythian Suite, op. 20: I. Invocation to Veles and Ala, Scythian Suite, op. 20: II. The Evil God and Dance of the Pagan Monsters, Scythian Suite, op. 20: III. Night, Scythian Suite, op. 20: IV. Lolli's Pursuit of the Evil God, and Sunrise, Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules, Suite from "The Love for Three Oranges", op. 33a: II. Scène infernale, Suite from "The Love for Three Oranges", op. 33a: III. Marche, Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo, Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse, Suite from "The Love for Three Oranges", op. 33a: VI. La fuite, Symphony No. 3 In A Minor, Op. 56 ("Scottish"): 1. Andante Con Moto, Symphony No. 3 In A Minor, Op. 56 ("Scottish"): 2. Vivace Non Troppo, Symphony No. 3 In A Minor, Op. 56 ("Scottish"): 3. Adagio, Symphony No. 3 In A Minor, Op. 56 ("Scottish"): 4. Allegro Vivacissimo, Symphony No. 4 in F minor, Op. 36: I. Andante sostenuto – Moderato con anima, Symphony No. 4 in F minor, Op. 36: II. Andantino in modo die canzona, Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato ostinato. Allegro, Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 6 in B minor, Op. 74 'Pathétique': I. Adagio - Allegro non troppo, Symphony No. 6 in B minor, Op. 74 'Pathétique': II. Allegro con grazia, Symphony No. 6 in B minor, Op. 74 'Pathétique': III. Allegro molto vivace, Symphony No. 6 in B minor, Op. 74 'Pathétique': IV. Finale: Adagio lamentoso, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in D minor, op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, op. 70: II. Poco Adagio, Symphony No. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno moso, Symphony No. 7 in D minor, op. 70: IV. Allegro, Symphony No. 8 in G major, op. 88: I. Allegro con brio, Symphony No. 8 in G major, op. 88: II. Adagio, Symphony No. 8 in G major, op. 88: III. Allegretto grazioso, Symphony No. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey), Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro - Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco – Tempo di Polacca, Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza – Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso – Allegro vivace, Tango, Tannhäuser: Overture, The Birds: 1. Prelude, The Birds: 2. The Dove, The Birds: 3. The Hen, The Birds: 4. The Nightingale, The Birds: 5. The Cuckoo, The Consecration of the House, Overture for Orchestra, Op. 124, The Creatures of Prometheus, Op. 43: Overture, The Firebird: Appearance of the Enchanted Princess, The Firebird: Appearance of the Firebird, The Firebird: Appearance of the Firebird, Pursued by Prince Ivan, The Firebird: Arrival of Kastchei the Immortal, The Firebird: Capture of the Firebird by Prince Ivan, The Firebird: Dance of Kastchei's Retinue, Enchanted by the Firebird, The Firebird: Dance of the Firebird, The Firebird: Daybreak, The Firebird: Dialogue of Kastchei and Prince Ivan, The Firebird: I. Introduction, The Firebird: Infernal Dance of All Kastchei's Subjects, The Firebird: Intercession of the Princesses, The Firebird: Kastchei's Awakening, The Firebird: Kastchei's Death; Profound Darkness, The Firebird: Khorovod (Round Dance) of the Princesses, The Firebird: Lullaby (Firebird), The Firebird: Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan, The Firebird: Sudden Appearance of Prince Ivan, The Firebird: Supplication of the Firebird, The Firebird: Tableau I, The Enchanted Garden of Kastchei, The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing, The Firebird: The Princesses' Game with the Golden Apples (Scherzo), The Moldau ("Vltava"), The Oceanides, op. 73, The Song of the Nightingale (Symphonic Poem): I. Introduction, The Song of the Nightingale (Symphonic Poem): II. Chinese March, The Song of the Nightingale (Symphonic Poem): III. Song of the Nightingale, The Song of the Nightingale (Symphonic Poem): IV. The Mechanical Nightingale's Game, The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance: Meno mosso (subito), The Wooden Prince: First Dance: Dance of the Princess in the Forest: Molto moderato, The Wooden Prince: Fourth Dance: Dance of the Princess with the Wooden Doll: Allegro, The Wooden Prince: Introduction: Molto moderato, The Wooden Prince: Second Dance: Dance of the Trees: Assai moderato, The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way: Moderato, The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing, The Wooden Prince: Third Dance: Dance of the Waves: Andante, Three Pieces for Orchestra: I. Praeludium, Three Pieces for Orchestra: II. Reigen, Three Pieces for Orchestra: III. Marsch, Valse triste, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Finale: Andante, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Theme: Chorale: St. Antoni, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation I: Poco più animato, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation II: Più vivace, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation III: Con moto, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation IV: Andante con moto, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation V: Vivace, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VI: Vivace, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VII: Grazioso, Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VIII: Presto non troppo, Wellington's Victory, op. 91: I. Battle, Wellington's Victory, op. 91: II. Symphony of Triumph |
| Sartorius |
performing orchestra, phonographic copyright |
(mvt 1) La mer : De l'aube à midi sur la mer, (mvt 2) La mer : Jeux de vagues, (mvt 3) La mer : Dialogue du vent et de la mer, German Requiem, op. 45: I. Selig sind, die da Leid tragen, German Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras, German Requiem, op. 45: III. Herr, lehre doch mich, German Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen, German Requiem, op. 45: V. Ihr habt nun Traurigkeit, German Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt, German Requiem, op. 45: VII. Selig sind die toten, Jeux, Overture: Waverley, Prélude à l'après-midi d'un faune, Romeo and Juliet: Act I: no. 10: Juliet the young girl, Romeo and Juliet: Act I: no. 11: Arrival of the guests, Romeo and Juliet: Act I: no. 12: Masks, Romeo and Juliet: Act I: no. 13: Dance of the Knights, Romeo and Juliet: Act I: no. 14: Juliet's Variation, Romeo and Juliet: Act I: no. 15: Mercutio, Romeo and Juliet: Act I: no. 16: Madrigal, Romeo and Juliet: Act I: no. 17: Tybalt recognises Romeo, Romeo and Juliet: Act I: no. 18: Gavotte, Romeo and Juliet: Act I: no. 19: Balcony scene, Romeo and Juliet: Act I: no. 20: Romeo's variation, Romeo and Juliet: Act I: no. 21: Romeo and Juliet's love dance, Romeo and Juliet: Act I: no. 2: Romeo, Romeo and Juliet: Act I: no. 3: The street awakens, Romeo and Juliet: Act I: no. 4: Morning dance, Romeo and Juliet: Act I: no. 5: The quarrel, Romeo and Juliet: Act I: no. 6: The fight, Romeo and Juliet: Act I: no. 7: The Duke's command, Romeo and Juliet: Act I: no. 8: Interlude, Romeo and Juliet: Act I: no. 9: Preparations for the ball, Romeo and Juliet: Act II: no. 22: Folk dance, Romeo and Juliet: Act II: no. 23: Romeo and Mercutio, Romeo and Juliet: Act II: no. 24: Dance of the five couples, Romeo and Juliet: Act II: no. 25: Dance with mandolins, Romeo and Juliet: Act II: no. 26: The Nurse, Romeo and Juliet: Act II: no. 27: The Nurse delivers Juliet's letter to Romeo, Romeo and Juliet: Act II: no. 28: Romeo at Friar Laurence's, Romeo and Juliet: Act II: no. 29: Juliet at Friar Laurence's, Romeo and Juliet: Act II: no. 30: The people continue to make merry, Romeo and Juliet: Act II: no. 31: Further public festivities, Romeo and Juliet: Act II: no. 32: Meeting of Tybalt and Mercutio, Romeo and Juliet: Act II: no. 33: Tybalt and Mercutio fight, Romeo and Juliet: Act II: no. 34: Death of Mercutio, Romeo and Juliet: Act II: no. 35: Romeo decides to avenge Mercutio's death, Romeo and Juliet: Act II: no. 36: Finale, Romeo and Juliet: Act III: no .43: Interlude, Romeo and Juliet: Act III: no. 37: Introduction, Romeo and Juliet: Act III: no. 38: Romeo and Juliet, Romeo and Juliet: Act III: no. 39: The last farewell, Romeo and Juliet: Act III: no. 40: The Nurse, Romeo and Juliet: Act III: no. 41: Juliet refuses to marry Paris, Romeo and Juliet: Act III: no. 42: Juliet alone, Romeo and Juliet: Act III: no. 44: At Friar Laurence's cell, Romeo and Juliet: Act III: no. 45: Interlude, Romeo and Juliet: Act III: no. 46: Juliet's bedroom, Romeo and Juliet: Act III: no. 47: Juliet alone, Romeo and Juliet: Act III: no. 48: Aubade, Romeo and Juliet: Act III: no. 49: Dance of the young girls with lilies, Romeo and Juliet: Act III: no. 50: At Juliet's bedside, Romeo and Juliet: Act IV: Epilogue: no. 51: Juliet's funeral, Romeo and Juliet: Act IV: Epilogue: no. 52: Death of Juliet, Romeo and Juliet: no. 1: Introduction, Russia, Stabat Mater: I. Stała Matka bolejąca (Stabat mater dolorosa), Stabat Mater: II. I któż widział tak cierpiącą (Quis est homo qui non fleret), Stabat Mater: III. O Matko Źródło Wszechmiłości (O, Eia, Mater, fons amoris), Stabat Mater: IV. Spraw niech płaczę z Tobą razem (Fac me tecum pie flere), Stabat Mater: V. Panno słodka racz mozołem (Virgo virginum praeclara), Stabat Mater: VI. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire), Symphonie fantastique: I. Rêveries - Passions, Symphonie fantastique: II. Un bal, Symphonie fantastique: III. Scène aux champs, Symphonie fantastique: IV. Marche au supplice, Symphonie fantastique: V. Songe d’une nuit de sabbat, Symphony no 3: I. Lento – Allegro moderato - Allegro, Symphony no 3: II. Adagio ma non troppo - Allegro vivace, Symphony no 3: III. Allegro – Allegro vivace – Allegro (Tempo primo) – Allegretto - Allegro vivace, Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto, Symphony no. 1 in D major, op. 25 "Classical": III. Gavotte: Non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale: Molto vivace, Symphony no. 1 in D major: Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich - Tempo primo, Symphony no. 1 in D major: Langsam. Schleppend - Im Anfang gemächlich, Symphony no. 1 in D major: Stürmisch bewegt, Symphony no. 1 in D minor, op. 13: I. Grave - Allegro non troppo, Symphony no. 1 in D minor, op. 13: II. Allegro animato, Symphony no. 1 in D minor, op. 13: III. Larghetto, Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco, Symphony no. 1 in D, op. 25 "Classical Symphony": I. Allegro, Symphony no. 1 in E major, op. 26: I. Lento, Symphony no. 1 in E major, op. 26: II. Allegro drammatico, Symphony no. 1 in E major, op. 26: III. Lento, Symphony no. 1 in E major, op. 26: IV. Vivace, Symphony no. 1 in E major, op. 26: V. Allegro, Symphony no. 1: I. Un poco sostenuto - Allegro, Symphony no. 1: II. Andante sostenuto, Symphony no. 1: III. Un poco allegretto e grazioso, Symphony no. 1: IV. Adagio - Allegro non troppo, Symphony no. 2 in C minor, op. 29: I. Andante, Symphony no. 2 in C minor, op. 29: II. Allegro, Symphony no. 2 in C minor, op. 29: III. Andante, Symphony no. 2 in C minor, op. 29: IV. Tempestoso, Symphony no. 2 in C minor, op. 29: V. Maestoso, Symphony no. 2 in D minor, op. 40: I. Allegro ben articolato, Symphony no. 2 in D minor, op. 40: II. Theme and variations, Symphony no. 2: I. Allegro maestoso, Symphony no. 2: I. Allegro non troppo, Symphony no. 2: II. Adagio non troppo, Symphony no. 2: II. Andante moderato, Symphony no. 2: III. Allegretto grazioso (quasi andantino), Symphony no. 2: III. In ruhig fliessender Bewegung, Symphony no. 2: IV. Allegro con spirito, Symphony no. 3 in C minor, op. 43, “The Divine Poem”: I. Lento - Luttes, Symphony no. 3 in C minor, op. 43, “The Divine Poem”: II. Voluptés, Symphony no. 3 in C minor, op. 43, “The Divine Poem”: III. Jeu divin, Symphony no. 3 in C minor, op. 44: I. Moderato, Symphony no. 3 in C minor, op. 44: II. Andante, Symphony no. 3 in C minor, op. 44: III. Allegro agitato, Symphony no. 3 in C minor, op. 44: IV. Andante mosso - Allegro agitato, Symphony no. 3: I. Allegro con brio, Symphony no. 3: I. Moderato assai, Symphony no. 3: II. Allegretto tranquillo, Symphony no. 3: II. Andante, Symphony no. 3: III. Largo, Symphony no. 3: III. Poco allegretto, Symphony no. 3: IV. Allegro, Symphony no. 4 in C major, op. 112: I. Andante - Allegro eroico, Symphony no. 4 in C major, op. 112: II. Andante tranquillo, Symphony no. 4 in C major, op. 112: III. Moderato, quasi allegretto, Symphony no. 4 in C major, op. 112: IV. Allegro risoluto, Symphony no. 4 in C major, op. 47: I. Andante assai - Allegro eroico, Symphony no. 4 in C major, op. 47: II. Andante tranquillo, Symphony no. 4 in C major, op. 47: III. Moderato, quasi allegretto, Symphony no. 4 in C major, op. 47: IV. Allegro risoluto, Symphony no. 4, op. 54, “The Poem of Ecstasy”, Symphony no. 4: I. Allegro non troppo, Symphony no. 4: I. Moderato, Symphony no. 4: II. Andante moderato, Symphony no. 4: II. Andante molto sostenuto, Symphony no. 4: III. Allegro giocoso, Symphony no. 4: III. Allegro non troppo, Symphony no. 4: IV. Allegro energico e passionato, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato, Symphony no. 6 in E-flat minor, op. 111: II. Largo, Symphony no. 6 in E-flat minor, op. 111: III. Vivace, Symphony no. 7 in C-sharp minor, op. 131: Allegretto, Symphony no. 7 in C-sharp minor, op. 131: Andante espressivo, Symphony no. 7 in C-sharp minor, op. 131: Moderato, Symphony no. 7 in C-sharp minor, op. 131: Vivace, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tamara, Tragic Overture, Variations on a Theme of Haydn: I. Thema. Chorale st. Antoni: Andante, Variations on a Theme of Haydn: II. Variation I: Poco più animato, Variations on a Theme of Haydn: III. Variation II: Più vivace, Variations on a Theme of Haydn: IV. Variation III: Con moto, Variations on a Theme of Haydn: IX. Variation VIII: Presto non troppo, Variations on a Theme of Haydn: V. Variation IV: Andante con moto, Variations on a Theme of Haydn: VI. Variation V: Vivace, Variations on a Theme of Haydn: VII. Variation VI: Vivace, Variations on a Theme of Haydn: VIII. Variation VII: Grazioso, Variations on a Theme of Haydn: X. Finale: Andante |
| Panthero |
performing orchestra |
Academic Festival Overture for Orchestra in C minor, Op. 80, Adagio for Strings, Adagio for Strings, op. 11, Agon, Ain't Got No Tears Left, Also sprach Zarathustra, Op. 30: Introduction, Also sprach Zarathustra, Op. 30: Langsam, Also sprach Zarathustra, Op. 30: Of Joys and Passions, Also sprach Zarathustra, Op. 30: Of Science and Learning, Also sprach Zarathustra, Op. 30: Of the Backworldsmen, Also sprach Zarathustra, Op. 30: Of the Great Longing, Also sprach Zarathustra, Op. 30: Song of the Night Wanderer, Also sprach Zarathustra, Op. 30: The Convalescent, Also sprach Zarathustra, Op. 30: The Dance-Song, Also sprach Zarathustra, Op. 30: The Song of the Grave, Also sprach Zarathustra, Op. 30: Ziemlich langsam, Also sprach Zarathustra, op. 30: Introduction (Sunrise), Appendix: The Intermission's Great, Canon, Carnegie Hall Pavane, Carried Away, Circus Polka, Concertino, Don Juan, Op. 20, Finale, Gabey's Comin', Pickup Song, Greeting Prelude, Hidden Variables, High School Girls, Hungarian Dance No. 1 in G minor: Allegro molto, Hungarian Dance No. 10 in F major: Presto, Hungarian Dance No. 17 in F-sharp minor: Andantino, Hungarian Dance No. 18 in D major: Molto vivace, Hungarian Dance No. 19 in B minor: Allegretto, Hungarian Dance No. 20 in E minor: Poco Allegretto - Vivace, Hungarian Dance No. 21 in E minor: Vivace, Hungarian Dance No. 3 in F major: Allegretto, I Can Cook Too, I Feel Like I'm Not Out of Bed Yet, I Wish I Was Dead, Lonely Town, Lonely Town, Pas de deux, Lucky to Be Me, Machines & Dreams: Andante, Machines & Dreams: Meccanico, Machines & Dreams: Molto vigoroso, Machines & Dreams: Presto volando, Machines & Dreams: Sostenuto, Memorial: Section 1, Memorial: Section 2, Memorial: Section 3, Memorial: Section 4, Memorial: Section 5, New York, New York, Ode, Pas de deux, Pitkin's Song, Presentation of Miss Turnstiles, Quatrain: Section 1, Quatrain: Section 2, Quatrain: Section 3, Quatrain: Section 4, Rhapsodie Espagnole: IV, Scherzo à la russe, Scènes de ballet, Serenade No. 2 for Small Orchestra in A major, Op. 16: I. Allegro moderato, Serenade No. 2 for Small Orchestra in A major, Op. 16: II. Scherzo. Vivace - Trio, Serenade No. 2 for Small Orchestra in A major, Op. 16: III. Adagio non troppo, Serenade No. 2 for Small Orchestra in A major, Op. 16: IV. Quasi menuetto - Trio, Serenade No. 2 for Small Orchestra in A major, Op. 16: V. Rondo. Allegro, Sinfonietta, Allegretto Janacek, Sinfonietta: I. Allegretto, Sinfonietta: II. Andante - Allegretto, Sinfonietta: III. Moderato, Sinfonietta: IV. Allegretto, Sinfonietta: V. Andante con moto, So Long, Baby, Some Other Time, Subway Ride and Imaginary Coney Island, Swan Lake: Act I, I. Scène: Allegro giusto, Swan Lake: Act I, II. Valse: Tempo di valse, Swan Lake: Act I, III. Scène: Allegro moderato, Swan Lake: Act I, IV. Pas de trois: I. Intrada: Allegro, Swan Lake: Act I, IV. Pas de trois: II. Andante sostenuto, Swan Lake: Act I, IV. Pas de trois: III. Allegro simplice - Presto, Swan Lake: Act I, IV. Pas de trois: IV. Moderato, Swan Lake: Act I, IV. Pas de trois: V. Allegro, Swan Lake: Act I, IV. Pas de trois: VI. Coda: Allegro vivace, Swan Lake: Act I, IX. Finale: Sujet: Andante, Swan Lake: Act I, V. Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato, Swan Lake: Act I, V. Pas de deux: II. Andante - Allegro, Swan Lake: Act I, V. Pas de deux: III. Tempo di valse, Swan Lake: Act I, VI. Pas d'action: Andantino quasi moderato - Allegro, Swan Lake: Act I, VI. Pas de deux: IV. Coda: Allegro molto vivace, Swan Lake: Act I, VII. Sujet, Swan Lake: Act I, VIII. Danse des coupes: Tempo di polacca, Swan Lake: Act II, X. Scène: Moderato, Swan Lake: Act II, XI. Scène: Allegro moderato - Moderato - Allegro vivo, Swan Lake: Act II, XII. Scène: Allegro - Moderato assai quasi andante, Swan Lake: Act II, XIII. Danses des cygnes: I. Tempo di valse, Swan Lake: Act II, XIII. Danses des cygnes: II. Moderato assai, Swan Lake: Act II, XIII. Danses des cygnes: III. Tempo di valse, Swan Lake: Act II, XIII. Danses des cygnes: IV. Allegro moderato, Swan Lake: Act II, XIII. Danses des cygnes: V. Pas d'action: Andante - Andante non troppo - Tempo I - Allegro, Swan Lake: Act II, XIII. Danses des cygnes: VI. Tempo di valse, Swan Lake: Act II, XIII. Danses des cygnes: VII. Coda: Allegro vivo, Swan Lake: Act II, XIV. Scène: Moderato, Swan Lake: Act III, XIX. Pas de six. Intrada: Moderato assai, Swan Lake: Act III, XIX. Pas de six: Coda: Allegro molto, Swan Lake: Act III, XIX. Pas de six: Variation I: Allegro, Swan Lake: Act III, XIX. Pas de six: Variation II: Andante con moto, Swan Lake: Act III, XIX. Pas de six: Variation III: Moderato, Swan Lake: Act III, XIX. Pas de six: Variation IV: Allegro, Swan Lake: Act III, XIX. Pas de six: Variation V: Moderato - Allegro simplice, Swan Lake: Act III, XV. Allegro giusto, Swan Lake: Act III, XVI. Danses du corps de ballet et des nains: Moderato assai - Allegro vivo, Swan Lake: Act III, XVII. Scène. Sortie des invites et valse: Allegro - Tempo di valse, Swan Lake: Act III, XVIII. Scène: Allegro - Allegro giusto, Swan Lake: Act III, XX. Danse hongroise. Czardas: Moderato assai - Allegro moderato - Vivace, Swan Lake: Act III, XXI. Danse espagnole: Allegro non troppo (Tempo di bolero), Swan Lake: Act III, XXII. Danse napolitaine: Allegro moderato - Andantino quasi moderato - Presto, Swan Lake: Act III, XXIII. Mazurka: Tempo di mazurka, Swan Lake: Act III, XXIV. Scène: Allegro - Valse - Allegro vivo, Swan Lake: Act III, XXa. Danse russe: Moderato - Andante simplice - Allegro vivo - Presto, Swan Lake: Act IV, XXIX. Scène finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato, Swan Lake: Act IV, XXV. Entr'acte: Moderato, Swan Lake: Act IV, XXVI. Scène: Allegro non troppo, Swan Lake: Act IV, XXVII. Danses des petits cygnes: Moderato, Swan Lake: Act IV, XXVIII. Scène: Allegro agitato - Molto meno mosso - Allegro vivace, Swan Lake: Introduction: Moderato assai - Allegro non troppo - Tempo I, Symphony No. 1 in D major, Op. 25 “Classical”: II. Larghetto, Symphony in C: I. Moderato alla breve, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. Overature. Allegro, Symphony in Three Movements: II. Andante - Interlude: L'istesso tempo, Symphony in Three Movements: III. Con moto, Taxi Number: Come Up to My Place, The Four Sections: I. Strings (with Winds and Brass), The Four Sections: II. Percussion, The Four Sections: III. Winds and Brass (with Strings), The Four Sections: IV. Full Orchestra, The Great Lover Displays Himself, The Real Coney Island, The Star Spangled Banner, Times Square: Finale, Act 1, Tragic Overture for Orchestra in D minor, Op. 81, Variations, Variations on a Theme by Joseph Haydn, Op. 56a: Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII: Presto non troppo, Variations on a Theme of Haydn in B-flat major (St. Anthony Variations), Op. 56a: Finale: Andante, Ya Got Me |
| Gustav Mahler |
performing orchestra |
Das klagende Lied: I. Waldmärchen, Das klagende Lied: II. Der Spielmann, Das klagende Lied: III. Hochzeitsstück, Des Knaben Wunderhorn: I. Revelge, Des Knaben Wunderhorn: II. Das irdische Leben, Des Knaben Wunderhorn: III. Verlor'ne Müh', Des Knaben Wunderhorn: IV. Rheinlegendchen, Des Knaben Wunderhorn: IX. Des Antonius von Padua Fischpredigt, Des Knaben Wunderhorn: V. Der Tamboursg'sell, Des Knaben Wunderhorn: VI. Der Schildwache Nachtlied, Des Knaben Wunderhorn: VII. Wer hat dies Liedlein erdacht?, Des Knaben Wunderhorn: VIII. Lob des hohen Verstandes, Des Knaben Wunderhorn: X. Lied des Verfolgten im Turm, Des Knaben Wunderhorn: XI. Trost im Unglück, Des Knaben Wunderhorn: XII. Wo die schönen Trompeten blasen, Fliessender, Molto Ritenuto, Rückert-Lieder: Blicke Mir Nicht in Die Lieder, Rückert-Lieder: Ich Atmet' Einen Linden Druft, Rückert-Lieder: Ich Bin der Welt Abhanden Gekommen, Rückert-Lieder: Liebst du Um Schönheit, Rückert-Lieder: Um Mitternacht, Sehr Langsam, Sinfonie Nr. 5 in cis-moll: Adagietto (Sehr langsam), Sinfonie Nr. 5 in cis-moll: Rondo - Finale, Sinfonie Nr. 5 in cis-moll: Scherzo, Sinfonie Nr. 5 in cis-moll: Stürmisch beweget, mit größter Vehemenz, Sinfonie Nr. 5 in cis-moll: Trauermarsch, Symphonie No. 10: Adagio, Symphony No. 1 in D major: I. Langsam, schleppend - Wie ein Naturlaut, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C Minor - "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": III. Trumpets & Trombones, Symphony No. 2, "Resurrection": I.1 Allegro Maestoso, Symphony No. 2, "Resurrection": I.2 Im Tempo nachgeben, Symphony No. 2, "Resurrection": I.3 - Wie zu Anfang, Symphony No. 2, "Resurrection": I.4 Sehr mäßig und zurückhaltend, Symphony No. 2, "Resurrection": I.5 Schnell, Symphony No. 2, "Resurrection": I.6 a tempo subito. Molto più mosso, Symphony No. 2, "Resurrection": I.7 Tempo I, Symphony No. 2, "Resurrection": I.8 Tempo sostenuto, Symphony No. 2, "Resurrection": II.1 Andante moderato, Symphony No. 2, "Resurrection": II.2 Nicht eilen, Symphony No. 2, "Resurrection": II.3 In Tempo I zurückkehren, Symphony No. 2, "Resurrection": II.4 Energisch bewegt, Symphony No. 2, "Resurrection": II.5 - Wieder ins Tempo zurückgehen. Tempo I, Symphony No. 2, "Resurrection": III.1 In ruhig fließender Bewegung, Symphony No. 2, "Resurrection": III.2 Vorwärts, Symphony No. 2, "Resurrection": III.3 Zum Tempo I zurückkehren, Symphony No. 2, "Resurrection": III.4 - Unmerklich drängend, Symphony No. 2, "Resurrection": IV.1 "Urlicht" Sehr feierlich, aber schlicht "O Röschen rot!", Symphony No. 2, "Resurrection": IV.2 Etwas bewegter - "Da kam ich auf einen breiten Weg", Symphony No. 2, "Resurrection": V.1 Im Tempo des Scherzos. Wild herausfahrend, Symphony No. 2, "Resurrection": V.10 Sehr langsam und gedehnt, Symphony No. 2, "Resurrection": V.11 Langsam. Misterioso "Aufersteh’n, ja aufersteh’n wirst du", Symphony No. 2, "Resurrection": V.12 Langsam ppp "Wieder aufzublüh’n wirst du gesät", Symphony No. 2, "Resurrection": V.13 Etwas bewegter "O glaube, mein Herz, o glaube", Symphony No. 2, "Resurrection": V.14 Mit Aufschwung, aber nicht eilen - "O Schmerz! Du Alldurchdringer", Symphony No. 2, "Resurrection": V.2 Langsam, Symphony No. 2, "Resurrection": V.3 Im Anfang sehr zurückgehalten, Symphony No. 2, "Resurrection": V.4 - Wieder sehr breit, Symphony No. 2, "Resurrection": V.5 Wieder breit, Symphony No. 2, "Resurrection": V.6 - Maestoso - Allegro energico, Symphony No. 2, "Resurrection": V.7 Kräftig, Symphony No. 2, "Resurrection": V.8 - Wieder zurückhaltend, Symphony No. 2, "Resurrection": V.9 Langsam. Immer noch mehr zurückhaltend, Symphony No. 5 in C-sharp minor: IV. Adagietto, Symphony No. 6 in A minor: II. Andante moderato, Symphony No. 8 in E-flat major: Part 2, XII. Alles Vergangliche, Symphony no. 2, "Resurrection": I. Allegro Maestoso, Symphony no. 2, "Resurrection": I. Ausdrucksvoll (English Horn & Bass Clarinet), Symphony no. 2, "Resurrection": I. English Horn, Symphony no. 2, "Resurrection": I. Etwas Draengend, Symphony no. 2, "Resurrection": I. Im Tempo Nachgeben, Symphony no. 2, "Resurrection": I. Molto Pesante, Symphony no. 2, "Resurrection": I. Schnell, Symphony no. 2, "Resurrection": I. Sehr Getragen (Trumpet & Trombone), Symphony no. 2, "Resurrection": I. Sehr Langsam Beginnend, Symphony no. 2, "Resurrection": I. Sehr Maessig Und Zurueckhaltend, Symphony no. 2, "Resurrection": I. Tempo I, Symphony no. 2, "Resurrection": I. Tempo Sostenuto, Symphony no. 2, "Resurrection": I. Wie Zu Anfang, Symphony no. 2, "Resurrection": I. Zuruckhalten, Symphony no. 2, "Resurrection": II. 3 Bars Before Wieder in's Tempo zurückgehen Tempo I, Symphony no. 2, "Resurrection": II. Andante moderato, Symphony no. 2, "Resurrection": II. In Tempo I. zurückkehren, Symphony no. 2, "Resurrection": II. Nicht eilen. Sehr gemächlich, Symphony no. 2, "Resurrection": II. Tempo I. Engergisch bewegt, Symphony no. 2, "Resurrection": III. Bassoon & Violas, Symphony no. 2, "Resurrection": III. Cellos & Basses, Symphony no. 2, "Resurrection": III. In ruhig fliessender bewegung, Symphony no. 2, "Resurrection": III. Piccolo, Symphony no. 2, "Resurrection": III. Sehr getragen und gesangvoll, Symphony no. 2, "Resurrection": III. Violas, Cellos & Basses, Symphony no. 2, "Resurrection": III. Vorwäerts, Symphony no. 2, "Resurrection": III. Zum Tempo I. zurückkehren, Symphony no. 2, "Resurrection": IV. Sehr feierlich, aber schlicht (Choralmaessig), Symphony no. 2, "Resurrection": V. Etwas bewegter (Solo: "O Glaube"), Symphony no. 2, "Resurrection": V. Im Anfang sehr zurüeckgehalten, Symphony no. 2, "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend, Symphony no. 2, "Resurrection": V. Langsam, Symphony no. 2, "Resurrection": V. Langsam. Misterioso (Chorus: "Aufersteh'n"), Symphony no. 2, "Resurrection": V. Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz"), Symphony no. 2, "Resurrection": V. Pesante, Symphony no. 2, "Resurrection": V. Ritenuto, Symphony no. 2, "Resurrection": V. Sehr langsam und gedehnt ("Der grosse Appell"), Symphony no. 2, "Resurrection": V. Trombone, Symphony no. 2, "Resurrection": V. Wieder sehr breit, Symphony no. 2, "Resurrection": V. Wieder zurückhaltend, Symphony no. 3: I. Allegro Moderato., Symphony no. 3: I. Immer Dasselbe Tempo. (Marsch.), Symphony no. 3: I. Kräftig. Entschieden., Symphony no. 3: I. Langsam. Schwer., Symphony no. 3: I. Tempo I., Symphony no. 3: I. a Tempo., Symphony no. 3: II. Ganz Plötzlich Gemächlich. Tempo di Menuetto., Symphony no. 3: II. Tempo di Menuetto, Symphony no. 3: II. a Tempo., Symphony no. 3: III. Comodo. Scherzando. Ohne Hast., Symphony no. 3: III. Sehr Gemächlich., Symphony no. 3: III. Tempo I., Symphony no. 3: III. Wieder Sehr Gemächlich, Beinahe Langsam., Symphony no. 3: III. Wieder Sehr Gemächlich, Wie Zu Anfang., Symphony no. 3: IV. Più Mosso Subito., Symphony no. 3: IV. Sehr Langsam. Misterioso. Durchaus Ppp., Symphony no. 3: V. Lustig Im Tempo Unk Keck Im Ausdruck, Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden., Symphony no. 3: VI. Langsam. Tempo I., Symphony no. 3: VI. Nicht Mehr So Breit., Symphony no. 3: VI. Tempo I, Symphony no. 3: VI. Tempo I. Ruhevoll!, Symphony no. 3: VI. a Tempo (Etwas Bewegter) . |
| Giuseppe Verdi |
performing orchestra |
Aida (Chor Und Triumphmarsch "Gloria All'Egitto, Ad Iside"), Aida: "Se quel guerrier io fossi ... Celeste Aida", Aida: Overture, Atto Primo: "Follie! ... Sempre libera", Atto Primo: Brindisi "Libiamo, libiamo ne'lieti calici", Atto Secondo: "De' miei bollenti spiriti", Atto Secondo: "Di Provenza il mar", Atto Secondo: "Dite alla giovine", Atto Secondo: "Lunge da lei", Atto Secondo: "Noi siamo zingarelle", Atto Secondo: "Oh, mio rimorso!", Atto Secondo: "Pura siccome un angelo", Atto Terzo: "Addio, del passato bei sogni", Atto Terzo: "Parigi, o cara, noi lasceremo", Atto Terzo: "Se una pudica vergine", Atto Terzo: "Teneste la promessa", Ella giammai m'amò! - Don Carlo, Falstaff: Act I: Part 1 - "6 polli: 6 scellini" (Falstaff, Bardolfo, Pistola), Falstaff: Act I: Part 1 - "Falstaff!" (Dr Cajus, Falstaff, Bardolfo, Pistola), Falstaff: Act I: Part 1 - "Sir John, in quest'intrigo" ( Bardolfo, Falstaff, Pistola), Falstaff: Act I: Part 2 - "Alice. Meg. Nannetta" (Meg, Alice, Quickly, Nannetta), Falstaff: Act I: Part 2 - "Del tuo barbaro diagnostico" (Dr Cajus, Pistola, Ford, Bardolfo, Fenton, Alice, Meg, Nannetta, Quickly), Falstaff: Act I: Part 2 - "In due parole" (Pistola, Dr Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly), Falstaff: Act I: Part 2 - "Leggi. Fulgida Alice!" (Meg, Alice, Quickly, Nannetta), Falstaff: Act I: Part 2 - "Mostro!" (Alice, Nannetta, Quickly, Meg, Dr Cajus, Bardolfo, Ford, Pistola, Fenton), Falstaff: Act I: Part 2 - "Pst, pst, Nannetta" (Fenton, Nannetta, Alice, Meg, Quickly), Falstaff: Act I: Part 2 - "Torno all'assalto" (Fenton, Nannetta, Bardolfo, Ford, Pistola), Falstaff: Act II: Part 1 - "Alice e mia!" (Falstaff, Bardolfo), Falstaff: Act II: Part 1 - "C'e a Windsor una dama," (Ford, Falstaff), Falstaff: Act II: Part 1 - "E sogno? o realta?" (Ford, Falstaff), Falstaff: Act II: Part 1 - "Eccomi qua." (Ford, Falstaff), Falstaff: Act II: Part 1 - "Siam pentiti e contriti." (Bardolfo, Pistola, Falstaff, Quickly), Falstaff: Act II: Part 1 - "Signore" (Ford, Falstaff, Bardolfo, Pistola), Falstaff: Act II: Part 2 - "Alfin t'ho colto" (Falstaff, Alice), Falstaff: Act II: Part 2 - "C'e. C'e" (Ford, Dr Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Coro, Alice), Falstaff: Act II: Part 2 - "Gaie comari de Windsor" (Alice, Quickly, Nannetta, Meg), Falstaff: Act II: Part 2 - "Presenteremo un bill" (Alice, Quickly, Meg, Nannetta), Falstaff: Act II: Part 2 - "Quand'ero paggio" (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola), Falstaff: Act II: Part 2 - "Tutto delira" (Nannetta, Fenton, Ford, Bardolfo, Dr Cajus, Pistola, Meg, Quickly, Nannetta, Falstaff), Falstaff: Act II: Part 2 - "Vien qua" (Nannetta, Fenton, Dr Cajus, Ford, Pistola, Bardolfo), Falstaff: Act III: Part 1 - "Ehi! Taverniere!" (Falstaff), Falstaff: Act III: Part 1 - "Il Cacciatorre nero" (Quickly, Falstaff, Ford, Nannetta, Meg, Alice, Fenton), Falstaff: Act III: Part 1 - "Reverenza" (Quickly, Falstaff), Falstaff: Act III: Part 1 - "Sarai la Fata" (Alice, Nannetta, Meg, Fenton, Dr Cajus, Quickly), Falstaff: Act III: Part 1 - "Va, Vecchio John, va" (Falstaff), Falstaff: Act III: Part 2 - "Alto la!" (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Fate, Ford, Imps), Falstaff: Act III: Part 2 - "Dal labbro il canto estasiato vola" (Fenton, Nannetta, Alice, Quickly, Meg), Falstaff: Act III: Part 2 - "Gia s'avanza la coppia degli sposi" (Ford, Alice, Dr Cajus, Falstaff, Bardolfo, Fenton, Nannetta), Falstaff: Act III: Part 2 - "Ninfe! Elfi! Silfi!" (Nannetta, Falstaff, Alice, Fate), Falstaff: Act III: Part 2 - "Odo un soave passo!" (Falstaff), Falstaff: Act III: Part 2 - "Ogni sorta de gente dozzinale" (Falstaff, All, Ford), Falstaff: Act III: Part 2 - "Pizzica, pizzica" (Alice, Quickly, Meg, Falstaff, Dr Cajus, Ford, Pistola, Bardolfo, Coro), Falstaff: Act III: Part 2 - "Tutto, nel mondo e burla" (All), Falstaff: Act III: Part 2 - "Una, due, tre, quattro" (Falstaff), Giovanna d'Arco: Act I. "Qui! dove piu s'apre libero il cielo" / "O fatidica foresta" / "Ho risolto" / "Guai se terreno affetto", I Vespri Siciliani, I. Requiem & Kyrie, II. Dies Irae: Dies Irae, Dies Illa, II. Dies Irae:Confutatis Maledictis, II. Dies Irae:Ingemisco Tamquam Reus, II. Dies Irae:Lacrymosa Dies Illa, II. Dies Irae:Liber Scriptus Proferetur, II. Dies Irae:Quid Sum Miser, II. Dies Irae:Recordare, Jesu Pie, II. Dies Irae:Rex Tremendae Majestatis, II. Dies Irae:Tuba Mirum Spargens Sonum, III. Offertorio, IV. Sanctus, La Forza del Destino: "La vita è inferno ... O, tu che in seno agli angeli", La Traviata: Prelude to Act III, La donna è mobile - Rigoletto, La forza del destino, La traviata: Prelude to Act 3, Libiamo, ne'lieti calici, Macbeth: I. Che Faceste, Nabucco, Otello: "Ah! mille vite gli donasse Iddio ... Sì, pel ciel marmoreo giuro!", Otello: "Era più calmo?" - "Piangea cantando" - "Ave Maria", Prelude To -La Traviata-, Requiem: Part 2, I. Dies Irae, Requiem: Part 2, II. Tuba Mirum, Requiem: XI. Domine Jesu Christe, Requiem: i. Requiem Aeternam, Requiem: ii. Dies Irae, Requiem: iii. Tuba Mirum, Requiem: iv. Liber Scriptus, Requiem: ix. Confutatis, Requiem: v. Quid Sum Miser, Requiem: vi. Rex Tremendae, Requiem: vii. Recordare, Requiem: viii. Ingemisco, Requiem: x. Lacrymosa, Requiem: xi. Domine Jesu Christe, Requiem: xii. Hostias, Requiem: xiii. Sanctus, Requiem: xiv. Agnus Dei, Requiem: xv. Lux Aeterna, Requiem: xvi. Libera Me, Dies Irae, Requiem Aeternam, Requiem: xvii. Libera Me, Rigoletto: "La donna è mobile", Rigoletto: Atto I. "Ah! veglia, o donna" (Rigoletto), Rigoletto: Atto I. "Ch'io gli parli" (Monterone), Rigoletto: Atto I. "Che m'ami, deh, ripetimi" (Duca), Rigoletto: Atto I. "Della mia bella incognita borghese" (Duca), Rigoletto: Atto I. "Figlia!" "Mio padre!" (Rigoletto, Gilda), Rigoletto: Atto I. "Giovanna, ho dei rimorsi" (Gilda), Rigoletto: Atto I. "Gran nuova! Gran nuova!" (Marullo), Rigoletto: Atto I. "Pari siamo!" (Rigoletto), Rigoletto: Atto I. "Quel vecchio maledivami!" (Rigoletto), Rigoletto: Atto I. "Questa o quella per me pari sono" (Duca), Rigoletto: Atto I. "Riedo! Perché?" (Rigoletto), Rigoletto: Atto I. "Zitti, zitti" (Coro), Rigoletto: Atto I. Preludio, Rigoletto: Atto II. "Cortigiani, vil razza dannata" (Rigoletto), Rigoletto: Atto II. "Ella mi fu rapita!" (Duca), Rigoletto: Atto II. "Mio padre!…Tutte le feste al tempio" (Gilda), Rigoletto: Atto II. "Povero Rigoletto!" (Marullo), Rigoletto: Atto II. "Schiudete, ire al carcere" (Usciere), Rigoletto: Atto III. "Ah, più non ragiono!" (Gilda), Rigoletto: Atto III. "Bella figlia dell'amore" (Duca), Rigoletto: Atto III. "Della vendetta alfin giunge l'istante!" (Rigoletto), Rigoletto: Atto III. "E l'ami?" (Rigoletto), Rigoletto: Atto III. "V'ho ingannato, colpevole fui" (Gilda), Rigoletto: Atto III. "Venti scudi hai tu detto?" (Rigoletto), Rigoletto: La Donna è Mobile (extract), Rigoletto: La Donna é Mobile (feat. tenor: Luciano Pavarotti), V. Agnus Dei, VI. Lux Aeterna, VII. Libera Me, Va, pensiero ... / Oh, chi piange? ... / Del futuro nel buio discermo |
| Miles Robinson |
performer, performing orchestra |
Carnival Overture, op. 92, Domov můj Overture, op. 62 “My Home”, Fountains of Rome: I. The Giulia Valley Fountain at Daybreak, Fountains of Rome: II. The Triton Fountain in the Morning, Fountains of Rome: III. The Trevi Fountain at Noon, Fountains of Rome: IV. The Villa Medici Fountain at Sunset, Husitsk Overture, op. 67 (Hussite), Hussite Overture, op. 67, B. 132, Háry János Suite: Entrance of the emperor and his court, Háry János Suite: Prelude; the fairy tale begins, Háry János Suite: The battle and defeat of Napoleon, Háry János Suite: Viennese musical clock, In Nature’s Realm Overture, op. 91 “V přírodě”, Masonic Funeral Music, K. 477, Mass in D, Op. 86: I. Kyrie, Mass in D, Op. 86: II. Gloria, Mass in D, Op. 86: III. Credo, Mass in D, Op. 86: IV. Sanctus, Mass in D, Op. 86: V. Benedictus, Mass in D, Op. 86: VI. Agnus Dei, Othello Overture, op. 93, Othello Overture, op. 93, B. 174, Overture, op. 92 “Karneval”, Pines of Rome: I. The Pines of the Villa Borghese, Pines of Rome: II. Pines near a Catacomb, Pines of Rome: III. The Pines of the Janiculum, Pines of Rome: IV. The Pines of the Appian Way, Requiem, op. 89: I. Requiem aeternam, Requiem, op. 89: II. Graduale, Requiem, op. 89: III. Dies irae, Requiem, op. 89: IV. Tuba mirum, Requiem, op. 89: IX. Offertorium, Requiem, op. 89: V. Quid sum miser, Requiem, op. 89: VI. Recordare, Requiem, op. 89: VII. Confutatis maledictis, Requiem, op. 89: VIII. Lacrimosa, Requiem, op. 89: X. Hostias, Requiem, op. 89: XI. Sanctus, Requiem, op. 89: XII. Pie Jesu, Requiem, op. 89: XIII. Agnus Dei, Scherzo Capriccioso, Op. 66, Scherzo capriccioso, op. 66, Serenade for Wind in D minor, op. 44: Andante con moto, Serenade for Wind in D minor, op. 44: Finale (Allegro molto), Serenade for Wind in D minor, op. 44: Minuetto (Tempo di minuetto), Serenade for Wind in D minor, op. 44: Moderato, quasi marcia, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Andante quasi allegretto, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Bewegt, nicht zu schnell, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Finale: Bewegt, doch nicht zu schnell, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Scherzo: Bewegt - Trio: Nicht zu schnell. Keinesfalls schleppend, Symphonic Variations, op. 78, Symphonic Variations, op. 78 (28), B. 70, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: I. Maestoso - Allegro, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: II. Adagio molto, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: III. Allegretto, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: IV. Finale (Allegro animato), Symphony no. 2 in B flat major, op. 4: III. Scherzo (Allegro con brio), Symphony no. 2 in B flat major, op. 4: IV. Finale (Allegro con fuoco), Symphony no. 2 in B-flat major, op. 4: I. Allegro con moto, Symphony no. 2 in B-flat major, op. 4: II. Poco adagio, Symphony no. 3 in E-flat major, op. 10: I. Allegro moderato, Symphony no. 3 in E-flat major, op. 10: II. Adagio molto, tempo di marcia, Symphony no. 3 in E-flat major, op. 10: III. Finale. Allegro vivace, Symphony no. 4 in D minor, op. 13: I. Allegro, Symphony no. 4 in D minor, op. 13: II. Andante sostenuto e molto cantabile, Symphony no. 4 in D minor, op. 13: III. Scherzo (Allegro feroce), Symphony no. 4 in D minor, op. 13: IV. Finale. (Allegro con brio), Symphony no. 5 in F major, op. 76: I. Allegro, ma non troppo, Symphony no. 5 in F major, op. 76: II. Andante con moto, Symphony no. 5 in F major, op. 76: III. Scherzo. Allegro scherzando, Symphony no. 5 in F major, op. 76: IV. Finale. Allegro molto, Symphony no. 6 in D major, op. 60: I. Allegro non tanto, Symphony no. 6 in D major, op. 60: II. Adagio, Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant. Presto), Symphony no. 6 in D major, op. 60: IV. Finale (Allegro con spirito), Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace), Symphony no. 7 in D minor, op. 70: IV. Finale (Allegro), Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo, Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco, Symphony no. 9 in E minor, op. 95: I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95: II. Largo, Symphony no. 9 in E minor, op. 95: III. Molto vivace, Symphony no. 9 in E minor, op. 95: IV. Allegro con fuoco, Symphony no. 9: "From The New World": Largo (excerpt), The Birds: I. Prelude, The Birds: II. The Dove, The Birds: III. The Hen, The Birds: IV. The Nightingale (feat. flute William Bennett), The Birds: V. The Cuckoo, The Golden Spinning Wheel (Zlaty kolovrat), op. 109, The Golden Spinning Wheel, op. 109, B. 197, The Noon Witch, op. 108, The Noon Witch, op. 108, B. 196, The Water Goblin (Vodnik), op. 107, The Water Goblin (Vodnik), symphonic poem, op. 107 |
| James Horner |
performing orchestra |
"Men Will Fire Bullets, but God Decides Where They Land", "We’re Cristeros Now", A Bullet on the Floor, A Father's Legacy, Alfred / Tristan / The Colonel / The Legend, Alfred Moves to Helena, Ambush, Atmosphere Station, Bad Dreams, Bad Dreams (alternate), Balto Brings the Medicine!, Bavmorda's Spell Is Cast, Bishop's Countdown, Bishop’s Countdown, Boris & Balto, Braveheart: For the Love of a Princess, Braveheart: Main Theme, Canyon of Mazes, Chuck's First Lesson, Combat Drop, Combat Drop (percussion only), Cristeros, Dark Discovery, Dark Discovery / Newt’s Horror, Death, Elora Danan, End Credits, Entre la luz y el pecado, Escape From the Tavern, FaceHuggers, Farewell / Descent Into Madness, Final Playback / End Titles, First Playback, Flying, For the Love of a Princess, Foraging for Food, Futile Escape, Gaining Access to the Tapes, General Gorostieta, Going After Newt, Goodbyes, Goro and Tula, Grizzly Bear, Heritage of the Wolf, Hyperspace (alternate ending), Isabel's Murder / Recollections of Samuel, Jenna / Telegraphing the News, José Saves Catorce, José’s Martyrdom, Just Another Chapter of History (Closing Credits), LV-426, LV-426 (alternate edit) (film version), Legends of the Fall, Lillian’s Heart Attack, Lookout Point / End Credits, Lost Books, Main Title, Main Title / Balto's Story Unfolds, McLeod's Last Letter, McLeod's Secret Life, Med.Lab, Michael’s Gift to Karen, Newt, Newt Is Taken, Nightmares and Revelations, No Compromise, Off to War, Queen to Bishop, Race for Time, Resolution and Hyperspace, Revenge, Ripley's Rescue, Ripley's Rescue (percussion only), Ripley’s Rescue, Rosy Goes to the Doctor, Samuel's Death, Sharptooth and the Earthquake, Steele's Treachery, Sub-Level 3, The Changing Seasons / Wild Horses / Tristan's Return, The Complex, The Dead City, The Death of Padre Christopher, The Dogsled Race, The Epidemic's Toll, The Great Migration, The Journey Begins, The Ludlows, The Merchant of Venice, The Queen, The Rescue / Discovery of the Great Valley, The Tutor, The Wedding, Tir Asleen, To the Boys, Whispering Winds, Willow the Sorcerer, Willow's Journey Begins, Willow's Theme |
| Ryan Angelos |
performing orchestra |
Baba-Yaga, op. 56, Dubinushka, op. 62, Hungarian Dance for Orchestra in A minor, WoO 1 no. 8: Presto, Hungarian Dance for Orchestra in B minor, WoO 1 no. 19: Allegretto, Hungarian Dance for Orchestra in B-flat major, WoO 1 no. 15: Allegretto grazioso, Hungarian Dance for Orchestra in D major, WoO 1 no. 13: Andantino grazioso, Hungarian Dance for Orchestra in D major, WoO 1 no. 18: Molto vivace, Hungarian Dance for Orchestra in D major, WoO 1 no. 6: Vivace, Hungarian Dance for Orchestra in D minor, WoO 1 no. 11: Poco andante, Hungarian Dance for Orchestra in D minor, WoO 1 no. 12: Presto, Hungarian Dance for Orchestra in D minor, WoO 1 no. 14: Un poco andante, Hungarian Dance for Orchestra in D minor, WoO 1 no. 2: Allegro non assai, Hungarian Dance for Orchestra in E minor, WoO 1 no. 20: Poco allegretto, Hungarian Dance for Orchestra in E minor, WoO 1 no. 21: Vivace, Hungarian Dance for Orchestra in E minor, WoO 1 no. 9: Allegro ma non troppo, Hungarian Dance for Orchestra in F major, WoO 1 no. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 no. 3: Allegretto, Hungarian Dance for Orchestra in F major, WoO 1 no. 7: Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 no. 16: Con moto, Hungarian Dance for Orchestra in F-sharp minor, WoO 1 no. 17: Andantino, Hungarian Dance for Orchestra in F-sharp minor, WoO 1 no. 4: Poco sostenuto, Hungarian Dance for Orchestra in G minor, WoO 1 no. 1: Allegro molto, Hungarian Dance for Orchestra in G minor, WoO 1 no. 5: Allegro, Kikimora, op. 63, Overture from the Opera "Genoveva", op. 81, Overture to "Genoveva", op. 81, Overture to "Julius Caesar", op. 128, Overture to "Manfred", op. 115, Overture, Scherzo and Finale, op. 52: I. Overture, Overture, Scherzo and Finale, op. 52: II. Scherzo, Overture, Scherzo and Finale, op. 52: III. Finale, Piano Quartet in G minor, op. 25: I. Allegro, Piano Quartet in G minor, op. 25: II. Intermezzo: Allegro ma non troppo, Piano Quartet in G minor, op. 25: III. Andante con moto, Piano Quartet in G minor, op. 25: IV. Rondo alla zingarese: Presto, Scheherazade: The Young Prince and the Young Princess, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in A minor, op. 44: I. Lento – Allegro moderato, Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo – Allegro vivace – Tempo come prima, Symphony no. 3 in A minor, op. 44: III. Allegro, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, The Enchanted Lake, op. 62, The Firebird Ballet Suite: Final Hymn, The Firebird Ballet Suite: Infernal Dance, The Firebird Ballet Suite: Introduction, The Firebird Ballet Suite: Lullaby (Firebird), The Firebird Ballet Suite: Pantomime I, The Firebird Ballet Suite: Pantomime II, The Firebird Ballet Suite: Pantomime III, The Firebird Ballet Suite: Pas de deux (Firebird and Ivan Tsarevich), The Firebird Ballet Suite: Prelude and Dance of the Firebird, The Firebird Ballet Suite: Rondo (Khorovod), The Firebird Ballet Suite: Scherzo (Dance of the Princess), The Firebird Ballet Suite: Variations (Firebird), The Firebird: Final Hymn, The Firebird: Infernal Dance, The Firebird: Lullaby, Two Intermezzi for Orchestra: No. 1 in F-sharp minor, Two Intermezzi for Orchestra: No. 2 in G major, Variations and Fugue on a theme by Handel, op. 24: Aria, Variations and Fugue on a theme by Handel, op. 24: Fuga, Variations and Fugue on a theme by Handel, op. 24: Variation I, Variations and Fugue on a theme by Handel, op. 24: Variation II. Animato, Variations and Fugue on a theme by Handel, op. 24: Variation III. L'istesso tempo, Variations and Fugue on a theme by Handel, op. 24: Variation IV, Variations and Fugue on a theme by Handel, op. 24: Variation IX. Poco sostenuto, Variations and Fugue on a theme by Handel, op. 24: Variation V, Variations and Fugue on a theme by Handel, op. 24: Variation VI, Variations and Fugue on a theme by Handel, op. 24: Variation VII. Con vivacità, Variations and Fugue on a theme by Handel, op. 24: Variation VIII, Variations and Fugue on a theme by Handel, op. 24: Variation X. Energico (Vivace), Variations and Fugue on a theme by Handel, op. 24: Variation XI. Con moto, Variations and Fugue on a theme by Handel, op. 24: Variation XII, Variations and Fugue on a theme by Handel, op. 24: Variation XIII. Largamente, ma non troppo, Variations and Fugue on a theme by Handel, op. 24: Variation XIV. Impetuoso, Variations and Fugue on a theme by Handel, op. 24: Variation XIX. Leggiero vivace, Variations and Fugue on a theme by Handel, op. 24: Variation XV, Variations and Fugue on a theme by Handel, op. 24: Variation XVI, Variations and Fugue on a theme by Handel, op. 24: Variation XVII. Più mosso, Variations and Fugue on a theme by Handel, op. 24: Variation XVIII, Variations and Fugue on a theme by Handel, op. 24: Variation XX, Variations and Fugue on a theme by Handel, op. 24: Variation XXI, Variations and Fugue on a theme by Handel, op. 24: Variation XXII, Variations and Fugue on a theme by Handel, op. 24: Variation XXIII. Vivace, Variations and Fugue on a theme by Handel, op. 24: Variation XXIV, Variations and Fugue on a theme by Handel, op. 24: Variation XXV |
| Luis Conti Orchestra |
performing orchestra |
Concerto for Violin and Cello in A minor, op. 102: I. Allegro, Concerto for Violin and Cello in A minor, op. 102: II. Andante, Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in der Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Erscheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Still von dem Sturm, Eine Alpensinfonie: Vision, Eine Alpensinfonie: Wanderung neben dem Bache, Leonore Overture no. 2 in C major, op. 72a, Serenade no. 2 in A major, op. 16: I. Allegro moderato, Serenade no. 2 in A major, op. 16: II. Scherzo: Vivace, Serenade no. 2 in A major, op. 16: III. Adagio non troppo, Serenade no. 2 in A major, op. 16: IV. Quasi menuetto, Serenade no. 2 in A major, op. 16: V. Rondo: Allegro, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto & Trio. Allegro molto vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo ma con brio, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo & Trio: Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino), Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo and Trio: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Symphony no. 4 in E-flat major: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major: II. Andante, quasi Allegretto, Symphony no. 4 in E-flat major: III. Scherzo. Bewegt. Trio: Nicht zu schnell. Keinesfalls schleppend, Symphony no. 4 in E-flat major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4: I Bewegt, nicht zu schnell, Symphony no. 4: II Andante quasi Allegretto, Symphony no. 4: III Scherzo. Bewegt - Trio; Nicht zu schnell. Keinesfalls schleppend, Symphony no. 4: IV Finale - Bewegt, doch nicht zu schnell, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande (Allegro ma non troppo), Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach (Andante molto mosso), Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute (Allegro), Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm (Allegro), Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang - Frohe, dankbare Gefühle nach dem Sturm (Allegretto), Symphony no. 7 in A major, op. 92: I. Poco sostenuto - vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Scherzo. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9: I. Feierlich, Misterioso, Symphony no. 9: II. Scherzo: Bewegt, Lebhaft - Trio: Schnell - Scherzo, Symphony no. 9: III. Adagio: Langsam, Feierlich, Tragic Overture in D minor, op. 81 |
| Coyote |
performing orchestra |
Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto No. 2 in G minor, Op. 16: IV. Allegro tempestoso, Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo, Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo: Adagio, Piano Concerto No. 3 in D minor, Op. 30: III. Finale alla breve, Piano Concerto No. 4 in B-flat major "for the left hand", Op. 53: II. Andante, Piano Concerto No. 4 in G minor, Op. 40: I. Allegro vivace (Alla breve), Piano Concerto No. 4 in G minor, Op. 40: II. Largo, Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace, Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso, Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai, Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando, Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 1: II. Andante assai, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in G minor, op. 16: I. Andantino, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo: Vivace, Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo: Allegro moderato, Piano Concerto no. 2 in G minor, op. 16: IV. Allegro tempestoso, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni, Piano Concerto no. 3 in C major, op. 26: III. Allegro, ma non troppo, Piano Concerto no. 3 in D minor, op. 30: 1. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve), Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve, Piano Concerto no. 4 in B-flat major, op. 53 "For the Left Hand": I. Vivace, Piano Concerto no. 4 in B-flat major, op. 53 "For the Left Hand": II. Andante, Piano Concerto no. 4 in B-flat major, op. 53 "For the Left Hand": III. Moderato, Piano Concerto no. 4 in B-flat major, op. 53 "For the Left Hand": IV. Vivace, Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio, Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato, Piano Concerto no. 5 in G major, op. 55: III. Toccata: Allegro con fuoco, Piano Concerto no. 5 in G major, op. 55: IV. Larghetto, Piano Concerto no. 5 in G major, op. 55: V. Vivo, Rhapsodie über ein Thema von Paganini, Rhapsody on a Theme of Paganini, Op. 43: Introduction and Variation 1, Rhapsody on a Theme of Paganini, Op. 43: Theme, Rhapsody on a Theme of Paganini, Op. 43: Variation 10, Rhapsody on a Theme of Paganini, Op. 43: Variation 11, Rhapsody on a Theme of Paganini, Op. 43: Variation 12, Rhapsody on a Theme of Paganini, Op. 43: Variation 13, Rhapsody on a Theme of Paganini, Op. 43: Variation 14, Rhapsody on a Theme of Paganini, Op. 43: Variation 15, Rhapsody on a Theme of Paganini, Op. 43: Variation 16, Rhapsody on a Theme of Paganini, Op. 43: Variation 17, Rhapsody on a Theme of Paganini, Op. 43: Variation 18, Rhapsody on a Theme of Paganini, Op. 43: Variation 19, Rhapsody on a Theme of Paganini, Op. 43: Variation 2, Rhapsody on a Theme of Paganini, Op. 43: Variation 20, Rhapsody on a Theme of Paganini, Op. 43: Variation 21, Rhapsody on a Theme of Paganini, Op. 43: Variation 22, Rhapsody on a Theme of Paganini, Op. 43: Variation 23, Rhapsody on a Theme of Paganini, Op. 43: Variation 24, Rhapsody on a Theme of Paganini, Op. 43: Variation 3, Rhapsody on a Theme of Paganini, Op. 43: Variation 4, Rhapsody on a Theme of Paganini, Op. 43: Variation 5, Rhapsody on a Theme of Paganini, Op. 43: Variation 6, Rhapsody on a Theme of Paganini, Op. 43: Variation 7, Rhapsody on a Theme of Paganini, Op. 43: Variation 8, Rhapsody on a Theme of Paganini, Op. 43: Variation 9, Rhapsody on a Theme of Paganini, op. 43, Rhapsody on a Theme of Paganini, op. 43: Introduction / Variation 1, Rhapsody on a Theme of Paganini, op. 43: Theme, Rhapsody on a Theme of Paganini, op. 43: Variation 10, Rhapsody on a Theme of Paganini, op. 43: Variation 11, Rhapsody on a Theme of Paganini, op. 43: Variation 12, Rhapsody on a Theme of Paganini, op. 43: Variation 13, Rhapsody on a Theme of Paganini, op. 43: Variation 14, Rhapsody on a Theme of Paganini, op. 43: Variation 15, Rhapsody on a Theme of Paganini, op. 43: Variation 16, Rhapsody on a Theme of Paganini, op. 43: Variation 17, Rhapsody on a Theme of Paganini, op. 43: Variation 18, Rhapsody on a Theme of Paganini, op. 43: Variation 19, Rhapsody on a Theme of Paganini, op. 43: Variation 2, Rhapsody on a Theme of Paganini, op. 43: Variation 20, Rhapsody on a Theme of Paganini, op. 43: Variation 21, Rhapsody on a Theme of Paganini, op. 43: Variation 22, Rhapsody on a Theme of Paganini, op. 43: Variation 23, Rhapsody on a Theme of Paganini, op. 43: Variation 24, Rhapsody on a Theme of Paganini, op. 43: Variation 3, Rhapsody on a Theme of Paganini, op. 43: Variation 4, Rhapsody on a Theme of Paganini, op. 43: Variation 5, Rhapsody on a Theme of Paganini, op. 43: Variation 6, Rhapsody on a Theme of Paganini, op. 43: Variation 7, Rhapsody on a Theme of Paganini, op. 43: Variation 8, Rhapsody on a Theme of Paganini, op. 43: Variation 9 |
| Benjamin Britten |
performing orchestra |
Billy Budd: Act 2, Scene 3, Farewell Scene (excerpt), Billy Budd: Act 3, Coda, Vivace - Valse, Divertissement, Billy Budd: Act 3, Scene 2, Adagio, Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Christ! the poor chap", Billy Budd: Act I, Scene I. "Come along kid! Come along!", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "Guard boat! Indomitable!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "I heard, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Pull, my bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene II. "We are, sir. Claggart is an able one", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Come here. Remember your promise", Billy Budd: Act I, Scene III. "Dansker, old friend, glad to see you", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Hi! You...a...a...", Billy Budd: Act I, Scene III. "Over the water", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "O this cursed mist!", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "There you are again, Master-at-arms", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "Who'll volunteer to board 'em", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Master-at-arms and foretopman", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye, old Rights o' Man!", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene III. Interlude, Billy Budd: Act II, Scene IV. "According to the Articles of War", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Epilogue. "We committed his body to the deep.", Billy Budd: Prologue "I am an old man...", Billy Budd: Prologue. "I am an old man", Peter Grimes, Act II: Interlude 3, Peter Grimes: "Peter seems to have disappeared" - "Embroidery in childhood was a luxury of idleness" (Embroidery aria), Sinfonia da Requiem, Op. 20: I. Lacrymosa, The Young Person's Guide to the Orchestra, Op. 34: Theme, War Requiem, Op. 66: I. Requiem aeternam: Requiem Aeternam, War Requiem, Op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?, War Requiem, Op. 66: II. Dies irae: Dies Irae, War Requiem, Op. 66: II. Dies irae: Lacrimosa Dies Illa, War Requiem, Op. 66: II. Dies irae: Liber Scriptus Proferetur, War Requiem, Op. 66: II. Dies irae: Move Him Into the Sun, War Requiem, Op. 66: II. Dies irae: Recordare Jesu Pie, War Requiem, Op. 66: III. Domine Jesu Christe, War Requiem, Op. 66: IV. Sanctus, Sanctus, Sanctus, War Requiem, Op. 66: V. Agnus dei: One Ever Hangs, War Requiem, Op. 66: VI. Libera me: Libera Me, Domine |
| Пётр Ильич Чайковский |
performer, performing orchestra |
"Scene, Act II, No. 10," from Swan Lake, "Waltz" from Serenade For Strings, 1812 Overture, Op. 49, Capriccio Italien, Op. 45, Capriccio Italienne, Chant sans paroles, Op.40, No.6, Chant sans paroles, op. 40, no. 6, Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: II. Andantino semplice - Prestissimo, Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: III. Allegro con fuoco, Dance of the Cygnets (From "Swan Lake"), Der Schwanensee: Thema, Eugen Onegin: "Nu, zaboitalas ya!" - "Puskai pogilabnu ya, no pryezhde" (Letter scene), Festival Overture in E-Flat Major, "The Year 1812", Op. 49, Manfred Symphony in B minor, Op. 58: I. Lento lugubre - Moderato con moto - And, Manfred Symphony in B minor, Op. 58: II. Vivace con spirito, Manfred Symphony in B minor, Op. 58: III. Andante con moto, Manfred Symphony in B minor, Op. 58: IV. Allegro con fuoco, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirito, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, None but the Lonely Heart, Nutcracker, Nutcracker - Pas de Deux, Nutcracker - Waltz of Flowers, Romeo & Juliet: Fantasy Overture, Romeo and Juliet, Romeo and Juliet Fantasy Overture, Scherzo: Pizzicato ostinato, Allegro from Symphony No. 4 in F minor, Op. 36, Slawischer Marsch, Op. 31, Suite from The Sleeping Beauty, Swan Lake Op. 20: Act 1: No. 8 Danse des coupes, Swan Lake ballet, Op.20 - Dance Of The Little Swans (London Symphony Orchestra: Andre Previn, 1985), Swan Lake: The Black Swan, Symphony No. 5 In E Minor, op. 64: Andante, Symphony No. 5 In E Minor, op. 64: Andante Cantabile, Con Alcuna Licenza, Symphony No. 5 In E Minor, op. 64: Finale. Andante Maestoso, Symphony No. 5 In E Minor, op. 64: Valse. Allegro Moderato, Symphony No. 5 in E minor, Op. 64: I. Andante – Allegro con anima, Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza, Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato, Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace, Sérénade mélancolique for Violin and Orchestra in B minor, Op. 26, The Nutcracker Suite: Arabian Dance, The Nutcracker Suite: Chinese Dance, The Nutcracker Suite: Coda, Apotheosis, The Nutcracker Suite: Dance of the Flutes, The Nutcracker Suite: Dance of the Sugar Plum Fairy, The Nutcracker Suite: Departure of Guests, Bedtime, the Magic Spell Begins, Battle and Transformation of the Nutcracker, The Nutcracker Suite: March, The Nutcracker Suite: Mother Gigogne and the Clowns, The Nutcracker Suite: Pas de Deux, The Nutcracker Suite: Russian Dance (Trepak), The Nutcracker, Act II: Pas de deux, The Nutcracker, Op. 71: Act I, Scene VIII. A Pine Forest in Winter, The Nutcracker, Op. 71a, Act I, Tableau I: March / Act II, Tableau III: No. 14 Dance of the Sugar-plum Fair / No. 12-d Russian Dance: Trepak / No. ?? Arabian Dance / No. ?? Chinese Dance / No. 12-e Dance of the Reed-pipes, The Nutcracker, Op. 71a, Act II, Tableau III: No. 13 Waltz of the Flowers, The Nutcracker, Op. 71a: Miniature Overture, The Sleeping Beauty, Op. 66, Act ??: No. ?? Waltz, The Sleeping Beauty, Op. 66, Act I: No. 8-a Grand adage à la rose, The Sleeping Beauty, Op. 66, Act II, Scene I: No.14-b Entrée de la Fée des lilas, The Sleeping Beauty, Op. 66, Act II, Scene I: No.17 Panorama, The Sleeping Beauty, Op. 66, Prologue: No.1-a Introduction / No.1-b Marche de salon, The Sleeping Beauty, Op.66 - Act 1 - 5. Scène (The Palace Garden), The Sleeping Beauty, Op.66 - Act 1 - 6. Valse, The Sleeping Beauty, Op.66 - Act 1 - 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio"), The Sleeping Beauty, Op.66 - Act 1 - 8c. Pas d'action: Variation d'Aurore, The Sleeping Beauty, Op.66 - Act 2 - 17. Panorama (Andantino), The Sleeping Beauty, Op.66 - Act 3 - 22. Polacca (Allegro moderato), The Sleeping Beauty, Op.66 - Act 3 - 23e. Pas de quatre: Variation IV (Diamond Fairy), The Sleeping Beauty, Op.66 - Act 3 - 24. Pas de caractère (Puss in Boots), The Sleeping Beauty, Op.66 - Act 3 - 25a. Pas de quatre: Adagio, The Sleeping Beauty, Op.66 - Act 3 - 28e. Pas de deux: Coda (Allegro vivace)(The Three Ivans), The Sleeping Beauty, Op.66 - Act 3 - 29. Sarabande, The Sleeping Beauty, Op.66 - Act 3 - 30. Final: Allegro brillante - Apothéose, The Sleeping Beauty, Op.66 - Introduction - Act I: Marche, The Sleeping Beauty, Op.66 - Prologue - 3h. Pas de six: Variation VI (Lilac Fairy)(Waltz), The Sleeping Beauty, Op.66 / Act 2 - 15a. Pas d'action (Vision of Aurora), The Sleeping Beauty: Blue Bird Pas de deux, Variations on a Rococo Theme, Op. 33, Violin Concerto in D major, Op. 35: I. Allegro moderato, Violin Concerto in D major, Op. 35: II. Canzonetta. Andante, Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo, Waltz of the Flowers, Waltz of the Flowers from "The Nutcracker", „Schwanensee“ Op. 20 2. Akt „Szene“ |
| Michael Vertolli |
performing orchestra |
Air on the G String, Aria from Suite no. 3 in D, BWV 1068, Chaconne from Partita no. 2 in D Minor for solo violin, BWV 1004, Concerto for Double String Orchestra: I. Allegro con brio, Concerto for Double String Orchestra: II. Adagio cantabile, Concerto for Double String Orchestra: III. Allegro molto, Coriolan Overture, Op. 62, Daphnis & Chloé Suite No.2: Danse Générale, Daphnis & Chloé Suite No.2: Lever du Jour, Daphnis & Chloé Suite No.2: Pantomime, Daphnis & Chloë - Suite no. 2: II. Pantomime, Extase, Firebird Suite: Dance Infernal of King Kastchei, Firebird Suite: Dance of the Firebird, Firebird Suite: Finale, Firebird Suite: Introduction, Firebird Suite: Lullaby, Firebird Suite: Round Dance of the Princesses, Forest Murmurs "Siegfried", Forest Murmurs (Siegfried), Jesu, Joy of Man's Desiring (extract), L'Ascension (Four symphonic meditations for orchestra): I. Majesté du Christ demandant sa gloire à son père, L'Ascension (Four symphonic meditations for orchestra): II. Alléluias sereins d'un âme qui désire le ciel, L'Ascension (Four symphonic meditations for orchestra): III. Alléluia sur la trompette, alléluia sur la cymbale, L'Ascension (Four symphonic meditations for orchestra): IV. Prière du Christ montant vers son père, La Mer, L.109: I. From Dawn Till Noon on the Sea (De l'aube à midi sur la mer), La Mer, L.109: II. Play of the Waves (Jeux de vagues), La Mer, L.109: III. Dialogue of the Wind and the Sea (Dialogue du vent et de la mer), La Mer: Dialog of The Wind and Sea, La Mer: From Dawn Till Noon on the Sea, La Mer: Play of the Waves, Little Fugue in G Minor, BWV 578, March Slave, Marche Slave, op. 31, Mephisto Waltz no. 1, S. 110/2 (The Dance in the Village Inn), Night on the Bare Mountain, Partita no. 2 in D minor, BWV 1004: Chaconne (1992 Remastered), Prelude to the Afternoon of a Faun, Preludio from Partita no. 3 in E for solo violin, BWV 1006, Prélude à l'après-midi d'un faune, L. 86, Rapsodie espagnole, Siegfried, Zweiter Aufzug: Forest Murmurs, Sonata pian e forte. Alla quarta bassa from Sacrae symphoniae (arr. Leopold Stokowski), Song Without Words, Swan Lake: Danse Espagnole, Swan Lake: Danses des petits cygnes, Swan Lake: Introduction, Swan Lake: Pas de deux, Swan Lake: Pas de trois (Variation III), Swan Lake: Scene (Allegro moderato), Swan Lake: Scene (Finale), Swan Lake: Scene (Moderato), Swan Lake: Valse, Symphony No. 5 in D minor, Op. 47: I. Moderato, Symphony No. 5 in D minor, Op. 47: II. Allegretto, Symphony No. 5 in D minor, Op. 47: III. Largo, Symphony No. 5 in D minor, Op. 47: IV. Allegro non troppo, Symphony No.1 in C minor, Op.68: 1. Un poco sostenuto, Allegro, Meno allegro, Symphony No.1 in C minor, Op.68: 2. Andante sostenuto, Symphony No.1 in C minor, Op.68: 3. Un poco allegretto e grazioso, Symphony No.1 in C minor, Op.68: 4. Adagio, Piu andante, Allegro non troppo, ma con brio, Piu allegro, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio, The Engulfed Cathedral, The Firebird Suite: Dance of the Firebird, The Firebird Suite: Finale, The Firebird Suite: Infernal Dance of King Kastchei, The Firebird Suite: Introduction, The Firebird Suite: Lullaby, The Firebird Suite: Round Dance of the Princesses, The Sleeping Beauty: Finale. Apotheosis, The Sleeping Beauty: Introduction, The Sleeping Beauty: Pas d'action, The Sleeping Beauty: Pas de Deux (Adagio), The Sleeping Beauty: Pas de quatre (Adagio), The Sleeping Beauty: Pas de quatre (Allegro non tanto), The Sleeping Beauty: Polacca, The Sleeping Beauty: Valse, The Sleeping Beauty: Variation IV (Canari qui chante), Wachet auf |
| George Frideric Handel |
performing orchestra |
Alcina: Act I, Scene I. "Chi m'insega il caro padre?" (Oberto, Oronte, Bradamante, Morgana), Alcina: Act I, Scene I. "Di te mi rido, semplice stolto" (Ruggiero, Oberto, Melisso, Bradamante), Alcina: Act I, Scene I. "Di', cor mio, quanto t'amai" (Alcina), Alcina: Act I, Scene I. "E gelosia, forza è d'amore" (Bradamante) / Scene II. "Vo cercando la bella cagion delle mie pene" (Ruggiero), Alcina: Act I, Scene I. "O s'apre al riso" (Morgana), Alcina: Act I, Scene I. "Questo è il cielo contenti" (Coro, Bradamante, Melisso, Alcina), Alcina: Act I, Scene I. "Sin per le vie del sole" (Coro, Bradamante, Ruggiero, Melisso), Alcina: Act I, Scene I. Overture / "Oh Dei!" (Bradamante, Melisso, Morgana), Alcina: Act I, Scene II. "Bramo di trionfar" (Ruggiero, Oronte), Alcina: Act I, Scene II. "La bocca vaga" (Ruggiero, Melisso, Bradamante, Morgana, Alcina), Alcina: Act I, Scene II. "Semplicetto! a donna credi?" (Oronte, Ruggiero, Alcina), Alcina: Act I, Scene II. "Sì, son quella, non più bella" (Alcina, Bradamante, Ruggiero, Melisso), Alcina: Act I, Scene II. Gavotte I — Sarabande — Menuet — Gavotte II, Alcina: Act II, Scene I. "Col celarvi a chi v'ama un momento" (Ruggiero, Melisso), Alcina: Act II, Scene I. "Mi lusinga il dolce affetto" (Ruggiero), Alcina: Act II, Scene I. "Pensa a chi geme" (Melisso, Bradamante, Ruggiero), Alcina: Act II, Scene I. "Qual portento mi richiama" (Ruggiero, Melisso), Alcina: Act II, Scene I. "Vorrei vendicarmi del perfido cor" (Bradamante, Ruggiero), Alcina: Act II, Scene I. Musette — Menuet, Alcina: Act II, Scene II. "Ah! mio cor! schemito sei!" (Alcina, Morgana, Oronto), Alcina: Act II, Scene II. "Ama, sospira, ma non t'offende" (Morgana, Alcina, Ruggiero), Alcina: Act II, Scene II. "E' un folle, è un vil affetto" (Oronte, Ruggiero, Bradamante, Morgana), Alcina: Act II, Scene II. "Mio bel tesoro" (Ruggiero, Oberto, Alcina), Alcina: Act II, Scene II. "S'acquieti il rio sospetto" (Alcina, Morgana, Ruggiero), Alcina: Act II, Scene II. "Tra speme e timore" (Oberto, Oronte, Alcina), Alcina: Act II, Scene II. "Verdi parti, selve amene" (Ruggiero), Alcina: Act II, Scene III. "Ah! Ruggiero crudel, tu non mi amasti!" (Alcina), Alcina: Act II, Scene III. "Ombre pallide, lo so, mu udite" (Alcina), Alcina: Act II, Scene III. Ballet, Alcina: Act III, Scene I. "Credete al mio dolore" (Morgana, Oronte), Alcina: Act III, Scene I. "Ma quando tonerai" (Alcina, Melisso, Ruggiero, Bradamante), Alcina: Act III, Scene I. "Sta nell'Ircana pietrosa tana" (Ruggiero), Alcina: Act III, Scene I. "Un momento di contento" (Oronte, Ruggiero, Alcina), Alcina: Act III, Scene I. "Vane tu seco ancora" (Melisso, Bradamante) / Scene II "Niuna forza lo arresta" (Oronte, Alcina), Alcina: Act III, Scene I. Sinfonia / "Vogliio amar e disamar" (Oronte, Morgana), Alcina: Act III, Scene II. "Mi restano le lagrime" (Alcina) / Scene III. "Già vicino è 'l momento" (Oberto, Alcina), Alcina: Act III, Scene III. "Barbara! io ben lo so" (Oberto, Bradamante, Alcina, Ruggiero), Alcina: Act III, Scene III. "Dopo tante amare pepe" (Coro), Alcina: Act III, Scene III. "Non è amor, né gelosia" (Alcina, Bradamante, Ruggiero), Alcina: Act III, Scene III. "Prendi, e vivi. Ruggiero vuol la tua libertà" (Ruggiero, Oronte, Alcina, Bradamante, Morgana, Melisso, Coro), Bourree in D - Water Music, Der Messias: Halleluja (London Symphony Chorus & Orchestra (feat. conductor: Colin Davis), Giulio Cesare: Act I. "Priva son d'ogni conforti" (Cornelia), Giulio Cesare: Act I. "Tu la mia stella sei" (Cleopatra), Giulio Cesare: Act I. "Va tacito e nascosto" (Cesare), Giulio Cesare: Act II. "Se pietà di me non senti" (Cleopatra), Giulio Cesare: Act II. "Sì spietata, il tuo rigore" (Tolomeo), Giulio Cesare: Act II. "V'adoro, pupille" (Cleopatra), Giulio Cesare: Act II. "Venere bella" (Cleopatra), Giulio Cesare: Act III. "Aure, deh, per pietà" (Cesare), Giulio Cesare: Act III. "Da tempeste il legno infranto" (Cleopatra), Giulio Cesare: Act III. "Piangerò la sorte mia" (Cleopatra), Giulio Cesare: Act III. "Sperai né m'ingannai" (Sesto), Hornpipe From 'Winter Music', LARGO, Messiah, HWV. 56: Part 1, XII. For Unto Us a Child Is Born, Messiah: And suddenly..., Messiah: And the glory of the Lord, Messiah: Behold I tell you a mystery...The trumpet shall sound, Messiah: Behold a virgin shall conceive...O thou that tellest, Messiah: Comfort ye, Messiah: Every valley shall be exalted, Messiah: For unto us a child is born, Messiah: Glory to God in the highest, Messiah: I know that my redeemer liveth, Messiah: Let us break their bonds, Messiah: Rejoice greatly, Messiah: Why do the nations, Messiah: Worthy is the lamb...Amen, Oboe Concerto #3 in G minor, Ombra mai fu (Handel's Largo), Ombra mai tu ("Handel's Largo"), Rejoice greatly (Messiah, ed. Herbage), The Messiah: For Unto Us a Child Is Born, The Messiah: Hallelujah Chorus, Water Music, Water Music - Allegro, Water Music - Andante, Water Music - Hornpipe |
| Игорь Фёдорович Стравинский |
performing orchestra |
Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto, The Firebird (L'Oiseau de feu) Suite (1919): Berceuse, The Firebird (L'Oiseau de feu) Suite (1919): Dance of the Firebird, The Firebird (L'Oiseau de feu) Suite (1919): Finale, The Firebird (L'Oiseau de feu) Suite (1919): Infernal Dance of King Kaschei, The Firebird (L'Oiseau de feu) Suite (1919): Introduction, The Firebird (L'Oiseau de feu) Suite (1919): Round Dance of the Princesses, The Firebird Suite: Lullaby / Finale, The Firebird: Infernal Dance of Kings, The Rake's Progress: Act I, Scene 1. "All is ready, sir", The Rake's Progress: Act I, Scene 1. "Anne, my dear", The Rake's Progress: Act I, Scene 1. "Dear father Trulove" / "Laughter and light", The Rake's Progress: Act I, Scene 1. "Fair lady, gracious gentlemen" / "I wished but once", The Rake's Progress: Act I, Scene 1. "Farewell for now", The Rake's Progress: Act I, Scene 1. "Here I stand" / "Since it is not by merit", The Rake's Progress: Act I, Scene 1. "I'll call the coachman, sir", The Rake's Progress: Act I, Scene 1. "The woods are green", The Rake's Progress: Act I, Scene 1. "Tom Rakewell?", The Rake's Progress: Act I, Scene 2. "Come, Tom", The Rake's Progress: Act I, Scene 2. "How sad a song", The Rake's Progress: Act I, Scene 2. "I go, I go to him", The Rake's Progress: Act I, Scene 2. "Love, too frequently betrayed", The Rake's Progress: Act I, Scene 2. "My father! Can I desert him", The Rake's Progress: Act I, Scene 2. "No word from Tom", The Rake's Progress: Act I, Scene 2. "Quietly, night", The Rake's Progress: Act I, Scene 2. "Sisters of Venus, Brothers of Mars", The Rake's Progress: Act I, Scene 2. "Soon dawn will glitter", The Rake's Progress: Act I, Scene 2. "The sun is bright, the grass is green", The Rake's Progress: Act I, Scene 2. "With air commanding and weapon handy", The Rake's Progress: Act II, Scene 1. "Always the quarry that I stalk", The Rake's Progress: Act II, Scene 1. "Come, master, observe the host of mankind", The Rake's Progress: Act II, Scene 1. "In youth the panting slave pursues", The Rake's Progress: Act II, Scene 1. "Master, are you alone?", The Rake's Progress: Act II, Scene 1. "My tale shall be told", The Rake's Progress: Act II, Scene 1. "O Nature, green unnatural mother", The Rake's Progress: Act II, Scene 1. "Vary the song, O London", The Rake's Progress: Act II, Scene 2. "Anne! here!", The Rake's Progress: Act II, Scene 2. "Could it then have been known", The Rake's Progress: Act II, Scene 2. "How strange!" / "O heart be stronger", The Rake's Progress: Act II, Scene 2. "I have not run away", The Rake's Progress: Act II, Scene 2. "My love, am I to remain in here for ever?", The Rake's Progress: Act II, Scene 2. Introduction, The Rake's Progress: Act II, Scene 3. "As I was saying" / "Come, sweet, come" / "Scorned! Abused!", The Rake's Progress: Act II, Scene 3. "Fa la la", The Rake's Progress: Act II, Scene 3. "Forgive me, master, for intruding", The Rake's Progress: Act II, Scene 3. "My heart is cold", The Rake's Progress: Act II, Scene 3. "O, I wish it were true", The Rake's Progress: Act II, Scene 3. "Thanks to this excellent device", The Rake's Progress: Act III, Scene 1. "I go to him" / "Who cares a fig", The Rake's Progress: Act III, Scene 1. "Ladies both fair and gracious", The Rake's Progress: Act III, Scene 1. "Ruin. Disaster. Shame", The Rake's Progress: Act III, Scene 1. "Sold! Annoyed!" / "Now what was that!", The Rake's Progress: Act III, Scene 1. "Who hears me, knows me" / "Seven - eleven" / "Behold it, Roman, moral" / "Fifteen - and a half" / "Wonderful" / "An unknown object draws us" / "Fifty - fifty-five", The Rake's Progress: Act III, Scene 1. "You love him" / "If boys had wings", The Rake's Progress: Act III, Scene 2. "How dark and dreadful is this place", The Rake's Progress: Act III, Scene 2. "I burn, I burn! I freeze!", The Rake's Progress: Act III, Scene 2. "Very well then, my dear and good Tom", The Rake's Progress: Act III, Scene 2. "Well then" / "My heart is wild with fear", The Rake's Progress: Act III, Scene 2. "With roses crowned", The Rake's Progress: Act III, Scene 2. Prelude, The Rake's Progress: Act III, Scene 3. "Anne, my dear", The Rake's Progress: Act III, Scene 3. "Every wearied body", The Rake's Progress: Act III, Scene 3. "Gently, little boat", The Rake's Progress: Act III, Scene 3. "I am exceeding weary", The Rake's Progress: Act III, Scene 3. "I have waited", The Rake's Progress: Act III, Scene 3. "In a foolish dream", The Rake's Progress: Act III, Scene 3. "Mourn for Adonis", The Rake's Progress: Act III, Scene 3. "Prepare yourselves, heroic shades" / "Madmen's words are all untrue" / "Leave all love and hope behind", The Rake's Progress: Act III, Scene 3. "There he is. Have no fear", The Rake's Progress: Act III, Scene 3. "Where art thou, Venus?", The Rake's Progress: Epilogue. "Good people, just a moment", The Rake's Progress: Prelude, Violin Concerto in D major: I. Toccata, Violin Concerto in D major: II. Aria I, Violin Concerto in D major: III. Aria II, Violin Concerto in D major: IV. Capriccio |
| Patrick Doyle |
performing orchestra |
Another Year Ends, Battle for Varden, Black Arrival, Brom's Story, Burning Farm, Cobblers, Coronation, Death of Cedric, Death of Vortgyn, Durza, Eragon, Escape From Capri, Excalibur, Fabulous News, Foreign Visitors Arrive, Fortune Teller, Frank Dies, Golden Egg, Goodbye Swaziland, Goths Seize Rome, Hadrian's Wall, Harry Dies, Harry Sees Dragons, Harry in Winter, Hogwarts’ Hymn, Hogwarts’ March, I Was Lying, If You Were Flying, Independence, Itch Twitch, Journey to Britannia, Lauren Leaves, Legend of Eragon, Milo Tindle, Monica, Months to Live, Nestor's Betrayal, Neville’s Waltz, Ngatsi Ngisahamba, No More War, One Set All, Passing the Flame, Please Forgive Me, Potter Waltz, Ra'zac, Rat in a Trap, Rita Skeeter, Roran Leaves, Sacred Pentangle, Saphira Returns, Saphira's First Flight, Secret Sword, Sirius Fire, Sleuth, Swaziland, Sword Play Romance, The Battle of Hadrian's Wall, The Black Lake, The Bridge, The Dark Mark, The Goblet of Fire, The Key, The Ladder, The Maze, The Quidditch World Cup, The Shooting, The Story Continues, The Visitor, Together, Train Away, Underwater Secrets, Voldemort, Wah-Wah, Who Killed Them?, Wrong Answer, You're Now You |
| Vincenzo Bellini |
performing orchestra |
Act One, Scene 1 - All'erta! All'erta! L'alba apar, Act One, Scene 1 - O di Cromwell guerrieri, Act One, Scene 1 - Or dove fuggo mai?, Act One, Scene 2 - O amato zio, o mio secondo padre!, Act One, Scene 2 - Sai com' arde in petto mio, Act One, Scene 3 - A te, o cara, Act One, Scene 3 - Ad Arturo onore, Act One, Scene 3 - Dov'? Arturo?, Act One, Scene 3 - Ferma! Invan, invan rapir pretendi, Act One, Scene 3 - Il rito augusto si compia senza me, Act One, Scene 3 - Ma tu gi? mi fuggi?, Act One, Scene 3 - Son vergin vezzosa, Act Three - A una fonte affilitto e solo, Act Three - Ancor s'ascolta questa suon molesto, Act Three - Credeasi, misera!, Act Three - Fin?.. me lassa!, Act Three - Son salvo, alfin son salvo, Act Three - Suon d'araldi?, Act Three - Vieni, vieni fra queste braccia, Act Two - Ah dolor! Ah terror!, Act Two - Cinta di fiori, Act Two - E di morte lo stral non sar?lento, Act Two - Il rival salvar tu dêi, Act Two - O rendetemi la speme, Act Two - Vien, diletto, ?in ciel la luna!, Norma: "Casta Diva", Norma: "Deh! non volerli vittime", Norma: Act I, Scene I. "Ah! bello a me ritorna" (Norma, Oroveso, Coro), Norma: Act I, Scene I. "Casta Diva" (Norma, Oroveso, Coro), Norma: Act I, Scene I. "Deh! proteggimi, o Dio!" (Adalgisa), Norma: Act I, Scene I. "Eccola! va, mi lascia, ragion non odo" (Pollione, Adalgisa), Norma: Act I, Scene I. "Fine al rito" (Norma, Oroveso, Coro), Norma: Act I, Scene I. "Me protegge, me difende" (Pollione), Norma: Act I, Scene I. "Meco all'altar di Venere" (Pollione), Norma: Act I, Scene I. "Norma viene" (Coro), Norma: Act I, Scene I. "Sediziose voci, voci di guerra" (Norma, Oroveso, Coro), Norma: Act I, Scene I. "Sgombra è la sacra selva, compuito il rito" (Adalgisa), Norma: Act I, Scene I. "Svanir le voci!" (Pollione, Flavio), Norma: Act I, Scene I. "Va, crudele, al Dio spietato" (Pollione, Adalgisa), Norma: Act I, Scene I. Introduzione (Orchestra) / "Ite sul colle, o Druidi" (Oroveso, Coro), Norma: Act I, Scene II. "Adalgisa!" (Norma), Norma: Act I, Scene II. "Ah! Si, fa core, abbracciami" (Norma), Norma: Act I, Scene II. "Ma di', l'amato quale fra noi si noma?" (Norma), Norma: Act I, Scene II. "Norma! De' tuoi rimproveri" (Pollione), Norma: Act I, Scene II. "Oh non tremare" (Norma), Norma: Act I, Scene II. "Oh! Di qual sei tu vittima" (Norma), Norma: Act I, Scene II. "Oh! Qual traspare orribile" (Adalgisa), Norma: Act I, Scene II. "Oh! rimembranza!" (Norma), Norma: Act I, Scene II. "Perfido!" (Norma), Norma: Act I, Scene II. "Vanne, e li cela entrambi" (Norma), Norma: Act I, Scene II. "Vanne, si: mi lascia, indegno" (Norma), Norma: Act II, Scene I. "Deh! con te, con te li prendi" (Adalgisa, Norma), Norma: Act II, Scene I. "Dormono entrambi" (Norma, Clotilde), Norma: Act II, Scene I. "Mi chiami, o Norma!" (Adalgisa, Norma), Norma: Act II, Scene I. "Mira, o Norma" (Adalgisa, Norma), Norma: Act II, Scene I. "Si, fino all'ore estreme" (Adalgisa, Norma), Norma: Act II, Scene II. "Guerrieri! a voi venirne" (Oroveso, Coro), Norma: Act II, Scene II. "Non parti?" (Coro), Norma: Act II, Scene III. "Dammi quel ferro" (Pollione, Norma, Oroveso, Coro), Norma: Act II, Scene III. "Deh! non volerli vittime" (Pollione, Norma, Oroveso, Coro), Norma: Act II, Scene III. "Ei tornerà" (Norma, Clotilde), Norma: Act II, Scene III. "Già mi pasco ne'tuoi sguardi" (Norma, Pollione), Norma: Act II, Scene III. "Guerra, guerra!" (Oroveso, Coro, Norma), Norma: Act II, Scene III. "In mia man alfin tu sei" (Norma, Pollione), Norma: Act II, Scene III. "Norma! deh! Norma, scolpati" (Pollione, Norma, Oroveso, Coro), Norma: Act II, Scene III. "Nè compi il rito, o Norma?" (Oroveso, Norma, Clotilde, Coro, Pollione), Norma: Act II, Scene III. "Qual cor tradisti, qual cor perdesti" (Pollione, Norma, Oroveso, Coro), Norma: Act II, Scene III. "Squilla il bronzo del Dio!" (Oroveso, Coro, Norma), Norma: Act II. Introduzione (Orchestra), Norma: Casta Diva (Angela Gheorghiu), Norma: Sinfonia (Orchestra), Norma; Casta Diva... |
| Trevor Jones |
performing orchestra |
1st Class Waltz, A Game of Intrigue, Age of Magic, Agra to China, Around the World Overture, Arthur's Call, Batbirds Dispatched / Environmental Musical Sounds / Gelfling Song / Batbird Brought Down / Mystics Travelling #1, Chamberlain Is Attacked, Dismantling Carmen, Escape From the Chamberlain / Kira Summons the Landstriders, Exactly Like My Dream, Finale, Garthim Are Dispatched / Jen on Aughra's Mountain, Gelfling Frightens the Skeksis / The Crystal Made Whole / Mystics and Skeksis Fuse / Finale / End Credits, Gelfling Song, Gelflings Meet / Dreamfast, Griffins, In Search of the Grail, Jen Discovers Crystal Chamber, Jen Discovers Shard, Jen Enters Aughra's Observatory, Jen Goes to His Dying Master, Jen Plays His Pipes, Jen Trapped in Lair / Jen Reaches Chamber of Life, Jen and Kira Love Theme, Jen and Kira Set Off on Landstriders / Pod Person Drained, Jen and Kira in the Sewer, Jetpack Journey, Kira Brought Before the Skeksis, Kira Drained in the Chamber of Life, Kira Free / Jen Goes in Search / Mystic Disintegrates / Mystics Travelling #3, Lost in America, Love Theme, Mab's Demise, May Angels Fly Thee Home, Notting Hill (score), Observatory Destroyed / Mystics Set Out, Opening Titles and Main Theme / Mystics' Sandpainting, Pod Party / Destruction of Pod Village, Prince Hapi Escape, Rendezvous in Paris, Return of the Jade Buddha, Reunited, Skeksis Debate Leadership / Skeksis Duel (Film version), Skeksis Feast, Part One, Skeksis Feast, Part Two, Skeksis Summoned by Alarm, The Balloon Chase, The Battle / Mystics Travelling #2, The Dark Crystal Overture, The Death of the Emperor / Death of the Mystic Master / Mystic Memorial Ceremony / Jen's Journey Through the New World, The Dragon's Lair, The Funeral / Jen's Journey, The Funerals / Jen's Journey, The Gelfling Ruins, The Great Conjuction, The Great Conjunction, The Landstrider Journey, The Mystic Master Dies, The Mystical Master Dies, The Pod Dance, The Power Ceremony, The Prophecy in the Ruins, The Skeksis' Funeral, The Storm, The Wager, The Walls Are Whispering, Will and Anna (score) |
| 007 |
performing orchestra |
Bob in Dacron, First Movement, Bob in Dacron, Second Movement, Bogus Pomp, Boléro, Envelopes, L'Oiseau de Feu: Intro, L'Oiseau de Feu: Tableau I: Appearance Of L'Oiseau de Feu, L'Oiseau de Feu: Tableau I: Appearance Of L'Oiseau de Feu Pursued By Ivan Tsarevich, L'Oiseau de Feu: Tableau I: Appearance Of The Thirteen Enchanted Princesses, L'Oiseau de Feu: Tableau I: Arrival Of Kashchei The Immortal, L'Oiseau de Feu: Tableau I: Complete Darkness, L'Oiseau de Feu: Tableau I: Dance Of Kashchei's Retinue Under L'Oiseau de Feu's Spell, L'Oiseau de Feu: Tableau I: Dance Of L'Oiseau de Feu, L'Oiseau de Feu: Tableau I: Daybreak, L'Oiseau de Feu: Tableau I: Infernal Dance Of All Kashchei's Subjects, L'Oiseau de Feu: Tableau I: Intercession Of The Princesses, L'Oiseau de Feu: Tableau I: Ivan Tsarevich Captures L'Oiseau de Feu, L'Oiseau de Feu: Tableau I: KashChei's Dialogue With Ivan Tsarevich, L'Oiseau de Feu: Tableau I: Kashchei's Awakening, L'Oiseau de Feu: Tableau I: Kashchei's Enchanted Garden, L'Oiseau de Feu: Tableau I: Lullaby (L'Oiseau de Feu), L'Oiseau de Feu: Tableau I: Magic Carillon, Appearance Of Kashchei's Guardian Monsters And Capture, L'Oiseau de Feu: Tableau I: Prince Ivan Enters Kashchei's Palace, L'Oiseau de Feu: Tableau I: Sudden Appearance Of Ivan Tsarevich, L'Oiseau de Feu: Tableau I: Supplications Of L'Oiseau de Feu, L'Oiseau de Feu: Tableau I: The Death Of Kashchei, L'Oiseau de Feu: Tableau I: The Princesses' Game With The Golden Apples (Scherzo), L'Oiseau de Feu: Tableau I: The Princesses' Khorovod (Round Dance), L'Oiseau de Feu: Tableau II: Disappearance Of The Palace And Dissolution Of Kashchei's Enchantments, La Valse: 18 - 26, La Valse: 26 - 41, La Valse: 41 - 46, La Valse: 46 - 50, La Valse: 50 - 76, La Valse: 76 - fin, La Valse: Mouvement de valse viennoise - 18, Menuet antique, Mo ’n Herb’s Vacation, First Movement, Mo ’n Herb’s Vacation, Second Movement, Mo ’n Herb’s Vacation, Third Movement, Mo ’n Herb’s Vacation: A. First Movement, Mo ’n Herb’s Vacation: B. Second Movement, Mo ’n Herb’s Vacation: C. Third Movement, Mo ’n Herb’s Vacation: I, Mo ’n Herb’s Vacation: II, Mo ’n Herb’s Vacation: III, Pedro’s Dowry, Pedro’s Dowry (large orchestra version), Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Assez vif, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria. Assez animé, Sad Jane, Sad Jane, First Movement, Sad Jane, Second Movement, Sad Jane: 1st Movement, Sad Jane: 2nd Movement, Strictly Genteel, Symphonies of Wind Instruments, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Valses nobles et sentimentales: VIII. Epilogue. Lent |
| Leon Williams |
performer, performing orchestra |
Symphony No. 8 in E-flat major, Part I: I. Veni, creator spiritus, Symphony No. 8 in E-flat major, Part I: II. Imple superna gratia, Symphony No. 8 in E-flat major, Part I: III. Infirma nostri corporis, Symphony No. 8 in E-flat major, Part I: IV. Accende lumen sensibus, Symphony No. 8 in E-flat major, Part I: V. Veni, creator spiritus, Symphony No. 8 in E-flat major, Part I: VI. Gloria Patri Domino, Symphony No. 8 in E-flat major, Part II: I. Poco adagio, Symphony No. 8 in E-flat major, Part II: II. Ewiger Wonnebrand, Symphony No. 8 in E-flat major, Part II: III. Wie Felsenabgrund mir zu Füßen, Symphony No. 8 in E-flat major, Part II: IV. Gerettet ist das edle Glied, Symphony No. 8 in E-flat major, Part II: IX. Neige, neige, du Ohnegleiche, Symphony No. 8 in E-flat major, Part II: V. Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major, Part II: VI. Höchste Herrscherin der Welt, Symphony No. 8 in E-flat major, Part II: VII. Dir, der Unberührbaren, Symphony No. 8 in E-flat major, Part II: VIII. Bei der Liebe, die den Füßen, Symphony No. 8 in E-flat major, Part II: X. Komm! Hebe dich zu höhern Sphären!, Symphony No. 8 in E-flat major, Part II: XI. Blicket auf, Symphony No. 8 in E-flat major, Part II: XII. Alles Vergängliche, Symphony no. 1 in G minor, op. 13 'Winter Daydreams": I. Allegro tranquillo, Symphony no. 1 in G minor, op. 13 'Winter Daydreams": II. Adagio cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 'Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 'Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 1: I. Allegro Patetico, Symphony no. 1: II. Finale: Allegro Con Moto. Grazioso, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro, Symphony no. 2 in E minor, op. 27: I. Largo — Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Symphony no. 2: I. Allegro Moderato. Grazioso, Symphony no. 2: II. Temat (Theme), Symphony no. 2: III. Wariacja I (Variation I), Symphony no. 2: IV. Wariacja II (Variation II), Symphony no. 2: IX. Fuga Finale (Finale: Fugue), Symphony no. 2: V. Wariacja III (Variation III), Symphony no. 2: VI. Wariacja IV (Variation IV), Symphony no. 2: VII. Wariacja V (Variation V), Symphony no. 2: VIII. Finale Introduzione - Wariacja VI (Finale Introduction - Variation VI), Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro: Moderato assai, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3: I. Kräftig. Entschieden, Symphony no. 3: II. Tempo di Menuetto. Grazioso, Symphony no. 3: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3: IV. Sehr langsam. Misterioso, Symphony no. 3: V. Lustig im Tempo und keck im Ausdruck, Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio - Allegretto subito - Allegretto subito), Symphony no. 4 in G major: IV. Sehr behaglich ('Wir genießen die himmlischen Freuden'), Symphony no. 5: I. Trauermarsch, In gemessenem Schritt, Streng, Wie ein Kondukt (Cis-Moll), Symphony no. 5: II. Stürmisch bewegt, Mit größter Vehemenz (A-Moll), Symphony no. 5: III. Scherzo, Kräftig, nicht zu schnell (D-Dur), Symphony no. 5: IV. Adagietto, Sehr langsam (F-Dur), Symphony no. 5: V. Rondo-Finale, Allegro - Allegro giocoso, Frisch (D-Dur), Symphony no. 6 in A minor: III. Scherzo. Wuchtig, Symphony no. 7 in E minor: I. Langsam (Adagio) - Allegro con fuoco, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo: Schattenahft, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico |
| Zhao |
performing orchestra |
Caractacus, op. 35: Processional Music, Carmina Burana: Blanziflor et Helena: ⅩⅩⅣ. Ave formosissima, Carmina Burana: Blanzifor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: Fortuna Imperatrix mundi: Ⅰ. O Fortuna, Carmina Burana: Fortuna Imperatrix mundi: Ⅱ. Fortuna plango vulnera, Carmina Burana: Fortuna Imperatrix mundi: ⅩⅩⅤ. O Fortuna (reprise), Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret silva, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem Anger: Tanz, Carmina Burana: Uf dem Anger: Were diu werlt alle min, Carmina Burana: Uf dem Anger: Ⅵ. Tanz, Carmina Burana: Uf dem Anger: Ⅶ. Floret silva nobilis, Carmina Burana: Uf dem Anger: Ⅷ. Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Ⅸ. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe, Carmina Burana: Uf dem Anger: Ⅹ. Were diu werlt alle min, Carmina Burana: Ⅰ. Primo vere: Ⅲ. Veris leta facies, Carmina Burana: Ⅰ. Primo vere: Ⅳ. Omnia sol temperat, Carmina Burana: Ⅰ. Primo vere: Ⅴ. Ecce gratum, Carmina Burana: Ⅱ. In Taberna: ⅩⅢ. Ego sum abbas, Carmina Burana: Ⅱ. In Taberna: ⅩⅣ. In taberna quando sumus, Carmina Burana: Ⅱ. In Taberna: Ⅺ. Estuans interius, Carmina Burana: Ⅱ. In Taberna: Ⅻ. Olim lacus colueram, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅤ. Amor volat undique, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅥ. Dies, nox et omnia, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅦ. Stetit puella, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅧ. Circa mea pectora, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅨ. Si puer cum puellula, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅩ. Veni, veni, venias, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅩⅢ. Dulcissime, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅪ. In trutina mentis dubia, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅫ. Tempus est iocundum, From the Bavarian Highlands, op. 27: III. Lullaby, Grand March & "Vieni, guerriero vindice" (Aida, Act II), Requiem: Dies Irae, Requiem: Dies Irae (Extract), Scenes From the Bavarian Highlands: The Dance, Sinfonia da Requiem, op. 20: Lacrymosa (extract), The Canterbury Pilgrims: The Wife of Bath (extract), The Dream of Gerontius, op. 38: Part I. "Be merciful, be gracious" (Chorus), The Dream of Gerontius, op. 38: Part I. "Go, in the name of Angels" (Chorus), The Dream of Gerontius, op. 38: Part I. "Kyrie eleison" (Chorus), The Dream of Gerontius, op. 38: Part I. "Rescue him, O Lord!" (Chorus), The Dream of Gerontius, op. 38: Part II. "Be merciful, be gracious" (Chorus), The Dream of Gerontius, op. 38: Part II. "Glory to Him" (Chorus), The Dream of Gerontius, op. 38: Part II. "Lord, Thou hast been our refuge" (Chorus), The Dream of Gerontius, op. 38: Part II. "Low-born clods of brute earth" (Chorus), The Dream of Gerontius, op. 38: Part II. "Praise to the Holiest" (Chorus), The Dream of Gerontius, op. 38: Part II. "The mind bold and independent" (Chorus) |
| John Williams |
performing orchestra |
Across the Stars, Across the Stars: Love Theme, Alternates: I Can Fly (Flying Sequence Segment), Alternates: Prelude and Main Title, Alternates: The Dome Opens, Alternates: The Mugger, Alternates: The Planet Krypton, Alternates: The Prison Yard / End Title (film version), Alternates: Trajectory Malfunction, Alternates: Turning Back the World, Anakin’s Theme, Battle of the Heroes, Binary Sunset / Cantina Band, Can You Read My Mind (film version), Chasing Rockets, Clark Loses His Nerve, Confrontation With Count Dooku / Finale, Death on the Carousel, Duel of the Fates, E.T. the Extraterrestrial: Flying, Epilogue, Finale, For Gillian, Gillian's Escape, Gillian's Vision, Han Solo and the Princess (Love Theme), Helicopter Sequence, Hester's Theme and the House, Jonathan's Death, Light of the Force, Love Theme From Superman, Luke and Leia, Main Title, On the Conveyor Belt, Prelude and Main Title, Princes Leia’s Theme, Pushing Boulders / Flying to Lois, Star Wars (main theme), Starwars (theme), Superfeats, The Asteroid Field, The Burglar Sequence / Chasing Crooks, The Duel, The Dune Sea of Tatooine / Jawa Sandcrawler, The Flying Sequence, The Forest Battle (Concert Suite), The Imperial March, The Kryptonquake, The March of the Villains, The Mugger, The Penthouse, The Prison Yard / End Title, The Search for Robin, The Training of a Jedi Knight, The Truck Convoy / Miss Teschmacher Helps, Throne Room / Finale, To the Lair, Trajectory Malfunction / Luthor's Lethal Weapon, Turning Back the World, Vision on the Stairs, Yoda’s Theme |
| Mister Rock La Flow |
performing orchestra |
Il barbiere di Siviglia: Act II. Thunderstorm (Orchestra), Il barbiere di Siviglia: Overture, La forza del destino: Act I. "Ah! per sempre", La forza del destino: Act I. "Buona notte, mia figlia", La forza del destino: Act I. "Dimani si partirà", La forza del destino: Act I. "M'aiuti, signorina", La forza del destino: Act I. "Me pellegrina ed orfana", La forza del destino: Act I. "Temea restasse qui fino a domani!", La forza del destino: Act I. "È tardi", La forza del destino: Act I. Overture, La forza del destino: Act II, Scene I. "Al suon del tamburo", La forza del destino: Act II, Scene I. "Holà, holà, holà!", La forza del destino: Act II, Scene I. "La cena è pronta", La forza del destino: Act II, Scene I. "Padre Eterno Signor", La forza del destino: Act II, Scene I. "Poich'imberbe è l'incognito", La forza del destino: Act II, Scene I. "Sta bene", La forza del destino: Act II, Scene I. "Viva la buona compagnia!", La forza del destino: Act II, Scene II. "Chi mi cerca?", La forza del destino: Act II, Scene II. "Chi siete?", La forza del destino: Act II, Scene II. "Madre, Madre, pietosa Vergine", La forza del destino: Act II, Scene II. "Se voi scacciate questa pentita", La forza del destino: Act II, Scene II. "Son giunta! Grazie, o Dio!", La forza del destino: Act II, Scene III. "Il santo nome", La forza del destino: Act II, Scene III. "La Vergine degli angeli", La forza del destino: Act III, Scene I. "Al tradimento", La forza del destino: Act III, Scene I. "Attenti al gioco, attenti", La forza del destino: Act III, Scene I. "La vita è inferno all'infelice", La forza del destino: Act III, Scene I. "Morir! Tremenda cosa!", La forza del destino: Act III, Scene I. "Oh, tu che in seno agl'angeli", La forza del destino: Act III, Scene I. "Piano, qui posi", La forza del destino: Act III, Scene I. "Solenne in quest'ora", La forza del destino: Act III, Scene I. "Urna fatale del mio destino", La forza del destino: Act III, Scene II. "A buon mercato chi vuol comprare", La forza del destino: Act III, Scene II. "Compagni, sostiamo", La forza del destino: Act III, Scene II. "Fermi, arrestate!", La forza del destino: Act III, Scene II. "Lasciatelo ch'ei vada", La forza del destino: Act III, Scene II. "Lorchè pifferi e tamburi", La forza del destino: Act III, Scene II. "Nella guerra è la follia", La forza del destino: Act III, Scene II. "Nè gustare m'è dato", La forza del destino: Act III, Scene II. "Oh, tradimento! Sleale! Il segreto fu dunque violato?", La forza del destino: Act III, Scene II. "Pane, pan per carità", La forza del destino: Act III, Scene II. "Qua vivandiere, un sorso", La forza del destino: Act III, Scene II. "Toh, toh! Poffare il mondo!", La forza del destino: Act IV, Scene I. "Ah, una suora me lasciasti", La forza del destino: Act IV, Scene I. "Auf! Pazienza non v'ha", La forza del destino: Act IV, Scene I. "Fate la carità", La forza del destino: Act IV, Scene I. "Giunge qualcun, aprite", La forza del destino: Act IV, Scene I. "Invano, Alvaro", La forza del destino: Act IV, Scene I. "Le minaccie, i fieri accenti", La forza del destino: Act IV, Scene II. "Io muoio!", La forza del destino: Act IV, Scene II. "Non imprecare, umiliati", La forza del destino: Act IV, Scene II. "Pace, pace, mio Dio", Symphony no. 1 in D major “Titan”: I., Symphony no. 1 in D major “Titan”: II., Symphony no. 1 in D major “Titan”: III., Symphony no. 1 in D major “Titan”: IV., Symphony no. 6 in A minor: I., Symphony no. 6 in A minor: II., Symphony no. 6 in A minor: III., Symphony no. 6 in A minor: IV. |
| Ralph Vaughan Williams |
performing orchestra |
A Cotswold Romance: 1. The Men of Cotsall, A Cotswold Romance: 10. Freedom at Last, A Cotswold Romance: 2. Sweet Little Linnet, A Cotswold Romance: 3. Hugh' s Song of the Road, A Cotswold Romance: 4. Love at First Sight, A Cotswold Romance: 5. The Best Man in England, A Cotswold Romance: 6. Alone and Friendless, A Cotswold Romance: 7. The Fight and its Sequel, A Cotswold Romance: 8. Hugh in the Stocks, A Cotswold Romance: 9. Mary Escapes, Benedicite, Death of Tintagiles: 1. Lento, Death of Tintagiles: 2. Allegro, Death of Tintagiles: 3. Lento - Andante tranquillo - Lento, Death of Tintagiles: 4 1/2. Allegro, Death of Tintagiles: 4. Moderato, Death of Tintagiles: 5. Lento, Death of Tintagiles: Prelude: Largo - Andantino - Adagio, Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Fantaisie sur ''Greensleeves'', Fantasia On 'Greensleeves', Fantasia on "Greensleeves", Fantasia on 'Greensleeves', Fantasia on Christmas Carols (full orchestra version): I. "This is the truth sent from above", Fantasia on Christmas Carols (full orchestra version): II. "Come all you worthy gentlemen", Fantasia on Christmas Carols (full orchestra version): III. "On Christmas night all Christians sing", Fantasia on Christmas Carols (full orchestra version): IV. "God bless the ruler of this house", Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis, Job: A Masque for Dancing, Scene I: Introduction, Job: A Masque for Dancing, Scene I: Sarabande for the sons of God, Job: A Masque for Dancing, Scene II: Satan's dance of triumph, Job: A Masque for Dancing, Scene III: Minuet of the sons of Job and their wives, Job: A Masque for Dancing, Scene IV: Job's dream, Job: A Masque for Dancing, Scene IX: Epilogue, Job: A Masque for Dancing, Scene V: Dream of the three messengers, Job: A Masque for Dancing, Scene VI: Dance of Job's comforters, Job: A Masque for Dancing, Scene VII: Elihu's dance of youth and beauty, Job: A Masque for Dancing, Scene VII: Pavane of the sons of the morning, Job: A Masque for Dancing, Scene VIII: Altar dance, Job: A Masque for Dancing, Scene VIII: Galliard of the sons of the morning, Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo), Tuba Concerto in F minor: I. Prelude: Allegro moderato, Tuba Concerto in F minor: II. Romanza: Andante sostenuto, Tuba Concerto in F minor: III. Finale: Rondo alla tedesca (Allegro) |
| Ludwig van Beethoven |
conductor, performer, performing orchestra |
Adagio Sostenuto "Moonlight Sonata", Adaptation - The Pathetique, Egmont Overture - Incidental Music, op. 84, Epilogue (Beethoven Piano Concerto No. 5 "Emperor" - II), Fidelio - Mir Ist So Wundebar, Für Elise, Leonora: Overture No. 3 in C minor, Op. 72a, Leonore Overture No. 3, Op. 72b, Mass in C: I. Kyrie, Mass in C: II. Gloria, Mass in C: III. Credo, Mass in C: IV. Sanctus, Mass in C: V. Benedictus, Mass in C: VI. Agnus Dei, Menuet en sol majeur, Menuett In G, Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Ode to Joy 9th Symphony 4th Movement, Ode to joy, 9th symphony, Seid Umschlungen, Millionen, Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, Op. 122, Speaking Unto Nations (Beethoven Symphony No. 7 - II), Symphonie Nr. 5 - 1. Satz, Symphonie Nr. 5 - 2. Satz, Symphonie Nr. 5 - 3. Satz, Symphonie Nr. 5 - 4. Satz, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 5 in C Minor, Op. 67: IV. Allegro, Symphony No. 5 in C minor, Op. 67 "Fate": I. Allegro con brio, Symphony No. 5 in C minor, Op. 67 "Fate": II. Andante con moto, Symphony No. 5 in C minor, Op. 67 "Fate": III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67 "Fate": IV. Allegro, Symphony No. 5 in C minor, Op. 67: Allegro / Allegro - Allegro - Presto, Symphony No. 5 in C minor, Op. 67: Allegro con brio, Symphony No. 5 in C minor, Op. 67: Andante con moto, Symphony No. 6 in F major, Op. 68 'Pastorale': V. Allegretto, Symphony No. 7 in A major, Op. 92, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV 4. Allegro con brio, Symphony No. 9, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Ode to Joy (excerpt), Symphony No. 9 in D minor, Op. 125 'Choral': II. Scherzo. Molto vivace, Symphony No. 9 in D minor, Op. 125: 4th Movement (excerpt), Symphony No.9 in D minor, Op.125 "Choral": 1. Allegro ma non troppo, un poco maestoso, Symphony No.9 in D minor, Op.125 "Choral": 2. Molto vivace, Symphony No.9 in D minor, Op.125 "Choral": 3. Adagio molto e cantabile, Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai, Symphony no. 5 in C minor, op. 67 "Fate", Symphony no. 6 in F major, op. 68 "Pastoral", Wellington's Victory or the Battle of Vittoria, op, 91: Battle: Allegro, Wellington's Victory or the Battle of Vittoria, op, 91: British Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: French Entrance, Wellington's Victory or the Battle of Vittoria, op, 91: March: Allegro assai, Wellington's Victory or the Battle of Vittoria, op, 91: Victory: Allegro con brio |
| Kimo Ariumi |
performing orchestra |
An Outdoor Overture, Appalachian Spring, Appalachian Spring, sections 1, 2, 5, & 6 part 1, Appalachian Spring, sections 1, 2, 5, & 6 part 2, Appalachian Spring, sections 1, 2, 5, & 6 part 3, Appalachian Spring, sections 1, 2, 5, & 6 part 4, Appalachian Spring: Allegro, Appalachian Spring: Andante (Very Calm), Appalachian Spring: As At First (Slowly), Appalachian Spring: Ballet, Appalachian Spring: Doppio movimento, Appalachian Spring: Fast, Appalachian Spring: Moderato, Appalachian Spring: Very slow, Appalacian Spring: Subito allegro, Billy the Kid Suite: Billy's Death, Billy the Kid Suite: Celebration (After Billy's Capture), Billy the Kid Suite: Gun Battle, Billy the Kid Suite: Introduction - The Open Prairie, Billy the Kid Suite: Prairie Night (Card Game at Night), Billy the Kid Suite: Street in a Frontier Town, Billy the Kid Suite: The Open Prairie Again, Billy the Kid: Ballet Suite, Billy the Kid: Card Game at Night, Billy the Kid: Celebration after Billy's Capture, Billy the Kid: Epilogue: The Open Prairie Again, Billy the Kid: Gun Battle, Billy the Kid: II. Street in a Frontier Town (London Symphony Orchestra feat. conductor: Aaron Copland), Billy the Kid: III. Card Game at Night (Prairie Night) (London Symphony Orchestra feat. conductor: Aaron Copland), Billy the Kid: IV. Gun Battle (London Symphony Orchestra feat. conductor: Aaron Copland), Billy the Kid: Street in a Frontier Town, Billy the Kid: The Open Prairie, Billy the Kid: V. Celebration Dance (after Billy’s Capture) (London Symphony Orchestra feat. conductor: Aaron Copland), Billy the Kid: VI. Billy’s Death (London Symphony Orchestra feat. conductor: Aaron Copland), Billy the Kid: VII. The Open Prairie Again (London Symphony Orchestra feat. conductor: Aaron Copland), Celebration, Danzón Cubano (London Symphony Orchestra feat. conductor: Aaron Copland), Down a Country Lane, Fanfare for the Common Man, Lincoln Portrait: Lento, Lincoln Portrait: Subito allegro, Our Town, Preamble for a Solemn Occasion, Quiet City, Rodeo: I. Buckaroo Holiday, Rodeo: II. Corral Nocturne, Rodeo: III. Saturday Night Waltz, Rodeo: IV. Hoedown, Statement for Orchestra: I. Militant, Statement for Orchestra: II. Cryptic, Statement for Orchestra: III. Dogmatic, Statement for Orchestra: IV. Subjective, Statement for Orchestra: V. Jingo, Statement for Orchestra: VI. Prophetic, Symphony no. 3: I. Molto moderato, Symphony no. 3: II. Allegro molto, Symphony no. 3: III. Andantino quasi allegretto, Symphony no. 3: IV. Molto deliberato (Fanfare); Allegro risoluto |
| Christopher K. Koenigsberg |
performing orchestra |
Candide: Overture, Le Sacre du printemps: I. L'Adoration de la terre, Le Sacre du printemps: II. Le Sacrifice, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le Sage, Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ia. "Veni, Creator Spiritus!", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ib. "Imple superna gratia", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ic. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Id. Tempo I. (Allegro, etwas hastig.), Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ie. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! If. "Accende lumen sensibus", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ig. "Qui Paraclitus diceris", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ih. "Gloria Patri Domino", Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIa. Poco adagio, Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIb. Più mosso. (Allegro moderato), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIc. "Waldung, sie schwankt heran" (Heilige Anachoreten), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IId. "Ewiger Wonnebrand" (Pater Ecstaticus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIe. "Wie Felsenabgrund mir zu Füßen" (Pater Profundus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIf. "Gerettet ist das edle Glied" (Chor der Engel und Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIg. "Jene Rosen, aus den Händen" (Chor der jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIh. "Uns bleibt ein Erdenrest" (Die vollendeteren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIi. "Ich spür' soeben" (Die jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIj. "Hier ist die Aussicht frei" (Doctor Marianus) / "Freudig empfangen wir" (Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIk. "Höchste Herrscherin der Welt" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIl. "Jungfrau, rein im schänsten Sinne" (Doctor Marianus und Chor), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIm. Aussert langsam. Adagissimo., Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIn. "Dir, der Unberührbaren" (Chöre) / "Du schwebst zu Höhen" (Una Poenitentium und Chor der Büßerinnen), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIo. "Bei der Liebe, die den Fen" (Magna Peccatrix), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIp. "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIq. "Bei dem hochgeweigten Orte" (Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIr. "Die du grossen Sünderinnen" (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIs. "Neige, neige, du Ohnegleiche" (Una Poenitenium), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIt. "Er überwächst uns schon" (Selige Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIu. "Vom edlen Geisterchor umgeben" (Una Poenitentium (Gretchen)), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIv. "Komm! Hebe dich zu höhern Sphären!" (Mater Gloriosa), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIw. "Blicket auf zum Retterblick" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIx. "Alles Vergängliche" (Chorus Mysticus), Symphony no. 2 "Resurrection": I. Allegro maestoso, Symphony no. 2 "Resurrection": II. Andante moderato, Symphony no. 2 "Resurrection": III. Scherzo. In ruhig fließender Bewegung, Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 8 in E-flat major, "Symphony of a Thousand": I. Teil. Hymnus: "Veni, creator spiritus", Symphony no. 8 in E-flat major, "Symphony of a Thousand": II. Teil. Schlußszene aus Faust, The Rite of Spring: I. The Adoration of the Earth: I. Dance of the Earth, The Rite of Spring: I. The Adoration of the Earth: I. Games of the Rival Tribes, The Rite of Spring: I. The Adoration of the Earth: I. Introduction. Lento, The Rite of Spring: I. The Adoration of the Earth: I. Mock Abduction, The Rite of Spring: I. The Adoration of the Earth: I. Procession of the Wise Elder, The Rite of Spring: I. The Adoration of the Earth: I. Spring Round Dances, The Rite of Spring: I. The Adoration of the Earth: I. The Spring Divinations: Dances of the Young Girls, The Rite of Spring: II. The Sacrifice: I. Introduction. Largo, The Rite of Spring: II. The Sacrifice: II. Mystical Circles of the Young Girls, The Rite of Spring: II. The Sacrifice: III. Glorification of the Chosen Victim, The Rite of Spring: II. The Sacrifice: IV. Summoning of the Ancestors, The Rite of Spring: II. The Sacrifice: V. Ritual of the Ancestors, The Rite of Spring: II. The Sacrifice: VI. Sacrificial Dance (The Chosen Victim) |
| Gold Spectacles |
performing orchestra |
Apollon Musagète, Scene 1: (Prologue) Birth of Apollo, Apollon Musagète, Scene 2: Apotheosis, Apollon Musagète, Scene 2: Coda (Apollo and the Muses), Apollon Musagète, Scene 2: Pas de deux (Apollo and Terpsichore), Apollon Musagète, Scene 2: Pas d’action (Apollo and the three Muses: Calliope, Polyhymnia and Terpsichore), Apollon Musagète, Scene 2: Variation of Apollo, Apollon Musagète, Scene 2: Variation of Apollo (Apollo and the Muses), Apollon Musagète, Scene 2: Variation of Calliope (the Alexandrine), Apollon Musagète, Scene 2: Variation of Polyhymnia, Apollon Musagète, Scene 2: Variation of Terpsichore, Capriccio espagnol, op. 34, Francesca da Rimini, op. 32, Le Sacre du printemps: Première partie. Adoration de la terre (Le Sage), Le Sacre du printemps: Première partie. Cortège du sage, Le Sacre du printemps: Première partie. Danse de la terre, Le Sacre du printemps: Première partie. Introduction. Lento, Le Sacre du printemps: Première partie. Jeu du rapt, Le Sacre du printemps: Première partie. Jeux des cités rivales, Le Sacre du printemps: Première partie. Les Augures printaniers (Danses des adolescentes), Le Sacre du printemps: Première partie. Rondes printanières, Le Sacre du printemps: Seconde partie. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Danse sacrale (L'Élue), Le Sacre du printemps: Seconde partie. Glorification de l'élue, Le Sacre du printemps: Seconde partie. Introduction. Largo, Le Sacre du printemps: Seconde partie. Évocation des ancêtres, Manfred Symphony, op. 58: I. Lento lugubre: Moderato con moto – Andante, Manfred Symphony, op. 58: II. Vivace con spirito, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Adagio cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Presto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto, moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo - Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Finale - Allegro con fuoco, Symphony no. 4: III. Scherzo allegro, Symphony no. 5 in E minor, op. 64: I. Andante, allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse - allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale : Andante maestoso, allegro vivo, Symphony no. 6 in B minor, op. 74, "Pathétique": I. Adagio, allegro non troppo, Symphony no. 6 in B minor, op. 74, "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74, "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74, "Pathétique": IV. Finale - Adagio lamentoso, andante |
| Keith Barrows |
performing orchestra |
Carnival overture, Op. 92, Husitská Overture, Op.67 (Hussite), Muj domov overture, Op. 62 (My country), Othello Overture, Op.93, Symphonie n° 7 in D minor, op. 70: 1. Allegro maestoso, Symphonie n° 7 in D minor, op. 70: 2. Poco adagio, Symphonie n° 7 in D minor, op. 70: 3. Scherzo (Vivace), Symphonie n° 7 in D minor, op. 70: 4. Finale (Allegro), Symphonie n° 8 in G major, op. 88: 1. Allegro con brio, Symphonie n° 8 in G major, op. 88: 2. Adagio, Symphonie n° 8 in G major, op. 88: 3. Allegretto grazioso - Molto vivace, Symphonie n° 8 in G major, op. 88: 4. Allegro ma non troppo, Symphonie n° 9 in E minor, op. 95 "Du nouveau monde": 1. Adagio - Allegro molto, Symphonie n° 9 in E minor, op. 95 "Du nouveau monde": 2. Largo, Symphonie n° 9 in E minor, op. 95 "Du nouveau monde": 3. Scherzo (Molto vivace), Symphonie n° 9 in E minor, op. 95 "Du nouveau monde": 4. Allegro con fuoco, Symphony no. 2 in B-flat major, op. 4, B. 12: I. Allegro con moto, Symphony no. 2 in B-flat major, op. 4, B. 12: II. Poco adagio, Symphony no. 2 in B-flat major, op. 4, B. 12: III. Scherzo: Allegro con brio, Symphony no. 2 in B-flat major, op. 4, B. 12: IV. Finale: Allegro con fuoco, Symphony no. 3 in E-flat major, op. 10, B. 34: I. Allegro moderato, Symphony no. 3 in E-flat major, op. 10, B. 34: II. Adagio molto, tempo di marcia, Symphony no. 3 in E-flat major, op. 10, B. 34: III. Finale: Allegro vivace, Symphony no. 4 in D minor, op. 13, B. 41: I. Allegro, Symphony no. 4 in D minor, op. 13, B. 41: II. Andante sostenuto e molto cantabile, Symphony no. 4 in D minor, op. 13, B. 41: III. Scherzo: Allegro feroce, Symphony no. 4 in D minor, op. 13, B. 41: IV. Finale: Allegro con brio, Symphony no. 5 in F major, op. 76, B. 54: I. Allegro, ma non troppo, Symphony no. 5 in F major, op. 76, B. 54: II. Andante con moto, Symphony no. 5 in F major, op. 76, B. 54: III. Andante con moto — Allegro scherzando, Symphony no. 5 in F major, op. 76, B. 54: IV. Finale: Allegro molto, Symphony no. 6 in D major, op. 60, B. 112: I. Allegro non tanto, Symphony no. 6 in D major, op. 60, B. 112: II. Adagio, Symphony no. 6 in D major, op. 60, B. 112: III. Scherzo [Furiant: Presto], Symphony no. 6 in D major, op. 60, B. 112: IV. Finale: Allegro con spirito, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace, Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro, Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony, No. 1 in C minor, Op. 3 - "The bells of zlonice": I. Maestoso - allegro, Symphony, No. 1 in C minor, Op. 3 - "The bells of zlonice": II. Adagio di molto, Symphony, No. 1 in C minor, Op. 3 - "The bells of zlonice": III. Allegretto, Symphony, No. 1 in C minor, Op. 3 - "The bells of zlonice": IV. Finale (Allegro animato) |
| Сергей Сергеевич Прокофьев |
performing orchestra |
Alexander Nevsky, Cantata Op. 78: Alexander's Entry into Pskov, Alexander Nevsky, Cantata Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Cantata Op. 78: The Battle on the Ice, Alexander Nevsky, Cantata Op. 78: The Crusaders in Pskov, Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, Op. 78: III. The Crusaders in Pskov, Alexander Nevsky, Op. 78: IV. "Arise, Ye Russian People", Alexander Nevsky, Op. 78: V. The Battle on the Ice, Alexander Nevsky, Op. 78: VI. The Field of the Dead, Alexander Nevsky, Op. 78: VII. Alexander's Entry Into Pskov, Autumnal, Op. 8, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: I. Allegro brioso, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: II. Meno mosso, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: III. Andante assai, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: IV. Allegro scherzando, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: I. Andantino, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: II. Scherzo: Vivace, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: III. Intermezzo: Allegro moderato, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: IV. Finale: Allegro tempestoso, Lieutenant Kijé Suite, Op. 60: I. Birth of Kije, Lieutenant Kijé Suite, Op. 60: II. Romance, Lieutenant Kijé Suite, Op. 60: III. Wedding of Kije, Lieutenant Kijé Suite, Op. 60: IV. Troika, Lieutenant Kijé Suite, Op. 60: V. Burial of Kije, Piano Concerto No. 1 in D-flat major, Op. 10: III. Allegro scherzando, Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro, Piano Concerto No. 3 in C major, Op. 26: II. Theme and Variations (Andantino), Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo, Romeo & Juliet, Act I, Scene 21: Romeo and Juliet's Love Dance, Romeo & Juliet: Dance of the Knights, Symphonic Suite, Op. 60 "Lieutenant Kijé": Troika (The London Symphony Orchestra: Andre Previn, 1985), Symphony No. 1 in D major "Classical", Op. 25: I. Allegro, Symphony No. 1 in D major "Classical", Op. 25: II. Larghetto, Symphony No. 1 in D major "Classical", Op. 25: III. Gavotta - Non troppo allegro, Symphony No. 1 in D major "Classical", Op. 25: IV. Finale - Molto Vivace, Symphony in D Major, Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": III. Gavota. Non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Adagio, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Violin Concerto No. 1 in D major, Op. 19: I. Andantino - Andante assai, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo, Violin Concerto No. 2: I. Allegro moderato, Violin Concerto No. 2: II. Andante assai, Violin Concerto No. 2: III. Allegro ben marcato |
| LifeLines |
performing orchestra |
Elegy for Brahms for Orchestra in A minor, English Folk Song Suite: I. March (Seventeen Come Sunday), English Folk Song Suite: II. Intermezzo (My Bonny Boy), English Folk Song Suite: III. March (Folk Songs from Somerset), Enigma Variations, Op. 36 - Variation IX, "Nimrod", Fantasia on "Greensleeves", Fantasia on Greensleeves, Nimrod, Nimrod (From the Film Elizabeth), Nimrod from the 'Enigma' Variations, op. 36, Parsifal: Act 1 Transformation Scene, Parsifal: Good Friday Music, Parsifal: Prelude to Act 1, Parsifal: Prelude to Act 3, Parsifal: Vorspiel, Piano Concerto No. 24 in C minor, K 491: I. Allegro - Cadenza (by Hummel), Piano Concerto No. 24 in C minor, K 491: II. Larghetto, Piano Concerto No. 24 in C minor, K 491: III. Allegretto - Cadenza (by Previn), Serenade to Music, Symphonic Variations for Orchestra in E, Symphony No. 5 in B minor ('Symphonic Fantasia'): I. Stress (Slow - Allegro - Tempo 1), Symphony No. 5 in B minor ('Symphonic Fantasia'): II. Love (Lento), Symphony No. 5 in B minor ('Symphonic Fantasia'): III. Play (Vivace - Tranquillo - Vivace), Symphony No. 5 in B minor ('Symphonic Fantasia'): IV. Now (Moderato - Tranquillo), Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, The Planets, Op. 32: Jupiter, The Planets, Op. 32: Neptune, The Planets, Op. 32: Venus, The Planets, Op. 32: Venus, Neptune, Jupiter, Tragic Overture, Op. 81, Tragic Overture, op. 81, Variations on an Original Theme "Enigma", op. 36: I. C.A.E. (L'istesso tempo), Variations on an Original Theme "Enigma", op. 36: II. H.D.S-P. (Allegro), Variations on an Original Theme "Enigma", op. 36: III. R.B.T. (Allegretto), Variations on an Original Theme "Enigma", op. 36: IV. W.M.B. (Allegro di molto), Variations on an Original Theme "Enigma", op. 36: Theme (Andante), Variations on an Original Theme "Enigma", op. 36: V. R.P.A. (Moderato), Variations on an Original Theme "Enigma", op. 36: VI. Ysobel (Andantino), Variations on an Original Theme "Enigma", op. 36: VII. Troyte (Presto), Variations on an Original Theme "Enigma", op. 36: VIII. W.N. (Allegretto), Variations on an Original Theme "Enigma", op. 36: X. Intermezzo: Dorabella (Allegretto), Variations on an Original Theme "Enigma", op. 36: XI. G.R.S. (Allegro di molto), Variations on an Original Theme "Enigma", op. 36: XII. B.G.N. (Andante), Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (Moderato), Variations on an Original Theme "Enigma", op. 36: XIV. Finale: E.D.U. (Allegro), Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod, Variations on an Original Theme: "Enigma" Op. 36 |
| Zeb Hannah |
performing orchestra |
Egmont Overture, op. 84, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 5 in C minor, Op. 67 "Fate": III. Scherzo. Allegro / IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro / IV. Allegro / V. Allegretto, Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 4 in B-Flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro, Symphony no. 5 in C minor, op. 67: IV. Finale: Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro (attacca) - IV. Allegro (attacca) - V. Allegretto, Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso, Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 9 in C, D. 944 "The Great": 1. Andante - Allegro ma non troppo, Symphony no. 9 in C, D. 944 "The Great": 2. Andante con moto, Symphony no. 9 in C, D. 944 "The Great": 3. Scherzo (Allegro vivace), Symphony no. 9 in C, D. 944 "The Great": 4. Allegro vivace, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Choral Finale (Ode to Joy) |
| Kevin Tandu |
performing orchestra |
Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo — Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante — Presto, Dance Suite, Sz. 77: I. Moderato, Dance Suite, Sz. 77: II. Allegro molto, Dance Suite, Sz. 77: III. Allegro vivace, Dance Suite, Sz. 77: IV. Molto tranquillo, Dance Suite, Sz. 77: V. Comodo, Dance Suite, Sz. 77: VI. Finale: Allegro, Khovanshchina: Prelude, Night on the Bare Mountain, Prince Igor: Overture, Ruslan and Ludmilla: Overture, Ruslan and Lyudmila: Overture, Symphony No. 2: II. Andante moderato. Sehr gemächlich. Nie eilen, Symphony No. 2: III. Scherzo. In ruhig fließender Bewegung, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro. Thunderstorm, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony no. 1 in D major: I. Langsam, schleppend, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor "Resurrection": 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor "Resurrection": 2. Andante moderato. Sehr gemèchlich, Symphony no. 2 in C minor "Resurrection": 3. Scherzo: In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": 5a. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 2 in C minor: I. Allegro Maestoso. Mit Durchaus Ernstem Und Feierlichem Ausdruck, Symphony no. 25 in G minor, K. 183: I. Allegro con brio, Symphony no. 25 in G minor, K. 183: II. Andante, Symphony no. 25 in G minor, K. 183: III. Menuetto, Symphony no. 25 in G minor, K. 183: IV. Allegro, Symphony no. 38 in D, K. 504 "Prague": I. Adagio - Allegro, Symphony no. 38 in D, K. 504 "Prague": II. Andante, Symphony no. 38 in D, K. 504 "Prague": III. Finale (Presto), Symphony no. 3: 1st Movement: Kräftig, Symphony no. 3: 1st Movement: Kräftig (Conclusion), Symphony no. 3: 2nd Movement: Tempo di Menuetto, Symphony no. 3: 3rd Movement: Comodo, Symphony no. 3: 4th Movement: Sehr Langsam, Symphony no. 3: 5th Movement: Lustig Im Tempo Und Keck Im Ausdruck, Symphony no. 3: 6th Movement: Langsam, The Miraculous Mandarin Suite, op. 19 |
| Kavon Salyer |
performing orchestra |
Pomp And Circumstance, Sospiri, op. 70, Sursum corda, op. 11, The Dream of Gerontius: Part Two: And now the threshold as we traverse it, The Dream of Gerontius: Part Two: But Hark! a grand mysterious harmony, The Dream of Gerontius: Part Two: Glory to Him, The Dream of Gerontius: Part Two: I see not those false spirits, The Dream of Gerontius: Part Two: I went to sleep, The Dream of Gerontius: Part Two: Jesu! by that shuddering dread, The Dream of Gerontius: Part Two: Lord, thou hast been our refuge, The Dream of Gerontius: Part Two: Low-born clouds of brute earth, The Dream of Gerontius: Part Two: My work is done, The Dream of Gerontius: Part Two: Praise to His name, The Dream of Gerontius: Part Two: Praise to the Holiest, The Dream of Gerontius: Part Two: Praise to the Holiest in the height, The Dream of Gerontius: Part Two: Prelude, The Dream of Gerontius: Part Two: Softly and gently, dearly-ransomed soul, The Dream of Gerontius: Part Two: Take me away, The Dream of Gerontius: Part Two: The mind bold and independent, The Dream of Gerontius: Part Two: Thy judgement is now near, The Kingdom, op. 51: Jerusalem. Prelude. Allegro maestoso –, The Kingdom, op. 51: Part I “In the Upper Room”. Chorus: “O ye priests!”, The Kingdom, op. 51: Part I “In the Upper Room”. Peter, John, and the Disciples: “Thou, Lord, Which knowest the hearts of all men” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “He took bread, and blessed it” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “Where two or three are gathered together in My Name’ –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter:“Men and brethren” –, The Kingdom, op. 51: Part I “In the Upper Room”. Recitative. Chorus: “They gave forth their lots” –, The Kingdom, op. 51: Part I “In the Upper Room”. The Disciples and the Holy Women: “Seek first the Kingdom of God” –, The Kingdom, op. 51: Part II “At the Beautiful Gate”: The Morn of Pentecost 9 Mary and Mary Magdalene: “The singers are before the altar”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Repent, and be baptised every one of you”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Ye men of Judæa” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Mezzo-soprano: “And suddenly there came from heaven a sound...” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Tenor: “And when the day of Pentecost was fully come” –, The Kingdom, op. 51: Part III “Pentecost”: The Disciples: “When the great Lord will” –, The Kingdom, op. 51: Part III “Pentecost”: The People: “Behold, are not all these which speak, Galilæans?” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: John: “Unto you that fear His Name...” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mary: “The sun goeth down”, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mezzo-soprano: “The man that was lame” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “And as they spake” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “Then they that gladly received his word were baptised”’ –, The Kingdom, op. 51: Part V “The Upper Room”: All: “Our Father, Which art in Heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: John: “Ye have received the Spirit of adoption”, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Lord, Thou didst make the heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “The voice of joy is in the dwelling of the righteous” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Thou, Almighty Lord, hast given food and drink to mankind” – |
| Laurence Rosenthal |
performing orchestra |
"It Is My Wish" (chorus), "We Follow the North Star", Andromeda, Andromeda Rescued, Andromeda Shackled, Argos Destroyed, Argos Is Doomed, Boyhood of Perseus, Bubo Arrives / The Quest, Bubo the Dive-Bomber, Clash of the Titans, Clash of the Titans / Andromeda Rescued, Curse Ended / The Dancing Girl, Dreams and Omens, Fulfill Your Destiny (chorus), Invisible / Joppa, Joppa, Joppa (original version), Justice or Revenge / The Lovers, Magic Weapons, Medusa, Medusa Temple / Two Headed Dog, No Mercy (chorus) (unused), Olympus (chorus), Pegasus, Pegasus / To the Marsh, Procession Drums, Prologue and Main Title, Prologue and Main Title (LP version), The Constellation / End Title, The Constellations / End Title, The Constellations – End Title (LP version), The Farewell, The Fight in the Swamp / Fanfare, The Head of Thetis / Pegasus in the Net, The Kraken, The Lord of the Marsh, The Lovers, The Magic Sword, The Quest (alternate version), The River Styx, Transformation of Calibos, Zeus Commands the Gifts (chorus), Zeus's Judgment (chorus), Zeus’s Judgment (Chorus) (unused alternate version) |
| The Spirit of Christmas Performers |
performing orchestra |
Capriccio espagnol, op. 34: I. Alborada, Capriccio espagnol, op. 34: II. Variazioni, Capriccio espagnol, op. 34: III. Alborada, Capriccio espagnol, op. 34: IV. Scena e canto gitano, Capriccio espagnol, op. 34: V. Fandango asturiano, Cockaigne (In London Town), Concert Overture, Op. 40, Duet of Daphnis and Chloe From the Queen of Spades (La Pique Dame), Gianni Schicchi: "O mio babbino caro" (Lauretta), Music for the Royal Fireworks "La Rejouissance", Peter and the Wolf, op. 67: Peter’s Theme / The Bird’s Theme, Radetzky March, Scheherezade, Suite symphonique, op. 35: I. The Sea & Sinbad's Ship, Scheherezade, Suite symphonique, op. 35: II. The Tale of the Kalender Prince, Scheherezade, Suite symphonique, op. 35: III. The Young Prince & the Young Princess, Scheherezade, Suite symphonique, op. 35: IV. The Festival at Baghdad - The Sea - Shipwreck on a Rock Surmounted by a Bronze Warrior - Conclusion, Symphony No. 1 In A-flat major, Op. 55: I. Andante Nobilmente E Semplice - Allegro, Symphony No. 1 In A-flat major, Op. 55: II. Allegro Molto, Symphony No. 1 In A-flat major, Op. 55: III. Adagio, Symphony No. 1 In A-flat major, Op. 55: IV. Lento - Allegro, The Nutcracker Suite: Waltz of the Flowers, The Nutcracker: Act I, Scene 1. The Christmas Tree, The Nutcracker: Act I, Scene 2. March, The Nutcracker: Act I, Scene 3. Children's Galop & Arrival of the Guests, The Nutcracker: Act I, Scene 4. Dance Scene & Arrival of Drosselmeyer, The Nutcracker: Act I, Scene 5. Scene & Grandfather's Dance, The Nutcracker: Act I, Scene 6. The Magic Spell Begins, The Nutcracker: Act I, Scene 7. The Battle Between the Nutcracker & the Mouse King, The Nutcracker: Act I, Scene 8. Scene in the Pine Forest (Journey Through the Snow), The Nutcracker: Act I, Scene 9. Waltz of the Snowflakes, The Nutcracker: Act II, Scene 10. The Magic Castle, The Nutcracker: Act II, Scene 11. Clara & the Prince" / Scene 12. "Divertissement, The Nutcracker: Act II, Scene 12. Chocolate: Spanish Dance, The Nutcracker: Act II, Scene 12. Coffee: Arabian Dance, The Nutcracker: Act II, Scene 12. Dance of the Mirlitons, The Nutcracker: Act II, Scene 12. Mother Gigogne & the Clowns, The Nutcracker: Act II, Scene 12. Tea: Chinese Dance, The Nutcracker: Act II, Scene 12. Trepak: Russian Dance, The Nutcracker: Act II, Scene 14. Coda, The Nutcracker: Act II, Scene 14. Pas de Deux: "Dance of the Prince & the Sugar-Plum Fairy", The Nutcracker: Act II, Scene 14. Variation I: "Tarantella", The Nutcracker: Act II, Scene 14. Variation II: "Dance of the Sugar-Plum Fairy", The Nutcracker: Act II, Scene 15. Final Waltz & Apotheosis, The Nutcracker: Overture, The Young Person’s Guide to the Orchestra: Finale |
| Philip Halloun |
performing orchestra |
Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Cours d'Amours: Amor volat undique, Carmina Burana: Cours d'Amours: Circa mea pectora, Carmina Burana: Cours d'Amours: Dies, nox et omnia, Carmina Burana: Cours d'Amours: Dulcissime, Carmina Burana: Cours d'Amours: In trutina, Carmina Burana: Cours d'Amours: Si puer cum puellula, Carmina Burana: Cours d'Amours: Stetit puella, Carmina Burana: Cours d'Amours: Tempus est iocundum, Carmina Burana: Cours d'Amours: Veni, veni, venias, Carmina Burana: Fortuna imperatix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatix mundi: O Fortuna, Carmina Burana: Fortuna imperatix mundi: O fortuna, Carmina Burana: In taberna: Ego sum abbas, Carmina Burana: In taberna: Estuans interius, Carmina Burana: In taberna: In taberna quando sumus, Carmina Burana: In taberna: Olim lacus colueram, Carmina Burana: Primo vere: Ecce gratum, Carmina Burana: Primo vere: Omnia sol temperat, Carmina Burana: Primo vere: Veris leta facies, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret silva, Carmina Burana: Uf dem Anger: Reie; Swaz hie gat umbe; Chume, chum, geselle, Carmina Burana: Uf dem Anger: Tanz, Carmina Burana: Uf dem Anger: Were diu werlt alle min, Enigma Variations, op. 36, Fifth Symphony: Allegro molto moderato - Molto lento, Fifth Symphony: Finale: Allegro con brio, Sinfonía de Antígona (First Symphony), Sinfonía india (Second Symphony), Sinfonía romántica (Fourth Symphony), Sixth Symphony: Adagio molto cantabile, Sixth Symphony: Allegro energico, Sixth Symphony: Passsacaglia: Con anima, Symphony No. 7 in D minor, op. 70: I. Allegro, Symphony No. 7 in D minor, op. 70: II. Adagio, Symphony No. 7 in D minor, op. 70: III. Scherzo, Symphony No. 7 in D minor, op. 70: IV. Allegro, Symphony no.2, "Sinfonia India", Third Symphony: Allegro, Third Symphony: Finale: Molto lento, Third Symphony: Introduzione: Andante moderato, Third Symphony: Scherzo |
| Alexandre Desplat |
performing orchestra |
Alexander and Natalia, Alone in the World, Busy Workshop, Checkmate, Dancing on the Lake, Dreamsand, Dreamsand Miracles, Easter, Fanfare of the Elves, Guardians Regroup, I Need a Defence, Jack & Sandman, Jack Betrays, Jack’s Center, Jack’s Memories, Jamie Believes, Jamie’s Bedroom, Kids Stop Believing, Leaving Childhood, Love Theme, Luzhin Dreams, Memorial, Memories of Russia, Natalia's Eyes, Nightmares Attack, Oath of the Guardians, Pitch at North Pole, Pitch on the Globe, Sandman Returns, Sleigh Launch, Snowballs, Still Dream, The Arrival, The Dark Side of Chess, The Glass King, The Headmaster, The Luzhin Defence, The Moon, The Red Dress, Tooth Collection, Valentinov, Wind Take Me Home! |
| Antonín Dvořák |
performing orchestra |
Concierto para violoncello y orquesta, Op. 104: II. Adagio ma non troppo, Mesíčku na nebi hlubokém (O silver moon) (Rusalka), Rusalka - Act 1: O Silver Moon (excerpt), Rusalka: "Měsičku na nebi hlubokém" (O Silver Moon), Serenade for Strings in E major, Op. 22: I. Moderato, Serenade for Strings in E major, Op. 22: II. Tempo di valse. Trio, Serenade for Strings in E major, Op. 22: III. Scherzo. Vivace, Serenade for Strings in E major, Op. 22: IV. Larghetto, Serenade for Strings in E major, Op. 22: V. Allegro vivace. Moderato. Presto, Slavischer Tanz Nr. 2 e-moll op. 46, Slavonic Dance, Slavonic Dance no. 2 in E minor, Slavonic Dance no. 3 in A-flat, Slavonic Dances no. 1 in B major, op. 72, Slavonic Dances no. 1 in C major, op. 46, Slavonic Dances no. 2 in E minor, op. 72, Slavonic Dances no. 5 in A major, op. 46, Slavonic Dances no. 6 in D major, op. 46, Slavonic Dances no. 8 in G minor, op. 46, Slawischer Tanz Nr. 2 e-Moll (London Symphony Orchestra feat. conductor: Alfred Scholz), Slawischer Tanz, Op. 46 No. 2, e-Moll, Symphony No. 5 in F major, Op. 76: I. Allegro, ma non troppo, Symphony No. 5 in F major, Op. 76: II. Andante con moto, Symphony No. 5 in F major, Op. 76: III. Scherzo. Allegro scherzando, Symphony No. 5 in F major, Op. 76: IV. Finale. Allegro molto, Symphony No. 8; I. Allegro Con Brio, Symphony No. 8; II. Adagio, Symphony No. 8; III. Allegretto Grazioso, Symphony No. 8; IV. Allegro Ma Non Troppo, Symphony No. 9 in E Minor, Op. 95 "From the New World": I, Part 1 (London Symphony Orchestra feat. conductor: Eugene Ormandy), Symphony No. 9 in E Minor, Op. 95 "From the New World": I, Part 2 (London Symphony Orchestra feat. conductor: Eugene Ormandy), Symphony No. 9 in E Minor, Op. 95 "From the New World": I, Part 3 (London Symphony Orchestra feat. conductor: Eugene Ormandy), Symphony No. 9 in E Minor, Op. 95 "From the New World": I, Part 4 (London Symphony Orchestra feat. conductor: Eugene Ormandy), Symphony No. 9 in E Minor, Op. 95 "From the New World": I, Part 5 (London Symphony Orchestra feat. conductor: Eugene Ormandy), Symphony No. 9 in E Minor, Op. 95 "From the New World": I, Part 6 (London Symphony Orchestra feat. conductor: Eugene Ormandy), Symphony No. 9 in E Minor, Op. 95 "From the New World": I, Part 7 (London Symphony Orchestra feat. conductor: Eugene Ormandy), Symphony No. 9 in E Minor, Op. 95 'From the New World': III. Scherzo - Molto vivace, Symphony No. 9 in E minor, Op. 95 "From the New World", Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco |
| Oliver and Company |
performing orchestra |
Egmont, Op. 84: Overture, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 9 in D minor, op. 125 "Choral": "Freude, schöner Götterfunken", Symphony no. 9 in D minor, op. 125 "Choral": Allegro assai vivace. Alla marcia, Symphony no. 9 in D minor, op. 125 "Choral": Allegro ma non tanto: "Freude, Tochter aus Elysium!", Symphony no. 9 in D minor, op. 125 "Choral": Andante maestoso: "Seid umschlungen, Millionen!" - Adagio ma non troppo - Allegro energico, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125 "Choral": IV: Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro - Allegro moderato - Allegro assai, Symphony no. 9 in D minor, op. 125 "Choral": Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo: "Seid umschlungen, Millionen!" - Maestoso - Prestissimo, Symphony no. 9 in D minor, op. 125 "Choral": Presto - Recitativo: "O Freunde, nicht diese Töne!" - Allegro assai, Variations On A Theme By Haydn, op. 56a: Finale: Andante, Variations On A Theme By Haydn, op. 56a: Theme: "Chorale St. Antoni", Variations On A Theme By Haydn, op. 56a: Variation I: Poco più animato, Variations On A Theme By Haydn, op. 56a: Variation II: Più vivace, Variations On A Theme By Haydn, op. 56a: Variation III: Con moto, Variations On A Theme By Haydn, op. 56a: Variation IV: Andante con moto, Variations On A Theme By Haydn, op. 56a: Variation V: Vivace, Variations On A Theme By Haydn, op. 56a: Variation VI: Vivace, Variations On A Theme By Haydn, op. 56a: Variation VII: Grazioso, Variations On A Theme By Haydn, op. 56a: Variation VIII: Presto non troppo, Variations on an Original Theme, op. 36 “Enigma”: I. C.A.E. (L’istesso tempo), Variations on an Original Theme, op. 36 “Enigma”: II. H.D.S.-P. (Allegro), Variations on an Original Theme, op. 36 “Enigma”: III. R.B.T. (Allegretto), Variations on an Original Theme, op. 36 “Enigma”: IV. W.M.B. (Allegro di molto), Variations on an Original Theme, op. 36 “Enigma”: IX. Nimrod (Adagio), Variations on an Original Theme, op. 36 “Enigma”: Theme (Andante), Variations on an Original Theme, op. 36 “Enigma”: V. R.P.A. (Moderato), Variations on an Original Theme, op. 36 “Enigma”: VI. Ysobel (Andantino), Variations on an Original Theme, op. 36 “Enigma”: VII. Troyte (Presto), Variations on an Original Theme, op. 36 “Enigma”: VIII. W.N. (Allegretto), Variations on an Original Theme, op. 36 “Enigma”: X. Intermezzo: Dorabella (Allegretto), Variations on an Original Theme, op. 36 “Enigma”: XI. G.R.S. (Allegro di molto), Variations on an Original Theme, op. 36 “Enigma”: XII. B.G.N. (Andante), Variations on an Original Theme, op. 36 “Enigma”: XIII. Romanza *** (Moderato), Variations on an Original Theme, op. 36 “Enigma”: XIV. Finale: E.D.U. (Allegro – Presto) |
| Jolanta Litwin |
performing orchestra |
Falstaff, op. 68: Allegro, Falstaff, op. 68: Allegro molto, Falstaff, op. 68: Dream Interlude (poco allegretto), Falstaff, op. 68: Interlude (allegretto), Karelia Overture, op. 10, Night Ride and Sunrise, op. 55, Nightride and Sunrise, op. 55, Pelléas et Mélisande - Incidental Music to Maeterlinck's Play, op. 46: II. Mélisande, Pelléas et Mélisande - Incidental Music to Maeterlinck's Play, op. 46: IX. The death of Mélisande, Pelléas et Mélisande - Incidental Music to Maeterlinck's Play, op. 46: VII. Mélisande at the spinning wheel, Pelléas et Mélisande - Incidental Music to Maeterlinck's Play, op. 46: VIII. Intermezzo, Pelléas et Mélisande Suite, op. 46: VI. Pastorale, Pohjola's Daughter, op. 49, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (Ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro), Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia), Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: III. Vivacissimo / IV. Allegro moderato, Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato), Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (Ma non tanto), Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E flat major, op. 82: III. Allegro molto, Symphony no. 5 in E-flat major, op. 82, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105 |
| Tommy Kid |
performing orchestra |
2001: A Space Odyssey, 633 Squadron, A Bugler’s Holiday, Air on the G String, Clair De Lune, Dance of the Tumblers, Farandole, Gayaneh - Dance of the Rose Maidens, Gayaneh - Dawn, Ayeshe's Dance, Gayaneh - Lezghinka, Gayaneh - Lullaby, Gayaneh - Sabre Dance, Gayaneh: Sabre Dance, Invitation To The Dance, Lawrence of Arabia, Lohengrin: Prelude to Act III, Lyric Pieces, op. 54: IV. Notturno, Lyric Pieces, op.; 54: I. Shepherd’s Boy, Lyric Pieces, op.; 54: II. Norwegian Rustic March, Lyric Pieces, op.; 54: III. Notturno, Lyric Pieces, op.; 54: IV. March of the Dwarfs, Masquerade Suite: Galop, Masquerade Suite: Mazurka, Masquerade Suite: Nocturne, Masquerade Suite: Romance, Masquerade Suite: Waltz, Medley from James Bond Films: James Bond Theme / Thunderball / From Russia With Love / Goldfinger, Raiders of the Lost Ark, Russlan and Ludmilla: Overture, Sleeping Beauty Waltz, Spartacus - Adagio of Spartacus and Phrygia, Spartacus - Dance of the Gaditanae, Spartacus - Variation of Aegina and Bacchanal, Spartacus: Adagio of Spartacus and Phrygia, Star Wars (Main Title), Superman, The Big Country, The Deer Hunter (Cavatina), The Magnificent Seven |
| Juju |
performing orchestra |
Die Meistersinger: Overture, Egmont, Overture for Orchestra, op. 84, Fate, Overture "Coriolan", op. 62, Symphony No. 10 in E-flat major: I. Andante - Allegro - Andante, Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Menuetto. Allegro vivace – Trio – Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 5 in C minor, Op. 67, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 9: I. Allegro, ma non troppo, un poco maestoso, Symphony No. 9: II. Molto vivace, Symphony No. 9: III. Adagio molto e cantabile. Andante moderato, Symphony no. 1 - 4th movement - adagio - allegro molto e vivace, Symphony no. 1, 1st movement - adagio molto - allegro con brio, Symphony no. 1, 2nd movement - andante cantabile con moto, Symphony no. 1, 3rd movement - menuetto; allegro molto e vivace, Symphony no. 2, 1st movement - adagio molto - allegro con brio, Symphony no. 2, 2nd movement - larghetto, Symphony no. 2, 3rd movement - scherzo; allegro, Symphony no. 2, 4th movement - allegro molto, Symphony no. 3 in E-flat major, op. 55 "Eroica", Symphony no. 3, 1st movement, allegro con brio, Symphony no. 3, 2nd movement, marcia funebre, Symphony no. 3, 3rd movement, scherzo, Symphony no. 3, 4th movement, allegro molto, Symphony no. 5 in C minor, op. 67 "Fate": Allegro con brio, Symphony no. 6 in F major, op. 68: I. Erwahen heiterer Gerfühle bei der Ankunft auf dem Lande, Symphony no. 6 in F major, op. 68: II. Szene am Bach, Symphony no. 6 in F major, op. 68: III. Lustiges Zusammensein der Landleute, Symphony no. 6 in F major, op. 68: IV. Gewitter, Sturm, Symphony no. 6 in F major, op. 68: V. Finale: Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm, Symphony no. 9 in D minor, op. 125, 3rd movement: Adagio molto cantabile - Andante moderato, “Egmont” Overture for Orchestra, op. 84 |
| Giacomo Puccini |
performing orchestra |
"O mio babbino caro" aus Gianni Schicchi, Crisantemi for string orchestra: Andante mesto, Fatal Attraction: Madama Butterfly: Act II. "Un bel dì vedremo", Gianni Schicchi: "O mio babbino caro", Gianni Schicchi: Aria "O mio babbino caro" (Lauretta), Gianni Schicchi: O mio babbino caro, La Rondine: Act III, La rondine, Act I: "Chi il bel sogno di Doretta", Madama Butterfly: Act II. Aria "Un bel dì vedremo" (Butterfly), Manon Lescaut (BASF), Manon Lescaut, Act II: "In quelle trine morbide", Manon Lescaut: Act IV. "Sola, perduta, abbandonata" (Manon), Manon Lescaut: Sola, perduta, abbandonata, Messa di Gloria, Op. posth.: Agnus Dei, Messa di Gloria, Op. posth.: Benedictus qui venit in nomine Domini, Messa di Gloria, Op. posth.: Credo in unum Deum, Messa di Gloria, Op. posth.: Crucifixus etiam pro nobis, Messa di Gloria, Op. posth.: Cum Sancto Spiritu in gloria Dei Patris - Gloria in excelsis, Messa di Gloria, Op. posth.: Et expecto resurrectionem - Et vitam venturi saeculi, Messa di Gloria, Op. posth.: Et incarnatus est, Messa di Gloria, Op. posth.: Et resurrexit tertia die - Et in Spiritum Sanctum, Messa di Gloria, Op. posth.: Et unam sanctam catholicam, Messa di Gloria, Op. posth.: Gloria in excelsis Deo - Dominus Deus, rex coelestis, Messa di Gloria, Op. posth.: Gloria in excelsis Deo - In terra pax - Laudamus te, Messa di Gloria, Op. posth.: Gratias agimus tibi, Messa di Gloria, Op. posth.: Kyrie, Messa di Gloria, Op. posth.: Qui tollis peccata mundi, Messa di Gloria, Op. posth.: Quoniam tu solus Sanctus, Messa di Gloria, Op. posth.: Sanctus Dominus Deus sabaoth, My Name Is Mimi, From "La Bohème", None Shall Sleep (Nessun Dorma), From "Turandot", O mio babbino caro, Preludio sinfonico for orchestra, Op. 1: Andante mosso, Suor Angelica: Senza mamma (London Symphony Orchestra), Suor Angelica: Senza mamma, o bimbo, Tosca/Act 2 - ''Vissi D'arte, Vissi D'amore'', Tosca: Act II. "Vissi d'arte", Turandot |
| Guy-Claude Luypaerts |
performing orchestra |
Ballad of Heroes, op. 14: I. Funeral March, Ballad of Heroes, op. 14: II. Scherzo: Dance of Death, Choral Song to be Sung in Time of War no. 1: A Song of Courage, Choral Song to be Sung in Time of War no. 2: A Song of Liberty, Choral Song to be Sung in Time of War no. 3: A Song of Healing, Choral Song to be Sung in Time of War no. 4: A Song of Victory, Choral Song to be Sung in Time of War no. 5: A Song of Pity, Peace and Love, Choral Song to be Sung in Time of War no. 6: A Song of the New Age, In Honour of the City, Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl), Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg), Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach), Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton), Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp), Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau), The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists, The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances, The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began, The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet, The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter, The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces, The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children, The Canterbury Pilgrims: I. Prologue (figure 2), The Canterbury Pilgrims: I. Prologue -, The Canterbury Pilgrims: II. The Knight, The Canterbury Pilgrims: III. The Squire, The Canterbury Pilgrims: IV. The Nun, The Canterbury Pilgrims: IX. The Shipman, The Canterbury Pilgrims: V. The Monk, The Canterbury Pilgrims: VI. The Clerk of Oxenford, The Canterbury Pilgrims: VII. The Haberdasher and his Fraternity. The Merchant, The Canterbury Pilgrims: VIII. The Sergeant of the Law. The Franklin, The Canterbury Pilgrims: X. The Doctor of Physic, The Canterbury Pilgrims: XI. The Wife of Bath, The Canterbury Pilgrims: XII. The Poor Parson of a Town, The Canterbury Pilgrims: XIII. L'envoi |
| 藤木美沙 |
performing orchestra |
Academic Festival Overture for Orchestra in C minor, Op. 80, Fidelio, op. 72: Overture, Fidelio: Overture, L'Arlesienne - Suite no. 2: Pastorale, La Mer: I. De l'aube à midi sur la mer, La Mer: II. Jeux de vagues, La Mer: III. Dialogue du vent et de la mer, Nocturnes: I. Nuages, Nocturnes: II. Fêtes, Nocturnes: III. Sirènes, Petrushka: Shrovetide Fair / Danse Russe, Piano Concerto in A minor, Op. 16: I. Allegro moderato, Piano Concerto in A minor, Op. 16: II. Adagio, Piano Concerto in A minor, Op. 16: III. Allegro marcato, Prélude à l'après-midi d'un Faune, Suite From Carmen, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Finale. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony no. 3 in E flat major, op. 55 “Eroica”: II., Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 8: II. |
| Edward Elgar |
performing orchestra |
Cello Concerto in E minor, op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: II. Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo, Cello Concerto: I. Adagio - Moderato, Chanson de matin, Op. 15 No. 2, Concerto for Cello and Orchestra in E minor, op. 85: I. Adagio - Moderato, Concerto for Cello and Orchestra in E minor, op. 85: II. Allegro molto, Concerto for Cello and Orchestra in E minor, op. 85: IV. Finale: allegro, Enigma Variations (Beginning), Enigma Variations - VIII (W.N.), Enigma Variations, Op. 36: X. Nimrod, Land of Home and Glory, Pomp & Circumstance March No. 1, Pomp and Circumstance March No. 1 in D major, Pomp and Circumstance March No. 4 in G major, Pomp and Circumstance Military Marches, Op. 39: No. 3 in C minor, Pomp and Circumstance Military Marches, Op. 39: No. 5 in C major, Salut D'amour (Love's Greeting), Salut d'amour ("Love's Greeting"), Sea Pictures, Op. 37: I. Sea Slumber Song, Sea Pictures, Op. 37: II. In Haven, Sea Pictures, Op. 37: III. Sabbath Morning at Sea, Sea Pictures, Op. 37: IV. Where Corals Lie, Sea Pictures, Op. 37: V. The Swimmer, Sea Pictures, op. 37: I. Sea Slumber Song, Sea Pictures, op. 37: II. In Haven (Capri), Sea Pictures, op. 37: III. Sabbath Morning at Sea, Sea Pictures, op. 37: IV. Where Corals Lie, Sea Pictures, op. 37: V. The Swimmer, Serenade for Strings: Allegretto, Serenade for Strings: Allegro piacevole, Serenade for Strings: Larghetto, Sospiri, Op. 70, Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo: Presto, The Dream of Gerontius op. 38 Part I. Jesu, Maria - I am near to death, The Dream of Gerontius op. 38: Part I. Prelude, The Dream of Gerontius, Op. 38: 'But Hark! a grand mysterious harmony...Praise to the Holiest in the Height' |
| Richard Wagner |
performer, performing orchestra |
1 Der Engel, 2 Stehe still!, 3 Im Treibhaus, 4 Schmerzen, 5 Träume, Das Rheingold, Scene 4: Entry of the gods into Valhalla, Die Meistersinger von Nürnberg: II. Aufzug "Selig vie die Sonne" (Friedrich Schorr, Lauritz Melchior, Elisabeth Schumann, Gladys Parr and Ben Williams,1931), Die Meistersinger von Nürnberg: II. Aufzug "Was duftet doch der Flieder" (Friedrich Schorr,1930), Die Meistersinger von Nürnberg: Prelude, Die Walküre - Walkürenritt (Ride of the Valkyries)(London Symphony Orchestra - Leopold Stotowsky), Die Walküre, Dritter Aufzug: The Ride of the Walkyres, Die Walküre: The Ride of the Valkyries, Entrance of the Gods Into Valhalla (Das Rheingold), Götterdämmerung - Prelude - Zu neuen Taten" (Florence Austral, Walter Widdop, 1928), Götterdämmerung, Dritter Aufzug: Siegfried's Death and Funeral Music, Prelude (Die Meistersinger), Prelude to "The Mastersingers", Ride of the Valkyries, Schmerzen, Siegfried's Death and Funeral Music (Götterdämmerung), Tannhäuser: Overture, The Ride of the Valkyries (Die Walküre), Tristan & Isolde: Prelude, Tristan and Isolde: Prelude, Tristan und Isolde: II. Aufzug "Isolde! Tristan! Geliebter!... O sink hernieder" (Lauritz Melchior, Frida Leider, 1929), Tristan und Isolde: II. Aufzug "O König, das kann ich dir nicht sagen" (Lauritz Melchior, 1930), Tristan und Isolde: III. Aufzug "Und drauf Isolde" (Lauritz Melchior, 1930), Tristan und Isolde: Vorspiel, Wesendonk Lieder, WWV 91 No. 1: Der Engel "In der Kinkheit frühen Tagen", Wesendonk Lieder, WWV 91 No. 2: Stehe still! "Sausendes, brausendes Rad der Zeit", Wesendonk Lieder, WWV 91 No. 3: Im Treibhaus "Hochgewölbe Blätterkronen", Wesendonk Lieder, WWV 91 No. 4: Schmerzen "Sonne, weinest jeden Abend...", Wesendonk Lieder, WWV 91 No. 5: Träume "Sag, welch wunderbare Träume", Wesendonk-Lieder: 1. Der Engel, Wesendonk-Lieder: 2. Stehe still, Wesendonk-Lieder: 3. Im Treibhaus, Wesendonk-Lieder: 4. Schmerzen, Wesendonk-Lieder: 5. Träume |
| Gioachino Rossini |
performing orchestra |
Cuius animam (Stabat Mater), Il Barbiere Di Siviglia: Act I, No. 9. Recitativo "Finora in questa camera" - Finale I "Ehi, di casa!... buona gente!", Il Barbiere Di Siviglia: Act I. "Alto là!", Il Barbiere Di Siviglia: Act I. "Ma, signor..." "Zitto tu!", Il Barbiere Di Siviglia: Act I. Cavatina "Ecco, ridente in cielo" - Seguito dell'Introduzione "Egi, Fiorello?" - Recitativo "Gente indiscreta!", Il Barbiere Di Siviglia: Act I. No. 1. Introduzione "Piano, pianissimo", Il Barbiere Di Siviglia: Act I. No. 2. Cavatina "Largo al factotum" - Recitativo "Ah, ah! che bella vita!", Il Barbiere Di Siviglia: Act I. No. 3. Canzone "Se il mio nome saper voi bramate" - Recitativo "Oh cielo!", Il Barbiere Di Siviglia: Act I. No. 4. Duetto "All'idea di quel metallo", Il Barbiere Di Siviglia: Act I. No. 6. Aria "La calunnia è un venticello" - Recitativo "Ah! che ne dite?", Il Barbiere Di Siviglia: Act I. No. 8. Aria "A un dottor de la mia sorte", Il Barbiere Di Siviglia: Act II, No. 12. Arietta "Quando mi sei vicina" - Recitativo "Bravo, signor barbiere", Il Barbiere Di Siviglia: Act II, No. 13. Quintetto "Don Basilio!" - Recitativo "Ah! Disgraziato me!" - Recitativo "Che vecchio sospettoso!", Il Barbiere Di Siviglia: Act II, No. 14. Aria "Il vecchiotto cerca moglie" - Recitativo "Dunque voi Don Alonso", Il Barbiere Di Siviglia: Act II, No. 15. Temporale - Recitativo "Alfine, eccoci qua", Il Barbiere Di Siviglia: Act II, No. 16. Terzetto "Ah! qual colpo inaspettato!" - Recitativo "Ah, disgraziati noi!", Il Barbiere Di Siviglia: Act II, No. 19. Finaletto II "Di sì felice innesto", Il Barbiere Di Siviglia: Act II. Recitativo "Ma vedi il mio destino" - No. 10. Duetto "Pace e gioia sia con voi" - Recitativo "Insomma, mio signore", Il barbiere di Seviglia: Act I, V. Cavatina. "Una voce poco fa" (Rosina), Il barbiere di Seviglia: Act I, VII. Duetto. "Dunque io son... tu non m'ingianni?" (Rosina, Figaro), Il barbiere di Seviglia: Act II, Xi. Aria. "Contro un cor che accende amore" (Rosina, Conte), Il barbiere di Siviglia: "Largo al factotum", Il barbiere di Siviglia: Sinfonia, La Cenerentola: Finale II, Rondo. "Nacqui all'affanno e al pianto", Overture to "William Tell", Péschés de vieillesse: La Danza, Stabat Mater: Amen, in sempiterna, Stabat Mater: Cuius animam, Stabat Mater: Fac ut portem, Stabat Mater: Inflammatus et accensus, Stabat Mater: Pro peccatis, Stabat Mater: Quis est homo, Stabat Mater: Sancta Mater, Stabat Mater: Stabat Mater, The Barber of Seville: Ouverture, The Barber of Seville: Overture, The Thieving Magpie (La gazza ladra): Overture, The Thieving Magpie: Ouverture |
| Dakaskos |
performing orchestra |
Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve, Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace. Alla breve., Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace, Rhapsody on a Theme of Paganini, op. 43: Introduction and Variation 1, Rhapsody on a Theme of Paganini, op. 43: Theme, Rhapsody on a Theme of Paganini, op. 43: Variation 10, Rhapsody on a Theme of Paganini, op. 43: Variation 11, Rhapsody on a Theme of Paganini, op. 43: Variation 12, Rhapsody on a Theme of Paganini, op. 43: Variation 13, Rhapsody on a Theme of Paganini, op. 43: Variation 14, Rhapsody on a Theme of Paganini, op. 43: Variation 15, Rhapsody on a Theme of Paganini, op. 43: Variation 16, Rhapsody on a Theme of Paganini, op. 43: Variation 17, Rhapsody on a Theme of Paganini, op. 43: Variation 18, Rhapsody on a Theme of Paganini, op. 43: Variation 19, Rhapsody on a Theme of Paganini, op. 43: Variation 2, Rhapsody on a Theme of Paganini, op. 43: Variation 20, Rhapsody on a Theme of Paganini, op. 43: Variation 21, Rhapsody on a Theme of Paganini, op. 43: Variation 22, Rhapsody on a Theme of Paganini, op. 43: Variation 23, Rhapsody on a Theme of Paganini, op. 43: Variation 24, Rhapsody on a Theme of Paganini, op. 43: Variation 3, Rhapsody on a Theme of Paganini, op. 43: Variation 4, Rhapsody on a Theme of Paganini, op. 43: Variation 5, Rhapsody on a Theme of Paganini, op. 43: Variation 6, Rhapsody on a Theme of Paganini, op. 43: Variation 7, Rhapsody on a Theme of Paganini, op. 43: Variation 8, Rhapsody on a Theme of Paganini, op. 43: Variation 9 |
| Swerve |
performing orchestra |
"Pomp and Circumstance" Marches, op. 39: I. March no. 1 in D, "Pomp and Circumstance" Marches, op. 39: II. March no. 2 in A minor, "Pomp and Circumstance" Marches, op. 39: III. March no. 3 in C minor, "Pomp and Circumstance" Marches, op. 39: IV. March no. 4 in G, "Pomp and Circumstance" Marches, op. 39: V. March no. 5 in C, Coronation March (1911), op. 65, Coronation March, op. 65, Der fliegende Holländer: Overture, Die Meistersinger von Nürnberg: Overture, Die Walküre: "Ritt der Walküren", Die Walküre: Ride of the Valkyries_, Imperial March (1897), op. 32, Imperial March, op. 32, Lohengrin: Act III Prelude, Overture for Orchestra op. 92 "Carnival", Pomp & Circumstance Marches 1-5, op. 39, Pomp and cricumstance march, No. 1 in D, Op. 39, Rienzi: Overture, Symphony No. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto, Symphony No. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony No. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Tannhäuser: Overture, Variations on an Original Theme "Enigma", op. 36: I. Theme: Andante, CAE: L'istesso tempo, Variations on an Original Theme "Enigma", op. 36: II. HDS-P: Allegro, Variations on an Original Theme "Enigma", op. 36: III. RBT: Allegretto, Variations on an Original Theme "Enigma", op. 36: IV. WMB: Allegro di molto, Variations on an Original Theme "Enigma", op. 36: IX. Nimrod: Adagio, Variations on an Original Theme "Enigma", op. 36: V. RPA: Moderato, Variations on an Original Theme "Enigma", op. 36: VI. Ysobel: Andantino, Variations on an Original Theme "Enigma", op. 36: VII. Troyte: Presto, Variations on an Original Theme "Enigma", op. 36: VIII. WN: Allegretto, Variations on an Original Theme "Enigma", op. 36: X. Intermezzo: Dorabella: Allegretto, Variations on an Original Theme "Enigma", op. 36: XI. GRS: Allegro di molto, Variations on an Original Theme "Enigma", op. 36: XII. BGN: Andante, Variations on an Original Theme "Enigma", op. 36: XIII. Romanza: ***: Moderato, Variations on an Original Theme "Enigma", op. 36: XIV. Finale: EDU: Allegro-Presto |
| Joseph Meyers |
performing orchestra, phonographic copyright |
A Midsummer Night’s Dream: Incidental Music, op. 61: No. 7. Nocturne (Con moto tranquillo), Apollo: Scene 1. The Birth of Apollo, Apollo: Scene 2. Apothéose, Apollo: Scene 2. Coda, Apollo: Scene 2. Pas d'action, Apollo: Scene 2. Pas de deux, Apollo: Scene 2. Variation d'Apollon (I), Apollo: Scene 2. Variation d'Apollon (II), Apollo: Scene 2. Variation de Calliope, Apollo: Scene 2. Variation de Polymnie, Apollo: Scene 2. Variation de Terpsichore, Overture: A Midsummer Night’s Dream, op. 21, Overture: Calm Sea and Prosperous Voyage, Overture: Ruy Blas, Overture: The Hebrides, Symphony no. 1 in C minor, op. 11: i. Allegro di molto, Symphony no. 1 in C minor, op. 11: ii. Andante, Symphony no. 1 in C minor, op. 11: iii. Menuetto: Allegro molto (1824 original third movement), Symphony no. 1 in C minor, op. 11: iv. Allegro con fuoco, Symphony no. 3 in A minor: I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor: II. Vivace non troppo, Symphony no. 3 in A minor: III. Adagio, Symphony no. 3 in A minor: IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 4 in A major, 'Italian', op. 90 (1833 version): III. Menuetto: Con moto moderato, Symphony no. 4 in A major, 'Italian', op. 90 (1833 version): i. Allegro vivace, Symphony no. 4 in A major, 'Italian', op. 90 (1833 version): ii. Andante con moto, Symphony no. 4 in A major, 'Italian', op. 90 (1833 version): iv. Finale (Saltarello): Presto, Symphony no. 5 "Reformation": I. Andante – Allegro con fuoco, Symphony no. 5 "Reformation": II. Allegro vivace, Symphony no. 5 "Reformation": III. Adagio, Symphony no. 5 "Reformation": IV. Choral: Ein' feste Brug ist unser Gott: Andante con moto - Allegro maestoso, Œdipus Rex: Act I. "Voici Créon" (Speaker), Œdipus Rex: Act I. "Œdipe interroge ..." (Speaker), Œdipus Rex: Act II. "Et maintenant ..." (Speaker), Œdipus Rex: Act II. "Gloria!" (Chorus), Œdipus Rex: Act II. "Le témoin du meurtre ..." (Speaker), Œdipus Rex: Prologue. Spectateurs (Speaker) |
| Leonard Bernstein |
performing orchestra |
Arias and Barcarolles: VII. Mr and Mrs Webb Say Goodnight, Candide - Overture, Candide: Act I, No. 10. Candide Begins His Travels / Act I, No. 10a. It Must Be Me, Candide: Act I, No. 11. The Paris Waltz, Candide: Act I, No. 13. You Were Dead, You Know, Candide: Act I, No. 15. Quartet Finale, Candide: Act I, No. 1a. Westphalia Chorale, Candide: Act I, No. 2. Life Is Happiness Indeed, Candide: Act I, No. 3. The Best of All Possible Worlds, Candide: Act I, No. 3a. Universal Good, Candide: Act I, No. 4. Oh, Happy We, Candide: Act I, No. 5. It Must Be So (Candide's Meditation), Candide: Act I, No. 6. Westphalia, Candide: Act I, No. 6a. Battle Music, Candide: Act I, No. 7. Candide's Lament, Candide: Act I, No. 8. Dear Boy, Candide: Act I, No. 9. Auto-da-fé, Candide: Act II, No. 16. Universal Good, Candide: Act II, No. 17. My Love (Governor's Serenade), Candide: Act II, No. 18. We Are Women (Polka), Candide: Act II, No. 19. The Pilgrims' Procession - Alleluia, Candide: Act II, No. 20. Quiet, Candide: Act II, No. 21. Introduction to Eldorado, Candide: Act II, No. 22. The Ballad of Eldorado, Candide: Act II, No. 23. Words, Words, Words (Martin's Laughing Song), Candide: Act II, No. 24. Bon Voyage, Candide: Act II, No. 25. The Kings' Barcarolle, Candide: Act II, No. 26. Money, Money, Money (Venice Gambling Scene), Candide: Act II, No. 27. What's the Use, Candide: Act II, No. 28. The Venice Gavotte, Candide: Act II, No. 29. Nothing More Than This, Candide: Act II, No. 30. Universal Good (Life Is Neither), Candide: Act II, No. 31. Make Our Garden Grow (Finale), Candide: Make Our Garden Grow, On the Town: "New York, New York" (Ozzie, Chip, Gabey), Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai |
| Holzweg |
performing orchestra |
Symphony No. 3 in D minor: I. Kräftig. Entschieden, Symphony No. 3 in D minor: II. Tempo di menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 1, in C minor, op. 68: I. Un poco sostenuto - allegro, Symphony no. 1, in C minor, op. 68: II. Andante sostenuto, Symphony no. 1, in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1, in C minor, op. 68: IV. Adagio - più andante - allegro non troppo, Symphony no. 8 in C minor: I. Allegro moderato, Symphony no. 8 in C minor: II. Scherzo. Allegro moderato - Trio. Langsam, Symphony no. 8 in C minor: III. Adagio. Feierlich langsam, doch nicht schleppend, Symphony no. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony no. 8: Part I. "Accende lumen sensibus", Symphony no. 8: Part I. "Gloria Patri Domino", Symphony no. 8: Part I. "Imple superna gratia", Symphony no. 8: Part I. "Infirma nostri corporis", Symphony no. 8: Part I. "Qui Paraclitus diceris", Symphony no. 8: Part I. "Tempo I. (Allegro, etwashastig), Symphony no. 8: Part I. "Veni, creator spiritus!", Symphony no. 8: Part II. "Alles Vergängliche", Symphony no. 8: Part II. "Bei der Liebe, die den Füßen" / "Bei dem Bronn zu dem schon weiland" / "Bei dem hochgeweihten Orte" / "Die du großen Sünderinnen" / "Neige, neige, du Ohnegleiche", Symphony no. 8: Part II. "Blicket auf, alle reuig Zarten", Symphony no. 8: Part II. "Er überwächst uns schon" / "Vom edlen Geirsterchor umgeben" / "Komm! Komm! Hebe dich zu höhern Sphären!", Symphony no. 8: Part II. "Ewiger Wonnebrand", Symphony no. 8: Part II. "Gerettet ist das edle Glied", Symphony no. 8: Part II. "Ich spür' soeben" / "Hier ist die Aussicht frei" / "Freudig empfangen wir" / "Höchste Herrscherin der Welt" / "Jungfrau, rein im schönsten Sinne", Symphony no. 8: Part II. "Jene Rosen, aus den Händen", Symphony no. 8: Part II. "Uns bleibt ein Erdenrest", Symphony no. 8: Part II. "Waldung, sie schwankheran", Symphony no. 8: Part II. "Wie Felsenabgrund mir zur Fußen", Symphony no. 8: Part II. Poco adagio, Symphony no. 8: Part II. Äußerst langsam. Adagissimo "Dir, der Unberürbaren" / "Du schwebst zu Höhen", Symphony no. 9: Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9: I. Andante comodo, Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig |
| Nitin Sawhney |
performing orchestra |
Credits, Dad Brings News, Daisy Comes Home, Daisy Fashion Model, Daisy Goes to the Lodger, Daisy Understands and Consoles, Daisy at Fashion Show, Daisy's Song, Dressing Room Jokes, Evidence Against the Lodger, Father Is Not Having It, Fight Over Daisy, Girls Dressing Room, Girls Dressing Room Again, Golden Avenger, Joker, Landlady Searching, Landlady Worried for Daisy, Lodger Makes a Break, Mother's Wish, Policeman Daisy, Sister's Death, Speculation, Tension Between Lodger and Policeman, The Big Happy Ending, The Big Love Theme, The Lodger Arrives, The Lodger Saved, The Lodger Theme, The Lodger and the Bath, The Lodger on Stairs, The Mob, The Press, Titles, Witness, Witness, Part 2 |
| Basil Poledouris |
performing orchestra |
A Rotten Trick, Agnes and Kathleen, Agnes's Wagon, Arnolfini Assault, Assault on Agnes, Cask and St. Martin, Castle Invasion, Courtship and Mandrake, Denouement / End Title (alternate version), Denouement / End Titles, Denouncement / End Title, Driven From the City, Feast for Martin, Lesson in Nature, Main Title, Martin and Agnes Love Theme, Martin's Withdrawal / The Pointer / The Castle, Night Fires, Out of the Well, Prepare for Battle, Rescue Me, Saint Martin, Siege of the City, St. Martin Leads the Way, The Box, The Box (edited version), The Box (with percussion overlay), The Burning Wheel, The Feast, The Locket, The Noose, The Plague Dog, The Rape, Wagon Attack, Water (The Undoing) |
| 여름 |
instrument, performing orchestra |
"Emperor" Piano Concerto: II., Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: I. Maestoso, Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: II. Adagio, Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: II. Allegro appassionato, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: III. Andante - Più adagio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso, Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai, Emperor Concerto, Op. 73: II. Adagio un poco mosso, Piano Concerto in A, K. 488: Adagio, Piano Concerto in A, K. 488: Allegro, Piano Concerto in A, K. 488: Allegro Assai, Piano Concerto in D minor, K. 466: Allegro, Piano Concerto in D minor, K. 466: Romance, Piano Concerto in D minor, K. 466: Rondo (Allegro Assai), Piano Concerto no. 1: I. Allegro moderato, Piano Concerto no. 1: II. Andante, Piano Concerto no. 1: III. Allegro molto, Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso, Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai, Piano Concerto no. 23 in A major, K. 488: II. Andante, Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso, Piano Concerto no. 25 in C major, K. 503: II. Andante, Piano Concerto no. 25 in C major, K. 503: III Allegretto, Piano Concerto no. 3: I. Allegretto, Piano Concerto no. 3: II. Adagio religioso, Piano Concerto no. 3: III. Allegro vivace, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: 1. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: 2. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: 3. Rondo (Allegro) |
| Felix Mendelssohn |
performing orchestra |
Concerto pour violon No. 2 en mi mineur, Op. 64: I. Allegro molto appassionato, Concerto pour violon No. 2 en mi mineur, Op. 64: II. Andante, Concerto pour violon No. 2 en mi mineur, Op. 64: III. Allegro molto vivace, Das Märchen der Schönen Melusine - Overtüre, Die Hebriden - Overtüre, Elijah, op. 70: Part II, no. 40. Recitative (Soprano), Elijah, op. 70: Part II, no. 41. Chorus / No. 41a. Quartet, Elijah, op. 70: Part II, no. 42. Chorus, Introduction From Symphony No.4 'Italian', Overture: A Midsummer Night’s Dream, op. 21, Rondo Brilliant in E-flat major, op. 29, Symphonie No. 5, Op. 107, d-moll / in D minor: Andante, Symphonie Nr. 2 "Lobgesang": 1. Sinfonia: I. Maestoso con moto, Symphonie Nr. 2 "Lobgesang": 1. Sinfonia: II. Allegretto un poco agitato, Symphonie Nr. 2 "Lobgesang": 1. Sinfonia: III. Adagio religioso, Symphonie Nr. 2 "Lobgesang": 10. Allegro non troppo - Più vivace - Maestoso come I, Symphonie Nr. 2 "Lobgesang": 2. Cantate: I. Allegro moderato maestoso - Allegro di molto, Symphonie Nr. 2 "Lobgesang": 2. Cantate: II. Molto più moderato ma con fuoco, Symphonie Nr. 2 "Lobgesang": 3. I. Recitativo, Symphonie Nr. 2 "Lobgesang": 3. II. Allegro moderato, Symphonie Nr. 2 "Lobgesang": 4. Chor. A tempo moderato, Symphonie Nr. 2 "Lobgesang": 5. Andante, Symphonie Nr. 2 "Lobgesang": 6. Allegro un poco agitato - Allegro assai agitato - Tempo I moderato, Symphonie Nr. 2 "Lobgesang": 7. Allegro maestoso e molto vivace, Symphonie Nr. 2 "Lobgesang": 8. Choral. Andante con moto - Un poco più animato, Symphonie Nr. 2 "Lobgesang": 9. Andante sostenuto assai, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": I. Allegro vivace, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": II. Andante con moto, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": III. Con moto moderato, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": IV. Saltarello: Presto, Symphony no. 1 in C minor, op. 11: iii. Scherzo: Sempre pianissimo e leggiero (1829 London version third movement), The Hebrides, op. 26: Overture (Fingal’s Cave), Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace, Violin Concerto in E minor, op. 64: II. Andante, Wedding March from "A Midsummer Night's Dream" |
| Aldea |
performing orchestra |
Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto, Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro, Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai, Concerto for Piano No. 21 in C major, K. 467 “Elvira Madigan”: II. Andante, Concerto for Piano No. 25 in C major, K. 503: I. Allegro maestoso, Concerto for Piano No. 25 in C major, K. 503: II. Andante, Concerto for Piano No. 25 in C major, K. 503: III. Allegretto, Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": I. Allegro, Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": II. Andantino, Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 1. Allegro (kadenz: Mozart), Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 2. Larghetto, Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 3. Allegro (kadenzen: Mozart), Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 1. Allegro aperto (kadenz: Mozart), Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 2. Andante (kadenz: Mozart), Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 3. Rondeau. Tempo di Menuetto (kadenz: Mozart), Konzert für Klavier und Orchester no. 12 A-dur KV 414: I. Allegro, Konzert für Klavier und Orchester no. 12 A-dur KV 414: II. Andante, Konzert für Klavier und Orchester no. 12 A-dur KV 414: III. Rondeau, Allegretto, Konzert für Klavier und Orchester no. 20 D-moll KV 466: I. Allegro, Konzert für Klavier und Orchester no. 20 D-moll KV 466: II. Romance, Konzert für Klavier und Orchester no. 20 D-moll KV 466: III. Rondo (Allegro assai), Piano Concerto no. 19 in F, KV 459: I. Allegro vivace, Piano Concerto no. 19 in F, KV 459: II. Allegretto, Piano Concerto no. 19 in F, KV 459: III. Allegro assai, Piano Concerto no. 23 in A, K. 488: I. Allegro, Piano Concerto no. 23 in A, K. 488: II. Adagio, Piano Concerto no. 23 in A, K. 488: III. Allegro assai, Piano Concerto no. 24 in C minor, K. 491: I. Allegro, Piano Concerto no. 24 in C minor, K. 491: II. Larghetto, Piano Concerto no. 24 in C minor, K. 491: III. (Allegretto) |
| Johannes Brahms |
performing orchestra |
Hungarian Dance No. 6, Hungarian Dance in G Minor, Hungarian Dance no. 1 in G minor, Hungarian Dance no. 10 in F major, Hungarian Dance no. 11 in D minor, Hungarian Dance no. 12 in D minor, Hungarian Dance no. 15 in B flat major, Hungarian Dance no. 17 in F sharp minor, Hungarian Dance no. 18 in D major, Hungarian Dance no. 19 in B minor, Hungarian Dance no. 2 in D minor, Hungarian Dance no. 20 in E minor, Hungarian Dance no. 21 in E minor, Hungarian Dance no. 3 in F major, Hungarian Dance no. 4 in F sharp minor, Hungarian Dance no. 5 in G minor, Hungarian Dance no. 6 in D major, Hungarian Dance no. 7 in A major, Hungarian Dances no. 1 in G minor, Hungarian Dances no. 10 in F major, Hungarian Dances no. 12 in D minor, Hungarian Dances no. 13 in D major, Hungarian Dances no. 19 in B minor, Hungarian Dances no. 21 in E minor, Hungarian Dances no. 3 in F major, Hungarian Dances no. 5 in G minor, Hungarian Dances no. 6 in D major, Serenade No. 2 in A-Flat Major, Op. 16: III. Adagio non troppo, Serenade no. 2 In A Major, op. 16: I. Allegro moderato, Serenade no. 2 In A Major, op. 16: II. Scherzo: vivace, Serenade no. 2 In A Major, op. 16: III. Adagio non troppo, Serenade no. 2 In A Major, op. 16: IV. Quasi menuetto, Serenade no. 2 In A Major, op. 16: V. Rondo: allegro, Serenade no. 2 in A, op. 16: IV. Quasi menuetto - Trio |
| Wolfgang Amadeus Mozart |
performing orchestra |
Eine kleine Nachtmusik: III. Menuetto, Exsultate jubilate, KV 165/158a: I. Exsultate, jubilate, Exsultate jubilate, KV 165/158a: II. Fulget amica dies, Exsultate jubilate, KV 165/158a: III. Tu virginum corona, Le Nozze Di Figaro - Act 2: Dove Sono, Le nozze di Figaro: "E Susanna non vien!" - "Dove sono i bei momenti", Le nozze di Figaro: "Porgi amor", Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene III, No. 2 Aria "Nacqui all'aria trionfale" (Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IV, No. 3 Aria "Dove mai trovai quel ciglio?" (Pulcherio), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Ouvertura, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan" (excerpt), Piano concerto n°24 in C minor K491 - I. Allegro, Piano concerto n°24 in C minor K491 - II Larghetto, Piano concerto n°24 in C minor K491 - III Allegretto, Porgi, amor (Le nozze di Figaro), Requiem in D minor, KV. 626: VII. Lacrimosa Larghetto, Requiem: No 1. Introitus and Kyrie: Requiem and Kyrie, Requiem: No 10. Sanctus: Sanctus, Requiem: No 11. Benedictus: Benedictus, Requiem: No 12. Agnus Dei and Communio: Agnus Dei, Requiem: No 2. Sequence: Dies irae, Requiem: No 3. Sequence: Tuba mirum, Requiem: No 4. Sequence: Rex tremendae, Requiem: No 5. Sequence: Recordare, Requiem: No 6. Sequence: Confutatis maledictis, Requiem: No 7. Sequence: Lacrimosa, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias, Romanze from Eine kleine Nachtmusik, Symphony No. 41 in C major, K. 551 "Jupiter", The Logue Method (Mozart: The Marriage of Figaro / Clarinet Concerto Mvt. 1), Vesperae solennes de confessore, KV 339; Laudate dominum (London Symphony Orchestra feat. conductor: Colin Davis, soprano: Kiri te Kanawa, organ; John Constable) |
| So This Is Suffering |
performing orchestra |
The Turn of the Screw: Act I: Prologue, The Turn of the Screw: Act I: Scene I. The Journey, The Turn of the Screw: Act I: Scene II. The Welcome, The Turn of the Screw: Act I: Scene III. The Letter, The Turn of the Screw: Act I: Scene IV. The Tower, The Turn of the Screw: Act I: Scene V. The Window, The Turn of the Screw: Act I: Scene VI. The Lesson, The Turn of the Screw: Act I: Scene VII. The Lake, The Turn of the Screw: Act I: Scene VIII. At Night, The Turn of the Screw: Act I: Theme, The Turn of the Screw: Act I: Variation I, The Turn of the Screw: Act I: Variation II, The Turn of the Screw: Act I: Variation III, The Turn of the Screw: Act I: Variation IV, The Turn of the Screw: Act I: Variation V, The Turn of the Screw: Act I: Variation VI, The Turn of the Screw: Act I: Variation VII, The Turn of the Screw: Act II: Scene I. Colloquy and Soliloquy, The Turn of the Screw: Act II: Scene II. The Bells, The Turn of the Screw: Act II: Scene III. Miss Jessel, The Turn of the Screw: Act II: Scene IV. The Bedroom, The Turn of the Screw: Act II: Scene V. Quint, The Turn of the Screw: Act II: Scene VI. The Piano, The Turn of the Screw: Act II: Scene VII. Flora, The Turn of the Screw: Act II: Scene VIII. Miles, The Turn of the Screw: Act II: Variation IX, The Turn of the Screw: Act II: Variation VIII, The Turn of the Screw: Act II: Variation X, The Turn of the Screw: Act II: Variation XI, The Turn of the Screw: Act II: Variation XII, The Turn of the Screw: Act II: Variation XIII, The Turn of the Screw: Act II: Variation XIV, The Turn of the Screw: Act II: Variation XV |
| Hector Berlioz |
performing orchestra |
Béatrice et Bénédict: Act 1. "Vous soupirez, madame?" - "Nuit paisible et sereine!", Harold en Italie H. 68, Op.16: Harold aux montagnes (Adagio - Allegro), Harold en Italie H. 68, Op.16: Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I), Harold en Italie, op. 16: I. Harold aux montagnes (Allegro), L'Île Inconnue, Les Troyens H. 133a: Act 3: Prélude - Les Troyens à Carthage, Les nuits d'été Op. 7: Absence, Les nuits d'été Op. 7: Au cimetière - Clair de lune, Les nuits d'été Op. 7: L'île inconnue, Les nuits d'été Op. 7: Le spectre de la rose, Les nuits d'été Op. 7: Sur les lagunes - Lamento, Les nuits d'été Op. 7: Villanelle, Les nuits d'été: Le spectre de la rose, Rakoczy March, Roman Carnival, Op. 9: Overture, Symphonie Fantastique, op. 14: I. Dreams, Passions, Symphonie Fantastique, op. 14: II. A Ball, Symphonie Fantastique, op. 14: III. Scene in the Fields, Symphonie Fantastique, op. 14: IV. March to the Scaffold, Symphonie Fantastique, op. 14: V. Dream of a Witches' Sabbath, Symphonie fantastique, Op. 14: I. Rêveries - Passions, Symphonie fantastique, Op. 14: II. Un Bal, Symphonie fantastique, Op. 14: II. Un bal, Symphonie fantastique, Op. 14: III. Scène aux champs, Symphonie fantastique, Op. 14: IV. Marche au supplice, Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat, Symphonie funèbre et triomphale, op. 15: I. Marche funèbre (Moderato un poco lento), Symphonie funèbre et triomphale, op. 15: II. Oraison funèbre (Adagio non tanto - Andantino un poco lento e sostenuto), Symphonie funèbre et triomphale, op. 15: III. Apothéose (Allegro non troppo e pomposo), Tristia H. 119, Op.18: La mort d'Ophélie. Ballade, Tristia H. 119, Op.18: Marche funèbre pour la dernière scène d'Hamlet, Tristia H. 119, Op.18: Méditation religieuse |
| Julie Bergan |
performing orchestra |
Estancia, Op. 8: Cuadro II. Los peones de hacienda - Entrada de los caballitos, Estancia, Op. 8: Cuadro II. Los puebleros, Estancia, Op. 8: Cuadro III. La doma, Estancia, Op. 8: Cuadro V. El amanecer - Escena, Estancia, op. 8 (extended suite): Danza del trigo, Estancia, op. 8 (extended suite): Danza final. Malambo, Estancia, op. 8 (extended suite): Idilio crepuscular, Estancia, op. 8 (extended suite): La doma, Estancia, op. 8 (extended suite): Los trabajadores agrícolas, Panambí, Op. 1: Aparición de Tupá / Los guerreros amenazan al Hechicero, Panambí, Op. 1: Canto de Guirahú, Panambí, Op. 1: Claro de luna sobre el Paraná, Panambí, Op. 1: Danza de los guerreros, Panambí, Op. 1: Danza del Hechicero, Panambí, Op. 1: El Hechicero habla, Panambí, Op. 1: El Hechicero se dirige hacia Guirahú / Aparacen las deidades del agua / El Hechicero se esconde, Panambí, Op. 1: El amanecer, Panambí, Op. 1: Escena, Panambí, Op. 1: Fiesta indígena, Panambí, Op. 1: Inquietud de la tribu / Súplica de Panambí, Panambí, Op. 1: Invocación a los espíritus poderosos, Panambí, Op. 1: Juego de las deidades del agua, Panambí, Op. 1: Lamento de las doncellas, Panambí, Op. 1: Pantomima del amor eterno, Panambí, Op. 1: Reaparece el Hechicero / Los gritos del Hechicero, Panambí, Op. 1: Ronda de las doncellas, Panambí, op. 1 (extended suite): Danza de los guerreros, Panambí, op. 1 (extended suite): Danza del hechicero, Panambí, op. 1 (extended suite): El amanecer, Panambí, op. 1 (extended suite): Invocación a los espíritus poderosos, Panambí, op. 1 (extended suite): Juego de las deidades del agua |
| Dj Direct |
performing orchestra |
March of the Priests from The Magic Flute, K.620, Minuet in G major, K. 409 (383f), Salome: "Ah! Herrlich! Wundervoll, wundervoll!", Salome: "Ah! Ich habe deinen Mund geküsst, Jokanaan", Salome: "Ah! du wolltest mich nicht deinen Mund", Salome: "Dein Haar is grässlich!", Salome: "Du wirst das für mich tun, Narraboth", Salome: "Eine Menge Menschen", Salome: "Ich will nicht bleiben", Salome: "Jokanaan! Ich bin verliebt", Salome: "Salome, bedenk, was du tun willst", Salome: "Sie ist ein Ungeheuer, deine Tochter", Salome: "Siehe, der Tag ist nahe", Salome: "Soalime, komm, trink Wein mit mir", Salome: "Still, spricht nicht zu mir!", Salome: "Wahrhaftig, Herr, es wäre besser", Salome: "Wer hat meinen Ring genommen?", Salome: "Wer ist der, der von Edom kommt", Salome: "Wie schön ist die Prinzessin Salome...", Salome: "Willst du mir wirklich alles geben", Salome: "Wird dir nicht bange, Tochter der Herodias?", Salome: "Wo ist Salome? Wo ist die Prinzessin?", Salome: "Wo ist er, dessen Sündenbecher jetzt voll ist?", Salome: Dance of the Seven Veils, Six German Dances, K. 509: I., Six German Dances, K. 509: II., Six German Dances, K. 509: III., Six German Dances, K. 509: IV., Six German Dances, K. 509: V., Six German Dances, K. 509: VI., Tannhäuser: Overture and Venusberg Music |
| Aaron Copland |
performer, performing orchestra |
Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 1 (London Symphony Orchestra feat. conductor: Aaron Copland), Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 2 (London Symphony Orchestra feat. conductor: Aaron Copland), Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 3 (London Symphony Orchestra feat. conductor: Aaron Copland), Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 4 (London Symphony Orchestra feat. conductor: Aaron Copland), Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 5 (London Symphony Orchestra feat. conductor: Aaron Copland), Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 6 (London Symphony Orchestra feat. conductor: Aaron Copland), Appalachian Spring: Simple Gifts, Billy the Kid: I. Introduction: The Open Prairie (London Symphony Orchestra feat. conductor: Aaron Copland), Clarinet Concerto (excerpt), Dance Panels, ballet: Allegretto con tenerezza (un poco rubato), Dance Panels, ballet: Con brio, Dance Panels, ballet: Con moto, Dance Panels, ballet: Introduction: Moderato (Tempo di Valzer) - Espressivo un poco rubato, Dance Panels, ballet: Molto ritmico - Coda; come prima - Moderato, Dance Panels, ballet: Pas de trois. Lento, Dance Panels, ballet: Scherzando - Moderato, Danzón Cubano (orchestral version), Fanfare for the Common Man, Hoedown (from "Rodeo"), John Henry, Letter From Home, Music for a Great City: Night Thoughts, Music for a Great City: Skyline, Music for a Great City: Subway Jam, Music for a Great City: Toward the Bridge, Orchestral Variations: Coda: Subito lento moderato, Orchestral Variations: Theme: Grave, Orchestral Variations: Variation I - Variation XX, Rodeo: Hoedown, Rodeo: Saturday Night Waltz |
| New Mixage |
performing orchestra |
Ave verum corpus, K. 618, Kullervo, op. 7: V. Kullervo's Death: Andante, Kullervo: V. Kullervo's Death: Andante, Kyrie, K. 341/368a, Les Troyens, H. 133a: Act I. No. 1 Chorus "Ha, Ha! Après dix ans" (Chorus of the Trojan People), Les Troyens, H. 133a: Act I. No. 4 March and Hymn "Dieux protecteurs de la ville éternelle" (Chorus), Les Troyens, H. 133a: Act II, Scene 2. No. 14 Chorus "Ha, puissante Cybèle" (Trojan Chorus), Les Troyens, H. 133a: Act III. No. 17 Chorus "De Carthage les cieux" (Chorus of the Carthage People), Les Troyens, H. 133a: Act III. No. 18 National Anthem "Gloire à Didon" (Chorus), Les Troyens, H. 133a: Act V, Scene 3. No. 49 Ceremony for the Dead "Dieux de l'oubli, dieux du Ténare" (Chorus of the Priests of Pluto) / "S'il faut enfin qu'Énée aborde en Italie" (Anna, Narbal, Chorus), Les Troyens, H. 133a: Act V, Scene 3. No. 51 Chorus "Ah! au secours! au secours! la reine s'est frappée!" (All), Messiah - Part II, Messiah, HWV 56: Part II, Scene 7, no. 44 “Hallelujah” (Chorus), Messiah: Hallelujah Chorus, Messiah: Part I, No. 12 Chorus "For unto us a Child is born", Messiah: Part I, No. 15 Chorus "Glory to God in the highest", Messiah: Part I, No. 19 Chorus "His yoke is easy", Messiah: Part I, No. 3 Chorus "And the glory of the Lord", Messiah: Part I, No. 6 Chorus "And He shall purify the sons of Levi", Messiah: Part II, No. 20 Chorus "Behold the Lamb of God", Messiah: Part II, No. 26 Chorus "He trusted in God", Messiah: Part II, No. 31 Chorus "Lift up your heads", Messiah: Part II, No. 35 Chorus "The Lord gave the word", Messiah: Part II, No. 37 Chorus "Their sound is gone out", Messiah: Part II, No. 39 Chorus "Let us break their bonds asunder", Messiah: Part III, No. 44 Chorus "Since by man came death", Messiah: Part III, No. 51 Chorus "Worthy is the Lamb" / "Blessing and honour" / No. 52 Chorus "Amen", Roméo et Juliette "Symphonie dramatique": Scène 3. Scène d'amour. Nuit sereine / Le jardin de Capulet silencieux et desert, Roméo et Juliette "Symphonie dramatique": Scène 5. Convoi funèbre de Juliette |
| Lady Lace |
performing orchestra |
1812 Overture, op. 49, Cello Concerto in E minor, op. 85: I. Adagio moderato, Cello Concerto in E minor, op. 85: II. Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro-moderato - Allegro, ma non troppo, Enigma Variations, op. 36: Nimrod, Leonora: Overture no. 3 in C major, op. 72a, Les Patineurs, Mazurka from “Coppelia”, Night on the Bare Mountain, Polovtsian Dances, Pomp and Circumstance March no. 1, Rhapsody on a Theme of Paganini, op. 43 18th. Variation, Ride of the Valkyries From “Die Walkure”, Serenade for Strings: I. Allegro piacevole, Serenade for Strings: II. Larghetto, Serenade for Strings: III. Allegretto, Slavonic Dance in G Minor, Sospiri, op. 70, Symphony no. 5 in C minor, op. 67, Symphony no. 6 (Pastoral): 1. Allegro ma non troppo (Awakening of Happy Feelings on Arrival in the Country), Symphony no. 6: 2. Andante molto mosso (By the Stream), Symphony no. 6: 3. Allegro (Merry Gathering of Peasants) / 4. Allegro (Storm) / 5. Allegretto (The Shepherd's Hymn: Thanksgiving After the Storm), Symphony no. 9 in D minor, op. 125: 4th movement (excerpt), Tannhäuser: Overture, Waltz of the Flowers, William Tell Overture, ”Nimrod” from Enigma Variations, op. 36 |
| First Jazz Generation |
performing orchestra |
Air From 'The Water Music', Feuerwerksmusik Suite: Alla Sicilana, Feuerwerksmusik Suite: Bourrée, Minuet, Feuerwerksmusik Suite: Ouvertüre, Largo "(Ombra mai fu) Serse", Largo From Xerxes, Minuet "Il pastor fido", Music for the Royal Fireworks - Suite: Alla siciliana, Music for the Royal Fireworks - Suite: Bourrée, Music for the Royal Fireworks - Suite: Minuet, Music for the Royal Fireworks - Suite: Overture, Serse: Act I. Largo "Ombra mai fu", Symphony No. 4 in F minor, Op. 36: I. Andante sostenuto - Moderato con anima, Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzona, Symphony No. 4 in F minor, Op. 36: III. Scherzo: Pizzicato ostinato, Symphony No. 4 in F minor, Op. 36: IV. Finale: Allegro con fuoco, The Faithful Shepherd: Menuett, Wassermusik Suite: Air, Wassermusik Suite: Allegro, Wassermusik Suite: Andante espressivo - Allegro deciso, Wassermusik Suite: Bourrée - Hornpipe, Water Music - Suite: Air, Water Music - Suite: Allegro, Water Music - Suite: Allegro deciso, Water Music - Suite: Andante espressivo, Water Music - Suite: Bourrée, Water Music - Suite: Hornpipe, Water Music Suite: Finale (Allegro deciso) |
| Jerry Goldsmith |
performing orchestra |
Bandit's Ho, Chief Bloodshirt, End Cast, End Cast (Take 1) (With voices of composer and engineer), Fireworks, Lonely Indian, Love Theme From Forever Young, Medley of Television Themes: The Man From U.N.C.L.E. / Dr. Kildare / Room 222 / Star Trek: Voyager / The Waltons / Barnaby Jones, Motion Picture Medley: The Sand Pebbles / Chinatown / Air Force One / A Patch of Blue / Poltergeist / Papillon / Basic Instinct / The Wind and the Lion, Rio Conchos, River Crossing, Special Delivery, Star Trek: The Motion Picture, Star Trek: The Motion Picture: End Credits, The Aftermath, The Agony and the Ecstasy: Prologue / Rome / Florence / The Crucifix / The Stone Giants / The Agony of Creation, The Boys From Brazil, The Corral, The Generals: MacArthur / Patton, The Intruder, The River, Theme From Rudy, Theme From Sleeping With the Enemy, Theme From the Russia House, Twilight Zone: The Movie, Wall of Fire, Wall of Fire (Alternate take), Where's the Water |
| Léo Delibes |
performing orchestra |
Sylvia Act I No. 1: Faunes et Dryads, Sylvia Act I No. 2: Le Berger (pastorale), Sylvia Act I No. 3: Les Chasseresses, Sylvia Act I No. 4a: Intermezzo, Sylvia Act I No. 4b: Valse Lente, Sylvia Act I No. 5: Scene, Sylvia Act I No. 6: Corget Rustique, Sylvia Act I No. 7: Scene, Sylvia Act I No. 8a: Entree du Sorcier, Sylvia Act I No. 8b: Finale, Sylvia Act II No. 10: Pas des Ethiopiens, Sylvia Act II No. 11: Chant Bachique, Sylvia Act II No. 12: Rentree de Sylvia, Sylvia Act II No. 12: Scene et Danse de la Bacchante, Sylvia Act II No. 13: Scene Finale, Sylvia Act II No. 9: La Grotte d'Orion, Sylvia Act III No. 14a: Marche, Sylvia Act III No. 14b: Cortege de Bacchus, Sylvia Act III No. 15a: Scene, Sylvia Act III No. 15b: Barcarolle, Sylvia Act III No. 16 Divertissement (a): Pizzicati, Sylvia Act III No. 16 Divertissement (b): Violin solo, Sylvia Act III No. 16 Divertissement (c): Strette-Galop, Sylvia Act III No. 16: Apparition d'Endymion (Apotheose), Sylvia Act III No. 16: Le Temple de Diane (Final), Sylvia: Entr'acte, Sylvia: Prelude |
| Before the Aftermath |
performing orchestra |
Arioso, op. 3, De hundrede fioliner, Den första kyssen, op. 37 no. 1, Diamanten på Marssnön, op. 36 no. 6, Efterårsstrormen, op. 18 no. 4, Februarmorgen ved Golfen, Flickan kom ifrån sin älsklings möte, op. 37 no. 5, Höstkväll, op. 38 no. 1, Jeg giver mit digt til våren, op. 21 no. 3, arr. Valdar, Kom nu hit, död!, op. 60 no. 1, Men min fågel märks dock icke, op. 36 no. 2, Nu brister alle de klofter, Nykelen, Og jeg vil ha mig en silkevest, op. 60 no. 5, arr. Valdar, På verandan vid havet, op. 38 no. 2, Se'n har jag ej frågat mera, op. 17 no. 1, Skinnvengbrev, Svarta Rosor, op. 36 no. 1, Säv, säv, susa, op. 36 no. 4, Til kvällen, op. 17 no. 6, Til én I, op. 59 no. 3, arr. Valdar, Til én II, op. 59 no. 4, arr. Valdar, Var det en dröm?, op. 37 no. 4, Våren flyktar hastigt, op. 13 no. 4, Vårlængsler, Ære det evige forår i livet |
| Noah |
performing orchestra |
Piano Concerto No. 11 in F Major, K. 413 / 387a - I. Allegro, Piano Concerto No. 11 in F Major, K. 413 / 387a - II. Larghetto, Piano Concerto No. 11 in F Major, K. 413 / 387a - III. Tempo di menuetto, Piano Concerto No. 13 in C Major, K. 415 / 387b - I. Allegro, Piano Concerto No. 13 in C Major, K. 415 / 387b - II. Andante, Piano Concerto No. 13 in C Major, K. 415 / 387b - III. Rondo allegro, Piano Concerto No. 14 in E flat Major, K. 449 - I. Allegro vivace, Piano Concerto No. 14 in E flat Major, K. 449 - II. Andantino, Piano Concerto No. 14 in E flat Major, K. 449 - III. Allegro ma non troppo, Piano Concerto No. 15 in B flat Major, K. 450 - I. Allegro, Piano Concerto No. 15 in B flat Major, K. 450 - II. Andante, Piano Concerto No. 15 in B flat Major, K. 450 - III. Allegro, Piano Concerto No. 16 in D Major, K. 451 - I. Allegro assai, Piano Concerto No. 16 in D Major, K. 451 - II. Andante, Piano Concerto No. 16 in D Major, K. 451 - III. Allegro di molto, Piano Concerto No. 22 in E flat Major, K. 482 - I. Allegro, Piano Concerto No. 22 in E flat Major, K. 482 - II. Andante, Piano Concerto No. 22 in E flat Major, K. 482 - III. Allegro, Piano Concerto No. 24 in C minor, K. 491 - I. Allegro, Piano Concerto No. 24 in C minor, K. 491 - II. Larghetto, Piano Concerto No. 24 in C minor, K. 491 - III. Allegretto, Piano Concerto No.18 in B flat, KV 456, Allegro vivace, Piano Concerto No.18 in B flat, KV 456, Andante un poco sostenuto, Piano Concerto no. 15 in B-flat major, K. 450: I. Allegro, Piano Concerto no. 15 in B-flat major, K. 450: II. Andante, Piano Concerto no. 15 in B-flat major, K. 450: III. Allegro |
| Dennis Laak |
performing orchestra |
A London Symphony (no. 2): I. Lento - Allegro risoluto, A London Symphony (no. 2): II. Lento, A London Symphony (no. 2): III. Scherzo (Nocturne) - Allegro vivace, A London Symphony (no. 2): IV. Andante con moto - Allegro - Epilogue, A Pastoral Symphony (No.3): I. Molto Moderato, A Pastoral Symphony (No.3): II. Lento moderato, A Pastoral Symphony (No.3): III. Moderato pesante, A Pastoral Symphony (No.3): IV. Lento, Concerto Grosso for String Orchestra: I. Intrada, Concerto Grosso for String Orchestra: II. Burlesca ostinata, Concerto Grosso for String Orchestra: III. Sarabande, Concerto Grosso for String Orchestra: IV. Scherzo, Concerto Grosso for String Orchestra: V. March and Reprise, Concerto for Oboe and Strings in A minor: I. Rondo Pastorale. Allegro moderato, Concerto for Oboe and Strings in A minor: II. Minuet & Musette. Allegro moderato, Concerto for Oboe and Strings in A minor: III. Scherzo. Presto – Doppio più lento – Lento – Presto, Sinfonia Antartica (Symphony no. 7): II. Scherzo: Moderato, Sinfonia Antartica (Symphony no. 7): IV. Intermezzo: Andante sostenuto, Symphony no. 4 in F minor: I. Allegro, Symphony no. 4 in F minor: II. Andante moderato, Symphony no. 4 in F minor: III. Scherzo: Allegro molto, Symphony no. 4 in F minor: IV: Finale con Epilogo fugato. Allegro molto, Symphony no. 9 in E minor: I. Moderato maestoso, Symphony no. 9 in E minor: II. Andante sostenuto, Symphony no. 9 in E minor: III. Scherzo. Allegro pesante, Symphony no. 9 in E minor: IV. Andante tranquillo |
| Karl Jenkins |
performing orchestra |
Gloria: I. The Proclamation: Gloria in excelsis Deo, Gloria: II. The Prayer: Laudamus Te, Gloria: III. The Psalm: Tehellim - Psalm 150, Gloria: IV. The Song: I'll make music, Gloria: V. The Exaltation: Domine Deus, Te Deum: Aeterna fac, Te Deum: Miserere nostril, Te Deum: Te Deum laudamus, Te Deum: Te Deum laudamus (reprise), Te Deum: Te ergo quaesumus, The Peacemakers: Intermezzo, The Peacemakers: Part I: Evening prayer, The Peacemakers: Part I: Fanfara, The Peacemakers: Part I: Healing Light: a Celtic prayer, The Peacemakers: Part I: I offer you peace, The Peacemakers: Part I: Inner peace, The Peacemakers: Part I: Meditation: Peace is..., The Peacemakers: Part I: Peace, peace!, The Peacemakers: Part II: Anthem: Peace, triumphant peace, The Peacemakers: Part II: Dona nobis pacem, The Peacemakers: Part II: Fiat pax in virtute tua, The Peacemakers: Part II: He had a dream: Elegy for Martin Luther King, The Peacemakers: Part II: Let there be justice for all, The Peacemakers: Part II: One Song, The Peacemakers: Part II: The Dove for Astrid May, The Peacemakers: Part II: The Peace Prayer of St. Francis of Assisi |
| Thomas Newman |
performing orchestra |
A Telegram, Amy Abroad, Ashes, Beth’s Secret, Burdens, Domestic Experiences, For the Beauty of the Earth, Harvest Time, La Fayette’s Welcome, Learning to Forget, Letter From Jo, Limes, Little Women, Lovelornity, Maria Redowa, Meg’s Hair, New York, Orchard House (main title), Port Royal Gallop, Scarlet Fever, Snowplay, Spring, The Laurence Boy, Two Couples, Under the Umbrella (end title), Valley of the Shadow |
| Tibor de Machula |
performing orchestra |
Symphony No. 10 in E minor, Op. 93: I. Moderato, Symphony No. 10 in E minor, Op. 93: II. Allegro, Symphony No. 10 in E minor, Op. 93: III. Allegretto, Symphony No. 10 in E minor, Op. 93: IV. Andante. Allegro, Symphony no. 11 in G minor, op. 103 "The Year 1905": I. Palace Square: Adagio, Symphony no. 11 in G minor, op. 103 "The Year 1905": II. 9 January: Allegro, Symphony no. 11 in G minor, op. 103 "The Year 1905": III. In Memoriam: Adagio, Symphony no. 11 in G minor, op. 103 "The Year 1905": IV. Tocsin: Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd: Moderato - Allegro, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv: Allegro - Adagio, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora: L’istesse tempo - Allegro, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity: L’istesso tempo - Allegretto, Symphony no. 15 in A major, op. 141: I. Allegretto, Symphony no. 15 in A major, op. 141: II. Largo - Adagio - Largo, Symphony no. 15 in A major, op. 141: III. Allegretto, Symphony no. 15 in A major, op. 141: IV. Adagio - Allegretto - Adagio - Allegretto, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 8 in C minor, op. 65: I. Adagio – Allegro non troppo, Symphony no. 8 in C minor, op. 65: II. Allegretto, Symphony no. 8 in C minor, op. 65: III. Allegro non troppo, Symphony no. 8 in C minor, op. 65: IV. Largo, Symphony no. 8 in C minor, op. 65: V. Allegretto |
| Stefanie Hearfield |
performing orchestra |
The Nutcracker, op. 71, Act I, Tableau I: I. Decorating and Lighting the Christmas Tree, The Nutcracker, op. 71, Act I, Tableau I: II. March, The Nutcracker, op. 71, Act I, Tableau I: III. Dance Scene: Galop and Dance of the Parents, The Nutcracker, op. 71, Act I, Tableau I: IV. Scene: Presents for the Children, The Nutcracker, op. 71, Act I, Tableau I: V. Scene and The Grandfather Dance, The Nutcracker, op. 71, Act I, Tableau I: VI. Scene: The Guests Depart – The Children Go to Bed – The Magic Spell Begins, The Nutcracker, op. 71, Act I, Tableau I: VII. The Nutcracker Battles the Army of the Mouse King – He Wins and Is Transformed into Prince Charming, The Nutcracker, op. 71, Act I, Tableau II: IX. Waltz of the Snowflakes, The Nutcracker, op. 71, Act I, Tableau II: VIII. Journey Through the Snow, The Nutcracker, op. 71, Act II: X. Scene. Arrival in Fairyland, The Nutcracker, op. 71, Act II: XI. Scene. Festival in Honor of the Children and Prince Charming, The Nutcracker, op. 71, Act II: XIII. Waltz of the Flowers, The Nutcracker, op. 71, Act II: XIIa. Character Dances (Divertissement): Chocolate (Spanish Dance), The Nutcracker, op. 71, Act II: XIIb. Character Dances (Divertissement): Coffee (Arabian Dance), The Nutcracker, op. 71, Act II: XIIc. Character Dances (Divertissement): Tea (Chinese Dance), The Nutcracker, op. 71, Act II: XIId. Character Dances (Divertissement): Russian Dance (Trepak), The Nutcracker, op. 71, Act II: XIIe. Character Dances (Divertissement): Dance of the Toy Flutes, The Nutcracker, op. 71, Act II: XIIf. Character Dances (Divertissement): Dance of the Clowns, The Nutcracker, op. 71, Act II: XIV. Dances of the Sugar Plum Fairy and Prince Charming: Pas de Deux, The Nutcracker, op. 71, Act II: XIVa. Dances of the Sugar Plum Fairy and Prince Charming: Dance of Prince Charming, The Nutcracker, op. 71, Act II: XIVb. Dances of the Sugar Plum Fairy and Prince Charming: Dance of the Sugar Plum Fairy, The Nutcracker, op. 71, Act II: XIVc. Dances of the Sugar Plum Fairy and Prince Charming: Coda, The Nutcracker, op. 71, Act II: XV. Apotheosis, The Nutcracker, op. 71, Act II: XV. Waltz Finale and, The Nutcracker, op. 71: Overture |
| Juha-Matti Penttinen |
performing orchestra |
A Village Romeo and Juliet: The Walk to the Paradise Garden, Four Sea Interlude From 'Peter Grimes' (Dawn, Sunday Morning, Moonlight, Storm) op. 33a, Four Sea Interludes, op. 33a: I. Dawn, Four Sea Interludes, op. 33a: II. Sunday Morning, Four Sea Interludes, op. 33a: III. Moonlight, Four Sea Interludes, op. 33a: IV. Storm, Occasional Overture, Sinfonia da Requiem, op. 20: I. Lacrymosa, Sinfonia da Requiem, op. 20: II. Dies Irae, Sinfonia da Requiem, op. 20: III. Requiem Aeternam, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Fugue - Allegro molto, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Theme, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation A - The Flutes, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation B - The Oboes, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation C - The Clarinets, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation D - The Bassoons, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation E - The Violins, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation F - The Violas, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation G - The Cellos, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation H - The Double Bass, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation I - The Harp, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation J - The Horns, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation K - The Trumpets, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation L - The Trombones and Bass Tuba, The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a theme of Henry Purcell”: Variation M - The Percussion |
| Maurice Ravel |
performing orchestra |
Bolero, Bolero (conclusion), Boléro, Boléro (extrait), Boléro, M. 81, Concerto For The Left Hand in D Major: I. Lento, Concerto For The Left Hand in D Major: II. Allegro, Concerto For The Left Hand in D Major: III. Lento, Daphnis et Chloe: Daybreak, Daphnis et Chloé: Anime - Danse générale, Daphnis et Chloé: Chloé reapparait, Daphnis et Chloé: Danse grotesque de Dorcon, Daphnis et Chloé: Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Danse suppliante de Chloé, Daphnis et Chloé: Daphnis se prosterne suppliant, Daphnis et Chloé: Introduction et danse religieuse, Daphnis et Chloé: Les jeunes filles attirent Daphnis - Danse générale, Daphnis et Chloé: Lever du jour, Daphnis et Chloé: Une lumiere irréelle enveloppe le paysage, Fanfare for the Ballet “L’éventail de Jeanne”: Allegro moderato, Le Tombeaau de Couperain, Pavane pour une Infante defunte, Pavane pour une infante défunte, Pavane pour une infante défunte (Pavane for a Dead Princess), Tzigane - Rapsodie de concert für Violine und Orchester (1924) |
| July 4th Toilet |
performer, performing orchestra, phonographic copyright |
Belshazzar's Feast: I. “Thus spake Isaiah”, Belshazzar's Feast: III. “By the waters of Babylon”, Belshazzar's Feast: IX. “The trumpeters and pipers”, Belshazzar's Feast: VI. Allegro molto - “Thus in Babylon”, Belshazzar's Feast: VII. “Thou, O King, art King of Kings”, Belshazzar's Feast: X. Allegro - “Then sing aloud to God our strength”, Missa in C minor, K. 427 "Great Mass": Benedictus, Missa in C minor, K. 427 "Great Mass": Credo: Credo in unum Deum, Missa in C minor, K. 427 "Great Mass": Credo: Et incarnatus est, Missa in C minor, K. 427 "Great Mass": Gloria: Domine, Missa in C minor, K. 427 "Great Mass": Gloria: Gloria in excelsis, Missa in C minor, K. 427 "Great Mass": Gloria: Gratias, Missa in C minor, K. 427 "Great Mass": Gloria: Jesu Christe / IIh. Gloria: Cum Sancto Spiritu, Missa in C minor, K. 427 "Great Mass": Gloria: Laudamus te, Missa in C minor, K. 427 "Great Mass": Gloria: Qui tollis, Missa in C minor, K. 427 "Great Mass": Gloria: Quoniam, Missa in C minor, K. 427 "Great Mass": Kyrie, Missa in C minor, K. 427 "Great Mass": Sanctus: Osanna, Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus, Te Deum: I. Te Deum (Hymne), Te Deum: II. Tibi omnes (Hymne), Te Deum: III. Dignare (Prière), Te Deum: IV. Christe Rex gloriae (Hymne), Te Deum: VI. Judex crederis (Hymne et prière) |
| Zoltán Kodály |
performing orchestra |
Dances Of Galanta: 1. Lento maestoso, Dances Of Galanta: 2. Allegretto moderato, Dances Of Galanta: 3. Allegro con moto, grazioso, Dances Of Galanta: 4. Allegro, Dances Of Galanta: 5. Allegro vivace, Muziekdemonstratie: Uittreksel suite Háry János, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 1. Moderato (Theme), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 6. Finale: Vivace, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 10: Molto vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 11: Andante espressivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 12: Adagio, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 13: Tempo de Marcia funebre, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 14: Andante, poco rubato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 15: Allegro giocoso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 16: Maestoso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 2, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 3: Più mosso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 4: Poco calmato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 5: Appassionato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 6: Tempo (calmato), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 7: Vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 8: Più vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 9, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation. 1: Con brio |
| A-Morality |
performing orchestra |
Incidental Music from “Grania & Diarmid”, op. 42: Funeral March, Incidental Music from “Grania & Diarmid”, op. 42: Incidental Music, The Sanguine Fan, op. 81: Allegretto moderato, The Sanguine Fan, op. 81: Allegro, The Sanguine Fan, op. 81: Allegro molto, The Sanguine Fan, op. 81: Andantino, The Sanguine Fan, op. 81: Grandioso, The Sanguine Fan, op. 81: Moderato, The Sanguine Fan, op. 81: Moderato, Maestoso, The Sanguine Fan, op. 81: Più moderato, Variation on an Original Theme (“Enigma”) for orchestra, op. 36: II. (H.D.S-P.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: III. (R.B.T.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: IV. (W.M.B.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: IX. (Nimrod), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: Introduction - I. (C.A.E.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: V. (R.P.A.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: VI. (Ysobel), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: VII. (Troyte), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: VIII. (W.N.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: X. (Dorabella) Intermezzo, Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XI. (G.R.S.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XII. (B.G.N.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XIII. (***) Romanza, Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XIV. (E.D.U.) Finale |
| Alan Peak |
performing orchestra |
Cello Concerto in E minor, Op. 85: I., Cello Concerto in E minor, Op. 85: I. Adagio, Cello Concerto in E minor, Op. 85: I. Adagio — Moderato / II. Lento — Allegro molto, Cello Concerto in E minor, Op. 85: II. Lento, Cello Concerto in E minor, Op. 85: III. Adagio / IV. Allegro — Moderato — Allegro ma non troppo, Cello Concerto in E minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo, Cello Concerto in E minor, Op. 85: IV. Allegro ma non troppo, Cello Concerto in E minor, op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo, Cello Concerto in E minor, op. 85: IV. Allegro, ma non troppo, Cello Concerto in E minor: I. Adagio moderato (opening), Cello Concerto in G minor: I. Allegro, Cello Concerto in G minor: II. Adagio, Cello Concerto in G minor: III. Allegro non tanto, Cello Concerto no. 2 in D major, Hob. VIIb:2: I. Allegro moderato, Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio, Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo: Allegro, Cello Concerto no. 2 in D major, op. 101: I. Allegro moderato, Cello Concerto no. 2 in D major, op. 101: II. Adagio, Cello Concerto no. 2 in D major, op. 101: III. Allegro |
| Drats!!! |
performing orchestra |
Die Fledermaus (The Bat), overture to the operetta (RV 503-1), Die Fledermaus (The Bat): Overture, Die Moldau, Ouvertüre zu "Ruslan und Ljudmila" (London Symphony Orchestra feat. conductor Alfred Scholz), Sinfonische Dichtung "Die Moldau" / Symphonic Poem "The Moldau", Sinfonische Dichtung: Die Moldau (London Symphony Orchestra feat. conductor: Alfred Scholz), Symphony No 4 in A major Op. 90 "Italian", Saltarello: Presto, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello: presto, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto, Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato, Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto, Symphony no. 4, “Italian”: I. Allegro vivace, Symphony no. 5 in D major, op. 107 "Reformation": I. Andante - Allegro con fuoco, Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace, Symphony no. 5 in D major, op. 107 "Reformation": III. Andante, Symphony no. 5 in D minor, op. 107 "Reformation": IV. Choral "Ein' feste Burg ist unser Gott", The Marriage Of Figaro (Le Nozze Di Figaro): Overture |
| 須藤寿 |
performing orchestra |
Adagio for Strings, Also Sprach Zarathustra - Inledning, Fifth Symphony in C-sharp minor: IV. Adagietto, Khovanshchina: Prelude, Pictures at an Exhibition: Ballet des poussins dans leurs cocques, Pictures at an Exhibition: Bydlo, Pictures at an Exhibition: Catacombae (Sepulchrum romanum), Pictures at an Exhibition: Cum mortuis in linguia mortua, Pictures at an Exhibition: Gnomus, Pictures at an Exhibition: Il Vecchio Castello, Pictures at an Exhibition: La Cabanae sur des pattes de poule, Pictures at an Exhibition: Le grande porte de Kiev, Pictures at an Exhibition: Limoges, Le marche, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: Samuel Goldenburg und Schmuyle, Pictures at an Exhibition: The Old Castle, Pictures at an Exhibition: Tuileries, St. John’s Night on the Bare Mountain, Symphony no. 1 in D major: III., The Barber of Seville: Overture, The Blue Danube, waltz, The Tales of Hoffmann: Barcarolle |
| Manuel de Falla |
performing orchestra |
Der Liebeszauber - Ritueller Feuertanz, El amor brujo: Canción del amor dolido, El amor brujo: Canción del fuego fatuo, El amor brujo: Danza del juego de amor, El amor brujo: Final. Las campanas del amanecer, La vida e breve: Act I, Scene I. "Abuela, no viene!" (Salud, La abuela), La vida e breve: Act I, Scene I. "Ah!... Ah!... Ande la terea..." (Coro), La vida e breve: Act I, Scene I. "Andra la tarea, que hay que trabajar!" (Coro), La vida e breve: Act I, Scene I. "Mi querer e como el hierro" (Una Voz en la frague, La abuela, Coro, Le voz de un vendedor), La vida e breve: Act I, Scene I. "Paco! Paco! Sempre tuyo!" - "Mi chavala" (Salud, Paco, La abuela, Coro, El tío Sarvaor, Una voz en la frague, Una voz lejana), La vida e breve: Act I, Scene I. "Paco! Paco!" - "Mi Salud!" (Salud, Paco), La vida e breve: Act I, Scene I. "Salud!" - "Qué? Qué pasa?" (La abuela, Salud), La vida e breve: Act I, Scene I. "Vivan los que rien!" (Salud, Coro), La vida e breve: Act I, Scene II. Intermedio, La vida e breve: Act II, Scene I. "Allí está! Ryendo, junto á esa mujer!" (Salud, El cantaor, Coro), La vida e breve: Act II, Scene I. "No te dije? La vés?" (El tío Sarvaor, La abuela, Salud, Coro, Carmela, Paco, Manuel), La vida e breve: Act II, Scene I. "Olé! Olé ya!" - "Ay! Yo canto por soleares!" (Coro, El cantaor), La vida e breve: Act II, Scene I. Danza, La vida e breve: Act II, Scene I. Intermedio, La vida e breve: Act II, Scene II. "Carmela mía!" (Paco, Carmela, Manuel, El tío Sarvaor), La vida e breve: Act II, Scene II. "Qué gracia! Qué buscan ustedes aquí?" (Manuel, Coro, El tío Sarvaor, Paco, Salud, Carmela, La abuela), La vida e breve: Act II, Scene II. Danza |
| KUSO GVKI |
performing orchestra |
Concerto for Violin and Orchestra no. 5 in A minor, op. 37: Adagio, Concerto for Violin and Orchestra no. 5 in A minor, op. 37: Allegro con fuoco, Concerto for Violin and Orchestra no. 5 in A minor, op. 37: Allegro non troppo, Concerto for Violin and Orchestra no. 5 in A minor, op. 37: Cadenza, Concerto pour violon et orchestre en La mineur, op. 37: Adagio, Concerto pour violon et orchestre en La mineur, op. 37: Allegro con fuoco, Concerto pour violon et orchestre en La mineur, op. 37: Allegro non troppo, Concerto pour violon et orchestre en La mineur, op. 37: Cadenza, Violin Concerto In B minor, op. 61: 1. Allegro, Violin Concerto In B minor, op. 61: 2. Andante, Violin Concerto In B minor, op. 61: 3. Allegro molto, Violin Concerto no. 1 in G minor, op. 26: 1. Vorspiel: Allegro moderato, Violin Concerto no. 1 in G minor, op. 26: 2. Adagio, Violin Concerto no. 1 in G minor, op. 26: 3. Finale: Allegro energico, Violin Concerto no. 5 in A minor, op. 37: 1. Allegro non troppo, Violin Concerto no. 5 in A minor, op. 37: I. Allegro non troppo, Violin Concerto no. 5 in A minor, op. 37: II. Cadenza, Violin Concerto no. 5 in A minor, op. 37: III. Adagio, Violin Concerto no. 5 in A minor, op. 37: IV. Allegro con fuoco, Violin Concerto no. 5 in A, K. 219 "Turkish": 1. Allegro aperto; Adagio, Violin Concerto no. 5 in A, K. 219 "Turkish": 2. Adagio, Violin Concerto no. 5 in A, K. 219 "Turkish": 3. Rondeau: Tempo di menuetto - Allegro (Cadenzas: Joachim) |
| Myers Rock |
performing orchestra |
Descent, Les Fleuves engloutis pour orchestre, op. 64: I. Broulluant, Les Fleuves engloutis pour orchestre, op. 64: II. Chant du silence, Les Fleuves engloutis pour orchestre, op. 64: III. Alerte, Les Fleuves engloutis pour orchestre, op. 64: IV. Lutte, Les Fleuves engloutis pour orchestre, op. 64: V. Chant dev fleuves, Marine - à travers les arbres, Thaïs, Act II Scene 1: Méditation religieuse [performance track], The Ascent of the Equestrian in a Balloon, Through the Looking Glass: I. Looking Glass House, Through the Looking Glass: II. The Garden of Live Flowers, Through the Looking Glass: III. Looking Glass Insects, Through the Looking Glass: IV. Wool and Water, Through the Looking Glass: Introduction, Through the Looking Glass: V. Humpty Dumpty, Through the Looking Glass: VI. The Lion and the Unicorn, Through the Looking Glass: VII. Queen Alice, Through the Looking Glass: VIII. Which Dreamed It?, Two Poems from Tang: I. Hearing the Monk Xun Play the Qin, Two Poems from Tang: II. Song of Eight Unruly Tipsy Poets, Wings of the Wind |
| Roberto Rizzo |
performing orchestra |
A Different Equation, Alan, Alan Turing’s Legacy, Alone With Numbers, Because of You, Becoming a Spy, Carrots and Peas, Crosswords, Decrypting, End of War, Enigma, Farewell to Christopher, Joan, Mission, Night Research, Running, The Apple, The Headmaster, The Imitation Game, The Machine Christopher, U-Boats |
| Pino Donaggio |
performing orchestra |
Acid Trip, Chucky's Destiny, Cut It Up, Family Reunion, Five Years Later / Bad Girls / Fond Memories / Gotcha!, Glen and Glenda, Glen's Excape, How to Get a Head in Hollywood, Inquiring Minds, Inquiring Minds / Jennifer's Home / Finger's Crossed / Visual Stimuli, Joan Gets Fired, Konichiaw, Made in Japan / Yes, Santa Claus, There Is a Chucky, Main Title, Monkey on Her Back, Ordinary Dolls, Our Jennifer, Pride of Chucky, Stark Raving Mad, The Sweetest Voice / Intestinal Fortitude, Tiny Stalker / A Nightmare on Nottingham Mews |
| KBridge |
performing orchestra |
Belshazzar's Feast - Concert Suite from Incidental Music, op. 51: Khadra's Dance, Belshazzar's Feast - Concert Suite from Incidental Music, op. 51: Night Music, Belshazzar's Feast - Concert Suite from Incidental Music, op. 51: Oriental Procession, Belshazzar's Feast - Concert Suite from Incidental Music, op. 51: Solitude, Belshazzar's Feast, incidental music, op. 51: Khadras dans, Belshazzar's Feast, incidental music, op. 51: Nocturne, Belshazzar's Feast, incidental music, op. 51: Orientalisk marsch, Belshazzar's Feast, op. 51: II. Solitude, Karelia-Suite, op. 11: I. Intermezzo, Karelia-Suite, op. 11: III. Alla marcia, Pohjola's Daughter, Symphonic Fantasy, op. 49, Pohjola's Daughter, op. 49, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro ma non tanto, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Largamente assai, Tapiola, op. 112 |
| Ornette Coleman |
performing orchestra |
All of My Life, Birthdays and Funerals, Dancers, Dreams, Foreigner in a Free Land, Holiday for Heroes, Jam Session, Love Life, Native Americans, Place in Space, Poetry, Silver Screen, Skies of America, Sounds of Sculpture, Sunday in America, The Artist in America, The Good Life, The Men Who Live in the White House, The Military, The New Anthem, The Souls Within Woman |
| Sir William Walton |
performing orchestra |
Belshazzar’s Feast: And in that same hour, as they feasted, Belshazzar’s Feast: Babylon was a great city, Belshazzar’s Feast: By the waters of Babylon, Belshazzar’s Feast: If I forget thee, O Jerusalem, Belshazzar’s Feast: Praise ye the God of Gold, Belshazzar’s Feast: The trumpeters and pipers are silent, Belshazzar’s Feast: Then sing aloud to God our strength, Belshazzar’s Feast: Then sing aloud to God our strength (reprise), Belshazzar’s Feast: Thus in Babylon the mighty city, Belshazzar’s Feast: Thus spake Isiah, Comedy Overture: Scapino, Overture: Portsmouth Point, Spitfire: Fugue, Spitfire: Prelude, Symphony No. 2: I. Allegro molto, Symphony No. 2: II. Lento assai, Symphony No. 2: III. Passacaglia: Theme, Variations, Fugato & Coda - Scherzando, Symphony no. 1 in B-flat minor: I. Allegro assai, Symphony no. 1 in B-flat minor: II. Presto, con malizia, Symphony no. 1 in B-flat minor: III. Andante con malincolia, Symphony no. 1 in B-flat minor: IV. Maestoso; Brioso ed ardentemente |
| Kiri Te Kanawa |
performing orchestra |
Art Is Calling for Me (The Enchantress), Befreit, Climb Ev'ry Mountain (The Sound of Music), Depuis le jour (Louise), Happy Birthday, Hine e hine, It Never Was You (Knickerbocker Holiday), Mariettas Lied (Die tote Stadt), My Fair Lady: I Could Have Danced All Night, My Fair Lady: On the Stree Where You Live, O mio babbino caro (Gianni Schicchi), O soave fanciulla (La Bohème), Porgi amor (Le nozze di Figaro), Salaambo's Aria (Citizen Kane), Si, mi chiamano Mimì (La Bohème), Somewhere (West Side Story), Tahi nei taru kinot, Why Don't You Do Right?, With One Look (Sunset Boulevard), World in Union, You'll Never Walk Alone (Carousel) |
| Ricardo Frazer |
performing orchestra |
Arabian Dance, Chinese Dance, Dance of the Flutes, Dance of the Sugarplum Fairy, East of Eden: Finale, East of Eden: Main Title, East of Eden: The Brothers / Cathy / Leaving Connecticut, East of Eden: The Father, East of Eden: The Secret of Monterey / Abra's Theme, East of Eden: The Well / The Naming, Jonathan Livingstone Seagull: Music for Strings, Marche, Miniature Overture, Russian Dance, Splash: Love Theme, The Beastmaster: Suite, The Great Whales: Introduction and Theme, The Hemingway Play: Parisian Sketch, The Journey: Going Home, Waltz of the Flowers, Wizards and Warriors: Overture |
| Ana Hernández |
performing orchestra |
Cakes for Crabbe and Goyle, Cornish Pixies, Dobby the House Elf, Dueling the Basilisk, Fawkes Is Reborn, Fawkes the Phoenix, Gilderoy Lockhart, Harry’s Wondrous World, Introducing Colin, Knockturn Alley, Meeting Aragog, Meeting Tom Riddle, Moaning Myrtle, Polyjuice Potion, Prologue: Book II / The Escape From the Dursleys, Reunion of Friends, The Chamber of Secrets, The Dueling Club, The Flying Car, The Spiders |
| Adolphe Adam |
performing orchestra |
Act I: Entrée de Giselle, Act I: Entrée du Prince, Act I: Final, Act I: Galop, Act I: Introduction and Nº 1, Act I: La Chasse Part 1, Act I: Pas de Deux and La Chasse Part 2, Act I: Retour de la Vendange, Act I: Scène d'Hilarion: Marche des Vendanges, Act II: Apparition de Giselle, Act II: Apparition et Scène de Myrtha, Act II: Entrée d'Albert et Wilfred, Act II: Entrée d'Hilarion, Act II: Final, Act II: Grand Pas de Deux, Act II: La halte des Chasseurs, Giselle, Act I: Danse des vignerons - Pas seul - Peasant Pas de deux, Giselle, Act II: Pas de deux, Ouvertüre zu "Wenn ich König wär" (London Symphony Orchestra feat. conductor: Alfred Scholz), Se eu fosse rei: Abertura |
| 秋田新一郎 |
performing orchestra |
Romance no. 1 in G, Romance no. 2 in F, Viola Concerto (1961 version): I. Andante comodo, Viola Concerto (1961 version): II. Vivo con moto preciso, Viola Concerto (1961 version): III. Allegro moderato, Violin Concerto Finale [excerpt], Violin Concerto in D: I – Allegro Ma Mon Troppo, Violin Concerto in D: II – Larghetto, Violin Concerto in D: III – Rondo, Violin Concerto no. 1 in A minor, op. 77: I. Nocturne: Moderato, Violin Concerto no. 1 in A minor, op. 77: II. Scherzo: Allegro, Violin Concerto no. 1 in A minor, op. 77: III. Passacaglia: Andante, Violin Concerto no. 1 in A minor, op. 77: IV. Burlesque: Allegro con brio, Violin Concerto no. 2 in C-sharp minor, op. 129: I. Moderato, Violin Concerto no. 2 in C-sharp minor, op. 129: II. Adagio, Violin Concerto no. 2 in C-sharp minor, op. 129: III. Adagio - Allegro, Violin Concerto, op. 15 (revised version): I. Moderato con moto, Violin Concerto, op. 15 (revised version): II. Vivace - Cadenza, Violin Concerto, op. 15 (revised version): III. Passacaglia: Andante lento (un poco meno mosso) - Largamente (lento) - Lento e solenne |
| Sarah Brightman |
performing orchestra |
Attesa, Bilitis - Gènèrique, En Aranjuez con tu amor, Fleurs du mal, Gothica, In pace, In trutina, La Wally, Let It Rain, Naturaleza muerta, No One Like You, Running, Sanvean, Schwere Träume, Storia d’amore, Symphony, Tú quieres volver, Vide cor meum, Who Wants to Live Forever |
| Matjaž Romih |
performing orchestra |
A Song of Summer, Ein Heldenleben, op. 40: I. Der Held, Ein Heldenleben, op. 40: II. Des Helden Widersacher, Ein Heldenleben, op. 40: III. Des Helden Gefährtin, Ein Heldenleben, op. 40: IV. Des Helden Walstatt, Ein Heldenleben, op. 40: Kriegsfanfaren, Ein Heldenleben, op. 40: Thema der Entsagung, Ein Heldenleben, op. 40: Thema der Siegesgewissheit, Ein Heldenleben, op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung, Irmelin Prelude, Symphony no. 36 in C major, K. 425 "Linz": I. Adagio - Allegro spiritoso, Symphony no. 36 in C major, K. 425 "Linz": II. Poco adagio, Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto - Trio, Symphony no. 36 in C major, K. 425 "Linz": IV. Presto, The Walk to the Paradise Garden, Tintagel, Variations on a Theme by Tchaikovsky, op. 35a |
| The Gift |
performing orchestra |
Dance of The Sugar Plum Fairy (The Nutcracker), The Nutcracker: Chocolate (The Spanish Dance), The Nutcracker: Coda, The Nutcracker: Coffee (The Arabian Dance), The Nutcracker: Dance of the Mirlitons, The Nutcracker: Final Waltz and Apotheosis, The Nutcracker: Journey Through the Snow, The Nutcracker: Mother Gigogne and the Clowns, The Nutcracker: Overture, The Nutcracker: Pas de deux, The Nutcracker: Tea (The Chinese Dance), The Nutcracker: The Christmas Tree, The Nutcracker: The Marche, The Nutcracker: Trepak (The Russian Dance), The Nutcracker: Variation 1: Tarantula, The Nutcracker: Variation 2: Dance of the Sugar Plum Fairy, The Nutcracker: Waltz of the Flowers, The Nutcracker: Waltz of the Snowflakes |
| Mack Tone |
performing orchestra |
Coronation March (The Prophet), La Navarraise: Nocturne, La Prophète: Coronation March, La Prophéte - Coronation March, Le Papillon Act 2 Apotheosis, Le Papillon Act 2: Scene 1, Part 1, Le Papillon Act 2: Scene 1, Part 2, Le Papillon Act 2: Scene 1, Part 3, Le Papillon Act 2: Scene 2, Pas de deux, Le Papillon Prelude and Act 1: Scene 1, Part 1, Le Papillon Prelude and Act 1: Scene 1, Part 2, Le Papillon Prelude and Act 1: Scene 2, Conclusion, Le Papillon Prelude and Act 1: Scene 2, Part 1, Le Papillon Prelude and Act 1: Scene 2, Valse des Rayons, Le Roi de Lahore: Entr'acte (Act 5) - Adagio & Valse (Act 3), Love's Dream After the Ball (arr. Gamley), Swan Lake: The Black Swan |
| Johann Strauss |
performing orchestra |
Die Fledermaus, Die Fledermaus: Overture, Emperor Waltz, Geschichten aus dem Wienerwald Op. 325, Perpetuum Mobile, Op. 257, Pizzicato Polka, Polka, Op. 211 "Champagne", Polka, Op. 214 "Tritsch-Tratsch", Polka, Op. 324 "Unter Donnen und Blitzen", The Blue Danube Waltz, Waltz, Op. 314 "An der schönen blauen Donau", Waltz, Op. 354 "Wiener Blut" (feat. violin: John Georgiadis), Waltz, Op. 364 "Wo die Zitronen blüh'n" (feat. violin: John Georgiadis), Waltz, Op. 437 "Kaiser Walzer", Walzer, Op. 354 "Wiener Blut", Walzer, Op. 418 "Schatzwalzer", Walzer, Op. 437 "Kaizerwalzer" |
| Styrina |
performing orchestra |
Piece for Orchestra, Op. 16 No. 1: Vorgefühle, Piece for Orchestra, Op. 16 No. 2: Vergangenes, Piece for Orchestra, Op. 16 No. 3: Farben, Piece for Orchestra, Op. 16 No. 4: Peripetie, Piece for Orchestra, Op. 16 No. 5: Das obligate Rezitativ, The Rite of Spring (1913 version): Part II. Evocation of the Ancestors, The Rite of Spring (1913 version): Part II. Glorification of the Chosen One, The Rite of Spring (1913 version): Part II. Ritual Action on the Ancestors, The Rite of Spring (1913 version): Part II. Sacrificial Dance, The Rite of Spring: Part I (Adoration of the Earth): Dance of the Earth, The Rite of Spring: Part I (Adoration of the Earth): Introduction, The Rite of Spring: Part I (Adoration of the Earth): Ritual of Abduction, The Rite of Spring: Part I (Adoration of the Earth): Ritual of the Rival Tribes, The Rite of Spring: Part I (Adoration of the Earth): Spring Rounds, The Rite of Spring: Part I (Adoration of the Earth): The Augurs of Spring / Dances of the Young Girls, The Rite of Spring: Part II (The Sacrifice): Introduction, The Rite of Spring: Part II (The Sacrifice): Mystic Circles of the Young Girls |
| Frederica von Stade |
performing orchestra |
A Connecticut Yankee: To Keep My Love Alive, Babes in Arms: My Funny Valentine, Babes in Arms: Where or When, Betsy: If I Were You, Chee-Chee: I Must Love You, Chee-Chee: Moon of My Delight, Dearest Enemy: Bye and Bye, Heads Up!: A Ship Without a Sail, I'd Rather Be Right: Ev'rybody Loves You, Lido Lady: Atlantic Blues, On Your Toes: Quiet Night, Pal Joey: Bewitched, Bothered and Bewildered, The Boys From Syracuse: Falling in Love With Love, Too Many Girls: I Didn't Know What Time It Was, Too Many Girls: Love Never Went to College, Too Many Girls: You're Nearer, Two Weeks With Pay: Now That I Know You |
| Georges Bizet |
performing orchestra |
Carmen : Acte I, Nº 10. Finale « Le lieutenant !… Prenez garde. » (Don José, Zuniga, Carmen), Carmen : Acte I. « Allons ! Allons ! » (Zuniga, Chœur des Gamins), Carmen : Acte I. « Ma mère, je la vois… » (Don José, Micaëla), Carmen : Acte I. « Que son fils l’aime et la venère » (Don José, Micaëla) / « Eh bien, eh bien ! » (Zuniga), Carmen : Acte I. « Repos ! » (Zuniga, Moralès, Don José), Carmen : Acte I. « Votre mère avec moi sortait de la chapelle » (Micaëla, Don José), Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José), Carmen : Acte II. « Suis‐nous à travers la campagne » (Frasquita, Mercédès, Dancaïre, Remendado, Les Bohémiens, Les Bohémiennes), Carmen Suite no. 1: Entr’acte IV. Allegro vivo, Carmen: Act I, IV. Havanaise. "L'amour est un oiseau rebelle" (Carmen, Chœur), Carmen: Act I, IX. Chanson (Séguedille) et Duo. "Près des remparts de Séville" (Carmen, Don José), Carmen: Act II, XI. Chanson. "Les triangles des sistres tintaient" (Carmen, Mercédès, Frasquita), Carmen: IV. A Deux Cuartos, Carmen: IV. Les Voici La Quadrille, Farandole from L'Arlesienne, Intermezzo From Carmen Act III, L'Arlesienne (The London Symphony Orchestra) |
| Сергей Рахманинов |
performing orchestra |
Piano Concerto No. 2 in C minor, Op. 18: I. Moderato, Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto No. 3: II. Adagio, Rhapsody on a Theme by Paganini for Piano and Orchestra, Op. 43: I. Introduction - Variations I-VI, Rhapsody on a Theme by Paganini for Piano and Orchestra, Op. 43: II. Variations VII-X, Rhapsody on a Theme by Paganini for Piano and Orchestra, Op. 43: III. Variations XI-XV, Rhapsody on a Theme by Paganini for Piano and Orchestra, Op. 43: IV. Variations XVI-XVII, Rhapsody on a Theme by Paganini for Piano and Orchestra, Op. 43: V. Variation XVIII, Rhapsody on a Theme by Paganini for Piano and Orchestra, Op. 43: VI. A tempo vivace - Variations XIX-XXIV, Rhapsody on a Theme of Paganini, Op. 43: Introduction: Allegro Vivace - Variation I (Precendente) - Tema: L'Istesso Tempo - Variations II-XXIV, Rhapsody on a Theme of Paganini, Op.43 - Introduction, Variation 1, 2, 3, 4, 5, 6, Symphony No. 2 in E minor, Op. 27: III. Adagio (opening extract), The Bells, Op. 35: I. Allegro ma non tanto, The Bells, Op. 35: II. Lento, The Bells, Op. 35: III. Presto, The Bells, Op. 35: IV. Lento lugubre |
| Bryn Terfel |
performing orchestra |
Amazing Grace, Ave Maria, Ave Verum Corpus, Bless This House, Deep River, God Be With You, How Great Thou Art, I'll Walk Beside You, Mae Ehangder (God's Mercy), Morning Has Broken, Nearer My God to Thee, Send in the Clowns, Simple Gifts, Still, Still, Still, The Lord Bless You and Keep You, The Rose |
| Dusty Wagons aka Mugger |
performing orchestra |
Festive Overture, op. 96, Incidental music to "The Gadfly": Barrel Organ Waltz, Incidental music to "The Gadfly": Contredance, Incidental music to "The Gadfly": Finale, Incidental music to "The Gadfly": Folk Feast, Incidental music to "The Gadfly": Galop, Incidental music to "The Gadfly": Introduction, Incidental music to "The Gadfly": Nocturne, Incidental music to "The Gadfly": Overture, Symphony no. 15 in A major, op. 141: Adagio - Allegretto - Adagio - Allegretto, Symphony no. 15 in A major, op. 141: Adagio - Largo - Adagio (attacca), Symphony no. 15 in A major, op. 141: Allegretto, Symphony no. 5 in D minor, op. 47: I. Moderato - Allegro non troppo, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo - Allegro |
| Elliot Goldenthal |
performing orchestra |
A Child Recalled, Adagio and Transfiguration, Blue Light, Code Red, Dead Rain, Entrada, Flight to the Wasteland, Music for Dialogues, Race to Old New York, The Eighth Spirit, The Kiss, The Phantom Plains, The Spirit Within, Toccata and Dreamscapes, Winged Serpent, Zeus Cannon |
| Henry Mancini |
performing orchestra |
Carlson's Story, Discovery, Part 1: Spacewalk, Discovery, Part 2: Into the Alien Craft, Discovery, Part 3: Exploration, Discovery, Part 4: Sleeping Vampires, Girl in Raincoat, Grandson of Web: Film Version with Choir, Grandson of Web: LIFEFORCE End Credits, Son of Web, The Great Waldo Pepper: March, Theme, Visitation, Web of Destiny, Web of Destiny, Part 1, Web of Destiny, Part 2, Web of Destiny, Part 3 |
| Sliq B |
performing orchestra |
Diversions for piano (left hand) & orchestra, op. 21: Theme, Diversions for piano (left hand) & orchestra, op. 21: Variation I: Recitative, Diversions for piano (left hand) & orchestra, op. 21: Variation II: Romance, Diversions for piano (left hand) & orchestra, op. 21: Variation III: March, Diversions for piano (left hand) & orchestra, op. 21: Variation IV: Arabesque, Diversions for piano (left hand) & orchestra, op. 21: Variation IXa -Toccata I, Diversions for piano (left hand) & orchestra, op. 21: Variation IXb: Toccata II, Diversions for piano (left hand) & orchestra, op. 21: Variation V: Chant, Diversions for piano (left hand) & orchestra, op. 21: Variation VI: Nocturne, Diversions for piano (left hand) & orchestra, op. 21: Variation VII: Badinerie, Diversions for piano (left hand) & orchestra, op. 21: Variation VIII: Burlesque, Diversions for piano (left hand) & orchestra, op. 21: Variation X: Adagio, Diversions for piano (left hand) & orchestra, op. 21: Variation XI: Tarantella, Piano Concerto no. 1 in B-flat minor, op. 23, TH.55: I. Allegro non troppo e molto maestoso: Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23, TH.55: II. Andantino semplice: Prestissimo - Tempo I, Piano Concerto no. 1 in B-flat minor, op. 23, TH.55: III. Allegro con fuoco |
| パグタス |
performing orchestra |
A New Prime Minister, Calling the Guardians, Elizabeth & Tony, H.R.H., Hills of Scottland, Mourning, Night in Balmoral, People's Princess 1, People's Princess 2, Queen of Hearts, River of Sorrow, The Flowers of Buckingham, The Queen, The Queen Drives, The Stag, Tony & Elizabeth |
| Jan Mulder |
performing orchestra |
Beauty & the Beast, Celtic Sunrise, Daydreamer, Happy Hearts, Island of Peace, Love Theme, Meditation, Musica Minore, On Eagle's Wings, Rainbow of Hope, Rendezvous, Sailing Sunny Seas, Silent Tears, The Final Encore, The Piano Dreamer, You're the One |
| Storm Eater |
performing orchestra |
A New World, Ant Rodeo, Big Russ Volunteers, Eaten Alive, Flying Szalinsky, Lawn Mower, Main Title, Night Time, Scorpion Attack, Shrunk, Strange Neighbors, Test Run, Thanksgiving Dinner, The Machine Works, Watering the Grass |
| Jessica Hicks |
performing orchestra |
Symphony No. 1 in D major: I. Langsam Schleppend, Symphony No. 1 in D major: II. Kräftig Bewegt, Symphony No. 1 in D major: III. Feierlich und Gemessen, Ohne zu Schleppen, Symphony No. 1 in D major: IV. Stürmisch Bewegt, Symphony No. 6 "Tragic": II. Andante moderato, Symphony no. 3: I. Prologue. Maestoso, Symphony no. 3: II. Allegro, Symphony no. 3: III. Andantino, Symphony no. 3: IV. Vivace, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5: Adagietto (Sehr Langsam), Symphony no. 5: Rondo-Finale, Symphony no. 5: Scherzo, Symphony no. 5: Stürmisch bewegt, mit grösster Vehemenz, Symphony no. 5: Trauermarsch |
| Beverly Sills |
performing orchestra |
Anna Bolena: "Cielo, a' miei lunghi spasimi" / "Coppia iniqua", Anna Bolena: Atto II, Scena III. Aria "Al dolce guidami" (Anna, Coro), Don Pasquale: Atto I. "Quel guardo il cavaliere" (Norina), Don Pasquale: Atto I. "Quel guardo il cavaliere" / "So anch'io la virtu magica" (Norina), Don Pasquale: Atto I. "Quel guardo, il Cavaliere" / "So anch'lo la virtù magica" (Norina), Don Pasquale: Atto I. "So anch'lo la virtù magica" (Norina), Il barbiere di Siviglia: Act I, Scene II. "Una voce poco fa" (Rosina), Il barbiere di Siviglia: Atto I. "Una voce paco fa" (Rosina), Il barbiere di Siviglia: Atto I. "Una voce poco fa" (Rosina), Il barbiere di Siviglia: Atto II. "Ah! se è ver che in tal momento...L'innocenza de Lindiro" (Rosina), Les Contes d'Hoffmann: "Elle a fui, la tourterelle" (Antonio), Les Contes d'Hoffmann: "Les oiseaux dans la charmille" (Olympia), Lucia di Lammermoor: "Regnava nel silenzio... Quando rapita in estasi" (Lucia), Lucia di Lammermoor: Atto III, Nº 14a. Mad Scene "Oh giusto cielo!" - "Il dolce suono" (Coro, Lucia) / Nº 14b. "Ahime! sorge il tremendo fantasma" (Lucia), Robert le Diable: Acte IV. "Robert toi que j'aime" (Isabelle) |
| For a Dozen Matters |
performing orchestra |
Cavalleria rusticana: Intermezzo, Eine Kleine Nachtmusik, Eine kleine Nachtmusik: I. Allegro, Finlandia, Op. 26, Horn Concerto No. 1 in D, Morning from Peer Gynt Suite No. 1 Op. 46, Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise & Rondo, Overture to 'The Marriage of Figaro', Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Rákoczy March 'La Damnation de Faust' Op. 24, Symphony No. 40 in G Minor, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 8 in B Minor, Symphony No. 9 'New World', The Moldau from 'My Country' |
| Alex Attard |
performing orchestra |
Eine Kleine Nachtmusik, Symphony no. 40 in G minor K. 550: I. Allegro molto, II. Andante, III: Menuetto; Trio, IV: Finale: Allegro assai, Symphony no. 41 "Jupiter", K. 551: I. Allegro vivace, II: Andante cantabile, III: Menuetto - allegro, IV: Finale - molto allegro, Symphony no. 5 in E minor, op. 95 "From the New World": I. Adagio - allegro molto, Symphony no. 5 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 5 in E minor, op. 95 "From the New World": III. Scherzo - molto vivace, Symphony no. 5 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9: I. Andante commodo, Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb, Symphony no. 9: III. Rondo - Burleske - Allegro assai-sehr trotzig, Symphony no. 9: IV. Adagio - Sehr langsam |
| René Lacaille èk Marmaille |
performing orchestra |
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo: Allegro ma non troppo, Piano Concerto no. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven), Piano Concerto no. 1 in C major, Op. 15: II. Largo, Piano Concerto no. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Piano Concerto no. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven), Piano Concerto no. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto no. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto, Piano Concerto no. 3 in C minor, Op. 37: I. Allegro con brio (cadenza: Ludwig van Beethoven), Piano Concerto no. 3 in C minor, Op. 37: II. Largo, Piano Concerto no. 3 in C minor, Op. 37: III. Rondo: Allegro, Piano Concerto no. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven), Piano Concerto no. 4 in G major, Op. 58: II. Andante con moto, Piano Concerto no. 4 in G major, Op. 58: III. Rondo: Vivace (cadenza: Ludwig van Beethoven) |
| George Fenton |
performing orchestra |
'Butler's Night Off', 'It Comes in Like the Tide', Haffinger's, Mars. Farraday's, Mary Meets Hyde, Mary Reilly (End Credits), Mary's Errand, Shadowlands: Shadowlands End Credits, The Announcement, The Birth of Hyde, The House of Henry Jekyll (Opening Credits), The Shopping Trip, The Story of the Scars, The Transformation |
| John Morris |
performing orchestra |
Car Arrival / Montego Eyes, Cocktails, Electrical Switch / Gilda’s Walk, End Credits, Garden Revelation / Werewolf and Shovel, Main Title, Memory Music / Wolfington Castle, Outtake Suite, Phone Box / Run and Fight, Susan and Dog / “I Know, I Know”, The Dream, The Werewolf / The Drainpipe, Wedding Organ / Werewolf Finale, Wine Cellar / Pleasant Dreams |
| Tanguy Moucheboeuf |
performing orchestra |
The Carnival of the Animals: Aquarium, The Carnival of the Animals: Aviary (Volière), The Carnival of the Animals: Finale, The Carnival of the Animals: Fossils (Fossiles), The Carnival of the Animals: Hens and Cockerels (Poules et coqs), The Carnival of the Animals: Introduction and Royal March of the Lion (Introduction et marche royale du lion), The Carnival of the Animals: Kangaroos (Kangourous), The Carnival of the Animals: People with Long Ears (Personnages à longues oreilles), The Carnival of the Animals: Pianists (Pianistes), The Carnival of the Animals: The Cuckoo in the Heart of the Woods (Le coucou au fond des bois), The Carnival of the Animals: The Elephant (L'eléphant), The Carnival of the Animals: The Swan (Le Cygne), The Carnival of the Animals: Tortoises (Tortues), The Carnival of the Animals: Wild Asses (Hemionés) |
| John Cacavas |
performing orchestra |
All Time High (Octopussy), Diamonds Are Forever, From Russia With Love, Goldfinger, Live and Let Die, Moonraker, Nobody Does It Better (The Spy Who Loved Me), On Her Majesty's Secret Service, The James Bond Theme, The James Bond Theme (reprise), The Look of Love (Casino Royale), The Man With the Golden Gun, Thunderball, You Only Live Twice |
| Edvard Grieg |
performing orchestra |
Anitra's Dance, Arab Dance, Dance of the Mountain King's Daughter, In the Hall of the Mountain King, Ingrid's Abduction and Lament, Morning Mood, Morning from "Peer Gynt", Peer Gynt Suite no. 1, op. 46: Prelude 'Morning', Peer Gynt's Homecoming, Piano Concerto in A minor, Op. 16: I. Allegro moderato, Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato, Prelude, Solvejg's Song, The Death of Åse |
| Owen Knight |
performing orchestra |
A Child of Our Time: No 16. A Spiritual, Nobody Knows the Trouble I See, Lord, A Child of Our Time: No 21. A Spiritual of Anger, Go Down Moses, A Child of Our Time: No 25. A Spiritual, O, By and By, A Child of Our Time: No 28. Scene, the Words of Wisdom Are These - Praeludium, A Child of Our Time: No 29. General Ensemble, I Would Know My Shadow and My Light, A Child of Our Time: No 30. A Spiritual, Deep River, A Child of Our Time: No 8. A Spiritual, Steal Away, A Child of Our Time: Nos 1-2. The World Turns On Its Dark Side: Interludium, A Child of Our Time: Nos 17-20. Scene, the Boy Becomes Desperate In His Agony - Men Were Ashamed of What Was Done, A Child of Our Time: Nos 22-24. The Boy Sings In His Prison, My Dreams Are All Shattered - the Dark Forces Rise, A Child of Our Time: Nos 26-27. The Cold Deepens, the Soul of Man, A Child of Our Time: Nos 3-5. Scene: Is Evil Then Good?: Chorus of the Oppressed, When Shall the Userers' City Cease, A Child of Our Time: Nos 6-7. I Have No Money for My Bread - How Can I Cherish My Man In Such Days, A Child of Our Time: Nos 9-15. A Star Rises in Mid-Winter - Scene, O My Son! |
| The Reverend Toad Eater |
performing orchestra |
In memoriam...: I. Moderato, In memoriam...: II. Tempo di Valse, In memoriam...: III. Andante, In memoriam...: IV. Lento, In memoriam...: V. Moderato pastorale, Symphony no. 2 in B major, op. 14 "To October": I. Largo, Symphony no. 2 in B major, op. 14 "To October": II. Quarter Note = 152, Symphony no. 2 in B major, op. 14 "To October": III. Poco meno mosso - Allegro molto, Symphony no. 3 in E-flat major, op. 20 "The First of May": I. Allegretto, Symphony no. 3 in E-flat major, op. 20 "The First of May": II. Piu mosso - Allegro, Symphony no. 3 in E-flat major, op. 20 "The First of May": III. Andante, Symphony no. 3 in E-flat major, op. 20 "The First of May": IV. Allegro - Allegro molto, Symphony no. 3 in E-flat major, op. 20 "The First of May": V. Andante - Largo |
| ああああ |
performing orchestra |
Cosi fan tutte, K.588: <Ei parte...Senti...> <Perpiete, ben mio perdona>, Così fan tutte, K. 588: "Ei parte... Senti... Per pietà, ben mio, perdona", Die Zauberflöte, K. 620: "Ach, ich fühl's", Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Exsultate, jubilate, K. 165/158a, Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia), Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta), La clemenza di Tito, K.621: S'altro che lagrime, La finta giardiniera, K. 196: Crudeli fermate> <A dal pianto>, Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio), Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" / II. Recitativo: "Fulget amica dies" / III. "Tu virginum corona" / IV. "Alleluja", Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde) |
| Khepera |
performing orchestra |
Annen Polka, Annen polka, Op. 117, Emperor Waltz, op. 437, March, Op. 228 "Radetzky", Pizzicato-Polka, Radetzky March, Radetzky March, Op. 228, Roses From the South, op. 388, waltz, Tritsch Tratsch Polka, Tritsch-Tratsch-Polka, Op. 214, Vienna Blood, Wiener blut, Op. 354 (Vienna blood), Wine, Women & Song, op. 333 |
| Yavuz Akalın |
performing orchestra |
1812 Overture, Op. 49, Gadfly Suite: Folkfeast, Gayeneh: Sabre Dance, Lieutenant Kiji: Troika, Marche Slave, Op. 31, Masquerade: Waltz, Night on a Bare Mountain, Overture: 'Russlan & Ludmilla', Prince Igor: Polovtsian Dances, Romeo & Juliet: Fantasy Overture, Sabre dance (From 'Gayeneh'), Spartacus: Adagio of Spartacus & Phrygia, The Love of Three Oranges: March |
| Gary Durban |
performing orchestra |
Leonore Overture no. 2, op. 72a, Les Préludes, S. 97, Mephisto Waltz no. 1 (Der Tanz in der Dorfschenke no. 2), S. 110 no. 2, Symphonic Poem 'Les Preludes', Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 4: I. Allegro non troppo, Symphony no. 4: II. Andante moderato, Symphony no. 4: III. Allegro giocoso - Poco meno presto, Symphony no. 4: IV. Allegro energico e passionato - Piu allegro, The Ruins of Athens, op. 113: Overture |
| David Shire |
performing orchestra |
Dorothy Remembers / Home / The Ride to Dr. Worley's, Dorothy and the Nome King / The Ornament Room, Finale and End Credits (Theme from "Return to Oz"), Jack Pumpkinhead, Mombi's Hall of Heads, Oz / The Ruined House, Ozma / The Flight in the Storm, The "Return to Oz" Rag March, The Defeat of the Nome King / The Restoration, The Deserted City / The Wheelers / Tik Tok, The Flight of the Gump, The Mirror |
| Paper Doll Scissor Fight |
performing orchestra |
Il Signor Bruschino: Overture, Il barbiere di Siviglia: Overture (Sinfonia), La Cenerentola: Overture (Sinfonia), La gazza ladra: Overture, La scala di seta: Overture, Le siège de Corinthe: Overture, Notturno, op. 70 no. 1, Ouverture "Egmont", op. 84, Semiramide: Overture, Tancredi: Overture, The Barber of Seville, William Tell: Overture |
| 佐橋俊彦 |
performing orchestra |
After the glory 第十一章 迷える翼に選ばれし明日, Battle in the Space 第三章 戦火散り咲く漆黒の空, Brand New Days 第二章 示された世界と約束, Finale 第十二章 新しき世界が知る混迷の未来, ORB 第八章 剣無き黄昏の大地, Opening 第一章 運命の扉開かれる刻, SINN ASUKA 第六章 切り裂かれた想いと苦悩の瞳, STELLAR 第十章 哀しみに沈む刹那の揺り籠, Shyer Soldier 第九章 自由という名の孤独, Spaceship MINERVA 第七章 聡明なる女神の艦, The Shadow of his mind 第四章 正義で塗られた罪の在処, War 第五章 蒼天に揺れる剣と叫び |
| Govert Flinck |
performing orchestra |
Capriccio espagnol, Op. 34 No. 1: Alborada, Capriccio espagnol, Op. 34 No. 2: Variazioni, Capriccio espagnol, Op. 34 No. 3: Alborada, Capriccio espagnol, Op. 34 No. 4: Scena e canto gitano, Capriccio espagnol, Op. 34 No. 5: Fandango asturiano, España, Spanish Dance in E minor, Op. 37 No. 5: Andaluza, Spanish Dances, Op. 12 Book 1: No. 1 in C major, Spanish Dances, Op. 12 Book 1: No. 2 in G major, Spanish Dances, Op. 12 Book 1: No. 3 in A major, Spanish Dances, Op. 12 Book 1: No. 4 in B-flat major, Spanish Dances, Op. 12 Book 1: No. 5 in D major |
| Christina Dahl |
performer, performing orchestra |
Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo, Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato - Allegro, Symphony no. 4 in F minor, op. 36: 4. Finale (Allegro con fuoco), Symphony no. 5 in E minor, op. 64: 1. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: 2. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: 3. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: 4. Finale (Andante maestoso - Allegro vivace), Symphony no. 6 in B minor, op.74 "Pathétique": 1. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op.74 "Pathétique": 2. Allegro con grazia, Symphony no. 6 in B minor, op.74 "Pathétique": 3. Allegro molto vivace, Symphony no. 6 in B minor, op.74 "Pathétique": 4. Finale (Adagio lamentoso - Andante) |
| Bill Conti |
performing orchestra |
For Your Eyes Only, North and South: A Close Call, North and South: Final Meeting, North and South: Last Embrace, North and South: Love in the Chapel, North and South: Main Title, North and South: Returning Home, North and South: Southern Life, The Right Stuff: Almost Ready, The Right Stuff: Breaking the Sound Barrier, The Right Stuff: Glenn's Flight, The Right Stuff: The Training |
| Mads Nordheim |
performing orchestra |
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro, Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo, Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Allegro, Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro, Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto, Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro, Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto, Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo, Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro, Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto, Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto, Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto |
| Amy Grant |
performing orchestra |
12 Days of Christmas, Christmas Waltz, God Rest Ye, Merry Gentlemen, Hark, the Herald Angels Sing, It Came Upon a Midnight Clear, Joy to the World, O Come, All Ye Faithful, O Come, O Come, Emmanuel, O Holy Night, Silent Night, Sleigh Ride, Winter Wonderland |
| John Piper |
performing orchestra |
Galaxy 239, Mars, Return of the Jedi: Parade of the Ewoks, Star Wars: Main Theme, Star Wars: Princess Leia's Theme, Superman: Love Theme "Can You Read My Mind", Superman: Main Theme, Superman: March of the Villains, The Complete Star Trek Suite, The Empire Strikes Back: Han Solo and the Princess, The Empire Strikes Back: Imperial March, The Empire Strikes Back: Yoda's Theme |
| Mantilla |
performing orchestra |
Carmen-Fantasie, op. 25, Havanaise, op. 83, Introduction and Rondo capriccioso, op. 28, Violin Concerto in E minor, op. 64, MWV O14: 1. Allegro molto appassionato, Violin Concerto in E minor, op. 64, MWV O14: 3. Allegro non troppo - Allegro molto vivace, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegro molto vivace, Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato, Violin Concerto no. 1 in G minor, op. 26: II. Adagio, Violin Concerto no. 1 in G minor, op. 26: III. Allegro energico, Zigeunerweisen, Zigeunerweisen, op. 20 |
| Philippe Sarde |
performing orchestra |
Mort d'un pourri : Dans le regard d'Alain Delon, Mort d'un pourri : En souvenir de Maurice, Mort d'un pourri : Getz o mania, Mort d'un pourri : Les Aveux, Mort d'un pourri : Montparnasse, Mort d'un pourri : Mort d'un pourri, Mort d'un pourri : Paris, cinq heures du matin, Mort d'un pourri : Solitude, Mort d'un pourri : Tout est tranquille, Mort d'un pourri : Un homme dans la ville, Mort d'un pourri : Valérie, Mort d'un pourri : Élysée-Matignon |
| Hartwig Eschenburg |
performing orchestra |
Finlandia, Finlandia, op. 26, Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla Marcia, Pohjola's Daughter, op. 49, Symphony no. 2 in E minor, op. 27: I. Largo - Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto - Meno mosso - Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, The Swan of Tuonela, op. 22, Valse Triste, op. 44 |
| SHIT HAPPENING |
performing orchestra |
Concerto for Violin no. 1, op. 19: I. Andantino, Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo, Concerto for Violin no. 1, op. 19: III. Moderato, Concerto for Violin no. 2, op. 63: I. Allegro moderato, Concerto for Violin no. 2, op. 63: II. Andante assai, Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato, Violin Concerto in D major, op. 35: I. Moderato nobile, Violin Concerto in D major, op. 35: II. Romance: Andante, Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace, Violin Concerto, op. 14: I. Allegro, Violin Concerto, op. 14: II. Andante, Violin Concerto, op. 14: III. Presto in moto perpetuo |
| DEE-LAND |
performing orchestra |
A Colour Symphony, F. 106: I. Purple (Andante maestoso), A Colour Symphony, F. 106: II. Red (Allegro Vivace), A Colour Symphony, F. 106: III. Blue (Gentle Flowing), A Colour Symphony, F. 106: IV. Green (Moderato), Introduction and Allegro, F. 117, Pomp and Circumstance March no. 1 in D major, Pomp and Circumstance Marches, op. 39: no. 1 in D major, Pomp and Circumstance Marches, op. 39: no. 2 in A minor, Pomp and Circumstance Marches, op. 39: no. 3 in C minor, Pomp and Circumstance Marches, op. 39: no. 4 in G major, Pomp and Circumstance Marches, op. 39: no. 5 in C major |
| Berlian Hutauruk |
performing orchestra |
La bohème: Atto III. "Musetta! O gioia della mia dimora" ... "Testa adorata", La fanciulla del West: Atto III. "Ch’ella mi creda libero e lontano", Le Cid : Acte III, Tableau VII. "Ah ! Tout est bien fini ! " ... "Ô souverain, ô juge, ô pere"", L’Africana: Atto IV. "Mi batte il cor...O Paradiso" / "Deh! Ch’io ritorni", L’arlesiana: Atto II. "È la solita storia del pastore", L’elisir d’amore: Atto II. "Una furtiva lagrima", Manon : Acte III. "Je suis seul ! ... Ah ! Fuyez, douce image", Martha: Act II. "M'apparì" (Lyonel), Martha: Atto III. "M’apparì", Pagliacci: Atto I. "Recitar! Mentre preso...Vesti la giubba", Rigoletto: La donna è mobile |
| Jan Hinke |
performing orchestra |
A Somerset Rhapsody, Op. 21, Aristophanic Suite, `The Wasps': I., Aristophanic Suite, `The Wasps': II., Aristophanic Suite, `The Wasps': III., Aristophanic Suite, `The Wasps': IV., Aristophanic Suite, `The Wasps': V., Marching Song (No. 2 of `Two Songs without Words', Op. 22), Symphonic Poem `Tintagel', `The Perfect Fool' - Ballet Music: I. Dance of Spirits of Earth, `The Perfect Fool' - Ballet Music: II. Dance of Spirits of Water, `The Perfect Fool' - Ballet Music: III. Dance of Spirits of Fire |
| Vinegar Mother |
performing orchestra |
Overture to Collin's Coriolan, Op. 62, "Coriolan Overture", Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Finale: Andante, Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Theme: Andante, Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Variation 1: Poco più animato, Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Variation 2: Più vivace, Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Variation 3: Con moto, Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Variation 4: Andante con moto, Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Variation 5: Vivace, Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Variation 6: Vivace, Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Variation 7: Grazioso, Variations on a Theme by J. Haydn, op. 56a "St. Antoni Chorale": Variation 8: Presto non troppo |
| Original Tuxedo Jazz Orchestra |
performing orchestra |
Poème symphonique, Op. 39 "Phaéton", Raymonda, op. 57: Entry of Raymonda, Stenka Razin, Symphonic Poem, op. 13, Suite Algérienne, Op. 60: I. Prélude, Suite Algérienne, Op. 60: II. Rhapsodie mauresque, Suite Algérienne, Op. 60: III. Rêverie du soir, Suite Algérienne, Op. 60: IV. Marche militaire française, Symphony No. 2 in A minor, Op. 55: I. Allegro marcato, Symphony No. 2 in A minor, Op. 55: II. Adagio, Symphony No. 2 in A minor, Op. 55: III. Scherzo - Presto, Symphony No. 2 in A minor, Op. 55: IV. Prestissimo |
| Chris Norris |
performing orchestra |
Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 4 in G minor, op. 40: 1. Allegro vivace (Alla breve), Piano Concerto no. 4 in G minor, op. 40: 2. Largo, Piano Concerto no. 4 in G minor, op. 40: 3. Allegro vivace, Rhapsody on a Theme of Paganini op. 43: Variation no. 18, Rhapsody on a Theme of Paganini: Variation 18 |
| Petoux |
performing orchestra |
Gayane - Invention, Gayaneh: Invention, Gayaneh: Lezghinka, Gayaneh: Lullaby, Gayaneh: Mountaineers, Gayaneh: Sabre Dance, Gayaneh: Storm, Spartacus: Adagio of Spartacus and Phrygia, Spartacus: Dance of the Gaditanae – The Rebels’ Approach, Spartacus: The Entrance of Harmodius – Adagio of Aegina and Harmodius, Spartacus: Variation of Aegina |
| Claude Debussy |
performing orchestra |
Clair de Lune, Images pour orchestre n°2 «Iberia» - I. Par les rues et par les chemins, Images pour orchestre n°2 «Iberia» - II. Les parfums de la nuit, Images pour orchestre n°2 «Iberia» - III. Le matin d'un jour de fete, L'enfant prodigue : Air de Lia, La Damoiselle Elue 2 Appuyait, La Damoiselle Elue 3 Je Voudrais, La Mer - 1st movement, La damoiselle élue - I. Début, La damoiselle élue - IV. Chœur «La lumiere tressaillit», Prélude à l'après-midi d'un faune |
| David Housden |
performing orchestra |
Bright Eyes, Cavatina (theme from 'The Deer Hunter'), Hello, I Know Him So Well, Largo from 'New World Symphony', Nights in White Satin, The First Time Ever I Saw Your Face, Theme from 'Brideshead Revisited', Theme from 'The Yellow Book', Tonight I Celebrate My Love, Up Where We Belong |
| Magnus Selander |
performing orchestra |
Alien: Main Title, Battlestar Galactica: Main Title & Theme, First Men in the Moon: Main Title & The Monster Caterpillar, Meteor: Main Title, Moonraker: Main Title & Theme, Star Trek Suite, Star Wars: Main Title, Superman: Main Title & Theme, The Black Hole: Overture, The Day Time Ended: Main Title, The Lost Galaxy |
| Stanley Black |
performing orchestra |
March of the Dwarfs, Nocturne, Norwegian Dance No. 2, Norwegian Rustic March, Shepherd's Boy, Suite N°1: Anitra's Dance, Suite N°1: Ase's Death, Suite N°1: Morning, Suite N°2: In the Hall of the Mountain King, Suite N°2: Ingrid's Lament |
| Colin Faivre |
performing orchestra |
Havanaise, op. 83, Havanaise, op. 83: 1. Allegretto e lusinghiero, Havanaise, op. 83: 2. Allegro, Havanaise, op. 83: 3. Allegro ma non troppo, Zigeunerweisen, op. 20, Zigeunerweisen, op. 20 no. 1, Zigeunerweisen, op. 20: Allegro molto vivace, Zigeunerweisen, op. 20: Lento, Zigeunerweisen, op. 20: Moderato, Zigeunerweisen, op. 20: Un poco più lento |
| Acacia |
performing orchestra |
Horn Concerto no. 1 in D major, K. 412: I. Allegro, Horn Concerto no. 1 in D major, K. 412: II. Rondo: Allegro, Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro, Horn Concerto no. 2 in E-flat major, K. 417: II. Andante, Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo: Allegro, Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro, Horn Concerto no. 3 in E-flat major, K. 447: II. Romance: Larghetto, Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro, Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso, Horn Concerto no. 4 in E-flat major, K. 495: II. Romance: Andante cantabile |
| Joel McNeely |
performing orchestra |
Abandoned and Alone, Attack of the Hammerhead, Flipper Ballet, Flipper Goes Home, He Belongs at Sea, Main Title, Marv Meets Flipper, Sandy Meets Flipper, Sandy Searches, The Secret Weapon |
| Robert Schumann |
performing orchestra |
Concerto Allegro with Introduction for Piano and Orchestra in D minor / D major, Op. 134, Concerto for Violoncello and Orchestra in A minor, op. 129: Langsam, Concerto for Violoncello and Orchestra in A minor, op. 129: Nicht zu schnell, Concerto for Violoncello and Orchestra in A minor, op. 129: Sehr lebhaft, Introduction and Allegro appassionato for Piano and Orchestra, Op. 92, Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, op. 54: III. Allegro vivace, Piano concerto in A minor Op.54 - Allegro vivace, Piano concerto in A minor Op.54 - Intermezzo: Andantino grazioso |
| Hat Nguyen |
performing orchestra |
ハンガリー舞曲 第1番 ト短調, ハンガリー舞曲 第5番 ト短調, パッヘルベルのカノン 二長調, ホルン協奏曲 第1番 二長調 K412 第1楽章, 交響曲 第9番 ホ短調 Op.95 「新世界より」 第2楽章, 歌劇「ジョコンダ」より 時の踊り, 歌劇「フィガロの結婚」序曲 K492, 波濤を越えて, 管弦楽組曲 第2番 ロ短調 BWV1067より"ロンド", 組曲「水上の音楽」第2番HWV349 |
| Juice Normaali |
performing orchestra |
Peer Gynt, op. 23, Incidental Music: no. 21. Peer Gynt’s Homecoming. Stormy Evening on the Sea, Peer Gynt, op. 23: Act 1. Prelude, Peer Gynt, op.23: No. 12. The death of Ase, Peer Gynt, op.23: No. 13. Morning mood, Peer Gynt, op.23: No. 15. Arabian dance, Peer Gynt, op.23: No. 16. Anitra's dance, Peer Gynt, op.23: No. 19. Solveig's song, Peer Gynt, op.23: No. 4. Ingrid's Lament, Peer Gynt, op.23: No. 8. In the hall of the Mountain King, Peer Gynt, op.23: No. 9. Dance of the Mountain King's daughter |
| Marcus Ingberg |
performing orchestra |
The Dream of Gerontius, op. 38: Part I. "I can no more;for now it comes again" (Gerontius), The Dream of Gerontius, op. 38: Part I. "Jesu, Maria - I am near to death" (Gerontius), The Dream of Gerontius, op. 38: Part I. "Novissima hora est" (Gerontius), The Dream of Gerontius, op. 38: Part I. "Rouse thee, my fainting soul" (Gerontius), The Dream of Gerontius, op. 38: Part I. "Sanctus fortis, Sanctus Deus" (Gerontius), The Dream of Gerontius, op. 38: Part II. "But hark! A grand mysterious harmony" (The Soul), The Dream of Gerontius, op. 38: Part II. "Take me away" (The Soul), The Dream of Gerontius, op. 38: Part II. "The sound is like the rushing of the wind" (The Soul), The Dream of Gerontius, op. 38: Part II. Introduction: "I went to sleep" (The Soul), The Dream of Gerontius: II. Take Me Away |
| Brian Crawford |
performing orchestra |
Altenberg Lieder, op. 4: No. 1. Seele, wie bist du schöner, Altenberg Lieder, op. 4: No. 2. Sahst du nach dem Gewitterregen den Wald, Altenberg Lieder, op. 4: No. 3. Über die Grenzen des All, Altenberg Lieder, op. 4: No. 4. Nichts ist gekommen, Altenberg Lieder, op. 4: No. 5. Hier ist Friede, Lulu-Suite: I. Rondo. Andante (Introduzione) - Hymne. Sostenuto, Lulu-Suite: II. Ostinato. Allegro, Lulu-Suite: III. Lied der Lulu. Comodo, Lulu-Suite: IV. Variationen. Moderato (Grandioso - Grazioso - Funèbre - Affettuoso) - Thema: Subito tempo moderato, Lulu-Suite: V. Adagio. Sostenuto - Lento - Grave |
| 斉藤祐子 |
performing orchestra |
Cockaigne (In London Town), op. 40, Sospiri, op. 70, Symphony no. 1, op. 55: I. Andante: nobilmente e semplice - Allegro, Symphony no. 1, op. 55: II. Allegro molto, Symphony no. 1, op. 55: III. Adagio, Symphony no. 1, op. 55: IV. Lento - Allegro, Symphony no. 2, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2, op. 63: II. Larghetto, Symphony no. 2, op. 63: III. Rondo: Presto, Symphony no. 2, op. 63: IV. Moderato e maestoso |
| Paul McCartney |
performing orchestra |
A Leaf, Always, Bye Bye Blackbird, Celebration (from Standing Stone), Celebration from Standing Stone, Get Yourself Another Fool, Home (When Shadows Fall), My Valentine, Spiral, Tuesday |
| Cyril Coppini |
performing orchestra |
Circus World: The John 'Duke' Wayne March, Cyrano de Bergerac: Overture, Friendly Persuasion: The Fair, Hitchcock Suite: Dial M for Murder and Strangers on a Train, The Alamo: Suite: I. Overture / II. Davy Crockett / III. Battle / IV. Epilogue, The Fall of the Roman Empire: The Fall of Love (instrumental Theme), The Four Poster: Overture, The High and the Mighty: Suite, The Old Man and the Sea: Theme, Cubana and Finale, The Sundowners: Theme |
| Александр Порфирьевич Бородин |
performing orchestra |
In the Steppes of Central Asia, Nocturne for Strings, Polovetsian Dance No. 2 from Prince Igor, Polovstsian Dances from Prince Igor, Polovtsian Dances from "Prince Igor", Prince Igor: Act I. “Greshno tait, ya skuki ne lyublyu (Galitzky’s Aria)”, Prince Igor: Act II. “Zdorov-li, Knaz? (Konchak’s Aria)”, Prince Igor: Galitzky's Aria, Prince Igor: Overture |
| Joseph Haydn |
performing orchestra |
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": I. "Kyrie", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIa. Credo: "Credo in unum Deum", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIb. Credo: "Et incarnatus est" - "Et resurrexit", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIa. Gloria: "Gloria in excelsis Deo", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIb. Gloria: "Gratias agimus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIc. Gloria: "Quoniam tu solus sanctus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IV. "Sanctus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": V. "Benedictus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": VI. "Agnus Dei" |
| Keyko Nimsay |
performing orchestra |
Cello Concerto in A minor, op. 129: I. Nicht zu schnell, Cello Concerto in A minor, op. 129: II. Langsam, Cello Concerto in A minor, op. 129: III. Sehr lebhaft, Cello Concerto in D minor: I. Prelude: Lento - Allegro maestoso, Cello Concerto in D minor: II. Intermezzo: Andantino con moto - Allegro presto, Cello Concerto in D minor: III. Introduction: Andante - Allegro vivace, Concerto in A minor for Cello and Orchestra, op. 129: I. Nicht zu schnell (attacca), Concerto in A minor for Cello and Orchestra, op. 129: II. Langsam (attacca), Concerto in A minor for Cello and Orchestra, op. 129: III. Sehr lebhaft |
| Dave Davies |
performing orchestra |
Fragment for the Virgin, Havanaise in E major, Op. 83, Poème, Op. 25, Thaïs, Act II Scene 1: Méditation religieuse, Thaïs, Act II Scene 1: Méditation religieuse [excerpt], Violin Concerto No. 1, Op. 35: I. Vivace assai, Violin Concerto No. 1, Op. 35: II. Vivace scherzando, Violin Concerto No. 1, Op. 35: III. Cadenza: Allegro moderato, Wie Melodien zeiht es mir "Contemplation", Op. 105 No. 1 (arr. Heifetz & Reynolds) |
| üka |
performing orchestra |
Symphonie espagnole in D minor, op. 21: I. Allegro non troppo, Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto, Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegro non troppo, Symphonie espagnole in D minor, op. 21: IV. Andante, Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro, Tzigane, Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace |
| Raj Pandit |
performing orchestra |
War Requiem, op. 66: I. Requiem aeternam: Kyrie eleison, War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam, War Requiem, op. 66: II. Dies irae: Confutatis maledictis, War Requiem, op. 66: II. Dies irae: Dies irae, War Requiem, op. 66: II. Dies irae: Pie Jesu Domine, War Requiem, op. 66: II. Dies irae: Recordare Jesu pie, War Requiem, op. 66: III. Offertorium: Domine Jesu Christe, War Requiem, op. 66: III. Offertorium: Sed signifer Sanctus, War Requiem, op. 66: VI. Libera me: Requiescant |
| D.Wisdom |
performing orchestra |
Alma grande e nobil core, KV 578, Das Bächlein, Op. 88 No. 1, Das Rosenband, op. 36 Nr. 1, Meinem Kinde, op. 37 no. 3, Nehmt meinen Dank, KV 383, Ruhe, meine Seele, op. 27 Nr. 1, Vado, ma dove?, KV 583, Wiegenlied, Op. 41 No. 1, Winterweihe, Op. 48 No. 4 |
| Paolo Mescoli |
performing orchestra |
Karelia Overture, op. 10, Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla marcia, King Christian II Suite, op. 27: I. Nocturne, King Christian II Suite, op. 27: II. Elégie, King Christian II Suite, op. 27: III. Musette, King Christian II Suite, op. 27: IV. Sérénade, King Christian II Suite, op. 27: V. Ballade |
| Steve Swell’s Nation of We Orchestra |
performing orchestra |
Symphony No. 8 in F, Op.93: Allegratto scherzando, Symphony No. 8 in F, Op.93: Allegro vivace, Symphony No. 8 in F, Op.93: Allegro vivace con brio, Symphony No. 8 in F, Op.93: Tempo di Menuetto, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo, Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai |
| Betty Peterson Blasco |
performing orchestra |
Disamistade, Ho visto Nina volare, Hotel Supramonte, Laudate hominem, Le nuvole, Preghiera in gennaio, Rimini, Tre madri |
| Luciano Pavarotti |
performing orchestra |
A te o cara, Ella mi fu rapita, Parmi veder le lagrime, Questa o quella, Sì, rivale… rival regnante, Vieni fra queste braccia |
| Kate Shipp |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene II. "Che cosa accadde, signori miei" (Almaviva, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale), Il barbiere di Siviglia: Act I, Scene II. "Fredda ed immobile" (Rosina, Almaviva, Bartolo, Figaro, Basilio, Berta), Il barbiere di Siviglia: Act I, Scene II. "Ma signor... ma un dottor" (Bartolo, Coro, Rosina, Basilio, Berta, Almaviva, Figaro), Il barbiere di Siviglia: Act II. "Ah, disgraziati noi!" (Figaro, Almaviva, Rosina, Basilio, Bartolo, Ufficiale), Il barbiere di Siviglia: Act II. "Ah, qual colpo inaspettato!" (Rosina, Figaro, Almaviva), Il barbiere di Siviglia: Act II. "Di sì felice innesto" (Figaro, Bartolo, Basilio, Berta, Coro, Rosina, Almaviva), Il barbiere di Siviglia: Act II. "Don Basilio! Cosa veggo!" (Rosina, Almaviva, Figaro, Bartolo, Basilio), Il barbiere di Siviglia: Act II. "Insomma io ho tutti i torti" (Bartolo, Figaro, Basilio, Almaviva, Rosina) |
| 肉弾 |
performer, performing orchestra |
Adagio for Strings, Rhapsody in Blue, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Allegro, Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace - Tempo come prima, Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace |
| Vince Mendoza |
performing orchestra |
Ambivalence, Barcelona, Deep Song, Epiphany, Esperanca, Impromptu, Sanctus, Wheaten Sky |
| Bedřich Smetana |
performing orchestra |
Die Moldau, La Moldau, Má Vlast: II. Vltava (The Moldau), Má Vlast: III. Šárka, Má Vlast: IV. Z českých luhů a hájů (From Bohemia's Woods and Fields), Má Vlast: V. Tábor, Má Vlast: VI. Blaník, Má vlast |
| Hayden John Wolf |
performing orchestra |
Concerto for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso, Concerto for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio, Concerto for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato, Concerto for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato, Concerto for Piano and Orchestra no. 2 in A major: Adagio sostenuto assai - Allegro agitato assai, Concerto for Piano and Orchestra no. 2 in A major: Allegro animato, Concerto for Piano and Orchestra no. 2 in A major: Allegro deciso - Marziale un poco meno allegro, Concerto for Piano and Orchestra no. 2 in A major: Allegro moderato |
| Reijo Kekkonen |
performing orchestra |
Cello Concerto in A minor, op. 33: I. Allegro non troppo, Cello Concerto in A minor, op. 33: II. Allegretto con moto, Cello Concerto in A minor, op. 33: III. Un peu moins vite, Cello Concerto in B minor, op. 104: I. Allegro, Cello Concerto in B minor, op. 104: II. Adagio ma non troppo, Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato, Kol Nidrei, op. 47, Variations on a Rococo Theme, op. 33 |
| Funeral Whore |
performing orchestra |
Mass in G minor: Agnus Dei, Mass in G minor: Benedictus / Osanna II, Mass in G minor: Credo, Mass in G minor: Gloria, Mass in G minor: Kyrie, Mass in G minor: Sanctus / Osanna I, The Twenty Third Psalm, Valiant-for-truth |
| Natalie Bar |
performing orchestra |
Cello Concerto in E minor, Op. 85: I. Adagio-Moderato / II. Lento-allegro molto, Concerto for Cello and Orchestra in E minor, op. 85: I. Adagio - Moderato - attacca, Concerto for Cello and Orchestra in E minor, op. 85: II. Lentto - Allegro molto, Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio, Concerto for Cello and Orchestra in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo, Concerto for Cello and Orchestra: I. Moderato, Concerto for Cello and Orchestra: II. Allegro appassionato, Concerto for Cello and Orchestra: III. Lento - con moto - Risoluto tempo giusto. Brioso - Allegro molto - Rapsodicamente - a tempo di Nº6, Iº Mov. ma un po´più lento - Adagio |
| Fjörefni |
performing orchestra |
A Kiss in The Dark (from "Orange Blossoms"), Ah! Sweet Mystery of Life (from "Naughty Marietta"), Art is Calling Me (I Want to Be A Prima Donna) (from "The Enchantress"), Italian Street Song (from "Naughty Marietta"), Kiss Me Again (from "Mlle. Modiste"), Thine Alone (from "Eileen"), To The Land of My Own Romance (from "The Enchantress"), When You're Away (from "The Only Girl) |
| Still Sane |
performing orchestra |
Concerto for Piano and Orchestra in G major: I. Allegramente, Concerto for Piano and Orchestra in G major: II. Adagio assai, Concerto for Piano and Orchestra in G major: III. Presto, Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio, Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso, Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio / III. Allegretto vivace - Allegro animato, Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato, Piano Concerto no. 1 in E-flat major, S. 124: IIb. Allegretto vivace - Allegro animato |
| Walküren Quartett |
performing orchestra |
Joshua, Khovanshchina: Galitsin's Journey, Khovanshchina: Prelude, Oedipus in Athens: Chorus of People in the Temple, Salammbo: Chorus of Priestesses, Scherzo in B-Flat, The Destruction of Sennacherib, Triumphal March (The Capture of Kars) |
| Almir Ferreira |
performing orchestra |
Balletmusik aus "Faust" I Allegretto, Balletmusik aus "Faust" II Adagio, Balletmusik aus "Faust" III Allegretto, Balletmusik aus "Faust" IV Moderato Maestoso, Balletmusik aus "Faust" V Moderato Con Moto, Balletmusik aus "Faust" VI Allegretto, Balletmusik aus "Faust" VII Allegro Vivo, Coriolan Overture, Op. 62 |
| Plácido Domingo |
performing orchestra |
Aida: Celeste Aida, Aida: “Celeste Aida”, L'amore dei tre re: Act III. "Fiora, Fiora... É silenzio" (Avito), L'elisir d'amore: Una furtiva lagrima, L’elisir d’amore: “Una furtiva lagrima”, Rigoletto: La donna e mobile, Rigoletto: “La donna è mobile”, Verlassen hab' ich Feld und Auen |
| Jane Debenham |
performing orchestra |
Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: I. Allegro moderato, Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: II. Preghiera. Larghetto, Concerto for Violin and Orchestra No. 1 in F-sharp minor, Op. 14: III. Rondo. Allegro giocoso, Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: I. Allegro moderato, Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: II. Romance. Andante non troppo, Concerto for Violin and Orchestra No. 2 in D minor, Op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara), Legende, Op. 17: Andante. Allegro moderato. Tempo I, Zigeunerweisen, Op. 20: Moderato. Lento. Un peu plus lent. Allegro molto vivace |
| Deadbeat Descendant |
performing orchestra |
Piano Concerto no. 8 In C, K. 246 "Lützow": 1. Allegro aperto, Piano Concerto no. 8 In C, K. 246 "Lützow": 2. Andante, Piano Concerto no. 8 In C, K. 246 "Lützow": 3. Rondeau (Tempo di menuetto), Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 1. Allegro, Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 2. Andantino, Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 3. Rondeau (Presto), Rondo for Piano and Orchestra in A, K. 386, Rondo for Piano and Orchestra in A, K. 386 (ed. by Mackerras & Badura-Skoda) |
| Without |
performing orchestra |
Symphony no. 40 in G minor, K. 550: 1. Molto allegro, Symphony no. 40 in G minor, K. 550: 2. Andante, Symphony no. 40 in G minor, K. 550: 3. Menuetto (Allegretto) - Trio, Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro assai), The Dream of Gerontius: Prelude, The Young Person's Guide to the Orchestra, The Young Person’s Guide to the Orchestra, op. 34: Variations and Fugue on a Theme of Purcell |
| Richard Strauss |
performing orchestra |
Daphne: "Ich komme, ich komme" (Transformation scene), Horn Concerto no. 1 in E-flat major, op. 11: I. Allegro, Horn Concerto no. 1 in E-flat major, op. 11: II. Andante, Horn Concerto no. 1 in E-flat major, op. 11: III. Allegro, Horn Concerto no. 2 in E-flat major, AV 132: I. Allegro, Horn Concerto no. 2 in E-flat major, AV 132: II. Andante con moto, Horn Concerto no. 2 in E-flat major, AV 132: III. Rondo |
| 西風雲 |
performing orchestra |
The Protecting Veil: The Annunciation, The Protecting Veil: The Dormition, The Protecting Veil: The Incarnation, The Protecting Veil: The Lament of the Mother of God at the Cross, The Protecting Veil: The Nativity of the Mother of God, The Protecting Veil: The Protecting Veil, The Protecting Veil: The Resurrection |
| Varduhi Khachatryan |
performing orchestra |
Cello Concerto no. 1, op. 107: I. Allegretto, Cello Concerto no. 1, op. 107: II. Moderato, Cello Concerto no. 1, op. 107: III. Cadenza, Cello Concerto no. 1, op. 107: IV. Allegro con moto, Cello Concerto no. 2, op. 126: I. Largo, Cello Concerto no. 2, op. 126: II. Allegretto, Cello Concerto no. 2, op. 126: III. Allegretto |
| Franz Liszt |
performing orchestra |
Hungarian Rhapsody no. 1 in F minor, Hungarian Rhapsody no. 2 in D minor, Hungarian Rhapsody no. 3 in D major, Hungarian Rhapsody no. 4 in D minor, Hungarian Rhapsody no. 5 in E minor "Héroïde Élégiaque", Hungarian Rhapsody no. 6 in D major "Carnival in Pesth", Liebestraum |
| Laura Aqui |
performing orchestra |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso, Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (excerpt), Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco, Piano Concerto no.1 in B-flat minor, op. 23: III. Allegro con fuoco |
| Alban Berg |
performing orchestra |
Seven Early Songs, No. 1: Nacht, Seven Early Songs, No. 2: Schilflied, Seven Early Songs, No. 3: Die Nachtigall, Seven Early Songs, No. 4: Traumgekrönt, Seven Early Songs, No. 5: Im Zimmer, Seven Early Songs, No. 6: Liebesode, Seven Early Songs, No. 7: Sommertage |
| Joaquín Turina |
performing orchestra |
Canto a Sevilla, Op. 37: I. Preludio, Canto a Sevilla, Op. 37: II. Semana Santa, Canto a Sevilla, Op. 37: III. Las fuentecitas del parque, Canto a Sevilla, Op. 37: IV. Noche de feria, Canto a Sevilla, Op. 37: V. El fantasma, Canto a Sevilla, Op. 37: VI. La Giralda, Canto a Sevilla, Op. 37: VII. Ofrenda |
| Joana Serrat |
performing orchestra |
Piano Concerto in A minor, Op. 16: II. Adagio / III. Allegro moderato e marcato, Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso / III. Allegro vivace, Piano Concerto in A minor, op. 16: I. Allegro molto moderato, Piano Concerto in A minor, op. 16: II. Adagio, Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso, Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso |
| Beat Billionaire |
performing orchestra |
Planets 1 Mars, the Bringer of War, Planets 2 Venus, the Bringer of Peace, Planets 3 Mercury, the Winged Messenger, Planets 4 Jupiter, the Bringer of Jollity, Planets 5 Saturn, the Bringer of Old Age, Planets 6 Uranus, the Magician, Planets 7 Neptune, the Mystic |
| Diana Krall |
performing orchestra |
Cry Me a River, Dancing in the Dark, I Get Along Without You Very Well, Love Letters, Maybe You'll Be There, The Look of Love, The Night We Called It a Day |
| Emily Johnstone |
performing orchestra |
Concerto for Flute and Orchestra: Allegro, Concerto for Flute and Orchestra: Allegro con spirito, Concerto for Flute and Orchestra: Alquanto largo, Concerto for Flute and Orchestra: Andante misterioso, Concerto for Flute and Orchestra: Lento, Concerto for Flute and Orchestra: Lento espressivo, Halil |
| Derenzo |
performing orchestra |
Music from Cinderella, op. 87: I. Introduction, Music from Cinderella, op. 87: II. Quarrel, Music from Cinderella, op. 87: III. At the Palace, Music from Cinderella, op. 87: IV. Spring and Summer Fairies. Grasshopper Dance, Music from Cinderella, op. 87: V. Fairy Godmother and Winter Fairy, Music from Cinderella, op. 87: VI. Cinderella’s Waltz, Music from Cinderella, op. 87: VII. Apotheosis |
| Francis Poulenc |
performing orchestra |
Organ Concerto in G minor: I. Andante - Allegro giocoso, Organ Concerto in G minor: II. Andante moderato, Organ Concerto in G minor: III. Tempo allegro, molto agitato, Organ Concerto in G minor: IV. Très calme, Lente, Organ Concerto in G minor: V. Tempo de l'Allegro initial, Organ Concerto in G minor: VI. Tempo introduction, Largo, Organ Concerto: IV. (Ending) / Organ Concerto: VI. (Opening) |
| Angela Meluso |
performing orchestra |
Clarinet Concerto no. 2 in E flat major, op. 74: I. Allegro, Clarinet Concerto no. 2 in E flat major, op. 74: II. Romanza. Andante con moto, Clarinet Concerto no. 2 in E flat major, op. 74: III. Alla polacca, Grand Concerto no. 2 in F minor for Clarinet and Orchestra, op. 5: I. Allegro, Grand Concerto no. 2 in F minor for Clarinet and Orchestra, op. 5: II. Andante pastorale, Grand Concerto no. 2 in F minor for Clarinet and Orchestra, op. 5: III. Rondo. Allegretto, Introduction and Variations on a Swedish Air, op. 12 |
| Maurice Duruflé |
performing orchestra |
Requiem: Domine Jesu Christe, Requiem: In Paradisum, Requiem: Introit-Kyrie, Requiem: Libera me, Requiem: Lux aeterna, Requiem: Pie Jesu, Requiem: Sanctus |
| Pedro Vaquero Sánchez |
performing orchestra |
Humoresques for Violin and Orchestra, op. 89: No. 3 in G minor: Alla gavotta, Humoresques for Violin and Orchestra, op. 89: No. 4 in G minor: Andantino, Humoresques for Violin and Orchestra, op. 89: No. 5 in E-flat major: Commodo, Humoresques for Violin and Orchestra, op. 89: No. 6 in G minor: Allegro, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| Vilma von Webenau |
performing orchestra |
"Trumpet Overture", op. 101: Allegro vivace, Meeresstille und glückliche Fahrt, op. 27, Overture "A Midsummer Night's Dream", op. 21, Overture "The Fair Melusine", op. 32, Overture for Wind Instruments, op. 24 (für Harmoniemusik), Ruy Blas, op. 95: Overture to Victor Hugo's play |
| Farcoste |
performing orchestra |
Concerto for Violin and Orchestra in D major, op. 77: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major, op. 77: II. Adagio, Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace, Violin Concerto: I. Allegro con fermezza, Violin Concerto: II. Andante sostenuto, Violin Concerto: III. Allegro vivace |
| Lajos Keresztes |
performing orchestra |
Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo, Concerto for Violin and Orchestra: I. Allegro con fermezza, Concerto for Violin and Orchestra: II. Andante sostenuto, Concerto for Violin and Orchestra: III. Allegro vivace |
| TWINKIDS |
performing orchestra |
Piano Concerto no. 23 in A major, K. 488: I. Allegro, Piano Concerto no. 23 in A major, K. 488: II. Adagio, Piano Concerto no. 23 in A major, K. 488: III. Allegro assai, Piano Concerto no. 24 in C minor, K. 491: I .Allegro, Piano Concerto no. 24 in C minor, K. 491: II. Larghetto, Piano Concerto no. 24 in C minor, K. 491: III. Allegretto |
| Anthony Li |
performing orchestra |
Il barbiere di Siviglia: Atto I (beginning), Il barbiere di Siviglia: Atto I (conclusion), Il barbiere di Siviglia: Atto I (continued), Il barbiere di Siviglia: Atto II (beginning), Il barbiere di Siviglia: Atto II (conclusion), Il barbiere di Siviglia: Atto II (continued) |
| Irene Roberts |
performing orchestra |
Messiah: Part I, No. 1 Accompagnato "Comfort ye, comfort ye, My people", Messiah: Part I, No. 2 Air "Ev'ry valley shall be exalted", Messiah: Part II, No. 25 Accompagnato "All they that see Him", Messiah: Part II, No. 27 Accompagnato "Thy rebuke hath broken His heart", Messiah: Part II, No. 28 Arioso "Behold, and see", Messiah: Part II, No. 40 Recitative "He that dwelleth in heaven" / No. 41 Air "Thou shalt break them" |
| SYNTAX ERROR |
performing orchestra |
Don Pasquale: Atto I (beginning), Don Pasquale: Atto II (beginning), Don Pasquale: Atto II (conclusion), Don Pasquale: Atto III (beginning), Don Pasquale: Atto III (conclusion), Don Pasquare: Atto I (conclusion) |
| Kārlis Butins |
performing orchestra |
Giovanna d'Arco: Act 1, Scenes 1 & 2 / Scene 3 (beginning), Giovanna d'Arco: Act II, Scenes 1, 2, 3, Giovanna d'Arco: Act III, Scenes 1, 2, 3, 4, 5 ,6, Giovanna d'Arco: Overture & Prologue / Scenes 1 & 2 / Scene 3 (beginning), Giovanna d'Arco: Prologue, Scene 3 (conclusion) / Scenes 4, 5 ,6, Giovanna d'Arco: Scene 3 (conclusion) / Scenes 4, 5, 6 |
| Helis Oidekivi |
performing orchestra |
Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta: Andante, Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| Angela Gheorghiu |
performing orchestra |
I puritani: Qui la voce sua soave … Ah! Rendetemi la speme … Vien, diletto, Il barbiere di Siviglia: Una voce poco fa, Il trovatore: D’amor sull’ali rosee, La rondine: Chi il bel sogno di Doretta, Norma: Casta diva, Werther : Werther ! Qui m’aurait dit la place … Des cris joyeux d’enfants |
| Arnold Schönberg |
performing orchestra |
Accompaniment to a Cinamatographic Scene, Op. 34, Herzgewächse, Op. 20, Piano Concerto Op. 42: Andante - Molto allegro - Giocoso (Moderato) - Commodo grazioso - Stretto, Violin Concerto Op. 36: I. Poco allegro - Vivace, Violin Concerto Op. 36: II: Andante grazioso, Violin Concerto Op. 36: III. Finale: Allegro |
| Bentley Anderson |
performing orchestra |
Piano Concerto: Allegro appassionato, Piano Concerto: Allegro molto, Piano Concerto: I. Allegro appassionato, Piano Concerto: II. Moderato, Piano Concerto: III. Allegro molto, Piano Concerto: Moderato |
| Die Basaltköpp |
performing orchestra |
Anna Bolena: Atto I, Scena I. "Ah! qual sia cercar non oso" (Giovanna, Enrico), Anna Bolena: Atto I, Scena I. "Ella pure amor m'offria" (Enrico, Giovanna), Anna Bolena: Atto I, Scena I. "La mia fama e a'pie dell'ara" (Giovanna, Enrico), Anna Bolena: Atto I, Scena I. "Oh! qual parlar fu il sono!" (Giovanna, Enrico), Anna Bolena: Atto II, Scena II. "Ah! pensate che rivolti" (Giovanna, Enrico, Coro), Anna Bolena: Atto II, Scena II. "Sposa a Percy" (Enrico, Giovanna) |
| Nigel Hutchinson |
performing orchestra |
Deck the Halls, Have Yourself a Merry Little Christmas, O Come, All Ye Faithful, O Little Town of Bethlehem, Silent Night, The Christmas Song |
| Lalo Schifrin |
performing orchestra |
Invisible City, La Nevada, Miraculous Monk, Rhapsody for Bix, Sanctuary, Tosca Variations |
| Sir Colin Davis |
performing orchestra |
Grande messe des morts: I. Requiem et kyrie, Grande messe des morts: II. Dies irae, Grande messe des morts: III. Quid sum miser, Grande messe des morts: IV. Rex tremendae, Grande messe des morts: V. Quaerens me, Grande messe des morts: VI. Lacrymosa |
| Kay Poppe |
performing orchestra |
Piano Concerto in D for the Left Hand: Allegro -, Piano Concerto in D for the Left Hand: Lento - Cadenza - Allegro, Piano Concerto in D for the Left Hand: Lento - Più lento - Andante, Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso, Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai, Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando |
| Dominik Schurdak |
performing orchestra |
Three Dances for Violin and Orchestra: I. Giocoso molto, Three Dances for Violin and Orchestra: II. Quasi lento, quieto, Three Dances for Violin and Orchestra: III. Molto allegro, Violin Concerto: I. Allegro ma non troppo, Violin Concerto: II. Allegretto e molto semplice, Violin Concerto: III. Allegro moderato alla marcia - Coda. Allegro e Pesante |
| Mara Schroeder-von Kurmin |
performing orchestra |
Attack, Ballet, Machines, March, Pestilence, Reconstruction |
| Nasyr Davlesov |
performer |
Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace - Moderato -Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace (Alla breve), Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace |
| Dennis DeMarchi |
performing orchestra |
Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla marcia, Symphony no. 5: I. Tempo molto moderato, Symphony no. 5: II. Andante mosso, quasi allegretto, Symphony no. 5: III. Allegro molto |
| Sir Arthur Bliss |
performing orchestra |
Things To Come: Epilogue, Things to Come: Ballet For Children, Things to Come: March, Things to Come: Melodrama. Attack, Things to Come: Melodrama. Pestilence, Things to Come: The World In Ruins |
| Sharon Lazibyrd |
performing orchestra |
Piano Concerto no. 3 in D Minor op. 30: Allegro ma non tanto, Piano Concerto no. 3 in D Minor op. 30: Finale: Alla breve, Piano Concerto no. 3 in D Minor op. 30: Intermezzo: Adagio, Piano Concerto no. 4 in G Minor op. 40: Allegro vivace (alla breve), Piano Concerto no. 4 in G Minor op. 40: Finale: Allegro vivace, Piano Concerto no. 4 in G Minor op. 40: Largo |
| Get Rich Clique |
performing orchestra |
Symphony no. 1 "The Lord of the Rings": I. Gandalf (The Wizard), Symphony no. 1 "The Lord of the Rings": II. Lothlórien (The Elvenwood), Symphony no. 1 "The Lord of the Rings": III. Gollum (Sméagol), Symphony no. 1 "The Lord of the Rings": IV. Journey in the Dark: a. The Mines of Moria / b. The Bridge of Khazad-Dum, Symphony no. 1 "The Lord of the Rings": V. Hobbits, The Sorcerer's Apprentice |
| Lasse Persson |
performing orchestra |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso risoluto, Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romanze (Larghetto) –, Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo vivace, Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso, Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto, Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace |
| Vishwajeet |
performing orchestra |
Glosses sobre temes de Pau Casals, Op. 46: I. Introducció, Glosses sobre temes de Pau Casals, Op. 46: II. Romanç, Glosses sobre temes de Pau Casals, Op. 46: III. Sardanes, Glosses sobre temes de Pau Casals, Op. 46: IV. Cant, Glosses sobre temes de Pau Casals, Op. 46: V. Conclusió delirant |
| A Faulty Chromosome |
performing orchestra |
Concerto for Bassoon and Orchestra "The Five Sacred Trees": I. Eó mugna, Concerto for Bassoon and Orchestra "The Five Sacred Trees": II. Tortan, Concerto for Bassoon and Orchestra "The Five Sacred Trees": III. Eó rossa, Concerto for Bassoon and Orchestra "The Five Sacred Trees": IV. Craeb uisnig, Concerto for Bassoon and Orchestra "The Five Sacred Trees": V. Dathi |
| 長須徹也 |
performing orchestra |
Piano Concerto no. 5 in G minor, op. 55: I. Allegro con brio, Piano Concerto no. 5 in G minor, op. 55: II. Moderato ben accentuato, Piano Concerto no. 5 in G minor, op. 55: III. Allegro con fuoco, Piano Concerto no. 5 in G minor, op. 55: IV. Larghetto, Piano Concerto no. 5 in G minor, op. 55: V. Vivo |
| Heidi Spencer |
performing orchestra |
Rigoletto: Act III. "La donna è mobile", Rigoletto: Atto I. "Questo o quella per me pari sono" (Duca), Rigoletto: Atto II. Aria "Parmi veder le lagrime" (Duca), Rigoletto: Atto III. "Un dì, se ben rammentomi" (Duca), Rigoletto: Parmi veder le lagrime |
| Alberto 'El Betto' Díaz |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene II. "Dunque io son" (Rosina, Figaro), Il barbiere di Siviglia: Act I, Scene II. "Ma bravi! Ma benone!" (Figaro, Rosina), Il barbiere di Siviglia: Act I, Scene II. "Sì, sì, la vincerò" (Rosina, Figaro), Il barbiere di Siviglia: Atto I. "Dunque io son" (Figaro, Rosina), Il barbiere di Siviglia: Atto I. "Dunque io son" (Rosina, Figaro) |
| Արամ Խաչատրյան |
performing orchestra |
"Dance of the Kurds" from Gayaneh, "Sabre Dance" from Gayaneh, Adagio of Spartacus and Phrygia, Dance of the Gaditanae, Variation of Aegina and Bacchanalia Scene |
| Павел Арский |
performing orchestra |
The Dream of Gerontius, op. 38: Part II. "And now the threshold" (The Angel), The Dream of Gerontius, op. 38: Part II. "It is the restless panting of their being" (The Angel), The Dream of Gerontius, op. 38: Part II. "My work is done" (The Angel), The Dream of Gerontius, op. 38: Part II. "Praise to His Name!" (The Angel), The Dream of Gerontius, op. 38: Part II. "Softly and gently" (The Angel) |
| winddrums |
performing orchestra |
Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110), Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111), Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112), Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113), Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) |
| Alyra Rose |
performing orchestra |
Konsertsatz C-Dur, WoO 5, Konzertstuck D-Dur, D. 345, Polonaise B-Dur, D. 580, Romanze G-Dur, op. 40, Rondo A-Dur, D. 438 |
| Andi Liany |
performing orchestra |
Don Pasquale: Atto I. "Due parole ancor di volo" (Ernesto, Pasquale), Don Pasquale: Atto I. "Mi fa il destin mendico" (Ernesto, Pasquale), Don Pasquale: Atto I. "Prender moglie?...Si, signore" (Pasquale, Ernesto), Don Pasquale: Atto I. "Sogno, soave e casto" (Ernesto, Pasquale), Don Pasquale: Atto I. "Son Rinato. Or si parli al nipotino" (Pasquale, Ernesto) |
| Zerox |
performing orchestra |
Concerto in E major, Op. 8 No. 1, RV 269, "La primavera", Concerto in F major, Op. 8 No. 3, RV 293 "L'autunno", Concerto in F minor, Op. 8 No. 4, RV 297 "L'inverno", Concerto in G minor, Op. 8 No. 2, RV 315 "L'estate", 四季より「春」第1楽章 Allegro |
| Janio Coronado |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene I. "Non è venuto ancora" (Rosina, Almaviva, Bartolo, Figaro), Il barbiere di Siviglia: Act I, Scene I. "Se il mio nome saper voi bramate" (Almaviva, Rosina, Figaro), Il barbiere di Siviglia: Act II. "Alfine eccoci qua" (Figaro, Almaviva, Rosina), Il barbiere di Siviglia: Atto II. "Ah, qual colpo inaspettato!" (Figaro, Conte, Rosina), Il barbiere di Siviglia: Atto II. "Ah, qual colpo inaspettato!" (Rosina, Conte, Figaro) |
| Andy Zisakis |
performing orchestra |
In Green Ways: I. Under the Greenwood Tree, In Green Ways: II. The Goat Paths, In Green Ways: III. Merry Margaret, In Green Ways: IV. Wanderer's Night Song, In Green Ways: V. On the Merry First of May |
| William Quick |
performing orchestra |
Le Crépuscule des Dieux, Acte III, Scène 2: Mime hiess ein mürrischer Zwerg (Récit et Mort de Siegfried), Siegfried, Acte I, Scène 3: "Notung ! Notung ! Neidliches Schwert !" (Scène de la Forge), Siegfried, Acte II, Scène 2: "Dass der mein Vater nicht ist" (Scène des Murmures de la Forêt), Siegfried, Acte II, Scène 3: "Da lieg auch du, dunker Wurm !", Siegfried, Acte III, Scène 2 et Interlude orchestral: "Kenntest du mich, Kühner Spross" |
| Jeat |
performing orchestra |
The Cloud Messenger, Op. 30: I. Adagio, The Cloud Messenger, Op. 30: II. Allegro, The Cloud Messenger, Op. 30: III. Andante, The Cloud Messenger, Op. 30: IV. Moderato maestoso, senza, accelerando, The Cloud Messenger, Op. 30: V. Adagio - Moderato |
| Jens Uwe Haupt |
performing orchestra |
Daphnis et Chloé, Part I: Danse légère et gracieuse de Daphnis, Daphnis et Chloé, Part I: Introduction et Danse religieuse, Daphnis et Chloé, Part II: Danse guerrière, Daphnis et Chloé, Part III: Danse générale, Daphnis et Chloé, Part III: Lever du jour |
| Jeremy and The Harlequins |
performing orchestra |
Anna Bolena: Atto I, Scena I (Beg.), Anna Bolena: Atto I, Scena I. "Come, innocente giovane" (Anna, Giovanna), Anna Bolena: Atto I, Scena I. "Deh! non voler costringere" (Anna, Smeton, Giovanna), Anna Bolena: Atto I, Scena I. "Legger potessi in meI Non v'ha squardo" (Anna, Smeton, Giovanna), Anna Bolena: Atto I, Scena I. "Si taciturna e mesta" (Anna, Giovanna, Smeton) |
| George Gershwin |
performing orchestra |
Fantasy for Violin and Orchestra on Porgy and Bess, Songs for Violin and Orchestra: 2. Embraceable You, Songs for Violin and Orchestra: 4. Liza, Songs for Violin and Orchestra: 5. But Not for Me, Songs for Violin and Orchestra: 6. Sweet and Low-Down |
| Vijf Slag Een Wijd |
performing orchestra |
Auf dem Grabe, Lucia Di Lammermoor: "Sulla tombe che rinsera" (Edgardo, Lucia), Lucia Di Lammermoor: "Verranno a te sull'aure" (Edgardo, Lucia), Lucia di Lammermoor: Atto I, Nº 4a. "Sulla tomba che rinserra" / Nº 4b. "Qui di sposa eterna fede" / Nº 4c. "Verranno a te sull'aure" (Edgardo, Lucia), Lucia di Lammermoor: I Čin (Zaršetak). Prizor 5 |
| Frank Auburn Orchestra |
performing orchestra |
Autumnal, op. 8, Symphony no. 1 in D, op. 25 "Classical Symphony": 1. Allegro, Symphony no. 1 in D, op. 25 "Classical Symphony": 2. Larghetto, Symphony no. 1 in D, op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro), Symphony no. 1 in D, op. 25 "Classical Symphony": 4. Finale (Vivace) |
| Sue Downim |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene II. "A un dottor della mia sorte" (Bartolo), Il barbiere di Siviglia: Act II. "Ma vedi il mio destino!" (Bartolo), Il barbiere di Siviglia: Act II. "Quando mi sei vicina" (Bartolo), Il barbiere di Siviglia: Atto I. "A un dottor della mia sorte" (Bartello), Il barbiere di Siviglia: Atto II. "A un dottor della mia sorte" (Bartolo) |
| Born to Destruct |
performing orchestra |
Karelia Overture, op. 10, Symphony no. 1: I. Andante ma non troppo - allegro energico, Symphony no. 1: II. Andante (ma non troppo lento), Symphony no. 1: III. Scherzo (allegro), Symphony no. 1: IV. Finale (quasi una fantasia): andante |
| Rija |
performing orchestra |
Glosses sobre temes de Pau Casals, Op. 48: I. Introducció, Glosses sobre temes de Pau Casals, Op. 48: II. Romanç, Glosses sobre temes de Pau Casals, Op. 48: III. Sardanes, Glosses sobre temes de Pau Casals, Op. 48: IV. Cant, Glosses sobre temes de Pau Casals, Op. 48: V. Conclusió delirant |
| Chapman |
performing orchestra |
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (adagio), Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale (alla breve), Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve |
| Pinocchio |
performing orchestra |
Estancia, Op. 8: Cuadro I. El amanecer - Introducción y escena, Estancia, Op. 8: Cuadro I. Pequeña danza, Estancia, Op. 8: Cuadro II. La mañana - Danza del trigo, Estancia, Op. 8: Cuadro III. La tarde - Triste pampeano, Estancia, Op. 8: Cuadro IV. La noche - Nocturno |
| LaDoris Hazzard Cordell |
performing orchestra |
Sérénade mélancolique, op. 26, Valse-Scherzo, op. 34, Violin Concerto no. 1 in D major, op. 6: III. Rondo (Allegro spirituoso), Violin Concerto no. 1 in D, op. 6: I. Allegro maestoso, Violin Concerto no. 1 in D, op. 6: II. Adagio |
| 3 Girl Rumba |
performing orchestra |
Corroboree (Suite from the Ballet), Panambi (Suite from the Ballet), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace - Lento assai. Come prima - Allegro vivace |
| Crossover |
performing orchestra |
Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro - II. Andante - III. Allegretto, Concerto for Violin and Orchestra no. 1 in G minor, op. 26: I. Introduzione - II. Adagio - III. Finale, Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato, Violin Concerto No. 1 in G minor, Op. 26: II. Adagio, Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro energico |
| Omar Hernández Hidalgo |
performing orchestra |
Atto I. Nº .2b. "Cruda, funestsa smania" (Enrico, Normanno), Lucia di Lammermoor: Atto I, Nº 2a. "Tu sei turbato!" (Normanno, Enrico, Raimondo), Lucia di Lammermoor: Atto I, Nº 2c. "Il tuo dubbio è ormai certezza" (Coro, Normanno, Enrico, Raimondo) / Nº 2d. "La pietade in suo favore" (Enrico, Coro, Raimondo), Lucia di Lammermoor: Atto III, Nº 15a. "Si tragga altrove" (Enrico, Raimondo, Normanno), Lucia di Lammermoor: III Čin, Prizor 6 (Zaršetak) |
| Natalie Cole |
performing orchestra |
Christmas Waltz, Hark! the Herald Angels Sing, O' Tannenbaum, Sweet Little Jesus Boy, The Twelve Days of Christmas |
| Dentist's Chair |
performing orchestra |
Missa in angustiis, Hob. XXII:11: Agnus Dei: Agnus Dei, Missa in angustiis, Hob. XXII:11: Benedictus, Missa in angustiis, Hob. XXII:11: Credo: Et incarnatus est, Missa in angustiis, Hob. XXII:11: Gloria: Gloria in Excelsis Deo, Missa in angustiis, Hob. XXII:11: Gloria: Quoniam tu solus Sanctus |
| Michelle Thomas |
performing orchestra |
Messiah: Part I, No. 14 Recitative "There were shepherds" / Accompagnato "And lo, the angel of the Lord" / Recitative "And the angel said unto them" / Accompagnato "And suddenly there was with the angel", Messiah: Part I, No. 16 Air "Rejoice greatly, O daughter of Zion", Messiah: Part II, No. 36 Air "How beautiful are the feet", Messiah: Part III, No. 43 Air "I know that my Redeemer liveth", Messiah: Part III, No. 50 Air "If God be for us" |
| Mia Grijp |
performing orchestra |
Boléro, Romance from Suite "Gadfly", Romeo & Juliet Ballet: Suite 2 No. 1: Introduction: Montagues and Capulets / Suite 2 No. 4: Dance / Suite 1 No. 6: Romeo & Juliet / Suite 1 No. 7: Death of Tybalt / Suite 2 No. 7: Romeo at Juliet's Tomb: Death of Juliet, Romeo & Juliet: Introduction, Montagues and Capulets, Song of India from the "Opera Sadako" |
| Max Bruch |
performing orchestra |
Jubilate, Amen Op.3, Kol Nidrei, Op. 47, Kol nidrei, Schottische Fantasie Es-Dur Op. 46: III. Adagio - Andante, Violin Concerto no.1: Allegro moderato |
| Daniela Lucatelle |
performing orchestra |
Lucia Di Lammermoor: "Spargi d'amaro pianto" (Lucia, Enrico, Raimondo, Coro), Lucia di Lammermoor: Atto III, Nº 14e. "Spargi d'amaro pianto" (Lucia, Enrico, Raimondo, Coro), Lucia di Lammermoor: I Čin, Prizori 1, 2 , 3, 4, Lucia di Lammermoor: II Čin, Prizori 1, 2 , 3, Lucia di Lammermoor: III Čin, Prizori 3, 4, 5, 6 |
| Waldemar Bastos |
performing orchestra |
Aurora, M'biri! M'biri!, Perto e Longe, Velha Xica |
| Freedom |
performing orchestra |
Don Pasquale: Atto I. "Ah! un foco insolito" (Pasquale, Malatesta), Don Pasquale: Atto I. "Bella siccome un angelo" (Malatesta, Pasquale), Don Pasquale: Atto I. "Dunque?...zitto, con prudenza" (Pasquale, Malatesta), Don Pasquale: Atto I. "Son nov'ore" (Pasquale, Malatesta) |
| Anton Bruckner |
performing orchestra |
Symphony No. 4 in E flat major: I. Bewegt, nicht zu schnell, Symphony No. 4 in E flat major: II. Andante, quasi allegretto, Symphony No. 4 in E flat major: III. Scherzo. Bewegt - Trio. Nicht zu schnell, Symphony No. 4 in E flat major: IV. FInale. Bewegt, doch nicht zu schnell |
| Franz Schubert |
performing orchestra |
Andante - Symphony #5, Ave Maria, Moment musical in F minor, D. 780 no. 3, Rosamunde: Overture |
| Victor Hassall |
performing orchestra |
Vier letzte Lieder, Op. 150 No. 1: Frühling, Vier letzte Lieder, Op. 150 No. 2: September, Vier letzte Lieder, Op. 150 No. 3: Beim Schlafengehen, Vier letzte Lieder, Op. 150 No. 4: Im Abendrot |
| VIXANS |
performing orchestra |
Anna Bolena: Atto II, Scena I. Duetto "Dal mio cor punita io sono" (Giovanna, Anna), Anna Bolena: Atto II, Scena I. Duetto "Dio, che mi vedi in core" (Anna, Giovanna), Anna Bolena: Atto II, Scena I. Duetto "Sul suo capo aggravi un Dio" (Anna, Giovanna), Anna Bolena: Atto II, Scena I. Duetto "Va, infelice, e teco reca" (Anna, Giovanna) |
| Tim Stolting |
performing orchestra |
Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro appasionato, Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante, Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso |
| Alfredo Kraus |
performing orchestra |
Don Pasquale: Atto II. "Chercherò lontana terra" (Ernesto), Don Pasquale: Atto II. "E se fia che ad altro oggetto" (Ernesto), Don Pasquale: Atto II. "Provero Ernesto!" (Ernesto), Don Pasquale: Atto III. "Com' è gentil - la notte a mezzo april" (Ernesto, Coro) |
| Tikki Tembo |
performing orchestra |
Violin Concerto in B minor, Op. 61: III. Allegro molto, Violin Concerto in B minor, Op. 61: IV. Cadenza - Allegro Molto, Violin Concerto in B minor, op. 61: I. Allegro, Violin Concerto in B minor, op. 61: II. Andante |
| Banana Butts |
performing orchestra |
Fantasía para un gentilhombre: I. Adagietto - Andante moderato (Villano y ricercare), Fantasía para un gentilhombre: II. Adagio (Españoleta e fanfare de la caballería de Nápoles), Fantasía para un gentilhombre: III. Allegro con brio (Danza de las hachas), Fantasía para un gentilhombre: IV. Allegro ma non troppo (Canario) |
| Germán "El Potos" Díaz |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene I. "Ah, che bella vita!" (Figaro, Almaviva), Il barbiere di Siviglia: Act I, Scene I. "All'idea di quel metallo" (Almaviva, Figaro), Il barbiere di Siviglia: Act I, Scene I. "Oh cielo!" (Almaviva, Figaro), Il barbiere di Siviglia: Atto I. "All'idea die quel metallo" ( Figaro, Conte) |
| Steve Reich |
performing orchestra |
The Four Sections: IV. Full Orchestra, Three Movements: Movement I, Three Movements: Movement II, Three Movements: Movement III |
| Feest DJ Barry |
performing orchestra |
War Requiem, op. 66: II. Dies irae: Be slowly lifted up, War Requiem, op. 66: II. Dies irae: Bugles sang, War Requiem, op. 66: IV. Sanctus: After the blast of lightning, War Requiem, op. 66: VI. Libera me: None, said the other |
| José Carreras |
performing orchestra |
Donna non vidi mai (Manon Lescaut), Nessun dorma (Turandot), Vesti la giubba (I Pagliacci), È la silita storia (L' Arlesiana) |
| Graphic Grim |
performing orchestra |
Violin Concerto in A minor B108 (Op. 53): I. Allegro ma non troppo - Quasi moderato, Violin Concerto in A minor B108 (Op. 53): II. Adagio ma non troppo, Violin Concerto in A minor B108 (Op. 53): III. Finale (Allegro giocoso, ma non troppo), Violin Concerto in D major, op. 35: II. Canzonetta |
| Bozidar Vukotic |
performing orchestra |
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace |
| Jules Massenet |
performing orchestra |
Werther: Act I. "Charlotte! Charlotte! Albert est de retour!", Werther: Act I. "Mais vous ne savez rien de moi", Werther: Act I. "Rêve! Extase! Bonheur!", Werther: Act I. Interlude (continué) / "Il faut nous séparer" |
| Sergio Avil |
performing orchestra |
Cello Concerto No.1, op. 33 in A minor: Allegro non troppo, Danse Macabre, Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo, Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso |
| Secret Sun |
performing orchestra |
Symphony No. 2 in E minor, Op. 27: I. Largo - Allegro moderato, Symphony No. 2 in E minor, Op. 27: II. Scherzo: Allegro molto - Meno mosso - Allegro molto, Symphony No. 2 in E minor, Op. 27: III. Adagio, Symphony No. 2 in E minor, Op. 27: IV. Allegro vivace |
| Rustam |
performing orchestra |
Don Pasquale: Atto I. "E il dottor non si vede!" (Norina, Malatesta), Don Pasquale: Atto I. "Pronto io son purch'lo non manichi" / " Vado, corro" (Norina, Malatesta), Don Pasquale: Atto I. "Pronto io son, purch'lo non manchi" (Norina, Malatesta), Don Pasquale: Atto I. "Vado, corro" (Norina, Malatesta) |
| Ruggero Leoncavallo |
performing orchestra |
Mattinata, Pagliacci, Pagliacci: Qual fiamma avea nel guardo...Hui! Stridono lassù (London Symphony Orchestra), Pagliacci: Vesti la giubba (extract) |
| Carmen Baliero |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene I. "Ehi, Fiorello" (Almaviva, Fiorello, Coro), Il barbiere di Siviglia: Act I, Scene I. "Mille grazie, mio signore" (Coro, Almaviva, Fiorello), Il barbiere di Siviglia: Act I, Scene I. "Piano, pianissimo, senza parlar" (Fiorello, Coro, Almaviva), Il barbiere di Siviglia: Atto I. "Piano, pianissimo" (Fiorello, Coro, Conte) |
| J.J. Hrubovcak |
performing orchestra |
Piano Concerto no. 1, Piano Concerto no. 2: I. Allegro, Piano Concerto no. 2: II. Andante, Piano Concerto no. 2: III. Allegro con fuoco |
| Rick Wakeman |
performing orchestra |
Recollection, The Battle, The Forest, The Journey |
| Jackie Hell |
performing orchestra |
Adagio for Strings, Adagio for Strings, op. 11, Medea: Meditation & Dance of Vengeance, Medea: Meditation & Dance of Vengence |
| Charlie Darling |
performing orchestra |
Clarinet Concerto in A major, K. 622: I. Allegro, Clarinet Concerto in A major, K. 622: II. Adagio, Clarinet Concerto in A major, K. 622: III. Rondo. Allegro, Clarinet Concerto in A major: 2nd Movement |
| Jade Jones |
performing orchestra |
Sea Pictures, op. 37: I. Sea Slumber-Song, Sea Pictures, op. 37: II. In Haven (Capri), Sea Pictures, op. 37: III. Sabbath Morning at Sea, Sea Pictures, op. 37: V. The Swimmer |
| Pete Townshend |
performing orchestra |
I'm Free, Overture |
| Aly Penda NDOYE |
performing orchestra |
Symphony No. 2 in D major, Op. 43: I. Allegretto, Symphony No. 2 in D major, Op. 43: II. Tempo andante, Symphony No. 2 in D major, Op. 43: III. Vivacissimo, Symphony No. 2 in D major, Op. 43: IV. Allegro moderato |
| Eller sümfoniett |
performing orchestra |
Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco |
| Gustav Holst |
performing orchestra |
Jupiter (edit), The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32: II. Venus, the Bringer of Peace, The Planets: Venus, the Bringer of Peace |
| Gaetano Donizetti |
performing orchestra |
Atto I. Nº 1. Preludio e coro d'introduzione "Percorrente le spiagge vicine" (Normanno, Coro), L'elisir d'amore: "Una furtiva lagrima", Lucia di Lammermoor: Act I. “Ah! Veranna a te sull’aure”, Maria di Rohan: Infausto Imene ... Havvi un dio |
| Guy Eden |
performing orchestra |
Lucia Di Lammermoor: "Regnava nel silencio" / "Quando rapita in estasi" (Lucia, Alisa), Lucia di Lammermoor: Atto I, Nº 3a. "Ancor non giunse!" (Lucia, Alisa), Lucia di Lammermoor: Atto I, Nº 3b. "Regnava nel silenzio" / Nº 3c. "Quando rapito in estasi" (Lucia, Alisa), Noch ist er ferne - Schweigende, dunkle Mitternacht |
| D.A. |
performing orchestra |
Anna Bolena: Atto II, Scena I. "Dio, che mi vedi in core", Anna Bolena: Atto II, Scena I. Duetta "Sul suo capo aggravi un Dio" (Anna, Giovanna), Anna Boleno: Atto II, Scena I. " Va, infelice, e teco reca", Anna Boleno: Atto II, Scena I. "Dal mio cor punita io sono" |
| DJ Ademar |
performing orchestra |
Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": I. Wandering Pilgrims: Il'Ya Murometz and Svyatogor, Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": II. Il'ya Murometz and Solovei the Brigand, Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": III. At the Court of Vladimir the Mighty Sun, Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": IV. The Heroic Deeds and Petrification of Il'Ya Murometz |
| Niccolò Paganini |
performing orchestra |
Concerto for Violin and Orchestra no. 4 in D minor: I. Allegro maestoso, Concerto for Violin and Orchestra no. 4 in D minor: II. Adagio flebile con sentimento, Concerto for Violin and Orchestra no. 4 in D minor: III. Rondo galante (Andantino gaio), Introduction and Variations on a Theme by Rossini |
| New York Contemporary Five |
performing orchestra |
Boléro, Boléro, M. 81, Daphnis et Chloé: Suite No. 2, Pavane pour une infante defunte |
| Nathan Wood |
performing orchestra |
Concerto for Violin and Orchestra in B minor, op. 61: I. Allegro, Concerto for Violin and Orchestra in B minor, op. 61: II. Andante, Concerto for Violin and Orchestra in B minor, op. 61: III. Allegro molto, The Lark Ascending |
| Fábio Bartoloni |
performing orchestra |
Ja, zer dir, verklärter Engel, Lucia Di Lammermoor: "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro), Lucia di Lammermoor: Atto III, Nº 16b. "Oh meschina!" / Nº 16c. "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro), Lucia di Lammermoor: III Čin, Prizor 7 (Zaršetak) |
| Mustapha Attar |
performing orchestra |
Grande messe des morts: IX. Sanctus, Grande messe des morts: VII. Offertoire, Grande messe des morts: VIII. Hostias, Grande messe des morts: X. Agnus dei |
| Diary of Secrets |
performing orchestra |
Concerto for Violin & Orchestra in D minor, Op. 47: I. Allegro Moderato, Concerto for Violin & Orchestra in D minor, Op. 47: II. Adagio di Molto, Concerto for Violin & Orchestra in D minor, Op. 47: III. Allegro ma non tanto, Poème for Violin & Orchestra, Op. 25 |
| Quavious Marshall |
performing orchestra |
Cello Concerto in B minor, op. 104: I. Allegro, Cello Concerto in B minor, op. 104: II. Adagio ma non troppo, Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato, Rondo in G minor, op. 94 |
| Daniel Ditmar |
performing orchestra |
Nights in the Gardens of Spain: Distant Dance, Nights in the Gardens of Spain: In the Gardens of the Sierra de Cordoba, Nights in the Gardens of Spain: In the Generalife, Piano Concerto in A minor, op. 16: I. |
| 西岡千恵子 |
performing orchestra |
Concerto for Clarinet and Orchestra: I. Cadenzas, Concerto for Clarinet and Orchestra: II. Elegy, Concerto for Clarinet and Orchestra: III. Antiphonal Toccata, Concerto for Clarinet, Strings, Harp and Piano |
| Heike Hollborn |
performing orchestra |
Piano Concerto in C major: I. Toccata. Allegro moderato - Largamente - Cadenza, Piano Concerto in C major: II. Romanza. Lento, Piano Concerto in C major: IIIa. Fuga chromatica, Piano Concerto in C major: IIIb. con Finale alla Tedesca |
| Martha Argerich |
performing orchestra |
Piano concerto no. 11 in D major: Rondo all’ ungherese. Allegro assai, Piano concerto no. 11 in D major: Un poco adagio, Piano concerto no. 11 in D major: Vivace |
| Pendy Agam |
performing orchestra |
Don Pasquale: Atto II. "Misericordia!" (Pasquale, Malatesta, Norina), Don Pasquale: Atto II. "Non abbiate paura, è Don Pasquale" (Malatesta, Norina, Pasquale), Don Pasquale: Atto II. "Via, da brava...Reggo appena" (Malatesta, Norina, Pasquale) |
| Glory |
performing orchestra |
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non troppo, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve |
| Mariucch |
performing orchestra |
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo |
| Deams |
performing orchestra |
Juda Maccabeus: Sound an Alarm, Messiah, HWV 56: Part II, No 38, "How beautiful are the feet" (Part II, No 38. How beautiful are the feet), Messiah: And the Glory of the Lord |
| Melissa Christensen |
performing orchestra |
L'amore dei tre re: Act I. "Dorma, dorma" (Archibaldo, Flaminio), L'amore dei tre re: Act I. "Grazie Flaminio" (Archibaldo, Flaminio), L'amore dei tre re: Act I. "Tu taci ... e mi guardi forse con odio" (Archibaldo, Flaminio) |
| Gold Coast Youth Alive |
performing orchestra |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| Decay The Llama |
performing orchestra |
Don Pasquale: Atto III. "Ah! È finita, Don Pasquale" (Pasquale, Norina), Don Pasquale: Atto III. "Dove core in tanta fritta, Signorina" (Pasquale, Norina), Don Pasquale: Atto III. "Via, caro sposina" (Norina, Pasquale) |
| Dennis Somianka |
performing orchestra |
Concerto in D minor for Violin and String Orchestra (Concerto Accademico): I. Allegro pesante, Concerto in D minor for Violin and String Orchestra (Concerto Accademico): II. Adagio - tranquillo, Concerto in D minor for Violin and String Orchestra (Concerto Accademico): III. Presto |
| AQABA |
performing orchestra |
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato, Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante, Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo |
| Mumblr |
performing orchestra |
Symphony of Psalms: 1. Exaudi orationem meam, Symphony of Psalms: 2. Expectans expectavi Dominum, Symphony of Psalms: 3. Alleluia. Laudate Dominum |
| Friedrich von Flotow |
performing orchestra |
Martha, opera: The last rose of summer, Martha: "M'apparì tutt'amor", The Last Rose from the opera Martha |
| N.R.G. Cell |
performing orchestra |
The Dream of Gerontius, op. 38: Part II. "All hail, My child!" (The Angel, The Soul), The Dream of Gerontius, op. 38: Part II. "I see not those false spirits" (The Angel, The Soul), The Dream of Gerontius, op. 38: Part II. "They sing of they approaching agony" (The Angel, The Soul) |
| Hendrik Braeckman |
performing orchestra |
Lucia Di Lammermoor: "Oh giusto cielo" - "Il dolce suono" / "Ahime! serge il trsmrndo fantasma" / (Lucia , Coro) / "Ardon gli incesi" (Lucia, Raimondo)), Lucia di Lammermoor: Atto II, Nº 7a. "Ebben?...Di tua speranza" (Lucia, Raimondo), Lucia di Lammermoor: Atto II, Nº 7b. "Ah! Cedi, cedi o più sciagure" / Nº 7c. "Al ben de'tuoi qual vittima" (Raimondo, Lucia) |
| 石元丈晴 |
performing orchestra |
「Customization」 from DISSIDIA FINAL FANTASY -Arcade-, 「DISSIDIA - opening -」 from DISSIDIA FINAL FANTASY -Arcade-, 「Explosion」 from DISSIDIA FINAL FANTASY -Arcade- |
| Luigi Boccherini |
performing orchestra |
Cello Concerto in B-flat major: I. Allegro moderato, Cello Concerto in B-flat major: II. Adagio, Cello Concerto in B-flat major: III. Rondo, Allegro |
| Neil Mandell |
performing orchestra |
Violin Concerto in D major, Op. 77: I. Allegro ma non troppo, Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace |
| Neil Young |
performing orchestra |
A Man Needs a Maid, Out on the Weekend, There’s a World |
| 南極 |
performing orchestra |
Anna Bolena: Atto I, Scena III. "Ah! per pietà del mio spavento" (Anna, Percy), Anna Bolena: Atto I, Scena III. "Anna! - Riccardo!" (Percy, Anna), Anna Bolena: Atto I, Scena III. "S'ei t'abborre, io t'amo ancora" (Percy, Anna) |
| 北極 |
performing orchestra |
Anna Bolena: Atto I, Scena II. "Or che reso ai patrii lidi" (Enrico, Percy, Anna, Rochefort), Anna Bolena: Atto II, Scena II. Terzetto "Al Consiglio sien tratti" (Enrico, Anna, Percy), Anna Bolena: Atto II, Scena II. Terzetto "Ambo morrete, o perfidi" (Hervey, Enrico, Percy, Anna) |
| Didier Garino |
performing orchestra |
Viola Concerto: I. Largo; Allegro molto, Viola Concerto: II. Allegro molto, Viola Concerto: III. Largo |
| ケラケラ |
performing orchestra |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso, Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto, Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace |
| Ludwig Minkus |
performing orchestra |
Don Quixote: Pas de deux, La Bayadere, Paquita: Pas de deux |
| Innvein |
performing orchestra |
Norma: Act 2 Scene 3: "Deh! non volerli vittime" (opening), Rigoletto: Atto I. "Gualtier Maldè! ... Caro nome" (Gilda), The Bohemian Girl: Act II. I Dreamt I Dwelt in Marble Halls |
| Lloyd Pinchback |
performing orchestra |
Concerto in E minor, op. 64: Allegretto non troppo, Allegro molto vivace, Concerto in E minor, op. 64: Allegro molto appassionato, Concerto in E minor, op. 64: Andante |
| Leroy Anderson |
performing orchestra |
Syncopated Clock, The Bugler's Holiday, The Musical Typewriter |
| Alfredo Catalani |
performer, performing orchestra |
Diva - la Wally 'Ebben? Ne andro iontana', Diva : "La Wally", Ebben, Ne Andro lontana |
| Pak. Nandy |
performing orchestra |
Don Pasquale: Atto II. Introduzione, Don Pasquale: Overture, Don Pasquale: Sinfonia |
| Родион Константинович Щедрин |
performing orchestra |
Concerto Cantabile for Violin and Orchestra: I. Moderato cantabile, Concerto Cantabile for Violin and Orchestra: II. Allegro, Concerto Cantabile for Violin and Orchestra: III. Sostenuto assai |
| Paul Sutphin |
performing orchestra |
The Dream of Gerontius: But hark! A grand mysterious harmony, The Dream of Gerontius: But hark! Upon my sense comes a fierce hubbub..., The Dream of Gerontius: I see not those false spirits... |
| Claudio Ortega |
performing orchestra |
I Got Rhythm, Nice Work If You Can Get It, Our Love Is Here to Stay |
| Ira & Eugene Yates |
performing orchestra |
Triple Concerto for Piano, Violin and Cello in C major, op. 56: I. Allegro, Triple Concerto for Piano, Violin and Cello in C major, op. 56: II. Largo, Triple Concerto for Piano, Violin and Cello in C major, op. 56: III. Rondo alla Polacca |
| Krzysztof Penderecki |
performing orchestra |
Symphony, I: Arche I - Dynamis I, Symphony: I. Arche - Dynamis I, Symphony: II. Dynamis II - Arche II |
| Claudio Baglioni |
bowed string instruments |
Amori in corso, Tutto il calcio minuto per minuto, Uomini persi |
| Jamie Chang |
performing orchestra |
Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo, Cello Concerto no. 1 in A minor, op. 33: II. Menuet, Cello Concerto no. 1 in A minor, op. 33: III. Finale |
| Kill For Peace |
performing orchestra |
Don Pasquale: Atto II. "Quando avrete introdotto" (Pasquale), Don Pasquale: Atto III. "Qualche nota di cuffie e di merletti" (Pasquale), Don Pasquale: Atto III. "Vediamo. Alla modista cento scudi" (Pasquale) |
| PrO-sTat |
performing orchestra |
Rigoletto: Atto I. "Pari siamo!" (Rigoletto) / "Figlia!" ... "Mio padro!" (Rigoletto, Gilda), Rigoletto: Atto II. "Parla, siam soli" (Rigoletto, Gilda) / "Tutte le feste al tempio" (Gilda, Rigoletto), Rigoletto: Atto III. Duetto e finale "Chi è mai?" (Rigoletto) / "Lassù ... in cielo" (Gilda, Rigoletto) |
| Gilles Foussier |
performing orchestra |
Symphonic Dances, Op. 45: I. Non allegro, Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, Op. 45: III. Lento assai (Allegro vivace) |
| Queen P.A.L. |
performing orchestra |
Concerto No. 2 in F minor, Op. 21, Concerto in D minor, BWV 1052, Piano Concerto no. 2 in F minor, op. 21: 2. Larghetto |
| Chris Crawford |
performing orchestra |
Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando |
| Frederick Fiddmont |
performing orchestra |
Piano concerto in A minor: I. Allegro affettuoso, Piano concerto in A minor: II. Intermezzo grazioso, Piano concerto in A minor: III. Allegro vivace |
| Frederick Davidson |
performing orchestra |
Roméo et Juliette "Symphonie dramatique": Scène 7b. "Quoi! Romèo de retour!" / Recitatif "Je vais devoiler le mystère", Roméo et Juliette "Symphonie dramatique": Scène 7c. Air "Pauvres enfants que je pleure", Roméo et Juliette "Symphonie dramatique": Scène 7c. Serment "Jurez donc, par l'auguste symbole" |
| Remi Vaissiere |
performing orchestra |
Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto |
| Wølfhämmer 3 |
performing orchestra |
Trumpet Concerto: I. Maestoso, Trumpet Concerto: II. Slowly, Trumpet Concerto: III. Allegro deciso |
| Riccardo Drigo |
performing orchestra |
La Esmeralda: Pas de deux, Le Corsaire: Pas de deux, Pas de trois |
| Richard Addinsell |
performing orchestra |
Blithe Spirit: Prelude and Waltz, Warsaw Concerto, Part 1, Warsaw Concerto, Part 2 |
| Wolfram |
performing orchestra |
Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro, Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante, Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo |
| Richard Matimba |
performing orchestra |
Konzert für Violine und Orchester D-dur, Op. 77: I. Allegro non troppo, Konzert für Violine und Orchester D-dur, Op. 77: II. Adagio, Konzert für Violine und Orchester D-dur, Op. 77: III. Allegro giocoso, ma non troppo vivace |
| Charles Button & Friends |
performing orchestra |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| Kerr Belliveau |
performing orchestra |
Violin Concerto in D, op. 77: I. Allegro non troppo, Violin Concerto in D, op. 77: II. Adagio, Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto |
| Jean-Marc Volcy |
performing orchestra |
Il barbiere di Siviglia: Act II. "Contro un cor che accende amore" (Rosina, Almaviva), Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore" (Rosina, Conte), Il barbiere di Siviglia: Atto II. "Contro un cor che accende amore...Cara imagine ridente" (Rosina, Almavivia) |
| Anne Marie O'Farrell |
performing orchestra |
Concerto in B minor, op. 104: I. Allegro, Concerto in B minor, op. 104: II. Adagio ma non troppo, Concerto in B minor, op. 104: III. Allegro moderato |
| Katie Ambrose |
performing orchestra |
The Dream of Gerontius: Jesu, Maria, I am near to death..., The Dream of Gerontius: Rouse thee, my fainting soul..., The Dream of Gerontius: Sanctis fortis, Sanctus Deus.... |
| Franz Strauss |
performing orchestra |
Horn Concerto in C minor, op. 8: I. Allegro molto, Horn Concerto in C minor, op. 8: II. Andante, Horn Concerto in C minor, op. 8: III. Allegro molto |
| Robb Barnes |
performing orchestra |
Piano Concerto in A minor, op. 16: 1. Allegro molto moderato, Piano Concerto in A minor, op. 16: 2. Adagio, Piano Concerto in A minor, op. 16: 3. Allegro moderato molto e marcato - Quasi presto - Andante maestoso |
| Roberta Sammarelli |
performing orchestra |
War Requiem, op. 66: II. Dies irae: Dies irae, dies illa, War Requiem, op. 66: IV. Sanctus: Sanctus, War Requiem, op. 66: VI. Libera me: Libera me |
| Ulf Ronnsiek |
performing orchestra |
Violin Concerto in A minor, B. 96/B. 108, op. 53: Adagio ma non troppo, Violin Concerto in A minor, B. 96/B. 108, op. 53: Allegro ma non troppo - Quasi moderato, Violin Concerto in A minor, B. 96/B. 108, op. 53: Finale: Allegro giocoso ma non troppo |
| Robotra |
performing orchestra |
Concerto no. 1 for Violin and Orchestra in G minor, op. 26: I. Prelude: Allegro moderato, Concerto no. 1 for Violin and Orchestra in G minor, op. 26: II. Adagio, Concerto no. 1 for Violin and Orchestra in G minor, op. 26: III. Finale: Allegro energico |
| Tu Hua Bing |
performing orchestra |
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato, Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante, Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo |
| Tommy Berger |
performing orchestra |
Ave Maria, Toreador Song, Wiegenlied ("Guten Abend, gut Nacht"), op. 49/4 |
| Ronald De Foe |
performing orchestra |
Entrance of the Gods Into Valhalla "Das Rheingold", Siegfried's Death and Funeral Music "Götterdämmerung", The Ride of the Valkyries "Die Walküre" |
| Ronald Valdez |
performing orchestra |
Harp Concerto: I. Andante tranquillo, Harp Concerto: II. Lento con espressivo (for Salzedo), Harp Concerto: III. Energico |
| Rough Justice |
performing orchestra |
Il barbiere di Siviglia: Act II. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Almaviva), Il barbiere di Siviglia: Atto II. "Don Basilio" (Rosina, Conte, Bartolo, Figaro, Basilio), Il barbieri di Siviglia: Atto II. "Don Basilio" (Rosina, Conte, Bartolo, Figaro, Basilio) |
| Toast Gang |
performing orchestra |
Lucia di Lammermoor: Atto III, Nº 11a. "Orrida è questa notte" (Edgardo, Enrico), Lucia di Lammermoor: Atto III, Nº 11b. "Ashton!...Si" / Nº 11c. "Qui del padre ancor respira" (Edgardo, Enrico), Lucia di Lammermoor: III Čin, Prizori 1, 2 |
| Arturo Sandoval |
performing orchestra |
Concerto for Trumpet & Orchestra: I. Allegro, Concerto for Trumpet & Orchestra: II. Andante cantabile, Concerto for Trumpet & Orchestra: III. Allegro con brio |
| Thomas „Balou“ Martin |
performing orchestra |
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro ma non troppo |
| Ruth Legelli |
performing orchestra |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice - Prestissimo - Tempo I, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| Carlo Bergonzi |
performing orchestra |
Dies Herz, das heiß und treu geliebt, Lucia di Lammermoor: Atto III, Nº 15b. "Tombe degli avi miei" (Edgardo), Lucia di Lammermoor: Atto III, Nº 16a. "Fra poco a me ricovero" Edgardo) |
| This is not Utopia |
performing orchestra |
Violin Concerto: I. Andante tranquillo, Violin Concerto: II. Presto, Violin Concerto: III. Vivace |
| The Zones |
performing orchestra |
Missa in angustiis, Hob. XXII:11: Agnus Dei: Dona nobis pacem, Missa in angustiis, Hob. XXII:11: Credo: Credo in unum Deum, Missa in angustiis, Hob. XXII:11: Sanctus |
| The Survival Code |
performing orchestra |
Concerto for Violincello and Orchestra in B minor, op. 104: I. Allegro, Concerto for Violincello and Orchestra in B minor, op. 104: II. Adagio ma non troppo, Concerto for Violincello and Orchestra in B minor, op. 104: III. Finale (Allegro moderato) |
| The Space Agency |
performing orchestra |
Concerto No. 1 in A minor for Violin and Orchestra, BWV 1041: I. Allegro, Concerto No. 1 in A minor for Violin and Orchestra, BWV 1041: II. Andante, Concerto No. 1 in A minor for Violin and Orchestra, BWV 1041: III. Allegro assai |
| Sekstett |
performing orchestra |
Love the Magician: Dance of the Game of Love, Love the Magician: Song of Love's Sorrow, Love the Magician: Song of the Will o' the Wisp |
| The Music Masters of Boston |
performing orchestra |
Messiah: Part I, No. 17 Recitative "Then shall the eyes of the blind", Messiah: Part I, No. 5 Air "But who may abide the day of His coming", Messiah: Part II, No. 21 Air "He was despised" |
| Sherrill Milnes |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene I. "La ran la le ra... Largo al factotum" (Figaro), Il barbiere di Siviglia: Atto I. "Largo al factotum" (Figaro), Il barbiere di Siviglia: Atto I. "Largo al factotum" Figaro) |
| The John Alldis Choir |
performing orchestra |
Anna Bolena: Atto I, Scena I. "Nè venne il Re?" (Coro), Anna Bolena: Atto II, Scena I. "Oh! dove mal ne andarono" (Coro), Anna Bolena: Atto II, Scena III. "Chei può vederla a ciglio asciutto" (Coro) |
| Brian Kelley |
performing orchestra |
Violin Concerto, op. 15: I. Moderato con moto, Violin Concerto, op. 15: II. Vivace - Cadenza -, Violin Concerto, op. 15: III. Passacaglia – Andante lento |
| Juan I. Goncebat |
performing orchestra |
Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta. Andante, Violin Concerto in D major, op. 35: III. Allegro vivacissimo |
| The IT_Boy |
performing orchestra |
Guitar Concerto: I. Allegro preciso, Guitar Concerto: II. Andantino e andante, Guitar Concerto: III. Allegretto non troppo - Vivo |
| Francesco Robustelli |
performing orchestra |
Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| Bob Beckwith |
performing orchestra |
L'amore dei tre re: Act I. "Dammi le labbra a tanta ti darò" (Avito, Fiora), L'amore dei tre re: Act I. "É ancora notte fonda" (Avito, Fiora), L'amore dei tre re: Act II. "Addio Fiora; ho voluto rivederti" (Avito, Fiora) |
| The Deltahorse |
performing orchestra |
Don Pasquale: Atto III. "Aspetta, aspetta, cara sposina" (Pasquale, Malatesta), Don Pasquale: Atto III. "Cheti, cheti immantinente" (Malatesta, Pasquale), Don Pasquale: Atto III. "Questa, repentina chiamata" (Malatesta, Pasquale) |
| Stellar |
performing orchestra |
Piano Concerto No. 3 in D minor, Op. 30: I. Allegro ma non troppo, Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo. Adagio, Piano Concerto No. 3 in D minor, Op. 30: III. Finale. Alla breve |
| Francesco Cilea |
performing orchestra |
Adriana Lecouvreur, Act I: "Ecco! respiro appena", Adriana Lecouvreur: Act I. "Ecco respiro appena... Io son l'umile ancella" (Adriana), Adriana Lecouvreur: Poveri fiori ( London Symphony Orchestra) |
| Janice B |
performing orchestra |
Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso |
| Stone Animals |
performing orchestra |
Gianni Schicchi: "O mio babbino caro", Madama Butterfly: Act II. Un bel dì, vedremo |
| Barbara Hendricks |
performing orchestra |
Going to Heaven!, Sure On This Shining Night |
| Tarun Banerjee |
performing orchestra |
Il barbiere di Siviglia: Act II. "Che vecchio sospettoso!" (Berta), Il barbiere di Siviglia: Act II. "Il vecchiotto cerca moglie" (Berta) |
| Som di Longe |
performing orchestra |
Anna Bolena: Atto I, Scena I. "Ella di me, sollecita" (Giovanna), Anna Bolena: Atto II, Scena II. Aria "Per questa fiamma indomita" (Giovanna) |
| The Early Morning Satellites |
performing orchestra |
Ave Verum Corpus, Stabat Mater Dolorosa |
| Mash |
performing orchestra |
The Hymn of Jesus, Op. 37 "Prelude": Senza misura - Lento, The Hymn of Jesus, Op. 37 "The Hymn": Moderato maestoso |
| Sir Hubert Parry |
performing orchestra |
Blest Pair of Sirens, I Was Glad |
| Sing Lie |
performing orchestra |
Sinfonia Antartica (Symphony no. 7): I. Prelude: Andante Maestoso, Sinfonia Antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro) |
| Jungles |
performing orchestra |
Anna Bolena: Atto II, Scena II (Beginning), Anna Bolena: Atto II, Scena II. "Scostatevi..il Re giunge" (Hervey, Enrico, Anna, Percy) |
| Eyetooth |
performing orchestra |
Missa in angustiis, Hob. XXII:11: Credo: Et resurrexit, Missa in angustiis, Hob. XXII:11: Kyrie |
| BxPsoundsistema |
performing orchestra |
Land of the Pharaohs: Theme and Pharaoh's Procession, Wild Is the Wind: Theme |
| Sanchita Bhattacharya |
performing orchestra |
War Requiem, op. 66: I. Requiem aeternam: What passing bells, War Requiem, op. 66: VI. Libera me: It seemed that out of battle |
| Samuel Barber |
performing orchestra |
Adagio for Strings, Knoxville: Summer of 1915 |
| KONDA |
performing orchestra |
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, O Fortuna |
| John Barry |
performer, performing orchestra |
Out of Africa: Flying Over Africa, The Persuaders |
| Johann Strauss |
performing orchestra |
Radetzky March, Radetzky March Op. 288 |
| Ruggero Raimondi |
performing orchestra |
Il barbiere di Siviglia: Atto I. "La callunia è un venticello" (Basilio), Il barbiere di Siviglia: Atto I. "La calunnia è un venticello" (Basilio) |
| Exèrcit d’Alliberament Musical |
performing orchestra |
Atto III. Nº 13a. "Deh, cessate quel contento" (Raimondo, Coro) / Nº 13b. "Oh! qual funesto avvenimento" (Tutti), Lucia di Lammermoor: II Čin (Zaršetak). Prizori 4, 5, 6 |
| Tom Krimi |
performing orchestra |
Capriccio italien, op. 45, Slavonic March, op. 31 |
| Ron Goodwin |
performing orchestra |
633 Squadron: Main Title, Those Magnificent Men in Their Flying Machines: Suite |
| Arch Daeva |
performing orchestra |
Il Pirata: Oh! S'io potessi dissipar le nubi ... Col sorriso d'innocenza, Norma: Casta Diva, che inargenti queste sacre antiche piante |
| Rollerhands |
performing orchestra |
Il barbiere di Siviglia: Act II. "Bella voce! Bravissima!" (Almaviva, Rosina, Bartolo), Il barbiere di Siviglia: Act II. "Venite, signorina" (Bartolo, Rosina, Almaviva) |
| Kathy Mack |
performing orchestra |
L'amore dei tre re: Act II. "Avito! Resta ... Non domandare" (Fiora, Avito), L'amore dei tre re: Act II. "Come tremi, diletto!" (Fiora, Avito) |
| Frank Hyde |
performing orchestra |
Háry János Suite: Intermezzo, Háry János Suite: Song |
| Johann Sebastian Bach |
performing orchestra |
Minuet - Anna Magdelena, Musette - Anna Magdelena |
| Johann Pachelbel |
performing orchestra |
Canon, Canon in D |
| Vincent Voelz |
performing orchestra |
L'amore dei tre re: Act I. "Ho per te come il terrore d'un bimbo" (Archibaldo, Fiora, Flaminio), L'amre dei tre re: Act II. "Fiora! Fiora!" (Archibaldo, Fiora, Flaminio) |
| Rob Knowles |
performing orchestra |
L'amore dei tre re: Act II. "Dimmi, Fiora perchè ti veggo" (Manfredo, Fiora), L'amore di tre re: Act II. "Suonata è l'ora della partenza" (Manfredo, Fiora) |
| Rico |
performing orchestra |
Fantasia on Hungarian Folk Themes, S. 123, Totentanz, Paraphrase on "Dies Irae" for Piano and Orchestra, S. 126 |
| Franz von Suppé |
performing orchestra |
Overture to "Light Cavalry", Overture to "Poet and Peasant" |
| Jerry van den Heever |
performing orchestra |
Piano Concerto in A minor, Op. 16: II. Adagio, Piano Concerto in A minor, op. 54: III. |
| Wet Eyes |
performing orchestra |
New York, Tears and Hope, for orchestra, op. 65, Sextuor pour violins, perf. by 24 violins, op. 58 |
| Katy Reckdahl |
performing orchestra |
L'amore dei tre re: Act II. "Impura ell'era sì come la notte" (Archibaldo, Manfredo), L'amore dei tre re: Act II. "Silenzio! Notte fonda!" (Archibaldo, Manfredo) |
| Jascha Lieberman |
performing orchestra |
Pulcinella: VII. Allegretto, Pulcinella: XIII. Andantino |
| Richard Margoschis |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene II. "Ah! Barbiere d'inferno" (Bartolo, Basilio), Il barbiere di Siviglia: Act I, Scene II. "Ah! Che ne dite?" (Bartolo, Basilio) |
| Renata Scotto |
performing orchestra |
Manon Lescaut: “Sola, perduta, abbandonata”, Suor Angelica: "Senza mamma, o bimbo" |
| Young and Dramatic |
performing orchestra |
Aida: Act I, Scene I: Romanza: "Se quel guerriero io fossi!" … "Celeste Aida" (Radamès), Aida: Atto Primo, Scena Prima. Romanza "Se quel guerrier io fossi" ... "Celeste Aida" |
| Jonathan Grove |
performing orchestra |
Anna Bolena: Atto I, Scena III. "Ah! parea che per incanto" (Smeton), Anna Bolena: Atto I, Scena III. "E'sgombro il loco" (Smeton) |
| Eric Coates |
performing orchestra |
BBC Television March Theme, Man from the Sea (from Three Men Suite) |
| Raykeea Angel Wilson |
performing orchestra |
L'amore dei tre re: Atto I (Conclusion), L'amore dei tre re: Atto II (Part 1) |
| Pietro Mascagni |
performing orchestra |
Intermezzo, Intermezzo from "Cavalleria Rusticana" |
| saftWerk |
performing orchestra |
Fantasia for Cello and Orchestra, Threnody for Cello and Orchestra |
| Italo Montemezzi |
performing orchestra |
L'amore dei tre re: Atto II (Conclusion), L'amore dei tre re: Atto III |
| xliv |
performing orchestra |
Psalm XXIV for tenor, chorus, brass, timpani, harps and organ. La terre appartient à l'Eternel, Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) for tenor, chorus and orchestra |
| Almeida |
performing orchestra |
Don Giovanni: Là ci darem la mano, Le nozze di Figaro: Non più andrai |
| Модест Петрович Мусоргский |
performing orchestra |
Eine Nacht auf dem kahlen Berge, Pictures at an Exhibition: II. The Old Castle |
| Frederick Loewe |
performing orchestra |
My Fair Lady: I Could Have Danced All Night, My Fair Lady: On the Street Where You Live |
| Pee Wee |
performing orchestra |
Symphony no. 2 in B major, op. 14 "To October": IV. Chorus "Oktyabryu", Symphony no. 3 in E-flat major, op. 20 "The First of May": VI. Chorus "Pervoe Maya" |
| Craig "Craig-T" Thompson |
performing orchestra |
Phantasia, The Woman in White Suite |
| Oscar Corney |
performing orchestra |
Conclusion, Part 1 |
| Alfred Flury |
performing orchestra |
Anna Bolena: Atto I, Scena II. "Chi veggo?" (Rochefort, Percy), Anna Bolena: Atto I, Scena II. "Da quel di che, lei perduta" (Percy, Rochefort) |
| Dimitri Tiomkin |
performing orchestra |
The High and the Mighty: Suite, The Old Man and the Sea: Theme, Cubana and Finale |
| Alfred Cortot |
performing orchestra |
Concerto in A minor, Op. 54: II. Intermezzo (Andantino grazioso), Concerto in A minor, Op. 54: III. Allegro vivace |
| Nicolai Gedda |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene I. "Ecco ridente in cielo" (Almaviva), Il barbiere di Siviglia: Atto I. "Ecco ridente in cielo" (Conte) |
| Luigi Arditi |
performing orchestra |
Il Bacio, Parla! |
| Netty Simons |
performing orchestra |
Concerto for Clarinet in A major, K. 622: I. Allegro, Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro |
| 崎元仁 |
performing orchestra |
「Antipyretic - arrange -」 from FINAL FANTASY TACTICS, 「Trisection - arrange -」 from FINAL FANTASY TACTICS |
| Alberto Ferrari |
performing orchestra |
War Requiem, op. 66: II. Dies irae: Out there, War Requiem, op. 66: III. Offertorium: So Abram rose |
| Luís Telo |
performing orchestra |
Les Contes d'Hoffman : Acte III. "Malheureux, tu ne comprends donc pas", Les Contes d'Hoffman : Acte III. Duette "Cher ange ! " (Depertutto. Giulietta) |
| DJ Nikolson |
performing orchestra |
The Dream of Gerontius, op. 38: Part I. "Profociscere, anima Christiana" (The Priest), The Dream of Gerontius, op. 38: Part II. "Jesu! By that shuddering dread" (The Angel of the Agony) |
| Albert Joleik |
performing orchestra |
Two Portraits, op. 5: 1. One Ideal. Andante, Two Portraits, op. 5: II. One Grotesque |
| Dick Poulton Trio |
performing orchestra |
Just Show Me How to Love You, There for Me |
| Fryderyk Chopin |
performing orchestra |
Adaptation Fantasie Impromptu, Klavierkonzert No.1 e-moll op. 11 - 2. Romance: Larghetto |
| Acrophelia |
performing orchestra |
Lucia Di Lammermoor: "Il pallor, funesto, orrendo" / "Soffriva nel pianto" (Lucia, Enrico), Lucia Di Lammermoor: Che fia" / "Se tradirmi tu potrai" (Enrico, Lucia) |
| Damian Iorio |
performing orchestra |
Il barbiere di Siviglia: Act II. "Insomma, mio signore, chi è lei?" (Bartolo, Almaviva), Il barbiere di Siviglia: Act II. "Pace e gioia sia con voi" (Almaviva, Bartolo) |
| Graham Hyslop |
performing orchestra |
Daphnes et Chloé: Part One (Scene I), Daphnes et Chloé: Part Two (Scenes II and III) |
| Gavin Greenaway |
performing orchestra |
Reflections of Earth, We Go On |
| 8-Bit Shifter |
performing orchestra |
Epilogue - The Deep and Timeless Sea, Titanic Suite |
| Michel Legrand |
performing orchestra |
Symphonic Suite From "The Umbrellas of Cherbourg", Theme and Variations for Two Pianos and Orchestra From "The Go-Between" |
| Mara Valenciano |
performing orchestra |
Concerto in D, op. 61: Allegro ma non troppo, Concerto in D, op. 61: Larghetto |
| Dave Grusin |
performing orchestra |
Condor (From Three Days of the Condor), On Golden Pond |
| Joyce Besch |
performing orchestra |
L'amore dei tre re: Act I. "Fiora! Fiora!" (Manfredo, Archibaldo), L'amore dei tre re: Act I. "Padre!" (Manfredo, Archibaldo) |
| No Sex Until Marriage |
performing orchestra |
Little Fugue in G minor |
| Federico Ricci |
performing orchestra |
Io non sono piu l'Annetta from Crispino e la comare |
| Oblongar |
performing orchestra |
Don Pasquale: Atto III. "I diamanti, presto, presto" (Coro, Pasquale) |
| Oh Acre |
performing orchestra |
L'amore dei tre re: Act III. Introduction / "Morte in gelido stupore" (Chor, Young Woman, Youth) |
| Olga Neuwirth |
performing orchestra |
Clinamen / Nodus |
| Cynthia Hsiang |
performing orchestra |
Symphony no. 3: Part I. 1. Allegro non troppo (Arrest) - Allegro molto (Movement) |
| Fall Out Boy |
performing orchestra |
The Phoenix |
| On-Line |
performing orchestra |
Anna Bolena: Atto I, Scena III. "Basta, basta, trop'oltre vai" (Anna, Rochefort) |
| Falcom Sound Team jdk |
performing orchestra |
組曲LILIA |
| Crimson Wind |
performing orchestra |
Les Troyens: 3ème tableau. Une terasse dominant la mer. "Dieux de l'oubli... D'un malheureux amour... Au secours ! La reine est frappée... Rome, Rome immortelle... Haine éternelle à la race d'Enée" (Chœurs, Anna, Narbal, Didon) |
| Harald Eia |
performing orchestra |
Eleanor Rigby |
| Oscar Wright |
performing orchestra |
The Dream of Gerontius: Softly and gently.... |
| Oshri Krispin |
performing orchestra |
La Mort de Cléopâtre |
| Creach Kelly |
performing orchestra |
Messiah: Part II, No. 29 Accompagnato "He was cut off" / No. 30 Aria "But Thou didst not leave" |
| Pa Otong Rasta |
performing orchestra |
A Night on Bald Mountain |
| Pablo de Sarasate |
performing orchestra |
Zigeunerweisen, op. 20: Moderato |
| Julia Cole |
performing orchestra |
Anna Bolena: Atto II, Scena I |
| Craig Safan |
performing orchestra |
The Last Starfighter: Main Title |
| Fabien Hevia |
performing orchestra |
Extase |
| Courtenay Wynter |
performing orchestra |
Anna Bolena: Atto II, Scena II. "Ebben? Dinanzi ai guidici" (Coro, Hervey) |
| Papusa |
performing orchestra |
「カルメン」第2組曲 第1幕より "前奏曲" |
| Coelho James |
performing orchestra |
Sarai qui |
| Patrick Roffé |
performing orchestra |
Atto II. Nº 6a. "Appressati, Lucia" (Enrico) |
| Clifton Parker |
performing orchestra |
Western Approaches: Seascape |
| Paul Potts |
performing orchestra |
O Holy Night |
| Ezekiel |
performing orchestra |
Piano Concerto no. 1 in B minor, op. 32: Allegro patetico (opening) |
| Herman Severin Løvenskiold |
performing orchestra |
La Sylphide |
| Hociel Thomas |
performing orchestra |
Canto della terra |
| Peikan Razani |
performing orchestra |
I Will Be With You (Where the Lost Ones Go) |
| Gianmarco Silvi |
performing orchestra |
The Peacemakers, Part I: Blessed Are the Peacemakers |
| KLARA. |
performing orchestra |
Messiah: Part II, No. 22 Chorus "He hath borne our griefs" / No. 23 Chorus "And with His stripes we are healed" / No. 24 Chorus "And we like sheep have gone astray" |
| Peter Gabriel |
performing orchestra |
Down the Dolce Vita |
| Peter Lindsay |
performing orchestra |
Slawischer Tanz, Op. 46 Nr. 2 in C-Major |
| Claudio Monteverdi |
performing orchestra |
L'incoronazione di Poppea, SV 308: Act III. Duettino "Pur ti miro" (Nerone, Poppea) |
| Phase |
performing orchestra |
A Midsummer Night's Dream, Op. 61- 5- Nocturne |
| Jascha Lieberman Trio |
performing orchestra |
Pulcinella: II. Serenata: Larghetto |
| Chuck |
performing orchestra |
Messiah: Part III, No. 47 Recitative "Then shall be brought to pass" / No. 48 Duet "O death, where is they sting?" / No. 49 Chorus "But thanks be to God" |
| Jasminka Letzas |
performing orchestra |
Overture 1812, op. 49 |
| Christoph Willibald Gluck |
performing orchestra |
Dance of the Blessed Spirits from "Orfeo ed Eurydice" |
| Kapitol |
performing orchestra |
Anna Bolena: Atto II, Scena II (Conclusion) / Scena III (Beginning) |
| Christine Donkin |
performing orchestra |
Roberto Deverux: "E Sara in questi orribili momenti..." |
| Pomexgranate. |
performing orchestra |
Don Pasquale: Atto III. "Siamo intesti...sta bene" (Malatesta, Ernesto) |
| Eugene Novello |
performing orchestra |
Luonnotar, op. 70 |
| Karl Maria Jäger |
performing orchestra |
Rigoletto: Atto I. "È il sol dell'anima" (Duca, Gilda) |
| Esther Valles |
performing orchestra |
Faust: Act 3: Quel trouble inconnu... Salut! Demeure chaste et pure |
| Chris Galland |
performing orchestra |
Prince Igor: II. Polovtsian Dances |
| Jason Levis |
performing orchestra |
Parisina d'este: «No, più salir non ponno», «Ciel sei tu che in tal momento», «Ugo è spento» |
| Cheryl Studer |
performing orchestra |
Lucia di Lammermoor: Chi mi frena in tal momento? |
| Rasmus Tauk |
performing orchestra |
Piano Concerto No. 2: II (extract) |
| Ravi Shakti |
performing orchestra |
Sleeping Beauty: Bluebird Pas de Deux |
| Rawls Royce |
performing orchestra |
Háry János Suite, Singspiel in 5 Scenes, op. 15: Szegény vagyok |
| Jean-Louis Chabry |
performing orchestra |
Anna Bolena: Atto I, Scena I. "Fama, si: l'avrete" (Enrico) |
| Rebound |
performing orchestra |
Mazurka no. 13 in A minor, op. 17 no. 4 |
| Red Zephyr |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene I. "Gente indiscreta!" (Almaviva, Fiorello, Figaro) |
| Katrien De Vos |
performing orchestra |
Symphony no. 40 in G minor, K. 550: I. Molto allegro |
| Free Throw |
performing orchestra |
South Pacific - Some Enchanted Evening |
| Esteban Neumann |
performing orchestra |
Violinkonzert C-Dur, WoO 5 |
| Charlie Cuevias |
performing orchestra |
L'amore dei tre re: Act II. "Quello ch'io baciavo" (Fiora, Archibaldo) |
| Charles I. Lederer |
performing orchestra |
A Long Way: Three Songs for Mezzo-Soprano and Orchestra |
| Kay Gornick |
performing orchestra |
L'amore dei tre re: Act I. "Oh, padre mio" (Manfredo, Archibaldo, Fiora) |
| Erol Uras |
performing orchestra |
Missa in angustiis, Hob. XXII:11: Gloria: Qui tollis peccata mundi |
| Kay Weathers |
performing orchestra |
Anna Bolena: Atto II, Scena III (Conclusion) |
| Ermanno Wolf-Ferrari |
performing orchestra |
Jewels Of The Madonna |
| Kendell Marvel |
performing orchestra |
I Could Have Danced All Night |
| Jeanne Manet |
performing orchestra |
Violin Concerto in D major, op. 77: II. |
| Erik Satie |
performing orchestra |
Parade |
| Homer |
performing orchestra |
Les Contes d'Hoffman : Acte III. Barcarolle "Belle nuit, o nuit d'amour" (Niklausse, Giulietta) |
| Ennio Morricone |
performing orchestra |
Once Upon a Time in America: Deborah's Theme |
| Rob Bacon |
performing orchestra |
Symphony no. 2 in D major, op. 36: II. Larghetto |
| Hoyle Jones |
performing orchestra |
The Dream of Gerontius: It is a member of that family.... |
| Elvis Costello |
performing orchestra |
She |
| Robert Kajanus |
performing orchestra |
Tapiola, Symphonic Poem, op. 112 |
| Cesare Siepi |
performing orchestra |
L'amore dei tre re: Act I. "Italia, Italia è tutto il mio ricordo!" (Archibaldo) |
| Robert Tear |
performing orchestra |
Anna Bolena: Atto I, Scena II. "Ah! cosi nel di ridenti" (Percy) |
| King Carrot |
performing orchestra |
Sea Pictures, op. 37: IV. Where Corals Lie |
| Elton John |
performing orchestra |
Tonight |
| Kirsten Arian |
performing orchestra |
Ella a fui, la tourterelle! (Offenbach - :The Tales of Hoffman") |
| Jeremiah Clarke |
performing orchestra |
Trumpet Voluntary |
| Kuluna Blacks One |
performing orchestra |
Don Pasquale: Atto II. "È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) |
| Elmer Bernstein |
performing orchestra |
Airplane!: Suite |
| La Kuizine |
performing orchestra |
Air on a G String from Suite No. 3 in D |
| ID369 |
performing orchestra |
Roméo et Juliette "Symphonie dramatique": Scène 1c. Strophes. "Premiers transports que nul n'oublie!" |
| Lacrimosa |
performing orchestra |
Am Ende der Stille (edit) |
| Jerome Kern |
performing orchestra |
Can’t Help Lovin’ Dat Man |
| Edvard Mads Ebbe Helsted |
performing orchestra |
Flower Festival in Genzano: Pas de deux |
| Laleh |
performing orchestra |
Snö |
| Jerome Moross |
performing orchestra |
The Last Judgement: I. The Resurrection of Eve |
| Ryan Rubin |
performing orchestra |
Angie |
| Carl Maria von Weber |
performing orchestra |
Der Freischütz Overture |
| Bård Tufte Johansen |
performing orchestra |
Who Wants to Live Forever |
| Sammy Velazquez |
performing orchestra |
Toward the Unknown Region |
| Larry Fast |
performing orchestra |
Approach (Overture) (feat. London Symphonic Orchestra) |
| Eduardo Santiago |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene II. "Finora in questa camera" (Berta, Almaviva) |
| Sandrine Mittelstädt |
performing orchestra |
Yeager's Triumph |
| Eduard Strauss |
performing orchestra |
Schnellpolka, Op. 45 "Bahn frei!" |
| Bruce Broughton |
performing orchestra |
The Boy Who Could Fly: Main Theme |
| Scratchmania |
performing orchestra |
Messiah: Part II, No. 32 Recitative "Unto which of the angels" / No. 33 Chorus "Let the angels of God" |
| Scrilla |
performing orchestra |
Some Enchanted Evening |
| Sebastian Junger |
performing orchestra |
As Tears Go By |
| Laura Levine |
performing orchestra |
L'amore dei tre re: Act II. "Oh! Fiora! Fiora!" (Avito, Fiora, Handmaiden) |
| EMDY |
performing orchestra |
L'amore dei tre re: Act III. "Alzate, tutti, gli occhi in volto a lei" (Old Woman, Chor) |
| Laurie Johnson |
performing orchestra |
The Avengers Theme |
| Shadows of the Sunshine |
performing orchestra |
A Midsummer Night’s Dream: Wedding March |
| Shakeb Hamdard |
performing orchestra |
Symphony no. 3 "Pastoral": IV. Lento - Moderato maestoso - Animato - Poco più lento - Tempo I |
| Brian Shyer |
performing orchestra |
A Century of Flight |
| Laís XXK |
performing orchestra |
Lucia di Lammermoor: Uvertira |
| Silver Pieces |
performing orchestra |
Symphony no. 2 in C minor "Resurrection": 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) |
| Lee Holdridge |
performing orchestra |
The Tuskegee Airmen: Suite |
| Legions of Hoar Frost |
performing orchestra |
Rhapsodie Über Ein Thema Von Paganini Für Klavier Und Orchester Op. 43: Introduction: Allegro Vivace - Variation I (Precendente) - Tema: L'Istesso Tempo - Variations II-XXIV |
| Lena Zühlke |
performing orchestra |
March From 'The Nutcracker' |
| Sir Henry Rowley Bishop |
performing orchestra |
Lo! hear the gentle lark |
| E. W. Bryant |
performing orchestra |
Essay for Strings |
| Sir Julius Benedict |
performing orchestra |
The Gipsy and the Bird |
| Dymna Lotva |
performing orchestra |
Psalm CXXIX for chorus and orchestra. "Ils m'ont assez opprimé dès ma jeunesse" |
| Jerrold Immel |
performer, performing orchestra |
Dallas |
| Bluff City |
performing orchestra |
Porque soy Tempo |
| Social Crisis |
performing orchestra |
La traviata: Act III. “Addio, del passato bei sogni ridenti” |
| LiL One |
performing orchestra |
The Edge of Space: Fantasy for Bassoon and Orchestra |
| Soundland |
performing orchestra |
Pianoconcert Nr. 4 Op. 58: III. Rondo-Vivace |
| Blak Punk |
performing orchestra |
Pasión |
| Billy Davis |
performing orchestra |
Italienische Sinfonie: Allegro |
| Liberate |
performing orchestra |
Gianni Schicchi: Air de Lauretta “O mio babbino caro” |
| Doley Bernays |
performing orchestra |
Rawhide: Theme |
| Benjamin Mahua |
performing orchestra |
Messiah: Part I, No. 18 Duet "He shall feed His flock" |
| Ben Goodwin |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene II. "Ah, disgraziato Figaro!" (Bartolo, Rosina, Berta, Ambrogio) |
| Lil Al |
performing orchestra |
Kullervo, op. 7: III. Kullervo and his Sister: Allegro vivace |
| Beat Kat |
performing orchestra |
Save Rock and Roll |
| Stuart Burrows |
performing orchestra |
Anna Bolena: Atto II, Scena III. Aria "Nel veder la tue costanza" (Percy) |
| Barry Rodgers |
performing orchestra |
Lincoln Portrait: "Fellow citizens, we cannot escape history..." |
| François Hébral |
performing orchestra |
Messiah: Part I, No. 7 Recitative "Behold, a virgin shall conceive" / Nos. 8-9 Air and Chorus "O thou that tellest good tidings" |
| Sunless Dawn |
performing orchestra |
Wer vermag's, den Zom zu hemmen |
| Surf Sabbath |
performing orchestra |
Der König! - Unter einer Eiche, so schien mir |
| Svartmálm |
performing orchestra |
Seht, sie naht! Gleich einen Schattern - Ich hörte sprechen - Die Kerzen leuchten - O, weih' mir eine Träne |
| Barraques Sudsistema |
performing orchestra |
Lucia di Lammermoor: Atto II, Nº 9c.Sestetto "Chi mi frena in tal momento?" / Nº 9d. "Chi raffrena il mio furore?" (Edgardo, Enrico, Lucia, Raimondo, Alisa, Arturo, Coro) |
| Sylvia Tournerie |
performing orchestra |
Don Pasquale: Atto II. "Fra da una parte etcetera" (Malatesta, Notaro, Pasquale) |
| Symphonic Adventure |
performing orchestra |
Symphony no. 2 in C minor "Resurrection": 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) |
| Los Violines de Lima |
performing orchestra |
Anna Bolena: Atto II, Scena III. "Piangete voi?" (Anna, Coro) |
| Taavi Tuisk |
performing orchestra |
Largo From 'the New World' Symphony No. 9 |
| Bar de Monjas |
performing orchestra |
The Enigma Variations, op. 36: IX "Nimrod" |
| Band of Merrymakers |
performing orchestra |
L'amore dei tre re: Act I. "Fiora! Fiora!" (Archibaldo, Fiora) |
| Loïc Swiny |
performing orchestra |
Don Pasquale: Atto II. "Pria di partir, signore" (Ernesto, Pasquale, Malatesta, Norina) |
| Ted Kears |
performing orchestra |
Anna Bolena: Atto I, Scena II (Conclusion) / Scena III (Beginning) |
| The Ambrosian Singers |
performing orchestra |
Atto III. Nº 12. "D'immenso giubilo" (Coro) |
| The Bench Mob |
performing orchestra |
BWV 232, Et in spiritum sanctum Dominum |
| Luca Ferrari |
performing orchestra |
War Requiem, op. 66: III. Offertorium: Hostias et preces tibi |
| The Druzz |
performing orchestra |
Don Pasquale: Atto II. "Questo contratto, adunque" (Malatesta, Notaro, Norina, Pasquale, Ernesto) |
| Illo |
performing orchestra |
ストラヴィンスキー：『火の鳥』 終曲 |
| Jesse "Monkey Joe" Coleman |
performing orchestra |
Anna Bolena: Atto II, Scena III. "Vivi tu, te ne scongiuro" (Rochefort, Percy, Hervey) |
| The Grape Andriuzzzzzinnniii |
performing orchestra |
Don Pasquale: Atto II. "Son tradito calpastato" (Pasquale, Ernesto, Malatesta, Norina) |
| The Hex Bombs |
performing orchestra |
Sinfonia Antartica (Symphony no. 7): III. Landscape: Lento |
| The Howard Family |
performing orchestra |
Under My Thumb |
| Inga |
performing orchestra |
The Planets, op. 32: VII. Neptune, the Mystic |
| Jessie Noble |
performing orchestra |
Fantasia on Christmas Carols |
| The Mae Trio |
performing orchestra |
Ruby Tuesday |
| Jesus Caunedo |
performing orchestra |
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Vivace - Adagio cantabile |
| Aurélien Pereira |
performing orchestra |
The Christmas Song (Merry Christmas to You) |
| The See See |
performing orchestra |
She Was Beautiful (Cavatina) |
| Dick Taylor |
performing orchestra |
Lucia di Lammermoor: Atto I. Duetta "Sulla tomba che rinserra" (Edgardo, Lucia) |
| Auralai |
performing orchestra |
Regnava nel silencio...Quando rapiti in estasi (Donizerri - "Lucia di Lammermoor") |
| The Summoned |
performing orchestra |
L'amore dei tre re: Atto I (Part 1) |
| Luke Phillip |
performing orchestra |
20th Century Fox Fanfare / Star Wars Main Title |
| Jiřina Menšlová |
performing orchestra |
War Requiem, op. 66: II. Dies irae: Move him into the sun |
| Joan Sutherland |
performing orchestra |
Casta diva |
| Atupa |
performing orchestra |
Atto II. Nº 8a. "Per te d'Immenso giubilo" (Coro) / Nº 8b. "Per poco fra le tenebre" (Arturo) |
| Thomas Palm |
performing orchestra |
Il barbiere di Siviglia: Atto II. "Di si felice innesto" (Figaro, Rosina, Berta, Almaviva, Bartolo, Basilio, Coro) |
| Thomas R Forrester |
performing orchestra |
The Dream of Gerontius: I go before my Judge... |
| MISO |
performing orchestra |
Anna Bolena: Atto II, Scena I. "O mie fedeli" (Anna, Hervey, Coro) |
| Atomos |
performing orchestra |
Zorro's Theme |
| Franz Waxman |
performing orchestra |
The Spirit of St. Louis: Ireland |
| Tim Bulkley |
performing orchestra |
Belisario: «Plauso! Voci di gioia», «Sin la tomba è a me negata!» |
| Joaquín Rodrigo |
performing orchestra |
Konzert für Gitarre und Orchester "Fantasia para un gentilhombre": II. Adagio |
| Giacomo Meyerbeer |
performing orchestra |
Kroningsmars uit le Prophète |
| Mammoth |
performing orchestra |
Adagio for Strings, op. 11 |
| Tolmini Marianini |
performing orchestra |
Rigoletto: Atto II. "Duca, duca!" (Coro) |
| Delly Boi |
performing orchestra |
Piano Concerto in A minor, op. 54: III. Allegro vivace |
| Tomaso Giovanni Albinoni |
performing orchestra |
Adagio |
| Jody Glenham |
performing orchestra |
Anna Bolena: Atto I, Scena I (Conc.) / Scena II (Beg.) |
| Arrigo Boito |
performing orchestra |
Mefistofele: Act III. "Dio di pieta!" / "Lontano sui flutti d'un ampio oceano" |
| Toshikazu Yoshioka |
performing orchestra |
Violin Concerto in B minor, Op. 61: III. Allegro molto - Cadenza - Allegro molto |
| Manuela Milanese |
performing orchestra |
Introduction and Variations on a Theme by Rossini |
| Death Curse |
performing orchestra |
Roméo et Juliette "Symphonie dramatique": Scène 1c. Recitatif et scherzetto. "C'est lui!" |
| UMZE Chamber Ensemble |
performing orchestra |
Faust: Act 2: No.7 Ronde du veau d'or: "Le veau d'or" |
| Hartwig Paulsen |
performing orchestra |
Neptune, the Mystic |
| Umberto Giordano |
performing orchestra |
Andrea Chénier: La mamma morta ( London Symphony Orchestra) |
| Unlearned |
performing orchestra |
Cornish Rhapsody |
| Johan Magnus Lannerstierna |
performing orchestra |
Rigoletto: Atto II. "Possente amor mi chiama" (Duca) |
| Apoo Steppa |
performing orchestra |
Ruhe, meine Seele! |
| Maria Margarethe Danzi |
performing orchestra |
Il barbiere di Siviglia: Atto II. "Ah, qual colpo inaspettato!" (Rosina, Figaro, Almaviva) |
| Victor Herbert |
performing orchestra |
Romany Life (from "The Fortune Teller") |
| Frédéric Vectol |
performing orchestra |
Les Pêcheurs de perles: “Au fond du temple saint” |
| Ville Kuukka |
performing orchestra |
War Requiem, op. 66: V. Agnus Dei: One ever hangs |
| Antropofagus |
performing orchestra |
Anime salve |
| Antonio Vivaldi |
performing orchestra |
Konzert RV93 in D-dur für Gitarre: Largo (The London Symphony Orchestra feat. guitar: Nigel Woodhouse) |
| George Brooke |
performing orchestra |
Le Cid: Act III. "Ah! Tout est bien fini" ... "Ô Souverain, ô juge, ô pere" |
| Martin Röttger |
performing orchestra |
War Requiem, op. 66: I. Requiem aeternam: Te decet hymnus |
| Ive5 |
performing orchestra |
Gianna Schicchi - Firenze è come un albero fiorito |
| De&Ge |
performing orchestra |
Carmina Burana : O Fortuna |
| Vivian Fine |
performing orchestra |
Roumanian Rhapsody no. 1, op. 11 |
| Vladimir Cosma |
performing orchestra |
La Dérobade : Suite symphonique |
| Vlastimir Trajković |
performing orchestra |
Don Pasquale: Atto III. "Tornami a dir che m'ami" (Norina, Ernesto) |
| Vulpynes |
performing orchestra |
Il barbiere di Siviglia: Atto II. "Di si felice innesto" (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) |
| Gottfried Schneider |
performing orchestra |
Kullervo: III. Kullervo and His Sister: Allegro vivace |
| Angel |
performing orchestra |
Violin Concerto in D major, op. 61: III. Rondo. Allegro |
| We Die Tonight |
performing orchestra |
War Requiem, op. 66: V. Agnus Dei |
| Gabriela Ortega |
performing orchestra |
Руслан и Людмила: Увертюра |
| William Alwyn |
performing orchestra |
The Rake's Progress: Calypso Music |
| William Barbini |
performing orchestra |
Duel of the Fates |
| William Byrd |
performing orchestra |
Pavan: The Earl of Salisbury & Galliard (after Francis Tregian) |
| William Grant Still |
performer |
Afro-Americon Symphony: III. Humor |
| Jacques Offenbach |
performing orchestra |
Overture to "Orpheus in the Underworld" |
| William Vincent Wallace |
performing orchestra |
Scenes that are brightest from the opera Maritana |
| Meat and Potatoes Inc. |
performing orchestra |
Symphony no. 4: II. Andante tranquilo |
| Andrew Lloyd Webber |
performing orchestra |
Take That Look Off Your Face (from "Song and Dance") |
| Wolfgang Dömling |
performing orchestra |
Lucia di Lammermoor: Atto I, Nº 3d. "Egli s'avanza" (Alisa, Edgardo, Lucia) |
| Franco Piccinno |
performing orchestra |
Lucia di Lammermoor: Atto II, Nº 9a. "Dov'e Lucia?" (Arturo, Enrico, Coro) / Nº 9b. Quartetto "Ecco il tui sposo" (Enrico, Lucia, Arturo, Raimondo) |
| World of Wandag |
performing orchestra |
Rigoletto: Atto III. "La donna è mobile" (Duca) / Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) |
| Meztelen Diplomaták |
performing orchestra |
Má vlast: The Wells |
| Andres Heinapuu |
performing orchestra |
Quartett: Bella figlia dell'amore (Rigoletto) |
| Yokko |
performing orchestra |
My Fair Lady: Wouldn't It Be Loverly? |
| John Denver |
performing orchestra |
Annie's Song (Arranged by Charles Gerhardt; adapted by Craig Leon) |
| Yuri Bryars |
performing orchestra |
Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto |
| Andrea Murray |
performing orchestra |
L'amore dei tre re: Act II. "Ah, Ah, Ah! - Eccoti Fiora" (Offstage Voice, Avito) |
| Daniel-François-Esprit Auber |
performing orchestra |
Pas classique |
| Gábor Csalog |
performing orchestra |
Rigoletto: Atto II. "Provero Rigaletto!" (Marullo, Rigoletto, Borsa, Ceprano, Page, Coro) / "Cortigiani, vil razza dannata" (Rigoletto) |
| Michel Sardou |
performing orchestra |
Les Lacs du Connemara |
| Zone Verte |
performing orchestra |
Lucia di Lammermoor: Atto II, Nº 5. "Lucia fra poco a te verra" (Normanno, Enrico) |
| Zuhal Eröz |
performing orchestra |
Anna Bolena: Sinfonia |
| Zur Wachauerin |
performing orchestra |
Alexander Nevsky, op. 78: I. The Field of the Dead |
| John Paul Jones |
strings |
Snake Eyes |
| mk |
performing orchestra |
The Dream of Gerontius, op. 38: Part II. "Thy judgement now is near" (The Angel, The Soul) |
| Mike Batt |
performing orchestra |
A Christmas Overture |
| Francesco Nicolosi |
performing orchestra |
La traviata: Brindisi |
| Miran Huq |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene II. "Ehi, di casa, buona gente" (Almaviva, Bartolo, Rosina, Berta, Basilio) |
| Édouard Lalo |
performing orchestra |
Symphonie espagnole, Op. 21/Finale: Rondo: Allegro |
| Émile Waldteufel |
performing orchestra |
The Skaters Waltz |
| Always The Same |
performing orchestra |
Masonic Funeral Music K. 477 |
| Νίκος Φατσέας |
performing orchestra |
Concerto - 1er mvt |
| John Tavener |
performing orchestra |
The Protecting Veil (finale) (feat. London Symphony Orchestra, cello: Steven Isserlis, Gennadi Rohzhdestvensky) |
| Alison Moyet |
performing orchestra |
What a Wonderful World |
| Милий Алексеевич Балакирев |
performing orchestra |
Russia |
| Mohamed Bahi |
performing orchestra |
The Planets: Neptune, the Mystic |
| Monica Stoces |
performing orchestra |
Lucia di Lammermoor: Atto II, Nº 6b. "Il pallor, funesto, orrendo" / Nº 6c. "Soffriva nel pianto" / Nº 6d."Che fia" / Nº 6e."Se tradirmi tu portrai" (Enrico, Lucia) |
| Montserrat Caballé |
performing orchestra |
Lucrezia Borgia - Tranquilo ei posa |
| Morgantics |
performing orchestra |
Psalm CXXX for contralto, tenor, chorus and orchestra. "Du fond de l'âbime" |
| Mozes and the Firstborn |
performing orchestra |
Neptune, the Mystic |
| Mugalari |
performing orchestra |
Lucia di Lammermoor: Atto II, Nº 10a. "Tallontana, sciagurato" / Nº 10b. "Maledetto sia I'istante" (Edgardo, Enrico, Arturo, Normanno, Lucia, Raimondo, Alisa, Coro) |
| Цезарь Пуни |
performing orchestra |
Pas de quatre |
| John Taverner |
performing orchestra |
The Protecting Veil: Closing section |
| Frederick James Whishaw |
performing orchestra |
A Place in the Sun: Suite |
| みーちゃん |
performing orchestra |
Friendly Persuasion: Thee I Love |
| やまだひさし |
performing orchestra |
Lucia di Lammermoor: Atto III, Nº 14d. "S'avanza Enrico!" (Raimondo, Enrico, Coro, Lucia) |
| アリス十番 |
performing orchestra |
Valzer per un amore |
| Damian |
performing orchestra |
Habaños Days |
| Alf Bigden |
performing orchestra |
Cielo, a' miei lunghi spasimi (Donizetti - "Anna Bolena") |
| 佐山こうた |
performing orchestra |
Lucia di Lammermoor: Atto III, Nº 14c. "Ardon gli incensi" (Lucia, Raimondo, Normanno, Coro) |
| Alexandra Maria Tchernakova |
performing orchestra |
Ave Maria |
| Johnny Phrank |
performing orchestra |
Giant: Suite: I. Prelude / II. There's Never Been Anyone Else but You / III. Finale |
| Fortadelis |
performing orchestra |
Wut, heißen Durst nach Rache |
| 宇佐美奈々子 |
performing orchestra |
The Dream of Gerontius: I went to sleep.... |
| 小野恵令奈 |
performing orchestra |
Totentanz (1853 version): Finale |
| DJ Leno |
performing orchestra |
Violin Concerto in B minor, op. 61: III. Allegro molto |
| James O'Turner |
performing orchestra |
Bolero 1830 |
| 本木咲黒 |
performing orchestra |
Don Pasquale: Atto III. "Eccomi..avoi accorda Don Pasquale" (Ernesto, Malatesta, Norina, Pasquale) |
| Nate Parienti |
performing orchestra |
Thaïs: Méditation |
| Josef Strauss |
performing orchestra |
Walzer, Op. 263 "Mein Lebenslauf ist Lieb' und Lust" |
| Neil Francis |
performing orchestra |
La Damnation de Faust, op. 24, part 2: Ballet des Sylphes |
| Adriana Ducret |
performing orchestra |
Morgen |
| Fidel Fogaroli |
performing orchestra |
War Requiem, op. 66: VI. Libera me: Let us sleep now |
| Adam Blade |
performing orchestra |
Violin Partita No. 3 in E major, BWV 1006: I. Preludio |
| Freja Exner |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene II. "Ora mi sento meglio" (Rosina, Bartolo) |
| Nell Robinson & Jim Nunally Band |
performing orchestra |
Lucia Di Lammermoor: "Chi mi frena in tal momento" / Chi raffrena il mio furore" (Edgardo, Lucia, Arturo, Raimondo, Alisa, Normanno, Coro) |
| Helleborus |
performing orchestra |
Il barbiere di Siviglia: Atto II. "Contro un cor" (Rosina, Conte) |
| New Line |
performing orchestra |
Lucia di Lammermoor: Atto II. Scena II. "Chi mi frena in tal momento?" / "Chi raffrena il mio furore?" (Sextet, coro) |
| DJ J-Rone |
performing orchestra |
Manon Lescaut: Act IV. "Sola, perduta, abbandonata" |
| Jota Erre |
performing orchestra |
Anna Bolena: Atto I, Scena III (Conclusion) |
| Hannah Mack |
performing orchestra |
Peter and the Wolf, op. 67 |
| Joyner Lucas |
performing orchestra |
The Music of the Night |
| 61degrees |
performing orchestra |
Slavonic Dance |
| DJ Cyco |
performing orchestra |
High Noon: Do Not Forsake Me |
| Nigga 9 |
performing orchestra |
Il barbiere di Siviglia: Act I, Scene I. "Le vostre assidue premure" (Figaro, Almaviva, Bartolo) |
| 5-40am |
performing orchestra |
Roméo et Juliette "Symphonie dramatique": Scène 1b. Prologue. "D'anciennes haines endormies" |
| Nine9Nine |
performing orchestra |
Symphony no. 2: IV. 'Urlicht': Sehr feierlich, aber schlicht |
| Nitehawks |
performing orchestra |
Les Troyens: 2ème tableau. Un appartement de Didon. "Va ma soeur, I'implorer... En mer, voyez !... Je vais mourir... Adieu, fière cité" (Didon, Anna, Narbal, Iopas, Chœurs) |
| Fredale Mannew |
performing orchestra |
L'amore dei tre re: Act III. "Eccoti al fine" (Manfredo, Avito, Archibaldo) |