Gabrieli Consort & Players

performing orchestra, performer, vocal

Top collaborators

Artist name Roles Recordings
Preecha Kungo
Christoph Willibald Gluck
Calvin Joss
Giovanni Gabrieli
Michael Praetorius (composer and organist)

Work on other artists' recordings

Artist name Roles Recordings
Preecha Kungo performer, performing orchestra, vocal A Spotless Rose, Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XIX à 15, C 212, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Canzon XX à 22, C 213, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum ... Deus, qui populo tuo, Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Dominus vobiscum... Ut nobis, Domine, Easter Oratorio, BWV 249: I. Sinfonia, Easter Oratorio, BWV 249: II. Adagio, Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (alto, soprano, tenor, bass) "O kalter Manner Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VI. Recitative (tenor, bass, alto) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Ego flos campi a 4, Fidelis servus et prudens, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hodie Christus natus est, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, In medio ecclesiae aperuit os eius, Introit "Puer natus est", Ite, missa est... Deo gratias, Magnificat in D major, BWV 243: I. Chorus: "Magnificat", Magnificat in D major, BWV 243: II. Aria (soprano II) "Et exsultavit spiritus meus", Magnificat in D major, BWV 243: III. "Quia respexit humilitatem", Magnificat in D major, BWV 243: IV. "Omes generationes", Magnificat in D major, BWV 243: IX. "Esurientes implevit bonis", Magnificat in D major, BWV 243: V. "Quia fecit mihi magna", Magnificat in D major, BWV 243: VI. "Et misericordia", Magnificat in D major, BWV 243: VII. "Fecit potentiam", Magnificat in D major, BWV 243: VIII "Deposuit potentes", Magnificat in D major, BWV 243: X. "Suscepit Israel", Magnificat in D major, BWV 243: XI "Sicut locutus est", Magnificat in D major, BWV 243: XII. "Gloria Patri", Missa "Hodie Christus Natus Est": I. Kyrie, Missa "Hodie Christus Natus Est": II. Gloria, Missa "Hodie Christus Natus Est": III. Credo, Missa "Hodie Christus Natus Est": IV. Sanctus, Missa "Hodie Christus Natus Est": V. Agnus Dei, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Per omnia saecula saeculorum... Pater noster..., Per omnia saecula saeculorum... Vere dignum et iustum est..., Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, Sonata No. 21 con tre violini, C 224, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", The Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage", The Creation: Part One. The First Day: Introduction. The Representation of Chaos, The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God", The Creation: Part One. The Fourth Day: Accompanied recitative "In brightest splendour rises now the sun" (Uriel), The Creation: Part One. The Fourth Day: Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel), The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The Creation: Part One. The Second Day: Accompanied recitative "And God made the firmament" (Raphael), The Creation: Part One. The Second Day: Solo with Chorus "The glorious heav'nly hierarchy" (Gabriel), The Creation: Part One. The Third Day: Aria "Rolling in foaming billows" (Raphael), The Creation: Part One. The Third Day: Aria "With verdure clad the fields appear" (Gabriel), The Creation: Part One. The Third Day: Chorus "Awake the harp, the lyre awake", The Creation: Part One. The Third Day: Recitative "And God said: Let the earth bring forth grass" (Gabriel), The Creation: Part One. The Third Day: Recitative "And God said: Let the waters under the heaven be gathered together" (Raphael), The Creation: Part One. The Third Day: Recitative "And the heavenly host the third day proclaimed" (Uriel), The Creation: Part Three. Accompanied recitative "In rosy mantle now appears" (Uriel), The Creation: Part Three. Chorus "Praise the Lord, uplift your voices", The Creation: Part Three. Duet "Graceful consort!" (Adam, Eve), The Creation: Part Three. Duet with Chorus "By thee with bliss, o bounteous Lord" (Eve, Adam), The Creation: Part Three. Recitative "O happy pair" (Uriel), The Creation: Part Three. Recitative "Our duty have we now perform'd" (Adam, Eve), The Creation: Part Two. The Fifth Day: Accompanied recitative "And God created great whales" (Raphael), The Creation: Part Two. The Fifth Day: Aria "On mighty pens uplifted soars the eagle" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And God said: Let the waters bring forth abundantly" (Gabriel), The Creation: Part Two. The Fifth Day: Recitative "And the angels struck their immortal harps" (Raphael), The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The Creation: Part Two. The Sixth Day: Accompanied recitative "Straight opening her fertile womb" (Raphael), The Creation: Part Two. The Sixth Day: Aria "In native worth and honour clad" (Uriel), The Creation: Part Two. The Sixth Day: Aria "Now heaven in fullest glory shines" (Raphael), The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God created man" (Uriel), The Creation: Part Two. The Sixth Day: Recitative "And God said: Let the earth bring forth the living creature" (Raphael), The Creation: Part Two. The Sixth Day: Recitative "And God saw everything that he had made" (Raphael), Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum", Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Christoph Willibald Gluck performing orchestra, vocal Paride ed Elena, Appendice: "Altri mai da ignota sponda" (Amore), Paride ed Elena, Appendice: "Presto fugge la beltà" (Amore), Paride ed Elena, Appendice: "Sempre a te sarò fedele" (Paride, Elena), Paride ed Elena, Appendice: "Vieni al mar" (Coro), Paride ed Elena, Appendice: "Vieni al mar" [III] (Coro), Paride ed Elena, Appendice: "Vieni al mar" [II] (Coro), Paride ed Elena, Appendice: Sinfonia: Allegro, Paride ed Elena, Appendice: Sinfonia: Andante, Paride ed Elena, Atto I, Scena I: "Dall'aurea sua stella" (Un Trojano), Paride ed Elena, Atto I, Scena I: "Non sdegnare" (Coro, un Trojano), Paride ed Elena, Atto I, Scena I: "O del mio dolce ardor" (Paride), Paride ed Elena, Atto I, Scena I: "Spiagge amate" (Paride, un Trojano), Paride ed Elena, Atto I, Scena I: Ballo, Paride ed Elena, Atto I, Scena II: "Ma, chi sei" (Paride, Amore), Paride ed Elena, Atto I, Scena II: "Stranier, la mia Regina a te m'invia" (Amore, Paride), Paride ed Elena, Atto I, Scena III: "Felice te" (Amore), Paride ed Elena, Atto I, Scena III: "Nell'idea ch'ei volge" (Amore), Paride ed Elena, Atto I, Scena III: Ballo I, Paride ed Elena, Atto I, Scena III: Ballo II, Paride ed Elena, Atto I, Scena III: Ballo III, Paride ed Elena, Atto I, Scena III: Ballo IV, Paride ed Elena, Atto I, Scena III: Ballo V, Paride ed Elena, Atto II, Scena I: "Si presenti" (Elena, Amore), Paride ed Elena, Atto II, Scena II: "Forse più d'una beltà" (Elena, Paride, Amore), Paride ed Elena, Atto II, Scena II: "Regina!" (Paride, Elena, Amore), Paride ed Elena, Atto II, Scena III: "La belle immagini" (Paride), Paride ed Elena, Atto II, Scena III: "Tutto qui me sorprende" (Paride), Paride ed Elena, Atto III, Scena I: "Dalla reggia rilucente scendi a noi" (Coro), Paride ed Elena, Atto III, Scena I: "Fingere più non so" (Paride, Elena), Paride ed Elena, Atto III, Scena I: "Lodi al nume" (Coro), Paride ed Elena, Atto III, Scena I: "Negli strali, nell'arco possente" (Solo, Coro), Paride ed Elena, Atto III, Scena I: "Non più! Misero!" (Elena, Paride, Amore), Paride ed Elena, Atto III, Scena I: "Non più" (Elena), Paride ed Elena, Atto III, Scena I: "Per te, signor" (Elena, Paride, Amore), Paride ed Elena, Atto III, Scena I: "Prence, la tua presenza" (Elena, Paride, Amore), Paride ed Elena, Atto III, Scena I: "Quegli occhi belli" (Paride, Elena, Amore), Paride ed Elena, Atto III, Scena I: Ballo, Paride ed Elena, Atto III, Scena I: Sinfonia, Paride ed Elena, Atto IV, Scena I: "Temerario!" (Elena), Paride ed Elena, Atto IV, Scena II: "Ah, lo veggo" (Elena, Paride, Amore), Paride ed Elena, Atto IV, Scena II: "Non lontana" (Elena, Paride), Paride ed Elena, Atto IV, Scena II: "Vengo, o Regina!" (Elena, Amore, Paride), Paride ed Elena, Atto IV, Scena III: "Di te scordarmi, e vivere!" (Paride), Paride ed Elena, Atto IV, Scena III: "Si, spietata" (Elena, Paride), Paride ed Elena, Atto IV, Scena IV: "Lo potrò" (Elena), Paride ed Elena, Atto IV, Scena IV: "Lo temei" (Elena), Paride ed Elena, Atto V, Scena I: "Consolati, o Regina" (Amore, Elena), Paride ed Elena, Atto V, Scena I: "Donzelle semplici" (Elena), Paride ed Elena, Atto V, Scena I: "Elena a me s'asconde!" (Amore, Elena), Paride ed Elena, Atto V, Scena II: "Opportuno giungesti" (Amore, Elena, Paride), Paride ed Elena, Atto V, Scena III: "T'inganni, il tuo destino" (Pallade), Paride ed Elena, Atto V, Scena III: "Va coll'amata in seno" (Pallade, Coro), Paride ed Elena, Atto V, Scena IV: "Che udii?" (Elena, Paride, Amore), Paride ed Elena, Atto V, Scena IV: "Sempre a te sarò fedele" (Elena, Paride, Amore), Paride ed Elena, Atto V, Scena V: "Altri mai da ignota sponda" (Amore), Paride ed Elena, Atto V, Scena V: "Presto fugge la beltà" (Amore), Paride ed Elena, Atto V, Scena V: "Sempre a te sarò fedele" (Paride, Elena), Paride ed Elena, Atto V, Scena V: "Vieni al mar" (Coro), Paride ed Elena, Atto V, Scena V: Sinfonia: Allegro, Paride ed Elena, Atto V, Scena V: Sinfonia: Andante, Paride ed Elena: Overtura
Calvin Joss performer, performing orchestra Missa Pro Defunctis: Agnus Dei, Missa Pro Defunctis: Benedictus, Missa Pro Defunctis: Communio: Lux aeterna, Missa Pro Defunctis: Epistola, Missa Pro Defunctis: Evangelium, Missa Pro Defunctis: Graduale: Requiem aeternam, Missa Pro Defunctis: Introitus Requiem Aeternam, Missa Pro Defunctis: Kyrie, Missa Pro Defunctis: Offertorium: Domine Iesu Christe, Missa Pro Defunctis: Oratio, Missa Pro Defunctis: Pater noster, Missa Pro Defunctis: Postcommunio, Missa Pro Defunctis: Prefatio, Missa Pro Defunctis: Sanctus, Missa Pro Defunctis: Sequentia: Dies irae, Missa Pro Defunctis: Tractus: Absolve, Domine, Officium Defunctorum: Antifona: Circumdederunt me, Officium Defunctorum: Salmo 94: Venite, Exultemus Domino, Versa est in luctum, [A Vision of Paradise] Bring us, O Lord God, [A Vision of Paradise] In paradisum, [A Vision of Paradise] Nunc dimittis, [A Vision of Paradise] Take him, Earth, for cherishing, [In Ora Mortis Nostrae] Miserere nostri, [Media Vita In Morte Sumus] Christe qui lux es et dies, [Media Vita In Morte Sumus] Media vita in morte sumus, [Requiem Aeternam] A Good-Night, [Requiem Aeternam] In pace in idipsum, [Requiem Aeternam] Song for Athene, [The Pilgrim's Journey] A hymn to the Virgin, [The Pilgrim's Journey] Ave Maria, [The Pilgrim's Journey] Jacet granum - Clangat pastor
Giovanni Gabrieli performer, performing orchestra, vocal Audite principes a 16, C. 123, Canzoni et Sonate: Canzon XIV à 10, C 207 (5.1 mix), Canzoni et Sonate: Canzon XIX à 15, C 212 (5.1 mix), Canzoni et Sonate: Canzon XVIII à 14, C 211 (5.1 mix), Canzoni et Sonate: Canzon XX à 22, C 213 (5.1 mix), Domine Deus meus a 6, Domine Deus meus à 6, C 127 (5.1 mix), Intonationi d’organo: Intonatione del duodecimo tono, C 250 (5.1 mix), Intonationi d’organo: Intonatione del nono tono, C 247 (5.1 mix), Magnificat à 33, C 151 (5.1 mix), O Jesu mi dulcissime a 8, C. 56, Salvator noster a 15, C. 80, Sonata No. 21 con tre violini, C 224 (5.1 mix), Symphonia Sacrae Liber Secundus: Buccinate in neomenia tuba à 19, C 84 (5.1 mix), Symphonia Sacrae Liber Secundus: In ecclesiis à 14, C 78 (5.1 mix), Symphonia Sacrae Liber Secundus: Jubilate Deo omnis terra à 10, C 65 (5.1 mix), Symphonia Sacrae Liber Secundus: Misericordia tua Domine à 12, C 69 (5.1 mix), Symphonia Sacrae Liber Secundus: Suscipe clementissime à 12, C 70 (5.1 mix), Timor et tremor à 6 (printed 1615 version), C 142 (5.1 mix), Toccata à 4, C 237 (5.1 mix)
Michael Praetorius performing orchestra, vocal In dulci jubilo, Lutheran Mass for Christmas Morning, Missodia Sionia: Der Herr segne dich und behüte dich, Musae Sioniae VI: Puer nobis nascitur, Musae Sioniae VI: Uns ist ein Kindlein heut geborn, Musae Sioniae VIII: Der Herr sei mit euch, Nun lob mein Seel, Polyhymnia caduceatrix et panegyrica: In dulci jubilo, Polyhymnia caduceatrix et panegyrica: Jesaja dem Propheten das geschah, Polyhymnia caduceatrix et panegyrica: Missa Gantz Teudsch: Gloria, Puer Natus in Bethlehem, Puer natus in Bethlehem (from Polyhymnia caduceatrix et panegyrica & Musae Sioniae V), Puer nobis nascitur, Puericinium: Quem pastores laudavere, Vom Himmel hoch da komm ich her (from Musae Sioniae V & Urania), Wie schön leuchtet der Morgenstern
Wolfgang Amadeus Mozart performing orchestra Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IV. Sanctus, Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus
George Frideric Handel vocal Saul, HWV 53: Act I, I. Chorus "How excellent thy Name, O Lord", Saul, HWV 53: Act I, IV. Chorus "The youth inspir'd by thee, O Lord", Saul, HWV 53: Act I, V. Chorus "How excellent thy name, O Lord", Saul, HWV 53: Act I, XLI. Chorus "Preserve him for the glory of thy name", Saul, HWV 53: Act I, XX. Symphony / XXI. Recitative "Already see, the daughters of the land" (Michal) / XXII. Chorus "Welcome, welcome, mighty king", Saul, HWV 53: Act I, XXIII. Accompagnato "What do I hear?" (Saul) / XXIV. Chorus "David his tenthousand slew" / XXV. Accompagnato "To him ten thousands!" (Saul), Saul, HWV 53: Act II, LXVIII. Chorus "O fatal consequence of rage", Saul, HWV 53: Act II, XLII. Chorus "Envy! eldest-born of Hell!", Saul, HWV 53: Act III. LXXVIII. Chorus "Mourn, Israel, mourn", Saul, HWV 53: Act III. LXXXIV. Solo and Chorus "O fatal day!" (David), Saul, HWV 53: Act III. LXXXVI. Chorus "Gird on thy sword"
Prognosis vocal Solomon, HWV 67: Act I, Scene I. "Throughout the land" (Chorus), Solomon, HWV 67: Act I, Scene I. "With pious heart" (Chorus), Solomon, HWV 67: Act I, Scene I. "Your harps and cymbals" (Chorus), Solomon, HWV 67: Act I, Scene II. "May no rash intruder" (Chorus), Solomon, HWV 67: Act II, Scene I. "From the censer" (Chorus), Solomon, HWV 67: Act II, Scene III. "From the east unto the west" (Chorus), Solomon, HWV 67: Act II, Scene III. "Swell, swell the full chorus" (Chorus), Solomon, HWV 67: Act III. "Draw the tear from hopeless love" (Chorus), Solomon, HWV 67: Act III. "Praise the Lord" (Chorus), Solomon, HWV 67: Act III. "The name of the wicked" (Chorus)
Cristóbal de Morales performer Emendemus in melius, Missa "Mille regretz": Agnus Dei, Missa "Mille regretz": Credo, Missa "Mille regretz": Gloria, Missa "Mille regretz": Kyrie, Missa "Mille regretz": Sanctus
ウィリー・ナガサキ performing orchestra, vocal Missa Salisburgensis: Agnus Dei, Missa Salisburgensis: Credo, Missa Salisburgensis: Gloria, Missa Salisburgensis: Motet "Plaudite tympana", Missa Salisburgensis: Sanctus - Benedictus, Missa Salisburgensis: Sonata Sancti Polycarpi
Actual Bank Robbers performer, performing orchestra Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, St. Matthew Passion, BWV 244: Teil II, No. 60. Aria (Alto I) "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Teil II, No. 61. "Und von der sechsten Stunde an" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 62. Choral "Wenn ich einmal soll scheiden"
Francisco Guerrero performer Cançión "Subiendo amor", Cançión "Todos aman", Cançión (untitled) (à 6), Motectum: O Doctor optime
Rapdisup performing orchestra St. Matthew Passion, BWV 244: Teil I, No. 2. "Da Jesus diese Rede vollendet hatte" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 21. "Und ging hin ein wenig" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 28. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 43. "Sie hielten aber einen Rat" (Evangelista)
Irma performer Intonationi d’organo: Intonatione del duodecimo tono, C 250, Intonationi d’organo: Intonatione del nono tono, C 247, Tiento para órgano: Verso II, glosade en el tiple, tono V, Toccata à 4, C 237
Los Yungas performing orchestra St. Matthew Passion, BWV 244: Teil II, No. 56. Recitativo (Bass I) "Ja freilich will in uns das Fleisch und Blut", St. Matthew Passion, BWV 244: Teil II, No. 57. Aria (Bass I) "Komm, süßes Kreuz", St. Matthew Passion, BWV 244: Teil II, No. 64. Recitativo (Bass I) "Am Abend, da es kühle war", St. Matthew Passion, BWV 244: Teil II, No. 65. Aria (Bass I) "Mache dich, mein Herze, rein"
Philippe Rogier performer Cançión "Ecce sacerdos magnus" (à 5), Cançión (untitled) (à 6), Recessional Cancion
阿 performing orchestra St. Matthew Passion, BWV 244: Teil I, No. 12. Recitativo (Soprano I) "Wiewohl mein Herz in Tränen schwimmt", St. Matthew Passion, BWV 244: Teil I, No. 13. Aria (Soprano I) "Ich will dir mein Herze schenken", St. Matthew Passion, BWV 244: Teil II, No. 48. Recitativo (Soprano I) "Er hat uns allen wohlgetan"
Giacomo Carissimi performer Jepthe, Jonas, Judicium Salomonis
Bartolomeo Barbarino performer Ghirlanda sacra, libro primo: Audi, dulcis amica mea (5.1 mix), Il primo libro de mottetti: Ardens est cor meum (5.1 mix)
Vera de Jong performing orchestra St. Matthew Passion, BWV 244: Teil II, No. 51. Recitativo (Alto II) "Erbarm es Gott!", St. Matthew Passion, BWV 244: Teil II, No. 52. Aria (Alto II) "Können Tränen meiner Wangen"
Giovanni Pierluigi da Palestrina performing orchestra, vocal Missa "Hodie Christus natus est": I. Sanctus, Missa "Hodie Christus natus est": II. Agnus dei
Claudio Monteverdi performing orchestra Ave Maria / Dominus tecum, Spiritus Sanctus
Heinrich Schütz performing orchestra O bone Jesu, fili Mariae, SWV 471, The Christmas Story, SWV. 435: Final Chorus "Dank sagen wir alle Gott"
Joseph Haydn performing orchestra Scena di Berenice, dramatic scena, Hob XXIVa:10: "Berenice, che fai?"
Josquin des Prez performing orchestra, vocal Motette "Praeter rerum seriem"
Kai Wright performing orchestra Ein langer und schöner Aufzug (Ein schöner Aufzug by Pater Ignatius Augustiner): Fanfare I (Riedl) - Fanfare II (Augustiner)
Kbob performing orchestra St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder"
Lincoln Child performer Symphonia Sacrae Liber Secundus: Suscipe clementissime à 12, C 70
Café Latá performer A Spotless Rose
Antonio Greco performing orchestra St. Matthew Passion, BWV 244: Teil I, No. 25. Choral "Was mein Gott will, das g'scheh allzeit"
Lumpia performing orchestra Ave Maria, virgo seren
Lunar mgc performer Ghirlanda sacra, libro primo: Audi, dulcis amica mea
Martin Luther vocal Christum wir sollen loben schon (harmonized: Lucas Osiander)
한의수 performer Tiento para órganos: Pange lingua gloriosa
Michael Sweeney performer Domine Deus meus à 6, C 127
Moreish performer Beatus est et bene tibi a 4
Mustapha El Mohamend performing orchestra St. Matthew Passion, BWV 244: Teil II, No. 55. "Und da sie ihn verspottet hatten" (Evangelista)
Nicolas Gombert performer Mille regretz
Peter Kuper performer Symphonia Sacrae Liber Secundus: Buccinate in neomenia tuba à 19, C 84
Giovanni Antonio Rigatti performer, performing orchestra Magnificat
DJ Dosse performer Il primo libro de mottetti: Ardens est cor meum
Desert Catz performing orchestra St. Matthew Passion, BWV 244: Teil I, No. 8. Aria (Soprano II) "Blute nur, du liebes Herz!"
Heinrich Ignaz Franz Biber von Bibern performer Missa Salisburgensis, mass for 2 double choruses in 16 parts, double orchestra & double continuo (attribution uncertain), C. App. 101: Kyrie
Roam Badd performer Symphonia Sacrae Liber Secundus: In ecclesiis à 14, C 78
Sven Andersson III performing orchestra St. Matthew Passion, BWV 244: Teil II, No. 34. Recitativo (Tenor II) "Mein Jesus schweigt falschen Lügen stille"
The Badmen performer Magnificat a 33
The Festive Players performer Symphonia Sacrae Liber Secundus: Misericordia tua Domine à 12, C 69
This Party performing orchestra St. Matthew Passion, BWV 244: Teil II, No. 31. "Die aber Jesum gegriffen hatten" (Evangelista)
Tomás Luis de Victoria performing orchestra, vocal O magnum mysterium
Betsy Kingston & the Crowns performer Tiento para órgano: Tantum ergo sacramentum a 4
Henry Purcell performing orchestra Ode for St. Cecilia's Day: "Thou tun'st this world below, the spheres above"
ÆMMA performing orchestra, vocal Missa Salisburgensis: Kyrie
Fred and Flow performing orchestra St. Matthew Passion, BWV 244: Teil I, No. 24. "Und er kam zu seinen Jüngern" (Evangelista)
真壁瑞希 performer Symphonia Sacrae Liber Secundus: Jubilate Deo omnis terra à 10, C 65
Johann Hermann Schein performing orchestra Banchetto musicale: Sonata: Padouana à 5
阿部里果 performer Timor et tremor à 6 (printed 1615 version), C 142
최원선 performing orchestra St. Matthew Passion, BWV 244: Teil I, No. 18. "Da kam Jesus mit ihnen zu einem Hofe" (Evangelista)
Ludwig van Beethoven performing orchestra "Ah! perfido", Op. 65