Andrew Parrott

conductor, chorus master, organ, vocal, arranger

Top collaborators

Artist name Roles Recordings
ワタナベハジメ
Henry Purcell (baroque composer)
Jos Schulté
Moulin Rouge (new wave/power pop)
Dharan Kumar

Work on other artists' recordings

Artist name Roles Recordings
ワタナベハジメ conductor Abdelazer, or The Moor's Revenge: Rondeau, Brandenburg Concerto No. 5 in D, BWV 1050: I. Allegro, Brandenburg Concerto No. 5 in D, BWV 1050: II. Affetuoso, Brandenburg Concerto No. 5 in D, BWV 1050: III. Allegro, Canon and Gigue in D major: Gigue, Canon in D, Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia, Concerto No. 1 in F major, BWV 1046: I. Allegro, Concerto No. 1 in F major, BWV 1046: II. Adagio, Concerto No. 1 in F major, BWV 1046: III. Allegro, Concerto No. 1 in F major, BWV 1046: IV. Menuetto, Concerto No. 3 in G major, BWV 1048: I. Allegro, Concerto No. 3 in G major, BWV 1048: II. Adagio, Concerto No. 4 in G major, BWV 1049: I. Allegro, Concerto No. 4 in G major, BWV 1049: II. Andante, Concerto No. 4 in G major, BWV 1049: III. Presto, Concerto No. 5 in D major, BWV 1050: I. Allegro, Concerto No. 5 in D major, BWV 1050: II. Affettuoso, Concerto No. 5 in D major, BWV 1050: III. Allegro, Concerto No. 6 in B major, BWV 1051: I. Allegro, Concerto No. 6 in B major, BWV 1051: II. Adagio, ma non tanto, Concerto No. 6 in B major, BWV 1051: III. Allegro, Concerto in B-flat major, RV 553: I. Allegro, Concerto in B-flat major, RV 553: II. Largo, Concerto in B-flat major, RV 553: III. Allegro, Concerto in G major, RV 151: I. Presto, Concerto in G major, RV 151: II. Adagio, Concerto in G major, RV 151: III. Allegro, Concierto de Cámara en Re Mayor, para Flauta Dulce o Violín, Oboe o Violín, Violín, Fagot y Continuo "La pastorella", RV 95, I. Allegro, Concierto de Cámara en Re Mayor, para Flauta Dulce o Violín, Oboe o Violín, Violín, Fagot y Continuo "La pastorella", RV 95, II. Largo, Concierto de Cámara en Re Mayor, para Flauta Dulce o Violín, Oboe o Violín, Violín, Fagot y Continuo "La pastorella", RV 95, III. Allegro, Concierto en Do Mayor para 2 Oboes, 2 Clarinetes, 2 Flautas Dulces, 2 Violines, Fagot, Cuerdas y Continuo, "per la solennità di S Lorenzo", RV 556, I. Largo - Allegro molto, Concierto en Do Mayor para 2 Oboes, 2 Clarinetes, 2 Flautas Dulces, 2 Violines, Fagot, Cuerdas y Continuo, "per la solennità di S Lorenzo", RV 556, II. Largo e cantabile, Concierto en Do Mayor para 2 Oboes, 2 Clarinetes, 2 Flautas Dulces, 2 Violines, Fagot, Cuerdas y Continuo, "per la solennità di S Lorenzo", RV 556, III. Allegro, Concierto en Do Mayor para Cuerdas y Continuo, RV 114, I. Allegro, Concierto en Do Mayor para Cuerdas y Continuo, RV 114, II. Adagio - Ciaccona, Concierto en Sol Mayor para 2 Violines, 2 Violoncellos, Cuerdas y Continuo, RV 575, I. Allegro, Concierto en Sol Mayor para 2 Violines, 2 Violoncellos, Cuerdas y Continuo, RV 575, II. Largo, Concierto en Sol Mayor para 2 Violines, 2 Violoncellos, Cuerdas y Continuo, RV 575, III. Allegro, Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, I. Largo, Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, II. Presto ("Fantasmi") III. Largo, Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, IV. Presto, Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, V. Largo ("Il sonno"), Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, VI. Allegro, Concierto en Sol menor para Violín, 2 Oboes, 2 Flautas Dulces, Fagot, Cuerdas y Continuo "per l'Orchestra de Dresda", RV 577, I. Allegro, Concierto en Sol menor para Violín, 2 Oboes, 2 Flautas Dulces, Fagot, Cuerdas y Continuo "per l'Orchestra de Dresda", RV 577, II. Allegro, Concierto en Sol menor para Violín, 2 Oboes, 2 Flautas Dulces, Fagot, Cuerdas y Continuo "per l'Orchestra de Dresda", RV 577, II. Largo non molto, Easter Oratorio, BWV. 249: I. Sinfonia, Easter Oratorio, BWV. 249: II. Adagio, Easter Oratorio, BWV. 249: III. Coro "Kommt, eilet und laufet", Easter Oratorio, BWV. 249: IV. Recitativo (Soprano, Alto, Tenor, Bass) "O kalter Männer Sinn!", Easter Oratorio, BWV. 249: IX. Aria (Alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV. 249: V. Aria (Soprano) "Seele, deine Spezereien", Easter Oratorio, BWV. 249: VI. Recitativo (Alto, Tenor, Bass) "Hier ist die Gruft", Easter Oratorio, BWV. 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV. 249: VIII. Recitativo (Soprano, Alto) "Indessen seufzen wir", Easter Oratorio, BWV. 249: X. Recitativo (Bass) "Wir sind erfreut", Easter Oratorio, BWV. 249: XI. Coro "Preis und Dank", Kantate fragment "Nun is das Heil und die Kraft", BWV 50: Coro, Magnificat in D major, BWV 243: I. Coro: "Magnificat", Magnificat in D major, BWV 243: II. Aria (Soprano I): "Et exultavit spiritus meus", Magnificat in D major, BWV 243: III. Aria (Soprano II): "Quia respexit humilitatem", Magnificat in D major, BWV 243: IV. Coro: "Omnes generationes", Magnificat in D major, BWV 243: IX. Aria (Alto): "Esurientes implevit bonis", Magnificat in D major, BWV 243: V. Aria (Basso): "Quia fecit mihi magna", Magnificat in D major, BWV 243: VI. Duetto (Alto, Tenore): "Et misericordia", Magnificat in D major, BWV 243: VII. Coro: "Fecit potentiam", Magnificat in D major, BWV 243: VIII. Aria (Tenore): "Deposuit potentes", Magnificat in D major, BWV 243: X. Coro (Sopranos I & II, Alto): "Suscepit Israel", Magnificat in D major, BWV 243: XI. Coro: "Sicut locutus est", Magnificat in D major, BWV 243: XII. Coro: "Gloria patri", Messe in h-Moll, BWV 232: IIIa. Symbolum nicenum: Coro "Credo in unum Deum", Messe in h-Moll, BWV 232: IIIb. Symbolum nicenum: Coro "Patrem omnipotentem", Messe in h-Moll, BWV 232: IIIc. Symbolum nicenum: Duetto (Soprano I, Alto) "Et in unum Dominum", Messe in h-Moll, BWV 232: IIId. Symbolum nicenum: Coro "Et incarnatus est", Messe in h-Moll, BWV 232: IIIe. Symbolum nicenum: Coro "Crucifixus", Messe in h-Moll, BWV 232: IIIf. Symbolum nicenum: Coro "Et resurrexit", Messe in h-Moll, BWV 232: IIIg. Symbolum nicenum: Aria (Basso) "Et in Spiritum Sanctum Dominum", Messe in h-Moll, BWV 232: IIIh. Symbolum nicenum: Coro "Confiteor", Messe in h-Moll, BWV 232: IIIi. Symbolum nicenum: Coro "Et expecto", Messe in h-Moll, BWV 232: IIa. Gloria: Coro "Gloria in excelsis Deo", Messe in h-Moll, BWV 232: IIb. Gloria: Coro "Et in terra pax", Messe in h-Moll, BWV 232: IIc. Gloria: Aria (Soprano II) "Laudamus te", Messe in h-Moll, BWV 232: IId. Gloria: Coro "Gratias agimus tibi", Messe in h-Moll, BWV 232: IIe. Gloria: Duetto (Soprano I, Tenore) "Domine Deus", Messe in h-Moll, BWV 232: IIf. Gloria: Coro "Qui tollis peccata mundi", Messe in h-Moll, BWV 232: IIg. Gloria: Aria (Alto) "Qui sedes ad dextram Patris", Messe in h-Moll, BWV 232: IIh. Gloria: Aria (Basso) "Quoniam tu solus Sanctus", Messe in h-Moll, BWV 232: IIi. Gloria: Coro "Cum Sancto Spiritu", Messe in h-Moll, BWV 232: IV. Coro "Sanctus", Messe in h-Moll, BWV 232: Ia. Kyrie: Coro "Kyrie eleison", Messe in h-Moll, BWV 232: Ib. Kyrie: Duetto (Soprano I, Soprano II) "Christe eleison", Messe in h-Moll, BWV 232: Ic. Kyrie: Coro "Kyrie eleison", Messe in h-Moll, BWV 232: Va. Coro "Osanna in excelsis", Messe in h-Moll, BWV 232: Vb. Aria (Tenore) "Benedictus", Messe in h-Moll, BWV 232: Vc. Coro "Osanna in excelsis", Messe in h-Moll, BWV 232: Vd. Aria (Alto) "Agnus Dei", Messe in h-Moll, BWV 232: Ve. Coro "Dona nobis pacem", Messiah: Overture (extract D), Messiah: Part I: Sinfony: Grave – Allegro moderato, Oratorio, "Christ lag in Todes Banden", BWV. 4: I. Sinfonia, Oratorio, "Christ lag in Todes Banden", BWV. 4: II. Versus I (Coro) "Christ lag in Todes Banden", Oratorio, "Christ lag in Todes Banden", BWV. 4: III. Versus II (Soprano, Alto) "Den Tod niemand zwingen kunnt", Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus III (Tenor) "Jesus Christus, Gottes Sohn", Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus IV (Coro) "Es war ein wunderlicher Krieg", Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus V (Bass) "Hier ist das rechte Osterlammm, Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus VI (Soprano, Tenor) "So feiren wir das hohe Fest", Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus VII (Coro) "Wir essen und leben wohl", Overture in B flat major, BWV 194: Cantata No. 194, "Höchsterwünschtes Freudenfest", Rondeau, Sacrae symphoniae: Sonata pian e forte alla quarta bassa, a 8, Sinfonia in G major, RV 146: I. Allegro, Sinfonia in G major, RV 146: II. Andante, Sinfonia in G major, RV 146: III. Presto, Solomon HWV 67: Act III. Sinfonia: The Arrival of the Queen of Sheba, Sonata for Viola da Gamba & Keyboard No. 3 in G minor, BWV 1029: I. Vivace, Sonata for Viola da Gamba & Keyboard No. 3 in G minor, BWV 1029: II. Adagio, Sonata for Viola da Gamba & Keyboard No. 3 in G minor, BWV 1029: III. Allegro, Three parts upon a Ground, Z. 731, Violin Concerto in F major, RV 293 "L'autunno": I. Allegro, Violin Concerto in F major, RV 293 "L'autunno": II. Adagio molto: Ubriachi dormienti, Violin Concerto in F major, RV 293 "L'autunno": III. Allegro: La caccia, Violin Concerto in F minor, RV 297 "L'inverno": I. Allegro non molto, Violin Concerto in F minor, RV 297 "L'inverno": II. Largo, Violin Concerto in F minor, RV 297 "L'inverno": III. Allegro
Henry Purcell conductor Ah! Belinda, Behold, Upon My Bending Spear, But Ere We This Perform, Come ye sons of art, Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Come ye sons of art, Z. 323: II. Come ye sons of art, Come ye sons of art, Z. 323: III. Sound the trumpet, Come ye sons of art, Z. 323: IV. Come ye sons of art, Come ye sons of art, Z. 323: IX. See, Nature, rejoicing, Come ye sons of art, Z. 323: V. Strike the viol, Come ye sons of art, Z. 323: VI. The day that such a blessing gave, Come ye sons of art, Z. 323: VII. Bid the Virtues, Come ye sons of art, Z. 323: VIII. These are the sacred charms, Cupid Only Throws the Dart, Cupid's Dance, Dance, Dance (Oft She Visits), Destruction's Our Delight, Dido and Aeneas, Act 1: ‘Shake the cloud’ (extract), Dido and Aeneas: Act II Scene 1 (The Cave), Dido and Aeneas: Act II Scene 2 (The Grove), Dido and Aeneas: Act III (The Ships), Dido and Aeneas: Overture and Act I, Echo Chorus (In Our Deep-Vaulted Cell), Echo Dance of the Furies, Fear No Danger, Funeral Music for Queen Mary: Canzona, Z. 860ii, Funeral Music for Queen Mary: March, Z. 860i, Funeral Music for Queen Mary: Thou knowest, Lord, Z. 58c, Funeral Sentences for the Death of Queen Mary II: "In the midst of life", Z. 17A, Funeral Sentences for the Death of Queen Mary II: "Man that is born of a woman", Z. 27, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58B, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58C, Funeral Sentences for the Death of Queen Mary II: Canzona, Z. 860ii, Funeral Sentences for the Death of Queen Mary II: March, Z. 860i, Funeral Sentences: In the midst of life, Z. 17a, Funeral Sentences: Man that is born of a woman, Z. 27, Funeral Sentences: Thou knowest, Lord, Z. 58b, Great Minds Against Themselves, Grief Increases, Grove's Dance, Guitar Dance, Ha, Ha, Ha, Hail! Bright Cecilia: 'Tis Nature's voice, Hail! Bright Cecilia: Hail! Bright Cecilia, Hail! Bright Cecilia: Hark! hark! each tree, Hail! Bright Cecilia: In vain the am'rous flute, Hail! Bright Cecilia: Let these amongst themselves contest, Hail! Bright Cecilia: Soul of the world!, Hail! Bright Cecilia: Symphony (Introduction)-Canzona & Adagio-Allegro-Grave-Allegro, Hail! Bright Cecilia: The airy violin, Hail! Bright Cecilia: The fife and all the harmony of war, Hail! Bright Cecilia: Thou tun'st this world below, Hail! Bright Cecilia: Voluntary in D minor-Wonderous machine!, Hail! Bright Cecilia: With rapture of delight-Hail! Bright Cecilia, Hail! Bright Cecilia: With that sublime celestial lay, Harm's Our Delight, Haste, Haste to Town!, If Not For Mine, For Empire's Sake, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms", Our Next Motion, Overture, Prelude (Come Away), Pursue Thy Conquest, Love, Ritornelle, Ruin'd Ere the Set of Sun?, Sailor's Dance, See the Flags, See, Your Royal Guest, Shake the Cloud, St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: I. Symphony, St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: II. "Welcome to all the pleasures", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: III. "Here the deities approve" - "While joys celestial", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: IV. "Then lift up your voices", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: V. "Beauty, thou scene of love", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: VI. "In a consort of voices", Stay, Prince, and Hear, Thanks to These Lonesome Vales, The Queen of Carthage, Thy Hand, Belinda, To the Hills and the Vales, Triumphing Dance, Wayward Sisters, Welcome to all the pleasures, Z. 339: I. Symphony, Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures, Welcome to all the pleasures, Z. 339: III. Here the deities approve / IV. While joys celestial, Welcome to all the pleasures, Z. 339: V. Then lift up your voices, Welcome to all the pleasures, Z. 339: VI. Beauty, thou scene of love, Welcome to all the pleasures, Z. 339: VII. In a consort of voices, When Monarchs Unite, Whence Could So Much Virtue, Witches' Dance, With Drooping Wings, Your Counsel All
Jos Schulté conductor Saint John Passion, BWV 245, Part I: "Ach mein Sinn", Saint John Passion, BWV 245, Part I: "Auf dass das Wort erfüllet würde", Saint John Passion, BWV 245, Part I: "Dein Will gescheh, Herr Gott, zugleich", Saint John Passion, BWV 245, Part I: "Derselbige Jünger war dem Hohenpriester bekannt", Saint John Passion, BWV 245, Part I: "Die Schar aber und der Oberhauptmann", Saint John Passion, BWV 245, Part I: "Herr unser Herrscher", Saint John Passion, BWV 245, Part I: "Ich folge dir gleichfalls", Saint John Passion, BWV 245, Part I: "Jesus ging mit seinen Jüngern" / "Jesum von Nazareth" / "Jesus spricht zu ihnen" / "Jesum von Nazareth" / "Jesus antwortet", Saint John Passion, BWV 245, Part I: "O große Lieb", Saint John Passion, BWV 245, Part I: "Petrus, der nicht denkt zurück", Saint John Passion, BWV 245, Part I: "Simon Petrus aber folgte Jesum nach", Saint John Passion, BWV 245, Part I: "Und Hannas sandte ihn gebunden" / "Bist du nicht seiner Jünger einer?" / "Er leugnete aber und sprach", Saint John Passion, BWV 245, Part I: "Von den Stricken meiner Sünden", Saint John Passion, BWV 245, Part I: "Wer hat dich so geschlagen", Saint John Passion, BWV 245, Part II: "Ach Herr, lass dein' lieb' Engelein", Saint John Passion, BWV 245, Part II: "Allda kreuzigten sie ihn" / "Schreibe nicht: der Juden König" / "Pilatus antwortet", Saint John Passion, BWV 245, Part II: "Betrachte, meine Seel", Saint John Passion, BWV 245, Part II: "Christus, der uns selig macht", Saint John Passion, BWV 245, Part II: "Da führeten sie Jesum" / "Wäre dieser nicht ein Übeltäter" / "Da sprach Pilatus zu ihnen" / "Wir dürfen niemand töten" / "Auf dass erfüllet würde", Saint John Passion, BWV 245, Part II: "Da sprach Pilatus zu ihm" / "Nicht diesen, sondern Barrabam" / "Barrabas, aber war ein Mörder", Saint John Passion, BWV 245, Part II: "Darnach bat Pilatum Joseph von Arimathia", Saint John Passion, BWV 245, Part II: "Die Juden aber schrien" / "Lässest du diesen los" / "Da Pilatus das Wort hörete" / "Weg, weg mit dem" / "Spricht Pilatus zu ihnen" / "Wir haben keinen König" / "Da überantwortete er ihn", Saint John Passion, BWV 245, Part II: "Die Juden aber, dieweil es der Rüsttag war", Saint John Passion, BWV 245, Part II: "Die Kriegsknechte aber" / "Lasset uns den nicht zerteilen" / "Auf dass erfüllet würde die Schrift", Saint John Passion, BWV 245, Part II: "Durch dein Gefängnis, Gottes Sohn", Saint John Passion, BWV 245, Part II: "Eilt, ihr angefocht'nen Seelen", Saint John Passion, BWV 245, Part II: "Er nahm alles wohl in acht", Saint John Passion, BWV 245, Part II: "In meines Herzens Grunde", Saint John Passion, BWV 245, Part II: "Mein Herz, in dem die ganze Welt", Saint John Passion, BWV 245, Part II: "Mein Jesu, ach!", Saint John Passion, BWV 245, Part II: "Mein teurer Heiland", Saint John Passion, BWV 245, Part II: "O hilf, Christe, Gottes Sohn", Saint John Passion, BWV 245, Part II: "Und die Kriegsknechte flochten" / "Sei gegrüßet, lieber Judenkönig!" / "Und gaben ihm Backenstreiche" / "Kreuzige, kreuzige!" / "Pilatus sprach zu ihnen" / "Wir haben ein Gesetz" / "Da Pilatus das Wort hörete", Saint John Passion, BWV 245, Part II: "Und neigte das Haupt und verschied", Saint John Passion, BWV 245, Part II: "Und siehe da, der Vorhang im Tempel zerriss", Saint John Passion, BWV 245, Part II: "Und von Stund an nahm sie", Saint John Passion, BWV 245, Part II: "Zerfließe, mein Herze"
Moulin Rouge conductor Antiphona, Salve Regina, Gloria, RV 589: II. Et in terra pax, Gloria, RV 589: III. Laudamus te, Gloria, RV 589: IV. Gratias agimus tibi, Gloria, RV 589: IX. Qui tollis peccata mundi, Gloria, RV 589: V. Propter magnam gloriam tuam, Gloria, RV 589: VI. Domine Deus, Gloria, RV 589: VII. Domine Fili unigenite, Gloria, RV 589: VIII. Domine Deus, agnus Dei, Gloria, RV 589: X. Qui sedes ad dexteram patris, Gloria, RV 589: XI. Quoniam tu solus sanctus, Gloria, RV 589: XII. Cum sancto spiritu, Hymnus, Ave maris stella, In exitu Israël, RV 604, Kyrie "Cum jubilo", Laudate Dominum omnes gentes, RV 606, Magnificat, RV 610b: I. Magnificat anima mea, Magnificat, RV 610b: II. Et exultavit, Magnificat, RV 610b: III. Et misericordia, Magnificat, RV 610b: IV. Fecit potentiam, Magnificat, RV 610b: V. Esurientes implevit, Magnificat, RV 610b: VI. Suscepit Israël, Magnificat, RV 610b: VII. Sicut locutus est, Magnificat, RV 610b: VIII. Gloria Patri, Selva Morale e Spirituale: Gloria a 7, Sinfonia "Al Santo Sepolcro", RV 169, Sonata "Al Santo Sepolcro", RV 130
Dharan Kumar conductor Orchestral Suite no. 3 in D Major, BWV 1068: Air, Orchestral Suite no. 3 in D major, BWV 1068: Bourrée, Orchestral Suite no. 3 in D major, BWV 1068: Gavottes I & II, Orchestral Suite no. 3 in D major, BWV 1068: Gigue, Orchestral Suite no. 3 in D, BWV 1068: I. Ouverture, Orchestral Suite no. 3 in D, BWV 1068: II. Air, Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II, Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée, Orchestral Suite no. 3 in D, BWV 1068: V. Gigue, Orchestral Suite no. 4 in D, BWV 1069: V. La Réjouissance, Requiem, KV 626: I. [Introitus] Requiem (Adagio), Requiem, KV 626: II. Kyrie (Allegro), Requiem, KV 626: III. [Sequenz]: 1. Dies irae (Allegro assai), Requiem, KV 626: III. [Sequenz]: 2. Tuba mirum (Andante), Requiem, KV 626: III. [Sequenz]: 3. Rex tremendae, Requiem, KV 626: III. [Sequenz]: 4. Recordare, Requiem, KV 626: III. [Sequenz]: 5. Confutatis (Andante), Requiem, KV 626: III. [Sequenz]: 6. Lacrimosa, Requiem, KV 626: IV. [Offertorium]: 1. Domine Jesu (Andante con moto), Requiem, KV 626: IV. [Offertorium]: 2. Hostias (Andante), Requiem, KV 626: V. Sanctus (Adagio-Allegro), Requiem, KV 626: VI. Benedictus (Andante-Allegro), Requiem, KV 626: VII. Agnus Dei, Requiem, KV 626: VIII. [Communio]: Lux aeterna (Adagio-Allegro)
Thomas Tallis conductor Audivi vocem, Candidi facti sunt, Dum transisset sabbatum, Gaude Gloriosa Dei Mater, Gaude Gloriosa Dei Mater (extract), Hodie nobis, Homo quidam, Honor, virtus et potestas, In Jejunio Et Fletu, In pace, in idipsum, Lamentations Of Jeremiah I, Lamentations Of Jeremiah II, Loquebantur variis linguis, Miserere Nostri, O Sacrum Convivium, Salvator Mundi I, Salvator Mundi II, Suscipe, Quaeso Domine, Te Lucis Ante Terminum (Procul Recedent Somnia), Videte miraculum, Why fum’th in fight
Carlo Gesualdo conductor In I. Noctorno: Antiphon: Astiterunt reges terrae/Psalm: Quare fremuerunt gentes (Ps 2)/Antiphon: Astiterunt reges terrae, In I. Noctorno: Lectio I: De Lamentatione, In I. Noctorno: Lectio II: Lamed, In I. Noctorno: Lectio III: Aleph, In I. Noctorno: Resp. 1: Omnes amici mei, In I. Noctorno: Resp. 2: Velum templi, In I. Noctorno: Resp. 3:Vinea mea electa, In II. Noctorno: Antiphon: Aleni insurrexerunt/Psalm: Deus in nomine tuo (Ps 53)/Antiphon: Aleni insurrexerunt, In II. Noctorno: Lectio IV: Protexisti me, In II. Noctorno: Lectio V: Tanta opera bona, In II. Noctorno: Lectio VI: Exacuerunt tamquam, In II. Noctorno: Resp. 4: Tamquam ad latronem, In II. Noctorno: Resp. 5: Tenebrae factae sunt, In II. Noctorno: Resp. 6: Animam meam dilectam, In III. Noctorno: Antiphon: Captabunt/Psalm: Deus ultionum Dominus (Ps 93)/Antiphon: Captabunt, In III. Noctorno: Lectio IX: Nec quisquam, In III. Noctorno: Lectio VII: Festinemus, In III. Noctorno: Lectio VIII: Adeamus ergo, In III. Noctorno: Resp. 7: Tradiderunt me, In III. Noctorno: Resp. 8: Jesum tradidit impius, In III. Noctorno: Resp. 9: Caligaverunt oculi mei
Silo Shellz conductor Messiah: Part I: And He Shall Purify, Messiah: Part I: And the Glory of the Lord Shall Be Revealed, Messiah: Part I: For Unto Us a Child Is Born, Messiah: Part I: Glory to God in the Highest, Messiah: Part I: His Yoke Is Easy, His Burthen Is Light, Messiah: Part I: Pifa: Larghetto e mezzo piano, Messiah: Part II: All We Like Sheep Have Gone Astray, Messiah: Part II: And With His Stripes We Are Healed, Messiah: Part II: Behold, the Lamb of God, Messiah: Part II: He Trusted in God, Messiah: Part II: Let All the Angels of God Worship Him, Messiah: Part II: Let Us Break Their Bonds Asunder, Messiah: Part II: Lift Up Your Heads, O Ye Gates, Messiah: Part II: Surely, He Hath Borne Our Griefs, Messiah: Part II: The Lord Gave the Word, Messiah: Part II: Their Sound Is Gone Out Into All Lands, Messiah: Part III: But Thanks Be to God, Messiah: Part III: Since by Man Came Death, Messiah: Part III: Worthy Is the Lamb That Was Slain… Amen
Antonio Vivaldi conductor Concerto in C major, RV 556 "per la solennità di San Lorenzo": I. Largo – Allegro molto, Concerto in C major, RV 556 "per la solennità di San Lorenzo": II. Largo e cantabile, Concerto in C major, RV 556 "per la solennità di San Lorenzo": III. Allegro, Concerto in G minor, RV 577 "per l'Orchestra di Dresda": I. Allegro, Concerto in G minor, RV 577 "per l'Orchestra di Dresda": II. Largo non molto, Concerto in G minor, RV 577 "per l'Orchestra di Dresda": III. Allegro, Flute Concerto in G minor, RV 439 "La notte": Largo - Presto (Fantasmi) - Largo - Presto - Largo (Il sonno) - Allegro, Gloria, RV 589: II. Et in terra pax, Gloria, RV 589: III. Laudamus te, Gloria, RV 589: IV. Gratias agimus tibi, Gloria, RV 589: IX. Qui tollis peccata mundi, Gloria, RV 589: V. Propter magnam gloriam tuam, Gloria, RV 589: VI. Domine Deus, Gloria, RV 589: VII. Domine Fili unigenite, Gloria, RV 589: VIII. Domine Deus, Agnus Dei, Gloria, RV 589: X. Qui sedes ad dexteram patris, Gloria, RV 589: XI. Quoniam tu solus sanctus, Gloria, RV 589: XII. Cum sancto spiritu
Mamoru Murayama conductor Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven), Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro, Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven), Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto, Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven), Concerto for Piano and Orchestra in D major, Op. 61a: I. Allegro ma non troppo, Concerto for Piano and Orchestra in D major, Op. 61a: II. Larghetto, Concerto for Piano and Orchestra in D major, Op. 61a: III. Rondo. Allegro (cadenza: Ludwig van Beethoven), Concerto for Piano and Orchestra in E-flat major, WoO 4 (completion: Ronald Brautigam): I. Allegro moderato, Concerto for Piano and Orchestra in E-flat major, WoO 4 (completion: Ronald Brautigam): II. Larghetto, Concerto for Piano and Orchestra in E-flat major, WoO 4 (completion: Ronald Brautigam): III. Rondo. Allegretto, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro, Rondo for Piano and Orchestra in B-flat major, WoO 6: Allegro
Claudio Monteverdi conductor, organ Selva morale e spirituale Laudate Dominum I a 5 [Psalm 116], Selva morale e spirituale Laudate Pueri II a 5 [Psalm 112], Selva morale e spirituale: Beatus vir I a 6 [Psalm 111], Selva morale e spirituale: Confitebor tibi Domine II a 3 [Psalm 110], Selva morale e spirituale: Deus tuorum militum a 3 [Hymn], Selva morale e spirituale: Dixit Dominus II a 8 [Psalm 109], Selva morale e spirituale: Hymnus, Deus tuorum militum a 3, Selva morale e spirituale: Jubilet tota civitas [Motet], Selva morale e spirituale: Magnificat a 8 [Hymn], Selva morale e spirituale: Motet, Jubilet totas civitas: solo "in Dialogo", Selva morale e spirituale: Salva Regina a 3 [Motet], Vespro della Beata Vergine (1610): Concerto, Duo Seraphim, Vespro della Beata Vergine (1610): Concerto, Nigra sum, Vespro della Beata Vergine (1610): Psalmus II, Laudate pueri, Vespro della Beata Vergine (1610): Sonata sopra Sancta Maria
Giovanni Gabrieli conductor Canzoni et Sonate 1615 no. I: Canzon a 5, Canzoni et Sonate 1615 no. IV: Canzon, Canzoni et Sonate 1615 no. VII: Canzon, Canzoni et Sonate 1615 no. VIII: Canzon, Canzoni et Sonate 1615 no. XIII: Sonata, Canzoni et Sonate 1615 no. XIX: Sonata, Canzoni et Sonate 1615 no. XXI: Sonata, Sacrae Symphoniae 1597 no. II: Canzon Septimi Toni, Sacrae Symphoniae 1597 no. III: Canzona Septimi Toni, Sacrae Symphoniae 1597 no. VI: Sonata Pian e Forte alla Quarta Bassa, Sacrae Symphoniae 1597 no. XIII: Canzon Septimi e Octavi Toni, Sacrae Symphoniae 1597 no. XV: Sonata Octavi Toni
Lưu Minh Thắng conductor Ikon of the Nativity, Magnificat, Sieben Magnificat-Antiphonen: O Adonai, Sieben Magnificat-Antiphonen: O Immanuel, Sieben Magnificat-Antiphonen: O König aller Völker, Sieben Magnificat-Antiphonen: O Morgenstern, Sieben Magnificat-Antiphonen: O Schlussel Davids, Sieben Magnificat-Antiphonen: O Spross Aus Isais Wurzel, Sieben Magnificat-Antiphonen: O Weisheit
MONSTER MIKE conductor Messiah: Part I: Comfort Ye My People, Messiah: Part I: Ev’ry Valley Shall Be Exalted, Messiah: Part II: All They That See Him, Laugh Him to Scorn, Messiah: Part II: Behold, and See If There Be Any Sorrow, Messiah: Part II: He That Dwelleth in Heaven, Messiah: Part II: Thou Shalt Break Them, Messiah: Part II: Thy Rebuke Hath Broken His Heart, Messiah: Part II: Unto Which of the Angels
Zaki Murad conductor Dixit Dominus: Dixit Dominus Domino meo, Laetatus sum, RV 607, Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Nun lieget alles unter dir", Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Wenn soll es doch geschehen", Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Chorus "Lobet Gott in seinen Reichen", Messiah: Part II: Hallelujah!, Selva Morale e Spirituale: Kyrie I
ThisisDA conductor Messiah: Part I: For Behold, Darkness Shall Cover the Earth, Messiah: Part I: The People That Walked in Darkness, Messiah: Part I: Thus Saith the Lord of Hosts, Messiah: Part II: Why Do the Nations So Furiously Rage Together, Messiah: Part III: Behold, I Tell You a Mystery, Messiah: Part III: The Trumpet Shall Sound
Franky Fox conductor Cantata No. 82 "Ich habe genug": Aria "Ich freue mich auf meinen Tod", Cantata No. 82 "Ich habe genug": Aria "Ich habe genug", Cantata No. 82 "Ich habe genug": Aria "Schlummert ein", Cantata No. 82 "Ich habe genug": Recitative "Ich habe genug!", Cantata No. 82 "Ich habe genug": Recitative "Mein Gott! wannkommt das schöne"
GDNA conductor Messiah: Part I: But Who May Abide the Day of His Coming, Messiah: Part I: Then Shall the Eyes of the Blind Be Open’d, Messiah: Part II: Thou Art Gone Up on High
Harry Deal conductor Seven Magnificat Antiphons, No. 1: O Weisheit, Seven Magnificat Antiphons, No. 2: O König Aller Volker, Spem in alium, P. 299
Kate Myers conductor Messiah: Part I: Rejoice Greatly, O Daughter of Zion, Messiah: Part II: How Beautiful Are the Feet, Messiah: Part III: I Know That My Redeemer Liveth
Piet Ekel conductor Messiah: Part I: There Were Shepherds / And the Angel Said Unto Them / And Suddenly There Was With the Angel, Messiah: Part II: But Thou Didst Not Leave His Soul in Hell, Messiah: Part II: He Was Cut Off Out of the Land of the Living
Johann Sebastian Bach conductor Easter Oratorio: Kommt eilet, Passion according to St John, BWV 245: Chorale "Ach, großer König"
George Shovlin Blues Band conductor Messiah: Part I: Behold, a Virgin Shall Conceive, Messiah: Part I: O Thou That Tellest Good Tidings to Zion
Hildegard von Bingen vocal O ignis spiritus, O viridissima virga
Deams conductor Israel in Egypt: Thou shalt bring them in, Messiah, HWV 56, [Part 2]: "Hallelujah" (Chorus)
Kemany Memdouh Bey conductor Ulysses Awakes
Chanticleer arranger Un flambeau, Jeanette, Isabella
Bảo Huy conductor Canticle of the Mother of God
John Browne conductor O Maria Salvatoris Mater (extract)
Motherbird conductor Passion according to St John, BWV 245: Aria "Es is vollbracht"
John Jacob Niles conductor I Wonder as I Wander
Otis Stacks conductor We Three Kings of Orient Are
John Taverner conductor Missa Gloria Tibi Trinitas, Gloria
Ralph Schläger conductor Messiah: Part III: Then Shall Be Brought to Pass the Saying
Sara Kovács chorus master Krönungsmesse, K. 317: I. Kyrie
Guillaume de Machaut conductor Messe De Nostre Dame - Introitus
Stanley Hill conductor Canzon XIII, Septimi E Octavi Toni (1597) (V.E, S. 145) (The London Cornett and Sackbut Ensemble, Andrew Parrott)
Steven Pasquale conductor Messiah: Part III: If God Be for Us
The ???????? ?????? Drumline conductor Messiah: Part I: He Shall Feed His Flock Like a Shepherd
The Soul Dawgs conductor Choral Fantasy in C minor, op. 80
George Frideric Handel conductor Harfenkonzert B-Dur: II. Larghetto
Bearded Youth Quest chorus master Krönungsmesse, K. 317: IV. Sanctus
Wolfgang Amadeus Mozart conductor Requiem, K.623: Dies Irae
Ludwig van Beethoven conductor Rondo in B-flat major for Piano and Orchestra, WoO 6
2& conductor Messiah: Part III: O Death, Where Is Thy Sting