Everett Porter

engineer, producer, balance, editor, recording, misc

Top collaborators

Artist name Roles Recordings
Carl Maria von Weber
Johannes Brahms
Bob Vocak
Ludwig van Beethoven
Roger Clay

Work on other artists' recordings

Artist name Roles Recordings
Carl Maria von Weber engineer Oberon, Act 1: Aria: Fatal Vow!, Oberon, Act 1: Aria: From Boyhood Trained, Oberon, Act 1: Finale: Haste, Gallant Knight, Oberon, Act 1: Narration: Huon Is Sure That His Vision…, Oberon, Act 1: Narration: In a Garden Full of Beautiful Flowers, Oberon, Act 1: Narration: Puck, Searching High and Low, Oberon, Act 1: Narration: So Knight and Squire Take Ship From France, Oberon, Act 1: Narration: The Vision Is Gone, Oberon, Act 1: Narration: Watching Over Oberon, His Sleeping Master, Oberon, Act 1: Oberon, Act 1: Ensemble: Honour and Joy, Oberon, Act 1: Trio: Light as Fairy Foot Can Fall, Oberon, Act 1: Vision: O Why Art Thou Sleeping, Sir Huon the Brave?, Oberon, Act 2: Arriette: A Lonely Arab Maid, Oberon, Act 2: Dance of the Bayaderes, Oberon, Act 2: Finale: And Hark, the Mermaids…oh Is Pleasant, Oberon, Act 2: Glory, Oberon, Act 2: Melodrama and Narration: Summoned by the Horn, Oberon, Act 2: Narration: Alas Poor Mortal, Oberon, Act 2: Narration: All Is Now Set Fair…, Oberon, Act 2: Narration: But the Lovers’ Troubles…, Oberon, Act 2: Narration: Huon Has Lost the Magic Horn, Oberon, Act 2: Narration: It Is the Wedding Day…, Oberon, Act 2: Narration: Oberon Orders Puck, Oberon, Act 2: Narration: On a Barren Island, Oberon, Act 2: Narration: Reiza Whispers Anxiously…, Oberon, Act 2: Narration: What Reiza Has Seen…, Oberon, Act 2: Narration: While Huon and Reiza Get Ready to Leave, Oberon, Act 2: Quartet: Over the Dark Blue Waters, Oberon, Act 2: Ruler of This Awful Hour, Oberon, Act 2: Scene & Arie: Ocean Thou Mighty Monster, Oberon, Act 2: Solo & Choir: Spirits of Air and Earth and Sea, Oberon, Act 3: Almanzor Is Rooted to the Spot…finale: Hark What Notes, Oberon, Act 3: Cavatine: Mourn Thou Poor Heart, Oberon, Act 3: Chorus & Ballet: For Thee Hath Beauty, Oberon, Act 3: Duet: On the Banks, Oberon, Act 3: Lied: O Araby Dear, Oberon, Act 3: March & Finale, Oberon, Act 3: Narration: Almanzor Is Bewitched, Oberon, Act 3: Narration: But There Is No Response…, Oberon, Act 3: Narration: Huon Tries to Break Free, Oberon, Act 3: Narration: Huon With True Heroism, Oberon, Act 3: Narration: Puck Has Magicked…, Oberon, Act 3: Narration: Rescued by Corsairs, Oberon, Act 3: Narration: Sherasimin Is Entranced, Oberon, Act 3: Narration: Suddenly the Curtains Part…, Oberon, Act 3: Rondo: I Revel in Hope, Oberon, Act 3: Terzettino: And I Must I Then, Oberon: Overture
Johannes Brahms balance, engineer, producer I. Selig sind, die da Leid tragen, II. Denn alles Fleisch, es ist wie Gras, III. Herr, lehre doch mich, IV. Wie lieblich sind deine Wohnungen, Symphony no. 1 in C-minor: I. Un poco sostenuto - Allegro, Symphony no. 1 in C-minor: II. Andante sostenuto, Symphony no. 1 in C-minor: III. Un poco allegretto e grazioso, Symphony no. 1 in C-minor: IV. Adagio - Più Andante - Allegro non troppo, ma con brio - Più allegro, V. Ihr habt nun Traurigkeit, VI. Denn wir haben hie keine bleibende Statt, VII. Selig sind die Toten, Variations on a Theme of Haydn: Chorale: St. Antoni - Andante, Variations on a Theme of Haydn: Finale - Andante, Variations on a Theme of Haydn: Var. 1 - Poco più animato, Variations on a Theme of Haydn: Var. 2 - Più vivace, Variations on a Theme of Haydn: Var. 3 - Con moto, Variations on a Theme of Haydn: Var. 4 - Andante con moto, Variations on a Theme of Haydn: Var. 5 - Vivace, Variations on a Theme of Haydn: Var. 6 - Vivace, Variations on a Theme of Haydn: Var. 7 - Grazioso, Variations on a Theme of Haydn: Var. 8 - Presto non troppo
Bob Vocak recording Concerto in A minor, RV 499: I. Allegro, Concerto in A minor, RV 499: II. Largo, Concerto in A minor, RV 499: III. Allegro, Concerto in C, RV 472: I. Allegro non molto, Concerto in C, RV 472: II. Andante molto, Concerto in C, RV 472: III. Allegro, Concerto in D minor, RV 482: Allegro molto, Concerto in E minor, RV 484: I. Allegro poco, Concerto in E minor, RV 484: II. Andante, Concerto in E minor, RV 484: III. Allegro, Concerto in F, RV 491: I. Allegro molto, Concerto in F, RV 491: II. Largo, Concerto in F, RV 491: III. (Allegro), Concerto in G minor, RV 495: I. Presto, Concerto in G minor, RV 495: II. Largo, Concerto in G minor, RV 495: III. Allegro, Concerto in G, RV 494: I. Allegro, Concerto in G, RV 494: II. Largo, Concerto in G, RV 494: III. (Allegro)
Ludwig van Beethoven engineer Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture
Roger Clay balance Concerto for Violin and Strings in C major, Op. 8 No. 6, RV. 180 "Il pia cere": I. Allegro, Concerto for Violin and Strings in C major, Op. 8 No. 6, RV. 180 "Il pia cere": II. Largo e cantabile, Concerto for Violin and Strings in C major, Op. 8 No. 6, RV. 180 "Il pia cere": III. Allegro, Concerto for Violin and Strings in E major, Op. 8 No. 1, RV. 269 "La Primavera": I. Allegro, Concerto for Violin and Strings in E major, Op. 8 No. 1, RV. 269 "La Primavera": II. Largo, Concerto for Violin and Strings in E major, Op. 8 No. 1, RV. 269 "La Primavera": III. Allegro (Danza pastorale), Concerto for Violin and Strings in E-flat major, Op. 8 No. 5, RV. 253 "La tempesta di mare": I. (Allegro e) presto, Concerto for Violin and Strings in E-flat major, Op. 8 No. 5, RV. 253 "La tempesta di mare": II. Largo, Concerto for Violin and Strings in E-flat major, Op. 8 No. 5, RV. 253 "La tempesta di mare": III. presto, Concerto for Violin and Strings in F major, Op. 8 No. 3, RV. 293 "L'autunno": I. Allegro (Ballo, e canto de' villanelli), Concerto for Violin and Strings in F major, Op. 8 No. 3, RV. 293 "L'autunno": II. Adagio molto (Ubriachi dormienti), Concerto for Violin and Strings in F major, Op. 8 No. 3, RV. 293 "L'autunno": III. Allegro (La caccia), Concerto for Violin and Strings in F minor, Op. 8 No. 4, RV. 297 "L'inverno": I. Allegro non molto, Concerto for Violin and Strings in F minor, Op. 8 No. 4, RV. 297 "L'inverno": II. Largo, Concerto for Violin and Strings in F minor, Op. 8 No. 4, RV. 297 "L'inverno": III. Allegro, Concerto for Violin and Strings in G minor, Op. 8 No. 2, RV. 315 "L'estate": I. Allegro non molto non molto - Allegro, Concerto for Violin and Strings in G minor, Op. 8 No. 2, RV. 315 "L'estate": II. Adagio - Presto - Adagio, Concerto for Violin and Strings in G minor, Op. 8 No. 2, RV. 315 "L'estate": III. Presto (Tempo impetuoso d'estate)
Antonín Dvořák engineer, producer (applause), Requiem - Part 1. Confutatis maledictus, Requiem - Part 1. Graduale: Requiem aeternam, Requiem - Part 1. Introitus: Requiem aeternam, Requiem - Part 1. Lacrimosa, Requiem - Part 1. Quid sum miser, Requiem - Part 1. Recordare, Jesu pie, Requiem - Part 1. Sequentia: Dies irae, Requiem - Part 1. Tuba mirum, Requiem - Part 2. Agnus Dei, Requiem - Part 2. Hostias, Requiem - Part 2. Offertorium: Domine Jesu Christe, Requiem - Part 2. Pie Jesu, Requiem - Part 2. Sanctus: Sanctus & Benedictus, Symphony No 8 - I. Allegro con brio, Symphony No 8 - II. Adagio, Symphony No 8 - III. Allegretto grazioso, Symphony No 8 - IV. Allegro ma non troppo
Giovanni Gabrieli misc Canzon à 12, C 193, Canzoni et Sonate no. 8: Canzon à 8, Canzoni et Sonate: Canzon IX à 8, C 190, Canzoni et Sonate: Canzon X à 8, C 203, Canzoni et Sonate: Canzon XIII à 8, C 206, Canzoni et Sonate: Canzon XIV à 10, C 207, Canzoni et Sonate: Canzon XV à 10, C 208, Canzoni et Sonate: Canzon XVI à 12, C 209, Canzoni et Sonate: Canzon XVIII à 14, C 211, Canzoni et Sonate: Sonata XIX à 15, C 212, Sacrae Symphoniae no. 3: Canzon septimi toni à 8, Sacrae Symphoniae: Canzon duodecimi toni à 10, C 177, Sacrae Symphoniae: Canzon septimi et octavi toni à 12, C 182
D'va editor Concerto in D major: I. Allegro, Concerto in D major: II. Adagio, Concerto in D major: II. Andante, Concerto in D major: III. Allegro, Concerto in D major: III. Allegro grazioso, Concerto in E-flat major: I. Allegro, Concerto in E-flat major: I. Allegro con spirito, Concerto in E-flat major: I. Andante, Concerto in E-flat major: II. Allegro, Concerto in E-flat major: II. Andante, Concerto in E-flat major: II. Andante cantabile, Concerto in E-flat major: III. Rondo
Brooks Wheelan editor, engineer, producer, recording Sebastian im Traum: I. ~ 80 bpm, Sebastian im Traum: II. Ruhig fliessend, Sebastian im Traum: III. ~ 60 bpm, Symphony no. 2 in D major, op. 43: 1. Allegretto, Symphony no. 2 in D major, op. 43: 2. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: 3. Vivacissimo – Lento e suave, Symphony no. 2 in D major, op. 43: 4. Finale: Allegro moderato, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegretto moderato
Matt Crawford editor Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra: II. Giuoco delle coppie. Allegretto scherzando, Concerto for Orchestra: III. Elegia. Andante, non troppo, Concerto for Orchestra: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra: V. Finale. Pesante - Presto, The Miraculous Mandarin, op. 19: I. Allegro, The Miraculous Mandarin, op. 19: II. Comodo, The Miraculous Mandarin, op. 19: III. Allegretto, The Miraculous Mandarin, op. 19: IV. Lento, The Miraculous Mandarin, op. 19: V. Adagio
Gustav Mahler engineer, producer (applause), Symphony No 3 - I. Kräftig, Entschieden, Symphony No 3 - II. Tempo di Menuetto. Sehr mässig, Symphony No 3 - III. Comodo. Scherzando. Ohne Hast, Symphony No 3 - IV. Sehr Langsam. Misterioso. 'Mensch Gib Acht!', Symphony No 3 - V. Lustig im Tempo und keck im Ausdruck: 'Es sungen drei Engel', Symphony No 3 - VI. Langsam. Ruhevoll. Empfunden
Yacine Tigre balance Nocturne op. 40, String Quintet in E-flat, op. 97: II. Allegro vivo (Scherzo), String Quintet in G, op. 77: I. Allegro con fuoco – Più mosso, String Quintet in G, op. 77: II. Scherzo (Allegro vivace) – Trio, String Quintet in G, op. 77: III. Poco andante, String Quintet in G, op. 77: IV. Finale (Allegro assai)
Cassius editor, producer Piano Concerto no 18 in B-flat major, K 456: I. Allegro vivace, Piano Concerto no 18 in B-flat major, K 456: II. Allegro un poco sostenuto, Piano Concerto no 18 in B-flat major, K 456: III. Allegro vivace, Piano Concerto no. 19 in F major, K 459: I. Allegro, Piano Concerto no. 19 in F major, K 459: II. Allegretto, Piano Concerto no. 19 in F major, K 459: III. Allegro assai
Roger Hand engineer Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro
Cleveland Quartet editor Quartet no. 13 in A minor, D. 804: I. Allegro ma non troppo, Quartet no. 13 in A minor, D. 804: II. Andante, Quartet no. 13 in A minor, D. 804: III. Menuetto: Allegretto, Quartet no. 13 in A minor, D. 804: IV. Allegro moderato
Anton Bruckner balance, producer Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso, Symphony no. 9 in D minor, WAB 109: II. Scherzo. Bewegt, lebhaft, Symphony no. 9 in D minor, WAB 109: III. Adagio. Langsam, feierlich
Adriano Banchieri misc Concerto for brass ensemble, no. 1: "La Battaglia", Concerto for brass ensemble, no. 2: "Magnificat", Concerto for brass ensemble, no. 3: "Magnificat"
Heinrich Isaac misc Instrumental Piece for Brass, no. 1: Der Welte Fundt, Instrumental Piece for Brass, no. 6: Instrumentalsätz ohne Titel
Gabriel Díaz Bessón misc Lauda Jerusalem
William G. Harvey editor The Miraculous Mandarin, op. 19: VI. Molto moderato