London Symphony Chorus

vocal, performer

Top collaborators

Artist name Roles Recordings
Zhao ((Romania))
Tamara Mumford (mezzo soprano)
Christopher K. Koenigsberg
New Mixage (Joël Hubaut)
Ralf Kiwit

Work on other artists' recordings

Artist name Roles Recordings
Zhao vocal Caractacus, op. 35: Processional Music, Carmina Burana: Blanziflor et Helena: ⅩⅩⅣ. Ave formosissima, Carmina Burana: Blanzifor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: Fortuna Imperatrix mundi: Ⅰ. O Fortuna, Carmina Burana: Fortuna Imperatrix mundi: Ⅱ. Fortuna plango vulnera, Carmina Burana: Fortuna Imperatrix mundi: ⅩⅩⅤ. O Fortuna (reprise), Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret silva, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem Anger: Tanz, Carmina Burana: Uf dem Anger: Were diu werlt alle min, Carmina Burana: Uf dem Anger: Ⅵ. Tanz, Carmina Burana: Uf dem Anger: Ⅶ. Floret silva nobilis, Carmina Burana: Uf dem Anger: Ⅷ. Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Ⅸ. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe, Carmina Burana: Uf dem Anger: Ⅹ. Were diu werlt alle min, Carmina Burana: Ⅰ. Primo vere: Ⅲ. Veris leta facies, Carmina Burana: Ⅰ. Primo vere: Ⅳ. Omnia sol temperat, Carmina Burana: Ⅰ. Primo vere: Ⅴ. Ecce gratum, Carmina Burana: Ⅱ. In Taberna: ⅩⅢ. Ego sum abbas, Carmina Burana: Ⅱ. In Taberna: ⅩⅣ. In taberna quando sumus, Carmina Burana: Ⅱ. In Taberna: Ⅺ. Estuans interius, Carmina Burana: Ⅱ. In Taberna: Ⅻ. Olim lacus colueram, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅤ. Amor volat undique, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅥ. Dies, nox et omnia, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅦ. Stetit puella, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅧ. Circa mea pectora, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅨ. Si puer cum puellula, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅩ. Veni, veni, venias, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅩⅢ. Dulcissime, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅪ. In trutina mentis dubia, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅫ. Tempus est iocundum, From the Bavarian Highlands, op. 27: III. Lullaby, Grand March & "Vieni, guerriero vindice" (Aida, Act II), Requiem: Dies Irae, Requiem: Dies Irae (Extract), Scenes From the Bavarian Highlands: The Dance, Sinfonia da Requiem, op. 20: Lacrymosa (extract), The Canterbury Pilgrims: The Wife of Bath (extract), The Dream of Gerontius, op. 38: Part I. "Be merciful, be gracious" (Chorus), The Dream of Gerontius, op. 38: Part I. "Go, in the name of Angels" (Chorus), The Dream of Gerontius, op. 38: Part I. "Kyrie eleison" (Chorus), The Dream of Gerontius, op. 38: Part I. "Rescue him, O Lord!" (Chorus), The Dream of Gerontius, op. 38: Part II. "Be merciful, be gracious" (Chorus), The Dream of Gerontius, op. 38: Part II. "Glory to Him" (Chorus), The Dream of Gerontius, op. 38: Part II. "Lord, Thou hast been our refuge" (Chorus), The Dream of Gerontius, op. 38: Part II. "Low-born clods of brute earth" (Chorus), The Dream of Gerontius, op. 38: Part II. "Praise to the Holiest" (Chorus), The Dream of Gerontius, op. 38: Part II. "The mind bold and independent" (Chorus)
Tamara Mumford vocal Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret silva, Carmina Burana: Uf dem Anger: Tanz, Carmina Burana: Uf dem anger: Reie, Carmina Burana: Uf dem anger: Were diu werlt alle min, Messa da Requiem: I. Requiem, Messa da Requiem: II. Dies irae: Confutatis, Messa da Requiem: II. Dies irae: Dies irae, Messa da Requiem: II. Dies irae: Lacrymosa, Messa da Requiem: II. Dies irae: Liber scriptus, Messa da Requiem: II. Dies irae: Rex tremendae, Messa da Requiem: II. Dies irae: Tuba mirum, Messa da Requiem: IV. Sanctus, Messa da Requiem: V. Agnus Dei, Messa da Requiem: VI. Lux aeterna, Messa da Requiem: VII. Libera me, Requiem: Libera Me (Extract), Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships, Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone, Symphony No. 1 "A Sea Symphony": III. The Waves, Symphony No. 1 "A Sea Symphony": IV. The Explorers
Christopher K. Koenigsberg vocal Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ia. "Veni, Creator Spiritus!", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ib. "Imple superna gratia", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ic. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Id. Tempo I. (Allegro, etwas hastig.), Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ie. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! If. "Accende lumen sensibus", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ig. "Qui Paraclitus diceris", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ih. "Gloria Patri Domino", Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIa. Poco adagio, Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIb. Più mosso. (Allegro moderato), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIc. "Waldung, sie schwankt heran" (Heilige Anachoreten), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IId. "Ewiger Wonnebrand" (Pater Ecstaticus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIe. "Wie Felsenabgrund mir zu Füßen" (Pater Profundus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIf. "Gerettet ist das edle Glied" (Chor der Engel und Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIg. "Jene Rosen, aus den Händen" (Chor der jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIh. "Uns bleibt ein Erdenrest" (Die vollendeteren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIi. "Ich spür' soeben" (Die jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIj. "Hier ist die Aussicht frei" (Doctor Marianus) / "Freudig empfangen wir" (Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIk. "Höchste Herrscherin der Welt" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIl. "Jungfrau, rein im schänsten Sinne" (Doctor Marianus und Chor), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIm. Aussert langsam. Adagissimo., Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIn. "Dir, der Unberührbaren" (Chöre) / "Du schwebst zu Höhen" (Una Poenitentium und Chor der Büßerinnen), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIo. "Bei der Liebe, die den Fen" (Magna Peccatrix), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIp. "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIq. "Bei dem hochgeweigten Orte" (Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIr. "Die du grossen Sünderinnen" (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIs. "Neige, neige, du Ohnegleiche" (Una Poenitenium), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIt. "Er überwächst uns schon" (Selige Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIu. "Vom edlen Geisterchor umgeben" (Una Poenitentium (Gretchen)), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIv. "Komm! Hebe dich zu höhern Sphären!" (Mater Gloriosa), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIw. "Blicket auf zum Retterblick" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIx. "Alles Vergängliche" (Chorus Mysticus)
New Mixage vocal Ave verum corpus, K. 618, Kullervo, op. 7: V. Kullervo's Death: Andante, Kullervo: V. Kullervo's Death: Andante, Kyrie, K. 341/368a, Les Troyens, H. 133a: Act I. No. 1 Chorus "Ha, Ha! Après dix ans" (Chorus of the Trojan People), Les Troyens, H. 133a: Act I. No. 4 March and Hymn "Dieux protecteurs de la ville éternelle" (Chorus), Les Troyens, H. 133a: Act II, Scene 2. No. 14 Chorus "Ha, puissante Cybèle" (Trojan Chorus), Les Troyens, H. 133a: Act III. No. 17 Chorus "De Carthage les cieux" (Chorus of the Carthage People), Les Troyens, H. 133a: Act III. No. 18 National Anthem "Gloire à Didon" (Chorus), Les Troyens, H. 133a: Act V, Scene 3. No. 49 Ceremony for the Dead "Dieux de l'oubli, dieux du Ténare" (Chorus of the Priests of Pluto) / "S'il faut enfin qu'Énée aborde en Italie" (Anna, Narbal, Chorus), Les Troyens, H. 133a: Act V, Scene 3. No. 51 Chorus "Ah! au secours! au secours! la reine s'est frappée!" (All), Messiah - Part II, Messiah, HWV 56: Part II, Scene 7, no. 44 “Hallelujah” (Chorus), Messiah: Hallelujah Chorus, Messiah: Part I, No. 12 Chorus "For unto us a Child is born", Messiah: Part I, No. 15 Chorus "Glory to God in the highest", Messiah: Part I, No. 19 Chorus "His yoke is easy", Messiah: Part I, No. 3 Chorus "And the glory of the Lord", Messiah: Part I, No. 6 Chorus "And He shall purify the sons of Levi", Messiah: Part II, No. 20 Chorus "Behold the Lamb of God", Messiah: Part II, No. 26 Chorus "He trusted in God", Messiah: Part II, No. 31 Chorus "Lift up your heads", Messiah: Part II, No. 35 Chorus "The Lord gave the word", Messiah: Part II, No. 37 Chorus "Their sound is gone out", Messiah: Part II, No. 39 Chorus "Let us break their bonds asunder", Messiah: Part III, No. 44 Chorus "Since by man came death", Messiah: Part III, No. 51 Chorus "Worthy is the Lamb" / "Blessing and honour" / No. 52 Chorus "Amen", Roméo et Juliette "Symphonie dramatique": Scène 3. Scène d'amour. Nuit sereine / Le jardin de Capulet silencieux et desert, Roméo et Juliette "Symphonie dramatique": Scène 5. Convoi funèbre de Juliette
Ralf Kiwit vocal Der Freischutz: Act 1. No. 1. Introduction: "Victoria, Der Meister Soll Leben", Der Freischutz: Act 1. No. 2. Terzett Mit Chor: "O! Diese Sonne!", Der Freischutz: Act 1. No. 3. Scene, Walzer Und Arie: "Nein! Langer Trag' Ich Nicht Die Qualen", Der Freischutz: Act 1. No. 4. Lied: "Hier Im Ird'Schen Jammerthal", Der Freischutz: Act 1. No. 5. Arie: "Schweig'! Schweig'! Damit Dich Niemand Warnt", Der Freischutz: Act 2. No. 10. Finale - Die Wolfsschlucht: "Milch Des Mondes Fiel Aufs Kraut", Der Freischutz: Act 2. No. 6. Duett: "Schelm! Halt Fest!", Der Freischutz: Act 2. No. 7. Ariette: "Kommt Ein Schlanker Bursch Gegangen", Der Freischutz: Act 2. No. 8. Scene Und Arie: "Wie Nahte Mir Der Schlummer", Der Freischutz: Act 2. No. 9. Terzett: "Wie? Was? Entsetzen!", Der Freischutz: Act 3. No. 11. Entre-Acte, Der Freischutz: Act 3. No. 12. Cavatine: "Und Ob Die Wolke Sie Verhulle", Der Freischutz: Act 3. No. 13. Romanze Und Arie: "Einst Traumte Meiner Sel'Gen Base", Der Freischutz: Act 3. No. 14. Volkslied: "Wir Winden Dir Den Jungfernkranz", Der Freischutz: Act 3. No. 15. Jagerchor: "Was Gleicht Wohl Auf Erden Dem Jagervergnugen", Der Freischutz: Act 3. No. 16. Finale: "Schaut, o Schaut, Er Traf Die Eig'Ne Braut!", Die Schöpfung: Part I. No. 11. Stimmt an die Saiten (chorus), Die Schöpfung: Part I. No. 14. Die Himmel erzählen die Ehre Gottes (chorus, soprano, tenor, baritone), Die Schöpfung: Part I. No. 2. Im Anfange schuf Gott Himmel und Erde (baritone, chorus, tenor), Die Schöpfung: Part I. No. 3. Nun schwanden vor dem heiligen Strahle (tenor, chorus), Die Schöpfung: Part I. No. 5. Mit Staunen sieht das Wunderwerk (soprano, chorus), Die Schöpfung: Part II. No. 20. Der Herr ist groß in seiner Macht (soprano, tenor, baritone, chorus), Die Schöpfung: Part II. No. 27. Vollendet ist das große Werk (chorus), Die Schöpfung: Part II. No. 29. Vollendet ist das große Werk (chorus), Die Schöpfung: Part III. No. 31. Von deiner Güt', o Herr und Gott (soprano, baritone, chorus), Die Schöpfung: Part III. No. 35. Singt dem Herrn alle Stimmen (chorus, soprano, alto, tenor, baritone)
Benny Greb vocal Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)
Guy-Claude Luypaerts vocal Ballad of Heroes, op. 14: I. Funeral March, Ballad of Heroes, op. 14: II. Scherzo: Dance of Death, Choral Song to be Sung in Time of War no. 1: A Song of Courage, Choral Song to be Sung in Time of War no. 2: A Song of Liberty, Choral Song to be Sung in Time of War no. 3: A Song of Healing, Choral Song to be Sung in Time of War no. 4: A Song of Victory, Choral Song to be Sung in Time of War no. 5: A Song of Pity, Peace and Love, Choral Song to be Sung in Time of War no. 6: A Song of the New Age, In Honour of the City, Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl), Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg), Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach), Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton), Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp), Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau), The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists, The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances, The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began, The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet, The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter, The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces, The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children
Benjamin Britten vocal Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", War Requiem, Op. 66: I. Requiem aeternam: Requiem Aeternam, War Requiem, Op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?, War Requiem, Op. 66: II. Dies irae: Dies Irae, War Requiem, Op. 66: II. Dies irae: Lacrimosa Dies Illa, War Requiem, Op. 66: II. Dies irae: Liber Scriptus Proferetur, War Requiem, Op. 66: II. Dies irae: Move Him Into the Sun, War Requiem, Op. 66: II. Dies irae: Recordare Jesu Pie, War Requiem, Op. 66: III. Domine Jesu Christe, War Requiem, Op. 66: IV. Sanctus, Sanctus, Sanctus, War Requiem, Op. 66: V. Agnus dei: One Ever Hangs, War Requiem, Op. 66: VI. Libera me: Libera Me, Domine
Giuseppe Verdi vocal Falstaff: Act II: Part 2 - "C'e. C'e" (Ford, Dr Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Coro, Alice), Falstaff: Act III: Part 2 - "Pizzica, pizzica" (Alice, Quickly, Meg, Falstaff, Dr Cajus, Ford, Pistola, Bardolfo, Coro), I. Requiem & Kyrie, II. Dies Irae: Dies Irae, Dies Illa, II. Dies Irae:Confutatis Maledictis, II. Dies Irae:Lacrymosa Dies Illa, II. Dies Irae:Liber Scriptus Proferetur, II. Dies Irae:Rex Tremendae Majestatis, II. Dies Irae:Tuba Mirum Spargens Sonum, IV. Sanctus, Macbeth: I. Che Faceste, Requiem: i. Requiem Aeternam, Requiem: ii. Dies Irae, Requiem: iii. Tuba Mirum, Requiem: iv. Liber Scriptus, Requiem: ix. Confutatis, Requiem: vi. Rex Tremendae, Requiem: xiii. Sanctus, Requiem: xiv. Agnus Dei, Requiem: xvi. Libera Me, Dies Irae, Requiem Aeternam, Requiem: xvii. Libera Me, V. Agnus Dei, VII. Libera Me
July 4th Toilet vocal Belshazzar's Feast: I. “Thus spake Isaiah”, Belshazzar's Feast: III. “By the waters of Babylon”, Belshazzar's Feast: IX. “The trumpeters and pipers”, Belshazzar's Feast: VI. Allegro molto - “Thus in Babylon”, Belshazzar's Feast: VII. “Thou, O King, art King of Kings”, Belshazzar's Feast: X. Allegro - “Then sing aloud to God our strength”, Missa in C minor, K. 427 "Great Mass": Benedictus, Missa in C minor, K. 427 "Great Mass": Credo: Credo in unum Deum, Missa in C minor, K. 427 "Great Mass": Gloria: Gloria in excelsis, Missa in C minor, K. 427 "Great Mass": Gloria: Gratias, Missa in C minor, K. 427 "Great Mass": Gloria: Jesu Christe / IIh. Gloria: Cum Sancto Spiritu, Missa in C minor, K. 427 "Great Mass": Gloria: Qui tollis, Missa in C minor, K. 427 "Great Mass": Kyrie, Missa in C minor, K. 427 "Great Mass": Sanctus: Osanna, Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus, Te Deum: I. Te Deum (Hymne), Te Deum: II. Tibi omnes (Hymne), Te Deum: III. Dignare (Prière), Te Deum: IV. Christe Rex gloriae (Hymne), Te Deum: VI. Judex crederis (Hymne et prière)
Ralph Vaughan Williams vocal Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Fantasia on Christmas Carols (full orchestra version): I. "This is the truth sent from above", Fantasia on Christmas Carols (full orchestra version): II. "Come all you worthy gentlemen", Fantasia on Christmas Carols (full orchestra version): III. "On Christmas night all Christians sing", Fantasia on Christmas Carols (full orchestra version): IV. "God bless the ruler of this house", Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo)
Vincenzo Bellini vocal Norma: "Casta Diva", Norma: "Deh! non volerli vittime", Norma: Act I, Scene I. "Ah! bello a me ritorna" (Norma, Oroveso, Coro), Norma: Act I, Scene I. "Casta Diva" (Norma, Oroveso, Coro), Norma: Act I, Scene I. "Fine al rito" (Norma, Oroveso, Coro), Norma: Act I, Scene I. "Norma viene" (Coro), Norma: Act I, Scene I. "Sediziose voci, voci di guerra" (Norma, Oroveso, Coro), Norma: Act I, Scene I. Introduzione (Orchestra) / "Ite sul colle, o Druidi" (Oroveso, Coro), Norma: Act I, Scene II. "Vanne, si: mi lascia, indegno" (Norma), Norma: Act II, Scene II. "Guerrieri! a voi venirne" (Oroveso, Coro), Norma: Act II, Scene II. "Non parti?" (Coro), Norma: Act II, Scene III. "Dammi quel ferro" (Pollione, Norma, Oroveso, Coro), Norma: Act II, Scene III. "Deh! non volerli vittime" (Pollione, Norma, Oroveso, Coro), Norma: Act II, Scene III. "Guerra, guerra!" (Oroveso, Coro, Norma), Norma: Act II, Scene III. "Norma! deh! Norma, scolpati" (Pollione, Norma, Oroveso, Coro), Norma: Act II, Scene III. "Nè compi il rito, o Norma?" (Oroveso, Norma, Clotilde, Coro, Pollione), Norma: Act II, Scene III. "Qual cor tradisti, qual cor perdesti" (Pollione, Norma, Oroveso, Coro), Norma: Act II, Scene III. "Squilla il bronzo del Dio!" (Oroveso, Coro, Norma)
Philip Halloun vocal Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Cours d'Amours: Circa mea pectora, Carmina Burana: Cours d'Amours: Tempus est iocundum, Carmina Burana: Cours d'Amours: Veni, veni, venias, Carmina Burana: Fortuna imperatix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatix mundi: O Fortuna, Carmina Burana: Fortuna imperatix mundi: O fortuna, Carmina Burana: In taberna: Ego sum abbas, Carmina Burana: In taberna: In taberna quando sumus, Carmina Burana: In taberna: Olim lacus colueram, Carmina Burana: Primo vere: Ecce gratum, Carmina Burana: Primo vere: Veris leta facies, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret silva, Carmina Burana: Uf dem Anger: Reie; Swaz hie gat umbe; Chume, chum, geselle, Carmina Burana: Uf dem Anger: Were diu werlt alle min
Giacomo Puccini vocal Messa di Gloria, Op. posth.: Agnus Dei, Messa di Gloria, Op. posth.: Benedictus qui venit in nomine Domini, Messa di Gloria, Op. posth.: Credo in unum Deum, Messa di Gloria, Op. posth.: Crucifixus etiam pro nobis, Messa di Gloria, Op. posth.: Cum Sancto Spiritu in gloria Dei Patris - Gloria in excelsis, Messa di Gloria, Op. posth.: Et expecto resurrectionem - Et vitam venturi saeculi, Messa di Gloria, Op. posth.: Et incarnatus est, Messa di Gloria, Op. posth.: Et resurrexit tertia die - Et in Spiritum Sanctum, Messa di Gloria, Op. posth.: Et unam sanctam catholicam, Messa di Gloria, Op. posth.: Gloria in excelsis Deo - Dominus Deus, rex coelestis, Messa di Gloria, Op. posth.: Gloria in excelsis Deo - In terra pax - Laudamus te, Messa di Gloria, Op. posth.: Gratias agimus tibi, Messa di Gloria, Op. posth.: Kyrie, Messa di Gloria, Op. posth.: Qui tollis peccata mundi, Messa di Gloria, Op. posth.: Quoniam tu solus Sanctus, Messa di Gloria, Op. posth.: Sanctus Dominus Deus sabaoth
Sartorius vocal German Requiem, op. 45: I. Selig sind, die da Leid tragen, German Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras, German Requiem, op. 45: III. Herr, lehre doch mich, German Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen, German Requiem, op. 45: V. Ihr habt nun Traurigkeit, German Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt, German Requiem, op. 45: VII. Selig sind die toten, Stabat Mater: I. Stała Matka bolejąca (Stabat mater dolorosa), Stabat Mater: II. I któż widział tak cierpiącą (Quis est homo qui non fleret), Stabat Mater: III. O Matko Źródło Wszechmiłości (O, Eia, Mater, fons amoris), Stabat Mater: IV. Spraw niech płaczę z Tobą razem (Fac me tecum pie flere), Stabat Mater: V. Panno słodka racz mozołem (Virgo virginum praeclara), Stabat Mater: VI. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire), Symphony no. 3: I. Moderato assai, Symphony no. 3: II. Allegretto tranquillo, Symphony no. 3: III. Largo
Gustav Mahler vocal Das klagende Lied: I. Waldmärchen, Das klagende Lied: II. Der Spielmann, Das klagende Lied: III. Hochzeitsstück, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Accende lumen sensibus, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Gloria sit Patri Domino, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Imple superna gratia, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Veni, creator spiritus, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt!, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Ich spür' soeben nebelnd um Felsenhöh' - Hier ist die Aussicht frei - Freudig empfangen wir, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Jene Rosen, aus den Händen, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! - Blicket auf zum Retterblick, alle reuig Zarten, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran
George Frideric Handel vocal Der Messias: Halleluja (London Symphony Chorus & Orchestra (feat. conductor: Colin Davis), Messiah: And suddenly..., Messiah: And the glory of the Lord, Messiah: Behold I tell you a mystery...The trumpet shall sound, Messiah: Behold a virgin shall conceive...O thou that tellest, Messiah: Comfort ye, Messiah: Every valley shall be exalted, Messiah: For unto us a child is born, Messiah: Glory to God in the highest, Messiah: I know that my redeemer liveth, Messiah: Let us break their bonds, Messiah: Rejoice greatly, Messiah: Why do the nations, Messiah: Worthy is the lamb...Amen
Owen Knight vocal A Child of Our Time: No 16. A Spiritual, Nobody Knows the Trouble I See, Lord, A Child of Our Time: No 21. A Spiritual of Anger, Go Down Moses, A Child of Our Time: No 25. A Spiritual, O, By and By, A Child of Our Time: No 28. Scene, the Words of Wisdom Are These - Praeludium, A Child of Our Time: No 29. General Ensemble, I Would Know My Shadow and My Light, A Child of Our Time: No 30. A Spiritual, Deep River, A Child of Our Time: No 8. A Spiritual, Steal Away, A Child of Our Time: Nos 1-2. The World Turns On Its Dark Side: Interludium, A Child of Our Time: Nos 17-20. Scene, the Boy Becomes Desperate In His Agony - Men Were Ashamed of What Was Done, A Child of Our Time: Nos 26-27. The Cold Deepens, the Soul of Man, A Child of Our Time: Nos 3-5. Scene: Is Evil Then Good?: Chorus of the Oppressed, When Shall the Userers' City Cease, A Child of Our Time: Nos 9-15. A Star Rises in Mid-Winter - Scene, O My Son!
Sir William Walton vocal Belshazzar’s Feast: And in that same hour, as they feasted, Belshazzar’s Feast: Babylon was a great city, Belshazzar’s Feast: By the waters of Babylon, Belshazzar’s Feast: If I forget thee, O Jerusalem, Belshazzar’s Feast: Praise ye the God of Gold, Belshazzar’s Feast: The trumpeters and pipers are silent, Belshazzar’s Feast: Then sing aloud to God our strength, Belshazzar’s Feast: Then sing aloud to God our strength (reprise), Belshazzar’s Feast: Thus in Babylon the mighty city, Belshazzar’s Feast: Thus spake Isiah
Wolfgang Amadeus Mozart vocal Requiem: No 1. Introitus and Kyrie: Requiem and Kyrie, Requiem: No 10. Sanctus: Sanctus, Requiem: No 11. Benedictus: Benedictus, Requiem: No 12. Agnus Dei and Communio: Agnus Dei, Requiem: No 2. Sequence: Dies irae, Requiem: No 4. Sequence: Rex tremendae, Requiem: No 6. Sequence: Confutatis maledictis, Requiem: No 7. Sequence: Lacrimosa, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias
Joseph Haydn vocal Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": I. "Kyrie", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIa. Credo: "Credo in unum Deum", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIb. Credo: "Et incarnatus est" - "Et resurrexit", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIa. Gloria: "Gloria in excelsis Deo", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIb. Gloria: "Gratias agimus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIc. Gloria: "Quoniam tu solus sanctus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IV. "Sanctus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": V. "Benedictus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": VI. "Agnus Dei"
Raj Pandit vocal War Requiem, op. 66: I. Requiem aeternam: Kyrie eleison, War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam, War Requiem, op. 66: II. Dies irae: Confutatis maledictis, War Requiem, op. 66: II. Dies irae: Dies irae, War Requiem, op. 66: II. Dies irae: Pie Jesu Domine, War Requiem, op. 66: II. Dies irae: Recordare Jesu pie, War Requiem, op. 66: III. Offertorium: Domine Jesu Christe, War Requiem, op. 66: III. Offertorium: Sed signifer Sanctus, War Requiem, op. 66: VI. Libera me: Requiescant
Ludwig van Beethoven performer, vocal Mass in C: I. Kyrie, Mass in C: II. Gloria, Mass in C: III. Credo, Mass in C: IV. Sanctus, Mass in C: V. Benedictus, Mass in C: VI. Agnus Dei, Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Seid Umschlungen, Millionen, Symphony No.9 in D minor, Op.125 "Choral": 4. Presto Allegro assai
Walküren Quartett vocal Joshua, Khovanshchina: Galitsin's Journey, Khovanshchina: Prelude, Oedipus in Athens: Chorus of People in the Temple, Salammbo: Chorus of Priestesses, Scherzo in B-Flat, The Destruction of Sennacherib, Triumphal March (The Capture of Kars)
Maurice Duruflé performer Requiem: Domine Jesu Christe, Requiem: In Paradisum, Requiem: Introit-Kyrie, Requiem: Libera me, Requiem: Lux aeterna, Requiem: Pie Jesu, Requiem: Sanctus
Frederick Delius vocal Sea Drift - O rising stars!, Sea Drift - Till of a sudden, Sea Drift: O I am very sick and sorrowful, Sea Drift: O rising stars!, Sea Drift: Once Paumanok, Sea Drift: Till of a sudden
Jeat vocal The Cloud Messenger, Op. 30: I. Adagio, The Cloud Messenger, Op. 30: II. Allegro, The Cloud Messenger, Op. 30: III. Andante, The Cloud Messenger, Op. 30: IV. Moderato maestoso, senza, accelerando, The Cloud Messenger, Op. 30: V. Adagio - Moderato
Gioachino Rossini vocal Stabat Mater: Amen, in sempiterna, Stabat Mater: Eia, Mater, Stabat Mater: Inflammatus et accensus, Stabat Mater: Quando corpus, Stabat Mater: Stabat Mater
winddrums vocal Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110), Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111), Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112), Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113), Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55)
Сергей Сергеевич Прокофьев vocal Alexander Nevsky, Cantata Op. 78: Alexander's Entry into Pskov, Alexander Nevsky, Cantata Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Cantata Op. 78: The Battle on the Ice, Alexander Nevsky, Cantata Op. 78: The Crusaders in Pskov
Nigel Hutchinson vocal Deck the Halls, O Come, All Ye Faithful, O Little Town of Bethlehem, Silent Night
Roberta Sammarelli vocal War Requiem, op. 66: II. Dies irae: Dies irae, dies illa, War Requiem, op. 66: IV. Sanctus: Sanctus, War Requiem, op. 66: VI. Libera me: Libera me
Kiri Te Kanawa vocal Climb Ev'ry Mountain (The Sound of Music), World in Union, You'll Never Walk Alone (Carousel)
Katie Ambrose vocal The Dream of Gerontius: Jesu, Maria, I am near to death..., The Dream of Gerontius: Rouse thee, my fainting soul..., The Dream of Gerontius: Sanctis fortis, Sanctus Deus....
Paul Sutphin vocal The Dream of Gerontius: But hark! A grand mysterious harmony, The Dream of Gerontius: But hark! Upon my sense comes a fierce hubbub..., The Dream of Gerontius: I see not those false spirits...
Walt Phelan vocal Symphony no. 1 in D minor "The Gothic": Part 2. Iudex crederis esse venturus: Adagio molto solenne e reliogioso, Symphony no. 1 in D minor "The Gothic": Part 2. Te Deum laudamus: Allegro moderato, Symphony no. 1 in D minor "The Gothic": Part 2. Te ergo, quaesumus: Moderato e molto sostenuto
Frederick Davidson vocal Roméo et Juliette "Symphonie dramatique": Scène 7b. "Quoi! Romèo de retour!" / Recitatif "Je vais devoiler le mystère", Roméo et Juliette "Symphonie dramatique": Scène 7c. Air "Pauvres enfants que je pleure", Roméo et Juliette "Symphonie dramatique": Scène 7c. Serment "Jurez donc, par l'auguste symbole"
Mash vocal The Hymn of Jesus, Op. 37 "Prelude": Senza misura - Lento, The Hymn of Jesus, Op. 37 "The Hymn": Moderato maestoso
Sing Lie vocal Sinfonia Antartica (Symphony no. 7): I. Prelude: Andante Maestoso, Sinfonia Antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro)
Edward Elgar vocal The Dream of Gerontius op. 38 Part I. Jesu, Maria - I am near to death, The Dream of Gerontius, Op. 38: 'But Hark! a grand mysterious harmony...Praise to the Holiest in the Height'
Georges Bizet vocal Carmen: IV. A Deux Cuartos, Carmen: IV. Les Voici La Quadrille
Zoltán Kodály vocal The Peacock (Fölszállot a páva), for unaccompanied chorus, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 6. Finale: Vivace
KLARA. vocal Messiah: Part II, No. 22 Chorus "He hath borne our griefs" / No. 23 Chorus "And with His stripes we are healed" / No. 24 Chorus "And we like sheep have gone astray"
Oscar Wright vocal The Dream of Gerontius: Softly and gently....
Jiřina Menšlová vocal War Requiem, op. 66: II. Dies irae: Move him into the sun
Paul McCartney vocal Celebration (from Standing Stone)
Lil Al vocal Kullervo, op. 7: III. Kullervo and his Sister: Allegro vivace
Jesus Caunedo vocal Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Vivace - Adagio cantabile
Hartwig Paulsen vocal Neptune, the Mystic
Gottfried Schneider vocal Kullervo: III. Kullervo and His Sister: Allegro vivace
Luca Ferrari vocal War Requiem, op. 66: III. Offertorium: Hostias et preces tibi
Alejandro Rayas vocal Symphony no. 9 in D minor, op. 125 “Choral”: IV. (excerpt)
Kullervo Kojo vocal Symphony No. 9 in D minor, Op. 125: IV. Allegro ma non tanto - Presto - Allegro assai - Alla marcia - Andante maestoso - Allegro energico
Martin Röttger vocal War Requiem, op. 66: I. Requiem aeternam: Te decet hymnus
Scratchmania vocal Messiah: Part II, No. 32 Recitative "Unto which of the angels" / No. 33 Chorus "Let the angels of God"
5-40am vocal Roméo et Juliette "Symphonie dramatique": Scène 1b. Prologue. "D'anciennes haines endormies"
François Hébral vocal Messiah: Part I, No. 7 Recitative "Behold, a virgin shall conceive" / Nos. 8-9 Air and Chorus "O thou that tellest good tidings"
Stanaj vocal Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis
Steve Swell’s Nation of We Orchestra vocal Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai
Symphonic Adventure vocal Symphony no. 2 in C minor "Resurrection": 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso)
Fidel Fogaroli vocal War Requiem, op. 66: VI. Libera me: Let us sleep now
Thomas R Forrester vocal The Dream of Gerontius: I go before my Judge...
Ville Kuukka vocal War Requiem, op. 66: V. Agnus Dei: One ever hangs
Leah Kelly vocal Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck
Death Curse vocal Roméo et Juliette "Symphonie dramatique": Scène 1c. Recitatif et scherzetto. "C'est lui!"
Mohamed Bahi vocal The Planets: Neptune, the Mystic
We Die Tonight vocal War Requiem, op. 66: V. Agnus Dei
De&Ge vocal Carmina Burana : O Fortuna
Chuck vocal Messiah: Part III, No. 47 Recitative "Then shall be brought to pass" / No. 48 Duet "O death, where is they sting?" / No. 49 Chorus "But thanks be to God"
KONDA performer O Fortuna
Chris Galland vocal Prince Igor: II. Polovtsian Dances
Александр Порфирьевич Бородин vocal Prince Igor: Galitzky's Aria
Sammy Velazquez vocal Toward the Unknown Region