| Sharod Stevens |
performing orchestra |
A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", A Midsummer Night's Dream, Op. 61: IIa. March of the Fairies, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: V. Intermezzo, A Midsummer Night's Dream, Op. 61: VII. Nocturne, A Midsummer Night's Dream, Op. 61: XI. Dance of the Clowns, A Midsummer Night's Dream, Op. 61: Xa. Funeral March, Academic Festival Overture, op. 80, Academic Festival-Overture, op. 80, Adagio and Fugue in C minor, K.546, Akademische Festouvertüre op. 80, Concerto grosso in A minor, op. 6 no. 4: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4: II. Allegro, Concerto grosso in A minor, op. 6 no. 4: III. Largo, Concerto grosso in A minor, op. 6 no. 4: IV. Allegro, Coriolan, Op. 62: Overture, Coriolano, Op. 62: Ouverture, Così fan tutte: Overture, Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das Lied von der Erde: II. Der Einsame im Herbst, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: IV. Von der Schönheit, Das Lied von der Erde: V. Der Trunkene im Frühling, Das Lied von der Erde: VI. Der Abschied, Der Freischütz: Overture, Der fliegender Holländer: Overture, Die Entführung aus dem Serail, K. 384: Ouvertüre, Die Fledermaus: Overture, Die Geschöpfe des Prometheus - Ballet Op. 43: Overture, Die Geschöpfe des Prometheus Op. 43 - Overture, Die Meistersinger von Nürnberg: Dance of the Apprentices & Entry of the Masters, Die Meistersinger von Nürnberg: Prelude, Die Weihe des Hauses Op. 124 - Overture, Die Weihe des Hauses op. 124 - Overture, Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester), Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken", Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen", Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!", Die Zauberflöte, K. 620: Ouvertüre, Die Zauberflöte: Act 1. Bei Männern, welche Liebe fühlen, Die Zauberflöte: Act 1. Der Vogelfänger bin ich ja, Die Zauberflöte: Act 1. Dies Bildnis ist bezaubernd schön, Die Zauberflöte: Act 1. Hm, hm, hm, Die Zauberflöte: Act 1. O zittre nicht, Die Zauberflöte: Act 2. Ach, ich fühl's, Die Zauberflöte: Act 2. Der Hölle Rache, Die Zauberflöte: Act 2. Ein Mädchen oder Weibchen, Die Zauberflöte: Act 2. In diesen heil'gen Hallen, Die Zauberflöte: Act 2. O Isis und Osiris, Die Zauberflöte: Act 2. O Isis und Osiris (Chor), Die Zauberflöte: Act 2. Papagena! Papagena! Papagena!, Don Giovanni: Overture, Don Juan, Op. 20, Egmont - Incidental Music Op. 84: Overture, Egmont, Op. 84: Ouverture, Egmont: Incidental Music, Op. 84: Klarchens Tod Bezeichnend, Egmont: Incidental Music, Op. 84: Overture, Euryanthe, J. 291: Overture, Faust Overture, Fidelio Op. 72 - Overture, Genoveva, op. 81: Overture, Große Fugue in B-flat major, Op. 133, Hansel and Gretel Overture, Iphigénie en Aulide - Overture, Kaiserwalzer, op. 437, Kleine Dreigroschenmusik: I. Ouvertüre, Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer, Kleine Dreigroschenmusik: III. Die Ballade vom angenehmen Leben, Kleine Dreigroschenmusik: IV. Polly's Lied, Kleine Dreigroschenmusik: V. Tango-Ballade, Kleine Dreigroschenmusik: VI. Kanonen-Lied, Kleine Dreigroschenmusik: VII. Dreigroschen-Finale, König Stephan Op. 117 - Overture, La clemenza di Tito: Overture, Le creature di Prometeo: ouverture Op. 43, Le nozze fi Figaro: Overture, Leonore No. 3 Op.72b - Overture, Leonore Overture "No. 3", Op. 72b, Leonore Overture, No. 1, Op. 138, Leonore Overture, No. 2, Op. 72a, Lieder: Das irdische Leben (from "Des Knaben Wunderhorn"), Lieder: Ich atmet' einen linden Duft (Rückert), Lieder: Ich bin der Wlt abhanden gekommen (Rückert), Lieder: Um Mitternacht (Rückert), Lieder: Wo die schönen Trompeten blasen (from "Des Knaben Wunderhorn"), Lohengrin: Act I - Prelude, Lohengrin: Act III - Prelude, Manfred, op. 115: Overture, Masonic Funeral Music, K. 477, Masonic Funeral Music, K.477, Mass in B minor BWV 232 I. Kyrie: No 1 Chorus: Kyrie eleison, Mass in B minor BWV 232 I. Kyrie: No 2. Duet: Christe eleison, Mass in B minor BWV 232 I. Kyrie: No 3 Chorus: Kyrie eleison, Mass in B minor BWV 232 II. Gloria: No 10 Aria: Quoniam tu solus sanctus, Mass in B minor BWV 232 II. Gloria: No 11 Chorus: Cum Sancto Spiritu, Mass in B minor BWV 232 II. Gloria: No 4 Chorus: Gloria in exelsis Deo, Mass in B minor BWV 232 II. Gloria: No 5 Aria: Laudamus te, Mass in B minor BWV 232 II. Gloria: No 6 Chorus: Gratias agimus tibi, Mass in B minor BWV 232 II. Gloria: No 7 Duet: Domine Deus, Mass in B minor BWV 232 II. Gloria: No 8 Chorus: Qui tollis peccata mundi, Mass in B minor BWV 232 II. Gloria: No 9 Aria: Qui sedes ad dextram Patris, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): ...Et expecto, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 14 Duet: Et in unum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 15 Chorus: Et incarnatus est, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 16 Chorus: Crucifixus, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 17 Chorus: Et resurrexit, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 18 Aria: Et in Spiritum Sanctum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 19 Chorus: Confiteor unum baptisma, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 12 Chorus: Credo in unum Deum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 13 Chorus: Patrem omnipotentem, Mass in B minor BWV 232 IV Sanctus: No 20 Chorus: Sanctus: Sanctus, Mass in B minor BWV 232 IV Sanctus: No 21 Double Chorus: Osanna in excelsis, Mass in B minor BWV 232 IV Sanctus: No 22 Aria: Benedictus, Mass in B minor BWV 232 IV Sanctus: No 23 Aria: Agnus Dei, Mass in B minor BWV 232 IV Sanctus: No 24 Chorus: Dona nobis pacem, Mass in B minor BWV 232 IV Sanctus: Osanna in excelsis (da capo), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth / IVb. Pleni sunt coeli et terra - Osanna in excelsis / IVc. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Oberon, J. 306: Overture, Overture "Leonore" No. 1, Op. 138, Overture "Leonore" No. 2, Op. 72a, Overture "Leonore" No. 3, Op. 72b, Overture to Così fan tutte, K.588, Overture to Don Giovanni, K.527, Overture to La clemenza di Tito, K.621, Overture to The Abduction from the Seraglio, K.384, Overture to The Magic Flute, K.620, Overture to The Marriage of Figaro, K.492, Overture, Op. 21, Overture: Genoveva, op. 81, Overture: Manfred, op. 115, Prometheus, Op. 43: Overture, Pulcinella Suite: I. Sinfonia, Pulcinella Suite: II. Serenata, Pulcinella Suite: III. Scherzino-Allegro-Andante, Pulcinella Suite: IV. Tarantella, Pulcinella Suite: V. Toccata, Pulcinella Suite: VI. Gavotta con due variazioni, Pulcinella Suite: VII. Vivo, Pulcinella Suite: VIII. finale, Rienzi: Overture, Salome, Op. 54: Tanz der sieben Schleier, Serenade in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanze (Allegretto), Serenade in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto) & Trio, Serenade in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro), Serenade in G major, “Eine kleine Nachtmusik”, K 525: I. Allegro, Serenade in G major, “Eine kleine Nachtmusik”, K 525: II. Romanze (andante), Serenade in G major, “Eine kleine Nachtmusik”, K 525: III. Minuett (allegretto) and Trio, Serenade in G major, “Eine kleine Nachtmusik”, K 525: IV. Rondo (Allegro), Siegfried Idyll, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Spring Symphony No. 1 in B-flat major, Op. 38: I. Andante poco maestoso - Allegro molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: III. Scherzo. Molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: IV. Allegro animato e grazioso, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, II. Rezitativ "Da Jesus diese Rede", St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, IX. Rezitativ "Du lieber Heiland du", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, X. Arie "Buß' und Reu'", St. Matthew Passion, BWV 244: Part I, XI. Rezitativ "Da ging hin der Zwölfen einer", St. Matthew Passion, BWV 244: Part I, XII. Arie "Blute nur, du liebes Herz", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du", St. Matthew Passion, BWV 244: Part I, XIX. Arie "Ich will dir mein Herze schenken", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach", St. Matthew Passion, BWV 244: Part I, XVIII. Rezitativ "Wiewohl mein Herz", St. Matthew Passion, BWV 244: Part I, XX. Rezitativ "Und da sie den Lobgesang", St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete", St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier", St. Matthew Passion, BWV 244: Part I, XXIV. Rezitativ "Da kam Jesus", St. Matthew Passion, BWV 244: Part I, XXIX. Arie "Gerne will ich mich bequemen", St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part I, XXVII. Rezitativ "Und ging hin ein wenig", St. Matthew Passion, BWV 244: Part I, XXVIII. Rezitativ "Der Heiland fällt", St. Matthew Passion, BWV 244: Part I, XXX. Rezitativ "Und er kam zu seinen Jüngern", St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part I, XXXIV. Rezitativ "Und siehe, einer aus denen", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LI. Arie "Gebt mir meinen Jesum wieder!", St. Matthew Passion, BWV 244: Part II, LII. Rezitativ "Sie hielten aber einen Rat", St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich", St. Matthew Passion, BWV 244: Part II, LVI. Rezitativ "Der Landpfleger sagte", St. Matthew Passion, BWV 244: Part II, LVII. Rezitativ "Er hat uns allen wohlgetan", St. Matthew Passion, BWV 244: Part II, LVIII Arie "Aus Liebe will mein Heiland sterben", St. Matthew Passion, BWV 244: Part II, LX. Rezitativ "Erbarm' es Gott!", St. Matthew Passion, BWV 244: Part II, LXI. Arie "Können Tränen meiner Wangen", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Part II, LXIV. Rezitativ "Und da sie ihn verspottet", St. Matthew Passion, BWV 244: Part II, LXIX. Rezitativ "Ach, Golgatha", St. Matthew Passion, BWV 244: Part II, LXV. Rezitativ "Ja! freilich will in uns", St. Matthew Passion, BWV 244: Part II, LXVI. Arie "Komm, süßes Kreuz", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXIV. Rezitativ "Am Abend, da es kühle war", St. Matthew Passion, BWV 244: Part II, LXXV. Arie "Mache dich, mein Herze, rein", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder", St. Matthew Passion, BWV 244: Part II, XL. Rezitativ "Mein Jesus schweigt", St. Matthew Passion, BWV 244: Part II, XLI. Arie "Geduld, wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XLVII. Arie "Erbarme dich, mein Gott", St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Part II, XXXIX. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", St. Matthew Passion, BWV 244: Part II, XXXVII. Rezitativ "Die aber Jesum gegriffen hatten", St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt", Suite for Orchestra No. 3 in D major: I. Overture, Suite for Orchestra No. 3 in D major: II. Air, Suite for Orchestra No. 3 in D major: III. Gavotte 1 & 2, Suite for Orchestra No. 3 in D major: IV. Bourree, Suite for Orchestra No. 3 in D major: V. Gigue, Symphonie No 3 en fa Op. 90: 3e mouvement "Poco Allegretto", Symphonie No 3 en si bémol majeur, Op. 55: 3e mouvement / Scherzo : Allegro vivace & Trio, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphonie no. 4 in D-moll, op. 120： I. Ziemlich langsam – Lebhaft, Symphonie no. 4 in D-moll, op. 120： II. Romanze (Ziemlich langsam), Symphonie no. 4 in D-moll, op. 120： III. Scherzo (Lebhaft) & Trio, Symphonie no. 4 in D-moll, op. 120： IV. Lebhaft – Schneller – Presto, Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace, Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato, Symphony No. 29 for Orchestra in A major, K. 186a / 201: II. Andante, Symphony No. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio, Symphony No. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito, Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto - Allegro up poco agitato, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Scherzo. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 39 for Orchestra in E-flat major, K. 543: I. Adagio - allegro, Symphony No. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 for Orchestra in E-flat major, K. 543: III. Minuetto (Allegretto) & Trio, Symphony No. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace - Più animato, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4 in D minor, Op. 120: III. Scherzo - Lebhaft, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: II. Andante con moto - Più mosso - Tempo I, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro. Presto, Symphony No. 5 in C minor, Op. 67: IV. Presto, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in A Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A Op. 92: II. Allegretto, Symphony No. 7 in A Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A Op. 92: IV. Allegro con brio, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Symphony in 3 movements: I. Allegro, Symphony in 3 movements: II. Andante - interlude, Symphony in 3 movements: III. Con moto, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto. Allegro. Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio, Symphony no. 1 in C minor, op. 68: IV. Adagio. Più andante. Allegro non troppo, ma con brio. Più allegro, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in F, op. 90: I. Allegro con brio - Un poco sostenuto, Symphony no. 3 in F, op. 90: II. Andante, Symphony no. 3 in F, op. 90: III. Poco allegretto, Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto, Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major, K. 385 "Haffner": II. Andante, Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto & Trio, Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony no. 36 in C major, K. 425 "Linz": I. Adagio - allegro spiritoso, Symphony no. 36 in C major, K. 425 "Linz": II. Poco adagio, Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto & Trio, Symphony no. 36 in C major, K. 425 "Linz": IV. Finale. Presto, Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony no. 38 in D major, K. 504 "Prague": II. Andante, Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony no. 39 for Orchestra in E-flat major, K. 543: I. Adagio - Allegro, Symphony no. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio Da capo, Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro molto e vivace. Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 40 in G Minor, K. 550: I. Molto Allegro, Symphony no. 40 in G Minor, K. 550: II. Andante, Symphony no. 40 in G Minor, K. 550: III. Minuet (Allegretto) & Trio, Symphony no. 40 in G Minor, K. 550: IV. Finale (Allegro Assai), Symphony no. 40 in G minor, K. 550 "Great": I. Allegro molto, Symphony no. 40 in G minor, K. 550 "Great": II. Andante, Symphony no. 40 in G minor, K. 550 "Great": III. Minuetto. Allegretto & Trio, Symphony no. 40 in G minor, K. 550 "Great": IV. Finale. Allegro assai, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": IV. Allegro molto, Symphony no. 41 in C Major, K. 551: I. Allegro Vivace, Symphony no. 41 in C Major, K. 551: II. Andante Cantabile, Symphony no. 41 in C Major, K. 551: III. Minuet (Allegretto) & Trio, Symphony no. 41 in C Major, K. 551: IV. Molto Allegro, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in B minor, op. 74 “Pathetique”： I. Adagio – Allegro non troppo, Symphony no. 6 in B minor, op. 74 “Pathetique”： II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 “Pathetique”： III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 “Pathetique”： IV. Finale: Adagio lamentosa – Andante, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 7 in A: I. Poco sostenuto, Symphony no. 7 in A: II. Allegretto, Symphony no. 7 in A: III. Presto - Assai meno presto, Symphony no. 7 in A: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace), Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb), Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio: Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro, Symphony no. 9 in D minor: I. Andante comodo, Symphony no. 9 in D minor: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D minor: III. Rondo – Burlesek. Allegro assai. Sehr trotzig, Symphony no. 9 in D minor: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Tannhäuser: Overture, The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo, The Creatures of Prometheus, op. 43: Overture, The Hebrides Overture, op. 26 "Fingal's Cave", The Threepenny Opera: VI. Kanonen-song, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24, Tragic Overture, op. 81, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354, Wiener Blut-Walzer, op. 354, “Metamorphosen”: Study for 23 solo strings |
| Last Breath For An Addict |
performing orchestra |
1812 Overture, Op. 49, An der schönen, blauen Donau, op. 314 (RV 314), Ariadne auf Naxos, op. 60: Opera: Beginning: Ouverture, Ariadne auf Naxos, op. 60: Prologue: Ouvertre, Aufforderung zum Tanz, op. 65, Carmen Suite No. 1: Aragonaise, Carmen Suite No. 1: Les Dragons d'Alcala, Carmen Suite No. 1: Les Toreadors, Carmen Suite no. 1: Intermezzo, Carmen, Suite no. 1, Carmen: Act IV. Prelude, Carnaval Romain, op. 9: Overture, Cavalleria rusticana: Intermezzo, Concerto for Orchestra, Sz 116: I. Introduzione. Allegro non troppo - Allegro vivace, Concerto for Orchestra, Sz 116: II. Giuoco Delle Coppie. Allegretto scherzando, Concerto for Orchestra, Sz 116: III. Elegia. Andante non troppo, Concerto for Orchestra, Sz 116: IV. Intermezzo Interrotto. Allegretto, Concerto for Orchestra, Sz 116: V. Finale. Pesante -Presto, Concerto for Orchestra: I. Introduzione, Concerto for Orchestra: II. Giuco delle coppie, Concerto for Orchestra: III. Elegia, Concerto for Orchestra: IV. Intermezzo interotto, Concerto for Orchestra: V. Finale: Pesante. Presto, Concerto for orchestra, Sz. 116, BB 127: I. Introduzione (Andante non troppo - Allegro vivace), Concerto for orchestra, Sz. 116, BB 127: II. Giuoco delle coppie (Allegretto scherzando), Concerto for orchestra, Sz. 116, BB 127: III. Elegia (Andante non troppo), Concerto for orchestra, Sz. 116, BB 127: IV. Intermezzo interrotto (Allegretto), Concerto for orchestra, Sz. 116, BB 127: V. Finale (Pesante - Presto), Coriolan Overture, op. 62, Così fan tutte: Sinfonia (Orchestra), Delirien Waltz, op. 212, Der Rosenkavalier - Herr Kavalier (Act II, Finale), Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian), Der Rosenkavalier, Op. 59: Aufzug I. "Als Morgengabe …" (Baron, Notar, Sänger), Der Rosenkavalier, Op. 59: Aufzug I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Di rigori armato il seno" (Ein Sänger), Der Rosenkavalier, Op. 59: Aufzug I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian), Der Rosenkavalier, Op. 59: Aufzug I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian), Der Rosenkavalier, Op. 59: Aufzug I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi), Der Rosenkavalier, Op. 59: Aufzug I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien), Der Rosenkavalier, Op. 59: Aufzug I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian), Der Rosenkavalier, Op. 59: Aufzug I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina), Der Rosenkavalier, Op. 59: Aufzug I. "Mein schöner Schatz" (Octavian, Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian), Der Rosenkavalier, Op. 59: Aufzug I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister), Der Rosenkavalier, Op. 59: Aufzug I. "Wie du warst! Wie du bist!" (Octavian, Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian), Der Rosenkavalier, Op. 59: Aufzug I. Einleitung, Der Rosenkavalier, Op. 59: Aufzug II. Einleitung, Der Rosenkavalier, Op. 59: Aufzug III. Einleitung und Pantomime, Der Rosenkavalier: Act I. "Ach, du bist wieder da?", Der Rosenkavalier: Act I. "Da geht er hin, der aufgeblasene schlechte Kerl", Der Rosenkavalier: Act I. "Dann ziehen wir ins Palais von Faninal", Der Rosenkavalier: Act I. "Die Zeit im Grunde, Quinquin", Der Rosenkavalier: Act I. "Euer Gnaden werden vielleicht verwundert sein", Der Rosenkavalier: Act I. "Geben mir Euer Gnaden den Grasaff' da", Der Rosenkavalier: Act I. "Hat Sie schon einmal mit einem Kavalier", Der Rosenkavalier: Act I. "Ich hab' ihn nicht einmal geküßt!", Der Rosenkavalier: Act I. "Lachst du mich aus? ...Lach' ich dich aus?", Der Rosenkavalier: Act I. "Mein schöner Schatz", Der Rosenkavalier: Act I. "Oh, sei Er gut, Quinquin", Der Rosenkavalier: Act I. "Quinquin, Er soll jetzt geh'n", Der Rosenkavalier: Act I. "Selbstverständlich empfängt mich Ihro Gnaden", Der Rosenkavalier: Act I. "Wie du warst! Wie du bist!", Der Rosenkavalier: Act I. Introduction, Der Rosenkavalier: Act II. "Da lieg' ich!", Der Rosenkavalier: Act II. "Ein ernster Tag, ein großer Tag", Der Rosenkavalier: Act II. "Er muß mich pardonieren", Der Rosenkavalier: Act II. "Ganz zu Befehl, Herr Kavalier", Der Rosenkavalier: Act II. "Hat einen starken Geruch wie Rosen", Der Rosenkavalier: Act II. "Heirat' den Herrn dort nicht lebendig und nicht tot!", Der Rosenkavalier: Act II. "Herr Baron von Lerchenau!", Der Rosenkavalier: Act II. "Ich hoff', Er kommt vielmehr jetzt mit mir hinters Haus", Der Rosenkavalier: Act II. "In dieser feierlichen Stunde der Prüfung", Der Rosenkavalier: Act II. "Mir ist die Ehre widerfahren", Der Rosenkavalier: Act II. "Möcht' wissen, was Ihm dünkt von mir und Ihm", Der Rosenkavalier: Act II. "Ohne mich, ohne mich jeder Tag dir zu bang", Der Rosenkavalier: Act II. "Und doch, muß lachen, wie sich so ein Luder", Der Rosenkavalier: Act II. "Wird Sie das Mannsbild da heiraten", Der Rosenkavalier: Act II. "Wo war ich schon einmal und war so selig?", Der Rosenkavalier: Act III. "Bin glücklich über Maßen", Der Rosenkavalier: Act III. "Bin von so viel Finesse charmiert", Der Rosenkavalier: Act III. "Die Braut! Oh was für ein Skandal!", Der Rosenkavalier: Act III. "Die schöne Musi!", Der Rosenkavalier: Act III. "Er ist es! Es ist mein Mann!", Der Rosenkavalier: Act III. "Er sieht, Herr Kommissar, das Ganze war halt eine Farce", Der Rosenkavalier: Act III. "Hab'n Euer Gnaden noch weitre Befehle?", Der Rosenkavalier: Act III. "Halt! Keiner rührt sich!", Der Rosenkavalier: Act III. "Heut oder morgen oder den übernächsten Tag", Der Rosenkavalier: Act III. "Ist ein Traum, kann nicht wirklich sein ... Spür' nur dich allein", Der Rosenkavalier: Act III. "Leupold, wir geh'n!", Der Rosenkavalier: Act III. "Macht Sie der Wein leicht immer so?", Der Rosenkavalier: Act III. "Marie Theres'!... Hab' mir's gelobt", Der Rosenkavalier: Act III. "Nein, nein, nein, nein! I trink' kein Wein", Der Rosenkavalier: Act III. "Sind halt aso, die jungen Leut'!", Der Rosenkavalier: Act III. "So schnell hat Sie ihn gar so lieb?", Der Rosenkavalier: Act III. "Zur Stelle! Was wird von mir gewünscht?", Der Rosenkavalier: Act III. Introduction, Der Rosenkavalier: Act III. Pantomime, Der Rosenkavalier: Marie Therese..., Der Zigeunerbaron: Overture, Divertimento no. 15, K. 287: I. Allegro, Divertimento no. 15, K. 287: II. Tema con variazioni - andante, Divertimento no. 15, K. 287: III. Menuetto & Trio, Divertimento no. 15, K. 287: IV. Adagio, Divertimento no. 15, K. 287: V. Menuetto & Trio, Divertimento no. 15, K. 287: VI. Andante - allegro molto, Don Juan, op. 20, Egmont Overture, Op. 84, Egmont Overture, op. 84, España, España: Rapsodie, Falstaff: L'onore! Ladri!, Fantasia on a Theme by Thomas Tallis, Fantasia on a Theme by Thomas Tallis (Philharmonia Orchestera feat. conductor: Herbert von Karajan), Fantasia on a theme by Thomas Tallis, Finlandia, Finlandia, op. 26, Gaîté Parisienne: No. 1, Goyescas: Intermezzo, Guillaume Tell: Overture, Guillaume Tell: Pas de Trois et Choeur Tyrolien, Horn Concerto no. 3 in E-flat major, KV 447: I. Allegro, Horn Concerto no. 3 in E-flat major, KV 447: II. Romance. Larghetto, Horn Concerto no. 3 in E-flat major, KV 447: III. Allegro, Hungarian March (from "The Damnation of Faust ", op. 24), Hungarian Rhapsody no. 2 in C minor, Háry Janós Suite: Intermezzo, Háry János Suite: V. Intermezzo, Hänsel und Gretel, Act One, Scene 3: "Vorspiel: "Der Hexenritt, Hänsel und Gretel, Act Two, Scene 3: Orchester. Vorspiel, Hänsel und Gretel, Act Two, Scene 3: Orchestra. Traumpantomime, Hänsel und Gretel: Orchestra. Overture, Il Barbiere di Siviglia: Overture, Invitation to the Dance, op. 65, Invitation à la Danse (orch. Berlioz), Kaiser-Walzer, op. 437 (RV 437), Khovanshchin: Act 4. Entr'acte, Khovanshchina: Dance of the Persian Slaves, Kinder-Sinfonie 1, Kinder-Sinfonie 2, Kinder-Sinfonie 3, Künstlerleben, op. 316 (RV 316), L' Arlésienne - Suite no. 1: Adagietto, L' Arlésienne - Suite no. 1: Minuetto, L' Arlésienne - Suite no. 1: Prélude, L' Arlésienne - Suite no. 2: Farandole, L' Arlésienne - Suite no. 2: Intermezzo, L' Arlésienne - Suite no. 2: Menuet, L' Arlésienne - Suite no. 2: Pastorale, L' Arlésienne, suite for orchestra No. 1, from the incidental music: Carillon, L'Arlesienne, Suite no. 1, L'Arlesienne, Suite no. 2, L'amico Fritz: Intermezzo, L'italiana in Algeri: Overture, La Damnation de Faust - Marche hongroise, La Gazza Ladra: Overture, La Scala di Seta: Overture, La mer, L. 109: I. De l'aube à midi sur la mer, La mer, L. 109: II. Jeux de vagues, La mer, L. 109: III. Dialogue du vent et de la mer, La traviata, opera: Act: III. Prelude, La traviata: Prelude to Act III, Le Carnaval romain: Ouverture, Leichte Kavallerie: Overture, Leonore Overture no. 3 in C major, op. 72b, Les Contes D'hoffmann, op. in 4 acts: Barcarolle, Les Patineurs: Valse, Les Préludes, Les Troyens: Royal Hunt and Storm, Les patineurs, op. 183, Les préludes, S. 97 (LW G3), Marche joyeuse, Marsche joyeuse, Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (rehearsal sequence), Music for strings, percussion & celesta, Sz. 106, BB 114: I. Andante tranquillo, Music for strings, percussion & celesta, Sz. 106, BB 114: II. Allegro, Music for strings, percussion & celesta, Sz. 106, BB 114: III. Adagio, Music for strings, percussion & celesta, Sz. 106, BB 114: IV. Allegro molto, Notre Dame: Intermezzo, Nutcracker Suite, op. 71a: Danse arabe, Nutcracker Suite, op. 71a: Danse chinoise, Nutcracker Suite, op. 71a: Danse de la fée dragée, Nutcracker Suite, op. 71a: Danse des mirlitons, Nutcracker Suite, op. 71a: Danse russe, Nutcracker Suite, op. 71a: Marche, Nutcracker Suite, op. 71a: Ouverture, Nutcracker Suite, op. 71a: Valse des fleurs, Orfée Aux Enfers: Overture, Orpheus in the Underworld: Overture, Overture 1812, op. 49, Pagliacci: Intermezzo, Peter and the Wolf, op. 40, Pictures at an Exhibition: Ballet of the Unhatched Chicks, Pictures at an Exhibition: Bydlo - Promenade, Pictures at an Exhibition: Catacombae - Cum linguis in lingua mortua, Pictures at an Exhibition: Promenade - Gnomus - Promenade, Pictures at an Exhibition: Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: The Great Gate of Kiev, Pictures at an Exhibition: The Hut on Fowl's Legs, Pictures at an Exhibition: The Market Place at Limoges, Pictures at an Exhibition: The Old Castle, Pictures at an Exhibition: Tuileries, Pini di Roma, Pini di Roma, P. 141: I. I pini di Villa Borghese, Pini di Roma, P. 141: II. I pini presso una catacomba, Pini di Roma, P. 141: III. I pini del Gianicola, Pini di Roma, P. 141: IV. I pini della Via Appia, Pizzicato-Polka, op. 234, Prince Igor - Polovtsian Dances (Act II) (opening), Prince Igor - Polovtsian Dances: No. 17, Prince Igor - Polovtsian Dances: No. 8, Prince Igor: Polovtsian dances, Radetzky March, Op. 228, Radetzky March, op. 228, Radetzky Marsch, op. 235, Rhapsodie espagnole: I. Prélude à la nuit, Rhapsodie espagnole: II. Malagueña, Rhapsodie espagnole: III. Habanera, Rhapsodie espagnole: IV. Feria, Rhapsodie hongroise n°2 en ut dièse mineur, Schwanda the Bagpiper - Polka, Schwanda the Bagpiper: Polka, Semiramide: Overture, Serenade no. 13 in G major "Eine kleine Nachtmusik", K. 525: I. Allegro, Serenade no. 13 in G major "Eine kleine Nachtmusik", K. 525: II. Romanze (Andante), Serenade no. 13 in G major "Eine kleine Nachtmusik", K. 525: III. Menuetto (Allegretto) & Trio, Serenade no. 13 in G major "Eine kleine Nachtmusik", K. 525: IV. Rondo (Allegro), Symphonic variations for Piano and Orchestra in F-sharp minor, M 46, Symphonie C-dur "Kindersymphonie": II. Menuett, Symphonie fantastique: I. Rêveries, passions: Largo - Allegro agitato e appassionato assai, Symphonie fantastique: II. Un bal: Valse. Allegro non troppo, Symphonie fantastique: III. Scène aux champs: Adagio, Symphonie fantastique: IV. Marche au supplice: Allegretto non troppo, Symphonie fantastique: V. Songe D'une nuit du sabbat: Larghetto - Allegro - Allegro assai - Allegro - Un peu reténu (Ronde du sabbat - animez un peu), Symphonie n°9 en mi mineur du "Nouveau monde", op. 95: Adagio - Allegro molto, Symphonie n°9 en mi mineur du "Nouveau monde", op. 95: Allegro con fuoco, Symphonie n°9 en mi mineur du "Nouveau monde", op. 95: Largo, Symphonie n°9 en mi mineur du "Nouveau monde", op. 95: Scherzo - Molto vivace, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo (Philharmonia Orchestra feat. conductor: Herbert von Karajan), Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso (Philharmonia Orchestra feat. conductor: Herbert von Karajan), Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro (Philharmonia Orchestra feat. conductor: Herbert von Karajan), Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro (Philharmonia Orchestra feat. conductor: Herbert von Karajan), Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto (Philharmonia Orchestra feat. conductor: Herbert von Karajan), Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace (Philharmonia Orchestra feat. conductor: Herbert von Karajan), Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: II. Allegretto (Philharmonia Orchestra feat. conductor: Herbert von Karajan), Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto. Presto (Philharmonia Orchestra feat. conductor: Herbert von Karajan), Symphony No. 7 in A major, Op. 92: IV. Allegro con brio (Philharmonia Orchestra feat. conductor: Herbert von Karajan), Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto vivace - Trio, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 1 in C major: I. Largo - Allegro vivo, Symphony no. 1 in C major: II. Scherzo: Vivo, Symphony no. 1 in C major: III. Andante, Symphony no. 1 in C major: IV. Finale: Allegro moderato, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro - Trio, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 2 in D, op. 43: I. Allegretto, Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D, op. 43: III. Vivacissimo, Symphony no. 2 in D, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 in D, op. 73: I. Allegro non troppo, Symphony no. 2 in D, op. 73: II. Adagio non troppo, Symphony no. 2 in D, op. 73: III. Allegretto grazioso, Symphony no. 2 in D, op. 73: IV. Allegro con spirito, Symphony no. 2: III. Allegretto grazioso, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace - Trio, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto - Poco andante - Presto, Symphony no. 35 in D, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D, K. 385 "Haffner": II. Andante, Symphony no. 35 in D, K. 385 "Haffner": III. Menuetto & Trio, Symphony no. 35 in D, K. 385 "Haffner": IV. Finale: Presto, Symphony no. 38 in D, K. 503 "Prague": I. Adagio - Allegro, Symphony no. 38 in D, K. 503 "Prague": II. Andante, Symphony no. 38 in D, K. 503 "Prague": III. Finale: Presto, Symphony no. 39 in E-flat, K. 543: I. Adagio - allegro, Symphony no. 39 in E-flat, K. 543: II. Andante, Symphony no. 39 in E-flat, K. 543: III. Menuetto: Allegretto & Trio, Symphony no. 39 in E-flat, K. 543: IV. Finale: Allegro, Symphony no. 4 in A major, op. 53: I. Lento - Allegro con brio, Symphony no. 4 in A major, op. 53: II. Lento molto, Symphony no. 4 in A major, op. 53: III. Allegro scherzando, Symphony no. 4 in A major, op. 53: IV. Allegro molto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato quasi adagio, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: III. Tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andante in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato, Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat, op. 82: III. Allegro molto, Symphony no. 5: I. Tempo Molto Moderato / Allegro Moderato / Presto, Symphony no. 5: II. Andante Mosso, Quasi Allegretto, Symphony no. 5: III. Allegro Molto, Symphony no. 6 in B minor "Pathétique", op. 74: I. Adagio - Allegro non troppo, Symphony no. 6 in B minor "Pathétique", op. 74: II. Allegro con grazia, Symphony no. 6 in B minor "Pathétique", op. 74: III. Allegro molto vivace, Symphony no. 6 in B minor "Pathétique", op. 74: IV. Finale: Adagio lamentoso - Andante, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 6 in F major, op. 68 "Pastoral": I. Awakening of pleasant feelings upon arriving in the country - Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Scene by the Brook - Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastoral": III. Peasants' Merrymaking - Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": IV. The Storm - Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": V. Shepherds' Hymn after the Storm - Allegretto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in C major, op. 105: Adagio, Symphony no. 7 in C major, op. 105: Adagio - Vivacissimo -, Symphony no. 7 in C major, op. 105: Allegro molto moderato, Symphony no. 7 in C major, op. 105: Presto - adagio, Symphony no. 7 in C major, op. 105: Ralentando al... Adagio -, Symphony no. 7 in C major, op. 105: Rallentando al... Adagio, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8 in F: I. Allegro vivace con brio, Symphony no. 8 in F: II. Allegretto scherzando, Symphony no. 8 in F: III. Tempo di menuetto, Symphony no. 8 in F: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, andante moderato, Symphony no. 9 in D minor, op. 125 "Choral": IV. Ode to Joy, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Recitativo - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non troppo - Prestissimo, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto, allegro assai, Tannhäuser - Venusberg Music, Tannhäuser, WWV 70: Venusberg music, Tapiola, op. 112, Thaïs: Méditation, The Sleeping Beauty Suite, op. 66a: Act: I. Pas D'action: Adagio, The Sleeping Beauty Suite, op. 66a: Act: I. Valse, The Sleeping Beauty Suite, op. 66a: Act: II. Panorama, The Sleeping Beauty Suite, op. 66a: Act: III. Pas de caractère (Le chat botté), The Sleeping Beauty Suite, op. 66a: Prologue. Introduction et fée des lilas, The Swan Lake Suite, op. 20a: Act: I. Valse, The Swan Lake Suite, op. 20a: Act: II. Danse des petitis cygnes, The Swan Lake Suite, op. 20a: Act: III. Danse hongroise (Czardás), The Swan Lake Suite, op. 20a: Act: III. Introduction & Danse de la reine des cygnes, The Swan Lake Suite, op. 20a: I. Scène, The Swan Lake Suite, op. 20a: II. Valse (Act I), The Swan Lake Suite, op. 20a: III. Danse des petits cygnes (Act II), The Swan Lake Suite, op. 20a: IV. Introduction & Danse de la reine des cygnes (Act III), The Swan Lake Suite, op. 20a: Scène, The Swan Lake Suite, op. 20a: V. Danse hongroise (Czárdás) (Act III), Till Eulenspiegels lustige Streiche, op. 28, Tod und Verklärung, op. 24, Toy Symphony (Cassation in G): I. Marche, Toy Symphony (Cassation in G): II. Menuetto, Toy Symphony (Cassation in G): III. Allegro, Tritsch-Tratsch Polka, op. 214, Unter Donner und Blitz - Polka, op. 324, Unter Donner und Blitz Polka, op. 324, Valse triste, op. 44 no. 1, Variations on a Theme by Frank Bridge, op. 10: Adagio: Adagio -, Variations on a Theme by Frank Bridge, op. 10: Aria italiana: Allegro brillante -, Variations on a Theme by Frank Bridge, op. 10: Bourrée classique. Allegro e pesante -, Variations on a Theme by Frank Bridge, op. 10: Chant: Lento -, Variations on a Theme by Frank Bridge, op. 10: Fugue and Finale: Allegro molto vivace - Lento e solenne, Variations on a Theme by Frank Bridge, op. 10: Funeral March: Andante ritmico -, Variations on a Theme by Frank Bridge, op. 10: Introduction & Theme. Lento maestoso - Allegretto poco lento -, Variations on a Theme by Frank Bridge, op. 10: March: Presto alla marcia -, Variations on a Theme by Frank Bridge, op. 10: Moto perpetuo: Allegro molto -, Variations on a Theme by Frank Bridge, op. 10: Romance: Allegretto grazioso -, Variations on a Theme by Frank Bridge, op. 10: Wiener Walzer: Lento - Vivace -, Variations on a Theme of Haydn, op. 56a "St Antoni": Chorale (St. Antoni), Variations on a Theme of Haydn, op. 56a "St Antoni": Finale: Andante, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation I: Poco più animato, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation II: Più vivace, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation III: Con moto, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation IV: Andante con moto, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation V: Vivace, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation VI: Vivace, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation VII: Grazioso, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation VII: Presto non troppo, Vitava (from Ma Vlast), Water Music Suite (arr. Harty): I. Allegro, Water Music Suite (arr. Harty): II. Air, Water Music Suite (arr. Harty): III. Bourrée - hornpipe, Water Music Suite (arr. Harty): IV. Andante espressivo, Water Music Suite (arr. Harty): V. Allegro deciso |
| Giuseppe Verdi |
performing orchestra |
"Celeste Aida" aus Aida, A tal colpa e nulla il pianto, Act 1: "Ah! sì, ben dite.." / "Tutto parea sorridere" / "Della brezza col favore", Act 1: "Come liberi volano i venti", Act 1: "E pur tristo, o Medora", Act 1: "Egli non riede ancora!", Act 1: "No, tu non sai comprendere" / "Tornerai, ma forse spenta", Act 1: "Non so le tetre immagini", Act 1: "Si: de'corsari il fulmine", Act 2: "Ah conforto è sol la speme", Act 2: "Audace cotanto mostrarti pur sai?", Act 2: "Giunge un Dervis" / "Di': que'ribaldi tremano", Act 2: "Né sulla terra creatura alcuna" / "Vola talor dal carcere" / "Seide celebra non gioia e festa", Act 2: "Oh qual perenne gaudio t'aspetta", Act 2: "Resta ancora", Act 2: "Salve, Allah!", Act 2: "Signor, trafitti giaconno", Act 2: "Sol grida di festa" / "O prodi miei, sorgete", Act 3: "Alfin questo corsaro è mio prigione!", Act 3: "Cento leggiadre vergini" / "Ma togliam dall'anima", Act 3: "Eccola!...fingasi." / "Sia l'istante maledetto", Act 3: "Eccomi prigionero!", Act 3: "Ei dorme?", Act 3: "La terra, il ciel m'abborino...", Act 3: "O mio Corrado, appressati", Act 3: "Per me infelice", Act 3: "S'avvicina il tuo momento", Act 3: "Seid la vuole" / "Non sai tu che sulla testa", Act 3: "Sul capo mio discenda", Act 3: "Voi tacete...", Ah! Di che fulgor, che musiche, Ah! perche qui! fuggite..., Ahime! S'appressa alcun!, Aida, Act 4: La fatal pietra ... O terra addio, Aida, Act II: "Gloria all'Egitto" (Triumphal Scene & Grand March), Aida, opera: Ballet Music, Aida: Act 1, Scene 1. Introduzion e scena. "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès), Aida: Act 1. Preludio, Aida: Act 1. Scene 1. Duetto. "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès), Aida: Act 1. Scene 1. Scena e pezzo d'assieme. "Alta cagion v'aduna" (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani), Aida: Act 1. Scene 1. Scena e pezzo d'assieme. "Su! del Nilo al sacro lido" (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani), Aida: Act 1. Scene 1. Scena. "Ritorna vincitor!" (Aida), Aida: Act 1. Scene 1. Terzetto. "Vieni, o diletta appressati" (Amneris, Aida, Radamès), Aida: Act 1. Scene 2. Danza sacra delle Sacerdotesse. "Immenso Fthà!..." / "Mortal, diletto ai Numi" (Sacerdotesse, Ramfis, Sacerdoti), Aida: Act 1. Scene 2. Finale 1. "Nume, custode e vindice" (Ramfis, Rademès, Sacerdoti, Sacerdotesse, Sacerdotessa), Aida: Act 1. Scene 2. Gran scena della consacrazione. "Possente, possente Fthà" / "Tu che dal nulla hai tratto" (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse), Aida: Act 2. Scene 1. Danza di schiavi mori (Orchestra), Aida: Act 2. Scene 1. Danza di schiavi mori. "Vieni, sui crin ti piovano" (Schiave, Amneris), Aida: Act 2. Scene 1. Introduzione - Scena e coro di donne. "Chi mai fra gl'inni e i plausi" (Schiave, Amneris), Aida: Act 2. Scene 1. Scena e duetto. "Fu la sorte dell'armi a'tuoi funesta" (Amneris, Aida), Aida: Act 2. Scene 1. Scena e duetto. "Pietà ti prenda del mio dolor" (Amneris, Aida) / "Su! del Nilo al sacro lido" (Amneris, Aida, Coro) / "Numi pietà" (Amneris, Aida, Coro), Aida: Act 2. Scene 2. Ballabile (Orchestra), Aida: Act 2. Scene 2. Ballabile. "Che veggo! Egli? Mio padre!" / "Anch'io pugnai" / "Ma tu, Re, tu signore possente" (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo), Aida: Act 2. Scene 2. Ballabile. "Il dolor che in quel volto favella" / "Ma tu, o Re" (Tutti), Aida: Act 2. Scene 2. Ballabile. "O Re, pei sacri Numi" / "Gloria all'Egitto" (Tutti), Aida: Act 2. Scene 2. Ballabile. "Salvator della patria" (Is Re, Radamès, Ramfis, Sacerdoti), Aida: Act 2. Scene 2. Ballabile. "Vieni, o guerriero vindice" (Popolo, Sacerdoti), Aida: Act 2. Scene 2. Gran finale 2. "Gloria all'Egitto, ad Iside" (Popolo, Sacerdoti), Aida: Act 2. Scene 2. Marcia trionfale (Orchestra), Aida: Act 3. Duetto. "Ciel! mio padre!" / "Rivedrai le foreste imbalsamate" (Aida, Amonasro), Aida: Act 3. Duetto. "Fuggiam gli ardori inospiti" / "Là, tra foreste vergini" (Aida, Amonasro), Aida: Act 3. Duetto. "Pur ti riveggo, mia dolce Aida..." / "Nel fiero anelito" (Radamès, Aida), Aida: Act 3. Finale 3. "Ma dimmi; per qual via" (Aida, Radamès), Aida: Act 3. Introduzione - Preghiera. "O tu che sei d'Osiride" / "Vieni d'Iside al Tempero" (Coro, Ramfis, Amneris), Aida: Act 3. Romanza. "O patria mia" (Aida), Aida: Act 3. Romanza. "Qui Radamès verrà!", Aida: Act 4. Scene 1. Duetto. "Già i sacerdoti adunansi" (Amneris, Radamès), Aida: Act 4. Scene 1. Scena del giudizio. "A lui vivo, la tomba!" / "Sacerdoti: compiste un delitto!" (Amneris, Ramfis, Sacerdoti), Aida: Act 4. Scene 1. Scena del giudizio. "Ohimà! morir mi sento!" / "Spirto del Nume", Aida: Act 4. Scene 1. Scena. "L'abborita rivale a me sfuggia" (Amneris), Aida: Act 4. Scene 2. Finale ultimo. "O terra addio" (Aida, Radamès, coro, Amneris), Aida: Act 4. Scene 2. Scena e duetto. "La fatal pietra sovra me si chiuse" / Finale ultimo. "Immenso Fthà" (Sacerdotesse, Sacerdoti, Aida, Radamès), Aida: Act I, Scene I. Aria "Se quel guerrier io fossi!... Celeste Aida" (Radamès), Aida: Triumphal Chorus & Grand March (Gloria all'Egitto), Alla vita che t'arride, Alzati! La, tuo figlio, Amico, gelosa t'affido una cura, Arrivo il primo!...E lui, e lui!, Carlo Maria Giulini In Conversation With Michael Oliver, Che v'agita cosi?, Chi voi siate, l'audace parola, Confutatis Maledictis, Consentimi, o Signore, D'una grazia vi supplico, Della citta all'occaso, Di' tu se fedele, Dies Irae, Dies Illa, Dies irae...Tuba mirum, Don Carlo : O don fatale, Dunque l'onta di tutti sol una, E scherzo od e follia, E tu ricevi il mio!, Ecco l'orrido campo ove s'accoppia, Ella e pura: in braccio a morte., Eri tu che macchiavi quell'anima... O dolcezze perdute! O memorie!, Falstaff: Act I, "Bocca baciata non perde ventura", Falstaff: Act I. Alice, Meg, Nannetta, Falstaff: Act I. Falstaff? Ola!, Falstaff: Act I. Fulgida Alice! Amor t'offro... Quell'otre! Quell tino!, Falstaff: Act I. In due parole, Falstaff: Act I. L'Onore! Ladri!, Falstaff: Act I. Ma e tempo d'assottigliar l'ingegno, Falstaff: Act I. Pst, pst, Nannetta… Labbra di foco!, Falstaff: Act I. Sei polli: sei seellini… So che andiam, la note, Falstaff: Act I. Udrai quanta egli sfoggia, Falstaff: Act II. Alfin t'ho colto, raggiante fior, Falstaff: Act II. Alice e mia!… Va, vecchio John, Falstaff: Act II. C'e a Windsor una dama, Falstaff: Act II. C'e. C'e. Se t'agguanto! Se ti piglio, Falstaff: Act II. E sogno? O realta, Falstaff: Act II. Gaie comari di Windsor!, Falstaff: Act II. Mia signora, Falstaff: Act II. Presenteremo un bill... Giunta all'Albergo della Giarrettiera, Falstaff: Act II. Qand'ero paggio, Falstaff: Act II. Siam pentiti e contrite… Reverenza!, Falstaff: Act II. Signore, v'assista il cielo!, Falstaff: Act II. Vien qua. Che chiasso!, Falstaff: Act III. Alto la!… Pizzica, pizzica, Falstaff: Act III. Brava. Quelle corna saranno la mia gioia!, Falstaff: Act III. Dal labbro il canto estasiato vola, Falstaff: Act III. Ehi! Taverniere! Mondo ladro!, Falstaff: Act III. Facciamo il parentado… Tutto nel mondo e burla, Falstaff: Act III. Ninfe! Elfi! Silfi!… Sul fil d'un soffia etesio, Falstaff: Act III. Ogni sorta di gente dozzinale, Falstaff: Act III. Reverenza. La bella Alice Quando il rintocco della mezzanotte, Falstaff: Act III. Una, due, tre, Quattro, Falstaff: Acte Trois - Scène 2 - Un coro e terminiam la scena, Falstaff: Atto I, Parte I. "Falstaff!" - "Olà!" (Dr Cajus, Falstaff, Bardolfo, Pistola), Falstaff: Atto I, Parte I. "L'onore! Ladri!" - "Io stesso, sì, io, io" (Falstaff), Falstaff: Atto I, Parte I. "Ma è tempo d'assottigliar l'ingegno" (Falstaff, Pistola, Bardolfo), Falstaff: Atto I, Parte I. "So che se andiam, la notte" (Falstaff, Pistola, Bardolfo), Falstaff: Atto I, Parte II. "Alice!" - "Meg!" - "Nannetta!" (Meg, Alice, Quickly, Nannetta), Falstaff: Atto I, Parte II. "Del tuo barbaro diagnostico" (Cajus, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford), Falstaff: Atto I, Parte II. "Falstaff m'ha canzonata" (Alice, Meg, Nannetta, Quickly), Falstaff: Atto I, Parte II. "Fulgida Alice! amor t'offro" (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford), Falstaff: Atto I, Parte II. "Pst, pst, Nannetta!" - "Vien qua" - "Labbra di foco!" (Fenton, Nannetta), Falstaff: Atto I, Parte II. "Ripeti" - "In due parole" (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford), Falstaff: Atto I, Parte II. "Torno all'assalto" - "Torna alla gara" (Fenton, Nannetta), Falstaff: Atto I, Parte II. "Udrai quanta egli sfoggia magniloquenza altera" (Bardolfo, Ford, Pistola), Falstaff: Atto II, Parte I. "Eccomi qua. Son pronto" (Falstaff, Ford), Falstaff: Atto II, Parte I. "Lo conoscete?" - "Il diavolo se lo porti all'inferno" (Ford, Falstaff), Falstaff: Atto II, Parte I. "Reverenza!" (Quickly, Falstaff), Falstaff: Atto II, Parte I. "Siam pentiti e contriti" (Bardolfo, Pistola, Falstaff), Falstaff: Atto II, Parte I. "Signore, v'assista il cielo!" (Ford, Falstaff, Bardolfo, Pistola), Falstaff: Atto II, Parte I. "Va, vecchio John" (Falstaff, Bardolfo), Falstaff: Atto II, Parte I. "Ve lo dirò. C'è a Windsor una dama" (Ford, Falstaff), Falstaff: Atto II, Parte I. "È sogno? o realtà?" (Ford), Falstaff: Atto II, Parte II. "Al ladro!" (Cajus, Ford, Pistola, Bardolfo), Falstaff: Atto II, Parte II. "Alfin t'ho colto, raggiante fior" (Falstaff, Alice), Falstaff: Atto II, Parte II. "Bella! ridente!" (Fenton, Nannetta, Ford, Bardolfo, Pistola, Servi, Cajus, Falstaff, Meg, Quickly, Gente del vicinato, Alice), Falstaff: Atto II, Parte II. "Facciamo le viste d'attendere ai panni" (Quickly, Cajus, Ford, Meg, Bardolfo, Pistola, Falstaff), Falstaff: Atto II, Parte II. "Gaie comari di Windsor! È l'ora!" (Quickly, Alice, Meg, Nannetta), Falstaff: Atto II, Parte II. "Giunta all'Albergo della Giarrettiera" (Quickly, Alice, Meg, Nannetta), Falstaff: Atto II, Parte II. "Presenteremo un "bill" per una tassa al parlamento" (Alice, Quickly, Meg), Falstaff: Atto II, Parte II. "Quand'ero paggio del Duca di Norfolk" (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola), Falstaff: Atto II, Parte II. "T'immagino fregiata del mio stemma" (Falstaff, Alice), Falstaff: Atto II, Parte II. "Vien qua" - "Che chiasso!" (Nannetta, Fenton), Falstaff: Atto III, Parte I. "Avrò con me dei putti" (Alice, Meg, Nannetta, Fenton, Ford, Cajus, Quickly), Falstaff: Atto III, Parte I. "Brava! Quelle corna saranno la mia gioia!" (Ford, Alice, Meg, Fenton, Nannetta), Falstaff: Atto III, Parte I. "Buono. Ber del vin dolce" (Falstaff), Falstaff: Atto III, Parte I. "Ehi! Taverniere!" - "Io, dunque, avrò vissuto tanti anni" (Falstaff), Falstaff: Atto III, Parte I. "Reverenza! La bella Alice" (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus), Falstaff: Atto III, Parte I. "T'aspetterò nel Parco Real" (Falstaff, Quickly, Ford, Alice, Nannetta, Meg), Falstaff: Atto III, Parte II. "Ahimè! tu puzzi come una puzzola" (Falstaff, Coro, Alice, Quickly, Meg, Cajus, Ford, Bardolfo, Pistola), Falstaff: Atto III, Parte II. "Alto là!" (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford), Falstaff: Atto III, Parte II. "Dal labbro il canto estasiato vola" (Fenton, Nannetta), Falstaff: Atto III, Parte II. "Ninfe! Elfi! Silfi! Doridi! Sirene!" (Nannetta, Fate, Falstaff, Alice), Falstaff: Atto III, Parte II. "Nossignore! Tu indossa questa cappa" (Alice, Fenton, Nannetta, Quickly, Meg), Falstaff: Atto III, Parte II. "Ogni sorta di gente dozzinale" (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta), Falstaff: Atto III, Parte II. "Sul fil d'un soffio etesio" (Nannetta, Fate), Falstaff: Atto III, Parte II. "Un coro e terminiam la scena" - "Tutto nel mondo è burla" (Falstaff, Ford, Tutti), Falstaff: Atto III, Parte II. "Un poco di pausa" (Falstaff, Quickly, Ford, Meg, Alice, Coro), Falstaff: Atto III, Parte II. "Una, due, tre, quattro, cinque, sei" (Falstaff, Alice, Meg), Fervono amori e danze, Figlia d'averno, schiudi la chiostra, Finisci il vaticinio, Forse la soglia attinse, Giovanna d'Arco: "Sotto una quercia parverni", Hostias Et Preces Tibi, I Requiem & Kyrie Andante, I Vespri Siciliani: "Giorno di pianto", I Vespri Siciliani: Act V. "Mercè, dilette amiche", I masnadieri: "Un ignoto", I vespri siciliani : Arrigo! Ah parli a un core, I vespri siciliani: Atto V. "Mercè, dilette amiche", III Offertorio: Domine Jesu, IV Santus, Il Trovatore: "Ah, si, ben mio coll'essere", Il Trovatore: "Di quella pira", Il cenno mio di la con essi attendi, Il corsaro: "Né sulla terra creatura alcuna", Il messaggio entri, Il primo giudice, Il trovatore: Act I. "Che piu t'arresti?" / "Tacea la notte" / "Di tale amor", Il trovatore: Act II. "Mal reggendo" / "Perigliarti ancor", Il trovatore: Act II. Anvil Chorus / "Stride la vampa!", Il trovatore: Act III. "Ah, si ben mio" / "Di quella piro", Il trovatore: Act IV. "D'amor sull'ali rosee" / "Miserere", Il trovatore: Act IV. "Si. la stanchezza m'opprime" / "Ai nostri monti", Il trovatore: Act IV. "Udiste? Come albeggi" / "Mira, di acerbe lagrime", Ingemisco Tamquam Reus, La Forza Del Destino: Overture, La Rivedra Nell'estasi, La Traviata (Vania Pocket), La Traviata (Woolite), La Traviata: "Lunge da lei ... De'miei bollenti spiriti", La Traviata: Act I. Prelude, La Traviata: Overture to Act 1, La forza del destino: Overture, La traviata, Act I: "Libiamo ne'leiti calici" (Brindisi), La traviata: Recitativo: "Dammi tu forza ..." (Violetta/Annina/Alfredo), Lacrymosa Dies Illa, Le Trouvère : Chœur des forgerons, Les vepres siciliennes: Giorno di pianto, Liber Scriptus Proferetur, Libera Me, Domine, Ma dall'arido stelo divulsa, Ma se m'e forza perderti, Messa da Requiem: II. Sequence (Dies Irae): Lacrimosa, Messa da Requiem: III. Offertorio: Domine Jesu Christe - Hostias et preces, Messa da Requiem: Libera me, Morro, ma prima in grazia, Morrò, Ma Prima in Grazia - Un Ballo in Maschera, Mors Stupebit, Nabucco: Part I, Cabaletta: Come notte a sol fulgente, Nabucco: Part I, Cavatina: D'egitto là sui lidi, Nabucco: Part I, Coro d'Introduzione e Recitativo: Coro: Gil arredi festive giù cadano infranti, Nabucco: Part I, Coro d'Introduzione e Recitativo: Recitativo: Sperate, o figli!, Nabucco: Part I, Coro: Lo vedeste? Fulminando egli irrompe nella folta!, Nabucco: Part I, Finale I: Viva Nabucco!, Nabucco: Part I, Recitativo: Che tenti? Oh trema, insano!, Nabucco: Part I, Recitativo: Fenena!...O mia diletta!, Nabucco: Part I, Recitativo: Mio furor, non più costretto..., Nabucco: Part I, Recitativo: O vinti, il capo a terra!, Nabucco: Part I, Sestetto: Tremin gl'insani del mio furore!, Nabucco: Part I, Terzettino: Io t'amava! Una furia è quest'amore, Nabucco: Part II, Scene 1, Aria e Recitativo: Aria: Anch'io dischiuso un giorno, Nabucco: Part II, Scene 1, Aria e Recitativo: Recitativo: Chi s'avanza?, Nabucco: Part II, Scene 1: Recitativo: Ben io t'invenni, o fatal scritto!, Nabucco: Part II, Scene 2, Coro di Leviti: Che si vuol?, Nabucco: Part II, Scene 2, Coro di Leviti: Il maledetto non ha fratelli, Nabucco: Part II, Scene 2, Recitativo e Preghiera: Preghiera: Tu sul labbro de'veggenti fulminasti, o sommo Iddio!, Nabucco: Part II, Scene 2, Recitativo e Preghiera: Recitativo: Veni, o Levita! Il santo codice reca!, Nabucco: Part II, Scene 2, Scena e Finale II Finale: S'oda or me!, Nabucco: Part II, Scene 2, Scena e Finale II, Deh, fratelli, perdonate!, Nabucco: Part II, Scene 2, Scena e Finale II, Finale: Chi mi toglie il regio scettro?, Nabucco: Part II, Scene 2, Scena e Finale II, Sapressan gl'istanti d'un 'ira fatale.., Nabucco: Part III, Scene 1, Coro d'Introduzione: E l'Assiria una regina..., Nabucco: Part III, Scene 1, Recitativo: Eccelsa donna, che d'Assiria il fato reggi..., Nabucco: Part III, Scene 1: Donna, chi sei?, Nabucco: Part III, Scene 2 (Chorus of Hebrew Slaves): Profezia - Finale III: Del futuro nel buio discerno, Nabucco: Part III, Scene 2 (Chorus of Hebrew Slaves): Recitativo: Oh, chi piange?, Nabucco: Part III, Scene 2 (Chorus of Hebrew Slaves): Va, pensiero, sull'ali dorate.., Nabucco: Part IV, Scene 1, Aria, Recitativo e Scena: Aria: Dio di Guida!...L'ara, il tempio a Te sacro, sorgeranno, Nabucco: Part IV, Scene 1, Aria, Recitativo e Scena: Recitativo: Porta fatal, oh, t'aprirai!, Nabucco: Part IV, Scene 1, Aria, Recitativo e Scena: Scena: Cadran, cadranno i perfidi come locuste al suolo!, Nabucco: Part IV, Scene 1: Recitativo: Son pur queste mie membra, Nabucco: Part IV, Scene 2, Recitativo e Preghiera, Finale IV: Ah, torna Israello, Nabucco: Part IV, Scene 2, Recitativo e Preghiera, Finale IV: Oh, chi vegg'io?, Nabucco: Part IV, Scene 2, Recitativo e Preghiera, Finale IV: Su me...morente...esanime...discenda il tuo perdono!, Nabucco: Part IV, Scene 2, Recitativo e Preghiera, Finale IV: Viva Nabucco!, Nabucco: Part IV, Scene 2, Recitativo e Preghiera: Preghiera: Oh dischiuso è il firmamento!, Nabucco: Part IV, Scene 2, Recitativo e Preghiera: Va: la palma del martirio, Nabucco: Part IV, Scene 2: Marcia funebre, Nabucco: Sinfonia, Non sai tu che se l'anima mia, O Re, pei sacri Numi, Odi tu come fremono cupi, Ogni cura si doni al diletto, Oh, qual soave brivido, Or, di Vulcano al tempio, Otello: Act II, "Ciò m'accora", Posa in pace, a' bei sogni ristora, Prelude, Preludio, Preludo, Pur ti riveggo, Qual E Dunque L'eletto ... Ah! Del Conte La Morte Si Vuole!, Qual gemito! ... Morir! sì pura e bella... O terra, addio, Quattro pezzi sacri: Stabat mater, Quattro pezzi sacri: Te Deum, Qui Radamès verrà!, Quid Sum Miser Adagio, Rallegrati omai, Recordare, Jesu Pie, Requiem Aeternam, Requiem Mass "Manzoni": I. Requiem e Kyrie: Kyrie eleison, Requiem Mass "Manzoni": I. Requiem e Kyrie: Requiem aeternam, Requiem Mass "Manzoni": II. Dies Irae: Confutatis maledictus, Requiem Mass "Manzoni": II. Dies Irae: Dies Irae, Requiem Mass "Manzoni": II. Dies Irae: Ingemisco, Requiem Mass "Manzoni": II. Dies Irae: Lacrymosa dies illa, Requiem Mass "Manzoni": II. Dies Irae: Liber scriptus, Requiem Mass "Manzoni": II. Dies Irae: Mors stupebit, Requiem Mass "Manzoni": II. Dies Irae: Quid sum miser, Requiem Mass "Manzoni": II. Dies Irae: Recordare, Requiem Mass "Manzoni": II. Dies Irae: Rex tremendae majestatis, Requiem Mass "Manzoni": II. Dies Irae: Tuba mirum, Requiem Mass "Manzoni": III. Offertorio: Domine Jesu Christe, Requiem Mass "Manzoni": IV. Sanctus, Requiem Mass "Manzoni": V. Agnus Dei, Requiem Mass "Manzoni": VI. Lux aeterna, Requiem Mass "Manzoni": VII. Libera me, Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Opening. "Dies irae", Requiem: Agnus Dei, Requiem: Confutatis - Dies irae, Requiem: Dies Irae, Requiem: Ingemisco, Requiem: Lacrimosa, Requiem: Liber scriptus - Dies irae, Requiem: Libera me, Requiem: Lux aeterna, Requiem: Mors stupebit, Requiem: Offertorio, Requiem: Quid sum miser, Requiem: Recordare, Requiem: Requiem e Kyrie Sequenza, Requiem: Rex tremendae, Requiem: Tuba mirum, Rex Tremendae Majestatis, Rigoletto, Act III: "La donna è mobile", Rigoletto: "Ella mi fu rapita! ... Parmi veder le lagrime", Rigoletto: "Questa o quella", S'avanza il Conte, Sacred Pieces, for chorus & orchestra (Quattro pezzi sacri): Ave Maria, Sacred Pieces, for chorus & orchestra (Quattro pezzi sacri): Laudi alla Vergine Maria, Sacred Pieces, for chorus & orchestra (Quattro pezzi sacri): Stabat mater, Sacred Pieces, for chorus & orchestra (Quattro pezzi sacri): Te Deum, Saper vorreste di che si veste, Seguitemi, Siam soli. Udite, Su, fatemi largo, saper vo' il mio fato, Su, profetessa, monta il treppie, Teco io sto, Tuba Mirum Spargens Sonum, Un ballo in maschera, opera: Su profetessa monta il treppiè ...Di tu se fedele, Un ballo in maschera: "Di' tu se fedele il flutto m'aspetta", V Agnus Dei, VI Lux Aeterna, VII Libera Me, Va, pensiero, sull'ali dorate, Ve', se di notte qui colla sposa, Vedi le fosche, Volta la terrea, Vorrei salvarlo... Già sacerdoti adunansi, Zitti ... L'incanto Non Dessi Turbare ... Re Dell'abisso, Affrettati |
| Boo Boo |
performing orchestra |
Carnival Overture, op. 92, Danza Rituel del Fuego, Don Giovanni, K. 527: Atto I, Scena I. Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Don Giovanni, K. 527: Atto I, Scena I. Introduzione "Lasciala, indegno!" (Commendatore, Don Giovanni, Leporello), Don Giovanni, K. 527: Atto I, Scena I. Introduzione "Non sperar, se non m'uccidi" (Donna Anna, Don Giovanni, Leporello), Don Giovanni, K. 527: Atto I, Scena I. Introduzione "Notte e giorno faticar" (Leporello), Don Giovanni, K. 527: Atto I, Scena I. Recitativo "Ah! Del padre in periglio", Don Giovanni, K. 527: Atto I, Scena I. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello), Don Giovanni, K. 527: Atto I, Scena II. Aria "Ah, chi mi dice mai", Don Giovanni, K. 527: Atto I, Scena II. Aria "Madamina, il catalogo è questo" (Leporello), Don Giovanni, K. 527: Atto I, Scena II. Recitativo "Chi è là?" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni, K. 527: Atto I, Scena II. Recitativo "In questa forma" (Donna Elvira), Don Giovanni, K. 527: Atto I, Scena II. Recitativo "Orsù, spicciam presto" (Don Giovanni, Leporello), Don Giovanni, K. 527: Atto I, Scena III. Aria "Ah! fuggi il traditor" (Donna Elvira), Don Giovanni, K. 527: Atto I, Scena III. Aria "Dalla sua pace" (Don Ottavio), Don Giovanni, K. 527: Atto I, Scena III. Aria "Finch'han dal vino" (Don Giovanni), Don Giovanni, K. 527: Atto I, Scena III. Aria "Ho capito, signor, sì!" (Masetto), Don Giovanni, K. 527: Atto I, Scena III. Aria "Or sai chi l'onore" (Donna Anna), Don Giovanni, K. 527: Atto I, Scena III. Coro "Giovinette, che fate all'amore" (Zerlina, Coro, Masetto), Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina), Don Giovanni, K. 527: Atto I, Scena III. Quartetto "Non ti fidar, o misera" (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira), Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Alfin siam liberati", Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Come mai creder deggio", Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Don Ottavio, son morta!" (Donna Anna, Don Ottavio), Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Fermati, scellerato!" (Donna Elvira, Zerlina, Don Giovanni), Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Manco male è partita" (Don Giovanni, Leporello, Zerlina, Masetto), Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Mi par ch'oggi il demonio si diverta", Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Povera sventurata!" (Don Giovanni), Don Giovanni, K. 527: Atto I, Scena IV. Aria "Batti, batti, o bel Masetto" (Zerlina), Don Giovanni, K. 527: Atto I, Scena IV. Finale "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni), Don Giovanni, K. 527: Atto I, Scena IV. Finale "Presto, presto, pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Coro), Don Giovanni, K. 527: Atto I, Scena IV. Finale "Protegga il giusto cielo" - "Vendichi il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira), Don Giovanni, K. 527: Atto I, Scena IV. Finale "Tra quest'arbori celata" (Zerlina, Don Giovanni, Masetto), Don Giovanni, K. 527: Atto I, Scena IV. Recitativo "Guarda un po'" (Masetto, Don Giovanni, Zerlina), Don Giovanni, K. 527: Atto I, Scena IV. Recitativo "Masetto, senti un po'!" (Zerlina, Masetto), Don Giovanni, K. 527: Atto I, Scena V. Finale "Ecco il birbo che t'ha offesa!" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna), Don Giovanni, K. 527: Atto I, Scena V. Finale "Ricominciate il suono!" (Don Giovanni, Leporello, Donna Elvira, Donna Anna, Don Ottavio, Masetto, Zerlina), Don Giovanni, K. 527: Atto I, Scena V. Finale "Riposate, vezzose ragazze" (Don Giovanni, Leporello, Masetto, Zerlina), Don Giovanni, K. 527: Atto I, Scena V. Finale "Trema, trema, o scellerato!" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto), Don Giovanni, K. 527: Atto I, Scena V. Finale "Venite pure avanti" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio), Don Giovanni, K. 527: Atto II, Scena I. Aria "Metà di voi qua vadano" (Don Giovanni), Don Giovanni, K. 527: Atto II, Scena I. Aria "Vedrai, carino, se sei buonino" (Zerlina), Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni), Don Giovanni, K. 527: Atto II, Scena I. Duetto "Eh via, buffone, non mi seccar!" (Don Giovanni, Leporello), Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Amico, che ti par?" (Don Giovanni, Leporello), Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Leporello!... Signore?" (Don Giovanni, Leporello), Don Giovanni, K. 527: Atto II, Scena I. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto), Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Zitto, lascia ch'io senta!" (Don Giovanni, Masetto, Zerlina), Don Giovanni, K. 527: Atto II, Scena I. Terzetto "Ah taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni), Don Giovanni, K. 527: Atto II, Scena II. Aria "Ah, pietà, signori miei!" (Leporello), Don Giovanni, K. 527: Atto II, Scena II. Aria "Il mio tesoro" (Don Ottavio), Don Giovanni, K. 527: Atto II, Scena II. Aria "Mi tradì, quell'alma ingrata" (Donna Elvira), Don Giovanni, K. 527: Atto II, Scena II. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Don Giovanni, K. 527: Atto II, Scena II. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Don Giovanni, K. 527: Atto II, Scena II. Recitativo "Ferma, perfido, ferma!" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Don Giovanni, K. 527: Atto II, Scena II. Recitativo "In quali eccessi, o Numi" (Donna Elvira), Don Giovanni, K. 527: Atto II, Scena II. Sestetto "Ferma, briccone, dove ten vai!" (Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira, Leporello), Don Giovanni, K. 527: Atto II, Scena II. Sestetto "Mille torbidi pensieri" (Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira, Leporello), Don Giovanni, K. 527: Atto II, Scena II. Sestetto "Sola, sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Don Giovanni, K. 527: Atto II, Scena III. Duetto "O statua gentilissima" (Don Giovanni, Leporello, La statua del commendatore), Don Giovanni, K. 527: Atto II, Scena III. Recitativo "Ah, ah, ah, questa è buona" (Don Giovanni, Leporello, La statua del commendatore), Don Giovanni, K. 527: Atto II, Scena IV. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Don Giovanni, K. 527: Atto II, Scena IV. Recitativo "Calmatevi, idol mio!" (Don Ottavio, Donna Anna), Don Giovanni, K. 527: Atto II, Scena IV. Recitativo "Crudele? Ah no, mio bene!" (Donna Anna), Don Giovanni, K. 527: Atto II, Scena IV. Recitativo "Non mi dir, bell'idol mio" (Donna Anna), Don Giovanni, K. 527: Atto II, Scena V. Epilogo "Ah, dov'è il perfido?" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello), Don Giovanni, K. 527: Atto II, Scena V. Epilogo "Or che tutti, o mio tesoro" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello), Don Giovanni, K. 527: Atto II, Scena V. Epilogo "Questo è il fin" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello), Don Giovanni, K. 527: Atto II, Scena V. Finale "Che grido è questo mai" (Don Giovanni, Leporello), Don Giovanni, K. 527: Atto II, Scena V. Finale "Da qual tremore insolito" (Don Giovanni, Coro di demonii, Leporello), Don Giovanni, K. 527: Atto II, Scena V. Finale "Don Giovanni a cenar teco" (La statua del commendatore, Don Giovanni, Leporello), Don Giovanni, K. 527: Atto II, Scena V. Finale "Già la mensa è preparata" (Don Giovanni, Leporello), Don Giovanni, K. 527: Atto II, Scena V. Finale "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni, K. 527: Overture, El amor brujo, G. 68: Danza ritual del fuego, El amor brujo: A medianoche, El amor brujo: Canción del amor dolido, El amor brujo: Canción del fuego fatuo, El amor brujo: Danza del Juego del amor, El amor brujo: Danza del terror, El amor brujo: Danza rituel del fuego, El amor brujo: El aparecido, El amor brujo: El circulo magico, El amor brujo: En la cueva, El amor brujo: Escena, El amor brujo: Final: Les campana del amanecer, El amor brujo: Introduction y Escena, El amor brujo: Pantomima, El sombrero de tres picos: Suite no. 2: Danza de los vecinos (Seguidilla), El sombrero de tres picos: Suite no. 2: Danza del molinero (Farruca), Francesca da Rimini: Symphonic Fantasy, op. 32, I Vespri Siciliani: Overture, Jeux d'enfants: I. Marche (Trompette et tambour), Jeux d'enfants: II. Berceuse (La Poupee), Jeux d'enfants: III. Imprompou (La Toupie), Jeux d'enfants: IV. Duo (Petit mari, petite femme), Jeux d'enfants: V. Galop (Le Bal), Khovanshchina: Prelude (Dawn Over the River Moskva), La Mer: I. De l'aube à midi sur la mer, La Mer: II. Jeux de vagues, La Mer: III. Dialogue du vent et de la mer, Lagazza Ladra: The Thieving Magpie | Die Diebische Elster | La Pie Voleuse, Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Or bene; ascolta e taci" (Susanna, Figaro), Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene II. Recitativo "Ed aspettaste il giorno" (Bartolo, Marcellina), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo), Le nozze di Figaro, K. 492: Act I, Scene III. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act I, Scene IV. Recitativo "Va là, veochia pedante" (Susanna, Cherubino), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act I, Scene VI. Recitativo "Ah! son perduto!" (Cherubino, Susanna, Conte, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna), Le nozze di Figaro, K. 492: Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Conte, Susanna, Cherubino, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro), Le nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Conte, Figaro, Susanna, Coro), Le nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Ewiva!...Ewiva!" (Figaro, Susanna, Basilio, Cherubino, Conte), Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa), Le nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (Contessa, Susanna, Figaro), Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna), Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Bravo! Che bella voce!" (Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quando duolmi, Susanna" (Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie!" (Contessa, Susanna, Cherubino, Conte), Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Dunque voi non aprite" (Conte, Contessa), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene V. Recitativo "Tutto è come il lasciai" (Conte, Contessa), Le nozze di Figaro, K. 492: Act II, Scene VI. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene VII. "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene VII. "Signore! Cos'è quel stupore?" (Susanna, Il Conte, Contessa), Le nozze di Figaro, K. 492: Act II, Scene VII. "Voi signor, che giusto siete" (Marcellina, Basilio, Bartolo, Susanna, Contessa, Figaro, Conte), Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto: "Riconosci in quest' amplesso" (Marcellina, Figaro, Bartolo, Curzio, Conte, Susanna), Le nozze di Figaro, K. 492: Act III, Scene V. Recitativo "E decisa la lite" (Curzio, Marcellina, Figaro, Conte, Bartolo), Le nozze di Figaro, K. 492: Act III, Scene VI. Recitativo "Eccovi, o caro amico" (Marcellina, Bartolo, Susanna, Figaro), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa), Le nozze di Figaro, K. 492: Act III, Scene X. No. 21 Duettino "Sull'aria..." (Susanna, Contessa), Le nozze di Figaro, K. 492: Act III, Scene XIV. No. 23 Finale: "Amanti costanti" (Tutti), Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III, Scenes II-III. Recitativo "E perché fosti mecco" (Il Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Act III, Scenes IX-X. Recitativo "Io vi dico signor" (Antonio, Conte), Le nozze di Figaro, K. 492: Act III, Scenes XI-XIII. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze), Le nozze di Figaro, K. 492: Act IV, Scene I-VII. No. 24 Cavatina "L'ho perduta... me meschina" (Barberina) / Recitativo "Barbarina, cos'hai?" (Barbarina, Figaro, Marcellina) / Recitativo "Madre" (Marcellina, Figaro) / Recitativo "Presto avvertiam Susanna" (Barbarina), Le nozze di Figaro, K. 492: Act IV, Scene VIII No. 27 Recitativo "Tutto è disposto" / Aria "Aprite un po' quelgli occhi" (Figaro), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" / Aria "Deh vieni, non tardar" (Susanna), Le nozze di Figaro, K. 492: Act IV, Scene XI. Recitativo "Perfida! E in quella forma meco mentia?" (Figaro, Cherubino, Contessa), Le nozze di Figaro, K. 492: Act IV, Scene XIII. "Tutto è tranquillo e placido" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act IV, Scene XIV. "Gente, gente, all'armi, all'armi!" (Tutti), Le nozze di Figaro, K. 492: Act IV, Scene XIV. "Pace, pace, mio dolce tesoro" (Figaro, Susanna, Conte), Le nozze di Figaro, K. 492: Act IV, Scenes IX-X. Recitativo: "Signora! Ella mi disse..." (Susanna, Marcellina, Contessa, Figaro), Le nozze di Figaro, K. 492: Act IV, Scenes XI-XII. No. 29 Finale "Pian, pianin, le andro più presso" (Cherubino, Contessa, Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Sinfonia, Le nozzo di Figaro: Atto I. "Se vuol ballare", Le nozzo di Figaro: Atto I. Aria "Non piu andrai", Le nozzo di Figaro: Atto I. Aria "Non so piu cosa son", Le nozzo di Figaro: Atto I. Overture, Le nozzo di Figaro: Atto II. Canzone "voi che sapete", Le nozzo di Figaro: Atto II. Cavatina "Porgi amor", Le nozzo di Figaro: Atto II. Finale "Conoscete, signor Figaro", Le nozzo di Figaro: Atto III. Duettino "Canzonetta sul'aria", Le nozzo di Figaro: Atto III. Duo "Crudel! Perche finora farmi languir cosi", Le nozzo di Figaro: Atto III. Finale "Gente, gente! All'armi", Le nozzo di Figaro: Atto III. Recitativo e aria "E Susanna non vien?...Dove sono", Le nozzo di Figaro: Atto III. Recitativo e aria "Giunse alfin il momento...Deh vieni, non tardar", Le nozzo di Figaro: Atto III. Recitativo e aria "Hai gia vinta la causa? Vedro mentr'io sospiro", Le nozzo di Figaro: Atto IV. Recitativo e aria "Tutto e disposto...Aprite un po' quegli occhi", Mass in B Minor, BWV 232: Agnus Dei, Mass in B Minor, BWV 232: Benedictus, Mass in B Minor, BWV 232: Christe eleison, Mass in B Minor, BWV 232: Confiteor unum baptisma, Mass in B Minor, BWV 232: Credo in unum Deum, Mass in B Minor, BWV 232: Credo in unum Deum, Patrem omnipotentem, Mass in B Minor, BWV 232: Crucifixus, Mass in B Minor, BWV 232: Cum Sancto Spiritu, Mass in B Minor, BWV 232: Domine Deus, Mass in B Minor, BWV 232: Dona nobis pacem, Mass in B Minor, BWV 232: Et expecto resurrectionem mortuorum, Mass in B Minor, BWV 232: Et in Spiritum Sanctum Dominum, Mass in B Minor, BWV 232: Et in terra pax, Mass in B Minor, BWV 232: Et in unum Dominum, Mass in B Minor, BWV 232: Et incarnatus es, Mass in B Minor, BWV 232: Et resurrexit, Mass in B Minor, BWV 232: Gloria in excelsis Deo, Mass in B Minor, BWV 232: Gratias agimus tibi, Mass in B Minor, BWV 232: Kyrie eleison, Mass in B Minor, BWV 232: Laudamus te, Mass in B Minor, BWV 232: Osanna, Mass in B Minor, BWV 232: Qui sedes ad dextram Patris, Mass in B Minor, BWV 232: Qui tollis peccata mundi, Mass in B Minor, BWV 232: Quoniam tu solus Sanctus, Mass in B Minor, BWV 232: Sanctus, Mass in E-flat major, D. 950: I. Kyrie: "Kyrie eleison" / "Christe eleison" / "Kyrie eleison". Andante con moto, quasi allegretto, Mass in E-flat major, D. 950: II. Gloria: "Cum Sancto Spiritu". Moderato, Mass in E-flat major, D. 950: II. Gloria: "Domine Deus". Andante con moto, Mass in E-flat major, D. 950: II. Gloria: "Gloria in excelsis Deo". Allegro moderato e maestoso, Mass in E-flat major, D. 950: II. Gloria: "Quoniam tu solus sanctus". Tempo I, Mass in E-flat major, D. 950: III. Credo: "Credo in unum Deum". Moderato, Mass in E-flat major, D. 950: III. Credo: "Et incarnatus est". Andante, Mass in E-flat major, D. 950: III. Credo: "Et resurrexit". Tempo I, Mass in E-flat major, D. 950: IV. Sanctus: "Osanna in excelsis". Allegro ma non troppo, Mass in E-flat major, D. 950: IV. Sanctus: "Sanctus Dominus". Adagio, Mass in E-flat major, D. 950: V. Benedictus: "Benedictus, qui venit". Andante, Mass in E-flat major, D. 950: V. Benedictus: "Osanna in excelsis". Allegro ma non troppo, Mass in E-flat major, D. 950: VI. Agnus Dei: "Agnus Dei, qui tollis peccata mundi". Allegro molto moderato, Mass in E-flat major, D. 950: VI. Agnus Dei: "Agnus Dei, qui tollis peccata mundi". Andante con moto, Mass in E-flat major, D. 950: VI. Agnus Dei: "Dona nobis pacem". Andante, Mass in E-flat major, D. 950: VI. Agnus Dei: "Dona nobis pacem". Andantino, Messa da Requiem: I. Requiem & Kyrie. Andante, Messa da Requiem: II. Dies Irae: "Confutatis maledictis". Andante, Messa da Requiem: II. Dies Irae: "Dies irae, dies illa". Allegro agitato, Messa da Requiem: II. Dies Irae: "Ingemisco tamquam reus". Poco meno mosso, Messa da Requiem: II. Dies Irae: "Lacrymosa dies illa". Largo, Messa da Requiem: II. Dies Irae: "Liber scriptus proferetur". Allegro molto sostenuto, Messa da Requiem: II. Dies Irae: "Mors stupebit". Molto me mosso, Messa da Requiem: II. Dies Irae: "Quid sum miser". Adagio, Messa da Requiem: II. Dies Irae: "Recordare, Jesu Pie". Lo stesso tempo, Messa da Requiem: II. Dies Irae: "Rex tremendae majestatis". Adagio maestoso, Messa da Requiem: II. Dies Irae: "Tuba mirum spargens sonum". Allegro sostenuto, Messa da Requiem: III. Offertorio: "Domine Jesu". Andante mosso - Allegro mosso, Messa da Requiem: III. Offertorio: "Hostias et preces tibi". Adagio, Messa da Requiem: IV. Sanctus. Allegro, Messa da Requiem: V. Agnus Dei. Andante, Messa da Requiem: VI. Lux Aeterna. Allegro moderato, Messa da Requiem: VII. Libera Me. Moderato, Messa da Requiem: VII. Libera Me: "Dies irae, dies illa". Allegro agitato, Messa da Requiem: VII. Libera Me: "Libera me, Domine". Moderato - Allegro risoluto, Messa da Requiem: VII. Libera Me: "Requiem aeternam". Andante, Ouvertüre zu "Der Barbier von Sevilla", Ouvertüre zu "Die Italienerin in Algier", Ouvertüre zu "Die diebische Elster", Ouvertüre zu "Die seidene Leiter", Ouvertüre zu "Semiramis", Ouvertüre zu "Wilhelm Tell", Overture "Il Barbiere di Siviglia", Pavane pour une infante défunte, Pictures at an Exhibition: Cum Mortuis in Lingua Mortua, Pictures at an Exhibition: I. The Gnome, Pictures at an Exhibition: II. The Old Castle, Pictures at an Exhibition: III. Tuileries, Pictures at an Exhibition: IV. Bydlo, Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba-Yaga), Pictures at an Exhibition: Promenade, Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: VII. The Market Place at Limoges, Pictures at an Exhibition: VIII. Catacombae: Sepulchrum Romanum, Pictures at an Exhibition: X. The Great Gate of Kiev, Requiem d-Moll, KV 626: Kyrie, Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Quam olim Abrahae", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna", Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: 5. Agnus Dei, Romeo and Juliet, Romeo and Juliet: Fantasy Overture, Scherzo capriccioso, op. 66, Sinfonie Nr. 1 C-Moll, Op. 68: I. Un Poco Sostenuto - Allegro, Sinfonie Nr. 1 C-Moll, Op. 68: II. Andante Sostenuto, Sinfonie Nr. 1 C-Moll, Op. 68: III. Un Poco Allegretto E Grazioso, Sinfonie Nr. 1 C-Moll, Op. 68: IV. Adagio - Piu Andante - Allegro Non Troppo, Sinfonie Nr. 2 D-Dur, Op. 73: I. Allegro Non Troppo, Sinfonie Nr. 2 D-Dur, Op. 73: II. Adagio Non Troppo, Sinfonie Nr. 2 D-Dur, Op. 73: III. Allegretto Grazioso (Quasi Andantino) - Presto Ma Non Assai - Tempo I, Sinfonie Nr. 2 D-Dur, Op. 73: IV. Allegro Con Spirito, Sinfonie Nr. 3 F-Dur, Op. 90 I. Allegro Con Brio - Un Poco Sostenuto - Tempo I, Sinfonie Nr. 3 F-Dur, Op. 90 II. Andante, Sinfonie Nr. 3 F-Dur, Op. 90 III. Poco Allegretto, Sinfonie Nr. 3 F-Dur, Op. 90 IV. Allegro - Un Poco Sostenuto, Sinfonie Nr. 4 E-Moll, Op. 98: I. Allegro Non Troppo, Sinfonie Nr. 4 E-Moll, Op. 98: II. Andante Moderato, Sinfonie Nr. 4 E-Moll, Op. 98: III. Allegro Giocoso, Sinfonie Nr. 4 E-Moll, Op. 98: IV. Allegro Energico E Passionato, Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro, Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C Minor, Op. 68: IV. Adagio - Piu andante - Allegro non troppo ma con brio, Symphony No. 3 "Rhenish": I. Lebhaft, Symphony No. 3 "Rhenish": II. Scherzo. Sehr massig, Symphony No. 3 "Rhenish": III. Nicht schnell, Symphony No. 3 "Rhenish": IV. Feierlich, Symphony No. 3 "Rhenish": V. Lebhaft, Symphony No. 36 in C Major, K. 425, "Linz": I. Adagio - Allegro spiritoso, Symphony No. 36 in C Major, K. 425, "Linz": II. Poco adagio, Symphony No. 36 in C Major, K. 425, "Linz": III. Menuetto, Symphony No. 36 in C Major, K. 425, "Linz": IV. Presto, Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto – Allegro vivo, Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace, Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale Moderato assai – Allegro vivo – Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con gracia, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale (Adagio lamentoso - Andante), Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo, Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso – Andante, Symphony no. 7 in E major (edition: Robert Haas): I. Allegro moderato, Symphony no. 7 in E major (edition: Robert Haas): II. Adagio. Sehr feierlich und sehr langsam, Symphony no. 7 in E major (edition: Robert Haas): III. Scherzo. Sehr schnell – Trio, Symphony no. 7 in E major (edition: Robert Haas): IV. Finale. Bewegt, doch nicht schnell, Symphony no. 8 in G, op. 88: I. Allegro con brio, Symphony no. 8 in G, op. 88: II. Adagio, Symphony no. 8 in G, op. 88: III. Allegretto grazioso, Symphony no. 8 in G, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto, Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo, Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace, Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco, Tancredi: Overture, The Barber of Seville, The Barber of Seville: Overture, The Firebird suite: Berceuse, The Firebird suite: Danse, The Firebird suite: Finale, The Firebird suite: Introduction, The Firebird suite: Ronde des princesses, The Firebird suite: Variation, Tragic Overture, Op. 81, Tragische Ouvertüre, Op. 81, Trois Nocturnes: I. Nuages, Trois Nocturnes: II. Fétes, Trois Nocturnes: III. Sirènes, Variationen Über Ein Thema Von Joseph Haydn, Op. 56a, Variations on a Theme by Haydn |
| Gioachino Rossini |
performing orchestra |
"Una voce poco fa" aus "Il Barbiere di Siviglia", Act I: Ah sì, per voi già sento Rossini, Act I: Amor, dirada il nembo Rossini, Act I: Dove son? Che mai veggio? Rossini, Act I: Incerta l'anima Rossini, Act I: Inutile è quel pianto Rossini, Act I: L'infida, ahimè! che miro! Rossini, Act I: Ma che miro? Rossini, Act I: Nel cor d'un padre Rossini, Act I: No, non temer Rossini, Act I: Parti, crudel Rossini, Act I: Rodrigo! Rossini, Act I: Santo Imen! Rossini, Act I: Sinfonia Rossini, Act I: Ti parli l'amore Rossini, Act I: Vincemmo, o pordi Rossini, Act I: Viva Otello! Rossini, Act I: Vorrei, che il tuo pensiero Rossini, Act II: Ah! come mai non senti Rossini, Act II: Ah! vieni, nel tuo sangue Rossini, Act II: Ahimè! fermate! Rossini, Act II: Che ascolto! Ah come mai non senti? Rossini, Act II: Che feci! Rossini, Act II: Che smania! ahimè! Che affanno! Rossini, Act II: Desdemona! Che veggo! Rossini, Act II: E a tanto giunger puote Rossini, Act II: Fra tante smanie, e tante Rossini, Act II: L'error d'un'infelice Rossini, Act II: L'ira d'avverso fato Rossini, Act II: Lasciami! Rossini, Act II: M'abbandonò disparve! Rossini, Act II: Non m'inganno Rossini, Act III: Ah! Dagli affanni oppressa Rossini, Act III: Amor! possente nume! Rossini, Act III: Assisa a piè d'un salice Rossini, Act III: Cara/Caro per te quest'anima Rossini, Act III: Che sento! Chi batte? Rossini, Act III: Deh calma, o Ciel Rossini, Act III: Eccomi giunto inosservato Rossini, Act III: L'ira d'avverso fato Rossini, Act III: Mura infelici Rossini, Act III: Nessun maggior dolore Rossini, Act III: Non arrestar il colpo Rossini, Act III: Non m'inganno Rossini, Act III: Notte per me funesta Rossini, Act III: Oh! quante lagrime Rossini, Act III: Or più dolci intorno al core Rossini, Act III: Rodrigo! Egli è salvo Rossini, Act III: Vacila a quegl' accenti Rossini, Finale From "William Tell Overture", Guglielmo Tell : S’allontanano alfine…selva opaca, Guillaume Tell, Il Barbiere Di Siviglia: Act I. "All'idea di quel metallo", Il Barbiere Di Siviglia: Act I. "Dunque io son", Il Barbiere Di Siviglia: Act I. "Ecco ridente", Il Barbiere Di Siviglia: Act I. "La calunnia è un venticello", Il Barbiere Di Siviglia: Act I. "Largo al factotum della cittá", Il Barbiere Di Siviglia: Act I. "Una voce poco fa", Il Barbiere Di Siviglia: Act II. "Ah! Qual colpo", Il Barbiere Di Siviglia: Act II. "Di si felice innesto", Il Barbiere Di Siviglia: Act II. "Don Basilio!... Cosa veggo!", Il Barbiere Di Siviglia: Atto primo: XI. Duetto: "All'idea di quei metallo", Il Barbiere Di Siviglia: Atto primo: XIII. Recitativo: "Sì, sì, la vincerò", Il Barbiere Di Siviglia: Atto primo: XV. Recitativo: "Ah! Che ne dite?", Il Barbiere Di Siviglia: Atto primo: XVI. Duetto: "Dunque io son", Il Barbiere Di Siviglia: Atto primo: XX. Finale I: "Ehi, di casa, maladetti!", Il Barbiere Di Siviglia: Atto primo: XXI. Finale I: "Che cosa accadde", Il Barbiere Di Siviglia: Atto primo: XXII. Finale I: "Zitti, chè bussano", Il Barbiere Di Siviglia: Atto secondo: III. Recitativo: "Insomma, mi signore, chi è lei?", Il Barbiere Di Siviglia: Atto secondo: IX. Quintetto: "Buona sera, mio signore", Il Barbiere Di Siviglia: Atto secondo: XIV. Terzetto: "Ah, qual colpo inaspettato!", Il Barbiere Di Siviglia: Atto secondo: XV. Recitativo: "Ah, disgraziati noi!", Il Barbiere Di Siviglia: Ouverture, Il Barbiere di Siviglia: Act I, Scene I. "Ah, che d'amore la fiamma io sento" (Conte, Figaro), Il Barbiere di Siviglia: Act I, Scene I. "All'idea di quel metallo" (Conte, Figaro), Il Barbiere di Siviglia: Act I, Scene I. "Ecco ridente in cielo" (Conte), Il Barbiere di Siviglia: Act I, Scene I. "Ehi, Fiorelli? ... Mio signore" (Conte, Fiorello, Coro), Il Barbiere di Siviglia: Act I, Scene I. "La ran la le ra... Largo al factotum" (Figaro), Il Barbiere di Siviglia: Act I, Scene I. "Mille grazie, mio signore" (Conte, Fiorello, Coro), Il Barbiere di Siviglia: Act I, Scene I. "Oh, il meglio mi scordavo" (Conte, Figaro), Il Barbiere di Siviglia: Act I, Scene I. "Piano, piano... Un'altra idea!" (Conte, Figaro), Il Barbiere di Siviglia: Act I, Scene I. "Se il mio nome saper voi bramate" (Conte, Rosina, Figaro), Il Barbiere di Siviglia: Act I, Scene I. Piano, pianissimo, senza parlar (Fiorello, Coro, Conte), Il Barbiere di Siviglia: Act I, Scene I. Recitativo "Ah, che bella vita!" (Figaro, Conte), Il Barbiere di Siviglia: Act I, Scene I. Recitativo "Gente indiscreta!" (Conte, Fiorello, Figaro), Il Barbiere di Siviglia: Act I, Scene I. Recitativo "Oh, cielo! ... Nella stanza convien" (Conte, Figaro), Il Barbiere di Siviglia: Act I, Scene II. "A un dottor della mia sorte" (Bartolo), Il Barbiere di Siviglia: Act I, Scene II. "Ah, venisse, il caro oggetto" (Conte, Bartolo, Rosina), Il Barbiere di Siviglia: Act I, Scene II. "Che cosa accadde, signori miei" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro), Il Barbiere di Siviglia: Act I, Scene II. "Dunque io son?" (Figaro, Rosina), Il Barbiere di Siviglia: Act I, Scene II. "Dunque, lei vuol battaglia?" (Conte, Bartolo, Rosina, Berta, Basilio, Figaro), Il Barbiere di Siviglia: Act I, Scene II. "Ehi, di casa, buona gente" (Conte, Bartolo), Il Barbiere di Siviglia: Act I, Scene II. "Fermi tutti, nessun si muova" (Coro, Bartolo, Figaro, Basilio, Conte, Berta, Rosina, Ufficiale), Il Barbiere di Siviglia: Act I, Scene II. "Finora in questa camera" (Berta, Conte), Il Barbiere di Siviglia: Act I, Scene II. "Fortunati affetti miei" (Figaro, Rosina), Il Barbiere di Siviglia: Act I, Scene II. "Fredda ed immobile" ((Rosina, Conte, Bartolo, Figaro, Basilio, Berta), Il Barbiere di Siviglia: Act I, Scene II. "La calunnia è un venticello" (Basilio), Il Barbiere di Siviglia: Act I, Scene II. "Ma signor... ma un dottor" (Bartolo, Coro, Berta, Basilio, Rosina, Conte, Figaro), Il Barbiere di Siviglia: Act I, Scene II. "Una voce poco fa" (Rosina), Il Barbiere di Siviglia: Act I, Scene II. Recitativo "Ah! Che ne dite?" (Basilio, Bartolo), Il Barbiere di Siviglia: Act I, Scene II. Recitativo "Ah, barbiere d'inferno!" (Bartolo, Basilio), Il Barbiere di Siviglia: Act I, Scene II. Recitativo "Ah, disgraziato Figaro!" (Bartolo, Rosina, Berta, Ambrogio), Il Barbiere di Siviglia: Act I, Scene II. Recitativo "Ma bravi! Ma benone!" (Figaro, Rosina), Il Barbiere di Siviglia: Act I, Scene II. Recitativo "Ora mi sento meglio" (Rosina, Bartolo), Il Barbiere di Siviglia: Act I, Scene II. Recitativo "Sì, sì, la vincerò" (Rosina, Figaro), Il Barbiere di Siviglia: Act II. "Ah, qual colpo inaspettato!" (Figaro, Conte, Rosina), Il Barbiere di Siviglia: Act II. "Buona sera, mio signore" (Rosina, Conte, Figaro, Bartolo, Basilio), Il Barbiere di Siviglia: Act II. "Che vecchio sospettoso!" (Berta), Il Barbiere di Siviglia: Act II. "Contro un cor che accende amore" (Rosina, Conte), Il Barbiere di Siviglia: Act II. "Di sì felice innesto" (Figaro, Berta, Bartolo, Basilio, Coro, Rosina, Conte), Il Barbiere di Siviglia: Act II. "Don Basilio!... Cosa veggo!" (Rosina, Conte, Figaro, Bartolo, Basilio), Il Barbiere di Siviglia: Act II. "Il vecchiotto cerca moglie" (Berta), Il Barbiere di Siviglia: Act II. "Orsu, signor Don Bartolo" (Figaro, Bartolo, Conte, Rosina), Il Barbiere di Siviglia: Act II. "Pace e gioia sia con voi" (Conte, Bartolo), Il Barbiere di Siviglia: Act II. "Quando mi sei vicina" (Bartolo), Il Barbiere di Siviglia: Act II. "Zitti, zitti, piano, piano" (Figaro, Conte, Rosina), Il Barbiere di Siviglia: Act II. Recitativo "Ah, disgraziati noi!" (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale), Il Barbiere di Siviglia: Act II. Recitativo "Alfine eccoci qua" (Figaro, Conte, Rosina), Il Barbiere di Siviglia: Act II. Recitativo "Bella voce! Bravissima!" (Conte, Rosina, Bartolo), Il Barbiere di Siviglia: Act II. Recitativo "Bravo, signore barbiere" (Bartolo, Figaro, Rosina, Conte), Il Barbiere di Siviglia: Act II. Recitativo "Insomma io ho tutti i torti" (Bartolo, Figaro, Basilio, Conte, Rosina), Il Barbiere di Siviglia: Act II. Recitativo "Insomma, mio signore" (Bartolo, Conte), Il Barbiere di Siviglia: Act II. Recitativo "Venite, signorina" (Bartolo, Rosina, Conte), Il Barbiere di Siviglia: Act II. Recitativo : Ma vedi il mio destino!" (Bartolo), Il Barbiere di Siviglia: Act II. Temporale (Orchestra), Il Barbiere di Siviglia: Overture (Orchestra), Il barbiere di Siviglia: Act I, No. 5. "Una voce poco fa" (Rosina), Il barbiere di Siviglia: Act I, Scene I. “All'idea di quel metallo” (Figaro, Count Almaviva), Il barbiere di Siviglia: Act I, Scene II. “Che cosa accadde” (Figaro, Bartolo, Count Almaviva, Rosina, Berta, Basilio, Chorus), Il barbiere di Siviglia: Act I, Scene II. “Dunque io son” (Figaro, Rosina), Il barbiere di Siviglia: Act I, Scene II. “Ehi, di casa, buona gente” (Count Almaviva, Bartolo), Il barbiere di Siviglia: Act I. "Una voce poco fa", Il barbiere di Siviglia: Act I. "Una voce poco fa" (Rosina), Il barbiere di Siviglia: Act II. “Ah, qual colpo inaspettato!” (Figaro, Count Almaviva, Rosina), Il barbiere di Siviglia: Act II. “Buona sera, mio signore” (Rosina, Count Almaviva, Figaro, Bartolo, Basilio), Il barbiere di Siviglia: Atto I. "Una voce poco fà", Il barbiere di Siviglia: Overture, Introduction and Variations for Clarinet and Orchestra, La Cenerentola : Nacqui all’ affanno…non pi? Mesta, La Cenerentola: Overture, La gazza ladra: Overture, La scala di seta, La scala di seta: Overture, L’Italiana in Algeri, Mosè in Egitto: Atto I, No. 1 Introduzione "Ah! Chi ne aiuta! Oh ciel!", Mosè in Egitto: Atto I, No. 10 Duetto "Tutto mi ride intorno", Mosè in Egitto: Atto I, No. 11 Finale (continuazione) "All'idea di tanto eccesso", Mosè in Egitto: Atto I, No. 11 Finale (continuazione) "Che narri?" / "Il ver", Mosè in Egitto: Atto I, No. 11 Finale (continuazione) "Padre..." / "Signor...", Mosè in Egitto: Atto I, No. 2 Recitativo "Mano ultrice d'un Dio", Mosè in Egitto: Atto I, No. 3 Invocazione "Eterno! immenso!", Mosè in Egitto: Atto I, No. 4 Quintetto "Celeste man placata!", Mosè in Egitto: Atto I, No. 4 Quintetto "Egizi!" - "Faraone!", Mosè in Egitto: Atto I, No. 4 Quintetto "Voci di giubilo", Mosè in Egitto: Atto I, No. 5 Recitativo "E avete, avverse stelle", Mosè in Egitto: Atto I, No. 6 Duetto "Ah! quel suon già d'Israele", Mosè in Egitto: Atto I, No. 6 Duetto "Ah! se puoi così lasciarmi", Mosè in Egitto: Atto I, No. 6 Duetto Non è ver che stringa il cielo", Mosè in Egitto: Atto I, No. 7 Recitativo "Ah! dov'è Faraone?", Mosè in Egitto: Atto I, No. 8 Aria "Cade dal ciglio il velo", Mosè in Egitto: Atto I, No. 8bis Recitativo "Ove m'ascondo?", Mosè in Egitto: Atto I, No. 9 Finale I "All'etra, al ciel", Mosè in Egitto: Atto II, No. 12 Recitativo "Ecco in tua mano, Aronne", Mosè in Egitto: Atto II, No. 13 Duetto "Non merta più consiglio...", Mosè in Egitto: Atto II, No. 13 Duetto "Parlar, spiegar non posso", Mosè in Egitto: Atto II, No. 14 Scena "Gentil Regina, oh quanto", Mosè in Egitto: Atto II, No. 15 Aria "Deh, ti consola e spera", Mosè in Egitto: Atto II, No. 15 Aria "La pace mia smarrita", Mosè in Egitto: Atto II, No. 16 Recitativo "Nuove sciagure, o mio german!", Mosè in Egitto: Atto II, No. 17 Scena e Quartetto "Ah Mira!" - "Oh ciel!", Mosè in Egitto: Atto II, No. 17 Scena e Quartetto "Dove mi guidi?", Mosè in Egitto: Atto II, No. 17 Scena e Quartetto "Involto in fiamma rea", Mosè in Egitto: Atto II, No. 17 Scena e Quartetto "Quale assalto, qual cimento!", Mosè in Egitto: Atto II, No. 17bis "Fiera guerra mi sento nel seno", Mosè in Egitto: Atto II, No. 17bis "Mi manca la voce", Mosè in Egitto: Atto II, No. 18 Recitativo "Che portrai dir?", Mosè in Egitto: Atto II, No. 19 Aria "Tu di ceppi m'aggravi", Mosè in Egitto: Atto II, No. 20 Recitativo "O Nume Osiri", Mosè in Egitto: Atto II, No. 21 Coro "Se a mitigar tue cure", Mosè in Egitto: Atto II, No. 22 Recitativo "Sì, popoli d'Egitto", Mosè in Egitto: Atto II, No. 23 Aria "E ancor resisti?", Mosè in Egitto: Atto II, No. 23 Aria "Porgi la destra amata", Mosè in Egitto: Atto II, No. 23 Aria "Tormenti, affanni e smanie", Mosè in Egitto: Atto III, No. 24 Recitativo "Eccone in salvo, o figli", Mosè in Egitto: Atto III, No. 25 Preghiera "Dal tuo stellato soglio", Mosè in Egitto: Atto III, No. 25 Preghiera "Ma qual fragor!", Mosè in Egitto: Atto III, No. 25 Preghiera "Son fuggiti! Oh ciel, che miro!", Semiramide : Bel raggio lusinghier, Semiramide: Overture, The Barber of Seville, Act I: "Dunque io son", The Lone Ranger Theme, William Tell |
| Seashaped |
performing orchestra |
"Pomp and Circumstance", op. 39: March no. 4 in G major, A Clockwork Orange: Pomp and Circumstance: March no. 1, Bolero, Cavalleria rusticana: Act I. Intermezzo sinfonico, Cavalleria rusticana: Intermezzo, Cavalleria rusticana: Intermezzo Sinfonico, Concert Overture: In the South, La forza del destino: Overture (Sinfonia), La forza del destino: Sinfonia, Pelléas et Mélisande, op. 5: Breit, Pelléas et Mélisande, op. 5: Die Viertel ein wenig bewegt - zögernd, Pelléas et Mélisande, op. 5: Ein wenig bewegt, Pelléas et Mélisande, op. 5: Ein wenig bewegter, Pelléas et Mélisande, op. 5: Etwas bewegt, Pelléas et Mélisande, op. 5: Heftig, Pelléas et Mélisande, op. 5: In gehender Bewegung, Pelléas et Mélisande, op. 5: Langsam, Pelléas et Mélisande, op. 5: Lebhaft, Pelléas et Mélisande, op. 5: Sehr langsam, Pelléas et Mélisande, op. 5: Sehr rasch, Pomp and Circumstance March No. 1, Pomp and Circumstance: no. 1 in D major, op. 39, Romeo and Juliet, Fantasy Overture: andante non tanto quasi Moderato – Allegro giusto – Moderato assai, Serenade for String Orchestra in E minor, op. 20: I. Allegro piacevole, Serenade for String Orchestra in E minor, op. 20: II. Larghetto, Serenade for String Orchestra in E minor, op. 20: III. Allegretto, Serenade for String Orchestra: I. Allegro piacevole, Serenade for String Orchestra: II. Larghetto, Serenade for String Orchestra: III. Allegretto, Serenade for Strings in E minor, op. 20: III. Allegretto, Sinfonie No. 4 A-Dur: I. Allegro vivace, Sinfonie No. 4 A-Dur: II. Andante con moto, Sinfonie No. 4 A-Dur: III. Con moto moderato, Symphonie Nr. 4 A-Dur, op. 90 "Italienische": 4. Saltarello. Presto, Symphony No. 10 in F-sharp major: Andante - Adagio, Symphony No. 5 in C minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony No. 5 in C minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I. Subito, Symphony No. 5 in C minor: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 5 in C minor: IV. Adagietto. Sehr langsam, Symphony No. 5 in C minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony No. 6 in A minor: Finale. Allegro moderato, Symphony No. 6 in A minor: I. Allegro energico, man non troppo. Heftig, aber markig, Symphony No. 6 in A minor: II. Scherzo. Wuchtig, Symphony No. 6 in A minor: III. Andante moderato, Symphony No. 7 in E minor: I. Langsam. Allegro risoluto, Symphony No. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony No. 7 in E minor: V. Rondo. Finale. Allegro ordinario - Allegro moderato ma energico, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Accende lumen sensibus, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Gloria sit Patri Domino, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Imple superna gratia, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Infirma nostri corporis, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Tempo I. Allegro, etwas hastig, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Veni creator spiritus, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Alles Vergängliche ist nur ein Gleichnis, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Bei der Liebe - Bei dem Bronn - Bei dem hochgeweihten Orte, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Er überwächst uns schon, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Ewiger Wonnebrand, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Höchste Herrscherin der Welt, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Jene Rosen, aus den Händen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Neige, neige du Ohnegleichen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Più mosso. Allegro moderato, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Poco adagio, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Waldung, sie schwankt heran, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Wie Felsenabgrund mir zu Füßen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Teil 1: Hymnus "Veni creator spiritus": Veni creator spiritus, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: I. Bewegter, Symphony No. 9 in D major: I. Blechbläser, Symphony No. 9 in D major: I. Etwas frischer, Symphony No. 9 in D major: I. Hörner, Symphony No. 9 in D major: I. Mit Wut. Allegro risoluto, Symphony No. 9 in D major: I. Plötzlich bedeutend langsamer und leise, Symphony No. 9 in D major: I. Wie von Anfang, Symphony No. 9 in D major: II. A tempo II, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derp, Symphony No. 9 in D major: II. Poco più mosso subito. Tempo II, Symphony No. 9 in D major: II. Tempo I, Symphony No. 9 in D major: II. Tempo I. Subito, Symphony No. 9 in D major: II. Tempo II, Symphony No. 9 in D major: II. Tempo III, Symphony No. 9 in D major: III. Klarinetten, Symphony No. 9 in D major: III. L'istesso tempo, Symphony No. 9 in D major: III. Più stretto, Symphony No. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony No. 9 in D major: III. Sempre l'istesso tempo, Symphony No. 9 in D major: III. Tempo I. Subito, Symphony No. 9 in D major: IV. A tempo. Molto adagio, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony No. 9 in D major: IV. Adagissimo, Symphony No. 9 in D major: IV. Fließender, doch durchaus nicht eilend, Symphony No. 9 in D major: IV. Molto adagio subito, Symphony No. 9 in D major: IV. Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd, Symphony No. 9 in D major: IV. Stets sehr lang gehalten, Symphony No. 9 in D major: IV. Tempo I. Molto adagio, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung, Symphony no. 2 in C minor “Resurrection”: Va. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 2 in E-flat major, op. 63: 1. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: 2. Larghetto, Symphony no. 2 in E-flat major, op. 63: 3. Rondo. Presto, Symphony no. 2 in E-flat major, op. 63: 4. Moderato e maestoso, Symphony no. 3 in D minor: I. Kräftig. Entscheiden, Symphony no. 3 in D minor: II. Tempo die minuetto. Sehr mäßig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso: "O Mensch! Gib acht!", Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel einen süßen Gesang", Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht teilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich. "Wir genießen die himmlischen Freuden", Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Tannhäuser: Act I, Scene I. Ouverture, Tannhäuser: Overture, Tosca: Act 1. Tre sbirri, una carrozza, Variations on an Original Theme "Enigma", op. 36: Enigma: Andante, Variations on an Original Theme "Enigma", op. 36: I. (C.A.E.): L'istesso tempo, Variations on an Original Theme "Enigma", op. 36: II. (H.D.S.-p.): Allegro, Variations on an Original Theme "Enigma", op. 36: III. (R.B.T.): Allegretto, Variations on an Original Theme "Enigma", op. 36: IV. (W.M.B.): Allegro di molto, Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod): Adagio, Variations on an Original Theme "Enigma", op. 36: V. (R.P.A.): Moderato, Variations on an Original Theme "Enigma", op. 36: VI. (Ysobel): Andantino, Variations on an Original Theme "Enigma", op. 36: VII. (Troyte): Presto, Variations on an Original Theme "Enigma", op. 36: VIII. (W.N.): Allegretto, Variations on an Original Theme "Enigma", op. 36: X. Intermezzo (Dorabella): Allegretto, Variations on an Original Theme "Enigma", op. 36: XI. (G.R.S.): Allegro di molto, Variations on an Original Theme "Enigma", op. 36: XII. (B.G.N.): Andante, Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***): Moderato, Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E.D.U.): Allegro - Presto, Verklärte Nacht, op. 4: Adagio, Verklärte Nacht, op. 4: Grave, Verklärte Nacht, op. 4: Molto rallentando, Verklärte Nacht, op. 4: Pesante |
| Giacomo Puccini |
performing orchestra |
Gianni Schicchi: "O mio babbino caro", La Boheme: Si, mi chiamano Mimi (Philharmonia Orchestra feat. conductor Giuseppe Sinopoli; soprano Mirella Freni), La bohème, Act I: "Che gelida manina", La bohème, Act I: "O soave fanciulla", La bohème: Act I. "Abbasso, abbasso l'autore!" (Marcello, Colline, Rodolfo, Schaunard), La bohème: Act I. "Al Quartiere Latin ci attende Momus" (Schaunard, Marcello, Rodolfo, Colline), La bohème: Act I. "Che gelida manina" (Rodolfo), La bohème: Act I. "Ehi! Rodolfo!... O soave fanciulla" (Schaunard, Colline, Marcello, Rodolfo, Mimì), La bohème: Act I. "Non sono in vena" (Rodolfo, Mimì), La bohème: Act I. "Questo 'Mar Rosso' mi ammollisce e assidera" (Marcello, Rodolfo, Colline), La bohème: Act I. "Si può?... Chi è là?" (Benoît, Marcello, Schaunard, Colline, Rodolfo), La bohème: Act I. "Sì. Mi chiamano Mimì" (Mimì, Rodolfo), La bohème: Act I. "Sì. Mi chiamano Mimì” (Mimì), La bohème: Act II. "Aranci, datteri!" (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello, Ragazzi), La bohème: Act II. "Beviam... Ch'io beva del tossico!" (Mimì, Rodolfo, Marcello, Schaunard, Colline, Coro, Alcindoro, Musetta), La bohème: Act II. "Chi guardi?... Odio il profano volgo" (Rodolfo, Colline, Mimì, Schaunard, Marcello, Coro, Parpignol, Ragazzi), La bohème: Act II. "Chi l'ha richiesto?... Vediam" (Colline, Schaunard, Rodolfo, Marcello, Coro, Ragazzi, Musetta), La bohème: Act II. "Quando men' vo" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline), La bohème: Act III. "Addio... Donde lieta uscì al tuo grido d'amore" (Mimì, Rodolfo), La bohème: Act III. "Dunque è proprio finita?" (Rodolfo, Mimì, Marcello, Musetta), La bohème: Act III. "Marcello. Finalmente" (Rodolfo, Marcello, Mimì), La bohème: Act III. "Mimì?... Speravo di trovarvi qui" (Marcello, Mimì), La bohème: Act III. "Ohè, là, le guardie... Aprite!" (Coro, Doganiere, Musetta, Mimì, Sergente dei Doganieri), La bohème: Act IV. "Che ora sia?" (Rodolfo, Marcello, Schaunard, Colline), La bohème: Act IV. "In un coupé?... Con pariglia e livree" (Marcello, Rodolfo), La bohème: Act IV. "O Mimì, tu più non torni" (Rodolfo, Marcello), La bohème: Act IV. "Oh Dio! Mimì!... Che avvien?" (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline), La bohème: Act IV. "Schaunard, ognuno per diversa via" (Colline, Schaunard), La bohème: Act IV. "Sono andati?" (Mimì, Rodolfo), La bohème: Act IV. "Vecchia zimarra, senti" (Colline), La bohème: Atto I. "Sì. Mi chiamano Mimì", La rondine: "Sogno di Doretta", Love Duet, Madama Butterfly: Act I. America for ever!, Madama Butterfly: Act I. Bimba, bimba, non piangere, Madama Butterfly: Act I. Cio-Cio-San!... Cio-Cio San!, Madama Butterfly: Act I. Dovunque al mondo, Madama Butterfly: Act I. E Soffitto... e Pareti, Madama Butterfly: Act I. Ecco! Son giunte al sommo del pendio, Madama Butterfly: Act I. Gran ventura, Madama Butterfly: Act I. Ier l'altro, il Consolato, Madama Butterfly: Act I. Ieri son salita, Madama Butterfly: Act I. L'Imperial Commissario, Madama Butterfly: Act I. O Kami! O Kami!, Madama Butterfly: Act I. Sorride Vostro Onore?, Madama Butterfly: Act I. Tutti zitti!, Madama Butterfly: Act I. Viene la sera, Madama Butterfly: Act I. Vieni, amor mio!, Madama Butterfly: Act I. Vogliatemi bene, Madama Butterfly: Act II, Part I. Duetto. "Scuotti quella fronda di ciliegio" (Butterfly, Suzuki), Madama Butterfly: Act II, Part II. "Chi sai?" - "Zitta! Non la destar!" (Suzuki, Sharpless, Pinkerton), Madama Butterfly: Act II, Part II. "Io so che alle sue pene no ci sono conforti" (Sharpless, Pinkerton, Suzuki), Madama Butterfly: Act II. (fischi d'uccelli dal giardino), Madama Butterfly: Act II. (È notte; i raggi lunari illuminano dall'esterno lo shosi), Madama Butterfly: Act II. Addio fiorito asil, Madama Butterfly: Act II. C'è. Entrate., Madama Butterfly: Act II. Che tua madre dovrà, Madama Butterfly: Act II. Chi sia?, Madama Butterfly: Act II. Come una mosca prigioniera, Madama Butterfly: Act II. Con onor muore, Madama Butterfly: Act II. E Izaghi ed Izanami, Madama Butterfly: Act II. E questo? E questo?, Madama Butterfly: Act II. Ebbene, che fareste, Madama Butterfly: Act II. Già il sole!, Madama Butterfly: Act II. Lo so che alle sue pene, Madama Butterfly: Act II. Non lo sapete insomma, Madama Butterfly: Act II. Non ve l'avevo detto?, Madama Butterfly: Act II. Or vienmi ad adornar, Madama Butterfly: Act II. Ora a noi, Madama Butterfly: Act II. Scuoti quella fronda di ciliegio, Madama Butterfly: Act II. Si sa che aprir la porta, Madama Butterfly: Act II. Suzuki! Dove sei?, Madama Butterfly: Act II. Szene 2, Madama Butterfly: Act II. Tu, Suzuki, che sei tanto buona, Madama Butterfly: Act II. Udiste?, Madama Butterfly: Act II. Una nave da guerra, Madama Butterfly: Act II. Vespa! Rospo maledetto!, Madama Butterfly: Atto II. "Con onor muore", Madama Butterfly: Flower Duet, Madama Butterfly: Love Duet, Act I (Philharmonia Orchestra feat. conductor Giuseppe Sinopoli; tenor Jose Carreras; soprano Mirella Freni), Madame Butterfly: Duo des Fleurs, Manon Lescault: "In quelle trine morbide", Manon Lescault: "Sola, perduta, abbandonata", Manon Lescaut: "Cortese Damigella" (Des Grieux, Manon, Lescaut), Manon Lescaut: Act II. "Oh, saro la piu bella!" / "Tu, tu, amore? Tu?", Manon Lescaut: Atto II. "In quelle trine morbide", Manon Lescaut: Atto IV. "Sola, perduta, abbandonata", Manon Lescaut: Donna non vidi mai (Philharmonia Orchestra feat. conductor Giuseppe Sinopoli; tenor Placido Domingo), Manon Lescaut: Intermezzo, Manon lescaut, opera: Act: III. Intermezzo, Nessun dorma!, Suor Angelica: "Senza mamma", Tosca, Tosca, Act III: "E Lucevan le stelle", Tosca: "Dammi I Colori!" - "Recondita Armonia", Tosca: "Dammi i colori ... Recondita armonia", Tosca: "E lucevan le stelle", Tosca: Act I. "Ah! Finalmente!" (Angelotti, Sagrestano, Cavaradossi), Tosca: Act I. "Ah, quegli occhi" (Tosca, Cavaradossi), Tosca: Act I. "Dammi i colori... Recondita armonia" (Cavaradossi, Sagrestano), Tosca: Act I. "Ed io venivo a lui tutta dogliosa" (Tosca, Scarpia), Tosca: Act I. "Gente là dentro!" (Cavaradossi, Angelotti, Tosca), Tosca: Act I. "Mario! Mario! Mario!" (Tosca, Cavaradossi), Tosca: Act I. "Or tutto è chiaro" (Scarpia, Tosca, Sagrestano), Tosca: Act I. "Tre sbirri, una carrozza" (Scarpia, Spoletta, Coro), Tosca: Act I. "Un tal baccano in chiesa!" (Scarpia, Sagrestano, Spoletta), Tosca: Act I. "È buona la mia Tosca" (Cavaradossi, Angelotti, Sagrestano, Coro), Tosca: Act II. "Dov'è dunque Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca), Tosca: Act II. "E qual via scegliete?" (Scarpia, Tosca), Tosca: Act II. "Ed or fra noi parliam" (Scarpia, Tosca, Sciarrone, Cavaradossi), Tosca: Act II. "Floria!... Amore..." (Cavaradossi, Tosca, Scarpia, Sciarrone), Tosca: Act II. "Ha più forte" (Scarpia, Sciarrone, Spoletta), Tosca: Act II. "Meno male!" (Scarpia, Spoletta, Cavaradossi), Tosca: Act II. "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi), Tosca: Act II. "Se la giurata fede debbo tradir" (Scarpia, Tosca), Tosca: Act II. "Tosca è un buon falco!" (Scarpia, Sciarrone), Tosca: Act II. "Vedi, le man giunte io stendo a te!" (Tosca, Scarpia, Spoletta), Tosca: Act II. "Vissi d'arte" (Tosca), Tosca: Act II. "Vittoria! Vittoria!" (Cavaradossi, Tosca, Scarpia), Tosca: Act III. "Ah! Franchigia a Floria Tosca" (Cavaradossi, Tosca), Tosca: Act III. "Com'è lunga l'attesa!" (Tosca), Tosca: Act III. "E lucevan le stelle" (Cavaradossi), Tosca: Act III. "E non giungono" (Tosca, Cavaradossi, Carceriere), Tosca: Act III. "Io de' sospiri" (Pastore), Tosca: Act III. "Mario Cavaradossi? A voi" (Carceriere, Cavaradossi), Tosca: Act III. "O dolci mani mansuete e pure" (Cavaradossi, Tosca), Tosca: Act III. "Presto! Su, Mario! Mario! Su! Presto! Andiam!" (Tosca, Voci, Sciarrone, Spoletta), Tosca: Act III. E lucevan le stelle, Tosca: E lucevan le stelle (Philharmonia Orchestra feat. conductor Giuseppe Sinopoli; tenor Placido Domingo), Tosca: Love Duet, Act I (Philharmonia Orchestra feat. conductor Giuseppe Sinopoli; tenor Placido Domingo; soprano Mirella Freni), Tosca: Recondita armonia (Philharmonia Orchestra feat. conductor Giuseppe Sinopoli; tenor Placido Domingo), Tosca: Vissi d'arte, vissi d'amore (Philharmonia Orchestra feat. conductor Giuseppe Sinopoli; soprano Mirella Freni; bass-baritone Samuel Ramey), Tott's Champagne Commercial: O mio babbino caro, Turandot: "Non piangere, Liù", Turandot: Act I. "Signore, ascolta!" (Liù), Turandot: Act II, Scene II. "In questa reggia" (Turandot, Crowd, Prince), Turandot: Act III, Scene I. "Tu, che di gel sei cinta" (Liù, Crowd, Prince, Timur, Ping), Turandot: Atto I. "Signore, ascolta!", Turandot: Atto II. "In questa reggia", Turandot: Atto III. "Tu che di gel sei cinta" |
| Wolfgang Amadeus Mozart |
performing orchestra |
Cosi Fan Tutte, K. 588 - Un'aura amorosa del nostro tesoro, Cosi fan tutte: Act I, Scene I. "E la fede delle femmine", Cosi fan tutte: Act I, Scene I. "La mia Dorabella capace non e", Cosi fan tutte: Act I, Scene I. "Una bella serenata", Cosi fan tutte: Act I, Scene II. "Soave sia il vento", Cosi fan tutte: Act I, Scene III. "Ah, scostati!... - Smanie implacabili", Cosi fan tutte: Act I, Scene III. "Alla bella Despinetta", Cosi fan tutte: Act I, Scene III. "E voi ridete?", Cosi fan tutte: Act I, Scene III. "In uomini, in soldati", Cosi fan tutte: Act I, Scene III. "L'intatta fede che...Come scoglio immoto resta", Cosi fan tutte: Act I, Scene III. "Non siate ritrosi, occhietti vezzosi", Cosi fan tutte: Act I, Scene III. "Un'aura amorosa del nostro tesoro", Cosi fan tutte: Act II, Scene I. "Prendero quel brunettino", Cosi fan tutte: Act II, Scene I. "Una donna a quindici anni", Cosi fan tutte: Act II, Scene II. "Donne mie, la fate a tanti a tanti", Cosi fan tutte: Act II, Scene II. "Ei parte... senti... ah no!", Cosi fan tutte: Act II, Scene II. "Il core vi dono", Cosi fan tutte: Act II, Scene II. "La mano a me date", Cosi fan tutte: Act II, Scene II. "Per pieta, ben mio, perdona", Cosi fan tutte: Act II, Scene III. "Fra gli amplessi in pochi istanti", Cosi fan tutte: Act II, Scene III. "Tutti accusan le donne", Cosi fan tutte: Act II, Scene IV. "Fortunato l'uom che prende", Cosi fan tutte: Overture, Così fan tutte, Atto I, Scena 1: Fuor la spada, Così fan tutte, Atto I, Scena 1: La mia Dorabella capace non è, Così fan tutte, Atto I, Scena 1: Scioccherie di poeti!, Così fan tutte, Atto I, Scena 1: Una bella serenata, Così fan tutte, Atto I, Scena 1: È la fede delle femmine, Così fan tutte, Atto I, Scena 2: Ah, guarda, sorella, Così fan tutte, Atto I, Scena 2: Barbaro fato!... Vorrei dir, e cor non ho, Così fan tutte, Atto I, Scena 2: Bella vita militar!, Così fan tutte, Atto I, Scena 2: Dove son?, Così fan tutte, Atto I, Scena 2: La commedia è graziosa, Così fan tutte, Atto I, Scena 2: Mi par che stamattina, Così fan tutte, Atto I, Scena 2: Muoio d'affanno!... Di scrivermi ogni giorno, Così fan tutte, Atto I, Scena 2: Non son cattivo comico, Così fan tutte, Atto I, Scena 2: Non v'è più tempo, Così fan tutte, Atto I, Scena 2: Sento, oddio, che questo piede, Così fan tutte, Atto I, Scena 2: Soave sia il vento, Così fan tutte, Atto I, Scena 2: Stelle! Per carità, Signor Alfonso, Così fan tutte, Atto I, Scena 3: Ah, non partite!, Così fan tutte, Atto I, Scena 3: Ah, scostati!, Così fan tutte, Atto I, Scena 3: Alla bella Despinetta, Così fan tutte, Atto I, Scena 3: Che silenzio! Che aspetto di tristezza, Così fan tutte, Atto I, Scena 3: Che sussurro! Che strepito!, Così fan tutte, Atto I, Scena 3: Che vita maledetta, Così fan tutte, Atto I, Scena 3: Come scoglio immoto resta, Così fan tutte, Atto I, Scena 3: E voi ridete?, Così fan tutte, Atto I, Scena 3: In uomini, in soldati sperare fedeltà?, Così fan tutte, Atto I, Scena 3: L'intatta fede, Così fan tutte, Atto I, Scena 3: La cagion di quel riso?, Così fan tutte, Atto I, Scena 3: Non siate ritrosi, Così fan tutte, Atto I, Scena 3: Signora Dorabella, Signora Fiordiligi, Così fan tutte, Atto I, Scena 3: Smanie implacabili che m'agitate, Così fan tutte, Atto I, Scena 3: Un'aura amorosa del nostro tesoro, Così fan tutte, Atto I, Scena 4: Ah, che del sole il raggio, Così fan tutte, Atto I, Scena 4: Ah, che tutto in un momento, Così fan tutte, Atto I, Scena 4: Dammi un bacio, o mio tesoro, Così fan tutte, Atto I, Scena 4: Dove son? Che loco è questo?, Così fan tutte, Atto I, Scena 4: Eccovi il medico, Così fan tutte, Atto II, Scena 1: Madame... trattar l'amore, Così fan tutte, Atto II, Scena 1: Prenderò quel brunettino, Così fan tutte, Atto II, Scena 1: Sorella, cosa dici?, Così fan tutte, Atto II, Scena 1: Una donna a quindici anni, Così fan tutte, Atto II, Scena 2: Amico, abbiamo vinto!, Così fan tutte, Atto II, Scena 2: Barbara, perché fuggi?, Così fan tutte, Atto II, Scena 2: Cos'è tal mascherata?, Così fan tutte, Atto II, Scena 2: Donne mie, la fate a tanti a tanti, Così fan tutte, Atto II, Scena 2: Ei parte... senti... ah no!, Così fan tutte, Atto II, Scena 2: Il core vi dono, Così fan tutte, Atto II, Scena 2: In qual fiero contrasto, Così fan tutte, Atto II, Scena 2: La mano a me date, Così fan tutte, Atto II, Scena 2: Oh, che bella giornata!, Così fan tutte, Atto II, Scena 2: Per pietà, ben mio, perdona, Così fan tutte, Atto II, Scena 2: Secondate, aurette amiche, Così fan tutte, Atto II, Scena 2: Tradito, schernito, Così fan tutte, Atto II, Scena 3: Ah, poveretto me, cosa ho veduto!, Così fan tutte, Atto II, Scena 3: Come tutto congiura, Così fan tutte, Atto II, Scena 3: Fra gli amplessi in pochi istanti, Così fan tutte, Atto II, Scena 3: Ora vedo che siete una donna di garbo, Così fan tutte, Atto II, Scena 3: Tutti accussan le donne, Così fan tutte, Atto II, Scena 3: È amore un ladroncello, Così fan tutte, Atto II, Scena 4: Ah, Signor, son rea di morte, Così fan tutte, Atto II, Scena 4: Bella vita militar!, Così fan tutte, Atto II, Scena 4: Benedetti i doppi coniugi, Così fan tutte, Atto II, Scena 4: E nel tuo, nel mio bicchiero, Così fan tutte, Atto II, Scena 4: Fate presto, o cari amici, Così fan tutte, Atto II, Scena 4: Fortunato l'uom che prende, Così fan tutte, Atto II, Scena 4: Miei, signori, tutto è fatto, Così fan tutte, Atto II, Scena 4: Richiamata da regio contrordine, Così fan tutte, Overture, Don Giovanni : Non mi dir, Exsultate, jubilate, K. 165: "Alleluja", Exsultate, jubilate, K. 165: "Exsultate, jubilate", Exsultate, jubilate, K. 165: "Tu virginum corona", Exsultate, jubilate, K. 165: Recit. "Fulget amicadies", Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Piano Concerto no. 21 in C: 2. Andante, Requiem in Re minore K 626: Agnus Dei, Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Confutatis, Requiem in Re minore K 626: Dies irae, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Hostias, Requiem in Re minore K 626: Introito e Kyrie, Requiem in Re minore K 626: Lacrymosa, Requiem in Re minore K 626: Lux aeterna, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Rex tremendae maiestatis, Requiem in Re minore K 626: Sanctus, Requiem in Re minore K 626: Tuba mirum, Requiem, Dies Irae (Philharmonia Orchestra and Chorus feat. conductor: Carlo Maria Giulini) |
| Brandon Estelle |
performing orchestra |
Abu Hassan, J 106, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: III. Interlude. Allegro – Andante – Adagio, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IX. Symphony. Allegro energico – Meno mosso, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: V. Interlude. Tempestoso, Capriccio Bohémien, op. 12, Collage Sur B-A-C-H: I. Toccata. Preciso, Collage Sur B-A-C-H: II. Sarabande. Lento, Collage Sur B-A-C-H: III. Ricercar. Deciso, Dances From Aleko: Men’s Dance, Dances From Aleko: Women’s Dance, Der Beherrscher der Geister, J 122, Der Freischütz, J 277 (op. 77), Euryanthe, J 291 (op. 81), Festina Lente, Fratres, Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, Jubel-Ouvertüre, J 245 (op. 59), Oberon, J 306, Overture The Oresteia, op. 6, Peter Schmoll, J 8 (op. 8), Preciosa, J 279 (op. 78), Russian Overture, op. 72, Silvana, J 87, Suite no. 4 in G major "Mozartiana", op. 61: I. Gigue. Allegro, Suite no. 4 in G major "Mozartiana", op. 61: II. Menuet. Moderato, Suite no. 4 in G major "Mozartiana", op. 61: III. Preghiera (d'après une transcription de F. Liszt). Andante non tanto, Suite no. 4 in G major "Mozartiana", op. 61: IV. Thème et Variations. Allegro giusto, Summa for string orchestra, Summer Night Suite from "The Duenna", op. 123: I. Introduction. Moderato, ma con brio – Più animato, Summer Night Suite from "The Duenna", op. 123: II. Serenade. Adagio, Summer Night Suite from "The Duenna", op. 123: III. Minuet. Allegro ma non troppo, Summer Night Suite from "The Duenna", op. 123: IV. Dreams. Andante tranquillo, Summer Night Suite from "The Duenna", op. 123: V. Dance. Allegretto, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo de valse), Symphonic Dances, op. 45: III. Lento assai, Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro, Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot-Scherzo, Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino, Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch, Symphonic Suite from "War and Peace": I. The Ball: i. Fanfare and Polonaise. Maestoso e brioso, Symphonic Suite from "War and Peace": I. The Ball: ii. Waltz. Allegro, ma non troppo, Symphonic Suite from "War and Peace": I. The Ball: iii. Mazurka. Animato, Symphonic Suite from "War and Peace": II. Intermezzo – May Night, Symphonic Suite from "War and Peace": III. Finale: i. Snowstorm. Tempestoso, Symphonic Suite from "War and Peace": III. Finale: ii. Battle. Allegro, Symphonic Suite from "War and Peace": III. Finale: iii. Victory. Allegro fastoso – Andante maestoso, Symphony no. 2: I. 104-120, Symphony no. 2: II. 112, Symphony no. 2: III. 48-60, Symphony no. 4 in C minor, op. 12: I. Allegro molto, Symphony no. 4 in C minor, op. 12: II. Adagio, Symphony no. 4 in C minor, op. 12: III. Scherzo. Vivace, Symphony no. 4 in C minor, op. 12: IV. Finale. Allegro energico - molto maestoso, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Tale of the Stone Flower, op. 118: Act III, no. 29. Ural Rhapsody, The Tale of the Stone Flower, op. 118: Act III, no. 31. Russian Dance, The Tale of the Stone Flower, op. 118: Act III, no. 32. Gypsy Dance, The Tale of the Stone Flower, op. 118: Act III, no. 33. Severyan’s Dance, The Tale of the Stone Flower, op. 118: Act III, no. 34. Solo of the Gypsy Girl and Coda, The Tale of the Stone Flower, op. 118: Act IV, no. 39. Katerina sits by the fire, The Tale of the Stone Flower, op. 118: Act IV, no. 40. Scene and Dance of Katerina, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her, The Wooden Prince, op. 13: Dance of the Princess with the Wooden Doll, The Wooden Prince, op. 13: The Prince Comes Up and Tries to Console Her, Turandot, J 75: March, Turandot, J 75: Overture, Wenn Bach Bienen Gezüchtet Hätte |
| Jojo Sky |
performing orchestra |
- Intermezzo, Blanziflor et Helena: Ave, formosissima, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix mundi: Fortune Plango Vulnera, Carmina Burana: Fortuna Imperatrix mundi: O Fortuna, Carmina Burana: I Primo vere: Ecce Gratum, Carmina Burana: I Primo vere: Omnia Sol Temperat, Carmina Burana: I Primo vere: Veris leta facies, Carmina Burana: II In Taberna: Ego Sum Abbas, Carmina Burana: II In Taberna: Olim Lacus Colueram, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: III. Cour d' amours: Amor Volat Undique, Carmina Burana: III. Cour d' amours: Circa Mea Pectora, Carmina Burana: III. Cour d' amours: Dies, Nox Et Omnia, Carmina Burana: III. Cour d' amours: Dulcissime, Carmina Burana: III. Cour d' amours: In Trutina, Carmina Burana: III. Cour d' amours: Si Puer Cum Puellula, Carmina Burana: III. Cour d' amours: Stetit Puella, Carmina Burana: III. Cour d' amours: Tempus Est Iocundum, Carmina Burana: III. Cour d' amours: Veni, Veni, Venias, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: Uf dem anger: Charmer, Gip Die Varwe Mir, Carmina Burana: Uf dem anger: Floret Silva Noblis, Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were Diu Werlt Alle Min, Cavalleria Rusticana: Intermezzo, Fortuna Imperatrix Mundi: Fortune plango vulnera, Fortuna Imperatrix Mundi: O Fortuna, Gefangenenchor aus 'Nabucco', I. Primo vere: Ecce Gratum, I. Primo vere: Omnia Sol temperat, II. In Taberna: Ego sum abbas, II. In Taberna: Olim lacus colueram, III. Cour d'amours: Amor volat undique, III. Cour d'amours: Dies, nox et omnia, III. Cour d'amours: Dulcissime, III. Cour d'amours: Si puer cum puellula, Intermezzo, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirito, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Orfeo ed Erudice: Dance of the Blessed Spirits (New Philharmonia Orchestra, Riccardo Muti), Romeo and Juliet, Fantasy Overture, Sinfonietta in A major, op. 48: I. Allegro giocoso, Sinfonietta in A major, op. 48: II. Andante, Sinfonietta in A major, op. 48: III. Intermezzo. Vivace, Sinfonietta in A major, op. 48: IV. Scherzo. Allegro risoluto, Sinfonietta in A major, op. 48: V. Allegro giocoso, Symphonie Nr.1 B-dur op.38 "Frühlings"-Sym. - Allegro animato e grazioso, Symphonie Nr.1 B-dur op.38 "Frühlings"-Sym. - Andante un poco maestoso - Allegro molto vivace, Symphonie Nr.1 B-dur op.38 "Frühlings"-Sym. - Larghetto, Symphonie Nr.1 B-dur op.38 "Frühlings"-Sym. - Scherzo (Molto vivace) - Trio I - Trio II, Symphonie Nr.2 C-dur op.61 - Adagio espressivo, Symphonie Nr.2 C-dur op.61 - Allegro molto vivace, Symphonie Nr.2 C-dur op.61 - Scherzo (Allegro vivace) - Trio I - Trio II, Symphonie Nr.2 C-dur op.61 - Sostenuto assai - Allegro ma non troppo, Symphonie Nr.3 Es-dur op.97 "Rheinische" - Feierlich, Symphonie Nr.3 Es-dur op.97 "Rheinische" - Lebhaft, Symphonie Nr.3 Es-dur op.97 "Rheinische" - Nicht schnell, Symphonie Nr.3 Es-dur op.97 "Rheinische" - Scherzo (Sehr mäßig), Symphonie Nr.4 d-moll op.120 - Langsam - Lebhaft, Symphonie Nr.4 d-moll op.120 - Romanze (Ziemlich langsam), Symphonie Nr.4 d-moll op.120 - Scherzo (Lebhaft) & Trio, Symphonie Nr.4 d-moll op.120 - Ziemlich langsam - Lebhaft, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo (Allegro molto vivace), Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale (Moderato assai - Allegro - Presto), Symphony no. 24 in B-flat, K. 182: I. Allegro spiritoso, Symphony no. 24 in B-flat, K. 182: II. Andantino, Symphony no. 24 in B-flat, K. 182: III. Allegro, Symphony no. 3 in D major ('Polish'), op. 29: Alla tedesca, Symphony no. 3 in D, op. 29 "Polish": I. Moderato assai (Tempo di marcia funebre) - Allegro brillante, Symphony no. 3 in D, op. 29 "Polish": II. Alla tedesca (Allegro moderato e semplice), Symphony no. 3 in D, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D, op. 29 "Polish": IV. Scherzo (Allegro vivo), Symphony no. 3 in D, op. 29 "Polish": V. Allegro con fuoco -Tempo di polacca, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo (Pizzicato ostinato), Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco, Symphony no. 5 in E minor, op. 64: I. Andante-Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso-Allegro vivace, Symphony no. 5 in E minor, op. 64: Valse, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso-Andante, Uf dem anger: Chramer, gip die varwe mir, Uf dem anger: Floret silva nobilis, William Tell (extract) |
| The Deep North |
performing orchestra |
Adagio - Allegro non troppo (Excerpt) - Symphony No. 6 in B minor ("Pathétique"), Op. 74, Concerto for Piano no. 20 in D minor, K. 466: I. Allegro, Concerto for Piano no. 20 in D minor, K. 466: II. Romanze, Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai, Coriolan, Op. 62: Overture. Allegro con brio, Egmont, Op. 84: Overture. Sostenuto, ma non troppo, En saga, op. 9, Finlandia, Karelia, op. 11: I. Intermezzo, Karelia, op. 11: II. Ballade, Karelia, op. 11: III. Alla marcia, Leonore Overture No. 3, Op. 72b, Manfred Symphony, op. 58: 1. Lento lugubre - Moderato con moto, Manfred Symphony, op. 58: 2. Vivace con spirito, Manfred Symphony, op. 58: 3. Andante con moto, Manfred Symphony, op. 58: 4. Allegro con fuoco, Piano Concerto no. 23 in A major, K. 488: II. Adagio, Piano Concerto no. 25 in C, K. 503: II. Andante, Pictures at an Exhibition (orch. Ashkenazy): Promenade - Ballet of the Unhatched Chicks - 2 Polish Jews, Pictures at an Exhibition (orch. Ashkenazy): Promenade - Gnomus, Pictures at an Exhibition (orch. Ashkenazy): Promenade - The Market Place at Limoges, Pictures at an Exhibition (orch. Ashkenazy): Promenade - The Old Castle, Pictures at an Exhibition (orch. Ashkenazy): Promenade - Tuileries - Bydlo, Pictures at an Exhibition (orch. Ashkenazy): The Hut on Fowls Legs - The Great Gate of Kiev, Symphony No. 5 in E-flat major, Op. 82: III. Allegro molto, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro), Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - moderato con anima - moderato assai, quasi andante - allegro vivo, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 5 in C minor, op. 67: 1. Allegro con brio, Symphony no. 5 in C minor, op. 67: 2. Andante con moto, Symphony no. 5 in C minor, op. 67: 3. Allegro, Symphony no. 5 in C minor, op. 67: 4. Allegro, Symphony no. 5 in C minor: I. Allegro con brio, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 6 "Pastoral": I. Allegro ma non troppo, Symphony no. 6 "Pastoral": II. Andante molto moto, Symphony no. 6 "Pastoral": III. Allegro / IV. Allegro / V. Allegretto, Symphony no. 6 in B minor, op. 74 'Pathétique': I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 'Pathétique': II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 'Pathétique': III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 'Pathétique': IV. Finale: Adagio lamentoso, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in A, op. 92: 1. Poco sostenuto - Vivace, Symphony no. 7 in A, op. 92: 2. Allegretto, Symphony no. 7 in A, op. 92: 3. Presto - Assai meno presto, Symphony no. 7 in A, op. 92: 4. Allegro con brio, Symphony no. 7 in C major, op. 105, Tapiola, op. 112, The Flight of the Bumble Bee, The Flight of the Bumlebee, The Tale of Tsar Saltan Suite, Op. 57: I. The Tsar's Departure and Farewell, The Tale of Tsar Saltan Suite, Op. 57: II. The Tsarina in a Barrel at Sea, The Tale of Tsar Saltan Suite, Op. 57: III. The Three Wonders, The Tale of Tsar Saltan Suite, op. 57: I. The Tsar's Departure and Farewell, The Tale of Tsar Saltan Suite, op. 57: II. The Tsarina in a Barrel At Sea, The Tale of Tsar Saltan Suite, op. 57: III. The Three Wonders, The Tale of Tsar Saltan: The Flight of the Bumble-Bee, Two Serenades, op. 69a: I. Andante assai, Two Serenades, op. 69b: II. Lento assai, Two Serious Melodies, op. 77a: I. "Cantique, Laetare anima mea", Two Serious Melodies, op. 77b: II. "Devotion, Ab imo pectore" |
| Aivo Kallas |
performing orchestra |
Adagio, Adagio for Strings, Belkis, regina di Saba, P 177: I. Il sogno di Salomone, Belkis, regina di Saba, P 177: II. Danza guerresca, Belkis, regina di Saba, P 177: III. La danza di Belkis all’aurora, Belkis, regina di Saba, P 177: IV. Danza orgiastica, Bolero, Boléro, Brazilian Impressions: I. Tropical Night, Brazilian Impressions: II. Butantan. In a Snake Garden near São Paulo, Brazilian Impressions: III. Song and Dance, Bruyères, Children's Corner: Dr. Gradus ad Parnassum, Children's Corner: Golliwogg's Cake-Walk, Children's Corner: Jimbo's Lullaby, Children's Corner: Serenade for the Doll, Children's Corner: The Little Shepherd, Children's Corner: The Snow Is Dancing, Church Windows: I. The Flight into Egypt, Church Windows: II. St. Michael Archangel, Church Windows: III. The Matins of St. Clare, Church Windows: IV. St. Gregory the Great, Clair de Lune, Danse – tarantelle styrienne, Daphnis and Chloë: Daybreak, Deux arabesques i) Andantino con moto, Deux arabesques ii) Allegretto scherzando, In the Steppes of Central Asia, L'isle joyeuse, L'Éventail de Jeanne: I. Fanfare, L'Éventail de Jeanne: II. Marche, L'Éventail de Jeanne: III. Valse, L'Éventail de Jeanne: IV. Canarie, L'Éventail de Jeanne: IX. Rondeau, L'Éventail de Jeanne: V. Bourée, L'Éventail de Jeanne: VI. Sarabande, L'Éventail de Jeanne: VII. Polka, L'Éventail de Jeanne: VIII. Pastourelle, L'Éventail de Jeanne: X. Kermesse-Valse, La cathédrale engloutie, La fille aux cheveux de lin, La mer i) De l'aube à midi sur la mer, La mer ii) Jeux de vagues, La mer iii) Dialogue du vent et de la mer, La soirée dans Grenade, Les Mariés de la Tour Eiffel: I. Ouverture. Le 14 juillet, Les Mariés de la Tour Eiffel: II. Marche nuptiale, Les Mariés de la Tour Eiffel: III. Discours du général. Polka pour deux cornets à pistons, Les Mariés de la Tour Eiffel: IV. La Baigneuse e Trouville. Carte postale en couleurs, Les Mariés de la Tour Eiffel: IX. Ritournelles, Les Mariés de la Tour Eiffel: V. Fugue du massacre, Les Mariés de la Tour Eiffel: VI. Valse des dépêches, Les Mariés de la Tour Eiffel: VII. Marche funèbre, Les Mariés de la Tour Eiffel: VIII. Quadrille. Panalon-Été-Poule-Pastourelle Final, Les Mariés de la Tour Eiffel: X. Sortie de la noce, Ma mère l'oye: Pavane de la belle au bois dormant, Metamorphoseon modi XII, P 169: Modus I. Moderato non troppo -, Metamorphoseon modi XII, P 169: Modus II. Allegretto -, Metamorphoseon modi XII, P 169: Modus III. Lento -, Metamorphoseon modi XII, P 169: Modus IV. Lento espressivo -, Metamorphoseon modi XII, P 169: Modus IX. Lento non troppo -, Metamorphoseon modi XII, P 169: Modus V. Molto vivace -, Metamorphoseon modi XII, P 169: Modus VI. Vivo -, Metamorphoseon modi XII, P 169: Modus VII. Cadenze -, Metamorphoseon modi XII, P 169: Modus VIII. Andantino mosso -, Metamorphoseon modi XII, P 169: Modus X. Molto allegro -, Metamorphoseon modi XII, P 169: Modus XI. Molto allegro -, Metamorphoseon modi XII, P 169: Modus XII. Vivo non troppo, Metamorphoseon modi XII, P 169: Tema. Andante moderato -, Night on Bare Mountain, Nocturnes: Fêtes, Nocturnes: Nuages, Nocturnes: Sirènes, Pagodes, Petite Suite: En Bateau, Petite suite i) En bateau, Petite suite ii) Cortège, Petite suite iii) Menuet, Petite suite iv) Ballet, Pomp and Circumstance March no. 1, op. 39, Premiere rapsodie, Raspsodie espagnole: I. Prèlude a la nuit, St. John's Night on the Bare Mountain, Symphony no. 5, op. 67: IV, Symphony no. 5: I., The Swan of Tuonela, op. 22, The Swan of Tuonela, op. 22 no. 3, Three Botticelli Pictures: The Adoration of the Magi, Thunder and Lightning Polka, op. 324, Voices of Spring Waltz, op. 410 |
| Ludwig van Beethoven |
performing orchestra |
Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro, Die Geschöpfe des Prometheus - Ballet Op. 43: 16. Finale, Die Geschöpfe des Prometheus - Ballet Op. 43: 5. Adagio, Egmont - Incidental Music Op. 84: 1. Die Trommel gerühret, Egmont - Incidental Music Op. 84: 4. Freudvoll und leidvoll, Egmont - Incidental Music Op. 84: 7. Klärchens Tod bezeichnend, Egmont-Ouvertüre, op. 84, Fidelio, Act I, No. 10: "Ach! Vater, eilt!", Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht", Fidelio, Act I, No. 10: "Nun sprecht, wie ging's", Fidelio, Act I, No. 10: "Verwegener Alter", Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen", Fidelio, Act I, No. 1: Duett. "Jetzt, Schätzchen, jetzt sind wir allein", Fidelio, Act I, No. 1: Rezitativ. "Der arme Jaquino dauert mich beinahe", Fidelio, Act I, No. 2: Arie. "O wär ich schon mit dir vereint", Fidelio, Act I, No. 2: Rezitativ. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?", Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar", Fidelio, Act I, No. 3: Rezitativ. "Höre, Fidelio, weißt du, was ich tue?", Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben, Fidelio, Act I, No. 4: Rezitativ. "Ihr könnt das leicht sagen, Meister Rocco", Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben", Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut", Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut", Fidelio, Act I, No. 6: Marsch, Fidelio, Act I, No. 6: Rezitativ. "Wo sind die Depeschen?", Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick!, Fidelio, Act I, No. 7: Rezitativ. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm", Fidelio, Act I, No. 8: Duett. "Jetzt, Alter, jetzt hat es Eile!", Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern", Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?", Fidelio, Act I, No. 9: Rezitativ: "Rocco, ihr verspracht mir so oft", Fidelio, Act I, No. No. 10: Finale. "O welche Lust!", Fidelio, Act I: Ouvertüre, Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen", Fidelio, Act II, No. 11: "Und spür ich nicht linde", Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!", Fidelio, Act II, No. 11: Introduktion, Fidelio, Act II, No. 12: Duett. "Nur hurtig fort, nur frisch gegraben", Fidelio, Act II, No. 12: Melodram. "Wie kalt ist es", Fidelio, Act II, No. 12: Rezitativ. "Er erwacht!", Fidelio, Act II, No. 13: Rezitativ. "Alles ist bereit", Fidelio, Act II, No. 13: Terzett. "Euch werde Lohn in besser'n Welten", Fidelio, Act II, No. 14: "Es schlägt der Rache Stunde!", Fidelio, Act II, No. 14: Quartett. "Er sterbe!", Fidelio, Act II, No. 14: Rezitativ. "Vater Rocco!", Fidelio, Act II, No. 15: Duett. "O namenlose Freude!", Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille", Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab", Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!", Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen", Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!", Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag", Fidelio, Op. 72: Act I. " Abscheulicher!" - "Komm, Hoffnung", Fidelio: I Akt. "Abscheulicher", Fidelio: I Akt. "Komm Hoffnung", In questa tomba oscura, WoO 133 (arr. Alexander Faris), Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus, Music to Goethe's Tragedy "Egmont" op.84: Overture, Ouvertüre "Leonore" No. 3 Op. 72a, Overture to Fidelio, Piano Concerto No.4 in G Op.58 - I: Allegro moderato, Piano Concerto No.4 in G Op.58 - II: Andante con moto -, Piano Concerto No.4 in G Op.58 - II: Rondo (Vivace), Piano Concerto No.5 in E flat Op.73, 'Emperor' - I: Allegro, Piano Concerto No.5 in E flat Op.73, 'Emperor' - II: Adagio un poco mosso -, Piano Concerto No.5 in E flat Op.73, 'Emperor' - III: Rondo (Allegro), Romance Cantabile, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": IV. Gewitter. Sturm. Allegro, Sinfonie No. 6 F-dur, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No 4 in B flat, Op 60: I. Adagio — Allegro vivace, Symphony No 4 in B flat, Op 60: II. Adagio, Symphony No 4 in B flat, Op 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro), Symphony No 4 in B flat, Op 60: IV. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook - Andante molto mosso, Symphony No.7 in A, Op.92: 1. Poco sostenuto - Vivace, Symphony No.7 in A, Op.92: 2. Allegretto, Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto, Symphony No.7 in A, Op.92: 4. Allegro con brio, Symphony no. 5 in C Minor, op. 67: I. Allegro con brio, Violin Concerto in D major, op. 61: I: Allegro ma non troppo, Violin Concerto in D major, op. 61: II: Larghetto, Violin Concerto in D major, op. 61: III: Rondo (Allegro) |
| Robert Walsh |
performing orchestra |
Cantigas, Cello Concerto, Fresco, Ithe Firebird: Infernal Dance of Kashchei's Subjects, Jeu De Cartes: First Deal, Jeu De Cartes: Second Deal, Jeu De Cartes: Third Deal, Le Grand Macabre: Car Horn Prelude, Le Grand Macabre: Doorbell Prelude, Le Grand Macabre: Interlude, Le Grand Macabre: Scene III. Nekrotzar's entrance, Le Grand Macabre: Scene IV. Nekrotzar's Death, Le Grand Macabre: Second Car Horn Prelude, Le Sacre du printemps: Adoration of the Earth (The Sage), Le Sacre du printemps: Dance of the Earth, Le Sacre du printemps: Evocation of the Ancestors, Le Sacre du printemps: Glorification of the Chosen One, Le Sacre du printemps: Introduction, Le Sacre du printemps: Mystic Circles of the Young Girls, Le Sacre du printemps: Procession of the Sage, Le Sacre du printemps: Ritual Action of the Ancestors, Le Sacre du printemps: Ritual of Abduction, Le Sacre du printemps: Ritual of the Rival Tribes, Le Sacre du printemps: Sacrificial Dance (The Chosen One), Le Sacre du printemps: Spring Khorovod (Round Dance), Le Sacre du printemps: The Augurs of Spring (Dances of the Young Girls), Orpheus: Scene I. Air de danse, Orpheus: Scene I. Dance of the Angel of Death, Orpheus: Scene I. Interlude, Orpheus: Scene I. Orpheus, Orpheus: Scene II. Air de danse, Orpheus: Scene II. Dance of the Furies, Orpheus: Scene II. Interlude, Orpheus: Scene II. Pas d'action, Orpheus: Scene II. Pas de deux, Orpheus: Scene III. Orpheus' Apotheosis, Overture, Leonore no. 2, op. 72b, Parada, Petrouchka: Scene I. Russian Dance, Petrouchka: Scene I. The Shrovetide Fair, Petrouchka: Scene II. Petrushka, Petrouchka: Scene III. The Blackamoor, Petrouchka: Scene III. Waltz, Petrouchka: Scene IV. Apparition of Petrushka's Double, Petrouchka: Scene IV. Dance of the Coachmen, Petrouchka: Scene IV. Death of Petrushka, Petrouchka: Scene IV. Gypsies and a Rake Vendor, Petrouchka: Scene IV. Masqueraders, Petrouchka: Scene IV. Peasant with Bear, Petrouchka: Scene IV. Police and the Juggler, Petrouchka: Scene IV. The Scuffle, Petrouchka: Scene IV. The Shrovetide Fair (Towards Evening), Petrouchka: Scene IV. Wet-Nurses' Dance, Pohjolan Tytar, op. 49, Stravinsky: Petrushka (1947 version) / Tchaikovsky: Francesca da Rimini, Symphonie fantastique: I. Rêveries, Passions: Largo - Allegro agitato, Symphonie fantastique: II. Un bal: Valse allegro non troppo, Symphonie fantastique: III. Scène aux champs: Adagio, Symphonie fantastique: IV. Marche au supplice: Allegretto non troppo, Symphonie fantastique: V. Songe d'une nuit de Sabbat: Larghetto - Allegro - Ronde du Sabbat, Symphony in Three Movements: I. 1/4=160, Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, Symphony in Three Movements: Interlude, Symphony no. 5, op. 82: I. Tempo molto moderato; Allegro moderato, Symphony no. 5, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5, op. 82: III. Allegro molto, The Age of Gold: Suite / Violin Concerto No. 1 in A minor, The Firebird: Appearance of the Thirteen Enchanted Princesses, The Firebird: Arrival of Kashchei the Immortal, The Firebird: Dance of Kashchei's Court, The Firebird: Dance of the Firebird, The Firebird: Daybreak, The Firebird: Death of Kashchei, The Firebird: Dialogue Between Kashchei and Prince Ivan, The Firebird: Introduction, The Firebird: Kashchei Awakens, The Firebird: Kashchei's Enchanted Garden, The Firebird: Khorovod (Round dance) Of the Princesses, The Firebird: Lullaby (The Firebird), The Firebird: Prince Ivan Enters Kashchei's Palace, The Firebird: Prince Ivan Suddenly Appears, The Firebird: The Firebird Appears, The Firebird: The Firebird Appears, Pursued by Prince Ivan, The Firebird: The Firebird Is Captured by Prince Ivan, The Firebird: The Firebird's Pleading, The Firebird: The Palace and Creatures of Kashchei Disappear, The Firebird: The Princesses Play With the Golden Apples, The Firebird: The Princesses' Intercede |
| John Peter Fitting |
performer, performing orchestra |
Arcana, Fantasia on "Greensleeves", Fantasia on "Greensleeves" (arr. R. Greaves), Fantasia on a Theme by Thomas Tallis, Five Variants of "Dives and Lazarus": Theme, Five Variants of "Dives and Lazarus": Variant I, Five Variants of "Dives and Lazarus": Variant II, Five Variants of "Dives and Lazarus": Variant III, Five Variants of "Dives and Lazarus": Variant IV, Five Variants of "Dives and Lazarus": Variant V, Flourish for Glorious John, Quick March / Sea Songs, Symphony No. 100 in G major, "Military", Hob I:100: I. Adagio: Allegro, Symphony No. 100 in G major, "Military", Hob I:100: II. Allegretto, Symphony No. 100 in G major, "Military", Hob I:100: III. Menuet: Moderato, Symphony No. 100 in G major, "Military", Hob I:100: IV. Finale: Presto, Symphony No. 101 in D major, Hob I:101 "The Clock": I. Adagio; Presto, Symphony No. 101 in D major, Hob I:101 "The Clock": II. Andante, Symphony No. 101 in D major, Hob I:101 "The Clock": III. Menuetto: Allegretto, Symphony No. 101 in D major, Hob I:101 "The Clock": IV. Vivace, Symphony No. 104 in D major, "London": I. Adagio; Allegro, Symphony No. 104 in D major, "London": II. Andante, Symphony No. 104 in D major, "London": III. Menuetto: Allegro, Symphony No. 104 in D major, "London": IV. Finale. Spiritoso, Symphony No. 3, "A Pastoral Symphony": I. Molto moderato, Symphony No. 3, "A Pastoral Symphony": II. Lento moderato, Symphony No. 3, "A Pastoral Symphony": III. Moderato pesante - Presto, Symphony No. 3, "A Pastoral Symphony": IV. Lento - Moderato maestoso, Symphony No. 4 in F minor: I. Allegro, Symphony No. 4 in F minor: II. Andante moderato, Symphony No. 4 in F minor: III. Scherzo: Allegro molto, Symphony No. 4 in F minor: IV. Finale con Epilogo Fugato: Allegro molto, Symphony No. 8 in D minor: I. Fantasia variazioni senza tema, Symphony No. 8 in D minor: II. Scherzo slla marcia, Symphony No. 8 in D minor: III. Cavatina, Symphony No. 8 in D minor: IV. Toccata, Symphony No. 9 in E minor: I. Moderato maestoso tranquillo, Symphony No. 9 in E minor: II. Andante sostenuto, Symphony No. 9 in E minor: III. Scherzo allegro pesante, Symphony No. 9 in E minor: IV. Andante tranquillo, Symphony No. 93 in D major, Hob I:93: I. Allegro assai, Symphony No. 93 in D major, Hob I:93: II. Largo cantabile, Symphony No. 93 in D major, Hob I:93: III. Menuetto: Allegro, Symphony No. 93 in D major, Hob I:93: IV. Finale: Presto ma non troppo, Symphony No. 94 in G major, "Surprise": I. Adagio cantabile; Vivace assai, Symphony No. 94 in G major, "Surprise": II. Andante, Symphony No. 94 in G major, "Surprise": III. Menuetto: Allegro molto, Symphony No. 94 in G major, "Surprise": IV. Finale. Allegro molto, Symphony No. 95 in C minor, Hob I:95: I. Allegro moderato, Symphony No. 95 in C minor, Hob I:95: II. Andante, Symphony No. 95 in C minor, Hob I:95: III. Menuet; Trio (feat. cello: David K. Jones), Symphony No. 95 in C minor, Hob I:95: IV. Finale: Vivace, Symphony No. 97 in C major, Hob I:97: I. Adagio; Vivace, Symphony No. 97 in C major, Hob I:97: II. Adagio ma non troppo, Symphony No. 97 in C major, Hob I:97: III. Menuetto: Allegretto, Symphony No. 97 in C major, Hob I:97: IV. Finale: Presto assai, Symphony No. 98 in B-flat major, "Miracle": I. Adagio; Allegro, Symphony No. 98 in B-flat major, "Miracle": II. Adagio cantabile, Symphony No. 98 in B-flat major, "Miracle": III. Menuetto: Allegro, Symphony No. 98 in B-flat major, "Miracle": IV. Finale. Presto, Symphony No. 99 in E flat major, Hob I:93: I. Adagio - Vivace assai, Symphony No. 99 in E flat major, Hob I:93: II. Adagio, Symphony No. 99 in E flat major, Hob I:93: III. Menuetto: Allegretto, Symphony No. 99 in E flat major, Hob I:93: IV. Finale: Vivace, Symphony no. 102 in B-flat: I. Largo - Allegro vivace, Symphony no. 102 in B-flat: II. Adagio, Symphony no. 102 in B-flat: III. Menuetto: Allegro - Trio - Menuetto da capo, Symphony no. 102 in B-flat: IV. Finale: Presto, Symphony no. 103 "Drum Roll": I. Adagio - Allegro con spirito, Symphony no. 103 "Drum Roll": II. Andante più tosto allegretto, Symphony no. 103 "Drum Roll": III. Menuet - Trio, Symphony no. 103 "Drum Roll": IV. Finale: Allegro con spirito, Symphony no. 7, "Sinfonia antartica": I. Prelude: Andante maestoso, Symphony no. 7, "Sinfonia antartica": II. Scherzo: Moderato, Symphony no. 7, "Sinfonia antartica": III. Landscape: Lento, Symphony no. 7, "Sinfonia antartica": IV. Intermezzo: Andante sostenuto, Symphony no. 7, "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro), Symphony no. 94 (Surprise), Symphony no. 96 in D "Miracle": I. Adagio - Allegro, Symphony no. 96 in D "Miracle": II. Andante, Symphony no. 96 in D "Miracle": III. Menuetto: Allegro - Trio - Menuetto: Allegretto, Symphony no. 96 in D "Miracle": IV. Finale: Vivace (assai), The Planets: I. Mars, the Bringer of War, The Planets: II. Venus, the Bringer of Peace, The Planets: III. Mercury, the Winged Messenger, The Planets: IV. Jupiter, the Bringer of Jollity, The Planets: V. Saturn, the Bringer of Old Age, The Planets: VI. Uranus, the Magician |
| Пётр Ильич Чайковский |
performing orchestra |
(a) Introduction / (b) No. 2 - Valse (Act I) / (c) No. 4 - Pas de deux, nos. 1 to 6 (Act I), (a) No. 13 - Danses des cygnes, no. 5 (Act II) / (b) No. 20 - Danse hongroise (Czárdás) (Act II) / (c) Danse russe (from supplement), (a) No. 5 - Pas de deux, nos. 3 and 4 (Act I) / (b) No. 10 - Scène (Act II) / (c) No. 13 - Danses des cygnes, nos. 1, 2 and 4 (Act II), Adagio, Allegro non troppo (excerpt) from Symphony No. 6 in B minor, Op. 74 "Pathetique", Arabian Dance, Capriccio Italien, Op. 45, Capriccio italien, Op. 45, Chinese Dance, Concerto for Violin and Orchestra Op. 35 in D Major 1. Allegro Moderato, Concerto for Violin and Orchestra Op. 35 in D Major 2. Canzonetta (Andante), Concerto for Violin and Orchestra Op. 35 in D Major 3. Finale (Allegro Vivacissimo), Concerto for Violin and Orchestra in D major, Op. 35: I. Allegro Moderato, Concerto for Violin and Orchestra in D major, Op. 35: II. Canzonetta. Andante, Concerto for Violin and Orchestra in D major, Op. 35: III. Finale. Allegro Vivacissimo, Dance of the Sugar Plum Fairy (From "The Nutcracker"), Danse Hongroise 'Czardas' (Act III), Danse Russe Trepak, Der Schwanensee: Introduktion und Pas des deux (2. Akt), Der Schwanensee: Szene (Schwanenthema, 1. Akt), Der Schwanensee: Tanz der kleinen Schwäne (Pas des quatre, 2. Akt), Der Schwanensee: Ungarischer Tanz (Csárdás, 3. Akt), Der Schwanensee: Walzer A-Dur (1. Akt), Eugene Onegin, Op. 24: Lensky's Aria, Finale from 1812 Overture, Net, tolko tot, kto nzal (None but the lonely heart, Op. 6 No. 6, No. 5 - Pas de deux, nos. 1 and 2 (Act I), Nutcracker, Opus 71: Arab Dance, Nutcracker, Opus 71: Chinese Dance, Nutcracker, Opus 71: Dance of the Reed Flutes, Nutcracker, Opus 71: Dance of the Sugar Plum Fairy, Nutcracker, Opus 71: March, Nutcracker, Opus 71: Miniature Overture, Nutcracker, Opus 71: Russian Dance (Trepak), Nutcracker, Opus 71: Waltz of the Flowers, Piano Concerto No. 1 in B-flat minor, Op. 23. I: Allegro no troppo e molto maestoso, Piano Concerto No. 1 in B-flat minor, Op. 23. II: Andante semplice - Prestissimo - Tempo primo, Piano Concerto No. 1 in B-flat minor, Op. 23. III: Allegro con fuoco, Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco, Romeo and Juliet: Fantasy Overture, Russian Dance, Sleeping Beauty Waltz, Suite No. 1 in D minor, Op. 43: I. Introduzione e Fuga (Andante sostenuto - Moderato e con anima), Suite No. 1 in D minor, Op. 43: II. Divertimento (Allegro moderato), Suite No. 1 in D minor, Op. 43: III. Intermezzo (Andante semplice), Suite No. 1 in D minor, Op. 43: IV. Marche miniature (Moderato con moto), Suite No. 1 in D minor, Op. 43: V. Scherzo. Allegro con moto, Suite No. 1 in D minor, Op. 43: VI. Gavotte. Allegro, Suite No. 2 in C major, Op. 53: I. Jeu de sons (Andantino un poco rubato - Allegro molto vivace), Suite No. 2 in C major, Op. 53: II. Valse. Moderato. Tempo di Valse, Suite No. 2 in C major, Op. 53: III. Scherzo burlesque (Vivace, con spirito), Suite No. 2 in C major, Op. 53: IV. Reves d'enfant (Andante molto sostenuto), Suite No. 2 in C major, Op. 53: V. Danse baroque (Vivacissimo - Prestissimo), Suite No. 3 in G major, Op. 55: I. Elegie. Andante molto cantabile, Suite No. 3 in G major, Op. 55: II. Valse melancolique. Allegro moderato, Suite No. 3 in G major, Op. 55: III. Scherzo. Molto vivace, Suite No. 3 in G major, Op. 55: IV. Tema con variazioni. Andante con moto, Suite No. 4 in G major, Op. 61 "Mozartiana": I. Gigue. Allegro, Suite No. 4 in G major, Op. 61 "Mozartiana": II. Menuet. Moderato, Suite No. 4 in G major, Op. 61 "Mozartiana": IV. Theme et variations. Allegro giusto, Suite no. 2 in C major for Orchestra, op. 53: I. Jeu de sons, Suite no. 2 in C major for Orchestra, op. 53: II. Valse, Suite no. 2 in C major for Orchestra, op. 53: III. Scherzo burlesque, Suite no. 2 in C major for Orchestra, op. 53: IV. Rêves d'enfant, Suite no. 2 in C major for Orchestra, op. 53: V. Danse baroque, Swan Lake - Dance of the Little Swans, Swan Lake - Final Scene, Swan Lake - Waltz, Swan Lake: Act IV, Final Scene, Swan Lake: Dance of the Little Swans, Symphony No. 5 In E Minor, Op. 64: III. Valse (Allegro moderato), Symphony No. 5 in E minor: III. Valse - Allegro Moderato, Symphony No. 6 In B Minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo (excerpt), Symphony No. 6: III. Allegro Molto Vivace, Sérénade Mélancolique Op. 26 in B Minor for Violin and Orchestra, Sérénade mélancolique, Op. 26, The Nutcracker - Trepak (Russian Dance), The Nutcracker - Waltz of the Flowers, The Nutcracker, Act II: Dance of the Reed Flutes, The Nutcracker: Dance of the Reed Flutes, The Sleeping Beauty - Rose Adagio, The Sleeping Beauty - Waltz, Valse-Scherzo Op. 34 in C Major for Violin and Orchestra, Violin Concerto in D, Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo, Violin Concerto in D, Op. 35: I. Allegro moderato (abbrev.), Violin Concerto: I. Allegro moderato (excerpt), Waltz from Serenade for Strings, Waltz of the Flowers |
| Jacques Offenbach |
performing orchestra |
Barbe-bleue, Barcarole (aus der Oper "Hoffmanns Erzählungen"), Barcarolle from 'Les Contes D'Hoffmann', Barcarolle from The Tales of Hoffman, Gaîté Parisienne: Allegro, Gaîté Parisienne: Allegro - Cancan, Gaîté Parisienne: Allegro - Valse, Gaîté Parisienne: Allegro brillante, Gaîté Parisienne: Allegro moderato, Gaîté Parisienne: Allegro molto, Gaîté Parisienne: Barcarolle, Gaîté Parisienne: Danse péruvienne (Allegro), Gaîté Parisienne: Leggiero, Gaîté Parisienne: Mazurka, Gaîté Parisienne: No. 10, Gaîté Parisienne: No. 11, Gaîté Parisienne: No. 12, Gaîté Parisienne: No. 13, Gaîté Parisienne: No. 14, Gaîté Parisienne: No. 15, Gaîté Parisienne: No. 16, Gaîté Parisienne: No. 17, Gaîté Parisienne: No. 18, Gaîté Parisienne: No. 2, Gaîté Parisienne: No. 22, Gaîté Parisienne: No. 23, Gaîté Parisienne: No. 6, Gaîté Parisienne: No. 8, Gaîté Parisienne: No. 9, Gaîté Parisienne: Ouverture, Gaîté Parisienne: Polka, Gaîté Parisienne: Quadrille - Cancan, Gaîté Parisienne: Tempo di marcia, Gaîté Parisienne: Valse, Gaîté Parisienne: Valse lente, Gaîté Parisienne: Vivo, Gaîté Parisienne: Vivo - Valse, La Grande-Duchesse de Gerolstein, La Périchole, La fille du tambour-major, La vie parisienne, Les deux aveugles, Overture, Orpheus in the Underworld, Vert-Vert: Act I. Choeur et Couplet. "A toi toutes les confitures", Vert-Vert: Act I. Choeur et Couplet. "De la part de ces demoiselles", Vert-Vert: Act I. Choeur, Adieux de Vert-Vert, Final. "Etes-vous prêt?", Vert-Vert: Act I. Choeur, Adieux de Vert-Vert, Final. "Hélas! l'instant fatal approche", Vert-Vert: Act I. Choeur, Adieux de Vert-Vert, Final. "Oui, l'oiseau reviendra dans sa cage", Vert-Vert: Act I. Duo de la Clé. "Tenez, méchant, prenez cela", Vert-Vert: Act I. Introduction et Couplets de Mimi. "Hélas! pour l'éternel voyage", Vert-Vert: Act I. Introduction et Couplets de Mimi. "Il était beau", Vert-Vert: Act I. Overture, Vert-Vert: Act I. Romance. "Vert-Vert n'est plus un enfant", Vert-Vert: Act I. Trio. "Ah! Ma chère femme", Vert-Vert: Act I. Trio. "O la plus belle des amantes", Vert-Vert: Act II. Alleluia. "L'heureux enfant qui gardera", Vert-Vert: Act II. Ariette. "Après m'avoir heurté, poussé", Vert-Vert: Act II. Barcarolle. "Vous ne sauriez me plaire", Vert-Vert: Act II. Choeur des Dragons, Chanson à boire, Final. "Chers amis, que voulez-vous?", Vert-Vert: Act II. Choeur des Dragons, Chanson à boire, Final. "Quand du flacon", Vert-Vert: Act II. Choeur des Dragons. "En venant, comme moi", Vert-Vert: Act II. Choeur des Dragons. "J'ai parcouru toute la France", Vert-Vert: Act II. Choeur des Dragons. "Quand débute une cantatrice", Vert-Vert: Act II. Duo. "Ah l'homme charmant!", Vert-Vert: Act II. Entr'acte, Vert-Vert: Act II. Trio. "Il était deux dragons", Vert-Vert: Act III. Air. "Ah! Ventrebleu", Vert-Vert: Act III. Choeur, Air dè la leçon de danse. "Autrefois sous les Valois", Vert-Vert: Act III. Choeur, Air dè la leçon de danse. "Faisons chaque pas", Vert-Vert: Act III. Choeur, Ariette de Mimi. "Là-bas, moi, dans le fond du jardin", Vert-Vert: Act III. Choeur, Ariette de Mimi. "Mimi! Mimi! Mimi!", Vert-Vert: Act III. Dialogue. "Brr! il y a dans l'air comme des chansons d'amour!" (Friquet, Le Comte, Bergerac), Vert-Vert: Act III. Duettino (Nocturne). "Feut-il en faire le serment", Vert-Vert: Act III. Entr'acte, Vert-Vert: Act III. Final. "Allons, madame Baladon", Vert-Vert: Act III. Quatuor et Sextuor. "Nuit d'été" |
| Alejandro Almenares |
performing orchestra |
Andante (from Piano Concerto No. 21 in C major, K463), Concert Rondo for Piano and Orchestra in D, K. 382, Concerto for Piano No. 25 in C major, K. 503: I. Allegro maestoso, Concerto for Piano No. 25 in C major, K. 503: III. Allegretto, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Concerto for Piano no. 23 in A major, K. 488: I. Allegro, Concerto for Piano no. 23 in A major, K. 488: III. Allegro, Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro, Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro, Piano Concerto No. 14 in E-flat major, K. 449: I. Allegro vivace, Piano Concerto No. 14 in E-flat major, K. 449: II. Andantino, Piano Concerto No. 14 in E-flat major, K. 449: III. Allegro ma non troppo, Piano Concerto no. 11 in F, K. 413: I. Allegro, Piano Concerto no. 11 in F, K. 413: II. Larghetto, Piano Concerto no. 11 in F, K. 413: III. Tempo di menuetto, Piano Concerto no. 12 in A, K. 414: I. Allegro, Piano Concerto no. 12 in A, K. 414: II. Andante, Piano Concerto no. 12 in A, K. 414: III. Rondeau (Allegretto), Piano Concerto no. 13 in C major, K. 387b/415: I. Allegro, Piano Concerto no. 13 in C major, K. 387b/415: II. Andante, Piano Concerto no. 13 in C major, K. 387b/415: III. Rondeau. Allegro, Piano Concerto no. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace, Piano Concerto no. 14 in E-flat major, K. 449 "First Ployer": II. Andantino, Piano Concerto no. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo, Piano Concerto no. 15 in B-flat major, K. 450: I. Allegro, Piano Concerto no. 15 in B-flat major, K. 450: II. Andante, Piano Concerto no. 15 in B-flat major, K. 450: III. Allegro, Piano Concerto no. 16 in D, K. 451: I. Allegro assai, Piano Concerto no. 16 in D, K. 451: II. Andante, Piano Concerto no. 16 in D, K. 451: III. Rondeau (Allegro di molto), Piano Concerto no. 17 In G, K. 453: 1. Allegro, Piano Concerto no. 17 In G, K. 453: 2. Andante, Piano Concerto no. 17 In G, K. 453: 3. Allegretto - Finale: Presto, Piano Concerto no. 17 in G, K. 453: I. Allegro, Piano Concerto no. 17 in G, K. 453: II. Andante, Piano Concerto no. 17 in G, K. 453: III. Allegretto - Finale. Presto, Piano Concerto no. 18 in B-flat, K. 456: I. Allegro vivace, Piano Concerto no. 18 in B-flat, K. 456: II. Andante un poco sostenuto, Piano Concerto no. 18 in B-flat, K. 456: III. Allegro vivace, Piano Concerto no. 19 in F, K. 459: I. Allegro vivace, Piano Concerto no. 19 in F, K. 459: II. Allegretto, Piano Concerto no. 19 in F, K. 459: III. Allegro assai, Piano Concerto no. 20 in D minor, K. 466: II. Romance, Piano Concerto no. 24 in C minor, K. 491: I. (Allegro), Piano Concerto no. 24 in C minor, K. 491: II. Larghetto, Piano Concerto no. 24 in C minor, K. 491: III. (Allegretto), Piano Concerto no. 25 in C, K. 503: I. Allegro maestoso, Piano Concerto no. 25 in C, K. 503: III. Allegretto, Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto, Piano Concerto no. 26 in D, K. 537 "Coronation": I. Allegro, Piano Concerto no. 26 in D, K. 537 "Coronation": III. (Allegretto), Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto, Piano concerto no. 1 in F, K. 37: I. Allegro, Piano concerto no. 1 in F, K. 37: II. Andante, Piano concerto no. 1 in F, K. 37: III. Allegro, Piano concerto no. 22 in E-flat, K. 482: I. Allegro, Piano concerto no. 22 in E-flat, K. 482: II. Andante, Piano concerto no. 22 in E-flat, K. 482: III. Allegro - Andante cantabile - Tempo I, Piano concerto no. 5 in D, K. 175: I. Allegro, Piano concerto no. 5 in D, K. 175: II. Andante ma un poco adagio, Piano concerto no. 5 in D, K. 175: III. Allegro, Piano concerto no. 6 in B flat, K. 238: I. Allegro aperto, Piano concerto no. 6 in B flat, K. 238: II. Andante un poco adagio, Piano concerto no. 6 in B flat, K. 238: III. Rondeau (Allegro), Piano concerto no. 8 in C, K. 246 "Lützow": I. Allegro aperto, Piano concerto no. 8 in C, K. 246 "Lützow": II. Andante, Piano concerto no. 8 in C, K. 246 "Lützow": III. Rondeau (Tempo di menuetto), Piano concerto no. 9 in E flat, K. 271 "Jeunehomme": I. Allegro, Piano concerto no. 9 in E flat, K. 271 "Jeunehomme": II. Andantino, Piano concerto no. 9 in E flat, K. 271 "Jeunehomme": III. Rondeau (Presto) |
| Bijan Olia |
performing orchestra |
Così fan tutte, K. 588: "Ah, che tutta in un momento" (Finale), Così fan tutte, K. 588: Ah! lo veggio quell'anima bella (Aria), Così fan tutte, K. 588: Ah, correte al giardino, Così fan tutte, K. 588: Ah, guarda, sorella (Duet), Così fan tutte, K. 588: Ah, non partite!, Così fan tutte, K. 588: Al fato dan legge quegli occhi vezzosi (Duet), Così fan tutte, K. 588: Alla bella Despinetta (Sextet), Così fan tutte, K. 588: Amico, abbiamo vinto!, Così fan tutte, K. 588: Andate la`, Così fan tutte, K. 588: Barbara! Perche fuggi?, Così fan tutte, K. 588: Bella vita militar! (Chorus), Così fan tutte, K. 588: Benedetti i doppi coniugi, Così fan tutte, K. 588: Bravo! Questa e costanza, Così fan tutte, K. 588: Che Silenzio, Così fan tutte, K. 588: Che vita meledetta, Così fan tutte, K. 588: Come scoglio immoto resta (Aria), Così fan tutte, K. 588: Come tutto conguira a sedurre il mio cor!, Così fan tutte, K. 588: Così fan tutte, K. 588: Che susurro! Che Strepito!, Così fan tutte, K. 588: Di scrivermi ogni giorno (Quintet), Così fan tutte, K. 588: Donne mie, la fate a tanti (Aria), Così fan tutte, K. 588: Dove son?, Così fan tutte, K. 588: E amore un ladroncello (Aria), Così fan tutte, K. 588: E la fede delle femmine (Trio), Così fan tutte, K. 588: E voi ridete? (Trio), Così fan tutte, K. 588: Eccovi il medico, signore belle!, Così fan tutte, K. 588: Ei parte... senti... ah no!, Così fan tutte, K. 588: Fate presto, o cari amici (Finale), Così fan tutte, K. 588: Fra gli amplessi, in pochi istanti (Duet), Così fan tutte, K. 588: Fuor la spada, Così fan tutte, K. 588: Il core vi dono, bell'idolo mio (Duet), Così fan tutte, K. 588: Il tutto deponete sopra quei tavolini, Così fan tutte, K. 588: In qual fiero contrasto, Così fan tutte, K. 588: In uomini, in soldati (Aria), Così fan tutte, K. 588: La commedia e graziosa, Così fan tutte, K. 588: La mano a me date (Quartet), Così fan tutte, K. 588: La mia Dorabella capace non e (Trio), Così fan tutte, K. 588: Mi par che stamattina, Così fan tutte, K. 588: Miei signori, tutto e fatto, Così fan tutte, K. 588: Non piangere, idol mio!, Così fan tutte, K. 588: Non siate ritrosi occhietti vezzosi (Aria), Così fan tutte, K. 588: Non son cattive comico, Così fan tutte, K. 588: Non v'e piu tempo, amici, Così fan tutte, K. 588: Oh che bella giornata!, Così fan tutte, K. 588: Oh, la saria da ridere !, Così fan tutte, K. 588: Oh, poveretto me!, Così fan tutte, K. 588: Ora vedo che siete, Così fan tutte, K. 588: Per pieta, ben mio, perdona (Rondo), Così fan tutte, K. 588: Prendero quel brunettino (Duet), Così fan tutte, K. 588: Sani e salvi, Così fan tutte, K. 588: Secondate, aurette amiche (Duet with Chorus), Così fan tutte, K. 588: Sento, o Dio, che questio piede (Quintet), Così fan tutte, K. 588: Si puo sapere un poco, Così fan tutte, K. 588: Signora Dorabella, Signora Fiordiligi, Così fan tutte, K. 588: Smanie implacabili (Aria), Così fan tutte, K. 588: Soave sia il vento (Trio), Così fan tutte, K. 588: Sorella, cosa dici?, Così fan tutte, K. 588: Stelle! Per carita, Signor Alfonso, Così fan tutte, K. 588: Tradito, schernito (Cavatina), Così fan tutte, K. 588: Tutti accusan le donne (Aria), Così fan tutte, K. 588: Un'aura amorosa del nostro tesoro, Così fan tutte, K. 588: Una bella serenata (Trio), Così fan tutte, K. 588: Una donna a quindici anni (Aria), Così fan tutte, K. 588: Vittoria, padroncini!, Così fan tutte, K. 588: Vorrei dir, e cor non ho (Aria) |
| Ian Gomes |
performing orchestra |
Piano Concerto No. 2 in C minor, Op. 18: I. Allegro moderato, Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Prelude in B-flat major, Op. 23 No. 2, Prelude in C-sharp minor, Op. 3 No. 2, Prelude in D major, Op. 23 No. 4, Prelude in D minor, Op. 23 No. 3, Prelude in F-sharp minor, Op. 23 No. 1, Prelude in G minor, Op. 23 No. 5, Rhapsody on a Theme by Paganini, Op. 43: I. Introduction and Variation I, Rhapsody on a Theme by Paganini, Op. 43: II. Tema & Variation II, Rhapsody on a Theme by Paganini, Op. 43: III. Variation III, Rhapsody on a Theme by Paganini, Op. 43: IV. Variation IV, Rhapsody on a Theme by Paganini, Op. 43: IX. Variation IX, Rhapsody on a Theme by Paganini, Op. 43: V. Variation V, Rhapsody on a Theme by Paganini, Op. 43: VI. Variation VI, Rhapsody on a Theme by Paganini, Op. 43: VII. Variation VII (Meno mosso, a tempo moderato), Rhapsody on a Theme by Paganini, Op. 43: VIII. Variation VIII (Tempo I), Rhapsody on a Theme by Paganini, Op. 43: X. Variation X, Rhapsody on a Theme by Paganini, Op. 43: XI. Variation XI (Moderato), Rhapsody on a Theme by Paganini, Op. 43: XII. Variation XII (Tempo di Minuetto), Rhapsody on a Theme by Paganini, Op. 43: XIII. Variation XIII (Allegro), Rhapsody on a Theme by Paganini, Op. 43: XIV. Variation XIV, Rhapsody on a Theme by Paganini, Op. 43: XIX. Variation XIX, Rhapsody on a Theme by Paganini, Op. 43: XV. Variation XV (Piu vivo, Scherzando), Rhapsody on a Theme by Paganini, Op. 43: XVI. Variation XVI (Allegretto), Rhapsody on a Theme by Paganini, Op. 43: XVII. Variation XVII, Rhapsody on a Theme by Paganini, Op. 43: XVIII. Variation XVIII (Andante cantabile - a tempo vivace), Rhapsody on a Theme by Paganini, Op. 43: XX. Variation XX (Un poco piu vivo), Rhapsody on a Theme by Paganini, Op. 43: XXI. Variation XXI (Un poco piu vivo), Rhapsody on a Theme by Paganini, Op. 43: XXII. Variation XXII (Un poco piu vivo) (Alla breve), Rhapsody on a Theme by Paganini, Op. 43: XXIII. Variation XXIII, Rhapsody on a Theme by Paganini, Op. 43: XXIV. Variation XVIV (A tempo un poco meno mosso), Rhapsody on a Theme of Paganini, op. 43: Introduction, Rhapsody on a Theme of Paganini, op. 43: Theme, Rhapsody on a Theme of Paganini, op. 43: Variation 1, Rhapsody on a Theme of Paganini, op. 43: Variations 2-24, Rhapsody on a Theme of Paganini: I. Introduction (Allegro vivace) & Variation I, Rhapsody on a Theme of Paganini: II. Tema & Variation II, Rhapsody on a Theme of Paganini: III. Variation III, Rhapsody on a Theme of Paganini: IV. Variation IV, Rhapsody on a Theme of Paganini: IX. Variation IX, Rhapsody on a Theme of Paganini: V. Variation V, Rhapsody on a Theme of Paganini: VI. Variation VI, Rhapsody on a Theme of Paganini: VII. Variation VII (Meno mosso, a tempo moderato), Rhapsody on a Theme of Paganini: VIII. Variation VIII (Tempo I), Rhapsody on a Theme of Paganini: X. Variation X, Rhapsody on a Theme of Paganini: XI. Variation XI, Rhapsody on a Theme of Paganini: XII. Variation XII (Tempo di Minuetto), Rhapsody on a Theme of Paganini: XIII. Variation XIII (Allegro), Rhapsody on a Theme of Paganini: XIV. Variation XIV, Rhapsody on a Theme of Paganini: XIX. Variation XIX, Rhapsody on a Theme of Paganini: XV. Variation XV (Più vivo, scherzando), Rhapsody on a Theme of Paganini: XVI. Variation XVI (Allegretto), Rhapsody on a Theme of Paganini: XVII. Variation XVII, Rhapsody on a Theme of Paganini: XVIII. Variation XVIII (Andante cantabile, a tempo vivace), Rhapsody on a Theme of Paganini: XX. Variation XX (Un poco più vivo), Rhapsody on a Theme of Paganini: XXI. Variation XXI (Un poco più vivo), Rhapsody on a Theme of Paganini: XXII. Variation XXII (Un poco più vivo, alla breve), Rhapsody on a Theme of Paganini: XXIII. Variation XXIII, Rhapsody on a Theme of Paganini: XXIV. Variation XXIV (A tempo un poco meno mosso) |
| Сергей Сергеевич Прокофьев |
performing orchestra |
Ivan The Terrible, Op. 116 arr. Stasevich: Dance of the Oprichniki, Ivan The Terrible, Op. 116 arr. Stasevich: Feodor Basmanov's Song, Ivan The Terrible, Op. 116 arr. Stasevich: Finale, Ivan The Terrible, Op. 116 arr. Stasevich: Ivan's Illness, Ivan The Terrible, Op. 116 arr. Stasevich: Overture and Chorus, Ivan The Terrible, Op. 116 arr. Stasevich: The Holy Fool, Ivan The Terrible, Op. 116 arr. Stasevich: The Storming of Kazan, Ivan the Terrible, Op. 116: I. Overture and Chorus: Moderato - Allegro, Ivan the Terrible, Op. 116: II. March of the Young Ivan: Moderato, Ivan the Terrible, Op. 116: III. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: IV. I Will Be Tsar!: Moderato, Ivan the Terrible, Op. 116: IX. The Holy Fool: Allegro tempestoso, Ivan the Terrible, Op. 116: Prologue, Ivan the Terrible, Op. 116: V. God is Wondrous!: Allegro, Ivan the Terrible, Op. 116: VI. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: VII. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: VIII. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: X. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XI. Celebration Song: Andante, Ivan the Terrible, Op. 116: XII. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XIII. On the Bones of the Enemy: Andante mosso, Ivan the Terrible, Op. 116: XIV. The Tartars: Allegro moderato, Ivan the Terrible, Op. 116: XIX. Song About the Beaver: Andante assai, Ivan the Terrible, Op. 116: XV. The Gunners: Moderato energico, Ivan the Terrible, Op. 116: XVI. The Storming of Kazan: Moderato pesante - Andante - Allegro, Ivan the Terrible, Op. 116: XVII. Ivan's Appeal to the Boyars: Adagio - Andante sostenuto, Ivan the Terrible, Op. 116: XVIII. Yefrosinia and Anastasia: Moderato, Ivan the Terrible, Op. 116: XX. Ivan at Anastasia's Bier: Andante, Ivan the Terrible, Op. 116: XXI. Chorus of the Oprichniki: Andante risoluto, Ivan the Terrible, Op. 116: XXII. The Oprichniki Oath of Loyalty: Moderato energico, Ivan the Terrible, Op. 116: XXIII. Feodor Basmanov's Song: Allegro moderato, Ivan the Terrible, Op. 116: XXIV. Dance of the Oprichniki: Allegro ben ritmato, Ivan the Terrible, Op. 116: XXV. Finale: Moderato - Moderato fastoso, Peter und der Wolf: Der Großvater kam aus dem Haus (Warnung vor dem Wolf), Peter und der Wolf: Eines morgens früh öffnete Peter das Gartentor und ging auf die große grüne Wiese hinaus, Peter und der Wolf: Gerade dann kamen die Jäger aus dem Wald, Peter und der Wolf: Kaum war Peter gegangen, da kam ein großer, grauer Wolf aus dem Wald, Peter und der Wolf: Peter lief nach Hause und holte ein Seil, Peter und der Wolf: Plötzlich nahm etwas Peters Aufmerksamkeit gefangen (Die Katze erscheint), Peter und der Wolf: Triumphzug, Peter und der Wolf: Und nun standen die Dinge so (Katze und Vogel auf dem Baum, während der Wolf gierig lauerte), Peter und der Wolf: Vorstellung der musikalischen Themen, Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto, Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace, Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato, Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestoso, Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro, Piano Concerto No. 3 in C major, Op. 26: II. Tema con variazione, Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo, Symphony No. 1 in D major, Op. 25 "Classical": I. Allegro, Symphony No. 1 in D major, Op. 25 "Classical": II. Larghetto, Symphony No. 1 in D major, Op. 25 "Classical": III. Gavotte: Non troppo allegro, Symphony No. 1 in D major, Op. 25 "Classical": IV. Finale: Molto vivace, Symphony No. 5 in B-flat major, Op. 100: I. Andante, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony No. 5 in B-flat major, Op. 100: III. Adagio, Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso, The Steel Step, Concert Suite From the Ballet, Op. 41b: I. Entry of the People, The Steel Step, Concert Suite From the Ballet, Op. 41b: II. The Officials, The Steel Step, Concert Suite From the Ballet, Op. 41b: III. The Sailor and the Factory Worker, The Steel Step, Concert Suite From the Ballet, Op. 41b: IV. The Factory |
| Richard Wagner |
performer, performing orchestra |
Das Rheingold: 4. Scene: Entry of the Gods into Valhalla, Der fliegende Holländer: II. Aufzug "Wie aus der Ferne" (Birgit Nilsson & Hans Hotter,1957), Die Meistersinger von Nürnberg - Act III: Dance of the Apprentices & Entry of the Masters, Die Meistersinger von Nürnberg: Prelude, Die Walküre: Act III: Ride of the Valkyries, Die Walküre: The Ride of the Valkyries, Götterdämmerung: Act III: Siegfried's Funeral March, Lohengrin, WWV. 75: Act I. "Einsam in trüben Tagen", Lohengrin: Act I. Prelude, Lohengrin: Act III. Prelude, Ouvertüre "Tannhäuser", Parsifal: Act I. Prelude, Rienzi: Overture, Siegfried‐Idyll, Tannhäuser - Dich teuere Halle, Tannhäuser - Pilgrims Chorus, Tannhäuser: "Freudig begrüßen wir die edle Halle", Tannhäuser: Act I, Scene I. "Naht euch dem Strande!", Tannhäuser: Act I, Scene II. "Dank deiner Huld! Gepriesen sei dein Lieben!", Tannhäuser: Act I, Scene II. "Dir töne Lob! Die Wunder sei'n gepriesen", Tannhäuser: Act I, Scene II. "Geliebter, komm! Sieh dort die Grotte", Tannhäuser: Act I, Scene II. "Geliebter, sag, wo weilt dein Sinn?", Tannhäuser: Act I, Scene II. "Stets soll nur dir, nur dir mein Lied ertönen!", Tannhäuser: Act I, Scene II. "Zieh hin, Wahnsinniger, zieh hin!", Tannhäuser: Act I, Scene III. "Frau Holda kam aus dem Berg hervor", Tannhäuser: Act I, Scene III. "Zu dir wall ich, mein Jesus Christ", Tannhäuser: Act I, Scene IV. "Als du in kühnem Sange uns bestrittest", Tannhäuser: Act I, Scene IV. "Wer ist der dort in brünstigem Gebete?, Tannhäuser: Act II, Scene I. "Dich, teure Halle, grüß ich wieder", Tannhäuser: Act II, Scene II. "Dort ist sie; nahe dich ihr ungestört!", Tannhäuser: Act II, Scene II. "Gepriesen sei die Stunde", Tannhäuser: Act II, Scene III. "Dich treff ich hier in dieser Halle", Tannhäuser: Act II, Scene IV. "Blick ich umher in diesem edlen Kreise", Tannhäuser: Act II, Scene IV. "Ein furchtbares Verbrechen ward begangen", Tannhäuser: Act II, Scene IV. "Freudig begrüßen wir die edle Halle", Tannhäuser: Act II, Scene IV. "Gar viel und schön ward hier in dieser Halle", Tannhäuser: Act II, Scene IV. "Ha! Der Verruchte! Fliehet ihn!", Tannhäuser: Act II, Scene IV. "Heraus zum Kampfe mit uns allen!", Tannhäuser: Act II, Scene IV. "Mit ihnen sollst du wallen", Tannhäuser: Act II, Scene IV. "O Himmel! Laß dich jetzt erflehen", Tannhäuser: Act II, Scene IV. "O Wolfram, der du also sangest", Tannhäuser: Act II, Scene IV. "Zum Heil den Sündigen zu führen", Tannhäuser: Act II, Scene IV. "Zurück von ihm! Nicht ihr seid seine Richter!", Tannhäuser: Act III, Scene I. "Allmächt'ge Jungfrau, hör mein Flehen!", Tannhäuser: Act III, Scene I. "Beglückt darf nun dich, o Heimat, ich shauen", Tannhäuser: Act III, Scene I. "Wohl wubt' ich hier sie im Gebet zu finden", Tannhäuser: Act III, Scene I. Intro, Tannhäuser: Act III, Scene II. "O du, mein holder Abendstern", Tannhäuser: Act III, Scene II. "Wie Todesahnung Dämmrung deckt die Lande", Tannhäuser: Act III, Scene III. "Dahin zog's mich, wo ich der Wonn und Lust", Tannhäuser: Act III, Scene III. "Heil! Heil! Der Gnade Wunder Heil!", Tannhäuser: Act III, Scene III. "Ich hörte Harfenshlag, wie klang er traurig!", Tannhäuser: Act III, Scene III. "Inbrunst im Herzen, wie kein Büber noch", Tannhäuser: Act III, Scene III. "Willkommen, ungetreuer Mann!", Tannhäuser: Act III. Prelude, Tannhäuser: III. Aufzug "Allmächt'ge Jungfrau" (Kirsten Flagstad, 1948), Tannhäuser: Overture, Tristan & Isolde: Prelude, Tristan und Isolde: Prelude |
| Dan Lazar |
performing orchestra |
Abu Hassan: Overture, Capriccio Sextett, Der Beherrscher der Geister (Ruler of the Spirits) Overture, Der Freischütz, op. 77, J. 277: Overture, Der Freischütz: Overture, Der Mond: "Ach, da hängt ja der Mond!" (Kleines Kind, Chor), Der Mond: "Alle, die wir ringsum stehn" (Chor), Der Mond: "Der Mond ist fort" (Chor, Kinderchor), Der Mond: "Der Wein ist gut" (Petrus, Chor, Vier Burschen), Der Mond: "Die Vier versorgten den Mond mit Öl" (Erzähler), Der Mond: "Du spielst, als lägst du noch im Grab" (Kartenspieler, Würfler, Kegler, Säufer), Der Mond: "Floret silva undique" (Chor, Mädel, Vier Burschen), Der Mond: "Lieg' ich hier an dieser Schwelle" (Erster Bursche, Chor, Wirt), Der Mond: "Seht den Mond" (Chor, Vier Burschen), Der Mond: "Sitz ich da am hohen Himmel" (Petrus, Chor de Toten), Der Mond: "So brachte Petrus die Toten zur Ruh" (Erzähler), Der Mond: "So hängt ihn auf" (Wirt), Der Mond: "Und als der 'Erste' gestorben war" (Erzähler), Der Mond: "Und als der Mond dort leuchtete" (Erzähler, Chor, Vier Burschen), Der Mond: "Und sie brachten den Geraubten" (Erzähler), Der Mond: "Und wann ich hamwärts geh" (Schultheiß, Bauernchor), Der Mond: "Vorzeiten gab es ein Land" (Erzähler), Der Mond: "Was ist da los?" (Petrus, Chor, Vier Burschen), Der Mond: "Was ist das für ein Licht?" (Vier Burschen, Bauer), Der Mond: "Wenn ihr nachts aus der Taberne" (Vier Burschen, Chor, Wirt), Der Mond: "Wie kalt ist's draußen in der Welt" (Petrus), Der Mond: "Wirt, Leute kommen!" (Bauer, Wirt, Bauern und Weiber, Vier Burschen), Der Mond: Magischer Zauber, Der Mond: Phantastische Nacht, Der Mond: Tanz der Bauern in der Schenke, Der Mond: Tanz der Toten, Die Kluge: 1. Szene. "Oh hätt' ich meiner Tochter nur geglaubt!" (Bauer), Die Kluge: 1. Szene. "Was schreit der Mann? Ich will es wissen!" (König, Kerkermeister, Bauer), Die Kluge: 10. Szene. "Hab ich euch endlich" (Erster, Zweiter und Dritter Strolch), Die Kluge: 11. Szene. "Komm da heraus, der König läßt dich frei" (Kerkermeister, Eselmann), Die Kluge: 12. Szene. "Was ist, wo bin ich" (König, Kluge, Bauer), Die Kluge: 12. Szene. Vorspiel, Die Kluge: 2. Szene. "Spaß muß sein, sagte die Katze zum Vogel und fraß ihn" (Erster, Zweiter und Dritter Strolch), Die Kluge: 3. Szene. "Du also, du bist die Kluge" (König), Die Kluge: 3. Szene. "Nenn mir die Rätsel, König" (Kluge, König), Die Kluge: 4. Szene. "Der König hat nun wieder eine Frau" (Erster, Zweiter und Dritter Strolch, Mauleselmann, Eselmann), Die Kluge: 5. Szene. "Alles ging die Kreuz und Quer" (Mauleselmann, Erster, Zweiter und Dritter Strolch, König, Kerkermeister), Die Kluge: 5. Szene. "Einer soll reden, aber kurz und klar" (König, Eselmann, Mauleselmann, Erster, Zweiter und Dritter Strolch, Kerkermeister), Die Kluge: 6. Szene. "Ein König kann sich auch mal irren" (Kluge, Eselmann), Die Kluge: 6. Szene. "Weh mir, wie konnt mir das geschehn?" (Eselmann), Die Kluge: 7. Szene. "Als die Treue ward geborn" (Erster, Zweiter und Dritter Strolch), Die Kluge: 7. Szene. "Heda!" (Erster, Zweiter und Dritter Strolch, Kerkermeister), Die Kluge: 8. Szene. "Die Rede stammet nit von dir..." (König, Eselmann, Erster, Zweiter und Dritter Strolch), Die Kluge: 8. Szene. "Frag diesen Mann, was er da schafft" (König, Kerkermeister, Eselmann, Erster, Zweiter und Dritter Strolch), Die Kluge: 9. Szene. "Laß mich die Tafel dir bereiten" (Kluge), Die Kluge: 9. Szene. "Schuh-schuhu, es fallen dem König die Augen zu" (Kluge), Die Kluge: 9. Szene. "So also, so war's gemeint!" (König), Euryanthe, Euryanthe: Overture, Jubel Overture, Oberon: Overture, Preciosa: Overture |
| Felix Mendelssohn |
performing orchestra |
Elijah, oratorio, Op. 70: "And then Shall Your Light Break Forth", Elijah: Introduction. "As God the Lord of Israel liveth" (Elijah), Elijah: No. 1. "Help, Lord! Wilt thou quite destroy us?" (Chorus), Elijah: No. 10. "As God the Lord of Sabaoth liveth" (Elijah, Ahab, Chorus), Elijah: No. 11. "Baal, we cry to thee; hear and answer us!" (Chorus), Elijah: No. 12. "Call him louder, for he is a god!" (Elijah, Chorus), Elijah: No. 13. "Call him louder! He heareth not!" (Elijah, Chorus), Elijah: No. 14. "Lord God of Abraham, Isaac and Israel!" (Elijah), Elijah: No. 15. "Cast thy burden upon the Lord" (Chorus), Elijah: No. 16. "O Thou, who makest Thine angels Spirits" (Elijah, Chorus), Elijah: No. 17. "Is not his word like a fire?" (Elijah), Elijah: No. 18. "Woe unto them who forsake Him!" (Contralto), Elijah: No. 19. "O man of God, help thy people!, Elijah: No. 2. "Lord! Bow Thine ear to our prayer!" (Chorus, Soprano, Alto), Elijah: No. 20. "Thanks be to God!" (Chorus), Elijah: No. 21. "Hear ye, Israel; hear what the Lord speaketh" (Soprano), Elijah: No. 22. "Be not afraid, saith God the Lord" (Chorus), Elijah: No. 23. "The Lord hath exalted thee" (Elijah, The Queen, Chorus), Elijah: No. 24. "Woe to him, he shall perish" (Chorus), Elijah: No. 25. "Man of god, now let my words be precious" (Obadiah), Elijah: No. 26. "It is enough; O Lord now take my life" (Elijah), Elijah: No. 27. "See, now he sleepeth" (Tenor), Elijah: No. 28. "Lift thine eyes to the mountains" (Chorus), Elijah: No. 29. "He, watching over Israel, slumbers not" (Chorus), Elijah: No. 3. "Ye people, rend your hearts" (Obadiah), Elijah: No. 30. "Arise, Elijah, for thou has a long journey" (The Angel, Elijah), Elijah: No. 31. "O rest in the Lord" (The Angel), Elijah: No. 32. "He that shall endure to the end, shall be saved" (Chorus), Elijah: No. 33. "Night falleth round me, O Lord!" (Elijah, The Angel), Elijah: No. 34. "Behold! God the Lord passed by!" (Chorus), Elijah: No. 35. "Above him stood the Seraphim" (Contralto, Chorus), Elijah: No. 36. "Go, return upon thy way" (Chorus, Elijah), Elijah: No. 37. "For the mountains shall depart" (Elijah), Elijah: No. 38. "Then did Elijah the prophet break forth" (Chorus), Elijah: No. 39. "Then shall the righteous shine forth" (Tenor), Elijah: No. 4. "If with all your hearts" (Obadiah), Elijah: No. 40. "Behold, God hath sent Elijah" (Soprano), Elijah: No. 41. "But the Lord, from the north hath raised one" (Chorus), Elijah: No. 41a. "O come everyone that thirsteth" (Soprano, Contralto, Tenor, Bass), Elijah: No. 42. "And then shall your light break forth" (Chorus), Elijah: No. 5. "Yet doth the Lord see it not" (Chorus), Elijah: No. 6. "Elijah! Get thee hence" (An Angel), Elijah: No. 7. "For He shall give His angels charge over thee" (Semi-Chorus), Elijah: No. 7. Recitative "Now Cherith's brook is dried up" (An Angel), Elijah: No. 8. "What have I to do with thee?" (The Window, Elijah), Elijah: No. 9. "Blessed are the men who fear Him" (Chorus), Elijah: Overture, Fingal's Cave, Hark! The Herald Angels Sing, Hebrides Overture (Fingal's Cave), Op. 26, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): I. Allegro vivace - Più animato, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): II. Andante con moto, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): III. Con moto moderato, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): IV. Saltarello (Presto), Symphony No. 4, "Italian": II. Andante con moto, Violin Concerto in E minor, Op. 64: III. Allegro molto vivace, Violin Concerto in E minor, op. 64: III. Finale. Allegretto non troppo - Allegro molto vivace |
| Manuel de Falla |
performing orchestra |
El amor brujo: I. Introducción y Escena, El amor brujo: II. En la cueva, El amor brujo: III. Canción del amor dolido, El amor brujo: IV. El aparecido, El amor brujo: IX. Escena, El amor brujo: V. Danza del terror, El amor brujo: VI. El círculo mágico, El amor brujo: VII. A medianoche, El amor brujo: VIII. Danza ritual del fuego, El amor brujo: X. Canción del fuego fatuo, El amor brujo: XI. Pantomima, El amor brujo: XII. Danza del juego de amor, El amor brujo: XIII. Final: Las campanas del amancener, El sombrero de tres picos: Danza de la molinera, El sombrero de tres picos: Danza de los vecinos, El sombrero de tres picos: Danza del molinero, El sombrero de tres picos: Danza final, El sombrero de tres picos: Introducción, El sombrero de tres picos: Introduction y tarde, El sombrero de tres picos: La noche. Danza de los vecinos, El sombrero de tres picos: La noche. Danza del Corregidor, El sombrero de tres picos: La noche. Danza del molinero, El sombrero de tres picos: La noche. Danza final, El sombrero de tres picos: La noche. La confrontación, El sombrero de tres picos: La noche. La detención, El sombrero de tres picos: La noche. Nocturno, El sombrero de tres picos: La noche. Retorno del molinero, El sombrero de tres picos: La tarde. Danza de la molinera, El sombrero de tres picos: La tarde. El corregidor, El sombrero de tres picos: La tarde. El mirlo, El sombrero de tres picos: La tarde. El petimetre y el cortejo, El sombrero de tres picos: La tarde. Fandango, El sombrero de tres picos: La tarde. La chica, El sombrero de tres picos: La tarde. Las uvas, El sombrero de tres picos: La tarde. Minueto, La vida breve: Act I. "¡Vivan los que ríen!", La vida breve: Act II. "¡Allí está! Riyendo", Love the Magician: I. Introduction and scene . . . in the cave, Love the Magician: II. Song of suffering love, Love the Magician: III. The spectre... Dance of fear, Love the Magician: IV. Magic circle... Midnight, Love the Magician: IX. Dance of the game of love, Love the Magician: V. Ritual fire dance, Love the Magician: VI. Scene, Love the Magician: VII. Song of the will-o'-the-wisp, Love the Magician: VIII. Pantomime, Love the Magician: X. Finale: The bells of dawn, The Three Cornered Hat: Afternoon. Allegretto mosso, The Three Cornered Hat: Dance of the Miller's Wife (Fandango). Allegro ma non troppo / The Corregidor. Moderato / The Miller's Wife. Poco più mosso, The Three Cornered Hat: Final Dance (Jota). Poco mosso, The Three Cornered Hat: Introduction. Allegretto ma non troppo — Poco meno mosso, The Three Cornered Hat: The Corregidor's Dance. Allegretto, The Three Cornered Hat: The Grapes. Vivo, The Three Cornered Hat: The Miller's Dance (Farruca). Poco vivo, The Three Cornered Hat: The Neighbour's Dance (Seguidillas). Allegro ma non troppo |
| Giacomo Meyerbeer |
performing orchestra |
Dinorah: Atto II. "Ombra leggiera", Les Huguenots, Act 1: Au maître de ces lieux, Les Huguenots, Act 1: Bonheur de la table, Les Huguenots, Act 1: De ces lieux enchanteurs, Les Huguenots, Act 1: Des beaux jours de la jeunesse, Les Huguenots, Act 1: Eh! mais… plus je le vois… Piff, paff, piff, paff !, Les Huguenots, Act 1: En ce château… Nobles seigneurs, salut !, Les Huguenots, Act 1: Il faut rompre l'hymen… Honneur au conquérant, Les Huguenots, Act 1: L'aventure est singulière, Les Huguenots, Act 1: Non loin des vieiles tours… Plus blanche que la blanche hermine, Les Huguenots, Act 1: Quelle étrange figure vois-je ici apparaître ?, Les Huguenots, Act 1: Sous ce beau ciel de la Touraine, Les Huguenots, Act 1: Trop de mérite aussi quelquefois importune, Les Huguenots, Act 1: Versez de nouveaux vins !, Les Huguenots, Act 2: C'est Raoul de Nangis, Les Huguenots, Act 2: Et maintenant je dois offrir à votre vue, Les Huguenots, Act 2: Jeunes beautés, sous ce feuillage, Les Huguenots, Act 2: Madame! — Allons, toujours le page!, Les Huguenots, Act 2: Non, non, non, vous n'avez jamais, Les Huguenots, Act 2: O beau pays de la Touraine, Les Huguenots, Act 2: Par l'honneur, par le nom, Les Huguenots, Act 2: Pareille loyauté vaut son prix, Les Huguenots, Act 2: Que notre reine est belle, Les Huguenots, Act 3: Arrêtez ! Respectez la reine de Navarre !, Les Huguenots, Act 3: Au banquet où le ciel leur apprête, Les Huguenots, Act 3: C'est le jour du dimanche, Les Huguenots, Act 3: En mon bon droit j'ai confiance !, Les Huguenots, Act 3: O terreur ! Je tressaille, Les Huguenots, Act 3: Pour remplir un voeu solennel, Les Huguenots, Act 3: Rentrez, habitants de Paris, Les Huguenots, Act 3: Tu m'as comprise ; adieu !, Les Huguenots, Act 3: Un danger le menace, et j'ignore lequel, Les Huguenots, Act 3: Venez, venez, venez, venez ! (Gipsy Dance), Les Huguenots, Act 3: Vierge Marie, soyez bénie !, Les Huguenots, Act 4: Entends-tu ces sons funèbres ?, Les Huguenots, Act 4: Gloire, gloire au grand Dieu vengeur !, Les Huguenots, Act 4: Je suis seule chez moi !, Les Huguenots, Act 4: Juste ciel ! est-ce lui, Les Huguenots, Act 4: O ciel ! Où courez-vous ?, Les Huguenots, Act 4: Oui, l'ordre de la reine… des troubles renaissants, Les Huguenots, Act 5, Scene 1: Aux armes, mes amis !, Les Huguenots, Act 5, Scene 1: Entr'acte & Ball, Les Huguenots, Act 5, Scene 2: Abjurez, huguenots, le ciel l'ordonne !, Les Huguenots, Act 5, Scene 2: Ah ! voyez, le ciel s'ouvre et rayonne, Les Huguenots, Act 5, Scene 2: C'est toi, mon vieux Marcel, Les Huguenots, Act 5, Scene 2: Savez-vous qu'en joignant vos mains, Les Huguenots, Act 5, Scene 3: Par le fer et par l'incendie, Les Huguenots: Overture, Les Patineurs, Ballet Suite: I, Entrée, Les Patineurs, Ballet Suite: III, Pas de deux, Les Patineurs, Ballet Suite: V, Pas de trois, Les Patineurs, Ballet Suite: VI, Duet,, Les Patineurs, Ballet Suite: VIII, Finale |
| Maria Callas |
performing orchestra |
Adriana Lecouvreur: Acte I. "Ecco: respiro appena... Io son l'umile ancella", Al Dolce Guidami (Anna Bolena), Andrea Chenier: La Mamma Morta, Andrea Chénier: Acte III. "La mamma morta", Andriana Lecouvreur: Echo, respiro appena. Io son l'umile ancella, Dinorah, '(Le) Pardon De Ploërmel': Ombre Légère (Shadow Song), Dinorah: Acte II. Le Pardon de Ploërmel "Ombra leggiera", Donde Lieta Uscì (La Bohème), Ebben?... Ne Andrò Lontana (La Wally), Ernani: Act I. "Surta è la notte... Ernani! Ernani, involami", Ernani: Surta e la notte... Ernani! Ernani, involami, Gianni Schicchi. "O mio babbino caro", Gianni Schicchi: "O mio babbino caro", I Vespri siciliani: Acte V. Boléro "Mercé, dilette amiche", Il Barbiere Di Siviglia: Dunque Io Son, Il Barbiere di Siviglia: Una voca poco fa, In Questa Reggia (Turandot), La Boheme: “Donde lieta usci”, La Bohème: Act I. "Sì, mi chiamano Mimì", La Bohème: Acte I. "Sì, mi chiamano Mimì", La Bohème: Acte III. "Donde liesta uscì", La Mamma Morta (Andréa Chenier), La Wally: Act I. "Ebben? Ne andrò lontana", La Wally: Acte I. "Ebben? Ne andrò lontana", La bohème: Atto III. “Donde lieta uscì”, La bohème: Atto III. “Donde lieta uscì” (Mimì), Lakmé, Act II: Dov'È L'Indinana Bruna? (Bell Song), Lakmé: Acte II. Air des clochettes "Dov'è l'indiana bruna", Le Barbier de Séville: Acte I. "Una voce poco fa", Lucia di Lammermoor: Act I. "Regnava nel silenzio", Lucia di Lammermoor: Acte I. "Quando rapito in estasi", Lucia di Lammermoor: Acte I. "Regnava nel silenzio alta la notte e bruna", Macbeth: Acte II. "La luce langue", Madama Butterfly: Act II. "Un bel dì vedremo", Madama Butterfly: Atto II. "Un bel dì vedremo", Manon Lescaut: il quelle trine morbide, O Mio Babbino Caro (Gianni Schicchi), Ombra Leggera (Dinorah), Signore, Ascolta (Turandot), Suor Angelica. "Senza mamma", Sì, Mi Chiamano Mimì (La Bohème), Turandot: Act II. "In questa reggia", Turandot: Acte I. "Signore, ascolta", Turandot: Acte II. "In questa reggia", Turandot: Acte III. "Tu, che di gel sei cinta", Turandot: Signore, Ascolta!, Una Voce Poco Fa (Il Barbiere di Siviglia), Vespri Siciliani: Merce, dilette amiche - Bolero, Vieni! T'Affretta! (MacBeth) |
| Игорь Фёдорович Стравинский |
performing orchestra |
Circus Polka, Fireworks, Op. 4, Jeu de cartes: Deuxième donne, Jeu de cartes: Première donne, Jeu de cartes: Troisième donne, Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 1 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 2 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 3 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 4 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 5 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 6 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 7 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 8 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Petrushka: Part I, No. 1a. "The Shrove-tide Fair", Petrushka: Part I, No. 1b. "The Crowds", Petrushka: Part I, No. 1c. "The Charlatan's Booth", Petrushka: Part I, No. 1d. "Russian Dance", Petrushka: Part II, No. 2. "Petrushka's Room", Petrushka: Part III, No. 3a. "The Moor's Room", Petrushka: Part III, No. 3b. "Dance of the Ballerina", Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor), Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening), Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses", Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear", Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls", Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms", Petrushka: Part IV, No. 4f. "The Masqueraders", Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death), Pulcinella, suite for orchestra: Finale, Pulcinella, suite for orchestra: Gavotta con variazioni, Pulcinella, suite for orchestra: Minuetto, Pulcinella, suite for orchestra: Scherzino-Allegro-Andantino, Pulcinella, suite for orchestra: Serenata, Pulcinella, suite for orchestra: Sinfonia (Overture), Pulcinella, suite for orchestra: Tarantella, Pulcinella, suite for orchestra: Toccata, Pulcinella, suite for orchestra: Vivo (Duetto), The Firebird (L'Oiseau de feu) Suite (1919): Berceuse, The Firebird (L'Oiseau de feu) Suite (1919): Dance of the Firebird, The Firebird (L'Oiseau de feu) Suite (1919): Infernal Dance of King Kaschei, The Firebird (L'Oiseau de feu) Suite (1919): Introduction, The Firebird (L'Oiseau de feu) Suite (1919): Round Dance of the Princesses, The Firebird, Finale, Part 1 (Philharmonia Orchestra feat. conductor: Esa-Pekka Salonen), The Firebird, Finale, Part 2 (Philharmonia Orchestra feat. conductor: Esa-Pekka Salonen) |
| Hoopsnake |
performing orchestra |
'Mathis der Maler' Symphony: I. Engelkonzert, 'Mathis der Maler' Symphony: II. Grablegung, 'Mathis der Maler' Symphony: III. Versuchung des Heiligen Antonius, Divertimento for Strings: I. Allegro non troppo, Divertimento for Strings: II. Molto adagio, Divertimento for Strings: III. Allegro assai, Hänsel und Gretel: Overture, Le chant du rossignol: Chant du rossignol, Le chant du rossignol: Jeu du rossignol mecanique, Le chant du rossignol: Marche chinoise, Le chant du rossignol: [Introduction], Les préludes, Les préludes, S. 97, May Night: Overture, Overture: A Midsummer Night's Dream, op. 21, Overture: Der Freischütz, Prince Igor: Overture, Ruslan and Ludmilla: Overture, Symphony in D minor, op. 48: I. Lento - Allegro non troppo, Symphony in D minor, op. 48: II. Allegretto, Symphony in D minor, op. 48: III. Allegro non troppo, Symphony in Three Movements: I. [Allegro], Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante, Tasso, Tasso: Lamento e Trionfo, S. 96, “May Night” Overture |
| Antonio Vivaldi |
performing orchestra |
Gloria, RV 589 (ed. Malipiero): I. Gloria in excelsis Deo, Gloria, RV 589 (ed. Malipiero): II. Et in terra pax hominibus, Gloria, RV 589 (ed. Malipiero): III. Laudamus te, Gloria, RV 589 (ed. Malipiero): IV. Gratias agimus tibi, Gloria, RV 589 (ed. Malipiero): IX. Qui tollis peccata mundi, Gloria, RV 589 (ed. Malipiero): V. Propter magnam gloriam, Gloria, RV 589 (ed. Malipiero): VI. Domine Deus, Gloria, RV 589 (ed. Malipiero): VII. Domine Fili unigenite, Gloria, RV 589 (ed. Malipiero): VIII. Domine Deus, Agnus Dei, Gloria, RV 589 (ed. Malipiero): X. Qui sedes ad dexteram, Gloria, RV 589 (ed. Malipiero): XI. Quoniam tu solus Sanctus, Gloria, RV 589 (ed. Malipiero): XII. Cum Sancto Spritu, Magnificat, RV 611 (ed. Malipiero): I. Magnificat, Magnificat, RV 611 (ed. Malipiero): II. Et exultavit, Magnificat, RV 611 (ed. Malipiero): III. Quia respexit, Magnificat, RV 611 (ed. Malipiero): IV. Quia fecit, Magnificat, RV 611 (ed. Malipiero): IX. Suscepit Israel, Magnificat, RV 611 (ed. Malipiero): V. Et misericordia, Magnificat, RV 611 (ed. Malipiero): VI. Fecit potentiam, Magnificat, RV 611 (ed. Malipiero): VII. Deposuit potentes, Magnificat, RV 611 (ed. Malipiero): VIII. Esurientes, Magnificat, RV 611 (ed. Malipiero): X. Sicut Iocutus, Magnificat, RV 611 (ed. Malipiero): XI. Gloria, Magnificat, RV 611: I. Magnificat, Magnificat, RV 611: II. Et exultavit, Magnificat, RV 611: III. Quia respexit, Magnificat, RV 611: IV. Quia fecit mihi magna, Magnificat, RV 611: IX. Suscepit Israel, Magnificat, RV 611: V. Et misericordia, Magnificat, RV 611: VI. Fecit potentiam, Magnificat, RV 611: VII. Deposuit potentes, Magnificat, RV 611: VIII. Esurientes, Magnificat, RV 611: X. Sicut locutus est, Magnificat, RV 611: XI. Gloria, Winter Concerto Grosso: First Movement |
| Robert Rehnig |
performing orchestra |
A Pastoral Symphony (Symphony No. 3): I. Molto moderato, A Pastoral Symphony (Symphony No. 3): II. Lento moderato, A Pastoral Symphony (Symphony No. 3): III. Moderato pesante, A Pastoral Symphony (Symphony No. 3): IV. Lento, Der Meistersinger von Nürnberg: Ouvertüre, Die Meistersinger von Nüremberg - Prelude to Act III, Die Meistersinger von Nürnberg: Overture, Die Meistersinger von Nürnberg: Prelude to Act 3, In the Fen Country, Lohengrin - Prelude to Act I, Lohengrin: 1. Akt, Vorspiel, Lohengrin: Prelude to Act 1, Lohengrin: Prelude to Act 3, Norfolk Rhapsody No. 1, Parsifal - Good Friday Music, Parsifal - Prelude to Act I, Symphony in G minor: I. Allegro, Symphony in G minor: II. Lento, Symphony in G minor: III. Vivace, Symphony in G minor: V. Lento - Allegro molto, Symphony no. 4 in F minor: I. Allegro, Symphony no. 4 in F minor: II. Andante moderato, Symphony no. 4 in F minor: III. Scherzo - Allegro molto, Symphony no. 4 in F minor: IV. Finale con epilogo fugato - Allegro molto, Symphony no. 6 in E minor: I. Allegro, Symphony no. 6 in E minor: II. Moderato, Symphony no. 6 in E minor: III. Scherzo - Allegro vivace, Symphony no. 6 in E minor: IV. Epilogue - Moderato, Tannhäuser - Overture, Tannhäuser: Ouvertüre, Tannhäuser: Overture, The Lark Ascending, Tristan und Isolde: 1. Akt, Vorspiel, Tristan und Isolde: Prelude and Liebestod, Tristan und Isolde: Prelude to Act 1 |
| Gustav Mahler |
performing orchestra |
5 Rückertlieder: Blicke mir nicht in die Lieder!, 5 Rückertlieder: Ich bin der Welt abhanden gekommen, 5 Rückertlieder: Um Mitternacht, Das Lied von der Erde: V. Der Trunkene im Frühling, Des Knaben Wunderhorn: Frühlingsmorgen, Des Knaben Wunderhorn: Nicht wiedersehen, Des Knaben Wunderhorn: Selbstgefühl, Des Knaben Wunderhorn: Um schlimme Kinder artig zu machen, Des Knaben Wunderhorn: Zu Straßburg auf der Schanz, Ich bin der Welt abhanden gekommen, Kindertotenlieder (Rückert): In diesem Wetter, in diesem Braus, Kindertotenlieder (Rückert): Nun seh' ich wohl, warum so dunkle Flammen, Kindertotenlieder (Rückert): Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder (Rückert): Oft denk' ich, sie sind nur ausgegangen!, Kindertotenlieder (Rückert): Wenn dein Mutterlein tritt zur Tur herein, Lieder eines fahrenden Gesellen: Die zwei blauen Augen, Lieder eines fahrenden Gesellen: Ging heut' morgen ubers Feld, Lieder eines fahrenden Gesellen: Ich hab' ein gluhend Messer, Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht, Rückert-Lieder: Blicke mir nicht in die Lieder!, Rückert-Lieder: Ich atmet' einen linden Duft!, Rückert-Lieder: Ich bin der Welt abhanden gekommen, Rückert-Lieder: Liebst du um Schönheit, Rückert-Lieder: Um Mitternacht, Symphonie No.5 cis-moll - 4. Adagietto - 'Tod in Venedig', Symphony No. 5, Part I: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt, Symphony No. 5, Part I: II. Bewegt, Mit Grösster Vehemenz, Symphony No. 5, Part II: III. Scherzo - Kräftig, Nicht Zu Schnell, Symphony No. 5, Part III: IV. Adagietto - Sehr Langsam, Symphony No. 5, Part III: V. Rondo: Finale - Allegro, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb, Symphony No. 9 in D major: III. Rondo: Burleske. Allegro assai. Sehr trotzig, Symphony No. 9 in D major: IV. Molto adagio, Symphony no. 5 in C-sharp minor: IV. Adagietto |
| Christoph Willibald Gluck |
performing orchestra |
Atto I: Ah! se intorno a quest' urna funestra (Coro), Atto I: Ah! se intorno a quest' urna funestra (Coro, Orfeo), Atto I: Ballo, Atto I: Basta, basta, o compagni! (Orfeo), Atto I: Che disse? Che ascoltai? (Orfeo), Atto I: Chiamo, il mio ben cosi, Atto I: Gli sguardi trattieni (Amore), Atto I: Numi! barbari Numi! (Orfeo), Atto I: T' assiste Amore! (Amore, Orfeo), Atto II: Ah quale incognito (Coro, Orfeo), Atto II: Anime avventurose (Orfeo, Coro), Atto II: Ballo, Atto II: Ballo - Chi mai dell'Erebo - Ballo - Chi mai dell'Erebo (Orchestra, Coro), Atto II: Che puro ciel! (Orfeo, Coro), Atto II: Deh! placatevi con me (Orfeo, Coro), Atto II: Mille pene, ombre moleste (Orfeo), Atto II: Misero giovane! (Coro), Atto II: Torna, o bella (Coro), Atto II: Vieni a' regni del riposo, Atto III: Ah finisca e per sempre (Orfeo), Atto III: Ballo I, Atto III: Ballo II, Atto III: Ballo III, Atto III: Ballo IV (Orchestra), Atto III: Che fiero momento! (Euridice), Atto III: Ecco un nuovo tormento! (Orfeo, Euridice), Atto III: Introduzione, Atto III: Orfeo, che fai? (Amore, Orfeo, Euridice), Atto III: Qua! vita e questa mai, Atto III: Trionfi Amore! (Orfeo, Coro, Amore, Euridice), Atto III: Vieni, appaga il tuo consorte! (Orfeo, Euridice), Atto III: Vieni, segui i miei passi, Overtura |
| Randy Jo Hobbs |
performing orchestra |
King Estmere: Down Then Came That Maiden Fair, King Estmere: Hearken to Me Gentlemen, King Estmere: My Mother Was a Western Woman, King Estmere: Now Christ Thee Save, Good King Adland, King Estmere: O Lady, This Is Thy Own True Love, King Estmere: Or Forced Them All to Flee, King Estmere: Reade Me, Reade Me Dear Brother, King Estmere: She Sent One After King Estmere, King Estmere: Then Bespake Her Father Dear, King Estmere: Then King Estemere He Took His Harp, King Estmere: They Had Not Ridden Scarce a Mile, The Golden Goose: A Mummers' Play, The Golden Goose: A Mummers' Play, a Mummers' Play, The Golden Goose: Dance of the Three Girls, The Golden Goose: Execution, The Golden Goose: Love, Sweet Love, The Golden Goose: Prelude, The Golden Goose: Sleep, The Golden Goose: Sound Drum and Trumpet Play, The Golden Goose: The Goose Dance, The Golden Goose: The Human Organ, The Golden Goose: Vainly Awaiting, Some Beguiling, The Morning of the Year: Dance OF the Youths, The Morning of the Year: Dance of the Headman and Hobby-Horse, The Morning of the Year: Dance of the Maidens, The Morning of the Year: Dance of the Youngest Couple, The Morning of the Year: Introduction, The Morning of the Year: O Dance of Love, o Joy of Dancing, The Morning of the Year: Spring Is Here to Set You Free, The Morning of the Year: The Calling Song, The Morning of the Year: The Mating Dance, The Morning of the Year: The Voice of Nature, The Morning of the Year: You Have Shown My Mystery |
| Alon Chen |
performing orchestra |
La Mer: I. De l'aube à midi sur la mer, La Mer: II. Jeux de vagues, La Mer: III. Dialogue du vent et de la mer, Nocturnes: I. Nuages, Nocturnes: II. Fêtes, Nocturnes: III. Sirènes, The Nutcracker, Scene 2: March, The Nutcracker: Act I, Scene 1. Decoration of the Christmas Tree, The Nutcracker: Act I, Scene 2. March, The Nutcracker: Act I, Scene 3. Children's Gallup and Entry of the Parents, The Nutcracker: Act I, Scene 4. Arrival of Drosselmeyer, The Nutcracker: Act I, Scene 5. Grandfather's Dance, The Nutcracker: Act I, Scene 6. Clara and the Nutcracker, The Nutcracker: Act I, Scene 7. The Battle, The Nutcracker: Act I, Scene 8. (In the Pine Forest), The Nutcracker: Act I, Scene 9. Waltz of the Snowflakes, The Nutcracker: Act II, Scene 10. Confiturembourg, The Nutcracker: Act II, Scene 11. (Clara and the Prince), The Nutcracker: Act II, Scene 12. Chocolate: Spanish Dance, The Nutcracker: Act II, Scene 12. Coffee: Arabian Dance, The Nutcracker: Act II, Scene 12. Dance of the Reed Flutes, The Nutcracker: Act II, Scene 12. Mother Gigogne & The Puppets, The Nutcracker: Act II, Scene 12. Tea: Chinese Dance, The Nutcracker: Act II, Scene 12. Trepak: Russian Dance, The Nutcracker: Act II, Scene 13. Waltz of the Flowers, The Nutcracker: Act II, Scene 14. Coda, The Nutcracker: Act II, Scene 14. Pas de Deux, The Nutcracker: Act II, Scene 14. Variation I: Tarantella, The Nutcracker: Act II, Scene 14. Variation II: Dance of the Sugar-Plum Fairy, The Nutcracker: Act II, Scene 15. Apotheosis, The Nutcracker: Act II, Scene 15. Waltz Finale, The Nutcracker: Overture |
| Alban Berg |
performing orchestra |
Wozzeck, Op. 7 (sung in English): Act I Scene 1: Slowly, Wozzeck, slowly! (Captain, Wozzeck), Wozzeck, Op. 7 (sung in English): Act I Scene 1: Wozzeck, you are a decent man, and yet ? (Captain, Wozzeck), Wozzeck, Op. 7 (sung in English): Act I Scene 2: Andres! This place is accursed! (Wozzeck, Andres), Wozzeck, Op. 7 (sung in English): Act I Scene 2: Listen. There's something moving there below us! (Wozzeck, Andres), Wozzeck, Op. 7 (sung in English): Act I Scene 3: Marie sunk in thought - Knocking at the window - Who's there? (Marie, Wozzeck), Wozzeck, Op. 7 (sung in English): Act I Scene 3: Military music off-stage - Tschin, Bum, Tschin, Bum, Bum, Bum, Bum! (Marie, Margret), Wozzeck, Op. 7 (sung in English): Act I Scene 3: What will you do now, poor lamb? ? (Marie), Wozzeck, Op. 7 (sung in English): Act I Scene 4: This is monstrous, Wozzeck! (Doctor, Wozzeck), Wozzeck, Op. 7 (sung in English): Act I Scene 4: Wozzeck - Just like a lunatic! (Doctor, Wozzeck), Wozzeck, Op. 7 (sung in English): Act I Scene 5: Show me how you parade! (Marie, Drum Major), Wozzeck, Op. 7 (sung in English): Act II Scene 1: How they glisten brightly! (Marie), Wozzeck, Op. 7 (sung in English): Act II Scene 1: Wozzeck enters, unseen - What's that, there? (Wozzeck, Marie), Wozzeck, Op. 7 (sung in English): Act II Scene 2: But what are you trying to tell me, Herr Doktor (Wozzeck, Captain, Doctor), Wozzeck, Op. 7 (sung in English): Act II Scene 2: Hey, Wozzeck! (Doctor, Captain), Wozzeck, Op. 7 (sung in English): Act II Scene 2: Why are you rushing, my dearest friend (Captain, Doctor), Wozzeck, Op. 7 (sung in English): Act II Scene 3: God morning, Franz (Marie, Wozzeck), Wozzeck, Op. 7 (sung in English): Act II Scene 3: Scene change (Slow Landler) - Tavern music onstage -, Wozzeck, Op. 7 (sung in English): Act II Scene 4: A hunter from the Rhine (Youths, Soldiers, Andres, Wozzeck), Wozzeck, Op. 7 (sung in English): Act II Scene 4: And yet, if a traveller pauses (First Apprentice, Soldiers, Youths, Andres, The Idiot, Wozzeck), Wozzeck, Op. 7 (sung in English): Act II Scene 4: I've got a shirt on, though it is not mine ? (First Apprentice, Second Apprentice) - Tavern music onstage - Him! Her! Damn!, Wozzeck, Op. 7 (sung in English): Act II Scene 5: I am a man! (Drum Major, Andres, A Soldier, Wozzeck), Wozzeck, Op. 7 (sung in English): Act II Scene 5: Mmmmmm (Soldiers, Wozzeck, Andres), Wozzeck, Op. 7 (sung in English): Act III Scene 1: And falling on her knees before Him (Marie), Wozzeck, Op. 7 (sung in English): Act III Scene 1: And once there was a lonely child (Marie), Wozzeck, Op. 7 (sung in English): Act III Scene 1: And out of his mouth (Marie), Wozzeck, Op. 7 (sung in English): Act III Scene 2: The moon rises - How the moon rises red! (Marie, Wozzeck), Wozzeck, Op. 7 (sung in English): Act III Scene 2: The town is over there (Marie, Wozzeck), Wozzeck, Op. 7 (sung in English): Act III Scene 3: Dance, damn you! (Wozzeck, Margret, A Youth, Wenches, Youths), Wozzeck, Op. 7 (sung in English): Act III Scene 4: I ought to wash myself clean (Wozzeck, Captain, Doctor), Wozzeck, Op. 7 (sung in English): Act III Scene 4: Scene change (Invention on a Key), Wozzeck, Op. 7 (sung in English): Act III Scene 4: The dagger? Where is the dagger? (Wozzeck), Wozzeck, Op. 7 (sung in English): Act III Scene 5: Ring-a-ring-a-roses, all fall down! (Children, First Child, Second Child, Third Child, Marie's Boy) |
| Davon Wilson |
performing orchestra |
Madama Butterfly: Act I. "Amore o grillo, dir non saprei", Madama Butterfly: Act I. "Bimba, bimba, non piangere", Madama Butterfly: Act I. "Dovunque al mondo lo Yankee vagabondo", Madama Butterfly: Act I. "Ecco! Son giunte al sommo del pendio", Madama Butterfly: Act I. "Ed è bella la sposa?", Madama Butterfly: Act I. "Gran ventura" / "Riverenza" / "È un po' dura la scalata?", Madama Butterfly: Act I. "Ieri son salita tutta sola secreto", Madama Butterfly: Act I. "L'imperial commissario", Madama Butterfly: Act I. "O Kami! O Kami!", Madama Butterfly: Act I. "Sorride Vostro Onore?", Madama Butterfly: Act I. "Tutti zitti!" / "È concesso al nominato Benjamin Franklin Pinkerton", Madama Butterfly: Act I. "Viene la sera", Madama Butterfly: Act I. "Vieni, amor mio", Madama Butterfly: Act I. Introduction / "E soffito e pareti", Madama Butterfly: Act II, Part I. "C'è. Entrate" / "Chiedo scusa", Madama Butterfly: Act II, Part I. "Due cose potrei far", Madama Butterfly: Act II, Part I. "E lzaghi ed Izanami, Sarundasico e Kami", Madama Butterfly: Act II, Part I. "E questo? Egli potrà pure scordare?", Madama Butterfly: Act II, Part I. "Ora a noi. Sedete qui", Madama Butterfly: Act II, Part I. "Scuoti quella fronda di ciliegio", Madama Butterfly: Act II, Part I. "Vedrai, piccolo amor, mia pena e mio conforto", Madama Butterfly: Act II, Part I. "Vespa! Rospo maledetto!", Madama Butterfly: Act II, Part I. "Yamadori, ancor le pene dell'amor non v'han delluso?", Madama Butterfly: Act II, Part II. "Addio fiorito asil", Madama Butterfly: Act II, Part II. "Chi sia?" / "Zitta!" / "Non la destar", Madama Butterfly: Act II, Part II. "Già il sole! Cio-cio-san", Madama Butterfly: Act II, Part II. "Glielo dirai!" / "Prometto", Madama Butterfly: Act II, Part II. "Oh eh! oh eh!", Madama Butterfly: Act II, Part II. "Tu? tu? Piccolo Iddio!", Madama Butterfly: Act II, Part II. "Vespa! Voglio che tu risponda", Madama Butterfly: Act II, Part II. "lo so che alle sue pene non ci sono conforti!" |
| Gabriel Fauré |
performing orchestra |
Pavane, Pavane, Op. 50, Pelleas et Melisande: I. Prelude. Quasi Adagio, Requiem in D minor, op. 48: I. Introït et Kyrie, Requiem in D minor, op. 48: II. Offertoire, Requiem in D minor, op. 48: III. Sanctus, Requiem in D minor, op. 48: IV. Pie Jesu, Requiem in D minor, op. 48: VI. Libera me, Requiem in D minor, op. 48: VII. In Paradisum, Requiem, Op 48; I. Introit et Kyrie, Requiem, Op 48; II. Offertoire, Requiem, Op 48; III. Sanctus, Requiem, Op 48; IV. Pie Jesus, Requiem, Op 48; V. Agnus Dei, Requiem, Op 48; VI. Libera me, Requiem, Op 48; VII. Paradisum, Requiem, Op. 48: I. Introit & Kyrie, Requiem, Op. 48: I. Introït et Kyrie, Requiem, Op. 48: II. Offertoire, Requiem, Op. 48: III. Sanctus, Requiem, Op. 48: IV. Pie Jesu, Requiem, Op. 48: VI. Libera me, Requiem, Op. 48: VII. In Paradisum, Requiem, Op.48: VII. In Paradisum, Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: 1. Introït et Kyrie, Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: 2. Offertoire, Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: 3. Sanctus, Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: 4. Pie Jseu, Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: 6. Libera Me, Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: 7. In paradisum, Sanctus |
| Fushigi |
performing orchestra |
Piano Concerto no. 2 in C minor (1st Movement), Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 2 in C minor: II. Adagio sostenuto, Rhapsody on a Theme of Paganini, op. 43: Allegro vivace, Rhapsody on a Theme of Paganini, op. 43: Tema: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation I: Tempo precedente, Rhapsody on a Theme of Paganini, op. 43: Variation II: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation III: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation IV: Più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation IX: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation V: Tempo precedente, Rhapsody on a Theme of Paganini, op. 43: Variation VI: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation VII: Meno mosso, a tempo moderato, Rhapsody on a Theme of Paganini, op. 43: Variation VIII: Tempo I, Rhapsody on a Theme of Paganini, op. 43: Variation X: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation XI: Moderato, Rhapsody on a Theme of Paganini, op. 43: Variation XII: Tempo di minuetto, Rhapsody on a Theme of Paganini, op. 43: Variation XIII: Allegro, Rhapsody on a Theme of Paganini, op. 43: Variation XIV: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation XIX: A tempo vivace, Rhapsody on a Theme of Paganini, op. 43: Variation XV: Più vivo scherzando, Rhapsody on a Theme of Paganini, op. 43: Variation XVI: Allegretto, Rhapsody on a Theme of Paganini, op. 43: Variation XVII: Allegretto, Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile, Rhapsody on a Theme of Paganini, op. 43: Variation XX: Un poco più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation XXI: Un poco più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation XXII: Un poco più vivo (alla breve), Rhapsody on a Theme of Paganini, op. 43: Variation XXIII: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation XXIV: A tempo un poco meno mosso |
| Ryan Amon |
performing orchestra |
A Political Sickness, Arming Projectile, Breaking a Promise, Darkness, Deportation, Elysium, Fire Up the Shuttle, Fire and Water, Heading to Elysium, Heaven and Earth, I Don’t Want to Die, I’d Like Them Dead, I’m Right Behind You, Keep Them Busy, Kruger Suits Up, Let the Girls Out, Matilda, New Heaven, New Earth, Step Aboard, The Armory, The Gantry, The Raven, Things to Come, Unauthorized Entry, We Do the Hanging, When He Wakes Up, You Have No Idea, You Said You’d Do Anything, Zero Injuries Sustained |
| Luciano Pavarotti |
performing orchestra |
'O sole mio, Di Capua, Alma del core, Caro mio ben, Com'è gentil, I lombardi, La mia letizia infondere, Verdi, I vespri siciliani, Overture, Verdi, Il barcaiolo, In questa tomba oscura, Io conosco un giardino, L'Africana, O paradiso, Jakob Liebmann Beer aka Giacomo Meyerbeer, L'alba separa dalla luce l'ombra, L'ultima canzone, La Gioconda: Cielo e mar!, La mia canzone al vento, Bixio, La promessa, Luisa Miller, Quando le sere al placido, Verdi, Mamma, Bixio, Manon Lescaut, Donna non vidi mai, Puccini, Manon Lescaut, Tra voi, belle, Puccini, Martha: M'appari, Mattinata, Non ti scordar di me, De Curtis, Pagliacci, Vesti la giubba, Leoncavallo, Puccini: Turandot: Nessun dorma, Torna a Surrento, De Curtis, Tosca, E lucevan le stelle, Puccini, Tosca, Recondita armonia, Puccini, Tre giorni son che Nina, Werther, Porquoi me reveiller, Massanet |
| Pike |
performing orchestra |
Egmont: Overture, op. 84, La cathédrale engloutie (orchestral version), Le Poème de l'extase, op. 54, Pictures at an Exhibition: Bydło, Pictures at an Exhibition: Catacombs, Pictures at an Exhibition: Promenade - Ballet of the Unhatched Chicks, Pictures at an Exhibition: Promenade - Gnome, Pictures at an Exhibition: Promenade - The Old Castle, Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle, Pictures at an Exhibition: The Great Gate of Kiev, Pictures at an Exhibition: The Hut on Fowl's Legs, Symphonie fantastique, op. 14: I. Rêveries - Passions: Largo - Allegro Agitato E Appassionato Assai, Symphonie fantastique, op. 14: II. Un Bal: Valse. Allegro Non Troppo, Symphonie fantastique, op. 14: III. Scène Aux Champs: Adagio, Symphonie fantastique, op. 14: IV. Marche Au Supplice: Allegretto Non Troppo, Symphonie fantastique, op. 14: V. Songe D'Une Nuit Du Sabbat: Larghetto - Allegro, Symphony no. 6 "Sinfonia semplice": I. Tempo giusto, Symphony no. 6 "Sinfonia semplice": II. Humoreske. Allegretto, Symphony no. 6 "Sinfonia semplice": III. Proposta seria. Adagio, Symphony no. 6 "Sinfonia semplice": IV. Tema con variazioni (Tema: Allegretto un poco), The Sleeping Beauty Suite, op. 66: Act I, no. 6. Valse, The Sleeping Beauty Suite, op. 66: Act I, no. 8. Pas d'action, The Sleeping Beauty Suite, op. 66: Act III, no. 22. Polacca, The Sleeping Beauty Suite, op. 66: Act III, no. 23. Pas de quatre: Allegro non tanto, The Sleeping Beauty Suite, op. 66: Act III, no. 25. Pas de quatre: Adagio, The Sleeping Beauty Suite, op. 66: Act III, no. 28. Pas de deux: Adagio, The Sleeping Beauty Suite, op. 66: Act III, no. 30. Finale - Apothéose, The Sleeping Beauty Suite, op. 66: Introduction, The Sleeping Beauty Suite, op. 66: Prologue: no. 3. Pas de six - Variation IV: Canari qui chante |
| Nick Vanelli |
performing orchestra |
Piano Concerto no. 1: I. Vivace, Piano Concerto no. 1: II. Andante, Piano Concerto no. 1: III. Allegro vivace, Rhapsody on a theme of Paganini: Introduction, Rhapsody on a theme of Paganini: Tema, Rhapsody on a theme of Paganini: Variation 1, Rhapsody on a theme of Paganini: Variation 10, Rhapsody on a theme of Paganini: Variation 11, Rhapsody on a theme of Paganini: Variation 12, Rhapsody on a theme of Paganini: Variation 13, Rhapsody on a theme of Paganini: Variation 14, Rhapsody on a theme of Paganini: Variation 15, Rhapsody on a theme of Paganini: Variation 16, Rhapsody on a theme of Paganini: Variation 17, Rhapsody on a theme of Paganini: Variation 19, Rhapsody on a theme of Paganini: Variation 2, Rhapsody on a theme of Paganini: Variation 20, Rhapsody on a theme of Paganini: Variation 21, Rhapsody on a theme of Paganini: Variation 22, Rhapsody on a theme of Paganini: Variation 23, Rhapsody on a theme of Paganini: Variation 24, Rhapsody on a theme of Paganini: Variation 3, Rhapsody on a theme of Paganini: Variation 4, Rhapsody on a theme of Paganini: Variation 5, Rhapsody on a theme of Paganini: Variation 6, Rhapsody on a theme of Paganini: Variation 7, Rhapsody on a theme of Paganini: Variation 8, Rhapsody on a theme of Paganini: Variation 9 |
| Pietro Mascagni |
performing orchestra |
Cavalleria Rusticana, opera: Intanto amici ... Viva il vino spumeggiante, Cavalleria Rusticana, opera: Mamma, quel vino è generoso, Cavalleria Rusticana: Easter Hymn, Cavalleria rusticana: "Intanto, amici, qua ... Viva il vino spumeggiante", Cavalleria rusticana: Act I. "A casa, a casa" (peasants, Turiddu, Lola), Cavalleria rusticana: Act I. "A voi tutti salute!" (Alfio, peasants, Turiddu, Lola), Cavalleria rusticana: Act I. "Ah! lo vedi, che hai tu detto?" (Turiddu, Santuzza), Cavalleria rusticana: Act I. "Beato voi, compar Alfio" (Lucia, Alfio, Santuzza), Cavalleria rusticana: Act I. "Comare santa", Cavalleria rusticana: Act I. "Dite, mamma Lucia" (Santuzza, Lucia), Cavalleria rusticana: Act I. "Fior di giaggiolo" (Lola, Turiddu, Santuzza), Cavalleria rusticana: Act I. "Gli aranci olezzano sui verdi margini" (peasants), Cavalleria rusticana: Act I. "Il cavallo scalpita" (Alfio, peasants), Cavalleria rusticana: Act I. "Inneggiamo, il Signor non è morto", Cavalleria rusticana: Act I. "Mamma, quel vino è generoso." (Turiddu, Lucia, Santuzza, a peasant girl), Cavalleria rusticana: Act I. "O Lola chái di latti la cammisa" (Turiddu), Cavalleria rusticana: Act I. "Regina coeli, laetare" (choir, Santuzza, Lucia), Cavalleria rusticana: Act I. "Tu qui, Santuzza?" (Turiddu, Santuzza), Cavalleria rusticana: Act I. "Viva il vino spumeggiante", Cavalleria rusticana: Act I. "Voi lo sapete, o mamma" (Santuzza, Lucia), Cavalleria rusticana: Act I. Duettino "Oh! Il Signore vi manda" (Santuzza, Alfio), Cavalleria rusticana: Act I. Intermezzo sinfonico, Cavalleria rusticana: Act I. Introduzione - Coro d'introduzione - Allegro giocoso, Cavalleria rusticana: Act I. Preludio, Cavalleria rusticana: Act I. Scena - Largo, Cavalleria rusticana: Act I. Tempo I, Cavalleria rusticana: Intermezzo |
| Emilxa Xurylowicz |
performing orchestra |
La Cour de Célimène: Act I. Air "Que dites-vous?" (The Commander), La Cour de Célimène: Act I. Air "Ça va être bien divertissant" (The Chevalier), La Cour de Célimène: Act I. Couplet "Oh... Ah! Cessez de grâce" (The Countess, The Chevalier), La Cour de Célimène: Act I. Couplets "Charmez, brillez, c'est de votre âge" (The Countess, The Baroness, The Commander), La Cour de Célimène: Act I. Dialogue "Ah, vous voilà donc, chevalier?" (The Chevalier, The Baroness), La Cour de Célimène: Act I. Dialogue "Ainsi, madame..." (The Countess, The Chevalier), La Cour de Célimène: Act I. Dialogue "Ainsi, un fois mariés" (The Baroness, The Commander, The Countess), La Cour de Célimène: Act I. Dialogue "Allons, rassurez-vous..." (The Countess, The Commander, The Baroness, Bretonne), La Cour de Célimène: Act I. Dialogue "Eh bien! Monsieur..." (The Countess, The Chevalier), La Cour de Célimène: Act I. Dialogue "Il paraît, chère sœur" (The Baroness, The Countess), La Cour de Célimène: Act I. Duo "Oui, c'est le plus grand des bonheurs" (The Countess, The Baroness, The Commander), La Cour de Célimène: Act I. Finale "Quels fracas!" (The Countess, The Chevalier), La Cour de Célimène: Act I. Introduction "Bientôt elle arrive" (Chorus, The Countess), La Cour de Célimène: Act I. Overture, La Cour de Célimène: Act I. Quartet "Mais pardon..." (The Countess, The Baroness, The Chevalier, The Commander), La Cour de Célimène: Act I. Trio "C'est un mariage" (The Countess, The Baroness, The Commander), La Cour de Célimène: Act II. "Que voulez-vous" (The Countess), La Cour de Célimène: Act II. Air Bouffe "Sur le terrain, tous deux enfin" (The Commander with The Countess, The Baroness, Chorus), La Cour de Célimène: Act II. Dialogue "Ainsi, commandeur, vous voilà" (The Countess, The Baroness, The Commander), La Cour de Célimène: Act II. Dialogue "Ainsi, noble baronne..." (The Commander, The Baroness, The Countess, The Chevalier), La Cour de Célimène: Act II. Dialogue "Et maintenant, chevalier?" (The Baroness, The Chevalier, The Commander), La Cour de Célimène: Act II. Dialogue "Ma sœur! Ma sœur!" (The Baroness, The Countess, Bretonne), La Cour de Célimène: Act II. Duo "Aucun, et je proteste!..." (The Baroness, The Chevalier), La Cour de Célimène: Act II. Entr'acte and Recit "Dieu! Quel mortel ennui..." (The Countess), La Cour de Célimène: Act II. Finale "Que vois-je?" (The Chevalier, The Commander, The Baroness, The Countess, Chorus), La Cour de Célimène: Act II. Morceau d'ensemble "Voilà donc la cruelle" (The Countess, The Baroness, The Commander, Chorus), La Cour de Célimène: Act II. Trio "Nous pouvons arranger l'affaire" (The Commander, The Countess, The Baroness) |
| Body Type |
performing orchestra |
Sylvia: Act I. No. 1: Scherzo, Sylvia: Act I. No. 2: Le Berger (pastorale), Sylvia: Act I. No. 3a: Les Chasseresses, Sylvia: Act I. No. 3b: Intermezzo, Sylvia: Act I. No. 4: Valse lente, Sylvia: Act I. No. 5: Scène, Sylvia: Act I. No. 6: Cortège rustique, Sylvia: Act I. No. 7: Scène, Sylvia: Act I. No. 8: Entrée du sorcier (Finale), Sylvia: Act I. Prelude, Sylvia: Act II. Entr'acte, Sylvia: Act II. No. 10: Pas des Éthiopiens, Sylvia: Act II. No. 11: Chant bacchique, Sylvia: Act II. No. 12: Scène et danse de la bacchante, Sylvia: Act II. No. 13: Scène finale, Sylvia: Act II. No. 9: Orion (Scene), Sylvia: Act III. No. 14a: Marche et cortège de Bacchus, Sylvia: Act III. No. 14b: Scène, Sylvia: Act III. No. 15: Barcarolle, Sylvia: Act III. No. 16a: Pizzicati, Sylvia: Act III. No. 16b: Andante, Sylvia: Act III. No. 16c: Pas des esclaves, Sylvia: Act III. No. 16d: Variation. Valse, Sylvia: Act III. No. 16e: Strette. Galop, Sylvia: Act III. No. 17: Le Temple de Diane (Finale), Sylvia: Act III. No. 18: Apparition d'Endymion (Apothéose) |
| Leandro Ríos |
performing orchestra |
Peter and the Wolf: 'Look out' shouted Peter, Peter and the Wolf: Early one morning, Peter and the Wolf: Imagine the triumphant procession, Peter and the Wolf: Introduction, Peter and the Wolf: Just then..., Peter and the Wolf: So, this is how things stood..., The Young Person's Guide to the Orchestra: Bassoons - (Allegro alla marcia), The Young Person's Guide to the Orchestra: Brass, The Young Person's Guide to the Orchestra: Cellos, The Young Person's Guide to the Orchestra: Clarinets - (Moderato), The Young Person's Guide to the Orchestra: Double basses - Lento (growing steadily faster), The Young Person's Guide to the Orchestra: Flutes and Piccolo - (Presto), The Young Person's Guide to the Orchestra: Fugue (Allegro molto), The Young Person's Guide to the Orchestra: Full Orchestra, The Young Person's Guide to the Orchestra: Harps (Maestoso), The Young Person's Guide to the Orchestra: Horns (L'Istesso tempo), The Young Person's Guide to the Orchestra: Oboes - (Lento), The Young Person's Guide to the Orchestra: Percussion, The Young Person's Guide to the Orchestra: Strings, The Young Person's Guide to the Orchestra: Theme (Allegro maestoso and largamente), The Young Person's Guide to the Orchestra: Timpani and the rest of the percussion - (Moderato), The Young Person's Guide to the Orchestra: Trombones and bass tuba - (Allegro pomposo), The Young Person's Guide to the Orchestra: Trumpets - (Vivace), The Young Person's Guide to the Orchestra: Violas - (Meno mosso), The Young Person's Guide to the Orchestra: Violins - (Brillante - Alla polacca), The Young Person's Guide to the Orchestra: Woodwind |
| Engelbert Humperdinck |
performing orchestra |
Primer Acto: "Brüderchen, komm tanz mit mir", Primer Acto: "Doch halt, wo bleiben die Kinder?", Primer Acto: "Holla!", Primer Acto: "Rallalala, rallalala", Primer Acto: "Suse, liebe Suse, was raschelt im Stroh?", Primer Acto: "Wenn sie sich verirrten im Walde dort", Primer Acto: Obertura, Segundo Acto: "Abens will ich schlafen gehn", Segundo Acto: "Der kleine Sandmann bin ich - pst!", Segundo Acto: "Ein Männlein steht im Walde ganz still und stumm", Segundo Acto: "Gretel! Ich weiß den Weg nicht mehr!", Segundo Acto: La cabalgata de las brujas, Segundo Acto: Pantomima del sueño, Tercer Acto: "Auf! Wach auf, mein Jüngelchen", Tercer Acto: "Bleib steh'n! Bleib steh'n!", Tercer Acto: "Der Teig ist gar, wir können voran machen", Tercer Acto: "Der kleine Taumann heiß'ich", Tercer Acto: "Erlöst, befreit", Tercer Acto: "Halt!", Tercer Acto: "Hihi, hihi, hihihi!", Tercer Acto: "Juchhei! Nun ist die Hexe tot", Tercer Acto: "Knusper, knusper, Knäuschen", Tercer Acto: "Mir ist so wohl, ich weiß nicht wie", Tercer Acto: "Rallalala, rallalala", Tercer Acto: "Wo bin ich? Wach'ich? Ist es ein Traum?", Tercer Acto: Mañana en el bosque ante la casita de mazapán |
| Модест Петрович Мусоргский |
performing orchestra |
Bilder einer Austellung: Ballett der Küchlein in ihren Eierschalen, Bilder einer Austellung: Bydlo, Bilder einer Austellung: Catacombae, Bilder einer Austellung: Das alte Schloss, Bilder einer Austellung: Das große Tor von Kiew, Bilder einer Austellung: Die Hütte der Baba Yaga, Bilder einer Austellung: Gnomus, Bilder einer Austellung: Promenade, Bilder einer Austellung: Samuel Goldenberg und Schmuyle, Dance of the Persian Slaves, Khovanschina - Dance of the Persian Slaves, Khovanschina - Entr'acte, Act 4, Pictures at an Exhibition - Ballet of the Unhatched Chickens, Pictures at an Exhibition - Bydlo, Pictures at an Exhibition - Catacombs, Pictures at an Exhibition - Gnome, Pictures at an Exhibition - Limoges, Pictures at an Exhibition - Promenade, Pictures at an Exhibition - The Great Gate at Kiev, Pictures at an Exhibition - The Hut on Fowls' Legs, Pictures at an Exhibition - The Old Castle, Pictures at an Exhibition - Tuileries, Pictures at an Exhibition - Two Polish Jews, Pictures at an Exhibition: Ballet of the Unhatched Chicks, Pictures at an Exhibition:Baba Yaga's Hut / The Great Gate of Kiev |
| Linda Hurst |
performing orchestra |
Adriana Lecouvreur: Atto I. Aria "Ecco: respiro appena. Io son l'umile ancella" (Adriana), Adriana Lecouvreur: Atto IV. "Poveri fiori", Andrea Chénier: "La mamma morta", Andrea Chénier: Atto III. "La mamma morta" (Maddalena), Dinorah: Atto II. "Ombra leggiera", Ebben? ne andrò lontana (La Wally), Gianni Schicchi: “O mio babbino caro”, I vespri siciliani: Atto V. "Mercè, dilette amiche", Il barbiere de Siviglia: Atto I, Scena V. No. 5 "Una voce poco fa" (Rosina), La Wally: Atto I. "Ebben? Ne andrò lontana" (Wally), La Wally: Ebben? Ne Andrò Lontana (Act I), La bohème: Atto I. “Sì. Mi chiamano Mimì”, La bohème: Atto III. “Donde lieta uscì”, Lakmé: Atto II. "Dov' è l'Indiana bruna?", Madama Butterfly: Atto II. “Con onor muore”, Madama Butterfly: Atto II. “Un bel dì vedremo”, Manon Lescaut: Atto II. “In quelle trine morbide”, Manon Lescaut: Atto IV. “Sola, perduta, abbandonata”, Mefistofele: Act III. "L'altra notte in fondo al mare", Suor Angelica: “Senza mamma”, Turandot: Atto I. “Signore, ascolta”, Turandot: Atto II. “In questa reggia”, Turandot: Atto III. “Tu che di gel sei cinta” |
| Alex Roysdon |
performing orchestra |
Edgar, opera: Orgio, chimera dall'occhio vitreo, Gianna Schicchi, opera: Firenze è come un albero fiorto, Il tabarro, opera: Folle di gelosia, Il tabarro, opera: Hai ben ragione, La Rondine, opera: Dimmi che vuoi seguirmi, La Rondine, opera: Parigi! è la città dei desideri, La bohème, opera: Che gelida manina, La fanciulla del West, opera: Ch'ella mi creda, La fanciulla del West, opera: Or sone sei mesi, Le villi, opera: Ecco la casa...Torna ai felici di, Le villi: Ecco la casa... Torna ai felici di (excerpt), Madame Butterfly, opera: Addio fiorito asil, Madame Butterfly, opera: Amore o grillo, Manon Lescaut, opera: Ah! non v'avvicinate! no, pazzo son, Manon Lescaut, opera: Ah, Manon mi tradisce, Manon Lescaut, opera: Donna non vidi mai, Manon Lescaut, opera: Tra voi, belle, Manon Lescaut, opera: Vedi, son io che piango, Tosca, opera: E lucevan le stelle, Tosca, opera: Recondita armonia, Turandot, opera: Nessun dorma, Turandot, opera: Non piangere Liu!, Turandot: Nessum dorma |
| Beverly Sills |
performing orchestra |
Bedenken Sie die Bewegung, I Capuleti e i Montecchi: Atto II. "Morte io non temo, il sai" (Giulietta, Lorenzo) / "Ah! non poss'io partire" (Giulietta, Capellio, Lorenzo), Ja, überall bin ich bekannt, Manon: "Allons ! Il le faut" / "Adieu, notre petite table" (Manon), Manon: "Je marche sur tous les chemins... Ah, vous etes vrainment... Ou dans les bois" (Manon), Manon: Acte I. "Je suis encor tout étourdie" (Manon), Manon: Acte I. "Restons ici" / "Voyons, Manon, plus de chimères !" (Manon), Manon: Acte II. "Allons ! Il le faut !" / "Adieu, notre petite table" (Manon), Manon: Acte III, Scène I. "Je marche sur tous le chemins" (Manon), Manon: Acte III, Scène I. Alternate Scène & Fabliau. 1. "Voici les élégantes !...Suis-je gentille ainsi !" (Manon, Chœur), Manon: Acte III, Scène I. Alternate Scène & Fabliau. 2. "Je marche sur tous le chemins" (Manon, Chœur), Manon: Acte III, Scène I. Alternate Scène & Fabliau. 3 "Ah! vous êtes vrainment...Oui, dans les bois et dans la plaine" (Manon, Chœur), Manon: Acte III, Scène I. Gavotte "Obéissons quand leur voix appelle" (Manon, Chœur), Manon: Acte III, Scène II. "Ces murs silencieux...Pardonnez-moi, Dieu de toute puissance" (Manon), Manon: Acte III. "Je marche sur tous les chemins" / "Obéissons quand leur voix appelle" (Manon), Mein Tischchen, ich muß von dir nun scheiden, Norma: Atto I, Scena I. "Casta diva, che inargenti" (Norma, Coro), Rigoletto: Atto I, Scena II. "Gualtier Maldè!... Caro nome" (Gilda, Borsa, Ceprano, Marullo), Rigoletto: Atto I. "Gualtier Malde!...Caro nome" (Gilda), Thaïs: Acte II, Scène I. "Ah ! je suis seule, seule enfin !" (Thaïs), Thaïs: Acte II, Scène I. "Dis-moi que je suis belle" (Thaïs), Thaïs: Acte II. "Ah ! je suis seule enfin" / "Dis-moi que je suis belle" (Thaïs), Thaïs: Acte III, Scène I. "Ô messager de dieu, si bon dans ta rudesse" (Thaïs) |
| レモンパイ |
performing orchestra |
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride, Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: IV. Peer Gynt's Return Home, Peer Gynt Suite no. 1, op. 46: Anitra's Dance, Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King, Peer Gynt Suite no. 1, op. 46: Morning, Peer Gynt Suite no. 1, op. 46: the Death of Ase, Peer Gynt Suite no. 2, op. 55: Arabian Dance, Peer Gynt Suite no. 2, op. 55: Ingrid's Lament, Peer Gynt Suite no. 2, op. 55: Peer Gynt's Homecoming & Solvieg's Song, Peer Gynt Suite no. 2, op. 55: Solveig's Lullaby, Pelléas Et Mélisande: I - Prélude, Pelléas Et Mélisande: II - La Fileuse, Pelléas Et Mélisande: III - Sicilienne, Pelléas Et Mélisande: IV - Molto Adagio, Symphony In D Minor: I - Lento; Allegro Non Troppo, Symphony In D Minor: II - Allegretto, Symphony In D Minor: III - Allegro Non Troppo |
| Gorbatsjov |
performing orchestra |
Alborada del gracioso, Boléro, Der fliegende Holländer (The Flying Dutchman), opera, WWV 63: Overture, Die Meistersinger von Nürnberg, opera, WWV 96: Overture, La Valse, Pavane pour une Infante défunte, Pictures from an Exhibition: Ballet of the Chicks in Their Shells, Pictures from an Exhibition: Bydlo / Promenade, Pictures from an Exhibition: Cum Mortuis in Lingua Morta, Pictures from an Exhibition: Promenade / The Gnome / Promenade, Pictures from an Exhibition: The Catacombs, Pictures from an Exhibition: The Great Gate of Kiev, Pictures from an Exhibition: The Hut on Fowl's Legs, Pictures from an Exhibition: The Market Place at Limoges, Pictures from an Exhibition: The Old Castle / Promenade, Pictures from an Exhibition: The Polish Jews (Goldenberg & Schmuyle), Pictures from an Exhibition: Tuilerien, Rienzi, der Letzte der Tribunen, opera, WWV 49: Overture, Tannhäuser, opera, WWV 70: Overture, Thaïs: Acte I, Scène II. Prélude, Thaïs: Acte II, Scène II. Divertissement I, Thaïs: Acte II, Scène II. Divertissement II |
| 宮澤拓也 |
performing orchestra |
Pomp and Circumstance Military Marches, op. 39: no. 2: Allegro molto, Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco, Pomp and Circumstance, op. 39: no. 2 in A minor: Allegro molto, Pomp and Circumstance, op. 39: no. 3 in C minor: Con fuoco, Pomp and Circumstance, op. 39: no. 4 in G major: Allegro marziale, Pomp and Circumstance, op. 39: no. 5 in C major: Vivace, Variations on an Original Theme ("Enigma"), op. 36: Enigma: Andante, Variations on an Original Theme ("Enigma"), op. 36: I. (C. A. E.): L'istesso tempo, Variations on an Original Theme ("Enigma"), op. 36: II. (H. D. S.-P.): Allegro, Variations on an Original Theme ("Enigma"), op. 36: III. (R. B. T.):Allegretto, Variations on an Original Theme ("Enigma"), op. 36: IV. (W. M. B.): Allegro di molto, Variations on an Original Theme ("Enigma"), op. 36: IX. (Nimrod): Adagio, Variations on an Original Theme ("Enigma"), op. 36: V. (R. P. A.): Moderato, Variations on an Original Theme ("Enigma"), op. 36: VI. (Ysobel): Andantino, Variations on an Original Theme ("Enigma"), op. 36: VII. (Troyte): Presto, Variations on an Original Theme ("Enigma"), op. 36: VIII. (W. N.): Allegretto, Variations on an Original Theme ("Enigma"), op. 36: XI. (G. R. S.):Allegro di molto, Variations on an Original Theme ("Enigma"), op. 36: XII. (B. G. N.): Andante, Variations on an Original Theme ("Enigma"), op. 36: XIII. Romanza (***): Moderato, Variations on an Original Theme ("Enigma"), op. 36: XIV. Finale (E. D. U.):Allegro - Presto, Variations on an Original Theme ("Enigma"), op.36: X. Intermezzo (Dorabella.): Allegretto |
| James Newton Howard |
performing orchestra |
Can You Develop It, Cemetery, Coffin, Developing the Tape, Driving, Funeral, Get Him on the Plane, Get Him to the Hospital, I Forgive Your Sins, It's Happening Again, John F Kennedy, Kiss Him Goodbye, Life Before, Life Goes On, Parade Prep, Secret Service, The Video, They Think He's the Shooter, Trauma Room, Two Burials, We Have a Heartbeat |
| huile_smith |
performing orchestra |
Anna's Theme, Chaconne for Violin and Orchestra "The Red Violin", Coitus musicalis from the Red Violin, The Red Violin: I. Cremona: Birth of the Red Violin, The Red Violin: I. Cremona: Death of Anna, The Red Violin: I. Cremona: Main Title, The Red Violin: I. Cremona: The Red Violin, The Red Violin: II. Vienna: Etudes / Death of Kaspar, The Red Violin: II. Vienna: Kaspar's Audition / Journey to Vienna, The Red Violin: II. Vienna: The Monastery, The Red Violin: III. Oxford: Coitus Musicalis / Victoria's Departure, The Red Violin: III. Oxford: Pope's Betrayal, The Red Violin: III. Oxford: Pope's Concert, The Red Violin: III. Oxford: Pope's Gypsy Cadenza, The Red Violin: III. Oxford: The Gypsies / Journey Across Europe, The Red Violin: IV. Shanghai: Journey to China, The Red Violin: IV. Shanghai: People's Revolution / Death of Chou Yuan, The Red Violin: V. Montreal: End Titles, The Red Violin: V. Montreal: Morritz discovers the Red Violin, The Red Violin: V. Montreal: Morritz's Theme, The Red Violin: V. Montreal: The Theft |
| Sergio Avil |
performing orchestra |
Andantino uit Vioolconcerto No.3, Aquarium From Carnival of the Animals, Caprice andalou en Sol majeur, op. 122, Concerto No. 1 en La majeur, op. 20 - 1. Allegro, Concerto No. 1 en La majeur, op. 20 - 2. Andante espressivo, Concerto No. 1 en La majeur, op. 20 - 3. Tempo primo, Concerto No. 2 en Ut majeur, op. 58 - 1. Allegro moderato e maestoso, Concerto No. 2 en Ut majeur, op. 58 - 2. Andante espressivo, Concerto No. 2 en Ut majeur, op. 58 - 3. Allegro scherzando quasi allegretto, Concerto No. 3 en si mineur, op. 61 - I. Allegro non troppo, Concerto No. 3 en si mineur, op. 61 - II. Andantino quasi allegretto, Concerto No. 3 en si mineur, op. 61- III Molto moderato e maestoso - allegro non troppo, Havanaise en Mi majeur, op. 83, Introduction et Rondo capriccioso en la mineur, op. 28, Morceau de Concert en Sol majeur, op. 62, Prélude du "Déluge" en Ré majeur, op. 45, Romance en Ré bémol majeur, op. 37, Romance en Ut majeur, op. 48, The Carnival of the Animals: The Swan, The Swan From Carnival of the Animals, Valse-caprice, arr. Eugène Ysaÿe |
| Kate Mattison |
performing orchestra |
Symphony No. 3: I. Kräftig entschieden, Symphony No. 3: II. Tempo di menuetto. Sehr mässig, Symphony No. 3: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 5 in B-flat major I: Adagio; Allegro, Symphony No. 5 in B-flat major II: Adagio, Symphony No. 5 in B-flat major III: Scherzo; Molto vivace, Symphony No. 5 in B-flat major IV: Finale: Adagio; Allegro moderato, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Più moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Tempo I, Presto, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony no. 2 'Resurrection': I. Allegro maestoso, Symphony no. 2 'Resurrection': II. Andante moderato, Symphony no. 2 'Resurrection': III. In ruhig fliessender bewegung, Symphony no. 2 'Resurrection': IV. Ulricht, Symphony no. 2 'Resurrection': V. Im tempo des scherzos |
| CaP DoLLa |
performing orchestra |
Pélleas & Mélisande, op. 46: At the Castle Gate, Pélleas & Mélisande, op. 46: Death of Mélisande, Pélleas & Mélisande, op. 46: Entr'acte, Pélleas & Mélisande, op. 46: Mélisande, Pélleas & Mélisande, op. 46: Mélisande at the Spinning Wheel, Pélleas & Mélisande, op. 46: On the Sea Shore, Pélleas & Mélisande, op. 46: Pastorale, Pélleas & Mélisande, op. 46: Spring in the Park, Pélleas & Mélisande, op. 46: Three Blind Sisters, Scheherazade, Op. 35: I. The Sea and Sinbad's Ship, Scheherazade, Op. 35: II. The Kalender Prince, Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea, Symphonie Fantastique, op. 14: I. Rêveries, Symphonie Fantastique, op. 14: II. Un Bal, Symphonie Fantastique, op. 14: III. Scene aux champs, Symphonie Fantastique, op. 14: IV. Marche au Supplice, Symphonie Fantastique, op. 14: V. Songe d`une nuit du Sabbat - Dies Irae - Ronde du Sabbat - Dies Irae et Ronde du Sabbat ensemble, The Tale of Tsar Saltan, Musical Pictures, Op. 57: I. The Tsar's Farewell and Departure, The Tale of Tsar Saltan, Musical Pictures, Op. 57: II. The Tsarina in a Barrel at Sea, The Tale of Tsar Saltan, Musical Pictures, op. 57: III. The Three Wonders |
| Loudrage |
performing orchestra |
Danzón Cubano, El Salón México, Music for Movies: Barley Wagons (From "Of Mice and Men"), Music for Movies: Grovers Corners (From "Our Town"), Music for Movies: New England Countryside (From "The City"), Music for Movies: Sunday Traffic (From "The City"), Music for Movies: Threshing Machines from "Of Mice and Men", Symphony No. 3: I. Molto moderato - with simple expression, Symphony No. 3: II. Allegro molto, Symphony No. 3: III. Andantino quasi allegretto, Symphony No. 3: IV. Molto deliberato, The Red Pony Suite: I. Morning on the Ranch, The Red Pony Suite: II. The Gift, The Red Pony Suite: III. Dream March and Circus Music, The Red Pony Suite: IV. Walk to the Bunkhouse, The Red Pony Suite: V. Grandfather's Story, The Red Pony Suite: VI. Happy Ending, Three Latin-American Sketches: Danza de Jalisco, Three Latin-American Sketches: Estribillo, Three Latin-American Sketches: Paisaje Mexicano |
| REACTORS (R) |
performing orchestra |
Ballet Music from the Perfect Fool, Op.39, Dance of the Spirits of Water from The Perfect Fool, Der Freischütz: Overture, Die Fledermaus: Overture, Poet and Peasant: Overture, Polka and Furiant from The Bartered Bride, Ruslan and Ludmilla: Overture, Ruslan and Lyudmila: Overture, Scheherezade, op. 35: The Young Prince and the Young Princess, The Bartered Bride: Overture, The Force of Destiny: Overture, The Planets, op. 32: Jupiter, the bringer of jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Zampa: Overture |
| The Hidden Chord |
performing orchestra |
Adagio for Violin and Orchestra in E, KV 261, Rondo for Violin and Orchestra in B-flat, KV 269/61a, Rondo for Violin and Orchestra in C, KV 373, Violin Concerto in A, KV 219: 1. Allegro aperto (cadenza: Joseph Joachim), Violin Concerto in A, KV 219: 2. Adagio (cadenza: Joseph Joachim), Violin Concerto in A, KV 219: 3. Rondeau (Tempo di menuetto) (cadenza: Joseph Joachim), Violin Concerto in B-flat, KV 207: 1. Allegro moderato (cadenza: Erik Smith), Violin Concerto in B-flat, KV 207: 2. Adagio (cadenza: Erik Smith), Violin Concerto in B-flat, KV 207: 3. Presto (cadenza: Erik Smith), Violin Concerto in D, KV 211: 1. Allegro moderato (cadenza: Erik Smith), Violin Concerto in D, KV 211: 2. Andante (cadenza: Erik Smith), Violin Concerto in D, KV 211: 3. Rondeau (Allegro) (cadenza: Erik Smith), Violin Concerto in D, KV 218: 1. Allegro, Violin Concerto in D, KV 218: 3. Rondeau (Andante grazioso) (cadenza: Joseph Joachim), Violin Concerto in D, KV 271a/271i: 1. Allegro maestoso (cadenza: George Enesco), Violin Concerto in D, KV 271a/271i: 2. Andante (cadenza: George Enesco), Violin Concerto in D, KV 271a/271i: 3. Rondo (Allegro) (cadenza: George Enesco), Violin Concerto in G, KV 216: 1. Allegro (cadenza: Sam Franko), Violin Concerto in G, KV 216: 3. Rondeau (Allegro) (cadenza: Sam Franko) |
| Johannes Brahms |
performing orchestra |
Ein Deutsches Requiem: Der Gerechten Seelen sind in Gottes Hand, Ein Deutsches Requiem: Die Erlöseten des Herrn werden wieder kommen, Ein Deutsches Requiem: Herr, du bist würdig, Ein Deutsches Requiem: I. Selig sind, die da Leid tragen, Ein Deutsches Requiem: II. Denn alles Fleisch ist wie Gras, Ein Deutsches Requiem: III. Herr lehre doch mich, Ein Deutsches Requiem: IV. Wie lieblich sind deine Wohnungen, Ein Deutsches Requiem: Siehe, ich sage euch ein Geheimnis, Ein Deutsches Requiem: V. Ihr habt nun Traurigkeit, Ein Deutsches Requiem: VI. Denn wir haben hie keine bleibende Statt, Ein Deutsches Requiem: VII. Selig sind die Toten, die in dem Herrn sterben, Ein deutsches Requiem: Herr, lehre mich doch, Hungarian Dance, WoO 1 No. 1: Allegro molto, Hungarian Dance, WoO 1 No. 5: Allegro, Hungarian Dance, WoO 1 No. 6: Vivace, Hungarian Dances, Woo 1: No. 1" G Minor, Piano Concerto no. 1: I. Maestoso, Piano Concerto no. 1: II. Adagio, Piano Concerto no. 1: III. Rondo, Allegro non troppo |
| Peter Ustinov |
performing orchestra |
Peter and the Wolf, Op. 67: 1. Introduction, Peter and the Wolf, Op. 67: 2. The Tale: 'Once Upon a Time...', The Carnival of the Animals: 1. Introduction and Royal March of the Lion, The Carnival of the Animals: 10. Aviary, The Carnival of the Animals: 11. Pianists, The Carnival of the Animals: 12. Fossils, The Carnival of the Animals: 13. The Swan, The Carnival of the Animals: 14. Finale, The Carnival of the Animals: 2. Hens and Cock, The Carnival of the Animals: 3. Wild Asses, The Carnival of the Animals: 4. Turtles, The Carnival of the Animals: 5. The Elephant, The Carnival of the Animals: 6. Kangaroos, The Carnival of the Animals: 7. Aquarium, The Carnival of the Animals: 8. Person With Long Ears, The Carnival of the Animals: 9. The Cuckoos at the Bottom of the Wood, Toy Symphony: I. Allegro, Toy Symphony: II. Menuetto, Toy Symphony: III. Allegro |
| Anu~Sun |
performing orchestra |
Jupiter, the Bringer of Jollity, Les Planètes: Jupiter (extract), Night Ride and Sunrise, op. 55, Sinfonietta, op. 60: I. Allegretto, Sinfonietta, op. 60: II. Andante, Sinfonietta, op. 60: III. Moderato, Sinfonietta, op. 60: IV. Allegretto, Sinfonietta, op. 60: V. Andante con moto, Symphony No. 10 in E minor, Op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro, Symphony no. 5 in E-flat major, Op. 82: I. Tempo molto moderato - Allegro moderato - Presto, Symphony no. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, Op. 82: III. Allegro molto - Un pochettino largamente, Taras Bulba: I. The Death of Andri, Taras Bulba: II. The Death of Ostap, Taras Bulba: III. The Prophecy and the Death of Taras Bulba |
| Gibz |
performing orchestra |
Kashchel’s Infernal Dance, Symphony No. 7 in D minor, op. 70: Allegro maestoso, Symphony No. 7 in D minor, op. 70: Finale: Allegro, Symphony No. 7 in D minor, op. 70: Poco adagio, Symphony No. 7 in D minor, op. 70: Scherzo: Vivace - Poco meno mosso, Symphony No. 8 in G major, op. 88: Adagio, Symphony No. 8 in G major, op. 88: Allegretto grazioso, Symphony No. 8 in G major, op. 88: Allegro con brio, Symphony No. 8 in G major, op. 88: Allegro ma non troppo, Symphony No. 9 in E minor, op. 95: Adagio - Allegro molto, Symphony No. 9 in E minor, op. 95: Allegro con fuoco, Symphony No. 9 in E minor, op. 95: Largo, Symphony No. 9 in E minor, op. 95: Scherzo: Molto vivace, Symphony no. 9 in E minor, op. 95: I. Adagio – Allegro molto, Symphony no. 9 in E minor, op. 95: II. Largo, Symphony no. 9 in E minor, op. 95: III. Scherzo. Molto vivace – Poco sostenuto, Symphony no. 9 in E minor, op. 95: IV. Allegro con fuoco, The Firebird: Finale, The Wood Dove, op. 110: Die Waldtaube - La Colombe |
| Inon Zur |
performing orchestra |
A Gathering Storm, Against the Darkness, Beast Among the Ruins, Before the Citadel Gate, Between Hammer and Anvil, Echoes of Angmar, Ghosts of the Grey Mountains, Halls of Valor, In the Footsteps of Kings, Into the Heart of the Storm, Men of Carn Dûm, Nordinbad, Realm of Ancient Kings, Shadow on the Ettenmoors (reprise), Sons of Forgotten Kings, The Forges of War, The Savage Ettenmoors, The Savage Peaks, Trolls! |
| Jerry Goldsmith |
performing orchestra |
Barnaby Jones, Die Waltons, Doctor Kildare, Legend: Faerie Dance / Re-united, Lionheart, Lionheart: Robert's Theme, Masada, Masada: Main Themes, Motion Picture Themes Medley: The Sand Pebbles / Chinatown / A Patch of Blue / Poltergeist / Papillon / The Wind and the Lion, The Blue Max Suite, The Blue Max Suite: Finale, The Blue Max Suite: First Flight, The Blue Max Suite: Overture, The Blue Max Suite: The Attack, The Blue Max Suite: The Bridge, The Generals Suite: MacArthur / Patton, The Motion Picture Suite: The Sand Pebbles / Chinatown / A Patch of Blue / Poltergeist / The Wind and the Lion, The Television Suite: The Man From U.N.C.L.E. / Dr. Kildare / Room 222 / The Waltons / Barnaby Jones |
| George Fenton |
performing orchestra |
A Sepulchre, Alive and Well, Broadstairs, Collision and Confession, Curtain Down, Freewheeling, In Care, Miss Shepherd's Waltz, Moving In, Re-parking, Remembering Miss Shepherd, Special Paint, The Ascension (Miss Shepherd's Waltz), The Day Centre, The Neighbours, The New Van, Two Women - Tango, Walk Through the Cemetery |
| Brian Tyler |
performing orchestra |
Avengers: Age of Ultron Title, Birth of Ultron, Breaking and Entering, Darkest of Intentions, Fighting Back, Hulkbuster, Keys to the Past, Outlook, Rise Together, Sacrifice, Seoul Searching, The Battle, The Last One, The Mission, The Vault, Uprising, Vision, Wish You Were Here |
| Forget me note Airlines |
performing orchestra |
Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio, Piano Concerto no. 1 in C major, op. 15: II. Largo, Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando), Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio, Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo (Molto allegro), Piano Concerto no. 25 in C, KV. 503: I. Allegro maestoso, Piano Concerto no. 25 in C, KV. 503: II. Andante, Piano Concerto no. 25 in C, KV. 503: III. Allegretto, Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro), Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato, Piano Concerto no. 4 in G major, op. 58: II. Andante con moto, Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace), Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro) |
| 木村卓也 |
performing orchestra |
Daphnis et Chloé Suite no. 2: I. Lever du jour, Daphnis et Chloé Suite no. 2: II. Pantomime, Daphnis et Chloé Suite no. 2: III. Danse générale, Die Meistersinger von Nürnberg: Overture, Jeux d'enfants: I. Marche. Trompette et tambour, Jeux d'enfants: II. Berceuse. La Poupée, Jeux d'enfants: III. Impromptu. La Toupie, Jeux d'enfants: IV. Duo. Petit mari, petite femme, Jeux d'enfants: V. Galop. Le Bal, Symphony no. 8 in B minor D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor D. 759 "Unfinished": II. Andante con moto, The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Prelude, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician |
| Paula Pessoa |
performing orchestra |
Four Last Songs, I. Bein Schlafengehen, Four Last Songs, II. September, Four Last Songs, III. Frühling, Four Last Songs, IV. Im Abendrot, Götterdämmerung, Dawn and Siegfried's Rhine Journey (Prologue), Götterdämmerung, Starke Scheite schichtet mir dort... (Act III), Götterdämmerung: Act III. "Starke Scheite schichtet mir dort" (Brünnhilde), Tristan und Isolde, Mild un leise wie er lächelt (Liebestod - Act III), Tristan und Isolde, Prelude, Tristan und Isolde: Akt I, Szene III. "Von seinem Lager blickt' er her", Tristan und Isolde: Akt I, Szene III. "Wie lachend sie mir Lieder singen", Tristan und Isolde: Akt I, Szene V. "Du hörst den Ruf?", Tristan und Isolde: Akt II, Szene II. "O eitler Tagesknecht!", Tristan und Isolde: Akt II, Szene III. "Als für ein fremdes Land", Tristan und Isolde: Akt III, Szene II. "Die Wunde! Wo? Laß sie mich heilen!", Tristan und Isolde: Akt III, Szene II. "Ich bin's, ich bin's, süßester Freund!", Tristan und Isolde: Akt III, Szene III. "Heller schallend, mich umwallend", Tristan und Isolde: Akt III, Szene III. "Mild und leise wir er lächelt" |
| Wordz ov Wizdom |
performing orchestra |
Antar, Third Version, Op. 9: I. Largo - Allegro - Largo - Allegretto - Adagio - Allegretto - Largo, Antar, Third Version, Op. 9: II. Allegro, Antar, Third Version, Op. 9: III. Allegro risoluto, Antar, Third Version, Op. 9: IV. Allegretto - Adagio, Russian Easter Festival Overture, Op. 36, St. Paul's Suite, Op. 29, No. 2: I. Jig, St. Paul's Suite, Op. 29, No. 2: II. Ostinato, St. Paul's Suite, Op. 29, No. 2: III. Intermezzo, St. Paul's Suite, Op. 29, No. 2: IV. Finale (Dargason), The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets, Op. 32: VII. Neptune, the Mystic, The Planets: Jupiter, the Bringer of Jollity |
| Blasfemea |
performing orchestra |
Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto, Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace - Trio I & II, Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso, Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo, Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace - Trio I & II, Symphony no. 2 in C major, op. 61: III. Adagio espressivo, Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace, Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft, Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell, Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich, Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam, Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft |
| Artilleria |
performing orchestra |
Magnificat in D major, BWV 243: I. Magnificat, Magnificat in D major, BWV 243: II. Et exsultavit, Magnificat in D major, BWV 243: III. Quia respexit, Magnificat in D major, BWV 243: IV. Omnes generationes, Magnificat in D major, BWV 243: IX. Esurientes implevit bonis, Magnificat in D major, BWV 243: V. Quia fecit mihi magna, Magnificat in D major, BWV 243: VI. Et misericordia, Magnificat in D major, BWV 243: VII. Fecit potentiam, Magnificat in D major, BWV 243: VIII. Deposuit potentes, Magnificat in D major, BWV 243: X. Suscepit Israel, Magnificat in D major, BWV 243: XI. Sicut locutus est, Magnificat in D major, BWV 243: XII. Gloria Patri, Te Deum: Aeterna Fac Cum Sanctis Tuis, Te Deum: In Te, Domine, Speravi, Te Deum: Salvum Fac Populum Tuum, Te Deum: Te Deum Laudamus, Te Deum: Te Ergo Quaesumus |
| P.U.C.K. |
performing orchestra |
Adriana Lecouvreur: La Dolcissima Effigie, Adriana Lecouvreur: Lanima Ho Stanca, Aida: Se quel guerrier io fossi!... Celeste Aida, Andrea Chenier: Como Un Bel Di Di Maggio, Andrea Chenier: Fedora - Amor Ti Vieta, Andrea Chenier: Improvviso, Andrea Chenier: Marcella - Dolce Notte Misteriosa, Cavalleria Rusticana: Addio Alla Madre - Mamma - Quel Vino, Cavalleria Rusticana: Guglielmo Ratcliff - Non Altro..., Cavalleria Rusticana: Lodoletta - Se Franz Dicesse Il Vero, Cavalleria Rusticana: Preludio E Siciliana - O Lola, Germania: Studenti Udite, L'Arlesiana: Lamento Di Federico - E La Solita Storia Del..., Loreley: Nel Verde Maggio, Pagliaci: La Boheme Musete! - Testa Adorata, Pagliaci: Prologo - Si Puo?, Pagliaci: Recitar - Vesti La Giubba |
| Alberto 'El Betto' Díaz |
performing orchestra |
Rigoletto: Atto I, Scena II. "Ah, veglia, o donna" (Rigoletto, Gilda), Rigoletto: Atto II. "Mio padre!... Dio! mia Gilda!" (Gilda, Rigoletto), Rigoletto: Atto II. "Sì, vendetta, tremenda vendetta" (Rigoletto, Gilda), Rigoletto: Atto II. "Tutte le feste al tempio" (Gilda, Rigoletto), Rigoletto: Atto II. "Tutte le feste al tempio" (Gilda, Rigoletto) / "Compiuto pur quanto" (Rigoletto, Gilda, Usciere, Monterone) / "Si, vendetta, tremenda vendetta" (Rigoletto, Gilda), Rigoletto: Atto III. "Chi mai, chi è qui in sua vece?" (Rigoletto, Gilda), Rigoletto: Atto III. "V'ho ingannato..." / "Lassù in cielo.." (Gilda, Rigoletto), Thaïs: Acte II, Scène I. "Eh bien, fais-moi connaître tout cet amour" (Thaïs, Athanaël), Thaïs: Acte II, Scène I. "Je suis Athanaël, moine d'Antinoé !" (Thaïs, Athanaël), Thaïs: Acte II, Scène II. "Considère, ô mon père" (Thaïs, Athanaël), Thaïs: Acte II, Scène II. "Non loin d'ici, vers l'occident" (Thaïs, Athanaël), Thaïs: Acte II, Scène II. "Père, Dieu m'a parlé par ta voix !" (Thaïs, Athanaël), Thaïs: Acte III, Scène I. "Ah ! des gouttes de sang coulent de ses pieds blancs" (Thaïs, Athanaël), Thaïs: Acte III, Scène I. "Baigne d'eau mes mains et mes lèvres" (Thaïs, Athanaël, Chœur), Thaïs: Acte III, Scène I. "L'ardent soleil m'écrase" (Thaïs, Athanaël), Thaïs: Acte III, Scène II. "Qui te fait si sévère" (Thaïs, Athanaël, Chœur), Thaïs: Acte III, Scène III. "C'est toi mon père !" (Thaïs, Athanaël) |
| Peter Casper |
performing orchestra |
Auf Flügeln des Gesanges, Op. 34/2, Der Kukkuk, Homing, I Came With A Song, I Was Dreaming, La Crépuscule, Le Rossignol, Les filles de Cadix, Mary of Argyll, Midsummer, Oh! Si les fleurs avaient des yeux, Oh, quand je dors, Si mes vers avaient des ailes, Solveig's Song, Songs My Mother Taught Me, Sérénade |
| Arch Daeva |
performing orchestra |
A te, o cara, amor talora (Arturo, Elvira, Giorgio, Gualtiero, Coro), Ah! Per sempre io ti perde (Riccardo), Alto là! Fedel drappello! (Coro, Arturo, Elvira, Riccardo, Giorgio), Cavalier, ti colse il Dio (Riccardo, Giorgio, Coro, Elvira), Cinta di fiori e col bel crin disciolto (Coro, Giorgio), Com'io, vi unisca (Enrichetta, Arturo), Credeasi, misera!, (Arturo, Elvira, Giorgio, Riccardo, Coro), O amato zio, o mio secondo padre! (Elvira, Giorgio), O rendetemi la speme... Qui la voce sua soave mi chiamava (Giorgio, Riccardo, Elvira), Odi! Qual son si desta? (Elvira, Giorgio, Coro), Sai com'arde in petto mio... (Elvira, Giorgio), Son vergin vezzosa (Elvira, Enrichetta, Arturo, Coro, Giorgio), Suon d'araldi (Riccardo, Giorgio, Coro, Elvira, Arturo), Suoni la tromba, e intrepido (Giorgio, Riccardo), T'appelan le schiere (Bruno, Riccardo), Vieni tra questa braccia (Elvira, Arturo) |
| Léo Delibes |
performing orchestra |
Coppelia, suite (I. prelude & mazurka), Coppelia, suite (II. valse), Coppelia, suite (III. czárdás), Coppélia excerpts: Czárdás, Coppélia excerpts: Prelude and Mazurka, Coppélia excerpts: Waltz, Duet from Lakmé (feat. soprano: Lesley Garrett), Dôme Épais (The Flower Duet) from Lakme, Lakmé: Act II. “Où va la jeune Indoue” (Air des clochettes - Bell Song) (Lakmé), Lakmé: Atto II. "Dov' è l'Indiana bruna?", Sylvia, suite (I. Les chasseresses), Sylvia, suite (II. intermezzo & valse lente), Sylvia, suite (III. pizzicati), Sylvia, suite (IV. Cortége de bacchus), Sylvia: Music from the Ballet: IV. Pas de deux, Sylvia: Pizzicati |
| Ruff Francis |
performing orchestra |
Fragment in E major K.Anh.98A (Allegro), Horn Concerto no. '0' in E-flat major: I. (Allegro) K.370b (arr. Tuckwell), Horn Concerto no. '0' in E-flat major: II. Rondeau: Allegro K.371 (arr. Tuckwell), Horn Concerto no. 1 in D major, K. 386b / KV 412: I. Allegro, Horn Concerto no. 1 in D major, K. 386b / KV 412: II. Rondo. Allegro (arr. Sussmayr), Horn Concerto no. 1 in D major, K. 386b / KV 412: II. Rondo. Allegro (arr. Tuckwell), Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso, Horn Concerto no. 2 in E-flat major, K. 417: II. Andante, Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo, Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro, Horn Concerto no. 3 in E-flat major, K. 447: II. Romance. Larghetto, Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro, Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro moderato, Horn Concerto no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile, Horn Concerto no. 4 in E-flat major, K. 495: III. Rondeau. Allegro vivace |
| Olivier Derivière |
performing orchestra |
Chase Through Montmartre, Fragments, Hope, Memorize, Memory Reconstruction, Neo Paris, Nilin the Memory Hunter, Our Parents, Remember Your Childhood, Rise to the Light, Still Human, The Ego Room, The Enforcers, The Fight, The Zorn |
| Ruben Drole |
performing orchestra |
Andante cantabile, Capriccio Italien, op. 45, Jota aragonesa, Symphony no. 2 in D, op. 43: I. Allegretto, Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D, op. 43: III. Vivacissimo, Symphony no. 2 in D, op. 43: IV. Finale (Allegro moderato), Symphony no. 4 in G: I. Becächtig. Nicht eilen, Symphony no. 4 in G: II. In gemächlicher Bewegung, Symphony no. 4 in G: III. Ruhevoll, Symphony no. 4 in G: IV. Sehr behaglich, Symphony no. 5 in C-sharp minor: IV. Adagietto, Tsar Sultan - Suite, op. 57: The Three Wonders, Tsar Sultan - Suite, op. 57: The Tsar's Departure and Farewell, Tsar Sultan - Suite, op. 57: The Tsarina in a Barrel at Sea |
| Ralph Vaughan Williams |
performing orchestra |
5 Variants on Dives & Lazarus, Dives and Lazarus Variant I, Dives and Lazarus Variant II, Dives and Lazarus Variant III, Dives and Lazarus Variant IV, Dives and Lazarus Variant V, Fantasia On Greensleeves, Five Tudors Portraits: I. Ballad "The Tunning of Elinor Rumming", Five Tudors Portraits: II. Intermezzo "My Pretty Bess", Five Tudors Portraits: III. Burlesca "Epitaph on John Jayberd of Diss", Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow)", Five Tudors Portraits: V. Scherzo "Jolly Rutterkin", The Lark Ascending (New Philharmonia Orchestra feat. violin: Hugh Bean), The Wasps: March Past of the Kitchen Utensils, Theme (Adagio) |
| Elisabeth Schwarzkopf |
performing orchestra |
4 Letzte Lieder (4 Last Songs), TrV 296: No. 1. Fruhling, 4 Letzte Lieder (4 Last Songs), TrV 296: No. 2. September, 4 Letzte Lieder (4 Last Songs), TrV 296: No. 3. Beim Schlafengehn, 4 Letzte Lieder (4 Last Songs), TrV 296: No. 4. Im Abendrot, Arabella, Op. 79, TrV 263: Act I: Ich danke, Fraulein (Arabella, Zdenka), Arabella, Op. 79, TrV 263: Act I: Mein Elemer! (Arabella, Zdenka), Arabella, Op. 79, TrV 263: Act I: Welko, das Bild! (Mandryka, Welko, Waldner, Waiter, Zdenka), Arabella, Op. 79, TrV 263: Act II: Sie wollen mich heiraten (Arabella, Mandryka), Arabella, Op. 79, TrV 263: Act II: Und jetzt sag’ ich adieu (Arabella, Dominik, Elemer, Lamoral, Matteo, Zdenka, Mandryka, Welko), Arabella, Op. 79, TrV 263: Act III: Das war sehr gut, Mandryka (Arabella, Mandryka), Das Land des Lächelns: Akt I. "Flirten, bisschen flirten" (Lisa, Chor), Das Land des Lächelns: Akt II. "Alles vorbei! ...Ich möcht' wieder einmal die Heimat seh' n" (Lisa), Eine Nacht in Venedig: Akt I. "Oho! ... Seht, o seht! ... Frutti di mare!" (Annina, Chor), Eine Nacht in Venedig: Akt II. "Was mir der Zufall gab" (Annina), Wiener Blut: Akt I. "Es hat dem Grafen nichts genützt ...Gruß dich Gott!" (Gräfin [Gabrielle] ) |
| Anna Moffo |
performing orchestra |
Così fan tutte, K. 588: Atto II "Una donna a quindici anni"., Die Entführung aus dem Serail: Akt I. "Ach, ich liebte", Don Giovanni, K. 527: Atto I. "Batti, batti o bel Masetto", Hamlet: Acte IV. "A vos jeux, mes amis..." (Ophélie), Hérodiade: "Il est doux, il est bon", Il re pastore, K. 208: Atto II. "L'amerò sarò costante", La Damnation de Faust, op. 24. Part IV, Scène 15. "D'amour l'ardente flamme", La Fille du régiment: Acte I. "Chacun le sait, chacun le dit" (Marie), Le nozze di Figaro, K. 492: Atto II. "Venite, inginnocchiatevi" (Susanna), Les Pêcheurs de perles: Acte I. "Ô Dieu Brahma" (Leila, Chœur), Louise: Acte III, Scène I. "Depuis le jour, où je me suis donnée" (Louise), Robert le Diable: Acte IV. "Robert, toi que j'aime" (Isabelle), Romeo et Juliette: Acte I. "Je veux vivre dans le rêve" (Juliette), Werther: Acte III. "Ces lettres !... ces lettres !... je les relis sans cesse !" (Charlotte) |
| Arjuna Genome |
performing orchestra |
Andante cantabile, Canzone, op. 55: Andante, un poco sostenuto, Introduction and Rondo capriccioso in A minor, op. 28, Méditation from Thaïs: Andante religioso, Rhapsody in Blue, Variations on a Rococo Theme in A major, op. 33: Introduction: Moderato quasi andante, Variations on a Rococo Theme in A major, op. 33: Tema: Moderato semplice, Variations on a Rococo Theme in A major, op. 33: Var. I: Tempo del tema, Variations on a Rococo Theme in A major, op. 33: Var. II: Tempo del tema, Variations on a Rococo Theme in A major, op. 33: Var. III: Andante sostenuto, Variations on a Rococo Theme in A major, op. 33: Var. IV: Andante grazioso, Variations on a Rococo Theme in A major, op. 33: Var. V: Allegro moderato, Variations on a Rococo Theme in A major, op. 33: Var. VI: Andante, Variations on a Rococo Theme in A major, op. 33: Var. VII and Coda: Allegro vivo |
| Drofnosura |
performing orchestra |
A London Overture, A London Symphony: II., A Song Before Sunrise, A Song of Summer, Brigg Fair - An English Rhapsody, Cockaigne (In London Town) - Overture, Opus 40, Cockaigne (In London Town), Concert Overture, op. 40, In a Summer Garden, Summer Night on the River, Symphony No. 2 "A London Symphony": I. Lento - Allegro Risoluto, Symphony No. 2 "A London Symphony": II. Lento, Symphony No. 2 "A London Symphony": III. Scherzo (Nocturne): Allegro Vivace, Symphony No. 2 "A London Symphony": IV. Finale and Epilogue: Andante Con Moto - Maestoso Alla Marcia, The Walk to the Paradise Garden |
| Claude Debussy |
performing orchestra |
La Cathédrale engloutie, La Cathédrale engloutie (Die versunkene Kathedrale), La mer (Symphonic Sketches in Three Movements), Nocturnes for Orchestra: Nuages, Prelude a l'apres-midi d'une Faune, Prélude à l'après-midi d'un faune, Part 1 (Philharmonia Orchestra feat. conductor: Pierre Boulez), Prélude à l'après-midi d'un faune, Part 2 (Philharmonia Orchestra feat. conductor: Pierre Boulez), Prélude à l'après-midi d'un faune, Part 3 (Philharmonia Orchestra feat. conductor: Pierre Boulez), Prélude à l'après-midi d'un faune, Part 4 (Philharmonia Orchestra feat. conductor: Pierre Boulez), Prélude à l'après-midi d'un faune, Part 5 (Philharmonia Orchestra feat. conductor: Pierre Boulez), Prélude à l'après-midi d'un faune, Part 6 (Philharmonia Orchestra feat. conductor: Pierre Boulez), Prélude à l'après-midi d'un faune, Part 7 (Philharmonia Orchestra feat. conductor: Pierre Boulez), Préludes - Book 1, L. 117: 10. La cathédrale engloutie, The Engulfed Cathedral |
| Kirk Spaseff |
performing orchestra |
Piano Concerto No. 12 in A major, K. 414 (K. 385p): Allegro, Piano Concerto No. 12 in A major, K. 414 (K. 385p): Andante, Piano Concerto No. 12 in A major, K. 414 (K. 385p): Rondeau, allegretto, Piano Concerto No. 17 in G major, K. 453: Allegretto, presto, Piano Concerto No. 17 in G major, K. 453: Allegro, Piano Concerto No. 17 in G major, K. 453: Andante, Piano Concerto No. 2 in B flat major, K. 39: Allegro spiritoso, Piano Concerto No. 2 in B flat major, K. 39: Andante staccato, Piano Concerto No. 2 in B flat major, K. 39: Molto allegro, Piano Concerto No. 5 in D major, K. 175: Allegro, Piano Concerto No. 5 in D major, K. 175: Andante ma un poco adagio, Piano Concerto No. 9 in E flat major ('Jeunehomme,' 'Jenamy'), K. 271: Allegro, Piano Concerto No. 9 in E flat major ('Jeunehomme,' 'Jenamy'), K. 271: Andantino, Piano Concerto No. 9 in E flat major ('Jeunehomme,' 'Jenamy'), K. 271: Rondeau, presto |
| Jean-Marc Volcy |
performing orchestra |
Ah! des Grieux.. O Manon.., Da ist jemand - Schnell zu meiner kleinen Bank, Du! Sie!..Ja ich bin's!, Ist's nicht mehr meine Hand, Manon: Acte I. "Quelqu'un...J'ai marqué l'heure du départ" / "Et je sais votre nom" / "Par addventure" (Manon, des Grieux), Manon: Acte II. "C'est lui ! ...Instant charmant" / "En fermant les yeux" / "Oh ! Ciel ! déjà !" (des Grieux, Manon), Manon: Acte II. Prélude / "Manon ! Avez-vous peur que mon visage" / "On l'appelle Manon" (des Grieux, Manon), Manon: Acte III, Scène II. "N'est-ce plus ma main" (Manon, des Grieux), Manon: Acte III, Scène II. "Toi ! Vous !" / "Oui ! Je fus cruelle et coupable !" (Manon, des Grieux), Manon: Acte V. "Ah ! des Grieux !... O Manon !" / "N'est-ce plus ma main." (Manon, des Grieux), Rigoletto: Atto I. "È il sol dell'anima" (Duca, Gilda, Ceprano, Borsa, Giovanna) / "Addio! speranza ed anima" (Duca, Gilda) (Duca, Gilda, Cepreso, Borsa, Giovanna), Thaïs: Acte I, Scène II. "C'est Thaïs, l'idole fragile" (Thaïs, Nicias), Thaïs: Acte I, Scène II. "Qui te fit si sévère" (Thaïs, Nicias, Chœur) |
| Caruso Gurtal |
performing orchestra |
Aida: Act I. "Celeste Aida", Aida: Act I. "Or, di Vulcano al tempio", Aida: Act I. "Ritorno vincitor!", Aida: Act I. "Se quel guerrier io fossi", Aida: Act II. "Gloria all'Egitto", Aida: Act II. "O Re, pei sacri Numi", Aida: Act III. "O Patria mia", Aida: Act III. "Qui Radames verrà", Aida: Act III. "Rivedrai le foreste imbalsamate", Aida: Act IV. "Già i sacerdoti adunansi", Aida: Act IV. "Morir, si pura e bella", Aida: Act IV. "Qual gemito!", Aida: Act IV. "Vorrei salvarlo" |
| Kinkajous |
performing orchestra |
Don Quixote, Op. 35: Finale: Don Quixote's Death, Don Quixote, Op. 35: Introduction, Don Quixote, Op. 35: Theme: The Knight of The Mournful Countenance, Don Quixote, Op. 35: Variation I: The Adventure with the Windmills, Don Quixote, Op. 35: Variation II: The Battle with the Sheep, Don Quixote, Op. 35: Variation III: Discourse Between Knight and Squire, Don Quixote, Op. 35: Variation IV: The Adventure with the Pilgrims, Don Quixote, Op. 35: Variation IX: The Combat with the Two Magicians, Don Quixote, Op. 35: Variation V: The Knight's Vigil, Don Quixote, Op. 35: Variation VI: The Meeting with Dulcinea, Don Quixote, Op. 35: Variation VII: The Ride through the Air, Don Quixote, Op. 35: Variation VIII: The Voyage in the Enchanted Boat, Don Quixote, Op. 35: Variation X: The Defeat of Don Quixote |
| Fryderyk Chopin |
performing orchestra |
Les Sylphides: Grand Valse brilliante in E-flat major, Op. 18, Les Sylphides: Mazurka in C major, Op. 67 No. 3, Les Sylphides: Mazurka in D major, Op. 33 No. 2, Les Sylphides: Nocturne in A-flat major, Op. 32 No. 2, Les Sylphides: Prélude in A major, Op. 28 No. 7, Les Sylphides: Valse in C-sharp minor, Op. 64 No. 2, Les Sylphides: Valse in G-flat minor, Op. 70 No. 1, Piano Concerto No. 1 in E minor, Op. 11: I. Allegro maestoso, Piano Concerto No. 1 in E minor, Op. 11: II. Romance. Larghetto, Piano Concerto No. 1 in E minor, Op. 11: III. Rondo. Vivace, Piano Concerto No. 2 in F minor, Op. 21: I. Maestoso, Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto, Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace |
| Lesley Garrett |
performing orchestra |
And This Is My Beloved, Dat's Love, Dome Epais (The Flower Duet From Lakme), He's Gone, I Belong to the Earth, I Want to Be a Prima Donna (Art Is Calling Me), In Trutina, O Mio Babbino Caro, Song to the Moon, Summertime, Sì, mi chiamano Mimì, The Flower Duet (Dome Epais), The Laughing Song |
| Tornado |
performing orchestra |
Don Quixote, Op 35: Finale: Don Quixote's Death, Don Quixote, Op 35: Introduction: Don Quixote Sinks into Madness, Don Quixote, Op 35: Theme: Don Quixote and Sancho Panza, Don Quixote, Op 35: Variation I: The Adventure with the Windmills, Don Quixote, Op 35: Variation II: The Battle with the Sheep, Don Quixote, Op 35: Variation III: Discourse between Knight and Squire, Don Quixote, Op 35: Variation IV: The Adventure with the Pilgrims, Don Quixote, Op 35: Variation IX: The Combat with the two Magicians, Don Quixote, Op 35: Variation V: The Knight's Vigil, Don Quixote, Op 35: Variation VI: The Meeting with Dulcinea, Don Quixote, Op 35: Variation VII: The Ride through the Air, Don Quixote, Op 35: Variation VIII: The Voyage in the Enchanted Boat, Don Quixote, Op 35: Variation X: The Defeat of Don Quixote |
| Nicolai Gedda |
performing orchestra |
Das Land des Lächelns: Akt I. "Ich trete ins Zimmer, von Schnsucht durchbebt...:" (Sou-Chong), Das Land des Lächelns: Akt I. "Von Apfelblütrn einen Kranz, ah" (Sou-Chong), Das Land des Lächelns: Akt II. "Dein ist mein ganges Hertz!" (Sou-Chong), Das Land des Lächelns: Akt II. "Dein war mein ganzes Herzt" (Sou-Chong), Das Land des Lächelns: Akt II. "Dich sehe ich, und nur dich sehe ich, Lotusblume!" (Sou-Chong), Das Land des Lächelns: Akt II. "Die Herrin darf dem Palast nicht verlassen..." (Sou-Chong), Eine Nacht in Venedig: Akt I. "Kaum, daß mein Liebchen die scshaukeinde Gondel entführt" (Herzog, Chor), Eine Nacht in Venedig: Akt I. "Sei mir gegrüßt, du holdes Venezia!" (Herzog), Ich bin allein...Flieh, o flieh, holdes Blld, Manon: Acte III, Scène II. "Je suis seul !...Ah ! fuyez, douce image" (des Grieux), O schöne Zeit - Ich schloß die Augen, Thaïs: Acte I, Scène II. "Garde-toi bien ! Voici ta terrible ennemie !" (Nicias, Chœur), Thaïs: Acte II, Scène II. "Voilà l'incomparable !" (Nicias) |
| Richard Barz |
performing orchestra |
Symphony no. 2 in D major, op. 73: I. Andante - Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio, Symphony no. 2 in D major, op. 73: III. Scherzo, Symphony no. 2 in D major, op. 73: IV. Finale. Allegro con spirito, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Scherzo, Symphony no. 4 in E minor, op. 98: IV. Finale. Passacaglia, Symphony no. 9: I. Andante - Allegro ma non troppo, Symphony no. 9: II. Andante con moto, Symphony no. 9: III. Scherzo: Allegro vivace, Symphony no. 9: IV. Allegro vivace |
| Uw Hypotheekadvies |
performing orchestra |
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato, Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante, Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo, Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non troppo, Violin Concerto no. 1 in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto no. 1 in E minor, op. 64: II. Andante, Violin Concerto no. 1 in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace, Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - Attacca, Violin Concerto no. 1 in G minor, op. 26: II. Adagio, Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico - Presto |
| Offshore Wind |
performing orchestra |
Konzert für Violine und Orchester e-moll, op. 64: I. Allegro molto apassionato / Kadenz / Tempo I / Presto, Konzert für Violine und Orchester e-moll, op. 64: II. Andante, Konzert für Violine und Orchester e-moll, op. 64: III. Allegretto non troppo / Allegro molto vivace, Violin Concerto in D major, Op. 35: I. Allegro moderato - Cadenza - Allegro moderato, Violin Concerto in D major, Op. 35: II. Canzonetta (andante), Violin Concerto in D major, Op. 35: III. Finale (Allegro vivacissimo), Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato (Cadenza) Tempo I - Presto, Violin Concerto in E minor, Op. 64: II. Andante, Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace, Violin Concerto, Op. 64: I. Allegro molto appassionato, Violin Concerto, Op. 64: II. Andante, Violin Concerto, Op. 64: III. Allegretto non troppo - Allegro molto vivace |
| Benjamin Britten |
performing orchestra |
Spring Symphony, Op. 44, Part I: Introduction: "Shine out, fair sun" (Chorus), Spring Symphony, Op. 44, Part I: Spring, the Sweet Spring (Soprano, Contralto, Tenor, Chorus), Spring Symphony, Op. 44, Part I: The Driving Boy (Children's Chorus), Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor), Spring Symphony, Op. 44, Part I: The Morning Star (Chorus), Spring Symphony, Op. 44, Part II: Out on the Lawn I Lie in Bed (Alto, Chorus), Spring Symphony, Op. 44, Part II: Waters Above! (Tenor), Spring Symphony, Op. 44, Part II: Welcome Maids of Honour (Contralto), Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor), Spring Symphony, Op. 44, Part III: Sound the Flute! (Chorus, Children's Chorus), Spring Symphony, Op. 44, Part III: When Will My May Come (Tenor), Spring Symphony, Op. 44, Part IV: Finale: "London, to Thee I Do Present" (Tenor, Contralto, Soprano, Chorus, Children's Chorus) |
| Gianni Poggi |
performing orchestra |
La Traviata: Atto Primo: Aria e finale: "E strano... Ah, fors'è lui... Follie! Follie!" (Violetta, Alfredo), La Traviata: Atto Primo: Brindisi: "Libiamo ne' lieti calici" (Alfredo, Violetta, Tutti), La Traviata: Atto Primo: Duetto: "Un di felice" (Alfredo, Violetta), La Traviata: Atto Secondo: Aria: "De' miei bollenti spiriti" (Alfredo), La Traviata: Atto Secondo: Aria: "Di Provenza il mar" (Germont), La Traviata: Atto Secondo: Coro: "Noi siamo zingarelle" (Zingarelle, Flora, Marchese), La Traviata: Atto Secondo: Duetto: "Ditte alla giovine" (Violetta, Germont), La Traviata: Atto Terzo: Aria: "Addio del passato" (Violetta), La Traviata: Atto Terzo: Duetto: "Parigi o cara" (Violetta, Alfredo), La Traviata: Atto Terzo: Finale: "Ah! Violetta!" (Germont, Violetta, Alfredo, Annina, Dottore), La Traviata: Atto Terzo: Preludio, La Traviata: Preludio |
| Maurice Jarre |
performing orchestra |
Arrival at Auda’s Camp, First Entrance to the Desert / Night and Stars / Lawrence and Tafas, Horse Stampede / Ali Rescues Lawrence / Lawrence and His Bodyguard, Main Titles, Miracle, Nefud Mirage / The Sun’s Anvil, On to Akaba / The Beach at Night, Sinai Desert, That Is the Desert, The End / Playoff Music, The Rescue of Gasim / Bringing Gasim Into Camp, The Voice of the Guns |
| Mr DNA |
performing orchestra |
"Coppélia": I. Prélude, Act 1 & Mazurka (no. 3), Act 1, "Coppélia": II. Swanhilda’s Waltz, "Coppélia": III. Pas de Deux, "Coppélia": IV. Thème Slave, Varié (no. 6) Act 1, "Coppélia": V. La Prière (From no. 20: Divertissement. "La Fête de La Cloche"), Act 3, "Coppélia": VI. Csárdás: Danse Hongroise (no. 7), Act 1, "Sylvia": I. Les Chasseresses (Fanfare) (no. 3), Act 1, "Sylvia": II. Intermezzo (no. 4a), Act 1 & Valse Lente (no. 4b), Act 1, "Sylvia": III. Divertissement Pizzicato, "Sylvia": IV. Pas de Deux, "Sylvia": V. Marche et Cortège Bacchus (nos.14a & 14b), Act 3, Coppélia: Music from the Ballet: III. Pas de deux |
| Robert Schumann |
performing orchestra |
Die Braut von Messina, Op.100 - Overture, Hermann und Dorothea Op.136 - Overture, Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, Op. 54: III. Allegro vivace, Symphony No. 1: I. Andante un poco maestoso - Allegro, Symphony No. 1: II. Larghetto, Symphony No. 1: III Scherzo. Molto vivace, Symphony No. 1: IV. Allegro animato e grazioso, Symphony No. 2: I. Sostenuto assai - Allegro ma non troppo, Symphony No. 2: II. Scherzo. Allegro vivace, Symphony No. 2: III. Adagio espressivo, Symphony No. 2: IV. Allegro molto vivace |
| Antonín Dvořák |
performing orchestra |
Silent Woods, Slawischer Tanz, No. 8 G-Moll (Presto), Symphony No. 5 in F major, Op. 76: I. Allegro ma non troppo, Symphony No. 5 in F major, Op. 76: II. Andante con moto, Symphony No. 5 in F major, Op. 76: III. Scherzo. Allegro scherzando, Symphony No. 5 in F major, Op. 76: IV. Finale. Allegro molto, Symphony No. 8 in G major, op. 88: I. Allegro con brio, Symphony No. 8 in G major, op. 88: II. Adagio, Symphony No. 8 in G major, op. 88: III. Allegretto grazioso, Symphony No. 8 in G major, op. 88: IV. Allegro ma non troppo, The Golden Spinning Wheel, op. 109 |
| Russell Shaw |
performing orchestra |
Arena, Bowerstone, Darkwood, Fresco Dome, Greatwood, Guild, Hobbes Cave, Lychfield Cemetery, Oakvale, Summer Fields, Witchwood |
| Jeff Logan |
performing orchestra |
Masquerade Suite: I. Waltz, Masquerade Suite: II. Nocturne, Masquerade Suite: III. Mazurka, Suite from Gayaneh: Ayesha's Awakening and Dance, Suite from Gayaneh: Dance of the Old Men and Women, Suite from Gayaneh: Dance of the Rose Maidens, Suite from Gayaneh: Gayaneh's Adagio, Suite from Gayaneh: Lezghinka, Suite from Gayaneh: Lullaby, Suite from Gayaneh: Lyrical Duet of Ayesha and Armen, Suite from Gayaneh: Sabre Dance |
| Sinae Lee |
performing orchestra |
Messa da requiem: IIa. Dies irae: Dies irae, Messa da requiem: IIb. Dies irae: Tuba mirum, Messa da requiem: IIc. Dies irae: Mors stupebit, Messa da requiem: VIIa. Libera me: Libera me, Domine, Messa da requiem: VIIb. Libera me: Dies irae, Requiem: II. Sequence (Dies Iræ), Tuba Mirum - Mors Stupebit, Requiem: III. Offertorio, Domine Jesu Christe, Requiem: III. Offertorio, Hostias Et Preces, Requiem: VI. Lux Aeterna, Requiem: VII. Libera Me, Libera Me, Requiem: VII. Libera Me, Requiem Aeternam |
| Sir Arthur Sullivan |
performing orchestra |
Pineapple Poll: Scene I. Belaye’s Solo, Pineapple Poll: Scene I. Finale, Pineapple Poll: Scene I. Opening Dance, Pineapple Poll: Scene I. Pas de Trois, Pineapple Poll: Scene I. Poll’s Solo and Pas de deux, Pineapple Poll: Scene II. Poll’s Solo, Jasper’s Solo, Pineapple Poll: Scene III. Belaye’s Solo and Sailors’ Drill, Pineapple Poll: Scene III. Entry of Belaye with Blanche as Bride, Pineapple Poll: Scene III. Grande Finale, Pineapple Poll: Scene III. Poll’s Solo, Pineapple Poll: Scene III. Reconciliation |
| Extreme Hate |
performing orchestra |
Fontane di Roma, P 106: I. La fontana di Valle Giulia all’alba -, Fontane di Roma, P 106: II. La fontana del Tritone al mattino -, Fontane di Roma, P 106: III. La fontana di Trevi al meriggio -, Fontane di Roma, P 106: IV. La fontana di Villa Medici al tramonto, Iberia: El Puerto, Pini di Roma, P 141: I. I pini di Villa Borghese -, Pini di Roma, P 141: II. Pini presso una catacomba -, Pini di Roma, P 141: III. I pini del Gianicolo -, Pini di Roma, P 141: IV. I pini della via Appia, Pini di Roma: III. Pini del Gaincolo, The Three-Cornered Hat: Miller’s Dance |
| Not-Us |
performing orchestra |
Piano Concerto no. 1 in D, op. 17: I. Andante, Piano Concerto no. 1 in D, op. 17: II. Andante sostenuto quasi adagio, Piano Concerto no. 1 in D, op. 17: III. Allegro con fuoco, Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato, Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace. Andante. Allegro, Piano Concerto: I. Allegretto, Piano Concerto: II. Andante con moto, Piano Concerto: III. Rondeau à la française, Pianoconcert: Allegretto, Pianoconcert: Andante con moto, Pianoconcert: Rondeau a la francaise |
| Maguy Jean-Louis |
performing orchestra |
Concerto for Horn no. 1 in D major, K. 386b/514: I. Allegro, Concerto for Horn no. 1 in D major, K. 386b/514: II. Rondo: Allegro, Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante, Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro, Concerto no. 3 in E-flat major for Horn, K. 447: I. Allegro, Concerto no. 3 in E-flat major for Horn, K. 447: II. Romance. Larghetto, Concerto no. 3 in E-flat major for Horn, K. 447: III. Allegro, Concerto no. 4 in E-flat major for Horn, K. 495: I. Allegro moderato, Concerto no. 4 in E-flat major for Horn, K. 495: II. Romance. Andante cantabile, Concerto no. 4 in E-flat major for Horn, K. 495: III. Rondo. Allegro vivace, Horn Concerto no. 2 in E-flat major, KV 417: I. Allegro maestoso |
| Kiri Te Kanawa |
performing orchestra |
Angels From the Realms of Glory, Have Yourself a Merry Little Christmas, Mary's Boy Child, O Holy Night, Silent Night, Silver Bells, The Little Drummer Boy, The Most Wonderful Birthday of All, The Twelve Days of Christmas, The Virgin Washes the Swaddling, Winter Wonderland |
| Axel Franken |
performing orchestra |
3 German Dances, K.605: no. 1, 3 German Dances, K.605: no. 2, 3 German Dances, K.605: no. 3, Serenade No. 6 in D major "Serenata Notturna", K. 239: I. Marcia. Maestoso, Serenade No. 6 in D major "Serenata Notturna", K. 239: II. Minuetto, Serenade No. 6 in D major "Serenata Notturna", K. 239: III. Rondo. Allegretto, Serenade, K.525 "Eine kleine Nachtmusik": I: Allegro, Serenade, K.525 "Eine kleine Nachtmusik": II: Romanze (Andante), Serenade, K.525 "Eine kleine Nachtmusik": III: Menuetto (Allegretto) & Trio, Serenade, K.525 "Eine kleine Nachtmusik": IV: Rondo (Allegro) |
| Maurice Duruflé |
performing orchestra |
Requiem, Op. 9: I. Introit, Requiem, Op. 9: I. Introït, Requiem, Op. 9: II. Kyrie, Requiem, Op. 9: III. Domine Jesu Christe, Requiem, Op. 9: IV. Sanctus, Requiem, Op. 9: IX. In Paradisum, Requiem, Op. 9: V. Pie Jesu, Requiem, Op. 9: VI. Agnus Dei, Requiem, Op. 9: VII. Lux aeterna, Requiem, Op. 9: VIII. Libera me |
| Demos Petropoulos |
performing orchestra |
Concerto for Violin No. 3 in B minor, Op. 61: I. Allegro non troppo, Concerto for Violin No. 3 in B minor, Op. 61: II. Andantino quasi allegretto, Concerto for Violin No. 3 in B minor, Op. 61: III. Molto moderato e maestoso, Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro Allegro molto appassionato / II. Andante, Concerto for Violin and Orchestra, op. 64: I. Allegro molto appasionato, Concerto for Violin and Orchestra, op. 64: II. Andante, Concerto for Violin and Orchestra, op. 64: III. Allegretto non troppo; Allegro molto vivace, Concerto no. 3 for Violin & Orchestra in B minor, op. 61: I. Allegro non troppo, Concerto no. 3 for Violin & Orchestra in B minor, op. 61: II. Andantino quasi allegretto, Concerto no. 3 for Violin & Orchestra in B minor, op. 61: III. Molto moderato e maestoso |
| Ibiki Hanasaka |
performing orchestra |
"Lonely Town" from On the Town, "New York, New York" from On the Town, Make Our Garden Grow from Candide, Serenade after Plato's "Symposium": I. Phaedrus: Pausanias. Lento - Allegro, Serenade after Plato's "Symposium": II. Aristophanes. Allegretto, Serenade after Plato's "Symposium": III. Eryximachus. Presto, Serenade after Plato's "Symposium": IV. Agathon. Adagio, Serenade after Plato's "Symposium": V. Socrates: Alcibiades. Molto tenuto - Allegro molto vivace, West Side Story Suite, West Side Story Suite: Maria |
| Orchestre De La Boule Blanche |
performing orchestra |
Turangalîla-Symphonie: I. Introduction. Modéré, un peu vif, Turangalîla-Symphonie: II. Chant d'amour 1. Modéré, lourd, Turangalîla-Symphonie: III. Turangalîla 1. Presque lent, rêveur, Turangalîla-Symphonie: IV. Chant d'amour 2. Bien modéré, Turangalîla-Symphonie: IX. Turangalîla 3. Bien modéré, Turangalîla-Symphonie: V. Joie du sang des étoiles. Vif, passionné avec joie, Turangalîla-Symphonie: VI. Jardin du Sommeil d'amour. Très modéré, très tendre, Turangalîla-Symphonie: VII. Turangalîla 2. Un peu vif, bien modéré, Turangalîla-Symphonie: VIII. Développement d'amour. Bien modéré, Turangalîla-Symphonie: X. Final. Modéré, presque vif, avec une grande joie |
| Moon Zero |
performing orchestra |
Cello Concerto No. 1 in A minor, Op. 33, Cello Concerto No. 1 in A minor, Op. 33: II. Allegretto con moto, Cello Concerto No. 1 in A minor, Op. 33: III. Allegro non troppo, Cello Concerto in A minor, Op. 129: I. Nicht zu schnell, Cello Concerto in A minor, Op. 129: II. Langsam - Etwas lebhafter - Schneller, Cello Concerto in A minor, Op. 129: III. Serh lebhaft - Kadenz - Tempo I, Cello Concerto in A minor, op. 129: I. Nicht zu schnell, Cello Concerto in A minor, op. 129: II. Langsam, Etwas lebhafter, Schneller, Cello Concerto in A minor, op. 129: III. Sehr lebhaft, Cello Concerto in A minor, op. 129: III. Sehr lebhaft - Cadenza - Sehr lebhaft |
| Kansas |
performing orchestra |
All I Wanted, Can’t Cry Anymore, Musicatto, Power, Secret Service, Silhouettes in Disguise, Taking In the View, Three Pretenders, Tomb 19, We’re Not Alone Anymore |
| Nicole DeCosta |
performing orchestra |
Das Land des Lächelns: Akt I. "Ach, trinken Sie vielleicht mit ein Tässchen Tee?..." (LIsa, Sou-Chong), Das Land des Lächelns: Akt I. "Ein Lied, es verfolgt mich Tag un Nacht" (LIsa, Sou-Chong), Das Land des Lächelns: Akt I. "Es wird schon so sein" (Lisa, Sou-Chong), Das Land des Lächelns: Akt I. "Lisach liebe dich! Von Apfelblüten einen Kranz, ah" (Lisa, Sou-Chong), Das Land des Lächelns: Akt I. "Wir sind allein" (Lisa, Sou-Chong), Das Land des Lächelns: Akt II. "Mit welchem Recht? ... Ich bin dein Herr!" (Lisa, Sou-Chong), Das Land des Lächelns: Akt II. "Wer hat die Liebe uns ins Herz gesenkt" (Sou-Chong, Lisa), Wiener Blut: Akt II. "Das eine kann ich nicht verzeih'n" (Gräfin, Graf), Wiener Blut: Akt II. "Ich war ein echtes Wiener Blut ... Wiener Blut!" (Gräfin, Graf), Wiener Blut: Akt II. Dialog "Mein lieber Graf" (Gräfin, Graf) |
| Jonas Winberg |
performing orchestra |
Academic Festival Overture, Op. 80, Capriccio Espagnol, Op.34: 1. Alborada, Capriccio Espagnol, Op.34: 2. Variazioni, Capriccio Espagnol, Op.34: 3. Alborada, Capriccio Espagnol, Op.34: 4. Scena e canto gitano, Capriccio Espagnol, Op.34: 5. Fandango asturiano, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato), Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace) |
| Katiah de La Rosa |
performing orchestra |
Concerto pour violin en ré majeur, op. 35: Allegro moderato, Concerto pour violin en ré majeur, op. 35: Canzonetta (Andante), Concerto pour violin en ré majeur, op. 35: Finale (Allegro vivacissimo), Concerto pour violon en ré mineur, op. 47: Adagio di molto, Concerto pour violon en ré mineur, op. 47: Allegro, Concerto pour violon en ré mineur, op. 47: Allegro moderato, Concerto pour violon et orchestre en Ré majeur, Op. 35: I. Allegro moderato, Concerto pour violon et orchestre en Ré majeur, Op. 35: II. Canzonetta. Andante, Concerto pour violon et orchestre en Ré majeur, Op. 35: III. Finale. Allegro vivacissimo |
| Filthy Boy |
performing orchestra |
Night-ride and Sunrise, op. 55, Symphony no. 5: I. Tempo molto moderato - Allegro moderato - Presto, Symphony no. 5: II. Andante mosso, quasi allegretto, The Planets Suite for Orchestra, op. 32: Jupiter, the Bringer of Jollity, The Planets Suite for Orchestra, op. 32: Mars, the Bringer of War, The Planets Suite for Orchestra, op. 32: Mercury, the Winged Messenger, The Planets Suite for Orchestra, op. 32: Saturn, the Bringer of Old Age, The Planets Suite for Orchestra, op. 32: Uranus, the Magician, The Planets Suite for Orchestra, op. 32: Venus, the Bringer of Peace |
| Eric S. Brenner |
performing orchestra |
Oboe Concerto in C major, K. 314: I. Allegro aperto (cadenza: Heinz Holliger), Oboe Concerto in C major, K. 314: II. Adagio ma non troppo (cadenza: Heinz Holliger), Oboe Concerto in C major, K. 314: III. Rondo: Allegretto (cadenza: Heinz Holliger), Oboe Concerto in D major, TrV 292: I. Allegro moderato, Oboe Concerto in D major, TrV 292: II. Andante, Oboe Concerto in D major, TrV 292: III. Vivace: Allegro, Oboe Concerto in D: I. Allegro moderato, Oboe Concerto in D: II. Andante, Oboe Concerto in D: III. Vivace - Allegro |
| Oliver Age 24 |
performing orchestra |
Piano Concerto no. 2 in B-flat, K. 39: I. Allegro spiritoso, Piano Concerto no. 2 in B-flat, K. 39: II. Andante staccato, Piano Concerto no. 2 in B-flat, K. 39: III. Molto allegro, Piano concerto No. 4 in G, K. 41: I. Allegro, Piano concerto No. 4 in G, K. 41: II. Andante, Piano concerto No. 4 in G, K. 41: III. Allegro, Piano concerto no. 3 in D, K. 40: I. Allegro maestoso, Piano concerto no. 3 in D, K. 40: II. Andante, Piano concerto no. 3 in D, K. 40: III. Presto |
| Steve Wilkinson |
performing orchestra |
Manon: Acte I (Beginning), Manon: Acte I (Concluded), Manon: Acte II, Manon: Acte III, Scene I (Beginning), Manon: Acte III, Scene I (Concluded), Manon: Acte III, Scene II, Manon: Acte IV, Manon: Acte V, Manon: Alternate Scene and Fabliau |
| Tafa |
performing orchestra |
Brandenburg Concerto No. 2, BWV 1047: I. Allegro, Brandenburg Concerto No. 2, BWV 1047: II. Andante, Brandenburg Concerto No. 2, BWV 1047: III. Allegro assai, Trumpet Concerto in D Major/Adagio-Allegro, Trumpet Concerto in D Major/Adagio-Presto-Alleg, Trumpet Concerto in D Major/Allegro, Trumpet Concerto in D Major/Grave, Trumpet Concerto in E Flat Major: Allegro, Trumpet Concerto in E Flat Major: Andante |
| Andreas Lukin |
performing orchestra |
Die Walküre: The Ride of the Valkyries, Francesca da Rimini: Symphonic Fantasia in E minor after Dante, Lohengrin: Prelude to Act III, Siegfried: Forest Murmurs, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale - quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai, The Mastersingers of Nuremberg: Overture |
| Andrew Hansen |
performing orchestra |
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Piano Concerto no. 1 in C, op. 15: I. Allegro, Piano Concerto no. 1 in C, op. 15: II. Largo, Piano Concerto no. 1 in C, op. 15: III. Rondo (Allegro scherzando), Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio (Cadenza: Clara Schumann), Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro) |
| Francis Poulenc |
performing orchestra |
Les Biches: I. Ouverture, Les Biches: II. Rondeau, Les Biches: III. Chanson dansée, Les Biches: IV. Adagietto, Les Biches: IX. Final, Les Biches: V. Jeu, Les Biches: VI. Rag-Mazurka, Les Biches: VII. Andantino, Les Biches: VIII. Petite chanson dansée |
| Richard Strauss |
performing orchestra |
Als Morgengabe.., In dieser feierlichen Stunde der Prüfung, Ist halt vorbei, Konzert Nr. 1 für Waldhorn und Orchester Es-dur, Op. 11: I. Allegro, Konzert Nr. 1 für Waldhorn und Orchester Es-dur, Op. 11: II. Andante, Konzert Nr. 1 für Waldhorn und Orchester Es-dur, Op. 11: III. Rondo. Allegro, Marie Theres'!...Hab' mir's gelobt, Mir ist die Ehre widerfahren, Muss jetzt partou zu hir!...Ihre hochfürstliche Gnaden |
| Anita Loughrey |
performing orchestra |
Romance for violin & orchestra No. 1 in G major, Op. 40, Romance for violin & orchestra No. 2 in F major, Op. 50, Symphonie espagnole, for violin and orchestra in D minor, Op. 21: I - Allegro non troppo, Symphonie espagnole, for violin and orchestra in D minor, Op. 21: II - Scherzando - Allegro molto, Symphonie espagnole, for violin and orchestra in D minor, Op. 21: III - Andante, Symphonie espagnole, for violin and orchestra in D minor, Op. 21: IV - Rondo - Allegro, Violin Concerto in D, op. 35: 1. Allegro moderato, Violin Concerto in D, op. 35: 2. Canzonetta: Andante, Violin Concerto in D, op. 35: 3. Allegro vivacissimo |
| Mario Kart Band |
performing orchestra |
Ariadne auf Naxos, op. 60: Opera: Conclusion: "Es gibt ein Reich, wo alles rein ist" (Ariadne), Così fan tutte: Atto I Scena III. "Come scoglio immoto resta" (Fiordiligi), Così fan tutte: Atto II Scena II. "Ei parte… senti… ah no!" (Fiordiligi), Così fan tutte: Atto II Scena II. "Per pietà, ben mio, perdona" (Fiordiligi), Der Rosenkavalier, Op. 59: Aufzug I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin), Der Rosenkavalier: Akt I. "Da geht er hin, der aufgeblasene schlechte Kerl", Der Rosenkavalier: Da geht er hin, Die Fledermaus: Akt II. "Klänge der Heimat" |
| Katie Shanta |
performing orchestra |
La Grande Pâque russe, Schéhérazade, Op. 35: I. La Mer et le bateau de Sinbad, Schéhérazade, Op. 35: II. Le Récit du Prince de Kalendar, Schéhérazade, Op. 35: III. Le Jeune prince et la princesse, Schéhérazade, Op. 35: IV. Fête à Bagdad - La Mer - Naufrage du bateau sur les rochers, Symphony no. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony no. 3 in D minor: II. Andante. Bewegt, feierlich quasi Adagio, Symphony no. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony no. 3 in D minor: IV. Finale. Allegro |
| JA Productions |
performing orchestra |
Overture “The Hebrides”, op. 26, Symphony no. 1 in C minor, op. 11: I. Allegro di molto, Symphony no. 1 in C minor, op. 11: II. Andante, Symphony no. 1 in C minor, op. 11: III. Menuetto – Trio – Menuetto. Allegro molto, Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco, Symphony no. 5 in D major, op. 107 “Reformation”: I. Andante – Allegro con fuoco, Symphony no. 5 in D major, op. 107 “Reformation”: II. Allegro vivace, Symphony no. 5 in D major, op. 107 “Reformation”: III. Andante, Symphony no. 5 in D major, op. 107 “Reformation”: IV. Andante con moto – Allegro vivace – Allegro maestoso |
| VIXANS |
performing orchestra |
Norma: Atto I, Scena II. "Adalgisa!...Almà, costanza" (Norma, Adalgisa), Norma: Atto I, Scena II. "Ah! si, fa core, abbracciami" (Norma, Adalgisa), Norma: Atto I, Scena II. "Oh non tremare" (Norma, Adalgisa), Norma: Atto I, Scena II. "Oh! rimèmbranza!" (Norma, Adalgisa), Norma: Atto II, Scena I. "Deh! con te, con te li prendi" (Norma, Adalgisa), Norma: Atto II, Scena I. "Mi chiami, o Norma!" (Norma, Adalgisa), Norma: Atto II, Scena I. "Mira, o Norma" (Norma, Adalgisa), Norma: Atto II, Scena I. "Si, fino all'ore estreme" (Norma, Adalgisa) |
| Carl Maria von Weber |
performing orchestra |
Concertino for Clarinet and Orchestra in E-flat, op. 26: I. Adagio, ma non troppo, Concertino for Clarinet and Orchestra in E-flat, op. 26: II. Tema con Variazioni (Andante), Concertino for Clarinet and Orchestra in E-flat, op. 26: III. Allegro, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: II. Adagio, ma non troppo, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: III. Rondo (Allegretto), Der Freischütz, J. 277 (Op. 77): Act II. "Wie nahte mir der Schlummer" - "Leise, leise fromme Weise!", Oberon : Ocean! Thou mighty monster |
| Hyper[borea] |
performing orchestra |
Ivan the Terrible, Concert Scenario: I. Overture, Ivan the Terrible, Concert Scenario: III. Wedding: i. Allegro fastoso, Ivan the Terrible, Concert Scenario: III. Wedding: ii. Andante, Ivan the Terrible, Concert Scenario: III. Wedding: iii. Allegro fastoso, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: ii. Moderato energico, Ivan the Terrible, Concert Scenario: VI. The Storming of Kazan, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: ii. Andante sostenuto, Ivan the Terrible, Concert Scenario: XII. Murder in the Cathedral |
| Georges Bizet |
performing orchestra |
Carmen Jones: Dat's Love, Carmen: Aragonaise, Carmen: Bohemian Dance, Carmen: Prelude, Carmen: Segeduille, Carmen: The Toreador Song, L'Arlesienne: Farandole, L'Arlesienne: Minuet |
| Mauro Darpin |
performing orchestra |
L'Arlésienne Suite No. 2, Farandole, Part 1, L'Arlésienne Suite No. 2, Farandole, Part 2, L'Arlésienne Suite No. 2, Farandole, Part 3, L'Arlésienne Suite No. 2, Farandole, Part 4, L'Arlésienne Suite No. 2, Farandole, Part 5, Pavane, op. 50, Slawischer Tanz Nr. 6 in D-Dur, Op. 46: Allegretto scherzando, Symphonie No. 8 G-Dur, Op. 88: III. Allegretto grazioso - Molto vivace |
| Carl Orrje Piano Ensemble |
performing orchestra |
Nutcracker Suite, Op. 71a I, Ouverture miniature, Nutcracker Suite, Op. 71a III, Valse des fleurs, Nutcracker Suite, Op. 71a IIa, Marche, Nutcracker Suite, Op. 71a IIb, Danse de la fée-dragée, Nutcracker Suite, Op. 71a IIc, Trépak, Nutcracker Suite, Op. 71a IId, Danse arabe, Nutcracker Suite, Op. 71a IIe, Danse chinoise, Nutcracker Suite, Op. 71a IIf, Danse de mirlitons |
| Julia Harris |
performing orchestra |
Fountains of Rome, P. 106; The Fountain of Trevi (La fontana di Trevi al meriggio), Fountains of Rome, P. 106; The Fountain of Valle Giulia (La fontana di Valle Giulia all'alba), Fountains of Rome, P. 106; The Triton Fountain (La fontana di Tritone al mattino), Fountains of Rome, P. 106; The Villa Medici Fountain (La fontana di Villa Medici al tramonto), Pines of Rome, P. 141; The Pines near a Catacomb (Pini presso una catacomba), Pines of Rome, P. 141; The Pines of Villa Borghese (I pini di Villa Borghese), Pines of Rome, P. 141; The Pines of the Appian Way (I pini della Via Appia), Pines of Rome, P. 141; The Pines of the Janiculum (I pini del Gianicolo) |
| Manik Visions |
performing orchestra |
Il trovatore: Atto I, Scena I, Il trovatore: Atto I, Scena II, Il trovatore: Atto II, Scena I, Il trovatore: Atto II, Scena II, Il trovatore: Atto III, Scena I, Il trovatore: Atto III, Scena II, Il trovatore: Atto IV, Scena I, Il trovatore: Atto IV, Scena II |
| Brad Barker |
performing orchestra |
Requiem, op. 48: I. Introit et Kyrie, Requiem, op. 48: II. Offertoire, Requiem, op. 48: III. Sanctus, Requiem, op. 48: IV. Pie Jesu, Requiem, op. 48: V. Agnus Dei, Requiem, op. 48: VI. Libera me, Requiem, op. 48: VII. In Paradisum |
| Umberto Giordano |
performing orchestra |
Andrea Chénier, Act III: "La mamma morta", Andrea Chénier: "La mamma morta" (Maddalena), Andrea Chénier: Act III. "La mamma morta", Andrea Chénier: Act III. Aria "La mamma morta" (Maddalena), Andrea Chénier: Atto III. "La mamma morta", La Mamma Morta (feat. soprano: Maria Callas), Philadelphia: Andrea Chénier: Act III. "La mamma morta" |
| Hill Smith |
performing orchestra |
Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto, Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: III. Presto, Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato, Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace, Piano Concerto no. 4 in C minor, op. 44: III. Andante, Piano Concerto no. 4 in C minor, op. 44: IV. Allegro |
| Ian Thomas Alexy |
performing orchestra |
Concerto for Violin and Orchestra in D Major, Op. 61: III. Rondo (Allegro) - Cadenza - Tempo I. (Cadenza By Kreisler), Violin Concerto No. 2: I. Allegro non troppo, Violin Concerto No. 2: II. Andante tranquillo (Theme & variations), Violin Concerto No. 2: III. Allegro molto (Rondo), Violin Concerto in D major, op. 61: I. Allegro ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo. Allegro |
| Chris Young The Rapper |
performing orchestra |
Der Schwan von Tuonela, op. 22 Nr. 3, Finlandia, Finlandia, op. 26: Andante sostenuto - Allegro moderato - Allegro, Karelia-Suite, op. 11: I. Intermezzo, Karelia-Suite, op. 11: II. Ballade, Karelia-Suite, op. 11: III. Alla Marcia, Valse triste, op. 44: Lento |
| Marcus Almaraz |
performing orchestra |
Konzert für Klavier und Orchester Nr. 2 G-dur, op. 44: I. Allegro brillante e molto vivace, Konzert für Klavier und Orchester Nr. 2 G-dur, op. 44: II. Andante non troppo, Konzert für Klavier und Orchester Nr. 2 G-dur, op. 44: III. Allegro con fuoco, Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco, Piano Concerto no. 3 in E-flat major, op. 75: Allegro brillante – Cadenza – Tempo I – Vivacissimo |
| Petfood56 |
performing orchestra |
Légende, Op. 17, Romance no. 1 in G, op. 40, Romance no. 2 in F, Romanze für Violine und Orchester No. 1 in G-Dur, Op. 40: Andante, Violin Concerto no. 4 in D, K. 218: I. Allegro, Violin Concerto no. 4 in D, K. 218: II. Andante, Violin Concerto no. 4 in D, K. 218: III. Rondo |
| Noesha |
performing orchestra |
Al dolce guidami castel natio (Anna Bolena), Don Carlo: Atto IV. "Tu che la vanità", Ernani: Atto I. "Surta è la notte... Ernani, Ernani, involami", Macbeth: Atto I. "Nel dì della vittoria... Vieni! t'affretta", Macbeth: Atto II. "La luce langue", Macbeth: Atto IV. "Una macchia è qui tuttora", Nabucco: Atto IV. "Ben io t'invenni... Anch'io dischiuso un giorno" |
| Luigi Cherubini |
performing orchestra |
Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei |
| Luis Sepúlveda |
performing orchestra |
The Planets, op. 32: Jupiter, the Bringer of Jollity, The Planets, op. 32: Mars, the Bringer of War, The Planets, op. 32: Mercury, the Winged Messenger, The Planets, op. 32: Saturn, the Bringer of Old Age, The Planets, op. 32: Uranus, the Magician, The Planets, op. 32: Venus, the Bringer of Peace, The Planets: Jupiter, the Bringer of Jollity |
| 新井直介 |
performing orchestra |
Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: I. Maestoso, Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: II. Adagio, Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: II. Allegro appassionato, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: III. Andante - Più adagio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso |
| Plácido Domingo |
performing orchestra |
Cavalleria rusticana: Brindisi, Il trovatore: Di quella pira, O wäre ich erkoren - Holde Aida, Rigoletto: Questa o quella, Tosca: E lucevan le stelle, Wahl kam im sich'ren Heime - Doch heiss dich auch ein Pflichtgebet, Wo lebte wohl ein Wesen |
| Brick House |
performing orchestra |
Ruslan und Ludmilla: Ouvertüre, Symphony No. 40 in G minor with clarinets, K. 550: I. Allegro molto, Symphony No. 40 in G minor with clarinets, K. 550: II. Andante, Symphony No. 40 in G minor with clarinets, K. 550: III. Minuetto. Allegretto & Trio, Symphony No. 40 in G minor with clarinets, K. 550: IV. Allegro assai, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto |
| Lokee |
performing orchestra |
Confutatis maledictis, Dies Irae (Requiem), Requiem in D minor, K. 626: IIIa. Sequenz: "Dies irae", Requiem: IV. Sanctus, Requiem: Lacrimosa, War Requiem, op. 66: II. Dies irae: "Dies irae, dies illa", War Requiem, op. 66: II. Dies irae: "Recordare, Jesu pie" |
| Katia Caré |
performing orchestra |
Norma: Atti I (part 3), Norma: Atto 1 (conclusion), Norma: Atto I (part 1), Norma: Atto I (part 2), Norma: Atto II (conclusion), Norma: Atto II (part 1) |
| Franziska Staubli |
performing orchestra |
Violin Concerto in D major, Op. 35: I. Allegro moderato, Violin Concerto in D major, Op. 35: II. Canzonetta (Andante), Violin Concerto in D major, Op. 35: III. Allegro vivacissimo, Violin Concerto in D, op. 35: I. Allegro moderato, Violin Concerto in D, op. 35: II. Canzonetta (Andante), Violin Concerto in D, op. 35: III. Allegro vivacissimo |
| Supra Argo |
performing orchestra |
Il trovatore: Atto II, Scena I. "Condotta ell'era in ceppi" (Azucena, Manrico), Il trovatore: Atto II, Scena I. "Mal reggendo all'aspro assalto" (Manrico, Azucena), Il trovatore: Atto II, Scena I. "Non son tuo figlio?" (Manrico, Azucena), Il trovatore: Atto II, Scena I. "Perigliarti ancor languente" (Azucena, Manrico), Il trovatore: Atto II, Scena I. "Soli or siamo!" (Manrico, Azucena), Il trovatore: Atto IV, Scena II. "Madre, non dormi?" (Manrico, Azucena) |
| Carson Pierce |
performing orchestra |
Les Nuits d'été: Absence, Les Nuits d'été: Au cimetière, Les Nuits d'été: L'Île inconnue, Les Nuits d'été: Le Spectre de la rose, Les Nuits d'été: Sur les lagunes, Les Nuits d'été: Villanelle |
| Cynthia Hsiang |
performing orchestra |
Sinfonia da Requiem, op. 20: 1. Lacrymosa, Sinfonia da Requiem, op. 20: 2. Dies irae, Sinfonia da Requiem, op. 20: 3. Requiem aeternam, Sinfonia da Requiem, op. 20: I. Lacrymosa, Sinfonia da Requiem, op. 20: II. Dies irae, Sinfonia da Requiem, op. 20: III. Requiem aeternam |
| Matt Di Angelo |
performing orchestra |
Finlandia, op. 26, Lemminkäinen's Return, op. 22 no. 4, Tapiola, op. 112, The Swan of Tuonela, op. 22 no. 2, Valse Triste, op. 44, Variations symphoniques |
| Jen Necro Cannibal |
performing orchestra |
Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio, Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo, Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto |
| 大瑠璃あやみ |
performing orchestra |
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: I. Prelude. Moderato – Allegro, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: II. The Philosophers. Andante assai, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IV. "A tight little band". Allegretto, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VII. Victory. Andante, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VIII. The Oath. Andante pesante, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: X. The Constitution. Andante assai – Andante molto |
| Michael Sommers-Abbott |
performing orchestra |
Violin Concerto in B minor, Op. 61: I. Allegro, Violin Concerto in B minor, Op. 61: III. Allegro molto, Violin Concerto in B minor, Op. 61: III. Cadenza (accompagnata: Lento) - Allegro molto, Violin Concerto in B minor, op. 61: I. Allegro, Violin Concerto in B minor, op. 61: II. Andante, Violin Concerto in B minor, op. 61: III. Allegro molto |
| The Tombstone Ramblers |
performing orchestra |
Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, op. 54: III. Allegro vivace, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace |
| The Retrogress |
performing orchestra |
Piano Concerto no. 22, K. 482: I. Allegro, Piano Concerto no. 22, K. 482: II. Andante, Piano Concerto no. 22, K. 482: III. Allegro, Piano Concerto no. 25, K. 503: I. Allegro maestoso, Piano Concerto no. 25, K. 503: II. Andante, Piano Concerto no. 25, K. 503: III. Allegretto |
| Myf Warhurst |
performing orchestra |
Piano Concerto no. 2 in B-flat op. 19: I. Allegro con brio, Piano Concerto no. 2 in B-flat op. 19: II. Adagio, Piano Concerto no. 2 in B-flat op. 19: III. Rondo: Molto allegro, Piano Concerto no. 4 in G, op. 58: I. Allegro moderato, Piano Concerto no. 4 in G, op. 58: II. Andante con moto, Piano Concerto no. 4 in G, op. 58: III. Rondo: Vivace |
| FlowPoetry |
performer, performing orchestra |
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai, Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro, Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante, Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro |
| Sherrill Milnes |
performing orchestra |
Rigoletto: Atto I, Scena II. "Pari siamo!" (Rigoletto), Rigoletto: Atto II. "Cortigiani, vil razza dannato" (Rigoletto), Thaïs: Acte I, Scène I. "Hélas ! enfant encore" (Athanaël), Thaïs: Acte I, Scène I. "Toi, qui mis la pitié dans nos âmes" (Athanaël), Thaïs: Acte I, Scène II. "Voilà donc la terrible cité" (Athanaël), Thaïs: Acte III, Scène II. "Thaïs va mourir" (Athanaël) |
| Blackwhole |
performing orchestra |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73: I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73: II. Adagio un poco mosso (attacca), Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73: III. Rondo. Allegro |
| AKT THE JN |
performing orchestra |
Piano Concerto in A minor, Op. 16: I. Allegro molto moderato, Piano Concerto in A minor, Op. 16: II. Adagio, Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato, Piano Concerto in A minor, Op. 54: I. Allegro affettuoso, Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, Op. 54: III. Allegro vivace |
| Andreas Bayr |
performing orchestra |
Piano Concerto no. 21 in C major: II., Symphony No. 3, Op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato, Symphony No. 3, Op. 56 "Scottish": II. Vivace non troppo, Symphony No. 3, Op. 56 "Scottish": III. Adagio, Symphony No. 3, Op. 56 "Scottish": IV. Allegro vivavissmo - Allegro maestoso assai, Symphony no. 4 in A major, op. 90 “Italian”: I. |
| David Ferguson |
performing orchestra |
Piano Concerto in G major: I. Allegramente, Piano Concerto in G major: II. Adagio assai, Piano Concerto in G major: III. Presto, Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace, Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace |
| City Illusions |
performing orchestra |
Cavalleria rusticana: "O lola ch'hai di latti la cammisa", Manon Lescaut: "Donna non vidi mai", Manon Lescaut: Atto Primo. "Donna non vidi mai" (Des Grieux), Manon Lescaut: Atto Quarto. "Manon, senti, amor mio...Vedi, son io che piango" (Des Grieux), Tannhäuser: "Hör an, Wolfram!...Inbrunst im Herzen", Tosca: "E lucevan le stelle" |
| Virtual Psychosis |
performing orchestra |
Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace, Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace |
| Arnold Schönberg |
performing orchestra |
Chamber Symphony no. 2: I. Adagio, Chamber Symphony no. 2: II. Con fuoco, lento, Concerto for Piano and Orchestra: I. Andante; molto allegro; agitato, Concerto for Piano and Orchestra: II. Adagio; più largo, Concerto for Piano and Orchestra: III. A tempo giocoso (moderato); stretto, Die Glückliche Hand |
| Haan808 |
performing orchestra |
Horn Concerto No. 1 in E flat major, Op. 11: I. Allegro, Horn Concerto No. 1 in E flat major, Op. 11: II. Andante, Horn Concerto No. 1 in E flat major, Op. 11: III. Rondo: Allegro, Horn Concerto No. 2 in E flat major: I. Allegro, Horn Concerto No. 2 in E-flat, Op. 11: II. Andante con moto, Horn Concerto No. 2 in E-flat: III. Rondo (Allegro molto) |
| Mykola Fomenko |
performing orchestra |
Second Cantata, op. 31: Freudseling ist das Wort, Second Cantata, op. 31: Gelockert aus dem Schoße, Second Cantata, op. 31: Leichteste Bürden der Bäume trag ich durch die Räume : die Düfte, Second Cantata, op. 31: Schweigt auch die Welt, aus Farben ist sie immer, Second Cantata, op. 31: Schöpfen aus Brunnen des Himmels nach Wassern des Wortes, Second Cantata, op. 31: Sehr tief verhalten innerst Leben |
| Nathan Goshen |
performing orchestra |
Piano Concerto no. 1 in E-flat major: I. Allegro maestoso, Piano Concerto no. 1 in E-flat major: II. Quasi adadgio - Allegretto vivace - Allegro animato, Piano Concerto no. 1 in E-flat major: III. Allegro marziale animato, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace |
| tonair |
performing orchestra |
Piano Concerto no. 1 in C major, op 15: I. Allegro con brio (cadenza: Beethoven), Piano Concerto no. 1 in C major, op 15: II. Largo, Piano Concerto no. 1 in C major, op 15: III. Rondo. Allegro scherzando, Piano Concerto no. 3 in C minor, op 37: I. Allegro con brio (cadenza: Beethoven), Piano Concerto no. 3 in C minor, op 37: II. Largo, Piano Concerto no. 3 in C minor, op 37: III. Rondo. Allegro |
| Franz Schubert |
performing orchestra |
Ave Maria, German Dances, D. 820: VI. no. 2 in B-flat major cont., Impromptu in G-flat major, D. 899 (op. 90) no. 3 (excerpt), Symphonie No 8 en si mineur D. 759: Allegro Moderato, Symphony No. 8 in B minor (Unfinished) D759: I. Allegro moderato, Symphony No. 8 in B minor (Unfinished) D759: II. Andante con moto |
| Nadine Wisner |
performing orchestra |
Suite for Orchestra No. 3 in G major, Op. 55 - II. Valse melancolique. Allegro moderato, Suite for Orchestra No. 3 in G major, Op. 55 - III. Scherzo. Molto vivace, Suite for Orchestra No. 4 in G major, Op. 61 'Mozartiana' - I. Gigue, K574. Allegro, Suite for Orchestra No. 4 in G major, Op. 61 'Mozartiana' - II. Menuet, K355. Moderato, Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera. Andante non tanto |
| Alfredo Catalani |
performing orchestra |
Ebben? Ne andro lontana, Ebben? ne andrò lontana, La Wally: Act I. "Ebben? Ne andrò lontano" (Wally), La Wally: Act I. Aria "Ebben? Ne andrò lontana" (Wally), La Wally: Atto I. "Ebben? Ne andrò lontana" |
| Gaetano Donizetti |
performing orchestra |
Anna Bolena: "Piangete voi? ... Al dolce guidami ... Coppia iniqua" (Anna - Smeton - Percy - Rochefort - Herervey - Chor, Finale 2. Akt), Don Pasquale: Act 3, Duet "Tornami a dir, che m'ami", Lucia di Lammermoor: "Il dolce suono ... Ardon gli incensi ... Spargi d'amaro pianto" (Lucia, Raimondo - NorNormanno - Enrico - Chor, 3. Akt), Lucia di Lammermoor: Chi mi frena in tal momento?, Lucrezia Borgia : Tranquillo ei posa…com’e bello |
| Frederick Delius |
performing orchestra |
Concerto for piano and orchestra, I. Allegro non troppo, Concerto for piano and orchestra, II. Largo, Concerto for piano and orchestra, III. Tempo primo, Marche Caprice, The Walk to the Paradise Garden |
| Isaac Albéniz |
performing orchestra |
Iberia Suite: El Albaicín. Allegro, Iberia Suite: El Puerto. Allegro comodo, Iberia Suite: Evocation. Allegretto espressivo, Iberia Suite: La Fête Dieu à Séville (El Corpus en Sevilla). Allegro grazioso, Iberia Suite: Triana. Allegretto |
| Ivan Townsend |
performing orchestra |
Piano Concerto No. 1 in B flat minor, Op. 23 : 1. Allegro non troppo e molto maestoso (extract), Piano Concerto No. 2 in C minor, Op. 18 : 1. Moderato (extract), Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo a molto maestoso, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplica, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| TO-MAS SOUNDSIGHT FLUORESCENT FOREST |
performing orchestra |
Cantata, BWV 51 "Jauchzet Gott in allen Landen": "Alleluja", Cantata, BWV 51 "Jauchzet Gott in allen Landen": Arie "Höchster, Höchster", Cantata, BWV 51 "Jauchzet Gott in allen Landen": Arie "Jauchzet Gott in allen Landen", Cantata, BWV 51 "Jauchzet Gott in allen Landen": Choral "Sei Lob und Preis", Cantata, BWV 51 "Jauchzet Gott in allen Landen":P Rezitativ "Wir beten zu dem Tempel an" |
| Dawn Thomas Yarbrough |
performing orchestra |
Symphonie espagnole in D minor, op. 21: I. Allegro non troppo, Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto, Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegro non troppo, Symphonie espagnole in D minor, op. 21: IV. Andante, Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro - Poco piu lento - Tempo 1 |
| The Clones of Bruce Lee |
performing orchestra |
Les Djinns - Symphonic Poem for Piano and Orchestra, Piano Concerto in A minor, Op. 16: I. Allegro molto moderato, Piano Concerto in A minor, Op. 16: II. Adagio, Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso, Symphonic Variations for Piano and Orchestra |
| Joseph Haydn |
performing orchestra |
Symphonie C-dur "Kindersymphonie": I. Allegro, Symphonie C-dur "Kindersymphonie": III. Finale (Presto), Trumpet concerto in E flat, I: Allegro, Trumpet concerto in E flat, II: Andante, Trumpet concerto in E flat, III: Allegro |
| Hector Berlioz |
performing orchestra |
Symphonie fantastique: I. Reveries- Passions, Symphonie fantastique: II. Un Bal, Symphonie fantastique: III. Scene aux champs, Symphonie fantastique: IV. Marche au supplice, Symphonie fantastique: V. Songe d'une nuit de sabbat |
| Kalayo |
performing orchestra |
BWV 82, Kantate "Ich habe genug" : I. Arie "Ich habe genug" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950), BWV 82, Kantate "Ich habe genug" : II. Rezitativ "Ich habe genug" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950), BWV 82, Kantate "Ich habe genug" : III. Arie "Schlummert ein, Ihr matten Augen" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950), BWV 82, Kantate "Ich habe genug" : V. Arie "Ich freue mich auf meinen Tod" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950), BWV 82, Kantate "Ich habe genug" : VI. Rezitativ "Mein Gott! Wann kommt der schöne Nun!" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) |
| Mike McKoy |
performing orchestra |
Manon Lescaut: Atto Primo: "Vedete? lo son fedele" (Manon, Des Grieux), Manon Lescaut: Atto Quarto. "Sei tu che piangi?!" (Manon, Des Grieux), Manon Lescaut: Atto Quarto. "Tutta su me ti posa" (Des Grieux, Manon), Manon Lescaut: Atto Secondo. "Oh, saro la piu bella!" ... "Tu, tu, amore? Tu?!" (Manon, Des Grieux), Manon Lescaut: Atto Terzo. "Manon, disperato e il mio prego!" (Des Grieux, Manon) |
| Michael Nyman |
performing orchestra |
Double Concerto for Saxophone, Cello and Orchestra: I., Double Concerto for Saxophone, Cello and Orchestra: II., Double Concerto for Saxophone, Cello and Orchestra: III., Double Concerto for Saxophone, Cello and Orchestra: IV., Double Concerto for Saxophone, Cello and Orchestra: V. |
| Bella Goldwin |
performing orchestra |
Variations in F major for Trumpet and Orchestra: I. Largo, thema larghetto, Variations in F major for Trumpet and Orchestra: II. Variation 1, Variations in F major for Trumpet and Orchestra: III. Variation 2, Piu mosso, Variations in F major for Trumpet and Orchestra: IV. Variation 3, Sempre legato, Variations in F major for Trumpet and Orchestra: V. Variation 4, Tempo di polacca |
| Bedřich Smetana |
performing orchestra |
Má Vlast: Blaník, Má Vlast: From Bohemia's Fields and Groves, Má Vlast: Tábor, Má Vlast: Vyšehrad, Má Vlast: Šárka |
| monk beat |
performing orchestra |
Symphony no. 5 in C-sharp minor: I. Trauermarsch, In gemessenem Schritt, Streng, Wie ein Konduckt, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo, Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Adagietto, Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo - Finale, Allegro |
| Александр Порфирьевич Бородин |
performing orchestra |
In the Steppes of Central Asia, Polovtsian Dance, Prince Igor - Dance of the Polovtsian Maidens, Act 2 No. 8, Prince Igor - Polovtsian Dances, Act 2 No. 17, Prince Igor: Overture |
| Рейнгольд Морицевич Глиэр |
performing orchestra |
Symphony No. 2 in C minor, Op. 25: I. Allegro pesante, Symphony No. 2 in C minor, Op. 25: II. Allegro giocoso, Symphony No. 2 in C minor, Op. 25: III. Andante con variazioni, Symphony No. 2 in C minor, Op. 25: IV. Allegro vivace, Violin Concerto in G minor, Op. 100: Allegro moderato |
| Crab Legs |
performing orchestra |
Symphonic Dances Op. 64: Allegretto grazioso, Symphonic Dances Op. 64: Allegro giocoso, Symphonic Dances Op. 64: Allegro moderato e marcato, Symphonic Dances Op. 64: Andante - Allegro molto e risoluto |
| Joe Guercio & His Orchestra |
performing orchestra |
The Four Seasons, op. 8: Autumn: Allegro - Adagio molto - Allegro, The Four Seasons, op. 8: Spring: Allegro - Largo - Allegro, The Four Seasons, op. 8: Summer: Allegro non molto - Adagio - Presto, The Four Seasons, op. 8: Winter: Allegro non molto - Largo - Allegro |
| Francesco Cilea |
performing orchestra |
Adriana Lecouvreur - Poveri fiori, Adriana Lecouvreur: Act I. Aria "Ecco: respiro appena. Io son l'umile ancella" (Adriana), Adriana Lecouvreur: Act IV. "Poveri fiori" (Adriana), Adriana Lecouvreur: Atto IV. "Poveri fiori" |
| Glasmusik |
performing orchestra |
Il trovatore: Atto I, Scena I. "All'erta, all'erta!" (Ferrando, retainers, soldiers), Il trovatore: Atto I, Scena I. "Di due figli vivea" (Ferrando, retainers, soldiers), Il trovatore: Atto III, Scena I. "Or co' dadi, ma fra poco" (soldiers, Ferrandao), Il trovatore: Atto III, Scena I. "Squilli, echeggi la tromba guerriera" (Ferrando, soldiers) |
| Tony Marriott |
performing orchestra |
War Requiem, op. 66: II. Dies irae: "Lacrimosa dies illa", War Requiem, op. 66: II. Dies irae: "Liber scriptus proferetur", War Requiem, op. 66: IV. Sanctus: "Sanctus, sanctus, sanctus", War Requiem, op. 66: VI. Libera me: "Libera me, Domine, de morte aeterna" |
| 文太 |
performing orchestra |
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo |
| Nick Stabulas |
performing orchestra |
Die lustigen Weiber von Windsor, Ruslan und Ludmilla, Wenn ich König wär', Wilhelm Tell |
| Rah-mon Roma |
performing orchestra |
Il Trovatore: Il balen del suo sorriso, Il trovatore: Atto I, Scena II. "Tace la notte!" (Count), Il trovatore: Atto II, Scena II. "Il balen del suo sorriso" (Count), Tosca: Te Deum |
| R-Viss |
performing orchestra |
Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo, Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai |
| Ferrett Silverfish |
performing orchestra |
Sinfonie nr. 2 d-dur op. 73: 1. Allegro Non Troppo, Sinfonie nr. 2 d-dur op. 73: 2. Adagio Non Troppo, Sinfonie nr. 2 d-dur op. 73: 3. Allegretto Grazioso (Quasi Andantino) - Presto Ma Non Assai - Tempo I, Sinfonie nr. 2 d-dur op. 73: 4. Allegro Con Spirito |
| Coconut Mushroom |
performing orchestra |
Valse-Scherzo, op. 34, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| JUNO |
conductor, performing orchestra |
Manon : "Allons ! Il le faut ! pour lui-meme,", Manon : "Je suis encor tout etourdie,", Manon : "Restons ici, puisqu'il le faut" (Manon), Manon : "Toi ! Vous !" |
| Kchop |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian), Der Rosenkavalier, Op. 59: Aufzug II. "Mir ist die Ehre widerfahren" (Octavian, Sophie), Der Rosenkavalier, Op. 59: Aufzug II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie), Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian) |
| CHARGEEEEEE... |
performing orchestra |
Francesca da Rimini, op. 32, Symphony no. 5 in C-sharp minor: Adagietto, Symphony no. 5 in C-sharp minor: IV. Adagietto (conclusion), Symphony no. 5 in C-sharp minor: IV. Adagietto, Conclusion |
| Vincenzo Bellini |
performing orchestra |
Il Pirata: Act I: "Sorgete... Lo sognai ferito esangue", Il pirata : Sorgete…lo sognai ferito, esangue, Il pirata: "Oh! s'io potessi ... Col sorriso d'innocenza" (Imogene - Chor, Finale 2. Akt), La Sonnambula: Liebesduett "Prendi! L'anel ti dono" |
| Montserrat Caballé |
performing orchestra |
Carmen: Habañera, Mon cœur s'ouvre à ta voix, Paraules d'amor, The Phantom of the Opera: Wishing You Were Somehow Here Again |
| Webb |
performing orchestra |
Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso risoluto, Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto, Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto, Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace) |
| Kirsten Flagstad |
performing orchestra |
Götterdämmerung, Akt III: "Starke Scheite schichtet mir dort", Siegfried, Akt III: "Ewig war ich", Tristan und Isolde, Akt I: "Doch nun von Tristan ?", Tristan und Isolde, Akt III: "Mild und leise" |
| Epoz |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian), Der Rosenkavalier, Op. 59: Aufzug I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian), Der Rosenkavalier, op. 59: Da geht er hin... (Finale 1. Akt, Marschallin - Octavian) |
| Oureboros |
performing orchestra |
Feste romane, P 157: I. Circenses -, Feste romane, P 157: II. Il giubileo -, Feste romane, P 157: III. L’ottobrata -, Feste romane, P 157: IV. La befana |
| Sir William Walton |
performing orchestra |
Symphony No. 1 in B flat major: I. Allegro assai, Symphony No. 1 in B flat major: II. Presto, con malizia, Symphony No. 1 in B flat major: III. Andante con malinconia, Symphony No. 1 in B flat major: IV. Maestoso: Brioso ed ardentemente |
| Stephen Trier |
performing orchestra |
Swan Lake, op. 20: Act III. Hungarian Dance, Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo |
| Oliver Johnston |
performing orchestra |
El amor brujo: 10. Final, El amor brujo: 2. Canción del amor dolido, El amor brujo: 7. Canción del fuego fatuo, El amor brujo: 9. Danza del juego de amor |
| Old Man of the Desert |
performing orchestra |
Evening Rhapsody, Má Vlast: Vltava, Symphony no. 3 in F major, op. 90: II., Tristan and Isolde: Liebestod |
| Arsen!c |
performing orchestra |
Norma: Atto I, Scena II. "Ma di', l'amato quale fra noi si noma?" (Norma, Adalgisa, Pollione), Norma: Atto I, Scena II. "Oh! di qual sei tu vittima" (Norma, Adalgisa, Pollione), Norma: Atto I, Scena II. "Perfido! Or basti!" (Norma, Pollione. Adalgisa), Norma: Atto I, Scena II. "Vanne, si, mi lascia, indegno" (Norma, Pollione, Adalgisa, Coro) |
| Anton Bruckner |
performing orchestra |
Symphony No. 4 "Romantic" in E flat: I. Bewegt, nicht zu schnell, Symphony No. 4 "Romantic" in E flat: II. Andante quasi allegretto, Symphony No. 4 "Romantic" in E flat: III. Scherzo (Bewegt) & Trio (Nicht zu schnell), Symphony No. 4 "Romantic" in E flat: IV. Finale (Bewegt, doch nicht zu schnell) |
| Ohmega Sir |
performing orchestra |
Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai |
| Сергей Рахманинов |
performing orchestra |
Brief Encounter: Piano Concerto No. 2 in C minor: Moderato (excerpt), Klavierkonzert Nr. 2 c-Moll op. 18: Adagio, Rhapsodie sur un thème de Paganini, Symphony No. 2 in E minor, Op. 27: III. Adagio |
| アユム |
performing orchestra |
Lawrence of Arabia: Overture, Lawrence of Arabia: Suite, Overture, The Big Country |
| Lucious Randolph |
performer, performing orchestra |
Das Lied von der Erde: V. Der Trunkene im Frühling, Der fliegende Holländer: Overture, Götterdämmerung: Interlude: Siegfried's Rhine Journey, Siegfried: Act II: Forest Murmurs |
| Alfredo Kraus |
performing orchestra |
Rigoletto: Atto I, Scena I. "Questa o quella" (Duca), Rigoletto: Atto II. "Ella mi fu rapita" (Duca), Rigoletto: Atto II. "Parmi veder le lagrime" (Duca), Rigoletto: Atto III. "La donna è mobile" (Duca, Sparafucile, Rigoletto) |
| Ignat Chotkevych |
performing orchestra |
Das Augenlicht, op. 26 "Through Our Open Eyes Light Flows into the Heart", Prelude to Genesis for Mixed Chorus and Orchestra, op. 44, Two Songs, op. 19: No. 1. Weiß wie Lilien, Two Songs, op. 19: No. 2. Ziehn die Schafe von der Wiese |
| MVG |
performing orchestra |
Violin Concerto no. 5 in A minor, op. 37: Cadenza, Violin Concerto no. 5 in A minor, op. 37: I. Allegro non troppo, Violin Concerto no. 5 in A minor, op. 37: II. Adagio, Violin Concerto no. 5 in A minor, op. 37: III. Allegro con fuoco |
| Troika |
performing orchestra |
Norma: Atto II, Scena I. Introduzione, Norma: Sinfonia, The Sorcerer's Apprentice |
| Raman |
performing orchestra |
Violin Concerto in D major, Op. 77: I. Allegro non troppo (cadenza: Joseph Joachim), Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto |
| Sand Coffin |
performing orchestra |
Manon: Acte I. "Nous vivrons à Paris tous les deux !" / "Plus un sous !" (Manon, des Grieux, Poussette, Javotte, Rosette, Guillot, Chœur, l'Hôtelier, Brétigny, Lescaut), Manon: Acte II. "Enfin, les amoureux" (Lescaut, Brétigny, des Grieux, Manon), Manon: Acte IV. "Mais qui donc nous arrive.." (Guillot, Poussette, Javotte, Rosette, des Grieux, Lescaut, Chœur) / "Manon ! Spinx étonnant" (des Grieux, Manon, Lescaut) |
| Nelly Casman Orchestra |
performing orchestra |
Violin Concerto in D, op. 61: I. Allegro ma non troppo, Violin Concerto in D, op. 61: II. Larghetto, Violin Concerto in D, op. 61: III. Rondo |
| Jules Massenet |
performing orchestra |
Air de Nina from Chérubim, Act I, Meditation from "Thais", Thaïs, opera in 3 acts: Meditation |
| Sendr |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena I. "Non udistes? Un suon di tube" (Donne, Uomini), Rosmonda d'Inghilterra: Atto I, Scena III. "Amor, che turri accende" (Tenants), Rosmonda d'Inghilterra: Atto II, Scena VIII. "Ecco gli antichi platani" (Coro) |
| Ellinor Fritz |
performing orchestra |
Der Zigeunerbaron: Akt II. Zwischenspiel, Der Zigeunerbaron: Ouvertüre, Eine Nacht in Venedig: Akt I. Ouvertüre |
| K2 |
performing orchestra |
Das Land des Lächelns: Akt II. "Onke! Tschang! Onke! Tschang!..." (Mi), Das Land des Lächelns: Akt III. "Auf Wiederseh' n! ... Wie rasch verwelkte doch das kleine Blümchen Glück!" (Mi), Wiener Blut: Akt II. "Er ist fort? Wirklich fort?" (Pepi) |
| Shauna Masterson |
performing orchestra |
Norma: Atto I, Scena I. "Eccola! va, milascia, ragion non odo" (Adalgisa, Pollione), Norma: Atto I, Scena I. "Sgombra è la sacra selva, compuito il rito" (Adalgisa, Pollione), Norma: Atto I, Scena I. "Va, crudele, al Dio spietato" (Adelgisa, Pollione) |
| Franz von Suppé |
performing orchestra |
Leichte Kavallerie, Light Cavalry Overture, Poet and Peasant |
| El mago de Umago, Ginafry e Flavio Furian |
performing orchestra |
Violin Concerto in D major, op. 77: I. Allegro non troppo, Violin Concerto in D major, op. 77: II. Adagio, Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace |
| Ulrike Herenz |
performing orchestra |
Violinkonzert: Allegro moderato, Violinkonzert: Canzonetta. Andante attacca, Violinkonzert: Finale. Allegro vivacissimo |
| Chidi Enyia |
performing orchestra |
Danse macabre, op. 40, Marche héroïque in E-flat, op. 34, Phaéton, op. 39 |
| Karl Goldmark |
performing orchestra |
Konzert Nr. 1 für Violine und Orchester A-moll, Op. 28: I. Allegro moderato, Konzert Nr. 1 für Violine und Orchester A-moll, Op. 28: II. Andante, Konzert Nr. 1 für Violine und Orchester A-moll, Op. 28: III. Moderato - Allegretto |
| Chagall Sierra |
performing orchestra |
Violin Concerto in D minor: I. Allegro con fermezza, Violin Concerto in D minor: II. Andante sostenuto, Violin Concerto in D minor: III. Allegro vivace |
| Venice Ensemble |
performing orchestra |
Violin Concerto in B minor: 1. Andante tranquillo, Violin Concerto in B minor: 2. Presto capriccioso alla Napolitana, Violin Concerto in B minor: 3. Vivace |
| Carl Friedrich Christian Fasch |
performing orchestra |
Concerto in E major for Trumpet, Oboe d'amore and Violin, Strings and Continuo: I. Allegro, Concerto in E major for Trumpet, Oboe d'amore and Violin, Strings and Continuo: II. Affettuoso, Concerto in E major for Trumpet, Oboe d'amore and Violin, Strings and Continuo: III. Allegro |
| Victor Haze |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena III. Aria "Che pensi Arturo?" (Arturo), Rosmonda d'Inghilterra: Atto II, Scena III. Aria "Io non ti posso offrir" (Arturo), Rosmonda d'Inghilterra: Atto II, Scena III. Aria "Ritorna a splendere" (Arturo) |
| Silvano Antonio Pagliuca Mena |
conductor, performing orchestra |
Manon : "Ah ! Des Grieux !", Manon : "J'ai marqué l'heure du départ,", Manon : "Par adventure," |
| Mummers |
performing orchestra |
Manon: Acte I. Prélude, Manon: Acte III. Entr'acte (Menuet), Vorspiel |
| Vimala Rodgers |
performing orchestra |
Cello Concerto in E minor, op. 58: I. Andante – Poco meno mosso (Andante assai) – Adagio, Cello Concerto in E minor, op. 58: II. Allegro giusto, Cello Concerto in E minor, op. 58: III. Tema: Allegro - Interludio I: L'istesso tempo - Variations I-III - Interludio II: Tempo I - Variation IV - Reminiscenza: Meno mosso - Coda: Poco più sostenuto - Più mosso |
| Franz Liszt |
performing orchestra |
Fantaisie hongroise en fa majeur, Hungarian Fantasia for Piano and Orchestra, Hungarian Rhapsody no. 2 |
| Ravi Shakti |
performing orchestra |
Nocturne, Swan Lake: Dance of the Little Swans, Symphony no. 5 "Pathetique": I. |
| Pierrick Menuau |
performing orchestra |
Le Grand Macabre: Scene II. "One! Two! Three! Five!" (Mescalina, Astradamors), Le Grand Macabre: Scene II. "Shapely and attractive figure" (Mescalina, Astradamors), Le Grand Macabre: Scene II. "Venus! Venus!" (Mescalina, Astradamors) |
| Brothers Grimm |
performing orchestra |
Norma: Atto II, Scena III. "Deh! non voleri vittime" (Norma, Pollione, Oroveso, Coro), Norma: Atto II, Scena III. "Norma! deh! Norma, scolpati" (Coro, Norma, Pollione, Oroveso), Norma: Atto II, Scena III. "Qual cor tradisti, qual cor perdesti" (Norma, Pollione, Oroveso, Coro) |
| Brose Royce |
performing orchestra |
Konzert für Violine und Orchester Nr. 1 g-moll op. 26: I. Allegro moderato, Konzert für Violine und Orchester Nr. 1 g-moll op. 26: II. Adagio, Konzert für Violine und Orchester Nr. 1 g-moll op. 26: III. Finale (Allegro energico) |
| Doka |
performing orchestra |
Piano Concerto: I. Allegro non troppo, Piano Concerto: II. Molto lento e tranquillo, Piano Concerto: III. Vivace |
| Dog Head |
performing orchestra |
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve |
| Miss Special K |
performing orchestra |
Violin Concerto: I. Allegro con fermezza - Cadenza, Violin Concerto: II. Andante sostenuto, Violin Concerto: III. Allegro vivace |
| Milkyway |
performing orchestra |
Kantate: "Mein herze schwimmt im blut", BWV 199 I, Kantate: "Mein herze schwimmt im blut", BWV 199 II, Kantate: "Mein herze schwimmt im blut", BWV 199 III |
| Kris Poulin |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug III. "Ach, lass Sie schon einmal das fade Wort!" (Baron, Octavian), Der Rosenkavalier, Op. 59: Aufzug III. "Die schöne Musi!" (Octavian, Baron), Der Rosenkavalier, Op. 59: Aufzug III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron) |
| Kuduchild |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie), Der Rosenkavalier, Op. 59: Aufzug III. "Marie Theres'!" … "Hab'mir's gelobt" (Octavian, Marschallin, Sophie), Der Rosenkavalier, Op. 59: Aufzug III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) |
| Foot-Ball |
performing orchestra |
Norma: Atto I, Scena I. "Ah! bello a me ritorna" (Norma, Oroveso, Coro), Norma: Atto I, Scena I. "Fine al rito" (Norma, Oroveso, Coro), Norma: Atto I, Scena I. "Sediziose voci, voci di guerra" (Norma, Oroveso, Coro) |
| Bob Dusi |
performing orchestra |
Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Adagio scherzando |
| Midnight Sister |
performing orchestra |
Das Land des Lächelns: Akt II. "Dschinthien wuomen ju chon ma goa can" (Chor), Eine Nacht in Venedig: Akt I. "Wenn vom Lido sacht" (Chor), Eine Nacht in Venedig: Akt III. Introduktion "Karneval ruft uns zum Ball!" (Chor) |
| Xerosun |
performing orchestra |
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace |
| Binari |
performing orchestra |
Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato, Violin Concerto no. 1 in G minor, op. 26: II. Adagio, Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico |
| Leon Jacques |
performing orchestra |
Clarinet Concerto no. 2 in E-flat major: Alla Polacca, Clarinet Concerto no. 2 in E-flat major: Allegro, Clarinet Concerto no. 2 in E-flat major: Andante con Moto |
| Leon Kane |
performing orchestra |
Piano Concerto in F-sharp minor, op. 20: I. Allegro, Piano Concerto in F-sharp minor, op. 20: II. Theme: Andante - Variation I: Allegro scherzando - Variation II: Allegro scherzando / Variation III: Adagio / Variation IV: Allegretto - Tempo I, Piano Concerto in F-sharp minor, op. 20: III. Allegro moderato |
| Leptictidium |
performing orchestra |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro no troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo 1, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| 逆EDGE |
performing orchestra |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| [anonymous] |
performing orchestra |
Deck the Hall, The Twelve Days of Christmas, What Child Is This |
| Mental Sauce |
performing orchestra |
Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| Giant Peach |
performing orchestra |
Violin Concerto in D, op. 35: 1. Allegro moderato, Violin Concerto in D, op. 35: 2. Canzonetta (Andante), Violin Concerto in D, op. 35: 3. Finale (Allegro vivacissimo) |
| Ted Chiang |
performing orchestra |
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro |
| George Petit |
performing orchestra |
Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato, Violin Concerto no. 2 in G minor, op. 63: II. Andante assai - Allegretto - Andante assai, Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato |
| Puppy vs. Dyslexia |
performing orchestra |
Violin Concerto in D major, Op. 77: I. Allegro non troppo, Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace |
| Johann Nepomuk Hummel |
performing orchestra |
Trumpet Concerto in E major: I. Allegro con spirito, Trumpet Concerto in E major: II. Andante, Trumpet Concerto in E major: III. Rondo |
| The Cheaters |
performing orchestra |
Eine Nacht in Venedig: Akt I. "Evviva, Caramello! ... Willkommen, liebe Freunde!" (Chor, Caramello), Eine Nacht in Venedig: Akt III. "Ach, wie so herrlich zu schau'n" (Caramello), Wiener Blut: Akt I. Introduktion "Anna, Anna, Anna!" (Josef) |
| Johann Strauss |
performing orchestra |
Casanova: Nonnenchor, Thunder and Lightning Polka, Op. 324, Tritsch-Tratsch Polka, Op. 214 |
| Dave Willetts |
performing orchestra |
Bring Him Home, Guys & Dolls: Luck Be a Lady, La Cage aux Folles: I Am What I Am |
| Etsuko Kimura & Miguel Leiria Pereira |
performing orchestra |
Aida: Act II. Egyptian Ballet, La forza del destino: Overture, Vocalise in E minor |
| Thomas Frykberg |
performing orchestra |
Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Hamlet, Op. 67a |
| Alphabit |
performing orchestra |
Norma: Atto I, Scena II. "Vanne, è li cela entrambi" (Norma, Clitilde), Norma: Atto II, Scena I. "Dormono entrambi!" (Norma, Clotilde), Norma: Atto II, Scena III. "Ei tornerà. Si!" (Norma, Clotilde) |
| Almir Ferreira |
performing orchestra |
Carmen Suite no. 1: Les Toréadors, Carmen Suite no. 2: Habanera, Carmen Suite no. 2: Marche des contrebandiers |
| Tiras Buck |
performing orchestra |
Concerto pour piano & orchestre n°1 en si bémol mineur, Op. 23: I. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito, Concerto pour piano & orchestre n°1 en si bémol mineur, Op. 23: II. Andantino semplice - Prestissimo - Tiempo I, Concerto pour piano & orchestre n°1 en si bémol mineur, Op. 23: III. Allegro con fuoco |
| Joker/Two-Face |
performing orchestra |
Il trovatore: Atto IV, Scena I. "Mira, di acerbe lagrime" (Leonora, Count), Il trovatore: Atto IV, Scena I. "Udiste? Come albeggi, la scure al figlio" (Count, Leonora), Il trovatore: Atto IV, Scena I. "Vivrà! ... Contende il giubilo" (Leonora, Count) |
| MC Cash |
performing orchestra |
Concerto for Flute, Harp and Orchestra in C major: I. Allegro, Concerto for Flute, Harp and Orchestra in C major: II. Andantino, Concerto for Flute, Harp and Orchestra in C major: III. Rondeau. Allegro |
| Ton Van Elst |
performing orchestra |
Keyboard Concerto no. 1 in D minor, BWV 1052: I. Allegro, Keyboard Concerto no. 1 in D minor, BWV 1052: II. Adagio, Keyboard Concerto no. 1 in D minor, BWV 1052: III. Allegro |
| Håll Keft |
performing orchestra |
Violin Concerto no. 4 in D minor, op. 31: I. Andante, Violin Concerto no. 4 in D minor, op. 31: II. Adagio religioso, Violin Concerto no. 4 in D minor, op. 31: IV. Finale |
| Alan Brown |
performing orchestra |
Wiener Blut: Akt II. "Durchlaucht!" (Gräfin, Minister), Wiener Blut: Akt III. "Gent' s und verkauft' s mei G' wand" (Zwei Mädchen, Gräfin, Minister), Wiener Blut: Akt III. "Lockt Sie denn die Laube nicht" (Gräfin, Minister) |
| Ainda Não |
performing orchestra |
Das Land des Lächelns: Akt I. "Da kommt Lisa!..." (Gustl, Chor, Lisa), Das Land des Lächelns: Akt I. "Es ist nicht das erste Mal" (Gustl, Lisa), Das Land des Lächelns: Akt I. Dialog "Bitte, Lisa, blieb' doch ein Moment!" (Lisa, Gustl) |
| Marga Vārpiņa |
performing orchestra |
Trumpet Concerto in E-flat major: I. Allegro, Trumpet Concerto in E-flat major: II. Andante, Trumpet Concerto in E-flat major: III. Allegro |
| 辰巳シーナ |
performing orchestra |
Anna Bolena: Atto II. "Piangete voi?... Al dolce guidami castel natio", Hamlet : Acte IV. "À vos jeux... Partagez-vous mes fleurs... Et maintenant, écoutez ma chanson", Il pirata: Atto II. "Oh! s'io potessi... Col sorriso d'innocenza" |
| Kevin Knight |
performing orchestra |
Madama Butterfly: Act II, Part I. “Un bel dì vedremo levarsi un fil di fumo”, Manon Lescaut: Atto Quarto. "Sola, perduta, abbandonata" (Manon)., Manon Lescaut: Atto Secondo. "In quelle trine morbide" (Manon) |
| North Coast Vibes |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena IX. Finale "Tace ogun! nessun risponde?" (Tutti), Rosmonda d'Inghilterra: Atto II, Scena I. "Udimmo, o Re; qual suddito" (Consiglieri) |
| Joaquín Turina |
performing orchestra |
Poema en forma de canciones, Op. 19 No. 3: Cantares, Saeta en forma de salve a la Virgen de la Esperanza, Op. 60 |
| Regress |
performing orchestra |
Romance for Violin and Orchestra no. 1 in G major, op. 40: Andante, Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile |
| The Gift |
performing orchestra |
Swan Lake, Op. 20 / Extracts, Danses Des Cygnes, Waltz from Sleeping Beauty |
| Serling Rooks Ferrara McKoy & Worob, LLP |
performing orchestra |
Wiener Blut: Akt II. "Gestatten Sie ... Das ist die Gräfin?" (Bitowski, Minister, Franzi, Gräfin, Pepi, Graf, Chor), Wiener Blut: Akt II. "Ich habe gewonnen, ich habe gesiiegt" (Minister, Franzi, Gräfin, Pepi, Josef, Graf) |
| The Garrison |
performing orchestra |
Peer Gynt Suite No. 2, Op. 55: III. Solveig's Lullaby, Peer Gynt Suite No. 2, Op. 55: V. Solveig's Song |
| Михаил Иванович Глинка |
performing orchestra |
Overture to Russlan and Ludmilla, Ruslan and Ludmilla |
| Daryl Skobba |
performing orchestra |
Violin Concerto in G minor, op. 26: III., Violin Concerto no. 1 in G minor, op. 26: II. |
| April |
performing orchestra |
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito, Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile |
| Black Market Brass |
performing orchestra |
Das Land des Lächelns: Akt III. "Dieselbe Sonne, die über Europa scheint" / Dialog "Lisa. wir sind zwei Menschen" (Lisa, Sou-Chong, Gustl, Mi), Eine Nacht in Venedig: Akt II. "Lasset die andern tanzen da! Tra la la la!" (Herzog, Caramello, Annina, Ciboletta, Pappacoda, Herold) |
| Amilcare Ponchielli |
performing orchestra |
La Gioconda, opera in 4 acts: Dance of the Hours, La Gioconda: Act III, Dance of the Hours |
| Enrique Granados |
performing orchestra |
Goyescas - Intermezzo, Goyescas, H. 65: "La maja y el ruiseñor" |
| Saiko Kawamura |
conductor, performing orchestra |
Manon : "O Rosalinde,", Manon : "Regardez-moi bien dans les yeux !" |
| Ensemble de violes Gibbons |
performing orchestra |
La forza del destino: Atto III. "La vita è inferno all'infelice" (Don Alvaro), La forza del destino: Atto III. "Oh tu che in seno agli angeli" (Don Alvaro) |
| Jorge Vera |
performing orchestra |
Arabella, opera, Op. 79 (TrV 263): Act II. Sie wolln mich heiraten, Arabella: Akt III. "Das war sehr gut" |
| Agathe Jazz Quartet |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Mein schöner Schatz" (Octavian, Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) |
| David Rendall |
performing orchestra |
And This is My Beloved (Kismet), Serenade (The Student Prince) |
| 윤종수 |
performing orchestra |
La jeunesse d'Hercule, op. 50, Le Rouet d’Omphale, op. 31 |
| José Carreras |
performing orchestra |
Madama Butterfly: Atto II. “Addio fiorito asil”, Tu che a Dio spiegasti l'ali |
| Neil Friedlander |
performing orchestra |
Wiener Blut: Akt I. "Ein sehr jovialer alter Herr" (Minister, Franzi), Wiener Blut: Akt I. "Ich kann mich nicht beklagen" (Minister, Franzi) |
| Nathan Hewitt |
performing orchestra |
Manon Lescaut: Atto Primo. "L'amour?..l'amor?" (Des Grieux, Edmondo, coro), Manon Lescaut: Atto Primo. "Tra voi, belle, brune e blonde" (Des Grieux, Edmondo, coro) |
| Ruggero Leoncavallo |
performing orchestra |
I Pagliacci, Act 1: E fra quest' ansi ... Decido il mio destin, Pagliacci: "Recitar!...Vesti la giubba" |
| Julie Iraninejad |
performing orchestra |
Wiener Blut: Akt I. "Wünsch' guten Morgen, Herr von Pepi!" (Pepi, Josef), Wiener Blut: Akt II. "Geh' schau, mein liebes Schatzerl" (Josef, Pepi) |
| The Ambrosian Singers |
performing orchestra |
Manon: Acte III, Scène I. "Voici les élégantes !...Suis-je gentille ainsi ?" (Chœur, Brétigny), Manon: Acte III, Scène II. "Quelle éloquence !" (Chœur) |
| Justin Matthew Sargent |
performing orchestra |
Eine Nacht in Venedig: Akt I. "Annina! ... Caramello! ... Pellegrina rondinellla!" (Caramello, Annina), Eine Nacht in Venedig: Akt II. "Hör' mich, Annina, komm' in die Gondel" (Caramello, Annina) |
| Pod Blotz |
performing orchestra |
Madam Butterfly: 3. Vogliatemi bene, Madam Butterfly: 8. Con onor muore |
| Deams |
performing orchestra |
Arrival of the Queen of Sheba, From "Solomon", Messiah: He was despised |
| Guy Delahaye |
performing orchestra |
Concert Waltz no. 1, Concert Waltz no. 2 |
| Gégé Bonheur |
performing orchestra |
Madama Butterfly: "Scouti quella fronda di ciliegio" (The Flower Duet), Madama Butterfly: Flower Duet |
| Delivery Driver |
performing orchestra |
Manon: Acte I. "Holà ! Hé ! Monsieur l'Hôtelier ?" (Guillot, Brétigny, Poussette, Javotte, Rosette), Manon: Acte I. "Hors d'oeuvre de choix !" (l'Hôtelier, Guillot, Brétigny, Poussette, Javotte, Rosette) |
| HERØINE |
performing orchestra |
Caro mio ben, Orfeo ed Euridice: "Che farò senza Euridice?" |
| Arrigo Boito |
performing orchestra |
Mefistofele: Act III. "L'altra notte in fondo al mare", Mefistofele: Atto III. "L'altra notte in fondo al mare" |
| Pleasure Korps |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin), Der Rosenkavalier, op. 59: Marie Theres'!...Hab mir's gelobt... (Finale 3. Akt, Octavian - Marschallin - Sophie - Faninal) |
| Aktive |
performing orchestra |
Norma: Atto I, Scena I. "Me protegge, me diffende" (Pollione, Flavio, Coro), Norma: Atto I, Scena I. "Svanir le voci!" (Pollione, Flavio) |
| Farmer Road Recordings |
performing orchestra |
Manon: Acte I. "Entendez-vous la cloche" / "Allez à l'auberge voisine" / "Les voilà !" (Chœur, Lescaut), Manon: Acte I. "Partez ! On sonne !" / "Revenez, Guillot, revenez !" (Chœur, Lescaut, Guillot, Manon, Brétigny, Poussette, Javotte, Rosette) |
| Felice & Pap |
performing orchestra |
Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi" (Leonora, Inez), Il trovatore: Atto I, Scena II. "Tacea la notte placida" (Leonora, Inez) |
| Kayzo |
performing orchestra |
Don Giovanni: Atto II. "In quali eccessi ... Mi tradì", Le nozze di Figaro: Atto II. "Porgi, amor" |
| Warhaus |
performing orchestra |
Thaïs: Acte I, Scène I. "Mon fils, ne nous mêlons jamais" (Palémon, Athanaël, Cénobites), Thaïs: Acte III, Scène II. "Que le ciel est pesant !" (Cénobites, Palémon, Athanaël) |
| Herbert von Karajan |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian), Der Rosenkavalier, Op. 59: Aufzug I. Einleitung |
| Pico Alt |
performing orchestra |
Paganini Variations: Variation XVIII, Rhapsody on a Theme of Paganini, op. 43 |
| Holly McIntosh |
performing orchestra |
Der Zigeunerbaron: Akt II. "Mein Aug' bewacht bei Tag und Nacht" (Czipra, Barinkay, Saffi), Der Zigeunerbaron: Akt II. "Seht dies Gefunkel!... Ha, seht, es winkt, es blinkt, es klingt" (Czipra, Barinkay, Saffi) |
| Tony Ruland |
performing orchestra |
Gremlins Suite, MacArthur/Patton: The Generals Suite |
| Phantom Party |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena VII. Duetto "Concedo un breve istante" (Enrico, Rosmonda), Rosmonda d'Inghilterra: Atto II, Scena VII. Duetto "Giurasti un di... rammentalo" (Enrico, Rosmonda) |
| moYan |
performing orchestra |
Norma: Atto II, Scena III. "Già mi pasco ne' tuoi squardi" (Norma, Pollione), Norma: Atto II, Scena III. "In mia man alfin tu sei" (Norma, Pollione) |
| Disha & Bhakta |
performing orchestra |
Ivan the Terrible, Concert Scenario: II. Russian Sea, Ivan the Terrible, Concert Scenario: X. Song of the Beaver (Ephrosynia's Lullaby) |
| Dj - Skorpy |
performing orchestra |
Il trovatore: Atto II, Scena II. "Ah! se l'error t'ingombra" (nuns, Count, Ferrando, retainers), Il trovatore: Atto II, Scena II. "Per me ora fatale" (Count, Ferrando, retainers) |
| Mistress Stephanie and Her Melodic Cat |
performing orchestra |
Carmen : "La fleur que tu m'avais jetée", Carmen: Flower Song |
| Doctor Mean Face |
performing orchestra |
Wiener Blut: Akt I. "Fünf volle Tag'" (Franzi, Josef), Wiener Blut: Akt I. "Pepi! Er?" (Franzi, Josef) |
| Atle Gundersen |
performing orchestra |
Die lustige Witwe, Act II, no. 10: Er führt sie zu Maxim, Die lustige Witwe, Act II, no. 8: Heia, Madel. aufgeschaut |
| Big Daddy |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena III. "Dopo i lauri di vittoria" (Enrico, Tenants), Rosmonda d'Inghilterra: Atto I, Scena III. Aria "Protessi vivere com'io vorrei (Enrico) |
| Pets or Meat |
performing orchestra |
Il trovatore: Atto II, Scena II. "Quel suono! Oh ciel!" (Count, Ferrando, retainers), Il trovatore: Atto II, Scena II. "Tutto è deserto" (Count, Ferrando) |
| Tobias Graham Best |
performing orchestra |
Indian Love Call (Rose Marie), My Time of Day / I've Never Been in Love Before (Guys And Dolls) |
| La ténébreuse mafia |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina), Der Rosenkavalier, Op. 59: Aufzug II. "Da" … "Herr Cavalier" (Baron, Annina) |
| Lady Fern |
performing orchestra |
Eine Nacht in Venedig: Akt I. "Hast du mir ein Kostüm gebracht" (Pappacoda, Ciboletta, Herzog, Annina, Barbara), Eine Nacht in Venedig: Akt I. "Hier wasd es still ... Der Mond hat schwere Klag' erhob'n" (Herzog, Barbara, Annina, Pappacoda, Ciboletta) |
| Larry Kelley |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena IV. "Va, tu primier dimentico" (Enrico, Clifford), Rosmonda d'Inghilterra: Atto I, Scena IV. Duetto "Tu non conosci il merto" (Enrico, Clifford) |
| Dominic Weir |
performing orchestra |
Hungarian Battle March, Rákóczy March |
| Stefanie Brown |
performing orchestra |
Eine Nacht in Venedig: Akt I. "Komm in die Gondel, mein Liebchen" (Herzog, Delacqua, Annina), Wiener Blut: Akt I. "Ich klopfte ganz vergebens" (Minister, Gräfin, Graf) |
| VarieTease |
performing orchestra |
Eine Nacht in Venedig: Akt I. "'s ist wahr, ich bin nicht allzu klug ... Wenn du dich kränkst" (Ciboletta, Pappacoda), Eine Nacht in Venedig: Akt III. "Tacke, tacke, tack ... Aber wenn man erst gekostet hat" (Pappacoda, Ciboletta) |
| Ivan Alejandro Serur Raygoza |
performing orchestra |
Sinfonia n. 41 in do maggiore, K. 551 "Jupiter": Allegro vivace, Sinfonia n. 41 in do maggiore, K. 551 "Jupiter": Minuetto: Allegretto |
| Franz Lehár |
performing orchestra |
Die Lustige Witwe: Vilja-Lied, Merry Widow: "Vilia Lied" (Hanna) |
| Da Phunk Junkaz |
performing orchestra |
The Golden Goose: The Mummers’ Play, The Morning of the Year "The Mating Dance" |
| Voco Jazz Quintet |
performing orchestra |
Le Grand Macabre: Scene II. "Fire and death I bring" (Nekrotzar, Piet, Astradamors), Le Grand Macabre: Scene III. "Up! - Drink! - Up!" (Nekrotzar, Piet, Astradamors) |
| Richard Addinsell |
performing orchestra |
The Passionate Friends: Film Themes, Warschauer Konzert (Philharmonia Orchestra feat. conductor: Sir Neville Marriner, piano: Misha Dichter) |
| Valanx |
performing orchestra |
Madam Butterfly: 4. Un bel di vedremo, Madam Butterfly: 5. Che tua madre dovrà |
| James Gordon |
performing orchestra |
Arabella, opera, Op. 79 (TrV 263): Act I. (finale) Mein Elemer!, Arabella, opera, Op. 79 (TrV 263): Act l. "Ich danke, Fraulein" |
| Automatik |
performing orchestra |
Norma: Atto II, Scena III. "Guerra! Guerra!" (Coro, Oroveso, Norma), Norma: Atto II, Scena III. "Squilla il bronzo del Dio!" (Coro, Oroveso, Norma) |
| Maurice Ravel |
performing orchestra |
Bolero for Orchestra, Boléro |
| James Wignall |
performing orchestra |
Manon Lescaut: Atto Primo. "Cortese damigella" (Des Grieux, Manon, Lescaut), Manon Lescaut: Atto Terzo: "Ansia eterna, crudel" (Des grieux, Lescaut, Manon) |
| Janio Coronado |
performing orchestra |
Thaïs: Acte I, Scène II. "Quel est cet étranger" (Thaïs, Nicias, Athanaël), Thaïs: Acte II, Scène II. "Il dit vrai !" (Thaïs, Nicias, Athanaël, Chœur) |
| Ric Simenson |
performing orchestra |
Capriccio Italien, op. 45, Capriccio Italien, p. 45 |
| Matt de Meo |
performing orchestra |
Romance for Violin and Orchestra no. 1 in G major, op. 40: Andante, Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile |
| SiTimeRecords |
performing orchestra |
Il trovatore: Atto IV, Scena I. "D'amor sull'ali rosee" (Leonora), Il trovatore: Atto IV, Scena I. "Tu vedrai che amore in terra" (Leonora) |
| Jean-Louis Chabry |
performing orchestra |
Norma: Atto II, Scena II. "Ah! del Tebro al giogo indegno" (Oroveso, Coro), Norma: Atto II, Scena II. "Guerrieri! a voi venine" (Oroveso, Coro) |
| Renée Fleming |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena V. Aria "Torna, torna or caro oggetto" (Rosmonda), Rosmonda d'Inghilterra: Atto I, Scena V. Aria "Volgon tre lune, ahi! lassa!" (Rosmonda) |
| Alice Delysia |
performing orchestra |
Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve |
| Mariel Orr |
performing orchestra |
Der Zigeunerbaron: Akt I. "Das wär' kein rechter Schiffersknecht" (Chor), Der Zigeunerbaron: Akt III. "Hurrah, die Schlacht mitgemacht haben wir im fernen Land" (Chor) |
| Otto Nicolai |
performing orchestra |
As alegres comadres de Windsor: Abertura, Overture from, "Les femmes joyeuses de Windsor" |
| The Malcom Dodds Singers |
performing orchestra |
Das Land des Lächelns: Akt II. "Als Gott die Welt erschuf...Meine Liebe, deine Liebe..." (Gustl, Mi), Das Land des Lächelns: Akt III. "Zig, zig, zig ... Wenn die Chrysanthemen blüh' n ... Du bist so lieb..." (Mi, Gustl) |
| ElderFlux |
performing orchestra |
Thaïs: Acte I, Scène II. "Ah ! ah ! ah ! ... Athanaël, c'est toi !" (Crobyle, Myrtale, Nicias, Athanaël), Thaïs: Acte I, Scène II. "Ah ! ah ! ah ! ... Je vais donc te revoir" (Crobyle, Myrtale, Nicias, Athanaël) |
| Jeff Wood |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena II. Duetto "Caro, sebben colpevole" (Leonora, Enrico), Rosmonda d'Inghilterra: Atto II, Scena II. Duetto "Tu sei..." (Leonora, Enrico) |
| Renata Scotto |
performing orchestra |
Madama Butterfly: Act II. Un bel di, vedremo, Suor Angelica: “Senza mamma, o bimbo, tu sei morto” |
| Sherisse Rogers |
performing orchestra |
"Ah, perfido!", Op. 65, Fidelio, Op. 72: Act I. "Abscheulicher! Wo eilst du hin?" |
| Gavin |
performing orchestra |
Il trovatore: Atto I, Scena II. "Di geloso amor sprezzato" (Count, Leonora, Manrico), Il trovatore: Atto I, Scena II. "Non m'inganno" (Count, Leonora, Manrico) |
| Geoffrey Burgon |
performing orchestra |
Bleak House, The Chronicles of Narnia |
| The Kahelelani Serenaders |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena IX. "Primero io giungo" (Rosmonda) / Scena X. È dessa..." (Leonora, Rosmonda), Rosmonda d'Inghilterra: Atto II, Scena X. Duetto "Si, non io...qui sola io movo" (Rosmonda, Leonora) |
| George Frideric Handel |
performing orchestra |
Joy to the World, Lascia Ch'Io Pianga (Harrods) |
| Rell the Soundbender |
performing orchestra |
New York, New York from On the Town, West Side Story Suite (excerpt) |
| Jill & The New Gruv |
performing orchestra |
Wiener Blut: Akt II. "Die Weinerstadt, sie hat eiv Symbol" (Graf, Chor, Alle), Wiener Blut: Akt III. "Weiner Blut!" (Alle) |
| The John Alldis Choir |
performing orchestra |
Norma: Atto I, Scena I. "Norma viene" (Coro), Norma: Atto II, Scena II. "Non parti?" (Coro) |
| Chory |
performing orchestra |
Ein deutsches Requiem, op. 45 Nr. 5: "Ihr habt nun Traurigkeit", Symphony no. 4 in G major: Sehr behaglich („Wir genießen die himmlishen Freuden‟ from Des Knaben Wunderhorn) |
| Emmy Raver-Lampman |
performing orchestra |
Eine Nacht in Venedig: Akt II. "Sie sagten meinem Liebesfleh'n" (Herzog, Annina, Pappacoda, Caramello) |
| Marc Raue |
performing orchestra |
Manon Lescaut: Atto Primo."Ave, sera gentile" (Edmundo, coro) |
| Madjid Zare |
performing orchestra |
Thaïs: Acte I, Scène I. "Le voici ! le voici !" (Cénobites, Athanaël, Palémon) |
| Maria Margarethe Danzi |
performing orchestra |
Thaïs: Acte II, Scène I. "Je n'ai pas plus choisi mon sort que ma nature" (Thaïs, Athanaël, Nicias) |
| Lucas Saint Cricq |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) |
| Marilyn Hill Smith |
performing orchestra |
Is it Really Me? (110 in the Shade) |
| Loris Peloso |
performing orchestra |
Le Grand Macabre: Scene I. "Dies irae" (Piet, Amanda, Amando, Nekrotzar) |
| Mark Evans (Heavens Edge) |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian) |
| Mary Bircher |
performing orchestra |
Manon : Acte IV. "Un mot, s'il vous plait, Chevalier" (Manon, des Grieux, cast) |
| Liza Pulman |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) |
| Lindsie Van Winkle |
performing orchestra |
Eine Nacht in Venedig: Akt I. "Messer Delacqua!" (Pappacoda, Ciboletta, Herzog, Delacqua) |
| Lilsnoop |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) |
| Liana Berube |
performing orchestra |
Romance cantabile for Piano, Flute, and Bassoon accompanied by two Oboes and Strings, Hess 13 |
| Liam Tomaszewski |
performing orchestra |
Thaïs: Acte I, Scène I. "Ne nous mêlons jamais, mon fils" (Palémon, Cénobites, Athanaël) |
| Lexie |
performing orchestra |
Eine Nacht in Venedig: Akt I. "Ihr Venezianer, hört...Drum sei glücklich, sei selig, Venezia!" (Pappacoda, Chor) |
| Max Reger |
performing orchestra |
The Virgin's Slumber Song |
| McGain |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian) |
| Meggie George |
performing orchestra |
Der Zigeunerbaron: Akt I. "Hier in diesem Land Eure Wiege stand" (Saffi, Czipra, Barkinay, Arsena, Mirabelle, Zsupán, Chor) |
| Melissa Rigby |
performing orchestra |
Der Zigeunerbaron: Akt I. "Arsena, Arsena!" (Ottokar, Arsena, Barinkay, Saffi, Czipra, Chor) |
| Menschenfresser |
performing orchestra |
William Tell: Ouvertüre |
| Lewis Compton |
performing orchestra |
Le Grand Macabre: Scene III. "Ahh!.. Secret cypher!" (Gepopo, Prince Go-Go, White Minister, Black Minister) |
| Les Boppers |
performing orchestra |
Le Grand Macabre: Scene III. "Arse-licker, arse-kisser!" (White Minister, Black Minister, Prince Go-Go) |
| Lello Petrarca |
performing orchestra |
Marche Joyeuse |
| Laura Cortese & The Dance Cards |
performing orchestra |
Die lustige Witwe, Act II, no. 9: Wie die Weiber |
| L.Biollay |
performing orchestra |
Der Zigeunerbaron: Akt I. "Ah, sieh da, ein herrlich Frauenbild" (Barinkay, Zsupán, Mirabella, Arsena, Czipra, Chor) |
| KranknMillie |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister) |
| Minor Movement |
performing orchestra |
Madama Butterfly: Act II, Part I. Coro a bocca chiusa |
| KranknChop |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie, Marianne, Baron) |
| Kolbi Dixon |
performing orchestra |
Die lustige Witwe, Act III, no. 15: Lippen schweigen |
| Miyuki Komori |
performing orchestra |
Manon: Acte III, Scène I. "C'est elle ? Oui, c'est Manon !" (Comte, Manon, Brétigny) / "Pardon !...mais j'étais là.." (Manon, Comte) |
| Mongoloid |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena V. "Pérche non ho del vento" (Rosmonda, Arturo) |
| Killer T |
performing orchestra |
Manon Lescaut: Atto Terzo. " Presto! In fila!" / "No! pazzo son!" (Sergente, Des Grieux, Commandante, coro) |
| Kihl Studio |
performing orchestra |
Wiener Blut: Akt III. "Stoß an, stoß an, du Liebchen mein" (Graf, Pepi, Gräfin, Franzi, Minister, Josef) |
| MoweLan |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Als Morgengabe …" (Baron, Notar, Sänger) |
| Kevin Massey |
performing orchestra |
Eine Nacht in Venedig: Akt II. "Solch' ein Wirtschaus lob' ich mir ... Man steckt ein" (Chor, Pappacoda, Caramello) |
| Keith Thornton |
performing orchestra |
Madama Butterfly: Act I. "Bimba dagli occhi pieni di malia" |
| Mutsel Öztürk |
performing orchestra |
Symphony No. 3: IV. Sehr langsam. Misterioso. Durchaus ppp |
| Muzio Clementi |
performing orchestra |
Sinfonie B-Dur, Op. 18 Nr. 1: Allegro assai |
| Karen Langendonk |
performing orchestra |
Manon: Acte V. "Manon ! Pauvre Manon !" / "Capitaine, ô gué" (des Grieux, Lescaut, Guards) |
| KEN |
conductor, performing orchestra |
Manon : "Les grands mots que voilà !" |
| Møllarn |
performing orchestra |
Die lustige Witwe, Act III, no. 16 Ja, das Studium der Weiber |
| Nacho Dogan |
performing orchestra |
Die verkaufte Braut: Akt. III "Endlich allein ... Wie fremd und tot" |
| KATANA |
performing orchestra |
Eine Nacht in Venedig: Akt I. "Zur Serenade!" (Chor, Delacqua, Herzog) |
| Jussi Tapola |
performing orchestra |
Das Land des Lächelns: Akt II. "Im Namen unseres Wen-Sway-Jeh" (Tschang, Chor, Sou-Chong) |
| Juan "Punchy" Gonzalez |
performing orchestra |
Eine Nacht in Venedig: Akt II. "Ninana, Ninana, hier will ich singen!" (Herzog, Annina, Ciboletta, Delacqua) |
| José Gorostiza |
performing orchestra |
Da sind die reichen Damen! |
| Joshua Mock |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "Brav, Faninal, er weiss, was sich gehört" (Baron, Octavian, Sophie, Faninal, Marianne) |
| Nemo |
performing orchestra |
Manon: Acte I. "Il vous parlait, Manon ?" / "Regardez-moi bien dans les yeux !" (Lescaut) |
| Nicholas Maw |
performing orchestra |
Dance Scenes |
| Joseph Michael Levry |
performing orchestra |
Rhapsody in Blue |
| Jonathan Grove |
performing orchestra |
Thaïs: Acte III, Scène III. "Seigneur, ayez pitié de moi" (Chœur, Albine) |
| John Francis Wade |
performing orchestra |
Adeste Fideles |
| Johann Sebastian Bach |
performing orchestra |
Notenbüchlein der Anna Magdalena Bach - Kleine Suite |
| Nihilum |
performing orchestra |
Ave Maria "Ellens Gesang III", D. 839 |
| Niklas Aman |
performing orchestra |
Le Grand Macabre: Scene III. "Woe! Ooh! - For the day of wrath" (Nekrotzar, Astradamors, Chorus) |
| Johann Friedrich Fasch |
performing orchestra |
Concerto in E major for Trumpet, Oboe d'amore, Violin, Strings and Continuo: Affettuoso |
| Joan Sutherland |
performing orchestra |
What Child Is This? |
| Joachim Raff |
performing orchestra |
Sinfonie Nr. 3 F-Dur: Allegro assai |
| Novellus |
performing orchestra |
Exsultate, jubilate, KV 165: Alleluia (Allegro) |
| Odyssey |
performing orchestra |
Ivan the Terrible, Concert Scenario: XI. The Banquet: ii. Allegro moderato |
| Jim Stabile |
performing orchestra |
Eilt Euch! Macht Front! Ah! Kommt mir nicht zu nahe! |
| Jet Black Vicar |
performing orchestra |
Der Zigeunerbaron: Akt II. "Ich hab' gewacht bei Tag und Nacht" (Czipra, Arsena, Mirabella, Barinkay, Homany, Carnero, Ottokar, Zsupán, Chor) |
| Jerry Herman |
performing orchestra |
La Cage aux Folles: I Am What I Am |
| Old Self |
performing orchestra |
Cavalleria rusticana: "Intanto, amici, qua...Viva il vino spumeggiante" |
| Jeremiah Clarke |
performing orchestra |
Trumpet Voluntary - andante maestoso |
| Jenna Moynihan |
performing orchestra |
Die lustige Witwe, Act I, no. 2: So kommen Sie! |
| Jeff Wood |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena II. Aria "Ma il tempo vola" (Arturo) / Scens IV. "Oh! Ciel!" (Arturo, Clifford) / Scena V. "È dessa" (Clifford, Rosmonda) |
| Omid Djalili |
performing orchestra |
Weise Prophetin - O sag, wenn ich fahr' auf schäumenden Wogen |
| Jeff Wood |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena I. "Quanto dal vostro zelo" (Enrico) / Scena II. Duetto "Fermati" (Leonora, Enrico) |
| Orchidea De Santis |
performing orchestra |
St. Matthew Passion, BWV 244, Part II: Aria: Erbarme dich, mein Gott |
| Jean-Philippe Rameau |
performing orchestra |
Pygmalion, acte de ballet, Ouverture |
| Jean-Philippe Bordier 4 Tet |
performing orchestra |
Le Grand Macabre: Scene II. "Who's there? A man? - A man!" (Mescalina, Nekrotzar, Venus, Piet, Astradamors) |
| Jean Philippe Bordier |
performing orchestra |
Le Grand Macabre: Scene I. "Melting snow is thy breast" (Amando, Amanda) |
| Pascal Fossard |
performing orchestra |
Le Grand Macabre: Scene III. "Where am I? What time is it?" (Nekrotzar, Piet, Prince Go-Go, Astradamors, Chorus) |
| Pascal Fossard Quintet |
performing orchestra |
Le Grand Macabre: Scene III. "Hurray, hurray! My wife is dead" (Astradamors, Prince Go-Go, Chorus) |
| Pat Broxton |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) |
| Patrick Donoghue |
performing orchestra |
Thaïs: Acte III, Scène II. "C'est lui qui vient !" (Athanaël, Palémon) |
| Patrick Lafarge |
performing orchestra |
Der Zigeunerbaron: Akt II. " Kling und Klang, Eisen macht Gesang!" (Zigeunerchor) |
| Paul Fleetwood |
performing orchestra |
Der Zigeunerbaron: Akt I. "O habet Acht, habet Acht" (Chor, Saffi, Barinkay, Czipra) |
| Jaromír Weinberger |
performing orchestra |
Polka from "Schwanda the Bagpiper" |
| Pekka Priha |
performing orchestra |
Concerto for Flute and Harp in C major, K. 299: II. |
| Peter Baraník |
performing orchestra |
Carmina Burana: O Fortuna |
| Peter Bay Alexandersen |
performing orchestra |
Norma: Atto II, Scena III. "Dammi quel ferro" (Pollione, Norma, Oroveso, Coro) |
| Ive5 |
performing orchestra |
Madame Butterfly - Addio fiorito asil |
| Peter Lindsay |
performing orchestra |
Russischer Marsch, op. 426 |
| In On It |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) |
| Peter Walker |
performing orchestra |
Il trovatore: Atto IV, Scena I. "Siam giunti: ecco la torre" (Ruiz, Leonora) |
| Imperium |
performing orchestra |
Norma: Atto I, Scena I. Coro d'introduzione "Ite sui colle, o Drudi" (Oroveso, Coro) |
| Ileana Cotrubaş |
performing orchestra |
La bohème: “Sì. Mi chiamano Mimì” |
| Huw Webb |
performing orchestra |
Der Zigeunerbaron: Akt I. "So elend und so treu" ... "O habet Acht" (Saffi, Barinkay) |
| Phase |
performing orchestra |
Symphony no. 4, Italian: IV. Saltarello - Presto |
| Hero & Leander |
performing orchestra |
Rhapsody in Blue |
| Henri Vieuxtemps |
performing orchestra |
Violin Concerto no. 4 in D minor, op. 31: III. Scherzo |
| Helen Flaherty |
performing orchestra |
Le Grand Macabre: Scene I. "Oh..! - Amanda! Can do no more!" (Amanda, Amando, Piet) |
| Heather Downing |
performing orchestra |
Thaïs: Acte II, Scène II. "Celle qui vient est plus belle" (Crobyle, Myrtale) |
| Pinnacle Entertainment |
performing orchestra |
Wiener Blut: Akt II. "So nimm, meine süßer Schatz ... Die Schrift, die kenn' Ich" (Graf, Pepi, Josef) |
| Pitom |
performing orchestra |
Prince Igor: Danses Polovtsiennes |
| Harold Fraser-Simson |
performing orchestra |
Love Will Find a Way |
| H. G. Adler |
performing orchestra |
The Marriage of Figaro: “Voi che sapete” |
| Gustav Holst |
performing orchestra |
Excerpts From the Planet Suite, op. 32: Jupiter the Bringer of Jollity |
| Guillaume Latil |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) |
| Greywind |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian) |
| Gregory Sams |
performing orchestra |
The Planets, op. 32: Neptune, the Mystic |
| REDD |
performing orchestra |
Der Zigeunerbaron: Akt II. "O welch ein Glück!" (Saffi, Barinkay, Arsena, Mirabella, Czipra, Zsupán, Homonay, Ottokar, Chor) |
| Gregory Germain |
performing orchestra |
Die lustige Witwe, Act II, no. 12a: Entr'acte |
| Ralf Gustke |
performing orchestra |
Sylvia: Pas de Deux |
| Greg Barbone |
performing orchestra |
Les Troyens: Royal Hunt and Storm (Act II) |
| Grafter |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena II. "Ti vedro, donzella audace" (Leonora, Voices, Arturo) |
| Global Helena |
performing orchestra |
Il barbiere di Siviglia - Overture |
| Giulio Maria Lucchesi |
performing orchestra |
Thaïs: Acte III, Scène I. "Mon œuvre est accomplie !" (Athanaël, Thaïs, Albine, chœur) |
| Rebound |
performing orchestra |
Piano Concerto no. 1 in E minor, op. 11 (arr. Fenton) (excerpt) |
| Red Engine Nine |
performing orchestra |
Il trovatore: Atto III, Scena II. "Quale d'armi fragor poc'anzi intesi?" (Leonora, Manrico) |
| Reg Shrader |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) |
| Germán "El Potos" Díaz |
performing orchestra |
Thaïs: Acte II, Scène II. "Eh ! c'est lui ! ... Athanaël" (Nicias, Chœur, Athanaël) |
| George Gershwin |
performing orchestra |
Porgy and Bess: Summertime |
| Gabriela Ortega |
performing orchestra |
The Sleeping Beauty Suite, op. 66a: V. Valse. |
| Frederick Loewe |
performing orchestra |
I Could Have Danced All Night |
| Freddy Tougaux |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug III. "Wie die Stund' hingeht" (Octavian, Baron, Annina, Wirt, Vier Kinder, Kellner, Valzacchi) |
| Franz von Supp' Spalato Dalmatia |
performing orchestra |
Finale From Light Cavalry Overture |
| Frankie Estevez |
performing orchestra |
Der Zigeunerbaron: Akt I. "Bald wird man dich viel umwerben" (Czipra, Carnero) |
| Richard Beaudet |
performing orchestra |
Hoffmanns Erzählungen: Barcarole |
| Richard Duarte |
performing orchestra |
Le Grand Macabre: Scene III. "Tsk... - Psssst! - Ha! Head of my secret service!" (Chorus, Gepopo, Prince Go-Go, White Minister, Black Minister) |
| Richard Hammond |
performing orchestra |
Le Grand Macabre: Scene I. "Away, you swagpot!" (Nekrotzar, Piet) |
| Richard Storrs Willis |
performing orchestra |
It Came Upon a Midnight Clear |
| Frank Loesser |
performing orchestra |
Guys and Dolls: Luck Be a Lady |
| Florent Campana |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena IX. Finale "È dessa... alfin la perfida" (Leonora, Enrico, Rosmonda, Arturo, Clifford, Coro) |
| Rico Petroleum |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena VI. Duetto "T'appressa, Arturo" (Rosmonda, Arturo) / Scena VII. "E dessa?" (Clifford, Arturo, Rosmonda) |
| Fleur D. |
performing orchestra |
Der Zigeunerbaron: Akt II. "Her die Hand, es muss ja sein" (Homonay, Chor) |
| Fingerpistol |
performing orchestra |
The Oliver Theme |
| Fairy April |
performing orchestra |
White Christmas |
| RoccoW |
performing orchestra |
William Tell Overture |
| Ron Affif Trio |
performing orchestra |
Le Grand Macabre: Scene III. "Posture exercises!" (Black Minister, White Minister, Prince Go-Go) |
| Roscoe Thériot |
performing orchestra |
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino |
| Explicit Fam |
performing orchestra |
Il trovatore: Atto IV, Scena II. "Ai nostri monti ritorneremo" (Azucena, Manrico) |
| Rudolf Friml |
performing orchestra |
Indian Love Call |
| Rudy Colombini |
performing orchestra |
Il trovatore: Atto III, Scena II. "Ah si, ben mio, coll'essere io tuo" (Manrico) |
| Evgenij Soloviev |
performing orchestra |
Manon Lescaut: Atto Terzo. "...e Kate ripose al Re" (Lampionaio, Des Grieux, Manon) |
| Ether |
performing orchestra |
Der Zigeunerbaron: Akt I "Also jetzt wirst du Augen machen, Freunderl!" ... "Dem Freier nacht die Braut" ... "Ein Frier meldet sich schon wieder" (Zsupán, Chor, Arsena, Barinkay, Carnero, Mirabella) |
| Ernest David Lijoi |
performing orchestra |
Manon : Acte III, Scene I. "Je marche sur tous les chemins" (Manon) |
| Eric Jacot |
performing orchestra |
Le Grand Macabre: Scene IV. "Ah, it was good" (Amando, Amando, all without Nekrotzar) |
| SOTARO |
conductor, performing orchestra |
Manon : "Obeissons quand leur voix appele," |
| Ensemble FOVE |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena V. "Io fuggirò quel perfido" (Rosmonda, Clifford, Arturo) |
| Samuel Barber |
performing orchestra |
Adagio |
| Ennio Morricone |
performing orchestra |
The Mission: Nella fantasia (Vocal version of "Gabriel's Oboe") |
| Schala |
performing orchestra |
Rosmonda d'Inghilterra: Sinfonia |
| Scootdawg |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne) |
| Manthoukai |
performing orchestra |
Manon: Acte III, Scène I. "À quoi bon l'économie" / "O Rosalinde" (Lescaut) / "Bonjour, Pousette !" (Guillot, Poussette, Javotte, Brétigny) |
| Sebastian Grouchot |
performing orchestra |
Die lustige Witwe, Act II, no. 7: Introduction, Dance and Vilja-Lied |
| Emma Bailetti |
performing orchestra |
Madama Butterfly: "Con onor muore chi non può serbar vita con onore.… tu, tu" |
| Elouise |
performing orchestra |
Der Zigeunerbaron: Akt I. "Hergott, ein altes Weib!" (Carnero, Czipra, Barkinay, Saffi) |
| Elmore James Jr. |
performing orchestra |
Il trovatore: Atto II, Scena I. "Inoltra il piè" (Manrico, messenger, Azucena) |
| Eliseo Robles |
performing orchestra |
Peter and the Wolf: No sooner had Peter gone... |
| Eleonora Bianchini |
performing orchestra |
Manon: Acte III, Scène I. "El maintenant restez seul" (Manon, Brétigny, Chœur, Le Comte des Grieux) |
| Elenco do Teatro da Universidade Católica de São Paulo |
performing orchestra |
Der Zigeunerbaron: Akt I. "Verloren hast du einen Schatz" (Czipra) |
| Eldemur Krimm |
performing orchestra |
Der Zigeunerbaron: Akt II. "Noch eben in Gloria" (Carnero, Zsupán, Mirabella, Arsena, Ottokar, Czipra) |
| Edward German |
performing orchestra |
For Tonight (Waltz Song) from the opera Tom Jones |
| Edward Elgar |
performing orchestra |
Land of Hope and Glory |
| Simon Simon |
performing orchestra |
Wiener Blut: Akt I. "Nein, nein, daraus werd' ich nicht klug" (Gräfin, Graf, Minister, Franzi) |
| EMI |
performing orchestra |
Der Zigeunerbaron: Akt I. "Das schreib' dir, Alte, hinter's Ohr" (Carnero, Czipra, Barkinay, Chor, Zsupán) |
| Sion Alun |
performing orchestra |
Der Zigeunerbaron: Akt I. "Du kannst den Zigeunern getrost vertrau'n" (Czipra, Chor, Saffi, Barinkay, Zsupán, Carnero, Arsena, Mirabella) |
| Dread |
performing orchestra |
Fantasia in C minor for Piano, Chorus, and Orchestra, op. 80 “Choral Fantasy” |
| Drats!!! |
performing orchestra |
Die Fledermaus (The Bat), overture to the operetta (RV 503-1) |
| Siri |
performing orchestra |
Die lustige Witwe, Act I,no. 4: O Vaterland |
| Snaketown Syndicate |
performing orchestra |
Der Zigeunerbaron: Akt III. "Von des Tajo Strand" (Zsupán, Chor) |
| Soet Kempeneer |
performing orchestra |
Il trovatore: Atto II, Scena I. "Vedi! La fosche notturne spoglie" (gypsies) |
| Som di Longe |
performing orchestra |
Norma: Atto I, Scena I. "Deh! proteggimi, o Dio!" (Adelgisa) |
| Splinta |
performing orchestra |
Der Rosenkavalier - Trio: Hab, mir's gelobt - Acte III |
| Dominique Laroche |
performing orchestra |
Manon: Acte IV. "Oui, je viens t'arracher à la honte" (Comte, Tutti) |
| Dom Monks |
performing orchestra |
Manon: Acte IV. "Un mot, s'il vous plait, Chevalier" / "Ce bruit de l'or" / "A nous les amours et les roses !" (Guillot, Poussette, Javotte, Rosette, des Grieux, Lescaut, Manon) |
| Diomedes Maturan |
performing orchestra |
Champagner Polka, op. 211 |
| Sunnmoonsekt |
performing orchestra |
Il trovatore: Atto IV, Scena II. "Che! ... Non m'inganna!" (Manrico, Leonora, Azucena, Count) |
| Suomen Kansallisoopperan Solistit |
performing orchestra |
Das Land des Lächelns: Akt III. "Liebes Schwesterlein, solist nicht traurig sein" (Sou-Chong, Mi) |
| Supercanifradiciadespiaredosi |
performing orchestra |
Thaïs: Acte I, Scène II. "Va, mendiant, chercher ailleurs ta vie !" (Serviteur, Athanaël) |
| Die Grafen |
performing orchestra |
Il trovatore: Atto II, Scena II. "E deggio e posso crederlo?" (Leonora, Count, Manrico, Inez, nuns, Ferrando, soldiers, Ruiz) |
| Sweet Cicada |
performing orchestra |
Der Zigeunerbaron: Akt II. "So voil Fröhlichkeit" (Arsena, Mirabella, Ottokar, Homonay, Zsupán) |
| Sylvester Jordan, Jr. |
performing orchestra |
Marcia da "Lo schiaccianoci" |
| Dick Ward |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal) |
| Devin Hayes |
performing orchestra |
Le Trouvère : Choeur des forgerons |
| Tamar Green |
performing orchestra |
La Juive: Acte IV. "Rachel, quand du Seigneur" (Eleazar) |
| Demetrix Thomas |
performing orchestra |
Faust: "Quel trouble inconnu ... Salut! demeure chaste et pure" |
| The Aloha Boys |
performing orchestra |
Accordo |
| Dead Letter |
performing orchestra |
Il trovatore: Atto III, Scena II. "L'onda de' suoni mistici pura discenda al cor!" (Leonora, Manrico, Ruiz) |
| The Bear Season |
performing orchestra |
Wiener Blut: Akt I. "Gruß Gott, mein liebes Kind!" (Graf, Franzi) |
| The Big Five |
performing orchestra |
Le nozze di Figaro: Atto IV. "Giunse alfin il momento ... Deh vieni, non tardar" |
| David Raksin |
performing orchestra |
Laura |
| Dave Feusi |
performing orchestra |
Le Grand Macabre: Scene I. "Ha-ha-ha-ha! Give me my requisites" (Nekrotzar, Piet, Chorus) |
| Danny Elfman |
performing orchestra |
Fable Theme |
| Daniele Pensa |
performing orchestra |
Thaïs: Acte II, Scène I. Méditation religieuse - symphonie |
| Daniela Krüger |
performing orchestra |
Lohengrin: Akt. I. "Einsam in trüben Tagen" |
| The Gourmet Boys |
performing orchestra |
Thaïs: Acte I, Scène I. Vision / "Honte ! horreur !" (Athanaël) |
| Daniel Popiałkiewicz |
performing orchestra |
Fantasy for Violin and Orchestra, op. 131 |
| Daniel Cook |
performing orchestra |
Manon: Acte III, Scène I. Ballet. / "C'est féte au Cours-la Reine !" (Chœur) |
| Dane Douglas |
performing orchestra |
La Wally, Act I: "Ebben?... Ne Andrò Lontana" |
| The Kamehameha High School Glee Club |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena X. Finale "Sorgi, e vieni" (Leonora, Rosmonda) / Scena XI. "Leonora!..." (Coro, Leonora, Rosmonda, Enrico) / Scena XII. "Dov'e dessa?" (Enrico, Leonora, Rosmonda, Clifford, Coro) |
| Dandii Sun |
performing orchestra |
Die lustige Witwe, Act III, no. 14: Ja, wir sind es (Grisetten-Lied) |
| The Math-Amphetamines |
performing orchestra |
Manon: Acte III, Scène II. "Bravo, mon cher" / "Epouse quelque brave fille" (Comte, des Grieux) |
| Dan Kiss |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug III. "Ist halt vorbei" (Marschallin, Sophie, Baron, Annina, Die Kinder, Kellner, Wirt, Valzacchi, Die Musikanten, Die Kutscher, Hausknecht) |
| The Rick Sales Entertainment Group |
performing orchestra |
Wiener Blut: Akt III. "Hier sind die lauben" (Graf, Franzi, Josef, Pepi) |
| The Soulmatics |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena XII. Finale "Tu! Spergiuro, disumano" (Leonora, Enrico, Clifford) |
| Damian Sackett |
performing orchestra |
Thaïs: Acte III, Scène III. "Sois le bienvenu dans nos tabernacles" (Albine, Athanaël, Chœur) |
| The Two Felipes |
performing orchestra |
Ah! Seht nur dort das junge Mädchen |
| Dafaith |
performing orchestra |
Il trovatore: Atto III, Scena I. "In braccio al mio rival!" (Count, Ferrando, Azucena, soldiers) |
| Tiny Steps |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron) |
| DJ Chris G |
performing orchestra |
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto |
| D.T. Seizure |
performing orchestra |
Der Zigeunerbaron: Akt III. "Reich ihm die Hand, vertraue dem Zigeuner" (Saffi, Barinkay, Homonay, Czipra, Chor, Alle) |
| Tom Backström |
performing orchestra |
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VI. Revolution. Andante non troppo – Più mosso – Allegro moderato – Precipitato – Adagio molto |
| Tomb Mold |
performing orchestra |
Der Zigeunerbaron: Akt II. "Auf, auf, auf, vorbei is die Nacht" (Pali, Zigeunerchor) |
| Tommaso De Filippis |
performing orchestra |
Thaïs: Acte III, Scène I. "La paix du seigneur soit avec toi" (Athanaël, Albine) |
| Tommy Petersen |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) |
| Tommy Talamanca |
performing orchestra |
Thaïs: Acte I, Scène II. "Non ! non ! je hais vos fausses ivresses !" (Athanaël, Thaïs, Nicias, Chœur) |
| Cécile Roovers |
performing orchestra |
Manon: Acte IV. "Au jeu ! Au jeu !" (Chœur, Lescaut, Guillot, des Grieux, Manon, Poussette, Javotte, Rosette, Chœur) |
| Cynik Diogenes |
performing orchestra |
Requiem op. 48 - Pie Jesu |
| Cybernet City Soldiers |
performing orchestra |
Madama Butterfly: "Spira sul mare" |
| Coulibaly Tidiane |
performing orchestra |
La Damnation de Faust, Op. 24: Ballet des sylphes |
| Coffin Birth |
performing orchestra |
Der Zigeunerbaron: Akt I. "Ja, das Schreiben und das Lesen" (Zsupán) |
| Troy Hahn |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena II. Duetto "Mi splendeva un serto in fronte" (Leonora, Enrico) |
| City of Prague Philharmonic Orchestra |
performing orchestra |
Bonanza (TV Theme) |
| Ulrike Migdal |
performing orchestra |
Luonnotar, op. 70 |
| Ultralove |
performing orchestra |
Madam Butterfly: 1. Dovunque al mondo |
| Chris Negrete |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug III. "Muss jetzt partout zu ihr!" … "Ihre hochfürstliche Gnaden" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie) |
| Undercover Life |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer) |
| Utopian Babies |
performing orchestra |
Madam Butterfly: 2. Quanto cielo! Quanto mar! |
| Chris Maurelli |
performing orchestra |
Aida: Act I. Celeste Aida |
| Uwe Paulsen |
performing orchestra |
Piano Concerto in G major: II. |
| Cheez |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena IV. Duetto "Che veggio? Tu, Clifford?" (Enrico, Clifford) |
| Charly’n Black |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena VII. Finale "È desso! E il perfido!" (Enrico, Rosmonda, Clifford) / Scena VIII. "Che veggio?" (Enrico, Clifford, Rosmonda) / Scena IX. "Ciel!" (Enrico, Clifford, Rosmonda, Leonora) |
| Valerie Masterson |
performing orchestra |
Hello Young Lovers (The King And I) |
| Cedric Waterschoot |
performing orchestra |
Le Grand Macabre: Scene II. "Stop! - Sh!.. Quiet, for heaven's sake!" (Astradamors, Nekrotzar, Piet, Mescalina, Venus, Chorus) |
| Veggieman |
performing orchestra |
Wiener Blut: Akt II. Dialog "Ich fürchte, ich verlieb' mich noch in meine eigene Frau" (Graf, Franzi, Pepi) |
| Carn Dum |
performing orchestra |
Sérénade mélancolique, op. 26 |
| Venom |
performing orchestra |
Norma: Atto II, Scena III. "Nè compli il rito, o Norma?" (Oroveso, Norma, Clotilde, Coro, Pollione) |
| Captain Maxx |
performing orchestra |
Der Zigeunerbaron: Akt II. "Ach, ihn ruft das Vaterland und Pflicht" (Czipra, Arsena, Mirabella, Barinkay, Homonay, Carnero, Ottokar, Zsupán, Chor, Saffi) |
| Capsule Queen |
performing orchestra |
Il trovatore: Atto I, Scena II. "Che più t'arresti?" (Inez, Leanora) |
| Bulat Nanox |
performing orchestra |
Credo |
| Virg de Kells |
performing orchestra |
Thaïs: Acte II, Scène II. "Suivez-moi tous, amis !" (Nicias, Chœur, Crobyle, Myrtale) |
| Brian Ray Norris |
performing orchestra |
Eine Nacht in Venedig: Akt I. "Alle maskiert, alle maskiert" (Annina, Ciboletta, Caramello, Pappacoda) |
| Vlastimir Trajković |
performing orchestra |
Rigoletto: Atto I, Scena II. "Addio! speranza ed anima" (Duca, Gilda) |
| Brave O |
performing orchestra |
Norma: Atto I, Scena I. "Meco all'altar di Venere" (Pollione) |
| Voldarepet |
performing orchestra |
Manon: Acte III, Scène I. Dialogue "Répondez-moi, Guillot !" (Brétigny, Guillot, Manon, Lescaut) / Ballet: La Présentation "Voici l'Opéra !" (Chœur, Brétigny, Guillot) |
| Vía Láctea |
performing orchestra |
Manon: Acte III, Scène I. "Voyez mules à fleurettes !" / C'est fête au Cours-la-Eeine !" (Chœur) / "La charmante promenade" (Poussette, Javotte, Rosette, Chœur) |
| Bobby Blackbird |
performing orchestra |
Sensemayá |
| Bob Pat Band |
performing orchestra |
Eine Nacht in Venedig: Akt II. "Zezt ist's Zeit zur Lustbarkeit ... Horch, von San Marco der Glocken Gelaüt" (Chor, Herold, Herzog, Ciboletta, Annina) |
| Willi Zaa |
performing orchestra |
Il trovatore: Atto IV, Scena I. "Miserere d' un'alma già vicina" ... "Quel son, quelle preci" (Leonora, Manrico, choir) |
| William Michals |
performing orchestra |
Some Enchanted Evening (South Pacific) |
| William Parker Quintet |
performing orchestra |
Madam Butterfly: 6. Scuoti quella fronda |
| Blue Shield of California |
performing orchestra |
Der Zigeunerbaron: Akt I. "Als flotter Geist" / "Ja! Ja, das alles auf Ehr" (Barinkay, Chor) |
| Wolfgang Beer |
performing orchestra |
Il trovatore: Atto II, Scena II. "Perché piangete" ... "O dolci amiche" (Leonora, Inez, Count, nuns) |
| Blistering Tongues |
performing orchestra |
Symphony no. 1 in D major, op. 25 “Classical”: Finale |
| Xavier Bornens |
performing orchestra |
Le Grand Macabre: Scene III. "Hmm! It's delicious!" (Nekrotzar, Piet, Astradamors, Prince Go-Go) |
| Bindhu Mahima |
performing orchestra |
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace |
| Zaubermond |
performing orchestra |
Il trovatore: Atto III, Scena II. "Di quella pira l'orrendo foco" (Manrico, Leonora, Ruiz, armed men) |
| Zoltán Kodály |
performing orchestra |
Háry János, opera, Op. 15: Intermezzo |
| Billy Branch & The Sons of Blues |
performing orchestra |
The Planets Suite for Orchestra, op. 32: Neptune, the Mystic |
| [unknown] |
performing orchestra |
British National Anthem |
| c o d e quartet |
performing orchestra |
Carmina Burana: O Fortuna |
| entferner |
performing orchestra |
Madama Butterfly : Un bel dì vedremo |
| Big Ben Hillman |
performing orchestra |
Le Grand Macabre: Scene III. "There's no need to fear" (Astradamors, Piet, Nektrotzar) |
| Bia |
performing orchestra |
Il trovatore: Atto I, Scena II. "Deserta sulla terra" (Manrico, Count) |
| Bay Faction |
performing orchestra |
Le Grand Macabre: Scene I. "Shut up!" (Nekrotzar, Piet, Chorus) |
| pusga |
performing orchestra |
Alto Rhapsody, op. 53 |
| Barzek |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena II. "Dove t'inoltri? Dove?" (Arturo, Leonora) |
| Émile Waldteufel |
performing orchestra |
The Skaters Waltz, Op. 183 |
| Étienne Solère |
performing orchestra |
Manon : Acte III, Scene I. Gavotte "Obessions, quand leur voix appelle" (Manon, Britgny) |
| Barry Druxman |
performing orchestra |
Thaïs: Acte II, Scène I. "Étranger, te voilà comme tu l'avais dit !" (Thaïs, Athanaël) |
| Дмитрий Дмитриевич Шостакович |
performing orchestra |
Concerto in D minor, Op. 35 for piano, trumpet & strings: I. Allegretto |
| Barbara Bonney |
performing orchestra |
Pie Jesu |
| Митрофан Беляев |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena VII. Duetto "Vieni meco, ed un ritiro" (Clifford, Rosmonda) |
| Aya Matsunaga |
conductor, performing orchestra |
Manon : "Ah ! Fuyez, douce image," |
| Arcangelo Corelli |
performing orchestra |
Violinsonate op. 5 No.9 - Gigue |
| Antonio Peral |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug I. "Di rigori armato il seno" (Ein Sänger) |
| Annette Vermeulen |
performing orchestra |
Manon: Acte IV. "Faites vos jeux, Messieurs !" / "Le joueur sans prudence" / "A l'Hôtel de Transylvanie" / "C'est ici que celle que j'aime" / "J'enfourche aussi Pégase" (Chœur, Lescaut, Pousette, Javotte, Rosette, Guillot) |
| André Ristesund |
performing orchestra |
Die lustige Witwe, Act II, no. 11: Mein Freund, Vernunft! ... Wie eine Rosenknospe |
| Andrzej Mikosz |
performing orchestra |
Rosmonda d'Inghilterra: Atto I, Scena VII. Duetto "Deh! Ti arresta! Deh! ti degna" (Rosmonda, Clifford) |
| Феликс Гурджи. |
performing orchestra |
Der Zigeunerbaron: Akt I. "Jeden Tag, Müh' und Plag'" (Ottokar, Czipra, Chor) |
| Ambroise Thomas |
performing orchestra |
Hamlet: "À vos yeux ... Partagez vous mes fleurs ... Et maintenant, écoutez ma chanson" (Ophélie - Choror, 4. Akt) |
| Aman Yusufi |
performing orchestra |
Thaïs: Acte I, Scène I. "Voici le pain ... et le sel" (Cénobites, Palémon) |
| Allen Wheeler |
performing orchestra |
Manon Lescaut: Atto Terzo. "All'armi! All'armi!" (Lescaut, Des Grieux, Manon, Sergente, Commandante) |
| Alex Abolle |
performing orchestra |
The Warriors |
| 實川風 |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena X. Duetto "Tu morrai... tu m'hai costretta (Leonora, Rosmonda) |
| 工藤和真 |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena V. "Senza pace, e senza speme" (Rosmonda, Arturo, Clifford) |
| Aldo Brizzi |
performing orchestra |
Il trovatore: Atto II, Scena I. "Stride la vampa!" (Azucena, gypsies, Manrico, an old gypsy) |
| Alan Strawbridge |
performing orchestra |
Der Zigeunerbaron: Akt I. "Um frech dem Übermut zu frönen" (Saffi, Czipra, Barkinay, Chor, Arsena, Mirabella, Zsupán, Carnero, Alle) |
| Alan Parsons |
strings |
Re-Jigue |
| 杉山劉太郎 |
performing orchestra |
Rosmonda d'Inghilterra: Atto II, Scena VI. "Giurato è il sacrifizio" (Rosmonda) / Scena VII. Duetto "Me tu fuggi!" (Enrico, Rosmonda) |
| 笈田敏夫 |
performing orchestra |
The Planets: VII. Neptune, the Mystic |
| Adolphe Adam |
performing orchestra |
O Holy Night |
| Ada y La Nueva Pasión |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug II. "Hab' nichts dawider" (Baron, Octavian, Sophie, Faninals Haushofmeister, Marianne) |
| 鎌倉志保 |
performing orchestra |
Violin Concerto in D minor: 3rd Movement |
| 김소희 |
performing orchestra |
Madama Butterfly: Atto I. "Viene le a sera" (B.F. Pinkerton, Butterfly, Suzuki) |
| Ada Chura |
performing orchestra |
Der Rosenkavalier, Op. 59: Aufzug III. "Oh weh, was maken wir?" … "Halt! Keiner rührt sich!" (Valzacchi, Kommissarius, Octavian, Baron, Wirt, Faninal, Vier Kinder) |
| Aaron Copland |
performing orchestra |
Our Town: The Story of Grover's Corners |
| 7an |
performing orchestra |
Scott of the Antarctic: Prologue, Pony March, Penguins, Climbing the Glacier, Final Music |