| V.I. Povici |
performing orchestra |
A London Symphony (Symphony no. 2): I. Lento - Allegro risoluto (molto pesante), A London Symphony (Symphony no. 2): II. Lento, A London Symphony (Symphony no. 2): III. Scherzo (Nocturne): Allegro vivace, A London Symphony (Symphony no. 2): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro, A Pastoral Symphony (Symphony no. 3): I. Molto moderato, A Pastoral Symphony (Symphony no. 3): II. Lento moderato, A Pastoral Symphony (Symphony no. 3): III. Moderato pesante - Presto, A Pastoral Symphony (Symphony no. 3): IV. Lento - Moderato maestoso, A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): A pennant universal (baritone, soprano & chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Behold, the sea itself (chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Flaunt out, O sea, your separate flags of nations (soprano & chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Today a rude brief recitative (baritone & chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Token of all brave captains (chorus), A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): A vast similitude interlocks all (baritone & chorus), A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): On the beach, at night, alone (baritone & semi-chorus), A Sea Symphony (Symphony no. 1): III. Scherzo: The Waves (Allegro brillante), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Down from the gardens of Asia descending (chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Greater than stars or suns (chorus, soprano & baritone), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O my brave Soul (soprano, baritone & chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O thou transcendent (soprano, baritone & chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O vast Rondure, swimming in Space (chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O we can wait no longer (baritone & soprano), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Sail forth (chorus, soprano & baritone), Act 2 Scene 5 Questo e il fin, Calm Sea and Prosperous Voyage, Op. 27, Ce qu'on entend sur la montagne, Ce qu'on entend sur la montagne, S. 95, Cosi Fan Tutte: Act 1. Scene 1. Fuor' la spada, Cosi Fan Tutte: Act 1. Scene 1. La mia Dorabella capace non è, Cosi Fan Tutte: Act 1. Scene 1. Scioccherie di poeti!, Cosi Fan Tutte: Act 1. Scene 1. Una bella serenata, Cosi Fan Tutte: Act 1. Scene 1. É la fede delle femmine, Cosi Fan Tutte: Act 1. Scene 2. Ah, guarda, sorella, Cosi Fan Tutte: Act 1. Scene 2. Al fato dan legge quegli occhi, Cosi Fan Tutte: Act 1. Scene 2. Barbaro fato!... Vorrei dir, e cor non ho, Cosi Fan Tutte: Act 1. Scene 2. Bella vita militar!, Cosi Fan Tutte: Act 1. Scene 2. Dove son?, Cosi Fan Tutte: Act 1. Scene 2. La commedia è graziosa, Cosi Fan Tutte: Act 1. Scene 2. Mi par, che stamattina volentieri farei la pazzarella, Cosi Fan Tutte: Act 1. Scene 2. Muoio d'affanno!... Di scrivermi ogni giorno, Cosi Fan Tutte: Act 1. Scene 2. Non piangere, idol mio!, Cosi Fan Tutte: Act 1. Scene 2. Non son cattivo comico, Cosi Fan Tutte: Act 1. Scene 2. Non v'è più tempo, Cosi Fan Tutte: Act 1. Scene 2. Sento, o Dio, che questo piede, Cosi Fan Tutte: Act 1. Scene 2. Stella! Per carità, Signor Alfonso, Cosi Fan Tutte: Act 1. Scene 3. Ah, non partite!, Cosi Fan Tutte: Act 1. Scene 3. Alla bella Despinetta, Cosi Fan Tutte: Act 1. Scene 3. Che sussurro! Che strepito!, Cosi Fan Tutte: Act 1. Scene 3. Che vita maladetta, Cosi Fan Tutte: Act 1. Scene 3. Chi silenzio? Che aspetto di tristezza, Cosi Fan Tutte: Act 1. Scene 3. Come scoglio immoto resta, Cosi Fan Tutte: Act 1. Scene 3. E voi ridete?, Cosi Fan Tutte: Act 1. Scene 3. In uomini, in soldati, Cosi Fan Tutte: Act 1. Scene 3. L'intatta fede, Cosi Fan Tutte: Act 1. Scene 3. Non siate ritrosi, occhietti vezzosi, Cosi Fan Tutte: Act 1. Scene 3. Si può sapere un poco, Cosi Fan Tutte: Act 1. Scene 3. Signora Dorabella, Signora Fiordiligi, Cosi Fan Tutte: Act 1. Scene 3. Smanie implacabili, Cosi Fan Tutte: Act 1. Scene 3. Un'aura amorosa, Cosi Fan Tutte: Act 1. Scene 4. Ah che del sole il raggio, Cosi Fan Tutte: Act 1. Scene 4. Ah, che tutto in un momento, Cosi Fan Tutte: Act 1. Scene 4. Dammi un bacio, o mio tesoro, Cosi Fan Tutte: Act 1. Scene 4. Dove son? Che loco è questo?, Cosi Fan Tutte: Act 1. Scene 4. Eccovi il medico, Cosi Fan Tutte: Act 2. Scene 1. Ah correte al giardino, Cosi Fan Tutte: Act 2. Scene 1. Andate là, che siete due bizzarre ragazze!, Cosi Fan Tutte: Act 2. Scene 1. Prenderò quell brunettino, Cosi Fan Tutte: Act 2. Scene 1. Sorella, cosa dici?, Cosi Fan Tutte: Act 2. Scene 1. Una donna a quindici anni, Cosi Fan Tutte: Act 2. Scene 2. Ah, io veggio, quell'anima bella, Cosi Fan Tutte: Act 2. Scene 2. Amico, abbiamo vinto!, Cosi Fan Tutte: Act 2. Scene 2. Barbara, perchè fuggi?, Cosi Fan Tutte: Act 2. Scene 2. Bravo, questo è costanza, Cosi Fan Tutte: Act 2. Scene 2. Cos'è tal mascherata?, Cosi Fan Tutte: Act 2. Scene 2. Donne mie, la fate a tanti a tanti, Cosi Fan Tutte: Act 2. Scene 2. Ei parte... senti... ah no!, Cosi Fan Tutte: Act 2. Scene 2. Il core vi dono, Cosi Fan Tutte: Act 2. Scene 2. In qual fiero contrasto, Cosi Fan Tutte: Act 2. Scene 2. La mano a me date, Cosi Fan Tutte: Act 2. Scene 2. Oh che bella giornata!, Cosi Fan Tutte: Act 2. Scene 2. Per pietà, ben mio, perdona, Cosi Fan Tutte: Act 2. Scene 2. Secondate, aurette amiche, Cosi Fan Tutte: Act 2. Scene 2. Tradito, schernito, Cosi Fan Tutte: Act 2. Scene 3. Ah poveretto me, cosa ho veduto!, Cosi Fan Tutte: Act 2. Scene 3. Come tutto congiura a sedurre il mil cor!, Cosi Fan Tutte: Act 2. Scene 3. Fra gli amplessi in pochi istanti, Cosi Fan Tutte: Act 2. Scene 3. Ora vedo che siete una donna di garbo, Cosi Fan Tutte: Act 2. Scene 3. Tutti accusan le donne, Cosi Fan Tutte: Act 2. Scene 3. Vittoria, padroncini!, Cosi Fan Tutte: Act 2. Scene 3. È amore un ladroncello, Cosi Fan Tutte: Act 2. Scene 4. Ah Signor, son rea di morte, Cosi Fan Tutte: Act 2. Scene 4. Bella vita militar!, Cosi Fan Tutte: Act 2. Scene 4. Benedetti i doppi coniugi, Cosi Fan Tutte: Act 2. Scene 4. El nel tuo, nel mio bicchiero, Cosi Fan Tutte: Act 2. Scene 4. Fate presto, o cari amici, Cosi Fan Tutte: Act 2. Scene 4. Fortunato l'uom che prende, Cosi Fan Tutte: Act 2. Scene 4. Giusto ciel!, Cosi Fan Tutte: Act 2. Scene 4. Miei Signori, tutto è fatto, Cosi Fan Tutte: Act 2. Scene 4. Sani e salvi gli amplessi amorosi, Cosi Fan Tutte: Act 2. Scene 4. V'ingannai, ma fu l'inganno, Cosi Fan Tutte: Overture, Die Entführung aus dem Serail: Overture, Die Ideale, Die Ideale, S. 106, Fantasia on a Theme by Thomas Tallis, Festklänge, Hamlet, S. 104, Heroïde funèbre, S. 102, Hungaria, Hungaria, S. 103, Hunnenschlacht, Hunnenschlacht, S. 105, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 1 Scene 4 Bisogna aver corraggio, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 2 Scene 1 LeporelloSignore, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 2 Scene 1 Zitto, lascia ch'io senta - Ahi ahi La testa mia, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 2 Scene 2 Ferma briccone, dove ten vai, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 2 Scene 2 Sola, sola in buio, loco, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) / Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Quintetto "Mille torbidi pensieri" (Donna Elvira, Donna Anna, Leporello, Masetto, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "Non ci stanchiamo" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, In the Fen Country, Le Nozze di Figaro: Overture, Le Sacre du printemps: Part I: "Mock Abduction", Le Sacre du printemps: Part I: "Spring Rounds", Le Sacre du printemps: Part I: "The Harbingers of Spring" - "Dance of the Adolescents", Le Sacre du printemps: Part I: Introduction, Le Sacre du printemps: Part II: "Glorification of the Chosen One", Le Sacre du printemps: Part II: "Mystical Circle of the Adolescents", Le Sacre du printemps: Part II: "Sacrificial Dance (The Chosen One)", Le Sacre du printemps: Part II: Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Les Préludes, Mazeppa, Mephisto Waltz No. 1, Norfolk Rhapsody no. 1 in E minor, On Wenlock Edge: I. On Wenlock Edge, On Wenlock Edge: II. From far, from eve and morning:, On Wenlock Edge: III. Is my team ploughing?, On Wenlock Edge: IV. Oh, when I was in love with you, On Wenlock Edge: V. Bredon Hill, On Wenlock Edge: VI. Clun, Orpheus, Orpheus, S. 98, Overture: "The Hebrides", op. 26 (Fingal's Cave), Petrushka, Scene 1: Russian dance, Petrushka, Scene 1: The Shrovetide fair / The crowds / The conjuring-trick, Petrushka, Scene 2: In Petrouchka’s Booth, Petrushka, Scene 3: In the Moor's booth / Dance of the Ballerina, Petrushka, Scene 3: Waltz (The Ballerina and the Moor), Petrushka, Scene 4: The Shrovetide fair (evening) / Dance of the wet-nurses / Dance of the peasant and the bear / Dance of the gipsies / Dance of the coachmen and the grooms / The masqueraders / Death of Petrouchka, Prometheus, Scheherazade (The Young Prince and the Young Princess), Sinfonia antartica (Symphony no. 7): I. Prelude: Maestoso, Sinfonia antartica (Symphony no. 7): II. Scherzo: Moderato, Sinfonia antartica (Symphony no. 7): III. Landscape: Lento, Sinfonia antartica (Symphony no. 7): IV. Intermezzo: Andante sostenuto, Sinfonia antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro), Suite from “The Age of Gold” op.22a: I. Introduction, Suite from “The Age of Gold” op.22a: II. Adagio, Suite from “The Age of Gold” op.22a: III. Polka, Suite from “The Age of Gold” op.22a: IV. Dance, Symphony No. 15 in A major, Op. 141: I. Allegretto, Symphony No. 15 in A major, Op. 141: II. Adagio - Largo - Adagio - Largo, Symphony No. 15 in A major, Op. 141: III. Allegretto, Symphony No. 15 in A major, Op. 141: IV. Adagio - Allegretto - Adagio - Allegretto, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 5 in D major, Op. 107 "Reformation": I. Andante -- Allegro con fuoco, Symphony No. 5 in D major, Op. 107 "Reformation": II. Allegro vivace, Symphony No. 5 in D major, Op. 107 "Reformation": III. Andante, Symphony No. 5 in D major, Op. 107 "Reformation": IV. Choral: "Ein' feste Burg ist unsere Gott", Symphony No. 7 in C major, Op. 60 "Leningrad": I. Allegretto, Symphony No. 7 in C major, Op. 60 "Leningrad": II. Moderato (poco allegretto), Symphony No. 7 in C major, Op. 60 "Leningrad": III. Adagio, Symphony No. 7 in C major, Op. 60 "Leningrad": IV. Allegro non troppo, Symphony no. 1 in C minor, op. 11: I. Allegro di molto, Symphony no. 1 in C minor, op. 11: II. Andante, Symphony no. 1 in C minor, op. 11: III. Menuetto. Allegro molto, Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco, Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo, Symphony no. 1 in F minor, op. 10: II. Allegro, Symphony no. 1 in F minor, op. 10: III. Lento, Symphony no. 1 in F minor, op. 10: IV. Allegro molto - Lento - Allegro molto, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro, Symphony no. 10: II. Allegro, Symphony no. 3 in A minor, op. 56 "Scottish": I. Allegro con moto, Allegro un poco agitato, Assai animato, Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in E-flat major, op. 20 "The First of May": I. Allegretto - Allegro, Symphony no. 3 in E-flat major, op. 20 "The First of May": II. Andante, Symphony no. 3 in E-flat major, op. 20 "The First of May": III. Allegro - Largo, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: IIIa. Largo, Symphony no. 4 in C minor, op. 43: IIIb. Allegro, Symphony no. 4 in C minor, op. 43: Ia. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: Ib. Presto, Symphony no. 4 in F minor: I. Allegro, Symphony no. 4 in F minor: II. Andante moderato, Symphony no. 4 in F minor: III. Scherzo: Allegro molto, Symphony no. 4 in F minor: IV. Finale con epilogo fugato: Allegro molto, Symphony no. 5 in D major: I. Preludio: Moderato, Symphony no. 5 in D major: II. Scherzo: Presto misterioso, Symphony no. 5 in D major: III. Romanza: Lento, Symphony no. 5 in D major: IV. Passacaglia: Moderato, Symphony no. 5 in D: I. Preludio: Moderato, Symphony no. 5 in D: II. Scherzo: Presto, Symphony no. 5 in D: III. Romanza: Lento, Symphony no. 5 in D: IV. Passacaglia: Moderato, Symphony no. 6 in E minor: I. Allegro, Symphony no. 6 in E minor: II. Moderato, Symphony no. 6 in E minor: III. Scherzo: Allegro vivace, Symphony no. 6 in E minor: IV. Epilogue: Moderato, Symphony no. 7 "Sinfonia antartica": II. Scherzo: Moderato, Symphony no. 7 "Sinfonia antartica": III. Landscape: Lento -, Symphony no. 7 "Sinfonia antartica": IV. Intermezzo: Andante sostenuto, Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema): Moderato – Presto – Andante sostenuto – Allegretto – Andante non troppo – Allegro vivace – Andante sostenuto – Tempo I, ma tranquillo, Symphony no. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia – Andante – Tempo (Allegro), Symphony no. 8 in D minor: III. Cavatina (per stromenti ad arco): Lento espressivo, Symphony no. 8 in D minor: IV. Toccata: Moderato maestoso, Symphony no. 8: Toccata. Moderato maestoso, Symphony no. 9 in E minor: I. Moderato maestoso, Symphony no. 9 in E minor: II. Andante sostenuto, Symphony no. 9 in E minor: III. Scherzo: Allegro pesante, Symphony no. 9 in E minor: IV. Andante tranquillo, Symphony no. 9 in E‐flat major, op. 70: I. Allegro, Symphony no. 9 in E‐flat major, op. 70: II. Moderato, Symphony no. 9 in E‐flat major, op. 70: III. Presto, Symphony no. 9 in E‐flat major, op. 70: IV. Largo, Symphony no. 9 in E‐flat major, op. 70: V. Allegretto – Allegro, Tasso, lamento e trionfo, The Firebird: Appearance of the Firebird pursued by Ivan Tsarevich, The Firebird: Collapse of Kashchei’s palace and dissolution of all enchantments / Reanimation of the petrified prisoners / General rejoicing, The Firebird: Dance of Kashchei’s retinue under the Firebird’s spell, The Firebird: Dance of the Firebird, The Firebird: Daybreak, The Firebird: Games of the princesses with the golden apples, The Firebird: Infernal dance of all Kashchei’s subjects, The Firebird: Introduction, The Firebird: Ivan Tsarevich captures the Firebird, The Firebird: Kashchei’s enchanted garden, The Firebird: Lullaby of the Firebird, The Firebird: Magic carillon, appearance of Kashchei’s guardian monsters and capture of Ivan Tsarevich, The Firebird: Round dance of the Princesses, The Firebird: Sudden appearance of Ivan Tsarevich, The Firebird: Supplication of the Firebird, The Planets: I. Mars, the Bringer of War, The Planets: II. Venus, the Bringer of Peace, The Planets: III. Mercury, the Winged Messenger, The Planets: IV. Jupiter, the Bringer of Jollity, The Planets: V. Saturn, the Bringer of Old Age, The Planets: VI. Uranus, the Magician, The Rite of Spring, Part I “The Adoration of the Earth”: Adoration of the earth (The sage) / Dance of the earth, The Rite of Spring, Part I “The Adoration of the Earth”: Games of the rival tribes, The Rite of Spring, Part I “The Adoration of the Earth”: Introduction, The Rite of Spring, Part I “The Adoration of the Earth”: Mock abduction, The Rite of Spring, Part I “The Adoration of the Earth”: Procession of the sage, The Rite of Spring, Part I “The Adoration of the Earth”: Spring rounds, The Rite of Spring, Part I “The Adoration of the Earth”: The harbringers of spring / Dance of the adolescents, The Rite of Spring, Part II “The Sacrifice”: Evocation of the ancestors, The Rite of Spring, Part II “The Sacrifice”: Glorification of the chosen one, The Rite of Spring, Part II “The Sacrifice”: Introduction, The Rite of Spring, Part II “The Sacrifice”: Mystical circle of the adolescents, The Rite of Spring, Part II “The Sacrifice”: Ritual of the ancestors, The Rite of Spring, Part II “The Sacrifice”: Sacrificial dance (The chosen one), Von der Wiege bis zum Grabe |
| Willie Webb |
performing orchestra |
1812 Overture, op. 49, A London Symphony (Symphony No. 2): I. Lento - Allegro risoluto, A London Symphony (Symphony No. 2): II. Lento, A London Symphony (Symphony No. 2): III. Scherzo (Nocturne): Allegro vivace, A London Symphony (Symphony No. 2): IV. Andante con moto - Maestoso alla marcia, A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 1. Behold, the sea itself (chorus), A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 2. Today a rude brief recitative (baritone & chorus), A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 3. Flaunt out, O sea, your separate flags of nations! (soprano & chorus), A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 4. Token of all brave captains (chorus), A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 5. A pennant universal (baritone, soprano & chorus), A Sea Symphony (Symphony No. 1): II. On the Beach at Night, Alone (Largo sostenuto) / 1. On the beach at night, alone (baritone & semi-chorus), A Sea Symphony (Symphony No. 1): II. On the Beach at Night, Alone (Largo sostenuto) / 2. A vast similitude interlocks all (baritone & chorus), A Sea Symphony (Symphony No. 1): III. Scherzo: The Waves (Allegro brillante), A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 1. O vast Rondure, swimming in Space (chorus), A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 2. Down from the gardens of Asia descending (chorus), A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 3. O we can wait no longer (baritone & soprano), A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 4. O thou transcendent (soprano, baritone & chorus), A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 5. Greater than stars or suns (chorus, soprano & baritone), A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 6. Sail forth (chorus, soprano & baritone), A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 7. O my brave Soul! (soprano, baritone & chorus), A Shropshire Lad - Rhapsody, Academic Festival Overture, Op. 80, Air aus Suite No. 3 in D-Dur / Air On The G String from Suite No. 3 in D, Alto Rhapsody, op. 53, Aristophanic Suite "The Wasps": I. Overture, Aristophanic Suite "The Wasps": II. Entr'acte, Aristophanic Suite "The Wasps": III. March Past of the Kitchen Utensils, Aristophanic Suite "The Wasps": IV. Entr'acte, Aristophanic Suite "The Wasps": V. Ballet and Final Tableau, Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro, Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro, Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto No. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto, Chanson de matin, op. 15 no. 2, Chanson de nuit, op. 15 no. 1, Cockaigne Overture "In London Town", Coriolan Overture, op. 62, Dance of the Tumblers, Das Rheingold: Entrance of the Gods, Der fliegende Holländer: Ouvertüre, Der fliegende Holländer: Overture, Die Walkure: Ride of the Walkyries, Die Walküre, WWV 86B: III. Ride of the Valkyries, Die Walküre: Der Walkürenritt, Die Walküre: Ride of the Valkries, Die Walküre: Ride of the Valkryies, Dream Children, op. 43: I. Andante, Egmont Overture, op. 84, English Dances: I. Andantino, English Dances: II. Vivace, English Dances: III. Mesto, English Dances: IV. Allegro risoluto, English Dances: V. Allegro non troppo, English Dances: VI. Con brio, English Dances: VII. Grazioso, English Dances: VIII. Giubiloso, Fantasia on a Theme by Thomas Tallis, Fantasia on a Theme by Thomas Tallis (opening), Fantasia on a Theme by Thomas Tallis - (excerpt), Fidelio Overture, op. 72, Finlandia, Froissart. Overture, Op. 19, Funeral March from Piano Sonata no. 2, op. 35, Gotterdammerung: Siegfried's Funeral March, Gotterdammerung: Siegfried's Rhine Journey, Götterdämmerung: Siegfried's Funeral March, Götterdämmerung: Siegfrieds Begräbnismarsch, In the South. Overture, Op. 50, Introduction and Allegro for strings, Op. 47, Job (A Masque for Dancing): Scene 1: Introduction & Sarabande of the Sons of God, Job (A Masque for Dancing): Scene 2: Satan's Dance of Triumph, Job (A Masque for Dancing): Scene 3: Minuet of the Sons of Job and Their Wives, Job (A Masque for Dancing): Scene 4: Job's Dream, Job (A Masque for Dancing): Scene 5: Dance of the Three Messengers, Job (A Masque for Dancing): Scene 6: Dance of Job's Comforters, Job (A Masque for Dancing): Scene 7: Elihu's Dance of Youth and Beauty, Job (A Masque for Dancing): Scene 8: Galliard of the Sons of the Morning, Job (A Masque for Dancing): Scene 9: Epilogue, Job, A Masque for Dancing, ballet: Scene 1: Introduction, Job, A Masque for Dancing, ballet: Scene 1: Saraband of the Sons of God, Job, A Masque for Dancing, ballet: Scene 2: Satan's Dance of Triumph, Job, A Masque for Dancing, ballet: Scene 3: Minuet of the Sons of Job and Their Wives, Job, A Masque for Dancing, ballet: Scene 4: Job's Dream, Job, A Masque for Dancing, ballet: Scene 5: Dance of the Three Messengers, Job, A Masque for Dancing, ballet: Scene 6: Dance of Job's Comforters, Job, A Masque for Dancing, ballet: Scene 7: Elihu's Dance of Youth and Beauty, Job, A Masque for Dancing, ballet: Scene 7: Pavane of the Sons of the Morning, Job, A Masque for Dancing, ballet: Scene 8: Altar Dance, Job, A Masque for Dancing, ballet: Scene 8: Galliard of the Sons of the Morning, Job, A Masque for Dancing, ballet: Scene 9: Epilogue, Leonore Overture no. 3, op. 72, Mars,The Bringer of War from the Planets Suite, Meditation (from The Light of Life, Op. 29), Overture for a Masque, Overture: Cockaigne (In London Town), op. 40, Partita: I. Prelude: Andante tranquillo, Partita: II. Scherzo ostinato: Presto, Partita: III. Intermezzo (Homage to Henry Hall), Partita: IV. Fantasia: Allegro, Pomp and Circumstance March No.1, Pomp and Circumstance March no. 4 in G, Pomp and Circumstance Marches, op. 39, no. 2 in A Minor, Pomp and Circumstance Marches, op. 39, no. 3 in C Minor, Pomp and Circumstance Marches, op. 39: no. 1 in D, Pomp and Circumstance Marches, op. 39: no. 4 in G, Pomp and Circumstance Marches, op. 39: no. 5 in C, Portsmouth Point, Procession of the Nobles (Mlada - Act II), Russian Easter Festival Overture, op. 36, Scapino, Serenade No. 1 in D major, Op. 11: I. Allegro molto, Serenade No. 1 in D major, Op. 11: II. Scherzo, Allegro non troppo - Trio, Poco più moto, Serenade No. 1 in D major, Op. 11: III. Adagio non troppo, Serenade No. 1 in D major, Op. 11: VI. Rondo, Allegro, Serenade No. 2 in A major, Op. 16: II. Scherzo. Vivace, Serenade No. 2 in A major, Op. 16: III. Adagio non troppo, Serenade No. 2 in A major, Op. 16: IV. Quasi menuetto, Serenade in E minor, op. 20: I. Allegro piacevole, Serenade in E minor, op. 20: II. Larghetto, Serenade in E minor, op. 20: III. Allegretto - Come prima, Serenade to Music, Siegfried: Murmures de La Forêt, Siesta, Sinfonietta: I. Allegro, Sinfonietta: II. Theme & variations, Sinfonietta: III. Allegro, Symphony No. 1 ("A Sea Symphony"): I A Song for all seas, all ships: Behold the sea itself, Symphony No. 1 ("A Sea Symphony"): I A Song for all seas, all ships: Flaunt out O sea your separate flags, Symphony No. 1 ("A Sea Symphony"): II. On the Beach at Night alone, Symphony No. 1 ("A Sea Symphony"): III. Scherzo - The Waves, Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: Away O soul, Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O thou transcendent, Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O vast Rondure, swimming in space, Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O we can wait no longer, Symphony No. 5 in D major: I. Preludio: Moderato, Symphony No. 5 in D major: II. Scherzo: Presto, Symphony No. 5 in D major: III. Romanza: Lento, Symphony No. 5 in D major: IV. Passacaglia: Moderato, Symphony No. 5: III. Romanza (Lento), Symphony No. 8 in D minor: I. Fantasia (Variazioni senza tema), Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato) - Allegro, Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco) - Lento espressivo, Symphony No. 8 in D minor: IV. Toccata - Moderato maestoso, Symphony No. 9 in E minor: I. Moderato maestoso, Symphony No. 9 in E minor: II. Andante sostenuto, Symphony No. 9 in E minor: III. Scherzo (Allegro pesante), Symphony No. 9 in E minor: IV. Andante tranquillo, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro, Symphony no. 1 in A-flat, op. 55: III. Adagio, Symphony no. 1 in A-flat, op. 66: I. Andante nobilmente e semplice - Allegro, Symphony no. 1 in A-flat, op. 66: II. Allegro molto, Symphony no. 1 in A-flat, op. 66: IV. Lento - Allegro, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo ma con brio, Symphony no. 104 "London": I. Adagio - allegro, Symphony no. 104 "London": II. Andante, Symphony no. 104 "London": III. Menuetto, Symphony no. 104 "London": IV. Finale - spirituoso, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino), Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e Nobilmente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo (Presto), Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 2 in E-flat, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2 in E-flat, op. 63: II. Larghetto, Symphony no. 2 in E-flat, op. 63: III. Rondo (Presto), Symphony no. 2 in E-flat, op. 63: IV. Moderato e maestoso, Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato, Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo, Symphony no. 3 in A minor, op. 44: III. Allegro, Symphony no. 3 in E-flat major, op. 55: I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55: II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55: III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55: IV. Finale: Allegro molto, Symphony no. 35 "Haffner": I. Allegro con spirito, Symphony no. 35 "Haffner": II. Andante, Symphony no. 35 "Haffner": III. Menuetto, Symphony no. 35 "Haffner": IV. Presto, Symphony no. 4 "Tragic": I. Adagio molto - allegro vivace, Symphony no. 4 "Tragic": II. Andante, Symphony no. 4 "Tragic": III. Menuetto, Symphony no. 4 "Tragic": IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 6, op. 68: I. Allegro ma non troppo, Symphony no. 6, op. 68: II. Andante molto mosso, Symphony no. 6, op. 68: III. Allegro, Symphony no. 6, op. 68: IV. Allegro, Symphony no. 6, op. 68: V. Allegretto, Symphony no. 7 "Sinfonia antartica": II. Scherzo: Moderato, Symphony no. 7 "Sinfonia antartica": III. Landscape: Lento, Symphony no. 7 "Sinfonia antartica": IV. Intermezzo: Andante sostenuto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Scherzo: Presto, Symphony no. 7 in A major, op. 92: IV. Finale: Allegro con brio, Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema), Symphony no. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato), Symphony no. 8 in D minor: III. Cavatina (per stromenti ad arco), Symphony no. 8 in D minor: IV. Toccata, Symphony no. 9 in E minor: I. Allegro moderato, Symphony no. 9 in E minor: II. Andante sostenuto, Symphony no. 9 in E minor: III. Allegro pesante, Symphony no. 9 in E minor: IV. Andante tranquillo, Tannhäuser: Grand March, The Banks of Green Willow, The Bartered Bride: Dance of the Comedians, The Bartered Bride: Furiant, The Bartered Bride: Overture, The Bartered Bride: Polka, The Love for Three Oranges, op. 33bis: I. The Ridiculous People, The Love for Three Oranges, op. 33bis: II. Infernal Scene, The Love for Three Oranges, op. 33bis: III. March, The Love for Three Oranges, op. 33bis: IV. Scherzo, The Love for Three Oranges, op. 33bis: V. The Prince and the Princess, The Love for Three Oranges, op. 33bis: VI. The Escape, The Perfect Fool, op. 39: Ballet Music, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32: I. Mars, the Bringer of War (Allegro), The Planets, op. 32: II. Venus, the Bringer of Peace (Adagio), The Planets, op. 32: III. Mercury, the Winged Messenger (Vivace), The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (Allegro giocoso - Andante maestoso), The Planets, op. 32: V. Saturn, the Bringer of Old Age (Adagio), The Planets, op. 32: VI. Uranus, the Magician (Allegro), The Ride of the Valkyries, The Snow Maiden: Dance of the Tumblers (Act III), The Wasps - An Aristophanic Suite: Ballet & Final Tableau, The Wasps - An Aristophanic Suite: Entr'acte, The Wasps - An Aristophanic Suite: March Past of the Kitchen Utensils, The Wasps - An Aristophanic Suite: Overture, The Wasps, Aristophanic Suite, for orchestra from the incidental music: Overture, Tintagel, Tristan und Isolde: Prelude to Act 3, Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: I. Poco più, Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: II. Più vivace, Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: III. Con moto, Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: IV. Andante con moto, Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: IX. Finale (Andante), Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: Theme (Andante), Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: V. Vivace, Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: VI. Vivace, Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: VII. Grazioso, Variations on a Theme by Haydn "St. Anthony Chorale", op. 56a: VIII. Presto non troppo |
| Rob Lewis |
performing orchestra |
Bluebeard's Castle: Door 1, Bluebeard's Castle: Door 2, Bluebeard's Castle: Door 3, Bluebeard's Castle: Door 4, Bluebeard's Castle: Door 5, Bluebeard's Castle: Door 6, Bluebeard's Castle: Door 7, Bluebeard's Castle: Prologue - Opening, Carmen: Prelude to Act I, Così Fan Tutte: Ei Parte … Per Pietà, Ben Mio, Perdona, Così Fan Tutte: Soave Sia Il Vento, Così Fan Tutte: Temerari! Sortite … Come Scoglio, Così Fan Tutte: Un’Aura Amorosa Del Nostro Tesoro, Così Fan Tutte: È Amore Un Ladroncello, Dance suite: I. Moderato, Dance suite: II. Allegro molto, Dance suite: III. Allegro vivace, Dance suite: IV. Molto tranquilo, Dance suite: V. Comodo, Dance suite: VI. Finale. Allegro, Don Giovanni, K. 527: Fin ch'han dal vino" (Don Giovanni), Don Giovanni: Batti, Batti, O Bel Masetto, Don Giovanni: Dalla Sua Pace, Don Giovanni: Deh, Vieni Alla Finestra, O Mio Tesoro, Don Giovanni: Il Mio Tesoro Intanto Andate A Consolar, Don Giovanni: In Quali Eccessi, O Numi … Mi Tradì Quell’Alma Ingrata, Don Giovanni: Là Ci Darem La Mano, Don Giovanni: Madamina, Il Catalogo È Questo, Falstaff, Symphonic Study, op. 68: I. Allegro (Start), Falstaff, Symphonic Study, op. 68: II. Allegro molto (Fig. 17 - Novello), Falstaff, Symphonic Study, op. 68: II. Poco allegretto (Dream Interlude) (Fig. 76), Falstaff, Symphonic Study, op. 68: III. Allegretto (Fig. 102), Falstaff, Symphonic Study, op. 68: III. Allegro (Fig. 81), Falstaff, Symphonic Study, op. 68: IV. Allegro molto (Fig. 107), Festklänge, S.101, Háry János Suite: I. Prelude; The Fairy Tale Begins, Háry János Suite: II. Viennese Musical Clock, Háry János Suite: III. Song, Háry János Suite: IV. The Battle and Defeat of Napoleon, Háry János Suite: V. Intermezzo, Háry János Suite: VI. Entrance of the Emperor and His Court, In the South "Alassio" - Concert Overture, op. 50, Le Nozze de Figaro: Overture, Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna) / Recitativo "Cosa stai misurando" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) / Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene II. "Bravo, signor padrone" / No. 3 Cavatina "Se vuol ballare" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le nozze di Figaro, K. 492: Act I, no. 3 "Se vuol ballare" (Figaro), Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) / Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro), Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna), Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) / Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) / Recitativo "Oh guarda il demonietto!" (Susanna), Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor... signor" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa), Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III. "Cosa mi narri?...Che soave zeffiretto", Le nozze di Figaro, K. 492: Act III. "Riconosci in questo amplesso", Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina) / Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Basilio), Le nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Recitativo "In quegli anni in cui val poco" (Figaro), Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Finale "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Overture, Les Préludes, S.97, Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo, Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro, Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio, Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto, Overture Cockaigne, op. 40 (In London Town), Pomp & Circumstance March No. 1 in D major, Pomp and Circumstance March no. 1 in D, op. 39 no. 1, Pomp and Circumstance March, op. 39: no. 2 in A Minor, Pomp and Circumstance March, op. 39: no. 3 in C Minor, Pomp and Circumstance March, op. 39: no. 5 in C major, Prometheus, S.99, Symphonie no. 93: Largo cantabile, Symphony 102, I. Largo - Vivace, Symphony 102, II. Adagio, Symphony 102, III. Minuet & Trio, Symphony 102, IV. Finale; Presto, Symphony 103, I. Adagio - Allegro con spirito, Symphony 103, II. Andante più tosto Allegretto, Symphony 103, III. Menuet & Trio, Symphony 103, IV. Finale; Allegro con spirito, Symphony no. 1 in A-flat major, op. 55: I. Andante, nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro, Symphony no. 100 in G major, Hob. I:100 "Military": I. Adagio - Allegro, Symphony no. 100 in G major, Hob. I:100 "Military": II. Allegretto, Symphony no. 100 in G major, Hob. I:100 "Military": III. Menuet (Moderato), Symphony no. 100 in G major, Hob. I:100 "Military": IV. Finale (Presto), Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace, Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio, Symphony no. 102 in B-flat major, Hob. I:102: III. Menuetto (Allegro), Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto, Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro, Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante, Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet (Allegro), Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale (Spiritoso), Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 95 in C minor, Hob .I:95: IV. Finale (Vivace), Symphony no. 95 in C minor, Hob. I:95: I. Allegro moderato, Symphony no. 95 in C minor, Hob. I:95: II. Andante cantabile, Symphony no. 95 in C minor, Hob. I:95: III. Menuetto, The Marriage of Figaro: Cosa Mi Narri! ... Che Soave Zeffiretto, The Planets, op. 32: I. Mars, the Bringer of War, The Planets, op. 32: II. Venus, the Bringer of Peace, The Planets, op. 32: III. Mercury, the Winged Messenger, The Planets, op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32: V. Saturn, the Bringer of Old Age, The Planets, op. 32: VI. Uranus, the Magician |
| Lightnin' Guy & The Mighty Gators |
performing orchestra |
2001: Odyssee im Weltraum: Also sprach Zarathustra, Also sprach Zarathustra, Also sprach Zarathustra (Thus Spake Zarathustra), Also sprach Zarathustra - Einleitung, Also sprach Zarathustra, Op. 30: Das Grablied, Also sprach Zarathustra, Op. 30: Das Nachtwandlerlied, Also sprach Zarathustra, Op. 30: Das Tanzlied, Also sprach Zarathustra, Op. 30: Der Genesende, Also sprach Zarathustra, Op. 30: Der Genesende - Das Tanzlied - Das Nachtwandlerlied, Also sprach Zarathustra, Op. 30: Einleitung, Also sprach Zarathustra, Op. 30: Von den Freuden - und Leidenschaften - Das Grablied, Also sprach Zarathustra, Op. 30: Von der Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: Von der Hinterweltlern, Also sprach Zarathustra, Op. 30: Von der Wissenschaft, Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: [Einleitung]... Von den Hinterweltlern - Von der großen Sehnsucht, Coriolan, op. 62, Don Juan, Op. 20, Don Juan, Op. 20: Tondichtung nach Nikolaus Lenau, Egmont, op. 84, Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, Fidelio, op. 72b, Four Last Songs (Vier Letzte Lieder) - Beim Schlafengehen (Conclusion), Háry János Suite: I. Prelude: The Fairy Tale Begins, Háry János Suite: II. Viennese Musical Clock, Háry János Suite: III. Song, Háry János Suite: IV. Battle and Defeat of Napoleon, Háry János Suite: V. Intermezzo, Háry János Suite: VI. Entrance of Emperor and His Court, Leonore No. 3, op. 72a, Prometheus, op. 43, Symfonie No. 5: Adagietto, Symphony No. 1 in D: I. Langsam. Schleppend, Symphony No. 1 in D: II. Kraftig bewegt, doch nicht zu schnell, Symphony No. 1 in D: III. Feierlich und gemessen, Symphony No. 1 in D: IV. Sturmisch bewegt, Symphony No. 10 in F-sharp minor: I. Adagio, Symphony No. 2 in C minor "Resurrection": I. Adagio maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": IV. Urlicht (Sehr feierlich aber schlicht), Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzos (Wild herausfahrend) - Langsam - Allegro energico - Langsam, Symphony No. 3 in D minor: I. Kräftig. Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr Langsam. Misterioso. Durchaus ppp, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in D minor: VI. Langsam. Ruhevol. Empfunden, Symphony No. 4: I. Bedächtig. Nicht Eilen, Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4: III. Ruhevoll, Symphony No. 4: IV. Sehr behaglich, Symphony No. 5 in C-sharp minor: I. Trauermarsch, Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell, Symphony No. 5 in C-sharp minor: IV. Adagietto: Sehr langsam, Symphony No. 5 in C-sharp minor: V. Rondo-Finale: Allegro, Symphony No. 5: IV. Adagietto. Sehr langsam, Symphony No. 7 in E minor: I. Langsam - Allegro, Symphony No. 7 in E minor: II. Nachtmusik I: Allegro moderato, Symphony No. 7 in E minor: III. Scherzo: Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik II: Andante amoroso, Symphony No. 7 in E minor: V. Rondo-Finale: Tempo I (Allegro ordinario) - Tempo II (Allegro moderato ma energico), Symphony No. 8 in E-flat major "Symphony of a Thousand": I. Teil. Hymnus: Allegro Impetuoso: Accende lumen sensibus, Symphony No. 8 in E-flat major "Symphony of a Thousand": I. Teil. Hymnus: Allegro Impetuoso: Gloria, Patri Domino, Symphony No. 8 in E-flat major "Symphony of a Thousand": I. Teil. Hymnus: Allegro Impetuoso: Imple superna gratia, Symphony No. 8 in E-flat major "Symphony of a Thousand": I. Teil. Hymnus: Allegro Impetuoso: Infirma nostri corporis, Symphony No. 8 in E-flat major "Symphony of a Thousand": I. Teil. Hymnus: Allegro Impetuoso: Veni, creator spiritus, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Allegro Deciso: Gerettet ist das edle Glied, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Allegro Deciso: Hier ist die Aussicht frei, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Allegro Deciso: Höchste Herrscherin der Welt, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Allegro Deciso: Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Poco Adagio: Ewiger Wonnebrand, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Poco Adagio: Waldung sie schwankt heran, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Poco Adagio: Wie Felsenabgrund mir zu Füßen, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Äußerst langsam. Adagissimo: Alles Vergängliche, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Äußerst langsam. Adagissimo: Bei der Liebe, die den Füßen, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Äußerst langsam. Adagissimo: Blicket auf zum Retterblick, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Äußerst langsam. Adagissimo: Dir der Unberührbaren, Symphony No. 8 in E-flat major "Symphony of a Thousand": II. Teil. Schlußszene aus "Faust": Äußerst langsam. Adagissimo: Neige, neige, du Ohnegleiche, Symphony no. 1 in D major: I. Langsam Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante Moderato, Symphony no. 2 in C minor “Resurrection”: III. Scherzo, Symphony no. 2 in C minor “Resurrection”: V. Finale, Symphony no. 5 in C-sharp minor: IV. Adagietto, Symphony no. 5: IV. Adagietto (Sehr langsam) / V. Rondo - Finale (Allegro), Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig aber markig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso, Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro, Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro, Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto, Symphony no. 6: I. Allegro ma non troppo, Symphony no. 6: III. Allegro, Symphony no. 6: III. Andante molto mosso, Symphony no. 6: IV. Allegro, Symphony no. 6: V. Allegretto, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro vivace e con brio, Symphony no. 8: II. Allegretto scherzando, Symphony no. 8: III. Tempo di Minuetto, Symphony no. 8: IV Allegro vivace, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas Täppisch und sehr derb), Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio, Troika from Leiutenant Kijé |
| Wolfgang Amadeus Mozart |
performer, performing orchestra |
Concerto Pour Piano No. 21 "Elvira Madigan" en Ut Majeur, KV 467, I. Allegro maestosos – Cadence (Eschenbach), Concerto Pour Piano No. 21 „Elvira Madigan“ en Ut Majeur, KV 467, III Allegro vivace assai – Cadences (Eschenbach), Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso, Concerto pour Piano No. 21 „Elvira Madigan“ en Ut Majeur, KV 467, II. Andante, Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, I Allegro – Cadene (Mozart), Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, II Larghetto, Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, III Allegro – Cadence (Mozart), Cosi fan Tutte: Soave sia il vento… Non son cattivo comico, Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 1 Terzetto Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) / Recitativo "Fuor la spada!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act I. No. 10 Terzettino "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) / Recitativo "Non son cattivo comico! ... Nel mare solca..." (Don Alfonso), Così fan tutte, K. 588: Act I. No. 12 Aria "In uomini! In soldati sperare fedeltà?" (Despina), Così fan tutte, K. 588: Act I. No. 13 Sestetto "Alla bella Despinetta vi presento, amici miei" (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo "Che sussurro! Che strepito, che scompglio è mai questo!" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act I. No. 15 Aria "Non siate ritrosi, occhietti vezzosi" (Guglielmo), Così fan tutte, K. 588: Act I. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Si può sapere un poco la cagion di quel riso? (Don Alfonso, Guglielmo, Ferrando), Così fan tutte, K. 588: Act I. No. 17 Aria "Un'aura amorosa del nostro tesoro" (Ferrando) / Recitativo "Oh la saria da ridere" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Ah, che tutta in un momento si cangiò la sorte mia!" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Dammi un bacio, o mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Eccovi il medico, signor belle!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act I. No. 2 Terzetto "È la fede delle femmine come l'araba fenice" (Ferrando, Don Alfonso, Guglielmo) / Recitativo "Scioccherie di poeti!" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I. No. 3 Terzetto "Una bella serenata far io voglio" (Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act I. No. 4 Duetto "Ah guarda sorella" (Fiordiligi, Dorabella) / Recitativo "Mi par, che stamattina ... Non son essi: è" (Ferrando, Guglielmo, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso) / Recitativo "Stelle! Per carità, signor Alfonso, no ci fate morir" (Fiordiligi, Don Alfonso, Dorabella), Così fan tutte, K. 588: Act I. No. 6 Quintetto "Sento oddio, che questo piede è restio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) / Recitativo "Non piangere, idol mio (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 7 Duettino "Al fato dàn legge quegli occhi vezzosi" (Ferrando, Guglielmo) / Recitativo La commedia è graziosa... (Don Alfonso, Ferrando, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 8 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Non v'è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I. No. 8a Quintetto "Di scrivermi ogni giorno, giurami, vita mia!" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Dove son? - Son partiti" (Dorabella, Don Alfonso, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Ah! scostati, paventa il tristo effetto d'un disperato affetto!" (Dorabella) / No. 11 Aria "Smanie implacabili, che m'agitate" (Dorabella) / Recitativo "Signora Dorabella, signora Fiordiligi, ditemi, che cosa è stato?" (Despina, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Che silenzio! Che aspetto di tristezza spirano queste stanze!" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. Recitativo "Che vita maledetta è il far la cameriera! ... Madame, ecco la vostra colazione (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) / No. 14 Aria "Come scoglio immoto resta contra i venti" (Fiordiligi) / Recitativo "Ah, non partite!" (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act II. No. 19 Aria "Una donna a quindici anni" (Despina) / Recitativo "Sorella, cosa dici?" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. No. 20 Duetto "Prenderò quel brunettino" (Dorabella, Fiordiligi) / Recitativo "Ah, correte al giardino, le mie care ragazze!" (Don Alfonso, Dorabella), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo), Così fan tutte, K. 588: Act II. No. 23 Duetto "Il core vi dono" (Guglielmo, Dorabella), Così fan tutte, K. 588: Act II. No. 26 Aria "Donne mie, la fate a tanti" (Guglielmo), Così fan tutte, K. 588: Act II. No. 28 Aria "È Amore un ladroncello" (Dorabella) / Recitativo "Come tutto congiura a sedurre il mio cor!" (Fiordiligi, Guglielmo, Despina, Don Alfonso) / Recitativo "L'abito di Ferrando sarà buono per me" (Fiordiligi, Guglielmo), Così fan tutte, K. 588: Act II. No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando) / Recitativo "Ah, poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act II. No. 30 "Tutti accusan le donne, ed io le scuso" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Benedetti i doppi coniugi e le amabili sposine!" (coro di servi, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Fate presto, o cari amici" (Despina, coro di servi, Don Alfonso), Così fan tutte, K. 588: Act II. No. 31 Finale "Miei signori, tutto è fatto ... Bella vita militar!" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act II. No. 31 Finale "Sani e salvi agli amplessi amorosi ... Fortunato l'uom che prende ogni cosa pel buon verso" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act II. Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. Recitativo "Andate là, che siete due bizzarre ragazze!" (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. Recitativo "Barbara! Perché fuggi?" (Ferrando, Fiordiligi) / No. 24 Aria "Ah, lo veggio, quell'anima bella al mio pianto resister non sa" (Ferrando), Così fan tutte, K. 588: Act II. Recitativo "Ei parte... senti!" (Fiordiligi) / No. 25 Rondò "Per pietà, ben mio, perdona all'error d'un'alma amante" (Fiordiligi), Così fan tutte, K. 588: Act II. Recitativo "In qual fiero contrasto, in qual disordine di pensieri e di affetti io mi ritrovo!" (Ferrando) / No. 27 Cavatina "Tradito, schernito dal perfido cor" (Ferrando) / Recitativo "Bravo: questa è constanza" (Don Alfonso, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. Recitativo "Ora vedo che siete una donna di garbo" (Despina, Dorabella, Fiordiligi), Così fan tutte, K. 588: Overtura, Die Zauberflöte (Ouvertüre), KV 620, Don Giovanni - Act 1: Champagne Aria, Don Giovanni - Act 1: Don Ottavio Son Morta... Or Sai Chi L'Onore (excerpt), Don Giovanni - Act 2; Don Giovanni's Descent Into Hell, From Don Giovanni: Don Giovanni and Zerlina's Duet, "Come On, We're Wasting Time" - "There Will My Arms Enfold You", Idomeneo, Act I: Ecco il misero… Godiam la pace – Ilia/Chorus, Idomeneo, Act I: Estinto è Idomeneo? – Elettra, Idomeneo, Act I: March… Nettuno s’onori! – Chorus, Idomeneo, Act I: Non ho colpa – Idamante, Idomeneo, Act I: Padre, germani, addio! – Ilia, Idomeneo, Act I: Pietà Numi, pietà! – Chorus, Idomeneo, Act I: Quando avran fine – Ilia, Idomeneo, Act I: Spiagge romite… Il padre adorato – Idamante, Idomeneo, Act I: Tutte nel cor vi sento – Elettra, Idomeneo, Act I: Vedrommi intorno l’ombra dolente – Idomeneo, Idomeneo, Act II: Chi mai del mio – Elettra, Idomeneo, Act II: Corriamo, fuggiamo – Chorus, Idomeneo, Act II: Del ciel la clemenza… Qual nuova terrore! – Idomeneo/Idamante/Elettra, Idomeneo, Act II: Fuor del mar – Idomeneo, Idomeneo, Act II: Idol mio… March – Elettra, Idomeneo, Act II: Placido è il mar – Chorus, Idomeneo, Act II: Pria di partir, o Dio! – Idamante/Elettra/Idomeneo, Idomeneo, Act II: Qual mi conturba – Idomeneo, Idomeneo, Act II: Se il padre perdei – Ilia, Idomeneo, Act II: Siam soli – Idomeneo, Idomeneo, Act III: Accogli, o rè del mar – Idomoneo, Idomeneo, Act III: Deh vibro un colpo… No, la morte io non pavento – Idamante, Idomeneo, Act III: D’Oreste, d’Aiace – Elettra, Idomeneo, Act III: O voto tremendo! – Chorus, Idomeneo, Act III: Oh, ciel pietoso! – Elettra, Idomeneo, Act III: Padre, mio caro padre! – Idamante, Idomeneo, Act III: Popoli! a voi l’ultima legge impone – Idomeneo, Idomeneo, Act III: Principessa, a tuoi sguardi… Spiegarti non poss’io… Andrò ramingo e solo – Idomeneo/Ilia/Elettra/Idamante, Idomeneo, Act III: Scenda Amore – Chorus, Idomeneo, Act III: Torna la pace al core – Idomeneo, Idomeneo, Act III: Volgi intorno lo sguardo, o Sire – High Priest, Idomeneo, Act III: Zeffiretti lusinghieri (conclusion) – Ilia, Idomeneo, Act III: Zeffiretti lusinghieri – Ilia, Idomeneo: Overture, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Konzert Nr. 5 für Violine und Orchester A-moll, KV 219: III. Rondeau: Tempo di menuetto, Non Ho Colpa E Mi Condanni (Idomeo), Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": I. Allegro vivace, Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": II. Andante cantabile, Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": IV. Allegro molto, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto, The Magic Flute, The Magic Flute: Act II. “A woman’s beauty is beguiling” (Second Priest, Speaker, Papageno), The Marriage of Figaro: Dove sono, The Marriage of Figaro: Finale, The Marriage of Figaro: Non so più cosa son, cosa faccio, The Marriage of Figaro: Se vuol ballare |
| Manudigital |
performing orchestra |
A Song Before Sunrise, Appalachia, Variations on Old Slave Song: Introduction: Molto moderato - Tranquillo, Appalachia, Variations on Old Slave Song: Theme: Andante, Appalachia, Variations on Old Slave Song: Var I. Un poco piu, Appalachia, Variations on Old Slave Song: Var II. Moderato, Appalachia, Variations on Old Slave Song: Var III. Piu vivo, Appalachia, Variations on Old Slave Song: Var IV. Molto moderato, Appalachia, Variations on Old Slave Song: Var IX. Andante con grazia, Appalachia, Variations on Old Slave Song: Var V. Con moto, Appalachia, Variations on Old Slave Song: Var VI. Giocoso: Allegro moderato, Appalachia, Variations on Old Slave Song: Var VII. Lento e molto tranquillo, Appalachia, Variations on Old Slave Song: Var VIII. Misterioso, Appalachia, Variations on Old Slave Song: Var X. Lento sostenuto e tranquillo, Appalachia, Variations on Old Slave Song: Var XI. Allegro alla marcia, Appalachia, Variations on Old Slave Song: Var XII. Marcia. Molto lento maestoso, Appalachia, Variations on Old Slave Song: Var XIII. L'istesso tempo, Appalachia, Variations on Old Slave Song: Var XIV. Misterioso lento, En Saga - Tone Poem, op. 9, En saga, op. 9, Eventyr ("Once Upon a Time"), Finlandia - Symphonic Poem, op. 26, Finlandia - Symphony Poem, op. 26, Gypsy Suite: I. Lonely Life: Valse mélancolique, Gypsy Suite: II. The Dance: Allegro di molto, Gypsy Suite: III. Love Duet: Menuetto, Gypsy Suite: IV. The Revel: Tarantella, Hassan, Incidental Music: Interlude, Act I, Hassan, Incidental Music: Serenade, Hassan: Incidental Music: Intermezzo, Hassan: Incidental Music: and Serenade, In memoriam - Funeral March, op. 59, Irmelin Prelude, Koanga: La Calinda (arr. Fenby), Kuolema, op 44: Valse triste, Lemminkainen Suite, op. 22: IV. Lemminkainen's Return, Lemminkainen's Return, op. 22 no. 4, Pantomime from Zemire et Azor, Paris ("Ein Nachtstück") (The Song of a Great City), Pelléas et Mélisande, op. 46: A Spring in the Park, Pelléas et Mélisande, op. 46: Death of Melisande, Pelléas et Mélisande, op. 46: Entr'acte, Rhapsody, España, Scenes historiques I, op. 25: III. Festivo, Scènes historiques, op. 25, Symphony No. 29 in A major, K. 201: I. Allegro moderato, Symphony No. 29 in A major, K. 201: II. Andante, Symphony No. 29 in A major, K. 201: III. Minuetto and Trio, Symphony No. 29 in A major, K. 201: IV. Allegro con spirito, Symphony No. 31 in D major, K. 297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 297 "Paris": II. Andantino, Symphony No. 31 in D major, K. 297 "Paris": III. Allegro, Symphony No. 34 in C major, K. 338: I. Allegro vivace, Symphony No. 34 in C major, K. 338: II. Adagio di molto, Symphony No. 34 in C major, K. 338: III. Allegro vivace, Symphony no. 35 in D, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D, K. 385 "Haffner": II. Andante, Symphony no. 35 in D, K. 385 "Haffner": III. Menuetto, Symphony no. 35 in D, K. 385 "Haffner": IV. Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: III. Tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, The Bard - Tone Poem, op. 64, The Bard, op. 64, The Return of Lemminkäinen, op. 22 no. 4, The Tempest Suite I, op. 109: Caliban's Song, The Tempest Suite I, op. 109: Humoresque, The Tempest Suite I, op. 109: Intrada - Berceuse, The Tempest Suite I, op. 109: The Oak Tree, The Tempest Suite II, op. 109: Miranda, The Tempest Suite II, op. 109: Prospero, The Tempest, op. 109: Prelude, The Tempest: Incidental Music, op. 109: Berceuse, The Tempest: Incidental Music, op. 109: Caliban's Song, The Tempest: Incidental Music, op. 109: Canon, The Tempest: Incidental Music, op. 109: Dance of Nymphs, The Tempest: Incidental Music, op. 109: Humoresque, The Tempest: Incidental Music, op. 109: Intrada, The Tempest: Incidental Music, op. 109: Prelude, The Tempest: Incidental Music, op. 109: Prospero, The Tempest: Incidental Music, op. 109: Scene, The Tempest: Incidental Music, op. 109: The Oak Tree, The Tempest: Incidental Music, op. 109: The Storm, The Triumph of Neptune: I. Schottische, The Triumph of Neptune: II. Hornpipe, The Triumph of Neptune: III. The Sailor's Return: Polka, The Triumph of Neptune: IV. Harlequinade, The Triumph of Neptune: V. Dance of the Fairy Princess, The Triumph of Neptune: VI. Sunday Morning: Intermezzo, The Triumph of Neptune: VII. Apotheosis of Neptune |
| Howard Shore |
performing orchestra |
92 Aqua Green Ford, A Journey in the Dark, A Knife in the Dark, A Storm Is Coming, Amon Hen, Andúril, Arwen’s Song (complete), Ash and Smoke, At the Sign of the Prancing Pony, Carl Rudolph Stargher, Catherine's World, Centipede, Chlorine and Rust, Cirith Ungol, Clark Nova Dies, Concerning Hobbits, Dr. Benway, Elanor (alternate), Emyn Muil (alternate), FBI Pathologist, Fadela's Coven, Flight to the Ford, Flight to the Ford (alternate), Foundations of Stone, Four and Twenty Blackbirds, Helm’s Deep, Hope Fails, Hope and Memory, Interzone Suite, Lothlórien / Lament for Gandalf, Main Title, Many Meetings, Minas Morgul, Mugwumps, Mujahaddin, Naked Lunch, Normal Psychotropics, Nothing Is True; Everything Is Permitted, Only Girls Play With Dolls, Out From Bree (theatrical version & alternate), Prologue: One Ring to Rule Them All (alternate), Sammath Naur (alternate), Samwise the Brave, Scavenged Dolls, Shelob’s Lair, Shieldmaiden of Rohan (theatrical version), Sing a Song of Sixpence, Stargher King, The Argonath (alternate), The Black Gate Is Closed, The Black Meat, The Black Rider, The Breaking of the Fellowship / In Dreams, The Bridge of Khazad‐dûm, The Cell, The Drowning, The Eaves of Fangorn (alternate), The Fields of the Pelennor, The Fighting Uruk‐hai (alternate), The Forbidden Pool, The Great River, The Hornburg, The King of the Golden Hall, The Leave Taking, The Muster of Rohan (alternate), The Passage of the Marshes, The Prophecy, The Return of the King Trailer, The Ride of the Rohirrim, The Riders of Rohan, The Ring Goes South, The Seduction, The Shadow of the Past, The Siege of Gondor (alternate), The Taming of Sméagol, The Treason of Isengard, The Uruk‐hai, The White Rider, The White Tree, Tide Pool, Trauma, Treebeard, Valentine, Vital Signs, Welcome to Annexia, Whalen's Infraction, William Tell |
| Gustav Mahler |
performing orchestra |
Des Knaben Wunderhorn: I. Revelge, Des Knaben Wunderhorn: II. Das irdische Leben, Des Knaben Wunderhorn: III. Verlor'ne Müh, Des Knaben Wunderhorn: IV. Rheinlegendchen, Des Knaben Wunderhorn: IX: Des Antonius von Padua Fischpredigt, Des Knaben Wunderhorn: V. Der Tambourg'sell, Des Knaben Wunderhorn: VI. Der Schildwache Nachtlied, Des Knaben Wunderhorn: VII. Wer hat dies Liedlein erdacht?, Des Knaben Wunderhorn: VIII. Lob des hohen Verstandes, Des Knaben Wunderhorn: X. Lied des Verfolgten im Turme, Des Knaben Wunderhorn: XI. Trost im Unglück, Des Knaben Wunderhorn: XII: Wo die schönen Trompeten blasen, Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht, Lieder eines fahrenden Gesellen:Die zwei blauen Augen von meinem Schatz, Lieder eines fahrenden Gesellen:Ging heut' morgen ubers Feld, Lieder eines fahrenden Gesellen:Ich hab'ein gluhend Messer, Rückert Lieder: 'Ich atmet' einen linden Duft', Rückert Lieder: 'Liebst du um Schönheit', Rückert Lieder: Blicke mir nicht in die Lieder, Rückert Lieder: Ich bin der Welt abhanden gekommen, Rückert Lieder: Um Mitternacht, Songs of a Wayfarer: I. Wenn mein Schatz Hochzeit macht, Songs of a Wayfarer: I. When My Love Becomes a Bride, Songs of a Wayfarer: II. As I Walked Through the Field This Morning, Songs of a Wayfarer: II. Ging heut morgen übers Feld, Songs of a Wayfarer: III. I Have a Gleaming Knife, Songs of a Wayfarer: III. Ich hab ein glühend Messer, Songs of a Wayfarer: IV. Die zwei blauen Augen von meinem Schatz, Songs of a Wayfarer: IV. My Love's Two Blue Eyes, Symphony No. 1 in D major: I. Langsam. Schleppend, Symphony No. 1 in D major: II. Kräftig bewegt, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Sturmisch bewegt, Symphony No. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll (Poco adagio), Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 5 in C sharp minor: Adagietto, Symphony No. 5 in C-sharp minor: I. Trauermarsch, Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony No. 5 in C-sharp minor: V. Rondo-Finale, Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Accende lumen sensibus, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Gloria sit Patri Domino, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Imple superna gratia, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Tempo I: Allegro, etwas hastig, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Veni, creator spiritus, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Bei dem hochgeweihten Orte, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Bei der Liebe, die den Füßen, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Dir, der Unberührbaren - Du schwebst zu Höhen der ewigen Reiche, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Er überwächst uns schon - Vom edlen Geisterchor umgeben, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Ewiger Wonnebrand, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt!, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Ich spür' soeben nebelnd um Felsenhöh' - Hier ist die Aussicht frei - Freudig empfangen wir, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Jene Rosen, aus den Händen, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! - Blicket auf zum Retterblick, alle reuig Zarten, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Neige, neige, du Ohnegleiche, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Piu mosso: Allegro moderato, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Poco adagio, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Wie Felsenabgrund mir zu Füßen, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor “Resurrection”: II. Andante Moderato. Sehr gemächlich. Nie eilen, Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht". Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. "Aufersteh'n". Langsam Misterioso, Symphony no. 2 in C minor “Resurrection”: V. "O Glaube, mein Herz". Etwas bewegter, Symphony no. 2 in C minor “Resurrection”: V. Finale. Im Tempo des Scherzo. Wild herausfahrend, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Scherzo, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale |
| Ruthless Ones |
performing orchestra |
Academic Festival Overture in C minor, op. 80, Symphonic Metamorphosis on Themes by Carl Maria von Weber: I. Allegro, Symphonic Metamorphosis on Themes by Carl Maria von Weber: II. Moderato (Turandot: Scherzo), Symphonic Metamorphosis on Themes by Carl Maria von Weber: III. Andantino, Symphonic Metamorphosis on Themes by Carl Maria von Weber: IV. Marsch, Symphony in D major, Hob. I:101 "The Clock": I. Adagio - Presto, Symphony in D major, Hob. I:101 "The Clock": II. Andante, Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio, Symphony in D major, Hob. I:101 "The Clock": IV. Finale. Vivace, Symphony in G major, Hob. I:100 "Military": I. Adagio - Allegro, Symphony in G major, Hob. I:100 "Military": II. Allegretto, Symphony in G major, Hob. I:100 "Military": III. Menuet. Moderato - Trio, Symphony in G major, Hob. I:100 "Military": IV. Finale. Presto, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto grazioso, Symphony no. 1 in C minor, op. 68: IV. Finale: Più Andante - Allegro non troppo, ma con brio, Symphony no. 100 in G major, Hob. I:100 “Military”: I. Adagio – Allegro, Symphony no. 100 in G major, Hob. I:100 “Military”: II. Allegretto, Symphony no. 100 in G major, Hob. I:100 “Military”: III. Menuet: Moderato – Trio – Menuet, Symphony no. 100 in G major, Hob. I:100 “Military”: IV. Finale: Presto, Symphony no. 101 in D major, Hob. I:101 “Clock”: I. Adagio - Presto, Symphony no. 101 in D major, Hob. I:101 “Clock”: II. Andante, Symphony no. 101 in D major, Hob. I:101 “Clock”: III. Menuet: Allegretto – Trio – Menuet, Symphony no. 101 in D major, Hob. I:101 “Clock”: IV. Finale: Vivace, Symphony no. 102 in B-flat major, Hob. I:102: I. Largo – Vivace, Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio, Symphony no. 102 in B-flat major, Hob. I:102: III. Menuet: Allegro – Trio – Menuet, Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale: Presto, Symphony no. 103 in E-flat major, Hob. I:103 “Drumroll”: I. Adagio – Allegro con spirito – Adagio, Symphony no. 103 in E-flat major, Hob. I:103 “Drumroll”: II. Andante più tosto allegretto, Symphony no. 103 in E-flat major, Hob. I:103 “Drumroll”: III. Menuet – Trio - Menuet, Symphony no. 103 in E-flat major, Hob. I:103 “Drumroll”: IV. Finale. Allegro con spirito, Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio – Allegro, Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante, Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet: Allegro – Trio – Menuet, Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale: Spiritoso, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Symphony no. 93 in D major, Hob. I:93: I. Adagio – Allegro assai, Symphony no. 93 in D major, Hob. I:93: II. Largo cantabile, Symphony no. 93 in D major, Hob. I:93: III. Menuetto. Allegro – Trio – Menuetto, Symphony no. 93 in D major, Hob. I:93: IV. Finale. Presto ma non troppo, Symphony no. 94 in G major, Hob. I:94 "Surprise”: I. Adagio – Vivace assai, Symphony no. 94 in G major, Hob. I:94 "Surprise”: II. Andante, Symphony no. 94 in G major, Hob. I:94 "Surprise”: III. Menuet. Allegro molto – Trio – Menuet, Symphony no. 94 in G major, Hob. I:94 "Surprise”: IV. Finale. Allegro di molto, Symphony no. 95 in C minor, Hob. I:95: I. Allegro moderato, Symphony no. 95 in C minor, Hob. I:95: II. Andante cantabile, Symphony no. 95 in C minor, Hob. I:95: III. Menuet – Trio – Menuet, Symphony no. 95 in C minor, Hob. I:95: IV. Finale: Vivace, Symphony no. 96 in D major, Hob. I:96 “Miracle”: I. Adagio – Allegro, Symphony no. 96 in D major, Hob. I:96 “Miracle”: II. Andante, Symphony no. 96 in D major, Hob. I:96 “Miracle”: III. Menuetto: Allegretto – Trio – Menuetto, Symphony no. 96 in D major, Hob. I:96 “Miracle”: IV. Finale. Vivace assai, Symphony no. 97 in C major, Hob. I:97: I. Adagio - Vivace, Symphony no. 97 in C major, Hob. I:97: II. Adagio ma non troppo, Symphony no. 97 in C major, Hob. I:97: III. Menuetto: Allegretto – Trio – Menuetto, Symphony no. 97 in C major, Hob. I:97: IV. Finale. Presto assai, Symphony no. 98 in B-flat major, Hob. I:98: I. Adagio - Allegro, Symphony no. 98 in B-flat major, Hob. I:98: II. Adagio cantabile, Symphony no. 98 in B-flat major, Hob. I:98: III. Menuet: Allegro – Trio – Menuet, Symphony no. 98 in B-flat major, Hob. I:98: IV. Finale. Presto, Symphony no. 99 in E-flat major, Hob. I:99: I. Adagio – Vivace assai, Symphony no. 99 in E‐flat major, Hob. I:99: II. Adagio, Symphony no. 99 in E‐flat major, Hob. I:99: III. Menuet: Allegretto – Trio – Menuet, Symphony no. 99 in E‐flat major, Hob. I:99: IV. Finale: Vivace, Tragic Overture in D minor, op. 81 |
| Liveson |
performing orchestra |
A Song Before Sunrise, Air and Dance, An American in Paris, Beckus the Dandipratt, overture for orchestra, Enigma Variations, Op. 36 (I-IV) C.A.E. - H.D.S.P. - R.B.T. - W.M.B., Enigma Variations, Op. 36 (V-VII) R.P.A. - Ysobel - Troyte, Enigma Variations, Op. 36 (VIII-IX) W.N. - Nimrod, Enigma Variations, Op. 36 (X-XI) Dorabella - G.R.S., Enigma Variations, Op. 36 (XII-XIII) B.G.N. - ***Romanza, Enigma Variations, Op. 36 (XIV) E.D.U., Enigma Variations, op. 36: Dorabella, Enigma Variations, op. 36: Nimrod, Fennimore and Gerda: Intermezzo, Five Variants of "Dives and Lazarus", Flourish for a 21st Birthday, Introduction and Allegro for Strings, Op.47, Irmelin: Prelude, Koanga: La Calinda, Masques et bergamasques Suite Op. 122: I. Overture, Masques et bergamasques Suite Op. 122: II. Menuet, Masques et bergamasques Suite Op. 122: III. Gavotte, Masques et bergamasques Suite Op. 122: IV. Pastorale, Nocturne for Strings, op. 40, On Hearing the First Cuckoo in Spring, Pavane, op. 50, Philharmonic Concerto: I. Intrada (Vivace), Philharmonic Concerto: II. Andantino, Philharmonic Concerto: III. Chacony (Energico), Pomp and Circumstance March no. 1 in D major, op. 39, Pomp and Circumstance March no. 4 in G major, op. 39, Pomp and Circumstance ‐ Military Marches, op. 39: no. 2 in A minor, Pomp and Circumstance ‐ Military Marches, op. 39: no. 3 in C minor, Pomp and Circumstance ‐ Military Marches, op. 39: no. 4 in G major, Pomp and Circumstance ‐ Military Marches, op. 39: no. 5 in C major, Porgy and Bess: Act I. Summertime, Serenade for Strings in E minor, op. 20, Serenade to Music, Serenade, E minor, Op. 20: I. Allegro Piacevole, Serenade, E minor, Op. 20: II. Larghetto, Serenade, E minor, Op. 20: III. Allegretto - Come prima, Sleigh Ride, Suite: The Inn of the Sixth Happiness: I. London Prelude, Suite: The Inn of the Sixth Happiness: II. Romantic Interlude, Suite: The Inn of the Sixth Happiness: III. Happy Ending, Summer Evening, Summer Night on the River, Symphony No. 1 in A-flat major, Op. 55: IVa. Lento, Symphony No. 1 in A-flat major, Op. 55: IVb. Allegro, Symphony No. 1 in A-flat major, Op. 55: Ia. Andante, nobilmente e semplice, Symphony No. 1 in A-flat major, Op. 55: Ib. Allegro, Symphony no. 1 in A‐flat major, op. 55: I. Andante: nobilmente e semplice ‐ Allegro, Symphony no. 1 in A‐flat major, op. 55: II. Allegro molto, Symphony no. 1 in A‐flat major, op. 55: III. Adagio, Symphony no. 1 in A‐flat major, op. 55: IV. Lento ‐ Allegro, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo. Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro, Symphony no. 39 in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegro, Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 6: I. Energico, Symphony no. 6: II. Lento, Symphony no. 6: III. Con fuoco, Symphony no. 8 in G, op. 88: I. Allegro con brio, Symphony no. 8 in G, op. 88: II. Adagio, Symphony no. 8 in G, op. 88: III. Allegretto grazioso, Symphony no. 8 in G, op. 88: IV. Finale: Allegro ma non troppo, The Walk to the Paradise Garden, The Wand of Youth Suite, op. 1b no. 2: The Wild Bears, The Wasps: Ballet and Final Tableau, The Wasps: Entr'Acte, The Wasps: March Past of the Kitchen Utensils, The Wasps: Overture, Two Pieces for Small Orchestra: I. Summer Night on the River, Two Pieces for Small Orchestra: II. On Hearing the First Cuckoo in Spring |
| Giacomo Puccini |
performer, performing orchestra |
'O Mio Babbino Caro' from 'Gianni Schicci', C'era negli occhi tuoi, Die Hexen von Eastwick: Turandot / Nessun Dorma, Diecimila anni, From Tosca: Te Deum, "Three Agents, Quick as You Can Now", Gianni Schicchi: "O mio babbino caro", Gianni Schicchi: O mio babbino caro, Gira la cote, La Bohème: "Che gelida manina", La Bohème: "Mi chiamano Mimi", La Bohème: Atto III. "D'onde lieta uscì al tuo grido d'amore", La Bohème: Atto IV. "C'è Mimì, c'è Mimì", La Bohème: Atto IV. "Che ora sia! ... L'ora del pranzo", La Bohème: Atto IV. "Dorme? ... Riposa" (Musetta, Rodolfo, Marcello, Mimì, Schaunard, Colline), La Bohème: Atto IV. "Gavotta ... Minuetto ... Pavanella", La Bohème: Atto IV. "Ho tanto freddo. Se avessi un manicotto", La Bohème: Atto IV. "In un coupè?", La Bohème: Atto IV. "Mi chiamano Mimì ... il perchè non so", La Bohème: Atto IV. "O Mimì, tu più non torni", La Bohème: Atto IV. "Sono andati? Fingevo di dormire", La Bohème: Atto IV. "Vecchia zimarra", La Bohème: Quando m'en vo'soletta, La Rondine: Chi il bel sogno di Doretta, La bohème, Act I: "Che gelida manina", La bohème: "Quando m'en vo' soletta", La rondine: "Chi il bel sogno di Doretta", Le villi: Se come voi, Madame Butterfly: Un bel di vedremo, Manon Lescaut: Act III. "Ah! Non v'avvicinate!... No! Pazzo son!" (Des Grieux, Comandante), Nessun Dorma from Turandot, Perché tarda la luna?, Tosca: "Vissi d'arte", Tosca: Vissi d'arte, Turandot: "Signore, Ascolta!", Turandot: Act I. "Fermo! Che fai? T'arresta - Non indugiare!", Turandot: Act I. "Figlio, che fai?", Turandot: Act I. "Gira la cote! - Perchè tarda la luna?", Turandot: Act I. "Non piangere, Liù! - Ah! Per l'ultima volta!", Turandot: Act I. "Non piangere, Liù!", Turandot: Act I. "O giovinetto! Grazia, grazia!", Turandot: Act I. "Popolo di Pekino! - Indietro, cani!", Turandot: Act II, Scene I. "Ho una casa nell'Honan", Turandot: Act II, Scene I. "O mondo, o mondo... - O tigre! O tigre!", Turandot: Act II, Scene I. "Olà, Pang! Olà, Pong!", Turandot: Act II, Scene II. "Figlio del Cielo!", Turandot: Act II, Scene II. "Gelo che ti dà foco", Turandot: Act II, Scene II. "Gloria, gloria, o vincitore! - Figlio del cielo! Padre augusto!", Turandot: Act II, Scene II. "Gravi, enormi ed imponenti", Turandot: Act II, Scene II. "Popolo di Pekino", Turandot: Act II, Scene II. "Straniero, ascolta", Turandot: Act II, Scene II. "Tre enigmi m'hai proposto", Turandot: Act II, Scene II. "Un giuramento atroce mi costringe", Turandot: Act II, Scene II. Introduction, Turandot: Act III, Scene I. "Così comanda Turandot", Turandot: Act III, Scene I. "Liù! Liù! Sorgi!", Turandot: Act III, Scene I. "Nessun dorma! - Tu che guardi le stelle", Turandot: Act III, Scene I. "Principessa divina! - Tanto amore segreto", Turandot: Act III, Scene I. "Tu che di gel sei cinta", Turandot: Act III, Scene I: "Che è mai di me?", Turandot: Act III, Scene I: "Del primo pianto...", Turandot: Act III, Scene I: "L'amore? ... Tanto amore, segreto e inconfessato", Turandot: Act III, Scene I: "Principessa di morte!", Turandot: Act III, Scene I: "Quel nome!", Turandot: Act III, Scene I: "Tu, che di gel sei cinta", Turandot: Act III. "Tu che di gel sei cinta" (Liù), Turandot: Nessun Dorma (feat. tenor: Luciano Pavarotti), Turandot: Non piangere Liù... Ah! Per l'ultima volta! (Luciano Pavarotti), Turandot: Padre Augusto, Vissi d'arte |
| Deams |
performing orchestra |
All they that see Him, laugh Him to scorn, All we like sheep have gone astray, Amen, And He shall purify the sons of Levi, And the Glory of the Lord, And the glory of the Lord, And with His stripes we are healed, Behold a Virgin Shall Conceive, Behold a virgin shall conceive, Behold the Lamb of God, Behold, I tell you a mystery, Behold, and see if there be any sorrow, But thou didst not leave His soul in hell, But who may abide the day of His coming, Comfort ye, my people, Ev'ry valley shall be exalted, For Unto Us a Child Is Born, For behold, darkness shall cover the earth, For unto us a Child is born, Glory to God in the highest, Hallelujah, He Shall Feed His Flock Like a Shepherd, He Was Despised and Rejected of Men, He shall feed His flock like a shepherd, He that dwelleth in heaven, He trusted in God that would deliver Him, He was cut off out of the land of the living, He was despised and rejected of men, His yoke is easy, His burden is light, How beautiful are the feet of them, I know that my Redeemer liveth, Let us break their bonds asunder, Lift Up Your Heads, O Ye Gates, Lift up your heads, O ye gates, Messiah: Overture (extract B), O thou that tellest good tidings to Zion, Overture, Pastorale Symphony, Rejoice greatly, O daughter of Zion, Since by Man Came Death, Since by man came death — for as in Adam, even so in Christ, Surely, He hath borne our griefs, The people that walked in darkness, The trumpet shall sound, Then shall the eyes of the blind be open'd, There Were Shepherds Abiding in the Fields, There were shepherds abiding in the field, Thou shalt break them with a rod of iron, Thus saith the Lord of hosts, Thy rebuke hath broken His heart, Why Do the Nations So Furiously Rage, Why do the nations so furiously rage, Worthy Is the Lamb That Was Slain / Amen, Worthy is the Lamb that was slain |
| George Gershwin |
performing orchestra |
Porgy & Bess: Summertime, Porgy and Bess, Act III: Oh Lawd, I'm on my way, Porgy and Bess: Act I, Scene I. "Give him to me" - "Lissen to yo' daddy warn you" - "A woman is a sometime thing" (Jake, Mingo, Sporting Life, Chorus, Baby, Clara, Robbins, Peter, Lily, Maria), Porgy and Bess: Act I, Scene I. "Here comes Big Boy!" (Mingo, Jake, Jim, Crown, Porgy, Serena, Bess, Robbins, Chorus, Sporting Life), Porgy and Bess: Act I, Scene I. "Here's the ol' crap shark!" - "No, no, brudder" (Jake, Mingo, Porgy, Sporting Life, Robbins, Jim, Maria, Serena), Porgy and Bess: Act I, Scene I. "Jesus, he's killed him!" - "That you, Sportin' Life?" (Jake, Serena, Bess, Crown, Sporting Life, Maria), Porgy and Bess: Act I, Scene I. "Oh, nobody knows when the Lawd is goin' to call" (Mingo, Chorus, Sporting Life, Jake, Serena, Robbins, Jim, Clara, Crap Shooters (Male Chorus)), Porgy and Bess: Act I, Scene I. "Six to make!" (Sporting Life, Jim, Jake, Mingo, Porgy, Crown, Robbins, Maria, Serena, Bess, Chorus), Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Solo / Chorus, Porgy and Bess: Act I, Scene II. "A saucer-burying set-up, I see" (Detective, Serena, Lily, Peter, Porgy, Policeman, Maria, Jake, Chorus), Porgy and Bess: Act I, Scene II. "How de saucer stan' now, my sister?" (Undertaker, Serena, Jake, Porgy), Porgy and Bess: Act I, Scene II. "My man's gone now" (Serena, Chorus), Porgy and Bess: Act I, Scene II. "Oh, the train is at the station" (Bess, Chorus), Porgy and Bess: Act I, Scene II. "Overflow, overflow" (Chorus, Porgy), Porgy and Bess: Act I, Scene II. "Where is brudder Robbins?" - "Come on, sister!" (solo soprano, Chorus, solo baritone, Serena, Maria, Bess, solo soprano, Jake, Peter, Porgy, Clara), Porgy and Bess: Act II, Scene I. "'Lo Bess, goin' to picnic?" (Sporting Life, Bess, Porgy), Porgy and Bess: Act II, Scene I. "Boy! Come here, boy!" (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, Frazier, Chorus), Porgy and Bess: Act II, Scene I. "Buzzard keep on flyin' over" (Porgy, Chorus), Porgy and Bess: Act II, Scene I. "Lissen there, what I tells you" - "I hates yo' struttin' style" (Maria, Serena, Sporting Life), Porgy and Bess: Act II, Scene I. "Mornin', Lawyer, lookin' for somebody?" (Maria, Frazier, Porgy, Bess, Chorus, Lily, Bass voice, Scipio, Annie, Serena), Porgy and Bess: Act II, Scene I. "Mus' be you mens forgot about de picnic" - "Oh, I got plenty o' nuttin'" (Annie, Jake, Clara, Porgy, Chorus, Serena, Maria), Porgy and Bess: Act II, Scene I. "Oh, I can't sit down" (Chorus, Maria, Bess, Porgy), Porgy and Bess: Act II, Scene I. "Oh, I'm agoin' out to the Blackfish banks" (Jake, Chorus), Porgy and Bess: Act II, Scene II. "Crown!" (Bess, Crown), Porgy and Bess: Act II, Scene II. "I ain't got no shame" (Chorus), Porgy and Bess: Act II, Scene II. "It ain't necessarily so" - "Shame on all you sinners" (Sporting Life, Chorus, Serena, Maria), Porgy and Bess: Act II, Scene II. "Oh, what you want wid Bess?" (Bess, Crown), Porgy and Bess: Act II, Scene III. "Honey, dat's all de breakfast I got time for" (Jake, Fisherman, Jim, Nelson, Maria, Chorus), Porgy and Bess: Act II, Scene III. "I wants to stay here" (Bess, Porgy), Porgy and Bess: Act II, Scene III. "Oh dey's so fresh an' fine" (Strawberry woman, Peter, Woman, Annie, Crab man, Porgy, Maria), Porgy and Bess: Act II, Scene III. "Oh, doctor Jesus" (Serena, Peter, Porgy, Lily), Porgy and Bess: Act II, Scene III. "Porgy, Porgy, dat you there, ain't it?" (Bess, Porgy), Porgy and Bess: Act II, Scene III. "Take yo' han's off me" (Bess, Serena, Maria, Peter, Porgy), Porgy and Bess: Act II, Scene III. "Why you been out on that wharf so long, Clara?" (Maria, Clara), Porgy and Bess: Act II, Scene IV. "A red-headed woman make a choo-choo jump its track" (Crown, Chorus, Clara, Bess), Porgy and Bess: Act II, Scene IV. "All right, I'm goin' out to get Clara" - "Oh, Doctor Jesus" (Crown, Porgy, Solo sextet, Chorus), Porgy and Bess: Act II, Scene IV. "Oh, Doctor Jesus" (Solo sextet, Chorus, Porgy, Clara, Serena, Sporting Life), Porgy and Bess: Act II, Scene IV. "Oh, dere's somebody knockin' at de do'" (Chorus, Peter, Maria, Lily, Mingo, Other woman), Porgy and Bess: Act II, Scene IV. "One of dese mornings you goin' to rise up singin'" (Clara, Chorus, Porgy, Bess), Porgy and Bess: Act II, Scene IV. "You is a nice parcel of Christians!" (Crown, Serena, Bess, Porgy, Woman, Chorus), Porgy and Bess: Act III, Scene I. "Clara, Clara, don't you be downhearted" - "You low-life skunk, ain' you got no shame" (Chorus, Sporting Life, Maria), Porgy and Bess: Act III, Scene I. "Summertime" - Porgy kills Crown (Bess, Porgy), Porgy and Bess: Act III, Scene II. "Come out here, both of you" (Detective, Coroner, Porgy), Porgy and Bess: Act III, Scene II. "Listen: there's a boat dat's leavin' soon for New York" (Sporting Life, Bess), Porgy and Bess: Act III, Scene II. "Oh, Lawd, what I goin' do?" - "Oh, Gawd! They goin' make him look on Crown's face!" (Porgy, Bess, Sporting Life, Policeman), Porgy and Bess: Act III, Scene II. "Wait for us at the corner" (Detective, Annie, Serena, Other woman, Coroner), Porgy and Bess: Act III, Scene III. "Bess is gone" (Lily, Porgy, Serena, Mingo, Maria, Chorus), Porgy and Bess: Act III, Scene III. "Dem white folks sure ain' put nuttin' over on this baby" (Porgy, Lily), Porgy and Bess: Act III, Scene III. "Good mornin', sistuh!" - "It's Porgy comin' home" (Solo tenor, solo mezzo-soprano, Chorus, Children, Mingo, Porgy), Porgy and Bess: Act III, Scene III. "Here Mingo, what's de matter wid you all?" (Porgy), Porgy and Bess: Act III, Scene III. "Oh Lawd, I'm on my way" (Porgy, Chorus), Porgy and Bess: Act III, Scene III. "Where's Bess?" (Porgy, Maria, Serena), Porgy and Bess: Act III, Scene III. Introduction, Rhapsody in Blue |
| Federico Ibarra |
performing orchestra |
Classical Symphony in D, op. 25: Allegro con brio, Classical Symphony in D, op. 25: Finale. Molto vivace, Classical Symphony in D, op. 25: Gavotte. Non troppo allegro, Classical Symphony in D, op. 25: Larghetto, Cockaigne Overture "In London Town", op. 40, Fantasy and Fugue in C minor, op. 86, Fireworks, op. 4, Froissart Overture, op. 19, Overture in D minor, HWV 247, Portsmouth Point Overture, Serenade in E minor, op. 20: I. Allegro piacevole, Serenade in E minor, op. 20: II. Larghetto, Serenade in E minor, op. 20: III. Allegretto, Symphony no. 1 in B-flat minor: I. Allegro assai, Symphony no. 1 in B-flat minor: II. Presto, con malizia, Symphony no. 1 in B-flat minor: III. Andante con malincolia, Symphony no. 1 in B-flat minor: IV. Finale: Maestoso, Symphony no. 2 in E-flat, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2 in E-flat, op. 63: II. Larghetto, Symphony no. 2 in E-flat, op. 63: III. Rondo (Presto), Symphony no. 2 in E-flat, op. 63: IV. Moderato e maestoso, The Kingdom, op. 51 "The voice of joy", The Kingdom, op. 51: "And as they spake .. The sun goeth down", The Kingdom, op. 51: "And suddenly there came from heaven", The Kingdom, op. 51: "And when the day of Pentecost", The Kingdom, op. 51: "Men and brethren", The Kingdom, op. 51: "O ye priests", The Kingdom, op. 51: "Our father", The Kingdom, op. 51: "Repent and be batzied", The Kingdom, op. 51: "Seek first the kingdom of God", The Kingdom, op. 51: "The singers are before the altar", The Kingdom, op. 51: "Then they that gladly received his word", The Kingdom, op. 51: "Thou Almighty Lord", The Kingdom, op. 51: Prelude, Variations on an Original Theme "Enigma", op. 36: Theme (Enigma), Variations on an Original Theme "Enigma", op. 36: Variation I (C.A.E.), Variations on an Original Theme "Enigma", op. 36: Variation II (H.D.S-P), Variations on an Original Theme "Enigma", op. 36: Variation III (R.B.T.), Variations on an Original Theme "Enigma", op. 36: Variation IV (W.M.B), Variations on an Original Theme "Enigma", op. 36: Variation IX (Nimrod), Variations on an Original Theme "Enigma", op. 36: Variation V (R.P.A), Variations on an Original Theme "Enigma", op. 36: Variation VI (Ysobel), Variations on an Original Theme "Enigma", op. 36: Variation VII (Troyte), Variations on an Original Theme "Enigma", op. 36: Variation VIII (W.N), Variations on an Original Theme "Enigma", op. 36: Variation X (Dorabella) Intermezzo, Variations on an Original Theme "Enigma", op. 36: Variation XI (G.R.S.), Variations on an Original Theme "Enigma", op. 36: Variation XII (B.G.N), Variations on an Original Theme "Enigma", op. 36: Variation XIII: (***) Romanza, Variations on an Original Theme "Enigma", op. 36: Variation XIV (E.D.U.) Finale |
| Ralph Vaughan Williams |
performing orchestra |
A London Symphony: I. Lento, A Song of Thanksgiving, Concerto for two pianos and orchestra in C major: I. Toccata: Allegro moderato, Concerto for two pianos and orchestra in C major: II. Romanza: Lento, Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 1, Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 2, Concerto grosso: I. Intrada: Largo, Concerto grosso: II. Burlesca ostinato: Allegro moderato, Concerto grosso: III. Sarabande: Lento, Concerto grosso: IV. Scherzo: Allegro, tempo di valse, Concerto grosso: V. March (A la marcia) and Reprise, Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: I. "Agnus Dei" (lento), Dona nobis pacem: II. "Beat! Beat! Drums!" (allegro moderato), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: III. Reconciliation (andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: IV. Dirge for Two Veterans (moderato alla marcia, Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: V. "The Angel of Death has been abroad" (l'istesso tempo), Dona nobis pacem: VI. "O Man Greatly Beloved", Dona nobis pacem: VI. "O man greatly beloved", Epithalamion: I. Prologue, Epithalamion: II. Wake Now, Epithalamion: III. The Calling of the Bride, Epithalamion: IV. The Minstrels, Epithalamion: IX. The Minstrel's Song, Epithalamion: V. Procession of the Bride, Epithalamion: VI. The Temple Gates, Epithalamion: VII. The Bell Ringers, Epithalamion: VIII. The Lover's Song, Epithalamion: X. Song of the Winged Loves, Epithalamion: XI. Prayer to Juno, Fantasia (quasi variazione) on the Old 104th Psalm Tune, Fantasia on the Old 104th Psalm Tune, Job - A Masque for Dancing (Satan's Dance of Triumph), Prelude and Fugue in C minor: I. Prelude, Prelude and Fugue in C minor: II. Fugue, Serenade to Music, Symphony no. 3 “Pastoral”: II. Lento moderato, The Wasps - Aristophanic Suite: I. Overture, The Wasps - Aristophanic Suite: II. Entr'acte, The Wasps - Aristophanic Suite: III. March Past of the Kitchen Utensils, The Wasps - Aristophanic Suite: IV. Entr'acte, The Wasps - Aristophanic Suite: V. Ballet and Final Tableau, The Wasps: March Past of the Kitchen Utensils (London Philharmonic Orchestra), Toward the Unknown Region |
| Gioachino Rossini |
performing orchestra |
Ermione: Act I, scena I. Recitative “All’ombra del tuo sposo”, Ermione: Act I, scena I. “Io ti perdei!”, Ermione: Act I, scena I. “Mia Delizia”, Ermione: Act I, scena I. “Troia! qual fosti un di!”, Ermione: Act I, scena II. Duet “Ah! m’odia gia l’ingrato!”, Ermione: Act I, scena II. Duet “Non proseguir! comprendo”, Ermione: Act I, scena II. Recitative “A tante cure, o amiche”, Ermione: Act I, scena II. Recitative “Venga il greco orator”, Ermione: Act I, scena II. “Dall’Oriente”, Ermione: Act I, scena II. “Sul lido, di Agamennone”, Ermione: Act I, scena III. Cavatina “Reggia abborrita!”, Ermione: Act I, scena III. Recitative “Che fia di te, se tal mollezza a Pirro”, Ermione: Act I, scena IV. Aria “Balena il man del figlio – Che Parli?”, Ermione: Act I, scena IV. Duet “Deh serena i mesti rai”, Ermione: Act I, scena IV. Marcia, Ermione: Act I, scena IV. Recitative “Mi guarda, e impallidisce!”, Ermione: Act I, scena IV. Recitative “Periglioso e il restar”, Ermione: Act I, scena IV. “Non pavento”, Ermione: Act I, scena V. Duet “Anime sventurate”, Ermione: Act I, scena V. Recitative “E pirro ancor di tanti oltraggi ad onta”, Ermione: Act I, scena V. “Amarti?”, Ermione: Act I, scena VI. “A me Astianatte”, Ermione: Act I, scena VI. “Alfin l’eroeda forte”, Ermione: Act I, scena VI. “Dal valor de’ detti tuoi”, Ermione: Act I, scena VI. “Pirro, deh serbami”, Ermione: Act I, scena VI. “Sperar? Temer? Poss’io?”, Ermione: Act I. Sinfonia, Ermione: Act II, scena I. Duet “Vieni a giurar’”, Ermione: Act II, scena I. Recitative “Liete novelle, o Sire!”, Ermione: Act II, scena I. “Ombra del caro sposo!”, Ermione: Act II, scena II. Recitative “Sia compiuto il mio fato”, Ermione: Act II, scena II. Recitative “Un’empia mel rapi!”, Ermione: Act II, scena II. “Ah! voglia il Ciel”, Ermione: Act II, scena II. “Amata, l’amai”, Ermione: Act II, scena II. “Essa corre al trionfo!”, Ermione: Act II, scena III. “Il tuo dolor ci affretta?”, Ermione: Act II, scena IV. Duettino “A cosi trista immagine”, Ermione: Act II, scena IV. Recitative “Ah! qual sovrasta a Pirro”, Ermione: Act II, scena V. Finale “Ah! ti rinvenni”, Ermione: Act II, scena V. “Che feci? dove son?”, Ermione: Act II, scena V. “Vendicata!”, Guillaume Tell: Overture, Wilhelm Tell: Ouvertüre |
| BAT |
performing orchestra |
"Die Hochzeit des Figaro": Ouvertüre, "Jupiter-Symphonie" Symphonie no. 41 in C-Dur KV 551: Andante cantabile, "The Marriage of Figaro": Overture, A Midsummer Night’s Dream: Wedding March, Amadeus: The Abduction From the Seraglio: Overture, Coriolan op 62, Coriolan, op. 62, Die Zauberflöte, K. 620: Ouverture, Egmont, op. 84: Overture. Sostenuto, ma non troppo, Egmont: Ouvertüre, Habanera from “Carmen”, Hungarian Dance No. 6, König Stephan, op. 117: Overture, La Moldau, La Moldau (version entendue par bébé), Leonore Overture, Ouvertüre zu "Die Hochzeit des Figaro", Ouvertüre zu "Die Zauberflöte", Symphonie Nr. 2 Op. 36 D-Dur V: Allegro molto, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro, Symphony no. 1 in C major, op. 88: I. Allegro vivo, Symphony no. 1 in C major, op. 88: IV. Allegro vivace, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in A minor, op. 56 (Scottish): Adagio - Attacca, Symphony no. 3 in A minor, op. 56 (Scottish): Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in A minor, op. 56 (Scottish): Andante con moto - Allegro un poco agitato attacca, Symphony no. 3 in A minor, op. 56 (Scottish): Vivace non troppo, Symphony no. 41, C major KV 551 "Jupiter": Allegro vivace, Symphony no. 41, C major KV 551 "Jupiter": Andante cantabile, Symphony no. 41, C major KV 551 "Jupiter": Finale. Molto allegro, Symphony no. 41, C major KV 551 "Jupiter": Menuetto. Allegretto, Symphony no. 5 in D major, op. 107 (Reformation) - Choral "Ein feste Burg ist unser Gott!": Andante con moto - Allegro vivace, Symphony no. 5 in D major, op. 107 (Reformation): Allegro vivace, Symphony no. 5 in D major, op. 107 (Reformation): Andante, Symphony no. 5 in D major, op. 107 (Reformation): Andante - Allegro con fuoco, The Marriage of Figaro, The Skater’s Waltz |
| Danzfolk |
performing orchestra |
Academic Festival Overture, Op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso, Hungarian Dance in B minor, WoO 1 No. 19, Hungarian Dance in D major, WoO 1 No. 18, Hungarian Dance in F major, WoO 1 No. 10, Hungarian Dance in F-sharp minor, WoO 1 No. 17, Hungarian Dance no. 1 in G minor, Hungarian Dance no. 3 in F major, Hungarian Dance no. 5 in G minor, Hungarian Dance no. 6 in D major, Hungarian Dances, WoO 1 No. 2, Hungarian Dances, WoO 1 No. 4, Hungarian Dances, WoO 1 No. 5, Hungarian Dances, WoO 1 No. 6, Hungarian Dances, WoO 1 No. 7, Hungarian Dances, WoO 1 No. 8, Hungarian Dances, WoO 1 No. 9, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Allegro non troppo ma con brio, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in F major, op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Variations on a Theme by Haydn, op. 56a: Finale: Andante, Variations on a Theme by Haydn, op. 56a: St Antoni Chorale: Andante, Variations on a Theme by Haydn, op. 56a: Variation 1: Poco più animato, Variations on a Theme by Haydn, op. 56a: Variation 2: Più vivace, Variations on a Theme by Haydn, op. 56a: Variation 3: Con moto, Variations on a Theme by Haydn, op. 56a: Variation 4: Andante con moto, Variations on a Theme by Haydn, op. 56a: Variation 5: Vivace, Variations on a Theme by Haydn, op. 56a: Variation 6: Vivace, Variations on a Theme by Haydn, op. 56a: Variation 7: Grazioso, Variations on a Theme by Haydn, op. 56a: Variation 8: Presto non troppo |
| The #1s |
performing orchestra |
Concerto no. 4 in D minor, op. 31: Adagio religioso, Concerto no. 4 in D minor, op. 31: Andante - Moderato, Concerto no. 4 in D minor, op. 31: Finale marziale: Andante - Allegro, Concerto no. 4 in D minor, op. 31: Scherzo: Vivace, Concerto pour violon et orchestre en La majeur, KV 219: Adagio, Concerto pour violon et orchestre en La majeur, KV 219: Allegro aperto, Concerto pour violon et orchestre en La majeur, KV 219: Rondeau, Introduction & Rondo Capriccioso, op. 28: Allegro ma non troppo, Introduction & Rondo Capriccioso, op. 28: Andante, Introduction & Rondo Capriccioso, op. 28: Più allegro, Introduction and Rondo Capriccioso, Introduction and Rondo capriccioso in A minor, op. 28, Violin Concerto in A minor, op. 82: 1. Moderato, Violin Concerto in A minor, op. 82: 2. Andante sostenuto, Violin Concerto in A minor, op. 82: 3. Tempo I, Violin Concerto in A minor, op. 82: 4. Allegro, Violin Concerto in A minor, op. 82: I. Moderato -, Violin Concerto in A minor, op. 82: II. Andante -, Violin Concerto in A minor, op. 82: III. Cadenza -, Violin Concerto in A minor, op. 82: IV. Animando, Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta (Andante) -, Violin Concerto in D major, op. 35: II. Canzonetta: Andante, Violin Concerto in D major, op. 35: III. Allegro vivacissimo, Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo, Violin Concerto in D, op. 35: 1. Allegro moderato, Violin Concerto in D, op. 35: 2. Canzonetta: Andante, Violin Concerto in D, op. 35: 3. Allegro vivacissimo, Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato, Violin Concerto no. 2 in D minor, op. 22: II. Romance: Andante non troppo, Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco, Violin Concerto no. 4 in D minor, op. 31: I. Andante - Moderato - Cadenza, Violin Concerto no. 4 in D minor, op. 31: II. Adagio religioso, Violin Concerto no. 4 in D minor, op. 31: III. Scherzo: Trio, Violin Concerto no. 4 in D minor, op. 31: IV. Finale marziale: Allegro, Violin Concerto no. 5 in A major, KV 219 "Turkish": I. Allegro aperto, Violin Concerto no. 5 in A major, KV 219 "Turkish": II. Adagio, Violin Concerto no. 5 in A major, KV 219 "Turkish": III. Rondo: Tempo di menuetto, Violin Concerto no. 5 in D, K. 219: I. Allegro aperto, Violin Concerto no. 5 in D, K. 219: II. Adagio |
| Cody Butler |
performing orchestra |
Fantasias: Fantasia I, Fantasias: Fantasia II, Fantasias: Fantasia III, Fantasias: Fantasia IV, Fantasias: Fantasia V, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante - Andante con duolo, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Pastorale. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco - Lento - Tempo I - Andante - Andante con duolo - Largo, Symphony no. 1 in C minor, op. 68: Adagio - Piú andante - Allegro non troppo, ma con brio, Symphony no. 1 in C minor, op. 68: Andante sostenuto, Symphony no. 1 in C minor, op. 68: Un poco Allegretto e grazioso, Symphony no. 1 in C minor, op. 68: Un poco sostenuto - Allegro, Symphony no. 1 in D major: "Blumine": Andante allegretto, Symphony no. 1 in D major: Feierlich und gemessen, ohne zu schleppen - Sehr einfach und schlicht wie eine Volksweise, Symphony no. 1 in D major: Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich, Symphony no. 1 in D major: Langsam - Immer sehr gemächlich, Symphony no. 1 in D major: Stürmich bewegt - Sehr gesangvoll, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": "Land of Desolation, Land of Mists": Adagio cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": "Reveries of a Winter Journey": Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": Finale: Andante lugubre - Allegro maestoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": Scherzo: Allegro scherzando giocoso, Symphony no. 2 in D major, op. 73: Allegretto grazioso (Quasi Andantino), Symphony no. 2 in D major, op. 73: Allegro con spirito, Symphony no. 2 in D major, op. 73: Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": Finale: Adagio lamentoso, The Crazed Moon, The First Nowell: XVIII. [Interlude], The Planets Suite: Jupiter, the Bringer of Jollity, The Planets Suite: Mars, the Bringer of War, The Planets Suite: Mercury, the Bringer of Messenger, The Planets Suite: Neptune, The Mystic, The Planets Suite: Saturn, the Bringer of Old Age, The Planets Suite: Uranus, the Magician, The Planets Suite: Venus, the Bringer of Peace, The Seven Last Words of Our Savior on the Cross: Introduzione |
| Lester Retz |
performing orchestra |
Capriccio espagnol, Op. 34: I. Alborada, Capriccio espagnol, Op. 34: II. Variazioni, Capriccio espagnol, Op. 34: III. Alborada, Capriccio espagnol, Op. 34: IV. Scena e canto gitano, Capriccio espagnol, Op. 34: V. Fandango asturiano, Scheherazade, Op. 35: I. The Sea and Sinbad's Ship, Scheherazade, Op. 35: II. The Story of the Kalender Prince, Scheherazade, Op. 35: III. The Young Prince and the Young Princess, Scheherazade, Op. 35: IV. The Festival of Baghdad / The Sea / The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior, Symphony No. 15 in A major, Op. 141: I. Allegretto, Symphony No. 15 in A major, Op. 141: II. Adagio - Largo - Adagio - Largo, Symphony No. 15 in A major, Op. 141: III. Allegretto, Symphony No. 15 in A major, Op. 141: IV. Adagio - Allegretto - Adagio - Allegretto, The Gadfly, Suite for Orchestra, Op. 97a: III. Folk Feast, The Gadfly, Suite for Orchestra, Op. 97a: VIII. Romance, The Nutcracker, op. 71: Act I, Scene I. Arrival of Drosselmeyer, The Nutcracker, op. 71: Act I, Scene I. Children's Galop and Entry of the Parents, The Nutcracker, op. 71: Act I, Scene I. Grandfather's Dance, The Nutcracker, op. 71: Act I, Scene I. March, The Nutcracker, op. 71: Act I, Scene I. Scena: Departure of the Guests / Night, The Nutcracker, op. 71: Act I, Scene I. Scena: The Battle, The Nutcracker, op. 71: Act I, Scene I. Scena: The forest of Fir Trees in Winter, The Nutcracker, op. 71: Act I, Scene I. The Decoration of the Christmas Tree, The Nutcracker, op. 71: Act I, Scene II. Waltz of the Snowflakes, The Nutcracker, op. 71: Act II. Apotheosis, The Nutcracker, op. 71: Act II. Divertissement: a) Chocolate (Spanish Dance), The Nutcracker, op. 71: Act II. Divertissement: b) Coffee (Arab Dance), The Nutcracker, op. 71: Act II. Divertissement: c) Tea (Chinese Dance), The Nutcracker, op. 71: Act II. Divertissement: e) Dance of the Reed Pipes, The Nutcracker, op. 71: Act II. Divertissement: f) Mother Gigogne, The Nutcracker, op. 71: Act II. Final Waltz, The Nutcracker, op. 71: Act II. Pas de deux: a) Pas de deux, The Nutcracker, op. 71: Act II. Pas de deux: b) Variation I: Tarantella, The Nutcracker, op. 71: Act II. Pas de deux: c) Variation II: Sugar-Plum Fairy, The Nutcracker, op. 71: Act II. Pas de deux: d) Coda, The Nutcracker, op. 71: Act II. Scena: Confiturembourg (The Kingdom of Sweets), The Nutcracker, op. 71: Act II. Scena: Entry of Clara and the Prince, The Nutcracker, op. 71: Act II. Waltz of the Flowers |
| DEAN FUJIOKA |
performing orchestra |
Russian Overture, op. 72, Scythian Suite, op. 20 "Ala and Lolly": 1. Invocation to Veles and Ala, Scythian Suite, op. 20 "Ala and Lolly": 2. The Evil God and Dance of the Pagan Monsters, Scythian Suite, op. 20 "Ala and Lolly": 3. Night, Scythian Suite, op. 20 "Ala and Lolly": 4. Lolly's Pursuit of the Evil God, and Sunrise, Scythian Suite, op. 20 “Ala and Lolly”: I. The Adoration of Veles and Ala, Scythian Suite, op. 20 “Ala and Lolly”: II. The Enemy God and the Dance of the Spirits of Darkness, Scythian Suite, op. 20 “Ala and Lolly”: III. Night, Scythian Suite, op. 20 “Ala and Lolly”: IV. The Religious Departure of Lolly and the Procession of the Sun, Symphony no. 2 in D minor, op. 40: 1. Allegro ben articolato, Symphony no. 2 in D minor, op. 40: 2. Theme and Variations, Symphony no. 2 in D minor, op. 40: I. Allegro ben articolato, Symphony no. 2 in D minor, op. 40: II. Theme and variations, Symphony no. 2 in E minor, op. 27: 1. Largo - Allegro moderato, Symphony no. 2 in E minor, op. 27: 2. Allegro molto, Symphony no. 2 in E minor, op. 27: 3. Adagio, Symphony no. 2 in E minor, op. 27: 4. Allegro vivace, Symphony no. 3 in C minor, op. 44: I. Moderato, Symphony no. 3 in C minor, op. 44: II. Andante, Symphony no. 3 in C minor, op. 44: III. Allegro agitato, Symphony no. 3 in C minor, op. 44: IV. Andante mosso – Allegro moderato, Symphony no. 4 in C major, op. 47/112: I. Andante – Allegro eroico, Symphony no. 4 in C major, op. 47/112: II. Andante tranquillo, Symphony no. 4 in C major, op. 47/112: III. Moderato, quasi allegretto, Symphony no. 4 in C major, op. 47/112: IV. Allegro risoluto – Andantino – Allegro come prima – Moderato brioso, Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato, Symphony no. 6 in E-flat minor, op. 111: II. Largo, Symphony no. 6 in E-flat minor, op. 111: III. Vivace, The Love for Three Oranges - March, The Love for Three Oranges, Symphonic Suite, op. 33 bis: 1. The Ridiculous People, The Love for Three Oranges, Symphonic Suite, op. 33 bis: 2. Infernal Scene, The Love for Three Oranges, Symphonic Suite, op. 33 bis: 3. March, The Love for Three Oranges, Symphonic Suite, op. 33 bis: 4. Scherzo, The Love for Three Oranges, Symphonic Suite, op. 33 bis: 5. The Prince and the Princess, The Love for Three Oranges, Symphonic Suite, op. 33 bis: 6. The Escape |
| A-Morality |
performing orchestra |
A Legend, Cortège for Orchestra, Dance of Wild Irravel, Festival Overture, Mai-Dun, Symphonic Rhapsody, Mediterranean, Northern Ballad no. 3 (Prelude for a Solemn Occasion), Nympholept, Overture to a Picaresque Comedy, Paean, Russian Suite: 1. Gopak (National Dance), Russian Suite: 2. Nocturne (May Night in the Ukraine), Russian Suite: 3. In a Vodka Shop, Symphony No. 1 in E-flat: I. Allegro moderato e feroce, Symphony No. 1 in E-flat: II. Lento solenne, Symphony No. 1 in E-flat: III . Allegro maestoso, etc, Symphony no. 2: I. Molto moderato - Allegro moderato, Symphony no. 2: II. Andante, Symphony no. 2: III. Poco largamente - Allegro feroce - Molto largamente, Symphony no. 3: I. Lento moderato, Symphony no. 3: II. Lento, Symphony no. 3: III. Moderato, Symphony no. 5: I. Poco lento - Allegro con fuoco - Moderato, Symphony no. 5: II. Poco lento, Symphony no. 5: III. Poco moderato - Allegro - Epilogue, Symphony no. 6: I. Moderato - Allegro con fuoco, Symphony no. 6: II. Lento, molto espressivo, Symphony no. 6: III. Introduction (Lento moderato) - Scherzo & Trio (Allegro vivace - Andante semplice) - Epilogue (Lento), Symphony no. 7: I. Allegro, Symphony no. 7: II. Lento - In Legendary Mood - Tempo I, Symphony no. 7: III. Theme and Variations, The Wise Virgins (Ballet Suite): V. Sheep May Safely Graze |
| Georges Bizet |
performing orchestra |
Carmen, Acte I: Habanera, Carmen, Acte I: Parle-moi de ma mère, Carmen, Acte I: Près des remparts de Séville (Seguidilla), Carmen, Acte II: Flower Song, Carmen, Acte II: Les tringles des Sistres tintaient, Carmen, Acte II: Non! Tu ne m'aimes pas!, Carmen, Acte II: Nous avons en tête une affaire, Carmen, Acte II: Toreador Song, Carmen, Acte III: Je dis que rien ne m'epouvante, Carmen, Acte III: Mêlons! Coupons!, Carmen, Acte IV: C'est toi! - C'est moi!, Carmen, Acte IV: Les voici, les voici, Carmen: "Je dis que rien ne m'épouvante", Carmen: "La fleur que tu m'avais jetée", Carmen: "Les voici! les voici!", Carmen: "Quand je vous aimerai?....L'amour est un oiseau rebelle", Carmen: Final duet, Carmen: La fleur que tu m'avais jetée, Carmen: Près des remparts de Séville, Carmen: Votre toast... je peux vous le rendre, From Carmen: Escamillo's Couplets, "You're Most Kind, and in Return I Toast You" - "Toreador, Be Ready!", Jeux d'enfents, op. 22: Colin-Maillard (Nocturne), Jeux d'enfents, op. 22: L'escarpolette (Rêverie), Jeux d'enfents, op. 22: La poupée (Berceuse), Jeux d'enfents, op. 22: La toupie (Impromptu), Jeux d'enfents, op. 22: Le bal (Galop), Jeux d'enfents, op. 22: Le volant (Fantaisie), Jeux d'enfents, op. 22: Les chevaus de bois (Scherzo), Jeux d'enfents, op. 22: Les quatre coins (Esquisse), Jeux d'enfents, op. 22: Petit mari, petite femme!.. (Duo), Jeux d'enfents, op. 22: Trompette et tambour (Marche), Toreador Song - Carmen |
| Edward Elgar |
performer, performing orchestra |
Caractacus, Op. 35: Triumphal March, Carillon, Op. 75, Cello Concerto 1st Movement, Cello Concerto in E Minor, Op. 85: Movement 4, Final Part, Cello Concerto in E minor, op. 85, Cello Concerto in E minor, op. 85: III. Adagio, Chanson de matin, Op. 15 No. 2, Chanson de nuit, Op. 15 No. 1, Concert Overture, Op. 50 "In the South (Alassio)", Elegy for String Orchestra, Op. 58, Empire March, Fantasia and Fugue in C minor, Op. 86: Fantasia, Fantasia and Fugue in C minor, Op. 86: Fugue, Funeral March (Chopin Orchestration from Piano Sonata No. 2 in B-flat minor, Op. 35), Imperial March Op. 32, Imperial March, Op. 32, Incidental Music, Op. 42 "Grania and Diarmid": Funeral March, Incidental Music, Op. 42 "Grania and Diarmid": Incidental Music, Introduction and Allegro, Op. 47: I. Moderato, Introduction and Allegro, Op. 47: II. Allegro, Introduction and Allegro, Op. 47: III. Allegro (Fugue), Overture in D minor, Pomp & Circumstance March No.4 in G, Pomp and Circumstance March No. 1 - Land of Hope and Glory (Conclusion), Pomp and Circumstance March No. 1 in D Op. 39 No. 1 (Land of Hope and Glory), Pomp and Circumstance March No. 4 in G Op. 39 No. 4, Streicherserenade e-Moll op. 20, Symphonic Prelude, Op. 76 "Polonia", Symphony no. 1 in A-flat major, op. 55: II. Allegro molto, Three Bavarian Dances: Lullaby (In Hammersbach): Moderato, Three Bavarian Dances: The Dance (Sonnenbichi): Allegretto Giocoso, Three Bavarian Dances: The Marksman (Bei Murnau): Allegro Vivace |
| Benjamin Britten |
performing orchestra |
Serenade for tenor, horn and strings, Op. 31: Epilogue, Serenade for tenor, horn and strings, Op. 31: I. Pastoral "The day's grown old", Serenade for tenor, horn and strings, Op. 31: II. Nocturne "The splendour falls on castle walls", Serenade for tenor, horn and strings, Op. 31: III. Elegy "O Rose, thou art sick", Serenade for tenor, horn and strings, Op. 31: IV. Dirge "This ae nighte", Serenade for tenor, horn and strings, Op. 31: Prologue, Serenade for tenor, horn and strings, Op. 31: V. Hymn "Queen and huntress", Serenade for tenor, horn and strings, Op. 31: VI. Sonnet "O soft embalmer of the still midnight", Soirées Musicales: March, The Young Person's Guide to the Orchestra, Op. 34: A. Flutes and piccolo, The Young Person's Guide to the Orchestra, Op. 34: B. Oboes (Lento), The Young Person's Guide to the Orchestra, Op. 34: Brass, The Young Person's Guide to the Orchestra, Op. 34: C. Clarinets (Moderato), The Young Person's Guide to the Orchestra, Op. 34: D. Bassoons (Allegro alla marcia), The Young Person's Guide to the Orchestra, Op. 34: E. Violins (Brillante: alla polacca), The Young Person's Guide to the Orchestra, Op. 34: F. Violas (Meno mosso), The Young Person's Guide to the Orchestra, Op. 34: Fugue (Allegro molto), The Young Person's Guide to the Orchestra, Op. 34: Full Orchestra, The Young Person's Guide to the Orchestra, Op. 34: G. Cellos, The Young Person's Guide to the Orchestra, Op. 34: H. Double basses (Cominciando lento ma poco a poco accel. al Allegro), The Young Person's Guide to the Orchestra, Op. 34: I. Harp (Maestoso), The Young Person's Guide to the Orchestra, Op. 34: J. Horns (L'istesso tempo), The Young Person's Guide to the Orchestra, Op. 34: K. Trumpets (Vivace), The Young Person's Guide to the Orchestra, Op. 34: L. Trombones and Bass Tuba (Allegro pomposo), The Young Person's Guide to the Orchestra, Op. 34: M. Percussion (Moderato), The Young Person's Guide to the Orchestra, Op. 34: Percussion, The Young Person's Guide to the Orchestra, Op. 34: Strings, The Young Person's Guide to the Orchestra, Op. 34: Theme (Allegro maestoso e largamente), The Young Person's Guide to the Orchestra, Op. 34: Woodwind, Violin Concerto, Op. 15 (revised version): I. Moderato con moto, Violin Concerto, Op. 15 (revised version): II. Vivace - Cadenza, Violin Concerto, Op. 15 (revised version): III. Passacaglia (Andante lento (un poco meno mosso) - Largamente (Lento) - Lento e solenne) |
| Carsten Dämbkes |
performing orchestra |
Carmina Burana: Blanziflor et Helena - XXIV. Ave formosissima, Carmina Burana: Cour d'amours - XIX. Si puer cum puellula, Carmina Burana: Cour d'amours - XV. Amor volat undique, Carmina Burana: Cour d'amours - XVI. Dies, nox et omnia, Carmina Burana: Cour d'amours - XVII. Stetit puella, Carmina Burana: Cour d'amours - XVIII. Circa mea pectora, Carmina Burana: Cour d'amours - XX. Veni, Veni, Venias, Carmina Burana: Cour d'amours - XXI. In trutina, Carmina Burana: Cour d'amours - XXII. Tempus est iocundum, Carmina Burana: Cour d'amours - XXIII. Dulcissime, Carmina Burana: Fortuna imperatrix mundi - II. Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi - XXV. O Fortuna, Carmina Burana: In Taberna - XI. Estuans interius, Carmina Burana: In Taberna - XII. Olim lacus colueram, Carmina Burana: In Taberna - XIII. Ego sum abbas, Carmina Burana: In Taberna - XIV. In taberna quando sumus, Carmina Burana: Primo vere - III. Veris leta facies, Carmina Burana: Primo vere - IV. Omnia sol temperat, Carmina Burana: Primo vere - V. Ecce gratum, Carmina Burana: Uf dem anger - IX. Reie - Swaz hie gat umbe - Chume, chum geselle min, Carmina Burana: Uf dem anger - VI. Tanz, Carmina Burana: Uf dem anger - VII. Floret silva, Carmina Burana: Uf dem anger - VIII. Chramer, gip die varwe mir, Carmina Burana: Uf dem anger - X. Were diu werlt alle min, Le Caranaval romain, Op. 9, Ouverture caractéristique, Le Carnaval Romain, op. 9, Symphonie Fantastique, Un Bal from Sleeping With The Enemy, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : I. Rêveries, passions, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : II. Un Bal, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : III. Scène aux champs, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : IV. Marche au supplice, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : V. Songe d'une nuit du Sabbat |
| EMBATERION |
performing orchestra |
Francesca da Rimini: Symphonic Fantasy, op. 32, Romeo and Juliet: Fantasy Overture, Symphony no. 1 in G minor, op. 13 “Winter Dreams”: I. Allegro tranquillo, Symphony no. 1 in G minor, op. 13 “Winter Dreams”: II. Adagio cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 “Winter Dreams”: III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 “Winter Dreams”: IV. Finale: Andante lugabre – Allegro maestoso, Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto – Allegro vivo, Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace, Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale Moderato assai – Allegro vivo – Presto, Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione e Allegro – Moderato assai – Allegro brillante, Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco, Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 “Polish”: V. Finale: Allegro con fuoco, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Allegro (Pizzicato ostinato), Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza – Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso – Allegro vivace, Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo, Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso – Andante, “Manfred” Symphony, op. 58: I. Lento lugubre – Moderato con moto – Andante, “Manfred” Symphony, op. 58: II. Vivace con spirito, “Manfred” Symphony, op. 58: III. Andante con moto, “Manfred” Symphony, op. 58: IV. Allegro con fuoco |
| Daniela Lojarro |
performing orchestra |
Academic Festival Overture, op. 80, Schicksalslied, op. 54: III. Adagio, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IVa. Adagio, Symphony no. 1 in C minor, op. 68: IVb. Allegro non troppo, ma con brio, Symphony no. 1 in C minor, op. 68: Ia. Un poco sostenuto -, Symphony no. 1 in C minor, op. 68: Ib. Allegro, Symphony no. 2 in D major, op. 73: Adagio non troppo, Symphony no. 2 in D major, op. 73: Allegretto grazioso (Quasi Andantino) — Presto ma non assai, Symphony no. 2 in D major, op. 73: Allegro con spirito, Symphony no. 2 in D major, op. 73: Allegro non troppo, Symphony no. 2 in D, op. 73: I. Allegro non troppo, Symphony no. 2 in D, op. 73: II. Adagio non troppo, Symphony no. 2 in D, op. 73: III. Allegretto grazioso (Quasi andantino - Presto ma non assai), Symphony no. 2 in D, op. 73: IV. Allegro con spirito, Symphony no. 3 in F major, op. 90: Allegro, Symphony no. 3 in F major, op. 90: Allegro con Brio, Symphony no. 3 in F major, op. 90: Andante, Symphony no. 3 in F major, op. 90: Poco Allegretto, Symphony no. 3 in F, op. 90: II. Andante, Symphony no. 3 in F, op. 90: III. Poco allegretto, Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Tragic Overture, op. 81, Variations on Joseph Haydn (St Anthony Chorale), op. 56a |
| John David Bell |
performing orchestra |
A Portrait of "Hitch" (from "The Trouble With Harry"), Citizen Kane: Overture From Citizen Kane, Finale (From Citizen Kane), Five O'Clock Foxtrot, Interlude (From Snows of Kilimanjaro), Jane Eyre (From Jane Eyre), Marnie, North by Northwest, Pavane, op. 50, Psycho (A Narrative for Orchestra), Psycho: A Narrative for Orchestra, Ragtime (From Citizen Kane), Sleigh Ride (From 'The Devil and Daniel Webster'), Suite bergamasque: III. Clair de lune, Swing Your Partners (From the Devil and Daniel Webster), The Memory Waltz (From Snows of Kilimanjaro), The Planets: I. Mars, the Bringer of War, The Planets: II. Venus, the Bringer of Peace, The Planets: III. Mercury, the Winged Messenger, The Planets: IV. Jupiter, the Bringer of Jollity, The Planets: V. Saturn, the Bringer of Old Age, The Planets: VI. Uranus, the Magician, The Planets: VII. Neptune, the Mystic, The Trouble With Harry: A Portrait of "Hitch", Variations (From Citizen Kane), Vertigo: Prelude, Vertigo: Prelude / Nightmare / Scène d'amour, Vertigo: Scene d'amour, Vertigo: The Nightmare |
| Lalo Schifrin |
performing orchestra |
An American in Paris / Parisian Thoroughfare, Around the Day in Eighty Worlds, As Time Goes By, Bach to the Blues, Battle Hymn of the Republic, Begin the Beguine, Birdland, Blues in the Bassment, Brazilian Impressions, Brush Strokes, Chano, Charlie Parker: The Firebird (medley), Dizzy Gillespie Fireworks, Django, Down Here on the Ground, Echoes of Duke Ellington, Eine Klaine Jazz Music, Eine Kleine Jazz Musik (A Little Jazz Music), El Dorado, I Can't Get Started, It's You or No One, Madrigal, Mission: Impossible / Take Five, Old Friends, Portrait of Louis Armstrong, Sketches of Miles, The Fox, Vignettes of Fats Waller (medley) |
| Trevor Jones |
performing orchestra |
Bats, Being Tricked / Matheson Revives, Blown Bridge / Krystel's Sacrifice, Brett's Death / Evan's Dive, Cliffhanger (End Credits), Cliffhanger Theme, Delmar Falls, Driving Invitation, Fetch / Expensive Funeral, Footbridge, Frank's Demise, Gabe's Caught, Hal Leads, I Understand, Ice Castle / Sunset Searching, Icy Stream / Jessie's Release / Hooked Copter / Copter Fight, Kynette's Impaled, Night Searching / Face Flare, Plane Crash, Qualen In Hut / Fireside Chat, Qualen's Timebomb / Jessie's Close Call, Rabbit Hole, Rabbit Surprise, Sarah Slips, Setting Cable, Tolerated Help, Two Man Job, Wolves Away |
| Leadfinger |
performing orchestra |
Chanson de Matin, op. 15 no. 2, Chanson de Nuit, op. 15 no. 1, Elgar (no track listing on CD), Enigma Variations: 1 (C.A.E.), Enigma Variations: 10 (Dorabella), Enigma Variations: 11 (G.R.S.), Enigma Variations: 12 (B.G.N.), Enigma Variations: 13 (***), Enigma Variations: 14 (E.D.U.), Enigma Variations: 2 (H.D.S.P.), Enigma Variations: 3 (R.B.T.), Enigma Variations: 4 (W.M.B.), Enigma Variations: 5 (R.P.A.), Enigma Variations: 6 (Ysobel), Enigma Variations: 7 (troyte), Enigma Variations: 8 (W.N.), Enigma Variations: 9 (Nimrod), Serenade for String Orchestra in E minor, op. 20: Allegretto, Serenade for String Orchestra in E minor, op. 20: Allegro piacevole, Serenade for String Orchestra in E minor, op. 20: Larghetto, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets, Op. 32: VII. Neptune, the Mystic |
| Beverly Sills |
performing orchestra |
Attila: Prologo. "Di vergini stranieri" / "Santo di patria indefinito amor!" / "Allor che i forti corrono" / "Da te questo or mè concesso", Attila: Prologo. "Santo di patria... Alor che i forti corrono... Da te questo" (Attila, Odabella, Coro)), Breit über mein Haupt dein schwarzes Haar, op. 19 no. 2, Daphne: "Was blendet so... Ich komme - ich komme" (Daphne), De Opernball: "Im Chambre séparée" (Hortense), Der Opernball: Akt II. "Im Chambre séparée", Die Entführungaus dem Serail: "Marten aller Arten", Die lustige Witwe: "Es lebt' eine Vilja" (Hanna), Die tote Stadt: "Glück, das mir verblieb" (Marietta), Ernani: Atto I. "Sorta e la notte" (Elvira) / "Ernani involami" (Elvira), Ernani: Atto I. "Sorta è la notte" (Elvira) / "Ernani, involami" (Elvira), I puritani: "Finì... me lassa!" (Elvira), I puritani: Atto I. N°12 Finale "Ma tu già mi fuggi?" (Elvira, Men, Others), I putitani: "Vieni, vieni fra queste braccia" (Elvira), Il corsaro: Atto I, Scena IV. "Egli non riedi ancora" (Medora) / "Non so le tetre imagini" (Medora), Il corsaro: Atto I. "Egli non riedi... Non so le tetre imagini" (Medora), Les Vépres siciliennes: Acte I. "Merci jeunes amies" (Héléne), Les Vêpres siciliennes: Acte I. "Merci, jeunes amies" (Hélène), Maria Stuarda: "O nube" (Maria), Maria Stuarda: Atto III. "La perfida insultarmi anchi volea" (Maria), Mozart: "Vorrei spiegarvi, o Dio!" K. 418, R. Strauss: "Amor", R. Strauss: "Breit über mein Haupt dein schwarzes Haar", Sech Lieder op. 19: No. 2 "Breit' uber mein Haupt dein schwarzes Haar", Zaide: "Ruhe sanft, mein holdes Leben: (Zaide), Zaïde: Akt I. "Ruhe sanft, mein holdes Leben" (Zaïde) |
| The Cairo Free Jazz Ensemble |
performing orchestra |
Boléro, Danzas fantásticas: I. Exaltación, Danzas fantásticas: II. Ensueño, Danzas fantásticas: III. Orgía, Masquerade: Nocturne, Overture to Tannhauser, Pictures at an Exhibition: Ballet of the Chicks in Their Shells, Pictures at an Exhibition: Bydlo, Pictures at an Exhibition: Catacombs: Speaking to the Dead, Pictures at an Exhibition: Gnomus, Pictures at an Exhibition: Limoges: The Market Place, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle, Pictures at an Exhibition: The Great Gate at Kiev, Pictures at an Exhibition: The Hut of Baba Yaga, Pictures at an Exhibition: The Old Castle, Pictures at an Exhibition: Tuileries, Prelude to "The Meistersinger", Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo, Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia, Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace, Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso, Symphony no. 3 in C minor, op. 78 “Organ”: II. (excerpt), Symphony no. 6 in B minor, op. 74 “Pathétique”: IV., Tannhäuser: Overture, The Prelude and Liebestodt "Tristan Und Isolde" |
| Игорь Фёдорович Стравинский |
performing orchestra |
Le Sacre du printemps, Petrouchka Ballet Suite: Dance of the Ballerina, Petrouchka Ballet Suite: Dance of the Coachmen, Petrouchka Ballet Suite: Dance of the Nursemaids, Petrouchka Ballet Suite: Death of Petrouchka, Petrouchka Ballet Suite: Magic Trick, Petrouchka Ballet Suite: Petrouchka Appears, Petrouchka Ballet Suite: Petrouchka's Room, Petrouchka Ballet Suite: Russian Dance, Petrouchka Ballet Suite: The Moor's Room, Petrouchka Ballet Suite: The Mummers, Petrouchka Ballet Suite: The Peasant and the Bear, Petrouchka Ballet Suite: The Shrovetide Fair, Petrouchka Ballet Suite: The Shrovetide Fair (Evening), Petrouchka Ballet Suite: Waltz, Symphony of Psalms: Alleluja, Laudate Dominum, Symphony of Psalms: Exaudi Orationem Meam, Domine, Symphony of Psalms: Expectans Expectavi Dominum, The Firebird Suite: Dance of the Firebird, The Firebird Suite: Dance of the Princess, The Firebird Suite: Finale, The Firebird Suite: Infernal Dance of King Kasschei, The Firebird Suite: Introduction, The Firebird Suite: Lullaby (Berceuse), The Firebird Suite: Scherzo - Dance of the Princess With the Golden Apples (From the original Ballet) |
| Johannes Brahms |
performing orchestra |
Ein deutsches Requiem, Op. 45: "Denn alles Fleisch es ist wie Grass", Ein deutsches Requiem, Op. 45: "Ihr habt nun Traurigkeit", Ein deutsches Requiem, Op. 45: "Selig sind die Toten", Ein deutsches Requiem, Op. 45: "Wie lieblich sind Deine Wohnungen", Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras, Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich, Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen, Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit, Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt, Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, Hungarian Dance No. 18 in D major: Molto vivace, Hungarian Dance in B minor, WoO 1 no. 19: Allegretto, Hungarian Dance in E minor, WoO 1 no. 21: Vivace, Serenade No. 1 in D major, Op. 11: IV. Menuetto I - Menuetto II, Serenade No. 1 in D major, Op. 11: V. Scherzo, Allegro, Serenade No. 2 in A major, Op. 16: I. Allegro moderato, Serenade No. 2 in A major, Op. 16: V. Rhondo, Allegro, Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo, Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino), Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Tragic Overture, Op. 81: Allegro non troppo, Ungarischer Tanz No. 17 in F-sharp minor: Andantino. Vivace, Ungarischer Tanz No. 20 in E minor: Poco allegretto. Vivace |
| Adiemus |
performing orchestra |
Adiemus, Adiemus (Percussion mix), Adiemus (main extended version), Adiemus (radio mix), African Tango, Amaté Adea, Cantus Inaequalis, Cantus Insolitus, Cantus Iteratus, Corrente (courante), Dawn Dancing, Dos a Dos (square dance), Ein Wiener Walzer (A Viennese Waltz), Hymn, Hymn to the Dance, In Caelum Fero, Intrada & Pavan, Kaya Kakooya (rumba), Kayama, La La La Koora (landler), Minuet, Rain Dance, Tintinnabulum, Un Bolero Azul (blue bolero), Zarabanda (saraband) |
| Ready B |
performing orchestra |
Elegy for Brahms, From Death to Life: I. Via Mortis. Lento, From Death to Life: II. Via Vite. Slow alla marcia, Passacaglia, Suite from "Der Sturm": I. Overture. Adagio molto tranquillo, Symphonie Concertante: I. Adagio - Allegro moderato, Symphonie Concertante: IIa. Adagio -, Symphonie Concertante: IIb. Allegretto alla marcia - Vivace, Symphonie: I. Allegro molto agitato - Poco più mosso ma tranquillo - Più mosso - Allegro, Symphonie: II. Largo, Symphonie: III. Scherzo. Allegro molto - Trio. Meno mosso, Symphonie: IV. Finale. Largo - Allegro ritmico - Largo, Symphony no. 3 in C major "The English": I. Allegro energico, Symphony no. 3 in C major "The English": II. Andante sostuneto, Symphony no. 3 in C major "The English": III. Allegro molto scherzoso, Symphony no. 3 in C major "The English": IV. Moderato, Symphony no. 4 in E minor: I. Con fuoco, Symphony no. 4 in E minor: II. Molto adagio, Symphony no. 4 in E minor: III. Allegretto, Symphony no. 4 in E minor: IV. Spiritoso, Symphony no. 5 in B minor "Symphonic Fantasia 1912": I. Stress. Slow - Allegro - Tempo I, Symphony no. 5 in B minor "Symphonic Fantasia 1912": II. Love. Lento, Symphony no. 5 in B minor "Symphonic Fantasia 1912": III. Play. Vivace, Symphony no. 5 in B minor "Symphonic Fantasia 1912": IV. Now. Moderato |
| Richard Wagner |
performing orchestra |
Apocalypse Now: Die Walküre: Act III: The Ride of the Valkyries, Der Fliegende Holländer: Act II. Sentas Ballade "Johohoe! Traft ihr das Schiff", From Tannhäuser: Wolfram's Aria, "Turning My Gaze Upon This Proud Assembly", From Tannhäuser: Wolfram's Aria, "With Dark Foreboding Twilight Casts Her Shadow" - "Look Down, Oh Gentle Evening Star", From The Mastersingers of Nuremberg: Sachs' Aria, "Do Not Disdain Our Masters Thus", Götterdämmerung: Act III. Brünnhilde's Immolation "Starke Scheite schichtet mir dort", Götterdämmerung: II. Aufzug "Nun lass das Lachen" (Ludwig Weber, Herbert Janssen, 1936), Götterdämmerung: Siegfried’s Funeral March, L'Or du Rhin (Wilkinson, Rasoirs), Ride of the Valkyries, Rienzi: Overture, Tannhäuser, Act II: "Dich, teure Halle", Tannhäuser: Act II. Elisabeth's Greeting "Dich, teure Halle, grüß' ich wieder", Tannhäuser: Act III. Elisabeth's Prayer "Allmächt'ge Jungfrau, hör mein Flehen", Tristan und Isolde: Act 3, Scene 1. Noch losch das Licht nicht aus, Tristan und Isolde: Act 3, Scene 1. O Wonne! Er regt sich, er lebt!, Tristan und Isolde: Act 3, Scene 2. O diese Sonne! Ha! Dieser Tag!, Tristan und Isolde: Act 3, Scene 3. Kurwenal! Hör! Ein zweites Schiff!, Tristan und Isolde: Act 3, Scene 3. Mild und leise wie er lächelt, Tristan und Isolde: Act I. Vorspiel, Tristan und Isolde: Act III. Isolde's Liebestod "Mild und leise wie er lächelt", Tristan und Isolde: Prelude and Liebestodt |
| Antonín Dvořák |
performing orchestra |
Carnival Overture, op. 92, Legend No. 2 in G major, B. 122/2, Op. 59/2, Serenade for Strings in E major, op. 22: I. Moderato, Serenade for Strings in E major, op. 22: II. Tempo di valse, Serenade for Strings in E major, op. 22: III. Scherzo: Vivace, Serenade for Strings in E major, op. 22: IV. Larghetto, Serenade for Strings in E major, op. 22: V. Finale: Allegro vivace, Stabat Mater, op. 58: I. Stabat mater dolorosa, Stabat Mater, op. 58: II. Quis est homo, Stabat Mater, op. 58: III. Eja, mater, fons amoris, Stabat Mater, op. 58: IV. Fac, ut ardeat cor meum, Stabat Mater, op. 58: IX. Inflammatus et accensus, Stabat Mater, op. 58: V. Tui nati vulnerati, Stabat Mater, op. 58: VI. Fac me vere tecum flere, Stabat Mater, op. 58: VII. Virgo virinum praeclara, Stabat Mater, op. 58: VIII. Fac, ut portem christi mortem, Stabat Mater, op. 58: X. Quando corpus morietur, Stabat Mater, op. 58: XI. Amen, Symphony No. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto, Symphony No. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony No. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco |
| Сергей Сергеевич Прокофьев |
performing orchestra |
Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: I. Andantino - Andante assai, Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: II. Vivacissimo, Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: III. Andante - Allegro moderato, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: I. The Birth of Kijé, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: II. Romance, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: III. Wedding of Kijé, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: IV. Troika, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: V. Burial of Kijé, Peter and the Wolf, Op. 67: And Now... Imagine the Triumphant Procession!, Peter and the Wolf, Op. 67: Grandfather Came Out (Grandfather), Peter and the Wolf, Op. 67: Introduction, Peter and the Wolf, Op. 67: Just Then... (The Hunters), Peter and the Wolf, Op. 67: Meanwhile, Peter Made a Lasso, Peter and the Wolf, Op. 67: No Sooner Had Peter Gone (The Wolf), Peter and the Wolf, Op. 67: Now This Is the State of Play, Peter and the Wolf, Op. 67: On the Branch of a Large Tree (The Bird), Peter and the Wolf, Op. 67: One Beautiful Morning (Peter), Peter and the Wolf, Op. 67: Soon a Duck Came Waddling Along (The Duck), Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Eye (The Cat), Piano Concerto No. 3 in C major: I. Andante - Allegro, Piano Concerto No. 3 in C major: II. Theme and Variations. Andantino, Piano Concerto No. 3 in C major: III. Allegro ma non troppo |
| Frederick Delius |
performing orchestra |
Appalachia, RT ii/2 "Variations on an old slave song": Finale: Lento - Piu Mosso, Appalachia, RT ii/2 "Variations on an old slave song": Introduction: Molto moderato - Tranquillo, Appalachia, RT ii/2 "Variations on an old slave song": Theme: Andante, Appalachia, RT ii/2 "Variations on an old slave song": Var. 1. Un Poco Piu, Appalachia, RT ii/2 "Variations on an old slave song": Var. 10. Lento Sostenuto E Tranquillo, Appalachia, RT ii/2 "Variations on an old slave song": Var. 11. Allegro Alla Marcia, Appalachia, RT ii/2 "Variations on an old slave song": Var. 12. Marci. Molto Lento Maestoso, Appalachia, RT ii/2 "Variations on an old slave song": Var. 13. L'istesso Tempo, Appalachia, RT ii/2 "Variations on an old slave song": Var. 14. Misterioso Lento, Appalachia, RT ii/2 "Variations on an old slave song": Var. 2. Moderato Sempre, Appalachia, RT ii/2 "Variations on an old slave song": Var. 3. Piu Vivo, Appalachia, RT ii/2 "Variations on an old slave song": Var. 4. Molto Moderato, Appalachia, RT ii/2 "Variations on an old slave song": Var. 5. Con Moto, Appalachia, RT ii/2 "Variations on an old slave song": Var. 6. Giocoso, Allegro Moderato, Appalachia, RT ii/2 "Variations on an old slave song": Var. 7. Lento E Molto Tranquillo, Appalachia, RT ii/2 "Variations on an old slave song": Var. 8. Misterioso, Appalachia, RT ii/2 "Variations on an old slave song": Var. 9. Andante Con Grazia, Fennimore and Gerda: Intermezzo, In a Summer Garden, Over the Hills and Far Away, Sea Drift |
| Ludwig van Beethoven |
performing orchestra |
Leonora Overture No. 3, Romance for Violin and Orchestra No. 2 in F major, Op. 50, Symphonie No. 5, Op. 67: I. Allegro con brio, Symphonie No. 5, Op. 67: I. Allegro con brio (version entendue par bébé), Symphonie Nr. 2 Op. 36 D-Dur II: Larghetto, Symphonie Nr. 2 Op. 36 D-Dur III: Scherzo: Allegro, Symphonie Nr. 2 Op. 36 d-Dur I: Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No.5 in C minor, Op.67: 1. Allegro con brio, Symphony No.5 in C minor, Op.67: 2. Andante con moto, Symphony No.5 in C minor, Op.67: 3. Allegro, Symphony No.5 in C minor, Op.67: 4. Allegro, Symphony no. 5 in C minor "Fate", op. 67: I. Allegro con brio, Symphony no. 5 in C minor "Fate", op. 67: II. Andante con moto, Symphony no. 5 in C minor "Fate", op. 67: III. Allegro, Symphony no. 5 in C minor "Fate", op. 67: IV. Allegro |
| Sammie Soda |
performing orchestra |
Legends, op. 59: I. Allegretto, Legends, op. 59: II. Molto moderato, Legends, op. 59: III. Allegro giusto, Legends, op. 59: IV. Molto maestoso, Legends, op. 59: IX. Andante con moto, Legends, op. 59: V. Allegro giusto, Legends, op. 59: VI. Allegro con moto, Legends, op. 59: VII. Allegretto grazioso, Legends, op. 59: VIII. Un poco allegretto e grazioso, Legends, op. 59: X. Andante, Overture in B-flat major, D 470, Overture in E major, D 648, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": I. Adagio - Allegro con spirito, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": II. Andante più tosto allegretto, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": III. Menuetto, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": IV. Finale: Allegro con spirito, Symphony No. 94 in G major, "Surprise": I. Adagio cantabile. Vivace assai, Symphony No. 94 in G major, "Surprise": II. Andante, Symphony No. 94 in G major, "Surprise": III. Menuetto. Allegro molto, Symphony No. 94 in G major, "Surprise": IV. Allegro molto |
| Arnold Schönberg |
performing orchestra |
Gurre-Lieder, Part I: no. 10: "Du wunderliche Tove!" (Waldemar) / no. 11: Orchestral Interlude, Gurre-Lieder, Part I: no. 12: "Tauben von Durre! Sorge quält mich" (Waldtaube), Gurre-Lieder, Part I: no. 1: Orchestral Prelude, Gurre-Lieder, Part I: no. 2: "Nun dämpft die Dämm'rung jeden Ton" (Waldemar), Gurre-Lieder, Part I: no. 3: "O, wenn des Mondes Strahlen leise gleiten" (Tove), Gurre-Lieder, Part I: no. 4: "Ross! Mein Ross! Was schleichst du so träg!" (Waldemar), Gurre-Lieder, Part I: no. 5: "Sterne jubeln, das Meer, es leuchtet" (Tove), Gurre-Lieder, Part I: no. 6: "SO tanzen die Engel vor Gottes Thron nicht" (Waldemar), Gurre-Lieder, Part I: no. 7: "Nun sag ich dir zum ersten Mal" (Tove), Gurre-Lieder, Part I: no. 8: "Es ist Mitternachtszeit" (Waldemar), Gurre-Lieder, Part I: no. 9: "Du sendest mir einen Liebesblick" (Tove), Gurre-Lieder, Part II: no. 1: "Herrgott, weißt du, was du tatest" (Waldemar), Gurre-Lieder, Part III: no. 1: "Erwacht, König Waldemars Mannen wert!" (Waldemar), Gurre-Lieder, Part III: no. 2: "Deckel des Sarges klappert und klappt" (Bauer), Gurre-Lieder, Part III: no. 3: "Gegrüßt, o König, an Guerre-Sees Strand!" (Waldemars Mannen), Gurre-Lieder, Part III: no. 4: "Mit Toves Stimme flüstert der Wald" (Waldemar), Gurre-Lieder, Part III: no. 5: "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr), Gurre-Lieder, Part III: no. 6: "Du strenger Richter droben" (Waldemar), Gurre-Lieder, Part III: no. 7: "Der Hahn erhebt den Kopf zur Kraht" (Waldemars Mannen), Gurre-Lieder, Part III: no. 8: Des Sommerwindes wilde Jagd. Orchestral Prelude / no. 9: Melodrama: "Herr Gänsefuß, Frau Gänsekraut" / no. 10: "Seht die Sonne!" |
| すぎやまこういち |
performing orchestra |
Aboard Ship / Pirates of the Sea, Days of Sadness, Echo of Horns Throughout the Castle, Fighting Spirit / World of the Strong, Heavenly Village, Magic Carpet, Memories of a Lost World / Moving Through the Present, Morning in Eden, Orgo Demila, Over the Horizon, Overture VII, Saraband, Screams From the Tower of Monsters, Shadow of Death, Sphinx / Mysterious Sanctuary, Strolling in the Town, To My Loved One, Triumphal Return ~ Epilogue, With Sadness in Heart / A Safe Haven |
| Ennio Morricone |
performing orchestra |
Alone, Asuncion, Ava Maria guarani, Brothers, Carlotta, Climb, Falls, Gabriel’s Oboe, Guarani, Miserere, On Earth as It Is in Heaven, Penance, Refusal, Remorse, River, Te Deum guarani, The Mission, The Sword, Vita nostra |
| Михаил Михайлов |
performing orchestra |
Boccaccio: Hab’ ich nur deine Liebe, Das Land des Lächelns: Ich möcht’ wieder einmal die Heimat seh’n, Der Graf von Luxemburg: Unbekannt, deshalb nicht minder interessant, Der Obersteiger: Sei nicht bös’, Der Opernball: Gehen wir ins chambre separée, Der Vogelhändler: Ich bin die Christel von der Post, Der Vogelhändler: Schenkt man sich Rosen in Tirol, Der Zarewitsch: Einer wird kommen, Die Dubarry: Ich schenk mein Herz, Die lustige Witwe: Bei jedem Walzerschritt, Die lustige Witwe: Heia, Mädel, aufgeschaut, Eine Nacht in Venedig: Annina - Caramello!, Eine Nacht in Venedig: Was mir der Zufall gab, Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht, Vier letzte Lieder: Frühling: In dämmrigen Grüften träumte ich lang, Vier letzte Lieder: Im Abendrot: Wir sind durch Not und Freude gegangen, Vier letzte Lieder: September: Der Garten trauert, Wien, Wien, nur du allein, Wiener Blut: Grüß dich Gott, du liebes Nesterl |
| Alois Neruda |
performing orchestra |
11 Viennese Dances (beginning), 11 Viennese Dances (conclusion), Invitation to Dance, op. 65 (arr. Weingartner & Woodhouse), Leonore Overture no. 3, op. 72b, Siegfried Idyll in E major, WWV 103, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro, Symphony no. 39 in E-flat major, K. 543: II. Andante, Symphony no. 39 in E-flat major, K. 543: III. Menuetto: Allegretto - Trio, Symphony no. 39 in E-flat major, K. 543: IV. Finale: Allegro, Symphony no. 4 n B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 n B-flat major, op. 60: II. Adagio, Symphony no. 4 n B-flat major, op. 60: III. Menuetto: Allegro vivace, Symphony no. 4 n B-flat major, op. 60: IV. Allegro ma non troppo, The Consecration of the House Overture, op. 124 |
| Natty Rico |
performing orchestra |
Symphony no. 7 in E-flat major: I. Allegro brillante, Symphony no. 7 in E-flat major: II. Andante, Symphony no. 7 in E-flat major: III. Scherzo. Vivace assai, Symphony no. 7 in E-flat major: IV. Allegro maestoso, Symphony no. 8 in C minor: I. Allegro moderato, Symphony no. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam, Symphony no. 8 in C minor: III. Adagio: Feierlich langsam; doch nicht schleppend, Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Variations and Fugue on a Theme of Beethoven, op. 86: Fugue: Con spirito (non troppo allegro), Variations and Fugue on a Theme of Beethoven, op. 86: Theme: Andante, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 1: Un poco più lento, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 2: Appassionato, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 3: Andante grazioso, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 4: Vivace, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 5: Andante sostenuto, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 6: Allegretto con grazia, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 7: Poco vivace, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 8: Allegro pomposo |
| Paul Corey |
performing orchestra |
Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco, Symphony no. 2 in D, op. 43: I. Allegretto, Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D, op. 43: III. Vivacissimo, Symphony no. 2 in D, op. 43: IV. Finale: Allegro moderato, Symphony no. 5 in E-flat major, op. 82: Allegro molto - Un pochettino largamente, Symphony no. 5 in E-flat major, op. 82: Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: Tempo molto moderato - Allegro moderato, Symphony no. 6 in D minor, op. 104: Allegretto moderato, Symphony no. 6 in D minor, op. 104: Allegro molto, Symphony no. 6 in D minor, op. 104: Allegro molto moderato, Symphony no. 6 in D minor, op. 104: Poco vivace, Symphony no. 7 in C, op. 105: Adagio –, Symphony no. 7 in C, op. 105: Poco rallentando al adagio – Allegro molto moderato – Allegro moderato – Vivace –, Symphony no. 7 in C, op. 105: Presto – Adagio – Largamente molto – Affettuoso, Symphony no. 7 in C, op. 105: Un pochettino meno adagio – Vivacissimo –, The Swan of Tuonela (from Lemminkäinen Suite, op. 22) |
| Nanda Re |
performing orchestra |
Introduction and Allegro for Strings and Orchestra, op. 47: Allegro, Introduction and Allegro for Strings and Orchestra, op. 47: Introduction, Variations on an Original Theme "Enigma", op. 36: * * *, Variations on an Original Theme "Enigma", op. 36: B.G.N., Variations on an Original Theme "Enigma", op. 36: C.A.E, Variations on an Original Theme "Enigma", op. 36: Dorabella, Variations on an Original Theme "Enigma", op. 36: E.D.U., Variations on an Original Theme "Enigma", op. 36: G.R.S., Variations on an Original Theme "Enigma", op. 36: H.D.S-P., Variations on an Original Theme "Enigma", op. 36: Nimrod, Variations on an Original Theme "Enigma", op. 36: R.B.T., Variations on an Original Theme "Enigma", op. 36: R.P.A., Variations on an Original Theme "Enigma", op. 36: Troyte, Variations on an Original Theme "Enigma", op. 36: W.M.B., Variations on an Original Theme "Enigma", op. 36: W.N., Variations on an Original Theme "Enigma", op. 36: Ysobel |
| Colm Wilkinson |
performing orchestra |
Anthem (from Chess), Bring Him Home, Empty Chairs at Empty Tables, How to Handle a Woman (from Camelot), If Ever I Would Leave You (from Camelot), It Ain't Necessarily So (from Porgy & Bess), Man of La Mancha (from Man of La Mancha), Maria (from West Side Story), Music of the Night (from The Phantom of the Opera), Pity the Child (from Chess), Some Enchanted Evening (from South Pacific), Somewhere (from West Side Story), Summertime (from Porgy & Bess), The Impossible Dream (from Man of La Mancha), The Phantom of the Opera (from The Phantom of the Opera), This Nearly Was Mine (from South Pacific) |
| Britney DiTocco |
performing orchestra |
American Ballads: Amber Waves, American Ballads: Hymnal, American Ballads: Jubilo, American Ballads: Memorials, American Ballads: Saratoga Quick-Step, American Ballads: Star Spangled Banner Overture, American Salute, American Symphonette no. 2: I. Moderately Fast With Vigor and Bounce, American Symphonette no. 2: II. Pavane, American Symphonette no. 2: III. Fast and Racy, Spirituals for Strings: All God's Children Got Wings, Spirituals for Strings: Calvary - He Never Said a Mumblin' Word, Spirituals for Strings: Ezekiel Saw de Wheel, Spirituals for Strings: Gospel Train - Old Time Religion, Spirituals for Strings: Little David Play on Your Harp, Spirituals for Strings: Were You There? - Steal Away |
| David Thompson |
performing orchestra |
Circus Polka, Fireworks, op. 4, Greeting Prelude “Happy Birthday”, Imperial March, op. 32, Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): I. Allegro, Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): II. Adagio, Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): III. Andantino con variazioni, Symphony no. 40, K. 550: I. Molto allegro, Symphony no. 40, K. 550: II. Andante, Symphony no. 40, K. 550: III. Menuetto & Trio, Symphony no. 40, K. 550: IV. Allegro assai, Symphony no. 41, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41, K. 551 "Jupiter": III. Menuetto (Allegretto) & Trio, Symphony no. 41, K. 551 "Jupiter": IV. Molto allegro |
| Ernő Dohnányi |
performing orchestra |
Variations on a Nursery Tune, op. 25: Finale fugato, Variations on a Nursery Tune, op. 25: Introduction, Variations on a Nursery Tune, op. 25: Theme, Variations on a Nursery Tune, op. 25: Variation I, Variations on a Nursery Tune, op. 25: Variation II, Variations on a Nursery Tune, op. 25: Variation III, Variations on a Nursery Tune, op. 25: Variation IV, Variations on a Nursery Tune, op. 25: Variation IX, Variations on a Nursery Tune, op. 25: Variation V, Variations on a Nursery Tune, op. 25: Variation VI, Variations on a Nursery Tune, op. 25: Variation VII, Variations on a Nursery Tune, op. 25: Variation VIII, Variations on a Nursery Tune, op. 25: Variation X, Variations on a Nursery Tune, op. 25: Variation XI |
| Sliq B |
performing orchestra |
Variations on a Nursery Song, op. 25: Finale Fugato (Allegro vivace: Tempo del tema -Molto allegro), Variations on a Nursery Song, op. 25: Introduzione (Maestoso), Variations on a Nursery Song, op. 25: Tema (Allegro), Variations on a Nursery Song, op. 25: Var.10: Passacaglia (Adagio non troppo), Variations on a Nursery Song, op. 25: Var.11: Choral (Maestoso), Variations on a Nursery Song, op. 25: Var.1: Poco più mosso, Variations on a Nursery Song, op. 25: Var.2: Risoluto, Variations on a Nursery Song, op. 25: Var.3, Variations on a Nursery Song, op. 25: Var.4: Molto meno mosso (Allegretto moderato), Variations on a Nursery Song, op. 25: Var.5: Più mosso, Variations on a Nursery Song, op. 25: Var.6: Ancora più mosso (Allegro), Variations on a Nursery Song, op. 25: Var.7: Walzer (Tempo giusto), Variations on a Nursery Song, op. 25: Var.8: Alla marcia (Allegro moderato), Variations on a Nursery Song, op. 25: Var.9: Presto: Andante rubato |
| Il Civetto |
performing orchestra |
Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia: a. Maestoso con moto, Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia: b. Allegro, Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia: c. Allegretto un poco agitato, Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia: d. Adagio religioso, Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": II. "Alles was Odem hat, lobe den Herrn", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": III. a. "Saget es, die ihr erlöst seid", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": III. b. "Er zählet unsre Tränen", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": IV. "Sagt es, die ihr erlöset seid", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": IX. "Drum sing ich mit meinem Liede", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": V. "Ich harrete des Herrn", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VI. "Stricke des Todes hatten uns umfangen", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VII. "Die Nacht ist vergangen", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VIII. "Nun danket alle Gott", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": X. "Ihr Völker! bringet her dem Herrn" |
| Jonny T |
performing orchestra |
Morning Song (Maytime in Sussex), Saga Fragment, Symphonic Variations, Part One: I. Theme: Lento espressivo, Symphonic Variations, Part One: II. Variation I "Youth": Allegro: Restless and tumultuous, Symphonic Variations, Part One: III. Variation II "Nocturne": Slow and serene: Broadly, Symphonic Variations, Part One: IV. Variation III "Strife": Allegro vivace, Symphonic Variations, Part Two: I. Variation IV "The Temple": Slow and solemn, Symphonic Variations, Part Two: II. Variation V "Play": Scherzo: Allegro vivace, Symphonic Variations, Part Two: III. Intermezzo "Enchantment": Very moderate tempo, Symphonic Variations, Part Two: IV. Variation VI "Triumph": Moderate tempo: Glowing and passionate, Winter Legends: I. Allegro, Winter Legends: II. Lento, molto espressivo, Winter Legends: III. Molto moderato - Allegro molto, Winter Legends: IV. Epilogue: Molto cantabile |
| Manuel García Matos |
performing orchestra |
Concerto for Horn and Strings: I. Allegro moderato - Cadenza, Concerto for Horn and Strings: II. Adagio, Concerto for Horn and Strings: III. Vivace, Concerto for Horn, String Orchestra and Timpani, op. 150: I. Allegro, non troppo - Poco tranquillo, Concerto for Horn, String Orchestra and Timpani, op. 150: II. Poco lento e serioso, Concerto for Horn, String Orchestra and Timpani, op. 150: III. Finale: Allegro molto, con spirito, Concerto no. 2 for Horn and Strings, op. 58: I. Con energico, Concerto no. 2 for Horn and Strings, op. 58: II. Andantino grazioso, Concerto no. 2 for Horn and Strings, op. 58: III. Vivace, Horn Concerto, op. 58: I. Con moto - Tranquillo - Cadenza, Horn Concerto, op. 58: II. Scherzo: Allegretto, Horn Concerto, op. 58: III. Finale: Allegro ritmico - Giocoso, Hunter's Moon |
| Пётр Ильич Чайковский |
performing orchestra |
"Romeo and Juliet" Fantasy-Overture, "Schlußwalzer und Apotheose" aus "Der Nussknacker op. 71", 1812 Overture, Op. 49, From Iolanta: Robert's Aria, "My Only Beloved Mathilde I Claim", Overture 1812, Serenade for Strings, Op. 48: I. Pezzo in forma di sonatina, Serenade for strings, Op. 48: II. Waltz, Serenade for strings, Op. 48: III. Elegy, Serenade for strings, Op. 48: IV. Finale (Thema russo), The Nutcracker Ballet: Pas de Deux - Prince Charming's Solo - Dance of the Sugar-Plum Fairy - Coda, The Nutcracker Ballet: Waltz Finale and Apotheosis, The Nutcracker Ballet: Waltz of the Flowers, Violin Concerto in D, op. 35: III. Finale. Allegro vivacissimo |
| Felix Mendelssohn |
performing orchestra |
A Midsummer Night's Dream: I. Overture, A Midsummer Night's Dream: II. Scherzo, A Midsummer Night's Dream: III. Intermezzo, A Midsummer Night's Dream: IV. Nocturne, A Midsummer Night's Dream: V. Wedding March, Romance Andante, Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": IV. Saltarello. Presto (London Philharmonic Orchestra feat. conductor: Semyon Bychkov), Symphonie Nr. 4: 2. Andante con moto, Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio, Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai, Violinkonzert e-moll, Op. 64: 2. Andante |
| J. H. Thomas |
performing orchestra |
Trumpet Concerto in C minor: I. Allegro moderato, Trumpet Concerto in C minor: II. Adagio, Trumpet Concerto in C minor: III. Allegro, Trumpet Concerto in D minor: I. Grave, Trumpet Concerto in D minor: II. Allegro, Trumpet Concerto in D minor: III. Adagio, Trumpet Concerto in D minor: IV. Allegro, Trumpet Concerto in E‐flat: I. Allegro, Trumpet Concerto in E‐flat: II. Andante, Trumpet Concerto in F minor: I. Allegro, Trumpet Concerto in F minor: II. Largo e piano, Trumpet Concerto in F minor: III. Vivace |
| Dennis Roy |
performing orchestra |
Christen, atzet diesen Tag, BWV 63: Chorale: Christen, atzet diesen Tag, Christen, atzet diesen Tag, BWV 63: Chorale: Hochster, schau in Gnaden an, The First Nowell: I. Prelude: God rest you merry - The truth from above, The First Nowell: III. Nowell, Nowell, Nowell, Nowell!, The First Nowell: IX. In Bethlehem City, "A Virgin most pure", The First Nowell: VI. The Cherry Tree Carol: Joseph was an old man, The First Nowell: XVI. The Salutation Carol: 'Tidings true be come new, The First Nowell: XVII. How brightly shone the morning star, The Seven Last Words of Our Savior on the Cross: Il terremoto: Er ist nicht mehr, Vom Himmel hoch: Chorale: Lob, Ehr sei Gott im hochsten Thron, Vom Himmel hoch: Er bring euch alle Seligkeit, Vom Himmel hoch: Vom Himmel hoch, da komm ich her |
| Hector Berlioz |
performing orchestra |
Béatrice et Bénédict, Requiem, Op. 5: I. Requiem et Kyrie - Introitus, Requiem, Op. 5: II. Dies irae - Prosa, Requiem, Op. 5: III. Quid sum miser, Requiem, Op. 5: IV. Rex tremendae, Requiem, Op. 5: IX. Sanctus, Requiem, Op. 5: V. Quaerens me, Requiem, Op. 5: VI. Lacrymosa, Requiem, Op. 5: VII. Offertorium - Domine Jesu Christe, Requiem, Op. 5: VIII. Hostias, Requiem, Op. 5: X. Agnus Dei, Sleeping With the Enemy: Symphony Fantastique: Un Bal: Valse |
| YOSHIKI |
performing orchestra |
A Piano String in Es Dur, Amethyst, Endless Rain, Kurenai, Overture, Rose of Pain, Say Anything, Silent Jealousy, Tears, Unfinished, Vanishing Love, Week End |
| Barbara Reichlin |
performing orchestra |
Des canyons aux étoiles: Appel interstellaire, Des canyons aux étoiles: Bryce Canyon et les rochers rouge-orange, Des canyons aux étoiles: Ce qui est écrit sur les étoiles . . ., Des canyons aux étoiles: Cedar Breaks et le Don de Crainte, Des canyons aux étoiles: La grive des bois, Des canyons aux étoiles: Le Cossyphe d’Heuglin, Des canyons aux étoiles: Le désert, Des canyons aux étoiles: Le moqueur polyglotte, Des canyons aux étoiles: Les Orioles, Des canyons aux étoiles: Les ressucités et le chant de l’étoile Aldébaran, Des canyons aux étoiles: Omao, Leiothrix, Elepaio, Shama, Des canyons aux étoiles: Zion Park et la Cité Céleste |
| K-Nite 13 |
performing orchestra |
Symphonic Dances, Op. 45: I. Non allegro, Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse), Symphonic Dances, Op. 45: III. Lento assai - Allegro vivace, Symphony no. 3 in F major, op. 90: Allegro, Symphony no. 3 in F major, op. 90: Allegro con brio, Symphony no. 3 in F major, op. 90: Andante, Symphony no. 3 in F major, op. 90: Poco allegretto, Symphony no. 4 in E minor, op. 98: Allegro energico e passionato, Symphony no. 4 in E minor, op. 98: Allegro giocoso, Symphony no. 4 in E minor, op. 98: Allegro non troppo, Symphony no. 4 in E minor, op. 98: Andante moderato, The Isle of the Dead, Op. 29 |
| Stefanie Hearfield |
performing orchestra |
Capriccio italien, op. 45, Nutcracker Suite, op. 71a: Arabian Dance (Coffee), Nutcracker Suite, op. 71a: Chinese Dance (Tea), Nutcracker Suite, op. 71a: Dance of the Reed-Pipes (Mirlitons), Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy, Nutcracker Suite, op. 71a: March, Nutcracker Suite, op. 71a: Miniature Overture, Nutcracker Suite, op. 71a: Russian Dance (Trepak), Nutcracker Suite, op. 71a: Waltz of the Flowers, Polonaise from Eugene Onegin, op. 24, Slavonic March, Op.31, Waltz from Eugene Onegin, op. 24 |
| Aiodaya |
performing orchestra |
Adagio For Strings, op. 11, Dances of Galánta: I. Lento, Dances of Galánta: II. Allegretto moderato, Dances of Galánta: III. Allegro con moto, grazioso, Dances of Galánta: IV. Allegro, Dances of Galánta: V. Allegro vivace, Dances of Marosszék, Holberg Suite for Strings op. 40: 1. Praeludium, Holberg Suite for Strings op. 40: 2. Sarabande, Holberg Suite for Strings op. 40: 3. Gavotte, Holberg Suite for Strings op. 40: 4. Air, Holberg Suite for Strings op. 40: 5. Rigaudon |
| 久石譲 |
performing orchestra |
A Scene at the Sea / Silent Love, Haruka Nostalgy / Tango X. T. C., Madness, Nausicaä / Symphonic Poem 'Nausicaä', Nausicaä Symphonic Poem: First Movement, Nausicaä Symphonic Poem: Second Movement, Nausicaä Symphonic Poem: Third Movement, Porco Rosso / Madness, Samurai Kids / for You, Sonatine / Sonatine, Two, Chizuko's Younger Sister / Two of Us |
| Storro & Son Ensemble Niglo |
performing orchestra |
Violin Concerto in E Major (Spring): Allegro, Violin Concerto in E Major (Spring): Danza Pastorale, Allegro, Violin Concerto in E Major (Spring): Largo E Pianissimo Sempre, Violin Concerto in F Major (Autumn): Adagio Molto, Violin Concerto in F Major (Autumn): Allegro, Violin Concerto in F Minor (Winter): Allegro, Violin Concerto in F Minor (Winter): Allegro Non Molto, Violin Concerto in F Minor (Winter): Largo, Violin Concerto in G Mino (Summer): Presto, Violin Concerto in G Minor (Summer): Adagio - Presto, Violin Concerto in G Minor (Summer): Allegro Con Molto |
| Wayne MacKenzie |
performing orchestra |
Piano Concerto no. 1 in E minor, Sz. 83: I. Allegro moderato - Allegro, Piano Concerto no. 1 in E minor, Sz. 83: II. Andante, Piano Concerto no. 1 in E minor, Sz. 83: III. Allegro molto, Piano Concerto no. 1, BB 91, Sz. 83: 1. Allegro moderato - Allegro, Piano Concerto no. 1, BB 91, Sz. 83: 3. Allegro molto, Piano Concerto no. 2, BB 101, Sz. 95: 1. Allegro, Piano Concerto no. 2, BB 101, Sz. 95: 2. Adagio - Più adagio - Presto, Piano Concerto no. 2, BB 101, Sz. 95: 3. Allegro molto, Piano Concerto no. 3 in E major, Sz. 119: I. Allegretto, Piano Concerto no. 3 in E major, Sz. 119: II. Adagio religioso, Piano Concerto no. 3 in E major, Sz. 119: III. Allegro vivace |
| L-One |
performing orchestra |
Variations: Lento misterioso / Theme: Moderato con energia / Variation 1 / Variation 2 / Variation 3 / Variation 4, Variations: Variation 10: Moderato mosso, Variations: Variation 11: Moderato con fuoco / Variation 12: Allegretto - Allegretto calmato / Variation 13 / Variation 14: L'istesso tempo, giocoso / Variation 15: Vivace quasi danza - Lento, Variations: Variation 16: Moderato ritmico, Variations: Variation 17, Variations: Variation 18: Andante - Adagio, Variations: Variation 19: Andante liberamente / Variation 20: Moderato energico - Meno mosso, Variations: Variation 21: Moderato assai, Variations: Variation 22: Lento / Variation 23: Andante - Allegro - Poco meno, Variations: Variations 5: Andante - Poco meno mosso e giocoso / Variation 6 / Variation 7: Vivace, Variations: Variations 8: Andante piacevole / Variation 9: Moderato con moto |
| Billy Davis |
performing orchestra |
A Midsumme Night's Dream: Allegro "What hempen home-spuns have we here?", A Midsumme Night's Dream: Allegro comodo - Funeral March, A Midsumme Night's Dream: Allegro vivace - Finale, A Midsumme Night's Dream: Dance of the Clowns, A Midsumme Night's Dream: Intermezzo (Allegro appassionato), A Midsumme Night's Dream: L'Istesso Tempo: "Over Hill, Over Dale" - March Of The Fairies (Allegro vivace), A Midsumme Night's Dream: Nocturne, A Midsumme Night's Dream: Overture, Op 21, A Midsumme Night's Dream: Scherzo, A Midsumme Night's Dream: Song With Chorus: "Ye Spotted Snakes", A Midsumme Night's Dream: Wedding March |
| Dr Razzu |
performing orchestra |
Eleven Viennese Dances, WoO 17: No. 1. Waltz, Eleven Viennese Dances, WoO 17: No. 10. Waltz, Eleven Viennese Dances, WoO 17: No. 11. Waltz, Eleven Viennese Dances, WoO 17: No. 2. Minuet, Eleven Viennese Dances, WoO 17: No. 3. Waltz, Eleven Viennese Dances, WoO 17: No. 4. Minuet, Eleven Viennese Dances, WoO 17: No. 5. Minuet, Eleven Viennese Dances, WoO 17: No. 6. Ländler, Eleven Viennese Dances, WoO 17: No. 7. Minuet, Eleven Viennese Dances, WoO 17: No. 8. Ländler, Eleven Viennese Dances, WoO 17: No. 9. Minuet |
| Robert Schumann |
performing orchestra |
Scenes from Childhood, Op. 15: Dreaming, Symphonie No. 2 C-dur, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo, Symphonie No. 2 C-dur, Op. 61: II. Scherzo: Allegro vivace, Symphonie No. 2 C-dur, Op. 61: III. Adagio espressivo, Symphonie No. 2 C-dur, Op. 61: IV. Allegro molto vivace, Symphonie No. 3 Es-dur, Op. 97 "Rheinische": I. Lebhaft, Symphonie No. 3 Es-dur, Op. 97 "Rheinische": II. Scherzo: Sehr mäßig, Symphonie No. 3 Es-dur, Op. 97 "Rheinische": III. Nicht schnell, Symphonie No. 3 Es-dur, Op. 97 "Rheinische": IV. Feierlich, Symphonie No. 3 Es-dur, Op. 97 "Rheinische": V. Lebhaft |
| Christian Livingstone |
performing orchestra |
Alto Rhapsody, Op. 53, Das Rosenband, Op. 36 No. 1, Liebeshymnus, Op. 32 No. 3, Muttertändelei, Op. 43 No. 2, Ruhe, meine Seele, Op. 27 No. 1, Wesendonck Lieder, WWV 91 No. 1: Der Engel, Wesendonck Lieder, WWV 91 No. 2: Stehe still!, Wesendonck Lieder, WWV 91 No. 3: Im Treibhaus, Wesendonck Lieder, WWV 91 No. 4: Schmerzen, Wesendonck Lieder, WWV 91 No. 5: Träume |
| Steel Storm |
performing orchestra |
Piano Concerto no. 1 in C minor, op. 33: Allegro –, Piano Concerto no. 1 in C minor, op. 33: Coda: Allegro molto, Piano Concerto no. 1 in C minor, op. 33: Tranquillo, dolce (Variations) –, Piano Concerto no. 2 in C minor, op. 50: I. Toccata: Allegro risoluto, Piano Concerto no. 2 in C minor, op. 50: II. Romanza: Andante con moto, Piano Concerto no. 2 in C minor, op. 50: III. Divertimento: Allegro risoluto e molto vivace, Piano Concerto no. 3 in E minor, op. 60 "Ballade": I. Con moto largamento - Allegretto con moto, Piano Concerto no. 3 in E minor, op. 60 "Ballade": II. Interludium: Allegro, molto sostenuto, misterioso, Piano Concerto no. 3 in E minor, op. 60 "Ballade": III. Finale: Allegro molto, Svegliando, eroico - Andante con moto tranquillo - Allegro molto - Coda, Piano Concerto no. 3 in E-flat major |
| 沢田美紀 |
performing orchestra |
Beneath the Southern Cross, Death and Debris, Fiddlin' Off Watch, Guadalcanal March, Hymn of Victory, Song of the High Seas (Main Theme), Submarines in a Calm Sea, The Approaching Enemy, The Sunny Pacific Islands, Theme of Growing and Building |
| Patsy Clark |
performing orchestra |
Sechs Monologe aus Jedermann: I. Ist alls zu End das Freudenmahl, Sechs Monologe aus Jedermann: II. Ah Gott, wie graust mir vor dem Tod, Sechs Monologe aus Jedermann: III. Ist als wenn eins gerufen hätt, Sechs Monologe aus Jedermann: IV. So wollt ich ganz vernichtet sein, Sechs Monologe aus Jedermann: V. Ja! Ich glaub: solches hat Er vollbracht, Sechs Monologe aus Jedermann: VI. O ewiger Gott!, Suite from "Der Sturm": II. Prospero. "Mein Ariel, hast du, der Luft nur ist...", Suite from "Der Sturm": III. Allegretto alla marcia, Suite from "Der Sturm": IV. Epilog. Larghetto |
| Pat |
orchestrator, performing orchestra |
Carnival Overture, op. 92, B. 169, Symphony no. 7 in D minor, op. 70, B. 141: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70, B. 141: II. Poco adagio, Symphony no. 7 in D minor, op. 70, B. 141: III. Scherzo: Vivace, Symphony no. 7 in D minor, op. 70, B. 141: IV. Finale: Allegro, Symphony no. 8 in G, op. 88, B.163: I. Allegro con brio, Symphony no. 8 in G, op. 88, B.163: II. Adagio, Symphony no. 8 in G, op. 88, B.163: III. Allegretto grazioso - Coda: Molto vivace, Symphony no. 8 in G, op. 88, B.163: IV. Allegro, ma non troppo |
| Jamie Gordon |
performing orchestra |
The Nutcracker, op. 71: Act 1, Scene 1: I. The Decoration of the Christmas Tree, The Nutcracker, op. 71: Act 1, Scene 1: III. Children's Gallop and the Entry of the Parents, The Nutcracker, op. 71: Act 1, Scene 1: IV. Arrival of Drosselmeyer, The Nutcracker, op. 71: Act 1, Scene 1: V. Grandfather's Dance, The Nutcracker, op. 71: Act 1, Scene 1: VI. Clara and the Nutcracker, The Nutcracker, op. 71: Act 1, Scene 2: IX. Waltz of the Snowflakes, The Nutcracker, op. 71: Act 2: XIII. Waltz of the Flowers, The Nutcracker, op. 71: Act II. Divertissement: d) Trepak (Russian Dance), The Nutcracker, op. 71: Overture |
| Niccolò Paganini |
performing orchestra |
I palpiti: Larghetto cantabile - Recitativo (con grande espressione) - Tema. Andantino - Variazioni I-III - Coda, La Campanella, La primavera - Sonata for Violin and Orchestra in A major, Le streghe op. 8: Introduzione (Maestoso -- Larghetto) -- Tema (Andante) -- Variazioni I-III -- Finale (Allegretto), Maestosa sonata sentimentale, Non più mesta accanto al fuoco: Introduzione (Adagio cantabile) -- Tema (Moderato) -- Variazioni I-IV -- Finale (Allegro -- Tempo del Tema -- Più presto), Perpetuela: Allegro vivace, Sonata Napoleone: Introduzione. Adagio - Larghetto - Andantino variato - Variazioni I-III - Finale, Sonata con variazioni: Introduzione (Adagio) -- Tema (Andante moderato) -- Variazioni I & II (L'istesso tempo) -- Variazioni III & IV (Più mosso) -- Variazione V (Tempo I) -- Coda (Presto) |
| Burning the Day |
performing orchestra |
Cello Concerto no. 2, op. 77: I. Molto sostenuto - Allegro molto e energico -, Cello Concerto no. 2, op. 77: II. Presto marcato -, Cello Concerto no. 2, op. 77: III. Andante con moto, Cello Concerto: I. Allegro moderato, Cello Concerto: II. Andante sostenuto, Cello Concerto: II. Nocturne. Lento - Andante con moto, Cello Concerto: III. Allegro [a battuta], Cello Concerto: III. Molto vivace, Chant du Ménestrel, op. 71 |
| Julien Guzz |
performing orchestra |
Symphony no. 27 in G major, K 199, Symphony no. 28 in C major, K 200, Symphony no. 29 in A major, K 201, Symphony no. 30 in D major, K 202, Symphony no. 31 in D major, K 297, Symphony no. 32 in G major, K 318, Symphony no. 33 in B-flat major, K 319, Symphony no. 34 in C major, K 338, Symphony no. 35 in D major, K 385 |
| Taavi Ilp |
performing orchestra |
Andante spianato in G major and Grande Polonaise brillante in E-flat major, op. 22, Krakowiak - Concerto Rondo in F, op. 14: Introduction - Rondeau, Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso, Piano Concerto no. 1 in E minor, op. 11: II. Romance (Larghetto), Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace), Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace, Variations on "Là ci darem la mano" (from Mozart's "Don Giovanni") in B flat major, Op. 2 |
| Anton Bruckner |
performing orchestra |
Symphony No. 5 in B flat major: Adagio - Allegro, Symphony No. 5 in B flat major: Adagio - Allegro moderato, Symphony No. 5 in B flat major: Adagio: Sehr langsam, Symphony No. 5 in B flat major: Scherzo: Molto vivace, Trio: Im gleichen Tempo, Symphony No. 5 in B-flat I: Adagio - Allegro, Symphony No. 5 in B-flat II: Adagio, Symphony No. 5 in B-flat III: Scherzo, Symphony No. 5 in B-flat IV: Finale |
| Edvard Grieg |
performing orchestra |
Last Spring, Peer Gynt Suite No. 2, Peer Gynt Suite no 2, Peer Gynt Suite no. 2, Peer Gynt – Suite No.1, Wedding Day at Troldhaugen, Wedding Day at Troldhaugen, Op. 65 No. 6, Wedding Day at Troldhaugen, Op. 65, No.6 |
| Paper Lions |
performing orchestra |
Symphony no. 3 in D minor: Adagio. Bewegt, quasi Andante, Symphony no. 3 in D minor: Finale. Allegro, Symphony no. 3 in D minor: Scherzo. Ziemlich schnell - Trio - Scherzo, Symphony no. 3 in D minor: Sehr langsam, misterioso, Symphony no. 7 in E major: Adagio: Sehr feierlich und sehr langsam, Symphony no. 7 in E major: Allegro moderato, Symphony no. 7 in E major: Finale: Bewegt, doch nicht schnell, Symphony no. 7 in E major: Scherzo: Sehr schnell - Trio: Etwas langsamer |
| Andreas van Zoelen |
performing orchestra |
Violin Concerto in D: Cadenza, Violin Concerto in D: I. Toccata, Violin Concerto in D: II. Aria I, Violin Concerto in D: III. Aria II, Violin Concerto in D: IV. Capriccio, Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato, Violin Concerto no. 2 in G minor, op. 63: II. Andante assai, Violin Concerto no. 2 in G minor, op. 63: III. Allegro ben marcato |
| Stage Rockers |
performing orchestra |
Piano Concerto in D-flat major: I. Allegro ma non troppo e maestoso, Piano Concerto in D-flat major: II. Andante con anima, Piano Concerto in D-flat major: III. Allegro brilliante, Pianoconcert: Allegro brillante, Pianoconcert: Allegro ma non troppo e maestoso, Pianoconcert: Andante con anima, Rapsodia española, Rapsodia sinfónica |
| Александр Константинович Глазунов |
performing orchestra |
Violin Concerto in A minor, Op. 82: I. Moderato, Violin Concerto in A minor, Op. 82: II. Andante sostenuto, Violin Concerto in A minor, Op. 82: III. Tempo I, Violin Concerto in A minor, Op. 82: IV. Allegro, Violin Concerto in A minor, op. 82: I. Moderato, Violin Concerto in A minor, op. 82: II. Andante, Violin Concerto in A minor, op. 82: III. Tempo I (moderato), Violin Concerto in A minor, op. 82: IV. Allegro |
| Jason Voriz |
performing orchestra |
Agnus Dei, Agnus Dei (Mass in B minor), Father of Heaven, He was Despised, Mass in B minor (excerpts): I. Qui Sedes, Mass in B minor (excerpts): II. Agnus Dei, O Thou That Tellest Good Tidings to Zion, St John Passion (excerpt): I. All is fulfilled |
| Mickey Rogers |
performing orchestra |
Symphonic Variations, op. 78, Symphony No. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony No. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony No. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 31, K. 297 "Paris": I. Allegro assai, Symphony no. 31, K. 297 "Paris": II. Andante, Symphony no. 31, K. 297 "Paris": III. Allegro |
| Randver |
performing orchestra |
Einer wird kommen (Lehar - "Der Zarewitsch"), Im Chambre separee (Huberger - "Der Opernball"), Marietta's Lied (Korngold - "Die tote Stadt"), Mein Lippen sie küssen so heiss (Lehar - "Giuditta"), Vilja (Lehar - "Die lustige Witwe"), Vilja (Lehar - "The Merry Widow"), Voices of Spring (Waltz) (Johann Strauss, Jr.), Wien, du Stadt meiner Träume (Sieczynski) |
| MoBeatz |
performing orchestra |
Golden Eagle: I. Prelude. Andante, Golden Eagle: IV. Prelude, Act II Scene 1. Pavane - Tempo pomposo, Golden Eagle: IX. Prelude, Act III Scene 2. Maestoso, Golden Eagle: VII. Prelude, Act II Scene 2. Allegro appassionato, Golden Eagle: VIII. Prelude, Act II Scene 1. Poco lento, Golden Eagle: X. Mary Stewart's Prayer. Lento, Romantic Overture |
| Momentos Hibridos |
performing orchestra |
Concierto de Aranjuez: 1. Allegro con spirito, Concierto de Aranjuez: 2. Adagio, Concierto de Aranjuez: 3. Allegro gentile, Fantasia para un gentilhombre: 1. Villano y Ricercar, Fantasia para un gentilhombre: 2. Españoleta y Fanfarria de la Caballeria de Nápoles, Fantasia para un gentilhombre: 3. Danza de las hachas, Fantasia para un gentilhombre: 4. Canario |
| Paul Ledford |
performing orchestra |
Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto, Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato, Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza, Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto, Cello Concerto no. 2 in G major, op. 126: I. Largo, Cello Concerto no. 2 in G major, op. 126: II. Scherzo: Allegretto, Cello Concerto no. 2 in G major, op. 126: III. Finale: Allegretto |
| Rotimo |
performing orchestra |
Carmen: Act 1 (Conclusion) / "Carmen! Sur Tes Pas Nous Nous Pressons Tous!", Carmen: Act 2 (Conclusion) / "Enfin Te Voilà!", Carmen: Act 3, Scene 1 (Conclusion) / "Mêlons! Mêlons! Coupons! Coupons!", Carmen: Entr'acte - Act 2 (Beginning) / "Les Tringles Des Sistres Tintaient", Carmen: Entr'acte - Act 3, Scene 1 (Beginning) / "Ecoute, Ecoute, Compagnon, Ecoute!", Carmen: Entr'acte - Act 3, Scene 2, "A Deux Cuartos!", Carmen: Prelude - Act 1 (Beginning) / "Sur La Place, Chacun Passe" |
| Sir William Walton |
performing orchestra |
Hamlet: Funeral March, Henry V Suite: Agincourt Song, Henry V Suite: Passacaglia: The Death of Falstaff, Henry V Suite: Prelude: The Globe, Henry V Suite: Touch her soft lips and part, The Battle of Britain Suite: March and Siegfried Music, The Battle of Britain Suite: Spitfire Music - Battle in the Air |
| Kiri Te Kanawa |
performing orchestra |
Gianni Schicchi: “O mio babbino caro”, La bohème: “Quando m’en vo’ soletta”, Le Villi: “Se come voi”, Madama Butterfly: "Un bel dì vedremo", Madama Butterfly: “Un bel dì, vedremo”, Manon Lescaut: “In quelle trine morbide”, Tosca: “Vissi d’arte” |
| Kliwon |
performing orchestra |
An der schönen blauen Donau, op. 314 (excerpt), Music From Peer Gynt: I. Morning, Music From Peer Gynt: II. Anitra's Dance, Music From Peer Gynt: III. In the Hall of the Mountain King, Music From Peer Gynt: IV. Arabian Dance, Music From Peer Gynt: V. Solveig's Song, Tosca : Vissi d'arte |
| TWAYNE |
performing orchestra |
Cello Concerto in B minor (Adagio ma non troppo), Cello Concerto in B minor, op. 104: I. Allegro, Cello Concerto in B minor, op. 104: II. Adagio ma non troppo, Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato, Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo -, Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto -, Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite |
| Tony Banks |
performing orchestra |
Black Down, Earthlight, Neap Tide, Spring Tide, The Gateway, The Ram, The Spirit of Gravity |
| 박성현 |
performing orchestra |
Ariadne auf Naxos: Es gibt ein Reich, wo alles rein ist, Così fan tutte: Come scoglio immoto resta, Der Rosenkavalier: Da geht er hin, der aufgeblasene, schlechte Kerl, Die Fledermaus: Klänge der Heimat, Die Fledermaus: Mein Herr, was dächten sie von mir, Die Fledermaus: Trinke, Liebchen / Glücklich ist, wer vergisst / Erschrecken sie nicht gnädige Frau |
| Barsha |
performing orchestra |
Beim Schlafengehn (conclusion), Four Last Songs: Bein Schlafengehen, Vier Letzte Lieder, AV150 Op. posth: Beim Schlafengehen, Vier Letzte Lieder, AV150 Op. posth: Frühling, Vier Letzte Lieder, AV150 Op. posth: Im Abendrot, Vier Letzte Lieder, AV150 Op. posth: September |
| E & G |
performing orchestra |
Act 1 (Concl.) 'Figlio, Che Fai?', Act 1 (Part 2); 'Popolo Di Pekino!', Act 2 (Concl.); 'In Questa Reggia', Act 2 (Part 1); 'Ola Pang!, Ola Pong!', Act 3 (Concl.): 'Principessa Di Morte!', Act 3 (Part 1); 'Cesi Comanda Turandot' |
| Mike Batt |
performing orchestra |
Caravan on the Move, Dreamstone Overture No. 1, Dreamstone Overture No. 2, Dreamstone Overture No. 3, Dreamstone Overture No. 4, Dreamstone Overture No. 5 |
| Max Bruch |
performing orchestra |
Adagio nach keltischen Melodien, Adagio on Celtic Themes, Op. 56, Ave Maria, Op. 61, Canzone, Op. 55, Kol Nidrei, Kol Nidrei, Op. 47 |
| Hans Ekestang |
performing orchestra |
Amor, op. 68 no. 5, Breit über mein Haupt, op. 19 no. 2, Final Scene from "Daphne," op. 82, The Abduction from the Seraglio: "Martern aller Arten", Vorrei spiegarvi, oh Dio, Zaide: "Ruhe sanft, mein holdes Leben" |
| Zoltán Kodály |
performing orchestra |
"Háry János" - Suite: I. Prelude. The Fairy Tale Begins, "Háry János" - Suite: II. Viennese Musical Clock, "Háry János" - Suite: III. Song, "Háry János" - Suite: IV. Battle and Defeat of Napoleon, "Háry János" - Suite: V. Intermezzo, "Háry János" - Suite: VI. Entrance of the Emperor and His Court |
| Karl Jenkins |
performing orchestra |
Adiemus, Agnus Dei, Allegretto, Cantilena, Chorale 1 (from Adiemus II), The Armed Man - A Mass for Peace: V. Sanctus |
| Tom Grant |
performing orchestra |
Crown Imperial - Coronation March, Let Us Now Praise Famous Men, Symphony no. 4 in F minor: 1. Allegro, Symphony no. 4 in F minor: 2. Andante moderato, Symphony no. 4 in F minor: 3. Scherzo. Allegro molto, Symphony no. 4 in F minor: 4. Finale con epilogo fugato. Allegro molto |
| Marco Marzuoli |
performing orchestra |
Boccaccio, Dichter und Bauer, Die schöne Galathée, Ein Morgen, ein Mittag, ein Abend in Wien, Leichte Kavallerie, Pique Dame |
| Manuel de Falla |
performing orchestra |
Nights in the Gardens of Spain: I. In the Generalife, Nights in the Gardens of Spain: II. Distant dance, Nights in the Gardens of Spain: III. In the gardens of the Sierra de Córdoba, Noches en los jardines de España: I. En el generalife, Noches en los jardines de España: II. Danza lejena, Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba |
| Almir Ferreira |
performing orchestra |
Abduction from the Harem, K.384: Overture, Così fan tutte: Ouvertüre, KV 588, Hungarian Dances No. 10 in F major: Presto, Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto, Marriage of Figaro, K492: Overture, Romeo and Juliet: Fantasy Overture |
| Chick Corea |
performing orchestra |
Concerto No. 1 for Piano and Orchestra - Part One, Concerto No. 1 for Piano and Orchestra - Part Three, Concerto No. 1 for Piano and Orchestra - Part Two, Spain - I. Opening and Introduction, Spain - II. Spain Theme, Spain - III. Conclusion |
| When Particles Collide |
performing orchestra |
The Seven Last Words of Our Savior on the Cross: No. 1. "Vater, vergib ihnen, Denn sie wissen nicht, was sie tun", The Seven Last Words of Our Savior on the Cross: No. 2. "Fürwahr, ich sag’ es dir: Heute wirst du bei mir in Paradiese sein", The Seven Last Words of Our Savior on the Cross: No. 3. "Frau, hier siehe deinen Sohn, Und du, siehe deine Mutter!", The Seven Last Words of Our Savior on the Cross: No. 4. "Mein Gott! Warum hast du mich verlassen?", The Seven Last Words of Our Savior on the Cross: No. 5. "Jesus rufet: Ach, mich dürstet!", The Seven Last Words of Our Savior on the Cross: No. 7. "Vater, in deine Hände empfehle ich meinen Geist" |
| Leoš Janáček |
performing orchestra |
Lachian Dances: I. Starodávný I, Lachian Dances: II. Požehnaný, Lachian Dances: III. Dymák, Lachian Dances: IV. Starodávný II, Lachian Dances: V. Čeladenský, Lachian Dances: VI. Pilky |
| George Frideric Handel |
performer, performing orchestra |
Messiah - He Was Despised, Messiah: For Unto Us a Child Is Born, Orgelkonzert Nr. 13 F-Dur: II. Allegro "Kuckuck und Nachtigall", The Messiah, HWV 56: Hallelujah Chorus, Work(s): Lucrezia (based on fragments of the aria Già nel s, Zadok the Priest |
| Sick Tapestry |
performing orchestra |
Violin Concerto in B minor, op. 61: I. Allegro, Violin Concerto in B minor, op. 61: II. Andante, Violin Concerto in B minor, op. 61: III. Allegro Molto, Violin Concerto no. 2: I. Allegro non troppo, Violin Concerto no. 2: II. Andante tranquillo, Violin Concerto no. 2: III. Allegro molto |
| 成海聖奈 |
performing orchestra |
The Armed Man: Agnus Dei, The Armed Man: Better Is Peace, The Armed Man: Charge!, The Armed Man: Hymn Before Action, The Armed Man: Sanctus, The Armed Man: Torches |
| Sally Clarke |
performing orchestra |
Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto |
| Erin Maynor |
performing orchestra |
Carnaval, Ouverture Op. 92, Symphonie No. 9, Op. 95 "Du Nouveau Monde" : I. Adagio - Allegro molto, Symphonie No. 9, Op. 95 "Du Nouveau Monde" : II. Largo, Symphonie No. 9, Op. 95 "Du Nouveau Monde" : III. Scherzo - Molto vivace, Symphonie No. 9, Op. 95 "Du Nouveau Monde" : IV. Allegro con fuoco, Symphony no. 9, op. 95 "New World": Largo |
| Laura Ingalls Wilder |
performing orchestra |
Festival Overture, op. 96, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro |
| Laurie Johnson |
performing orchestra |
Synthesis: I. Prelude, Synthesis: II. Con moto, Synthesis: III. Adagio, Synthesis: IV. Allegro, Synthesis: V. Finale |
| Matilda Fung |
performing orchestra |
Jeux, La Mer: De l'aube a midi sur la mer, La Mer: Dialogue du vent et de la mer, La Mer: Jeux de vagues, Prélude à l'après-midi d'un faune |
| Maurice Ravel |
performing orchestra |
Ma Mère l'Oye, Op. 60: I. Pavane de la Belle au bois dormant, Ma Mère l'Oye, Op. 60: II. Petit Poucet, Ma Mère l'Oye, Op. 60: III. Laideronnette, Impératrice des Pagodes, Ma Mère l'Oye, Op. 60: IV. Les Entretiens de la Belle et de la Bête, Ma Mère l'Oye, Op. 60: V. Le Jardin féerique |
| Ornette Coleman |
performing orchestra |
Ballad / Joan, Cloquet's Parrots / Midnight Sunrise, Hauser and O'Brien / Bugpowder, Intersong, Writeman |
| Plácido Domingo |
performing orchestra |
La boheme: Che gelida manina, La comparsa, Malaguena, Siboney, Siempre en mi corazon |
| Stanley Black |
performing orchestra |
Light Cavalry, Orpheus in the Underworld, The Bartered Bride, The Secret of Suzanne, William Tell |
| Vibe Tribe |
performing orchestra, strings |
Palladio: I. Allegretto, Palladio: II. Largo, Palladio: III. Vivace, Passacaglia (In memorium Evelyn Mary Hopkins 1903-1995), The Armed Man: Now the Guns Have Stopped |
| without hair band |
performing orchestra |
Sea Pictures, op. 37: In Haven (Capri), Sea Pictures, op. 37: Sabbath Morning at Sea, Sea Pictures, op. 37: Sea Slumber-Song, Sea Pictures, op. 37: The Swimmer, Sea Pictures, op. 37: Where Corals Lie |
| Jean-Marc Volcy |
performing orchestra |
I puritani: Atto III. N°18 "Son salvo, alfin son salvo" (Arturo, Elvira), I puritani: Atto III. N°18.2 "A una fonte afflitto e solo" (Elvira, Arturo, Coro), I puritani: Atto III. N°20 "Fini... me lassa!" (Elvira, Arturo) / N°20.2 "Arturo? Si, ê desso!" (Elvira, Arturo), I puritani: Atto III. N°20.3 "Vieni, vieni fra queste braccia" (Elvira, Arturo), I puritani: Atto III. N°21, Finale "Ascolta ancora questo suon molesto!" (Arturo, Elvira, Coro) |
| Bill Esparza |
performing orchestra |
Symphony no. 6 in F, op. 68 Pastoral": II. Szene am Bach: (Andante molto mosso), Symphony no. 6 in F, op. 68 Pastoral": III. Lustiges Zusammensein der Landleute (Allegro), Symphony no. 6 in F, op. 68 Pastoral": IV. Gewitter, Sturm (Allegro), Symphony no. 6 in F, op. 68 Pastoral": V. Lustiges Zusammensein der Landleute (Allegro) - 4. Gewitter. Sturm (Allegro) - 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) |
| Different Shades of Brown |
performing orchestra |
Romance for Violin and Orchestra No. 1 in G major, Op. 40, Violin Concerto in B minor, op. 61: I. Allegro, Violin Concerto in B minor, op. 61: II. Andante, Violin Concerto in B minor, op. 61: III. Allegro |
| Vankudi |
performing orchestra |
Fantasy in C major, S. 565a "Wanderer": I. Allegro con fuoco, Fantasy in C major, S. 565a "Wanderer": II. Adagio, Fantasy in C major, S. 565a "Wanderer": III. Presto, Fantasy in C major, S. 565a "Wanderer": IV. Allegro |
| Alfred Cortot |
performing orchestra |
Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso), Piano Concerto in A minor, op. 54: III. Allegro vivace, Symphonic Variations |
| Art of Shades |
performing orchestra |
Israel in Egypt: But as for His People, Israel in Egypt: Moses Song: Moses and the Children of Israel, Israel in Egypt: The Lord is a Man of War, Mass in C minor, K. 427: Qui tollis |
| 陳寶碩 |
performing orchestra |
Klavierkonzert: Allegro moderato, Piano Concerto in F-sharp minor, op. 20: I. Allegro, Piano Concerto in F-sharp minor, op. 20: II. Andante, Piano Concerto in F-sharp minor, op. 20: III. Allegro moderato |
| Cadea |
performing orchestra |
Peter and the Wolf: Extract, Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato, Violin Concerto no. 2 in G minor, op. 63: II. Andante assai, Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato |
| Giuseppe Verdi |
performing orchestra |
From Otello: Iago's Aria, "Take It; Take the Path to Your Ruin" - "Yes, I Believe in God Who Has Created Me", I vespri siciliani: "Merci, jeunes amies", Rigoletto, Act III: "La donna è mobile", Simon Boccanegra: "Come in quest'ora bruna" |
| 工藤和真 |
performing orchestra |
Rosamonda d'Inghilterra: Atto I. Cabaletta "Torna, torna or caro oggetto" (Rosmonda), Rosamonda d'Inghilterra: Atto I. Recitative "Volgon tre lune...abi lassa!" (Rosmonda), Rosamonda d'Inghilterra: Atto II. Aria "Io fuggiro quel perfido" (Rosmonda, Arturo, Clifford), Rosamonda d'Inghilterra: Atto II. Cabaletta "Senza pace, senza speme" (Rosmonda, Arturo, Clifford) |
| Greg Bennett |
performing orchestra |
Legend for Piano and Orchestra, Piano Concerto in E-flat major: I. In tempo moderato, Piano Concerto in E-flat major: II. Lento espressivo, Piano Concerto in E-flat major: III. Allegro |
| Mod East |
performing orchestra |
Concerto for Piano, Violin, and Cello in C, op. 56: I. Allegro, Concerto for Piano, Violin, and Cello in C, op. 56: II. Largo - attacca:, Concerto for Piano, Violin, and Cello in C, op. 56: III. Rondo alla Polacca, Concerto in C, Op. 56, for piano, violin, cello, with orchestra: II. Largo / III. Rondo alla Polacca |
| Emir |
performing orchestra |
Der Zarewitsch: Akt I. "Einer wird kommen", Giuditta: Akt IV. "Meine Lippen, die küssen so heiß" (Giuditta), I puritani: Atto I, Scena III. "Son vergin vezzosa" (Elvira), Wien, Wien, nur du allein |
| Kola Kube |
performing orchestra |
Espana, Hungarian Rhapsody, No. 2, Rhapsodie Espagnole: I Prelude a la Nuit / II Malagueña / III Habañera / IV Feria, Roumanian Rhapsody, No. 1 |
| Qibe |
performing orchestra |
Symphony No. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony No. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivaca), Symphony No. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco |
| Gutterhead |
performing orchestra |
1812 Ouverture: Festival Overture in E-flat, op. 49, Fantasy Overture: Hamlet, op. 67, Fantasy Overture: Romeo and Juliet, Overture: The Year 1812, op. 49 |
| Detlef von Boetticher |
performing orchestra |
Piano Concerto for the Left Hand, Piano Concerto in G major: I. Allegramente, Piano Concerto in G major: II. Adagio assai, Piano Concerto in G major: III. Presto |
| Guy Eden |
performing orchestra |
Maria Stuarda: Atto II. "Allenta il piè, Regina" (Maria, Anna), Maria Stuarda: Atto II. "O nube che lieve per l'aria" / "Nella pace del mestro riposa" (Maria, Anna, Coro), Maria Stuarda: Atto III. "Anna! ... Qui più sommessi favellate...Io vi rivedo alfin" (Maria, Anna, Coro), Maria Stuarda: Atto III. "Deh! Tu di un umile preghiera il suono" (Maria, Anna, Coro) |
| Miguel Murrieta Vásquez |
performing orchestra |
Peer Gynt — Suite No. 1: I. Morning mood, Peer Gynt — Suite No. 1: II. Åse's death, Peer Gynt — Suite No. 1: III. Anitra's dance, Peer Gynt — Suite No. 1: IV. In the hall of the mountain king |
| Jason Cruses |
performing orchestra |
A Lyke-Wake, Eternity, Glamour, Slumber Song |
| Bridget Kearney |
performing orchestra |
Cello Concerto in E minor, op. 85: I. Adagio - Moderato -, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio -, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo |
| Simona Castricum |
performing orchestra |
Scheherazade, Op. 35: Festival at Bagdad- The Sea- The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior- Conclusion, Scheherazade, Op. 35: The Sea and Sinbad's Ship, Scheherazade, Op. 35: The Story of the Kalandar Prince, Scheherazade, Op. 35: The Young Prince and the Young Princess |
| Simon Rady |
performing orchestra |
Symphony No. 10 in E minor, Op. 93: I. Moderato, Symphony No. 10 in E minor, Op. 93: II. Allegro, Symphony No. 10 in E minor, Op. 93: III. Allegretto - Largo - Più Mosso, Symphony No. 10 in E minor, Op. 93: IV. Andante - L'istesso Tempo |
| John Penzotti |
performing orchestra |
Poème, op. 25, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro ma non tanto |
| Suzuki Junzo |
performing orchestra |
Fantaisie, Rapsodia española, Rapsodia sinfónica, op. 66, Symphonic Variations |
| Marty Cramer |
performing orchestra |
Concerto for Violin and Orchestra: I. Prelude: Moderato tranquillo. Andante moderato, Concerto for Violin and Orchestra: II: Scherzo: Vivace assai. Recitando, Concerto for Violin and Orchestra: III. Romanza: Lento e calmo, Concerto for Violin and Orchestra: IV. Finale: Allegro moderato e grazioso |
| The Forty Revolutions |
performing orchestra |
I puritani: Atto I, Scena II. "Chi mosse a' miei desir il genitor?", I puritani: Atto I, Scena II. "Odi...Qual suon si desta?", I puritani: Atto I, Scena II. Duetta "O amato zio" ... "Sai com'arde in petlo mio" (Elvira, Giorgio) |
| Beth Brittle |
performing orchestra |
Maria Stuarda: Atto III. "Oh colpo!... E' già vicino del tuo morrir l'istante" / "D'un cor che muore reca il perdono" (Maria, Anna, Talbot, Cecil, Coro), Maria Stuarda: Atto III. "Oh, mio buon Talbot!" / "Delle miei colpe lo squallido" (Maria, Talbot), Maria Stuarda: Atto III. "Quando di luce rosea" / "Lascia contento al carcere" (Maria, Talbot) |
| Jean-François Brun |
performing orchestra |
Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta. Andante, Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo |
| Joseph Haydn |
performing orchestra |
Symphony No. 104 - London (Finale), Symphony No. 104, "London": IV. Finale. Spiritoso, The Seven Last Words of Our Savior on the Cross: Introduzione |
| 光田康典 |
performing orchestra |
Gnosis, The Miracle, Ω |
| James Orleans |
performing orchestra |
The First Nowell: II. Angelus ad Virgenem, The First Nowell: VII. The Cherry Tree Carol: As Joseph was awalking, Vom Himmel hoch: Aria: Sei willekomm', du edler Gast |
| 伊豆野踊子 |
performing orchestra |
Violin Concerto no. 4 in D major, K. 218: Allegro, Violin Concerto no. 4 in D major, K. 218: Andante cantabile, Violin Concerto no. 4 in D major, K. 218: Andante grazioso - Allegro ma non troppo |
| 中川雅子 |
performing orchestra |
Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro ma non tanto |
| JP Poliquin |
performing orchestra |
Das Lied von der Erde: Das Trinklied vom Jammer der Erde, Das Lied von der Erde: Der Trunkene im Fruhling, Das Lied von der Erde: Von der Jugend |
| Akateeminen Mieskuoro Psaldo |
performing orchestra |
Thaïs: Meditation, The Four Seasons, op. 8 "Spring": I. Allegro, Vocalise, op. 34 |
| Ivan Alejandro Serur Raygoza |
performing orchestra |
Sinfonia n. 41 in do maggiore, K. 551 "Jupiter": Allegro vivace, Sinfonia n. 41 in do maggiore, K. 551 "Jupiter": Andante cantabile, Sinfonia n. 41 in do maggiore, K. 551 "Jupiter": Minuetto: Allegretto |
| Deke Wade |
performing orchestra |
Maria-Triptychon: I. Ave Maria. Adagio, Maria-Triptychon: II. Magnificat. Andante energico, Maria-Triptychon: III. Stabat Mater. Molto lento |
| Desolate Horizons |
performing orchestra |
Piano Concerto: I. Allegro ma non troppo e maestoso, Piano Concerto: II. Andante con anima, Piano Concerto: III. Allegro brillante |
| Diana Sullivan |
performing orchestra |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo 1, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| Dynette Set |
performing orchestra |
Concerto in F for Piano and Orchestra: I. Allegro, Concerto in F for Piano and Orchestra: II. Adagio – Andante con moto, Concerto in F for Piano and Orchestra: III. Allegro agitato |
| Benjamin Levy |
performing orchestra |
Christen, atzet diesen Tag, BWV 63: Recitative: Verdoppelt euch demnach, The First Nowell: VIII. O, Joseph being an old man truly - The king of all power was in Bethlehem born, Vom Himmel hoch: Aria: Es ist der Herr Christ, unser Gott |
| Uli Bauer |
performing orchestra |
Concerto symphonique no. 4, op. 102: Scherzo, Symphonic Variations, Symphonic Variations for Piano & Orchestra |
| Alfredo Catalani |
performing orchestra |
Ebben?… Ne andrò lontana Catalani (La Wally), La Wally - Ebben? Ne andrò lontana - 'Diva', La Wally: "Ebben? Ne andrò lontana" |
| Camilo Séptimo |
performing orchestra |
An American in Paris, El Salón México, Porgy and Bess: A Symphonic Picture |
| The Ambrosian Singers |
performing orchestra |
I puritani: Atto I, Scena I. N°3 "A festa! A festa!" (Coro), I puritani: Atto I, Scena III. N°6 "Ad Arturo onore" (Coro), I puritani: Atto II. N°13 "Ahi, dolor! Ahi, terror!" (Coro) |
| Swantje Weinert |
performing orchestra |
Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato, Violin Concerto No. 1 in G minor, Op. 26: II. Adagio, Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro energico |
| Eurgh |
performing orchestra |
Concerto for Violin and Orchestra in D major, Op. 77: I. Allegro non troppo, Concerto for Violin and Orchestra in D major, Op. 77: II. Adagio, Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto |
| Martin Riedel |
performing orchestra |
Carmina Burana - O Fortuna, Nabucco: Chorus of the Hebrew Slaves "Va', pensiero, sull'ali dorate", Symphony no. 9 in D minor, op. 125 "Choral": Ode an die Freude |
| Helix 3 |
performing orchestra |
Violin Concerto in D minor: I. Allegro con fermezza, Violin Concerto in D minor: II. Andante sostenuto, Violin Concerto in D minor: III. Allegro vivace |
| Heather Wallington |
performing orchestra |
Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo, Concerto for Violin and Orchestra in D major, op. 77: II. Adagio, Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto |
| Sir Michael Tippett |
performing orchestra |
Concerto for double string orchestra: I. Allegro con brio, Concerto for double string orchestra: II. Adagio cantabile, Concerto for double string orchestra: III. Allegro molto |
| Foot-Ball |
performing orchestra |
I puritani: Atto I, Scena II. N°5 Duetta "O amato zio" / "Sai com'arde in petto mio" (Elvira, Giorgio), I puritani: Atto I, Scena II. N°5.2 "Chi mosse a' miei desir il genitor?" (Elvira, Giorgio), I puritani: Atto I, Scena II. N°5.3 "Odi... Qual suon si desta?" (Elvira, Giorgio, Coro) |
| Roddy |
performing orchestra |
Concerto for Violin and Orchestra: I. Overture, Ballad and Scherzo. Allegro risoluto - Allegro moderato - Poco largamente, Concerto for Violin and Orchestra: II. Adagio, Concerto for Violin and Orchestra: III. Allegro - Slow Valse Tempo - Andante con moto |
| Redd |
performing orchestra |
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo |
| Mysteries |
performing orchestra |
The Discovery of Heaven: Part 1: An Echo from Heaven, The Discovery of Heaven: Part 2: In the Street -, The Discovery of Heaven: Part 3: Hymns |
| Fryderyk Chopin |
performing orchestra |
Grande Polonaise brillante précédée d'un Andante spianato Es-Dur, op. 22: Andante spianato. Tranquillo, Grande Polonaise brillante précédée d'un Andante spianato Es-Dur, op. 22: Polonaise. Allegro molto, Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace |
| NTHnth STHsth |
performing orchestra |
Violin Concerto no. 4 in D major, K. 218: Allegro moderato, Violin Concerto no. 4 in D major, K. 218: Andante, Violin Concerto no. 4 in D major, K. 218: Rondo: Allegro |
| Petr Phob Stefek |
performing orchestra |
Cello Concerto No. 1 in A minor, Op. 33: Allegretto con moto -, Cello Concerto No. 1 in A minor, Op. 33: Allegro non troppo -, Cello Concerto No. 1 in A minor, Op. 33: Un peu moins vite |
| Party on Demand |
performing orchestra |
Rosamonda d'Inghilterra: Atto II. Duetto "Giurasti un di...rammentalo" (Rosmonda, Enrico), Rosamonda d'Inghilterra: Atto II. Scena "Giurato il sacrifizio" (Rosmonda, Enrico), Rosamonda d'Inghilterra: Atto II. Stretta "Concedo un breve istante" (Rosmonda, Enrico) |
| Nathan Boey |
performing orchestra |
Das Lied von der Erde: Der Abschied, Das Lied von der Erde: Der Einsame im Herbst, Das Lied von der Erde: Von der Schonheit |
| Roch Poliszczuk |
performing orchestra |
Maria Stuarda: Atto I. "Ah! quando all'ara scorgemi" / "In tal giono di contento" / "Ah! dal cielo discenda un raggio" (Elisabetta, Tabot, Cecil, Coro), Maria Stuarda: Atto III. "Quella vita a me funesta" (Elisabetta, Cecil) |
| Vincenzo Bellini |
performing orchestra |
Norma ("Casta Diva"), Norma: "Casta Diva" |
| Vidal Garcia |
performing orchestra |
Maria Stuarda: Atto I. Preludio, Maria Stuarda: Overture |
| Leon Richard |
performing orchestra |
Piano Concerto in A minor, Op. 16: I. Allegro molto moderato, Piano Concerto in A minor, Op. 16: II. Adagio / III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso |
| 植松伸夫 |
performing orchestra |
Final Fantasy VIII: Liberi Fatali, Final Fantasy: Main Theme |
| Johann Strauss |
performing orchestra |
La Chauve-Souris : Ouverture, Vals del emperador |
| Valérie Belzile |
performing orchestra |
Egmont, Op. 84: Overture. Sostenuto, ma non troppo, Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" |
| Jules Massenet |
performing orchestra |
Manon: "Adieu, notre petite table", Manon: "Je suis encore tout étourdie" |
| Trisha Cullen |
performing orchestra |
The Black Gate Opens, The Grey Havens |
| Luciano Pavarotti |
performing orchestra |
Dove siam… La patria tradita, O figli Ah, la paterna mano |
| 南極 |
performing orchestra |
Maria Stuarda: Atto II. "Ah! non m'inganna la gioia!" (Maria, Leicester), Maria Stuarda: Atto II. "Da tutti abbandonata" / "Ah! Se il mio cor tremò giammai" (Maria, Leicester) |
| The Kahelelani Serenaders |
performing orchestra |
Rosamonda d'Inghilterra: Atto II. Duetto "Si, son lo" (Rosmonda, Leonora), Rosamonda d'Inghilterra: Atto II. Scena "Primiero io giungo" (Rosmonda, Leonora) |
| The John Alldis Choir |
performing orchestra |
Maria Stuarda: Atto I. "Qui si attenda" (Coro), Maria Stuarda: Atto III. "Vedeste?... Vedemmo. O truce apparato!" (Coro) |
| The Gift |
performing orchestra |
Grand Waltz from 'Swan Lake', Marche Slave |
| Carl Maria von Weber |
performing orchestra |
Der Freischutz: Overture, From Euranthe: Lysiart's Aria, "What Refuge Here?" |
| Enya |
performing orchestra |
May It Be, The Council of Elrond (feat. “Aníron (Theme for Aragorn and Arwen)”) |
| Karl Flaster |
performing orchestra |
Maria Stuarda: Atto I. "Quali sensi! - Ella è commessa" / "Si! Era d'amor l'immagine" / "Sul crin la rivale a man mi stendea" (Elisabetta, Leicester), Maria Stuarda: Atto I. "Sei tu confuso?" (Elisabetta, Leicester) |
| Barry Prophet |
performing orchestra |
Vado, ma dove? K.583, Vorei spiegarvi, o Dio! K.418 |
| Stanaj |
performer, performing orchestra |
Lieutenant Kijé, op. 60: IV. Troika, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis |
| Eva Hess-Thaysen |
performing orchestra |
La Jota aragonese, op. 64, La Princesse jaune, op. 30: Overture |
| Kenny Shane |
performing orchestra |
Maria Stuarda: Atto I. "Hai nelle giostre, o Talbot, chiesto di me?" (Leicester, Talbot), Maria Stuarda: Atto I. "Questa immago, questo foglio" (Talbot, Leicester) |
| Chaseiro |
performing orchestra |
La Bohème: Act I. "Che gelida manina!" (Rodolfo), La boheme: Atto I. "Che gelida manina" |
| Արամ Խաչատրյան |
performing orchestra |
La Danse du sabre, La Danse du sabre (version entendue par bébé) |
| Staal |
performing orchestra |
Maria Stuarda: Atto II. "Deh! l'accogli!..Morta al mondo, e morta al trono" (Maria, Elisabetta, Anna, Leicester, Talbot, Cecil), Maria Stuarda: Atto II. "Va, preparati, furente" (Maria, Elisabetta, Anna, Leicester, Cecil, Talbot, Coro) |
| David Miles |
performing orchestra |
Hungarian Rhapsody no. 2, Hungarian Rhapsody no. 3 |
| Guy Malka |
performing orchestra |
Symphony no. 7 "Sinfonia antartica": I. Prelude: Andante maestoso, Symphony no. 7 "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro) |
| Filiz İdil |
performing orchestra |
Fantasia & Fugue in C min, BWV 537: I. Fantasia, Fantasia & Fugue in C min, BWV 537: II. Fugue |
| John Ireland |
performing orchestra |
Epic March, Presentation and National Anthem |
| Melody |
performing orchestra |
Andante spianato et Grande Polonaise brillante in E-flat major, op. 22, Concert Rondo in F major, Op. 14 "Krakowiak" |
| Sergio Avil |
performing orchestra |
Cello Concerto no. 1: III. Allegro non troppo, Concerto pour violoncelle nº1 en la mineur Op.33 : I. Allegro ma non troppo |
| Amy Klein |
performing orchestra |
Symphony no. 1 in C major, op. 88: II. Adagio, Symphony no. 1 in C major, op. 88: III. Allegro vivace |
| Ron Pember |
performing orchestra |
Hear My Prayer ... O for the wings of a Dove, O divine Redeemer |
| Joaquín Turina |
performing orchestra |
Fantastic Dance: Orgia, Rapsodia sinfónica |
| Franz Liszt |
performing orchestra |
Hungarian Rhapsody for Orchestra No. 3 in D major, S. 359/3, Hungarian Rhapsody for Orchestra No. 5 in E minor, S. 359/5 |
| Rico Scholz |
performing orchestra |
Carmina Burana: O Fortuna, Messa da Requiem: Dies irae - Tuba mirum |
| Andro Manzoni |
performing orchestra |
Maria Stuarda: Atto II, Scena III. "Deh! l'accogli!" ... "Morta al mondo, e morta al trono" (Leicester, Maria), Maria Stuarda: Atto II, Scena III. "Va, preparati, furente" (Elisabetta) |
| Gustav Holst |
performing orchestra |
Suite No. 1, Op. 28 No. 1: March, The Planets: Mars, the Bringer of War |
| Claude Debussy |
performing orchestra |
L'Après-Midi d'un faune, L'Après-Midi d'un faune (version entendue par bébé) |
| Gonzalo M. |
performing orchestra |
Symphony No. 4, S. 4: II. Comedy: Allegretto, Symphony No. 4, S. 4: III. Fugue: Andante moderato |
| Andrzej Mikosz |
performing orchestra |
Rosamonda d'Inghilterra: Atto I. Cabaletta "Vieni meco, ed un ritiro" ((Rosmonda, Clifford), Rosamonda d'Inghilterra: Atto I. Duetto "Deh! Ti arresta" (Rosmonda, Clifford) |
| Franz Schubert |
performing orchestra |
Symphony No.8 in B minor, D.759 "Unfinished": 1. Allegro moderato, Symphony No.8 in B minor, D.759 "Unfinished": 2. Andante con moto |
| Þúsund andlit |
performing orchestra |
A Night in Venice - Overture (Johann Strauss, Jr.), Thunder and Lightning (Polka) (Johann Strauss, Jr.) |
| Claudio Arrau |
performing orchestra |
Fantasia on Polish Airs in A major, Op. 13, Fantasy on Polish Airs in A major, op. 13 |
| anubasu-anubasu |
performing orchestra |
Requiem, K. 626: Part III, VI. Lacrimosa dies illa, The Messiah, HWV 56: Hallelujah Chorus |
| Nacho Castro |
performing orchestra |
Symphony no. 2 in C minor “Resurrection”: V. Etwas bewegter, Symphony no. 2 in C minor “Resurrection”: V. Langsam. Misterioso |
| [unknown] |
performing orchestra |
British grenadiers, Lilliburlero |
| 近藤浩治 |
performing orchestra |
Legend of Zelda: Suite, Super Mario Bros: Themes |
| John Tavener |
performing orchestra |
Dhyāna (A song for Nicola), Song for Athene (for solo violin and orchestra) |
| Orbit Over Luna |
performing orchestra |
The End of All Things, Twilight and Shadow |
| Vuolla |
performing orchestra |
Symphony No. 3 in C minor for Orchestra with Organ, Op. 78: I. Adagio. Allegro moderato - Poco adagio, Symphony No. 3 in C minor for Orchestra with Organ, Op. 78: II. Allegro moderato - Presto - Maestoso - Allegro |
| Emilíana Torrini |
performing orchestra |
Gollum’s Song |
| Nicolai Gedda |
performing orchestra |
I puritani: Atto III. N°19 "Qual suon! Alcun s'appressa" (Arturo, Coro) |
| Bert Löwenherz |
performing orchestra |
Piano Concerto no. 21 in C major, K. 467: II. Andante |
| Georges Auric |
performing orchestra |
Moulin Rouge: Main Theme |
| Orquesta Típica Agustin Guerrero |
performing orchestra |
Le nozze di Figaro, K. 492: Overture |
| George Randall |
performing orchestra |
Crown Imperial (Coronation March) |
| Bernard Herrmann |
performing orchestra |
Psycho (A Narrative for Orchestra) |
| Garry Schyman |
performing orchestra |
Bioshock: The Ocean on his Shoulders |
| Gaetano Donizetti |
performing orchestra |
From Linda of Chamounix: "Antonio's Aria, "In this Valley We Shared Our Childhood" |
| Gabriel Prokofiev |
performing orchestra |
March from "The Love of Three Oranges" |
| Paul Laurence Dunbar |
performing orchestra |
Maria Stuarda: Atto III. "Regina!...A lei s'affretta il supplizio" / "Deh! per pietà sospendi" (Leicester, Elisabetta, Cecil) |
| G. Calabro |
performing orchestra |
Fantaisie for Piano & Orchestra, op. 111 |
| Percy Grainger |
performing orchestra |
Over the Hills and Far Away, (Children's March) |
| Peter Warlock |
performing orchestra |
Capriol Suite |
| Nancy |
performing orchestra |
Gianni Schicchi: “O mio babbino caro” |
| Pietro Mascagni |
performing orchestra |
Ave Maria (arr. G. Zani) |
| Pigment |
performing orchestra |
Ivan the Terrible (Oratorio) |
| Müzeyyen Hanım |
performing orchestra |
The First Nowell: XX. The First Nowell |
| Polymorphie |
performing orchestra |
Ariadne auf Naxos: Du schönes Wesen |
| Frenzal Rhomb |
performing orchestra |
Secret Track (feat. The London Philharmonic Orchestra) |
| Qim Isle |
performing orchestra |
Maria Stuarda: Atto III, Scena I, II |
| Rachel Hauraney |
performing orchestra |
Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht” |
| Rafael Cancian |
performing orchestra |
Maria Stuarda: Atto I (Concluded), Scena II, IV, V |
| Rafael R. Baixeras |
performing orchestra |
O Fortuna |
| Angela Gheorghiu |
performing orchestra |
Ave Maria by Franz Schubert (Ellenis Gesang III D 839) |
| Montserrat Caballé |
performing orchestra |
La bohème: “Mi chiamano Mimì” |
| Mongoloid |
performing orchestra |
Rosamonda d'Inghilterra: Atto I. Cavatina "Perche non ho del vento" (Rosmonda, Arturo) |
| Rebecca Blaylock |
performing orchestra |
Promethée - Le Poème du Feu, op. 60 |
| Greg Edmonson |
performing orchestra |
Uncharted - Drake's Fortune: Nate's Theme |
| Renée Fleming |
performing orchestra |
Madama Butterfly: “Un bel dì vedremo” |
| Rezonate |
performing orchestra |
Maria Stuarda: Atto II, Scena IV (Concluded) |
| Reşid Bey |
performing orchestra |
Christen, atzet diesen Tag, BWV 63: Recitative: So kehret sich nun heut das bange Leid |
| Richard Rodgers |
performing orchestra |
Some Enchanted Evening |
| Million Colours |
performing orchestra |
Rosamonda d'Inghilterra: Atto I. Finale Primo "E desso! E il perfido" (Enrico, Rosmonda, Clifford) |
| Mike Chang |
performing orchestra |
Carmen: "L'amour est un oiseau rebelle" (Havanaise) |
| Rincon Sapiência |
performing orchestra |
Symphony no. 3 in C minor “Organ Symphony”: Ib. |
| Risa Matsumae |
performing orchestra |
Hassan: Closing Scene |
| Rob Bacon |
performing orchestra |
Symphony no. 2 in D major, op. 36: II. Larghetto |
| Berlian Hutauruk |
performing orchestra |
Pagliacci: Atto I. "Recitar! Mentre preso...Vesti la giubba" |
| Rob Williams |
performing orchestra |
Turandot: Act III, Scene II: "Diecimila anni al nostro Imperatore!" |
| Frank Skinner |
performing orchestra |
Shenandoah |
| Roberto Gambuti |
performing orchestra |
L'Apprenti sorcier |
| Jeremy Soule |
performing orchestra |
Elder Scrolls: Oblivion |
| Carl Orff |
performing orchestra |
Carmina Burana |
| Guy Brook |
performing orchestra |
Maria Stuarda: Atto II, Scena I, II, III, IV (Beginning) |
| Franco Ventriglia |
performing orchestra |
Die Zauberflöte, K. 620: Ouverture |
| Ruggero Leoncavallo |
performing orchestra |
Pagliacci: "Stridono lassu" |
| Rusty Varenkamp |
performing orchestra |
Isengard Unleashed |
| Michael Nyman |
performing orchestra |
Enemy Zero: Last Movement |
| Francis Poulenc |
performing orchestra |
Concerto for Organ, Strings and Timpani in g: IV. Tempo allegro. Molto agitato |
| Francesco Cilea |
performing orchestra |
Adriana Lecouvreur: "Io son l'umile ancella" |
| Sampler |
performing orchestra |
Marche Slave |
| Sarkis Edwards |
performing orchestra |
Rosamonda d'Inghilterra: Atto I. Concertato "E dessa-alfin la perfoda" (Leonora, Tutti) |
| Sendr |
performing orchestra |
Rosamonda d'Inghilterra: Atto I. Stretta "Tace ognun! nessun risponde?" (Tutti) |
| Michael Hunter |
performing orchestra |
Grand Theft Auto IV: Soviet Connection |
| Shanaia T. |
performing orchestra |
Maria Stuarda: Atto III, Scena III, IV, V, VI |
| Sherrill Milnes |
performing orchestra |
La fanciulla del West: "Minnie, dalla mia casa" |
| Media |
performing orchestra |
Ave Maria (after J.S. Bach) |
| McPullish |
performing orchestra |
Fanfare for the Common Man |
| Filiz Solak |
performing orchestra |
Der Rosenkavalier: Marie Theres! Hab’ mir’s gelobt, ihn lieb zu haben / Ist ein Traum, kann nicht wirklich sein |
| Sir Charles Villiers Stanford |
performing orchestra |
Becket: Funeral March, "The Martyrdom" |
| Sir Hubert Parry |
performing orchestra |
Sinfonie Nr. 1 G-Dur Andante |
| Hans Zimmer |
performing orchestra |
Call of Duty - Modern Warfare 2: Theme |
| BloodKlot |
performing orchestra |
The Planets: Jupiter |
| Evelyn Glennie |
performing orchestra |
African Sunrise |
| Sly Moon |
performing orchestra |
Concerto pour violoncelle en si mineur Op.104 : II. Adagio ma non troppo |
| Spazzz |
performing orchestra |
Battlefield 2: Theme |
| Maurice Jarre |
performing orchestra |
Lara's Theme |
| Marlon Williams |
performing orchestra |
The Planets, op. 32: VII. Neptune, the Mystic (Andante) |
| Mark-Anthony Turnage |
performing orchestra |
From The Silver Tassie: Harry Songs, "Oh Bring to Me a Pint of Wine" |
| Henilios |
performing orchestra |
The Lark Ascending |
| Eunice Yeatts MacAlexander |
performing orchestra |
Turandot: Act I. "Signore, ascolta!" (Liù) |
| Ernest Gold |
performing orchestra |
Exodus: Main Title |
| Stephen Hogger |
performing orchestra |
Ein Heldenleben, op. 40: A Hero’s Life (excerpt) |
| Ernest Bloch |
performing orchestra |
Schelomo |
| Stéphanie Chariau |
performing orchestra |
Africa, Fantasy for Piano and Orchestra, op. 89 |
| Sue Kirby |
performing orchestra |
Forth Eorlingas |
| Sumer |
performing orchestra |
Caro mio ben |
| Eric Coates |
performing orchestra |
March, "The Dam Busters" |
| Marcelo Pennell |
performing orchestra |
Breath of Life |
| TIRRI TARRA |
performing orchestra |
Maria Stuarda: Atto III. "E pensi? e tardi?" (Cecil, Elisabetta) |
| Herbert Howells |
performing orchestra |
Procession |
| Enrico Fissore |
performing orchestra |
Al' Aita |
| Tania Rose |
performing orchestra |
Symphony no. 5 in B flat major, D. 485: III. Minuet and Trio |
| Tatiana Troyanos |
performing orchestra |
Habanera: L'amour est un Oiseau Rebelle (Carmen) |
| Nowan |
performing orchestra |
Maria Stuarda: Atto III. "Giunge il Conte" (Maria, Leicester, Cecil, Talbot, Coro) |
| Hoang Pham |
performing orchestra |
Carmen: Act II. "La fleur que tu m'avais jetée" (Don José) (Extract) |
| The Bio-Logicalz |
performing orchestra |
Mass in C minor, K. 427: Kyrie |
| Allen Salmon |
performing orchestra |
Evenstar |
| Annie Lennox |
performing orchestra |
Into the West |
| Malcolm Arnold |
performing orchestra |
River Kwai March |
| Mac Wall |
performing orchestra |
Maria Stuarda: Atto I. "Fra voi perchè non veggo Leicester?" (Elisabetta, Cecil, Leicester) |
| The Jokers |
performing orchestra |
Agnus Dei: The Armed Man (A Man of Peace) |
| Luigi Boccherini |
performing orchestra |
String Quintet in E major, Op. 13: Minuet (from In Her Shoes) |
| Thelonious Monk |
performing orchestra |
Simpatico / Misterioso |
| Threads of Fybre |
performing orchestra |
Double Concerto in D minor for Two Violins, BWV 1043: I. Vivace |
| Todd Seeber |
performing orchestra |
Christen, atzet diesen Tag, BWV 63: Aria: Gott, du hast es wohl gefuget |
| Elmer Bernstein |
performing orchestra |
Emperor Waltz op. 437 / Tales From Vienna Woods (excerpts) |
| Tommy Tallarico |
performing orchestra |
Advent Rising: Muse |
| Elizabeth Ostling |
performing orchestra |
Vom Himmel hoch: Arioso: Das also hat gefallen dir |
| Hot Aire |
performing orchestra |
The Armed Man: The Armed Man |
| Trigg Dot Dot |
performing orchestra |
Prometheus, op. 60 |
| Los Violines de Lima |
performing orchestra |
Maria Stuarda: Atto III, Scena VII, VIII, IX, Finale |
| Anton Karas |
performing orchestra |
Harry Lime Thema |
| Eileen Farrell |
performing orchestra |
Maria Stuarda: Atto I. "Si, vuol di Francia il Rege" (Elisabetta) |
| Ari Pulkkinen |
performing orchestra |
Angry Birds: Main Theme |
| Vanessa Gray |
performing orchestra |
Concerto n°1 - 1er mvt |
| Vangelis |
performing orchestra |
Chariots of Fire |
| Bob Bradburn |
performing orchestra |
The Birds: Bridal March |
| Innzmouth |
performing orchestra |
Minas Tirith |
| Vicky Longomba |
performing orchestra |
Koanga: Closing Scene |
| Lello Petrarca |
performing orchestra |
España |
| Vince Konigan |
performing orchestra |
Symphony no. 5 in C-minor, op. 67, "Fate": Allegro con brio |
| Leanne Tennant |
performing orchestra |
Maria Stuarda: Atto III. "Ah! se un giorno da queste ritorte" (Maria, Anna, Leicester, Talbot, Cecil, Coro) |
| Von Smith |
performing orchestra |
Sinfonia n. 41 in do maggiore, K. 551 "Jupiter": Finale: Molto allegro |
| Atropolis |
performing orchestra |
Violin Concerto: 3rd Movement |
| Wan Hewitt |
performing orchestra |
The Planets, op. 32: VII. Neptune, the Mystic |
| Donovan |
strings |
Catch the Wind |
| Dissonance In Design |
performing orchestra |
Maria Stuarda: Atto III. "Che vuoi?" (Maria, Cecil) |
| William Crighton |
performing orchestra |
Maria Stuarda: Atto II. "E' sempre la stessa" (Elisabetta, Maria, Anna, Talbot, Cecil, Leicester) |
| Aleksandrs Žiguličs |
performing orchestra |
The Return of the King |
| Al Cal |
performing orchestra |
Aurora |
| Le Syndicat du Chrome |
performing orchestra |
Arabella: Sie wollen mich heiraten / Und du wirst mein Gebieter sein |
| Yellow Cavaliers |
performing orchestra |
Christmas Eve |
| Inon Zur |
performing orchestra |
Fallout 3: Theme |
| Ionian University Jazz Program |
performing orchestra |
O Thou That Tellest Good Tidings to Zion |
| Last Note. |
performing orchestra |
Walton, The Death of Falstaff |
| Lars Moberg |
performing orchestra |
Halo 3: One Final Effort |
| Émile Waldteufel |
performing orchestra |
The Skaters' Waltz (London Symphony Orchestra feat. conductor: Charles Gerhardt) |
| Isidore Blank |
performing orchestra |
Friends |
| Νίκος Φατσέας |
performing orchestra |
Nimrod |
| Daye Raw |
performing orchestra |
L'Invitation au voyage |
| Kosuke Muramatsu |
performing orchestra |
Appalachia |
| Михаил Иванович Глинка |
performing orchestra |
Ruslan & Ludmilla Overture |
| Jack Wall |
performing orchestra |
Mass Effect 2: Suicide Mission |
| Dave Latchaw |
performing orchestra |
Maria Stuarda: Atto II. "Qual loco è questo?" (Maria, Elisabetta, Leicester, Cecil, Talbot) |
| Bryn Terfel |
performing orchestra |
Don Giovanni: Là ci darem la mano |
| Jacques Offenbach |
performing orchestra |
The Tales of Hoffmann: Barcarolle (from Life Is Beautiful) |
| DJ Stamy |
performing orchestra |
Maria Stuarda: Overture |
| Kirby Maurier |
performing orchestra |
Capriccio: Morgen Mittag um elf / Kain Andres, das mir so im Herzen loht |
| DJ Lord Ron |
performing orchestra |
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto |
| James Gordon |
performing orchestra |
Arabella: Aber der Richtige, wenn’s einen gibt |
| Jason Graves |
performing orchestra |
Dead Space: Welcome Aboard the U.S.G. Ishimura |
| Julian Sanders |
performing orchestra |
Maria Stuarda: Atto I, Scena I & II |
| Burt Eckoff |
performing orchestra |
A Night on the Bare Mountain |
| Cottaging |
performing orchestra |
Lohengrin: Act III. Vorspiel |
| 早坂あかり |
performing orchestra |
The Armed Man: Kyrie |
| 明智咲 |
performing orchestra |
The Armed Man: Angry Flames |
| Jason Hayes |
performing orchestra |
World of Warcraft: Seasons of War |
| 横田真人 |
performing orchestra |
Super Mario Galaxy: Gusty Garden Galaxy |
| Corey Burton |
performing orchestra |
Slavonic Dance no. 2, op. 72 |
| 浜渦正志 |
performing orchestra |
Final Fantasy XIII: Hanging Edge |
| 田中宏和 |
performing orchestra |
Tetris: Theme |
| 芹沢春輝 |
performing orchestra |
The Armed Man: Benedictus |
| John Stovall |
performing orchestra |
Christen, atzet diesen Tag, BWV 63: Aria: Ruft und fleht den Himmel an |
| John Salkowski |
performing orchestra |
Christen, atzet diesen Tag, BWV 63: Recitative: O selger Tag! O ungemeines Heute! |
| 風紀委員 桐生 |
performing orchestra |
The Seven Last Words of Our Savior on the Cross: No. 6. "Es ist vollbracht" |
| John Rutter |
performing orchestra |
Pie Jesu from Requiem |
| 한시현 |
performing orchestra |
Concerto no. 1 in F major: The Cuckoo and the Nightingale |
| Christoph Willibald Gluck |
performer |
Orfeo Et Euridice Ballet (Act 11) |
| John Garth III |
performing orchestra |
Maria Stuarda: Atto III. "D'una sorella, o barbara" / "Vanne indegno; t'appare sul volto" (Elisabetta, Cecil, Leicester) |
| Cemetery |
performing orchestra |
The Steward of Gondor |
| John Adams |
performing orchestra |
From Doctor Atomic: Oppenheimer's Solo, "Batter My Heart" |
| Jean-Louis Chabry |
performing orchestra |
I puritani: Atto II. N°13.2 "Qual novella?" (Coro, Giorgio) / N°14, Romanza "Cinta di fiori" (Giorgio, Coro) |
| Jeff Wood |
performing orchestra |
Rosamonda d'Inghilterra: Atto II. Scena "Ma il tempo vola" (Arturo, Clifford, Rosmonda) |