Riccardo Chailly

conductor

Top collaborators

Artist name Roles Recordings
Steve Vawamas
Gioachino Rossini
Giacomo Puccini (Italian composer)
川村ケン
キララ (GUNDAM BUILD FIGHTERS)

Work on other artists' recordings

Artist name Roles Recordings
Steve Vawamas conductor Concerto No. 1 in F major, BWV 1046: I. (Allegro), Concerto No. 1 in F major, BWV 1046: II. Adagio, sempre piano, Concerto No. 1 in F major, BWV 1046: III. Allegro, Concerto No. 1 in F major, BWV 1046: IV. Menuet - Trio - Menuet - Polonaise - Menuet - Trio - Menuet, Concerto No. 2 in F major, BWV 1047: I. (Allegro), Concerto No. 2 in F major, BWV 1047: II. Andante, Concerto No. 2 in F major, BWV 1047: III. Allegro assai, Concerto No. 3 in G major, BWV 1048: I. (Allegro), Concerto No. 3 in G major, BWV 1048: II. Adagio (Cadenza), Concerto No. 3 in G major, BWV 1048: III. Allegro, Concerto No. 4 in G major, BWV 1049: I. Allegro, Concerto No. 4 in G major, BWV 1049: II. Andante, Concerto No. 4 in G major, BWV 1049: III. Presto, Concerto No. 5 in D major, BWV 1050: I. Allegro, Concerto No. 5 in D major, BWV 1050: II. Affettuoso, Concerto No. 5 in D major, BWV 1050: III. Allegro, Concerto No. 6 in B flat major, BWV 1051: I. (Allegro), Concerto No. 6 in B flat major, BWV 1051: II. Adagio ma non tanto, Concerto No. 6 in B flat major, BWV 1051: III. Allegro, Matthäus-Passion, BWV 244: No. 1. Chorus: Kommt, ihr Töchter, helft mir klagen (Erster Teil), Matthäus-Passion, BWV 244: No. 10. Chorale: Ich bin's, ich sollte büßen, Matthäus-Passion, BWV 244: No. 11. Evangelist: Er antwortete und sprach, Matthäus-Passion, BWV 244: No. 12. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt, Matthäus-Passion, BWV 244: No. 13. Aria (Soprano): Ich will dir mein Herze schenken, Matthäus-Passion, BWV 244: No. 14. Evangelist: Und da sie den Lobgesang gesprochen hatten, Matthäus-Passion, BWV 244: No. 15. Chorale: Erkenne mich, mein Hüter, Matthäus-Passion, BWV 244: No. 16. Evangelist: Petrus aber antwortete und sprach zu ihm, Matthäus-Passion, BWV 244: No. 17. Chorale: Ich will hier bei dir stehen, Matthäus-Passion, BWV 244: No. 18. Evangelist: Da kam Jesus mit ihnen zu einem Hofe, der hieß Gethsemane, Matthäus-Passion, BWV 244: No. 19. Recitative (Tenor): O Schmerz! Hier zittert das gequälte Herz, Matthäus-Passion, BWV 244: No. 2. Evangelist: Da Jesus diese Rede vollendet hatte, Matthäus-Passion, BWV 244: No. 20. Aria (Tenor): Ich will bei meinem Jesu wachen, Matthäus-Passion, BWV 244: No. 21. Evangelist: Und ging hin ein wenig, Matthäus-Passion, BWV 244: No. 22. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder, Matthäus-Passion, BWV 244: No. 23. Aria (Bass): Gerne will ich mich bequemen, Matthäus-Passion, BWV 244: No. 24. Evangelist: Und er kam zu seinen Jüngern, Matthäus-Passion, BWV 244: No. 25. Chorale: Was mein Gott will, das g'scheh allzeit, Matthäus-Passion, BWV 244: No. 26. Evangelist: Und er kam und fand sie aber schlafend, Matthäus-Passion, BWV 244: No. 27. Aria (Soprano, Alto): So ist mein Jesus nun gefangen, Matthäus-Passion, BWV 244: No. 28. Evangelist: Und siehe, einer aus denen, Matthäus-Passion, BWV 244: No. 29. Chorale: O Mensch, bewein dein Sünde groß, Matthäus-Passion, BWV 244: No. 3. Chorale: Herzliebster Jesu, was hast du verbrochen, Matthäus-Passion, BWV 244: No. 30. Aria (Alto): Ach, nun ist mein Jesus hin! (Zweiter Teil), Matthäus-Passion, BWV 244: No. 31. Evangelist: Die aber Jesum gegriffen hatten, Matthäus-Passion, BWV 244: No. 32. Chorale: Mir hat die Welt trüglich gericht', Matthäus-Passion, BWV 244: No. 33. Evangelist: Und wiewohl viel falsche Zeugen herzutraten, Matthäus-Passion, BWV 244: No. 34. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille, Matthäus-Passion, BWV 244: No. 35. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen, Matthäus-Passion, BWV 244: No. 36. Evangelist: Und der Hohepriester antwortete, Matthäus-Passion, BWV 244: No. 37. Chorale: Wer hat dich so geschlagen, Matthäus-Passion, BWV 244: No. 38. Evangelist: Petrus aber saß draußen im Palast, Matthäus-Passion, BWV 244: No. 39. Aria (Alto): Embarme dich, mein Gott, Matthäus-Passion, BWV 244: No. 4. Evangelist: Da versammelten sich die Hohenpriester, Matthäus-Passion, BWV 244: No. 40. Chorale: Bin ich gleich von dir gewichen, Matthäus-Passion, BWV 244: No. 41. Evangelist: Des Morgens aber hielten alle Hohepriester, Matthäus-Passion, BWV 244: No. 42. Aria (Bass): Gebt mir meinen Jesum wieder!, Matthäus-Passion, BWV 244: No. 43. Evangelist: Sie hielten aber einen Rat, Matthäus-Passion, BWV 244: No. 44. Chorale: Befiehl du deine Wege, Matthäus-Passion, BWV 244: No. 45. Evangelist: Auf das Fest aber hatte der Landpfleger Gewohnheit, Matthäus-Passion, BWV 244: No. 46. Chorale: Wie wunderbarlich ist doch diese Strafe!, Matthäus-Passion, BWV 244: No. 47. Evangelist: Der Landpfleger sagte, Matthäus-Passion, BWV 244: No. 48. Recitative (Soprano): Er hat uns allen wohlgetan, Matthäus-Passion, BWV 244: No. 49. Aria (Soprano): Aus Liebe will mein Heiland sterben, Matthäus-Passion, BWV 244: No. 5. Recitative (Alto): Du lieber Heiland du, Matthäus-Passion, BWV 244: No. 50. Evangelist: Sie schrieen aber noch mehr, Matthäus-Passion, BWV 244: No. 51. Recitative (Alto): Erbarm es Gott!, Matthäus-Passion, BWV 244: No. 52. Aria (Alto): Können Tränen meiner Wangen, Matthäus-Passion, BWV 244: No. 53. Evangelist: Da nahmen die Kriegsknechte, Matthäus-Passion, BWV 244: No. 54. Chorale: O Haupt voll Blut und Wunden, Matthäus-Passion, BWV 244: No. 55. Evangelist: Und da sie ihn verspottet hatten, Matthäus-Passion, BWV 244: No. 56. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut, Matthäus-Passion, BWV 244: No. 57. Aria (Bass): Komm, süßes Kreuz, so will ich sagen, Matthäus-Passion, BWV 244: No. 58. Evangelist: Und da sie an die Stätte kamen, Matthäus-Passion, BWV 244: No. 59. Recitative (Alto): Ach Golgatha, Matthäus-Passion, BWV 244: No. 6. Aria (Alto): Buß und Reu, Matthäus-Passion, BWV 244: No. 60. Aria (Alto): Sehet, Jesus hat die Hand, Matthäus-Passion, BWV 244: No. 61. Evangelist: Und von der sechsten Stunde an, Matthäus-Passion, BWV 244: No. 62. Chorale: Wenn ich einmal soll scheiden, Matthäus-Passion, BWV 244: No. 63. Evangelist: Und siehe da, der Vorhang im Tempel zerriß, Matthäus-Passion, BWV 244: No. 64. Recitative (Bass): Am Abend, da es kühle war, Matthäus-Passion, BWV 244: No. 65. Aria (Bass): Mache dich, mein Herze, rein, Matthäus-Passion, BWV 244: No. 66. Evangelist: Und Joseph nahm den Leib, Matthäus-Passion, BWV 244: No. 67. Recitative (Soprano, Alto, Tenor, Bass): Nun ist er Herr zur Ruh gebracht, Matthäus-Passion, BWV 244: No. 68. Chorus: Wir setzen uns mit Tränen nieder, Matthäus-Passion, BWV 244: No. 7. Evangelist: Da ging hin der Zwölfen einer, Matthäus-Passion, BWV 244: No. 8. Aria (Soprano): Blute nur, du liebes Herz, Matthäus-Passion, BWV 244: No. 9. Evangelist: Aber am ersten Tage der süßen Brot, Overture "Coriolan", Op. 62, Overture ‘Die Geschöpfe des Prometheus’, op 43, Overture ‘Leonore’ No.3, op 72a, Overture “Die Ruinen von Athen”, Op. 113, Overture “Egmont”, Op. 84, Overture “Fidelio”, Op. 72b, Overture “König Stephan”, Op. 117, Overture “Zur Namensfeier”, Op. 115, Porgy and Bess: Catfish Row Suite: Catfish Row, Porgy and Bess: Catfish Row Suite: Fugue, Porgy and Bess: Catfish Row Suite: Good Mornin', Sistuh!, Porgy and Bess: Catfish Row Suite: Hurricane, Porgy and Bess: Catfish Row Suite: Porgy Sings, Serenade no. 1 in D major, op. 11: I. Allegro molto, Serenade no. 1 in D major, op. 11: II. Scherzo: Allegro non troppo, Serenade no. 1 in D major, op. 11: III. Adagio non troppo, Serenade no. 1 in D major, op. 11: IV. Menuetto I – Menuetto II, Serenade no. 1 in D major, op. 11: V. Scherzo: Allegro, Serenade no. 1 in D major, op. 11: VI. Rondo: Allegro, Serenade no. 2 in A major, op. 16: I. Allegro moderato, Serenade no. 2 in A major, op. 16: II. Scherzo: Vivace, Serenade no. 2 in A major, op. 16: III. Adagio non troppo, Serenade no. 2 in A major, op. 16: IV. Quasi menuetto, Serenade no. 2 in A major, op. 16: V. Rondo: Allegro, Symphony No. 1 in C major, Op. 21: I. Adagio molto – Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto: Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio – Allegro molto e vivace, Symphony No. 2 in D major, Op. 36: I. Adagio molto – Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo: Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 3 in E flat major, Op. 55 “Eroica”: I. Allegro con brio, Symphony No. 3 in E flat major, Op. 55 “Eroica”: II. Marcia funebre: Adagio assai, Symphony No. 3 in E flat major, Op. 55 “Eroica”: III. Scherzo: Allegro vivace, Symphony No. 3 in E flat major, Op. 55 “Eroica”: IV. Finale: Allegro molto, Symphony No. 4 in B flat major, Op. 60 IV. Allegro ma non troppo, Symphony No. 4 in B flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B flat major, Op. 60: II. Adagio, Symphony No. 4 in B flat major, Op. 60: III. Allegro vivace, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante Con Moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 6 in F major, Op. 68 “Pastoral”: I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 “Pastoral”: II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 “Pastoral”: III. Allegro, Symphony No. 6 in F major, Op. 68 “Pastoral”: IV. Allegro, Symphony No. 6 in F major, Op. 68 “Pastoral”: V. Allegretto, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto: “O Freunde, nicht diese Töne” - Allegro assai: “Freude, schöner Götterfunken” - Andante maestoso - Allegro energico, sempre ben marcato
Gioachino Rossini conductor Il Barbiere di Siviglia: Act I. No. 1 Cavatina "Ecco, ridente in cielo" (Conte), Il Barbiere di Siviglia: Act I. No. 1 Introduzione "Piano, pianissimo" (Fiorello, Conte, suonatori), Il Barbiere di Siviglia: Act I. No. 1 Recitativo "Gente indiscreta!" (Conte, Fiorello), Il Barbiere di Siviglia: Act I. No. 1 Seguito dell'Introduzione "Ehi, Fiorello" (Conte, Fiorello, suonatori), Il Barbiere di Siviglia: Act I. No. 2 Recitativo "Ah, ah! che bella vita!" (Figaro, Conte, Bartolo), Il Barbiere di Siviglia: Act I. No. 3 Canzone "Se il mio nome saper voi bramate" (Conte, Rosina, Figaro), Il Barbiere di Siviglia: Act I. No. 3 Recitativo "Oh cielo!...Nella stanza convien dir" (Conte, Figaro), Il Barbiere di Siviglia: Act I. No. 4 Duetto "All'idea di quel metallo" (Figaro, Conte), Il Barbiere di Siviglia: Act I. No. 4 Recitativo "Evviva il mio padrone!" (Fiorello), Il Barbiere di Siviglia: Sinfonia, Il barbiere di Siviglia: Act I, No. 9 Finale I "Ehi, di casa! ... buona genta" (Conte, Bartolo, Rosina, Figaro, Berta, Basilio), Il barbiere di Siviglia: Act I, No. 9 Finale I "Mi par d'esser con la testa" (Tutti), Il barbiere di Siviglia: Act I, No. 9 Finale I "Questa bestia di soldato" (Bartolo, Figaro, Basilio, Berta, Conte, Rosina, Ufficiale, coro), Il barbiere di Siviglia: Act I. No. 5 Cavatina "Una voce poco fa" (Rosina), Il barbiere di Siviglia: Act I. No. 5 Recitativo "Sì, sì, la vincerò... Oh buon dì, signorina! ... Ah, disgraziato Figaro! ... Ah! ... Qua Don Basilio!" (Rosina, Figaro, Bartolo, Basilio), Il barbiere di Siviglia: Act I. No. 6 Aria "La calunnia è un venticello" (Basilio), Il barbiere di Siviglia: Act I. No. 6 Recitativo "Ah! che ne dite? ... Ma bravi! ma benone!" (Basilio, Bartolo, Figaro, Rosina), Il barbiere di Siviglia: Act I. No. 7 Duetto "Dunque io son... tu non m'inganni? (Rosina, Figaro), Il barbiere di Siviglia: Act I. No. 7 Recitativo "Ora mi sento meglio" (Rosina, Bartolo), Il barbiere di Siviglia: Act I. No. 8 "Brontola quanto vuoi" (Rosina), Il barbiere di Siviglia: Act I. No. 8 Aria "A un dottor della mia sorte" (Bartolo), Il barbiere di Siviglia: Act II Recitativo "Ma vedi il mio destino!" (Bartolo), Il barbiere di Siviglia: Act II, No. 10 Duetto "Pace e gioia sia con voi" (Conte, Bartolo), Il barbiere di Siviglia: Act II, No. 10 Recitativo "Insomma, mio signore, chi è lei" (Bartolo, Conte, Rosina), Il barbiere di Siviglia: Act II, No. 11 Aria "Contro un cor che accende amore" (Rosina, Conte), Il barbiere di Siviglia: Act II, No. 11 Recitativo "Bella voce! Bravissima" (Conte, Rosina, Bartolo), Il barbiere di Siviglia: Act II, No. 12 Arietta "Quando mi sei vicina" (Bartolo), Il barbiere di Siviglia: Act II, No. 12 Recitativo "Bravo, signor barbiere" (Bartolo, Figaro, Rosina, Conte), Il barbiere di Siviglia: Act II, No. 13 "Orsù, signor Don Bartolo" (Figaro, Bartolo, Conte, Rosina), Il barbiere di Siviglia: Act II, No. 13 Quintetto "Don Basilio!" (Rosina, Conte, Figaro, Bartolo, Basilio), Il barbiere di Siviglia: Act II, No. 13 Recitativo "Ah! disgraziato me!" (Bartolo, Ambrogio, Berta), Il barbiere di Siviglia: Act II, No. 14 Aria "Il vecchiotto cerca moglie" (Berta), Il barbiere di Siviglia: Act II, No. 14 Recitativo "Dunque voi Don Alonso non conoscete affatto?" (Bartolo, Basilio, Rosina), Il barbiere di Siviglia: Act II, No. 15 Recitativo "Alfine, eccoci qua" (Figaro, Conte, Rosina), Il barbiere di Siviglia: Act II, No. 15 Temporale, Il barbiere di Siviglia: Act II, No. 16 Recitativo "Ah, disgraziati noi! come si fa?" (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale), Il barbiere di Siviglia: Act II, No. 16 Terzetto "Ah! qual colpo inaspettato! ..." (Rosina, Figaro, Conte), Il barbiere di Siviglia: Act II, No. 17 Recitativo strumentato "Il Conte! ... ah! che mai sento!" (Bartolo, Conte), Il barbiere di Siviglia: Act II, No. 18 Aria "Cessa di più resistere" (Conte, soldati), Il barbiere di Siviglia: Act II, No. 18 Recitativo "Insomma, io ho tutti i torti" (Bartolo, Figaro, Basilio, Rosina, Conte), Il barbiere di Siviglia: Act II, No. 19 Finaletto II: "Di sì felice innesto" (Figaro, tutti), La Cenerentola: Atto I. "Allegrissimamente" (Dandini), La Cenerentola: Atto I. "Conciossiacosacché" (Coro), La Cenerentola: Atto I. "Date lor mezzo scudo" (Clorinda), La Cenerentola: Atto I. "Là del ciel nell'arcano profondo" (Alidoro), La Cenerentola: Atto I. "Ma bravo, bravo, bravo" (Dandini), La Cenerentola: Atto I. "Miei rampolli femminini" (Magnifico), La Cenerentola: Atto I. "No, no, no: non v'è" (Clorinda), La Cenerentola: Atto I. "Noi Don Magnifico" (Magnifico), La Cenerentola: Atto I. "Non so che dir" (Ramiro), La Cenerentola: Atto I. "O figlie amabili" (Coro), La Cenerentola: Atto I. "Ora sono da voi" (Dandini), La Cenerentola: Atto I. "Sappiate che fra poco" (Clorinda), La Cenerentola: Atto I. "Scegli la sposa..." - "Come un'ape" (Coro, Dandini), La Cenerentola: Atto I. "Signore, una parola" (Cenerentola), La Cenerentola: Atto I. "Sì, tutto cangerà" (Alidoro), La Cenerentola: Atto I. "Tutto è deserto" (Ramiro), La Cenerentola: Atto I. "Un tantin di carità" (Alidoro), La Cenerentola: Atto I. "Una volta c'era un re" (Cenerentola), La Cenerentola: Atto I. "Una volta c'era..." - "Un soave non so che" (Cenerentola, Ramiro), La Cenerentola: Atto II. "Ah! questa bella incognita" (Ramiro), La Cenerentola: Atto II. "Ah, signor, s'è ver che in petto" (Cenerentola), La Cenerentola: Atto II. "Dunque noi siam burlate?" (Tisbe), La Cenerentola: Atto II. "Ma dunque io son un ex" (Dandini), La Cenerentola: Atto II. "Ma ve l'avevo detto" (Clorinda), La Cenerentola: Atto II. "Mi par che quei birbanti" (Magnifico), La Cenerentola: Atto II. "Scusate, amici" (Dandini), La Cenerentola: Atto II. "Sia qualunque delle figlie" (Magnifico), La Cenerentola: Atto II. "Siete voi?" (Ramiro), La Cenerentola: Atto II. "Sì, ritrovarla io giuro" (Ramiro), La Cenerentola: Atto II. "Un segreto d'importanza" (Dandini), La Cenerentola: Atto II. "Una volta c'era un re" (Cenerentola), La Cenerentola: Atto II. Temporale, La Cenerentola: Finale I. "Ah! se velata ancor" (Coro), La Cenerentola: Finale I. "Principino, dove siete?" (Clorinda), La Cenerentola: Finale I. "Signor... Altezza, è in tavola" (Magnifico), La Cenerentola: Finale I. "Venga, inoltri, avanzi il pie'" (Coro), La Cenerentola: Finale I. "Zitto, zitto: piano, piano" (Ramiro), La Cenerentola: Finale II. "Della Fortuna instabile" (Coro), La Cenerentola: Finale II. "Non più mesta" (Cenerentola), La Cenerentola: Overture, La Cenerentola: Sinfonia, William Tell, Act 1 Scene 1: Il piccol legno ascendi, William Tell, Act 1 Scene 1: Oh! quale alta d'intorno, William Tell, Act 1 Scene 1: È il ciel sereno, seren il giorno, William Tell, Act 1 Scene 2: Al fremer del torrente, William Tell, Act 1 Scene 3: Contro l'ardor del giorno, William Tell, Act 1 Scene 4: Il mio giuro, egli disse?, William Tell, Act 1 Scene 5: Arresta! Quali sguardi!.., William Tell, Act 1 Scene 6: Delle antiche virtudi l'esempio rinnovate, William Tell, Act 1 Scene 6: Il sol che intorno splende, William Tell, Act 1 Scene 6: O smania!, William Tell, Act 1 Scene 8: Cinto il crine di bei fiori, William Tell, Act 1 Scene 8: Gloria e onore al giovinetto, William Tell, Act 1 Scene 8: Pas de six, William Tell, Act I Scene 11: Che sento!.. ohimè!, William Tell, Act I Scene 11: Ciò ch'ei fece l'oserebbe, William Tell, Act I Scene 11: Nume pietoso, Dio di bontà!, William Tell, Act I Scene 8: Ecco là, tremante, e reggendosi appena, William Tell, Act II Scene 1: Qual silvestre metro intorno, William Tell, Act II Scene 2: S'allontanano alfine!, William Tell, Act II Scene 2: Selva opaca, deserta brughiera, William Tell, Act II Scene 3: Ciel! Guglielmo! Gualtiero! Dio!, William Tell, Act II Scene 3: Se il mio giungere t'oltraggia, William Tell, Act II Scene 3: Tutto apprendi, o sventurato, William Tell, Act II Scene 4: Allor che scorre de' forti il sangue, William Tell, Act II Scene 4: Confuso da quel bosco, William Tell, Act II Scene 6: De' prodi, ascolta, è già compiuto il patto, William Tell, Act II Scene 6: Domo, o ciel, da un stranier, William Tell, Act II Scene 7: Giuriam, giuriam pei nostri danni..., William Tell, Act II Scene 7: La valanga che volve dalla cima dei monti, William Tell, Act III Scene 1: Ah! se privo di speme è l'amore, William Tell, Act III Scene 1: Arnoldo! e d'onde nasce, William Tell, Act III Scene 2: Ballabile di soldati, William Tell, Act III Scene 2: Gloria al poter supremo!, William Tell, Act III Scene 2: Quell' agil piè ch'egual non ha, William Tell, Act III Scene 3: Corri alla madre, William Tell, Act III Scene 3: Inchinati, superbo, William Tell, Act III Scene 3: Quel fasto m'offende, William Tell, Act III Scene 3: Resta immobile, e vêr la terra, William Tell, Act III Scene 3: Vittoria! vittoria!, William Tell, Act III Scene 4: ...è il suo destin segnato, William Tell, Act III Scene 4: Anàtema a Gessler, William Tell, Act IV Scene 10: Tutto cangia, il ciel si abbella, William Tell, Act IV Scene 1: Non mi lasciare, o speme di vendetta, William Tell, Act IV Scene 1: muto asil del pianto, William Tell, Act IV Scene 3: Resta omai! ah, ti perde il duolo, William Tell, Act IV Scene 4: E per partire i nostri mali estremi, William Tell, Act IV Scene 4: Sottratto a orribil nembo, William Tell, Act IV Scene 5: Tu che l'appogio del debol sei, William Tell, Act IV Scene 6: Io lo vidi, io lo vidi!, William Tell, Act IV Scene 7: Io ti rivedo, William Tell: Overture
Giacomo Puccini conductor ...e Kate rispose al Re, Ah!... Affé, madamigella, All'armi! All'armi!, Ansia eterna, crudel, Ave, sera gentil, Che ceffi son costor?...Sulla vetta tu del monte erri, Cortese damigella, Crisantemi, Di sedur la sorellina è il momento, Discendono, vediam!, Dispettosetto questo riccio!, Donna non vidi mai, Fra le tue braccia, amore, Intermezzo, L'amor? l'amor?!, La Bohème, La Bohème, opera: O soave fanciulla, La Bohème: Act I. "Che gelida manina" (Rodolfo), La Bohème: Act I. "Chi è la?! - Scusi" (Rodolfo, Mimi), La Bohème: Act I. "Io resto per terminar l'articolo di fondo" (Rodolfo), La Bohème: Act I. "Legna! - Sigari! - Bordò!" (Rodolfo, Marcello, Colline), La Bohème: Act I. "O soave fanciulla" (Rodolfo), La Bohème: Act I. "Pensier profondo!" (Colline), La Bohème: Act I. "Questo Mar Rosso mi ammollisce e assidera" (Marcello), La Bohème: Act I. "Si può?" (Benoit), La Bohème: Act I. "Si sente meglio?" (Rodolfo), La Bohème: Act I. "Sì. Mi chiamano Mimi" (Mimi), La Bohème: Act II. "Aranci, datteri, caldi i marroni!" (Venditori), La Bohème: Act II. "Chi guardi?" (Rodolfo), La Bohème: Act II. "Chi l'ha richiesto?" (Colline), La Bohème: Act II. "Oh! - Essa! - Musetta!" (Rodolfo, Schaunard, Colline, Marcello), La Bohème: Act II. "Quando me n'vò" (Musetta), La Bohème: Act II. "Viva Parpignol!" (Fanciulli, fanciulle), La Bohème: Act III. "Donde lieta uscì al tuo grido d'amore" (Mimi), La Bohème: Act III. "Dunque è proprio finita!" (Rodolfo), La Bohème: Act III. "Marcello. Finalmente!" (Rodolfo), La Bohème: Act III. "Mimi! - Speravo di trovarvi qui" (Marcello, Mimi), La Bohème: Act III. "Mimì è tanto malata" (Rodolfo), La Bohème: Act III. "Mimì è una civetta" (Rodolfo), La Bohème: Act III. "Ohè, là, la guardie! Aprite!" (Spazzaturai), La Bohème: Act III. "Sa dirmi, scusi, qual'è l'osteria" (Mimi), La Bohème: Act IV. "C'è Mimì!" (Musetta), La Bohème: Act IV. "Che avvien? - Nulla. Sto bene" (Schaunard, Mimi), La Bohème: Act IV. "Gavotta! - Minuetto! - Pavanella! - Fandango!" (Colline, Marcello, Rodolfo, Schaunard), La Bohème: Act IV. "In un coupé?" (Marcello), La Bohème: Act IV. "O Mimì, tu più non torni" (Rodolfo), La Bohème: Act IV. "Sono andati? Fingevo di dormire" (Mimi), La Bohème: Act IV. "Vecchia zimarra, senti" (Colline), La bohème: Act I. "Sì, mi chiamano Mimì" (Mimi, Rodolfo, Schaunard, Colline, Marcello), La tua Proserpina, La tua ventura ci rassicura, Lescaut? Tu qui?, Ma bravo!...Festeggiam la searta!, Manon Lescaut: Act II. "In quelle trine morbide" (Manon), Manon Lescaut: Atto I. "Cortese Damigella", Manon Lescaut: Atto II. "Ah! Affé, madamigella", Manon Lescaut: Atto III. "Fra le tue braccia, amore", Manon Lescaut: Atto III. "Manon, senti, amor mio", Manon Lescaut: Atto III. "Rosetta!", Manon Lescaut: Atto III. "Sei tu che piangi?", Manon Lescaut: Atto III. "Tutta su me ti posa", Manon Lescaut: Intermezzo, Manon, senti, amor mio, Minuetto, Non c'è più vino?, Oh, sarò la più bella!, Paga costor!, Poichè tu vuoi saper, Presto! In fila!, Rosetta, Sei tu che piangi?, Senti, di qui partiamo,,, Ah! Manon, mi tradisce, Sola, perduta, abbandonata, Tra voi, belle, brune e bionde, Turandot: Act I. A Reprive, Princess!, Oh, Heavenly Beauty!, Turandot: Act I. Black, Dogs!, Turandot: Act I. Do Not Weep, Liu!, Turandot: Act I. Father! My Father!, Turandot: Act I. For the Last Time, Please!, Turandot: Act I. My Lord, Hear Me!, Turandot: Act I. Night Without a Glimmer, Turandot: Act I. Oh, So Young! A Reprive!, Turandot: Act I. Over on the Eastern Mountains, Turandot: Act I. People of Peking!, Turandot: Act I. Silence There!, Turandot: Act I. Stop! What Are You Doing?, Turandot: Act I. Turn the Grindstone!, Turandot: Act I. What Are You Doing, My Son?, Turandot: Act I. Why Does the Moon Delay?, Turandot: Act II, Scene I. Farewell, Love! Farewell, Race of Men!, Turandot: Act II, Scene I. Ho There, Pang!, Turandot: Act II, Scene I. I Have a House in Honan, Turandot: Act II, Scene I. Listen to the Trumpets! Peace Indeed!, Turandot: Act II, Scene I. O China, Now Always Startled, Turandot: Act II, Scene I. O World, Full of Madmen in Love!, Turandot: Act II, Scene I. To Our Great Good Fortune There Is No Longer, Turandot: Act II, Scene II. A Terrible Oath Binds Me, Turandot: Act II, Scene II. Grave, Huge and Imposing, Turandot: Act II, Scene II. May Our Emperor Live Ten Thousand Years!, Turandot: Act II, Scene II. No, Proud Princess, Turandot: Act II, Scene II. O Princess, Who With Vast Caravans, Turandot: Act II, Scene II. People of Peking!, Turandot: Act II, Scene II. Proposto, Turandot: Act II, Scene II. Son of Heaven!, Turandot: Act II, Scene II. The First Answer - Yes! 'Tis Born Again!, Turandot: Act II, Scene II. The First Riddle - Stranger, Listen, Turandot: Act II, Scene II. The Second Answer - Yes, Princess!, Turandot: Act II, Scene II. The Second Riddle - It Kindles Like a Flame, Turandot: Act II, Scene II. The Third Answer - My Victory Now Gives, Turandot: Act II, Scene II. The Third Riddle Which Gives You Fire, Turandot: Act II, Scene II. We Prostrate Ourselves at Thy Feet, Turandot: Act II, Scene II. Within This Palace, Turandot: Act III, Scene I. By Order of Turandot, Turandot: Act III, Scene I. Do Not Seek a Greater Victory!, Turandot: Act III, Scene I. Great Princess!, Turandot: Act III, Scene I. I Know Your Name!, Turandot: Act III, Scene I. I Shall Not Speak, My Lord!, Turandot: Act III, Scene I. Liu! Get Up!, Turandot: Act III, Scene I. Liu, So Good! Liu, So Gentle!, Turandot: Act III, Scene I. No Man Shall Sleep!, Turandot: Act III, Scene I. Princess of Death!, Turandot: Act III, Scene I. Stranger, You've No Idea, Turandot: Act III, Scene I. Tear the Secret From Her!, Turandot: Act III, Scene I. What Gives Your Heart Such Courage, Turandot: Act III, Scene I. What Is Happening to Me?, Turandot: Act III, Scene I. You Who Are Girdled With Ice, Turandot: Act III, Scene I. You Who Contemplate the Stars, Turandot: Act III, Scene I. Your Glory Shines in the Magic, Turandot: Act III, Scene II. May Our Emperor Live Ten Thousand Years, Turandot: Act III, Scene II. Noble Father, Tutta su me ti posa, Vedete? Io son fedele
川村ケン conductor Alone, op. 26 (excerpts): Altai, Alone, op. 26 (excerpts): Barrel organ, Alone, op. 26 (excerpts): Calm after the storm, Alone, op. 26 (excerpts): Galop, Alone, op. 26 (excerpts): In Kuzmina's hut, Alone, op. 26 (excerpts): March, Alone, op. 26 (excerpts): March. The street, Alone, op. 26 (excerpts): School children, Storm scene, Alone, op. 26 (excerpts): Snow storm, Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Formazioni, Fuga ricercata à 6 from The Musical Offering, BWV 1079, Hamlet, op. 116 (excerpts): Ball, Hamlet, op. 116 (excerpts): Ball at the castle, Hamlet, op. 116 (excerpts): In the garden, Hamlet, op. 116 (excerpts): Introduction, Hamlet, op. 116 (excerpts): Military music, Hamlet, op. 116 (excerpts): Palace music, Hamlet, op. 116 (excerpts): Scene of the poisoning, Pirogov, op. 76a: Finale, Pirogov, op. 76a: Scherzo, Sofia Perovskaya, op. 132: Waltz, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in D: II. Kräftig bewegt, doch nicht du schnell, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: IX. Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VII. Poco adagio: Waldung, sie schwankt heran, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VIII. Ewiger Wonnebrand, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVI. Komm! Komm!, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, Tahiti Trot (Tea for Two), op. 16, The Counterplan, op. 33 (excerpts): Presto, The Counterplan, op. 33 (excerpts): The song of the counterplan, The Great Citizen, op. 55: Funeral March, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), The Story of the Silly Little Mouse, Tuning Up
キララ conductor A Faust Symphony: I. Faust, A Faust Symphony: II. Gretchen, Academic Festival Overture, op. 80, Apollon musagète: Apothéose, Apollon musagète: Coda: Apollon et les Muses, Apollon musagète: Naissance d’Apollon, Apollon musagète: Pas de deux: Apollon et Terpsichore, Apollon musagète: Pas d’action: Apollon et les trois Muses, Clliope, Polyhymnie et Terpsichore, Apollon musagète: Variation de Calliope (l’Alexandrin), Apollon musagète: Variation de Polymnie, Apollon musagète: Variation de Terpsichore, Apollon musagète: Variation d’Aplollon: Apollon et les Muses, Apollon musagète: Variation d’Apollon, Danse (Tarantelle styrienne), Daphnis et Chloé, Deuxième partie : I. Introduction, Daphnis et Chloé, Deuxième partie : II. Danse guerrière, Daphnis et Chloé, Deuxième partie : III. Scène – Danse suppliante de Chloé, Daphnis et Chloé, Première partie : I. Introduction et danse religieuse, Daphnis et Chloé, Première partie : II. Scène – Danse générale, Daphnis et Chloé, Première partie : III. Danse grotesque de Dorcon – Scène, Daphnis et Chloé, Première partie : IV. Danse légère et gracieuse de Daphnis, Daphnis et Chloé, Première partie : V. Scène – Danse de Lyceion – Scène (les pirates), Daphnis et Chloé, Première partie : VI. Scène – Danse lente et mystérieuse, Daphnis et Chloé, Troisième partie : I. Lever du jour – Scène, Daphnis et Chloé, Troisième partie : II. Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé, Troisième partie : III. Danse générale, Eine florentinische Tragödie: Ouvertüre, Götterdämmerung, WWV 86d: Tagesgrauen und Siegfrieds Rheinfahrt, Jeu de cartes: Deuxième donne: Musique d’introduction (alla breve), Marche, Variation des quatre reines, Variation du valet de cœur, Coda (più mosso), Reprise de la marche et danse d’ensemble, Jeu de cartes: Première donne: Musique d’introduction, Pas d’action, Danse du joker, Petite valse, Jeu de cartes: Troisiéme donne: Musique d’introduction (alle breve), Valse, Presto (Combat des piques et des cœurs), Danse finale (Triomphe des cœurs), Kammermusik no. 1, op. 24 no. 1: I. Sehr schnell und wild, Kammermusik no. 1, op. 24 no. 1: II. Mäßig schnell Halbe, Kammermusik no. 1, op. 24 no. 1: III. Quartett: Sehr langsam und mit Ausdruck, Kammermusik no. 1, op. 24 no. 1: IV. Finale 1921: Lebhaft, Khamma, L’Oiseau de feu (Suite): Berceuse: L’Oiseau de feu, L’Oiseau de feu (Suite): Danse des princesses, L’Oiseau de feu (Suite): Danse infernal du roi Kachtchei, L’Oiseau de feu (Suite): Finale, L’Oiseau de feu (Suite): Introduction, L’Oiseau de feu (Suite): L’Oiseau de feu et sa danse, L’Oiseau de feu (Suite): Pantomime I, L’Oiseau de feu (Suite): Pantomime II, L’Oiseau de feu (Suite): Pantomime III, L’Oiseau de feu (Suite): Pas de deux: L’Oiseau de feu et Ivan Tsarévitch, L’Oiseau de feu (Suite): Tone des princesses (Khorovod), Petrouchka: Apparition des maques, Petrouchka: Apparition du double de Petrouchka, Petrouchka: Chez Petrouchka, Petrouchka: Chez le Maure, Petrouchka: Danse des cochers, Petrouchka: Danse des nourrices, Petrouchka: Danse russe, Petrouchka: Fête populaire de la Semaine grasse, Petrouchka: Fête populaire de la Semaine grasse (vers le soir), Petrouchka: La police et le charlatan, Petrouchka: La rixe: le Maure et Petrouchka, Petrouchka: Le montreur d’ours avec sa bête, Petrouchka: Mort de Petrouchka, Petrouchka: Un marchand fêtard avec deux tziganes, Petrouchka: Valse, Scheherazade: The Sea and Sinbad's Ship, Scheherazade: The Sea; the Ship Goes to Pieces on a Rock, Scheherazade: The Tale of the Kalender Prince, Scheherazade: The Young Prince and the Young Princess, Scherzo Fantastique, op. 3, Symphony No. 2: I. Ziemlich schnell, Symphony No. 2: II. Adagio: Feierlich, etwas bewegt, Symphony No. 2: III. Scherzo: Schnell - Trio, Symphony No. 2: IV. Finale: Mehr schnell, Symphony No. 5 in B-flat major: I. Adagio - Allegro, Symphony No. 5 in B-flat major: II. Adagio: Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo: Molto vivace - Trio, Symphony No. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato, Symphony No. 6 in A major: I. Maestoso, Symphony No. 6 in A major: II. Adagio: Sehr feierlich, Symphony No. 6 in A major: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony No. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo: Allegro moderato, Symphony No. 8 in C minor: III. Adagio - feierlich langsam; doch nicht schleppend, Symphony No. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich, misterioso, Symphony No. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony No. 9 in D minor: III. Adagio: Langsam, feierlich, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in F major, op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in E-flat major “Romantic”: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major “Romantic”: II. Andante quasi allegretto, Symphony no. 4 in E-flat major “Romantic”: III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major “Romantic”: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Tahiti Trot, Tahiti Trot, op. 19
Katharina Groll conductor Academic Festival Overture, Op. 80: Allegro, Hungarian Dances, No. 10: Presto (F Major), Hungarian Dances, No. 1: Allegro molto (G Minor), Hungarian Dances, No. 3: Allegretto (F Major), Intermezzo, Op. 116, No. 4: Adagio, Intermezzo, Op. 117, No. 1: Andante moderato, Liebeslieder-Walzer, Op. 52, No. 11: Nein, es ist nicht auszukommen, Liebeslieder-Walzer, Op. 52, No. 1: Rede, Mädchen, allzuliebes, Liebeslieder-Walzer, Op. 52, No. 2: Am Gesteine rauscht die Flut, Liebeslieder-Walzer, Op. 52, No. 4: Wie des Abends schöne Röte, Liebeslieder-Walzer, Op. 52, No. 5: Die grüne Hopfenranke, Liebeslieder-Walzer, Op. 52, No. 6: Ein kleiner, hübscher Vogel nahm den Flug, Liebeslieder-Walzer, Op. 52, No. 8: Wenn so lind dein Auge mir, Liebeslieder-Walzer, Op. 52, No. 9: Am Donaustrande, da steht ein Haus, Liebeslieder-Walzer, Op. 65, No. 9: Nagen am Herzen fühl ich ein Gift mir, Symphonie No. 1 in C Minor, Op. 68: II. Andante (original first performance version), Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto, allegro, Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C Minor, Op. 68: IV. Adagio, allegro non troppo, ma con brio, Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino), presto ma non assai, Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in F Major, Op. 90: I. Allegro con brio, un poco sostenuto, Symphony No. 3 in F Major, Op. 90: II. Andante, Symphony No. 3 in F Major, Op. 90: III. Poco allegretto, Symphony No. 3 in F Major, Op. 90: IV. Allegro, Symphony No. 4 in E Minor, Op. 98: Alternative opening, Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E Minor, Op. 98: II. Andante moderato, Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato, Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso – Allegro molto vivace, Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto, Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo: Molto vivace – Trio I: Molto piu vivace – Trio II, Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso, Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo, Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace, Symphony no. 2 in C major, op. 61: III. Adagio espressivo, Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace, Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft, Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig, Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell, Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich, Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft-Schneller, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam, Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam-Lebhaft-Schneler-Presto, Tragic Overture, Op. 81: Allegro ma non troppo, Variations on a Theme by Joseph Haydn, Op. 56a: Finale: Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Tema: Chorale St. Antoni, andante, Variations on a Theme by Joseph Haydn, Op. 56a: Var. 1: Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Var. 2: Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Var. 3: Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Var. 4: Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Var. 5: Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Var. 6: Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Var. 7: Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Var. 8: Presto non troppo
Jules Massenet conductor Werther: Act I Interlude Orchestral (Clair de lune), Werther: Act I “Alors, c'est bien ici”, Werther: Act I “Assez! Assez! M'écoutera-t-on cette fois?”, Werther: Act I “Elle m'aime...elle pense à moi" - Quelle prière de reconnaissance et d'amour”, Werther: Act I “Il faut nous séparer" - "Ah! Pourvu que je voie ces yeux”, Werther: Act I “Jésus vient de naître!”, Werther: Act I “Mais vous ne savez rien de moi" - "Mon âme a reconnu votre âme" - "Vous avez dit vrai!”, Werther: Act I “O spectacle idéal d'amour et d'innocence”, Werther: Act I “Rêve! Extase! Bonheur!" - "Charlotte! Charlotte!”, Werther: Act I “Si vous l'aviez connue”, Werther: Act I “Sophie!" / "Albert!”, Werther: Act II Prelude, Werther: Act II “Ah! qu'il est loin ce jour plein d'intime douceur”, Werther: Act II “Ai-je dit vrai?”, Werther: Act II “Frère, voyez le beau bouquet!”, Werther: Act II “Lorsque l'enfant revient d'un voyage avant l'heure”, Werther: Act II “Mais celle qui devint ma femme" - "Vous l'avez dit, mon âme est loyale”, Werther: Act II “Si Käthchen reviendra”, Werther: Act II “Trois mois! Voici trois mois que nous sommes unis!”, Werther: Act II “Un autre est son époux!”, Werther: Act II “Vivat Bacchus! Semper vivat!”, Werther: Act II “Werther!...N'est-il donc pas”, Werther: Act III Prélude, Werther: Act III “Ah! Moi! Moi! Dans ses bras!”, Werther: Act III “Ah! mon courage m'abandonne!”, Werther: Act III “Bonjour, grande soeur!”, Werther: Act III “Des cris joyeux d'enfants”, Werther: Act III “N'achevez pas! Hélas!”, Werther: Act III “Oui, c'est moi!”, Werther: Act III “Toute mon âme est là!”, Werther: Act III “Va! Laisse couler mes larmes”, Werther: Act III “Werther est de retour”, Werther: Act III “Werther! Werther...qui m'aurait dit la place”, Werther: Act IV “Ah! Ses yeux se ferment..”, Werther: Act IV “Et moi, Werther, et moi je t'aime!”, Werther: Act IV “La Nuit de Noël” (orchestre), Werther: Act IV “Non...Charlotte...je meurs...oui...”, Werther: Act IV “Noël! Noël! Noël!”, Werther: Act IV “Qui parle?”, Werther: Act IV “Werther!...Rien!..”, Werther: Je ne sais si je veille ... O nature, Werther: Pourquoi me réveiller, Werther: Prélude
Игорь Фёдорович Стравинский conductor Petrushka: Part I, No. 1a. "The Shrove-tide Fair", Petrushka: Part I, No. 1b. "The Crowds", Petrushka: Part I, No. 1c. "The Charlatan's Booth", Petrushka: Part I, No. 1d. "Russian Dance", Petrushka: Part II, No. 2. "Petrushka's Room", Petrushka: Part III, No. 3a. "The Moor's Room", Petrushka: Part III, No. 3b. "Dance of the Ballerina", Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor), Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening), Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses", Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear", Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls", Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms", Petrushka: Part IV, No. 4f. "The Masqueraders", Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death), Pulcinella: Allegro, Pulcinella: Allegro - Alla breve, Pulcinella: Allegro - Alla breve: "Con queste paroline" (bass), Pulcinella: Allegro assai, Pulcinella: Allegro: "Nce sta quaccuna po" (soprano) - "Una te fa la zemprece" (tenor), Pulcinella: Ancora poco meno: "Contento forse vivere" (soprano), Pulcinella: Andante: "Sento dire no'nce pace" (soprano, tenor, bass), Pulcinella: Andantino, Pulcinella: Andantino: "Se tu m'ami" (soprano), Pulcinella: Gavotta con due variazioni, Pulcinella: Ouverture: Allegro moderato, Pulcinella: Presto: "Una te fa la zemprece" (tenor), Pulcinella: Scherzino: Allegro, Pulcinella: Serenata: Larghetto: "Mentre l'erbetta" (tenor), Pulcinella: Tarantella, Pulcinella: Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor, bass), Pulcinella: Vivo, The Firebird (L'oiseau de feu) - Suite: Final Hymn
Gustav Mahler conductor Bach Suite: I. Overture, Bach Suite: II. Rondeau - Badinerie, Bach Suite: III. Air, Bach Suite: IV: Gavottes I and II, Das klagende Lied: I. Waldmärchen, Das klagende Lied: II. Der Spielmann, Das klagende Lied: III. Hochzeitsstück, Des Knaben Wunderhorn: I. Der Schildwache Nachtlied, Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?, Des Knaben Wunderhorn: III. Der Tamboursg'sell, Des Knaben Wunderhorn: IV. Das irdische Leben, Des Knaben Wunderhorn: IX. Rheinlegendchen, Des Knaben Wunderhorn: V. Verlor'ne Müh', Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt, Des Knaben Wunderhorn: VII. Urlicht, Des Knaben Wunderhorn: VIII. Revelge, Des Knaben Wunderhorn: X. Lob des hohen Verstands, Des Knaben Wunderhorn: XI. Trost im Unglück, Des Knaben Wunderhorn: XII. Wo die schönen Trompeten blasen, Des Knaben Wunderhorn: XIII. Lied des Verfolgten im Turm, Des Knaben Wunderhorn: XIV. Das himmlische Leben, Symphony no. 3 in D minor: I. Kräftig - Entschieden, Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig., Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso: "Oh Mensch! Gib acht!", Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm bamm ... Es sungen drei Engel", Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich: Das himmlische Leben
Arnold Schönberg conductor Gurrelieder: Part I. Du sendest mir einen Liebesblick (Tove), Gurrelieder: Part I. Du wunderliche Tove! (Waldesmar), Gurrelieder: Part I. Es ist Mittenachtszeit (Waldemar), Gurrelieder: Part I. Nun dämpft die Dämm'rung (Waldemar), Gurrelieder: Part I. Nun sag ich dir zum ersten Mal (Tove), Gurrelieder: Part I. O, wenn des Mondes Strahlen (Tove), Gurrelieder: Part I. Roß! Mein Roß! (Waldemar), Gurrelieder: Part I. So tanzen die Engel vor Gottes Thron nicht (Waldemar), Gurrelieder: Part I. Sterne jubeln (Tove), Gurrelieder: Part I. Tauben von Gurre! (Stimme der Waldtaube), Gurrelieder: Part I. Vorspiel (Orchester), Gurrelieder: Part I. Zwischenspiel (Orchester), Gurrelieder: Part II. Herrgott, weißt du, was du tatest (Waldemar), Gurrelieder: Part III. "Ein seltsamer Vogel ist so'n Aal ..." (Klaus-Narr), Gurrelieder: Part III. Deckel des Sarges klappert (Bauer), Gurrelieder: Part III. Der Hahn erhebt den Kopf zue Kraht (Waldemars Mannen), Gurrelieder: Part III. Des Sommerwindes wilde Jagd. Herr Gänsefuß, Frau Gänsekraut, Gurrelieder: Part III. Des Sommerwindes wilde Jagd. Seht die Sonne (Chor), Gurrelieder: Part III. Des Sommerwindes wilde Jagd. Vorspiel (Orchester), Gurrelieder: Part III. Du strenger Richter droben (Waldemar), Gurrelieder: Part III. Erwacht, König Waldemars Mannen wert! (Waldemar), Gurrelieder: Part III. Gegrüßt, o König (Waldemars Mannen), Gurrelieder: Part III. Mit Toves Stimme flüstert der Wald (Waldemar), Verklärte Nacht, op. 4
Laurenzo Tozzi conductor An American in Paris, Cuban Overture, Four Norwegian Moods: I. Intrada, Four Norwegian Moods: II. Song, Four Norwegian Moods: III. Wedding Dance, Four Norwegian Moods: IV. Cortège, Le Sacre du printemps: Action rituelle des ancêtres, Le Sacre du printemps: Cercles mystérieux des adolescentes, Le Sacre du printemps: Cortège du sage, Le Sacre du printemps: Danse Sacrale: l’élue, Le Sacre du printemps: Danse de la terre, Le Sacre du printemps: Glorification de l’élue, Le Sacre du printemps: Introduction, Le Sacre du printemps: Jeu du rapt, Le Sacre du printemps: Jeux des cités, Le Sacre du printemps: Les augures printaniers, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Rondes printanières, Le Sacre du printemps: Évocation des ancêtres, Lullaby, Romeo and Juliet, Fantasy Overture
Ruggero Leoncavallo conductor Pagliacci: "Si può? Si può?", Pagliacci: Arlecchin!- Colombina!, Pagliacci: Cammina adagio e li sorprenderai, Pagliacci: Decidi il mio destin, Pagliacci: Di fare il segno convenuto appressa l'istante, Pagliacci: E allor perché, di', Pagliacci: Intermezzo, Pagliacci: Introduzione, Pagliacci: Nedda! Silvio, a quest'ora, che imprudenza..., Pagliacci: No, pagliaccio non son, Pagliacci: Noin mi tentar!, Pagliacci: Ohè! ... Ohè! Presto, affrettiamoci, Pagliacci: Pagliaccio mio marito, Pagliacci: Qual fiamma ayea nel guardo! ... Stridono lassù, Pagliacci: Recitar! ... Vesti la giubba, Pagliacci: Sei là! Credea che te ne fossi andato, Pagliacci: Son quai Ritornano..., Pagliacci: Un grande spettacolo a ventitré ore, Pagliacci: Un tal gioco, credeterni, Pagliacci: Versa il filtro ne la tazza sua, Pagliacci: | zampognani! ... Don, din, don
SHADY DOLLS conductor Dance for Burgess, Density 21.5, Déserts: 1st Episode, Déserts: 1st interpolation of organized sound, Déserts: 2nd episode, Déserts: 2nd interpolation, Déserts: 3rd episode, Déserts: 3rd interpolation, Déserts: 4th episode, Ecuatorial, Hyperprisme, Intégrales, Ionisation, Octandre: I. Assez lent, Octandre: II. Très vif et nerveux, Octandre: III. Grave - Animé et jubilatoire, Offrandes: I. Chanson de là-haut, Offrandes: II. La Croix du Sud
Giuseppe Verdi conductor Act One - 5. E'il sol dell'anima, Act Two - 6. Parla...siam soli.., Ave Maria in B minor, Gualtier Maldè... Caro nome - Rigoletto, I Vespri siciliani, opera (Les vêpres siciliennes): Mercè, dilette amiche, Laudate Pueri in D major, Messa Solenne 1835 (Messa di Gloria) in E flat major: 1. Kyrie, Messa Solenne 1835 (Messa di Gloria) in E flat major: 2. Christe, Messa Solenne 1835 (Messa di Gloria) in E flat major: 3. Kyrie, Messa Solenne 1835 1835 (Messa di Gloria) in E flat major: 4. Gloria in excelsis, Messa Solenne 1835 1835 (Messa di Gloria) in E flat major: 5. Qui Tollis, Messa Solenne 1835 1835 (Messa di Gloria) in E flat major: 6. Cum Sancto, Messa da Rossini - 1869 Version - Libera Me, Domine, Pater Noster in G major, Qui Tollis in F major, Tantum Ergo in F major, Tantum Ergo in G major (1836)
Niranjana Ramanan conductor Konzert Nr. 1 d-Moll, BWV 1052, 1. Allegro, Konzert Nr. 1 d-Moll, BWV 1052, 2. Adagio, Konzert Nr. 1 d-Moll, BWV 1052, 3. Allegro, Konzert Nr. 2 E-Dur, BWV 1053, 1. Allegro, Konzert Nr. 2 E-Dur, BWV 1053, 2. Siciliano, Konzert Nr. 2 E-Dur, BWV 1053, 3. Allegro, Konzert Nr. 3 D-Dur, BWV 1054, 1. Allegro, Konzert Nr. 3 D-Dur, BWV 1054, 2. Adagio e piano sempre, Konzert Nr. 3 D-Dur, BWV 1054, 3. Allegro, Konzert Nr. 4 A-Dur, BWV 1055, 1. Allegro, Konzert Nr. 4 A-Dur, BWV 1055, 2. Larghetto, Konzert Nr. 4 A-Dur, BWV 1055, 3. Allegro ma non troppo, Konzert Nr. 5 f-Moll, BWV 1056, 1. Allegro, Konzert Nr. 5 f-Moll, BWV 1056, 2. Largo, Konzert Nr. 5 f-Moll, BWV 1056, 3. Presto
Joseph Calleja conductor Cilea - Adrianna Lecouvreur: La dolcissima effigie, Cilea - l'Arlesiana: Lamento di Federico "È la solita storia", Donizetti - Lucia di Lammermoor: Oh meschina, Donizetti - Lucia di Lammermoor: Tombe degli avi miei... Fra poco a me ricovero, Donizetti - Lucia di Lammermoor: Tu che a Dio spiegasti l'ali, Donizetti - l'Elisir d'amour: Quanto è bella, Puccini - Madama Butterfly: Addio fiorito asil, Verdi - La Traviata: Lunga de lei ... De' miei bollenti spiriti, Verdi - La Traviata: O mio rimorso, Verdi - Macbeth: O figli, o figli miei ... Ah, la paterna mano, Verdi - Rigoletto: Duca, duca!, Verdi - Rigoletto: Ella mi fu rapita ... parmi veder le lagrime, Verdi - Rigoletto: La donna è mobile, Verdi - Rigoletto: Possente amor mi chiama, Verdi - Rigoletto: Questa o quella
Il Civetto conductor Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia: a. Maestoso con moto, Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia: b. Allegro, Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia: c. Allegretto un poco agitato, Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia: d. Adagio religioso, Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": II. "Alles was Odem hat, lobe den Herrn", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": III. a. "Saget es, die ihr erlöst seid", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": III. b. "Er zählet unsre Tränen", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": IV. "Sagt es, die ihr erlöset seid", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": IX. "Drum sing ich mit meinem Liede", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": V. "Ich harrete des Herrn", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VI. "Stricke des Todes hatten uns umfangen", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VII. "Die Nacht ist vergangen", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VIII. "Nun danket alle Gott", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": X. "Ihr Völker! bringet her dem Herrn"
Luciano Pavarotti conductor Come un bel dì di maggio, Rigoletto, Opera: Act 1. Scene 1.: Della Mia Bella Incognita Borghese, Rigoletto, Opera: Act 1. Scene 1.: Questa o Quella Per Me Pari Sono, Rigoletto, Opera: Act 1. Scene 2.: Che M'Ami, Deh, Ripetimi, Rigoletto, Opera: Act 2.: Ella Mi Fu Rapita!, Rigoletto, Opera: Act 2.: Possente Amor Mi Chiama, Rigoletto, Opera: Act 3.: Bella Figlia Dell'Amore, Rigoletto, Opera: Act 3.: La Donna È Mobile, Rigoletto, Opera: Act 3.: Un Di, Se Bel Rammentomi, Rigoletto: Questa o quella, Suzel buon di
Leo Nucci conductor Rigoletto, Opera: Act 1. Scene 2.: Ah! Veglia, o Donna, Rigoletto, Opera: Act 1. Scene 2.: Figlia!... Mio Padre!, Rigoletto, Opera: Act 1. Scene 2.: Pari Siamo!, Rigoletto, Opera: Act 1. Scene 2.: Quel Vecchio Maledivami!, Rigoletto, Opera: Act 1. Scene 2.: Riedo!... Perchè?, Rigoletto, Opera: Act 2.: Cortigiani, Vil Razza Dannata, Rigoletto, Opera: Act 3.: Della Vendetta Alfin Giunge L'Istante!, Rigoletto, Opera: Act 3.: E L'Ami?, Rigoletto, Opera: Act 3.: Venti Scudi Hai Tu Detto?
Alban Berg conductor Seven Early Songs: I. Nacht, Seven Early Songs: II. Schilflied, Seven Early Songs: III. Die Nachtigall, Seven Early Songs: IV. Traumgekrönt, Seven Early Songs: V. Im Zimmer, Seven Early Songs: VI. Liebesode, Seven Early Songs: VII. Sommertage
Richard Wagner conductor Die Meistersinger von Nürenberg, WWV 96: Vorspiel, Die Walküre - Walkürenritt - 'Apocalypse Now', Die Walküre, WWV 86b: Der Ritt der Walküren, Götterdämmerung, WWV 86d: Trauermusic beim Tode Siegfrieds, Lohengrin, WWV 75: Vorspiel (3. Akt), Tannhäuser, WWV 70: Bacchanal, Tannhäuser, WWV 70: Overtüre
The Soul Muppets conductor Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo, Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo, Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato, Piano Concerto no. 2 in B-flat major, op. 83: III. Andante, Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
Farhad-Sajid conductor Rigoletto, Opera: Act 1. Scene 2.: Giovanni, Ho Dei Rimorsi, Rigoletto, Opera: Act 1. Scene 2.: Gualtier Maldè... Caro Nome, Rigoletto, Opera: Act 1. Scene 2.: Zitti, Zitti, Rigoletto, Opera: Act 2.: Mio Padre!... Tutte Le Feste Al Tempio, Rigoletto, Opera: Act 3.: Ah, Più Non Ragiono, Rigoletto, Opera: Act 3.: V'Ho Ingannato, Colpevole Fui
Ira Noltze conductor Divertimento – Le baiser de la fée: I. Sinfonia, Divertimento – Le baiser de la fée: II. Danses Suisses, Divertimento – Le baiser de la fée: III. Scherzo, Divertimento – Le baiser de la fée: IV. Pas de deux, Suite for Small Orchestra No. 1: Andante – Napolitana – Española – Balalaika, Suite for Small Orchestra No. 2: March – Waltz – Polka – Galop
Umberto Giordano conductor Andrea Chénier: Act I. "Colpito qui m'avete... Un dì all'azzurro spazio", Andrea Chénier: Act III. "Sì, fui soldato... Passa la vita mia", Andrea Chénier: Colpito qui m'avete… Un dì all'azzurro spazio, Andrea Chénier: Come un bel dì di maggio, Andrea Chénier: Sì, fui soldato
Def J conductor Symphony no. 10 in F-sharp major: I. Adagio, Symphony no. 10 in F-sharp major: III. Purgatorio, Symphony no. 10 in F-sharp major: IV. Scherzo, Symphony no. 10 in F-sharp major: V. Finale
Пётр Ильич Чайковский conductor Manfred Symphony, op. 58: I. Lento lugubre, Manfred Symphony, op. 58: II. Vivace con spirito, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco
James McMillan conductor Des Knaben Wunderhorn: Das himmlische Leben, Des Knaben Wunderhorn: Verlor'ne Muh, Die Nachtigall from Sieben frühe Lieder
Joe Casano conductor Rigoletto, Opera: Act 1. Scene 1.: Gran Nuova! Gran Nuova!, Rigoletto, Opera: Act 2.: Duca, Duca!, Rigoletto, Opera: Act 2.: Povero Rigoletto
A. Smith conductor Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (feat. horn: Jakob Slagter), Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro
Kiri Te Kanawa conductor Manon Lescaut: Act II. "Oh, sarò la più bella!...Tu, tu, amore tu", Manon Lescaut: Act III. "Sola, perduta, abbandonata" (Manon)
Сергей Сергеевич Прокофьев conductor Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: VI. Field of the Dead
Kills Roots conductor Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden
Jeff Uusitalo conductor Rigoletto, Opera: Prelude
Adept conductor Rigoletto: 'Gaultier Maldè!... Caro nome'
Ludwig van Beethoven conductor Symphony No. 8 in F major, Op. 93: 2. Allegretto scherzando
Luke Martin conductor Symphony no. 8 in E-flat major: II-xi. "Blicket auf zum Retterblick"
MATTN conductor Symphony no. 8 in E-flat major: II-x. "Komm! Komm!"
Martha Argerich conductor Piano Concerto No. 3 in D minor, Op. 30 - III. Finale: Alla breve
Max Bruch conductor Violin Concerto no. 1 in G minor - 3rd movement
Motel Brothers conductor Symphony no. 8 in E-flat major: II-ix. "Neige, neige, du Ohnegleiche"
Nathan Lee Graham conductor Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig
Nehuda conductor Symphony no. 8 in E-flat major: II-i. Poco adagio "Waldung, sie schwant heran"
Jaycee conductor Symphony no. 4 in G major: IV. Sehr behaglich "Das himmlische Leben"
P.S. conductor Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Resistance Place conductor Andrea Chénier: Vicino a te s'acqueta
Jake Howsam Lowe conductor Symphony no. 8 in E-flat major: II-v. "Uns bleibt ein Erdenrest"
Rolf Ludwig conductor Symphony no. 10 in F-sharp major: II. Scherzo
György Déri conductor Il Turco in Italia. Sinfonia
Las Bibas From Vizcaya conductor Symphony no. 8 in E-flat major: II-viii. "Bei der Liebe, die den Fussen"
STUD conductor Il Signor Bruschino: Overtüre
Sameer Anjaan conductor Rigoletto, Opera: Act 2.: Schiudete, Ire Al Carcere
Sputnik conductor Symphony no. 8 in E-flat major: II-iv. "Gerettet ist das edle Glied"
Stephen Taranto conductor Symphony no. 8 in E-flat major: II-vi. "Höchste Herrscherin der Welt"
D-Skee conductor Andrea Chénier: Act III. Aria "La mamma morta" (Maddalena)
Sébastien Cloutier conductor La bohème: O soave fanciulla
Claude Debussy conductor Danse
Too Hon conductor Symphony no. 2 in C minor: IV. Sehr feierlich aber schlicht "O Röschen rot! Der Mensch liegt in grösster Not!"
Billie Jewel conductor Symphony no. 3 in D minor: I. Kräftig. Entschieden
Zenobia Powell Perry conductor Romance from "The Gadfly"
Дмитрий Дмитриевич Шостакович conductor The Gadfly, Op. 97:The Market Place
Betsy Sims conductor Vioolconcert Op. 64: III. Allegro molto vivace
Aron Scarlet conductor Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso "O mensch, gib acht"
杉浦太陽 conductor A Faust Symphony: III. Mephistopheles - Final Chorus
Ann Hjort conductor Symphony no. 8 in E-flat major: II-ii. "Ewiner Wonnebrand"
倉田“MASAKI”雅貴 conductor Msa glagolskaja: VII. Allegro (organ solo)
Alecxis Ferri conductor Symphony no. 8 in E-flat major: II-vii. "Dir, der Unberührbaren"
Greg Metcalf conductor Rigoletto, Opera: Act 1. Scene 1.: Ch'Io Gli Parli