City of Birmingham Symphony Orchestra

performing orchestra

Top collaborators

Artist name Roles Recordings
Benny Greb
Cempopoloah (black metal)
Gavin Ghee
Toksyny
Die Matzingers

Work on other artists' recordings

Artist name Roles Recordings
Benny Greb performing orchestra 5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, A Celebration of some 100 x 150 notes, Ad Lib on Nippon, Alborada del gracioso, An American Overture, op. 27, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Barcarola per grande orchestra, Bluebeard's Castle - The Lake of Tears, Boléro, Chamber Symphony no. 1: First Movement [excerpt], Ciaccona sinfonica: I. Allegro, Ciaccona sinfonica: II. Andante sostenuto, Ciaccona sinfonica: III. Gigue, Come Sunday, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece), Decoration Day (conclusion), Dream/Window, Drowned Out, Drowned Out (excerpt), End Title, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Et exspecto ressurrectionem mortuorum (4th movement opening), Fanfare pour "L'Éventail de Jeanne", Flourish with Fireworks, op. 22, Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Fünf Stücke für Orchester (nos. 3 - 5), Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, Harlem (A Tone Parallel to Harlem), From "Far East Suite", Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale, Henry V Theme / The Boar’s Head, Holidays Symphony: Decoration Day (conclusion), In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Isfahan, Jeux, Jeux (conclusion), Joie du sang des étoiles (Turangalîla-symphonie - 5th movement), Kai, Klavierkonzert a-moll, op. 16: III. Allegro moderato molto e marcato, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Maybe, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Momentum, Music for Strings, Percussion and Celesta: II. Allegro, Music for strings, percussion and celesta (2nd movement - opening), Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Opening Title / ‘O! For a Muse of Fire’, Pagodes from Estampes, Pan and Syrinx: Pastorale, op. 49, Passacaglia, op. 4, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Piano Quartet no. 1 in G minor, op. 25: I. Allegro, Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo, Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto, Rhapsody in Blue (opening), Scherzo à la Russe, Scherzo à la Russe (for jazz band), Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -, Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -, Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo, Solitude in Transblucency, Something to Live For, Sophisticated Lady, St. Crispin’s Day / The Battle of Agincourt, Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale, Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden), Symphonic Dances From West Side Story (excerpt), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt, Symphonie Nr. 7: II. Ruhig bewegt, Symphonie Nr. 7: III. Unablässig in Bewegung, Symphonie Nr. 7: IV. Ruhig, verhalten, Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphonie no. 3 "Lied der Nacht": Beginn des 1. Satzes, Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony in Three Movements: III. Con moto, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (excerpt), Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening), Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 4, op. 29: Allegro, Symphony no. 4, op. 29: Poco adagio quasi andante, Symphony no. 4, op. 29: Poco allegretto, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 6 in D minor: III. Poco vivace, Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto, Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante, Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio, Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto, Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione), Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo), Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E minor “Song of the Night”: III. Scherzo. Schattenhaft, fließend aber nicht schnell (excerpt), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 70 in D, Hob. I:70: I. Vivace con brio, Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante), Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio, Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio), Symphony no. 7: 3rd Movement (opening), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus), Symphony no. 8: 2nd Movement (conclusion), Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai, Symphony no. 90 in C, Hob. I:90: II. Andante, Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio, Symphony no. 90 in C, Hob. I:90: IV. Finale, Take the "A" Train, That Doo-Wah Thing, The Chairman Dances - Foxtrot for Orchestra, The Chairman Dances: Foxtrot for Orchestra, The Death of Bardolph, The Death of Falstaff, The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul, semi-chorus, chorus), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to His Name!... Take me away (Angel, Soul, chorus), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: There was a mortal... Praise to the holiest (Angel, semi-chorus, chorus, Soul), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Firebird (conclusion), The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (conclusion), The Rite of Spring, Part II (The Sacrifice): Sacrificial Dance, The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls, The Threat to the Governor of Harfleur / Katherine of France / The March to Calais, The Three Traitors, The Warriors, The Wooing of Katherine, Things Ain't What They Used to Be, Three Occasions for Orchestra: A Celebration of Some 100 X 150 Notes, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Two Fanfares: 2. Short Ride in a Fast Machine, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, West Side Story: Symphonic Dances, You're the One, Young Person´s Guide to the Orchestra: Fugue (Allegro molto), Zeitgestalten: III ♩ = 80, ‘Let This Acceptance Take’, ‘Non Nobis, Domine’, ‘Now, Lords, for France!’, ‘Once More Unto the Breach’, ‘The Day Is Yours’, ‘Upon the King’
Cempopoloah performing orchestra Enigma Variations: I. C.A.E. (the composer's wife), Enigma Variations: II. H.D.S-P. (Hew David Steuart-Powell), Enigma Variations: III. R.B.T. (Richard Baxter Townshend), Enigma Variations: IV. W.M.B. (William Meath Baker), Enigma Variations: IX. Nimrod (A.J. Jaeger), Enigma Variations: Theme, Enigma Variations: V. R.P.A. (Richard Penroes Arnold), Enigma Variations: VI. Ysobel (Isabel Fitton), Enigma Variations: VII. Troyte (Troyte Griffith), Enigma Variations: X. Intermezzo: Dorabella (Dora Penny), Enigma Variations: XI. G.R.S. (George Robertson Sinclair), Enigma Variations: XII. B.G.N. (Basil G. Nevinson), Enigma Variations: XIII. Romanza: *** (Lady Mary Lygon), Enigma Variations: XIV. Finale: E.D.U. (the composer), Falstaff, symphonic study in C minor, op. 68: I. Falstaff and Prince Henry, Falstaff, symphonic study in C minor, op. 68: II. Dream Interlude, Falstaff, symphonic study in C minor, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep, Falstaff, symphonic study in C minor, op. 68: III. Falstaff's march – The return through Gloucestershire, Falstaff, symphonic study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard – The new king – The hurried ride to London, Falstaff, symphonic study in C minor, op. 68: IV. King Henry V's progress – The repudiation of Falstaff, and his death, Grania and Diarmid: I. Incidental Music, Grania and Diarmid: II. Funeral March, Odyssey: Epilogue, Odyssey: Introduction, Odyssey: Part I, Odyssey: Part II, Odyssey: Part III, Odyssey: Part IV, Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso, Scene With Cranes, op. 44 no. 2, Symphonic Dances from West Side Story: Mambo, Symphony no. 1 in E minor, op. 39: I. Allegro, Ma Non Troppo - Allegro Energico, Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento, Symphony no. 1 in E minor, op. 39: III. Scherzo - Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (Andante - Allegro molto), Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato), Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato - Presto, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105: I Adagio, Symphony no. 7 in C major, op. 105: II. Un pochettino meno adagio - Vivacissimo - Adagio, Symphony no. 7 in C major, op. 105: III. Allegro molto moderato -, Symphony no. 7 in C major, op. 105: IV. Vivace - Presto - Adagio, The Oceanides, op. 73
Gavin Ghee performing orchestra Finlandia, op. 26 no. 7, In Autumn, Concert Overture Op. 11: Andante - allegro agitato - allegro marcato e maestoso, Karelia Suite, op. 11: I. Intermezzo. Moderato, Karelia Suite, op. 11: II. Ballade - Tempo di menuetto, Karelia Suite, op. 11: III. Alla marcia - Moderato, Peer Gynt Suite no. 1, op. 46: I. Morning Mood, Peer Gynt Suite no. 1, op. 46: II. Åse's Death, Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance, Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite no. 1: Anitra's Dance, Peer Gynt Suite no. 1: Morning, Peer Gynt Suite no. 2, op. 55: I. The Abduction (Ingrid's Lament), Peer Gynt Suite no. 2, op. 55: II. Arabian Dance, Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Journey Home (A Stormy Evening on the Coast), Peer Gynt Suite no. 2, op. 55: IV. Solveig's Song, Pohjola’s Daughter, op. 49, Symphonic Dances, op. 64: No. 1 in G major. Allegro moderato e marcato, Symphonic Dances, op. 64: No. 2 in A major. Allegretto grazioso, Symphonic Dances, op. 64: No. 3 in D major. Allegro giocoso, Symphonic Dances, op. 64: No. 4 in A minor. Andante - allegro molto e risoluto, Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo, Allegro - Lento, Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una Fantasia), Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Finale - Allegro moderato, Symphony no. 2 in D major, op. 43: IV. Finale - Allegro moderato [extract], Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Trauermarsch, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato (ma poco stretto) Presto - Più presto, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105: I. Adagio - Vivacissimo - Adagio - Allegro molto moderato - Vivace - Presto - Adagio, Tapiola, op. 112, The Bard, op. 64
Toksyny performing orchestra Coriolan, op. 62: Overture. Allegro con brio, Extracts from Rehearsals: Symphony no. 10: Allegro, Extracts from Rehearsals: Symphony no. 6: IV & V, Overture to Die Geschöpfe des Prometheus, op. 43: Adagio. Allegro molto con brio, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 10: I. Andante - Allegro - Andante (realized and completed by Barry Cooper), Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in E-flat major, op. 55: I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55: II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55: III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55: IV. Finale: Allegro molto, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegro, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5: Allegro con brio (extract), Symphony no. 6 in F major, op. 68 "Pastorale": I. Awakening of Happy Feelings Upon Arrival in the Country. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastorale": II. Scene by the Brook. Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastorale": III. Merry Gathering of the Peasants. Allegro, Symphony no. 6 in F major, op. 68 "Pastorale": IV. Thunderstorm. Allegro, Symphony no. 6 in F major, op. 68 "Pastorale": V. Shepherd's Song: Happy and Grateful Feelings After the Storm. Allegretto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III: Adagio molto e cantabile
Die Matzingers performing orchestra Piano Concerto in D for the Left Hand: Allegro -, Piano Concerto in D for the Left Hand: Lento - Cadenza - Allegro, Piano Concerto in D for the Left Hand: Lento - Più lento - Andante, Piano Concerto in G: I. Allegramente, Piano Concerto in G: II. Adagio assai, Piano Concerto in G: III. Presto, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: I. Andante sostuento, Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: III. Presto, Piano concerto, No. 2 in C minor, Op. 18: II. Adagio sostenuto (excerpt), Rhapsody on a Theme of Paganini, op. 43: Introduction: Allegro vivace / Variation I: Precedente, Rhapsody on a Theme of Paganini, op. 43: Thema / Variation II: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation III: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation IV: Più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation IX: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation V: Tempo precedente, Rhapsody on a Theme of Paganini, op. 43: Variation VI: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato, Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo I, Rhapsody on a Theme of Paganini, op. 43: Variation X (crotchet = crotchet), Rhapsody on a Theme of Paganini, op. 43: Variation XI: Moderato, Rhapsody on a Theme of Paganini, op. 43: Variation XII: Tempo di menuetto, Rhapsody on a Theme of Paganini, op. 43: Variation XIII: Allegro, Rhapsody on a Theme of Paganini, op. 43: Variation XIV: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation XIX: A tempo vivace, Rhapsody on a Theme of Paganini, op. 43: Variation XV: Più vivo, scherzando, Rhapsody on a Theme of Paganini, op. 43: Variation XVI: Allegretto, Rhapsody on a Theme of Paganini, op. 43: Variation XVII: (crotchet = dotted crotchet), Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile, Rhapsody on a Theme of Paganini, op. 43: Variation XX: Un poco più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation XXI: Un poco più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation XXII: Un poco più vivo (alla breve), Rhapsody on a Theme of Paganini, op. 43: Variation XXIII: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation XXIV: A tempo un poco meno mosso - Più vivo, Rhapsody on a theme of Paganini: Variation 18
Karol Szymanowski performing orchestra Król Roger: Act I. "Boże pobłogosław Panie praodwieczny", Król Roger: Act I. "Czyś słyszał?", Król Roger: Act I. "Hagios! Hagios!", Król Roger: Act I. "Mój Bóg jest piękny jako ja", Król Roger: Act I. "Niech odejdzie Pasterz", Król Roger: Act I. "Oto bluźnierca!", Król Roger: Act I. "W jego uśmiechu!", Król Roger: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!", Król Roger: Act II. "A ...!...Roksana! Jej śpiew!", Król Roger: Act II. "Kto śmie mój czar łańcuchem pętać rabów?", Król Roger: Act II. "Ktoś mglisty przeszedł między strażą!", Król Roger: Act II. "Niepokój bladych gwiazd", Król Roger: Act II. "O przychodzę sam, jako kazałeś, Królu", Król Roger: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie", Król Roger: Act II. "Tajemnych głębin życia żar wszechmocną", Król Roger: Act II. (Orchestra), Król Roger: Act II. Dance of the Shepherd's followers, Król Roger: Act II. Roxana's Entrance. "A...! W radosnym tańcu", Król Roger: Act III. "Edrisi, już świt!", Król Roger: Act III. "Na sąd, na sąd staw się Królu", Król Roger: Act III. "Rogerze! Rogerze!", Król Roger: Act III. "Syć ofiarny", Król Roger: Act III. "Słońce! Słońce! Edrisi!", Król Roger: Act III. "Wokół martwota głazów", Król Roger: Act III. (Orchestra), Król Roger: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!", Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro, Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly, Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare), Symphony no. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!), Symphony no. 3 "Song of the Night": II. Vivace, scherzando, Symphony no. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...)
Ross Macdonald performing orchestra A Symphony of Psalms: I. Exaude, orationem meam, Domine, A Symphony of Psalms: II. Expectans (1948) expectavi Dominum, A Symphony of Psalms: III. Alleluiua! Laudate Dominum, Der Rosenkavalier Suite, Ein Heldenleben, Op. 40: Der Held (The Hero), Ein Heldenleben, Op. 40: Des Helden Friedenswerke (The Hero's Works of Peace), Ein Heldenleben, Op. 40: Des Helden Gefährtin (The Hero's Companion), Ein Heldenleben, Op. 40: Des Helden Walstatt (The Hero at Battle), Ein Heldenleben, Op. 40: Des Helden Weltflucht und Vollendung (The Hero's Retirement from this World and Consummation), Ein Heldenleben, Op. 40: Des Helden Widersacher (The Hero's Adversaries), The Firebird: 1st TABLEAU. Night. The Enchanted Garden of Kashchey, The Firebird: 2nd TABLEAU. Disappearance of Kashchey’s Palace and Magical Creations, Return to Life of the Petrif, The Firebird: Appearance of the Firebird, The Firebird: Appearance of the Firebird, Pursued by Prince Ivan, The Firebird: Appearance of the Thirteen Enchanted Princesses, The Firebird: Arrival of Kashchey the Immortal, The Firebird: Capture of the Firebird by Prince Ivan, The Firebird: Dance of Kashchey’s Retinue, Enchanted by the Firebird., The Firebird: Dance of the Firebird, The Firebird: Daybreak, The Firebird: Dialogue of Kashchey and Prince Ivan, The Firebird: Infernal Dance of all Kashchey’s Subjects, The Firebird: Intercession of the Princesses, The Firebird: Introduction, The Firebird: Kashchey Awakens, The Firebird: Kashchey’s Death, The Firebird: Khorovod (Round Dance) of the Princesses, The Firebird: Magic Carillon, Appearance of Kashchey’s Monster Guardians, and Capture of Prince Ivan, The Firebird: Prince Ivan Penetrates Kashchey’s Palace, The Firebird: Profound Darkenss, The Firebird: Sudden Appearance of Prince Ivan, The Firebird: The Firebird’s Lullaby, The Firebird: The Firebird’s supplications, The Firebird: The Princesses’ Game With the Golden Apples. Scherzo
Benjamin Britten performing orchestra "Praise We Great Men" for Voices, Chorus and Orchestra: I., "Praise We Great Men" for Voices, Chorus and Orchestra: II., "Praise We Great Men" for Voices, Chorus and Orchestra: III., 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce), 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato), 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato), 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo), Canadian Carnival, op. 19, Occasional Overture in C major, Op.38, Scottish Ballad for 2 Pianos and Orchestra, Op.26, The Young Person's Guide to the Orchestra, op. 34: I. Theme: Allegro maestoso e largamente, The Young Person's Guide to the Orchestra, op. 34: II. Variation 1 (Flutes and piccolo), The Young Person's Guide to the Orchestra, op. 34: III. Variation 2 (Oboes): Lento, The Young Person's Guide to the Orchestra, op. 34: IV. Variation 3 (Clarinets): Moderato, The Young Person's Guide to the Orchestra, op. 34: IX. Variation 8 (Double basses): Comminciando lento ma poco a poco accel. al Allegro, The Young Person's Guide to the Orchestra, op. 34: V. Variation 4 (Bassoons): Allegro alla marcia, The Young Person's Guide to the Orchestra, op. 34: VI. Variation 5 (Violins): Brillante, alla polacca, The Young Person's Guide to the Orchestra, op. 34: VII. Variation 6 (Violas): Meno mosso, The Young Person's Guide to the Orchestra, op. 34: VIII. Variation 7 (Cellos), The Young Person's Guide to the Orchestra, op. 34: X. Variation 9 (Harp): Maestoso, The Young Person's Guide to the Orchestra, op. 34: XI. Variation 10 (Horns): L'istesso tempo, The Young Person's Guide to the Orchestra, op. 34: XII. Variation 11 (Trumpets): Vivace, The Young Person's Guide to the Orchestra, op. 34: XIII. Variation 12 (Trombones and bass tuba): Allegro pomposo, The Young Person's Guide to the Orchestra, op. 34: XIV. Variation 13 (Percussion): Moderato, The Young Person's Guide to the Orchestra, op. 34: XV. Fugue: Allegro moderato, War Requiem, op. 66: Sanctus (Excerpt), War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus
Sir Michael Tippett performing orchestra A Child of Our Time, Part Two: A Spiritual: Nobody knows..., A Child of Our Time, Part Two: Chorus of the Self-Righteous: We cannot have them..., A Child of Our Time, Part Two: Double Chorus of Persecutors and Persecuted: Away with them..., A Child of Our Time, Part Two: Scena: Oh my son!..., A Child of Our Time, Part Two: The Narrator: And a time came..., A Child of Our Time, Part Two: The Narrator: Where they could..., A star rises in mid-winter, And the boy's mother, Burn down their houses!, Deep River, Go down, Moses, How can I cherish..., I have no money..., I would know my shadow and my light, Is evil then good?, Man has measured the heavens..., Men were ashamed, My dreams are all shattered..., Now in each nation..., O, by an by, Steal Away, The boy becomes desperate in his agony, The cold deepens, The dark forces rise like a flood, The soul of man..., The words of wisdom..., The world turns on it's dark side, They took a terrible vengeance, What have I done to you..., When shall the usurer's city ease
Hiraeth performing orchestra Diversions for Piano Left Hand and Orchestra, op. 21: II. Variation 1: Recitative, Diversions for Piano Left Hand and Orchestra, op. 21: III. Variation 2: Romance, Diversions for Piano Left Hand and Orchestra, op. 21: IV. Variation 3: March, Diversions for Piano Left Hand and Orchestra, op. 21: IX. Variation 8: Burlesque, Diversions for Piano Left Hand and Orchestra, op. 21: V. Variation 4: Arabesque, Diversions for Piano Left Hand and Orchestra, op. 21: VI. Variation 5: Chant, Diversions for Piano Left Hand and Orchestra, op. 21: VII. Variation 6: Nocturne, Diversions for Piano Left Hand and Orchestra, op. 21: VIII. Variation 7: Badinerie, Diversions for Piano Left Hand and Orchestra, op. 21: X. Variation 9a: Toccata 1 - Variation 9b: Toccata 2, Diversions for Piano Left Hand and Orchestra, op. 21: XI. Variation 10: Adagio, Diversions for Piano Left Hand and Orchestra, op. 21: XII. Finale: Tarantella, Diversions for Piano Left-hand and Orchestra, op. 21: I. Theme, Piano Concerto No. 1, Sz 83: I. Allegro Moderato - Allegro - Allegro Moderato, Piano Concerto No. 1, Sz 83: II. Andante, Piano Concerto No. 1, Sz 83: III. Allegro Molto, Piano Concerto No. 2, Sz 95: I. Allegro, Piano Concerto No. 2, Sz 95: II. Adagio - Presto - Adagio, Piano Concerto No. 2, Sz 95: III. Allegro Molto, Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly) : 1. Allegretto, Piano Concerto No. 3, Sz 119: I. Allegretto, Piano Concerto No. 3, Sz 119: II. Adagio Religioso - Poco Più Mosso - Tempo I, Piano Concerto No. 3, Sz 119: III. Allegro Vivace
Sergio Avil performing orchestra Carnival of the Animals: I. Introduction and Royal March of the Lion, Carnival of the Animals: II. Hens and Cocks, Carnival of the Animals: III. Wild Asses, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. Cuckoo in the Heart of the Wood, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. The Aquarium, Carnival of the Animals: VIII. Persons with Long Ears, Carnival of the Animals: X. The Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Symphonic Poem, Op. 40 "Danse Macabre" (feat. violin: Felix Kok), Symphony no. 3 in C minor, op. 78 "Organ": I. Adagio - Allegro moderato - Poco adagio, Symphony no. 3 in C minor, op. 78 "Organ": II. Allegro moderato - Maestoso - Allegro, The Carnival of the Animals
Susanne Braumann performing orchestra Aditus, Divertimento for Orchestra: I. Sennets and Tuckets, Divertimento for Orchestra: II. Waltz, Divertimento for Orchestra: III. Mazurka, Divertimento for Orchestra: IV. Samba, Divertimento for Orchestra: V. Turkey Trot, Divertimento for Orchestra: VI. Sphinxes, Divertimento for Orchestra: VII. Blues, Divertimento for Orchestra: VIII. In Memoriam - March "The BSO Forever", Exodus, Symphonic Dances From West Side Story: VIII. Finale, Symphonic Dances from West Side Story: I. Prologue, Symphonic Dances from West Side Story: II. Somewhere, Symphonic Dances from West Side Story: III. Scherzo, Symphonic Dances from West Side Story: IV. Mambo, Symphonic Dances from West Side Story: V. Cha-Cha, Symphonic Dances from West Side Story: VI. Meeting Scene, Symphonic Dances from West Side Story: VII. Rumble
Beathoven performing orchestra Meeresstille und glücklich Fahrt, op. 27: II. Glückliche Fahrt, Symphony no. 2, op. 52, “Hymn of Praise”: 10a. Chorus: “Ye nations, offer to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 10b. Chorus: “O give thanks to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 1a. Sinfonia: Maestoso con moto - Allegro, Symphony no. 2, op. 52, “Hymn of Praise”: 1b. Sinfonia: Allegretto un poco agitato, Symphony no. 2, op. 52, “Hymn of Praise”: 1c. Sinfonia: Adagio religioso, Symphony no. 2, op. 52, “Hymn of Praise”: 2a. Chorus: “All men, all things…”, Symphony no. 2, op. 52, “Hymn of Praise”: 2b. Soprano: “Praise thou the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 3a. Recitativo: Tenor: “Sing ye praise”, Symphony no. 2, op. 52, “Hymn of Praise”: 3b. Tenor: “He counteth all your sorrows…”, Symphony no. 2, op. 52, “Hymn of Praise”: 4. Chorus: “All ye that cried unto the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 5. Soprano: “I waited for the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 6a. Tenor: “The sorrows of death had closed…”, Symphony no. 2, op. 52, “Hymn of Praise”: 6b. Tenor: “We called thro' the darkness…”, Symphony no. 2, op. 52, “Hymn of Praise”: 7. Chorus: “The night is departing”, Symphony no. 2, op. 52, “Hymn of Praise”: 8a. Chorus: “Let all men praise the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 8b. Chorus: “Glory and praise to God”, Symphony no. 2, op. 52, “Hymn of Praise”: 9. Tenor: “My song shall alway be Thy mercy”
Bleach Everything performing orchestra Africa, op. 89, Allegro appassionato, op. 70, Piano Concerto no. 1 in D major, op. 17: I. Andante - Allegro assai, Piano Concerto no. 1 in D major, op. 17: II. Andante sostenuto quasi adagio, Piano Concerto no. 1 in D major, op. 17: III. Allegro con fuoco, Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto, Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: III. Presto, Piano Concerto no. 3 in E-flat major, op. 29: I. Moderato assai - Più mosso (Allegro maestoso), Piano Concerto no. 3 in E-flat major, op. 29: II. Andante, Piano Concerto no. 3 in E-flat major, op. 29: III. Allegro non troppo, Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato, Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace, Piano Concerto no. 5 in F major, op. 103: I. Allegro animato, Piano Concerto no. 5 in F major, op. 103: II. Andante - Allegretto tranquillo quasi andantino - Andante, Piano Concerto no. 5 in F major, op. 103: III. Molto allegro, Rapsodie d'Auvergne, op. 73, Wedding Cake, op. 76
The Mighty Trini performing orchestra Capriccio Brillant in B minor, op. 22, Piano Concerto no. 1 in E minor: I. Allegro patetico, Piano Concerto no. 1 in E minor: II. Scherzo. Molto vivace - Andante con moto, quasi allegretto - Tempo I, Piano Concerto no. 1 in E minor: III. Cavatina. Larghetto amoroso, Piano Concerto no. 1 in E minor: IV. Rondo. Tempo giusto, Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco -, Piano Concerto no. 1 in G minor, op. 25: II. Andante -, Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro e vivace, Piano Concerto no. 2 in D minor, op. 40: I. Allegro appassionato -, Piano Concerto no. 2 in D minor, op. 40: II. Adagio: Molto sostenuto -, Piano Concerto no. 2 in D minor, op. 40: III. Finale. Presto scherzando, Piano Concerto no. 4 in F minor, op. 82: I. Allegro patetico, Piano Concerto no. 4 in F minor, op. 82: II. Intermezzo. Allegretto molto tranquillo, Piano Concerto no. 4 in F minor, op. 82: III. Lento, mesto, Piano Concerto no. 4 in F minor, op. 82: IV. Allegro con fuoco, Rondo Brilliant in E-flat major, op. 29, Serenade and Allegro giocoso in B minor, op. 43
Red Bandit performing orchestra Incidental Music to “A Midsummer Night's Dream”, op. 61: 1. Scherzo (After the end of the first act). Allegro vivace, Incidental Music to “A Midsummer Night's Dream”, op. 61: 11. A Dance of Clowns. Allegro di molto, Incidental Music to “A Midsummer Night's Dream”, op. 61: 3. Song with Chorus. Allegro ma non troppo, Incidental Music to “A Midsummer Night's Dream”, op. 61: 5. Intermezzo (After the end of the second act). Allegro appassionato - Allegro molto comodo, Incidental Music to “A Midsummer Night's Dream”, op. 61: 7. Notturno (After the end of the fourth act). Allegro vivace, Incidental Music to “A Midsummer Night's Dream”, op. 61: 9. Wedding March (After the end of the fourth act). Allegro vivace, Incidental Music to “A Midsummer Night's Dream”, op. 61: Finale. Allegro di molto - Un poco ritardando - A tempo I. Allegro molto, Incidental Music to “A Midsummer Night's Dream”, op. 61: Overture (op. 21). Allegro di molto - [ ] - Tempo I - Poco ritenuto, Symphony no. 4 in A major, op. 90 "Italian": Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": Saltarello. Presto, Symphony no. 5 in D major, op. 107 "Reformation": Allegro vivace, Symphony no. 5 in D major, op. 107 "Reformation": Andante –, Symphony no. 5 in D major, op. 107 "Reformation": Andante – Allegro con fuoco – Andante come prima – Meno allegro come prima, Symphony no. 5 in D major, op. 107 "Reformation": Chorale: Ein’ feste Burg ist unser Gott. Andante con moto – Allegro vivace – Allegro maestoso – Più animato poco a poco, The Hebrides, op. 26
Pablo Casero performing orchestra Also sprach Zarathustra, op. 30: Das Grablied, Also sprach Zarathustra, op. 30: Das Nachtwandlerlied, Also sprach Zarathustra, op. 30: Das Tanzlied, Also sprach Zarathustra, op. 30: Der Genesende, Also sprach Zarathustra, op. 30: Introduktion, Also sprach Zarathustra, op. 30: Von den Freunden und Leidenschaften, Also sprach Zarathustra, op. 30: Von den Hinterweltlern, Also sprach Zarathustra, op. 30: Von der Wissenschaft, Also sprach Zarathustra, op. 30: Von der großen Sehnsucht, Don Juan, op. 20, Till Eulenspiegels lustige Streiche, op. 28
Vera Buchvarova performing orchestra Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve, Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace (Alla breve), Piano Concerto no. 4 in G minor, op. 40: II. Largo
Uriel Dorfman performing orchestra Rhapsody on a Theme of Paganini op. 43: XXIII. L'istesso tempo / XXIV. A tempo un poco meno mosso, Rhapsody on a Theme of Paganini, op. 43: Introduction: Allegro vivace / I. (Precedente), Rhapsody on a Theme of Paganini, op. 43: Theme: L'istesso tempo / II. L'istesso tempo / III. L'istesso tempo / IV. Più vivo / V. Tempo precedente / VI. L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: VII. Meno mosso, a tempo moderato, Rhapsody on a Theme of Paganini, op. 43: VIII. Tempo I / IX. L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: X. Poco marcato, Rhapsody on a Theme of Paganini, op. 43: XII. Tempo di menuetto, Rhapsody on a Theme of Paganini, op. 43: XIII. Allegro / XIV. L'istesso tempo / XV. Più vivo scherzando, Rhapsody on a Theme of Paganini, op. 43: XIX. L'istesso tempo / XX. Un poco più vivo / XXI. Un poco più vivo / XXII. Un poco più vivo (Alla breve), Rhapsody on a Theme of Paganini, op. 43: XVI. Allegretto / XVII. Allegretto, Rhapsody on a Theme of Paganini, op. 43: XVIII. Andante cantabile
André Messager performing orchestra Coups de roulis (1928): "Les hommes sont biens tous les mêmes" (Béatrice), Fortunio (1907): "Je ne vois rien ... lorsque je n'étais qu'une enfant" (Jacqueline), L'Amour masqué (1923): "J'ai deux amants" (Elle), L'Amour masqué (1923): "Mon rêve" (Elle), La Petite Fonctionnaire (1921): "Je regrette mon Pressigny" (Suzanne), Les Dragons de l'Impératrice (1905): "Amour, amour, quel est donc ton pouvoir" (Lucrèce), Les P'tites Michu (1897): "Vois-tu, je m'en veux" (Blanche-Marie), L’Amour masque: J’ai deux amants, Passionnément (1926): "L'amour est un oiseau rebelle" (Julia)
Пётр Ильич Чайковский performing orchestra Danse Russe aus Schwanensee op. 20, 3. Akt, Pas d'action aus Schwanensee op. 20, 2. Akt, Souvenir d'un lieu cher op. 43 I, Souvenir d'un lieu cher op. 43 II, Souvenir d'un lieu cher op. 43 III, Violinkonzert op. 35 D-Dur I: Allegro molto, Violinkonzert op. 35 D-Dur II: Canzonetta. Andante, Violinkonzert op. 35 D-Dur III: Finale. Allegro vivacissimo
Early Melodic Animals performing orchestra Allegro appassionato, op. 43, Cello Concerto in D minor: I. Prelude (Lento) - Allegro maestoso, Cello Concerto in D minor: II. Intermezzo (Andantino con moto), Cello Concerto in D minor: III. Introduction (Andante) - Allegro vivace, Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo -, Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto -, Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite
Razend performing orchestra Klavierkonzert Nr. 1 d-Moll, op. 15: I. Maestoso, Klavierkonzert Nr. 1 d-Moll, op. 15: II. Adagio, Klavierkonzert Nr. 1 d-Moll, op. 15: III. Rondo. Allegro non troppo, Symphony No. 4 "Symphonie Concertante", Op. 60: I. Moderato - Tempo comodo, Symphony No. 4 "Symphonie Concertante", Op. 60: II. Andante molto sostenuto, Symphony No. 4 "Symphonie Concertante", Op. 60: III. Allegro non troppo, ma agitato ed ansioso, Symphony no. 4, Sinfonia Concertante: Allegro non troppo, ma agitato ed ansioso
Black Massith performing orchestra Clarinet Concerto no. 1 in F minor, op. 73 (J 114): I. Allegro, Clarinet Concerto no. 1 in F minor, op. 73 (J 114): II. Adagio ma non troppo, Clarinet Concerto no. 1 in F minor, op. 73 (J 114): III. Rondo. Allegro, Clarinet Concerto no. 2 in E-flat major, op. 74 (J 118): I. Allegro, Clarinet Concerto no. 2 in E-flat major, op. 74 (J 118): II. Romanza. Andante con moto – Recitativo – Tempo I, Clarinet Concerto no. 2 in E-flat major, op. 74 (J 118): III. Alla polacca, Concertino for Clarinet and Orchestra in C minor, op. 26 (J 109)
Dave Zirbel performing orchestra The Lark Ascending, Violin Concerto in B minor, op. 61: I. Allegro, Violin Concerto in B minor, op. 61: II. Andante, Violin Concerto in B minor, op. 61: III. Allegro molto - Cadenza - Allegro molto, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Young Seb performing orchestra Piano Concerto in C major, op. 39: I. Prologo e introito (Allegro, dolce e solenne), Piano Concerto in C major, op. 39: II. Pezzo giocoso (Vivacemente, ma senza fretta), Piano Concerto in C major, op. 39: IIIa. Pezzo serioso: Introductio (Andante sostenuto, pensoso), Piano Concerto in C major, op. 39: IIIb. Pezzo serioso: Prima pars (Andante, quasi adagio), Piano Concerto in C major, op. 39: IIIc. Pezzo serioso: Altera pars (Sommessamente), Piano Concerto in C major, op. 39: IIId. Pezzo serioso: Ultima pars (A tempo), Piano Concerto in C major, op. 39: IV. All' italiana (Tarantella) (Vivace; In un tempo)
Sam Semple performing orchestra Cello Concerto in C minor, op. 66: I. Lento, ma non troppo - Andante - Tempo I, Cello Concerto in C minor, op. 66: II. Allegro vivace - Andante semplice e tranquillo - Lento come 1a, Sinfonia concertante in E minor, op. 125: Alternative finale. Andante con moto, Sinfonia concertante in E minor, op. 125: I. Andante, Sinfonia concertante in E minor, op. 125: II. Allegro giusto, Sinfonia concertante in E minor, op. 125: III. Andante con moto
Gustav Mahler performing orchestra Das Klagende Lied: II. Der Spielmann (Opening), Der Abschied (Das Lied von der Erde - 6th movement - excerpt), Symphony no. 1 in D: I. Langsam. Schleppend - Im Antang Sehr Gemächlich (Conclusion), Symphony no. 2 in C minor, 'Resurrection': V. (part) Mit Aufschwung Aber Nicht Eilen (Conclusion), Symphony no. 6 in A minor: I. Allegro Energico, Ma Non Troppo (Heftig, Aber Markig) (Excerpt), Symphony no. 7: I. Langsam - Allegro Risoluto, Ma Non Troppo (Excerpt)
Cabaal performing orchestra Violin Concerto in B minor: I. Andante tranquillo, Violin Concerto in B minor: II. Presto capriccioso alla napolitana, Violin Concerto in B minor: III. Vivace, Violin Concerto in D minor, op. 47: I. Allegro Moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Edward Elgar performing orchestra Pleading Op 48 No. 1 (feat. tenor: Robert Tear), Three Songs Op. 59: 3. Oh, soft was the song (feat. tenor: Robert Tear), Three Songs Op. 59: 5. Was it some golden star (feat. tenor: Robert Tear), Three Songs Op. 59: 6. Twilight (feat. tenor: Robert Tear), Two Songs Op. 60: 1. The Torch (feat. tenor: Robert Tear), Two Songs Op. 60: 2. The River (feat. tenor: Robert Tear)
Teresa performing orchestra Konzert für Violincello und Orchester: I. Allegro moderato, Konzert für Violincello und Orchester: II. Andante sustenuto, Konzert für Violincello und Orchester: III. Allegro a battuta, Konzert für Violine und Orchester: I. Allegro con fermezza, Konzert für Violine und Orchester: II. Andante sustenuto, Konzert für Violine und Orchester: III. Allegro vivace
David Sardelle performing orchestra Concerto for Piano, Trumpet & Strings in C, op. 35: IV. Allegro con brio, Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato - Allegro vivace - Moderato -, Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento -, Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Moerato -, Concerto for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio - Presto - Allegretto poco moderato - Allegro con brio
Ralph Vaughan Williams performing orchestra Five Variants of "Dives and Lazarus", Norfolk Rhapsody, No. 1 in E minor, The Lark Ascending, The Lark Ascending (excerpt) (feat. violin: Nigel Kennedy), Toward the Unknown Region
Michele Mozzati performing orchestra Invisible Mosaic III, Musica Celestis, Second Symphony: I. Alarm, Second Symphony: II. Air/Ground, Second Symphony: III. Barricade
Reynaldo Hahn performing orchestra Brummell (1931): "Air de la Lettre" (Lady Eversharp), Ciboulette: "C'est pas Paris, c'est sa banlieue" (Ciboulette), Mozart (1925): "Etre adoré" (Mozart), O mon bel inconnu (1933): "C'est très vilain d'être infidèle" (Antoinette), Ô mon bel inconnu (1933): "Ô mon bel inconnu" (Marie-Anne, Antoinette, Félicie)
Tiler Kuykendall performing orchestra Violin Concerto no. 1 in A minor, op. 99: I. Nocturne: Moderato, Violin Concerto no. 1 in A minor, op. 99: II. Scherzo: Allegro, Violin Concerto no. 1 in A minor, op. 99: III. Passacaglia: Andante, Violin Concerto no. 1 in A minor, op. 99: IV. Burlesque: Allegro con brio - Presto
Adel Eskander performing orchestra Cantique de Jean Racine, op. 11, Gloria: Domine Deus, Agnus Dei, Gloria: Gloria in excelsis Deo, Gloria: Laudamus te
Anton Bruckner performing orchestra Symphony No. 3 in D minor: I. Mehr langsam, Misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi Andante, Symphony No. 3 in D minor: III. Ziemlich schnell, Symphony No. 3 in D minor: IV. Allegro
Ciara Venice performing orchestra Die sieben Todsünden: II. Stolz (Pride), Die sieben Todsünden: III. Zorn (Anger), Die sieben Todsünden: V. Unzucht (Lust), Die sieben Todsünden: VII. Neid (Envy)
Eric Coates performing orchestra Calling All Workers (March), The Three Elizabeths Suite: I. Halcyon Days (Elizabeth Tudor), The Three Elizabeths Suite: II. Spring Time in Angus (Elizabeth of Glamis), The Three Elizabeths Suite: III. March - Youth of Britain (The Princess Elizabeth)
Athena Dixon performing orchestra Piano Concerto, op. 13: I. Toccata. Allegro molto e con brio, Piano Concerto, op. 13: II. Waltz. Allegretto, Piano Concerto, op. 13: III. Impromptu. Andante lento -, Piano Concerto, op. 13: IV. March. Allegro moderato - sempre alla marcia
El Jacuzy performing orchestra Cello Concerto: I. Moderato, Cello Concerto: II. Allegro appassionato, Cello Concerto: III. Lento - Brioso - ALlegro molto - Rapsodicamente- Adagio
Krs. performing orchestra Violin Concerto no. 2: Allegro molto, Violin Concerto no. 2: Allegro non troppo, Violin Concerto no. 2: Andante tranquillo
Arnold Schönberg performing orchestra A Survivor from Warsaw, Five Orchestral Pieces, op. 16: II. Vergangenes (Mässige Viertel) (Conclusion), Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese: Presto
Daoud Abubakar Balewa performing orchestra Shéhérazade: I. Asie, Shéhérazade: II. La Flûte enchantée, Shéhérazade: III. L'Indifférent
Doaa Fawzy performing orchestra Gloria: Domine Deus, Gloria: Domine fili unigenite, Gloria: Qui sedes ad dexteram Patris
Sephy and the Sharks performing orchestra Piano Concerto in F: I. Allegro, Piano Concerto in F: II. Adagio - Andante con moto, Piano Concerto in F: III. Allegro agitato
George Butterworth performing orchestra Love blows as the wind blows: Coming up from Richmond (feat. tenor: Robert Tear), Love blows as the wind blows: In the year that's come and gone (feat. tenor: Robert Tear), Love blows as the wind blows: Life in her creaking shoes (feat. tenor: Robert Tear)
Raimund Breitfeld performing orchestra Concerto for Violin and Orchestra: I, Concerto for Violin and Orchestra: II, Concerto for Violin and Orchestra: III
Moises Simons performing orchestra Toi c'est moi (1934): "C'est ça la vie" (Viviane), Toi c'est moi (1934): "Vagabonde" (Viviane)
Gabriela Martina performing orchestra Die sieben Todsünden: Epilog, Die sieben Todsünden: Prolog
Sir William Walton performing orchestra Facade: Popular Song, Symphony no. 1 inB flat minor: II. Presto, Con Malizia (Conclusion)
Mutes performing orchestra Die sieben Todsünden: I. Faulheit (Sloth), Die sieben Todsünden: VI. Habsucht (Covetousness)
Thomas Adès performing orchestra ...but all shall be well, op. 10, Asyla
Victor Lewis performing orchestra Symphony no. 9 in D minor, op. 125: IVa. Presto - Presto "O Freude, nicht diese Tone!" -, Symphony no. 9 in D minor, op. 125: IVb. Allegro assai
Witold Lutosławski performing orchestra Jeux vénitien (3rd movement), Symphony no. 3 (conclusion)
Игорь Фёдорович Стравинский performing orchestra Dans sacrale (L'élue) (Le Sacre du Printemps - conclusion), Gailliard, Coda, Interlude & Four Duos - Four Trios - Coda (Agon)
Maurice Yvain performing orchestra Yes (1928): "Yes" (Totte)
Knukles performing orchestra Piano Concerto in C major, op. 39: V. Cantico (Largamente)
Gabriel Fauré performing orchestra Ballade for Piano and Orchestra, op. 19
Ftureable performing orchestra ラフマニノフ：パガニーニの主題による狂詩曲
Evo-lution performing orchestra Prelude, Fugue and Riffs
Maurice Ravel performing orchestra Daphnis et Chloé: III. Danse Générale
Jules Massenet performing orchestra Le Cid- 1- Castillane
Sir Arthur Sullivan performing orchestra Overture in C major “In Memoriam”
Edgard Varèse performing orchestra Ionisation (conclusion)
Nicholas Maw performing orchestra Odyssey: Part III (Excerpt)
Jacques Offenbach performing orchestra La belle Hélène- Overture
Ludwig van Beethoven performing orchestra Symphony no. 3 in E-flat major, "Eroica": I. (extract)
Claude Debussy performing orchestra Images for Orchestra: III. Rondes de Printemps (Conclusion)
The Shocking Pinks performing orchestra Vocalise, op. 34 no. 14
The Skates performing orchestra Meeresstille und glücklich Fahrt, op. 27: I. Meeresstille
Pierre Boulez performing orchestra Rituel in memoriam Bruno Maderna (sections 1 - 7)
Béla Bartók performing orchestra The Lake of Tears (Bluebeard's Castle)
Tischlerei Lischitzki performing orchestra Le Cygne (Le Carnaval des Animaux)
Benj&Benji performing orchestra Im Abendrot (Vier Letzte Lieder - 4th song)
Arthur Honegger performing orchestra Les Aventures du roi Pausole (1930): "Si vous saviez" (Diane)
Leoš Janáček performing orchestra Glagolitic Mass: 4. Vĕruju (Credo) (Conclusion)
Radiant performing orchestra Denn du bist klug (Elektra)
Virusklang performing orchestra Facsimile
Jean Michaut performing orchestra Wedding Cake Caprice-Valse for Piano and Orchestra, op. 76
Antero Vartia performing orchestra Concierto de Aranjuez for Guitar: II. Adagio
Дмитрий Дмитриевич Шостакович performing orchestra Symphony no. 14: stanzas 8 & 9. Zaphorazhye Cossaks' Reply to the Sultan of Constantinople & O Delvig, Delvig
George Gershwin performing orchestra Piano Concerto in F: II. Adagio - Andante Con Moto (Opening)
Malcolm Arnold instrument Guitar Concerto: I. Allegro (Opening)