Bernard Haitink

conductor

Top collaborators

Artist name Roles Recordings
Janet Hill
V.I. Povici
Ekthellion
Mong Rosseel
Luis Conti Orchestra

Work on other artists' recordings

Artist name Roles Recordings
Janet Hill conductor A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
V.I. Povici conductor A London Symphony (Symphony no. 2): I. Lento - Allegro risoluto (molto pesante), A London Symphony (Symphony no. 2): II. Lento, A London Symphony (Symphony no. 2): III. Scherzo (Nocturne): Allegro vivace, A London Symphony (Symphony no. 2): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro, A Pastoral Symphony (Symphony no. 3): I. Molto moderato, A Pastoral Symphony (Symphony no. 3): II. Lento moderato, A Pastoral Symphony (Symphony no. 3): III. Moderato pesante - Presto, A Pastoral Symphony (Symphony no. 3): IV. Lento - Moderato maestoso, A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): A pennant universal (baritone, soprano & chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Behold, the sea itself (chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Flaunt out, O sea, your separate flags of nations (soprano & chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Today a rude brief recitative (baritone & chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Token of all brave captains (chorus), A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): A vast similitude interlocks all (baritone & chorus), A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): On the beach, at night, alone (baritone & semi-chorus), A Sea Symphony (Symphony no. 1): III. Scherzo: The Waves (Allegro brillante), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Down from the gardens of Asia descending (chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Greater than stars or suns (chorus, soprano & baritone), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O my brave Soul (soprano, baritone & chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O thou transcendent (soprano, baritone & chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O vast Rondure, swimming in Space (chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O we can wait no longer (baritone & soprano), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Sail forth (chorus, soprano & baritone), Act 2 Scene 5 Questo e il fin, Calm Sea and Prosperous Voyage, Op. 27, Ce qu'on entend sur la montagne, Ce qu'on entend sur la montagne, S. 95, Cosi Fan Tutte: Act 1. Scene 1. Fuor' la spada, Cosi Fan Tutte: Act 1. Scene 1. La mia Dorabella capace non è, Cosi Fan Tutte: Act 1. Scene 1. Scioccherie di poeti!, Cosi Fan Tutte: Act 1. Scene 1. Una bella serenata, Cosi Fan Tutte: Act 1. Scene 1. É la fede delle femmine, Cosi Fan Tutte: Act 1. Scene 2. Ah, guarda, sorella, Cosi Fan Tutte: Act 1. Scene 2. Al fato dan legge quegli occhi, Cosi Fan Tutte: Act 1. Scene 2. Barbaro fato!... Vorrei dir, e cor non ho, Cosi Fan Tutte: Act 1. Scene 2. Bella vita militar!, Cosi Fan Tutte: Act 1. Scene 2. Dove son?, Cosi Fan Tutte: Act 1. Scene 2. La commedia è graziosa, Cosi Fan Tutte: Act 1. Scene 2. Mi par, che stamattina volentieri farei la pazzarella, Cosi Fan Tutte: Act 1. Scene 2. Muoio d'affanno!... Di scrivermi ogni giorno, Cosi Fan Tutte: Act 1. Scene 2. Non piangere, idol mio!, Cosi Fan Tutte: Act 1. Scene 2. Non son cattivo comico, Cosi Fan Tutte: Act 1. Scene 2. Non v'è più tempo, Cosi Fan Tutte: Act 1. Scene 2. Sento, o Dio, che questo piede, Cosi Fan Tutte: Act 1. Scene 2. Stella! Per carità, Signor Alfonso, Cosi Fan Tutte: Act 1. Scene 3. Ah, non partite!, Cosi Fan Tutte: Act 1. Scene 3. Alla bella Despinetta, Cosi Fan Tutte: Act 1. Scene 3. Che sussurro! Che strepito!, Cosi Fan Tutte: Act 1. Scene 3. Che vita maladetta, Cosi Fan Tutte: Act 1. Scene 3. Chi silenzio? Che aspetto di tristezza, Cosi Fan Tutte: Act 1. Scene 3. Come scoglio immoto resta, Cosi Fan Tutte: Act 1. Scene 3. E voi ridete?, Cosi Fan Tutte: Act 1. Scene 3. In uomini, in soldati, Cosi Fan Tutte: Act 1. Scene 3. L'intatta fede, Cosi Fan Tutte: Act 1. Scene 3. Non siate ritrosi, occhietti vezzosi, Cosi Fan Tutte: Act 1. Scene 3. Si può sapere un poco, Cosi Fan Tutte: Act 1. Scene 3. Signora Dorabella, Signora Fiordiligi, Cosi Fan Tutte: Act 1. Scene 3. Smanie implacabili, Cosi Fan Tutte: Act 1. Scene 3. Un'aura amorosa, Cosi Fan Tutte: Act 1. Scene 4. Ah che del sole il raggio, Cosi Fan Tutte: Act 1. Scene 4. Ah, che tutto in un momento, Cosi Fan Tutte: Act 1. Scene 4. Dammi un bacio, o mio tesoro, Cosi Fan Tutte: Act 1. Scene 4. Dove son? Che loco è questo?, Cosi Fan Tutte: Act 1. Scene 4. Eccovi il medico, Cosi Fan Tutte: Act 2. Scene 1. Ah correte al giardino, Cosi Fan Tutte: Act 2. Scene 1. Andate là, che siete due bizzarre ragazze!, Cosi Fan Tutte: Act 2. Scene 1. Prenderò quell brunettino, Cosi Fan Tutte: Act 2. Scene 1. Sorella, cosa dici?, Cosi Fan Tutte: Act 2. Scene 1. Una donna a quindici anni, Cosi Fan Tutte: Act 2. Scene 2. Ah, io veggio, quell'anima bella, Cosi Fan Tutte: Act 2. Scene 2. Amico, abbiamo vinto!, Cosi Fan Tutte: Act 2. Scene 2. Barbara, perchè fuggi?, Cosi Fan Tutte: Act 2. Scene 2. Bravo, questo è costanza, Cosi Fan Tutte: Act 2. Scene 2. Cos'è tal mascherata?, Cosi Fan Tutte: Act 2. Scene 2. Donne mie, la fate a tanti a tanti, Cosi Fan Tutte: Act 2. Scene 2. Ei parte... senti... ah no!, Cosi Fan Tutte: Act 2. Scene 2. Il core vi dono, Cosi Fan Tutte: Act 2. Scene 2. In qual fiero contrasto, Cosi Fan Tutte: Act 2. Scene 2. La mano a me date, Cosi Fan Tutte: Act 2. Scene 2. Oh che bella giornata!, Cosi Fan Tutte: Act 2. Scene 2. Per pietà, ben mio, perdona, Cosi Fan Tutte: Act 2. Scene 2. Secondate, aurette amiche, Cosi Fan Tutte: Act 2. Scene 2. Tradito, schernito, Cosi Fan Tutte: Act 2. Scene 3. Ah poveretto me, cosa ho veduto!, Cosi Fan Tutte: Act 2. Scene 3. Come tutto congiura a sedurre il mil cor!, Cosi Fan Tutte: Act 2. Scene 3. Fra gli amplessi in pochi istanti, Cosi Fan Tutte: Act 2. Scene 3. Ora vedo che siete una donna di garbo, Cosi Fan Tutte: Act 2. Scene 3. Tutti accusan le donne, Cosi Fan Tutte: Act 2. Scene 3. Vittoria, padroncini!, Cosi Fan Tutte: Act 2. Scene 3. È amore un ladroncello, Cosi Fan Tutte: Act 2. Scene 4. Ah Signor, son rea di morte, Cosi Fan Tutte: Act 2. Scene 4. Bella vita militar!, Cosi Fan Tutte: Act 2. Scene 4. Benedetti i doppi coniugi, Cosi Fan Tutte: Act 2. Scene 4. El nel tuo, nel mio bicchiero, Cosi Fan Tutte: Act 2. Scene 4. Fate presto, o cari amici, Cosi Fan Tutte: Act 2. Scene 4. Fortunato l'uom che prende, Cosi Fan Tutte: Act 2. Scene 4. Giusto ciel!, Cosi Fan Tutte: Act 2. Scene 4. Miei Signori, tutto è fatto, Cosi Fan Tutte: Act 2. Scene 4. Sani e salvi gli amplessi amorosi, Cosi Fan Tutte: Act 2. Scene 4. V'ingannai, ma fu l'inganno, Cosi Fan Tutte: Overture, Die Entführung aus dem Serail: Overture, Die Ideale, Die Ideale, S. 106, Fantasia on a Theme by Thomas Tallis, Festklänge, Hamlet, S. 104, Heroïde funèbre, S. 102, Hungaria, Hungaria, S. 103, Hunnenschlacht, Hunnenschlacht, S. 105, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 1 Scene 4 Bisogna aver corraggio, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 2 Scene 1 LeporelloSignore, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 2 Scene 1 Zitto, lascia ch'io senta - Ahi ahi La testa mia, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 2 Scene 2 Ferma briccone, dove ten vai, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act 2 Scene 2 Sola, sola in buio, loco, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) / Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Quintetto "Mille torbidi pensieri" (Donna Elvira, Donna Anna, Leporello, Masetto, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "Non ci stanchiamo" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, In the Fen Country, Le Nozze di Figaro: Overture, Le Sacre du printemps: Part I: "Mock Abduction", Le Sacre du printemps: Part I: "Spring Rounds", Le Sacre du printemps: Part I: "The Harbingers of Spring" - "Dance of the Adolescents", Le Sacre du printemps: Part I: Introduction, Le Sacre du printemps: Part II: "Glorification of the Chosen One", Le Sacre du printemps: Part II: "Mystical Circle of the Adolescents", Le Sacre du printemps: Part II: "Sacrificial Dance (The Chosen One)", Le Sacre du printemps: Part II: Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Les Préludes, Mazeppa, Mephisto Waltz No. 1, Norfolk Rhapsody no. 1 in E minor, On Wenlock Edge: I. On Wenlock Edge, On Wenlock Edge: II. From far, from eve and morning:, On Wenlock Edge: III. Is my team ploughing?, On Wenlock Edge: IV. Oh, when I was in love with you, On Wenlock Edge: V. Bredon Hill, On Wenlock Edge: VI. Clun, Orpheus, Orpheus, S. 98, Overture: "The Hebrides", op. 26 (Fingal's Cave), Petrushka, Scene 1: Russian dance, Petrushka, Scene 1: The Shrovetide fair / The crowds / The conjuring-trick, Petrushka, Scene 2: In Petrouchka’s Booth, Petrushka, Scene 3: In the Moor's booth / Dance of the Ballerina, Petrushka, Scene 3: Waltz (The Ballerina and the Moor), Petrushka, Scene 4: The Shrovetide fair (evening) / Dance of the wet-nurses / Dance of the peasant and the bear / Dance of the gipsies / Dance of the coachmen and the grooms / The masqueraders / Death of Petrouchka, Prometheus, Scheherazade (The Young Prince and the Young Princess), Sinfonia antartica (Symphony no. 7): I. Prelude: Maestoso, Sinfonia antartica (Symphony no. 7): II. Scherzo: Moderato, Sinfonia antartica (Symphony no. 7): III. Landscape: Lento, Sinfonia antartica (Symphony no. 7): IV. Intermezzo: Andante sostenuto, Sinfonia antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro), Suite from “The Age of Gold” op.22a: I. Introduction, Suite from “The Age of Gold” op.22a: II. Adagio, Suite from “The Age of Gold” op.22a: III. Polka, Suite from “The Age of Gold” op.22a: IV. Dance, Symphony No. 15 in A major, Op. 141: I. Allegretto, Symphony No. 15 in A major, Op. 141: II. Adagio - Largo - Adagio - Largo, Symphony No. 15 in A major, Op. 141: III. Allegretto, Symphony No. 15 in A major, Op. 141: IV. Adagio - Allegretto - Adagio - Allegretto, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 5 in D major, Op. 107 "Reformation": I. Andante -- Allegro con fuoco, Symphony No. 5 in D major, Op. 107 "Reformation": II. Allegro vivace, Symphony No. 5 in D major, Op. 107 "Reformation": III. Andante, Symphony No. 5 in D major, Op. 107 "Reformation": IV. Choral: "Ein' feste Burg ist unsere Gott", Symphony No. 7 in C major, Op. 60 "Leningrad": I. Allegretto, Symphony No. 7 in C major, Op. 60 "Leningrad": II. Moderato (poco allegretto), Symphony No. 7 in C major, Op. 60 "Leningrad": III. Adagio, Symphony No. 7 in C major, Op. 60 "Leningrad": IV. Allegro non troppo, Symphony no. 1 in C minor, op. 11: I. Allegro di molto, Symphony no. 1 in C minor, op. 11: II. Andante, Symphony no. 1 in C minor, op. 11: III. Menuetto. Allegro molto, Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco, Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo, Symphony no. 1 in F minor, op. 10: II. Allegro, Symphony no. 1 in F minor, op. 10: III. Lento, Symphony no. 1 in F minor, op. 10: IV. Allegro molto - Lento - Allegro molto, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro, Symphony no. 10: II. Allegro, Symphony no. 3 in A minor, op. 56 "Scottish": I. Allegro con moto, Allegro un poco agitato, Assai animato, Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in E-flat major, op. 20 "The First of May": I. Allegretto - Allegro, Symphony no. 3 in E-flat major, op. 20 "The First of May": II. Andante, Symphony no. 3 in E-flat major, op. 20 "The First of May": III. Allegro - Largo, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: IIIa. Largo, Symphony no. 4 in C minor, op. 43: IIIb. Allegro, Symphony no. 4 in C minor, op. 43: Ia. Allegro poco moderato, Symphony no. 4 in C minor, op. 43: Ib. Presto, Symphony no. 4 in F minor: I. Allegro, Symphony no. 4 in F minor: II. Andante moderato, Symphony no. 4 in F minor: III. Scherzo: Allegro molto, Symphony no. 4 in F minor: IV. Finale con epilogo fugato: Allegro molto, Symphony no. 5 in D major: I. Preludio: Moderato, Symphony no. 5 in D major: II. Scherzo: Presto misterioso, Symphony no. 5 in D major: III. Romanza: Lento, Symphony no. 5 in D major: IV. Passacaglia: Moderato, Symphony no. 5 in D: I. Preludio: Moderato, Symphony no. 5 in D: II. Scherzo: Presto, Symphony no. 5 in D: III. Romanza: Lento, Symphony no. 5 in D: IV. Passacaglia: Moderato, Symphony no. 6 in E minor: I. Allegro, Symphony no. 6 in E minor: II. Moderato, Symphony no. 6 in E minor: III. Scherzo: Allegro vivace, Symphony no. 6 in E minor: IV. Epilogue: Moderato, Symphony no. 7 "Sinfonia antartica": II. Scherzo: Moderato, Symphony no. 7 "Sinfonia antartica": III. Landscape: Lento -, Symphony no. 7 "Sinfonia antartica": IV. Intermezzo: Andante sostenuto, Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema): Moderato – Presto – Andante sostenuto – Allegretto – Andante non troppo – Allegro vivace – Andante sostenuto – Tempo I, ma tranquillo, Symphony no. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia – Andante – Tempo (Allegro), Symphony no. 8 in D minor: III. Cavatina (per stromenti ad arco): Lento espressivo, Symphony no. 8 in D minor: IV. Toccata: Moderato maestoso, Symphony no. 8: Toccata. Moderato maestoso, Symphony no. 9 in E minor: I. Moderato maestoso, Symphony no. 9 in E minor: II. Andante sostenuto, Symphony no. 9 in E minor: III. Scherzo: Allegro pesante, Symphony no. 9 in E minor: IV. Andante tranquillo, Symphony no. 9 in E‐flat major, op. 70: I. Allegro, Symphony no. 9 in E‐flat major, op. 70: II. Moderato, Symphony no. 9 in E‐flat major, op. 70: III. Presto, Symphony no. 9 in E‐flat major, op. 70: IV. Largo, Symphony no. 9 in E‐flat major, op. 70: V. Allegretto – Allegro, Tasso, lamento e trionfo, The Firebird: Appearance of the Firebird pursued by Ivan Tsarevich, The Firebird: Collapse of Kashchei’s palace and dissolution of all enchantments / Reanimation of the petrified prisoners / General rejoicing, The Firebird: Dance of Kashchei’s retinue under the Firebird’s spell, The Firebird: Dance of the Firebird, The Firebird: Daybreak, The Firebird: Games of the princesses with the golden apples, The Firebird: Infernal dance of all Kashchei’s subjects, The Firebird: Introduction, The Firebird: Ivan Tsarevich captures the Firebird, The Firebird: Kashchei’s enchanted garden, The Firebird: Lullaby of the Firebird, The Firebird: Magic carillon, appearance of Kashchei’s guardian monsters and capture of Ivan Tsarevich, The Firebird: Round dance of the Princesses, The Firebird: Sudden appearance of Ivan Tsarevich, The Firebird: Supplication of the Firebird, The Planets: I. Mars, the Bringer of War, The Planets: II. Venus, the Bringer of Peace, The Planets: III. Mercury, the Winged Messenger, The Planets: IV. Jupiter, the Bringer of Jollity, The Planets: V. Saturn, the Bringer of Old Age, The Planets: VI. Uranus, the Magician, The Rite of Spring, Part I “The Adoration of the Earth”: Adoration of the earth (The sage) / Dance of the earth, The Rite of Spring, Part I “The Adoration of the Earth”: Games of the rival tribes, The Rite of Spring, Part I “The Adoration of the Earth”: Introduction, The Rite of Spring, Part I “The Adoration of the Earth”: Mock abduction, The Rite of Spring, Part I “The Adoration of the Earth”: Procession of the sage, The Rite of Spring, Part I “The Adoration of the Earth”: Spring rounds, The Rite of Spring, Part I “The Adoration of the Earth”: The harbringers of spring / Dance of the adolescents, The Rite of Spring, Part II “The Sacrifice”: Evocation of the ancestors, The Rite of Spring, Part II “The Sacrifice”: Glorification of the chosen one, The Rite of Spring, Part II “The Sacrifice”: Introduction, The Rite of Spring, Part II “The Sacrifice”: Mystical circle of the adolescents, The Rite of Spring, Part II “The Sacrifice”: Ritual of the ancestors, The Rite of Spring, Part II “The Sacrifice”: Sacrificial dance (The chosen one), Von der Wiege bis zum Grabe
Ekthellion conductor Das Rheingold - Scene I: Bangt euch noch nicht?, Das Rheingold - Scene I: Garstig glatter glitsch'riger Glimmer!, Das Rheingold - Scene I: Hehe! Ihr Nicker!, Das Rheingold - Scene I: Lugt, Schwestern!, Das Rheingold - Scene I: Weia! Wage!, Das Rheingold - Scene II: Auf, Loge! Hinab mit mir!, Das Rheingold - Scene II: Halt, du Wilder!, Das Rheingold - Scene II: Hör, Wotan, der Harrenden Wort!, Das Rheingold - Scene II: Immer ist Undank Loges Lohn!, Das Rheingold - Scene II: Orchestra, Das Rheingold - Scene II: Riesenwurm winde sich ringelnd!, Das Rheingold - Scene II: Sanft schloss Schlaf dein Aug, Das Rheingold - Scene II: Schwei' dein faules Schwatzen, Das Rheingold - Scene II: So schirme sie jetzt, Das Rheingold - Scene II: Vollendet das ewige Werk!, Das Rheingold - Scene II: Was ein Dieb stahl, Das Rheingold - Scene II: Was sinnt nun Wotan so wild?, Das Rheingold - Scene II: Wie? Welchen Handel hätt' ich geschlossen?, Das Rheingold - Scene II: Wotan, Gemahl! Erwache!, Das Rheingold - Scene II: Zu mir, Freia!, Das Rheingold - Scene III: Habt Acht! Habt Acht!, Das Rheingold - Scene III: Hehe! Heh!, Das Rheingold - Scene III: Hierher! Dorthin!, Das Rheingold - Scene III: Luge du her!, Das Rheingold - Scene III: Niebelheim hier, Das Rheingold - Scene III: Orchestra, Das Rheingold - Scene III: Was wollt ihr hier?, Das Rheingold - Scene III: Wer hälfe mir!, Das Rheingold - Scene IV: Abendlich strahlt der Sonne Auge, Das Rheingold - Scene IV: Auf Riesenheims ragender Mark, Das Rheingold - Scene IV: Bin ich nun frei?, Das Rheingold - Scene IV: Bring'st du gute Kunde?, Das Rheingold - Scene IV: Freia, die schöne, Das Rheingold - Scene IV: Gezahlt hab' ich, Das Rheingold - Scene IV: Halt, du Gieriger!, Das Rheingold - Scene IV: Hört, ihr Riesen!, Das Rheingold - Scene IV: Ihrem Ende eilen sie zu, Das Rheingold - Scene IV: Lauschtest du seinem Liebesgruß?, Das Rheingold - Scene IV: Rheingold! Rheingold!, Das Rheingold - Scene IV: Schwüles Gedünst schwebt in der Luft, Das Rheingold - Scene IV: Vierte Szene: Da, Vetter, sitze du fest!, Das Rheingold - Scene IV: Was gleicht, Wotan, Das Rheingold - Scene IV: Weiche, Wotan!, Das Rheingold - Scene IV: Wohlan, die Niblungen rief ich mir nah', Das Rheingold - Scene IV: Zu mir, Freia!, Das Rheingold - Scene IV: Zur Burg führt die Brücke, Das Rheingold - Vorspiel, Das Rheingold, Scène 4: Incantation du tonnerre: "He da! He da! He do!", Die Walküre (Prelude to Act I), Die Walküre: Act I, Scene I. "Einen Unseligen labtest du", Die Walküre: Act I, Scene I. "Wes Herd dies auch sei", Die Walküre: Act I, Scene II. "Die so leidig Los dir beschied", Die Walküre: Act I, Scene II. "Friedmund darf ich nicht heißen", Die Walküre: Act I, Scene II. "Ich weiss ein wildes Geschlecht" - "Mit Waffen wahrt sich der Mann", Die Walküre: Act I, Scene II. "Müd am Herd fand ich den Mann", Die Walküre: Act I, Scene III. "Du bist der Lenz", Die Walküre: Act I, Scene III. "Ein Schwert verhieß mir der Vater", Die Walküre: Act I, Scene III. "O süßeste Wonne! Seligstes Weib!", Die Walküre: Act I, Scene III. "Schläfst du, Gast?", Die Walküre: Act I, Scene III. "Siegmund heiß' ich und Siegmund bin ich!", Die Walküre: Act I, Scene III. "Winterstürme wichen dem Wonnemond", Die Walküre: Act I. Vorspiel, Die Walküre: Act II, Scene I. "Der alte Sturm, die alte Müh'!", Die Walküre: Act II, Scene I. "Heiaha! Heiaha! Hojotoho!" - "Nimm den Eid!", Die Walküre: Act II, Scene I. "Hojotoho! Hojotoho!", Die Walküre: Act II, Scene I. "So ist es denn aus mit den ewigen Göttern" - "Nichts gilt dir der hehren heilige Sipp", Die Walküre: Act II, Scene II. "Als junger Liebe Lust mir verblich", Die Walküre: Act II, Scene II. "Ein andres ist's: achte es wohl", Die Walküre: Act II, Scene II. "Schlimm, fürcht' ich, schloß der Streit", Die Walküre: Act II, Scene II. "So nimm meinen Segen, Niblungen-Sohn!", Die Walküre: Act II, Scene II. "So nimmst du von Siegmund den Sieg?" - "... das Ende! - Und für das Ende sorgt Alberi", Die Walküre: Act II, Scene III. "Hinweg! Hinweg! Flieh die Entweihte!", Die Walküre: Act II, Scene III. "Raste nun Hier, gönne dir Ruh!", Die Walküre: Act II, Scene IV. "Erdenluft muß sie noch atmen", Die Walküre: Act II, Scene IV. "Siegmund! Sieh auf mich!", Die Walküre: Act II, Scene IV. "Weh! Weh! Süßestes Weib", Die Walküre: Act II, Scene IV. "Zwei Leben lachen dir hier", Die Walküre: Act II, Scene V. "Wehwalt! Wehwalt!", Die Walküre: Act II, Scene V. "Zauberfest bezähmt ein Schlaf", Die Walküre: Act II. Vorspiel / Act II, Scene I. "Nun zäume dein Roß, reisige Maid!", Die Walküre: Act III, Scene I. "Nicht sehre dich Sorge um mich", Die Walküre: Act III, Scene I. "Schützt mich und helft in höchster Not!", Die Walküre: Act III, Scene I. "Steh, Brunnhild'!" / Act III, Scene II. "Wo ist Brünnhild', wo die Verbrecherin?", Die Walküre: Act III, Scene I. Walkürenritt. "Hojotoho! Hojotoho!", Die Walküre: Act III, Scene II. "Hier bin ich, Vater: gebiete die Strafe!", Die Walküre: Act III, Scene III. "Deinen leichten Sinn laß dich denn leiten", Die Walküre: Act III, Scene III. "Der Augen leuchtendes Paar", Die Walküre: Act III, Scene III. "Du zeugtest ein edles Geschlecht", Die Walküre: Act III, Scene III. "Feuerzauber", Die Walküre: Act III, Scene III. "Leb wohl, du kühnes, herrliches Kind!", Die Walküre: Act III, Scene III. "Loge, hör! Lausche hieher!", Die Walküre: Act III, Scene III. "War es so schmählich, was ich verbrach" - "War es so niedrig", Die Walküre: Prelude, Die Zauberflöte: Akt I. Bei Männern, welche Liebe fühlen, Die Zauberflöte: Akt I. Dies Bildnis ist bezaubernd schön, Die Zauberflöte: Akt I. O zittre nicht, mein lieber Sohn! - Zum Leiden bin ich ich auserkoren, Die Zauberflöte: Akt I. Schnelle Füße, rascher Mut, Die Zauberflöte: Akt II. Ach, ich fühl's, es ist verschwunden, Die Zauberflöte: Akt II. Die Strahlen der Sonne vertreiben die Nacht, Die Zauberflöte: Akt II. Ein Mädchen oder Weibchen, Die Zauberflöte: Akt II. In diesen heil'gen Hallen, Die Zauberflöte: Akt II. O Isis und Osiris, Die Zauberflöte: Akt II. O Isis und Osiris, welche Wonne!, Die Zauberflöte: Akt II. Papagena! Papagena!, Götterdämmerung, Acte II Scène 3: "Groß Glück und Heil", Götterdämmerung, Acte II Scène 3: "Rüstet euch wohl", Götterdämmerung, Acte II Scène 3: Appel de Hagen et chœur des Gibichungen: "Hoiho! Hoihohoho!", Götterdämmerung, Acte III Scène 3: "Fliegt heim, ihr Raben!", Götterdämmerung, Acte III Scène 3: "Grane, mein Roß, sei mir gegrüßt!", Götterdämmerung, Acte III Scène 3: "Mein Erbe nun nehm ich zu eigen", Götterdämmerung, Acte III Scène 3: "O ihr, der Eide ewige Hüter!", Götterdämmerung, Acte III Scène 3: "Wie Sonne lauter strahlt mir sein Licht", Götterdämmerung, Acte III Scène 3: "Zurück vom Ring!", Götterdämmerung, Acte III Scène 3: Immolation de Brünnhilde: "Starke Scheite schichtet mir dort", Götterdämmerung, Acte III Scène 3: Marche funèbre de Siegfried, Götterdämmerung, Prologue: "Mehr gabst du, Wunderfrau", Götterdämmerung, Prologue: "O heilige Götter", Götterdämmerung, Prologue: "Zu neuen Taten, teurer Helde", Götterdämmerung, Prologue: Lever du jour, Götterdämmerung, Prologue: Voyage de Siegfried sur le Rhin, Le Crépuscule Des Dieux: Marche Funèbre de Siegfried, Le Crépuscule Des Dieux: Voyage de Siegfried Sur Le Rhin, Siegfried, Acte I Scène 3: "Notung! Notung!", Siegfried, Acte I Scène 3: Scène de la forge: "Was am besten er kann", Siegfried, Acte II Scène 2: "Daß der mein Vater nich ist", Siegfried, Acte II Scène 2: "Du holdes Vöglein", Siegfried, Acte II Scène 2: Murmures de la forêt: "Aber - wie sah meine Mutter wohl aus?", Siegfried, Acte II Scène 3: "Nun sing! Ich lausche dem Gesang", Siegfried, Acte III Scène 3: Réveil de Brünnhilde: Heil dir, Sonne!"
Mong Rosseel conductor Alborada del gracioso, Also sprach Zarathustra, op. 30: (Sonnenaufgang), Also sprach Zarathustra, op. 30: Das Grablied, Also sprach Zarathustra, op. 30: Das Nachtwandlerlied, Also sprach Zarathustra, op. 30: Das Tanzlied, Also sprach Zarathustra, op. 30: Der Genesende, Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: Von den Hinterweltlern, Also sprach Zarathustra, op. 30: Von der Wissenschaft, Also sprach Zarathustra, op. 30: Von der großen Sehnsucht, Bolero, Daphnis et Chloé, Suite no. 2: 1. Lever du nour, Daphnis et Chloé, Suite no. 2: 2. Pantomime, Daphnis et Chloé, Suite no. 2: 3. Danse générale, Das Klagende Lied, Part I: I. Beim Weidenbaum, im kühlen Tann, Das Klagende Lied, Part I: II. Ein Spielmann zog einst des Weges daher, Das Klagende Lied, Part I: III. Ach Spielmann, lieber Spielmann mein!, Das Klagende Lied, Part II: IV. Von hohen Felsen erglänzt das Schloß, Das Klagende Lied, Part II: V. Was ist der König so stumm und bleich, Das Klagende Lied, Part II: VI. Ach Spielmann, lieber Spielmann mein!, Das Klagende Lied, Part II: VII. Auf springt der König von seinem Thron, Das Klagende Lied, Part II: VIII. Ach Bruder, lieber Bruder mein!, Don Juan, op. 20, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 3: Allegretto, Hungarian Dance for Orchestra in G minor, WoO 1 No. 1: Allegro molto, Jeux d'enfants, op. 22: I. Marche: Trompette et tambour, Jeux d'enfants, op. 22: II. Berceuse: La Poupée, Jeux d'enfants, op. 22: III. Impromptu: La toupie, Jeux d'enfants, op. 22: IV. Duo: Petit mari, petite femme, Jeux d'enfants, op. 22: V. Galop: Le bal, La Valse, Ma mère l'Oye: Apothéose: Le Jardin féerique, Ma mère l'Oye: Danse du rouet et scène - Interlude, Ma mère l'Oye: Interlude, Ma mère l'Oye: Laideronnette, impératrice des pagodes, Ma mère l'Oye: Les Entretiens de la Belle et de la Bête, Ma mère l'Oye: Pavane de la Belle au bois dormant, Ma mère l'Oye: Petit Poucet, Ma mère l'Oye: Prélude, Menuet antique, Music for the Royal Fireworks, Suite HWV 351: I. Overture, Music for the Royal Fireworks, Suite HWV 351: II. Bourrée, Music for the Royal Fireworks, Suite HWV 351: IV. La Réjouissance, Music for the Royal Fireworks, Suite HWV 351: V. Menuet I–II, Music for the Royal Fireworks: I. Overture. Grave - Andante - Allegro, Music for the Royal Fireworks: II. Bourrée. Allegro, Music for the Royal Fireworks: III. La paix, Music for the Royal Fireworks: IV. La Réjouissance. Allegro, Music for the Royal Fireworks: V. Menuet I & II. Andante, Pavane for a Dead Princess, Pavane pour une infante défunte, Rhapsodie espagnole: Feria, Rhapsodie espagnole: Habanera, Rhapsodie espagnole: Malagueña, Rhapsodie espagnole: Prélude à la nuit, Serenade for Orchestra No. 1 in D major, Op. 11: I. Allegro molto, Serenade for Orchestra No. 1 in D major, Op. 11: II. Scherzo. Allegro non troppo, Serenade for Orchestra No. 1 in D major, Op. 11: III. Adagio non troppo, Serenade for Orchestra No. 1 in D major, Op. 11: IV. Menuetto I - Menuetto II, Serenade for Orchestra No. 1 in D major, Op. 11: V. Scherzo. Allegro, Serenade for Orchestra No. 1 in D major, Op. 11: VI. Rondo. Allegro, Serenade for Orchestra No. 2 in A major, Op. 16: I. Allegro moderato, Serenade for Orchestra No. 2 in A major, Op. 16: II. Scherzo. Vivace, Serenade for Orchestra No. 2 in A major, Op. 16: III. Adagio non troppo, Serenade for Orchestra No. 2 in A major, Op. 16: IV. Quasi menuetto, Serenade for Orchestra No. 2 in A major, Op. 16: V. Rondo. Allegro, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 10 in F-sharp minor: Andante - Adagio, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso - Presto ma non assai, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 1 in C minor: I. Allegro molto moderato, Symphony no. 1 in C minor: II. Adagio, Symphony no. 1 in C minor: III. Scherzo. Lebhaft, Symphony no. 1 in C minor: IV. Finale. Bewegt und feurig, Till Eulenspiegels lustige Streiche, op. 28, Tragic Overture for Orchestra in D minor, op. 81, Valses nobles et sentimentales: Assez animé, Valses nobles et sentimentales: Assez lent, Valses nobles et sentimentales: Epilogue. Lent, Valses nobles et sentimentales: Modéré, Valses nobles et sentimentales: Moins vif, Valses nobles et sentimentales: Presque lent, Valses nobles et sentimentales: Vif, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante
Luis Conti Orchestra conductor Concerto for Violin and Cello in A minor, op. 102: I. Allegro, Concerto for Violin and Cello in A minor, op. 102: II. Andante, Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in der Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Erscheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Still von dem Sturm, Eine Alpensinfonie: Vision, Eine Alpensinfonie: Wanderung neben dem Bache, Leonore Overture no. 2 in C major, op. 72a, Serenade no. 2 in A major, op. 16: I. Allegro moderato, Serenade no. 2 in A major, op. 16: II. Scherzo: Vivace, Serenade no. 2 in A major, op. 16: III. Adagio non troppo, Serenade no. 2 in A major, op. 16: IV. Quasi menuetto, Serenade no. 2 in A major, op. 16: V. Rondo: Allegro, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto & Trio. Allegro molto vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo ma con brio, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo & Trio: Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino), Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo and Trio: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Symphony no. 4 in E-flat major: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major: II. Andante, quasi Allegretto, Symphony no. 4 in E-flat major: III. Scherzo. Bewegt. Trio: Nicht zu schnell. Keinesfalls schleppend, Symphony no. 4 in E-flat major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 4: I Bewegt, nicht zu schnell, Symphony no. 4: II Andante quasi Allegretto, Symphony no. 4: III Scherzo. Bewegt - Trio; Nicht zu schnell. Keinesfalls schleppend, Symphony no. 4: IV Finale - Bewegt, doch nicht zu schnell, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande (Allegro ma non troppo), Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach (Andante molto mosso), Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute (Allegro), Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm (Allegro), Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang - Frohe, dankbare Gefühle nach dem Sturm (Allegretto), Symphony no. 7 in A major, op. 92: I. Poco sostenuto - vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Scherzo. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9: I. Feierlich, Misterioso, Symphony no. 9: II. Scherzo: Bewegt, Lebhaft - Trio: Schnell - Scherzo, Symphony no. 9: III. Adagio: Langsam, Feierlich, Tragic Overture in D minor, op. 81
A Quiet Day for Mellow Dreams conductor Bluebeard's Castle, Op. 11: Fifth Door - Bluebeard's Kingdom, Bluebeard's Castle, Op. 11: First Door - The Torture Chamber, Bluebeard's Castle, Op. 11: Fourth Door - The Secret Garden, Bluebeard's Castle, Op. 11: Prologue and Opening, Bluebeard's Castle, Op. 11: Second Door - The Armoury, Bluebeard's Castle, Op. 11: Seventh Door - Bluebeard's Former Wives, Bluebeard's Castle, Op. 11: Sixth Door - Tears, Bluebeard's Castle, Op. 11: Third Door - The Treasury, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Scherzo à la russe, Symphony No. 5: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plotzlich schneller. Leidenschaftlich. Wild, Symphony No. 5: II. Stürmisch bewegt. Mit größter Vehemenz - bedeutend langsamer - Tempo I subito, Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5: IV. Adagietto (Sehr langsam), Symphony No. 5: V. Rondo - Finale (Allegro), Symphony no. 1 in D major: I. Langsam. Schleppend, Symphony no. 1 in D major: II. Kräftig bewegt, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 "Resurrection": V. Etwas bewegter, Symphony no. 2 "Resurrection": V. Im tempo des Scherzo. Wild herausfahrend, Symphony no. 2 "Resurrection": V. Langsam. Misterioso, Symphony no. 2 "Resurrection": V. Maestoso, Symphony no. 2 "Resurrection": V. Sehr langsam und gedehnt, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, The Firebird: Introduction, The Firebird: Tableau I: Appearance of the Firebird, Pursued by Prince Ivan, The Firebird: Tableau I: Capture of the Firebird by Prince Ivan, The Firebird: Tableau I: Dance of Kastchei's Retinue, Enchanted by the Firebird, The Firebird: Tableau I: Dance of the Firebird, The Firebird: Tableau I: Daybreak, The Firebird: Tableau I: Infernal Dance of All Kastchei's Subjects, The Firebird: Tableau I: Khorovod (Round Dance) of the Princesses, The Firebird: Tableau I: Lullaby, The Firebird: Tableau I: Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan, The Firebird: Tableau I: Sudden Appearance of Prince Ivan, The Firebird: Tableau I: Supplication of the Firebird, The Firebird: Tableau I: The Enchanted Garden of Kastchei, The Firebird: Tableau I: The Princesses' Game with the Golden Apples, The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing
Nico Ganz conductor Peter Grimes: Act: I, Scene I. "And do you prefer the storm", Peter Grimes: Act: I, Scene I. "Hi! Give us a hand!" (Peter, Boles, Balstrode, Ned, Auntie, Hobson), Peter Grimes: Act: I, Scene I. "I have to go from pub to pub" (Hobson, Chorus, Ellen, Ned), Peter Grimes: Act: I, Scene I. "Let her among you without fault cast the first stone" (Ellen, Hobson, Mrs Sedley, Ned), Peter Grimes: Act: I, Scene I. "Look, the storm cone!" (Balstrode, Chorus, Ned, Boles), Peter Grimes: Act: I, Scene I. "Oh! Hang at open doors the net, the cork," (Chorus, 1st Fisherman, Auntie, Boles, Balstrode, 2nd Fisherman, Rector, Nieces, Mrs Sedley, Swallow), Peter Grimes: Act: I, Scene I. "They listen to money" (Balstrode, Peter), Peter Grimes: Act: I, Scene I. "What harbour shelters peace" (Peter), Peter Grimes: Act: I, Scene II. "Come on, boy!" (Balstrode, Chorus), Peter Grimes: Act: I, Scene II. "Have you heard? The cliff is down" (Ned, Auntie, Mrs Sedley, Balstrode, Chorus), Peter Grimes: Act: I, Scene II. "Now the Great Bear and Pleiades" (Peter, Chorus, Nieces, Boles, Balstrode, Auntie), Peter Grimes: Act: I, Scene II. "Old Joe has gone fishing" (Ned, Chorus, Peter), Peter Grimes: Act: I, Scene II. "Past time to close!" (Auntie, Mrs Sedley, Balstrode, Boles, Nieces, Fisherman), Peter Grimes: Act: I, Scene II. "The bridge is down" (Hobson, Ned, Ellen, Boles, Auntie, Nieces, Peter), Peter Grimes: Act: I, Scene II. Interlude II: Storm, Peter Grimes: Act: II, Scene I. "Child you're not too young to know" (Ellen, Chorus, Rector, Peter), Peter Grimes: Act: II, Scene I. "Fool to let it come to this!" (Auntie, Ned, Boles, Chorus, Mrs Sedley, Balstrode, Lawyer, Swallow, Fisherwoman, Nices, Rector), Peter Grimes: Act: II, Scene I. "From the gutter" (Nieces, Auntie, Ellen), Peter Grimes: Act: II, Scene I. "Glitter of waves and glitter of sunlight" (Ellen, Chorus, Rector), Peter Grimes: Act: II, Scene I. "Now is gossip put on trial" (Chorus, Mrs Sedley, Boles, Rector, Ned, Swallow), Peter Grimes: Act: II, Scene I. "People! ... No! I will speak!" (Boles, Chorus, Balstrode, Rector, Auntie, Ellen), Peter Grimes: Act: II, Scene I. "This unrelenting work" (Ellen, Peter, Chorus), Peter Grimes: Act: II, Scene I. "We planned that their lives should have a new start" (Ellen, Rector, Mrs Sedley, Boles, Ned, Nieces, Auntie, Balstrode, Hobson, Swallow), Peter Grimes: Act: II, Scene I. Interlude IV: Passacaglia, Peter Grimes: Act: II, Scene II. "Go there!", Peter Grimes: Act: II, Scene II. "In dreams I've built myself some kindlier home" (Peter), Peter Grimes: Act: II, Scene II. "Now! ... Now!" (Chorus, Peter, Boles, Rector, Swallow, Ned), Peter Grimes: Act: II, Scene II. "Peter Grimes! Nobody there?" (Rector, Swallow, Ned), Peter Grimes: Act: II. Interlude III: Sunday morning, Peter Grimes: Act: III, Scene I. "Assign your prettiness to me" (Swallow, Nieces, Ned), Peter Grimes: Act: III, Scene I. "Come along, Doctor!" (First Burgess, Burgesses, Rector, Mrs Sedley, Ellen, Balstrode), Peter Grimes: Act: III, Scene I. "Embroidery in childhood was a luxury of idleness" (Ellen, Balstrode), Peter Grimes: Act: III, Scene I. "Mister Keene! Mister Keene! Can you spare a moment" (Mrs Sedley, Ned), Peter Grimes: Act: III, Scene I. "Mister Swallow! Mister Swallow!" (Mrs Sedley, Auntie, Swallow, Hobson), Peter Grimes: Act: III, Scene I. "Who holds himself apart, lets pride rise" (Chorus), Peter Grimes: Act: III, Scene I. Interlude VI, Peter Grimes: Act: III, Scene II. "Grimes! Grimes!" (Chorus, Peter), Peter Grimes: Act: III, Scene II. "Peter, we've come to take you home" (Ellen, Peter, Balstrode), Peter Grimes: Act: III, Scene II. "To those who pass the Borough" (Chorus, Swallow, Fisherman, Auntie, Boles), Peter Grimes: Act: III. Interlude V: Moonlight, Peter Grimes: Prologue. "Peter Grimes, I here advise you!" (Swallow, Chorus, Hobson, Peter), Peter Grimes: Prologue. "Peter grimes!" (Hobson, Swallow, Peter), Peter Grimes: Prologue. "The truth ... the pity" (Peter, Ellen), Peter Grimes: Prologue. "You sailed your boat round the coast" (Swallow, Peter, Mrs Sedley, Chorus, Hobson, Ellen), Peter Grimes: Prologue. Interlude I: Dawn
Chelsea Olivia conductor Begräbnisgesang, op. 13, Daphne: "Allüberall blüht Dionysos", Daphne: "Daphne! Mutter! Wir warten dein!", Daphne: "Dieser Kuss, dies Umarmen, du nanntest dich: Bruder", Daphne: "Ei, so fliegt sie vorbei" / "Höre uns, Schäfer", Daphne: "Furchtbare Schmach dem Gotte! Was sagt der da? Ein Zeichen wollt ihr?", Daphne: "Ich grüsse dich, weiser, erfahrener Fischer", Daphne: "Ich komme..Ich komme, grünende Brüder", Daphne: "Leb wohl, du Tag" / "O bleib, geliebter Tag", Daphne: "Leukippos, du! Ja, ich selbst, ich war dem Baum!, Daphne: "Seid ihr um mich, ihr Hirten alle?" / "Wisset, ich sah ihn, Phoibos Apollon!", Daphne: "Trinke, du Tochter", Daphne: "Wahrheit? Jeden heiligen Morgen", Daphne: "Was blendet so? Daphne...Gespielin..." / "Unheilvolle Daphne", Daphne: "Was erblicke ich? Himmlische Schönheit" / "Götter! Brüder im hohen Olympos!", Daphne: "Was führt dich her im niedern Gewande" / "Was seh ich? Was schreitet dort?", Daphne: "Wie bist du gewaltig, fremder Hirte" / "Was können an Weite menschliche Augen forschend ermessen", Daphne: "Zu dir nun, Knabe" / "Ja, ich bekenne", Daphne: Allegretto "O selge Dämonen", Daphne: Einleitung "Kleontes! Adrast! Wo bleibst du?", Die Zauberflöte, K. 620: Overture, Gesang der Parzen, op. 89, Nänie, op. 82, Tannhäuser: Entrée Des Invités À La Wartburg, The Magic Flute: Act I: Bei Männern, welche Liebe fühlen (Pamina/Papageno), The Magic Flute: Act I: Der Vogelfänger bin ich ja (Papageno), The Magic Flute: Act I: Dies Bildnis ist bezaubernd schön (Tamino), The Magic Flute: Act I: O zittre nicht, mein liebe Sohn...Zum Leiden bin ich auserkoren (Queen of Night), The Magic Flute: Act I: Overture, The Magic Flute: Act I: Schnelle Füße, rasche Mut (Pamina/Papageno/Monostatos/Chorus), The Magic Flute: Act II: Ach, ich fühl's (Pamina), The Magic Flute: Act II: Der Hölle Rache (Queen of Night), The Magic Flute: Act II: Die Strahlen der Sonne (Sarastro/Chorus), The Magic Flute: Act II: Ein Mädchen oder Weibchen (Papageno), The Magic Flute: Act II: In diesen heil'gen Hallen (Sarastro), The Magic Flute: Act II: O Isis und Osiris (Chorus), The Magic Flute: Act II: O Isis und Osiris (Sarastro/Chorus), The Magic Flute: Act II: Papagena! Papagena! Papagena! (Papageno/3 Boys/Papagena)
Gustav Mahler conductor Das Rheinlegendchen, Das klagende Lied: Erster Teil, I. "Beim Weidenbaum, im kühlen Tann", Das klagende Lied: Erster Teil, II. "Ein Spielmann zog einst des Weges daher", Das klagende Lied: Erster Teil, III. "Ach Spielmann, lieber Spielmann mein!", Das klagende Lied: Zweiter Teil, IV. "Von hohen Felsen erglanzt das Schloß", Das klagende Lied: Zweiter Teil, V. "Was ist der Konig so stumm und bleich", Das klagende Lied: Zweiter Teil, VI. "Ach Spielmann, lieber Spielmann mein!", Das klagende Lied: Zweiter Teil, VII. "Auf springt der Konig von seinem Thron", Das klagende Lied: Zweiter Teil, VIII. "Ach Bruder, lieber Bruder mein!", Symphonie No. 10 Fis-moll: Andante. Adagio, Symphonie Nr. 4 in G-dur: I. Bedächtig, nicht eilen, Symphonie Nr. 4 in G-dur: II. In gemachlicher Bewegung, Symphonie Nr. 4 in G-dur: III. Ruhevoll, sehr behaglich, Symphonie Nr. 4 in G-dur: IV. Sehr behaglich, Symphony No. 3 in D minor: I. Kraftig, Entschieden, Symphony No. 3 in D minor: II. Tempo di menuetto, Sehr mabig, Symphony No. 3 in D minor: III. Comodo, Scherzando, Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso: <<O Mensch! Gib acht!>>, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: <<Bimm bamm. Es sungen drei Engel>>, Symphony No. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: I. Mit Wut. Allegro risoluto, Symphony No. 9 in D major: I. Tempo I, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb, Symphony No. 9 in D major: II. Ländler, ganz langsam, Symphony No. 9 in D major: II. Poco più mosso subito, Symphony No. 9 in D major: III. Rondo, Burleske (Allegro assai. Sehr trotzig), Symphony No. 9 in D major: III. Rondo, Burleske (Presto), Symphony No. 9 in D major: IV. Adagio (Sehr langsam), Symphony no. 10: Andante-adagio, Symphony no. 7: I. Langsam, Symphony no. 7: II. Nachtmusik I, Symphony no. 7: III. Scherzp, Symphony no. 7: IV. Nachtmusik II, Symphony no. 7: V. Rondo-Finale
Hector Berlioz conductor La Damnation de Faust: Deuxieme Partie - Scene 4 - Chant de la fete de paques, La Damnation de Faust: Deuxieme Partie - Scene 4 - Nord d'Allemange, La Damnation de Faust: Deuxieme Partie - Scene 5 - Mephistopheles et Faust 'O pure emotion', La Damnation de Faust: Deuxieme Partie - Scene 6 - ' Vrai Dieu Messieurs, votre fugue', La Damnation de Faust: Deuxieme Partie - Scene 6 - Chanson de Brander ' Certain rat, dans une cuisine', La Damnation de Faust: Deuxieme Partie - Scene 6 - Chanson de Mesphisopheles ' Une puce gentille', La Damnation de Faust: Deuxieme Partie - Scene 6 - Choeur de buveurs ' A boire encore', La Damnation de Faust: Deuxieme Partie - Scene 7 - Air de Mesphisopheles 'Voici des roses', La Damnation de Faust: Deuxieme Partie - Scene 7 - Ballet des sylphes, La Damnation de Faust: Deuxieme Partie - Scene 7 - Choeur de gnomes et de sylphes. Songe de Fuast 'Dors, heureux Faust', La Damnation de Faust: Deuxieme Partie - Scene 7 - Faust 'Margarita', La Damnation de Faust: Deuxieme Partie - Scene 8 - Choeurs de soldats et chanson d'etudiants, La Damnation de Faust: Premiere Partie - Scene 1 - Plaines de Hongrie, La Damnation de Faust: Premiere Partie - Scene 2 - Ronde des payans, La Damnation de Faust: Premiere Partie - Scene 3 - Marche hongroise, La Damnation de Faust: Quatrieme Partie - Scene 14 - Trio et choeur, La Damnation de Faust: Quatrieme Partie - Scene 15 - Romance, Marguerite 'D'Armour l'ardente flamme', La Damnation de Faust: Quatrieme Partie - Scene 16 - Invocation a la nature, La Damnation de Faust: Quatrieme Partie - Scene 17 - Recitatif et chasse, La Damnation de Faust: Quatrieme Partie - Scene 18 - La course a l'abime, La Damnation de Faust: Quatrieme Partie - Scene 19 - Dans le ciel, La Damnation de Faust: Quatrieme Partie - Scene 19 - Epilogue sur la terre, La Damnation de Faust: Quatrieme Partie - Scene 19 - Pandaemonium, La Damnation de Faust: Troisieme Partie - Scene 10 - Mephistopheles et Faust, La Damnation de Faust: Troisieme Partie - Scene 11 - Le roi de Thule, La Damnation de Faust: Troisieme Partie - Scene 11 - Marguerite ' Que l'air est etouffant', La Damnation de Faust: Troisieme Partie - Scene 12 - Evocation, La Damnation de Faust: Troisieme Partie - Scene 12 - Menuet des follets, La Damnation de Faust: Troisieme Partie - Scene 12 - Serenade de Mephistopheles, La Damnation de Faust: Troisieme Partie - Scene 13 - Final. Duo trio et choeur, La Damnation de Faust: Troisieme Partie - Scene 9 - Air de Faust 'Merci, douz crepuscle', La Damnation de Faust: Troisieme Partie - Scene 9 - La retraite
Christer Nerfont conductor Alborada del gracioso, Bolero, Daphnis et Chloé, Suite Nr. 1 : 1. Nocturne, Daphnis et Chloé, Suite Nr. 1 : 2. Interlude, Daphnis et Chloé, Suite Nr. 1 : 3. Danse guerrière, La Valse, Le Tombeau de Couperin : 1. Prélude, Le Tombeau de Couperin : 2. Forlane, Le Tombeau de Couperin : 3. Menuet, Le Tombeau de Couperin : 4. Rigaudon, Ma Mère l’Oye (ballet) : Apothéose : Le Jardin féerique, Ma Mère l’Oye (ballet) : Danse du rouet et Scène – Interlude, Ma Mère l’Oye (ballet) : Laideronnette, Impératrice des Pagodes – Interlude, Ma Mère l’Oye (ballet) : Les Entretiens de la Belle et de la Bête – Interlude, Ma Mère l’Oye (ballet) : Pavane de la Belle au bois dormant – Interlude, Ma Mère l’Oye (ballet) : Petit Poucet – Interlude, Ma Mère l’Oye (ballet) : Prelude, Menuet antique, Pavane pour une infante défunte, Rapsodie espagnole : 1. Prélude à la nuit, Rapsodie espagnole : 2. Malagueña, Rapsodie espagnole : 3. Habanera, Rapsodie espagnole : 4. Feria, Symphony in C major: I. Allegro - Allegro vivo, Symphony in C major: II. Andante - Adagio, Symphony in C major: III. Scherzo. Allegro vivace, Symphony in C major: IV. Finale. Allegro vivace, Valses nobles et sentimentales
Muhammad Iqbal conductor Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso, Klavierkonzer Nr. 1 D-Moll, Op. 15: I. Maestoso – Poco più moderato, Klavierkonzer Nr. 1 D-Moll, Op. 15: II. Adagio, Klavierkonzer Nr. 1 D-Moll, Op. 15: III. Rondo (Allegro non troppo – Più animato – Tempo 1), Klavierkonzert Nr. 2 B-dur, Op. 83: I. Allegro non troppo., Klavierkonzert Nr. 2 B-dur, Op. 83: II. Allegro appassionato, Klavierkonzert Nr. 2 B-dur, Op. 83: III. Andante – Più adagio, Klavierkonzert Nr. 2 B-dur, Op. 83: IV. Allegretto grazioso – Un poco più presto, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro, Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo, Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
Black Bear Combo conductor Symphony No. 4 in C minor, Op. 43: I. Allegretto poco moderato - Presto, Symphony No. 4 in C minor, Op. 43: II. Moderato con moto, Symphony No. 4 in C minor, Op. 43: III. Largo - Allegro, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht schnell, Symphony no. 2: I. Allegro maestoso. Mit Durchaus Ernstem Und Feierlichem Ausdruck, Symphony no. 2: II. Andante moderato. Sehr Gemachlich. Nie Eilen, Symphony no. 2: III. Scherzo. In Ruhig Fliessender Bewegung, Symphony no. 2: IV. Urlicht, (Primal Light), Sehr Feierlich, Aber Schlicht, Symphony no. 2: V. Im Tempo Des Scherzos. Wild Herausfahrend, Symphony no. 3: I. Kräftig. Entschieden, Symphony no. 3: II. Tempo di Menuetto. Sehr mässig, Symphony no. 3: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3: IV. Sehr langsam. Misterioso, Symphony no. 3: V. Lustig im Tempo und keck im Ausdruck, Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 6: I. Allegro energico, ma non troppo: Heftig, aber markig, Symphony no. 6: II. Scherzo: Wuchtig, Symphony no. 6: III. Andante moderato, Symphony no. 6: IV. Finale: Allegro moderato - Allegro energico
Brayden conductor Jeux (Poèm dansé), Nocturnes: Fêtes, Nocturnes: Nuages, Nocturnes: Sirènes, Symphony no. 6 in A: I. Majestoso, Symphony no. 6 in A: II. Adagio (sehr feierlich), Symphony no. 6 in A: II. Adagio (sehr feierlich) (conclusion), Symphony no. 6 in A: III. Scherzo (nicht schnell) – Trio (langsam), Symphony no. 6 in A: IV. Finale (bewegt, doch nicht zu schnell), Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo, Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto, Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace, Symphony no. 9 in C major, D. 944 “The Great”: IV. Allegro vivace, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: I. Adagio – Allegro, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: II. Andante, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: III. Menuetto. Allegretto, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: IV. Finale (Vivace)
Matthew M. Ronay conductor Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo: Allegro scherzando, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo: Molto allegro, Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Piano Concerto No. 3 in C minor, Op. 37: III. Rondo: Allegro, Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato, Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto, Piano Concerto No. 4 in G major, Op. 58: III. Rondo: Vivace, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco moto, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo: Allegro
Anton Bruckner conductor Symphony No. 5 in B-flat major: I. Introduction. Adagio - Allegro. Mäßig, Symphony No. 5 in B-flat major: II. Adagio. Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo. Molto vivace (schnell) - Trio. Im gleichen Tempo, Symphony No. 5 in B-flat major: IV. Finale. Adagio - Allegro moderato, Symphony No. 6 in A major: I. Maestoso, Symphony No. 6 in A major: II. Adagio. Sehr feierlich, Symphony No. 6 in A major: III. Scherzo. Nicht schnell - Trio. Langsam, Symphony No. 6 in A major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso, Symphony no. 9 in D minor, WAB 109: II. Scherzo. Bewegt, lebhaft, Symphony no. 9 in D minor, WAB 109: III. Adagio. Langsam, feierlich
Daniel Vezoja conductor Le Tombeau de Couperin: Rigaudon, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (quasi andantino) Presto ma non assai, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Piu Allegro, Tragic Overture, Op. 81, Variations on a Theme by Haydn, op. 56a
arbeit conductor Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato, Piano Concerto no. 1 in D minor, op. 15: 2. Adagio, Piano Concerto no. 1 in D minor, op. 15: 3. Rondo (Allegro non troppo), Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 3, I. Allegro ma non tanto (excerpt), Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano concert no. 2 in C, op 18: Adagio sostenuto, Piano concert no. 2 in C, op 18: Allegro scherzando, Piano concert no. 2 in C, op 18: Moderato
Cornelia Büttner conductor Piano Concerto No. 1 in C major, Op. 15: Cadenza, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: Cadenza, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro, Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato, Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto, Piano Concerto No. 4 in G major, Op. 58: III. Rondo. Vivace
Ludwig van Beethoven conductor Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile, Symphony No. 6 in F major, Op. 68 'Pastorale': V. Allegretto, Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IVb. O Freunde, Nicht Diese Toene!, Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVe. Andante maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": IVf. Allegro energico, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony No. 9 in D minor, Op. 125 'Choral': II. Scherzo. Molto vivace
Colony of Meditation conductor Symphonie Nr. 5 B-dur: Introduction (Adagio) - Allegro, Symphony No. 3 in D minor: I. Gemässigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Andante. Bewegt, feierlich, quasi Adagio, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 8 in C minor: Allegro Moderato, Symphony No.8 In C Minor: Adagio: Feierlich Langsam, Doch Nicht Schleppend, Symphony No.8 In C Minor: Finale: Feierlich, Nicht Schnell, Symphony No.8 In C Minor: Scherzo: Allegro Moderato - Trio: Langsam
Rolando Briceño conductor Piano Concerto No. 2 in C minor, Op. 18: I. Moderato, Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto No. 3 in D minor, Op. 30: I. Allegro ma non tanto, Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo: Adagio, Piano Concerto No. 3 in D minor, Op. 30: III. Finale: Alla breve, Piano Concerto No. 4 in G minor, Op. 40: I. Allegro vivace, Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace
No Respect For Beauty conductor Violin Concerto in D major, op. 61: I. Allegro ma troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo. Allegro, Violin Romance no. 1 in G major, op. 40, Violin Romance no. 2 in F major, op. 50
Fingers Lee & The Upper Hand conductor Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro appassionato, Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante – Più adagio, Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso – Un poco più presto
Malihini conductor Piano Concerto no. 2 in B-flat, op. 83: 1. Allegro non troppo, Piano Concerto no. 2 in B-flat, op. 83: 2. Allegro appassionato, Piano Concerto no. 2 in B-flat, op. 83: 3. Andante - Più adagio, Piano Concerto no. 2 in B-flat, op. 83: 4. Allegretto grazioso - Un poco più presto
VHS Logos conductor Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo, Concerto for Violin and Orchestra in D major, op. 77: II. Adagio, Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto, Danse macabre
Mod East conductor Concerto for Piano, Violin, and Cello in C, op. 56: I. Allegro, Concerto for Piano, Violin, and Cello in C, op. 56: II. Largo - attacca:, Concerto for Piano, Violin, and Cello in C, op. 56: III. Rondo alla Polacca, Concerto in C, Op. 56, for piano, violin, cello, with orchestra: II. Largo / III. Rondo alla Polacca
Coco Banana conductor Violin Concerto in D major: I. Allegro moderato, Violin Concerto in D major: II. Canzonetta. Andante, Violin Concerto in D major: III. Allegro vivacissimo, Vioolromance no. 2 in F, op. 50
Amanté conductor Violin Concerto in E minor, Op. 64: 1. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: 2. Andante, Violin Concerto in E minor, Op. 64: 3. Allegro non troppo - Allegro molto vivace, Violin Romance No. 1 in G major, Op. 40
Sir William Walton conductor Symphony No. 1 in B flat major: I. Allegro assai, Symphony No. 1 in B flat major: II. Presto, con malizia, Symphony No. 1 in B flat major: III. Andante con malinconia, Symphony No. 1 in B flat major: IV. Maestoso: Brioso ed ardentemente
Dimenzio conductor Symphony no. 6: I. Allegro energico ma non troppo, Symphony no. 6: II. Scherzo: Wuchtig (pesant), Symphony no. 6: III. Andante moderato, Symphony no. 6: IV. Allegro moderato
Antony Kaiman conductor Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo, Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato, Piano Concerto no. 2 in B-flat major, op. 83: III. Andante
Ira & Eugene Yates conductor Triple Concerto for Piano, Violin and Cello in C major, op. 56: I. Allegro, Triple Concerto for Piano, Violin and Cello in C major, op. 56: II. Largo, Triple Concerto for Piano, Violin and Cello in C major, op. 56: III. Rondo alla Polacca
Presque l'Amour conductor Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro
Pico Alt conductor Paganini Variations: Variation XVIII, Rhapsody on a Theme of Paganini, op. 43
Steffen Friedrich conductor Danses Pour Harpe et Orchestre: 1. Danse Sacree, Danses Pour Harpe et Orchestre: 2. Danse Profane
Guy Malka conductor Symphony no. 7 "Sinfonia antartica": I. Prelude: Andante maestoso, Symphony no. 7 "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro)
Wolfgang Amadeus Mozart conductor O Isis und Osiris, The Magic Flute
Сергей Сергеевич Прокофьев conductor Peter and the Wolf, Op. 67, Peter und der Wolf
Richard Wagner conductor Siegfried, Act 2: Prelude (extract - The Dragon Motif)
Pietro Mascagni conductor Cavalleria Rusticana: Regina coeli, laetare, "Easter Hymn"
Phantom conductor Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
Sputñik conductor Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto. Allegro assai
Claude Debussy conductor Rhapsodie pour orchestre et clarinette principale, L 116
Robert Schumann conductor Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische Sinfonie": 4. Feierlich
Johannes Brahms conductor Double concerto pour violon & violoncelle en la mineur Op.102 : I. Allegro
Jesus Caunedo conductor Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Vivace - Adagio cantabile
Giuseppe Verdi conductor Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Пётр Ильич Чайковский conductor Violin Concerto in D: III. Finale
Chorus of the Royal Opera House, Covent Garden conductor Va, Pensiero (Nabucco, Chorus of Hebrew Slaves)