MUSICAL BACON
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Sir Simon Rattle
conductor, vocal
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Benny Greb
Tim Ries Quartet
Georges Bizet
Nan Schaefer
Benjamin Britten
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Benny Greb
conductor
5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch, 5 Orchesterstücke, op. 16: II. Vergangenes: Mässige Viertel, 5 Orchesterstücke, op. 16: III. Farben: Mässige Viertel, 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel, 5 Orchesterstücke, op.16: IV. Peripetie, sehr rasch, 6 Orchesterstücke, op. 6: I. Langsam, 6 Orchesterstücke, op. 6: II. Bewegt, 6 Orchesterstücke, op. 6: III. Mässig, 6 Orchesterstücke, op. 6: IV. Sehr mässig, 6 Orchesterstücke, op. 6: V. Sehr langsam, 6 Orchesterstücke, op. 6: VI. Langsam, A Celebration of some 100 x 150 notes, Ad Lib on Nippon, Alborada del gracioso, An American Overture, op. 27, Apollo: Premiere Tableau (prologue). Naissance d'Apollon, Apollo: Second Tableau. Apothéose, Apollo: Second Tableau. Coda (Apollon et les Muses), Apollo: Second Tableau. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore), Apollo: Second Tableau. Pas de deux (Apollon et Terpsichore), Apollo: Second Tableau. Variation d'Apollon, Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses), Apollo: Second Tableau. Variation de Calliope (L'Alexandrin), Apollo: Second Tableau. Variation de Polymnie, Apollo: Second Tableau. Variation de Tepsichore, Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Ballet "The Firebird": Dance of Kashchey's retinue under Firebird's spell, Ballet "The Firebird": Dance of the Firebird, Ballet "The Firebird": Disappearance of the palace, Ballet "The Firebird": Introduction, Ballet "The Firebird": Lullaby, Ballet "The Firebird": Sudden appearance of Ivan Tsarevich, Ballet "The Firebird": The princesses' game with the golden apples, Barcarola per grande orchestra, Bluebeard's Castle - The Lake of Tears, Boléro, Chamber Symphony no. 1: First Movement [excerpt], Ciaccona sinfonica: I. Allegro, Ciaccona sinfonica: II. Andante sostenuto, Ciaccona sinfonica: III. Gigue, Come Sunday, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece), Decoration Day (conclusion), Dream/Window, Drowned Out, Drowned Out (excerpt), End Title, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Et exspecto ressurrectionem mortuorum (4th movement opening), Fanfare pour "L'Éventail de Jeanne", Flourish with Fireworks, op. 22, Four Studies (1952 version): I. Danse, Four Studies (1952 version): II. Excentrique, Four Studies (1952 version): III. Cantique, Four Studies (1952 version): IV. Madrid, Fünf Stücke für Orchester (nos. 3 - 5), Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, Harlem (A Tone Parallel to Harlem), From "Far East Suite", Harmonielehre: Part I, Harmonielehre: Part II: The Anfortas Wound, Harmonielehre: Part III: Meister Eckhardt and Quackie, Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale, Henry V Theme / The Boar’s Head, Holidays Symphony: Decoration Day (conclusion), In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Isfahan, Jeux, Jeux (conclusion), Joie du sang des étoiles (Turangalîla-symphonie - 5th movement), Kai, Klavierkonzert a-moll, op. 16: III. Allegro moderato molto e marcato, La Valse, Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes, Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue), Le Sacre du printemps: Première Partie: L'adoration de la terre. Glorification de l'èlue - Évocation des ancêtres - Action rituelle des ancêtres, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction, Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt, Le Sacre du printemps: Première Partie: L'adoration de la terre. Le sage - Danse de la terre, Le Sacre du printemps: Première Partie: L'adoration de la terre. Ronder printanières - Jeux des cités rivales - Cortège du sage, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Lulu-Suite: I. Rondo: Andante und Hymne, Lulu-Suite: II. Ostinato: Allegro, Lulu-Suite: IV. Variationen: Moderato, Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -, Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -, Ma Mère l'Oye: (Interlude) - Petit poucet -, Ma Mère l'Oye: Danse du Rouet et Scène -, Ma Mère l'Oye: Le Jardin Féerique, Ma Mère l'Oye: Pavane de la Belle au bois dormant -, Ma Mère l'Oye: Prélude -, Maybe, Miroirs - La Vallée des cloches, Miroirs: La vallée des cloches (Très lent), Momentum, Music for Strings, Percussion and Celesta: II. Allegro, Music for strings, percussion and celesta (2nd movement - opening), Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Opening Title / ‘O! For a Muse of Fire’, Pagodes from Estampes, Pan and Syrinx: Pastorale, op. 49, Passacaglia, op. 4, Petrushka: I. Fete populaire de la semaine grasse, Petrushka: I. Le tour de passe-passe - Danse russe, Petrushka: II. Chez Petrushka, Petrushka: III. Chez le maure - Danse de la ballerine, Petrushka: III. Valse - La ballerine et le maure, Petrushka: IV. Bohemien et marchand malhonnete, Petrushka: IV. Danse des cochers et des palefreniers, Petrushka: IV. Danse des nounous, Petrushka: IV. Fete populaire de la semaine grasse, Petrushka: IV. Le rixe - Le maure et Petrushka, Petrushka: IV. Les deguises, Petrushka: IV. Mort de Petrushka, Petrushka: IV. Paysan et l'ours, Petrushka: IV. Police et l'enchanteur - Vociferation du double de Petrushka, Piano Quartet no. 1 in G minor, op. 25: I. Allegro, Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo, Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto, Rhapsody in Blue (opening), Scherzo à la Russe, Scherzo à la Russe (for jazz band), Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben misurato -, Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -, Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo, Solitude in Transblucency, Something to Live For, Sophisticated Lady, St. Crispin’s Day / The Battle of Agincourt, Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale, Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden), Symphonic Dances From West Side Story (excerpt), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 7: I. Tanz - Lebhaft und beseelt, Symphonie Nr. 7: II. Ruhig bewegt, Symphonie Nr. 7: III. Unablässig in Bewegung, Symphonie Nr. 7: IV. Ruhig, verhalten, Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphonie no. 3 "Lied der Nacht": Beginn des 1. Satzes, Symphony In Three Movements: I., Symphony In Three Movements: II. - Andante - Interlude, Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony in Three Movements: III. Con moto, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (excerpt), Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -, Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening), Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 4, op. 29: Allegro, Symphony no. 4, op. 29: Poco adagio quasi andante, Symphony no. 4, op. 29: Poco allegretto, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 5 in E-flat, op. 82: III. Allegro molto (opening), Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 6 in D minor: III. Poco vivace, Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto, Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante, Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio, Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto, Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione), Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo), Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E minor “Song of the Night”: III. Scherzo. Schattenhaft, fließend aber nicht schnell (excerpt), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 70 in D, Hob. I:70: I. Vivace con brio, Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante), Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio, Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio), Symphony no. 7: 3rd Movement (opening), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus), Symphony no. 8: 2nd Movement (conclusion), Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai, Symphony no. 90 in C, Hob. I:90: II. Andante, Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio, Symphony no. 90 in C, Hob. I:90: IV. Finale, Take the "A" Train, That Doo-Wah Thing, The Chairman Dances - Foxtrot for Orchestra, The Chairman Dances: Foxtrot for Orchestra, The Death of Bardolph, The Death of Falstaff, The Dream of Gerontius: (Andantino), The Dream of Gerontius: And now on the threshold (Angel), The Dream of Gerontius: Another marvel, The Dream of Gerontius: Be merciful, be gracious (semi-chorus, chorus), The Dream of Gerontius: But hark! Upon my senses (Soul), The Dream of Gerontius: But hark! a grand mysterious harmony (Soul, Angel, chorus), The Dream of Gerontius: Dispossessed, aside thrust (chorus), The Dream of Gerontius: Glory to Him (semi-chorus, chorus), The Dream of Gerontius: Go forth upon thy Journey (chorus, Priest, semi-chorus), The Dream of Gerontius: Go in the name of Angels (chorus, Priest, semi-chorus), The Dream of Gerontius: I can no more (Gerontius), The Dream of Gerontius: I see not those false spirits (Soul), The Dream of Gerontius: I went to sleep (Soul of Gerontius), The Dream of Gerontius: It is a member of that family... A presage falls upon thee (Angel, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul), The Dream of Gerontius: Jesu! by that shuddering dread (Angel of the Agony, Soul, semi-chorus, chorus), The Dream of Gerontius: Jesu, Maria - I am near to death (Gerontius), The Dream of Gerontius: Lord, Thou hast been our refuge (chorus), The Dream of Gerontius: Low-born clods of brute earth (chorus), The Dream of Gerontius: My work is done (Angel, Soul), The Dream of Gerontius: Novissima hora est (semi-chorus, chorus, Gerontius), The Dream of Gerontius: Praise to His Name! (Angel), The Dream of Gerontius: Praise to His Name!... Take me away (Angel, Soul, chorus), The Dream of Gerontius: Praise to the Holiest (chorus), The Dream of Gerontius: Praise to the Holiest (semi-chorus, chorus, Angel), The Dream of Gerontius: Prelude, The Dream of Gerontius: Proficiscere, anima Christiana (Priest), The Dream of Gerontius: Rescue him, O Lord (chorus), The Dream of Gerontius: Rouse thee, my fainting soul... Be merciful (Gerontius, chorus), The Dream of Gerontius: Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius: So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus), The Dream of Gerontius: Softly and gently (Angel, chorus, semi-chorus), The Dream of Gerontius: Take me away (Soul), The Dream of Gerontius: The Sound is like the rushing of the wind (Soul), The Dream of Gerontius: The mind bold and independent (chorus), The Dream of Gerontius: There was a mortal (Angel), The Dream of Gerontius: There was a mortal... Praise to the holiest (Angel, semi-chorus, chorus, Soul), The Dream of Gerontius: They sing of thy approaching agony (Soul, Angel, chorus), The Dream of Gerontius: Thy judgment now is near (Angel, Soul), The Firebird (conclusion), The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (conclusion), The Rite of Spring, Part II (The Sacrifice): Sacrificial Dance, The Rite of Spring: Part 2: The Sacrifice: Introduction, The Rite of Spring: Part 2: The Sacrifice: Mystic Circles of the Young Girls, The Threat to the Governor of Harfleur / Katherine of France / The March to Calais, The Three Traitors, The Warriors, The Wooing of Katherine, Things Ain't What They Used to Be, Three Occasions for Orchestra: A Celebration of Some 100 X 150 Notes, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Two Fanfares: 2. Short Ride in a Fast Machine, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, West Side Story: Symphonic Dances, You're the One, Young Person´s Guide to the Orchestra: Fugue (Allegro molto), Zeitgestalten: III ♩ = 80, ‘Let This Acceptance Take’, ‘Non Nobis, Domine’, ‘Now, Lords, for France!’, ‘Once More Unto the Breach’, ‘The Day Is Yours’, ‘Upon the King’
Tim Ries Quartet
conductor
A Faust Symphony: I. Faust. Lento assai - Allegro impetuoso - Allegro agitato ed appassionato assai, A Faust Symphony: II. Gretchen. Andante soave, A Faust Symphony: III. Mephistopheles. Allegro vivace, ironico, Accompanying Music to a Film Scene, op. 34: Drohende gefahr - angst - katastrophe, Asteroid 4179: Toutatis, Candide: Overture, Carmen - Prélude, Carmina Burana: Uf Dem Anger: Tanz, Ceres, Chamber Symphony no. 1, op. 9b: I. Langsam - sehr rasch, Chamber Symphony no. 1, op. 9b: II. [Bar 133] Feurig - hauptzeitmaß - ruhiger - sehr rasch, Chamber Symphony no. 1, op. 9b: III. [Bar 368] Viel langsamer - fließender - schwungvoll - hauptzeitmaß, Chamber Symphony no. 1, op. 9b: IV. [Bar 497] Etwas ruhiger - steigernd - hauptzeitmaß, Fidelio: Act I, no. 3. Quartett: Mir ist so wunderbar, Fidelio: Act II, no. 16. Finale - Wer ein holdes Weib errungen, Fidelio: Ouvertüre, Gymnopédie no. 3, Hungarian Dance no. 3 in F, Komarov's Fall, L'Enfant et les Sortilèges: Ah ! C'est l'enfant au couteau !, L'Enfant et les Sortilèges: Ah ! Quelle joie de te retrouver, Jardin !, L'Enfant et les Sortilèges: Deux robinets coulent dans un réservoir, L'Enfant et les Sortilèges: How's Your Mug, L'Enfant et les Sortilèges: Oui, c'est elle, ta princess enchantée, L'Enfant et les Sortilèges: Sauve-toi, sotte ! Et la cage ? La Cage ?, L'Enfant et les Sortilèges: Votre serviteur humble, Bergère, La Boîte à joujoux: Changement à vue - Quatrième Tableau: Après fortune faite - Épilogue, La Boîte à joujoux: Deuxième Tableau: Le Champ de bataille, La Boîte à joujoux: Premier Tableau: Le Magasin de jouets, La Boîte à joujoux: Prélude: Le Sommeil de la boîte, La Boîte à joujoux: Troisième Tableau: Le Bergerie à vendre, La Mer: I. De l'aube à midi sur la mer, La Mer: II. Jeux de vagues, La Mer: III. Dialogue du vent et de la mer, Le sacre du printemps (1947 version): Première Partie: L'Adoration de la terre, Ma Mère l'Oye: Le Jardin féerique, Ma mère l'Oye: I. Danse de rouet et scéne: Allegro - Un peu moins animé, Ma mère l'Oye: II. Pavane de la Belle au bois dormant: Lent - Allegro - Mouvements de valse modéré, Ma mère l'Oye: III. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré - Lent, Ma mère l'Oye: IV. Petit Poucet: Tres modéré - Lent, Ma mère l'Oye: Prélude, Ma mère l'Oye: V. Laideronnette, Impératrice des pagodes: Mouvement de marche - Allegro - Trés modéré, Ma mère l'Oye: VI. (Apothéose:) Le Jardin féerique: Lent et grave, Matthäus-Passion, BWV 244: Erster Teil: [Nr 22] Recitativo accompagnato: »Der Heiland fällt vor seinem Vater nieder« [Solo-Bass], Matthäus-Passion, BWV 244: Erster Teil: [Nr 27] Aria: »So ist mein Jesus nun gefangen!« [Solo-Sopran, Solo-Alt, Chor II] / Chori: »Sind Blitze, sind Donner in Wolken verschwunden?« [Chor I und II], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 10] Choral: »lch bin's, ich sollte bußen« [Chor I und II], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 11] Recitativo / Accompagnato: »Er antwortete und sprach« [Evangelist, Jesus, Judas], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 12] Recitativo accompagnato: »Wiewohl mein Herz in Tranen schwimmt« [Solo-Sopran], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 13] Aria: »lch will dir mein Herze schenken« [Solo-Sopran], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 14] Recitativo / Accompagnato: »Und da sie den Lobgesang gesprochen hatten« [Evangelist, Jesus], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 15] Choral: »Erkenne mich, mein Hüter« [Chor I und II], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 16] Recitativo / Accompagnato: »Petrus aber antwortete und sprach« [Evangelist, Petrus, Jesus], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 17] Choral: »lch will hier bei dir stehen« [Chor I und II], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 18] Recitativo / Accompagnato: »Da kam Jesus mit ihnen zu einem Hofe« [Evangelist, Jesus], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 19] Recitativo accompagnato: »O Schmerz! Hier zittert das gequälte Herz« / Choral: »Was ist die Ursach« [Solo-Tenor, Chor II], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 20] Aria: »lch will bei meinem Jesu wachen« [Solo-Tenor, Chor II], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 21] Recitativo / Accompagnato: »Und ging hin ein wenig« [Evangelist, Jesus], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 23] Aria: »Gerne will ich mich bequemen« [Solo-Bass], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 24] Recitativo / Accompagnato: »Und er kam zu seinen Jungern« [Evangelist, Jesus], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 25] Choral: »Was mein Gott will, das g'scheh allzeit« [Chor I und II], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 26] Recitativo / Accompagnato: »Und er kam und fand sie aber schlafend« [Evangelist, Jesus, Judas], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 28] Recitativo / Accompagnato: »Und siehe, einer aus denen« [Evangelist, Jesus], Matthäus-Passion, BWV 244: Erster Teil: [Nr. 29] Chorus: »O Mensch, bewein dein' Sunde groß« [Chor I und II, Knabensoprane], Matthäus-Passion, BWV 244: Zweiter Teil: Auftritt, Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 30] Aria: »Ach, nun ist mein Jesus hin!« [Solo-Alt, Chor II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 31] Recitativo: »Die aber Jesum gegriffen hatten« [Evangelist], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 32] Choral: »Mir hat die Welt truglich gericht'« [Chor I und II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 33] Recitativo: »Und wiewohl viel falsche Zeugen herzutraten« [Evangelist, zwei Zeugen, Hohepriester], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 34] Recitativo accompagnato: »Mein Jesus schweigt« [Solo-Tenor], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 35] Aria: »Geduld, wenn mich falsche Zungen stechen« [Solo-Tenor], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 36] Recitativo / Accompagnato: »Und der Hohepriester antwortete und sprach zu ihm« [Evangelist, Hohepriester, Jesus] / Chori: »Er ist des Todes schuldig« [Chor I und II] / Recitativo: »Da speieten sie aus in sein Angesicht« [Evangelist] / Due Chori: »Weissage uns, Christe« [Chor I und II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 37] Choral: »Wer hat dich so geschlagen« [Chor I und II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 38] Recitativo: »Petrus aber saß draußen im Palast« [Evangelist, Magd I, Petrus, Magd II] / Chorus: »Wahrlich, du bist auch einer von denen« [Chor II] / Recitativo: »Da hub er an, sich zu verfluchen« [Evangelist, Petrus], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 39] Aria: »Erbarme dich, mein Gott« [Solo-Alt), Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 40] Choral: »Bin ich gleich von dir gewichen« [Chor I und II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 41] Recitativo: »Des Morgens aber hielten alle Hohepriester« [Evangelist, Judas] / Chori: »Was gehet uns das an« [Chor I und II] / Recitativo: »Und er warf die Silberlinge in den Tempel« [Evangelist, zwei Hohepriester], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 42] Aria: »Gebt mir meinen Jesum wieder!« [Solo-Bass], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 43] Recitativo / Accompagnato: »Sie hielten aber einen Rat« [Evangelist, Pilatus, Jesus], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 44] Choral: »Befiehl du deine Wege« [Chor I und II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 45] Recitativo: »Auf das Fest aber hatte der Landpfleger Gewohnheit« / Due Chori: »Lass ihn kreuzigen« [Chor I und II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 46] Choral: »Wie wunderbarlich ist doch diese Strafe!« [Chor I und II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 47] Recitativo: »Der Landpfleger sagte« [Evangelist, Pil atus], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 48] Recitativo accompagnato: »Er hat uns allen wohlgetan« [Solo-Sopran], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 49] Aria: »Aus Liebe will mein Heiland sterben« [Solo-Sopran], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 50] Recitativo: »Sie schrieen aber noch mehr und sprachen« [Evangelist] / Due Chori: »Lass ihn kreuzigen« [Chor I und II] / Recitativo: »Da Pilatus aber sahe, dass er nichts schaffete« [Evangelist, Pilatus] / Chori: »Sein Blut komme uber uns« [Chor I und II] / Recitativo: »Da gab er ihnen Barrabam los« [Evangelist], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 51] Recitativo accompagnato: »Erbarm es Gott!« [Solo-Alt], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 52] Aria: »Können Tranen meiner Wangen« [Solo-Alt], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 53] Recitativo: »Da nahmen die Kriegsknechte des Landpflegers« [Evangelist] / Chori: »Gegrußet seist du, Jüdenkönig!« [Chor I und II] / Recitativo: »Und speieten ihn an« [Evangelist], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 54] Choral: »O Haupt voll Blut und Wunden« [Chor I und II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 55] Recitativo: »Und da sie ihn verspottet hatten« [Evangelist], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 56] Recitativo accompagnato: »Ja, freilich will in uns das Fleisch und Blut« [Solo-Bass], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 57] Aria: »Komm, süßes Kreuz« [Solo-Bass], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 58] Recitativo: »Und da sie an die Stätte kamen« [Evangelist] / Chori: »Der du den Tempel Gottes ze rbri chst« [Chor I und II] / Recitativo: »Desgleichen auch die Hohenpriester« [Evangelist] / Chori: »Andern hat er geholfen« [Chor I und II] / Recitativo: »Desgleichen schmäheten ihn auch die Mörder« [Evangelist], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 59] Recitativo accompagnato: »Ach Golgatha, unsel'ges Golgatha!« [Solo-Alt], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 60] Aria: »Sehet, Jesus hat die Hand« [Solo-Alt, Chor II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 61] Recitativo: »Und von der sechsten Stunde an« [Evangelist, Jesus] / Chorus: »Der rufet dem Elias« [Chor I] / Recitativo: »Und bald lief einer unter ihnen« [Evangelist] / Chorus: »Halt! Lass sehen« [Chor II] / Recitativo: »Aber Jesus schriee abermal« [Evangelist], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 62] Choral: »Wenn ich einmal soll scheiden« [Chor I und II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 63] Recitativo: »Und siehe da, der Vorhang im Tempel zerriss« [Evangelist] / Due Chori in unisono: »Wahrlich, dieser ist Gottes Sohn gewesen« [Chor I und II] / Recitativo: »Und es waren viel Weiber da« [Evangelist], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 64] Recitativo accompagnato: »Am Abend, da es kuhle war« [Solo-Bass], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 65] Aria: »Mache dich, mein Herze, rein« [Solo-Bass], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 66] Recitativo: »Und Joseph nahm den Leib« [Evangelist] / Due Chori: »Herr, wir haben gedacht« [Chor I und II] / Recitativo: »Pilatus sprach zu ihnen« [Evangelist, Pilatus], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 67] Recitativo: »Nun ist der Herr zur Ruh gebracht« [Soli, Chor II], Matthäus-Passion, BWV 244: Zweiter Teil: [Nr. 68] Chorus: »Wir setzen uns mit Tranen nieder« [Chor I und II], Nutcracker: Act I, no. 1. The Decoration of the Christmas Tree, Nutcracker: Act I, no. 2. March, Nutcracker: Act I, no. 3. Children's Galop and Entry of the Parents, Nutcracker: Act I, no. 4. Arrival of Drosselmeyer, Nutcracker: Act I, no. 5. Grandfather's Dance, Nutcracker: Act I, no. 6. Scene: Clara and the Nutcracker, Nutcracker: Act I, no. 7. Scene: The Battle, Nutcracker: Act I, no. 8. Scene: In the Pine Forest, Nutcracker: Act I, no. 9. Waltz of the Snowflakes, Nutcracker: Act II, no. 10. Scene: The Kingdom of Sweets, Nutcracker: Act II, no. 11. Scene: Clara and the Prince, Nutcracker: Act II, no. 12. Divertissement: Chocolate: Spanish Dance, Nutcracker: Act II, no. 12. Divertissement: Coffee: Arabian Dance, Nutcracker: Act II, no. 12. Divertissement: Dance of the Reed Pipes, Nutcracker: Act II, no. 12. Divertissement: Mother Gigogne, Nutcracker: Act II, no. 12. Divertissement: Tea: Chinese Dance, Nutcracker: Act II, no. 12. Divertissement: Trepak: Russian Dance, Nutcracker: Act II, no. 13. Waltz of the Flowers, Nutcracker: Act II, no. 14. Pas De Deux, Nutcracker: Act II, no. 14. Pas De Deux: Coda, Nutcracker: Act II, no. 14. Pas De Deux: Variation I: Tarantella, Nutcracker: Act II, no. 14. Pas De Deux: Variation II: Dance of the Sugar Plum Fairy, Nutcracker: Act II, no. 15. Final Waltz and Apotheosis, Nutcracker: Miniature Overture, Piano Quartet no. 1 in G minor, op. 25: I. Allegro, Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro ma non troppo, Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto, Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese, Pictures at an Exhibition: Cum mortuis in lingua mortua, Pictures at an Exhibition: I. Gnomus, Pictures at an Exhibition: II. The Old Castle, Pictures at an Exhibition: III. Tuileries, Pictures at an Exhibition: IV. The Ox Cart / Bydlo, Pictures at an Exhibition: IX. The Hut on Fowl's Legs, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: VII. The Market at Limoges, Pictures at an Exhibition: VIII. The Catacombs, Pictures at an Exhibition: X. The Great Gate of Kiev, Polovetsian Dances (From Prince Igor), Polovtsian Dances from Prince Igor, Pomp and Circumstance March no. 4 in G, Prélude à l'après-midi d'un faune, Sinfonia concertante in B-flat: I. Allegro, Sinfonia concertante in B-flat: II. Andante, Sinfonia concertante in B-flat: III. Allegro con spirito, Slavonic Dance, op. 46 no. 1, Slavonic Dance, op. 46: No. 3 in A-flat, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace - Lento assai. Come prima - Allegro vivace, Symphonie fantastique, op. 14: I. Rêveries – Passions, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une Nuit de Sabbat, Symphony in C: I. Moderato alla breve, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. Overture - Allegro, Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio - Più allegro, Symphony no. 1 in F minor, op. 10: I. Allegretto, Symphony no. 1 in F minor, op. 10: II. Allegro, Symphony no. 1 in F minor, op. 10: III. Lento, Symphony no. 1 in F minor, op. 10: IV. Allegro molto, Symphony no. 2 in B minor: I. Allegro, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto, Symphony no. 2 in B minor: III. Andante, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 2 in C minor “Resurrection”: Finale: Langsam. Misterioso: „Aufersteh'n, ja aufersteh'n wirst du“ (Klopstock/Mahler) – Etwas bewegter – Mit Aufschwung, aber nicht eilen, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato, Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht (aus “Des Knaben Wunderhorn”), Symphony no. 2 in C minor “Resurrection”: V. (a) Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 2 in C minor “Resurrection”: V. (b) Wieder sehr breit –, Symphony no. 2 in C minor “Resurrection”: V. (c) Ritadano... Maestoso –, Symphony no. 2 in C minor “Resurrection”: V. (d) Wieder zurückhaltend –, Symphony no. 2 in C minor “Resurrection”: V. (e) Langsam. Misterioso (Klopstock/Mahler) –, Symphony no. 2 in C minor “Resurrection”: V. (f) Etwas bewegter –, Symphony no. 2 in C minor “Resurrection”: V. (g) Mit Aufschwung, aber nicht eilen, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) - Presto, ma non assai, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 2: 1. Hésitant, Symphony no. 2: 2. Direct, Symphony no. 3 in F major, op. 90: I. Allegro con brio - Un poco sostenuto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro - Un poco sostenuto, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro, Symphony no. 5: Adagietto, Symphony no. 88 in G major: I. Adagio - Allegro, Symphony no. 88 in G major: II. Largo, Symphony no. 88 in G major: III. Menuetto: Allegretto - Trio, Symphony no. 88 in G major: IV. Finale: Allegro con spirito, Symphony no. 89 in F major: I. Vivace, Symphony no. 89 in F major: II. Andante con moto, Symphony no. 89 in F major: III. Menuetto: Allegretto - Trio, Symphony no. 89 in F major: IV. Finale: Vivace assai, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemachlichen Landlers. Etwas täppisch und sehr derb, Symphony no. 9 in D major: III. Rondo-Burleske (Allegro assai. Sehr trotzig), Symphony no. 9 in D major: IV. Adadigo (Sehr langsam und noch zurückhaltend), Symphony no. 9 in D minor: I. Feierlich, misterioso, Symphony no. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 9 in D minor: IV. Finale (Misterioso. Nicht schnell), Symphony no. 90 in C major: I. Adagio - Allegretto, Symphony no. 90 in C major: II. Andante, Symphony no. 90 in C major: III. Menuet and Trio, Symphony no. 90 in C major: IV. Finale: Allegro assai, Symphony no. 90 in C major: IV. Finale: Allegro assai (alternate version), Symphony no. 91 in E-flat: I. Largo - Allegro assai, Symphony no. 91 in E-flat: II. Andante, Symphony no. 91 in E-flat: III. Menuetto: Un poco allegretto - Trio, Symphony no. 91 in E-flat: IV. Finale: Vivace, Symphony no. 92 in G major "Oxford": I. Adagio - Allegro, Symphony no. 92 in G major "Oxford": II. Adagio, Symphony no. 92 in G major "Oxford": III. Menuetto: Allegretto - Trio, Symphony no. 92 in G major "Oxford": IV. Finale: Presto, Tevot, The Golden Spinning Wheel, op. 109, B. 197: I. Allegro, ma non troppo, The Golden Spinning Wheel, op. 109, B. 197: II. Molto vivace, The Golden Spinning Wheel, op. 109, B. 197: III. Lento, The Golden Spinning Wheel, op. 109, B. 197: IV. Allegro, ma non troppo, The Noon Witch, op. 108, B. 196: Andante, The Noon Witch, op. 108, B. 196: I. Allegretto, The Noon Witch, op. 108, B. 196: II. Andante sostenuto e molto tranquillo, The Nutcracker, op. 71: Act II, no. 12. Divertissement: Tea: Chinese Dance, The Nutcracker: No. 12. Divertissement, The Water Goblin, op. 107, B. 195: I. Allegro vivo, The Water Goblin, op. 107, B. 195: II. Andante mesto come prima, The Water Goblin, op. 107, B. 195: III. Un poco piu mosso, The Water Goblin, op. 107, B. 195: IV. Allegro vivace, The Wild Dove, op. 110, B. 198: I. Allegro vivo, The Wild Dove, op. 110, B. 198: II. Andante mesto come prima, The Wild Dove, op. 110, B. 198: III. Un poco piu mosso, The Wild Dove, op. 110, B. 198: IV. Allegro vivace, Three Préludes: Ce qu'a vu le vent d'ouest, Three Préludes: Feuilles mortes, Three Préludes: Feux d'artifice, towards Osiris, Éclairs sur l'Au-delà...: I. Apparition du Christ glorieux, Éclairs sur l'Au-delà...: II. La Constellation du Sagittaire, Éclairs sur l'Au-delà...: III. L'Oiseau-lyre et la Ville-fiancée, Éclairs sur l'Au-delà...: IV. Les Élus marqués du sceau, Éclairs sur l'Au-delà...: IX. Plusieurs Oiseaux des arbres de Vie, Éclairs sur l'Au-delà...: V. Demeurer dans l'Amour..., Éclairs sur l'Au-delà...: VI. Les Sept Anges aux sept trompettes, Éclairs sur l'Au-delà...: VII. Et Dieu essuiera toute larme de leurs yeux, Éclairs sur l'Au-delà...: VIII. Les Étoiles et la Gloire, Éclairs sur l'Au-delà...: X. Le Chemin de l'Invisible, Éclairs sur l'Au-delà...: XI. Le Christ, lumière du Paradis
Georges Bizet
conductor
Carmen, Act 1 - "Attends un peu" (Don José/Micaëla), Carmen, Act 1 - "Eh bien, José? Qu'est-ce qui c'est passé?" (Zuniga/Don José), Carmen, Act 1 - "Laissez-moi échapper" (Carmen/Don José), Carmen, Act 1 - "Mais nous ne voyons pas la Carmencita!" … "Quand je vous aimerai?" (Jeunes gens/Dragons/Cigarières/Carmen), Carmen, Act 1 - "Que est-ce-que ca veut dire, ces façons-là? (Don José/Micaëla), Carmen, Act 1 - "Regardez donc cette petite qui semble vouloir nous parler" (Moralès/Micaëla/Dragons), Carmen, Act 1 - No. 1 Introduction "Sur la place, chacun passe, chacun vient, chacun va" (Moralès/Dragons), Carmen, Act 1 - No. 10 Final "Voice l'ordre, partez" (Zuniga/Carmen), Carmen, Act 1 - No. 2 Marche et Chœur des gamins "Avec la garde montante, nous arrivons, nous voilà!" (Enfants), Carmen, Act 1 - No. 3 Chœur et Scène "La cloche a sonné; nous, des ouvrières" (Jeunes gens), Carmen, Act 1 - No. 4 Havanaise "L'amour est un oiseau rebelle" (Carmen/Cigarières/Jeunes gens/Dragons), Carmen, Act 1 - No. 5 Scène "Carmen! sur tes pas nous nous pressons tous!" (Jeunes gens/Cigarières), Carmen, Act 1 - No. 6 Duo "Parle-moi de ma mère" (Don José/Micaëla), Carmen, Act 1 - No. 7 Chœur "Au secours!" (Zuniga/Cigarières), Carmen, Act 1 - No. 8 Chanson et Mélodrame "Avez-vous quelque chose à répondre?" - "Tra la, la, la, coupe-moi" (Zuniga/Carmen), Carmen, Act 1 - No. 9 Chanson et Duo "Près des remparts de Séville" (Carmen/Don José), Carmen, Act 2 - "Au quartier! pour l'appel?" (Carmen/Don José), Carmen, Act 2 - "Bel officier, l'amour vous joue en ce moment un assez vilain tour!" (Carmen/Remendado/Dancaïro/Bohémiens/Zuniga), Carmen, Act 2 - "Dis-moi ton nom" (Escamillo/Carmen), Carmen, Act 2 - "Eh bien monsieur, quelles nouvelles" (Frasquita/Dancairo/Mercédès/Remendado), Carmen, Act 2 - "Enfin, te voilà!" (Carmen/Don José), Carmen, Act 2 - "La fleur que tu m'avais jetée" (Don José), Carmen, Act 2 - "La-la-la-la" /"Attends un peu, Carmen" (Carmen/Don José), Carmen, Act 2 - "Non! Je ne veux plus t'écouter!" (Don José/Carmen), Carmen, Act 2 - "Non! tu ne m'aimes pas!" (Carmen/Don José), Carmen, Act 2 - "Partez sans moi, j'irai vous rejoindre demain." (Carmen/Frasquita/Mércèdes/Remendado/Dancairo/Don José), Carmen, Act 2 - "Plus tard!" /"La guerre, c'est la guerre!" (Zuniga/Dancaïro/Remendado/Bohémiens/Carmen/Don José/Frasquita/Mercédès/Bohémiens), Carmen, Act 2 - ENTR'ACTE, Carmen, Act 2 - No. 11 Chanson "Les tringles des sistres tintaient avec un éclat métallique" (Carmen/Frasquita/Mercédès), Carmen, Act 2 - No. 12 Chœur et Ensemble "Vivat! vivat le Torero!" (Amis d'Escamillo/Zuniga/Carmen/Frasquita/Mercédès/Moralès), Carmen, Act 2 - No. 13 Couplets "Votre toast, je peux vouz le rendre" …"Toréador, en garde!" (Escamillo/Carmen/Frasquita/Mercédès/Moralès/Zuniga), Carmen, Act 2 - No. 13bis "Toréador, en garde" (Amis d'Escamillo), Carmen, Act 2 - No. 14 Quintette "Nous avons en tête une affaire" (Dancaïro/Frasquita/Mercédès/Remendado/Carmen), Carmen, Act 2 - No. 16 Duo "Je vais danser en votre honneur" (Carmen), Carmen, Act 2 - No. 17 Final "Holà! Carmen! holà! holà!" (Zuniga/Don José/Carmen), Carmen, Act 3 - "Eh bien?" - "Eh bien, c'est plus compliqué que prévu!" (Carmen/Frasquita/Mércèdes/Dancaïro/Remendado), Carmen, Act 3 - "Elle avait pour amant" (Escamillo/Don José), Carmen, Act 3 - "En vain pour éviter" (Carmen), Carmen, Act 3 - "Enfin ma colère" - "Quelle maladresse" (Don José/Escamillo), Carmen, Act 3 - "La mort" /"Parlez encor, parlez mes belles;" (Carmen/Frasquita/Mercédès), Carmen, Act 3 - "Mais pour nous enlever nos filles de Bohème" (Don José/Escamillo), Carmen, Act 3 - "Moi! Je viens te chercher!" (Micaëla), Carmen, Act 3 - "Notre métier est bien" (Carmen/Don José/Frasquita/Mercédès/Dancaïro/Remendado/Bohémiens et Bohémiennes), Carmen, Act 3 - "Prends garde à toi Carmen" (Don José/Dancaïro/Bohémiens et Bohémiennes/Remendado/Carmen/Micaëla/Frasquita/Mercédès), Carmen, Act 3 - "Qui êtes-vous, répondez!" (Don José/Escamillo), Carmen, Act 3 - "Toréador, en garde!" (Escamillo), Carmen, Act 3 - "Va-t'en" - "Tu me dis de la suivre!" (Carmen/Don José), Carmen, Act 3 - "Voyons que j'essaie à mon tour." (Carmen), Carmen, Act 3 - "À quoi tu penses?" (Carmen/Don José), Carmen, Act 3 - ENTR'ACTE, Carmen, Act 3 - No. 18 Introduction "Écoute, écoute, compagnon, écoute!" (Bohémiens), Carmen, Act 3 - No. 19 Trio "Mêlons! Coupons!" (Frasquita/Mercédès), Carmen, Act 3 - No. 20 Morceau d'Ensemble "Quant au douanier" (Carmen/Frasquita/Mercédès/Dancaïro/Remendado/Bohémiens et Bohémiennes), Carmen, Act 3 - No. 21 Air "Je dis que rien ne m'épouvante" (Micaëla), Carmen, Act 3 - No. 22 Duo "Je suis Escamillo, Torero de Grenade!" (Escamillo/Don José), Carmen, Act 3 - No. 23 Final "Holá! holá! José!" (Carmen/Escamillo/Don José/Dancaïro), Carmen, Act 3 - Tout beau!" (Escamillo/Don José), Carmen, Act 4 - "Carmen, un bon conseil" (Frasquita/Carmen/Mercédès), Carmen, Act 4 - "Si tu m'aimes, Carmen" (Escamillo/Carmen), Carmen, Act 4 - "Tu m'aimes donc plus" (Don José/Carmen/Chœurs), Carmen, Act 4 - ENTR'ACTE, Carmen, Act 4 - No. 24 Chœur "A deux cuartos!" (Marchands et Marchandes/Zuniga/Une marchande/Un bohemien), Carmen, Act 4 - No. 25 Chœur et Scène "Les voici! Voici la quadrille!" (Chœurs/Enfants), Carmen, Act 4 - No. 26 "C'est toi" - "C'est moi" (Carmen/Don José)
Nan Schaefer
conductor
Apollon Musagète: First tableau: Prologue: The birth of Apollo, Apollon Musagète: Second tableau: Apotheosis, Apollon Musagète: Second tableau: Coda, Apollon Musagète: Second tableau: Pas d'action, Apollon Musagète: Second tableau: Pas de deux, Apollon Musagète: Second tableau: Second variation of Apollo, Apollon Musagète: Second tableau: Variation of Apollo, Apollon Musagète: Second tableau: Variation of Calliope, Apollon Musagète: Second tableau: Variation of Polyhymnia, Apollon Musagète: Second tableau: Variation of Terpsichore, Le Sacre du Printemps: L'Adoration de la Terre: I. Introduction, Le Sacre du Printemps: L'Adoration de la Terre: II. Les Augures printaniers, Le Sacre du Printemps: L'Adoration de la Terre: III. Danses des adolescents, Le Sacre du Printemps: L'Adoration de la Terre: IV. Jeu du rapt, Le Sacre du Printemps: L'Adoration de la Terre: IX. Danse de la terre, Le Sacre du Printemps: L'Adoration de la Terre: V. Rondes printanières, Le Sacre du Printemps: L'Adoration de la Terre: VI, Jeux des cités rivals, Le Sacre du Printemps: L'Adoration de la Terre: VII. Cortège du sage: Le Sage, Le Sacre du Printemps: L'Adoration de la Terre: VIII. Le Sage, Le Sacre du Printemps: La Sacrifice: I. Introduction, Le Sacre du Printemps: La Sacrifice: II. Cercles mystérieux des adolescents, Le Sacre du Printemps: La Sacrifice: III. Glorification de l'élue, Le Sacre du Printemps: La Sacrifice: IV. Evocation des ancêtres, Le Sacre du Printemps: La Sacrifice: V. Action rituelle des ancêtres, Le Sacre du Printemps: La Sacrifice: VI. Danse sacrale (L'Elue), Symphonies of Wind Instruments, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante, Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale: Andante - Allegro molto, Symphony no. 10: I. Adagio, Symphony no. 10: II. Scherzo, Symphony no. 10: III. Purgatorio, Allegretto moderato, Symphony no. 10: IV. (Scherzo), Symphony no. 10: V. Finale, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto - Un pocchettino con moto - Tempo primo, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (Ma non tanto) - Sempre energico, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace - Doppio più lento, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato - Presto - Più presto, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto - Tranquillo - Poco a poco stretto - Tempo primo, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Largamente assai - Un pochettino stretto, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105: Adagio, Symphony no. 7 in C major, op. 105: Allegro molto moderato - Allegro moderato, Symphony no. 7 in C major, op. 105: Vivace - Presto - Adagio - Largamente molto - Affettuoso, Symphony no. 7 in C major, op. 105: Vivacissimo - Adagio, The Planets Suite for Orchestra, op. 32: Jupiter, the Bringer of Jollity, The Planets Suite for Orchestra, op. 32: Mars, the Bringer of War, The Planets Suite for Orchestra, op. 32: Mercury, the Winged Messenger, The Planets Suite for Orchestra, op. 32: Saturn, the Bringer of Old Age, The Planets Suite for Orchestra, op. 32: Uranus, the Magician, The Planets Suite for Orchestra, op. 32: Venus, the Bringer of Peace, ホルスト：『惑星』より 木星 (ジュピター)：喜悦をもたらす者
Benjamin Britten
conductor
"Praise We Great Men" for Voices, Chorus and Orchestra: I., "Praise We Great Men" for Voices, Chorus and Orchestra: II., "Praise We Great Men" for Voices, Chorus and Orchestra: III., 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce), 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato), 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato), 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo), Canadian Carnival, op. 19, Les Illuminations, op. 18: I. Fanfare, Les Illuminations, op. 18: II. Villes, Les Illuminations, op. 18: III. Phrase, Les Illuminations, op. 18: IV. Antique, Les Illuminations, op. 18: IX. Parade, Les Illuminations, op. 18: V. Royaute, Les Illuminations, op. 18: VI. Marine, Les Illuminations, op. 18: VII. Interlude, Les Illuminations, op. 18: VIII. Being Beauteous, Les Illuminations, op. 18: X. Depart, Nocturne, op. 60: I. On a poet's lips I slept, Nocturne, op. 60: II. Below the thunders of the upper deep, Nocturne, op. 60: III. Encinctured, Nocturne, op. 60: IV. Midnight's bell, Nocturne, op. 60: V. But that night, Nocturne, op. 60: VI. She sleeps, Nocturne, op. 60: VII. What is more gentle, Nocturne, op. 60: VIII. When most I wink, Occasional Overture in C major, Op.38, Scottish Ballad for 2 Pianos and Orchestra, Op.26, Serenade, op. 31: I. Prologue, Serenade, op. 31: II. Pastoral, Serenade, op. 31: III. Nocturne, Serenade, op. 31: IV. Elegy, Serenade, op. 31: V. Dirge, Serenade, op. 31: VI. Hymn, Serenade, op. 31: VII. Sonnet, Serenade, op. 31: VIII. Epilogue, The Young Person's Guide to the Orchestra, op. 34: I. Theme: Allegro maestoso e largamente, The Young Person's Guide to the Orchestra, op. 34: II. Variation 1 (Flutes and piccolo), The Young Person's Guide to the Orchestra, op. 34: III. Variation 2 (Oboes): Lento, The Young Person's Guide to the Orchestra, op. 34: IV. Variation 3 (Clarinets): Moderato, The Young Person's Guide to the Orchestra, op. 34: IX. Variation 8 (Double basses): Comminciando lento ma poco a poco accel. al Allegro, The Young Person's Guide to the Orchestra, op. 34: V. Variation 4 (Bassoons): Allegro alla marcia, The Young Person's Guide to the Orchestra, op. 34: VI. Variation 5 (Violins): Brillante, alla polacca, The Young Person's Guide to the Orchestra, op. 34: VII. Variation 6 (Violas): Meno mosso, The Young Person's Guide to the Orchestra, op. 34: VIII. Variation 7 (Cellos), The Young Person's Guide to the Orchestra, op. 34: X. Variation 9 (Harp): Maestoso, The Young Person's Guide to the Orchestra, op. 34: XI. Variation 10 (Horns): L'istesso tempo, The Young Person's Guide to the Orchestra, op. 34: XII. Variation 11 (Trumpets): Vivace, The Young Person's Guide to the Orchestra, op. 34: XIII. Variation 12 (Trombones and bass tuba): Allegro pomposo, The Young Person's Guide to the Orchestra, op. 34: XIV. Variation 13 (Percussion): Moderato, The Young Person's Guide to the Orchestra, op. 34: XV. Fugue: Allegro moderato, War Requiem, op. 66: Sanctus (Excerpt), War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus
Cempopoloah
conductor
Enigma Variations: I. C.A.E. (the composer's wife), Enigma Variations: II. H.D.S-P. (Hew David Steuart-Powell), Enigma Variations: III. R.B.T. (Richard Baxter Townshend), Enigma Variations: IV. W.M.B. (William Meath Baker), Enigma Variations: IX. Nimrod (A.J. Jaeger), Enigma Variations: Theme, Enigma Variations: V. R.P.A. (Richard Penroes Arnold), Enigma Variations: VI. Ysobel (Isabel Fitton), Enigma Variations: VII. Troyte (Troyte Griffith), Enigma Variations: X. Intermezzo: Dorabella (Dora Penny), Enigma Variations: XI. G.R.S. (George Robertson Sinclair), Enigma Variations: XII. B.G.N. (Basil G. Nevinson), Enigma Variations: XIII. Romanza: *** (Lady Mary Lygon), Enigma Variations: XIV. Finale: E.D.U. (the composer), Falstaff, symphonic study in C minor, op. 68: I. Falstaff and Prince Henry, Falstaff, symphonic study in C minor, op. 68: II. Dream Interlude, Falstaff, symphonic study in C minor, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep, Falstaff, symphonic study in C minor, op. 68: III. Falstaff's march – The return through Gloucestershire, Falstaff, symphonic study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard – The new king – The hurried ride to London, Falstaff, symphonic study in C minor, op. 68: IV. King Henry V's progress – The repudiation of Falstaff, and his death, Grania and Diarmid: I. Incidental Music, Grania and Diarmid: II. Funeral March, Odyssey: Epilogue, Odyssey: Introduction, Odyssey: Part I, Odyssey: Part II, Odyssey: Part III, Odyssey: Part IV, Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso, Scene With Cranes, op. 44 no. 2, Symphonic Dances from West Side Story: Mambo, Symphony no. 1 in E minor, op. 39: I. Allegro, Ma Non Troppo - Allegro Energico, Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento, Symphony no. 1 in E minor, op. 39: III. Scherzo - Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (Andante - Allegro molto), Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato), Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato - Presto, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105: I Adagio, Symphony no. 7 in C major, op. 105: II. Un pochettino meno adagio - Vivacissimo - Adagio, Symphony no. 7 in C major, op. 105: III. Allegro molto moderato -, Symphony no. 7 in C major, op. 105: IV. Vivace - Presto - Adagio, The Oceanides, op. 73
George Gershwin
conductor
Piano Concerto in F: II. Adagio - Andante Con Moto (Opening), Porgy & Bess: Summertime, Porgy and Bess, Act III: Oh Lawd, I'm on my way, Porgy and Bess: Act I, Scene I. "Give him to me" - "Lissen to yo' daddy warn you" - "A woman is a sometime thing" (Jake, Mingo, Sporting Life, Chorus, Baby, Clara, Robbins, Peter, Lily, Maria), Porgy and Bess: Act I, Scene I. "Here comes Big Boy!" (Mingo, Jake, Jim, Crown, Porgy, Serena, Bess, Robbins, Chorus, Sporting Life), Porgy and Bess: Act I, Scene I. "Here's the ol' crap shark!" - "No, no, brudder" (Jake, Mingo, Porgy, Sporting Life, Robbins, Jim, Maria, Serena), Porgy and Bess: Act I, Scene I. "Jesus, he's killed him!" - "That you, Sportin' Life?" (Jake, Serena, Bess, Crown, Sporting Life, Maria), Porgy and Bess: Act I, Scene I. "Oh, nobody knows when the Lawd is goin' to call" (Mingo, Chorus, Sporting Life, Jake, Serena, Robbins, Jim, Clara, Crap Shooters (Male Chorus)), Porgy and Bess: Act I, Scene I. "Six to make!" (Sporting Life, Jim, Jake, Mingo, Porgy, Crown, Robbins, Maria, Serena, Bess, Chorus), Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Solo / Chorus, Porgy and Bess: Act I, Scene II. "A saucer-burying set-up, I see" (Detective, Serena, Lily, Peter, Porgy, Policeman, Maria, Jake, Chorus), Porgy and Bess: Act I, Scene II. "How de saucer stan' now, my sister?" (Undertaker, Serena, Jake, Porgy), Porgy and Bess: Act I, Scene II. "My man's gone now" (Serena, Chorus), Porgy and Bess: Act I, Scene II. "Oh, the train is at the station" (Bess, Chorus), Porgy and Bess: Act I, Scene II. "Overflow, overflow" (Chorus, Porgy), Porgy and Bess: Act I, Scene II. "Where is brudder Robbins?" - "Come on, sister!" (solo soprano, Chorus, solo baritone, Serena, Maria, Bess, solo soprano, Jake, Peter, Porgy, Clara), Porgy and Bess: Act II, Scene I. "'Lo Bess, goin' to picnic?" (Sporting Life, Bess, Porgy), Porgy and Bess: Act II, Scene I. "Boy! Come here, boy!" (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, Frazier, Chorus), Porgy and Bess: Act II, Scene I. "Buzzard keep on flyin' over" (Porgy, Chorus), Porgy and Bess: Act II, Scene I. "Lissen there, what I tells you" - "I hates yo' struttin' style" (Maria, Serena, Sporting Life), Porgy and Bess: Act II, Scene I. "Mornin', Lawyer, lookin' for somebody?" (Maria, Frazier, Porgy, Bess, Chorus, Lily, Bass voice, Scipio, Annie, Serena), Porgy and Bess: Act II, Scene I. "Mus' be you mens forgot about de picnic" - "Oh, I got plenty o' nuttin'" (Annie, Jake, Clara, Porgy, Chorus, Serena, Maria), Porgy and Bess: Act II, Scene I. "Oh, I can't sit down" (Chorus, Maria, Bess, Porgy), Porgy and Bess: Act II, Scene I. "Oh, I'm agoin' out to the Blackfish banks" (Jake, Chorus), Porgy and Bess: Act II, Scene II. "Crown!" (Bess, Crown), Porgy and Bess: Act II, Scene II. "I ain't got no shame" (Chorus), Porgy and Bess: Act II, Scene II. "It ain't necessarily so" - "Shame on all you sinners" (Sporting Life, Chorus, Serena, Maria), Porgy and Bess: Act II, Scene II. "Oh, what you want wid Bess?" (Bess, Crown), Porgy and Bess: Act II, Scene III. "Honey, dat's all de breakfast I got time for" (Jake, Fisherman, Jim, Nelson, Maria, Chorus), Porgy and Bess: Act II, Scene III. "I wants to stay here" (Bess, Porgy), Porgy and Bess: Act II, Scene III. "Oh dey's so fresh an' fine" (Strawberry woman, Peter, Woman, Annie, Crab man, Porgy, Maria), Porgy and Bess: Act II, Scene III. "Oh, doctor Jesus" (Serena, Peter, Porgy, Lily), Porgy and Bess: Act II, Scene III. "Porgy, Porgy, dat you there, ain't it?" (Bess, Porgy), Porgy and Bess: Act II, Scene III. "Take yo' han's off me" (Bess, Serena, Maria, Peter, Porgy), Porgy and Bess: Act II, Scene III. "Why you been out on that wharf so long, Clara?" (Maria, Clara), Porgy and Bess: Act II, Scene IV. "A red-headed woman make a choo-choo jump its track" (Crown, Chorus, Clara, Bess), Porgy and Bess: Act II, Scene IV. "All right, I'm goin' out to get Clara" - "Oh, Doctor Jesus" (Crown, Porgy, Solo sextet, Chorus), Porgy and Bess: Act II, Scene IV. "Oh, Doctor Jesus" (Solo sextet, Chorus, Porgy, Clara, Serena, Sporting Life), Porgy and Bess: Act II, Scene IV. "Oh, dere's somebody knockin' at de do'" (Chorus, Peter, Maria, Lily, Mingo, Other woman), Porgy and Bess: Act II, Scene IV. "One of dese mornings you goin' to rise up singin'" (Clara, Chorus, Porgy, Bess), Porgy and Bess: Act II, Scene IV. "You is a nice parcel of Christians!" (Crown, Serena, Bess, Porgy, Woman, Chorus), Porgy and Bess: Act III, Scene I. "Clara, Clara, don't you be downhearted" - "You low-life skunk, ain' you got no shame" (Chorus, Sporting Life, Maria), Porgy and Bess: Act III, Scene I. "Summertime" - Porgy kills Crown (Bess, Porgy), Porgy and Bess: Act III, Scene II. "Come out here, both of you" (Detective, Coroner, Porgy), Porgy and Bess: Act III, Scene II. "Listen: there's a boat dat's leavin' soon for New York" (Sporting Life, Bess), Porgy and Bess: Act III, Scene II. "Oh, Lawd, what I goin' do?" - "Oh, Gawd! They goin' make him look on Crown's face!" (Porgy, Bess, Sporting Life, Policeman), Porgy and Bess: Act III, Scene II. "Wait for us at the corner" (Detective, Annie, Serena, Other woman, Coroner), Porgy and Bess: Act III, Scene III. "Bess is gone" (Lily, Porgy, Serena, Mingo, Maria, Chorus), Porgy and Bess: Act III, Scene III. "Dem white folks sure ain' put nuttin' over on this baby" (Porgy, Lily), Porgy and Bess: Act III, Scene III. "Good mornin', sistuh!" - "It's Porgy comin' home" (Solo tenor, solo mezzo-soprano, Chorus, Children, Mingo, Porgy), Porgy and Bess: Act III, Scene III. "Here Mingo, what's de matter wid you all?" (Porgy), Porgy and Bess: Act III, Scene III. "Oh Lawd, I'm on my way" (Porgy, Chorus), Porgy and Bess: Act III, Scene III. "Where's Bess?" (Porgy, Maria, Serena), Porgy and Bess: Act III, Scene III. Introduction
赵琪
conductor
Symphony No. 7 in A, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A, Op. 92: II. Allegretto, Symphony No. 7 in A, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A, Op. 92: IV. Allegro con brio, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto & Trio: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo & Trio: Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo & Trio: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto - Poco andante - Presto, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro -, Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto, Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo: Awakening of happy feelings on arriving in the country, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso: By the brook, Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro - sempre piu stretto - In tempo d’allegro - Tempo I - Presto: Merry gathering of the country folk -, Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro: Thunder and storm -, Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto: Shepherds’ song. Beneficent feelings with thanks to the Godhead after the Storm, Symphony no. 9 in D minor, op. 125: I. Allegro non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace - Presto, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai -, Symphony no. 9 in D minor, op. 125: IV. Presto - Reccitativo - Allegro assai - Allegro assai vivace (alla marcia) -
Die Matzingers
conductor
Piano Concerto in D for the Left Hand: Allegro -, Piano Concerto in D for the Left Hand: Lento - Cadenza - Allegro, Piano Concerto in D for the Left Hand: Lento - Più lento - Andante, Piano Concerto in G: I. Allegramente, Piano Concerto in G: II. Adagio assai, Piano Concerto in G: III. Presto, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: I. Andante sostuento, Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: III. Presto, Piano concerto, No. 2 in C minor, Op. 18: II. Adagio sostenuto (excerpt), Rhapsody on a Theme of Paganini, op. 43: Introduction: Allegro vivace / Variation I: Precedente, Rhapsody on a Theme of Paganini, op. 43: Thema / Variation II: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation III: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation IV: Più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation IX: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation V: Tempo precedente, Rhapsody on a Theme of Paganini, op. 43: Variation VI: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato, Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo I, Rhapsody on a Theme of Paganini, op. 43: Variation X (crotchet = crotchet), Rhapsody on a Theme of Paganini, op. 43: Variation XI: Moderato, Rhapsody on a Theme of Paganini, op. 43: Variation XII: Tempo di menuetto, Rhapsody on a Theme of Paganini, op. 43: Variation XIII: Allegro, Rhapsody on a Theme of Paganini, op. 43: Variation XIV: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation XIX: A tempo vivace, Rhapsody on a Theme of Paganini, op. 43: Variation XV: Più vivo, scherzando, Rhapsody on a Theme of Paganini, op. 43: Variation XVI: Allegretto, Rhapsody on a Theme of Paganini, op. 43: Variation XVII: (crotchet = dotted crotchet), Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile, Rhapsody on a Theme of Paganini, op. 43: Variation XX: Un poco più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation XXI: Un poco più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation XXII: Un poco più vivo (alla breve), Rhapsody on a Theme of Paganini, op. 43: Variation XXIII: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation XXIV: A tempo un poco meno mosso - Più vivo, Rhapsody on a theme of Paganini: Variation 18
Karol Szymanowski
conductor
Król Roger: Act I. "Boże pobłogosław Panie praodwieczny", Król Roger: Act I. "Czyś słyszał?", Król Roger: Act I. "Hagios! Hagios!", Król Roger: Act I. "Mój Bóg jest piękny jako ja", Król Roger: Act I. "Niech odejdzie Pasterz", Król Roger: Act I. "Oto bluźnierca!", Król Roger: Act I. "W jego uśmiechu!", Król Roger: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!", Król Roger: Act II. "A ...!...Roksana! Jej śpiew!", Król Roger: Act II. "Kto śmie mój czar łańcuchem pętać rabów?", Król Roger: Act II. "Ktoś mglisty przeszedł między strażą!", Król Roger: Act II. "Niepokój bladych gwiazd", Król Roger: Act II. "O przychodzę sam, jako kazałeś, Królu", Król Roger: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie", Król Roger: Act II. "Tajemnych głębin życia żar wszechmocną", Król Roger: Act II. (Orchestra), Król Roger: Act II. Dance of the Shepherd's followers, Król Roger: Act II. Roxana's Entrance. "A...! W radosnym tańcu", Król Roger: Act III. "Edrisi, już świt!", Król Roger: Act III. "Na sąd, na sąd staw się Królu", Król Roger: Act III. "Rogerze! Rogerze!", Król Roger: Act III. "Syć ofiarny", Król Roger: Act III. "Słońce! Słońce! Edrisi!", Król Roger: Act III. "Wokół martwota głazów", Król Roger: Act III. (Orchestra), Król Roger: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!", Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro, Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly, Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare), Symphony no. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!), Symphony no. 3 "Song of the Night": II. Vivace, scherzando, Symphony no. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...)
Ludwig van Beethoven
conductor
Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag", ベートーヴェン：交響曲 第9番 『合唱』 第4楽章より
Arnold Schönberg
conductor
A Survivor from Warsaw, Des Sommers Wilde Jagd: Herr Gänseßuss, Frau Gänsekraut (Sprecher), Des Sommers Wilde Jagd: Seht die Sonne (Chor), Des Sommers Wilde Jagd: Vorspiel, Five Orchestral Pieces, op. 16: II. Vergangenes (Mässige Viertel) (Conclusion), Gurrelieder: Dritter Teil. "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr), Gurrelieder: Dritter Teil. Deckel des Sarges klappert (Bauer), Gurrelieder: Dritter Teil. Der Hahn erhebt den Kopf zur Kraht (Waldermars Mannen), Gurrelieder: Dritter Teil. Du strenger Richter droben (Waldemar), Gurrelieder: Dritter Teil. Erwacht, König Waldemars Mannen (Waldemar), Gurrelieder: Dritter Teil. Gegrüßt, o König (Waldermars Mannen), Gurrelieder: Dritter Teil. Mit Toves Stimme flüstert der Wald (Waldemar), Gurrelieder: Erster Teil. Du sendest mir einen Liebesblick (Tove), Gurrelieder: Erster Teil. Du wunderlische Tove! (Waldemar), Gurrelieder: Erster Teil. Es ist Mitternachtszeit (Waldemar), Gurrelieder: Erster Teil. Nun dämpft die Daemm'rung (Waldemar), Gurrelieder: Erster Teil. Nun sag ich dir zum ersten Mal (Tove), Gurrelieder: Erster Teil. O, wenn des Mondes Strahlen (Tove), Gurrelieder: Erster Teil. Orchestervorspiel, Gurrelieder: Erster Teil. Orchesterzwischenspiel, Gurrelieder: Erster Teil. Ross! Mein Ross! (Waldemar), Gurrelieder: Erster Teil. So tanzen die Engel vor Gottes Thron nicht (Waldemar), Gurrelieder: Erster Teil. Sterne jubeln (Tove), Gurrelieder: Erster Teil. Tauben von Gurre! (Waldtaube), Gurrelieder: Zweiter Teil. Herrgott, weißt du, was du tatest (Waldemar), Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese: Presto, Pierrot Lunaire: Der Mondfleck
Fiona Monbet
conductor
Chamber Symphony no. 1, op. 9: I. Langsam - Sehr rasch, Chamber Symphony no. 1, op. 9: II. Feurig - Hauptzeitmaß - Ruhiger - Sehr rasch -, Chamber Symphony no. 1, op. 9: III. Viel langsamer - Fließender - Schwungvoll - Hauptzeitmaß, Chamber Symphony no. 1, op. 9: IV. Etwas ruhiger - Steigernd - Hauptzeitmaß, Wonderful Town: Act I. A Little Bit in Love, Wonderful Town: Act I. A Quiet Girl, Wonderful Town: Act I. Christopher Street, Wonderful Town: Act I. Conga!, Wonderful Town: Act I. Conquering New York, Wonderful Town: Act I. Conversation Piece, Wonderful Town: Act I. Entr'acte, Wonderful Town: Act I. Ohio, Wonderful Town: Act I. One Hundred Ways to Lose a Man, Wonderful Town: Act I. Overture, Wonderful Town: Act I. Pass the Football, Wonderful Town: Act I. What a Waste, Wonderful Town: Act II. Ballet at the Village Vortex, Wonderful Town: Act II. It's Love, Wonderful Town: Act II. It's Love (reprise), Wonderful Town: Act II. My Darlin' Eileen, Wonderful Town: Act II. Ohio (reprise), Wonderful Town: Act II. Quiet Incidental, Wonderful Town: Act II. Swing!, Wonderful Town: Act II. The Wrong Note Rag
Hiraeth
conductor
Diversions for Piano Left Hand and Orchestra, op. 21: II. Variation 1: Recitative, Diversions for Piano Left Hand and Orchestra, op. 21: III. Variation 2: Romance, Diversions for Piano Left Hand and Orchestra, op. 21: IV. Variation 3: March, Diversions for Piano Left Hand and Orchestra, op. 21: IX. Variation 8: Burlesque, Diversions for Piano Left Hand and Orchestra, op. 21: V. Variation 4: Arabesque, Diversions for Piano Left Hand and Orchestra, op. 21: VI. Variation 5: Chant, Diversions for Piano Left Hand and Orchestra, op. 21: VII. Variation 6: Nocturne, Diversions for Piano Left Hand and Orchestra, op. 21: VIII. Variation 7: Badinerie, Diversions for Piano Left Hand and Orchestra, op. 21: X. Variation 9a: Toccata 1 - Variation 9b: Toccata 2, Diversions for Piano Left Hand and Orchestra, op. 21: XI. Variation 10: Adagio, Diversions for Piano Left Hand and Orchestra, op. 21: XII. Finale: Tarantella, Diversions for Piano Left-hand and Orchestra, op. 21: I. Theme, Piano Concerto No. 1, Sz 83: I. Allegro Moderato - Allegro - Allegro Moderato, Piano Concerto No. 1, Sz 83: II. Andante, Piano Concerto No. 1, Sz 83: III. Allegro Molto, Piano Concerto No. 2, Sz 95: I. Allegro, Piano Concerto No. 2, Sz 95: II. Adagio - Presto - Adagio, Piano Concerto No. 2, Sz 95: III. Allegro Molto, Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly) : 1. Allegretto, Piano Concerto No. 3, Sz 119: I. Allegretto, Piano Concerto No. 3, Sz 119: II. Adagio Religioso - Poco Più Mosso - Tempo I, Piano Concerto No. 3, Sz 119: III. Allegro Vivace
Ezra Hocquard
conductor
Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo Vere: Ecce gratum, Carmina Burana: I. Primo Vere: Veris leta facies, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf Dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf Dem Anger: Floret silva, Carmina Burana: Uf Dem Anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe, Carmina Burana: Uf Dem Anger: Were diu werlt alle min, Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras, Ein deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen, Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, Matthäus-Passion, BWV 244: Abspann, Symphony of Psalms: I. Exaudi orationem meam, Symphony of Psalms: II. Expectans expectavi Dominum, Symphony of Psalms: III. Alleluia. Laudate Dominum, The Bells, op. 35: III. Presto ("The Loud Alarum Bells")
Anu~Sun
conductor
Jupiter, the Bringer of Jollity, Les Planètes: Jupiter (extract), Night Ride and Sunrise, op. 55, Sinfonietta, op. 60: I. Allegretto, Sinfonietta, op. 60: II. Andante, Sinfonietta, op. 60: III. Moderato, Sinfonietta, op. 60: IV. Allegretto, Sinfonietta, op. 60: V. Andante con moto, Symphony No. 10 in E minor, Op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro, Symphony no. 5 in E-flat major, Op. 82: I. Tempo molto moderato - Allegro moderato - Presto, Symphony no. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, Op. 82: III. Allegro molto - Un pochettino largamente, Taras Bulba: I. The Death of Andri, Taras Bulba: II. The Death of Ostap, Taras Bulba: III. The Prophecy and the Death of Taras Bulba
鈴木美知代
conductor
Biblické písně, Op. 99: Bože. Bože, píseň novou, Biblické písně, Op. 99: Hospodin jest můj pastýř, Biblické písně, Op. 99: Oblak a mrákota jest vůkol něho, Biblické písně, Op. 99: Popatřiž na mne a smiluj se nade mnou, Biblické písně, Op. 99: Pozdvihuji očí svých k horám, Biblické písně, Op. 99: Při řekách babylonských, Biblické písně, Op. 99: Skrýše má a paveza má Ty jsí, Biblické písně, Op. 99: Slyš, ó Bože, slyš modlitbu mou, Biblické písně, Op. 99: Slyš, ó Bože, volání mé, Biblické písně, Op. 99: Zpívejte Hospodinu píseň novou, Rückert-Lieder: Blicke mir nicht in die Lieder, Rückert-Lieder: Ich atmet' einen linden Duft, Rückert-Lieder: Ich bin der Welt abhanden gekommen, Rückert-Lieder: Liebst du um Schönheit, Rückert-Lieder: Um Mitternacht, Shéhérazade: Asie, Shéhérazade: L'Indifférent, Shéhérazade: La Flûte enchantée
Elisha Mudly
conductor
Distilling Roses, Epilogue: Leaving Grasse, Grasse in Panic, Grenouille's Childhood, Laura's Murder, Lost Love, Meeting Laura, Moorish Scents, Perfume - Distilled, Prologue: The Highest Point, Richis's Escape, Streets of Paris, The 13th Essence, The Crowd Embrace, The Girl With the Plums, The Method Works!, The Perfume
BadNews
conductor
Lulu-Suite, Symphonische Stücke aus der Oper "Lulu": I. Rondo. Andante (Introduizione) - Hymne. Sostenuto, Lulu-Suite, Symphonische Stücke aus der Oper "Lulu": II. Ostinato. Allegro, Lulu-Suite, Symphonische Stücke aus der Oper "Lulu": III. Variationen. Moderato (Grandioso - grazioso - fùnebre - affettuoso) Thema. Subito a tempo moderato, Lulu-Suite, Symphonische Stücke aus der Oper "Lulu": IV. Adagio. Sostenuto - Lento - Grave, Metamorphosen, study for 23 solo strings, AV 142, Symphonie nr. 9: I. Andante comodo, Symphonie nr. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro -, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro Assai. Sehr Trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr Langsam Und Noch Zuruckhaltend
Enzo Pietropaoli Quartet
conductor
Aria for Soprano & Orchestra in B-flat major, K. 578: "Alma grande e nobil core", Aria for Soprano & Orchestra in E-flat major, K. 583: "Vado, ma dove?", Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina), Così fan tutte, K. 588: Act II, Scene X. No. 28 Aria "È amore un ladroncello" (Dorabella), Così fan tutte, KV 588: Ei parte... Senti!... Ah, no! - Per pietà, ben mio, perdona, Idomeneo, re di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia), La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" (Vitellia), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Finale "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro), Le nozze di Figaro, KV 492: Giunse alfin il momento - Al desio di chi t'adora, Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene"
Filthy Boy
conductor
Night-ride and Sunrise, op. 55, Symphony no. 5: I. Tempo molto moderato - Allegro moderato - Presto, Symphony no. 5: II. Andante mosso, quasi allegretto, The Planets Suite for Orchestra, op. 32: Jupiter, the Bringer of Jollity, The Planets Suite for Orchestra, op. 32: Mars, the Bringer of War, The Planets Suite for Orchestra, op. 32: Mercury, the Winged Messenger, The Planets Suite for Orchestra, op. 32: Saturn, the Bringer of Old Age, The Planets Suite for Orchestra, op. 32: Uranus, the Magician, The Planets Suite for Orchestra, op. 32: Venus, the Bringer of Peace
Gustav Mahler
conductor
Das Klagende Lied: II. Der Spielmann (Opening), Der Abschied (Das Lied von der Erde - 6th movement - excerpt), Symphony no. 1 in D: I. Langsam. Schleppend - Im Antang Sehr Gemächlich (Conclusion), Symphony no. 2 in C minor, 'Resurrection': V. (part) Mit Aufschwung Aber Nicht Eilen (Conclusion), Symphony no. 6, Symphony no. 6 in A minor: I. Allegro Energico, Ma Non Troppo (Heftig, Aber Markig) (Excerpt), Symphony no. 7: I. Langsam - Allegro Risoluto, Ma Non Troppo (Excerpt)
Dave Zirbel
conductor
The Lark Ascending, Violin Concerto in B minor, op. 61: I. Allegro, Violin Concerto in B minor, op. 61: II. Andante, Violin Concerto in B minor, op. 61: III. Allegro molto - Cadenza - Allegro molto, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Razend
conductor
Klavierkonzert Nr. 1 d-Moll, op. 15: I. Maestoso, Klavierkonzert Nr. 1 d-Moll, op. 15: II. Adagio, Klavierkonzert Nr. 1 d-Moll, op. 15: III. Rondo. Allegro non troppo, Symphony No. 4 "Symphonie Concertante", Op. 60: I. Moderato - Tempo comodo, Symphony No. 4 "Symphonie Concertante", Op. 60: II. Andante molto sostenuto, Symphony No. 4 "Symphonie Concertante", Op. 60: III. Allegro non troppo, ma agitato ed ansioso, Symphony no. 4, Sinfonia Concertante: Allegro non troppo, ma agitato ed ansioso
Meandertaler
conductor
Piano Concerto no. 2, Sz. 95, BB 101: I. Allegro, Piano Concerto no. 2, Sz. 95, BB 101: II. Adagio - Presto - Adagio, Piano Concerto no. 2, Sz. 95, BB 101: III. Allegro molto, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema. Andantino - Variations I-V - Tema, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo
Kay Poppe
conductor
Piano Concerto in D for the Left Hand: Allegro -, Piano Concerto in D for the Left Hand: Lento - Cadenza - Allegro, Piano Concerto in D for the Left Hand: Lento - Più lento - Andante, Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso, Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai, Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando
Maurice Ravel
conductor
Concerto For The Left Hand in D Major: I. Lento, Concerto For The Left Hand in D Major: II. Allegro, Concerto For The Left Hand in D Major: III. Lento, Daphnis et Chloé: III. Danse Générale, L'Enfant et les Sortilèges: Introduction
Anton Bruckner
conductor
Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam (Slow), Symphony No. 8 in C minor: III. Adagio: Feierlich langsam, doch nicht schleppend (Solemnly slow, but without dragging), Symphony No. 8 in C minor: IV. Finale: Feierlich, nicht schnell (Solemnly, not fast)
David Levi
conductor
Dardanella, Nobody's Sweetheart, Prelude, Fugue and Riffs, San
Chris Gonzalez
conductor
Symphony no. 4: I. Allegro molto moderato. Bewegt, nicht zu schnell, Symphony no. 4: II. Andante quasi allegretto, Symphony no. 4: III. Scherzo: Bewegt - Trio: Nicht zu schnell, keinesfalls schleppend, Symphony no. 4: IV. Finale: Bewegt, doch nicht zu schnell
Karl Himmel
conductor
Symphony no. 2 in E minor, op. 27: I. Largo - Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Scherzo: Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Finale: Allegro vivace
Wormhole
conductor
Symphony no. 14, op. 135: Malagueña, Symphony no. 14, op. 135: Nacheku, Symphony no. 14, op. 135: Samoublitsa, Symphony no. 14, op. 135: Smert poeta
Ciara Venice
conductor
Die sieben Todsünden: II. Stolz (Pride), Die sieben Todsünden: III. Zorn (Anger), Die sieben Todsünden: V. Unzucht (Lust), Die sieben Todsünden: VII. Neid (Envy)
The Viral Dread
conductor
Concerto, op. 24: I. Etwas lebhaft, Concerto, op. 24: II. Sehr langsam, Concerto, op. 24: III. Sehr rasch, Symphonies of Wind Instruments
Sam Vicari
conductor
Symphony no. 14, op. 135: De profundis, Symphony no. 14, op. 135: O delvig, delvig!, Symphony no. 14, op. 135: Otvet zaporozhskikh kazakov konstantinopolskomu sultanu, Symphony no. 14, op. 135: V turme Santé
D-Double
conductor
Clarinet Concerto: I. Allegretto un poco, Clarinet Concerto: II. Poco adagio, Clarinet Concerto: III. Allegro non troppo, Clarinet Concerto: IV. Allegro vivace
Shadow Ramirez
conductor
Ebony Concerto: I. Allegro moderato, Ebony Concerto: II. Andante, Ebony Concerto: III. Moderato - Con moto
El Jacuzy
conductor
Cello Concerto: I. Moderato, Cello Concerto: II. Allegro appassionato, Cello Concerto: III. Lento - Brioso - ALlegro molto - Rapsodicamente- Adagio
Anton Webern
conductor
Five Orchestral Pieces, op. 10: III. Sehr langsam und äusserst ruhig, Five Orchestral Pieces, op. 10: IV. Fließend, äußerst zart, Five Orchestral Pieces, op. 10:V. Sehr fließend
Syzygy Twins
conductor
Symphony no. 14, op. 135: Loreleya, Symphony no. 14, op. 135: Madam, posmotrite!, Symphony no. 14, op. 135: Zaklyucheniye
Sephy and the Sharks
conductor
Piano Concerto in F: I. Allegro, Piano Concerto in F: II. Adagio - Andante con moto, Piano Concerto in F: III. Allegro agitato
Daoud Abubakar Balewa
conductor
Shéhérazade: I. Asie, Shéhérazade: II. La Flûte enchantée, Shéhérazade: III. L'Indifférent
Screen
conductor
Pierrot Lunaire. Part III: 15. Heimweh - 16. Gemeinheit! - 17. Parodie - 18. Der Mondfleck - 19. Serenade - 20. Heimfart - 21. O alter Duft, Pierrot Lunaire: Part I: 1. Mondestrunken - 2. Colombine - 3. Der Dandy - 4. Eine blasse Wäscherin - 5. Valse de Chopin - 6. Madonna - 7. Der kranke Mond, Pierrot Lunaire: Part II: 8. Nacht - 9. Gebet an Pierrot - 10. Raub - 11. Rote Messe - 12. Galgenlied - 13. Enthauptung - 14. Die Kreuze
Gabriela Martina
conductor
Die sieben Todsünden: Epilog, Die sieben Todsünden: Prolog
By Luizin Beats
conductor
Pulcinella: Contento forse vivere, Pulcinella: Se tu m'ami
Mutes
conductor
Die sieben Todsünden: I. Faulheit (Sloth), Die sieben Todsünden: VI. Habsucht (Covetousness)
Prime Time
conductor
Flute Concerto: I. Allegro moderato, Flute Concerto: II. Allegretto
Leoš Janáček
conductor
Glagolitic Mass: 4. Vĕruju (Credo) (Conclusion), The Cunning Little Vixen: III. 'Hey! But I Can't See The Vixen There!'
Heleen Koele
conductor
Pluto, the Renewer, The Planets Suite for Orchestra, op. 32: Neptune, the Mystic
Triple 7
conductor
Pulcinella: Pupillette fiamette, Pulcinella: Sento dire no'noce pace
Witold Lutosławski
conductor
Jeux vénitien (3rd movement), Symphony no. 3 (conclusion)
By. Pedrois
conductor
Pulcinella: Mentre l'erbetta passce l'agnella, Pulcinella: Una te falan zemprece
Игорь Фёдорович Стравинский
conductor
Dans sacrale (L'élue) (Le Sacre du Printemps - conclusion), Gailliard, Coda, Interlude & Four Duos - Four Trios - Coda (Agon)
Ralph Vaughan Williams
conductor
The Lark Ascending, The Lark Ascending (excerpt) (feat. violin: Nigel Kennedy)
Native Property
conductor
The Bells, op. 35: II. Lento ("The Mellow Wedding Bells")
Nicholas Maw
conductor
Odyssey: Part III (Excerpt)
Pierre Boulez
conductor
Rituel in memoriam Bruno Maderna (sections 1 - 7)
Audrio
conductor
Pulcinella: Con queste paroline
Radiant
conductor
Denn du bist klug (Elektra)
Joey Postiglione
vocal
The Flower Is a Key (A Rap for Mozart)
Antero Vartia
conductor
Concierto de Aranjuez for Guitar: II. Adagio
Béla Bartók
conductor
The Lake of Tears (Bluebeard's Castle)
Acid Pie
conductor
Die sieben Todsünden: IV. Völlerei (Gluttony)
Ftureable
conductor
ラフマニノフ：パガニーニの主題による狂詩曲
Berliner Philharmoniker
conductor
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt)
Sir William Walton
conductor
Symphony no. 1 inB flat minor: II. Presto, Con Malizia (Conclusion)
Soumia Abalhaya
conductor
The Bells, op. 35: I. Allegro ma non tanto ("The Silver Sleigh Bells")
Liberate
conductor
Gianni Schicchi: Air de Lauretta “O mio babbino caro”
The Shocking Pinks
conductor
Vocalise, op. 34 no. 14
Edgard Varèse
conductor
Ionisation (conclusion)
Thomas Adès
conductor
Asyla
Malcolm Arnold
conductor
Guitar Concerto: I. Allegro (Opening)
Tony Aimone
conductor
The Rite of Spring: Dance of the Adolescents
Manuel de Falla
conductor
Psyché
Billy Branch & The Sons of Blues
conductor
The Planets Suite for Orchestra, op. 32: Neptune, the Mystic
Gustav Holst
conductor
The Planets Op. 32 (Jupiter, Conclusion)
Yardgames
conductor
Symphony of Psalms: Exaudi orationem meam
Дмитрий Дмитриевич Шостакович
conductor
Symphony no. 14: stanzas 8 & 9. Zaphorazhye Cossaks' Reply to the Sultan of Constantinople & O Delvig, Delvig
Claude Debussy
conductor
Images for Orchestra: III. Rondes de Printemps (Conclusion)
凸守早苗
conductor
Dardanella
Benj&Benji
conductor
Im Abendrot (Vier Letzte Lieder - 4th song)
Joseph Jujnovich
conductor
The Bells, op. 35: IV. Lento lugubre ("The Mournful Iron Bells")
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