| 情報処理部 |
conductor |
"En Saga", tone poem, op. 9, "Swanwhite" Suite, op. 54: Listen! The Robin sings, "Swanwhite" Suite, op. 54: Song of Praise, "Swanwhite" Suite, op. 54: Swanwhite and the Prince, "Swanwhite" Suite, op. 54: The Harp, "Swanwhite" Suite, op. 54: The Maidens with Roses, "Swanwhite" Suite, op. 54: The Peacock, "Swanwhite" Suite, op. 54: The Prince alone, "The Bard", tone poem, op. 64, Adriana Lecouvreur: Intermezzo, Aladdin - Concert Suite: VII. Negro Dance, Aladdin, FS 89: Aladdin's Dream and Dance of the Morning Mist, Aladdin, FS 89: Chinese Dance, Aladdin, FS 89: Hindu Dance, Aladdin, FS 89: Oriental Festive March, Aladdin, FS 89: The Marketplace at Ispahan, Aladdin, FS 89: The Prisoner's Dance, Aleko: No. 1. Introduction, Aleko: No. 11. Intermezzo, Aleko: No. 5. Women's Dance, Aleko: No. 6. Men's Dance, Andante festivo, Anitras Dans, Arabisk Dans, Belsazars gästabud Suite, op. 51: I. Oriental Procession, Belsazars gästabud Suite, op. 51: II. Solitude, Belsazars gästabud Suite, op. 51: III. Nocturne, Belsazars gästabud Suite, op. 51: IV. Khadra’s Dance, Bruderovet. Ingrids Klage, Cantus Arcticus: Concerto for Birds and Orchestra: I. The Bog, Canzonetta, op. 62:1, Canzonetta, op. 62a, Capriccio Espagnol, op. 34: I. Alborada, Capriccio Espagnol, op. 34: II. Variazioni, Capriccio Espagnol, op. 34: III. Alborada, Capriccio Espagnol, op. 34: IV. Scena e canto gitano, Capriccio Espagnol, op. 34: V. Fandango asturiano, Capriccio espagnol, op. 34, Capriccio italien, op. 45, Cassazione, op. 6, Cavalleria rusticana: Intermezzo sinfonico, Concerto Grosso no. 4 / Symphony no. 5: I. Allegro, Concerto Grosso no. 4 / Symphony no. 5: II. Allegretto, Concerto Grosso no. 4 / Symphony no. 5: III. Lento - Allegro, Concerto Grosso no. 4 / Symphony no. 5: IV. Lento, Copenhagen Steam Railway Galop for orchestra (Kjobenhavns Jernbane-Dampgalop), Dance Intermezzo, op. 45 no. 2, Dans av Dovregubbens Datter, Dmitri the Pretender and Vassily Shuisky: Introduction to Act I. Andante non troppo, Dmitri the Pretender and Vassily Shuisky: Mazurka, Donna Diana: Ouvertüre, Du gamla, du friska, du fjellhöga nord, Elegy in Memory of I.V. Samarin, En Saga, op. 9, En värmlandsrapsodi, op. 36, Entry March of the Boyars (Bojarenes inntogsmarsj), Estonian Dance Suite: I. Ristpulkade tants, Estonian Dance Suite: II. Pikk ingliska, Estonian Dance Suite: III. Setu tants, Eugene Onegin, op. 24: Entr’acte and Waltz, Eugene Onegin, op. 24: Polonaise, Excelsior!, Symphonic Overture, op. 13, Excelsior!, op. 13, Fedora: Intermezzo, Finlandia, Finlandia, op. 26 no. 7: Andante sostenuto - Allegro moderato - Allegro, Finlandia, op. 26:7, Four Excerpts from the Incidental Music to "Kuolema": "Valse romantique", op. 62b, Francesca da Rimini, op. 25: Prolog, Francesca da Rimini, op. 25: Prologue. (Largo), Francesca da Rimini, op. 25: Tableau 1, Francesca da Rimini, op. 25: Tableau 2, Francesca da Rimini, op. 25: Tableau I. (Allegro vivace), Francesca da Rimini, op. 25: Tableau II. (Moderato - Allegro vivace), Francesca da Rimini, op. 32, From Holberg’s Time, op. 40: I. Praeludium: Allegro vivace, From Holberg’s Time, op. 40: II. Sarabande: Andante, From Holberg’s Time, op. 40: IV. Air: Andante religioso, From Holberg’s Time, op. 40: V. Rigaudon: Allegro con brio, Funeral March in Memory of Rikard Nordraak, Funeral March in Memory of Rikard Nordraak in A minor, EG 107, Hamlet, op. 32a: I. Introduction and Night Patrol, Hamlet, op. 32a: II. Funeral March, Hamlet, op. 32a: III. Flourish and Dance Music, Hamlet, op. 32a: IV. The Hunt, Hamlet, op. 32a: IX. Ophelia's Song, Hamlet, op. 32a: V. Pantomime of the Actors, Hamlet, op. 32a: VI. Procession, Hamlet, op. 32a: VII. Musical Pantomime, Hamlet, op. 32a: VIII. Banquet, Hamlet, op. 32a: X. Cradle Song, Hamlet, op. 32a: XI. Requiem, Hamlet, op. 32a: XII. Tournament, Hamlet, op. 32a: XIII. Fortinbras's March, Helios Overture, FS 32, I Bryllupsgården, I gioielli della Madonna: Intermezzo, In Autumn, op. 11, In Memoriam, op. 59 "Trauermarsch für Orchester", In the Steppes of Central Asia, Intermezzo from Fedora, Jungfrun i tornet, JS 101: Intermezzo. Largamente, Jungfrun i tornet, JS 101: Overture, Jungfrun i tornet, JS 101: Scene 1: Bailiff: Fagraste mö…, Jungfrun i tornet, JS 101: Scene 2: Maiden: Santa Maria…, Jungfrun i tornet, JS 101: Scene 3: Maiden: Ah, hör jag rätt…, Jungfrun i tornet, JS 101: Scene 4: Lover: Ack, när jag ser hennes drag…, Jungfrun i tornet, JS 101: Scene 5: Maiden: Brännande kval…, Jungfrun i tornet, JS 101: Scene 6: Bailiff: Vem är du…, Jungfrun i tornet, JS 101: Scene 7: Chatelaine: Vad är det jag ser?, Jungfrun i tornet, JS 101: Scene 8 Maiden: Så är jag fri…, Jungfrun i tornet: Scene 5, Jungfrun i tornet: Scene 5 (continued), Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: I. Intermezzo. Moderato, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: II. Ballade (Tempo di menuetto), Karelia Suite, op. 11: II. Ballade. Tempo di menuetto, Karelia Suite, op. 11: III. Alla marcia (Moderato), Karelia Suite, op. 11: III. Alla marcia. Moderato, Karelia Suite: Alla marcia, Khovanshchina: Intermezzo, King Christian II, op. 27: I. Nocturne. Molto moderato, King Christian II, op. 27: II. Elegie. Andante sostenuto, King Christian II, op. 27: III. Musette. Allegretto, King Christian II, op. 27: IV. Serenade. Moderato assai (Quasi menuetto), King Christian II, op. 27: V. Ballade. Allegro molto - Vivace, Kullervo, op. 7: Introduction. Allegro moderato, Kullervo, op. 7: Kullervo Goes to War, Kullervo, op. 7: Kullervo's Youth, Kung Kristian II Suite, op. 27: I. Nocturne, Kung Kristian II Suite, op. 27: II. Elegy, Kung Kristian II Suite, op. 27: III. Musette, Kung Kristian II Suite, op. 27: IV. Serenade, Kung Kristian II Suite, op. 27: V. Ballade, L'amico Fritz: Intermezzo, La Traviata: Preludio dell'atto I, La Traviata: Preludio dell'atto III, Lemminkäinen Suite op. 22: IV. Lemminkäinen's return, Lemminkäinen Suite, op. 22: I. Lemminkäinen and the Island Maidens. Allegro molto moderato, Lemminkäinen Suite, op. 22: III. Lemminkäinen in Tuonela. Il tempo largamente, Les Contes d'Hoffmann: Barcarolle, Lodolezzi sjunger Suite, op. 39: I. Elegy (Introduction to Act I), Lodolezzi sjunger Suite, op. 39: II. Intermezzo, Lodolezzi sjunger Suite, op. 39: III. Karneval, Lyric Piece for orchestra, op. 68 no. 2: At the Craddle, Lyric Suite, op. 54: I. Shepherd Boy: Andantino espressivo, Lyric Suite, op. 54: II. Bell-Ringing, Lyric Suite, op. 54: III. Norwegian March: Allegretto marcato, Lyric Suite, op. 54: V. March of the Trolls: Allegro marcato, Manon Lescaut: Intermezzo, Marche slave, op. 31, Maskarade, FS 39: Overture, Maskarade, FS 39: Prelude to Act II, Maskarade, FS 39: The Cockerol's Dance, Mellanspel ur kantaten "Sången", op. 44, Menuetto, Nattscene, Night Ride and Sunrise, op. 55, Norwegian Dances, op. 35: I. Allegro marcato, Norwegian Dances, op. 35: II. Allegretto tranquillo e grazioso, Norwegian Dances, op. 35: III. Allegro moderato alla Marcia, Norwegian Dances, op. 35: IV. Allegro molto, Notre-Dame: Intermezzo, Notturno from Lyric Pieces, op. 54 no. 4, Notturno: Andante amoroso (from String Quartet no. 2 in D major), October, op. 131: Moderato - Allegro, Old Norwegian Melody with Variations, op. 51: Adagio molto espressivo, Old Norwegian Melody with Variations, op. 51: Adagio molto espressivo - Finale, Old Norwegian Melody with Variations, op. 51: Allegro leggiero, Old Norwegian Melody with Variations, op. 51: Allegro marcato, Old Norwegian Melody with Variations, op. 51: Allegro molto marcato, Old Norwegian Melody with Variations, op. 51: Allegro scherzando e leggiero, Old Norwegian Melody with Variations, op. 51: Andante, Old Norwegian Melody with Variations, op. 51: Andante molto tranquillo, Old Norwegian Melody with Variations, op. 51: Energico, Old Norwegian Melody with Variations, op. 51: Maestoso, Old Norwegian Melody with Variations, op. 51: Poco allegro, ma tranquillo, Old Norwegian Melody with Variations, op. 51: Poco andante, Old Norwegian Melody with Variations, op. 51: Poco tranquillo, Old Norwegian Melody with Variations, op. 51: Pomposo, Old Norwegian Melody with Variations, op. 51: Prestissimo, Old Norwegian Melody with Variations, op. 51: Presto, Old Norwegian Melody with Variations, op. 51: Tema. Andantino espressivo, Old Norwegian Melody with Variations, op. 51: Tema: Andantino espressivo, Old Norwegian Melody with Variations, op. 51: Tempo di menuetto, Old Norwegian Melody with Variations, op. 51: Tempo di valse, Overture in A minor, Overture on Russian and Kirghiz Folk Themes, op. 115: Moderato - Allegro non troppo - Adagio - Allegro - Presto, Pagliacci: Intermezzo, Pan and Echo, op. 53, Pan and Syrinx, FS 87, Pastoral Suite, op. 19: Romance, Peer Gynt Suite Nr. 1, op. 46: II. Åses Tod, Peer Gynt Suite Nr. 1, op. 46: III. Anitras Tanz, Peer Gynt Suite Nr. 1, op. 46: IV. In der Halle des Bergkönigs, Peer Gynt Suite Nr. 2, op. 55: I. Der Brautraub (Ingrids Klage), Peer Gynt Suite Nr. 2, op. 55: II. Arabischer Tanz, Peer Gynt Suite Nr. 2, op. 55: III. Peer Gynts Heimkehr, Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King, Peer Gynt jages av Troll, Peer Gynt og Sæterjentene, Peer Gynt og den Grønnkledte, Peer Gynt ved Memnonstøtten, Peer Gynt, op. 23: 2. akt: Dans av dovregubbens datter, Peer Gynt, op. 23: 2. akt: Peer Gynt og den grønkledte, Peer Gynt, op. 23: 2. akt: På ridestellet skal storfolk kjendes, Peer Gynt, op. 23: 4. akt: Peer Gynt ved Memnonstøtten, Peer Gynt: Au matin (excerpt), Peer Gynts Hjemfart. Stormfull Aften på Havet, Peer Gynts Serenade, Pelléas et Mélisande Suite, op. 46. IX. The Death of Mélisande, Pelléas et Mélisande Suite, op. 46: I. At the Castle Gate, Pelléas et Mélisande Suite, op. 46: II. Mélisande, Pelléas et Mélisande Suite, op. 46: III. At the Seashore, Pelléas et Mélisande Suite, op. 46: IV. A Spring in the Park, Pelléas et Mélisande Suite, op. 46: V. The Three Blind Sisters, Pelléas et Mélisande Suite, op. 46: VI. Pastorale, Pelléas et Mélisande Suite, op. 46: VII. Mélisande at the Spinning Wheel, Pelléas et Mélisande Suite, op. 46: VIII. Entr'acte, Petite Suite: I. In the convent. Andante religioso, Petite Suite: II. Intermezzo. Tempo di Menuetto, Petite Suite: III. Mazurka. Allegro - Meno mosso - Allegro, Petite Suite: IV. Mazurka. Allegretto - Più animato ed appassionato - Tempo I, Petite Suite: V. Dreams. Andante, Petite Suite: VI. Serenade. Allegretto, Petite Suite: VII. Finale. Scherzo: Allegro vivace - Nocturne: Andantino - Scherzo, Pianissimo for Large Orchestra, Pinsesalme "Velsignede Morgen", Pohjola's Daughter, op. 49, Polka (Allegretto) from The Age of Gold - Ballet Suite, op. 22a, Praeludium for Small Orchestra, Preludio, Presto (D-duuri) jousiorkesterille, Prince Igor: Dance of the Polovtsian maidens, Prince Igor: Overture, Prélude solennel, Rakastava, op. 14: Good Evening! … Farewell!, Rakastava, op. 14: The Lover, Rakastava, op. 14: The Path of His Beloved, Rhapsodic Overture: A Fantasy Journey to the Faroes, FS 123, Romeo and Juliet, Russian Easter Festival Overture, op. 36, Saga-Dream, FS 46, Scene with Cranes, op. 44 no. 2, Scènes historiques I, op. 25: I. All’ Overtura, Scènes historiques I, op. 25: II. Scena, Scènes historiques I, op. 25: III. Festivo, Scènes historiques II, op. 66: I. La Chasse, Scènes historiques II, op. 66: II. Chant d'amour, Scènes historiques II, op. 66: III. At the Draw-Bridge, Serenade for Nikolai Rubinstein’s Name Day, Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina. Andante non troppo – Allegro moderato, Serenade for Strings in C major, op. 48: II. Walzer. Moderato, Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco, Serenade for Strings in C major, op. 48: IV. Finale (Tema russo). Andante – Allegro con spirito, Serenade in F major, op. 31: I. Ouvertura. Allegrissimo, Serenade in F major, op. 31: I. Overtura. Allegrissimo, Serenade in F major, op. 31: II. Reverenza. Tempo di menuetto, tranquillo e grazioso, Serenade in F major, op. 31: II. Tempo di valse, un poco tranquillo - (attacca), Serenade in F major, op. 31: III. Canzonetta. Tempo di valse, ma poco tranquillo, Serenade in F major, op. 31: III. Scherzo. Presto - (attacca), Serenade in F major, op. 31: IV. Notturno: Andante sostenuto, Serenade in F major, op. 31: IV. Scherzo. Presto, Serenade in F major, op. 31: V. Finale: Tempo moderato, Serenade in F major, op. 31: V. Notturno. Andante sostenuto, Serenade in F major, op. 31: VI. Finale. Tempo moderato, Serenade, op. 11: IV. Marcia, Sigurd Jorsalfar, op. 22: I. Forspill til akt I, Sigurd Jorsalfar, op. 22: VI. Mellomspill I, Sigurd Jorsalfar, op. 22: VII. Mellomspill II, Sigurd Jorsalfar, op. 56: I. Vorspiel. In der Königshalle, Sigurd Jorsalfar, op. 56: II. Intermezzo. Borghilds Traum, Sigurd Jorsalfar, op. 56: III. Huldigungsmarsch, Sinfonietta on Estonian Motifs: I. Allegro vivace e grazioso, Sinfonietta on Estonian Motifs: II. Ostinato. Largo, Sinfonietta on Estonian Motifs: III. Finale. Allegro molto moderato, Skipsforliset, Solveig synger i Hytten, Solveigs Sang, Solveigs Vuggevise, Spring Song (La Tristesse du printemps), op. 16, Spring Song, op. 16, Suite From the Ballet "The Bolt", op. 27a: I. Overture, Suite From the Ballet "The Bolt", op. 27a: II. Bureaucrat's Dance, Suite From the Ballet "The Bolt", op. 27a: III. Drayman's Dance, Suite From the Ballet "The Bolt", op. 27a: IV. Tango, Suite From the Ballet "The Bolt", op. 27a: V. Intermezzo, Suite From the Ballet "The Bolt", op. 27a: VI. The Colonial Slave Girl's Dance, Suite From the Ballet "The Bolt", op. 27a: VII. The Appeaser, Suite From the Ballet "The Bolt", op. 27a: VIII. General Dance and Apotheosis, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: I. Allegro appassionato, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: II. Temp moderato - Allegertto mosso, sempre dolcissimo, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: III. Recitando, passionato e patetico - Andante sostenuto, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: IV. Andante sostenuto, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: V. Lo stesso tempo, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: VI. Lo stesso tempo, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: VII. Andante - Molto sostenuto - Andante serioso - Andante risoluto, Suor Angelica: Intermezzo, Swedish Rhapsody no. 1, op. 19 "Midsommarvaka", Symphonic Dances, op. 64: I. Allegro moderato e marcato, Symphonic Dances, op. 64: II. Allegretto grazioso, Symphonic Dances, op. 64: III. Allegro giocoso, Symphonic Dances, op. 64: IV. Andante - Allegro molto e risoluto, Symphonie Nr. 6 es-moll, op. 23: 4. Satz. Allegro vivace, Symphony Nr. 2 in G minor, op. 34: I. Allegro energico, Symphony Nr. 2 in G minor, op. 34: II. Andante, Symphony Nr. 2 in G minor, op. 34: III. Scherzo. Allegro, ma non troppo presto, Symphony Nr. 2 in G minor, op. 34: IV. Finale. Sostenuto - Allegro vivace, Symphony in C minor, EG 119: I. Allegro molto, Symphony in C minor, EG 119: II. Adagio espressivo, Symphony in C minor, EG 119: III. Intermezzo: Allegro energico, Symphony in C minor, EG 119: IV. Finale: Allegro molto vivace, Symphony in C minor: I. Allegro molto, Symphony in C minor: II. Adagio espressivo, Symphony in C minor: III. Intermezzo. Allegro energico, Symphony in C minor: IV. Finale. Allegro molto vivace, Symphony no. 1 in B minor, op. 3: I. Allegro con fuoco - Tranquillo - Tempo I - Tranquillo -, Symphony no. 1 in B minor, op. 3: II. Adagio -, Symphony no. 1 in B minor, op. 3: III. Presto - Pesante - Tranquillo - Tranquillo - Presto, Symphony no. 1 in B minor, op. 3: IV. Adagio - Allegro energico - [ ] - Tempo I - Meno mosso, Symphony no. 1 in E minor, op. 1: I. Largo assai - Allegro, Symphony no. 1 in E minor, op. 1: II. Andante tranquillo, Symphony no. 1 in E minor, op. 1: III. Scherzo.Vivace - Trio, Symphony no. 1 in E minor, op. 1: IV. Allegro assai, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro - Lento (ma non troppo) - Tempo 1, Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una Fantasia). Andante. Allegro molto, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una Fantasia): Andante - Allegro molto - Andante assai - Allegro molto come prima, Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino, Symphony no. 1 in E-flat major: II. Scherzo: Prestissimo. Trio: Allegro, Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo, Symphony no. 1 in F major: I. Tempo molto tranquillo - Allegro, Symphony no. 1 in F major: II. Andante con moto, Symphony no. 1 in F major: III. Allegro amabile, Symphony no. 1 in F major: IV. Allegro non tanto, ma con fuoco - Tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey), Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Adagio cantabile, ma non tanto (Land of Desolation, Land of Mists), Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando, giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso, Symphony no. 1, op. 7: I. Allegro orgoglioso, Symphony no. 1, op. 7: II. Andante, Symphony no. 1, op. 7: III. Allegro comodo, Symphony no. 1, op. 7: IV. Allegro con fuoco, Symphony no. 10, Symphony no. 11 in G minor, op. 103 "The Year 1905": I. Adagio "The Palace Square", Symphony no. 11 in G minor, op. 103 "The Year 1905": II. Allegro "The Ninth of January", Symphony no. 11 in G minor, op. 103 "The Year 1905": III. Adagio "In Memoriam", Symphony no. 11 in G minor, op. 103 "The Year 1905": IV. Allegro non troppo "The Tocsin", Symphony no. 12 in D minor, op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 "The Year 1917": II. Razliv, Symphony no. 12 in D minor, op. 112 "The Year 1917": III. Aurora, Symphony no. 12 in D minor, op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony no. 15, op. 141: I. Allegretto, Symphony no. 15, op. 141: II. Adagio - Largo - Adagio, Symphony no. 15, op. 141: III. Allegretto, Symphony no. 15, op. 141: IV. Adagio - Allegretto - Adagio - Allegretto, Symphony no. 2 (Symphonic Suite), op. 9 “Antar”: I. Largo - Allegro giocoso - Adagio - Largo - (Tempo I) - Allegretto Vivace - Largo (Tempo I), Symphony no. 2 (Symphonic Suite), op. 9 “Antar”: II. Allegro - Molto allegro - Meno mosso, allargando - Allegro (Tempo I), Symphony no. 2 (Symphonic Suite), op. 9 “Antar”: III. Allegro risoluto alla marcia, Symphony no. 2 (Symphonic Suite), op. 9 “Antar”: IV. Allegretto vivace - Andante amoroso - Animato assai - Tempo I, Symphony no. 2 in B minor: 1. Allegro - Asimato assai, Symphony no. 2 in B minor: 2. Scherzo Prestissimo - Allegretto, Symphony no. 2 in B minor: 3. Andante, Symphony no. 2 in B minor: 4. Finale. Allegro, Symphony no. 2 in B minor: I. Allegro - Animato assai - Poco meno mosso - Animato assai - Tempo I, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto - Tempo I, Symphony no. 2 in B minor: III. Andante - Poco animato - Tempo I, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 2 in B-flat minor, op. 8: I. Moderato - Allegro moderato, Symphony no. 2 in B-flat minor, op. 8: II. Allegro non troppo, Symphony no. 2 in B-flat minor, op. 8: III. Lento - Allegro moderato, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo all'allegro - Poco largamente - Tempo I - Poco allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Poco allegro - Molto largamente - Andante sostenuto - Andante con moto ed energico - Allegro - Poco largamente - Molto largamente - Andante sostenuto - Andante con moto ed energico - Andante - Pesante, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e soave - Tempo primo - Lento e soave - (attacca), Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - IV. Finale. Allegro moderato, Symphony no. 2 in D major, op. 43: IV. Finale, Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato - Moderato assai - Meno moderato e poco a poco ravvivando il tempo - Tempo I - Largamente e pesante - Poco largamente - Molto largamente, Symphony no. 2 in G minor, op. 34: I. Allegro energico, Symphony no. 2 in G minor, op. 34: II. Andante, Symphony no. 2 in G minor, op. 34: III. Scherzo. Allegro, ma non troppo presto, Symphony no. 2 in G minor, op. 34: IV. Finale. Sostenuto - Allegro vivace, Symphony no. 2, op. 14 "To October": (Rehearsal no. 29) -, Symphony no. 2, op. 14 "To October": Largo -, Symphony no. 2, op. 14 "To October": Meno mosso (Rehearsal no. 56) - Moderato (Rehearsal no. 58) -, Symphony no. 2, op. 14 "To October": Tempo = 152 (Rehearsal no. 13) -, Symphony no. 2, op. 16 "The Four Temperaments": I. Allegro collerico, Symphony no. 2, op. 16 "The Four Temperaments": II. Andante comodo e flemmatico, Symphony no. 2, op. 16 "The Four Temperaments": III. Andante malincolico, Symphony no. 2, op. 16 "The Four Temperaments": IV. Allegro sanguineo, Symphony no. 3 in A minor: I. Moderato assai, Symphony no. 3 in A minor: II. Scherzo: Vivo. Trio: Moderato, Symphony no. 3 in C major, op. 32: I. Moderato assai - Allegro, Symphony no. 3 in C major, op. 32: II. Scherzo.Vivo - Moderato - Tempo I, Symphony no. 3 in C major, op. 32: III. Andante - Animato assai - Tempo I - Attacca, Symphony no. 3 in C major, op. 32: IV. Allegro con spirito - Animato, Symphony no. 3 in C major, op. 52: I. Allegretto moderato, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro Moderato assai, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo – Trio, Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco, Symphony no. 3, op. 20 "The First of May": Allegretto -, Symphony no. 3, op. 20 "The First of May": Allegro (Rehearsal no. 52) - Allegro molto (Rehearsal no. 79) -, Symphony no. 3, op. 20 "The First of May": Andante (Rehearsal no. 44) -, Symphony no. 3, op. 20 "The First of May": Andante (Rehearsal no. 88) -, Symphony no. 3, op. 27 "Sinfonia espansiva": I. Allegro espansivo, Symphony no. 3, op. 27 "Sinfonia espansiva": III. Allegretto un poco, Symphony no. 3, op. 27 "Sinfonia espansiva": IV. Finale. Allegro, Symphony no. 3: I. Attacca, Symphony no. 3: II. Più mosso - attacca, Symphony no. 3: III. Alla breve, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio - Adagio - Tempo 1 - Adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro, Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": I. Con forza -, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": II. Andante -, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": III. Scherzo. Allegro molto -, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": IV. Finale. Rondo. Allegro molto, Symphony no. 4, op. 29 "The Inextinguishable": Con anima - IV. Allegro, Symphony no. 4, op. 29 "The Inextinguishable": I. Allegro, Symphony no. 4, op. 29 "The Inextinguishable": I. Allegro -, Symphony no. 4, op. 29 "The Inextinguishable": II. Allegretto, Symphony no. 4, op. 29 "The Inextinguishable": II. Poco allegretto -, Symphony no. 4, op. 29 "The Inextinguishable": III. Poco adagio quasi andante, Symphony no. 4, op. 29 "The Inextinguishable": III. Poco adagio quasi andante -, Symphony no. 4, op. 29 "The Inextinguishable": IV. Allegro, Symphony no. 5 in D minor, op. 20 "Sinfonia funebre": Allegro molto - Tempo vivo - Un poco meno mosso - Adagio -, Symphony no. 5 in D minor, op. 20 "Sinfonia funebre": Lento -, Symphony no. 5 in D minor, op. 20 "Sinfonia funebre": Pesante allegro - Molto più mosso - Subito allargando molto - Tempo I -, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegretto, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5, op. 50: IIa. Allegro - Un poco più mosso, Symphony no. 5, op. 50: IIb. Presto -, Symphony no. 5, op. 50: IIc. Andante un poco tranquillo -, Symphony no. 5, op. 50: IId. Allegro (Tempo I), Symphony no. 5, op. 50: Ia. Tempo giusto - Adagio non troppo, Symphony no. 5, op. 50: Ib. Adagio non troppo, Symphony no. 5: Allegro molto, Symphony no. 6 "Sinfonia semplice": I. Tempo giusto, Symphony no. 6 "Sinfonia semplice": II. Humoreske. Allegretto, Symphony no. 6 "Sinfonia semplice": III. Proposta seria. Adagio, Symphony no. 6 "Sinfonia semplice": IV. Tema con variazioni, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in C major, op. 31 "Dollar Symphony": I. Moderato, Symphony no. 6 in C major, op. 31 "Dollar Symphony": II. Adagio, Symphony no. 6 in C major, op. 31 "Dollar Symphony": III. Vivace, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 6 in D minor, op. 104: IV. Allegro molto - Allegro assai - Doppio piú lento, Symphony no. 6 in E-flat minor, op. 23: I. Poco largamente - Allegro feroce, Symphony no. 6 in E-flat minor, op. 23: II. Presto tenebroso - Andante moderato - Tempo I, Symphony no. 6 in E-flat minor, op. 23: III. Andante appassionato, Symphony no. 7 in C major, op. 105: Adagio -, Symphony no. 7 in C major, op. 105: Allegro molto moderato - Allegro moderato -, Symphony no. 7 in C major, op. 105: Vivace - Presto - Adagio - Largamente molto - Affettuoso, Symphony no. 7 in C major, op. 105: Vivacissimo - Adagio -, Symphony no. 7: I. Allegro moderato, Symphony no. 7: II. Larghetto, Symphony no. 7: III. Allegro marciale, Symphony no. 9 "Sinfonia semplice": I. Adagio, Symphony no. 9 "Sinfonia semplice": II. Adagio, lento, Szelek kórusa - "A vihar" - szvit, Sången, symphonic cantata, op. 44: Interlude, Tapiola, op. 112, The Age of Gold, op. 22a: I. Introduction, The Age of Gold, op. 22a: II. Adagio, The Age of Gold, op. 22a: III. Polka, The Age of Gold, op. 22a: IV. Dance, The Bard, op. 64, The Dryad, op. 45 no. 1, The Godfather III: Cavalleria rusticana: Intermezzo, The Miserly Knight: Introduction, The Miserly Knight: Scene 2: In a Cellar (Largo), The Oceanides, op. 73, The Snow Maiden, op. 12: I. Introduction, The Snow Maiden, op. 12: II. Entr'acte, The Snow Maiden, op. 12: III. Melodrama, The Snow Maiden, op. 12: IV. Dance of the Buffoons, The Tempest Prelude, op. 109 no. 1, The Tempest Suite no. 1, op. 109 no. 2: I. The Oak Tree, The Tempest Suite no. 1, op. 109 no. 2: II. Humoresque, The Tempest Suite no. 1, op. 109 no. 2: III. Caliban’s Song, The Tempest Suite no. 1, op. 109 no. 2: IV. The Harvesters, The Tempest Suite no. 1, op. 109 no. 2: IX. The Storm, The Tempest Suite no. 1, op. 109 no. 2: V. Canon, The Tempest Suite no. 1, op. 109 no. 2: VI. Scene, The Tempest Suite no. 1, op. 109 no. 2: VII. Intrada. Berceuse, The Tempest Suite no. 1, op. 109 no. 2: VIII. Entr’acte. Ariel’s Song, The Tempest, op. 109: The Storm, The Tempest. Suite no. 2, op. 109 no. 3: I. Chorus of the Winds, The Tempest. Suite no. 2, op. 109 no. 3: II. Intermezzo, The Tempest. Suite no. 2, op. 109 no. 3: III. Dance of the Nymphs, The Tempest. Suite no. 2, op. 109 no. 3: IV. Prospero, The Tempest. Suite no. 2, op. 109 no. 3: IX. Dance Episode, The Tempest. Suite no. 2, op. 109 no. 3: V. Song I, The Tempest. Suite no. 2, op. 109 no. 3: VI. Song II, The Tempest. Suite no. 2, op. 109 no. 3: VII. Miranda, The Tempest. Suite no. 2, op. 109 no. 3: VIII. The Naiads, The Voyevoda, op. 3: Entr’acte and Dances of the Chambermaids, The Voyevoda, op. 78, Tiera, Toccata for orchestra, Two Elegiac Melodies, op. 34 no. 1: The Wounded Heart, Two Elegiac Melodies, op. 34 no. 2: Last Spring, Two Melodies, op. 53 no. 1: Norwegian, Two Melodies, op. 53 no. 2: The First Meeting, Two Nordic Melodies, op. 63 no. 1: In Folk Style, Two Nordic Melodies, op. 63 no. 2: Cow-Call - Peasant Dance, Tyven og Heleren, Valse chevaleresque, op. 96c, Valse lyrique, op. 96a, Valse romantique, op. 62b, Valse triste, Valse triste, op. 44 no. 1, Variations for Large Orchestra, op. 2: Tema. Adagio, Variations for Large Orchestra, op. 2: Var. I. Piu lento (Adagio molto), Variations for Large Orchestra, op. 2: Var. II. Allegro, Variations for Large Orchestra, op. 2: Var. III. Andante, Variations for Large Orchestra, op. 2: Var. IV. Allegro vivace, Variations for Large Orchestra, op. 2: Var. IX. Allegro, Variations for Large Orchestra, op. 2: Var. V. Andante, Variations for Large Orchestra, op. 2: Var. VI. Andante moderato, Variations for Large Orchestra, op. 2: Var. VII. Allegretto, Variations for Large Orchestra, op. 2: Var. VIII. Lento, Variations for Large Orchestra, op. 2: Var. X. Adagio. Allegro, Åses Død |
| Sara Kana |
conductor |
"Rosa Parks Boulevard" from Motor City Triptych, Abendlied, op. 107 no. 6, Adagio for Strings, op. 11, Andante festivo, Aria, Bacchus et Ariane Suite no. 2, op. 43, Bolero, Cantus in Memory of Benjamin Britten, Carmina Burana: "O Fortuna", Clair de lune, Die Mozartisten, Fate, op. 77, First Symphony op. 9 in One Movement, Four Symphonic Interludes from Intermezzo: No. 1. Reisefieber und Walzerszene: Lebhaft – Walzer: ruhig beginnend, Four Symphonic Interludes from Intermezzo: No. 2. Träumerei am Kamin: Ruhig schwebend, Four Symphonic Interludes from Intermezzo: No. 3. Am Spieltisch: Sehr gemächlich – Gemächlich fließend, Four Symphonic Interludes from Intermezzo: No. 4. Fröhlicher Beschluß: Sehr lebhaft und fröhlich, Francesca da Rimini, op. 32: Allegro vivo, Francesca da Rimini, op. 32: Allegro vivo -, Francesca da Rimini, op. 32: Andante cantabile non troppo -, Francesca da Rimini, op. 32: Andante lugubre -, Gopak, Humoresque, op. 101 no. 7, Kamarinskaya, La Mer: I. De l'aube à midi sur la mer, La Mer: II. Jeux de vagues, La Mer: III. Dialogue du vent et de la mer, La Valse, Le Roi malgré lui: Fête polonaise, Medea's Meditation and Dance of Vengeance, op. 23a, Melpomene, Minuetto, MotorCity Triptych: I. Motown Mondays, Music for a Scene from Shelley, op. 7, Má vlast: I. Vyšehrad, Má vlast: II. Vltava, Má vlast: III. Šárka, Má vlast: IV. Z českých luhů a hájů, Má vlast: V. Tábor, Má vlast: VI. Blaník, München – ein Gedächtniswaltzer, Negro Folk Symphony: I. The Bond of Africa, Negro Folk Symphony: II. Hope in the Night, Negro Folk Symphony: III. O, Le' Me Shine, Shine Like a Morning Star!, Overture: The School for Scandal, op. 5, Promenade "Walking the Dog", Rip Van Winkle, Romance, Sinfonietta, op. 52: I. Allegro molto, Sinfonietta, op. 52: II. Andante –, Sinfonietta, op. 52: III. Allegro, Solitude, Suite from "The River": I. Spring, Suite from "The River": II. Meander, Suite from "The River": III. Giggling Rapids, Suite from "The River": IV. Lake, Suite from "The River": V. Vortex, Suite from "The River": VI. Riba, Suite from "The River": VII. Village Virgins, Suite from Schlagobers: I. In der Konditorküche –, Suite from Schlagobers: II. Tanz der Teeblüte –, Suite from Schlagobers: III. Tanz des Kaffees – Träumerei, Suite from Schlagobers: IV. Schlagoberswaltzer, Suite from Schlagobers: V. Tanz der Prinzessin, Suite from Schlagobers: VI. Tanz der kleinen Pralinees – Springtanz der Knallbonbons – Galop, Suite from Schlagobers: VII. Menuett und Pas de deux, Suite from Schlagobers: VIII. Allgemeiner Tanz: Finale, Suite from Schlagobers: [Vorspiel] –, Suite no. 1 in D minor, op. 43: I. Introduzione e fuga: Andante sostenuto - Moderato e con anima, Suite no. 1 in D minor, op. 43: II. Divertimento: Allegro moderato, Suite no. 1 in D minor, op. 43: III. Intermezzo: Andante semplice, Suite no. 1 in D minor, op. 43: IV. Marche Miniature: Moderato con moto, Suite no. 1 in D minor, op. 43: V. Scherzo: Allegro con moto, Suite no. 1 in D minor, op. 43: VI. Gavotte: Allegro, Suite no. 2 in C major, op. 53: I. Jeu de sons: Andantino un poco rubato, Suite no. 2 in C major, op. 53: II. Valse: Moderato tempo di valse, Suite no. 2 in C major, op. 53: III. Scherzo burlesque: Vivace, con spirito, Suite no. 2 in C major, op. 53: IV. Rêves d'enfant: Andante molto sostenuto, Suite no. 2 in C major, op. 53: V. Danse baroque: Vivacissimo, Suite no. 3 in G major, op. 55: I. Élégie: Andantino molto cantabile, Suite no. 3 in G major, op. 55: II. Valse mélancolique: Allegro moderato, Suite no. 3 in G major, op. 55: III. Scherzo: Presto, Suite no. 3 in G major, op. 55: IV. Tema con variazioni: Andante con moto, Suite no. 3 in G major, op. 55: IV. Variazione 1, Suite no. 3 in G major, op. 55: IV. Variazione 10: Allegro vivo e un poco rubato, Suite no. 3 in G major, op. 55: IV. Variazione 11: Moderato mosso, Suite no. 3 in G major, op. 55: IV. Variazione 12: Finale: Polacca: Moderato assai, Suite no. 3 in G major, op. 55: IV. Variazione 2: Molto piu mosso, Suite no. 3 in G major, op. 55: IV. Variazione 3: Tempo del tema, Suite no. 3 in G major, op. 55: IV. Variazione 4: Tempo del tema, Suite no. 3 in G major, op. 55: IV. Variazione 5: Allegro risoluto, Suite no. 3 in G major, op. 55: IV. Variazione 6: Allegro vivace, Suite no. 3 in G major, op. 55: IV. Variazione 7: Moderato, Suite no. 3 in G major, op. 55: IV. Variazione 8: Largo, Suite no. 3 in G major, op. 55: IV. Variazione 9: Allegro molto vivace, Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue: Allegro, Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet: Moderato, Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera: Andante non tanto, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Theme: Allegro giusto, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Variation I, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Variation II, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Variation III, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Variation IX: Adagio, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Variation V, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Variation VI, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Variation VII, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Variation VIII, Suite no. 4 in G major, op. 61 "Mozartiana": IV. Variation X: Allegro vivo, Suite provençale, op. 152b: I. Animé, Suite provençale, op. 152b: II. Très modéré - Vif, Suite provençale, op. 152b: III. Modéré, Suite provençale, op. 152b: IV. Vif, Suite provençale, op. 152b: V. Modéré, Suite provençale, op. 152b: VI. Vif, Suite provençale, op. 152b: VII. Lent, Suite provençale, op. 152b: VIII. Vif, Symphonic Fragment "Josephs-Legende", op. 64a, Symphonic Sketches: I. Jubilee, Symphonic Sketches: II. Noël, Symphonic Sketches: III. Hobgoblin. Scherzo capriccioso, Symphonic Sketches: IV. A Vagrom Ballad, Symphony Nr. 1 in E-Dur: I. Sehr langsam - Sehr lebhaft, Symphony Nr. 1 in E-Dur: II. Langsam, Symphony Nr. 1 in E-Dur: III. Schnell und leicht, Symphony Nr. 1 in E-Dur: IV. Lebhaft, doch nicht zu schnell, Symphony in E major: III., Symphony in E minor, op. 32 "Gaelic": I. Allegro con fuoco, Symphony in E minor, op. 32 "Gaelic": II. Alla siciliana - Allegro vivace, Symphony in E minor, op. 32 "Gaelic": III. Lento con molto espressione, Symphony in E minor, op. 32 "Gaelic": IV. Allegro di molto, Symphony no. 1 "Afro-American": I. Moderato assai, Symphony no. 1 "Afro-American": II. Adagio, Symphony no. 1 "Afro-American": III. Animato, Symphony no. 1 "Afro-American": IV. Lento, con risoluzione, Symphony no. 1 in F major, op. 17: I. Allegro moderato, Symphony no. 1 in F major, op. 17: II. Scherzo. Allegro assai - Trio. Poco meno vivace - Scherzo, Symphony no. 1 in F major, op. 17: III. Adagio non troppo - Poco andante - Tempo I, Symphony no. 1 in F major, op. 17: IV. Finale. Allegro con fuoco e vivace, Symphony no. 1, "Afro-American": Moderato Assai, Symphony no. 1, op. 9 (extract), Symphony no. 10 in E minor, op. 93: IV., Symphony no. 1: I. Allegro, Symphony no. 1: II. Adagio molto (sostenuto), Symphony no. 1: III. Scherzo. Vivace, Symphony no. 1: IV. Allegro molto, Symphony no. 2 "Song of a New Race": I. Slowly, Symphony no. 2 "Song of a New Race": II. Slowly and deeply expressive, Symphony no. 2 "Song of a New Race": III. Moderately fast, Symphony no. 2 "Song of a New Race": IV. Moderately slow, Symphony no. 2 in B-flat major: I. Andante non troppo – Allegro con brio, Symphony no. 2 in B-flat major: II. Allegretto scherzando, Symphony no. 2 in B-flat major: III. Largo e maestoso – Allegro non troppo – Tempo primo, Symphony no. 2 in B-flat major: IV. Allegro molto animato, Symphony no. 2 in E-flat major, op. 38: I. Allegro moderato, Symphony no. 2 in E-flat major, op. 38: II. Adagio, Symphony no. 2 in E-flat major, op. 38: III. Scherzo. Presto - Trio. Molto meno mosso - Presto, Symphony no. 2 in E-flat major, op. 38: IV. Finale. Allegro energico, Symphony no. 2 in F-sharp minor, op. 26: I. Allegro, Symphony no. 2 in F-sharp minor, op. 26: II. Nocturno. Andante, Symphony no. 2 in F-sharp minor, op. 26: III. Scherzo. The Butterfly's Frolic, Symphony no. 2 in F-sharp minor, op. 26: IV. Finale. Allegro con fuoco, Symphony no. 2 in G minor "Song of A New Race": II. Song of a New Race, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuta, Symphony no. 2, op. 35: I. Introduction and Song. Slow, with deep emotion, Symphony no. 2, op. 35: II. Interlude and Dance. Moderately slow, Symphony no. 2: I. Allegro, Symphony no. 2: I. Andante moderato, Symphony no. 2: II. Allegro, Symphony no. 2: II. Largo, Symphony no. 2: III. Adagio cantabile, Symphony no. 2: III. Vivace - Capriccioso - Tempo I, Symphony no. 2: IV. Andante moderato - Allegro con spirito, Symphony no. 2: IV. Lento maestoso, Symphony no. 2: V. Allegro molto vivace, Symphony no. 3 in E minor, op. 53: I. Allegro inquieto, Symphony no. 3 in E minor, op. 53: II. Allegro con fuoco - Adagio, Symphony no. 3 in E minor, op. 53: III. Scherzo. Vivo e grazioso - Trio. Andante con moto - Vivo e grazioso, Symphony no. 3 in E minor, op. 53: IV. Allegro maestoso - Allegro vivace, Symphony no. 3 in F major: I. Allegro sostenuto, Symphony no. 3 in F major: II. Andante cantabile, Symphony no. 3 in F major: III. Vivace non troppo, Symphony no. 3 in F major: IV. Allegro molto energico, Symphony no. 3 in G minor, op. 42: I. Allegro vivo, Symphony no. 3 in G minor, op. 42: II. Adagio – Andante – Adagio molto, Symphony no. 3 in G minor, op. 42: III. Vivace, Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito, Symphony no. 3: I. Con moto (Tragic), Symphony no. 3: I. Molto moderato - with simple expression, Symphony no. 3: II. (Lyric), Symphony no. 3: II. Allegro molto, Symphony no. 3: III. Andantino quasi allegretto, Symphony no. 3: III. Poco più mosso (Pastoral), Symphony no. 3: IV. (Fugue - Dramatic), Symphony no. 3: IV. Molto deliberato, Symphony no. 3: V. Con moto (Dramatic - Tragic), Symphony no. 4 in A major, op. 53: I. Lento – Allegro con brio, Symphony no. 4 in A major, op. 53: II. Lento molto, Symphony no. 4 in A major, op. 53: III. Allegro scherzando, Symphony no. 4 in A major, op. 53: IV. Allegro molto, Symphony no. 4 in C major: I. Allegro molto moderato -, Symphony no. 4 in C major: III. Molto vivace -, Symphony no. 4 in C major: IV. Tempo primo un poco sostenuto, Symphony no. 4, op. 29 "The Inextinguishable": IV., Tam O’Shanter, The Seasons, op. 37b: I. January "By the Fireplace": Moderato semplice ma espressivo, The Seasons, op. 37b: II. February "Shrovetide Festival": Allegro giusto, The Seasons, op. 37b: III. March "Song of the Lark": Andantino espressivo, The Seasons, op. 37b: IV. April "Snowdrop" Allegretto con moto e un poco rubato, The Seasons, op. 37b: IX. September "The Hunt": Allegro non troppo, The Seasons, op. 37b: V. May "May Nights": Andantino, The Seasons, op. 37b: VI. June "Barcarolle": Andante cantabile, The Seasons, op. 37b: VII. July "Song of the Mower": Allegro moderato con moto, The Seasons, op. 37b: VIII. August "Harvest": Allegro vivace, The Seasons, op. 37b: X. October "Autumn Song", The Seasons, op. 37b: XI. November "Troika": Allegro moderato, The Seasons, op. 37b: XII. December "Yuletide": Tempo di valse, The Snow Maiden, op. 12: 1. Introduction, The Snow Maiden, op. 12: 10. Melodrama, The Snow Maiden, op. 12: 13. Jester's Dance, The Snow Maiden, op. 12: 16. Appearance of the Wood Bird, The Snow Maiden, op. 12: 17a. Entr'acte, The Snow Maiden, op. 12: 19. Final, The Snow Maiden, op. 12: 5a. Melodrama, The Snow Maiden, op. 12: 5b. Entr'acte, The Snow Maiden, op. 12: 8. Entr'acte, The Stars and Stripes Forever, The Storm, op. 76, The Tempest, op. 18: Allegro animato – Allegro vivo, The Tempest, op. 18: Allegro moderato – Andante alla breve, The Tempest, op. 18: Allegro molto – Andante non tanto – Allegro risoluto –, The Tempest, op. 18: Allegro vivace –, The Tempest, op. 18: Andante con moto, The Tempest, op. 18: Andante con moto –, The Tempest, op. 18: Andante con moto – Andantino, The Tempest, op. 18: Andante non tanto – Andante, Three Essays for Orchestra: First Essay, op. 12, Three Essays for Orchestra: Second Essay, op. 17, Three Essays for Orchestra: Third Essay, op. 47, Valse mélancolique, Valse-fantaisie, Vanessa, Act IV Scene 1: Intermezzo, Vanessa: Under the Willow Tree, Variations on a Theme of Corelli, op. 42. VI. Variation V, Variations on a Theme of Corelli, op. 42: I. Theme. Andante, Variations on a Theme of Corelli, op. 42: II. Variation I, Variations on a Theme of Corelli, op. 42: III. Variation II, Variations on a Theme of Corelli, op. 42: IV. Variation III, Variations on a Theme of Corelli, op. 42: IX. Variation VIII, Variations on a Theme of Corelli, op. 42: V. Variation IV, Variations on a Theme of Corelli, op. 42: VII. Variation VI, Variations on a Theme of Corelli, op. 42: VIII. Variation VII, Variations on a Theme of Corelli, op. 42: X. Variation IX, Variations on a Theme of Corelli, op. 42: XI. Variation X, Variations on a Theme of Corelli, op. 42: XII. Variation XI, Variations on a Theme of Corelli, op. 42: XIII. Variation XII, Variations on a Theme of Corelli, op. 42: XIV. Variation XIII, Variations on a Theme of Corelli, op. 42: XIX. Variation XVII, Variations on a Theme of Corelli, op. 42: XV. Intermezzo. A tempo rubato, Variations on a Theme of Corelli, op. 42: XVI. Variation XIV, Variations on a Theme of Corelli, op. 42: XVII. Variation XV, Variations on a Theme of Corelli, op. 42: XVIII. Variation XVI, Variations on a Theme of Corelli, op. 42: XX. Variation XVIII, Variations on a Theme of Corelli, op. 42: XXI. Variation XIX, Variations on a Theme of Corelli, op. 42: XXII. Variation XX, Variations on a Theme of Corelli, op. 42: XXIII. Coda. Andante, Vocalise, op. 34, no. 14 |
| Jaco, der Papagei |
conductor |
Allt under himmelens fäste, Andante festivo, Ballet Scene (1891), Capriccio espagnol, op. 34: I. Alborada. Vivo e strepitoso -, Capriccio espagnol, op. 34: II. Variazioni. Andante con moto -, Capriccio espagnol, op. 34: III. Alborada. Vivo e strepitoso -, Capriccio espagnol, op. 34: IV. Scena e canto gitano: Allegretto -, Capriccio espagnol, op. 34: V. Fandango asturiano, Cavalleria rusticana - Intermezzo sinfonico - 'Der Pate III', Dance of the Maidens from Polovtsian Dance from Prince Igor, Die Sprache der Vögel, JS 62: Act III: Wedding March, Du gamla, du friska... (Swedish National Anthem), Fantaisie dramatique, op. 9: Andante molto sostenuto - Allegro non troppo - Allegro - Andante molto sostenuto, Festive Overture on the Danish National Anthem in D major, op. 15, From Holberg’s Time, op. 40: III. Gavotte: Allegretto – Musette: Un poco mosso – Gavotte, Impromptu for string orchestra "Andante lirico", Incidental Music to Kuolema: Canzonetta, op. 62a, Incidental Music to Kuolema: Scene With Cranes, op. 44 no. 2, Incidental Music to Kuolema: Valse Romantique, op. 62b, Incidental Music to Kuolema: Valse Triste, op. 44 no. 1, Karelia Overture, op. 10, Karelia Suite, op. 11: I. Intermezzo (Moderato), La Gioconda: Danza delle ore, Les Contes d’Hoffmann: Entr’acte (Barcarolle), Lyric Suite, op. 54: IV. Notturno: Andante, Night-Ride and Sunrise, op. 55, Ouverture solennelle 1812, op. 49: Finale, Overture in E major (1891), Overture in F major, Peer Gynt Suite Nr. 1, op. 46: I. Morgenstimmung, Peer Gynt Suite Nr. 2, op. 55: IV. Solvejgs Lied, Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, Promootiomarssi, JS 155, Prélude symphonique, op. 7: Lento assai, Russian Easter Festival Overture, op. 36, Scaramouche, op. 71: Act I: Scene 1, Scaramouche, op. 71: Act I: Scene 10, Scaramouche, op. 71: Act I: Scene 2, Scaramouche, op. 71: Act I: Scene 3, Scaramouche, op. 71: Act I: Scene 4, Scaramouche, op. 71: Act I: Scene 5, Scaramouche, op. 71: Act I: Scene 6, Scaramouche, op. 71: Act I: Scene 7, Scaramouche, op. 71: Act I: Scene 8, Scaramouche, op. 71: Act I: Scene 9, Scaramouche, op. 71: Act II: Scene 1, Scaramouche, op. 71: Act II: Scene 10, Scaramouche, op. 71: Act II: Scene 11, Scaramouche, op. 71: Act II: Scene 2, Scaramouche, op. 71: Act II: Scene 3, Scaramouche, op. 71: Act II: Scene 4, Scaramouche, op. 71: Act II: Scene 5, Scaramouche, op. 71: Act II: Scene 6, Scaramouche, op. 71: Act II: Scene 7, Scaramouche, op. 71: Act II: Scene 8, Scaramouche, op. 71: Act II: Scene 9, Sylvia: Gavotte: Pizzicati, Symphony no. 1 in D major, op. 3: I. Allegro non troppo - Poco più tranquillo - Tempo I, Symphony no. 1 in D major, op. 3: II. Scherzo: Allegro vivace - Un poco piu tranquillo - Tempo I, Symphony no. 1 in D major, op. 3: III. Andante molto sostenuto, Symphony no. 1 in D major, op. 3: IV. Finale: Allegro moderato, Symphony no. 1 in D major, op. 4: I. Molto allegro, Symphony no. 1 in D major, op. 4: II. Andante, Symphony no. 1 in D major, op. 4: III. Allegro scherzando, Symphony no. 1 in D major, op. 4: IV. Finale. Maestoso, Symphony no. 1 in E minor, op. 1: I. Largo assai - Allegro, Symphony no. 1 in E minor, op. 1: II. Andante tranquillo, Symphony no. 1 in E minor, op. 1: III. Scherzo vivace - Trio, Symphony no. 1 in E minor, op. 1: IV. Allegro assai, Symphony no. 1 in G minor "Sérieuse": I. Allegro con energia, Symphony no. 1 in G minor "Sérieuse": II. Adagio maestoso, Symphony no. 1 in G minor "Sérieuse": III. Stretto, Symphony no. 1 in G minor "Sérieuse": IV. Finale. Adagio - Allegro molto, Symphony no. 2 in B-flat major, op. 15: I. Allegro, Symphony no. 2 in B-flat major, op. 15: II. Andante sostenuto, Symphony no. 2 in B-flat major, op. 15: III. Intermezzo. Allegro giusto, Symphony no. 2 in B-flat major, op. 15: IV. Finale. Andante - Allegro con fuoco, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo, Symphony no. 2 in D major "Capricieuse": I. Allegro, Symphony no. 2 in D major "Capricieuse": II. Andante, Symphony no. 2 in D major "Capricieuse": III. Finale. Allegro assai, Symphony no. 2 in F major, op. 6: I. Allegro con moto – Pesante – A tempo, tranquillo – Tempo I (subito) – Agitato – Tranquillo – Tempo I – Pesante – A tempo, tranquillo – Tranquillo – Maestoso – Largamente, Symphony no. 2 in F major, op. 6: II. Adagio – Presto – Adagio – Presto – Tranquillo – Adagio, Symphony no. 2 in F major, op. 6: III. Allegro con fuoco – Con moto – Tranquillo – Con moto – Adagio – Tempo I, furioso – Pesante – Tranquillo – Con moto – Tranquillo – A tempo, con moto – Maestoso, Symphony no. 2, op. 9 "Antar": I. Largo - Allegro giocoso - Adagio - Largo - Allegretto vivace - Largo, Symphony no. 2, op. 9 "Antar": II. Allegro - Molto allegro - Meno mosso, allargando - Allegro, Symphony no. 2, op. 9 "Antar": III. Allegro risoluto alla marcia, Symphony no. 2, op. 9 "Antar": IV. Allegretto vivace - Andante amoroso - Animato assai, Symphony no. 3 in C major "Singulière": I. Allegro fuocoso, Symphony no. 3 in C major "Singulière": II. Adagio - Scherzo. Allegro assai - Adagio, Symphony no. 3 in C major "Singulière": III. Finale. Presto, Symphony no. 3 in C major, op. 32: I. Moderato assai - Allegro, Symphony no. 3 in C major, op. 32: II. Scherzo. Vivo - Moderato - Tempo I, Symphony no. 3 in C major, op. 32: III. Andante - Animato assai - Tempo I - attacca, Symphony no. 3 in C major, op. 32: IV. Allegro con spirito - Animato, Symphony no. 3 in D major, op. 10 "Västkustbilder": I. Soldis. Lento - Un poco più mosso- Molto tranquillo - Un poco più mosso - Lento, Symphony no. 3 in D major, op. 10 "Västkustbilder": III. Sommarnatt. Adagio - Molto tranquillo - Un poco più mosso - Largamente - Adagio - Molto vivace - Più mosso - Più mosso sempre - Tempo I - Tranquillo - Largamente - Lento, Symphony no. 3 in D major, op. 10 "Västkustbilder": Storm. Con fuoco (non troppo presto, largamente) - Più mosso - Con fuoco [Tempo I] - [ ] - A Tempo I (un poco più vivo) - Più mosso (molto) - Tempo I - Adagio molto tranquillo, Symphony no. 4 in E-flat major: I. Allegro risoluto, Symphony no. 4 in E-flat major: II. Adagio, Symphony no. 4 in E-flat major: III. Scherzo. Allegro molto, Symphony no. 4 in E-flat major: IV. Finale. Allegro vivace, Symphony no. 7 in C major, op. 105, Symphony no. 7, op. 45 "Sinfonia romantica": I. Drammatico. Lento - Molto vivo - Andante - Andante molto tranquillo - Molto vivo - Cantando - Lento - Vivacissimo, Symphony no. 7, op. 45 "Sinfonia romantica": II. Semplice. Andante - Un poco più lento - A tempo I - Tranquillo, Symphony no. 7, op. 45 "Sinfonia romantica": III. Feroce. Allegro - L'istesso tempo, pesante - (Un poco meno mosso) - (Tranquillo) - (Con moto) - (Tempo I) - Animando al fine, Symphony no. 8 in E minor, op. 48: I. Largo – Allegro, Symphony no. 8 in E minor, op. 48: II. Adagio, Symphony no. 8 in E minor, op. 48: III. Molto vivo, Symphony no. 8 in E minor, op. 48: IV. Con moto, Symphony no. 9, op. 54 "Sinfonia visionaria": Adagio -, Symphony no. 9, op. 54 "Sinfonia visionaria": Allegro. Kör, Barden: "Nu stundar Friggas sorg den största" - Allegro. Kör, Barden: "Då kommer Odens ättling, åskguden" - Vivo. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Mycket jag fattat, fram ser jag längre till Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Andante. Barden: "Heid hon hette, till vad hus hon kom" - Tranquillo. Valan: "Varom frågen I mig?" - [Andante.] Barden: "Härfader gav henne halsguld och ringar" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Barden: "Solen svartnar, land sjunker i havet" - Molto tranquillo. Barden: "Då kommer dunklets drake och glider", Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Barden: "Hur är det med asar?" - Vivo. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Jag ser längre fram, har fullt upp att säga om Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Barden: "Väl vet hon, att Odens öga är gömt i Mimes brunn" - Poco con moto. Barden: "Väl vet hon, att Heimdalls horn är gömt under himmelshöga, heliga trädet" - Allegro. Barden: "Hon minns det första mannadråpet" - Poco meno mosso. Kör, Barden: "Då drogo de mäktige till sina domaresåten" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Kör: "Bröder varandras bane varda" - Poco tenuto, molto espressivo. Kör: "Då störtar världen, jorden dånar" - Tranquillo. Valan: "Ringlande världsorm över rymden gapar" - Vivo. Kör: "Mimes söner sig fröjda" - Tranquillo. Valan: "Ringlande vörlsorm över rymden gapar" - "Vivo. Kör: "Då skälver Yggdrasils ask, den ståndande" - Tranquillo. Valan: "Ringlande världsorm över rymden gapar" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Valan: "Jag jättarna minns, i urtid avlade" - Poco tranquillo. Valan: "Gapande svalg fanns men gräs icke" - [Con moto.] Valan: "I åldrarnas ursprung, när Ymer levde" - Poco tranquillo. Valan: "stjärnorna ej var de skimra skulle" - [Con moto.] Valan: "Söner till Bur då lyfte landen" - Poco meno mosso. Kör, Valan: "Då drogo de mäktige till sina domaresäten" - Tranquillo. Barden: "Hon såg vida och än vidare i världar alla" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Poco più mosso. Barden: "Med spjut sprängde Oden mot hotande horder" - Poco meno mosso. Valan: "Då drogo de mäktige till sina domaresäten" - Poco più mosso. Barden: "Blott Tor då slog till i trotsig harm" - Meno mosso. Kör: "Då drogo de mäktige till sina domaresäten" - Allegro - Molto tranquillo -, Symphony no. 9, op. 54 "Sinfonia visionaria": Tempo [Un poco più mosso]. Barden: "Öster i Järnskogen dvaldes den åldriga" - Vico. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Mycket jag fattat, fram ser jag längre till Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Un poco più mosso. Valan: "Vid heta källors kittel i lunden" - Vivo. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Jag ser längre fram, har fullt upp att säga om Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Valan: "En ask ser jag stånda, den Yggdrasil heter" - Molto tranquillo - Con moto. Valan: "Dädan draga möar, som mycket veta" - Molto tranquillo. Valan: "Lyckans lotter, liv och död" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Vivo - Tempo martellato. Kör: "Rym styr ur östern" - Allegro molto -, The Storm (Groza), Overture, op. 76, Three Nocturnes, op. 35bis: I. Flykten till bödelskojan. Agitato (non troppo allegro) - Poco calando - A tempo I agitato - Calando, Three Nocturnes, op. 35bis: II. Drömmen, tåget till avrättsplatsen. Andante lugubre, Three Nocturnes, op. 35bis: III. Uppvaknandet. Presto - Poco tranquillo - Presto - Poco tranquillo - Con moto - Tranquillo - A tempo presto - Più mosso - Poco calando - A tempo presto - Poco calando - Poco tranquillo - Presto - Più mosso - Tranquillo - Più tranquillo - Molto presto - Prestissimo, Vittorioso, op. 58. Moderato (tranquillo) - Alla marcia - Tranquillo - Allegro cantando - Allegro molto |
| Violetshaped |
conductor |
Bergensiana, Bojarernes Indtogsmarsch, Brudefølget drager forbi, Cantus in Memory of Benjamin Britten, Dance Scene from "Queen Tamara", Fest-Polonaise, op. 12, Fossegrimen, op. 21: Danse visionaire. Andante, Fossegrimen, op. 21: II. Huldremoyarnes dans. Allegretto grazioso, Fossegrimen, op. 21: IV. Melodrama og auds sang. Allegro, Four Sea-Interludes from the opera "Peter Grimes", op. 33a: I. Dawn, Four Sea-Interludes from the opera "Peter Grimes", op. 33a: II. Sunday morning, Four Sea-Interludes from the opera "Peter Grimes", op. 33a: III. Moonlight, Four Sea-Interludes from the opera "Peter Grimes", op. 33a: IV. Storm, I Fjol gjætt’e Gjeitinn, Karneval i Paris, op. 9, La Mélancolie, Norsk festouverture, op. 16, Norsk kunstnerkarneval, op. 14, Norske eventyrbilleder, op. 37: I. Peik, Prinsessen og Stortroldet, Norske eventyrbilleder, op. 37: II. Prinsessen kommer ridende på Bjørnen, Norske eventyrbilleder, op. 37: III. Troldenes Indtog i Berget det blå, Norske eventyrbilleder, op. 37: IV. Dans av Småtrold, Norske eventyrbilleder, op. 37: Troldmøernes Dans, Norwegian Rhapsody no. 1, op. 17, Norwegian Rhapsody no. 2, op. 19, Norwegian Rhapsody no. 3, op. 21, Norwegian Rhapsody no. 4, op. 22, Rabnabryllaup uti Kraakjalund, Rhapsodie norvégienne no. 1, Rhapsodie norvégienne no. 2, Romeo und Julia, op. 18, Sorte svaner, Suite ancienne, op. 31a: I. Intrata, Suite ancienne, op. 31a: II. Air con variazioni, Suite ancienne, op. 31a: III. Gigue, Suite ancienne, op. 31a: IV. Sarabande, Suite ancienne, op. 31a: V. Bourrée, Suite from "Mascarade": I. Holberg-Ouverture, Suite from "Mascarade": II. Cotillon, Suite from "Mascarade": III. Menuetto, Suite from "Mascarade": IV. Hanedansen, Suite from "Mascarade": V. Gavotte - Musette, Suite from "Mascarade": VI. Molinasque, Suite from "Mascarade": VII. Kehraus, Suite from "Mascarade": VIIIa. Arietta, Suite from "Mascarade": VIIIb. Passepied, Swan Lake, op. 20: Act I: 1. Scene: Allegro giusto, Swan Lake, op. 20: Act I: 2. Valse: Intrada. Tempo di valse - Valse, Swan Lake, op. 20: Act I: 3. Scene: Allegro moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: I. Intrada. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: II. Andante sostenuto, Swan Lake, op. 20: Act I: 4. Pas de Trois: III. Allegro simplice - Presto, Swan Lake, op. 20: Act I: 4. Pas de Trois: IV. Moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: V. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: VI. Coda. Allegro vivace, Swan Lake, op. 20: Act I: 5. Pas de Deux: I. Tempo di valse ma mon troppo vivo, quasi moderato, Swan Lake, op. 20: Act I: 5. Pas de Deux: II. Andante - Allegro - Molto più mosso, Swan Lake, op. 20: Act I: 5. Pas de Deux: III. Tempo di valse -, Swan Lake, op. 20: Act I: 5. Pas de Deux: IV. Coda. Allegro molto vivace, Swan Lake, op. 20: Act I: 6. Pas d'Action: Andantino quasi moderato - Allegro, Swan Lake, op. 20: Act I: 7. Sujet (Scene): [Moderato] -, Swan Lake, op. 20: Act I: 8. Danse des Coupes: Tempo di polacca, Swan Lake, op. 20: Act I: 9. Finale: I. Andante, Swan Lake, op. 20: Act II: 10. Scene: Moderato - Più mosso, Swan Lake, op. 20: Act II: 11. Scene. Allegro moderato - Moderato - Più mosso -, Swan Lake, op. 20: Act II: 12. Scene. Allegro - Moderato assai quasi andante, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: I. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: II. (Solo d'Odette.) Moderato più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: III. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: IV. [Pas de Quatre.] Allegro moderato, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VI. (Tour le Monde Danse): Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VII. Coda: Allegro vivo, Swan Lake, op. 20: Act II: 14. Scene (Finale II): Moderato - Più mosso, Swan Lake, op. 20: Act III: 15. Allegro giusto, Swan Lake, op. 20: Act III: 16. Danses du Corps de Ballet et des Nains: Moderato assai - (Ballabile.) Allegro vivo - Trio, Swan Lake, op. 20: Act III: 17. Scene. La Sortie des Invités et la Valse: Allegro - Tempo di valse - Allegro - Tempo di valse - Allegro - Tempo di valse, Swan Lake, op. 20: Act III: 18. Scene: Allegro - [Allegro] - Allegro giusto, Swan Lake, op. 20: Act III: 19. Pas de Six: Intrada: Moderato assai, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation I: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [III]: Moderato, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [IV]: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [V]: Moderato - Allegro simplice - Più mosso, Swan Lake, op. 20: Act III: 19. Pas de Six: [Variation II.]: Andante con moto, Swan Lake, op. 20: Act III: 19a. Pas de Deux: Moderato - Andante, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Coda.]: Allegro molto vivace, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation I.]: Allegro moderato, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation II.]: Allegro, Swan Lake, op. 20: Act III: 20. Danse Hongroise (Czardas): Moderato assai - Allegro moderato - Vivace, Swan Lake, op. 20: Act III: 20a. Danse Russe (pour Mlle Pelagia Karpakova): Moderato - Cadenza - Andante simplice - Allegro vivo - Presto, Swan Lake, op. 20: Act III: 21. Danse Espagnole: Allegro non troppo - Tempo di bolero - L'istesso tempo - Più mosso, Swan Lake, op. 20: Act III: 22. Danse Napolitaine: Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto, Swan Lake, op. 20: Act III: 23. Mazurka: Tempo di mazurka - Più mosso, Swan Lake, op. 20: Act III: 24. Scene (Finale III): Allegro - Valse - Allegro vivo - L'istesso tempo, Swan Lake, op. 20: Act III: Coda: Allegro molto, Swan Lake, op. 20: Act IV: 25. Entr'acte: Moderato -, Swan Lake, op. 20: Act IV: 26. Scene: Allegro non troppo -, Swan Lake, op. 20: Act IV: 27. Danses des Petits Cygnes: Moderato, Swan Lake, op. 20: Act IV: 28. Scene: Allegro agitato - Molto meno mosso - Allegro vivace -, Swan Lake, op. 20: Act IV: 29. Scene Finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Meno mosso - Moderato, Swan Lake, op. 20: Introduction: Moderato assai - Allegro ma non troppo - Tempo I, Symphonic Intermezzo from "The King", Symphony no. 1 in C minor: I. Allegro non troppo, Symphony no. 1 in C minor: II. Andante, Symphony no. 1 in C minor: III. Scherzo, Symphony no. 1 in C minor: IV. Finale, Symphony no. 1 in D major, op. 4: I. Molto allegro, Symphony no. 1 in D major, op. 4: II. Andante, Symphony no. 1 in D major, op. 4: III. Allegretto scherzando, Symphony no. 1 in D major, op. 4: IV. Finale. Maestoso – Allegro assai con fuoco, Symphony no. 2 in B-flat major, op. 15: I. Allegro, Symphony no. 2 in B-flat major, op. 15: II. Andante sostenuto, Symphony no. 2 in B-flat major, op. 15: III. Intermezzo. Allegro giusto, Symphony no. 2 in B-flat major, op. 15: IV. Finale. Andante – Allegro con fuoco – Stretto, Symphony no. 2 in D minor "Fatum": I. Allegro moderato, Symphony no. 2 in D minor "Fatum": II. Romance, Symphony no. 2 in D minor "Fatum": III. Intermezzo, Symphony no. 2 in D minor "Fatum": IV. Finale, Symphony no. 3 in C major: I. Poco andante, Symphony no. 3 in C major: II. Andante, Symphony no. 3 in C major: III. Finale. Allegro impetuoso, Symphony no. 4 "Sinfonia lirica": I. Molto moderato, Symphony no. 4 "Sinfonia lirica": II. Allegro con anima, Symphony no. 4 "Sinfonia lirica": III. Andante un poco maestoso, Symphony no. 4 "Sinfonia lirica": IV. Allegro, Sæterjentens Søndag, The Young Person's Guide to the Orchestra, op. 34, To islandske melodier: I. Maestoso, To islandske melodier: II. Moderato, Träume, Zorahayda, op. 11 |
| Ryan Angelos |
conductor |
Baba-Yaga, op. 56, Dubinushka, op. 62, Hungarian Dance for Orchestra in A minor, WoO 1 no. 8: Presto, Hungarian Dance for Orchestra in B minor, WoO 1 no. 19: Allegretto, Hungarian Dance for Orchestra in B-flat major, WoO 1 no. 15: Allegretto grazioso, Hungarian Dance for Orchestra in D major, WoO 1 no. 13: Andantino grazioso, Hungarian Dance for Orchestra in D major, WoO 1 no. 18: Molto vivace, Hungarian Dance for Orchestra in D major, WoO 1 no. 6: Vivace, Hungarian Dance for Orchestra in D minor, WoO 1 no. 11: Poco andante, Hungarian Dance for Orchestra in D minor, WoO 1 no. 12: Presto, Hungarian Dance for Orchestra in D minor, WoO 1 no. 14: Un poco andante, Hungarian Dance for Orchestra in D minor, WoO 1 no. 2: Allegro non assai, Hungarian Dance for Orchestra in E minor, WoO 1 no. 20: Poco allegretto, Hungarian Dance for Orchestra in E minor, WoO 1 no. 21: Vivace, Hungarian Dance for Orchestra in E minor, WoO 1 no. 9: Allegro ma non troppo, Hungarian Dance for Orchestra in F major, WoO 1 no. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 no. 3: Allegretto, Hungarian Dance for Orchestra in F major, WoO 1 no. 7: Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 no. 16: Con moto, Hungarian Dance for Orchestra in F-sharp minor, WoO 1 no. 17: Andantino, Hungarian Dance for Orchestra in F-sharp minor, WoO 1 no. 4: Poco sostenuto, Hungarian Dance for Orchestra in G minor, WoO 1 no. 1: Allegro molto, Hungarian Dance for Orchestra in G minor, WoO 1 no. 5: Allegro, Kikimora, op. 63, Overture from the Opera "Genoveva", op. 81, Overture to "Genoveva", op. 81, Overture to "Julius Caesar", op. 128, Overture to "Manfred", op. 115, Overture, Scherzo and Finale, op. 52: I. Overture, Overture, Scherzo and Finale, op. 52: II. Scherzo, Overture, Scherzo and Finale, op. 52: III. Finale, Piano Quartet in G minor, op. 25: I. Allegro, Piano Quartet in G minor, op. 25: II. Intermezzo: Allegro ma non troppo, Piano Quartet in G minor, op. 25: III. Andante con moto, Piano Quartet in G minor, op. 25: IV. Rondo alla zingarese: Presto, Scheherazade: The Young Prince and the Young Princess, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in A minor, op. 44: I. Lento – Allegro moderato, Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo – Allegro vivace – Tempo come prima, Symphony no. 3 in A minor, op. 44: III. Allegro, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, The Enchanted Lake, op. 62, The Firebird Ballet Suite: Final Hymn, The Firebird Ballet Suite: Infernal Dance, The Firebird Ballet Suite: Introduction, The Firebird Ballet Suite: Lullaby (Firebird), The Firebird Ballet Suite: Pantomime I, The Firebird Ballet Suite: Pantomime II, The Firebird Ballet Suite: Pantomime III, The Firebird Ballet Suite: Pas de deux (Firebird and Ivan Tsarevich), The Firebird Ballet Suite: Prelude and Dance of the Firebird, The Firebird Ballet Suite: Rondo (Khorovod), The Firebird Ballet Suite: Scherzo (Dance of the Princess), The Firebird Ballet Suite: Variations (Firebird), The Firebird: Final Hymn, The Firebird: Infernal Dance, The Firebird: Lullaby, Two Intermezzi for Orchestra: No. 1 in F-sharp minor, Two Intermezzi for Orchestra: No. 2 in G major, Variations and Fugue on a theme by Handel, op. 24: Aria, Variations and Fugue on a theme by Handel, op. 24: Fuga, Variations and Fugue on a theme by Handel, op. 24: Variation I, Variations and Fugue on a theme by Handel, op. 24: Variation II. Animato, Variations and Fugue on a theme by Handel, op. 24: Variation III. L'istesso tempo, Variations and Fugue on a theme by Handel, op. 24: Variation IV, Variations and Fugue on a theme by Handel, op. 24: Variation IX. Poco sostenuto, Variations and Fugue on a theme by Handel, op. 24: Variation V, Variations and Fugue on a theme by Handel, op. 24: Variation VI, Variations and Fugue on a theme by Handel, op. 24: Variation VII. Con vivacità, Variations and Fugue on a theme by Handel, op. 24: Variation VIII, Variations and Fugue on a theme by Handel, op. 24: Variation X. Energico (Vivace), Variations and Fugue on a theme by Handel, op. 24: Variation XI. Con moto, Variations and Fugue on a theme by Handel, op. 24: Variation XII, Variations and Fugue on a theme by Handel, op. 24: Variation XIII. Largamente, ma non troppo, Variations and Fugue on a theme by Handel, op. 24: Variation XIV. Impetuoso, Variations and Fugue on a theme by Handel, op. 24: Variation XIX. Leggiero vivace, Variations and Fugue on a theme by Handel, op. 24: Variation XV, Variations and Fugue on a theme by Handel, op. 24: Variation XVI, Variations and Fugue on a theme by Handel, op. 24: Variation XVII. Più mosso, Variations and Fugue on a theme by Handel, op. 24: Variation XVIII, Variations and Fugue on a theme by Handel, op. 24: Variation XX, Variations and Fugue on a theme by Handel, op. 24: Variation XXI, Variations and Fugue on a theme by Handel, op. 24: Variation XXII, Variations and Fugue on a theme by Handel, op. 24: Variation XXIII. Vivace, Variations and Fugue on a theme by Handel, op. 24: Variation XXIV, Variations and Fugue on a theme by Handel, op. 24: Variation XXV |
| Brandon Estelle |
conductor |
Abu Hassan, J 106, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: III. Interlude. Allegro – Andante – Adagio, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IX. Symphony. Allegro energico – Meno mosso, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: V. Interlude. Tempestoso, Capriccio Bohémien, op. 12, Collage Sur B-A-C-H: I. Toccata. Preciso, Collage Sur B-A-C-H: II. Sarabande. Lento, Collage Sur B-A-C-H: III. Ricercar. Deciso, Dances From Aleko: Men’s Dance, Dances From Aleko: Women’s Dance, Der Beherrscher der Geister, J 122, Der Freischütz, J 277 (op. 77), Euryanthe, J 291 (op. 81), Festina Lente, Fratres, Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, Jubel-Ouvertüre, J 245 (op. 59), Oberon, J 306, Overture The Oresteia, op. 6, Peter Schmoll, J 8 (op. 8), Preciosa, J 279 (op. 78), Russian Overture, op. 72, Silvana, J 87, Suite no. 4 in G major "Mozartiana", op. 61: I. Gigue. Allegro, Suite no. 4 in G major "Mozartiana", op. 61: II. Menuet. Moderato, Suite no. 4 in G major "Mozartiana", op. 61: III. Preghiera (d'après une transcription de F. Liszt). Andante non tanto, Suite no. 4 in G major "Mozartiana", op. 61: IV. Thème et Variations. Allegro giusto, Summa for string orchestra, Summer Night Suite from "The Duenna", op. 123: I. Introduction. Moderato, ma con brio – Più animato, Summer Night Suite from "The Duenna", op. 123: II. Serenade. Adagio, Summer Night Suite from "The Duenna", op. 123: III. Minuet. Allegro ma non troppo, Summer Night Suite from "The Duenna", op. 123: IV. Dreams. Andante tranquillo, Summer Night Suite from "The Duenna", op. 123: V. Dance. Allegretto, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo de valse), Symphonic Dances, op. 45: III. Lento assai, Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro, Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot-Scherzo, Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino, Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch, Symphonic Suite from "War and Peace": I. The Ball: i. Fanfare and Polonaise. Maestoso e brioso, Symphonic Suite from "War and Peace": I. The Ball: ii. Waltz. Allegro, ma non troppo, Symphonic Suite from "War and Peace": I. The Ball: iii. Mazurka. Animato, Symphonic Suite from "War and Peace": II. Intermezzo – May Night, Symphonic Suite from "War and Peace": III. Finale: i. Snowstorm. Tempestoso, Symphonic Suite from "War and Peace": III. Finale: ii. Battle. Allegro, Symphonic Suite from "War and Peace": III. Finale: iii. Victory. Allegro fastoso – Andante maestoso, Symphony no. 2: I. 104-120, Symphony no. 2: II. 112, Symphony no. 2: III. 48-60, Symphony no. 4 in C minor, op. 12: I. Allegro molto, Symphony no. 4 in C minor, op. 12: II. Adagio, Symphony no. 4 in C minor, op. 12: III. Scherzo. Vivace, Symphony no. 4 in C minor, op. 12: IV. Finale. Allegro energico - molto maestoso, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Tale of the Stone Flower, op. 118: Act III, no. 29. Ural Rhapsody, The Tale of the Stone Flower, op. 118: Act III, no. 31. Russian Dance, The Tale of the Stone Flower, op. 118: Act III, no. 32. Gypsy Dance, The Tale of the Stone Flower, op. 118: Act III, no. 33. Severyan’s Dance, The Tale of the Stone Flower, op. 118: Act III, no. 34. Solo of the Gypsy Girl and Coda, The Tale of the Stone Flower, op. 118: Act IV, no. 39. Katerina sits by the fire, The Tale of the Stone Flower, op. 118: Act IV, no. 40. Scene and Dance of Katerina, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her, The Wooden Prince, op. 13: Dance of the Princess with the Wooden Doll, The Wooden Prince, op. 13: The Prince Comes Up and Tries to Console Her, Turandot, J 75: March, Turandot, J 75: Overture, Wenn Bach Bienen Gezüchtet Hätte |
| Flophouse Phonics |
conductor |
The Nutcracker, op. 71: Act I, Tableau I. No. 1. Scène. Allegro non troppo - Poco più sostenuto - Tempo I - Più moderato - Allegro vivace - Meno -, The Nutcracker, op. 71: Act I, Tableau I. No. 2. Marche. Tempo di Marcia viva, The Nutcracker, op. 71: Act I, Tableau I. No. 3. Petit galop des enfants et Entrée des parents. Presto - Andante - Allegro -, The Nutcracker, op. 71: Act I, Tableau I. No. 4. Scène dansante. Andantino - Stringendo - Allegro vivo - Andantino sostenuto - Più andante - Allegro molto vivace - Molto più presto - Tempo di Valse (Pas de Deux) - Presto -, The Nutcracker, op. 71: Act I, Tableau I. No. 5. Scène et Danse du Gross-Vater. Andante (Tempo di Valse) - Poco animando - Tempo I - Andantino - Tempo I - Più allegro - Tempo I - Più mosso - Moderato assai - Andante - L’istesso tempo (La Berceuse) - Più mosso - Tempo I - Più mosso - L’istesso tempo - Tempo di Gross-Vater - Allegro vivacissimo - Tempo, The Nutcracker, op. 71: Act I, Tableau I. No. 6. Scène. Allegro semplice - Moderato con moto - Allegro giusto - Più allegro - Moderato assai -, The Nutcracker, op. 71: Act I, Tableau II. No. 7. Scène. Allegro vivo - Pochissimo più mosso - La Bataille - La Seconde Bataille, The Nutcracker, op. 71: Act I, Tableau II. No. 8. Scène. Andante, The Nutcracker, op. 71: Act II. No. 10. Scène. Andante -, The Nutcracker, op. 71: Act II. No. 11. Scène. Andante con moto - Un poco animando - Moderato - Allegro agitato - Poco più allegro - Tempo precedente [Allegro agitato, The Nutcracker, op. 71: Act II. No. 12. Divertissement: a. Le Chocolat. Allegro brillante - Più mosso, The Nutcracker, op. 71: Act II. No. 12. Divertissement: b. Le Café. Commodo, The Nutcracker, op. 71: Act II. No. 12. Divertissement: c. Le Thé. Allegro moderato, The Nutcracker, op. 71: Act II. No. 12. Divertissement: d. Trépak. Tempo di Trepak, molto vivace - Stringendo - Prestissimo, The Nutcracker, op. 71: Act II. No. 12. Divertissement: e. Les Mirlitons. Moderato assai, The Nutcracker, op. 71: Act II. No. 12. Divertissement: f. La Mère Gigogne et les polichinelles. Allegro giocoso - Allegro vivo - Poco più, The Nutcracker, op. 71: Act II. No. 13. Valse des Fleurs. Tempo di Valse, The Nutcracker, op. 71: Act II. No. 14. Coda. Vivace assai, The Nutcracker, op. 71: Act II. No. 14. Pas de Deux. Andante maestoso - Poco stringendo - Poco più mosso - Incalzando - Animando - Ritenuto - Tempo I - Poco stringendo - Tempo, The Nutcracker, op. 71: Act II. No. 14. Variation I (Pour le danseur). Tempo di Tarantella, The Nutcracker, op. 71: Act II. No. 14. Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo - Presto -, The Nutcracker, op. 71: Act II. No. 15. Valse finale et Apothéose. Tempo di Valse - Molto meno - L'apothéose, The Nutcracker, op. 71: Act II. No. 9. Valse des Flocons de neige. Tempo di Valse, ma con moto - Presto - Poco meno, The Nutcracker, op. 71: Ouverture. Allegro giusto, The Sleeping Beauty, op. 66: Act I. 5. Scène. Allegro vivo - Moderato - Allegro vivo (come il tempo precedente) - Moderato - Allegro vivo - Moderato con moto, The Sleeping Beauty, op. 66: Act I. 6. Valse. Allegro (Tempo di Valse), The Sleeping Beauty, op. 66: Act I. 7. Scène. Andante espressivo e cantabile - Un poco stringendo - Poco più animato - Allegro giusto - L’istesso tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. 9. Finale. Allegro giusto - Allegro vivo - Presto - Andante con moto - Grave - Allegro vivo - Poco più vivace - Andantino (come sopra in Andantino I) - Andante sostenuto, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. a) Adagio. Andante - Adagio maestoso - Più mosso - Tempo I - Molto sostenuto, quasi più andante - Tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. b) Danse des demoiselles d’honneur et des pages. Allegro moderato - (Pages.) Più mosso, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. c) Variation d’Aurore. Allegro moderato - Meno mosso quasi andantino - Tempo I - Allegro vivace, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. d) Coda. Allegro giusto - Poco più mosso - Tempo I - L’istesso tempo, The Sleeping Beauty, op. 66: Act II. 10. Entr’acte et Scène. Allegro con spirito - Un poco più tranquillo, The Sleeping Beauty, op. 66: Act II. 11. Colin-maillard. Allegro vivo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. a) Scène. Moderato, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. b) Danse des duchesses. Moderato con moto (Tempo di Minuetto), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. c) Danse des baronnes. Allegro moderato (Tempo di Gavotte), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. d) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. e) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). a) Scène. Poco più vivo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). b) Danse. Allegro non troppo (Tempo di Mazurka) - Presto, The Sleeping Beauty, op. 66: Act II. 14. Scène. Allegro con spirito - Andantino - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 15. a) Pas d’Action (Scène d’Aurore et de Désiré). Andante cantabile - Pochissimo più animato - Tempo I - Più mosso - Allegro, The Sleeping Beauty, op. 66: Act II. 15. b) Variation d’Aurore. Allegro con moto, The Sleeping Beauty, op. 66: Act II. 15. c) Coda. Presto, The Sleeping Beauty, op. 66: Act II. 16. Scène. Allegro agitato, The Sleeping Beauty, op. 66: Act II. 17. Panorama. Andantino, The Sleeping Beauty, op. 66: Act II. 18. Entr’acte. Andante sostenuto, The Sleeping Beauty, op. 66: Act II. 19. Entr’acte symphonique (le Sommeil) et Scène. Andante misterioso - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 20. Finale. Allegro agitato - Un pochettino più tranquillo - Tempo, The Sleeping Beauty, op. 66: Act III. 21. Marche. Allegro non troppo, The Sleeping Beauty, op. 66: Act III. 22. Polacca (Cortège des Contes de Fées). Allegro moderato e brillante, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre (La Fée-Or, la Fée-Argent, la Fée-Saphir et la Fée-Diamant). Allegro non tanto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Coda. L’istesso tempo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation I. La Fée-Or. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation II. La Fée-Argent. Allegro giusto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation III. La Fée-Saphir. Vivacissimo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation IV. La Fée-Diamant. Vivace, The Sleeping Beauty, op. 66: Act III. 24. Pas de Caractère (Le Chat botté et la Chatte blanche). Allegro moderato -, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre (Cendrillon, Prince Fortuné, L’Oiseau Bleu, La Princesse Florine). Adagio, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Coda. Presto, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation I. Cendrillon et Prince Fortuné. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation II. L’Oiseau Bleu et la Princesse Florine. Andantin, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. a) Chaperon Rouge et le Loup. Allegro moderato - Più mosso, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. b) Cendrillon et Le Prince Fortuné. Allegro agitato - Tempo di Valse (Moderato) - Vivace assai - Presto, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon (Le Petit Poucet, ses frères et l’Ogre). Allegro, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon,. Coda. [], The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux (Aurore et Désiré). Allegretto, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Coda. Allegro vivace, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation I. Désiré. Vivace – Prestissimo, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation II. Aurore. Andantino, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. a) Entrée. Allegro moderato, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. b) Adagio. Andante non troppo - Poco più mosso - Tempo I, The Sleeping Beauty, op. 66: Act III. 29. Sarabande. Andante, The Sleeping Beauty, op. 66: Act III. 30. Finale. Allegro brillante (Tempo di Mazurka) – Presto, The Sleeping Beauty, op. 66: Act III. 30. Finale. Apothéose. Andante molto maestoso, The Sleeping Beauty, op. 66: Introduction. Allegro vivo - Andantino - Moderato (Tempo di Marcia), The Sleeping Beauty, op. 66: Prologue. 1. Marche. Moderato, The Sleeping Beauty, op. 66: Prologue. 2. Scène dansante. Moderato con moto - Un poco più animato - Allegro moderato - Tempo di Valse - Grazioso, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Coda. Allegro giusto – Poco più animato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation I. Candide. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation II. Coulante. Fleur de Farine. Allegro, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation III. Fée aux Miettes. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation IV. Canari qui chante. Moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation V. Violente. Allegro molto vivace, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation VI. La Fée des Lilas. Tempo di Valse, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. a) Intrada. Adagio, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. b) Adagio. Andante - Allegro vivo, The Sleeping Beauty, op. 66: Prologue. 4. Finale. Andantino - Allegro vivo - L’istesso tempo - Moderato assai - Andantino - Allegro vivo - Allegro risoluto - Allegro vivo - Andante |
| Milan Peroutka |
conductor |
Konzertwalzer Nr. 1 D-Dur, op. 47, Konzertwalzer Nr. 2 F-Dur, op. 51, Kratt Ballet Suite: Interlude, Dance of the Exorcists, The Goat, The Cock, Dance of the Northern Lights, Kratt Ballet Suite: Introduction, Peasant Dance, Dance of the Goblin, Kratt Ballet Suite: Long Dance, Peasant Waltz, Buck Dance, Legends, op. 59, B. 122: I. Allegretto non troppo, quasi andantino, Legends, op. 59, B. 122: II. Molto moderato, Legends, op. 59, B. 122: III. Allegro giusto, Legends, op. 59, B. 122: IV. Molto maestoso, Legends, op. 59, B. 122: IX. Andante con moto, Legends, op. 59, B. 122: V. Allegro giusto, Legends, op. 59, B. 122: VI. Allegro con moto, Legends, op. 59, B. 122: VII. Allegretto grazioso, Legends, op. 59, B. 122: VIII. Un Poco Allegretto E Grazioso, Legends, op. 59, B. 122: X. Andante, Perpetuum Mobile, op. 10, Poème lyrique, op. 12, Sinfonietta: I. Allegretto, Sinfonietta: II. Andante, Sinfonietta: III. Moderato, Sinfonietta: IV. Allegretto, Sinfonietta: V. Allegro, Symphonie Nr. 2 fis-moll. op. 16: Allegro vivace, Symphonie Nr. 2 fis-moll. op. 16: Andante, Symphonie Nr. 2 fis-moll. op. 16: Andante maestoso - Allegro, Symphonie Nr. 2 fis-moll. op. 16: Intrada. Andantino sostenuto - Finale. Allegro, Symphonie Nr. 3 D-Dur, op. 33: Allegro, Symphonie Nr. 3 D-Dur, op. 33: Andante, Symphonie Nr. 3 D-Dur, op. 33: Finale Allegro moderato, Symphonie Nr. 3 D-Dur, op. 33: Scherzo. Vivace, Symphonie Nr. 4 Es-Dur, op. 48: Andante - Allegro, Symphonie Nr. 4 Es-Dur, op. 48: Andante - Allegro moderato, Symphonie Nr. 4 Es-Dur, op. 48: Scherzo. Allegro vivace, Symphonie Nr. 6 c-moll, op. 58: Adagio. Allegro, Symphonie Nr. 6 c-moll, op. 58: Finale. Andante maestoso. Allegro, Symphonie Nr. 6 c-moll, op. 58: Intermezzo. Allegretto, Symphonie Nr. 6 c-moll, op. 58: Tema con variazioni, Symphonie Nr. 7 F-Dur, op. 77: Allegro moderato, Symphonie Nr. 7 F-Dur, op. 77: Andante, Symphonie Nr. 7 F-Dur, op. 77: Finale. Allegro maestoso - Molto pesante, Symphonie Nr. 7 F-Dur, op. 77: Scherzo. Allegro giocoso, Symphony no. 1 "Polyphonic": I. Canons, Symphony no. 1 "Polyphonic": II. Prelude and Fugue, Symphony no. 1 "Polyphonic": Second Movement, Symphony no. 1: I. Moderato, Symphony no. 1: II. Allegro, Symphony no. 1: III. Largo, Symphony no. 1: IV. Allegro non troppo, Symphony no. 2: First Movement, Symphony no. 2: I. Allegro moderato, Symphony no. 2: II. Andante moderato, Symphony no. 2: III. Poco allegro, Symphony no. 2: IV. Allegro, Symphony no. 2: Second Movement, Symphony no. 2: Third Movement, Symphony no. 3: First Movement, Symphony no. 3: I. Allegro poco moderato, Symphony no. 3: II. Largo, Symphony no. 3: III. Allegro - Andante, Symphony no. 3: Second Movement, Symphony no. 3: Third Movement, Symphony no. 4: I. Poco moderato, Symphony no. 4: II. Allegro vivo, Symphony no. 4: III. Largo, Symphony no. 4: IV. Poco allegro, Symphony no. 5: I. Adagio - Allegro, Symphony no. 5: I. Allegro energico, Symphony no. 5: II. Andante, Symphony no. 5: II. Larghetto, Symphony no. 5: III. Allegro assai, Symphony no. 5: III. Lento - Allegro, Symphony no. 6 "Fantaisies symphoniques": I. Lento - Allegro, Symphony no. 6 "Fantaisies symphoniques": II. Poco allegro, Symphony no. 6 "Fantaisies symphoniques": III. Lento |
| John Bukaty |
conductor |
Peter and the Wolf, op. 67: 01. “I am going to tell you a story about Peter and the Wolf: how Peter and his animal friends the Bird, the Cat and the Duck caught the wicked Wolf. Each of the characters in this story is represented by a different instrument of the orchestra:”, Peter and the Wolf, op. 67: 02. “The Bird by the flute...”, Peter and the Wolf, op. 67: 03. “The Duck by the oboe...”, Peter and the Wolf, op. 67: 04. “The Cat by the clarinet...”, Peter and the Wolf, op. 67: 05. “The Grandfather by the bassoon...”, Peter and the Wolf, op. 67: 06. “The Wolf by the horns...”, Peter and the Wolf, op. 67: 07. “Peter by the strings of the orchestra...”, Peter and the Wolf, op. 67: 08. “The gunshots by the timpani and the bass drum.”, Peter and the Wolf, op. 67: 09. “Early one morning Peter opened the gate…”, Peter and the Wolf, op. 67: 10. “On a branch of a big tree sat a little bird…”, Peter and the Wolf, op. 67: 11. “Just then a duck came waddling around. She was glad that Peter hadn’t closed the gate and decided to take a nice swim in the deep pond in the meadow.”, Peter and the Wolf, op. 67: 12. “Seeing the duck, the little bird flew down upon the grass, settled next to her and shrugged his shoulders.”, Peter and the Wolf, op. 67: 13. “‘What kind of a bird are you if you can’t fly?’ said he. To this the duck replied: ‘What kind of a bird are you if you can’t swim?’ and dived into the pond.”, Peter and the Wolf, op. 67: 14. “They argued and argued, the duck swimming in the pond and the little bird hopping along the shore.”, Peter and the Wolf, op. 67: 15. “Suddenly, something caught Peter’s attention. It was a cat crawling through the grass.”, Peter and the Wolf, op. 67: 16. “The cat thought: ‘The bird is busy arguing; I’ll just grab him!’ Stealthily she crept towards him on her velvet paws.”, Peter and the Wolf, op. 67: 17. “‘Look out!’ shouted Peter, and the bird immediately flew up into the tree,”, Peter and the Wolf, op. 67: 18. “while the duck quacked angrily at the cat,”, Peter and the Wolf, op. 67: 19. “from the middle of the pond.”, Peter and the Wolf, op. 67: 20. “The cat walked round the tree and thought: ‘Is it worth climbing up so high? By the time I get there the bird will have flown away.’”, Peter and the Wolf, op. 67: 21. “Just then Grandfather came out. He was angry because Peter had gone into the meadow. ‘It is a dangerous place. If a wolf should come out of the forest, then what would you do?’”, Peter and the Wolf, op. 67: 22. “But Peter paid no attention to his grandfather’s words. Boys like Peter aren’t afraid of wolves!”, Peter and the Wolf, op. 67: 23. “But Grandfather took Peter by the hand, locked the gate and led him home.”, Peter and the Wolf, op. 67: 24. “No sooner had Peter gone…”, Peter and the Wolf, op. 67: 25. “In a twinkling the cat climbed up the tree…”, Peter and the Wolf, op. 67: 26. “The duck quacked and, in her excitement, jumped out of the pond.”, Peter and the Wolf, op. 67: 27. “But no matter how hard the duck tried to run, she couldn’t escape the wolf. He was getting nearer and nearer, catching up with her.”, Peter and the Wolf, op. 67: 28. “And then he got her, and with one gulp, swallowed her.”, Peter and the Wolf, op. 67: 29. “And now, this is how things stood: the cat was sitting on one branch,”, Peter and the Wolf, op. 67: 30. “the bird on another,”, Peter and the Wolf, op. 67: 31. “not too close to the cat.”, Peter and the Wolf, op. 67: 32. “And the wolf walked round and round the tree looking at them with greedy eyes.”, Peter and the Wolf, op. 67: 33. “In the meantime Peter, without the slightest fear, stood behind the closed gate watching all that was going on.”, Peter and the Wolf, op. 67: 34. “He ran home, got a strong rope and climbed up the high stone wall.”, Peter and the Wolf, op. 67: 35. “One of the branches of the tree around which the wolf was walking stretched over the wall.”, Peter and the Wolf, op. 67: 36. “Grabbing hold of the branch,”, Peter and the Wolf, op. 67: 37. “Peter lightly climbed over onto the tree.”, Peter and the Wolf, op. 67: 38. “Peter said to the bird: ‘Fly down and circle around the wolf’s head, only take care that he doesn’t catch you.’”, Peter and the Wolf, op. 67: 39. “The bird almost touched the wolf’s head with his wings, while the wolf snapped angrily at him from this side and that.”, Peter and the Wolf, op. 67: 40. “How that bird teased the wolf! How that wolf wanted to catch him! But the bird was too clever and the wolf simply couldn’t do anything about it.”, Peter and the Wolf, op. 67: 41. “Meanwhile, Peter made a lasso, carefully letting it down, and down and down,”, Peter and the Wolf, op. 67: 42. “caught the wolf by the tail and pulled with all his might.”, Peter and the Wolf, op. 67: 43. “Feeling himself caught, the wolf began to jump wildly, trying to get loose.”, Peter and the Wolf, op. 67: 44. “But Peter tied the other end of the rope to the tree,”, Peter and the Wolf, op. 67: 45. “and the wolf’s jumping only made the rope round his tail tighter.”, Peter and the Wolf, op. 67: 46. “Just then,”, Peter and the Wolf, op. 67: 47. “the hunters came out of the woods,”, Peter and the Wolf, op. 67: 48. “following the wolf’s trail and shooting as they went.”, Peter and the Wolf, op. 67: 49. “But Peter, sitting in the tree, said: ‘Don’t shoot! Birdie and I have already caught the wolf. Now, help us take him to the zoo.’”, Peter and the Wolf, op. 67: 50. “Now just imagine”, Peter and the Wolf, op. 67: 51. “the triumphant procession:”, Peter and the Wolf, op. 67: 52. “Peter at the head,”, Peter and the Wolf, op. 67: 53. “after him the hunters leading the wolf,”, Peter and the Wolf, op. 67: 54. “and winding up the procession, Grandfather and the cat. Grandfather shook his head discontentedly. ‘Well, and if Peter hadn’t caught the wolf, what then?’”, Peter and the Wolf, op. 67: 55. “Above them flew Birdie chirping merrily. ‘What fine fellows we are, Peter and I. Look what we have caught!’”, Peter and the Wolf, op. 67: 56. “And if one listened very carefully, they could hear the duck quacking inside the wolf, because the wolf, in his hurry, had swallowed her alive!”, Peter and the Wolf, op. 67: “And now, this is how things stood…”, Peter and the Wolf, op. 67: “And winding up the procession, Grandfather and the cat…”, Peter and the Wolf, op. 67: “Early one morning Peter opened the gate…”, Peter and the Wolf, op. 67: “I am going to tell you a story about Peter and the Wolf…”, Peter and the Wolf, op. 67: “In the meantime, Peter, without the slightest fear…”, Peter and the Wolf, op. 67: “Just then Grandfather came out…”, Peter and the Wolf, op. 67: “Just then a duck came waddling around…”, Peter and the Wolf, op. 67: “Just then, the hunters came out of the woods…”, Peter and the Wolf, op. 67: “Meanwhile, Peter made a lasso…”, Peter and the Wolf, op. 67: “No sooner had Peter gone than a big grey wolf came out of the forest…”, Peter and the Wolf, op. 67: “Now, just imagine the triumphant procession…”, Peter and the Wolf, op. 67: “Peter said to the bird, ‘Fly down…’”, Peter and the Wolf, op. 67: “Suddenly, something caught Peter’s attention…”, Peter and the Wolf, op. 67: “The duck quacked…”, Peter and the Wolf, op. 67: “‘Look out!’ shouted Peter…” |
| Katamari |
conductor |
Le Bourgeois gentilhomme, Orchestersuite: Auftritt des Cleonte, Le Bourgeois gentilhomme, Orchestersuite: Auftritt und Tanz der Schneider, Le Bourgeois gentilhomme, Orchestersuite: Courante, Le Bourgeois gentilhomme, Orchestersuite: Das Diner. Tafelmusik, Le Bourgeois gentilhomme, Orchestersuite: Das Diner. Tanz des Küchenjungen, Le Bourgeois gentilhomme, Orchestersuite: Das Menuett des Lully, Le Bourgeois gentilhomme, Orchestersuite: Der Fechtmeister, Le Bourgeois gentilhomme, Orchestersuite: Menuett, Le Bourgeois gentilhomme, Orchestersuite: Ouverture (Jourdain - der Bürger), Le Bourgeois gentilhomme, Orchestersuite: Vorspiel zum II. Aufzug (Intermezzo), Ouvertüre C-Dur im italienischen Stile, D. 591 (op. 170), Ouvertüre D-Dur im italienischen Stile, D. 590, Symphonie Nr. 5 B-Dur, D. 485: I. Allegro, Symphonie Nr. 5 B-Dur, D. 485: II. Andante con moto, Symphonie Nr. 5 B-Dur, D. 485: III. Menuetto. Allegro molto, Symphonie Nr. 5 B-Dur, D. 485: IV. Allegro vivace, Symphonie Nr. 6 C-Dur, D. 589: I. Adagio. Allegro, Symphonie Nr. 6 C-Dur, D. 589: II. Andante, Symphonie Nr. 6 C-Dur, D. 589: III. Scherzo. Presto, Symphonie Nr. 6 C-Dur, D. 589: IV. Allegro moderato, Symphony No. 4 In C Minor, D. 417, ''Tragic'': IV. Allegro, Symphony no. 1 in C minor, op. 5: I. Moderato con moto - Allegro energico, Symphony no. 1 in C minor, op. 5: II. Scherzo. Allegro risoluto quasi presto, Symphony no. 1 in C minor, op. 5: III. Andantino grazioso, Symphony no. 1 in C minor, op. 5: IV. Finale. Molto allegro ma con fuoco, Symphony no. 2 in E major, op. 10: I. Andantino quasi allegretto, Symphony no. 2 in E major, op. 10: II. Andante con moto, Symphony no. 2 in E major, op. 10: III. Scherzo. Molto allegro, Symphony no. 2 in E major, op. 10: IV. Finale. Allegro energico, Symphony no. 3 in A minor, op. 15: I. Presto, Symphony no. 3 in A minor, op. 15: II. Andante sostenuto, Symphony no. 3 in A minor, op. 15: III. Allegretto, assai moderato, Symphony no. 3 in A minor, op. 15: IV. Finale. Allegro molto e con fuoco, Symphony no. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio, Symphony no. 3 in D major, D. 200: II. Allegretto, Symphony no. 3 in D major, D. 200: III. Menuetto, Symphony no. 3 in D major, D. 200: IV. Presto. Vivace, Symphony no. 4 in B-flat major, op. 20: I. Andantino - Allegro vivace e grazioso, Symphony no. 4 in B-flat major, op. 20: II. Andante con moto, Symphony no. 4 in B-flat major, op. 20: III. Scherzo. Allegro, ma non troppo e tranquillamente, Symphony no. 4 in B-flat major, op. 20: IV. Finale. Allegro molto vivace, Symphony no. 4 in C minor, D. 417 "Tragic": I. Adagio molto - Allegro vivace, Symphony no. 4 in C minor, D. 417 "Tragic": II. Andante, Symphony no. 4 in C minor, D. 417 "Tragic": III. Menuetto, Symphony no. 4 in C minor, D. 417 "Tragic": IV. Allegro, Symphony no. 6 in G minor, op. 32: I. Andantino - Allegro molto vivace, Symphony no. 6 in G minor, op. 32: II. Andante sostenuto, Symphony no. 6 in G minor, op. 32: III. Allegro moderato ed energico, Symphony no. 6 in G minor, op. 32: IV. Finale. Andantino quasi allegretto - Allegro vivace e animato, Symphony no. 7 in F major, op. 45: I. Allegro risoluto, Symphony no. 7 in F major, op. 45: II. Andante, Symphony no. 7 in F major, op. 45: III. Scherzo. Allegro vivace, Symphony no. 7 in F major, op. 45: IV. Finale. Allegro vivace, Symphony no. 8 in B minor, op. 47: I. Allegro molto e con fuoco, Symphony no. 8 in B minor, op. 47: II. Allegro moderato, Symphony no. 8 in B minor, op. 47: III. Andantino, Symphony no. 8 in B minor, op. 47: IV. Finale. Allegro non troppo e marcato |
| Moreno Loko |
conductor |
Concerto for Orchestra, op. 38: I. Mit Kraft, mässig schnelle Viertel, Concerto for Orchestra, op. 38: II. Sehr schnelle Halbe, Concerto for Orchestra, op. 38: III. Marsch für Holzbläser. Nicht zu langsame Viertel, Concerto for Orchestra, op. 38: IV. Basso Ostinato. Schnelle Viertel, Dances of Galánta, Háry János Suite: I. Prelude: The Fairy-Tale Begins, Háry János Suite: II. Viennese Musical Clock, Háry János Suite: III. Song, Háry János Suite: IV. The Battle and Defeat of Napoleon, Háry János Suite: V. Intermezzo, Háry János Suite: VI. Entrance of the Emperor and His Court, Pictures at an Exhibition: No. 1. Gnomus, Pictures at an Exhibition: No. 10. The Great Gate of Kiev, Pictures at an Exhibition: No. 2. Il vecchio castello, Pictures at an Exhibition: No. 3. Tuileries, Pictures at an Exhibition: No. 4. Bydlo, Pictures at an Exhibition: No. 5. Ballet of the Chickens in their Shells, Pictures at an Exhibition: No. 6. Two Polish Jews, one rich, one poor, Pictures at an Exhibition: No. 7. Limoges - The Market Place, Pictures at an Exhibition: No. 8a. Catacombae, Pictures at an Exhibition: No. 8b. Cum mortuis in lingua mortua, Pictures at an Exhibition: No. 9. The Hut on Fowl's Legs, Pictures at an Exhibition: Promenade, Symphony Nr. 2 in Es-Dur: I. Lebhaft, Symphony Nr. 2 in Es-Dur: II. Allegretto con variazioni: Einfach und zart, Symphony Nr. 2 in Es-Dur: III. Finale: Langsam, Symphony Nr. 3 in A-Dur: I. Allegro molto moderato, Symphony Nr. 3 in A-Dur: II. Adagio, Symphony Nr. 3 in A-Dur: III. Scherzo: Allegro vivace, Symphony Nr. 3 in A-Dur: IV. Lento - Allegro vivace, Variations on a Hungarian Folksong (The Peacock): Finale: Vivace, Variations on a Hungarian Folksong (The Peacock): I. Con brio, Variations on a Hungarian Folksong (The Peacock): II., Variations on a Hungarian Folksong (The Peacock): III. Più mosso, Variations on a Hungarian Folksong (The Peacock): IV. Poco calmato, Variations on a Hungarian Folksong (The Peacock): IX., Variations on a Hungarian Folksong (The Peacock): Moderato, Variations on a Hungarian Folksong (The Peacock): V. Appassionato, Variations on a Hungarian Folksong (The Peacock): VI. Calmato, Variations on a Hungarian Folksong (The Peacock): VII. Vivo, Variations on a Hungarian Folksong (The Peacock): VIII. Più vivo, Variations on a Hungarian Folksong (The Peacock): X. Molto vivo, Variations on a Hungarian Folksong (The Peacock): XI. Andante espressivo, Variations on a Hungarian Folksong (The Peacock): XII. Adagio, Variations on a Hungarian Folksong (The Peacock): XIII. Tempo di Marcia funebre, Variations on a Hungarian Folksong (The Peacock): XIV. Andante, poco rubato, Variations on a Hungarian Folksong (The Peacock): XV. Allegro giocoso, Variations on a Hungarian Folksong (The Peacock): XVI. Maestoso |
| Hexatonica |
conductor |
"Forging Swords" from the ballet suite "Kalevipoeg", Concerto Grosso: III., Dramaatiline avamang „Don Carlos”, Fragmente balletist „Romeo, Julia ja pimedus”: Amoroso, Fragmente balletist „Romeo, Julia ja pimedus”: Valss-stseen, Fragmente balletist „Romeo, Julia ja pimedus”: Öine haarang ja Estri surm, Fragmente balletist „Tiina”: Proloog, Fragmente balletist „Tiina”: Tiina ja Marguse duett, Hiiob: I osa. Sissejuhatus (Orkester), Hiiob: I osa. Äike ja torm (Orkester), Nocturne, Perpetuum mobile, Polüfooniline sümfoonia: I. Kaanonid, Polüfooniline sümfoonia: II. Prelüüd ja fuuga, Sinfonie Nr. 3: I. Allegro con energico, Sinfonie Nr. 3: II. Andante mosso, Sinfonie Nr. 3: III. Presto - Moderato, Symphonic Rune no. 2, Symphonie Nr. 1, op. 57: I. Moderato - Allegro tranquillo, Symphonie Nr. 1, op. 57: II. Lento, Symphonie Nr. 1, op. 57: III. Allegro moderato, Symphony no. 7: I., Sümfoonia nr. 1: I. Allegro moderato, Sümfoonia nr. 1: II. Andantino, Sümfoonia nr. 1: III. Vivace, Sümfoonia nr. 1: IV. Allegro moderato, Sümfoonia nr. 3, op. 10: Allegro, Sümfoonia nr. 3, op. 10: Allegro alla breve, Sümfoonia nr. 3, op. 10: Andante, Sümfoonia nr. 3: I. - II. - III. (attacca), Sümfoonia nr. 4 „Noortesümfoonia”: I. Moderato. Allegro, Sümfoonia nr. 4 „Noortesümfoonia”: II. Andante con variazioni, Sümfoonia nr. 4 „Noortesümfoonia”: III. Andante, Sümfoonia nr. 4 „Noortesümfoonia”: IV. Allegro moderato, Sümfoonia nr. 4: I. Allegro, Sümfoonia nr. 4: II. Andante, Sümfoonia nr. 4: III. Vivo, Sümfoonia nr. 4: IV. Adagio, Sümfoonia nr. 4: V. Allegro, Sümfoonia nr. 6, op. 31: Allegro, Sümfoonia nr. 6, op. 31: Andantino, Sümfoonia nr. 7, op. 47: I. Allegro, Sümfoonia nr. 7, op. 47: II. Andante, Sümfoonia nr. 7, op. 47: III. Allegro, Sümfooniline poeem "Öö hüüded", Walpurgi burlesk |
| PJ |
conductor |
Silhouettes (Suite no. 2), op. 23: I. Le Savant. Moderato assai, Silhouettes (Suite no. 2), op. 23: II. La Coquette. Allegro, Silhouettes (Suite no. 2), op. 23: III. Polichinelle. Vivace, Silhouettes (Suite no. 2), op. 23: IV. Le Rêveur. Moderato assai, Silhouettes (Suite no. 2), op. 23: V. La Danseuse. Allegro non troppo - Vivo - Presto, Symphony no. 3, op. 43 "The Divine Poem": I. Lento -, Symphony no. 3, op. 43 "The Divine Poem": II. Luttes. Allegro -, Symphony no. 3, op. 43 "The Divine Poem": III. Voluptés. Lento -, Symphony no. 3, op. 43 "The Divine Poem": IV. Jeu divin. Allegro, Symphony no. 4 "Løvfald": Allargando, Symphony no. 4 "Løvfald": Allegretto pastorale, Symphony no. 4 "Løvfald": Forbi!, Symphony no. 4 "Løvfald": Fortvivlelse, Symphony no. 4 "Løvfald": Høstligt!, Symphony no. 4 "Løvfald": Più lento, Symphony no. 4 "Løvfald": Sempre con moto, Symphony no. 4 "Løvfald": Skovbrus, Symphony no. 4 "Løvfald": Solstrejf, Symphony no. 4 "Løvfald": Søndag Morgen (Klokkerne), Symphony no. 4 "Løvfald": Torden, Symphony no. 4 "Løvfald": Tranquillo, Symphony no. 4 "Løvfald": Træt!, Symphony no. 5 "Steppenatur": '"Sonate": Lento misterioso, Symphony no. 5 "Steppenatur": Andante, Symphony no. 5 "Steppenatur": Coda: 'Sonate' con Variazioni, Symphony no. 5 "Steppenatur": Florido, Symphony no. 5 "Steppenatur": Pesante, Symphony no. 6 "Det Himmelrivende": Magnificamente, Symphony no. 6 "Det Himmelrivende": Thema (Versione I), Symphony no. 6 "Det Himmelrivende": Thema (Versione II), Symphony no. 6 "Det Himmelrivende": Variation I (Introduzione), Symphony no. 6 "Det Himmelrivende": Variation II (Fuga), Symphony no. 6 "Det Himmelrivende": Variation III (Toccata), Symphony no. 6 "Det Himmelrivende": Variation IV (Sonata), Symphony no. 6 "Det Himmelrivende": Variation V (Coda) |
| Manuel Haefliger |
conductor |
Jeu de cartes: Deuxième donne. Coda. Più mosso, Jeu de cartes: Deuxième donne. Ensemble. Con moto, Jeu de cartes: Deuxième donne. Introduction. Alla breve, Jeu de cartes: Deuxième donne. March. Marcia, Jeu de cartes: Deuxième donne. Reprise of March. Marcia, Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante, Jeu de cartes: Deuxième donne. Variations I–IV. Allegretto, Jeu de cartes: Première donne. Dance Variation. Moderato assai, Jeu de cartes: Première donne. Dance of the Joker. Stringendo, Jeu de cartes: Première donne. Introduction. Alla breve, Jeu de cartes: Première donne. Pas d’action. Meno mosso, Jeu de cartes: Première donne. Waltz-Coda. Tranquillo, Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto, Jeu de cartes: Troisième donne. Final Dance – Coda. Tempo del principio, Jeu de cartes: Troisième donne. Introduction. Alla breve, Jeu de cartes: Troisième donne. Waltz, Orpheus: Scene 1. Air de danse. Andante con moto, Orpheus: Scene 1. Dance of the Angel of Death. L’istesso tempo, Orpheus: Scene 1. Interlude, Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto, Orpheus: Scene 2. Air de danse (Conclusion). L’istesso tempo, Orpheus: Scene 2. Air de danse. Grave – Un poco meno mosso, Orpheus: Scene 2. Interlude. L’istesso tempo, Orpheus: Scene 2. Interlude. Moderato assai, Orpheus: Scene 2. Pas de deux. Andante sostenuto, Orpheus: Scene 2. Pas des Furies. Agitato in piano – Sempre alla breve ma meno mosso, Orpheus: Scene 2. Pas d’action. Andantino leggiadro, Orpheus: Scene 2. Pas d’action. Vivace, Orpheus: Scene 3. Orpheus’s apotheosis. Lento sostenuto, Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: IV. Poco vivace |
| MPA Duke |
conductor |
Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 1. "Veni, creator spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 122. "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 169. Tempo I. Allegro impetuoso, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 211. "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 258. "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 408. "Veni, creator spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 46. "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 488. "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1. Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1093. "Neige, neige" (Una poenitentium), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1138. "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1249. "Komm! hebe dich zu höhern Sphären" (Mater gloriosa) - "Blicket auf zum Retterblick alle reuig Zarten" (Doctor Marianus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1449. Chorus mysticus: Alles Vergängliche ist nur ein Gleichnis, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 167. Chor und Echo: "Waldung, sie schwankt heran", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 219. "Ewiger Wonnenbrand" (Pater scstaticus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 261. "Wie Felsenabgrund mir zu Füssen" (Pater profundus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 436. "Jene Rosen aus den Händen" (Chor der jüngeren Engel), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 540. "Uns bleibt ein Erdenrest" (Chor vollendeteren Engel), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 580. "Ich spür' soeben, nebelnd um Felsenhöhe'" (Die jüngeren Engel) - "Freudig empfangen frei" (Chor seliger Knaben) - "Hier ist die Aussicht frei" (Doctor Marianus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 639. "Höchste Herrscherin in der Welt" (Doctor Marianus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 780. "Dir, der Unberührbaren" (Chor I/II) - "Du schwebst zu Höhen" (Chor der Büsserinnen und Una poenitentium), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 868. "Bei der Liebe, die den Füssen" (Magna Peccatrix) - "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana) - "Bei dem hochgeweihten Orte" (Maria Aegyptiaca), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 97. Pìu mosso, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar Bar 384/385. "Gerettet ist das edle Glied" (Chor der Engel) - "Hände verschlinget euch" (Chor seliger Knaben) |
| Пётр Ильич Чайковский |
conductor |
Mazeppa: Act I, Scene I. No. 1. Chorus of Maidens and Scene "Ya zav'yu venok moy dushistiy", Mazeppa: Act I, Scene I. No. 2. Scene, Mariya's Arioso and Duet "Vam lyuby pesni, miliye podruzhki", Mazeppa: Act I, Scene I. No. 3. "Nu, Cestvuyes', Vasiliy, ti menya", Mazeppa: Act I, Scene I. No. 4. Chorus and Dance "Netu, netu tut mostocka, netu perekhodu", Mazeppa: Act I, Scene I. No. 4a. Hopak, Mazeppa: Act I, Scene I. No. 5. Scene and Mazeppa's Arioso "Vot khoroso, lyublyu...", Mazeppa: Act I, Scene I. No. 6. Quarrel Scene "Mazeppa, ty menya smushchayesh' rech'yu", Mazeppa: Act I, Scene II. No. 7. Chorus and Mother's Lament "Ne groza nebesa kroyet tucheyu", Mazeppa: Act I, Scene II. No. 8. Finale "Ochnis' ot gorya, Kochubey!", Mazeppa: Act II, Scene I. No. 9. Dungeon Scene "Tak vot nagrada za donos", Mazeppa: Act II, Scene II. No. 10. Mazeppa's Monologue and Scene with Orlik "Tikha ukraynskaya noch", Mazeppa: Act II, Scene II. No. 10a. Mazeppa's Arioso "O, Mariya, Mariya!", Mazeppa: Act II, Scene II. No. 11. Mazeppa's Scene with Mariya "Moy miliy drug!", Mazeppa: Act II, Scene II. No. 12. Scene Between Mariya and her Mother "Kak blescut zvyozdi v Nebe", Mazeppa: Act II, Scene II. No. 13. Crowd Scene and Drunken Cossack's Song "Skoro li? Vezut al' net? ... Molodushka, moloda", Mazeppa: Act II, Scene II. No. 14. Finale "Oy, goy, chumandra, chumandrikha Moloda!", Mazeppa: Act III, Entr'acte. No. 15. The Battle Of Poltava, Mazeppa: Act III, Scene I. No. 16. Scene and Andrei's Aria "V boyu krovavom, na pole chesti", Mazeppa: Act III, Scene I. No. 17. Scene and Duet "Nevdaleke ya slishu topot...", Mazeppa: Act III, Scene I. No. 18. Appearance of the Demented Mariya "Nescastniy! Vidit Bog, ya ne khotel tvoey pogibeli", Mazeppa: Act III, Scene I. No. 19. Finale "Ushol starik, kak serdtse byotsya", Mazeppa: Introduction, Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco |
| Georg Ots |
conductor |
Bess, you is my woman now... Bess'i ja Porgy duett ooperist 'Porgy ja Bess', Con rauco mormorio... Bertarido aaria ooperist 'Rodelinda', Deh, vieni alla finestra... Don Giovanni serenaad ooperist 'Don Giovanni', Di Luna aaria ooperist 'Trubaduur', Ein Mädchen oder Weibchen... Papageno aaria ooperist 'Võluflööt', Gilda ja Rigoletto duett ooperist 'Rigoletto', Jago monoloog ooperist 'Othello', La ci darem la mano... Zerlina ja don Giovanni duett ooperist 'Don Giovanni', Non piu andrai farfallone... Figaro aaria ooperi 'Figaro pulm' I vaatusest, Papagena, Papagena... Papageno aaria ooperist 'Võluflööt', Quel torrente... Caesari aaria ooperist 'Julius Caesar', Renato aaria ooperist 'Maskiball' 1.vaatus, Renato aaria ooperist 'Maskiball' 3.vaatus, Rigoletto aaria ooperist 'Rigoletto', Tutto e disposto... Aprite un po' quegl' occhi... Figaro aaria ooperi 'Figaro pulm' IV vaatusest, Вскапывать вспахивать... Colas' laul ooperist 'Colas Breugnon', Еще один влюбленный попался... Celine'i ja Colas' duett ooperist 'Colas Breugnon', Ночь тянется... Была крепкая наливка... Colas' stseen ooperist 'Colas Breugnon', Славная зверушка... Hällilaul ooperist 'Colas Breugnon' |
| Chill Devision |
conductor |
Music for Strings: I. Moderato, Music for Strings: II. Allegro, Music for Strings: III. Adagio, Symphony no. 1 in C minor: I. Adagio - Allegro feroce, Symphony no. 1 in C minor: II. Allegretto moderato, Symphony no. 1 in C minor: III. Sostenuto assai quasi largo e poco maestoso, Symphony no. 2 "The Legendary": I. Légendaire, Symphony no. 2 "The Legendary": II. Sostenuto assai, grave e funebre, Symphony no. 2 "The Legendary": III. Tempestoso, ma non troppo allegro (quasi toccata), Symphony no. 3 in D minor: I. Largo - Energico, Symphony no. 3 in D minor: II. Molto allegro e tempestoso, Symphony no. 3 in D minor: III. Largo, maestoso, Symphony no. 6: I. Andante sostenuto, ma ritmico, Symphony no. 6: II. Molto allegro, Symphony no. 6: III. Festoso, Symphony no. 8: I. Andante quasi adagio, Symphony no. 8: II. Allegro moderato, Symphony no. 8: III. Allegro vivace, Symphony no. 8: IV. Lento, tenuto e maestoso |
| Natty Rico |
conductor |
Symphony no. 7 in E-flat major: I. Allegro brillante, Symphony no. 7 in E-flat major: II. Andante, Symphony no. 7 in E-flat major: III. Scherzo. Vivace assai, Symphony no. 7 in E-flat major: IV. Allegro maestoso, Symphony no. 8 in C minor: I. Allegro moderato, Symphony no. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam, Symphony no. 8 in C minor: III. Adagio: Feierlich langsam; doch nicht schleppend, Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Variations and Fugue on a Theme of Beethoven, op. 86: Fugue: Con spirito (non troppo allegro), Variations and Fugue on a Theme of Beethoven, op. 86: Theme: Andante, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 1: Un poco più lento, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 2: Appassionato, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 3: Andante grazioso, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 4: Vivace, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 5: Andante sostenuto, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 6: Allegretto con grazia, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 7: Poco vivace, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 8: Allegro pomposo |
| Ari Gorman |
conductor |
Aleko: No. 10. Aleko's Cavatina, Francesca da Rimini, op. 25: Tableau 1, Scene 2. "Nictó ne zaglusít revnívïkh dum", Francesca da Rimini, op. 25: Tableau 1, Scene 2. "O, yésli bï tï znála", Francesca da Rimini, op. 25: Tableau 1, Scene 3. "Lyubví tvoyéy khocú ya!", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Net! Vécnoye proklyát'ye!", Francesca da Rimini, op. 25: Tableau I, Scene II. "Nictó ne zaglusít revnívïkh dum" (Lanceotto) / "O, yésli bï tï znála" (Lanceotto), Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 1. To His Sonne, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 2. Oh wert thou in the cauld blast, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 3. Mc Pherson's Farewell, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 4. Jenny, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 5. Sonnet LXVI, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 6. The Kings's Campaign, Symphony no. 14, op. 135: I. De profundis. Adagio, Three Romances on Poems by Pushkin, op. 46a: No. 1. Regeneration, Three Romances on Poems by Pushkin, op. 46a: No. 2. A jealous maiden, Three Romances on Poems by Pushkin, op. 46a: No. 3. Premonition |
| S. J. Bluewater |
conductor |
Don Quixote, op. 35: Finale. Don Quixotes Tod, Don Quixote, op. 35: Introduktion -, Don Quixote, op. 35: Variation I. Das Abenteuer mit den Windmühlen -, Don Quixote, op. 35: Variation II. Der Kampf gegen die Hammelherde -, Don Quixote, op. 35: Variation III. Gespräche zwischen Ritter und Knappe -, Don Quixote, op. 35: Variation IV. Das Abenteuer mit der Prozession von Büßern -, Don Quixote, op. 35: Variation IX. Der Kampf gegen die vermeintlichen Zauberer: der Angriff auf die Mönche -, Don Quixote, op. 35: Variation V. Don Quixotes Wacht in der Sommernacht -, Don Quixote, op. 35: Variation VI. Die verzauberte Dulzinea -, Don Quixote, op. 35: Variation VII. Der Ritt durch die Luft -, Don Quixote, op. 35: Variation VIII. Die Fahrt auf dem verzauberten Nachen (Barcarolle) -, Don Quixote, op. 35: Variation X. Zweikampf mit dem Ritter vom blanken Monde; Heimkehr des geschlagenen Don Quixote -, Romanze for Cello and Orchestra in F major, Sinfonia Concertante for Cello and Orchestra, op. 125: I. Andante, Sinfonia Concertante for Cello and Orchestra, op. 125: II. Allegro giusto, Sinfonia Concertante for Cello and Orchestra, op. 125: III. Andante con moto |
| OX4 |
conductor |
Dramaatiline süit keelpilliorkestrile: Finaal, Dramaatiline süit keelpilliorkestrile: Leinastseen, Dramaatiline süit keelpilliorkestrile: Muusikaline hetk, Dramaatiline süit keelpilliorkestrile: Prelüüd, Dramaatiline süit keelpilliorkestrile: Unistus, Noktürn keelpilliorkestrile, Noktürn keelpilliorkestrile mi mažoor, Sümfoonia nr. 3: I. Allegro alla breve, Sümfoonia nr. 3: II. Andante, Sümfoonia nr. 3: III. Allegro, Sümfoonia nr. 3: IV. Andante, Sümfoonia nr. 3: V. Allegro alla breve, Sümfoonia nr. 6: I. Andante sostenuto ma ritmico, Sümfoonia nr. 6: II. Molto allegro, Sümfoonia nr. 6: III. Festoso |
| Milos |
conductor |
Suite on the Verses of Michelangelo Buonarroti, op. 145a: Anger, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Creativity, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Dante, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Death, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Immortality, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Love, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Morning, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Night, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Separation, Suite on the Verses of Michelangelo Buonarroti, op. 145a: To the Exile, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Truth, Symphony no. 14, op. 135: IX. O Delvig, Delvig! Andante, Symphony no. 14, op. 135: VII. At the Santé Jail. Adagio, Symphony no. 14, op. 135: VIII. Zaporozhye Cossacks' Reply to the Sultan of Constantinople. Allegro |
| Visionary |
conductor |
Hochzeitsmarch, op. 21, Ouverture solennelle, op. 73, Symphonie Nr. 1 E-Dur, op. 5: Adagio, Symphonie Nr. 1 E-Dur, op. 5: Allegro, Symphonie Nr. 1 E-Dur, op. 5: Finale, Allegro, Symphonie Nr. 1 E-Dur, op. 5: Scherzo, Allegro, Symphonie Nr. 5 B-Dur, op. 55: Allegro - Maestoso, Symphonie Nr. 5 B-Dur, op. 55: Andante, Symphonie Nr. 5 B-Dur, op. 55: Moderato - Maestoso - Allegro, Symphonie Nr. 5 B-Dur, op. 55: Scherzo, Moderato, Symphonie Nr. 8 Es-Dur, op. 83: Allegro, Symphonie Nr. 8 Es-Dur, op. 83: Allegro moderato, Symphonie Nr. 8 Es-Dur, op. 83: Finale, Moderato sostenuto - Allegro moderato, Symphonie Nr. 8 Es-Dur, op. 83: Mesto |
| Tristan Clarridge |
conductor |
Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo. Vivace, Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato, Piano Concerto no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema. Andantino - Variations - Tema. L'istesso tempo, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo, Piano Concerto no. 3 in C major, op. 26: IIa. Tema. Andantino –, Piano Concerto no. 3 in C major, op. 26: IIb. Variation I. L’istesso tempo, Piano Concerto no. 3 in C major, op. 26: IIc. Variation II. Allegro, Piano Concerto no. 3 in C major, op. 26: IId. Variation III. Allegro moderato (poco meno mosso), Piano Concerto no. 3 in C major, op. 26: IIe. Variation IV. Andante meditativo, Piano Concerto no. 3 in C major, op. 26: IIf. Variation V. Allegro giusto, Piano Concerto no. 3 in C major, op. 26: IIg. Tema. L’istesso tempo |
| Pop Noir |
conductor |
Concertino for Flute and Orchestra, op. 107: Moderato, Concerto for Flute and Orchestra in D major, op. 283: I. Allegro molto moderato, Concerto for Flute and Orchestra in D major, op. 283: II. Lento e mesto, Concerto for Flute and Orchestra in D major, op. 283: III. Finale. Moderato, Concerto for Flute and Orchestra, FS 119: I. Allegro moderato, Concerto for Flute and Orchestra, FS 119: II. Allegretto un poco - Adagio ma non troppo - Allegretto - Poco Adagio - Tempo di Marcia, Flute Sonata (orch. Lennox Berkeley): I. Allegro malinconico, Flute Sonata (orch. Lennox Berkeley): II. Cantilena . Assez lent, Flute Sonata (orch. Lennox Berkeley): III. Presto giocoso, Largo and Allegro for Two Flutes and Strings (version for Solo Flute and Strings, Adapted by Ernest Sauter), Poem for Flute and Orchestra, The Flight of the Bumblebee: Presto (arr. Kalevi Aho) |
| Antonín Dvořák |
conductor |
Stabat Mater, op. 58: I. Stabat mater dolorosa, Stabat Mater, op. 58: II. Quis est homo, Stabat Mater, op. 58: III. Eja, mater, fons amoris, Stabat Mater, op. 58: IV. Fac, ut ardeat cor meum, Stabat Mater, op. 58: IX. Inflammatus et accensus, Stabat Mater, op. 58: V. Tui nati vulnerati, Stabat Mater, op. 58: VI. Fac me vere tecum flere, Stabat Mater, op. 58: VII. Virgo virinum praeclara, Stabat Mater, op. 58: VIII. Fac, ut portem christi mortem, Stabat Mater, op. 58: X. Quando corpus morietur, Stabat Mater, op. 58: XI. Amen, Symphony no. 9 in E minor, op. 95 (‘From the New World’): IV (extract) |
| Agor |
conductor |
Ala i Lolli Suite, op. 20, "Scythian Suite": I. The Adoration of Veless and Ala, Ala i Lolli Suite, op. 20, "Scythian Suite": II. The Enemy God and the dance of the Spirit of Darkness, Ala i Lolli Suite, op. 20, "Scythian Suite": III. Night, Ala i Lolli Suite, op. 20, "Scythian Suite": IV. The glorious departure of Lolly and the Sun's procession, Raymonda: Grande Valse & Pizzicato, Scenes de ballet, op. 52: VI. Danse orientale, Scenes de ballet, op. 52: VII. Valse, Spartacus: Dance of a Greek Slave, The Steel Step Suite, op. 41bis: I. Entry of the People, The Steel Step Suite, op. 41bis: II. The Officials, The Steel Step Suite, op. 41bis: III. The Sailor and the Factory-worker, The Steel Step Suite, op. 41bis: IV. The Factory |
| Francisco |
conductor |
Concerto no. 1 for Violin and Orchestra in D major, op. 19: I. Andantino, Concerto no. 1 for Violin and Orchestra in D major, op. 19: II. Scherzo. Vivacissimo, Concerto no. 1 for Violin and Orchestra in D major, op. 19: III. Moderato, Concerto no. 2 for Violin and Orchestra in G minor, op. 63: I. Allegro moderato, Concerto no. 2 for Violin and Orchestra in G minor, op. 63: II. Andante assai, Concerto no. 2 for Violin and Orchestra in G minor, op. 63: III. Allegro, ben marcato, Violin Concerto in C major, Op. 48: II. Andantino cantabile, Violin Concerto in C major, op. 48: I. Allegro molto e con brio, Violin Concerto in C major, op. 48: III. Vivace giocoso, Violin Concerto in D minor: I. Allegro con fermezza, Violin Concerto in D minor: II. Andante sostenuto, Violin Concerto in D minor: III. Allegro vivace |
| سمير بشة |
conductor |
First Concerto for Piano and Orchestra in A minor, op. 9: I. Moderato quasi andantino – Poco meno mosso – Allegro – Più mosso – Meno mosso, tranquillo – Andante – Più mosso – Allegro moderato – Più mosso – Poco tranquillo – Molto meno mosso – Più mosso – Più mosso – Andante – Poco più mosso – Poco meno mosso – Andante molto sostenuto – Tempo I (Andantino) – Allegro moderato, First Concerto for Piano and Orchestra in A minor, op. 9: III. Vivace marcato – Più mosso – Meno mosso – Più mosso – Vivace (Tempo I) – Cadenza. Lento rubato – Andantino – Allegro – Quasi tempo I (poco meno mosso) – Tempo I (Vivace) – Coda. Più mosso, First Concerto for Piano and Orchestra in A minor, op. 9: IIa. Tema. Moderato –, First Concerto for Piano and Orchestra in A minor, op. 9: IIb. Variation 1. L’istesso tempo –, First Concerto for Piano and Orchestra in A minor, op. 9: IIc. Variation 2. Allegro assai – Andante –, First Concerto for Piano and Orchestra in A minor, op. 9: IId. Variation 3. (Andante) – Poco più mosso –, First Concerto for Piano and Orchestra in A minor, op. 9: IIe. Variation 4. [ ] – Vivace – Più mosso – Tempo I –, First Concerto for Piano and Orchestra in A minor, op. 9: IIf. Variation 5. Funebre (Tempo di marcia moderato) – Maestoso (ma in tempo) –, First Concerto for Piano and Orchestra in A minor, op. 9: IIg. Coda (Tempo di tema) –, Fourth Concerto for Piano and Orchestra, op. 99 "Prague": I. Allegro molto e energico – Meno mosso. Improvisato – Tempo I, Fourth Concerto for Piano and Orchestra, op. 99 "Prague": II. Molto sostenuto. Improvisato – Molto espressivo – Molto sostenuto, Fourth Concerto for Piano and Orchestra, op. 99 "Prague": III. Vivo – Più mosso. Con brio |
| Ruggero Pasquarelli |
conductor |
Concerto for Cello and Orchestra in D major, op. 7: Allegro –, Concerto for Cello and Orchestra in D major, op. 7: Andante –, Concerto for Cello and Orchestra in D major, op. 7: Tempo I, Concerto for Cello no 1 in A minor, op. 33: Allegretto con moto, Concerto for Cello no 1 in A minor, op. 33: Allegro non troppo, Concerto for Cello no 1 in A minor, op. 33: Tempo I, Concerto for Cello no 2 in D minor, op. 119: I. Allegro moderato e maestoso, Concerto for Cello no 2 in D minor, op. 119: II. Allegro non troppo, Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso, Symphony for Cello and Orchestra, op. 68: II. Presto inquieto, Symphony for Cello and Orchestra, op. 68: III. Adagio - (attacca), Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro |
| Jenn Hatedream |
conductor |
Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso, Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai, Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando, Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace, Piano Concerto no. 4 in B-flat major, op. 53: II. Andante, Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato - Allegro moderato, Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace, Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio, Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato, Piano Concerto no. 5 in G major, op. 55: III. Toccata: Allegro con fuoco, Piano Concerto no. 5 in G major, op. 55: IV. Larghetto, Piano Concerto no. 5 in G major, op. 55: V. Vivo |
| Bella Blasko |
conductor |
3 Norwegian Dances: No. 1. Allegro con brio, 3 Norwegian Dances: No. 2. Allegretto, 3 Norwegian Dances: No. 3. Allegro non troppo, Air norvégien, op. 7, Andante religioso, Bryllupsmarsch, op. 32 no. 1, Chant de la Veslemöy, Concerto for Violin and Orchestra in A major, op. 6: I. Allegro moderato ben risoluto, Concerto for Violin and Orchestra in A major, op. 6: II. Andante, Concerto for Violin and Orchestra in A major, op. 6: III. Finale. Allegro giusto, Romanze, op. 26 |
| 橘あきら |
conductor |
Concerto for Chamber Orchestra, op. 16: I., Concerto for a Chamber Orchestra, op. 16: 1. Allegro, Concerto for a Chamber Orchestra, op. 16: 2. Andante, Concerto for a Chamber Orchestra, op. 16: 3. Allegro, Concerto for a Chamber Orchestra, op. 16: 4. Grave. Allegro, Kontsert kammerorkestrile, op. 16: Allegro, Kontsert kammerorkestrile, op. 16: Andante, Kontsert kammerorkestrile, op. 16: Grave. Allegro, Muusika keelpillidele: I. Moderato, Muusika keelpillidele: II. Allegro, Muusika keelpillidele: III. Adagio |
| Darren Polite |
conductor |
Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n…, Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen…, Kindertotenlieder: III. Wenn dein Mütterlein…, Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen!, Kindertotenlieder: V. In diesem Wetter, in diesem Braus…, Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht…, Lieder eines fahrenden Gesellen: II. Ging heut’ Morgen über’s Feld…, Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend Messer…, Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz…, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso |
| Magda.Zero Design |
conductor |
A Night in Tunisia, Bach's Lunch, Blue in Green / Seven Steps to Heaven, Interchange: I. Introductions, Interchange: II. Dialogue, Interchange: III. I solisti, Interchange: IV. Tutti, Suite: 'Spider Dreams': I. Spider Dreams, Suite: 'Spider Dreams': II. Waterfall With Blenders, Who Do You Think You Are? |
| St. Symeon the New Theologian |
conductor |
Ten Biblical Songs, op. 99: I. Clouds and Darkness Are Round About Him, Ten Biblical Songs, op. 99: II. Thou Art My Defence and Shield, Ten Biblical Songs, op. 99: III. Hear My Prayer, O God, Ten Biblical Songs, op. 99: IV. The Lord Is My Shepherd, Ten Biblical Songs, op. 99: IX. I Will Lift Up Mine Eyes Unto the Hills, Ten Biblical Songs, op. 99: V. I Will Sing a New Song, Ten Biblical Songs, op. 99: VI. Hear My Crying, O God, Ten Biblical Songs, op. 99: VII. By the Waters of Babylon, Ten Biblical Songs, op. 99: VIII. Turn Thee Unto Me, Ten Biblical Songs, op. 99: X. O Sing Unto the Lord a New Song |
| Steel Storm |
conductor |
Piano Concerto no. 1 in C minor, op. 33: Allegro –, Piano Concerto no. 1 in C minor, op. 33: Coda: Allegro molto, Piano Concerto no. 1 in C minor, op. 33: Tranquillo, dolce (Variations) –, Piano Concerto no. 2 in C minor, op. 50: I. Toccata: Allegro risoluto, Piano Concerto no. 2 in C minor, op. 50: II. Romanza: Andante con moto, Piano Concerto no. 2 in C minor, op. 50: III. Divertimento: Allegro risoluto e molto vivace, Piano Concerto no. 3 in E minor, op. 60 "Ballade": I. Con moto largamento - Allegretto con moto, Piano Concerto no. 3 in E minor, op. 60 "Ballade": II. Interludium: Allegro, molto sostenuto, misterioso, Piano Concerto no. 3 in E minor, op. 60 "Ballade": III. Finale: Allegro molto, Svegliando, eroico - Andante con moto tranquillo - Allegro molto - Coda, Piano Concerto no. 3 in E-flat major |
| S.H.E. |
conductor |
Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto, Concerto for Violin and Orchestra no. 1 in D major, op. 19: I. Andantino - Andante assai, Concerto for Violin and Orchestra no. 1 in D major, op. 19: II. Scherzo, Vivacissimo, Concerto for Violin and Orchestra no. 1 in D major, op. 19: III. Moderato - Allegro moderato - Moderato - Piu tranquillo, Humoresques III-VI, op. 89: III. Alla gavotta In G minor, Humoresques III-VI, op. 89: IV. Andantino In G minor, Humoresques III-VI, op. 89: V. Commodo In E-flat major, Humoresques III-VI, op. 89: VI: Allegro In G minor |
| Hyper[borea] |
conductor |
Ivan the Terrible, Concert Scenario: I. Overture, Ivan the Terrible, Concert Scenario: III. Wedding: i. Allegro fastoso, Ivan the Terrible, Concert Scenario: III. Wedding: ii. Andante, Ivan the Terrible, Concert Scenario: III. Wedding: iii. Allegro fastoso, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: ii. Moderato energico, Ivan the Terrible, Concert Scenario: VI. The Storming of Kazan, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: ii. Andante sostenuto, Ivan the Terrible, Concert Scenario: XII. Murder in the Cathedral |
| Pedro Miguel Ledo |
conductor |
The Miserly Knight: Scene 2: In a Cellar "Cto nepodvlástno mne?", The Miserly Knight: Scene 2: In a Cellar "Da! Yésli bï vseslyozï", The Miserly Knight: Scene 2: In a Cellar "Kak molodóy povésa", The Miserly Knight: Scene 2: In a Cellar "No kto vosléd za mnoy", The Miserly Knight: Scene 2: In a Cellar "O, yésli b mog ot vzórov nedostóynïkh", The Miserly Knight: Scene 2: In a Cellar "Tut yest' dublón starínnïy", The Miserly Knight: Scene 2: In a Cellar "Ya kazdiy raz", The Miserly Knight: Scene 2: In a Cellar "Ya spokóyen" |
| Carine Tinney |
conductor |
Det første møte, op. 21 no. 1, En svane, EG 177d, Peer Gynt, "Solveigs Lied", Peer Gynt, op. 23: 4. akt: Solveigs sang, Peer Gynt, op. 23: 5. akt: Solveig synger i hytten, Songs With Orchestra: Solveigs sang, Songs With Orchestra: Solveigs vuggesang, Våren, EG 177e |
| Dschungelorchester |
conductor |
Concerto for Violin and Orchestra: I. Allegro, ma molto moderato, Concerto for Violin and Orchestra: II. Andante sostenuto, Concerto for Violin and Orchestra: III. Allegro vivace, quasi presto, Suite on Estonian Dances: I. Old Waltz, Suite on Estonian Dances: II. The Shepherd's Tune, Suite on Estonian Dances: III. The Kantele Player, Suite on Estonian Dances: IV. Horn Tunes |
| Dan Wood |
conductor |
The Snow Maiden, op. 12: 11. Khor Naroda i Tsaredvortsev, The Snow Maiden, op. 12: 12. Khorovod Devushek, The Snow Maiden, op. 12: 17b. Deklamatsia Vensy, The Snow Maiden, op. 12: 18. Marsh Tsaria Berendeia i Khor, The Snow Maiden, op. 12: 2. Tanets i Khor Ptits, The Snow Maiden, op. 12: 4. Provody Maslenitsy, The Snow Maiden, op. 12: 9. Khor Slepykh Gusliarov |
| Deadly Alliance |
conductor |
Concerto in B minor for Violin and Orchestra: I. Andante semplice – Allegro strepitoso, Concerto in B minor for Violin and Orchestra: II. Andante molto sostenuto, Concerto in B minor for Violin and Orchestra: III. Vivo, Concerto in D major for Violin and Orchestra, op. 35: I. Moderato nobile, Concerto in D major for Violin and Orchestra, op. 35: II. Romance. Andante, Concerto in D major for Violin and Orchestra, op. 35: III. Finale. Allegro assai vivace, Pezzo elegiaco "Prie ežerėlio" |
| Black Massith |
conductor |
Clarinet Concerto no. 1 in F minor, op. 73 (J 114): I. Allegro, Clarinet Concerto no. 1 in F minor, op. 73 (J 114): II. Adagio ma non troppo, Clarinet Concerto no. 1 in F minor, op. 73 (J 114): III. Rondo. Allegro, Clarinet Concerto no. 2 in E-flat major, op. 74 (J 118): I. Allegro, Clarinet Concerto no. 2 in E-flat major, op. 74 (J 118): II. Romanza. Andante con moto – Recitativo – Tempo I, Clarinet Concerto no. 2 in E-flat major, op. 74 (J 118): III. Alla polacca, Concertino for Clarinet and Orchestra in C minor, op. 26 (J 109) |
| Alison Hill |
conductor |
Six Romances on Texts by Japanese Poets, op. 21: An Immodest Glance, Six Romances on Texts by Japanese Poets, op. 21: Before Suicide, Six Romances on Texts by Japanese Poets, op. 21: Death, Six Romances on Texts by Japanese Poets, op. 21: Love, Six Romances on Texts by Japanese Poets, op. 21: Love Without Hope, Six Romances on Texts by Japanese Poets, op. 21: The First and the Last Time |
| レナ |
conductor |
Six Poems of Marina Tsvetayeva, op. 143a: Hamlet's Dialogue With Conscience, Six Poems of Marina Tsvetayeva, op. 143a: My Poems, Six Poems of Marina Tsvetayeva, op. 143a: No, the Drum Beat, Six Poems of Marina Tsvetayeva, op. 143a: The Poet and the Tsar, Six Poems of Marina Tsvetayeva, op. 143a: To Anna Akhmatova, Six Poems of Marina Tsvetayeva, op. 143a: Where Does Such Tenderness Come From? |
| Dieter Rasch |
conductor |
Klaverikontsert nr. 2 G-duur, op. 44: I. Allegro brillante, Klaverikontsert nr. 2 G-duur, op. 44: II. Andante non troppo, Klaverikontsert nr. 2 G-duur, op. 44: III. Finale. Allegro con fuoco, Klaverikontsert nr. 4 G-duur, op. 58: I. Allegro moderato, Klaverikontsert nr. 4 G-duur, op. 58: II. Andante con moto, Klaverikontsert nr. 4 G-duur, op. 58: III. Rondo. Vivace |
| 大瑠璃あやみ |
conductor |
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: I. Prelude. Moderato – Allegro, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: II. The Philosophers. Andante assai, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IV. "A tight little band". Allegretto, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VII. Victory. Andante, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VIII. The Oath. Andante pesante, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: X. The Constitution. Andante assai – Andante molto |
| Gretel Scarlett |
conductor |
Six Songs, op. 68: No. 1. An die Nacht, Six Songs, op. 68: No. 2. Ich wollt’ ein Sträußlein binden, Six Songs, op. 68: No. 3. Säusle, liebe Myrthe, Six Songs, op. 68: No. 4. Als mir dein Lied erklang, Six Songs, op. 68: No. 5. Amor, Six Songs, op. 68: No. 6. Lied der Frauen |
| The Tombstone Ramblers |
conductor |
Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, op. 54: III. Allegro vivace, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace |
| David Dabbon |
conductor |
Concerto Piccolo über B-A-C-H: I. Preciso, Concerto Piccolo über B-A-C-H: II. Lento, Concerto Piccolo über B-A-C-H: III. Deciso, Trumpet Concerto no. 1, op. 42: I. Andante - Allegro, Trumpet Concerto no. 1, op. 42: II. Lento - Con moto, Trumpet Concerto no. 1, op. 47, "Bridge" |
| Yung Thug |
conductor |
Atenarnes sång (Song of the Athenians), op. 31 no. 3, Finlandia with male chorus, op. 26, Har du mod? (Have you courage?), op. 31 no. 2, Sandels, op. 28, Suomen Jääkärien Marssi (Finnish Jäger March), op. 91 no. 1 |
| AJ Davila Y Terror Amor |
conductor |
Requiem for Fallen Soldiers: I. Andante, Requiem for Fallen Soldiers: II. Allegro, Requiem for Fallen Soldiers: III. Molto lento, Requiem for Fallen Soldiers: IV. Lento marciale, Requiem for Fallen Soldiers: V. Largo |
| José Miguel Ginés |
conductor |
Aleko: No. 2. Chorus, Aleko: No. 7. Chorus, Francesca da Rimini, op. 25: Epilogue. "A-a...", Francesca da Rimini, op. 25: Prolog, Part 2. "A-a...", Francesca da Rimini, op. 25: Prolog.,Part 1. "M-m..." |
| Bossy Mina |
conductor |
Piano Concerto no. 2 in G minor, op. 22: 3. Presto, Rhapsody on a Theme by Paganini, op. 43: Introduction, Var 1, 2, 3, 4, 5, 6, Rhapsody on a Theme by Paganini, op. 43: Var. 11, 12, 13, 14, 15, 16, 17, 18, Rhapsody on a Theme by Paganini, op. 43: Var. 19, 20, 21, 22, 23, 24, Rhapsody on a Theme by Paganini, op. 43: Var. 7, 8, 9, 10 |
| Oscar Zia |
conductor |
Symphony no. 13, op. 113 "Babi Yar": I. Babi Yar. Adagio - Più mosso - Adagio - Allegretto - Adagio, Symphony no. 13, op. 113 "Babi Yar": II. Humour. Allegretto, Symphony no. 13, op. 113 "Babi Yar": III. At the Store. Adagio, Symphony no. 13, op. 113 "Babi Yar": IV. Fears. Largo - Moderato - Largo - Allegro - Largo, Symphony no. 13, op. 113 "Babi Yar": V. Career. Allegretto |
| Renaldo & Clara |
conductor |
Konzert für Klavier und Orchester Nr. 1 b-moll op. 23, 1. Andante non troppo e molto maestoso, Konzert für Klavier und Orchester Nr. 1 b-moll op. 23, 2. Andante semplice, Konzert für Klavier und Orchester Nr. 1 b-moll op. 23, 3. Finale, Allegro con fuoco, Концерт но. 2 для фортепиано с оркестром соль минор, соч. 22: Allegro scherzando, Концерт но. 2 для фортепиано с оркестром соль минор, соч. 22: Andante sostenuto |
| Henning Basler |
conductor |
Piano Concerto no. 2 in D minor, op. 23: I. Introduzione, Piano Concerto no. 2 in D minor, op. 23: II. Scherzo, Piano Concerto no. 2 in D minor, op. 23: III. Adagio, Piano Concerto no. 2 in D minor, op. 23: IV. Finale |
| Daniel Alm |
conductor |
Symphony no. 5 in D minor, op. 25: I. Allegro con fuoco, Symphony no. 5 in D minor, op. 25: II. Andante sostenuto, Symphony no. 5 in D minor, op. 25: III. Scherzo. Allegro molto vivace, Symphony no. 5 in D minor, op. 25: IV. Finale. Andante con moto - Allegro vivace |
| Darg |
conductor |
Songs and Dances of Death: Lullaby, Songs and Dances of Death: Serenade, Songs and Dances of Death: The Warrior, Songs and Dances of Death: Trepak |
| Necropolis |
conductor |
Ooperimäng: 3. stseen, Ooperimäng: 4. stseen, Ooperimäng: 6. stseen, Ooperimäng: 8. stseen |
| Модест Петрович Мусоргский |
conductor |
Songs and Dances of Death: Lullaby, Songs and Dances of Death: Serenade, Songs and Dances of Death: The Field Marshal, Songs and Dances of Death: Trepak |
| Mike Champion |
conductor |
The Snow Maiden, op. 12: 14a. Tret'la Pesnia Lelia, The Snow Maiden, op. 12: 14b. Tret'la Pesnia Lelia, The Snow Maiden, op. 12: 6. Pervala Pesnia Lelia, The Snow Maiden, op. 12: 7. Second Song of Lei |
| Prizmmy☆ |
conductor |
Suite champêtre, op. 98b: I. Pièce caractéristique. Commodo, Suite champêtre, op. 98b: II. Mélodie élégiaque. Poco adagio, Suite champêtre, op. 98b: III. Danse. Allegretto, Thaïs: Méditation |
| Sam Ateba |
conductor |
Concerto in B minor for Cello and Orchestra, op. 104, B. 191: I. Allegro, Concerto in B minor for Cello and Orchestra, op. 104, B. 191: II. Adagio ma non troppo, Concerto in B minor for Cello and Orchestra, op. 104, B. 191: III. Finale: Allegro moderato, Waldesruhe, for cello and orchestra |
| Axis of Blood |
conductor |
Concertino for Clarinet and Small Orchestra, op. 48: I. Allegretto sostenuto – Tranquillo – Un poco animato –, Concertino for Clarinet and Small Orchestra, op. 48: II. Andantino – Adagio –, Concertino for Clarinet and Small Orchestra, op. 48: III. Allegro sostenuto – Un poco meno sostenuto –, Concertino for Clarinet and Small Orchestra, op. 48: IV. Allegro – Tempo di minuetto, sostenuto e pomposo |
| Tessa |
conductor |
Symphony no. 14, op. 135: II. Malagueña. Allegretto, Symphony no. 14, op. 135: IV. The Suicide. Adagio, Symphony no. 14, op. 135: V. On Watch. Allegretto, Symphony no. 14, op. 135: X. The Poet's Death. Largo |
| 邰肇玫 |
conductor |
From Jewish Folk Poetry, op. 79a: No. 11. Happiness, From Jewish Folk Poetry, op. 79a: No. 2. Fussy Mymmy and Auntie, From Jewish Folk Poetry, op. 79a: No. 6. The Deserted Father, From Jewish Folk Poetry, op. 79a: No. 8. Winter |
| Julie Mensah |
conductor |
Kalevipoja teekond Soome: Epiloog, Kalevipoja teekond Soome: Liigud ja taplus, Kalevipoja teekond Soome: Minek, Kalevipoja teekond Soome: Mõõga ostmine |
| Falk-Ulrich Rogner |
conductor |
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: I. Allegro – Più allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: II. Largo –, Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: III. Rondo alla Polacca – Allegro – Tempo I |
| Jim Behringer |
conductor |
Concerto for Piano and Orchestra: I. Allegro maestoso, Concerto for Piano and Orchestra: II. Andante con anima, Concerto for Piano and Orchestra: III. Allegro brillante |
| Aida Shahghasemi |
conductor |
Klaverikontsert sol-mažoor: I. Maestoso, Klaverikontsert sol-mažoor: II. Andante, Klaverikontsert sol-mažoor: III. Allegro risoluto |
| Banda de Gaitas de Cea |
conductor |
Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Kak dúmayes', Francéska", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Na cto mne ray", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "O, kak im bïlo sládostno i zútko" |
| Cecco e Cipo |
conductor |
Midvinter, op. 24, Snöfrid, op. 5, Symphony no. 6 in E-flat minor, op. 23: IV. Allegro vivace (quasi presto) - Più sostenuto: "Što mï vídeli" - Andante molto espressivo |
| Pascal M |
conductor |
Cello Concerto "Pro et contra": I. Maestoso, Cello Concerto "Pro et contra": II. Largo, Cello Concerto "Pro et contra": III. Allegro |
| Medevil |
conductor |
Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| Pejah |
conductor |
Suite caractéristique, op. 100: I. Vivo, Suite caractéristique, op. 100: II. Lento, Suite caractéristique, op. 100: III. Commodo |
| Lea Wolf-Millesi |
conductor |
Konzert für Violine und Streichorchester Nr. 1: I. Allegro moderato, Konzert für Violine und Streichorchester Nr. 1: II. Andante, Konzert für Violine und Streichorchester Nr. 1: III. Allegro con moto |
| Leptictidium |
conductor |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro no troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo 1, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| Prides |
conductor |
Cello Concerto no. 2 in D major, H. 7b-2, op. 101: I. Allegro moderato, Cello Concerto no. 2 in D major, H. 7b-2, op. 101: II. Adagio, Cello Concerto no. 2 in D major, H. 7b-2, op. 101: III. Rondo. Allegro |
| Íweriú |
conductor |
Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro, Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante, Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo – Poco meno allegro – Tempo I |
| oAz |
conductor |
Suite no. 3, op. 19 no. 1: I. Prélude. Adagio, Suite no. 3, op. 19 no. 1: II. Pantomim. Moderato, Suite no. 3, op. 19 no. 1: III. Vision. Allegro moderato |
| Viagra B. |
conductor |
Symphony no. 14, op. 135: III. Loreley. Allegro molto, Symphony no. 14, op. 135: VI. Madam, look! Adagio, Symphony no. 14, op. 135: XI. Conclusion. Moderato |
| Giovanni Nicoletta |
conductor |
Aleko: No. 9. Cradle Scene, Francesca da Rimini, op. 25: Tableau 1, Scene 3. "Moy povelítel' zval menyá?", Francesca da Rimini, op. 25: Tableau I, Scene III. "Moy povelítel' zval menyá?" (Francesca, Lanceotto) / "Lyubví tvoyéy khocú ya!" (Lanceotto) / "Proklyát'ye!" (Lanceotto, Francesca) |
| Christian Dee |
conductor |
Suite mignonne, op. 98a: I. Petite scène. Allegretto, Suite mignonne, op. 98a: II. Polka. Animoso, Suite mignonne, op. 98a: III. Epilogue. Vivace |
| Renée Favand-See |
conductor |
Violin Concerto no. 2: I. Andante, Violin Concerto no. 2: II. Allegro marciale vivace, Violin Concerto no. 2: III. Adagio, quasi recitativo - Allegro non troppo, ma energico |
| Thomas Paul |
conductor |
Concerto for Oboe and Small Orchestra: I. Allegro moderato, Concerto for Oboe and Small Orchestra: II. Andante, Concerto for Oboe and Small Orchestra: III. Vivace |
| Robotra |
conductor |
Concerto no. 1 for Violin and Orchestra in G minor, op. 26: I. Prelude: Allegro moderato, Concerto no. 1 for Violin and Orchestra in G minor, op. 26: II. Adagio, Concerto no. 1 for Violin and Orchestra in G minor, op. 26: III. Finale: Allegro energico |
| Claus Jacobi |
conductor |
Fossegrimen, op. 21: I. Fossegrimen. Allegro moderato, Fossegrimen, op. 21: III. Bruremarsch. Allegretto marciale, Fossegrimen, op. 21: V. Fanitullen. Allegro con fuoco |
| Matt Haze |
conductor |
Konzert für Violine und Orchester D-dur op. 35, 1. Allegro moderato, Konzert für Violine und Orchester D-dur op. 35, 2. Canzonetta, Andante, Konzert für Violine und Orchester D-dur op. 35, 3. Finale, Allegro vivacissiomo |
| Dirk |
conductor |
Fire and Blood: I. Volcano, Fire and Blood: II. River Rouge, Fire and Blood: III. Assembly Line |
| 中山貴美 |
conductor |
Hiiob: I osa. Hiiob, Hiiob: I osa. Hiiobi palve, Hiiob: II osa. Hiiob |
| Yoav Landau |
conductor |
Flute Concerto: I. Allegro grazioso, Flute Concerto: II. Andante lugubre, Flute Concerto: III. Allegro con fuoco |
| Henry Rhodes |
conductor |
Hiiob: I osa. "Ole ustav surmani!" (Naiskoor ja meeskoor), Hiiob: I osa. "Suur oled sa!" (Meeskoor ja segakoor), Hiiob: I osa. "Suur võit!" (Meeskoor ja segakoor) |
| Colorines |
conductor |
Das Bächlein, op. 88 no. 1, Four Last Songs: Frühling (extract), Meinem Kinde, op. 37 no. 3 |
| Edvard Grieg |
conductor |
Peer Gynt (Morning Mood)., Peer Gynt, Op. 23 No. 15: Arabisk Dans, Peer Gynt, Op. 23: 3. akt, scene 4 |
| Spook |
conductor |
Concerto for Violin and Orchestra in A minor, op. 82: I. Moderato, Concerto for Violin and Orchestra in A minor, op. 82: II. Cadenza, Concerto for Violin and Orchestra in A minor, op. 82: III. Allegro |
| Wolfram |
conductor |
Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro, Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante, Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo |
| Benoît Charvey |
conductor |
Concertino for Piano and Orchestra: I. Allegro vivace, Concertino for Piano and Orchestra: II. Quasi andante, Concertino for Piano and Orchestra: III. Allegro giocoso, ma non troppo |
| Maurizio Giancani |
conductor |
Francesca da Rimini, op. 25: Prolog, Part 2. "Net bóleye velíkoy skórbi v míre", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "S tobóyu ad mne lúcse ráya!" / Gde tï, tam scast'ye bez koncá! |
| Stefan Drewiczewski |
conductor |
Hiiob: I osa. "Õnn sel, kes kardab Jehoovat" (Meeskoor), Hiiob: II osa. Meeskoor |
| The Bruton Beat |
conductor |
Kontsert klaverile ja orkestrile nr. 3 d-moll, op. 30: I. Allegro ma non tanto, Kontsert klaverile ja orkestrile nr. 3 d-moll, op. 30: II. Intermezzo. Adagio (attacca) - III. Finale. Alla breve |
| Rod Goodway |
conductor |
Two Fables of Krylov, op. 4: No. 1. The Dragonfly and the Ant, Two Fables of Krylov, op. 4: No. 2. The Ass and the Nightingale |
| Rich Markowitz |
conductor |
Tabula Rasa: I. Ludus: Con moto, Tabula Rasa: II. Silentium: Senza moto |
| Renaldo & The Loaf With The Residents |
conductor |
From Jewish Folk Poetry, op. 79a: No. 10. A Girl's Song, From Jewish Folk Poetry, op. 79a: No. 5. A Warning |
| V. Bozeman |
conductor |
Piano Concerto no. 2 in G minor: I. Andante sostenuto, Piano Concerto no. 2 in G minor: II. Allegro scherzando |
| Rebecca Pauly |
conductor |
IV osa sümfooniast nr. 2, Ristpulkade tants |
| Randall Kromm |
conductor |
Kalevipoja teekond Soome: Laul merest, Kalevipoja teekond Soome: Tagasitulek |
| Peonies |
conductor |
Hiiob: I osa. Inglid - Lastekoor, Hiiob: I osa. Sanctus (Inglid - Lastekoor) |
| Miz Marvel |
conductor |
Peer Gynt, op. 23: 1. akt: Halling, Peer Gynt, op. 23: 1. akt: Springar |
| Xavyon Jamison |
conductor |
Hiiob: I osa. "Jumalik Tõotus" (Segakoor), Hiiob: II osa. Inglid. Naiskoor |
| Miguel Ángel Arenas |
conductor |
Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Prekásnaya Ginévra", The Miserly Knight: Scene 1:In the Castle "Von, pyos!" |
| Scott Wheeler |
conductor |
Klaverikontsert nr. 1: I. Allegro moderato, Klaverikontsert nr. 1: II. Andante con espressione attacca subito - III. Allegro vivace |
| Luca Vittori |
conductor |
The Miserly Knight: Scene 3: In the Palace "Barón, ya rad vas vídet'", The Miserly Knight: Scene 3: In the Palace "U vas, Barón, yest' déti?" |
| Lord Narf |
conductor |
Othello: Othello monoloog, Tosca: Cavaradossi aaria |
| Greg MacRitchie |
conductor |
Sigurd Jorsalfar, op. 22: IV. Norrønafolket, Sigurd Jorsalfar, op. 22: VIII. Kongekvadet |
| Graflex |
conductor |
From Jewish Folk Poetry, op. 79a: No. 7. A Song of Poverty, From Jewish Folk Poetry, op. 79a: No. 9. The Good Life |
| Gattas |
conductor |
Peer Gynt, op. 23: 2. akt: Peer Gynt jages av troll, Peer Gynt, op. 23: 5. akt: Nattscene |
| Eric Daniels |
conductor |
Francesca da Rimini, op. 25: Tableau 1, Scene 1, Francesca da Rimini, op. 25: Tableau I, Scene I. "Otvét moy prost" (Lanceotto, Retainers) |
| Disha & Bhakta |
conductor |
Ivan the Terrible, Concert Scenario: II. Russian Sea, Ivan the Terrible, Concert Scenario: X. Song of the Beaver (Ephrosynia's Lullaby) |
| CUBE |
conductor |
Figaro pulm: Figaro aaria, Othello: Jago monoloog |
| 宮本佳那子 |
conductor |
Hiiob: II osa. Kolmekordne meeskvartett (Hiiobi sõbrad), Hiiob: II osa. Tersett (Hiiobi sõbrad) |
| Bob Bagchus |
conductor |
Francesca da Rimini, op. 25: Prolog, Part 2. "A-a..." / "Moy sïn", Francesca da Rimini, op. 25: Prologue. Part 1. "M-m..." (The Tormented) / "Tepér' vstupáyem mï v slepúyu bézdnu" (Virgil Shade, Dante) |
| Ataraxia |
conductor |
Solveig’s cradle song: Peer Gynt, Solveig’s song: Peer Gynt |
| Ashok Bhadra |
conductor |
The Snow Maiden, op. 12: 15. Pesnia Brusily, The Snow Maiden, op. 12: 3. Monolog Moroza |
| 鷲尾伶菜 |
conductor |
Piano Concerto in A minor, op. 16: II. Adagio, Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso |
| Mr. Beatbone |
conductor |
Landkjenning, op. 31 |
| Naldo Benny |
conductor |
Viiulikontsert nr. 1 D-duur, ETW 19: II. Andante sostenuto |
| Nasty Bulletz |
conductor |
Passacaglia, op. 20 no. 2 |
| Daniela |
conductor |
Hiiob: Nr. 7 (Koor) |
| Navaraj Gurung |
conductor |
Ouverture solennelle 1812, op. 49 |
| Bulat Nanox |
conductor |
Credo |
| Nino Giuffrida |
conductor |
The Miserly Knight: Scene 3: In the Palace "Prostíte, gozudár'" |
| Northcote |
conductor |
Fratres for Violin, String Orchestra and Percussion |
| Grey Storm |
conductor |
Francesca da Rimini, op. 25: Tableau II. Scene I. "Prekásnaya Ginévra" (Paolo) / "Kak dúmayes', Francéska" (Paolo, Francesca) / "O, kak im bïlo sládostno i zútko" (Paolo, Francesca) / "Pust' ne danó nam znat'lobzániy" (Francesca) / "Na cto mne ray" (Paolo, Francesca) / "S tobóyu ad mne lúcse ráya!" (Francesca, Paolo) / "Gde tï, tam scast'ye bez koncá!" (Francesca, Paolo) / "Net! Vécnoye proklyát'ye!" (Lanceotto) |
| Odyssey |
conductor |
Ivan the Terrible, Concert Scenario: XI. The Banquet: ii. Allegro moderato |
| Oliver Luna |
conductor |
Aleko: No. 12. Young Gypsy's Romance |
| Orchester Gino Mariano |
conductor |
From Jewish Folk Poetry, op. 79a: No. 3. Lullaby |
| Oscar Bauer |
conductor |
The Retreating Soldier's Song |
| Darknoise |
conductor |
The Bells, op. 35: II. Lento |
| Antíoco Llanos |
conductor |
Aleko: No. 8. Duettino |
| Dave Karasony |
conductor |
Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck |
| Pascal Pilet Desjardins |
conductor |
Mantel: Michele’i aaria |
| Pauline Diamond |
conductor |
Aleko: No. 13. Duet and Finale |
| Paweł Postek |
conductor |
Hiiob: II osa. Hiiob ja Hiiobi naine |
| Holy Measure |
conductor |
Don Carlo: Eboli aaria |
| Cablejuice |
conductor |
Violin concerto in B minor |
| Isac Elliot |
conductor |
Olav Trygvason, Scene III no. 5: Giv alle Guder Gammens og Glædes-Skål / no. 6: Alfer og Vætter / no. 7: Evige Asatro |
| Perry Wilson |
conductor |
Hiiob: II osa. Segakoor, Hiiobi naine ja Hiiob |
| Philip Randles |
conductor |
The Poem of Ecstasy, op. 54 |
| Pitkät kiinalaiset |
conductor |
Elegia |
| J. Domingo López |
conductor |
Aleko: No. 4. Scene and Chorus |
| Portia Diwa |
conductor |
The Miserly Knight: Scene 1: In the Castle "Kto tam?" |
| JaQe |
conductor |
Lyric Piece for orchestra, op. 68 no. 1: Evening in the Mountains |
| Bisola |
conductor |
Türklane Itaalias: Don Geronio ja Selimi duett |
| Rachel Osborne |
conductor |
Ave Maria |
| Jean-Pierre Bacri |
conductor |
Olav Trygvason, Scene II no. 3: Ej er det nok / no. 4: Tak, at I talte |
| Ravi Shakti |
conductor |
Suite No. 4 in G major, Op. 61 "Mozartiana": IV. Variation IV |
| Deejays Works |
conductor |
Don Carlo: Eboli aaria |
| Jesús Ugalde |
conductor |
The Miserly Knight: Scene 3: In the Palace "Povér'te, gosudár'" |
| Jewell Bass |
conductor |
Hiiob: II osa. Jumal |
| Renato Cantele |
conductor |
Francesca da Rimini, op. 25: Prolog, Part 2. "Kto éti dva, cto tak legkí dlya vétra?" |
| Apagoge |
conductor |
Autrefois (Scène pastorale pour orchestre), op. 96b |
| Rhonda Richmond |
conductor |
Hiiob: I osa. Saatan ja meeskoor |
| Joel Spence & The Mercury Drive |
conductor |
Suor Angelica: "Senza mamma" - The Final |
| Richard Wagner |
conductor |
Overture to "Das Liebesverbot", WWV 38 |
| Rick Neigher |
conductor |
Peer Gynt, op. 23: 4. akt: Peer Gynts serenade |
| Ring |
conductor |
Notturno, op. 44 no. 1 |
| Cecilia Smith |
conductor |
Hiiob: I osa. "Ta teisi hädas aidanud" (Segakoor ja Hiiob) |
| John Koenig |
conductor |
Tulen synty (The origin of fire), op. 32 |
| John Simms |
conductor |
Olav Trygvason, Scene I no. 1: Skjult i de mange manende Navne / no. 2: I, som op af Urdarbrønden |
| Rustic Charm |
conductor |
Francesca da Rimini, op. 25: Epilogue. "A-a..." (The Tormented) / "A-a..." & "O, v étot den' mï ból'se ne citáli!" (Francesca, Paolo, The Tormented) |
| John Teer |
conductor |
Foran Sydens Kloster, op. 20 |
| Jonathan Winstead |
conductor |
Vocalise, op. 34 no. 14 |
| Chico's Son |
conductor |
Symphony no. 4 in C major: II. Adagio - |
| SOYC |
conductor |
From Jewish Folk Poetry, op. 79a: No. 4. Before a Long Separation |
| Juan Mínguez |
conductor |
The Miserly Knight: Scene 1: In the Castle "vo cto bï to ni stálo" |
| Judah McKeehan |
conductor |
Peer Gynt, op. 23: 2. akt: Peer Gynt og sæterjentene |
| Jules Massenet |
conductor |
la vierge - der jungfrau letzter schlummer |
| Sensual Harassment |
conductor |
Peer Gynt, op. 23: 4. akt: Peer Gynt og Anitra |
| Shane Ochsner |
conductor |
Variationen |
| Shweta Bharadwaj |
conductor |
Romeo and Juliet: Duo "Do you not hear the nightingale?" |
| Sidi Tal |
conductor |
Germont'i aaria ooperist 'Traviata' |
| Children Of M.S.44 (NYC) |
conductor |
Hiiob: I osa. Saatan |
| K-tólicos |
conductor |
The Bells, op. 35: I. Allegro ma non troppo |
| E. Gordon |
conductor |
Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Pust' ne danó nam znat'lobzániy" |
| Klaus Johns |
conductor |
Türklane Itaalias: Fiorilla ja Selimi duett |
| Tachi |
conductor |
Linn udus („Raudne kodu”) |
| Lamram Jam |
conductor |
From Jewish Folk Poetry, op. 79a: No. 1. Lament for a Dead Infant |
| The 3rd Man |
conductor |
MotorCity Triptych: II. Pedal-to-the-Metal |
| BlackShore |
conductor |
La gran pascua rusa, op. 36 |
| Lee Moro |
conductor |
Francesca da Rimini, op. 25: Prologue. Part 2. "A-a..." (The Tormented) / "A-a..." / "Moy sïn" (The Tormented, Virgil's Shade, Dante) / "A-a..." (The Tormented) / "Kto éti dva, cto tak legkí dlya vétra?" (Dante, The Tormented, Virgil's Shade) / "Net bóleye velíkoy skórbi v míre" (Francesca, Paolo) |
| BG5 |
conductor |
Joonase lähetamine: Sanctus |
| Tom Backström |
conductor |
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VI. Revolution. Andante non troppo – Più mosso – Allegro moderato – Precipitato – Adagio molto |
| Tommy Tysper |
conductor |
Peer Gynt, op. 23: 5. akt: Skipsforliset |
| Tony Eriksson |
conductor |
Ballade for Violin and Orchestra |
| Ethereal |
conductor |
Maskiball: Amelia aaria |
| Uniqplan |
conductor |
Hiiob: II osa. Lõpukoor "Nii õnnis on inimene" (Segakoor ja Hiiob) |
| Fabrizio Racioni |
conductor |
The Miserly Knight: Scene 3: In the Palace "Barón, vï lzóte" |
| Ludwig van Beethoven |
conductor |
Introduction to Act 2 (Entr'acte), WoO 2b (probably to "Tarpeja"). Alla marcia, ma non troppo presto |
| MAYU |
conductor |
Berceuse |
| MIKA |
conductor |
Midsommarvaka, op. 19 |
| Antonio Saglio |
conductor |
Francesca da Rimini, op. 25: Tableau 1, Scene 3."Proklyát'ye!" |
| Fat Complex |
conductor |
Peer Gynt, op. 23: 5. akt: Solveigs vuggevise |
| Manuel González |
conductor |
Aleko: No. 3. The Old Gypsy's Tale |
| 슈퍼키드 |
conductor |
Sigurd Jorsalfar, op. 22: Hornsignaler |
| ah voix bass |
conductor |
Lucia di Lammermoor: Lucia hullumisstseen |
| Acteron |
conductor |
Harlem |
| the Kerels |
conductor |
Trubaduur: Azucena aaria |
| Matt Calder |
conductor |
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall |
| Александр Порфирьевич Бородин |
conductor |
Prince Igor: Polovtsian Dances |
| Matt D'Arbanlay-Butler |
conductor |
Hiiob: I osa. Jumal ja Saatan |
| Окна |
conductor |
Peer Gynt, op. 23: 5. akt: Pinsesalme: "Velsignede morgen" |
| DJ Mo Sligga |
conductor |
Reekviem langenud sõdurite mälestuseks: II. Sõduri matus |
| Freakanoid |
conductor |
MotorCity Triptych: III. Rosa Parks Boulevard |
| “Boogaloo” Ames |
conductor |
Hiiob: I osa. Segakoor ja Saatan |
| Funk |
conductor |
Bergliot, op. 42 |
| Michael Brenner |
conductor |
Il tabarro: "E' ben altro il mio sogno!" |
| 大塚宏樹 |
conductor |
Õde Angelica: Angelica aaria ja finaal |
| DJ Zilos |
conductor |
Kantaat „Päikesele” |
| 天野紀子グループ |
conductor |
Concerto for Double Bass and Orchestra |
| Brass Partout |
conductor |
Kullervo, op. 7: Kullervo and his Sister |
| Giamba Lizzori |
conductor |
Francesca da Rimini, op. 25: Prolog, Part 1. "Tepér' vstupáyem mï v slepúyu bézdnu" |
| Brett Lee |
conductor |
Raise the Roof |
| 神田ヒロミ |
conductor |
The Bells, op. 35: IV. Lento lugubre |
| Graciella Rodriguez |
conductor |
Francesca da Rimini, op. 25: Epilogue. "A-a..." / "O, v étot den' mï ból'se ne citáli!" |
| Daniel Drüsendieb |
conductor |
Luonnotar, op. 70 |
| Matt Cab |
conductor |
Orgeltöne, op. 37 |