| Big Apple Band |
conductor |
"Banditen-Galopp" Op. 378 Polka Schnell, "Carnival" Overture, op. 92: Allegro – Andante con moto – Allegro, "Eingesendet" Op. 240-Polka Schnell, "Fata Morgana" Op. 330 Polka Mazur, "Loslassen!" Op. 386-Polka Schnell, "Perpetuum Mobile" Op. 257 Musikalischer Scherz, "Wiener Blut" Op. 378, 2001: A Space Odyssey: Also Sprach Zarathustra (beginning), Accelerationen op. 234 (Walzer), Accelerationen. Op. 234, Ainsi parlait Zarathoustra : lever du jour, Also sprach Zarathustra, Op. 30, Symphonic Poem, Also sprach Zarathustra, op. 30: Das Grablied, Also sprach Zarathustra, op. 30: Das Tanzlied, Also sprach Zarathustra, op. 30: Der Genesende, Also sprach Zarathustra, op. 30: Einleitung, Also sprach Zarathustra, op. 30: I. Einleitung, Also sprach Zarathustra, op. 30: Nachtwandlerfest, Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: Von den Hinterweltlern, Also sprach Zarathustra, op. 30: Von der Wissenschaft, Also sprach Zarathustra, op. 30: Von der großen Sehnsucht, An Der Schönen Blauen Donau Op. 314, An der schönen blauen Donau, Op. 314, An der schönen blauen Donau, Walzer, Op. 314, An der schönen, blauen Donau, op. 314, Aus der Ferne, op. 270, Banditen-Galopp, Op. 378, Banditen-Galopp, op. 378, Bitte Schön, Polka Française, Csárdás Für Orchester Aus: Die Fledermaus, Daphnis Et Chloé Suite No. 1, Daphnis Et Chloé Suite No. 2, Delirium Waltz, op. 212, Der Bürger als Edelmann - Orchestersuite, op. 60: Auftritt des Cleonte, Der Bürger als Edelmann - Orchestersuite, op. 60: Auftritt und Tanz der Schneider, Der Bürger als Edelmann - Orchestersuite, op. 60: Courante, Der Bürger als Edelmann - Orchestersuite, op. 60: Das Diner, Der Bürger als Edelmann - Orchestersuite, op. 60: Das Menuett des Lully, Der Bürger als Edelmann - Orchestersuite, op. 60: Der Fechtmeister, Der Bürger als Edelmann - Orchestersuite, op. 60: Menuett, Der Bürger als Edelmann - Orchestersuite, op. 60: Overture to Act I, Der Bürger als Edelmann - Orchestersuite, op. 60: Prelude to Act II, Der Rosenkavalier: First Waltz Sequence, Der Zigeunerbaron - Einzugsmarsch, Der Zigeunerbaron. Einzugsmarsch., Die Fledermaus - Overtüre, Die Fledermaus: Csàrdàs, Die Libelle, op. 204, Don Juan, op. 20, Donauweibchen, op. 427, Ein Herz, Ein Sinn, Polka Mazur, Eine Nacht in Venedig: Ouvertüre, Eingesendet, op. 240, Eljen A Magyar! op. 332, Eljen a Magyar! op. 332 (Ungarische Polka schnell), Eljen a Magyar!, op. 332, Eljen a Magyar, op. 332: Polka, Emperor Waltz, op. 437, Explosions Polka. Op. 43, Fata Morgana, op. 330, Frauenherz, op. 166: Polka Mazur, Frauenherz. Op. 166, Freikugeln op. 326, Freikugeln, op. 326, Frühlingsstimmen op. 410, Frühlingsstimmen op. 410 (Walzer), Frühlingsstimmen. Op. 410, Furioso-Galopp, Op. 114, Geschichten aus dem Wiener Wald, Op. 325, G’schichten aus den Wienerwald, op. 325, Hamlet - Fantasy Overture after Shakespeare, op. 67, Hamlet, Fantasy Overture, op.67, Hopser Polka, Op. 28, Indigo und die vierzig Räuber: Overture, Jubel-Marsch, Kaiser Franz-Joseph I - Rettungs-Jubel-Marsch, op. 126, Kaiser Franz-Joseph Marsch, op. 67, Kaiser-Walzer op. 437 (Walzer), Kaiserwalzer op. 437, Karelia Suite, op. 11: I. Intermezzo (Moderato), Karelia Suite, op. 11: II. Ballade (Tempo di menuetto), Karelia Suite, op. 11: III. Alla marcia (Moderato), Klipp-Klapp Galopp, op. 466, Künsterleben, Walzer, Op. 316, La Chauve-Souris - Quadrille, La Valse, Le Beau Danube Bleu, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Leichtes Blut. Op. 319, Loslassen!, op. 386, Loslassen!, op. 386: Polka schnell, Légendes de la Forêt Viennoise, Macbeth, Op. 23, Manfred Symphony, op. 58: I. Lento lugubre – Moderato con moto – Andante, Manfred Symphony, op. 58: III.Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Marche de Radetzky, Morgenblätter op. 279 (Walzer), Neue Pizzicato-Polka, op. 449, Neue Pizzikato-Polka Op. 449 Aus: Fürstin Ninetta, Ohne Sorgen. Op. 271, Orphée aux enfers, ouverture: Cancan final, Ouvertüre Op. 362 Aus: Die Fledermaus, Ouvertüre-Aus: Orpheus In Der Unterwelt, Perpetuum Mobile op. 257 (Musikalischer Scherz), Perpetuum mobile, Op. 257, Perpetuum mobile, op. 257, Pizzicato Polka, Radetzky-Marsch, Radetzky-Marsch, Op. 228, Radetzky-Marsch, op. 228, Rapsodie espagnole: I. Prélude À La Nuit, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: IV. Feria, Romeo & Juliet, Rosen aus dem Süden op. 388, Rosen aus dem Süden, op. 388: Walzer, Rosen aus dem Süden. Op. 388, Scherz-Polka, Op. 72, Seufzer-Galopp. Op. 9, Sinfonia Domestica, Op. 53: I. Thema I: Bewegt - Thema II: Sehr lebhaft - Thema III: Ruhig, Sinfonia Domestica, Op. 53: II. Scherzo: Munter, Sinfonia Domestica, Op. 53: III. Wiegenlied: Mäßig langsam, Sinfonia Domestica, Op. 53: IV. Adagio: Langsam, Sinfonia Domestica, Op. 53: V. Finale: Sehr lebhaft, Sinngedichte, op. 1, Spleen, Polka Mazur, Stürmisch In Lieb' Und Tanz. Op. 393, Suite no. 3 in G major, op. 55: I. Elégie: Andantino molto cantabile - Andante, Suite no. 3 in G major, op. 55: II. Valse mélancolique: Allegro moderato, Suite no. 3 in G major, op. 55: III. Scherzo: Presto, Suite no. 3 in G major, op. 55: IV. Tema con variazioni: Andante con moto, Symphonie No. 4 in G Dur: I. Bedachtig, nicht eilen, Symphonie No. 4 in G Dur: II. In gemachlicher Bewegung, ohne Hast, Symphonie No. 4 in G Dur: III. Ruhevoll, Symphonie No. 4 in G Dur: IV. Sehr Behaglich, Symphonie Nr. 1 c-Moll, op. 68: I. Un poco sostenuto - Allegro, Symphonie Nr. 1 c-Moll, op. 68: II. Andante sostenuto, Symphonie Nr. 1 c-Moll, op. 68: III. Un poco allegretto e grazioso, Symphonie Nr. 1 c-Moll, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio, Symphonie Nr. 29 A-Dur, KV 201: I. Allegro moderato, Symphonie Nr. 29 A-Dur, KV 201: II. Andante, Symphonie Nr. 29 A-Dur, KV 201: III. Menuetto, Symphonie Nr. 29 A-Dur, KV 201: IV. Allegro con spirito, Symphonie Nr. 7 in D-moll, Op. 70: I. Allegro maestoso, Symphonie Nr. 7 in D-moll, Op. 70: II. Poco adagio, Symphonie Nr. 7 in D-moll, Op. 70: III. Scherzo. Vivace - Poco meno mosso, Symphonie Nr. 7 in D-moll, Op. 70: IV. Finale. Allegro, Symphonie Nr. 8 in G-dur, Op. 88: I. Allegro con brio, Symphonie Nr. 8 in G-dur, Op. 88: II. Adagio, Symphonie Nr. 8 in G-dur, Op. 88: III. Allegretto grazioso - Molto vivace, Symphonie Nr. 8 in G-dur, Op. 88: IV. Allegro ma non troppo, Symphony No. 5: IV. Adagietto. Sehr langsam, Symphony No.9 'New World': Largo, Symphony no. 1 in E minor, op. 39: I. Andante - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante, Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Adagio cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre – Allegro moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Allegro moderato, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo. Allegro (pizzicato ostinato), Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco, Symphony no. 5 in B-flat major: I. Introduction: Adagio - Allegro. Mäßig, Symphony no. 5 in B-flat major: II. Sehr langsam, Symphony no. 5 in B-flat major: III. Scherzo: Molto vivace (schnell) - Trio: Im gleichen Tempo, Symphony no. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 8, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo (excerpt), Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Tales From the Vienna Woods, op. 325, Tapiola, op. 112, The Blue Danube, op. 314, The Gypsy Baron: Entrance March, Tod und Verklärung, op. 24, Transaktionen. Op. 184, Tritsch Tratsch Polka, Tritsch-Tratsch Polka, Polka schnell, Op. 214, Tritsch-Tratsch-Polka. Op. 214, Unter Donner und Blitz pp. 324, Unter Donner und Blitz, Polka-schnell, Op 324, Valse de l'Empereur, Valse à la Paganini, Vienna Blood, op. 354, Vélocipède, op. 259, Walzer à la Paganini, op. 11, We die Zitronen blüh’n, op. 364, Wellington's Victory, op. 91, Wiener Blut op. 354 (Walzer), Wiener Blut, op. 354, Wiener Bonbons op. 307 (Walzer), Wiener Bonbons, op. 307, « Orphée aux enfers »: Ouverture, »Die Fledermaus«: Ouvertüre, »Indigo und die vierzig Räuber«: Ouvertüre, Ägyptischer Marsch op. 335, Ägyptischer Marsch. Op. 335 |
| HOLYCHILD |
conductor |
An American in Paris, Capriccio Espagnol, op. 34: 1. Alborada, Capriccio Espagnol, op. 34: 2. Variazioni, Capriccio Espagnol, op. 34: 3. Alborada, Capriccio Espagnol, op. 34: 4. Scena e canto gitano, Capriccio Espagnol, op. 34: 5. Fandango asturiano, Cuban Overture, De L'Aube a Midi Sur la Mer, Dialogue du Vent et de la Mer, Don Juan, Op. 20, Egmont Overture, op. 84, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La Befana, Fetes, Jeux de Vagues, Le Marin D'un Jour de Fete, Le Sacre du printemps (excerpt), Les Parfums de la Nuit, Night On Bald Mountain, Nuages, Nutcracker Suite, op. 71A: Arabian Dance, Nutcracker Suite, op. 71A: Chinese Dance, Nutcracker Suite, op. 71A: Dance of the Mirlitons, Nutcracker Suite, op. 71A: Dance of the Sugar Plum Fairy, Nutcracker Suite, op. 71A: March, Nutcracker Suite, op. 71A: Miniature Overture, Nutcracker Suite, op. 71A: Russian Dance, Nutcracker Suite, op. 71A: Waltz of the Flowers, Par les Rues at Par les Chemins, Pictures at an Exhibition: Cum Mortuis In Lingua Mortua, Pictures at an Exhibition: I. Gnomus, Pictures at an Exhibition: II. Il Vecchio Castello (The Old Castle), Pictures at an Exhibition: III. Tuileries, Pictures at an Exhibition: IV. Bydlo, Pictures at an Exhibition: IX. Hut of Baba-Yagá / X. Great Gate of Kiev, Pictures at an Exhibition: IX. La Cabane Sur Des Pattes De Poule (The Hut On Fowl's Legs), Pictures at an Exhibition: Promenade, Pictures at an Exhibition: V. Ballet Des Poussins Dans Leurs Coques (Ballet Of The Chicks In Their Shells), Pictures at an Exhibition: VI. Samuel Goldenberg Et Schmuyle, Pictures at an Exhibition: VII. Limoges. Le Marché, Pictures at an Exhibition: VIII. Catacombae. Sepulchrum Romanum, Pictures at an Exhibition: X. La Grande Porte De Kiev (The Great Gate Of Kiev), Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Rhapsody in Blue, Romeo and Juliet, Romeo and Juliet, op. 64: Act I, Scene I. No. 1 Introduction, Romeo and Juliet, op. 64: Act I, Scene I. No. 2 Romeo, Romeo and Juliet, op. 64: Act I, Scene I. No. 3 The Street Awakens - No. 4 Morning Dance, Romeo and Juliet, op. 64: Act I, Scene I. No. 5 The Quarrel, Romeo and Juliet, op. 64: Act I, Scene I. No. 6 The Fight, Romeo and Juliet, op. 64: Act I, Scene I. No. 7 The Prince Gives His Order - No. 8 Interlude, Romeo and Juliet, op. 64: Act I, Scene II. No. 10 Juliet as a Young Girl, Romeo and Juliet, op. 64: Act I, Scene II. No. 11 Arrival of the Guests (Minuet), Romeo and Juliet, op. 64: Act I, Scene II. No. 12 Masks, Romeo and Juliet, op. 64: Act I, Scene II. No. 13 Dance of the Knights, Romeo and Juliet, op. 64: Act I, Scene II. No. 14 Juliet's Variation, Romeo and Juliet, op. 64: Act I, Scene II. No. 15 Mercutio, Romeo and Juliet, op. 64: Act I, Scene II. No. 16 Madrigal, Romeo and Juliet, op. 64: Act I, Scene II. No. 17 Tybalt Recognizes Romeo, Romeo and Juliet, op. 64: Act I, Scene II. No. 18 Departure of the Guests (Gavotte), Romeo and Juliet, op. 64: Act I, Scene II. No. 19 Balcony Scene - No. 20 Romeo's Variation - No. 21 Love Dance, Romeo and Juliet, op. 64: Act I, Scene II. No. 9 Preparing for the Ball (Juliet and the Nurse), Romeo and Juliet, op. 64: Act II, Scene I. No. 22 Folk Dance, Romeo and Juliet, op. 64: Act II, Scene I. No. 23 Romeo and Mercutio, Romeo and Juliet, op. 64: Act II, Scene I. No. 24 Dance of the Five Couples, Romeo and Juliet, op. 64: Act II, Scene I. No. 25 Dance With Mandolins, Romeo and Juliet, op. 64: Act II, Scene I. No. 26 The Nurse - No. 27 The Nurse Delivers Juliet's Message to Romeo, Romeo and Juliet, op. 64: Act II, Scene II. No. 28 Romeo at Friar Laurence's, Romeo and Juliet, op. 64: Act II, Scene II. No. 29 Juliet at Friar Laurence's, Romeo and Juliet, op. 64: Act II, Scene III. No. 30 The People Continue to Make Merry - No. 31 Further Public Festivities, Romeo and Juliet, op. 64: Act II, Scene III. No. 32 Tybalt Meets Mercutio - No. 33 Tybalt and Mercutio Fight - No. 34 Mercutio Dies, Romeo and Juliet, op. 64: Act II, Scene III. No. 35 Romeo Resolves to Avenge Mercutio's Death - No. 36 Finale, Romeo and Juliet, op. 64: Act III, Scene I. No. 37 Introduction, Romeo and Juliet, op. 64: Act III, Scene I. No. 38 Romeo and Juliet (Juliet's Bedroom) - No. 39 The Last Farewell, Romeo and Juliet, op. 64: Act III, Scene I. No. 40 The Nurse, Romeo and Juliet, op. 64: Act III, Scene I. No. 41 Juliet Refuses to Marry Paris, Romeo and Juliet, op. 64: Act III, Scene I. No. 42 Juliet Alone - No. 43 Interlude, Romeo and Juliet, op. 64: Act III, Scene II. No. 44 At Friar Laurence's - No. 45 Interlude, Romeo and Juliet, op. 64: Act III, Scene III. No. 46 Again in Juliet's Bedroom, Romeo and Juliet, op. 64: Act III, Scene III. No. 47 Juliet Alone, Romeo and Juliet, op. 64: Act III, Scene III. No. 48 Morning Serenade, Romeo and Juliet, op. 64: Act III, Scene III. No. 49 Dance of the Girls With Lilies, Romeo and Juliet, op. 64: Act III, Scene III. No. 50 At Juliet's Bedside, Romeo and Juliet, op. 64: Act IV (Epilogue). No. 51 Juliet's Funeral - No. 52 Juliet's Death, Russian Easter Festival Overture, op. 36, Sirenes, Suite From "Le Coq D'or": I. King Dodon n His Palace, Suite From "Le Coq D'or": II. King Dodon on the Battlefield, Suite From "Le Coq D'or": III. King Dodon With the Queen of Shemakha, Suite From "Le Coq D'or": IV. The Marriage Feast and Lamentable End of King Dodon, Symphonie Fantastique, op. 14: Marche au supplice, Symphonie Fantastique, op. 14: Rêveries. Passions, Symphonie Fantastique, op. 14: Scène aux champs, Symphonie Fantastique, op. 14: Songe d’une nuit du Sabbat, Symphonie Fantastique, op. 14: Un Bal, Symphonie fantastique : Marche au supplice, Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso, Symphony no. 1 in C major, op. 21: I. Adagio molto: Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio: Allegro molto e vivace, Symphony no. 2 in D major, op. 36: I. Adagio molto; Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funèbre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato-Allegro, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4: III-IV (excerpt), Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo (excerpt), Symphony no. 5 in E minor, op. 64: I. Andante – Allegro, Symphony no. 5 in E minor, op. 64: II. Andante Cantabile, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace, Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso, Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto; Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, The Pines of Rome: At Villa Borghese, The Pines of Rome: By a Catacomb, The Pines of Rome: On the Appian Way, The Pines of Rome: On the Janiculum, The Rite of Spring: L'Adoration de la terre, The Rite of Spring: Le Sacrifice, The Rite of Spring: Part One: The Adoration of the Earth: Dance of the Earth, The Rite of Spring: Part One: The Adoration of the Earth: Game of Abduction, The Rite of Spring: Part One: The Adoration of the Earth: Games of Rival Tribes, The Rite of Spring: Part One: The Adoration of the Earth: Introduction, The Rite of Spring: Part One: The Adoration of the Earth: Procession of the Sage, The Rite of Spring: Part One: The Adoration of the Earth: Spring Rounds, The Rite of Spring: Part One: The Adoration of the Earth: The Auguries of Spring / Dances of the Adolescent Girls, The Rite of Spring: Part One: The Adoration of the Earth: The Sage, The Rite of Spring: Part Two: The Sacrifice: Evocation of the Elders, The Rite of Spring: Part Two: The Sacrifice: Glorification of the Chosen One, The Rite of Spring: Part Two: The Sacrifice: Introduction ("Pagan Night"), The Rite of Spring: Part Two: The Sacrifice: Mystic Circles of the Young Girls, The Rite of Spring: Part Two: The Sacrifice: Ritual Action of the Elders, The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One), The Rite of Spring: The Adoration of the Earth, The Rite of Spring: The Sacrifice, Till Eulenspeigels Lustige Streiche, Op. 28, Tod und Verklärung, Op. 24 |
| Freddy Strong |
conductor |
12 Contredanses for Orchestra, WoO 14: No. 1 in C major, 12 Contredanses for Orchestra, WoO 14: No. 10 in C major, 12 Contredanses for Orchestra, WoO 14: No. 11 in G major, 12 Contredanses for Orchestra, WoO 14: No. 12 in E-flat major, 12 Contredanses for Orchestra, WoO 14: No. 2 in A major, 12 Contredanses for Orchestra, WoO 14: No. 3 in D major, 12 Contredanses for Orchestra, WoO 14: No. 4 in B-flat major, 12 Contredanses for Orchestra, WoO 14: No. 5 in E-flat major, 12 Contredanses for Orchestra, WoO 14: No. 6 in C major, 12 Contredanses for Orchestra, WoO 14: No. 7 in E-flat major, 12 Contredanses for Orchestra, WoO 14: No. 8 in C major, 12 Contredanses for Orchestra, WoO 14: No. 9 in A major, Capriccio espagnol, op. 34: 1. Alborada. Vivo e strepitoso, Capriccio espagnol, op. 34: 2. Variazioni. Andante con moto, Capriccio espagnol, op. 34: 3. Alborada. Vivo e strepitoso, Capriccio espagnol, op. 34: 4. Scena e canto gitano. Allegretto, Capriccio espagnol, op. 34: 5. Fandango asturiano, Danse slave, op. 72 no. 2 (extrait), Götterdämmerung: Siegfried's Rhine journey, (Dawn and Siegfried's Rhine Journey), Konzert für Orchester, Sz 116: I. (Introduzione) Andante non troppo - Allegro vivace, Konzert für Orchester, Sz 116: II. (Giuoco delle coppie) Allegretto scherzando, Konzert für Orchester, Sz 116: III. (Elegia) Andante, non troppo, Konzert für Orchester, Sz 116: IV. (Intermezzo interrotto) Allegretto, Konzert für Orchester, Sz 116: V. (Finale) Pesante - Presto, Lohengrin - Prelude to Act III, Night on Bald Mountain, Overture "The Consecration of the House", op. 124, Pini di Roma: 1. I pini di Villa Borghese, Pini di Roma: 2. Pini presso una catacomba, Pini di Roma: 3. I pini del Gianicolo, Pini di Roma: 4. I pini della Via Appia, Romeo and Juliet, Romeo and Juliet: Dance, Romeo and Juliet: Dance of the Girls from the Antilles, Romeo and Juliet: Romeo at Juliet’s Tomb, Romeo and Juliet: The Montagues and the Capulets, Romeo and Juliet: Tybalt’s Death, Roméo et Juliette, op. 17: Grande fête chez Capulet, Roméo et Juliette, op. 17: La reine Mab. Scherzo, Roméo et Juliette, op. 17: Roméo au tombeau des Capulets, Roméo et Juliette, op. 17: Scène d’amour, Slavonic Dances, B. 83: No. 1 in B major: Ozdemek (Molto vivace), Slavonic Dances, op. 46: no. 1 in C (Furiant), Slavonic Dances, op. 46: no. 2 in E minor (Dumka), Slavonic Dances, op. 46: no. 3 in A-flat (Polka), Slavonic Dances, op. 46: no. 4 in F (Sousedská), Slavonic Dances, op. 46: no. 5 in A (Skočná), Slavonic Dances, op. 46: no. 6 in D (Sousedská), Slavonic Dances, op. 46: no. 7 in C minor (Skočná), Slavonic Dances, op. 46: no. 8 in G minor (Furiant), Slavonic Dances, op. 72: no. 1 in B (Odzemek), Slavonic Dances, op. 72: no. 2 in E minor (Dumka), Slavonic Dances, op. 72: no. 3 in F (Skočná), Slavonic Dances, op. 72: no. 4 in D-flat (Dumka), Slavonic Dances, op. 72: no. 5 in B-flat minor (Špacírka), Slavonic Dances, op. 72: no. 6 in B-flat (Polonaise), Slavonic Dances, op. 72: no. 7 in C (Kolo), Slavonic Dances, op. 72: no. 8 in A-flat (Sousedská), Symphony No. 6 in F major, op. 68 “Pastoral”: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Symphony No. 6 in F major, op. 68 “Pastoral”: 2. Szene am Bach, Symphony No. 6 in F major, op. 68 “Pastoral”: 3. Lustiges Zusammensein der Landleute, Symphony No. 6 in F major, op. 68 “Pastoral”: 4. Gewitter – Sturm, Symphony No. 6 in F major, op. 68 “Pastoral”: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony no. 1 in D minor, op. 13: I. Grave – Allegro ma non troppo – Allegro vivace, Symphony no. 1 in D minor, op. 13: II. Allegro animato, Symphony no. 1 in D minor, op. 13: III. Larghetto, Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco, Symphony no. 2 in B-flat major, D. 125: 1. Largo – Allegro vivace, Symphony no. 2 in B-flat major, D. 125: 2. Andante – Variationen I–V, Symphony no. 2 in B-flat major, D. 125: 3. Menuetto. Allegro vivace – Trio, Symphony no. 2 in B-flat major, D. 125: 4. Presto vivace, Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Symphony no. 3 in A minor, op. 44: I. Lento – Allegro moderato – Allegro, Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo – Allegro vivace, Symphony no. 3 in A minor, op. 44: III. Allegro – Allegro vivace, Symphony no. 3 in D major, D. 200: 1. Adagio maestoso – Allegro con brio, Symphony no. 3 in D major, D. 200: 2. Allegretto, Symphony no. 3 in D major, D. 200: 3. Menuetto. Vivace, Symphony no. 3 in D major, D. 200: 4. Presto vivace, Symphony no. 3 in F major, op. 90: 1. Allegro con brio, Symphony no. 3 in F major, op. 90: 2. Andante, Symphony no. 3 in F major, op. 90: 3. Poco allegretto, Symphony no. 3 in F major, op. 90: 4. Allegro, Symphony no. 4 in A major, op. 90 "Italian": 1. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": 2. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": 3. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": 4. Saltarello. Presto, Symphony no. 4 in C minor, D. 417 "Tragic": 1. Adagio molto – Allegro vivace, Symphony no. 4 in C minor, D. 417 "Tragic": 2. Andante, Symphony no. 4 in C minor, D. 417 "Tragic": 3. Menuetto. Allegro vivace – Trio, Symphony no. 4 in C minor, D. 417 "Tragic": 4. Allegro, Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima, Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: 3. Scherzo (Pizzicato ostinato). Allegro, Symphony no. 5 in B-flat major, D. 485: 1. Allegro, Symphony no. 5 in B-flat major, D. 485: 2. Andante con moto, Symphony no. 5 in B-flat major, D. 485: 3. Menuetto. Allegro molto – Trio, Symphony no. 5 in B-flat major, D. 485: 4. Allegro vivace, Symphony no. 5 in C minor, op. 67: 1. Allegro con brio, Symphony no. 5 in C minor, op. 67: 2. Andante con moto, Symphony no. 5 in C minor, op. 67: 3. Allegro, Symphony no. 5 in C minor, op. 67: 4. Allegro, Symphony no. 5 in D major, op. 107 "Reformation": 1. Allegro – Allegro con fuoco, Symphony no. 5 in D major, op. 107 "Reformation": 2. Allegro vivace, Symphony no. 5 in D major, op. 107 "Reformation": 3. Andante, Symphony no. 5 in D major, op. 107 "Reformation": 4. Chorale “Ein feste Burg ist unser Gott”. Andante con moto – Allegro maestoso, Symphony no. 6 in C major D. 589 "Little C major Symphony" 4. Allegro moderato, Symphony no. 6 in C major D. 589 "Little C major Symphony": 1. Adagio – Allegro, Symphony no. 6 in C major D. 589 "Little C major Symphony": 2. Andante, Symphony no. 6 in C major D. 589 "Little C major Symphony": 3. Scherzo. Presto – Più lento, Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: 2. Andante con moto, Symphony no. 8: Adagio. Feierlich langsam, doch nicht schleppend, Symphony no. 8: Allegro moderato, Symphony no. 8: Finale. Feierlich, nicht schnell, Symphony no. 8: Scherzo. Allegro moderato-Trio. Langsam, The Isle of the Dead, op. 29: Lento — Tranquillo — Largo — Allegro molto — Largo — Tempo I, The Rock, op. 7, Tragic Overture, op. 81, Vocalise, op. 34 no. 14: Lentamente |
| Clarinette |
conductor |
Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: IX. Das Nachtwandlerlied, Also sprach Zarathustra, op. 30: V. Das Grablied, Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, op. 30: VII. Der Genesende, Also sprach Zarathustra, op. 30: VIII. Das Tanzlied, Also sprach Zarathustra: Introduction, Don Juan, op. 20, L'oiseau de feu (Suite in der Fassung von 1919): I. Introduction, L'oiseau de feu (Suite in der Fassung von 1919): II. L'oiseau de feu et sa danse, L'oiseau de feu (Suite in der Fassung von 1919): III. Variation de l'oiseau de feu, L'oiseau de feu (Suite in der Fassung von 1919): IV. Ronde des princesses, L'oiseau de feu (Suite in der Fassung von 1919): V. Danse infernale du roi Kastchei, L'oiseau de feu (Suite in der Fassung von 1919): VI. Berceuse, L'oiseau de feu (Suite in der Fassung von 1919): VII. Final, Le sacre du printemps: I. L'adoration dela terre, Le sacre du printemps: II. Le sacrifice, Rosenkavalier Suite, op. 59, Sinfonia domestica, Op. 53: Adagio (Langsam), Sinfonia domestica, Op. 53: Finale (Sehr lebhaft), Sinfonia domestica, Op. 53: Mässig langsam (Wiegenlied), Sinfonia domestica, Op. 53: Scherzo (Munter), Sinfonia domestica, Op. 53: Thema I: Bewegt, Sinfonia domestica, Op. 53: Thema II: (Sehr lebhaft), Sinfonia domestica, Op. 53: Thema III: (Ruhig), Symphonie D-moll, WAB 100 (annullierte 2. Symphonie 1869 ed. L. Nowak): I. Allegro, Symphonie D-moll, WAB 100 (annullierte 2. Symphonie 1869 ed. L. Nowak): II. Andante, Symphonie D-moll, WAB 100 (annullierte 2. Symphonie 1869 ed. L. Nowak): III. Scherzo: Presto - Trio: Langsamer und ruhiger, Symphonie D-moll, WAB 100 (annullierte 2. Symphonie 1869 ed. L. Nowak): IV. Finale: Moderato - Allegro vivace, Symphonie No.1 C-dur op. 21: Adagio molto - Allegro con brio, Symphonie No.1 C-dur op. 21: Andante cantabile con moto, Symphonie No.1 C-dur op. 21: Finale - Adagio - Allegro molto e vivace, Symphonie No.1 C-dur op. 21: Menuetto. Allegro molto e vivace, Symphonie No.2 D-dur op. 36: Adagio molto - Allegro con brio, Symphonie No.2 D-dur op. 36: Allegro molto, Symphonie No.2 D-dur op. 36: Larghetto, Symphonie No.2 D-dur op. 36: Scherzo. Allegro, Symphonie No.3 Es-Dur, op. 55: Allegro con brio, Symphonie No.3 Es-Dur, op. 55: Finale, Allegro molto, Poco Andante, Presto, Symphonie No.3 Es-Dur, op. 55: Marcia funebre, Adagio assai, Symphonie No.3 Es-Dur, op. 55: Scherzo, Allegro vivace, Alla breve, Symphonie No.4 B-Dur, op. 60: Adagio, Symphonie No.4 B-Dur, op. 60: Adagio - Allegro vivace, Symphonie No.4 B-Dur, op. 60: Allegro ma non troppo, Symphonie No.4 B-Dur, op. 60: Menuetto. Allegro vivace - Trio. Un poco meno allegro. Tempo primo, Symphonie No.5 c-moll, op. 67: Allegro con brio, Symphonie No.5 c-moll, op. 67: Allegro. Allegro presto, Symphonie No.5 c-moll, op. 67: Andante con moto, Symphonie No.6 F-dur op. 68 "Pastorale": Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo, Symphonie No.6 F-dur op. 68 "Pastorale": Lustiges Zusammensein der Landleute.Allegro; Gewitter, Sturm. Allegro; Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto, Symphonie No.6 F-dur op. 68 "Pastorale": Szene am Bach. Andante molto mosso, Symphonie No.7 A-Dur, op. 92: Allegretto, Symphonie No.7 A-Dur, op. 92: Allegro con brio, Symphonie No.7 A-Dur, op. 92: Poco sostenuto, Symphonie No.7 A-Dur, op. 92: Presto, Symphonie No.8 F-dur op. 93: Allegretto scherzando, Symphonie No.8 F-dur op. 93: Allegro vivace, Symphonie No.8 F-dur op. 93: Allegro vivace e con brio, Symphonie No.8 F-dur op. 93: Tempo di Menuetto, Symphonie No.9 d-moll op. 125: Adagio molto e cantabile - Andante moderato, Symphonie No.9 d-moll op. 125: Allegro ma non troppo, un poco maestoso, Symphonie No.9 d-moll op. 125: Molto vivace, Presto, Symphony Nr. 1 in C-moll, WAB 101 („Linzer Fassung“ rev. 1877 ed. L. Nowak): I. Allegro, Symphony Nr. 1 in C-moll, WAB 101 („Linzer Fassung“ rev. 1877 ed. L. Nowak): II. Adagio, Symphony Nr. 1 in C-moll, WAB 101 („Linzer Fassung“ rev. 1877 ed. L. Nowak): III. Scherzo: Schnell - Trio: Langsamer, Symphony Nr. 1 in C-moll, WAB 101 („Linzer Fassung“ rev. 1877 ed. L. Nowak): IV. Finale: Bewegt, feurig, Symphony Nr. 2 in C-moll, WAB 102 (rev. 1877 ed. L. Nowak): I. Moderato, Symphony Nr. 2 in C-moll, WAB 102 (rev. 1877 ed. L. Nowak): II. Andante: Feierlich, etwas bewegt, Symphony Nr. 2 in C-moll, WAB 102 (rev. 1877 ed. L. Nowak): III. Scherzo: Mäßig schnell - Trio: Gleiches Tempo, Symphony Nr. 2 in C-moll, WAB 102 (rev. 1877 ed. L. Nowak): IV. Finale: Mehr schnell, Symphony Nr. 3 in D-moll, WAB 103 (3. rev. 1889 ed. L. Nowak): I. Mehr langsam - Misterioso, Symphony Nr. 3 in D-moll, WAB 103 (3. rev. 1889 ed. L. Nowak): II. Adagio: Bewegt, quasi Andante, Symphony Nr. 3 in D-moll, WAB 103 (3. rev. 1889 ed. L. Nowak): III. Scherzo & Trio: Ziemlich schnell, Symphony Nr. 3 in D-moll, WAB 103 (3. rev. 1889 ed. L. Nowak): IV. Finale: Allegro, Symphony Nr. 5 in B-dur, WAB 105 (ed. L. Nowak): I. Introduktion: Adagio - Allegro, Symphony Nr. 5 in B-dur, WAB 105 (ed. L. Nowak): II. Adagio: Sehr langsam, Symphony Nr. 5 in B-dur, WAB 105 (ed. L. Nowak): III. Scherzo: Molto vivace (Schnell) - Trio: Im gleichen Tempo, Symphony Nr. 5 in B-dur, WAB 105 (ed. L. Nowak): IV. Finale: Adagio - Allegro moderato, Symphony Nr. 6 in A-dur, WAB 106 (ed. L. Nowak): I. Majestoso - Bedeutend langsamer, Symphony Nr. 6 in A-dur, WAB 106 (ed. L. Nowak): II. Adagio: Sehr feierlich, Symphony Nr. 6 in A-dur, WAB 106 (ed. L. Nowak): III. Scherzo: Nicht schnell - Trio: Langsam, Symphony Nr. 6 in A-dur, WAB 106 (ed. L. Nowak): IV. Finale: Bewegt, doch nicht zu schnell, Symphony Nr. 7 in E-dur, WAB 107 (ed. L. Nowak): I. Allegro moderato, Symphony Nr. 7 in E-dur, WAB 107 (ed. L. Nowak): II. Adagio: Sehr feierlich und sehr langsam, Symphony Nr. 7 in E-dur, WAB 107 (ed. L. Nowak): III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony Nr. 7 in E-dur, WAB 107 (ed. L. Nowak): IV. Finale: Bewegt, doch nicht zu schnell, Symphony Nr. 8 in C-moll, WAB 108 (2. rev. 1887-1890 ed. L. Nowak): I. Allegro moderato, Symphony Nr. 8 in C-moll, WAB 108 (2. rev. 1887-1890 ed. L. Nowak): II. Scherzo: Allegro moderato - Trio: Langsam, Symphony Nr. 8 in C-moll, WAB 108 (2. rev. 1887-1890 ed. L. Nowak): III. Adagio: Feierlich langsam, doch nicht schleppend, Symphony Nr. 8 in C-moll, WAB 108 (2. rev. 1887-1890 ed. L. Nowak): IV. Finale: Feierlich, nicht schnell - Langsamer, Symphony Nr. 9 in D-moll, WAB 109 (ed. L. Nowak): I. Feierlich: Misterioso, Symphony Nr. 9 in D-moll, WAB 109 (ed. L. Nowak): II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony Nr. 9 in D-moll, WAB 109 (ed. L. Nowak): III. Adagio: Langsam, feierlich, Tod und Verklärung, Op. 24, „Romantische“ Symphony Nr. 4 in Es-dur, WAB 104 (2. rev. 1878-1880 ed. L. Nowak): I. Bewegt, nicht zu schnell, „Romantische“ Symphony Nr. 4 in Es-dur, WAB 104 (2. rev. 1878-1880 ed. L. Nowak): II. Andante quasi Allegretto, „Romantische“ Symphony Nr. 4 in Es-dur, WAB 104 (2. rev. 1878-1880 ed. L. Nowak): III. Scherzo: Bewegt - Trio: Nicht zu schnell - Keineswegs schleppend, „Romantische“ Symphony Nr. 4 in Es-dur, WAB 104 (2. rev. 1878-1880 ed. L. Nowak): IV. Finale: Bewegt, doch nicht zu schnell |
| Georges Bizet |
conductor |
Carmen: A deux cuartos! A deux cuartos!, Carmen: Acte I: Chanson et Duo: Près des remparts de Séville / Tais-toi, Carmen: Acte I: Chanson et mélodrame: Tra la la, Carmen: Acte I: Choeur et scène: La cloche a sonné / Dans l'air, nous suivons des yeux la fumée / Mais nous ne voyons pas la Carmencita!, Carmen: Acte I: Choeur: Au secours!, Carmen: Acte I: Dialogue: Ce ne sont pas des chansons que je te demande, Carmen: Acte I: Dialogue: Il y a une jolie fille qui est venue te demander / Choeur des gamins: Et la garde descendante / Dialogue: Dites-moi, brigadier, Carmen: Acte I: Dialogue: Michaëla! Qu'est-ce que tu fais ici?, Carmen: Acte I: Dialogue: Mon enfant, je commence à me faire bien vieille...", Carmen: Acte I: Dialogue: Prenez garde!, Carmen: Acte I: Dialogue: Voyons brigadier, Carmen: Acte I: Duo: Parle-moi de ma mère!, Carmen: Acte I: Final: Voici l'ordre, Carmen: Acte I: Introduction: Sur la place chacun passe, Carmen: Acte I: Marche et choeur des gamins: Avec la garde montante nous arrivons, nous voilà, Carmen: Acte I: Scène: Carmen! Sur tes pas nous nous pressons tous!, Carmen: Acte II: Chanson: Halte-la! Qui va la? Dragon d'Alcala, Carmen: Acte II: Chanson: Les tringles des sistres tintaient, Carmen: Acte II: Choeur et Ensemble: Vivat! vivat le torero!, Carmen: Acte II: Couplets: Votre toast, je peux vous le render, senors / Toreador, en garde!, Carmen: Acte II: Dialogue: Amoureuse / Ce n'est pas une raison ca, Carmen: Acte II: Dialogue: Dis-moi ton nom, Carmen: Acte II: Dialogue: Enfin, c'est tou - Je viens a peine de sortir de prison, Carmen: Acte II: Dialogue: Messieurs les officiers, pardonnez-moi, mais je vous ai deja dit que vous deviez partir, Carmen: Acte II: Dialogue: Sortez dehors! Allez, tout le monde dehors!, Carmen: Acte II: Dialogue: Tu devrais decider ton dragon a venir avec nous, Carmen: Acte II: Duo: Je vais danser en votre honneur, Carmen: Acte II: Finale: Hola! Carmen! hola!, Carmen: Acte II: La fleur que tu m'avais jetee, Carmen: Acte II: Non! tu ne m'aimes pas! / La-bas, la-bas tu me suivrais!, Carmen: Acte II: Quintette: Nous avons en tete une affaire!, Carmen: Acte II: Toreador, en garde!, Carmen: Acte III: Air: Je dis que rien ne m'épouvante, Carmen: Acte III: Dialogue: Eh, Carmen! laisse!, Carmen: Acte III: Dialogue: Halte! nous allons nous arreter ici, Carmen: Acte III: Dialogue: Ne venez pas. Ils viennent de partir, Carmen: Acte III: Dialogue: Un peu plus bas et vous me faisiez sauter la tête!, Carmen: Acte III: Duo: Je suis Escamillo, torero de Grenade!, Carmen: Acte III: Final: Holà! holà! José!, Carmen: Acte III: Introduction: Ecoute, compagnon, ecoute, Carmen: Acte III: Morceau d'ensemble: Quant au douanier, c'est notre affaire!, Carmen: Acte III: Trio: Mêlons! - Coupons!, Carmen: Acte IV: Choeur et Scene: Les voici! les voici! Voici la quadrille! / Si tu m'aimes, Carmen, tu pourrras, tout a l'heure, etre fiere de moi!, Carmen: Acte IV: Choeur: A dos cuartos! A dos cuartos!, Carmen: Acte IV: Duo final: C'est toi! - C'est moi!, Carmen: Au secours! Au secours!, Carmen: Avec la garde montante, Carmen: C'est toi! C'est moi!, Carmen: Carmen, sur tes pas nous, Carmen: Entr'acte, Carmen: Entracte, Carmen: Halte-la! Qui va la?, Carmen: Holà! Carmen!, Carmen: Holà! holà! José!, Carmen: Je dis que rien ne m'epouvante, Carmen: Je suis Escamillo, Carmen: Je vais dancer en votre honneur, Carmen: L'amour est un oiseau rebelle, Carmen: La cloche a sonne, Carmen: La fleur que tu m'avais jetée, Carmen: Les tringles des sistres tintaient, Carmen: Les voici! Les voici!, Carmen: Mêlons! Mêlons!, Carmen: Non, tu ne m'aimes pas, Carmen: Nous avons en tete, Carmen: Parle-moi de ma mere, Carmen: Prelude, Carmen: Pres des remparts de Seville, Carmen: Prélude, Carmen: Quant au douanier, c'est notre affaire, Carmen: Sur la place, chacun passe, Carmen: Toreador, en garde!, Carmen: Tralalala lalalala, Carmen: Vivat! Vivat le Torero!, Carmen: Voici l'odre, Carmen: Votre toast, je peux vous le rendre, Carmen: Écoute, écoute, Toreador's Song from 'Carmen' |
| Police Truck |
conductor |
Academic Festival Overture for Orchestra in C minor, op. 80, Jeux d'enfants: Berceuse - la poupée, Jeux d'enfants: Duo - petite mari, petite femme, Jeux d'enfants: Galop - le bal, Jeux d'enfants: Impromptu - la toupie, Jeux d'enfants: Marche - trompette et tambour, L'Arlésienne - Suite no. 1: Adagietto, L'Arlésienne - Suite no. 1: Carillon, L'Arlésienne - Suite no. 1: Minuetto, L'Arlésienne - Suite no. 1: Prélude, L'Arlésienne - Suite no. 2: Farandole, L'Arlésienne - Suite no. 2: Menuet, L'Arlésienne - Suite no. 2: Pastorale, Romeo and Juliet: Dance of the Knights, Symphonie Fantastique: A Ball, Symphonie Fantastique: Dreams, Passions, Symphonie Fantastique: March to the Scaffold -- Dream of a Witches' Sabbath, Symphonie Fantastique: Scene in the Meadows, Symphony in D minor: I. Lento - Allegro non troppo, Symphony in D minor: II. Allegretto - Poco più lento - Tempo I, Symphony in D minor: III. Allegro non troppo, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, The Rite of Spring, Part I "The Adoration of the Earth": Dances of the Earth, The Rite of Spring, Part I "The Adoration of the Earth": Games of Abduction, The Rite of Spring, Part I "The Adoration of the Earth": Games of Rival Tribes, The Rite of Spring, Part I "The Adoration of the Earth": Introduction, The Rite of Spring, Part I "The Adoration of the Earth": Procession of the Sage, The Rite of Spring, Part I "The Adoration of the Earth": Spring Rounds, The Rite of Spring, Part I "The Adoration of the Earth": The Auguries of Spring/Dances of the Adolescent Girls, The Rite of Spring, Part I "The Adoration of the Earth": The Sage, The Rite of Spring, Part II "The Sacrifice": Evocation of the Elders, The Rite of Spring, Part II "The Sacrifice": Glorification of the Chosen One, The Rite of Spring, Part II "The Sacrifice": Introduction (The Pagan Night), The Rite of Spring, Part II "The Sacrifice": Mystic Circles of the Young Girls, The Rite of Spring, Part II "The Sacrifice": Ritual Action of the Elders, The Rite of Spring, Part II "The Sacrifice": Sacrificial Dances (The Chosen One), Tragic Overture, op. 81, Variations on a Theme of Haydn (St. Antoni Chorale), op. 56a |
| Giacomo Puccini |
conductor |
La Rondine: Act III, Love Duet, Madama Butterfly: Act I. America for ever!, Madama Butterfly: Act I. Bimba, bimba, non piangere, Madama Butterfly: Act I. Cio-Cio-San!... Cio-Cio San!, Madama Butterfly: Act I. Dovunque al mondo, Madama Butterfly: Act I. E Soffitto... e Pareti, Madama Butterfly: Act I. Ecco! Son giunte al sommo del pendio, Madama Butterfly: Act I. Gran ventura, Madama Butterfly: Act I. Ier l'altro, il Consolato, Madama Butterfly: Act I. Ieri son salita, Madama Butterfly: Act I. L'Imperial Commissario, Madama Butterfly: Act I. O Kami! O Kami!, Madama Butterfly: Act I. Sorride Vostro Onore?, Madama Butterfly: Act I. Tutti zitti!, Madama Butterfly: Act I. Viene la sera, Madama Butterfly: Act I. Vieni, amor mio!, Madama Butterfly: Act I. Vogliatemi bene, Madama Butterfly: Act II. (fischi d'uccelli dal giardino), Madama Butterfly: Act II. (È notte; i raggi lunari illuminano dall'esterno lo shosi), Madama Butterfly: Act II. Addio fiorito asil, Madama Butterfly: Act II. C'è. Entrate., Madama Butterfly: Act II. Che tua madre dovrà, Madama Butterfly: Act II. Chi sia?, Madama Butterfly: Act II. Come una mosca prigioniera, Madama Butterfly: Act II. Con onor muore, Madama Butterfly: Act II. E Izaghi ed Izanami, Madama Butterfly: Act II. E questo? E questo?, Madama Butterfly: Act II. Ebbene, che fareste, Madama Butterfly: Act II. Già il sole!, Madama Butterfly: Act II. Lo so che alle sue pene, Madama Butterfly: Act II. Non lo sapete insomma, Madama Butterfly: Act II. Non ve l'avevo detto?, Madama Butterfly: Act II. Or vienmi ad adornar, Madama Butterfly: Act II. Ora a noi, Madama Butterfly: Act II. Scuoti quella fronda di ciliegio, Madama Butterfly: Act II. Si sa che aprir la porta, Madama Butterfly: Act II. Suzuki! Dove sei?, Madama Butterfly: Act II. Szene 2, Madama Butterfly: Act II. Tu, Suzuki, che sei tanto buona, Madama Butterfly: Act II. Udiste?, Madama Butterfly: Act II. Una nave da guerra, Madama Butterfly: Act II. Vespa! Rospo maledetto!, Madama Butterfly: Flower Duet, Madame Butterfly: Duo des Fleurs, O mio babbino caro, Turandot: "In questa reggia", Turandot: In questa reggia, Turandot: Nessun Dorma, Turandot: Signore, ascolta |
| Giuseppe Verdi |
conductor |
Act 1: Ah, fu giusto il mio sospetto, Act 1: Che mai narrasti, Act 1: Costarti, o vecchio debole, Act 1: Del conte di Walter, Act 1: Duchessa, dall'aule raggianti, Act 1: Ecco mia figlia, Act 1: Ferma ed ascolta, Act 1: Fra' mortali ancora oppressa, Act 1: I cenni miei si compiano, Act 1: Il mio sangue, la vita, Act 1: Introduzione, Act 1: Lo vidi, e 'l primo palpito, Act 1: Padre, m'abbraccia, Act 1: Quale un sorriso d'amica sorte, Act 1: Sacra la scelta, Act 1: Sciogliete i levrieri, Act 1: T'amo d'amor, Act 1: Ti desta, Luisa, Act 1: Tu, tu, signor, Act 2: A brani, o perfido, Act 2: Ah, Luisa, ove sei, Act 2: Di me chiedeste, Act 2: Egli delira, Act 2: Il foglio dunque, Act 2: Il padre tuo, Act 2: L'alto retaggio, Act 2: L'ara, o l'avello, Act 2: Presentarti alla Duchessa, Act 2: Quando le sere al placido, Act 2: Qui nulla s'attenta, Act 2: Tu puniscimi, o Signore, Act 2: Vien la Duchessa, Act 3: Ah, l'ultima preghiera, Act 3: Andrem, raminghi e poveri, Act 3: Coro d'introduzione, Act 3: Donna, per noi terribile ora, Act 3: La tomba è un letto, Act 3: O dolce amica, Act 3: Padre, ricevi l'estremo addio, Act 3: Pallida, mesta sei, Act 3: Piangi, piangi, Luisa Miller / Act 2 - Oh! fede negar potessi - Quando le sere, Otello, opera: Esultate!, Otello, opera: Messeri! il Doge, Overture |
| George Gershwin |
conductor |
Porgy and Bess: Act I, Scene I. "A woman is a sometime thing (Lissen to yo' daddy warn you)", Porgy and Bess: Act I, Scene I. "Oh, little stars" - "Touch that money an' meet yo' Gawd!", Porgy and Bess: Act I, Scene I. "Summertime" - "Oh, nobody knows when the Lawd is goin' to call..." - "I been sweatin' all day", Porgy and Bess: Act I, Scene I. "They pass by singin'" - "Here comes Big Boy!" - "Don't you ever let a woman grieve you", Porgy and Bess: Act I, Scene I. "Wake up an' hit it out" - "That you, Sportin' Life?", Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Blues, Porgy and Bess: Act I, Scene I. “Here come de honey man” – “Here’s the ol’ crap shark“, Porgy and Bess: Act I, Scene II. "Gone, gone, gone (Where is brudder Robbins?)", Porgy and Bess: Act I, Scene II. "Headin' for the Promis' Lan'", Porgy and Bess: Act I, Scene II. "My man's gone now" - "How de saucer stan' now, my sister?", Porgy and Bess: Act I, Scene II. "Overflow, overflow" - "Gawd got plenty of money for de saucer", Porgy and Bess: Act I, Scene II. "Um! A saucer-burial setup, I see", Porgy and Bess: Act II, Scene I. "I hates yo' struttin' style" - "Mornin', lawyer, lookin' for somebody?" - "Dey's a Buckra comin'", Porgy and Bess: Act II, Scene I. "It takes a long pull to get there", Porgy and Bess: Act II, Scene I. "Oh, I can't sit down", Porgy and Bess: Act II, Scene I. Buzzard Song – “Lo, Bess, goin’ to picnic?”, Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” – “Lissen there, what I tells you”, Porgy and Bess: Act II, Scene II. "I ain't got no shame", Porgy and Bess: Act II, Scene II. "It ain't necessarily so" - "Shame on all you sinners" - "Bess!...Crown!...", Porgy and Bess: Act II, Scene II. "Oh, what you want wid Bess?", Porgy and Bess: Act II, Scene III. "Honey, dat's all de breakfast I got time for" - "Take yo' han's off me, I say", Porgy and Bess: Act II, Scene III. "I loves you, Porgy", Porgy and Bess: Act II, Scene III. "Oh dey's so fresh an' fine" - "I'm talkin' about devil crabs", Porgy and Bess: Act II, Scene III. "Oh, Doctor Jesus", Porgy and Bess: Act II, Scene III. "Porgy, Porgy, dat you there", Porgy and Bess: Act II, Scene III. "Why you been out on that wharf", Porgy and Bess: Act II, Scene IV. "A red-headed woman" - "Jake's boat in de river" - "Oh, Doctor Jesus", Porgy and Bess: Act II, Scene IV. "Oh, Doctor Jesus", Porgy and Bess: Act II, Scene IV. "Oh, de Lawd shake de heavens" - "One of dese mornings you goin' to rise up singin'", Porgy and Bess: Act II, Scene IV. "Oh, dere's somebody knockin' at de do'" - "You is a nice parcel of Christians...", Porgy and Bess: Act III, Scene I. "Clara, Clara, don't you be downhearted" - "Crown, Crown, don't you..." - "Summertime", Porgy and Bess: Act III, Scene I. Interlude (Death of Crown), Porgy and Bess: Act III, Scene II. "There's a boat dat's leavin'", Porgy and Bess: Act III, Scene II. "You've got to go, Porgy" - "Oh, Gawd! They goin' make him look", Porgy and Bess: Act III, Scene II. Introduction - "Wait for us at the corner, Al" - "What is your name?", Porgy and Bess: Act III, Scene III. "Bess is gone", Porgy and Bess: Act III, Scene III. "Dem white folks sure ain't put nuthin'", Porgy and Bess: Act III, Scene III. "Good mornin', sistuh!" - "Thank Gawd I's home again!", Porgy and Bess: Act III, Scene III. "Oh Bess, oh where's my Bess", Porgy and Bess: Act III, Scene III. "Oh Lawd, I'm on my way", Porgy and Bess: Act III, Scene III. Introduction, Rhapsody in Blue (Ivan Davis, Cleveland Orchestra - Lorin Maazel) |
| 安田貴広 |
conductor |
"Lieutenant Kijé", Symphonic Suite, Op. 60: I. Kijé's birth, "Lieutenant Kijé", Symphonic Suite, Op. 60: II. Romance, "Lieutenant Kijé", Symphonic Suite, Op. 60: III. Kijé's wedding, "Lieutenant Kijé", Symphonic Suite, Op. 60: IV. Troika, "Lieutenant Kijé", Symphonic Suite, Op. 60: V. Kijé's death, Alborada del gracioso, Bolero, Boléro, Concerto No. 1, FI No. 22 (Spring): Allegro, Concerto No. 1, FI No. 22 (Spring): Largo, Concerto No. 2, FI No. 23 (Summer): Adagio, Concerto No. 2, FI No. 23 (Summer): Allegro non molto, Concerto No. 2, FI No. 23 (Summer): Presto, Concerto No. 3, FI No. 24 (Autumn): Adagio molto / Allegro, Concerto No. 3, FI No. 24 (Autumn): Allegro, Concerto No. 4, FI No. 25 (Winter): Allegro, Concerto No. 4, FI No. 25 (Winter): Allegro non molto, Concerto No. 4, FI No. 25 (Winter): Largo, Concerto no. 1, Allegro, from The Four Seasons, La Valse, Lieutenant Kijé, Rapsodie espagnole, Romanze, Suite from "Love for Three Oranges", Op. 33A: I. Les ridicules, Suite from "Love for Three Oranges", Op. 33A: II. Scène infernale, Suite from "Love for Three Oranges", Op. 33A: III. Marche, Suite from "Love for Three Oranges", Op. 33A: IV. Scherzo, Suite from "Love for Three Oranges", Op. 33A: V. Le prince et la princesse, Suite from "Love for Three Oranges", Op. 33A: VI. La fuite, Symphony no. 1 in D major, op. 25: I. Allegro, Symphony no. 1 in D major, op. 25: II. Larghetto, Symphony no. 1 in D major, op. 25: III. Gavotta. Non troppo allegro, Symphony no. 1 in D major, op. 25: IV. Finale. Molto vivace, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets, Op. 32: VII. Neptune, the Mystic |
| Richard Strauss |
conductor, performer |
Der Bürger als Edelmann – Orchestersuite, op. 60: Aufritt des Cleonte, Der Bürger als Edelmann – Orchestersuite, op. 60: Aufritt und Tanz der Schneider, Der Bürger als Edelmann – Orchestersuite, op. 60: Courante, Der Bürger als Edelmann – Orchestersuite, op. 60: Das Diner, Der Bürger als Edelmann – Orchestersuite, op. 60: Das Menuett des Lully, Der Bürger als Edelmann – Orchestersuite, op. 60: Der Fechtmeister, Der Bürger als Edelmann – Orchestersuite, op. 60: Menuett, Der Bürger als Edelmann – Orchestersuite, op. 60: Ouvertüre zum 1. Aufzug, Der Bürger als Edelmann – Orchestersuite, op. 60: Vorspiel zum 2. Aufzug, Don Juan, op. 20, Ein Heldenleben, op. 40: Der Held, Ein Heldenleben, op. 40: Des Helden Friedenswerke, Ein Heldenleben, op. 40: Des Helden Gefährtin, Ein Heldenleben, op. 40: Des Helden Walstatt, Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung, Ein Heldenleben, op. 40: Des Helden Widersacher, Eine Alpensinfonie, op. 64: Am Wasserfall, Eine Alpensinfonie, op. 64: Auf blumige Wiesen, Eine Alpensinfonie, op. 64: Auf dem Gipfel, Eine Alpensinfonie, op. 64: Auf dem Gletscher, Eine Alpensinfonie, op. 64: Auf der Alm, Eine Alpensinfonie, op. 64: Aukslang, Eine Alpensinfonie, op. 64: Der Anstieg, Eine Alpensinfonie, op. 64: Die Sonne, Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: Eintritt in de Wald, Eine Alpensinfonie, op. 64: Elegie, Eine Alpensinfonie, op. 64: Erscheinung, Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke, Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: Nacht, Eine Alpensinfonie, op. 64: Nebel steigen auf, Eine Alpensinfonie, op. 64: Sonnenaufgang, Eine Alpensinfonie, op. 64: Sonnenintergang, Eine Alpensinfonie, op. 64: Stille vor dem Sturm, Eine Alpensinfonie, op. 64: Vision, Eine Alpensinfonie, op. 64: Wanderung neben dem Bache, Macbeth, op. 23: Allegro, un poco maestoso, Macbeth, op. 23: Moderato maestoso, Till Eulenspiegels lustige Streiche, op. 28 |
| Gustav Mahler |
conductor |
Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh' ich sohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mutterlein, Kindertotenlieder: IV. Oft denk' ich , sie sind nur ausgegangen!, Kindertotenlieder: V. In diesem Wetter, Symphony No. 3 in D Minor: I. Allegro moderato, Symphony No. 3 in D Minor: I. Immer dasselbe Tempo (Marsch), Symphony No. 3 in D Minor: I. Kräftig. Entschieden., Symphony No. 3 in D Minor: I. Langsam. Schwer, Symphony No. 3 in D Minor: I. Tempo I., Symphony No. 3 in D Minor: I. a tempo, Symphony No. 3 in D Minor: II. Ganz plötzlich gemächlich. Tempo di Menuetto., Symphony No. 3 in D Minor: II. Tempo di Menutto. Sehr massig, Symphony No. 3 in D Minor: II. a tempo, Symphony No. 3 in D Minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D Minor: III. Sehr gemächlich., Symphony No. 3 in D Minor: III. Tempo I., Symphony No. 3 in D Minor: III. Wieder sehr gemächlich, beinahe langsam., Symphony No. 3 in D Minor: III. Wieder sehr gemächlich, wie zu anfang., Symphony No. 3 in D Minor: IV. Piu mosso subito, Symphony No. 3 in D Minor: IV. Sehr langsam, Misterioso, Durchaus ppp (O Mensch), Symphony No. 3 in D Minor: V. Lustig im Tempo und keck um Ausdruck (Es sungen drei Engel), Symphony No. 3 in D Minor: VI. Langsam, Ruhevoll, Empfunden, Symphony No. 3 in D Minor: VI. Langsam, Tempo I., Symphony No. 3 in D Minor: VI. Nicht mehr so breit, Symphony No. 3 in D Minor: VI. Tempo 1, Rehevoll!, Symphony No. 3 in D Minor: VI. Tempo I, Symphony No. 3 in D Minor: VI. a tempo (Etwas bewegter), Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 "Titan": II. Trio. Recht gemachlich, Symphony no. 1 in D major: IIIa. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IIIb. Sehr einfach und schlicht wie eine Volksweise, Symphony no. 1 in D major: IIIc. Wieder etwas bewegter, wie im Anfang, Symphony no. 1 in D major: IIa. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: IIb. Trio: Recht Gemachlich, Symphony no. 1 in D major: IIc. Tempo primo, Symphony no. 1 in D major: IV. Sturmisch Bewegt-Energisch., Symphony no. 1 in D major: Ia. Langsam, schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: Ib. Immer sehr gemachlich |
| Johann Strauss |
conductor |
Accelerationen, An der schonen, blauen Donau-Walzer, op.314, An der schönen blauen Donau, An der schönen blauen Donau, Op. 314, Auf der Jagd-Polka schnell, op.373, Bauern-Polka, op.276, Caroussel-Marsch, Die Bajadere - Polka schnell, op.351, Ein Herz, ein Sinn, Ein Herz, ein Sinn-Polka mazur, op.323, Eljen a Magyarl, Op. 332, Fata Morgana-Polka mazur, op.330, Frühlingsstimmen, G'Schichten aus dem Wienerwald, G'schichten aus dem Wienerwald, Geschichten aus dem Wienerwald-Walzer, op.325, Haute-volée Polka, op. 155, Indigo-Marsch, op.349, Kaiser Franz Joseph 1. Rettungs-Jubel-Marsch, L'Enfantillage, Leichtes Blut, Lieder Quadrille, Lucifer-Polka, Morgenblätter, Morgenblätter, Op. 279, Nordseebilder-Walzer, op.390, Rosen auf den Süden, Russische Marsch-Fantasie, op.353, Tausend und eine Nacht - Walzer, op.346, Vergnügungszug, Op. 281, Vergnügungszug, op. 281, Wiener Bonbons |
| Paul Smith |
conductor, vocal |
L’Enfant et les sortilèges: "Ah! C’est l’Enfant au couteau!" (Les Bêtes, Les Arbres), L’Enfant et les sortilèges: Danse des rainettes, L’Enfant et les sortilèges: Musique d’insectes, de rainettes, etc., L’Heure espagnole: Introduction, Symphony no. 1 in E-flat major, K. 16: 1. Allegro molto, Symphony no. 1 in E-flat major, K. 16: 2. Andante, Symphony no. 1 in E-flat major, K. 16: 3. Presto, Symphony no. 28 in C major, K. 200 (189k): 1. Allegro spiritoso, Symphony no. 28 in C major, K. 200 (189k): 2. Andante, Symphony no. 28 in C major, K. 200 (189k): 3. Menuetto. Allegretto – Trio, Symphony no. 28 in C major, K. 200 (189k): 4. Presto, Symphony no. 41 in C major. K. 551 “Jupiter”: 1. Allegro vivace, Symphony no. 41 in C major. K. 551 “Jupiter”: 2. Andante cantabile, Symphony no. 41 in C major. K. 551 “Jupiter”: 3. Menuetto. Allegretto – Trio, Symphony no. 41 in C major. K. 551 “Jupiter”: 4. Finale. Molto allegro, The Young Person’s Guide to the Orchestra, op. 34: "30 of the 60 string players are violinists". Variation E, The Young Person’s Guide to the Orchestra, op. 34: "All of them are now ready …". Theme, The Young Person’s Guide to the Orchestra, op. 34: "Clarinets are glib talkers and are very popular". Variation C, The Young Person’s Guide to the Orchestra, op. 34: "Easily recognized is the gossip of the bassoon". Variation D, The Young Person’s Guide to the Orchestra, op. 34: "Everyone has had his say". Fugue, The Young Person’s Guide to the Orchestra, op. 34: "It all starts with an idea", The Young Person’s Guide to the Orchestra, op. 34: "It is time that each instrument speaks for itself". Variation A, The Young Person’s Guide to the Orchestra, op. 34: "The alto voice of the viola is larger than the violin’s". Variation F, The Young Person’s Guide to the Orchestra, op. 34: "The comment of the percussion is right to the point". Variation M, The Young Person’s Guide to the Orchestra, op. 34: "The double bass stands as high as a man". Variation H, The Young Person’s Guide to the Orchestra, op. 34: "The giants of the brass, the trombones and tuba, always like to have the last word". Variation L, The Young Person’s Guide to the Orchestra, op. 34: "The horn is a brass instrument". Variation J, The Young Person’s Guide to the Orchestra, op. 34: "The violoncello is larger still". Variation G, The Young Person’s Guide to the Orchestra, op. 34: "These two trumpets challenge each other in a brilliant exchange". Variation K, The Young Person’s Guide to the Orchestra, op. 34: "When two oboes discuss the theme, their observation may seem more penetrating". Variation B, The Young Person’s Guide to the Orchestra, op. 34: Tuning up – "These are sounds made by a hundred musicians playing many different kinds of instruments", The Young Person’s Guide to the Orchestra, op. 34: Words plucked from any of the harp’s 47 strings are always easy to understand". Variation I |
| Richard Wagner |
conductor |
Das Rheingold: Thus, we begin in the "greenish twilight" of the Rhine,, Das Rheingold: fall amongst hammering dwarfs "smithying" away,, Das Rheingold: float up to the home of the Gods,, Das Rheingold: ride Donner's thunderbolt, crawl with the thirst-crazed Siegmund to the haven..., Die Walküre: Der Männer Sippe saß hier im Saal, Die Walküre: In the sound code, we "see" his loving gaze,, Die Walküre: Walkürenritt, Die Walküre: Wotan's farewell to his favorite daughter, (Wotan's Farewell and Magic Fire Music), Die Walküre: Wotan's rage,, Die Walküre: the Cavalcade of Brünnhilde's sisters, (Ride of the Valkyries), Die Walküre: their flight,, Götterdämmerung: Hagen's call to his clan,, Götterdämmerung: Höre mit Sinn, Götterdämmerung: Immolation. (Immolation Scene), Götterdämmerung: Siegfried and the Rhinemaidens,, Götterdämmerung: Starke Scheite schichtet, Götterdämmerung: day breaking 'round Siegfried's and Brünnhilde's passion,, Götterdämmerung: his death and the funeral music, (Siegfried's Death and Funeral Music), Holländer: Jo ho hoe! Traft ihr das Schiff, Lohengrin: Einsam in trüben Tagen, Parsifal: Grausamer! Fühlst du im Herzen, Siegfried: Mime's fright,, Siegfried: Siegfried's forging of the magic sword,, Siegfried: his slaying of the Dragon,, Siegfried: his wanderings through the forest, (Forest Murmurs), Siegfried: the Dragon's lament,, Tannhäuser: Dich teure Halle, Tristan und Isolde: Wie lachend sie mir Lieder |
| Hector Berlioz |
conductor |
Harold en Italie, Op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio - Allegro - Tempo I, Harold en Italie, Op. 16: II. Marche de Pèlerins, chantant la prière du soir. Allegretto, Harold en Italie, Op. 16: III. Sérénade d'un montagnard des Abruzzes à sa maîtresse. Allegro assai - Allegretto, Harold en Italie, Op. 16: IV. Orgie de Brigands. Souvenir de scènes précédentes. Allegro frenetico - Adagio - Allegro - Tempo I, Introduction - Combats - Tumult - Intervention of the Prince, Le Carnaval Romain, Op. 9: Allegro assai con fuoco - Andante sostenuto - Tempo I - Allegro vivace, Le Carnaval romain, op. 9, Queen Mab, or the Fairy of Dreams - Scherzo, Requiem H. 75, Op.5 (Grande Messe des Morts): Agnus Dei, Requiem H. 75, Op.5 (Grande Messe des Morts): Dies irae - Tuba mirum, Requiem H. 75, Op.5 (Grande Messe des Morts): Domine Jesu Christe, Requiem H. 75, Op.5 (Grande Messe des Morts): Hostias, Requiem H. 75, Op.5 (Grande Messe des Morts): Lacrymosa, Requiem H. 75, Op.5 (Grande Messe des Morts): Quaerens me, Requiem H. 75, Op.5 (Grande Messe des Morts): Quid sum miser, Requiem H. 75, Op.5 (Grande Messe des Morts): Requiem - Kyrie, Requiem H. 75, Op.5 (Grande Messe des Morts): Rex tremendae, Requiem H. 75, Op.5 (Grande Messe des Morts): Sanctus, Romeo alone - Sadness - Distant sounds of music and dancing - Great festivities In Capulet's Palace, Romeo in the family-vault of the Capulets - Invocation - Juliet's awaikening - Delirious joy, despair - Anguish and death of both lovers, Romio et Juliette - Scene d'amour, Star-light Night - Capulet's Garden, silent and desserted - The young Capulets, leaving the ball, pass by singing fragments of the dance music - Love-scene |
| Gorbatsjov |
conductor |
Alborada del gracioso, Boléro, Der fliegende Holländer (The Flying Dutchman), opera, WWV 63: Overture, Die Meistersinger von Nürnberg, opera, WWV 96: Overture, La Valse, Pavane pour une Infante défunte, Pictures from an Exhibition: Ballet of the Chicks in Their Shells, Pictures from an Exhibition: Bydlo / Promenade, Pictures from an Exhibition: Cum Mortuis in Lingua Morta, Pictures from an Exhibition: Promenade / The Gnome / Promenade, Pictures from an Exhibition: The Catacombs, Pictures from an Exhibition: The Great Gate of Kiev, Pictures from an Exhibition: The Hut on Fowl's Legs, Pictures from an Exhibition: The Market Place at Limoges, Pictures from an Exhibition: The Old Castle / Promenade, Pictures from an Exhibition: The Polish Jews (Goldenberg & Schmuyle), Pictures from an Exhibition: Tuilerien, Rienzi, der Letzte der Tribunen, opera, WWV 49: Overture, Tannhäuser, opera, WWV 70: Overture, Thaïs: Acte I, Scène II. Prélude, Thaïs: Acte II, Scène II. Divertissement I, Thaïs: Acte II, Scène II. Divertissement II |
| Robert Aldridge |
conductor |
Dance of the Seven Veils (from Salome), Don Juan, Tone Poem after Nikolaus Lenau, Op. 20, On the Transmigration of Souls, Roman Carnival Overture, Rosenkavalier Suite: I. Con moto agitato, Rosenkavalier Suite: II. Tempo di Valse, assai comodo da primo, Rosenkavalier Suite: III. Moderato molto sustenuto, Rosenkavalier Suite: IV. Quick Waltz: Molto con moto, Symphony No. 1 in D major: I. Slow. Dragging/Always Very Relaxed, Symphony No. 1 in D major: II. With Powerful Movement, but Not Too Quick, Symphony No. 1 in D major: III. Solemn and Measured, Without Dragging, Symphony No. 1 in D major: IV. With Violent Movement, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco, The Flight of the Bumblebee, The Star Spangled Banner, Tod und Verklärung (Death and Transfiguration), Op. 24 |
| Benjamin Britten |
conductor, vocal |
Guida del giovane all'orchestra, op. 34: "L'inizio di tutto è un'idea", Guida del giovane all'orchestra, op. 34: "Ora la musica è pronta", Guida del giovane all'orchestra, op. 34: Fuga: "Ognuno ha detto la sua", Guida del giovane all'orchestra, op. 34: L'orchestra accorda: "I suoni che ascoltate provengono da diversi strumenti", Guida del giovane all'orchestra, op. 34: Variazione A: "Adesso ogni strumento parla per conto suo", Guida del giovane all'orchestra, op. 34: Variazione B: "Quando due oboi trattano l'argomento", Guida del giovane all'orchestra, op. 34: Variazione C: "I clarinetti sono parlatori loquaci", Guida del giovane all'orchestra, op. 34: Variazione D: "Il chiacchierare del fagotto si riconosce subito", Guida del giovane all'orchestra, op. 34: Variazione E: "Dei sessanta archi trenta sono i violini", Guida del giovane all'orchestra, op. 34: Variazione F: "Le viole sono contralti con voce più sonora", Guida del giovane all'orchestra, op. 34: Variazione G: "La voce del violoncello è ancora più sonora", Guida del giovane all'orchestra, op. 34: Variazione H: "Ecco il contrabbasso grande e grosso come un uomo", Guida del giovane all'orchestra, op. 34: Variazione I: "Le parole pizzicate da una delle 47 corde dell'arpa", Guida del giovane all'orchestra, op. 34: Variazione J: "Il corno è uno degli ottoni", Guida del giovane all'orchestra, op. 34: Variazione K: "Dopo una polemica vivace queste due trombe", Guida del giovane all'orchestra, op. 34: Variazione L: "I giganti degli ottoni, il trombone e la tuba", Guida del giovane all'orchestra, op. 34: Variazione M: "Il commento della batteria" |
| Roberta Ravasi |
conductor |
Sinfonia Concertante for Cello and Orchestra, Op. 125: I. Andante, Sinfonia Concertante for Cello and Orchestra, Op. 125: II. Allegro giusto, Sinfonia Concertante for Cello and Orchestra, Op. 125: III. Andante con moto, Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. I. Tempo della Thema, Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. II. Tempo della Theme, Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. III. Andante sostenuto, Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. IV. Andante grazioso, Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. V. Allegro moderato, Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. VI. Andante, Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. VII. e Coda. Allegro vivo, Variations on a Rococo Theme for Cello and Orchestra, op. 33: Moderato quasi Andante - Theme. Moderato semplice, Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. II: Tempo del tema, Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. III: Andante sostenuto, Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. VI: Andante |
| Johannes Brahms |
conductor |
Ein Deutsches Requiem: Der Gerechten Seelen sind in Gottes Hand, Ein Deutsches Requiem: Die Erlöseten des Herrn werden wieder kommen, Ein Deutsches Requiem: Herr, du bist würdig, Ein Deutsches Requiem: I. Selig sind, die da Leid tragen, Ein Deutsches Requiem: II. Denn alles Fleisch ist wie Gras, Ein Deutsches Requiem: III. Herr lehre doch mich, Ein Deutsches Requiem: IV. Wie lieblich sind deine Wohnungen, Ein Deutsches Requiem: Siehe, ich sage euch ein Geheimnis, Ein Deutsches Requiem: V. Ihr habt nun Traurigkeit, Ein Deutsches Requiem: VI. Denn wir haben hie keine bleibende Statt, Ein Deutsches Requiem: VII. Selig sind die Toten, die in dem Herrn sterben, Ein deutsches Requiem: Herr, lehre mich doch, Symphonie No. 3 en fa majeur, Op. 90: III. Poco allegretto |
| Сергей Сергеевич Прокофьев |
conductor |
Peter und der Wolf: Eines Morgens öffnet Peter die Gartentür, Peter und der Wolf: Einleitung - Peter und der Wolf - Ein musikalisches Märchen für Kinder, Peter und der Wolf: Nun aber, ...nun kamen die Jäger aus dem Wald, Peter und der Wolf: Plötzlich machte Peter große Augen, Peter und der Wolf: Und nun, ...stellt euch den Triumphzug vor!, Peter und der Wolf: Und so sah es nun aus, Peter und der Wolf: Und wahrhaftig, kaum war Peter fort..., Suite from "Love for Three Oranges": La Fuite, Suite from "Love for Three Oranges": Le Prince et la Princess, Suite from "Love for Three Oranges": Les Ridicules, Suite from "Love for Three Oranges": Marche, Suite from "Love for Three Oranges": Scene infernale, Suite from "Love for Three Oranges": Scherzo |
| 丸山史朗 |
conductor |
La traviata: Act I. "Libiamo, ne' lieti calici", La traviata: Act I. "Un dì felice, eterea", La traviata: Act I. "È strano! è strano!" / "Ah, fors'è lui" / "Sempre libera", La traviata: Act I. Prelude, La traviata: Act II, Scene I. "Di Provenza il mar, il suol", La traviata: Act II, Scene I. "Dite alla giovine", La traviata: Act II, Scene I. "Lunge da lei" / "De' miei bollenti spiriti", La traviata: Act II, Scene I. "Pura siccome un angelo", La traviata: Act II, Scene II. "Ogni suo aver tal femmina", La traviata: Act III. "Ah, Violetta!... Voi, Signor!", La traviata: Act III. "Parigi, o cara", La traviata: Act III. "Teneste la promessa" / "Addio, del passato bei sogni ridenti" |
| L-One |
conductor |
Variations: Lento misterioso / Theme: Moderato con energia / Variation 1 / Variation 2 / Variation 3 / Variation 4, Variations: Variation 10: Moderato mosso, Variations: Variation 11: Moderato con fuoco / Variation 12: Allegretto - Allegretto calmato / Variation 13 / Variation 14: L'istesso tempo, giocoso / Variation 15: Vivace quasi danza - Lento, Variations: Variation 16: Moderato ritmico, Variations: Variation 17, Variations: Variation 18: Andante - Adagio, Variations: Variation 19: Andante liberamente / Variation 20: Moderato energico - Meno mosso, Variations: Variation 21: Moderato assai, Variations: Variation 22: Lento / Variation 23: Andante - Allegro - Poco meno, Variations: Variations 5: Andante - Poco meno mosso e giocoso / Variation 6 / Variation 7: Vivace, Variations: Variations 8: Andante piacevole / Variation 9: Moderato con moto |
| Josef Strauss |
conductor |
Aquarellen, Aus der Ferne, Delirien, Op. 212, Die Libelle, Op. 204, Die Schwätzerin, op.144, Die tanzende Muse, Op. 266, Feuerfest, Lustschwärmer, op. 91, Ohne Sorgen, Transactionen, Op. 184, Winterlust - Polka schnell, op.121 |
| Benedikt Jahnel |
conductor |
Concerto for Cello and Orchestra in D minor: I. Prélude. Lento - Allegro maestoso, Concerto for Cello and Orchestra in D minor: II. Intermezzo. Andantino con moto - Allegro presto, Concerto for Cello and Orchestra in D minor: III. Introduction. Andante - Allegro vivace, Concerto for Cello and Orchestra no. 1 in A minor, op. 33, Concerto for violoncello and orchestra in, D Minor: I. Prélude. Lento - allegro maestoso, Concerto for violoncello and orchestra in, D Minor: II. Intermezzo, Concerto for violoncello and orchestra in, D Minor: III. Introduction. Andante - allegro vivace, Concerto for violoncello and orchestra, No. 1 in A minor, Op. 33: Allegro non troppo - allegro con moto - allegro non troppo, Concerto no. 1 for Cello & Orchestra in A minor, op. 33: I. Allegro non troppo, Concerto no. 1 for Cello & Orchestra in A minor, op. 33: II. Allegretto con moto, Concerto no. 1 for Cello & Orchestra in A minor, op. 33: III. Tempo I: Allegro non troppo |
| Alberto 'El Betto' Díaz |
conductor |
Thaïs: Acte II, Scène I. "Eh bien, fais-moi connaître tout cet amour" (Thaïs, Athanaël), Thaïs: Acte II, Scène I. "Je suis Athanaël, moine d'Antinoé !" (Thaïs, Athanaël), Thaïs: Acte II, Scène II. "Considère, ô mon père" (Thaïs, Athanaël), Thaïs: Acte II, Scène II. "Non loin d'ici, vers l'occident" (Thaïs, Athanaël), Thaïs: Acte II, Scène II. "Père, Dieu m'a parlé par ta voix !" (Thaïs, Athanaël), Thaïs: Acte III, Scène I. "Ah ! des gouttes de sang coulent de ses pieds blancs" (Thaïs, Athanaël), Thaïs: Acte III, Scène I. "Baigne d'eau mes mains et mes lèvres" (Thaïs, Athanaël, Chœur), Thaïs: Acte III, Scène I. "L'ardent soleil m'écrase" (Thaïs, Athanaël), Thaïs: Acte III, Scène II. "Qui te fait si sévère" (Thaïs, Athanaël, Chœur), Thaïs: Acte III, Scène III. "C'est toi mon père !" (Thaïs, Athanaël) |
| The Gay Sisters |
conductor |
Gayaneh, excerpts: Aysheh's Awakening And Dance, Gayaneh, excerpts: Gayaneh's Adagio, Gayaneh, excerpts: Gopak, Gayaneh, excerpts: Lezghinka, Gayaneh, excerpts: Sabre Dance, Romeo And Juliet, excerpts: Romeo, Spartacus, excerpts: Adagio Of Spartacus And Phrygia, Spartacus, excerpts: Dance Of Gaditanae And Victory Of Spartacus, Spartacus, excerpts: Scene And Dance With Crotala, Spartacus, excerpts: Variation Of Aegina And Bacchanalia |
| Игорь Фёдорович Стравинский |
conductor |
Feu d'artifice, Le Chant du Rossignol - Chant du Rossignol, Le Chant du Rossignol - Jeu du Rossignol mécanique, Le Chant du Rossignol - Marche chinoise, Le Chant du Rossignol - presto, Pétrouchka - Deuxième Tableau, Pétrouchka - Premier Tableau, Pétrouchka - Quatrième Tableau, Pétrouchka - Troisième Tableau |
| Andrew Lloyd Webber |
conductor |
Requiem: Dies irae, Requiem: Dies irae ... Rex tremendae, Requiem: Hosanna, Requiem: Ingemisco ... Lacrymosa, Requiem: Lux aeterna & Libera me, Requiem: Offertorium, Requiem: Recordare, Requiem: Requiem & Kyrie |
| Пётр Ильич Чайковский |
conductor |
Andante Cantabile for Cello Solo and String Orchestra, op. Posth., Sinfonie Nr.4 f-Moll op. 36: Andantino in modo di canzona, Sérénade mélancolique, Variations on a Rococo Theme for Cello and Orchestra, op. 33: Moderato quasi andante - Tema. Moderato semplice, Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. I Tempo del tema, Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. IV: Andante grazioso, Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. V: Allegro moderato, Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. VII: Coda. Allegro vivo |
| Jess Labrador |
conductor |
Peter and the Wolf, op. 67: "And now … now imagine the triumphant procession", Peter and the Wolf, op. 67: "And now, this is how things stood", Peter and the Wolf, op. 67: "But now … now the hunters came out of the woods", Peter and the Wolf, op. 67: "No sooner had Peter gone …", Peter and the Wolf, op. 67: "Now to our story. Early one morning, Peter opened the gate …", Peter and the Wolf, op. 67: "Suddenly, something caught Peter’s attention", Peter and the Wolf, op. 67: Introduction. "Peter and the Wolf – a musical tale for children" |
| Anna Atkinson |
conductor |
Pierino e il lupo, op. 67: "Ad un tratto, qualche cosa attirò l'attenzione di Pierino: era un gatto che avanzava insidioso tra l'erba.", Pierino e il lupo, op. 67: "Ed ora, ecco come stavano le cose: il gatto s'era accucciato su un ramo… l'uccellino appollaiato su di un altro…", Pierino e il lupo, op. 67: "Ed ora… immaginate che marcia trionfale!", Pierino e il lupo, op. 67: "Pierino si era appena allontanato, cheun grande lupo grigo sbucò dalla foresta.", Pierino e il lupo, op. 67: "Proprio in quel momento… i cacciatori uscirono dalla foresta…", Pierino e il lupo, op. 67: "Una mattina, di buon'ora, Pierino aprì il cancello e uscì sul prato verde…", Pierino e il lupo, op. 67: Presentazione |
| Laura Aqui |
conductor |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso, Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (excerpt), Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco, Piano Concerto no.1 in B-flat minor, op. 23: III. Allegro con fuoco |
| Marcus Almaraz |
conductor |
Konzert für Klavier und Orchester Nr. 2 G-dur, op. 44: I. Allegro brillante e molto vivace, Konzert für Klavier und Orchester Nr. 2 G-dur, op. 44: II. Andante non troppo, Konzert für Klavier und Orchester Nr. 2 G-dur, op. 44: III. Allegro con fuoco, Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco, Piano Concerto no. 3 in E-flat major, op. 75: Allegro brillante – Cadenza – Tempo I – Vivacissimo |
| Gwenhael Navarro |
conductor |
Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve |
| Donald Vega |
conductor |
Violin Concerto in D Major, op. 35: I: Allegro moderato, Violin Concerto in D Major, op. 35: II: Canzonetta: Andante, Violin Concerto in D Major, op. 35: III: Finale: Allegro vivacissimo, Violin Concerto no. 1 in D major, op. 19: I. Andantino, Violin Concerto no. 1 in D major, op. 19: II. Scherzo. Vivacissimo, Violin Concerto no. 1 in D major, op. 19: III. Moderato |
| 長須徹也 |
conductor |
Piano Concerto no. 5 in G minor, op. 55: I. Allegro con brio, Piano Concerto no. 5 in G minor, op. 55: II. Moderato ben accentuato, Piano Concerto no. 5 in G minor, op. 55: III. Allegro con fuoco, Piano Concerto no. 5 in G minor, op. 55: IV. Larghetto, Piano Concerto no. 5 in G minor, op. 55: V. Vivo |
| Miskibaul |
conductor |
Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro, Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio, ma non troppo, Concerto for Cello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato, Rondo in G minor, op. 94, Silent Woods in D-flat major (From the Bohemian Forest op. 68, no. 5) |
| Road to Consciousness |
conductor |
Romeo And Juliet, excerpts: Balcony Scene, Romeo And Juliet, excerpts: Dance Of The Knights, Romeo And Juliet, excerpts: Juliet As A Young Girl, Romeo And Juliet, excerpts: Romeo Resolves To Avenge Mercutio's Death; Death Of Tybalt, Romeo And Juliet, excerpts: The Last Farewell |
| Ludwig van Beethoven |
conductor |
Symphony no. 9 in D minor ('Choral'), op. 125: I. Allegro ma non troppo, Symphony no. 9 in D minor ('Choral'), op. 125: II. Molto vivace, Symphony no. 9 in D minor ('Choral'), op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor ('Choral'), op. 125: IV. Presto - Allegro assai / Recitative - Allegro assai, Willingtons Sieg, op. 91 |
| Beverly Sills |
conductor |
Thaïs: Acte II, Scène I. "Ah ! je suis seule, seule enfin !" (Thaïs), Thaïs: Acte II, Scène I. "Dis-moi que je suis belle" (Thaïs), Thaïs: Acte II. "Ah ! je suis seule enfin" / "Dis-moi que je suis belle" (Thaïs), Thaïs: Acte III, Scène I. "Ô messager de dieu, si bon dans ta rudesse" (Thaïs) |
| Matt Starr |
conductor |
Accellerationen - Walzer op. 234, Leichtes Blut - Polka schnell op. 319, Seid umschlungen, Millionen - Walzer op. 443, Vergnügungszug - Polka schnell op. 281 |
| Ive5 |
conductor |
Gianna Schicchi - Firenze è come un albero fiorito, Le Villi - Roberto's Arie, Madame Butterfly - Addio fiorito asil, Turandot - Nessun dorma! |
| Vehement Burn |
conductor |
Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto, Serenade for Violin and Orchestra in G minor, op. 69 no. 2: Lento assai |
| Manuel de Falla |
conductor |
El sombrero de tres picos: Parte I. Danza de la molinera (Fandango), El sombrero de tres picos: Parte II. Danza de los vecinos (Seguidillas), El sombrero de tres picos: Parte II. Danza del molinero (Farruca), El sombrero de tres picos: Parte II. Danza final (Jota) |
| 野中彩央里 |
conductor |
Aleko, Intermezzo, Allegretto pastorale, Symphonic Dances, op. 45, I. Non allegro, Symphonic Dances, op. 45, II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45, III. Lento assai - Allegro vivace - Lento assai come prima |
| 陳寶碩 |
conductor |
Klavierkonzert: Allegro moderato, Piano Concerto in F-sharp minor, op. 20: I. Allegro, Piano Concerto in F-sharp minor, op. 20: II. Andante, Piano Concerto in F-sharp minor, op. 20: III. Allegro moderato |
| Lianna Quarshie |
conductor |
Sérénade mélancolique in B-flat minor, op. 26, Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta. Andante - attacca, Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo |
| Edward Elgar |
conductor |
Cello Concerto, op. 85: I. Adagio - Moderato, Cello Concerto, op. 85: II. Allegro molto, Cello Concerto, op. 85: III. Adagio, Cello Concerto, op. 85: IV. Allegro |
| Sherrill Milnes |
conductor |
Thaïs: Acte I, Scène I. "Hélas ! enfant encore" (Athanaël), Thaïs: Acte I, Scène I. "Toi, qui mis la pitié dans nos âmes" (Athanaël), Thaïs: Acte I, Scène II. "Voilà donc la terrible cité" (Athanaël), Thaïs: Acte III, Scène II. "Thaïs va mourir" (Athanaël) |
| Bernd Seuffert |
conductor |
Aida: Act I, Scene I. "Se quel guerrier io fossi!" (Radamès), Aida: Act III. "Pur ti riveggo, mia dolce Aida..." (Radamès), Aida: Act IV, Scene II. "La fatal pietra sovra me si chiuse" (Radamès), Aida: Act IV, Scene II. "Presago il core della tua condanna" (Aida) |
| Firth Heath |
conductor |
Scheherazade, op. 35: I. Largo e maestoso, Scheherazade, op. 35: II. Lento, Scheherazade, op. 35: III. Andantino quasi allegretto, Scheherazade, op. 35: IV. Allegro molto |
| Moore |
conductor |
Concerto for Violoncello and Orchestra No. 1: Allegretto (live), Concerto for Violoncello and Orchestra No. 1: Allegro con moto (live), Concerto for Violoncello and Orchestra No. 1: Cadenza (live), Concerto for Violoncello and Orchestra No. 1: Moderato (live) |
| José Leonardo Pupo |
conductor |
Symphony no. 3 in C minor, op. 78 "Organ Symphony": I. Adagio, Symphony no. 3 in C minor, op. 78 "Organ Symphony": II. Poco adagio, Symphony no. 3 in C minor, op. 78 "Organ Symphony": III. Allegro moderato, Symphony no. 3 in C minor, op. 78 "Organ Symphony": IV. Maestoso |
| Alles wegen Lilly |
conductor |
Concerto for Flute and Orchestra: I. Allegro, Concerto for Flute and Orchestra: II. Andante, Concerto for Flute and Orchestra: III. Allegro scherzando |
| Renata Scotto |
conductor |
Madama Butterfly: Act II. Un bel di, vedremo, Suor Angelica: “Senza mamma, o bimbo, tu sei morto” |
| Jean-Marc Volcy |
conductor |
Thaïs: Acte I, Scène II. "C'est Thaïs, l'idole fragile" (Thaïs, Nicias), Thaïs: Acte I, Scène II. "Qui te fit si sévère" (Thaïs, Nicias, Chœur) |
| Lume |
conductor |
Tosca: Recondita armonia, Tosca: “Recondita armonia” |
| Janio Coronado |
conductor |
Thaïs: Acte I, Scène II. "Quel est cet étranger" (Thaïs, Nicias, Athanaël), Thaïs: Acte II, Scène II. "Il dit vrai !" (Thaïs, Nicias, Athanaël, Chœur) |
| Nicolai Gedda |
conductor |
Thaïs: Acte I, Scène II. "Garde-toi bien ! Voici ta terrible ennemie !" (Nicias, Chœur), Thaïs: Acte II, Scène II. "Voilà l'incomparable !" (Nicias) |
| Oscar Wyers |
conductor |
Turandot: 2. Perchè tarda la luna, Turandot: 8. Finale |
| Pod Blotz |
conductor |
Madam Butterfly: 3. Vogliatemi bene, Madam Butterfly: 8. Con onor muore |
| Gégé Bonheur |
conductor |
Madama Butterfly: "Scouti quella fronda di ciliegio" (The Flower Duet), Madama Butterfly: Flower Duet |
| Joselo Rangel |
conductor |
Pizzicato Polka, Pizzicato-Polka |
| ElderFlux |
conductor |
Thaïs: Acte I, Scène II. "Ah ! ah ! ah ! ... Athanaël, c'est toi !" (Crobyle, Myrtale, Nicias, Athanaël), Thaïs: Acte I, Scène II. "Ah ! ah ! ah ! ... Je vais donc te revoir" (Crobyle, Myrtale, Nicias, Athanaël) |
| Eduard Strauss |
conductor |
Electrisch-Polka schnell, Mit Chic |
| Valanx |
conductor |
Madam Butterfly: 4. Un bel di vedremo, Madam Butterfly: 5. Che tua madre dovrà |
| Warhaus |
conductor |
Thaïs: Acte I, Scène I. "Mon fils, ne nous mêlons jamais" (Palémon, Athanaël, Cénobites), Thaïs: Acte III, Scène II. "Que le ciel est pesant !" (Cénobites, Palémon, Athanaël) |
| Zsuzsa Németh |
conductor |
Konzert für Violine und Orchester D-moll, op. 47: II. Adagio di molto, Konzert für Violine und Orchester D-moll, op. 47: III. Allegro, ma non tanto |
| Модест Петрович Мусоргский |
conductor |
Night on Bald Mountain, Pictures at an Exhibition |
| Antonín Dvořák |
conductor |
Slavonic Dances, B 147 (Op. 72): No. 2 in E Minor: Dumka (Allegretto grazioso), Symphonie No. 9 E-Moll Op. 95 "Aus Der Neuen Welt": III. Scherzo. Molto vivace |
| Franz Schubert |
conductor |
Symphonie No.8 h-moll D 759 >Unvollendete< - 1. Allegro moderato |
| Liam Tomaszewski |
conductor |
Thaïs: Acte I, Scène I. "Ne nous mêlons jamais, mon fils" (Palémon, Cénobites, Athanaël) |
| OH!hello |
conductor |
Tosca: “Vissi d’arte” |
| Oliver Asanoski |
conductor |
Une nuit sur le Mont Chauve |
| Johann Strauss |
conductor |
Radetzky-Marsch, op. 228 |
| Patrick Donoghue |
conductor |
Thaïs: Acte III, Scène II. "C'est lui qui vient !" (Athanaël, Palémon) |
| Paul Eber |
conductor |
Pizzicato-Polka |
| Heather Downing |
conductor |
Thaïs: Acte II, Scène II. "Celle qui vient est plus belle" (Crobyle, Myrtale) |
| Katia Ricciarelli |
conductor |
Turandot: “Tu, che di gel sei cinta…” |
| Joseph Hellmesberger, Jr. |
conductor |
Auf Wiener Art |
| Ravi Shakti |
conductor |
Manfred Symphony, op. 58: II.Vivace con spirito |
| Rebecca Blaylock |
conductor |
Promethée - Le Poème du Feu, op. 60 |
| Regurgitated Discharge |
conductor |
Aida: Act IV, Scene II. "O terra, addio; addio valle di pianti" (Aida, poi con Radamès) |
| Madjid Zare |
conductor |
Thaïs: Acte I, Scène I. "Le voici ! le voici !" (Cénobites, Athanaël, Palémon) |
| Giulio Maria Lucchesi |
conductor |
Thaïs: Acte III, Scène I. "Mon œuvre est accomplie !" (Athanaël, Thaïs, Albine, chœur) |
| Germán "El Potos" Díaz |
conductor |
Thaïs: Acte II, Scène II. "Eh ! c'est lui ! ... Athanaël" (Nicias, Chœur, Athanaël) |
| Rizzla |
conductor |
Turandot: 3. Signore ascolta!...Non piangere, Liù! |
| Franz von Suppé |
conductor |
Die schone Galathee-Ouverture |
| Julia Migenes |
conductor |
Carmen: Acte I: Havanaise: L'amour est un oiseau rebelle |
| Emma Bailetti |
conductor |
Madama Butterfly: "Con onor muore chi non può serbar vita con onore.… tu, tu" |
| Jonathan Grove |
conductor |
Thaïs: Acte III, Scène III. "Seigneur, ayez pitié de moi" (Chœur, Albine) |
| Supercanifradiciadespiaredosi |
conductor |
Thaïs: Acte I, Scène II. "Va, mendiant, chercher ailleurs ta vie !" (Serviteur, Athanaël) |
| TALsounds |
conductor |
Messe in h-Moll, BWV 232: Gloria (Radio-Symphonie-Orchester Berlin, feat. cunductor: Loin Maazel, chor: Rias-Kammerchor) |
| Jacques Offenbach |
conductor |
Orpheus in der Unterwelt: Ouvertüre - Can-Can |
| The Gourmet Boys |
conductor |
Thaïs: Acte I, Scène I. Vision / "Honte ! horreur !" (Athanaël) |
| Tommaso De Filippis |
conductor |
Thaïs: Acte III, Scène I. "La paix du seigneur soit avec toi" (Athanaël, Albine) |
| Tommy Talamanca |
conductor |
Thaïs: Acte I, Scène II. "Non ! non ! je hais vos fausses ivresses !" (Athanaël, Thaïs, Nicias, Chœur) |
| Trigg Dot Dot |
conductor |
Prometheus, op. 60 |
| Trio Beranger |
conductor |
Pictures at an Exhibition |
| Ultralove |
conductor |
Madam Butterfly: 1. Dovunque al mondo |
| Uncle Dee |
conductor |
Turandot: 4. Ho una casa nell' Honan |
| Utopian Babies |
conductor |
Madam Butterfly: 2. Quanto cielo! Quanto mar! |
| Maria Margarethe Danzi |
conductor |
Thaïs: Acte II, Scène I. "Je n'ai pas plus choisi mon sort que ma nature" (Thaïs, Athanaël, Nicias) |
| Daniele Pensa |
conductor, violin |
Thaïs: Acte II, Scène I. Méditation religieuse - symphonie |
| Virg de Kells |
conductor |
Thaïs: Acte II, Scène II. "Suivez-moi tous, amis !" (Nicias, Chœur, Crobyle, Myrtale) |
| Innsyter |
conductor |
L'arbre des songes |
| Willard White |
conductor |
Porgy and Bess: Act II, Scene I. "Bess, you is my woman now" |
| William Parker Quintet |
conductor |
Madam Butterfly: 6. Scuoti quella fronda |
| Yamasaki |
conductor |
Turandot: "In questa reggia" |
| Young P Streets |
conductor |
Le Poème de l'extase, op. 54 |
| Maurice Ravel |
conductor |
Boléro: Schluß |
| [dialogue] |
vocal |
Neujahrsgruß |
| Éva Marton |
conductor |
Turandot: “In questa reggia” |
| Damian Sackett |
conductor |
Thaïs: Acte III, Scène III. "Sois le bienvenu dans nos tabernacles" (Albine, Athanaël, Chœur) |
| Maxin |
conductor |
Rhapsody in Blue |
| Cybernet City Soldiers |
conductor |
Madama Butterfly: "Spira sul mare" |
| Barry Druxman |
conductor |
Thaïs: Acte II, Scène I. "Étranger, te voilà comme tu l'avais dit !" (Thaïs, Athanaël) |
| Hollo |
conductor |
Tosca: “E lucevan la stelle” |
| Andrew Maltbie |
conductor |
Turandot: 5. In questa reggia |
| 楊烈 |
conductor |
Turandot: 7. Tu che di gel sei cinta |
| Aman Yusufi |
conductor |
Thaïs: Acte I, Scène I. "Voici le pain ... et le sel" (Cénobites, Palémon) |
| Hoff Lincoln |
conductor |
Konzert für Violine und Orchester D-moll, op. 47: I. Allegro moderato |
| Al Cal |
conductor |
Aurora |