| Timmy Gibson |
conductor, performer, vocal, piano |
1812 Overture, op. 49, A Midsummer Night’s Dream, op. 61: I. Scherzo (after Act 1), A Midsummer Night’s Dream, op. 61: II. “Over hill, over dale”, A Midsummer Night’s Dream, op. 61: III. “Ye spotted snakes”, A Midsummer Night’s Dream, op. 61: IV. The Spells, A Midsummer Night’s Dream, op. 61: IX. Wedding March (after Act 4), A Midsummer Night’s Dream, op. 61: Overture, op. 21, A Midsummer Night’s Dream, op. 61: V. Entr’acte (Hermia Seeks Lysander and entry of the Rude Mechanicals), A Midsummer Night’s Dream, op. 61: VI. “What hempen homespuns”, A Midsummer Night’s Dream, op. 61: VII. Nocturne, A Midsummer Night’s Dream, op. 61: VIII. The Removal of the Spells, A Midsummer Night’s Dream, op. 61: X. Fanfare and Funeral March, A Midsummer Night’s Dream, op. 61: XI. Bergomask, A Midsummer Night’s Dream, op. 61: XII. Wedding March (reprise), A Midsummer Night’s Dream, op. 61: XIII. Finale. "Through the house", Adagio for Strings, Adagio for Strings (London Symphony Orchestra feat. conductor: André Previn), Adagio in G minor, Aleko: Intermezzo, Aleko: Woman’s Dance, An American in Paris, Bolero, Boléro (feat. André Previn), Candide, Candide Overture, Candide: Overture, Captain Blood: Main Title, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo Vere: Ecce gratum, Carmina Burana: I. Primo Vere: Omnia sol temperat, Carmina Burana: I. Primo Vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'Amour: Amor volat undique, Carmina Burana: III. Cour d'Amour: Circa mea pectora, Carmina Burana: III. Cour d'Amour: Dies, nox et omnia, Carmina Burana: III. Cour d'Amour: Dulcissime, Carmina Burana: III. Cour d'Amour: In trutina, Carmina Burana: III. Cour d'Amour: Si puer cum puellula, Carmina Burana: III. Cour d'Amour: Stetit puella, Carmina Burana: III. Cour d'Amour: Tempus est iocundum, Carmina Burana: III. Cour d'Amour: Veni, veni, venias, Carmina Burana: O fortuna, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret Silva, Carmina Burana: Uf dem Anger: Tanz, Carmina Burana: Uf dem Anger: Were Diu werlt alle min, Carmina Burana: Uf dem Anger: a) Reie; b) Swaz hie gat umbe; c) Chume, chum gesselle min (Swaz hie gat umbe), Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe, Cinderella, Op. 87, Act I: Cinderella (Andante dolce), Cinderella, Op. 87, Act I: Cinderella Dreams of the Ball (Andante dolce), Cinderella, Op. 87, Act I: Cinderella's departure for the Ball (Allegro espressivo), Cinderella, Op. 87, Act I: Clock Scene (Allegro moderato), Cinderella, Op. 87, Act I: Departure for the Ball (Vivo), Cinderella, Op. 87, Act I: Gavotte (Allegretto), Cinderella, Op. 87, Act I: Grasshoppers and Dragonflies (Vivace con brio), Cinderella, Op. 87, Act I: Interrupted departure (Vivo), Cinderella, Op. 87, Act I: Introduction (Andante dolce), Cinderella, Op. 87, Act I: Pas de châle (Allegretto), Cinderella, Op. 87, Act I: The Autumn Fairy (Allegretto moderato), Cinderella, Op. 87, Act I: The Beggar-woman Fairy (Adagio), Cinderella, Op. 87, Act I: The Beggar-woman returns (Adagio), Cinderella, Op. 87, Act I: The Dancing Lesson (Allegretto), Cinderella, Op. 87, Act I: The Father (Andantino), Cinderella, Op. 87, Act I: The Sister's New Clothes (Vivo), Cinderella, Op. 87, Act I: The Sleeping Fairy (Presto), Cinderella, Op. 87, Act I: The Summer Fairy (Andantino sognando), Cinderella, Op. 87, Act I: The Winter Fairy (Allegro moderato), Cinderella, Op. 87, Act II: Cavalier's dance (Bourrée; Allegro pesante), Cinderella, Op. 87, Act II: Cinderella's Arrival at the Ball (Allegro Andante), Cinderella, Op. 87, Act II: Cinderella's variation (Allegro grazioso), Cinderella, Op. 87, Act II: Court dance (Andante grazioso), Cinderella, Op. 87, Act II: Dance of the Prince's Companions (Allegro moderato), Cinderella, Op. 87, Act II: Duet of the Sisters with their Oranges (Allegro con brio), Cinderella, Op. 87, Act II: Dumpy's variation (Allegretto capriccioso), Cinderella, Op. 87, Act II: Grand Waltz (Allegretto), Cinderella, Op. 87, Act II: Mazurka (Allegro ma non troppo), Cinderella, Op. 87, Act II: Mazurka and Entry of the Prince (Allegro), Cinderella, Op. 87, Act II: Midnight (Allegro moderato), Cinderella, Op. 87, Act II: Pas de deux: The Prince and Cinderella (Adagio), Cinderella, Op. 87, Act II: Passepied (Allegretto), Cinderella, Op. 87, Act II: Promenade (Allegro tranquillo), Cinderella, Op. 87, Act II: Skinny's variation (Allegretto), Cinderella, Op. 87, Act II: The Guests take refreshment (Moderato), Cinderella, Op. 87, Act II: The Prince's variation (Andante con brio), Cinderella, Op. 87, Act II: Waltz-Coda (Allegro espressivo), Cinderella, Op. 87, Act III: Amoroso (Andante dolcissimo), Cinderella, Op. 87, Act III: Cinderella awakes (Andante dolce), Cinderella, Op. 87, Act III: First galop (Presto), Cinderella, Op. 87, Act III: Orientalia (Andante dolce), Cinderella, Op. 87, Act III: Second galop (Presto), Cinderella, Op. 87, Act III: Slow Waltz (Adagio), Cinderella, Op. 87, Act III: Temptation (Moderato - Allegretto), Cinderella, Op. 87, Act III: The Morning after the Ball (Allegretto capriccioso - Moderato - Vivo), Cinderella, Op. 87, Act III: The Prince and the Shoemakers (Allegro scherzando), Cinderella, Op. 87, Act III: The Prince finds Cincerella (Adagio passionato), Cinderella, Op. 87, Act III: The Prince's visit (Vivace), Cinderella, Op. 87, Act III: Third galop (Allegro marcato), Cinderella, Op. 87: Act I. Cinderella Dreams of the Ball: Andante dolce, Cinderella, Op. 87: Act I. Cinderella's Departure for the Ball: Allegro espressivo, Cinderella, Op. 87: Act I. Clock Scene: Allegro moderato, Cinderella, Op. 87: Act I. Interrupted Departure: Vivo, Cinderella, Op. 87: Act I. Intro: Andante dolce, Cinderella, Op. 87: Act I. Pas de chale: Allegretto, Cinderella, Op. 87: Act I. The Dancing Lesson: Allegretto, Cinderella, Op. 87: Act I. The Spring Fairy: Presto, Cinderella, Op. 87: Act I. The Summer Fairy: Andantino sgnando, Cinderella, Op. 87: Act II. Cinderella's Arrival at the Ball: Allegretto - Andante, Cinderella, Op. 87: Act II. Court Dance: Andante grazioso, Cinderella, Op. 87: Act II. Duet of the Sisters With Their Oranges: Allegro con brio, Cinderella, Op. 87: Act II. Grand Waltz: Allegretto, Cinderella, Op. 87: Act II. Mazurka: Allegro ma non troppo, Cinderella, Op. 87: Act II. Midnight: Allegro moderato, Cinderella, Op. 87: Act II. Pas de deux: The Prince and Cinderella: Adagio, Cinderella, Op. 87: Act II. The Guests Take Refreshment: Moderato, Cinderella, Op. 87: Act II. Waltz-Coda: Allegro esprssivo, Cinderella, Op. 87: Act III. Amoroso: Andante dolcissimo, Cinderella, Op. 87: Act III. First Galop: Presto, Cinderella, Op. 87: Act III. Orientalia: Andante dolce, Cinderella, Op. 87: Act III. Second Galop: Presto, Cinderella, Op. 87: Act III. Slow Waltz: Adagio, Cinderella, Op. 87: Act III. Temptation: Moderato - Allegretto, Cinderella, Op. 87: Act III. The Morning After the Ball: Allegretto capriccioso - Moderato - Vivo, Cinderella, Op. 87: Act III. The Prince Finds Cinderella: Adagio passionato, Cinderella, Op. 87: Act III. The Prince's Visit: Vivace, Concerto Accademico for Violin and Orchestra (in D Minor) - Adagio, Concerto Accademico for Violin and Orchestra (in D Minor) - Allegro pesante, Concerto Accademico for Violin and Orchestra (in D Minor) - Presto, Concerto for Bass Tuba and Orchestra, in F minor: I. Allegro moderato, Concerto for Bass Tuba and Orchestra, in F minor: II. Romanza: Andante sostenuto, Concerto for Bass Tuba and Orchestra, in F minor: III. Finale: Rondo alla tedesca, Concerto for Two Pianos, K. 365: III. Rondo, allegro, Coronation March 1953 "Orb and Sceptre", Cuban Overture, Daphnes et Chloé, Suite no. 2: Lever du jour / Pantomime / Danse générale, Daphnis et Chloé: Part I: Introduction, Daphnis et Chloé:Part I: Danse generale, Daphnis et Chloé:Part I: Danse grotesque de Dorcon, Daphnis et Chloé:Part I: Danse legere et gracieuse de Daphnis, Daphnis et Chloé:Part I: Danse lente et mysterieuse des nymphes, Daphnis et Chloé:Part I: Danse religieuse, Daphnis et Chloé:Part I: Interlude, Daphnis et Chloé:Part I: Nocturne, Daphnis et Chloé:Part I: Scene, Daphnis et Chloé:Part II: Danse guerriere, Daphnis et Chloé:Part II: Danse suppliante de Chloe, Daphnis et Chloé:Part II: Introduction, Daphnis et Chloé:Part III: Danse generale / Bacchanale, Daphnis et Chloé:Part III: Introduction, Daphnis et Chloé:Part III: Lever du jour, Daphnis et Chloé:Part III: Pantomime, Egdon Heath (Homage to Hardy), op. 47, Ein Sommernachtstraum, op. 61 no. 7: Hochzeitsmarsch: Allegro vivace, Ein deutsches Requiem, op. 45: Denn alles Fleisch, es ist wie Gras, Ein deutsches Requiem, op. 45: Denn wir haben hie keine bleibende Stadt, Ein deutsches Requiem, op. 45: Herr, lehre doch mich, Ein deutsches Requiem, op. 45: Ihr habt nun Traurigkeit, Ein deutsches Requiem, op. 45: Selig sind die Toten, Ein deutsches Requiem, op. 45: Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: Wie lieblich sind Deine Wohnungen, Emperor Waltz, op. 437, Fantasia on "Greensleeves", Four Sea Interludes, Four Sea Interludes from Peter Grimes, Op. 33a: I. Dawn (Lento e tranquillo), Four Sea Interludes from Peter Grimes, Op. 33a: II. Sunday Morning (Allegro spiritoso), Four Sea Interludes from Peter Grimes, Op. 33a: III. Moonlight (Andante comodo e rubato), Four Sea Interludes from Peter Grimes, Op. 33a: IV. Storm (Presto con fuoco), Hansel and Gretel: Overture, Hänsel and Gretel: Overture, Images for Orchestra: I. Gigues, Images for Orchestra: II. Iberia - a) Par les rues et par les chemins, Images for Orchestra: II. Iberia - b) Les parfums de la nuit, Images for Orchestra: II. Iberia - c) Le matin d'un jour de fête, Images for Orchestra: III. Rondes de printemps, Jupiter, the Bringer of Jollity, L'Enfant et Les Sortileges: Ah! C'est l'Enfant au couteau, L'Enfant et Les Sortileges: Ah! quelle joie de te retrouver, Jardin!, L'Enfant et Les Sortileges: Deux robinets coulent dans un reservoir, L'Enfant et Les Sortileges: How's your mug, L'Enfant et Les Sortileges: Introduction, L'Enfant et Les Sortileges: Oui, c'est Elle, ta Princess enchantee, L'Enfant et Les Sortileges: Sauve-toi, sotte! Et la cage La cage, L'Enfant et Les Sortileges: Votre serviteur humble, Bergere, L'enfant et les sortilèges: (Ronde des Chauves-Souris) Rends-la moi! Tsk, tsk . . ., L'enfant et les sortilèges: Adieu, pastourelles!, L'enfant et les sortilèges: Ah! C'est Elle! C'est Elle!, L'enfant et les sortilèges: Ah! C'est l'Enfant au couteau!, L'enfant et les sortilèges: Ah! Quelle joie de te retrouver, Jardin!, L'enfant et les sortilèges: Arriere! Je rechauffe les bons, L'enfant et les sortilèges: Bebe a ete sage?, L'enfant et les sortilèges: Ca m'est egal!, L'enfant et les sortilèges: Danse des rainettes, L'enfant et les sortilèges: Deux robinets coulent dans un reservoir!, L'enfant et les sortilèges: Ding, ding, ding, ding, L'enfant et les sortilèges: Duo miaulé, L'enfant et les sortilèges: How's your mug?, L'enfant et les sortilèges: Il a panse la plaie . . ., L'enfant et les sortilèges: Il est bon, l'Enfant, il est sage, L'enfant et les sortilèges: J'ai pas envie de faire ma page, L'enfant et les sortilèges: Keng-ca-fou, Mah-jong, L'enfant et les sortilèges: La cage, c'etait pour mieux voir ta prestesse, L'enfant et les sortilèges: Musique d'insectes, de rainettes, etc., L'enfant et les sortilèges: Oh! Ma belle tasse chinoise!, L'enfant et les sortilèges: Oh! ma tete!, L'enfant et les sortilèges: Où es tu ? Je te cherche..., L'enfant et les sortilèges: Sauve-toi, sotte! Et la cage? La cage?, L'enfant et les sortilèges: Toi, le coeur de la rose, L'enfant et les sortilèges: Votre serviteur humble, Bergere, La Mer: De l'aube à midi sur la mer, La Mer: Dialogue du vent et de la mer, La Mer: Jeux de vagues, La mer, trois esquisses symphoniques pour orchestre, L. 109: I. "De l'aube à midi sur la mer", La mer, trois esquisses symphoniques pour orchestre, L. 109: II. "Jeux de vagues", La mer, trois esquisses symphoniques pour orchestre, L. 109: III. "Dialogue du vent et de la mer", Le Vol du bourdon, Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé, Lieutenant Kijé Suite, op. 60: II. Romance, Lieutenant Kijé Suite, op. 60: III. Wedding of Kijé, Lieutenant Kijé Suite, op. 60: IV. Troika, Lieutenant Kijé Suite, op. 60: V. Burial of Kijé, L’Heure espagnole: Introduction, L’Heure espagnole: Scène I: (Señor Torquemada, horloger de Tolede?), L’Heure espagnole: Scène II: (Totor!), L’Heure espagnole: Scène III: (Il reste, voila bien ma chance!), L’Heure espagnole: Scène IV: (Il était temps , voici Gonzalve!), L’Heure espagnole: Scène IX: (Évidemment, elle me congédie), L’Heure espagnole: Scène V: (C’est fait, L’horloge est a sa place), L’Heure espagnole: Scène VI: (Maintenant pas de temps a perdre!), L’Heure espagnole: Scène VII: (Salut a la belle horlogère!), L’Heure espagnole: Scène VII: (Voila !…Et Maintenant a l’autre!), L’Heure espagnole: Scène X: (Voila ce que j’appelle une femme charmante), L’Heure espagnole: Scène XI: (Monsieur, ah! Monsieur!), L’Heure espagnole: Scène XII: (Enfin, il part!), L’Heure espagnole: Scène XIII: (Voila l’objet!), L’Heure espagnole: Scène XIV: (Ah! vous, n’est‐ce pas, preste! leste!), L’Heure espagnole: Scène XIX: (Adieu, cellule, adieu, donjon!), L’Heure espagnole: Scène XIX: (Mon œil anxieux interroge), L’Heure espagnole: Scène XV: (En dépit de cette inhumaine), L’Heure espagnole: Scène XVI: (Voila ce que j’appelle une femme charmante!), L’Heure espagnole: Scène XVII: (Oh! la pitoyable aventure!), L’Heure espagnole: Scène XVIII: (Voila!…Et maintenant, Senora, je suis prêt), L’Heure espagnole: Scène XX: (Il n’est, pour l’horloger, de joie égale), L’Heure espagnole: Scène XXI: (Pardieu, déménageur, vous venez a propos!), L’Heure espagnole: Scène XXI: (Un financier…‐…Et un poète), Ma Mere L'Oye: Apotheose - Le Jardin feerique: Lent et grave, Ma Mere L'Oye: Danse du rouet et Scene: Allegro, Ma Mere L'Oye: Laideronnette, Imperatrice des pagodes: Mouvement de marche-Allegro-Tres modere, Ma Mere L'Oye: Les Entretiens de la Belle et de la Bete: Mouvement de valse modere, Ma Mere L'Oye: Pavane de la Belle au bois dormant: Lent-Allegro-Mouvement de valse modere, Ma Mere L'Oye: Petit Poucet: Tres modere, Ma Mere L'Oye: Prelude: Tres lent, Marche Slave, op. 31, Mars, the Bringer of War, Mercury, the Winged Messenger, Midsummer Night’s Dream Incidental Music, op. 61: Wedding March, Neptune, the Mystic, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nocturnes: Fêtes, Nocturnes: Nuages, Nocturnes: Sirènes, Passacaglia from Peter Grimes, Op. 33b, Pavane Pour Une Infante Defunte, Pavane pour une infante défunte, for piano (or orchestra), Piano Concerto in F major: I. Allegro, Piano Concerto in F major: II. Adagio - Andante con moto (trumpet: Howard Snell), Piano Concerto in F major: III. Allegro agitato, Porgy and Bess, Porgy and Bess: A Symphonic Picture (London Symphony Orchestra feat. conductor: André Previn), Prélude à l'après-midi d'un faune, Rapsode espagnole: I. Prélude a la nuit: Tres modere, Rapsodie espagnole: II. malaguena: Assez vif, Rapsodie espagnole: III. Habanera: Assez lent et d’un rythme las, Rapsodie espagnole: IV. Feria. Assez anime, Rhapsody in Blue, Romeo & Juliet, Fantasy Overture, Romeo and Juliet, Op. 64: Act I. Scene I. No. 1 Introduction, Romeo and Juliet, Op. 64: Act I. Scene I. No. 2 Romeo, Romeo and Juliet, Op. 64: Act I. Scene I. No. 3 The street awakens, Romeo and Juliet, Op. 64: Act I. Scene I. No. 4 Morning Dance, Romeo and Juliet, Op. 64: Act I. Scene I. No. 5 The quarrel, Romeo and Juliet, Op. 64: Act I. Scene I. No. 6 The fight, Romeo and Juliet, Op. 64: Act I. Scene I. No. 7 The prince gives his order, Romeo and Juliet, Op. 64: Act I. Scene I. No. 8 Interlude, Romeo and Juliet, Op. 64: Act I. Scene II. No. 10 Juliet as a young girl, Romeo and Juliet, Op. 64: Act I. Scene II. No. 11 Arrival of the guests (Minuet), Romeo and Juliet, Op. 64: Act I. Scene II. No. 12 Masks, Romeo and Juliet, Op. 64: Act I. Scene II. No. 13 Dance of the knights, Romeo and Juliet, Op. 64: Act I. Scene II. No. 14 Juliet's variation, Romeo and Juliet, Op. 64: Act I. Scene II. No. 15 Mercutio, Romeo and Juliet, Op. 64: Act I. Scene II. No. 16 Madrigal, Romeo and Juliet, Op. 64: Act I. Scene II. No. 17 Tybalt recognizes Romeo, Romeo and Juliet, Op. 64: Act I. Scene II. No. 18 Departure of the guests (Gavotte), Romeo and Juliet, Op. 64: Act I. Scene II. No. 19 Balcony scene, Romeo and Juliet, Op. 64: Act I. Scene II. No. 20 Romeo's variation, Romeo and Juliet, Op. 64: Act I. Scene II. No. 21 Love dance, Romeo and Juliet, Op. 64: Act I. Scene II. No. 9 Preparing for the ball (Juliet and the nurse), Romeo and Juliet, Op. 64: Act II. Scene I. No. 22 Folk dance, Romeo and Juliet, Op. 64: Act II. Scene I. No. 23 Romeo and Mercutio, Romeo and Juliet, Op. 64: Act II. Scene I. No. 24 Dance of the five couples, Romeo and Juliet, Op. 64: Act II. Scene I. No. 25 Dance with the mandolins, Romeo and Juliet, Op. 64: Act II. Scene I. No. 26 The nurse, Romeo and Juliet, Op. 64: Act II. Scene I. No. 27 The nurse gives Romeo the note from Juliet, Romeo and Juliet, Op. 64: Act II. Scene II. No. 28 Romeo with Friar Lawrence, Romeo and Juliet, Op. 64: Act II. Scene II. No. 29 Juliet with Friar Lawrence, Romeo and Juliet, Op. 64: Act II. Scene III. No. 31 Folk dance, Romeo and Juliet, Op. 64: Act II. Scene III. No. 32 Tybalt meets Mercutio, Romeo and Juliet, Op. 64: Act II. Scene III. No. 33 Tybalt and Mercutio fight, Romeo and Juliet, Op. 64: Act II. Scene III. No. 34 Mercutio dies, Romeo and Juliet, Op. 64: Act II. Scene III. No. 35 Romeo decides to avenge Mercutio's death, Romeo and Juliet, Op. 64: Act II. Scene III. No. 36 Finale, Romeo and Juliet, Op. 64: Act III. Epilogue. No. 51 Juliet's funeral, Romeo and Juliet, Op. 64: Act III. Epilogue. No. 52 Death of Juliet, Romeo and Juliet, Op. 64: Act III. Scene I. No 38 Romeo and Juliet (Juliet's Bedroom), Romeo and Juliet, Op. 64: Act III. Scene I. No. 37 Introduction, Romeo and Juliet, Op. 64: Act III. Scene I. No. 39 The last farewell, Romeo and Juliet, Op. 64: Act III. Scene I. No. 40 The nurse, Romeo and Juliet, Op. 64: Act III. Scene I. No. 41 Juliet refuses to marry Paris, Romeo and Juliet, Op. 64: Act III. Scene I. No. 42 Juliet alone, Romeo and Juliet, Op. 64: Act III. Scene I. No. 43 Interlude, Romeo and Juliet, Op. 64: Act III. Scene II. No. 44 At Friar Laurence's, Romeo and Juliet, Op. 64: Act III. Scene II. No. 45 Interlude, Romeo and Juliet, Op. 64: Act III. Scene III. No. 46 Juliet's bedroom, Romeo and Juliet, Op. 64: Act III. Scene III. No. 47 Juliet alone, Romeo and Juliet, Op. 64: Act III. Scene III. No. 48 Morning serenade, Romeo and Juliet, Op. 64: Act III. Scene III. No. 49 Dance of the girls with the lilies, Romeo and Juliet, Op. 64: Act III. Scene III. No. 50 At Juliet's bedside, Romeo and Juliet, Op. 64: Act: II. Scene III. No. 30 The people continue to make merry, Rumanian Rhapsody no. 1, Russlan and Ludmilla: Overture, Saturn, the Bringer of Old Age, Saul and David: Prelude to Act II, Scheherazade, Op. 35: Festival in Bagdad; The Sea; The Ship Goes to Pieces on a Rock; Surmounted by a Bronze Warrior (Shipwreck); Conclusion, Scheherazade, Op. 35: The Sea and Sinbad's Ship, Scheherazade, Op. 35: The Story of the Kalender Prince, Scheherazade, Op. 35: The Young Prince and the Young Princess, Sinfonia da Requiem, Op. 20: I. Lachrymosa (Andante ben misurato), Sinfonia da Requiem, Op. 20: II. Dies Irae (Allegro con fuoco), Sinfonia da Requiem, Op. 20: III. Requiem aeternam (Andante molto tranquillo), Slavonic Dance no. 1 in B minor, op. 72, Slavonic Dance no. 9, op. 72 no. 1, Sleeping Beauty, Op.66 (Highlights) Act I №8a: Pas d’action, Sleeping Beauty, Op.66 (Highlights) Act III №28: Coda, Sleeping Beauty, Op.66 (Highlights) Act III №28: Pas de deux, Sleeping Beauty, op. 66: Act I "The Spell": No. 5. Scene (Allegro vivo - Moderato), Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse), Sleeping Beauty, op. 66: Act I "The Spell": No. 7. Scene (Andante), Sleeping Beauty, op. 66: Act I "The Spell": No. 9. Finale, Sleeping Beauty, op. 66: Act II "The Vision": No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo), Sleeping Beauty, op. 66: Act II "The Vision": No. 11. Blind Man's Buff (Allegro vivo), Sleeping Beauty, op. 66: Act II "The Vision": No. 14. Scene: Prince Florimund and the Lilac Fairy, Sleeping Beauty, op. 66: Act II "The Vision": No. 16. Scene (Allegro agitato), Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino), Sleeping Beauty, op. 66: Act II "The Vision": No. 18. Entr'acte, Sleeping Beauty, op. 66: Act II "The Vision": No. 19. Symphonic Entr'acte (The Sleep) and Scene (Andante misterioso), Sleeping Beauty, op. 66: Act II "The Vision": No. 20. Finale: The Awakening (Allegro agitato), Sleeping Beauty, op. 66: Act III "The Wedding": No. 21. March (Allegro non troppo), Sleeping Beauty, op. 66: Act III "The Wedding": No. 22. Polonaise: Procession of Fairy-Tale Characters (Allegro moderato e brillante), Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro Moderato), Sleeping Beauty, op. 66: Introduction (Allegro vivo - Andantino), Sleeping Beauty, op. 66: Prologue "The Christening": No. 1. March (Moderato), Sleeping Beauty, op. 66: Prologue "The Christening": No. 2. Dance Scene (Moderato con moto), Sleeping Beauty, op. 66: Prologue "The Christening": No. 4. Finale, Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Aurora's Variation, Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Coda (Allegro giusto), Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Dance of the Maids of Honour and the Pages, Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Code (L'istesso tempo), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Introduction (Allegro non tanto), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro: Tempo di valse), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation III. The Sapphire Fairy (Vivacissimo), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Coda (Presto), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Introduction (Adagio), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino), Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Cinderella and Prince Charming (Allegro agitato - Tempo di valse - Vivace assai), Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato), Sleeping Beauty: Act Three "The Wedding": No. 27. Pas Berrichon, Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Adagio (Andante non troppo), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Coda (Allegro vivace), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Entrée (Allegretto - Allegro moderato), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation I. Florimund (Vivace - Prestissimo), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation II. Aurora (Andantino), Sleeping Beauty: Act Three "The Wedding": No. 29. Sarabande, Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso), Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) -, Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dance of the Baronesses (Gavotte), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Scene, Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo), Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Scene (Poco più vivo), Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora and Florimund (Andante cantabile), Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora's Variation (Allegro con moto), Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Coda (Presto), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Adagio, Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Coda (Allegro giusto), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction, Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation I. The Fair of the Crystal Fountain (Allegro moderato), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation II. the Fairy of the Enchanted Garden (Allegro), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse), Swan Lake Op. 20: Act 1: Introduction - No. 1 Scene, Swan Lake Op. 20: Act 1: No. 4 Pas de trois: Intrada - Adagio - Allegro semplice - Presto - Moderato - Allegro - Coda, Swan Lake Op. 20: Act 1: No. 5 Pas de deux: Tempo di valse - Andante - Allegro - Molto piu mosso - Tempo di valse - Coda, Swan Lake Op. 20: Act 2: No. 11 Scene, Swan Lake Op. 20: Act 2: No. 13 Danse des cygnes: Tempo di valse - Moderato assai - Molto piu mosso - Tempo di valse - Andante - Andante non troppo - Allegro - Tempo di Valse - Coda, Swan Lake, Op.20 (Highlights) Act II №13: Dance of the Swans ⓔ Andante non troppo, Allegro, Swan Lake, op. 20: Act I. No. 9. Finale, Swan Lake, op. 20: Act II, no. 10. Scene (Moderato), Swan Lake, op. 20: Act II, no. 12. Scene (Allegro), Swan Lake, op. 20: Act II, no. 14. Scene (Moderato), Swan Lake, op. 20: Act III, no. 18. Scene (Allegro - Allegro giusto), Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace), Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero), Swan Lake, op. 20: Act III, no. 22. Neopolitan Dance (Allegro moderato - Andantino quasi moderato), Swan Lake, op. 20: Act III, no. 23. Mazurka, Swan Lake, op. 20: Act III, no. 24. Scene (Allegro - Valse - Allegro vivo), Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number], Swan Lake, op. 20: Act IV, no. 28. Scene (Allegro agitato - Allegro vivace), Swan Lake, op. 20: Act IV, no. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso), Swan Lake: Act Four. No. 25. Entr'acte (Moderato), Swan Lake: Act Four. No. 26. Scene (Allegro non troppo), Swan Lake: Act Four. No. 27. Dance of the Little Swans (Moderato), Swan Lake: Act II, no. 13. Scène, Swan Lake: Act III. Appendix I: Pas de deux (a: Introduction, b: Variation I, c: Variation II, d: Coda), Swan Lake: Act III. No. 15 Scène, Swan Lake: Act III. No. 16 Danse du Corps de Ballet et des Nains, Swan Lake: Act III. No. 17 Sortie des invités / Valse, Swan Lake: Act III. No. 19 Pas de six (a: Intrada -- Variation I, b: Variation II, c: Variation III, d: Variation IV, e: Variation V, f: Coda), Swan Lake: Act IV. No. 25 Entr'acte, Swan Lake: Act IV. No. 26 Scène, Swan Lake: Act IV. No. 27 Danse des petits cygnes, Swan Lake: Act One. Introduction, Swan Lake: Act One. No. 1. Scene (Allegro giusto), Swan Lake: Act One. No. 2. Waltz (Tempo di valse), Swan Lake: Act One. No. 3. Scene (Allegro moderato), Swan Lake: Act One. No. 4. Pas de trois: I. Intrada (Allegro), Swan Lake: Act One. No. 4. Pas de trois: II. Andante sostenuto, Swan Lake: Act One. No. 4. Pas de trois: III. Allegro semplice - Presto, Swan Lake: Act One. No. 4. Pas de trois: IV. Moderato, Swan Lake: Act One. No. 4. Pas de trois: V. Allegro, Swan Lake: Act One. No. 4. Pas de trois: VI. Coda (Allegro vivace), Swan Lake: Act One. No. 5. Pas de deux: I. Tempo di valse, Swan Lake: Act One. No. 5. Pas de deux: II. Andante - Allegro - Molto più mosso, Swan Lake: Act One. No. 5. Pas de deux: III. Tempo di valse, Swan Lake: Act One. No. 5. Pas de deux: IV. Coda (Allegro molto vivace), Swan Lake: Act One. No. 6. Pas d'action (Andantino quasi moderato - Allegro), Swan Lake: Act One. No. 7. Subject, Swan Lake: Act One. No. 8. Dance with Goblets (Tempo di polacca), Swan Lake: Act Three. No. 15. Scene (Allegro giusto), Swan Lake: Act Three. No. 16. Danse of the Guests and the Dwarfs (Moderato assai - Allegro vivo), Swan Lake: Act Three. No. 17. Scene. Entrance and Waltz of the Special Guests (Allegro - Tempo di valse), Swan Lake: Act Three. No. 19. Pas de six: Coda (Allegro molto), Swan Lake: Act Three. No. 19. Pas de six: Intrada, Swan Lake: Act Three. No. 19. Pas de six: Variation I (Allegro), Swan Lake: Act Three. No. 19. Pas de six: Variation II (Andante con moto), Swan Lake: Act Three. No. 19. Pas de six: Variation III (Moderato), Swan Lake: Act Three. No. 19. Pas de six: Variation IV (Allegro), Swan Lake: Act Three. No. 19. Pas de six: Variation V (Moderato - Allegro semplice), Swan Lake: Act Three. Pas de deux [additional number]: Coda (Allegro molto vivace), Swan Lake: Act Three. Pas de deux [additional number]: Introduction (Moderato - Andante), Swan Lake: Act Three. Pas de deux [additional number]: Variation I (Allegro moderato), Swan Lake: Act Three. Pas de deux [additional number]: Variation II (Allegro), Swan Lake: Act Two. No. 11. Scene (Allegro moderato - Allegro vivo), Swan Lake: Act Two. No. 13. Dances of the Swans: I. Tempo di valse, Swan Lake: Act Two. No. 13. Dances of the Swans: II. Moderato assai - Molto più mosso, Swan Lake: Act Two. No. 13. Dances of the Swans: III. Tempo di valse, Swan Lake: Act Two. No. 13. Dances of the Swans: IV. Dance of the Little Swans (Allegro moderato), Swan Lake: Act Two. No. 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro, Swan Lake: Act Two. No. 13. Dances of the Swans: VI. Tempo di valse, Swan Lake: Act Two. No. 13. Dances of the Swans: VII. Coda (Allegro vivace), Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di Valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships, Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone, Symphony No. 1 "A Sea Symphony": III. Scherzo: The Waves, Symphony No. 1 "A Sea Symphony": IV. The Explorers, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 5 in D major: I. Preludio, Symphony No. 5 in D major: II. Scherzo, Symphony No. 5 in D major: III. Romanza, Symphony No. 5 in D major: IV. Passacaglia, Symphony No. 6 in E minor: I. Allegro, Symphony No. 6 in E minor: II. Moderato, Symphony No. 6 in E minor: III. Scherzo, Symphony No. 6 in E minor: IV. Epilogue, Symphony No. 7, "Sinfonia antartica": Epilogue: Alla marcia moderato (ma non troppo), Symphony No. 7, "Sinfonia antartica": Intermezzo: Andante Sostenuto, Symphony No. 7, "Sinfonia antartica": Landscape: Lento, Symphony No. 7, "Sinfonia antartica": Prelude: Andante maestoso, Symphony No. 7, "Sinfonia antartica": Scherzo: Moderato; Poco animato, Symphony No. 7, "Sinfonia antartica": Spoken introduction, Symphony No. 8 in D minor: Cavatina (per stromenti ad arco), Symphony No. 8 in D minor: Fantasia (Variazioni senza tema), Symphony No. 8 in D minor: Scherzo alla marcia (per stromenti a fiato), Symphony No. 8 in D minor: Toccata, Symphony No. 9 in E minor: I. Moderato maestoso, Symphony No. 9 in E minor: II. Andante sostenuto, Symphony No. 9 in E minor: III. Scherzo (Allegro pesante), Symphony No. 9 in E minor: IV. Finale (Andante tranquillo), Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro, Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto, Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotte (Non troppo allegro), Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace), Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale: Allegro con fuoco, Symphony no. 2 "A London Symphony": I. Lento - Allegro risoluto, Symphony no. 2 "A London Symphony": II. Lento, Symphony no. 2 "A London Symphony": III. Scherzo (Nocturne), Symphony no. 2 "A London Symphony": IV. Andante con moto - Maestoso alla marcia - Allegro - Lento - Epilogue, Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Finale. Allegro vivace, Symphony no. 2: I. Largo, Symphony no. 2: II. Allegro molto, Symphony no. 2: III. Adagio, Symphony no. 2: IV. Allegro vivace, Symphony no. 3, "A Pastoral Symphony": I. Molto moderato, Symphony no. 3, "A Pastoral Symphony": II. Lento moderato, Symphony no. 3, "A Pastoral Symphony": III. Moderato pesante, Symphony no. 3, "A Pastoral Symphony": IV. Lento, Symphony no. 4 in F Minor: I. Allegro, Symphony no. 4 in F Minor: II. Andante moderato, Symphony no. 4 in F Minor: III. Scherzo (allegro molto), Symphony no. 4 in F Minor: IV. Finale con epilogo fugata (allegro molto), Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5: I. Moderato, Symphony no. 5: II. Allegretto, Symphony no. 5: III. Largo, Symphony no. 5: IV. Allegro non troppo, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 7 in C♯ minor, op. 131: I. Moderato, Symphony no. 7 in C♯ minor, op. 131: II. Allegretto, Symphony no. 7 in C♯ minor, op. 131: III. Andante expressivo, Symphony no. 7 in C♯ minor, op. 131: IV. Vivace, Symphony no. 8 in C minor, op. 65 “Stalingrad”: I. Adagio - Allegro - Adagio, Symphony no. 8 in C minor, op. 65 “Stalingrad”: II. Allegretto, Symphony no. 8 in C minor, op. 65 “Stalingrad”: III. Allegro non troppo, Symphony no. 8 in C minor, op. 65 “Stalingrad”: IV. Largo, Symphony no. 8 in C minor, op. 65 “Stalingrad”: V. Allegretto - Allegro - Adagio - Allegretto, Symphony no. 8 in C minor, op. 65: I. Adagio - Allegro non troppo, Symphony no. 8 in C minor, op. 65: II. Allegretto, Symphony no. 8 in C minor, op. 65: III. Allegro non troppo, Symphony no. 8 in C minor, op. 65: IV. Largo, Symphony no. 8 in C minor, op. 65: V. Allegretto, The Banks of Green Willow, The Isle of the Dead, op. 29, The Nutcracker - op. 71 - "Waltz of the Flowers", The Nutcracker, Act II: No. 14 Pas de deux: Coda, The Nutcracker, Act II: No. 14 Pas de deux: Variation II: Dance of the Sugar Plum Fairy, The Nutcracker, op. 71: Act 2 - Pas de deux - Variation II (Dance of the Sugar-Plum Fairy), The Nutcracker, op. 71: Act I, Scene I. Arrival of Dosselmeyer, The Nutcracker, op. 71: Act I, Scene I. Children's Galop and Entry of the Parents, The Nutcracker, op. 71: Act I, Scene I. Clara and the Nutcracker, The Nutcracker, op. 71: Act I, Scene I. Grandfather Dance, The Nutcracker, op. 71: Act I, Scene I. The Decoration of the Christmas Tree, The Nutcracker, op. 71: Act I, Scene I: March, The Nutcracker, op. 71: Act I, Scene II. Battle, The Nutcracker, op. 71: Act I, Scene II. In the Pine Forest, The Nutcracker, op. 71: Act I, Scene II. Waltz of the Snowflakes, The Nutcracker, op. 71: Act II, Scene III. Divertissement: Dance of the reed pipes, The Nutcracker, op. 71: Overture, The Nutcracker: Act II. Scene II: The Kingdom of Sweets, The Nutcracker: Act II: Scene III: Clara and the Prince, The Nutcracker: Act II: Scene III: Divertissement A: Chocolate (Spanish dance), The Nutcracker: Act II: Scene III: Divertissement B: Coffee (Arab dance), The Nutcracker: Act II: Scene III: Divertissement C: Tea (Chinese dance), The Nutcracker: Act II: Scene III: Divertissement D: Trepak (Russian dance), The Nutcracker: Act II: Scene III: Divertissement F: Mother Gigogne, The Nutcracker: Act II: Scene III: Final Waltz and Apotheosis, The Nutcracker: Act II: Scene III: Pas de Deux, The Nutcracker: Act II: Scene III: Pas de Deux: Variation I: Tarantella, The Nutcracker: Act II: Scene III: Pas de Deux: Variation II: Dance of the Sugar-Plum Fairy, The Nutcracker: Act II: Scene III: Waltz of the Flowers, The Perfect Fool, op. 39: Andante, The Perfect Fool, op. 39: Dance of Spirits of Earth, The Perfect Fool, op. 39: Dance of Spirits of Fire, The Perfect Fool, op. 39: Dance of Spirits of Water, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets, Op. 32: VII. Neptune, the Mystic, The Planets, op. 32: I. Mars, the Bringer of War, The Planets, op. 32: II. Venus, the Bringer of Peace, The Planets, op. 32: III. Mercury, the Winged Messenger, The Planets, op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32: V. Saturn, the Bringer of Old Age, The Planets, op. 32: VI. Uranus, the Magician, The Rock, The Sleeping Beauty, op. 66: Act I, no. 6. Valse, The Sleeping Beauty, op. 66: Act I, no. 8. Pas d'action: a. Introduction, The Sleeping Beauty, op. 66: Act I: The Spell: no. 8: Pas d'action, The Sleeping Beauty, op. 66: Act II: The Vision: no. 12: Scéne, The Sleeping Beauty, op. 66: Act II: The Vision: no. 13: Farandole, The Sleeping Beauty, op. 66: Act II: The Vision: no. 15: Pas d'action, The Sleeping Beauty, op. 66: Act III, no. 24. Pas de caractère: Le Chat botté et la chatte blanche, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 23: Pas de quatre, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 25: Pas de quatre, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 26: Pas de caractére, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 28: Pas de deux, The Sleeping Beauty, op. 66: Act III: The Wedding: no. 30: Finale et Apothéose, The Sleeping Beauty, op. 66: Prologue: The Christening: no. 3: I. Introduction / II. Adagio / III. - VIII. Variations 1-6 / IX. Coda, The Sorcerer's Apprentice, The Wasps: Overture, The Young Person's Guide to the Orchestra, op. 34: Ansprache und Erklärung, The Young Person's Guide to the Orchestra, op. 34: Fuge (Thema in den Blechbläsern), The Young Person's Guide to the Orchestra, op. 34: Fuge (großes Orchester), The Young Person's Guide to the Orchestra, op. 34: Thema A (Großes Orchester), The Young Person's Guide to the Orchestra, op. 34: Thema B (Holzbläser), The Young Person's Guide to the Orchestra, op. 34: Thema C (Blechbläser), The Young Person's Guide to the Orchestra, op. 34: Thema D (Streicher), The Young Person's Guide to the Orchestra, op. 34: Thema E (Schlagzeug), The Young Person's Guide to the Orchestra, op. 34: Thema F (Großes Orchester), The Young Person's Guide to the Orchestra, op. 34: Variation A (Flöte/Piccoloflöte), The Young Person's Guide to the Orchestra, op. 34: Variation B (Oboe), The Young Person's Guide to the Orchestra, op. 34: Variation C (Klarinette), The Young Person's Guide to the Orchestra, op. 34: Variation D (Fagotte), The Young Person's Guide to the Orchestra, op. 34: Variation E (Violine), The Young Person's Guide to the Orchestra, op. 34: Variation F (Viola), The Young Person's Guide to the Orchestra, op. 34: Variation G (Violoncello), The Young Person's Guide to the Orchestra, op. 34: Variation H (Kontrabass), The Young Person's Guide to the Orchestra, op. 34: Variation I (Harfe), The Young Person's Guide to the Orchestra, op. 34: Variation J (Horn), The Young Person's Guide to the Orchestra, op. 34: Variation K (Trompete), The Young Person's Guide to the Orchestra, op. 34: Variation L (Posaune/Tuba), The Young Person's Guide to the Orchestra, op. 34: Variation M (Schlagzeug), Three Dances from "The Three-cornered Hat", Three Portraits from "The England of Elizabeth": I. Explorer, Three Portraits from "The England of Elizabeth": II. Poet, Three Portraits from "The England of Elizabeth": III. Queen, Tsar Saltan, Op. 57: Flight of the Bumble Bee, Tsar Saltan, Op. 57: March, Uranus, the Magician, Venus, the Bringer of Peace, Vocalise, op. 34 no. 14 |
| Coyote |
conductor |
Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto No. 2 in G minor, Op. 16: IV. Allegro tempestoso, Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo, Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo: Adagio, Piano Concerto No. 3 in D minor, Op. 30: III. Finale alla breve, Piano Concerto No. 4 in B-flat major "for the left hand", Op. 53: II. Andante, Piano Concerto No. 4 in G minor, Op. 40: I. Allegro vivace (Alla breve), Piano Concerto No. 4 in G minor, Op. 40: II. Largo, Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace, Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso, Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai, Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando, Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 1: II. Andante assai, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in G minor, op. 16: I. Andantino, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo: Vivace, Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo: Allegro moderato, Piano Concerto no. 2 in G minor, op. 16: IV. Allegro tempestoso, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni, Piano Concerto no. 3 in C major, op. 26: III. Allegro, ma non troppo, Piano Concerto no. 3 in D minor, op. 30: 1. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve), Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve, Piano Concerto no. 4 in B-flat major, op. 53 "For the Left Hand": I. Vivace, Piano Concerto no. 4 in B-flat major, op. 53 "For the Left Hand": II. Andante, Piano Concerto no. 4 in B-flat major, op. 53 "For the Left Hand": III. Moderato, Piano Concerto no. 4 in B-flat major, op. 53 "For the Left Hand": IV. Vivace, Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio, Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato, Piano Concerto no. 5 in G major, op. 55: III. Toccata: Allegro con fuoco, Piano Concerto no. 5 in G major, op. 55: IV. Larghetto, Piano Concerto no. 5 in G major, op. 55: V. Vivo, Rhapsodie über ein Thema von Paganini, Rhapsody on a Theme of Paganini, Op. 43: Introduction and Variation 1, Rhapsody on a Theme of Paganini, Op. 43: Theme, Rhapsody on a Theme of Paganini, Op. 43: Variation 10, Rhapsody on a Theme of Paganini, Op. 43: Variation 11, Rhapsody on a Theme of Paganini, Op. 43: Variation 12, Rhapsody on a Theme of Paganini, Op. 43: Variation 13, Rhapsody on a Theme of Paganini, Op. 43: Variation 14, Rhapsody on a Theme of Paganini, Op. 43: Variation 15, Rhapsody on a Theme of Paganini, Op. 43: Variation 16, Rhapsody on a Theme of Paganini, Op. 43: Variation 17, Rhapsody on a Theme of Paganini, Op. 43: Variation 18, Rhapsody on a Theme of Paganini, Op. 43: Variation 19, Rhapsody on a Theme of Paganini, Op. 43: Variation 2, Rhapsody on a Theme of Paganini, Op. 43: Variation 20, Rhapsody on a Theme of Paganini, Op. 43: Variation 21, Rhapsody on a Theme of Paganini, Op. 43: Variation 22, Rhapsody on a Theme of Paganini, Op. 43: Variation 23, Rhapsody on a Theme of Paganini, Op. 43: Variation 24, Rhapsody on a Theme of Paganini, Op. 43: Variation 3, Rhapsody on a Theme of Paganini, Op. 43: Variation 4, Rhapsody on a Theme of Paganini, Op. 43: Variation 5, Rhapsody on a Theme of Paganini, Op. 43: Variation 6, Rhapsody on a Theme of Paganini, Op. 43: Variation 7, Rhapsody on a Theme of Paganini, Op. 43: Variation 8, Rhapsody on a Theme of Paganini, Op. 43: Variation 9, Rhapsody on a Theme of Paganini, op. 43, Rhapsody on a Theme of Paganini, op. 43: Introduction / Variation 1, Rhapsody on a Theme of Paganini, op. 43: Theme, Rhapsody on a Theme of Paganini, op. 43: Variation 10, Rhapsody on a Theme of Paganini, op. 43: Variation 11, Rhapsody on a Theme of Paganini, op. 43: Variation 12, Rhapsody on a Theme of Paganini, op. 43: Variation 13, Rhapsody on a Theme of Paganini, op. 43: Variation 14, Rhapsody on a Theme of Paganini, op. 43: Variation 15, Rhapsody on a Theme of Paganini, op. 43: Variation 16, Rhapsody on a Theme of Paganini, op. 43: Variation 17, Rhapsody on a Theme of Paganini, op. 43: Variation 18, Rhapsody on a Theme of Paganini, op. 43: Variation 19, Rhapsody on a Theme of Paganini, op. 43: Variation 2, Rhapsody on a Theme of Paganini, op. 43: Variation 20, Rhapsody on a Theme of Paganini, op. 43: Variation 21, Rhapsody on a Theme of Paganini, op. 43: Variation 22, Rhapsody on a Theme of Paganini, op. 43: Variation 23, Rhapsody on a Theme of Paganini, op. 43: Variation 24, Rhapsody on a Theme of Paganini, op. 43: Variation 3, Rhapsody on a Theme of Paganini, op. 43: Variation 4, Rhapsody on a Theme of Paganini, op. 43: Variation 5, Rhapsody on a Theme of Paganini, op. 43: Variation 6, Rhapsody on a Theme of Paganini, op. 43: Variation 7, Rhapsody on a Theme of Paganini, op. 43: Variation 8, Rhapsody on a Theme of Paganini, op. 43: Variation 9 |
| Lynn Blakey |
conductor |
Also sprach Zarathustra, op. 30, Blanziflor et Helena: Ave formosissima, Capriccio, Op. 85: Mondscheinmusik, Cour d'Amours: Amor volat unique, Cour d'Amours: Circa mea pectora, Cour d'Amours: Dies, nox et omnia, Cour d'Amours: Dulcissime, Cour d'Amours: Si puer cum puellula, Cour d'Amours: Stetit puella, Cour d'Amours: Tempus est iocundum, Cour d'Amours: Veni, veni, venias, Die Fledermaus: Act II. Polka, Op. 324 "Unter Donner und Blitz", Die Fledermaus: Act III. No. 12 Entr'acte, Die Fledermaus: Overture, Don Juan, Eine Alpensinfonie, op. 64, Fortuna Imperatrix Mundi: Fortune plango vulnera, Fortuna Imperatrix Mundi: O Fortuna, In Taberna: Ego sum abbas, In Taberna: Estuans interius, In Taberna: In taberna quando sumus, In Taberna: Olim lacus colueram, La Valse, Metamorphosen (A Study For 23 Solo Strings): Adagio ma non troppo - Agitato - Adagio, tempo I, Pictures at an Exhibition (orch. Ravel): Ballet of the Chickens in their Shells, Pictures at an Exhibition (orch. Ravel): Bydlo, Pictures at an Exhibition (orch. Ravel): Catacombae (Sepulchrum Romanum), Pictures at an Exhibition (orch. Ravel): Cum mortuis in lingua mortua, Pictures at an Exhibition (orch. Ravel): Gnomus, Pictures at an Exhibition (orch. Ravel): Il vecchio castello, Pictures at an Exhibition (orch. Ravel): Promenade, Pictures at an Exhibition (orch. Ravel): Samuel Goldenberg and Schmuyle, Pictures at an Exhibition (orch. Ravel): The Great Gate of Kiev, Pictures at an Exhibition (orch. Ravel): The Hut on Fowl's Legs (Baba Yaga), Pictures at an Exhibition (orch. Ravel): The Market-place at Limoges, Pictures at an Exhibition (orch. Ravel): The Tuileries Gardens, Primo Vere: Ecce gratum, Primo Vere: Omnia Sol temperat, Primo Vere: Veris leta facies, Slavonic Dances, op. 46: no. 1 in C: Presto, Slavonic Dances, op. 46: no. 2 in E minor: Allegretto scherzando, Slavonic Dances, op. 46: no. 3 in A flat: Poco allegro, Slavonic Dances, op. 46: no. 4 in F: Tempo di menuetto, Slavonic Dances, op. 46: no. 5 in A: Allegro vivace, Slavonic Dances, op. 46: no. 6 in D: Allegretto scherzando, Slavonic Dances, op. 46: no. 7 in C minor: Allegro assai, Slavonic Dances, op. 46: no. 8 in G minor: Presto, Slavonic Dances, op. 72: no. 1 in B: Molto vivace, Slavonic Dances, op. 72: no. 2 in E minor: Allegretto grazioso, Slavonic Dances, op. 72: no. 3 in F: Allegro, Slavonic Dances, op. 72: no. 4 in D flat: Allegretto grazioso, Slavonic Dances, op. 72: no. 5 in B flat minor: Poco adagio, Slavonic Dances, op. 72: no. 6 in B flat: Moderato, quasi minuetto, Slavonic Dances, op. 72: no. 7 in C: Presto, Slavonic Dances, op. 72: no. 8 in A-flat: Lento grazioso, ma non troppo, quasi tempo di valse, Sonatina no. 1 in F for 16 Wood instruments “From an Invalid’s Workshop”: I. Allegro moderato, Sonatina no. 1 in F for 16 Wood instruments “From an Invalid’s Workshop”: II. Romanze und Menuett. Andante - Tempo di menuetto, Sonatina no. 1 in F for 16 Wood instruments “From an Invalid’s Workshop”: III. Finale. Molto allegro - Meno mosso - Tempo I - Presto, Till Eulenspiegels Lustige Streiche, Tod und Verklärung, op. 24, Uf dem anger: Chramer, gip die varwe mir, Uf dem anger: Floret silva, Uf dem anger: Reie, Uf dem anger: Tanz, Uf dem anger: Were diu werlt alle min |
| Violent Definition |
conductor, piano |
An American in Paris: Allegretto grazioso, An American in Paris: Andante ma con ritmo deciso, Gaîté parisienne: Allegro, Gaîté parisienne: Allegro brillante, Gaîté parisienne: Allegro moderato, Gaîté parisienne: Allegro vivace; Misterioso, Gaîté parisienne: Allegro vivo, Gaîté parisienne: Allegro vivo -- Valse, Gaîté parisienne: Barcarolle, Gaîté parisienne: Can Can, Gaîté parisienne: Ländler (Allegro), Gaîté parisienne: Mazurka (Allegro), Gaîté parisienne: Overture: Allegro, Gaîté parisienne: Polka, Gaîté parisienne: Quadrille, Gaîté parisienne: Tempo di marcia, Gaîté parisienne: Valse, Gaîté parisienne: Valse lente, Gaîté parisienne: Vivo, Le Carnaval des animaux: I. Introduction et Marche royale du lion, Le Carnaval des animaux: II. Poules et coqs, Le Carnaval des animaux: III. Hémiones (animaux véloces), Le Carnaval des animaux: IV. Tortues, Le Carnaval des animaux: IX. Le Coucou au fond des bois, Le Carnaval des animaux: V. L'Éléphant, Le Carnaval des animaux: VI. Kangourous, Le Carnaval des animaux: VIII. Personnages à longues oreilles, Le Carnaval des animaux: X. Volières, Le Carnaval des animaux: XI. Pianistes, Le Carnaval des animaux: XII. Fossiles, Music for the Royal Fireworks: La Paix, Piano Concerto in F: I. Allegro, Piano Concerto in F: II. Adagio, Piano Concerto in F: III. Allegro agitato, Rhapsody in Blue, Ulysses Bow: I. Prelude: Premonition, Ulysses Bow: II. Scene I: Ulysses' Return, Ulysses Bow: III. Interlude: Ulysses and Argos, Ulysses Bow: IV. Scene II: The Suitors, Ulysses Bow: IX. Interlude IV: The Ritual of Purification, Ulysses Bow: V. Interlude II: While the Suitors Sleep, Ulysses Bow: VI. Scene III: Penelope, Ulysses Bow: VII. Interlude III: Penelope's Dream, Ulysses Bow: VIII. Scene IV: The Trail of the Bow, Ulysses Bow: X. Scene V: Reunion |
| Mayda Del Valle |
conductor |
About Gigi..., Ascot Gavotte (reprise), End Titles, Exit Music, Gaston Celebrates, Gaston's Despair, Gaston's Soliloquy, Get Me to the Church on Time, Gigi, Gossips, Honoré's Soliloquy, I'm Glad I'm Not Young Anymore, Intermission, It's a Bore, It's a Bore (reprise), I’m an Ordinary Man, I’ve Grown Accustomed to Her Face, On the Street Where You Live, On the Street Where You Live (reprise), Overture, Say a Prayer for Me Tonight, Servants’ Chorus, She Is Not Thinking of Me, Thank Heaven for Little Girls, Thank Heaven for Little Girls (reprise), The Embassy Waltz, The Flower Market, The Flowermarket, The Night They Invented Champagne, The Parisians, The Transylvanian March, The Waltz at the Ice Rink, Weekend at Trouville, Without You |
| Avindale |
conductor |
Alexander Nevsky Cantata, Op. 78: 1. Russia Beneath the Yoke of the Mongols, Concerto for Orchestra: Elegia. Andante non troppo, Concerto for Orchestra: Finale. Pesante; Presto, Concerto for Orchestra: Giuoco delle coppie. Allegretto scherzando, Concerto for Orchestra: Intermezzo interrotto. Allegretto, Concerto for Orchestra: Introduzione. Andante non troppo; Allegro vivace, Lieutenant Kije Suite, Op. 60: 1. Kije's Birth, Lieutenant Kije Suite, Op. 60: 2. Song, Lieutenant Kije Suite, Op. 60: 3. Kije's Wedding, Lieutenant Kije Suite, Op. 60: 4. Troika Song, Lieutenant Kije Suite, Op. 60: 5. Kije's Burial, Má Vlast No. 2: Vltava (The Moldau), Nine-Minute Overture, Overture, My Home, op. 62, Prélude à l'après-midi d'un faune for orchestra, L. 86, Sinfonietta: Allegretto, Sinfonietta: Allegro, Sinfonietta: Andante, Sinfonietta: Moderato, Symphony No.7, Op.131: 1. Moderato, Symphony No.7, Op.131: 2. Allegretto, Symphony No.7, Op.131: 3. Andante espressivo, Symphony No.7, Op.131: 4. Vivace (original version), Symphony for Classical Orchestra: I. Adagio - Allegro, Symphony for Classical Orchestra: II. Adagietto, Symphony for Classical Orchestra: III. Scherzo, Symphony for Classical Orchestra: IV. Finale: Allegro con spirito, Symphony no. 7 in D Minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace, Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro, The Sorcerer's Apprentice |
| Clemens Paulich |
piano |
Hermit Songs, op. 29: I. At Saint Patrick's Purgatory, Hermit Songs, op. 29: II. Church Bell at Night, Hermit Songs, op. 29: III. St. Ita's Vision, Hermit Songs, op. 29: IV. The Heavenly Banquet, Hermit Songs, op. 29: IX. The Praises of God, Hermit Songs, op. 29: V. The Crucifixion, Hermit Songs, op. 29: VI. Sea-Snatch, Hermit Songs, op. 29: VII. Promiscuity, Hermit Songs, op. 29: VIII. The Monk and his Cat, Hermit Songs, op. 29: X. The Desire for Hermitage, Sally Chisum remembers Billy the Kid, Six Elizabethan Songs: I. Spring, Six Elizabethan Songs: II. Sleep, Six Elizabethan Songs: III. Winter, Six Elizabethan Songs: IV. Dirge, Six Elizabethan Songs: V. Diaphenia, Six Elizabethan Songs: VI. Hymn, Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother, Twelve Poems of Emily Dickinson: II. There came a wind like a bugle, Twelve Poems of Emily Dickinson: III. Why do they shut me out of Heaven?, Twelve Poems of Emily Dickinson: IV. The world feels dusty, Twelve Poems of Emily Dickinson: IX. I felt a funeral in my brain, Twelve Poems of Emily Dickinson: V. Heart, we will forget him!, Twelve Poems of Emily Dickinson: VI. Dear March, come in!, Twelve Poems of Emily Dickinson: VII. Sleep is supposed to be, Twelve Poems of Emily Dickinson: VIII. When they come back, Twelve Poems of Emily Dickinson: X. I've heard an organ talk sometimes, Twelve Poems of Emily Dickinson: XI. Going to heaven!, Twelve Poems of Emily Dickinson: XII. The Chariot, Vocalise |
| Ronald Harville |
conductor |
After It’s a Bore (extended version), Armenonville / It’s a Bore Prelude, Aunt Alicia, Aunt Alicia’s March (extended version), Bore Montage, Bracelet (extended version), Dissolve Maxim’s / Gossip (extended version), End Title, Finale: Thank Heaven for Little Girls, Gaston With Flowers, Gaston’s Decision, Gaston’s House (extended version), Gigi’s Big Moment, Goodbye Madame, Ice Skating Sequence (extended version), I’m Glad I’m Not Young Anymore (reprise) (extended version), Lessons (extended version), Main Title, Meet Gigi (extended version), Opening, Overture, Panting Grandmama (outtake), Parisians Introduction, Second Gossip (extended version/vocal outtake), To the Inn (extended version), Trouville (extended version), Upset, Waltz at Maxim’s, Dance Version (extended version), You Never Told Me |
| Shelly Manne |
piano |
Ascot Gavotte, Better Than a Dream, Collard Greens and Black-Eyed Peas, Get Me to the Church on Time, I Could Have Danced All Night, I Cover the Waterfront, I Met a Girl, I've Grown Accustomed to Her Face, Independent (On My Own), Is It a Crime, It's a Perfect Relationship, Just in Time, Long Before I Knew You, Mu-Cha-Cha, On the Street Where You Live, Show Me, Squatty Roo, Stars Fell on Alabama, Tangerine, The Girl Friend, The Party's Over (Ballad version), The Party's Over (Up-Tempo version), With a Little Bit of Luck, Wouldn't It Be Loverly |
| Sir Michael Tippett |
conductor |
A Spiritual, A Spiritual (1.10), A Spiritual (3.46), A Spiritual of Anger, Alto Solo (0.53), Alto Solo (2.14), Chorus, Chorus (4.37), Chorus of the Oppressed, Chorus of the Persecutors and Persecuted, Chorus of the Self-Righteous, General Ensemble (5.15), Scena (Bass & Alto Soli), Scena (Bass Solo & Chorus) (6.31), Scena (Chorus & Alto Solo), Scena (Solo Quartet), Soprano solo, Tenor Solo, The Argument, The Boy Sings in His Prison, The Mother (1.41), The Narrator, The Terror |
| Сергей Сергеевич Прокофьев |
conductor |
Alexander Nevsky, Cantata Op. 78: Alexander's Entry into Pskov, Alexander Nevsky, Cantata Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Cantata Op. 78: The Battle on the Ice, Alexander Nevsky, Cantata Op. 78: The Crusaders in Pskov, Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, Op. 78: III. The Crusaders in Pskov, Alexander Nevsky, Op. 78: IV. "Arise, Ye Russian People", Alexander Nevsky, Op. 78: V. The Battle on the Ice, Alexander Nevsky, Op. 78: VI. The Field of the Dead, Alexander Nevsky, Op. 78: VII. Alexander's Entry Into Pskov, Lieutenant Kijé Suite, Op. 60: I. Birth of Kije, Lieutenant Kijé Suite, Op. 60: II. Romance, Lieutenant Kijé Suite, Op. 60: III. Wedding of Kije, Lieutenant Kijé Suite, Op. 60: IV. Troika, Lieutenant Kijé Suite, Op. 60: V. Burial of Kije, Piano Concerto No. 1 in D-flat major, Op. 10: III. Allegro scherzando, Romeo & Juliet: Dance of the Knights, Scythian Suite, Op. 20: I. L'adoration de Veles et d'Ala, Scythian Suite, Op. 20: II. Le dieu ennemi et la danse des esprits noirs, Scythian Suite, Op. 20: III. La nuit, Scythian Suite, Op. 20: IV. Le départ glorieux de Lolly et le cortège du soleil, Symphonic Suite, Op. 60 "Lieutenant Kijé": Troika (The London Symphony Orchestra: Andre Previn, 1985) |
| Francis Poulenc |
conductor, piano |
Mélancolie, for piano, FP 105, Organ Concerto in G minor: I. Andante - Allegro giocoso, Organ Concerto in G minor: II. Andante moderato, Organ Concerto in G minor: III. Tempo allegro, molto agitato, Organ Concerto in G minor: IV. Très calme, Lente, Organ Concerto in G minor: V. Tempo de l'Allegro initial, Organ Concerto in G minor: VI. Tempo introduction, Largo, Organ Concerto: IV. (Ending) / Organ Concerto: VI. (Opening), Presto for piano in B flat major, FP 70, Suite française (d'après Claude Gervaise), for piano (arr. from chamber version), FP 80: 1. Bransle de Bourgogne, Suite française (d'après Claude Gervaise), for piano (arr. from chamber version), FP 80: 2. Pavane, Suite française (d'après Claude Gervaise), for piano (arr. from chamber version), FP 80: 4. Complainte, Suite française (d'après Claude Gervaise), for piano (arr. from chamber version), FP 80: 5. Bransle de Champagne, Suite française (d'après Claude Gervaise), for piano (arr. from chamber version), FP 80: 6. Sicilienne, Suite française (d'après Claude Gervaise), for piano (arr. from chamber version), FP 80: 7. Carillon, Trois pièces, for piano, FP 48: 1. Pastorale, Trois pièces, for piano, FP 48: 2. Toccata, Trois pièces, for piano, FP 48: 3. Hymne |
| Kiri Te Kanawa |
performer, piano |
A Sleepin' Bee, Angel Eyes, Autumn Leaves (Feuilles Mortes), Befreit, Cute, Honeysuckle Rose, It Could Happen to You, It Never Was You, It's Easy to Remember, Like Someone in Love, Polkadots and Moonbeams, Porgi amor (Le nozze di Figaro), Teach Me Tonight, The Second Time Around, The Shadow of Your Smile, Too Marvellous for Words, Why Don't You Do Right |
| Hector Berlioz |
conductor |
Requiem, Op. 5: I. Requiem et Kyrie - Introitus, Requiem, Op. 5: II. Dies irae - Prosa, Requiem, Op. 5: III. Quid sum miser, Requiem, Op. 5: IV. Rex tremendae, Requiem, Op. 5: IX. Sanctus, Requiem, Op. 5: V. Quaerens me, Requiem, Op. 5: VI. Lacrymosa, Requiem, Op. 5: VII. Offertorium - Domine Jesu Christe, Requiem, Op. 5: VIII. Hostias, Requiem, Op. 5: X. Agnus Dei, Symphonie fantastique, Op. 14: I. Rêveries - Passions, Symphonie fantastique, Op. 14: II. Un bal, Symphonie fantastique, Op. 14: III. Scène aux champs, Symphonie fantastique, Op. 14: IV. Marche au supplice, Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat |
| Acoustic Minds |
piano |
A Sleepin' Bee, Between the Devil and the Deep Blue Sea, C Jam Blues, Come Rain or Come Shine, Come Sunday, Day Dream / Prelude to a Kiss, Five O'Clock Whistle, Good Queen Bess, It Don't Mean a Thing If It Ain't Got That Swing, Let's Fall in Love, Over the Rainbow, Stormy Weather, Things Ain't What They Used to Be |
| Bronislau Kaper |
conductor |
Becky's Theme, Buffalos and Indians, Finale, Flowers for Mr. Mack, I Killed Him (Execution), Lige Celebrates, Mercy McBee, On to Crystal City - Tadlock's End, Overture (Main Title), Reluctant Mercy, The Way West, Water & Billy's Death, We're Crossing First |
| Julie Andrews |
arranger, conductor, harpsichord |
Angels from the Realms, Away in a Manger, Deck the Halls, God Rest Ye Merry, Gentlemen, God Rest You Merry, Gentlemen, Irish Carol, It Came Upon the Midnight Clear, Jingle Bells, Joy to the World, O Little Town of Bethlehem, Sunny Bank (I Saw Three Ships), The Bells of Christmas, Wexford Carol |
| 河口友美 |
conductor |
Concerto No. 1 in A minor, Op. 28: I. Allegro moderato, Concerto No. 1 in A minor, Op. 28: II. Andante, Concerto No. 1 in A minor, Op. 28: III. Moderato. Allegretto, Suite for Violin and Orchestra in A minor, op. 10: I. Presto, Suite for Violin and Orchestra in A minor, op. 10: II. Adagio, Suite for Violin and Orchestra in A minor, op. 10: III. Tempo giusto, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto, Violin Concerto in D, op. 35: I. Moderato nobile, Violin Concerto in D, op. 35: II. Romance, Violin Concerto in D, op. 35: III. Finale (Allegro assai vivace), Zigeunerweisen, Op. 20 |
| Cliff |
piano |
Russian Rhapsody for 2 Pianos in E minor, Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle, Suite no. 1 for 2 Pianos, op. 5: 2. A night for love, Suite no. 1 for 2 Pianos, op. 5: 3. Tears, Suite no. 1 for 2 Pianos, op. 5: 4. Russian Easter, Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso, Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia, Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto, Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino, Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle, Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I, Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - Allegro vivace |
| SHIT HAPPENING |
conductor |
Concerto for Violin no. 1, op. 19: I. Andantino, Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo, Concerto for Violin no. 1, op. 19: III. Moderato, Concerto for Violin no. 2, op. 63: I. Allegro moderato, Concerto for Violin no. 2, op. 63: II. Andante assai, Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato, Violin Concerto in D major, op. 35: I. Moderato nobile, Violin Concerto in D major, op. 35: II. Romance: Andante, Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace, Violin Concerto, op. 14: I. Allegro, Violin Concerto, op. 14: II. Andante, Violin Concerto, op. 14: III. Presto in moto perpetuo |
| I Have a Tribe |
piano |
Close Your Eyes, Control Yourself, Daydreaming, Falling in Love Again, Fools Rush In (Where Angels Fear to Tread), Give Me Time, My One and Only Love, Nobody's Heart, Remind Me, Wait Till You See Him, Who Are We to Say (Obey Your Heart), Yes |
| Julie London |
arranger, conductor |
A Stranger in Town, Angel Eyes, It Could Happen to You, It’s a Blue World, Learnin’ the Blues, Love Is Here to Stay, Makin’ Whoopee, One for My Baby, The More I See You, They Can’t Take That Away From Me, Two Sleepy People, When I Fall in Love |
| Betty Bennett |
arranger, piano |
Have Yourself a Merry Little Christmas, Island in the West Indies, Mountain Greenery, My Man's Gone Now, Nobody Else But Me, Sidewalks of Cuba, The Next Time I Care, This Is the Moment, Tomorrow Mountain, Treat Me Rough, You Took Advantage of Me, You're Driving Me Crazy |
| Scott Joplin |
piano |
Bethena (A Concert Waltz), Elite Syncopations, Magnetic Rag, Pine Apple Rag, Ragtimes (arr. Perlman): I. Elite Syncopations, Ragtimes (arr. Perlman): II. Pine Apple Rag, Solace (A Mexican Serenade), Sugar Cane (A Rag-Time Classic Two Step), The Easy Winner, The Entertainer, The Rag-Time Dance, The Strenuous Life (Rag-Time Two-Step) |
| Diahann Carroll |
arranger |
But Not for Me, Change of Heart, Gingerbread Joy, Glad to Be Unhappy, I Should Care, In Love in Vain, It’s All Right With Me, Nobody’s Heart, Spring Is Here, The Party’s Over, Where Are You, Why Can’t You Behave? |
| J+Malen / Redwood Son |
piano |
All the Things You Are, Cotton Tail, Honeysuckle Rose, I Got It Bad and That Ain't Good, I Only Have Eyes for You, Laura, Limehouse Blues, One for Bunz, Smoke Gets in Your Eyes, There'll Never Be Another You, What Am I Here For |
| Nature's Call |
piano |
I Got Plenty O' Nuttin', I Loves You Porgy, It Ain't Necessarily So, My Man's Gone Now, Oh, I Can't Sit Down, Porgy, I's Yo' Woman Now, Summertime, There's Somebody Knockin', There's a Boat That's Leavin' Soon for New York, What You Want Wild Bess |
| Itzhak Perlman |
piano |
A Tune for Heather, Bowing and Scraping, Catgut Your Tongue, It's About Time, It's a Breeze, Quiet Diddling, Rain in My Head, The Red Bar |
| Wolfgang Amadeus Mozart |
conductor, piano |
Exsultate Jubilate, K 165 (158a): Alleluia, Piano Concerto No. 17 in G major, K. 453: 1. Allegro, Piano Concerto No. 17 in G major, K. 453: 2. Andante, Piano Concerto No. 17 in G major, K. 453: 3. Allegretto, Piano Trio no. 3 in B-flat major, K. 502: I. Allegro, Piano Trio no. 3 in B-flat major, K. 502: II. Larghetto, Piano Trio no. 3 in B-flat major, K. 502: III. Allegretto, Piano Trio no. 5 in C major, K. 548: I. Allegro, Piano Trio no. 5 in C major, K. 548: II. Andante cantabile, Piano Trio no. 5 in C major, K. 548: III. Allegro |
| Пётр Ильич Чайковский |
conductor |
Manfred Symphony in B minor, Op. 58: I. Lento lugubre - Moderato con moto - And, Manfred Symphony in B minor, Op. 58: II. Vivace con spirito, Manfred Symphony in B minor, Op. 58: III. Andante con moto, Manfred Symphony in B minor, Op. 58: IV. Allegro con fuoco, Piano Concerto No. 1 in B-flat minor, Op. 23: I (excerpt), Suite from The Sleeping Beauty, Swan Lake Op. 20: Act 1: No. 8 Danse des coupes, Swan Lake ballet, Op.20 - Dance Of The Little Swans (London Symphony Orchestra: Andre Previn, 1985), Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace (excerpt), The Nutcracker, op. 71, Act 2: Waltz of the Flowers |
| Dinah Shore |
piano |
April in Paris, I'll Be Seeing You, I've Got You Under My Skin, If I Had You, It Had to Be You, My Melancholy Baby, Sleepy Time Gal, That Old Feeling, The Man I Love, Then I'll Be Tired of You |
| Kingbreaker |
piano |
Get Me to the Church on Time, I Could Have Danced All Night, I'm an Ordinary Man, I've Grown Accustomed to Your Face, On the Street Where You Live, The Rain in Spain, With a Little Bit of Luck, Without You, Wouldn't It Be Loverly, You Did It |
| Manuel Domínguez |
piano |
Bye Bye Blackbird, Don't Sing Along, I Know You Oh So Well, Intersection, It's Easy to Remember, Life Is a Ball, Like Someone in Love, No Moon at All, Oh, What a Beautiful Mornin', You're Impossible |
| Sylvia McNair |
piano |
Cotton Club Paradise: Stormy Weather, The Wizard of Oz: Over the Rainbow, Very Warm for May: All the Things You Are |
| Red Fetish |
conductor |
Honey and Rue: I. First I’ll Try Love, Honey and Rue: II. Whose House Is This?, Honey and Rue: III. The Town Is Lit, Honey and Rue: IV. Do You Know Him?, Honey and Rue: V. I Am Not Seaworthy, Honey and Rue: VI. Take My Mother Home, Knoxville: Summer of 1915, Porgy and Bess: “I Loves You, Porgy”, Porgy and Bess: “Summertime” |
| Rocket fuel lighters |
piano |
Bewitched, Do It the Hard Way, I Could Write a Book, I'm Talkin' With My Pal, It's a Great Big Town, Take Him, That Terrific Rainbow, What Is a Man, Zip |
| Ludwig van Beethoven |
conductor |
Overture "Fidelio", Op. 72b, Overture "Leonore" No. 3, Op. 72a, Overture to The Creatures of Prometheus, Piano Concerto No. 5 "Emperor" (3rd MVT), Symphonie No. 9 en Ré mineur, Op. 125 "Choral": Allegro, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Barney Kessel |
piano |
A Pad on the Edge of Town, Carmen's Cool, Flowersville, Free as a Bird, If You Dig Me, Like, There's No Place Like..., Swingin' the Toreador, The Gypsy's Hip, Viva El Toro |
| üka |
conductor |
Symphonie espagnole in D minor, op. 21: I. Allegro non troppo, Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto, Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegro non troppo, Symphonie espagnole in D minor, op. 21: IV. Andante, Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro, Tzigane, Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace |
| Sir William Walton |
conductor |
Comedy Overture: Scapino, Overture: Portsmouth Point, Symphony No. 2: I. Allegro molto, Symphony No. 2: II. Lento assai, Symphony No. 2: III. Passacaglia: Theme, Variations, Fugato & Coda - Scherzando, Symphony no. 1 in B-flat minor: I. Allegro assai, Symphony no. 1 in B-flat minor: II. Presto, con malizia, Symphony no. 1 in B-flat minor: III. Andante con malincolia, Symphony no. 1 in B-flat minor: IV. Maestoso; Brioso ed ardentemente |
| Natalie Bar |
conductor |
Cello Concerto in E minor, Op. 85: I. Adagio-Moderato / II. Lento-allegro molto, Concerto for Cello and Orchestra in E minor, op. 85: I. Adagio - Moderato - attacca, Concerto for Cello and Orchestra in E minor, op. 85: II. Lentto - Allegro molto, Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio, Concerto for Cello and Orchestra in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo, Concerto for Cello and Orchestra: I. Moderato, Concerto for Cello and Orchestra: II. Allegro appassionato, Concerto for Cello and Orchestra: III. Lento - con moto - Risoluto tempo giusto. Brioso - Allegro molto - Rapsodicamente - a tempo di Nº6, Iº Mov. ma un po´più lento - Adagio |
| Clinton Patterson |
piano |
Trio for Piano, Violin, and Cello No. 1 in B major, Op. 8: I. Allegro con brio, Trio for Piano, Violin, and Cello No. 1 in B major, Op. 8: II. Scherzo. Allegro molto - Meno allegro, Trio for Piano, Violin, and Cello No. 1 in B major, Op. 8: III. Adagio, Trio for Piano, Violin, and Cello No. 1 in B major, Op. 8: IV. Allegro, Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 “Archduke”: I. Allegro moderato, Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 “Archduke”: II. Scherzo. Allegro, Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 “Archduke”: III. Andante cantabile ma però con moto, Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 “Archduke”: IV. Allegro moderato |
| Hsin-bei Lee |
piano |
A Foggy Day, But Not for Me, How Long Has This Been Going On?, I've Got a Crush on You / Someone to Watch Over Me / Embraceable You, Let's Call the Whole Thing Off, Nice Work If You Can Get It, They Can't Take That Away From Me, Who Cares? |
| Jeremy Snodgrass |
piano |
America, Cool, Gee, Officer Krupke!, I Feel Pretty, Jet Song, Maria, Something's Coming, Tonight |
| 肉弾 |
conductor, piano |
Adagio for Strings, Rhapsody in Blue, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Allegro, Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace - Tempo come prima, Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace |
| Tim Pledger |
conductor |
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro, Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto, Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotte. Non troppo allegro, Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso |
| Сергей Рахманинов |
conductor |
Piano Concerto No. 3: II. Adagio, Symphony No. 2 in E minor, Op. 27: III. Adagio (excerpt), Symphony No. 2 in E minor, Op. 27: III. Adagio (opening extract), Symphony no. 2 in E minor, op. 27, The Bells, Op. 35: I. Allegro ma non tanto, The Bells, Op. 35: II. Lento, The Bells, Op. 35: III. Presto, The Bells, Op. 35: IV. Lento lugubre |
| Joana Serrat |
conductor |
Piano Concerto in A minor, Op. 16: II. Adagio / III. Allegro moderato e marcato, Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso / III. Allegro vivace, Piano Concerto in A minor, op. 16: I. Allegro molto moderato, Piano Concerto in A minor, op. 16: II. Adagio, Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso, Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso |
| Jake Jamieson |
piano |
A Foggy Day, Boy! What Love Has Done to Me!/I've Got a Crush on You, Embraceable You, I Got Rhythm, Oh, Lady Be Good, Someone to Watch Over Me, The Man I Love |
| Marianna Gazzani |
conductor |
Symphony No. 4 in C minor, Op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony No. 4 in C minor, Op. 43: II. Moderato con moto, Symphony No. 4 in C minor, Op. 43: III. Largo - Allegro, Symphony No. 5 in D minor, Op. 47: I. Moderato - Allegro non troppo, Symphony No. 5 in D minor, Op. 47: II. Allegretto, Symphony No. 5 in D minor, Op. 47: III. Largo, Symphony No. 5 in D minor, Op. 47: IV. Allegro non troppo |
| Aaron Copland |
conductor, piano |
"Morning on the Ranch" from the Red Pony (St. Louis Symphony, feat. conductor: André Previn), Sonata for violin & piano: I. Andante semplice - Allegro - Più mosso - Tempo II - Twice as slow (Tempo I), Sonata for violin & piano: II. Lento - Poco più mosso - Tempo I, Sonata for violin & piano: III. Allegretto giusto - Presto - Twice as slow - Tempo I - Presto - Molto allargando (Twice as slow) - Tempo of Mov. I (Andante), The Red Pony: Suite for Orchestra: III. Dream March - Circus Music (St. Louis Symphony feat. conductor: André Previn), Two pieces for violin & piano, No. 1: Nocturne |
| Flip Loc |
conductor |
Viola Concerto I: Andante comodo, Viola Concerto II: Vivo, con molto preciso, Viola Concerto III: Allegro moderato, Violin Concerto I: Andante tranquillo, Violin Concerto II: Presto capriccioso napolitana-Trio (Canzonetta)-Tempo I, Violin Concerto III: Vivace |
| Nasyr Davlesov |
performer |
Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace - Moderato -Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace (Alla breve), Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace |
| Helis Oidekivi |
conductor |
Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta: Andante, Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| Frank Sinatra |
arranger, piano |
It's the Same Old Dream, It's the Same Old Dream (reprise), La Ci Darem la Mano, Red, Time After Time, Whose Baby Are You? |
| Antonín Dvořák |
conductor |
Carnival Overture, op. 92, Symphony no. 9, op. 95 "From the New World": I. Adagio; Allegro molto, Symphony no. 9, op. 95 "From the New World": II. Largo, Symphony no. 9, op. 95 "From the New World": III. Scherzo, Symphony no. 9, op. 95 "From the New World": IV. Allegro con fuoco |
| Benny Carter |
piano |
Ain't She Sweet, Blue Lou, Blues My Naughty Sweety Gives to Me, How Can You Lose, Old Fashioned Love |
| Maurice Ravel |
conductor |
Bolero (conclusion), Boléro (extrait), Daphnis et Chloé: Lever du jour, La Valse, Pavane pour une Infante defunte |
| Samuel Barber |
piano |
Canzone for violin & piano: Moderato, Four Excursions, op. 20 no. 1: Un Poco Allegro, Four Excursions, op. 20 no. 2: In Slow Blues Tempo, Four Excursions, op. 20 no. 3: Allegretto, Four Excursions, op. 20 no. 4: Allegro Molto |
| Andreas Ottensamer |
piano |
Concerto for Piano, String Orchestra and Trumpet no. 1 in C minor, op. 35: I. Allegretto - Allegro vivace, Concerto for Piano, String Orchestra and Trumpet no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, String Orchestra and Trumpet no. 1 in C minor, op. 35: III. Moderato, Piano Concerto no. 1 in C minor, op. 35: IV. Allegro con brio, Piano Concerto no. 1, op. 35: II. Lento / III. Moderato / IV. Allegro con brio |
| Pete Rugolo and His Orchestra |
piano |
All the Things You Are, Brass at Work, Can't We Talk It Over?, Godchild, My Mother's Eyes |
| Método Mc |
conductor |
Henry V 1 Overture - The Globe Playhouse, Henry V 2 Death of Falstaff - Passacaglia, Henry V 3 Charge and Battle, Henry V 4 Touch Her Soft Lips And Part, Henry V 5 Agincourt Song |
| Mr Henry Von |
conductor |
Scheherazade, op. 35: Festival at Baghdad, Scheherazade, op. 35: The Sea and Sinbad's Ship, Scheherazade, op. 35: The Story of the Calender Prince, Scheherazade, op. 35: The Young Prince and the Young Princess |
| Banana Butts |
conductor |
Fantasía para un gentilhombre: I. Adagietto - Andante moderato (Villano y ricercare), Fantasía para un gentilhombre: II. Adagio (Españoleta e fanfare de la caballería de Nápoles), Fantasía para un gentilhombre: III. Allegro con brio (Danza de las hachas), Fantasía para un gentilhombre: IV. Allegro ma non troppo (Canario) |
| クレープ |
piano |
Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace, Much Ado about Nothing, op. 11: II. Dogbery and Verges. March of the Watch: In the tempo of a grotesque funeral march, Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow), Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato |
| Lil’ Mel |
conductor |
A Happy Song [Jazz Combo Version], A Happy Song [Pre-recording Version], The Circus Is a Wacky World [Pre-recording Version], You’re Gonna Hear From Me [Screen Test Version] |
| Quavious Marshall |
conductor |
Cello Concerto in B minor, op. 104: I. Allegro, Cello Concerto in B minor, op. 104: II. Adagio ma non troppo, Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato, Rondo in G minor, op. 94 |
| Jérôme Lambert |
conductor |
Concerto for Oboe in D major - Allegro, Concerto for Oboe in D major - Allegro Moderato, Concerto for Oboe in D major - Andante, Concerto for Oboe in D major - Vivace - attacca |
| Jacques Le Honsec |
conductor |
3. Satz (Rondo) aus dem Hornkonzert Nr. 1, Concerto for Natural Horn No.1 in E flat major - Allegro, Concerto for Natural Horn No.1 in E flat major - Andante, Concerto for Natural Horn No.1 in E flat major - Rondo. Allegro |
| Ravi Shakti |
conductor |
Sleeping Beauty: Bluebird Pas de Deux, The Nutcracker: Chinese Dance, The Nutcracker: Dance of the Reed Flutes, The Nutcracker: Dance of the Sugar Plum Fairy |
| Andrew Lloyd Webber |
conductor |
Could We Start Again Please?, Hosanna, John Nineteen: Forty-One, Overture |
| Zero Charisma |
conductor |
I Could Have Danced All Night, Just You Wait (reprise), Wouldn’t It Be Loverly |
| Donald Pearson |
piano |
Prelude No. 1 in B flat major: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz), Prelude No. 2 in C sharp minor: Andante con moto e poco rubato (arr. violin & piano: Jascha Heifetz), Prelude No. 3 in E flat minor: Allegro ben ritmato e deciso (arr. violin & piano: Jascha Heifetz) |
| O'Nancy in French |
conductor |
Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace |
| Oliver Siegel |
conductor |
A Happy Song [Pre-recording Version], The Circus Is a Wacky World [Pre-recording Version], You’re Gonna Hear From Me [Screen Test Version] |
| Melvin Stubbe |
conductor |
Concerto for Violin and Orchestra: I. Allegro moderato, Concerto for Violin and Orchestra: II. Adagio, Concerto for Violin and Orchestra: III. Allegro non troppo |
| The Survival Code |
conductor |
Concerto for Violincello and Orchestra in B minor, op. 104: I. Allegro, Concerto for Violincello and Orchestra in B minor, op. 104: II. Adagio ma non troppo, Concerto for Violincello and Orchestra in B minor, op. 104: III. Finale (Allegro moderato) |
| The IT_Boy |
conductor |
Guitar Concerto: I. Allegro preciso, Guitar Concerto: II. Andantino e andante, Guitar Concerto: III. Allegretto non troppo - Vivo |
| Michael Claus |
conductor |
Second Horn Concerto - Allegro, Second Horn Concerto - Andante con moto, Second Horn Concerto - Rondo. Allegro molto |
| Inbassador |
conductor, piano |
Concerto for Two Pianos, K. 365 in E-flat major: I. Allegro, Concerto for Two Pianos, K. 365 in E-flat major: II. Andante, Concerto for Two Pianos, K. 365 in E-flat major: III. Rondo: Allegro |
| Curtis Liggins Indications |
piano |
Sonata for Two Pianos, K. 448 in D major: I. Allegro con spirito, Sonata for Two Pianos, K. 448 in D major: II. Andante, Sonata for Two Pianos, K. 448 in D major: III. Allegro molto |
| Daniele Gandi |
arranger, conductor |
Exit Music: Jazz Baby / Jimmy / Thoroughly Modern Millie, Intermission Medley: Thoroughly Modern Millie / Jimmy / Jewish Wedding Song (Trinkt Le Chaim) / Baby Face, Overture: Baby Face / Do It Again! / Poor Butterfly / Stumbling / Japanese Sandman |
| 秀蘭瑪雅 |
conductor |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro |
| Gustav Holst |
conductor |
Jupiter (edit), The Planets, op. 32: II. Venus, the Bringer of Peace, The Planets: Mars, the Bringer of War (excerpt) |
| Ryan Higgo |
conductor |
Duet - Concertino for Clarinet and Bassoon - Allegro moderato, Duet - Concertino for Clarinet and Bassoon - Andante, Duet - Concertino for Clarinet and Bassoon - Rondo. Allegro ma non troppo |
| George Gershwin |
piano |
Klavierkonzert in F: Andante con moto (André Previn, Orchester André Kostelanetz), S' Wonderful, The Man I Love (excerpt) |
| Rex Harrison |
conductor |
I’m an Ordinary Man, I’ve Grown Accustomed to Her Face |
| Florence Vicha |
conductor |
O Come All Ye Faithful, The First Noel |
| Stanley Holloway |
conductor |
Get Me to the Church on Time, With a Little Bit of Luck |
| Harry Fontana and The Tennessee Tone Boys |
conductor |
Say a Prayer for Me Tonight, The Parisians |
| Richard Strauss |
conductor |
Don Juan, Op. 20, Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character) |
| Louis Jourdan |
conductor |
Gigi / Gaston’s Soliloquy, Waltz at Maxim’s (She Is Not Thinking of Me) |
| KONDA |
conductor |
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, O Fortuna |
| Delly Boi |
conductor |
Piano Concerto in A minor, op. 54: III. Allegro vivace |
| Pietro Yon |
conductor |
Gesù bambino |
| Fernando Arbello |
conductor |
Fortuna Imperatrix Mundi: O Fortuna |
| Räpylät |
conductor |
Carmina Burana: Cour d'Amours: In trutina |
| Felix Mendelssohn |
conductor |
Overture: A Midsummer Night’s Dream, op. 21 |
| Phaz |
conductor |
You’re Gonna Hear From Me [Pre-recording Version] |
| The Rabid Happy |
piano |
My One and Only Love |
| Phase |
conductor |
A Midsummer Night's Dream, Op. 61- 5- Nocturne |
| Erich Wolfgang Korngold |
conductor |
Captain Blood (main title) |
| Engelbert Humperdinck |
conductor |
Hänsel und Gretel: Abends will ich schlafen gehn (Evening Hymn) |
| Harold Arlen |
piano |
Cotton Club Paradise: Stormy Weather |
| Diego Suarez |
conductor |
Die Fledermaus: Mein Herr Marquis |
| Fryderyk Chopin |
conductor |
Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace |
| Édouard Lalo |
conductor |
Symphonie espagnole, Op. 21/Finale: Rondo: Allegro |
| Raven |
conductor |
The Planets, op. 32: VII. Neptune, the Mystic |
| Misstiju |
piano |
Vocalise |
| Mick Zakon |
piano |
Daydreaming |
| Carl Orff |
conductor |
O Fortuna (from Carmina Burana) |
| Michael Praetorius |
conductor |
Musae Sioniae: Es ist ein' Ros' entsprungen (Lo, How a Rose E'er Blooming) |
| Mel Tormé |
piano |
The Christmas Song |
| Max Reger |
conductor |
Schlichte Weisen (60), Op. 76: no 52, Mariä Wiegenlied |
| Maurice Chevalier |
conductor |
Thank Heaven for Little Girls |
| Inga |
conductor |
The Planets, op. 32: VII. Neptune, the Mystic |
| Ralph Vaughan Williams |
conductor |
Symphony No. 2: II (excerpt) |
| Jester Hairston |
conductor |
Mary's Boy Child |
| Amanians |
performer, piano |
My Funny Valentine |
| Scrilla |
conductor |
The Sound of Music: My Favorite Things |
| Adrian Eugster |
conductor |
Second Chance |
| Gerd Heidger |
conductor |
The Lark Ascending |
| Joaquín Rodrigo |
conductor |
Konzert für Gitarre und Orchester "Fantasia para un gentilhombre": II. Adagio |