Eberhard Büchner

vocal

Top collaborators

Artist name Roles Recordings
Ludwig van Beethoven
Oli Grinter
Wolfgang Amadeus Mozart (classical composer)
Tuai
Horst Hoffmann

Work on other artists' recordings

Artist name Roles Recordings
Ludwig van Beethoven vocal 20 Irish Songs WoO 153, No. 4 "Since greybeards inpourm us that youth will decay", 25 Irish Songs WoO 152, No. 10 "The deserter", 25 Irish Songs WoO 152, No. 19 "Wife, children and friends" (duet), 25 Irish Songs WoO 152, No. 6 "What shall I do to shew how much I love her?" (duet), Duet for Soprano and Tenor accompanied by Orchestra, WoO 93 "Ne' giorni tuoi felici", Irish Songs (20) for voice & piano trio, WoO 153 Nr. 4. "Since greybeards inform us that youth will decay", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 10. "The deserter", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 19. "Wife, children and friends", Irish Songs (25) for voice & piano trio, WoO 152 Nr. 6. "What shall I do to shew how much I love her?" (duet), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 10: "Poszla baba po popiol" (Lenz und Liebeswonnen enden)(Polish), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 12: "Seus lindos olhos" (Portuguese), Songs (23) of Various Nationality for voice & piano trio, WoO 158a No. 15: "Kak Posli nasi podruzki" (Uns're lieben Mädchen gingen Beeren pflücken) (Russian), Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)", Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)", Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)", Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)", Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village", Trio for Soprano, Tenor, and Bass accompanied by Orchestra, Op. 116 "Tremate, empi, tremate", Twenty-Five Scottish Songs, Op. 108, No. 1, "Music, Love and Wine", Twenty-Five Scottish Songs, Op. 108, No. 10, "Sympathy", Twenty-Five Scottish Songs, Op. 108, No. 13, "Come Fill, Fill, My Good Fellow", Twenty-Five Scottish Songs, Op. 108, No. 18, "Enchantress, Farewell", Twenty-Five Scottish Songs, Op. 108, No. 19, "O Swiftly Glides the Bonny Boat", Twenty-Five Scottish Songs, Op. 108, No. 22, "The Highland Watch", Twenty-Five Scottish Songs, Op. 108, No. 25, "Sally in Our Alley", Twenty-Five Scottish Songs, Op. 108, No. 3, "O Sweet Were the Hours", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: X. "Sympathy", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XII. "Oh, Had My Fate Been Join'd With Thine", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XV. "O Cruel was My Father", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXII. "The Highland Watch", Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXIV. "Again, my Lyre, yet once again"
Oli Grinter vocal Die erste Walpurgisnacht, op. 60: I. Es lacht der Mai (Tenor, Chor), Die erste Walpurgisnacht, op. 60: II. Könnt ihr so verwegen handeln (Alt, Frauenchor), Die erste Walpurgisnacht, op. 60: III. Wer Opfer heut' zu bringen scheut (Bariton, Chor), Die erste Walpurgisnacht, op. 60: IV. Verteilt euch, wack're Männer, hier (Männerchor), Die erste Walpurgisnacht, op. 60: IX. Die Flamme reinigt sich vom Rauch (Bariton, Chor), Die erste Walpurgisnacht, op. 60: Ouvertüre Das schlechte Wetter, Die erste Walpurgisnacht, op. 60: Ouvertüre Der Übergang zum Frühling, Die erste Walpurgisnacht, op. 60: V. Diese dumpfen Pfaffenchristen (Bass, Männerchor), Die erste Walpurgisnacht, op. 60: VI. Kommt mit Zacken und mit Gabeln, Die erste Walpurgisnacht, op. 60: VII. So weit gebracht, dass wir bei Nacht (Bariton, Chor), Die erste Walpurgisnacht, op. 60: VIII. Hilf, ach hilf mir, Kriegsgeselle (Tenor, Männerchor)
Wolfgang Amadeus Mozart vocal Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: I. Allegro - andante - allegro "Dixit Dominus Domino meo", Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: II. Allegro "Magnificat anima mea", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison"
Tuai vocal Matthäus-Passion, BWV 244: Nr. 19 Rezitativ (Tenor, Chor): "O Schmerz", Matthäus-Passion, BWV 244: Nr. 20 Aria (Tenor, Chor): "Ich will bei meinem Jesu wachen", Matthäus-Passion, BWV 244: Nr. 67 Rezitativ (Sopran, Alt, Tenor, Bass, Chor): "Nun ist der Herr zur Ruh gebracht", Matthäus-Passion: XXXIV. Rezitativ (Tenor): Mein Jesus schweigt Zu falschen Lügen stille, Matthäus-Passion: XXXV. Aria (Tenor): Geduld!
Horst Hoffmann vocal Geschwinde, Ihr Wirbelnden Winde, BWV 201: X. Recitativo (Pan, Midas): Komm, Midas, sage du nun an, Geschwinde, Ihr Wirbelnden Winde, BWV 201: XI. Aria (Midas): Pan ist Meister, laßt ihn gehn!, Geschwinde, Ihr Wirbelnden Winde, BWV 201: XII. Recitativo (Momus, Mercurius, Tmolus, Phoebus, Midas, Pan): Wie, Midas, bist do toll?
Les Marquises vocal Fidelio: “Mir ist so wunderbar”