John Mark Ainsley

vocal

Top collaborators

Artist name Roles Recordings
Bob Garrett
Henry Purcell (baroque composer)
Wolfgang Amadeus Mozart (classical composer)
Greenthief
Foxy Teens

Work on other artists' recordings

Artist name Roles Recordings
Bob Garrett vocal An Silvia „Gesang an Silvia“, D. 891, Après un rêve, op. 7 no. 1, Au cimetière, op. 51 no. 2, Barcarolle, op. 7 no. 3, Bonjour, Suzon !, Chanson du berger, Comment, disaient-ils, Danse indienne, Das Mädchen von Inistore, D. 281, Der Morgenstern, D. 172, Der Morgenstern, D172, Der Zufriedene, D. 320, Die erste Liebe, D. 182, Départ, Five Songs: How blest are Shepherds, Five Songs: Take not a woman's anger ill, Fleur jetée, op. 39 no. 1, Geheimes, D. 719, Guitare, Herbst, D. 945, How Blest Are Shepherds, Huldigung, D. 240, Ici-bas, Johanna Sebus, D. 728, L'Invitation au voyage, La Chanson des blondes, La Chauve-Souris et les deux belettes, La Cigale et la fourmi, Ladslove, Le Spectre de la rose, Les Papillons, Love Is a Sickness Full of Woes, Madrid, Mahomets Gesang, D. 549, Noël, op. 43 no. 1, O Solitude, Oh! quand je dors, Poème d'un jour, op. 21: I. Rencontre, Poème d'un jour, op. 21: II. Toujours, Poème d'un jour, op. 21: III. Adieu, Psyché, Puisque j'ai mis ma lèvre, Rastlose Liebe, D. 138, Regrets !, Remember, Schwanengesang, D. 957: I. Liebesbotschaft, Schwanengesang, D. 957: II. Kriegers Ahnung, Schwanengesang, D. 957: III. Frühlingssehnsucht, Schwanengesang, D. 957: IV. Ständchen, Schwanengesang, D. 957: V. Aufenthalt, Schwanengesang, D. 957: VI. In der Ferne, Schwanengesang, D. 957: VII. Abschied, Schäfers Klagelied, D. 121, Seven Songs: If music be the food of love, Seven Songs: Turn then thine eyes, Si mes vers avaient des ailes, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, Soupir, Sylvie, op. 6 no. 3, Sérénade, Sérénade toscane, op. 3 no. 2, Sérénade: Le bourgeois gentilhomme, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, Versunken, D. 715, Viens !, Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (first version), Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (second version), We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More, Wiegenlied, D. 304, Willkommen und Abschied, D. 767
Henry Purcell vocal Come ye sons of art, Z. 323: II. Come ye sons of art, Come ye sons of art, Z. 323: III. Sound the trumpet, Dido and Aeneas: Act I. “If not for mine”, Dido and Aeneas: Act I. “See, your royal guest appears”, Dido and Aeneas: Act II. “Behold, upon my bending spear”, Dido and Aeneas: Act II. “Stay, Prince”, Dido and Aeneas: Act III. “Your counsel all is urg’d in vain”, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms", Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay", Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute", Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet", Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures, Welcome to all the pleasures, Z. 339: V. Then lift up your voices
Wolfgang Amadeus Mozart vocal Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Ah del padre in periglio" / Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) / "Ah ti ritrovo ancor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XIV-XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Anhang. Recitativo "Ah pietà... compassion" (Leporello, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto)
Greenthief vocal Johannes-Passion, BWV 245: II. Evangelist, Jesus, Chor - Jesus ging mit seinen Jüngern, Johannes-Passion, BWV 245: IV. Evangelist, Jesus - Auf dass das Wort erfüllet wurde, Johannes-Passion, BWV 245: VI. Evangelist - Die Schar aber und der Oberhauptmann, Johannes-Passion, BWV 245: VIII. Verhör -Evangelist - Simon Petrus aber folgete Jesus nach, Johannes-Passion, BWV 245: X. Evangelist, Magd, Petrus, Jesus, Jünger - Derselbige Jünger war dem Hohenpriester bekannt, Johannes-Passion, BWV 245: XII. Evangelist, Chor, Petrus, Jünger - Und Hannas sandte ihn gebunden, Johannes-Passion, BWV 245: XVI. Evangelist, Pilatus, Chor, Jesus - Da führeten sie Jesum, Johannes-Passion, BWV 245: XVIII. Evangelist, Pilatus, Jesus, Chor - Da sprach Pilatus zu ihm, Johannes-Passion, BWV 245: XXI. Evangelist, Chor, Pilatus, Jesus - Und die Kriegsknechte flochten eine Krone, Johannes-Passion, BWV 245: XXIII. Evangelist, Chor, Pilatus - Die Juden aber schrieen und sprachen, Johannes-Passion, BWV 245: XXIX. Und von Stund an nahm sie die Jünger: Recitativ, Johannes-Passion, BWV 245: XXV. Evangelist, Chor, Pilatus - Allda kreuzigten sie ihn, Johannes-Passion, BWV 245: XXVII. Die Kriegsknechte aber: Recitativ, Johannes-Passion, BWV 245: XXXI. Und neiget das Haupt und verschied: Recitativ, Johannes-Passion, BWV 245: XXXIII. Und siehe da, der Vorhang im Tempel zerriss: Recitativ, Johannes-Passion, BWV 245: XXXVI. Die Juden aber, dieweil es der Rüsttag war: Recitativ, Johannes-Passion, BWV 245: XXXVIII. Darnach bat Pilatum Joseph von Arimathia: Recitativ
Foxy Teens vocal Bergknappenlied, D. 268, Das Dörfchen, D. 598, Das Grab, D. 330, Geist der Liebe, D. 747, Gondelfahrer, D. 809, La pastorella al prato, D. 513, Lob des Tokayers, D. 248, Punschlied, D. 277, Trinklied, D. 183, Trinklied, D. 267, Trinklied, D. 75
Timmy Gibson vocal L’Heure espagnole: Scène III: (Il reste, voila bien ma chance!), L’Heure espagnole: Scène IV: (Il était temps , voici Gonzalve!), L’Heure espagnole: Scène V: (C’est fait, L’horloge est a sa place), L’Heure espagnole: Scène VI: (Maintenant pas de temps a perdre!), L’Heure espagnole: Scène XIV: (Ah! vous, n’est‐ce pas, preste! leste!), L’Heure espagnole: Scène XIX: (Adieu, cellule, adieu, donjon!), L’Heure espagnole: Scène XIX: (Mon œil anxieux interroge), L’Heure espagnole: Scène XV: (En dépit de cette inhumaine), L’Heure espagnole: Scène XVII: (Oh! la pitoyable aventure!), L’Heure espagnole: Scène XX: (Il n’est, pour l’horloger, de joie égale), L’Heure espagnole: Scène XXI: (Un financier…‐…Et un poète)
Cubra Libre vocal Mediterranean Songs: Lines Written in an Album at Malta, Mediterranean Songs: Nemea, Mediterranean Songs: Olive Trees, Mediterranean Songs: Stanzas Written in Dejection Near Naples, Mediterranean Songs: The Centaurs, Mediterranean Songs: The Old Ships
Brick Tamland vocal In Years Defaced: 1. To a Poet a Thousand Years Hence, In Years Defaced: 2. When I Set Out for Lyonnesse, In Years Defaced: 3. In Years Defaced, In Years Defaced: 4. Tall Nettles, In Years Defaced: 5. At a Lunar Eclipse, In Years Defaced: 6. Proud Songsters
Ralf Kiwit vocal A Midsummer Night’s Dream, op. 64: Act I. "Fair love, you faint with wand’ring in the wood" (Lysander, Hermia), A Midsummer Night’s Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia), A Midsummer Night’s Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius), A Midsummer Night’s Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia)
Percy Grainger vocal Good-Bye to Love, Lord Maxwell's Goodnight, The Power of Love, Willow, Willow
Dreamasters vocal Die Advokaten, D. 37, Don Gayseros II, D. 93 no. 2, Ein jügendlicher Maienschwung, D. 61, Verschwunden sind die Schmerzen, D. 88
Vinyl Scratch vocal Elijah, op. 70: Part I, no. 3 Recitative "Ye people, rend your hearts and not your garments" (Obadiah), Elijah, op. 70: Part I, no. 4 Aria "If with all your hearts ye truly seek Me..." (Obadiah), Elijah, op. 70: Part II, no. 27 Recitative "See, now he sleepeth beneath a juniper tree" (tenor I), Elijah, op. 70: Part II, no. 39 Aria "Then shall the righteous shine forth" (tenor I)
Toni Carroll vocal Matthäus-Passion BWV 244: LXI. Und von der sechsten Stunde an, Matthäus-Passion BWV 244: LXIII. Und siehe da, der Vorhang im Tempel zerriss, Matthäus-Passion BWV 244: XI. Er antwortete und sprach
Leo Smith vocal Hohe Messe in b moll (BWV 232) / Aria (tenor): Benedictus, Hohe Messe in b moll (BWV 232) / Gloria: Duet (soprano I, tenor) - Domine Deus
Robert Barry vocal Der Gott und die Bajadere, D. 254, Erlkönig, D. 328
Sascha Münnich vocal Schwertlied, D. 170, Winterlied, D. 242a
James Dearing vocal Jungle Book: IX. Tiger! Tiger!, Jungle Book: VI. Red Dog
Danfango700 vocal Elijah, Part II: “It is enough! O Lord now take away” / “See now he sleepeth”, Elijah, op. 70: Part II, no. 25 Recitative "Man of God, now let my words be precious in thy sight"
[anonymous] vocal Singularis laudis digna, The Agincourt Carol
Wildebeest vocal Cantata misericordium, op. 69: Chorus "Beati misericordes" -, Cantata misericordium, op. 69: Chorus "Ecce, tertius apparet"
Fab Stripes vocal Nisi Dominus, HWV 238: II. Vanum est, Nisi Dominus, HWV 238: V. Beatus vir
Matti Kallio vocal Nur wer die Sehnsucht kennt, D. 877 no. 1
PXLFLX vocal Saul and the Witch at Endor
Gerrit-Jan Leenders vocal Glaube, Hoffnung und Liebe, D. 955
Pycard vocal Gloria
Christian Biadacz vocal Two Psalms, H 117: Psalm 86
Ralph Vaughan Williams vocal Serenade to Music
Harika vocal Don Gayseros I, D. 93 no. 1
Ross McCrae vocal Six Duets: Sound the Trumpet
Exowave1 vocal Elijah, op. 70: Part I, no. 19 Recitative and Chorus "O man of God, help thy people!" (Obadiah, Elijah, the boy, the people)
Soursby vocal Sanctus
Svene vocal Hymnus amoris: I. Amor mihi vitam donat
Swoon vocal Trinklied, D. 148
9.0 vocal Punschlied (Im Norden zu singen), D. 253
Toneron vocal Jungle Book: X. The Only Son
John Dunstable vocal Speciosa facta es
Beer Bellies vocal Bundeslied, D. 258
Leonel Power vocal Sanctus
Ludwig van Beethoven vocal Music, Love and Wine
Another Destiny Project vocal We Shall See Him as He Is: The Unfolding of the Great Mystery
Štajerskih sedem vocal Klage um Ali Bey, D. 140
原昌和 vocal Requiem, KV. 626: Va. Sanctus et Benedictus: Sanctus / Vb. Sanctus et Benedictus: Osanna I
小林星蘭 vocal Nachthelle, D. 892