Philharmonia Chorus

vocal, performer

Top collaborators

Artist name Roles Recordings
Sharod Stevens
Giuseppe Verdi (Italian opera composer)
Antonio Vivaldi
Felix Mendelssohn
Jojo Sky

Work on other artists' recordings

Artist name Roles Recordings
Sharod Stevens vocal A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier", St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt", Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam
Giuseppe Verdi vocal Confutatis Maledictis, Dies Irae, Dies Illa, I Requiem & Kyrie Andante, IV Santus, Lacrymosa Dies Illa, Liber Scriptus Proferetur, Libera Me, Domine, Messa da Requiem: II. Sequence (Dies Irae): Lacrimosa, Messa da Requiem: Libera me, Quattro pezzi sacri: Ave Maria, Quattro pezzi sacri: Lauda alla Vergine, Quattro pezzi sacri: Stabat mater, Quattro pezzi sacri: Te Deum, Requiem Aeternam, Requiem: Agnus Dei, Requiem: Confutatis - Dies irae, Requiem: Dies Irae, Requiem: Ingemisco, Requiem: Lacrimosa, Requiem: Liber scriptus - Dies irae, Requiem: Libera me, Requiem: Lux aeterna, Requiem: Mors stupebit, Requiem: Offertorio, Requiem: Quid sum miser, Requiem: Recordare, Requiem: Requiem e Kyrie Sequenza, Requiem: Rex tremendae, Requiem: Sanctus, Requiem: Tuba mirum, Rex Tremendae Majestatis, Tuba Mirum Spargens Sonum, V Agnus Dei, VII Libera Me
Antonio Vivaldi vocal Gloria, RV 589 (ed. Malipiero): I. Gloria in excelsis Deo, Gloria, RV 589 (ed. Malipiero): II. Et in terra pax hominibus, Gloria, RV 589 (ed. Malipiero): III. Laudamus te, Gloria, RV 589 (ed. Malipiero): IV. Gratias agimus tibi, Gloria, RV 589 (ed. Malipiero): IX. Qui tollis peccata mundi, Gloria, RV 589 (ed. Malipiero): V. Propter magnam gloriam, Gloria, RV 589 (ed. Malipiero): VI. Domine Deus, Gloria, RV 589 (ed. Malipiero): VII. Domine Fili unigenite, Gloria, RV 589 (ed. Malipiero): VIII. Domine Deus, Agnus Dei, Gloria, RV 589 (ed. Malipiero): X. Qui sedes ad dexteram, Gloria, RV 589 (ed. Malipiero): XI. Quoniam tu solus Sanctus, Gloria, RV 589 (ed. Malipiero): XII. Cum Sancto Spritu, Magnificat, RV 611 (ed. Malipiero): I. Magnificat, Magnificat, RV 611 (ed. Malipiero): II. Et exultavit, Magnificat, RV 611 (ed. Malipiero): III. Quia respexit, Magnificat, RV 611 (ed. Malipiero): IV. Quia fecit, Magnificat, RV 611 (ed. Malipiero): IX. Suscepit Israel, Magnificat, RV 611 (ed. Malipiero): V. Et misericordia, Magnificat, RV 611 (ed. Malipiero): VI. Fecit potentiam, Magnificat, RV 611 (ed. Malipiero): VII. Deposuit potentes, Magnificat, RV 611 (ed. Malipiero): VIII. Esurientes, Magnificat, RV 611 (ed. Malipiero): X. Sicut Iocutus, Magnificat, RV 611 (ed. Malipiero): XI. Gloria, Magnificat, RV 611: I. Magnificat, Magnificat, RV 611: II. Et exultavit, Magnificat, RV 611: III. Quia respexit, Magnificat, RV 611: IV. Quia fecit mihi magna, Magnificat, RV 611: IX. Suscepit Israel, Magnificat, RV 611: V. Et misericordia, Magnificat, RV 611: VI. Fecit potentiam, Magnificat, RV 611: VII. Deposuit potentes, Magnificat, RV 611: VIII. Esurientes, Magnificat, RV 611: X. Sicut locutus est, Magnificat, RV 611: XI. Gloria
Felix Mendelssohn vocal Elijah: No. 1. "Help, Lord! Wilt thou quite destroy us?" (Chorus), Elijah: No. 10. "As God the Lord of Sabaoth liveth" (Elijah, Ahab, Chorus), Elijah: No. 11. "Baal, we cry to thee; hear and answer us!" (Chorus), Elijah: No. 12. "Call him louder, for he is a god!" (Elijah, Chorus), Elijah: No. 13. "Call him louder! He heareth not!" (Elijah, Chorus), Elijah: No. 15. "Cast thy burden upon the Lord" (Chorus), Elijah: No. 16. "O Thou, who makest Thine angels Spirits" (Elijah, Chorus), Elijah: No. 2. "Lord! Bow Thine ear to our prayer!" (Chorus, Soprano, Alto), Elijah: No. 20. "Thanks be to God!" (Chorus), Elijah: No. 22. "Be not afraid, saith God the Lord" (Chorus), Elijah: No. 23. "The Lord hath exalted thee" (Elijah, The Queen, Chorus), Elijah: No. 24. "Woe to him, he shall perish" (Chorus), Elijah: No. 28. "Lift thine eyes to the mountains" (Chorus), Elijah: No. 29. "He, watching over Israel, slumbers not" (Chorus), Elijah: No. 32. "He that shall endure to the end, shall be saved" (Chorus), Elijah: No. 34. "Behold! God the Lord passed by!" (Chorus), Elijah: No. 35. "Above him stood the Seraphim" (Contralto, Chorus), Elijah: No. 36. "Go, return upon thy way" (Chorus, Elijah), Elijah: No. 38. "Then did Elijah the prophet break forth" (Chorus), Elijah: No. 41. "But the Lord, from the north hath raised one" (Chorus), Elijah: No. 42. "And then shall your light break forth" (Chorus), Elijah: No. 5. "Yet doth the Lord see it not" (Chorus), Elijah: No. 7. "For He shall give His angels charge over thee" (Semi-Chorus), Elijah: No. 9. "Blessed are the men who fear Him" (Chorus)
Jojo Sky vocal Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix mundi: Fortune Plango Vulnera, Carmina Burana: Fortuna Imperatrix mundi: O Fortuna, Carmina Burana: I Primo vere: Ecce Gratum, Carmina Burana: I Primo vere: Veris leta facies, Carmina Burana: II In Taberna: Ego Sum Abbas, Carmina Burana: II In Taberna: Olim Lacus Colueram, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: III. Cour d' amours: Amor Volat Undique, Carmina Burana: III. Cour d' amours: Circa Mea Pectora, Carmina Burana: III. Cour d' amours: Si Puer Cum Puellula, Carmina Burana: III. Cour d' amours: Tempus Est Iocundum, Carmina Burana: III. Cour d' amours: Veni, Veni, Venias, Carmina Burana: Uf dem anger: Charmer, Gip Die Varwe Mir, Carmina Burana: Uf dem anger: Floret Silva Noblis, Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe, Carmina Burana: Uf dem anger: Were Diu Werlt Alle Min, Fortuna Imperatrix Mundi: O Fortuna
John Peter Fitting vocal Symphony No. 1, "A Sea Symphony": III. Scherzo. The Waves, Symphony No. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone, Symphony No. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all, Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space, Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending, Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent, Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns, Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth, steer for the deep waters only, Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul!, Symphony No. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself, Symphony No. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative, Symphony No. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, Symphony No. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains, Symphony No. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal, Symphony no. 7, "Sinfonia antartica": I. Prelude: Andante maestoso, Symphony no. 7, "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro)
Boo Boo vocal Mass in B Minor, BWV 232: Confiteor unum baptisma, Mass in B Minor, BWV 232: Credo in unum Deum, Mass in B Minor, BWV 232: Credo in unum Deum, Patrem omnipotentem, Mass in B Minor, BWV 232: Crucifixus, Mass in B Minor, BWV 232: Cum Sancto Spiritu, Mass in B Minor, BWV 232: Dona nobis pacem, Mass in B Minor, BWV 232: Et expecto resurrectionem mortuorum, Mass in B Minor, BWV 232: Et in terra pax, Mass in B Minor, BWV 232: Et incarnatus es, Mass in B Minor, BWV 232: Et resurrexit, Mass in B Minor, BWV 232: Gloria in excelsis Deo, Mass in B Minor, BWV 232: Gratias agimus tibi, Mass in B Minor, BWV 232: Kyrie eleison, Mass in B Minor, BWV 232: Osanna, Mass in B Minor, BWV 232: Qui tollis peccata mundi, Mass in B Minor, BWV 232: Sanctus
Wolfgang Amadeus Mozart vocal Requiem in Re minore K 626: Agnus Dei, Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Confutatis, Requiem in Re minore K 626: Dies irae, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Hostias, Requiem in Re minore K 626: Introito e Kyrie, Requiem in Re minore K 626: Lacrymosa, Requiem in Re minore K 626: Lux aeterna, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Rex tremendae maiestatis, Requiem in Re minore K 626: Sanctus, Requiem in Re minore K 626: Tuba mirum
Arthur Machen vocal Karolju: I. Latin, Karolju: II. Swedish, Karolju: III. French, Karolju: IV. Spanish, Karolju: IX. German, Karolju: V. Little March of the Three Kings, Karolju: VI. Latin, Karolju: VII. Russian, Karolju: VIII. Czech, Karolju: X. Latin, Karolju: XI. Italian
Gioachino Rossini vocal Il Barbiere Di Siviglia: Act II. "Di si felice innesto", Il Barbiere di Siviglia: Act I, Scene I. "Ehi, Fiorelli? ... Mio signore" (Conte, Fiorello, Coro), Il Barbiere di Siviglia: Act I, Scene I. "Mille grazie, mio signore" (Conte, Fiorello, Coro), Il Barbiere di Siviglia: Act I, Scene I. Piano, pianissimo, senza parlar (Fiorello, Coro, Conte), Il Barbiere di Siviglia: Act I, Scene II. "Che cosa accadde, signori miei" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro), Il Barbiere di Siviglia: Act I, Scene II. "Fermi tutti, nessun si muova" (Coro, Bartolo, Figaro, Basilio, Conte, Berta, Rosina, Ufficiale), Il Barbiere di Siviglia: Act I, Scene II. "Ma signor... ma un dottor" (Bartolo, Coro, Berta, Basilio, Rosina, Conte, Figaro), Il Barbiere di Siviglia: Act II. "Di sì felice innesto" (Figaro, Berta, Bartolo, Basilio, Coro, Rosina, Conte), Il barbiere di Siviglia: Act I, Scene II. “Che cosa accadde” (Figaro, Bartolo, Count Almaviva, Rosina, Berta, Basilio, Chorus)
Hyper[borea] vocal Ivan the Terrible, Concert Scenario: I. Overture, Ivan the Terrible, Concert Scenario: III. Wedding: i. Allegro fastoso, Ivan the Terrible, Concert Scenario: III. Wedding: ii. Andante, Ivan the Terrible, Concert Scenario: III. Wedding: iii. Allegro fastoso, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: ii. Moderato energico, Ivan the Terrible, Concert Scenario: VI. The Storming of Kazan, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: ii. Andante sostenuto, Ivan the Terrible, Concert Scenario: XII. Murder in the Cathedral
Sinae Lee vocal Messa da requiem: IIa. Dies irae: Dies irae, Messa da requiem: IIb. Dies irae: Tuba mirum, Messa da requiem: VIIa. Libera me: Libera me, Domine, Messa da requiem: VIIb. Libera me: Dies irae, Requiem: II. Sequence (Dies Iræ), Tuba Mirum - Mors Stupebit, Requiem: VII. Libera Me, Libera Me, Requiem: VII. Libera Me, Requiem Aeternam
Lokee vocal Confutatis maledictis, Dies Irae (Requiem), Requiem in D minor, K. 626: IIIa. Sequenz: "Dies irae", Requiem: IV. Sanctus, Requiem: Lacrimosa, War Requiem, op. 66: II. Dies irae: "Dies irae, dies illa", War Requiem, op. 66: II. Dies irae: "Recordare, Jesu pie"
Brad Barker vocal Requiem, op. 48: I. Introit et Kyrie, Requiem, op. 48: II. Offertoire, Requiem, op. 48: III. Sanctus, Requiem, op. 48: IV. Pie Jesu, Requiem, op. 48: V. Agnus Dei, Requiem, op. 48: VI. Libera me, Requiem, op. 48: VII. In Paradisum
大瑠璃あやみ vocal Cantata for the Twentieth Anniversary of the October Revolution, op. 74: I. Prelude. Moderato – Allegro, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: II. The Philosophers. Andante assai, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IV. "A tight little band". Allegretto, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VII. Victory. Andante, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VIII. The Oath. Andante pesante, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: X. The Constitution. Andante assai – Andante molto
Ludwig van Beethoven vocal Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Agnus Dei, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie, Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus
Artilleria vocal Magnificat in D major, BWV 243: I. Magnificat, Magnificat in D major, BWV 243: IV. Omnes generationes, Magnificat in D major, BWV 243: VII. Fecit potentiam, Magnificat in D major, BWV 243: XI. Sicut locutus est, Magnificat in D major, BWV 243: XII. Gloria Patri
Tony Marriott vocal War Requiem, op. 66: II. Dies irae: "Lacrimosa dies illa", War Requiem, op. 66: II. Dies irae: "Liber scriptus proferetur", War Requiem, op. 66: IV. Sanctus: "Sanctus, sanctus, sanctus", War Requiem, op. 66: VI. Libera me: "Libera me, Domine, de morte aeterna"
辰巳シーナ vocal Anna Bolena: Atto II. "Piangete voi?... Al dolce guidami castel natio", Hamlet : Acte IV. "À vos jeux... Partagez-vous mes fleurs... Et maintenant, écoutez ma chanson", Il pirata: Atto II. "Oh! s'io potessi... Col sorriso d'innocenza"
Midnight Sister vocal Das Land des Lächelns: Akt II. "Dschinthien wuomen ju chon ma goa can" (Chor), Eine Nacht in Venedig: Akt I. "Wenn vom Lido sacht" (Chor), Eine Nacht in Venedig: Akt III. Introduktion "Karneval ruft uns zum Ball!" (Chor)
Dapper Don vocal Retablo de Navidad: Aire y donaire, Retablo de Navidad: Coplillas de Belén, Retablo de Navidad: Pastorcito santo
Gaetano Donizetti vocal Anna Bolena: "Piangete voi? ... Al dolce guidami ... Coppia iniqua" (Anna - Smeton - Percy - Rochefort - Herervey - Chor, Finale 2. Akt), Lucia di Lammermoor: "Il dolce suono ... Ardon gli incensi ... Spargi d'amaro pianto" (Lucia, Raimondo - NorNormanno - Enrico - Chor, 3. Akt)
AmVitamin B vocal War Requiem, op. 66: I. Requiem aeternam: "What passing-bells for these who die as cattle?", War Requiem, op. 66: V. Agnus Dei: "One ever hangs where shelled roads part"
Elisabeth Schwarzkopf vocal Das Land des Lächelns: Akt I. "Flirten, bisschen flirten" (Lisa, Chor), Eine Nacht in Venedig: Akt I. "Oho! ... Seht, o seht! ... Frutti di mare!" (Annina, Chor)
The Alan Parsons Project vocal Breakdown, Genesis Ch. 1 V. 32
Jill & The New Gruv vocal Wiener Blut: Akt II. "Die Weinerstadt, sie hat eiv Symbol" (Graf, Chor, Alle), Wiener Blut: Akt III. "Weiner Blut!" (Alle)
Vincenzo Bellini vocal Il Pirata: Act I: "Sorgete... Lo sognai ferito esangue", Il pirata: "Oh! s'io potessi ... Col sorriso d'innocenza" (Imogene - Chor, Finale 2. Akt)
Mariel Orr vocal Der Zigeunerbaron: Akt I. "Das wär' kein rechter Schiffersknecht" (Chor), Der Zigeunerbaron: Akt III. "Hurrah, die Schlacht mitgemacht haben wir im fernen Land" (Chor)
Disha & Bhakta vocal Ivan the Terrible, Concert Scenario: II. Russian Sea, Ivan the Terrible, Concert Scenario: X. Song of the Beaver (Ephrosynia's Lullaby)
Jet Black Vicar vocal Der Zigeunerbaron: Akt II. "Ich hab' gewacht bei Tag und Nacht" (Czipra, Arsena, Mirabella, Barinkay, Homany, Carnero, Ottokar, Zsupán, Chor)
D.T. Seizure vocal Der Zigeunerbaron: Akt III. "Reich ihm die Hand, vertraue dem Zigeuner" (Saffi, Barinkay, Homonay, Czipra, Chor, Alle)
Alan Strawbridge vocal Der Zigeunerbaron: Akt I. "Um frech dem Übermut zu frönen" (Saffi, Czipra, Barkinay, Chor, Arsena, Mirabella, Zsupán, Carnero, Alle)
Acheront vocal War Requiem, op. 66: II. Dies irae: "Move him into the sun"
Jussi Tapola vocal Das Land des Lächelns: Akt II. "Im Namen unseres Wen-Sway-Jeh" (Tschang, Chor, Sou-Chong)
KATANA vocal Eine Nacht in Venedig: Akt I. "Zur Serenade!" (Chor, Delacqua, Herzog)
Ainda Não vocal Das Land des Lächelns: Akt I. "Da kommt Lisa!..." (Gustl, Chor, Lisa)
L.Biollay vocal Der Zigeunerbaron: Akt I. "Ah, sieh da, ein herrlich Frauenbild" (Barinkay, Zsupán, Mirabella, Arsena, Czipra, Chor)
Laura Cortese & The Dance Cards vocal Die lustige Witwe, Act II, no. 9: Wie die Weiber
Lexie vocal Eine Nacht in Venedig: Akt I. "Ihr Venezianer, hört...Drum sei glücklich, sei selig, Venezia!" (Pappacoda, Chor)
EMI vocal Der Zigeunerbaron: Akt I. "Das schreib' dir, Alte, hinter's Ohr" (Carnero, Czipra, Barkinay, Chor, Zsupán)
Blue Shield of California vocal Der Zigeunerbaron: Akt I. "Als flotter Geist" / "Ja! Ja, das alles auf Ehr" (Barinkay, Chor)
Ether vocal Der Zigeunerbaron: Akt I "Also jetzt wirst du Augen machen, Freunderl!" ... "Dem Freier nacht die Braut" ... "Ein Frier meldet sich schon wieder" (Zsupán, Chor, Arsena, Barinkay, Carnero, Mirabella)
Meggie George vocal Der Zigeunerbaron: Akt I. "Hier in diesem Land Eure Wiege stand" (Saffi, Czipra, Barkinay, Arsena, Mirabelle, Zsupán, Chor)
Melissa Rigby vocal Der Zigeunerbaron: Akt I. "Arsena, Arsena!" (Ottokar, Arsena, Barinkay, Saffi, Czipra, Chor)
Bob Pat Band vocal Eine Nacht in Venedig: Akt II. "Zezt ist's Zeit zur Lustbarkeit ... Horch, von San Marco der Glocken Gelaüt" (Chor, Herold, Herzog, Ciboletta, Annina)
Møllarn vocal Die lustige Witwe, Act III, no. 16 Ja, das Studium der Weiber
Nicolai Gedda vocal Eine Nacht in Venedig: Akt I. "Kaum, daß mein Liebchen die scshaukeinde Gondel entführt" (Herzog, Chor)
Odyssey vocal Ivan the Terrible, Concert Scenario: XI. The Banquet: ii. Allegro moderato
Patrick Lafarge vocal Der Zigeunerbaron: Akt II. " Kling und Klang, Eisen macht Gesang!" (Zigeunerchor)
Paul Fleetwood vocal Der Zigeunerbaron: Akt I. "O habet Acht, habet Acht" (Chor, Saffi, Barinkay, Czipra)
Peter Baraník vocal Carmina Burana: O Fortuna
REDD vocal Der Zigeunerbaron: Akt II. "O welch ein Glück!" (Saffi, Barinkay, Arsena, Mirabella, Czipra, Zsupán, Homonay, Ottokar, Chor)
Sebastian Grouchot vocal Die lustige Witwe, Act II, no. 7: Introduction, Dance and Vilja-Lied
Serling Rooks Ferrara McKoy & Worob, LLP vocal Wiener Blut: Akt II. "Gestatten Sie ... Das ist die Gräfin?" (Bitowski, Minister, Franzi, Gräfin, Pepi, Graf, Chor)
Fleur D. vocal Der Zigeunerbaron: Akt II. "Her die Hand, es muss ja sein" (Homonay, Chor)
Franz Lehár vocal Merry Widow: "Vilia Lied" (Hanna)
Sion Alun vocal Der Zigeunerbaron: Akt I. "Du kannst den Zigeunern getrost vertrau'n" (Czipra, Chor, Saffi, Barinkay, Zsupán, Carnero, Arsena, Mirabella)
Snaketown Syndicate vocal Der Zigeunerbaron: Akt III. "Von des Tajo Strand" (Zsupán, Chor)
Gabriel Fauré vocal Requiem, Op.48: VII. In Paradisum
The Cheaters vocal Eine Nacht in Venedig: Akt I. "Evviva, Caramello! ... Willkommen, liebe Freunde!" (Chor, Caramello)
Tom Backström vocal Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VI. Revolution. Andante non troppo – Più mosso – Allegro moderato – Precipitato – Adagio molto
Tomb Mold vocal Der Zigeunerbaron: Akt II. "Auf, auf, auf, vorbei is die Nacht" (Pali, Zigeunerchor)
Ambroise Thomas vocal Hamlet: "À vos yeux ... Partagez vous mes fleurs ... Et maintenant, écoutez ma chanson" (Ophélie - Choror, 4. Akt)
Alan Brown vocal Wiener Blut: Akt III. "Gent' s und verkauft' s mei G' wand" (Zwei Mädchen, Gräfin, Minister)
Bulat Nanox vocal Credo
c o d e quartet vocal Carmina Burana: O Fortuna
pusga vocal Alto Rhapsody, op. 53
Феликс Гурджи. vocal Der Zigeunerbaron: Akt I. "Jeden Tag, Müh' und Plag'" (Ottokar, Czipra, Chor)
Captain Maxx vocal Der Zigeunerbaron: Akt II. "Ach, ihn ruft das Vaterland und Pflicht" (Czipra, Arsena, Mirabella, Barinkay, Homonay, Carnero, Ottokar, Zsupán, Chor, Saffi)
Kevin Massey vocal Eine Nacht in Venedig: Akt II. "Solch' ein Wirtschaus lob' ich mir ... Man steckt ein" (Chor, Pappacoda, Caramello)