| Ralf Kiwit |
conductor |
"Enigma" Variations, op. 36: (B.G.N.) Andante, "Enigma" Variations, op. 36: (C.A.E.) L'istesso tempo, "Enigma" Variations, op. 36: (G.R.S.) Allegro di molto, "Enigma" Variations, op. 36: (H.D.S.-P.) Allegro, "Enigma" Variations, op. 36: (Nimrod) Adagio, "Enigma" Variations, op. 36: (R.B.T.) Allegretto, "Enigma" Variations, op. 36: (R.P.A.) Moderato, "Enigma" Variations, op. 36: (Troyte) Presto, "Enigma" Variations, op. 36: (W.M.B.) Allegro di molto, "Enigma" Variations, op. 36: (W.N.) Allegretto, "Enigma" Variations, op. 36: (Ysobel) Andantino, "Enigma" Variations, op. 36: Andante, "Enigma" Variations, op. 36: Finale (E.D.U.) Allegro - Presto, "Enigma" Variations, op. 36: Intermezzo (Dorabella) Allegretto, "Enigma" Variations, op. 36: Romanza (***) Moderato, A Midsummer Night’s Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena), A Midsummer Night’s Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania), A Midsummer Night’s Dream, op. 64: Act I. "Fair love, you faint with wand’ring in the wood" (Lysander, Hermia), A Midsummer Night’s Dream, op. 64: Act I. "Is all our company here?" (Rustics), A Midsummer Night’s Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia), A Midsummer Night’s Dream, op. 64: Act I. "Through the forest I have gone" (Puck), A Midsummer Night’s Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon), A Midsummer Night’s Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon), A Midsummer Night’s Dream, op. 64: Act I. "You spotted snakes with double tongue" (Fairies), A Midsummer Night’s Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck), A Midsummer Night’s Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania), A Midsummer Night’s Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia), A Midsummer Night’s Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania), A Midsummer Night’s Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia), A Midsummer Night’s Dream, op. 64: Act II. "I have a reas’nable good ear in music" (Bottom, Tytania), A Midsummer Night’s Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies), A Midsummer Night’s Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies), A Midsummer Night’s Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius), A Midsummer Night’s Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck), A Midsummer Night’s Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act II. Introduction: the Wood, A Midsummer Night’s Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby), A Midsummer Night’s Dream, op. 64: Act III. "Come, your Bergomask" (Theseus), A Midsummer Night’s Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue), A Midsummer Night’s Dream, op. 64: Act III. "Have you sent to Bottom’s house?" (Rustics), A Midsummer Night’s Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics), A Midsummer Night’s Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall), A Midsummer Night’s Dream, op. 64: Act III. "My gentle Robin, see’st thou this sweet sight?" (Oberon, Puck, Tytania), A Midsummer Night’s Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania), A Midsummer Night’s Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus), A Midsummer Night’s Dream, op. 64: Act III. "O grim-look’d night, o night with hue so black" (Bottom/Pyramus), A Midsummer Night’s Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus), A Midsummer Night’s Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion), A Midsummer Night’s Dream, op. 64: Act III. "When my cue comes, call me" (Bottom), A Midsummer Night’s Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion), Béatrice et Bénédict, Cockaigne (In London Town), op. 40: Concert overture, Concerto for Orchestra: I. Allegro - Più mosso, Concerto for Orchestra: II. Largo, Concerto for Orchestra: III. Allegro molto - Sub. pochissimo meno mosso, Der Freischutz: Act 1. No. 1. Introduction: "Victoria, Der Meister Soll Leben", Der Freischutz: Act 1. No. 2. Terzett Mit Chor: "O! Diese Sonne!", Der Freischutz: Act 1. No. 3. Scene, Walzer Und Arie: "Nein! Langer Trag' Ich Nicht Die Qualen", Der Freischutz: Act 1. No. 4. Lied: "Hier Im Ird'Schen Jammerthal", Der Freischutz: Act 1. No. 5. Arie: "Schweig'! Schweig'! Damit Dich Niemand Warnt", Der Freischutz: Act 2. No. 10. Finale - Die Wolfsschlucht: "Milch Des Mondes Fiel Aufs Kraut", Der Freischutz: Act 2. No. 6. Duett: "Schelm! Halt Fest!", Der Freischutz: Act 2. No. 7. Ariette: "Kommt Ein Schlanker Bursch Gegangen", Der Freischutz: Act 2. No. 8. Scene Und Arie: "Wie Nahte Mir Der Schlummer", Der Freischutz: Act 2. No. 9. Terzett: "Wie? Was? Entsetzen!", Der Freischutz: Act 3. No. 11. Entre-Acte, Der Freischutz: Act 3. No. 12. Cavatine: "Und Ob Die Wolke Sie Verhulle", Der Freischutz: Act 3. No. 13. Romanze Und Arie: "Einst Traumte Meiner Sel'Gen Base", Der Freischutz: Act 3. No. 14. Volkslied: "Wir Winden Dir Den Jungfernkranz", Der Freischutz: Act 3. No. 15. Jagerchor: "Was Gleicht Wohl Auf Erden Dem Jagervergnugen", Der Freischutz: Act 3. No. 16. Finale: "Schaut, o Schaut, Er Traf Die Eig'Ne Braut!", Der Freischutz: Overture, Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre, Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No 4 Arie - "Schon eilet froh der Ackersmann", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 1a - "Einleitung", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 1b Rezitativ - "Seht, wie der strenge Winter flieht!", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 2 Chor des Landvolks - "Komm, holder Lenz!", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 3 Rezitativ - "Vom Widder strahlet jetzt", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 5 Rezitativ - "Der Landmann hat sein Werk vollbracht", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 6 Terzett und Chor: Bittgesang - "Sei nun gnaedig, milder Himmel", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 7 Rezitativ - "Erhoert ist unser Fleh'n", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 8a Freudenlied, mit abwechselndem Chor der Jugend - "O wie lieblich", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 8b Allegro - "Ehre, Lob und Preis sei dir", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19, Einleitung und Rezitativ - "Was durch seine Bluete", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20, Terzett mit Chor - "So lohnet die Natur den Fleiss", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21, Rezitativ - "Seht, wie zum Haselbusche dort", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22, Duett - "Ihr Schoenen aus der Stadt", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23, Rezitativ - "Nun zeiget das entbloesste Feld", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24, Arie - "Seht auf die breiten Wiesen hin!", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25, Rezitativ: "Hier treibt ein dichter Kreis", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26, Chor - "Hoert!", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27, Rezitativ: "Am Rebenstocke blinket jetzt", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28a, Chor - "Juchhe, Juchhe!", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28b, Allegro assai - "Nun toenen die Pfeifen", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 11 Terzett und Chor: "Sie steigt herauf", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 14 Rezitativ: "Willkommen jetzt", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 15 Arie - "Welche Labung fuer die Sinne", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 16 Rezitativ - "O seht!", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 18b Allegro - "Von oben winkt der helle Stern", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Arie und Rezitativ - "Der munt're Hirt", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12a Rezitativ: "Nun regt und bewegt sich alles umher", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12b Rezitativ - "Die Mittagssonne", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatine - "Dem Druck erlieget die Natur", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chor -"Ach! Das Ungewitter naht!", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18a Terzett und Chor - "Die duest'ren Wolken trennen sich", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Einleitung und Rezitativ - "In grauem Schleier", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29a, Einleitung, Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29b, Rezitativ - "Nun senket sich das blasse Jahr", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 30, Cavatine - "Licht und Leben", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 31, Rezitativ - "Gefesselt steht der breite See", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 32, Arie: "Hier steht der Wand'rer nun", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 33, Rezitativ - "So wie er naht", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 34, Lied mit Chor - "Knurre, schnurre", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 35, Rezitativ - "Abgesponnen ist der Flachs", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 36, Lied mit Cho - "Ein Maedchen", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 37, Rezitativ - "Vom duerrem Oste", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 38, Arie und Rezitativ - "Erblicke hier", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39, Terzett und Doppelchor - "Dann bricht der grosse Morgen an", Die Schöpfung: Part I. No. 1. Einleitung: Die Vorstellung des Chaos, Die Schöpfung: Part I. No. 10. Und die himmlischen Heerscharen (tenor), Die Schöpfung: Part I. No. 11. Stimmt an die Saiten (chorus), Die Schöpfung: Part I. No. 13. In vollem Glanze steiget jetzt (tenor), Die Schöpfung: Part I. No. 14. Die Himmel erzählen die Ehre Gottes (chorus, soprano, tenor, baritone), Die Schöpfung: Part I. No. 2. Im Anfange schuf Gott Himmel und Erde (baritone, chorus, tenor), Die Schöpfung: Part I. No. 3. Nun schwanden vor dem heiligen Strahle (tenor, chorus), Die Schöpfung: Part I. No. 4. Und Gott machte das Firmanent (baritone), Die Schöpfung: Part I. No. 5. Mit Staunen sieht das Wunderwerk (soprano, chorus), Die Schöpfung: Part I. No. 6. Und Gott sprach: Es sammle sich das Wasser (baritone), Die Schöpfung: Part I. No. 7. Rollend in schäumenden Wellen (baritone), Die Schöpfung: Part I. No. 8. Und Gott sprach: Es bringe die Erde Gras hervor (soprano), Die Schöpfung: Part I. No. 9. Nun beut die Flur das frische Grün (soprano), Die Schöpfung: Part I. No.12. Und Gott sprarh: Es sei'n Lichter and der Feste (tenor), Die Schöpfung: Part II. No. 15. Und Gott sparch: Es bringe das wesser (soprano), Die Schöpfung: Part II. No. 16. Auf starkem Fittiche schwinget sich (soprano), Die Schöpfung: Part II. No. 17. Und Gott schuf große Walfische (baritone), Die Schöpfung: Part II. No. 18. Und die Engel rührten ihr' unsterblichen Harfen (baritone), Die Schöpfung: Part II. No. 19. In holder Anmut stehn, mit jungem Grün (soprano, tenor, baritone), Die Schöpfung: Part II. No. 20. Der Herr ist groß in seiner Macht (soprano, tenor, baritone, chorus), Die Schöpfung: Part II. No. 21. Und Gott sparch: Es bringe die Erde hervor (baritone), Die Schöpfung: Part II. No. 22. Gleich öffnet sich der Erde Schoß (baritone), Die Schöpfung: Part II. No. 23. Nun scheint in vollem Glanze der Himmel (baritone), Die Schöpfung: Part II. No. 24. Und Gott schuf den Menschen (tenor), Die Schöpfung: Part II. No. 25. Mit würd' und Hoheit angetan (tenor), Die Schöpfung: Part II. No. 26. Und Gott sah jedes Ding (baritone), Die Schöpfung: Part II. No. 27. Vollendet ist das große Werk (chorus), Die Schöpfung: Part II. No. 28. Zu dir, o Herr, blickt alles auf (soprano, tenor, baritone), Die Schöpfung: Part II. No. 29. Vollendet ist das große Werk (chorus), Die Schöpfung: Part III. No. 30. Aus Rosenwolken bricht (tenor), Die Schöpfung: Part III. No. 31. Von deiner Güt', o Herr und Gott (soprano, baritone, chorus), Die Schöpfung: Part III. No. 32. Nun ist die erste Pflicht erfüllt (soprano, baritone), Die Schöpfung: Part III. No. 33. Holde Gattin, dir zur Seite (soprano, baritone), Die Schöpfung: Part III. No. 34. O glücklich Paar, und glücklich immerfort (tenor), Die Schöpfung: Part III. No. 35. Singt dem Herrn alle Stimmen (chorus, soprano, alto, tenor, baritone), En Saga, op. 9, Enigma Variations, op. 36: (***), Enigma Variations, op. 36: BGN, Enigma Variations, op. 36: CAE, Enigma Variations, op. 36: Dorabella, Enigma Variations, op. 36: EDU, Enigma Variations, op. 36: GRS, Enigma Variations, op. 36: HDS-P, Enigma Variations, op. 36: Nimrod, Enigma Variations, op. 36: RBT, Enigma Variations, op. 36: RPA, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Troyte, Enigma Variations, op. 36: WMB, Enigma Variations, op. 36: WN, Enigma Variations, op. 36: Ysobel, Finlandia, op. 26, Grande symphonie funèbre et triomphale, op. 15: 1. Marche funèbre (Moderato un poco lento), Grande symphonie funèbre et triomphale, op. 15: 2. Oraison funèbre (Adagio non tanto - Andantino un poco lento e sostenuto), Grande symphonie funèbre et triomphale, op. 15: 3. Apothèose (Allegro non troppo e pomposo), Introduction and Allegro for Strings, op. 47, Jupiter, the Bringer of Jollity, Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla marcia, Kullervo, op. 7: I. Introduction. Allegro moderato, Kullervo, op. 7: II. Kullervo's Youth: Grave, Kullervo, op. 7: IV. Kullervo Goes to War: Alla marcia, Kullervo: I. Introduction: Allegro moderato, Kullervo: II. Kullervo's Youth: Grave, Kullervo: IV. Kullervo Goes to Battle: Alla marcia, La Damnation de Faust, op. 24: Marche hongroise, La Damnation de Faust, op. 24: Menuet des follets, Le Corsaire, op. 21: Ouverture, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le roi Lear, op. 4, Lemminkäinen Suite, op. 22: I. Lemminkäinen and the Maidens of the Islands, Lemminkäinen Suite, op. 22: II. Lemminkäinen in Tuonela, Lemminkäinen Suite, op. 22: III. The Swan of Tuonela, Lemminkäinen Suite, op. 22: IV. Lemminkäinen's Return, Les Francs-juges, op. 3, Les Troyens à Carthage: Prelude from Part II, Act 3, Les Troyens à Carthage: Prélude à l'Acte II, Les Troyens, H. 133a: Act I. No. 5 Gauntelet Combat / Wrestlers' Dance, Les Troyens, H. 133a: Act I. No. 7 Recitative "Du peuple et des soldats" (Aeneas), Les Troyens, H. 133a: Act II, Scene 1. No. 12 Scene and Recitative. Introduction, Les Troyens, H. 133a: Act III. No. 20 Entry of the Builders, Les Troyens, H. 133a: Act III. No. 21 Entry of the Sailors, Les Troyens, H. 133a: Act III. No. 22 Entry of the Farm-Workers, Les Troyens, H. 133a: Act IV, Scene 1. No. 29 Royal Hunt and Storm (Pantomime), Les Troyens, H. 133a: Act IV, Scene 2. No. 32 March for the Entry of the Queen, Les Troyens, H. 133a: Act IV, Scene 2. No. 33a Ballet: Dance of the Egyptian Dancing Girls, Les Troyens, H. 133a: Act IV, Scene 2. No. 33b Ballet: Dance of the Slaves, Les Troyens, H. 133a: Act IV, Scene 2. No. 33c Ballet: Dance of the Nubian Slave Girls, Les Troyens, H. 133a: Act IV, Scene 2. No. 34 Scene and Iopas' Song "Ô blonde Cérès" (Iopas), Les Troyens: Act IV. Ballet. Danse des esclaves, Les Troyens: Act IV. Ballet. Pas d'esclaves nubiennes, Les Troyens: Act IV. Ballet. Pas des almées, Les Troyens: Act IV. Marche pour l'entree de la reine, Lélio ou Le retour à la vie, op. 14b: 2. Cœur d'ombres, Lélio ou Le retour à la vie, op. 14b: 6. Fantaisie sur la Tempête de Shakespeare, Mars, the Bringer of War, Mercury, the Winged Messenger, Messiah: Part I, No. 13 Pifa "Pastoral Symphony", Messiah: Part I, Symphony, Má Vlast: I. Vyšehrad (The High Castle), Má Vlast: II. Vltava, Nightride & Sunrise, op. 55, Overture "Béatrice et Bénédict", Overture "Le carnaval romain", op. 9, Overture "Les francs-juges", op. 3, Pohjola's Daughter, op. 49, Pohjola’s Daughter, op. 49, Rakastava, op. 14: I. The Lover, Rakastava, op. 14: II. The Path of His Beloved, Rakastava, op. 14: III. Good Evening - Farewell!, Rome and Juliet: Lovescene (excerpt), Romeo et Juliette, op. 17: Part I. Introduction, Romeo et Juliette, op. 17: Part II. Grande fete chez les Capulets, Romeo et Juliette, op. 17: Part II. Roméo seul - Tristesse - Concert et Bal, Romeo et Juliette, op. 17: Part III. Scène d'amour, Romeo et Juliette, op. 17: Part IV. Roméo au trombeau des Capulets, Roméo et Juliette "Symphonie dramatique": Scène 1a. Introduction. Combats / Tumulte / Intervention du Prince, Roméo et Juliette "Symphonie dramatique": Scène 2. Roméo seul / Tristesse / Concert et bal / Grande fête chez Capulet, Roméo et Juliette "Symphonie dramatique": Scène 4. La Reine Mab, ou La fée des songes (Scherzo), Roméo et Juliette "Symphonie dramatique": Scène 6. Roméo au tombeau des Capulets / Invocation / Reveil de Juliette / Final: La foule accourt au cimetière, Saturn, the Bringer of Old Age, Symphonic Variations, op. 78: Finale, Symphonic Variations, op. 78: Theme, Symphonic Variations, op. 78: Variations 1-27, Symphonie Fantastique "Un Bal": Waltz. Allegro non troppo, Symphonie fantastique, Op.14: II. Un bal (Valse: Allegro non troppo), Symphonie fantastique, Op.14: III. Scène aux champs (Adagio), Symphonie fantastique, Op.14: IV. Marche au supplice (Allegretto non troppo), Symphonie fantastique, Op.14: V. Songe d'une nuit de Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso), Symphonie fantastique, op. 14: I. Rêveries, passions, Symphonie fantastique, op. 14: I. Rêveries, passions (Largo - Allegro agitato ed appassionato assai), Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'un nuit de sabbat, Symphonie funèbre et triomphale, op. 15: I. Marche funèbre (Moderato un poco lento), Symphonie funèbre et triomphale, op. 15: II. Oraison funèbre (Adagio non tanto - Andantino un poco lento e sostenuto), Symphonie funèbre et triomphale, op. 15: III. Apothéose (Allegro non troppo e pomposo), Symphony no 99 in E-flat major: I. Adagio - Vivace assai, Symphony no 99 in E-flat major: II. Adagio, Symphony no 99 in E-flat major: III. Menuetto e trio: Allegretto, Symphony no 99 in E-flat major: IV. Finale: Vivace, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo, Symphony no. 1 in E minor, op. 39: II. Andante ma non troppo lento, Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento, Symphony no. 1 in E minor, op. 39: III. Scherzo, allegro, Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro - Lento, Symphony no. 1 in E minor, op. 39: IV. Finale, quasi una fantasia, andante, Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia, Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale. Allegro con fuoco, Symphony no. 1: I. Allegro assai, Symphony no. 1: II. Scherzo - Presto, con malizia, Symphony no. 1: II. Scherzo: Presto, con malizia, Symphony no. 1: III. Andante con malincolia, Symphony no. 1: IV. Maestoso - Brio ed ardentemente vivacissimo maestoso, Symphony no. 1: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 2 "The Four Temperaments": IV. Allegro sanguineo - Marziale (Sanguine), Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Allegro moderato, Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilimente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 25 in G minor, K. 183: I. Allegro con brio, Symphony no. 25 in G minor, K. 183: II. Andante, Symphony no. 25 in G minor, K. 183: III. Minuetto, Symphony no. 25 in G minor, K. 183: IV. Allegro, Symphony no. 2: I. Allegro collerico, Symphony no. 2: II. Allegro comodo e flemmatico, Symphony no. 2: III. Andante malincolico, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato allegro, ma non tanto, Symphony no. 3 in C major, op. 52: III. Moderato ‐ Allegro (ma non tanto), Symphony no. 3 in C minor: I. Allegro molto maestoso, Symphony no. 3 in C minor: II. Scherzo: Allegretto, Symphony no. 3 in C minor: III. Adagio solenne, Symphony no. 3 in C minor: IV. Allegro, Symphony no. 32 in G major, K. 318, Symphony no. 3: I. Allegro espansivo, Symphony no. 3: II. Andante pastorale, Symphony no. 3: III. Allegretto un poco, Symphony no. 3: IV. Finale: Allegro, Symphony no. 3: Part I. 2. Lento, Symphony no. 3: Part II. 3. Allegro molto, Symphony no. 3: Part II. 4. Slow blues, Symphony no. 3: Part II. 5. Fast blues, Symphony no. 3: Part II. 6. Slow blues, Symphony no. 3: Part II. 7. Scena, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace tranquillo, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: III. Tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in A minor, op. 63: IV. Finale: Allegro, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Allegro, Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto, Symphony no. 40 in G minor, K. 550: IV. Allegro assai, Symphony no. 4: I. Allegro, Symphony no. 4: II. Andante moderato, Symphony no. 4: III. Scherzo - Allegro molto, Symphony no. 4: IV. Finale con epilogo fugato - Allegro molto, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5 in E‐flat major, op. 82: I. Tempo molto moderato ‐ Allegro moderato, Symphony no. 5 in E‐flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E‐flat major, op. 82: III. Allegro molto, Symphony no. 5: I. Adagio non troppo, Symphony no. 5: I. Tempo giusto -, Symphony no. 5: II Allegro - Presto - Andante poco tranquillo - Allegro (Tempo I), Symphony no. 6 in A major: I. Majestoso, Symphony no. 6 in A major: II. Adagio: Sehr feierlich, Symphony no. 6 in A major: III. Scherzo: Nicht schnell – Trio: Langsam – Scherzo, Symphony no. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in D major, op. 60: I. Allegro non tanto, Symphony no. 6 in D major, op. 60: II. Adagio, Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant), Symphony no. 6 in D major, op. 60: IV. Allegro con spirito, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: II. Allegro moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 6 “Sinfonia semplice": I. Tempo giusto, Symphony no. 6 “Sinfonia semplice": II. Humoreske: Allegretto, Symphony no. 6 “Sinfonia semplice": III. Proposta seria: Adagio, Symphony no. 6 “Sinfonia semplice": IV. Tema con variazioni, Symphony no. 6, op. 104: 3. Poco vivace, Symphony no. 7 in C major, op. 105, Symphony no. 7 in D minor, op. 70: Allegro, Symphony no. 7 in D minor, op. 70: Allegro maestoso, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo - Vivace - Poco meno mosso, Symphony no. 7 in D minor, op. 70: IV. Allegro, Symphony no. 7 in D minor, op. 70: Poco adagio, Symphony no. 7 in D minor, op. 70: Scherzo: vivace - Poco meno mosso, Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in D minor: I. Feierlich, Misterioso, Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 92 in G major “Oxford”: I. Adagio Allegro spiritoso, Symphony no. 92 in G major “Oxford”: II. Adagio cantabile, Symphony no. 92 in G major “Oxford”: III. Menuetto: Allegretto, Symphony no. 92 in G major “Oxford”: IV. Presto, Symphony no. 93 in D major: I. Adagio Allegro assai, Symphony no. 93 in D major: II. Largo cantabile, Symphony no. 93 in D major: III. Menuetto: Allegro, Symphony no. 93 in D major: IV. Finale: Presto ma non troppo, Symphony no. 97 in C major: I. Adagio Allegro assai, Symphony no. 97 in C major: II. Adagio ma non troppo, Symphony no. 97 in C major: III. Menuetto e trio: Allegretto, Symphony no. 97 in C major: IV. Finale: Presto assai, Symphony no. 98 in B-flat major: I. Adagio Allegro, Symphony no. 98 in B-flat major: II. Adagio, Symphony no. 98 in B-flat major: III. Menuetto: Presto, Symphony no. 98 in B-flat major: IV. Finale: Presto, Tapiola, op. 112, The Bard, op. 64, The Confession of Isobel Gowdie, The Dream of Gerontius (1900): Part 1, 01. Prelude, The Dream of Gerontius (1900): Part 1, 02. Jesu, Maria — I am near to death (Gerontius), The Dream of Gerontius (1900): Part 1, 03. Kyrie eleison ... Holy Mary, pray for him (semi-chorus, chorus), The Dream of Gerontius (1900): Part 1, 04. Rouse thee, my fainting soul (Gerontius), The Dream of Gerontius (1900): Part 1, 05. Be merciful, be gracious (chorus), The Dream of Gerontius (1900): Part 1, 06. Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius (1900): Part 1, 07. I can no more (Gerontius), The Dream of Gerontius (1900): Part 1, 08. Rescue him, O lord (Gerontius, chorus, semi-chorus), The Dream of Gerontius (1900): Part 1, 09. Novissima hora est (Gerontius), The Dream of Gerontius (1900): Part 1, 10. Profisciscere, anima Christiana (priest), The Dream of Gerontius (1900): Part 1, 11. Go, in the name of angels and archangels (chorus, priest, semi-chorus), The Oceanides, op. 73, Tristan und Isolde: Isoldes Liebestod, Uranus, the Magician, Valse Triste, op. 44 no. 1, Venus, the Bringer of Peace, Waverley, op. 1 |
| José Manuel Hierro |
conductor |
L'Oiseau de feu: Introduction, L'Oiseau de feu: Tableau I. Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Berceuse (L'Oiseau de feu) - réveil de Katchtcheï - mort de Katchtcheï - profonds ténèbres, L'Oiseau de feu: Tableau I. Brusque apparition d'Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Capture de l'Oiseau de feu par Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Carillon féerique - apparition des monstres-gardiens de Katchtcheï - capture d'Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Danse de l'Oiseau de feu, L'Oiseau de feu: Tableau I. Danse de la suite de Katchtcheï enchantée par l'Oiseau de feu, L'Oiseau de feu: Tableau I. Danse infernale de tous les sujets de Katchtcheï, L'Oiseau de feu: Tableau I. Jeu des princesses avec les pommes d'or, L'Oiseau de feu: Tableau I. Khorovod (ronde) des princesses, L'Oiseau de feu: Tableau I. Le jardin enchanté de Katchtcheï, L'Oiseau de feu: Tableau I. Lever de jour - Ivan Tsarévitch pénètre dans le palais de Katchtcheï, L'Oiseau de feu: Tableau I. Supplications de l'Oiseau de feu - apparition des treize princesses enchantées, L'Oiseau de feu: Tableau II. Disparition du palais et des sortilèges de Katchtcheï - animation des chevaliers pétrifiés - allégresse générale, Night on the Bare Mountain, Pictures at an Exibition: Bydlo, Pictures at an Exibition: Cum mortuis in lingua mortua, Pictures at an Exibition: Gnomus, Pictures at an Exibition: Il vecchio castello, Pictures at an Exibition: Promenade, Pictures at an Exibition: Promenade. Ballet of the chickens in their shells, Pictures at an Exibition: Samuel Goldenberg and Schmuyle, Pictures at an Exibition: The hut on fowl’s legs (Baba Yaga) / The great gate of Kiev, Pictures at an Exibition: The market-place at Limoges. Catacombae (Sepulchrum romanum), Pictures at an Exibition: Tuileries, Symphony in B-flat, Hob I:102: I. Largo - Vivace, Symphony in B-flat, Hob I:102: II. Adagio, Symphony in B-flat, Hob I:102: III. Menuet (Allegro), Symphony in B-flat, Hob I:102: IV. Finale (Presto), Symphony in B-flat, Hob I:98: I. Adagio - Allegro, Symphony in B-flat, Hob I:98: II. Adagio, Symphony in B-flat, Hob I:98: III. Menuet (Allegro), Symphony in B-flat, Hob I:98: IV. Finale (Presto), Symphony in C minor, Hob I:95: I. Allegro moderato, Symphony in C minor, Hob I:95: II. Andante, Symphony in C minor, Hob I:95: III. Menuetto, Symphony in C minor, Hob I:95: IV. Finale (Vivace), Symphony in C, Hob I:97: I. Adagio - Vivace, Symphony in C, Hob I:97: II. Adagio ma non troppo, Symphony in C, Hob I:97: III. Menuetto (Allegretto), Symphony in C, Hob I:97: IV. Finale (Presto assai), Symphony in D, Hob I:101 "The Clock": I. Adagio - Presto, Symphony in D, Hob I:101 "The Clock": II. Andante, Symphony in D, Hob I:101 "The Clock": III. Menuetto (Allegretto), Symphony in D, Hob I:101 "The Clock": IV. Finale (Vivace), Symphony in D, Hob I:104 "London": I. Adagio - Allegro moderato, Symphony in D, Hob I:104 "London": II. Andante, Symphony in D, Hob I:104 "London": III. Menuet (Allegro), Symphony in D, Hob I:104 "London": IV. Finale (Spiritoso), Symphony in D, Hob I:93: I. Adagio - Allegro assai, Symphony in D, Hob I:93: II. Largo cantabile, Symphony in D, Hob I:93: III. Menuetto (Allegro), Symphony in D, Hob I:93: IV. Finale (Presto ma non troppo), Symphony in D, Hob I:96 "The Miracle": I. Adagio - Allegro, Symphony in D, Hob I:96 "The Miracle": II. Andante, Symphony in D, Hob I:96 "The Miracle": III. Menuetto. Allegretto, Symphony in D, Hob I:96 "The Miracle": IV. Finale. Vivace assai, Symphony in E-flat, Hob I:103 "Drum Roll": I. Adagio - Allegro con spirito, Symphony in E-flat, Hob I:103 "Drum Roll": II. Andante più tosto allegretto, Symphony in E-flat, Hob I:103 "Drum Roll": III. Menuet, Symphony in E-flat, Hob I:103 "Drum Roll": IV. Finale. Allegro con spirito, Symphony in E-flat, Hob I:99: I. Adagio - Vivace assai, Symphony in E-flat, Hob I:99: II. Adagio, Symphony in E-flat, Hob I:99: III. Menuetto (Allegretto), Symphony in E-flat, Hob I:99: IV. Finale (Vivace), Symphony in G major, Hob I:100 "Military": I. Adagio - Allegro, Symphony in G major, Hob I:100 "Military": II. Allegretto, Symphony in G major, Hob I:100 "Military": III. Menuet (Moderato), Symphony in G major, Hob I:100 "Military": IV. Finale (Presto), Symphony in G, Hob I:94 "Surprise": I. Adagio - Vivace assai, Symphony in G, Hob I:94 "Surprise": II. Andante, Symphony in G, Hob I:94 "Surprise": III. Menuet (Allegro molto), Symphony in G, Hob I:94 "Surprise": IV. Finale (Allegro di molto), Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 9 in E minor, op. 95: I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95: II. Largo, Symphony no. 9 in E minor, op. 95: III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95: IV. Allegro con fuoco, “Night on the Bare Mountain” |
| Crash |
conductor |
Ballet Music for Idomeneo, rè di Creta in D major, K. 367: II. Pas seul: Largo / Allegretto / Più allegro, Ballet Music for Idomeneo, rè di Creta, K. 367: Ia. Chaconne: Allegro in D major, Ballet Music for Idomeneo, rè di Creta, K. 367: Ib. Chaconne: Larghetto in B-flat major, Ballet Music for Idomeneo, rè di Creta, K. 367: Ic. Chaconne: Allegro in D major, Coriolan, Op. 62, Egmont, Op. 84, Eine kleine Nachtmusik in G, K. 525: I. Allegro, Eine kleine Nachtmusik in G, K. 525: II. Romanze. Andante, Eine kleine Nachtmusik in G, K. 525: III. Menuetto. Allegro, Eine kleine Nachtmusik in G, K. 525: IV. Rondo. Allegro, Fidelio, Op. 72b, Idomeneo, rè di Creta, K. 366: Act I, Scene XI. Intermezzo No. 8 Marcia, Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 8a "Ballo delle donne Cretesi", Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 25 Marcia, Idomeneo, rè di Creta, K. 366: Ouverture, Le nozze di Figaro, K. 492: Sinfonia, Leonore No. 1, Op. 138, Leonore No. 3, Op. 72a, Messiah: Pifa - Sinfonia pastorale, Messiah: Sinfonia, Messiah: Then shall the eyes of the blind - Recitativo, Posthorn Serenade in D major K320: Concertante (andante grazioso), Requiem : Lacrimosa, Samson et Dalila, Act III: Bacchanale, Serenade in D major, K. 250 “Haffner”: I. Allegro maestoso - Allegro molto, Serenade in D major, K. 250 “Haffner”: II. Andante, Serenade in D major, K. 250 “Haffner”: III. Menuetto, Serenade in D major, K. 250 “Haffner”: IV. Rondo. Allegro, Serenade in D major, K. 250 “Haffner”: V. Menuetto. Galanta, Serenade in D major, K. 250 “Haffner”: VI. Andante, Serenade in D major, K. 250 “Haffner”: VII. Menuetto, Serenade in D major, K. 250 “Haffner”: VIII. Adagio - Allegro assai, Serenade in D major, K. 320 “Posthorn”: I. Adagio maestoso - Allegro con spirito, Serenade in D major, K. 320 “Posthorn”: II. Menuetto. Allegretto - Trio, Serenade in D major, K. 320 “Posthorn”: III. Concertante. Andante grazioso, Serenade in D major, K. 320 “Posthorn”: IV. Rondeau. Allegro ma non troppo, Serenade in D major, K. 320 “Posthorn”: V. Andantino, Serenade in D major, K. 320 “Posthorn”: VI. Menuetto - Trios Nos. 1 & 2, Serenade in D major, K. 320 “Posthorn”: VII. Finale. Presto, Serenata notturna in D major, K. 239: I. Marcia. Maestoso, Serenata notturna in D major, K. 239: II. Menuetto, Serenata notturna in D major, K. 239: III. Rondo. Allegro, Symphonie Nr. 6 E-moll: I. Allegro, Symphonie Nr. 6 E-moll: II. Moderato, Symphonie Nr. 6 E-moll: III. Scherzo: Allegro vivace, Symphonie Nr. 6 E-moll: IV. Epilogue: Moderato, Symphonische Metamorphosen über Themen von Carl Maria von Weber: I. Allegro, Symphonische Metamorphosen über Themen von Carl Maria von Weber: II. Turandot (Scherzo), Symphonische Metamorphosen über Themen von Carl Maria von Weber: III. Andantino, Symphonische Metamorphosen über Themen von Carl Maria von Weber: IV. Marsch, Symphony in C: I. Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto - Meno mosso - Tempo I - Più mosso - Tempo I, Symphony in C: IV. Largo - Tempo giusto, alla breve - Poco meno mosso, Symphony in Three Movements: I. Allegro, Symphony in Three Movements: II. Andante - Interlude (L'istesso tempo), Symphony in Three Movements: III. Con moto, The Creatures of Prometheus, Op. 43, The Marriage of Figaro - Overture (extract), The Ruins of Athens, Op. 113, Variationen und Fuge über ein Thema von Mozart, op. 132: Fuge, Variationen und Fuge über ein Thema von Mozart, op. 132: Thema, Variationen und Fuge über ein Thema von Mozart, op. 132: Variation I. L'istesso tempo, Variationen und Fuge über ein Thema von Mozart, op. 132: Variation II. Poco agitato, Variationen und Fuge über ein Thema von Mozart, op. 132: Variation III. Con moto, Variationen und Fuge über ein Thema von Mozart, op. 132: Variation IV. Vivace, Variationen und Fuge über ein Thema von Mozart, op. 132: Variation V. Quasi presto, Variationen und Fuge über ein Thema von Mozart, op. 132: Variation VI. Sostenuto, Variationen und Fuge über ein Thema von Mozart, op. 132: Variation VII. Andante grazioso, Variationen und Fuge über ein Thema von Mozart, op. 132: Variation VIII. Molto sostenuto, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: Andante, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: I. (C.A.E.) L'istesso tempo, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: II. (H.D.S-P.) Allegro, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: III. (R.B.T.) Allegretto, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: IV. (W.M.B.) Allegro di molto, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: IX. (Nimrod) Adagio, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: V. (R.P.A.) Moderato, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: VI. (Ysobel) Andantino, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: VII. (Tryte) Presto, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: VIII. (W.N.) Allegretto, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: X. (Dorabella) Allegretto, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XI. (G.R.S.) Allegro di molto, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XII. (B.G.N.) Andante, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XIII. (***) Romanza: Moderato, Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XIV. (E.D.U.) Finale: Allegro |
| Giuseppe Verdi |
conductor |
Falstaff: Act I: Part 1 - "6 polli: 6 scellini" (Falstaff, Bardolfo, Pistola), Falstaff: Act I: Part 1 - "Falstaff!" (Dr Cajus, Falstaff, Bardolfo, Pistola), Falstaff: Act I: Part 1 - "Sir John, in quest'intrigo" ( Bardolfo, Falstaff, Pistola), Falstaff: Act I: Part 2 - "Alice. Meg. Nannetta" (Meg, Alice, Quickly, Nannetta), Falstaff: Act I: Part 2 - "Del tuo barbaro diagnostico" (Dr Cajus, Pistola, Ford, Bardolfo, Fenton, Alice, Meg, Nannetta, Quickly), Falstaff: Act I: Part 2 - "In due parole" (Pistola, Dr Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly), Falstaff: Act I: Part 2 - "Leggi. Fulgida Alice!" (Meg, Alice, Quickly, Nannetta), Falstaff: Act I: Part 2 - "Mostro!" (Alice, Nannetta, Quickly, Meg, Dr Cajus, Bardolfo, Ford, Pistola, Fenton), Falstaff: Act I: Part 2 - "Pst, pst, Nannetta" (Fenton, Nannetta, Alice, Meg, Quickly), Falstaff: Act I: Part 2 - "Torno all'assalto" (Fenton, Nannetta, Bardolfo, Ford, Pistola), Falstaff: Act II: Part 1 - "Alice e mia!" (Falstaff, Bardolfo), Falstaff: Act II: Part 1 - "C'e a Windsor una dama," (Ford, Falstaff), Falstaff: Act II: Part 1 - "E sogno? o realta?" (Ford, Falstaff), Falstaff: Act II: Part 1 - "Eccomi qua." (Ford, Falstaff), Falstaff: Act II: Part 1 - "Siam pentiti e contriti." (Bardolfo, Pistola, Falstaff, Quickly), Falstaff: Act II: Part 1 - "Signore" (Ford, Falstaff, Bardolfo, Pistola), Falstaff: Act II: Part 2 - "Alfin t'ho colto" (Falstaff, Alice), Falstaff: Act II: Part 2 - "C'e. C'e" (Ford, Dr Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Coro, Alice), Falstaff: Act II: Part 2 - "Gaie comari de Windsor" (Alice, Quickly, Nannetta, Meg), Falstaff: Act II: Part 2 - "Presenteremo un bill" (Alice, Quickly, Meg, Nannetta), Falstaff: Act II: Part 2 - "Quand'ero paggio" (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola), Falstaff: Act II: Part 2 - "Tutto delira" (Nannetta, Fenton, Ford, Bardolfo, Dr Cajus, Pistola, Meg, Quickly, Nannetta, Falstaff), Falstaff: Act II: Part 2 - "Vien qua" (Nannetta, Fenton, Dr Cajus, Ford, Pistola, Bardolfo), Falstaff: Act III: Part 1 - "Ehi! Taverniere!" (Falstaff), Falstaff: Act III: Part 1 - "Il Cacciatorre nero" (Quickly, Falstaff, Ford, Nannetta, Meg, Alice, Fenton), Falstaff: Act III: Part 1 - "Reverenza" (Quickly, Falstaff), Falstaff: Act III: Part 1 - "Sarai la Fata" (Alice, Nannetta, Meg, Fenton, Dr Cajus, Quickly), Falstaff: Act III: Part 1 - "Va, Vecchio John, va" (Falstaff), Falstaff: Act III: Part 2 - "Alto la!" (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Fate, Ford, Imps), Falstaff: Act III: Part 2 - "Dal labbro il canto estasiato vola" (Fenton, Nannetta, Alice, Quickly, Meg), Falstaff: Act III: Part 2 - "Gia s'avanza la coppia degli sposi" (Ford, Alice, Dr Cajus, Falstaff, Bardolfo, Fenton, Nannetta), Falstaff: Act III: Part 2 - "Ninfe! Elfi! Silfi!" (Nannetta, Falstaff, Alice, Fate), Falstaff: Act III: Part 2 - "Odo un soave passo!" (Falstaff), Falstaff: Act III: Part 2 - "Ogni sorta de gente dozzinale" (Falstaff, All, Ford), Falstaff: Act III: Part 2 - "Pizzica, pizzica" (Alice, Quickly, Meg, Falstaff, Dr Cajus, Ford, Pistola, Bardolfo, Coro), Falstaff: Act III: Part 2 - "Tutto, nel mondo e burla" (All), Falstaff: Act III: Part 2 - "Una, due, tre, quattro" (Falstaff), Messa da Requiem, no. 4: Sanctus, Messa da Requiem: I. Requiem & Kyrie, Messa da Requiem: III. Offertorio: Domine Jesu Christe, Messa da Requiem: III. Offertorio: Hostias, Messa da Requiem: IIa. Dies irae, Messa da Requiem: IIb. Dies irae: Tuba mirum, Messa da Requiem: IIc. Dies irae: Mors stupebit, Messa da Requiem: IId. Dies irae: Liber scriptus, Messa da Requiem: IIe. Dies irae: Quid sum miser, Messa da Requiem: IIf. Dies irae: Rex tremendae, Messa da Requiem: IIg. Dies irae: Recordare, Messa da Requiem: IIh. Dies irae: Ingemisco, Messa da Requiem: IIi. Dies irae: Confutatis, Messa da Requiem: IIj. Dies irae: Lacrymosa, Messa da Requiem: IV. Sanctus, Messa da Requiem: V. Agnus Dei, Messa da Requiem: VI. Lux aeterna, Messa da Requiem: VIIa. Libera me, Domine, Messa da Requiem: VIIb. Dies Irae, Messa da Requiem: VIIc. Libera me, Domine, Requiem: Part 2, I. Dies Irae, Requiem: Part 2, II. Tuba Mirum, Requiem: i. Requiem Aeternam, Requiem: ii. Dies Irae, Requiem: iii. Tuba Mirum, Requiem: iv. Liber Scriptus, Requiem: ix. Confutatis, Requiem: v. Quid Sum Miser, Requiem: vi. Rex Tremendae, Requiem: vii. Recordare, Requiem: viii. Ingemisco, Requiem: x. Lacrymosa, Requiem: xi. Domine Jesu Christe, Requiem: xii. Hostias, Requiem: xiii. Sanctus, Requiem: xiv. Agnus Dei, Requiem: xv. Lux Aeterna, Requiem: xvi. Libera Me, Dies Irae, Requiem Aeternam, Requiem: xvii. Libera Me |
| Ousmane Keita |
conductor |
Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… venti… trenta…" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo), Le nozze di Figaro, K. 492: Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina), Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le nozze di Figaro, K. 492: Act I, Scene VI. Recitativo "Taci, vien gente..." (Cherubino, Susanna, Il Conte, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andate" (Il Conte, Basilio, Susanna), Le nozze di Figaro, K. 492: Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8a Coro "Giovani liete, fiori spargete" (Coro), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Aria "Non più andrai, farfallone amoroso" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le nozze di Figaro, K. 492: Act II, Scene I. No. 10 Cavatina "Porgi, amor qualche ristoro" (La Contessa), Le nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro), Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Aria "Venite… inginocchiatevi…" (Susanna), Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Bravo! che bella voce!" (La Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna), Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene III. No. 13 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Conte, Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 14 Duettino "Aprite, presto, aprite" (Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II. "Ah! Signor, signor... Cosa è stato? (Antonio, Il Conte, Susanna, La Contessa, Figaro), Le nozze di Figaro, K. 492: Act II. "Signore, cos'è quel stupore?" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act II. "Signori, di fuori son già i suonatori" (Figaro, Il Conte, Susanna, La Contessa), Le nozze di Figaro, K. 492: Act II. "Voi signor, che giusto siete" (Marcellina, Basilio, Bartolo, Susanna, La Contessa, Figaro, Il Conte), Le nozze di Figaro, K. 492: Act II. No 15 Finale "Esci omai, garzon malnato" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II. Recitativo "Tutto è come il lasciai" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act III. "Amanti costanti" (Due donne, Coro, Il Conte, Figaro), Le nozze di Figaro, K. 492: Act III. "Eh, già solita usanza" (Susanna, La Contessa, Il Conte, Figaro, Coro), Le nozze di Figaro, K. 492: Act III. No. 16 Duetto "Crudel! Perché finora" (Il Conte, Susanna), Le nozze di Figaro, K. 492: Act III. No. 17 Aria "Vedrò, mentr'io sospiro" (Il Conte), Le nozze di Figaro, K. 492: Act III. No. 17 Recitativo "Hai già vinta la causa!" (Il Conte), Le nozze di Figaro, K. 492: Act III. No. 18 Sestetto "Riconosci in quest'amplesso" (Marcellina, Figaro, Bartolo, Curzio, Il Conte, Susanna), Le nozze di Figaro, K. 492: Act III. No. 19 Aria "Dove sona i bei momenti" (La Contessa), Le nozze di Figaro, K. 492: Act III. No. 19 Recitativo "E Susanna non vien!..." (La Contessa), Le nozze di Figaro, K. 492: Act III. No. 20 Duettino "Canzonetta sull'aria"... "Che soave zeffiretto" (Susanna, La Contessa), Le nozze di Figaro, K. 492: Act III. No. 21 Coro "Ricevete, O padroncina" (Coro), Le nozze di Figaro, K. 492: Act III. No. 22 Finale "Ecco la marcia. andiamo" (Figaro, Susanna, Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act III. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le nozze di Figaro, K. 492: Act III. Recitativo "Che imbarazzo è mai questo, " (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III. Recitativo "Cosa mi narri?" (La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III. Recitativo "E perché fosti meco" (Il Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Act III. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Susanna, Figaro), Le nozze di Figaro, K. 492: Act III. Recitativo "Io vi dico, signor" (Antonio, Il Conte), Le nozze di Figaro, K. 492: Act III. Recitativo "Piegato è il foglio" (Susanna, La Contessa), Le nozze di Figaro, K. 492: Act III. Recitativo "Queste sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le nozze di Figaro, K. 492: Act III. Recitativo "È decisa la lite" (Curzio, Marcellina, Figaro, Il Conte, Bartolo), Le nozze di Figaro, K. 492: Act IV. "Gente, gente, all'armi, all'armi!" (Il Conte, Figaro, Basilio, Curzio, Antonio, Bartolo, Susanna, Barbarina, Cherubino, Marcellina, La Contessa), Le nozze di Figaro, K. 492: Act IV. "Pace, pace, mio dolce tesoro" (Figaro, Susanna, Il Conte), Le nozze di Figaro, K. 492: Act IV. "Partito è alfin l'audace..." (Il Conte, La Contessa, Figaro, Susanna), Le nozze di Figaro, K. 492: Act IV. No. 23 Cavatina: "L'ho perduta, me meschina!" (Barbarina), Le nozze di Figaro, K. 492: Act IV. No. 24 Aria "II capro e la capretta" (Marcellina), Le nozze di Figaro, K. 492: Act IV. No. 25 Aria "In quegli anni, in cui val poco" (Basilio), Le nozze di Figaro, K. 492: Act IV. No. 26 Aria "Aprite un po' quegli occhi" (Figaro), Le nozze di Figaro, K. 492: Act IV. No. 26 Recitativo "Tutto è disposto..." (Figaro), Le nozze di Figaro, K. 492: Act IV. No. 27 Aria "Deh vieni, non tardar" (Susanna), Le nozze di Figaro, K. 492: Act IV. No. 27 Recitativo "Giunse alfin il momento" (Susanna), Le nozze di Figaro, K. 492: Act IV. No. 28 Finale "Pian pianin, le andrò più presso" (Cherubino, La Contessa, Il Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Act IV. Recitativo "Barbarina, cos' hai?" (Figaro, Barbarina, Marcellina), Le nozze di Figaro, K. 492: Act IV. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo), Le nozze di Figaro, K. 492: Act IV. Recitativo "Perfida! E in quella forma meco mentia?" (Figaro, Cherubino, La Contessa), Le nozze di Figaro, K. 492: Act IV. Recitativo "Signora. ella mi disse che Figaro verravi" (Susanna, Marcellina, La Contessa, Figaro), Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace, Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto - Allegro assai |
| Leo Welch |
conductor |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia, La clemenza di Tito, K. 621: Ouverture, Les Troyens (Act IV): N° 29. Chasse royale et orage - Pantomime, Les Troyens (Act IV): N° 32. Marche pour l'entrée de la reine, Les Troyens (Act IV): N° 33. Ballets: a. Pas des Almées, Les Troyens (Act IV): N° 33. Ballets: b. Danse des esclaves, Les Troyens (Act IV): N° 33. Ballets: c. Pas d'esclaves nubiennes, Peter Grimes, Op. 33, Act I, Scene 1: "And do you prefer the storm", Peter Grimes, Op. 33, Act I, Scene 1: "Hi! Give us a hand", Peter Grimes, Op. 33, Act I, Scene 1: "I have to go from pub to pub", Peter Grimes, Op. 33, Act I, Scene 1: "Let her among you", Peter Grimes, Op. 33, Act I, Scene 1: "Look, the storm cone!", Peter Grimes, Op. 33, Act I, Scene 1: "Oh, hang at open doors", Peter Grimes, Op. 33, Act I, Scene 1: "What harbour shelters peace", Peter Grimes, Op. 33, Act I, Scene 2: "Have you heard?", Peter Grimes, Op. 33, Act I, Scene 2: "Now the Great Bear and Pleiades", Peter Grimes, Op. 33, Act I, Scene 2: "Old Joe has gone fishing", Peter Grimes, Op. 33, Act I, Scene 2: "Past time to close!", Peter Grimes, Op. 33, Act I, Scene 2: "We live and let live", Peter Grimes, Op. 33, Act II, Scene 1: "Fool to let it come to this!", Peter Grimes, Op. 33, Act II, Scene 1: "From the gutter", Peter Grimes, Op. 33, Act II, Scene 1: "Glitter of waves", Peter Grimes, Op. 33, Act II, Scene 1: "Let this be a holiday", Peter Grimes, Op. 33, Act II, Scene 1: "Now is gossip put on trial", Peter Grimes, Op. 33, Act II, Scene 1: "People!...No! I will speak!", Peter Grimes, Op. 33, Act II, Scene 1: "Swallow! Shall we go", Peter Grimes, Op. 33, Act II, Scene 1: "This unrelenting work", Peter Grimes, Op. 33, Act II, Scene 1: "We planned that their lives", Peter Grimes, Op. 33, Act II, Scene 1: "What is it?", Peter Grimes, Op. 33, Act II, Scene 2: "Go there!", Peter Grimes, Op. 33, Act II, Scene 2: "Now!...Now!", Peter Grimes, Op. 33, Act II, Scene 2: "Peter Grimes! Nobody here?", Peter Grimes, Op. 33, Act III, Scene 1: "Assign your prettiness to me", Peter Grimes, Op. 33, Act III, Scene 1: "Come along, Doctor!", Peter Grimes, Op. 33, Act III, Scene 1: "Embroidery in childhood", Peter Grimes, Op. 33, Act III, Scene 1: "Mr. Swallow!", Peter Grimes, Op. 33, Act III, Scene 1: "Pah!", Peter Grimes, Op. 33, Act III, Scene 1: "Who holds himself apart", Peter Grimes, Op. 33, Act III, Scene 2: "Grimes! Grimes!", Peter Grimes, Op. 33, Act III, Scene 2: "Peter, we've come to take you home", Peter Grimes, Op. 33, Act III, Scene 2: "To those who pass the Borough", Peter Grimes, Op. 33, Prologue: "Peter Grimes!", Peter Grimes, Op. 33, Prologue: "Peter Grimes, I here advise you!", Peter Grimes, Op. 33, Prologue: "The truth... the pity...", Peter Grimes, Op. 33, Prologue: "You sailed your boat", Peter Grimes, Op. 33: Interlude I, Peter Grimes, Op. 33: Interlude II, Peter Grimes, Op. 33: Interlude III, Peter Grimes, Op. 33: Interlude IV, Peter Grimes, Op. 33: Interlude V, Peter Grimes, Op. 33: Interlude VI |
| Frank Proschan |
conductor |
A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: VII. Notturno, Ein Sommernachtstraum, op. 61: Nr. 7. Notturno, En Saga, op. 9, Finlandia, op. 26, Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla Marcia, Overture to A Midsummer Night's Dream, Op. 21, Pohjola's Daughter, op. 49, Rosamunde, D 797: Ballet Music no. 1 - Andante un poco assai, Rosamunde, D 797: Ballet Music no. 2 - Andantino, Rosamunde, D 797: Intermezzo no. 2 - Andantino, Rosamunde, D 797: Overture, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante. Ma non troppo lento, Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, Symphony no. 2 in D major, op. 43: II. Andante, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto; Quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105: I. Adagio, Symphony no. 7 in C major, op. 105: II. Vivacissimo - Adagio, Symphony no. 7 in C major, op. 105: III. Allegro molto moderato - Allegro moderato, Symphony no. 7 in C major, op. 105: IV. Vivace - Presto - Adagio - Largamente molto, Symphony no. 7 in C major, op. 105: V. Affettuoso, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Tapiola, op. 112, Valse triste, op. 44 |
| Hector Berlioz |
conductor |
Béatrice et Bénédict: Act 1. "Vous soupirez, madame?" - "Nuit paisible et sereine!", Harold en Italie H. 68, Op.16: Harold aux montagnes (Adagio - Allegro), Harold en Italie H. 68, Op.16: Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I), Harold en Italie, op. 16: I. Harold aux montagnes (Allegro), L'Enfance du Christ, Deuxième Partie - La Fuite en Egypte: I. Ouverture, L'Enfance du Christ, Deuxième Partie - La Fuite en Egypte: II. Il s'en va loin de la terre, L'Enfance du Christ, Deuxième Partie - La Fuite en Egypte: III. Les pelerins etant venus, L'Enfance du Christ, Première Partie - Le Songe d'Hérode: I. Dans la creche, en ce temps, L'Enfance du Christ, Première Partie - Le Songe d'Hérode: II. Toujours ce reve!, L'Enfance du Christ, Première Partie - Le Songe d'Hérode: III. Seigneur!... Laches, tremblez!, L'Enfance du Christ, Première Partie - Le Songe d'Hérode: IV. Eh bien, par le fer qu'ils perissent!, L'Enfance du Christ, Première Partie - Le Songe d'Hérode: V. O mon cher fils, L'Enfance du Christ, Première Partie - Le Songe d'Hérode: VI. Joseph! Marie!, L'Enfance du Christ, Troisième Partie - L'Arrivée à Saïs: I. Depuis trois jours, L'Enfance du Christ, Troisième Partie - L'Arrivée à Saïs: II. Dans cette ville immense, L'Enfance du Christ, Troisième Partie - L'Arrivée à Saïs: III. Entrez, entrez, pauvres Hebreux!, L'Enfance du Christ, Troisième Partie - L'Arrivée à Saïs: IV. Sur vos traits fatigues, L'Enfance du Christ, Troisième Partie - L'Arrivée à Saïs: V. Trio pur deux flutes et harpe, L'Enfance du Christ, Troisième Partie - L'Arrivée à Saïs: VI. Vous pleurez, jeune mere, L'Enfance du Christ, Troisième Partie - L'Arrivée à Saïs: VII. Ce fut ainsi que, par un infidele, L'Île Inconnue, La Mort d'Ophelie, La Mort de Cléopâtre: I. C'en est donc fait!, La Mort de Cléopâtre: II. Ah! qu'ils sont loin ces jours, La Mort de Cléopâtre: III. Au comble des revers, La Mort de Cléopâtre: IV. Grands Pharaons, nobles Lagides, La Mort de Cléopâtre: V. Non! De vos demeures funebres, Les Nuits d'été - "La Spectre de la rose", Les Troyens H. 133a: Act 3: Prélude - Les Troyens à Carthage, Les Troyens, Nr. 48: "Adieu fière cité", Les nuits d'été Op. 7: Absence, Les nuits d'été Op. 7: Au cimetière - Clair de lune, Les nuits d'été Op. 7: L'île inconnue, Les nuits d'été Op. 7: Le spectre de la rose, Les nuits d'été Op. 7: Sur les lagunes - Lamento, Les nuits d'été Op. 7: Villanelle, Les nuits d'été: Le spectre de la rose, Meditation religieuse, Overture "Béatrice et Bénédict", Overture "Le roi Lear", op. 4, Sara la baigneuse, Symphonie funèbre et triomphale, op. 15: I. Marche funèbre (Moderato un poco lento), Symphonie funèbre et triomphale, op. 15: II. Oraison funèbre (Adagio non tanto - Andantino un poco lento e sostenuto), Symphonie funèbre et triomphale, op. 15: III. Apothéose (Allegro non troppo e pomposo), Tristia H. 119, Op.18: La mort d'Ophélie. Ballade, Tristia H. 119, Op.18: Marche funèbre pour la dernière scène d'Hamlet, Tristia H. 119, Op.18: Méditation religieuse |
| Giacomo Puccini |
conductor |
Che Gelida Manina (feat. tenor: José Carreras), Chi guardi?, La Bohème: Che gelida manina, La Bohème: Si. Mi chiamano Mimi, La bohème: Act I. "Abasso, abasso l'autor!", La bohème: Act I. "Chi è là?", La bohème: Act I. "Ehi! Rodolfo!", La bohème: Act I. "Io resto", La bohème: Act I. "O soave fanciulla", La bohème: Act I. "Pensier profondo", La bohème: Act I. "Questo Mar Rosso", La bohème: Act I. "Si può" - "Chi è là?", La bohème: Act I. "Si sente meglio?", La bohème: Act I. "Sì. Mi chiamano Mimì", La bohème: Act II. "Arranci, datteri!", La bohème: Act II. "Beviam!", La bohème: Act II. "Caro!" - "Fuori il danaro!", La bohème: Act II. "Chi guardi?" - "Ecco i giacattoli de Parpignol", La bohème: Act II. "Quando m'en vo", La bohème: Act II. "Viva Parpignol" - "Una cuffietta a pizzi", La bohème: Act III. "Addio, dolce svegliare", La bohème: Act III. "Donde lieta uscì", La bohème: Act III. "Marcello. Finalmente!", La bohème: Act III. "Mimì è tanto malata!", La bohème: Act III. "Mimì è una civetta", La bohème: Act III. "Mimì!" - "Rodolfo m'ama e mi fugge", La bohème: Act III. "Ohè, là, le guardie!" - "Aprite!", La bohème: Act III. "Sa dirmi, scusi", La bohème: Act IV. "C'è Mimì…", La bohème: Act IV. "Che ha detto il medico?", La bohème: Act IV. "Gavotta", La bohème: Act IV. "In un coupé?", La bohème: Act IV. "O Dio! Mimì", La bohème: Act IV. "O Mimì, tu più non torni" - "Che ora sia?", La bohème: Act IV. "Vecchia zimarra, senti", Mimi! - Rudolfo m'ama e mi fugge, Oh Dio! - Che ha detto il medico?, Si senti meglio?, Tosca: Act I. "Recondita armonia" (Cavaradossi), Tosca: Act II. "Vissi d'arte" (Tosca), in un coupe'? - O Mimi |
| Vicky O'Keefe Band |
conductor |
Tosca, Atto I: (Angelotti) "Ah! Finalmente", Tosca, Atto I: (Cavaradossi) "Dammi i colori!", Tosca, Atto I: (Cavaradossi, Angelotti) "E' buona la mia Tosca", Tosca, Atto I: (Cavaradossi, Angelotti, Tosca) "Gente là dentro!", Tosca, Atto I: (Cavaradossi, Tosca) "Mia gelosa!", Tosca, Atto I: (Sagrestano, Cavaradossi) "E sempre lava!", Tosca, Atto I: (Sagrestano, Coro) "Sommo giubilo, Eccellenza!", Tosca, Atto I: (Scarpia, Sagrestano, Spoletta) "Un tal baccano in chiesa!", Tosca, Atto I: (Scarpia, Spoletta, Coro) "Tre sbirri... Una carrozza", Tosca, Atto I: (Scarpia, Tosca, Sagrestano) "Or tutto è chiaro...", Tosca, Atto I: (Tosca, Cavaradossi) "Ah, quegli occhi...", Tosca, Atto I: (Tosca, Cavaradossi) "Mario! Mario! Mario!", Tosca, Atto I: (Tosca, Scarpia) "Ed io venivo", Tosca, Atto II: (Cavaradossi, Tosca) "Floria... Amore...", Tosca, Atto II: (Scarpia, Cavaradossi, Spoletta, Tosca) "Ov'è Angelotti?", Tosca, Atto II: (Scarpia, Cavaradossi, Tosca, Sciarrone) "Nel pozzo del giardino", Tosca, Atto II: (Scarpia, Sciarrone) "Tosca è un buon falco!", Tosca, Atto II: (Scarpia, Sciarrone, Spoletta) "Ha più forte sapore", Tosca, Atto II: (Scarpia, Sciarrone, Tosca, Cavaradossi) "Sciarrone: che dice il Cavalier?", Tosca, Atto II: (Scarpia, Spoletta, Cavaradossi) "Meno male!", Tosca, Atto II: (Scarpia, Tosca) "E qual via scegliete?", Tosca, Atto II: (Scarpia, Tosca) "Ed or fra noi parliam da buoni amici", Tosca, Atto II: (Scarpia, Tosca) "Se la giurata fede", Tosca, Atto II: (Scarpia, Tosca) "Tosca, finalmente mia!", Tosca, Atto II: (Scarpia, Tosca, Cavaradossi, Sciarrone) "Orsù, Tosca, parlate", Tosca, Atto II: (Tosca, Scarpia, Spoletta) "Vedi, le man giunte", Tosca, Atto III: "Amaro sol per te m'era il morire" (Cavaradossi, Tosca), Tosca, Atto III: (Carceriere, Cavaradossi) "Mario Cavaradossi?", Tosca, Atto III: (Cavaradossi) "E lucevan le stelle", Tosca, Atto III: (Cavaradossi) "O dolce mani", Tosca, Atto III: (Cavaradossi, Tosca) "Franchigia a Floria Tosca...", Tosca, Atto III: (Tosca) "Come è lunga l'attesa!", Tosca, Atto III: (Tosca, Cavaradossi) "E non giungono...", Tosca, Atto III: (Tosca, Cavaradossi) "Senti... l'ora è vicina", Tosca, Atto III: (Tosca, Sciarrone, Spoletta) "Presto, su! Mario! Mario!", Tosca, Atto III: (Un pastore) "Io de' sospiri", Tosca, Atto III: Introduzione, Tosca: Atto III, Scena IV. "L'ora!" (Carceriere, Cavaradossi, Tosca) |
| Drakhian |
conductor |
En Saga, op. 9, Symphonie Nr. 36 C-dur, KV 425 "Linzer Symphonie": Andante, Symphony no. 1 in D major, D 82: I. Adagio - Allegro vivace, Symphony no. 1 in D major, D 82: II. Andante, Symphony no. 1 in D major, D 82: III. Allegro, Symphony no. 1 in D major, D 82: IV. Allegro vivace, Symphony no. 2 in B-flat major, D 125: I. Largo - Allegro vivace, Symphony no. 2 in B-flat major, D 125: II. Andante, Symphony no. 2 in B-flat major, D 125: III. Menuetto. Allegro vivace - Trio, Symphony no. 2 in B-flat major, D 125: IV. Presto vivace, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Attacca Finale, Allegro moderato, Symphony no. 3 in D major, D 200: I. Adagio maestoso - Allegro con brio, Symphony no. 3 in D major, D 200: II. Allegretto, Symphony no. 3 in D major, D 200: III. Menuetto. Vivace - Trio, Symphony no. 3 in D major, D 200: IV. Presto vivace, Symphony no. 4 in C minor, D 417 "Tragic": I. Adagio molto - Allegro vivace, Symphony no. 4 in C minor, D 417 "Tragic": II. Andante, Symphony no. 4 in C minor, D 417 "Tragic": III. Menuetto. Allegro vivace - Trio, Symphony no. 4 in C minor, D 417 "Tragic": IV. Allegro, Symphony no. 5 in B-flat major, D 485: III. Menuetto. Allegro molto - Trio, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 6 in C major, D 589 "The Little": I. Adagio - Allegretto, Symphony no. 6 in C major, D 589 "The Little": II. Andante, Symphony no. 6 in C major, D 589 "The Little": III. Scherzo. Presto, Symphony no. 6 in C major, D 589 "The Little": IV. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto, Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio, Symphony no. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace |
| Ludwig van Beethoven |
conductor |
"Pastoral" Symphony: V., Fidelio - Mir Ist So Wundebar, Fidelio: O welche Lust!, Mass in C: I. Kyrie, Mass in C: II. Gloria, Mass in C: III. Credo, Mass in C: IV. Sanctus, Mass in C: V. Benedictus, Mass in C: VI. Agnus Dei, Missa solemnis, Op. 123: Kyrie II (London Symphony Chorus & Orchestra feat. conductor: Colin Davis), Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo (Molto allegro), Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto, Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 6 in F, Op. 68, "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral":"O Freunde, nicht diese Tone!", Symphony No. 9 in D minor, Op. 125 "Choral":Allegro assai, Symphony No.3 in E flat major, op.55 "Eroica" - I. Allegro con brio, Symphony No.3 in E flat major, op.55 "Eroica" - II. Marcia funebre: Adagio assai, Symphony No.3 in E flat major, op.55 "Eroica" - III. Scherzo: Allegro vivace, Symphony No.3 in E flat major, op.55 "Eroica" - IV. Finale: Allegro molto, Symphony no. 5: I., Symphony no. 7: II., Triumphmarsch |
| 여름 |
conductor |
"Emperor" Piano Concerto: II., Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: I. Maestoso, Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: II. Adagio, Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: II. Allegro appassionato, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: III. Andante - Più adagio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso, Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai, Emperor Concerto, Op. 73: II. Adagio un poco mosso, Piano Concerto in A, K. 488: Adagio, Piano Concerto in A, K. 488: Allegro, Piano Concerto in A, K. 488: Allegro Assai, Piano Concerto in D minor, K. 466: Allegro, Piano Concerto in D minor, K. 466: Romance, Piano Concerto in D minor, K. 466: Rondo (Allegro Assai), Piano Concerto no. 1: I. Allegro moderato, Piano Concerto no. 1: II. Andante, Piano Concerto no. 1: III. Allegro molto, Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso, Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai, Piano Concerto no. 23 in A major, K. 488: II. Andante, Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso, Piano Concerto no. 25 in C major, K. 503: II. Andante, Piano Concerto no. 25 in C major, K. 503: III Allegretto, Piano Concerto no. 3: I. Allegretto, Piano Concerto no. 3: II. Adagio religioso, Piano Concerto no. 3: III. Allegro vivace, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: 1. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: 2. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: 3. Rondo (Allegro) |
| Wolfgang Amadeus Mozart |
conductor |
Concerto pour clarinette K. 622 : II. Adagio, Concerto pour piano No. 21 en ut majeur, K. 467: II. Andante, Der Schauspieldirektor, K. 486: Overture, Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A, Don Giovanni, K. 527: Overture, Don Giovanni: Là ci darem la mano, Exsultate jubilate, KV 165/158a: I. Exsultate, jubilate, Exsultate jubilate, KV 165/158a: II. Fulget amica dies, Exsultate jubilate, KV 165/158a: III. Tu virginum corona, Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene III, No. 2 Aria "Nacqui all'aria trionfale" (Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IV, No. 3 Aria "Dove mai trovai quel ciglio?" (Pulcherio), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Ouvertura, Piano Concerto no. 21 in C major ("Elvira Madigan") K. 467: II. Andante, Piano concerto n°24 in C minor K491 - I. Allegro, Piano concerto n°24 in C minor K491 - II Larghetto, Piano concerto n°24 in C minor K491 - III Allegretto, Requiem in D minor, KV. 626: VII. Lacrimosa Larghetto, Requiem: No 1. Introitus and Kyrie: Requiem and Kyrie, Requiem: No 10. Sanctus: Sanctus, Requiem: No 11. Benedictus: Benedictus, Requiem: No 12. Agnus Dei and Communio: Agnus Dei, Requiem: No 2. Sequence: Dies irae, Requiem: No 3. Sequence: Tuba mirum, Requiem: No 4. Sequence: Rex tremendae, Requiem: No 5. Sequence: Recordare, Requiem: No 6. Sequence: Confutatis maledictis, Requiem: No 7. Sequence: Lacrimosa, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias, Vesperae solennes de confessore, KV 339; Laudate dominum (London Symphony Orchestra feat. conductor: Colin Davis, soprano: Kiri te Kanawa, organ; John Constable) |
| New Mixage |
conductor |
Ave verum corpus, K. 618, Kullervo, op. 7: V. Kullervo's Death: Andante, Kullervo: V. Kullervo's Death: Andante, Kyrie, K. 341/368a, Les Troyens, H. 133a: Act I. No. 1 Chorus "Ha, Ha! Après dix ans" (Chorus of the Trojan People), Les Troyens, H. 133a: Act I. No. 4 March and Hymn "Dieux protecteurs de la ville éternelle" (Chorus), Les Troyens, H. 133a: Act II, Scene 2. No. 14 Chorus "Ha, puissante Cybèle" (Trojan Chorus), Les Troyens, H. 133a: Act III. No. 17 Chorus "De Carthage les cieux" (Chorus of the Carthage People), Les Troyens, H. 133a: Act III. No. 18 National Anthem "Gloire à Didon" (Chorus), Les Troyens, H. 133a: Act V, Scene 3. No. 49 Ceremony for the Dead "Dieux de l'oubli, dieux du Ténare" (Chorus of the Priests of Pluto) / "S'il faut enfin qu'Énée aborde en Italie" (Anna, Narbal, Chorus), Les Troyens, H. 133a: Act V, Scene 3. No. 51 Chorus "Ah! au secours! au secours! la reine s'est frappée!" (All), Messiah - Part II, Messiah, HWV 56: Part II, Scene 7, no. 44 “Hallelujah” (Chorus), Messiah: Hallelujah Chorus, Messiah: Part I, No. 12 Chorus "For unto us a Child is born", Messiah: Part I, No. 15 Chorus "Glory to God in the highest", Messiah: Part I, No. 19 Chorus "His yoke is easy", Messiah: Part I, No. 3 Chorus "And the glory of the Lord", Messiah: Part I, No. 6 Chorus "And He shall purify the sons of Levi", Messiah: Part II, No. 20 Chorus "Behold the Lamb of God", Messiah: Part II, No. 26 Chorus "He trusted in God", Messiah: Part II, No. 31 Chorus "Lift up your heads", Messiah: Part II, No. 35 Chorus "The Lord gave the word", Messiah: Part II, No. 37 Chorus "Their sound is gone out", Messiah: Part II, No. 39 Chorus "Let us break their bonds asunder", Messiah: Part III, No. 44 Chorus "Since by man came death", Messiah: Part III, No. 51 Chorus "Worthy is the Lamb" / "Blessing and honour" / No. 52 Chorus "Amen", Roméo et Juliette "Symphonie dramatique": Scène 3. Scène d'amour. Nuit sereine / Le jardin de Capulet silencieux et desert, Roméo et Juliette "Symphonie dramatique": Scène 5. Convoi funèbre de Juliette |
| Benny Lamonica |
conductor |
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso, Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso, Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace, Piano Concerto No. 2, BB 101, Sz.95: I. Allegro, Piano Concerto No. 2, BB 101, Sz.95: II. Adagio - Più adagio - Presto, Piano Concerto No. 2, BB 101, Sz.95: III. Allegro molto, Piano Concerto in A minor, op. 16: I. Allegro molto moderato, Piano Concerto in A minor, op. 16: II. Adagio, Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso, Piano Concerto no. .3 in C minor, op. 37: 2. Largo, Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio, Piano Concerto no. 1 in C major, op. 15: 2. Largo, Piano Concerto no. 1 in C major, op. 15: 3. Rondo (Allegro scherzando), Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio, Piano Concerto no. 1 in C major, op. 15: II. Largo, Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando, Piano Concerto no. 2 in B-flat major, op. 19: 1. Allegro con brio, Piano Concerto no. 2 in B-flat major, op. 19: 2. Adagio, Piano Concerto no. 3 in C minor, op. 37: 1. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: 3. Rondo (Allegro), Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro), Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato, Piano Concerto no. 4 in G major, op. 58: II. Andante con moto, Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace, Piano Concerto no. 4 in G, op. 58: 1. Allegro moderato, Piano Concerto no. 4 in G, op. 58: 2. Andante con moto, Piano Concerto no. 4 in G, op. 58: 3. Rondo (Vivace) |
| Noah |
conductor |
Piano Concerto No. 11 in F Major, K. 413 / 387a - I. Allegro, Piano Concerto No. 11 in F Major, K. 413 / 387a - II. Larghetto, Piano Concerto No. 11 in F Major, K. 413 / 387a - III. Tempo di menuetto, Piano Concerto No. 13 in C Major, K. 415 / 387b - I. Allegro, Piano Concerto No. 13 in C Major, K. 415 / 387b - II. Andante, Piano Concerto No. 13 in C Major, K. 415 / 387b - III. Rondo allegro, Piano Concerto No. 14 in E flat Major, K. 449 - I. Allegro vivace, Piano Concerto No. 14 in E flat Major, K. 449 - II. Andantino, Piano Concerto No. 14 in E flat Major, K. 449 - III. Allegro ma non troppo, Piano Concerto No. 15 in B flat Major, K. 450 - I. Allegro, Piano Concerto No. 15 in B flat Major, K. 450 - II. Andante, Piano Concerto No. 15 in B flat Major, K. 450 - III. Allegro, Piano Concerto No. 16 in D Major, K. 451 - I. Allegro assai, Piano Concerto No. 16 in D Major, K. 451 - II. Andante, Piano Concerto No. 16 in D Major, K. 451 - III. Allegro di molto, Piano Concerto No. 22 in E flat Major, K. 482 - I. Allegro, Piano Concerto No. 22 in E flat Major, K. 482 - II. Andante, Piano Concerto No. 22 in E flat Major, K. 482 - III. Allegro, Piano Concerto No. 24 in C minor, K. 491 - I. Allegro, Piano Concerto No. 24 in C minor, K. 491 - II. Larghetto, Piano Concerto No. 24 in C minor, K. 491 - III. Allegretto, Piano Concerto No.18 in B flat, KV 456, Allegro vivace, Piano Concerto No.18 in B flat, KV 456, Andante un poco sostenuto, Piano Concerto no. 15 in B-flat major, K. 450: I. Allegro, Piano Concerto no. 15 in B-flat major, K. 450: II. Andante, Piano Concerto no. 15 in B-flat major, K. 450: III. Allegro |
| July 4th Toilet |
conductor |
Belshazzar's Feast: I. “Thus spake Isaiah”, Belshazzar's Feast: III. “By the waters of Babylon”, Belshazzar's Feast: IX. “The trumpeters and pipers”, Belshazzar's Feast: VI. Allegro molto - “Thus in Babylon”, Belshazzar's Feast: VII. “Thou, O King, art King of Kings”, Belshazzar's Feast: X. Allegro - “Then sing aloud to God our strength”, Missa in C minor, K. 427 "Great Mass": Benedictus, Missa in C minor, K. 427 "Great Mass": Credo: Credo in unum Deum, Missa in C minor, K. 427 "Great Mass": Credo: Et incarnatus est, Missa in C minor, K. 427 "Great Mass": Gloria: Domine, Missa in C minor, K. 427 "Great Mass": Gloria: Gloria in excelsis, Missa in C minor, K. 427 "Great Mass": Gloria: Gratias, Missa in C minor, K. 427 "Great Mass": Gloria: Jesu Christe / IIh. Gloria: Cum Sancto Spiritu, Missa in C minor, K. 427 "Great Mass": Gloria: Laudamus te, Missa in C minor, K. 427 "Great Mass": Gloria: Qui tollis, Missa in C minor, K. 427 "Great Mass": Gloria: Quoniam, Missa in C minor, K. 427 "Great Mass": Kyrie, Missa in C minor, K. 427 "Great Mass": Sanctus: Osanna, Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus, Te Deum: I. Te Deum (Hymne), Te Deum: II. Tibi omnes (Hymne), Te Deum: III. Dignare (Prière), Te Deum: IV. Christe Rex gloriae (Hymne), Te Deum: VI. Judex crederis (Hymne et prière) |
| Susan Larson |
conductor |
Agnus Dei, Benedictus, Credo, Gloria, Idomeneo, Scenda Amor, Scenda Imeneo, Idomeneo, rè di Creta, K. 366: Act I, Scene III. No. 3 Coro "Godiam la pace" (Coro de' Troiani e Cretesi, Due Cretesi), Idomeneo, rè di Creta, K. 366: Act I, Scene VII. No. 5 Coro "Pietà! Numi, pietà!" (Coro), Idomeneo, rè di Creta, K. 366: Act I, Scene XI. Intermezzo No. 9 Coro "Nettuno s'onori!" (Coro), Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 17 Coro "Qual nuovo terrore!" (Coro), Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 18 Coro "Corriamo, fuggiamo" (Coro), Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro), Kyrie, Mass in D major "Missa Solemnis", Op. 123: Sanctus / Benedictus, Requiem : Dies Irae, Requiem in D minor, K. 626: II. "Kyrie eleison", Requiem in D minor, K. 626: IIIa. Sequentia: "Dies irae", Requiem in D minor, K. 626: IIIc. Sequentia: "Rex tremendae", Requiem in D minor, K. 626: IIIe. Sequentia: "Confutatis", Requiem in D minor, K. 626: IIIf. Sequentia: "Lacrimosa", Requiem in D minor, K. 626: IVb. Offertorium: "Hostias", Requiem in D minor, K. 626: V. "Sanctus", Requiem in D minor, K. 626: VII. "Agnus Dei", Samson et Dalila, Act I: Dieu! Dieu d’Israël!, Sanctus |
| Sir Michael Tippett |
conductor |
A Child of Our Time: Part I. "How can I cherish my man in such days?", A Child of Our Time: Part I. "I have no money for my bread", A Child of Our Time: Part I. "Is evil then good?", A Child of Our Time: Part I. "Man has measured the heavens", A Child of Our Time: Part I. "Now in each nation - When shall the userer's city cease", A Child of Our Time: Part I. "The world turns on its dark side", A Child of Our Time: Part I. Spiritual: Steal Away, A Child of Our Time: Part II. "A star rises in mid-winter", A Child of Our Time: Part II. "And a time came", A Child of Our Time: Part II. "My dreams are all shattered", A Child of Our Time: Part II. "O my son!", A Child of Our Time: Part II. "The boy becomes desperate in his agony", A Child of Our Time: Part II. "They took a terrible vengeance", A Child of Our Time: Part II. "What have I done to you, my son? - The dark forces rise like a flood", A Child of Our Time: Part II. A Spiritual of Anger: Go Down, Moses, A Child of Our Time: Part II. Spiritual: Nobody Knows the Trouble I See, A Child of Our Time: Part II. Spiritual: O, by and by, A Child of Our Time: Part III. "The cold deepens", A Child of Our Time: Part III. "The soul of man", A Child of Our Time: Part III. "The words of wisdom are these", A Child of Our Time: Part III. General Ensemble: I Would Know My Shadow and My Light, A Child of Our Time: Part III. Spiritual: Deep River |
| Vernon Dudley Bohay-Nowell |
conductor |
Roméo et Juliette, Op. 17: Part I, I. Introduction: Combats - Tumulte - Intervention du prince, Roméo et Juliette, Op. 17: Part I, I. Prologue: “D’anciennes haines endormies”, Roméo et Juliette, Op. 17: Part I, I. Récitatif et Scherzetto: “Bientôt de Roméo” - “Mab! La messagère” - “Bientôt la mort est souveraine”, Roméo et Juliette, Op. 17: Part I, I. Strophe I: “Premiers transports que nul n’oublie”, Roméo et Juliette, Op. 17: Part I, I. Strophe II: “Heureux enfants aux cœurs de flamme”, Roméo et Juliette, Op. 17: Part II, II. Grande fête chez Capulets, Roméo et Juliette, Op. 17: Part II, II. Roméo seul - Tristesse - Bruits lointains de concert et de bal, Roméo et Juliette, Op. 17: Part II, II. “Ohé! Capulets! bonsoir, bonsoir!”, Roméo et Juliette, Op. 17: Part II, III. Scène d’amour - Nuit serène - Le jardin de Capulet silencieux et désert - Les jeunes Capulets sortant de la fête en chantant des réminiscences de la musique du bal, Roméo et Juliette, Op. 17: Part II, IV. Scherzo: La reine Mab, ou la fée des songes, Roméo et Juliette, Op. 17: Part III, V. Convoi funèbre: “Jetez des fleurs pour la vierge expirée”, Roméo et Juliette, Op. 17: Part III, VI. Roméo au tombeau des Capulets. Invocation - Réveil de Juliette. Joie délirante, désespoir - Dernières angoisses et mort des deux amants, Roméo et Juliette, Op. 17: Part III, VII. Final: “Quoi! Roméo de retour! Roméo” - La foule accourt au cimetière - Des Capulets et des Montagus, Roméo et Juliette, Op. 17: Part III, VII. Récitatif et Air du Père Laurence: “Pauvres enfants que je pleure”, Roméo et Juliette, Op. 17: Part III, VII. Serment de réconciliation: “Jurez donc par l’auguste symbole”, Symphonie fantastique, op. 14: I. Rêveries - Passions (Largo - Allegro agitato e appassionato assai), Symphonie fantastique, op. 14: II. Un bal (Valse - Allegro non troppo), Symphonie fantastique, op. 14: III. Scène aux champs (Adagio), Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo), Symphonie fantastique, op. 14: V. Songe d'une nuit du sabbat (Larghetto - Allegro - Dies Irae - Ronde du sabbat (Un peu retenu) - Dies Irae et Ronde du sabbat ensemble) |
| Black Soul Express |
conductor |
Concerto for Piano No. 23 in A major, K. 488: I. Allegro, Concerto for Piano No. 23 in A major, K. 488: II. Andante, Concerto for Piano No. 23 in A major, K. 488: III. Allegro, Concerto no. 21, KV 467, in C major: I. [Allegro maestoso], Concerto no. 21, KV 467, in C major: III. Allegro vivace assai, Concerto no. 9, KV 271, in E-flat major: I. Allegro, Concerto no. 9, KV 271, in E-flat major: II. Andantino, Concerto no. 9, KV 271, in E-flat major: III. Rondo (Presto - menuetto - presto), Concerto pour piano et orchestre n°21 K. 467 en ut mineur, Piano Concerto No. 20 in D minor, K. 466: I. Allegro, Piano Concerto No. 20 in D minor, K. 466: II. Romanze, Piano Concerto No. 20 in D minor, K. 466: III. Allegro assai, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan", Piano Concerto No. 25 in C major, K. 503: I. Allegro maestoso, Piano Concerto No. 25 in C major, K. 503: II. Andante, Piano Concerto No. 25 in C major, K. 503: III. Finale. Allegretto, Piano Concerto Nr. 23: II. Adagio, Piano Concerto no. 21 in C major, K. 467: II. Andante |
| Kavon Salyer |
conductor |
The Dream of Gerontius: Part Two: And now the threshold as we traverse it, The Dream of Gerontius: Part Two: But Hark! a grand mysterious harmony, The Dream of Gerontius: Part Two: Glory to Him, The Dream of Gerontius: Part Two: I see not those false spirits, The Dream of Gerontius: Part Two: I went to sleep, The Dream of Gerontius: Part Two: Jesu! by that shuddering dread, The Dream of Gerontius: Part Two: Lord, thou hast been our refuge, The Dream of Gerontius: Part Two: Low-born clouds of brute earth, The Dream of Gerontius: Part Two: My work is done, The Dream of Gerontius: Part Two: Praise to His name, The Dream of Gerontius: Part Two: Praise to the Holiest, The Dream of Gerontius: Part Two: Praise to the Holiest in the height, The Dream of Gerontius: Part Two: Prelude, The Dream of Gerontius: Part Two: Softly and gently, dearly-ransomed soul, The Dream of Gerontius: Part Two: Take me away, The Dream of Gerontius: Part Two: The mind bold and independent, The Dream of Gerontius: Part Two: Thy judgement is now near |
| René Lacaille èk Marmaille |
conductor |
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo: Allegro ma non troppo, Piano Concerto no. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven), Piano Concerto no. 1 in C major, Op. 15: II. Largo, Piano Concerto no. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Piano Concerto no. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven), Piano Concerto no. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto no. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto, Piano Concerto no. 3 in C minor, Op. 37: I. Allegro con brio (cadenza: Ludwig van Beethoven), Piano Concerto no. 3 in C minor, Op. 37: II. Largo, Piano Concerto no. 3 in C minor, Op. 37: III. Rondo: Allegro, Piano Concerto no. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven), Piano Concerto no. 4 in G major, Op. 58: II. Andante con moto, Piano Concerto no. 4 in G major, Op. 58: III. Rondo: Vivace (cadenza: Ludwig van Beethoven) |
| Owen Knight |
conductor |
A Child of Our Time: No 16. A Spiritual, Nobody Knows the Trouble I See, Lord, A Child of Our Time: No 21. A Spiritual of Anger, Go Down Moses, A Child of Our Time: No 25. A Spiritual, O, By and By, A Child of Our Time: No 28. Scene, the Words of Wisdom Are These - Praeludium, A Child of Our Time: No 29. General Ensemble, I Would Know My Shadow and My Light, A Child of Our Time: No 30. A Spiritual, Deep River, A Child of Our Time: No 8. A Spiritual, Steal Away, A Child of Our Time: Nos 1-2. The World Turns On Its Dark Side: Interludium, A Child of Our Time: Nos 17-20. Scene, the Boy Becomes Desperate In His Agony - Men Were Ashamed of What Was Done, A Child of Our Time: Nos 22-24. The Boy Sings In His Prison, My Dreams Are All Shattered - the Dark Forces Rise, A Child of Our Time: Nos 26-27. The Cold Deepens, the Soul of Man, A Child of Our Time: Nos 3-5. Scene: Is Evil Then Good?: Chorus of the Oppressed, When Shall the Userers' City Cease, A Child of Our Time: Nos 6-7. I Have No Money for My Bread - How Can I Cherish My Man In Such Days, A Child of Our Time: Nos 9-15. A Star Rises in Mid-Winter - Scene, O My Son! |
| Gandhi1er Le Metronome |
conductor |
Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino), Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte), Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze), Le nozze di Figaro, K. 492: Act III. No. 20. Duettino ("Sull'aria") - "Che soave zeffiretto" (Susanna, Contessa), Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna) / No. 26. Aria "Aprite un po' quegli occhi" (Figaro), Le nozze di Figaro, K. 492: Act IV. No. 27. Aria "Deh vieni, non tardar" (Susanna) / Recitativo "Giunse alfin il momento" (Susanna) |
| ああああ |
conductor |
Cosi fan tutte, K.588: <Ei parte...Senti...> <Perpiete, ben mio perdona>, Così fan tutte, K. 588: "Ei parte... Senti... Per pietà, ben mio, perdona", Die Zauberflöte, K. 620: "Ach, ich fühl's", Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Exsultate, jubilate, K. 165/158a, Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia), Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta), La clemenza di Tito, K.621: S'altro che lagrime, La finta giardiniera, K. 196: Crudeli fermate> <A dal pianto>, Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio), Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" / II. Recitativo: "Fulget amica dies" / III. "Tu virginum corona" / IV. "Alleluja", Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde) |
| Richard Wagner |
conductor |
1 Der Engel, 2 Stehe still!, 3 Im Treibhaus, 4 Schmerzen, 5 Träume, Schmerzen, Tristan und Isolde: Vorspiel, Wesendonk-Lieder: 1. Der Engel, Wesendonk-Lieder: 2. Stehe still, Wesendonk-Lieder: 3. Im Treibhaus, Wesendonk-Lieder: 4. Schmerzen, Wesendonk-Lieder: 5. Träume |
| Twinnie |
conductor |
Così fan tutte, Così fan tutte, K. 588: Overture, Der Schauspieldirektor, K. 486: Overture, Die Entführung aus dem Serail, K. 384: Overture, Die Zauberflöte, K. 620: Overture, Don Giovanni Overture, Don Giovanni, K. 527: Overture, Idomeneo, K. 366: Overture, La finta Giardiniera, K. 196: Overture, The Magic Flute: Overture, The Marriage of Figaro: Overture |
| Simon Love and the Old Romantics |
conductor |
Requiem, K. 626: II. Kyrie, Requiem, K. 626: III. Sequentia: Dies irae, Requiem, K. 626: III. Sequentia: Recordare, Requiem, K. 626: III. Sequentia: Rex tremendae, Requiem, K. 626: III. Sequentia: Tuba mirum, Requiem, K. 626: IV. Offertorium: Domine Jesu, Requiem, K. 626: IV. Offertorium: Hostias, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Communio: Lux aeterna |
| Axel Franken |
conductor |
3 German Dances, K.605: no. 1, 3 German Dances, K.605: no. 2, 3 German Dances, K.605: no. 3, Serenade No. 6 in D major "Serenata Notturna", K. 239: I. Marcia. Maestoso, Serenade No. 6 in D major "Serenata Notturna", K. 239: II. Minuetto, Serenade No. 6 in D major "Serenata Notturna", K. 239: III. Rondo. Allegretto, Serenade, K.525 "Eine kleine Nachtmusik": I: Allegro, Serenade, K.525 "Eine kleine Nachtmusik": II: Romanze (Andante), Serenade, K.525 "Eine kleine Nachtmusik": III: Menuetto (Allegretto) & Trio, Serenade, K.525 "Eine kleine Nachtmusik": IV: Rondo (Allegro) |
| Niitch |
conductor |
Klarinettenkonzert Nr. 1 in c-moll op. 26: I. Adagio - Allegro, Klarinettenkonzert Nr. 1 in c-moll op. 26: II. Adagio, Klarinettenkonzert Nr. 1 in c-moll op. 26: III. Rondo. Vivace, Klarinettenkonzert Nr. 2 in Es-Dur op. 74: I. Allegro, Klarinettenkonzert Nr. 2 in Es-Dur op. 74: II. Romanza. Andante, Klarinettenkonzert Nr. 2 in Es-Dur op. 74: III. Alla Polacca, Klarinettenkonzert in A-Dur KV 622: I. Allegro, Klarinettenkonzert in A-Dur KV 622: II. Adagio, Klarinettenkonzert in A-Dur KV 622: III. Rondo. Allegro |
| Frisko |
conductor |
The Planets, op. 32: Jupiter, the Bringer of Jollity, The Planets, op. 32: Mars, the Bringer of War, The Planets, op. 32: Mercury, the Winged Messenger, The Planets, op. 32: Neptune, the Mystic, The Planets, op. 32: Saturn, the Bringer of Old Age, The Planets, op. 32: Uranus, the Magician, The Planets, op. 32: Venus, the Bringer of Peace, The Planets: Mars |
| Michael Pevey |
conductor |
Benvenuto Cellini, Die Zauberflöte (The Magic Flute), opera, K. 620: Overture, Egmont - Ouvertüre f-moll, op. 84, Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) / Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna), Symphonie Nr. 4 B-dur, op. 60: Adagio, Symphonie Nr. 4 B-dur, op. 60: Adagio - Allegro Vivace, Symphonie Nr. 4 B-dur, op. 60: Allegro Ma Non Troppo, Symphonie Nr. 4 B-dur, op. 60: Allegro Vivace |
| Hayden John Wolf |
conductor |
Concerto for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso, Concerto for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio, Concerto for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato, Concerto for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato, Concerto for Piano and Orchestra no. 2 in A major: Adagio sostenuto assai - Allegro agitato assai, Concerto for Piano and Orchestra no. 2 in A major: Allegro animato, Concerto for Piano and Orchestra no. 2 in A major: Allegro deciso - Marziale un poco meno allegro, Concerto for Piano and Orchestra no. 2 in A major: Allegro moderato |
| Julie Wachtel |
conductor |
Concerto for Piano No. 1 in C major, op. 11: I. Allegro, Concerto for Piano No. 1 in C major, op. 11: II. Adagio, Concerto for Piano No. 1 in C major, op. 11: III. Presto, Concerto for Piano No. 2 in E flat major, op. 32: I. Allegro maestoso, Concerto for Piano No. 2 in E flat major, op. 32: II. Adagio, Concerto for Piano No. 2 in E flat major, op. 32: III. Rondo: Presto, Konzertstück for Piano and Orchestra in F minor, op. 79, Polonaise brillante "L'hilarité", op. 72 for Piano and Orchestra |
| George Frideric Handel |
conductor |
Amen, Behold, a virgin shall conceive, Der Messias, Teil 2, Nr. 42: Chorus "Hallelujah" (in engl. Sprache), Der Messias: Halleluja (London Symphony Chorus & Orchestra (feat. conductor: Colin Davis), Messiah, HWV. 56: Part 1, XII. For Unto Us a Child Is Born, Messiah: Glory to God in the highest, O Thou That Tellest Good Tidings, There were shepherds |
| Johannes Brahms |
conductor |
Ein Deutsches Requiem, op. 45, no. 4: Wie Lieblich Sind Deine Wohnungen, Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras, Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich, Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen, Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit, Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt, Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten |
| Pedro Vaquero Sánchez |
conductor |
Humoresques for Violin and Orchestra, op. 89: No. 3 in G minor: Alla gavotta, Humoresques for Violin and Orchestra, op. 89: No. 4 in G minor: Andantino, Humoresques for Violin and Orchestra, op. 89: No. 5 in E-flat major: Commodo, Humoresques for Violin and Orchestra, op. 89: No. 6 in G minor: Allegro, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| Gabriel Fauré |
conductor |
Requiem, op. 48: I. Introitus: Requiem aeternam – Kyrie, Requiem, op. 48: II. Offertorium: Domine Jesu Christe, Requiem, op. 48: III. Sanctus, Requiem, op. 48: IV. Pie Jesu, Requiem, op. 48: V. Agnus Dei, Requiem, op. 48: VI. Libera me, Requiem, op. 48: VII. In paradisum |
| Emil Wichmann |
conductor |
Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro, Piano Concerto no. 22 in E-flat major, K. 482: II. Andante, Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro, Piano Concerto no. 26 in D major, K. 537 "Coronation": I. Allegro, Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto, Piano Concerto no. 26 in D major, K. 537 "Coronation": III. Allegretto |
| Irene Roberts |
conductor |
Messiah: Part I, No. 1 Accompagnato "Comfort ye, comfort ye, My people", Messiah: Part I, No. 2 Air "Ev'ry valley shall be exalted", Messiah: Part II, No. 25 Accompagnato "All they that see Him", Messiah: Part II, No. 27 Accompagnato "Thy rebuke hath broken His heart", Messiah: Part II, No. 28 Arioso "Behold, and see", Messiah: Part II, No. 40 Recitative "He that dwelleth in heaven" / No. 41 Air "Thou shalt break them" |
| Michelle Thomas |
conductor |
Messiah: Part I, No. 14 Recitative "There were shepherds" / Accompagnato "And lo, the angel of the Lord" / Recitative "And the angel said unto them" / Accompagnato "And suddenly there was with the angel", Messiah: Part I, No. 16 Air "Rejoice greatly, O daughter of Zion", Messiah: Part II, No. 36 Air "How beautiful are the feet", Messiah: Part III, No. 43 Air "I know that my Redeemer liveth", Messiah: Part III, No. 50 Air "If God be for us" |
| Bedřich Smetana |
conductor |
Má Vlast: II. Vltava (The Moldau), Má Vlast: III. Šárka, Má Vlast: IV. Z českých luhů a hájů (From Bohemia's Woods and Fields), Má Vlast: V. Tábor, Má Vlast: VI. Blaník |
| winddrums |
conductor |
Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110), Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111), Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112), Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113), Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) |
| Graphic Grim |
conductor |
Violin Concerto in A minor B108 (Op. 53): I. Allegro ma non troppo - Quasi moderato, Violin Concerto in A minor B108 (Op. 53): II. Adagio ma non troppo, Violin Concerto in A minor B108 (Op. 53): III. Finale (Allegro giocoso, ma non troppo), Violin Concerto in D major, op. 35: II. Canzonetta |
| Mustapha Attar |
conductor |
Grande messe des morts: IX. Sanctus, Grande messe des morts: VII. Offertoire, Grande messe des morts: VIII. Hostias, Grande messe des morts: X. Agnus dei |
| Poison the Mermaid |
conductor |
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto), La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto), La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto), The Knot Garden: Act III "Charade". "I am no more afraid" (Thea) |
| José Carreras |
conductor |
Che gelida manina (La Boheme), Di quella pira, E lucevan le stelle (Tosca), Pourquoi me réveiller? (Werther) |
| Gustav Mahler |
conductor |
Symphonie Nr. 1 "Der Titan": I. Langsam, schleppend - Im Angfang sehr gemächlich, Symphonie Nr. 1 "Der Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphonie Nr. 1 "Der Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 "Der Titan": IV. Stürmisch bewegt |
| Nathan Wood |
conductor |
Concerto for Violin and Orchestra in B minor, op. 61: I. Allegro, Concerto for Violin and Orchestra in B minor, op. 61: II. Andante, Concerto for Violin and Orchestra in B minor, op. 61: III. Allegro molto, The Lark Ascending |
| Edward Elgar |
conductor |
Enigma Variations, Op. 36: X. Nimrod, Violin Concerto in B Minor, Op. 61: I. Allegro, Violin Concerto in B Minor, Op. 61: II. Andante, Violin Concerto in B Minor, Op. 61: III. Allegro molto |
| Joaquín Rodrigo |
conductor |
Concierto De Aranjuez: Adagio, Concierto De Aranjuez: Allegro Con Spirito, Concierto De Aranjuez: Allegro Gentile |
| Lolo & Sosaku |
conductor |
Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio, Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro |
| Raman |
conductor |
Violin Concerto in D major, Op. 77: I. Allegro non troppo (cadenza: Joseph Joachim), Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto |
| The Music Masters of Boston |
conductor |
Messiah: Part I, No. 17 Recitative "Then shall the eyes of the blind", Messiah: Part I, No. 5 Air "But who may abide the day of His coming", Messiah: Part II, No. 21 Air "He was despised" |
| Doka |
conductor |
Piano Concerto: I. Allegro non troppo, Piano Concerto: II. Molto lento e tranquillo, Piano Concerto: III. Vivace |
| Ulf Ronnsiek |
conductor |
Violin Concerto in A minor, B. 96/B. 108, op. 53: Adagio ma non troppo, Violin Concerto in A minor, B. 96/B. 108, op. 53: Allegro ma non troppo - Quasi moderato, Violin Concerto in A minor, B. 96/B. 108, op. 53: Finale: Allegro giocoso ma non troppo |
| Frederick Davidson |
conductor |
Roméo et Juliette "Symphonie dramatique": Scène 7b. "Quoi! Romèo de retour!" / Recitatif "Je vais devoiler le mystère", Roméo et Juliette "Symphonie dramatique": Scène 7c. Air "Pauvres enfants que je pleure", Roméo et Juliette "Symphonie dramatique": Scène 7c. Serment "Jurez donc, par l'auguste symbole" |
| Arc |
conductor |
Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro, Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo. Allegro |
| Gioachino Rossini |
conductor |
Il Signor Bruschino, Il barbiere di Siviglia: Act I. "Una voce poco fa" (Rosina) |
| Rody Walker |
conductor |
"Hallelujah" Chorus (Messiah), Pastoral Symphony (Messiah) |
| Пётр Ильич Чайковский |
conductor |
Violin Concerto in D major, Op. 35: I. Allegro moderato, Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo |
| Benjamin Britten |
conductor |
Peter Grimes, Akt III: "Grimes! Grimes!", Peter Grimes, Akt III: "Peter, we’ve come to take you home" |
| Robert Schumann |
conductor |
Piano concerto in A minor Op.54 - Allegro vivace, Piano concerto in A minor Op.54 - Intermezzo: Andantino grazioso |
| Netty Simons |
conductor |
Concerto for Clarinet in A major, K. 622: I. Allegro, Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro |
| Gianni Poggi |
conductor |
Requiem: Dies irae - Requiem |
| Deams |
conductor |
Messiah: And the Glory of the Lord |
| Death Curse |
conductor |
Roméo et Juliette "Symphonie dramatique": Scène 1c. Recitatif et scherzetto. "C'est lui!" |
| Gottfried Schneider |
conductor |
Kullervo: III. Kullervo and His Sister: Allegro vivace |
| Antonín Dvořák |
conductor |
Symphony no. 9 in E minor From “The New World”: II. Largo (excerpt) |
| Benjamin Mahua |
conductor |
Messiah: Part I, No. 18 Duet "He shall feed His flock" |
| Hartwig Paulsen |
conductor |
Neptune, the Mystic |
| Drunken Fairy Tales |
conductor |
The Knot Garden: Act II "Labyrinth". "Fear! What do I fear?" (Thea, Denise, Faber, Flora, Dov, Mel) |
| 5-40am |
conductor |
Roméo et Juliette "Symphonie dramatique": Scène 1b. Prologue. "D'anciennes haines endormies" |
| ID369 |
conductor |
Roméo et Juliette "Symphonie dramatique": Scène 1c. Strophes. "Premiers transports que nul n'oublie!" |
| Alles |
conductor |
The Knot Garden: Act III "Charade". "Ugh-ugh-ugh. - Whatever is that?" (Mel-Caliban, Flora-Miranda, Magnus-Prospero, Dov-Ariel) |
| Filth in my Garage |
conductor |
The Knot Garden: Act III "Charade". "Enough! Enough!" (Magnus, Dov, Mel, Faber, Thea, Flora, Denise) |
| Burt Eckoff |
conductor |
Pictures at an Exhibition: The Great Gate of Kiev |
| Rebecca Bean |
conductor |
The Knot Garden: Act III "Charade". "You must both hold with me" (Magnus, Thea, Denise) |
| Joseph Haydn |
conductor |
Herr der Gezeiten: Menuet Symphonie D-dur Hob.1:104 |
| Franz Lehár |
conductor |
Gold and Silver |
| Franz Schubert |
conductor |
Symphonie Nr. 8: 1. Allegro moderato |
| François Hébral |
conductor |
Messiah: Part I, No. 7 Recitative "Behold, a virgin shall conceive" / Nos. 8-9 Air and Chorus "O thou that tellest good tidings" |
| Scratchmania |
conductor |
Messiah: Part II, No. 32 Recitative "Unto which of the angels" / No. 33 Chorus "Let the angels of God" |
| CRAIC |
conductor |
The Knot Garden: Act I "Confrontation". "So, if I dream" (Magnus, Thea, Flora) |
| KG West |
conductor |
The Knot Garden: Act I "Confrontation". "What is it you do to Flora?" (Thea, Faber, Magnus) |
| Soundland |
conductor |
Pianoconcert Nr. 4 Op. 58: III. Rondo-Vivace |
| Alexandra Maria Tchernakova |
conductor |
Ave Maria |
| The Humble Hooligans |
conductor |
The Knot Garden: Act I "Confrontation". "O, you may stare in horror" (Denise) |
| Kathleen Holeman |
conductor |
L'oiseau de feu |
| The Working Class Symphony |
conductor |
The Knot Garden: Act I "Confrontation". "If you think we're waxworks, you ought to pay" (Dov, Mel, Flora) |
| Tobbi White-Darks |
conductor |
Luonnotar, op. 70 |
| Chuck |
conductor |
Messiah: Part III, No. 47 Recitative "Then shall be brought to pass" / No. 48 Duet "O death, where is they sting?" / No. 49 Chorus "But thanks be to God" |
| Kozlobar |
conductor |
The Knot Garden: Act II "Labyrinth". "I was born in a big town" (Dov, Mel) |
| Amach |
conductor |
The Knot Garden: Act I "Confrontation". "You can pick roses" (Thea, Flora) |
| Lil Al |
conductor |
Kullervo, op. 7: III. Kullervo and his Sister: Allegro vivace |
| Vulva |
conductor |
The Knot Garden: Act III "Charade". "Goodbye island: goodbye cave" (Flora-Miranda, Mangus-Prospero, Faber-Ferdinand, Dov-Ariel, Mel-Caliban) |
| Walter Murphy & Ron Jones |
conductor |
The Knot Garden: Act III "Charade". "Mei! O crude, o obscene" (Denise, Mel-Caliban, Mel, Dov) |
| Creach Kelly |
conductor |
Messiah: Part II, No. 29 Accompagnato "He was cut off" / No. 30 Aria "But Thou didst not leave" |
| Luca Laurenti |
conductor |
Missa Solemnis: Sanctus |
| Χάρης Λυμπερόπουλος |
conductor |
Requiem: Lacrimosa |
| Братство Непьющих Девственников |
conductor |
The Knot Garden: Act I "Confrontation". "Ca - ca - Caliban" (Dov, Mel, Thea, Mangus, Faber, Flora) |
| ВСЁ_CRAZY |
conductor |
The Knot Garden: Act I "Confrontation". "Do, do not, do not torment me" (Mel, Dov, Flora, Faber, Thea, Denise) |
| Марія Яремчук |
conductor |
Serenade für Streicher C-Dur, Op. 48: Moderato (Tempo di valse) |
| Crow Dog Clan |
conductor |
The Knot Garden: Act II "Labyrinth". "Flora: Flora, love; stop crying" (Dov, Flora) |
| Martin Tourish |
conductor |
Symphony no. 4 "New York" |
| 薄井由行 |
conductor |
The Swan of Tuonela |
| Mathias Kohlmann |
conductor |
The Knot Garden: Act III "Charade". "And what are you, Magnus?" (Thea, Mangus-Prospero, Flora-Miranda, Faber-Ferdinand) |
| Cynthia Hsiang |
conductor |
Symphony no. 3: Part I. 1. Allegro non troppo (Arrest) - Allegro molto (Movement) |
| KLARA. |
conductor |
Messiah: Part II, No. 22 Chorus "He hath borne our griefs" / No. 23 Chorus "And with His stripes we are healed" / No. 24 Chorus "And we like sheep have gone astray" |