| Alexander Zwingmann |
conductor |
Deus Judicium Tuum: "Et Dominabitur", Dido and Aeneas: Act I. "Ah! Belinda I am prest" (Dido), Dido and Aeneas: Act I. "Cupid only thrrows the dart" (Chorus), Dido and Aeneas: Act I. "Fear no danger to ensue" (Belinda, Second Woman, Chorus), Dido and Aeneas: Act I. "Grief increases by concealing" (Dido, Belinda), Dido and Aeneas: Act I. "If not for Mine" (Aeneas), Dido and Aeneas: Act I. "Pursue your Conquest, Love" (Belinda), Dido and Aeneas: Act I. "See your royal Guest appears" (Belinda, Aeneas, Dido), Dido and Aeneas: Act I. "Shake the Cloud from off your Brow" (Belinda, Chorus), Dido and Aeneas: Act I. "To the Hills and the Vales" (Belinda, Aeneas, Dido), Dido and Aeneas: Act I. "When Monarchs unite" (Chorus), Dido and Aeneas: Act I. "Whence could so much Virtue spring" (Dido, Belinda), Dido and Aeneas: Act I. Triumphing Dance, Dido and Aeneas: Act II, Scene 1. "But ere we this perform" (Witches), Dido and Aeneas: Act II, Scene 1. "Ha ha ha!" (Chorus), Dido and Aeneas: Act II, Scene 1. "Harm's our Delight" (Chorus), Dido and Aeneas: Act II, Scene 1. "In our deep vaulted Cell" (Chorus), Dido and Aeneas: Act II, Scene 1. "Ruin'd ere the set of Sun?" (Witches), Dido and Aeneas: Act II, Scene 1. "The Queen of Carthage" (Sorceress), Dido and Aeneas: Act II, Scene 1. "Wayward Sisters" (Sorceress), Dido and Aeneas: Act II, Scene 1. Echo Dance of Furies, Dido and Aeneas: Act II, Scene 2. "Behold upon my bending Spear" (Aeneas, Dido), Dido and Aeneas: Act II, Scene 2. "Haste, haste to Town" (Belinda, Chorus), Dido and Aeneas: Act II, Scene 2. "Oft she visits this lov'd mountain" (Second Woman), Dido and Aeneas: Act II, Scene 2. "Stay, Prince" (Spirit, Aeneas), Dido and Aeneas: Act II, Scene 2. "Thanks to these lonesome Vales" (Belinda, Chorus), Dido and Aeneas: Act II, Scene 2. Ritornelle, Dido and Aeneas: Act III, Scene 1. "Destruction's our Delight" (Chorus), Dido and Aeneas: Act III, Scene 1. "Our next Motion" (Sorceress), Dido and Aeneas: Act III, Scene 1. "See the Flags and Streamers curling" (Sorceress, Witches), Dido and Aeneas: Act III, Scene 1. Prelude - "Come Away" (First Sailor, Chorus), Dido and Aeneas: Act III, Scene 1. The Sailors' Dance, Dido and Aeneas: Act III, Scene 1. The Witches' Dance, Dido and Aeneas: Act III, Scene 2. "Great Minds against themselves conspire" (Chorus), Dido and Aeneas: Act III, Scene 2. "Thy hand, Belinda" (Dido), Dido and Aeneas: Act III, Scene 2. "When I am laid in earth" (Dido), Dido and Aeneas: Act III, Scene 2. "With drooping Wings ye Cupids come" (Chorus), Dido and Aeneas: Act III, Scene 2. "Your Counsel all is urg'd in van" (Dido, Belinda, Aeneas), Dido and Aeneas: Overture, Magnificat: Opening Chorus, Masque from Dioclesian: O the Sweet Delights of Love, Mass in B minor, BWV 232: Gloria in Excelsis Deo, Mass in B minor: Crucifixus / Et Resurrexit, Mass in B-flat major, Hob. XXII:12 "Theresienmesse": I. Kyrie, Mass in B-flat major, Hob. XXII:12 "Theresienmesse": IIIa. Credo: "Credo in unum Deum", Mass in B-flat major, Hob. XXII:12 "Theresienmesse": IIIb. Credo: "Et incarnatus est", Mass in B-flat major, Hob. XXII:12 "Theresienmesse": IIIc. Credo: "Et resurrexit", Mass in B-flat major, Hob. XXII:12 "Theresienmesse": IIa. Gloria: "Gloria in excelsis Deo", Mass in B-flat major, Hob. XXII:12 "Theresienmesse": IIb. Gloria: "Gratias agimus", Mass in B-flat major, Hob. XXII:12 "Theresienmesse": IIc. Gloria: "Quoniam tu solus sanctus", Mass in B-flat major, Hob. XXII:12 "Theresienmesse": IV. Sanctus, Mass in B-flat major, Hob. XXII:12 "Theresienmesse": V. Benedictus, Mass in B-flat major, Hob. XXII:12 "Theresienmesse": VIa. Agnus Dei: "Agnus Dei", Mass in B-flat major, Hob. XXII:12 "Theresienmesse": VIb. Agnus Dei: "Dona nobis pacem", Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": I. Kyrie, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": IIIa. Credo -, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": IIIb. Et incarnatus -, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": IIIc. Et resurrexit, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": IIa. Gloria -, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": IIb. Gratias agimus -, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": IIc. Quoniam tu solus sanctus, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": IV. Sanctus, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": V. Benedictus, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": VIa. Agnus Dei -, Mass in B-flat major, Hob. XXII:14 "Harmoniemesse": VIb. Dona nobis, Mass in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": I. Kyrie, Mass in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": II. Gloria, Mass in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": III. Credo, Mass in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": IV. Sanctus, Mass in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": V. Benedictus, Mass in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": VI. Agnus Dei, Mass in B-flat major, op. 77: I. Kyrie, Mass in B-flat major, op. 77: II. Gloria: Gloria in excelsis Deo, Mass in B-flat major, op. 77: II. Gloria: Qui tollis peccata mundi, Mass in B-flat major, op. 77: II. Gloria: Quoniam tu solus sanctus, Mass in B-flat major, op. 77: III. Credo, Mass in B-flat major, op. 77: IV. Sanctus, Mass in B-flat major, op. 77: V. Benedictus, Mass in B-flat major, op. 77: VI. Agnus Dei, Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": I. Kyrie, Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": IIIa. Credo: "Credo in unum Deum", Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": IIIb. Credo: "Et incarnatus est", Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": IIIc. Credo: "Et resurrexit", Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": IIa. Gloria: "Gloria in excelsis Deo", Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": IIb. Gloria: "Gratias agimus tibi", Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": IIc. Gloria: "Quoniam tu solus Sanctus", Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": IV. Sanctus, Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": V. Benedictus, Mass in C major, Hob. XXII:8 "Missa Cellensis (no. 2)": VI. Agnus Dei, Mass in D major, op. 111: I. Kyrie, Mass in D major, op. 111: II. Gloria: Cum Sancto Spiritu, Mass in D major, op. 111: II. Gloria: Gloria in excelsis Deo, Mass in D major, op. 111: II. Gloria: Qui tollis peccata mundi, Mass in D major, op. 111: II. Gloria: Quoniam tu solus sanctus, Mass in D major, op. 111: III. Credo: Credo in unum Deum, Mass in D major, op. 111: III. Credo: Et incarnatus est, Mass in D major, op. 111: III. Credo: Et resurrexit, Mass in D major, op. 111: III. Credo: Et vitam venturi, Mass in D major, op. 111: IV. Sanctus, Mass in D major, op. 111: V. Benedictus, Mass in D major, op. 111: VI. Agnus Dei, Mass in E-flat major, D. 950: I. Kyrie, Mass in E-flat major, D. 950: II. Gloria: Cum Sancto Spiritu, Mass in E-flat major, D. 950: II. Gloria: Domine Deus, Mass in E-flat major, D. 950: II. Gloria: Gloria in excelsis Deo, Mass in E-flat major, D. 950: III. Credo: Credo in unum Deum, Mass in E-flat major, D. 950: III. Credo: Et resurrexit, Mass in E-flat major, D. 950: IV. Sanctus, Mass in E-flat major, D. 950: V. Benedictus, Mass in E-flat major, D. 950: VI. Agnus Dei, Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": I. Kyrie, Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": IIIa. Credo: "Credo in unum Deum", Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": IIIb. Credo: "Et incarnatus est", Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": IIIc. Credo: "Et resurrexit", Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": IIa. Gloria: "Gloria in excelsis Deo", Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": IIb. Gloria: "Gratias agimus tibi", Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": IIc. Gloria: "Quoniam tu solus Sanctus", Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": IV. Sanctus, Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": V. Benedictus, Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": VI. Agnus Dei, Messiah: Part I: 1. Sinfony, Messiah: Part I: 10. For Behold, Darkness, Messiah: Part I: 11. The People That Walked, Messiah: Part I: 12. For Unto Us, Messiah: Part I: 13. Pastoral Symphony, Messiah: Part I: 14a. There Were Shepherds, Messiah: Part I: 14b. And Lo, the Angel of the Lord, Messiah: Part I: 15. And the Angel Said Unto Them, Messiah: Part I: 16. And Suddenly, Messiah: Part I: 17. Glory to God, Messiah: Part I: 18. Rejoice Greatly, Messiah: Part I: 19. Then Shall the Eyes, Messiah: Part I: 2. Comfort Ye, Messiah: Part I: 20. And He Shall Feed His Flock, Messiah: Part I: 21. His Yoke Is Easy, Messiah: Part I: 3. Ev'ry Valley, Messiah: Part I: 4. And the Glory, Messiah: Part I: 5. Thus Saith the Lord, Messiah: Part I: 6. But Who May Abide, Messiah: Part I: 7. And He Shall Purify, Messiah: Part I: 8. Behold, a Virgin, Messiah: Part I: 9. O Thou That Tellest, Messiah: Part II: 22. Behold the Lamb of God, Messiah: Part II: 23. He Was Despised, Messiah: Part II: 24. Surely, He hath borne, Messiah: Part II: 25. And with His stripes, Messiah: Part II: 26. All We Like Sheep, Messiah: Part II: 27. All They That See Him, Messiah: Part II: 28. He Trusted in God, Messiah: Part II: 29. Thy Rebuke Hath Broken His Heart, Messiah: Part II: 30. Behold, and See, Messiah: Part II: 31. He Was Cut Off, Messiah: Part II: 32. But Thou Didst Not Leave, Messiah: Part II: 33. Lift Up Your Heads, Messiah: Part II: 34. Unto Which of the Angels, Messiah: Part II: 35. Let All the Angels, Messiah: Part II: 36. Thou Art Gone Up on High, Messiah: Part II: 37. The Lord Gave the Word, Messiah: Part II: 38. How Beautiful Are the Feet, Messiah: Part II: 39. Their Sound Is Gone Out, Messiah: Part II: 40. Why Do the Nations, Messiah: Part II: 41. Let Us Break Their Bonds Asunder, Messiah: Part II: 42. He That Dwelleth in Heaven, Messiah: Part II: 43. Thou Shalt Break Them, Messiah: Part II: 44. Hallelujah, Messiah: Part III: 45. I Know That My Redeemer Liveth, Messiah: Part III: 46. Since by Man Came Death, Messiah: Part III: 47. Behold, I Tell You a Mystery, Messiah: Part III: 48. The Trumpet Shall Sound, Messiah: Part III: 49. Then Shall Be Brought to Pass, Messiah: Part III: 50. O Death, Where Is Thy Sting?, Messiah: Part III: 51. But Thanks Be to God, Messiah: Part III: 52. If God Be for Us, Messiah: Part III: 53. Worthy Is the Lamb, Motet ’Deus Judicium Tuum’: Benedictus Dominus, Deus Israel, Nelsonmesse: Sanctus, Salve Regina in E major, Hob. XXIIIb:1: I. Salve Regina -, Salve Regina in E major, Hob. XXIIIb:1: II. Ad te clamamus -, Salve Regina in E major, Hob. XXIIIb:1: III. Eja ergo advocata, Salve Regina in E major, Hob. XXIIIb:1: IV. Et Jesum, benedictum -, Salve Regina in E major, Hob. XXIIIb:1: V. O clemens, o pia, Symphony no. 101 in D major "The Clock": I. Adagio - Presto, Symphony no. 101 in D major "The Clock": II. Andante, Symphony no. 101 in D major "The Clock": III. Menuet & Trio. Allegretto, Symphony no. 101 in D major "The Clock": IV. Finale. Vivace, Symphony no. 102 in B-flat major: I. Largo - Vivace, Symphony no. 102 in B-flat major: II. Adagio, Symphony no. 102 in B-flat major: III. Menuet & Trio. Allegro, Symphony no. 102 in B-flat major: IV. Finale. Presto, Symphony no. 103 in E-flat major "Drum Roll": I. Adagio - Allegro con spirito - Adafio - Tempo I, Symphony no. 103 in E-flat major "Drum Roll": II. Andante più tosto allegretto, Symphony no. 103 in E-flat major "Drum Roll": III. Menuet - Trio, Symphony no. 103 in E-flat major "Drum Roll": IV. Finale: Allegro con spirito, Symphony no. 104 in D major "London": I. Adagio - Allegretto, Symphony no. 104 in D major "London": II. Andante, Symphony no. 104 in D major "London": III. Menuet - Trio, Symphony no. 104 in D major "London": IV. Finale: Spiritoso, Symphony no. 104: Finale. Spiritoso, Symphony no. 94 in G major "Surprise": I. Adagio - Vivace assai, Symphony no. 94 in G major "Surprise": II. Andante, Symphony no. 94 in G major "Surprise": III. Menuet & Trio. Allegro molto, Symphony no. 94 in G major "Surprise": IV. Finale. Allegro di molto, Symphony no. 95 in C minor: I. Allegro moderato, Symphony no. 95 in C minor: II. Andante cantabile, Symphony no. 95 in C minor: III. Menuet - Trio, Symphony no. 95 in C minor: IV. Finale: Vivace |
| Tamara Mumford |
conductor |
A Child of Our Time: Part II: 19. Burn Down Their Houses!, A Child of Our Time: Part II: 24. The Dark Forces Rise Like a Flood, A London Symphony (1913 version): Lento. Allegro risoluto, A London Symphony: Lento (excerpt), Bridge on the River Kwai: Colonel Bogey, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret silva, Carmina Burana: Uf dem Anger: Tanz, Carmina Burana: Uf dem anger: Reie, Carmina Burana: Uf dem anger: Were diu werlt alle min, Elijah, op. 70: Part I, no. 1. Chorus and Recitative, Elijah, op. 70: Part I, no. 10. Recitative (Elijah) and Chorus, Elijah, op. 70: Part I, no. 11. Chorus, Elijah, op. 70: Part I, no. 12. Recitative (Elijah) and Chorus, Elijah, op. 70: Part I, no. 13. Recitative (Elijah) and Chorus, Elijah, op. 70: Part I, no. 14. Air (Elijah), Elijah, op. 70: Part I, no. 15. Chorale (Angels), Elijah, op. 70: Part I, no. 16. Recitative (Elijah) and Chorus, Elijah, op. 70: Part I, no. 17. Air (Elijah), Elijah, op. 70: Part I, no. 18. Arioso (Contralto), Elijah, op. 70: Part I, no. 19. Recitative (Obadiah) and Chorus, Elijah, op. 70: Part I, no. 2. Duet and Chorus, Elijah, op. 70: Part I, no. 20. Chorus, Elijah, op. 70: Part I, no. 3. Recitative (Obadiah), Elijah, op. 70: Part I, no. 4. Air (Obadiah), Elijah, op. 70: Part I, no. 5. Chorus, Elijah, op. 70: Part I, no. 6. Recitative (An Angel (Contralto)), Elijah, op. 70: Part I, no. 7. Semi-Chorus (Angels), Elijah, op. 70: Part I, no. 8. Air (The Widow (Soprano)), Elijah, op. 70: Part I, no. 9. Chorus, Elijah, op. 70: Part I. Introduction, Elijah, op. 70: Part I. Overture, Elijah, op. 70: Part II, no. 21. Air (Soprano), Elijah, op. 70: Part II, no. 22. Chorus, Elijah, op. 70: Part II, no. 23. Recitative (Elijah) and Chorus, Elijah, op. 70: Part II, no. 24. Chorus, Elijah, op. 70: Part II, no. 25. Recitative (Obadiah and Elijah), Elijah, op. 70: Part II, no. 26. Air (Elijah), Elijah, op. 70: Part II, no. 27. Recitative (Tenor), Elijah, op. 70: Part II, no. 28. Trio (The Angels), Elijah, op. 70: Part II, no. 29. Chorus (Angels), Elijah, op. 70: Part II, no. 30. Recitative (The Angel (Contralto) and Elijah), Elijah, op. 70: Part II, no. 31. Air (The Angel (Contralto)), Elijah, op. 70: Part II, no. 32. Chorus, Elijah, op. 70: Part II, no. 33. Recitative (Elijah), Elijah, op. 70: Part II, no. 34. Chorus, Elijah, op. 70: Part II, no. 35. Recitative (Contralto) - Semi-chorus and Chorus, Elijah, op. 70: Part II, no. 36. Chorus and Recitative (Elijah), Elijah, op. 70: Part II, no. 37. Arioso (Elijah), Elijah, op. 70: Part II, no. 38. Chorus, Elijah, op. 70: Part II, no. 39. Air (Tenor), Elizabethan Dances: I. Moderato e ritmico, Elizabethan Dances: II. Waltz tempo, languidamente, Elizabethan Dances: III. Allegro scherzando (ma non troppo allegro), Elizabethan Dances: IV. Moderato, Elizabethan Dances: V. Poco allegretto e semplice, Elizabethan Dances: VI. Allegro giocoso, Elizabethian Dances: Waltz Tempo - Languidamente, Fanfare for a Joyful Occasion, Festival March, Hobson's Choice: I. Overture and Shoe Ballet, Hobson's Choice: II. Willie and Maggie (Theme and Variations I), Hobson's Choice: III. Wedding Night (Theme and Variations II), Hobson's Choice: IV. Finale, Hymn-tune Prelude on Song 13 by Orlando Gibbons, Jupiter, the Bringer of Jollity, King's Herald, Mars, the Bringer of War, Mercury, the Winged Messenger, Messa da Requiem: I. Requiem, Messa da Requiem: II. Dies irae: Confutatis, Messa da Requiem: II. Dies irae: Dies irae, Messa da Requiem: II. Dies irae: Ingemisco, Messa da Requiem: II. Dies irae: Lacrymosa, Messa da Requiem: II. Dies irae: Liber scriptus, Messa da Requiem: II. Dies irae: Mors stupebit, Messa da Requiem: II. Dies irae: Quid sum miser, Messa da Requiem: II. Dies irae: Recordare, Messa da Requiem: II. Dies irae: Rex tremendae, Messa da Requiem: II. Dies irae: Tuba mirum, Messa da Requiem: III. Offertorio, Messa da Requiem: IV. Sanctus, Messa da Requiem: V. Agnus Dei, Messa da Requiem: VI. Lux aeterna, Messa da Requiem: VII. Libera me, Norfolk Rhapsody no. 1 in E minor: Adagio- Allegro vivace - Tempo I (Lento), Norfolk Rhapsody no. 2 in D minor: Larghetto - Allegro - Molto tranquillo, Overture "Derby Day", Overture to "The Wasps", Overture to a Masque, Overture: At the Tabard Inn, Pageantry: King’s Herald, Paradise Rondel, Pastoral Rhapsody, Planets: Suite or Orchestra, op. 32 (1916) - Uranus, The Magician, Prelude (from Odd Man Out), Prelude And Fugue in C minor; Prelude, Procession, Saturn, the Bringer of Old Age, Sinfonia da Requiem, op. 20: I. Lacrymosa, Sinfonia da Requiem, op. 20: II. Dies irae, Sinfonia da Requiem, op. 20: III. Requiem aeternam, Sinfonietta for Strings: I. Moderato molto ritmico, Sinfonietta for Strings: II. Adagio e poco rubato, Sinfonietta for Strings: III. Allegro, Suite for Orchestra "The B's": I. Overture: Bublum, Suite for Orchestra "The B's": II. Lament: Bartholomew, Suite for Orchestra "The B's": III. Scherzo: Blissy, Suite for Orchestra "The B's": IV. Mazurka alias Minuet: Bunny, Suite for Orchestra "The B's": V. March: Benjee, Symphonic Prelude "The Magic Island", Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships, Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone, Symphony No. 1 "A Sea Symphony": III. The Waves, Symphony No. 1 "A Sea Symphony": IV. The Explorers, Symphony no. 1, op. 22: I. Allegro, Symphony no. 1, op. 22: II. Andantino, Symphony no. 1, op. 22: III. Vivace con fuoco - Alla marcia - Maestoso, Symphony no. 1: I. Adagio, Symphony no. 1: II. Allegro leggiero, Symphony no. 1: III. Adagio ma con moto, Symphony no. 1: IV. Allegro jubilante, Symphony no. 2 in G major "A London Symphony": I. Lento - Allegro risoluto, Symphony no. 2 in G major "A London Symphony": II. Lento, Symphony no. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino, Symphony no. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento, Symphony no. 2, op. 40: I. Allegretto, Symphony no. 2, op. 40: II. Vivace, Symphony no. 2, op. 40: III. Lento, Symphony no. 2, op. 40: IV. Allegro con brio - Lento molto e maestoso, Symphony no. 2: Part I. Con moto - Molto moderato - Quasi adagio molto calmato, Symphony no. 2: Part II. Allegro molto - Moderato largamente - Molto tranquillo, Symphony no. 3 "Pastoral": I. Molto moderato - Poco tranquillo - Tempo I - Largamente - Tempo I, Symphony no. 3 "Pastoral": II. Lento moderato - Poco tranquillo, tempo rubato - Tempo I, Symphony no. 3 "Pastoral": III. Moderato pesante - Poco animato - A tempo - Presto, Symphony no. 3: I. Allegro molto, Symphony no. 3: II. Poco adagio, Symphony no. 3: III. Allegro con fuoco, Symphony no. 4 in F minor: I. Allegro - Meno mosso - Largamente - Lento, Symphony no. 4 in F minor: II. Andante moderato - Tranquillo, Symphony no. 4 in F minor: III. Scherzo: Allegro molto, Symphony no. 4 in F minor: IV. Finale con Epilogo Fugato: Allegro molto - Lento (non troppo) - Tempo I - Con anima - Meno mosso, Symphony no. 4: I. Maestoso ma con moto - Allegro - A tempo primo, Symphony no. 4: II. Molto vivace - Meno mosso, ma con moto - Tempo primo, Symphony no. 4: III. Adagio e molto calmato - Allegro - Tempo primo - Maestoso, Symphony no. 5 "Hydriotaphia": Allegro con fuoco -, Symphony no. 5 "Hydriotaphia": Moderato - Allegro ma non troppo -, Symphony no. 5 "Hydriotaphia": Tempo di Marcia funebre, Symphony no. 5 "Hydriotaphia:": Andante sostenuto -, Symphony no. 5: I. Preludio - Moderato, Symphony no. 5: II. Scherzo - Presto misterioso, Symphony no. 5: III. Romanza - Lento, Symphony no. 5: IV. Passacaglia - Moderato, Symphony no. 6 in E minor: I. Allegro - Poco animato - Tranquillo, Symphony no. 6 in E minor: II. Moderato, Symphony no. 6 in E minor: III. Scherzo (Allegro vivace), Symphony no. 6 in E minor: IV. Epilogue (Moderato), Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema), Symphony no. 8 in D minor: II. Scherzo alla marcia, Per glo stromenti a vento, Symphony no. 8 in D minor: III. Cavatina, Per gli stromenti a corde, Symphony no. 8 in D minor: IV. Toccata colle campanelle, THE MOLDAU, The Banks of Green Willow: Idyll, The Bridge on the River Kwai: I. Prelude The Prison Camp, The Bridge on the River Kwai: II. Colonel Bogey, The Bridge on the River Kwai: III. The Jungle Trek, The Bridge on the River Kwai: IV. Sunset, The Bridge on the River Kwai: V. Finale: The River Kwai March, The Dream of Gerontius, op. 38: Part I. Prelude, The Inn of the Sixth Happiness: I. London Prelude, The Inn of the Sixth Happiness: II. Romantic Interlude, The Inn of the Sixth Happiness: III. Happy Ending, The Running Set: Presto, The Sound Barrier, a Rhapsody for Orchestra, op. 38, Uranus, the Magician, Venus, the Bringer of Peace, Whistle Down the Wind: I. Prelude (Theme), Whistle Down the Wind: II. The Three Kings, Whistle Down the Wind: III. Finale |
| Kim Storm |
conductor |
A Downland Suite: I. Prelude. Allegro energico, A Downland Suite: II. Elegy. Lento espressivo, A Downland Suite: III. Minuet. Allegretto grazioso, A Downland Suite: IV. Rondo. Poco allegro, A Fugal Concerto for Flute, Oboe & String Orchestra Op. 40 No. 2: I. Moderato, A Fugal Concerto for Flute, Oboe & String Orchestra Op.40 No.2: II. Adagio, A Fugal Concerto for Flute, Oboe & String Orchestra Op.40 No.2: III. Allegro, A Manx Suite (Little Suite no. 3), op. 142: I. Allegretto, A Manx Suite (Little Suite no. 3), op. 142: II. Allegro, A Manx Suite (Little Suite no. 3), op. 142: III. Allegretto, A Manx Suite (Little Suite no. 3), op. 142: IV. Lento, A Manx Suite (Little Suite no. 3), op. 142: V. Allegretto, Adagio for Strings, After the Rain (extract), After the Rain: I. Refrain, After the Rain: II. Chorale, After the Rain: III. Antiphon, After the Rain: IV. Refrain, After the Rain: IX. Antiphon, After the Rain: V. Chanson, After the Rain: VI. Canon, After the Rain: VII. Antiphon, After the Rain: VIII. Motet, After the Rain: X. Refrain, Appalachian Spring: Suite, Brook Green Suite: I. Prelude, Brook Green Suite: II. Air, Brook Green Suite: III. Dance, Children's Suite after Walter de la Mare: I. Leggiero, Children's Suite after Walter de la Mare: II. Pastoral: Tranquillo, Children's Suite after Walter de la Mare: III. March: Alla marcia, Children's Suite after Walter de la Mare: IV. Whirligig: Di Ballo, Concertino Pastorale: I. Eclogue. Sostenuto, Concertino Pastorale: II. Threnody. Lento espressivo, Concertino Pastorale: III. Toccata. Allegro molto ma non troppo presto, Concerto Grosso no. 1 in B-flat major for Chamber Orchestra: I. Moderato molto e ritmico, Concerto Grosso no. 1 in B-flat major for Chamber Orchestra: II. Adagio con moto (alla Siciliano), Concerto Grosso no. 1 in B-flat major for Chamber Orchestra: III. Vivace, Concerto Grosso no. 2 in G major for String Orchestra: I. Allegro moderato e vigoroso, Concerto Grosso no. 2 in G major for String Orchestra: II. Adagio ed espressivo, Concerto Grosso no. 2 in G major for String Orchestra: III. Vivace (allegro ma non troppo), Concerto Grosso no. 3 for Woodwind, Brass and Strings: I. Maestoso - Moderato e ritmico, Concerto Grosso no. 3 for Woodwind, Brass and Strings: II. Andante - Vivace, Concerto Grosso no. 3 for Woodwind, Brass and Strings: III. Andante, Concerto da Camera: I. Allegro assai, Concerto da Camera: II. Andante, Concerto da Camera: III. Larghetto - Con brio, Concerto da Chiesa: I. Veni, Emmanuel. Andante, Concerto da Chiesa: II. Corde natus. Allegro - Quasi allegro - Tempo I, Concerto da Chiesa: III. Laetatus sum. Allegro, Concerto for 28 Players, op. 105: I. Vivace, Concerto for 28 Players, op. 105: II. Larghetto, Concerto for 28 Players, op. 105: III. Allegro, Concerto for Flute, Harp in C, K. 299: I. Allegro, Concerto for Flute, Harp in C, K. 299: II. Andantino, Concerto for Flute, Harp in C, K. 299: III. Rondo. Allegro, Concerto for String Orchestra, op. 39: I. Lento sostenuto – Tempo giusto, sempre sostenuto – Movendosi un poco ma non troppo, sempre sostenuto – Tempo I, Concerto for String Orchestra, op. 39: II. Molto ritmico – Scherzoso – Più animato – Sempre tempo giusto alla fine, Concerto for String Orchestra, op. 39: III. Adagio maestoso, alla marcia e largamente – Allegro precipitoso – Ancora più animato – Sempre più animato – Precipitoso – Tempo giusto – Più largo e molto sostenuto – Sempre largo ed alla marcia, Concerto for String Orchestra: I. Allegro, assai vivace, Concerto for String Orchestra: II. Quasi lento: teneramente, Concerto for String Orchestra: III. Allegro vivo: ritmico e giocoso, Double Concerto for Two Violins & Small Orchestra, op. 49: I. Scherzo, Double Concerto for Two Violins & Small Orchestra, op. 49: II. Lament, Double Concerto for Two Violins & Small Orchestra, op. 49: III. Variations on a Ground, Elegy for Solo Viola, String Quartet and String Orchestra, Lento, Little Suite no. 1, op. 53: I. Prelude. Maestoso, Little Suite no. 1, op. 53: II. Dance. Allegretto, Little Suite no. 1, op. 53: III. March. Allegro con brio, Little Suite no. 2, op. 78: I. Overture. Allegro moderato, Little Suite no. 2, op. 78: II. Ballad. Andantino, Little Suite no. 2, op. 78: III. Dance. Vivace, Molly on the Shore (British Folk Music Setting no. 1), On Christmas Night: A procession. Lento -, On Christmas Night: Black Nag. Allegro -, On Christmas Night: Bob Cratchit's Christmas Party -, On Christmas Night: Bob Cratchit's Toast. Lento -, On Christmas Night: Fezziwig's Christmas Party. Molto moderato -, On Christmas Night: Fezziwig's Parlour: Scene 2. Allegro -, On Christmas Night: Marley's Ghost. Allegro moderato e pesante, On Christmas Night: Midnight. Lento -, On Christmas Night: Morris jig. Allegro molto -, On Christmas Night: Prelude. God rest you merry - Allegro agitato -, On Christmas Night: Procession of the Nativity. Lento, On Christmas Night: Roger de Coverley -, On Christmas Night: The Spirit of Christmas. Lento -, On Christmas Night: The Triumph. Allegro moderato -, On Christmas Night: Victorian Drawing Room. Andante sostenuto -, Orchestral Poem, Prelude, op. 25, Requiem da camera: I. Prelude, Romance, op. 11, Serenade for Strings, Serenade for Strings: I. Barcarolle, Serenade for Strings: II. Romance, Serenade for Strings: III. Elegy, Sinfonietta: I. Allegro, Sinfonietta: II Molto viavce, Sinfonietta: III. Andante cantabile, Sinfonietta: IV. Finale, St. Pauls Suite, Op. 29 No. 2: I. Jig, St. Pauls Suite, Op. 29 No. 2: II. Ostinato, St. Pauls Suite, Op. 29 No. 2: III. Intermezzo, St. Pauls Suite, Op. 29 No. 2: IV. Finale (The Dargason), St. Paul’s Suite: Finale (The Dargason), Stabat Mater: Quartetto (extract), Suite for String Orchestra: I. Allegro deciso, Suite for String Orchestra: II. Siciliano Elegiaco. Con moto, ma tenerezza, Suite for String Orchestra: III. Alla Menuetto. Allegro moderato, Suite for String Orchestra: IV. Rondo. Allegro assai: brioso, Symphonie no. 3 in D, D. 200: IV. Presto vivace, Symphony for Strings, op. 3: I. Adagio – Allegro molto – Un poco sostenuto – Tempo I – Appassionato – Allegro molto – Un poco sostenuto, Symphony for Strings, op. 3: II. Lento – Poco più mosso e appassionato – Sostenuto – Tempo I –, Symphony for Strings, op. 3: III. Allegro molto e vigoroso – Scherzando – Meno mosso, Symphony in G: I. Energico, Symphony in G: II. Andante, Symphony in G: III. Allegro risoluto, Symphony in G: IV. Poco adagio, The First Nowell: IX. 'In Bethlehem City' (A Virgin most pure), The First Nowell: XVI. 'Tidings true there be come new' (The Salutation Carol), The First Nowell: XVIII. [Interlude], Three Spring Miniatures: I. Gossamer (A little waltz), Three Spring Miniatures: II. Willow Song (A lament), Three Spring Miniatures: III. Tree Tops (A toccatina), Tragic Interlude, Two Songs Without Words, op. 22: I. Country Song, Two Songs Without Words, op. 22: II. Marching Song, Two Symphonic Studies: I. Fugue. Pesante, Two Symphonic Studies: II. Toccata. Lento, Variations for Orchestra on a Theme of Ruth Gipps, op. 122: Introduction and Theme. Allegro moderato, Variations for Orchestra on a Theme of Ruth Gipps, op. 122: Variation I. Vivace, Variations for Orchestra on a Theme of Ruth Gipps, op. 122: Variation II. Alla marcia, Variations for Orchestra on a Theme of Ruth Gipps, op. 122: Variation III. Lento, Variations for Orchestra on a Theme of Ruth Gipps, op. 122: Variation IV. Vivace, Variations for Orchestra on a Theme of Ruth Gipps, op. 122: Variation V. Allegretto, Variations for Orchestra on a Theme of Ruth Gipps, op. 122: Variation VI (Finale). Maestoso, Water Music, Water Music suite in D major, Water Music, Suite in D major: (Menuet), Water Music, Suite in D major: (Ouverture), Water Music, Suite in D major: Alla Hornpipe, Water Music, Suite in D major: Bourree, Water Music, Suite in D major: Lentement, Water Music, Suite in F major: (Allegro)- Andante - (Allegro da capo), Water Music, Suite in F major: (Andante), Water Music, Suite in F major: (Menuet), Water Music, Suite in F major: Adagio staccato, Water Music, Suite in F major: Air, Water Music, Suite in F major: Bouree, Water Music, Suite in F major: Hornpipe, Water Music, Suite in F major: Menuet, Water Music, Suite in F major: Ouverture, Water Music, Suite in G major: (Andante), Water Music, Suite in G major: (Country Dance 1 & 2), Water Music, Suite in G major: Menuet, Water Music, Suite in G major: Rigaudon |
| Тиранія |
conductor |
A Royal Night of Variety, H 184, A Tribute, op. 56, Academic Festival Overture, Op. 80, Allegro moderato, Berceuse, H 8, Chant d'esperance, H 18ii, Coronation March, Dance Poem, Dance Rhapsody, Enter Spring, Five Entr'actes from "The Two Hunchbacks": I. Prelude to Act I, Five Entr'actes from "The Two Hunchbacks": II. Intermezzo from Act II, Five Entr'actes from "The Two Hunchbacks": III. Intermezzo from Act III, Five Entr'actes from "The Two Hunchbacks": IV. Prelude to Act III, Five Entr'actes from "The Two Hunchbacks": V. Entr'acte between Acts II and III, Isabella, Lament, Mid of the Night, Norse Legend, Rebus, Serenade, H 23, Sir Roger de Coverley (A Christmas Dance), Sir Roger de Coverley (A Christmas Dance), H 155, Sonata for Organ in G major, op. 28: I. Allegro maestoso, Sonata for Organ in G major, op. 28: II. Allegretto – Quasi doppio movimento – Tempo I, Sonata for Organ in G major, op. 28: III. Andante espressivo – Animato poco a poco – Poco più tranquillo – Tranquillo, Sonata for Organ in G major, op. 28: IV. Presto (comodo), Suite for Strings, H 93: I. Prelude, Suite for Strings, H 93: II. Intermezzo, Suite for Strings, H 93: III. Nocturne, Suite for Strings, H 93: IV. Finale, Summer, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice – Allegro – Poco meno mosso – Poco più mosso – Tempo I – Poco animato – Grandioso (Tempo I) – Meno mosso – Poco più mosso – Tempo I – Poco meno mosso, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto –, Symphony no. 1 in A-flat major, op. 55: III. Adagio – Molto espressivo e sostenuto, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro - Grandioso (poco largamente), Symphony no. 1, op. 44: I. Allegro moderato e tempestoso, Symphony no. 1, op. 44: II. Perigourdine. Allegro bucolico e giocoso, Symphony no. 1, op. 44: III. Lento, Symphony no. 10, op. 145: I. Lento e liberamente, Symphony no. 10, op. 145: II. Scherzando ma grazioso, Symphony no. 10, op. 145: III. Lento, Symphony no. 10, op. 145: IV. Molto adagio, Symphony no. 11, op. 153, Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 3, op. 49: I. Moderato, Symphony no. 3, op. 49: II. Allegro, Symphony no. 3, op. 49: III. Molto adagio ma liberamente, Symphony no. 3, op. 49: IV. Tema con 7 variazioni e una fuga, Symphony no. 4, op. 53: I. Con moto, Symphony no. 4, op. 53: II. Intermezzo: Allegretto grazioso, Symphony no. 4, op. 53: IIIa. Introduzione: Grave e molto calmo, Symphony no. 4, op. 53: IIIb. Allegro maestoso, Symphony no. 5, op. 63: I. Adagio, Symphony no. 5, op. 63: II. Allegro moderato, Symphony no. 5, op. 63: III. Grave, Symphony no. 5, op. 63: IV. Allegro vivo, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato, Symphony no. 7 in C, op. 88: I. Lento e molto espressivo, Symphony no. 7 in C, op. 88: II. Vivace e leggiero, Symphony no. 7 in C, op. 88: III. Passacaglia and Fugue. Lento, Symphony no. 8, Hommage à Teilhard de Chardin: Moderato (excerpt), Symphony no. 8, op. 132: I. Moderato, Symphony no. 8, op. 132: II. Allegretto con brio, Symphony no. 8, op. 132: III. Poco lento, Symphony no. 9, op. 140 "Sinfonia Sacra": Conversation piece, The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure, The Pageant of London, H 98: I. Solemn March, The Pageant of London, H 98: II. First Discoveries: 1. Introduction, The Pageant of London, H 98: II. First Discoveries: 2. Pavane, The Pageant of London, H 98: II. First Discoveries: 3. La Romanesca, The Pageant of London, H 98: III. March, The Sea: I. Seascape, The Sea: II. Sea-Foam, The Sea: III. Moonlight, The Sea: IV. Storm, There Is a Willow Grows Aslant a Brook, Todessehnsucht, Two Entr'actes: I. Rosemary, H 68b, Two Entr'actes: II. Canzonetta, H 169, Two Intermezzi from "Threads", H 151: I. Andante molto moderato e tranquillo, Two Intermezzi from "Threads", H 151: II. Tempo di valse - Animato, Two Old English Songs, H 119: Cherry Ripe, Two Old English Songs, H 119: Sally in Our Alley, Two Poems for Orchestra: Allegro con brio, Two Poems for Orchestra: I. Andante moderato e semplice, Two Poems for Orchestra: II. Allegro con brio, Valse Intermezzo à cordes, H 17, Vignettes de danse: I. Nicolette, Vignettes de danse: II. Zoraida, Vignettes de danse: III. Carmelita |
| Joseph Haydn |
conductor |
Antiphon for Soprano, Chorus, Organ & Orchestra in A major, Hob. XXIIIb:3: Ave Regina Caelorum: I. "Ave Regina coelorum", Antiphon for Soprano, Chorus, Organ & Orchestra in A major, Hob. XXIIIb:3: Ave Regina Caelorum: II. "Gaude virgo gloriosa", Antiphon for Soprano, Chorus, Organ & Orchestra in A major, Hob. XXIIIb:3: Ave Regina Caelorum: III. "Vale o valde", Hymn for Soloists, Chorus, Orchestra & Organ in C major, Hob. XXIIIc:1: Te Deum: Allegro moderato - Adagio - Allegro, Hymn for Soloists, Chorus, Orchestra & Organ in C major, Hob. XXIIIc:2 "Grand Te Deum": Allegro - Adagio - Allegro moderato, Mass No. 1 for Soloists, Chorus & Orchestra in G major, Hob. XXII:3 "Rorate coeli desuper": I. "Kyrie", Mass No. 1 for Soloists, Chorus & Orchestra in G major, Hob. XXII:3 "Rorate coeli desuper": II. "Gloria", Mass No. 1 for Soloists, Chorus & Orchestra in G major, Hob. XXII:3 "Rorate coeli desuper": III. "Credo", Mass No. 1 for Soloists, Chorus & Orchestra in G major, Hob. XXII:3 "Rorate coeli desuper": IV. "Sanctus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, Hob. XXII:3 "Rorate coeli desuper": V. "Benedictus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, Hob. XXII:3 "Rorate coeli desuper": VI. "Agnus Dei", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": I. "Kyrie", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": IIIa. Credo: "Credo in unum Deum", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": IIIb. Credo: "Et incarnatus est", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": IIIc. Credo: "Et resurrexit", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": IIa. Gloria: "Gloria in excelsis Deo", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": IIb. Gloria: "Qui tollis peccata mundi", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": IIc. Gloria: "Quoniam tu solus sanctus", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": IV. "Sanctus", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": V. "Benedictus", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": VIa. Agnus Dei: "Agnus Dei", Mass No. 10 for Soloists, Chorus & Orchestra in C major, Hob. XXII:9 "Paukenmesse": VIb. Agnus Dei: "Dona nobis pacem", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": IIIa. Credo: "Credo in unum Deum", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": IIIb. Credo: "Et incarnatus est", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": IIIc. Credo: "Et resurrexit", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": IIa. Gloria: "Gloria in excelsis Deo", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": IIb. Gloria: "Qui tollis peccata mundi", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": IIc. Gloria: "Quoniam tu solus sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": VIa. Agnus Dei: "Agnus Dei", Mass No. 11 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:11 "Nelsonmesse": VIb. Agnus Dei: "Dona nobis pacem", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": IIIa. Credo: "Credo in unum Deum", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": IIIb. Credo: "Et incarnatus est", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": IIIc. Credo: "Et resurrexit", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": IIId. Credo: "Et vitam venturi saeculi", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": IIa. Gloria (alternative Gloria for Empres Marie Therese): "Gloria in excelsis Deo", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": IIa. Gloria: "Gloria in excelsis Deo", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": IIb. Gloria (alternative Gloria for Empres Marie Therese): "Quoniam tu solus sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": IIb. Gloria: "Quoniam tu solus sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": VIa. Angus Dei: "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:13 "Schöpfungmesse": VIb. Agnus Dei: "Dona nobis pacem", Mass No. 2 for Soloists, Chorus & Orchestra in F major, Hob. XXII:1 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in F major, Hob. XXII:1 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in F major, Hob. XXII:1 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in F major, Hob. XXII:1 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in F major, Hob. XXII:1 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in F major, Hob. XXII:1 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIIa. Credo: "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIIb. Credo: "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIIc. Credo: "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIa. Gloria: "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIb. Gloria: "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIc. Gloria: "Gratias agimus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IId. Gloria: "Domine Deus, Rex coelestis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIe. Gloria: "Qui tollis peccata mundi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIf. Gloria: "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIg. Gloria: "Com Sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IIh. Gloria: "In gloria Dei Patris", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": IV. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": Ia. Kyrie: "Kyrie eleison", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": Ib. Kyrie: "Christe eleison", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": Ic. Kyrie: "Kyrie eleison", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": V. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": VIa. Agnus Dei: "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, Hob. XXII:5 "Missa Cellensis": VIb. Agnus Dei: "Dona nobis pacem", Mass No. 4 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:2 (fragment) "Sunt bona mixta malis": I. "Kyrie", Mass No. 4 for Soloists, Chorus & Orchestra in D minor, Hob. XXII:2 (fragment) "Sunt bona mixta malis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": IIIa. Credo: "Credo in unum Deum", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": IIIb. Credo: "Et incarnatus est", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": IIIc. Credo: "Et resurrexit", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": IIa. Gloria: "Gloria in excelsis Deo", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": IIb. Gloria: "Quoniam tu solus sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": IVa. Sanctus: "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": IVb. Sanctus: "Pleni sunt coeli", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": VIa. Agnus Dei: "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in G major, Hob. XXII:6 "Nicolaimesse": VIb. Agnus Dei: "Dona nobis pacem", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": IIIa. Credo: "Credo in unum Deum", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": IIIb. Credo: "Et incarnatus est", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": IIIc. Credo: "Et resurrexit", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": IIId. Credo: "Et vitam venturi saeculi", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": IIa. Gloria: "Gloria in excelsis Deo", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": IIb. Gloria: "Gratias agimus", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": IIc. Gloria: "Quoniam tu solus sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": VIa. Agnus Dei: "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:10 "Heiligmesse": VIb. Agnus Dei: "Dona nobis pacem", Music to the Play "Alfred oder der patriotische König", Hob. XXX:5a "Chor der Dänen", Music to the Play "Alfred oder der patriotische König", Hob. XXX:5b "Arie des Schutzgeistes" |
| Benjamin Britten |
conductor |
A Midsummer Night's Dream: Act 1. Be it on lion, bear, or wolf, or bull, A Midsummer Night's Dream: Act 1. Come, now a roundel and a fairy song, A Midsummer Night's Dream: Act 1. Fair love, you faint with wand'ring in the wood, A Midsummer Night's Dream: Act 1. How now my love?, A Midsummer Night's Dream: Act 1. Introduction: The wood, deepening twilight / Over hill, over dale, A Midsummer Night's Dream: Act 1. Is all our company here?, A Midsummer Night's Dream: Act 1. Oberon is passing fell and wrath, A Midsummer Night's Dream: Act 1. Stay, though thou kill me, sweet Demetrius, A Midsummer Night's Dream: Act 1. Through the forest have I gone, A Midsummer Night's Dream: Act 1. Welcome wanderer... I know a bank, A Midsummer Night's Dream: Act 1. Well, go thy way, A Midsummer Night's Dream: Act 1. What thou seest when thou dost wake, A Midsummer Night's Dream: Act 1. You spotted snakes with double tongue, A Midsummer Night's Dream: Act 2. Are we all met?, A Midsummer Night's Dream: Act 2. Be kind and courteous to this gentlemen, A Midsummer Night's Dream: Act 2. Flower of this purple dye, A Midsummer Night's Dream: Act 2. Hail, mortal, hail!, A Midsummer Night's Dream: Act 2. How now, mad spirit?, A Midsummer Night's Dream: Act 2. I have a reas'nable good ear in music, A Midsummer Night's Dream: Act 2. I see their knavery, A Midsummer Night's Dream: Act 2. Introduction: The wood, A Midsummer Night's Dream: Act 2. On the ground, sleep sound, A Midsummer Night's Dream: Act 2. Puppet? Why, so?, A Midsummer Night's Dream: Act 2. This is thy negligence, A Midsummer Night's Dream: Act 2. Up and down, up and down, A Midsummer Night's Dream: Act 3. Asleep, my love?, A Midsummer Night's Dream: Act 3. Come, your Bergomask, A Midsummer Night's Dream: Act 3. Gentles, perchance you wonder at this show, A Midsummer Night's Dream: Act 3. Have you sent to Bottom's house?, A Midsummer Night's Dream: Act 3. Helena! Hermia! Demetrius! Lysander!, A Midsummer Night's Dream: Act 3. If we offend, it is with our good will, A Midsummer Night's Dream: Act 3. In this same interlude it doth befall, A Midsummer Night's Dream: Act 3. Introduction: The wood, early next morning / My gentle Robin, seest thou this sweet sight?, A Midsummer Night's Dream: Act 3. Now the hungry lion roars, A Midsummer Night's Dream: Act 3. Now, fair Hippolyta, A Midsummer Night's Dream: Act 3. O Wall, full often hast thou heard my moans, A Midsummer Night's Dream: Act 3. O grim-look'd night, O night with hue so black, A Midsummer Night's Dream: Act 3. Sweet Moon, I thank thee for thy sunny beams, A Midsummer Night's Dream: Act 3. This lanthorn doth the hornèd moon present, A Midsummer Night's Dream: Act 3. When my cue comes, call me, A Midsummer Night's Dream: Act 3. You ladies, you whose gentle hearts do fear, A Midsummer Night’s Dream: I Know a Bank, Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..." |
| 影山輝 |
conductor |
Concerto accademico for violin and strings in D minor: I. Allegro pesante, Concerto accademico for violin and strings in D minor: II. Adagio, Concerto accademico for violin and strings in D minor: III. Presto, Fantasia on 'Greensleeves', Five Mystical Songs: I. Easter, Five Mystical Songs: II. I got me flowers, Five Mystical Songs: III. Love bade me welcome, Five Mystical Songs: IV. The Call, Five Mystical Songs: V. Antiphon, Five Variants of 'Dives and Lazarus': Adagio-, Five Variants of 'Dives and Lazarus': I., Five Variants of 'Dives and Lazarus': II. Allegro moderato-, Five Variants of 'Dives and Lazarus': III., Five Variants of 'Dives and Lazarus': IV. L'istesso tempo-, Five Variants of 'Dives and Lazarus': V. Adagio, Intermezzo (Interludes From Opera "Fennimore and Gerda"), La Calinda (Dance from Act 2 of Koanga), Midnight Sleigh Ride, Nocturne (New Year Music), Oboe Concerto in A minor: I. Rondo Pastorale (Allegro moderato) - Roger Winfield, oboe, Oboe Concerto in A minor: II. Minuet and Musette (Allegro moderato) -Roger Winfield, oboe, Oboe Concerto in A minor: III. Finale: Finale (Presto - Lento - Presto) - Roger Winfield, oboe, Old King Cole - A Ballet for Orchestra: I. Allegro moderato, Old King Cole - A Ballet for Orchestra: II. Pipe dance, Old King Cole - A Ballet for Orchestra: III. Bowl dance, Old King Cole - A Ballet for Orchestra: IV. Morris Jig "Go and 'list for a sailor", Old King Cole - A Ballet for Orchestra: V. Folk Song "A Bold Young Farmer", Old King Cole - A Ballet for Orchestra: VI. Folk Song "The Jolly Thresherman", Old King Cole - A Ballet for Orchestra: VII. Solo Jig, Prelude on an Old Carol Tune, Prelude: 49th Parallel, RT i/9 Hassan, incidental music: Intermezzo, RT i/9 Hassan, incidental music: Serenade, RT ix/3: Norwegian Sleigh Ride, RT vi/19: no. 1 On Hearing The First Cuckoo in Spring, RT vi/19: no. 2 Summer Night on the River, RT vi/21: Air & Dance, for string orchestra, RT vi/24: A Song Before Sunrise, RT vi/27: Irmelin, Prelude for Orchestra, RT vi/7: Small Tone Poems (3), for Orchestra, Salut d'amour, op. 12, Sea Songs - March (orchestral version), Serenade in G: I. Prologue, Serenade in G: II. Air, Serenade in G: III. Galop, Serenade in G: IV. Minuet, Serenade in G: V. Rigadoon, Serenade in G: VI. Epilogue, Serenade to Music (orchestral version), Sinfonietta: I. Allegro con brio, Sinfonietta: II. Tema con variazioni: Tema. Andante, Sinfonietta: II. Tema con variazioni: Var. 1. A tempo, ma un poco più mosso, Sinfonietta: II. Tema con variazioni: Var. 2. Allegro vivace, Sinfonietta: II. Tema con variazioni: Var. 3. Poco meno mosso, Sinfonietta: II. Tema con variazioni: Var. 4. Andantino, Sinfonietta: II. Tema con variazioni: Var. 5. Andante, Sinfonietta: II. Tema con variazioni: Var. 6. L'istesso tempo, Sinfonietta: III. Allegro risoluto, Symphony no. 6 in F major, op. 68 "Pastoral", Sérénade Lyrique, The Fall of the Leaf (Elegy for Orchestra), The Lark Ascending - Bradley Creswick, violin, The Poisoned Kiss - Overture, The Running Set, Three Preludes Founded on Welsh Hymn Tunes: II. Rhosymedre, Three Preludes Founded on Welsh Hymn Tunes: III. Hyfrydol, Two Hymn-Tune Preludes: I. Eventide, Two Hymn-Tune Preludes: II. Dominus regit me |
| Zhao |
conductor |
Caractacus, op. 35: Processional Music, Carmina Burana: Blanziflor et Helena: ⅩⅩⅣ. Ave formosissima, Carmina Burana: Blanzifor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: Fortuna Imperatrix mundi: Ⅰ. O Fortuna, Carmina Burana: Fortuna Imperatrix mundi: Ⅱ. Fortuna plango vulnera, Carmina Burana: Fortuna Imperatrix mundi: ⅩⅩⅤ. O Fortuna (reprise), Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In Taberna: Ego sum abbas, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: II. In Taberna: Olim lacus colueram, Carmina Burana: III. Cour d'amours: Amor volat undique, Carmina Burana: III. Cour d'amours: Circa mea pectora, Carmina Burana: III. Cour d'amours: Dies, nox et omnia, Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Si puer cum puellula, Carmina Burana: III. Cour d'amours: Stetit puella, Carmina Burana: III. Cour d'amours: Tempus est iocundum, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Floret silva, Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe, Carmina Burana: Uf dem Anger: Tanz, Carmina Burana: Uf dem Anger: Were diu werlt alle min, Carmina Burana: Uf dem Anger: Ⅵ. Tanz, Carmina Burana: Uf dem Anger: Ⅶ. Floret silva nobilis, Carmina Burana: Uf dem Anger: Ⅷ. Chramer, gip die varwe mir, Carmina Burana: Uf dem Anger: Ⅸ. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe, Carmina Burana: Uf dem Anger: Ⅹ. Were diu werlt alle min, Carmina Burana: Ⅰ. Primo vere: Ⅲ. Veris leta facies, Carmina Burana: Ⅰ. Primo vere: Ⅳ. Omnia sol temperat, Carmina Burana: Ⅰ. Primo vere: Ⅴ. Ecce gratum, Carmina Burana: Ⅱ. In Taberna: ⅩⅢ. Ego sum abbas, Carmina Burana: Ⅱ. In Taberna: ⅩⅣ. In taberna quando sumus, Carmina Burana: Ⅱ. In Taberna: Ⅺ. Estuans interius, Carmina Burana: Ⅱ. In Taberna: Ⅻ. Olim lacus colueram, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅤ. Amor volat undique, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅥ. Dies, nox et omnia, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅦ. Stetit puella, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅧ. Circa mea pectora, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅨ. Si puer cum puellula, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅩ. Veni, veni, venias, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅩⅢ. Dulcissime, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅪ. In trutina mentis dubia, Carmina Burana: Ⅲ. Cour d'amours: ⅩⅫ. Tempus est iocundum, From the Bavarian Highlands, op. 27: III. Lullaby, Grand March & "Vieni, guerriero vindice" (Aida, Act II), Requiem: Dies Irae, Requiem: Dies Irae (Extract), Scenes From the Bavarian Highlands: The Dance, Sinfonia da Requiem, op. 20: Lacrymosa (extract), The Canterbury Pilgrims: The Wife of Bath (extract), The Dream of Gerontius, op. 38: Part I. "Be merciful, be gracious" (Chorus), The Dream of Gerontius, op. 38: Part I. "Go, in the name of Angels" (Chorus), The Dream of Gerontius, op. 38: Part I. "Kyrie eleison" (Chorus), The Dream of Gerontius, op. 38: Part I. "Rescue him, O Lord!" (Chorus), The Dream of Gerontius, op. 38: Part II. "Be merciful, be gracious" (Chorus), The Dream of Gerontius, op. 38: Part II. "Glory to Him" (Chorus), The Dream of Gerontius, op. 38: Part II. "Lord, Thou hast been our refuge" (Chorus), The Dream of Gerontius, op. 38: Part II. "Low-born clods of brute earth" (Chorus), The Dream of Gerontius, op. 38: Part II. "Praise to the Holiest" (Chorus), The Dream of Gerontius, op. 38: Part II. "The mind bold and independent" (Chorus) |
| Media Noctis |
conductor |
Household Music: I. Crug-Y-Bar. Fantasia, Household Music: II. St. Denio. Scherzo, Household Music: III. Aberystwyth. Variations, Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei" / VIII. Communio: "Lux aeterna", Requiem in D minor, K. 626: I. Introit: Requiem aeternam, Requiem in D minor, K. 626: II. Kyrie eleison, Requiem in D minor, K. 626: III. Sequence: Confutatis maledictus, Requiem in D minor, K. 626: III. Sequence: Dies irae, Requiem in D minor, K. 626: III. Sequence: Lacrimosa, Requiem in D minor, K. 626: III. Sequence: Recordare, Requiem in D minor, K. 626: III. Sequence: Rex tremendae, Requiem in D minor, K. 626: III. Sequence: Tuba mirum, Requiem in D minor, K. 626: IV. Offertory: Domine Jesu Christe, Requiem in D minor, K. 626: IV. Offertory: Hostias et preces tibi, Requiem in D minor, K. 626: V. Sanctus, Requiem in D minor, K. 626: VI. Benedictus, Requiem in D minor, K. 626: VII. Agnus Dei, Requiem in D minor, K. 626: VIII. Communion: Lux aeterna, Riders to the Sea: And May He Have Mercy on My Soul (Maurya), Riders to the Sea: Bartley Will Be Lost Now (Maurya), Riders to the Sea: He's Gone Now, God Spare Us (Maurya), Riders to the Sea: I Went Down to the Spring Well (Maurya), Riders to the Sea: Isn't It Turf Enough You Have (Maurya), Riders to the Sea: They Are All Gone Now (Maurya), Riders to the Sea: Wait Nora, Maybe She'd Turn Back Quickly (Cathleen), Riders to the Sea: Where Is She (Nora), Riders to the Sea: Where Is the Bit of New Rope, Cathleen (Bartley), Riders to the Sea: You Didn't Give Him His Bit of Bread? (Cathleen), Salut D'Amour, Suite de ballet, Op. 10: I. Danse rustique, Suite de ballet, Op. 10: II. Valse, Suite de ballet, Op. 10: IV. Carnival, Symphony no. 6 "Pastoral": V., Symphony no. 6 in F major “Pastoral”: IV. Storm, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo, The Wandering Scholar, Op. 50: As I was walking here to-day (Pierre, Louis, Alison), The Wandering Scholar, Op. 50: Before that I was twenty (Pierre, Father Philippe, Alison), The Wandering Scholar, Op. 50: He'll lie all day in the sun (Louis, Pierre, Alison), The Wandering Scholar, Op. 50: Heigho, a pretty knave! (Alison, Father Philippe), The Wandering Scholar, Op. 50: Learned? Comely? (Father Philippe, Pierre, Alison), The Wandering Scholar, Op. 50: Piggy, piggy, piggy! (Father Philippe, Alison), The Wandering Scholar, Op. 50: Someone is coming! (Alison, Father Philippe, Pierre), The Wandering Scholar, Op. 50: When rainbows follow flying showers (Alison) |
| Guy-Claude Luypaerts |
conductor |
Ballad of Heroes, op. 14: I. Funeral March, Ballad of Heroes, op. 14: II. Scherzo: Dance of Death, Choral Song to be Sung in Time of War no. 1: A Song of Courage, Choral Song to be Sung in Time of War no. 2: A Song of Liberty, Choral Song to be Sung in Time of War no. 3: A Song of Healing, Choral Song to be Sung in Time of War no. 4: A Song of Victory, Choral Song to be Sung in Time of War no. 5: A Song of Pity, Peace and Love, Choral Song to be Sung in Time of War no. 6: A Song of the New Age, In Honour of the City, Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl), Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg), Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach), Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton), Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp), Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau), The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists, The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances, The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began, The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet, The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter, The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces, The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children, The Canterbury Pilgrims: I. Prologue (figure 2), The Canterbury Pilgrims: I. Prologue -, The Canterbury Pilgrims: II. The Knight, The Canterbury Pilgrims: III. The Squire, The Canterbury Pilgrims: IV. The Nun, The Canterbury Pilgrims: IX. The Shipman, The Canterbury Pilgrims: V. The Monk, The Canterbury Pilgrims: VI. The Clerk of Oxenford, The Canterbury Pilgrims: VII. The Haberdasher and his Fraternity. The Merchant, The Canterbury Pilgrims: VIII. The Sergeant of the Law. The Franklin, The Canterbury Pilgrims: X. The Doctor of Physic, The Canterbury Pilgrims: XI. The Wife of Bath, The Canterbury Pilgrims: XII. The Poor Parson of a Town, The Canterbury Pilgrims: XIII. L'envoi |
| Ralph Vaughan Williams |
conductor |
A Cotswold Romance: 1. The Men of Cotsall, A Cotswold Romance: 10. Freedom at Last, A Cotswold Romance: 2. Sweet Little Linnet, A Cotswold Romance: 3. Hugh' s Song of the Road, A Cotswold Romance: 4. Love at First Sight, A Cotswold Romance: 5. The Best Man in England, A Cotswold Romance: 6. Alone and Friendless, A Cotswold Romance: 7. The Fight and its Sequel, A Cotswold Romance: 8. Hugh in the Stocks, A Cotswold Romance: 9. Mary Escapes, Death of Tintagiles: 1. Lento, Death of Tintagiles: 2. Allegro, Death of Tintagiles: 3. Lento - Andante tranquillo - Lento, Death of Tintagiles: 4 1/2. Allegro, Death of Tintagiles: 4. Moderato, Death of Tintagiles: 5. Lento, Death of Tintagiles: Prelude: Largo - Andantino - Adagio, Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Fantasia on Christmas Carols (full orchestra version): I. "This is the truth sent from above", Fantasia on Christmas Carols (full orchestra version): II. "Come all you worthy gentlemen", Fantasia on Christmas Carols (full orchestra version): III. "On Christmas night all Christians sing", Fantasia on Christmas Carols (full orchestra version): IV. "God bless the ruler of this house", Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
| Frederick Delius |
conductor |
A Mass of Life, part I: I. ‘O Du mein Wille, Du Wende aller Not!’, A Mass of Life, part I: II. ‘Erhebt eure Herzen, meine Bruder...’, A Mass of Life, part I: III. ‘In dein Auge schaute ich jüngst, O Leben.’, A Mass of Life, part I: IV. ‘Wehe mir!’ –, A Mass of Life, part I: V. ‘Nacht ist es...’, A Mass of Life, part II: I. ‘Herauf! Nun herauf, du großer Mittag!’, A Mass of Life, part II: II. ‘Süße Leier! Ich liebe deinen Ton...!’, A Mass of Life, part II: III. ‘La, la, la!...’, A Mass of Life, part II: IV. ‘Heißer Mittag schläft auf den Fluren.’ –, A Mass of Life, part II: On the Mountains: Andante –, A Mass of Life, part II: V. ‘Gottes Weh ist tiefer...’ –, A Mass of Life, part II: VI. ‘Kommt. Laßt uns jetzt wandeln!’, Appalachia - Allegro alla marcia, Appalachia - Andante, Appalachia - Andante con grazia, Appalachia - Con moto, Appalachia - Lente sostenuto e tranquillo, Appalachia - Lento e molto tranquillo, Appalachia - Marcia : molto lento maestoso, Appalachia - Molto moderato, Appalachia - Poco piu vivo ma moderato, Koanga: La Calinda, Requiem: I. ‘Our days here are as one day...’ –, Requiem: II. ‘Hallelujah...’ –, Requiem: III. ‘My beloved whom I cherished was like a flower.’ –, Requiem: IV. ‘I honour the man who can love life...’ –, Requiem: V. ‘The snow lingers yet on the mountains...’, Sea Drift - O rising stars!, Sea Drift - Till of a sudden, Sea Drift: O I am very sick and sorrowful, Sea Drift: O rising stars!, Sea Drift: Once Paumanok, Sea Drift: Till of a sudden |
| Aux Field |
conductor |
A Symphony of Liberation: II, Brigg Fair, Carriage and Pair, Concerto for Orchestra: Allegro, Concerto for Orchestra: Allegro molto, Concerto for Orchestra: Largo, Mark of Cain (Extract), Praeludium for Brass, Bells and Percussion, Songs of Farewell: I. Double Chorus “How sweet the silent backward tracings!”, Songs of Farewell: II. Chorus “Stand as on some mighty eagle’s beak”, Songs of Farewell: III. Chorus “Passage to you! O secret of the earth and sky!”, Songs of Farewell: IV. Double Chorus “Joy, shipmate, joy!”, Songs of Farewell: V. Chorus “Now finalè to the shore”, Songs of Sunset: Chorus “A song of the setting sun!”, Songs of Sunset: Chorus “Pale amber sunlight falls”, Songs of Sunset: Chorus “See how the trees and the oisers lithe”, Songs of Sunset: Soli & Chorus “They are not long, the weeping and the laughter” (Mezzo-soprano, Baritone), Songs of Sunset: Soli “Cease smiling, Dear! a little while be sad” (Mezzo-soprano, Baritone), Songs of Sunset: Solo “By the sad waters of separation” (Baritone), Songs of Sunset: Solo “Exceeding sorrow Consumeth my sad heart!” (Mezzo-soprano), Songs of Sunset: Solo “I was not sorrowful, I could not weep” (Baritone), Symphony no. 1: I. Allegro vigoroso: quasi alla breve, Symphony no. 1: II. Adagio, Symphony no. 1: III. Presto, Symphony no. 1: IV. Allegro moderato ma con brio e più tarde con delicatezza, Symphony no. 2: Allegro Moderato (extract), Symphony no. 2: I, Symphony no. 3: Part 1. Allegro non troppo e pesante -, Symphony no. 3: Part 1. Lento, Symphony no. 3: Part 2. Allegro molto -, Symphony no. 5: I, The Young Persons Guide to the Orchestra: Theme, Touch Her Soft Lips and Part (from Henry V) |
| Kavon Salyer |
conductor |
Sospiri, op. 70, Sursum corda, op. 11, The Kingdom, op. 51: Jerusalem. Prelude. Allegro maestoso –, The Kingdom, op. 51: Part I “In the Upper Room”. Chorus: “O ye priests!”, The Kingdom, op. 51: Part I “In the Upper Room”. Peter, John, and the Disciples: “Thou, Lord, Which knowest the hearts of all men” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “He took bread, and blessed it” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “Where two or three are gathered together in My Name’ –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter:“Men and brethren” –, The Kingdom, op. 51: Part I “In the Upper Room”. Recitative. Chorus: “They gave forth their lots” –, The Kingdom, op. 51: Part I “In the Upper Room”. The Disciples and the Holy Women: “Seek first the Kingdom of God” –, The Kingdom, op. 51: Part II “At the Beautiful Gate”: The Morn of Pentecost 9 Mary and Mary Magdalene: “The singers are before the altar”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Repent, and be baptised every one of you”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Ye men of Judæa” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Mezzo-soprano: “And suddenly there came from heaven a sound...” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Tenor: “And when the day of Pentecost was fully come” –, The Kingdom, op. 51: Part III “Pentecost”: The Disciples: “When the great Lord will” –, The Kingdom, op. 51: Part III “Pentecost”: The People: “Behold, are not all these which speak, Galilæans?” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: John: “Unto you that fear His Name...” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mary: “The sun goeth down”, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mezzo-soprano: “The man that was lame” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “And as they spake” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “Then they that gladly received his word were baptised”’ –, The Kingdom, op. 51: Part V “The Upper Room”: All: “Our Father, Which art in Heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: John: “Ye have received the Spirit of adoption”, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Lord, Thou didst make the heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “The voice of joy is in the dwelling of the righteous” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Thou, Almighty Lord, hast given food and drink to mankind” – |
| Sir John Stainer |
conductor |
After this, Jesus knowing that all things, And as Moses lifted up the serpent in the wilderness, And one of the malefactors, And they came to a place named Gethsemane, And when they had come to the place called Calvary, For the Love of Jesus, God So Loved the World, He made Himself of no reputation, Is it nothing to you?, Jesus said: Father, forgive them, Litany of the Passion, Processional to Calvary, So Thou liftest Thy divine petition, The Adoration of the Crucified, The Agony, The Appeal of the Crucified, The Majesty of the Divine Humiliation, The Mystery of Intercession, The Mystery of the Divine Humiliation, When Jesus therefore saw His Mother |
| "Rural" Merle Hicks |
conductor |
Blithe Bells, Colonial Song, Country Gardens, English Dance, Fisher’s Boarding-House, Green Bushes, Harvest Hymn, In a Nutshell Suite: I. Arrival at Platform Humlet, In a Nutshell Suite: II. Gay But Wistful, In a Nutshell Suite: III. Pastoral, In a Nutshell Suite: IV. The Gum-Suckers March, Irish Tune From County Derry (extract), King Arthur Suite: Variations (Extract), Shepherd’s Hey, The Duke of Marlborough Fanfare, There Were Three Friends, Walking Tune, We Were Dreamers |
| Emiko Mizuki |
conductor |
Ancient Airs & Dances Suite III: Italiana, Ancient Airs and Dances, Suite I: I. Balletto detto "Il Conte Orlando", Ancient Airs and Dances, Suite I: II. Gagliarda, Ancient Airs and Dances, Suite I: III. Villanella, Ancient Airs and Dances, Suite I: IV. Passo mezzo e mascherada, Ancient Airs and Dances, Suite II: I. Laura soave - Balleto con gagliarda, saltarello e canario, Ancient Airs and Dances, Suite II: II. Danza rustica, Ancient Airs and Dances, Suite II: III. Campanae Parisienses - Aria, Ancient Airs and Dances, Suite II: IV. Bergamasca, Ancient Airs and Dances, Suite III: I. Italiana, Ancient Airs and Dances, Suite III: II. Arie di corte, Ancient Airs and Dances, Suite III: III. Siciliana, Ancient Airs and Dances, Suite III: IV. Passacaglia, Aria from Suite for Flute and String Orchestra no. 2, Berceuse for String Orchestra |
| The Siren Project |
conductor |
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
| 林秋明 |
conductor |
Airs de ballet d'Ascanio, Adagio et Variation: I. Poco adagio - Espressivo - Molto espressivo, Airs de ballet d'Ascanio, Adagio et Variation: II. Andantino, Concertino for Flute and Orchestra, op. 107, Concerto for Flute and Orchestra: I. Allegro, Concerto for Flute and Orchestra: II. Andante, Concerto for Flute and Orchestra: III. Allegro scherzando, Concerto for Flute and String Orchestra: I. Andante cantabile - II. Allegro scherzando, Concerto for Flute and String Orchestra: III. Largo, Concerto for Flute and String Orchestra: IV. Allegro risoluto, Suite de trois morceaux, op. 116: I. Allegretto, Suite de trois morceaux, op. 116: II. Idylle, Suite de trois morceaux, op. 116: III. Valse |
| Percy Grainger |
conductor |
Blithe Bells, Country Gardens, Early One Morning, English Dance, Green Bushes, Handel in the Strand, I'm Seventeen Come Sunday, Mock Morris, Shallow Brown, Shepherd's Hey!, The Immovable Do (The Cypheering C), There Was a Pig Went Out to Dig |
| Dylan Donkin |
conductor |
Apocalisse: I. Improperia, Apocalisse: II. La città celeste, Apocalisse: III. Gli angeli militanti, Improperia (Extract), Sebastian: Pavane, Suite from "Sebastian": I. Introduction, Suite from "Sebastian": II. Barcarolle, Suite from "Sebastian": III. Street Fight, Suite from "Sebastian": V. Sebastian's Dance, Suite from "Sebastian": VI. Cortège, Suite from "Sebastian": VI. Dance of the Wounded Courtesan, Suite from "Sebastian": VII. Pavane |
| Enders Game |
conductor, harpsichord |
A Little Christmas Music (Medley à la Mozart), Ding Dong! Merrily on High, Here We Come A-Wassailing, I Wonder as I Wander, It Came Upon a Midnight Clear, Patapan and Farandole, Stille Nacht, The Conventry Carol ("Lully, lulla"), The Gift (Simple Gifts), The Wexford Carol, We Wish You a Merry Christmas |
| Sir William Walton |
conductor |
Belshazzar’s Feast: And in that same hour, as they feasted, Belshazzar’s Feast: Babylon was a great city, Belshazzar’s Feast: By the waters of Babylon, Belshazzar’s Feast: If I forget thee, O Jerusalem, Belshazzar’s Feast: Praise ye the God of Gold, Belshazzar’s Feast: The trumpeters and pipers are silent, Belshazzar’s Feast: Then sing aloud to God our strength, Belshazzar’s Feast: Then sing aloud to God our strength (reprise), Belshazzar’s Feast: Thus in Babylon the mighty city, Belshazzar’s Feast: Thus spake Isiah |
| Marcus Ingberg |
conductor |
The Dream of Gerontius, op. 38: Part I. "I can no more;for now it comes again" (Gerontius), The Dream of Gerontius, op. 38: Part I. "Jesu, Maria - I am near to death" (Gerontius), The Dream of Gerontius, op. 38: Part I. "Novissima hora est" (Gerontius), The Dream of Gerontius, op. 38: Part I. "Rouse thee, my fainting soul" (Gerontius), The Dream of Gerontius, op. 38: Part I. "Sanctus fortis, Sanctus Deus" (Gerontius), The Dream of Gerontius, op. 38: Part II. "But hark! A grand mysterious harmony" (The Soul), The Dream of Gerontius, op. 38: Part II. "Take me away" (The Soul), The Dream of Gerontius, op. 38: Part II. "The sound is like the rushing of the wind" (The Soul), The Dream of Gerontius, op. 38: Part II. Introduction: "I went to sleep" (The Soul), The Dream of Gerontius: II. Take Me Away |
| Harriette Hamilton |
conductor |
Concerto for Harp and Orchestra, op. 25: I. Allegro giusto, Concerto for Harp and Orchestra, op. 25: II. Molto moderato, Concerto for Harp and Orchestra, op. 25: III. Liberamente capriccioso - Vivace, Concerto for Harp and Orchestra, op. 74: I. Allegro moderato, Concerto for Harp and Orchestra, op. 74: II. Tema con variazioni, Concerto for Harp and Orchestra, op. 74: III. Allegro giocoso, Lyra Angelica: I. Adagio, Lyra Angelica: II. Adagio, ma non troppo, Lyra Angelica: III. Moderato, Lyra Angelica: IV. Allegro jubiloso |
| Wilson |
conductor |
The Golden Goose, op. 45 no. 1: Jack and Princess embrace, The Golden Goose, op. 45 no. 1: Sound of drum and trumpets play, The Golden Goose, op. 45 no. 1: The Human Organ, The Golden Goose, op. 45 no. 1: The Mummers' Play, The Morning of the Year, op. 45 no. 2: Dance of Headman and Hobby-horse, The Morning of the Year, op. 45 no. 2: Dance of Maidens, The Morning of the Year, op. 45 no. 2: Dance of Youths, The Morning of the Year, op. 45 no. 2: Dance of the Youngest Couple, The Morning of the Year, op. 45 no. 2: I am that which men did make, The Morning of the Year, op. 45 no. 2: Mating Dance |
| Ricky Delano |
conductor |
Adelaide di Borgogna: Act I. Recitativo e cavatina "Soffri la tua sventura" (Ottone), Adelaide di Borgogna: Act II. Coro di soldati "Salve Italia un di regnante", Bianca e Falliero: Act II. Cavatina "Tu non sai qual colpo atroce" (Falliero), Il barbiere di Siviglia: Act I. Cavatina "Una voce poco fa" (Rosina), Il signor Bruschino: Scene 9. Recitativo ed aria "Ah, donate il caro sposo" (Sofia), L'italiana in Algeri: Act I. Coro e cavatina "Cruda sorte! Amor tiranno!" (Isabella), La Cenerentola: Act II. Coro, scena e rondò, finale "Nacqui all' affanno" (Cenerentola), La donna del lago: Act I. Scena e cavatina "Mura felici" (Malcolm), Otello: Act III. Cavatina "Assisa appie d'un salice" (Desdemona): Scene 1, Otello: Act III. Cavatina "Assisa appie d'un salice" (Desdemona): Scene 2 |
| Leoš Janáček |
conductor |
Glagolitic Mass: Agneče Božij (Agnus Dei), Glagolitic Mass: Gospodi pomiluj (Kyrie), Glagolitic Mass: Intrada, Glagolitic Mass: Intrada (exodus), Glagolitic Mass: Slava (Gloria), Glagolitic Mass: Svet (Sanctus), Glagolitic Mass: Varhany (organ solo), Glagolitic Mass: Vĕruju (Credo, Glagolitic Mass: Úvod (Introduction) |
| Funeral Whore |
conductor |
Mass in G minor: Agnus Dei, Mass in G minor: Benedictus / Osanna II, Mass in G minor: Credo, Mass in G minor: Gloria, Mass in G minor: Kyrie, Mass in G minor: Sanctus / Osanna I, The Twenty Third Psalm, Valiant-for-truth |
| Walküren Quartett |
chorus master |
Joshua, Khovanshchina: Galitsin's Journey, Khovanshchina: Prelude, Oedipus in Athens: Chorus of People in the Temple, Salammbo: Chorus of Priestesses, Scherzo in B-Flat, The Destruction of Sennacherib, Triumphal March (The Capture of Kars) |
| Beat Billionaire |
conductor |
Planets 1 Mars, the Bringer of War, Planets 2 Venus, the Bringer of Peace, Planets 3 Mercury, the Winged Messenger, Planets 4 Jupiter, the Bringer of Jollity, Planets 5 Saturn, the Bringer of Old Age, Planets 6 Uranus, the Magician, Planets 7 Neptune, the Mystic |
| No Gravity |
conductor |
A Prayer, The Revenge: A Ballad of the Fleet, op. 24: But they sank his body with honour down. Allegretto maestoso – When a wind from the lands. Allegro moderato – Till it smote on their hulls. Più allegro e con fuoco – And the little Revenge herself went down. Molto moderato e tranquillo, The Revenge: A Ballad of the Fleet, op. 24: I. At Flores in the Azores. Allegro giusto e pesante – / II. Then spake Sir Richard Grenville – / III. So Lord Howard pass’d away. Un poco più lento – But Sir Richard bore in hand. Più lento e pesante –, The Revenge: A Ballad of the Fleet, op. 24: IV. He had only a hundred seamen. Andante sostenuto – "Shall we fight or shall we fly?…". Poco più mosso – And Sir Richard said again. Tempo I (Allegro giusto) –, The Revenge: A Ballad of the Fleet, op. 24: V. Sir Richard spoke and he laugh’d. Allegretto con moto – VI. Thousands of their soldiers look’d down – VII. And while now the great San Philip. Adagio molto – And the battle-thunder broke. Allegro con fuoco – VIII. But anon the great San Philip – IX. And the sun went down – Ship after ship, the whole night long. Allegro con fuoco – X. For he said: "Fight on! Fight on!". Con fuoco –, The Revenge: A Ballad of the Fleet, op. 24: XI. And the night went down. Allegro tranquillo ma con moto – And we had not fought them in vain. Più mosso – But Sir Richard cried in his English pride. Allegro giusto – XII. And the gunner said: "Ay, ay". Andante sostenuto – And the lion there lay dying. Adagio molto –, The Revenge: A Ballad of the Fleet, op. 24: XIII. And the stately Spanish men. Allegretto maestoso – But he rose upon their decks. Allegro giusto – "I have fought for Queen and Faith…". Molto maestoso – "…With a joyful spirit I Sir Richard Grenville die!". Più lento – XIV. And they stared at the dead – |
| Maurice Duruflé |
conductor |
Requiem: Domine Jesu Christe, Requiem: In Paradisum, Requiem: Introit-Kyrie, Requiem: Libera me, Requiem: Lux aeterna, Requiem: Pie Jesu, Requiem: Sanctus |
| Dominik Schurdak |
conductor |
Three Dances for Violin and Orchestra: I. Giocoso molto, Three Dances for Violin and Orchestra: II. Quasi lento, quieto, Three Dances for Violin and Orchestra: III. Molto allegro, Violin Concerto: I. Allegro ma non troppo, Violin Concerto: II. Allegretto e molto semplice, Violin Concerto: III. Allegro moderato alla marcia - Coda. Allegro e Pesante |
| Cody Walton |
conductor |
Concerto no. 1 in C minor for Piano and Orchestra, op. 4: I. Allegro moderato, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: II. Tranquillo, e quasi lento, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: III. Allegro moderato, e scherzando, Concerto no. 2 in C major for Piano and Orchestra, op. 39: I. Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: II. Poco lento, calmato - Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: III. Allegro assai - Giocoso - A tempo |
| Michał Pepol |
conductor |
Love Divine, All Loves Excelling, Mass: 'Princeps pacis': I. Kyrie, Mass: 'Princeps pacis': II. Gloria, Mass: 'Princeps pacis': III. Sanctus, Mass: 'Princeps pacis': IV. Benedictus, Mass: 'Princeps pacis': V. Agnus Dei |
| Edward Elgar |
conductor |
Sea Pictures, op. 37: I. Sea Slumber Song, Sea Pictures, op. 37: II. In Haven (Capri), Sea Pictures, op. 37: III. Sabbath Morning at Sea, Sea Pictures, op. 37: IV. Where Corals Lie, Sea Pictures, op. 37: V. The Swimmer, Vera Drake: Salut d'Amour, Op. 12 (Northern Sinfonia, feat. conductor: Richard Hickox) |
| Stardust Memories |
conductor |
Symphony no. 2, op. 69 "Sinfonia mistica": I. Sonnet, Symphony no. 2, op. 69 "Sinfonia mistica": II. Scherzo I, Symphony no. 2, op. 69 "Sinfonia mistica": III. Meditation, Symphony no. 2, op. 69 "Sinfonia mistica": IV. Elegy, Symphony no. 2, op. 69 "Sinfonia mistica": V. Scherzo II "Sic vita", Symphony no. 2, op. 69 "Sinfonia mistica": VI. Finale |
| Disarm |
conductor |
Six Gerard Manley Hopkins Poems: "No worst, there is none...", Six Gerard Manley Hopkins Poems: Hurrahing the Harvest, Six Gerard Manley Hopkins Poems: Peace, Six Gerard Manley Hopkins Poems: Pied Beauty, Six Gerard Manley Hopkins Poems: Spring and Fall, Six Gerard Manley Hopkins Poems: The Windhove |
| Brick Tamland |
conductor |
In Years Defaced: 1. To a Poet a Thousand Years Hence, In Years Defaced: 2. When I Set Out for Lyonnesse, In Years Defaced: 3. In Years Defaced, In Years Defaced: 4. Tall Nettles, In Years Defaced: 5. At a Lunar Eclipse, In Years Defaced: 6. Proud Songsters |
| Ludwig van Beethoven |
conductor |
Choral Part-Song for Solo Voice(s) & Instrument(s) "Elegischer Gesang" for 4 Voices with String Qrt or Piano, Op. 118, Pastoral Symphony: Shepherd's Thanksgiving (excerpt), Piano Concerto No. 5 in E flat major, op. 73 "Emperor", Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro |
| Jeat |
conductor |
The Cloud Messenger, Op. 30: I. Adagio, The Cloud Messenger, Op. 30: II. Allegro, The Cloud Messenger, Op. 30: III. Andante, The Cloud Messenger, Op. 30: IV. Moderato maestoso, senza, accelerando, The Cloud Messenger, Op. 30: V. Adagio - Moderato |
| Andy Zisakis |
conductor |
In Green Ways: I. Under the Greenwood Tree, In Green Ways: II. The Goat Paths, In Green Ways: III. Merry Margaret, In Green Ways: IV. Wanderer's Night Song, In Green Ways: V. On the Merry First of May |
| Scarpast |
conductor |
Adoration, H 57, Blow out, you bugles, H 132, Love went a-riding, H 115, Thy hand in mine, H 124, Where she lies asleep, H 114 |
| Maid of Ace |
conductor |
St Paul: Mache Dich Auf, Werde Licht!, Symphony no. 9, op. 140 "Sinfonia Sacra": "Almighty Lord we pray thee" (Chorale) -, Symphony no. 9, op. 140 "Sinfonia Sacra": "Crux fidelis" (Chorus) -, Symphony no. 9, op. 140 "Sinfonia Sacra": "Regina coeli" (Chorus) -, The Morning Watch, op. 55 |
| Павел Арский |
conductor |
The Dream of Gerontius, op. 38: Part II. "And now the threshold" (The Angel), The Dream of Gerontius, op. 38: Part II. "It is the restless panting of their being" (The Angel), The Dream of Gerontius, op. 38: Part II. "My work is done" (The Angel), The Dream of Gerontius, op. 38: Part II. "Praise to His Name!" (The Angel), The Dream of Gerontius, op. 38: Part II. "Softly and gently" (The Angel) |
| Graffenstaden |
conductor |
After-word, County Derry Air, I'm Seventeen Come Sunday, Marching Tune, Ye Banks and Braes o' Bonnie Doon |
| Ralf Rondell |
conductor |
Symphony No. 2 "Lobgesang": Choral "Nun danket alle Gott", Symphony No. 2 "Lobgesang": Chorus "Die Nacht ist vergangen", Symphony No. 2 "Lobgesang": Chorus "Ihr Völker, bringet her dem Herrn", Symphony No. 2 "Lobgesang": Chorus "Sagt es, die ihr erlöset seid" |
| Roaring Empyrean |
conductor |
Berceuse, H 9, Day after day, H 164i, Mantle of blue, H 131, Speak to me, my love!, H 164ii |
| J.J. Hrubovcak |
conductor |
Piano Concerto no. 1, Piano Concerto no. 2: I. Allegro, Piano Concerto no. 2: II. Andante, Piano Concerto no. 2: III. Allegro con fuoco |
| Meaux Green |
conductor |
Violin Concerto: I. Molto moderato, Violin Concerto: II. Vivace, Violin Concerto: III. Poco andante, Violin Concerto: IV. Allegro ma non troppo |
| Orphan Gypsy |
conductor |
Phantasm, Sinfonia concertante, op. 38: I. Fantasia. Lento con molto rubato - Allegro, Sinfonia concertante, op. 38: II. Saltarella. Allegro vivace, Sinfonia concertante, op. 38: III. Prelude and Fugue. Lento - ♩ = 56 |
| The Heart Locker Project |
conductor |
Concerto Leggiero: I. Allegro - Vivace - Andante sostenuto et espressivo, Concerto Leggiero: II. Andante - Largamente sempre - Molto largamente, Concerto Leggiero: III. Vivace |
| Laser Starsound Orchestra |
conductor |
Flute and Oboe Concerto in C major: I. Allegro spirituoso, Flute and Oboe Concerto in C major: II. Largo, Flute and Oboe Concerto in C major: III. Allegretto |
| Henry Purcell |
conductor |
Trumpet Sonata in D: I. Pomposo, Trumpet Sonata in D: II. Adagio, Trumpet Sonata in D: III. Presto |
| Helmut Eder |
conductor |
Oboe Concerto in C major, K 271k: I. Allegro aperto, Oboe Concerto in C major, K 271k: II. Adagio non troppo, Oboe Concerto in C major, K 271k: III. Rondo: Allegretto |
| Pravus Abyssus |
conductor |
The Hag, H 14, Two Songs of Robert Bridges: No. 1. I praise the tender flower, H 65a, Two Songs of Robert Bridges: No. 2. Thou didst delight my eyes, H 65b |
| Caesar Glomgold |
conductor |
The Dancers: Lose the Pain in the Snow, The Dancers: Roundelay, The Dancers: To the Wild Hills! |
| Andup |
conductor |
Cantata misericordium, op. 69: Chorus "Bono nunc animo es, viator" -, Cantata misericordium, op. 69: Chorus "En alter in conspectum venit" -, Cantata misericordium, op. 69: Chorus "Iesu parabola iam nobis fiat fabula" - |
| Alex Curtis |
conductor |
Ode to the Queen, op. 83: I. Sound forth celestial organs, Ode to the Queen, op. 83: II. Fair as unshaded light, Ode to the Queen, op. 83: III. Yet once again, let us our measures move |
| The People The Poet |
conductor |
Concerto for Small Orchestra and Solo Violin: I. Allegro, Concerto for Small Orchestra and Solo Violin: II. Molto sereno, Concerto for Small Orchestra and Solo Violin: III. Hornpipe Rondo. Allegro risoluto |
| Andrew Luce |
conductor |
Concerto for Organ, String Orchestra and Timpani, op. 58: I. Lament, Concerto for Organ, String Orchestra and Timpani, op. 58: II. Toccata, Concerto for Organ, String Orchestra and Timpani, op. 58: III. Chorale and Variations |
| Noam Sheriff |
conductor |
Flute and Harp Concerto in C major, K 299 (297c): I. Allegro, Flute and Harp Concerto in C major, K 299 (297c): II. Andantino, Flute and Harp Concerto in C major, K 299 (297c): III. Rondo: Allegro |
| N.R.G. Cell |
conductor |
The Dream of Gerontius, op. 38: Part II. "All hail, My child!" (The Angel, The Soul), The Dream of Gerontius, op. 38: Part II. "I see not those false spirits" (The Angel, The Soul), The Dream of Gerontius, op. 38: Part II. "They sing of they approaching agony" (The Angel, The Soul) |
| Felix Mendelssohn |
conductor |
Elijah, op. 70: Part II, no. 40. Recitative (Soprano), Elijah, op. 70: Part II, no. 41. Chorus / No. 41a. Quartet, Elijah, op. 70: Part II, no. 42. Chorus |
| Network Musical Ensemble |
conductor |
Concert champêtre for harpsichord & orchestra: I. Allegro molto, Concert champêtre for harpsichord & orchestra: II. Andante (Mouvement de sicillienne), Concert champêtre for harpsichord & orchestra: III. Finale_ Presto, très gai |
| Illit |
conductor |
Two Choruses: Harp Song of the Dane Women -, Two Choruses: Mariners' song |
| Sonic Love Affair |
conductor |
Magnificat, op. 36, The Dancers: Tarantella |
| Georges Bizet |
conductor |
Carmen: IV. A Deux Cuartos, Carmen: IV. Les Voici La Quadrille |
| Marek Czech |
conductor |
Aurora, Invocation |
| Zboned Zubon |
conductor |
There Was a Pig Went Out to Dig, Thou Gracious Power |
| Tagmond |
conductor |
I Am Goya, Requiem da camera: III. Con dignità |
| Mash |
conductor |
The Hymn of Jesus, Op. 37 "Prelude": Senza misura - Lento, The Hymn of Jesus, Op. 37 "The Hymn": Moderato maestoso |
| John Rutter |
conductor |
The Reluctant Dragon, The Wind in the Willows |
| Phil Bonnett |
conductor |
Concerto for Coloratura Soprano and Orchestra, op. 82: I. Andante, Concerto for Coloratura Soprano and Orchestra, op. 82: II. Allegro |
| Brooke Baxter |
conductor |
Grand Fantasia and Toccata, op. 38: I. Molto grave, Grand Fantasia and Toccata, op. 38: II. Allegro vigoroso |
| Sir Hubert Parry |
conductor |
Blest Pair of Sirens, I Was Glad |
| The Socks |
conductor |
Symphony no. 9, op. 140 "Sinfonia Sacra": "Now in the place where he was crucified" (Narrator) -, Symphony no. 9, op. 140 "Sinfonia Sacra": "Viri Galilaei" (Narrator) - |
| Off the Edge |
conductor |
Requiem da camera: II. Quasi senza misura, Requiem da camera: IV. Crotchet = about 66 |
| DJ Kalani |
conductor |
Symphony No. 2 "Lobgesang": Tenor Solo "Sagt es ... Er zählet unsre Tränen", Symphony No. 2 "Lobgesang": Tenor Solo "Stricke des Todes hatten uns umfagen" |
| Congi |
conductor |
Concerto for Oboe, String Orchestra and Harp: I. Andante e rubato -, Concerto for Oboe, String Orchestra and Harp: II. Vivace |
| Rough Hands |
conductor |
Symphony No. 9, 'Sinfonia Sacra', 'The Resurrection': Conclusion, Symphony no. 9, op. 140 "Sinfonia Sacra": Prelude |
| Wildebeest |
conductor |
Cantata misericordium, op. 69: Chorus "Beati misericordes" -, Cantata misericordium, op. 69: Chorus "Ecce, tertius apparet" |
| saftWerk |
conductor |
Fantasia for Cello and Orchestra, Threnody for Cello and Orchestra |
| DJ Nikolson |
conductor |
The Dream of Gerontius, op. 38: Part I. "Profociscere, anima Christiana" (The Priest), The Dream of Gerontius, op. 38: Part II. "Jesu! By that shuddering dread" (The Angel of the Agony) |
| Miroslav Bobek |
conductor |
Two Sea Chanties: I. Shenandoah, Two Sea Chanties: II. Stormy |
| Naðra |
conductor |
Te Deum laudamus |
| Mozes and the Firstborn |
conductor |
Neptune, the Mystic |
| Metal Detector |
conductor |
Oration (Concerto elegiaco) |
| Once We Killed |
conductor |
Symphony no. 9, op. 140 "Sinfonia Sacra": "And Jesus led them" (Narrator) - |
| Maxx Baer |
conductor |
Autumn Legend |
| B-Kuul |
conductor |
Handel in the Strand |
| Max Peters |
conductor |
The Pilgrim’s Progress: Act III, Scene 1. Vanity Fair. "Buy! What will ye buy!" (Chorus of Traders) |
| Politics of Ego |
conductor |
A Song of the Night, Op. 19, No. 1 |
| Marquardt Petersen |
conductor |
The Pilgrim’s Progress: Act IV, Scene 2. The Shepherds of the Delectable Mountains. "Who so dwelleth…" (First Shepherd) |
| Akir |
conductor |
The Pilgrim’s Progress: Act III, Scene 1. Vanity Fair. "I buy the truth!" (Pilgrim) |
| B Bob Combo |
conductor |
Symphony No. 2 "Lobgesang": Chorus "Alles, was Odem hat, lobe den herrn" |
| Rheingold Ensemble |
conductor |
Symphony No. 2 "Lobgesang": Soprano Duet & Chorus "Ich harrete des Herrrn" |
| MS13 |
conductor |
The Pilgrim’s Progress: Act IV, Scene 2. The Shepherds of the Delectable Mountains. "The Lord is my Shepherd" (Voice of a Bird) |
| LOR |
conductor |
The Pilgrim’s Progress: Prologue. Bunyan in Prison |
| Rob Hayes |
conductor |
Stabat Mater: Cujus animam |
| Booger |
conductor |
The Pilgrim’s Progress: Act I, Scene 2. The House Beautiful |
| SKP |
conductor |
The Pilgrim’s Progress: Act I. Nocturne (Intermezzo) |
| Kate Bush |
chorus master |
Hello Earth |
| Shakeb Hamdard |
conductor |
Symphony no. 3 "Pastoral": IV. Lento - Moderato maestoso - Animato - Poco più lento - Tempo I |
| Jānis Klīdzējs |
conductor |
Early One Morning |
| John Ross |
conductor |
The Pilgrim’s Progress: Act IV, Scene 1. The Pilgrim Meets Mr By-Ends |
| Invincible Record |
conductor |
The Pilgrim’s Progress: Act IV. Entr'acte |
| Imants Vanags |
conductor |
Six Dukes Went Afishin' |
| How are Blues |
conductor |
Shallow Brown |
| Steve Sxaks |
conductor |
Ave maris stella |
| Suck Em Dry |
conductor |
The Wandering Scholar, Op. 50: When boughs are green in April (Louis, Alison) |
| Naked Masks |
conductor |
Suite de ballet, Op. 10: III. Scène de nuit |
| Giuseppe Verdi |
conductor |
Macbeth: I. Che Faceste |
| Ted Ganung |
conductor |
Penguinski |
| Tenebreuz Clik |
conductor |
The Pilgrim’s Progress: Act IV, Scene 3. The Pilgrim Reaches the End of His Journey |
| George Gershwin |
conductor |
Rhapsody in Blue |
| Chris Galland |
conductor |
Prince Igor: II. Polovtsian Dances |
| The Quincey |
conductor |
Two Psalms, H 117: Psalm 148 |
| Franz Schubert |
conductor |
Mass in E-flat major, D. 950: III. Credo: Et incarnatus est |
| Ferdinand Pelzer |
conductor |
The Pilgrim’s Progress: Act I, Scene 1. The Pilgrim Meets Evangelist |
| Tomaso Giovanni Albinoni |
conductor |
Gallipoli: Adagio for organ and strings |
| Torben Zeller |
conductor |
Anchor Song |
| Christian Biadacz |
conductor |
Two Psalms, H 117: Psalm 86 |
| We Die Tonight |
conductor |
War Requiem, op. 66: V. Agnus Dei |
| Ed Roppo |
conductor |
The Dancers: Gather for Festival |
| Classic Dream Orchestra |
conductor |
Pastoral Fantasia |
| WolveSpirit |
conductor |
Symphony no. 9, op. 140 "Sinfonia Sacra": "Peter went forth" (Narrator) - |
| Dr. Yow Yow |
conductor |
Symphony No. 2 "Lobgesang": Sinfonia |
| Alien |
conductor |
The Pilgrim’s Progress: Act II, Scene 1. The Arming of the Pilgrim |
| Zizanie |
conductor |
The Pilgrim’s Progress: Act II, Scene 2. The Pilgrim Meets Apollyon |
| Zła Wola |
conductor |
Lyric Movement for Viola and Small Orchestra |
| mk |
conductor |
The Dream of Gerontius, op. 38: Part II. "Thy judgement now is near" (The Angel, The Soul) |
| Dime |
conductor |
The Pilgrim’s Progress: Act III, Scene 2. The Pilgrim in Prison |
| Игорь Фёдорович Стравинский |
conductor |
Pulcinella: Serenata - Larghetto (feat. City of London Sinfonia, conductor: Richard Hickox, tenor: Martyn Hill) |
| Daughter's Fever |
conductor |
The Pilgrim’s Progress: Epilogue |
| Daniel Kellermann |
conductor |
Alma virgo |
| Alejandro Rayas |
conductor |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. (excerpt) |
| 曹德林 |
conductor |
Ballade for Flute, String Orchestra and Piano |
| Gustav Holst |
conductor |
The Perfect Fool, op. 39: Dance of Spirits of Fire. Allegro moderato - Andante |