Leonard Bernstein

conductor, piano, vocal, orchestrator, harpsichord, arranger, performer

Sample recordings

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Top collaborators

Artist name Roles Recordings
The Jimmy Wakely Trio
Marczis Attila
Ludwig van Beethoven
Christopher K. Koenigsberg
Airdrop (Electronic music producer)

Collaborators on this artist's recordings

Artist name Roles Recordings
London Symphony Orchestra performing orchestra Arias and Barcarolles: VII. Mr and Mrs Webb Say Goodnight, Candide - Overture, Candide: Act I, No. 10. Candide Begins His Travels / Act I, No. 10a. It Must Be Me, Candide: Act I, No. 11. The Paris Waltz, Candide: Act I, No. 13. You Were Dead, You Know, Candide: Act I, No. 15. Quartet Finale, Candide: Act I, No. 1a. Westphalia Chorale, Candide: Act I, No. 2. Life Is Happiness Indeed, Candide: Act I, No. 3. The Best of All Possible Worlds, Candide: Act I, No. 3a. Universal Good, Candide: Act I, No. 4. Oh, Happy We, Candide: Act I, No. 5. It Must Be So (Candide's Meditation), Candide: Act I, No. 6. Westphalia, Candide: Act I, No. 6a. Battle Music, Candide: Act I, No. 7. Candide's Lament, Candide: Act I, No. 8. Dear Boy, Candide: Act I, No. 9. Auto-da-fé, Candide: Act II, No. 16. Universal Good, Candide: Act II, No. 17. My Love (Governor's Serenade), Candide: Act II, No. 18. We Are Women (Polka), Candide: Act II, No. 19. The Pilgrims' Procession - Alleluia, Candide: Act II, No. 20. Quiet, Candide: Act II, No. 21. Introduction to Eldorado, Candide: Act II, No. 22. The Ballad of Eldorado, Candide: Act II, No. 23. Words, Words, Words (Martin's Laughing Song), Candide: Act II, No. 24. Bon Voyage, Candide: Act II, No. 25. The Kings' Barcarolle, Candide: Act II, No. 26. Money, Money, Money (Venice Gambling Scene), Candide: Act II, No. 27. What's the Use, Candide: Act II, No. 28. The Venice Gavotte, Candide: Act II, No. 29. Nothing More Than This, Candide: Act II, No. 30. Universal Good (Life Is Neither), Candide: Act II, No. 31. Make Our Garden Grow (Finale), Candide: Make Our Garden Grow, On the Town: "New York, New York" (Ozzie, Chip, Gabey), Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
New York Philharmonic performing orchestra Candide: Overture, Dybbuk Suite No.2: 1. The Messengers, Fancy Free, On the Town: Act I Finale: Times Square, On the Town: Dance: The Real Coney Island, On the Town: Dance: The Real Coney Island / Finale, On the Town: Gabey, the Great Lover, On the Town: Night Club Sequence: So Long Baby / I'm Blue / Ya Got Me, On the Town: Pas de deux: Lonely Town, On the Town: Pax de deux: Ivy and Gabey, On the Town: The Subway, On the Waterfront: Symphonic Suite, Symphonic Dances from West Side Story: ''Cool'' Fugue. Allegretto, Symphonic Dances from West Side Story: ''Somewhere.'' Adagio, Symphonic Dances from West Side Story: Cha-Cha (''Maria''). Andantino, Symphonic Dances from West Side Story: Finale. Adagio, Symphonic Dances from West Side Story: Mambo. Meno presto, Symphonic Dances from West Side Story: Meeting scene. Meno mosso, Symphonic Dances from West Side Story: Prologue. Allegro moderato, Symphonic Dances from West Side Story: Rumble. Molto allegro, Symphonic Dances from West Side Story: Scherzo. Vivace e leggiero, Symphonic Suite from On the Waterfront: A tempo, Symphonic Suite from On the Waterfront: Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima -, Symphonic Suite from On the Waterfront: Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso -, Symphonic Suite from On the Waterfront: Andante (with dignity) - Presto barbaro, Symphonic Suite from On the Waterfront: Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento -, Symphonic Suite from On the Waterfront: Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso -, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Prologue. Lento moderato, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Seven Ages. Variations 1-7, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Seven Stages. Variations 8-14, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Dirge. Largo, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Epilogue. L'istesso tempo - Adagio - Con moto, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Masque. Extremely Fast, West Side Story: Symphonic Dances
Eric Stern (conductor and arranger) conductor Auto-da-fe, Ballad of the New World, Best of All Possible Worlds, Bon Voyage, Candide's Lament, Eldorado, Entr'acte, Glitter and Be Gay, I Am Easily Assimilated, I Am Easily Assimilated (reprise), It Must Be So, Life Is Happiness Indeed, Make Our Garden Grow, My Love, Oh Happy We, Overture, Quartet Finale (to Act 1), Quiet, Sheep Song, The Governor's Waltz, The Old Lady's False Entrance, The Old Lady's Second False Entrance, What's the Use, You Were Dead You Know
Morris Stoloff conductor After Sermon, Blue Goon Blues, Blue Goon Blues – Whistle, Cab and Bedroom, Charley’s Death, Confession Scene, Dead Pigeons, Glove Scene, Glove Scene – Coda, Kangaroo Court, On the Waterfront – Main Title, On the Waterfront – Main Title (revised), Pigeons and Beer, Riot in Church, Roof 3, Roof Morning, Saloon Love, Scramble, The Accident, The Challenge and the Fight, Throwing the Gun, Walk and End Title, Waterfront Love Theme
The Columbia Pictures Orchestra performing orchestra After Sermon, Blue Goon Blues, Blue Goon Blues – Whistle, Cab and Bedroom, Charley’s Death, Confession Scene, Dead Pigeons, Glove Scene, Glove Scene – Coda, Kangaroo Court, On the Waterfront – Main Title, On the Waterfront – Main Title (revised), Pigeons and Beer, Riot in Church, Roof 3, Roof Morning, Saloon Love, Scramble, The Accident, The Challenge and the Fight, Throwing the Gun, Walk and End Title, Waterfront Love Theme
Michael Tilson Thomas conductor Arias and Barcarolles: VII. Mr and Mrs Webb Say Goodnight, Mass: A Simple Song, Mass: Pax: Communion ("Secret Songs"), On the Town: "New York, New York" (Ozzie, Chip, Gabey), On the Town: Luck to Be Me, On the Town: Some Other Time, On the Town: Subway Ride, On the Town: Ya Got Me, West Side Story: Cool, West Side Story: I Feel Pretty, West Side Story: One Hand, One Heart, West Side Story: Prologue, West Side Story: Something's Coming, West Side Story: Somewhere, West Side Story: Tonight (Balcony Scene)
Heinz Geese conductor Als ich dich sah, America, Blues, Boy, Boy, ruhig Blut, Hallo, Sergeant Krupke, Ich gefall' mir, Jet Song, Jump, Maria, Mein Herz schlägt nur für dich allein, Prolog, Promenade
Paul Biste orchestrator Als ich dich sah, America, Blues, Boy, Boy, ruhig Blut, Hallo, Sergeant Krupke, Ich gefall' mir, Jet Song, Jump, Maria, Mein Herz schlägt nur für dich allein, Prolog, Promenade
Großes Unterhaltungsorchester (des WDR) performing orchestra Als ich dich sah, America, Blues, Boy, Boy, ruhig Blut, Hallo, Sergeant Krupke, Ich gefall' mir, Jet Song, Jump, Maria, Mein Herz schlägt nur für dich allein, Prolog, Promenade
Columbia Wind Ensemble performing orchestra Trouble in Tahiti: Interlude. "Skid a lit day", Trouble in Tahiti: Prelude. "Daa/Doa Day" - "Mornin' sun", Trouble in Tahiti: Scene 1. "How could you say", Trouble in Tahiti: Scene 2. "Yes? Oh, Mister Partridge", Trouble in Tahiti: Scene 3. "I was standing in a garden", Trouble in Tahiti: Scene 3a. "Then desire took hold inside me", Trouble in Tahiti: Scene 4. "I'm on my way", Trouble in Tahiti: Scene 5. "There's a law", Trouble in Tahiti: Scene 6a. "There's a law", Trouble in Tahiti: Scene 7. "Evenin' shadows"
New York City Ballet Orchestra performing orchestra Dybbuk, Part I: The Children, Dybbuk, Part I: The Community, Dybbuk, Part I: The Fathers, Dybbuk, Part I: Witnesses of Birth, Dybbuk, Part II: Kabbalah: Six Variations, Dybbuk, Part III: Exorcism, Dybbuk, Part III: Leah, Dybbuk, Part III: Possession, Dybbuk, Part III: The Community, Dybbuk, Part III: Witnesses of Death
Lehman Engel conductor Wonderful Town: A Quiet Girl, Wonderful Town: Christopher Street, Wonderful Town: Conversation Piece, Wonderful Town: It's Love, Wonderful Town: My Darlin' Eileen, Wonderful Town: Ohio, Wonderful Town: One Hundred Easy Ways, Wonderful Town: Pass the Football, Wonderful Town: What a Waste
Australian Intervarsity Choral Festival Choir vocal Chichester Psalms: I, Chichester Psalms: II, Chichester Psalms: III, West Side Story: A boy like that, West Side Story: Something's coming, West Side Story: Tonight
José Carreras vocal Tonight (from "West Side Story"), West Side Story (Duet: Tonight), West Side Story: Balcony Scene: "Tonight" (Tony, Maria), West Side Story: Maria
"On the Town" Orchestra (Stage and Screen Orchestra) performing orchestra Symphonic Dances From "On the Town": Gatsby, the Great Lover, Symphonic Dances From "On the Town": Ivy and Gabey, Symphonic Dances From "On the Town": Lonely Town, Symphonic Dances From "On the Town": The Subway, Symphonic Dances From "On the Town": Times Square
Symphonieorchester des Bayerischen Rundfunks performing orchestra Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Scott Wise vocal On the Town: New York, New York / Sailors on the Town, On the Town: Some Other Time / New York, New York (reprise), On the Town: Ya Got Me, West Side Story: Cool
Deborah Sasson vocal West Side Story: I Feel Pretty, West Side Story: One Hand, One Heart, West Side Story: Somewhere, West Side Story: Tonight (Balcony Scene)
Peter Rubin vocal America, Boy, Boy, ruhig Blut, Jet Song, Maria
Peter Hofmann (German tenor/rock singer) vocal West Side Story: Cool, West Side Story: One Hand, One Heart, West Side Story: Something's Coming, West Side Story: Tonight (Balcony Scene)
Michael Kubala vocal On the Town: New York, New York / Sailors on the Town, On the Town: Some Other Time / New York, New York (reprise), On the Town: Ya Got Me
Wolfgang Anheisser vocal America, Hallo, Sergeant Krupke, Jet Song
Matthew Best (UK conductor, founder of Corydon Singers) conductor Chichester Psalms: Psalm 108, verse 2 - Psalm 100 (Maestoso ma energico), Chichester Psalms: Psalm 131 - Psalm 133, verse 1 (Prelude - Peacefully Flowing), Chichester Psalms: Psalm 23, verse 1-4 - Psalm 2, verses 1-4, Psalm 23, verses 5, 6 (Andante con moto, ma tranquillo)
Marni Nixon vocal A Boy Like That / I Have a Love, One Hand, One Heart, Somewhere (Finale)
Mark Brown (operatic baritone) vocal Trouble in Tahiti: Interlude. "Skid a lit day", Trouble in Tahiti: Prelude. "Daa/Doa Day" - "Mornin' sun", Trouble in Tahiti: Scene 7. "Evenin' shadows"
Kiri Te Kanawa vocal Tonight (from "West Side Story"), West Side Story: America, West Side Story: Balcony Scene: "Tonight" (Tony, Maria)
June Anderson performer, vocal Candide: Act I, No. 4. Oh, Happy We, Candide: Make Our Garden Grow, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Rachel Masters harp Chichester Psalms: Psalm 108, verse 2 - Psalm 100 (Maestoso ma energico), Chichester Psalms: Psalm 131 - Psalm 133, verse 1 (Prelude - Peacefully Flowing), Chichester Psalms: Psalm 23, verse 1-4 - Psalm 2, verses 1-4, Psalm 23, verses 5, 6 (Andante con moto, ma tranquillo)
Gary Kettel percussion Chichester Psalms: Psalm 108, verse 2 - Psalm 100 (Maestoso ma energico), Chichester Psalms: Psalm 131 - Psalm 133, verse 1 (Prelude - Peacefully Flowing), Chichester Psalms: Psalm 23, verse 1-4 - Psalm 2, verses 1-4, Psalm 23, verses 5, 6 (Andante con moto, ma tranquillo)
Carol Lawrence vocal A Boy Like That, I Have a Love, West Side Story: Somewhere
Dominic Martelli vocal Chichester Psalms: Psalm 108, verse 2 - Psalm 100 (Maestoso ma energico), Chichester Psalms: Psalm 131 - Psalm 133, verse 1 (Prelude - Peacefully Flowing), Chichester Psalms: Psalm 23, verse 1-4 - Psalm 2, verses 1-4, Psalm 23, verses 5, 6 (Andante con moto, ma tranquillo)
Thomas Trotter (organist) organ Chichester Psalms: Psalm 108, verse 2 - Psalm 100 (Maestoso ma energico), Chichester Psalms: Psalm 131 - Psalm 133, verse 1 (Prelude - Peacefully Flowing), Chichester Psalms: Psalm 23, verse 1-4 - Psalm 2, verses 1-4, Psalm 23, verses 5, 6 (Andante con moto, ma tranquillo)
Debbie Gravitte vocal On the Town: Some Other Time / New York, New York (reprise), On the Town: Ya Got Me, West Side Story: America
Antonia Butler (operatic soprano) vocal Trouble in Tahiti: Interlude. "Skid a lit day", Trouble in Tahiti: Prelude. "Daa/Doa Day" - "Mornin' sun", Trouble in Tahiti: Scene 7. "Evenin' shadows"
Barbara Cook vocal Candide: Act I. The Best of All Possible Worlds, Candide: Glitter & Be Gay, Candide: Oh, Happy We
Corydon Singers vocal Chichester Psalms: Psalm 108, verse 2 - Psalm 100 (Maestoso ma energico), Chichester Psalms: Psalm 131 - Psalm 133, verse 1 (Prelude - Peacefully Flowing), Chichester Psalms: Psalm 23, verse 1-4 - Psalm 2, verses 1-4, Psalm 23, verses 5, 6 (Andante con moto, ma tranquillo)
Michael Clarke (operatic tenor) vocal Trouble in Tahiti: Interlude. "Skid a lit day", Trouble in Tahiti: Prelude. "Daa/Doa Day" - "Mornin' sun", Trouble in Tahiti: Scene 7. "Evenin' shadows"
Julian Patrick (operatic baritone) vocal Trouble in Tahiti: Scene 5. "There's a law", Trouble in Tahiti: Scene 6a. "There's a law"
John Yap producer I Feel Pretty, Prologue and Jet Song
John Owen Edwards conductor I Feel Pretty, Prologue and Jet Song
National Symphony Orchestra (of London) performing orchestra I Feel Pretty, Prologue and Jet Song
John Kurlander (engineer) recording I Feel Pretty, Prologue and Jet Song
Jimmy Bryant (singer) vocal One Hand, One Heart, Somewhere (Finale)
Nancy Williams (operatic mezzo-soprano) vocal Trouble in Tahiti: Scene 3. "I was standing in a garden", Trouble in Tahiti: Scene 3a. "Then desire took hold inside me"
Jenaer Philharmonie performing orchestra On the Waterfront: Andante (With Dignity) - Presto Barbaro, West Side Story: Prolog - Allegro Moderato
Jacques Delacôte conductor Candide (Overture), West Side Story (Duet: Tonight)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) performer Tonight (from "West Side Story")
Ingeborg Hallstein vocal Als ich dich sah, Ich gefall' mir
Heinz Hoppe vocal Als ich dich sah, Mein Herz schlägt nur für dich allein
Wolfgang Kieling vocal Hallo, Sergeant Krupke, Jet Song
Frederica von Stade performer, vocal Arias and Barcarolles: VII. Mr and Mrs Webb Say Goodnight, Encore: 1600 Hundred Pennsylvania Avenue: Take Care of This House
Max Goberman conductor A Boy Like That, I Have a Love
Maureen McGovern performer, vocal "Glitter and Be Gay" (from Cadide), Glitter and Be Gay
Thomas Hampson vocal Arias and Barcarolles: VII. Mr and Mrs Webb Say Goodnight, On the Town: "New York, New York" (Ozzie, Chip, Gabey)
Della Jones (mezzo-soprano) vocal Candide: Act I, No. 3. The Best of All Possible Worlds, Candide: Act II, No. 31. Make Our Garden Grow (Finale)
Mary Ellen Stuart vocal On the Town: Some Other Time / New York, New York (reprise), On the Town: Ya Got Me
Russ Tamblyn vocal Gee, Officer Krupke!, Jet Song
David Montgomery (conductor) conductor On the Waterfront: Andante (With Dignity) - Presto Barbaro, West Side Story: Prolog - Allegro Moderato
Robert Rounseville vocal Candide: Act I. The Best of All Possible Worlds, Candide: Oh, Happy We
Robert La Fosse vocal On the Town: New York, New York / Sailors on the Town, On the Town: Some Other Time / New York, New York (reprise)
Berlin Trombone Quintet trombone Somewhere, Turkey Trot
Bert Michaels vocal Gee, Officer Krupke!, Jet Song
London Arts Orchestra (around in 1990's) performing orchestra Candide (Overture), West Side Story (Duet: Tonight)
התזמורת הפילהרמונית הישראלית performing orchestra The Age of Anxiety: The Masque, Tonight (from "West Side Story")
City of Prague Philharmonic Orchestra performing orchestra America, West Side Story: America
Christopher Ruck piano Cool (West Side Story), It's Love (Wonderful Town)
Chita Rivera vocal A Boy Like That, I Have a Love
Christophe Caballero vocal On the Town: Some Other Time / New York, New York (reprise), West Side Story: Somewhere
Chor des Bayerischen Rundfunks vocal Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Cantus (US vocal ensemble) vocal Somewhere
Columbia Symphony Orchestra performing orchestra Rhapsody in Blue
Brian Dean piano Jet Song (West Side Story)
Betty Wand vocal A Boy Like That / I Have a Love
Crouch End Festival Chorus vocal West Side Story: America
David Bean (actor) vocal Gee, Officer Krupke!
Barbara Yeager vocal West Side Story: America
David Lowenstein vocal On the Town: New York, New York / Sailors on the Town
Alexia Hess vocal On the Town: Some Other Time / New York, New York (reprise)
David Winters vocal Gee, Officer Krupke!
Alexander Bernstein vocal West Side Story: No. 4: The Dance at the Gym: Meeting Scene
Dorothy Benham vocal West Side Story: Somewhere
Elaine Wright vocal West Side Story: America
Erich Kunzel conductor Candide Overture
Eugene Ormandy conductor West Side Story: Somewhere
Geoffrey Simon conductor Candide - Overture
Gustavo Dudamel conductor "West Side Story" - Symphonic Dances: IV. Mambo
Helen Hobson vocal West Side Story: America
James Fitzpatrick producer West Side Story: America
James Levine (US conductor and pianist) conductor Glitter and Be Gay (Candide)
Jan-Hendrik Rootering vocal Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
John Reardon vocal On the Town: Lonely Town
John Williams (soundtrack composer & conductor) performer Make Our Garden Grow
Judy Kaye vocal Some Other Time
Katia Labèque piano America
Katia Ricciarelli vocal West Side Story (Duet: Tonight)
Kelly Patterson vocal On the Town: Some Other Time / New York, New York (reprise)
Kinderchor des Philharmonischen Chores Dresden vocal Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Klaus König (German tenor vocalist) vocal Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Kurt Ollmann vocal On the Town: "New York, New York" (Ozzie, Chip, Gabey)
Leontyne Price (soprano) vocal "Somewhere" from West Side Story
Louis Lane (American conductor) performer Times Square
Lukas Foss piano The Age of Anxiety: The Masque
Marielle Labèque piano America
Marty Paich conductor Prelude to Somewhere
Charlotte d'Amboise vocal West Side Story: America
Metropolitan Opera Orchestra performing orchestra Glitter and Be Gay (Candide)
Michael Barrett (conductor and pianist) piano Some Other Time
Michael Scott Gregory vocal On the Town: Some Other Time / New York, New York (reprise)
Miriam Němcová conductor America
Myleene Klass piano America
Nancy Hess (US singer/songwriter/producer) vocal West Side Story: America
Nicholas Warnford vocal Prologue and Jet Song
Nina Bernstein vocal West Side Story: No. 4: The Dance at the Gym: Meeting Scene
Orchestre de Paris performing orchestra Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Orquesta Sinfónica Simón Bolívar performing orchestra "West Side Story" - Symphonic Dances: IV. Mambo
Paul Bateman conductor West Side Story: America
Philharmonic Symphony (of Richard Hayman) performing orchestra West Side Story
Radio-Symphonieorchester Wien (previously ORF-Symphonieorchester) performing orchestra A Quiet Place: You're Late
Renée Fleming vocal Glitter and Be Gay (Candide)
Renée Stork vocal West Side Story: America
Richard Hayman conductor West Side Story
Richard Walters (Editor/compiler) piano A Quiet Girl (Wonderful Town)
Rochester Philharmonic Orchestra performing orchestra Candide Overture
Rochester Pops Orchestra performing orchestra West Side Story: America
Rosalind Russell vocal Wonderful Town: Ohio
Rundfunkchor Berlin vocal Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Sarah Walker (British mezzosoprano) vocal Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Staatskapelle Dresden performing orchestra Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Steven Blier piano Some Other Time
Tatiana Troyanos (mezzo-soprano) vocal West Side Story: America
The Boston Brass Ensemble instrument Candide: Glitter and Be Gay
The Broadway Kids vocal I Feel Pretty
The Philadelphia Orchestra performing orchestra West Side Story: Somewhere
Tinuke Olafimihan vocal I Feel Pretty
Tony Mordente vocal Gee, Officer Krupke!
Tucker Smith vocal Jet Song
William Sharp (baritone) vocal Some Other Time
Wolfgang Seeliger chorus master Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Симфонический оркестр Мариинского театра (Kirov Orchestra) performing orchestra Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
David Garrison vocal On the Town: "New York, New York" (Ozzie, Chip, Gabey)

Work on other artists' recordings

Artist name Roles Recordings
The Jimmy Wakely Trio conductor, piano Academic Festival Overture, op. 80, Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro, Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante], Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro, Der Rosenkavalier: Ah, du bist wieder da!, Der Rosenkavalier: Als Morgengabe - ganz separatim jedoch, Der Rosenkavalier: Bin glücklich über Massen, Der Rosenkavalier: Blamage! Mir auseinander meine Eh!, Der Rosenkavalier: Da geht er hin, Der Rosenkavalier: Da lieg' ich!, Der Rosenkavalier: Da und da und da und da!, Der Rosenkavalier: Di rigori armato il seno, Der Rosenkavalier: Die Zeit, die ist ein sonderbar Ding, Der Rosenkavalier: Eh bien Nun plander Sie uns eins, Der Rosenkavalier: Es is ja eh als eins es is ja eh als eins, Der Rosenkavalier: Haben Eurer Gnaden noch weitre Befehle, Der Rosenkavalier: Halt Oh weh was machen wir, Der Rosenkavalier: Hat Sie schon einmal mit einen Kavalier, Der Rosenkavalier: Herr Baron von Lerchenau!, Der Rosenkavalier: Herr Schwiegershon Wie ist Ihm denn, Der Rosenkavalier: I komm glei!, Der Rosenkavalier: Ich hab' ihn nicht einmal geküsst, Der Rosenkavalier: Ich kenn Ihn schon recht wohl, mon cousin!, Der Rosenkavalier: Ich werd' jetzt in die Kirchen geh'n, Der Rosenkavalier: In dieser feierlichen Stunde der Prüfung, Der Rosenkavalier: Introduktion, Der Rosenkavalier: Is gut Is gut Ein Schluck von was zu trinken, Der Rosenkavalier: Ist ein Traum, kann nicht wirklich sein, Der Rosenkavalier: Jetzt aber kommt mein Herr Zukünftiger, Der Rosenkavalier: Lass Er nur gut sein und verschwind Er auf eins zwei, Der Rosenkavalier: Leupold, wir geh'n!, Der Rosenkavalier: Marie Theres! - Octavian!, Der Rosenkavalier: Marie Theres'!, Der Rosenkavalier: Mein Gott, es war nicht mehr als eine Farce, Der Rosenkavalier: Mein lieber Hippolyte, Der Rosenkavalier: Mir ist die Ehre widerfahren, Der Rosenkavalier: Mord! Mord! Mein Blut! Zu Hilfe!, Der Rosenkavalier: Nein, Er agiert mir gar zu gut!, Der Rosenkavalier: Nein, nein, nein, nein! I trink' kein Wein, Der Rosenkavalier: Ohne mich ohne mich jeder Tag dir zu bang, Der Rosenkavalier: Quinquin, es ist mein Mann!, Der Rosenkavalier: Selbstverständlich empfangt mich Ihre Gnaden, Der Rosenkavalier: Sind desto ehr im Klaren, Der Rosenkavalier: Wie du warst! Wie du bist!, Der Rosenkavalier: Wird Sie das Mannsbild da heiraten, ma Cousine?..., Der Rosenkavalier: Zur Stelle! Was wird von mir gewünscht?, Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo, Fidelio, op. 72: Overture, Ouvertüre "Leonore III", Op. 72a, Ouvertüre zu "Coriolan", Op. 62, Ouvertüre zu "Die Geschöpfe des Prometheus" c-Moll, Op. 43, Ouvertüre zu "Fidelio", Op. 72b, Ouvertüre zu "König Stephan", Op. 117, Sinfonia concertante in B-flat major, Hob. I:105: I. Allegro, Sinfonia concertante in B-flat major, Hob. I:105: II. Andante, Sinfonia concertante in B-flat major, Hob. I:105: III. Allegro con spirito, String Quartet in F: Lento assai e cantate tranquillo, Symphonie No. 6 a-moll: III. Andante moderato, Symphonie No. 8 eis-moll: Erster teil: Hymus "Veni, creator spiritus": Ia. Allegro impetuoso "Veni, creator spiritus", Symphonie No. 8 eis-moll: Erster teil: Hymus "Veni, creator spiritus": Ib. A tempo. Etwas (abet unmerklich) gemäßigter; immer sehr fließend "Imple superna gratia", Symphonie No. 8 eis-moll: Erster teil: Hymus "Veni, creator spiritus": Ic. Tempo I. (Allegro impetuoso) "Infirma nostri corporis", Symphonie No. 8 eis-moll: Erster teil: Hymus "Veni, creator spiritus": Id. Tempo I. (Allegro, etwas hastig), Symphonie No. 8 eis-moll: Erster teil: Hymus "Veni, creator spiritus": Ie. Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend "Infirma nostra corporis", Symphonie No. 8 eis-moll: Erster teil: Hymus "Veni, creator spiritus": If. Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung "Accende lumen sensibus", Symphonie No. 8 eis-moll: Erster teil: Hymus "Veni, creator spiritus": Ig. "Veni creator spiritus", Symphonie No. 8 eis-moll: Erster teil: Hymus "Veni, creator spiritus": Ih. A tempo "Gloria sit Patri Domino", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio, Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato), Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIg. Molto leggiero "Jene Rosen aus den Händen", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIo. Mater gloriosa: "Komm! hebe dich zu hähern Sphären" "Blicket auf zum Retterblick alle reuig Zarten", Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis", Symphony No. 10 in F-sharp major (unfinished): I. Andante - Adagio, Symphony No. 10 in F-sharp minor: Ia. Adagio. Andante, Symphony No. 10 in F-sharp minor: Ib. Adagio. Andante come prima, Symphony No. 10 in F-sharp minor: Ic. Adagio. [ ], Symphony No. 10 in F-sharp minor: Id. Adagio. [ ], Symphony No. 10 in F-sharp minor: Ie. Adagio. Andante, Symphony No. 36 for Orchestra in C major, K. 425 "Linz": II. Andante, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - Allegro, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Presto, Symphony No. 39 for Orchestra in E-flat major, K. 543: I. Adagio - Allegro, Symphony No. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 for Orchestra in E-flat major, K. 543: III. Minuetto. Allegretto & Trio. Da capo, Symphony No. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony No. 41 in C major, K. 551 “Jupiter”: IV. Allegro molto, Symphony No. 6 A-moll: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony No. 6 A-moll: II. Scherzo. Wuchtig, Symphony No. 6 A-moll: III. Andante moderato, Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of Cheerful Feelings upon Arrival in the Country: Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastorale": III. Merry Gathering of Country Folk: Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Storm: Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XV. Sehr langsam. "Komm! hebe dich zu höhern Sphären", Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XVI. Hymnenartig (Ungefähr im selben Zeitmaß weiter) "Blicket auf zum Retterblick, alle reuig Zarten", Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca:, Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo: Molto vivace, Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo ma con brio, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro), Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia), Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo, Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace, Symphony no. 2 in C major, op. 61: III. Adagio espressivo, Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace, Symphony no. 2 in D major, op. 36: I. Adagio - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo (attacca), Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai - Tempo I, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio, Symphony no. 25 in G minor, K. 173dB/183: II. Andante, Symphony no. 25 in G minor, K. 173dB/183: III. Minuetto & Trio, Symphony no. 25 in G minor, K. 173dB/183: IV. Allegro, Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato, Symphony no. 29 in A major, K. 186a/201: II. Andante, Symphony no. 29 in A major, K. 186a/201: III. Minuetto & Trio, Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft, Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig, Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell, Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich - (quasi attacca:), Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": II. Andante, Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": III. Minuetto & Trio, Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto, Symphony no. 36 for Orchestra in C major, K. 425 "Linz": I. Adagio - allegro spiritoso, Symphony no. 36 for Orchestra in C major, K. 425 "Linz": III. Minuetto & Trio, Symphony no. 36 for Orchestra in C major, K. 425 "Linz": IV. Presto, Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso, Symphony no. 36 “Linz”: II. Andante, Symphony no. 36 “Linz”: III. Menuetto, Symphony no. 36 “Linz”: IV. Presto, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:), Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam - (attacca:), Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft - Trio - (attacca:), Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 40 in G minor, K. 550: 1. Molto allegro, Symphony no. 40 in G minor, K. 550: 2. Andante, Symphony no. 40 in G minor, K. 550: 3. Menuetto. Allegretto, Symphony no. 40 in G minor, K. 550: 4. Allegro assai, Symphony no. 41 in C major "Jupiter", K. 551: 1. Allegro vivace, Symphony no. 41 in C major "Jupiter", K. 551: 2. Andante cantabile, Symphony no. 41 in C major "Jupiter", K. 551: 3. Menuetto. Allegretto, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai, Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente -, Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto, Symphony no. 6 op. 54: I. Largo, Symphony no. 6 op. 54: II. Allegro, Symphony no. 6 op. 54: III. Presto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in C major, op. 105: (2 bars before) Vivace - Presto - Poco a poco rallentando all'Adagio - Largamente molto - Affettuoso - Tempo I, Symphony no. 7 in C major, op. 105: (5 bars before) Poco rallentando all'Adagio - Poco a poco meno lento all', Symphony no. 7 in C major, op. 105: Adagio -, Symphony no. 7 in C major, op. 105: Allegro molto moderato - Poco a poco meno moderato -, Symphony no. 7 in C major, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro, Symphony no. 88 in G major, Hob. I:88: II. Largo, Symphony no. 88 in G major, Hob. I:88: III. Menuetto: Allegretto, Symphony no. 88 in G major, Hob. I:88: IV. Finale: Allegretto con spirito, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. Presto, Symphony no. 9 in D minor: I. Feierlich, misterioso, Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell, Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 9 op. 70: I. Allegro, Symphony no. 9 op. 70: I. II. Moderato, Symphony no. 9 op. 70: I. III. Presto, Symphony no. 9 op. 70: I. IV. Largo, Symphony no. 9 op. 70: I. V. Allegretto, Symphony no. 92 in G major, Hob.I:92 "Oxford": I. Adagio - Allegro spiritoso, Symphony no. 92 in G major, Hob.I:92 "Oxford": II. Adagio, Symphony no. 92 in G major, Hob.I:92 "Oxford": III. Menuet. Allegretto, Symphony no. 92 in G major, Hob.I:92 "Oxford": IV. Finale. Presto, Symphony no. 94 in G major "Surprise": Menuet (Allegro molto - Trio - Menuet), Symphony no. 94 in G major, Hob. I:94 "Surprise" I. Adagio. Vivace assai, Symphony no. 94 in G major, Hob. I:94 "Surprise" II. Andante, Symphony no. 94 in G major, Hob. I:94 "Surprise" IV. Finale. Allegro di molto, Tragic Overture, op. 81, Variations on a Theme by Joseph Haydn, op. 56a
Marczis Attila conductor, piano A Musical Toast (1980): Allegro con brio, Candide: Overture, Capriccio italien, op. 45, Concerto for Orchestra 'Jubilee Games': 1. Free-Style Events: Allegro con brio, giocoso, Concerto for Orchestra 'Jubilee Games': Benediction: Moderato, invocando, Concerto for Orchestra 'Jubilee Games': Diaspora Dances: Vivace, Concerto for Orchestra 'Jubilee Games': Mixed Doubles: Theme and Seven Variations, Concerto for Piano and Orchestra no. 25 in C major, K. 503: I. Allegro maestoso, Concerto for Piano and Orchestra no. 25 in C major, K. 503: II. Andante, Concerto for Piano and Orchestra no. 25 in C major, K. 503: III. (Allegretto), Das Lied von der Erde: I. Das Trinklied vom jammer der Erde, Das Lied von der Erde: II. Der Einsame im Herbst, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: IV. Von der Schönheit, Das Lied von der Erde: V. Der Trunkene im Frühung, Das Lied von der Erde: VI. Der Abschied, Divertimento for Orchestra: I. Sennets and Tuckets, Divertimento for Orchestra: II. Waltz, Divertimento for Orchestra: III. Mazurka, Divertimento for Orchestra: IV. Samba, Divertimento for Orchestra: V. Turkey Trot, Divertimento for Orchestra: VI. Sphinxes, Divertimento for Orchestra: VII. Blues, Divertimento for Orchestra: VIII. March: The BSO Forever, Facsimile: Choreographic Essay for Orchestra, Fancy Free: Big Stuff (Blues), Fancy Free: I. Opening Dance, Fancy Free: II. Scene at the Bar, Fancy Free: III. Enter Two Girls, Fancy Free: IV. Pas de Deux, Fancy Free: V. Competition Scene, Fancy Free: VI. Variation I: Galop, Fancy Free: VI. Variation II: Waltz, Fancy Free: VI. Variation III: Danzon, Fancy Free: VII. Finale, Francesca da Rimini, Op. 32, Hamlet, op. 67, Kindertotenlieder No. 1: "Nun will die Sonn' so hell aufgeh'n!", Kindertotenlieder No. 2: "Nun seh' ich wohl, warum so dunkle Flammen", Kindertotenlieder No. 3: "Wenn dein Mütterlein", Kindertotenlieder No. 4: "Oft denk' ich, sie sind nur ausgegangen", Kindertotenlieder No. 5: "In diesem Wetter!", Kindertotenlieder: V. In diesem Wetter, in diesem Braus, Konzertmusik für Streichorchester und Blechbläser op. 50 - Erster Teil: I. Mäßig schnell, mit Kraft, Konzertmusik für Streichorchester und Blechbläser op. 50 - Erster Teil: II. Sehr breit, aber stets fließend, Konzertmusik für Streichorchester und Blechbläser op. 50 - Zweiter Tei: IV. Langsam, Konzertmusik für Streichorchester und Blechbläser op. 50 - Zweiter Tei: V. Im ersten Zeitmaß - Lebhaft, Konzertmusik für Streichorchester und Blechbläser op. 50 - Zweiter Teil: III. Lebhaft, L'Oiseau de feu, suite de 1919: Berceuse, L'Oiseau de feu, suite de 1919: Danse infernale du roi Kastcheï, L'Oiseau de feu, suite de 1919: Finale, L'Oiseau de feu, suite de 1919: Introduction, L'Oiseau de feu, suite de 1919: L'Oiseau de feu et sa danse, L'Oiseau de feu, suite de 1919: Ronde des princesses, L'Oiseau de feu, suite de 1919: Variation de l'oiseau de feu, Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage), Le Sacre du printemps: Partie I. Cortège du Sage, Le Sacre du printemps: Partie I. Danse de la Terre, Le Sacre du printemps: Partie I. Introduction, Le Sacre du printemps: Partie I. Jeu du rapt, Le Sacre du printemps: Partie I. Jeux des cités rivales, Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes), Le Sacre du printemps: Partie I. Rondes printanières, Le Sacre du printemps: Partie II. Action rituelle des ancêtres, Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes, Le Sacre du printemps: Partie II. Danse sacrale (L'élue), Le Sacre du printemps: Partie II. Glorification de l'élue, Le Sacre du printemps: Partie II. Introduction, Le Sacre du printemps: Partie II. Évocation des ancêtres, Marche slave, op. 31, On the Town: Three Dance Episodes: I. "The Great Lover". Allegro pesante, On the Town: Three Dance Episodes: II. "Lonely Town". Pas de deux - Andante - Sostenuto, On the Town: Three Dance Episodes: III. "Times Square: 1944". Allegro, On the Waterfront, On the Waterfront: Love Theme, Ouverture solennelle 1812, op. 49: Largo – Andante – Allegro giusto – Largo – Allegro vivace, Ouvertüre "Die Hebriden" ("Die Fingalshöhle"), op. 26: Allegro moderato - Animato in tempo, Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato, Pulcinella Suite: II. Serenata: Larghetto, Pulcinella Suite: III. Scherzino / Allegro / Andantino, Pulcinella Suite: IV. Tarantella (88 bpm), Pulcinella Suite: V. Toccata: Allegro, Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato, Pulcinella Suite: VII. Vivo, Pulcinella Suite: VIII. Minuetto / Finale, Romeo and Juliet, Scènes de ballet: Apothéose, Scènes de ballet: Danses (Corps de ballet), Scènes de ballet: Introduction, Scènes de ballet: Pantomime, Scènes de ballet: Pas de deux, Scènes de ballet: Variation (Ballerine), Scènes de ballet: Variation (Danseur), Slava!, Slawische Tänze, op. 46: Nr. 1 in C-Dur: Presto, Slawische Tänze, op. 46: Nr. 3 in As-Dur: Poco allegro, Slawische Tänze, op. 46: Nr. 8 in g-Moll: Presto, Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro, Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso - Presto come prima), Symphonic Suite from On the Waterfront: III. Andante largamente - More Flowing - Lento, Symphonic Suite from On the Waterfront: IV. Moving forward - Largamente - Andante come prima, Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth, Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato, Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato - Poco più sostenuto, Symphonic Suite from On the Waterfront: VI. A tempo, Symphonic Suite from On the Waterfront: VI. A tempo (Poco più sostenuto), Symphonie "Mathis der Maler": I. Engelskonzert, Symphonie "Mathis der Maler": II. Grablegung, Symphonie "Mathis der Maler": III. Versuchung des Heiligen Antonius, Symphonie Nr. 9 e-Moll, op. 95 »Aus der Neuen Welt«: 1. Adagio – Allegro molto, Symphonie Nr. 9 e-Moll, op. 95 »Aus der Neuen Welt«: 3. Molto vivace, Symphonie Nr. 9 e-Moll, op. 95 »Aus der Neuen Welt«: 4. Allegro con fuoco, Symphonie no. 4, op. 90 "Italienische": I. Allegro vivace, Symphonie no. 4, op. 90 "Italienische": II. Andante con moto, Symphonie no. 4, op. 90 "Italienische": III. Con moto moderato, Symphonie no. 4, op. 90 "Italienische": IV. Saltarello. Presto, Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I.Allegro, Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. 'Turandot-Scherzo': Moderato - Lebhaft, Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino, Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch, Symphony in C: I. Moderato alla breve, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. Overture. Allegro, Symphony in Three Movements: II. Andante, Symphony in Three Movements: II. Interlude. L'istesso tempo, Symphony in Three Movements: III. Con moto, Symphony no. 1 "Jeremiah": I. Prophecy. Largamente, Symphony no. 1 "Jeremiah": II. Profanation. Vivace con brio, Symphony no. 1 "Jeremiah": III. Lamentation. Lento, Symphony no. 2 "The Age of Anxiety": Part I. The Prologue. Lento moderato, Symphony no. 3 "Kaddish": Allegro, con gioia (Kaddish III), Symphony no. 3 "Kaddish": Din-Torah, Symphony no. 3 "Kaddish": Finale (Kaddish III), Symphony no. 3 "Kaddish": Invocation, Symphony no. 3 "Kaddish": Kaddish I, Symphony no. 3 "Kaddish": Kaddish II, Symphony no. 3 "Kaddish": Scherzo (Kaddish III), Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Symphony no. 5 in D minor, op. 107 "Reformation": I. Andante - Allegro con fuoco, Symphony no. 5 in D minor, op. 107 "Reformation": II. Allegro vivace, Symphony no. 5 in D minor, op. 107 "Reformation": III. Andante, Symphony no. 5 in D minor, op. 107 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco), The Firebird - Lullaby: Berceuse
Ludwig van Beethoven conductor Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline), Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino), Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco), Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Armer Jaquino, ich war ihm sonst recht gut" (Marzelline), Fidelio, Op. 72: Act I, Scene I. "Höre, Fidelio!" (Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline), Fidelio, Op. 72: Act I, Scene I. "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore), Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust", Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) / No. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco) / No. 10d. Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) / No. 10e. / No. 10f., Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus), Fidelio, Op. 72: Act I, Scene II, No. 6. March, Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus), Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore), Fidelio, Op. 72: Act I, Scene II. "Drei Mann Schildwachen auf den Wall" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm" (Pizarro, Rocco), Fidelio, Op. 72: Act I, Scene II. "Marzelline!" - "Nein, ich will nicht ..." (Jaquino, Marzelline, Rocco, Leonore), Fidelio, Op. 72: Act II, Scene I, No. 11. Introduction "Gott! Welch Dunkel hier!" - Aria "In des Lebens Frühlingstagen", Fidelio, Op. 72: Act II, Scene I, No. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" - Duet "Nur hurtig fort, nur frisch gegraben", Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessem Welten", Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe! Doch er soll erst wissen" - "Vater Rocco! Der Herr Minister ist angekommen" - "Es schlägt der Rache Stunder", Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!", Fidelio, Op. 72: Act II, Scene I. "Alles ist bereit", Fidelio, Op. 72: Act II, Scene I. "Er erwacht", Fidelio, Op. 72: Act II, Scene II, No. 16. Finale "Heil sei dem Tag" - "Bestrafet sei der Bösewicht" - "O Gott! Welch ein Augenblick!" - "Wer ein holdes Weib errungen", Fidelio, Op. 72: Act II. Overture "Leonore III", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem, Overture, op. 117 "King Stephen": Andante con moto - Presto, Overture, op. 72b "Fidelio": Allegro, Overture, op. 84 "Egmont": Sostenuto, ma non troppo - Allegro, Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo, Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato, Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile..., Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante, Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro, Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto, Quartet for Strings No. 16 in F major, Op. 135: II. Vivace, Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo, Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)...
Christopher K. Koenigsberg conductor Candide: Overture, Le Sacre du printemps: I. L'Adoration de la terre, Le Sacre du printemps: II. Le Sacrifice, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le Sage, Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ia. "Veni, Creator Spiritus!", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ib. "Imple superna gratia", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ic. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Id. Tempo I. (Allegro, etwas hastig.), Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ie. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! If. "Accende lumen sensibus", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ig. "Qui Paraclitus diceris", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ih. "Gloria Patri Domino", Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIa. Poco adagio, Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIb. Più mosso. (Allegro moderato), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIc. "Waldung, sie schwankt heran" (Heilige Anachoreten), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IId. "Ewiger Wonnebrand" (Pater Ecstaticus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIe. "Wie Felsenabgrund mir zu Füßen" (Pater Profundus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIf. "Gerettet ist das edle Glied" (Chor der Engel und Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIg. "Jene Rosen, aus den Händen" (Chor der jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIh. "Uns bleibt ein Erdenrest" (Die vollendeteren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIi. "Ich spür' soeben" (Die jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIj. "Hier ist die Aussicht frei" (Doctor Marianus) / "Freudig empfangen wir" (Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIk. "Höchste Herrscherin der Welt" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIl. "Jungfrau, rein im schänsten Sinne" (Doctor Marianus und Chor), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIm. Aussert langsam. Adagissimo., Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIn. "Dir, der Unberührbaren" (Chöre) / "Du schwebst zu Höhen" (Una Poenitentium und Chor der Büßerinnen), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIo. "Bei der Liebe, die den Fen" (Magna Peccatrix), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIp. "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIq. "Bei dem hochgeweigten Orte" (Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIr. "Die du grossen Sünderinnen" (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIs. "Neige, neige, du Ohnegleiche" (Una Poenitenium), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIt. "Er überwächst uns schon" (Selige Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIu. "Vom edlen Geisterchor umgeben" (Una Poenitentium (Gretchen)), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIv. "Komm! Hebe dich zu höhern Sphären!" (Mater Gloriosa), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIw. "Blicket auf zum Retterblick" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIx. "Alles Vergängliche" (Chorus Mysticus), Symphony no. 2 "Resurrection": I. Allegro maestoso, Symphony no. 2 "Resurrection": II. Andante moderato, Symphony no. 2 "Resurrection": III. Scherzo. In ruhig fließender Bewegung, Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 8 in E-flat major, "Symphony of a Thousand": I. Teil. Hymnus: "Veni, creator spiritus", Symphony no. 8 in E-flat major, "Symphony of a Thousand": II. Teil. Schlußszene aus Faust, The Rite of Spring: I. The Adoration of the Earth: I. Dance of the Earth, The Rite of Spring: I. The Adoration of the Earth: I. Games of the Rival Tribes, The Rite of Spring: I. The Adoration of the Earth: I. Introduction. Lento, The Rite of Spring: I. The Adoration of the Earth: I. Mock Abduction, The Rite of Spring: I. The Adoration of the Earth: I. Procession of the Wise Elder, The Rite of Spring: I. The Adoration of the Earth: I. Spring Round Dances, The Rite of Spring: I. The Adoration of the Earth: I. The Spring Divinations: Dances of the Young Girls, The Rite of Spring: II. The Sacrifice: I. Introduction. Largo, The Rite of Spring: II. The Sacrifice: II. Mystical Circles of the Young Girls, The Rite of Spring: II. The Sacrifice: III. Glorification of the Chosen Victim, The Rite of Spring: II. The Sacrifice: IV. Summoning of the Ancestors, The Rite of Spring: II. The Sacrifice: V. Ritual of the Ancestors, The Rite of Spring: II. The Sacrifice: VI. Sacrificial Dance (The Chosen Victim)
Airdrop conductor Die Schöpfung: Dritter Teil: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt, Die Schöpfung: Dritter Teil: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht, Die Schöpfung: Dritter Teil: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott, Die Schöpfung: Dritter Teil: XXX. Duett: Holde Gattin, dir zur Seite, Die Schöpfung: Dritter Teil: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort, Die Schöpfung: Dritter Teil: XXXII. Chor: Singt dem Herren alle Stimmen, Die Schöpfung: Erster Teil: Der Dritte Tag: IX. Arie: Nun beut die Flur das frische Grun, Die Schöpfung: Erster Teil: Der Dritte Tag: VI. Rezitativ: Und Gott sprach: Es sammle sich das Wasser, Die Schöpfung: Erster Teil: Der Dritte Tag: VII. Rollend in schäumenden Wellen, Die Schöpfung: Erster Teil: Der Dritte Tag: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor, Die Schöpfung: Erster Teil: Der Dritte Tag: X. Rezitativ: Und die himmlischen Heerscharen verkündigten, Die Schöpfung: Erster Teil: Der Dritte Tag: XI. Chor: Stimmt an die Saiten, Die Schöpfung: Erster Teil: Der Erste Tag: I. Die Vorstellung des Chaos, Die Schöpfung: Erster Teil: Der Erste Tag: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde, Die Schöpfung: Erster Teil: Der Erste Tag: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle, Die Schöpfung: Erster Teil: Der Vierte Tag: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels, Die Schöpfung: Erster Teil: Der Vierte Tag: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt, Die Schöpfung: Erster Teil: Der Vierte Tag: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes, Die Schöpfung: Erster Teil: Der Zweite Tag: IV. Accompagnato-Rezitativ: Und Gott machte das Firmament, Die Schöpfung: Erster Teil: Der Zweite Tag: V. Solo mit Chor: Mit staunen sieht das Wunderwerk, Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XIX. Terzett und Chor: In holder Anmut stehn, Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor, Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz, Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische, Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen, Die Schöpfung: Zweiter Teil: Der Sechste Tag: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe, Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß, Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXII. Arie: Nun scheint in vollem Glanze der Himmel, Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIII. Rezitativ: Und Gott schuf den Menschen, Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIV. Arie: Mit Würd' und Hoheit angetan, Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXV. Rezitativ: Und Gott sah jedes Ding, Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf, Exsultate, jubilate, KV165, Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna", Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Missa in tempore belli, Hob. XXII:9: Agnus Dei, Agnus Dei,qui tollis peccata mundi., Missa in tempore belli, Hob. XXII:9: Benedictus. Benedictus qui venit in nomine Domini, Missa in tempore belli, Hob. XXII:9: Credo. Crdo in unum Deum., Missa in tempore belli, Hob. XXII:9: Credo. Et incarnatus est., Missa in tempore belli, Hob. XXII:9: Credo. Et resurrexit tertia est., Missa in tempore belli, Hob. XXII:9: Credo. Et vitam venturi saeculi., Missa in tempore belli, Hob. XXII:9: Gloria. Gloria inexcelsis Deo, Missa in tempore belli, Hob. XXII:9: Gloria. Qui tollia peccata mundi., Missa in tempore belli, Hob. XXII:9: Gloria. Quoniam tu solus sanctus Cum Sanctus Spiritu, Missa in tempore belli, Hob. XXII:9: Kyrie., Missa in tempore belli, Hob. XXII:9: Sanctus. Sanctu, Sanctus, Sanctus Dominus.
Georges Bizet conductor Carmen: 'Entr'acte', Carmen: Acte 1 : « Attends un peu maintenant », Carmen: Acte 1 : « Dites-moi, brigadier ? », Carmen: Acte 1 : « Mais nous ne voyons pas la Carmencita », Carmen: Acte 1 : « Monsieur le brigadier ? » / No. 6 : Duo : « Parle-moi de ma mère ! », Carmen: Acte 1, No. 1 : Introduction : « Sur la place chacun passe », Carmen: Acte 1, No. 10 : Finale : « Le lieutenant ! Prenez garde !... L'amour est enfant de Bohème », Carmen: Acte 1, No. 2 : Marche et Chœur des gamins : « Allez, dépêchez-vous !... Avec la garde montante », Carmen: Acte 1, No. 3 : Chœur et Scène : « Voici la cloche qui sonne... La cloche a sonné », Carmen: Acte 1, No. 4 : Havanaise : « L'amour est un oiseau rebelle », Carmen: Acte 1, No. 5 : Scène : « Carmen, sur tes pas nous nous pressons tous », Carmen: Acte 1, No. 7 : Chœur : « Eh bien ! Qu'est-ce qui arrive ?... Au secours ! Au secours ! », Carmen: Acte 1, No. 9 : Chanson et duo : « Près des remparts de Seville », Carmen: Acte 1: « Eh bien, brigadier ? » / No. 8 : Chanson et mélodrame : « Tra la la la... », Carmen: Acte 2 : « Amoureuse... ce n'est pas une raison, cela » / No. 15 : Chanson : « Halte là! Qui va là ? » / « Ecoutez, le voilà », Carmen: Acte 2 : « Dis-moi ton nom », Carmen: Acte 2 : « Eh bien, les nouvelles ? », Carmen: Acte 2 : « La fleur que tu m'avais jetée », Carmen: Acte 2 : « Mon Dieu, messieurs, il commence à se faire tard », Carmen: Acte 2 : « Non, tu ne m'aimes pas ! », Carmen: Acte 2, No. 11 : Chanson : « Les tringles des sistres tintaient », Carmen: Acte 2, No. 12 : Chœur et Ensemble : « Vivat ! vivat le toréro ! », Carmen: Acte 2, No. 13 : Couplet: « Votre toast... je peux vous le rendre », Carmen: Acte 2, No. 13bis : Chœur : « Toréador, en garde », Carmen: Acte 2, No. 14 : Quintette : « Nous avons en tête une affaire », Carmen: Acte 2, No. 16 : Duo : « Je vais danser en votre honneur », Carmen: Acte 2, No. 17 : Finale : « Holà ! Carmen ! », Carmen: Acte 3 : « Carreau, pique... la mort !... En vain, pour éviter les réponses amères », Carmen: Acte 3 : « Holà, les belles ! », Carmen: Acte 3 : « Moi ? Je viens te chercher », Carmen: Acte 3 : « Parlez encore, parlez, mes belles », Carmen: Acte 3 : « Qui va là ? » / No. 22 : Duo : « Je suis Escamillo », Carmen: Acte 3 : « Voyons, Carmen... faisons la paix », Carmen: Acte 3, No. 18 : Introduction : « Écoute, compagnon, écoute... Notre métier est bon », Carmen: Acte 3, No. 19 : Trio : « Mêlons ! Coupons ! », Carmen: Acte 3, No. 20 : Morceau d'ensemble : « Quant au douanier, c'est notre affaire », Carmen: Acte 3, No. 21 : Air : « Je dis que rien ne m'épouvante », Carmen: Acte 3, No. 23 : Finale : « Holà, holà, José ! », Carmen: Acte 4 : « Carmen, un bon conseil », Carmen: Acte 4 : « Si tu m'aimes, Carmen », Carmen: Acte 4, No. 24 : Chœur : « A deux cuartos », Carmen: Acte 4, No. 25 : Chœur et Scène : « Les voici ! Voici la quadrille », Carmen: Acte 4, No. 26 : Duo final : « C'est toi ? » / « C'est moi ! », Carmen: Air 'Je dis que rien ne m'épouvante', Carmen: Air 'La fleur que tu m'avais jetée', Carmen: Choeur des gamins 'Avec la garde montante', Carmen: Entr'acte, Carmen: Finale 'Carmen, un no conseil', Carmen: Habanera, Carmen: Havanaise, Carmen: Intermezzo, Act III, Carmen: Trio: Mêlons! Coupons!
Gustav Mahler conductor, piano Der Tambourg'sell in D minor, Des Knaben Wunderhorn No. 10: Lob des hohen Verstandes, Des Knaben Wunderhorn No. 11: Urlicht, Des Knaben Wunderhorn No. 1: Der Schildwache Nachtlied, Des Knaben Wunderhorn No. 2: Verlorne Müh', Des Knaben Wunderhorn No. 3: Trost im Unglück, Des Knaben Wunderhorn No. 4: Wer hat das Liedlein erdacht?, Des Knaben Wunderhorn No. 5: Das irdische Leben, Des Knaben Wunderhorn No. 6: Des Antonius von Padua Fischpredigt, Des Knaben Wunderhorn No. 7: Rheinlegendchen, Des Knaben Wunderhorn No. 8: Lied des Verfolgten im Turm, Des Knaben Wunderhorn No. 9: Wo die schönen Trompeten blasen, Revelge, Sinfonie Nr. 5 cis-Moll, Symphony No. 2, "Resurrection": I.1 Allegro Maestoso, Symphony No. 2, "Resurrection": I.2 Im Tempo nachgeben, Symphony No. 2, "Resurrection": I.3 - Wie zu Anfang, Symphony No. 2, "Resurrection": I.4 Sehr mäßig und zurückhaltend, Symphony No. 2, "Resurrection": I.5 Schnell, Symphony No. 2, "Resurrection": I.6 a tempo subito. Molto più mosso, Symphony No. 2, "Resurrection": I.7 Tempo I, Symphony No. 2, "Resurrection": I.8 Tempo sostenuto, Symphony No. 2, "Resurrection": II.1 Andante moderato, Symphony No. 2, "Resurrection": II.2 Nicht eilen, Symphony No. 2, "Resurrection": II.3 In Tempo I zurückkehren, Symphony No. 2, "Resurrection": II.4 Energisch bewegt, Symphony No. 2, "Resurrection": II.5 - Wieder ins Tempo zurückgehen. Tempo I, Symphony No. 2, "Resurrection": III.1 In ruhig fließender Bewegung, Symphony No. 2, "Resurrection": III.2 Vorwärts, Symphony No. 2, "Resurrection": III.3 Zum Tempo I zurückkehren, Symphony No. 2, "Resurrection": III.4 - Unmerklich drängend, Symphony No. 2, "Resurrection": IV.1 "Urlicht" Sehr feierlich, aber schlicht "O Röschen rot!", Symphony No. 2, "Resurrection": IV.2 Etwas bewegter - "Da kam ich auf einen breiten Weg", Symphony No. 2, "Resurrection": V.1 Im Tempo des Scherzos. Wild herausfahrend, Symphony No. 2, "Resurrection": V.10 Sehr langsam und gedehnt, Symphony No. 2, "Resurrection": V.11 Langsam. Misterioso "Aufersteh’n, ja aufersteh’n wirst du", Symphony No. 2, "Resurrection": V.12 Langsam ppp "Wieder aufzublüh’n wirst du gesät", Symphony No. 2, "Resurrection": V.13 Etwas bewegter "O glaube, mein Herz, o glaube", Symphony No. 2, "Resurrection": V.14 Mit Aufschwung, aber nicht eilen - "O Schmerz! Du Alldurchdringer", Symphony No. 2, "Resurrection": V.2 Langsam, Symphony No. 2, "Resurrection": V.3 Im Anfang sehr zurückgehalten, Symphony No. 2, "Resurrection": V.4 - Wieder sehr breit, Symphony No. 2, "Resurrection": V.5 Wieder breit, Symphony No. 2, "Resurrection": V.6 - Maestoso - Allegro energico, Symphony No. 2, "Resurrection": V.7 Kräftig, Symphony No. 2, "Resurrection": V.8 - Wieder zurückhaltend, Symphony No. 2, "Resurrection": V.9 Langsam. Immer noch mehr zurückhaltend, Symphony No. 5 in C-sharp minor: Adagietto for Harp and Strings
Jesé Rodríguez conductor Symfonie no. 1 in D grote terts “Der Titan”, Symphonie No. 9 D-dur: IIIa. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphonie No. 9 D-dur: IIIb. Rondo-Burleske: L'istesso tempo, Symphonie No. 9 D-dur: IIIc. Rondo-Burleske: Sempre l'istesso tempo, Symphonie No. 9 D-dur: IIId. Rondo-Burleske: L'istesso tempo, Symphonie No. 9 D-dur: IIIe. Rondo-Burleske, Symphonie No. 9 D-dur: IIIf. Rondo-Burleske: (Klarinetteneinsatz), Symphonie No. 9 D-dur: IIIg. Rondo-Burleske: Tempo I. subito, Symphonie No. 9 D-dur: IIIh. Rondo-Burleske: Più stretto, Symphonie No. 9 D-dur: IIa. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphonie No. 9 D-dur: IIb. Poco più mosso subito (Tempo II.), Symphonie No. 9 D-dur: IIc. Tempo III., Symphonie No. 9 D-dur: IId. Tempo II., Symphonie No. 9 D-dur: IIe. Tempo I., Symphonie No. 9 D-dur: IIf. Tempo II., Symphonie No. 9 D-dur: IIg. Tempo I. subito, Symphonie No. 9 D-dur: IVa. Sehr langsam und noch zurückhaltend, Symphonie No. 9 D-dur: IVb. Plötzlich wieder sehr langsam (wie zu Anfang), Symphonie No. 9 D-dur: IVc. Molto adagio subito, Symphonie No. 9 D-dur: IVd. A tempo (Molto adagio), Symphonie No. 9 D-dur: IVe. Stets sehr gehalten, Symphonie No. 9 D-dur: IVf. Fließender, doch durchaus nicht eilend, Symphonie No. 9 D-dur: IVg. Tempo I. Molto adagio, Symphonie No. 9 D-dur: IVh. Adagissimo, Symphonie No. 9 D-dur: Ia. Andante comodo, Symphonie No. 9 D-dur: Ib. (Horneinsatz), Symphonie No. 9 D-dur: Ic. Bewegter, Symphonie No. 9 D-dur: Id., Symphonie No. 9 D-dur: Ie. Wie von Anfang, Symphonie No. 9 D-dur: If. Plötzlich bedeutend langsamer (Lento) und leise, Symphony no. 1 in D major, "Titan": I. Langsam. Schleppend, Symphony no. 1 in D major, "Titan": II. Kräftig bewegt, Symphony no. 1 in D major, "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major, "Titan": IV. Stürmisch bewegt, Symphony no. 4 in G major: I. Bedächtig, nicht eilen, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 8 in B minor "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio, Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
[dialogue] vocal "Don't be frightened. Mr. Gould is here.…", Leonard Bernstein Discusses Stravinsky and the Petrushka Ballet, Leonard Bernstein discusses Charles Ives, Leonard Bernstein talks about the first movement of Symphony No. 5: English, part 1 (left channel) / French, part 2 (right channel), Leonard Bernstein talks about the first movement of Symphony No. 5: English, part 2 (left channel) / Italian (right channel), Leonard Bernstein talks about the first movement of Symphony No. 5: German, part 1 (left channel), Leonard Bernstein talks about the first movement of Symphony No. 5: German, part 2 (left channel) / French, part 1 (right channel), Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement), Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement), Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement), Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work...", Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement), Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme), Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement), Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement), Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement), Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement), Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement), Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement), Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement), Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement), Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement), Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement), Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued), Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement), Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement), Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued), Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement), Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement), Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement), Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement), Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme), Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition...", Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement), Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work", Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement), Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued), Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement), Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)
Vincenzo Bellini conductor La sonnambula: Act I, Scene I. A fosco cielo, a notte bruna, La sonnambula: Act I, Scene I. Basta così. Ciascuno si attenga, La sonnambula: Act I, Scene I. Care compagne, La sonnambula: Act I, Scene I. Come noioso e lungo cammin... Vi ravviso, o luoghi ameni... È gentil, leggiadra molto, La sonnambula: Act I, Scene I. Come per me sereno... Sempre, o felice Amina, La sonnambula: Act I, Scene I. Contezza del paese, La sonnambula: Act I, Scene I. Domani, appena aggiorni, La sonnambula: Act I, Scene I. Elvino! E me tu lasci, La sonnambula: Act I, Scene I. Il più di tutti, o Amina, La sonnambula: Act I, Scene I. In Elvezia non v'ha rosa, La sonnambula: Act I, Scene I. Perdona, o mia diletta, La sonnambula: Act I, Scene I. Prendi: l'anel ti dono, La sonnambula: Act I, Scene I. Scritti nel ciel già  sono... Ah! vorrei trovar parole, La sonnambula: Act I, Scene I. Son geloso del zefiro errante, La sonnambula: Act I, Scene I. Sovra il sen la man mi posa, La sonnambula: Act I, Scene I. Viva! Viva Amina!... Tutto è gioia, tutto è festa, La sonnambula: Act I, Scene II. Che veggio?, La sonnambula: Act I, Scene II. D'un pensiero e d'un accento, La sonnambula: Act I, Scene II. Davver, non mi dispiace, La sonnambula: Act I, Scene II. Non più nozze, La sonnambula: Act I, Scene II. O ciel! che tento?, La sonnambula: Act I, Scene II. Osservate: l'uscio è aperto, La sonnambula: Act I, Scene II. È menzogna, La sonnambula: Act II, Scene I. Ah! perché non posso odiarti, La sonnambula: Act II, Scene I. Qui la selva è più folta ed ombrosa, La sonnambula: Act II, Scene I. Reggimi, o buona madre, La sonnambula: Act II, Scene I. Vedi, o madre... è afflitto e mesto, La sonnambula: Act II, Scene I. Viva il conte!, La sonnambula: Act II, Scene II. Ah! non credea mirarti, La sonnambula: Act II, Scene II. Ah! non giunge uman pensiero, La sonnambula: Act II, Scene II. De' lieti auguri, La sonnambula: Act II, Scene II. E fia pur vero, Elvino, La sonnambula: Act II, Scene II. Lasciami: aver compreso, La sonnambula: Act II, Scene II. Lisa! Mendace ach'essa!, La sonnambula: Act II, Scene II. No, più non reggo, La sonnambula: Act II, Scene II. Oh! se una volta sola, La sonnambula: Act II, Scene II. Signor Conte, agli occhi miei, La sonnambula: Act II, Scene II. Signor?... che creder deggio?
The Society Girls conductor Symphonie No. 9: IIIa. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphonie No. 9: IIIb. L'istesso tempo, Symphonie No. 9: IIIc. Sempre l'istesso tempo, Symphonie No. 9: IIId. L'istesso tempo, Symphonie No. 9: IIIe. [ ], Symphonie No. 9: IIIf. [ ], Symphonie No. 9: IIIg. Tempo I. subito, Symphonie No. 9: IIIh. Più stretto, Symphonie No. 9: IVa. Adagio. Sehr langsam und noch zurückhaltend, Symphonie No. 9: IVb. Plötzlich wieder sehr langsam (wie zu anfang), Symphonie No. 9: IVc. Molto adagio subito, Symphonie No. 9: IVd. A Tempo (Molto adagio), Symphonie No. 9: IVe. Stets sehr gehalten, Symphonie No. 9: IVf. Fließender, doch durchaus nicht eilend, Symphonie No. 9: IVg. Tempo I. Molto adagio, Symphonie No. 9: IVh. Adagissimo, Symphony No. 9: IIa. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: IIb. Poco più mosso subito (Tempo II.), Symphony No. 9: IIc. Tempo III., Symphony No. 9: IId. A Tempo II., Symphony No. 9: IIe. Tempo III., Symphony No. 9: IIf. Tempo I., Symphony No. 9: IIg. Tempo II., Symphony No. 9: IIh. Tempo I. subito, Symphony No. 9: Ia. Andante comodo, Symphony No. 9: Ib. Etwas frischer, Symphony No. 9: Ic. Tempo I. subito, Symphony No. 9: Id. Leidenschaftlich, Symphony No. 9: Ie. [ ], Symphony No. 9: If. Bewegter, Symphony No. 9: Ig. [ ], Symphony No. 9: Ih. Wie von Anfang, Symphony No. 9: Ii. Plötzlich bedeutend langsamer - (Lento) und leise, Symphony no. 9: I. Andante comodo, Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9: III. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend
Liudon Incorruptus conductor Enigma, op. 36: Andante, Enigma, op. 36: I. (C.A.E.): L'istesso tempo, Enigma, op. 36: II. (H.D.S.-P.): Allegro, Enigma, op. 36: III. (R.B.T.): Allegretto, Enigma, op. 36: IV. (W.M.B.): Allegro di molto, Enigma, op. 36: IX. (Nimrod): Adagio, Enigma, op. 36: V. (R.P.A.): Moderato, Enigma, op. 36: VI. (Ysobel): Andantino, Enigma, op. 36: VII. (Troyte): Presto, Enigma, op. 36: VIII. (W.N.): Allegretto, Enigma, op. 36: X. Intermezzo (Dorabella): Allegretto, Enigma, op. 36: XI. (G.R.S.): Allegro di molto, Enigma, op. 36: XII. (B.G.N.): Andante, Enigma, op. 36: XIII. Romanza (***): Moderato, Enigma, op. 36: XIV. Finale (E.D.U.): Allegro - Presto, Pomp and Circumstance March No.1, Pomp and Circumstance, op. 39, Military March no. 1 in D major, Pomp and Circumstance, op. 39: No. 1 in D major, Pomp and Circumstance, op. 39: No. 2 in A minor, The Crown of India, op. 66: March of the Mogul Emperors, Variations on an Original Theme "Enigma", op. 36: I. (C.A.E.) L'istesso tempo, Variations on an Original Theme "Enigma", op. 36: II. (H.D.S.-P.) Allegro, Variations on an Original Theme "Enigma", op. 36: III. (R.B.T.) Allegretto, Variations on an Original Theme "Enigma", op. 36: IV. (W.M.B.) Allegro di molto, Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod) Adagio, Variations on an Original Theme "Enigma", op. 36: V. (R.P.A.) Moderato, Variations on an Original Theme "Enigma", op. 36: VI. (Ysobel) Andantino, Variations on an Original Theme "Enigma", op. 36: VII. (Troyte) Presto, Variations on an Original Theme "Enigma", op. 36: VIII. (W.N.) Allegretto, Variations on an Original Theme "Enigma", op. 36: X. Intermezzo (Dorabella) Allegretto, Variations on an Original Theme "Enigma", op. 36: XI. (G.R.S.) Allegro di molto, Variations on an Original Theme "Enigma", op. 36: XII. (B.G.N.) Andante, Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***) Moderato, Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E.D.U.) Allegro - Presto, Variations on an Original Theme 'Enigma', op. 36: Enigma. Andante
Benjamin Britten conductor The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Fugue: Allegro molto (Full Orchestra), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation E: Brillante - alla polacca (Violins), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation F: Meno mosso (Violas), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation G (Cellos), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation H: Communinciando lento ma poco a poco accel. al Allegro(Double basses), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation I: Maestoso (Harp), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation J: L'istesso tempo (French Horns), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation K: Vivace (Trumpets), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation L: Allegro pomposo (Trombones & Tuba), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation M: Moderato (Percussion), The Young Person's Guide to the Orchestra, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 10 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 11 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 12 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 13 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 14 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 15 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 16 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 17 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 18 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 19 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 20 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 21 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 22 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 23 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 24 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 25 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 4 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 5 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 6 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 7 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 8 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 9 (New York Philharmonic feat. conductor: Leonard Bernstein)
Mellinium conductor Mass: I. Devotions before Mass: 1. Antiphon: Kyrie eleison, Mass: I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song", Mass: I. Devotions before Mass: 3. Responsory: Alleluia, Mass: II. First Introit (Rondo): 1. Prefatory Prayers, Mass: II. First Introit (Rondo): 2. Thrice-Triple Canon: Dominus vobiscum, Mass: III. Second Introit: 1. In nomine Patris, Mass: III. Second Introit: 2. Prayer for the Congregation (Chorale: "Almighty Father"), Mass: III. Second Introit: 3. Epiphany, Mass: IV. Confession: 1. Confiteor, Mass: IV. Confession: 2. Trope: "I Don't Know", Mass: IV. Confession: 3. Trope: "Easy", Mass: IX. Gospel-Sermon: "God Said", Mass: V. Meditation No. 1, Mass: VI. Gloria: 1. Gloria tibi, Mass: VI. Gloria: 2. Gloria in excelsis, Mass: VI. Gloria: 3. Trope: "Half of the People, Mass: VI. Gloria: 4. Trope: "Thank You", Mass: VII. Meditation No. 2, Mass: VIII. Epistle: "The Word of the Lord", Mass: X. Credo: 1. Credo in unum Deum, Mass: X. Credo: 2. Trope: "Non Credo", Mass: X. Credo: 3. Trope: "Hurry", Mass: X. Credo: 4. Trope: "World Without End", Mass: X. Credo: 5. Trope: "I Believe In God", Mass: XI. Meditation No. 3: (De profundis, part 1), Mass: XII. Offertory: (De profundis, part 2), Mass: XIII. The Lord's Prayer: 1. Our Father, Mass: XIII. The Lord's Prayer: 2. Trope: "I Go On", Mass: XIV. Sanctus: "Holy! Holy! Holy!...", Mass: XV. Agnus Dei, Mass: XVI. Fraction: "Things Get Broken", Mass: XVII. Pax: Communion: "Secret Songs"
Lee Konitz-Ohad Talmor String Project conductor Images pour orchestre: I. Gigues, Images pour orchestre: III. Rondes de printemps, Images pour orchestre: IIa. Ibéria: Par les rues et par les chemins, Images pour orchestre: IIb. Ibéria: Les parfums de la nuit, Images pour orchestre: IIc Ibéria: Le matin d'un jour de fête, La Mer: III. Dialogue du vent et de la mer, La bohème: Atto I. "Abbasso, abbasso l'autor!", La bohème: Atto I. "Pensier profondo", La bohème: Atto I. "Questo mar rosso mi ammolisce e assidera", La bohème: Atto I. "Si può?", La bohème: Atto II. "Allegri e un toast!", La bohème: Atto II. "Aranci, datteri! Caldi i marroni!", La bohème: Atto II. "Chi guardi?", La bohème: Atto II. "Il conto?!", La bohème: Atto II. "Quando men vo soletta per la via", La bohème: Atto II. "Questa è Mimì", La bohème: Atto II. "Viva Parpignol!", La bohème: Atto III. "Marcello. Finalmente!", La bohème: Atto III. "Mimì! - Speravo di trovarvi qui", La bohème: Atto III. "Ohè, là, le guardie!", La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria", La bohème: Atto IV. "C'è Mimì", La bohème: Atto IV. "Che ora sia?", La bohème: Atto IV. "Gavotta! - Minuetto!", La bohème: Atto IV. "In un coupé? - Con pariglia e livree", La bohème: Atto IV. "O Mimì, tu più non torni", La bohème: Atto IV. "Vecchia zimarra, senti", La mer: I. De l'aube à midi sur la mer, La mer: II. Jeux de vagues, Prélude à l'après-midi d'un faune
Игорь Фёдорович Стравинский conductor "Petrushka": DANSE RUSSE (Russian Dance), Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces, Les noces, Première partie: “La tresse”, Mass: Agnus Dei, Mass: Credo, Mass: Gloria, Mass: Kyrie, Mass: Sanctus, Petrushka: Scene I. Russian Dance, Petrushka: Scene I. The Charlatan's Booth (Rehersal no. 58), Petrushka: Scene I. The Shrove-tide Fair, Petrushka: Scene II. Petrushka's Room, Petrushka: Scene III. Dance of the Ballerina (Rehersal no. 134), Petrushka: Scene III. The Moor's Room, Petrushka: Scene III. Waltz. The Ballerina and Moor (Rehersal no. 140), Petrushka: Scene IV. Apparition of Petrushka's Double, Petrushka: Scene IV. Dance of the Coachmen and Grooms, Petrushka: Scene IV. Dance of the Wet Nurses, Petrushka: Scene IV. Death of Petrushka, Petrushka: Scene IV. The Bear and the Peasant, Petrushka: Scene IV. The Fight: The Moor and Petrushka, Petrushka: Scene IV. The Jovial Merchant with Two Gypsy Girls, Petrushka: Scene IV. The Masqueraders, Petrushka: Scene IV. The Police and the Charlatan, Petrushka: Scene IV. The Shrove-tide Fair (towards evening)
Big KOZ conductor, piano Concerto for Piano and Orchestra in G major: I. Allegramente, Concerto for Piano and Orchestra in G major: II. Adagio Assai, Concerto for Piano and Orchestra in G major: III. Presto, Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro, Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante], Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro, Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro, Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante, Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto, El Salón México, Fancy Free: I. Enter Three Sailors, Fancy Free: II. Scene at the Bar, Fancy Free: III. Enter Two Girls, Fancy Free: IV. Pas de deux, Fancy Free: IX. Finale, Fancy Free: V. Competition Scene, Fancy Free: VI. Variation 1, Fancy Free: VII. Variation 2, Fancy Free: VIII. Variation 3, Rhapsody in Blue, Symphony for Classical Orchestra: I. Adagio, Allegro, Symphony for Classical Orchestra: II. Adagietto, Symphony for Classical Orchestra: III. Scherzo, Symphony for Classical Orchestra: IV. Finale. Allegro Con Spirito, Time Cycle: Improvised Interlude no. 1, Time Cycle: Improvised Interlude no. 2, Time Cycle: Improvised Interlude no. 3
Youssef El Benzarti et Son Orchestra conductor Alborada del gracioso, Boléro, La Création du monde, Op.81, La Valse, Le Bœuf sur le toit, Op. 58, Le rouet d'omphale, Saudades do Brasil, Op.67: IX. Sumaré, Saudades do Brasil, Op.67: VII. Corcovado, Saudades do Brasil, Op.67: VIII. Tijuca, Saudades do Brasil, Op.67: XI. Larenjeiras, Saudades do Brasil, op. 67: Corcovado, Saudades do Brasil, op. 67: Larenjeiras, Saudades do Brasil, op. 67: Sumaré, Saudades do Brasil, op. 67: Tijuca, Symphonie en ré mineur: I. Lento - Allegro non troppo, Symphonie en ré mineur: II. Allegretto -, Symphonie en ré mineur: III. Allegro non troppo, Symphonie fantastique, op. 14: I. Rêveries - Passions, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat, Symphonie no. 3 en sol mineur, op. 42: I. Allegro vivo, Symphonie no. 3 en sol mineur, op. 42: II. Adagio, Symphonie no. 3 en sol mineur, op. 42: III. Vivace, Symphonie no. 3 en sol mineur, op. 42: IV. Allegro con spirito
Aaron Copland arranger, conductor Appalachian Spring: Allegro, Appalachian Spring: As At First (Slowly), Appalachian Spring: Doppio Movimento, Appalachian Spring: Fast, Appalachian Spring: Moderato, Appalachian Spring: Moderato- Coda, Appalachian Spring: Subito Allegro, Appalachian Spring: Very Slowly, Billy The Kid: Billy's Death, Billy The Kid: Celebration (After Billy's Capture), Billy The Kid: Gun Battle, Billy The Kid: Introduction. The Open Prairie, Billy The Kid: Mexican Dance And Finale, Billy The Kid: Prairie Night (Card Game At Night), Billy The Kid: Street In A Frontier Town, Billy The Kid: The Open Prairie Again, El Salón México, El salón México, Fanfare for the Common Man, Hoe-Down from Rodeo (Four Dance Episodes), Rodeo: I. Buckaroo Holiday. Allegro Con Spirito, Rodeo: II. Corral Nocturne. Moderato, Rodeo: III. Saturday Night Waltz. Introduction- Slow Waltz, Rodeo: IV. Hoe-Down. Allegro, Variations on a Shaker Tune from Appalachian Spring Ballet
Julian Maas conductor 4 Sea Interludes: I. Dawn. Lento e tranquillo, 4 Sea Interludes: II. Sunday Morning. Allegro spiritoso, 4 Sea Interludes: III. Moonlight. Andante comodo e rubato, 4 Sea Interludes: IV. Storm. Presto con fuoco, Eine Faust-Symphonie: I. Faust, Eine Faust-Symphonie: II. Gretchen, L'histoire du soldat: I. Soldier's March, L'histoire du soldat: II. Music for Scene 1, L'histoire du soldat: III. Royal March, L'histoire du soldat: IV. Music for Scene 2, L'histoire du soldat: IX. Great Chorale, L'histoire du soldat: V. Little Concert, L'histoire du soldat: VI. Three Dances: Ragtime, L'histoire du soldat: VI. Three Dances: Tango, L'histoire du soldat: VI. Three Dances: Waltz, L'histoire du soldat: VII. Little Chorale, L'histoire du soldat: VIII. The Devil's Dance, L'histoire du soldat: X. Triumphal March of the Devil, Octet for Wind Instruments: I. Sinfonia, Octet for Wind Instruments: II. Tema con Variazione, Octet for Wind Instruments: III. Finale, Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Twipz conductor, piano Adagio for Strings, op. 11/2, American Festival Overture, Appalachian Spring, Appalachian Spring (Var. on a Shaker Tune: Simple Gifts), Candide: Overture, Piano Prelude no. 2, Prelude for Piano No. 2, Rhapsody in Blue, Rhapsody in Blue: Andante and Finale, Symphonic Dances from "West Side Story": "Somewhere" (Adagio), Symphonic Dances from "West Side Story": Cha-Cha (Andantino con grazia), Symphonic Dances from "West Side Story": Cool Fugue (Allegretto), Symphonic Dances from "West Side Story": Finale (Adagio), Symphonic Dances from "West Side Story": Mambo (Presto), Symphonic Dances from "West Side Story": Meeting Scene (Meno mosso), Symphonic Dances from "West Side Story": Prologue, Symphonic Dances from "West Side Story": Prologue (Allegro moderato), Symphonic Dances from "West Side Story": Rumble (Molto allegro), Symphonic Dances from "West Side Story": Scherzo (Vivace leggiero), Symphonic Dances from West Side Story: Cool, Fugue, Symphonic Dances from West Side Story: Somewhere, West Side Story: IX. Finale, West Side Story: Symphonic Dances: Introduction ("Somewhere") and Scherzo
Richard Wagner conductor Act III of Lohengrin: Prelude, Tristan und Isolde: Act 3 Scene 1, Tristan und Isolde: Act2 Scene2 Tristan:So sturben wir, um ungetrennt, Tristan und Isolde: Act2 Scene3 Kurwenal: Rette dich, Tristan, Tristan und Isolde: Act2 Scene3 Marke: Tatest du's wirklich?, Tristan und Isolde: Act3 Scene1 Hirt: Kurwenal! He! Sag, Kurwenal!, Tristan und Isolde: Act3 Scene1 Tristan: Wo ich erwacht, weilt ich nicht, Tristan und Isolde: Brangane: Weh, ach wehe!, Tristan und Isolde: Hirt: Kurwenal! Hor!, Tristan und Isolde: Isolde: Der Mutter Rat gemahnt mich recht, Tristan und Isolde: Isolde: Horst du sie noch?, Tristan und Isolde: Isolde: Ich bin's, ich bin's, Tristan und Isolde: Isolde: Mild unde leise wie er lachelt, Tristan und Isolde: Isolde: Wie lachend sie mir, Tristan und Isolde: Kurwenal: Auf! Auf! Ihr Frauen!, Tristan und Isolde: Kurwenal: Der einst ich trotzt aus Treu, Tristan und Isolde: Seemann: Frisch weht der Wind der Heimat zu, Tristan und Isolde: Seemann: Westwarts schweift der Blick, Tristan und Isolde: Tristan: Begehrt, Herrin, was Ihr wunscht, Tristan und Isolde: Tristan: Isolde! Geliebte!, Tristan und Isolde: Tristan: O diese Sonne, Tristan und Isolde: Tristan: O sink hernieder, Tristan und Isolde: Vorspiel
Andy Pearce conductor Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro, Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo, Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia, Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace, Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante, Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto, Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco
Hector Berlioz conductor Harold in Italy, Op. 16: I. Harold in the Mountains, Harold in Italy, Op. 16: II. March of the Pilgrims, Harold in Italy, Op. 16: III. Serenade, Harold in Italy, Op. 16: IV. Orgy of the Brigands, La Mort de Cléopâtre, H. 36: Méditation. Allegro assai agitato - "Non !... non, de vos demeures" -, La Mort de Cléopâtre, H. 36: Méditation. Allegro non troppo - Recitativo misurato "Dieux du Nil", La Mort de Cléopâtre, H. 36: Méditation. Largo misterioso - "Grands Pharaons" -, La Mort de Cléopâtre, H. 36: Scena lirica. Allegro vivace con impeto -, La Mort de Cléopâtre, H. 36: Scena lirica. Lento cantabile - "Ah ! qu’ils sont loin ces jours" -, La Mort de Cléopâtre, H. 36: Scena lirica. Recitativo "Au comble des revers". Moderato -, La Mort de Cléopâtre, H. 36: Scena lirica. Recitativo: "C’en est donc fait !". Moderato -, Symphonie Fantastique, IV. March to the Scaffold, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphonie Fantastique, IV. March to the Scaffold, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphonie Fantastique, IV. March to the Scaffold, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphonie Fantastique, IV. March to the Scaffold, Part 4 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphony Fantastique, op. 14: Va. Songe d'une nuit du sabbat, Symphony Fantastique, op. 14: Vb. Dies Irae, Symphony Fantastique, op. 14: Vc. Rond du Sabbat, Symphony Fantastique, op. 14: Vd. Dies Irae et Ronde du Sabbat ensemble
Giuseppe Verdi conductor Aida: Act 1, Scene 2: Dance of the Priestesses. Allegretto, Aida: Act 2, Scene 1: Dance of the Blackamoors. Più mosso, Aida: Act 2, Scene 2: Ballet. Più mosso, Aida: Ballet Music, I. Requiem & Kyrie, II. Dies Irae: Dies Irae, Dies Illa, II. Dies Irae:Confutatis Maledictis, II. Dies Irae:Ingemisco Tamquam Reus, II. Dies Irae:Lacrymosa Dies Illa, II. Dies Irae:Liber Scriptus Proferetur, II. Dies Irae:Quid Sum Miser, II. Dies Irae:Recordare, Jesu Pie, II. Dies Irae:Rex Tremendae Majestatis, II. Dies Irae:Tuba Mirum Spargens Sonum, III. Offertorio, IV. Sanctus, V. Agnus Dei, VI. Lux Aeterna, VII. Libera Me
Jeriaska conductor, vocal, piano Concerto for Piano and Orchestra no. 2 in F major, op. 102: I . Allegro, Concerto for Piano and Orchestra no. 2 in F major, op. 102: II. Andante, Concerto for Piano and Orchestra no. 2 in F major, op. 102: III. Allegro, German Dance no. 8, K. 605, no. 3 "Sleigh Ride", Grande Valse from "Gaite Parisienne", Invitation to the Dance, Mambo from "The Westside Story", Peter and the Wolf, Piano Concerto no. 2 in F major, op. 102: II. Andante / III. Allegro, Polka from "The Age of Gold Ballet", The Carnival of the Animals: Hens and Cocks, The Carnival of the Animals: Introduction and Royal March of the Lion, The Carnival of the Animals: Mules, The Carnival of the Animals: Personages with Long Ears, The Carnival of the Animals: The Cuckoo in the Woods, The Carnival of the Animals: The Swan
Catherine Manoukian conductor Pétrouchka: Tableau I. Fête populaire de la semaine grasse, Pétrouchka: Tableau I. Le tour de passe-passe – Danse russe, Pétrouchka: Tableau II. Chez Petrouchka, Pétrouchka: Tableau III. Chez le Maure – Danse de la Ballerine, Pétrouchka: Tableau III. Valse: La Ballerine et le Maure, Pétrouchka: Tableau IV. Apparition du double de Petrouchka, Pétrouchka: Tableau IV. Danse des cochers et des palefreniers, Pétrouchka: Tableau IV. Danse des nounous, Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir), Pétrouchka: Tableau IV. L'ours et un paysan, Pétrouchka: Tableau IV. La police et le charlatan, Pétrouchka: Tableau IV. La rixe: Le Maure et Petrouchka, Pétrouchka: Tableau IV. Les déguisés, Pétrouchka: Tableau IV. Mort de Petrouchka, Pétrouchka: Tableau IV. Un marchand fêtard avec deux tziganes
Mr. Perfekk conductor Glagolitic Mass, JW 3/9: Agnus Dei, Glagolitic Mass, JW 3/9: Credo, Glagolitic Mass, JW 3/9: Gloria, Glagolitic Mass, JW 3/9: Intrada, Glagolitic Mass, JW 3/9: Introduction, Glagolitic Mass, JW 3/9: Kyrie, Glagolitic Mass, JW 3/9: Organ Solo, Glagolitic Mass, JW 3/9: Sanctus, Gloria, FP 177: I. Gloria, Gloria, FP 177: II. Laudamus te, Gloria, FP 177: III. Domine Deus, Gloria, FP 177: IV. Domine Fili unigenite, Gloria, FP 177: V. Domine Deus, Agnus Dei, Gloria, FP 177: VI. Qui sedes ad dexteram Patris, Messiah: Hallelujah Chorus
Mark Vickery conductor Kindertotenlieder: I. Nun will die Sonn' so hell aufgehn, Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, in diesem Braus, Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht, Lieder eines fahrenden Gesellen: II. Ging heut' morgen übers Feld, Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer, Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen, Rückert Lieder: I. Blicke mir nicht in die Lieder, Rückert Lieder: II. Ich atmet' einen linden Duft, Rückert Lieder: III. Ich bin der Welt abhanden gekommen, Rückert Lieder: IV. Um Mitternacht, Rückert Lieder: V. Liebst du um Schönheit
Пётр Ильич Чайковский conductor "Swan Lake": Act III. Hungarian Dance, "Swan Lake": Act III. Neapolitan Dance (feat. trumpet: William Vacchiano), Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato. Allegro, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, The Nutcracker, op. 71a (Ballet Suite): I. Ouverture miniature. Allegro giusto, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: a) Marche. Tempo di marcia viva, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: c) Danse Russe. Trépak. Tempo di trepak, molto vivace, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: d) Danse Arabe. Allegretto, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: e) Danse chinoise. Allegro moderato, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: f) Danse des Mirlitons. Moderato assai, The Nutcracker, op. 71a (Ballet Suite): III. Valse des fleurs. Tempo di valse
Hajo Lehmann piano I Hate Music!: Allegretto, Vivace, I Hate Music!: Con Brio, I Hate Music!: Moderato, I Hate Music!: Moderato, Alla marcia / Andante, I Hate Music!: Sostenuto / Allegro molto, La Bonne Cuisine: Civet à toute vitesse, La Bonne Cuisine: Plum Pudding, La Bonne Cuisine: Queues de bœuf, La Bonne Cuisine: Taveuk Gueunksis, Songs and Dances of Death: Lullaby, Songs and Dances of Death: Serenade, Songs and Dances of Death: The Field Marshal, Songs and Dances of Death: Trepak
Stinkweed conductor The Airborne Symphony: I. Ballad of History and Mythology, The Airborne Symphony: I. Kittyhawk, The Airborne Symphony: I. The Airborne, The Airborne Symphony: I. Theory of Flight, The Airborne Symphony: II. Ballad of Cities, The Airborne Symphony: II. Morning Poem, The Airborne Symphony: II. The Enemy, The Airborne Symphony: II. Threat and Approach, The Airborne Symphony: III. Ballad of Hurry-up, The Airborne Symphony: III. Chorus of the Rendezvous, The Airborne Symphony: III. Night Music. Ballad of the Bombardier, The Airborne Symphony: III. Recitative, The Airborne Symphony: III. The Open Sky
Chris Nappi conductor Concerto for Violin and Orchestra in D major: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major: II. Larghetto, Concerto for Violin and Orchestra in D major: III. Rondo. Allegro, Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto, Concerto for Violin and Orchestra: I. Andante – Allegro, Concerto for Violin and Orchestra: II. Allegro, Violin Concerto in D major, Op. 61: II. Larghetto / III. Rondo. Allegro, Violin Concerto no. 2: I. Allegro non troppo, Violin Concerto no. 2: II. Andante tranquillo, Violin Concerto no. 2: III. Allegro molto
Angela Muro conductor Songfest: I. To the Poem, Songfest: II. The Pennycandystore Beyond the El, Songfest: III. A Julia de Burgos, Songfest: IV. To What You Said, Songfest: IX. Music I Heard With You, Songfest: V. I, Too, Sing America, Songfest: VI. To My Dear and Loving Husband, Songfest: VII. Storyette H. M., Songfest: VIII. 'If You Can't Eat You Got To', Songfest: X. Zizi's Lament, Songfest: XI. What Lips My Lips Have Kissed..., Songfest: XII. Israfel
The Fawkes conductor, harpsichord Concerto no. 1 in E major, op. 8, RV 269, "La primavera" (Spring): I. Allegro, Concerto no. 1 in E major, op. 8, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre, Concerto no. 1 in E major, op. 8, RV 269, "La primavera" (Spring): III. Allegro Pastorale, Concerto no. 2 in G minor, op. 8, RV 315, "L'estate" (Summer): I. Allegro non molto - allegro, Concerto no. 2 in G minor, op. 8, RV 315, "L'estate" (Summer): II. Adagio e piano - Presto e forte, Concerto no. 2 in G minor, op. 8, RV 315, "L'estate" (Summer): III. Presto, Concerto no. 3 in F major, op. 8, RV 293, "L'autunno" (Autumn): I. Allegro, Concerto no. 3 in F major, op. 8, RV 293, "L'autunno" (Autumn): II. Adagio molto, Concerto no. 3 in F major, op. 8, RV 293, "L'autunno" (Autumn): III. Allegro, Concerto no. 4 in F minor, op. 8, RV 297, "L'inverno" (Winter): I. Allegro non molto, Concerto no. 4 in F minor, op. 8, RV 297, "L'inverno" (Winter): II. Largo, Concerto no. 4 in F minor, op. 8, RV 297, "L'inverno" (Winter): III. Allegro
Joseph Haydn conductor Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": I. "Kyrie", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIa. Credo: "Credo in unum Deum", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIb. Credo: "Et incarnatus est" - "Et resurrexit", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIa. Gloria: "Gloria in excelsis Deo", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIb. Gloria: "Gratias agimus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIc. Gloria: "Quoniam tu solus sanctus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IV. "Sanctus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": V. "Benedictus", Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": VI. "Agnus Dei"
Sabine Offermann conductor Poème for Violin and Orchestra, op. 25, Serenade: I. Phaedrus: Pausanias, Serenade: II. Aristophanes, Serenade: III. Eryximachus, Serenade: IV. Agathon, Serenade: V. Socrates, Tzigane: Rapsodie de concert pour violin et orchestre: I. Lento, quasi cadenza, Tzigane: Rapsodie de concert pour violin et orchestre: II. Moderato - Allegro
Tha Ninja conductor Symphony no. 1 in F minor, op. 10: 1. Allegretto - Allegro non troppo, Symphony no. 1 in F minor, op. 10: 2. Allegro, Symphony no. 1 in F minor, op. 10: 3. Lento - Largo, Symphony no. 1 in F minor, op. 10: 4. Allegro molto - Lento - Allegro molto - Adagio - Largo - Presto, Symphony no. 7 in C major "Leningrad", op. 60: 1. Allegretto, Symphony no. 7 in C major "Leningrad", op. 60: 2. Moderato (poco allegretto), Symphony no. 7 in C major "Leningrad", op. 60: 3. Adagio, Symphony no. 7 in C major "Leningrad", op. 60: 4. Allegro non troppo
VAXPOP conductor Requiem in D minor, K. 626: II. Kyrie, Requiem in D minor, K. 626: IIIa. Dies irae (Sequenz), Requiem in D minor, K. 626: IIIc. Rex tremendae (Sequenz), Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz), Requiem in D minor, K. 626: IIIf. Lacrimosa (Sequenz), Requiem in D minor, K. 626: IVb. Hostias (Offertorium), Requiem in D minor, K. 626: V. Sanctus, Requiem in D minor, K. 626: VII. Agnus Dei
Bedřich Smetana conductor The Moldau, Part 1 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 2 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 3 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 4 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 5 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 6 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 7 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein)
Larry Hagman conductor Concerto for Violin and Orchestra in D major, op. 77: Adagio, Concerto for Violin and Orchestra in D major, op. 77: Allegro giocoso, ma non troppo vivace, Concerto for Violin and Orchestra in D major, op. 77: Allegro non troppo, Concerto for Violin and Orchestra in D minor, op. 47: Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: Allegro, ma non tanto, Introduction and Rondo Capriccioso, for violin & orchestra in A minor, op. 28
Robert Hedemann conductor Concerto for Piano and Orchestra no. 3 in C minor, op.37: I. Allegro con brio, Concerto for Piano and Orchestra no. 3 in C minor, op.37: II. Largo, Concerto for Piano and Orchestra no. 3 in C minor, op.37: III. Rondo. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro, Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": I. Adagio
カスタマイZ conductor Morgen, Songs for Voice and Orchestra: Cäcilie, op. 27 no. 2, Songs for Voice and Orchestra: Ich liebe dich, op. 37 no. 2, Songs for Voice and Orchestra: Morgen, op. 27 no. 4, Songs for Voice and Orchestra: Wiegenlied, op. 41 no. 1, Songs for Voice and Orchestra: Zueignung, op. 10 no. 1, Zueignung
Fudo Kazuki conductor Des Knaben Wunderhorn: I. Der Schildwache Nachtlied, Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?, Des Knaben Wunderhorn: IV. Das irdische Leben, Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt, Des Knaben Wunderhorn: VIII. Rheinlegendchen, Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen, Des Knaben Wunderhorn: XIII. Urlicht
Chris Galland conductor Prince Igor: Act 2. Dance of the Polovtsian Maidens, Prince Igor: Act 2. Polovtsian Dance. Allegro, Prince Igor: Act 2. Polovtsian Dance. Allegro con spirito - Più animato, Prince Igor: Act 2. Polovtsian Dance. Allegro vivo, Prince Igor: Act 2. Polovtsian Dance. Introduzione. Andantino, Prince Igor: Act 2. Polovtsian Dance. Moderato alla breve, Prince Igor: Act 2. Polovtsian Dance. Presto
Dirk Ehlert piano Piano Quintet in E-flat, op. 44: I. Allegro brillante, Piano Quintet in E-flat, op. 44: II. In modo d'una marcia. Un poco largamente - agitato, Piano Quintet in E-flat, op. 44: III. Scherzo molto vivace - trio I - trio II - coda, Piano Quintet in E-flat, op. 44: IV. Allegro, ma non troppo, Quintet for Piano and Strings in E-flat major, Op. 44: I. Allegro brilliante, Quintet for Piano and Strings in E-flat major, op. 44: I. Allegro brillante
Сергей Сергеевич Прокофьев conductor Peter and the Wolf, op. 67, Peter and the Wolf: March & Finale, Scythian Suite: Night, Scythian Suite: The Adoration of Veles and Ala, Scythian Suite: The Enemy God and the Dance of the Black Spirits, Scythian Suite: The Glorious Departure of Lolli and the Procession of the Sun
E-Bang conductor Götterdämmerung: Final Scene (Immolation Scene), Wesendonck Lieder: I. Der Engel, Wesendonck Lieder: II. Stehe still!, Wesendonck Lieder: III. Im Treibhaus, Wesendonck Lieder: IV. Scherzen, Wesendonck Lieder: V. Träume
José Carreras conductor West Side Story: No. 3: Something's Coming, West Side Story: No. 5: Maria
Slugs conductor Concerto for Clarinet in A major, K. 622: II. Adagio, Prelude, Fugue & Riffs for clarinet & jazz ensemble, Prelude, Fugue, and Riffs: I. Prelude (for the Brass). Fast and exact, Prelude, Fugue, and Riffs: II. Fugue (for the Saxes). Exactly the same beat, Prelude, Fugue, and Riffs: III. Riffs (for Everyone)
NanDin conductor Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var 8-14, Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var. 1-7, Symphony no. 2 "The Age of Anxiety": Part II. The Dirge. Largo, Symphony no. 2 "The Age of Anxiety": Part II. The Epilogue. L'istesso tempo - Adagio - Andante - Con moto, Symphony no. 2 "The Age of Anxiety": Part II. The Masque. Extremly fast
Wolfgang Amadeus Mozart conductor, piano German Dance No. 8, K. 605, No. 3: Sleigh Ride, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: III. Rondo, Sonata for Two Pianos in D major, K. 448: Andante
Johannes Brahms conductor Hungarian Dance No. 5, Hungarian Dance No. 6, Symphony No. 3 in F Major, Op. 90, III, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphony No. 3 in F Major, Op. 90, III, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphony No. 3 in F Major, Op. 90, III, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein)
Andreas Ottensamer conductor Concerto for Piano, String Orchestra and Trumpet no. 1 in C minor, op. 35: I. Allegretto - Allegro vivace, Concerto for Piano, String Orchestra and Trumpet no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, String Orchestra and Trumpet no. 1 in C minor, op. 35: III. Moderato, Piano Concerto no. 1 in C minor, op. 35: IV. Allegro con brio, Piano Concerto no. 1, op. 35: II. Lento / III. Moderato / IV. Allegro con brio
Willie Humphrey conductor Des Knaben Wunderhorn: Das irdische Leben, Song of Songs: No. 1. Awake, O North Wind, Song of Songs: No. 2. Come, My Beloved, Song of Songs: No. 3. By Night on My Bed, Song of Songs: No. 4. Set Me as a Seal Upon Thine Heart
Jan Van Biesen conductor Concerto for Oboe in D minor RV454: II. Largo, Concerto for oboe in D minor RV454: I. Allegro, Concerto for oboe in D minor RV454: III. Allegro, To Thee Old Cause
Kai Laursen conductor West Side Story: No. 13: Ballet Sequence, West Side Story: No. 17: Finale, West Side Story: No. 6: Balcony Scene (Tonight), West Side Story: No. 9: One Hand, One Heart
C-Note conductor First Rhapsody: I. “Lassú”, First Rhapsody: II. “Friss”, Second Rhapsody: I. “Lassú”, Second Rhapsody: II. “Friss”
Holledauer Musikanten conductor Symphony no. 3 "Sinfonia Espansiva": I. Allegro espansivo, Symphony no. 3 "Sinfonia Espansiva": II. Andante pastorale, Symphony no. 3 "Sinfonia Espansiva": III. Allegretto un poco, Symphony no. 3 "Sinfonia Espansiva": IV. Finale: Allegro
WICKD conductor Dialogues for Jazz Combo & Orchestra: I. Allegro, Dialogues for Jazz Combo & Orchestra: II. Andante - Ballad, Dialogues for Jazz Combo & Orchestra: III. Adagio - Ballad, Dialogues for Jazz Combo & Orchestra: IV. Allegro - Blues
Heinz Baumeister conductor Piano Concerto no. 3 in D minor, op. 30 : III. Allegro ma non tanto (extract), Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio -, Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve
Info Gates conductor Symphony no. 5 in B flat major: I. Allegro, Symphony no. 5 in B flat major: II. Andante con moto, Symphony no. 5 in B flat major: III. Menuetto. Allegro molto - Trio, Symphony no. 5 in B flat major: IV. Allegro vivace
Mörbisch Festival Orchestra conductor Prelude, Fugue and Riffs, Prelude, Fugue and Riffs: I. Prelude for the Brass, Prelude, Fugue and Riffs: II. Fugue for the Saxes, Prelude, Fugue and Riffs: III. Riffs for Everyone
Jacques Offenbach conductor Can Can, Gaîté Parisienne: Cancan, Gaîté Parisienne: Grand Valse
Lovy Longomba conductor Daphnis et Chloé, Suite no. 2: I. Lever du jour, Daphnis et Chloé, Suite no. 2: II. Pantomime, Daphnis et Chloé, Suite no. 2: III. Danse generale
ONBC conductor Concerto for flute in C minor RV441: I. Allegro non molto, Concerto for flute in C minor RV441: II. Largo, Concerto for flute in C minor RV441: III. Allegro
HKI Crates conductor, harpsichord Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060: I. Allegro, Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060: II. Adagio, Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060: III. Allegro
Frank Oxley conductor Des Knaben Wunderhorn: III. Der Tamboursg'sell, Des Knaben Wunderhorn: IX. Lob des hohen Verstandes, Des Knaben Wunderhorn: VII. Revelge
Manny Crusto conductor Des Knaben Wunderhorn: V. Verlor'ne Müh', Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm, Des Knaben Wunderhorn: XII. Trost im Unglück
Sybilla Leuenberger orchestrator Finale, One Hand, One Heart, Tonight
Tantr Slangrr conductor, harpsichord Concerto for Violin and Orchestra no. 2 in E major, BWV 1042: I. Allegro, Concerto for Violin and Orchestra no. 2 in E major, BWV 1042: II. Adagio, Concerto for Violin and Orchestra no. 2 in E major, BWV 1042: III. Allegro assai
Curtis Cantwell Jackson conductor Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso, Konzert für Klavier und Orchester a-Moll, op. 54: II. Intermezzo. Andantino grazioso, attacca, Konzert für Klavier und Orchester a-Moll, op. 54: III. Allegro vivace
The Love Elektrik conductor Concerto for Violoncello and Orchestra in A minor, Op. 129: I. Nicht zu schnell, Concerto for Violoncello and Orchestra in A minor, Op. 129: II. Langsam, Concerto for Violoncello and Orchestra in A minor, Op. 129: III. Sehr lebhaft
Thomas Sassenroth conductor Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo, Concerto for Violin and Orchestra in D major, op. 77: II. Adagio, Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace
Lithium conductor Concerto for Clarinet - Rather fast, Concerto for Clarinet - Slowly & Expressively, Concerto for Clarinet and Orchestra, Op. 57
HIRIE conductor Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro, Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante, Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo
Maurice Ravel conductor "Dawn" from Daphnis et Chloe, Boléro, Sheherazade, II. La Flute enchantée
Da Kidd SP conductor Concerto for Two Pianos and Orchestra in D minor: I. Allegro ma non troppo, Concerto for Two Pianos and Orchestra in D minor: II. Larghetto, Concerto for Two Pianos and Orchestra in D minor: III. Finale. Allegro molto
Doubleface conductor Symphony for Organ and Orchestra: I. Prelude: Andante, Symphony for Organ and Orchestra: II. Scherzo: Allegro molto - Moderato, Symphony for Organ and Orchestra: III. Finale: Lento - Allegro moderato
Buckingham Palace conductor Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo - Piu animato - Tempo I
Moira Monsoon conductor Konzert für Violoncello und Orchester a-Moll, op. 129: I. Nicht zu schnell, Konzert für Violoncello und Orchester a-Moll, op. 129: II. Langsam, Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft
Jake the Break conductor Concerto for Piccolo, Strings and Basso Continuo in C major: I. Allegro, Concerto for Piccolo, Strings and Basso Continuo in C major: II. Largo, Concerto for Piccolo, Strings and Basso Continuo in C major: III. Allegro molto
Moudou Ould Mattalla conductor Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando
Pitti Weidenhof conductor Concerto for Flute and Orchestra: I. Allegro moderato, Concerto for Flute and Orchestra: II. Allegretto
El Bastón de la Vieja conductor Requiem in D minor, K. 626: I. Requiem (Introitus), Requiem in D minor, K. 626: VIII. Lux aeterna (Communio)
Larry Kert orchestrator Maria, Something’s Coming
Hertha Schell conductor Concerto for Piano and Orchestra: I. Andante sostenuto, Concerto for Piano and Orchestra: II. Molto moderato (molto rubato)
Edvard Grieg conductor Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Solvegs Lied
[unknown] arranger “Gott lebet noch” – Organ
Fire Tiger conductor Requiem in D minor, K. 626: IIIb. Tuba mirum (Sequenz), Requiem in D minor, K. 626: IIId. Recordare (Sequenz)
Модест Петрович Мусоргский conductor Dawn on the Moskva River from Khovantchina, Eine Nacht auf dem kahlen Berge
Hollywood Presbyterian Cathedral Choir orchestrator The Dance at the Gym, The Rumble
Mormon Tabernacle Choir conductor La Virgen lava pañales, Once in Royal David's City
George Gershwin conductor An American in Paris, Rhapsody in Blue
Termonlogy conductor Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II. Finale: Allegro, Fantasy for Piano, Chorus and Orchestra in C minor, op. 80
Matthias Morgenroth conductor Trouble in Tahiti: I Was Standing in a Garden, Trouble in Tahiti: Scene 6. "What a movie"
Suman & Joginder conductor Daphnis et Chloé Suite no. 2
이해인 conductor West Side Story: Tonight
風鳴弦十郎 orchestrator Prologue and Jet Song
ロキ・レーヴァテイン orchestrator Cool
Damian Andrzejczuk conductor West Side Story: No. 14: Gee, Officer Krupke!
Сергей Рахманинов conductor Rhapsody on a Theme of Paganini, Op. 43
Рейнгольд Морицевич Глиэр conductor "The Red Poppy": Russian Sailor's Dance
Daire Doyle conductor West Side Story: No. 2: Jet Song
Dubios conductor West Side Story: No. 12: I Feel Pretty
Дмитрий Дмитриевич Шостакович conductor The Age of Gold: Polka
poongalam subramaniam conductor O Come, All Ye Faithful
Eddie Venegas orchestrator Somewhere (Ballet)
Yngve Sköld conductor Requiem in D minor, K. 626: VI. Benedictus
Elaine Buultjens conductor West Side Story: No. 7: America
Elizabeth Tan conductor Requiem in D minor, K. 626: IVa. Domine Jesu (Offertorium)
Ermanno Wolf-Ferrari conductor Jewels of the Madonna: Intermezzo, Act III
The Sir Echoes conductor West Side Story: No. 15: A Boy Like That
The Mission Creeps conductor Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
EvenS conductor Danza Ungherese n. 5
The Gift conductor Allegro from String Serenade
DJ Taiki conductor Trouble in Tahiti: What a Movie
FRANKIE conductor Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile
Fatima Hajji conductor Holidays (Symphony): IV. Thanksgiving (Forefathers' Day)
Teddy conductor On the Town: New York, New York
Suzzy Roche and Lucy Wainwright Roche conductor Ballade for Piano and Orchestra, op.19
Sully Rivière conductor Quiet City for Cor Anglais, Trumpet and Strings
Fears conductor West Side Story: I Have a Love
Stella Millwood conductor West Side Story: No. 10: Tonight (Ensemble)
Ferdinand Hérold conductor Zampa Overture
Regal conductor West Side Story: No. 8: Cool
Carlos Padron orchestrator A Boy Like That / I Have a Love
Carl Maria von Weber conductor Oberon (Overture)
Razor Cunts conductor Fantasia on "Greensleeves"
Ray Niznik conductor Symphony no. 4 in G major: IV. Sehr behaglich
P.N.O. conductor Carmen: Prélude
Mike Eckroth orchestrator Tonight (Quintet)
Anton Bruckner conductor Symphony no. 9 in D minor: III. Adagio. Langsam, Feierlich
Gordon Schmidt conductor Eine Faust-Symphonie: III. Mephistopheles / Schlußchor "Alles Vergängliche ist nur ein Gleichnis"
Melaza orchestrator America
Mason Neely orchestrator I Feel Pretty
Graham Hyslop conductor Daphnis and Chloe Suite No. 2
Mario Natale conductor St. Louis Blues (Concerto Grosso)
Marilyn Horne conductor West Side Story: Somewhere
Manuel de Falla conductor Ritual Fire Dance from "El Amor Brujo"
Louis Armstrong conductor St. Louis Blues (Concerto Grosso)
Lobiano piano Dusty Sun
Jose “Bimbo” Cruz orchestrator Gee, Officer Krupke!
Jonny Jukebox conductor Halil (1981) Nocturne for Solo Flute, String Orchestra and Percussion
Jessye Norman conductor West Side Story: Somewhere
Jerry Hadley conductor La bohème: O Mimi, tu più non torni