| Dustin Beardsley |
performing orchestra |
Johannes-Passion, BWV 245: Teil I, I. Coro "Herr, unser Herrscher", Johannes-Passion, BWV 245: Teil I, III. Choral "O große Lieb", Johannes-Passion, BWV 245: Teil I, IIa. Recitativo "Jesus ging mit seinem Jüngern" (Evangelist, Jesus), Johannes-Passion, BWV 245: Teil I, IIb. Coro "Jesum von Nazareth", Johannes-Passion, BWV 245: Teil I, IIc. Recitativo "Jesus spricht zu ihnen" (Evangelist, Jesus), Johannes-Passion, BWV 245: Teil I, IId. Coro "Jesum von Nazareth", Johannes-Passion, BWV 245: Teil I, IIe. Recitativo "Jesus antwortete" (Evangelist, Jesus), Johannes-Passion, BWV 245: Teil I, IV. Recitativo "Auf daß das Wort erfüllet würde" (Evangelist, Jesus), Johannes-Passion, BWV 245: Teil I, IX. Aria (Soprano) "Ich folge dir gleichfalls", Johannes-Passion, BWV 245: Teil I, V. Choral "Dein Will gescheh, Herr Gott, zugleich", Johannes-Passion, BWV 245: Teil I, VI. Recitativo "Die Schar aber und der Oberhauptmann" (Evangelist), Johannes-Passion, BWV 245: Teil I, VII. Aria (Alto) "Von der Stricken meiner Sünden", Johannes-Passion, BWV 245: Teil I, VIII. Recitativo "Simon Petrus aber folgete Jesu nach" (Evangelist), Johannes-Passion, BWV 245: Teil I, X. Recitativo "Derselbige Jünger war dem Hohenpriester bekannt" (Evangelist, Magd, Petrus, Jesus, Diener), Johannes-Passion, BWV 245: Teil I, XI. Choral "Wer hat dich so geschlagen" (Evangelist), Johannes-Passion, BWV 245: Teil I, XIII. Aria (Tenore) "Ach, mein Sinn, wo willst du endlich hin", Johannes-Passion, BWV 245: Teil I, XIIa. Recitativo "Und Hannas sandte ihn gebunden", Johannes-Passion, BWV 245: Teil I, XIIb. Coro "Bist du nicht seiner Jünger einer?", Johannes-Passion, BWV 245: Teil I, XIIc. Recitativo "Er leugnete aber und sprach" (Evangelist, Petrus, Diener), Johannes-Passion, BWV 245: Teil I, XIV. Choral "Petrus, der nicht denkt zurück", Johannes-Passion, BWV 245: Teil II, XIX. Arioso (Basso) "Betrachte, mein Seel, mit ängstlichem Vergnügen", Johannes-Passion, BWV 245: Teil II, XL. Choral "Ach Herr, laß dein lieb Engelein", Johannes-Passion, BWV 245: Teil II, XV. Choral "Christus, der uns selig macht", Johannes-Passion, BWV 245: Teil II, XVII. Choral "Ach großer König, groß zu allen Zeiten", Johannes-Passion, BWV 245: Teil II, XVIIIa. Recitativo "Da sprach Pilatus zu ihm" (Evangelist, Pilatus, Jesus), Johannes-Passion, BWV 245: Teil II, XVIIIb. Coro "Nicht diesen, sondern Barrabam!", Johannes-Passion, BWV 245: Teil II, XVIIIc. Recitativo "Barrabas aber war ein Mörder" (Evangelist), Johannes-Passion, BWV 245: Teil II, XVIa. Recitativo "Da führeten sie Jesum von Kaiphas vor das Richthaus" (Evangelist, Jesus), Johannes-Passion, BWV 245: Teil II, XVIb. Coro "Wäre dieser nicht ein Übeltäter", Johannes-Passion, BWV 245: Teil II, XVIc. Recitativo "Da sprach Pilatus zu ihnen" (Evangelist, Pilatus), Johannes-Passion, BWV 245: Teil II, XVId. Coro "Wir dürfen niemand töten", Johannes-Passion, BWV 245: Teil II, XVIe. Recitativo "Auf dass erfüllet würde das Wort Jesu" (Evangelist, Pilatus, Jesus), Johannes-Passion, BWV 245: Teil II, XX. Aria (Tenore) "Erwäge, wie sein blutgefärbter Rücken", Johannes-Passion, BWV 245: Teil II, XXII. Choral "Durch dein Gefängnis, Gottes Sohn", Johannes-Passion, BWV 245: Teil II, XXIIIa. Recitativo "Die Juden aber schrieen und sprachen" (Evangelist), Johannes-Passion, BWV 245: Teil II, XXIIIb. Coro "Lässest du diesen los", Johannes-Passion, BWV 245: Teil II, XXIIIc. Recitativo "Da Pilatus das Wort hörete" (Evangelist, Pilatus), Johannes-Passion, BWV 245: Teil II, XXIIId. Coro "Weg, weg mit dem, kreuzige ihn!", Johannes-Passion, BWV 245: Teil II, XXIIIe. Recitativo "Spricht Pilatus zu ihnen" (Evangelist, Pilatus), Johannes-Passion, BWV 245: Teil II, XXIIIf. Coro "Wir haben keinen König denn den Kaiser", Johannes-Passion, BWV 245: Teil II, XXIIIg. Recitativo "Da überantwortete er ihn, dass er gekreuziget würde" (Evangelist), Johannes-Passion, BWV 245: Teil II, XXIV. Aria (Bass) e Coro "Eilt, ihr angefochtnen Seelen", Johannes-Passion, BWV 245: Teil II, XXIX. Recitativo "Und von Stund' an nahm sie der Jünger zu sich" (Evangelist, Jesus), Johannes-Passion, BWV 245: Teil II, XXIa. Recitativo "Und die Kriegsknechte flochten eine Krone von Dornen" (Evangelist), Johannes-Passion, BWV 245: Teil II, XXIb. Coro "Sei gegrüßet, lieber Jüdenkönig!", Johannes-Passion, BWV 245: Teil II, XXIc. Recitativo "Und gaben ihm Backenstreiche" (Evangelist, Pilatus), Johannes-Passion, BWV 245: Teil II, XXId. Coro "Kreuzige, kreuzige!", Johannes-Passion, BWV 245: Teil II, XXIe. Recitativo "Pilatus sprach zu ihnen" (Evangelist, Pilatus), Johannes-Passion, BWV 245: Teil II, XXIf. Coro "Wir haben ein Gesetz", Johannes-Passion, BWV 245: Teil II, XXIg. Recitativo "Da Pilatus das Wort hörete" (Evangelist, Pilatus, Jesus), Johannes-Passion, BWV 245: Teil II, XXVI. Choral "In meines Herzens Grunde", Johannes-Passion, BWV 245: Teil II, XXVIII. Choral "Er nahm alles wohl in acht", Johannes-Passion, BWV 245: Teil II, XXVIIa. Recitativo "Die Kriegsknechte aber, da sie Jesum gekreuziget hatten", Johannes-Passion, BWV 245: Teil II, XXVIIb. Coro "Lasset uns den nicht verteilen", Johannes-Passion, BWV 245: Teil II, XXVIIc. Recitativo "Auf dass erfüllet würde die Schrift" (Evangelist, Jesus), Johannes-Passion, BWV 245: Teil II, XXVa. Recitativo "Allda kreuzigten sie ihn" (Evangelist), Johannes-Passion, BWV 245: Teil II, XXVb. Coro "Schreibe nicht: der Juden König", Johannes-Passion, BWV 245: Teil II, XXVc. Recitativo "Pilatus antwortet" (Evangelist, Pilatus), Johannes-Passion, BWV 245: Teil II, XXX. Aria (Alto) "Es ist vollbracht!", Johannes-Passion, BWV 245: Teil II, XXXI. Recitativo "Und neiget das Haupt und verschied" (Evangelist), Johannes-Passion, BWV 245: Teil II, XXXII. Aria (Basso) e Coro "Mein teurer Heiland, laß dich fragen", Johannes-Passion, BWV 245: Teil II, XXXIII. Recitativo "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist), Johannes-Passion, BWV 245: Teil II, XXXIV. Arioso (Tenore) "Mein Herz, in dem die ganze Welt", Johannes-Passion, BWV 245: Teil II, XXXIX. Coro "Ruht wohl, ihr heiligen Gebeine", Johannes-Passion, BWV 245: Teil II, XXXV. Aria (Soprano) "Zerfließe, mein Herze", Johannes-Passion, BWV 245: Teil II, XXXVI. Recitativo "Die Jüden aber, dieweil es der Rüsttag war" (Evangelist), Johannes-Passion, BWV 245: Teil II, XXXVII. Choral "O hilf, Christe, Gottes Sohn", Johannes-Passion, BWV 245: Teil II, XXXVIII. Recitativo "Darnach bat Pilatum Joseph von Arimathia" (Evangelist), Weihnachts-Oratorium, BWV 248: Teil I, I. Coro "Jauchzet, frohlocket!", Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo "Es begab sich aber zu der Zeit" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) "Nun wird mein liebster Bräutigam", Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion", Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral "Ach mein herzliebes Jesulein", Weihnachts-Oratorium, BWV 248: Teil I, V. Choral "Wie soll ich dich empfangen", Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo "Und sie gebar ihren ersten Sohn" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral con Recitativo (Basso) "Er ist auf Erden kommen arm", Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) "Großer Herr, o starker König", Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia, Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo "Und es waren Hirten in derselben Gegend" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht", Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo "Und der Engel sprach zu ihnen" (Evangelista, Angelus), Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) "Was Gott dem Abraham verheissen", Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) "Schlafe, mein Liebster", Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) "Frohe Hirten, eilt, ach eilet", Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo "Und das habt zum Zeichen" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral "Schaut hin, dort liegt im finstern Stall", Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) "So geht denn hin", Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro "Ehre sei Gott in der Höhe", Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) "So recht, ihr Engel", Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral "Wir singen dir in deinem Heer", Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro "Herrscher des Himmels, erhöre das Lallen", Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) "Herr, dein Mitleid", Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo "Und da die Engel" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro "Lasset uns nun gehen", Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) "Er hat sein Volk getröst", Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral "Dies hat er alles uns getan", Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo "Und sie kamen eilend" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) "Schließe, mein Herze", Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) "Ja, ja, mein Herz soll es bewahren", Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral "Ich will dich mit Fleiß bewahren", Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo "Und die Hirten kehrten wieder um" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" / Teil III, XXIV. Coro da capo "Herrscher des Himmels, erhöre das Lallen", Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale "Wohlan, dein Name soll allein", Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) "Ich will nur dir zu Ehren leben", Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral "Jesus richte mein Beginnen", Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) "Flößt, mein Heiland, flößt dein Namen", Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro "Fallt mit Danken, fallt mit Loben", Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo "Und da acht Tage um waren" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale "Immanuel, o süßes Wort", Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo "Und ließ versammeln alle Hohepriester" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, alto, tenore) "Ach, wenn wird die Zeit erscheinen", Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) "Mein Liebster herrschet schon", Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral "Zwar ist solche Herzensstube", Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro "Ehre sei dir, gott, gesungen", Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo "Da Jesus geboren war zu Bethlehem" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral "Dein Glanz all Finsternis verzehrt", Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) "Erleucht auch meine finstre Sinnen", Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo "Da das der König Herodes hörte" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil V, XLVa. Coro and Recicitavo "Wo ist der neugeborne König", Weihnachts-Oratorium, BWV 248: Teil V, XLVb. Coro and Recicitavo "Wir haben seinen Stern gesehen", Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro "Herr, wenn die stolzen Feinde schnauben", Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral "Ich steh an deiner Krippen hier", Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo "Da berief Herodes die Weisen heimlich" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) "Du Falscher, suche nur den Herrn zu fällen", Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) "Nur ein Wink von seinen Händen", Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo "Als sie nun den König gehöret hatten" (Evangelista), Weihnachts-Oratorium, BWV 248: Teil VI, LXI, Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) "Nun mögt ihr stolzen Feinde schrecken", Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, alto, tenore, basso) "Was will der Höllen Schrecken nun", Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral "Nun seid ihr wohl gerochen" |
| Riccardo Zandonai |
performing orchestra |
Francesca da Rimini: Act 1: Adonella, Adonella, c'e il giullare in corte, Francesca da Rimini: Act 1: Che fai qui, manigoldo?, Francesca da Rimini: Act 1: Come Morgana manda al re Artu lo scudo, Francesca da Rimini: Act 1: Egli era si povero ad arnese, Francesca da Rimini: Act 1: Francesca, dove andrai, Francesca da Rimini: Act 1: Madonna Francesca! Su, Madonna Francesca, Francesca da Rimini: Act 1: Meravigliosamente un amor mi distringe, Francesca da Rimini: Act 1: O dattero fronzuto, Francesca da Rimini: Act 1: Ohime! Oime! che adesso io provo, Francesca da Rimini: Act 1: Or venuta che fue l'alba del giorno, Francesca da Rimini: Act 1: Per la terra di maggi, Francesca da Rimini: Act 1: Portami nella stanza, Francesca da Rimini: Act 1: So le storie di tutti i cavalieri, Francesca da Rimini: Act 1: Verra, in breve anche il tuo giorno, Francesca da Rimini: Act 2: Ah non mi muoio!, Francesca da Rimini: Act 2: E' ancora sgombro il campo del comune?, Francesca da Rimini: Act 2: Ecco l'elmetto ch'io vi dono, Francesca da Rimini: Act 2: La botte! La botte!, Francesca da Rimini: Act 2: O sciagura! sciagura!, Francesca da Rimini: Act 2: Orsu, bisogna manganare una botte grande, Francesca da Rimini: Act 2: Paolo! Francesca! - Date il segno, Francesca da Rimini: Act 2: Questo cimento e il giudizio di Dio, Francesca da Rimini: Act 2: Viva! Viva! Viva Messer Giovanni Malatesta!, Francesca da Rimini: Act 3: Agitato e piu mosso - No, Smaragdi, no!, Francesca da Rimini: Act 3: Benvenuto, signore mio cognato, Francesca da Rimini: Act 3: E Galeotto dice: Dama, abbiate ne pieta, Francesca da Rimini: Act 3: E Galeotto dice: Dama, abbiatene pieta, Francesca da Rimini: Act 3: Inghirlandata di violette m'appariste ieri, Francesca da Rimini: Act 3: Marzo e giunto, e febbraio gito se n'e col ghiado, Francesca da Rimini: Act 3: Nemica ebbi la luce, amica ebbi la notte, Francesca da Rimini: Act 3: Nova in calen di marzo, o rondine, Francesca da Rimini: Act 3: O dama, non ti disperare!, Francesca da Rimini: Act 3: Paolo, datemi pace!, Francesca da Rimini: Act 3: Prelude - Allegro non troppo, Francesca da Rimini: Act 3: Smaragdi, non torna?, Francesca da Rimini: Act 4, Scene 2: E cosi vada s'e pur mio destino!, Francesca da Rimini: Act 4, Scene 2: L'ha colta il sonno, Francesca da Rimini: Act 4, Scene 2: No, no! Non sono io!, Francesca da Rimini: Act 4, Scene 2: O Biancofiore, piccola tu sei!, Francesca da Rimini: Act 4, Scene 2: Prelude - Allegretto triste, Francesca da Rimini: Act 4, Scene 2: Vieni, vieni, vieni, Francesca!, Francesca da Rimini: Act 4: E se il fratello vede che taluno tocca la donna del fratello, Francesca da Rimini: Act 4: Era teco la tua moglie?, Francesca da Rimini: Act 4: Mia cara donna, voi m'attendevate?, Francesca da Rimini: Act 4: Perche tanto sei strano?, Francesca da Rimini: Act 4: Torna Maletestino, Francesca da Rimini: Prelude: Allegretto mosso |
| Joseph Haydn |
performing orchestra |
Der Frühling, No. 1 Einleitung: Largo - Vivace Rezitativ (Simon, Lukas, Hanne): "Seht, der strenge Winter flieht", Der Frühling, No. 2 Chor: "Komm, holder Lenz!", Der Frühling, No. 3 Rezitativ (Simon): "Vom Widder strahlet jetzt", Der Frühling, No. 4 Arie (Simon): Schon eilet froh der Ackersmann", Der Frühling, No. 5 Rezitativ (Lukas): "Der Landmann hat sein Werk vollbracht", Der Frühling, No. 6 Terzett und Chor: "Sein nun gnädig, milder Himmel!", Der Frühling, No. 7 Rezitativ (Hanne) "Erhört unser Flehn", Der Frühling, No. 8 Freudenlied (Hanne, Lukas, Chor): "O wie lieblich", Der Frühling, No. 9 Chor mit Solisten: "Ewiger, mächtiger, gütiger Gott!", Der Herbst, No. 21 Einleitung: Allegretto, Rezitativ (Hanne): "Was durch seine Blüte der Lenz zuerst versprach", Der Herbst, No. 23 Terzett und Chor: "So lohnet die Natur den Fleiß", Der Herbst, No. 24 Rezitativ (Hanne, Simon, Lukas): "Seht, wie zum Haselbusche dort", Der Herbst, No. 25 Duett (Lukas, Hanne): "Ihr Schönen aus der Stadt, kommt her!", Der Herbst, No. 26. Rezitativ (Simon): "Nun zeiget das entblößte Feld", Der Herbst, No. 27 Arie (Simon): "Seht auf die breiten Wiesen hin!", Der Herbst, No. 28 Rezitativ (Lukas): Hier treibt ein dichter Kreis", Der Herbst, No. 29 Chor: "Hört, hört, das laute Getön", Der Herbst, No. 30 Rezitativ (Hanne): "Am Rebenstocke blinket jetzt", Der Herbst, No. 31 Chor: "Juchhe! der Wein ist da", Der Sommer, No. 10 Rezitativ (Lukas, Simon): "In grauem Schleier rückt heran", Der Sommer, No. 11 Arie (Simon): "Der munt're Hirt versammelt nun", Rezitativ (Hanne): "Die Morgenröte bricht hervor", Der Sommer, No. 12 Terzett und Chor: "Sie steigt herauf, die Sonne", Der Sommer, No. 13 Rezitativ (Simon): "Nun regt und bewegt sich alles umher", Der Sommer, No. 15 Kavatine (Lukas): "Dem Druck erlieget die Natur", Der Sommer, No. 16 Rezitativ (Hanne): "Willkommen jetzt, o dunkler Hain", Der Sommer, No. 17 Arie (Hanne): "Welche Labung für die Sinne", Der Sommer, No. 18 Rezitativ (Simon, Lukas, Hanne): "O seht! Es steiget in der schwülen Luft", Der Sommer, No. 19 Chor: "Ach, das Ungewitter naht!", Der Sommer, No. 20 Terzett und Chor: "Die düstren Wolken trennen sich", Der Winter, No. 32 Einleitung; Adagio, ma non troppo, Der Winter, No. 33 Rezitativ (Simon, Hanne): "Nun senket sich das blasse Jahr", Der Winter, No. 34 Kavatine (Hanne): "Licht und Leben sind geschwächet", Der Winter, No. 35 Rezitativ (Lukas): "Gefesselt steht der breite See", Der Winter, No. 36 Arie (Lukas): "Hier steht der Wand'rer nun", Der Winter, No. 37 Lied (Hanne): "So wie er naht", Der Winter, No. 38 Lied (Hanne) mit Chor: "Knurre, schnurre, knurre", No. 39Rezitativ (Lukas): "Abgesponnen ist der Flachs", Der Winter, No. 40 Lied (Hanne) mit Chor: "Ein Mädchen, das auf Ehre hielt", Der Winter, No. 41 Rezitativ (Simon): "Vom dürren Osten dringt", Der Winter, No. 42 Arie (Simon): "Erblicke hier, betörter Mensch", No. 43 Rezitativ (Simon) "Die bleibt allein und leitet uns", Der Winter, No. 44 Terzett und Chor: "Dann bricht der große Morgen an" |
| Mortimer's Mercy |
performing orchestra |
Symphony no. 29 in A, K. 201: 1. Allegro moderato, Symphony no. 29 in A, K. 201: 2. Andante, Symphony no. 29 in A, K. 201: 3. Menuetto, Symphony no. 29 in A, K. 201: 4. Allegro con spirito, Symphony no. 39 in E-flat, K. 543: 1. Adagio - Allegro, Symphony no. 39 in E-flat, K. 543: 2. Andante con moto, Symphony no. 39 in E-flat, K. 543: 3. Menuetto (Allegretto), Symphony no. 39 in E-flat, K. 543: 4. Finale (Allegro), Symphony no. 40 In G minor, K. 550: 1. Molto allegro, Symphony no. 40 In G minor, K. 550: 2. Andante, Symphony no. 40 In G minor, K. 550: 3. Menuetto (Allegretto) - Trio, Symphony no. 40 In G minor, K. 550: 4. Finale (Allegro assai), Symphony no. 40 in G minor, K. 550 "Great": I. Allegro molto, Symphony no. 40 in G minor, K. 550 "Great": II. Andante, Symphony no. 40 in G minor, K. 550 "Great": III. Minuetto. Allegretto, Symphony no. 40 in G minor, K. 550 "Great": IV. Allegro assai, Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto, Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto, Symphony no. 41 in C, K. 551 "Jupiter": 1. Allegro vivace, Symphony no. 41 in C, K. 551 "Jupiter": 2. Andante cantabile, Symphony no. 41 in C, K. 551 "Jupiter": 3. Menuetto (Allegretto), Symphony no. 41 in C, K. 551 "Jupiter": 4. Molto allegro |
| Metronome |
performing orchestra |
"Der fliegende Holländer" Overtüre, Academic Festival Overture, op. 80, Siegfried-Idyll, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro - Meno Allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino), Tragic Overture, op. 81, Variations on a Theme of Haydn, op. 56a |
| Wolfgang Amadeus Mozart |
performing orchestra |
Concerto No. 3 in E-flat major for Horn, K. 447: I. Allegro, Concerto No. 3 in E-flat major for Horn, K. 447: II. Romance. Larghetto, Concerto No. 3 in E-flat major for Horn, K. 447: III. Allegro, Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto, Symphony no.29 in A major, K201: I. Allegro moderato (Excerpt) |
| Thorgal |
performing orchestra |
Malediction, S. 121, Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso tempo giusto, Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio, Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace, Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato, Piano Concerto no. 2 in A major, S. 125: Adagio sostenuto assai, Piano Concerto no. 2 in A major, S. 125: Allegro animato, Piano Concerto no. 2 in A major, S. 125: Allegro deciso, Piano Concerto no. 2 in A major, S. 125: Marziale un poco meno allegro, Piano Concerto no. 2 in A major, S. 125: Tempo del andante, Piano Concerto no. 2 in A major, S. 125: Un poco meno mosso, Totentanz, S. 126: Allegro animato, Totentanz, S. 126: Andante - Allegro - Allegro moderato, Totentanz, S. 126: Cadenza, Totentanz, S. 126: Variation I, Totentanz, S. 126: Variation II, Totentanz, S. 126: Variation III, Totentanz, S. 126: Variation IV, Totentanz, S. 126: Variation V, Totentanz, S. 126: Variation VI |
| The Three Tenors |
performing orchestra |
Amazing Grace, Ave Maria, dolce Maria, Dormi, O bambino, Feliz Navidad, Happy Christmas / War Is Over, I'll Be Home for Christmas, Jingle Bells, La Virgen lava pañales, Let It Snow, Oh Tannenbaum, Sleigh Ride, Stille Nacht, Susani, White Christmas, Wiegenlied I, Wiegenlied II, Winter Wonderland |
| Johann Strauss |
performing orchestra |
Blue Danube Waltz, Cagliostrowalzer, Die Fledermaus: Overture (1995 Digital Remaster), Emperor Waltz, Morning Papers Waltz, Myrtle Blossom Waltz, Perpetual Motion, Roses From the South, Tales From The Vienna Woods, The Artist's Life Waltz, The Kiss Waltz, The Voices Of Spring Waltz, Thunder and Lightning Polka, Vienna Blood, Vienna Bon Bons, Wine, Women And Song Waltz, You And You Waltz |
| Franz Schubert |
performing orchestra |
Deutsche Messe, D 872: Angang - Das Gebet des Hern »Anbetend deine Macht und Grobe«, Deutsche Messe, D 872: Nach der Wandlung »Betrachtend deine Huld und Gute«, Deutsche Messe, D 872: Schlußgesand »Herr, du hast mein Fleh'n vernommen«, Deutsche Messe, D 872: Zum Agnus Dei »Mein Heiland, Herr und Meister«, Deutsche Messe, D 872: Zum Eingang »Wohin soll ich mich wenden«, Deutsche Messe, D 872: Zum Evangelium »Hoch lag die Schöpfung formlos da«, Deutsche Messe, D 872: Zum Gloria »Ehre sei Gott in die Höhe«, Deutsche Messe, D 872: Zum Offertorium »Du gabst, o Herr, mir Sein und Leben«, Deutsche Messe, D 872: Zum Sanctus »Heilig, heilig, heilig«, Messe Nr. 2 in G-Dur, D 167: I. Kyrie, Messe Nr. 2 in G-Dur, D 167: II. Gloria, Messe Nr. 2 in G-Dur, D 167: III. Credo, Messe Nr. 2 in G-Dur, D 167: IV. Sanctus, Messe Nr. 2 in G-Dur, D 167: V. Benedictus, Messe Nr. 2 in G-Dur, D 167: VI. Agnus Dei |
| Ludwig van Beethoven |
performing orchestra |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) / IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio, Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre", Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus), Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" / Vc. Choir of Children "Was soll der Lärm bedeuten?" |
| Blue Light Bandits |
performing orchestra |
Boléro, España, L'Apprenti Sorcier, Prélude à lʼaprès-midi dʼun faune, Sleeping Beauty, Op. 66: Introduction: Carabosse and the Lilac Fairy, Sleeping Beauty, Op. 66: Puss in Boots, Sleeping Beauty, Op. 66: Rose Adagio, Sleeping Beauty, Op. 66: The Lilac Fairy's Blessing, Sleeping Beauty, Op. 66: Waltz, Swan Lake, Op. 20: Dance of the Little Swans, Swan Lake, Op. 20: Dance of the Queen of Swans, Swan Lake, Op. 20: Hungarian Dance: Czardas, Swan Lake, Op. 20: Scene of the Swans, Swan Lake, Op. 20: Waltz, The Sorceror's Apprentice |
| Marcus Andersson |
performing orchestra |
An die Nachgeborenen, op. 42: 1. Psalm 90: Herr Gott, du bist unsere Zuflucht (Chorus), An die Nachgeborenen, op. 42: 2. Sophokles/Hölderlin: Chor aus Antigone: Ungeheuer ist viel (Chorus), An die Nachgeborenen, op. 42: 3. Hölderlin: Geh unter, schöne Sonne (Baritone), An die Nachgeborenen, op. 42: 4. Bertolt Brecht: An die Nachgeborenen: Wirklich, ich lebe in finsteren Zeiten! (Mezzo-soprano), An die Nachgeborenen, op. 42: 5. Hölderlin: An Diotima: Komm und besänftige mir (Baritone), An die Nachgeborenen, op. 42: 6. Sophokles/Buschor: Chorlied aus Oedipus auf Kolonos: Wer die Mitte verschmäht (Chorus), An die Nachgeborenen, op. 42: 7. Psalm 121: Ich hebe meine Augen auf zu den Bergen (Tutti), An die Nachgeborenen, op. 42: Zwischenspiel, Kaiser-Walzer, Symphony no. 2 in C minor (1877 version): I. Moderato, Symphony no. 2 in C minor (1877 version): II.Andante. Feierlich, etwas bewegt, Symphony no. 2 in C minor (1877 version): III. Scherzo. Mäßig schnell, Symphony no. 2 in C minor (1877 version): IV. Finale. Mehr schnell |
| James "Hot Dog" Lewis |
performing orchestra |
Capriccio Italien, Op. 45, Capriccio italien, op. 45, Les Preludes, Les Préludes, Má Vlast: Vltava, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return, Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 2, op. 55: II. Arabian Dance, Sinfonische Dichtung: Die Moldau, The Moldau |
| Tom & Hills |
performing orchestra |
Piano Concerto no. 1 in E-flat major, S124: I. Allegro maestoso, Piano Concerto no. 1 in E-flat major, S124: II. Quasi adagio - Allegro vivace - Allegro animato, Piano Concerto no. 1 in E-flat major, S124: III. Allegro marziale animato, Piano Concerto no. 2 in A major, S125: Adagio sostenuto assai, Piano Concerto no. 2 in A major, S125: Allegro agitato assai, Piano Concerto no. 2 in A major, S125: Allegro animato, Piano Concerto no. 2 in A major, S125: Allegro deciso, Piano Concerto no. 2 in A major, S125: Allegro moderato, Piano Concerto no. 2 in A major, S125: Marziale un poco meno allegro |
| Auto vs. Pedestrian |
performing orchestra |
Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro ma non tanto, Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato, Violin Concerto no. 1 in G minor, op. 26: II. Adagio, Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico, Violin Concerto no. 2, Sz. 112 (1938): I. Allegro non troppo, Violin Concerto no. 2, Sz. 112 (1938): II. Andante tranquillo, Violin Concerto no. 2, Sz. 112 (1938): III. Allegro molto |
| Пётр Ильич Чайковский |
performing orchestra |
Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Piano Concerto no. 2: Andante non troppo, Romeo and Juliet (Fantasy Overture), Sleeping Beauty - Adagio pas d'action, Sleeping Beauty - Introduction, The Swan Lake Ballet, Op. 20 - VII - Danse De Cygnes (Act II), Waltz of the Flowers |
| Jacques Offenbach |
performing orchestra |
Barbe-bleue, La Grande-Duchesse de Gérolstein, La belle Hélène, La fille du tambour-major, La vie parisienne, Monsieur et Madame Denis, Orphée aux enfers, Vert-Vert |
| Atomik Locator |
performing orchestra |
Symphony No. 101 in D major, "Clock": I. Adagio - Presto, Symphony No. 101 in D major, "Clock": II. Andante, Symphony No. 101 in D major, "Clock": III. Menuet, Symphony No. 101 in D major, "Clock": IV. Finale. Vivace, Symphony No. 104 in D major "London": I. Adagio - Allegro, Symphony No. 104 in D major "London": II. Andante, Symphony No. 104 in D major "London": III. Menuetto, Symphony No. 104 in D major "London": IV. Allegro spiritoso |
| Johannes Brahms |
performing orchestra |
Serenade No. 2 in A major, Op. 16: Adagio non troppo, Serenade No. 2 in A major, Op. 16: Allegro moderato, Serenade No. 2 in A major, Op. 16: Quasi menuetto and Trio, Serenade No. 2 in A major, Op. 16: Rondo (Allegro), Serenade No. 2 in A major, Op. 16: Scherzo (vivace), Violin Concerto in D major, Op. 77: I. Allegro ma non troppo, Violin Concerto in D major, Op. 77: II. Adagio |
| Eric Kim |
performing orchestra |
"A questo seno deh vieni" - "Or che il cielo a me ti rende" Recitative and aria K 374, "Ah, lo previdi" - "Ah, t'invola agl'occhi miei" Recitative and aria K 272, "Alma grande e nobil core" Aria K 578, "Bella mia fiamma" - "Resta, o cara" Scene (Recitative and aria) K 528, "Betrach dies Herz und frage mich" Aria extracted from K 42 (35a), "Misera, dove son!" - "Ah, non son io che parlo" Scene (Recitative and aria) K 369, "Vado, ma dove? o Dei!" Aria K 583 |
| Plastic Soul Band |
performing orchestra |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco, Piano Concerto no. 2 in G, op. 44: I. Allegro brillante e molto vivace, Piano Concerto no. 2 in G, op. 44: II. Andante non troppo, Piano Concerto no. 2 in G, op. 44: III. Allegro con fuoco, Piano Concerto no. 3 in E-flat, op. 75 |
| Saménophis |
performing orchestra |
Symphonie Fantastique : Marche au supplice. Allegretto non troppo, Symphonie Fantastique : Reveries - Passions. Largo – Allegro agitato e appassionato assai – Religiosamente, Symphonie Fantastique : Scène aux champs. Adagio, Symphonie Fantastique : Songe d’une nuit du sabbat. Larghetto – Allegro, Symphonie Fantastique : Un bal. Valse : Allegro non troppo, Symphonie Fantastique: March to the Scaffold, Symphonie Fantastique: The Witches Sabbath |
| Loan |
performing orchestra |
Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso (Cadenza: Weissenberg), Piano Concerto no. 21 in C major, K. 467: II. Andante, Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai (Cadenza: Weissenberg), Piano Concerto no. 9 in E-flat major, K. 271: I. Allegro, Piano Concerto no. 9 in E-flat major, K. 271: II. Andantino, Piano Concerto no. 9 in E-flat major, K. 271: III. Rondeau: Presto |
| Larry L. King |
performing orchestra |
Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio (cadenza: Ludwig Beethoven), Piano Concerto no. 1 in C major, op. 15: 2. Largo, Piano Concerto no. 1 in C major, op. 15: 3. Rondo. Allegro (cadenza: Ludwig Beethoven), Piano Concerto no. 3 in C minor, op. 37: 1. Allegro con brio (cadenza: Ludwig Beethoven), Piano Concerto no. 3 in C minor, op. 37: 2. Largo, Piano Concerto no. 3 in C minor, op. 37: 3. Rondo. Allegro |
| John Hatton & The Devotions |
performing orchestra |
Klavierkonzert No. 3 c-Moll, Op. 37: I. Allegro con brio, Klavierkonzert No. 3 c-Moll, Op. 37: II. Largo, Klavierkonzert No. 3 c-Moll, Op. 37: III. Rondo. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 1. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 2. Adagio un poco mosso - attacca:, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 3. Rondo. Allegro |
| Hector Berlioz |
performing orchestra |
Adagio / Marche au supplice, Allegretto non troppo / Songs d'une nuit du sabbat, Larghetto / Allegro, Réveries • Passions: Largo / Allegro agitato e appassionato assai / Religiosamente / Un bal, Valse: Allegro non troppo / Scène aux champs |
| Richard Wagner |
performing orchestra |
"Rienzi" Overtüre, "Tannhäuser" Venusberg-Musik, Die Meistersinger - Overture, Twilight of the Gods: Siefried's Rhine Journey, Twilight of the Gods: Siegfried's Rhine Journey |
| Gustav Mahler |
performing orchestra |
Sinfonie Nr. 5 cis-Moll: I. Abteilung - Stürmisch bewegt. Mit größter Vehemenz, Sinfonie Nr. 5 cis-Moll: I. Abteilung - Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Sinfonie Nr. 5 cis-Moll: II. Abteilung - Scherzo. Kräftig nicht zu schnell, Sinfonie Nr. 5 cis-Moll: III. Abteilung - Adagietto. Sehr langsam, Sinfonie Nr. 5 cis-Moll: III. Abteilung - Rondo - Finale |
| Franz Lehár |
performing orchestra |
Der Zarewitsch: Einer wird kommen (Akt I), Eva: Im heimlichen Dämmer (Akt I), Friederike: Warum hast du mich wachgeküßt? (Akt II), Schön ist die Welt: Ich bin verliebt (Akt III), Zigeunerliebe: Hör' Ich Cymbalklänge (Akt III) |
| Léo Delibes |
performing orchestra |
Csardas, Festlicher Tanz und langsamer Walzer, Musik der Automaten und Walzer, Nocturne, Slawischer Tanz mit Variationen |
| Anton Bruckner |
performing orchestra |
Symphonie No. 5 in B-Dur: I. Adagio - Allegro, Symphonie No. 5 in B-Dur: II. Adagio, sehr langsam, Symphonie No. 5 in B-Dur: III. Scherzo: Molto vivace, Symphonie No. 5 in B-Dur: IV. Finale: Adagio - Allegro moderato, Symphony no. 7 in E major: 1. Allegro moderato |
| Amanda STOJOVIĆ |
performing orchestra |
Concerto for violin, strings and continuo in A minor, BWV 1041: II. Andante, Concerto for violin, strings and continuo in A minor, BWV 1041: III. Allegro assai, Concerto for violin, strings and continuo in E major, BWV 1042: I. Allegro, Concerto for violin, strings and continuo in E major, BWV 1042: II. Adagio, Concerto for violin, strings and continuo in E major, BWV 1042: III. Allegro assai |
| The Absence |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena VI. "Ah, crudel, d'onor ragioni" (Romeo, Giulietta), I Capuleti e i Montecchi: Atto I, Scena VI. "Odi tu? L'altar funesto" (Romeo, Giulietta), I Capuleti e i Montecchi: Atto I, Scena VI. "Vieni, ah! vieni, in me riposa" (Romeo, Giulietta), I Capuleti e i Montecchi: Atto II, Scena IX. "O tu, mia sola speme" (Romeo, Giulietta) |
| Plácido Domingo |
performing orchestra |
Hacia Belén va un burro, Hijo de Dios, Jesus de Nazareth, Un nuevo siglo |
| Eugène Sauzay |
performing orchestra |
Symphony no. 1 in D major “Titan”: I. Langsam, schleppend, Symphony no. 1 in D major “Titan”: II. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major “Titan”: IV. Sturmisch bewegt |
| Kanto |
performing orchestra |
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro |
| Reneard |
performing orchestra |
Piano Concerto no. 21 in C (''Elvira Madigan''), K.467: I. Allegro maestoso, Piano Concerto no. 21 in C (''Elvira Madigan''), K.467: II. Andante, Piano Concerto no. 21 in C (''Elvira Madigan''), K.467: III. Allegro Vivace Assai |
| The Blow Up |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena IV. Andante maestoso, I Capuleti e i Montecchi: Atto I. Sinfonia, I Capuleti e i Montecchi: Atto II, Scena I. Allegro moderato |
| Chief Chinchilla |
performing orchestra |
Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando |
| The Gino Parks Quartet |
performing orchestra |
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: V. Der Trunkene um Frühling |
| Timothy Pooley |
performing orchestra |
I Saw Three Ships, Joy to the World, One More Year |
| Bil Vermette |
performing orchestra |
Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta. Andante, Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo |
| Fryderyk Chopin |
performing orchestra |
Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace |
| Standard Symphony Orchestra |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena III. "Ascolta. Se Romeo t'uccise un figlio" (Romeo), I Capuleti e i Montecchi: Atto II, Scena V. "Deserto è il luogo" (Romeo), I Capuleti e i Montecchi: Atto II, Scena VIII. "Deh! Tu, bell'anima" (Romeo) |
| Stereo Motherfuckers |
performing orchestra |
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo |
| José Carreras |
performing orchestra |
Ave Maria, Panis angelicus, Pregária |
| Claude Debussy |
performing orchestra |
Prelude a l'apres-midi d'un faune, Prélude à l'après-midi d'un faune |
| Bedřich Smetana |
performing orchestra |
Die Moldau (Wiener Symphoniker feat. conductor: Yuri Ahronovitch), The Moldau |
| Jesper Mikkelsen |
performing orchestra |
I Capuleti e i Montecchi: Atto II, Scena III. "Ah! non poss'io partire" (Giulietta, Capellio, Capuleti, Lorenzo), I Capuleti e i Montecchi: Atto II, Scena III. "Prendi, gl'istanti volano" (Lorenzo, Giulietta, Capellio, Capuleti) |
| Alexander Pinderak |
performing orchestra |
I Capuleti e i Montecchi: Atto II, Scena VI. "Chi sei tu, che ardisci" (Tebaldo, Romeo), I Capuleti e i Montecchi: Atto II, Scena VII. "Ella è morta, o sciagurato" (Romeo, Tebaldo) |
| Atropolis |
performing orchestra |
Ungarischer Tanz, Ungarischer Tanz Nr. 5 |
| Tony Bennett |
performing orchestra |
Have Yourself a Merry Little Christmas, The Christmas Song |
| The Das Kaput |
performing orchestra |
I Capuleti e i Montecchi: Atto II, Scena VII. "Ecco la tomba" (Romeo, Montecchi), I Capuleti e i Montecchi: Atto II, Scena VII. Coro, Aria e Duetto finale "Siam giunti" (Montecchi, Romeo) |
| Leafy |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena XI. "Accorriam...Romeo!" (Montecchi, Tebaldo, Capellio, Romeo, Giulietta, Lorenzo), I Capuleti e i Montecchi: Atto I, Scena XI. "Se ogni speme è a noi rapita" (Giulietta, Romeo, Tebaldo, Capellio, Montecchi, Lorenzo) |
| Il Sorenti |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena I. Coro d'introduzione "Aggiorna appena..." (Capuleti), I Capuleti e i Montecchi: Atto I, Scena VII. Coro "Lieta notte, avventurosa" (Capuleti) |
| Vanessa Williams |
performing orchestra |
Do You Hear What I Hear, Through the Eyes of a Child |
| Robert Schumann |
performing orchestra |
Piano Concerto in A minor: I. Allegro affettuoso, Piano Concerto in A minor: II. Andantino grazioso - III. Allegro vivace |
| Pop Experience |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena IX. "Tace il fragor... silenzio" (Giulietta, Romeo), I Capuleti e i Montecchi: Atto I, Scena VI. "Si, fuggire: a noi non resta" (Romeo, Giulietta) |
| Floord |
performing orchestra |
I'll Be Home for Christmas |
| Jon Strahl Band |
performing orchestra |
I Capuleti e i Montecchi: Atto II, Scena VII. "Qua' voci! Oh, Dio!" (Romeo, Tebaldo, Capuleti) |
| Luciano Pavarotti |
performing orchestra |
Tu scendi dalle stelle |
| Luciferian Rites |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena II. Scena e Cavatina "O di Capellio, generosi amici" (Tebaldo, Capuleti, Capellio, Lorenzo) |
| Jeremy Lopez |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena X. "Io te lo chiedo in nome" (Romeo, Capuleti, Giulietta, Capellio) |
| Jan Krzysztof Broja |
performing orchestra |
I Capuleti e i Montecchi: Atto II, Scena IV. Scena e Duetto "Qual turbamento io provo!" (Capellio) |
| Imre Kálmán |
performing orchestra |
Gräfin Mariza - Wenn es Abend wird-Grüß' mir die süßen, die reizenden Frauen |
| Markus Stadelmann |
performing orchestra |
With One Look |
| Martijn Comes |
performing orchestra |
Cantique de Noël (O Holy Night) |
| Martin Schäfer |
performing orchestra |
Christmas Oratorio, BWV 248: XL. Ich Will Nur Dir- XLI. Jesus Richte Mein Beginnen |
| Martín Avati |
performing orchestra |
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" |
| Matrubhutayya |
performing orchestra |
Peer Gynts Heimkehr |
| Gumpoldskirchner Spatzen |
performing orchestra |
Somewhere in My Memory |
| Girl Scouts |
performing orchestra |
Poliuto - Sfolgeró divigno raggio |
| Mr. Mrcs |
performing orchestra |
Russian Easter Overture, Op. 36 |
| Philippe Matsas |
performing orchestra |
The First Noel |
| Gerry Garszwa |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena II. Scena e Cavatina "Vanne Lorenzo; e tu, che il puoi" (Capellio, Tebaldo, Capuleti) |
| Georges Bizet |
performing orchestra |
Carmen, Akt I: "Parle-moi de la mère" |
| Gary Lawrence Soubrier |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena V. Scena e Duetto "Propizia è I'ora" (Lorenzo, Giulietta, Romeo) |
| Primly |
performing orchestra |
Ave Maria |
| Prostecutioner |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena XI. "Che miro?" (Tebaldo, Lorenzo, Giulietta, Romeo, Capellio) |
| Qibe |
performing orchestra |
Slawischer Tanz No. 8 |
| Rachel Anne Coulter |
performing orchestra |
Angels We Have Heard on High |
| Raf Gees |
performing orchestra |
I Capuleti e i Montecchi: Atto II, Scena I. Scena ed Aria "Né alcun ritorna!" (Giulietta, Lorenzo) |
| Ramiro Penas |
performing orchestra |
Adeste Fideles |
| Rapsusklei,Sharif y Juaninacka |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena II. "È serbata a questo acciaro" (Tebaldo) |
| Franz Liszt |
performing orchestra |
Totentanz (Dance Of Death) For Piano And Orchestra: I. Andante - Allegro - Allegro Moderato, II. Variation 1, III. Variation 2, IV. Variation 3, V. Variation 4, VI. Variation 5, VII. Cadenza, VIII. Va |
| Joe Soler |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena XI. "Soccorso, sostegno accordagli" (Giulietta, Romeo, Tebaldo, Capellio, Lorenzo) |
| Event |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena III. "La tremenda ultrice spada" (Romeo, Capellio, Tebaldo, Capuleti) |
| Rob Miller |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena II. "L'amo tanto, e m'e sl cara" (Tebaldo, Capellio, Capuleti, Lorenzo) |
| Edvard Grieg |
performing orchestra |
Peer Gynt - Suite No. 2, Op. 55 |
| Devakula |
performing orchestra |
Ave Maria |
| Sarah Gadd |
performing orchestra |
My Favorite Things |
| Sergio Avil |
performing orchestra |
Ballet music from Samson |
| Slugged |
performing orchestra |
Silent Night |
| Spittwoch |
performing orchestra |
Overture Oberon |
| Delta Catfish |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena IV. Recitativo e Romanza "Eccomi in lieta vesta" (Giulietta) |
| Dash Mihok |
performing orchestra |
O Holy Night |
| Daniel Torrico Menacho |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena III. "Lieto del dolce incarco" (Romeo, Tebaldo, Capellio, Capuleti) |
| Daniel Spaleniak |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena IV. "Oh! quante volte" (Giulietta) |
| Charlotte Church |
performing orchestra |
Silent Night |
| Cenophia Mitchell |
performing orchestra |
White Christmas |
| Brad Wentworth |
performing orchestra |
I Capuleti e i Montecchi: Atto II, Scena X. "Ah! crudel! che mai facesti?" (Giulietta, Romeo, Montecchi, Capellio, Lorenzo, Capuleti) |
| BoxPlot |
performing orchestra |
Italian Capriccio, Op. 45 |
| Boom Tali Posse |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena III. "Riedi al campo, e di allo stolto" (Capellio, Romeo, Tebaldo, Capuleti) |
| Bodies Electric |
performing orchestra |
Rondo for Piano and Orchestra in B-flat major, WoO 6: Allegro |
| Boaz Bentur |
performing orchestra |
I Capuleti e i Montecchi: Atto I, Scena VIII. Finale primo "Deh! per pietà, t'arresta" (Lorenzo, Romeo, Capuleti) |
| Art 238 |
performing orchestra |
Symphony no. 1 in D major: 1st Movement |
| William Thomas Jr. |
performing orchestra |
Carol of the Drum |
| Anne Bisgaard |
performing orchestra |
I Capuleti e i Montecchi: Atto II, Scena II. "Morte io non temo, il sai" (Giulietta, Lorenzo) |
| Александр Порфирьевич Бородин |
performing orchestra |
Polovtsian Dances - Extract |
| Andrew Lloyd Webber |
performing orchestra |
Sunset Boulevard: With One Look |
| ろいど |
performing orchestra |
Panis Angelicus |
| Andreas Spreer |
performing orchestra |
Winter Wonderland |