| Бессмертные |
performing orchestra |
Here's a How-De-Do!, Iolanthe: Loudly Let the Trumpet Bay, Princess Ida: Act I. Finale “P’raps if you address the lady most politely”, Princess Ida: Act I. “From the distant panorama… we are warriors three” (Chorus, Arac, Guron, Scynthius), Princess Ida: Act I. “If you give me your attention” (Gama, Chorus), Princess Ida: Act I. “Now hearken to my strict command” (Hildebrand, Chorus), Princess Ida: Act I. “Search throughout the panorama” (Chorus, Florian), Princess Ida: Act I. “Today we meet… Ida was a twelve-month old” (Hilarion), Princess Ida: Act II. Finale “Oh, joy! Our chief is sav’d”, Princess Ida: Act II. Finale “We may remark, tho’ nothing can dismay us”, Princess Ida: Act II. “A lady fair, of lineage high” (Lady Psyche, Cyril, Hilarion, Florian), Princess Ida: Act II. “Gently, gently, evidently” (Cyril, Hilarion, Florian), Princess Ida: Act II. “I am a maiden, cold and stately” (Cyril, Hilarion, Florian), Princess Ida: Act II. “Merrily ring the luncheon bell” (Chorus, Lady Blanche, Cyril), Princess Ida: Act II. “Mighty maiden with a mission” (Chorus), Princess Ida: Act II. “Minerva… Oh goddess wise” (Princess, Chorus), Princess Ida: Act II. “Now wouldn’t you like to rule the roost” (Melissa, Lady Blanche), Princess Ida: Act II. “The woman of the wisest wit” (Lady Psyche, Melissa, Cyril, Hilarion, Florian), Princess Ida: Act II. “The world is but a broken toy” (Princess, Cyril, Hilarion, Florian), Princess Ida: Act II. “Towards the empyrean heights” (Chorus, Lady Psyche, Melissa, Sacharissa), Princess Ida: Act II. “Would you know the kind of maid” (Cyril), Princess Ida: Act III. Finale “With joy abiding”, Princess Ida: Act III. “Death to the invader” (Chorus, Melissa), Princess Ida: Act III. “I built upon a rock” (Princess), Princess Ida: Act III. “This helmet I support” (Arac, Guron, Synthius, Chorus), Princess Ida: Act III. “This is our duty plain” (Chorus), Princess Ida: Act III. “When anger spreads his wing” (Chorus), Princess Ida: Act III. “Whene’er I spoke sarcastic joke” (Gama, Chorus), Princess Ida: I Built Upon a Rock, Princess Ida: If You Give Me Your Attention, Princess Ida: Overture, Princess Ida: The Woman of the Wisest Wit, Princess Ida: This Helmet I Suppose, Princess Ida: When 'Ere I Spoke Sarcastic Joke, The Criminal Cried as He Dropp'd Him Down, The Gondoliers: In Enterprise of Martial Kind, The Gondoliers: We're Called Gondoliers, The Mikado: A Wand'ring Minstrel I, The Mikado: Act I. “And have I journey’d for a month”, The Mikado: Act I. “As someday it may happen that a victim must be found”, The Mikado: Act I. “Behold the Lord High Executioner!”, The Mikado: Act I. “Comes a train of little ladies”, The Mikado: Act I. “For he’s going to marry Yum-Yum”, The Mikado: Act I. “Gentlemen, I pray you tell me”, The Mikado: Act I. “I am so proud, If I allowed”, The Mikado: Act I. “If you want to know who we are”, The Mikado: Act I. “Oh fool, that flee-est My hallow’d joys!”, The Mikado: Act I. “Our great Mikado, virtuous man”, The Mikado: Act I. “So please you, Sir, we much regret”, The Mikado: Act I. “The hour of gladness is dead and gone”, The Mikado: Act I. “The threatn’d cloud has pass’d away”, The Mikado: Act I. “Three little maids from school are we”, The Mikado: Act I. “Were you not to Ko-Ko plighted”, The Mikado: Act I. “With aspect stern and gloomy stride”, The Mikado: Act I. “Ye torrents roar! Ye tempests howl!”, The Mikado: Act I. “Young man, despair”, The Mikado: Act I. “Your revels cease! Assist me, all of you!”, The Mikado: Act II. Fanfare, The Mikado: Act II. “A more humane Mikado never did in Japan exist”, The Mikado: Act II. “Alone and yet alive”, The Mikado: Act II. “Braid the raven hair, Weave the supple tresses”, The Mikado: Act II. “Brightly dawns our wedding day”, The Mikado: Act II. “For he’s gone and married Yum-Yum”, The Mikado: Act II. “From ev’ry kind of man Obedience I expect”, The Mikado: Act II. “Hearts do not break! They sting and ache”, The Mikado: Act II. “Miya sama, miya sama, o n'mma no maye ni”, The Mikado: Act II. “On a tree by a river a little tom tit”, The Mikado: Act II. “See how the fates their gifts allot”, The Mikado: Act II. “The flowers that bloom in the spring, tra la”, The Mikado: Act II. “The sun whose rays are all ablaze”, The Mikado: Act II. “There is beauty in the bellow of the blast”, The Mikado: As Some Day It May Happen, The Mikado: Behold the Lord High Executioner, The Mikado: For He's Gone and Married Yum-Yum, The Mikado: On a Tree by a River a Little Tom-Tit, The Mikado: Overture, The Mikado: The Flowers That Bloom in the Spring, The Mikado: The Sun Whose Rays Are All Ablaze, The Mikado: There Is Beauty in the Bellow of Blast, The Mikado: Three Little Maids From School Are We, The Pirates of Penzance: I Am the Very Model of a Modern Major General, The Pirates of Penzance: Poor Wand'ring One, The Pirates of Penzance: When a Felon's Not Engaged in His Employment, The Pirates of Penzance: When the Foeman Bares His Steel, The Pirates of Penzance: With Cat Like Tread, The Sorcerer: My Name Is John Wellington Wells, The Yeomen of the Guard: Act I. “Alas! I waver to and fro!”, The Yeomen of the Guard: Act I. “Here’s a man of jollity”, The Yeomen of the Guard: Act I. “How say you, maiden, will you wed”, The Yeomen of the Guard: Act I. “I have a song to sing, O!”, The Yeomen of the Guard: Act I. “Is life a boon?”, The Yeomen of the Guard: Act I. “I’ve jibe and joke and quip and crank”, The Yeomen of the Guard: Act I. “Oh, Sergeant Meryll, is it true”, The Yeomen of the Guard: Act I. “Tower warders, under orders”, The Yeomen of the Guard: Act I. “Were I thy bride”, The Yeomen of the Guard: Act I. “When maiden loves, she sits and sighs”, The Yeomen of the Guard: Act I. “When our gallant Norman foes”, The Yeomen of the Guard: Act I. “’Tis done, I am a bride!”, The Yeomen of the Guard: Overture, Utopia Limited: Act I. Finale “A company promoter this, with special education”, Utopia Limited: Act I. Finale “Altho’ your royal summons to appear”, Utopia Limited: Act I. Introduction, Utopia Limited: Act I. “A king of autocratic power we” (King, Chorus), Utopia Limited: Act I. “Ah! gallant soldier, brave and true” (Chorus, Zara, Captain FitzBattleaxe), Utopia Limited: Act I. “Altho’ of native maids the cream” (Nekaya, Kalyba), Utopia Limited: Act I. “Bold-fac’d ranger” (Lady Sophy, Chorus), Utopia Limited: Act I. “First you’re born” (King, Scaphio, Phantis), Utopia Limited: Act I. “In every mental lore” (Scaphio, Phantis, Chorus), Utopia Limited: Act I. “In lazy languor” (Phylla, Chorus), Utopia Limited: Act I. “It’s understood, I think” (Zara, Captain FitzBattleaxe, Scaphio, Phantis), Utopia Limited: Act I. “Let all your doubts take wing” (Scaphio, Phantis), Utopia Limited: Act I. “O admirable art!” (Zara, Captain FitzBattleaxe), Utopia Limited: Act I. “O maiden rich in Girton lore” (Chorus, Zara, Captain FitzBattleaxe), Utopia Limited: Act I. “O make way for the wise men!” (Chorus), Utopia Limited: Act I. “Quaff the nectar” (Chorus), Utopia Limited: Act I. “Subjected to your heavenly gaze” (Lady Sophy, King), Utopia Limited: Act II. Drawing-Room Music, Utopia Limited: Act II. Entrance of Court, Utopia Limited: Act II. Finale “There’s a little group of isles beyond the wave”, Utopia Limited: Act II. Tarantella “Upon our sea-girt land” (Chorus), Utopia Limited: Act II. “A wonderful joy our eyes to bless” (Mr. Goldbury), Utopia Limited: Act II. “Ah, Lady Sophy” (King, Lady Sophy), Utopia Limited: Act II. “If you think that when banded in unity” (King, Scaphio, Phantis), Utopia Limited: Act II. “O rapture unrestrained” (King, Lady Sophy), Utopia Limited: Act II. “Oh, Zara… A tenor, all singers above” (Captain FitzBattleaxe), Utopia Limited: Act II. “Oh, would some demon power… When but a maid of fifteen year” (Lady Sophy), Utopia Limited: Act II. “Society has quite forsaken all” (King, Chorus of Flowers of Progress), Utopia Limited: Act II. “Then I may sing and play?” (Nekaya, Kalyba, Lord Dramaleigh, mr. Goldbury), Utopia Limited: Act II. “This ceremonial our wish displays… Eagle high on cloudland soaring” (King, Chorus), Utopia Limited: Act II. “With fury deep we burn” (Scaphio, Phantis), Utopia Limited: Act II. “With wily brain upon the spot” (Tarara, Phantis, Scaphio), Utopia Limited: Act II. “Words of love too loudly spoken” (Zara, Captain FitzBattleaxe), Utopia Limited: Imperial March |
| Greg Silberman |
performing orchestra |
Amaryllis Suite: Buoree, Amaryllis Suite: Entree, Amaryllis Suite: Gavotte, Amaryllis Suite: Gigue, Amaryllis Suite: Minuet, Amaryllis Suite: Musette, Amaryllis Suite: No. 1. Entree, Amaryllis Suite: No. 2. Bourree, Amaryllis Suite: No. 3. Musette, Amaryllis Suite: No. 4. Gigue, Amaryllis Suite: No. 5. Sarabande, Amaryllis Suite: No. 6. Gavotte, Amaryllis Suite: No. 7. Minuet, Amaryllis Suite: No. 8. Scherzo and Trio, Amaryllis Suite: Sarabande, Amaryllis Suite: Scherzo & Trio, Arrival of the Queen of Sheba, Concerto for Cello in E minor, Op. 85: I. Adagio moderato, Concerto for Cello in E minor, Op. 85: II. Lento - Allegro molto, Enigma Variations, Op. 36: Finale, Enigma Variations, op. 36: I. C. A. E., Enigma Variations, op. 36: II. H. D. S.-P., Enigma Variations, op. 36: III. R. B. T., Enigma Variations, op. 36: IV. W. M. B., Enigma Variations, op. 36: IX. Nimrod, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: V. R. P. A., Enigma Variations, op. 36: VI. Ysobel, Enigma Variations, op. 36: VII. Troyte, Enigma Variations, op. 36: VIII. W. N., Enigma Variations, op. 36: X. Intermezzo: Dorabella, Enigma Variations, op. 36: XI. G. R. S., Enigma Variations, op. 36: XII. B. G. N., Enigma Variations, op. 36: XIII. Romanza: ***, Enigma Variations, op. 36: XIV. Finale: E. D. U., Handel at Bath Suite: Fugue, Handel at Bath Suite: Gigue, Handel at Bath Suite: Overture, Highlights From 'the Water Music' (Allegro, Andante con moto, Allegro and Hornpipe), In the South (Alassio), op. 50, Le Carnival Romain, Ouverture, op. 9, Marche Slave, op. 31, Music for the Royal Fireworks, for orchestra, HWV 351: No. 1. Overture, Music for the Royal Fireworks, for orchestra, HWV 351: No. 2. Bourree, Music for the Royal Fireworks, for orchestra, HWV 351: No. 3. La Paix, Music for the Royal Fireworks, for orchestra, HWV 351: No. 4. La Rejouissance, Music for the Royal Fireworks, for orchestra, HWV 351: No. 5. Minuet and Trio, Music for the Royal Fireworks: Buoree, Music for the Royal Fireworks: La Paix, Music for the Royal Fireworks: La Re Jouissance, Music for the Royal Fireworks: Minuet & Trio, Music for the Royal Fireworks: Overture, Op. 15: No. 2. Chanson de matin, Overture in D minor, Pomp and Circumstance March No.4, for orchestra in G major, Op. 39/4, Pomp and Circumstance Marches, Op. 39: No. 4 in G major, Pomp and Circumstance Marches, op. 39: No. 4 in G major, Serenade for Strings in E major, Op. 22: V. Finale. Allegro vivace, Serenade for Strings in E, Op. 22: 5. Finale: Allegro Vivace, Slavonic March, for orchestra, Op. 31, Suite From the Water Music: Air, Suite From the Water Music: Allegro, Suite From the Water Music: Allegro molto, Suite From the Water Music: Allegro vigaroso, Suite From the Water Music: Andante Con Moto, Suite From the Water Music: Buoree, Suite From the Water Music: Hornpipe, Suite From the Water Music: Larghetto, Suite From the Water Music: Minuet & Trio, Symphonie fantastique, op. 14: I. Rêveries, passions, Symphonie fantastique, op. 14: II. Un bal. Valse: Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs: Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice: Allegro non troppo, Symphonie fantastique, op. 14: V. Songe d’une nuit de Sabbat, Symphony No. 4 "The Inextinguishable", Op. 29: I. Allegro / II. Poco allegretto, Symphony No. 4 "The Inextinguishable", Op. 29: III. Poco adagio quasi andante / IV. Allegro, Symphony No. 6 in B minor, Op. 74 "Pathétique": III. March - Allegro molto vivace, Symphony no 8 in G major, Op. 88/B 163: excerpt(s): Allegro grazioso, Symphony no. 5 in D major: I. Preludio: Moderato, Symphony no. 5 in D major: II. Scherzo: Presto, Symphony no. 5 in D major: III. Romanza: Lento, Symphony no. 5 in D major: IV. Passacaglia: Moderato, Symphony no. 6 in B minor, op. 74 "Pathetique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathetique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathetique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathetique": IV. Finale: Adagio lamentoso, The Faithful Shepherd Suite: Adagio, The Faithful Shepherd Suite: Bourree, The Faithful Shepherd Suite: Finale, The Faithful Shepherd Suite: Gavotte, The Faithful Shepherd Suite: Introduction & Fugue, The Faithful Shepherd Suite: Minuet, The Faithful Shepherd Suite: Pastorale, The God's Go a Begging Suite: Allegro, The God's Go a Begging Suite: Bourree, The God's Go a Begging Suite: Dramatico, The God's Go a Begging Suite: Ensemble, The God's Go a Begging Suite: Gavotte, The God's Go a Begging Suite: Hornpipe, The God's Go a Begging Suite: Introduction, The God's Go a Begging Suite: Larghetto, The God's Go a Begging Suite: Minuet, The God's Go a Begging Suite: Musette, The God's Go a Begging Suite: Tamborino, Variations on an Original Theme, op. 36 "Enigma": I. C.A.E. (L'istesso tempo), Variations on an Original Theme, op. 36 "Enigma": II. H.D.S.-P. (Allegro), Variations on an Original Theme, op. 36 "Enigma": III. R.B.T. (Allegretto), Variations on an Original Theme, op. 36 "Enigma": IV. W.M.B. (Allegro di molto), Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (Adagio), Variations on an Original Theme, op. 36 "Enigma": Theme (Andante), Variations on an Original Theme, op. 36 "Enigma": V. R.P.A. (Moderato), Variations on an Original Theme, op. 36 "Enigma": VI. Ysobel (Andantino), Variations on an Original Theme, op. 36 "Enigma": VII. Troyte (Presto), Variations on an Original Theme, op. 36 "Enigma": VIII. W.N. (Allegretto), Variations on an Original Theme, op. 36 "Enigma": Variation 9, Nimrod, Variations on an Original Theme, op. 36 "Enigma": X. Intermezzo: Dorabella (Allegretto), Variations on an Original Theme, op. 36 "Enigma": XI. G.R.S. (Allegro di molto), Variations on an Original Theme, op. 36 "Enigma": XII. B.G.N. (Andante), Variations on an Original Theme, op. 36 "Enigma": XIII. Romanza *** (Moderato), Variations on an Original Theme, op. 36 "Enigma": XIV. Finale: E.D.U. (Allegro - Presto), Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 1. Allegro, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 10. Allegro vigoroso, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 11. Hornpipe, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 1a. Andante con moto, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 2. Air, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 3. Bourree, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 4. Hornpipe, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 5. Minuet And Trio, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 6. Allegro molto, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 7. Allegro, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 8. Larghetto, Water Music Suites Nos 1-3 for orchestra, HWV 348-350: No. 9. Air |
| Sarah Freywald |
performing orchestra |
A Celtic Symphony: I. Lento sostenuto, A Celtic Symphony: II. Allegro con fuoco, A Celtic Symphony: III. Andante con tenerezza, A Celtic Symphony: IV. Allegro con spirito, A Celtic Symphony: V. Largamente maestoso, A Grand, Grand Overture, op. 57, A Hebridean Symphony: I, A Hebridean Symphony: II, A Hebridean Symphony: III, A Hebridean Symphony: IV, A Hebridean Symphony: IX, A Hebridean Symphony: V, A Hebridean Symphony: VI, A Hebridean Symphony: VII, A Hebridean Symphony: VIII, Carnival of Animals, op. 72: I. The Giraffe, Carnival of Animals, op. 72: II. Sheep, Carnival of Animals, op. 72: III. Cows, Carnival of Animals, op. 72: IV. Mice, Carnival of Animals, op. 72: V. Jumbo, Carnival of Animals, op. 72: VI. Chiroptera (Bats), Fifine At The Fair: Elvire's Theme, Fifine At The Fair: Epilogue. Lento con malinconia, Fifine At The Fair: Fifine Dances. Allegretto grazioso e capriccioso, Fifine At The Fair: Prologue. Amphibian, Fifine At The Fair: The Fair. Vivace, Helena Variations: Finale, Lohengrin: Introduction to Act III, Northern Ballad no. 2, Pagan Symphony: Allegro con spirito, Pagan Symphony: Fanfare. Allegretto con moto, Pagan Symphony: Finale. Allegro moto e con fuoco, Pagan Symphony: Molto lento, sostenuto e rubato, Pagan Symphony: Scherzo. Dance of Satyrs, Pagan Symphony: Tranquilo molto lento sostenuto, Phantasy for Viola and Orchestra (excerpt), Rienzi: Overture, Sappho: Prelude, Siegfried Idyll, Spring Fire: I. In the Forest Before Dawn, Spring Fire: II. Daybreak and Sunrise, Spring Fire: III. Full Day, Spring Fire: IV. Woodland Love (Romance), Spring Fire: V. Maenads, St. Paul's Suite, for strings, Op. 29/2, H. 118: I. Jig, St. Paul's Suite, for strings, Op. 29/2, H. 118: II. Ostinato, St. Paul's Suite, for strings, Op. 29/2, H. 118: III. Intermezzo, St. Paul's Suite, for strings, Op. 29/2, H. 118: IV. Finale: The Dargason, Sweeney Todd Concert Suite for Orchestra, op. 68a, Symphonic Scherzo, Symphonic Suite, op. 60 "Lieutenant Kijé": II. Romance, Symphonic Suite, op. 60 "Lieutenant Kijé": III. The Wedding of Kijé, Symphonic Suite, op. 60 "Lieutenant Kijé": IV. Troika, Symphony no. 1, op. 22: I. Allegro, Symphony no. 1, op. 22: II. Andantino, Symphony no. 1, op. 22: III. Vivace con fuoco, Symphony no. 1: (Part 1) —, Symphony no. 1: (Part 2) —, Symphony no. 1: (Part 3), Symphony no. 2 in E minor, op. 27: I. Largo - Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Symphony no. 2, op. 40: I. Allegretto, Symphony no. 2, op. 40: II. Vivace, Symphony no. 2, op. 40: III. Lento, Symphony no. 2, op. 40: IV. Allegro con brio, Symphony no. 3 in B minor: I. Allegro potente, Symphony no. 3 in B minor: II. Adagio con serenità, Symphony no. 3 in B minor: III. Allegro giocoso, Symphony no. 3 in B minor: IV. Adagio - Allegro molto turbolento, Symphony no. 3: I. Allegro ma non troppo, Symphony no. 3: II. Adagio - Presto, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 5, op. 74: I. Tempestuoso, Symphony no. 5, op. 74: II. Andante con moto, Symphony no. 5, op. 74: III. Con fuoco, Symphony no. 5, op. 74: IV. Risoluto, Symphony no. 5: I. Allegro, Symphony no. 5: II. Canone 1: Comodo e tranquillo —, Symphony no. 5: III. Scherzino: Molto vivace —, Symphony no. 5: IV. Canone 2: Adagio —, Symphony no. 5: V. Finale: Molto allegro e con fuoco, Symphony no. 6, op. 95: I. Energico, Symphony no. 6, op. 95: II. Lento - Allegretto - Lento, Symphony no. 6, op. 95: III. Con fuoco, Symphony no. 7, op. 113: I. Allegro energico, Symphony no. 7, op. 113: II. Andante con moto – Sempre crescendo e accellerando – Molto vivace – Lento, Symphony no. 7, op. 113: III. Allegro – Allegretto – Allegro Allegretto – Vivace, Symphony no. 8, op. 124: I. Allegro, Symphony no. 8, op. 124: II. Andantino, Symphony no. 8, op. 124: III. Vivace, Symphony no. 8: I. Poco animato —, Symphony no. 8: II. Scherzo: Minaccioso, Symphony no. 8: III. Adagio —, Symphony no. 8: IV. Finale: Presto, Tannhauser: Overture, The Flying Dutchman: Overture, The Planets Suite, Op. 32: I. Mars, the Bringer of War (30 second version), The Planets Suite, Op. 32: II. Venus, the Bringer of Peace (30 second version), The Planets Suite, Op. 32: III. Mercury, the Winged Messenger (30 second version), The Planets Suite, Op. 32: IV. Jupiter, the Bringer of Jollity (30 second version), The Planets Suite, Op. 32: V. Saturn, the Bringer of Old Age (30 second version), The Planets Suite, Op. 32: VI. Uranus, the Magician (30 second version), The Planets, suite for orchestra & female chorus, Op. 32, H. 125: I. "Mars, the Bringer of War", The Planets, suite for orchestra & female chorus, Op. 32, H. 125: II. "Venus, the Bringer of Peace", The Planets, suite for orchestra & female chorus, Op. 32, H. 125: III. "Mercury, the Winged Messenger", The Planets, suite for orchestra & female chorus, Op. 32, H. 125: IV. "Jupiter, the Bringer of Peace", The Planets, suite for orchestra & female chorus, Op. 32, H. 125: V. "Saturn, the Bringer of Old Age", The Planets, suite for orchestra & female chorus, Op. 32, H. 125: VI. "Uranus, the Magician", The Ride of the Valkyries, The Sea Reivers, The Witch of Atlas: “A lady-witch there lived...”, The Witch of Atlas: “And every nymph of stream...”, The Witch of Atlas: “And old Silenus, ...”, The Witch of Atlas: “And then she called out...”, The Witch of Atlas: “For she was beautiful...”, The Witch of Atlas: “The deep recesses...”, The Witch of Atlas: “To those she saw most beautiful...”, The Witch of Atlas: “’Tis said, she was first changed...”, Two Heroic Ballads: Cuchullan's Lament, Two Heroic Ballads: Kishmul's Galley |
| Anikke Coleman |
performing orchestra |
Academic Festival Overture in C minor, Op. 80, Academic Festival Overture, op. 80, Arrival of the Queen of Sheba (from "Solomon"), Bachianas Brasileiras nº 1, W246: I. Introdução (Embolada), Bachianas Brasileiras nº 1, W246: II. Prelúdio (Modinha), Bachianas Brasileiras nº 1, W246: III. Fuga (Conversa), Bachianas Brasileiras nº 2, W247: I. Prelúdio (O canto do capadócio), Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra), Bachianas Brasileiras nº 2, W247: III. Dansa (Lembrança do sertão), Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira), Bachianas Brasileiras nº 3, W388: I. Prelúdio (Ponteio), Bachianas Brasileiras nº 3, W388: II. Fantasia (Devaneio), Bachianas Brasileiras nº 3, W388: III. Ária (Modinha), Bachianas Brasileiras nº 3, W388: IV. Tocata (Picapau), Bachianas Brasileiras nº 4, W264: I. Prelúdio (Introdução), Bachianas Brasileiras nº 4, W264: II. Coral (Canto do sertão), Bachianas Brasileiras nº 4, W264: III. Ária (Cantiga), Bachianas Brasileiras nº 4, W264: IV. Dança (Miudinho), Bachianas Brasileiras nº 6, W392: I. Ária (chôro), Bachianas Brasileiras nº 6, W392: II. Fantasia (Allegro), Bachianas Brasileiras nº 7, W432: I. Prelúdio (Ponteio), Bachianas Brasileiras nº 7, W432: II. Giga (Quadrilha caipira), Bachianas Brasileiras nº 7, W432: III. Tocata (Desafio), Bachianas Brasileiras nº 7, W432: IV. Fuga (Conversa), Bachianas Brasileiras nº 8, W444: I. Prelúdio, Bachianas Brasileiras nº 8, W444: II. Ária (Modinha), Bachianas Brasileiras nº 8, W444: III. Tocata (Catira batida), Bachianas Brasileiras nº 8, W444: IV. Fuga, Bachianas Brasileiras nº 9, W449, Cinco piezas infantiles: Después de un cuento, Cinco piezas infantiles: Gritería Finale, Cinco piezas infantiles: Mazurka, Cinco piezas infantiles: Plegaria, Cinco piezas infantiles: Son chicos que pasán, Estampas nocturnas: I. La noche, Estampas nocturnas: II. En tiempo del rey Sol, Estampas nocturnas: III. Arrulladora, Estampas nocturnas: IV. Scherzo de Puck, Flower Waltz (From Nutcracker), Fountain of the Villa Medici at Sunset from the Fountains of Rome, Instantáneas mexicanas: I. Canto a la Malinche, Instantáneas mexicanas: II. Música indígena, Instantáneas mexicanas: III. Canción popular, Instantáneas mexicanas: IV. Baile del Bajío, Instantáneas mexicanas: V. Danza nº 1, Instantáneas mexicanas: VI. Danza nº 2, La Carnaval romain, Le Carnaval Romain, op. 9: Overture, Le Corsaire, Overture, op. 21, Le Corsaire, op. 21: Overture, Leonore Overture III (from "Fidelio" second version), Overture (From Nutcracker), Overture to "La Gazza ladra", Overture to "Rosamunde, Fürstin von Zypern", Overture to "The Marriage of Figaro", Pines of Rome: Pines near a Catacomb, Pines of Rome: The Pines of the Appian Way, Pines of Rome: The Pines of the Janiculum, Pines of Rome: The Pines of the Villa Berghese, Pini di Roma: IV. The Pines of the Appian Way, Roma Symphony: I. Andante tranquillo-allegro agitato, Roma Symphony: II. Allegretto vivace, Roma Symphony: III. Andante molto, Roma Symphony: IV. Allegro vivacissimo, Roman Carnival, op. 9, Roman Festivals: Circus Games, Roman Festivals: Epiphany, Roman Festivals: Harvest Festivals in October, Roman Festivals: The Jubilee, Scene (From Swan Lake), Soleriana: No. 4: Pastoral, Soleriana: No. 5: Passepied, Swan Lake Suite, op. 20: II. Valse, Swan Lake Suite, op. 20: III. Danse des cygnes, Swan Lake Suite, op. 20: IV. Scene, Swan Lake Suite, op. 20: V. Danse hongroise (Csardas), Swan Lake Suite, op. 20: VI. Scene, Swan Lake: Act II. Introduction, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento aasai - Allegro vivace, Symphonic Dances, op. 45: III. Lento assai - Allegro vivace, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: IV. Dream of a Witches’ Sabbath, Symphony in C major: I. Allegro vivo, Symphony in C major: II. Adagio, Symphony in C major: III. Scherzo. Allegro vivace, Symphony in C major: IV. Allegro vivace, The Fountains of Rome: The Fountain of Valle Giulia at Dawn, The Fountains of Rome: The Trevi Fountain at Mid-Day, The Fountains of Rome: The Triton Fountain in the Morning, The Fountains of Rome: The Villa Medici Fountain at Sunset, The Hebridies ("Fingal's Cave"), The Isle of the Dead, op. 29, The Marriage of Figaro: Overture, The Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy, The Nutcracker Suite, op. 71a: I. Overture miniature, The Nutcracker Suite, op. 71a: III. Valse des fleurs, The Nutcracker Suite, op. 71a: IIa. Marche, The Nutcracker Suite, op. 71a: IIb. Danse de la fée-dragée, The Nutcracker Suite, op. 71a: IIc. Danse russe, The Nutcracker Suite, op. 71a: IId. Danse arabe, The Nutcracker Suite, op. 71a: IIe. Danse chinoise, The Nutcracker Suite, op. 71a: IIf. Danse des mirlitons, The Sleeping Beauty, op. 66a: I. Introduction / La fée des lilas, The Sleeping Beauty, op. 66a: II. Valse, The Sorcerer’s Apprentice, The Swan Lake (suite from the ballet), op. 20a: I. Scène, Toccata, “Chapultepec”, obertura republicana, “Ferial”, divertimento sinfónico |
| Giuseppe Verdi |
performing orchestra |
Attila: "E' gettata la mia sorte", Atto Primo, Aria: "Sciagurata! hai tu creduto", Atto Primo, Coro e Cavatina: "Non san quant'io nel petto" / "Non vo'quel vecchio, non son sì sciocca", Atto Primo, Coro e Cavatina: "Sì festevola mattina", Atto Primo, Coro: "A te nell'ora infausta", Atto Primo, Finale I: "Tesorier! io creder voglio" / "In qual punt il Re ci ha colto!" / "Affidate alla mente reale", Atto Primo, Introduzione e Duettino: "Mai non rise un più bel dì", Atto Primo, Introduzione e Duettino: "Tesoriere garbatissimo", Atto Primo, Preghiera: "Salve Maria", Atto Primo, Preludio e Introduzione: "Oh nobile esempio!", Atto Primo, Quintetto: "T'assale un tremito!", Atto Primo, Recitativo e Duetto buffo: "Diletto genero, a voi ne vengo", Atto Primo, Recitativo e Duetto buffo: "Quanto diceste mostra un gran talento", Atto Primo, Recitativo e Sestetto: "Cara Giulia, alfin ti vedo" / "Madamine, il mio scudiere" / Recitativo e Terzetto: "In te, cugina, io spero", Atto Primo, Recitativo e Sestetto: "Ebben, Giulietta mia", Atto Primo, Recitativo e Terzetto: "Bella speranza invero", Atto Primo, Recitativo: "Al doppio matrimonio" / "Sire tremante io vengo", Atto Primo, Recitativo: "Vergini!... il ciel per ora", Atto Primo, Scena e Cavatina: "Ah non m'hanno ingannata!" / "Grave a core innamorato", Atto Primo, Scena e Cavatina: "Compagnoni di Parigi" / "Verrà pur troppo il giorno", Atto Primo, Scena e Cavatina: "Sua Maestà, signori", Atto Primo, Scena e Duetto: "Proverò che degno io sono" / "Infiammato da spirto guerriero", Atto Primo, Scena e Finale: "Vieni! Già pose Arvino", Atto Primo, Scena: "Or s'ascolti", Atto Primo, Scena: "Qui nel luogo santo e pio", Atto Primo, Scena: "Tutta tremante ancor", Atto Primo: "Mostro d'averno orribile", Atto Primo: "Parricida!", Atto Quarto, Aria: "Qual prodigio!", Atto Quarto, Coro e Scena: "Componi, o cara vergine" / "In cielo benedetto", Atto Quarto, Coro: "O signore, dal tetto natio", Atto Quarto, Inno di guerra: "Al Siloe!" / "Guerra! guerra!", Atto Quarto, Scena: "Questa è mia tenda...", Atto Quarto: "Un breve istante" / Inno finale: "Te lodiamo, gran Dio", Atto Secondo, Cabaletta: "No! No! giusta causa non è", Atto Secondo, Cavatina: "La mia letizia infondere" / "Come poteva un angelo", Atto Secondo, Coro di Schiave: "La bella straniera", Atto Secondo, Coro ed Aria: "Ma le nozze non si fanno?", Atto Secondo, Coro ed Aria: "Pietoso al lungo pianto" / "Deh, lasciate a un'alma amante", Atto Secondo, Coro: "È dunque vero?", Atto Secondo, Duettino: "Sei tu l'uom della caverna?", Atto Secondo, Duetto: "Ch'io non posso il ver comprendere?", Atto Secondo, Finale II: "Sire, venne in quest'istante" / "Eh! facciamo da buoni amici", Atto Secondo, Finale: "Chi ne salva?", Atto Secondo, Inno dei Crociati: "Stolto Allhà!", Atto Secondo, Recitativo e Duetto: "Bene, scudiero, vi ritrovo in tempo" / "Un mio castello! cinque mil scudi!...", Atto Secondo, Recitativo e Duetto: "Tutte l'armi si può prendere", Atto Secondo, Recitativo e Settimino: "A tal colpo preparata", Atto Secondo, Recitativo e Settimino: "Sì, caro conte!", Atto Secondo, Recitativo ed Aria: "Nipote in quest'istante", Atto Secondo, Recitativo ed Aria: "Perché dunque non vien?" / "Sì scordar saprò l'infido", Atto Secondo, Rondò: "Oh madre, dal cielo soccorri" / Arioso: "Se vano è il pregare", Atto Secondo, Scena e Duetto: "Oh me felice appieno!" / "Ah! non sia, mio ben, fallace", Atto Secondo, Scena e Marcia: "E ancor silenzio!", Atto Secondo, Scena: "O madre mia, che fa colei?", Atto Terzo, Duetto: "Oh belle, a questa misera", Atto Terzo, Finale. Terzetto: "Qual voluttà", Atto Terzo, Processione: "Gerusalem!", Atto Terzo, Scena ed Aria: "Che vid'io mai?", Atto Terzo, Scena: "Dove sola m'inoltro?", Atto Terzo, Scena: "Qui posa il fianco", Atto Terzo: Preludio, Chorus of the Hebrew Slaves (Nabucco), I lombardi: "La mia letizia infondere", La forza de destino, Act 3: Solemne in quest'ora, La forza del destino: "Pace, pace, mio Dio" (Leonora), La traviata: Act I. Chorus "Libiamo ne' lieti calici" (Alfredo, Violetta), La traviata: Atto I. Recitativo "È strano! è strano!" (Violetta) / Aria "Ah. fors'è lui" (Violetta) / Recitativo "Folie! Folie! Delirio vano è questo!" (Violetta) / Aria "Sempre libera" (Violetta), Luisa Miller: "Oh! fede negar potessi ... Quando le sere al placido", Non san ... Non vo' quel vecchio, Ouverture, Preludios y oberturas para ópera - Aida: Preludio, Preludios y oberturas para ópera - Giovanna d'Arco: Obertura, Preludios y oberturas para ópera - I vespri siciliani: Obertura, Preludios y oberturas para ópera - La Traviata: Preludio Acto III, Preludios y oberturas para ópera - La forza del destino: Obertura, Preludios y oberturas para ópera - Luisa Miller: Obertura, Preludios y oberturas para ópera - Un ballo in maschera: Preludio, Simon Boccanegra: "O inferno! ... Sento avvampar nell'anima", Un giorno di regno: "A non m'hanno ingannata!" |
| Rhythm Monks |
performing orchestra |
"Romeo and Juliet" Symphony, op.17: Love Scene / Queen Mab Scherzo, "Romeo and Juliet" Symphony, op.17: Romeo's Reverie / Fête of the Capulets, Carmina Burana: Blanziflor et Helena. No. 24 Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi. No. 2 Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi. No. 25 O Fortuna (reprise), Carmina Burana: I - Primo vere. No. 3 Veris leta facies, Carmina Burana: I - Primo vere. No. 4 Omnia Sol temperat, Carmina Burana: I - Primo vere. No. 5 Ecce gratum, Carmina Burana: II - In Taberna. No. 11 Estuans interius, Carmina Burana: II - In Taberna. No. 12 Olim lacus colueram, Carmina Burana: II - In Taberna. No. 13 Ego sum abbas, Carmina Burana: II - In Taberna. No. 14 In taberna quando sumus, Carmina Burana: III - Cour d'amours. No. 15 Amor volat undique, Carmina Burana: III - Cour d'amours. No. 16 Dies, nox et omnia, Carmina Burana: III - Cour d'amours. No. 17 Stetit puella, Carmina Burana: III - Cour d'amours. No. 18 Circa mea pectora, Carmina Burana: III - Cour d'amours. No. 19 Si puer cum puellula, Carmina Burana: III - Cour d'amours. No. 20 Veni, veni, venias, Carmina Burana: III - Cour d'amours. No. 21 In trutina, Carmina Burana: III - Cour d'amours. No. 22 Tempus est iocundum, Carmina Burana: III - Cour d'amours. No. 23 Dulcissime!, Carmina Burana: Uf dem anger. No. 10 Were diu werlt alle min, Carmina Burana: Uf dem anger. No. 6 Tanz, Carmina Burana: Uf dem anger. No. 7 Floret silva nobilis, Carmina Burana: Uf dem anger. No. 8 Chramer, gip die varwe mir, Carmina Burana: Uf dem anger. No. 9 Reie-Reigen, Dance of the Seven Veils, From "Salome", La Boutique Fantasque, P.120; 13. Nocturne, La Boutique Fantasque, P.120; 14. Galop, La Boutique Fantasque, P.120; 15. Finale, La Boutique Fantasque, P.120; 7. Cossack Danse, La Boutique Fantasque, P.120; 8. Valse Brillante, La Boutique Fantasque, P.120; 9. Can-Can, La Boutique Fantasque, P.120; Overture / Scene / Vivo, La Boutique Fantasque, P.120; Tarantella / Mazurka / Scene, La Boutique Fantasque, P.120; Valse Lento / Scene, Slavische Dans Nr. 1 Op. 46, Slavonic Dances, op. 46: no. 1 in C major, Slavonic Dances, op. 46: no. 2 in E minor, Slavonic Dances, op. 46: no. 3 in A-flat major, Slavonic Dances, op. 46: no. 4 in F major, Slavonic Dances, op. 46: no. 5 in A major, Slavonic Dances, op. 46: no. 6 in D major, Slavonic Dances, op. 46: no. 7 in C minor, Slavonic Dances, op. 46: no. 8 in G minor, Slavonic Dances, op. 72: no. 1 in B major, Slavonic Dances, op. 72: no. 2 in E minor, Slavonic Dances, op. 72: no. 3 in F major, Slavonic Dances, op. 72: no. 4 in D-flat major, Slavonic Dances, op. 72: no. 5 in B-flat minor, Slavonic Dances, op. 72: no. 6 in B-flat major, Slavonic Dances, op. 72: no. 7 in C major, Slavonic Dances, op. 72: no. 8 in A-flat major, Suite Rossiniana, P.148; 1. Caprie Taormina (Barcarola e Siciliana), Suite Rossiniana, P.148; 2. Lamento, Suite Rossiniana, P.148; 3. Intermezzo, Suite Rossiniana, P.148; 4. Tarantella "Puro sangue", Suite in A major, op. 98b "American": I. Molto vivace, Suite in A major, op. 98b "American": II. Allegro, Suite in A major, op. 98b "American": III. Moderato (alla Polacca), Suite in A major, op. 98b "American": IV. Andante, Suite in A major, op. 98b "American": V. Allegro, Symphony No. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, op. 92: II. Allegretto, Symphony No. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, op. 92: IV. Allegro con brio, The Firebird: Finale, The Firebird: Infernal Dance, The Firebird: The Princesses’ Khorovod |
| Llifon Hughes-Jones |
performing orchestra |
1812 Overture, Adagio of Spartacus and Phrygia, Ayesha's Dance, Capriccio Italien, Op. 45, Dance of the Maidens and Victory of Spartacus, Dance of the Rose Maidens, Gopak, Lesghinka, Lullaby, Nocturne, Pequena serenata noturna em sol maior, K. 525: I. Allegro, Pequena serenata noturna em sol maior, K. 525: II. Romanza: Andante, Pequena serenata noturna em sol maior, K. 525: III. Minueto e trio: Allegretto, Pequena serenata noturna em sol maior, K. 525: IV. Rondó: Allegro, Polonaise from Eugene Onegin, Romance, Romeo and Juliet Overture, Sabre Dance, Scene and Dance With Crotalums, Serenata para cordas em dó maior, op. 48: I. Pezzo in forma di sonatina, Serenata para cordas em dó maior, op. 48: II. Valsa, Serenata para cordas em dó maior, op. 48: III. Elegia, Serenata para cordas em dó maior, op. 48: IV. Final: Tema russo, Suíte Holberg, op. 40: I. Prelúdio: Allegro vivace, Suíte Holberg, op. 40: II. Sarabanda: Andante, Suíte Holberg, op. 40: III. Gavota-musette: Allegretto, Suíte Holberg, op. 40: IV. Ária: Andante religioso, Suíte Holberg, op. 40: V. Rigaudon: Allegro con brio, The Firebird Ballet Suite 1945: I: Introduction, The Firebird Ballet Suite 1945: II: Prelude and Dance, The Firebird Ballet Suite 1945: III: Variations, The Firebird Ballet Suite 1945: IV: Pantomime I, The Firebird Ballet Suite 1945: IX: Infernal Dance, The Firebird Ballet Suite 1945: V: Pas de deux, The Firebird Ballet Suite 1945: VI: Pantomime II, The Firebird Ballet Suite 1945: VII: Scherzo, The Firebird Ballet Suite 1945: VIII: Pantomime III, Rondo, The Firebird Ballet Suite 1945: X: Lullaby, The Firebird Ballet Suite 1945: XI: Final Hymn, The Rite of Spring: Part I: Adoration of the Earth: II. The Augurs of Spring (Dances of the Young Girls), The Rite of Spring: Part I: Adoration of the Earth: III. Ritual of Abduction, The Rite of Spring: Part I: Adoration of the Earth: IV. Spring Rounds, The Rite of Spring: Part I: Adoration of the Earth: V. Ritual of the Rival Tribes, The Rite of Spring: Part I: Adoration of the Earth: VI. Procession of the Sage, The Rite of Spring: Part I: Adoration of the Earth: VII. The Sage, The Rite of Spring: Part I: Adoration of the Earth: VIII. Dance of the Earth, The Rite of Spring: Part II: The Sacrifice: I. Introduction, The Rite of Spring: Part II: The Sacrifice: II. Magic Circles of the Young Girls, The Rite of Spring: Part II: The Sacrifice: III. Glorification of the Chosen One, The Rite of Spring: Part II: The Sacrifice: IV. Evocation of the Ancestors, The Rite of Spring: Part II: The Sacrifice: V. Ritual Action of the Ancestors, The Rite of Spring: Part II: The Sacrifice: VI. Sacrificial Dance (The Chosen One), Variations of Aegina and Bacchanalia, Waltz, Waltz from Eugene Onegin |
| 柴田まゆみ |
performing orchestra |
Aeses Tod, Carmen Suite No. 1: Intermezzo, Carmen Suite No. 1: Les Dragons d'Alcala, Carmen Suite No. 1: Les Toréadors, Carmen Suite No. 1: Prelude, Carmen Suite No. 1: Seguedille, Carmen Suite No. 2: Chanson du Toréador, Carmen Suite No. 2: Danse Bohème, Carmen Suite No. 2: Habanera, Carmen Suite No. 2: La Garde Montante, Carmen Suite No. 2: Marche des Contrebandiers, Carmen Suite No. 2: Nocturne, Egmont Overture, op. 84, Egmont, op. 84: Obertura, Morgenstimmung, Overture: Egmont, op. 84, Peer Gynt Suite No. 1, Op. 46: I. Morgenstimmung, Peer Gynt Suite No. 1, Op. 46: II. Death of Aase, Peer Gynt Suite No. 1, Op. 46: III. Dance of Anitra, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming, Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, op. 46: I. Morgenstimmung, Peer Gynt Suite no. 1, op. 46: II. Aases Tod, Peer Gynt Suite no. 1, op. 46: II. The Death of Aase, Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance, Peer Gynt Suite no. 1, op. 46: III. Anitra’s Tanz, Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite no. 1, op. 55: I. Ingrid’s Lament, Peer Gynt Suite no. 1, op. 55: II. Arabian Dance, Peer Gynt Suite no. 1, op. 55: III. Peer Gynt’s Homecoming, Peer Gynt Suite no. 1, op. 55: IV. Solveig’s Song, Peer Gynt Suite no. 2, op. 55: I. Ingrid's Lament, Peer Gynt Suite no. 2, op. 55: II. Arabian Dance, Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Home Coming, Peer Gynt Suite no. 2, op. 55: IV. Solveig's Song, Sinfonía n.º 6 en fa mayor, op. 68 «Pastoral»: I. Allegro ma non troppo, Sinfonía n.º 6 en fa mayor, op. 68 «Pastoral»: II. Andante molto mosso, Sinfonía n.º 6 en fa mayor, op. 68 «Pastoral»: III. Allegro, Sinfonía n.º 6 en fa mayor, op. 68 «Pastoral»: IV. Allegro, Sinfonía n.º 6 en fa mayor, op. 68 «Pastoral»: V. Allegretto, Solveigh’s Song, Symphony no. 6 in F major, op. 68 "The Pastoral": I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "The Pastoral": II. Andante molto mosso, Symphony no. 6 in F major, op. 68 "The Pastoral": III. Allegro, Symphony no. 6 in F major, op. 68 "The Pastoral": IV. Allegro, Symphony no. 6 in F major, op. 68 "The Pastoral": V. Allegretto, Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso, Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro, Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegro |
| Frederick Delius |
performing orchestra |
A Village Romeo and Juliet: I. September. A piece of land on a hill, A Village Romeo and Juliet: II. Six years later. Outside Marti's house, A Village Romeo and Juliet: III. The Wildland, A Village Romeo and Juliet: IVa. Interior of Marti's house, A Village Romeo and Juliet: IVb. The Dream of Sali and Vreli, A Village Romeo and Juliet: The Walk to the Paradise Garden, A Village Romeo and Juliet: VI. The Paradise Garden, A Village Romeo and Juliet: Va. The Fair, Appalachia - Allegro alla marcia, Appalachia - Andante, Appalachia - Andante con grazia, Appalachia - Con moto, Appalachia - Lente sostenuto e tranquillo, Appalachia - Lento e molto tranquillo, Appalachia - Marcia : molto lento maestoso, Appalachia - Molto moderato, Appalachia - Poco piu vivo ma moderato, Autumn, the Wind Soughs in the Trees, Dance, Dance Rhapsody No. 1, Idyll: Day by Day, Night by Night (Lento, con espressione), Idyll: I Am She Who Adored Herself, Idyll: Once I Passed Through a Populous City (Andante moderato), Idyll: Prelude (Moderato), Idyll: Sweet Are the Blooming Cheeks (Lento, più tranquillo), Idyll: This Is Thy Hour (Più mosso), Marche Caprice, On the Mountain, Over the Hills and Far Away, Requiem: I. Our Days Are as One Day (Solemnly), Requiem: II. Hallelujah/La Il Allah (With Vigour and Fervour), Requiem: III. My Beloved Whom I Cherished (Moderato), Requiem: IV. I Honour the Man Who Can Love Life (With Energy), Requiem: V. The Snow Lingers Yet on the Mountains (Very Slow), Sea Drift - O rising stars!, Sea Drift - Till of a sudden, Sea Drift: O I am very sick and sorrowful, Sea Drift: O rising stars!, Sea Drift: Once Paumanok, Sea Drift: Till of a sudden, Songs of Farewell: I. How Sweet the Silent Backward Tracings! (Quieto, molto tranquillo), Songs of Farewell: II. I Stand as on Some Mighty Eagle's Beak (Lento molto), Songs of Farewell: III. Passage to You! (Andante tranquillo), Songs of Farewell: IV. Joy, Shipmate, Joy! (Maestoso), Songs of Farewell: V. Now Finale to the Shore (Moderato con moto), The March of Spring, The Song of the High Hills: I. With quiet easy movement-Tranquillo, The Song of the High Hills: II. Very slow ('The wide, far distance'-'The great solitude'), The Song of the High Hills: III. In tempo, The Song of the High Hills: IV. Very quietly-Tempo I, Violin Concerto: I. With moderate tempo, Violin Concerto: II. Slower, Violin Concerto: III. Tempo I-Allegretto-Più moderato, Winter Landscape |
| Mari Tsumura |
performing orchestra |
A Song Before Sunrise, An American in Paris, Aquarelle No. 1, Aquarelle No. 2, Boléro, Boléro (excerpt), Brigg Fair, Brook Green Suite: I. Prelude, Brook Green Suite: II. Air, Brook Green Suite: III. Dance, Capriccio espagnol, op. 34: I. Alborada, Capriccio espagnol, op. 34: II. Variazioni / III. Alborada, Capriccio espagnol, op. 34: IV. Scena e canto gitano, Capriccio espagnol, op. 34: V. Fandango asturiano, Capriol Suite (Basse-Danse, Pavane, Tordion, Bransles, Pieds-En-L'Air, Mattachins (Sword dance)), Capriol Suite: I. Basse-danse, Capriol Suite: II. Pavanne, Capriol Suite: III. Tordion, Capriol Suite: IV. Bransles, Capriol Suite: V. Pieds-en-l'air, Capriol Suite: VI. Mattachins (Sword Dance), Henry V: Passacaglia: Death of Falstaff, Henry V: Touch Her Soft Lips and Part, Introduction and Allegro for Strings, Op. 47, Meditations on a Theme of John Blow, Meditation Nr. 3, On Hearing the First Cuckoo in Spring, Over the Hills and Far Away, Pavane pour une infante defunte, Prélude à l'après midi d'un faune, Scheherazade, op. 35: I. The Sea and Sinbad’s Ship (Largo e maestoso. Lento. Allegro non troppo. Tranquillo), Scheherazade, op. 35: II. The Story of the Kalandar Prince (Lento. Andantino. Allegro molto. Vivace scherzando. Moderato assai. Allegro molto e animato), Scheherazade, op. 35: III. The Young Prince and Princess (Andantino quasi allegretto), Scheherazade, op. 35: IV. The Festival of Baghdad. The Sea. The Ship Goes to Pieces on a Rock Summoned by a Bronze Warrior (Allegro molto. Lento. Vivo. Allegro non troppo e maestoso. Lento. Tempo come I), Serenade for strings, Op. 20: I. Allegro piacevole, Serenade for strings, Op. 20: II. Larghetto, Serenade for strings, Op. 20: III. Allegretto, St. Paul's Suite, Op. 29, No. 2: Finale (The Dargason), Suite: II. Slow Air, Suite: III. Air, Suite: IV. Minuet, Suite: V. Allegro, Symphony No. 1 in C major, Op. 21: I. Adagio molto – Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto – Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, The Walk to the Paradise Garden |
| Peter Lindsay |
performing orchestra |
Air on a G String, Air on a G-String (from Suite no. 3 in D major), Air on the G String, Allegro Deciso (From Water Music), Barcarole aus "Hoffmans Erzählungen", Barcarolle, Barcarolle (Hoffmann's Tales), Champagner Polka, op. 211, Clair De Lune, Espana, España, Rhapsody for Orchestra, Farandole (Arlésienne Suite), Freuet Euch des Lebens, op. 340, Hoffmanns Erzählungen (Royal Philharmonic Orchestra London feat. conductor: Frank Shipway), Hungarian March, Le nozze di Figaro, K. 492: Sinfonia, Les Contes d'Hoffmann: Barcarole, Meditation, Meditation (Thais), Meditation from "Thais", Meditation from the Opera "Thais", Morning (Peer Gynt Suite no. 1, op. 46), Orphée aux enfers (Orpheus in the Underworld): Overture (Can-can), Rhapsodie espagnole: Feria, Rhapsodie espagnole: Feria (assez anime), Rhapsodie espagnole: Habanera (assez lent et d'un rhytheme las), Rhapsodie espagnole: Malaguena (Assez vif), Rhapsodie espagnole: Malaguena / Habanera, Rhapsodie espagnole: Prelude a la nuit (Tres modere), Rhapsodie espagnole: Prélude à la nuit, Ride of the Valkyries, Russischer Marsch, op. 426, Sheep May Safely Graze, Cantata No. 208, Slavonic Dance no. 1, Slawischer Tanz, Op. 46 Nr. 2 in C-Major, Sleepers Awake, Cantata No. 140, Suite For Orchestra No. 3 In D Major BWV 1068: Air (Air On The G String), Suite for Orchestra no. 3 in D Major: Air, Symphony No. 5 in C-sharp minor: I. Trauermarsch, Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, Symphony No. 5 in C-sharp minor: III. Scherzo (Horn Solo: John Bismon), Symphony No. 5 in C-sharp minor: IV. Adagietto, Symphony No. 5 in C-sharp minor: V. Rondo Finale, Thaïs: Méditation, The Tales of Hoffmann, The Tales of Hoffmann: Barcarole, Trumpet Voluntary, Trumpet Voluntary - The Prince of Denmark's March, Waltz (Serenade for Strings) |
| Elmer Bernstein |
performing orchestra |
Aftermath, Barbarians (album edit), Beginning, Bomber and the Green Ball (album edit), Castrate Him / Searching for Loc Nar, Council (Taarna Summoned), Dem Bones, Den Makes Out (Den Makes It), Den Makes Out (film version), Discovery / Transformation (Den and the Green Ball), Durnford, End of Baby, Error, Escape, Fighting, Finish (Taarna Forever), Fiste, Flight to Holiday Town, Formation, Getting Bombed, Glory, Green Ball, Harry, Harry and the Girl (album edit), Into Battle, Intro to Green Ball, Isandhlwana (pt.1), Isandhlwana (pt.2), Men of Harlech, More Zulus, Morning (Main Title), My Whips! / Taarna Escapes Pit, No Alarm, Pursuit (Den's Heroics), Queen for a Day (Den and the Queen), Regimental March, River Crossing, Robot Love (Space Love), Saving the Colors, Scouting, Stand To, The Chase, The Flight to Temple (Flight), The Hunt, The Next Morning, The Sword (Taarna Prepares), Zulus |
| Alun Jones |
performing orchestra |
Swan Lake, op. 20: Act I, no. 1: Scene: Allegro giusto, Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse, Swan Lake, op. 20: Act I, no. 3: Scene: Allegro moderato, Swan Lake, op. 20: Act I, no. 4: Pas de trois: I. Intrada: Allegro, Swan Lake, op. 20: Act I, no. 4: Pas de trois: II. Adagio: Andante sostenuto, Swan Lake, op. 20: Act I, no. 4: Pas de trois: III. Allegro semplice, Swan Lake, op. 20: Act I, no. 4: Pas de trois: IV. Moderato, Swan Lake, op. 20: Act I, no. 4: Pas de trois: V. Allegro, Swan Lake, op. 20: Act I, no. 4: Pas de trois: VI. Coda: Allegro vivace, Swan Lake, op. 20: Act I, no. 5: Pas de deux: I. Tempo di valse ma non troppo Vivo, Quasi moderato, Swan Lake, op. 20: Act I, no. 5: Pas de deux: II. Andante - Allegro, Swan Lake, op. 20: Act I, no. 5: Pas de deux: III. Tempo di valse, Swan Lake, op. 20: Act I, no. 5: Pas de deux: IV. Coda: Allegro molto vivace, Swan Lake, op. 20: Act I, no. 6: Pas d'Action: Andantino quasi moderato - Allegro, Swan Lake, op. 20: Act I, no. 7: Sujet, Swan Lake, op. 20: Act I, no. 8: Danse des Coupes: Tempo di polacca, Swan Lake, op. 20: Act I, no. 9: Finale: Andante, Swan Lake, op. 20: Act I: Introduction: Moderato assai, Allegro ma non troppo, Swan Lake, op. 20: Act II, no. 10: Scene: Moderato, Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato - Allegro vivo, Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Allegro, Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse), Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo, Swan Lake, op. 20: Act II: Danses des cygnes, Swan Lake, op. 20: Act II: Danses des petites cygnes, Swan Lake, op. 20: Act II: Scene finale – Swan theme (Moderato), Swan Lake, op. 20: Act III, Appendix 2: Danse russe: Moderato: Andante semplice - Allegro vivo, Swan Lake, op. 20: Act III, no. 17: Scène: La Sortie des invités et Valse, Swan Lake, op. 20: Act III, no. 18: Scène: Allegro: Allegro giusto, Swan Lake, op. 20: Act III, no. 19: Pas de six: Intrada: Moderato assai, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation I: Allegro, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation II: Andante con moto, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation III: Moderato, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation IV: Allegro, Swan Lake, op. 20: Act III, no. 19: Pas de six: Variation V: Moderato - Allegro semplice, Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace, Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero), Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto, Swan Lake, op. 20: Act III, no. 23: Mazurka (Solistes et corps de ballet): Tempo di Mazurka, Swan Lake, op. 20: Act III, no. 24: Scène: Allegro: Valse: Allegro vivo, Swan Lake, op. 20: Act III: Scene – Danse de fançailles (Allegro giusto), Swan Lake, op. 20: Act IV, no. 25: Entr'acte: Moderato, Swan Lake, op. 20: Act IV, no. 26: Scène: Allegro ma non troppo, Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato, Swan Lake, op. 20: Act IV, no. 28: Scène: Allegro agitato: Molto meno mosso: Allegro vivace, Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso |
| Maurice Jarre |
performing orchestra |
A Passage to India, Adela, Agaguk, Always and Forever (English), Always and Forever (French), Back to England, Bartertown, Bela, Bicycle Ride, Bombay March, Chandrapore, Climbing to the Caves, Colonial Club Orchestra, Coming Home, Escape, Eva, Expectations, Fanfare from Mad Max: Beyond Thunderdome, Frangipani, Frankenstein, Frankenstein’s Punishment, Ghosts, Henderson, Himalayan Mountain Horns, Igiyook, In the Woods, Kashmire, Nightmare, Procession 1, Procession 2, Procession 3, Procession 4, Procession 5, Punjaub March, Rinaldo, Rinaldo’s Death, The Bride, The Children, The Jewels, The Marabar Caves, The Shaman Hawk, The Temple, The White Wolf, To the Top of the Wolf, Together, Viktor and Eva |
| Ludwig van Beethoven |
performer, performing orchestra |
Concierto para piano y orquesta n.º 1 en do mayor, op. 15: I. Allegro con brio, Concierto para piano y orquesta n.º 1 en do mayor, op. 15: II. Largo, Concierto para piano y orquesta n.º 1 en do mayor, op. 15: III. Rondo: Allegro, Für Elise, Moonlight Sonata, Ouvertüre 'Egmont' Op. 84 aus der Musik zu J W Goethes Trauerspiel, Overture "Fidelio", Op. 72b, Overture "Leonore" No. 3, Op. 72a, Overture to The Creatures of Prometheus, Pathetique, Piano Concerto No. 5 "Emperor" (3rd MVT), Romance for Violin and Orchestra No. 2 in F major, Op. 50, Sinfonía n.º 5 en do menor, op. 67: I. Allegro con brio, Sinfonía n.º 5 en do menor, op. 67: II. Andante con moto, Sinfonía n.º 5 en do menor, op. 67: III. Allegro, Sinfonía n.º 5 en do menor, op. 67: IV. Allegro, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: I. Allegro ma non troppo, un poco maestoso, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: II. Molto vivace, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: III: Adagio molto e cantabile, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto, Sinfonía n.º 9 en re mayor, op. 125 «Coral»: IV. Presto. Allegro assai, Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight", Symphonie, No. 9, Op. 125 (Choral "Ode an Die Freude"), Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante - Moderato, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - 'O Freunde, nicht diese Töne' - Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": V. Presto "O Freunde, nicht diese Töne!" - Allegro assai, "Ode to Joy", Symphony No.6 in F 'Pastoral' - 1st Movement, Symphony No.9 ('Choral') (Fourth Movement), Symphony no. 2 in D, op. 36: 1. Adagio Molto - Allegro Con Brio, Symphony no. 2 in D, op. 36: 3. Scherzo (Allegro), Symphony no. 2 in D, op. 36: 4. Allegro Molto, Symphony no. 4 in B Flat, op. 60: 1. Adagio - Allegro Vivace, Symphony no. 4 in B Flat, op. 60: 2. Adagio, Symphony no. 4 in B Flat, op. 60: 3. Allegro Vivace, Symphony no. 8 in F, op. 93: 2. Allegretto Scherzando, The Pastoral |
| Пётр Ильич Чайковский |
performer, performing orchestra |
Capriccio Italien, op. 45, Eugene Onegin: "Kuda vy udalilis", Nutcracker Suite (Chinese Dance), Overtüre 1812, Piano Concerto No. 1 in B-flat minor, Op. 23, Piano Concerto No. 1 in B-flat minor, Op. 23: I (excerpt), Piano Concerto No. 1 in B-flat minor, Op. 23: I., Piano Concerto no. 1 in B-flat minor, op. 23, Romeo and Juliet: Fantasy Overture (excerpt), Serenade for Strings in C major op. 48: I. Pezzo in forma di sonatina, Serenade for Strings in C major op. 48: II. Walzer, Serenade for Strings in C major op. 48: III. Élégia, Serenade for Strings in C major op. 48: IV. Finale: Tema russo, Serenade for Strings in C major, Op. 48: III. Elegy. Larghetto elegiaco, Swan Lake Suite, Swan Lake Suite, Op. 20: I. Scene, Swan Lake Suite, Op. 20: II. Valse, Swan Lake Suite, Op. 20: III. Danses des Cygnes, Swan Lake Suite, Op. 20: IV. Scene, Swan Lake Suite, Op. 20: V. Danse hongroise (Czardas), Swan Lake Suite, Op. 20: VI. Scene, Swan Lake: Dance of the Little Swans, Swan Lake: The Flight of Swans, Symphony No. 4, Symphony No. 4 in F minor, Op. 36: I. Andante Sostenuto, Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzone, Symphony No. 4 in F minor, Op. 36: III. Scherzo, Symphony No. 4 in F minor, Op. 36: IV. Allegro con brio, Symphony No. 5 in E minor, Op. 64: I. (excerpt), Symphony No. 5 in E minor, Op. 64: I.(excerpt), Symphony No. 5 in E minor, Op. 64: III. (excerpt), Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace (excerpt), Symphony No. 6 in B minor, Op. 74 "Pathétique": I., Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato - Allegro, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 6 in B minor "Pathétique" op. 74: I. Adagio – Allegro non troppo, Symphony no. 6 in B minor "Pathétique" op. 74: II. Allegro con grazia, Symphony no. 6 in B minor "Pathétique" op. 74: III. Allegro molto vivace, Symphony no. 6 in B minor "Pathétique" op. 74: IV. Finale: Adagio lamentoso, The Nutcracker, op. 71, Act 2: Waltz of the Flowers, Waltz of the Flowers from The Nutcracker |
| Sir Granville Bantock |
performing orchestra |
Dante And Beatrice: Maestoso - Poco largamente - Vivo - Lento - Allegro con fuoco - Appassionato - Sostenuto cantabile - Andante tranquillo, poco rubato, Helena: Theme: Lento molto, Helena: Variation I: Allegro molto con fuoco, Helena: Variation II: Poco tranquillo, Helena: Variation III: Allegretto scherzando, Helena: Variation IV: Molto moderato quasi religioso, Helena: Variation IX: Allegro impetuoso, Helena: Variation V: Capriccioso, Helena: Variation VI: Poco agitato, Helena: Variation VII: Lento molto e sostenuto, Helena: Variation VIII: Con moto affettuoso, Helena: Variation X: Non più Allegro, Helena: Variation XI: Andante doloroso, Helena: Variation XII, Finale: Allegro appassionato, Overture to a Greek Tragedy, Part 1, Overture to a Greek Tragedy, Part 2, Overture to a Greek Tragedy, Part 3, Overture to a Greek Tragedy, Part 4, Pierrot of the Minute, The Cyprian Goddess, Symphony No. 3: Animando - Con fuoco - Con moto agitato, The Cyprian Goddess, Symphony No. 3: Lentamente - Lento sostenuto - Poco lentando - Allegretto grazioso - Con fuoco - Con anima, The Cyprian Goddess, Symphony No. 3: Liberamente - Affrettando - Tranquillo molto sostenuto, The Cyprian Goddess, Symphony No. 3: Maestoso e sforzato - Lentamente - Poco largamente - Con più moto, The Cyprian Goddess, Symphony No. 3: Più moto, affrettando - Tranquillo, e molto sostenuto, The Song of Songs, The Fifth Day: 'For Love Is Strong as Death', The Song of Songs, The Fifth Day: 'Make Haste, My Beloved', The Song of Songs, The Fifth Day: 'Many Waters Cannot Quench Love', The Song of Songs, The Fifth Day: 'Set Me as a Seal Upon Thy Heart', The Song of Songs, The Fifth Day: 'We Have a Little Sister', The Song of Songs, The Fifth Day: 'Who Is This That Cometh Up From the Wilderness?', The Song of Songs, The Second Day: 'Arise, My Love', The Song of Songs, The Second Day: 'But I Found Him Whom My Soul Loveth', The Song of Songs, The Second Day: 'By Night in My Dream I Sought Him', The Song of Songs, The Second Day: 'My Beloved Spake', The Song of Songs, The Second Day: 'Take Us the Foxes', The Song of Songs, The Second Day: 'The Voice of My Beloved', The Song of Songs, The Second Day: She Flinges Herself Upon a Divan in an Ecstasy of Passionate Rapture, The Song of Songs, The Third Day: The King's Gifts, The Song of Songs, The Third Day: The Shulamite, The Song of Songs, The Third Day: The Shulamite Is Left Alone, The Song of Songs, The Third Day: The Shulamite Reflects Upon Her Absent Shepherd-Lover..., The Song of Songs, The Third Day: …and Sees Him in a Vision on the Mountainside, The Wilderness and the Solitary Place |
| Сергей Сергеевич Прокофьев |
performing orchestra |
Peter and the Wolf, Op. 67: I. Introduction, Peter and the Wolf, Op. 67: II. Introduction to the Instruments & Characters 1, Peter and the Wolf, Op. 67: III. Introduction to the Instruments & Characters 2, Peter and the Wolf, Op. 67: IV. Introduction to the Instruments & Characters 3, Peter and the Wolf, Op. 67: IX. The tale of Peter and the Wolf, Peter and the Wolf, Op. 67: V. Introduction to the Instruments & Characters 4, Peter and the Wolf, Op. 67: VI. Introduction to the Instruments & Characters 5, Peter and the Wolf, Op. 67: VII. Introduction to the Instruments & Characters 6, Peter and the Wolf, Op. 67: VIII. Introduction to the Instruments & Characters 7, Peter and the Wolf: (1) Introduction, (2) The Bird, (3) The Duck, (4) The Cat, (5) Grandfather, (6) The Wolf, (7) Peter, (8) Rifles, Peter and the Wolf: A big grey wolf, Peter and the Wolf: A duck came waddling along, Peter and the Wolf: A triumphant procession, Peter and the Wolf: Bird, fly down and circle the wolf's head, Peter and the Wolf: Don't shoot...let's take him to the zoo, Peter and the Wolf: Just then, some hunters came out of the woods, Peter and the Wolf: On a branch sang a little bird, Peter and the Wolf: Peter goes out into the meadow, Peter and the Wolf: Peter made a lassoo, Peter and the Wolf: Peter ran home and took a strong rope, Peter and the Wolf: Peter's grandfather came out, Peter and the Wolf: Suddenly, Peter noticed a cat, Peter and the Wolf: The cat climbed up the tree, Peter and the Wolf: The duck climbed out of the pond, Peter and the Wolf: The duck is alive in the wolf, Peter and the Wolf: This is how things stood, Roméo et Juliette: Danse, Roméo et Juliette: La jeune Juliette, Roméo et Juliette: Masques, Roméo et Juliette: Menuet, Roméo et Juliette: Montaigus et Capulets, Roméo et Juliette: Mort de Tibaldo, Roméo et Juliette: Père Laurence, Roméo et Juliette: Roméo sur la tombe de Juliette, Suite symphonique, Op. 60 "Lieutenant Kijé": I. Naissance de Kijé, Suite symphonique, Op. 60 "Lieutenant Kijé": II. Romance, Suite symphonique, Op. 60 "Lieutenant Kijé": III. Noces de Kijé, Suite symphonique, Op. 60 "Lieutenant Kijé": IV. Troika, Suite symphonique, Op. 60 "Lieutenant Kijé": V. Enterrement de Kijé, Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto, Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta, non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale: Molto vivace |
| Grimmi Grimmi |
performing orchestra |
Also sprach Zarathustra, Op. 30: Das Grablied, Also sprach Zarathustra, Op. 30: Das Tanzlied, Also sprach Zarathustra, Op. 30: Der Genesende, Also sprach Zarathustra, Op. 30: Einleitung, Also sprach Zarathustra, Op. 30: Introduction, Also sprach Zarathustra, Op. 30: Nachtwanderland, Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: Von den Hinterwelten, Also sprach Zarathustra, Op. 30: Von der Wissenschaft, Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht, Don Juan, Op. 20, Festive Overture, op. 96, Finlandia, op. 26, Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla Marcia, Le carnival romain (Roman Carnival Overture), ouverture catactéristique for orchestra, H.95, op. 9, Roberto Devereux: Atto II. l'ore trascorrono, Roberto Devereux: Overture, Sea Pictures, Song Cycle for Alto & Orchestra, Op. 37: I. Sea Slumber-Song, Sea Pictures, Song Cycle for Alto & Orchestra, op. 37: II. In Haven, Sea Pictures, Song Cycle for Alto & Orchestra, op. 37: III. Sabbath Morning at Sea, Sea Pictures, Song Cycle for Alto & Orchestra, op. 37: IV. Where Corals Lie, Sea Pictures, Song Cycle for Alto & Orchestra, op. 37: V. The swimmer, Symphonie fantastique for orchestra 'Episode de la vie d'un Artiste...en cinq parties', H.48, op. 14: Marche au supplice. Allegro, Symphonie fantastique for orchestra 'Episode de la vie d'un Artiste...en cinq parties', H.48, op. 14: Scene au champ. Adagio, Symphonie fantastique for orchestra 'Episode de la vie d'un Artiste...en cinq parties', H.48, op. 14: Songe d'une nuit du Sabbat, Symphonie fantastique for orchestra 'Episode de la vie d'un Artiste...en cinq parties', H.48, op. 14: Un bal: Valse. Allegro non troppo, Symphonie fantastique for orchestra 'Episode de la vie d'un Artiste...en cinq parties', H.48, op. 14: Visions and passions, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo Andante, Ma Rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Allegro Moderato, Symphony no. 2 in E-flat major, op. 63: II. Llarghetto, Symphony no. 2 in E-flat major, op. 63: III. Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 2 in e-flat major, op. 63: I. Allegro vivace e nobilmente, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Till Eulenspiegels Lustige Streiche, Op. 28 |
| Henrik Kantola |
performing orchestra |
Allegro molto (4.Satz) aus Sinfonie No.41 C-Dur KV 551 'Jupiter-Sinfonie', Egmont Overture, Op. 84, Leonore Overture no. 3, op. 72b, Overture "Leonora No. 3", Symphony No. 1 in C major, Op. 21: I. Adagio molto – Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio – Allegro molto e vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No.5 in C Minor (First Movement), Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 41 in C, K. 551 “Jupiter”: I. Allegro vivace, Symphony no. 41 in C, K. 551 “Jupiter”: II. Andante cantabile, Symphony no. 41 in C, K. 551 “Jupiter”: III. Menuetto: Allegretto – Trio – Menuetto, Symphony no. 41 in C, K. 551 “Jupiter”: IV. Finale: Molto allegro, Symphony no. 5 in C Minor, op. 67: I. Allegro con brio, Symphony no. 5 in C Minor, op. 67: II. Andante con moto, Symphony no. 5 in C Minor, op. 67: III. Scherzo. Allegro / IV. Allegro, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": V. Allegretto, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, VI. "Pastorale" szimfónia, I. tétel |
| Robert Schumann |
performing orchestra |
Album for the Young, Op. 68: No. 12 in A Minor, "Knecht Ruprecht", Album for the Young, Op. 68: No. 13 in E Major, "Mai, lieber Mai - Bald bist du wieder da!", Album for the Young, Op. 68: No. 15 in E Major, "Frühlingsgesang", Album for the Young, Op. 68: No. 28 in A Major, "Erinnerung (4. November 1847: Mendelssohns Todestag)", Album for the Young, Op. 68: No. 36 in G Minor, "Lied italienischer Marinari", Album for the Young, Op. 68: No. 39 in C Minor, "Winterzeit 2", Arabesque em dó maior, op. 18, Cenas da floresta, op. 82: I. Entrada, Cenas da floresta, op. 82: III. Flores solitárias, Cenas da floresta, op. 82: IX. Despedida, Cenas da floresta, op. 82: VII. Pássaro profeta, Cenas infantis, op. 15: I. De povos e terras distantes, Cenas infantis, op. 15: II. História curiosa, Cenas infantis, op. 15: III. Cabra-cega, Cenas infantis, op. 15: IV. Criança suplicante, Cenas infantis, op. 15: IX. Cavaleiro do cavalo-de-pau, Cenas infantis, op. 15: V. Felicidade perfeita, Cenas infantis, op. 15: VI. Grande acontecimento, Cenas infantis, op. 15: VII. Devaneios, Cenas infantis, op. 15: VIII. À lareira, Cenas infantis, op. 15: X. Quase sério demais, Cenas infantis, op. 15: XI. Meter medo, Cenas infantis, op. 15: XII. Criança dormindo, Cenas infantis, op. 15: XIII. Fala o poeta, Peças de fantasia, op. 12: I. À noitinha, Peças de fantasia, op. 12: II. Vôo, Peças de fantasia, op. 12: III. Por quê?, Peças de fantasia, op. 12: IV. Caprichos, Peças de fantasia, op. 12: V. De noite, Peças de fantasia, op. 12: VI. Fábula, Peças de fantasia, op. 12: VII. Sonhos turbulentos, Peças de fantasia, op. 12: VIII. Fim do canto, Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai - Allegro ma non troppo, Symphony No. 2 in C Major, Op. 61: II. Scherzo: Allegro vivace, Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace, Traummerei |
| Black Worshippers |
performing orchestra |
Baïlero (from Book 1), Brezairola (from Book III), Chants d'Auvergne: Hé! beyla-z-y dau fé!, Chants d'Auvergne: Jou l'pount d'o Mirabel, Chants d'Auvergne: La pastoura al camps, Chants d'Auvergne: La pastrouletta è lou chibalie, Chants d'Auvergne: Lou boussu, Chants d'Auvergne: Lou diziou bé, Chants d'Auvergne: Là-haute, sur le rocher, Chants d'Auvergne: Malurous qu'o uno fenno, Chants d'Auvergne: Obal, din lo coumbèlo, Chants d'Auvergne: Pastorale, Chants d'Auvergne: Pastourelle, Chants d'Auvergne: Postouro sé tu m'aymo, Chants d'Auvergne: Quand z'eyro petitoune, Chut, chut (from Book IV), Deux bourrées - a) N'aï pas iéu de mio; b) Lo calhè (from Book II), Jou l'pount d'o Mirabel (from Series 4), L'Antouèno (from Book II), La Pastrouletta e lou Chibalie (from Series 2), La delaïssado (from Book II), La pastoura al camps (from Series I), Lo Fïolairé (from Book III), Lou Boussu (from Series 3), Lou coucut (from Book IV), Malurous qu'o uno fenno (from Series 3), Oï ayaí (from Book IV), Passo pel prat (from Book III), Pastorale (from Series 4), Pastourelle (from Series 2), Pour l'enfant, Triptyque: I. Offrande à l'été, Triptyque: II. Lunaire, Triptyque: III. Hymne dans l'aurore, Trois bourrées - a) L'Aïo de Rotso; b) Ound' onorèn gorda; c) Obal, Din Lou Limouzi (from Book I), Tè, l'co, tè! (from Book V), Uno jionto pastouro (from Book V) |
| Johann Strauss |
performing orchestra |
Cagliostro in Wien: Cagliostro-Walzer, Op. 370, Contos dos bosques de Viena, op. 325, Der Zigeunerbaron: Einzugsmarsch "Hurra, die Schlacht mitgemacht!", Der Zigeunerbaron: Ouvertüre, Der lustige Krieg: Kuß-Walzer, Op. 400, Die Fledermaus: Ouvertüre, Eine Nacht in Venedig: Lagunen Walzer, Op. 441, Fürstin Ninetta: Neue Pizzicato-Polka, Op. 449, Musikalischer Scherz, Op. 257 "Perpetuum mobile", O danúbio azul, op. 314, O morcego, op. 362: Abertura, On the Beautiful Blue Danube, Perpetuum mobile, Perpetuum mobile, op. 257, Polka champagne, Polka pizzicato, Polka, Op. 117 "Annen-Polka", Polka, Op. 211 "Champagner-Polka", Ritter Pásmán: Csárdás, Rosas del sur, Rosas do sul (valsa), op. 388, Schnellpolka, Op. 324 "Unter Donner und Blitz", Thunder & Lightning (polca), op. 324, Tritsch-tratsch (polca), op. 214, Ungarische Schnellpolka, Op. 332 "Éljen a Magyar!", Valsa do imperador, op. 437, Vino, mujeres y canciones, Waldmeister: Ouvertüre, Walzer, Op. 279 "Morgenblätter", Walzer, Op. 325 "G'schichten aus dem Wienerwald", Walzer, Op. 333 "Wein, Weib und Gesang", Walzer, Op. 346 "Tausendundeine Nacht", Walzer, Op. 364 "Wo die Zitronen Blühn", Walzer, Op. 410 "Frühlingsstimmen" |
| Sergio Avil |
performing orchestra |
Carnival of the Animals Grand Zoological Fantasy: I. Introduction and Royal March of the Lion, Carnival of the Animals Grand Zoological Fantasy: II. Hens and Cocks, Carnival of the Animals Grand Zoological Fantasy: III. Hermiones, Carnival of the Animals Grand Zoological Fantasy: IV. Tortoises, Carnival of the Animals Grand Zoological Fantasy: IX. The Cuckoo in the Woods, Carnival of the Animals Grand Zoological Fantasy: V. The Elephant, Carnival of the Animals Grand Zoological Fantasy: VI. Kangaroos, Carnival of the Animals Grand Zoological Fantasy: VII. Aquarium, Carnival of the Animals Grand Zoological Fantasy: VIII. Personages with long ears, Carnival of the Animals Grand Zoological Fantasy: X. Aviary, Carnival of the Animals Grand Zoological Fantasy: XI. Pianists, Carnival of the Animals Grand Zoological Fantasy: XII. Fossils, Carnival of the Animals Grand Zoological Fantasy: XIII. The Swan, Carnival of the Animals Grand Zoological Fantasy: XIV. Finale, Carnival of the Animals: Cocks and Hens, Carnival of the Animals: Fossils, Carnival of the Animals: Introduction and Royal March, Carnival of the Animals: Kangaroos, Carnival of the Animals: Personages With Long Ears, Carnival of the Animals: Pianists, Carnival of the Animals: The Aquarium, Carnival of the Animals: The Aviary, Carnival of the Animals: The Cuckoo in the Wood, Carnival of the Animals: The Elephant, Carnival of the Animals: The Finale, Carnival of the Animals: The Swan, Carnival of the Animals: Tortoises, Carnival of the Animals: Wild Asses, Danse Macabre, Introduction and Rondo Capriccioso, Piano Concerto no. 2 in G minor, op. 22: 2nd movement, Samson et Dalila - Bacchanale, Samson et Dalila - Danse des prêtresses de Dagon |
| Wolfgang Amadeus Mozart |
performing orchestra |
Concerto for Clarinet and Orchestra, Die Entführung aus dem Serail, K. 384: Act II. Scene III. No. 11 Aria "Martern aller Arten" (Konstanze), Die Entführung aus dem Serail: Act III, "O! wie will ich triumphieren", Divertimento No. 15 in B-flat major, K. 287 (K. 271H) "Lodron Serenade No. 2": II. Tema con variazioni - Andante, Divertimento No. 15 in B-flat major, K. 287 (K. 271H) "Lodron Serenade No. 2": III. Menuetto - Trio, Don Giovanni: "Il mio tesoro", Eine kleine Nachtmusik, Elvira Madigan, Horn Concert no. 1 in D major, Horn Concerto no. 4 in E-flat: IV. Rondo Allegro vivace, Molto allegro, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso, Sinfonia no. 36 em dó maior, K. 425 "Linz": I. Adagio - Allegro spirituoso, Sinfonia no. 36 em dó maior, K. 425 "Linz": II. Poco adagio, Sinfonia no. 36 em dó maior, K. 425 "Linz": III. Menuetto, Sinfonia no. 36 em dó maior, K. 425 "Linz": IV. Presto, Sinfonia no. 39 em mi bemol maior, K. 543: I. Adagio - Allegro, Sinfonia no. 39 em mi bemol maior, K. 543: II. Andante con moto, Sinfonia no. 39 em mi bemol maior, K. 543: III. Menuetto: Allegro, Sinfonia no. 39 em mi bemol maior, K. 543: IV. Finale: Allegro, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 39 in E-flat, K. 543: 1. Adagio - Allegro, Symphony no. 39 in E-flat, K. 543: 2. Andante Con Moto, Symphony no. 39 in E-flat, K. 543: 3. Menuetto (Allegretto), Symphony no. 39 in E-flat, K. 543: 4. Finale (Allegro), Symphony no. 40 in G minor, K. 550: 1. Molto Allegro, Symphony no. 40 in G minor, K. 550: 2. Andante, Symphony no. 40 in G minor, K. 550: 3. Menuetto (Allegretto) - Trio, Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro Assai), Symphony no. 41 in C, K. 551 "Jupiter": 1. Allegro Vivace, Symphony no. 41 in C, K. 551 "Jupiter": 2. Andante Cantabile, Symphony no. 41 in C, K. 551 "Jupiter": 3. Menuetto (Allegretto), Symphony no. 41 in C, K. 551 "Jupiter": 4. Molto Allegro |
| Droga |
performing orchestra |
The Rake's Progress: Act I, Scene I. "Farewell for Now", The Rake's Progress: Act I, Scene I. "Here I Stand", The Rake's Progress: Act I, Scene I. "The Woods Are Green", The Rake's Progress: Act I, Scene I. "Tom Rakewell?", The Rake's Progress: Act I, Scene I. Prelude, The Rake's Progress: Act I, Scene II. "Come, Tom", The Rake's Progress: Act I, Scene II. "Love too Frequently Betrayed", The Rake's Progress: Act I, Scene II. "The Sun Is Bright", The Rake's Progress: Act I, Scene II. "With Air Commanding", The Rake's Progress: Act I, Scene III. "I Go to Him", The Rake's Progress: Act I, Scene III. "No Word From Tom", The Rake's Progress: Act II, Scene I. "Master, Are You Alone", The Rake's Progress: Act II, Scene I. "My Tale Shall Be Told", The Rake's Progress: Act II, Scene I. "Vary the Song, O London, Change!", The Rake's Progress: Act II, Scene II. "Anne! Here!", The Rake's Progress: Act II, Scene II. "Could It Then Have Been Known", The Rake's Progress: Act II, Scene II. "How Strange!", The Rake's Progress: Act II, Scene III. "As I Was Saying", The Rake's Progress: Act II, Scene III. "You! O Nick, I've Had the Strangest Dream", The Rake's Progress: Act III, Scene I. "Aha!", The Rake's Progress: Act III, Scene I. "I Go to Him", The Rake's Progress: Act III, Scene I. "Sold! Annoyed! I've Caught You! Thieving!", The Rake's Progress: Act III, Scene I. "What Curious Phenomena...", The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place", The Rake's Progress: Act III, Scene II. "I Burn! I Freeze!", The Rake's Progress: Act III, Scene II. "Very Well, Then, My Dear", The Rake's Progress: Act III, Scene II. Prelude, The Rake's Progress: Act III, Scene III. "Gently, Little Boat", The Rake's Progress: Act III, Scene III. "Prepare Yourselves, Heroic Shades", The Rake's Progress: Act III, Scene III. "There He Is. Have No Fear", The Rake's Progress: Act III, Scene III. "Where Art Thou, Venus?", The Rake's Progress: Act III, Scene III. Epilogue "Good People, Just a Moment" |
| Petrică Cercel |
performing orchestra |
A Night at the Opera, Also sprach Zarathustra, Can't Stop the Classics, Can't Stop the Classics, Part 2, Dance of the Furies, Hooked on America, Hooked on Bach, Hooked on Baroque, Hooked on Classics, Part 3, Hooked on Classics, Parts 1 & 2, Hooked on Haydn, Hooked on Marching, Hooked on Mendelssohn, Hooked on Mozart, Hooked on Rodgers & Hammerstein, Hooked on Romance, Hooked on Romance (Opus 3), Hooked on Romance, Part 2, Hooked on Tchaikovsky, Hooked on a Can Can, Hooked on a Song, If You Knew Sousa, If You Knew Sousa (And Friends), Journey Through America, Journey Through the Classics, Journey Through the Classics, Part 2, Scotland the Brave (Hookery Jiggery Jock), Scotland the Brave (Hookery Jiggery Rock), Symphony of the Seas, Tales of the Vienna Waltz, Viva Vivaldi |
| Stefanie Hearfield |
performing orchestra |
Ouverture solennelle "1812, Op.49, Symphony no. 4 in F minor, op. 36: 1. Andante Sostenuto - Moderato Con Anima - Moderato Assai, Quasi Andante - Allegro Vivo, Symphony no. 4 in F minor, op. 36: 2. Andantino in Modo di Canzone, Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato Ostinato - Allegro, Symphony no. 4 in F minor, op. 36: 4. Finale (Allegro Con Fuoco), The Nutcracker, op. 71 : Acte 1 - No. 9 Valse des flocons de neige, The Nutcracker, op. 71 : Acte 1 - no. 1 scene. L'Ornement et l'illumination de l'arbre de Noël, The Nutcracker, op. 71 : Acte 1 - no. 2 Marche, The Nutcracker, op. 71 : Acte 1 - no. 3 Petit galop des enfants et entrée des parents, The Nutcracker, op. 71 : Acte 1 - no. 4 Scène dansante, The Nutcracker, op. 71 : Acte 1 - no. 5 Scène et danse gross-vater, The Nutcracker, op. 71 : Acte 1 - no. 6 Scène. Allegro semplice, The Nutcracker, op. 71 : Acte 1 - no. 7 Scène. Allegro vivo, The Nutcracker, op. 71 : Acte 1 - no. 8 Scène. Andante, The Nutcracker, op. 71 : Acte 2 - no. 10 Scène. Andante, The Nutcracker, op. 71 : Acte 2 - no. 11 Scène. Andante con moto, The Nutcracker, op. 71 : Acte 2 - no. 12a Le Chocolat (Danse espagnole), The Nutcracker, op. 71 : Acte 2 - no. 12b le Café (Danse arabe), The Nutcracker, op. 71 : Acte 2 - no. 12c le Thé (Danse chinoise), The Nutcracker, op. 71 : Acte 2 - no. 12d Trépak (Danse russe), The Nutcracker, op. 71 : Acte 2 - no. 12e Danse de mirlitons, The Nutcracker, op. 71 : Acte 2 - no. 12f La Mère gigogne et les polichinelles, The Nutcracker, op. 71 : Acte 2 - no. 13 Valse des fleurs, The Nutcracker, op. 71 : Acte 2 - no. 14a La Fée dragée et le prince orgeat, The Nutcracker, op. 71 : Acte 2 - no. 14b Variation I (Pour de danseur), The Nutcracker, op. 71 : Acte 2 - no. 14c Variation II (Pour la danseuse) [Danse de la fée dragée], The Nutcracker, op. 71 : Acte 2 - no. 14d Coda, The Nutcracker, op. 71 : Acte 2 - no. 15a Tempo di valse, The Nutcracker, op. 71 : Acte 2 - no. 15b L'Apothéose, The Nutcracker, op. 71: Overture |
| No Values |
performing orchestra |
Hungarian Dance No. 5 in G minor, Hungarian Dance no. 1 in G minor, Hungarian Dance no. 10 in F major, Hungarian Dance no. 11 in D minor, Hungarian Dance no. 12 in D minor, Hungarian Dance no. 13 in D major, Hungarian Dance no. 14 in D minor, Hungarian Dance no. 15 in B-flat major, Hungarian Dance no. 16 in F major, Hungarian Dance no. 17 in F-sharp minor, Hungarian Dance no. 18 in D major, Hungarian Dance no. 19 in, D major, Hungarian Dance no. 2 in D minor, Hungarian Dance no. 20 in E minor, Hungarian Dance no. 21 in E major, Hungarian Dance no. 3 in F major, Hungarian Dance no. 4 in F minor, Hungarian Dance no. 5 in G minor, Hungarian Dance no. 6 in, D major, Hungarian Dance no. 7 in F major, Hungarian Dance no. 8 in A minor, Hungarian Dance no. 9 in E minor, Morning (from Peer Gynt), Peer Gynt Suite no. 1: Anitra's Dance, Peer Gynt Suite no. 1: In the Hall of the Mountain king, Peer Gynt Suite no. 1: Morning, Peer Gynt Suite no. 1: The Death of Aase, Peer Gynt: In the Hall of the Mountain King, Solveigs Lied From Peer Gynt |
| Gašper Bertoncelj Jazzon Sextet |
performing orchestra |
Ancestral Portrait, Arrival at the Castle, Beth Escapes, Beth and Steve, Bonnie Scotland, Butler and Cat, Death of Lachlan, Donkey, Drive to the Inn, End Credits 1, Evangelists, Follow Me, Hunt the Laddie, Interesting, Lolly in Love, Lost Ring, May Queen's Dress, Minerva of the River, Morning of the Sacrifice, Preparing the May Queen, Promises, Sacrificial Dance, Son of a Bitch Cowboy, Take Me to Heaven, The Laddie's Throne, The Raven, The Sacrifice, Wicker Tree Burns |
| Miklós Rózsa |
performing orchestra |
Bank Montage, Dangerous Drive, Five Graves to Cairo, Frightened, Journey's End & Finale, Julius Caesar, Lady Hamilton, Lydia: Introduction (Lydia's Portrait), Lydia: Love Theme and Waltz, Man Before His Time, Murder, Nocturnal Visitor, Private Life of Sherlock Holmes, Redwoods, Search For The Ripper / Decision, The Fifth Victim, The Killers, The Last Victim, The Red Danube: Deportation Scene, The Red Danube: Nocturne, The Red Danube: Prelude, The Ripper / Pursuit, Time Machine Waltz, Time Travel, Utopia, Vaporising Equalizer / The Time Machine, W.B. Fanfare & Prelude |
| Keith Jameson |
performing orchestra |
Dance of the Hours from "La Gioconda", Hungarian March from "The Damnation of Faust", Invitation to the Dance, Mephisto Waltz no. 1, Nutcracker: Danse of the Sugar Plum Fairy, Nutcracker: La Mère Gigogne et les polichinelles, Nutcracker: Le Café, Nutcracker: Le Chocolat, Nutcracker: Le Thé, Nutcracker: Les Mirlitons, Nutcracker: March, Nutcracker: Overture, Nutcracker: Pas de deux, Nutcracker: Trepack, Nutcracker: Valse des fleurs, Nutcracker: Valse finale et apothéose, Overture: "Mignon", Overture: "Ruslan and Ludmilla", Prelude to Act I "La Traviata", Prelude to Act III "La Traviata", Preludios y oberturas para ópera - La Traviata: Preludio Acto I, Swan Lake : Valse, Swan Lake: Danse hongroise (Czardas), Swan Lake: Danses des cygnes, Swan Lake: Scène, The Rite of Spring: Part I: Adoration of the Earth: I. Introduction |
| Karen Lovely |
performing orchestra |
Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco - Trio (Largemente - Molto maestoso), Pomp and Circumstance, op. 39: no. 2 in A minor: Allegro molto, Pomp and Circumstance, op. 39: no. 3 in C minor: Con fuoco - Cantabile - Tempo I, Pomp and Circumstance, op. 39: no. 4 in G major: Allegro marziale, Pomp and Circumstance, op. 39: no. 5 in C major: Vivace, Suite for String Orchestra: I. Overture, Suite for String Orchestra: II. Adagio, Suite for String Orchestra: III. Menuet & Trio, Suite for String Orchestra: IV. Gavotte, Suite for String Orchestra: V. Gigue, Variations on an Original Theme "Enigma", op. 36: Enigma: Andante, Variations on an Original Theme "Enigma", op. 36: I. (C. A. E.): L'istesso tempo, Variations on an Original Theme "Enigma", op. 36: II. (H. D. S.-P.): Allegro, Variations on an Original Theme "Enigma", op. 36: III. (R. B. T.): Allegretto, Variations on an Original Theme "Enigma", op. 36: IV. (W. M. B.): Allegro di molto, Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod): Adagio, Variations on an Original Theme "Enigma", op. 36: V. (R. P. A.): Moderato, Variations on an Original Theme "Enigma", op. 36: VI. (Ysobel): Andantino, Variations on an Original Theme "Enigma", op. 36: VII. (Troyte): Presto, Variations on an Original Theme "Enigma", op. 36: VIII. (W. N.): Allegretto, Variations on an Original Theme "Enigma", op. 36: X. Intermezzo (Dorabella.): Allegretto, Variations on an Original Theme "Enigma", op. 36: XI. (G. R. S.): Allegro di molto, Variations on an Original Theme "Enigma", op. 36: XII. (B. G. N.): Andante, Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***): Moderato, Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E. D. U.): Allegro - Presto, Variations on an Original Theme (Enigma), op. 3: Nimrod |
| Rachel Meyers |
performing orchestra |
A Boy Like That, America, Balcony Scene (Tonight), Ballet Sequence: Procession & Adagio, Ballet Sequence: Scherzo, Ballet Sequence: Somewhere, Cool, Finale, Gee, Officer Krupke, I Feel Pretty, I Have a Love, Jet Song, Maria, One Hand, One Heart, Prologue, Something's Coming, Taunting Scene, The Dance at the Gym: Blues, The Dance at the Gym: Cha-Cha, The Dance at the Gym: Jump, The Dance at the Gym: Mambo, The Dance at the Gym: Meeting Scene, The Dance at the Gym: Promenade, The Rumble, Tonight Quintet |
| OWSLA |
performing orchestra |
Le nozze di Figaro, K. 492: Overture, Symphony No. 101 in D-Major "The Clock", Hob. I:101: I. Adagio-Presto, Symphony No. 101 in D-Major "The Clock", Hob. I:101: II. Andante, Symphony No. 101 in D-Major "The Clock", Hob. I:101: III. Menuetto Allegretto, Symphony No. 101 in D-Major "The Clock", Hob. I:101: IV. Finale-Vivace, Symphony No. 103 in E-Flat Major "The Drum Roll", Hob. I:103: I. Adagio-Allegro con Spirito, Symphony No. 103 in E-Flat Major "The Drum Roll", Hob. I:103: II. Andante piu Tosto Allegretto, Symphony No. 103 in E-Flat Major "The Drum Roll", Hob. I:103: III. Menuetto, Symphony No. 103 in E-Flat Major "The Drum Roll", Hob. I:103: IV. Finale-Allegro con Spirito, Symphony in B-flat major, Hob. I:102: I. Largo - Vivace, Symphony in B-flat major, Hob. I:102: II. Adagio, Symphony in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio - Menuet, Symphony in B-flat major, Hob. I:102: IV. Finale. Presto, Symphony in D major, Hob. I:104 "London": I. Adagio - Allegro, Symphony in D major, Hob. I:104 "London": II. Andante, Symphony in D major, Hob. I:104 "London": III. Menuet. Allegro - Trio - Menuet, Symphony in D major, Hob. I:104 "London": IV. Finale. Spiritoso, Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegro, Symphony no. 40 in G minor, K. 550: IV. Allegro assai, Symphony no. 41 in C, K551 "Jupiter": I. Allegro vivace, Symphony no. 41 in C, K551 "Jupiter": II. Andante cantabile, Symphony no. 41 in C, K551 "Jupiter": III. Menuetto. Allegretto, Symphony no. 41 in C, K551 "Jupiter": IV. Molto allegro |
| Beverly Sills |
performing orchestra |
Hamlet: "Mais quelle est cette belle" / "À vos jeux, mes amis", Hamlet: Acte IV. Scène la folie d'Ophélie "A vos jeux, mes amis" / "Partagez-vous mes fleurs !" / "Et maintenent écoutez ma chanson !" (Ophélie, Chœur), La traviata: Atto I. "È strano" / "Ah, fors'è lui" / "Follie! follie!" / "Sempre libera" (Violetta), La traviata: Atto I. Recitativo "È strano! è strano!" / Aria "Ah, fors' è lui" / Recitativo "Follie! Follie!" / Aria "Sempre libera" (Violetta), La traviata: Atto III. "Addio del passato" (Violetta), La traviata: Atto III. Recitativo "Teneste la promessa" / Aria "Adio, del passato" (Violetta), Les Contes d'Hoffmann: Acte II. "Les Oiseaux dans la charmille" (Olympia, les invités..), Les Huguenots: Acte II. "O beau pays de las Touraine" (Marguerite de Valois, Chœur), Les Huguenots: Cavatina "Ô beau pais", Louise: "Depuis le Jour", Louise: "Depuis le jour" (Louise), Louise: Acte III. "Depuis le jour" (Louise), Manon: Acte III. "Je marche sur tous les chemins" / Fabilau "Oui, dans les bois et dans le plaine..." (Manon, Chœur), Mignon: "Oui, pour ce soir je suis reine des fées" / "Je suis Titania", Mignon: "Oui, pour ce soir je suis reine des fées... Je suis Titania la blonde" (Philine), Mignon: Acte II. "La Philine est vrainment divine" / Polonaise "Je suis Titania" (Philine, Chœur), Robert le Diable: "Robert, toi que j'aime", Robert le Diable: Acte IV. Cavatine "Robert, toi que jaime.." (Isabella), Roberto Devereux: "L'amor suo mi fé beata" (Elisabetta), Roberto Devereux: Atto I. "L'amor suo mi fe beata" (Elisabetta), Roberto Devereux: Atto II. "Ebben?" (Elisabetta), Roberto Devereux: Atto II. "Segui!..." Elisabetta), Roberto Devereux: Atto III. "E sara in questi orribili momento" (Elisabetta), Roberto Devereux: Atto III. "Quel sangue versato al cie! (Elisabetta), Roberto Devereux: Atto III. "Vivi, ingrato, a lei d' accanto" (Elisabetta) |
| Richard Cooke |
performing orchestra |
1. O fortuna, Coro, 25. O Fortuna, Coro, Amor Volat Undique, Solo Per Soprana e Ragazzi, Ave Formossima, Coro, Chramer, Gip Die Varwe Mir (Soprani) e Coro, Circa Mea Pectora, Solo Per Baritono e Coro, Dies, Nos Et Omnia, Solo Per Baritono, Dulcissimi, Solo Per Soprano, Ecce Gratum Coro, Ego Sum Abbas, Solo Per Baritono e Coro (Tenori e Bassi), Estuans Interius, Solo Per Baritono, Florest Silva, Coro, Fortune Plango, Coro, In Trutina, Solo Per Soprano, In taberna Quando Sumus, Coro (Tenori e Bassi), Olim Lacus Colueram, Solo Per Tenore e Coro (Tenori e Bassi), Omnia Sol Temperat, Solo Per Baritono, Rele Swaz Hie Gat Umbe, Coro Chume, Chum Geselle Min, Coro Piccolo, Si Puer Cum Puellula, Soli (3 Tenori, Baritono, 2 Bassi), Stetit Puella. Solo Per Soprano, Tanz, Tempes est Locundum, Soli Per Soprano e Baritono, Coro e Regazzi, Veni, Veni, Venias, Coro Doppio, Veris Leta Facies, Coro Piccolo, Were Diu Weritalle Min, Coro |
| Flick |
performing orchestra |
Chansons de Matin et de Nuit, Op. 15: I. Chanson de Nuit, Chansons de Matin et de Nuit, Op. 15: II. Chanson de Matin, In the South (Alassio), op. 50, Introduction and Allegro for Strings, Pomp and Circumstance March no. 1, Salut d'Amour, Op. 12, Serenade for Strings in E minor, Op. 20: I. Allegro piacevole, Serenade for Strings in E minor, Op. 20: II. Larghetto, Serenade for Strings in E minor, Op. 20: III. Allegretto, The Marriage of Figaro: Overture, Variations on an Original Theme (‘Enigma’), op. 36: Adagio (Nimrod), Variations on an Original Theme (‘Enigma’), op. 36: Allegretto (Dorabella) Intermezzo, Variations on an Original Theme (‘Enigma’), op. 36: Allegretto (R.B.T.), Variations on an Original Theme (‘Enigma’), op. 36: Allegretto (W.N.), Variations on an Original Theme (‘Enigma’), op. 36: Allegretto di molto (G.R.S.), Variations on an Original Theme (‘Enigma’), op. 36: Allegro (E.D.U) Finale, Variations on an Original Theme (‘Enigma’), op. 36: Allegro (H.D.S-P), Variations on an Original Theme (‘Enigma’), op. 36: Allegro di molto (W.M.B.), Variations on an Original Theme (‘Enigma’), op. 36: Andante (B.G.N.), Variations on an Original Theme (‘Enigma’), op. 36: Andante (C.A.E.), Variations on an Original Theme (‘Enigma’), op. 36: Andantino (Ysobel), Variations on an Original Theme (‘Enigma’), op. 36: Enigma Theme, Variations on an Original Theme (‘Enigma’), op. 36: Moderato (R.P.A), Variations on an Original Theme (‘Enigma’), op. 36: Moderato Romanza, Variations on an Original Theme (‘Enigma’), op. 36: Presto (Troyte) |
| Edvard Grieg |
performing orchestra |
Concert Overture "In Autumn", OP. 11, Concert Overture "In Autumn", op. 11, Elegiac Melodies, Op. 34 No. 2: Last Spring, In the Hall of the Mountain King from Peer Gynt, Lyric Pieces, Peer Gynt Suite No. 1, Op. 46: II. Aases Tod (Death of Aase), Peer Gynt Suite No. 1, Op. 46: III. Anitra's Tanz (Dance of Anitra), Peer Gynt Suite No. 1, Op. 46: Morning, Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song, Peer Gynt Suite no. 1, Peer Gynt ― Wedding March, Peer Gynt: 1st Arabian Dance (Act 4, Scene 6), Peer Gynt: Anitra's Dance (Act 4, Scene 6), Peer Gynt: Ase's Death (Act 3, Scene 4), Peer Gynt: In the Hall of the Mountain King (Act 2, Scene 6), Peer Gynt: Ingrid's Lament (Act 2, Scene 1), Peer Gynt: Morning, Peer Gynt: Morning (Act 4), Peer Gynt: Return of Peer Gynt (Storm Scene) (Act 5, Scene 1), Peer Gynt: Solveig's Lullaby (Solveg's Wiegenlied) (Act 5, Scene 10), Peer Gynt: Solveig's Song (Act 4, Scene 10), Peer Gynt: Wedding March (Orch. Halvorsen) (Act 1, Scene 3), Peer gynt : Au matin |
| Sir Michael Tippett |
performing orchestra |
A Spiritual, A Spiritual (1.10), A Spiritual (3.46), A Spiritual of Anger, Alto Solo (0.53), Alto Solo (2.14), Chorus, Chorus (4.37), Chorus of the Oppressed, Chorus of the Persecutors and Persecuted, Chorus of the Self-Righteous, General Ensemble (5.15), Scena (Bass & Alto Soli), Scena (Bass Solo & Chorus) (6.31), Scena (Chorus & Alto Solo), Scena (Solo Quartet), Soprano solo, Tenor Solo, The Argument, The Boy Sings in His Prison, The Mother (1.41), The Narrator, The Terror |
| Игорь Фёдорович Стравинский |
performing orchestra |
The Firebird, Ballet (1910): Scene I: Appearance of the Firebird, The Firebird, Ballet (1910): Scene I: Appearance of the Firebird pursued by Ivan Tasrevich, The Firebird, Ballet (1910): Scene I: Appearance of the Thirteen Enchanted Princesses, The Firebird, Ballet (1910): Scene I: Arrival of Kaschei the Immortal, The Firebird, Ballet (1910): Scene I: Dance of Kaschei's Retinue under the Firebird's, The Firebird, Ballet (1910): Scene I: Dance of the Firebird, The Firebird, Ballet (1910): Scene I: Daybreak, The Firebird, Ballet (1910): Scene I: His Dialogue with Ivan Tsarevich, The Firebird, Ballet (1910): Scene I: Infernal Dance of all Kaschei's Subjects, The Firebird, Ballet (1910): Scene I: Intercession of the Princesses, The Firebird, Ballet (1910): Scene I: Ivan Tsarevich captures the Firebird, The Firebird, Ballet (1910): Scene I: Kaschei's Awakening, The Firebird, Ballet (1910): Scene I: Kaschei's Death - Eclipse, The Firebird, Ballet (1910): Scene I: Kashchei's Enchanted Garden, The Firebird, Ballet (1910): Scene I: Magic Carillon - Appearance of Kascheis's Guardian Monsters and Capture of Ivan Tsarevich, The Firebird, Ballet (1910): Scene I: Princesses' Game with the Golden Apples (Scherzo), The Firebird, Ballet (1910): Scene I: Sudden Appearance of Ivan Tsarevich, The Firebird, Ballet (1910): Scene I: Supplication of the Firebird, The Firebird, Ballet (1910): Scene I: The Firebird's Lullaby, The Firebird, Ballet (1910): Scene I: The Princesses' Khorovod (Round Dance), The Firebird, Ballet (1910): Scene II: Disappearance of the Palace and Dissolution of Kaschei's Enchantments - Animation of the Petrified Warriors - General Thanksgiving, The Firebird, Ballet (1910):Introduction |
| Hidetaka Hirosaka |
performing orchestra |
Eine Alpensinfonie, op. 64: I. Nacht, Eine Alpensinfonie, op. 64: II. Sonnenaufgang, Eine Alpensinfonie, op. 64: III. Der Anstieg, Eine Alpensinfonie, op. 64: IV. Der Eintritt in der Wald, Eine Alpensinfonie, op. 64: IX. Auf der Alm, Eine Alpensinfonie, op. 64: V. Wanderung neben dem Bache, Eine Alpensinfonie, op. 64: VI. Am Wasserfall, Eine Alpensinfonie, op. 64: VII. Erscheinung, Eine Alpensinfonie, op. 64: VIII. Auf blumige Wiesen, Eine Alpensinfonie, op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: XI. Auf dem Gletscher, Eine Alpensinfonie, op. 64: XII. Gefahrvolle Augenblicke, Eine Alpensinfonie, op. 64: XIII. Auf dem Gipfel, Eine Alpensinfonie, op. 64: XIV. Vision, Eine Alpensinfonie, op. 64: XIX. Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: XV. Nebel steigen auf, Eine Alpensinfonie, op. 64: XVI. Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: XVII. Elegie, Eine Alpensinfonie, op. 64: XVIII. Stille vor dem Sturm, Eine Alpensinfonie, op. 64: XX. Sonnenuntergang, Eine Alpensinfonie, op. 64: XXI. Ausklang, Eine Alpensinfonie, op. 64: XXII. Nacht |
| Deepak Dev |
performing orchestra |
Carnival Overture, op. 92, Slavonic Dance, op. 46 no. 8, Slavonic Dance, op. 46-1, Slavonic Dance, op. 46/5, Slavonic Dances, op. 46 no. 1 in C major, Slavonic Dances, op. 46 no. 2 in E minor, Slavonic Dances, op. 46 no. 3 in A-flat major, Slavonic Dances, op. 46 no. 4 in F major, Slavonic Dances, op. 46 no. 5 in A major, Slavonic Dances, op. 46 no. 6 in D major, Slavonic Dances, op. 46 no. 7 in C minor, Slavonic Dances, op. 46 no. 8 in G minor, Slavonic Dances, op. 46: no. 2, Slavonic Dances, op. 72 no. 1 in B major, Slavonic Dances, op. 72 no. 2 in E minor, Slavonic Dances, op. 72 no. 3 in F major, Slavonic Dances, op. 72 no. 4 in D-flat major, Slavonic Dances, op. 72 no. 5 in B-flat minor, Slavonic Dances, op. 72 no. 6 in B-flat major, Slavonic Dances, op. 72 no. 7 in C major, Slavonic Dances, op. 72 no. 8 in A-flat major |
| M3ss |
performing orchestra |
Concerto for Violin & Orchestra no. 4 in D, K 218: I. Allegro, Concerto for Violin & Orchestra no. 4 in D, K 218: II. Andante cantabile, Concerto for Violin & Orchestra no. 4 in D, K 218: III. Andante grazioso - Allegro ma non troppo, Concerto pour violon en Mi mineur, op. 64: Allegro molto appassionato, Concerto pour violon en Mi mineur, op. 64: Allegro non troppo - Allegro molto vivace, Concerto pour violon en Mi mineur, op. 64: Andante, Violin Concerto in E minor, op. 64: 1. Allegro molto appassionato, Violin Concerto in E minor, op. 64: 2. Andante, Violin Concerto in E minor, op. 64: 3. Allegretto non troppo; Allegro molto vivace, Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace, Violin Concerto no. 4 in D major, KV 218: I. Allegro, Violin Concerto no. 4 in D major, KV 218: II. Andante cantabile, Violin Concerto no. 4 in D major, KV 218: III. Rondo: Andante grazioso - Allegro ma non troppo, Violin Concerto no. 4 in D, K. 218: 1. Allegro, Violin Concerto no. 4 in D, K. 218: 2. Andante cantabile, Violin Concerto no. 4 in D, K. 218: 3. Rondeau: Andante grazioso; Allegro ma non troppo, Violin Concerto no. 4 in D, K. 218: I. Allegro, Violin Concerto no. 4 in D, K. 218: II. Andante cantabile, Violin Concerto no. 4 in D, K. 218: III. Rondeau: Andante grazioso - Allegro ma non troppo |
| Mad:AM |
performing orchestra, phonographic copyright |
Batman: Main Theme, Die Another Day, Die Another Day - Die Another Day, Gladiator: Theme from Gladiator, Harry Potter and the Philosopher's Stone: Harry's Wondrous World, Harry Potter and the Philosopher's Stone: Hedwig's Theme, Harry’s Wondrous World, James Bond: Licence to Kill: Main Theme, Main Theme, Main Theme from Batman, Mission Impossible: Main Theme, Out of Africa: Main Theme, Schindler's List: Main Theme, Shakespeare in Love: Suite From Shakespeare in Love, The Bodyguard: I Will Always Love You, Theme from Licence to Kill, Theme from Lord of the Rings, Theme from Mission Impossible, Theme from Schindler’s List, Titanic: My Heart Will Go On |
| Mitski |
performing orchestra |
Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai, Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (Allegro), Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio, Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro, Canon and Gigue in D major, T. 377: I. Canon, Cantata "Herz und Mund und Tat und Leben", BWV 147 (Corazón y boca y actos y vida) - X. Coral: Jesus bleibet meine Freude, Cantata "Wachet auf, ruft uns die Stimme", BWV 140 - IV. Coral: Zion hört die Wächter singen, Cantata "Was mir behagt, ist nur die muntre jagd", BWV 208 - IX. Aria: Schafe können sicher weiden, Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto, Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro, Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": Ia. Allegro, Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": Ib. Allegro (L'ubriaco che dorme), Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto, Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo / III. Allegro, Keyboard Concerto no. 1 in D major, BWV 1052: I. Allegro, Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise, Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet, Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie, Orchestral Suite no. 3 in D major, BWV 1068: II. Air |
| Martin Cremers |
performing orchestra |
Piano Concerto no. 1: I. Allegro, Piano Concerto no. 1: II. Allegro - Poco scherzando, Piano Concerto no. 1: III. Andante & Cadenza, Piano Concerto no. 1: IV. Allegro non troppo, Piano Concerto no. 2: I. Vivo, Piano Concerto no. 2: II. Lento, Piano Concerto no. 2: III. Quasi allegro (cadencia), Piano Concerto no. 2: IV. Allegro, Piano Concerto no. 3: I. Allegro, Piano Concerto no. 3: II. Andante con moto, Piano Concerto no. 3: III. Scherzo - Vivace - Cadenza, Piano Concerto no. 3: IV. Allegro vivace (decisivo), Piano Concerto no. 4.: I. Allegro non troppo, Piano Concerto no. 4: II. Andante con moto, Piano Concerto no. 4: III. Scherzo - Allegro vivace - Cadenza, Piano Concerto no. 4: IV. Allegro moderato, Piano Concerto no. 5: I. Allegro non troppo, Piano Concerto no. 5: II. Poco adagio, Piano Concerto no. 5: III. Allegretto scherzando - Cadenza, Piano Concerto no. 5: IV. Allegro |
| Uncle |
performing orchestra |
Enigma Variations, op. 36: Theme: Andante, Enigma Variations, op. 36: Variation I. (C.A.E): L'istesso tempo, Enigma Variations, op. 36: Variation II. (H.D.S.-P.): Allegro, Enigma Variations, op. 36: Variation III. (R.B.T.): Allegretto, Enigma Variations, op. 36: Variation IV. (W.M.T.): Allegro di molto, Enigma Variations, op. 36: Variation IX. (Nimrod): Adagio, Enigma Variations, op. 36: Variation V. (R.P.A.): Moderato, Enigma Variations, op. 36: Variation VII. (Troyte): Presto, Enigma Variations, op. 36: Variation VIII. (W.N.): Allegretto, Enigma Variations, op. 36: Variation X. Intermezzo (Dorabella): Allegretto, Enigma Variations, op. 36: Variation XI. (G.R.S.): Allegro di molto, Rhapsody in Blue (original Jazz Band version), Serenade for Strings in E minor, op. 20: I. Allegro piacevole, Serenade for Strings in E minor, op. 20: II. Larghetto, Serenade for Strings in E minor, op. 20: III. Allegretto - Come prima, Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Vocalise for Orchestra |
| Edward Elgar |
performing orchestra |
Cello Concerto in E minor, op. 85: I. Adagio - Moderato (Hilary and Jackie), Chanson de matin, Op. 15 No. 2, Dream Children, Op. 43: I. Allegro Maestoso, Dream Children, Op. 43: II. Allegretto Piacevole, Enigma Theme, Land of Hope and Glory, May Song, Minuet from "Beau Brummel", Minuet, Op. 21, Pomp & Circumstance March No. 4 in G Major Op. 39, Pomp and Circumstance March No. 1, Pomp and Circumstance March No.4, Pomp and Circumstance Military Marches, Op. 39: March No. 1 in D Major, "Land of Hope and Glory", Pomp and Circumstance, op. 39: Marsch Nr. 1, Pomp and Circumstance: March no. 1, Rosemary (That's for Remembrance), Salut d'amour, Op. 12, Sea Pictures Op. 37: Sea Slumber Song, The Dream of Gerontius - Part 2: "Take me away;" Angel's Farewell |
| Giacomo Puccini |
performing orchestra |
La Bohème: Ato I. Dueto "Non sono in vena", La Bohème: Ato I. Dueto de amor "O soave fanciulla", La Bohème: Ato I. Introdução, La Bohème: Ato I. Ária "Che gelida manina!", La Bohème: Ato I. Ária "Si. Mi chiamano Mimí", La Bohème: Ato III. Dueto "Mimí", La Bohème: Ato III. Trio "Marcello, finalmente!", La Bohème: Ato III. Ária "D'onde lieta uscí", La Bohème: Ato IV. Dueto "Sono andati?", La Bohème: Ato IV. Final "Mimí", Madame Butterfly: Ato I. Dueto "Amore o grillo", Madame Butterfly: Ato I. Dueto "Dovunque al mondo", Madame Butterfly: Ato I. Dueto de amor "Bimba dagli occhi pieni di malia", Madame Butterfly: Ato I. Entrada de Madame Butterfly "Quanto cielo, quanto mar!", Madame Butterfly: Ato I. Introdução, Madame Butterfly: Ato II. Cena da carta "Amico, cercherete quel bel fior di fanciulla", Madame Butterfly: Ato II. Ária "Un bel di vedremo", Madame Butterfly: Ato II. Ária e final "Con onor muore", Tosca: E Lucevan le Stelle |
| Vendredi (Chanteur pour les Gens) |
performing orchestra |
Another Brick in the Wall, Baker Street, Every Breath You Take, Eye of the Tiger, Good Vibrations, Here Comes the Sun, House of the Rising Sun, I Want to Know What Love Is, Lost in France, Ruby Tuesday, Simply the Best, Take My Breath Away, The Power of Love, Time After Time, We Are the Champions, We Don’t Need Another Hero, Wicked Game, Yesterday |
| Alexander Bonduriansky |
performing orchestra |
Fantasy Overture after Shakespeare in B minor "Romeo & Juliet", Montagues & Capulets From Romeo & Juliet, Romeo & Juliet - Excerpts from the ballet: Balcony Scene (Romeo and Juliet), Romeo & Juliet - Excerpts from the ballet: Death of Tybalt, Romeo & Juliet - Excerpts from the ballet: Friar Laurence, Romeo & Juliet - Excerpts from the ballet: Juliet, the young girl, Romeo & Juliet - Excerpts from the ballet: Madrigal, Romeo & Juliet - Excerpts from the ballet: Minuet, Romeo & Juliet - Excerpts from the ballet: Montagues and Capulets, Romeo & Juliet - Excerpts from the ballet: Romeo at Juliet's before parting, Romeo & Juliet - Excerpts from the ballet: Romeo at Juliet's tomb, Symphony No. 5 in C-sharp minor: IV. Adagietto, Symphony no. 5 in C-sharp minor, Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony no. 5 in E minor, op. 64: I. Andante - allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: IV Finale. Andante maestoso - Allegro vivace - Molto vivace |
| Jenni Karjalainen |
performing orchestra |
Ave Maria, Ave Maria (arr. David Cullen), Cello Concerto in B-flat: II. Adagio non troppo, Chanson de Matin, Op.15, No.2 (arr. David Cullen), Chanson de matin, op. 15 no. 2, Kol Nidrei, Kol Nidrei, Op.47-Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo), Méditation, Mélodie, op. 20 no. 1, Nocturne, Nocturne No.2 in E flat, Op.9 No.2 (arr. David Cullen), Nocturne in E-flat major, op. 9 no. 2, Organ Sonata no. 11 in D minor, op. 148: Cantilena, Panis Angelicus, Rêverie, Salut d'amour, Op.12 (arr. David Cullen), Suite No.3 in D, BWV 1068: Air on the G string (arr. David Cullen) |
| Chemtrails |
performing orchestra |
A Somerset Rhapsody, A Somerset Rhapsody, op. 21, Pluto, Pluto, The Renewer, The Planets: Jupiter, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, The Planets: Mars, The Bringer Of War, The Planets: Mercury, The Planets: Mercury, The Winged Messenger, The Planets: Neptune, The Mystic, The Planets: Saturn, The Planets: Saturn, The Bringer Of Old Age, The Planets: Uranus, The Planets: Uranus, The Magician, The Planets: Venus, The Planets: Venus, The Bringer Of Peace |
| Blue Gorillas |
performing orchestra |
A Song Before Sunrise, Aristophanic Suite 'The Wasps': Entr'acte No.1, Aristophanic Suite 'The Wasps': March of the Kitchen Utensils, Aristophanic Suite 'The Wasps': Overture, Brigg Fair, English Folk Song Suite: Seventeen Come Sunday / My Bonny Boy / Folk Songs From Somerset, Fantasia on Greensleeves, Fantasia on a Theme of Thomas Tallis, Intermezzo from 'Hassan', Irmelin Prelude, La Calinda from 'Koanga', On Hearing The First Cuckoo in Spring, Over the Hills and Far Away, Serenade from 'Hassan', The Lark Ascending, The Walk to the Paradise Garden, The Wasps: Overture |
| Julian Lloyd Webber |
performing orchestra |
All I Ask of You, Buenos Aires, Close Every Door, Don't Cry for Me Argentina, I Don't Know How to Love Him, John 19:41, Love Changes Everything, Memory, Music of the Night, Pie Jesu, Starlight Express, Tell Me on a Sunday, The First Man You Remember, The Phantom of the Opera, Variations I - IV, Variations: Variations I-IV |
| Aidan Laverty |
performing orchestra |
Coronation March, op. 65, Empire March, Imperial March op. 32, Pomp and Circumstance March No. 1: Allegro con molto fuoco, Pomp and Circumstance March No. 2: Allegro molto, Pomp and Circumstance March No. 3: Con fuoco, Pomp and Circumstance March No. 4: Allegro marziale, Pomp and Circumstance March No. 5: Vivace, Symphony No. 1: I. Andante. Nobilmente e semplice - Allegro, Symphony No. 1: II. Allegro molto, Symphony No. 1: III. Adagio, Symphony No. 1: IV. Lento - Allegro, Symphony No. 2: I. Allegro vivace nobilmente, Symphony No. 2: II. Larghetto, Symphony No. 2: III. Rondo: Presto, Symphony No. 2: IV. Moderato e maestoso |
| KL Jay |
performing orchestra |
Chocolate: Spanish Dance, Clara and the Prince, Coda, Coffee: Arabian Dance, Dance of the Flutes, Dance of the Prince and the Sugar-Plum Fairy, Eugene Onegin: Introduction and Waltz, Eugene Onegin: Polonaise, Final Waltz and Apotheosis, Mother Gigogne and the Flowers, Tea: Chinese Dance, The Magic Castle, Trepak: Russian Dance, Variation 1: Tarantella, Variation 2: Dance of the Sugar-Plum Fairy, Waltz of the Flowers |
| Henry Pope |
performing orchestra |
Concerto for orchestra: Elegia: Andante non troppo, Concerto for orchestra: Finale: Pesante; Presto, Concerto for orchestra: Giuco della coppie: Allegretto scherzando, Concerto for orchestra: Intermezzo interrotto: Allegretto, Concerto for orchestra: Introduzione: Allegro non troppo allegro vivace, Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace, Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto, Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto, Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace, Hungarian Dances for orchestra, WoO 1, Book 4, no. 17 in F-sharp minor: Andantino - Vivace, Hungarian Dances for orchestra, WoO 1, Book 4, no. 18 in D major: Molto vivace, Hungarian Dances for orchestra, WoO 1, Book 4, no. 19 in B minor: Allegretto, Hungarian Dances for orchestra, WoO 1, Book 4, no. 20 in E minor: Poco allegretto - Vivace, Hungarian Dances for orchestra, WoO 1, Book 4, no. 21 in E minor: Vivace, Two Portraits: Grotesque, Two Portraits: Ideal |
| The Gift |
performing orchestra |
Pas de deux from 'The Nutcracker', Swan Lake Op. 20 - Act IV, Swan Lake Op. 20 - Dance Of The Swans: Act II, No. 13, Swan Lake Op. 20 - Hungarian Dance: Act III, No. 20, Swan Lake Op. 20 - Pas De Deux: Act I, No. 5, Swan Lake Op. 20 - Scene: Act II, No. 10, Swan Lake Op. 20 - Waltz: Act I, No. 2, The Sleeping Beauty Op. 66 - I. Introduction: The Lilac Fairy, The Sleeping Beauty Op. 66 - II. Adagio. Pas D'Action (Rose Adagio), The Sleeping Beauty Op. 66 - III. Pas De Caractére [Puss-In-Boots & The White Cat], The Sleeping Beauty Op. 66 - IV. Panorama, The Sleeping Beauty Op. 66 - Polacca: Act III, No. 22, The Sleeping Beauty Op. 66 - The Three Ivans: Act III, No. 28, The Sleeping Beauty Op. 66 - V. Valse, Waltz of the Flowers from the Nutcraker |
| Gustav Mahler |
performing orchestra |
Sinfonia no. 1 em ré maior "Titã": I. Langsam, schleppend, Sinfonia no. 1 em ré maior "Titã": II. Kräftig, bewegt, Sinfonia no. 1 em ré maior "Titã": III. Feierlich und gemessen, ohne zu schleppend, Sinfonia no. 1 em ré maior "Titã": IV. Stürmisch bewegt, Sinfonia no. 5 em dó sustenido menor: I. Trauermarsch (Marcha fúnebre), Sinfonia no. 5 em dó sustenido menor: II. Stürmisch bewegt (Tempestuoso agitato), Sinfonia no. 5 em dó sustenido menor: III. Scherzo, Sinfonia no. 5 em dó sustenido menor: IV. Adagietto, Sinfonia no. 5 em dó sustenido menor: V. Rondo finale, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 5 in C-sharp minor: I. Trauermarsch (in gemessenem Schritt - Streng - Wie ein Konduct) (feat. trumpet: Ian Balmain), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell) (feat. horn obbligato: John Bimson), Symphony No. 5 in C-sharp minor: V. Rondo - Finale (Allegro), Symphony no. 1 in D: 2. Kräftig Bewegt |
| Gioachino Rossini |
performer, performing orchestra |
Guillaume Tell (Renault Super 5), Il Signor Bruschino, Il barbiere di Siviglia: Abertura, Il signor Bruschino: Abertura, Il turco in Italia: Abertura, L'italiana in Algeri: Abertura, La Cenerentola: Abertura, La cambiale di matrimonio: Abertura, La pietra del paragone: Abertura, La scala di seta: Abertura, William Tell Overture, William Tell Overture (Finale), William Tell: Act I. Pas de six, William Tell: Act II. "Ils s'éloignent enfin... Sombre forêt", William Tell: Act IV. "Ne m'abandonne pas, espoir de la vengeance... Asile héréditaire" |
| Lena Larsson och Knox |
performing orchestra |
Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 1, Introduction (Andante dolce), Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 10, Gavotte (Allegretto), Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 17, Interrupted departure (Vivo), Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 19, Cinderella's departure for the Ball (Allegro espressivo), Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 2, Pas de châle (Allegretto), Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 9, Cinderella dreams of the Ball, Cinderella (Ballet) op. 87 (excerpts), Act 2: No. 28, Mazurka (Allegro ma non troppo), Cinderella (Ballet) op. 87 (excerpts), Act 2: No. 29, Cinderella's arrival at the Ball (Allegretto - Andante), Cinderella (Ballet) op. 87 (excerpts), Act 2: No. 30, Grand Waltz (Allegretto), Cinderella (Ballet) op. 87 (excerpts), Act 2: No. 34, The Guests take refreshment (Moderato), Cinderella (Ballet) op. 87 (excerpts), Act 2: No. 35, Duet of the Sisters with their Oranges (Allegro con brio), Cinderella (Ballet) op. 87 (excerpts), Act 2: No. 36, Pas de deux: The Prince and Cinderella (Adagio), Cinderella (Ballet) op. 87 (excerpts), Act 2: No. 37, Waltz-Coda (Allegro espressivo), Cinderella (Ballet) op. 87 (excerpts), Act 2: No. 38, Midnight (Allegro moderato), Cinderella (Ballet) op. 87 (excerpts), Act 3: No. 50, Amoroso (Andante dolcissimo) |
| Disco Nihilist |
performing orchestra |
A Simple Song, Abends will ich schlafen gehn (Hänsel und Gretel), Ave Maria, Dank sei dir, Herr, Domine Deus (Gloria), He shall Feed his flock (Messiah), Jesus bleibet meine Freude, L'adieu Des Bergers (The Shepherds' Farewell), Laudamus te, Laudate Dominum, Mariä Wiegenlied, Panis Angelicus, Pie Jesu, Rejoice greatly (Messiah) |
| Patrizio Buanne |
performing orchestra |
A Man Without Love, Amore scusami (My Love, Forgive Me), Che sarà, Come prima (For the First Time), Credi in te (Believe in Yourself), Home to Mama, Il mondo (My World), L'italiano, On an Evening in Roma, Parla più piano (Theme From "The Godfather"), Smile (Sorridi), Soli, You Don't Have to Say You Love Me (Io che non vivo), You're My World (Il mio mondo) |
| Juan Bergamino |
performing orchestra |
Ah non credea mirarti, Après un rêve, Gnossienne n°1, Gymnopédie n°1, La fille aux cheveux de lin (Prélude 8, livre I), Mazurka, Op. 67 n°4, Nocturne Op. 9 n°2, O mio babbino caro, Pavane, op. 50, Solveig song, Song to the moon (Rusalka), Una furtiva lagrima, Valse sentimentale, Vocalise, Op. 34 n°14 |
| The Keith Joe Dick & Goners |
performing orchestra |
Carnaval, op. 9: I. Prémbule, Carnaval, op. 9: II. Valse allemande, Carnaval, op. 9: III. Paganini, Carnaval, op. 9: IV. Marche des "Davidsbündler", Kinderjahr, op. 68: I. Frühlingsgesang, Kinderjahr, op. 68: II. Lied italienischer Marinari, Kinderjahr, op. 68: III. Mai, lieber Mai - Bald bist du wieder da!, Kinderjahr, op. 68: IV. Erinnerung (4. November 1847: Mendelssohns Todestag), Kinderjahr, op. 68: V. Winterzeit (II), Kinderjahr, op. 68: VI. Knecht Ruprecht, Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo, Symphony no. 2 in C major, op. 61: II. Scherzo, Symphony no. 2 in C major, op. 61: III. Adagio espressivo, Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace |
| Veazy |
performing orchestra |
Symphony no. 3: Part 1. ♩=80 –, Symphony no. 3: Part 2. ♩=110 –, Symphony no. 3: Part 3. ♩=120 –, Symphony no. 3: Part 4. ♩=60 –, Symphony no. 3: Part 5. ♩=136, Symphony no. 4: Part 1. ♩=60 –, Symphony no. 4: Part 2. ♩=100 –, Symphony no. 4: Part 3. ♩=112 –, Symphony no. 4: Part 4. ♩=60 –, Symphony no. 4: Part 5. ♩=120 – ♩=130 – ♩=60, Symphony no. 5: I., Symphony no. 5: II., Symphony no. 5: III., Symphony no. 5: IV. |
| George Fenton |
performing orchestra |
"Wish Me Luck", Arrival at Camp, Decoys, End Titles - March of the R.H.P.S., March of the R.H.P.S., Meeting Bugsy, Mouse Division, Re Grouping, The Eve of the Mission (Adagio), The Rescue and Escape, Valiant, Victoria and the Final Training, Von Talon and the Bastion, Winged Heroes (Adagio and Fanfare) |
| C.A.P.O. Click |
performing orchestra |
Piano Concerto no. 1 in F sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio), Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve), Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace (alla breve), Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace, Rhapsody on a Theme by Paganini, op. 43 |
| Fred Steiner |
performer, performing orchestra |
By Any Other Name: Neutralizer / Kelvan Theme / More Neutralizers / Broken Blocks, By Any Other Name: Rojan's Revenge / Rojan's Blocks / Pretty Words / Rojan's Victory / Finale, Charlie X: Charlie's Friend / Goodbye Charlie / Finale, Charlie X: Kirk is Worried / Card Tricks / Charlie's Yen, Charlie X: Kirk's Command / Charlie's Mystery / Charlie's Gift, Charlie X: Zap Sam / Zap Janice / Zap the Cap / Zap the Spaceship, Mirror, Mirror: Black Ship Tension / Goodbye Marlena / Short Curtain, Mirror, Mirror: Mirror, Mirror / Black Ship Theme / The Agonizer / Meet Marlena, Mudd's Women: Eve Cooks / Pretty Eve / Mudd's Farewell, Mudd's Women: Hello Ruth / The Last Crystal / The Venus Drug, Mudd's Women: Planet Rigel / Eve is Out / Space Radio, Mudd's Women: Three Venuses / Meet Mr. Mudd / Hello Girls / Venus Aboard / Mudd Laffs, The Corbomite Maneuver: Radiation / Cube Radiation / Baby Balok / Fesarius Approaches |
| Black Boots |
performing orchestra |
Also sprach Zarathustra, Op. 30 (part 1), Also sprach Zarathustra, Op. 30 (part 2), Also sprach Zarathustra, Op. 30: Das Grablied, Also sprach Zarathustra, Op. 30: Das Tanzlied, Also sprach Zarathustra, Op. 30: Der Genesende, Also sprach Zarathustra, Op. 30: Einleitung, Also sprach Zarathustra, Op. 30: Nachtwanderlied, Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: Von der Wissenschaft, Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht, Don Juan, Til Eulenspiegels Lustige Streiche |
| D-Faz |
performer, performing orchestra |
Enigma Variations - Nimrod, Serenade for strings in E minor, Op. 20: Larghetto, Symphonic Dances, for orchestra (or 2 pianos), op. 45: I. Non allegro - Lento - Tempo I in C minor, Symphonic Dances, for orchestra (or 2 pianos), op. 45: II. Andante con moto (Tempo di valse) in G minor, Symphonic Dances, for orchestra (or 2 pianos), op. 45: III. Lento assai - Allegro vivace in D minor, Symphony no. 1, op. 13, I: Grave - Allegro ma non troppo, Symphony no. 1, op. 13, II: Allegro animato, Symphony no. 1, op. 13, III: Larghetto, Symphony no. 1, op. 13, IV: Allegro con fuoco, Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Allegro, Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro, Symphony no. 3 in A minor, op. 44: III. Allegro vivace, The Isle of the Dead, op. 29 |
| Robotix |
performing orchestra |
Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 3 in D minor, op. 30: I. Allegro, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio -, Piano Concerto no. 3 in D minor, op. 30: III. Finale. Allegro, Piano Concerto no. 4 in G minor, op. 40: I. Allegro, Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace, Rhapsody on a Theme of Paganini, op. 43 |
| Michael Crawford |
performing orchestra |
All I Ask of You, And the Money Kept Rolling In (And Out), Any Dream Will Do, Gethsemane, Love Changes Everything, Memory, Nothing Like You've Ever Known, Only You, Other Pleasures / The First Man You Remember, Tell Me on a Sunday, The Music of the Night, The Phantom of the Opera, Wishing You Were Somehow Here Again |
| Sir William Walton |
performing orchestra |
Coronation March: Crown Imperial, Sinfonia concertante for orchestra with piano obbligato: I. Maestoso; Allegro spiritoso; Poco meno mosso; Allegretto; Poco meno mosso; A tempo dell'allegretto, Sinfonia concertante, for orchestra with piano obbligato : II. Andante comodo, Sinfonia concertante, for orchestra with piano obbligato : III. Allegro molto; molto maestoso, Symphony No. 1: I. Allegro assai, Symphony No. 1: II. Presto con malizia, Symphony No. 1: III. Andante con malinconia, Symphony No. 1: IV. Maestoso - Allegro, brioso ed ardentemente - Vivacissimo - Maestoso, Symphony No. 2: I. Allegro molto, Symphony No. 2: II. Lento assai, Symphony No. 2: III. Passacaglia, Symphony No. 2: III. Passacaglia: Theme. Risoluto - Variations - Fugato - Coda. Scherzando |
| Ronan O'Hora |
performing orchestra |
Lyric Pieces (Selection), OP. 12, I. Arietta, Lyric Pieces (Selection), OP. 12, IV. Elves Dance, Lyric Pieces (Selection), OP. 12, V. Folk Melody, Lyric Pieces (Selection), OP. 43, I. Butterfly, Lyric Pieces (Selection), OP. 43, IV. Little Bird, Lyric Pieces (Selection), OP. 43, VI. To Spring, Lyric Pieces (Selection), OP. 54, IV. Notturno, Lyric Pieces (Selection), OP. 57, II. Gade, Lyric Pieces (Selection), OP. 62, I. Sylph, Lyric Pieces (Selection), OP. 62, III. French Serenade, Lyric Pieces (Selection), OP. 65, IV. Salon, Lyric Pieces (Selection), OP. 71, II. Summer Evening |
| Scatmanスキャット and Friends |
performing orchestra |
Afterglow, Broken For You, Can I Keep You, Empty Shoes, First and Last, Fly, Love Will Burn, Permission to Kiss, She's Out of My Life, Unlove You, What's Mine is Yours, Whoever You Are |
| Sans Serif |
performing orchestra |
Aftermath (Death Of Peter: Death Of Poppaea: Nero's Suicide), Assyrian Dance, Ave Caesar, Chariot Chase, Epilogue, Fertility Hymn, Finale, Hail Galba, Marcus And Lygia, Petronius' Banquet, Meditation And Death, Prelude, The Burning Of Rome |
| Antonín Dvořák |
performer, performing orchestra |
Largo, Largo from Symphony No. 9, From the New World, Legend in G Minor, Op. 59 No. 3, Slavischer Tanz Nr. 1 C-dur op. 46, Slavonic Dance no. 8, Slavonic Dance, op. 46: Slawischer Tanz Nr. 1, Slavonic Dances, Op. 72 No. 1, Slawischer Tanz no. 2 in E-Moll, op. 72, Symfonie č. 9 E moll, op. 95 Z noveho světa, Adagio. Allegro molto, Symfonie č. 9 E moll, op. 95 Z noveho světa, Largo, Symphony No. 9, "From the New World": Largo (excerpt), Symphony No.9 "From the New World", Largo |
| Georges Bizet |
performing orchestra |
L'Arlésienne Suite No. 1 - I. Prélude, L'Arlésienne Suite No. 1 - II. Minuetto, L'Arlésienne Suite No. 1 - III. Adagietto, L'Arlésienne Suite No. 1 - IV. Carillon, L'Arlésienne Suite No. 2 - I. Pastorale, L'Arlésienne Suite No. 2 - II. Intermezzo, L'Arlésienne Suite No. 2 - III. Menuet, L'Arlésienne Suite No. 2 - IV. Farandole, Symphony in C - I. Allegro, Symphony in C - II. Andante, Symphony in C - III. Scherzo, Symphony in C - IV. Finale |
| George Frideric Handel |
performing orchestra |
Amaryllis Suite: Minuet, Amaryllis Suite: Sarabande, Largo, Marche de Saül, Messiah: Comfort Ye, Messiah: Glory to God, Messiah: Hallelujah Chorus (extract), Messiah: Hallelujah!, Messiah: Overture, Semele: Where'er you walk, Solomon: Arrival of the Queen of Sheba, Symphonie martiale de "Belshazzar" |
| Malcolm Arnold |
performing orchestra |
Camp Concert Dance, Colonel Bogey March, Finale, Nicholson's Victory, Overture, River Kwai March, Shear's Escape, Sunset, The Sound Barrier: Rhapsody, op. 38, Trek to the Bridge, Working on the Bridge |
| Malediction |
performing orchestra |
La Traviata: Act III. Teneste la promessa... Addio del passato, La traviata: Atto I. "Ah, fors'è lui" (Violetta), La traviata: Atto I. "Follie! Follie!" (Violetta), La traviata: Atto I. "Sempra libera" (Violetta), La traviata: Atto I. "Sempre libera" (Violetta), La traviata: Atto I. "È Strano! è strano! (Violetta), La traviata: Atto I. "È strano! è strano!" (Violetta), La traviata: Atto III. "Addio, del passato bei sogni ridenti" (Violetta), La traviata: Atto III. "Teneste la promessa" (Violetta), La traviata: Atto III. Recitativo "Teneste la promessa" (Violetta) / Aria "Addio, del passato bei sogni ridenti" (Violetta), La traviatta: Atto I. "Ah, fors'è lui" (Violetta) |
| Ichi Sound |
performing orchestra |
Abrazame, De Niña A Mujer, Hey!, Me Olvide De Viver, Momentos, No Me Vuelvo A Enamorar, Phantom of the Opera: Orchestral suite, Por Ella, Preguntale, Trenta Y Tres Años, Un Dia Tu, Un Dia Yo |
| Brain Corruption |
performing orchestra |
1812 Overture, op. 49, 1812 Overture, op. 49 (conclusion), Boléro, Capriccio Italien, op. 45, Capriccio espagnol, España, Fantasy Overture: Romeo and Juliet, Marche Slave, op. 31, Night on the Bare Mountain, Prince Igor: Polovtsian Dances, The Flying Dutchman: Overture |
| Twinnie |
performing orchestra |
Così fan tutte, Così fan tutte, K. 588: Overture, Der Schauspieldirektor, K. 486: Overture, Die Entführung aus dem Serail, K. 384: Overture, Die Zauberflöte, K. 620: Overture, Don Giovanni Overture, Don Giovanni, K. 527: Overture, Idomeneo, K. 366: Overture, La finta Giardiniera, K. 196: Overture, The Magic Flute: Overture, The Marriage of Figaro: Overture |
| Massimo Idà |
performing orchestra |
Glagolitic Mass: I. Úvod, Glagolitic Mass: VIII. Intrada, Pines of Rome, Scherzo Capriccioso, op. 66, Symfonie č. 9 E moll, op. 95 Z noveho světa, Allegro con fuoco, Symfonie č. 9 E moll, op. 95 Z noveho světa, Scherzo. Molto vivace, Symphonic Poem "Don Juan", op. 20, Symphony no. 9, in E minor, "From the New World", op. 95: I. Adagio - allegro molto, Symphony no. 9, in E minor, "From the New World", op. 95: II. Largo, Symphony no. 9, in E minor, "From the New World", op. 95: III. Scherzo, Symphony no. 9, in E minor, "From the New World", op. 95: IV. Allegro con fuoco |
| Daniel Jørgesen |
performing orchestra |
Concerto for Group and Orchestra: First Movement: Andante - Allegro - Vivace, Concerto for Group and Orchestra: First Movement: Moderato - Allegro, Concerto for Group and Orchestra: I. Moderato - Allegro, Concerto for Group and Orchestra: II. Andante, Concerto for Group and Orchestra: III. Vivace - Presto, Concerto for Group and Orchestra: Second Movement (part 1): Andante, Concerto for Group and Orchestra: Second Movement (part 2), Concerto for Group and Orchestra: Second Movement: Andante, Concerto for Group and Orchestra: Third Movement, Concerto for Group and Orchestra: Third Movement: Vivace - Presto, Concerto for Group and Orchestra: Third Movement: Vivace - Presto (Part) |
| Jacques Offenbach |
instrument, performing orchestra |
Barcarole (The Tales of Hoffman), Barcarolle From 'the Tales of Hoffmann', Barcarolle From The Tales of Hoffman, Can-Can from Orpheus in the Underworld, Die Großherzogin von Geroldstein: Overtüre, Die schöne Helena: Ouvertüre, Orpheus in the Underworld, Orpheus in the Underworld: Overture, Ouvertüre zu "Orpheus in der Unterwelt" (Royal Philharmonic Orchestra feat. conductor: Frank Shipway), Overture to Orphée aux enferns, The Tales of Hoffmann |
| M. Paiste |
performing orchestra |
Gymnopédie No. 1, Gymnopédie No. 2, Parade: Choral, Parade: Final, Parade: I. Prestidigitateur chinois, Parade: II. Petite fille américaine, Parade: III. Acrobates, Parade: Prélude du rideau rouge, Parade: Suite au prelude de rideau rouge, Relâche: Act II, Relâche: Overture - Act I |
| Christopher Gunning |
performing orchestra |
Birdflight, Cello Concerto: Movement 1 “Waltz Memories”, Cello Concerto: Movement 2 “Racing”:, Cello Concerto: Movement 3 “Lament, with Variations”:, Night Voyage, Symphony no. 6, Symphony no. 7, Violin Concerto: Movement 1, Violin Concerto: Movement 2, Violin Concerto: Movement 3 |
| David Garrett |
performing orchestra |
Caprice Viennoise, op. 2, Concerto for Violin and Orchestra in D, op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D, op. 61: II. Larghetto, Concerto for Violin and Orchestra in D, op. 61: III. Rondo (Allegro), Liebesleid, Praeludium and Allegro in the style of Pugnani, Rhapsody on a Theme of Paganini, op. 43 - Arr Franck Van Der Heijden - Variation 18, Romance: Larghetto on a theme by Carl Maria Von Weber, Tambourin Chinois, op. 3, Variations on a theme of Corelli in the style of Tartini |
| Neil Sedaka |
performing orchestra |
For the Good of the Cause, Going Nowhere, I’m a Song, Sing Me, Laughter in the Rain, Let Daddy Know, Medley: Oh Carol / Stairway to Heaven / Little Devil / Happy Birthday Sweet Sixteen / Breaking Up Is Hard to Do / Next Door to an Angel / Calendar Girl, Our Last Song Together, Solitaire, That’s When the Music Takes Me, The Other Side of Me |
| Brem |
performing orchestra |
In the Hall of the Mountain King, Polovtsian Dances (“Prince Igor”): II. Andantino, Polovtsian Dances (“Prince Igor”): IV. Allegro, Polovtsian Dances (“Prince Igor”): V. Presto, Polovtsian Dances (“Prince Igor”): VI. Moderato alla breve, Polovtsian Dances (“Prince Igor”): VII. Presto, Polovtsian Dances (“Prince Igor”): VIII. Allegro con spirito, Songs of Sunset: I. A song of the setting sun!, Songs of Sunset: III. Pale amber sunlight falls across the reddening October trees, Songs of Sunset: VI. See how the trees and osiers lithe are green bedecked |
| Éric Cervera |
performing orchestra |
First Choral Symphony, op. 41 (H 155): Finale: Chorus. But When Thou Joinest With the Nine, First Choral Symphony, op. 41 (H 155): Finale: Chorus. God of the Golden Bow, First Choral Symphony, op. 41 (H 155): Finale: Chorus. This Awful Silence Then Again, First Choral Symphony, op. 41 (H 155): Ode on a Grecian Urn: Chorus, First Choral Symphony, op. 41 (H 155): Prelude: Invocation to Pan, First Choral Symphony, op. 41 (H 155): Scherzo: Fancy Chorus, First Choral Symphony, op. 41 (H 155): Scherzo: Folly's Song, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Chorus. Bacchus, Young Bacchus!, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Chorus. Whence Came Ye, Jolly Satyrs, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Chorus. Whence Came Ye, Merry Damsels |
| Benoist |
performing orchestra |
Peer Gynt: 1st Arabian Dance (Act 4, Scene 6), Peer Gynt: Anitra's Dance (Act 4, Scene 6), Peer Gynt: Ase's Death (Act 3, Scene 4), Peer Gynt: In the Hall of the Mountain King (Act 2, Scene 6), Peer Gynt: Ingrid's Lament (Act 2, Scene 1), Peer Gynt: Morning (Act 4), Peer Gynt: Return of Peer Gynt (Storm Scene) (Act 5, Scene 1), Peer Gynt: Solveig's Song (Act 4, Scene 10), Peer Gynt: Wedding March (orch. Halvorsen) (Act 1, Scene 3), Peer Gynt: Wiegenlied (Act 5, Scene 10) |
| Plácido Domingo |
performing orchestra |
Andalucía, Canto karabali, Damisela encantadora, Juventud, La comparsa, Malagueña, Maria la O, Noche azul, Siboney, Siempre en mi corazón |
| In the End There's Nothing |
performing orchestra |
A Song Before Sunrise, Má vlast: Die Moldau, Pastoral Symphony from "Messiah", St. Paul's Suite for String Orchestra, op. 29 no. 2: I. Jig. Vivace, St. Paul's Suite for String Orchestra, op. 29 no. 2: II. Ostinato. Presto, St. Paul's Suite for String Orchestra, op. 29 no. 2: III. Intermezzo. Andante con moto - Vivace, St. Paul's Suite for String Orchestra, op. 29 no. 2: IV. Finale (The Dargason). Allegro, The Yeomen of the Guard, Variations on an Original Theme, op. 36: Nimrod, Vltava (Die Moldau) from Má Vlast |
| Jonas Isaksson |
performing orchestra |
Sappho: I. Hymn to Aphrodite, Sappho: II. 'I Loved Thee Once, Atthis, Long Ago', Sappho: III. Evening Song, Sappho: IV. 'Stand Face to Face, Friend', Sappho: IX. 'Muse of the Golden Throne', Sappho: V. 'The Moon Has Set', Sappho: VI. 'Peer of Gods He Seems', Sappho: VII. 'In a Dream, I Spake', Sappho: VIII. Bridal Song |
| Luciano Pavarotti |
performing orchestra |
Buongiorno a te, Caruso, Celeste Aida, Come aquile, Domani verra, E lucevan le stelle, Fratello… riconoscimi, Starai con me, Stella |
| Global Zamar |
performing orchestra |
Danse Russe (from Swan Lake), Havanaise, Op. 83, Introduction et Rondo capriccioso, Op. 28, Masquerade: Nocturne, Romance (from The Gadfly Suite), Schindler's List: Main Theme, Swan Lake, op. 20: Danse russe (Moderato), The Lark Ascending, Tzigane |
| Esi Juey |
performing orchestra |
Grande Messe des Morts, op. 5: I. Introitus: "Requiem"- "Kyrie". Andante un poco lento, Grande Messe des Morts, op. 5: II. "Dies irae". Moderato, Grande Messe des Morts, op. 5: III. "Quid sum miser". Andante un poco lento, Grande Messe des Morts, op. 5: IV. "Rex tremendae". Andante maestoso, Grande Messe des Morts, op. 5: V. "Quarens me". Andante sostenuto, Grande Messe des Morts, op. 5: VI. "Lacrymosa". Andante non troppo lento, Grande Messe des Morts, op. 5: VII. Offertorium: "Domine Jesu". Moderato, Grande Messe des Morts, op. 5: VIII. "Hostias". Andante non troppo lento, Grande Messe des Morts, op. 5: X. "Agnus dei". Andante un poco lento |
| Benjamin Britten |
performing orchestra |
Serenade for Tenor, Horn, and Strings, Op. 31, Elegy, Serenade for Tenor, Horn, and Strings, Op. 31: Dirge, Serenade for Tenor, Horn, and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn, and Strings, Op. 31: Hymn, Serenade for Tenor, Horn, and Strings, Op. 31: Nocturne, Serenade for Tenor, Horn, and Strings, Op. 31: Pastoral, Serenade for Tenor, Horn, and Strings, Op. 31: Prolog, Serenade for Tenor, Horn, and Strings, Op. 31: Sonnet, Young Person's Guide to the Orchestra |
| The Widows |
performing orchestra |
Concierto heroico: Allegro con brio, Concierto heroico: Finale, Concierto heroico: Largo, Concierto heroico: Scherzo (Allegro molto ma pesante), Piano Concerto in A minor, Op. 54: I. Allegro affettuoso, Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, Op. 54: III. Allegro vivace, Variations symphoniques, Wedding Cake in A-flat major, Op. 76 (Caprice-Valse) |
| Marcus Beale |
performing orchestra |
Afro-American Symphony: 1. Moderato assai - Longing, Afro-American Symphony: 2. Adagio - Sorrow, Afro-American Symphony: 3. Animato - Humor, Afro-American Symphony: 4. Lento, con risoluzione - Aspiration, Symphony in E minor, op. 32 "Gaelic": 1. Allegro con fuoco, Symphony in E minor, op. 32 "Gaelic": 2. Alla siciliana - Allegro vivace, Symphony in E minor, op. 32 "Gaelic": 3. Lento con molto espressione, Symphony in E minor, op. 32 "Gaelic": 4. Allegro di molto |
| Johannes Brahms |
performing orchestra |
Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo, Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino), Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito, Sinfonie Nr. 2 in D-Dur, Op. 73: I. Allegro non tropo, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Violin Concerto in D, op. 77: 1. Allegro Non Troppo, Violin Concerto in D, op. 77: 2. Adagio, Violin Concerto in D, op. 77: 3. Allegro Giocoso, Ma Non Troppo Vivace - Poco Più Presto |
| Szopeen |
performing orchestra |
Concertino for Flute and Orchestra, op. 107, Concerto for Flute & Orchestra: I. Allegro, Concerto for Flute & Orchestra: II. Andante, Concerto for Flute & Orchestra: III. Allegro scherzando, Fantaisie for Flute and Orchestra, op. 79, Sonata for Flute and Orchestra: I. Allegro malinconico, Sonata for Flute and Orchestra: II. Cantilena, Sonata for Flute and Orchestra: III. Presto grazioso |
| Carl Maria von Weber |
performing orchestra |
Concertino for Clarinet & Orchestra in C minor and E-flat major, Concerto in E-flat major: I. Allegro, Concerto in E-flat major: II. Andante con moto, Concerto in E-flat major: III. Alla polacca, Concerto in F minor: I. Adagio ma non troppo, Concerto in F minor: I. Allegro, Concerto in F minor: III. Rondo: Allegro, Invitation to the Dance |
| Leas |
performing orchestra |
Finlandia: Allegro, Finlandia: Allegro moderato, Finlandia: Andante sostenuto, Symphony no. 1 in E minor, op. 39: Andante, Symphony no. 1 in E minor, op. 39: Andante ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: Finale: Quasi una fantasia, Symphony no. 1 in E minor, op. 39: Scherzo allegro, The Swan of Tuonela, op. 22 no. 3 |
| Jessye Norman |
performing orchestra |
Amazing Grace, Ev'ry Time I Feel de Spirit, Great Day, Greensleeves, I Couldn't Hear Nobody Pray, Messe Solennelle de Ste. Cécile: Sanctus, Panis Angelicus, The Holy City |
| Jeremy Spillman |
performing orchestra |
Caprice d'après l'Étude en forme de valse de Saint-Saëns, Introduction et Rondo capriccioso, Introduction et Rondo capriccioso, Op. 28, Méditation de Thaïs, Poème, Op. 25, Tzigane, Zigeunerweisen, Op. 20, Zigeunerweisen, op. 20 |
| Alexandre Luigini |
performing orchestra |
Ballet Egyptien Suite No. 1: Allegretto, Ballet Egyptien Suite No. 1: Allegro non troppo, Ballet Egyptien Suite No. 1: Andante sostenuto, Ballet Egyptien Suite No. 1: Finale (Andante espressivo), Ballet Egyptien op. 12: I. Allegro non troppo, Ballet egyptien, Op. 12: I, Allegro non troppo, Ballet egyptien, Op. 12: III, Allegretto, Ballet egyptien, Op. 12: IV, Finale (Andante espressivo) |
| Jeremy |
performing orchestra |
Violin Concerto no. 1 in A minor, op. 99: 1. Nocturne (Moderato), Violin Concerto no. 1 in A minor, op. 99: 2. Scherzo (Allegro), Violin Concerto no. 1 in A minor, op. 99: 3. Passacaglia (Andante), Violin Concerto no. 1 in A minor, op. 99: 4. Burlesque (Allegro con brio - Presto), Violin Concerto no. 1 in A minor, op. 99: I. Nocturne, Violin Concerto no. 1 in A minor, op. 99: II. Scherzo, Violin Concerto no. 1 in A minor, op. 99: III. Passacaglia, Violin Concerto no. 1 in A minor, op. 99: IV. Burlesque |
| Drugs For Drunks |
performing orchestra |
Symphony No. 3 in D major: I. Adagio maestoso. Allegro con brio, Symphony No. 3 in D major: II. Allegretto, Symphony No. 3 in D major: II. Menuet: Vivace, Symphony No. 3 in D major: IV. Presto vivace, Symphony No. 5 in B-flat major: I. Allegro, Symphony No. 5 in B-flat major: II. Andante con moto, Symphony No. 5 in B-flat major: III. Menuet: Allegro molto, Symphony No. 5 in B-flat major: IV. Allegro vivace |
| Mark Fulton |
performing orchestra |
Sea Drift: I. Once Paumanok, Sea Drift: II. Shine! shine! shine!, Sea Drift: III. Till of a sudden, Sea Drift: IV. Blow! blow! blow!, Sea Drift: V. Yes, my brother, I know, Sea Drift: VI. O rising stars!, Sea Drift: VII. O reckless despairing carols, Sea Drift: VIII. O past! O happy life! |
| Jaak Toss |
performing orchestra |
Cello Concerto in B minor, op. 104: I. Allegro, Cello Concerto in B minor, op. 104: II. Adagio ma non troppo, Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato - Andante - Allegro vivo, Cello Concerto in E minor, Op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo |
| Franz Schubert |
performing orchestra |
Quinteto para piano em lá maior, op. 114 D. 667 "A truta": I. Allegro vivace, Quinteto para piano em lá maior, op. 114 D. 667 "A truta": II. Andante, Quinteto para piano em lá maior, op. 114 D. 667 "A truta": III. Scherzo: Presto, Quinteto para piano em lá maior, op. 114 D. 667 "A truta": IV. Tema e variações: Andantino - Allegretto, Quinteto para piano em lá maior, op. 114 D. 667 "A truta": V. Final: Allegro giusto, Symphony No. 8 in B minor, D. 759 "Unfinished", Symphony No. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, The Trout |
| Wallhacker |
performing orchestra |
Appalachian Spring (Suite From The Ballet), Billy The Kid (Suite From The Ballet): Introduction, Billy The Kid (Suite From The Ballet): Street in a Frontier Town, Mexican Dance & Finale, Prairie Night, Gun Battle, Celebration, The Open Prairie Again, Billy the Kid, El Salón México, Fanfare for the Common Man, Hoe-Down From 'Rodeo', Nimrod from Enigma Variations |
| Deams |
performing orchestra |
Amaryllis Suite, Arrival of the Queen of Sheba, Grand Entree aus Alceste, Le Messie : Alleluia, Le Messie: "Alleluia", Music for the Royal Fireworks, Passacaglia aus Rodrigo, Suite from "The Water Music" |
| Akarusa Yami |
performing orchestra |
Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante, Allegro, The Gadfly Suite, op. 97: Overture, The Gadfly Suite, op. 97: Romance, The Gadfly Suite, op. 97: Scene |
| Angela Slates |
performing orchestra |
En Saga, op. 9, Finlandia, op. 26, Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla Marcia, Romance in C major, op. 42, Swan of Tuonela (Lemminkäinen Legends, op. 22 no. 3) |
| Embodied Torment |
performing orchestra |
Cello Concerto No. 1 in E-flat major, op. 107: I. Allegretto, Cello Concerto No. 1 in E-flat major, op. 107: II. Moderato, Cello Concerto No. 1 in E-flat major, op. 107: III. Cadenza – Attacca, Cello Concerto No. 1 in E-flat major, op. 107: IV. Allegro con moto, Cello Concerto No. 2 in G major, op. 126: I. Largo, Cello Concerto No. 2 in G major, op. 126: II. Allegretto, Cello Concerto No. 2 in G major, op. 126: III. Allegretto |
| Gustav Holst |
performing orchestra |
Brook Green Suite: Air, Brook Green Suite: Dance, Brook Green Suite: Prelude, The Planets Suite for Orchestra, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32, H125: Venus, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets: Mars, the Bringer of War (excerpt) |
| Léo Delibes |
performing orchestra |
Le Roi s'amuse - Finale, Le Roi s'amuse - Gaillarde, Le Roi s'amuse - Lesquercarde, Le Roi s'amuse - Madrigal, Le Roi s'amuse - Passepied, Le Roi s'amuse - Pavane, Le Roi s'amuse - Scène de bouquet |
| FOTN |
performing orchestra |
Cello Concerto in A minor, op. 129: I. Nicht zu schnell, Cello Concerto in A minor, op. 129: II. Langsam, Cello Concerto in A minor, op. 129: III. Sehr lebhaft, Kol Nidrei, op. 47, Symphonic Variations, op. 23: A tempo andantino -, Symphonic Variations, op. 23: Moderato maestoso -, Symphonic Variations, op. 23: Un peu plus vite |
| Gerald Carboy |
performing orchestra |
A Whiter Shade of Pale, Champagne Supernova, Layla, Millennium, Run to You, What Can I Do, Yellow |
| Michael Nyman |
performing orchestra |
Angelfish Decay, Cornfield, Full Fathom Five, Miranda, Miserere Paraphrase, Prospero's Curse, Prospero's Magic |
| Novi Sad String Trio |
performing orchestra |
All About You, Forgotten Saga, Hearts, Omens of Love, Stiff Nails & Adventures, いとしのうなじ, カピオラニの通り雨 |
| Jonny Greenwood |
performing orchestra |
Adrian Prussia, Meeting Crocker Fenway, Shasta, Shasta Fay, Shasta Fay Hepworth, The Chryskylodon Institute, The Golden Fang |
| Crier |
performing orchestra |
Organ Concerto no. 1 in F major, op. 137: I. Moderato, Organ Concerto no. 1 in F major, op. 137: II. Andante, Organ Concerto no. 1 in F major, op. 137: III. Con moto (Finale), Symphony in G minor for Organ and Orchestra, op. 25: I. Modérément lent - Allegro, Symphony in G minor for Organ and Orchestra, op. 25: II. Vivace, Symphony in G minor for Organ and Orchestra, op. 25: III. Lent, Symphony in G minor for Organ and Orchestra, op. 25: IV. Animé (Final) |
| Lil Data |
performing orchestra |
Ghost: Main Theme, Indiana Jones And The Temple Of Doom: End Title Suite, Indiana Jones and the Temple of Doom: End Title Suite, Oliver Twist: Fagin In Prison / End Titles, Pirates Of The Caribbean: The Curse Of The Black Pearl: Main Themes, Stage Beauty: Main Theme, The Queen Symphony: Adagio |
| KLASSIK ’78 |
performing orchestra |
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto : Largo, Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: I. Vivace, Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: III. Allegro, Concerto for Two Violins and Strings in D minor, BWV 1043: Largo, Concerto grosso for Two Violins, Strings and Harpsichord in A minor, op. 3 no. 8 (RV 522): I. Allegro, Concerto grosso for two violins, strings and harpsichord in A minor, Op. 3 No. 8 (RV 522): II. Larghetto e spiritoso, Concerto grosso for two violins, strings and harpsichord in A minor, Op. 3 No. 8 (RV 522): III. Allegro |
| Zeitgeist |
performing orchestra |
Béatrice et Bénédict: Ouverture, Gayane Suite, Ouverture: Le corsaire, op. 21, Symphonie fantastique, op. 14: Rêveries. Passions, Symphonie fantastique, op. 14: Scène aux champs, Symphonie fantastique, op. 14: Songe d'un nuit du sabbat, Symphonie fantastique, op. 14: Un bal |
| Fred KRC |
performing orchestra |
Die Walküre: Feuerzauber, Pastorale, Scheherazade, op. 35: I. The Sea and Sindbad's Ship, Scheherazade, op. 35: II. The Tale of the Kalendar Prince, Scheherazade, op. 35: III. The Young Prince and the Young Princess, Scheherazade, op. 35: IV. Festival in Bagdad - The Sea |
| Edmund Rubbra |
performing orchestra |
Concerto for Violin and Orchestra: 1. Allegro (feat. violin Tasmin Little), Concerto for Violin and Orchestra: 2. Poema - lento ma non troppo (feat. violin Tasmin Little), Concerto for Violin and Orchestra: 3. Allegro giocoso (feat. violin Tasmin Little), Concerto in A for Viola and Orchestra: 1. Introduzione: quasi una fantasia (feat. viola Rivka Golani), Concerto in A for Viola and Orchestra: 2. Molto vivace (feat. viola Rivka Golani), Concerto in A for Viola and Orchestra: 3. Collana musicale - Andante moderato (feat. viola Rivka Golani) |
| Thomas Kiechle |
performing orchestra |
Piano Concerto in G major: I. Allegramente, Piano Concerto in G major: II. Adagio assai, Piano Concerto in G major: III. Presto, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando |
| George Duning |
performer, performing orchestra |
Is There in Truth No Beauty?: Enter Miranda / Ambassador Arrival / McCoy's Toast / Quite a Woman / Marvick Pleads / Marvick Mad / Marvick Berserk / Marvick Dies / Sentimental Jim / Blind Miranda / No Change / Miranda Mad / Miranda's Farewell, The Empath: Enter Gem / Kirk Healed, The Empath: Help Him / Spock Stuck / McCoy Tortured, The Empath: Time Grows Short, The Empath: Vian Lab / The Subjects / Cave Exit / Star Trek Chase, The Empath: Vian's Farewell / Empath Finale |
| Flip Loc |
performing orchestra |
Viola Concerto I: Andante comodo, Viola Concerto II: Vivo, con molto preciso, Viola Concerto III: Allegro moderato, Violin Concerto I: Andante tranquillo, Violin Concerto II: Presto capriccioso napolitana-Trio (Canzonetta)-Tempo I, Violin Concerto III: Vivace |
| Butch & Buddy |
performing orchestra |
Symphony no. 5 in C minor, op. 67 “Schicksal”: I. Allegro con brio, Symphony no. 5 in C minor, op. 67 “Schicksal”: II. Andante con moto, Symphony no. 5 in C minor, op. 67 “Schicksal”: III. Allegro, Symphony no. 5 in C minor, op. 67 “Schicksal”: IV. Allegro, Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto |
| Mercurial |
performing orchestra |
En Saga, op. 9, Symphony no. 5 in E-flat Major, op. 82: I. Tempo molto moderato, Symphony no. 5 in E-flat Major, op. 82: II. Andante mosso, Symphony no. 5 in E-flat Major, op. 82: III. Allegro molto, The Swan of Tuonela, op. 22, Valse Triste, op. 44 |
| The Avramina 7 |
performing orchestra |
La traviata: Atto II, Scena I. "Ah! Dite alla giovine" (Violetta, Germont), La traviata: Atto II, Scena I. "Imponete… Non amarlo ditegli" (Violetta, Germont), La traviata: Atto II, Scena I. "Morrò! La mia memoria" (Violetta, Germont), La traviata: Atto II, Scena I. "Non sapete quale affetto" (Violetta, Germont), La traviata: Atto II, Scena I. "Pura siccome un angelo" (Germont, Violetta) / "Non sapete quale affetto" (Violetta, Germont) / Duetto "Ah! Dite alla giovane" (Violetta, Germont), La traviata: Atto II, Scena I. "Un dì, quando le veneri" (Germont, Violetta) |
| Momosuke Tada |
performing orchestra |
Dances With Wolves: John Dunbar Theme, Girl With a Pearl Earring: Griet's Theme, Love Actually: Glasgow Love Theme, Romeo and Juliet: The Balcony Scene, Star Wars Episode II: Attack Of The Clones: Across The Stars, Witness: Building the Barn |
| Robin Valo |
performing orchestra |
Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto, Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: III. Presto, Piano Concerto no. 5 in F major, op. 103 “Egyptian”: I. Allegro animato, Piano Concerto no. 5 in F major, op. 103 “Egyptian”: II. Andante, Piano Concerto no. 5 in F major, op. 103 “Egyptian”: III. Molto allegro |
| Franck Talbourdet |
performing orchestra |
First Choral Symphony, op. 41 (H 155): Finale: Solo. Next They Tasso's Ardet Numbers, First Choral Symphony, op. 41 (H 155): Finale: Solo. Spirit Here That Reignest!, First Choral Symphony, op. 41 (H 155): Finale: Solo. Then, Though Thy Temple Wide, First Choral Symphony, op. 41 (H 155): Song and Bacchanal, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Solo. Onward the Tiger and the Leopard Pants, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Solo. Within His Car, Aloft, Young Bacchus Stood |
| 于世才 |
performing orchestra |
Symphony No. 1 in F minor, Op. 10: I. Allegretto, Symphony No. 1 in F minor, Op. 10: II. Allegro, Symphony No. 1 in F minor, Op. 10: III. Lento, Symphony No. 1 in F minor, Op. 10: IV. Allegro, Tanwalzer, op. 53, The Isle of the Dead, op. 29 |
| Jay Donaghy |
performing orchestra |
Klavierkonzert Nr. 2 F-dur, Op. 102: I. Allegro, Klavierkonzert Nr. 2 F-dur, Op. 102: II. Andante, Klavierkonzert Nr. 2 F-dur, Op. 102: III. Allegro, Piano Concerto no. 2 in F major, op. 102: I. Allegro, Piano Concerto no. 2 in F major, op. 102: II. Andante, Piano Concerto no. 2 in F major, op. 102: III. Allegro |
| Jules Massenet |
performing orchestra |
Cendrillon - Valse, Cendrillon: Walzer, Meditation aus "Thais" (Royal Philharmonic Orchestra feat. conductor: Frank Shipway, Meditation from Thaïs, Méditation de Thaïs, ‘Meditation’ from Thaïs |
| G. Calabro |
performing orchestra |
Concerto Breve for Piano & Orchestra: 1. Enérgico, Concerto Breve for Piano & Orchestra: 2. Dolce, Concerto Breve for Piano & Orchestra: 3. Vivo, Concerto for Piano & Orchestra: 1. Allegro, Concerto for Piano & Orchestra: 2. Larghetto, Concerto for Piano & Orchestra: 3. Vivace con fuoco |
| Levin Brothers |
performing orchestra |
Chaconne from "The Red Violin", Romanian Rhapsody No.1, arr. Franz Waxman, Tristan and Isolde Fantasia, Violin Concerto: I. ♩ = 78, Violin Concerto: II. Chaconne: Body Through Which the Dream Flows, Violin Concerto: III. Toccare |
| Machete Kisumontao |
performing orchestra |
La traviata: Atto I. "Un dì, felice, eterea" (Alfredo, Violetta), La traviata: Atto I. (conclusion), La traviata: Atto II, Scena I. "Che fai?… Ai piedi suoi mi getterò" (Violetta, Alfredo), La traviata: Atto III. "Ah, non più, a un tempio" (Violetta, Alfredo), La traviata: Atto III. "Ma se tornando… Ah! Gran Dio! Morir sì giovine" (Violetta, Alfredo), La traviata: Atto III. Duetto "Parigi, o cara, noi lasceremo" (Alfredo, Violetta) |
| Peter Warlock |
performing orchestra |
Capriol Suite: Basse-Danse, Capriol Suite: Bransles, Capriol Suite: Mattachins, Capriol Suite: Pavane, Capriol Suite: Pieds-en-l'air, Capriol Suite: Tordion |
| Renato Vecchio |
performing orchestra |
Also Sprach Zarathustra / Siegfried’s Funeral, Indiana Jones and the Temple of Doom: End Credits, Schindler's List - Main Theme, Shakespeare in Love: Suite, The Magic Flute: Overture |
| Александр Порфирьевич Бородин |
performing orchestra |
Polowetzer Tänze, Symphony no. 1 in E-flat major: I. Adagio - allegro - andantino, Symphony no. 1 in E-flat major: II. Scherzo (Prestissimo) - Trio (Allegro), Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo |
| Claude Debussy |
performing orchestra |
Clair de Lune, Golliwog's Cakewalk, L'enfant prodigue - Cortège et air de danse, Prelude a l'apres-midi d'un faune, Prélude à l'après-midi d'un faune |
| Christopher Tin |
performing orchestra |
Hayom kadosh, Kia Hora Te Marino, Lux aeterna, Rassemblons-nous, Sukla-krsne |
| Franz von Suppé |
performing orchestra |
Ein Morgen, ein Mittag, ein Abend in Wien: Ouvertüre, Fatinitza: Marsch, Leichte Kavallerie: Ouvertüre, Light Cavalry Overture, Pique Dame: Ouvertüre |
| William Grant Still |
performing orchestra |
Afro-American Symphony, III, Part 1 (Royal Philharmonic feat. conductor: Karl Krueger), Afro-American Symphony, III, Part 2 (Royal Philharmonic feat. conductor: Karl Krueger), Afro-American Symphony, III, Part 3 (Royal Philharmonic feat. conductor: Karl Krueger), Afro-American Symphony, III, Part 4 (Royal Philharmonic feat. conductor: Karl Krueger), Afro-American Symphony, III, Part 5 (Royal Philharmonic feat. conductor: Karl Krueger) |
| Wayne Parris |
performing orchestra |
Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito, Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice, Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco, Klavierkonzert No. 1 B-Moll Op. 23: III. Allegro con fuoco, Piano Concerto no. 1 in B-flat minor, op. 23, TH 55: 1. Allegro non troppo e molto maestoso |
| Rphabet |
performing orchestra |
Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Symphony no. 4 in E minor, op. 98: Allegro energico e passionato |
| Сергей Рахманинов |
performing orchestra |
Piano Concerto No. 2 in C minor: III. Allegro scherzando (Royal Philharmonic Orchestra feat. piano: Earl Wild), Symphonie No. 2 in E minor, Op. 27: III. Adagio (extrait) (feat. Royal Philharmonic Orchestra feat. conductor: Andrew Litton), Symphony No. 2 in E minor, Op. 27: III. Adagio, Symphony No. 2 in E minor, Op. 27: III. Adagio (excerpt), Symphony no. 2 in E minor, op. 27 |
| Diego Suarez |
performing orchestra |
Cuentos de los Bosques de Viena, Op. 325, El Danubio Azul, Op. 314, Rosas del sur, Op. 388, Tritsch-Tratsch-Polca, Op. 214, Vals del Emperador, Op 437 |
| 何進 |
performing orchestra |
Piano Concerto no. 20 in D minor, K. 466: Allegro, Piano Concerto no. 20 in D minor, K. 466: Romance, Piano Concerto no. 20 in D minor, K. 466: Rondo (Allegro assai), Piano Concerto no. 27 in B-flat major, K. 595: Allegro, Piano Concerto no. 27 in B-flat major, K. 595: Larghetto |
| Kristopher James |
performing orchestra |
Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo (Cheerful ipmressions awakened by arriving in the country), Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto moto (Scene by the brook), Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro (Peasants' merrymaking), Symphony no. 6 in F major, op. 68 "Pastoral": IV. Allegro (Thunderstorm), Symphony no. 6 in F major, op. 68 "Pastoral": V. Allegretto (Shepherds's Song: Joyous thanksgiving after the storm) |
| Max Bruch |
performing orchestra |
Concerto No.1 for Violin & Orchestra In G Minor, Op. 26: Adagio, Scottish Fantasy, Op. 46/Finale: Allegro guerriero, Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato, Violin Concerto No. 1 in G minor, Op. 26: II. Adagio, Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro energico |
| Tony Raymond |
performing orchestra |
Cello Concerto in E minor, op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro, Cello Concerto, Op. 85: I. Adagio - Moderato (extract) |
| Hector Berlioz |
performing orchestra |
La damnation de Faust - Danse des sylphes, La damnation de Faust - Menuet des follets, Symphonie Fantastique, Op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique Op14 - 1st movement, Symphonie fantastique: IV. ‘March to the Scaffold’ (extract) |
| Felix Mendelssohn |
performing orchestra |
Overture "The Fair Melusina", Op. 32, Songs Without Words: No. 44 in D major, Op. 102, No. 2: Adagio, Songs Without Words: No. 45 in C major, Op. 102, No. 3 "Kinderstück": Presto, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto, Violin Concerto in E minor, op. 64: II. Andante |
| Mike Oldfield |
performing orchestra |
An Extract From Star’s End, The Orchestral Hergest Ridge, Part 1, The Orchestral Hergest Ridge, Part 2, The Orchestral Tubular Bells, Part 1, The Orchestral Tubular Bells, Part 2 |
| Omni |
performing orchestra |
Hawaii Five-O (Theme), Jason King (Theme), Kojak (Theme), Mission: Impossible (The Plot / Main Theme), The Prisoner (Main Titles) |
| Gernot Dornblüth |
performing orchestra |
Les Misérables, Miss Saigon, Suite from ‘Aspects of Love’, Suite from ‘Cats’, Suite from ‘Joseph and the Amazing Technicolor Dreamcoat’ |
| George Gershwin |
performing orchestra |
An American in Paris, Concerto for Piano and Orchestra in F major: I. Allegro, Concerto for Piano and Orchestra in F major: II. Adagio. Andante Con Moto, Concerto for Piano and Orchestra in F major: III. Allegro agitato, Rhapsody in Blue |
| Steve Hackett |
performing orchestra |
Deja Vu, Firth of Fifth, For Absent Friends, Fountain of Salmacis, Watcher of the Skies |
| Método Mc |
performing orchestra |
Henry V 1 Overture - The Globe Playhouse, Henry V 2 Death of Falstaff - Passacaglia, Henry V 3 Charge and Battle, Henry V 4 Touch Her Soft Lips And Part, Henry V 5 Agincourt Song |
| Ravi Shakti |
performing orchestra |
1812 Overture, The Nutcracker: Chinese Dance, The Nutcracker: Dance of the Reed Flutes, The Nutcracker: Dance of the Sugar Plum Fairy |
| Sharon McCants |
performing orchestra |
Choral Hymns from the Rig Veda: 1st Group, Choral Hymns from the Rig Veda: 2nd Group, Choral Hymns from the Rig Veda: 4th Group, Hymn to Dionysus, Op. 31 No. 2 |
| Anthony Sonetti |
performing orchestra |
Serenade for Strings, op. 22: I. Moderato, Symphonie in D minor: I. Lento - Allegro non troppo, Symphonie in D minor: II. Allegretto, Symphonie in D minor: III. Allegro non troppo |
| Maurice Ravel |
performing orchestra |
Bolero, Bolero (Royal Philharmonic Orchestra, feat. conductor: Michael Reed), Pavane pour une infante defunte, Spanish Rhapsody |
| Jürgen Grothe |
performing orchestra |
Concerto for Piano and Orchestra no. 1 in B flat minor: Allegro non troppo e molto maestoso, Klavierkonzert no. 1: Allegro con fuoco, Klavierkonzert no. 1: Allegro non troppo e molto maestoso - Allegro con spirito, Klavierkonzert no. 1: Andantino semplice - Prestissimo |
| Melyra |
performing orchestra |
Carmen-Fantasie, op. 25, Concerto no. 1 in D for violin and orchestra, op. 6: I. Allegro maestoso, Concerto no. 1 in D for violin and orchestra, op. 6: II. Adagio espressivo, Concerto no. 1 in D for violin and orchestra, op. 6: III. Rondo (Allegro spiritoso) |
| Dawn Muir |
performing orchestra |
Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro, Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio, Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo. Allegro, Concerto for Clarinet in A major, K. 622: II. Adagio |
| Humanity Gap |
performing orchestra |
Belshazzar, oratorio, HWV 61: Martial Symphony, Judas Maccabaeus, oratorio, HWV 63: See, the Conquering Hero Comes, Saul, oratorio, HWV 53: Dead March, Senele: Where E'er You Walk |
| Thom Jackson |
performing orchestra |
Marcha Radetzky, Marcha Radetzky, op. 228, Radetzky-Marsch, Op. 228, Walzer, Op. 154 "Loreley-Rhein-Klänge" |
| Juha Rantala |
performing orchestra |
Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Andante ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo / IV. Allegro moderato, Symphony no. 2 in D major, op. 43: IV. Allegro moderato |
| Lawrence Wakefield |
performing orchestra |
La traviata: Atto I. "Che è cio?" (Violetta, Alfredo, Coro), La traviata: Atto I. "Libiamo ne' lieti calici" (Alfredo, Violetta, Coro), La traviata: Atto I. "Libiamo, ne' lieti calici" (Alfredo, Violetta, Coro) / "Che è ciò?" (Violetta, Alfredo, Coro) / Duetto "Un dì felice, eterea" (Alfredo, Violetta), La traviata: Atto II, Scena II. "Invitato a qui seguirmi" (Violetta, Alfredo, Coro) |
| Mike Batt |
performing orchestra |
Aspidistra Suite 2nd Movement, Military Theme and Development, On Watership Down, Winter on Watership Down |
| Soazig Noblet |
performing orchestra |
Good‐Bye Blue Wind, Play for You, Tomorrow’s Affair, 明日への扉 |
| Mike Hernandez y Su Sonora Casino |
performing orchestra |
Roberto Devereuh: Atto I. Terzetto "Ecco l'indegno!..." (Elisabetta, Roberto, Nottingham), Roberto Devereux: Atto II. "Ecco l'indegno!..." (Elisabetta, Roberto, Nottingham), Roberto Devereux: Atto II. "Scellerato!...Malvagio!..." (Elisabetta, Roberto, Nottingham), Roberto Devereux: Atto II. "Va, la morte sul capo ti pende" (Elisabetta. Roberto, Nottingham) |
| Joan Manuel Serrat |
performing orchestra |
Cuando duerme el rock and roll, Disculpe el señor, El hombre y el agua, Pendiente de ti |
| Ousmane Sylla |
performing orchestra |
Adagio for Violin and Orchestra in E major, K. 261, Violin Concerto in E-flat, K. 268: 1. Allegro moderato, Violin Concerto in E-flat, K. 268: 2. Un poco adagio, Violin Concerto in E-flat, K. 268: 3. Rondo (Allegretto) |
| Jean-Marc Volcy |
performing orchestra |
La traviata: Atto I. "Un di, felice, eterea" (Alfredo, Violetta), La traviata: Atto I."Libiamo ne'lieti calci" (Alfredo, Violetta, Coro), La traviata: Atto II. "Che, fai?" (Violetta, Alfredo), La traviata: Atto III. "Parigi, o cara" (Alfredo, Violetta) |
| Lord Kenjamin |
performing orchestra |
La traviata: Atto II, Scena I. "De' miei bollenti spiriti" (Alfredo), La traviata: Atto II, Scena I. "Lunge da lei" (Alfredo), La traviata: Atto II, Scena I. "Oh mio rimorso! Oh, infamia!" (Alfredo), La traviata: Atto II, Scena I. Aria "De miei bollenti spiriti" (Alfredo) |
| 2blastguns |
performing orchestra |
Carmina Burana: Fortuna Imperatrix Mundi: I. O Fortuna, The Seasons: Autumn: No. 28. Chorus: Juhhe! Der Wein ist da, The Seasons: Spring: No. 2. Chorus: Komm, holder Lenz, The Seasons: Summer: No. 17. Chorus: Ach, das Ungewitter naht! |
| Prélude |
performing orchestra |
Finlandia, op. 26, Karelia Suite, op. 11: Alla marcia, Karelia Suite, op. 11: Intermezzo, Symphony no. 2 in D major, op. 43: I. Allegretto |
| Dj Yucca |
performing orchestra |
Poème for Violin and Orchestra, op.25, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro |
| Arsinist |
performing orchestra |
Piano Concerto No. 1 in F-sharp minor, Op. 1: I. Vivace, Piano Concerto No. 1 in F-sharp minor, Op. 1: II. Andante, Piano Concerto No. 1 in F-sharp minor, Op. 1: III. Allegro vivace, Piano Concerto no. 4 in G minor, op. 40: II. Largo / III. Allegro vivace |
| BOND |
performing orchestra |
Dalalai, Duel, The 1812 |
| Karolina Spolniewski |
performing orchestra |
Violin Concerto in D major, Op. 61: I. Allegro ma non troppo, Violin Concerto in D major, Op. 61: II. Larghetto, attacco, Violin Concerto in D major, Op. 61: III. Rondo (Allegro) |
| The Orchestra Soledad |
performing orchestra |
Roberto Devereuh: Atto I. Duetto "Un tenero core mi rese felice" (Elisabetta, Roberto), Roberto Devereux: Atto I. "Donna reale, a piedi tuoi..." (Elisabetta. Roberto), Roberto Devereux: Atto I. "Un tenero core" (Elisabetta, Roberto) |
| Manuel María Ponce |
performing orchestra |
Concerto for Violin and Orchestra: I. Allegro non troppo, Concerto for Violin and Orchestra: II. Andante espressivo, Concerto for Violin and Orchestra: III. Vivo giocoso |
| Chucho Monge |
performing orchestra |
Concerto for Two Pianos and Orchestra in C major: Fuga chromatica con finale alla tedesca: Allegro, Concerto for Two Pianos and Orchestra in C major: Romanza: lento, Concerto for Two Pianos and Orchestra in C major: Toccata: Allegro moderato |
| King Coco Loco |
performing orchestra |
Anacréon: Overture, Symphony no. 7 in C major, op. 105, The Nutcracker: Pas de deux |
| Princess Auto |
performing orchestra |
Piano Concerto no. 2 in C minor, op. 18: I. Allegro moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando |
| WANDER |
performing orchestra |
Bassoon Concerto in B-flat, K 191: Allegro, Bassoon Concerto in B-flat, K 191: Andante ma adagio, Bassoon Concerto in B-flat, K 191: Rondo. Tempo di menuetto |
| 秀蘭瑪雅 |
performing orchestra |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro |
| Apple |
performing orchestra |
Piano Concerto No. 2 in C minor, op. 18: I. Moderato, Piano Concerto No. 2 in C minor, op. 18: II. Adagio Sostenuto, Piano Concerto No. 2 in C minor, op. 18: III. Presto |
| Antonio Vivaldi |
performing orchestra |
Concerto for Guitar in D major, The Four Seasons: Autumn, The Four Seasons: Spring |
| Stéphanie |
performing orchestra |
Concerto for Violin, Op. 77: I. Allegro non troppo, Concerto for Violin, Op. 77: II. Adagio, Concerto for Violin, Op. 77: III. Allegro giocoso, ma non troppo vivace |
| Kuba Ohms |
performing orchestra |
Concerto for Violin and Cello in A minor, Op. 102 "Double Concerto": I. Allegro, Concerto for Violin and Cello in A minor, Op. 102 "Double Concerto": II. Andante, Concerto for Violin and Cello in A minor, Op. 102 "Double Concerto": III. Vivace non troppo |
| Johnny Sedes and His Orchestra |
performing orchestra |
Roberto Devereuh: Atto I. "All' afflito è dolce il pianto" (Sara), Roberto Devereux: Atto I. "All' afflito e dolce il pianto" (Sara), Roberto Devereux: Atto I. "Geme!...Pallor funereo" (Sara) |
| Philip Glass |
performing orchestra |
Concerto for Violin and Orchestra: I. Crotchet = 104, Concerto for Violin and Orchestra: II. Crotchet = 108, Concerto for Violin and Orchestra: III. Crotchet = 150 |
| Melvin Stubbe |
performing orchestra |
Concerto for Violin and Orchestra: I. Allegro moderato, Concerto for Violin and Orchestra: II. Adagio, Concerto for Violin and Orchestra: III. Allegro non troppo |
| I, The Current |
performing orchestra |
Concerto: I. Allegro con fermezza, Concerto: II. Andante sostenuto, Concerto: III. Allegro vivace |
| Takayuki Aikawa |
performing orchestra |
Horn Concerto no. 1 in E-flat major, op. 11: I. Allegro, Horn Concerto no. 1 in E-flat major, op. 11: II. Andante, Horn Concerto no. 1 in E-flat major, op. 11: III. Rondo (Allegro) |
| Sally Sheldon |
performing orchestra |
Violin Concerto in D, op. 61: I. Allegro ma non troppo - Cadenza (by Kreisler), Violin Concerto in D, op. 61: II. Larghetto, Violin Concerto in D, op. 61: III. Rondo (Allegro) - Cadenza (by Kreisler) |
| Sinneplakken |
performing orchestra |
Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di moderato, Violin Concerto in D minor, op. 47: III. Allegro ma non tanto |
| Little Clubthing |
performing orchestra |
Concerto pour violoncelle, op. 104: I. Allegro, Concerto pour violoncelle, op. 104: II. Adagio ma non troppo, Concerto pour violoncelle, op. 104: III. Finale (Allegro moderato - Andante - Allegro vivo) |
| Michael Maguire |
performing orchestra |
Back at the Barricade, Do You Hear the People Sing?, Second Attack / The Final Battle |
| Wycliff Hartwig |
performing orchestra |
Violin Concerto in D major, Op. 77: I. Allegro non troppo, Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto |
| Donnez |
performing orchestra |
Roberto Devereux: Atto III. "A te diro' negli ultimi singhiozzi" (Roberto), Roberto Devereux: Atto III. "Bagnato il sen di lagrime" (Roberto), Roberto Devereux: Atto III. "Ed ancor la tremenda porta" (Roberto) |
| Friz |
performing orchestra |
Concerto for Oboe and String Orchestra: I. Allegro, Concerto for Oboe and String Orchestra: II. Lento, Concerto for Oboe and String Orchestra: III. Vivo |
| Louis Farrell |
performing orchestra |
Dangerous Moonlight: Warsaw Concerto, Gone With the Wind: Main Theme, The Big Country: Main Theme |
| Colm Wilkinson |
performing orchestra |
Bring Him Home, Valjean's Soliloquy, Who Am I? / The Trial |
| Richard Wagner |
performing orchestra |
Das Rheingold, WWV 86a: Entry of the Gods into Valhalla, Lohengrin: "In fernem Land", Lohengrin: Act III. Prelude |
| Alex Espiritu |
performing orchestra |
Variations Symphoniques: I. Poco allegro, Variations Symphoniques: II. Molto piu lento, Variations Symphoniques: III. Allegro non troppo |
| Ivory |
performing orchestra |
Concierto breve: I. Energico, Concierto breve: II. Dolce, Concierto breve: III. Vivo |
| 14カラット |
performing orchestra |
Cello Concerto, RT vii/7: Allegramente, Cello Concerto, RT vii/7: Con moto tranquillo, Cello Concerto, RT vii/7: Lento |
| Johann Nepomuk Hummel |
performing orchestra |
Trumpet Concerto in E Major: I. Allegro con spirito, Trumpet Concerto in E Major: II. Andante, Trumpet Concerto in E Major: III. Finale: rondo (allegro) |
| Tamar Green |
performing orchestra |
Don Giovanni: Il Mio Tesoro (Act II), Eugene Onegin, op. 24: Act II, Scene II. "Kuda, kuda, kuda vi udalilis" (Lensky), Lohengrin: Act III, Scene III. "In fernem Land, unnanbar euren Schritten" (Lohengrin) |
| O'Nancy in French |
performing orchestra |
Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace |
| Digi Random |
performing orchestra |
La traviata: Atto II, Scena I. "Di Provenza il mar, il suol" (Germont), La traviata: Atto II, Scena I. Aria "Di Provenza il mar, il suol" (Germont), La traviata: Atto II, Scena I. Duetto "Pura siccome un angelo" (Germont, Violetta) |
| Արամ Խաչատրյան |
performing orchestra |
Spartacus & Phrygia: Adagio, Spartacus: Adagio, Spartacus: Adagio of Spartacus & Phrygia |
| Richard Beaudet |
performing orchestra |
Caprice-Valse, Op. 76 "Wedding Cake", Hoffmanns Erzählungen: Barcarole, The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers |
| CoCo |
performing orchestra |
Concerto for Piano & Orchestra: I. Allegro, Concerto for Piano & Orchestra: II. Larghetto, Concerto for Piano & Orchestra: III. Vivace con fuoco |
| Jimmy Carter |
performing orchestra |
Ballet egyptien, Op. 12: II, Andante sostenuto, Ballet égyptien - Suite, op. 12: I. Allegro non troppo |
| Rayane Bensetti |
performing orchestra |
A flauta mágica: Abertura, Symphony no. 2 in D, op. 36: III. Scherzo |
| Angel Ceballos |
performing orchestra |
Roberto Devereux: Atto I. "Dacche tornasti, ahi misera!" (Roberto, Sara), Roberto Devereux: Atto I. "Tutto e silenzio" (Roberto, Sara) |
| Louie Colon and His Combo |
performing orchestra |
Roberto Devereuh: Atto II. Duetto "Non vienni mai si mesto" (Elisabetta, Nottingham), Roberto Devereux: Atto II. "Non vienni mai si mesto" (Elisabetta, Nottingham) |
| Jodie Ahlborn |
performing orchestra |
Granada, Tu che m'hai preso il cuor |
| Ruthie Henshall |
performing orchestra |
I Dreamed a Dream, Lovely Ladies |
| Ralph Vaughan Williams |
performing orchestra |
Fantasia on Greensleeves, Symphony No. 2: II (excerpt) |
| Lost Brethren |
performing orchestra |
Javert's Suicide, The Runaway Cart |
| Johann Pachelbel |
performing orchestra |
Canon, Canon in D |
| Sir Thomas Beecham |
performing orchestra |
A Few Introductory Words by Sir Thomas Beecham, The British National Anthem |
| Svante Kosunen |
performing orchestra |
Encore 1: Entrance of International Valjeans, The Sewers |
| Fymm |
performing orchestra |
Piano Concerto No. 1 in E-flat major S/G 124 "Triangle": Allegro maestoso - Quasi adagio - Allegretto vivace - Allegro animato - Allegro marziale animato, Piano Concerto no. 1 in E-flat major |
| Sir Hubert Parry |
performing orchestra |
God Save the Queen, Jerusalem |
| John Philip Sousa |
performing orchestra |
Liberty Bell March, Stars and Stripes Forever |
| Bernard Herrmann |
performing orchestra |
North by Northwest: Prelude, Vertigo: Scène d'amour |
| Gabriel Fauré |
performing orchestra |
Berceuse, Fantaisie |
| Sir Henry Wood |
performing orchestra |
Fantasia of British Sea Songs, Fantasia on British Sea Songs (excerpts) |
| The Neoromantix |
performing orchestra |
Messiah: For Unto Us a Child Is Born, Messiah: Hallelujah Chorus |
| Manticore's Breath |
performing orchestra |
At the End of the Day, Fantine's Death |
| Robert Stolz |
performing orchestra |
Frühjahrsparade: Frühjahrsparade, Marsch, Reise um die Welt in 80 Minuten: "Jung san ma, fesch san ma!" (Heurigenmarsch) |
| Gavin Greenaway |
performing orchestra |
Reflections of Earth, We Go On |
| Josef Strauss |
performing orchestra |
Feuerfest (polca), op. 269, Französische Polka, Op. 57 "Moulinet" |
| Marilyn Horne |
performing orchestra |
L'assedio di Corinto: Avanziam... Non Temer, d'Un Basso Affetto... I Destini Tradir Ogni ..., La donna del lago: Tanti Affetti |
| Wemen |
performing orchestra |
Iza Ngomso - "Come Tomorrow", Waloyo Yamoni - "We Overcome the Wind" |
| José Carreras |
performing orchestra |
Forse la soglia attinse - Ma se m'è forza perderti, Oh, fede negar potessi - Quando le sere al placido (Luisa Miller) |
| Модест Петрович Мусоргский |
performing orchestra |
A Night on the Bare Mountain, Night On The Bare Mountain (The Royal Philharmonic Orchestra: George Pretre, 1963) |
| The Daarts |
performing orchestra |
Piano Concerto in A minor, Op. 16: I. Allegro molto moderato, Piano Concerto in A minor, Op. 16: II. Adagio - III. Allegro moderato molto e marcato |
| The Closhers |
performing orchestra |
Songs of Sunset: V. By the sad waters of separation, Songs of Sunset: VII. I was not sorrowful, I could not weep |
| Pietro Mascagni |
performing orchestra |
Cavalleria Rusticana, Intermezzo from Cavalleria Rusticana |
| David Bedford |
performing orchestra |
Star's End (Part One), Star's End (Part Two) |
| Richard Šeda |
performing orchestra |
La traviata: Atto I. Preludio, La traviata: Atto III. Preludio |
| Warszał |
performing orchestra |
La traviata: Atto II, Scena I. "No, non udrai rimproveri" (Germont, Alfredo), La traviata: Atto II, Scena I. "Né rispondi d'un padre all'affetto?" (Germont, Alfredo) |
| Megahit |
performing orchestra |
La traviata: Atto II, Scena I. "Annina, donde vieni?" (Alfredo, Annina), La traviata: Atto II, Scena I. (beginning) |
| Donovan |
strings |
Epistle to Dippy, Lalena |
| Bettye |
performing orchestra |
Eternal Memory, The Protecting Veil |
| Stephen Hogan |
performing orchestra |
Roberto Devereux: Atto I. "Forse in quel cor sensible" (Nottingham), Roberto Devereux: Atto I. "Qui ribelle ognum ti chiama" (Nottingham) |
| Menage A Trois |
performing orchestra |
Symphonic Suite, op. 60 "Lieutenant Kijé": I. The Birth of Kijé, Symphonic Suite, op. 60 "Lieutenant Kijé": V. The Burial of Kijé |
| Richard Strauss |
performing orchestra |
2. Sinfonisches Zwischenspiel, Op. 72: Intermezzo, Liebersszene aus Feuersnot, Op. 50 |
| Angry Luna |
performing orchestra |
Piano Concerto no. 5 in E flat major, op. 73 “Emperor”: III., Piano Concerto no. 5 in E-flat major, op. 73 “The Emperor”: II. |
| James Galway |
performing orchestra |
Suite No. 3 in D, BWV 1068 "Air" |
| Scott Arnold |
performing orchestra |
A Choral Fantasia, op. 51 (H 177): III. Rejoice, Ye Dead, A Choral Fantasia, op. 51 (H 177): IV. Man Born of Desire |
| James Ronald |
performing orchestra |
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena), Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo) |
| Kavon Salyer |
performing orchestra |
Pomp and Circumstance March no. 1, Variations on an Original Theme, op. 36, Enigma: Nimrod: Adagio |
| Yves-Marie Pasquet |
performing orchestra |
La traviata: Atto III. (conclusion), La traviata: Atto III. Finale "Prendi, quest'è l'immagine" (Violetta, Alfredo, Germont) / "Se una pudica vergine" (Violetta, Alfredo, Germont, Annina, Dottore, Coro) |
| Tino Ahlgren |
performing orchestra |
Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18 |
| Sarah Brightman |
performing orchestra |
Him, Memory |
| Alexander Courage |
performing orchestra |
Main Title and Closing Theme, Star Trek (Main Theme) |
| Echo Drop |
performing orchestra |
A Choral Fantasia, op. 51 (H 177): I. Man Born of Desire, A Choral Fantasia, op. 51 (H 177): V. Rejoice, Ye Dead |
| Arne Van Stiphout |
performing orchestra |
La traviata: Atto I. "Si ridesta in ciel l'aurora" (Coro), La traviata: Atto III. "Largo al quadrupede" (Coro di maschere) |
| Kyriakos Sfetsas |
performing orchestra |
La traviata: Atto III. "Annina? Comandate?" (Violetta, Annina, Dottore), La traviata: Atto III. (beginning) |
| Raymond Vaillant |
performing orchestra |
La traviata: Atto II, Scena II. "Alfredo, Alfredo, di questo core" (Violetta, Alfredo, Barone, Germont, Coro), La traviata: Atto II, Scena II. (conclusion) |
| Ali Ungan |
performing orchestra |
The Planets Suite, Op. 32: VII. Neptune, the Mystic (30 second version), The Planets, suite for orchestra & female chorus, Op. 32, H. 125: VII. "Neptune, the Mystic" (w/hidden 8-part female chorus) |
| STUD |
performing orchestra |
La Cambiale di Matrimonio: Overture, Semiramide: Overture |
| Monrovia |
performing orchestra |
La traviata: Atto II, Scena I. "Dammi tu forza, o cielo! (Violetta, Annina, Alfredo), La traviata: Atto III. "Signora! Che t'accadde?" (Annina, Violetta, Alfredo) |
| Mormon Tabernacle Choir |
performing orchestra |
Hallelujah (Messiah), Hallelujah (from "Messiah") |
| Raymond Smith |
performing orchestra |
Roberto Devereux: Atto III. "Ne riede ancora il mio consorte!" (Sara, Nottingham), Roberto Devereux: Atto III. "Non sai che un nume vindice" (Sara, Nottingham) |
| Derek Moree |
performing orchestra |
Roberto Devereux: Atto I. "Duchessa...Alle fervide preci" (Elisabetta, Sara), Roberto Devereux: Atto I. "Nunzio son del Parlamento" (Elisabetta. Sara) |
| Bedřich Smetana |
performing orchestra |
The Bartered Bride Overture, The bartered Bride: Act 2, Furiant |
| Gullfisk & Carlton |
performing orchestra |
Roberto Devereux: Atto I. Scena I (Concluded.), Roberto Devereux: Atto II |
| Jerry Fielding |
performer, performing orchestra |
Star Trek: The Trouble with Tribbles (Suite), The Trouble With Tribbles: A Matter Of Pride / No Tribble At All / Big Fight |
| Nigel Hess |
performing orchestra |
Ladies in Lavender, Olga |
| Цена смеха |
performing orchestra |
Prologue, The Confrontation |
| The Accidentals |
performing orchestra |
Depuis le jour (Charpentier - "Louise") |
| Nayte The Hermit |
performing orchestra |
La traviata: Atto II, Scena II. "Di sprezzo degno sé stesso rende" (Germont, Alfredo, Barone, Coro) |
| Noelia Fernandez |
performing orchestra |
Meditation from Thais |
| Myleene Klass |
performing orchestra |
Cinema Paradiso Love Theme |
| Nu New Edition |
performing orchestra |
Arsène Lupin: Overture |
| Mussa Abdala |
performing orchestra |
Roberto Devereuh: Atto I. Aria & Scena "L'amor suo mi fè beata" (Elisabetta) / "Nunzio son del Parlamento" (Elisabetta, Sara, Lord Cecil, Raliegh, Lords) |
| O.68 |
performing orchestra |
Se é pra vir que venha |
| Mtheory |
performing orchestra |
Roberto Devereux: Atto I, Scena I. "Nunzio son del Parlamento" |
| Oliver Knussen |
performing orchestra |
Symphony No. 3, Op. 18 |
| Mis-Teeq |
performing orchestra |
Shoo Shoo Baby |
| Oscar Straus |
performing orchestra |
Ein Walzertraum: Ouvertüre |
| Mimmi de Broen |
performing orchestra |
Violin Concerto No. 1 in D, Op. 6: III. Rondo (Allegro Spiritoso) |
| Mike Coyle |
performing orchestra |
A Choral Fantasia, op. 51 (H 177): II. Organ Solo |
| Paul Eber |
performing orchestra |
Pizzicato-Polka |
| Paul Lincke |
performing orchestra |
Frau Luna: Ouvertüre |
| Peter Gaines |
performing orchestra |
Roberto Devereux: Atto III. "Che m'apporti!" (Sara, Elisabetta. Nottingham) |
| Michel Legrand |
performing orchestra |
The Thomas Crown Affair: The Windmills of Your Mind |
| Michael Card |
strings |
Immanuel |
| Michael Ball |
performing orchestra |
Empty Chairs at Empty Tables |
| Melodies of Gaia |
performing orchestra |
Haktan Gelen Şerbati - "The Drink from God" |
| Philip Quast |
performing orchestra |
Stars |
| Matthew Schoening |
performing orchestra |
Passou o Verão - "Summer Has Gone" |
| Maryna Miklaszewska |
performing orchestra |
Hamsáfár |
| Marité Berbel |
performing orchestra |
Roberto Devereux: Atto I. Scena II |
| Malossi |
performing orchestra |
La traviata: Atto II, Scena II. "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore, Coro) |
| Qibe |
performing orchestra |
Concerto - 1er mvt |
| R. Bernard |
performing orchestra |
Away in a Manger |
| Rabies |
performing orchestra |
Superstar |
| Mackie Ranks |
performing orchestra |
Rue Plumet: In My Life |
| Lucas King |
performing orchestra |
La traviata: Atto II, Scena II. Scena "Alfredo! Voi!" (Alfredo, Flora, Barone, Violetta, Gastone, Coro) |
| Raven |
performing orchestra |
The Planets, op. 32: VII. Neptune, the Mystic |
| Luca Laurenti |
performing orchestra |
Piano Trio No. 5 in D major, Op. 70: "Ghost": III. Presto |
| Ray Klein |
performing orchestra |
Piano Concerto no. 2 in C minor, op. 18: I. Moderato |
| Los 4 de Córdoba |
performing orchestra |
Roberto Devereux: Atto III. Scena III |
| Lello Petrarca |
performing orchestra |
Espafia |
| Laura Aikin |
performing orchestra |
Rosamunde, D. 644: Overture |
| King Rocky & The Willows |
performing orchestra |
Hymn do trójcy świętej |
| Kickin'Devil |
performing orchestra |
Cantata "Jauchzet Gott in allen Landen", BWV 51 - I. Aria: Jauchzet Gott in allen Landen |
| Karmen Zupančič |
performing orchestra |
Songs of Sunset: VIII. They are not long, the weeping and the laughter |
| Karl Jenkins |
performing orchestra |
The Armed Man: Benedictus |
| KRNE |
performing orchestra |
Oui, pour ce soir...Je suis Titania (Thomas - "Mignon") |
| Juliustherobot |
performing orchestra |
La traviata: Atto III. "Ah, Violetta! Voi, signor!" (Germont, Violetta, Alfredo) |
| Julissa |
performing orchestra |
Bring Him Home / Master of the House |
| Road to Consciousness |
performing orchestra |
Romeo & Juliet - |
| Joselo Rangel |
performing orchestra |
Pizzicato (polca) |
| Jonas Ritter |
performing orchestra |
Roberto Devereux: Atto I. "Duca, vieni..." (Roberto, Nottingham) |
| Jon Lord |
performing orchestra |
Concerto for Group and Orchestra in 5.1 Audio |
| John Shelly |
performing orchestra |
Haf Gengr Hriðum - "The Storm-Driven Sea" |
| John Barry |
performing orchestra |
Out of Africa: Theme |
| Royal |
performing orchestra |
Christmas Day |
| Johann Sebastian Bach |
performing orchestra |
Toccata and Fugue in D minor (feat. violin: Vanessa-Mae) |
| Runway Lights |
performing orchestra |
Grande Messe des Morts, op. 5: IX. "Sanctus". Andante un poco sostenuto e maestoso |
| Russell Watson |
performing orchestra |
Volare (Nel blu, dipinto di blu) |
| Joey Aponte and His Orchestra |
performing orchestra |
Roberto Devereuh: Atto III. Scena & Duetto "Nè riede ancora il mio consorte!" (Sara, Nottingham) / "Non sai che un nume vindice" (Sara, Nottingham) |
| Jeff Gregory |
performing orchestra |
Suite: I. Rondeau |
| Jed Alpert |
performing orchestra |
Seirenes - "Sirens" |
| Salto |
performing orchestra |
La traviata: Atto II, Scena II. "Ogni suo aver tal femmina" (Alfredo, Coro) |
| Jean-Luc Cohen |
performing orchestra |
A Little Fall of Rain |
| Janusz Stokłosa |
performing orchestra |
Baba yetu |
| Janine Jansen |
performing orchestra |
Schindler's List: Main Theme |
| Jan A.P. Kaczmarek |
performing orchestra |
Finding Neverland: Impossible Opening |
| James Horner |
performing orchestra, phonographic copyright |
My Heart Will Go On |
| Jafez H. |
performing orchestra |
Fantaisie brillante on Themes from Bizet's "Carmen" (excerpt) |
| Sharon Campbell |
performing orchestra |
Another Suitcase in Another Hall |
| Inspire |
performing orchestra |
Water Prelude |
| Imre Kálmán |
performing orchestra |
Gräfin Mariza: Ouvertüre |
| Sir Arthur Bliss |
performing orchestra |
March from Things To Come |
| Håkan Streng |
performing orchestra |
Concerto no. 2 in C minor For Piano and Orchestra, op. 18: Moderato |
| Henryk Mikołaj Górecki |
performing orchestra |
Symphony No. 3, Op. 36 "Symphony of Sorrowful Songs": III. Lento. Cantabile semplice |
| Helion Prime |
performing orchestra |
Daybreak |
| Helika |
performing orchestra |
Songs of Sunset: II. Cease similing, Dear! a little while be sad |
| Hayley Westenra |
performing orchestra |
Carmina Burina: In Trutina |
| Haunted Hearts |
performing orchestra |
Devipravaha - "Goddess River" |
| Slow Skies |
performing orchestra |
Jerusalem |
| Ghost Quartet |
performing orchestra |
Der glorreiche Augenblick, op. 136: Chorus: Europa steht! |
| Sol Kaplan |
performing orchestra |
The Doomsday Machine: Goodbye M. Decker / Kirk Does it Again |
| Sophie Solomon |
performing orchestra |
Meditation on Dvorak's Slavonic Fantasy |
| Gerd Heidger |
performing orchestra |
The Lark Ascending |
| Gerald Fried |
performing orchestra |
The Paradise Syndrome: / Pine Trees / The Amerinds / Tahiti Syndrome / The Brain Wash / Miramanee / Breath of Life / The New God / Dilithium Problem / Wash Day / Salish Fluffed / Potter Kirk / Naming the God / Joining Day / Challenge /... |
| Stephen Warbeck |
performing orchestra, phonographic copyright |
Suite from Shakespeare in Love |
| George Enescu |
performing orchestra |
Roumanian Rhapsody No. 1 |
| Garrett Kotecki |
performing orchestra |
2 Songs, op. 4 (J.L. Runeberg): Flickan Knyter i Johannenatten |
| Subway Link |
performing orchestra |
Joy to the World |
| Susanna Galer |
performing orchestra |
The Bargain: Waltz of Treachery |
| Suspects |
performing orchestra |
Songs of Sunset |
| Fryderyk Chopin |
performing orchestra |
Piano Concerto no. 2 |
| Franz Lehár |
performing orchestra |
Das Land des Lächelns: Ouvertüre |
| T.Bunts |
performing orchestra |
Star Trek: The Next Generation |
| TN |
performing orchestra |
Roberto Devereux: Atto III. Scena I & Scena II |
| Former |
performing orchestra |
Symphonie fantastique, op. 14: Marche au supplice |
| Evan Flory-Barnes |
performing orchestra |
Carmina Burana: O Fortuna |
| Tata Diakité |
performing orchestra |
ABC Café / Red and Black |
| Natalie Robin |
performing orchestra |
String Quartet no. 2 in D: III. Notturno |
| The August September |
performing orchestra |
Symphony no. 11 "All Men Are Brothers" |
| Erich Wolfgang Korngold |
performing orchestra |
Captain Blood (main title) |
| Eric Coates |
performing orchestra |
Elizabeth of Glamis |
| The Crusaders |
performing orchestra |
Burnin’ Up the Carnival |
| Engelbert Humperdinck |
performing orchestra |
Hänsel and Gretel |
| Engelbert Humperdinck |
performing orchestra |
Hänsel und Gretel: Ouvertüre |
| Emeraude Kabeya |
performing orchestra |
La traviata: Atto I. "Ebben? Che diavol fate?" (Gastone, Violetta, Alfredo) |
| Eme |
performing orchestra |
La traviata: Atto II, Scena I. "Alfredo? Per Parigi or or partiva" (Violetta, Annina, Giuseppe, Germont) |
| Eero Ignatius |
performing orchestra |
Dog Eats Dog |
| The Stetson Family |
performing orchestra |
Every Day / A Heart Full of Love (reprise) |
| Eduardo di Capua |
performing orchestra |
O Sole Mio |
| Eduard Strauss |
performing orchestra |
Bahn frei (polca), op. 45 |
| Thomas André |
performing orchestra |
Oliver Twist |
| Thomas Arne |
performing orchestra |
Rule, Britannia |
| Easy AD |
performing orchestra |
Javert's Arrival / Little People |
| Dubmaster Conte |
performing orchestra |
A Wand'ring Minstrel I, From "The Mikado" |
| Tolga Kashif |
performing orchestra |
Queen Symphony |
| Tom Morgan |
performing orchestra |
High Flying Adored |
| Tomaso Giovanni Albinoni |
performing orchestra |
Adagio |
| Tony Passalacqua |
performing orchestra |
Fantine's Arrest |
| Doughboy Clay |
performing orchestra |
Fantasy for Violin and Orchestra |
| Donna Sioux Farar |
performing orchestra |
Die lustige Witwe: Akt II. Introduktion, Tanz und Vilja-Lied: "Ich bitte, hier jetzt zu verweilen" |
| Diomedes Maturan |
performing orchestra |
Champagner Polka, op. 211 |
| Uncle Jon |
performing orchestra |
Isle of the Dead, Op. 39 |
| Dimitri Tiomkin |
performing orchestra |
Prologue |
| Veda |
performing orchestra |
Peer Gynt Suite no. 1, op. 46: I. Morning Mood |
| Des Wahnsinns fette Meute |
performing orchestra |
Der glorreiche Augenblick, op. 136: Recitative: O seht sie nah' und näher treten! |
| Vincent Bouchard |
performing orchestra |
Aases død |
| Voldemārs Dobrovoļskis |
performing orchestra |
Trumpet Voluntary in D major (The Prince of Denmark's March) |
| Deephno |
performing orchestra |
アメイジング・グレイス（インストゥルメンタル） |
| Death By Spoon |
performing orchestra |
Temen Oblak - "Dark Clouds" |
| David Chaitkin |
performing orchestra |
La traviata: Atto II, Scena I. (conclusion) |
| Watkin Evans |
performing orchestra |
Look Down |
| David Arnold |
performing orchestra |
The Stepford Wives: Main Theme |
| Wayne Stokes |
performing orchestra |
Der glorreiche Augenblick, op. 136: Recitative and Quartet: Der den Bund im Sturme fest gehalten |
| Wei Jing-wu |
performing orchestra |
L’elisir d’amore: “Una furtiva lagrima” |
| Dark Man Shadow |
performing orchestra |
Finlandia, op. 26 |
| Dario Marianelli |
performing orchestra |
Pride & Prejudice: Mrs Darcy |
| Witold Lutosławski |
performing orchestra |
Paganini Variations |
| Dan Getkin |
performing orchestra |
La traviata: Atto I. (beginning) |
| Craig Armstrong |
performing orchestra |
Balcony Scene from Romeo & Juliet |
| X JAPAN |
performing orchestra |
ART OF LIFE |
| Yo Mama's Samba |
performing orchestra |
La traviata: Atto II, Scena II. (beginning) |
| Cliff Demarks |
performing orchestra |
Tango Serenata (Ständchen) |
| Claudia Figueroa |
performing orchestra |
Carnival of the Animals (excerpt) |
| cookiegamemusic |
performing orchestra |
Les Troyens: Royal Hunt and Storm |
| maenner ohne nerven |
performing orchestra |
We Wish You a Merry Christmas |
| Émilia Renaud |
performing orchestra |
La traviata: Atto II, Scena I. "Ah, vive sol quel core" (Alfredo, Guiseppe, Commissionario, Germont) |
| Cicatrix |
performing orchestra |
La traviata: Atto II, Scena II. "Di Madride noi siam mattadori" (Gastone, Mattadori, Coro) |
| Chuck Jacques |
performing orchestra |
Caoineadh |
| Chris Galland |
performing orchestra |
Polovtsian Dances, from: Prince Igor |
| Дмитрий Дмитриевич Шостакович |
performing orchestra |
Romance |
| Заги бок |
performing orchestra |
Master of the House |
| Carl Nielsen |
performing orchestra |
Tågen Letter |
| Burreonomicosis |
performing orchestra |
Tsas Narand Uyarna - "The Heart of Snow" |
| Buky Ranks |
performing orchestra |
A Heart Full of Love |
| Bob Feit |
performing orchestra |
Roberto Devereux: Atto I. Scena I (Part 1) |
| Black Emerald |
performing orchestra |
On Parole / The Bishop |
| Belarmino Rita Godeiros |
performing orchestra |
Roberto Devereuh: Atto III. Aria & Scena "Vivi, ingrato, a lei d' accanto" (Elisabetta) / "Che m'apporti?" (Elisabetta, Lord Cecil, Sara, Nottingham, Lords, Courtiers) / "Quel sangue versato al ciel!" (Elisabetta, Courtiers) |
| Barbara Shearer |
performing orchestra |
La traviata: Atto II, Scena I. (continued) |
| ゆうま |
performing orchestra |
The Attack on Rue Plumet |
| アスティア |
performing orchestra |
Night of Anguish |
| 中里茂樹 |
performing orchestra |
Roberto Devereux: Atto I. "Roberto...Che?...fra le tue braccia!" (Roberto, Nottingham) |
| Balcazar |
performing orchestra |
La traviata: Atto I. "Dell'invito trascorsa è già l'ora" (Coro, Violetta, Flora, Gastone, Alfredo, Barone, Marchese) |
| 伊山達也 |
performing orchestra |
Don't Cry Alone |
| Autumn Sun |
performing orchestra |
I’m Your Toy (live, The Royal Albert Hall) |
| 南こうせつとかぐや姫 |
performing orchestra |
Arioso |
| 成瀬理沙 |
performing orchestra |
Sabre Dance |
| Astarot |
performing orchestra |
La traviata: Atto II, Scena II. "Noi siamo zingarelle" (Zingare, Flora, Marchese, Coro) |
| 爆風スランプ |
performing orchestra |
旅人よ～ロイヤル フィルハーモニック オーケストラ ヴァージョン |
| Aron Mellergardh |
performing orchestra |
Sapphic Poem |
| 谭盾 |
performing orchestra |
Crouching Tiger, Hidden Dragon: The Eternal Vow |
| Anna Atkinson |
performing orchestra |
Symphonie concertante pour violoncelle & orchestre en mi mineur Op.125 : III. Andante con moto - Allegro |
| Andrew Lloyd Webber |
performing orchestra |
Jellicle Ball |
| Amy Beach |
performer |
Symphony in E minor (Gaelic): II. |
| Ali Tan |
performing orchestra |
Chicago: All that Jazz: Overture |
| Aled Jones |
performing orchestra |
Memory |
| Agata Miklaszewska |
performing orchestra |
Dao zai fan ye |
| Afya Ibomu |
performing orchestra |
Egyptischer Marsch, op. 335 |
| Aaron Copland |
performing orchestra |
Fanfare for the Common Man |