Göteborgs Symfoniker

performing orchestra

Top collaborators

Artist name Roles Recordings
情報処理部 (ゆゆ式)
Jaco, der Papagei (singing parrot)
MPA Duke
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer)
Ari Gorman

Work on other artists' recordings

Artist name Roles Recordings
情報処理部 performing orchestra "En Saga", tone poem, op. 9, "Swanwhite" Suite, op. 54: Listen! The Robin sings, "Swanwhite" Suite, op. 54: Song of Praise, "Swanwhite" Suite, op. 54: Swanwhite and the Prince, "Swanwhite" Suite, op. 54: The Harp, "Swanwhite" Suite, op. 54: The Maidens with Roses, "Swanwhite" Suite, op. 54: The Peacock, "Swanwhite" Suite, op. 54: The Prince alone, "The Bard", tone poem, op. 64, Adriana Lecouvreur: Intermezzo, Aladdin - Concert Suite: VII. Negro Dance, Aladdin, FS 89: Aladdin's Dream and Dance of the Morning Mist, Aladdin, FS 89: Chinese Dance, Aladdin, FS 89: Hindu Dance, Aladdin, FS 89: Oriental Festive March, Aladdin, FS 89: The Marketplace at Ispahan, Aladdin, FS 89: The Prisoner's Dance, Aleko: No. 1. Introduction, Aleko: No. 11. Intermezzo, Aleko: No. 5. Women's Dance, Aleko: No. 6. Men's Dance, Andante festivo, Anitras Dans, Arabisk Dans, Belsazars gästabud Suite, op. 51: I. Oriental Procession, Belsazars gästabud Suite, op. 51: II. Solitude, Belsazars gästabud Suite, op. 51: III. Nocturne, Belsazars gästabud Suite, op. 51: IV. Khadra’s Dance, Bruderovet. Ingrids Klage, Cantus Arcticus: Concerto for Birds and Orchestra: I. The Bog, Canzonetta, op. 62:1, Canzonetta, op. 62a, Capriccio Espagnol, op. 34: I. Alborada, Capriccio Espagnol, op. 34: II. Variazioni, Capriccio Espagnol, op. 34: III. Alborada, Capriccio Espagnol, op. 34: IV. Scena e canto gitano, Capriccio Espagnol, op. 34: V. Fandango asturiano, Capriccio espagnol, op. 34, Capriccio italien, op. 45, Cassazione, op. 6, Cavalleria rusticana: Intermezzo sinfonico, Concerto Grosso no. 4 / Symphony no. 5: I. Allegro, Concerto Grosso no. 4 / Symphony no. 5: II. Allegretto, Concerto Grosso no. 4 / Symphony no. 5: III. Lento - Allegro, Concerto Grosso no. 4 / Symphony no. 5: IV. Lento, Copenhagen Steam Railway Galop for orchestra (Kjobenhavns Jernbane-Dampgalop), Dance Intermezzo, op. 45 no. 2, Dans av Dovregubbens Datter, Dmitri the Pretender and Vassily Shuisky: Introduction to Act I. Andante non troppo, Dmitri the Pretender and Vassily Shuisky: Mazurka, Donna Diana: Ouvertüre, Du gamla, du friska, du fjellhöga nord, Elegy in Memory of I.V. Samarin, En Saga, op. 9, En värmlandsrapsodi, op. 36, Entry March of the Boyars (Bojarenes inntogsmarsj), Estonian Dance Suite: I. Ristpulkade tants, Estonian Dance Suite: II. Pikk ingliska, Estonian Dance Suite: III. Setu tants, Eugene Onegin, op. 24: Entr’acte and Waltz, Eugene Onegin, op. 24: Polonaise, Excelsior!, Symphonic Overture, op. 13, Excelsior!, op. 13, Fedora: Intermezzo, Finlandia, Finlandia, op. 26 no. 7: Andante sostenuto - Allegro moderato - Allegro, Finlandia, op. 26:7, Four Excerpts from the Incidental Music to "Kuolema": "Valse romantique", op. 62b, Francesca da Rimini, op. 25: Prolog, Francesca da Rimini, op. 25: Prologue. (Largo), Francesca da Rimini, op. 25: Tableau 1, Francesca da Rimini, op. 25: Tableau 2, Francesca da Rimini, op. 25: Tableau I. (Allegro vivace), Francesca da Rimini, op. 25: Tableau II. (Moderato - Allegro vivace), Francesca da Rimini, op. 32, From Holberg’s Time, op. 40: I. Praeludium: Allegro vivace, From Holberg’s Time, op. 40: II. Sarabande: Andante, From Holberg’s Time, op. 40: IV. Air: Andante religioso, From Holberg’s Time, op. 40: V. Rigaudon: Allegro con brio, Funeral March in Memory of Rikard Nordraak, Funeral March in Memory of Rikard Nordraak in A minor, EG 107, Hamlet, op. 32a: I. Introduction and Night Patrol, Hamlet, op. 32a: II. Funeral March, Hamlet, op. 32a: III. Flourish and Dance Music, Hamlet, op. 32a: IV. The Hunt, Hamlet, op. 32a: IX. Ophelia's Song, Hamlet, op. 32a: V. Pantomime of the Actors, Hamlet, op. 32a: VI. Procession, Hamlet, op. 32a: VII. Musical Pantomime, Hamlet, op. 32a: VIII. Banquet, Hamlet, op. 32a: X. Cradle Song, Hamlet, op. 32a: XI. Requiem, Hamlet, op. 32a: XII. Tournament, Hamlet, op. 32a: XIII. Fortinbras's March, Helios Overture, FS 32, I Bryllupsgården, I gioielli della Madonna: Intermezzo, In Autumn, op. 11, In Memoriam, op. 59 "Trauermarsch für Orchester", In the Steppes of Central Asia, Intermezzo from Fedora, Jungfrun i tornet, JS 101: Intermezzo. Largamente, Jungfrun i tornet, JS 101: Overture, Jungfrun i tornet, JS 101: Scene 1: Bailiff: Fagraste mö…, Jungfrun i tornet, JS 101: Scene 2: Maiden: Santa Maria…, Jungfrun i tornet, JS 101: Scene 3: Maiden: Ah, hör jag rätt…, Jungfrun i tornet, JS 101: Scene 4: Lover: Ack, när jag ser hennes drag…, Jungfrun i tornet, JS 101: Scene 5: Maiden: Brännande kval…, Jungfrun i tornet, JS 101: Scene 6: Bailiff: Vem är du…, Jungfrun i tornet, JS 101: Scene 7: Chatelaine: Vad är det jag ser?, Jungfrun i tornet, JS 101: Scene 8 Maiden: Så är jag fri…, Jungfrun i tornet: Scene 5, Jungfrun i tornet: Scene 5 (continued), Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: I. Intermezzo. Moderato, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: II. Ballade (Tempo di menuetto), Karelia Suite, op. 11: II. Ballade. Tempo di menuetto, Karelia Suite, op. 11: III. Alla marcia (Moderato), Karelia Suite, op. 11: III. Alla marcia. Moderato, Karelia Suite: Alla marcia, Khovanshchina: Intermezzo, King Christian II, op. 27: I. Nocturne. Molto moderato, King Christian II, op. 27: II. Elegie. Andante sostenuto, King Christian II, op. 27: III. Musette. Allegretto, King Christian II, op. 27: IV. Serenade. Moderato assai (Quasi menuetto), King Christian II, op. 27: V. Ballade. Allegro molto - Vivace, Kullervo, op. 7: Introduction. Allegro moderato, Kullervo, op. 7: Kullervo Goes to War, Kullervo, op. 7: Kullervo's Youth, Kung Kristian II Suite, op. 27: I. Nocturne, Kung Kristian II Suite, op. 27: II. Elegy, Kung Kristian II Suite, op. 27: III. Musette, Kung Kristian II Suite, op. 27: IV. Serenade, Kung Kristian II Suite, op. 27: V. Ballade, L'amico Fritz: Intermezzo, La Traviata: Preludio dell'atto I, La Traviata: Preludio dell'atto III, Lemminkäinen Suite op. 22: IV. Lemminkäinen's return, Lemminkäinen Suite, op. 22: I. Lemminkäinen and the Island Maidens. Allegro molto moderato, Lemminkäinen Suite, op. 22: III. Lemminkäinen in Tuonela. Il tempo largamente, Les Contes d'Hoffmann: Barcarolle, Lodolezzi sjunger Suite, op. 39: I. Elegy (Introduction to Act I), Lodolezzi sjunger Suite, op. 39: II. Intermezzo, Lodolezzi sjunger Suite, op. 39: III. Karneval, Lyric Piece for orchestra, op. 68 no. 2: At the Craddle, Lyric Suite, op. 54: I. Shepherd Boy: Andantino espressivo, Lyric Suite, op. 54: II. Bell-Ringing, Lyric Suite, op. 54: III. Norwegian March: Allegretto marcato, Lyric Suite, op. 54: V. March of the Trolls: Allegro marcato, Manon Lescaut: Intermezzo, Marche slave, op. 31, Maskarade, FS 39: Overture, Maskarade, FS 39: Prelude to Act II, Maskarade, FS 39: The Cockerol's Dance, Mellanspel ur kantaten "Sången", op. 44, Menuetto, Nattscene, Night Ride and Sunrise, op. 55, Norwegian Dances, op. 35: I. Allegro marcato, Norwegian Dances, op. 35: II. Allegretto tranquillo e grazioso, Norwegian Dances, op. 35: III. Allegro moderato alla Marcia, Norwegian Dances, op. 35: IV. Allegro molto, Notre-Dame: Intermezzo, Notturno from Lyric Pieces, op. 54 no. 4, Notturno: Andante amoroso (from String Quartet no. 2 in D major), October, op. 131: Moderato - Allegro, Old Norwegian Melody with Variations, op. 51: Adagio molto espressivo, Old Norwegian Melody with Variations, op. 51: Adagio molto espressivo - Finale, Old Norwegian Melody with Variations, op. 51: Allegro leggiero, Old Norwegian Melody with Variations, op. 51: Allegro marcato, Old Norwegian Melody with Variations, op. 51: Allegro molto marcato, Old Norwegian Melody with Variations, op. 51: Allegro scherzando e leggiero, Old Norwegian Melody with Variations, op. 51: Andante, Old Norwegian Melody with Variations, op. 51: Andante molto tranquillo, Old Norwegian Melody with Variations, op. 51: Energico, Old Norwegian Melody with Variations, op. 51: Maestoso, Old Norwegian Melody with Variations, op. 51: Poco allegro, ma tranquillo, Old Norwegian Melody with Variations, op. 51: Poco andante, Old Norwegian Melody with Variations, op. 51: Poco tranquillo, Old Norwegian Melody with Variations, op. 51: Pomposo, Old Norwegian Melody with Variations, op. 51: Prestissimo, Old Norwegian Melody with Variations, op. 51: Presto, Old Norwegian Melody with Variations, op. 51: Tema. Andantino espressivo, Old Norwegian Melody with Variations, op. 51: Tema: Andantino espressivo, Old Norwegian Melody with Variations, op. 51: Tempo di menuetto, Old Norwegian Melody with Variations, op. 51: Tempo di valse, Overture in A minor, Overture on Russian and Kirghiz Folk Themes, op. 115: Moderato - Allegro non troppo - Adagio - Allegro - Presto, Pagliacci: Intermezzo, Pan and Echo, op. 53, Pan and Syrinx, FS 87, Pastoral Suite, op. 19: Romance, Peer Gynt Suite Nr. 1, op. 46: II. Åses Tod, Peer Gynt Suite Nr. 1, op. 46: III. Anitras Tanz, Peer Gynt Suite Nr. 1, op. 46: IV. In der Halle des Bergkönigs, Peer Gynt Suite Nr. 2, op. 55: I. Der Brautraub (Ingrids Klage), Peer Gynt Suite Nr. 2, op. 55: II. Arabischer Tanz, Peer Gynt Suite Nr. 2, op. 55: III. Peer Gynts Heimkehr, Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King, Peer Gynt jages av Troll, Peer Gynt og Sæterjentene, Peer Gynt og den Grønnkledte, Peer Gynt ved Memnonstøtten, Peer Gynt, op. 23: 2. akt: Dans av dovregubbens datter, Peer Gynt, op. 23: 2. akt: Peer Gynt og den grønkledte, Peer Gynt, op. 23: 2. akt: På ridestellet skal storfolk kjendes, Peer Gynt, op. 23: 4. akt: Peer Gynt ved Memnonstøtten, Peer Gynt: Au matin (excerpt), Peer Gynts Hjemfart. Stormfull Aften på Havet, Peer Gynts Serenade, Pelléas et Mélisande Suite, op. 46. IX. The Death of Mélisande, Pelléas et Mélisande Suite, op. 46: I. At the Castle Gate, Pelléas et Mélisande Suite, op. 46: II. Mélisande, Pelléas et Mélisande Suite, op. 46: III. At the Seashore, Pelléas et Mélisande Suite, op. 46: IV. A Spring in the Park, Pelléas et Mélisande Suite, op. 46: V. The Three Blind Sisters, Pelléas et Mélisande Suite, op. 46: VI. Pastorale, Pelléas et Mélisande Suite, op. 46: VII. Mélisande at the Spinning Wheel, Pelléas et Mélisande Suite, op. 46: VIII. Entr'acte, Petite Suite: I. In the convent. Andante religioso, Petite Suite: II. Intermezzo. Tempo di Menuetto, Petite Suite: III. Mazurka. Allegro - Meno mosso - Allegro, Petite Suite: IV. Mazurka. Allegretto - Più animato ed appassionato - Tempo I, Petite Suite: V. Dreams. Andante, Petite Suite: VI. Serenade. Allegretto, Petite Suite: VII. Finale. Scherzo: Allegro vivace - Nocturne: Andantino - Scherzo, Pianissimo for Large Orchestra, Pinsesalme "Velsignede Morgen", Pohjola's Daughter, op. 49, Polka (Allegretto) from The Age of Gold - Ballet Suite, op. 22a, Praeludium for Small Orchestra, Preludio, Presto (D-duuri) jousiorkesterille, Prince Igor: Dance of the Polovtsian maidens, Prince Igor: Overture, Prélude solennel, Rakastava, op. 14: Good Evening! … Farewell!, Rakastava, op. 14: The Lover, Rakastava, op. 14: The Path of His Beloved, Rhapsodic Overture: A Fantasy Journey to the Faroes, FS 123, Romeo and Juliet, Russian Easter Festival Overture, op. 36, Saga-Dream, FS 46, Scene with Cranes, op. 44 no. 2, Scènes historiques I, op. 25: I. All’ Overtura, Scènes historiques I, op. 25: II. Scena, Scènes historiques I, op. 25: III. Festivo, Scènes historiques II, op. 66: I. La Chasse, Scènes historiques II, op. 66: II. Chant d'amour, Scènes historiques II, op. 66: III. At the Draw-Bridge, Serenade for Nikolai Rubinstein’s Name Day, Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina. Andante non troppo – Allegro moderato, Serenade for Strings in C major, op. 48: II. Walzer. Moderato, Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco, Serenade for Strings in C major, op. 48: IV. Finale (Tema russo). Andante – Allegro con spirito, Serenade in F major, op. 31: I. Ouvertura. Allegrissimo, Serenade in F major, op. 31: I. Overtura. Allegrissimo, Serenade in F major, op. 31: II. Reverenza. Tempo di menuetto, tranquillo e grazioso, Serenade in F major, op. 31: II. Tempo di valse, un poco tranquillo - (attacca), Serenade in F major, op. 31: III. Canzonetta. Tempo di valse, ma poco tranquillo, Serenade in F major, op. 31: III. Scherzo. Presto - (attacca), Serenade in F major, op. 31: IV. Notturno: Andante sostenuto, Serenade in F major, op. 31: IV. Scherzo. Presto, Serenade in F major, op. 31: V. Finale: Tempo moderato, Serenade in F major, op. 31: V. Notturno. Andante sostenuto, Serenade in F major, op. 31: VI. Finale. Tempo moderato, Serenade, op. 11: IV. Marcia, Sigurd Jorsalfar, op. 22: I. Forspill til akt I, Sigurd Jorsalfar, op. 22: VI. Mellomspill I, Sigurd Jorsalfar, op. 22: VII. Mellomspill II, Sigurd Jorsalfar, op. 56: I. Vorspiel. In der Königshalle, Sigurd Jorsalfar, op. 56: II. Intermezzo. Borghilds Traum, Sigurd Jorsalfar, op. 56: III. Huldigungsmarsch, Sinfonietta on Estonian Motifs: I. Allegro vivace e grazioso, Sinfonietta on Estonian Motifs: II. Ostinato. Largo, Sinfonietta on Estonian Motifs: III. Finale. Allegro molto moderato, Skipsforliset, Solveig synger i Hytten, Solveigs Sang, Solveigs Vuggevise, Spring Song (La Tristesse du printemps), op. 16, Spring Song, op. 16, Suite From the Ballet "The Bolt", op. 27a: I. Overture, Suite From the Ballet "The Bolt", op. 27a: II. Bureaucrat's Dance, Suite From the Ballet "The Bolt", op. 27a: III. Drayman's Dance, Suite From the Ballet "The Bolt", op. 27a: IV. Tango, Suite From the Ballet "The Bolt", op. 27a: V. Intermezzo, Suite From the Ballet "The Bolt", op. 27a: VI. The Colonial Slave Girl's Dance, Suite From the Ballet "The Bolt", op. 27a: VII. The Appeaser, Suite From the Ballet "The Bolt", op. 27a: VIII. General Dance and Apotheosis, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: I. Allegro appassionato, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: II. Temp moderato - Allegertto mosso, sempre dolcissimo, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: III. Recitando, passionato e patetico - Andante sostenuto, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: IV. Andante sostenuto, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: V. Lo stesso tempo, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: VI. Lo stesso tempo, Suite from the incidental music to Rabindranath Tagore's play "Chitra", op. 43: VII. Andante - Molto sostenuto - Andante serioso - Andante risoluto, Suor Angelica: Intermezzo, Swedish Rhapsody no. 1, op. 19 "Midsommarvaka", Symphonic Dances, op. 64: I. Allegro moderato e marcato, Symphonic Dances, op. 64: II. Allegretto grazioso, Symphonic Dances, op. 64: III. Allegro giocoso, Symphonic Dances, op. 64: IV. Andante - Allegro molto e risoluto, Symphonie Nr. 6 es-moll, op. 23: 4. Satz. Allegro vivace, Symphony Nr. 2 in G minor, op. 34: I. Allegro energico, Symphony Nr. 2 in G minor, op. 34: II. Andante, Symphony Nr. 2 in G minor, op. 34: III. Scherzo. Allegro, ma non troppo presto, Symphony Nr. 2 in G minor, op. 34: IV. Finale. Sostenuto - Allegro vivace, Symphony in C minor, EG 119: I. Allegro molto, Symphony in C minor, EG 119: II. Adagio espressivo, Symphony in C minor, EG 119: III. Intermezzo: Allegro energico, Symphony in C minor, EG 119: IV. Finale: Allegro molto vivace, Symphony in C minor: I. Allegro molto, Symphony in C minor: II. Adagio espressivo, Symphony in C minor: III. Intermezzo. Allegro energico, Symphony in C minor: IV. Finale. Allegro molto vivace, Symphony no. 1 in B minor, op. 3: I. Allegro con fuoco - Tranquillo - Tempo I - Tranquillo -, Symphony no. 1 in B minor, op. 3: II. Adagio -, Symphony no. 1 in B minor, op. 3: III. Presto - Pesante - Tranquillo - Tranquillo - Presto, Symphony no. 1 in B minor, op. 3: IV. Adagio - Allegro energico - [ ] - Tempo I - Meno mosso, Symphony no. 1 in E minor, op. 1: I. Largo assai - Allegro, Symphony no. 1 in E minor, op. 1: II. Andante tranquillo, Symphony no. 1 in E minor, op. 1: III. Scherzo.Vivace - Trio, Symphony no. 1 in E minor, op. 1: IV. Allegro assai, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro - Lento (ma non troppo) - Tempo 1, Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una Fantasia). Andante. Allegro molto, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una Fantasia): Andante - Allegro molto - Andante assai - Allegro molto come prima, Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino, Symphony no. 1 in E-flat major: II. Scherzo: Prestissimo. Trio: Allegro, Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo, Symphony no. 1 in F major: I. Tempo molto tranquillo - Allegro, Symphony no. 1 in F major: II. Andante con moto, Symphony no. 1 in F major: III. Allegro amabile, Symphony no. 1 in F major: IV. Allegro non tanto, ma con fuoco - Tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey), Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Adagio cantabile, ma non tanto (Land of Desolation, Land of Mists), Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando, giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso, Symphony no. 1, op. 7: I. Allegro orgoglioso, Symphony no. 1, op. 7: II. Andante, Symphony no. 1, op. 7: III. Allegro comodo, Symphony no. 1, op. 7: IV. Allegro con fuoco, Symphony no. 10, Symphony no. 11 in G minor, op. 103 "The Year 1905": I. Adagio "The Palace Square", Symphony no. 11 in G minor, op. 103 "The Year 1905": II. Allegro "The Ninth of January", Symphony no. 11 in G minor, op. 103 "The Year 1905": III. Adagio "In Memoriam", Symphony no. 11 in G minor, op. 103 "The Year 1905": IV. Allegro non troppo "The Tocsin", Symphony no. 12 in D minor, op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 "The Year 1917": II. Razliv, Symphony no. 12 in D minor, op. 112 "The Year 1917": III. Aurora, Symphony no. 12 in D minor, op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony no. 15, op. 141: I. Allegretto, Symphony no. 15, op. 141: II. Adagio - Largo - Adagio, Symphony no. 15, op. 141: III. Allegretto, Symphony no. 15, op. 141: IV. Adagio - Allegretto - Adagio - Allegretto, Symphony no. 2 (Symphonic Suite), op. 9 “Antar”: I. Largo - Allegro giocoso - Adagio - Largo - (Tempo I) - Allegretto Vivace - Largo (Tempo I), Symphony no. 2 (Symphonic Suite), op. 9 “Antar”: II. Allegro - Molto allegro - Meno mosso, allargando - Allegro (Tempo I), Symphony no. 2 (Symphonic Suite), op. 9 “Antar”: III. Allegro risoluto alla marcia, Symphony no. 2 (Symphonic Suite), op. 9 “Antar”: IV. Allegretto vivace - Andante amoroso - Animato assai - Tempo I, Symphony no. 2 in B minor: 1. Allegro - Asimato assai, Symphony no. 2 in B minor: 2. Scherzo Prestissimo - Allegretto, Symphony no. 2 in B minor: 3. Andante, Symphony no. 2 in B minor: 4. Finale. Allegro, Symphony no. 2 in B minor: I. Allegro - Animato assai - Poco meno mosso - Animato assai - Tempo I, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto - Tempo I, Symphony no. 2 in B minor: III. Andante - Poco animato - Tempo I, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 2 in B-flat minor, op. 8: I. Moderato - Allegro moderato, Symphony no. 2 in B-flat minor, op. 8: II. Allegro non troppo, Symphony no. 2 in B-flat minor, op. 8: III. Lento - Allegro moderato, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo all'allegro - Poco largamente - Tempo I - Poco allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Poco allegro - Molto largamente - Andante sostenuto - Andante con moto ed energico - Allegro - Poco largamente - Molto largamente - Andante sostenuto - Andante con moto ed energico - Andante - Pesante, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e soave - Tempo primo - Lento e soave - (attacca), Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - IV. Finale. Allegro moderato, Symphony no. 2 in D major, op. 43: IV. Finale, Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato - Moderato assai - Meno moderato e poco a poco ravvivando il tempo - Tempo I - Largamente e pesante - Poco largamente - Molto largamente, Symphony no. 2 in G minor, op. 34: I. Allegro energico, Symphony no. 2 in G minor, op. 34: II. Andante, Symphony no. 2 in G minor, op. 34: III. Scherzo. Allegro, ma non troppo presto, Symphony no. 2 in G minor, op. 34: IV. Finale. Sostenuto - Allegro vivace, Symphony no. 2, op. 14 "To October": (Rehearsal no. 29) -, Symphony no. 2, op. 14 "To October": Largo -, Symphony no. 2, op. 14 "To October": Meno mosso (Rehearsal no. 56) - Moderato (Rehearsal no. 58) -, Symphony no. 2, op. 14 "To October": Tempo = 152 (Rehearsal no. 13) -, Symphony no. 2, op. 16 "The Four Temperaments": I. Allegro collerico, Symphony no. 2, op. 16 "The Four Temperaments": II. Andante comodo e flemmatico, Symphony no. 2, op. 16 "The Four Temperaments": III. Andante malincolico, Symphony no. 2, op. 16 "The Four Temperaments": IV. Allegro sanguineo, Symphony no. 3 in A minor: I. Moderato assai, Symphony no. 3 in A minor: II. Scherzo: Vivo. Trio: Moderato, Symphony no. 3 in C major, op. 32: I. Moderato assai - Allegro, Symphony no. 3 in C major, op. 32: II. Scherzo.Vivo - Moderato - Tempo I, Symphony no. 3 in C major, op. 32: III. Andante - Animato assai - Tempo I - Attacca, Symphony no. 3 in C major, op. 32: IV. Allegro con spirito - Animato, Symphony no. 3 in C major, op. 52: I. Allegretto moderato, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro Moderato assai, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo – Trio, Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco, Symphony no. 3, op. 20 "The First of May": Allegretto -, Symphony no. 3, op. 20 "The First of May": Allegro (Rehearsal no. 52) - Allegro molto (Rehearsal no. 79) -, Symphony no. 3, op. 20 "The First of May": Andante (Rehearsal no. 44) -, Symphony no. 3, op. 20 "The First of May": Andante (Rehearsal no. 88) -, Symphony no. 3, op. 27 "Sinfonia espansiva": I. Allegro espansivo, Symphony no. 3, op. 27 "Sinfonia espansiva": III. Allegretto un poco, Symphony no. 3, op. 27 "Sinfonia espansiva": IV. Finale. Allegro, Symphony no. 3: I. Attacca, Symphony no. 3: II. Più mosso - attacca, Symphony no. 3: III. Alla breve, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio - Adagio - Tempo 1 - Adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro, Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": I. Con forza -, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": II. Andante -, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": III. Scherzo. Allegro molto -, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": IV. Finale. Rondo. Allegro molto, Symphony no. 4, op. 29 "The Inextinguishable": Con anima - IV. Allegro, Symphony no. 4, op. 29 "The Inextinguishable": I. Allegro, Symphony no. 4, op. 29 "The Inextinguishable": I. Allegro -, Symphony no. 4, op. 29 "The Inextinguishable": II. Allegretto, Symphony no. 4, op. 29 "The Inextinguishable": II. Poco allegretto -, Symphony no. 4, op. 29 "The Inextinguishable": III. Poco adagio quasi andante, Symphony no. 4, op. 29 "The Inextinguishable": III. Poco adagio quasi andante -, Symphony no. 4, op. 29 "The Inextinguishable": IV. Allegro, Symphony no. 5 in D minor, op. 20 "Sinfonia funebre": Allegro molto - Tempo vivo - Un poco meno mosso - Adagio -, Symphony no. 5 in D minor, op. 20 "Sinfonia funebre": Lento -, Symphony no. 5 in D minor, op. 20 "Sinfonia funebre": Pesante allegro - Molto più mosso - Subito allargando molto - Tempo I -, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegretto, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5, op. 50: IIa. Allegro - Un poco più mosso, Symphony no. 5, op. 50: IIb. Presto -, Symphony no. 5, op. 50: IIc. Andante un poco tranquillo -, Symphony no. 5, op. 50: IId. Allegro (Tempo I), Symphony no. 5, op. 50: Ia. Tempo giusto - Adagio non troppo, Symphony no. 5, op. 50: Ib. Adagio non troppo, Symphony no. 5: Allegro molto, Symphony no. 6 "Sinfonia semplice": I. Tempo giusto, Symphony no. 6 "Sinfonia semplice": II. Humoreske. Allegretto, Symphony no. 6 "Sinfonia semplice": III. Proposta seria. Adagio, Symphony no. 6 "Sinfonia semplice": IV. Tema con variazioni, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in C major, op. 31 "Dollar Symphony": I. Moderato, Symphony no. 6 in C major, op. 31 "Dollar Symphony": II. Adagio, Symphony no. 6 in C major, op. 31 "Dollar Symphony": III. Vivace, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 6 in D minor, op. 104: IV. Allegro molto - Allegro assai - Doppio piú lento, Symphony no. 6 in E-flat minor, op. 23: I. Poco largamente - Allegro feroce, Symphony no. 6 in E-flat minor, op. 23: II. Presto tenebroso - Andante moderato - Tempo I, Symphony no. 6 in E-flat minor, op. 23: III. Andante appassionato, Symphony no. 7 in C major, op. 105: Adagio -, Symphony no. 7 in C major, op. 105: Allegro molto moderato - Allegro moderato -, Symphony no. 7 in C major, op. 105: Vivace - Presto - Adagio - Largamente molto - Affettuoso, Symphony no. 7 in C major, op. 105: Vivacissimo - Adagio -, Symphony no. 7: I. Allegro moderato, Symphony no. 7: II. Larghetto, Symphony no. 7: III. Allegro marciale, Symphony no. 9 "Sinfonia semplice": I. Adagio, Symphony no. 9 "Sinfonia semplice": II. Adagio, lento, Szelek kórusa - "A vihar" - szvit, Sången, symphonic cantata, op. 44: Interlude, Tapiola, op. 112, The Age of Gold, op. 22a: I. Introduction, The Age of Gold, op. 22a: II. Adagio, The Age of Gold, op. 22a: III. Polka, The Age of Gold, op. 22a: IV. Dance, The Bard, op. 64, The Dryad, op. 45 no. 1, The Godfather III: Cavalleria rusticana: Intermezzo, The Miserly Knight: Introduction, The Miserly Knight: Scene 2: In a Cellar (Largo), The Oceanides, op. 73, The Snow Maiden, op. 12: I. Introduction, The Snow Maiden, op. 12: II. Entr'acte, The Snow Maiden, op. 12: III. Melodrama, The Snow Maiden, op. 12: IV. Dance of the Buffoons, The Tempest Prelude, op. 109 no. 1, The Tempest Suite no. 1, op. 109 no. 2: I. The Oak Tree, The Tempest Suite no. 1, op. 109 no. 2: II. Humoresque, The Tempest Suite no. 1, op. 109 no. 2: III. Caliban’s Song, The Tempest Suite no. 1, op. 109 no. 2: IV. The Harvesters, The Tempest Suite no. 1, op. 109 no. 2: IX. The Storm, The Tempest Suite no. 1, op. 109 no. 2: V. Canon, The Tempest Suite no. 1, op. 109 no. 2: VI. Scene, The Tempest Suite no. 1, op. 109 no. 2: VII. Intrada. Berceuse, The Tempest Suite no. 1, op. 109 no. 2: VIII. Entr’acte. Ariel’s Song, The Tempest, op. 109: The Storm, The Tempest. Suite no. 2, op. 109 no. 3: I. Chorus of the Winds, The Tempest. Suite no. 2, op. 109 no. 3: II. Intermezzo, The Tempest. Suite no. 2, op. 109 no. 3: III. Dance of the Nymphs, The Tempest. Suite no. 2, op. 109 no. 3: IV. Prospero, The Tempest. Suite no. 2, op. 109 no. 3: IX. Dance Episode, The Tempest. Suite no. 2, op. 109 no. 3: V. Song I, The Tempest. Suite no. 2, op. 109 no. 3: VI. Song II, The Tempest. Suite no. 2, op. 109 no. 3: VII. Miranda, The Tempest. Suite no. 2, op. 109 no. 3: VIII. The Naiads, The Voyevoda, op. 3: Entr’acte and Dances of the Chambermaids, The Voyevoda, op. 78, Tiera, Toccata for orchestra, Two Elegiac Melodies, op. 34 no. 1: The Wounded Heart, Two Elegiac Melodies, op. 34 no. 2: Last Spring, Two Melodies, op. 53 no. 1: Norwegian, Two Melodies, op. 53 no. 2: The First Meeting, Two Nordic Melodies, op. 63 no. 1: In Folk Style, Two Nordic Melodies, op. 63 no. 2: Cow-Call - Peasant Dance, Tyven og Heleren, Valse chevaleresque, op. 96c, Valse lyrique, op. 96a, Valse romantique, op. 62b, Valse triste, Valse triste, op. 44 no. 1, Variations for Large Orchestra, op. 2: Tema. Adagio, Variations for Large Orchestra, op. 2: Var. I. Piu lento (Adagio molto), Variations for Large Orchestra, op. 2: Var. II. Allegro, Variations for Large Orchestra, op. 2: Var. III. Andante, Variations for Large Orchestra, op. 2: Var. IV. Allegro vivace, Variations for Large Orchestra, op. 2: Var. IX. Allegro, Variations for Large Orchestra, op. 2: Var. V. Andante, Variations for Large Orchestra, op. 2: Var. VI. Andante moderato, Variations for Large Orchestra, op. 2: Var. VII. Allegretto, Variations for Large Orchestra, op. 2: Var. VIII. Lento, Variations for Large Orchestra, op. 2: Var. X. Adagio. Allegro, Åses Død
Jaco, der Papagei performing orchestra Allt under himmelens fäste, Andante festivo, Ballet Scene (1891), Capriccio espagnol, op. 34: I. Alborada. Vivo e strepitoso -, Capriccio espagnol, op. 34: II. Variazioni. Andante con moto -, Capriccio espagnol, op. 34: III. Alborada. Vivo e strepitoso -, Capriccio espagnol, op. 34: IV. Scena e canto gitano: Allegretto -, Capriccio espagnol, op. 34: V. Fandango asturiano, Cavalleria rusticana - Intermezzo sinfonico - 'Der Pate III', Dance of the Maidens from Polovtsian Dance from Prince Igor, Die Sprache der Vögel, JS 62: Act III: Wedding March, Du gamla, du friska... (Swedish National Anthem), Fantaisie dramatique, op. 9: Andante molto sostenuto - Allegro non troppo - Allegro - Andante molto sostenuto, Festive Overture on the Danish National Anthem in D major, op. 15, From Holberg’s Time, op. 40: III. Gavotte: Allegretto – Musette: Un poco mosso – Gavotte, Impromptu for string orchestra "Andante lirico", Incidental Music to Kuolema: Canzonetta, op. 62a, Incidental Music to Kuolema: Scene With Cranes, op. 44 no. 2, Incidental Music to Kuolema: Valse Romantique, op. 62b, Incidental Music to Kuolema: Valse Triste, op. 44 no. 1, Karelia Overture, op. 10, Karelia Suite, op. 11: I. Intermezzo (Moderato), La Gioconda: Danza delle ore, Les Contes d’Hoffmann: Entr’acte (Barcarolle), Lyric Suite, op. 54: IV. Notturno: Andante, Night-Ride and Sunrise, op. 55, Ouverture solennelle 1812, op. 49: Finale, Overture in E major (1891), Overture in F major, Peer Gynt Suite Nr. 1, op. 46: I. Morgenstimmung, Peer Gynt Suite Nr. 2, op. 55: IV. Solvejgs Lied, Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, Promootiomarssi, JS 155, Prélude symphonique, op. 7: Lento assai, Russian Easter Festival Overture, op. 36, Scaramouche, op. 71: Act I: Scene 1, Scaramouche, op. 71: Act I: Scene 10, Scaramouche, op. 71: Act I: Scene 2, Scaramouche, op. 71: Act I: Scene 3, Scaramouche, op. 71: Act I: Scene 4, Scaramouche, op. 71: Act I: Scene 5, Scaramouche, op. 71: Act I: Scene 6, Scaramouche, op. 71: Act I: Scene 7, Scaramouche, op. 71: Act I: Scene 8, Scaramouche, op. 71: Act I: Scene 9, Scaramouche, op. 71: Act II: Scene 1, Scaramouche, op. 71: Act II: Scene 10, Scaramouche, op. 71: Act II: Scene 11, Scaramouche, op. 71: Act II: Scene 2, Scaramouche, op. 71: Act II: Scene 3, Scaramouche, op. 71: Act II: Scene 4, Scaramouche, op. 71: Act II: Scene 5, Scaramouche, op. 71: Act II: Scene 6, Scaramouche, op. 71: Act II: Scene 7, Scaramouche, op. 71: Act II: Scene 8, Scaramouche, op. 71: Act II: Scene 9, Sylvia: Gavotte: Pizzicati, Symphony no. 1 in D major, op. 3: I. Allegro non troppo - Poco più tranquillo - Tempo I, Symphony no. 1 in D major, op. 3: II. Scherzo: Allegro vivace - Un poco piu tranquillo - Tempo I, Symphony no. 1 in D major, op. 3: III. Andante molto sostenuto, Symphony no. 1 in D major, op. 3: IV. Finale: Allegro moderato, Symphony no. 1 in D major, op. 4: I. Molto allegro, Symphony no. 1 in D major, op. 4: II. Andante, Symphony no. 1 in D major, op. 4: III. Allegro scherzando, Symphony no. 1 in D major, op. 4: IV. Finale. Maestoso, Symphony no. 1 in E minor, op. 1: I. Largo assai - Allegro, Symphony no. 1 in E minor, op. 1: II. Andante tranquillo, Symphony no. 1 in E minor, op. 1: III. Scherzo vivace - Trio, Symphony no. 1 in E minor, op. 1: IV. Allegro assai, Symphony no. 1 in G minor "Sérieuse": I. Allegro con energia, Symphony no. 1 in G minor "Sérieuse": II. Adagio maestoso, Symphony no. 1 in G minor "Sérieuse": III. Stretto, Symphony no. 1 in G minor "Sérieuse": IV. Finale. Adagio - Allegro molto, Symphony no. 2 in B-flat major, op. 15: I. Allegro, Symphony no. 2 in B-flat major, op. 15: II. Andante sostenuto, Symphony no. 2 in B-flat major, op. 15: III. Intermezzo. Allegro giusto, Symphony no. 2 in B-flat major, op. 15: IV. Finale. Andante - Allegro con fuoco, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo, Symphony no. 2 in D major "Capricieuse": I. Allegro, Symphony no. 2 in D major "Capricieuse": II. Andante, Symphony no. 2 in D major "Capricieuse": III. Finale. Allegro assai, Symphony no. 2 in F major, op. 6: I. Allegro con moto – Pesante – A tempo, tranquillo – Tempo I (subito) – Agitato – Tranquillo – Tempo I – Pesante – A tempo, tranquillo – Tranquillo – Maestoso – Largamente, Symphony no. 2 in F major, op. 6: II. Adagio – Presto – Adagio – Presto – Tranquillo – Adagio, Symphony no. 2 in F major, op. 6: III. Allegro con fuoco – Con moto – Tranquillo – Con moto – Adagio – Tempo I, furioso – Pesante – Tranquillo – Con moto – Tranquillo – A tempo, con moto – Maestoso, Symphony no. 2, op. 9 "Antar": I. Largo - Allegro giocoso - Adagio - Largo - Allegretto vivace - Largo, Symphony no. 2, op. 9 "Antar": II. Allegro - Molto allegro - Meno mosso, allargando - Allegro, Symphony no. 2, op. 9 "Antar": III. Allegro risoluto alla marcia, Symphony no. 2, op. 9 "Antar": IV. Allegretto vivace - Andante amoroso - Animato assai, Symphony no. 3 in C major "Singulière": I. Allegro fuocoso, Symphony no. 3 in C major "Singulière": II. Adagio - Scherzo. Allegro assai - Adagio, Symphony no. 3 in C major "Singulière": III. Finale. Presto, Symphony no. 3 in C major, op. 32: I. Moderato assai - Allegro, Symphony no. 3 in C major, op. 32: II. Scherzo. Vivo - Moderato - Tempo I, Symphony no. 3 in C major, op. 32: III. Andante - Animato assai - Tempo I - attacca, Symphony no. 3 in C major, op. 32: IV. Allegro con spirito - Animato, Symphony no. 3 in D major, op. 10 "Västkustbilder": I. Soldis. Lento - Un poco più mosso- Molto tranquillo - Un poco più mosso - Lento, Symphony no. 3 in D major, op. 10 "Västkustbilder": III. Sommarnatt. Adagio - Molto tranquillo - Un poco più mosso - Largamente - Adagio - Molto vivace - Più mosso - Più mosso sempre - Tempo I - Tranquillo - Largamente - Lento, Symphony no. 3 in D major, op. 10 "Västkustbilder": Storm. Con fuoco (non troppo presto, largamente) - Più mosso - Con fuoco [Tempo I] - [ ] - A Tempo I (un poco più vivo) - Più mosso (molto) - Tempo I - Adagio molto tranquillo, Symphony no. 4 in E-flat major: I. Allegro risoluto, Symphony no. 4 in E-flat major: II. Adagio, Symphony no. 4 in E-flat major: III. Scherzo. Allegro molto, Symphony no. 4 in E-flat major: IV. Finale. Allegro vivace, Symphony no. 7 in C major, op. 105, Symphony no. 7, op. 45 "Sinfonia romantica": I. Drammatico. Lento - Molto vivo - Andante - Andante molto tranquillo - Molto vivo - Cantando - Lento - Vivacissimo, Symphony no. 7, op. 45 "Sinfonia romantica": II. Semplice. Andante - Un poco più lento - A tempo I - Tranquillo, Symphony no. 7, op. 45 "Sinfonia romantica": III. Feroce. Allegro - L'istesso tempo, pesante - (Un poco meno mosso) - (Tranquillo) - (Con moto) - (Tempo I) - Animando al fine, Symphony no. 8 in E minor, op. 48: I. Largo – Allegro, Symphony no. 8 in E minor, op. 48: II. Adagio, Symphony no. 8 in E minor, op. 48: III. Molto vivo, Symphony no. 8 in E minor, op. 48: IV. Con moto, Symphony no. 9, op. 54 "Sinfonia visionaria": Adagio -, Symphony no. 9, op. 54 "Sinfonia visionaria": Allegro. Kör, Barden: "Nu stundar Friggas sorg den största" - Allegro. Kör, Barden: "Då kommer Odens ättling, åskguden" - Vivo. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Mycket jag fattat, fram ser jag längre till Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Andante. Barden: "Heid hon hette, till vad hus hon kom" - Tranquillo. Valan: "Varom frågen I mig?" - [Andante.] Barden: "Härfader gav henne halsguld och ringar" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Barden: "Solen svartnar, land sjunker i havet" - Molto tranquillo. Barden: "Då kommer dunklets drake och glider", Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Barden: "Hur är det med asar?" - Vivo. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Jag ser längre fram, har fullt upp att säga om Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Barden: "Väl vet hon, att Odens öga är gömt i Mimes brunn" - Poco con moto. Barden: "Väl vet hon, att Heimdalls horn är gömt under himmelshöga, heliga trädet" - Allegro. Barden: "Hon minns det första mannadråpet" - Poco meno mosso. Kör, Barden: "Då drogo de mäktige till sina domaresåten" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Kör: "Bröder varandras bane varda" - Poco tenuto, molto espressivo. Kör: "Då störtar världen, jorden dånar" - Tranquillo. Valan: "Ringlande världsorm över rymden gapar" - Vivo. Kör: "Mimes söner sig fröjda" - Tranquillo. Valan: "Ringlande vörlsorm över rymden gapar" - "Vivo. Kör: "Då skälver Yggdrasils ask, den ståndande" - Tranquillo. Valan: "Ringlande världsorm över rymden gapar" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Valan: "Jag jättarna minns, i urtid avlade" - Poco tranquillo. Valan: "Gapande svalg fanns men gräs icke" - [Con moto.] Valan: "I åldrarnas ursprung, när Ymer levde" - Poco tranquillo. Valan: "stjärnorna ej var de skimra skulle" - [Con moto.] Valan: "Söner till Bur då lyfte landen" - Poco meno mosso. Kör, Valan: "Då drogo de mäktige till sina domaresäten" - Tranquillo. Barden: "Hon såg vida och än vidare i världar alla" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Poco più mosso. Barden: "Med spjut sprängde Oden mot hotande horder" - Poco meno mosso. Valan: "Då drogo de mäktige till sina domaresäten" - Poco più mosso. Barden: "Blott Tor då slog till i trotsig harm" - Meno mosso. Kör: "Då drogo de mäktige till sina domaresäten" - Allegro - Molto tranquillo -, Symphony no. 9, op. 54 "Sinfonia visionaria": Tempo [Un poco più mosso]. Barden: "Öster i Järnskogen dvaldes den åldriga" - Vico. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Mycket jag fattat, fram ser jag längre till Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Un poco più mosso. Valan: "Vid heta källors kittel i lunden" - Vivo. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Jag ser längre fram, har fullt upp att säga om Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Valan: "En ask ser jag stånda, den Yggdrasil heter" - Molto tranquillo - Con moto. Valan: "Dädan draga möar, som mycket veta" - Molto tranquillo. Valan: "Lyckans lotter, liv och död" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Vivo - Tempo martellato. Kör: "Rym styr ur östern" - Allegro molto -, The Storm (Groza), Overture, op. 76, Three Nocturnes, op. 35bis: I. Flykten till bödelskojan. Agitato (non troppo allegro) - Poco calando - A tempo I agitato - Calando, Three Nocturnes, op. 35bis: II. Drömmen, tåget till avrättsplatsen. Andante lugubre, Three Nocturnes, op. 35bis: III. Uppvaknandet. Presto - Poco tranquillo - Presto - Poco tranquillo - Con moto - Tranquillo - A tempo presto - Più mosso - Poco calando - A tempo presto - Poco calando - Poco tranquillo - Presto - Più mosso - Tranquillo - Più tranquillo - Molto presto - Prestissimo, Vittorioso, op. 58. Moderato (tranquillo) - Alla marcia - Tranquillo - Allegro cantando - Allegro molto
MPA Duke performing orchestra Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 1. "Veni, creator spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 122. "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 169. Tempo I. Allegro impetuoso, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 211. "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 258. "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 408. "Veni, creator spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 46. "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 488. "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1. Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1093. "Neige, neige" (Una poenitentium), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1138. "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1249. "Komm! hebe dich zu höhern Sphären" (Mater gloriosa) - "Blicket auf zum Retterblick alle reuig Zarten" (Doctor Marianus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1449. Chorus mysticus: Alles Vergängliche ist nur ein Gleichnis, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 167. Chor und Echo: "Waldung, sie schwankt heran", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 219. "Ewiger Wonnenbrand" (Pater scstaticus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 261. "Wie Felsenabgrund mir zu Füssen" (Pater profundus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 436. "Jene Rosen aus den Händen" (Chor der jüngeren Engel), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 540. "Uns bleibt ein Erdenrest" (Chor vollendeteren Engel), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 580. "Ich spür' soeben, nebelnd um Felsenhöhe'" (Die jüngeren Engel) - "Freudig empfangen frei" (Chor seliger Knaben) - "Hier ist die Aussicht frei" (Doctor Marianus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 639. "Höchste Herrscherin in der Welt" (Doctor Marianus), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 780. "Dir, der Unberührbaren" (Chor I/II) - "Du schwebst zu Höhen" (Chor der Büsserinnen und Una poenitentium), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 868. "Bei der Liebe, die den Füssen" (Magna Peccatrix) - "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana) - "Bei dem hochgeweihten Orte" (Maria Aegyptiaca), Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 97. Pìu mosso, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar Bar 384/385. "Gerettet ist das edle Glied" (Chor der Engel) - "Hände verschlinget euch" (Chor seliger Knaben)
Пётр Ильич Чайковский performing orchestra Mazeppa: Act I, Scene I. No. 1. Chorus of Maidens and Scene "Ya zav'yu venok moy dushistiy", Mazeppa: Act I, Scene I. No. 2. Scene, Mariya's Arioso and Duet "Vam lyuby pesni, miliye podruzhki", Mazeppa: Act I, Scene I. No. 3. "Nu, Cestvuyes', Vasiliy, ti menya", Mazeppa: Act I, Scene I. No. 4. Chorus and Dance "Netu, netu tut mostocka, netu perekhodu", Mazeppa: Act I, Scene I. No. 4a. Hopak, Mazeppa: Act I, Scene I. No. 5. Scene and Mazeppa's Arioso "Vot khoroso, lyublyu...", Mazeppa: Act I, Scene I. No. 6. Quarrel Scene "Mazeppa, ty menya smushchayesh' rech'yu", Mazeppa: Act I, Scene II. No. 7. Chorus and Mother's Lament "Ne groza nebesa kroyet tucheyu", Mazeppa: Act I, Scene II. No. 8. Finale "Ochnis' ot gorya, Kochubey!", Mazeppa: Act II, Scene I. No. 9. Dungeon Scene "Tak vot nagrada za donos", Mazeppa: Act II, Scene II. No. 10. Mazeppa's Monologue and Scene with Orlik "Tikha ukraynskaya noch", Mazeppa: Act II, Scene II. No. 10a. Mazeppa's Arioso "O, Mariya, Mariya!", Mazeppa: Act II, Scene II. No. 11. Mazeppa's Scene with Mariya "Moy miliy drug!", Mazeppa: Act II, Scene II. No. 12. Scene Between Mariya and her Mother "Kak blescut zvyozdi v Nebe", Mazeppa: Act II, Scene II. No. 13. Crowd Scene and Drunken Cossack's Song "Skoro li? Vezut al' net? ... Molodushka, moloda", Mazeppa: Act II, Scene II. No. 14. Finale "Oy, goy, chumandra, chumandrikha Moloda!", Mazeppa: Act III, Entr'acte. No. 15. The Battle Of Poltava, Mazeppa: Act III, Scene I. No. 16. Scene and Andrei's Aria "V boyu krovavom, na pole chesti", Mazeppa: Act III, Scene I. No. 17. Scene and Duet "Nevdaleke ya slishu topot...", Mazeppa: Act III, Scene I. No. 18. Appearance of the Demented Mariya "Nescastniy! Vidit Bog, ya ne khotel tvoey pogibeli", Mazeppa: Act III, Scene I. No. 19. Finale "Ushol starik, kak serdtse byotsya", Mazeppa: Introduction
Ari Gorman performing orchestra Aleko: No. 10. Aleko's Cavatina, Francesca da Rimini, op. 25: Tableau 1, Scene 2. "Nictó ne zaglusít revnívïkh dum", Francesca da Rimini, op. 25: Tableau 1, Scene 2. "O, yésli bï tï znála", Francesca da Rimini, op. 25: Tableau 1, Scene 3. "Lyubví tvoyéy khocú ya!", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Net! Vécnoye proklyát'ye!", Francesca da Rimini, op. 25: Tableau I, Scene II. "Nictó ne zaglusít revnívïkh dum" (Lanceotto) / "O, yésli bï tï znála" (Lanceotto), Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 1. To His Sonne, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 2. Oh wert thou in the cauld blast, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 3. Mc Pherson's Farewell, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 4. Jenny, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 5. Sonnet LXVI, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 6. The Kings's Campaign, Symphony no. 14, op. 135: I. De profundis. Adagio, Three Romances on Poems by Pushkin, op. 46a: No. 1. Regeneration, Three Romances on Poems by Pushkin, op. 46a: No. 2. A jealous maiden, Three Romances on Poems by Pushkin, op. 46a: No. 3. Premonition
Milos performing orchestra Suite on the Verses of Michelangelo Buonarroti, op. 145a: Anger, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Creativity, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Dante, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Death, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Immortality, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Love, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Morning, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Night, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Separation, Suite on the Verses of Michelangelo Buonarroti, op. 145a: To the Exile, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Truth, Symphony no. 14, op. 135: IX. O Delvig, Delvig! Andante, Symphony no. 14, op. 135: VII. At the Santé Jail. Adagio, Symphony no. 14, op. 135: VIII. Zaporozhye Cossacks' Reply to the Sultan of Constantinople. Allegro
Wailing of the Winds performing orchestra Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale: Allegro con fuoco, Symphony no. 2, op. 16 "Four Temperaments": I. Allegro collerico, Symphony no. 2, op. 16 "Four Temperaments": II. Allegro comodo e flemmatico, Symphony no. 2, op. 16 "Four Temperaments": III. Andante malincolico, Symphony no. 2, op. 16 "Four Temperaments": IV. Allegro sanguineo, Symphony no. 3, op. 27 "Sinfonia espansiva": I. Allegro espansivo, Symphony no. 3, op. 27 "Sinfonia espansiva": III. Allegretto un poco, Symphony no. 3, op. 27 "Sinfonia espansiva": IV. Finale: Allegro, Symphony no. 5, op. 50: I. Tempo giusto - Adagio non troppo / II. Adagio non troppo, Symphony no. 5, op. 50: III. Allegro / IV. Andante un poco tranquillo / V. Allegro
Indiana Evans performing orchestra Concerto No. 1 for flute and string orchestra, Op. 75: I. Allegro molto, Concerto No. 1 for flute and string orchestra, Op. 75: II. Largo -, Concerto No. 1 for flute and string orchestra, Op. 75: III. Allegro comodo, Concerto No. 2 for flute and orchestra, Op. 148: I. Allegro, Concerto No. 2 for flute and orchestra, Op. 148: II. Largo, Concerto No. 2 for flute and orchestra, Op. 148: III. Allegretto - Andante molto ritenuto - Largo, Concerto for clarinet and string orchestra, Op. 104: I. Allegro, Concerto for clarinet and string orchestra, Op. 104: II. Andante -, Concerto for clarinet and string orchestra, Op. 104: III. Allegretto, Fantasia for cello and orchestra, Op. 52: I. Adagio - andante leggiero - adagio -, Fantasia for cello and orchestra, Op. 52: II. Allegro con fuoco - Cadenza (Lento) -, Fantasia for cello and orchestra, Op. 52: III. Andantino leggiero - Adagio
S.H.E. performing orchestra Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto, Concerto for Violin and Orchestra no. 1 in D major, op. 19: I. Andantino - Andante assai, Concerto for Violin and Orchestra no. 1 in D major, op. 19: II. Scherzo, Vivacissimo, Concerto for Violin and Orchestra no. 1 in D major, op. 19: III. Moderato - Allegro moderato - Moderato - Piu tranquillo, Humoresques III-VI, op. 89: III. Alla gavotta In G minor, Humoresques III-VI, op. 89: IV. Andantino In G minor, Humoresques III-VI, op. 89: V. Commodo In E-flat major, Humoresques III-VI, op. 89: VI: Allegro In G minor
Carine Tinney performing orchestra Det første møte, op. 21 no. 1, En svane, EG 177d, Peer Gynt, "Solveigs Lied", Peer Gynt, op. 23: 4. akt: Solveigs sang, Peer Gynt, op. 23: 5. akt: Solveig synger i hytten, Songs With Orchestra: Solveigs sang, Songs With Orchestra: Solveigs vuggesang, Våren, EG 177e
Pedro Miguel Ledo performing orchestra The Miserly Knight: Scene 2: In a Cellar "Cto nepodvlástno mne?", The Miserly Knight: Scene 2: In a Cellar "Da! Yésli bï vseslyozï", The Miserly Knight: Scene 2: In a Cellar "Kak molodóy povésa", The Miserly Knight: Scene 2: In a Cellar "No kto vosléd za mnoy", The Miserly Knight: Scene 2: In a Cellar "O, yésli b mog ot vzórov nedostóynïkh", The Miserly Knight: Scene 2: In a Cellar "Tut yest' dublón starínnïy", The Miserly Knight: Scene 2: In a Cellar "Ya kazdiy raz", The Miserly Knight: Scene 2: In a Cellar "Ya spokóyen"
Dschungelorchester performing orchestra Concerto for Violin and Orchestra: I. Allegro, ma molto moderato, Concerto for Violin and Orchestra: II. Andante sostenuto, Concerto for Violin and Orchestra: III. Allegro vivace, quasi presto, Suite on Estonian Dances: I. Old Waltz, Suite on Estonian Dances: II. The Shepherd's Tune, Suite on Estonian Dances: III. The Kantele Player, Suite on Estonian Dances: IV. Horn Tunes
Henri Kohn performing orchestra Arioso, op. 3, Höstkväll, op. 38 no. 1, Luonnotar, op. 70, Se'n har jag ej frågat mera, op. 17 no. 1, Soluppgång, op. 37 no. 3, Våren flyktar hastigt, op. 13 no. 4
Michael Piccard performing orchestra Ekphrasis (Continuo II), for orchestra, Sinfonia: I., Sinfonia: II. O King, Sinfonia: III. In ruhig fliessender Bewegung, Sinfonia: IV., Sinfonia: V.
レナ performing orchestra Six Poems of Marina Tsvetayeva, op. 143a: Hamlet's Dialogue With Conscience, Six Poems of Marina Tsvetayeva, op. 143a: My Poems, Six Poems of Marina Tsvetayeva, op. 143a: No, the Drum Beat, Six Poems of Marina Tsvetayeva, op. 143a: The Poet and the Tsar, Six Poems of Marina Tsvetayeva, op. 143a: To Anna Akhmatova, Six Poems of Marina Tsvetayeva, op. 143a: Where Does Such Tenderness Come From?
Anu Kaukola performing orchestra Demanten på marssnön, op. 36 no. 6, Kom nu hit, död, op. 60 no. 1, Koskenlaskijan morsiamet, op. 33, På verandan vid havet, op. 38 no. 2, Serenad, JS 168, Sången om korsspindeln, op. 27 no. 4
David Dabbon performing orchestra Concerto Piccolo über B-A-C-H: I. Preciso, Concerto Piccolo über B-A-C-H: II. Lento, Concerto Piccolo über B-A-C-H: III. Deciso, Trumpet Concerto no. 1, op. 42: I. Andante - Allegro, Trumpet Concerto no. 1, op. 42: II. Lento - Con moto, Trumpet Concerto no. 1, op. 47, "Bridge"
Alison Hill performing orchestra Six Romances on Texts by Japanese Poets, op. 21: An Immodest Glance, Six Romances on Texts by Japanese Poets, op. 21: Before Suicide, Six Romances on Texts by Japanese Poets, op. 21: Death, Six Romances on Texts by Japanese Poets, op. 21: Love, Six Romances on Texts by Japanese Poets, op. 21: Love Without Hope, Six Romances on Texts by Japanese Poets, op. 21: The First and the Last Time
Yung Thug performing orchestra Atenarnes sång (Song of the Athenians), op. 31 no. 3, Finlandia with male chorus, op. 26, Har du mod? (Have you courage?), op. 31 no. 2, Sandels, op. 28, Suomen Jääkärien Marssi (Finnish Jäger March), op. 91 no. 1
José Miguel Ginés performing orchestra Aleko: No. 2. Chorus, Aleko: No. 7. Chorus, Francesca da Rimini, op. 25: Epilogue. "A-a...", Francesca da Rimini, op. 25: Prolog, Part 2. "A-a...", Francesca da Rimini, op. 25: Prolog.,Part 1. "M-m..."
Oscar Zia performing orchestra Symphony no. 13, op. 113 "Babi Yar": I. Babi Yar. Adagio - Più mosso - Adagio - Allegretto - Adagio, Symphony no. 13, op. 113 "Babi Yar": II. Humour. Allegretto, Symphony no. 13, op. 113 "Babi Yar": III. At the Store. Adagio, Symphony no. 13, op. 113 "Babi Yar": IV. Fears. Largo - Moderato - Largo - Allegro - Largo, Symphony no. 13, op. 113 "Babi Yar": V. Career. Allegretto
邰肇玫 performing orchestra From Jewish Folk Poetry, op. 79a: No. 11. Happiness, From Jewish Folk Poetry, op. 79a: No. 2. Fussy Mymmy and Auntie, From Jewish Folk Poetry, op. 79a: No. 6. The Deserted Father, From Jewish Folk Poetry, op. 79a: No. 8. Winter
Модест Петрович Мусоргский performing orchestra Songs and Dances of Death: Lullaby, Songs and Dances of Death: Serenade, Songs and Dances of Death: The Field Marshal, Songs and Dances of Death: Trepak
Edvard Grieg performing orchestra I Høst (In Autumn) - Concert Overture for Orchestra, Op. 11, Peer Gynt (Morning Mood)., Peer Gynt, Op. 23 No. 15: Arabisk Dans, Peer Gynt, Op. 23: 3. akt, scene 4
Henning Basler performing orchestra Piano Concerto no. 2 in D minor, op. 23: I. Introduzione, Piano Concerto no. 2 in D minor, op. 23: II. Scherzo, Piano Concerto no. 2 in D minor, op. 23: III. Adagio, Piano Concerto no. 2 in D minor, op. 23: IV. Finale
Prizmmy☆ performing orchestra Suite champêtre, op. 98b: I. Pièce caractéristique. Commodo, Suite champêtre, op. 98b: II. Mélodie élégiaque. Poco adagio, Suite champêtre, op. 98b: III. Danse. Allegretto, Thaïs: Méditation
Sam Ateba performing orchestra Concerto in B minor for Cello and Orchestra, op. 104, B. 191: I. Allegro, Concerto in B minor for Cello and Orchestra, op. 104, B. 191: II. Adagio ma non troppo, Concerto in B minor for Cello and Orchestra, op. 104, B. 191: III. Finale: Allegro moderato, Waldesruhe, for cello and orchestra
Tessa performing orchestra Symphony no. 14, op. 135: II. Malagueña. Allegretto, Symphony no. 14, op. 135: IV. The Suicide. Adagio, Symphony no. 14, op. 135: V. On Watch. Allegretto, Symphony no. 14, op. 135: X. The Poet's Death. Largo
oAz performing orchestra Suite no. 3, op. 19 no. 1: I. Prélude. Adagio, Suite no. 3, op. 19 no. 1: II. Pantomim. Moderato, Suite no. 3, op. 19 no. 1: III. Vision. Allegro moderato
Medevil performing orchestra Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Viagra B. performing orchestra Symphony no. 14, op. 135: III. Loreley. Allegro molto, Symphony no. 14, op. 135: VI. Madam, look! Adagio, Symphony no. 14, op. 135: XI. Conclusion. Moderato
Banda de Gaitas de Cea performing orchestra Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Kak dúmayes', Francéska", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Na cto mne ray", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "O, kak im bïlo sládostno i zútko"
Cecco e Cipo performing orchestra Midvinter, op. 24, Snöfrid, op. 5, Symphony no. 6 in E-flat minor, op. 23: IV. Allegro vivace (quasi presto) - Più sostenuto: "Što mï vídeli" - Andante molto espressivo
Falk-Ulrich Rogner performing orchestra Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: I. Allegro – Più allegro, Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: II. Largo –, Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56: III. Rondo alla Polacca – Allegro – Tempo I
Christian Dee performing orchestra Suite mignonne, op. 98a: I. Petite scène. Allegretto, Suite mignonne, op. 98a: II. Polka. Animoso, Suite mignonne, op. 98a: III. Epilogue. Vivace
Pejah performing orchestra Suite caractéristique, op. 100: I. Vivo, Suite caractéristique, op. 100: II. Lento, Suite caractéristique, op. 100: III. Commodo
Benoît Charvey performing orchestra Concertino for Piano and Orchestra: I. Allegro vivace, Concertino for Piano and Orchestra: II. Quasi andante, Concertino for Piano and Orchestra: III. Allegro giocoso, ma non troppo
Giovanni Nicoletta performing orchestra Aleko: No. 9. Cradle Scene, Francesca da Rimini, op. 25: Tableau 1, Scene 3. "Moy povelítel' zval menyá?", Francesca da Rimini, op. 25: Tableau I, Scene III. "Moy povelítel' zval menyá?" (Francesca, Lanceotto) / "Lyubví tvoyéy khocú ya!" (Lanceotto) / "Proklyát'ye!" (Lanceotto, Francesca)
Renée Favand-See performing orchestra Violin Concerto no. 2: I. Andante, Violin Concerto no. 2: II. Allegro marciale vivace, Violin Concerto no. 2: III. Adagio, quasi recitativo - Allegro non troppo, ma energico
Íweriú performing orchestra Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro, Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante, Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo – Poco meno allegro – Tempo I
Graflex performing orchestra From Jewish Folk Poetry, op. 79a: No. 7. A Song of Poverty, From Jewish Folk Poetry, op. 79a: No. 9. The Good Life
Rod Goodway performing orchestra Two Fables of Krylov, op. 4: No. 1. The Dragonfly and the Ant, Two Fables of Krylov, op. 4: No. 2. The Ass and the Nightingale
Renaldo & The Loaf With The Residents performing orchestra From Jewish Folk Poetry, op. 79a: No. 10. A Girl's Song, From Jewish Folk Poetry, op. 79a: No. 5. A Warning
Miz Marvel performing orchestra Peer Gynt, op. 23: 1. akt: Halling, Peer Gynt, op. 23: 1. akt: Springar
Miguel Ángel Arenas performing orchestra Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Prekásnaya Ginévra", The Miserly Knight: Scene 1:In the Castle "Von, pyos!"
Maurizio Giancani performing orchestra Francesca da Rimini, op. 25: Prolog, Part 2. "Net bóleye velíkoy skórbi v míre", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "S tobóyu ad mne lúcse ráya!" / Gde tï, tam scast'ye bez koncá!
Luca Vittori performing orchestra The Miserly Knight: Scene 3: In the Palace "Barón, ya rad vas vídet'", The Miserly Knight: Scene 3: In the Palace "U vas, Barón, yest' déti?"
Greg MacRitchie performing orchestra Sigurd Jorsalfar, op. 22: IV. Norrønafolket, Sigurd Jorsalfar, op. 22: VIII. Kongekvadet
Rich Markowitz performing orchestra Tabula Rasa: I. Ludus: Con moto, Tabula Rasa: II. Silentium: Senza moto
Александр Порфирьевич Бородин performing orchestra Prince Igor - 2 Polovtsian Dances, Prince Igor: Polovtsian Dances
Geraint Roberts performing orchestra Concerto for Flute and Orchestra: I. Allegro moderato, Concerto for Flute and Orchestra: II. Allegretto - Adagio ma no troppo - Allegretto - Tempo di marcia
Gattas performing orchestra Peer Gynt, op. 23: 2. akt: Peer Gynt jages av troll, Peer Gynt, op. 23: 5. akt: Nattscene
Eric Daniels performing orchestra Francesca da Rimini, op. 25: Tableau 1, Scene 1, Francesca da Rimini, op. 25: Tableau I, Scene I. "Otvét moy prost" (Lanceotto, Retainers)
Bob Bagchus performing orchestra Francesca da Rimini, op. 25: Prolog, Part 2. "A-a..." / "Moy sïn", Francesca da Rimini, op. 25: Prologue. Part 1. "M-m..." (The Tormented) / "Tepér' vstupáyem mï v slepúyu bézdnu" (Virgil Shade, Dante)
Ataraxia performing orchestra Solveig’s cradle song: Peer Gynt, Solveig’s song: Peer Gynt
鷲尾伶菜 performing orchestra Piano Concerto in A minor, op. 16: II. Adagio, Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso
MAYU performing orchestra Berceuse
Daniel Drüsendieb performing orchestra Luonnotar, op. 70
Manuel González performing orchestra Aleko: No. 3. The Old Gypsy's Tale
Matt Calder performing orchestra Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
George Martin performing orchestra Old Boston
Daniela Wakonigg performing orchestra Symphony no. 3, op. 27 "Sinfonia espansiva": II. Andante pastorale
Giamba Lizzori performing orchestra Francesca da Rimini, op. 25: Prolog, Part 1. "Tepér' vstupáyem mï v slepúyu bézdnu"
슈퍼키드 performing orchestra Sigurd Jorsalfar, op. 22: Hornsignaler
Graciella Rodriguez performing orchestra Francesca da Rimini, op. 25: Epilogue. "A-a..." / "O, v étot den' mï ból'se ne citáli!"
Brass Partout performing orchestra Kullervo, op. 7: Kullervo and his Sister
Mr. Beatbone performing orchestra Landkjenning, op. 31
Navaraj Gurung performing orchestra Ouverture solennelle 1812, op. 49
Nino Giuffrida performing orchestra The Miserly Knight: Scene 3: In the Palace "Prostíte, gozudár'"
Northcote performing orchestra Fratres for Violin, String Orchestra and Percussion
Oliver Luna performing orchestra Aleko: No. 12. Young Gypsy's Romance
Orchester Gino Mariano performing orchestra From Jewish Folk Poetry, op. 79a: No. 3. Lullaby
E. Gordon performing orchestra Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Pust' ne danó nam znat'lobzániy"
Pauline Diamond performing orchestra Aleko: No. 13. Duet and Finale
Grey Storm performing orchestra Francesca da Rimini, op. 25: Tableau II. Scene I. "Prekásnaya Ginévra" (Paolo) / "Kak dúmayes', Francéska" (Paolo, Francesca) / "O, kak im bïlo sládostno i zútko" (Paolo, Francesca) / "Pust' ne danó nam znat'lobzániy" (Francesca) / "Na cto mne ray" (Paolo, Francesca) / "S tobóyu ad mne lúcse ráya!" (Francesca, Paolo) / "Gde tï, tam scast'ye bez koncá!" (Francesca, Paolo) / "Net! Vécnoye proklyát'ye!" (Lanceotto)
Apagoge performing orchestra Autrefois (Scène pastorale pour orchestre), op. 96b
Portia Diwa performing orchestra The Miserly Knight: Scene 1: In the Castle "Kto tam?"
Antíoco Llanos performing orchestra Aleko: No. 8. Duettino
Fabrizio Racioni performing orchestra The Miserly Knight: Scene 3: In the Palace "Barón, vï lzóte"
Renato Cantele performing orchestra Francesca da Rimini, op. 25: Prolog, Part 2. "Kto éti dva, cto tak legkí dlya vétra?"
Isac Elliot performing orchestra Olav Trygvason, Scene III no. 5: Giv alle Guder Gammens og Glædes-Skål / no. 6: Alfer og Vætter / no. 7: Evige Asatro
J. Domingo López performing orchestra Aleko: No. 4. Scene and Chorus
Rick Neigher performing orchestra Peer Gynt, op. 23: 4. akt: Peer Gynts serenade
JaQe performing orchestra Lyric Piece for orchestra, op. 68 no. 1: Evening in the Mountains
Rustic Charm performing orchestra Francesca da Rimini, op. 25: Epilogue. "A-a..." (The Tormented) / "A-a..." & "O, v étot den' mï ból'se ne citáli!" (Francesca, Paolo, The Tormented)
BlackShore performing orchestra La gran pascua rusa, op. 36
SOYC performing orchestra From Jewish Folk Poetry, op. 79a: No. 4. Before a Long Separation
Jawad Karimi performing orchestra Concerto for Clarinet and Orchestra, op. 57: Allegretto un poco - Poco adagio - Allegro non troppo - Adagio - Allegro vivace
Sensual Harassment performing orchestra Peer Gynt, op. 23: 4. akt: Peer Gynt og Anitra
Jean-Pierre Bacri performing orchestra Olav Trygvason, Scene II no. 3: Ej er det nok / no. 4: Tak, at I talte
Tommy Tysper performing orchestra Peer Gynt, op. 23: 5. akt: Skipsforliset
Tony Eriksson performing orchestra Ballade for Violin and Orchestra
Jesús Ugalde performing orchestra The Miserly Knight: Scene 3: In the Palace "Povér'te, gosudár'"
John Koenig performing orchestra Tulen synty (The origin of fire), op. 32
John Simms performing orchestra Olav Trygvason, Scene I no. 1: Skjult i de mange manende Navne / no. 2: I, som op af Urdarbrønden
John Teer performing orchestra Foran Sydens Kloster, op. 20
Fat Complex performing orchestra Peer Gynt, op. 23: 5. akt: Solveigs vuggevise
Juan Mínguez performing orchestra The Miserly Knight: Scene 1: In the Castle "vo cto bï to ni stálo"
Judah McKeehan performing orchestra Peer Gynt, op. 23: 2. akt: Peer Gynt og sæterjentene
Окна performing orchestra Peer Gynt, op. 23: 5. akt: Pinsesalme: "Velsignede morgen"
Jules Massenet performing orchestra la vierge - der jungfrau letzter schlummer
Lamram Jam performing orchestra From Jewish Folk Poetry, op. 79a: No. 1. Lament for a Dead Infant
天野紀子グループ performing orchestra Concerto for Double Bass and Orchestra
Antonio Saglio performing orchestra Francesca da Rimini, op. 25: Tableau 1, Scene 3."Proklyát'ye!"
Funk performing orchestra Bergliot, op. 42
Ludwig van Beethoven performing orchestra Introduction to Act 2 (Entr'acte), WoO 2b (probably to "Tarpeja"). Alla marcia, ma non troppo presto
Lee Moro performing orchestra Francesca da Rimini, op. 25: Prologue. Part 2. "A-a..." (The Tormented) / "A-a..." / "Moy sïn" (The Tormented, Virgil's Shade, Dante) / "A-a..." (The Tormented) / "Kto éti dva, cto tak legkí dlya vétra?" (Dante, The Tormented, Virgil's Shade) / "Net bóleye velíkoy skórbi v míre" (Francesca, Paolo)