Musical Bacon: Gerald Finley

Artist name	Roles	Recordings
Choir of King’s College, Cambridge	vocal	Miserere Mei, Deus
Stephen Cleobury	chorus master	Miserere Mei, Deus
Timothy Beasley-Murray	vocal	Miserere Mei, Deus

Artist name	Roles	Recordings
J.-F. Moureaux	vocal	'1, 2, 3', A Song - For Anything, Abends am Strand, op. 45 no. 3, Ann Street, As Over Burning Embers, At the Ball, Belsatzar, op. 57, Berceuse, Bessie Bobtail, op. 2 no. 3, By Day or by Night, Chants populaires: Chanson française, Chants populaires: Chanson hébraïque, Chants populaires: Chanson italienne, Chants populaires: Chanson écossaise, Charlie Rutlage, Cinq mélodies populaires grecques: Chanson des cueilleuses de lentisques, Cinq mélodies populaires grecques: Le réveil de la mariée, Cinq mélodies populaires grecques: Là-bas, vers l’église, Cinq mélodies populaires grecques: Quel galant m’est comparable ?, Cinq mélodies populaires grecques: Tout gai !, Dein Angesicht so lieb und schön, op. 127 no. 2, Der arme Peter, op. 53 no. 3: Der Hans und die Grete tanzen herum, Der arme Peter, op. 53 no. 3: Der arme Peter wankt vorbei, Der arme Peter, op. 53 no. 3: In meiner Brust, Deux mélodies hébraïques: Kaddisch, Deux mélodies hébraïques: L’énigme éternelle, Deux épigrammes de Clément Marot: D’Anne jouant de l’espinette, Deux épigrammes de Clément Marot: D’Anne qui m’a jecta de la neige, Dichterliebe, op. 48: Allnächtlich im Traume, Dichterliebe, op. 48: Am leuchtenden Sommermorgen, Dichterliebe, op. 48: Aus alten Märchen, Dichterliebe, op. 48: Aus meinen Tränen sprießen, Dichterliebe, op. 48: Das ist ein Flöten und Geigen, Dichterliebe, op. 48: Die Rose, die Lilie, die Taube, die Sonne, Dichterliebe, op. 48: Die alten, bösen Lieder, Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen, Dichterliebe, op. 48: Hör' ich das Liedchen klingen, Dichterliebe, op. 48: Ich grolle nicht, Dichterliebe, op. 48: Ich hab' im Traum geweinet, Dichterliebe, op. 48: Ich will meine Seele tauchen, Dichterliebe, op. 48: Im Rhein, im heiligen Strome, Dichterliebe, op. 48: Im wunderschönen Monat Mai, Dichterliebe, op. 48: Und wüssten's die Blumen, die kleinen, Dichterliebe, op. 48: Wenn ich in deine Augen seh', Die beiden Grenadiere, op. 49 no. 1, Die feindlichen Brüder, op. 49 no. 2, Don Juan's Serenade, Don Quichotte à Dulcinée: Chanson romanesque, Don Quichotte à Dulcinée: Chanson à boire, Don Quichotte à Dulcinée: Chanson épique, Du alte Mutter, Es leuchtet meine Liebe, op. 127 no. 3, Feldeinsamkeit, General William Booth Enters Into Heaven, Hermit Songs, op. 29: No. 1. At St Patrick's Purgatory, Hermit Songs, op. 29: No. 10. The Desire for Hermitage, Hermit Songs, op. 29: No. 2. Church Bell at Night, Hermit Songs, op. 29: No. 3. St Ita's Vision, Hermit Songs, op. 29: No. 4. The Heavenly Banquet, Hermit Songs, op. 29: No. 5. The Crucifixion, Hermit Songs, op. 29: No. 6. Sea Snatch, Hermit Songs, op. 29: No. 7. Promiscuity, Hermit Songs, op. 29: No. 8. The Monk and His Cat, Hermit Songs, op. 29: No. 9. The Praises of God, Histoires naturelles: La pintade, Histoires naturelles: Le cygne, Histoires naturelles: Le grillon, Histoires naturelles: Le martin-pêcheur, Histoires naturelles: Le paon, I Hear an Army, op. 10 no. 3, Ich grolle nicht, In the Dark Pinewood, It Was in Early Spring, Lehn' deine Wang' an meine Wang', op. 142 no. 2, Les grands vents venus d’outremer, Like a Sick Eagle, Mein Wagen rollet langsam, op. 142 no. 4, Memories (A) and (B), Memories: (A) Very Pleasant / (B) Rather Sad, Memories: (A) Very Pleasant; (B) Rather Sad, Myrthen, op. 25: No. 21. Was will die einsame Träne?, Myrthen, op. 25: No. 24. Du bist wie eine Blume, Myrthen, op. 25: No. 7. Die Lotosblume, Mélodies passagères, op. 27: No. 1. Puisque tout passe, Mélodies passagères, op. 27: No. 2. Un cygne, Mélodies passagères, op. 27: No. 3. Tombeau dans un parc, Mélodies passagères, op. 27: No. 4. Le clocher chante, Mélodies passagères, op. 27: No. 5. Départ, Nocturne, op. 13 no. 4, Noël des jouets, Only One Who Knows Longing, Rain Has Fallen, op. 10 no. 1, Remembrance, Ronsard à son âme, Serenity, Shall I Compare Thee?, Sleep Now, op. 10 no. 2, Slugging a Vampire, Songs of Dances and Death: Lullaby, Songs of Dances and Death: Serenade, Songs of Dances and Death: The Field Marshal, Songs of Dances and Death: Trepak, Sur l’herbe, Sure on This Shining Night, op. 13 no. 3, Swimmers, The Beggar's Song, The Cage, The Daisies, op. 2 no. 1, The Greatest Man, The Green-Eyed Dragon, The Housatonic at Stockbridge, The Mild Stars Shone for Us, The New River, The Side Show, The Things Our Fathers Loved, There's Nae Lark, Thoreau, Tolerance, Tom Sails Away, Tragödie, op. 64 no. 3: Entflieh' mit mir und sei mein Weib, Tragödie, op. 64 no. 3: Es fiel ein Reif in der Frühlingsnacht, Un grand sommeil noir, Walking, War Scenes: A Night Battle, War Scenes: An Incident, War Scenes: Inauguration Ball, War Scenes: Specimen Case, War Scenes: The Real War Will Never Get in the Books, Weil' auf mir, West London, When Stars are in the Quiet Skies, Where the Eagle, With Rue My Heart Is Laden, op. 2 no. 2, Yellow Leaves, Élégie
Karantamba	vocal	Abendlied unterm gestirnten Himmel, WoO 150, Abreise, op. 34 no. 7, Am Maienfeste "Der Jäger an die Müllerin", Aus Novalis Hymnen an die Nacht, Der Doppelgänger, Der Kreuzzug, D. 932, Der Leiermann, Der Wallensteiner Lanzknecht beim Trunk, D. 931, Erlkönig, Erlkönig, op. 1 no. 3, Gebet während der Schlacht, op. 41 no. 1, Heimkehr, op. 34 no. 9, Il modo di prender moglie, D. 902 no. 3, Il traditor deluso, D. 902 no. 2, Jägers Liebeslied, D. 909, Klage Harfenspieler III, Komm!, L'incanto degli occhi, D. 902 no. 1, Rastlose Liebe, Rastloses Wandern, Romanze des Richard Löwenherz, D. 907, Schiffers Scheidelied, D. 910, Winterreise, op. 34 no. 6
Wolfgang Amadeus Mozart	vocal	From Don Giovanni: Don Giovanni and Zerlina's Duet, "Come On, We're Wasting Time" - "There Will My Arms Enfold You", Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" / "Pace, pace, o vita mia" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" / "Non ci stanchiamo" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) / "Ahi ahi! la testa mia" (Masetto, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto)
Joseph Haydn	vocal	Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Agnus Dei, Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Benedictus, Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Credo, Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Dona nobis pacem, Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Et incarnatus, Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Et resurrexit, Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Gloria, Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Kyrie (Adagio), Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Kyrie (Allegro), Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Quoniam, Missa in B flat major "Schöpfungsmesse", Hob. XXII:13: Sanctus
John Foulds	vocal	A World Requiem, op. 60: I. Requiem -, A World Requiem, op. 60: II. Pronuntiatio -, A World Requiem, op. 60: III. Confessio -, A World Requiem, op. 60: V. Audite -, A World Requiem, op. 60: VIII. Refutatio -, A World Requiem, op. 60: X. Requiem, A World Requiem, op. 60: XIX. Benedictio -, A World Requiem, op. 60: XVII. Vigilate -, A World Requiem, op. 60: XVIII. Promissio et Invocatio -, A World Requiem, op. 60: XX. Consummatus
Johannes Brahms	vocal	I. Selig sind, die da Leid tragen, II. Denn alles Fleisch, es ist wie Gras, III. Herr, lehre doch mich, IV. Wie lieblich sind deine Wohnungen, V. Ihr habt nun Traurigkeit, VI. Denn wir haben hie keine bleibende Statt, VII. Selig sind die Toten
Dino & Die Saurier	vocal	Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Recitative (Basso) "Siehe, ich stehe vor der Tür", Weihnachtsoratorium, BWV 248: Kantate Nr. 1. Aria (Bass) "Großer Herr, o starker König", Weihnachtsoratorium, BWV 248: Kantate Nr. 2. Recitativo (Bass) "So recht, ihr Engel, jauchzt und singet", Weihnachtsoratorium, BWV 248: Kantate Nr. 2. Recitativo (Bass) "Was Gott dem Abraham verheißen", Weihnachtsoratorium, BWV 248: Kantate Nr. 2. Recitativo e Arioso (Bass) "So geht denn hin, ihr Hirten, geht", Weihnachtsoratorium, BWV 248: Kantate Nr. 3. Aria, Duetto (Sopran, Bass) "Herr, dein Mitleid, dein Erbarmen", Weihnachtsoratorium, BWV 248: Kantate Nr. 3. Recitativo (Bass) "Er hat sein Volk getröst'"
Ludwig van Beethoven	vocal	"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Germania, WoO 94: Final Chorus from "Die gute Nachricht", Scene (One) from "Vesta's Fire", Hess 115, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume"
Henry Purcell	vocal	Dido & Aeneas Act I: If not for mine (Aeneas), Dido & Aeneas Act I: See, your Royal Guest appears (Belinda), Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas), Dido & Aeneas Act II: Stay, Prince and hear great Jove's command (Spirit), Dido & Aeneas Act III: Your counsel all is urged in vain (Dido)
Lipsika	vocal	Cantata, BWV 13 "Mein Seufzer, meine Tränen": V. Aria (Bass) "Ächzen und erbärmlich Weinen", Cantata, BWV 155 "Mein Gott, wie lang, ach lange?": III. Recitativo (Bass) "So sei, o Seele, sei zufrieden!", Cantata, BWV 3 "Ach Gott, wie manches Herzeleid I": II. Recitativo e Choral "Wie schwelich lässt sich Fleisch und Blut", Cantata, BWV 3 "Ach Gott, wie manches Herzeleid I": III. Aria (Bass) "Empfind ich Höllenangst und Pein"
Mark-Anthony Turnage	vocal	Evening Songs: III. Still Sleeping, From The Silver Tassie: Harry Songs, "Oh Bring to Me a Pint of Wine", When I Woke: I. The Turn of Time, When I Woke: II. When I Woke
Tamara Mumford	vocal	Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships, Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone, Symphony No. 1 "A Sea Symphony": III. The Waves, Symphony No. 1 "A Sea Symphony": IV. The Explorers
Franz Schubert	vocal	Magnificat, D486: Deposuit potentes de sede, Magnificat, D486: Gloria Patri, Magnificat, D486: Magnificat anima mea Dominum
Richard Wagner	vocal	From Tannhäuser: Wolfram's Aria, "Turning My Gaze Upon This Proud Assembly", From Tannhäuser: Wolfram's Aria, "With Dark Foreboding Twilight Casts Her Shadow" - "Look Down, Oh Gentle Evening Star", From The Mastersingers of Nuremberg: Sachs' Aria, "Do Not Disdain Our Masters Thus"
Regal	vocal	Der Greis, Hob. XXVc:5, Gesang der Geister, op. 88
Bengt Palmers	vocal	Cantate zum Geburtstag des Sängers Michael Vogl, D. 666, Der Hochzeitsbraten, D. 930
r00ms	vocal	The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5a. Entrance of St. George, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 6. The Rule of England (St. George)
Jesus Caunedo	vocal	Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Vivace - Adagio cantabile
Dime	vocal	The Pilgrim’s Progress: Act III, Scene 2. The Pilgrim in Prison
John Adams	vocal	From Doctor Atomic: Oppenheimer's Solo, "Batter My Heart"
Akir	vocal	The Pilgrim’s Progress: Act III, Scene 1. Vanity Fair. "I buy the truth!" (Pilgrim)
John Ross	vocal	The Pilgrim’s Progress: Act IV, Scene 1. The Pilgrim Meets Mr By-Ends
Ferdinand Pelzer	vocal	The Pilgrim’s Progress: Act I, Scene 1. The Pilgrim Meets Evangelist
Alien	vocal	The Pilgrim’s Progress: Act II, Scene 1. The Arming of the Pilgrim
LOR	vocal	The Pilgrim’s Progress: Prologue. Bunyan in Prison
Booger	vocal	The Pilgrim’s Progress: Act I, Scene 2. The House Beautiful
Gaetano Donizetti	vocal	From Linda of Chamounix: "Antonio's Aria, "In this Valley We Shared Our Childhood"
Georges Bizet	vocal	From Carmen: Escamillo's Couplets, "You're Most Kind, and in Return I Toast You" - "Toreador, Be Ready!"
Marquardt Petersen	vocal	The Pilgrim’s Progress: Act IV, Scene 2. The Shepherds of the Delectable Mountains. "Who so dwelleth…" (First Shepherd)
Max Peters	vocal	The Pilgrim’s Progress: Act III, Scene 1. Vanity Fair. "Buy! What will ye buy!" (Chorus of Traders)
Ne!than	vocal	Miserere mei, Deus
Normand d'Entremont	vocal	Erlkönig, op. 154 no. 4
Giacomo Puccini	vocal	From Tosca: Te Deum, "Three Agents, Quick as You Can Now"
Richard Rodgers	vocal	Some Enchanted Evening
Giuseppe Verdi	vocal	From Otello: Iago's Aria, "Take It; Take the Path to Your Ruin" - "Yes, I Believe in God Who Has Created Me"
Sharon McCants	vocal	Choral Hymns from the Rig Veda: 4th Group
Gregorio Allegri	vocal	Miserere (Excerpts)
Tzeech	vocal	Meeres Stille, op. 60 no. 3
Will-i-røret	vocal	Sehnsucht
Carl Maria von Weber	vocal	From Euranthe: Lysiart's Aria, "What Refuge Here?"
Zizanie	vocal	The Pilgrim’s Progress: Act II, Scene 2. The Pilgrim Meets Apollyon
[dialogue]	vocal	Encore Announcement
Damp Hit	vocal	Wild Wood Carol
Пётр Ильич Чайковский	vocal	From Iolanta: Robert's Aria, "My Only Beloved Mathilde I Claim"