| The River Versus |
performing orchestra |
A Pastoral Symphony (Symphony No. 3) II. Lento Moderato, A Pastoral Symphony (Symphony no. 3) I. Molto moderato, A Pastoral Symphony (Symphony no. 3) III. Moderato pesante - Presto, A Pastoral Symphony (Symphony no. 3) IV. Lento - Moderato maestoso - Lento, Appalachia: [Introduction I.] Molto moderato – Tranquillo –, Appalachia: [Introduction II.] Poco più vivo ma moderato –, Appalachia: [Theme.] Andante –, Appalachia: [Variation I.] Un poco più – Moderato –, Appalachia: [Variation II.] Più vivo –, Appalachia: [Variation III.] Molto moderato – Poco più mosso – Lento – Moderato (molto ritmico) –, Appalachia: [Variation IV.] Con moto – Un poco più tranquillo –, Appalachia: [Variation IX.] Allegro alla marcia – Adagio –, Appalachia: [Variation V.] Giocoso. Allegro moderato – Meno mosso. Più tranquillo –, Appalachia: [Variation VI.] Lento e molto tranquillo – Misterioso. Più mosso – Un poco meno –, Appalachia: [Variation VII.] Andante con grazia – Calando –, Appalachia: [Variation VIII.] Lento sostenuto e tranquillo – Un poco più – Tempo I –, Appalachia: [Variation X.] Marcia. Molto lento maestoso –, Brigg Fair, Cockaigne Overture "In London Town", op. 40, Egdon Heath, Elizabeth: Enigma Variations: Nimrod, Enigma Variations, op. 36 no. 10: Intermezzo: Dorabella, Enigma Variations, op. 36 no. 11: G.R.S., Enigma Variations, op. 36 no. 12: B.G.N., Enigma Variations, op. 36 no. 13: Romanza, Enigma Variations, op. 36 no. 14: Finale: E.D.U., Enigma Variations, op. 36 no. 1: C.A.E., Enigma Variations, op. 36 no. 2: H.D.S.-P., Enigma Variations, op. 36 no. 3: R.B.T., Enigma Variations, op. 36 no. 4: W.M.B., Enigma Variations, op. 36 no. 5: R.P.A., Enigma Variations, op. 36 no. 6: Ysobel, Enigma Variations, op. 36 no. 7: Troyte, Enigma Variations, op. 36 no. 8: W.N., Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "And as I sat, over the light blue hills". Allegretto, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "Beneath my palm trees, by the river side". Andante –, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 2. Chorus "Whence came ye, merry Damsels! whence came ye!", First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 5. Solo "Onward the tiger and the leopard pants". Poco animato – Più mosso / Part 6. Chorus "Bacchus, young Bacchus! good or ill betide". Andante maestoso, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Ah, happy, happy boughs! that cannot shed". [Tempo I] –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Heard melodies are sweet, but those unheard". Tempo I – Poco animato – Tempo I –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "O Attic shape! fair attitude! with brede". [Tempo I] – Largo, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Thou still unravish’d bride of quietness". Molto adagio –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Who are these coming to the sacrifice?". [Tempo I] –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 1. Fancy. Chorus "Ever let the Fancy roam". Allegro –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 2. Folly’s Song. Chorus "When wedding fiddles are a-playing". ♩= ♩(160) – Più mosso – Presto – Prestissimo, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 1. Solo "Spirit here that reignest!". Senza misura (quasi Andante) / Part 2. Chorus "God of the golden bow". Lento – Chorus "Here Homer with his nervous arms". Più mosso –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 3. Solo "Then, through thy Temple wide, melodious swells". Andante sostenuto / Part 4. Chorus "Tis awful silence then again". Lento – Chorus "Thou biddest Shakespeare wave his hand". Vivace ma pesante – Molto pesante ma in tempo – Andante – Chorus "A silver trumpet Spenser blows". Animato – Poco lento –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 5. Solo "Next thy Tasso’s ardent numbers". [Poco lento] – Moderato – Poco più lento / Part 6. Chorus "But when Thou joinest with the Nine". Moderato maestoso – Allegro – Andante con moto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 6. Chorus "Bards of Passion and of Mirth". Allegretto – Chorus "Thus ye live on high, and then". [Allegretto] – Poco meno mosso – Allegretto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 7. Solo "Spirit here that reignest!". Senza misura (quasi Andante) – Chorus "Bards of Passion and of Mirth". Sempre andante e non animato, First Choral Symphony, op. 41, H. 155: Prelude. Invocation to Pan: Chorus "O Thou, whose mighty palace roof doth hang". Andante, Four Sea Interludes from "Peter Grimes", op. 33a: Dawn, Four Sea Interludes from "Peter Grimes", op. 33a: Moonlight, Four Sea Interludes from "Peter Grimes", op. 33a: Storm, Four Sea Interludes from "Peter Grimes", op. 33a: Sunday Morning, In the South (Alassio), op. 50, Introduction and Allegro in G major, op. 47, Job: Scene I. Introduction, Job: Scene II. Saraband of the Sons of God, Job: Scene II. Satan's Dance of Triumph, Job: Scene III. Minuet of the Sons of Job and Their Wives, Job: Scene IV. Job's Dream, Job: Scene IX. Epilogue, Job: Scene V. Dance of the Three Messengers, Job: Scene VI. Dance of Job's Comforters, Job: Scene VII. Elihu's Dance of Youth and Beauty, Job: Scene VII. Pavane of the Sons of the Morning, Job: Scene VIII. Altar Dance, Job: Scene VIII. Galliard of the Sons of the Morning, Jupiter, the Bringer of Jollity, Mars, the Bringer of War, Mercury, the Winged Messenger, On Hearing the First Cuckoo in Spring, Passacaglia from "Peter Grimes", op. 33b, Peter Grimes: The Storm (from 4 Sea Interludes), Pomp & Circumstance March No. 1 in D major, Pomp & Circumstance March No. 3 in C minor, Pomp & Circumstance March No. 4 in G major, Pomp and Circumstance Marches, op. 39: no. 1 in D manor, Pomp and Circumstance Marches, op. 39: no. 3 in C minor, Saturn, the Bringer of Old Age, Sinfonia Antarctica (Symphony no. 7) I. Prelude, Sinfonia Antarctica (Symphony no. 7) II. Scherzo, Sinfonia Antarctica (Symphony no. 7) III. Landscape, Sinfonia Antarctica (Symphony no. 7) IV. Intermezzo, Sinfonia Antarctica (Symphony no. 7) V. Epilogue, String Serenade in E minor, op. 20: I. Allegro piacevole, String Serenade in E minor, op. 20: II. Larghetto, String Serenade in E minor, op. 20: III. Allegretto, Symphony No. 1 in A flat major, Op. 55: Adagio, Symphony No. 1 in A flat major, Op. 55: Allegro molto, Symphony No. 1 in A flat major, Op. 55: Andante, Nobilimente e semplice, Symphony No. 1 in A flat major, Op. 55: Lento, allegro, Symphony No. 9 in E minor: I. Moderato maestoso, Symphony No. 9 in E minor: II. Andante sostenuto, Symphony No. 9 in E minor: III. Scherzo. Allegro pesante, Symphony No. 9 in E minor: IV. Andante tranquillo, Symphony fantastique, Op. 14: I. Daydream - Passions, Symphony fantastique, Op. 14: II. A Ball, Symphony fantastique, Op. 14: III. In the meadows, Symphony fantastique, Op. 14: IV. March to the Scaffold, Symphony fantastique, Op. 14: V. Sabbath Night's Dream, Symphony no. 1 in A-flat major, op. 55: Allegro molto, Symphony no. 1 in A-flat major, op. 55: Andante: Nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: Lento - Allegro, Symphony no. 1 “A Sea Symphony”: I. A Song for All Seas, All Ships, Symphony no. 1 “A Sea Symphony”: II. On the Beach at Night, Alone, Symphony no. 1 “A Sea Symphony”: III. Scherzo. The Waves, Symphony no. 1 “A Sea Symphony”: IV. The Explorers, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo - Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 2 “A London Symphony”: I. Lento - Allegro risoluto, Symphony no. 2 “A London Symphony”: II. Lento, Symphony no. 2 “A London Symphony”: III. Scherzo (Nocturne): Allegro vivace, Symphony no. 2 “A London Symphony”: IV. Andante con moto - Maestoso alla marcia - Epilogue: Andante sostenuto, Symphony no. 2, op. 16: I. Allegro collerico, Symphony no. 2, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2, op. 16: III. Andante melancolico, Symphony no. 2, op. 16: IV. Allegro sanguino, Symphony no. 4 in F minor: I. Allegro, Symphony no. 4 in F minor: II. Andante moderato, Symphony no. 4 in F minor: III. Allegro molto, Symphony no. 4 in F minor: IV. Finale con epilogo fugato - allegro molto, Symphony no. 5 in D major: I. Preludio. Moderato, Symphony no. 5 in D major: II. Scherzo. Allegro, Symphony no. 5 in D major: III. Romanza. Lento, Symphony no. 5 in D major: IV. Passacaglia. Moderato, Symphony no. 5 in D: I. Preludio, Symphony no. 5 in D: II. Scherzo, Symphony no. 5 in D: III. Romanza, Symphony no. 5 in D: IV. Passacaglia, Symphony no. 6 in E minor: I. Allegro, Symphony no. 6 in E minor: II. Moderato, Symphony no. 6 in E minor: III. Scherzo: Allegro vivace, Symphony no. 6 in E minor: IV. Epilogue: Moderato, Symphony no. 8 in D minor: I. Fantasia (Variazioni Senza Tema), Symphony no. 8 in D minor: II. Scherzo alla marcia (for wind instruments), Symphony no. 8 in D minor: III. Cavatina (for strings), Symphony no. 8 in D minor: IV. Toccata, Symphony no. 9 in E minor I. Moderato maestoso, Symphony no. 9 in E minor II. Andante sostenuto, Symphony no. 9 in E minor III. Scherzo. Allegro pesante, Symphony no. 9 in E minor IV. Andante tranquillo - Poco animato, The Dream of Gerontius: Part I. Assistants: "Be merciful, be gracious' spare him, Lord" -, The Dream of Gerontius: Part I. Assistants: "Kyrie eleïson" -, The Dream of Gerontius: Part I. Assistants: "Rescue him, O Lord, in this his evil hour" -, The Dream of Gerontius: Part I. Assistantst: "Go, in the name of Angels and Archangels", The Dream of Gerontius: Part I. Gerontius: "I can no more; for now it comes again" -, The Dream of Gerontius: Part I. Gerontius: "Jesu, Maria - I am near to death" -, The Dream of Gerontius: Part I. Gerontius: "Novissima hora est; and I fain would sleep" -, The Dream of Gerontius: Part I. Gerontius: "Rouse thee, my fainting soul, and play the man" -, The Dream of Gerontius: Part I. Gerontius: "Sanctus fortis, Sanctus Deus" -, The Dream of Gerontius: Part I. Prelude. Lento, mistico -, The Dream of Gerontius: Part I. The Priest: "Proficiscere, anima Christiana, de hoc mundo!" -, The Dream of Gerontius: Part II. Angel of the Agony: "Jesu! by that shuddering dread which fell on Thee" -, The Dream of Gerontius: Part II. Angel: "My work is done" -, The Dream of Gerontius: Part II. Angel: "Softly and gently, dearly-ransom"d soul", The Dream of Gerontius: Part II. Angel: "Thy judgment now is near" -, The Dream of Gerontius: Part II. Angel: "…Praise to His Name!" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Glory to Him, who evermore by truth and justice reigns" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Praise to the Holiest in the height" -, The Dream of Gerontius: Part II. Demons: "Low-born clods of brute earth" -, The Dream of Gerontius: Part II. Demons: "The mind bold and independent" -, The Dream of Gerontius: Part II. Introduction. Soul of Gerontius: "I went to sleep; and now I am refresh"d" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hard! upon my sense comes a fierce hubbub" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hark! a grand, mysterious harmony" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I ever had believed" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I go before my Judge" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I see not those false spirits" -, The Dream of Gerontius: Part II. Soul of Gerontius: "It is a member of that family" -, The Dream of Gerontius: Part II. Soul of Gerontius: "Take me away, and in the lowest deep there let me be" -, The Dream of Gerontius: Part II. Souls in Purgatory: "Lord, Thou hast been our refuge: in every generation" -, The Dream of Gerontius: Prelude, Concert Version, The Lark Ascending, The Planets. Jupiter, The Planets: Jupiter, The Wasps - Overture, The Young Person's Guide to the Orchestra, op. 34: Variations and Fugue on a Theme by Purcell, Tintagel, Uranus, the Magician, Variations on a Theme by Frank Bridge, op. 10: Adagio, Variations on a Theme by Frank Bridge, op. 10: Aria Italiana, Variations on a Theme by Frank Bridge, op. 10: Bourrée Classique, Variations on a Theme by Frank Bridge, op. 10: Chant, Variations on a Theme by Frank Bridge, op. 10: Fugue and Finale, Variations on a Theme by Frank Bridge, op. 10: Funeral March, Variations on a Theme by Frank Bridge, op. 10: Introduction and Theme, Variations on a Theme by Frank Bridge, op. 10: March, Variations on a Theme by Frank Bridge, op. 10: Moto Perpetuo, Variations on a Theme by Frank Bridge, op. 10: Romance, Variations on a Theme by Frank Bridge, op. 10: Wiener Walzer, Venus, the Bringer of Peace |
| Arnold Schönberg |
performing orchestra |
5 Pieces for Orchestra, op. 16: I. Vorgefühle, 5 Pieces for Orchestra, op. 16: II. Vergangenes, 5 Pieces for Orchestra, op. 16: III. Farben, 5 Pieces for Orchestra, op. 16: IV. Peripetie, 5 Pieces for Orchestra, op. 16: V. Das Obligate Rezitative, A Survivor from Warsaw, op. 46, Arie aus dem Spiegel von Arkadien, Begleitmusik zu einer Lichtspielszene, Op 34, Der Nachtwandler, Der genügsame Liebhaber, Die Jakobsleiter: "Dies Entweder und dies Oder" (Gabriel, ein Ringender), Die Jakobsleiter: "Du bist immerhin" (Gabriel, ein Aufrührerischer), Die Jakobsleiter: "Gegen seinen und euren Willen" (Gabriel), Die Jakobsleiter: "Gleichviel! Weiter!" (Gabriel, ein Berufener), Die Jakobsleiter: "Herr, mein ganzes Leben lang" (Der Sterbende), Die Jakobsleiter: "Herr, verzeih meine Überhebung" (Der Mönch, Gabriel), Die Jakobsleiter: "Ich sollte nicht näher" (Der Auserwählte, Gabriel), Die Jakobsleiter: "Nahst du wieder dem Licht" (Gabriel, Chor), Die Jakobsleiter: "Ob rechts, ob links" (Gabriel, Chor), Die Jakobsleiter: "Ohne zu fragen" (Chor, Gabriel), Die Jakobsleiter: Großes symphonisches Zwischenspiel, Einfältiges Lied, Erwartung, op. 17: "Das Mondlicht ... nein dort", Erwartung, op. 17: "Der Morgen trennt uns", Erwartung, op. 17: "Du siehst wieder dort hin!", Erwartung, op. 17: "Nein, das ist doch nicht möglich", Erwartung, op. 17: Scene 1: "Hier hinein?... Man sieht den Weg nicht", Erwartung, op. 17: Scene 2: "Ist das noch der Weg?", Erwartung, op. 17: Scene 3: "Da kommt ein Licht!", Erwartung, op. 17: Scene 4: "Er ist auch nicht da", Erwartung: (beginning), Erwartung: Scene 2, Erwartung: Scene 3, Erwartung: Scene 4, Erwartung: bar 147 on, Erwartung: bar 158 on, Erwartung: bar 404 on, Galathea, Gigerlette, Gurre-Lieder, Part I: no. 10: "Du wunderliche Tove!" (Waldemar) / no. 11: Orchestral Interlude, Gurre-Lieder, Part I: no. 12: "Tauben von Durre! Sorge quält mich" (Waldtaube), Gurre-Lieder, Part I: no. 1: Orchestral Prelude, Gurre-Lieder, Part I: no. 2: "Nun dämpft die Dämm'rung jeden Ton" (Waldemar), Gurre-Lieder, Part I: no. 3: "O, wenn des Mondes Strahlen leise gleiten" (Tove), Gurre-Lieder, Part I: no. 4: "Ross! Mein Ross! Was schleichst du so träg!" (Waldemar), Gurre-Lieder, Part I: no. 5: "Sterne jubeln, das Meer, es leuchtet" (Tove), Gurre-Lieder, Part I: no. 6: "SO tanzen die Engel vor Gottes Thron nicht" (Waldemar), Gurre-Lieder, Part I: no. 7: "Nun sag ich dir zum ersten Mal" (Tove), Gurre-Lieder, Part I: no. 8: "Es ist Mitternachtszeit" (Waldemar), Gurre-Lieder, Part I: no. 9: "Du sendest mir einen Liebesblick" (Tove), Gurre-Lieder, Part II: no. 1: "Herrgott, weißt du, was du tatest" (Waldemar), Gurre-Lieder, Part III: no. 1: "Erwacht, König Waldemars Mannen wert!" (Waldemar), Gurre-Lieder, Part III: no. 2: "Deckel des Sarges klappert und klappt" (Bauer), Gurre-Lieder, Part III: no. 3: "Gegrüßt, o König, an Guerre-Sees Strand!" (Waldemars Mannen), Gurre-Lieder, Part III: no. 4: "Mit Toves Stimme flüstert der Wald" (Waldemar), Gurre-Lieder, Part III: no. 5: "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr), Gurre-Lieder, Part III: no. 6: "Du strenger Richter droben" (Waldemar), Gurre-Lieder, Part III: no. 7: "Der Hahn erhebt den Kopf zur Kraht" (Waldemars Mannen), Gurre-Lieder, Part III: no. 8: Des Sommerwindes wilde Jagd. Orchestral Prelude / no. 9: Melodrama: "Herr Gänsefuß, Frau Gänsekraut" / no. 10: "Seht die Sonne!", Interlude, Jedem das Seine, Kol Nidre, op. 39, Mahnung, Moderner Psalm, op. 50c, Moses und Aron, Act I: Scene 1: Moses' Berufung (Moses, Stimme), Moses und Aron, Act I: Scene 2: Moses begegnet Aaron in der Wüste (Aron, Moses), Moses und Aron, Act I: Scene 3: Moses und Aaron verkünden dem Volk die Botschaft Gottes (Junges Mädchen, junger Mann, anderer Mann, Priester, Chor), Moses und Aron, Act I: Scene 4: "Allmächtiger, meine Kraft ist zu Ende" (Moses, Aron, 6 Solostimmen, Chor), Moses und Aron, Act I: Scene 4: "Bringt ihr Erhörung" (Chor, Moses, Aron, Mädchen, junger Mann, Mann, Priester), Moses und Aron, Act I: Scene 4: "Ein Wunder erfüllt uns mit Schrecken" (Chor, Mädchen, junger Mann, Mann, Priester, Aron), Moses und Aron, Act I: Scene 4: "Er hat uns auserwählt" (Chor), Moses und Aron, Act I: Scene 4: "Erkennt euch darin" (Aron, 6 Solostimmen, Chor, Priester, Moses), Moses und Aron, Act II: Scene 1: Aaron und die 70 Ältesten vor dem Berg der Offenbarung (70 Älteste, Priester, Aron), Moses und Aron, Act II: Scene 2: "Wo ist Moses?" (Chor, 70 Älteste, Aron), Moses und Aron, Act II: Scene 3: "Dieses Bild bezeugt" (Aron), Moses und Aron, Act II: Scene 3: "O Götterbild" (Eine Kranke, Chor, 70 Älteste, Ephraimit, Stammesfürsten, junger Mann), Moses und Aron, Act II: Scene 3: "O goldener Gott" (4 nackte Jungfrauen, Chor, 70 Älteste), Moses und Aron, Act II: Scene 3: Feierlich (bar 320), Moses und Aron, Act II: Scene 3: Orgie der Trunkenheit und des Tanzes (70 Älteste) / Orgie der Vernichtung und des Selbstmordes (Mädchen), Moses und Aron, Act II: Scene 3: Rasch (bar 497), Moses und Aron, Act II: Scene 3: Tanz der Schlächter, Moses und Aron, Act II: Scene 3: Ziemlich rasch (bar 824) / Ertische Orgie (nackter Jüngling, andere Nackte, Chor), Moses und Aron, Act II: Scene 4: "Moses steigt vom Berg herab!" (Ein Mann, Moses, Volk), Moses und Aron, Act II: Scene 5: "Aron, was hast du getan?" (Moses, Aron, Chor) |
| The Brigade |
performing orchestra |
Brigg Fair: An English Rhapsody, Chanson de matin, Chanson de nuit, Dream Children: Allegretto piacevole, Elegy, Enigma Variations, op. 36: No. 9. Nimrod, Enigma Variations: Introduction, Enigma Variations: Troyte, Enigma Variations: W.N., Enigma Variations: Ysobel, Falstaff, Symphonic Study in C minor, Op. 68: I. Falstaff and Prince Henry, Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, scherzo (fig. 55), Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, scherzo (fig. 68), Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, trio bassoon (fig. 62), Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, trio laughter (fig. 63 + 3), Falstaff, Symphonic Study in C minor, Op. 68: II. Eastcheap (fig. 19), Falstaff, Symphonic Study in C minor, Op. 68: II. Eastcheap (fig. 25 + 2), Falstaff, Symphonic Study in C minor, Op. 68: II. Eastcheep (fig. 17), Falstaff, Symphonic Study in C minor, Op. 68: II. Gadshill (fig. 37), Falstaff, Symphonic Study in C minor, Op. 68: II. Gadshill (fig. 41), Falstaff, Symphonic Study in C minor, Op. 68: II. Gadshill (fig. 43), Falstaff, Symphonic Study in C minor, Op. 68: II. Revelry (fig. 71 + 5), Falstaff, Symphonic Study in C minor, Op. 68: II. Sleep (fig. 73), Falstaff, Symphonic Study in C minor, Op. 68: III. Falstaff's March (fig. 81), Falstaff, Symphonic Study in C minor, Op. 68: III. Falstaff's March (fig. 86), Falstaff, Symphonic Study in C minor, Op. 68: III. The Battle of Gaultree Forest (fig. 90), Falstaff, Symphonic Study in C minor, Op. 68: III. The Return through Gloucestershire (fig. 98), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 114), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 122), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 127), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 131), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 132), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 134), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 140), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 141), Falstaff, Symphonic Study in C minor, Op. 68: Interlude. Gloucestershite, Shallow's Orchard (fig. 102), Falstaff, Symphonic Study in C minor, Op. 68: Interlude. The Hurried Ride to London (fig. 109 + 4), Falstaff, Symphonic Study in C minor, Op. 68: Interlude. The New King (fig. 107), Falstaff: Dream Interlude, Fantasia on Greensleeves, Froissart, Concert Overture, Op. 19, From Me Flows What You Call Time, Grania and Diarmid, Op. 42: Incidental Music / Funeral March, In a Summer Garden, In the South (Alassio) (excerpt), On Hearing the First Cuckoo in Spring, Overture to Maskarade, FS 39, Paris: The Song of a Great City, Pomp and Circumstance March no. 4, Pomp and Circumstance: March no. 1, Ritual Dances from "The Midsummer Marriage" no. 3: The Earth in Autumn, Royal Palace, Op. 17: "Ah, ah", Royal Palace, Op. 17: "Arme Werber! Traurige Liebhaber!", Royal Palace, Op. 17: "Dejanira, Janirade" (Tanz der Wasserfrau), Royal Palace, Op. 17: "Ich brauche dich", Royal Palace, Op. 17: "Ich schenke dir die ewige Natur", Royal Palace, Op. 17: "Ich will Dejaniren essen", Royal Palace, Op. 17: "Ihr kennt die Frauen nicht", Royal Palace, Op. 17: "Kamelien meine Augenlider", Royal Palace, Op. 17: "Teile die Orange des Himmels in vier", Royal Palace, Op. 17: "Wir haben die Erde überrannt", Royal Palace, Op. 17: "Wir müssen aber Orangeade trinken!", Royal Palace, Op. 17: [Ballett], Royal Palace, Op. 17: [Film], Salut d'amour, Sospiri, Summer Night on the River, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Symphony no. 2 “A London Symphony”: Andante sostenuto, Symphony no. 6 in B minor (Pathétique), op. 74: I. Adagio - Allegro non troppo, Symphony no. 6 in B minor (Pathétique), op. 74: II. Allegro con grazia, Symphony no. 6 in B minor (Pathétique), op. 74: III. Allegro molto vivace, Symphony no. 6 in B minor (Pathétique), op. 74: IV. Finale: Adagio lamentoso, The Planets: Mars, the Bringer of War, The Sketches for Symphony no. 3, Elaborated by Anthony Payne: I. Allegro molto maestoso, The Sketches for Symphony no. 3, Elaborated by Anthony Payne: II. Scherzo: Allegretto, The Sketches for Symphony no. 3, Elaborated by Anthony Payne: III. Adagio solenne, The Sketches for Symphony no. 3, Elaborated by Anthony Payne: IV. Allegro, The Walk to the Paradise Garden (from A Village Romeo and Juliet), The Young Person’s Guide to the Orchestra |
| Billbrook bluesband |
performing orchestra |
Cantus in memoriam Benjamin Britten, Chain 3, Chantefleurs et Chantefables (1990) - La Belle-de-nuit. 𝅘𝅥𝅭 = c. 75, Chantefleurs et Chantefables (1990) - La Rose. 𝅘𝅮 = c. 80, Chantefleurs et Chantefables (1990) - La Sauterelle. 𝅘𝅥𝅭 = c. 100, Chantefleurs et Chantefables (1990) - La Tortue. 𝅘𝅥 = c. 55, Chantefleurs et Chantefables (1990) - La Véronique. 𝅘𝅮 = c. 100, Chantefleurs et Chantefables (1990) - Le Papillon. 𝅘𝅥 = c. 160, Chantefleurs et Chantefables (1990) - L’Alligator. 𝅘𝅥 = c. 120, Chantefleurs et Chantefables (1990) - L’Angélique. 𝅘𝅥 = c. 70, Chantefleurs et Chantefables (1990) - L’Églantine, l’aubépine et la glycine. 𝅘𝅥 = c. 140, Concert Overture, op. 12, Concerto for Orchestra: I. Intrada. Allegro maestoso, Concerto for Orchestra: II. Capriccio, Notturno e Arioso. Vivace - Stesso movimento - Stesso movimento, Concerto for Orchestra: IIIa. Passacaglia, Toccata e Corale. Andante con moto -, Concerto for Orchestra: IIIb. Allegro giusto (alle breve) - Poco sostenuto - Quasi stesso movimento - Molto allegro (quasi alla breve) - Presto, Lacrimosa, Les Espaces du sommeil - ‘Dans la nuit il y a naturellement les sept merveilles’. ♩ = c. 58 –, Les Espaces du sommeil - ‘Il y a toi l’immolée, toi que j’attends’. Tranquillo –, Les Espaces du sommeil - ‘Il y a toi sans doute que je ne connais pas’. ♩ = c. 152 – Meno mosso – [Tempo I] – Lento – Allegro, Mala suita: I. Fujarka (Fife). Allegretto – Poco meno – Poco lento, Mala suita: II. Hurra polka (Hurrah Polka). Vivace, Mala suita: III. Piosenka (Song). Andante molto sostenuto, Mala suita: IV. Tanlec (Dance). Allegro molto – Poco più largo – Tempo I – Presto, Paroles tissées - ‘Dormez cette pâleur nous est venue de loin’. Quieto, Paroles tissées - ‘Mille chevaux hors d’haleine’. Allegro molto – Lento – Lento, accelerando – Poco meno mosso –, Paroles tissées - ‘Quand le jour a rouvert les branches du jardin’. Quieto – Andante con moto – Quieto – Andante con moto –, Paroles tissées - ‘Un chat qui s’émerveille’. (♩ = c. 84) –, Sinfonietta, op. 1: I. Poco presto ed agitato, Sinfonietta, op. 1: II. Variations, Sinfonietta, op. 1: III. Tarantella, Symphonic Variations: Adagio - Andante -, Symphonic Variations: Allegro - Stesso movimento -, Symphonic Variations: Allegro non troppo - Subito poco meno mosso - Vivace, Symphonic Variations: Andante -, Symphony no. 1, op. 15: III. Finale. Allegretto con moto. Grazioso – (Meno mosso) Mesto – Tempo I, Symphony no. 1, op. 15: [I] Allegro patetico, Symphony no. 1: I. Allegro assai, Symphony no. 1: I. Allegro giusto - Poco meno mosso - Tempo I - Poco meno mosso - Poco sostenuto e poi accelerando - Tempo I - Un poco meno mosso, Symphony no. 1: II. Poco adagio - Pochissimo più mosso - Tempo I - Poco più largo - A tempo ma molto sostenuto - Lento, Symphony no. 1: II. Presto con malizia, Symphony no. 1: III. Allegretto misterioso - A tempo ma poco meno mosso (Tempo II) - Tempo I, Symphony no. 1: III. Andante con malinconia, Symphony no. 1: IV. Allegro vivace - Subito meno mosso - Poco più vivo - Tempo I - Subito mosso - Tempo I - Poco meno mosso - Poco lento - Tempo I, Symphony no. 1: IV. Maestoso: Allegro brioso ed ardentemente, Symphony no. 2, op. 19: Finale. Introduzione - Variation VI, Symphony no. 2, op. 19: Fuga finale, Symphony no. 2, op. 19: I. Allegro moderato, Symphony no. 2, op. 19: II. Theme, Symphony no. 2, op. 19: Variation I, Symphony no. 2, op. 19: Variation II, Symphony no. 2, op. 19: Variation III, Symphony no. 2, op. 19: Variation IV, Symphony no. 2, op. 19: Variation V, Symphony no. 2: Direct, Symphony no. 2: Hésitant –, Symphony no. 3: A tempo - Poco meno mosso - Presto - Stesso movimento - Poco lento - Allegro, Symphony no. 3: Meno mosso - Tempo I - Meno mosso - Tempo I - Meno mosso - Ancora meno mosso - Piu largo - Tempo I - Lento - Vivo - Lento - Vivo, Symphony no. 3: Tempo I, Symphony no. 3: Vivo - Lento - Vivo - Lento - Vivo - Stesso movimento - Lento, Symphony no. 3: Vivo - Poco meno mosso - Meno mosso, Symphony no. 3: Vivo - Stesso movimento - Adagio - Piu mosso - Lento, Symphony no. 3: Vivo - Stesso movimento - Lento, Symphony no. 4: Lento (♩. = c. 60) - Tempo I (♩. = c. 85) - ♩. = c. 100 - Poco meno mosso (♩. = c. 70) -, Symphony no. 4: ♩ = c. 160 - 170, Symphony no. 4: ♩ = c. 55 - ♩ = c. 80 - ♪ = c. 160 - Tempo I (♩ = c. 55) - ♪ = c. 160 - Tempo I (♩ = c. 55) - ♪ = c. 160 -, Symphony no. 4: ♩. = c. 70 - ♩ = c. 60 -, Symphony no. 4: ♩. = c. 85 - ♩. = c. 115 - Tempo I (♩. = c. 85) - Un poco meno mosso (♩. = c. 75) - Tempo I (♩. = c. 85) -, Tryptyk śląski - I. Allegro non troppo. 'Oj mi się owiesek wysypywa', Tryptyk śląski - II. Andante quieto. 'Ach, w tej studni żródło bije', Tryptyk śląski - III. Allegro vivace. 'Kukułeczka kuka', Śpijże, śpij |
| Sniper |
performing orchestra |
A Mighty Fortress Is Our God, BWV 720, A Sea Symphony: (Scherzo) The Waves, A Sea Symphony: A Song for All Seas, All Ships, A Sea Symphony: On the Beach at Night, Alone, A Sea Symphony: The Explorers, Air on the G String (from Orchestral Suite no. 3 in D major, BWV 1068), Billy the Kid: I. Introduction. The Open Prairie, Billy the Kid: II. Street in a Frontier Town, Billy the Kid: II. Street in a Frontier Town (continued) / III. Mexican Dance and Finale, Billy the Kid: IV. Prairie Night (Card Game at Night), Billy the Kid: V. Gun Battle, Billy the Kid: VI. Celebration (After Billy's Capture), Billy the Kid: VII. Billy's Death / VIII. The Open Prairie Again, Bist du bei mir?, BWV 508, Danzón Cubano, Divertimento for Orchestra: I. Sennets and Tuckets. Allegro non troppo, ma con brio, Divertimento for Orchestra: II. Waltz. Allegretto, con grazia, Divertimento for Orchestra: III. Mazurka. Mesto (molto moderato), Divertimento for Orchestra: IV. Samba. Allegro giusto, Divertimento for Orchestra: V. Turkey Trot. Allegretto, ben misurato, Divertimento for Orchestra: VI. Sphinxes. Adagio lugubre, Divertimento for Orchestra: VII. Blues. Slow blues tempo, Divertimento for Orchestra: VIII. March "The BSO Forever". Andante, El Salón México, Fantasia and Fugue in G minor, BWV 542: Fantasia -, Fantasia and Fugue in G minor, BWV 542: Fugue, Herzlich tut mich verlangen, BWV 727, Ojai Festival Overture, Organ Symphony: I. Prelude, Organ Symphony: II. Scherzo, Organ Symphony: III. Finale. Lento - Allegro moderato, Overture "Carnival", Op. 92, Sheep May Safely Graze (from Schafe können sicher weiden, BWV 208), Suite from the Ballet "The Prince of the Pagodas", op. 57: Part I. Prelude, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the East. Slow and languorous -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the North. Quick and heavy -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the South. Quick and heavy - Energetic -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the West. Moderately quick -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part III. Belle Rose is borne in by Frogs. As at the beginning -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part III. Coda. Male and Female Flames and Corps de ballet of Flames. Very quick and impetuous -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part III. Pas de deux: Male and Female Flames. Majestic -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part IV. Pas de deux: The Prince and Belle Rose. Gently moving - Very quick -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part IV. Very free - Slow - Quick - Slower -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Pas de deux: Broadly -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Pas de six: Entrée. Quick and energetic -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Pas de trois: Flowing -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Slow - Same tempo -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Apotheosis. Quick - Broadly - Quick, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Belle Rose -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Boys of the Pas de six -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Girls of the Pas de six -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. The Emperor and the Fool -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. The Prince of the Pagodas -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Very quick - Waltz time -, Suite no. 6 for Full Orchestra: I. Prelude, Suite no. 6 for Full Orchestra: II. Lament, Suite no. 6 for Full Orchestra: III. Scherzo, Suite no. 6 for Full Orchestra: IV. Gavotte and Musette, Suite no. 6 for Full Orchestra: V. Andante mistico, Suite no. 6 for Full Orchestra: VI. Finale, The Liberty Bell: march, Three Choral Preludes: No. 1. Jesu, Joy of Man’s Desiring, Toccata and Fugue in D minor, BWV 565: Fugue, Toccata and Fugue in D minor, BWV 565: Toccata -, Tre preludi corali: No. 1. Ich ruf’ zu dir, Herr Jesu Christ |
| Yuji |
performing orchestra |
The Sleeping Beauty, op. 66: Acte I, no. 5. Scène, The Sleeping Beauty, op. 66: Acte I, no. 6. Valse, The Sleeping Beauty, op. 66: Acte I, no. 7. Scène, The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d'action: Coda, The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d'action: Danse des demoiselles d'honneur et des pages, The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d'action: Introduction, The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d'action: Variation d'Aurore, The Sleeping Beauty, op. 66: Acte I, no. 9. Finale, The Sleeping Beauty, op. 66: Acte II, no 18. Entr'acte, The Sleeping Beauty, op. 66: Acte II, no. 10. Entr'acte et scène, The Sleeping Beauty, op. 66: Acte II, no. 11. Colin-laillard, The Sleeping Beauty, op. 66: Acte II, no. 12. Danse des baronnes, The Sleeping Beauty, op. 66: Acte II, no. 12. Danse des comtesses, The Sleeping Beauty, op. 66: Acte II, no. 12. Danse des duchesses, The Sleeping Beauty, op. 66: Acte II, no. 12. Danse des marquises, The Sleeping Beauty, op. 66: Acte II, no. 12. Scène, The Sleeping Beauty, op. 66: Acte II, no. 13. Danse, The Sleeping Beauty, op. 66: Acte II, no. 13. Farandole. Scène, The Sleeping Beauty, op. 66: Acte II, no. 14. Scène, The Sleeping Beauty, op. 66: Acte II, no. 15. Coda, The Sleeping Beauty, op. 66: Acte II, no. 15. Pas d'action: Scène d'Aurore et de Désiré, The Sleeping Beauty, op. 66: Acte II, no. 15. Pas d'action: Variation d'Aurore, The Sleeping Beauty, op. 66: Acte II, no. 16. Scène, The Sleeping Beauty, op. 66: Acte II, no. 17. Panorama, The Sleeping Beauty, op. 66: Acte II, no. 19. Entr'acte symphonique. Le Sommeil, The Sleeping Beauty, op. 66: Acte II, no. 20. Finale, The Sleeping Beauty, op. 66: Acte III, no. 21. Marche, The Sleeping Beauty, op. 66: Acte III, no. 22. Polacca, The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: Coda, The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: Introduction, The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: Var. I: La Fée-Or, The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: Var. II: La Fée-Argent, The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: Var. III: La Fée-Saphir, The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: Var. IV: La Fée-Diamant, The Sleeping Beauty, op. 66: Acte III, no. 24. Pas de caractère: Le Chat botté et la chatte blanche, The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre; Coda, The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre; Introduction, The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre; Var. I: Cendrillon et Fortune, The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre; Var. II: L'Oiseau bleu et la princesse Florine, The Sleeping Beauty, op. 66: Acte III, no. 26. Pas de caractère: Cendrillon et le prince Fortuné, The Sleeping Beauty, op. 66: Acte III, no. 26. Pas de caractère: Le Petit Chaperon rouge et le loup, The Sleeping Beauty, op. 66: Acte III, no. 27. Pas berrichon: Le Petit Poucet, ses frères et l'Ogre, The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: Adagio, The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: Aurore et Désiré, The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: Coda, The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: Entrée, The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: Var. I: Désiré, The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: Var. II: Aurore, The Sleeping Beauty, op. 66: Acte III, no. 29. Sarabande, The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: Apothéose, The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: Introduction, The Sleeping Beauty, op. 66: Introduction, The Sleeping Beauty, op. 66: Prolog, no. 1. Marche, The Sleeping Beauty, op. 66: Prolog, no. 2. Scene dansante, The Sleeping Beauty, op. 66: Prolog, no. 3. Pas de six: Coda, The Sleeping Beauty, op. 66: Prolog, no. 3. Pas de six: Introduction, The Sleeping Beauty, op. 66: Prolog, no. 3. Pas de six: Var. I: Candite, The Sleeping Beauty, op. 66: Prolog, no. 3. Pas de six: Var. II: Coulante. Fleur de Farine, The Sleeping Beauty, op. 66: Prolog, no. 3. Pas de six: Var. III: Miettes qui tombent, The Sleeping Beauty, op. 66: Prolog, no. 3. Pas de six: Var. IV: Canrai qui chante, The Sleeping Beauty, op. 66: Prolog, no. 3. Pas de six: Var. V: Violente, The Sleeping Beauty, op. 66: Prolog, no. 3. Pas de six: Var. VI: La Fee des Lilas, The Sleeping Beauty, op. 66: Prolog, no. 4. Finale |
| Lydia Hedberg |
performing orchestra |
Crown Imperial: Coronation March, Egmont Overture, Fantasia on a Theme by Thomas Tallis, Night Ride and Sunrise, op. 55, Romance in C, op. 42, Symphony No. 1: I. Allegro assai, Symphony No. 1: II. Presto, con malizia, Symphony No. 1: III. Andante con malinconia, Symphony No. 1: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony No. 3 "Pastoral" - Lento, Symphony No. 3 "Pastoral" - Lento moderato, Symphony No. 3 "Pastoral" - Moderato pesante, Symphony No. 3 "Pastoral" - Molto moderato, Symphony No. 3: I. Molto moderato, Symphony No. 3: II. Lento moderato, Symphony No. 3: III. Moderato pesante, Symphony No. 3: IV. Lento, Symphony No. 6 - Allegro, Symphony No. 6 - Epilogue (Moderato), Symphony No. 6 - Moderato, Symphony No. 6 - Scherzo (Allegro vivace), Symphony No. 6 in E minor: I. Allegro, Symphony No. 6 in E minor: II. Moderato, Symphony No. 6 in E minor: III. Scherzo: Allegro vivace, Symphony No. 6 in E minor: IV. Epilogue: Moderato, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto, Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio, Symphony no. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace, The Barber of Baghdad: Overture, The Oceanides, op. 73, The Planets Suite for Orchestra, Op. 32: I. Mars, the Bringer of War, The Planets Suite for Orchestra, Op. 32: II. Venus, the Bringer of Peace, The Planets Suite for Orchestra, Op. 32: III. Mercury, the Winged Messenger, The Planets Suite for Orchestra, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets Suite for Orchestra, Op. 32: V. Saturn, the Bringer of Old Age, The Planets Suite for Orchestra, Op. 32: VI. Uranus, the Magician, The Planets Suite for Orchestra, Op. 32: VII. Neptune, the Mystic, The Planets, Op. 32: I. Mars, the bringer of War, The Planets, Op. 32: II. Venus, the bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the bringer of Jollity, The Planets, Op. 32: V. Saturn, the bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets, Op. 32: VII. Neptune, the Mystic |
| Omnis |
performing orchestra |
"Anacréon": Overture, Aufforderung zum Tanz, op. 65, La mer, L. 109: I. De l'aube à midi sur la mer, La mer, L. 109: II. Jeux de vagues, La mer, L. 109: III. Dialogue du vent et de la mer, La scala di seta: Overture, Leonore Overture no. 1, op. 138, Missa Solemnis in D major, op. 123: I. Kyrie: Assai sostenuto. Mit Andacht, Missa Solemnis in D major, op. 123: II. Gloria: Allegro vivace, Missa Solemnis in D major, op. 123: III. Gloria: Allegro ma non troppo, Missa Solemnis in D major, op. 123: IV. Sanctus: Adagio. Mit Andacht, Missa Solemnis in D major, op. 123: V. Agnus dei: Adagio, Parsifal: Karfreitagsmusik, Parsifal: Vorspiel, Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major, K. 385 "Haffner": II. Andante, Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto - Trio, Symphony no. 35 in D major, K. 385 "Haffner": IV. Presto, Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace, Symphony no. 4 in B-flat major, op. 60: I. Adagio. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace. Trio, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastorale": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande, Symphony no. 6 in F major, op. 68 "Pastorale": II. Szene am Bach, Symphony no. 6 in F major, op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute, Symphony no. 6 in F major, op. 68 "Pastorale": IV. Gewitter, Sturm, Symphony no. 6 in F major, op. 68 "Pastorale": V. Frohe, dankbare Gefühle nach dem Sturm, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, The Creatures of Prometheus, op. 43: Overture, Tragische Ouverture, op. 81, Tragische Ouvertüre, op. 81 |
| Swapmeat |
performing orchestra |
36 Greek Dances (alternative versions): Series II: IX. Tsamikos, 36 Greek Dances (alternative versions): Series II: VIII. Chiotikos, 36 Greek Dances (alternative versions): Series III: VI. Macedonikos, 36 Greek Dances, AK 11: Series I: I. Tsamikos, "An Eagle", 36 Greek Dances, AK 11: Series I: II. Critikos, 36 Greek Dances, AK 11: Series I: III. Ipirotikos, 36 Greek Dances, AK 11: Series I: IV. Peloponnissiakos, 36 Greek Dances, AK 11: Series I: IX. "Dance of Zalongo", 36 Greek Dances, AK 11: Series I: V. Critikos, "I Enjoy No Other Dance", 36 Greek Dances, AK 11: Series I: VI. Kleftikos, 36 Greek Dances, AK 11: Series I: VII. Sifneikos, 36 Greek Dances, AK 11: Series I: X. Macedonikos, 36 Greek Dances, AK 11: Series I: XI. "Oh Friends, Who Threw This Apple?", 36 Greek Dances, AK 11: Series I: XII. Thessalikos, 36 Greek Dances, AK 11: Series II: I. Syrtos, 36 Greek Dances, AK 11: Series II: II. Sifneikos, "At Saint Marcella", 36 Greek Dances, AK 11: Series II: III. Critikos, "Early at Dawn I Will Rise", 36 Greek Dances, AK 11: Series II: IV. Nissiotikos, "A Woman From Mylopotamos", 36 Greek Dances, AK 11: Series II: IX. Tsamikos, 36 Greek Dances, AK 11: Series II: V. Vlachikos, 36 Greek Dances, AK 11: Series II: VI. "Black Sash", 36 Greek Dances, AK 11: Series II: VII. Kathistos, 36 Greek Dances, AK 11: Series II: X. Epitrapezios (critikos), 36 Greek Dances, AK 11: Series II: XI. Macedonikos, 36 Greek Dances, AK 11: Series II: XII. Peloponnissiakos, "The Brave Lyngos", 36 Greek Dances, AK 11: Series III: I. Hostianos, 36 Greek Dances, AK 11: Series III: II. Ipirotikos, 36 Greek Dances, AK 11: Series III: III. Kleftikos, 36 Greek Dances, AK 11: Series III: IV. "Mariori", 36 Greek Dances, AK 11: Series III: IX. "Kiss Under a Bitter-Orange Tree", 36 Greek Dances, AK 11: Series III: V. "Down There, at the Villages of Valtos", 36 Greek Dances, AK 11: Series III: VI. Macedonikos, 36 Greek Dances, AK 11: Series III: VII. Chiotikos, "Down There at the Seashore", 36 Greek Dances, AK 11: Series III: X. Arcadikos, 36 Greek Dances, AK 11: Series III: XI. Messolongitikos, 36 Greek Dances, AK 11: Series III: XII. Mazochtos, "I Will Become a Swallow", 36 Greek Dances, Ak 11: Series I: VIII. Kalamatianos, 36 Greek Dances, Ak 11: Series II: VIII. Chiotikos, 36 Greek Dances, Ak 11: Series III: VIII. Kleftikos, The Return of Ulysses, AK 5 |
| Nebiros |
performing orchestra |
El amor brujo: I. Introducción y Escana (Allegro furioso ma non troppo vivo), El amor brujo: II. en la cueva: La noche (Tranquillo e misterioso), El amor brujo: III. Cancióndel amor dolido (Allegro), El amor brujo: IV. El aparecido (Vivo, ma non troppo), El amor brujo: IX. Escana (Poco moderato), El amor brujo: V. Danza del terror (Allegro ritmico), El amor brujo: VI. El circulo mágico: Romance del pescador (Andante molto tranquillo), El amor brujo: VII. A media noche: Los sortilegos (Lento e lontano), El amor brujo: VIII. Danza ritual del fuego. Para ahuyentar los malos espíritus (Allegro ma non troppo e pesante), El amor brujo: X. Canción del fuego fatuo (Vivo), El amor brujo: XI. Pantomima (Allegro), El amor brujo: XII. Danza del juego de amor, El amor brujo: XIII. Final. Las campanas del amanecer (Allegretto tranquillo), Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo - attacca, Symphony no. 2 in D major, op. 43: IV Finale. Allegro moderato, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, The Young Person's Guide to the Orchestra, op. 34: I. Theme (Allegro maestoso e largamente), The Young Person's Guide to the Orchestra, op. 34: II. Variation A (Presto), The Young Person's Guide to the Orchestra, op. 34: III. Variation B (Lento), The Young Person's Guide to the Orchestra, op. 34: IV. Variation C (Moderato), The Young Person's Guide to the Orchestra, op. 34: IX. Variation H (Cominciando lento ma poco a poco accelerando), The Young Person's Guide to the Orchestra, op. 34: V. Variation D (Allegro alla marcia), The Young Person's Guide to the Orchestra, op. 34: VI. Variation E (Brillante - Alla polacca), The Young Person's Guide to the Orchestra, op. 34: VII. Variation F (Meno mosso), The Young Person's Guide to the Orchestra, op. 34: VIII. Variation G, The Young Person's Guide to the Orchestra, op. 34: X. Variation I (Maestoso), The Young Person's Guide to the Orchestra, op. 34: XI. Variation J (L'istesso tempo), The Young Person's Guide to the Orchestra, op. 34: XII. Variation K (Vivace), The Young Person's Guide to the Orchestra, op. 34: XIII. Variation L (Allegro pomposo), The Young Person's Guide to the Orchestra, op. 34: XIV. Variation M (Moderato), The Young Person's Guide to the Orchestra, op. 34: XV. Fugue |
| Liudon Incorruptus |
performing orchestra |
Enigma, op. 36: Andante, Enigma, op. 36: I. (C.A.E.): L'istesso tempo, Enigma, op. 36: II. (H.D.S.-P.): Allegro, Enigma, op. 36: III. (R.B.T.): Allegretto, Enigma, op. 36: IV. (W.M.B.): Allegro di molto, Enigma, op. 36: IX. (Nimrod): Adagio, Enigma, op. 36: V. (R.P.A.): Moderato, Enigma, op. 36: VI. (Ysobel): Andantino, Enigma, op. 36: VII. (Troyte): Presto, Enigma, op. 36: VIII. (W.N.): Allegretto, Enigma, op. 36: X. Intermezzo (Dorabella): Allegretto, Enigma, op. 36: XI. (G.R.S.): Allegro di molto, Enigma, op. 36: XII. (B.G.N.): Andante, Enigma, op. 36: XIII. Romanza (***): Moderato, Enigma, op. 36: XIV. Finale (E.D.U.): Allegro - Presto, Pomp and Circumstance March No.1, Pomp and Circumstance, op. 39, Military March no. 1 in D major, Pomp and Circumstance, op. 39: No. 1 in D major, Pomp and Circumstance, op. 39: No. 2 in A minor, The Crown of India, op. 66: March of the Mogul Emperors, Variations on an Original Theme "Enigma", op. 36: I. (C.A.E.) L'istesso tempo, Variations on an Original Theme "Enigma", op. 36: II. (H.D.S.-P.) Allegro, Variations on an Original Theme "Enigma", op. 36: III. (R.B.T.) Allegretto, Variations on an Original Theme "Enigma", op. 36: IV. (W.M.B.) Allegro di molto, Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod) Adagio, Variations on an Original Theme "Enigma", op. 36: V. (R.P.A.) Moderato, Variations on an Original Theme "Enigma", op. 36: VI. (Ysobel) Andantino, Variations on an Original Theme "Enigma", op. 36: VII. (Troyte) Presto, Variations on an Original Theme "Enigma", op. 36: VIII. (W.N.) Allegretto, Variations on an Original Theme "Enigma", op. 36: X. Intermezzo (Dorabella) Allegretto, Variations on an Original Theme "Enigma", op. 36: XI. (G.R.S.) Allegro di molto, Variations on an Original Theme "Enigma", op. 36: XII. (B.G.N.) Andante, Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***) Moderato, Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E.D.U.) Allegro - Presto, Variations on an Original Theme 'Enigma', op. 36: Enigma. Andante |
| Milenko Stefanovic |
performing orchestra |
Chronochromie: Antistrophe 1, Chronochromie: Antistrophe 2, Chronochromie: Coda, Chronochromie: Epode, Chronochromie: Introduction, Chronochromie: Strophe 1, Chronochromie: Strophe 2, Divertimento: I. Allegro non troppo, Divertimento: II. Molto adagio, Divertimento: III. Allegro assai, Les Bandar-Log, poëme symphonique, The Miraculous Mandarin: "We must kill him...", The Miraculous Mandarin: Allegro (Introduction), The Miraculous Mandarin: At her insistence, the tramps take himdown..., The Miraculous Mandarin: At last she overcomes her reluctance..., The Miraculous Mandarin: At last the three tramps master their horror..., The Miraculous Mandarin: First decoy game, The Miraculous Mandarin: General consternation..., The Miraculous Mandarin: Horrified, they see a weird figure in the street..., The Miraculous Mandarin: Second decoy game, The Miraculous Mandarin: She flees from him..., The Miraculous Mandarin: Suddenly he draws himself up..., The Miraculous Mandarin: The Mandarin catches the girl, and they fight, The Miraculous Mandarin: The Mandarin enters and stands immobilein the doorway..., The Miraculous Mandarin: The Mandarin's longing is now stilled..., The Miraculous Mandarin: The curtain rises on a shabby room in the slums..., The Miraculous Mandarin: The girl sinks down to embrace him..., The Miraculous Mandarin: The shabby old rake enters..., The Miraculous Mandarin: The shy young man appears in the door..., The Miraculous Mandarin: The tramps leap out..., The Miraculous Mandarin: They drag the resisting Mandarin to the center of the room..., The Miraculous Mandarin: They think he is dead..., The Miraculous Mandarin: Third decoy game |
| Hanka Paldum |
performing orchestra |
A Summer's Tale, op. 29: I. Voices of Life and Consolation. Andante sostenuto – Allegro appassionato – Andante – Allegretto moderato – Allegro energico – Allegro con brio – Andante sostenuto, A Summer's Tale, op. 29: II. Midday. Moderato, A Summer's Tale, op. 29: III. Intermezzo. Blind Musicians. Adagio, A Summer's Tale, op. 29: IV. In the Power of Phantoms. Adagio – Vivacissimo – Andante – Vivacissimo – Animato – Andante con moto – Tempo I, A Summer's Tale, op. 29: V. Night. Adagio – Poco più mosso (quasi Andante sostenuto) – Adagio – Più mosso – Tempo I – Andante sostenuto e maestoso – Poco meno mosso, Eternal Longing, Frescoes of Piero della Francesca: II. Adagio, Frescoes of Piero della Francesca: III. Poco allegro, Prague, op. 26: Adagio – Un poco più mosso – Più mosso, sempre accelerando –, Prague, op. 26: Allegro – Più mosso (Allegro con fuoco) – Poco più animato – L’istesso tempo – L’istesso tempo – Pesante –, Prague, op. 26: Andante maestoso – Grandioso – Più animato (quasi Allegro) – Tempo I, ma poco più largamente – Molto sostenuto – Un pochettino più animato, ma sempre molto espressivo – Poco sostenuto, tranquillo – L’istesso tempo (tranquillo) – Grandioso e largamente – Più animato (quasi Allegro) – Tempo I, ma poco più largamente –, Prague, op. 26: Animato, con fuoco (Allegro con brio) – Tempo I, grandioso, largamente – Più animato (quasi Allegro) – Tempo I (ma molto largamente, maestoso e molto marcato) – Animato (quasi Allegro) – Tempo I (largamente) – Animato (quasi Allegro) – Largamente, Ripening, op. 34, JSkat 70: A tempo (Tempo di Fuga) – Andante con moto e maestoso – Più maestoso, ma sempre con moto – Più largamente maestoso, ma sempre con moto – Più mosso con brio – Molto largamente e maestoso – Allegro – Largamente –, Ripening, op. 34, JSkat 70: Adagio – Animato e grazioso – Adagio, molto espressivo ed appassionato – Più mosso – Adagio, molto sostenuto – Quasi Andante moderato – L’istesso tempo (ben ritmico) – Più mosso, quasi Allegro animato –, Ripening, op. 34, JSkat 70: Adagio, quasi Andante – Tempo I, ma pochettino più tranquillo – Pochettino più largamente e molto espressivo – Pochettino più animato – Quasi tempo I, ma più animato – Tempo I, largamente e molto espressivo – Tempo I –, Ripening, op. 34, JSkat 70: Allegro (l’istesso tempo) – Più animato – Molto espressivo, pochettino più largamente, ma in tempo – A tempo (animato) – Poco più animato –, Ripening, op. 34, JSkat 70: Più tranquillo – A tempo (quasi Allegro) – Poco più animato – Un poco più largamente, ma sempre appassionato ed inquieto – Adagio quasi l’istesso tempo, ma più tranquillo –, Ripening, op. 34, JSkat 70: Poco allegro inquieto e poco rubato – Poco allegro, con moto – A tempo, molto energico e marcato – Animato e con moto, ma pesante – Più animato ed appassionato –, Symphony no. 1, op. 14, JSkat 40: I. Allegro, ma non troppo – Allegro – Energico e con fuoco – Tempo I – Allegro – Molto tranquillo, quasi Andante – Allegro – Energico e con fuoco – Maestoso – Allegro con brio, Symphony no. 1, op. 14, JSkat 40: II. Adagio – Pochettino più mosso – Molto appassionato – Tempo I, Symphony no. 1, op. 14, JSkat 40: III. Allegro vivace – Poco meno mosso – Tempo I, Symphony no. 1, op. 14, JSkat 40: IV. Allegro – Allegro con brio – Meno mosso e molto largamente – Poco più mosso. Allegro non tanto – A tempo (Allegro con brio) – Pesante – Grandioso – Maestoso – Meno mosso e molto largamente – Allegro non tanto – Allegro con brio – Grandioso e maestoso, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 6 in D: I. Allegro non tanto, Symphony no. 6 in D: II. Adagio, Symphony no. 6 in D: III. Scherzo (furiant): Presto, Symphony no. 6 in D: IV. Finale: Allegro con spirito, The Frescos of Piero della Francesca: I. Andante poco moderato |
| Madison Crombie |
performing orchestra |
Agon: First Pas de trois. V. Saraband-step, Agon: First Pas de trois. VI. Gaillarde, Agon: First Pas de trois. VII. Coda, Agon: First Pas de trois. VIII. Interlude, Agon: I. Pas de quatre, Agon: II. Double Pas de quatre, Agon: III. Triple Pas de quatre, Agon: IV. Prelude, Agon: Second Pas de trois. IX. Branle simple, Agon: Second Pas de trois. X. Branle gay, Agon: Second Pas de trois. XI. Branle double, Agon: Second Pas de trois. XII. Interlude, Agon: Second Pas de trois. XIII. Pas de deux, Agon: Second Pas de trois. XIV. Coda, Agon: Second Pas de trois. XV. Four Duos, Agon: Second Pas de trois. XVI. Four Trios, Agon: Second Pas de trois. XVII. Coda, Apollo: Tableau I: Prologue. Naissance d'Apollon, Apollo: Tableau II. Apothéose, Apollo: Tableau II. Coda: Apollon et les Muses, Apollo: Tableau II. Pas d'action: Apollon et les trois Muses, Calliope, Polymnie et Terpsichore, Apollo: Tableau II. Pas de deux: Apollon et Terpsichore, Apollo: Tableau II. Variation d'Apollon, Apollo: Tableau II. Variation d'Apollon: Apollon et les Muses, Apollo: Tableau II. Variation de Calliope (l'Alexandrin), Apollo: Tableau II. Variation de Polymnie, Apollo: Tableau II. Variation de Terpsichore, L'Oiseau de feu: Finale, Symphony in Three Movements: I. ♩ = 160, Symphony in Three Movements: II. Andante - Interlude: L'istesso tempo, Symphony in Three Movements: III. Con moto |
| Benny Lamonica |
performing orchestra |
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso, Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso, Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace, Piano Concerto No. 2, BB 101, Sz.95: I. Allegro, Piano Concerto No. 2, BB 101, Sz.95: II. Adagio - Più adagio - Presto, Piano Concerto No. 2, BB 101, Sz.95: III. Allegro molto, Piano Concerto in A minor, op. 16: I. Allegro molto moderato, Piano Concerto in A minor, op. 16: II. Adagio, Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso, Piano Concerto no. .3 in C minor, op. 37: 2. Largo, Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio, Piano Concerto no. 1 in C major, op. 15: 2. Largo, Piano Concerto no. 1 in C major, op. 15: 3. Rondo (Allegro scherzando), Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio, Piano Concerto no. 1 in C major, op. 15: II. Largo, Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando, Piano Concerto no. 2 in B-flat major, op. 19: 1. Allegro con brio, Piano Concerto no. 2 in B-flat major, op. 19: 2. Adagio, Piano Concerto no. 3 in C minor, op. 37: 1. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: 3. Rondo (Allegro), Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro), Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato, Piano Concerto no. 4 in G major, op. 58: II. Andante con moto, Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace, Piano Concerto no. 4 in G, op. 58: 1. Allegro moderato, Piano Concerto no. 4 in G, op. 58: 2. Andante con moto, Piano Concerto no. 4 in G, op. 58: 3. Rondo (Vivace) |
| Dimidium |
performing orchestra |
Epithalamion, In the Beginning: I. Slow, Sustained, Mysterious, In the Beginning: II. Agitated, Quick, In the Beginning: III. Fast, Joyful, Dancing, Pandora Suite: I. The Quest, Pandora Suite: II. Psyche and the Youth, Pandora Suite: III. Pandora's Carnival, Pandora Suite: IV. The Monster's Drill, Pandora Suite: V. Death and the Mothers, Symphony "Homenade e Pedrell": I. Allegro (moderatamente), Symphony "Homenade e Pedrell": II. Andante (un poco adagio), Symphony "Homenade e Pedrell": III. Pedrelliana: Allegretto giusto, Symphony no. 1: I. Allegro animato, Symphony no. 1: II. Adagio, Symphony no. 1: III. Allegro spiritoso, Symphony no. 3 "Collages": I. Allegro moderato, Symphony no. 3 "Collages": II. Lento, Symphony no. 3 "Collages": III. Allegro con brio, Symphony no. 3 "Collages": IV. Moderato, Symphony no. 3 "Collages": V. Vivace, Symphony no. 3 "Collages": VI. Allegretto, Symphony no. 3 "Collages": VII. Calmo, Symphony no. 4 "New York", Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato - Presto, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente, Where Sheep May Safely Graze, Cantata, BWV 208 |
| Maxime Timpano |
performing orchestra |
Concerto for Double String Orchestra: I. Allegro con brio, Concerto for Double String Orchestra: II. Adagio cantabile, Concerto for Double String Orchestra: III. Allegro molto, L'Amour des trois Oranges - Suite symphonique, op. 33bis: I. Les Ridicules. Vivo, L'Amour des trois Oranges - Suite symphonique, op. 33bis: II. Le Magicien Tchélio et Fata Morgana jouent aux cartes. Allegro moderato - Più mosso, L'Amour des trois Oranges - Suite symphonique, op. 33bis: III. Marche. Tempo di Marcia, L'Amour des trois Oranges - Suite symphonique, op. 33bis: IV. Scherzo. Allegro con brio, L'Amour des trois Oranges - Suite symphonique, op. 33bis: V. Le Prince et la Princesse. Andantino, L'Amour des trois Oranges - Suite symphonique, op. 33bis: VI. La Fuite. Allegro - Andante assai - Allegro con brio, Leonore Overture no. 3, op. 72a: Adagio - Allegro, Sinfonietta: I. Allegretto - Allegro - Maestoso, Sinfonietta: I. Fanfares. Allegretto - Allegro - Maestoso, Sinfonietta: II. Andante - Allegretto - Maestoso, Sinfonietta: II. Andante - Allegretto - Maestoso - Tempo I, Sinfonietta: III. Moderato, Sinfonietta: III. Moderato - Con moto - Più mosso - Prestissimo - Moderato, Sinfonietta: IV. Allegretto, Sinfonietta: V. Andante con moto - Maestoso, Sinfonietta: V. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio, Symphony no. 1 in D major 'Titan': I. Langsam. Schleppend, Symphony no. 1 in D major 'Titan': II. Kräftig Bewegt, Symphony no. 1 in D major 'Titan': III. Feierlich Und Gemessen, Ohne Zu Schleppen, Symphony no. 1 in D major 'Titan': IV. Stürmisch Bewegt, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco |
| Andy Cree |
performing orchestra |
From Morning to Midnight: Symphonic Suite: Bank, From Morning to Midnight: Symphonic Suite: Field, From Morning to Midnight: Symphonic Suite: Interlude, From Morning to Midnight: Symphonic Suite: Velodrome, In Transit, Symphony no. 1: I. Largo - Allegro, Symphony no. 1: II. Largo, Symphony no. 1: III. Presto scherzando, Symphony no. 1: IV. Allegro, Symphony no. 2: I. Allegro, Symphony no. 2: II. Molto lento, Symphony no. 2: III. Scherzo (Presto), Symphony no. 2: IV. Andante, Testament, The Barber's Timepiece, The Barber's Timepiece (opening), The Ghost in the Machine, The Greatest Happiness Principle, The Welcome Arrival of Rain (extract), Vixen (excerpt), Vixen: I., Vixen: II., Vixen: III., Vixen: IV., Vixen: V. |
| Stephan Santoso |
performing orchestra |
A Midsummer Night's Dream, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: VII. Nocturne, Beni Mora, op. 29 no. 1: I. First Dance, Beni Mora, op. 29 no. 1: II. Second Dance, Beni Mora, op. 29 no. 1: III. Finale: In the Street of Ouled Naïls, Die Entführung aus dem Serail, K. 384: Ouvertüre, Pohjola's Daughter, op. 49, Symphony No. 2 in E-flat, Op. 63: I. Allegro vivace e noblimente, Symphony No. 2 in E-flat, Op. 63: II. Larghetto, Symphony No. 2 in E-flat, Op. 63: III. Rondo (Presto), Symphony No. 2 in E-flat, Op. 63: VI. Moderato e maestoso, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in F minor: I. Allegro, Symphony no. 4 in F minor: II. Andante moderato, Symphony no. 4 in F minor: III. Scherzo: Allegro molto, Symphony no. 4 in F minor: IV. Finale con Epilogo fugato: Allegro molto, The Planets: Jupiter |
| Eduardo Bergallo |
performing orchestra |
Boston Concerto: I. Allegro staccatissimo, Boston Concerto: II. Lento, teneramente, Boston Concerto: III. Tempo primo, Boston Concerto: IV. Meno mosso, Boston Concerto: IX. Tempo Primo, Boston Concerto: V. Piu mosso, tempo primo, Boston Concerto: VI. Meno mosso, Boston Concerto: VII. Tempo primo, Boston Concerto: VIII. Lento, Sostenuto, Boston Concerto: X. Piu mosso, Boston Concerto: XI. Tempo primo, Boston Concerto: XII. Maestoso - molto espressivo, Boston Concerto: XIII. Tempo Primo, Choral, op. 8, Diptych: I. Parades, Diptych: II. Pavillons en l'Air, Second Concerto for Orchestra: Andante (excerpt), Symphonia: Sum Fluxae Pretium Spei: I. Partita, Symphonia: Sum Fluxae Pretium Spei: II. Adagio tenebroso, Symphonia: Sum Fluxae Pretium Spei: III. Allegro scorrevole, The Crazed Moon, The Stations of the Sun |
| Sir Michael Tippett |
performing orchestra |
A Child of Our Time: Part I. "How can I cherish my man in such days?", A Child of Our Time: Part I. "I have no money for my bread", A Child of Our Time: Part I. "Is evil then good?", A Child of Our Time: Part I. "Man has measured the heavens", A Child of Our Time: Part I. "Now in each nation - When shall the userer's city cease", A Child of Our Time: Part I. "The world turns on its dark side", A Child of Our Time: Part I. Spiritual: Steal Away, A Child of Our Time: Part II. "A star rises in mid-winter", A Child of Our Time: Part II. "And a time came", A Child of Our Time: Part II. "My dreams are all shattered", A Child of Our Time: Part II. "O my son!", A Child of Our Time: Part II. "The boy becomes desperate in his agony", A Child of Our Time: Part II. "They took a terrible vengeance", A Child of Our Time: Part II. "What have I done to you, my son? - The dark forces rise like a flood", A Child of Our Time: Part II. A Spiritual of Anger: Go Down, Moses, A Child of Our Time: Part II. Spiritual: Nobody Knows the Trouble I See, A Child of Our Time: Part II. Spiritual: O, by and by, A Child of Our Time: Part III. "The cold deepens", A Child of Our Time: Part III. "The soul of man", A Child of Our Time: Part III. "The words of wisdom are these", A Child of Our Time: Part III. General Ensemble: I Would Know My Shadow and My Light, A Child of Our Time: Part III. Spiritual: Deep River |
| John Foulds |
performing orchestra |
A World Requiem, op. 60: I. Requiem -, A World Requiem, op. 60: II. Pronuntiatio -, A World Requiem, op. 60: III. Confessio -, A World Requiem, op. 60: IV. Jubilatio -, A World Requiem, op. 60: IX. Lux Veritatis -, A World Requiem, op. 60: V. Audite -, A World Requiem, op. 60: VI. Pax -, A World Requiem, op. 60: VII. Consolatio -, A World Requiem, op. 60: VIII. Refutatio -, A World Requiem, op. 60: X. Requiem, A World Requiem, op. 60: XI. Laudamus -, A World Requiem, op. 60: XII. Elysium -, A World Requiem, op. 60: XIII. Hymn of the Redeemed -, A World Requiem, op. 60: XIII. In Pace -, A World Requiem, op. 60: XIV. Angeli -, A World Requiem, op. 60: XIX. Benedictio -, A World Requiem, op. 60: XV. Vox Dei -, A World Requiem, op. 60: XVI. Adventus -, A World Requiem, op. 60: XVII. Vigilate -, A World Requiem, op. 60: XVIII. Promissio et Invocatio -, A World Requiem, op. 60: XX. Consummatus |
| Jürgen Huth |
performing orchestra |
La Foire, op. 33 no. 4, La Mer et Les Mouettes, op. 39 no. 2, Pictures at an Exhibition: I. Promenade, Pictures at an Exhibition: II. Gnomus, Pictures at an Exhibition: III. Promenade, Pictures at an Exhibition: IV. Il vecchio castello, Pictures at an Exhibition: IX. Ballet of the Unhatched Chicks, Pictures at an Exhibition: V. Promenade, Pictures at an Exhibition: VI. Tuileries, Pictures at an Exhibition: VII. Bydlo, Pictures at an Exhibition: VIII. Promenade, Pictures at an Exhibition: X. Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: XI. The Market at Limoges, Pictures at an Exhibition: XII. Catacombae, Pictures at an Exhibition: XIII. Cum mortuis in lingua mortua, Pictures at an Exhibition: XIV. The Hut on Hen's Legs (Baba-Yaga), Pictures at an Exhibition: XV. The Great Gate of Kiev, The Isle of the Dead, op. 29 |
| Carsten Krebs |
performing orchestra |
The Age of Anxiety, Symphony no. 2: Part I, The Prologue. Lento moderato, The Age of Anxiety, Symphony no. 2: Part I, The Seven Ages: Variation I. L'istesso tempo, The Age of Anxiety, Symphony no. 2: Part I, The Seven Ages: Variation II. Poco piu mosso, The Age of Anxiety, Symphony no. 2: Part I, The Seven Ages: Variation III. Largamente, ma mosso, The Age of Anxiety, Symphony no. 2: Part I, The Seven Ages: Variation IV. Piu mosso, The Age of Anxiety, Symphony no. 2: Part I, The Seven Ages: Variation V., The Age of Anxiety, Symphony no. 2: Part I, The Seven Ages: Variation VI. Poco meno mosso, The Age of Anxiety, Symphony no. 2: Part I, The Seven Ages: Variation VII. L'istesso tempo, The Age of Anxiety, Symphony no. 2: Part I, The Seven Stages: Variation IX, Piu mosso (tempo di valse), The Age of Anxiety, Symphony no. 2: Part I, The Seven Stages: Variation VIII. Molto moderato, ma movendo, The Age of Anxiety, Symphony no. 2: Part I, The Seven Stages: Variation X. Piu mosso, The Age of Anxiety, Symphony no. 2: Part I, The Seven Stages: Variation XI. L'istesso tempo, The Age of Anxiety, Symphony no. 2: Part I, The Seven Stages: Variation XII. Poco piu vivance, The Age of Anxiety, Symphony no. 2: Part I, The Seven Stages: Variation XIII. L'istesso tempo, The Age of Anxiety, Symphony no. 2: Part I, The Seven Stages: Variation XIV. L'istesso tempo (poco piu vivance), The Age of Anxiety, Symphony no. 2: Part II, The Dirge. Largo, The Age of Anxiety, Symphony no. 2: Part II, The Epilogue. L'istesso tempo, The Age of Anxiety, Symphony no. 2: Part II, The Masque. Extremely fast |
| Giuseppe Verdi |
performing orchestra |
Requiem, Requiem Mass: I. Introit and Kyrie, Requiem Mass: III. Offertorium: Domine Jesu Christe; Hostias, Requiem Mass: IIa. Dies irae, Requiem Mass: IIb. Tuba mirum; IIc Mors stupebit, Requiem Mass: IId. Liber scriptus, Requiem Mass: IIe. Quid sum miser, Requiem Mass: IIf. Rex tremendae, Requiem Mass: IIg. Ingemisco, Requiem Mass: IIg. Recordare, Requiem Mass: IIi. Confutatis, Requiem Mass: IIj. Lacrymosa, Requiem Mass: IV. Sanctus, Requiem Mass: V. Agnus Dei, Requiem Mass: VI. Lux aeterna, Requiem Mass: VII. Libera me |
| Ludwig van Beethoven |
performing orchestra |
"Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Chor auf die verbündeteten Fürsten, Chorus for the Allied Princes, WoO 95, Germania, WoO 94: Final Chorus from "Die gute Nachricht", Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo (Molto allegro), Scene (One) from "Vesta's Fire", Hess 115, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso, Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto, Triumphal March, WoO 2a: from "Tarpeja". Alla marcia, ma non troppo presto, Triumphmarsch, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume" |
| Gandhi1er Le Metronome |
performing orchestra |
Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino), Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte), Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze), Le nozze di Figaro, K. 492: Act III. No. 20. Duettino ("Sull'aria") - "Che soave zeffiretto" (Susanna, Contessa), Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna) / No. 26. Aria "Aprite un po' quegli occhi" (Figaro), Le nozze di Figaro, K. 492: Act IV. No. 27. Aria "Deh vieni, non tardar" (Susanna) / Recitativo "Giunse alfin il momento" (Susanna) |
| Simon Love and the Old Romantics |
performing orchestra |
Requiem, K. 626: II. Kyrie, Requiem, K. 626: III. Sequentia: Dies irae, Requiem, K. 626: III. Sequentia: Recordare, Requiem, K. 626: III. Sequentia: Rex tremendae, Requiem, K. 626: III. Sequentia: Tuba mirum, Requiem, K. 626: IV. Offertorium: Domine Jesu, Requiem, K. 626: IV. Offertorium: Hostias, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Communio: Lux aeterna |
| Arthur Machen |
performing orchestra |
Karolju: I. Latin, Karolju: II. Swedish, Karolju: III. French, Karolju: IV. Spanish, Karolju: IX. German, Karolju: V. Little March of the Three Kings, Karolju: VI. Latin, Karolju: VII. Russian, Karolju: VIII. Czech, Karolju: X. Latin, Karolju: XI. Italian |
| Richard Wagner |
performing orchestra |
Tristan und Isolde: Liebestod, Wesendonck Lieder: I. Der Engel, Wesendonck Lieder: II. Stehe Still!, Wesendonck Lieder: III. Im Treibhaus, Wesendonck Lieder: IV. Schmerzen, Wesendonck Lieder: V Traume, Wesendonk Lieder, WWV 91 No. 1: Der Engel "In der Kinkheit frühen Tagen" (BBC Symphony Orchestra feat. conductor: Pierre Boulez, soprano: Jessye Norman), Wesendonk Lieder, WWV 91 No. 2: Stehe still! "Sausendes, brausendes Rad der Zeit" (BBC Symphony Orchestra feat. conductor: Pierre Boulez, soprano: Jessye Norman), Wesendonk Lieder, WWV 91 No. 3: Im Treibhaus "Hochgewölbe Blätterkronen" (BBC Symphony Orchestra feat. conductor: Pierre Boulez, soprano: Jessye Norman), Wesendonk Lieder, WWV 91 No. 4: Schmerzen "Sonne, weinest jeden Abend..." (BBC Symphony Orchestra feat. conductor: Pierre Boulez, soprano: Jessye Norman), Wesendonk Lieder, WWV 91 No. 5: Träume "Sag, welch wunderbare Träume" (BBC Symphony Orchestra feat. conductor: Pierre Boulez, soprano: Jessye Norman) |
| Gustav Mahler |
performing orchestra |
Das Lied von der Erde: I. Das Trinklied, Das Lied von der Erde: II. Der Einsame im Herbst, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: IV. Von der Schönheit, Das Lied von der Erde: V. Der Trunkene im Frühling, Das Lied von der Erde: VI. Der Abschied, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb, Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai - Sehr trotzig, Symphony No. 9 in D major: IV. Adagio - Sehr langsam und noch zurückhaltend |
| Edvard Grieg |
performing orchestra |
Orchestral Songs: Det Forste Mode, Op.21 No.1, Orchestral Songs: En Svane, Op.25 No.2, Orchestral Songs: Eros, Op.70 No.1, Orchestral Songs: Et Hab, Op.26 No.1, Orchestral Songs: Fra Monte Pincio, Op.39 No.1, Orchestral Songs: Fryemal, Op.33 No.1, Orchestral Songs: Guten, Op.33 No.1, Orchestral Songs: Jeg Elsker Dig, Op.5 No.3, Orchestral Songs: Varen, Op.33 No.2, Orchestral Songs: Ved Rondane, Op.33 No.9 |
| Ralph Vaughan Williams |
performing orchestra |
Dona nobis pacem: I. Agnus Dei, Dona nobis pacem: II. Beat! Beat! Drums!, Dona nobis pacem: III. Reconciliation, Dona nobis pacem: IV. Dirge for Two Veterans, Dona nobis pacem: V. The Angel of Death has been abroad, Dona nobis pacem: VI. O Man Greatly Beloved, Romance in D flat for harmonica with strings and piano, Symphony No. 5. Prelùdio: Moderato (excerpt), Symphony No. 6. Allegro (excerpt), The Lark Ascending (excerpt) |
| Sir William Walton |
performing orchestra |
Belshazzar's Feast: I. Thus spake Isaiah, Belshazzar's Feast: II. If I forget thee, O Jerusalem, Belshazzar's Feast: III. Babylon was a great city, Belshazzar's Feast: IV. Praise ye, the God of gold, Belshazzar's Feast: IX. Then sing aloud to God our strength, Belshazzar's Feast: V. Thus in Babylon, the mighty city, Belshazzar's Feast: VI. And in that same hour as they feasted, Belshazzar's Feast: VII. Then sing aloud to God our strength, Belshazzar's Feast: VIII. The trumpeters and pipers are silent |
| Nútímabörn |
performing orchestra |
Chain 2: I. Ad libitum, Chain 2: II. A battuta. Crotchet=c. 150 [Tempo I] - Tempo II - Tempo III, Chain 2: III. Ad libitum, Chain 2: IV. A battuta. Vivace - Ad libitum - A battuta. Presto - Più mosso, furioso, Partita: I. Allegro giusto - Un poco meno mosso - Ancora meno mosso - Tempo I, Partita: II. Ad libitum -, Partita: III. Largo - Poco meno mosso - A tempo - Meno mosso -, Partita: IV. Ad libitum -, Partita: V. Presto - Poco meno mosso - Tempo I - Ad libitum - Presto |
| Erik Satie |
performing orchestra |
Daphénéo, Je te veux, Parade: Acrobates, Parade: Choral, Parade: Final, Parade: Petite fille américaine, Parade: Prestidigitateur chinois, Parade: Prélude du rideau rouge, Parade: Suite au "Prélude du rideau rouge" |
| Maurice Ravel |
performing orchestra |
L'Heure espagnole: Adieu, cellule, adieu, donjon !, L'Heure espagnole: Scène XIX: Mon œil anxieux interroge, L'Heure espagnole: Scène XV: En dépit de cette inhumaine, L'Heure espagnole: Scène XVI: Voilà ce que j'appelle une femme charmante !, L'Heure espagnole: Scène XVII: Oh ! la pitoyable aventure !, L'Heure espagnole: Scène XVIII: Voilà !… Et maintenant, Señora, L'Heure espagnole: Scène XX: Il n'est, pour l'horloger, L'Heure espagnole: Scène XXI: Pardieu, déménageur, vouz venez à propos, L'Heure espagnole: Un financier… et un poète |
| Michael Nyman |
performing orchestra |
Concerto for Trombone and Orchestra: I., Concerto for Trombone and Orchestra: II., Concerto for Trombone and Orchestra: III., Concerto for Trombone and Orchestra: IV., Concerto for Trombone and Orchestra: IX., Concerto for Trombone and Orchestra: V., Concerto for Trombone and Orchestra: VI., Concerto for Trombone and Orchestra: VII., Concerto for Trombone and Orchestra: VIII. |
| Edward Elgar |
performing orchestra |
Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Concerto for Cello in E minor, Op. 85: I. Adagio moderato / II. Lento Allegro molto, Concerto for Cello in E minor, Op. 85: III. Adagio, Concerto for Cello in E minor, Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo, Pomp and Circumstance Military Marches, Op. 39: No. 1 in D major, Pomp and Circumstance Military Marches, Op. 39: No. 2 in A minor, Pomp and Circumstance Military Marches, Op. 39: No. 4 in G major |
| Michael Pevey |
performing orchestra |
Benvenuto Cellini, Die Zauberflöte (The Magic Flute), opera, K. 620: Overture, Egmont - Ouvertüre f-moll, op. 84, Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) / Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna), Symphonie Nr. 4 B-dur, op. 60: Adagio, Symphonie Nr. 4 B-dur, op. 60: Adagio - Allegro Vivace, Symphonie Nr. 4 B-dur, op. 60: Allegro Ma Non Troppo, Symphonie Nr. 4 B-dur, op. 60: Allegro Vivace |
| Chill |
performing orchestra |
Piano Concerto: I. ♩. = c. 110 - ♩ = c. 70 -, Piano Concerto: II. Presto (♩ = c. 160) - Poco meno mosso - Lento -, Piano Concerto: III. ♪ = c. 85 - Largo (♩ = 40 – 45) - Più mosso - Ancora più mosso - Ancora più mosso - Tempo I - Pochino meno mosso - Tempo I -, Piano Concerto: IV. ♩ = c. 84 - Poco meno mosso - Più mosso (♩ = c. 110) - Più mosso (♩ = c. 120) - Ancora più mosso (♩ = c. 130) - Presto (♩ = c. 165), Symphony no. 4, op. 60 "Symphonie concertante": I. Moderato, Symphony no. 4, op. 60 "Symphonie concertante": II. Andante molto sostenuto, Symphony no. 4, op. 60 "Symphonie concertante": III. Allegro non troppo, ma agitato ed ansioso, Variations on a Theme of Paganini |
| April Macie |
performing orchestra |
Cello Concerto: I. Drammatico, Cello Concerto: II. Allegro appassionato, Cello Concerto: III. Giocoso, Cello Concerto: IV. Lento, Cello Concerto: V. Maestoso, Cello Concerto: VI. Tranquillo, Cello Concerto: VII. Allegro fantastico |
| Sose |
performing orchestra |
Concerto for Cello and Orchestra: Con moto tranquillo – Becoming slower and slower –, Concerto for Cello and Orchestra: Meno mosso – Becoming slower –, Concerto for Cello and Orchestra: Quietly, Concerto for Cello and Orchestra: Rather slower, very quietly – Tempo I – Rather slower –, Concerto for Cello and Orchestra: Slow – Not quick; quietly –, Concerto for Cello and Orchestra: Slow – Quicker – Rather slower – Rather quicker – Very slow – Very quietly –, Concerto for Cello and Orchestra: With animation – Becoming slower – |
| Сергей Рахманинов |
performing orchestra |
Rhapsody on a Theme of Paganini, Op. 43: Introduction & Variations 1-5, Rhapsody on a Theme of Paganini, Op. 43: Variation 11, Rhapsody on a Theme of Paganini, Op. 43: Variation 6, Rhapsody on a Theme of Paganini, Op. 43: Variations 12-15, Rhapsody on a Theme of Paganini, Op. 43: Variations 16-18, Rhapsody on a Theme of Paganini, Op. 43: Variations 19-24, Rhapsody on a Theme of Paganini, Op. 43: Variations 7-10 |
| Sir Arthur Bliss |
performing orchestra |
Checkmate Suite: I. Prologue: The Players, Checkmate Suite: II. Dance of the Red Pawns, Checkmate Suite: III. Dance of the Four Knights, Checkmate Suite: IV. Entry of the Black Queen, Checkmate Suite: V. The Red Knight's Mazurka, Checkmate Suite: VI. Ceremony of the Red Bishops, Checkmate Suite: VII. Finale: Checkmate |
| LHI |
performing orchestra |
Concerto for the Left Hand, Concerto in G: I. Allegramente - Meno vivo - Tempo I - Meno vivo, Concerto in G: II. Adagio assai, Concerto in G: III. Presto, Fantaisie: I. Andante ma non troppo - Allegro giusto - Fièrement - Modéré, Fantaisie: II. Lent (très expressif) - Animez (très peu) - Più mosso poco a poco, Fantaisie: III. Allegro molto - Très rythmé - Le double moins vite - A tempo I |
| Money Making ADEE |
performing orchestra |
Overture Le Corsaire, Sinfonia de Requiem, op. 20: I. Lacrymosa. Andante ben misurato, Sinfonia de Requiem, op. 20: II. Dies irae. Allegro con fuoco, Sinfonia de Requiem, op. 20: III. Requiem aeternam. Andante molto tranquillo, Symphony no. 4 in G major: I. Bedächtig, nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, poco adagio |
| William Bolcom |
performing orchestra |
Amor, George, Song of Black Max, Surprise!, The Actor, The Total Stranger in the Garden, Toothbrush Time |
| Cecilia Maria Barthélemon |
performing orchestra |
Violin Concerto: Allegretto – Più moderato – Rather quicker –, Violin Concerto: Broadly, Violin Concerto: Slower -, Violin Concerto: Tempo I – Very broad – With vigour – Rather quicker – Rather slower – With vigour –, Violin Concerto: With moderate tempo – Rather quicker – Rather slower – Broad – Slower and very quietly – Vigorously – Maestoso –, Violin Concerto: [Cadenza] – |
| Cody Walton |
performing orchestra |
Concerto no. 1 in C minor for Piano and Orchestra, op. 4: I. Allegro moderato, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: II. Tranquillo, e quasi lento, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: III. Allegro moderato, e scherzando, Concerto no. 2 in C major for Piano and Orchestra, op. 39: I. Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: II. Poco lento, calmato - Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: III. Allegro assai - Giocoso - A tempo |
| Paul Saucido |
performing orchestra |
A Charm of Lullabies, op. 41: I. A Cradle Song, A Charm of Lullabies, op. 41: II. The Highland Balou, A Charm of Lullabies, op. 41: III. Sephestia's Lullaby, A Charm of Lullabies, op. 41: IV. A Charm, A Charm of Lullabies, op. 41: V. The Nurse's Song, Phaedra, op. 93 |
| Dorval Band |
performing orchestra |
Gloria: I. Gloria, Gloria: II. Laudamus Te, Gloria: III. Domine Deus, Gloria: IV. Domine Fili unigenite, Gloria: V. Domine Deus, Agnus Dei, Gloria: VI. Qui sedes ad dexteram Patris |
| Troy Daugherty |
performing orchestra |
Psalm 130 "Du fond de l'abîme", Psalm 24, Requiem, op. 48: I. Introït et Kyrie (Chorus), Requiem, op. 48: III. Sanctus (Chorus), Requiem, op. 48: V. Agnus Dei (Chorus), Requiem, op. 48: VII. In Paradisum (Chorus) |
| Angy Burri |
performing orchestra |
Helios Overture, op. 17, Holberg Suite, op. 40: I. Praelude - Allegro Vivace, Holberg Suite, op. 40: II. Sarabande - Andante un poco mosso, Holberg Suite, op. 40: III. Gavotte - Allegretto, Musette - Poco piu mosso, Holberg Suite, op. 40: IV. Airandante religioso, Holberg Suite, op. 40: V. Rigaudon - Allegretto con brio |
| Gameboyz |
performing orchestra |
Concerto for Piano and Orchestra no. 26 in D major, K. 537 "Coronation": I. Allegro, Concerto for Piano and Orchestra no. 26 in D major, K. 537 "Coronation": II. Larghetto, Concerto for Piano and Orchestra no. 26 in D major, K. 537 "Coronation": III. Allegretto, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro |
| Lithke |
performing orchestra |
Concerto for Violin, Cello and Orchestra: Quietly -, Concerto for Violin, Cello and Orchestra: Slowly and Quietly – Molto tranquillo, rather quicker – Rather slower – [Cadenza.] Quicker – Rather slower –, Concerto for Violin, Cello and Orchestra: Tempo I – Rather quicker, tranquillo – Quicker – Rather slower – Rather more lively –, Concerto for Violin, Cello and Orchestra: Very quietly – Molto tranquillo, tempo I – Very quietly, slow, Concerto for Violin, Cello and Orchestra: With moderate speed – Rather quicker – Rather quieter – Quicker – Quietly – Rather slower, molto tranquillo – Vigorously – |
| Grover Everette |
performing orchestra |
Concerto for Cello and Orchestra: I. Introduction -, Concerto for Cello and Orchestra: II. Episodes -, Concerto for Cello and Orchestra: III. Cantilena -, Concerto for Cello and Orchestra: IV. Finale, Grave |
| Michael Kamen |
performing orchestra |
Mr. Holland's Opus - An American Symphony: I. Iris, Mr. Holland's Opus - An American Symphony: II. Cole's Tune, Mr. Holland's Opus - An American Symphony: III. Marking Homework, Mr. Holland's Opus - An American Symphony: IV. Rowena, Mr. Holland's Opus - An American Symphony: V. Finale |
| Óskar Pétursson |
performing orchestra |
Preludia taneczne: Allegro molto, Preludia taneczne: II. Andantino - Un poco più vivo - Tempo I - Poco meno mosso, Preludia taneczne: III. Allegro giocoso, Preludia taneczne: IV. Andante - Tranquillo, Preludia taneczne: V. Allegro molto - Poco più tranquillo - Avvivando poco a poco - Presto |
| Jennifer Engel |
performing orchestra |
Sea Pictures, op. 37: 1. Sea-Slumber- Song. Andantino - Tranquillo - Tempo I - Tranquillo -, Sea Pictures, op. 37: 2. In Haven (Capri). Allegretto, Sea Pictures, op. 37: 3. Sabbath Morning at Sea. Moderato - Più mosso - Più mosso - Tempo I - Molto maestoso -, Sea Pictures, op. 37: 4. Where Corals Lie. Allegretto ma non troppo, Sea Pictures, op. 37: 5. The Swimmer. Allegro di molto - Largamente - Poco meno mosso - Tempo I - Largamente |
| Nick Haussling |
performing orchestra |
Piano Concerto no. 1 in C minor, op. 33: I. Allegro -, Piano Concerto no. 1 in C minor, op. 33: II. Theme and Variations -, Piano Concerto no. 1 in C minor, op. 33: III. Recapitulation -, Piano Concerto no. 1 in C minor, op. 33: IV. Coda. Allegro molto |
| Magnus Lindberg |
performing orchestra |
Aura: I, Aura: II, Aura: III, Aura: IV |
| Kavon Salyer |
performing orchestra |
Dream Children: Andante, Introduction et allegro pour cordes, op. 47, Land of Hope and Glory, Sérénade pour cordes, op. 20: Allegro piacevole |
| Andras Lars Vleminckx |
performing orchestra |
Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo, Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato, Piano Concerto no. 2 in B-flat major, op. 83: III. Andante, Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegro grazioso |
| Patchwork |
performing orchestra |
Pohádka, Op. 16: I. The True Love of Radúz and Mahulena, Pohádka, Op. 16: II. Playing Swans and Peacocks, Pohádka, Op. 16: III. Funeral Music, Pohádka, Op. 16: IV. Love Lifts the Runa's Curse |
| Cue Choir |
performing orchestra |
Cello Concerto in E minor, op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo |
| Игорь Фёдорович Стравинский |
performing orchestra |
Violin Concerto in D Major: I. Toccata, Violin Concerto in D Major: II. Aria I, Violin Concerto in D Major: III. Aria II, Violin Concerto in D Major: IV. Capriccio |
| ياسر أنور |
performing orchestra |
The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter!". Moderato – Poco allegro – Più allegro – Andante – Adagio – "O, how the immortal phantoms crowd around me!". Moderato ma agitato – Affrettando – Moderato – Allegro moderato – Presto – Prestissimo – Allegro agitato –, The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter". Allegro – "O trumpeter!". Andante – Poco animato – Molto sostenuto – Andante maestoso –, The Mystic Trumpeter, op. 18, H. 71: Allegro moderato – "Now, trumpeter, for thy close’. Andante – "O glad, exulting, culminating song!". Maestoso – Pochettino animato – Poco animato – Più mosso – Andante maestoso – Adagio – Andante, The Mystic Trumpeter, op. 18, H. 71: Molto sostenuto – Allegro agitato – "Hark! some wild trumpeter’. Moderato – Lento – "Blow, trumpeter, free and clear". Poco allegro – Meno mosso – Adagio – Allegretto – Andante – Più lento – Molto adagio – |
| Robert John Richardson |
performing orchestra |
Chant des Déportés, for chorus & orchestra, I/60, Symphony of Psalms: I. Psalm 38: 13-14 Exaudi orationem meam, Domine, Symphony of Psalms: II. Psalm 39: 2-4 Exspectans exspectavi Dominum, Symphony of Psalms: III. Psalm 150 Alleluia, laudate Dominum |
| Lolo & Sosaku |
performing orchestra |
Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio, Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro |
| Blaaz |
performing orchestra |
Concerto for Violin and Orchestra: I. Andante tranquillo, Concerto for Violin and Orchestra: II. Presto capriccioso alla napolitana, Concerto for Violin and Orchestra: III. Vivace |
| Анатолий Константинович Лядов |
performing orchestra |
Baba-Yaga, Kikimora, The Enchanted Lake |
| Little Stella |
performing orchestra |
Concerto for Clarinet in A major, K. 622: I. Allegro, Concerto for Clarinet in A major, K. 622: II. Adagio, Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro |
| 한동준 |
performing orchestra |
Horn Concerto No. 1 in E-Flat Major, Op. 11: I. Allegro, Horn Concerto No. 1 in E-Flat Major, Op. 11: II. Andante, Horn Concerto No. 1 in E-Flat Major, Op. 11: III. Allegro |
| Willie Nilly |
performing orchestra |
Piano Concerto No. 21 in C major, K. 467: I. Allegro maestoso, Piano Concerto No. 21 in C major, K. 467: II. Andante, Piano Concerto No. 21 in C major, K. 467: III. Allegro vivace assai |
| Waft |
performing orchestra |
Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso, The Song of the High Hills: In ruhigem fließendem Tempo – Tranquillo. Very quietly but not dragging – With vigour – Not too slow – Rather quicker – Slower. Maestoso (not hurried). With exultation –, The Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow |
| Tchousi, Damalas & Company |
performing orchestra |
Violin Concerto No. 2 in G minor, Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai, Violin Concerto No. 2 in G minor, Op. 63: III. Allegro, ben marcato |
| Oliver Schmitz |
performing orchestra |
Jeremiah, Symphony no. 1: I. Prophecy. Largamente, Jeremiah, Symphony no. 1: II. Profanation. Vivace con brio, Jeremiah, Symphony no. 1: III. Lamentation. Lento |
| Axarélly |
performing orchestra |
Violin Concerto in D: I. Allegro non troppo, Violin Concerto in D: II. Adagio, Violin Concerto in D: III. Allegro giocoso, ma non troppo vivace |
| Dapper Don |
performing orchestra |
Retablo de Navidad: Aire y donaire, Retablo de Navidad: Coplillas de Belén, Retablo de Navidad: Pastorcito santo |
| Antonín Dvořák |
performing orchestra |
Cello Concerto in B minor, Symphonic Variations: Finale, Symphonic Variations: Theme - Variations 1-27 |
| John Ireland |
performing orchestra |
Piano Concerto in E-flat major: I. In tempo moderato, Piano Concerto in E-flat major: II. Lento espressivo - allegro - cadenza, Piano Concerto in E-flat major: III. Allegretto giocoso |
| Rafael Labasta |
performing orchestra |
Violin Concerto: I. Allegro cantabile, con anima, Violin Concerto: II. Largo -, Violin Concerto: III. Allegro con brio |
| Josep Mas |
performing orchestra |
Vexations and Devotions: I. Watching Others, Vexations and Devotions: II. Bell and Anti-Bell, Vexations and Devotions: III. The Path to Your Doo |
| Touchstone |
performing orchestra |
Lacrymae, op. 48a, Two Portraits: I. D. Layton, Two Portraits: II. E.B.B. |
| Georges Beckerich |
performing orchestra |
Tabuh-Tabuhan: I. Ostinatos, Tabuh-Tabuhan: II. Nocturne, Tabuh-Tabuhan: III. Finale |
| Bang Out |
performing orchestra |
Concerto for Harpsichord Strings and Percussion: I. Allegro maestoso, Concerto for Harpsichord Strings and Percussion: II. Largo, Concerto for Harpsichord Strings and Percussion: III. Vivace spiritoso |
| Adrien Cailleteau |
performing orchestra |
Rhapsody-Concerto, H 337: I. Moderato, Rhapsody-Concerto, H 337: II. Molto adagio - Cadenza - Poco allegro - Andante (molto tranquillo) |
| Sir Hubert Parry |
performing orchestra |
Elegy for Brahms, Jerusalem |
| Joseph Haydn |
performing orchestra |
Cello Concerto in D major, op. 101: I. Allegro moderato, Cello Concerto in D major, op. 101: II. Adagio |
| Johannes Brahms |
performing orchestra |
Alto Rhapsody, Op.53, Concerto pour piano No. 2: III. Andante (extrait) (feat. piano: Stephen Hough, cello: Timothy Hugh, BBC Symphony Orchestra, Andrew Davis) |
| Vaelastasz |
performing orchestra |
Requiem, op. 48: II. Offertoire (Baritone, Chorus), Requiem, op. 48: VI. Libera me (Baritone, Chorus) |
| Bruno Brun |
performing orchestra |
Le Soleil des eaux : Complainte du Lézard Amoureux, Le Soleil des eaux : La Sorgue |
| BIG Tomm |
performing orchestra |
Plymouth Town, Symphony no. 3 |
| Alban Berg |
performing orchestra |
Violin Concerto: I: Andante |
| Soulcraft |
performing orchestra |
Symphony no. 4 in G major: IV. Sehr behaglich |
| OverScan |
performing orchestra |
Symphony no. 6 in F major, op. 68 "Pastorale": I. Awakening of cheerful feelings upon arrival in the country. Allegro ma non troppo / II. Scene at the brook. Andante molto mosso / III. Happy gathering of country folk. Allegro / IV. Thunderstorm. Allegro / V. Shepherds’ song: Cheerful and thankful feelings after the storm. Allegretto |
| Samuel Barber |
performing orchestra |
Vanessa, Op. 32: Act I, Scene I. "Must the winter come so soon?" (Erika) |
| I’m Empire |
instrument |
Music for Albion Moonlight |
| Ted Ganung |
performing orchestra |
Penguinski |
| Harley Eblen |
instrument |
Suddenly It's Evening |
| Gustav Holst |
performing orchestra |
Jupiter from The Planets |
| Sam Musiker |
performing orchestra |
Frank Bridge - Isabella / Harrison Birtwistle - Concerto for Violin and Orchestra |
| Frederick Delius |
performing orchestra |
Concerto for Piano and Orchestra in C minor |
| N.R.F.B. |
performing orchestra |
The Planets |
| Visions of Ulnahar |
performing orchestra |
Requiem, op. 48: IV. Pie Jesu (Soprano) |
| Flor de Córdoba |
performing orchestra |
Ripening, op. 34, JSkat 70: Adagio e sempre tranquillo – Quasi l’istesso tempo, ma un pochettino più animato (Adagio quasi Andante) – Sempre adagio e tranquillo |
| Wayne Eames |
performing orchestra |
Memory Takes My Hand: World |
| DJ Isidoro |
performing orchestra |
Central Park in the Dark |
| Curt Allen |
performing orchestra |
Catfish Row: Porgy Sings |
| Wolfgang Amadeus Mozart |
performing orchestra |
Die Zauberflöte: Overture |
| Crust |
performing orchestra |
The Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato – |
| Mouth Breather |
performing orchestra |
Perfect Day ’97 (male version) |
| Bo Österö |
performing orchestra |
Prélude à l'après-midi d'un faune |
| Benjamin Britten |
performing orchestra |
The Young Person's Guide to the Orchestra. Variations & Fuge on a Theme of Purcell. Fugue (excerpt) |
| Bedřich Smetana |
performing orchestra |
Má vlast |
| Martin Tourish |
performing orchestra |
Symphony no. 4 "New York" |
| Gary Ronald Charlesworth |
performing orchestra |
Hymn of Jesus |