小澤征爾

conductor, vocal

Top collaborators

Artist name Roles Recordings
Roger Hand
Matt Crawford (UK engineer)
Miki Hernandez
Mark Ludwig
Robert Pepper

Work on other artists' recordings

Artist name Roles Recordings
Roger Hand conductor A Midsummer Night’s Dream, op. 61: IX. Wedding March, Alborada del gracioso, Ancient Airs and Dances Suite no. 3: III. Siciliana, Antiche danze ed arie, suite I: Anonymus: Passo mezzo a mascherada, Antiche danze ed arie, suite I: Anonymus: Villanella, Antiche danze ed arie, suite I: Simone Molinaro: Balletto "Il Conte Orlando" (1599), Antiche danze ed arie, suite I: Vincenzo Galilei: Gagliarda (1598), Antiche danze ed arie, suite II: Anonymus: Campanae parisienses, Antiche danze ed arie, suite II: Bernardo Gianoncelli: Bergamasca (1650), Antiche danze ed arie, suite II: Fabrizio Caroso: Laura soave (1581), Antiche danze ed arie, suite II: Jean-Baptiste Besard: Danza rustica (1617), Antiche danze ed arie, suite III: Anonymus: Italiana, Antiche danze ed arie, suite III: Anonymus: Siciliana, Antiche danze ed arie, suite III: Jean-Baptiste Besard: Aria di corte (1617), Antiche danze ed arie, suite III: Lodovico Roncalli: Passacaglia (1692), Berceuse (Lullaby) From the Firebird, Boléro, Carmina Burana: Blanziflor et Helena, Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna imperatix mundi, Carmina Burana: Fortuna imperatrix mundi, Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi: O fortuna, Carmina Burana: I. Primo vere: Ecce gratum, Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: I. Primo vere: Veris leta facies, Carmina Burana: II. In taberna: Ego sum abbas, Carmina Burana: II. In taberna: Estuans interius, Carmina Burana: II. In taberna: In taberna quando sumus, Carmina Burana: II. In taberna: Olim lacus colueram, Carmina Burana: III. Cour d’amours: Amor volat undique, Carmina Burana: III. Cour d’amours: Circa mea pectora, Carmina Burana: III. Cour d’amours: Dies, nox et omnia, Carmina Burana: III. Cour d’amours: Dulcissime, Carmina Burana: III. Cour d’amours: In trutina, Carmina Burana: III. Cour d’amours: Si puer cum puellula, Carmina Burana: III. Cour d’amours: Stetit puella, Carmina Burana: III. Cour d’amours: Tempus est iocundum, Carmina Burana: III. Cour d’amours: Veni, veni, venias, Carmina Burana: Uf dem anger, Carmina Burana: Uf dem anger: Chramer, gip die varwe mir, Carmina Burana: Uf dem anger: Floret silva, Carmina Burana: Uf dem anger: Reie; Swaz hie gat umbe; Chume, chum, geselle min, Carmina Burana: Uf dem anger: Tanz, Carmina Burana: Uf dem anger: Were diu werlt alle min, Carnival Overture, Op. 92, Carnival of the Animals: I. Introduction and Royal March of the Lions, Carnival of the Animals: II. Hens and Roosters, Carnival of the Animals: III. Mongolian Wild Donkeys, Carnival of the Animals: IV. Tortoises, Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest, Carnival of the Animals: V. The Elephant, Carnival of the Animals: VI. Kangaroos, Carnival of the Animals: VII. Aquarium, Carnival of the Animals: VIII. Personages with Long Ears, Carnival of the Animals: X. Aviary, Carnival of the Animals: XI. Pianists, Carnival of the Animals: XII. Fossils, Carnival of the Animals: XIII. The Swan, Carnival of the Animals: XIV. Finale, Central Park in the Dark, Daphnis et Chloé: II. Pantomime, Daphnis et Chloé: III. Danse générale (feat. flute: Doriot Anthony Dwyer), Dolly Suite, op. 56: I. Berceuse, Dolly Suite, op. 56: II. Mi-A-Ou, Dolly Suite, op. 56: III. Le Jardin de Dolly, Dolly Suite, op. 56: IV. Kitty-Valse, Dolly Suite, op. 56: V. Tendresse, Dolly Suite, op. 56: VI. Le pas Espagnol, Egmont Overture, op. 84, El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Gaite Parisienne: Cancan, La Damnation de Faust, op. 24: Marche Hongroise, La Damnation de Faust, op. 24: Marche hongroise, La Valse, Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le Tombeau de Couperin: I. Prélude: Vif, Le Tombeau de Couperin: II. Forlane: Allegretto, Le Tombeau de Couperin: III. Menuet: Allegro moderato, Le Tombeau de Couperin: IV. Rigaudon: Assex vif - Moins vif - Assex vif, Lullaby from Dolly Suite, Ma mère l'oye: I. Prélude, Ma mère l'oye: II. 1er tableau: Danse du rouet et scène, Ma mère l'oye: III. 2e tableau: Pavane de la belle au bois dormant, Ma mère l'oye: IV. 3e tableau: Les entretiens de la belle et de la bête, Ma mère l'oye: V. 4e tableau: Petit poucet, Ma mère l'oye: VI. 5e tableau: Laideronnette, impératrice des pagodes, Ma mère l'oye: Vii. Apothéose: Le jardin féerique, Menuet antique: Maestoso, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: I. Andante tranquillo, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: II. Allegro, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: III. Adagio, Musik für Saiteninstrumente, Schlagzeug und Celesta, Sz 106: IV. Allegro molto, Musikalisches Opfer, BWV 1079 (Webern), Partita in D-minor, BWV 1004 (Hideo Saito), Pavane pour une infante défunte, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Prelude and Fugue in E-flat major, BWV 552 (Schoenberg), Psalm 149 for Chorus & Orchestra, Op. 79, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: I. Prélude à la nuit. Très modéré, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: II. Malagueña. Assez vif, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las, Rapsodie espagnole: IV. Feria, Rapsodie espagnole: IV. Feria. Assez animé, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: I. Introït et Kyrie, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: II. Offertoire, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: III. Sanctus, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: IV. Pie Jesu, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: V. Agnus Dei et Lux Aeterna, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VI. Libera me, Requiem for 2 solo voices, chorus, organ and orchestra, Op. 48: VII. In Paradisum, Romeo & Juliet, Op. 64: Act I, Scene I. Morning dance. Allegro, Romeo & Juliet, Op. 64: Act I, Scene I. Romeo (reflective). Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The Prince's decree. Andante, Romeo & Juliet, Op. 64: Act I, Scene I. The fight. Presto, Romeo & Juliet, Op. 64: Act I, Scene I. The quarrel. Allegro brusco, Romeo & Juliet, Op. 64: Act I, Scene I. The street awakens. Allegretto, Romeo & Juliet, Op. 64: Act I, Scene II. Arrival of the guests (Minuet). Assai moderato, Romeo & Juliet, Op. 64: Act I, Scene II. Balcony scene. Larghetto, Romeo & Juliet, Op. 64: Act I, Scene II. Gavotte (Departure of the guests). Allegro, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet the young girl. Vivace, Romeo & Juliet, Op. 64: Act I, Scene II. Juliet's variation. Moderato (quasi Allegretto), Romeo & Juliet, Op. 64: Act I, Scene II. Madrigal (Romeo and Juliet). Andante tenero, Romeo & Juliet, Op. 64: Act I, Scene II. Masks (Romeo, Mercutio and Benvolio in masks). Moderato marciale, Romeo & Juliet, Op. 64: Act I, Scene II. Mercutio. Allegro giocoso, Romeo & Juliet, Op. 64: Act I, Scene II. Preparations for the ball (Juliet and the Nurse). Andante assai - Scherzando, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo and Juliet's love dance. Andante, Romeo & Juliet, Op. 64: Act I, Scene II. Romeo's variation. Allegretto amoroso, Romeo & Juliet, Op. 64: Act I, Scene II. The knight's dance (Juliet and Paris's dance). Allegro pesante, Romeo & Juliet, Op. 64: Act I, Scene II. Tybalt recognizes Romeo. Allegro, Romeo & Juliet, Op. 64: Act I. Interlude. Andante pomposo (L'istesso tempo), Romeo & Juliet, Op. 64: Act I. Introduction. Andante assai, Romeo & Juliet, Op. 64: Act II, Scene III. Dance of the five couples. Vivo, Romeo & Juliet, Op. 64: Act II, Scene III. Dance with mandolins. Vivace, Romeo & Juliet, Op. 64: Act II, Scene III. Folk dance. Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene III. Romeo and Mercutio. Andante teneroso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse (looking for Romeo). Adagio scherzoso, Romeo & Juliet, Op. 64: Act II, Scene III. The Nurse delivers Juliet's letter to Romeo. Vivace, Romeo & Juliet, Op. 64: Act II, Scene IV. Juliet at Friar Laurence's. Lento, Romeo & Juliet, Op. 64: Act II, Scene IV. Romeo at Friar Laurence's. Andante espressivo, Romeo & Juliet, Op. 64: Act II, Scene V. Finale of Act II (Cortège with Tybalt's body). Adagio dramatico, Romeo & Juliet, Op. 64: Act II, Scene V. Mercutio dies. Moderato, Romeo & Juliet, Op. 64: Act II, Scene V. More merrymaking (folk dance repeated). Allegro giocoso, Romeo & Juliet, Op. 64: Act II, Scene V. Romeo resolves to avenge Mercutio's death. Andante. Animato - Presto, Romeo & Juliet, Op. 64: Act II, Scene V. The people continue to make merry. Vivo, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt and Mercutio fight. Precipitato, Romeo & Juliet, Op. 64: Act II, Scene V. Tybalt meets Mercutio. Moderato, Romeo & Juliet, Op. 64: Act III, Scene VI. Interlude. Adagio (L'istesso tempo), Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet alone. Adagio, Romeo & Juliet, Op. 64: Act III, Scene VI. Juliet refuses to marry Paris. Vivace - Allegro pesante, Romeo & Juliet, Op. 64: Act III, Scene VI. Romeo and Juliet. Lento, Romeo & Juliet, Op. 64: Act III, Scene VI. The Nurse (announces Juliet's parents and Paris). Andante assai - Più mosso con effetto, Romeo & Juliet, Op. 64: Act III, Scene VI. The last farewell. Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VII. At Friar Laurence's (Friar Laurence gives Juliet a sleeping-potion). Andante, Romeo & Juliet, Op. 64: Act III, Scene VII. Interlude. L'istesso tempo, Romeo & Juliet, Op. 64: Act III, Scene VIII. At Juliet's bedside (Juliet's apparent death). Andante - Adagio, Romeo & Juliet, Op. 64: Act III, Scene VIII. Dance of the young girls with the lilies. Andante con eleganza, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet alone (The sleeping-potion). Andante - Adagio - Andante, Romeo & Juliet, Op. 64: Act III, Scene VIII. Juliet's bedroom. Moderato tranquillo - Andante dolente, Romeo & Juliet, Op. 64: Act III, Scene VIII. Morning serenade (with mandolins). Andante giocoso, Romeo & Juliet, Op. 64: Act III. Introduction. Andante, Romeo & Juliet, Op. 64: Act IV, Scene IX. Death of Juliet. Adagio (meno mosso del tempo precedente), Romeo & Juliet, Op. 64: Act IV, Scene IX. Juliet's funeral (and Romeo's death). Adagio funebre, Romeo und Julia: Tanz der Ritter (Ausschnitt), Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour, Slavonic Dance in C major, Op. 72, #7, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto, Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai, Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat., Symphony No. 2 in C minor: I. Allegro maestoso, Symphony No. 2 in C minor: II. Andante moderato, Symphony No. 2 in C minor: III. In ruhig fliessender bewegung, Symphony No. 2 in C minor: IV. "Urlicht". Sehr feierlich, aber schlicht, Symphony No. 2 in C minor: V. Etwas bewegter ("O glaube, mein Herz, o glaube"), Symphony No. 2 in C minor: V. Im tempo des scherzo. Wild herausfahrend, Symphony No. 2 in C minor: V. Langsam. Misterioso ("Aufersteh'n"), Symphony No. 2 in C minor: V. Maestoso. Sehr zuruckhaltend - Wieder zuruckhaltend, Symphony No. 2 in C minor: V. Sehr langsam und gedehnt, Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden, Symphony no. 3 in D minor: Part II. II. Tempo di minuetto. Sehr mäßig, Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: Part II. IV. Zarathustras Mitternachtslied. Sehr langsam. Misterioso, Symphony no. 3 in D minor: Part II. V. Es sungen drei Engel. Lustig im Tempo und keck im Austruck, Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 4: I. Prelude: Maestoso, Symphony no. 4: II. Allegretto, Symphony no. 4: III. Fugue: Andante moderato, Symphony no. 4: IV. Very slowly – Largo maestoso, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich scneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz -, Symphony no. 5 in C-sharp minor: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: Part III. IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale: Allegro, Symphony no. 6 in A minor: Finale: Allegro moderato - Allegro energico, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus, Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran...", Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker, op. 71: Overture, The Planets: Jupiter, the Bringer of Jollity, The Planets: Mars, the Bringer of War, The Planets: Mercury, the Winged Messenger, The Planets: Neptune, the Mystic, The Planets: Saturn, the Bringer of Old Age, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, Toccata and Fugue in D-minor, BWV 565 (Stokowski), Une Barque sur l'Océan: Très souple de rythme, Valses Nobles et Sentimentales: VIII. Epilogue: Lent, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Var. I In canone all 'ottava, Var. II Alio modo in canone alle quinta, Var. III In canone alla settima, Var. IV In canone all 'ottava per augmentationem, Var. V L'altra sorte del canone al rovescio, Vom Himmel hoch, BWV 769 (Stravinsky); Choral, Wedding March, When Lilacs Last in the Dooryard Bloom'd: Part One, When Lilacs Last in the Dooryard Bloom'd: Part Three, When Lilacs Last in the Dooryard Bloom'd: Part Two, Zwanenmeer - Moderato
Matt Crawford conductor 2001 Odyssee im Weltraum: Also sprach Zarathustra, Also sprach Zarathustra, Also sprach Zarathustra, op. 30: Das Grablied, Also sprach Zarathustra, op. 30: Das Tanzlied, Also sprach Zarathustra, op. 30: Der Genesende, Also sprach Zarathustra, op. 30: Einleitung, Also sprach Zarathustra, op. 30: Nachtwandlerlied, Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: Von den Hinterweltlern, Also sprach Zarathustra, op. 30: Von den großen Sehnsucht, Also sprach Zarathustra, op. 30: Von der Wissenschaft, Anna Karenina: Swan Lake: Scene no. 10, Bolero (Finale), Carmina Burana: Cour d’amours, Carmina Burana: In taberna, Carmina Burana: Primo vere, Carnival Overture, op. 92, Concerto for Orchestra: Allegro - Largo - Allegro maestoso, Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra: II. Giuoco delle coppie. Allegretto scherzando, Concerto for Orchestra: III. Elegia. Andante, non troppo, Concerto for Orchestra: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra: V. Finale. Pesante - Presto, Ein Heldenleben, op. 40: Der Held, Ein Heldenleben, op. 40: Des Helden Friedenswerke, Ein Heldenleben, op. 40: Des Helden Gefährtin, Ein Heldenleben, op. 40: Des Helden Walstatt, Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung, Ein Heldenleben, op. 40: Des Helden Widersacher, Pavane pour une infante défunte, Pelléas et Mélisande, Op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, Op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, Op. 80: IV. Molto Adagio (La Mort de Mélisande), Swan Lake, op. 20: Act I: no. 1: Scène. Allegro giusto, Swan Lake, op. 20: Act I: no. 2: Valse. Tempo di valse, Swan Lake, op. 20: Act I: no. 3: Scène. Allegro moderato, Swan Lake, op. 20: Act I: no. 4: Pas de trois: I. Intrada. Allegro, Swan Lake, op. 20: Act I: no. 4: Pas de trois: II. Andante sostenuto, Swan Lake, op. 20: Act I: no. 4: Pas de trois: III. Allegro simplice - Presto, Swan Lake, op. 20: Act I: no. 4: Pas de trois: IV. Allegro, Swan Lake, op. 20: Act I: no. 4: Pas de trois: V. Allegro, Swan Lake, op. 20: Act I: no. 4: Pas de trois: VI. Coda. Allegro vivace, Swan Lake, op. 20: Act I: no. 5: Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato - II. Andante - Allegro, Swan Lake, op. 20: Act I: no. 5: Pas de deux: III. Tempo di valse, Swan Lake, op. 20: Act I: no. 5: Pas de deux: IV. Coda. Allegro molto vivace, Swan Lake, op. 20: Act I: no. 6: Pas d'action. Andantino quasi moderato - Allegro / no. 7: Sujet, Swan Lake, op. 20: Act I: no. 8: Danse des coupes. Tempo di polacca, Swan Lake, op. 20: Act I: no. 9: Finale. Sujet. Andante, Swan Lake, op. 20: Act II: no. 10: Scène. Moderato, Swan Lake, op. 20: Act II: no. 11: Scène. Allegro moderato - Moderato - Allegro vivo, Swan Lake, op. 20: Act II: no. 12: Scène. Allegro - Moderato assai quasi andante, Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: I. Tempo di valse, Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: II. Moderato assai, Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: III. Tempo di valse, Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: IV. Allegro moderato, Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: V. Pas d'action. Andante - Andante non troppo - Tempo I - Allegro, Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VI. Tempo di valse, Swan Lake, op. 20: Act II: no. 13: Danses des cygnes: VII. Coda. Allegro vivo, Swan Lake, op. 20: Act II: no. 14: Scène. Moderato, Swan Lake, op. 20: Act III: no. 15: Allegro giusto, Swan Lake, op. 20: Act III: no. 16: Danses du corps de ballet et des nains. Moderato assai - Allegro vivo, Swan Lake, op. 20: Act III: no. 17: Scène. Sortie des invités et valse. Allegro - Tempo di valse, Swan Lake, op. 20: Act III: no. 18: Scène. Allegro - Allegro giusto, Swan Lake, op. 20: Act III: no. 19: Pas de six: Intrada. Moderato assai, Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation I. Allegro - Variation II. Andante con moto, Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation III. Moderato - Variation IV. Allegro, Swan Lake, op. 20: Act III: no. 19: Pas de six: Variation V. Moderato - Allegro simplice - Coda. Allegro molto, Swan Lake, op. 20: Act III: no. 20: Danse hongroise. Czardas. Moderato assai - Allegro moderato - Vivace, Swan Lake, op. 20: Act III: no. 20a: Danse russe. Moderato - Andante simplice - Allegro vivo - Presto, Swan Lake, op. 20: Act III: no. 21: Danse espagnole. Allegro non troppo (Tempo di bolero), Swan Lake, op. 20: Act III: no. 22: Danse napolitaine. Allegro moderato - Andantino quasi moderato - Presto, Swan Lake, op. 20: Act III: no. 23: Mazurka. Tempo di mazurka, Swan Lake, op. 20: Act III: no. 24: Scène. Allegro - Valse - Allegro vivo, Swan Lake, op. 20: Act IV: no. 25: Entr'acte. Moderato - No. 26: Scène. Allegro non troppo, Swan Lake, op. 20: Act IV: no. 27: Danses des petits cygnes. Moderato, Swan Lake, op. 20: Act IV: no. 28: Scène. Allegro agitato - Molto meno mosso - Allegro vivace, Swan Lake, op. 20: Act IV: no. 29: Scène finale. Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato, Swan Lake, op. 20: Introduction. Moderato assai, Symphony no. 1 in D: "Blumine". Andante allegretto, Symphony no. 1 in D: I. Langsam. Schleppend, Symphony no. 1 in D: II. Kräftig bewegt, Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D: IV. Stürmisch bewegt, Symphony no. 8 "Sinfonia Votiva": I. Andante rubato con devozione, Symphony no. 8 "Sinfonia Votiva": II. Allegro assai con passione, Symphony no. 9 n E-flat, op. 95 "From the New World": I. Adagio, Symphony no. 9 n E-flat, op. 95 "From the New World": II. Largo, Symphony no. 9 n E-flat, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 n E-flat, op. 95 "From the New World": IV. Allegro con fuoco, The Miraculous Mandarin, op. 19: I. Allegro, The Miraculous Mandarin, op. 19: II. Comodo, The Miraculous Mandarin, op. 19: III. Allegretto, The Miraculous Mandarin, op. 19: IV. Lento, The Miraculous Mandarin, op. 19: V. Adagio, The Nutcracker, op. 71: Act I, no. 1. The Christmas Tree, The Nutcracker, op. 71: Act I, no. 2. March, The Nutcracker, op. 71: Act I, no. 3. Little Galop of the Children and Entry of the Parents, The Nutcracker, op. 71: Act I, no. 4. Drosselmeyer's Arrival and Distribution of Presents, The Nutcracker, op. 71: Act I, no. 5. Scene and Grandfather Dance, The Nutcracker, op. 71: Act I, no. 6. Departure of the guests, The Nutcracker, op. 71: Act I, no. 7. The battle, The Nutcracker, op. 71: Act I, no. 8. Journey Through the Snow, The Nutcracker, op. 71: Act I, no. 9. Waltz of the Snowflakes, The Nutcracker, op. 71: Act II, no. 10. Introduction, The Nutcracker, op. 71: Act II, no. 11. Arrival of Clara and the Prince, The Nutcracker, op. 71: Act II, no. 12. Character dances (Chocolate/Spanish, Coffee/Arabian, Tea/Chinese, Trepak/Russian, Reed-Flutes), The Nutcracker, op. 71: Act II, no. 14. Duet (Sugar Plum Fairy and Her Cavalier, Tarantella, Dance of the Sugar Plum Fairy, Coda), The Nutcracker, op. 71: Act II, no. 15. Final Waltz and Apotheosis, The Nutcracker, op. 71: Trépak (Russian Dance), The Shadows of Time: Ariel Maléfique, The Shadows of Time: Dominante Bleu ?, The Shadows of Time: Les Heures, The Shadows of Time: Mémoire des Ombres, The Shadows of Time: Vague de Lumière, The Sleeping Beauty Suite, op. 66a: I. Introduction, The Sleeping Beauty Suite, op. 66a: II. Rose Adagio, The Sleeping Beauty Suite, op. 66a: III. Puss in Boots and White Cat, The Sleeping Beauty Suite, op. 66a: IV. Panorama, The Sleeping Beauty Suite, op. 66a: V. Waltz, Toccata in D minor
Miki Hernandez conductor "La Brabançonne", National Anthem of the Kingdom of Belgium, A Portuguésa - National Anthem of the Portuguese Republic, Aegug-Ga - National Anthem of the Republic of Korea, Amhrán na bhFiann - National Anthem of Ireland, Der er et Yndigt land - National Anthem of the Kingdom of Denmark, Du gamla, du fria - National Anthem of the Kingdom of Sweden, Himno Nacional - National Anthem of the Republic of Costa Rica, Himno Nacional Argentino - National Anthem of Argentina, Himno Nacional Mexicano - National Anthem of the United Mexican States, Hino Nacional - National Anthem of the Federative Republic of Brazil, Kimigayo - National Anthem of Japan, La Marseillaise, March of the Volunteers - National Anthem of the People's Republic of China, Mazurek Dąbrowskiego - National Anthem of the Republic of Poland, National Anthem of Australia, National Anthem of Bosnia and Herzegovina, National Anthem of Canada, National Anthem of India, National Anthem of Jamaica, National Anthem of Mongolia, National Anthem of New Zealand, National Anthem of Romania, National Anthem of The Russian Federation, National Anthem of Ukraine, National Anthem of the Azerbaidjan Republic, National Anthem of the Czech Republic, National Anthem of the Democratic People's Republic of Algeria, National Anthem of the Democratic People's Republic of Korea, National Anthem of the Federal Republic of Germany, National Anthem of the Federal Republic of Yugoslavia, National Anthem of the Grand Duchy of Luxembourg, National Anthem of the Hellenic Republic, National Anthem of the Islamic Republic of Iran, National Anthem of the Kingdom of Norway, National Anthem of the Kingdom of Spain, National Anthem of the Kingdom of the Netherlands, National Anthem of the Kyrgyz Republic, National Anthem of the Principality of Andorra, National Anthem of the Principality of Liechtenstein, National Anthem of the Principality of Monaco, National Anthem of the Republic of Armenia, National Anthem of the Republic of Austria, National Anthem of the Republic of Belarus, National Anthem of the Republic of Bulgaria, National Anthem of the Republic of Chile, National Anthem of the Republic of Croatia, National Anthem of the Republic of Cyprus, National Anthem of the Republic of Estonia, National Anthem of the Republic of Finland, National Anthem of the Republic of Georgia, National Anthem of the Republic of Hungary, National Anthem of the Republic of Iceland, National Anthem of the Republic of Italy, National Anthem of the Republic of Kazakhstan, National Anthem of the Republic of Latvia, National Anthem of the Republic of Lithuania, National Anthem of the Republic of Macedonia, National Anthem of the Republic of Moldova, National Anthem of the Republic of Slovenia, National Anthem of the Republic of South Africa, National Anthem of the Republic of Uzbekistan, National Anthem of the Slovak Republic, National Anthem of the State of Israel, National Anthem of the Swiss Confederation, National Anthem of the United Kingdom, The Star-Spangled Banner, İstiklâl Marşı - National Anthem of the Republic of Turkey
Mark Ludwig conductor 1812 Overture, 1812 Overture, op. 49, Carmina Burana: Uf dem anger: Tanz -, Catfish Row: Catfish Row, Catfish Row: Fugue, Catfish Row: Good Mornin' Sistuh, Catfish Row: Hurricane, Catfish Row: Porgy Sings, Lieutenant Kijé, op. 60: I. Kijé's Birth, Lieutenant Kijé, op. 60: II. Romance, Lieutenant Kijé, op. 60: III. Kijé's Wedding, Lieutenant Kijé, op. 60: IV. Troika, Lieutenant Kijé, op. 60: V. Kijé's Burial, Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo, Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro, Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio, Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto, Ouverture solennelle "1814", op. 49: Largo - Andante - Allegro giusto - Largo - Allegro vivace, Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto, Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta. Non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 2 in D minor, op. 40: I. Allegro ben articolato, Symphony no. 2 in D minor, op. 40: II. Andante, Symphony no. 3 in C minor, op. 44: I. Moderato, Symphony no. 3 in C minor, op. 44: II. Andante, Symphony no. 3 in C minor, op. 44: III. Allegro agitato, Symphony no. 3 in C minor, op. 44: IV. Andante mosso - Allegro moderato, Symphony no. 4 in C major, op. 47/112: I. Andante - Allegro eroico, Symphony no. 4 in C major, op. 47/112: II. Andante tranquillo, Symphony no. 4 in C major, op. 47/112: III. Moderato, quasi allegretto, Symphony no. 4 in C major, op. 47/112: IV. Allegro risoluto - Andantino - Allegro come prima - Moderato brioso, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima – Andante mosso – Allegro non troppo – Tempo I, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Molto vivace – Moderato assai e molto maestoso – Presto, Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato, Symphony no. 6 in E-flat minor, op. 111: II. Largo, Symphony no. 6 in E-flat minor, op. 111: III. Vivace, Symphony no. 7 in C-sharp minor, op. 131: I. Moderato, Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto, Symphony no. 7 in C-sharp minor, op. 131: III. Andante espressivo, Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace, Tannhäuser : Ouverture
Robert Pepper conductor An Der Schönen, Blauen Donau (Walzer), Aquarellen, op. 258, Beliebte Annen-Polka, Op. 137, Danse Diabolique, Danse diabolique, Die Fledermaus (Ouvertüre), Die Libelle (Polka Mazur), Die Schwätzerin (Polka Mazur), Elisen-Polka Française, Entrée Solennelle des Chevaliers de l'Ordre de Saint-Jean, Fanfare pour L'Orchestre Philarmonique de Vienne, Künstlerleben (Walzer), Künstlerleben, op. 316: Walzer, Plappermäulchen! (Polka Schnell), Radetzky-Marsch, Tik-Tok (Polka Schnell), Une Symphonie Alpestre: Am Wasserfall, Une Symphonie Alpestre: Auf Blumingen Wiesen, Une Symphonie Alpestre: Auf Dem Gipfel, Une Symphonie Alpestre: Auf Dem Gletscher, Une Symphonie Alpestre: Auf Der Alm, Une Symphonie Alpestre: Ausklang, Une Symphonie Alpestre: Der Anstieg, Une Symphonie Alpestre: Die Sonne Verdustert Sich Allmahlich, Une Symphonie Alpestre: Durch Dickicht Und Gestrupp Auf Irrwegen, Une Symphonie Alpestre: Eintritt in Den Wald, Une Symphonie Alpestre: Elegie, Une Symphonie Alpestre: Erscheinung, Une Symphonie Alpestre: Gefahrvolle Augenblicke, Une Symphonie Alpestre: Gewitter Und Sturm, Abstieg, Une Symphonie Alpestre: Nacht, Une Symphonie Alpestre: Nebel Steigen Auf, Une Symphonie Alpestre: Sonnenaufgang, Une Symphonie Alpestre: Sonnenuntergang, Une Symphonie Alpestre: Stille Vor Dem Sturm, Une Symphonie Alpestre: Vision, Une Symphonie Alpestre: Wanderung Neben Den Bache, Vorwärts! (Polka Schnell), Wiener Blut (Walzer), Živio! (Marsch)
Hector Berlioz conductor La Damnation de Faust, op. 24: Menuet des feux follets, La Damnation de Faust, op. 24: «Autrefois un roi de Thulé» (Marguerite), La Damnation de Faust, op. 24: «D'amour l'ardente flamme» (Marguerite), La Damnation de Faust, op. 24: «La vieil hiver a fait place au printemps» (Faust), La Damnation de Faust, op. 24: «Nature immense, impénétrable et fière», La Damnation de Faust: Air de Faust, La Damnation de Faust: Air de Méphistophélès, La Damnation de Faust: Au son des trompettes, La Damnation de Faust: Ballet des sylphes, La Damnation de Faust: Chanson de Brander, La Damnation de Faust: Chanson de Méphistophélès, La Damnation de Faust: Chant de la Fête de Pâques, La Damnation de Faust: Choeur de Soldats, La Damnation de Faust: Choeur de gnomes et de sylphes - Songe de Faust, La Damnation de Faust: Choeur des Buveurs, La Damnation de Faust: Dans le Ciel - Apothéose de Marguerite, La Damnation de Faust: Duo, La Damnation de Faust: Evocation, La Damnation de Faust: Fugue sur le Thème de la Chanson de Brander, La Damnation de Faust: Introduction, La Damnation de Faust: Invocation à la Nature, La Damnation de Faust: Je l'entends!, La Damnation de Faust: La Course à l'Abîme, La Damnation de Faust: Le Roi de Thulé, La Damnation de Faust: Mais d'un éclat guerrier les campagnes se parent, La Damnation de Faust: Menuet des Feux Follets, La Damnation de Faust: Pandaemonium - Epilogue sur la Terre, La Damnation de Faust: Que l'air est étouffant!, La Damnation de Faust: Romance, La Damnation de Faust: Ronde des Paysans, La Damnation de Faust: Récitatif et Chasse, La Damnation de Faust: Sans regrets jái quitté les riantes campagnes, La Damnation de Faust: Sérénade de Méphistopélès et Choeur de Feux Follets, La Damnation de Faust: Trio et Choeur, La Damnation de Faust: Ô pure émotion! Enfant du saint parvis!, Romeo und Julia: III. Teil: Liebesszene (Ausschnitt)
Maurice Ravel conductor Daphnis et Chloé: I. Lever du jour, I. Danse de générale, I. Danse des jeunes filles, I. Danse grotesque de Dorcon, I. Danse lente et mysterieuse des nymphs (lente et tres souple de mesure), I. Danse lente et mysterieuse des nymphs (modere), I. Danse légère et gracieuse de Daphnis, I. Danse religieuse, I. Entree de Daphnis Et Chloé, I. Introduction, I. Invasion des pirates, I. Le désir de Dorcon pour Chloé, I. Le triomphe de Daphins et l'union extatique avec Chloé, I. Tentative de seduction sur Lyceion, et dance des voiles, II. Bryaxis ordonne d'amener la captive, II. Danse guerrière des pirates (animé et tres rude), II. Danse guerrière des pirates (un peu moins animé), II. Danse générale, II. Danse suppliante de Chloé (assez animé), II. Entree des jeunes, agitant des tambourins, II. Interlude, II. Lever du jour - Daphnis et Chloé sont réunis, II. Pantomime (lent), II. Pantomime (tres lent), II. l'Atmosphère se charge
Empty taxi conductor Salome: Du bist verflucht, Salome: Du wirst das für mich tun, Salome: Eine Menge Menschen wird sich gegen sie sammeln, Salome: Er ist schrecklich. Er ist wirklich schrecklich!, Salome: Ich will nicht bleiben, Salome: Jauchze nicht, du Land Palästina, Salome: Jochanaan! Ich bin verliebt in deinen Leib, Salome: Laß mich deinen Mund küssen, Jochanaan, Salome: Nach mir wird Einer kommen, Salome: Salome, komm, trink Wein mit mir, Salome: Sieh, die Zeit ist gekommen, Salome: Siehe, der Herr ist gekommen, Salome: Siehe, der Tag ist nah, Salome: Tanz für mich, Salome, Salome: Wahrhaftig, Herr, es wäre besser, Salome: Wer ist dies Weib, das mich ansieht?, Salome: Wie schön ist die Prinzessin Salome heute Nacht!, Salome: Wird dir nicht bange, Tochter der Herodias?, Salome: Wo is er, dessen Sündenbecher jetzt voll ist?, Salome: Wo ist Salome?, Salome: Zurück, Tochter Sodoms! Berühre mich nicht!
Toni Carroll conductor Matthäus-Passion BWV 244: I. Kommt, ihr töchter helft mir klagen, Matthäus-Passion BWV 244: LIX. Ach, Golgatha, unsel'ges Golgatha, Matthäus-Passion BWV 244: LX. Sehet, Jesus hat die Hand, Matthäus-Passion BWV 244: LXI. Und von der sechsten Stunde an, Matthäus-Passion BWV 244: LXII. Wenn ich einmal soll scheiden, Matthäus-Passion BWV 244: LXIII. Und siehe da, der Vorhang im Tempel zerriss, Matthäus-Passion BWV 244: LXIV. Am Aben, da es kühle war, Matthäus-Passion BWV 244: LXV. Mache dich, mein Herze, rein, Matthäus-Passion BWV 244: LXVII. Nun ist der Herr zur Ruh gebracht, Matthäus-Passion BWV 244: LXVIII. Wir setzen uns mit Tränen nieder, Matthäus-Passion BWV 244: V. Du lieber Heiland du, Matthäus-Passion BWV 244: VI. Buß und Reu, Matthäus-Passion BWV 244: XI. Er antwortete und sprach, Matthäus-Passion BWV 244: XII. Wiewohl mein Herz in Tränen schwimmt, Matthäus-Passion BWV 244: XIII. Ich will dir mein Herze schenken, Matthäus-Passion BWV 244: XVII. So ist mein Jesus nun gefangen, Matthäus-Passion BWV 244: XX. Ich will bei meinem Jesu wachen, Matthäus-Passion BWV 244: XXXIX. Erbarme dich, mein Gott, Matthäus-Passion BWV 244: XXXX. Bin ich gleich von dir gewichen, Matthäus-Passion BWV 244: XXXXI. Gebt mir meinen Jesum Wieder, Matthäus-Passion BWV 244: XXXXIX. Aus Liebe will mein Heiland sterben
Felix Mendelssohn conductor A Midsummer Night's Dream, Op. 61 No. 10a: Prologue, A Midsummer Night's Dream, Op. 61 No. 10b: Marcia funebre. Allegro comodo, A Midsummer Night's Dream, Op. 61 No. 11: Dance of the Clowns, A Midsummer Night's Dream, Op. 61 No. 12: Allegro vivace come 1, A Midsummer Night's Dream, Op. 61 No. 1: Scherzo - Allegro vivace, A Midsummer Night's Dream, Op. 61 No. 2: L'istesso tempo, A Midsummer Night's Dream, Op. 61 No. 3: Song with Chorus "Bunte Schlangen, zweigezüngt". Allegro ma non troppo, A Midsummer Night's Dream, Op. 61 No. 4: The Speels. Andante - Allegro molto, A Midsummer Night's Dream, Op. 61 No. 5: Intermezzo. Allegro appassionato, A Midsummer Night's Dream, Op. 61 No. 7: Notturno, A Midsummer Night's Dream, Op. 61 No. 8: Melodram. Andante, A Midsummer Night's Dream, Op. 61 No. 9: Wedding March. Allegro vivace, A Midsummer Night's Dream, Op. 61: Finale "Bei des Feuers mattem Flimmern", A Midsummer Night's Dream, Op. 61: March of the Fairies. Allegro vivace, A Midsummer Night's Dream: March of the Fairies, A Midsummer Night's Dream: You Spotted Snakes, Overture "A Midsummer Night's Dream", Op. 21, Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: II. Andante, Violin Concerto in E minor, Op. 64: III. Allegretto non troppo
Dinh Gilly conductor Swan Lake, Op. 20: Suite. I. Scène. Allegro Giusto, Swan Lake, Op. 20: Suite. II. Waltz, Swan Lake, Op. 20: Suite. III. Dance of the Little Swans, Swan Lake, Op. 20: Suite. IV. Andante, Swan Lake, Op. 20: Suite. V. Hungarian Dance (Czardas), Swan Lake, Op. 20: Suite. VI. Scène Finale, The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: a. March, The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: b. Dance of the Sugar Plum Fairy, The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: c. Russian Dance (Trépak), The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: d. Arab Dance, The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: e. Chinese Dance, The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: f. Dance of the Reed Pipes, The Sleeping Beauty, Op. 66: Suite. I. Introduction: The Lilac Fairy, The Sleeping Beauty, Op. 66: Suite. II. Adagio "Rose Adagio", The Sleeping Beauty, Op. 66: Suite. III. Puss-in-boots and the White Cat, The Sleeping Beauty, Op. 66: Suite. IV. Panorama, The Sleeping Beauty, Op. 66: Suite. V. Valse
Hjortene conductor Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro, Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato, Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto / III. Rondo. Vivace, Concerto no. 1 in C major, op. 15: I. Allegro con brio, Concerto no. 1 in C major, op. 15: II. Largo, Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando, Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio, Concerto no. 2 in B-flat major, op. 19: II. Adagio, Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro, Concerto no. 4 in G, op. 58: I. Allegro moderato, Concerto no. 4 in G, op. 58: II. Andante con moto, Concerto no. 4 in G, op. 58: III. Rondo: Vivace, Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco, Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo: Allegro
Megan Simpson conductor Carmen-Suite No. 1: I: Prélude, Carmen-Suite No. 1: II: Entr'acte, Carmen-Suite No. 1: III: Entr'acte, Carmen-Suite No. 1: V: Prélude, Carmen-Suite No. 2: II: Habanera, Carmen-Suite No. 2: V: Danse bohème, Carmen: Prélude, L'Arlésienne-Suite No. 1: I: Prélude, L'Arlésienne-Suite No. 1: II: Minuetto, L'Arlésienne-Suite No. 1: III: Adagietto, L'Arlésienne-Suite No. 1: IV: Carillon, L'Arlésienne-Suite No. 2: I: Pastorale, L'Arlésienne-Suite No. 2: II: Intermezzo, L'Arlésienne-Suite No. 2: III: Menuet, L'Arlésienne-Suite No. 2: IV: Farandole, L’Arlisienne: Suite no. 2, Farandole
Модест Петрович Мусоргский conductor Bilder Einer Ausstellung; X: Das Große Tor Von Kiev, Pictures at an Exhibition: I. Promenade, Pictures at an Exhibition: II. Gnomus, Pictures at an Exhibition: III. Promenade, Pictures at an Exhibition: IV. Il vecchio castello, Pictures at an Exhibition: IX. Ballet of chicks in their shells, Pictures at an Exhibition: V. Promenade, Pictures at an Exhibition: VI. Tuileries, Pictures at an Exhibition: VII. Bydlo, Pictures at an Exhibition: VIII. Promenade, Pictures at an Exhibition: X. Samuel goldberg and schmuyle, Pictures at an Exhibition: XI. The marketplace at limoges, Pictures at an Exhibition: XII. Catacombae, sepulchrum romanum, Pictures at an Exhibition: XIII. Con mortuis in lingua mortua, Pictures at an Exhibition: XIV. The hut on fowl's legs, Pictures at an Exhibition: XV. The great gate of Kiev
Игорь Фёдорович Стравинский conductor Fireworks (Fantasy for Orchestra, Op. 4), The Rite of Spring [Part II]: Introduction, The Rite of Spring [Part I]: Introduction, The Rite of Spring: Adoration of the Earth (Wise Elder), The Rite of Spring: Dance of the Earth, The Rite of Spring: Games of the Rival Tribes, The Rite of Spring: Glorification of the Chosen One, The Rite of Spring: Harbingers of Spring, The Rite of Spring: Mock Abduction, The Rite of Spring: Mystic Circles of the Young Girls, The Rite of Spring: Procession of the Wise Elder, The Rite of Spring: Ritual of the Ancients, The Rite of Spring: Sacrificial Dance (Chosen One), The Rite of Spring: Spring Rounds, The Rite of Spring: Summoning of the Ancients
Benjamin Britten conductor The Young Person's Guide to the Orchestra: I. Theme, The Young Person's Guide to the Orchestra: II. var A: Flute & Piccolo, The Young Person's Guide to the Orchestra: III. var B: Oboes, The Young Person's Guide to the Orchestra: IV. var C: Clarinets, The Young Person's Guide to the Orchestra: IX var H: Doublebasses, The Young Person's Guide to the Orchestra: V. var D: Bassoons, The Young Person's Guide to the Orchestra: VI. var E: Violins, The Young Person's Guide to the Orchestra: VII. var F: Violas, The Young Person's Guide to the Orchestra: VIII. var G: Cellos, The Young Person's Guide to the Orchestra: X. var I: Harp, The Young Person's Guide to the Orchestra: XI. var J: French Horns, The Young Person's Guide to the Orchestra: XII. var K: Trumpets, The Young Person's Guide to the Orchestra: XIII. var L: Trombones & Tuba, The Young Person's Guide to the Orchestra: XIV. var M: Percussion, The Young Person's Guide to the Orchestra: XV. Full Orchestra
Пётр Ильич Чайковский conductor Capriccio Italien, Op. 45: Andante un poco rubato - Allegro moderato - Andante - Presto - Allegro moderato - Presto. Più presto - Prestissimo, Capriccio italien, Op. 45, Der Nussknacker - Arabischer Tanz, Der Nussknacker - Blumenwalzer, La Lac des Cygnes, Op. 20: Act I No. 2. Valse, La Lac des Cygnes, Op. 20: Act IV No. 29. Scène finale, Schwanensee - Szene No.10 - 'Anna Karenina', Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo, The Nutcracker, Op. 71: Chinese Dance, The Nutcracker, Op. 71: Dance of the Flutes, The Nutcracker, Op. 71: Dance of the Sugar Plum Fairy, The Nutcracker, Op. 71: Waltz of the Flowers, The Sleeping Beauty Suite, Op. 66a: No. 1. Introduction, The Sleeping Beauty, Op. 66: Waltz, Violin Concerto: I. Allegro moderato (excerpt)
William G. Harvey conductor Gloria: I. Gloria, Gloria: II. Laudamus te, Gloria: IV. Domine Fili unigenite, Stabat Mater: I. Stabat Mater dolorosa, Stabat Mater: II. Cujus animam gementem, Stabat Mater: III. O quam tristis, Stabat Mater: IV. Quae maerebat, Stabat Mater: IX. Sancta Mater, Stabat Mater: V. Quis est homo, Stabat Mater: VII. Eja mater, Stabat Mater: VIII. Fac, Ut Ardeat, Stabat Mater: XI. Inflammatus et accensus, Stabat Mater: XII. Quando corpus, The Miraculous Mandarin, op. 19: VI. Molto moderato
Broeder Hildebrand conductor "Egmont" Overture, op. 84, Danza húngara N.º 5 en sol menor, Hungarian Dances: No. 1 in G minor, Hungarian Dances: No. 10 in F major, Hungarian Dances: No. 3 in F major, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale. Allegro molto
Alex Schmelia conductor Don Quixote, Op. 35, Don Quixote, op. 35: Finale: Sehr ruhig, Don Quixote, op. 35: Introduction: Massiges Zeitmass, Don Quixote, op. 35: Theme: Don Quixote, The Knight of the Sorrowful Countenance: Massig Sancho Panza: Maggiore, Don Quixote, op. 35: Variation I: Gemachlich, Don Quixote, op. 35: Variation III: Massiges Zeitmass, Don Quixote, op. 35: Variation IV - Etwas breiter, Don Quixote, op. 35: Variation IX: Schnell und Sturmisch, Don Quixote, op. 35: Variation V - Sehr langsam, Don Quixote, op. 35: Variation VI - Schnell, Don Quixote, op. 35: Variation VII: Ein Wenig Ruhiger Als Vorher, Don Quixote, op. 35: Variation VIII: Gemachlich, Don Quixote, op. 35: Variation X - Viel breiter
Schild conductor Concerto for Orchestra: I. Introduzione, Concerto for Orchestra: II. Giuocco delle Coppia, Concerto for Orchestra: II. Giuoco delle coppie, Concerto for Orchestra: III. Elegia, Concerto for Orchestra: IV. Intermezzo interrotto, Concerto for Orchestra: V. Finale, Prince Igor: Act II. Dance of the Polovtsian maidens, Sinfonietta: I. Allegretto, Sinfonietta: II. Andante, Sinfonietta: III. Moderato, Sinfonietta: IV. Allegretto, Sinfonietta: V. Andante con moto - Allegretto
Jonathan Cainer conductor An American in Paris, Romeo and Juliet Fantasy Overture, Symphonic Dances from West Side Story: Cha‐cha (Andante con grazia), Symphonic Dances from West Side Story: Finale (Adagio), Symphonic Dances from West Side Story: Mambo (Presto), Symphonic Dances from West Side Story: Meeting Scene, Symphonic Dances from West Side Story: Prologue (Allegro moderato), Symphonic Dances from West Side Story: Rumble (Molto allegro), Symphonic Dances from West Side Story: Scherzo (Vivace leggiero), Symphonic Dances from West Side Story: “Cool” (Allegretto), Symphonic Dances from West Side Story: “Somewhere” (Adagio), West Side Story: Prologue / Mambo / Finale
Detached conductor Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: I. Moderato - Più vivo - Allegro - Maestoso - Alla marcia - Moderato, Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: II. Adagio Sostenuto, Concerto for Piano and Orchestra No. 2 in C minor, Op. 18: III. Allegro scherzando - Moderato - Allegro scherzando - Presto - Moderato - Allegro scherzando - Alla breve - Presto - Maestoso - Risoluto, Concerto for Piano and Orchestra no. 2 in A major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai -, Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso -, Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro -, Concerto for Piano and Orchestra no. 2 in A major, S. 125: 4. Allegro animato - Stretto (molto accelerando), Concerto for Piano and Orchestra, No. 1 in F-sharp minor, Op. 1: I. Vivace - Moderato - Vivace, Concerto for Piano and Orchestra, No. 1 in F-sharp minor, Op. 1: II. Andante, Concerto for Piano and Orchestra, No. 1 in F-sharp minor, Op. 1: III. Allegro vivace, Totentanz (Danse macabre)
Béla Bartók conductor Concerto for Orchestra: I. Introduzione: Andante non troppo - Allegro vivace, Concerto for Orchestra: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra: III. Elegia: Andante non troppo, Concerto for Orchestra: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra: V. Finale: Pesante - Presto, Music for Strings, Percussion & Celesta: I. Andante tranquillo, Music for Strings, Percussion & Celesta: II. Allegro, Music for Strings, Percussion & Celesta: III. Adagio, Music for Strings, Percussion & Celesta: IV. Allegro molto
Pay-Tur conductor Peter and the Wolf, op. 67, A Musical Tale: Introduction: Naming the Instruments, Peter and the Wolf, op. 67, A Musical Tale: “Early one morning Peter opened the gate and went out on a big green meadow.”, Peter and the Wolf, op. 67, A Musical Tale: “Just then the hunters came out of the woods.”, Peter and the Wolf, op. 67, A Musical Tale: “No sooner had Peter gone, than a big grey wolf came out of the forest.”, The Young Person’s Guide to the Orchestra, op. 34: Fugue, The Young Person’s Guide to the Orchestra, op. 34: Introduction, The Young Person’s Guide to the Orchestra, op. 34: Theme, The Young Person’s Guide to the Orchestra, op. 34: Variations
Melting Potheads conductor Francesca da Rimini, Op. 32, March Slave, Op. 31, Ouverture solennelle 1812, Op. 49, Polonaise - "Eugene Onegin" (Act III), Op. 24, Symphony no. 4 in F minor, op. 36: I. Andante Sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco
Lightyear conductor Capriccio italien, op. 45: Andante un poco rubato - Allegro moderato - Andante - Presto - Allegro moderato - Presto - Più presto - Prestissimo, Der fliegende Hollander: Overture, Die Meistersinger von Nürnberg: Prelude to Act I, Lohengrin: Prelude to Act I, Tannhäuser: Overture, Tristan und Isolde: Liebestod, Tristan und Isolde: Prelude
Hi-Life conductor Piano Concerto in G major: I. Allegramente, Piano Concerto in G major: II. Adagio assai, Piano Concerto in G major: III. Presto, Piano Concerto no. 2 in G minor, op. 16: I. Andantino, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo (Vivace), Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo (Allegro moderato), Piano Concerto no. 2 in G minor, op. 16: IV. Finale (Allegro tempestoso)
Ian Everson conductor Piano Concerto in G major: I. Allegramente - Andante, Piano Concerto in G major: II. Adagio assai, Piano Concerto in G major: III. Presto, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro - Andante, Piano Concerto no. 3 in C major, op. 26: II. Theme: Andantino and Variations 1-5, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo
サム・パク conductor Concerto for Violin and Orchestra No. 2, Op. 129: I. Moderato, Concerto for Violin and Orchestra No. 2, Op. 129: II. Adagio, Concerto for Violin and Orchestra No. 2, Op. 129: III. Adagio - Allegro, Concerto for Violin and Orchestra in A minor (Schuman, Cello Concerto Op. 129, violin part: arr. Schostakovich): I. Nicht zu schnell, Concerto for Violin and Orchestra in A minor (Schuman, Cello Concerto Op. 129, violin part: arr. Schostakovich): II. Langsam, Concerto for Violin and Orchestra in A minor (Schuman, Cello Concerto Op. 129, violin part: arr. Schostakovich): III. Sehr lebhaft
Franziska Staubli conductor Violin Concerto in D major, Op. 35: I. Allegro moderato, Violin Concerto in D major, Op. 35: II. Canzonetta (Andante), Violin Concerto in D major, Op. 35: III. Allegro vivacissimo, Violin Concerto in D, op. 35: I. Allegro moderato, Violin Concerto in D, op. 35: II. Canzonetta (Andante), Violin Concerto in D, op. 35: III. Allegro vivacissimo
Sergio Avil conductor Le Rouet d'Omphale, Op. 31, Phaéton, Op. 39, Symphony No. 3 in C minor, Op. 78 "Organ": I. Adagio - Allegro moderato, Symphony No. 3 in C minor, Op. 78 "Organ": I. Poco adagio, Symphony No. 3 in C minor, Op. 78 "Organ": II. Allegro moderato - Presto, Symphony No. 3 in C minor, Op. 78 "Organ": II. Maestoso - Allegro
John Henriksson conductor Romeo und Julia: I. Die Montagues und Capulets (op. 64b), Romeo und Julia: IV. Tanz (op. 64b), Romeo und Julia: VI. Tanz der Mädchen von den Antillen (op. 64b), Romeo und Julia: VII. Romeo am Grabe Julias (op. 64b), Romeo und Julia: VII. Tybalts Tod (op. 64a)
Brandon Wardell conductor Gloria: III. Domine Deus, Gloria: V. Domine Deus, Agnus Dei, Gloria: VI. Qui sedes ad dexteram Patris, Stabat Mater: VI. Vidit suum, Stabat Mater: X. Fac ut portem
Barry O'Mahony conductor Le Temps l'horloge: Enivrez-vous, Le Temps l'horloge: Interlude, Le Temps l'horloge: Le Dernier Poème, Le Temps l'horloge: Le Masque, Le Temps l'horloge: Le Temps l'horloge
Darren Elcock conductor Scheherazade, op. 35: I. The Sea and Sinbad's Ship. Largo e maestoso - Allegro non troppo, Scheherazade, op. 35: II. The Tale of the Kalendar Prince. Lento - Andante, Scheherazade, op. 35: III. The Young Prince and The Young Princess. Andantino quasi allegretto, Scheherazade, op. 35: IV. Festival at Baghdad - The Sea - Shipwreck on a Rock surmounted by a Bronze Warrior - Conclusion. Allegro molto
Georges Bizet conductor Carmen: Act 3 Prelude "Intermezzo", Carmen: Act 3. Entr'acte, Carmen: L'amour est un oiseau rebelle (Habanera), L'Arlésienne, Suite No. 2: VIII. Farandole
Ludwig van Beethoven conductor Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: III. Allegro / IV. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro
Sam Barugh conductor Symphony no. 8 in E-flat major, “Symphony of a Thousand”: I. Hymnus: “Veni, Creator Spiritus”, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from Goethe’s “Faust II (continuation)”: “Uns bleibt ein Erdenrest”, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from Goethe’s “Faust II” (conclusion): “Neige, neige, du Ohnegleiche”, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from Goethe’s “Faust II”: Poco adagio - “Waldung, sie schwankt heran...”
Pericle Sponzilli conductor Les Contes d'Hoffman: Acte II. Récitatif et Romance "Ils se sont éloignés enfin !" (Hoffman, Olympia), Les Contes d'Hoffman: Acte III. Duo "J'ai le bonheur dans l'âme !" (Hoffmann, Antonia), Les Contes d'Hoffman: Acte III. Récitatif "C'est une chanson d'amour qui s'envole" (Hoffmann, Antonia), Les Contes d'Hoffman: Acte III. Scène "Ne plus chanter !" (Hoffmann, Antonia)
Plácido Domingo conductor Les Contes d'Hoffman: Acte I. Chanson "Il était une fois à Ia cour d'Eisenach" (Hoffmann, les étudiants, Nathanaël), Les Contes d'Hoffman: Acte II. Récitatif et Romance "Ah ! Vivre deux" (Hoffmann), Les Contes d'Hoffman: Acte IV. Couplets bachiques "Amis, l'amour tendre et rêveur, erreur !" (Hoffmann, les invités), Les Contes d'Hoffman: Acte IV. Récitatif "Et moi, ce n'est pas là" (Hoffmann)
Banda du 1er RPIMa conductor Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Edgar Patrik conductor Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso, Piano Concerto No. 1 in B-flat minor, Op. 23: II. Andantino, Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco
Gagan Baderiya conductor Concert champêtre: I. Allegro molto, Concert champêtre: II. Andante, Concert champêtre: III. Finale
Gold Coast Youth Alive conductor Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Jesús Flores Roque conductor Carmina Burana: I. Primo vere: Omnia sol temperat, Carmina Burana: II. In Taberna: Estuans interius, Carmina Burana: III. Cour d'amours: Dies, nox et omnia
DJ Diskotek conductor Violin Concerto in D, op. 35: I. Allegro moderato, Violin Concerto in D, op. 35: II. Canzonetta: Andante -, Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo
Djimé Sissoko conductor Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve
Juan I. Goncebat conductor Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta. Andante, Violin Concerto in D major, op. 35: III. Allegro vivacissimo
Arnold Schönberg conductor Concerto for Cello & Orchestra: I. Allegro moderato, Concerto for Cello & Orchestra: II. Andante, alla marcia, Concerto for Cello & Orchestra: III. Tempo di Minuetto
Martin Perret conductor Violin Concerto No. 1 in G minor, Op. 26: I. Allegro Moderato, Violin Concerto No. 1 in G minor, Op. 26: II. Adagio, Violin Concerto No. 1 in G minor, Op. 26: III. Finale (Allegro energico)
Antonín Dvořák conductor Cello Concerto in B minor, B. 191, op. 104: I. Allegro, Cello Concerto in B minor, B. 191, op. 104: II. Adagio ma non troppo, Cello Concerto in B minor, B. 191, op. 104: III. Finale: Allegro moderato
Nick Turner conductor Concerto in G minor for Organ, Strings and Timpani: I. Andante, Allegro giocoso, Concerto in G minor for Organ, Strings and Timpani: II. Subito andante moderato, Concerto in G minor for Organ, Strings and Timpani: III. Tempo Allegro, Molto Agitato - Très Calme, Lent - Tempo de l'Allegro initial - Tempo introduction: Largo
Rafael Mendoza conductor Carmina Burana: III. Cour d'amours: Dulcissime, Carmina Burana: III. Cour d'amours: In trutina, Carmina Burana: III. Cour d'amours: Stetit puella
Edita Gruberová conductor Les Contes d'Hoffman: Acte II. Aria "Les oiseaux dans Ia charmille" (Olympia, les invités), Les Contes d'Hoffman: Acte III. Romance "Elle a fui, Ia tourterelle" (Antonia)
Jessye Norman conductor Carmen: Habanera, Carmen: Prélude
P. García conductor Three Pieces for Blues Band and Symphony Orchestra op. 50: 1st Part, Three Pieces for Blues Band and Symphony Orchestra op. 50: 3rd Part
Johann Strauss conductor An der schönen blauen Donau, Wiener Blut
Ric Simenson conductor Capriccio Italien, op. 45, Capriccio Italien, p. 45
File Transfer Protocol conductor A Flock Descends Into the Pentagonal Garden, Quatrain
Josef Strauss conductor Die Libelle, Im Fluge, Op. 230
Ella Cornwell conductor Après un Rêve op. 7, no. 1, Élégie, op. 24: Molto adagio
Actionesse conductor Les Contes d'Hoffman: Acte I. Finale "Peuh ! Cette bière est détestable !" (Hoffmann, les étudiants, Nicklausse, Nathanaël, Lindorf), Les Contes d'Hoffman: Acte II. Récitatif "Allons ! Courage et confiance...Ah ! vivre deux" (Hoffman, Nicklausse)
Gabriel Fauré conductor Opus 50 (Pavane)., Requiem in C minor, op. 48, no. 4: Pie Jesu
Holiday conductor Les Contes d'Hoffman: Acte I. Prélude et Introduction, Les Contes d'Hoffman: Entr'acte
Manuel de Falla conductor El sombrero de tres picos: Danza del molinero, El sombrero de tres picos: Introducción
Dee Keating conductor Rhapsody in Blue, Variations on "I Got Rhythm"
Carl Orff conductor Carmina Burana : O Fortune, Carmina Burana: O Fortuna (extract)
Ellesmere conductor Les Contes d'Hoffman: Acte II. Couplets et Récitatif "Ah ! mon ami! quel accent !" (Hoffmann, Nicklausse, Spalanzani, les invités, Olympia, Cochenille)
Locus Amoenus conductor Les Contes d'Hoffman: Acte III. Finale: Scène "Mon enfant ! ma fille !" (Crespel, Antonia, Nicklausse, Hoffmann, Miracle)
Los Chevaliers conductor Les Contes d'Hoffman: Acte IV. Septuor "Hélas ! mon coeur s'égare encore" (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlémil, les invités, Pitichinaccio)
Los Crema conductor Les Contes d'Hoffman: Acte V. Finale "Des cendres de ton cœur, réchauffe ton génie" (La Muse, les espirits invisibles)
Lars Kristensen vocal Die Neujahrsansprache
Lapses conductor Don Quixote, op. 35: Variation II - Kriegerisch
Marc Pouliot conductor Romeo und Julia
La Nueva Milonga conductor Les Contes d'Hoffman: Acte IV. Scène "Schlémil !" (Giulietta, Schlémil, Hoffman, Pitichinaccio, Dapertutto, Nicklausse, les invités)
La Milonga Nacional conductor Les Contes d'Hoffman: Acte IV. Scène "Je vois qu'on est en fête" (Schlémil, Giulietta, Pitichinaccio, Hoffmann, les invités, Nicklausse, Dapertutto)
Julian Berg conductor Les Contes d'Hoffman: Acte II. Scène avec chœur "Non, aucun hôte vraiment" (Les invités, Spalanzani, Nicklausse, Hoffmann, Cochenille, une voix de basse, Olympia)
Alex Grata conductor Les Contes d'Hoffman: Acte III. Scène "Malheureuse enfant !" (Crespel, Antonia, Frantz)
Max Pain conductor La Damnation de Faust, op. 24: Ballet des Sylphes
Jaes conductor Les Contes d'Hoffman: Acte II. Scène "Hein ! Vous ?" (Spalanzani, Coppélius, Hoffmann, Cochenille)
Jacques Offenbach conductor Gaîte parisienne - Vivi-Barcarole-Allegro moderato
Michel Sénéchal conductor Les Contes d'Hoffman: Acte III. Couplets "Jour et nuit je me mets en quatre" (Frantz)
Hitomi Nishiyama Trio "Parallax" conductor Les Contes d'Hoffman: Acte I. Scène "Vive Dieu ! mes amis, Ia belle créature !" (Nathanaël, les étudiants, Hermann, Lindorf, Luther, Hoffmann, Nicklausse)
Mortalium conductor Les Contes d'Hoffman: Acte IV. Duo "Malheureux, tu ne comprends donc pas" (Giulietta, Hoffmann)
Mt. Doubt conductor Les Contes d'Hoffman: Acte II. Scène "Là ! dors en paix" (Spalanzani, Hoffmann, Cochenille)
Gustav Mahler conductor Blumine. Andante allegretto
Gustav Hille conductor Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
Fran Turner conductor Les Contes d'Hoffman: Acte III. Trio "Pour conjurer le danger" (Miracle, Hoffmann, Crespel)
Fel conductor Les Contes d'Hoffman: Acte II. Trio "Je me nomme Coppélius" (Coppélius, Hoffmann, Nicklausse)
Elon Katz conductor Les Contes d'Hoffman: Acte III. Scène "Frantz ! ... c'est ici !" (Hoffman, Frantz)
Punky Jimm conductor Les Contes d'Hoffman: Acte IV. Scène "Cher ange !" (Dapertutto, Giulietta, Hoffmann)
Los Charoles conductor Les Contes d'Hoffman: Acte V. Entr'acte / Scène "Voilà quelle fut l'histoire de mes amours" (Hoffmann, Luther, Lindorf, Nathanaël, Nicklausse, les étudiants)
Raúl García conductor Les Contes d'Hoffman: Acte IV. Barcarolle "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, les invités)
Edmondo Malanotte conductor Carmina Burana: O Fortuna
Richard Strauss conductor Also Sprach Zarathustra: Introduction
Duma Makoma conductor Les Contes d'Hoffman: Acte I. Récitatif "Le conseiller Lindorf, morbleu" (Lindorf, Andrès)
Dragan Vujcic conductor Les Contes d'Hoffman: Acte I. Chœur "Drig ! drig ! drig ! maître Luther !" (Nathanaël, Hermann, les étudiants, Luther)
S.A.L.U.E.Ñ.A conductor Les Contes d'Hoffman: Acte III. Scène "Qu'as-tu donc ?" (Hoffmann, Antonia, Crespel, Frantz, Miracle)
Derenzo conductor Romeo & Juliet: Juliet the Young Girl
DJ Romeo conductor Les Contes d'Hoffman: Acte I. Scène "Deux heures devant moi !" (Lindorf, Luther)
DJ Normal 4 conductor Les Contes d'Hoffman: Acte II. Couplets "Voyez-la sous son éventail" (Nicklausse)
Stella Lee Jones conductor Les Contes d'Hoffman: Acte II. Finale: Scène "Tu me fuis ? qu'ai-je fait ?" (Hoffmann, Nicklausse, Coppélius)
The Nova Mob conductor Les Contes d'Hoffman: Acte II. Finale: Valse "Voici les valseurs !" (Spalanzani, Cochenille, Hoffmann, Olympia, les invités, Nicklausse, Coppélius)
The Path to the End conductor Alborada del gracioso
The Pro-nouns conductor Les Contes d'Hoffman: Acte I. Finale "Simple échange de politesses !" (Nicklausse, les étudiants, Hoffman, Lindorf)
Coast Of Ghosts conductor Les Contes d'Hoffman: Acte IV. Chanson "Scintille, diamant" (Dapertutto)
Walter Almeida conductor Les Contes d'Hoffman: Acte V. Scène et Chœur "Luther est un brave homme" (Les étudiants, Hoffmann, Nicklausse, Lindorf)
Bornidol conductor Les Contes d'Hoffman: Acte III. Finale: Trio "Tu ne chanteras plus ?" (Miracle, Antonia, la voix de la mère d'Antonia)
Wolf Tech conductor La Dame de Pique : Aire de Yeletsky
Borgman conductor Francesca da Rimini, op. 32
Annie Makoma conductor Les Contes d'Hoffman: Acte I. "Glou ! glou ! glou ! glou ! Je suis la bière" (Les espirits invisibles)
Andres Joamets conductor Symphonie Nr. 9 e-moll, Op. 95 "Aus Der Neuen Welt": 2. Largo
Andreas Schmidt conductor Les Contes d'Hoffman: Acte I. Couplets "Dans les rôles d'amoureux langoureux" (Lindorf)
ブルー・エンジェル conductor Così fan tutte: Fortunato l'uom che prende
賛美歌 conductor Così fan tutte, K. 588: Appendix. No. 15 Aria "Non siate ritrosi" (Guglielmo)