| Locked Groove & Gingy |
performing orchestra |
Academic Festival Overture, op. 80, Don Juan, op. 20, Hungarian Dance in F major, WoO 1 no. 10, Hungarian Dance in F major, WoO 1 no. 3, Hungarian Dance in F-sharp minor, WoO 1 no. 17, Hungarian Dance in G minor, WoO 1 no. 1, Hungarian Dances, No. 1 in G minor, Hungarian Dances, No. 10 in E major, Hungarian Dances, No. 17 in F-sharp minor, Hungarian Dances, No. 3 in F major, Má Vlast, No. 2: "The Moldau (Vltava)", Overture "Egmont": Sostenuto, Siegfried Idyll: Ruhig bewegt, Sinfonia Domestica, Op. 53: I. Thema I: Bewegt, Sinfonia Domestica, Op. 53: I. Thema II: Sehr lebhaft, Sinfonia Domestica, Op. 53: I. Thema III: Ruhig, Sinfonia Domestica, Op. 53: II. Scherzo: Munter, Sinfonia Domestica, Op. 53: III. Wiegenlied: Mäßig langsam, Sinfonia Domestica, Op. 53: IV. Adagio: Langsam, Sinfonia Domestica, Op. 53: V. Finale: Sehr lebhaft, Slavonic Dance in C major, op. 46: No. 1, Symphony No. 2 'Resurrection': I. Allegro maestoso, Symphony No. 2 'Resurrection': II. Andante moderato, Symphony No. 2 'Resurrection': III. [Scherzo]. In ruhig fließender Bewegung, Symphony No. 3 "Rheinische": I. Lebhaft, Symphony No. 3 "Rheinische": II. Scherzo, Symphony No. 3 "Rheinische": III. Nicht schnell, Symphony No. 3 "Rheinische": IV. Feierlich, Symphony No. 3 "Rheinische": V. Lebhaft, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 8 In B Minor; I. Allegro Moderato, Symphony No. 8 In B Minor; II. Andante Con Moto, Symphony No. 9 in D minor, WAB 109 (original 1894 version, ed. A. Orel): I. Feierlich, misterioso, Symphony No. 9 in D minor, WAB 109 (original 1894 version, ed. A. Orel): II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Scherzo da capo, Symphony No. 9 in D minor, WAB 109 (original 1894 version, ed. A. Orel): III. Adagio: Langsam, feierlich, Symphony in B-flat major, Hob. I: 102: I. Largo - Vivace, Symphony in B-flat major, Hob. I: 102: II. Adagio, Symphony in B-flat major, Hob. I: 102: III. Menuet: Allegro - Trio, Symphony in B-flat major, Hob. I: 102: IV. Finale. Presto, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Finale. Adagio - Più andante - Allegro non troppo, ma con brio, Symphony no. 1, op. 9: I. Allegro ma non troppo, Symphony no. 1, op. 9: II. Allegro molto, Symphony no. 1, op. 9: III. Andante tranquillo, Symphony no. 1, op. 9: IV. Con moto. (Passacaglia), Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major, K. 385 "Haffner": II. Andante, Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto - Trio, Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro, Symphony no. 39 in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegro - Trio, Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 40 in G minor with clarinets, K. 550: I. Molto Allegro, Symphony no. 40 in G minor with clarinets, K. 550: II. Andante, Symphony no. 40 in G minor with clarinets, K. 550: III. Menuetto. Allegretto - Trio, Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai, Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio, Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro, Symphony no. 4: I. Bedachtig. Nicht eilen, Symphony no. 4: II. In gemachlicher Bewegung. Ohne Hast, Symphony no. 4: III. Ruhevoll, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 5, 1st Movement, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in B minor "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor "Unfinished": II. Andante con moto, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "Die Große": I. Andante, Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "Die Große": II. Andante con moto, Symphony no. 9 in C major, D. 944 "Die Große": III. Scherzo (Allegro vivace), Symphony no. 9 in C major, D. 944 "Die Große": IV. Allegro vivace, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo (beginning), Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo (conclusion), Symphony no. 9 in D minor, op. 125 "Choral": IV. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace, Symphony no. 9 in D minor, op. 125 "Choral": IVa. Finale. Presto, Tod und Verklärung, op. 24, Tragic Overture, op. 81, Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, op. 56a: Theme. Andante, Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo |
| Albert Wolff |
performing orchestra |
4 Orchestral Pieces, op.12 (Sz. 51): I. Preludio, 4 Orchestral Pieces, op.12 (Sz. 51): II. Scherzo, 4 Orchestral Pieces, op.12 (Sz. 51): III. Intermezzo, 4 Orchestral Pieces, op.12 (Sz. 51): IV. Marcia funebre, A Symphony of Three Orchestras, Boléro, Concerto for Orchestra: I. Introduzione, Concerto for Orchestra: II. Giuoco delle coppie, Concerto for Orchestra: III. Elegia, Concerto for Orchestra: IV. Intermezzo interrotto, Concerto for Orchestra: V. Finale, Daphnis & Chloé, Ballet In One Act: Danse des jeunes filles, Daphnis & Chloé, Ballet In One Act: Danse grotesque de Dorcon, Daphnis & Chloé, Ballet In One Act: Danse guerrière, Daphnis & Chloé, Ballet In One Act: Danse générale, Daphnis & Chloé, Ballet In One Act: Danse légère et gracieuse de Daphnis, Daphnis & Chloé, Ballet In One Act: Danse religieuse, Daphnis & Chloé, Ballet In One Act: Danse suppliante de Chloé, Daphnis & Chloé, Ballet In One Act: Interlude, Daphnis & Chloé, Ballet In One Act: Introduction, Daphnis & Chloé, Ballet In One Act: Lever du jour, Daphnis & Chloé, Ballet In One Act: Lyceion entre et danse, Daphnis & Chloé, Ballet In One Act: Nocturne, Daphnis & Chloé, Ballet In One Act: Pantomime, El sombrero de tres picos: Atardecer, El sombrero de tres picos: Danza de la molinera, El sombrero de tres picos: Danza de los vecinos, El sombrero de tres picos: Danza del corregidor, El sombrero de tres picos: Danza final, El sombrero de tres picos: Las uvas, Fanfare Pour "L'Eventail De Jeanne", La Péri: Fanfare, La Péri: Poème dansé en un tableau, La Valse, La valse, Le Tombeau de Couperin: Forlane, Le Tombeau de Couperin: Menuet, Le Tombeau de Couperin: Prélude, Le Tombeau de Couperin: Rigaudon, Lulu-Suite: Ostinato. Allegro, Lulu-Suite: Rondo. Andante (Introduzione) - Hymne. Sostenuto, Lulu-Suite: Variationen. Moderato, Lyrische Suite: Adagio appassionato, Lyrische Suite: Allegro misterioso - Trio estatico, Lyrische Suite: Andante amoroso, Ma mère l'oye: Danse du Rouet et Scène, Ma mère l'oye: Laideronnette, Impératrice des Pagodes, Ma mère l'oye: Le Jardin Féerique, Ma mère l'oye: Les Entretiens de la Belle et de la Bête, Ma mère l'oye: Pavane de la Belle au bois dormant, Ma mère l'oye: Petit poucet, Ma mère l'oye: Prélude, Menuet antique, Petrouchka: 1er tableau, Petrouchka: 2ème tableau, Petrouchka: 3ème tableau, Petrouchka: 4ème tableau, Petrushka, Tableau I: The Shrove-tide Fair, Petrushka, Tableau III: The Moor's Room, Petrushka, Tableau IV: The Shrove-tide Fair (evening), Pétrouchka: Deuxième tableau. IV. Chez Pétrouchka, Pétrouchka: Premier tableau. I. Fête populaire de la Semaine Grasse, Pétrouchka: Premier tableau. II. La Baraque du Charlatan, Pétrouchka: Premier tableau. III. Danse russe, Pétrouchka: Quatrième tableau. IX. L'Ours et un paysan, Pétrouchka: Quatrième tableau. VIII. Fête populaire de la Semaine Grasse (vers le soir) - Danse des Nounous, Pétrouchka: Quatrième tableau. X. Un Marchand fêtard avec deux Tziganes, Pétrouchka: Quatrième tableau. XI. Danse des cochers et des palefreniers, Pétrouchka: Quatrième tableau. XII. Les Déguisés, Pétrouchka: Quatrième tableau. XIII. La Rixe: Le Maure et Pétrouchka, Pétrouchka: Quatrième tableau. XIV. Mort de Pétrouchka, Pétrouchka: Quatrième tableau. XV. La Police et le Charlatan - Apparition du double de Pétrouchka, Pétrouchka: Troisième tableau. V. Chez le Maure, Pétrouchka: Troisième tableau. VI. Danse de la Ballerine, Pétrouchka: Troisième tableau. VII. Valse. La Ballerine et le Maure, Royal Fireworks Music: I. Overture / II. Bouree / III. La Paix. Largo alla Siciliana / IV. La Rejouissance. Allegro / V. Menuet, Symphonies of Wind Instruments, The Miraculous Mandarin, op. 19 (Sz. 73): I. Prelude, The Miraculous Mandarin, op. 19 (Sz. 73): II. The Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): III. First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): IV. Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): IX. The Tramps Leap Out..., The Miraculous Mandarin, op. 19 (Sz. 73): V. Third Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): VI. General Consternation..., The Miraculous Mandarin, op. 19 (Sz. 73): VII. The Girl is Undecided..., The Miraculous Mandarin, op. 19 (Sz. 73): VIII. The Girl Sinks Down..., The Miraculous Mandarin, op. 19 (Sz. 73): X. Suddenly the Mandarin's Head..., The Miraculous Mandarin, op. 19 (Sz. 73): XI. The Terrified Tramps..., The Miraculous Mandarin: First Seduction Game, The Miraculous Mandarin: General Consternation, The Miraculous Mandarin: Prelude, The Miraculous Mandarin: Second Seduction Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears, The Miraculous Mandarin: The Curtain Rises, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Girl Sinks Down to Embrace Him, The Miraculous Mandarin: The Lamp Falls to the Floor - Goes Out, The Miraculous Mandarin: The Terrified Tramps Discuss, The Miraculous Mandarin: The Tramps Leap Out, Seize the Mandarin, Une barque sur l'océan, Varklärte Nacht, op. 4: Adagio (bar 229), Varklärte Nacht, op. 4: Adagio (bar 370), Varklärte Nacht, op. 4: Grave, Varklärte Nacht, op. 4: Molto rallentando (bar 100), Varklärte Nacht, op. 4: Presante (bar 201), Water Music Suite no. 1 in F major: Adagio staccato, Water Music Suite no. 1 in F major: Air, Water Music Suite no. 1 in F major: Allegro, Water Music Suite no. 1 in F major: Bourree, Water Music Suite no. 1 in F major: Hornpipe, Water Music Suite no. 1 in F major: I. Andante / II. Allegro de capo, Water Music Suite no. 1 in F major: Minuet, Water Music Suite no. 1 in F major: Overture, Water Music Suite no. 2 in D major and Suite no. 3 in G major: Alla Hornpipe in D major, Water Music Suite no. 2 in D major and Suite no. 3 in G major: Allegro in D major, Water Music Suite no. 2 in D major and Suite no. 3 in G major: Bourree in D major, Water Music Suite no. 2 in D major and Suite no. 3 in G major: Gigue in G major, Water Music Suite no. 2 in D major and Suite no. 3 in G major: Lentement in D major, Water Music Suite no. 2 in D major and Suite no. 3 in G major: Menuet in G minor, Water Music Suite no. 2 in D major and Suite no. 3 in G major: Minuet in D major, Water Music Suite no. 2 in D major and Suite no. 3 in G major: Rigaudon in G major, Water Music Suite no. 2 in D major and Suite no. 3 in G major: Sarabande in G major |
| Gustav Mahler |
performing orchestra |
Kindertotenlieder: In diesem Wetter, in diesem Braus, Kindertotenlieder: Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: Nun will die Sonn' so hell aufgehn, Kindertotenlieder: Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: Wenn dein Mütterlein, Lieder eines fahrenden Gesellen No. 1 "Wenn mein Schatz Hochzeit macht", Lieder eines fahrenden Gesellen No. 2 "Ging heut' morgen über's Feld", Lieder eines fahrenden Gesellen No. 3 "Ich hab' ein glühend Messer", Lieder eines fahrenden Gesellen No. 4 "Die zwei blauen Augen", Symphony No. 10 in F-sharp minor: II. Purgatorio, Symphony No. 1: IV. Stürmisch bewegt, Symphony No. 2 "Resurrection": "Urlicht", Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich, Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung, Symphony No. 2 in C minor 'Resurrection': I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor 'Resurrection': II. Andante moderato. Sehr gemächlich. Nie eilen, Symphony No. 2 in C minor 'Resurrection': III. [Scherzo.] In ruhig fließender Bewegung - attacca, Symphony No. 2 in C minor 'Resurrection': IV. 'Urlicht'. Sehr feierlich, aber schlicht. Nicht schleppen: "O Röschen rot!" - attacca, Symphony No. 2 in C minor 'Resurrection': V. Im Tempo des Scherzo. Wild herausfahrend - Allegro energico. Nicht zu schnell - Wieder zurückhaltend - Langsam. Misterioso: "Auferstehn, ja auferstehn" Langsam. Nicht schleppen: "Wieder aufzublühn, wirst du gesät!" Etwas bewegter: "O glaube, mein Herz, o glaube" Mit Aufschwung, aber nicht eilen: "O Schmerz! Du Alldurchdringer!", Symphony No. 3 in D minor, Part I: I. Kräftig. Entschieden, Symphony No. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig, Symphony No. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor, Part II: IV. "O mensch! Gib Acht!" Sehr langsam. Misterioso, Symphony No. 3 in D minor, Part II: V. "Es sungen drei Engel." Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 3 in D minor: Part 1: I. Kräftig. Entschieden, Symphony No. 3 in D minor: Part 2: II. Tempo di Menuetto. Sehr mäßig. Ja nicht eilen! Grazioso, Symphony No. 3 in D minor: Part 2: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: Part 2: IV. Sehr langsam. Misterioso. Durchaus ppp ''O Mensch! Gib Acht!'', Symphony No. 3 in D minor: Part 2: V. Lustig im Tempo und keck im Ausdruck ''Bimm Bamm!'' - ''Es sungen drei Engel'', Symphony No. 3 in D minor: Part 2: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 4 in G major: I. Heiter bedächtig. Nicht eilen - recht gemächlich, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll (Poco Adagio), Symphony No. 4 in G major: IV. "Wir genießen die himmlischen Freuden." Sehr behaglich, Symphony No. 4: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4: III. Ruhevoll (Poco adagio) - Allegretto subito (Nicht eilen) - Allegro subito - Andante subito, Symphony No. 4: IV. Sehr behaglich: ''Wir genießen die himmlischen Freuden'', Symphony No. 5 in C-sharp minor, Part I: I. Trauermarsch: In gemeßenem Schritt, Symphony No. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 5 in C-sharp minor, Part III: IV. Adagietto: Sehr langsam, Symphony No. 5 in C-sharp minor, Part III: V. Rondo-Finale: Allegro giocoso. Frisch, Symphony No. 5, Part 1: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony No. 5, Part 1: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony No. 5, Part 2: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 5, Part 3: IV. Adagietto. Sehr langsam - attaca, Symphony No. 5, Part 3: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch - Allegro comodo (subito) - Allegro molto, Symphony No. 5: I. Trauermarsch. In gemessenem Schritt, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo, Symphony No. 6 in A minor: II. Andante moderato, Symphony No. 6 in A minor: III. Scherzo, Symphony No. 6 in A minor: IV. Finale: Sostenuto - Allegro energico, Symphony No. 6: Andante moderato, Symphony No. 7 in B minor: I. Langsam - Allegro con fuoco, Symphony No. 7 in B minor: II. Nachtmusik I: Allegro moderato, Symphony No. 7 in B minor: III. Schattenhaft: Fließend, aber nicht schnell, Symphony No. 7 in B minor: IV. Nachtmusik II: Andante amoroso, Symphony No. 7 in B minor: V. Rondo-Finale: Allegro ordinario, Symphony No. 7: Schattenhaft: Fliessend, aber nicht schnell, Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": 'Veni, creator spiritus' A tempo, Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend "Imple superna gratia" Tempo I (Allegro impetuoso), Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Allegro impetuoso 'Veni, creator spiritus', Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Etwas drängend - Noch einmal so langsam. (Nicht schleppend) "Infirma nostri corporis", Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Plötzlich sehr breit und leiden - schaftlichen Ausdrucks - Mit plötzlichem Aufschwung. "Accende lumen sensibus", Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend "Infirma nostri corporis", Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Tempo I (Allegro, etwas hastig), Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Wieder frisch. 'Gloria sit Patri Domino', Symphony No. 8 in E-flat major, Part I: I. Veni, Creator Spiritus, Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIa.Poco adagio, Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIb. Chorus and Echo, Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIc. Pater ecstaticus, Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IId. Pater profundus, Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIe. Chorus of Angels, Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIf. Mater gloriosa, Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIg. Magna peccatrix, Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIh. Mater gloriosa, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphony No. 9 in D major: IV. Molto adagio |
| Игорь Фёдорович Стравинский |
performing orchestra |
"Petrushka": DANSE RUSSE (Russian Dance), Circus Polka, for orchestra ("for a young elephant"), Der Feuervogel: Finale, Le Sacre du Printemps, L'Adoration De La Terre: I. Introduction, Le Sacre du Printemps, L'Adoration De La Terre: II. Les augures printaniers / Danses des adolescentes, Le Sacre du Printemps, L'Adoration De La Terre: III. Jeu de rapt, Le Sacre du Printemps, L'Adoration De La Terre: IV. Rondes printanières, Le Sacre du Printemps, L'Adoration De La Terre: V. Jeux des cités rivales, Le Sacre du Printemps, L'Adoration De La Terre: VI. Cortège du sage, Le Sacre du Printemps, L'Adoration De La Terre: VII. Adoration de la Terre (Le Sage), Le Sacre du Printemps, L'Adoration De La Terre: VIII. Danse de la terre, Le Sacre du Printemps, Le Sacrifice: I. Introduction, Le Sacre du Printemps, Le Sacrifice: II. Cercles mysterieux des adolescentes, Le Sacre du Printemps, Le Sacrifice: III. Glorification de l'élue, Le Sacre du Printemps, Le Sacrifice: IV. Evocation des ancêtres, Le Sacre du Printemps, Le Sacrifice: V. Action rituelle des ancêtres, Le Sacre du Printemps, Le Sacrifice: VI. Danse sacrale (L'élue), Le Sacre du printemps, Part 1: L'Adoration de la Terre: Adoration de la terre - Le Sage, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Cortège du sage, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Danse de la terre, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Introduction, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Jeu du rapt, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Jeux des cités rivales, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Le Sage, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Les Augures printaniers - Danses des adolescentes, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Rondes printanières, Le Sacre du printemps, Part 2: Le Sacrifice: Action rituelle des ancêtres, Le Sacre du printemps, Part 2: Le Sacrifice: Cercles mystérieux des adolescentes, Le Sacre du printemps, Part 2: Le Sacrifice: Danse sacrale (L'Élue), Le Sacre du printemps, Part 2: Le Sacrifice: Glorification de l'Élue, Le Sacre du printemps, Part 2: Le Sacrifice: Introduction, Le Sacre du printemps, Part 2: Le Sacrifice: Évocation des ancêtres, L’Oiseau de feu: Suite: Berceuse, L’Oiseau de feu: Suite: Danse infernale du roi Kachtcheï, L’Oiseau de feu: Suite: Finale, L’Oiseau de feu: Suite: Introduction, L’Oiseau de feu: Suite: L’Oiseau de feu et sa danse, L’Oiseau de feu: Suite: Ronde des princesses, L’Oiseau de feu: Suite: Variation de l’Oiseau de feu, Petrushka: Scene I. Russian Dance, Petrushka: Scene I. The Charlatan's Booth (Rehersal no. 58), Petrushka: Scene I. The Shrove-tide Fair, Petrushka: Scene II. Petrushka's Room, Petrushka: Scene III. Dance of the Ballerina (Rehersal no. 134), Petrushka: Scene III. The Moor's Room, Petrushka: Scene III. Waltz. The Ballerina and Moor (Rehersal no. 140), Petrushka: Scene IV. Apparition of Petrushka's Double, Petrushka: Scene IV. Dance of the Coachmen and Grooms, Petrushka: Scene IV. Dance of the Wet Nurses, Petrushka: Scene IV. Death of Petrushka, Petrushka: Scene IV. The Bear and the Peasant, Petrushka: Scene IV. The Fight: The Moor and Petrushka, Petrushka: Scene IV. The Jovial Merchant with Two Gypsy Girls, Petrushka: Scene IV. The Masqueraders, Petrushka: Scene IV. The Police and the Charlatan, Petrushka: Scene IV. The Shrove-tide Fair (towards evening), Pulcinella: Suite: I. Sinfonia (Ouverture). Allegro moderato, Pulcinella: Suite: II. Serenata. Larghetto, Pulcinella: Suite: III. a) Scherzino, Pulcinella: Suite: III. b) Allegro, Pulcinella: Suite: III. c) Andantino, Pulcinella: Suite: IV. Tarantella. Half note = 88, Pulcinella: Suite: V. Toccata. Allegro, Pulcinella: Suite: VI. Gavotta con due variazioni. Allegro moderato, Pulcinella: Suite: VI. Variazione I. Allegretto, Pulcinella: Suite: VI. Variazione II. Allegro più tosto moderato, Pulcinella: Suite: VII. Vivo (Duetto), Pulcinella: Suite: VIII. a) Minuetto. Molto moderato, Pulcinella: Suite: VIII. b) Finale. Allegro assai, Symphony in 3 movements, I: [♩ = 160], Symphony in 3 movements, II: Andante - Interlude: L'istesso tempo, Symphony in 3 movements, III: Con moto, Symphony in Three Movements: I. [ ], Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, The Rite of Spring, Part 1, The Rite of Spring, Part 2 |
| Auburn |
performing orchestra |
Also sprach Zarathustra: "Sunrise", Also sprach Zarathustra: Anfang, Concerto Grosso 1985, I, Part 1, Concerto Grosso 1985, I, Part 2, Concerto Grosso 1985: I. Maestoso, Concerto Grosso 1985: II. Presto, Concerto Grosso 1985: III. Largo, Concerto Grosso 1985: IV. Presto, Concerto Grosso 1985: V. Maestoso, Concerto Grosso: IV., Concerto Grosso: V., Das Rheingold: Entrance of the Gods into Valhalla, Death in Venice: Symphony No. 5: Adagietto (excerpt), Die Walküre: The Ride of the Valkyries, Ein Heldenleben, Ein Heldenleben, Op. 40: I - Der Held, Ein Heldenleben, Op. 40: II - Des Helden Widersacher, Ein Helderleben, Op. 40: IV - Des Helden Walstatt, Ein Helderleben, Op. 40: V - Des Helden Friedenswerke, Ein Helderleben, Op. 40: VI - Des Helden Weltflucht und Vollendung, Finlandia, op. 26, Götterdämmerung: Dawn and Siegfried's Rhine Journey, Götterdämmerung: Siegfried's Funeral Music, Mars - The Bringer of War, Overture in A major, Op. 92 "Carnival", Parsifal: Vorspiel zum 1. Aufzug, Pictures at an Exhibition (Kartinki s vïstavski): Prelude (Promenade), Prism: After Francesco Cavalli, Prism: After Luigi Cherubini, Prism: After Marc-Antoine Charpentier, Siegfried: Forest Murmurs, Sinfonie Nr. 9 “Choral”: II. Molto vivace, Symbolon, Symphonie fantastique, op. 14: I. Rêveries, passions, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro), Symphony No. 9 "Choral": Concl., Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemachlich, Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu shleppen, Symphony no. 1 "Titan": IV. Sturmisch bewegt - Energisch, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo / IV. Finale. Allegro moderato, Symphony no. 9 in D minor (“Choral”) op. 125: Molto vivace, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, The Rite of Spring: Adoration of the Earth: Adoration of the Earth (The Wise Elder), The Rite of Spring: Adoration of the Earth: Dance of the Earth, The Rite of Spring: Adoration of the Earth: Games of the Rival Tribes, The Rite of Spring: Adoration of the Earth: Introduction: Lento, The Rite of Spring: Adoration of the Earth: Mock Abduction, The Rite of Spring: Adoration of the Earth: Procession of the Wise Elder, The Rite of Spring: Adoration of the Earth: Spring Round Dances, The Rite of Spring: Adoration of the Earth:The Augurs of Spring (Dance of the Young Girls), The Rite of Spring: The Sacrifice: Glorification of the Chosen Victim, The Rite of Spring: The Sacrifice: Introduction: Largo, The Rite of Spring: The Sacrifice: Mystical Circles of the Young Girls, The Rite of Spring: The Sacrifice: Ritual of the Ancestors, The Rite of Spring: The Sacrifice: Sacrificial Dance (The Chosen Victim), The Rite of Spring: The Sacrifice: Summoning of the Ancestors |
| Maurice Ravel |
performing orchestra |
"Dawn" from Daphnis et Chloe, Bolero, Boléro, M. 81, Danse générale from Daphnis et Chloé, Suite No. 2, Daphnis et Chloé, M. 57: Part 2. Danse guerrière, Daphnis et Chloé, M. 57: Part 2. Danse suppliante de Chloé, Daphnis et Chloé, M. 57: Part 2. Introduction, Daphnis et Chloé, M. 57: Part 3. Danse générale - Danse de Daphnis et Chloé - Danse de Dorcon - Danse finale: Bacchanale, Daphnis et Chloé, M. 57: Part 3. Lever du jour, Daphnis et Chloé, M. 57: Part 3. Pantomine. Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé, M. 57: Part I. Danse grotesque de Dorcon, Daphnis et Chloé, M. 57: Part I. Danse légère et gracieuse de Daphnis, Daphnis et Chloé, M. 57: Part I. Danse religieuse, Daphnis et Chloé, M. 57: Part I. Introduction, Daphnis et Chloé, M. 57: Part I. Les jeunes filles attirent Daphnis et l'entourent de leurs danses - Danse générale, Daphnis et Chloé, M. 57: Part I. Lycéion entre et danse, Daphnis et Chloé, M. 57: Part I. Nocturne. Danse lente et mystérieuse des Nymphes, La Valse, M. 72, Ma mère I'Oye, M. 62: Apothéose: Le Jardin féerique, Ma mère I'Oye, M. 62: Prélude, Ma mère I'Oye, M. 62: Scene 1: Danse du rouet et scène, Ma mère I'Oye, M. 62: Scene 2: Pavane de la Belle au bois dormant, Ma mère I'Oye, M. 62: Scene 3: Les Entretiens de la Belle et de la Bête, Ma mère I'Oye, M. 62: Scene 4: Petit Poucet, Ma mère I'Oye, M. 62: Scene 5: Laideronnette, Impératrice des Pagodes, Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant, Ma mère l'Oye, M. 60: II. Petit Poucet, Ma mère l'Oye, M. 60: III. Laideronnette, Impératrice des Pagodes, Ma mère l'Oye, M. 60: IV. Les Entretiens de la Belle et de la Bête, Ma mère l'Oye, M. 60: V. Le Jardin féerique, Pavane Pour Une Infante Defunte, Pavane pour une infante défunte, M. 19, Pictures at an Exhibition 1. Promenade, Pictures at an Exhibition 10. VI. Samuel Goldenberg Et Schmuyle, Pictures at an Exhibition 11. VII. Limoges - Le Marche, Pictures at an Exhibition 12. VIII. Catacombae: Sepulcrum Romanum, Pictures at an Exhibition 13. Cum Mortuis in Lingua Mortua, Pictures at an Exhibition 14. IX. La Cabane Sur Des Pattes De Poule, Pictures at an Exhibition 15. X. La Grande Porte De Kiev, Pictures at an Exhibition 2. I. Gnomus, Pictures at an Exhibition 3. Promenade, Pictures at an Exhibition 4. II. Il Vecchio Castello, Pictures at an Exhibition 5. Promenade, Pictures at an Exhibition 6. III. Tuileries, Pictures at an Exhibition 7. IV. Bydlo, Pictures at an Exhibition 8. Promenade, Pictures at an Exhibition 9. V. Ballet Des Petits Poussins Dans Leurs Coques, Rapsodie espagnole, M.54: I. Prélude à la nuit, Rapsodie espagnole, M.54: II. Malagueña, Rapsodie espagnole, M.54: III. Habanera, Rapsodie espagnole, M.54: IV. Feria, Shéhérazade, M. 41: I. Asie, Shéhérazade, M. 41: II. La flûte enchantée, Shéhérazade, M. 41: III. L’Indifférent, Valses nobles et sentimentales, M. 61: III. Modéré, Valses nobles et sentimentales, M. 61: IV. Assez animé, Valses nobles et sentimentales, M. 61: V. Presque lent, Valses nobles et sentimentales, M. 61: VI. Assez vif, Valses nobles et sentimentales, M. 61: VII. Moins vif, Valses nobles et sentimentales, M. 61: VIII. Épilogue. Lent |
| Пётр Ильич Чайковский |
performing orchestra |
"Swan Lake": Act III. Hungarian Dance, "Swan Lake": Act III. Neapolitan Dance (feat. trumpet: William Vacchiano), 1812 Festival Overture, Op. 49, Capriccio italien, Op. 45, Eugene Onegin, Op. 24: Polonaise (Act III), Romeo and Juliet, Slavonic March, Op. 31, Suite No. 1 in D minor, Op. 43: I. Introduzione e Fuga. Andante sostenuto - Moderato e con anima, Suite No. 1 in D minor, Op. 43: II. Divertimento. Allegro moderato, Suite No. 1 in D minor, Op. 43: IV. Marche miniature. Moderato con moto, Suite No. 1 in D minor, Op. 43: V. Scherzo. Allegro con moto, Suite No. 1 in D minor, Op. 43: VI. Gavotte. Allegro, Suite No. 4 in G major, ''Mozartiana'', Op. 61: I. Gigue. Allegro (after Mozart's Eine kleine Gigue for piano, K. 574), Suite No. 4 in G major, ''Mozartiana'', Op. 61: II. Menuet. Moderato (after Mozart's Minuet for piano, K. 355), Suite No. 4 in G major, ''Mozartiana'', Op. 61: III. Preghiera. Andante non tanto (after Liszt's piano transcription of Mozart's Ave verum corpus for chorus, strings and organ, K. 618), Suite No. 4 in G major, ''Mozartiana'', Op. 61: IV. Thème et variations. Allegro giusto (after Mozart's 10 Variations for piano, K. 455 on the theme ''Unser dummer Pöbel mein'' by Gluck), Swan Lake, Op. 20: Act I, No. 5 Pas de deux: I. Tempo di Valse ma non troppo vivo, quasi moderato, Swan Lake, Op. 20: Act I, No. 5 Pas de deux: II. Andante - Allegro, Swan Lake, Op. 20: Act I, No. 5 Pas de deux: III. Allegro moderato, Swan Lake, Op. 20: Act I, No. 5 Pas de deux: IV. Coda. Allegro molto vivace, Swan Lake, Op. 20: Act II, No. 10 Scène. Moderato, Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: I. Tempo di Valse, Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: II. Moderato assai - Molto più mosso, Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: IV. Allegro moderato, Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: V. Andante - Più mosso - Tempo I - Allegro, Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: VI. Tempo di Valse, Swan Lake, Op. 20: Act II, No. 13 Danse des cygnes: VII. Code. Allegro vivo, Swan Lake, Op. 20: Act III, No. 15 Allegro giusto, Swan Lake, Op. 20: Act III, No. 20 Danse hongroise. Czsárdás. Moderato assai - Allegro moderato - Vivace, Swan Lake, Op. 20: Act III, No. 21 Danse espagnole. Allegro non troppo (Tempo di bolero), Swan Lake, Op. 20: Act III, No. 22 Danse napolitaine. Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto, Swan Lake, Op. 20: Act III, No. 23 Mazurka. Tempo di mazurka, Symphony No. 6 in B minor, ''Pathétique'', Op. 74: I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato Assai - Allegro vivo - Andante come prima - Andante mosso, Symphony No. 6 in B minor, ''Pathétique'', Op. 74: II. Allegro con grazia, Symphony No. 6 in B minor, ''Pathétique'', Op. 74: III. Allegro molto vivace, Symphony No. 6 in B minor, ''Pathétique'', Op. 74: IV. Finale: Adagio lamentoso - Andante, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato. Allegro, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, The Nutcracker, op. 71a (Ballet Suite): I. Ouverture miniature. Allegro giusto, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: a) Marche. Tempo di marcia viva, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: c) Danse Russe. Trépak. Tempo di trepak, molto vivace, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: d) Danse Arabe. Allegretto, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: e) Danse chinoise. Allegro moderato, The Nutcracker, op. 71a (Ballet Suite): II. Danses caractéristiques: f) Danse des Mirlitons. Moderato assai, The Nutcracker, op. 71a (Ballet Suite): III. Valse des fleurs. Tempo di valse, The Nutcracker: Suite, Op. 71a: I. Ouverture miniature: Allegro giusto, The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse arabe. Allegretto, The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato, The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo, The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai, The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse russe. Trépak Tempo di Trépak, molto vivace, The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: March. Tempo di Marcia viva, The Nutcracker: Suite, Op. 71a: III. Valse des fleurs. Tempo di valse, The Nutcracker; Waltz of the Flowers, The Sleeping Beauty, Op. 66: Valse. Allegro (Tempo di valse) (Act I), The Sleeping Beauty; Waltz, Violinkonzert D-Dur, Op. 35: III. Finale. Allegro vivacissimo |
| Aaron Copland |
performing orchestra |
A Lincoln Portrait, Appalachian Spring: Allegro, Appalachian Spring: As At First (Slowly), Appalachian Spring: Doppio Movimento, Appalachian Spring: Fast, Appalachian Spring: Moderato, Appalachian Spring: Moderato- Coda, Appalachian Spring: Subito Allegro, Appalachian Spring: Very Slowly, Billy The Kid: Billy's Death, Billy The Kid: Celebration (After Billy's Capture), Billy The Kid: Gun Battle, Billy The Kid: Introduction. The Open Prairie, Billy The Kid: Mexican Dance And Finale, Billy The Kid: Prairie Night (Card Game At Night), Billy The Kid: Street In A Frontier Town, Billy The Kid: The Open Prairie Again, Billy the Kid: Billy's Death, Billy the Kid: Celebration (after Billy's Capture), Billy the Kid: Gun Battle, Billy the Kid: Introduction. The Open Prairie, Billy the Kid: Mexican Dance and Finale, Billy the Kid: Prairie Night (Card Game at Night), Billy the Kid: Street in a Frontier Town, Billy the Kid: The open Prairie again, Connotations for Orchestra, El Salón México, Fanfare for the Common Man, Four Dances Episodes from Rodeo: Buckaroo Holiday. Allegro con spirito, Four Dances Episodes from Rodeo: Corral Nocturne. Moderato, Four Dances Episodes from Rodeo: Hoe-Down. Allegro, Four Dances Episodes from Rodeo: Saturday Night Waltz. Introduction - Slow Waltz, Rodeo: I. Buckaroo Holiday. Allegro Con Spirito, Rodeo: II. Corral Nocturne. Moderato, Rodeo: III. Saturday Night Waltz. Introduction- Slow Waltz, Rodeo: IV. Hoe-Down. Allegro, Symphony No. 3: I. Molto moderato - with simple expression, Symphony No. 3: II. Allegro molto, Symphony No. 3: III. Andantino quasi allegretto, Symphony No. 3: IV. Molto deliberato (- Fanfare) - Allegro risoluto, The Tender Land, Act I: Do you suppose they're makin' food in there?, The Tender Land, Act I: Gently flowing, The Tender Land, Act I: Halloo, halloo, The Tender Land, Act I: If you boys work as smooth as you talk, we'll make good time in the fields, The Tender Land, Act I: Once I thought I'd never grow tall as this fence, The Tender Land, Act I: The Promise of living with hope and thanksgiving, The Tender Land, Act I: We've been north, The Tender Land, Act II: Ah, Laurie, you are a puzzle, The Tender Land, Act II: Not enough for me, Mrs. Moss, The Tender Land, Act II: Stomp your foot upon the floor, The Tender Land, Act II: Thank you, thank you all, The Tender Land, Act II: The World seems still tonight, The Tender Land, Act III: Daybreak will come in such a short time, The Tender Land, Act III: Introduction (Act III), The Tender Land, Act III: That's crazy!, The Tender Land, Act III: The sun is coming up as though I'd never seen it rise before, The Tender Land, Act III: You are strange to me, Variations on a Shaker Tune from Appalachian Spring Ballet |
| Benjamin Britten |
performing orchestra |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Fugue: Allegro molto (Full Orchestra), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation E: Brillante - alla polacca (Violins), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation F: Meno mosso (Violas), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation G (Cellos), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation H: Communinciando lento ma poco a poco accel. al Allegro(Double basses), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation I: Maestoso (Harp), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation J: L'istesso tempo (French Horns), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation K: Vivace (Trumpets), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation L: Allegro pomposo (Trombones & Tuba), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation M: Moderato (Percussion), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Brass), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Percussion), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Strings), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Woodwinds), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (tutti), The Young Person's Guide to the Orchestra, Op. 34: I. Theme. Allegro maestoso e largamente (tutti), The Young Person's Guide to the Orchestra, Op. 34: II. Variation A. Presto, The Young Person's Guide to the Orchestra, Op. 34: III. Variation B. Lento, The Young Person's Guide to the Orchestra, Op. 34: IV. Variation C. Moderato, The Young Person's Guide to the Orchestra, Op. 34: IV. Variation H. Cominciando lento ma poco a poco accelando al Allegro, The Young Person's Guide to the Orchestra, Op. 34: V. Variation D. Allegro alla marcia, The Young Person's Guide to the Orchestra, Op. 34: VI. Variation E. Brillante: Alla polacca, The Young Person's Guide to the Orchestra, Op. 34: VIII. Variation G, The Young Person's Guide to the Orchestra, Op. 34: X. Variation I. Maestoso, The Young Person's Guide to the Orchestra, Op. 34: XI. Variation J. L'istesso tempo, The Young Person's Guide to the Orchestra, Op. 34: XII. Variation F. Meno mosso, The Young Person's Guide to the Orchestra, Op. 34: XII. Variation K. Vivace, The Young Person's Guide to the Orchestra, Op. 34: XIII. Variation L. Allegro pomposo, The Young Person's Guide to the Orchestra, Op. 34: XIV. Variation M. Moderato, The Young Person's Guide to the Orchestra, Op. 34: XV. Fugue. Allegro molto, The Young Person's Guide to the Orchestra, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 10 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 11 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 12 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 13 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 14 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 15 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 16 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 17 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 18 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 19 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 20 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 21 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 22 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 23 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 24 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 25 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 4 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 5 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 6 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 7 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 8 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 9 (New York Philharmonic feat. conductor: Leonard Bernstein) |
| Café Unterzucker |
performing orchestra |
Academic Festival Overture, Op. 80, Capriccio espagnol, op. 34: I. Alborada, Capriccio espagnol, op. 34: II. Variazioni, Capriccio espagnol, op. 34: III. Alborada, Capriccio espagnol, op. 34: IV. Scena e canto gitano, Capriccio espagnol, op. 34: V. Fandango Asturiano, Don Juan, Op. 20, Flight of the Bumble Bee (From the opera The Tale of Tsar Saltan), Symphony No. 1 in C minor, Op. 68: I. Adagio - Più andante - Allegro non troppo, ma con brio, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Symphony no. 1 in D major "Titan": Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": Langsam - Schleppend - Wie ein Naturlaut, Symphony no. 1 in D major "Titan": Stürmisch bewegt, Symphony no. 3 in D major, D200: I. Adagio maestoso - Allegro con brio, Symphony no. 3 in D major, D200: II. Allegretto, Symphony no. 3 in D major, D200: III. Menuetto: Vivace - Trio, Symphony no. 3 in D major, D200: IV. Presto vivace, Symphony no. 7 "Leningrad": Adagio, Symphony no. 7 "Leningrad": Allegretto, Symphony no. 7 "Leningrad": Allegro non troppo, Symphony no. 7 "Leningrad": Moderato (Poco allegretto), Symphony no. 8 in B minor, D759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D759 "Unfinished": II. Andante con moto, Symphony no. 9 in D major: Adagio, Symphony no. 9 in D major: Andante comodo, Symphony no. 9 in D major: Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb, Symphony no. 9 in D major: Rondo - Burleske: Allegro assai - Sehr trotzig, Tod und Verklärung, Op. 24, Tragic Overture, Op. 81, Variations on a theme of Joseph Haydn, Op. 56a: I. Thema: Chorale St. Anthoni: Andante, Variations on a theme of Joseph Haydn, Op. 56a: II. Variation I: Poco più animato, Variations on a theme of Joseph Haydn, Op. 56a: III. Variation II: Più vivace, Variations on a theme of Joseph Haydn, Op. 56a: IV. Variation III: Con moto, Variations on a theme of Joseph Haydn, Op. 56a: IX. Variation VIII: Presto non troppo, Variations on a theme of Joseph Haydn, Op. 56a: V. Variation IV: Andante con moto, Variations on a theme of Joseph Haydn, Op. 56a: VI. Variation V: Vivace, Variations on a theme of Joseph Haydn, Op. 56a: VII. Variation VI: Vivace, Variations on a theme of Joseph Haydn, Op. 56a: VIII. Variation VII: Grazioso, Variations on a theme of Joseph Haydn, Op. 56a: X. Finale: Andante |
| Philliz |
performing orchestra |
Also sprach Zarathustra, op. 30: I. Einleitung, Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, op. 30: V. Das Grablied, Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, op. 30: VII. Der Genesende, Also sprach Zarathustra, op. 30: VIII. Das Tanzlied, Der fliegende Holländer: Overture, Feste Romane: I. Circenses, Feste Romane: II. Il Giubileo, Feste Romane: III. L'Ottobrata, Feste Romane: IV. La Befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Le Poème de l'extase, op. 54, Night on Bald Mountain, Pictures at an Exhibition: Cum mortuis in lingua mortua, Pictures at an Exhibition: I. Gnomus, Pictures at an Exhibition: II. Il vecchio castello, Pictures at an Exhibition: III. Tuileries, Pictures at an Exhibition: IV. Bydlo, Pictures at an Exhibition: IX. La Cabane sur des pattes de poule, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: V. Ballet des poussins dans leurs coques, Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuyle, Pictures at an Exhibition: VII. Limoges - Le Marché, Pictures at an Exhibition: VIII. Catacombae: Sepulchrum Romanum, Pictures at an Exhibition: X. La Grande Porte de Kiev, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Siegfried Idyll, Symphony no. 3, op. 43 "Le Divin Poème": I. Lento, Symphony no. 3, op. 43 "Le Divin Poème": II. Luttes. Allegro, Symphony no. 3, op. 43 "Le Divin Poème": III. Voluptés. Lento - Vivo, Symphony no. 3, op. 43 "Le Divin Poème": IV. Jeu Divin. Allegro, Tod und Verklärung, op. 24, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Valses nobles et sentimentales: VIII. Epilogue: Lent |
| Ludwig van Beethoven |
performing orchestra |
Concerto No. 3 for Piano and Orchestra, Op. 37: I. Allegro con brio, Concerto No. 3 for Piano and Orchestra, Op. 37: II. Largo, Concerto No. 3 for Piano and Orchestra, Op. 37: III. Rondo: Allegro, Leonore Overture No. 3, Op. 72a, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Gloria in excelsis Deo", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: II. Gloria: "Quoniam tu solu sanctus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in Spiritum Sanctum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Credo in unum Deum", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Crucifixus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et in carnatus est", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et resurrexit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: III. Credo: "Et vitam venturi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Benedictus qui venit", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Pleni sunt caeli", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: "Sanctus Dominus", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IV. Sanctus: Praeludium. Sostenuto, ma non troppo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie: "Christe eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie: "Kyrie eleison", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi", Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: V. Agnus Dei: "Dona nobis pacem", Overture, op. 117 "King Stephen": Andante con moto - Presto, Overture, op. 72b "Fidelio": Allegro, Overture, op. 84 "Egmont": Sostenuto, ma non troppo - Allegro, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: I. Allegro con brio, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: II. Marcia funebre: Adagio assai, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: III. Scherzo: Allegro vivace - Trio, Symphony No. 3 in E-flat major, ''Eroica'', Op. 55: IV. Finale: Allegro molto - Poco Andante - Presto, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro - Attacca, Symphony No. 5 in C minor, Op. 67: III. Allegro - attaca, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 9 (extract), Symphony No. 9 in D minor, Op. 125 "Choral": Finale (excerpt) (New York Philharmonic feat. conductor: Zubin Mehta), Symphony no. 9 "Choral": Adagio molto e cantabile; Andante moderato, Symphony no. 9 "Choral": Allegro ma non troppo, un poco maestoso, Symphony no. 9 "Choral": Molto vivace; Presto; Molto vivace, Symphony no. 9 "Choral": Presto; Allegro assai, The Huntley-Brinkley Report: Symphony No. 9: II. |
| 鈴木まなか |
performing orchestra |
Adagio – Più andante – Allegro non troppo, ma con brio, from Symphony No. 1 in C minor, Op. 68, Al Largo, Allegro molto vivace, from Symphony No. 6 in B minor, Op. 74, Pathétique, EXPO, Mehr langsam (Slower), Misterioso, from Symphony No. 3 in D minor, Odna Zhizn, Prospero's Rooms, Symphony no. 1, op. 7: I. Allegro orgoglioso, Symphony no. 1, op. 7: II. Andante, Symphony no. 1, op. 7: III. Allegro comodo, Symphony no. 1, op. 7: IV. Finale: Allegro con fuoco, Symphony no. 2, op. 16, FS 29 "The 4 Temperaments": I. Allegro collerico, Symphony no. 2, op. 16, FS 29 "The 4 Temperaments": II. Allegro comodo e flemmatico, Symphony no. 2, op. 16, FS 29 "The 4 Temperaments": III. Andante malincolico, Symphony no. 2, op. 16, FS 29 "The 4 Temperaments": IV. Allegro sanguineo, Symphony no. 3 (After Prokofiev): Allegro, Symphony no. 3 (After Prokofiev): Theme, Symphony no. 3 (After Prokofiev): Variation 1, Symphony no. 3 (After Prokofiev): Variation 2, Symphony no. 3 (After Prokofiev): Variation 3, Symphony no. 3 (After Prokofiev): Variations 4 & 5 - Theme, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": I. Allegro espansivo, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": III. Allegretto un poco, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": IV. Finale: Allegro, Symphony no. 4, op. 29 “The Inextinguishable”: I. Allegro, Symphony no. 4, op. 29 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4, op. 29 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4, op. 29 “The Inextinguishable”: IV. Allegro, Symphony no. 4: Doloroso, Symphony no. 4: Felice, Symphony no. 5: IIa. Allegro -, Symphony no. 5: IIb. Presto, Symphony no. 5: IIc. Andante poco tranquillo -, Symphony no. 5: IId. Allegro (Tempo I), Symphony no. 5: Ia. Tempo giusto -, Symphony no. 5: Ib. Adagio, Symphony no. 6: I. Tempo giusto, Symphony no. 6: II. Humoresque. Allegretto, Symphony no. 6: III. Proposta seria. Adagio, Symphony no. 6: IV. Theme and Variations. Allegro |
| Richard Strauss |
performing orchestra |
Also sprach Zarathustra, Op. 30: Das Grablied, Also sprach Zarathustra, Op. 30: Das Tanzlied, Also sprach Zarathustra, Op. 30: Der Genesende, Also sprach Zarathustra, Op. 30: Einleitung, Also sprach Zarathustra, Op. 30: Langsam, Also sprach Zarathustra, Op. 30: Nachtwandlerlied, Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: Von der Wissenschaft, Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht, Also sprach Zarathustra, Op. 30: Ziemlich langsam - Schnell, Don Quixote, Op. 35: Finale: Sehr ruhig. ''Don Quixotes Tod'', Don Quixote, Op. 35: Introduktion: Mäßiges Zeitmaß, Don Quixote, Op. 35: Maggiore: ''Sancho Panza'', Don Quixote, Op. 35: Thema: Mäßig. ''Der Ritter von der traurigen Gestalt'', Don Quixote, Op. 35: Variation I: Gemächlich. ''Das Abenteuer an den Windmühlen'', Don Quixote, Op. 35: Variation II: Kriegerisch. ''Der Kampf gegen die Hammelherde'', Don Quixote, Op. 35: Variation III: Mäßiges Zeitmaß. ''Gespräche zwischen Ritter und Knappe'', Don Quixote, Op. 35: Variation IV: Etwas breiter. ''Das Abenteuer mit der Prozession von Büßern'', Don Quixote, Op. 35: Variation IX: Schnell und stürmisch. ''Der Kampf gegen die vermeintlichen Zauberer'', Don Quixote, Op. 35: Variation V: Sehr langsam. ''Don Quixotes Waffenwache und Herzensergüsse'', Don Quixote, Op. 35: Variation VI: Schnell. ''Die verzauberte Dulzinea'', Don Quixote, Op. 35: Variation VII: Ein wenig ruhiger als vorher. ''Der Ritt durch die Luft'', Don Quixote, Op. 35: Variation VIII: Gemächlich. ''Die Fahrt auf dem verzauberten Nachen'', Don Quixote, Op. 35: Variation X: Viel breiter. ''Zweikampf mit dem Ritter vom blanken Monde - Heimkehr des geschlagenen Don Quixote'', Ein Heldenleben, Op. 40: Der Held, Ein Heldenleben, Op. 40: Des Helden Friedenswerke, Ein Heldenleben, Op. 40: Des Helden Gefährtin, Ein Heldenleben, Op. 40: Des Helden Walstatt, Ein Heldenleben, Op. 40: Des Helden Weltflucht und Vollendung, Ein Heldenleben, Op. 40: Des Helden Widersacher, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung |
| Сергей Сергеевич Прокофьев |
performing orchestra |
Peter and the Wolf, Op. 67, Peter and the Wolf, op. 67, Peter and the Wolf: March & Finale, Romeo and Juliet, Op. 64: Death of Tybalt, Romeo and Juliet, Op. 64: Folk Dance, Romeo and Juliet, Op. 64: Friar Laurence, Romeo and Juliet, Op. 64: Juliet, the Young Girl, Romeo and Juliet, Op. 64: Masks, Romeo and Juliet, Op. 64: Romeo and Juliet, Romeo and Juliet, Op. 64: Romeo and Juliet before Parting, Romeo and Juliet, Op. 64: Romeo at Juliet’s Grave, Romeo and Juliet, Op. 64: The Montagues and the Capulets, Romeo and Juliet, Suite No. 2 for orchestra, Op. 64 ter (Montagues et Capulets - Suite 2, No. 1), Scythian Suite "Ala and Lolly", op. 20: I. L'adorazione di Veles e di Ala: Allegro feroce, Scythian Suite "Ala and Lolly", op. 20: II. Il dio nemico e la danza degli spiriti neri: Allegro sostenuto, Scythian Suite "Ala and Lolly", op. 20: III. La notte: Andantino, Scythian Suite "Ala and Lolly", op. 20: IV. La partenza gloriosa di Lolli ed il corteo del Sole: Tempestoso - Un poco sostenuto - Allegro, Scythian Suite: Night, Scythian Suite: The Adoration of Veles and Ala, Scythian Suite: The Enemy God and the Dance of the Black Spirits, Scythian Suite: The Glorious Departure of Lolli and the Procession of the Sun, Suite No.1, Op. 64a "Romeo and Juliet", Folk Dance: Allegro Giocoso, Suite No.1, Op. 64b "Romeo and Juliet", The Montagues and Capulets: Andante - Allegro Pesante - Moderato Tranquillo - Allegro Pesante, Suite No.4, Op. 64b "Romeo and Juliet", Friar Laurence: Andante Espressivo, Suite No.5, Op. 64a "Romeo and Juliet", Masks: Andante Marziale, Suite No.5, Op. 64b "Romeo and Juliet", Romeo at Juliet's before Parting: Lento - Andante - Adagio - Poco Più Animato - Adagio - Andante, Suite No.6, Op. 64a "Romeo and Juliet", Romeo and Juliet: Larghetto - Andante, Suite No.7, Op. 64a "Romeo and Juliet", Death of Tybalt: Precipitato - Presto - Adagio Drammatico, Suite No.7, Op. 64b "Romeo and Juliet", Romeo at Juliet's Grave: Adagio Funembre - Adagio, Symphony No. 5 in B-flat major, Op. 100: I. Andante, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony No. 5 in B-flat major, Op. 100: III. Adagio, Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso |
| Flemming Flyvholm |
performing orchestra |
La Jeunesse d'Hercule, Op. 50, La Procession nocturne, Op. 6, Le Rouet d’Omphale, Op. 31, Phaëton, Op. 39, Philharmonic Waltzes, Romeo and Juliet - Montagues and Capulets (Suite 2, No. 1), Romeo et Juliette, op. 17: Queen Mab Scherzo, Symphony No. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro, Symphony no. 3: I. Allegro robusto, Symphony no. 3: II. Andante moderato, Symphony no. 3: III. Allegro assai, Wozzeck, Primer Acto: "Du, der Platz ist verflucht!", Wozzeck, Primer Acto: "Geh' einmal vor Dich hin!", Wozzeck, Primer Acto: "Langsam, Wozzeck, langsam!", Wozzeck, Primer Acto: "Tschin Bum...! Hörst, Bub? Da kommen sie!", Wozzeck, Primer Acto: "Was erleb' ich, Wozzeck?", Wozzeck, Segundo Acto: "Guten Tag, Franz", Wozzeck, Segundo Acto: "Ich hab' ein Hemdlein an, das ist nicht mein...", Wozzeck, Segundo Acto: "Oh! oh! Andres! Ich kann nicht schlafen", Wozzeck, Segundo Acto: "Was die Steine glänzen?", Wozzeck, Segundo Acto: "Wohin so eilig, geehrtester Herr Sargnagel?", Wozzeck, Tercer Acto: "Das Messer? Wo ist das Messer?", Wozzeck, Tercer Acto: "Dort links geht's in die Stadt", Wozzeck, Tercer Acto: "Ringel, Ringel, Rosenkranz, Ringelreih'n", Wozzeck, Tercer Acto: "Tanzt Alle; tanzt nur zu...!", Wozzeck, Tercer Acto: "Und ist kein Betrug...", Wozzeck, Tercer Acto: "Und kniete hin zu seinen Füßen" |
| Leonard Bernstein |
performing orchestra |
Candide: Overture, Dybbuk Suite No.2: 1. The Messengers, Fancy Free, On the Town: Act I Finale: Times Square, On the Town: Dance: The Real Coney Island, On the Town: Dance: The Real Coney Island / Finale, On the Town: Gabey, the Great Lover, On the Town: Night Club Sequence: So Long Baby / I'm Blue / Ya Got Me, On the Town: Pas de deux: Lonely Town, On the Town: Pax de deux: Ivy and Gabey, On the Town: The Subway, On the Waterfront: Symphonic Suite, Symphonic Dances from West Side Story: ''Cool'' Fugue. Allegretto, Symphonic Dances from West Side Story: ''Somewhere.'' Adagio, Symphonic Dances from West Side Story: Cha-Cha (''Maria''). Andantino, Symphonic Dances from West Side Story: Finale. Adagio, Symphonic Dances from West Side Story: Mambo. Meno presto, Symphonic Dances from West Side Story: Meeting scene. Meno mosso, Symphonic Dances from West Side Story: Prologue. Allegro moderato, Symphonic Dances from West Side Story: Rumble. Molto allegro, Symphonic Dances from West Side Story: Scherzo. Vivace e leggiero, Symphonic Suite from On the Waterfront: A tempo, Symphonic Suite from On the Waterfront: Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima -, Symphonic Suite from On the Waterfront: Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso -, Symphonic Suite from On the Waterfront: Andante (with dignity) - Presto barbaro, Symphonic Suite from On the Waterfront: Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento -, Symphonic Suite from On the Waterfront: Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso -, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Prologue. Lento moderato, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Seven Ages. Variations 1-7, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 1: The Seven Stages. Variations 8-14, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Dirge. Largo, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Epilogue. L'istesso tempo - Adagio - Con moto, The Age of Anxiety - Symphony No. 2 for Piano and Orchestra: Part 2: The Masque. Extremely Fast, West Side Story: Symphonic Dances |
| Hector Berlioz |
performing orchestra |
Grande Ouverture de Benvenuto Cellini, Op. 23, Harold in Italy, Op. 16: I. Harold in the Mountains, Harold in Italy, Op. 16: II. March of the Pilgrims, Harold in Italy, Op. 16: III. Serenade, Harold in Italy, Op. 16: IV. Orgy of the Brigands, La Mort de Cléopâtre, H. 36: Méditation. Allegro assai agitato - "Non !... non, de vos demeures" -, La Mort de Cléopâtre, H. 36: Méditation. Allegro non troppo - Recitativo misurato "Dieux du Nil", La Mort de Cléopâtre, H. 36: Méditation. Largo misterioso - "Grands Pharaons" -, La Mort de Cléopâtre, H. 36: Scena lirica. Allegro vivace con impeto -, La Mort de Cléopâtre, H. 36: Scena lirica. Lento cantabile - "Ah ! qu’ils sont loin ces jours" -, La Mort de Cléopâtre, H. 36: Scena lirica. Recitativo "Au comble des revers". Moderato -, La Mort de Cléopâtre, H. 36: Scena lirica. Recitativo: "C’en est donc fait !". Moderato -, Le Carnaval romain, Op. 9, Marche hongroise, Symphonie Fantastique, IV. March to the Scaffold, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphonie Fantastique, IV. March to the Scaffold, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphonie Fantastique, IV. March to the Scaffold, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphonie Fantastique, IV. March to the Scaffold, Part 4 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphonie fantastique H. 48, Op.14: Marche au supplice (Allegretto non troppo), Symphonie fantastique H. 48, Op.14: Rêveries. Passions (Largo - Allegro agitato ed appassionato assai), Symphonie fantastique H. 48, Op.14: Scène aux champs (Adagio), Symphonie fantastique H. 48, Op.14: Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso), Symphonie fantastique H. 48, Op.14: Un bal (Valse: Allegro non troppo), Symphonie fantastique, Op. 14: I. Rêveries - Passions, Symphonie fantastique, Op. 14: II. Un bal, Symphonie fantastique, Op. 14: III. Scène aux champs, Symphonie fantastique, Op. 14: IV. Marche au supplice, Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat, Symphony Fantastique, op. 14: Va. Songe d'une nuit du sabbat, Symphony Fantastique, op. 14: Vb. Dies Irae, Symphony Fantastique, op. 14: Vc. Rond du Sabbat, Symphony Fantastique, op. 14: Vd. Dies Irae et Ronde du Sabbat ensemble |
| Béla Bartók |
performing orchestra |
Concerto for Orchestra - II, Part 1 (New York Philharmonic feat. conductor: Pierre Boulez), Concerto for Orchestra - II, Part 2 (New York Philharmonic feat. conductor: Pierre Boulez), Concerto for Orchestra - II, Part 3 (New York Philharmonic feat. conductor: Pierre Boulez), Concerto for Orchestra - II, Part 4 (New York Philharmonic feat. conductor: Pierre Boulez), Concerto for Orchestra - II, Part 5 (New York Philharmonic feat. conductor: Pierre Boulez), Concerto for Orchestra - II, Part 6 (New York Philharmonic feat. conductor: Pierre Boulez), Concerto for Orchestra - II, Part 7 (New York Philharmonic feat. conductor: Pierre Boulez), Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Dance Suite Sz. 77 1. I. Moderate, Dance Suite Sz. 77 2. II. Allegro Molto, Dance Suite Sz. 77 3. III. Allegro Vivace, Dance Suite Sz. 77 4. IV. Molto Tranquilo, Dance Suite Sz. 77 5. V. Commode, Dance Suite Sz. 77 6. Finale: Allegro, The Miraculous Mandarin, Sz. 73: First seduction game, The Miraculous Mandarin, Sz. 73: General consternation - The tramps make signs from their hiding place that the girl should start to lure the Mandarin a little closer and ensnare him, The Miraculous Mandarin, Sz. 73: Prelude, The Miraculous Mandarin, Sz. 73: Second seduction game, The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the girl; the four shudder and stand aghast, The Miraculous Mandarin, Sz. 73: The curtain rises, The Miraculous Mandarin, Sz. 73: The girl is undecided; she shudders and draws back again, The Miraculous Mandarin, Sz. 73: The girl sinks down to embrace the Mandarin; he begins to tremble in feverish excitement, The Miraculous Mandarin, Sz. 73: The lamp falls to the floor - goes out; the body of the Mandarin begins to glow with a greenish blue light; his eyes are fixed on the girl, The Miraculous Mandarin, Sz. 73: The terrified tramps discuss how they are to get rid of the Mandarin at last, The Miraculous Mandarin, Sz. 73: The tramps leap out, seize the Mandarin and tear him away from the girl; they strip him of his jewelryand his money, The Miraculous Mandarin, Sz. 73: Third seduction game, The Miraculous Mandarin: Third Seduction Game |
| Stephen Sondheim |
performing orchestra |
A Little Priest, Ah, Miss, By the Sea, City on Fire, Epiphany, Final Scene, Fogg's Asylum, God, That's Good!, Green Finch and Linnet Bird, Johanna, Kiss Me, Kiss Me, Part II, Ladies in Their Sensitivities, My Friends, No Place Like London, Not While I'm Around, Parlor Songs, Pirelli's Death, Pirelli's Miracle Elixir, Poor Thing, Prelude, Pretty Women, The Ballad of Sweeney Todd, The Contest, The Judge's Return, The Letter, The Worst Pies in London, Wait, Wigmaker Sequence |
| Johannes Brahms |
performing orchestra |
Academic Festival Overture, Op. 80, Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto, Hungarian Dance No. 5, Hungarian Dance No. 6, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in F Major, Op. 90, III, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphony No. 3 in F Major, Op. 90, III, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein), Symphony No. 3 in F Major, Op. 90, III, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein), Tragic Overture in D minor, Op. 81, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn in B-flat major, Op. 56a: Variation VIII. Presto non troppo, Violinkonzert D-Dur: II. Adagio |
| Sergio Avil |
performing orchestra |
Havanaise, Op. 83, Introduction and Rondo Capriccioso, Introduction et rondo capriccioso, Op. 28, Le Carnaval des animaux: I. Introduction et Marche royale du Lion, Le Carnaval des animaux: II. Poules et Coqs, Le Carnaval des animaux: III. Hémiones (Animaux véloces), Le Carnaval des animaux: IV. Le Coucou au fond des bois, Le Carnaval des animaux: IV. Tortues, Le Carnaval des animaux: V. L'Éléphant, Le Carnaval des animaux: VI. Kangourous, Le Carnaval des animaux: VII. Aquarium, Le Carnaval des animaux: VIII. Personnages à longues oreilles, Le Carnaval des animaux: X. Volière, Le Carnaval des animaux: XI. Pianistes, Le Carnaval des animaux: XII. Fossiles, Le Carnaval des animaux: XIII. Le Cygne, Le Carnaval des animaux: XIV. Final, Le Rouet d'Omphale, Op. 31, Symphony No. 3 in C minor, ''Organ'', Op. 78: I. Adagio - Allegro moderato, Symphony No. 3 in C minor, ''Organ'', Op. 78: I. Poco adagio, Symphony No. 3 in C minor, ''Organ'', Op. 78: II. Allegro moderato - Presto - Allegro moderato, Symphony No. 3 in C minor, ''Organ'', Op. 78: II. Maestoso - Allegro - Molto - allegro - Pesante, ♪サン＝サーンス:白鳥 |
| Giuseppe Verdi |
performing orchestra |
Aida: Act 1, Scene 2: Dance of the Priestesses. Allegretto, Aida: Act 2, Scene 1: Dance of the Blackamoors. Più mosso, Aida: Act 2, Scene 2: Ballet. Più mosso, Aida: Ballet Music, La traviata: Prelude Act I, La traviata: Prelude Act III, Messa da Requiem: I. Requiem & Kyrie, Messa da Requiem: II. Confutatis maledictis, Messa da Requiem: II. Dies irae: Dies irae, dies illa, Messa da Requiem: II. Ingemisco tamquam reus, Messa da Requiem: II. Lacrymosa dies illa, Messa da Requiem: II. Liber scriptus proferetur, Messa da Requiem: II. Quid sum miser, Messa da Requiem: II. Recordare, Jesu pie, Messa da Requiem: II. Rex tremendae majestatis, Messa da Requiem: II. Tuba mirum spargens sonum, Messa da Requiem: III. Offertorio, Messa da Requiem: IV. Sanctus, Messa da Requiem: V. Agnus Dei, Messa da Requiem: VI. Lux aeterna, Messa da Requiem: VII. Libera me |
| George Gershwin |
performing orchestra |
An American in Paris, Concerto in F: I. Allegro, Concerto in F: II. Adagio - Andante con moto, Concerto in F: III. Allegro agitato, Music from the Woody Allen film Manhattan: 'S Wonderful, Music from the Woody Allen film Manhattan: Blue Blue Blue, Music from the Woody Allen film Manhattan: Bronco Busters, Music from the Woody Allen film Manhattan: But Not for Me, Music from the Woody Allen film Manhattan: Do, Do, Do, Music from the Woody Allen film Manhattan: Embraceable You, Music from the Woody Allen film Manhattan: He Loves and She Loves, Music from the Woody Allen film Manhattan: I've Got a Crush on You, Music from the Woody Allen film Manhattan: Land of the Gay Caballero, Music from the Woody Allen film Manhattan: Love Is Here to Stay, Music from the Woody Allen film Manhattan: Love Is Sweeping the Country - Land of the Gay Caballero (Medley), Music from the Woody Allen film Manhattan: Mine, Music from the Woody Allen film Manhattan: Oh, Lady Be Good!, Music from the Woody Allen film Manhattan: Rhapsody in Blue, Music from the Woody Allen film Manhattan: Someone to Watch over Me, Music from the Woody Allen film Manhattan: Strike Up the Band, Music from the Woody Allen film Manhattan: Sweet and Low-Down |
| Deams |
performing orchestra |
Water Music, Suite No. 1 in F major, HWV 348: I. Ouverture. Largo - Allegro, Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato, Water Music, Suite No. 1 in F major, HWV 348: III. [Allegro], Water Music, Suite No. 1 in F major, HWV 348: IV. Andante, Water Music, Suite No. 1 in F major, HWV 348: IV. [Allegro] da capo, Water Music, Suite No. 1 in F major, HWV 348: IX. Hornpipe, Water Music, Suite No. 1 in F major, HWV 348: V. [Presto], Water Music, Suite No. 1 in F major, HWV 348: VI. Air, Water Music, Suite No. 1 in F major, HWV 348: VII. Minuet, Water Music, Suite No. 1 in F major, HWV 348: VIII. Bourrée, Water Music, Suite No. 1 in F major, HWV 348: X. [Allegro], Water Music, Suite No. 2 in D major HWV 349: XI. [Allegro], Water Music, Suite No. 2 in D major HWV 349: XII. Alla Hornpipe, Water Music, Suite No. 2 in D major HWV 349: XIII. Minuet, Water Music, Suite No. 2 in D major HWV 349: XIV. Lentement, Water Music, Suite No. 2 in D major HWV 349: XV. Bourrée, Water Music, Suite No. 3 in G major HWV 350: XIX. Minuet, Water Music, Suite No. 3 in G major HWV 350: XVI. [Sarabande], Water Music, Suite No. 3 in G major HWV 350: XVII. Rigaudon, Water Music, Suite No. 3 in G major HWV 350: XXII. [Gigue] |
| C-B-A |
performing orchestra |
Komedianti (The Comedians), op. 26: I. Prologue: Allegro vivace, Komedianti (The Comedians), op. 26: II. Galop: Presto, Komedianti (The Comedians), op. 26: III. March: Moderato -, Komedianti (The Comedians), op. 26: IV. Waltz: Moderato, Komedianti (The Comedians), op. 26: IX. Scherzo: Presto assai e molto leggiero, Komedianti (The Comedians), op. 26: V. Pantomime: Sostenuto e pesante, Komedianti (The Comedians), op. 26: VI. Intermezzo: Allegro scherzando, Komedianti (The Comedians), op. 26: VII. Little Lyrical Scene: Andantino semplice, Komedianti (The Comedians), op. 26: VIII. Gavotte: Allegretto, Komedianti (The Comedians), op. 26: X. Epilogue: Allegro molto e con brio - Senza ritardando, Sabre Dance, Symphony no. 9 in E-flat Major, op. 70: I. Allegro, Symphony no. 9 in E-flat Major, op. 70: II. Moderato, Symphony no. 9 in E-flat Major, op. 70: III. Presto - IV. Largo - V. Allegretto, Symphony no. 9 in E-flat major, op. 70: I. Allegro, Symphony no. 9 in E-flat major, op. 70: II. Moderato, Symphony no. 9 in E-flat major, op. 70: III. Presto, Symphony no. 9 in E-flat major, op. 70: IV. Largo, Symphony no. 9 in E-flat major, op. 70: V. Allegretto, Uirapuru |
| Robert Aldridge |
performing orchestra |
Dance of the Seven Veils (from Salome), Don Juan, Tone Poem after Nikolaus Lenau, Op. 20, On the Transmigration of Souls, Roman Carnival Overture, Rosenkavalier Suite: I. Con moto agitato, Rosenkavalier Suite: II. Tempo di Valse, assai comodo da primo, Rosenkavalier Suite: III. Moderato molto sustenuto, Rosenkavalier Suite: IV. Quick Waltz: Molto con moto, Symphony No. 1 in D major: I. Slow. Dragging/Always Very Relaxed, Symphony No. 1 in D major: II. With Powerful Movement, but Not Too Quick, Symphony No. 1 in D major: III. Solemn and Measured, Without Dragging, Symphony No. 1 in D major: IV. With Violent Movement, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco, The Flight of the Bumblebee, The Star Spangled Banner, Tod und Verklärung (Death and Transfiguration), Op. 24 |
| Модест Петрович Мусоргский |
performing orchestra |
A Night on Bald Mountain, Bilder einer Ausstellung: Gnomus, Dawn on the Moskva River from Khovantchina, Eine Nacht auf dem kahlen Berge, Night on Bald Mountain, Pictures at an Exhibition: Cum mortuis in lingua mortua, Pictures at an Exhibition: I. Gnomus, Pictures at an Exhibition: II. Il vecchio castello, Pictures at an Exhibition: III. Tuileries, Pictures at an Exhibition: IV. Bidło, Pictures at an Exhibition: IX. La Cabane sur des pattes de poule (Baba-Yaga), Pictures at an Exhibition: Promenade, Pictures at an Exhibition: V. Ballet des poussins dans leurs coques, Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuÿle, Pictures at an Exhibition: VII. Limoges - Le Marché, Pictures at an Exhibition: VIII. Catacombae (Sepulcrum romanum), Pictures at an Exhibition: X. La Grande Porte de Kiev, Une nuit sur le Mont Chauve |
| Alban Berg |
performing orchestra |
3 Pieces from the Lyric Suite: I. Andante amoroso, 3 Pieces from the Lyric Suite: II. Allegro misterioso - Trio estatico, 3 Pieces from the Lyric Suite: III. Adagio appassionato, Wozzeck, Op. 7: Act I - Scene 1: The Captain ''Langsam, Wozzeck, langsam!'', Wozzeck, Op. 7: Act I - Scene 2: Andres ''Du, der Platz ist verflucht!'', Wozzeck, Op. 7: Act I - Scene 3: Marie ''Tschin Bum! Hörst du, Bub?'', Wozzeck, Op. 7: Act I - Scene 4: The Doctor ''Was erleb' ich, Wozzeck?'', Wozzeck, Op. 7: Act I - Scene 5: The Drum Major ''Geh einmal vor dich hin'', Wozzeck, Op. 7: Act II - Scene 1: Sonata Movement ''Was die Steine glänzen!'', Wozzeck, Op. 7: Act II - Scene 2: Invention and Fugue on 3 Themes ''Wohin so eilig, geehrtester Herr Sargnagel?'', Wozzeck, Op. 7: Act II - Scene 3: Largo ''Guten Tag, Franz'' ... ''Ich seh' nichts'', Wozzeck, Op. 7: Act II - Scene 4: Extended Scherzo and Trio Movement ''Ich hab ein Hemdlein an'', Wozzeck, Op. 7: Act II - Scene 5: Rondo marziale con introduzione ''Oh! oh! Andres! Ich kann nicht schlafen'', Wozzeck, Op. 7: Act III - Scene 1: Invention on a Theme (Theme, 7 Variations & Fugue) ''Und ist kein Betrug in seinem Munde erfunden worden'', Wozzeck, Op. 7: Act III - Scene 2: Invention on 1 Note (B) ''Dort links geht's in die Stadt'', Wozzeck, Op. 7: Act III - Scene 3: Invention on a Rhytm ''Tanzt alle; tanzt nur zu!'', Wozzeck, Op. 7: Act III - Scene 4: Invention on a 6-Note Chord ''Das Messer? Wo ist das Messer?'' Orchestral Interlude in D minor - Invention on a Key, Wozzeck, Op. 7: Act III - Scene 5: Invention on a Quaver Rhythm ''Ringel, Ringel, Rosenkranz'' |
| Arnold Schönberg |
performing orchestra |
Erwartung, Op. 17: Scene 1: ''Hier hinein?... Man sieht den Weg nicht'', Erwartung, Op. 17: Scene 2: ''Ist das noch der Weg?'', Erwartung, Op. 17: Scene 3: ''Da kommt ein Licht!'', Erwartung, Op. 17: Scene 4: ''Das Mondlicht… nein dort'', Erwartung, Op. 17: Scene 4: ''Der Morgen trennt uns'', Erwartung, Op. 17: Scene 4: ''Du siehst wieder dort hin!'', Erwartung, Op. 17: Scene 4: ''Er ist auch nicht da'', Erwartung, Op. 17: Scene 4: ''Nein, das ist doch nicht möglich'', Pelleas und Melisande, symphonic poem, Op. 5, Valses nobles et sentimentales, M. 61: I. Modéré - très franc, Valses nobles et sentimentales, M. 61: II. Assez lent, Verklärte Nacht, Op. 4, Verklärte Nacht, Op. 4: Adagio (bar 229), Verklärte Nacht, Op. 4: Adagio (bar 370), Verklärte Nacht, Op. 4: Grave, Verklärte Nacht, Op. 4: Molto rallentando (bar 100), Verklärte Nacht, Op. 4: Pesante (bar 201) |
| Jeriaska |
performing orchestra |
Concerto for Piano and Orchestra no. 2 in F major, op. 102: I . Allegro, Concerto for Piano and Orchestra no. 2 in F major, op. 102: II. Andante, Concerto for Piano and Orchestra no. 2 in F major, op. 102: III. Allegro, German Dance no. 8, K. 605, no. 3 "Sleigh Ride", Grande Valse from "Gaite Parisienne", Invitation to the Dance, Mambo from "The Westside Story", Peter and the Wolf, Piano Concerto no. 2 in F major, op. 102: II. Andante / III. Allegro, Polka from "The Age of Gold Ballet", The Carnival of the Animals: Hens and Cocks, The Carnival of the Animals: Introduction and Royal March of the Lion, The Carnival of the Animals: Mules, The Carnival of the Animals: Personages with Long Ears, The Carnival of the Animals: The Cuckoo in the Woods, The Carnival of the Animals: The Swan |
| Richard Wagner |
performing orchestra |
Act III of Lohengrin: Prelude, Der fliegende Holländer: Overture, Die Meistersinger von Nürnberg: Prelude to Act I, Die Walküre: Act III, Scene 1 & Scene 2 (beginning), Die Walküre: Act III, Scene 2 (conclusion: ''Du verstößest mich?'') & Scene 3 (beginning), Die Walküre: Act III, Scene 3 (conclusion: ''Wohl taugte dir nicht die thör'ge Maid''), Götterdämmerung: Morgendämmerung und Siegfrieds Rheinfahrt, Lohengrin: Prelude Act I, Lohengrin: Prelude Act III, Lohengrin: Prelude to Act I, Lohengrin: Prelude to Act III, Parsifal: Karfreitagszauber, Ride of the Valkyries from Die Walküre, Rienzi: Ouvertüre, Siegfried-Idyll, Tannhäuser: Ouvertüre und Venusbergmusik |
| Mr. Perfekk |
performing orchestra |
Glagolitic Mass, JW 3/9: Agnus Dei, Glagolitic Mass, JW 3/9: Credo, Glagolitic Mass, JW 3/9: Gloria, Glagolitic Mass, JW 3/9: Intrada, Glagolitic Mass, JW 3/9: Introduction, Glagolitic Mass, JW 3/9: Kyrie, Glagolitic Mass, JW 3/9: Organ Solo, Glagolitic Mass, JW 3/9: Sanctus, Gloria, FP 177: I. Gloria, Gloria, FP 177: II. Laudamus te, Gloria, FP 177: III. Domine Deus, Gloria, FP 177: IV. Domine Fili unigenite, Gloria, FP 177: V. Domine Deus, Agnus Dei, Gloria, FP 177: VI. Qui sedes ad dexteram Patris, Messiah: Hallelujah Chorus |
| Antonín Dvořák |
performing orchestra |
Carnival, Op. 92, Concerto for Cello and Orchestra in B minor, Op. 104: I. Allegro, Concerto for Cello and Orchestra in B minor, Op. 104: II. Adagio ma non troppo, Concerto for Cello and Orchestra in B minor, Op. 104: III. Finale. Allegro moderato, Slavonic Dances, Op. 46: No. 1 in C major. Presto, Slavonic Dances, Op. 46: No. 3 in A-flat major. Poco allegro, Symphony No. 8 in G major, Op. 88: I. Allegro con brio, Symphony No. 8 in G major, Op. 88: II. Adagio, Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso - Molto vivace, Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo, Symphony No. 9 in E minor, ''From the New World'', Op. 95: II. Largo, Symphony No. 9 in E minor, 'From the New World', Op. 95: I. Adagio - Allegro molto, Symphony No. 9 in E minor, 'From the New World', Op. 95: II. Largo, Symphony No. 9 in E minor, 'From the New World', Op. 95: III. Scherzo. Molto vivace, Symphony No. 9 in E minor, 'From the New World', Op. 95: IV. Allegro con fuoco |
| Claude Debussy |
performing orchestra |
Images pour orchestre, L. 122: I. Gigues, Images pour orchestre, L. 122: II. Ibéria, Images pour orchestre, L. 122: II. Les Parfums de la nuit, Images pour orchestre, L. 122: II. Par les rues et par les chemins, Images pour orchestre, L. 122: III. Rondes de printemps, Jeux, L. 126, La Mer, L. 109: I. De l’aube à midi sur la mer - Très lent, La Mer, L. 109: II. Jeux de vagues. Allegro (dans un rythme très souple), La Mer, L. 109: III. Dialogue du vent et de la mer - Animé et tumultueux, Nocturnes, L. 91: I. Nuages. Modéré - Un peu animé, Nocturnes, L. 91: II. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé, Nocturnes: Fêtes, Prelude a L'Apres Midi D'Un Faune, Première Rapsodie pour orchestre avec clarinette principale, L. 116, Prélude à l'après-midi d'un faune, L. 86 |
| Tom Maringer |
performing orchestra |
Adeste Fideles, Away in a Manger, Christmas Chimes, Medley: Deck the Hall With Boughs of Holly / John Pierpont - Jingle Bells, Medley: Hark! The Herald Angels Sing / [traditional] - Angels We Have Heard on High, Medley: It Came Upon the Midnight Clear / [traditional] - Away in a Manger, O Holy Night, O Little Town of Bethlehem, O Tannenbaum, The First Nowell, We Three Kings, We Wish You a Merry Christmas, We Wish You a Merry Christmas (reprise) |
| The Fawkes |
performing orchestra |
Concerto no. 1 in E major, op. 8, RV 269, "La primavera" (Spring): I. Allegro, Concerto no. 1 in E major, op. 8, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre, Concerto no. 1 in E major, op. 8, RV 269, "La primavera" (Spring): III. Allegro Pastorale, Concerto no. 2 in G minor, op. 8, RV 315, "L'estate" (Summer): I. Allegro non molto - allegro, Concerto no. 2 in G minor, op. 8, RV 315, "L'estate" (Summer): II. Adagio e piano - Presto e forte, Concerto no. 2 in G minor, op. 8, RV 315, "L'estate" (Summer): III. Presto, Concerto no. 3 in F major, op. 8, RV 293, "L'autunno" (Autumn): I. Allegro, Concerto no. 3 in F major, op. 8, RV 293, "L'autunno" (Autumn): II. Adagio molto, Concerto no. 3 in F major, op. 8, RV 293, "L'autunno" (Autumn): III. Allegro, Concerto no. 4 in F minor, op. 8, RV 297, "L'inverno" (Winter): I. Allegro non molto, Concerto no. 4 in F minor, op. 8, RV 297, "L'inverno" (Winter): II. Largo, Concerto no. 4 in F minor, op. 8, RV 297, "L'inverno" (Winter): III. Allegro |
| Manuel de Falla |
performing orchestra |
Concerto for harpsichord, flute, oboe, clarinet, violin and cello: I. Allegro, Concerto for harpsichord, flute, oboe, clarinet, violin and cello: II. Lento, Concerto for harpsichord, flute, oboe, clarinet, violin and cello: III. Vivace, El sombrero de tres picos: Act I. Atardecer, El sombrero de tres picos: Act I. Danza de la molinera (Fandango), El sombrero de tres picos: Act I. Introducción, El sombrero de tres picos: Act I. Las uvas, El sombrero de tres picos: Act II. Danza de los vecinos (Seguidillas), El sombrero de tres picos: Act II. Danza de molinero (Farruca), El sombrero de tres picos: Act II. Danza del corregidor, El sombrero de tres picos: Act II. Danza final (Jota), Ritual Fire Dance from "El Amor Brujo" |
| Chris Nappi |
performing orchestra |
Concerto for Violin and Orchestra in D major: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major: II. Larghetto, Concerto for Violin and Orchestra in D major: III. Rondo. Allegro, Concerto for Violin and Orchestra, op. 14: I. Allegro, Concerto for Violin and Orchestra, op. 14: II. Andante, Concerto for Violin and Orchestra, op. 14: III. Presto in moto, Concerto for Violin and Orchestra: I. Andante – Allegro, Concerto for Violin and Orchestra: II. Allegro, Violin Concerto in D major, Op. 61: II. Larghetto / III. Rondo. Allegro, Violin Concerto no. 2: I. Allegro non troppo, Violin Concerto no. 2: II. Andante tranquillo, Violin Concerto no. 2: III. Allegro molto |
| Joseph Haydn |
performing orchestra |
Symphony No. 101 in D major, ''The Clock'', Hob. I:101: I. Adagio - Presto, Symphony No. 101 in D major, ''The Clock'', Hob. I:101: II. Andante, Symphony No. 101 in D major, ''The Clock'', Hob. I:101: III. Menuetto. Allegretto - Trio, Symphony No. 101 in D major, ''The Clock'', Hob. I:101: IV. Finale. Vivace, Symphony No. 82 in C major, ''The Bear'', Hob. I.82: I. Vivace assai, Symphony No. 82 in C major, ''The Bear'', Hob. I.82: II. Allegretto, Symphony No. 82 in C major, ''The Bear'', Hob. I.82: III. Menuetto - Trio, Symphony No. 82 in C major, ''The Bear'', Hob. I.82: IV. Finale. Vivace, Symphony No. 83 in G minor, ''The Hen'', Hob. I.83: I. Allegro spiritoso, Symphony No. 83 in G minor, ''The Hen'', Hob. I.83: II. Andante, Symphony No. 83 in G minor, ''The Hen'', Hob. I.83: III. Menuetto. Allegretto - Trio, Symphony No. 83 in G minor, ''The Hen'', Hob. I.83: IV. Finale. Vivace |
| John Lennon |
performer |
Crippled Inside, Gimme Some Truth, How Do You Sleep?, How?, I Don’t Wanna Be a Soldier Mama I Don’t Wanna Die, Imagine, It’s So Hard, Jealous Guy, Oh My Love, Oh Yoko!, Whatever Gets You Thru the Night |
| Ralph Vaughan Williams |
performing orchestra |
Fantasia on 'Greensleeves', Fantasia on a Theme by Thomas Tallis, Pomp and Circumstance: March No. 1 in D major, Op. 39.1, Serenade to Music, Act V, Scene 1: 'Come, ho! and wake Diana with a hymn', Serenade to Music, Act V, Scene 1: 'How many things by season', Serenade to Music, Act V, Scene 1: 'How sweet the moonlight sleeps', Serenade to Music, Act V, Scene 1: 'Look how the floor of heaven is thick inlaid', Serenade to Music, Act V, Scene 1: 'Music! Hark!', Serenade to Music, Act V, Scene 1: 'Soft stillness and the night', Serenade to Music, Act V, Scene 1: 'l am never merry when I hear sweet music', Serenade to Music, Act V, Scene 1: Andante sostenuto |
| Edvard Grieg |
performing orchestra |
March of the Dwarfs, Op. 54.3, Norwegian Dance No. 2 in A major, Op. 35.2, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament, Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming - Stormy Evening on the Sea, Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song |
| Anton Bruckner |
performing orchestra |
Symphony No. 4 in E flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E flat major "Romantic": II. Andante quasi allegretto, Symphony No. 4 in E flat major "Romantic": III. Scherzo. Bewegt, Symphony No. 4 in E flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 7: I. Allegro Moderato, Symphony no. 7: II. Adagio - Sehr feierlich und sehr langsam, Symphony no. 7: III. Scherzo - Sehr Schnell, Symphony no. 7: IV. Finale - Bewegt, doch nicht schnell, Symphony no. 9 in D minor: III. Adagio. Langsam, Feierlich |
| Tender Loving Care |
performing orchestra |
Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: I. Moderato, Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: II. Lento assai, Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: III. Allegro moderato, Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: IV. Moderato, Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: Introduction. Allegro moderato, Havanaise, op. 83, Introduction et Rondo Capriccioso, Op. 28, Poème, Op. 25, Poème, op. 25 |
| Bedřich Smetana |
performing orchestra |
The Bartered Bride: Overture, The Moldau (Vltava), The Moldau, Part 1 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 2 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 3 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 4 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 5 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 6 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein), The Moldau, Part 7 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein) |
| George Frideric Handel |
performing orchestra |
Concerto in F major, HWV 334: I. Ouverture (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: II. Allegro (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: III. Allegro ma non troppo (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: IV. Adagio (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: V. Andante larghetto (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: VI. Allegro (New York Philharmonic feat. conductor: Pierre Boulez), Feuerwerksmusik - La Paix, Feuerwerksmusik: La Paix: Largo alla Siciliana |
| Gioachino Rossini |
performing orchestra |
Il barbiere di Siviglia: Overture, L'Italiana in Algeri: Overture, Overtures: Guillaume Tell, Overtures: Il barbiere di Siviglia, Overtures: La gazza ladra, Overtures: La scala di seta, Overtures: L’italiana in Algeri, Semiramide: Overture |
| Roseanna Martin |
performing orchestra |
Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Allegro moderato |
| Александр Николаевич Скрябин |
performing orchestra |
Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro - Allegro dramatico - Tragico -, Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro molto. Leggierissimo. Volando - Maestoso, Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Allegro volando -, Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Andante. Languido - Lento. Soavamente -, Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Lento -, Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Lento - Allegro - Charmé - Scherzando -, Symphony No. 4, ''Le Poème de l’extase'', Op. 54: Lento - Allegro non troppo - Moderato avec délice -, Symphony No. 5, ''Prométhée - Le Poème du feu'', Op. 60 |
| Sabine Offermann |
performing orchestra |
Poème for Violin and Orchestra, op. 25, Serenade: I. Phaedrus: Pausanias, Serenade: II. Aristophanes, Serenade: III. Eryximachus, Serenade: IV. Agathon, Serenade: V. Socrates, Tzigane: Rapsodie de concert pour violin et orchestre: I. Lento, quasi cadenza, Tzigane: Rapsodie de concert pour violin et orchestre: II. Moderato - Allegro |
| Graham Nicholas |
performing orchestra |
Slavonic Dances no. 2 in E minor, op. 72: Dumka, Slavonic Dances no. 6 in B-flat major, op. 46: Sousedská, Slavonic Dances no. 8 in G minor, op. 46: Furiant, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio, Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 9 “From the New World”: Largo |
| Gustav Holst |
performing orchestra |
The Planets, Op. 32: Jupiter, the Bringer of Jollity, The Planets, Op. 32: Mars, the Bringer of War, The Planets, Op. 32: Mercury, the Winged Messenger, The Planets, Op. 32: Neptune, the Mystic, The Planets, Op. 32: Saturn, the Bringer of Old Age, The Planets, Op. 32: Uranus, the Magician, The Planets, Op. 32: Venus, the Bringer of Peace |
| Britt Rylander |
performing orchestra |
Egmont (Overture), La Valse, Mephisto Waltz, Romeo and Juliet (The Young Juliet), Symphony No. 3 (Poco Allegretto), Symphony No. 8 (Allegretto Grazioso), The Nutcracker Suite (Waltz of the Flowers) |
| Larry Hagman |
performing orchestra |
Concerto for Violin and Orchestra in D major, op. 77: Adagio, Concerto for Violin and Orchestra in D major, op. 77: Allegro giocoso, ma non troppo vivace, Concerto for Violin and Orchestra in D major, op. 77: Allegro non troppo, Concerto for Violin and Orchestra in D minor, op. 47: Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: Allegro, ma non tanto, Introduction and Rondo Capriccioso, for violin & orchestra in A minor, op. 28 |
| Robert Hedemann |
performing orchestra |
Concerto for Piano and Orchestra no. 3 in C minor, op.37: I. Allegro con brio, Concerto for Piano and Orchestra no. 3 in C minor, op.37: II. Largo, Concerto for Piano and Orchestra no. 3 in C minor, op.37: III. Rondo. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro, Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": I. Adagio |
| Chris Galland |
performing orchestra |
Prince Igor: Act 2. Dance of the Polovtsian Maidens, Prince Igor: Act 2. Polovtsian Dance. Allegro, Prince Igor: Act 2. Polovtsian Dance. Allegro con spirito - Più animato, Prince Igor: Act 2. Polovtsian Dance. Allegro vivo, Prince Igor: Act 2. Polovtsian Dance. Introduzione. Andantino, Prince Igor: Act 2. Polovtsian Dance. Moderato alla breve, Prince Igor: Act 2. Polovtsian Dance. Presto |
| Plutonia |
performing orchestra |
Concerto for Piano and Orchestra No.2 in F Minor, Op.21 (Part 1), Concerto for Piano and Orchestra No.2 in F Minor, Op.21 (Part 2), Concerto for Piano and Orchestra No.2 in F Minor, Op.21 (Part 3), Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso, Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto, Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace |
| E-Bang |
performing orchestra |
Götterdämmerung: Final Scene (Immolation Scene), Wesendonck Lieder: I. Der Engel, Wesendonck Lieder: II. Stehe still!, Wesendonck Lieder: III. Im Treibhaus, Wesendonck Lieder: IV. Scherzen, Wesendonck Lieder: V. Träume |
| Carl Nielsen |
performing orchestra |
Symphony No. 4, 'The Inextinguishable', Op. 29: I. Allegro - attacca, Symphony No. 4, 'The Inextinguishable', Op. 29: II. Poco allegretto - attacca, Symphony No. 4, 'The Inextinguishable', Op. 29: III. Poco adagio quasi andante - attacca, Symphony No. 4, 'The Inextinguishable', Op. 29: IV. Allegro, Symphony No. 5, Op. 50: I. Tempo giusto - Adagio non troppo, Symphony No. 5, Op. 50: II. Allegro - Un poco più mosso - Presto - Andante un poco tranquillo - Allegro (Tempo l) |
| Lewo |
performing orchestra |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco – Molto meno mosso – Allegro vivo, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve |
| Александр Порфирьевич Бородин |
performing orchestra |
In the Steppes of Central Asia, Symphony No. 2 in B minor: I. Allegro - Animato assai, Symphony No. 2 in B minor: II. Scherzo - Prestissimo - Allegretto, Symphony No. 2 in B minor: III. Andante, Symphony No. 2 in B minor: IV. Finale. Allegro |
| Willie Humphrey |
performing orchestra |
Des Knaben Wunderhorn: Das irdische Leben, Song of Songs: No. 1. Awake, O North Wind, Song of Songs: No. 2. Come, My Beloved, Song of Songs: No. 3. By Night on My Bed, Song of Songs: No. 4. Set Me as a Seal Upon Thine Heart |
| Andreas Ottensamer |
performing orchestra |
Concerto for Piano, String Orchestra and Trumpet no. 1 in C minor, op. 35: I. Allegretto - Allegro vivace, Concerto for Piano, String Orchestra and Trumpet no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, String Orchestra and Trumpet no. 1 in C minor, op. 35: III. Moderato, Piano Concerto no. 1 in C minor, op. 35: IV. Allegro con brio, Piano Concerto no. 1, op. 35: II. Lento / III. Moderato / IV. Allegro con brio |
| Charles Ives |
performing orchestra |
Symphony No. 2: I. Andante moderato, Symphony No. 2: II. Allegro, Symphony No. 2: III. Adagio cantabile, Symphony No. 2: IV. Lento (maestoso), Symphony No. 2: V. Allegro molto vivace |
| Karl Goldmark |
performing orchestra |
Rustic Wedding - Symphony No. 1, Op. 26: I. Hochzeitsmarsch (Variationen) Moderato molto Allegro - Andante con moto quasi Allegretto - Allegretto - Allegro vivace - Allegretto pesante - Allegro scherzando - Allegretto quasi Andantino - Molto vivace - Andante con moto - Moderato - Tempo des Themas, Rustic Wedding - Symphony No. 1, Op. 26: II. Brautlied (Intermezzo). Allegretto, Rustic Wedding - Symphony No. 1, Op. 26: III. Serenade (Scherzo). Allegro moderato scherzando, Rustic Wedding - Symphony No. 1, Op. 26: IV. Im Garten. Andante - Poco più lento - Tempo I, Rustic Wedding - Symphony No. 1, Op. 26: V. Tanz (Finale). Allegro molto - Andante |
| Morton Gould |
performing orchestra |
Spirituals for Orchestra: I. Proclamation, Spirituals for Orchestra: II. Sermon, Spirituals for Orchestra: III. A Little Bit of Sin, Spirituals for Orchestra: IV. Protest, Spirituals for Orchestra: V. Jubilee |
| Line Hassall |
performing orchestra |
Vier letzte Lieder, Op. 150 No. 1: Frühling, Vier letzte Lieder, Op. 150 No. 2: September, Vier letzte Lieder, Op. 150 No. 3: Beim Schlafengehen, Vier letzte Lieder, Op. 150 No. 4: Im Abendrot |
| Le Maîtrise Gabriel Fauré |
performing orchestra |
4 Greek Dances, Op. 11: Epirotikos, 4 Greek Dances, Op. 11: Hostianos, 4 Greek Dances, Op. 11: Kleftikos, 4 Greek Dances, Op. 11: Peloponnisiakos |
| Keisha Hollins |
performing orchestra |
Concerto for Violin & Orchestra in A minor, Op. 53: I. Allegro, Concerto for Violin & Orchestra in A minor, Op. 53: II. Adagio, Concerto for Violin & Orchestra in A minor, Op. 53: III. Finale, Romance for Violin & Orchestra in F minor, Op. 11 |
| C-Note |
performing orchestra |
First Rhapsody: I. “Lassú”, First Rhapsody: II. “Friss”, Second Rhapsody: I. “Lassú”, Second Rhapsody: II. “Friss” |
| WICKD |
performing orchestra |
Dialogues for Jazz Combo & Orchestra: I. Allegro, Dialogues for Jazz Combo & Orchestra: II. Andante - Ballad, Dialogues for Jazz Combo & Orchestra: III. Adagio - Ballad, Dialogues for Jazz Combo & Orchestra: IV. Allegro - Blues |
| Franz Schubert |
performing orchestra |
Symphony No. 4 in C minor, ''Tragic'', D. 417: I. Adagio molto - Allegro vivace, Symphony No. 4 in C minor, ''Tragic'', D. 417: II. Andante, Symphony No. 4 in C minor, ''Tragic'', D. 417: III. Menuetto. Allegro vivace - Trio, Symphony No. 4 in C minor, ''Tragic'', D. 417: IV. Allegro |
| Maurice Argiro |
performing orchestra |
Lieder eines fahrenden Gesellen: Die zwei blauen Augen, Lieder eines fahrenden Gesellen: Ging heut' Morgen übers Feld, Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer, Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht |
| Samuel Barber |
performing orchestra |
Adagio for Strings - Molto Adagio, Violin Concerto, Op. 14: I. Allegro, Violin Concerto, Op. 14: II. Andante, Violin Concerto, op. 14: III. Presto in moto perpetuo |
| Jan Van Biesen |
performing orchestra |
Concerto for Oboe in D minor RV454: II. Largo, Concerto for oboe in D minor RV454: I. Allegro, Concerto for oboe in D minor RV454: III. Allegro, To Thee Old Cause |
| Alles wegen Lilly |
performing orchestra |
Concerto for Flute and Orchestra: I. Allegro, Concerto for Flute and Orchestra: II. Andante, Concerto for Flute and Orchestra: III. Allegro scherzando |
| Djimé Sissoko |
performing orchestra |
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve |
| HKI Crates |
performing orchestra |
Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060: I. Allegro, Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060: II. Adagio, Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060: III. Allegro |
| Tantr Slangrr |
performing orchestra |
Concerto for Violin and Orchestra no. 2 in E major, BWV 1042: I. Allegro, Concerto for Violin and Orchestra no. 2 in E major, BWV 1042: II. Adagio, Concerto for Violin and Orchestra no. 2 in E major, BWV 1042: III. Allegro assai |
| Donald "Doc" Whitticar |
performing orchestra |
Piano Concerto no. 2: 1st movement, Piano Concerto no. 2: 2nd movement, Piano Concerto no. 2: 3rd movement |
| Doubleface |
performing orchestra |
Symphony for Organ and Orchestra: I. Prelude: Andante, Symphony for Organ and Orchestra: II. Scherzo: Allegro molto - Moderato, Symphony for Organ and Orchestra: III. Finale: Lento - Allegro moderato |
| 相馬順一 |
performing orchestra |
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto, Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro |
| Jake the Break |
performing orchestra |
Concerto for Piccolo, Strings and Basso Continuo in C major: I. Allegro, Concerto for Piccolo, Strings and Basso Continuo in C major: II. Largo, Concerto for Piccolo, Strings and Basso Continuo in C major: III. Allegro molto |
| Buckingham Palace |
performing orchestra |
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco piu moderato, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo - Piu animato - Tempo I |
| Lithium |
performing orchestra |
Concerto for Clarinet - Rather fast, Concerto for Clarinet - Slowly & Expressively, Concerto for Clarinet and Orchestra, Op. 57 |
| Jascha Heifetz |
performing orchestra |
Violin Concerto in D major, Op. 61: I - Allegro ma non troppo, Violin Concerto in D major, Op. 61: II - Larghetto, Violin Concerto in D major, Op. 61: III - Rondo, Allegro |
| Lovy Longomba |
performing orchestra |
Daphnis et Chloé, Suite no. 2: I. Lever du jour, Daphnis et Chloé, Suite no. 2: II. Pantomime, Daphnis et Chloé, Suite no. 2: III. Danse generale |
| Ontavio |
performing orchestra |
Concerto for Cello & Orchestra in B minor, op. 104: I. Allegro, Concerto for Cello & Orchestra in B minor, op. 104: II. Adagio ma non troppo, Concerto for Cello & Orchestra in B minor, op. 104: III. Finale. Allegro moderato |
| ONBC |
performing orchestra |
Concerto for flute in C minor RV441: I. Allegro non molto, Concerto for flute in C minor RV441: II. Largo, Concerto for flute in C minor RV441: III. Allegro |
| Edward Elgar |
performing orchestra |
Sonata for Violin and Piano in E minor, Op. 82: I. Allegro, Sonata for Violin and Piano in E minor, Op. 82: II. Romance. Andante, Sonata for Violin and Piano in E minor, Op. 82: III. Allegro non troppo |
| Moudou Ould Mattalla |
performing orchestra |
Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando |
| Da Kidd SP |
performing orchestra |
Concerto for Two Pianos and Orchestra in D minor: I. Allegro ma non troppo, Concerto for Two Pianos and Orchestra in D minor: II. Larghetto, Concerto for Two Pianos and Orchestra in D minor: III. Finale. Allegro molto |
| Beverly Sills |
performing orchestra |
Estrellita, Goyescas: "La maja y el ruiseñor", La morena de mi copla |
| The Love Elektrik |
performing orchestra |
Concerto for Violoncello and Orchestra in A minor, Op. 129: I. Nicht zu schnell, Concerto for Violoncello and Orchestra in A minor, Op. 129: II. Langsam, Concerto for Violoncello and Orchestra in A minor, Op. 129: III. Sehr lebhaft |
| Eymi |
performing orchestra |
Concerto for Violin & Cello, Op. 102: I. Allegro, Concerto for Violin & Cello, Op. 102: II. Andante, Concerto for Violin & Cello, Op. 102: III. Vivace non troppo |
| Michele Iaia |
performing orchestra |
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven), Piano Concerto no. 4 in G major, op. 58: II. Andante con moto, Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven) |
| Hertha Schell |
performing orchestra |
Concerto for Piano and Orchestra: I. Andante sostenuto, Concerto for Piano and Orchestra: II. Molto moderato (molto rubato) |
| Mormon Tabernacle Choir |
performing orchestra |
La Virgen lava pañales, Once in Royal David's City |
| Pitti Weidenhof |
performing orchestra |
Concerto for Flute and Orchestra: I. Allegro moderato, Concerto for Flute and Orchestra: II. Allegretto |
| Johann Strauss |
performing orchestra |
Künstlerleben (Artist’s Life); Waltz, Op. 316, Wiener Blut (Vienna Life); Waltz, Op. 354 |
| Jacques Offenbach |
performing orchestra |
Gaîté Parisienne: Cancan, Gaîté Parisienne: Grand Valse |
| Luciano Pavarotti |
performing orchestra |
Io son sol! Ah dispar vision, Mi batte il cuor… O paradiso |
| Georges Bizet |
performing orchestra |
Carmen: Habanera, Carmen: Intermezzo, Act III |
| Sgarrow |
performing orchestra |
Symphony no. 8 "Symphony of a Thousand": Part I. Hymnus "Veni, creator spiritus", Symphony no. 8 "Symphony of a Thousand": Part II. Final Scene from Goethe's "Faust", Part II |
| Felix Mendelssohn |
performing orchestra |
Ein Sommernachtstraum, Op. 61: No.1: Scherzo. Allegro vivace, Ein Sommernachtstraum, Op. 61: No.7: Nocturne. Con moto tranquillo |
| Termonlogy |
performing orchestra |
Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II. Finale: Allegro, Fantasy for Piano, Chorus and Orchestra in C minor, op. 80 |
| Carl Maria von Weber |
performing orchestra |
Invitation to the Dance, Op. 65 (transcribed by Berlioz), Oberon (Overture) |
| Paul J. Reichlin |
performing orchestra |
Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IIi. Chorus mysticus |
| Liz Lenten |
performing orchestra |
The Planets, Op. 32: VII. Neptune, the Mystic |
| Mahteriha |
performing orchestra |
Ideale |
| Lauphan |
performing orchestra |
Andromache's Farewell, Op. 39 |
| John Stafford Smith |
performing orchestra |
The Star-Spangled Banner |
| Razor Cunts |
performing orchestra |
Fantasia on "Greensleeves" |
| Rebound |
performing orchestra |
Polacca militare, op. 40-1 |
| Madame Mim |
performing orchestra |
Freund Fritz - Suzel, buon di |
| Jim Steinman |
performing orchestra |
The Storm |
| N. Nappa |
performing orchestra |
Der Rosenkavalier; Waltzes |
| Nancy Farnsworth |
performing orchestra |
Mazurka no. 23 in D major, op. 33 no. 2, CT. 73 |
| Heaven West Eleven |
performing orchestra |
Musica Proibita |
| Graham Hyslop |
performing orchestra |
Daphnis and Chloe Suite No. 2 |
| Gianni Poggi |
performing orchestra |
La Traviata - Lunge da lei |
| Niccolò Paganini |
performing orchestra |
Violin Concerto No. 1 in D major: III. Rondo |
| Kitten Hurricane |
performing orchestra |
Die Walküre: Magic Fire Music |
| Ferdinand Hérold |
performing orchestra |
Zampa Overture |
| Sully Rivière |
performing orchestra |
Quiet City for Cor Anglais, Trumpet and Strings |
| Meat Loaf |
performing orchestra |
For Crying Out Loud |
| Sushama Unnikrishnan |
performing orchestra |
Gone Till November |
| Suzzy Roche and Lucy Wainwright Roche |
performing orchestra |
Ballade for Piano and Orchestra, op.19 |
| Luca Laurenti |
performing orchestra |
Symphony no. 9 in D minor, op. 125 (“Choral”): Fourth Movement: Allegro assai |
| Fatima Hajji |
performing orchestra |
Holidays (Symphony): IV. Thanksgiving (Forefathers' Day) |
| Pandora's Box |
performing orchestra |
The Opening of the Box |
| FRANKIE |
performing orchestra |
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile |
| The Gift |
performing orchestra |
Allegro from String Serenade |
| EvenS |
performing orchestra |
Danza Ungherese n. 5 |
| Tobias Fiedler |
performing orchestra |
Giuditta - Freunde, das Leben ist lebenswert |
| Ernst Krenek |
performing orchestra |
Symphonic Elegy for String Orchestra, Op. 105 |
| Ermanno Wolf-Ferrari |
performing orchestra |
Jewels of the Madonna: Intermezzo, Act III |
| Engelbert Humperdinck |
performing orchestra |
Children's Prayer - Hansel and Gretel |
| Wolfgang Amadeus Mozart |
performing orchestra |
German Dance No. 8, K. 605, No. 3: Sleigh Ride |
| Edgard Varèse |
performing orchestra |
Amériques |
| Dez Dynamic |
performing orchestra |
Beth |
| Дмитрий Дмитриевич Шостакович |
performing orchestra |
The Age of Gold: Polka |
| Come Clean |
performing orchestra |
Götterdämmerung: Brünnhilde's Immolation Scene |
| Клавдия Новикова |
performing orchestra |
Vier letzte Lieder: Im Abendrot |
| Christoph Willibald Gluck |
performing orchestra |
Orfeo ed Euridice: Dance of the Blessed Spirits |
| Champagner Gloystein |
performing orchestra |
Symphony no. 9 in D minor, op. 125 "Choral": IVb. Ode "An die Freude" |
| Рейнгольд Морицевич Глиэр |
performing orchestra |
"The Red Poppy": Russian Sailor's Dance |
| Сергей Рахманинов |
performing orchestra |
Rhapsody on a Theme of Paganini, Op. 43 |
| Paul Dukas |
performing orchestra |
L'apprenti sorcier |
| Cantores Vagantes |
performing orchestra |
Granada |
| Atropolis |
performing orchestra |
Song of Destiny, op. 54 (Schicksalslied) |
| 陳少寶 |
performing orchestra |
Ein Helderleben, Op. 40: III - Des Helden Gefährtin |
| André Kostelanetz |
performing orchestra |
Goyescas: Interludio |
| Ambroise Thomas |
performing orchestra |
Raymond: Overture |
| Suman & Joginder |
performing orchestra |
Daphnis et Chloé Suite no. 2 |