Andrew Davis

conductor, organ, harpsichord, pipe organ, performer, piano

Top collaborators

Artist name Roles Recordings
The River Versus
The Brigade (American prog-psych rock)
r00ms
The Great Society ('60's Ohio garage rock band)
レモンパイ

Work on other artists' recordings

Artist name Roles Recordings
The River Versus conductor, organ A Pastoral Symphony (Symphony No. 3) II. Lento Moderato, A Pastoral Symphony (Symphony no. 3) I. Molto moderato, A Pastoral Symphony (Symphony no. 3) III. Moderato pesante - Presto, A Pastoral Symphony (Symphony no. 3) IV. Lento - Moderato maestoso - Lento, Appalachia: [Introduction I.] Molto moderato – Tranquillo –, Appalachia: [Introduction II.] Poco più vivo ma moderato –, Appalachia: [Theme.] Andante –, Appalachia: [Variation I.] Un poco più – Moderato –, Appalachia: [Variation II.] Più vivo –, Appalachia: [Variation III.] Molto moderato – Poco più mosso – Lento – Moderato (molto ritmico) –, Appalachia: [Variation IV.] Con moto – Un poco più tranquillo –, Appalachia: [Variation IX.] Allegro alla marcia – Adagio –, Appalachia: [Variation V.] Giocoso. Allegro moderato – Meno mosso. Più tranquillo –, Appalachia: [Variation VI.] Lento e molto tranquillo – Misterioso. Più mosso – Un poco meno –, Appalachia: [Variation VII.] Andante con grazia – Calando –, Appalachia: [Variation VIII.] Lento sostenuto e tranquillo – Un poco più – Tempo I –, Appalachia: [Variation X.] Marcia. Molto lento maestoso –, Brigg Fair, Cockaigne Overture "In London Town", op. 40, Egdon Heath, Elizabeth: Enigma Variations: Nimrod, Enigma Variations, op. 36 no. 10: Intermezzo: Dorabella, Enigma Variations, op. 36 no. 11: G.R.S., Enigma Variations, op. 36 no. 12: B.G.N., Enigma Variations, op. 36 no. 13: Romanza, Enigma Variations, op. 36 no. 14: Finale: E.D.U., Enigma Variations, op. 36 no. 1: C.A.E., Enigma Variations, op. 36 no. 2: H.D.S.-P., Enigma Variations, op. 36 no. 3: R.B.T., Enigma Variations, op. 36 no. 4: W.M.B., Enigma Variations, op. 36 no. 5: R.P.A., Enigma Variations, op. 36 no. 6: Ysobel, Enigma Variations, op. 36 no. 7: Troyte, Enigma Variations, op. 36 no. 8: W.N., Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "And as I sat, over the light blue hills". Allegretto, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "Beneath my palm trees, by the river side". Andante –, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 2. Chorus "Whence came ye, merry Damsels! whence came ye!", First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 5. Solo "Onward the tiger and the leopard pants". Poco animato – Più mosso / Part 6. Chorus "Bacchus, young Bacchus! good or ill betide". Andante maestoso, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Ah, happy, happy boughs! that cannot shed". [Tempo I] –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Heard melodies are sweet, but those unheard". Tempo I – Poco animato – Tempo I –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "O Attic shape! fair attitude! with brede". [Tempo I] – Largo, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Thou still unravish’d bride of quietness". Molto adagio –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Who are these coming to the sacrifice?". [Tempo I] –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 1. Fancy. Chorus "Ever let the Fancy roam". Allegro –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 2. Folly’s Song. Chorus "When wedding fiddles are a-playing". ♩= ♩(160) – Più mosso – Presto – Prestissimo, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 1. Solo "Spirit here that reignest!". Senza misura (quasi Andante) / Part 2. Chorus "God of the golden bow". Lento – Chorus "Here Homer with his nervous arms". Più mosso –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 3. Solo "Then, through thy Temple wide, melodious swells". Andante sostenuto / Part 4. Chorus "Tis awful silence then again". Lento – Chorus "Thou biddest Shakespeare wave his hand". Vivace ma pesante – Molto pesante ma in tempo – Andante – Chorus "A silver trumpet Spenser blows". Animato – Poco lento –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 5. Solo "Next thy Tasso’s ardent numbers". [Poco lento] – Moderato – Poco più lento / Part 6. Chorus "But when Thou joinest with the Nine". Moderato maestoso – Allegro – Andante con moto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 6. Chorus "Bards of Passion and of Mirth". Allegretto – Chorus "Thus ye live on high, and then". [Allegretto] – Poco meno mosso – Allegretto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 7. Solo "Spirit here that reignest!". Senza misura (quasi Andante) – Chorus "Bards of Passion and of Mirth". Sempre andante e non animato, First Choral Symphony, op. 41, H. 155: Prelude. Invocation to Pan: Chorus "O Thou, whose mighty palace roof doth hang". Andante, Four Sea Interludes from "Peter Grimes", op. 33a: Dawn, Four Sea Interludes from "Peter Grimes", op. 33a: Moonlight, Four Sea Interludes from "Peter Grimes", op. 33a: Storm, Four Sea Interludes from "Peter Grimes", op. 33a: Sunday Morning, In the South (Alassio), op. 50, Introduction and Allegro in G major, op. 47, Job: Scene I. Introduction, Job: Scene II. Saraband of the Sons of God, Job: Scene II. Satan's Dance of Triumph, Job: Scene III. Minuet of the Sons of Job and Their Wives, Job: Scene IV. Job's Dream, Job: Scene IX. Epilogue, Job: Scene V. Dance of the Three Messengers, Job: Scene VI. Dance of Job's Comforters, Job: Scene VII. Elihu's Dance of Youth and Beauty, Job: Scene VII. Pavane of the Sons of the Morning, Job: Scene VIII. Altar Dance, Job: Scene VIII. Galliard of the Sons of the Morning, Jupiter, the Bringer of Jollity, Mars, the Bringer of War, Mercury, the Winged Messenger, On Hearing the First Cuckoo in Spring, Passacaglia from "Peter Grimes", op. 33b, Peter Grimes: The Storm (from 4 Sea Interludes), Pomp & Circumstance March No. 1 in D major, Pomp & Circumstance March No. 3 in C minor, Pomp & Circumstance March No. 4 in G major, Pomp and Circumstance Marches, op. 39: no. 1 in D manor, Pomp and Circumstance Marches, op. 39: no. 3 in C minor, Saturn, the Bringer of Old Age, Sinfonia Antarctica (Symphony no. 7) I. Prelude, Sinfonia Antarctica (Symphony no. 7) II. Scherzo, Sinfonia Antarctica (Symphony no. 7) III. Landscape, Sinfonia Antarctica (Symphony no. 7) IV. Intermezzo, Sinfonia Antarctica (Symphony no. 7) V. Epilogue, String Serenade in E minor, op. 20: I. Allegro piacevole, String Serenade in E minor, op. 20: II. Larghetto, String Serenade in E minor, op. 20: III. Allegretto, Symphony No. 1 in A flat major, Op. 55: Adagio, Symphony No. 1 in A flat major, Op. 55: Allegro molto, Symphony No. 1 in A flat major, Op. 55: Andante, Nobilimente e semplice, Symphony No. 1 in A flat major, Op. 55: Lento, allegro, Symphony No. 9 in E minor: I. Moderato maestoso, Symphony No. 9 in E minor: II. Andante sostenuto, Symphony No. 9 in E minor: III. Scherzo. Allegro pesante, Symphony No. 9 in E minor: IV. Andante tranquillo, Symphony fantastique, Op. 14: I. Daydream - Passions, Symphony fantastique, Op. 14: II. A Ball, Symphony fantastique, Op. 14: III. In the meadows, Symphony fantastique, Op. 14: IV. March to the Scaffold, Symphony fantastique, Op. 14: V. Sabbath Night's Dream, Symphony no. 1 in A-flat major, op. 55: Allegro molto, Symphony no. 1 in A-flat major, op. 55: Andante: Nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: Lento - Allegro, Symphony no. 1 “A Sea Symphony”: I. A Song for All Seas, All Ships, Symphony no. 1 “A Sea Symphony”: II. On the Beach at Night, Alone, Symphony no. 1 “A Sea Symphony”: III. Scherzo. The Waves, Symphony no. 1 “A Sea Symphony”: IV. The Explorers, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo - Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 2 “A London Symphony”: I. Lento - Allegro risoluto, Symphony no. 2 “A London Symphony”: II. Lento, Symphony no. 2 “A London Symphony”: III. Scherzo (Nocturne): Allegro vivace, Symphony no. 2 “A London Symphony”: IV. Andante con moto - Maestoso alla marcia - Epilogue: Andante sostenuto, Symphony no. 2, op. 16: I. Allegro collerico, Symphony no. 2, op. 16: II. Allegro comodo e flemmatico, Symphony no. 2, op. 16: III. Andante melancolico, Symphony no. 2, op. 16: IV. Allegro sanguino, Symphony no. 4 in F minor: I. Allegro, Symphony no. 4 in F minor: II. Andante moderato, Symphony no. 4 in F minor: III. Allegro molto, Symphony no. 4 in F minor: IV. Finale con epilogo fugato - allegro molto, Symphony no. 5 in D major: I. Preludio. Moderato, Symphony no. 5 in D major: II. Scherzo. Allegro, Symphony no. 5 in D major: III. Romanza. Lento, Symphony no. 5 in D major: IV. Passacaglia. Moderato, Symphony no. 5 in D: I. Preludio, Symphony no. 5 in D: II. Scherzo, Symphony no. 5 in D: III. Romanza, Symphony no. 5 in D: IV. Passacaglia, Symphony no. 6 in E minor: I. Allegro, Symphony no. 6 in E minor: II. Moderato, Symphony no. 6 in E minor: III. Scherzo: Allegro vivace, Symphony no. 6 in E minor: IV. Epilogue: Moderato, Symphony no. 8 in D minor: I. Fantasia (Variazioni Senza Tema), Symphony no. 8 in D minor: II. Scherzo alla marcia (for wind instruments), Symphony no. 8 in D minor: III. Cavatina (for strings), Symphony no. 8 in D minor: IV. Toccata, Symphony no. 9 in E minor I. Moderato maestoso, Symphony no. 9 in E minor II. Andante sostenuto, Symphony no. 9 in E minor III. Scherzo. Allegro pesante, Symphony no. 9 in E minor IV. Andante tranquillo - Poco animato, The Dream of Gerontius: Part I. Assistants: "Be merciful, be gracious' spare him, Lord" -, The Dream of Gerontius: Part I. Assistants: "Kyrie eleïson" -, The Dream of Gerontius: Part I. Assistants: "Rescue him, O Lord, in this his evil hour" -, The Dream of Gerontius: Part I. Assistantst: "Go, in the name of Angels and Archangels", The Dream of Gerontius: Part I. Gerontius: "I can no more; for now it comes again" -, The Dream of Gerontius: Part I. Gerontius: "Jesu, Maria - I am near to death" -, The Dream of Gerontius: Part I. Gerontius: "Novissima hora est; and I fain would sleep" -, The Dream of Gerontius: Part I. Gerontius: "Rouse thee, my fainting soul, and play the man" -, The Dream of Gerontius: Part I. Gerontius: "Sanctus fortis, Sanctus Deus" -, The Dream of Gerontius: Part I. Prelude. Lento, mistico -, The Dream of Gerontius: Part I. The Priest: "Proficiscere, anima Christiana, de hoc mundo!" -, The Dream of Gerontius: Part II. Angel of the Agony: "Jesu! by that shuddering dread which fell on Thee" -, The Dream of Gerontius: Part II. Angel: "My work is done" -, The Dream of Gerontius: Part II. Angel: "Softly and gently, dearly-ransom"d soul", The Dream of Gerontius: Part II. Angel: "Thy judgment now is near" -, The Dream of Gerontius: Part II. Angel: "…Praise to His Name!" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Glory to Him, who evermore by truth and justice reigns" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Praise to the Holiest in the height" -, The Dream of Gerontius: Part II. Demons: "Low-born clods of brute earth" -, The Dream of Gerontius: Part II. Demons: "The mind bold and independent" -, The Dream of Gerontius: Part II. Introduction. Soul of Gerontius: "I went to sleep; and now I am refresh"d" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hard! upon my sense comes a fierce hubbub" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hark! a grand, mysterious harmony" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I ever had believed" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I go before my Judge" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I see not those false spirits" -, The Dream of Gerontius: Part II. Soul of Gerontius: "It is a member of that family" -, The Dream of Gerontius: Part II. Soul of Gerontius: "Take me away, and in the lowest deep there let me be" -, The Dream of Gerontius: Part II. Souls in Purgatory: "Lord, Thou hast been our refuge: in every generation" -, The Dream of Gerontius: Prelude, Concert Version, The Lark Ascending, The Planets. Jupiter, The Wasps - Overture, The Young Person's Guide to the Orchestra, op. 34: Variations and Fugue on a Theme by Purcell, Tintagel, Uranus, the Magician, Variations on a Theme by Frank Bridge, op. 10: Adagio, Variations on a Theme by Frank Bridge, op. 10: Aria Italiana, Variations on a Theme by Frank Bridge, op. 10: Bourrée Classique, Variations on a Theme by Frank Bridge, op. 10: Chant, Variations on a Theme by Frank Bridge, op. 10: Fugue and Finale, Variations on a Theme by Frank Bridge, op. 10: Funeral March, Variations on a Theme by Frank Bridge, op. 10: Introduction and Theme, Variations on a Theme by Frank Bridge, op. 10: March, Variations on a Theme by Frank Bridge, op. 10: Moto Perpetuo, Variations on a Theme by Frank Bridge, op. 10: Romance, Variations on a Theme by Frank Bridge, op. 10: Wiener Walzer, Venus, the Bringer of Peace
The Brigade conductor Brigg Fair: An English Rhapsody, Chanson de matin, Chanson de nuit, Dream Children: Allegretto piacevole, Elegy, Enigma Variations, op. 36: No. 9. Nimrod, Enigma Variations: Introduction, Enigma Variations: Troyte, Enigma Variations: W.N., Enigma Variations: Ysobel, Falstaff, Symphonic Study in C minor, Op. 68: I. Falstaff and Prince Henry, Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, scherzo (fig. 55), Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, scherzo (fig. 68), Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, trio bassoon (fig. 62), Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, trio laughter (fig. 63 + 3), Falstaff, Symphonic Study in C minor, Op. 68: II. Eastcheap (fig. 19), Falstaff, Symphonic Study in C minor, Op. 68: II. Eastcheap (fig. 25 + 2), Falstaff, Symphonic Study in C minor, Op. 68: II. Eastcheep (fig. 17), Falstaff, Symphonic Study in C minor, Op. 68: II. Gadshill (fig. 37), Falstaff, Symphonic Study in C minor, Op. 68: II. Gadshill (fig. 41), Falstaff, Symphonic Study in C minor, Op. 68: II. Gadshill (fig. 43), Falstaff, Symphonic Study in C minor, Op. 68: II. Revelry (fig. 71 + 5), Falstaff, Symphonic Study in C minor, Op. 68: II. Sleep (fig. 73), Falstaff, Symphonic Study in C minor, Op. 68: III. Falstaff's March (fig. 81), Falstaff, Symphonic Study in C minor, Op. 68: III. Falstaff's March (fig. 86), Falstaff, Symphonic Study in C minor, Op. 68: III. The Battle of Gaultree Forest (fig. 90), Falstaff, Symphonic Study in C minor, Op. 68: III. The Return through Gloucestershire (fig. 98), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 114), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 122), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 127), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 131), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 132), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 134), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 140), Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 141), Falstaff, Symphonic Study in C minor, Op. 68: Interlude. Gloucestershite, Shallow's Orchard (fig. 102), Falstaff, Symphonic Study in C minor, Op. 68: Interlude. The Hurried Ride to London (fig. 109 + 4), Falstaff, Symphonic Study in C minor, Op. 68: Interlude. The New King (fig. 107), Falstaff: Dream Interlude, Fantasia on Greensleeves, Froissart, Concert Overture, Op. 19, From Me Flows What You Call Time, Grania and Diarmid, Op. 42: Incidental Music / Funeral March, In a Summer Garden, In the South (Alassio) (excerpt), On Hearing the First Cuckoo in Spring, Overture to Maskarade, FS 39, Paris: The Song of a Great City, Pomp and Circumstance March no. 4, Pomp and Circumstance: March no. 1, Ritual Dances from "The Midsummer Marriage" no. 3: The Earth in Autumn, Royal Palace, Op. 17: "Ah, ah", Royal Palace, Op. 17: "Arme Werber! Traurige Liebhaber!", Royal Palace, Op. 17: "Dejanira, Janirade" (Tanz der Wasserfrau), Royal Palace, Op. 17: "Ich brauche dich", Royal Palace, Op. 17: "Ich schenke dir die ewige Natur", Royal Palace, Op. 17: "Ich will Dejaniren essen", Royal Palace, Op. 17: "Ihr kennt die Frauen nicht", Royal Palace, Op. 17: "Kamelien meine Augenlider", Royal Palace, Op. 17: "Teile die Orange des Himmels in vier", Royal Palace, Op. 17: "Wir haben die Erde überrannt", Royal Palace, Op. 17: "Wir müssen aber Orangeade trinken!", Royal Palace, Op. 17: [Ballett], Royal Palace, Op. 17: [Film], Salut d'amour, Sospiri, Summer Night on the River, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Symphony no. 2 “A London Symphony”: Andante sostenuto, Symphony no. 6 in B minor (Pathétique), op. 74: I. Adagio - Allegro non troppo, Symphony no. 6 in B minor (Pathétique), op. 74: II. Allegro con grazia, Symphony no. 6 in B minor (Pathétique), op. 74: III. Allegro molto vivace, Symphony no. 6 in B minor (Pathétique), op. 74: IV. Finale: Adagio lamentoso, The Planets: Mars, the Bringer of War, The Sketches for Symphony no. 3, Elaborated by Anthony Payne: I. Allegro molto maestoso, The Sketches for Symphony no. 3, Elaborated by Anthony Payne: II. Scherzo: Allegretto, The Sketches for Symphony no. 3, Elaborated by Anthony Payne: III. Adagio solenne, The Sketches for Symphony no. 3, Elaborated by Anthony Payne: IV. Allegro, The Walk to the Paradise Garden (from A Village Romeo and Juliet), The Young Person’s Guide to the Orchestra
r00ms conductor Beni Mora, op. 29 no. 1, H. 107: I. First Dance: Adagio – Vivace, Beni Mora, op. 29 no. 1, H. 107: II. Second Dance: Allegretto, Beni Mora, op. 29 no. 1, H. 107: III. Finale. In the street of the Ouled Naïls: Adagio - Allegro moderato, Coronation March, op. 65, Empire March, Four Orchestral Pieces: I. Pensive Twilight. Andante con moto quasi Allegretto – [Poco animato] – Più tranquillo – A tempo – Steady time – Tempo I – Tempo I, Four Orchestral Pieces: II. Dance in the Sun. Allegro vivo – Poco più mosso – A tempo – Più lento – A tempo – [Poco più mosso] – [Tempo I] – Tempo I, Four Orchestral Pieces: III. From the Mountains of Home (In the Hills of Home). Lento – Molto tranquillo, Four Orchestral Pieces: IV. The Dance of Wild Irravel. Fast valse measure. Very rhythmical – Un poco più lento – Più vivo [Tempo I] – Vivo – [Vigorous and reckless] – Più lento – Tempo I – A tempo – [Più lento. Tranquillo] – [Animato], Imperial March, op. 32, Japanese Suite, op. 33, H. 126: I. Prelude: Song of the Fisherman, Japanese Suite, op. 33, H. 126: II. Ceremonial Dance, Japanese Suite, op. 33, H. 126: III. Dance of the Marionette, Japanese Suite, op. 33, H. 126: IV. Interlude: Song of the Fisherman, Japanese Suite, op. 33, H. 126: V. Dance under the Cherry Tree, Japanese Suite, op. 33, H. 126: VI. Finale: Dance of the Wolves, Overture, Elegy, and Rondo: I. Overture. Allegro – Dolce – Lento lamentoso – Tempo I – Tempo I (Allegro) – Energico – Poco largamente – A tempo – Più mosso – Con vivo, Overture, Elegy, and Rondo: II. Elegy. Lento – Più lento a tempo – Molto tranquillo, Overture, Elegy, and Rondo: III. Rondo. Allegro moderato – Vivo – Vivo – Poco più lento – Allargando – Più Lento – Andante – Tempo primo – Più mosso – Poco ritenuto – Tempo più vivace – Presto – Tempo poco largamente – Allargando – Maestoso – Vivace – Maestoso – Vivace – Poco più lento – Largamente – Molto vivace, Symphony no. 1 in G major, op. 4: I. Allegro assai, Symphony no. 1 in G major, op. 4: II. Larghetto, Symphony no. 1 in G major, op. 4: III. Finale. Allegro con brio, Symphony no. 2 in E minor, op. 31: I. Moderato, Symphony no. 2 in E minor, op. 31: II. Lento. Tranquillo, Symphony no. 2 in E minor, op. 31: III. Allegro scherzando, ma moderato, Symphony no. 2 in E minor, op. 31: IV. Finale. Grave - Allegro molto, con fuoco, The Crown of India, op. 66: No. 7. Interlude, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1a. Introduction, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1b. Sacred measure, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2. Dance of Nautch Girls, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2a. India greets her Cities, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3. "Hail, Immemorial Ind!" (Agra), The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3. Hail, Immemorial India! (Agra), The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3a. Entrance of Calcutta, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3b. Entrance of Delhi, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4a. Introduction, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4b. March of the Mogul Emperors, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5. Entrance of John Company, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5a. Entrance of St. George, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 6. The Rule of England (St. George), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10. March, The Crown of India (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10. March. The Crown of India (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (Agra, Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (India), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 11. The Crowning of Delhi (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 11. The Crowning of Delhi (India, Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 12. Ave Imperator! (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 12. Ave Imperator! (India, Agra, Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 8a. Introduction, The Crown of India, op. 66: Tableau II "Ave Imperator". No. 8b. Warriors' Dance, The Crown of India, op. 66: Tableau II "Ave Imperator". No. 9. The Cities of Ind, The Planets, op. 32, H. 125: I. Mars, the Bringer of War, The Planets, op. 32, H. 125: II. Venus, the Bringer of Peace, The Planets, op. 32, H. 125: III. Mercury, the Winged Messenger, The Planets, op. 32, H. 125: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32, H. 125: V. Saturn, the Bringer of Old Age, The Planets, op. 32, H. 125: VI. Uranus, the Magician
The Great Society conductor Andante festivo, JS 34b, Finlandia, op. 26, Job: Scene I: Introduction. Largo sostenuto - Allegro piacevole -L'istesso tempo - Doppio più lento - Andante con moto, Job: Scene I: Saraband of the Sons of God. [ ] - Largo sostenuto - Andante con moto - Largamente, Job: Scene II: Satan's Dance of Triumph. Presto - Con fuoco - Moderato alla marcia - Presto, Job: Scene III: Minuet of the Sons of Job and Their Wives. Andante con moto, Job: Scene IV: Job's Dream. Lento moderato - Allegro, Job: Scene IX: Epilogue. Largo sostenuto, Job: Scene V: Dance of the Three Messengers. Lento - Andante con moto - Lento, Job: Scene VI: Dance of Job's Comforters. Andante doloroso - Poco più mosso - Ancora più mosso - Tempo I - Andante maestoso, Job: Scene VII: Elihu's Dance of Youth and Beauty. Andante tranquillo (Tempo rubato) - Allegretto, Job: Scene VII: Pavane of the Sons of the Morning. Andante con moto, Job: Scene VIII: Altar Dance. Allegretto tranquillo - Lento, Job: Scene VIII: Galliard of the Sons of the Morning. Andante con moto - Largamente - Allegro pesante - Animato, Karelia Suite, op. 11: I. Intermezzo. Moderato - Meno - Più moderato, Karelia Suite, op. 11: II. Ballade. Tempo di menuetto - Un poco più lento, Karelia Suite, op. 11: III. Alla marcia. Moderato - Poco largamente, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus. Recitative. Bass: "In the convent of Drontheim". Allegro -, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “It is accepted”. Andante - [ ] -, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “Stronger than steel”. Più mosso - Animato - Andante (Tempo I), Scenes From the Saga of King Olaf: Gudrun. Recitative. Bass: "How the Wraith of Odin old". Allegro -, Scenes From the Saga of King Olaf: Gudrun. Scene. Soprano: "On King Olaf’s bridal night". Adagio - Più mosso - Tempo I - Poco più mosso - [Tempo I] - Allegro - Allegro molto - [Tempo I], Scenes From the Saga of King Olaf: Introduction. Recitative. Bass: "Summon now the God of Thunder". Allegro con fuoco - Poco meno mosso -, Scenes From the Saga of King Olaf: Introduction. Soli and Chorus: ‘There is [...] a wondrous book’. Andante -, Scenes From the Saga of King Olaf: King Olaf's Return. Recitative. Bass: "Tell how Olaf bore the Cross". Allegro moderato - Meno mosso - Più lento -, Scenes From the Saga of King Olaf: King Olaf's Return. Solo. Tenor: "And King Olaf heard the cry". Allegro - [ ] - Allegro - Allegro molto - Tranquillo - Più mosso - Moderato - Allegro - Poco più mosso - Tempo I, Scenes From the Saga of King Olaf: Sigrid. Olaf (Tenor): "Sigrid, hail! with royal hand". Meno mosso - Più animato - Più animato - Allegro con fuoco - [ ] - Meno mosso - [Allegro con fuoco], Scenes From the Saga of King Olaf: Sigrid. Recitative. Bass: "Hark! she flies from Wendland forth". Allegretto -, Scenes From the Saga of King Olaf: Sigrid.Scene. Chorus: "Sigrid sits in her high abode". Allegro -, Scenes From the Saga of King Olaf: The Challenge of Thor. Chorus: "I am the God Thor". Moderato - Molto maestoso -, Scenes From the Saga of King Olaf: The Conversion. Chorus: "As leap the lights of winter". Allegro con fuoco - Moderato - Lento - [ ] - Animato -, Scenes From the Saga of King Olaf: The Conversion. Chorus: "Then o’er the blood-stained Horg-stone". L’istesso tempo - Lento - Allegretto - [ ] - Allargando al fine, Scenes From the Saga of King Olaf: The Conversion. Olaf (Tenor): "Behold me, my people, and answer and say". [ ] - Allegro - Più mosso - L’istesso tempo - Più mosso - [ ] -, Scenes From the Saga of King Olaf: The Conversion. Recitative. Bass: "Now the child of Ironbeard dead". Andantino -, Scenes From the Saga of King Olaf: The Conversion. Scene. Chorus: "King Olaf’s prows at Nidaros". Allegro moderato - Poco più mosso - L’istesso tempo - [ ] -, Scenes From the Saga of King Olaf: The Death of Olaf. Chorus: "King Olaf’s dragons take the sea". Allegro - Vivace – Più mosso - Poco a poco meno mosso -, Scenes From the Saga of King Olaf: The Wraith of Odin. Chorus (Ballad): "The guests were loud, the ale was strong". Allegro - L’istesso tempo - Molto sostenuto - [Tempo I], Scenes From the Saga of King Olaf: The Wraith of Odin. Recitative. Bass: "Sisters, sing ye now the song". Allegro -, Scenes From the Saga of King Olaf: Thyri. Choral Recitative: "After Queen Gunhild’s death". Allegro moderato -, Scenes From the Saga of King Olaf: Thyri. Chorus (Ballad): "A little bird in the air". Allegro -, Scenes From the Saga of King Olaf: Thyri. Duet. Thyri (Soprano): "The gray land breaks to lively green". Allegro - Tranquillo -, Scenes From the Saga of King Olaf: Thyri. Olaf (Tenor): "Thyri, my beloved". Moderato - [ ] - Più tranquillo - Più mosso - Lento - [ ], Symphony no. 9 in E minor: I. Moderato maestoso - Tranquillo, Symphony no. 9 in E minor: II. Andante sostenuto - Poco animando - Tempo I - Moderato tranquillo - Tempo I - Poco animato ma pesante - Moderato sostenuto - Tempo I, Symphony no. 9 in E minor: III. Scherzo. Allegro pesante - [ ] - Tempo del principio, Symphony no. 9 in E minor: IV. Andante tranquillo - Poco animato - Tempo I - Andante sostenuto - Tempo I - Poco animato - Poco animato - Andante sostenuto - Poco meno mosso - Poco animando - Ancora poco animando - Poco animato ma pesante - Largamente, The Banner of Saint George: Epilogue (March). "It comes from the misty ages". Maestoso, alla Marcia - Largamente e grandioso, The Banner of Saint George: Scene 1. "Forth from the palace, beautiful as day". Allegretto - Più mosso - Animato - [ ] - A tempo [Più mosso] - Poco lento -, The Banner of Saint George: Scene 1. "The women of Sylenë rend their hair". Allegretto - Andantino -, The Banner of Saint George: Scene 1. "Within Sylenë’s walls no sound is heard". Andantino - Animato - Tempo I -, The Banner of Saint George: Scene 1. “O calm your hearts [she cries] O still your fears”. Allegro -, The Banner of Saint George: Scene 2. "Hark! ’tis the ringing hoof of steed". Allegro - [ ] -, The Banner of Saint George: Scene 2. "Loud cry the people, Haste! the dragon comes!”. [ ] - Tempo I - L’istesso tempo - Andantino - Animato - Più lento, The Banner of Saint George: Scene 2. "Without a fear beside the dragon’s tarn". Andante - Tranquillo - L’istesso tempo -, The Swan of Tuonela, op. 22 no. 2, Valse lyrique, op. 96a, Valse triste, op. 44 no. 1
レモンパイ conductor Peer Gynt Suite No. 1, Op. 46: I. Morning Mood, Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse, Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King, Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride, Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance, Peer Gynt Suite No. 2, Op. 55: IV. Peer Gynt's Return Home, Peer Gynt Suite no. 1, op. 46: Anitra's Dance, Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King, Peer Gynt Suite no. 1, op. 46: Morning, Peer Gynt Suite no. 1, op. 46: the Death of Ase, Peer Gynt Suite no. 2, op. 55: Arabian Dance, Peer Gynt Suite no. 2, op. 55: Ingrid's Lament, Peer Gynt Suite no. 2, op. 55: Peer Gynt's Homecoming & Solvieg's Song, Peer Gynt Suite no. 2, op. 55: Solveig's Lullaby, Pelléas Et Mélisande: I - Prélude, Pelléas Et Mélisande: II - La Fileuse, Pelléas Et Mélisande: III - Sicilienne, Pelléas Et Mélisande: IV - Molto Adagio, Symphony In D Minor: I - Lento; Allegro Non Troppo, Symphony In D Minor: II - Allegretto, Symphony In D Minor: III - Allegro Non Troppo
Darkness Visible conductor Die Liebe der Danae, op. 83 - Symphonic Fragment, L'Arlésienne Suite no. 1: Adagietto, L'Arlésienne Suite no. 1: Carillon, L'Arlésienne Suite no. 1: Prélude, Messiah: Part I. Pifa: Larghetto e mezzo piano, Messiah: Part I. Sinfony: Grave - Allegro moderato, Symphonisches Fragment aus Die Liebe der Danae: Molto vivace, Symphonisches Fragment aus Die Liebe der Danae: Più tranquillo, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo Andante Ma Rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento E Suave, Symphony no. 2 in D major, op. 43: III. Vivacissimo. Lento e suave (attacca), Symphony no. 2 in D major, op. 43: IV. Finale: Allegro Moderato, Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato, The Planets, op. 32: I. Mars, the Bringer of War, The Planets, op. 32: II. Venus, the Bringer of Peace, The Planets, op. 32: III. Mercury, the Winged Messenger, The Planets, op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32: V. Saturn, the Bringer of Old Age, The Planets, op. 32: VI. Uranus, the Magician, The Planets, op. 32: VII. Neptune, the Mystic
宮澤拓也 conductor Pomp and Circumstance Military Marches, op. 39: no. 2: Allegro molto, Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco, Pomp and Circumstance, op. 39: no. 2 in A minor: Allegro molto, Pomp and Circumstance, op. 39: no. 3 in C minor: Con fuoco, Pomp and Circumstance, op. 39: no. 4 in G major: Allegro marziale, Pomp and Circumstance, op. 39: no. 5 in C major: Vivace, Variations on an Original Theme ("Enigma"), op. 36: Enigma: Andante, Variations on an Original Theme ("Enigma"), op. 36: I. (C. A. E.): L'istesso tempo, Variations on an Original Theme ("Enigma"), op. 36: II. (H. D. S.-P.): Allegro, Variations on an Original Theme ("Enigma"), op. 36: III. (R. B. T.):Allegretto, Variations on an Original Theme ("Enigma"), op. 36: IV. (W. M. B.): Allegro di molto, Variations on an Original Theme ("Enigma"), op. 36: IX. (Nimrod): Adagio, Variations on an Original Theme ("Enigma"), op. 36: V. (R. P. A.): Moderato, Variations on an Original Theme ("Enigma"), op. 36: VI. (Ysobel): Andantino, Variations on an Original Theme ("Enigma"), op. 36: VII. (Troyte): Presto, Variations on an Original Theme ("Enigma"), op. 36: VIII. (W. N.): Allegretto, Variations on an Original Theme ("Enigma"), op. 36: XI. (G. R. S.):Allegro di molto, Variations on an Original Theme ("Enigma"), op. 36: XII. (B. G. N.): Andante, Variations on an Original Theme ("Enigma"), op. 36: XIII. Romanza (***): Moderato, Variations on an Original Theme ("Enigma"), op. 36: XIV. Finale (E. D. U.):Allegro - Presto, Variations on an Original Theme ("Enigma"), op.36: X. Intermezzo (Dorabella.): Allegretto
Escola de Escandalos conductor Messiah: Part I. Chorus "And He shall purify", Messiah: Part I. Chorus "And the glory of the Lord shall be revealed", Messiah: Part I. Chorus "For unto us a child Is born", Messiah: Part I. Chorus "Glory to God in the highest", Messiah: Part I. Chorus "His yoke is easy, his burthen is light", Messiah: Part II. Chorus "All we like sheep have gone astray", Messiah: Part II. Chorus "And with his stripes we are healed", Messiah: Part II. Chorus "Behold the Lamb of God", Messiah: Part II. Chorus "Hallelujah!", Messiah: Part II. Chorus "He trusted in God", Messiah: Part II. Chorus "Let all the angels of God worship Him", Messiah: Part II. Chorus "Let us break their bonds asunder", Messiah: Part II. Chorus "Lift up your heads, O ye gates", Messiah: Part II. Chorus "Surely, He hath borne our griefs", Messiah: Part II. Chorus "The lord gave the word", Messiah: Part III. Chorus "But thanks be to God", Messiah: Part III. Chorus "Since by man came death", Messiah: Part III. Chorus "Worthy is the lamb that was slain - Amen"
Domenico Cartago conductor Concerto for Orchestra, Sz 116: I. Introduzione, Concerto for Orchestra, Sz 116: II. Giuoco delle coppie, Concerto for Orchestra, Sz 116: III. Elegia, Concerto for Orchestra, Sz 116: IV. Intermezzo interrotto, Concerto for Orchestra, Sz 116: V. Finale, En Saga, op. 9, Fantasy “The Rock”, op. 7, Finlandia, op. 26, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: II: Andante con moto (Tempo di Valse), Symphonic Dances, op. 45: III. Lento assai, Symphonic Dances, op. 45: III: Lento assai, Symphonic Dances,op. 45: I: Non allegro, Symphonic poem “The Isle of the Dead”, op. 29, The Isle of the Dead, Symphonic poem, op.29, The Rock, Fantasy, op.7
Grace Cosceri conductor Jeux d'enfants, op. 22: I. Marche (Trompette et tambour), Jeux d'enfants, op. 22: II. Bercuese (La poupée), Jeux d'enfants, op. 22: III. Impromptu (La toupie), Jeux d'enfants, op. 22: IV. Duo (Petit mari, petite femme), Jeux d'enfants, op. 22: V. Galop (Le bal, galop), L'Arlésienne Suite no. 2: I. Pastorale, L'Arlésienne Suite no. 2: II. Intermezzo, L'Arlésienne Suite no. 2: III. Menuetto, L'Arlésienne Suite no. 2: IV. Farandole, La Boutique fantasque: I. Overture, La Boutique fantasque: II. Tarantelle, La Boutique fantasque: III. Mazurka, La Boutique fantasque: IV. Danse Cosaque, La Boutique fantasque: V. Cancan, La Boutique fantasque: VI. Valse lente, La Boutique fantasque: VII. Nocturne, La Boutique fantasque: VIII. Galop
直江兼続 conductor Adagio for Guitar and Strings, Concerto in D major, RV 93, Concerto in D major, RV 93: I. Allegro, Concerto in D major, RV 93: II. Largo, Concerto in D major, RV 93: III. Allegro, Concerto in D minor, SF. 935, Concerto in D minor, SF. 935: I. Andante Spicatto, Concerto in D minor, SF. 935: II. Adagio, Concerto in D minor, SF. 935: III. Presto, Guitar Concerto in D major, Guitar Concerto in D major: I. Allegro, Guitar Concerto in D major: II. Adagio, Guitar Concerto in D major: III. Allegro, Jesu Joy of Man's Desiring, Orchestral Suite No. 3 in D major, BWV 1068 "Air on a G String", Sleepers Awake
Александр Порфирьевич Бородин conductor Prince Igor (Excerpts): Ouverture, Prince Igor (Excerpts): Polovtsian Dances, Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino, Symphony no. 1 in E-flat major: II. Scherzo. Prestissimo - Trio. Allegro - Prestissimo, Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo, Symphony no. 2 in B minor: I. Allegro - Animato assai, Symphony no. 2 in B minor: II. Scherzo. Prestissimo - Allegretto - Tempo 1, Symphony no. 2 in B minor: III. Andante, Symphony no. 2 in B minor: IV. Finale. Allegro, Symphony no. 3 in A minor: I. Moderato assai, Symphony no. 3 in A minor: II. Scherzo. Vivo - Trio. Moderato - Tempo 1
Thyes Ruete conductor Messiah: Part I. Accompagnato "Comfort ye my people", Messiah: Part I. Air "Ev'ry valley shall be exalted", Messiah: Part II. Accompagnato "All they that see Him, laugh Him to scorn", Messiah: Part II. Accompagnato "He was cut off out of the land of the living", Messiah: Part II. Accompagnato "Thy rebuke hath broken His heart", Messiah: Part II. Air "But thou didst not leave His soul in hell", Messiah: Part II. Air "Thou shalt break them", Messiah: Part II. Arioso "Behold and see if there be any sorrow", Messiah: Part II. Chorus "Their sound is gone out", Messiah: Part II. Recitative "He that dwelleth in heaven", Messiah: Part II. Recitative "Unto Which of the Angels"
Deams organ Concerto grosso in A major, op. 6 no. 11, HWV 329, Concerto grosso in B minor, op. 6 no. 12, HWV 330, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325, Concerto grosso in C minor, op. 6 no. 8, HWV 326, Concerto grosso in D major, op. 6 no. 5, HWV 323, Concerto grosso in D minor, op. 6 no. 10, HWV 328, Concerto grosso in E minor, op. 6 no. 3, HWV 321, Concerto grosso in F major, op. 6 no. 2, HWV 320, Concerto grosso in F major, op. 6 no. 9, HWV 327, Concerto grosso in G minor, op. 6 no. 6, HWV 324
Gustav Mahler conductor Rückert Lieder: 'Ich atmet' einen linden Duft', Rückert Lieder: 'Liebst du um Schönheit', Rückert Lieder: Blicke mir nicht in die Lieder, Rückert Lieder: Ich bin der Welt abhanden gekommen, Rückert Lieder: Um Mitternacht, Songs of a Wayfarer: I. Wenn mein Schatz Hochzeit macht, Songs of a Wayfarer: II. Ging heut morgen übers Feld, Songs of a Wayfarer: III. Ich hab ein glühend Messer, Songs of a Wayfarer: IV. Die zwei blauen Augen von meinem Schatz
Sir William Walton conductor Belshazzar's Feast: I. Thus spake Isaiah, Belshazzar's Feast: II. If I forget thee, O Jerusalem, Belshazzar's Feast: III. Babylon was a great city, Belshazzar's Feast: IV. Praise ye, the God of gold, Belshazzar's Feast: IX. Then sing aloud to God our strength, Belshazzar's Feast: V. Thus in Babylon, the mighty city, Belshazzar's Feast: VI. And in that same hour as they feasted, Belshazzar's Feast: VII. Then sing aloud to God our strength, Belshazzar's Feast: VIII. The trumpeters and pipers are silent
Karsten Stieneke conductor Messiah: Part I. Accompagnato "And suddenly there was with the angel", Messiah: Part I. Air "Rejoice greatly, O daughter of Zion", Messiah: Part I. Recitative "And lo, the Angel of the Lord", Messiah: Part I. Recitative "And the angel said unto them", Messiah: Part I. Recitative & Accompagnato "There were shepherds", Messiah: Part II. Air "How beautiful are the feet", Messiah: Part III. Air "I know that my redeemer liveth", Messiah: Part III. Air "If God be for us"
Ludwig van Beethoven conductor "Es ist vollbracht", WoO 97: Final number from "The Triumphal Arches" for bass, chorus and orchestra. Risoluto, "Germania", WoO 94: Final number from "The Good News" for bass, chorus and orchestra, Chor auf die verbündeteten Fürsten, Chorus for the Allied Princes, WoO 95, Germania, WoO 94: Final Chorus from "Die gute Nachricht", Scene (One) from "Vesta's Fire", Hess 115, Triumphal March, WoO 2a: from "Tarpeja". Alla marcia, ma non troppo presto, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume"
Jens Kameke conductor Messiah: Part I. Accompagnato "For behold darkness shall cover the earth", Messiah: Part I. Accompagnato "Thus saith the Lord of Hosts", Messiah: Part I. Air "But who may abide the day of His coming", Messiah: Part I. Air "The people that walked in darkness", Messiah: Part II. Air "Thou art gone up on high", Messiah: Part II. Air "Why do the Nations so furiously rage together?", Messiah: Part III. Accompagnato "Behold I tell you a mystery", Messiah: Part III. Air "The trumpet shall sound"
Mauro Darpin conductor L'Arlésienne Suite No. 2, Farandole, Part 1, L'Arlésienne Suite No. 2, Farandole, Part 2, L'Arlésienne Suite No. 2, Farandole, Part 3, L'Arlésienne Suite No. 2, Farandole, Part 4, L'Arlésienne Suite No. 2, Farandole, Part 5, Pavane, op. 50, Slawischer Tanz Nr. 6 in D-Dur, Op. 46: Allegretto scherzando, Symphonie No. 8 G-Dur, Op. 88: III. Allegretto grazioso - Molto vivace
Sose conductor Concerto for Cello and Orchestra: Con moto tranquillo – Becoming slower and slower –, Concerto for Cello and Orchestra: Meno mosso – Becoming slower –, Concerto for Cello and Orchestra: Quietly, Concerto for Cello and Orchestra: Rather slower, very quietly – Tempo I – Rather slower –, Concerto for Cello and Orchestra: Slow – Not quick; quietly –, Concerto for Cello and Orchestra: Slow – Quicker – Rather slower – Rather quicker – Very slow – Very quietly –, Concerto for Cello and Orchestra: With animation – Becoming slower –
Derenzo conductor Music from Cinderella, op. 87: I. Introduction, Music from Cinderella, op. 87: II. Quarrel, Music from Cinderella, op. 87: III. At the Palace, Music from Cinderella, op. 87: IV. Spring and Summer Fairies. Grasshopper Dance, Music from Cinderella, op. 87: V. Fairy Godmother and Winter Fairy, Music from Cinderella, op. 87: VI. Cinderella’s Waltz, Music from Cinderella, op. 87: VII. Apotheosis
Сергей Рахманинов conductor Rhapsody on a Theme of Paganini, Op. 43: Introduction & Variations 1-5, Rhapsody on a Theme of Paganini, Op. 43: Variation 11, Rhapsody on a Theme of Paganini, Op. 43: Variation 6, Rhapsody on a Theme of Paganini, Op. 43: Variations 12-15, Rhapsody on a Theme of Paganini, Op. 43: Variations 16-18, Rhapsody on a Theme of Paganini, Op. 43: Variations 19-24, Rhapsody on a Theme of Paganini, Op. 43: Variations 7-10
Kasey Kissum conductor Jupiter, the Bringer of Jollity, Mars, the Bringer of War, Mercury, the Winged Messenger, Neptune, the Mystic, Saturn, the Bringer of Old Age, Uranus, the Magician, Venus, the Bringer of Peace
Cecilia Maria Barthélemon conductor Violin Concerto: Allegretto – Più moderato – Rather quicker –, Violin Concerto: Broadly, Violin Concerto: Slower -, Violin Concerto: Tempo I – Very broad – With vigour – Rather quicker – Rather slower – With vigour –, Violin Concerto: With moderate tempo – Rather quicker – Rather slower – Broad – Slower and very quietly – Vigorously – Maestoso –, Violin Concerto: [Cadenza] –
Dorval Band conductor Gloria: I. Gloria, Gloria: II. Laudamus Te, Gloria: III. Domine Deus, Gloria: IV. Domine Fili unigenite, Gloria: V. Domine Deus, Agnus Dei, Gloria: VI. Qui sedes ad dexteram Patris
Matt Dalton conductor Alternative cadenza for the Violin Concerto, Concerto for Violin and Orchestra, op. 61: I. Allegro, Concerto for Violin and Orchestra, op. 61: II. Andante, Concerto for Violin and Orchestra, op. 61: III. Allegro molto, Interlude from “The Crown of India”, op. 66
Lars Wallander conductor King Solomon’s Espousals, Marching Song of Democracy, Thanksgiving Song, The Bride’s Tragedy, The Hunter in His Career
Lithke conductor Concerto for Violin, Cello and Orchestra: Quietly -, Concerto for Violin, Cello and Orchestra: Slowly and Quietly – Molto tranquillo, rather quicker – Rather slower – [Cadenza.] Quicker – Rather slower –, Concerto for Violin, Cello and Orchestra: Tempo I – Rather quicker, tranquillo – Quicker – Rather slower – Rather more lively –, Concerto for Violin, Cello and Orchestra: Very quietly – Molto tranquillo, tempo I – Very quietly, slow, Concerto for Violin, Cello and Orchestra: With moderate speed – Rather quicker – Rather quieter – Quicker – Quietly – Rather slower, molto tranquillo – Vigorously –
Jennifer Engel conductor Sea Pictures, op. 37: 1. Sea-Slumber- Song. Andantino - Tranquillo - Tempo I - Tranquillo -, Sea Pictures, op. 37: 2. In Haven (Capri). Allegretto, Sea Pictures, op. 37: 3. Sabbath Morning at Sea. Moderato - Più mosso - Più mosso - Tempo I - Molto maestoso -, Sea Pictures, op. 37: 4. Where Corals Lie. Allegretto ma non troppo, Sea Pictures, op. 37: 5. The Swimmer. Allegro di molto - Largamente - Poco meno mosso - Tempo I - Largamente
ياسر أنور conductor The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter!". Moderato – Poco allegro – Più allegro – Andante – Adagio – "O, how the immortal phantoms crowd around me!". Moderato ma agitato – Affrettando – Moderato – Allegro moderato – Presto – Prestissimo – Allegro agitato –, The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter". Allegro – "O trumpeter!". Andante – Poco animato – Molto sostenuto – Andante maestoso –, The Mystic Trumpeter, op. 18, H. 71: Allegro moderato – "Now, trumpeter, for thy close’. Andante – "O glad, exulting, culminating song!". Maestoso – Pochettino animato – Poco animato – Più mosso – Andante maestoso – Adagio – Andante, The Mystic Trumpeter, op. 18, H. 71: Molto sostenuto – Allegro agitato – "Hark! some wild trumpeter’. Moderato – Lento – "Blow, trumpeter, free and clear". Poco allegro – Meno mosso – Adagio – Allegretto – Andante – Più lento – Molto adagio –
Michael Sebastian Kurth conductor Messiah: Part I. Recitative "Behold a airgin shall conceive", Messiah: Part I. Recitative "Then shall the eyes of the blind be open'd", Messiah: Part II. Arit "He was despised", Messiah: Part III. Recitative "Then shall be brought to pass the saying"
Robert John Richardson conductor Chant des Déportés, for chorus & orchestra, I/60, Symphony of Psalms: I. Psalm 38: 13-14 Exaudi orationem meam, Domine, Symphony of Psalms: II. Psalm 39: 2-4 Exspectans exspectavi Dominum, Symphony of Psalms: III. Psalm 150 Alleluia, laudate Dominum
Simon Rady conductor Symphony No. 10 in E minor, Op. 93: I. Moderato, Symphony No. 10 in E minor, Op. 93: II. Allegro, Symphony No. 10 in E minor, Op. 93: III. Allegretto - Largo - Più Mosso, Symphony No. 10 in E minor, Op. 93: IV. Andante - L'istesso Tempo
DJ Guit harpsichord, organ Concerto grosso in A minor, op. 6 no. 4, HWV 322, Concerto grosso in G major, op. 6 no. 1, HWV 319, The Art of Fugue: Alio modo Fuga a 2 Clav, The Art of Fugue: Fuga a 2 Clav.
Kavon Salyer conductor Dream Children: Andante, Introduction et allegro pour cordes, op. 47, Land of Hope and Glory, Sérénade pour cordes, op. 20: Allegro piacevole
Сергей Сергеевич Прокофьев conductor Piano Concerto No. 3 in C major: I. Andante - Allegro, Piano Concerto No. 3 in C major: II. Theme and Variations. Andantino, Piano Concerto No. 3 in C major: III. Allegro ma non troppo
Waft conductor Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso, The Song of the High Hills: In ruhigem fließendem Tempo – Tranquillo. Very quietly but not dragging – With vigour – Not too slow – Rather quicker – Slower. Maestoso (not hurried). With exultation –, The Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow
Cool Heat conductor Concerto for Violin and Orchestra, op. 47: I. Allegro moderato - [Cadenza] - Tempo I - Molto moderato e tranquillo - Largamente - Allegro molto - Moderato assai - [Cadenza] - Allegro moderato - Allegro molto vivace, Concerto for Violin and Orchestra, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra, op. 47: III. Allegro, ma non tanto
John Ireland conductor Piano Concerto in E-flat major: I. In tempo moderato, Piano Concerto in E-flat major: II. Lento espressivo - allegro - cadenza, Piano Concerto in E-flat major: III. Allegretto giocoso
Ralph Vaughan Williams conductor Symphony No. 5. Prelùdio: Moderato (excerpt), Symphony No. 6. Allegro (excerpt), The Lark Ascending (excerpt)
Stefano Galeano conductor Phantasy for Viola and Orchestra: Allegro vivace – Un poco più lento – Tempo I – Allegro moderato – Allegro vivace – Tempo più lento – Allegro – Più mosso – Poco largamente – Largamente molto, Phantasy for Viola and Orchestra: Lento semplice – Tempo I – Più mosso (Allegro moderato), Phantasy for Viola and Orchestra: Poco lento. Largamente – Un pochettino più mosso – Allegro moderato molto ritmico – Tempo poco più tenuto – Agitato – Poco più lento – Meno mosso – Poco più mosso – Animato – Tempo I – Tempo of Introduction – Broadly
The Garrison conductor Peer Gynt Suite No. 2, Op. 55: III. Solveig's Lullaby, Peer Gynt Suite No. 2, Op. 55: V. Solveig's Song
Edward Elgar conductor Pomp & Circumstance March no. 4, Pomp and Circumstance March No. 1 - Land of Hope and Glory (Conclusion)
Sir Hubert Parry conductor Elegy for Brahms, Jerusalem
Johannes Brahms conductor Concerto pour piano No. 2: III. Andante (extrait) (feat. piano: Stephen Hough, cello: Timothy Hugh, BBC Symphony Orchestra, Andrew Davis), Serenade no.1 in D major, op. 11: Scherzo
Matt Bauder conductor Cancan (La Bottega Fantastica), Tarantella (La Bottega Fantastica)
Bläp Dëli conductor Sir Eglamore, The Wraith of Odin
Lauren Mary Longo conductor Tapiola, op. 112, The Swan of Tuonela, op. 22 no. 2
Gabriel Fauré conductor Pavane, Pelleas et Melisande: I. Prelude. Quasi Adagio
Luigi Boccherini conductor Cellokonzert B-Dur - 2. Adagio Ma Non Troppo
Lyndell Montgomery conductor Danny Deever
Joan Chamorro Quintet conductor The Lads of Wamphray
Gabriel Saygbe conductor Messiah: Part III. Duet "O death, where is thy sting"
George Gershwin conductor Rhapsody in Blue
George Frideric Handel conductor Zadok the Priest
Elite Sofisticada conductor Messiah: Part I. Air & Chorus "O thou that tellest good tidings to Zion"
Adriana Ducret conductor Morgen
Mika Ohuchi conductor At the Exactest Point
Mouth Breather conductor Perfect Day ’97 (male version)
DJ Dark3 conductor Tribute to Foster
Tomaso Giovanni Albinoni conductor Adagio
Oren Amram conductor Final Scene from Salome, Op. 54
Crust conductor The Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato –
PlastiK conductor Messiah: Part I. Air "He shall feed His flock like a shepherd"
Rainbow Patrol conductor The Planets, op. 32, H. 125: VII. Neptune, the Mystic
Amornthaum harpsichord Konzert für 4 Cembali und Streicher A-moll, BWV 1065: 1. Allegro
Gustav Holst conductor Jupiter from The Planets
Benjamin Britten conductor The Young Person's Guide to the Orchestra. Variations & Fuge on a Theme of Purcell. Fugue (excerpt)
Apoo Steppa conductor Ruhe, meine Seele!
Shawn Knight conductor Polonia, op. 76