| Blugazer |
conductor |
1812 Overture, Op. 49, 1812 Overture: Finale, 2001: A Space Odyssey: Also sprach Zarathustra, Also Sprach Zarathustra, op. 30: II. Von den hinterweltlern, Also Sprach Zarathustra, op. 30: III. Von der grossen sehnsucht, Also Sprach Zarathustra, op. 30: IV. Von den freuden und leidenschaften, Also Sprach Zarathustra, op. 30: IX. Nachtwandlerlied, Also Sprach Zarathustra, op. 30: V. Das grablied, Also Sprach Zarathustra, op. 30: VI. Von der wissenschaft, Also Sprach Zarathustra, op. 30: VII. Der genesende, Also Sprach Zarathustra, op. 30: VIII. Das tanzlied, Also sprach Zarathustra, Op. 30: Das Grablied, Also sprach Zarathustra, Op. 30: Das Nachtwanderlied, Also sprach Zarathustra, Op. 30: Das Tanzlied, Also sprach Zarathustra, Op. 30: Das Tanzlied - Das Nachtlied, Also sprach Zarathustra, Op. 30: Der Genesende, Also sprach Zarathustra, Op. 30: Einleitung, Also sprach Zarathustra, Op. 30: Nachtwandlerlied, Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang), Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: Von den Hinterweltiern, Also sprach Zarathustra, Op. 30: Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: Von der Wissenschaft, Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht, Also sprach Zarathustra, op. 30: I. Einleitung, An American in Paris, Appalachian Spring (1945 Suite): 1. Very slowly, Appalachian Spring (1945 Suite): 2. Allegro, Appalachian Spring (1945 Suite): 3. Moderato: The Bride and her Intended, Appalachian Spring (1945 Suite): 4. Fast: The Revivalist and his Flock, Appalachian Spring (1945 Suite): 5. Allegro: Solo Dance of the Bride, Appalachian Spring (1945 Suite): 6. Meno mosso, Appalachian Spring (1945 Suite): 7. Doppio movimento: Variations on a Shaker Hymn, Appalachian Spring (1945 Suite): 8. Moderato: Coda, Appalachian Spring, Arcana, Boléro, Circus Polka for a Young Elephant, Close Encounters of the Third Kind: Suite, Concerto for Four Percussion Soloists & Orchestra: I. Recitativo quasi senza misura, Concerto for Four Percussion Soloists & Orchestra: II. Allegro con brio, Concerto for Four Percussion Soloists & Orchestra: III. Cadenza e variazioni, Conclusion - 1812 -- Festival Overture, for orchestra in E flat major, Op. 49, Contextures: 1/2. Interlude, Prestissimo,, Contextures: 3., Contextures: 4/5. Very slow, Danse générale: III. Danse generale, Daphnis et Chloé, Suite no. 2: I. Lever du jour, Daphnis et Chloé, Suite no. 2: II. Pantomime, Daphnis et Chloé: Suite No. 2, Die Fledemaus: Overture, Don Quixote, Op. 35: Finale: Epilog, Don Quixote, Op. 35: Thema, Don Quixote, Op. 35: Variation 1, Don Quixote, Op. 35: Variation 10, Don Quixote, Op. 35: Variation 2, Don Quixote, Op. 35: Variation 3, Don Quixote, Op. 35: Variation 4, Don Quixote, Op. 35: Variation 5, Don Quixote, Op. 35: Variation 6, Don Quixote, Op. 35: Variation 7, Don Quixote, Op. 35: Variation 8, Don Quixote, Op. 35: Variation 9, Ein Alpensinfonie, op. 64: Am Wasserfall, Ein Alpensinfonie, op. 64: Auf blumigen Wiesen, Ein Alpensinfonie, op. 64: Auf dem Gletscher, Ein Alpensinfonie, op. 64: Auf der Alm, Ein Alpensinfonie, op. 64: Ausklang, Ein Alpensinfonie, op. 64: Der Anstieg, Ein Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich, Ein Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen, Ein Alpensinfonie, op. 64: Eintritt in den Wald (Wanderung neben dem Bache), Ein Alpensinfonie, op. 64: Elegie, Ein Alpensinfonie, op. 64: Erscheinung, Ein Alpensinfonie, op. 64: Gefahrvolle Augenblicke (Auf dem Gipfel), Ein Alpensinfonie, op. 64: Gewitter und Sturm, Ein Alpensinfonie, op. 64: Nacht, Ein Alpensinfonie, op. 64: Nebel steigen auf, Ein Alpensinfonie, op. 64: Sonnenaufgang, Ein Alpensinfonie, op. 64: Sonnenuntergang, Ein Alpensinfonie, op. 64: Stille vor dem Sturm, Ein Alpensinfonie, op. 64: Vision, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Variation I, Enigma Variations, op. 36: Variation II, Enigma Variations, op. 36: Variation III, Enigma Variations, op. 36: Variation IV, Enigma Variations, op. 36: Variation IX, Enigma Variations, op. 36: Variation V, Enigma Variations, op. 36: Variation VI, Enigma Variations, op. 36: Variation VII, Enigma Variations, op. 36: Variation VIII, Enigma Variations, op. 36: Variation X, Enigma Variations, op. 36: Variation XI, Enigma Variations, op. 36: Variation XII, Enigma Variations, op. 36: Variation XIII, Enigma Variations, op. 36: Variation XIV (Finale), Fanfare for the Common Man, Holidays - A Symphony: II. Decoration Day, Intégrales, Ionisation, La Valse, La forza del destino: Overture (Sinfonia), La valse, Largo From Symphony no. 9 in E minor, op. 95 (New World), Le Sacre du Printemps: Part 1: L'Adoration de la Terre: I. Introduction, Le Sacre du Printemps: Part 1: L'Adoration de la Terre: II. Les augures printaniers - Danses des adolescentes, Le Sacre du Printemps: Part 1: L'Adoration de la Terre: III. Jeu du rapt, Le Sacre du Printemps: Part 1: L'Adoration de la Terre: IV. Rondes printanières, Le Sacre du Printemps: Part 1: L'Adoration de la Terre: V. Jeux des cités, Le Sacre du Printemps: Part 1: L'Adoration de la Terre: VI. Cortège du sage - Le sage, Le Sacre du Printemps: Part 1: L'Adoration de la Terre: VII. Danse de la terre, Le Sacre du Printemps: Part 2: Le Sacrifice: I. Introduction, Le Sacre du Printemps: Part 2: Le Sacrifice: II. Cercles mysteriéux des adolescentes, Le Sacre du Printemps: Part 2: Le Sacrifice: III. Glorification d'élue, Le Sacre du Printemps: Part 2: Le Sacrifice: IV. Évocation des ancêtres, Le Sacre du Printemps: Part 2: Le Sacrifice: V. Action rituelle des ancêtres, Le Sacre du Printemps: Part 2: Le Sacrifice: VI. Danse sacrale: l'élue, Ma mère l'Oye: I. Pavane de la belle au bois dormant, Ma mère l'Oye: II. Petit Poucet, Ma mère l'Oye: III. Laideronnette, impératrice des pagodes, Ma mère l'Oye: IV. Les entretiens de la belle et de la bête, Ma mère l'Oye: V. Apothéose: Le jardin féerique, Marche Slave, Op. 31, Overture Candide, Overture Der Freischütz, Pictures at an Exhibition: Bydlo, Pictures at an Exhibition: Cum mortuis in lingua morta, Pictures at an Exhibition: Promenade / Ballet of the unhatched Chickens, Pictures at an Exhibition: Promenade / Gnomus, Pictures at an Exhibition: Promenade / The Marketplace at Limoges, Pictures at an Exhibition: Promenade / The Old Castle, Pictures at an Exhibition: Promenade / Tuiuleries, Pictures at an Exhibition: The Great Gate of Kiev, Pictures at an Exhibition: The Hut on Fowl's Legs, Pictures at an Exhibition: Two Polish Jews: one rich, one poor, Poet and Peasant: Overture, Rienzi: Overture, Romeo and Juliet - Fantasy Overture after Shakespeare, Slavonic March - Slavonic March, for orchestra, Op. 31, Star Wars Suite: I. Main Title, Star Wars Suite: II. Princess Leia's Theme, Star Wars Suite: III. The Little People, Star Wars Suite: IV. The Battle, Star Wars Suite: V. The Throne Room and End Title, Symphony No. 1: I. Allegro, Symphony No. 1: II. Adagio molto (sostenuto), Symphony No. 1: III. Scherzo: Vivace, Symphony No. 1: IV. Allegro molto, Symphony No. 2: I. Andante moderato, Symphony No. 2: II. Allegro, Symphony No. 2: III. Adagio cantabile, Symphony No. 2: IV. Lento maestoso, Symphony No. 2: V. Allegro molto vivace, Symphony No. 3: I. Kräftig, Symphony No. 3: II. Tempo di Menuetto, Symphony No. 3: III. Comodo, Symphony No. 3: IV. Serh langsam. Misterioso 'O Mensch! O Mensch!, Symphony No. 3: V. Lustig im Tempo und keck im Ausdruk ‘Bimm bamm’, Symphony No. 3: VI. Langsam, Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony no. 5 in C-sharp minor: V. Rondo-Finale (Allegro), Symphony no. 8 in C minor: I. Allegro moderato, Symphony no. 8 in C minor: II. Scherzo: Allegro moderato, Symphony no. 8 in C minor: III. Adagio: Feierlich langsam, Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell, The Planets, op. 32: I. Mars, the Bringer of War, The Planets, op. 32: II. Venus, the Bringer of Peace, The Planets, op. 32: III. Mercury, the Winged Messenger, The Planets, op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32: V. Saturn, the Bringer of Old Age, The Planets, op. 32: VI. Uranus, the Magician, Variations on America (orch. William Schuman) |
| Giacomo Puccini |
conductor |
'Basta!' quando per voi, ...lo so,lo so! Ma non vi avrei rubato!, Act One - Introduzione, Act Three - Ve lo giuro,sceriffo, Act Two - Il mio bimbo è grande e piccino, Ah!...Ah!...Urrah! ragazzi, Ah!...Ah!...È Minnie!, Andiamo,ragazzi! Un po' di calma, Billy,è fissato¿...Domani, C'era negli occhi tuoi, Ch'elle mi creda libero e lontano, Che c'è di nuovo, Jack¿, Che faranno i vecchi miei, Chi c'è per farmi i ricci¿, Come voi, leggermi in cor non so, Diecimila anni, Dove eravamo¿, E anche tu lo vorrai, Joe, E cosi, Mister Johnson, come va¿, Gira la cote, Hello!...Chiamano, Hello, Minnie!, Hello, Nick!, Io non son che una povera fanciulla, Jim, perché piangi¿, L Fanciulla del West: Ch'ella mi creda libero e lontano (Orchestra of the Royal Opera House, Covent Garden feat. conductor; Zubin Mehta; tenor Placido Domingo), L'han ferito...Che importa¿, La Bohème: Act I: I. Questo Mar Rossi mi ammollisce e assidera, La Bohème: Act I: II. Pensier profondo!, La Bohème: Act I: III. Abbasso, abbasso l'autor!, La Bohème: Act I: IV. Si può?, La Bohème: Act I: IX. Si. Mi chiamano Mimi, La Bohème: Act I: V. Lo resto per terminar l'articolo, La Bohème: Act I: VI. Non sono in vena, La Bohème: Act I: VII. Si sente meglio?, La Bohème: Act I: VIII. Che gelida manina, La Bohème: Act I: X. Ehi! Rodolfo!, La Bohème: Act I: XI. O soave fanciulla, La Bohème: Act II: I. Aranci, datteri, caldi i marroni!, La Bohème: Act II: II. Chi guardi?, La Bohème: Act II: III. Questa è Mimi, La Bohème: Act II: IV. Viva Parpignol!, La Bohème: Act II: V. Allegri, e un toast!, La Bohème: Act II: VI. Quando me n'vò, La Bohème: Act II: VII. Il conto?, La Bohème: Act III: I. Ohè, là, le guardie! Aprite!, La Bohème: Act III: II. Sa Dirmi, scusi, qual'è l'osteria, La Bohème: Act III: III. Mimì! - Speravo di trovarvi qui, La Bohème: Act III: IV. Marcello. Finalmente!, La Bohème: Act III: IX. Dunque è proprio finita!, La Bohème: Act III: V. Mimì è una civetta, La Bohème: Act III: VI. Mimì è tanto malata, La Bohème: Act III: VII. Mimì di serra è fiore, La Bohème: Act III: VIII. Donde lieta uscì al tuo grido d'amore, La Bohème: Act IV: I. In un coupè? - Con pariglia e livree, La Bohème: Act IV: II. O Mimì, tu più non torni, La Bohème: Act IV: III. Che ora sia?, La Bohème: Act IV: IV. Gavotta! - Minuetto! - Pavanella! - Fandango!, La Bohème: Act IV: IX. Che ha detto il medico?, La Bohème: Act IV: V. C'è Mimì!, La Bohème: Act IV: VI. Vecchia zimarra, senti, La Bohème: Act IV: VII. Sono andati? Fingevo di dormire, La Bohème: Act IV: VIII. Oh Dio! Mimì!, La fanciulla del West: Act III. Chorus "Ch'ella mì creda libero" (Johnson, Runce), La posta!, Laggiù nel Soledad, Le tue parole sono di Dio, Maledetto cane!, Manon Lescaut: Act III. "Ah! Non v'avvicinate!... No! Pazzo son!" (Des Grieux, Comandante), Minnie, dalla mia casa son partito, Mister Johnson, siete rumasto indietro, Mister Johnson, un valzer¿, Mister Johnson, voi m'avete seccato!, Mistress Rance, fra poco, Oh, non temete, nessuno ardirà!, Oh, se sapeste, Perché tarda la luna?, Quello che tacete, Risparmiate lo scherno, Sceriffo Rance! Consegno a voi quest'uomo, Ti voglio bene, Minnie, Tosca: "Dammi i colori ... Recondita armonia", Turandot: Act I. "Fermo! Che fai? T'arresta - Non indugiare!", Turandot: Act I. "Figlio, che fai?", Turandot: Act I. "Gira la cote! - Perchè tarda la luna?", Turandot: Act I. "Non piangere, Liù! - Ah! Per l'ultima volta!", Turandot: Act I. "Non piangere, Liù!", Turandot: Act I. "O giovinetto! Grazia, grazia!", Turandot: Act I. "Popolo di Pekino! - Indietro, cani!", Turandot: Act II, Scene I. "Ho una casa nell'Honan", Turandot: Act II, Scene I. "O mondo, o mondo... - O tigre! O tigre!", Turandot: Act II, Scene II. "Figlio del Cielo!", Turandot: Act II, Scene II. "Gelo che ti dà foco", Turandot: Act II, Scene II. "Gloria, gloria, o vincitore! - Figlio del cielo! Padre augusto!", Turandot: Act II, Scene II. "Gravi, enormi ed imponenti", Turandot: Act II, Scene II. "Popolo di Pekino", Turandot: Act II, Scene II. "Straniero, ascolta", Turandot: Act II, Scene II. "Tre enigmi m'hai proposto", Turandot: Act II, Scene II. "Un giuramento atroce mi costringe", Turandot: Act II, Scene II. Introduction, Turandot: Act III, Scene I. "Così comanda Turandot", Turandot: Act III, Scene I. "Liù! Liù! Sorgi!", Turandot: Act III, Scene I. "Nessun dorma! - Tu che guardi le stelle", Turandot: Act III, Scene I. "Principessa divina! - Tanto amore segreto", Turandot: Act III, Scene I. "Tu che di gel sei cinta", Turandot: Act III, Scene I: "Che è mai di me?", Turandot: Act III, Scene I: "Del primo pianto...", Turandot: Act III, Scene I: "L'amore? ... Tanto amore, segreto e inconfessato", Turandot: Act III, Scene I: "Principessa di morte!", Turandot: Act III, Scene I: "Quel nome!", Turandot: Act III, Scene I: "Tu, che di gel sei cinta", Turandot: Act III. "Nessun dorma" (Calaf), Turandot: Act III. "Tu che di gel sei cinta" (Liù), Turandot: Nessun Dorma (feat. tenor: Luciano Pavarotti), Turandot: Non piangere Liù... Ah! Per l'ultima volta! (Luciano Pavarotti), Turandot: Padre Augusto, Ugh...Neve!...Va! Riposati sul fierno, Un poker! Nick, gettoni!, Una partita a poker!, Vi ricordate di me¿, Vieni fuori!, Voglio vestirmi tutta, È là! è là!...Ah, no...non voglio! |
| Paul Siculiana |
conductor |
Capriccio Espagnol, Op. 34, Capriccio Espagnol, op. 34, Capriccio Italien, Op. 45, Concerto for Orchestra - Elegia, Concerto for Orchestra - Finale, Concerto for Orchestra - Giuco delle coppie, Concerto for Orchestra - Intermezzo interrotto, Concerto for Orchestra - Introduzione, Harold in Italy - Harold in the Mountains, Harold in Italy - March of the Piligrims singing their Evening Prayers, Harold in Italy - Orgy of Brigands, Harold in Italy - Serenade of a Mountaineer of the Abruzzi to his Mistress, Hatikvah (Israel's National Anthem), Hungarian Sketches: I. An Evening in the Village - Lento Rubato, Hungarian Sketches: II. Bear Dance - Allegro vivace, Hungarian Sketches: III. Melody - Andante, Hungarian Sketches: IV. Slightly Tipsy - Allegretto Rubato, Hungarian Sketches: V. Swineherd's Dance - Allegro Molto, Introduction & Rondo capriccioso, op.28 for Violin and Orchestra, La Traviata - Prelude to Act 1, La scala di seta: Overture, Overture: Le nozze di Figaro, Overture: Oberon, Pelleas und Melisande, op. 46: Act I, Scene I. Am Schlosstor, Pelleas und Melisande, op. 46: Act I, Scene II. Melisande, Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park, Pelleas und Melisande, op. 46: Act V, Scene II. Melisandes Tod, Pelleas und Melisande, op. 5: Anfang, Pelleas und Melisande, op. 5: Breit, Pelleas und Melisande, op. 5: Ein wenig bewegt, Pelleas und Melisande, op. 5: Ein wenig bewegter, Pelleas und Melisande, op. 5: Heftig, Pelleas und Melisande, op. 5: In gehender Bewegung, Pelleas und Melisande, op. 5: Langsam, Pelleas und Melisande, op. 5: Lebhaft, Pelleas und Melisande, op. 5: Sehr langsam, Pelleas und Melisande, op. 5: Sehr langsam, gedehnt, Pelleas und Melisande, op. 5: Sehr rasch, Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio, Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto, Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato, Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio, Russian Easter Overture, Scheherezade: I. Largo e maestoso; Allegro non troppo, Scheherezade: II. Lento; Andantino; Allegro molto, Scheherezade: III. Andantino, quasi allegretto, Scheherezade: IV. Allegro molto; Vivo; Allegro non troppo e maestoso, Sinfonie Nr. 2 in c-Moll : I. Allegro maestoso, Sinfonie Nr. 2 in c-Moll : II. Andante moderato, Sinfonie Nr. 2 in c-Moll : III. (Scherzo) In ruhig fließender Bewegung, Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht, Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo, Swan Lake: Dance of the Swans (Act II), Swan Lake: La Czardas (Act III), Swan Lake: Scene (Act II), Swan Lake: Scene (Act IV), Swan Lake: Valse (Act I), Symphony No. 1: I. Langsam. Schleppend, Symphony No. 1: II. Kräftig bewegt, doch nicht zu schnell, Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1: IV. Stürmisch bewegt, Symphony No. 4 in G major: I. Bedachtig. Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 7 in D minor, Op. 70: I. Allegro maestoso, Symphony No. 7 in D minor, Op. 70: II. Poco adagio, Symphony No. 7 in D minor, Op. 70: III. Scherzo. Vivace – Poco meno mosso, Symphony No. 7 in D minor, Op. 70: IV. Finale. Allegro, Symphony No. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony No. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony No. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace, Symphony No. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace, Symphony no. 1 in D major, D. 82: I. Adagio – Allegro vivace, Symphony no. 1 in D major, D. 82: II. Andante, Symphony no. 1 in D major, D. 82: III. Allegro, Symphony no. 1 in D major, D. 82: IV. Allegro vivace, Symphony no. 3 in D major, D. 200: Adagio maestoso – Allegro con brio, Symphony no. 3 in D major, D. 200: Allegretto, Symphony no. 3 in D major, D. 200: Menuetto (Vivace), Symphony no. 3 in D major, D. 200: Presto. Vivace, Symphony no. 3 in D major, D.200: I. Adagio maestoso - allegro con brio, Symphony no. 3 in D major, D.200: II. Allegretto, Symphony no. 3 in D major, D.200: III. Menuetto vivace, Symphony no. 3 in D major, D.200: IV. Presto vivace, Symphony no. 4: I. Bedächtig. Nicht eilen, Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4: III. Ruhevoll, Symphony no. 4: IV. Sehr behaglich, Symphony no. 5 in B-flat, D.485: I. Allegro, Symphony no. 5 in B-flat, D.485: II. Andante con moto, Symphony no. 5 in B-flat, D.485: III. Menuetto e trio (Allegro molto), Symphony no. 5 in B-flat, D.485: IV. Allegro vivace, Symphony no. 6: I. Allegro energico, ma non troppo, Symphony no. 6: II. Scherzo. Wuchtig, Symphony no. 6: III. Andante moderato, Symphony no. 6: IV. Finale. Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Allegro moderato, Symphony no. 8 in B minor, D. 759 “Unfinished”: Andante con moto, The Nutcracker - Suite - Arab dance (Act 2), The Nutcracker - Suite - Chinese dance (Act 2), The Nutcracker - Suite - Dance of the Sugar-Plum Fairy (Act 2), The Nutcracker - Suite - Dance of the reed pipes (Act 2), The Nutcracker - Suite - Marche (Act 2), The Nutcracker - Suite - Overture miniature, The Nutcracker - Suite - Trepak - Russian dance (Act 2), The Nutcracker - Suite - Waltz of the flowers (Act 2), The Nutcracker: Arabian Dance, The Nutcracker: Chinese Dance, The Nutcracker: Dance of the Mirlitons, The Nutcracker: Dance of the Sugar-Plum Fairy, The Nutcracker: March, The Nutcracker: Miniature overture, The Nutcracker: Russian Dance - Trepak, The Nutcracker: Waltz of the Flowers, The Young Prince and the Young Princess from Sheherazade (Symphonic Suite) |
| Thomas Buffum |
conductor |
"Parsifal", Prelude to Act I, An der schönen blauen Donau, Op. 314, An der schönen blauen Donau, Walzer, Op. 314, An der schönen blauen Donau, op. 314, Annen Polka, op. 117, Bahn frei, Polka schnell, Op. 45, Delirien Waltz, Op. 212, Der Zigeunerbaron: Einzugsmarsch, Die Emancipirte, Die Meistersinger von Nürnberg: Prelude to Act 1, Die Schwebende, Polka Mazur, Op. 110, Donauweibchen, Dynamiden, Op. 173, Eingesendet, Einzugsgalopp, op. 35, Elfenreigen, Erinnerungen an Ernst (Der Karvneval von Venedig), Fantasie, Op. 126, Explosions-Polka, Flattergeister, Waltz, Op. 62, Furioso-Galopp, Op. 114, Geschichten aus dem Wienerwald, Im Sturmschritt, In der Heimat, Polka Mazur, Op. 231, Indianer-Galopp, Irenen-Polka, Polka française, Op. 113, Jocus Polka, Polka schnell, Op. 216, Kleiner Anzeiger, Galopp, Leichtfüssig (Polka schnell), Les Préludes, Symphonic Poem no. 3, S. 97, Lohengrin: Prelude to Act 1, Marianka Polka, Op. 173, Matrosen-Polka, Op. 52, Mephistos Höllenrufe, op. 101, Walzer, Moulinet-polka française, Op. 57, Nachtfalter, Walzer, Op. 157, Neue Melodien-Quadrille, Op. 254, Nordseebilder, Walzer, Op. 390, Nur fort, Polka schnell, Op. 383, Ohne Bremse Polka schnell, Op. 238, Overture to the operetta Waldmeister, Philadelphia Symphony, op. 28: I. Allegro giusto, Philadelphia Symphony, op. 28: II. Andante, Philadelphia Symphony, op. 28: III. Allegro vivace, Plappermäulchen (Musikalischer Scherz), Polka schnell, Op. 245, Prinz Methusalem: Ouvertüre, Radetzky-Marsch, Radetzky-Marsch, Op. 228, Radetzky-Marsch, Op. 228 (Arr. Leopold Weninger), Rosen aus dem Süden, Walzer, Op. 388, Sinfonia Domestica, op. 53: I. Drei Themen, Sinfonia Domestica, op. 53: II. Scherzo, Sinfonia Domestica, op. 53: III. Wiegenlied, Sinfonia Domestica, op. 53: IV. Adagio, Sinfonia Domestica, op. 53: V. Finale, Sport-Polka, Stadt und Land, Op. 322, Sympathie, Symphonie Nr. 32 G-Dur, KV 318: I. Allegro spiritoso, Symphonie Nr. 32 G-Dur, KV 318: II. Andante, Symphonie Nr. 32 G-Dur, KV 318: III. Tempo I, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung, Symphony no. 2 in C minor “Resurrection”: V (a). Im Tempo des Scherzos. Wild Herausfahrend —, Symphony no. 2 in C minor “Resurrection”: V (b). Maestoso. Sehr zurückhaltend – Wieder zurückhaltend —, Symphony no. 2 in C minor “Resurrection”: V (c). Sehr langsam und gedehnt —, Symphony no. 4 in C major: Adagio - Più lento - Adagio -, Symphony no. 4 in C major: Allegro molto moderato - Passioato-, Symphony no. 4 in C major: Molto vivace - Tempo primo un poco sostenuto - Passionato -, Symphony no. 4 in C major: Tempo primo (Allegro molto moderato), Symphony no. 9 in D minor: I. Feierlich, misterioso, Symphony no. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony no. 9 in D minor: III. Adagio: Langsam, feierlich, Tragic Overture, op. 81, Tritsch Tratsch Polka, Polka schnell, Op. 214, Tritsch-Tratsch, Wiener Blut, Wiener Bonbons, Walzer, Op. 307, Wo die Zitronen blüh'n, Op.364, Wo uns're Fahne weht, Marsch, Op. 473, Zivio! Marsch, Op. 456 |
| Auburn |
conductor |
Also sprach Zarathustra: "Sunrise", Also sprach Zarathustra: Anfang, Concerto Grosso 1985, I, Part 1, Concerto Grosso 1985, I, Part 2, Concerto Grosso 1985: I. Maestoso, Concerto Grosso 1985: II. Presto, Concerto Grosso 1985: III. Largo, Concerto Grosso 1985: IV. Presto, Concerto Grosso 1985: V. Maestoso, Concerto Grosso: IV., Concerto Grosso: V., Das Rheingold: Entrance of the Gods into Valhalla, Death in Venice: Symphony No. 5: Adagietto (excerpt), Die Walküre: The Ride of the Valkyries, Ein Heldenleben, Ein Heldenleben, Op. 40: I - Der Held, Ein Heldenleben, Op. 40: II - Des Helden Widersacher, Ein Helderleben, Op. 40: IV - Des Helden Walstatt, Ein Helderleben, Op. 40: V - Des Helden Friedenswerke, Ein Helderleben, Op. 40: VI - Des Helden Weltflucht und Vollendung, Finlandia, op. 26, Götterdämmerung: Dawn and Siegfried's Rhine Journey, Götterdämmerung: Siegfried's Funeral Music, Mars - The Bringer of War, Overture in A major, Op. 92 "Carnival", Parsifal: Vorspiel zum 1. Aufzug, Pictures at an Exhibition (Kartinki s vïstavski): Prelude (Promenade), Prism: After Francesco Cavalli, Prism: After Luigi Cherubini, Prism: After Marc-Antoine Charpentier, Siegfried: Forest Murmurs, Sinfonie Nr. 9 “Choral”: II. Molto vivace, Symbolon, Symphonie fantastique, op. 14: I. Rêveries, passions, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro), Symphony No. 9 "Choral": Concl., Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemachlich, Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell, Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu shleppen, Symphony no. 1 "Titan": IV. Sturmisch bewegt - Energisch, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo / IV. Finale. Allegro moderato, Symphony no. 9 in D minor (“Choral”) op. 125: Molto vivace, The Planets, Op. 32: I. Mars, the Bringer of War, The Planets, Op. 32: II. Venus, the Bringer of Peace, The Planets, Op. 32: III. Mercury, the Winged Messenger, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity, The Planets, Op. 32: V. Saturn, the Bringer of Old Age, The Planets, Op. 32: VI. Uranus, the Magician, The Planets: Uranus, the Magician, The Planets: Venus, the Bringer of Peace, The Rite of Spring: Adoration of the Earth: Adoration of the Earth (The Wise Elder), The Rite of Spring: Adoration of the Earth: Dance of the Earth, The Rite of Spring: Adoration of the Earth: Games of the Rival Tribes, The Rite of Spring: Adoration of the Earth: Introduction: Lento, The Rite of Spring: Adoration of the Earth: Mock Abduction, The Rite of Spring: Adoration of the Earth: Procession of the Wise Elder, The Rite of Spring: Adoration of the Earth: Spring Round Dances, The Rite of Spring: Adoration of the Earth:The Augurs of Spring (Dance of the Young Girls), The Rite of Spring: The Sacrifice: Glorification of the Chosen Victim, The Rite of Spring: The Sacrifice: Introduction: Largo, The Rite of Spring: The Sacrifice: Mystical Circles of the Young Girls, The Rite of Spring: The Sacrifice: Ritual of the Ancestors, The Rite of Spring: The Sacrifice: Sacrificial Dance (The Chosen Victim), The Rite of Spring: The Sacrifice: Summoning of the Ancestors |
| Eric Stern |
conductor |
6 Hungarian Rhapsodies S 359, No.3 in D major, 6 Hungarian Rhapsodies S 359, No.5 in E minor "Héroide élégiaque", 6 Hungarian Rhapsodies S 359, No.6 in E-flat major "The Carnival of Pest", Also sprach Zarathustra, Op. 30, Also sprach Zarathustra, Op. 30: Das Grablied, Also sprach Zarathustra, Op. 30: Das Nachtwanderlied, Also sprach Zarathustra, Op. 30: Das Tanzlied - Das Nachtlied, Also sprach Zarathustra, Op. 30: Der Genesende, Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang), Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, Op. 30: Von den Hinterweltlern, Also sprach Zarathustra, Op. 30: Von der Wissenschaft, Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht, Capriccio Espagnol, op. 34: 1. Alborada, Capriccio Espagnol, op. 34: 2. Variazioni, Capriccio Espagnol, op. 34: 3. Alborada, Capriccio Espagnol, op. 34: 4. Scena e canto gitano, Capriccio Espagnol, op. 34: 5. Fandango asturiano, La traviata: Prelude to Act 1, La traviata: Prelude to Act 3, Overture Oberon, Russian Easter Overture, Op. 36, Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante, Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio, Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro, Symphony No. 1 in C minor, Op. 68: I. Poco sostenuto - Allegro - Meno allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 2 In D, Op. 73: I. Allegro Non Troppo, Symphony No. 2 In D, Op. 73: II. Adagio Non Troppo, Symphony No. 2 In D, Op. 73: III. Allegretto Grazioso, Symphony No. 2 In D, Op. 73: IV. Allegro Con Spirito, Symphony No. 3 in F major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Allegro giocoso, Symphony No. 3 in F major, Op. 90: IV. Allegro energico e passionate, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - poco meno presto - tempo I, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato: Più allegro, Symphony No. 7 in E minor: I. Langsam: Allegro, Symphony No. 7 in E minor: II. Nachtmusik (Allegro moderato), Symphony No. 7 in E minor: III. Scherzo, Symphony No. 7 in E minor: IV. Nachtmusik (Andante amoroso), Symphony No. 7 in E minor: V. Rondo: Finale (Allegro ordinario: Allegro moderato ma energico), Symphony No. 9 in C major, D 944 "The Great": I. Andante - Allegro ma non troppo, Symphony No. 9 in C major, D 944 "The Great": II. Andante con moto, Symphony No. 9 in C major, D 944 "The Great": III. Scherzo. Allegro vivace, Symphony No. 9 in C major, D 944 "The Great": IV. Finale. Allegro vivace, Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio: Allegro molto, Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend. Wie en Naturlaut - Im Anfang sehr gemächlich, Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt, Symphony no. 1 in D major “Titan”: “Blumine”. Andante, Violin Concerto No.2 in G minor, Op.63: I. Allegro moderato, Violin Concerto No.2 in G minor, Op.63: II. Andante assai, Violin Concerto No.2 in G minor, Op.63: III. Allegro, ben marcato, William Tell: Overture, With What Do We Light? |
| Fabiola Giunco |
conductor |
Eine Alpensinfonie, Op. 64, 1. Night, Eine Alpensinfonie, Op. 64, 10. Through Thicket and Undergrowth on the Wrong Way, Eine Alpensinfonie, Op. 64, 11. On the Glacier, Eine Alpensinfonie, Op. 64, 12. Dangerous Moments, Eine Alpensinfonie, Op. 64, 13. On the Summit, Eine Alpensinfonie, Op. 64, 14. Vision, Eine Alpensinfonie, Op. 64, 15. Mists Rise, Eine Alpensinfonie, Op. 64, 16. The Sun Gradually Becomes Obscured, Eine Alpensinfonie, Op. 64, 17. Elegy, Eine Alpensinfonie, Op. 64, 18. Calm before the Storm, Eine Alpensinfonie, Op. 64, 19. Thunder and Tempest; Descent, Eine Alpensinfonie, Op. 64, 2. Sunrise, Eine Alpensinfonie, Op. 64, 20. Sunset, Eine Alpensinfonie, Op. 64, 21. Waning Tones, Eine Alpensinfonie, Op. 64, 22. Night, Eine Alpensinfonie, Op. 64, 3. The Ascent, Eine Alpensinfonie, Op. 64, 4. Entry into the Wood, Eine Alpensinfonie, Op. 64, 5. Wandering by the Side of the Brook, Eine Alpensinfonie, Op. 64, 6. At the Waterfall, Eine Alpensinfonie, Op. 64, 7. Apparition, Eine Alpensinfonie, Op. 64, 8. On Flowering Meadows, Eine Alpensinfonie, Op. 64, 9. On the Alpine Pasture, Hamlet S 104, Hamlet, Symphonic Poem for Orchestra, S. 104 (LW G22), Hunnenschlacht S 105, Hunnenschlacht, Symphonic Poem for Orchestra, S. 105 (LW G17), Les Préludes, Symphonic Poem for Orchestra, S. 97 (LW G3), Mazeppa S 100, Mazeppa, Symphonic Poem for Orchestra, S. 100 (LW G7), Orpheus S 98, Orpheus, Symphonic Poem for Orchestra, S. 98 (LW G9), Serenade in B-Flat Major, K361: I. Largo - Molto Allegro, Serenade in B-Flat Major, K361: II. Menuetto - Trio I - Trio II, Serenade in B-Flat Major, K361: III. Adagio - Zubin Mehta, Serenade in B-Flat Major, K361: IV. Menuetto: Allegretto - Trio I - Trio II, Serenade in B-Flat Major, K361: V. Romance: Adagio - Allegretto / Adagio, Serenade in B-Flat Major, K361: VI. Tema Con Variazioni / Andante, Serenade in B-Flat Major, K361: VI. Tema Con Variazioni / Var IV, Serenade in B-Flat Major, K361: VI. Tema Con Variazioni / Var. I, Serenade in B-Flat Major, K361: VI. Tema Con Variazioni / Var. II, Serenade in B-Flat Major, K361: VI. Tema Con Variazioni / Var. III, Serenade in B-Flat Major, K361: VI. Tema Con Variazioni / Var. V: Adagio, Serenade in B-Flat Major, K361: VI. Tema Con Variazioni / Var. VI: Allegro, Serenade in B-Flat Major, K361: VII. Finale: Molto Allegro, Symphonische Fantasie aus "Die Frau ohne Schatten", Symphonische Zwischenspiele aus "Intermezzo" I. Teisefieber und Walzerszene, Symphonische Zwischenspiele aus "Intermezzo" II. Traumerei am Kami, Symphonische Zwischenspiele aus "Intermezzo" III. Am Spieltisch, Symphonische Zwischenspiele aus "Intermezzo" IV. Frohlicher Beschlub, Symphonisches Fragment aus "Die Liebe du Danae" Molto vivace, Symphonisches Fragment aus "Die Liebe du Danae" Piu tranquillo, Walzerfolge aus "Der Rosenkavalier" (Akt I & II) |
| Carsten Dämbkes |
conductor |
Carmina Burana: Blanziflor et Helena - XXIV. Ave formosissima, Carmina Burana: Cour d'amours - XIX. Si puer cum puellula, Carmina Burana: Cour d'amours - XV. Amor volat undique, Carmina Burana: Cour d'amours - XVI. Dies, nox et omnia, Carmina Burana: Cour d'amours - XVII. Stetit puella, Carmina Burana: Cour d'amours - XVIII. Circa mea pectora, Carmina Burana: Cour d'amours - XX. Veni, Veni, Venias, Carmina Burana: Cour d'amours - XXI. In trutina, Carmina Burana: Cour d'amours - XXII. Tempus est iocundum, Carmina Burana: Cour d'amours - XXIII. Dulcissime, Carmina Burana: Fortuna imperatrix mundi - II. Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi - XXV. O Fortuna, Carmina Burana: In Taberna - XI. Estuans interius, Carmina Burana: In Taberna - XII. Olim lacus colueram, Carmina Burana: In Taberna - XIII. Ego sum abbas, Carmina Burana: In Taberna - XIV. In taberna quando sumus, Carmina Burana: Primo vere - III. Veris leta facies, Carmina Burana: Primo vere - IV. Omnia sol temperat, Carmina Burana: Primo vere - V. Ecce gratum, Carmina Burana: Uf dem anger - IX. Reie - Swaz hie gat umbe - Chume, chum geselle min, Carmina Burana: Uf dem anger - VI. Tanz, Carmina Burana: Uf dem anger - VII. Floret silva, Carmina Burana: Uf dem anger - VIII. Chramer, gip die varwe mir, Carmina Burana: Uf dem anger - X. Were diu werlt alle min, Le Caranaval romain, Op. 9, Ouverture caractéristique, Le Carnaval Romain, op. 9, Symphonie Fantastique, Un Bal from Sleeping With The Enemy, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : I. Rêveries, passions, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : II. Un Bal, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : III. Scène aux champs, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : IV. Marche au supplice, Symphonie fantastique, Op. 14, "Episode de la vie d'un artiste" : V. Songe d'une nuit du Sabbat |
| Benjamin Amoros |
conductor |
Otello: Atto I. "Abbasso le spade!", Otello: Atto I. "Capitano, v'attende la fazione ai baluardi", Otello: Atto I. "Esultate!... Roderigo, ebben che pensi?", Otello: Atto I. "Fuoco di gioia!", Otello: Atto I. "Già nella notte densa", Otello: Atto I. "Qua, ragazzi, del vino! Inaffia l'ugola!", Otello: Atto I. "Roderigo, beviam!", Otello: Atto I. "Una vela!", Otello: Atto II. "Ciò m'accora.", Otello: Atto II. "D'un uom che geme sotto il tuo disdegno", Otello: Atto II. "Desdemona rea!... Ora e per sempre addio", Otello: Atto II. "Eccola!... Cassio... a te!", Otello: Atto II. "Era la notte, Cassio dormia", Otello: Atto II. "Non parlo ancor di prova... Dove guardi splendono", Otello: Atto II. "Non ti crucciar.", Otello: Atto II. "Sì, pel ciel marmoreo giuro!", Otello: Atto II. "Vanne! la tua meta già vedo... Credo in un Dio crudel", Otello: Atto III. "A terra!... sì... nel livido fango", Otello: Atto III. "Bada! Quest'è il segnale", Otello: Atto III. "Dio ti giocondi, o sposo", Otello: Atto III. "Dio! mi potevi scagliar tutti i mali", Otello: Atto III. "Il Doge ed il Senato salutano", Otello: Atto III. "La vedetta del porto ha segnalato", Otello: Atto III. "Tutti fuggite Otello!", Otello: Atto III. "Vieni, l'aula è deserta", Otello: Atto IV. "Aprite! Aprite!", Otello: Atto IV. "Buona notte... Ave Maria", Otello: Atto IV. "Chi è là?", Otello: Atto IV. "Era più calmo?", Otello: Atto IV. "Mia madre aveva una povera ancella", Otello: Atto IV. "Niun mi tema" |
| Gustav Mahler |
conductor |
Symphonie No. 3 d-moll: IIIa. Comodo. Scherzando. Ohne Hast, Symphonie No. 3 d-moll: IIIb. Sehr gemächlich (Posthorn), Symphonie No. 3 d-moll: IIIc. Tempo I, Symphonie No. 3 d-moll: IIId. Wieder sehr gemächlich, benahe langsam, Symphonie No. 3 d-moll: IIa. Tempo di Menuetto. Sehr mäßig, Symphonie No. 3 d-moll: IIb. Ganz plötzlich gemächlich. Tempo di Menuetto, Symphonie No. 3 d-moll: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphonie No. 3 d-moll: Ia. Kräftig. Entschieden, Symphonie No. 3 d-moll: Ib. Langsam. Schwer, Symphonie No. 3 d-moll: Ic.Tempo I, Symphonie No. 3 d-moll: Id. a tempo, Symphonie No. 3 d-moll: Ie. Immer daßelbe Tempo (Marsch), Symphonie No. 3 d-moll: If. (Allegro moderato), Symphonie No. 3 d-moll: Ig. Tempo I, Symphonie No. 3 d-moll: V. Lustig im Tempo und keck im Ausdruck, Symphonie No. 3 d-moll: VIa. Langsam. Ruhevoll. Empfunden, Symphonie No. 3 d-moll: VIb. Nicht mehr so breit, Symphonie No. 3 d-moll: VIc. Tempo I. Ruhevoll, Symphonie No. 3 d-moll: VId. a tempo (Etwas bewegter), Symphonie No. 3 d-moll: VIe. Tempo I, Symphonie No. 3 d-moll: VIf. Langsam. Tempo I, Symphonie No. 5: I. Abteilung, I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphonie No. 5: I. Abteilung, II. Stürmisch bewegt. Mit größter Vehemenz, Symphonie No. 5: II. Abteilung, III. Scherzo. Kräftig, nicht zu schnell, Symphonie No. 5: III. Abteilung, IV. Adagietto. Sehr langsam, Symphonie No. 5: III. Abteilung, V. Rondo-Finale. Allegro, Symphony No. 2 "Resurrection": "Urlicht", Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich, Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung |
| Richard Strauss |
conductor |
Don Quixote, op. 35: Ein wenig ruhiger als vorher, Don Quixote, op. 35: Etwas breiter, Don Quixote, op. 35: Gemächlich, Don Quixote, op. 35: Kriegerisch, Don Quixote, op. 35: Mäßiges Zeitmaß, Don Quixote, op. 35: Mäßiges Zeitmaß. Thema mäßig, Don Quixote, op. 35: Schnell, Don Quixote, op. 35: Schnell und stürmisch, Don Quixote, op. 35: Sehr langsam, Don Quixote, op. 35: Sehr ruhig, Don Quixote, op. 35: Viel breiter, Ein Heldenleben, op. 40: Der Held, Ein Heldenleben, op. 40: Des Helden Friedenswerke, Ein Heldenleben, op. 40: Des Helden Gefährtin, Ein Heldenleben, op. 40: Des Helden Walstatt, Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung, Ein Heldenleben, op. 40: Des Helden Widersacher, Sinfonia domestica, op. 53: Adagio (Langsam), Sinfonia domestica, op. 53: Bewegt – Sehr lebhaft – Ruhig, Sinfonia domestica, op. 53: Finale: Sehr lebhaft, Sinfonia domestica, op. 53: Scherzo: Munter |
| Almoth Hodges |
conductor |
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro, Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio, Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo, Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro, Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio, Piano Concerto no. 1 in C major, op. 15: 2. Largo, Piano Concerto no. 1 in C major, op. 15: 3. Rondo (Allegro scherzando), Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio, Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro, Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro, Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato, Piano Concerto no. 4 in G major, op. 58: II. Andante con moto, Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo (Allegro) |
| Kirwan Brown |
conductor |
Concerto for Violin and Strings in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto, Concerto for Violin and Strings in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo, Concerto for Violin and Strings in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro, The Four Seasons - Concerto in F minor, RV 297 (Winter) - Allegro, The Four Seasons - Concerto in F minor, RV 297 (Winter) - Allegro non molto, The Four Seasons - Concerto in F minor, RV 297 (Winter) - Largo, Violin Concerto in A minor, op. 82: I. Moderato -, Violin Concerto in A minor, op. 82: II. Andante -, Violin Concerto in A minor, op. 82: III. Cadenza -, Violin Concerto in A minor, op. 82: IV. Animando -, Violin Concerto in D major, Op. 35: I. Allegro moderato, Violin Concerto in D major, Op. 35: II. Canzonetta (Andante), Violin Concerto in D major, Op. 35: II. Canzonetta. Andante, Violin Concerto in D major, Op. 35: III. Allegro vivacissimo, Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo, Violin Concerto no. 1 in A minor, op. 99: Cadenza -, Violin Concerto no. 1 in A minor, op. 99: I. Nocturne (Moderato), Violin Concerto no. 1 in A minor, op. 99: II. Scherzo (Allegro), Violin Concerto no. 1 in A minor, op. 99: III. Passacaglia (Andante) -, Violin Concerto no. 1 in A minor, op. 99: IV. Burlesque (Allegro con brio) |
| Игорь Фёдорович Стравинский |
conductor |
Le Sacre du Printemps, L'Adoration De La Terre: I. Introduction, Le Sacre du Printemps, L'Adoration De La Terre: II. Les augures printaniers / Danses des adolescentes, Le Sacre du Printemps, L'Adoration De La Terre: III. Jeu de rapt, Le Sacre du Printemps, L'Adoration De La Terre: IV. Rondes printanières, Le Sacre du Printemps, L'Adoration De La Terre: V. Jeux des cités rivales, Le Sacre du Printemps, L'Adoration De La Terre: VI. Cortège du sage, Le Sacre du Printemps, L'Adoration De La Terre: VII. Adoration de la Terre (Le Sage), Le Sacre du Printemps, L'Adoration De La Terre: VIII. Danse de la terre, Le Sacre du Printemps, Le Sacrifice: I. Introduction, Le Sacre du Printemps, Le Sacrifice: II. Cercles mysterieux des adolescentes, Le Sacre du Printemps, Le Sacrifice: III. Glorification de l'élue, Le Sacre du Printemps, Le Sacrifice: IV. Evocation des ancêtres, Le Sacre du Printemps, Le Sacrifice: V. Action rituelle des ancêtres, Le Sacre du Printemps, Le Sacrifice: VI. Danse sacrale (L'élue), Symphony in Three Movements: I. [ ], Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, The Rite of Spring, Part 1, The Rite of Spring, Part 2 |
| Giuseppe Verdi |
conductor |
Aida, Act I: "Se quel guerrier io fossi...Celete Aida", Aida: Act II, "Ma tu, Re, tu signore possente", Il Trovatore: "Ah, si, ben mio coll'essere", Il Trovatore: "Di quella pira", Il trovatore: Act I. "Che piu t'arresti?" / "Tacea la notte" / "Di tale amor", Il trovatore: Act II. "Mal reggendo" / "Perigliarti ancor", Il trovatore: Act II. Anvil Chorus / "Stride la vampa!", Il trovatore: Act III. "Ah, si ben mio" / "Di quella piro", Il trovatore: Act IV. "D'amor sull'ali rosee" / "Miserere", Il trovatore: Act IV. "Si. la stanchezza m'opprime" / "Ai nostri monti", Il trovatore: Act IV. "Udiste? Come albeggi" / "Mira, di acerbe lagrime", Le Trouvère : Chœur des forgerons, Quattro pezzi sacri: No. 1. Ave Maria, Quattro pezzi sacri: No. 2. Stabat mater, Quattro pezzi sacri: No. 3. Laudi alla Vergine Maria, Quattro pezzi sacri: No. 4. Te Deum |
| 서승현 |
conductor |
Salome: "Ah! Du wolltest mich nicht deinen Mund küssen lassen.", Salome: "Ah! Herrlich!", Salome: "Ich bin Salome, die Tochter der Herodias", Salome: "Ich will deinen Mund küssen, Jokanaan.", Salome: "Ich will nicht bleiben", Salome: "In dein Haar bin ich verliebt, Jokanaan.", Salome: "Salome, Salome, tanz für mich!", Salome: "Salome, bedenk, was du tust.", Salome: "Salome, komm, trink Wein mit mir.", Salome: "Sie ist ein Ungeheuer, deine Tochter!", Salome: "Siehe, der Tag ist nahe, der Tag des Herrn.", Salome: "Wer hat meinen Ring genommen?", Salome: "Wie schön is die Prinzessin Salome heute nacht!", Salome: "Wo ist Salome? Wo ist die Prinzessin?", Salome: "Wo ist er, dessen Sündenbecher jetzt voll ist?", Salome: Tanz der sieben Schleier |
| Zach Hanson |
conductor |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio, Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo, Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro, Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio, Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo, Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro, Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato, Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto, Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro |
| Volkmar Kramarz |
conductor |
Don Quixote op.35: Introduktion. Maessiges Zeitmass, Don Quixote op.35: Maggiore: Sancho Pansa, Don Quixote op.35: Thema. Maessig: The Knight of the Doleful Countenance, Don Quixote op.35: Var I. Gemaechlich: The Adventure of the Windmills, Don Quixote op.35: Var II. Kriegerisch: The Battle with the Sheep, Don Quixote op.35: Var III. Maessiges Zeitmass: Dialogue of Knight and Squire, Don Quixote op.35: Var IV. Etwas breiter: The Adventure with the Procession of Penitents, Don Quixote op.35: Var IX. Schnell und sturmisch: The Contest with the Magicians, Don Quixote op.35: Var V. Sehr langsam: Don Quixote's Vigil, Don Quixote op.35: Var VI. Schnell: Dulcinea's Enchantment, Don Quixote op.35: Var VII. Ein wenig ruhiger als vorher: The Ride through the Air, Don Quixote op.35: Var VIII. Gemachlich: The Adventure of the Enchanted Boat, Don Quixote op.35: Var X. Joust with Knight of White Moon; Beaten Don Quixote Trips Home, Don Quixote op.35: Var XI. Finale. Sehr ruhig: The Death of Don Quixote |
| Don Hannah |
conductor |
Concerto for Violin & Orchestra no. 5 in A minor, op. 37: Adagio, Concerto for Violin & Orchestra no. 5 in A minor, op. 37: Allegro con fuoco, Concerto for Violin & Orchestra no. 5 in A minor, op. 37: Allegro non troppo, Introduction & Rondo capriccioso, op. 28 for Violin & Orchestra: Andante (Malinconico). Allegro ma non troppo, Symphonie espagnole, op. 21 for Violin & Orchestra: I. Allegro non troppo, Symphonie espagnole, op. 21 for Violin & Orchestra: II. Scherzando. Allegro molto, Symphonie espagnole, op. 21 for Violin & Orchestra: III. Intermezzo. Allegretto non troppo, Symphonie espagnole, op. 21 for Violin & Orchestra: IV. Andante, Symphonie espagnole, op. 21 for Violin & Orchestra: V. Rondo. Allegro |
| Tender Loving Care |
conductor |
Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: I. Moderato, Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: II. Lento assai, Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: III. Allegro moderato, Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: IV. Moderato, Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: Introduction. Allegro moderato, Havanaise, op. 83, Introduction et Rondo Capriccioso, Op. 28, Poème, Op. 25, Poème, op. 25 |
| Manik Visions |
conductor |
Il trovatore: Atto I, Scena I, Il trovatore: Atto I, Scena II, Il trovatore: Atto II, Scena I, Il trovatore: Atto II, Scena II, Il trovatore: Atto III, Scena I, Il trovatore: Atto III, Scena II, Il trovatore: Atto IV, Scena I, Il trovatore: Atto IV, Scena II |
| Antonín Dvořák |
conductor |
Symphonie Nr. 8 G-dur op. 88 "Englische Symphonie": I. Allegro con brio, Symphonie Nr. 8 G-dur op. 88 "Englische Symphonie": II. Adagio, Symphonie Nr. 8 G-dur op. 88 "Englische Symphonie": III. Allegretto grazioso, Symphonie Nr. 8 G-dur op. 88 "Englische Symphonie": IV. Allegro ma non troppo, Symphonie Nr. 9 E-moll op. 95 "Aus der Neuen Welt": I. Adagio - Allegro molto, Symphonie Nr. 9 E-moll op. 95 "Aus der Neuen Welt": II. Largo, Symphonie Nr. 9 E-moll op. 95 "Aus der Neuen Welt": III. Scherzo. Molto vivace, Symphonie Nr. 9 E-moll op. 95 "Aus der Neuen Welt": IV. Allegro con fuoco |
| Sergio Avil |
conductor |
Carnival of the Animals: Introduction and Royal March of the Lion, Havanaise in E major for violin & piano (or orchestra), Op. 83, Havanaise, Op. 83, Introduction and Rondo Capriccioso, Introduction and Rondo Capriccioso in A minor, for violin & orchestra, Op. 28, Introduction et rondo capriccioso, Op. 28, The Carnival of the Animals: Fossils, The Carnival of the Animals: The Elephant |
| Franz Liszt |
conductor |
Friska from Hungarian Rhapsody No. 2 (Arr. Franz Doppler), Hungarian Rhapsody No. 1 in F major, S 359, Hungarian Rhapsody No. 2 in D minor, S 359, Hungarian Rhapsody No. 3 in D major, S 359, Hungarian Rhapsody No. 4 in D minor, S 359, Hungarian Rhapsody No. 5 in E minor, "Heroide-elegiaque", S 359, Hungarian Rhapsody No. 6 in D major, "The Carnival of Pest", S 359, Hungarian Rhapsody no. 2 |
| Ludwig van Beethoven |
conductor |
Symphony No. 9 (extract), Symphony No. 9 in D minor, Op. 125 "Choral": Finale (excerpt) (New York Philharmonic feat. conductor: Zubin Mehta), Symphony no. 9 "Choral": Adagio molto e cantabile; Andante moderato, Symphony no. 9 "Choral": Allegro ma non troppo, un poco maestoso, Symphony no. 9 "Choral": Molto vivace; Presto; Molto vivace, Symphony no. 9 "Choral": Presto; Allegro assai, The Huntley-Brinkley Report: Symphony No. 9: II. |
| Fawn Larson |
conductor |
Cello Concerto in B minor, Op. 104: III. Finale. Allegro moderato, Cello Concerto in B-mi op.104: I. Allegro, Cello Concerto in B-mi op.104: II. Adagio, ma non troppo, Cello Concerto in B-mi op.104: III. Finale: Allegro moderato, Concerto in B minor for Cello and Orchestra, op. 104, B. 191: I. Allegro, Concerto in B minor for Cello and Orchestra, op. 104, B. 191: II. Adagio ma non troppo, Concerto in B minor for Cello and Orchestra, op. 104, B. 191: III. Finale: Allegro moderato |
| Hector Berlioz |
conductor |
Béatrice et Bénédict, Sleeping With the Enemy: Symphony Fantastique: Un Bal: Valse, Symphonie fantastique H. 48, Op.14: Marche au supplice (Allegretto non troppo), Symphonie fantastique H. 48, Op.14: Rêveries. Passions (Largo - Allegro agitato ed appassionato assai), Symphonie fantastique H. 48, Op.14: Scène aux champs (Adagio), Symphonie fantastique H. 48, Op.14: Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso), Symphonie fantastique H. 48, Op.14: Un bal (Valse: Allegro non troppo) |
| Johann Strauss |
conductor |
An der schönen, blauen Donau, op. 314: Walzer, Mephistos Höllenrufe, op. 101: Walzer, Morgenblätter, op. 279: Walzer, Perpetuum mobile, op. 257: Musikalischer Scherz, Process-Polka, op. 294: Polka schnell, Reiter-Marsch, op. 428, Russische Marsch-Phantasie, op. 353 |
| Summer Rayne |
conductor |
Encore: 'O sole mio, Encore: Nessun dorma, Medley: Maria / Tonight / 'O paese d' 'o sole / Cielito lindo, Medley: Mattinata / Wien Wien nur du allein / Amapola / 'O sole mio, Medley: Memory / Ochi tchorniye / Caminito / La Vie en rose, Nessun dorma |
| Shyguys |
conductor |
Violin Concerto in D major, op. 77: I. Allegro non troppo, Violin Concerto in D major, op. 77: II. Adagio, Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace – Poco più presto, Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel (Allegro moderato), Violin Concerto no. 1 in G minor, op. 26: II. Adagio, Violin Concerto no. 1 in G minor, op. 26: III. Finale (Allegro energico) |
| Supra Argo |
conductor |
Il trovatore: Atto II, Scena I. "Condotta ell'era in ceppi" (Azucena, Manrico), Il trovatore: Atto II, Scena I. "Mal reggendo all'aspro assalto" (Manrico, Azucena), Il trovatore: Atto II, Scena I. "Non son tuo figlio?" (Manrico, Azucena), Il trovatore: Atto II, Scena I. "Perigliarti ancor languente" (Azucena, Manrico), Il trovatore: Atto II, Scena I. "Soli or siamo!" (Manrico, Azucena), Il trovatore: Atto IV, Scena II. "Madre, non dormi?" (Manrico, Azucena) |
| The Memphis Four |
conductor |
Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso, Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto, Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace |
| Bedřich Smetana |
conductor |
Má vlast: Blaník, Má vlast: Tábor, Má vlast: Vltava - The Moldau, Má vlast: Vyšehrad - The High Castle, Má vlast: Z českých luhů a hájů - From Bohemia's Woods and Fields, Má vlast: Šárka |
| E & G |
conductor |
Act 1 (Concl.) 'Figlio, Che Fai?', Act 1 (Part 2); 'Popolo Di Pekino!', Act 2 (Concl.); 'In Questa Reggia', Act 2 (Part 1); 'Ola Pang!, Ola Pong!', Act 3 (Concl.): 'Principessa Di Morte!', Act 3 (Part 1); 'Cesi Comanda Turandot' |
| Luciano Pavarotti |
conductor |
Io son sol! Ah dispar vision, Mi batte il cuor… O paradiso, Recondita armonia, Rondine al nido, Torna a Surriento |
| Plácido Domingo |
conductor |
E lucevan le stelle, Il trovatore: Di quella pira, No puede ser, Tosca: E lucevan le stelle, Ô paradis |
| Porfirio y sus Alegres Huastecos |
conductor |
Violin Concerto no. 1, Sz. 36: I. Andante sostenuto, Violin Concerto no. 1, Sz. 36: II. Allegro giocoso, Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo, Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo, Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto |
| Keisha Hollins |
conductor |
Concerto for Violin & Orchestra in A minor, Op. 53: I. Allegro, Concerto for Violin & Orchestra in A minor, Op. 53: II. Adagio, Concerto for Violin & Orchestra in A minor, Op. 53: III. Finale, Romance for Violin & Orchestra in F minor, Op. 11 |
| José Carreras |
conductor |
Core 'ngrato, Granada, Il lamento di Federico, L'improvviso |
| Richard Wagner |
conductor |
Parsifal: Karfreitagszauber, Ride of the Valkyries from Die Walküre, Rienzi: Ouvertüre, Tannhäuser: Ouvertüre und Venusbergmusik |
| Glasmusik |
conductor |
Il trovatore: Atto I, Scena I. "All'erta, all'erta!" (Ferrando, retainers, soldiers), Il trovatore: Atto I, Scena I. "Di due figli vivea" (Ferrando, retainers, soldiers), Il trovatore: Atto III, Scena I. "Or co' dadi, ma fra poco" (soldiers, Ferrandao), Il trovatore: Atto III, Scena I. "Squilli, echeggi la tromba guerriera" (Ferrando, soldiers) |
| 増永直子 |
conductor |
Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1a. Adagio - Allegro Moderato -, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 1b. Poco Adagio, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 2a. Allegro Moderato - Presto - Allegro Moderato, Symphony no. 3 in C minor, op. 78 “Organ Symphony”: 2b. Maestoso - Piu Allegro - Molto Allegro |
| Josef Strauss |
conductor |
Arm in Arm, op. 215: Polka schnell, Auf Ferienreisen, op. 133: Polka schnell, Mein Lebenslauf ist Lieb’ un Lust! op. 133: Polka schnell, Thalia Polk, op. 195 |
| Rah-mon Roma |
conductor |
Il Trovatore: Il balen del suo sorriso, Il trovatore: Atto I, Scena II. "Tace la notte!" (Count), Il trovatore: Atto II, Scena II. "Il balen del suo sorriso" (Count), Tosca: Te Deum |
| Tim Stolting |
conductor |
Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro appasionato, Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante, Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso |
| Adnz |
conductor |
Le nozze di Figaro: Atto II, no. 13. Aria: “Venite, inginocchiatevi”, Le nozze di Figaro: Atto II. Recitativo: “Oh, guarda il demonietto!”, Le nozze di Figaro: Atto IV, no. 28. Recitativo ed aria: “Giunse alfin il momento – Deh vieni, non tardar” |
| John Ettinger |
conductor |
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro |
| Joker/Two-Face |
conductor |
Il trovatore: Atto IV, Scena I. "Mira, di acerbe lagrime" (Leonora, Count), Il trovatore: Atto IV, Scena I. "Udiste? Come albeggi, la scure al figlio" (Count, Leonora), Il trovatore: Atto IV, Scena I. "Vivrà! ... Contende il giubilo" (Leonora, Count) |
| Funky Knuckles |
conductor |
Violin Concerto in D major, Op. 35: I. Allegro moderato, Violin Concerto in D major, Op. 35: II. Canzonetta. Andante, Violin Concerto in D major, Op. 35: III. Allegro vivacissimo |
| Niccolò Paganini |
conductor |
Violin Concerto No. 1 in D major, Op. 6, MS 21, I. Allegro maestoso, Violin Concerto No. 1 in D major, Op. 6, MS 21, II. Adagio espressivo, Violin Concerto No. 1 in D major, Op. 6, MS 21, III. Rondo: Allegro spiritoso |
| Swantje Weinert |
conductor |
Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato, Violin Concerto No. 1 in G minor, Op. 26: II. Adagio, Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro energico |
| The Three Tenors |
conductor |
Nessun dorma, O sole mio, Turandot: Nessun dorma |
| Caballeros del Plan G |
conductor |
Concerto for Violin and Orchestra in D major, Op. 77: I. Allegro non troppo, Concerto for Violin and Orchestra in D major, Op. 77: II. Adagio, Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto |
| Wolfgang Amadeus Mozart |
conductor |
Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Presto |
| Пётр Ильич Чайковский |
conductor |
1812 Overture, Mélodie in E-flat major, op. 42 no. 3, Sérénade Mélancolique in B major, op. 26 |
| Johann Strauss |
conductor |
Alice Polka, op. 238, Radetzky-Marsch, op. 228 |
| Dj - Skorpy |
conductor |
Il trovatore: Atto II, Scena II. "Ah! se l'error t'ingombra" (nuns, Count, Ferrando, retainers), Il trovatore: Atto II, Scena II. "Per me ora fatale" (Count, Ferrando, retainers) |
| SiTimeRecords |
conductor |
Il trovatore: Atto IV, Scena I. "D'amor sull'ali rosee" (Leonora), Il trovatore: Atto IV, Scena I. "Tu vedrai che amore in terra" (Leonora) |
| Karita Mattila |
conductor |
Le nozze di Figaro: Atto II, no. 11. Cavatina: “Porgi, amor, qualche ristoro”, Le nozze di Figaro: Atto III, no. 20. Recitativo ed aria: “E Susanna non vien! – Dove sono I bei momenti” |
| Teddy Sadler |
conductor |
Horn Concerto no. 1 in E flat major, op. 11: II. Andante, Horn Concerto, No. 1 in E flat major, Op. 11, III. Allegro |
| Gavin |
conductor |
Il trovatore: Atto I, Scena II. "Di geloso amor sprezzato" (Count, Leonora, Manrico), Il trovatore: Atto I, Scena II. "Non m'inganno" (Count, Leonora, Manrico) |
| Andy Hellaby |
conductor |
Schelomo, Voice in the Wilderness |
| Johannes Brahms |
conductor |
Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto, Violin Concerto in D major, op. 77: III. Finale. Allegro giocoso, ma non troppo vivace |
| Felice & Pap |
conductor |
Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi" (Leonora, Inez), Il trovatore: Atto I, Scena II. "Tacea la notte placida" (Leonora, Inez) |
| Pets or Meat |
conductor |
Il trovatore: Atto II, Scena II. "Quel suono! Oh ciel!" (Count, Ferrando, retainers), Il trovatore: Atto II, Scena II. "Tutto è deserto" (Count, Ferrando) |
| Gianni Poggi |
conductor |
La Traviata - Lunge da lei |
| Johann Sebastian Bach |
conductor |
Concerto in D minor for Two Violins and Orchestra, BWV 1043: II. Largo, ma non tanto |
| Peter Walker |
conductor |
Il trovatore: Atto IV, Scena I. "Siam giunti: ecco la torre" (Ruiz, Leonora) |
| Aldo Brizzi |
conductor |
Il trovatore: Atto II, Scena I. "Stride la vampa!" (Azucena, gypsies, Manrico, an old gypsy) |
| Explicit Fam |
conductor |
Il trovatore: Atto IV, Scena II. "Ai nostri monti ritorneremo" (Azucena, Manrico) |
| Eunice Yeatts MacAlexander |
conductor |
Turandot: Act I. "Signore, ascolta!" (Liù) |
| Elmore James Jr. |
conductor |
Il trovatore: Atto II, Scena I. "Inoltra il piè" (Manrico, messenger, Azucena) |
| Ravi Shakti |
conductor |
Nutcracker Suite, op. 71a: Waltz of the Flowers |
| Red Engine Nine |
conductor |
Il trovatore: Atto III, Scena II. "Quale d'armi fragor poc'anzi intesi?" (Leonora, Manrico) |
| Eduardo di Capua |
conductor |
O Sole Mio (feat. tenor: The Three Tenors) |
| Eduard Strauss |
conductor |
Electrisch: Polka schnell |
| Rob Williams |
conductor |
Turandot: Act III, Scene II: "Diecimila anni al nostro Imperatore!" |
| Jacques Le Honsec |
conductor |
Horn Concerto no. 1 in E-flat major, op. 11: I. Allegro |
| Rudy Colombini |
conductor |
Il trovatore: Atto III, Scena II. "Ah si, ben mio, coll'essere io tuo" (Manrico) |
| Josef Lanner |
conductor |
Favorit Polka, op. 201 |
| Shona Manton |
conductor |
Nessun dorma |
| Die Grafen |
conductor |
Il trovatore: Atto II, Scena II. "E deggio e posso crederlo?" (Leonora, Count, Manrico, Inez, nuns, Ferrando, soldiers, Ruiz) |
| Kitten Hurricane |
conductor |
Die Walküre: Magic Fire Music |
| Soet Kempeneer |
conductor |
Il trovatore: Atto II, Scena I. "Vedi! La fosche notturne spoglie" (gypsies) |
| Devin Hayes |
conductor |
Le Trouvère : Choeur des forgerons |
| Sunnmoonsekt |
conductor |
Il trovatore: Atto IV, Scena II. "Che! ... Non m'inganna!" (Manrico, Leonora, Azucena, Count) |
| Dead Letter |
conductor |
Il trovatore: Atto III, Scena II. "L'onda de' suoni mistici pura discenda al cor!" (Leonora, Manrico, Ruiz) |
| Liz Lenten |
conductor |
The Planets, Op. 32: VII. Neptune, the Mystic |
| Gabriel Fauré |
conductor |
Pelléas et Mélisande: Sicilienne |
| Dafaith |
conductor |
Il trovatore: Atto III, Scena I. "In braccio al mio rival!" (Count, Ferrando, Azucena, soldiers) |
| Come Clean |
conductor |
Götterdämmerung: Brünnhilde's Immolation Scene |
| Heaven West Eleven |
conductor |
Musica Proibita |
| Capsule Queen |
conductor |
Il trovatore: Atto I, Scena II. "Che più t'arresti?" (Inez, Leanora) |
| Cantores Vagantes |
conductor |
Granada |
| Tobias Fiedler |
conductor |
Giuditta - Freunde, das Leben ist lebenswert |
| Tubalaté |
conductor |
Lincoln Portrait |
| Madame Mim |
conductor |
Freund Fritz - Suzel, buon di |
| Willi Zaa |
conductor |
Il trovatore: Atto IV, Scena I. "Miserere d' un'alma già vicina" ... "Quel son, quelle preci" (Leonora, Manrico, choir) |
| Mahteriha |
conductor |
Ideale |
| Wolfgang Beer |
conductor |
Il trovatore: Atto II, Scena II. "Perché piangete" ... "O dolci amiche" (Leonora, Inez, Count, nuns) |
| YeahRight! |
conductor |
The Planets, op. 32: VII. Neptune, the Mystic |
| Bia |
conductor |
Il trovatore: Atto I, Scena II. "Deserta sulla terra" (Manrico, Count) |
| Zaubermond |
conductor |
Il trovatore: Atto III, Scena II. "Di quella pira l'orrendo foco" (Manrico, Leonora, Ruiz, armed men) |
| Barbra Streisand |
conductor |
Hatikvah (from ''The Stars Salute Israel at 30") |
| Модест Петрович Мусоргский |
conductor |
Bilder einer Ausstellung: Gnomus |
| Franz Waxman |
conductor |
Carmen Fantasy for violin & orchestra |
| Сергей Рахманинов |
conductor |
Rhapsody on a Theme of Paganini, Op. 43: 18th Variation |
| Max Rouquette |
conductor |
Tosca: "E lucevan le stelle" |
| 陳少寶 |
conductor |
Ein Helderleben, Op. 40: III - Des Helden Gefährtin |
| Robert Cook |
conductor |
Schützen-Quadrille |