Musical Bacon: Ursula Singer

Artist name	Roles	Recordings
Ralf Kiwit	producer	A Midsummer Night’s Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena), A Midsummer Night’s Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania), A Midsummer Night’s Dream, op. 64: Act I. "Fair love, you faint with wand’ring in the wood" (Lysander, Hermia), A Midsummer Night’s Dream, op. 64: Act I. "Is all our company here?" (Rustics), A Midsummer Night’s Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia), A Midsummer Night’s Dream, op. 64: Act I. "Through the forest I have gone" (Puck), A Midsummer Night’s Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon), A Midsummer Night’s Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon), A Midsummer Night’s Dream, op. 64: Act I. "You spotted snakes with double tongue" (Fairies), A Midsummer Night’s Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck), A Midsummer Night’s Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania), A Midsummer Night’s Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia), A Midsummer Night’s Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania), A Midsummer Night’s Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia), A Midsummer Night’s Dream, op. 64: Act II. "I have a reas’nable good ear in music" (Bottom, Tytania), A Midsummer Night’s Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies), A Midsummer Night’s Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies), A Midsummer Night’s Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius), A Midsummer Night’s Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck), A Midsummer Night’s Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act II. Introduction: the Wood, A Midsummer Night’s Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby), A Midsummer Night’s Dream, op. 64: Act III. "Come, your Bergomask" (Theseus), A Midsummer Night’s Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue), A Midsummer Night’s Dream, op. 64: Act III. "Have you sent to Bottom’s house?" (Rustics), A Midsummer Night’s Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics), A Midsummer Night’s Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall), A Midsummer Night’s Dream, op. 64: Act III. "My gentle Robin, see’st thou this sweet sight?" (Oberon, Puck, Tytania), A Midsummer Night’s Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania), A Midsummer Night’s Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia), A Midsummer Night’s Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus), A Midsummer Night’s Dream, op. 64: Act III. "O grim-look’d night, o night with hue so black" (Bottom/Pyramus), A Midsummer Night’s Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus), A Midsummer Night’s Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion), A Midsummer Night’s Dream, op. 64: Act III. "When my cue comes, call me" (Bottom), A Midsummer Night’s Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion)
Vernon Dudley Bohay-Nowell	balance	Roméo et Juliette, Op. 17: Part I, I. Introduction: Combats - Tumulte - Intervention du prince, Roméo et Juliette, Op. 17: Part I, I. Prologue: “D’anciennes haines endormies”, Roméo et Juliette, Op. 17: Part I, I. Récitatif et Scherzetto: “Bientôt de Roméo” - “Mab! La messagère” - “Bientôt la mort est souveraine”, Roméo et Juliette, Op. 17: Part I, I. Strophe I: “Premiers transports que nul n’oublie”, Roméo et Juliette, Op. 17: Part I, I. Strophe II: “Heureux enfants aux cœurs de flamme”, Roméo et Juliette, Op. 17: Part II, II. Grande fête chez Capulets, Roméo et Juliette, Op. 17: Part II, II. Roméo seul - Tristesse - Bruits lointains de concert et de bal, Roméo et Juliette, Op. 17: Part II, II. “Ohé! Capulets! bonsoir, bonsoir!”, Roméo et Juliette, Op. 17: Part II, III. Scène d’amour - Nuit serène - Le jardin de Capulet silencieux et désert - Les jeunes Capulets sortant de la fête en chantant des réminiscences de la musique du bal, Roméo et Juliette, Op. 17: Part II, IV. Scherzo: La reine Mab, ou la fée des songes, Roméo et Juliette, Op. 17: Part III, V. Convoi funèbre: “Jetez des fleurs pour la vierge expirée”, Roméo et Juliette, Op. 17: Part III, VI. Roméo au tombeau des Capulets. Invocation - Réveil de Juliette. Joie délirante, désespoir - Dernières angoisses et mort des deux amants, Roméo et Juliette, Op. 17: Part III, VII. Final: “Quoi! Roméo de retour! Roméo” - La foule accourt au cimetière - Des Capulets et des Montagus, Roméo et Juliette, Op. 17: Part III, VII. Récitatif et Air du Père Laurence: “Pauvres enfants que je pleure”, Roméo et Juliette, Op. 17: Part III, VII. Serment de réconciliation: “Jurez donc par l’auguste symbole”
Ludwig van Beethoven	producer	Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo, Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso, Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro, Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto, Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F, Op. 93: IV. Allegro vivace
Borislav Ivanov	balance, producer	Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta: Andante, Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Drakhian	balance, producer	Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro
Alfred Brendel	producer	Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto, Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo
Claudio Arrau	producer	La plus que lente, waltz for piano or orchestra, L. 121 (Valse), Valse romantique, L. 71

Ursula Singer

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