Michael Gielen

conductor, arranger

Top collaborators

Artist name Roles Recordings
ヤママチミキ
Thorgal
Ludwig van Beethoven
Arnold Schönberg
Alban Berg (composer)

Work on other artists' recordings

Artist name Roles Recordings
ヤママチミキ conductor Central Park in the Dark, Die Weihe des Hauses: Overtüre C-dur, Op. 124, Entre Act 3, Five Orchestral Songs after Tests from Postcards, op. 4: II., Five Orchestral Songs after Texts from Postcards, op. 4: I., Five Orchestral Songs after Texts from Postcards, op. 4: III., Five Orchestral Songs after Texts from Postcards, op. 4: IV., Five Orchestral Songs after Texts from Postcards, op. 4: V., Four Pieces for Orchestra, op. 12: 1. Preludio. Moderato, Four Pieces for Orchestra, op. 12: 2. Scherzo. Allegro, Four Pieces for Orchestra, op. 12: 3. Intermezzo. Moderato, Four Pieces for Orchestra, op. 12: 4. Marcia funebre. Maestoso, Music for Strings, Percussions and Celesta: 1. Andante tranquillo, Music for Strings, Percussions and Celesta: 2. Allegro, Music for Strings, Percussions and Celesta: 3. Adagio, Music for Strings, Percussions and Celesta: 4. Allegro molto, Ouvertüre zur Oper "Fidelio", op. 72b: Allegro, Sinfonie Nr. 2 D-Dur, op. 36: I. Adagio molto - Allegro con brio, Sinfonie Nr. 2 D-Dur, op. 36: II. Larghetto, Sinfonie Nr. 2 D-Dur, op. 36: III. Scherzo. Allegro, Sinfonie Nr. 2 D-Dur, op. 36: IV. Allegro molto, Sinfonie Nr. 8 F-Dur, op. 93: I. Allegro vivace e con brio, Sinfonie Nr. 8 F-Dur, op. 93: II. Allegretto scherzando, Sinfonie Nr. 8 F-Dur, op. 93: III. Tempo di menuetto, Sinfonie Nr. 8 F-Dur, op. 93: IV. Allegro vivace, Symphony No. 10 in F-sharp major: Adagio, Symphony No. 2 in C minor "Resurrection": Part One: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony No. 2 in C minor "Resurrection": Part Two: II. Andante moderato. Sehr gemächlich. Nie eilen, Symphony No. 2 in C minor "Resurrection": Part Two: III. In ruhig fließender Bewegung, Symphony No. 2 in C minor "Resurrection": Part Two: IV. "Urlicht". Sehr feierlich aber schlicht, Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso, Symphony No. 3 in D minor: Part One: I. Kräftig. Entschieden, Symphony No. 3 in D minor: Part Two: II. Tempo di Menuetto. Sehr mabig, Symphony No. 3 in D minor: Part Two: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: Part Two: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony No. 3 in D minor: Part Two: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in D minor: Part Two: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 4 in G major: I. Bedächtig, Nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, Symphony No. 4 in G major: IV. Sehr behaglich, Aus des Knaben Wunderhorn, Symphony No. 5 in C-sharp minor: Part One: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony No. 5 in C-sharp minor: Part One: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: Part Three: IV. Adagietto. Sehr langsam, Symphony No. 5 in C-sharp minor: Part Three: V. Rondo-Finale. Allegro – Allegro giocoso. Frisch, Symphony No. 5 in C-sharp minor: Part Two: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 6 in A minor "Tragic": I. Allegro energico, ma non troppo, Symphony No. 6 in A minor "Tragic": II. Scherzo, Symphony No. 6 in A minor "Tragic": III. Andante moderato, Symphony No. 6 in A minor "Tragic": IV. Finale. Allegro moderato — Allegro energico, Symphony No. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo, Symphony No. 7 in E minor: II. Nachtmusik I. Allegro moderato, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik II. Andante amoroso, Symphony No. 7 in E minor: V. Rondo - Finale. Tempo I (tempo ordinario) Tempo II (Allegro moderato ma energico), Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ia. Veni, Creator spiritus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ib. Imple superna gratia, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ic. Infirma nostri corporis, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Id. Accende lumen sensibus, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ie. Tu septiformis munere, Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: If. Gloria Patri Domino, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIa. Waldung, sie schwankt heran, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIb. Ewiger Wonnebrand, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIc. Wie Felsenagrund mir zu Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IId. Gerettet ist das edle Glied, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIe. Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIf. Hier ist die Aussicht frei, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIg. Dir, der unberührbaren, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIh. Bei der Liebe, die den Füßen, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIi. Neige, neige, du Ohnegleiche, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIj. Komm! Hebe dich zu höhern Sphären, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIk. Blicket auf zum Retterblick, Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIm. Alles Vergängliche ist nur ein Gleichnis, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers, Symphony No. 9 in D major: III. Rondo. Burleske, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 1 in D major: I. Langsam. Schleppend - Immer sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco Allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, The Unanswered Question, Three Pieces from the “Lyric Suite”: II. Andante amoroso, Three Pieces from the “Lyric Suite”: III. Allegro misterioso – Trio estatico, Three Pieces from the “Lyric Suite”: IV. Adagio appassionato
Thorgal conductor Malediction, S. 121, Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso tempo giusto, Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio, Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace, Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato, Piano Concerto no. 2 in A major, S. 125: Adagio sostenuto assai, Piano Concerto no. 2 in A major, S. 125: Allegro animato, Piano Concerto no. 2 in A major, S. 125: Allegro deciso, Piano Concerto no. 2 in A major, S. 125: Marziale un poco meno allegro, Piano Concerto no. 2 in A major, S. 125: Tempo del andante, Piano Concerto no. 2 in A major, S. 125: Un poco meno mosso, Totentanz, S. 126: Allegro animato, Totentanz, S. 126: Andante - Allegro - Allegro moderato, Totentanz, S. 126: Cadenza, Totentanz, S. 126: Variation I, Totentanz, S. 126: Variation II, Totentanz, S. 126: Variation III, Totentanz, S. 126: Variation IV, Totentanz, S. 126: Variation V, Totentanz, S. 126: Variation VI
Ludwig van Beethoven conductor Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Agnus Dei, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Credo, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Gloria, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Kyrie, Mass for soloists, chorus & orchestra in D major "Missa Solemnis", Op. 123: Sanctus, Missa Solemnis in D major, op. 123: I. Kyrie, Missa Solemnis in D major, op. 123: II. Gloria, Missa Solemnis in D major, op. 123: IV. Sanctus, Missa Solemnis in D major, op. 123: V. Agnus Dei, Piano Concerto no. 2 in B flat, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B flat, op. 19: II. Adagio, Piano Concerto no. 2 in B flat, op. 19: III. Rondo: Molto allegro, Violin Concerto in D major, op. 61: I. Allegro ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo Allegro
Arnold Schönberg conductor Concerto for Piano and Orchestra, op. 42: I. Andante, Fünf Orchesterstücke, op. 16: I. Vorgefühle, Fünf Orchesterstücke, op. 16: II. Vergangenes, Fünf Orchesterstücke, op. 16: III. Farben, Fünf Orchesterstücke, op. 16: IV. Peripetie, Fünf Orchesterstücke, op. 16: V. Das obligate Rezitativ, Kammersymphonie Nr. 1 in E-Dur, op. 9b, Kammersymphonie Nr. 2 in es-Moll, op. 38, I. Adagio, Kammersymphonie Nr. 2 in es-Moll, op. 38, II. Con fuoco, Konzert für Violoncello und Orchester D-Dur: I. Allegro moderato, Konzert für Violoncello und Orchester D-Dur: II. Andante. Alla marcia, Konzert für Violoncello und Orchester D-Dur: III. Tempo di Minuetto. Commodo, Moderner Psalm für Sprecher, Chor und Orchester, op. 50c, Variationen für Orchester, op. 31
Alban Berg conductor Lulu Suite: I. Rondo: Andante (Introduzione) - Hymne: Sostenuto, Lulu Suite: II. Ostinato: Allegro, Lulu Suite: III. Lied der Lulu: Comodo, Lulu Suite: IV. Variationen: Moderato (Grandioso - Grazioso - Funèbre - Affettuoso) - Thema: Subito tempo moderato, Lulu Suite: V. Adagio: Sostenuto - Lento - Grave, Lyrische Suite: I. Andante amoroso, Lyrische Suite: II. Allegro misterioso, Lyrische Suite: III. Adagio appassionato
Vaya Con Dios arranger Far Gone Now, Farewell Song, I Don’t Want to Know, Nah Neh Nah, Philadelphia, What’s a Woman?
Wilhem Latchoumia conductor Concerto for Violin and Orchestra no. 1: 1. Andante sostenuto, Concerto for Violin and Orchestra no. 1: 2. Allegro giocoso
Franz Schubert conductor Rosamunde, D.797
Marnik arranger What's a Woman?
Wolfgang Amadeus Mozart conductor Concerto pour cor KV 495 en mi bémol majeur : I. Allegro moderato