John Newton

engineer, recording, misc, producer, mix, editor, sound, balance

Top collaborators

Artist name Roles Recordings
Ludwig van Beethoven
Richard Wagner
Kronos Quartet
Бессмертные (Russian metal band)
George Frideric Handel (German‐British baroque composer)

Work on other artists' recordings

Artist name Roles Recordings
Ludwig van Beethoven engineer, producer Incidental Music for Goethe’s Egmont, op. 84: No. 1, Die Trommel geruhret, Incidental Music for Goethe’s Egmont, op. 84: No. 2, Entr'acte I (Andante), Incidental Music for Goethe’s Egmont, op. 84: No. 3, Entr'acte II (Larghetto), Incidental Music for Goethe’s Egmont, op. 84: No. 4, Freudvoll und leidvoll, Incidental Music for Goethe’s Egmont, op. 84: No. 5, Entr'acte III (Allegro), Incidental Music for Goethe’s Egmont, op. 84: No. 6, Entr'acte IV (Poco sostenuto e risoluto), Incidental Music for Goethe’s Egmont, op. 84: No. 7, Clärchen’s Death, Incidental Music for Goethe’s Egmont, op. 84: No. 8, Melodrama, Incidental Music for Goethe’s Egmont, op. 84: No. 9, Symphony of Victory, Incidental Music for Goethe’s Egmont, op. 84: Overture, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No, 8, Heil unserm König, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 1, Tochter des mächtigen Zeus, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 2, Ohne Verschulden, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 3, Chorus of Dervishes, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 4, Marcia alla turca, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 5, Music Behind the Scene (Assai allegro ma non troppo), Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 6, March & Schmückt die Altäre, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: No. 7, Wir tragen empfängliche Herzen, Incidental Music for Kotzebue’s Die Ruinen von Athen, op. 113: Overture, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: Allegro ma non troppo, un poco maestoso. (𝅘𝅥 = 88). Exposition (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: bar 132, Symphony no. 9 "Choral" in D minor, op. 124: First Movement: coda (bar 513), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: development (bar 160), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: first tutti (bar 17), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: fugato (bar 218), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: lead into recapitulation (bar 297), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: recapitulation (bar 301), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: second theme (bar 80), Symphony no. 9 "Choral" in D minor, op. 124: First Movement: transition theme (bar 74), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus (bar 543), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude schöner Götterfunken', Chorus and soloists (𝅗𝅥 = 80) (bar 237), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Freude' theme (𝅗𝅥 = 80) (bar 77), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Ihr stürzt nieder' Adagio ma non troppo. Chorus (𝅗𝅥 = 60) (bar 627), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: 'Seid umschlungen, Millionen' Andante maestoso. Chorus (𝅗𝅥 = 72), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Adagio cantabile (third movement) (𝅘𝅥 = 60) (bar 63), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro assai vivace, alla Marcia, Tenor and Chorus (𝅗𝅥 = 84) (bar 331), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non tanto (𝅗𝅥 = 120). Soloists and chorus (bar 763), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Allegro ma non troppo (first movement) (𝅘𝅥 = 88) (bar 30), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Double Fugue. Allegro energico. Chorus (𝅗𝅥 = 84) (bar 655), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Prestissimo (𝅗𝅥 = 132) (bar 851), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Presto, 'cry of terror'. Cello and bass recitative (𝅗𝅥 = 66) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Second 'cry of terror' and bass recitative (bar 208), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: Vivace (second movement) (𝅗𝅥 = 116) (bar 48), Symphony no. 9 "Choral" in D minor, op. 124: Fourth Movement: fugato section (bar 431), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Molto vivace (𝅗𝅥 = 116) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: Trio, Presto (𝅝 = 116) (bar 412), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: coda (bar 926), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: repeat of Scherzo, Molto vivace (𝅗𝅥 = 116) (bar 531), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: stringendo il tempo (bar 404), Symphony no. 9 "Choral" in D minor, op. 124: Second Movement: the extra timpani figure (starting 2 bars before) (bar 352), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio for winds (𝅘𝅥 = 60) (bar 83), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Adagio molto e cantabile (𝅘𝅥 = 60) (bar 1), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 25), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Andante moderato (𝅘𝅥 = 63) (bar 65), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Lo stesso tempo 12/8 (𝅘𝅥 = 60) (bar 99), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: Tempo I (bar 43), Symphony no. 9 "Choral" in D minor, op. 124: Third Movement: The new note (starting one bar before) (bar 53)
Richard Wagner recording Ach! Ach! Tiefe Nacht!, Amfortas! Die Wunde! Die Wunde!, Die Zeit ist da. Schon lockt mein Zauberschloss den Toren., Dies alles hab' ich nun getraeumt?, Du siehst, das ist nicht so., Enthuellet den Gral!, Geleiten wir im bergenden Schrein., Grausamer! Fuehlst du im Herzen nur and'rer Schmerzen., He! Ho! Waldhueter ihr!, Heil dir, mein Gast!, Heil mir, dass ich dich wiederfinde!, Hier war das Tosen! Hier, hier!, Hoechsten heiles Wunder!, Ich sah das Kind an seiner Mutter Brust, Komm'! Komm'! Holder Knabe!, Mein Sohn, Amfortas, bist du am Amt?, Mittag. Die Stund' ist da., Nicht Dankt! Ha, ha! Was wird es helfen?, Nicht so! Die heil'ge Quelle selbst erquicke unsres Pilgers Bad., Nun achte wohl, und lass mich seh'n., Nun sag': nichts weisst du, was ich dich frage., Nur eine Waffe taugt, O wunden-wundervoller heiliger Speer!, Parsifal! Weile!, Recht so! Habt Dank! Ein wenig Rast., Titurel, der fromme Held, der kannt' ihn wohl., Vergeh, unseliges Weib!, Verwandlungsmusik (Transformation Music), Vom Bade kehrt der Koenig heim., Von dorther kam das Stoehen., Weh'! Weh'! Hoho! Auf! Wer ist der Frevler?, Wehe! Wehe! Was tat ich? Wo war ich?, Wein und Brot des letzten Mahles
Kronos Quartet engineer A Door Is Ajar, Adagio, Anthem of the Great Spirit: I. The Summons, Anthem of the Great Spirit: II. Peace Dance, Anthem of the Great Spirit: III. Fanfare in the Minimal Kingdom, Anthem of the Great Spirit: IV. Ceremonial Night Race, Anthem of the Great Spirit: V. At the Ancient Aztec Corn Races Salome meets Wild Talker, Anthem of the Great Spirit: VI. More Ceremonial Races, Anthem of the Great Spirit: VII. Oldtimes at the Races, Anthem of the Great Spirit: VIII. Half Wolf Dances Mad in Moonlight, Bella by Barlight, Conquest of the War Demons: I. Way of the Warrior, Conquest of the War Demons: II. Salome and Half Wolf Descend Through the Gates to the Underworld, Conquest of the War Demons: III. Breakthrough to the Realm of the War Demons, Conquest of the War Demons: IV. Combat Dance, Conquest of the War Demons: V. Victory: Salome Re-Enacts for Half Wolf Her Deeds of Valor, Conquest of the War Demons: VI. Discovery of Peace, Conquest of the War Demons: VII. The Underworld Arising, Four for Tango, Fratres, Good Medicine: I. Good Medicine Dance, Half Wolf Dances Mad in Moonlight, Quartet No. 3: Andante - Agitato - Pesante, Six Bagatelles: Mäßig / Leicht bewegt / Ziemlich fließend / Sehr langsam / Äußerst langsam / Fließend, The Ecstacy: I. Processional, The Ecstacy: II. Seduction of the Bear Father, The Ecstacy: III. The Gathering, The Ecstacy: IV. At the Summit, The Ecstacy: V. Recessional, The Gift: I. Echoes of Primordial Time, The Gift: II. Mongolian Winds, Winter Was Hard
Бессмертные engineer The Mikado: Act I. “A wandering minstrel I”, The Mikado: Act I. “And have I journeyed for a month”, The Mikado: Act I. “As some day it may happen”, The Mikado: Act I. “Behold the Lord High Executioner!”, The Mikado: Act I. “Comes a train of little ladies”, The Mikado: Act I. “I am so proud”, The Mikado: Act I. “If you want to know who we are”, The Mikado: Act I. “Our great Mikado, virtuous man”, The Mikado: Act I. “So please you, sir, we much regret”, The Mikado: Act I. “Three little maids from school are we”, The Mikado: Act I. “Were you not to Ko-Ko plighted”, The Mikado: Act I. “Young man, despair, likewise go to”, The Mikado: Act II. “A more humane Mikado never did in Japan exist”, The Mikado: Act II. “Alone, and yet alive”, The Mikado: Act II. “Braid the raven hair”, The Mikado: Act II. “Brightly dawns our wedding day”, The Mikado: Act II. “For he’s gone and married Yum-Yum”, The Mikado: Act II. “Here’s a how-de-do! If I marry you”, The Mikado: Act II. “Miya sama, miya sama”, The Mikado: Act II. “On a tree by a river, a little tom-tit sang, ‘Willow, tit-willow’”, The Mikado: Act II. “See how the Fates their gifts allot”, The Mikado: Act II. “The criminal cried as he dropped him down”, The Mikado: Act II. “The flowers that bloom in the spring”, The Mikado: Act II. “The sun, whose rays are all ablaze”, The Mikado: Act II. “There is beauty in the bellow of the blast”, The Mikado: Act II. “With aspect stern and gloomy stride”
George Frideric Handel misc All they that see him - Tenor Recitative, And with his stripes we are healed - Chorus, Behold, and see if there be any sorrow - Tenor Arioso, But thou didst not leave his soul in Hell - Tenor Air, He trusted in God - Chorus, He was cut off out of the land of the living - Tenor Recitative, How beautiful are the feet - Soprano Air, If God be for us - Soprano Air, Let all the angels of God worship him - Chorus, Part One, Air: But who may abide, Part One, Air: He shall feed His flock like a shepherd, Part One, Air: The people that walked in darkness, Part One, Chor: Glory to the God, Part One, Recitative: And suddenly there was with the angel, Part One, Recitative: And the angel said unto them, Part One, Recitative: For behold, darkness shall cover the earth, Part One, Recitative: Then shall the eyes of the blind, Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them, Part One, Recitative: Thus saith the Lord, Part Two, Air: He was despised, Part Two, Chor: Behold the lamb of God, Surely he hath borne our griefs (chorus), Thou art gone up on high - Alto Air, Thy rebuke hath broken his heart - Tenor Recitative, Unto which of the angels - Tenor Recitative
Roger Hand engineer Symphony no. 1 in D major: I. Langsam, Schleppend - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 10 in F-sharp minor (unfinished): I. Andante - Adagio, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Das himmlische Leben. Sehr behaglich, Symphony no. 9 in D major: I. Andante comodo -, Symphony no. 9 in D major: II. Imp Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb -, Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig -, Symphony no. 9 in D major: IV. Adagio Sehr langsam und noch zurückhaltend, Symphony no. 9 in D major: Ländler, ganz langsam, Symphony no. 9 in D major: Mit Wut. Allegro risoluto -, Symphony no. 9 in D major: Poco più mosso subito -, Symphony no. 9 in D major: Presto, Symphony no. 9 in D major: Tempo I
Jessye Norman editor Afterthoughts, Between Yesterday and Tomorrow, Celui-là, Dans le même instant, Dans ses yeux, Dis-moi, I Was Born in Love With You, Je vivrai sans toi, L'Été 42, La Valse des Lilas, Les Enfants qui pleurent, Les Moulins de mon cœur, Les Parapluies de Cherbourg, The Moon and I, The Summer Knows, What Are You Doing the Rest of Your Life, You Must Believe In Spring
Guarneri Quartet recording Grosse Fuge in B flat, Op133: Overtura (Allegro) - Meno mosso e moderato - Allegro - Fuga, String Quartet No. 13 in B flat, Op. 130: 1. Adagio ma non troppo - Allegro, String Quartet No. 13 in B flat, Op. 130: 2. Presto, String Quartet No. 13 in B flat, Op. 130: 3. Andante con moto ma non troppo. Poco scherzando, String Quartet No. 13 in B flat, Op. 130: 4. Alla danza tedesca (Allegro assai), String Quartet No. 13 in B flat, Op. 130: 5. Cavatina (Adagio molto espressivo), String Quartet No. 13 in B flat, Op. 130: 6. Finale (Allegro), String Quartet in D minor, op. 56 "Voces intimae" I. Andante - Allegro molto moderato, String Quartet in D minor, op. 56 "Voces intimae" II. Vivace, String Quartet in D minor, op. 56 "Voces intimae" III. Adagio di molto, String Quartet in D minor, op. 56 "Voces intimae" IV. Allegretto ma pesante, String Quartet in D minor, op. 56 "Voces intimae" V. Allegro, String Quartet in G minor, op. 27: I. Un poco andante - Allegro molto ed agitato), String Quartet in G minor, op. 27: II. Romanza. Andantino - Allegro agitato, String Quartet in G minor, op. 27: III. Intermezzo. Allegro molto marcato - Piu vivo e scherzando, String Quartet in G minor, op. 27: IV. Finale. Lento - Presto al salterello
Alfonse misc All-Night Vigil, op. 37, "Vespers": 1. Come, Let Us Worship, All-Night Vigil, op. 37, "Vespers": 10. Having Seen The Resurrection Of The Lord, All-Night Vigil, op. 37, "Vespers": 11. My Soul Magnifies The Lord, All-Night Vigil, op. 37, "Vespers": 12. Glory To God In The Highest, All-Night Vigil, op. 37, "Vespers": 13. Troparia Of The Day Of Salvation, All-Night Vigil, op. 37, "Vespers": 14. Christ Is Risen From The Grave Troparia Of The Resurrection, All-Night Vigil, op. 37, "Vespers": 15. Thanksgiving To The Mother Of God, All-Night Vigil, op. 37, "Vespers": 2. Bless The Lord, O My Soul, All-Night Vigil, op. 37, "Vespers": 3. Blessed Be The Man, All-Night Vigil, op. 37, "Vespers": 4. O Serene Light, All-Night Vigil, op. 37, "Vespers": 6. Rejoice, O Virgin, All-Night Vigil, op. 37, "Vespers": 7. Glory To God In The Highest, All-Night Vigil, op. 37, "Vespers": 8. Praise The Name Of The Lord, All-Night Vigil, op. 37, "Vespers": 9. Blessed Art Thou, O Lord
Deadcollision misc All We Like Sheep (chorus), And He Shall Purify (chorus), And the Glory of the Lord (chorus), But Thanks Be to God (chorus), Hallelujah (chorus), Let Us Break Their Bounds Asunder (chorus), Lift Up Your Heads (chorus), Part One, Chor: For unto us a Child is born, Part One, Chor: His yoke is easy, Since by Man Came Death (chorus), Sinfonia, The Lord Gave the Word (chorus), Their Sound Is Gone Out (chorus), Worthy Is the Lamb... Amen (chorus)
D'va misc Concerto in D major: I. Allegro, Concerto in D major: II. Adagio, Concerto in D major: II. Andante, Concerto in D major: III. Allegro, Concerto in D major: III. Allegro grazioso, Concerto in E-flat major: I. Allegro, Concerto in E-flat major: I. Allegro con spirito, Concerto in E-flat major: I. Andante, Concerto in E-flat major: II. Allegro, Concerto in E-flat major: II. Andante, Concerto in E-flat major: II. Andante cantabile, Concerto in E-flat major: III. Rondo
Hildegard von Bingen sound Ordo Virtutum: Finale. In principio, Ordo Virtutum: Prologue. Qui sunt hi, qui ut nubes?, Ordo Virtutum: Scene 1. O dulcis divinitas, Ordo Virtutum: Scene 1. O gravis labor, Ordo Virtutum: Scene 1. O nos peregrine sumus, Ordo Virtutum: Scene 2. Ego Humilitas, Ordo Virtutum: Scene 3. Heu! Heu! nos virtutes plangamus, Ordo Virtutum: Scene 3. Que es, aut unde venis?, Symphonia armonie celestium revelationem: O felix anima, Symphonia armonie celestium revelationem: O quam magnum miraculum, Symphonia armonie celestium revelationem: O quam mirabilis
Sequentia engineer Baldrs minni (In Memory of Baldr), Hlióðs bið ek allar (Prophecy of the Seeress 1), Leikr elds ok ísa (The song of Fire and Ice), Núerum komnar til konungs húsa (The Song of the Mill), Ragnarok (The End of the Gods), Senn vóru æsir allir á þingi (Baldr's Dreams), Veit ek at ek hekk (Sayings of the High One), Vreiðr var þa Ving-Þórr (The Tale of Thrymr), Á fellr austan um eitrdala (Prophecy of the Seeress 3), Þat man hón fólkvíg (Prophecy of the Seeress 2)
J Mage recording "Moscow" Cantata: I. Introduction and Chorus, "Moscow" Cantata: II. Arioso, "Moscow" Cantata: III. Chorus, "Moscow" Cantata: IV. Monologue and Chorus, "Moscow" Cantata: V. Arioso, "Moscow" Cantata: VI. Finale, 1812 Festival Overture, op. 49, Festival Coronation March, Slavonic March "Marche Slave", op. 31
Die System recording Ja! Wehe! Wehe! Weh' ueber mich!, Prelude, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro, Symphony no. 3 in E flat major, op. 20 "The First of May": I. Allegretto, Symphony no. 3 in E flat major, op. 20 "The First of May": II. Allegro, Vorspiel
Joe Queer engineer, recording 7 Variations in E-flat minor, Sonata for Cello & Piano in C major, op. 65: I. Dialogo: Allegro, Sonata for Cello & Piano in C major, op. 65: II. Scherzo pizzicato: Allegretto, Sonata for Cello & Piano in C major, op. 65: III. Elegia: Lento, Sonata for Cello & Piano in C major, op. 65: IV. Marcia: Energico, Sonata for Cello & Piano in C major, op. 65: V. Moto perpetuo: Presto, Sonata for Cello & Piano in F major, op. 6: I. Allegro con brio, Sonata for Cello & Piano in F major, op. 6: II. Andante ma non troppo, Sonata for Cello & Piano in F major, op. 6: III. Finale: Allegro vivo
Nina Siff recording Sonatensatz (Scherzo) in C minor, Violin Sonata No. 2 in A major, Op. 100: I. Allegro amabile, Violin Sonata No. 2 in A major, Op. 100: II. Andante tranquillo - Vivace, Violin Sonata No. 2 in A major, Op. 100: III. Allegretto grazioso (quasi andante), Violin Sonata in A major: I. Allegretto ben moderato, Violin Sonata in A major: II. Allegro, Violin Sonata in A major: III. Recitative - Fantasia. Ben moderato, Violin Sonata in A major: IV. Allegretto poco mosso
Steve Reich editor, mix The Desert Music: I. Fast, The Desert Music: II. Moderate, The Desert Music: III. Part One: Slow, The Desert Music: III. Part Three: Slow, The Desert Music: III. Part Two: Moderate, The Desert Music: IV. Moderate, The Desert Music: V. Fast
Julius Hemphill engineer At Harmony, Bordertown, C/Saw, Drunk on God, For Billie, Leora
Ireneusz Seredyński recording Havanaise, Introduction and Rondo capriccioso, Meditation from 'Thais', Violin Concerto in E minor: I. Allegro molto appassionato, Violin Concerto in E minor: II. Andante, Violin Concerto in E minor: III. Allegretto non troppo - Allegro molto vivace
Fabio Frittelli engineer Symphony no. 5, op. 64: I. Andante; Allegro con anima, Symphony no. 5, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5, op. 64: III. Valse: Allegro moderato, Symphony no. 5, op. 64: IV. Finale: Andante maestoso; Allegro vivace, Voyevode, op. 78
Acesso Violento sound Sheherazade, op. 35: I. The Sea and Sinbad’s Ship -, Sheherazade, op. 35: II. The Kalender Prince -, Sheherazade, op. 35: III. The Young Prince and the Young Princes, Sheherazade, op. 35: IV. Festival at Baghdad – The Sea – The Shipwrec
Gustav Mahler engineer Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich, Symphony no. 1 "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 "Titan": IV. Stürmisch bewegt
Antonín Dvořák engineer Symphony no. 8 in E-minor, op. 88: I. Allegro con brio, Symphony no. 8 in E-minor, op. 88: II. Adagio, Symphony no. 8 in E-minor, op. 88: III. Allegretto grazioso, Symphony no. 8 in E-minor, op. 88: IV. Allegro ma non troppo
Elizabeth Gaver sound Anima Processional, Instrumental Dance, Instrumental Lament, Processional of Embodied Souls
Kazuki Takemura recording Death and Transfiguration, op. 24, Don Juan, op. 20, Till Eulenspiegel's Merry Pranks, op. 28
Dissolve engineer Piano Trio in F major: I. Allegro maestoso, Piano Trio in F major: II. Adagio non troppo, sempre cantabile, Piano Trio in F major: III. Rondo: Allegro con fuoco
田中温之 engineer Harmonielehre: Part I, Harmonielehre: Part II. The Anfortas Wound, Harmonielehre: Part III. Meister Eckhardt and Quackie
Phil Orlando engineer Stabat Mater, op. 58: I. Stabat mater dolorosa, Stabat Mater, op. 58: X. Quando corpus morietur
Leoš Janáček engineer Symphonic Suite From Jenůfa
Fly engineer Stabat Mater, op. 58: VI. Fac me vere tecum flere
Dick Alderson engineer Stabat Mater, op. 58: IV. Fac, ut ardeat cor meam
Wojciech Fudala misc All-Night Vigil, op. 37, "Vespers": 5. Now Let Thy Servant Depart
Bodmin Town Band misc Rejoice Greatly, o Daughter of Zion (soprano air)