Christopher Parker

balance, engineer, sound, audio

Top collaborators

Artist name Roles Recordings
Timmy Gibson (Irish producer)
Giuseppe Verdi (Italian opera composer)
Last Breath For An Addict
Itzhak Perlman
Manuel de Falla (Spanish composer)

Work on other artists' recordings

Artist name Roles Recordings
Timmy Gibson audio, balance, engineer, sound 1812 Overture, op. 49, Adagio for Strings, Aleko: Intermezzo, An American in Paris, Coronation March 1953 "Orb and Sceptre", Emperor Waltz, op. 437, Hansel and Gretel: Overture, Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé, Lieutenant Kijé Suite, op. 60: II. Romance, Lieutenant Kijé Suite, op. 60: III. Wedding of Kijé, Lieutenant Kijé Suite, op. 60: IV. Troika, Lieutenant Kijé Suite, op. 60: V. Burial of Kijé, Marche Slave, op. 31, Piano Concerto in F major: I. Allegro, Piano Concerto in F major: II. Adagio - Andante con moto (trumpet: Howard Snell), Piano Concerto in F major: III. Allegro agitato, Rhapsody in Blue, Romeo & Juliet, Fantasy Overture, Russlan and Ludmilla: Overture, Slavonic Dance no. 9, op. 72 no. 1, Sleeping Beauty, op. 66: Act I "The Spell": No. 5. Scene (Allegro vivo - Moderato), Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse), Sleeping Beauty, op. 66: Act I "The Spell": No. 7. Scene (Andante), Sleeping Beauty, op. 66: Act I "The Spell": No. 9. Finale, Sleeping Beauty, op. 66: Act II "The Vision": No. 10. Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo), Sleeping Beauty, op. 66: Act II "The Vision": No. 11. Blind Man's Buff (Allegro vivo), Sleeping Beauty, op. 66: Act II "The Vision": No. 14. Scene: Prince Florimund and the Lilac Fairy, Sleeping Beauty, op. 66: Act II "The Vision": No. 16. Scene (Allegro agitato), Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino), Sleeping Beauty, op. 66: Act II "The Vision": No. 18. Entr'acte, Sleeping Beauty, op. 66: Act II "The Vision": No. 19. Symphonic Entr'acte (The Sleep) and Scene (Andante misterioso), Sleeping Beauty, op. 66: Act II "The Vision": No. 20. Finale: The Awakening (Allegro agitato), Sleeping Beauty, op. 66: Act III "The Wedding": No. 21. March (Allegro non troppo), Sleeping Beauty, op. 66: Act III "The Wedding": No. 22. Polonaise: Procession of Fairy-Tale Characters (Allegro moderato e brillante), Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro Moderato), Sleeping Beauty, op. 66: Introduction (Allegro vivo - Andantino), Sleeping Beauty, op. 66: Prologue "The Christening": No. 1. March (Moderato), Sleeping Beauty, op. 66: Prologue "The Christening": No. 2. Dance Scene (Moderato con moto), Sleeping Beauty, op. 66: Prologue "The Christening": No. 4. Finale, Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Aurora's Variation, Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Coda (Allegro giusto), Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Dance of the Maids of Honour and the Pages, Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Code (L'istesso tempo), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Introduction (Allegro non tanto), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation I. The Golden Fairy (Allegro: Tempo di valse), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation II. The Silver Fairy (Allegro giusto), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation III. The Sapphire Fairy (Vivacissimo), Sleeping Beauty: Act Three "The Wedding": No. 23. Pas de quatre: Variation IV. The Diamond Fairy (Vivace), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Coda (Presto), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Introduction (Adagio), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation I. Cinderella and Prince Charming (Allegro: Tempo di valse), Sleeping Beauty: Act Three "The Wedding": No. 25. Pas de quatre: Variation II. The Bluebird and Princess Florine (Andantino), Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Cinderella and Prince Charming (Allegro agitato - Tempo di valse - Vivace assai), Sleeping Beauty: Act Three "The Wedding": No. 26. Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato), Sleeping Beauty: Act Three "The Wedding": No. 27. Pas Berrichon, Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Adagio (Andante non troppo), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Coda (Allegro vivace), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Entrée (Allegretto - Allegro moderato), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation I. Florimund (Vivace - Prestissimo), Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Variation II. Aurora (Andantino), Sleeping Beauty: Act Three "The Wedding": No. 29. Sarabande, Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Apotheosis (Andante molto maestoso), Sleeping Beauty: Act Three "The Wedding": No. 30. Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) -, Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dance of the Baronesses (Gavotte), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo), Sleeping Beauty: Act Two "The Vision": No. 12. Scene: Dances of the Courtiers: Scene, Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Dance (Allegro non troppo), Sleeping Beauty: Act Two "The Vision": No. 13. Farandole: Scene (Poco più vivo), Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora and Florimund (Andante cantabile), Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Aurora's Variation (Allegro con moto), Sleeping Beauty: Act Two "The Vision": No. 15. Pas d'action: Coda (Presto), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Adagio, Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Coda (Allegro giusto), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Introduction, Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation I. The Fair of the Crystal Fountain (Allegro moderato), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation II. the Fairy of the Enchanted Garden (Allegro), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation III. The Fairy of the Woodland Glades (Allegro moderato), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation IV. The Fairy of the Songbirds (Moderato), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation V. The Fairy of the Golden Vine (Allegro molto vivace), Sleeping Beauty: Prologue "The Christening": No. 3. Pas de six: Variation VI. The Lilac Fairy (Tempo di valse), Swan Lake, op. 20: Act I. No. 9. Finale, Swan Lake, op. 20: Act II, no. 10. Scene (Moderato), Swan Lake, op. 20: Act II, no. 12. Scene (Allegro), Swan Lake, op. 20: Act II, no. 14. Scene (Moderato), Swan Lake, op. 20: Act III, no. 18. Scene (Allegro - Allegro giusto), Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace), Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero), Swan Lake, op. 20: Act III, no. 22. Neopolitan Dance (Allegro moderato - Andantino quasi moderato), Swan Lake, op. 20: Act III, no. 23. Mazurka, Swan Lake, op. 20: Act III, no. 24. Scene (Allegro - Valse - Allegro vivo), Swan Lake, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) [additional number], Swan Lake, op. 20: Act IV, no. 28. Scene (Allegro agitato - Allegro vivace), Swan Lake, op. 20: Act IV, no. 29. Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso), Swan Lake: Act Four. No. 25. Entr'acte (Moderato), Swan Lake: Act Four. No. 26. Scene (Allegro non troppo), Swan Lake: Act Four. No. 27. Dance of the Little Swans (Moderato), Swan Lake: Act One. Introduction, Swan Lake: Act One. No. 1. Scene (Allegro giusto), Swan Lake: Act One. No. 2. Waltz (Tempo di valse), Swan Lake: Act One. No. 3. Scene (Allegro moderato), Swan Lake: Act One. No. 4. Pas de trois: I. Intrada (Allegro), Swan Lake: Act One. No. 4. Pas de trois: II. Andante sostenuto, Swan Lake: Act One. No. 4. Pas de trois: III. Allegro semplice - Presto, Swan Lake: Act One. No. 4. Pas de trois: IV. Moderato, Swan Lake: Act One. No. 4. Pas de trois: V. Allegro, Swan Lake: Act One. No. 4. Pas de trois: VI. Coda (Allegro vivace), Swan Lake: Act One. No. 5. Pas de deux: I. Tempo di valse, Swan Lake: Act One. No. 5. Pas de deux: II. Andante - Allegro - Molto più mosso, Swan Lake: Act One. No. 5. Pas de deux: III. Tempo di valse, Swan Lake: Act One. No. 5. Pas de deux: IV. Coda (Allegro molto vivace), Swan Lake: Act One. No. 6. Pas d'action (Andantino quasi moderato - Allegro), Swan Lake: Act One. No. 7. Subject, Swan Lake: Act One. No. 8. Dance with Goblets (Tempo di polacca), Swan Lake: Act Three. No. 15. Scene (Allegro giusto), Swan Lake: Act Three. No. 16. Danse of the Guests and the Dwarfs (Moderato assai - Allegro vivo), Swan Lake: Act Three. No. 17. Scene. Entrance and Waltz of the Special Guests (Allegro - Tempo di valse), Swan Lake: Act Three. No. 19. Pas de six: Coda (Allegro molto), Swan Lake: Act Three. No. 19. Pas de six: Intrada, Swan Lake: Act Three. No. 19. Pas de six: Variation I (Allegro), Swan Lake: Act Three. No. 19. Pas de six: Variation II (Andante con moto), Swan Lake: Act Three. No. 19. Pas de six: Variation III (Moderato), Swan Lake: Act Three. No. 19. Pas de six: Variation IV (Allegro), Swan Lake: Act Three. No. 19. Pas de six: Variation V (Moderato - Allegro semplice), Swan Lake: Act Three. Pas de deux [additional number]: Coda (Allegro molto vivace), Swan Lake: Act Three. Pas de deux [additional number]: Introduction (Moderato - Andante), Swan Lake: Act Three. Pas de deux [additional number]: Variation I (Allegro moderato), Swan Lake: Act Three. Pas de deux [additional number]: Variation II (Allegro), Swan Lake: Act Two. No. 11. Scene (Allegro moderato - Allegro vivo), Swan Lake: Act Two. No. 13. Dances of the Swans: I. Tempo di valse, Swan Lake: Act Two. No. 13. Dances of the Swans: II. Moderato assai - Molto più mosso, Swan Lake: Act Two. No. 13. Dances of the Swans: III. Tempo di valse, Swan Lake: Act Two. No. 13. Dances of the Swans: IV. Dance of the Little Swans (Allegro moderato), Swan Lake: Act Two. No. 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro, Swan Lake: Act Two. No. 13. Dances of the Swans: VI. Tempo di valse, Swan Lake: Act Two. No. 13. Dances of the Swans: VII. Coda (Allegro vivace), Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, The Nutcracker, op. 71: Act I, Scene I. Arrival of Dosselmeyer, The Nutcracker, op. 71: Act I, Scene I. Children's Galop and Entry of the Parents, The Nutcracker, op. 71: Act I, Scene I. Clara and the Nutcracker, The Nutcracker, op. 71: Act I, Scene I. Grandfather Dance, The Nutcracker, op. 71: Act I, Scene I. The Decoration of the Christmas Tree, The Nutcracker, op. 71: Act I, Scene I: March, The Nutcracker, op. 71: Act I, Scene II. Battle, The Nutcracker, op. 71: Act I, Scene II. In the Pine Forest, The Nutcracker, op. 71: Act I, Scene II. Waltz of the Snowflakes, The Nutcracker, op. 71: Act II, Scene III. Divertissement: Dance of the reed pipes, The Nutcracker, op. 71: Overture, The Nutcracker: Act II. Scene II: The Kingdom of Sweets, The Nutcracker: Act II: Scene III: Clara and the Prince, The Nutcracker: Act II: Scene III: Divertissement A: Chocolate (Spanish dance), The Nutcracker: Act II: Scene III: Divertissement B: Coffee (Arab dance), The Nutcracker: Act II: Scene III: Divertissement C: Tea (Chinese dance), The Nutcracker: Act II: Scene III: Divertissement D: Trepak (Russian dance), The Nutcracker: Act II: Scene III: Divertissement F: Mother Gigogne, The Nutcracker: Act II: Scene III: Final Waltz and Apotheosis, The Nutcracker: Act II: Scene III: Pas de Deux, The Nutcracker: Act II: Scene III: Pas de Deux: Variation I: Tarantella, The Nutcracker: Act II: Scene III: Pas de Deux: Variation II: Dance of the Sugar-Plum Fairy, The Nutcracker: Act II: Scene III: Waltz of the Flowers, The Sorcerer's Apprentice, Three Dances from "The Three-cornered Hat", Vocalise, op. 34 no. 14
Giuseppe Verdi balance Don Carlo: Atto IV. Introduzione e scena: “Ella giammai m’amó… Il Grand’ Inquisitore!”, Don Carlo: Atto IV. Morte di Rodrigo: “Per me giunto è il di supremo… O Carlo, ascolta”, Don Carlo: Atto IV. Quarteto: “Ah! Sii maledetto, sospetto fatale”, Don Carlo: Atto Primo. Coro, scena e finale primo: “Il glorioso Re di Francia”, Don Carlo: Atto Primo. Coro, scena e finale primo: “Inni di festa lieta echeggiate”, Don Carlo: Atto Primo. Introduzione - Coro di cacciatori: “Su, cacciator! Pronti la bleva…”, Don Carlo: Atto Primo. Scena e duetto: “Al fedel ch’ora viene, o signora”, Don Carlo: Atto Primo. Scena e duetto: “Al mio pie’ perché?”, Don Carlo: Atto Primo. Scena e duetto: “Di qual amor, di quanto ardor”, Don Carlo: Atto Primo. Scena e duetto: “L’ora fatale è suonata!”, Don Carlo: Atto Primo. Scena e romanza: “Fontainebleau! Foresta immensa e solitaria”, Don Carlo: Atto Primo. Scena: “Il suon del como alfin nel bosco tace”, Don Carlo: Atto Quarto, Prima Scena. Aria: “O don fatale, o don crudel”, Don Carlo: Atto Quarto, Prima Scena. Introduzione e Scena: “Ella giammai m'amò!”, Don Carlo: Atto Quarto, Prima Scena. Scena e quartetto: “Ah! sii maledetto, sospetto fatale”, Don Carlo: Atto Quarto, Prima Scena. Scena e quartetto: “Ardita troppo voi favellate!”, Don Carlo: Atto Quarto, Prima Scena. Scena e quartetto: “Giustizia, giustizia, Sire!”, Don Carlo: Atto Quarto, Prima Scena. Scena: “Il Grand’ Inquisitor!”, Don Carlo: Atto Quarto, Prima Scena. Scena: “Pietà! Pietà! Perdon!”, Don Carlo: Atto Quarto, Seconda Scena. Morte di Rodrigo e Sommossa: “Mio Carlo, a te la spada io rendo.”, Don Carlo: Atto Quarto, Seconda Scena. Morte di Rodrigo e Sommossa: “Per me giunto è il dì supremo” … “O Carlo ascolta, la madre…”, Don Carlo: Atto Quarto, Seconda Scena. Morte di Rodrigo e Sommossa: “Son io, mio Carlo.”, Don Carlo: Atto Quarto, Seconda Scena. Morte di Rodrigo e Sommossa: “lo morrò ma lieto in core”, Don Carlo: Atto Quinto. Scena e duetto d’addio e scena finale: “Ma lassù ci vedremo”, Don Carlo: Atto Quinto. Scena e duetto d’addio e scena finale: “È dessa!” … “Un detto, un sol”, Don Carlo: Atto Quinto. Scena ed aria: “Tu che le vanità…”, Don Carlo: Atto Secondo, Prima Scena. Coro ed aria: “Carlo il sommo Imperatore”, Don Carlo: Atto Secondo, Prima Scena. Scena e duetto: “Ascolta! Le porte dell’asil s’apron già”, Don Carlo: Atto Secondo, Prima Scena. Scena e duetto: “Dio, che nell’alma infondere amor…”, Don Carlo: Atto Secondo, Prima Scena. Scena e duetto: “È lui! Desso! L’Infante!”, Don Carlo: Atto Secondo, Prima Scena. Scena: “Al chiostro di San Giusto”, Don Carlo: Atto Secondo, Seconda Scena. Canzone del velo: “Nei giardin del bello…”, Don Carlo: Atto Secondo, Seconda Scena. Coro e scena: “Sotto ai folti, immensi abeti”, Don Carlo: Atto Secondo, Seconda Scena. Coro e scena: “Tra queste mura pie la Regina…”, Don Carlo: Atto Secondo, Seconda Scena. Gran scena e duetto: “lo vengo a domandar”, Don Carlo: Atto Secondo, Seconda Scena. Romanza: “Non pianger, mia companga”, Don Carlo: Atto Secondo, Seconda Scena. Romanze di Rodrigo: “Carlo ch’è sol il nostro amore”, Don Carlo: Atto Secondo, Seconda Scena. Romanze di Rodrigo: “Che mai si fa nel suol francese”, Don Carlo: Atto Secondo, Seconda Scena. Romanze di Rodrigo: “La Regina!” … “Un’arcana mestizia…”, Don Carlo: Atto Secondo, Seconda Scena. Scena e Duetto: “O Signor, di Fiandra arrivo”, Don Carlo: Atto Secondo, Seconda Scena. Scena e Duetto: “Osò lo sguardo tuo penetrar il mio soglio”, Don Carlo: Atto Secondo, Seconda Scena. Scena e Duetto: “Quest’è la pace che voi date al mondo?”, Don Carlo: Atto Secondo, Seconda Scena. Scena e Duetto: “Restate! Al mio regal cospetto”, Don Carlo: Atto Secondo, Seconda Scena. “Il Re!”…“Perché sola è la Regina?”, Don Carlo: Atto Secondo, Seconda Scena. “Oh! Carlo! oh! Carlo!”, Don Carlo: Atto Terzo, Prima Scena. Preludio (Orchestra), Don Carlo: Atto Terzo, Prima Scena. Scena, duetto e terzetto: “A mezzanotte, ai giardin della Regina”, Don Carlo: Atto Terzo, Prima Scena. Scena, duetto e terzetto: “Ed io, che tramava al suo aspetto!”, Don Carlo: Atto Terzo, Seconda Scena. Gran finale: Il corteggio reale, Don Carlo: Atto Terzo, Seconda Scena. Gran finale: “Nel posar sul mio capo la corona”, Don Carlo: Atto Terzo, Seconda Scena. Gran finale: “O ciel! Tu! Rodrigo!”, Don Carlo: Atto Terzo, Seconda Scena. Gran finale: “Schiusa or sia la porta del tempio”, Don Carlo: Atto Terzo, Seconda Scena. Gran finale: “Sire! egli è tempo ch’io viva!”, Don Carlo: Atto Terzo, Seconda Scena. Gran finale: “Spuntato ecco il dì d’esultanza”
Last Breath For An Addict balance, engineer Der Rosenkavalier, Op. 59: Aufzug I. Einleitung, Der Rosenkavalier, Op. 59: Aufzug II. Einleitung, Der Rosenkavalier, Op. 59: Aufzug III. Einleitung und Pantomime, Pictures at an Exhibition: Ballet of the Unhatched Chicks, Pictures at an Exhibition: Bydlo - Promenade, Pictures at an Exhibition: Catacombae - Cum linguis in lingua mortua, Pictures at an Exhibition: Promenade - Gnomus - Promenade, Pictures at an Exhibition: Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: The Great Gate of Kiev, Pictures at an Exhibition: The Hut on Fowl's Legs, Pictures at an Exhibition: The Market Place at Limoges, Pictures at an Exhibition: The Old Castle, Pictures at an Exhibition: Tuileries, Symphony no. 2 in D, op. 73: I. Allegro non troppo, Symphony no. 2 in D, op. 73: II. Adagio non troppo, Symphony no. 2 in D, op. 73: III. Allegretto grazioso, Symphony no. 2 in D, op. 73: IV. Allegro con spirito, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace
Itzhak Perlman balance Caprices for Solo Violin, op. 1: No. 1 in E major, Caprices for Solo Violin, op. 1: No. 10 in G minor, Caprices for Solo Violin, op. 1: No. 11 in C major, Caprices for Solo Violin, op. 1: No. 12 in A-flat major, Caprices for Solo Violin, op. 1: No. 13 in B-flat major, Caprices for Solo Violin, op. 1: No. 14 in E-flat major, Caprices for Solo Violin, op. 1: No. 15 in E minor, Caprices for Solo Violin, op. 1: No. 16 in G minor, Caprices for Solo Violin, op. 1: No. 17 in E-flat major, Caprices for Solo Violin, op. 1: No. 18 in C major, Caprices for Solo Violin, op. 1: No. 19 in E-flat major, Caprices for Solo Violin, op. 1: No. 2 in B minor, Caprices for Solo Violin, op. 1: No. 20 in D major, Caprices for Solo Violin, op. 1: No. 21 in A major, Caprices for Solo Violin, op. 1: No. 22 in F major, Caprices for Solo Violin, op. 1: No. 23 in E-flat major, Caprices for Solo Violin, op. 1: No. 24 in A minor, Caprices for Solo Violin, op. 1: No. 3 in E minor, Caprices for Solo Violin, op. 1: No. 4 in C minor, Caprices for Solo Violin, op. 1: No. 5 in A minor, Caprices for Solo Violin, op. 1: No. 6 in G minor, Caprices for Solo Violin, op. 1: No. 7 in A minor, Caprices for Solo Violin, op. 1: No. 8 in E-flat major, Caprices for Solo Violin, op. 1: No. 9 in E major
Manuel de Falla engineer El sombrero de tres picos: Introducción, El sombrero de tres picos: La noche. Danza de los vecinos, El sombrero de tres picos: La noche. Danza del Corregidor, El sombrero de tres picos: La noche. Danza del molinero, El sombrero de tres picos: La noche. Danza final, El sombrero de tres picos: La noche. La confrontación, El sombrero de tres picos: La noche. La detención, El sombrero de tres picos: La noche. Nocturno, El sombrero de tres picos: La noche. Retorno del molinero, El sombrero de tres picos: La tarde. Danza de la molinera, El sombrero de tres picos: La tarde. El corregidor, El sombrero de tres picos: La tarde. El mirlo, El sombrero de tres picos: La tarde. El petimetre y el cortejo, El sombrero de tres picos: La tarde. Fandango, El sombrero de tres picos: La tarde. La chica, El sombrero de tres picos: La tarde. Las uvas, El sombrero de tres picos: La tarde. Minueto
Sir Adrian Boult balance The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: General introduction, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: Introduction to The Apostles and The Kingdom, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: In the name of Jesus Christ, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Dream of Gerontius, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Light of Life, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The New Faith (Christianity), The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The Real Presence (Christ), The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Church, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Gospel, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ, the Man of Sorrows, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ’s Loneliness, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Judas, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: St. Peter, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Beatitudes, The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Spirit of the Lord
Wizard Union balance Hungarian Dances: No. 1 in G minor, Hungarian Dances: No. 2 in D minor, Hungarian Dances: No. 7 in A major, Hungarian Dances: No. 9 in E minor, Sonatensatz in C minor, Violin Sonata no. 1, op. 78: I. Vivace ma non troppo, Violin Sonata no. 1, op. 78: II. Adagio, Violin Sonata no. 1, op. 78: III. Allegro molto moderato, Violin Sonata no. 2, op. 100: I. Allegro amabile, Violin Sonata no. 2, op. 100: II. Andante tranquillo - Vivace, Violin Sonata no. 2, op. 100: III. Allegretto grazioso (quasi andante), Violin Sonata no. 3, op. 108: I. Allegro, Violin Sonata no. 3, op. 108: II. Adagio, Violin Sonata no. 3, op. 108: III. Un poco presto e con sentimento, Violin Sonata no. 3, op. 108: IV. Presto agitato
Alessandro V. Perrotta balance 6 Lieder für eine Frauenstimme: Das Vöglein, 6 Lieder für eine Frauenstimme: Die Spinnerin, 6 Lieder für eine Frauenstimme: Mausfallensprüchlein, 6 Lieder für eine Frauenstimme: Morgentau, 6 Lieder für eine Frauenstimme: Wiegenlied im Winter, Goethe-Lieder: Die Spröde, Goethe-Lieder: Epiphanias, Goethe-Lieder: Frühing übers Jahr, Goethe-Lieder: Mignon, Goethe-Lieder: Mignon I, Goethe-Lieder: Mignon II, Goethe-Lieder: Philine, Goethe-Lieder: Sankt Nepomuks Vorabend, Lieder: Sonne der Schiummerlosen
Tornado balance Don Quixote, Op 35: Finale: Don Quixote's Death, Don Quixote, Op 35: Introduction: Don Quixote Sinks into Madness, Don Quixote, Op 35: Theme: Don Quixote and Sancho Panza, Don Quixote, Op 35: Variation I: The Adventure with the Windmills, Don Quixote, Op 35: Variation II: The Battle with the Sheep, Don Quixote, Op 35: Variation III: Discourse between Knight and Squire, Don Quixote, Op 35: Variation IV: The Adventure with the Pilgrims, Don Quixote, Op 35: Variation IX: The Combat with the two Magicians, Don Quixote, Op 35: Variation V: The Knight's Vigil, Don Quixote, Op 35: Variation VI: The Meeting with Dulcinea, Don Quixote, Op 35: Variation VII: The Ride through the Air, Don Quixote, Op 35: Variation VIII: The Voyage in the Enchanted Boat, Don Quixote, Op 35: Variation X: The Defeat of Don Quixote
Helmut Kaufmann balance Concerto for Piano no. 24 in C minor, K. 491: I. Allegro, Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto, Concerto for Piano no. 24 in C minor, K. 491: III. Allegretto, Concerto no. 18 in B-flat major for Piano, K. 456 "Paradis": I. Allegro vivace, Concerto no. 18 in B-flat major for Piano, K. 456 "Paradis": II. Andante un poco sostenuto, Concerto no. 18 in B-flat major for Piano, K. 456 "Paradis": III. Allegro vivace, Symphony no. 31 in D, K. 297 "Paris": I. Allegro assai, Symphony no. 31 in D, K. 297 "Paris": II. Andantino, Symphony no. 31 in D, K. 297 "Paris": III. Allegro, Symphony no. 33 in B-flat, K. 319: I. Allegro assai, Symphony no. 33 in B-flat, K. 319: II. Andante moderato, Symphony no. 33 in B-flat, K. 319: III. Menuetto - Trio, Symphony no. 33 in B-flat, K. 319: IV. Finale: Allegro assai
Giovanni Pierluigi da Palestrina engineer Ave Maria, Canite tuba, Hodie Christus natus est, Jubilate Deo, Missa Hodie Christus natus est: Agnus Dei, Missa Hodie Christus natus est: Benedictus, Missa Hodie Christus natus est: Credo, Missa Hodie Christus natus est: Gloria, Missa Hodie Christus natus est: Kyrie, Missa Hodie Christus natus est: Sanctus, O magnum mysterium, Tui sunt caeli
Radek Kašpar balance, engineer Concerto Movement in E-flat major for Horn, K. 371 (fragment): Rondo. Allegro, Concerto for Horn no. 1 in D major, K. 386b/514: I. Allegro, Concerto for Horn no. 1 in D major, K. 386b/514: II. Rondo. Allegro, Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro, Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro, Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto, Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro, Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro moderato, Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile, Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace, Concerto in E major for Horn, K. 494a/(K2) Anh 98a (fragment): Allegro
Gasali Mates II String Band engineer Louise Acte IV (Beginning), Louise: Acte I (Conclusion), Louise: Acte II, Scene I (Beginning), Louise: Acte II, Scene I (Conclusion), Louise: Acte II, Scene II, Louise: Acte III (Beginning), Louise: Acte III (Conclusion), Louise: Acte IV (Conclusion), Louise: Prelude & Acte I (Beginning)
Ludwig van Beethoven sound Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - I. Adagio sostenuto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - II. Allegretto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - III. Presto agitato - Adagio - Presto agitato, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - I. Allegro assai, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - II. Andante con moto, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - III. Allegro ma non troppo - Presto, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - I. Grave - Allegro molto e con brio, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - II. Adagio cantabile, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - III. Rondo: Allegro
KICKFLIP balance Als Luise die Briefe, KV 520, Dans un bois solitaire, KV 308, Das Lied der Trennung, KV 519, Das Traumbild, KV 530, Das Veilchen, KV 476, Die Alte, KV 517, Die kleine Spinnerin, KV 531, Sehnsucht nach dem Frühlinge, KV 596
DJ Guit engineer Canon in D, Die Schlittenfahrt (No.3 "German Dances" K605), Scherzo in G Minor (Octet in E Flat Major, op.20), Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto, Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro, Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante), Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro, Suite no. 3: Air on the G String
Cempopoloah balance Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 7 in C major, op. 105: I Adagio, Symphony no. 7 in C major, op. 105: II. Un pochettino meno adagio - Vivacissimo - Adagio, Symphony no. 7 in C major, op. 105: III. Allegro molto moderato -, Symphony no. 7 in C major, op. 105: IV. Vivace - Presto - Adagio
Katiah de La Rosa sound Concerto pour violin en ré majeur, op. 35: Allegro moderato, Concerto pour violin en ré majeur, op. 35: Canzonetta (Andante), Concerto pour violin en ré majeur, op. 35: Finale (Allegro vivacissimo), Concerto pour violon en ré mineur, op. 47: Adagio di molto, Concerto pour violon en ré mineur, op. 47: Allegro, Concerto pour violon en ré mineur, op. 47: Allegro moderato
David Ferguson engineer Piano Concerto in G major: I. Allegramente, Piano Concerto in G major: II. Adagio assai, Piano Concerto in G major: III. Presto, Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace, Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace
Willie Webb balance The Planets, op. 32: I. Mars, the Bringer of War (Allegro), The Planets, op. 32: II. Venus, the Bringer of Peace (Adagio), The Planets, op. 32: III. Mercury, the Winged Messenger (Vivace), The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (Allegro giocoso - Andante maestoso), The Planets, op. 32: V. Saturn, the Bringer of Old Age (Adagio), The Planets, op. 32: VI. Uranus, the Magician (Allegro)
Her & Everything balance Fantasy in C, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen, Fantasy in C, op. 17: II. Mäßig – Durchaus energisch, Fantasy in C, op. 17: III. Langsam getragen – Durcweg leise zu halten, Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: I. Largo – Allegro, Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: II. Adagio, Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto
Altima balance Berceuse sfaradite, La fille aux cheveux de lin, Perpetuum mobile, op. 5 no. 4, Romance in A, op. 94 no. 2 (arr. Kreisler), Romanza andaluza, op. 22 no. 1, Zapateado, op. 23 no. 2
Puddles Pity Party balance Cello Concerto in B-flat major, G. 482 (arr. Grützmacher): I. Allegro moderato, Cello Concerto in B-flat major, G. 482 (arr. Grützmacher): II. Adagio non troppo, Cello Concerto in B-flat major, G. 482 (arr. Grützmacher): III. Rondo: Allegro, Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato, Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio, Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto
V.I. Povici balance Sinfonia antartica (Symphony no. 7): I. Prelude: Maestoso, Sinfonia antartica (Symphony no. 7): II. Scherzo: Moderato, Sinfonia antartica (Symphony no. 7): III. Landscape: Lento, Sinfonia antartica (Symphony no. 7): IV. Intermezzo: Andante sostenuto, Sinfonia antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro)
Alan Peak balance, engineer Cello Concerto in E minor, op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo, Cello Concerto in E minor, op. 85: IV. Allegro, ma non troppo
Bridget Kearney balance Cello Concerto in E minor, op. 85: I. Adagio - Moderato -, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio -, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo
Quavious Marshall balance Cello Concerto in B minor, op. 104: I. Allegro, Cello Concerto in B minor, op. 104: II. Adagio ma non troppo, Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato, Rondo in G minor, op. 94
Amadeus Quartet balance String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": I. Allegro, String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": II. Andante con moto, String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo (Allegro molto), String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": IV. Presto
Пётр Ильич Чайковский balance Manfred Symphony in B minor, Op. 58: I. Lento lugubre - Moderato con moto - And, Manfred Symphony in B minor, Op. 58: II. Vivace con spirito, Manfred Symphony in B minor, Op. 58: III. Andante con moto, Manfred Symphony in B minor, Op. 58: IV. Allegro con fuoco
Jade Jones balance, engineer Sea Pictures, op. 37: I. Sea Slumber-Song, Sea Pictures, op. 37: II. In Haven (Capri), Sea Pictures, op. 37: III. Sabbath Morning at Sea, Sea Pictures, op. 37: V. The Swimmer
Sharod Stevens balance Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace)
Monica Chinazzo balance Black Roses, op. 36 no. 1, Spring is Flying, op. 13 no. 4, The First Kiss, op. 37 no. 1, The Tryst, op. 37 no. 5
Kchop engineer Der Rosenkavalier, Op. 59: Aufzug II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian), Der Rosenkavalier, Op. 59: Aufzug II. "Mir ist die Ehre widerfahren" (Octavian, Sophie), Der Rosenkavalier, Op. 59: Aufzug II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie), Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian)
Moon Zero balance Cello Concerto in A minor, Op. 129: I. Nicht zu schnell, Cello Concerto in A minor, Op. 129: II. Langsam - Etwas lebhafter - Schneller, Cello Concerto in A minor, op. 129: III. Sehr lebhaft - Cadenza - Sehr lebhaft
Band 19 balance Carol Symphony: Allegro energetico, Carol Symphony: Andante quasi lento e cantibile, Carol Symphony: Scherzo
Kuduchild engineer Der Rosenkavalier, Op. 59: Aufzug III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie), Der Rosenkavalier, Op. 59: Aufzug III. "Marie Theres'!" … "Hab'mir's gelobt" (Octavian, Marschallin, Sophie), Der Rosenkavalier, Op. 59: Aufzug III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin)
Kris Poulin engineer Der Rosenkavalier, Op. 59: Aufzug III. "Ach, lass Sie schon einmal das fade Wort!" (Baron, Octavian), Der Rosenkavalier, Op. 59: Aufzug III. "Die schöne Musi!" (Octavian, Baron), Der Rosenkavalier, Op. 59: Aufzug III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron)
Keri-Lynn Wilson balance Sonata in A minor, D. 821 "Arpeggione": I. Allegro moderato, Sonata in A minor, D. 821 "Arpeggione": II. Adagio, Sonata in A minor, D. 821 "Arpeggione": III. Allegretto
Mario Kart Band engineer Der Rosenkavalier, Op. 59: Aufzug I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin), Der Rosenkavalier: Akt I. "Da geht er hin, der aufgeblasene schlechte Kerl"
Epoz engineer Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian), Der Rosenkavalier, Op. 59: Aufzug I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
Gary Seney engineer Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato, Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: II. Larghetto, Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Rondo (Allegro)
Agathe Jazz Quartet engineer Der Rosenkavalier, Op. 59: Aufzug I. "Mein schöner Schatz" (Octavian, Marschallin), Der Rosenkavalier, Op. 59: Aufzug I. "Wie du warst! Wie du bist!" (Octavian, Marschallin)
La ténébreuse mafia engineer Der Rosenkavalier, Op. 59: Aufzug II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina), Der Rosenkavalier, Op. 59: Aufzug II. "Da" … "Herr Cavalier" (Baron, Annina)
The Bouchards engineer Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante, Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
Dan Kiss engineer Der Rosenkavalier, Op. 59: Aufzug III. "Ist halt vorbei" (Marschallin, Sophie, Baron, Annina, Die Kinder, Kellner, Wirt, Valzacchi, Die Musikanten, Die Kutscher, Hausknecht)
Greywind engineer Der Rosenkavalier, Op. 59: Aufzug I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian)
Guillaume Latil engineer Der Rosenkavalier, Op. 59: Aufzug I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien)
Lilsnoop engineer Der Rosenkavalier, Op. 59: Aufzug II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal)
Liza Pulman engineer Der Rosenkavalier, Op. 59: Aufzug I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian)
Lucas Saint Cricq engineer Der Rosenkavalier, Op. 59: Aufzug I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi)
Antonio Peral engineer Der Rosenkavalier, Op. 59: Aufzug I. "Di rigori armato il seno" (Ein Sänger)
Dick Ward engineer Der Rosenkavalier, Op. 59: Aufzug II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal)
In On It engineer Der Rosenkavalier, Op. 59: Aufzug I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin)
Mark Evans (Heavens Edge) engineer Der Rosenkavalier, Op. 59: Aufzug I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian)
Marlon Williams balance The Planets, op. 32: VII. Neptune, the Mystic (Andante)
McGain engineer Der Rosenkavalier, Op. 59: Aufzug I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian)
Edward Elgar balance Land of Hope and Glory
Ada Chura engineer Der Rosenkavalier, Op. 59: Aufzug III. "Oh weh, was maken wir?" … "Halt! Keiner rührt sich!" (Valzacchi, Kommissarius, Octavian, Baron, Wirt, Faninal, Vier Kinder)
MoweLan engineer Der Rosenkavalier, Op. 59: Aufzug I. "Als Morgengabe …" (Baron, Notar, Sänger)
Pat Broxton engineer Der Rosenkavalier, Op. 59: Aufzug I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina)
Pleasure Korps engineer Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin)
Plácido Domingo engineer Wo lebte wohl ein Wesen
Jim Stabile engineer Eilt Euch! Macht Front! Ah! Kommt mir nicht zu nahe!
Joseph Haydn balance The Heavens Are Telling
Joshua Mock engineer Der Rosenkavalier, Op. 59: Aufzug II. "Brav, Faninal, er weiss, was sich gehört" (Baron, Octavian, Sophie, Faninal, Marianne)
Reg Shrader engineer Der Rosenkavalier, Op. 59: Aufzug III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian)
Sander Steen engineer Adagio in G minor
Scootdawg engineer Der Rosenkavalier, Op. 59: Aufzug II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne)
Freddy Tougaux engineer Der Rosenkavalier, Op. 59: Aufzug III. "Wie die Stund' hingeht" (Octavian, Baron, Annina, Wirt, Vier Kinder, Kellner, Valzacchi)
Frederick Delius balance To Be Sung of a Summer Night on the Water
Surf Sabbath engineer Der König! - Unter einer Eiche, so schien mir
Charles Wood balance Hail Gladdening Light
Chris Negrete engineer Der Rosenkavalier, Op. 59: Aufzug III. "Muss jetzt partout zu ihr!" … "Ihre hochfürstliche Gnaden" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie)
Tiny Steps engineer Der Rosenkavalier, Op. 59: Aufzug III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron)
Tommy Petersen engineer Der Rosenkavalier, Op. 59: Aufzug I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister)
King Carrot balance Sea Pictures, op. 37: IV. Where Corals Lie
Undercover Life engineer Der Rosenkavalier, Op. 59: Aufzug II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer)
Ada y La Nueva Pasión engineer Der Rosenkavalier, Op. 59: Aufzug II. "Hab' nichts dawider" (Baron, Octavian, Sophie, Faninals Haushofmeister, Marianne)
William Harris balance Faire Is the Heaven
KranknMillie engineer Der Rosenkavalier, Op. 59: Aufzug II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister)
Benny Greb balance Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (opening)
KranknChop engineer Der Rosenkavalier, Op. 59: Aufzug II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie, Marianne, Baron)