Musical Bacon: Susan Gritton

Artist name	Roles	Recordings
John Tyrell	vocal	Beatus vir, RV 795: II. Gloria et divitiae, Beatus vir, RV 795: IV. Exortum est in tenebris, Beatus vir, RV 795: VI. Jucundus homo, Beatus vir, RV597: VII. Iucundus homo, Deborah: Act II, No. XIX. Recitative "O Judah, with what joy I see" (Israelite woman), Deborah: Act II, No. XX. Air "No. more disconsolate I'll mourn" (Israelite woman), Deborah: Act II, No. XXII. Air "O the pleasure my soul is possessing" (Jael), Deborah: Act III, Scene I, No. II. Recitative "The haughty foe whose pride to heav'n did soar" (Israelite woman), Deborah: Act III, Scene I, No. III. Air "Now sweetly smiling peace descends" (Israelite woman), Deborah: Act III, Scene III, No. I. Recitative "O Deborah, my fears are o'er" (Jael), Deborah: Act III, Scene III, No. III. Air "Our fears are now forever fled" (Israelite woman), Deborah: Act III, Scene III, No. V. Air "Tyrant, now No. more we dread thee" (Jael), Dixit Dominus, RV595: VI. Dominus a dextris tuis, Domine ad adiuvandum, RV593: II. Gloria Patri, et Filio, Gaude mater Ecclesia, RV613, Gloria in excelsis Deo, RV588: X. Quoniam tu solus sanctus, In turbato mare irato, RV627: I. In turbato mare irato, In turbato mare irato, RV627: II. Splende serena, o lux amata, In turbato mare irato, RV627: III. Respende, bella, In turbato mare irato, RV627: IV. Alleluia, L'Allegro, il Penseroso ed il Moderato: Part One. Accompagnato "Come, pensive nun, devout", L'Allegro, il Penseroso ed il Moderato: Part One. Accompagnato "Hence, vain delugind Joys", L'Allegro, il Penseroso ed il Moderato: Part One. Air "Come rather, goddess, sage and holy", L'Allegro, il Penseroso ed il Moderato: Part One. Air "Come, but keep thy wonted state", L'Allegro, il Penseroso ed il Moderato: Part One. Air "Far from all resort of mirth", L'Allegro, il Penseroso ed il Moderato: Part One. Air "Oft on a plat of rising ground", L'Allegro, il Penseroso ed il Moderato: Part Three. Duet "As steals the morn upon the night", L'Allegro, il Penseroso ed il Moderato: Part Two. Air "But O, sad virgin, that thy pow'r", L'Allegro, il Penseroso ed il Moderato: Part Two. Air "May at last my weary age", L'Allegro, il Penseroso ed il Moderato: Part Two. Air "Thus, Night, oft see me in thy pale career", L'Allegro, il Penseroso ed il Moderato: Part Two. Recitative "But let my due feet never fail", Laudate pueri, RV600: I. Laudate pueri, Laudate pueri, RV600: II. Sit nomen Domini, Laudate pueri, RV600: III. A solis ortu usque ad occasum, Laudate pueri, RV600: IV. Excelsus super omnes gentes, Laudate pueri, RV600: IX. Laudate pueri: Sicut erat in principio, Laudate pueri, RV600: V. Quis sicut Dominus, Laudate pueri, RV600: VI. Suscitans a terra inopem, Laudate pueri, RV600: VII. Ut collocet eum, Laudate pueri, RV600: VIII. Gloria Patri, Laudate pueri, RV600: X. Amen, O qui coeli terraeque serenitas, RV631: I. O qui coeli terraeque serenitas, O qui coeli terraeque serenitas, RV631: II. Fac ut sordescat tellus, O qui coeli terraeque serenitas, RV631: III. Rosa quae moritur, O qui coeli terraeque serenitas, RV631: IV. Alleluia, Salve Regina, RV 617: I. Salve Regina, Salve Regina, RV 617: II. Ad te clamamus, Salve Regina, RV 617: III. Eia ergo, Salve Regina, RV 617: IV. Et Jesum, Sanctorum meritis, RV620, The Choice of Hercules: "Come, blooming boy", The Choice of Hercules: "Hearst thou, what dangers then thou must engage", The Choice of Hercules: "See Hercules! how smiles yon myrtle plain", The Choice of Hercules: "There the brisk sparkling nectar drain"
iNTeLL	vocal	Margrete's Cradle Song, op. 4, no. 2, Six Songs, op. 16: Calm is the morn, Six Songs, op. 16: Cradle Song, Six Songs, op. 16: Lovely kind and kindly loving, Six Songs, op. 16: My true love hath my heart, Six Songs, op. 16: Peace, Six Songs, op. 16: Weep you no more
Arief Rinaldi	vocal	Seven Romances on Poems of Alexander Blok, Op. 127: 1. Ophelia's Song (Pesnya Ofelii), Seven Romances on Poems of Alexander Blok, Op. 127: 2. Gamayun, The Prophet Bird (Gamayun, ptitsa veshchaya), Seven Romances on Poems of Alexander Blok, Op. 127: 3. We Were Together (Mï bïli vmeste), Seven Romances on Poems of Alexander Blok, Op. 127: 4. The City Sleeps (Gorod spit), Seven Romances on Poems of Alexander Blok, Op. 127: 5. The Storm (Burya), Seven Romances on Poems of Alexander Blok, Op. 127: 6. Mysterious Signs (Tayniye znaki), Seven Romances on Poems of Alexander Blok, Op. 127: 7. Music (Muzïka)
星宮ゆきな	vocal	Four Songs with Orchestra: Karjapihassa, op. 31a no. 2, Four Songs with Orchestra: Kesäilta, Four Songs with Orchestra: Purjein kuutamolla, op. 31a no. 1, Four Songs with Orchestra: Tuijotin tulehen kauan, op. 2 no. 2, Impi ja Pajarin poika, op. 18, Merenkylpijäneidot, op. 12
The River Versus	vocal	First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "Beneath my palm trees, by the river side". Andante –, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 5. Solo "Onward the tiger and the leopard pants". Poco animato – Più mosso / Part 6. Chorus "Bacchus, young Bacchus! good or ill betide". Andante maestoso, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 1. Solo "Spirit here that reignest!". Senza misura (quasi Andante) / Part 2. Chorus "God of the golden bow". Lento – Chorus "Here Homer with his nervous arms". Più mosso –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 3. Solo "Then, through thy Temple wide, melodious swells". Andante sostenuto / Part 4. Chorus "Tis awful silence then again". Lento – Chorus "Thou biddest Shakespeare wave his hand". Vivace ma pesante – Molto pesante ma in tempo – Andante – Chorus "A silver trumpet Spenser blows". Animato – Poco lento –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 5. Solo "Next thy Tasso’s ardent numbers". [Poco lento] – Moderato – Poco più lento / Part 6. Chorus "But when Thou joinest with the Nine". Moderato maestoso – Allegro – Andante con moto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 7. Solo "Spirit here that reignest!". Senza misura (quasi Andante) – Chorus "Bards of Passion and of Mirth". Sempre andante e non animato
Iggie	vocal	Mass in A major, BWV 234: I. Kyrie, Mass in A major, BWV 234: II. Gloria, Mass in A major, BWV 234: VI. Cum Sancto Spiritu, Mass in G minor, BWV 235: I. Kyrie, Mass in G minor, BWV 235: II. Gloria, Mass in G minor, BWV 235: VI. Cum Sancto Spiritu
Liesel Westermann	vocal	Magnificat in D, BWV 243: Quia respexit, Magnificat in D, BWV 243: Suscepit Israel, Wachet auf, ruft uns die Stimme, BWV 140: Mein Freund ist mein!, Wachet auf, ruft uns die Stimme, BWV 140: Wann kommst du, mein Heil?
Tamara Mumford	vocal	Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships, Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone, Symphony No. 1 "A Sea Symphony": III. The Waves, Symphony No. 1 "A Sea Symphony": IV. The Explorers
EMS Project	vocal	Four Songs, for voice and violin, op. 35: I sing of a maiden, Four Songs, for voice and violin, op. 35: Jesu sweet, Four Songs, for voice and violin, op. 35: My Leman is so true, Four Songs, for voice and violin, op. 35: My soul has nought but fire and ice
Kevin Albis	vocal	Ode for the Birthday of Queen Anne: Kind health descends on downy wings., Ode for the Birthday of Queen Anne: Let all the winged race with joy, Ode for the Birthday of Queen Anne: The day that gave, Ode for the Birthday of Queen Anne: The day that gave great Anna birth
ياسر أنور	vocal	The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter!". Moderato – Poco allegro – Più allegro – Andante – Adagio – "O, how the immortal phantoms crowd around me!". Moderato ma agitato – Affrettando – Moderato – Allegro moderato – Presto – Prestissimo – Allegro agitato –, The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter". Allegro – "O trumpeter!". Andante – Poco animato – Molto sostenuto – Andante maestoso –, The Mystic Trumpeter, op. 18, H. 71: Allegro moderato – "Now, trumpeter, for thy close’. Andante – "O glad, exulting, culminating song!". Maestoso – Pochettino animato – Poco animato – Più mosso – Andante maestoso – Adagio – Andante, The Mystic Trumpeter, op. 18, H. 71: Molto sostenuto – Allegro agitato – "Hark! some wild trumpeter’. Moderato – Lento – "Blow, trumpeter, free and clear". Poco allegro – Meno mosso – Adagio – Allegretto – Andante – Più lento – Molto adagio –
Monaland	vocal	Lost Is My Quiet, Six Duets: Lost is my quiet, Six Duets: Shepherd, leave decoying, Six Duets: What can we poor females do
John Brummel	vocal	Solomon, HWV 67: Act III. "Ev'ry sight these eyes behold (Queen of Sheba), Solomon, HWV 67: Act III. "May peace in Salem ever dwell" (Queen of Sheba), Solomon, HWV 67: Act III. "Thy harmony's divine" (Queen of Sheba), Solomon, HWV 67: Act III. "Will the sun forget to streak" (Queen of Sheba)
Coco Jr	vocal	The Rape of Lucretia, op. 37: Act I, Scene I. "It is an axiom among kings" (Female Chorus, Male Chorus), The Rape of Lucretia, op. 37: Act I, Scene II. "The oatmeal slippers of sleep" (Female Chorus, Male Chorus), The Rape of Lucretia, op. 37: Act II, Scene I. "Interlude: Here in this scene you see virtue" (Female Chorus, Male Chorus)
Johnny Zorro	vocal	Cantata pastorale per la nascità di Nostro Signore: Recitativo "Fortunati, fortunati pastori!" - Pastorale "Toccò la prima sorte a voi, pastori...", Cantata pastorale per la nascità di Nostro Signore: Recitativo "O di Betlemme altera povertà..." - Aria "Dal ben seno d'une stella" -, Cantata pastorale per la nascità di Nostro Signore: Recitativo "Presa d'uomo la forma..." - Aria "L'autor d'ogni mio bene..." -
Kavon Salyer	vocal	The Spirit of England, Op. 80: I. The Fourth of August, The Spirit of England, Op. 80: II. To Women, The Spirit of England, Op. 80: III. For the Fallen
Walt Phelan	vocal	Symphony no. 1 in D minor "The Gothic": Part 2. Iudex crederis esse venturus: Adagio molto solenne e reliogioso, Symphony no. 1 in D minor "The Gothic": Part 2. Te Deum laudamus: Allegro moderato, Symphony no. 1 in D minor "The Gothic": Part 2. Te ergo, quaesumus: Moderato e molto sostenuto
Francis Poulenc	vocal	Gloria: III. Domine Deus, Gloria: V. Domine Deus, agnus Dei, Gloria: VI. Qui sedes ad dexteram Patris
Gezelschap Maria Tell	vocal	The Rape of Lucretia, op. 37: Act I, Scene II. "Their spinning wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia), The Rape of Lucretia, op. 37: Act I, Scene II. "Time treads upon the hands of women" (Lucia, Bianca, Female Chorus, Lucretia)
Henry Purcell	vocal	In Guilty Night (Saul and the Witch of Endor), Not all my Torments
Josh Harty Band	vocal	Solomon, HWV 67: Act III. "Ev'ry joy that wisdom knows" (Queen of Sheba, Solomon), Solomon, HWV 67: Act III. "From Arabia's spicy shores" (Queen of Sheba, Solomon)
Regal	vocal	Der Greis, Hob. XXVc:5, Gesang der Geister, op. 88
Ludwig van Beethoven	vocal	Scene (One) from "Vesta's Fire", Hess 115, Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume"
Kids On Holiday	vocal	Israel in Egypt: Part I, no. 4: Quartet "When the ear heard him" (soprano I, alto I, tenor, bass I), Israel in Egypt: Part I, no. 8: Quartet - Chorus "The righteous shall be had" (soprano I, alto I, tenor, bass I)
George Frideric Handel	vocal	Messiah, HWV 56: Part I, Scene V. Song "He shall feed his Flock", Messiah, HWV 56: Part II, Scene V. Song "How beautiful are the feet"
Daniel Kellermann	vocal	Alma virgo
Akir	vocal	The Pilgrim’s Progress: Act III, Scene 1. Vanity Fair. "I buy the truth!" (Pilgrim)
Magdalena Kožená	vocal	Paride ed Elena, Wq. 39: Quegli occhi belli (Paride)
Mannequins on 7th Street	vocal	The Rape of Lucretia, op. 37: Act I, Scene II. "Lucia runs to the door" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia)
Matt Giella	vocal	Celemene
Jeff Borgeson	vocal	Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon)
Nuno Rancho	vocal	Israel in Egypt: Part III, no. 29: Air "Thou didst blow with the wind" (soprano I)
O Governo	vocal	Israel in Egypt: Part I, no. 11: Quartet "They shall receive a glorious kingdom" (soprano I, alto I, tenor, bass I)
Fist City	vocal	The Rape of Lucretia, op. 37: Act II, Scene I. "Within this frail crucible of light" (Tarquinius, Female Chorus)
Sidewalkers	vocal	Israel in Egypt: Part III, no. 19: Duet "The Lord is my strength" (sopranos I & II)
Soloc	vocal	She Loves and She Confesses Too, Z. 413
Street Frog	vocal	The Rape of Lucretia, op. 37: Act II, Scene I. "The prosperity of the Etruscans" (Female Chorus, Male Chorus, Collatinus, Lucia, Junius, Bianca)
MS13	vocal	The Pilgrim’s Progress: Act IV, Scene 2. The Shepherds of the Delectable Mountains. "The Lord is my Shepherd" (Voice of a Bird)
The Local Band	vocal	Israel in Egypt: Part III, no. 39: Chorus "Sing ye to the Lord" (with soprano)
The NotknowingJosephines	vocal	Mass in A major, BWV 234: IV. Qui tollis peccata mundi
D.C. Boy$	vocal	The Rape of Lucretia, op. 37: Act II, Scene II. "Epilogue: Is it all?" (Female Chorus, Male Chorus)
Tony Mateo	vocal	The Rape of Lucretia, op. 37: Act II, Scene I. "She sleeps as a rose" (Female Chorus)
Tzeech	vocal	Meeres Stille, op. 60 no. 3
Vacations	vocal	Lo, the full, final sacrifice, Op. 26
Celia Vergara	vocal	The Rape of Lucretia, op. 37: Act II, Scene I. "Lucretia!...What do you want?" (Tarquinius, Lucretia, Male Chorus, Female Chorus)
Will-i-røret	vocal	Sehnsucht
Zizanie	vocal	The Pilgrim’s Progress: Act II, Scene 2. The Pilgrim Meets Apollyon
Booger	vocal	The Pilgrim’s Progress: Act I, Scene 2. The House Beautiful
Bachorchester des Gewandhausorchesters Leipzig	vocal	The Rape of Lucretia, op. 37: Act II, Scene II. "This dead hand lets fall" (Collatinus, Junius, Bianca, Lucia, Female Chorus, Male Chorus)
Adrianna Marie	vocal	Trois chansons: II. Trois beaux oiseaux du Paradis