| Last Breath For An Addict |
balance |
An der schönen, blauen Donau, op. 314 (RV 314), Ariadne auf Naxos, op. 60: Opera: Beginning: Ouverture, Ariadne auf Naxos, op. 60: Prologue: Ouvertre, Carmen: Act IV. Prelude, Cavalleria rusticana: Intermezzo, Concerto for orchestra, Sz. 116, BB 127: I. Introduzione (Andante non troppo - Allegro vivace), Concerto for orchestra, Sz. 116, BB 127: II. Giuoco delle coppie (Allegretto scherzando), Concerto for orchestra, Sz. 116, BB 127: III. Elegia (Andante non troppo), Concerto for orchestra, Sz. 116, BB 127: IV. Intermezzo interrotto (Allegretto), Concerto for orchestra, Sz. 116, BB 127: V. Finale (Pesante - Presto), Coriolan Overture, op. 62, Delirien Waltz, op. 212, Der Zigeunerbaron: Overture, Don Juan, op. 20, Egmont Overture, op. 84, España, España: Rapsodie, Finlandia, op. 26, Gaîté Parisienne: No. 1, Goyescas: Intermezzo, Guillaume Tell: Pas de Trois et Choeur Tyrolien, Háry Janós Suite: Intermezzo, Háry János Suite: V. Intermezzo, Hänsel und Gretel, Act One, Scene 3: "Vorspiel: "Der Hexenritt, Hänsel und Gretel, Act Two, Scene 3: Orchester. Vorspiel, Hänsel und Gretel, Act Two, Scene 3: Orchestra. Traumpantomime, Hänsel und Gretel: Orchestra. Overture, Invitation à la Danse (orch. Berlioz), Kaiser-Walzer, op. 437 (RV 437), Khovanshchina: Dance of the Persian Slaves, Künstlerleben, op. 316 (RV 316), L' Arlésienne - Suite no. 1: Adagietto, L' Arlésienne - Suite no. 1: Minuetto, L' Arlésienne - Suite no. 1: Prélude, L' Arlésienne - Suite no. 2: Farandole, L' Arlésienne - Suite no. 2: Intermezzo, L' Arlésienne - Suite no. 2: Menuet, L' Arlésienne - Suite no. 2: Pastorale, L' Arlésienne, suite for orchestra No. 1, from the incidental music: Carillon, L'amico Fritz: Intermezzo, La Damnation de Faust - Marche hongroise, La mer, L. 109: I. De l'aube à midi sur la mer, La mer, L. 109: II. Jeux de vagues, La mer, L. 109: III. Dialogue du vent et de la mer, Le Carnaval romain: Ouverture, Leichte Kavallerie: Overture, Leonore Overture no. 3 in C major, op. 72b, Les Patineurs: Valse, Les préludes, S. 97 (LW G3), Marche joyeuse, Marsche joyeuse, Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (rehearsal sequence), Music for strings, percussion & celesta, Sz. 106, BB 114: I. Andante tranquillo, Music for strings, percussion & celesta, Sz. 106, BB 114: II. Allegro, Music for strings, percussion & celesta, Sz. 106, BB 114: III. Adagio, Music for strings, percussion & celesta, Sz. 106, BB 114: IV. Allegro molto, Notre Dame: Intermezzo, Nutcracker Suite, op. 71a: Danse arabe, Nutcracker Suite, op. 71a: Danse chinoise, Nutcracker Suite, op. 71a: Danse de la fée dragée, Nutcracker Suite, op. 71a: Danse des mirlitons, Nutcracker Suite, op. 71a: Danse russe, Nutcracker Suite, op. 71a: Marche, Nutcracker Suite, op. 71a: Ouverture, Nutcracker Suite, op. 71a: Valse des fleurs, Orpheus in the Underworld: Overture, Pagliacci: Intermezzo, Pini di Roma, P. 141: I. I pini di Villa Borghese, Pini di Roma, P. 141: II. I pini presso una catacomba, Pini di Roma, P. 141: III. I pini del Gianicola, Pini di Roma, P. 141: IV. I pini della Via Appia, Pizzicato-Polka, op. 234, Prince Igor - Polovtsian Dances: No. 17, Prince Igor - Polovtsian Dances: No. 8, Prince Igor: Polovtsian dances, Radetzky March, op. 228, Radetzky Marsch, op. 235, Rhapsodie espagnole: I. Prélude à la nuit, Rhapsodie espagnole: II. Malagueña, Rhapsodie espagnole: III. Habanera, Rhapsodie espagnole: IV. Feria, Schwanda the Bagpiper - Polka, Schwanda the Bagpiper: Polka, Serenade no. 13 in G major "Eine kleine Nachtmusik", K. 525: I. Allegro, Serenade no. 13 in G major "Eine kleine Nachtmusik", K. 525: II. Romanze (Andante), Serenade no. 13 in G major "Eine kleine Nachtmusik", K. 525: III. Menuetto (Allegretto) & Trio, Serenade no. 13 in G major "Eine kleine Nachtmusik", K. 525: IV. Rondo (Allegro), Symphonie fantastique: I. Rêveries, passions: Largo - Allegro agitato e appassionato assai, Symphonie fantastique: II. Un bal: Valse. Allegro non troppo, Symphonie fantastique: III. Scène aux champs: Adagio, Symphonie fantastique: IV. Marche au supplice: Allegretto non troppo, Symphonie fantastique: V. Songe D'une nuit du sabbat: Larghetto - Allegro - Allegro assai - Allegro - Un peu reténu (Ronde du sabbat - animez un peu), Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto vivace - Trio, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo: Allegro - Trio, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace - Trio, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto - Poco andante - Presto, Symphony no. 38 in D, K. 503 "Prague": I. Adagio - Allegro, Symphony no. 38 in D, K. 503 "Prague": II. Andante, Symphony no. 38 in D, K. 503 "Prague": III. Finale: Presto, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andante in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 6 in B minor "Pathétique", op. 74: I. Adagio - Allegro non troppo, Symphony no. 6 in B minor "Pathétique", op. 74: II. Allegro con grazia, Symphony no. 6 in B minor "Pathétique", op. 74: III. Allegro molto vivace, Symphony no. 6 in B minor "Pathétique", op. 74: IV. Finale: Adagio lamentoso - Andante, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 6 in F major, op. 68 "Pastoral": I. Awakening of pleasant feelings upon arriving in the country - Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Scene by the Brook - Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastoral": III. Peasants' Merrymaking - Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": IV. The Storm - Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": V. Shepherds' Hymn after the Storm - Allegretto, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in C major, op. 105: Adagio - Vivacissimo -, Symphony no. 7 in C major, op. 105: Allegro molto moderato, Symphony no. 7 in C major, op. 105: Presto - adagio, Symphony no. 7 in C major, op. 105: Ralentando al... Adagio -, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Recitativo - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non troppo - Prestissimo, Tannhäuser, WWV 70: Venusberg music, Tapiola, op. 112, Thaïs: Méditation, The Sleeping Beauty Suite, op. 66a: Act: I. Pas D'action: Adagio, The Sleeping Beauty Suite, op. 66a: Act: I. Valse, The Sleeping Beauty Suite, op. 66a: Act: II. Panorama, The Sleeping Beauty Suite, op. 66a: Act: III. Pas de caractère (Le chat botté), The Sleeping Beauty Suite, op. 66a: Prologue. Introduction et fée des lilas, The Swan Lake Suite, op. 20a: I. Scène, The Swan Lake Suite, op. 20a: II. Valse (Act I), The Swan Lake Suite, op. 20a: III. Danse des petits cygnes (Act II), The Swan Lake Suite, op. 20a: IV. Introduction & Danse de la reine des cygnes (Act III), The Swan Lake Suite, op. 20a: V. Danse hongroise (Czárdás) (Act III), Till Eulenspiegels lustige Streiche, op. 28, Tod und Verklärung, op. 24, Tritsch-Tratsch Polka, op. 214, Unter Donner und Blitz - Polka, op. 324, Unter Donner und Blitz Polka, op. 324, Variations on a Theme by Frank Bridge, op. 10: Adagio: Adagio -, Variations on a Theme by Frank Bridge, op. 10: Aria italiana: Allegro brillante -, Variations on a Theme by Frank Bridge, op. 10: Bourrée classique. Allegro e pesante -, Variations on a Theme by Frank Bridge, op. 10: Chant: Lento -, Variations on a Theme by Frank Bridge, op. 10: Fugue and Finale: Allegro molto vivace - Lento e solenne, Variations on a Theme by Frank Bridge, op. 10: Funeral March: Andante ritmico -, Variations on a Theme by Frank Bridge, op. 10: Introduction & Theme. Lento maestoso - Allegretto poco lento -, Variations on a Theme by Frank Bridge, op. 10: March: Presto alla marcia -, Variations on a Theme by Frank Bridge, op. 10: Moto perpetuo: Allegro molto -, Variations on a Theme by Frank Bridge, op. 10: Romance: Allegretto grazioso -, Variations on a Theme by Frank Bridge, op. 10: Wiener Walzer: Lento - Vivace -, Variations on a Theme of Haydn, op. 56a "St Antoni": Chorale (St. Antoni), Variations on a Theme of Haydn, op. 56a "St Antoni": Finale: Andante, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation I: Poco più animato, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation II: Più vivace, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation III: Con moto, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation IV: Andante con moto, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation V: Vivace, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation VI: Vivace, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation VII: Grazioso, Variations on a Theme of Haydn, op. 56a "St Antoni": Variation VII: Presto non troppo, Water Music Suite (arr. Harty): I. Allegro, Water Music Suite (arr. Harty): II. Air, Water Music Suite (arr. Harty): III. Bourrée - hornpipe, Water Music Suite (arr. Harty): IV. Andante espressivo, Water Music Suite (arr. Harty): V. Allegro deciso |
| Sharod Stevens |
balance |
Der Freischütz: Overture, Die Fledermaus: Overture, Euryanthe, J. 291: Overture, Kaiserwalzer, op. 437, Oberon, J. 306: Overture, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, The Hebrides Overture, op. 26 "Fingal's Cave", Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354 |
| Goblin Hovel |
balance |
Adagio and Fugue in C, K. 546, Adagio from Divertimento no. 17 in D, K. 334, An der schönen blauen Donau, op. 314, Der Zigeunerbaron - Overture, Die Fledermaus - Overture, Donna Diana – Overture, España - Rhapsody, Geschichten aus dem Wienerwald, op. 325, Kaiser-Walzer, op. 437, Künstlerleben-Walzer, op. 316, Le nozze di Figaro, K. 492: Overture, Perpetuum mobile, op. 257, Romeo and Juliet - Fantasy Overture, Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante, Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio, Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro, Six German Dances, K. 600: No. 5 in G "Der Kanarienvogel", Sphärenklange-Walzer, op. 235, Symphony no. 33 in B-flat, K. 319: I. Allegro assai, Symphony no. 33 in B-flat, K. 319: II. Andante con moto, Symphony no. 33 in B-flat, K. 319: III. Menuetto (Allegretto) & Trio, Symphony no. 33 in B-flat, K. 319: IV. Finale (Allegro), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante, Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F, op. 93: II. Allegretto scherzando, Symphony no. 8 in F, op. 93: III. Tempo di menuetto, Symphony no. 8 in F, op. 93: IV. Allegro vivace, Symphony no. 9 in C, D. 944 "The Great": I. Andante - Allegro ma non troppo, Symphony no. 9 in C, D. 944 "The Great": II. Andante con moto, Symphony no. 9 in C, D. 944 "The Great": III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C, D. 944 "The Great": IV. Finale (Allegro), Symphony no. 9 in D minor, op. 125. IV. Andante maestoso - Adagio ma non troppo -, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace - Presto - Molto vivace - Presto, Symphony no. 9 in D minor, op. 125: III. Andante moderato - Tempo 1 - Andante moderato - Adagio, Symphony no. 9 in D minor, op. 125: IV. Allegro assai vivace. Alla marcia -, Symphony no. 9 in D minor, op. 125: IV. Allegro energico, sempre ben marcato -, Symphony no. 9 in D minor, op. 125: IV. Allegro ma non tanto - Poco adagio - Tempo 1 - Poco adagio -, Symphony no. 9 in D minor, op. 125: IV. Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo - Maestoso - Prestissimo, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro ma non troppo - Tempo 1 - Vivace - Tempo 1 - Adagio cantabile - Tempo 1 - Allegro - Allegro assai - Tempo I - Allegro - Allegro assai -, Symphony no. 9 in D minor, op. 125: IV. Presto - Recitativo - Allegro assai, Three German Dances, K. 605: No. 3 in C "Die Schlittenfahrt", Tritsch-Tratsch Polka, op. 214, Unter Donner und Blitz Polka, op. 324, Wein, Weib und Gesang, op. 333 |
| Jacques Offenbach |
balance |
Gaîté Parisienne: No. 10, Gaîté Parisienne: No. 11, Gaîté Parisienne: No. 12, Gaîté Parisienne: No. 13, Gaîté Parisienne: No. 14, Gaîté Parisienne: No. 15, Gaîté Parisienne: No. 16, Gaîté Parisienne: No. 17, Gaîté Parisienne: No. 18, Gaîté Parisienne: No. 2, Gaîté Parisienne: No. 22, Gaîté Parisienne: No. 23, Gaîté Parisienne: No. 6, Gaîté Parisienne: No. 8, Gaîté Parisienne: No. 9, Gaîté Parisienne: Ouverture |
| Manuel de Falla |
engineer |
El amor brujo: I. Introducción y Escena, El amor brujo: II. En la cueva, El amor brujo: III. Canción del amor dolido, El amor brujo: IV. El aparecido, El amor brujo: IX. Escena, El amor brujo: V. Danza del terror, El amor brujo: VI. El círculo mágico, El amor brujo: VII. A medianoche, El amor brujo: VIII. Danza ritual del fuego, El amor brujo: X. Canción del fuego fatuo, El amor brujo: XI. Pantomima, El amor brujo: XII. Danza del juego de amor, El amor brujo: XIII. Final: Las campanas del amancener |
| Alessandro V. Perrotta |
balance, sound |
6 Lieder für eine Frauenstimme: Wiegenlied im Sommer, Aufträge, Op. 77 No. 5, Die Vögel, D 691, Hat gesagt, bleibt's nicht dabei, Op. 36 No. 3, Liebhaber in allen Gestalten, D 558, Schlechtes Wetter, Op. 69 No. 5, Sechs alte Weisen: Du milchjunger Knabe, Sechs alte Weisen: Singt mein Schatz wie ein Fink, Sechs alte Weisen: Tretet ein, hoher Krieger, Sechs alte Weisen: Wandl' ich in dem Morgentau, Sechs alte Weisen: Wie glänztder helle Mond |
| Maguy Jean-Louis |
engineer |
Concerto for Horn no. 1 in D major, K. 386b/514: I. Allegro, Concerto for Horn no. 1 in D major, K. 386b/514: II. Rondo: Allegro, Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante, Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro, Concerto no. 3 in E-flat major for Horn, K. 447: I. Allegro, Concerto no. 3 in E-flat major for Horn, K. 447: II. Romance. Larghetto, Concerto no. 3 in E-flat major for Horn, K. 447: III. Allegro, Concerto no. 4 in E-flat major for Horn, K. 495: I. Allegro moderato, Concerto no. 4 in E-flat major for Horn, K. 495: II. Romance. Andante cantabile, Concerto no. 4 in E-flat major for Horn, K. 495: III. Rondo. Allegro vivace, Horn Concerto no. 2 in E-flat major, KV 417: I. Allegro maestoso |
| Dan Lazar |
balance |
Abu Hassan: Overture, Der Beherrscher der Geister (Ruler of the Spirits) Overture, Der Freischütz: Overture, Euryanthe: Overture, Jubel Overture, Oberon: Overture, Preciosa: Overture |
| Elisabeth Schwarzkopf |
engineer, sound |
Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": Arie "Schafe können sicher weiden", Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": Rezitativ "Soll den der Pales Opper", Eine Nacht in Venedig: Akt I. "Oho! ... Seht, o seht! ... Frutti di mare!" (Annina, Chor), Eine Nacht in Venedig: Akt II. "Was mir der Zufall gab" (Annina), Wiener Blut: Akt I. "Es hat dem Grafen nichts genützt ...Gruß dich Gott!" (Gräfin [Gabrielle] ) |
| Dinu Lipatti |
engineer |
Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso, Piano Sonata no. 3 in B minor, op. 58: II. Scherzo (Molto vivace), Piano Sonata no. 3 in B minor, op. 58: III. Largo, Piano Sonata no. 3 in B minor, op. 58: IV. Finale (Presto non tanto) |
| Wolfgang Amadeus Mozart |
sound |
Exsultate, jubilate, K. 165: "Alleluja", Exsultate, jubilate, K. 165: "Exsultate, jubilate", Exsultate, jubilate, K. 165: "Tu virginum corona", Exsultate, jubilate, K. 165: Recit. "Fulget amicadies" |
| The Cheaters |
engineer |
Eine Nacht in Venedig: Akt I. "Evviva, Caramello! ... Willkommen, liebe Freunde!" (Chor, Caramello), Eine Nacht in Venedig: Akt III. "Ach, wie so herrlich zu schau'n" (Caramello), Wiener Blut: Akt I. Dialog "Wenn mich die Demoiselle fragt" (Josef), Wiener Blut: Akt I. Introduktion "Anna, Anna, Anna!" (Josef) |
| Ruben Drole |
balance |
Symphony no. 4 in G: I. Becächtig. Nicht eilen, Symphony no. 4 in G: II. In gemächlicher Bewegung, Symphony no. 4 in G: III. Ruhevoll, Symphony no. 4 in G: IV. Sehr behaglich |
| Nicole DeCosta |
engineer |
Der Zigeunerbaron: Akt I. Dialog "Ich kenne dieses Lied" (Barinkay, Saffi), Wiener Blut: Akt II. "Das eine kann ich nicht verzeih'n" (Gräfin, Graf), Wiener Blut: Akt II. "Ich war ein echtes Wiener Blut ... Wiener Blut!" (Gräfin, Graf), Wiener Blut: Akt II. Dialog "Mein lieber Graf" (Gräfin, Graf) |
| Serling Rooks Ferrara McKoy & Worob, LLP |
engineer |
Wiener Blut: Akt II. "Gestatten Sie ... Das ist die Gräfin?" (Bitowski, Minister, Franzi, Gräfin, Pepi, Graf, Chor), Wiener Blut: Akt II. "Ich habe gewonnen, ich habe gesiiegt" (Minister, Franzi, Gräfin, Pepi, Josef, Graf), Wiener Blut: Akt III. Dialog "Nein, nein, Herr Graf!" (Graf, Pepi, Gräfin, Franzi, Minister, Josef) |
| Ellinor Fritz |
engineer |
Der Zigeunerbaron: Akt II. Zwischenspiel, Der Zigeunerbaron: Ouvertüre, Eine Nacht in Venedig: Akt I. Ouvertüre |
| Justin Matthew Sargent |
engineer |
Eine Nacht in Venedig: Akt I. "Annina! ... Caramello! ... Pellegrina rondinellla!" (Caramello, Annina), Eine Nacht in Venedig: Akt II. "Hör' mich, Annina, komm' in die Gondel" (Caramello, Annina), Eine Nacht in Venedig: Akt II. Dialog "Ach, Gott sei Dank" (Caramello, Annina) |
| John Penzotti |
balance |
Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro ma non tanto |
| Brem |
balance |
Songs of Sunset: I. A song of the setting sun!, Songs of Sunset: III. Pale amber sunlight falls across the reddening October trees, Songs of Sunset: VI. See how the trees and osiers lithe are green bedecked |
| Alan Brown |
engineer |
Wiener Blut: Akt II. "Durchlaucht!" (Gräfin, Minister), Wiener Blut: Akt III. "Gent' s und verkauft' s mei G' wand" (Zwei Mädchen, Gräfin, Minister), Wiener Blut: Akt III. "Lockt Sie denn die Laube nicht" (Gräfin, Minister) |
| Kihl Studio |
engineer |
Wiener Blut: Akt II. Dialog "O der Herr Fürst!" (Kagler, Minister, Gräfin, Graf, Franzi), Wiener Blut: Akt III. "Stoß an, stoß an, du Liebchen mein" (Graf, Pepi, Gräfin, Franzi, Minister, Josef) |
| Doctor Mean Face |
engineer |
Wiener Blut: Akt I. "Fünf volle Tag'" (Franzi, Josef), Wiener Blut: Akt I. "Pepi! Er?" (Franzi, Josef) |
| Stefanie Brown |
engineer |
Eine Nacht in Venedig: Akt I. "Komm in die Gondel, mein Liebchen" (Herzog, Delacqua, Annina), Wiener Blut: Akt I. "Ich klopfte ganz vergebens" (Minister, Gräfin, Graf) |
| Regress |
engineer |
Romance for Violin and Orchestra no. 1 in G major, op. 40: Andante, Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile |
| VarieTease |
engineer |
Eine Nacht in Venedig: Akt I. "'s ist wahr, ich bin nicht allzu klug ... Wenn du dich kränkst" (Ciboletta, Pappacoda), Eine Nacht in Venedig: Akt III. "Tacke, tacke, tack ... Aber wenn man erst gekostet hat" (Pappacoda, Ciboletta) |
| Nicolai Gedda |
engineer |
Eine Nacht in Venedig: Akt I. "Kaum, daß mein Liebchen die scshaukeinde Gondel entführt" (Herzog, Chor), Eine Nacht in Venedig: Akt I. "Sei mir gegrüßt, du holdes Venezia!" (Herzog) |
| Neil Friedlander |
engineer |
Wiener Blut: Akt I. "Ein sehr jovialer alter Herr" (Minister, Franzi), Wiener Blut: Akt I. "Ich kann mich nicht beklagen" (Minister, Franzi) |
| Lady Fern |
engineer |
Eine Nacht in Venedig: Akt I. "Hast du mir ein Kostüm gebracht" (Pappacoda, Ciboletta, Herzog, Annina, Barbara), Eine Nacht in Venedig: Akt I. "Hier wasd es still ... Der Mond hat schwere Klag' erhob'n" (Herzog, Barbara, Annina, Pappacoda, Ciboletta) |
| The Closhers |
balance |
Songs of Sunset: V. By the sad waters of separation, Songs of Sunset: VII. I was not sorrowful, I could not weep |
| Julie Iraninejad |
engineer |
Wiener Blut: Akt I. "Wünsch' guten Morgen, Herr von Pepi!" (Pepi, Josef), Wiener Blut: Akt II. "Geh' schau, mein liebes Schatzerl" (Josef, Pepi) |
| Midnight Sister |
engineer |
Eine Nacht in Venedig: Akt I. "Wenn vom Lido sacht" (Chor), Eine Nacht in Venedig: Akt III. Introduktion "Karneval ruft uns zum Ball!" (Chor) |
| Jill & The New Gruv |
engineer |
Wiener Blut: Akt II. "Die Weinerstadt, sie hat eiv Symbol" (Graf, Chor, Alle), Wiener Blut: Akt III. "Weiner Blut!" (Alle) |
| Mario Kart Band |
balance, sound |
Ariadne auf Naxos, op. 60: Opera: Conclusion: "Es gibt ein Reich, wo alles rein ist" (Ariadne), Die Fledermaus: Akt II. "Klänge der Heimat" |
| Holly McIntosh |
engineer |
Der Zigeunerbaron: Akt II. "Mein Aug' bewacht bei Tag und Nacht" (Czipra, Barinkay, Saffi), Der Zigeunerbaron: Akt II. "Seht dies Gefunkel!... Ha, seht, es winkt, es blinkt, es klingt" (Czipra, Barinkay, Saffi) |
| Mariel Orr |
engineer |
Der Zigeunerbaron: Akt I. "Das wär' kein rechter Schiffersknecht" (Chor), Der Zigeunerbaron: Akt III. "Hurrah, die Schlacht mitgemacht haben wir im fernen Land" (Chor) |
| Mini Maine |
engineer |
Eine Nacht in Venedig: Akt II. Dialog "Komm, Barbara" (Herzog, Annina, Caramello, Delacqua) |
| Giuseppe Verdi |
balance |
Aida, opera: Ballet Music |
| Frogleg |
engineer |
Eine Nacht in Venedig: Akt II. Dialog "Alles geht gut" (Delacqua, Ciboletta, Herzog) |
| Huw Webb |
engineer |
Der Zigeunerbaron: Akt I. "So elend und so treu" ... "O habet Acht" (Saffi, Barinkay) |
| Jack Lindey |
engineer |
Eine Nacht in Venedig: Akt I. Dialog "Ja, Pappacoda, alter Makkaronikessel" (Caramello, Pappacoda, Barbara, Annina) |
| Franz Liszt |
balance |
Hungarian Rhapsody no. 2 |
| Jet Black Vicar |
engineer |
Der Zigeunerbaron: Akt II. "Ich hab' gewacht bei Tag und Nacht" (Czipra, Arsena, Mirabella, Barinkay, Homany, Carnero, Ottokar, Zsupán, Chor) |
| Frankie Estevez |
engineer |
Der Zigeunerbaron: Akt I. "Bald wird man dich viel umwerben" (Czipra, Carnero) |
| Fleur D. |
engineer |
Der Zigeunerbaron: Akt II. "Her die Hand, es muss ja sein" (Homonay, Chor) |
| Jorge Vera |
sound |
Arabella: Akt III. "Das war sehr gut" |
| Juan "Punchy" Gonzalez |
engineer |
Eine Nacht in Venedig: Akt II. "Ninana, Ninana, hier will ich singen!" (Herzog, Annina, Ciboletta, Delacqua) |
| Ether |
engineer |
Der Zigeunerbaron: Akt I "Also jetzt wirst du Augen machen, Freunderl!" ... "Dem Freier nacht die Braut" ... "Ein Frier meldet sich schon wieder" (Zsupán, Chor, Arsena, Barinkay, Carnero, Mirabella) |
| Emmy Raver-Lampman |
engineer |
Eine Nacht in Venedig: Akt II. "Sie sagten meinem Liebesfleh'n" (Herzog, Annina, Pappacoda, Caramello) |
| K2 |
engineer |
Wiener Blut: Akt II. "Er ist fort? Wirklich fort?" (Pepi) |
| KATANA |
engineer |
Eine Nacht in Venedig: Akt I. "Zur Serenade!" (Chor, Delacqua, Herzog) |
| Karmen Zupančič |
balance |
Songs of Sunset: VIII. They are not long, the weeping and the laughter |
| Kayzo |
sound |
Le nozze di Figaro: Atto II. "Porgi, amor" |
| Kevin Massey |
engineer |
Eine Nacht in Venedig: Akt II. "Solch' ein Wirtschaus lob' ich mir ... Man steckt ein" (Chor, Pappacoda, Caramello) |
| Alan Strawbridge |
engineer |
Der Zigeunerbaron: Akt I. "Um frech dem Übermut zu frönen" (Saffi, Czipra, Barkinay, Chor, Arsena, Mirabella, Zsupán, Carnero, Alle) |
| L.Biollay |
engineer |
Der Zigeunerbaron: Akt I. "Ah, sieh da, ein herrlich Frauenbild" (Barinkay, Zsupán, Mirabella, Arsena, Czipra, Chor) |
| Elouise |
engineer |
Der Zigeunerbaron: Akt I. "Hergott, ein altes Weib!" (Carnero, Czipra, Barkinay, Saffi) |
| Elenco do Teatro da Universidade Católica de São Paulo |
engineer |
Der Zigeunerbaron: Akt I. "Verloren hast du einen Schatz" (Czipra) |
| Lexie |
engineer |
Eine Nacht in Venedig: Akt I. "Ihr Venezianer, hört...Drum sei glücklich, sei selig, Venezia!" (Pappacoda, Chor) |
| Lindsie Van Winkle |
engineer |
Eine Nacht in Venedig: Akt I. "Messer Delacqua!" (Pappacoda, Ciboletta, Herzog, Delacqua) |
| Ludwig van Beethoven |
balance |
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - |
| Eldemur Krimm |
engineer |
Der Zigeunerbaron: Akt II. "Noch eben in Gloria" (Carnero, Zsupán, Mirabella, Arsena, Ottokar, Czipra) |
| EMI |
engineer |
Der Zigeunerbaron: Akt I. "Das schreib' dir, Alte, hinter's Ohr" (Carnero, Czipra, Barkinay, Chor, Zsupán) |
| Devin Waldman |
engineer |
Der Zigeunerbaron: Akt III. Dialog "Ihr habt alle Eure Pglicht getan" (Homonay, Zsupán, Barinkay) |
| David Alan Eadie |
engineer |
Der Zigeunerbaron: Akt II. Dialog "Wer kein Feigling ist" (Homonay, Zsupán, Carnero, Barinkay) |
| Meggie George |
engineer |
Der Zigeunerbaron: Akt I. "Hier in diesem Land Eure Wiege stand" (Saffi, Czipra, Barkinay, Arsena, Mirabelle, Zsupán, Chor) |
| Melissa Rigby |
engineer |
Der Zigeunerbaron: Akt I. "Arsena, Arsena!" (Ottokar, Arsena, Barinkay, Saffi, Czipra, Chor) |
| Melissa van der Schyff |
engineer |
Eine Nacht in Venedig: Akt II. Dialog "Caramello, ich bin mit dir zufrieden" (Herzog, Caramello, Annina) |
| Michael Wear |
engineer |
Der Zigeunerbaron: Akt II. Dialog "Meine Mutter hat von dir geträumt...Von mir?" (Czipra) / Aria "Ein Greis ist mir im Traum erschlenen" (Czipra, Barinkay, Saffi) |
| Daniela Krüger |
sound |
Lohengrin: Akt. I. "Einsam in trüben Tagen" |
| Mike Rashkow |
engineer |
Eine Nacht in Venedig: Akt I. Dialog "Nun, Caramello, hast du Barbara gesprochen?" (Herzog, Caramello, Delacqua, Barbara) |
| Helika |
balance |
Songs of Sunset: II. Cease similing, Dear! a little while be sad |
| Nacho Dogan |
sound |
Die verkaufte Braut: Akt. III "Endlich allein ... Wie fremd und tot" |
| Nasty Tendency |
engineer |
Der Zigeunerbaron: Akt I. Dialog "Aber von nun an" (Barinkay, Carnero) |
| D.T. Seizure |
engineer |
Der Zigeunerbaron: Akt III. "Reich ihm die Hand, vertraue dem Zigeuner" (Saffi, Barinkay, Homonay, Czipra, Chor, Alle) |
| Coffin Birth |
engineer |
Der Zigeunerbaron: Akt I. "Ja, das Schreiben und das Lesen" (Zsupán) |
| Christine Pedi |
engineer |
Eine Nacht in Venedig: Akt I. Dialog "O Annina, ich errate was euch herführt" (Pappacoda, Annina, Barbara, Barbaruccio, Delaqua) |
| Ouiny Mac |
engineer |
Der Zigeunerbaron: Akt II. Dialog "Pali, Pali! Du! Der groß Schweinehirt Zsupán" (Carnero, Pali, Zsupán, Barinkay) |
| Patrick Lafarge |
engineer |
Der Zigeunerbaron: Akt II. " Kling und Klang, Eisen macht Gesang!" (Zigeunerchor) |
| Paul Fleetwood |
engineer |
Der Zigeunerbaron: Akt I. "O habet Acht, habet Acht" (Chor, Saffi, Barinkay, Czipra) |
| Pinnacle Entertainment |
engineer |
Wiener Blut: Akt II. "So nimm, meine süßer Schatz ... Die Schrift, die kenn' Ich" (Graf, Pepi, Josef) |
| REDD |
engineer |
Der Zigeunerbaron: Akt II. "O welch ein Glück!" (Saffi, Barinkay, Arsena, Mirabella, Czipra, Zsupán, Homonay, Ottokar, Chor) |
| Chrissie Abbott |
engineer |
Der Zigeunerbaron: Akt I. Dialog "Also du bist mit der Heirat einverstandchen?" (Barinkay, Zsupán, Arsena) |
| Captain Maxx |
engineer |
Der Zigeunerbaron: Akt II. "Ach, ihn ruft das Vaterland und Pflicht" (Czipra, Arsena, Mirabella, Barinkay, Homonay, Carnero, Ottokar, Zsupán, Chor, Saffi) |
| Sarah and The Macintosh |
engineer |
Wiener Blut: Akt I. Dialog "Er hat mir also die Warheit gesagt?" (Franzi, Josef, Kagler) |
| Brian Ray Norris |
engineer |
Eine Nacht in Venedig: Akt I. "Alle maskiert, alle maskiert" (Annina, Ciboletta, Caramello, Pappacoda) |
| Shabnam Cyrus |
engineer |
Wiener Blut: Akt I. Dialog "Endich ist Sie da, Mamsell" (Franzi, Pepi, Josef. Minister, Kagler) |
| Bob Pat Band |
engineer |
Eine Nacht in Venedig: Akt II. "Zezt ist's Zeit zur Lustbarkeit ... Horch, von San Marco der Glocken Gelaüt" (Chor, Herold, Herzog, Ciboletta, Annina) |
| Simon Simon |
engineer |
Wiener Blut: Akt I. "Nein, nein, daraus werd' ich nicht klug" (Gräfin, Graf, Minister, Franzi) |
| Sion Alun |
engineer |
Der Zigeunerbaron: Akt I. "Du kannst den Zigeunern getrost vertrau'n" (Czipra, Chor, Saffi, Barinkay, Zsupán, Carnero, Arsena, Mirabella) |
| Snaketown Syndicate |
engineer |
Der Zigeunerbaron: Akt III. "Von des Tajo Strand" (Zsupán, Chor) |
| Steal Your Face |
engineer |
Eine Nacht in Venedig: Akt III. Dialog "O mein Weib ist mir geraubt worden!" (Delacqua, Ciboletta, Pappacoda) |
| Blue Shield of California |
engineer |
Der Zigeunerbaron: Akt I. "Als flotter Geist" / "Ja! Ja, das alles auf Ehr" (Barinkay, Chor) |
| Sweet Cicada |
engineer |
Der Zigeunerbaron: Akt II. "So voil Fröhlichkeit" (Arsena, Mirabella, Ottokar, Homonay, Zsupán) |
| The Bear Season |
engineer |
Wiener Blut: Akt I. "Gruß Gott, mein liebes Kind!" (Graf, Franzi) |
| The Big Five |
sound |
Le nozze di Figaro: Atto IV. "Giunse alfin il momento ... Deh vieni, non tardar" |
| Black River Revue |
engineer |
Eine Nacht in Venedig: Akt III. Dialog "Ciboletta, weißt du nicht wo deine Herrin ist?" (Herzog, Ciboletta, Delacqua, Barbara, Caramello) |
| Black Market Brass |
engineer |
Eine Nacht in Venedig: Akt II. "Lasset die andern tanzen da! Tra la la la!" (Herzog, Caramello, Annina, Ciboletta, Pappacoda, Herold) |
| The Garrens |
engineer |
Der Zigeunerbaron: Akt I. Dialog "Ihr seid der mächtigste Sauzüchter im Lande" (Barinkay, Zsupán, Carnero, Mirabella, Ottokar) |
| The Rick Sales Entertainment Group |
engineer |
Wiener Blut: Akt III. "Hier sind die lauben" (Graf, Franzi, Josef, Pepi) |
| Tomb Mold |
engineer |
Der Zigeunerbaron: Akt II. "Auf, auf, auf, vorbei is die Nacht" (Pali, Zigeunerchor) |
| Tommy and the Tones |
engineer |
Der Zigeunerbaron: Akt III. Dialog "Grüß Euch alle!" (Zsupán, Arsena, Carnero) |
| Amilcare Ponchielli |
balance |
La Gioconda, opera in 4 acts: Dance of the Hours |
| Veggieman |
engineer |
Wiener Blut: Akt II. Dialog "Ich fürchte, ich verlieb' mich noch in meine eigene Frau" (Graf, Franzi, Pepi) |
| Voces Latinas |
engineer |
Eine Nacht in Venedig: Akt I. Dialog "Makkaroni, Makkaroni di Napoli!" (Pappacoda, Enrico, Ciboletta) |
| Alexander Kayiambakis |
engineer |
Der Zigeunerbaron: Akt II. Dialog "Ei, die nette Trauungsbehörde!" (Carnero, Ottokar, Arsena, Zsupán, Barinkay) |
| Феликс Гурджи. |
engineer |
Der Zigeunerbaron: Akt I. "Jeden Tag, Müh' und Plag'" (Ottokar, Czipra, Chor) |