Koninklijk Concertgebouworkest

performing orchestra, orchestrator

Top collaborators

Artist name Roles Recordings
Janet Hill
Distant Echoes
川村ケン
キララ (GUNDAM BUILD FIGHTERS)
Mong Rosseel

Work on other artists' recordings

Artist name Roles Recordings
Janet Hill performing orchestra A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84
Distant Echoes performing orchestra Don Giovanni, K. 527, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio) / Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III: Recitativo: "Ah del padre in periglio", Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) / Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a], Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira, Il Commendatore, Donna Anna, Don Ottavio, Zerlina, Masetto)), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi ... Mi tradì quell'alma ingrata" (Donna Elvira) [540c], Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Overture in C major, D. 591: "In the Italian Style", Overture in the Italian Style in C major, D 591, Overture in the Italian Style in D major, D 590, Polednice Op. 108: Andante, Symfonie no. 8 in B kleine terts, D. 759 “De onvoltooide”, Symphony No. 101 in D major, Hob I:101 "The Clock": I. Adagio - Presto, Symphony No. 101 in D major, Hob I:101 "The Clock": II. Andante, Symphony No. 101 in D major, Hob I:101 "The Clock": III. Menuet - Allegretto - Trio, Symphony No. 101 in D major, Hob I:101 "The Clock": IV. Finale - Vivace, Symphony No. 102 in B-flat major, Hob I:102: I. Largo - Vivace, Symphony No. 102 in B-flat major, Hob I:102: II. Adagio, Symphony No. 102 in B-flat major, Hob I:102: III. Menuet: Allegro - Trio, Symphony No. 102 in B-flat major, Hob I:102: IV. Finale: Presto, Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio - Allegro molto, Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco, Symphony No.35, D Major, K.385 I. Allegro con spirito, Symphony No.36, C Major, K.425 IV. Presto, Symphony no. 1 in D major, D 82: I. Adagio - Allegro vivace, Symphony no. 1 in D major, D 82: II. Andante, Symphony no. 1 in D major, D 82: III. Menuetto: Allegretto, Symphony no. 1 in D major, D 82: IV. Allegro vivace, Symphony no. 1 in D major, D. 82: I. Adagio - Allegro Vivace, Symphony no. 1 in D major, D. 82: II. Andante, Symphony no. 1 in D major, D. 82: III. Menuetto: Allegretto, Symphony no. 1 in D major, D. 82: IV. Allegro vivace, Symphony no. 100 in G major "Military": I. Adagio - Allegro, Symphony no. 100 in G major "Military": II. Allegretto, Symphony no. 100 in G major "Military": III. Menuet: Moderato, Symphony no. 100 in G major "Military": IV. Finale: Presto, Symphony no. 2 in B-flat major, D 125: I. Largo - Allegro vivace, Symphony no. 2 in B-flat major, D 125: II. Andante, Symphony no. 2 in B-flat major, D 125: III. Menuetto: Allegro vivace, Symphony no. 2 in B-flat major, D 125: IV. Presto vivace, Symphony no. 3 in D major, D 200: I. Adagio maestoso - Allegro con brio, Symphony no. 3 in D major, D 200: II. Allegretto, Symphony no. 3 in D major, D 200: III. Menuetto: Vivace - Trio, Symphony no. 3 in D major, D 200: IV. Presto vivace, Symphony no. 34 for Orchestra in C major, K. 338: I. Allegro vivace, Symphony no. 34 for Orchestra in C major, K. 338: II. Andante di molto più tosto allegretto, Symphony no. 34 for Orchestra in C major, K. 338: III. Finale. Allegro vivace, Symphony no. 38 in D major, K. 504 "Prague": I. Adagio – Allegro, Symphony no. 38 in D major, K. 504 "Prague": II. Andante, Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony no. 39 in E-flat major, K. 543: I. Adagio – Allegro, Symphony no. 39 in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto, Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 4 in C minor, D 417 "Tragic": I. Adagio molto - Allegro vivace, Symphony no. 4 in C minor, D 417 "Tragic": II. Andante, Symphony no. 4 in C minor, D 417 "Tragic": III. Menuetto: Allegro vivace, Symphony no. 4 in C minor, D 417 "Tragic": IV. Allegro, Symphony no. 4 in C minor, D. 417 "Tragic": I. Adagio molto -Allegro vivace, Symphony no. 4 in C minor, D. 417 "Tragic": II. Andante, Symphony no. 4 in C minor, D. 417 "Tragic": III. Menuetto: Allegro vivace, Symphony no. 4 in C minor, D. 417 "Tragic": IV. Allegro, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 6 in C major, D 589 "Little": I. Adagio - Allegro, Symphony no. 6 in C major, D 589 "Little": II. Andante, Symphony no. 6 in C major, D 589 "Little": III. Scherzo: Presto - Più lento, Symphony no. 6 in C major, D 589 "Little": IV. Allegro moderato, Symphony no. 68 in B-flat major: I. Vivace, Symphony no. 68 in B-flat major: II. Menuetto, Symphony no. 68 in B-flat major: III. Adagio cantabile, Symphony no. 68 in B-flat major: IV. Finale: Presto, Symphony no. 7 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 7 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo, Symphony no. 7 in D minor, op. 70: IV. Finale, Symphony no. 8 in C major, D 944 "Great": I. Andante - Allegro ma non troppo, Symphony no. 8 in C major, D 944 "Great": II. Andante con moto, Symphony no. 8 in C major, D 944 "Great": III. Scherzo: Allegro vivace, Symphony no. 8 in C major, D 944 "Great": IV. Finale: Allegro vivace, Symphony no. 8, “Unfinished”: I. Allegro moderato (excerpt), Symphony no. 93 in D major: I. Adagio - Allegro assai, Symphony no. 93 in D major: II. Largo, Symphony no. 93 in D major: III. Menuetto: Allegro, Symphony no. 93 in D major: IV. Finale: Presto ma non troppo, Symphony no. 94 in G major "Surprise": I. Adagio - Vivace assai, Symphony no. 94 in G major "Surprise": II. Andante, Symphony no. 94 in G major "Surprise": III. Menuetto: Allegro molto, Symphony no. 94 in G major "Surprise": IV. Finale: Allegro di molto, Symphony no. 95 in C minor: I. Allegro moderato, Symphony no. 95 in C minor: II. Andante, Symphony no. 95 in C minor: III. Menuetto, Symphony no. 95 in C minor: IV. Finale: Vivace, Symphony no. 96 in D major "Le Miracle": I. Adagio - Allegro, Symphony no. 96 in D major "Le Miracle": II. Andante, Symphony no. 96 in D major "Le Miracle": III. Menuetto: Allegretto, Symphony no. 96 in D major "Le Miracle": IV. Finale: Vivace assai, Symphony no. 97 in C major: I. Adagio - Vivace, Symphony no. 97 in C major: II. Adagio ma non troppo, Symphony no. 97 in C major: III. Menuetto: Allegretto, Symphony no. 97 in C major: IV. Finale: Presto assai, Symphony no. 98 in B-flat major: I. Adagio - Allegro, Symphony no. 98 in B-flat major: II. Adagio cantabile, Symphony no. 98 in B-flat major: III. Menuetto: Allegro, Symphony no. 98 in B-flat major: IV. Finale: Presto, Symphony no. 99 in E-flat major: I. Adagio - Vivace assai, Symphony no. 99 in E-flat major: II. Adagio, Symphony no. 99 in E-flat major: III. Menuetto: Allegretto, Symphony no. 99 in E-flat major: IV. Finale: Vivace, The Gipsy Baron, Der Zigeunerbaron, Le baron tzigane, The Water Goblin, Op. 107, The Wild Dove, op. 110
川村ケン performing orchestra Alone, op. 26 (excerpts): Altai, Alone, op. 26 (excerpts): Barrel organ, Alone, op. 26 (excerpts): Calm after the storm, Alone, op. 26 (excerpts): Galop, Alone, op. 26 (excerpts): In Kuzmina's hut, Alone, op. 26 (excerpts): March, Alone, op. 26 (excerpts): March. The street, Alone, op. 26 (excerpts): School children, Storm scene, Alone, op. 26 (excerpts): Snow storm, Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Formazioni, Fuga ricercata à 6 from The Musical Offering, BWV 1079, Hamlet, op. 116 (excerpts): Ball, Hamlet, op. 116 (excerpts): Ball at the castle, Hamlet, op. 116 (excerpts): In the garden, Hamlet, op. 116 (excerpts): Introduction, Hamlet, op. 116 (excerpts): Military music, Hamlet, op. 116 (excerpts): Palace music, Hamlet, op. 116 (excerpts): Scene of the poisoning, Pirogov, op. 76a: Finale, Pirogov, op. 76a: Scherzo, Sofia Perovskaya, op. 132: Waltz, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in D: II. Kräftig bewegt, doch nicht du schnell, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: IX. Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VII. Poco adagio: Waldung, sie schwankt heran, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VIII. Ewiger Wonnebrand, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVI. Komm! Komm!, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, Tahiti Trot (Tea for Two), op. 16, The Counterplan, op. 33 (excerpts): Presto, The Counterplan, op. 33 (excerpts): The song of the counterplan, The Great Citizen, op. 55: Funeral March, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), The Story of the Silly Little Mouse, Tuning Up
キララ performing orchestra A Faust Symphony: I. Faust, A Faust Symphony: II. Gretchen, Academic Festival Overture, op. 80, Apollon musagète: Apothéose, Apollon musagète: Coda: Apollon et les Muses, Apollon musagète: Naissance d’Apollon, Apollon musagète: Pas de deux: Apollon et Terpsichore, Apollon musagète: Pas d’action: Apollon et les trois Muses, Clliope, Polyhymnie et Terpsichore, Apollon musagète: Variation de Calliope (l’Alexandrin), Apollon musagète: Variation de Polymnie, Apollon musagète: Variation de Terpsichore, Apollon musagète: Variation d’Aplollon: Apollon et les Muses, Apollon musagète: Variation d’Apollon, Danse (Tarantelle styrienne), Daphnis et Chloé, Deuxième partie : I. Introduction, Daphnis et Chloé, Deuxième partie : II. Danse guerrière, Daphnis et Chloé, Deuxième partie : III. Scène – Danse suppliante de Chloé, Daphnis et Chloé, Première partie : I. Introduction et danse religieuse, Daphnis et Chloé, Première partie : II. Scène – Danse générale, Daphnis et Chloé, Première partie : III. Danse grotesque de Dorcon – Scène, Daphnis et Chloé, Première partie : IV. Danse légère et gracieuse de Daphnis, Daphnis et Chloé, Première partie : V. Scène – Danse de Lyceion – Scène (les pirates), Daphnis et Chloé, Première partie : VI. Scène – Danse lente et mystérieuse, Daphnis et Chloé, Troisième partie : I. Lever du jour – Scène, Daphnis et Chloé, Troisième partie : II. Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé, Troisième partie : III. Danse générale, Eine florentinische Tragödie: Ouvertüre, Götterdämmerung, WWV 86d: Tagesgrauen und Siegfrieds Rheinfahrt, Jeu de cartes: Deuxième donne: Musique d’introduction (alla breve), Marche, Variation des quatre reines, Variation du valet de cœur, Coda (più mosso), Reprise de la marche et danse d’ensemble, Jeu de cartes: Première donne: Musique d’introduction, Pas d’action, Danse du joker, Petite valse, Jeu de cartes: Troisiéme donne: Musique d’introduction (alle breve), Valse, Presto (Combat des piques et des cœurs), Danse finale (Triomphe des cœurs), Kammermusik no. 1, op. 24 no. 1: I. Sehr schnell und wild, Kammermusik no. 1, op. 24 no. 1: II. Mäßig schnell Halbe, Kammermusik no. 1, op. 24 no. 1: III. Quartett: Sehr langsam und mit Ausdruck, Kammermusik no. 1, op. 24 no. 1: IV. Finale 1921: Lebhaft, Khamma, L’Oiseau de feu (Suite): Berceuse: L’Oiseau de feu, L’Oiseau de feu (Suite): Danse des princesses, L’Oiseau de feu (Suite): Danse infernal du roi Kachtchei, L’Oiseau de feu (Suite): Finale, L’Oiseau de feu (Suite): Introduction, L’Oiseau de feu (Suite): L’Oiseau de feu et sa danse, L’Oiseau de feu (Suite): Pantomime I, L’Oiseau de feu (Suite): Pantomime II, L’Oiseau de feu (Suite): Pantomime III, L’Oiseau de feu (Suite): Pas de deux: L’Oiseau de feu et Ivan Tsarévitch, L’Oiseau de feu (Suite): Tone des princesses (Khorovod), Petrouchka: Apparition des maques, Petrouchka: Apparition du double de Petrouchka, Petrouchka: Chez Petrouchka, Petrouchka: Chez le Maure, Petrouchka: Danse des cochers, Petrouchka: Danse des nourrices, Petrouchka: Danse russe, Petrouchka: Fête populaire de la Semaine grasse, Petrouchka: Fête populaire de la Semaine grasse (vers le soir), Petrouchka: La police et le charlatan, Petrouchka: La rixe: le Maure et Petrouchka, Petrouchka: Le montreur d’ours avec sa bête, Petrouchka: Mort de Petrouchka, Petrouchka: Un marchand fêtard avec deux tziganes, Petrouchka: Valse, Scheherazade: The Sea and Sinbad's Ship, Scheherazade: The Sea; the Ship Goes to Pieces on a Rock, Scheherazade: The Tale of the Kalender Prince, Scheherazade: The Young Prince and the Young Princess, Scherzo Fantastique, op. 3, Symphony No. 2: I. Ziemlich schnell, Symphony No. 2: II. Adagio: Feierlich, etwas bewegt, Symphony No. 2: III. Scherzo: Schnell - Trio, Symphony No. 2: IV. Finale: Mehr schnell, Symphony No. 5 in B-flat major: I. Adagio - Allegro, Symphony No. 5 in B-flat major: II. Adagio: Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo: Molto vivace - Trio, Symphony No. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato, Symphony No. 6 in A major: I. Maestoso, Symphony No. 6 in A major: II. Adagio: Sehr feierlich, Symphony No. 6 in A major: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony No. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo: Allegro moderato, Symphony No. 8 in C minor: III. Adagio - feierlich langsam; doch nicht schleppend, Symphony No. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich, misterioso, Symphony No. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony No. 9 in D minor: III. Adagio: Langsam, feierlich, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in F major, op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in E-flat major “Romantic”: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major “Romantic”: II. Andante quasi allegretto, Symphony no. 4 in E-flat major “Romantic”: III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major “Romantic”: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Tahiti Trot, Tahiti Trot, op. 19
Mong Rosseel performing orchestra Alborada del gracioso, Also sprach Zarathustra, op. 30: (Sonnenaufgang), Also sprach Zarathustra, op. 30: Das Grablied, Also sprach Zarathustra, op. 30: Das Nachtwandlerlied, Also sprach Zarathustra, op. 30: Das Tanzlied, Also sprach Zarathustra, op. 30: Der Genesende, Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: Von den Hinterweltlern, Also sprach Zarathustra, op. 30: Von der Wissenschaft, Also sprach Zarathustra, op. 30: Von der großen Sehnsucht, Bolero, Daphnis et Chloé, Suite no. 2: 1. Lever du nour, Daphnis et Chloé, Suite no. 2: 2. Pantomime, Daphnis et Chloé, Suite no. 2: 3. Danse générale, Das Klagende Lied, Part I: I. Beim Weidenbaum, im kühlen Tann, Das Klagende Lied, Part I: II. Ein Spielmann zog einst des Weges daher, Das Klagende Lied, Part I: III. Ach Spielmann, lieber Spielmann mein!, Das Klagende Lied, Part II: IV. Von hohen Felsen erglänzt das Schloß, Das Klagende Lied, Part II: V. Was ist der König so stumm und bleich, Das Klagende Lied, Part II: VI. Ach Spielmann, lieber Spielmann mein!, Das Klagende Lied, Part II: VII. Auf springt der König von seinem Thron, Das Klagende Lied, Part II: VIII. Ach Bruder, lieber Bruder mein!, Don Juan, op. 20, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 3: Allegretto, Hungarian Dance for Orchestra in G minor, WoO 1 No. 1: Allegro molto, Jeux d'enfants, op. 22: I. Marche: Trompette et tambour, Jeux d'enfants, op. 22: II. Berceuse: La Poupée, Jeux d'enfants, op. 22: III. Impromptu: La toupie, Jeux d'enfants, op. 22: IV. Duo: Petit mari, petite femme, Jeux d'enfants, op. 22: V. Galop: Le bal, La Valse, Ma mère l'Oye: Apothéose: Le Jardin féerique, Ma mère l'Oye: Danse du rouet et scène - Interlude, Ma mère l'Oye: Interlude, Ma mère l'Oye: Laideronnette, impératrice des pagodes, Ma mère l'Oye: Les Entretiens de la Belle et de la Bête, Ma mère l'Oye: Pavane de la Belle au bois dormant, Ma mère l'Oye: Petit Poucet, Ma mère l'Oye: Prélude, Menuet antique, Music for the Royal Fireworks, Suite HWV 351: I. Overture, Music for the Royal Fireworks, Suite HWV 351: II. Bourrée, Music for the Royal Fireworks, Suite HWV 351: IV. La Réjouissance, Music for the Royal Fireworks, Suite HWV 351: V. Menuet I–II, Music for the Royal Fireworks: I. Overture. Grave - Andante - Allegro, Music for the Royal Fireworks: II. Bourrée. Allegro, Music for the Royal Fireworks: III. La paix, Music for the Royal Fireworks: IV. La Réjouissance. Allegro, Music for the Royal Fireworks: V. Menuet I & II. Andante, Pavane for a Dead Princess, Pavane pour une infante défunte, Rhapsodie espagnole: Feria, Rhapsodie espagnole: Habanera, Rhapsodie espagnole: Malagueña, Rhapsodie espagnole: Prélude à la nuit, Serenade for Orchestra No. 1 in D major, Op. 11: I. Allegro molto, Serenade for Orchestra No. 1 in D major, Op. 11: II. Scherzo. Allegro non troppo, Serenade for Orchestra No. 1 in D major, Op. 11: III. Adagio non troppo, Serenade for Orchestra No. 1 in D major, Op. 11: IV. Menuetto I - Menuetto II, Serenade for Orchestra No. 1 in D major, Op. 11: V. Scherzo. Allegro, Serenade for Orchestra No. 1 in D major, Op. 11: VI. Rondo. Allegro, Serenade for Orchestra No. 2 in A major, Op. 16: I. Allegro moderato, Serenade for Orchestra No. 2 in A major, Op. 16: II. Scherzo. Vivace, Serenade for Orchestra No. 2 in A major, Op. 16: III. Adagio non troppo, Serenade for Orchestra No. 2 in A major, Op. 16: IV. Quasi menuetto, Serenade for Orchestra No. 2 in A major, Op. 16: V. Rondo. Allegro, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 10 in F-sharp minor: Andante - Adagio, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso - Presto ma non assai, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 1 in C minor: I. Allegro molto moderato, Symphony no. 1 in C minor: II. Adagio, Symphony no. 1 in C minor: III. Scherzo. Lebhaft, Symphony no. 1 in C minor: IV. Finale. Bewegt und feurig, Till Eulenspiegels lustige Streiche, op. 28, Tragic Overture for Orchestra in D minor, op. 81, Valses nobles et sentimentales: Assez animé, Valses nobles et sentimentales: Assez lent, Valses nobles et sentimentales: Epilogue. Lent, Valses nobles et sentimentales: Modéré, Valses nobles et sentimentales: Moins vif, Valses nobles et sentimentales: Presque lent, Valses nobles et sentimentales: Vif, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante
José Manuel Hierro performing orchestra L'Oiseau de feu: Introduction, L'Oiseau de feu: Tableau I. Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Berceuse (L'Oiseau de feu) - réveil de Katchtcheï - mort de Katchtcheï - profonds ténèbres, L'Oiseau de feu: Tableau I. Brusque apparition d'Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Capture de l'Oiseau de feu par Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Carillon féerique - apparition des monstres-gardiens de Katchtcheï - capture d'Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Danse de l'Oiseau de feu, L'Oiseau de feu: Tableau I. Danse de la suite de Katchtcheï enchantée par l'Oiseau de feu, L'Oiseau de feu: Tableau I. Danse infernale de tous les sujets de Katchtcheï, L'Oiseau de feu: Tableau I. Jeu des princesses avec les pommes d'or, L'Oiseau de feu: Tableau I. Khorovod (ronde) des princesses, L'Oiseau de feu: Tableau I. Le jardin enchanté de Katchtcheï, L'Oiseau de feu: Tableau I. Lever de jour - Ivan Tsarévitch pénètre dans le palais de Katchtcheï, L'Oiseau de feu: Tableau I. Supplications de l'Oiseau de feu - apparition des treize princesses enchantées, L'Oiseau de feu: Tableau II. Disparition du palais et des sortilèges de Katchtcheï - animation des chevaliers pétrifiés - allégresse générale, Night on the Bare Mountain, Pictures at an Exibition: Bydlo, Pictures at an Exibition: Cum mortuis in lingua mortua, Pictures at an Exibition: Gnomus, Pictures at an Exibition: Il vecchio castello, Pictures at an Exibition: Promenade, Pictures at an Exibition: Promenade. Ballet of the chickens in their shells, Pictures at an Exibition: Samuel Goldenberg and Schmuyle, Pictures at an Exibition: The hut on fowl’s legs (Baba Yaga) / The great gate of Kiev, Pictures at an Exibition: The market-place at Limoges. Catacombae (Sepulchrum romanum), Pictures at an Exibition: Tuileries, Symphony in B-flat, Hob I:102: I. Largo - Vivace, Symphony in B-flat, Hob I:102: II. Adagio, Symphony in B-flat, Hob I:102: III. Menuet (Allegro), Symphony in B-flat, Hob I:102: IV. Finale (Presto), Symphony in B-flat, Hob I:98: I. Adagio - Allegro, Symphony in B-flat, Hob I:98: II. Adagio, Symphony in B-flat, Hob I:98: III. Menuet (Allegro), Symphony in B-flat, Hob I:98: IV. Finale (Presto), Symphony in C minor, Hob I:95: I. Allegro moderato, Symphony in C minor, Hob I:95: II. Andante, Symphony in C minor, Hob I:95: III. Menuetto, Symphony in C minor, Hob I:95: IV. Finale (Vivace), Symphony in C, Hob I:97: I. Adagio - Vivace, Symphony in C, Hob I:97: II. Adagio ma non troppo, Symphony in C, Hob I:97: III. Menuetto (Allegretto), Symphony in C, Hob I:97: IV. Finale (Presto assai), Symphony in D, Hob I:101 "The Clock": I. Adagio - Presto, Symphony in D, Hob I:101 "The Clock": II. Andante, Symphony in D, Hob I:101 "The Clock": III. Menuetto (Allegretto), Symphony in D, Hob I:101 "The Clock": IV. Finale (Vivace), Symphony in D, Hob I:104 "London": I. Adagio - Allegro moderato, Symphony in D, Hob I:104 "London": II. Andante, Symphony in D, Hob I:104 "London": III. Menuet (Allegro), Symphony in D, Hob I:104 "London": IV. Finale (Spiritoso), Symphony in D, Hob I:93: I. Adagio - Allegro assai, Symphony in D, Hob I:93: II. Largo cantabile, Symphony in D, Hob I:93: III. Menuetto (Allegro), Symphony in D, Hob I:93: IV. Finale (Presto ma non troppo), Symphony in D, Hob I:96 "The Miracle": I. Adagio - Allegro, Symphony in D, Hob I:96 "The Miracle": II. Andante, Symphony in D, Hob I:96 "The Miracle": III. Menuetto. Allegretto, Symphony in D, Hob I:96 "The Miracle": IV. Finale. Vivace assai, Symphony in E-flat, Hob I:103 "Drum Roll": I. Adagio - Allegro con spirito, Symphony in E-flat, Hob I:103 "Drum Roll": II. Andante più tosto allegretto, Symphony in E-flat, Hob I:103 "Drum Roll": III. Menuet, Symphony in E-flat, Hob I:103 "Drum Roll": IV. Finale. Allegro con spirito, Symphony in E-flat, Hob I:99: I. Adagio - Vivace assai, Symphony in E-flat, Hob I:99: II. Adagio, Symphony in E-flat, Hob I:99: III. Menuetto (Allegretto), Symphony in E-flat, Hob I:99: IV. Finale (Vivace), Symphony in G major, Hob I:100 "Military": I. Adagio - Allegro, Symphony in G major, Hob I:100 "Military": II. Allegretto, Symphony in G major, Hob I:100 "Military": III. Menuet (Moderato), Symphony in G major, Hob I:100 "Military": IV. Finale (Presto), Symphony in G, Hob I:94 "Surprise": I. Adagio - Vivace assai, Symphony in G, Hob I:94 "Surprise": II. Andante, Symphony in G, Hob I:94 "Surprise": III. Menuet (Allegro molto), Symphony in G, Hob I:94 "Surprise": IV. Finale (Allegro di molto), Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 9 in E minor, op. 95: I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95: II. Largo, Symphony no. 9 in E minor, op. 95: III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95: IV. Allegro con fuoco, “Night on the Bare Mountain”
Dooda performing orchestra Der Rosenkavalier, op. 59 - First Suite of Waltzes, Der Rosenkavalier, op. 59 - Second Suite of Waltzes, Don Juan, op. 20, TrV 156, Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen", Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte", Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen", Matthäus-Passion, BWV 244: Teil I, IV. (Evangelist, Chor) "Da versammelten sich die Hohenpriester", etc., Matthäus-Passion, BWV 244: Teil I, IX. "Aber am ersten Tage der süssen Brot", etc., Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du", Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu", Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer", Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz", Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen", Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach", Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt", Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken", Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten", Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral "O Schmerz! Hier zittert das gequälte Herz", Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter", Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm", Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen", Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe", Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen", Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig", Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder", Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen", Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern", Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß", Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit", Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend", Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen", etc., Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren", Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott", Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen", Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista), etc., Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden", Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha", Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista), Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut", Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen", Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen", etc., Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?", Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden", Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista), etc., Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war", Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus), etc., Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein", Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht", Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder", Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista), etc., Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista), etc., Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen", Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder", Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus), Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege", Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben", Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas), etc., Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe", Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus), Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan", Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori), etc., Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin", Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten", Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht", Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten", Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille", Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott", Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen", Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen", Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus), etc., Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus), etc., Till Eulenspiegels lustige Streiche, op. 28, TrV 171
Gary Montalvo performing orchestra Le Carnaval romain, Matthäus Passion, BWV 244: 28. Evangelist, Jesus "Und siehe, einer aus denen, die mit Jesu waren", Matthäus Passion, BWV 244: 29. Choral "O Mensch, bewein' dein Sünde gross", Matthäus Passion, BWV 244: 30. Aria (Alto, Chorus) "Ach, nun ist mein Jesus hin", Matthäus Passion, BWV 244: 31. Evangelist "Die aber Jesum gegriffen hatten", Matthäus Passion, BWV 244: 33. Evangelist, Hohepriester "Und der Hohepriester stand auf", Matthäus Passion, BWV 244: 34. Recitativo (Tenor) "Mein Jesus schweigt", Matthäus Passion, BWV 244: 36a. Evangelist, Pontifex, Jesus "Und der Hohepriester antwortete" ; 36b. Chorus "Er is des Todes schuldig!", Matthäus Passion, BWV 244: 36c. Evangelist "Da speieten sie asu in sein Angesicht" ; 36d. Chorus "Weissage uns, Christe", Matthäus Passion, BWV 244: 38a. Evangelist, Ancillla, Petrus "Petrus aber sas draussen im Palast", Matthäus Passion, BWV 244: 38b. Chorus "Wahrlich du bist auch einer von denen" ; 38c. Evangelist, Petrus "Da hub er an", Matthäus Passion, BWV 244: 39. Aria (Alto) "Erbarme dich, mein Gott!", Matthäus Passion, BWV 244: 41a. Evangelist, Judas "Des Morgens aber hielten alle Hohenpriester", Matthäus Passion, BWV 244: 45a. Evangelist, Pilatus "Auf das Fest aber hatte der Landpfleger Gewohnheit" 45b. Chorus "Lass ihn kreuzigen!", Matthäus Passion, BWV 244: 47. Evangelist, Pilatus "Der Landpfleger sagte", Matthäus Passion, BWV 244: 48. Recitativo (Soprano) "Er hat uns allen wohlgetan", Matthäus Passion, BWV 244: 49. Aria (Soprano) "Aus liebe will mein Heiland sterben", Matthäus Passion, BWV 244: 50a. Evangelist "Sie schrieen aber noch mehr" 50b. Chorus 50c. Evangelist, Pilatus 50d. Chorus 50e. Evangelist, Matthäus Passion, BWV 244: 51. Recitativo (Alto) "Erbarm es Gott", Matthäus Passion, BWV 244: 53a.Evangelist "Da nahmen die Kriegsknechte" 53.b Chorus "Gegrüsset seist du, Judenkönig!" 53c.Evangelist "Und speieten ihn an", Matthäus Passion, BWV 244: 54. Choral "O Haupt voll Blut und Wunden", Matthäus Passion, BWV 244: 55. Evangelist "Und da sie ihn verspottet hatten", Matthäus Passion, BWV 244: 58a. Evangelist "Und da wurden zween Mörder" 58b. Chorus 58c. Evangelist 58d. Chorus, Matthäus Passion, BWV 244: 58e. Evangelist "Desgleichen schmäheten ihn auch die Mörder", Matthäus Passion, BWV 244: 59. Recitativo (Alto) "Ach Golgatha", Matthäus Passion, BWV 244: 61a. Evangelist, Jesus "Und von der sechsten Stunde an" 61b.Chorus 61c. Evangelist 61d. Chorus 61e. Evangelist, Matthäus Passion, BWV 244: 62. Choral "Wenn ich einmal soll scheiden", Matthäus Passion, BWV 244: 63a. Evangelist "Und siehe da, den Vorhang im Tempel" 63b. Chorus "Wahrlich, dieser ist Gottes Sohn gewesen" 63c. Evangelist, Matthäus Passion, BWV 244: 64. Recitativo (Basso) "Am Abend, da es kühle war", Matthäus Passion, BWV 244: 66. Evangelist "Und Joseph nahm den Leib", Matthäus Passion, BWV 244: 67. Recitativo (Soprano, Alto, Tenore, Basso, Chorus) "Nun ist der Herr zu Ruh' gebracht", Matthäus Passion, BWV 244: 68. Chorus "Wir setzen uns mit Tränen nieder", Matthäus Passion: 1. Chorus "Kommt, ihr Töchter, helft mir Klagen", Matthäus Passion: 10. Choral "Ich bin's, ich sollte büssen", Matthäus Passion: 11. Evangelist, Jesus, Judas "Er antwortete und sprach", Matthäus Passion: 12. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt", Matthäus Passion: 13. Aria (Soprano) "Ich will dir mein Herze schenken", Matthäus Passion: 14. Evangelist, Jesus "Und da sie den Lobgesang gesprochen hatten", Matthäus Passion: 15. Choral "Erkenne mich, mein Hüter", Matthäus Passion: 16. Evangelist, Jesus, Petrus "Petrus aber antwortete", Matthäus Passion: 18. Evangelist, Jesus "Da kam Jesus mit ihnen zu einem Hofe", Matthäus Passion: 19. Recitativo (Tenor, Chorus) "O Schmerz! Hier zittert das gequälte Herz!", Matthäus Passion: 2. Evangelist, Jesus "Da Jesus diese Rede vollendet hatte", Matthäus Passion: 20. Aria (Tenor, Chorus) "Ich will bei meinen Jesu wachen", Matthäus Passion: 21. Evangelist, Jesus "Und ging hin ein wenig", Matthäus Passion: 24. Evangelist, Jesus "Und er kam zu seinen Jüngern", Matthäus Passion: 25. Choral "Was mein Gott will, das g'scheh allzeit", Matthäus Passion: 26. Evangelist, Jesus, Judas "Und er kam und fand sie aber schlafend", Matthäus Passion: 27a. Aria (Soprano, Alto, Chorus) "So ist mein Jesus nun gefangen" 27b. Chorus "Sind Blitze, sind Donner", Matthäus Passion: 3. Choral "Herzliebster Jesu, was hast du verbrochen", Matthäus Passion: 4a. Evangelist "Da versammleten sich die Hohenpriester", Matthäus Passion: 4b. Chorus "Ja nicht auf das Fest", Matthäus Passion: 4c. Evangelist "Da nun Jesus war zu Bethanien", Matthäus Passion: 4d. Chorus "Wozu dienet dieser Unrat", Matthäus Passion: 4e. Evangelist, Jesus "Da das Jesus merkete", Matthäus Passion: 5. Recitativo (Alto) "Du lieber Heiland du", Matthäus Passion: 6. Aria (Alto) "Buss und Reu", Matthäus Passion: 7. Evangelist, Judas "Da ging hin der Zwölfen einer", Matthäus Passion: 8. Aria (Soprano) "Blute nur, du liebes Herz", Matthäus Passion: 9a. Evangelist, Chorus "Aber am ersten Tage der süssen Brot", Matthäus Passion: 9b. Chorus "Wo willst du, dass wir dir bereiten", Matthäus Passion: 9c. Evangelist, Jesus; 9d. Evangelist; 9e. Chorus, Prélude à l'après-midi d'un faune, Psyché et Éros, Symphony in d minor: Allegretto, Symphony in d minor: Allegro non troppo, Symphony in d minor: Lent – Allegro non troppo
Gustav Mahler performing orchestra (applause), Bach Suite: I. Overture, Bach Suite: II. Rondeau - Badinerie, Bach Suite: III. Air, Bach Suite: IV: Gavottes I and II, Das Rheinlegendchen, Das klagende Lied: Erster Teil, I. "Beim Weidenbaum, im kühlen Tann", Das klagende Lied: Erster Teil, II. "Ein Spielmann zog einst des Weges daher", Das klagende Lied: Erster Teil, III. "Ach Spielmann, lieber Spielmann mein!", Das klagende Lied: Zweiter Teil, IV. "Von hohen Felsen erglanzt das Schloß", Das klagende Lied: Zweiter Teil, V. "Was ist der Konig so stumm und bleich", Das klagende Lied: Zweiter Teil, VI. "Ach Spielmann, lieber Spielmann mein!", Das klagende Lied: Zweiter Teil, VII. "Auf springt der Konig von seinem Thron", Das klagende Lied: Zweiter Teil, VIII. "Ach Bruder, lieber Bruder mein!", Des Knaben Wunderhorn: I. Der Schildwache Nachtlied, Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?, Des Knaben Wunderhorn: III. Der Tamboursg'sell, Des Knaben Wunderhorn: IV. Das irdische Leben, Des Knaben Wunderhorn: IX. Rheinlegendchen, Des Knaben Wunderhorn: V. Verlor'ne Müh', Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt, Des Knaben Wunderhorn: VII. Urlicht, Des Knaben Wunderhorn: VIII. Revelge, Des Knaben Wunderhorn: X. Lob des hohen Verstands, Des Knaben Wunderhorn: XI. Trost im Unglück, Des Knaben Wunderhorn: XII. Wo die schönen Trompeten blasen, Des Knaben Wunderhorn: XIII. Lied des Verfolgten im Turm, Des Knaben Wunderhorn: XIV. Das himmlische Leben, Symphonie No. 10 Fis-moll: Andante. Adagio, Symphonie Nr. 4 in G-dur: I. Bedächtig, nicht eilen, Symphonie Nr. 4 in G-dur: II. In gemachlicher Bewegung, Symphonie Nr. 4 in G-dur: III. Ruhevoll, sehr behaglich, Symphonie Nr. 4 in G-dur: IV. Sehr behaglich, Symphony No 3 - I. Kräftig, Entschieden, Symphony No 3 - II. Tempo di Menuetto. Sehr mässig, Symphony No 3 - III. Comodo. Scherzando. Ohne Hast, Symphony No 3 - IV. Sehr Langsam. Misterioso. 'Mensch Gib Acht!', Symphony No 3 - V. Lustig im Tempo und keck im Ausdruck: 'Es sungen drei Engel', Symphony No 3 - VI. Langsam. Ruhevoll. Empfunden, Symphony No. 1 in D major: I. Langsam, schleppend (Wie ein Naturlaut) - Im anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: I. Mit Wut. Allegro risoluto, Symphony No. 9 in D major: I. Tempo I, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb, Symphony No. 9 in D major: II. Ländler, ganz langsam, Symphony No. 9 in D major: II. Poco più mosso subito, Symphony No. 9 in D major: III. Rondo, Burleske (Allegro assai. Sehr trotzig), Symphony No. 9 in D major: III. Rondo, Burleske (Presto), Symphony No. 9 in D major: IV. Adagio (Sehr langsam), Symphony no. 3 in D minor: I. Kräftig - Entschieden, Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig., Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso: "Oh Mensch! Gib acht!", Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm bamm ... Es sungen drei Engel", Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich: Das himmlische Leben, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik I: Allegro moderato, Symphony no. 7: Nachtmusik II: Andante amoroso, Symphony no. 7: Rondo - Finale, Symphony no. 7: Scherzo: Schattenhaft
Игорь Фёдорович Стравинский performing orchestra Applause, L'Oiseau de feu: I. Introduction, L'Oiseau de feu: I. L'Oiseau de feu et sa danse, L'Oiseau de feu: I. Variation de l'Oiseau de feu, L'Oiseau de feu: II. Ronde des princesses (Khorovode), L'Oiseau de feu: III. Berceuse, L'Oiseau de feu: III. Danse infernale du roi Kachtcheï, L'Oiseau de feu: III. Finale, Le Sacre du printemps: I. L'Adoration de la terre: I. Introduction, Le Sacre du printemps: I. L'Adoration de la terre: II. Les Augures Printaniers (Danses des adolescentes), Le Sacre du printemps: I. L'Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: I. L'Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: I. L'Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: I. L'Adoration de la terre: VI. Cortège du Sage, Le Sacre du printemps: I. L'Adoration de la terre: VII. Adoration de la terre, Le Sacre du printemps: I. L'Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: II. Le Sacrifice: I. Introduction, Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes, Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l'Elue, Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres, Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres, Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L'Elue), Petrushka: Part I, No. 1a. "The Shrove-tide Fair", Petrushka: Part I, No. 1b. "The Crowds", Petrushka: Part I, No. 1c. "The Charlatan's Booth", Petrushka: Part I, No. 1d. "Russian Dance", Petrushka: Part II, No. 2. "Petrushka's Room", Petrushka: Part III, No. 3a. "The Moor's Room", Petrushka: Part III, No. 3b. "Dance of the Ballerina", Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor), Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening), Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses", Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear", Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls", Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms", Petrushka: Part IV, No. 4f. "The Masqueraders", Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death), Pulcinella: Allegro, Pulcinella: Allegro - Alla breve, Pulcinella: Allegro - Alla breve: "Con queste paroline" (bass), Pulcinella: Allegro assai, Pulcinella: Allegro: "Nce sta quaccuna po" (soprano) - "Una te fa la zemprece" (tenor), Pulcinella: Ancora poco meno: "Contento forse vivere" (soprano), Pulcinella: Andante: "Sento dire no'nce pace" (soprano, tenor, bass), Pulcinella: Andantino, Pulcinella: Andantino: "Se tu m'ami" (soprano), Pulcinella: Gavotta con due variazioni, Pulcinella: Ouverture: Allegro moderato, Pulcinella: Presto: "Una te fa la zemprece" (tenor), Pulcinella: Scherzino: Allegro, Pulcinella: Serenata: Larghetto: "Mentre l'erbetta" (tenor), Pulcinella: Tarantella, Pulcinella: Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor, bass), Pulcinella: Vivo, The Firebird (L'oiseau de feu) - Suite: Final Hymn
Jesé Rodríguez performing orchestra Symfonie no. 1 in D grote terts “Der Titan”, Symphonie No. 9 D-dur: IIIa. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphonie No. 9 D-dur: IIIb. Rondo-Burleske: L'istesso tempo, Symphonie No. 9 D-dur: IIIc. Rondo-Burleske: Sempre l'istesso tempo, Symphonie No. 9 D-dur: IIId. Rondo-Burleske: L'istesso tempo, Symphonie No. 9 D-dur: IIIe. Rondo-Burleske, Symphonie No. 9 D-dur: IIIf. Rondo-Burleske: (Klarinetteneinsatz), Symphonie No. 9 D-dur: IIIg. Rondo-Burleske: Tempo I. subito, Symphonie No. 9 D-dur: IIIh. Rondo-Burleske: Più stretto, Symphonie No. 9 D-dur: IIa. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphonie No. 9 D-dur: IIb. Poco più mosso subito (Tempo II.), Symphonie No. 9 D-dur: IIc. Tempo III., Symphonie No. 9 D-dur: IId. Tempo II., Symphonie No. 9 D-dur: IIe. Tempo I., Symphonie No. 9 D-dur: IIf. Tempo II., Symphonie No. 9 D-dur: IIg. Tempo I. subito, Symphonie No. 9 D-dur: IVa. Sehr langsam und noch zurückhaltend, Symphonie No. 9 D-dur: IVb. Plötzlich wieder sehr langsam (wie zu Anfang), Symphonie No. 9 D-dur: IVc. Molto adagio subito, Symphonie No. 9 D-dur: IVd. A tempo (Molto adagio), Symphonie No. 9 D-dur: IVe. Stets sehr gehalten, Symphonie No. 9 D-dur: IVf. Fließender, doch durchaus nicht eilend, Symphonie No. 9 D-dur: IVg. Tempo I. Molto adagio, Symphonie No. 9 D-dur: IVh. Adagissimo, Symphonie No. 9 D-dur: Ia. Andante comodo, Symphonie No. 9 D-dur: Ib. (Horneinsatz), Symphonie No. 9 D-dur: Ic. Bewegter, Symphonie No. 9 D-dur: Id., Symphonie No. 9 D-dur: Ie. Wie von Anfang, Symphonie No. 9 D-dur: If. Plötzlich bedeutend langsamer (Lento) und leise, Symphony no. 1 in D major, "Titan": I. Langsam. Schleppend, Symphony no. 1 in D major, "Titan": II. Kräftig bewegt, Symphony no. 1 in D major, "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major, "Titan": IV. Stürmisch bewegt, Symphony no. 4 in G major: I. Bedächtig, nicht eilen, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 8 in B minor "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio, Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Ravi Shakti performing orchestra The Sleeping Beauty, op. 66: Act I, no. 5. Scène, The Sleeping Beauty, op. 66: Act I, no. 7. Scène, The Sleeping Beauty, op. 66: Act I, no. 8. Coda, The Sleeping Beauty, op. 66: Act I, no. 8. Danse des demoiselles d'honneur et des pages, The Sleeping Beauty, op. 66: Act I, no. 8. Pas d'action, The Sleeping Beauty, op. 66: Act I, no. 8. Variation d'Aurore, The Sleeping Beauty, op. 66: Act I, no. 9. Final, The Sleeping Beauty, op. 66: Act II, no. 10. Entracte et scène, The Sleeping Beauty, op. 66: Act II, no. 11. Colin-maillard, The Sleeping Beauty, op. 66: Act II, no. 12. Scène, The Sleeping Beauty, op. 66: Act II, no. 13. Farandole, The Sleeping Beauty, op. 66: Act II, no. 14. Scène, The Sleeping Beauty, op. 66: Act II, no. 15. Coda, The Sleeping Beauty, op. 66: Act II, no. 15. Pas d'action, The Sleeping Beauty, op. 66: Act II, no. 15. Variation d'Aurore, The Sleeping Beauty, op. 66: Act II, no. 16. Scène, The Sleeping Beauty, op. 66: Act II, no. 17. Panorama, The Sleeping Beauty, op. 66: Act II, no. 19. Entracte symphonique, The Sleeping Beauty, op. 66: Act II, no. 20. Final, The Sleeping Beauty, op. 66: Act III, no. 21. Marche, The Sleeping Beauty, op. 66: Act III, no. 22. Polacca, The Sleeping Beauty, op. 66: Act III, no. 23. Pas de quatre, The Sleeping Beauty, op. 66: Act III, no. 23. Variations I-IV - Coda, The Sleeping Beauty, op. 66: Act III, no. 24. Pas de caractère, The Sleeping Beauty, op. 66: Act III, no. 25. Pas de quatre, The Sleeping Beauty, op. 66: Act III, no. 25. Variations I-II - Coda, The Sleeping Beauty, op. 66: Act III, no. 26. Cendrillon et le prince Fortune, The Sleeping Beauty, op. 66: Act III, no. 26. Pas de caractère, The Sleeping Beauty, op. 66: Act III, no. 27. Pas berrichon 28. Pas de deux, The Sleeping Beauty, op. 66: Act III, no. 28. Adagio, The Sleeping Beauty, op. 66: Act III, no. 28. Pas de deux: Entrée, The Sleeping Beauty, op. 66: Act III, no. 28. Variations I-II - Coda, The Sleeping Beauty, op. 66: Act III, no. 29. Sarabande, The Sleeping Beauty, op. 66: Act III, no. 30. Apothéose, The Sleeping Beauty, op. 66: Act III, no. 30. Final, The Sleeping Beauty, op. 66: Introduction, The Sleeping Beauty, op. 66: Prologue, no. 1. Marche, The Sleeping Beauty, op. 66: Prologue, no. 2. Scène dansante, The Sleeping Beauty, op. 66: Prologue, no. 3. Pas de six, The Sleeping Beauty, op. 66: Prologue, no. 3. Variations I-VI - Coda, The Sleeping Beauty, op. 66: Prologue, no. 4. Final
Ludwig van Beethoven performing orchestra Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem, Overture “Leonore”, op. 138, Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile, Symphonie No. 5 en do mineur, Op. 67: I. Allegro con brio, Symphonie No. 9 in D minor, Op. 125: IV. Allegro ma non tanto - Prestissimo (Royal Concertgebouw Orchestra), Symphony No. 3 "Eroica": Allegro Con Brio, Symphony No. 3 "Eroica": Finale (Allegro Molto), Symphony No. 3 "Eroica": Marcia Funebre (Adagio Assai), Symphony No. 3 "Eroica": Scherzo (Allegro Vivace), Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IVb. O Freunde, Nicht Diese Toene!, Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVe. Andante maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": IVf. Allegro energico, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony no. 4 in B-flat major, op. 60: I. Andante - Allegro ma non troppo, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
Ozzy performing orchestra "Alceste" Overture, "Rosamunde" Overture, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Opening of Mahler’s Adagietto as recorded in 1926 by Willem Mengelberg and the Amsterdam Concertgebouw, Overture "De getemde feeks", op. 25, Serenade for Strings in C major, op. 48: I. Pezzo in forma sonatina: Andante non troppo - Allegro moderato, Serenade for Strings in C major, op. 48: II. Waltz: Moderato (Tempo di valse), Serenade for Strings in C major, op. 48: III. Élégie: Larghetto elegiaco, Serenade for Strings in C major, op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito, Symphony No. 4 in G major: I. Bedächtig, nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, poco adagio, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony no. 5 in E minor, op. 64: Andante - allegro con anima, Symphony no. 5 in E minor, op. 64: Andante cantabile, con alcuma licenza, Symphony no. 5 in E minor, op. 64: Andante maestoso - allegro vivace, Symphony no. 5 in E minor, op. 64: Valse: Allegro moderato, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 8 (9) in C major, D 944 'The Great': Allegro moderato, Symphony no. 8 (9) in C major, D 944 'The Great': Andante con moto, Symphony no. 8 (9) in C major, D 944 'The Great': Andante — Allegro ma non troppo, Symphony no. 8 (9) in C major, D 944 'The Great': Scherzo, Allegro vivace
Johann Strauss performing orchestra "Der Zigeunerbaron" Overtüre, An der schönen blauen Donau, Op. 314, Die Fledermaus - Overtüre, Die Fledermaus: "Also jetzt einmal ehrlich..." (Frosch), Die Fledermaus: "Das ist vielleicht ein fideles Gefängnis..." (Frosch), Die Fledermaus: "Ich glaub, Komödie..." (Frosch), Die Fledermaus: "O je, jetzt hab i meinen Auftritt verpasst..." (Frosch), Die Fledermaus: Act I, no. 1a Introduction "Täubchen, das entflattert ist" (Alfred, Adele), Die Fledermaus: Act I, no. 1b Duettino "Ach, ich darf nicht hin zu dir" (Adele, Rosalinde), Die Fledermaus: Act I, no. 2 Trio "Nein, mit solchen Advokaten" (Eisenstein, Rosalinde, Blind), Die Fledermaus: Act I, no. 3 Duet "Komm mit mir zum Souper" (Falke, Eisenstein), Die Fledermaus: Act I, no. 4 Trio "So muss allein ich bleiben" (Rosalinde, Adele, Eisenstein), Die Fledermaus: Act I, no. 5 Finale I "Trinke, Liebchen, trinke schnell" (Alfred, Rosalinde, Frank), Die Fledermaus: Act II, no. 11a Finale II. Ensemble with Chorus "Im Feuerstrom der Reben... Brüderlein und Schwesterlein", Die Fledermaus: Act II, no. 11b Finale II. Ballet. Spanisch - Schottisch - Russisch - Böhmisch - Ungarisch, Die Fledermaus: Act II, no. 11c Finale II. Ensemble with Chorus "Genug damit, genug... Ha, welch ein Fest", Die Fledermaus: Act II, no. 6 Chorus and Ensemble "Ein Souper heut' uns winkt", Die Fledermaus: Act II, no. 7 Couplet "Ich lade gern mir Gäste ein" (Orlofsky), Die Fledermaus: Act II, no. 8 Ensemble and Couplet "Ach, meine Herrn und Damen... Mein Herr Marquis" (Adele, ensemble), Die Fledermaus: Act II, no. 9 Duet "Dieser Anstand, so manierlich" (Eisenstein, Rosalinde), Die Fledermaus: Act III, no. 13 Melodrama "Olga, komm her..." (Frank), Die Fledermaus: Act III, no. 14 Couplet "Spiel' ich die Unschuld vom Lande" (Adele, Ida, Frank), Die Fledermaus: Act III, no. 15 Trio "Ich stell voll Zagen... Mein Herr Notar" (Rosalinde, Alfred, Eisenstein), Die Fledermaus: Act III, no. 16 Finale III "O Fledermaus, o Fledermaus" (ensemble, Die Fledermaus: Entreact, Die Fledermaus: Ouvertüre, Egyptischer Marsch, Op. 335, G'schichten aus dem Wienerwald, op. 325, Kreuzfidel, Op. 301, Leichtes Blut op. 319, Pizzicato Polka, Unter Donner und Blitz, op. 324, Wiener Bonbons op. 307
Ronald Lipscomb performing orchestra Overture “Fidelio” in E major, op. 72c, Overture “Leonore” no. 3 in C major, op. 72b, Overtüre Leonore no. 2, op. 72a, Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto, Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country”, Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook”, Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”, Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”, Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm”, Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace – Presto, Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante Moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo, Till Eulenspiegels lustige Streiche, Op. 28 (IX. C, S. 452) (Amsterdam Concertgebouw Orchestra, Eugen Jochum)
Antonín Dvořák performing orchestra (applause), Requiem - Part 1. Confutatis maledictus, Requiem - Part 1. Graduale: Requiem aeternam, Requiem - Part 1. Introitus: Requiem aeternam, Requiem - Part 1. Lacrimosa, Requiem - Part 1. Quid sum miser, Requiem - Part 1. Recordare, Jesu pie, Requiem - Part 1. Sequentia: Dies irae, Requiem - Part 1. Tuba mirum, Requiem - Part 2. Agnus Dei, Requiem - Part 2. Hostias, Requiem - Part 2. Offertorium: Domine Jesu Christe, Requiem - Part 2. Pie Jesu, Requiem - Part 2. Sanctus: Sanctus & Benedictus, Symphony No 8 - I. Allegro con brio, Symphony No 8 - II. Adagio, Symphony No 8 - III. Allegretto grazioso, Symphony No 8 - IV. Allegro ma non troppo, Symphony No. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony No. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony No. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 8, op. 88: I. Allegro con brio, Symphony no. 8, op. 88: II. Adagio, Symphony no. 8, op. 88: III. Allegretto grazioso, Symphony no. 8, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor From “The New World”: II. Largo (excerpt), The Noon Witch, op. 108: I. Allegretto, The Noon Witch, op. 108: II. Andante sostenuto, The Noon Witch, op. 108: III. Allegro, The Noon Witch, op. 108: IV. Andante
Robin Vining performing orchestra Images pour orchestre: I. Gigues, Images pour orchestre: II. Ibéria: Par les rues et par les chemins, Images pour orchestre: III. Rondes de printemps, Images pour orchestre: Le matin d’un jour de fête, Images pour orchestre: Les parfums de la nuit, La Mer: De l’aube à midi sur la mer, La Mer: Dialogue du vent et de la mer, La Mer: Jeux de vagues, Trois Nocturnes: Fêtes, Trois Nocturnes: Nuages, Trois Nocturnes: Sirénes, Water Music: Alla Hornpipe, Water Music: I. Overture. Grave - Allegro, Water Music: II. Adagio e staccato, Water Music: III. Allegro - Andante - Allegro, Water Music: IV. A tempo di minuetto, Water Music: IX. Allegro moderato, Water Music: V. Air. Andante, Water Music: VI. Menuet. Pomposo, Water Music: VII. Bourrée. Allegro, Water Music: VIII. Hornpipe. Allegro, Water Music: X. Andante - Allegro, Water Music: XI. Alla hornpipe, Water Music: XII. Menuet. Moderato, Water Music: XIII. Aria. Allegro, Water Music: XIV. Loure. Lentement, Water Music: XIX. Coro. Pomposo, Water Music: XV. Air. Allegro, Water Music: XVI. Menuet. Moderato, Water Music: XVII. Menuet. Allegretto, Water Music: XVIII. Affettuoso - Cantabile
Manuel Haefliger performing orchestra Jeu de cartes: Deuxième donne. Coda. Più mosso, Jeu de cartes: Deuxième donne. Ensemble. Con moto, Jeu de cartes: Deuxième donne. Introduction. Alla breve, Jeu de cartes: Deuxième donne. March. Marcia, Jeu de cartes: Deuxième donne. Reprise of March. Marcia, Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante, Jeu de cartes: Deuxième donne. Variations I–IV. Allegretto, Jeu de cartes: Première donne. Dance Variation. Moderato assai, Jeu de cartes: Première donne. Dance of the Joker. Stringendo, Jeu de cartes: Première donne. Introduction. Alla breve, Jeu de cartes: Première donne. Pas d’action. Meno mosso, Jeu de cartes: Première donne. Waltz-Coda. Tranquillo, Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto, Jeu de cartes: Troisième donne. Final Dance – Coda. Tempo del principio, Jeu de cartes: Troisième donne. Introduction. Alla breve, Jeu de cartes: Troisième donne. Waltz, Orpheus: Scene 1. Air de danse. Andante con moto, Orpheus: Scene 1. Dance of the Angel of Death. L’istesso tempo, Orpheus: Scene 1. Interlude, Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto, Orpheus: Scene 2. Air de danse (Conclusion). L’istesso tempo, Orpheus: Scene 2. Air de danse. Grave – Un poco meno mosso, Orpheus: Scene 2. Interlude. L’istesso tempo, Orpheus: Scene 2. Interlude. Moderato assai, Orpheus: Scene 2. Pas de deux. Andante sostenuto, Orpheus: Scene 2. Pas des Furies. Agitato in piano – Sempre alla breve ma meno mosso, Orpheus: Scene 2. Pas d’action. Andantino leggiadro, Orpheus: Scene 2. Pas d’action. Vivace, Orpheus: Scene 3. Orpheus’s apotheosis. Lento sostenuto, Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: IV. Poco vivace
Christer Nerfont performing orchestra Alborada del gracioso, Bolero, Daphnis et Chloé, Suite Nr. 1 : 1. Nocturne, Daphnis et Chloé, Suite Nr. 1 : 2. Interlude, Daphnis et Chloé, Suite Nr. 1 : 3. Danse guerrière, La Valse, Le Tombeau de Couperin : 1. Prélude, Le Tombeau de Couperin : 2. Forlane, Le Tombeau de Couperin : 3. Menuet, Le Tombeau de Couperin : 4. Rigaudon, Ma Mère l’Oye (ballet) : Apothéose : Le Jardin féerique, Ma Mère l’Oye (ballet) : Danse du rouet et Scène – Interlude, Ma Mère l’Oye (ballet) : Laideronnette, Impératrice des Pagodes – Interlude, Ma Mère l’Oye (ballet) : Les Entretiens de la Belle et de la Bête – Interlude, Ma Mère l’Oye (ballet) : Pavane de la Belle au bois dormant – Interlude, Ma Mère l’Oye (ballet) : Petit Poucet – Interlude, Ma Mère l’Oye (ballet) : Prelude, Menuet antique, Pavane pour une infante défunte, Rapsodie espagnole : 1. Prélude à la nuit, Rapsodie espagnole : 2. Malagueña, Rapsodie espagnole : 3. Habanera, Rapsodie espagnole : 4. Feria, Symphony in C major: I. Allegro - Allegro vivo, Symphony in C major: II. Andante - Adagio, Symphony in C major: III. Scherzo. Allegro vivace, Symphony in C major: IV. Finale. Allegro vivace, Valses nobles et sentimentales
Pedro Pablo Seco performing orchestra The Nutcracker: Act I, no. 1. The Christmas Tree, The Nutcracker: Act I, no. 2. March, The Nutcracker: Act I, no. 3. Galop and Dance of the Parents, The Nutcracker: Act I, no. 4. Dance Scene: The Presents of Drosselmeyer, The Nutcracker: Act I, no. 5. Scene: Grandfather Dance, The Nutcracker: Act I, no. 6. Clara and the Nutcracker, The Nutcracker: Act I, no. 7. The Nutcracker Battles the Army of the Mouse King: He Wins and Is Transformed into Prince Charming, The Nutcracker: Act I, no. 8. in the Christmas Tree, The Nutcracker: Act II, no. 10. The Magic Castle on the Mountain of Sweets, The Nutcracker: Act II, no. 11. Clara and Prince Charming, The Nutcracker: Act II, no. 12a. Character Dances: Chocolate (Spanish Dance), The Nutcracker: Act II, no. 12b. Character Dances: Coffee (Arabian Dance), The Nutcracker: Act II, no. 12c. Character Dances: Tea (Chinese Dance), The Nutcracker: Act II, no. 12d. Character Dances: Trépak (Russian Dance), The Nutcracker: Act II, no. 12e. Character Dances: Dance of the Reed Pipes, The Nutcracker: Act II, no. 12f. Character Dances: Polchinelle (The Clown), The Nutcracker: Act II, no. 13. Waltz of the Flowers, The Nutcracker: Act II, no. 14a. Pas de deux: Intrada, The Nutcracker: Act II, no. 14b. Pas de deux: Variation I (Tarantella), The Nutcracker: Act II, no. 14c. Pas de deux: Variation II (Dance of the Sugar-Plum Fairy), The Nutcracker: Act II, no. 14d. Pas de deux: Coda, The Nutcracker: Act II, no. 15. Final Waltz and Apotheosis, The Nutcracker: Intrada (Pas de deux), The Nutcracker: Overture, The Sleeping Beauty, op. 66: Act I, no. 6. Valse
Muhammad Iqbal performing orchestra Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso, Klavierkonzer Nr. 1 D-Moll, Op. 15: I. Maestoso – Poco più moderato, Klavierkonzer Nr. 1 D-Moll, Op. 15: II. Adagio, Klavierkonzer Nr. 1 D-Moll, Op. 15: III. Rondo (Allegro non troppo – Più animato – Tempo 1), Klavierkonzert Nr. 2 B-dur, Op. 83: I. Allegro non troppo., Klavierkonzert Nr. 2 B-dur, Op. 83: II. Allegro appassionato, Klavierkonzert Nr. 2 B-dur, Op. 83: III. Andante – Più adagio, Klavierkonzert Nr. 2 B-dur, Op. 83: IV. Allegretto grazioso – Un poco più presto, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro, Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo, Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
Robert Schumann performing orchestra Dritte Abtheilung: 7. Faust's Verklärung: 1. Chor. „Waldung, sie schwankt heran.", Dritte Abtheilung: 7. Faust's Verklärung: 2. Tenor-solo. „Ewiger Wonnebrand, glühendes Liebesband.", Dritte Abtheilung: 7. Faust's Verklärung: 3a. Bass-solo. „Wie Felsen-Abgrund mir zu Füssen.", Dritte Abtheilung: 7. Faust's Verklärung: 3b. Bass-solo. „Welch ein Morgenwölkchen schwebet", Dritte Abtheilung: 7. Faust's Verklärung: 4a. Chor. „Gerettet ist das edle Glied.", Dritte Abtheilung: 7. Faust's Verklärung: 4b. Chor. „Gerettet ist das edle Glied.", Dritte Abtheilung: 7. Faust's Verklärung: 5. Bass-solo. „Hier ist die Aussicht frei.", Dritte Abtheilung: 7. Faust's Verklärung: 6. Bass-solo. Chor. „Dir, der Unberührbaren.", Dritte Abtheilung: 7. Faust's Verklärung: 7. Chorus mysticus. „Alles Vergängliche ist nur ein Gleichniss.", Erste Abtheilung: 1. Scene im Garten. „Du kanntest mich, o kleiner Engel.", Erste Abtheilung: 2. Gretchen for dem Bild der Mater dolorosa. „Ach neige, du Schmerzenreiche.", Erste Abtheilung: 3. Scene im Dom. „Wie anders, Gretchen, war dir's.", Ouverture, Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische Sinfonie": 4. Feierlich, Zweite Abtheilung: 4a. Ariel. Sonnenaufgang. „Die ihr dies Haupt umschwebt im luftigen Kreise.", Zweite Abtheilung: 4b. Ariel. Sonnenaufgang. „Täler grünen, Hügel Schwellen", Zweite Abtheilung: 4c. Ariel. Sonnenaufgang. „Des Lebens Pulse schlagen frisch lebendig", Zweite Abtheilung: 4d. Ariel. Sonnenaufgang. „So ist es also, wenn ein sehnend Hoffen", Zweite Abtheilung: 5a. Mitternacht. „Ich heisse der Mangel.", Zweite Abtheilung: 5b. Mitternacht. „Vier sah ich kommen, drei nur gehn", Zweite Abtheilung: 5c. Mitternacht. „Die Nacht scheint tiefer tief hereinzudringen", Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren."
Benjamin Britten performing orchestra Four Sea Interludes From “Peter Grimes”: Dawn (Act I), Four Sea Interludes From “Peter Grimes”: Moonlight (Act III), Four Sea Interludes From “Peter Grimes”: Storm (Act IV), Four Sea Interludes From “Peter Grimes”: Sunday Morning (Act II), Four Sea Interludes, op. 33A: I. Dawn, Four Sea Interludes, op. 33A: II. Sunday Morning, Four Sea Interludes, op. 33A: III. Moonlight, Four Sea Interludes, op. 33A: IV. Storm, Spring Symphony, op. 44: I. Introduction: "Shine out", Spring Symphony, op. 44: II. The merry cuckoo, Spring Symphony, op. 44: III. Spring, Spring Symphony, op. 44: IV. The driving boy (When as rye), Spring Symphony, op. 44: IX. When will my May come, Spring Symphony, op. 44: V. The morning star, Spring Symphony, op. 44: VI. Welcome maids of honor, Spring Symphony, op. 44: VII. Waters above, Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed, Spring Symphony, op. 44: X. Fair and fair, Spring Symphony, op. 44: XI. Sound the flute, Spring Symphony, op. 44: XII. Finale: "London, to thee I do present", The Young Person's Guide to the Orchestra, op. 34, The Young Person’s Guide to Orchestra (Variations and Fugue on a Theme of Purcell)
Ruggero Leoncavallo performing orchestra Pagliacci: "Si può? Si può?", Pagliacci: Arlecchin!- Colombina!, Pagliacci: Cammina adagio e li sorprenderai, Pagliacci: Decidi il mio destin, Pagliacci: Di fare il segno convenuto appressa l'istante, Pagliacci: E allor perché, di', Pagliacci: Intermezzo, Pagliacci: Introduzione, Pagliacci: Nedda! Silvio, a quest'ora, che imprudenza..., Pagliacci: No, pagliaccio non son, Pagliacci: Noin mi tentar!, Pagliacci: Ohè! ... Ohè! Presto, affrettiamoci, Pagliacci: Pagliaccio mio marito, Pagliacci: Qual fiamma ayea nel guardo! ... Stridono lassù, Pagliacci: Recitar! ... Vesti la giubba, Pagliacci: Sei là! Credea che te ne fossi andato, Pagliacci: Son quai Ritornano..., Pagliacci: Un grande spettacolo a ventitré ore, Pagliacci: Un tal gioco, credeterni, Pagliacci: Versa il filtro ne la tazza sua, Pagliacci: | zampognani! ... Don, din, don
Ms. Nora performing orchestra Symphonie No. 40 en sol mineur, K. 550: I. Molto allegro, Symphony No. 26 in E-flat major, K. 184: I. Molto presto, Symphony No. 26 in E-flat major, K. 184: II. Andante, Symphony No. 26 in E-flat major, K. 184: III. Allegro, Symphony No. 32 in G major, K. 318 (Overture in G): I. Allegro spiritoso, Symphony No. 32 in G major, K. 318 (Overture in G): II. Andante, Symphony No. 32 in G major, K. 318 (Overture in G): III. Tempo I, Symphony No. 39 in E-flat major, K. 543: I. Adagio - allegro, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Menuetto (Allegretto), Symphony No. 39 in E-flat major, K. 543: IV. Finale (Allegro), Symphony No. 40 in G minor, K. 550: I. Molto allegro, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Menuetto (Allegretto), Symphony No. 40 in G minor, K. 550: IV. Finale (Allegro assai), Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto), Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro, Tod und Verklärung, Op. 24
Brooks Wheelan performing orchestra Sebastian im Traum: I. ~ 80 bpm, Sebastian im Traum: II. Ruhig fliessend, Sebastian im Traum: III. ~ 60 bpm, Symphony no. 2 in D major, op. 43: 1. Allegretto, Symphony no. 2 in D major, op. 43: 2. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: 3. Vivacissimo – Lento e suave, Symphony no. 2 in D major, op. 43: 4. Finale: Allegro moderato, Symphony no. 3 in D minor (Version 1889 / Edition Nowak 1959): I. Mehr Langsam, Misterioso, Symphony no. 3 in D minor (Version 1889 / Edition Nowak 1959): II. Adagio: Bewegt, quasi andante, Symphony no. 3 in D minor (Version 1889 / Edition Nowak 1959): III. Ziemlich schnell, Symphony no. 3 in D minor (Version 1889 / Edition Nowak 1959): IV. Allegro, Symphony no. 4 in E-flat major 'Romantic' (Version 1878-80 / Edition Nowak 1953): I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major 'Romantic' (Version 1878-80 / Edition Nowak 1953): II. Andante quasi allegretto, Symphony no. 4 in E-flat major 'Romantic' (Version 1878-80 / Edition Nowak 1953): III. Scherzo: Bewegt — Trio: nicht zu schnell. keinesfalls schleppend, Symphony no. 4 in E-flat major 'Romantic' (Version 1878-80 / Edition Nowak 1953): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegretto moderato
Anton Bruckner performing orchestra Symphony No. 5 in B-flat major: I. Introduction. Adagio - Allegro. Mäßig, Symphony No. 5 in B-flat major: II. Adagio. Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo. Molto vivace (schnell) - Trio. Im gleichen Tempo, Symphony No. 5 in B-flat major: IV. Finale. Adagio - Allegro moderato, Symphony No. 6 in A major: I. Maestoso, Symphony No. 6 in A major: II. Adagio. Sehr feierlich, Symphony No. 6 in A major: III. Scherzo. Nicht schnell - Trio. Langsam, Symphony No. 6 in A major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 5 in B-flat major: I. Introduction. Adagio) — Allegro. Mäßig, Symphony no. 5 in B-flat major: II. Adagio. Sehr langsam, Symphony no. 5 in B-flat major: III. Scherzo. Molto vivace, schnell – Trio. Im gleichen Tempo, Symphony no. 5 in B-flat major: IV. Finale. Adagio. — Allegro moderato, Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso, Symphony no. 9 in D minor, WAB 109: II. Scherzo. Bewegt, lebhaft, Symphony no. 9 in D minor, WAB 109: III. Adagio. Langsam, feierlich, Symphony no. 9 in D minor: I. Feierlich. Misterioso, Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell – Scherzo da capo, Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich
Пётр Ильич Чайковский performing orchestra Manfred Symphony, op. 58: I. Lento lugubre, Manfred Symphony, op. 58: II. Vivace con spirito, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Swan Lake, Op.20 - Highlights: Act 1, No.2 Valse, Swan Lake, Op.20 - Highlights: Act 1, No.8 Danse des coupes (Tempo di polacca), Swan Lake, Op.20 - Highlights: Act 2, No.10 Scène (Moderato), Swan Lake, Op.20 - Highlights: Act 2: No.11 Scène (Allegro moderato), Swan Lake, Op.20 - Highlights: Act 2: No.13d Danses des cygnes (Allegro moderato), Swan Lake, Op.20 - Highlights: Act 2: No.13e Pas d'action, Swan Lake, Op.20 - Highlights: Act 3: No.20 Danse hongroise (Czardas: Moderato assai), Swan Lake, Op.20 - Highlights: Act 3: No.24 Scène (Allegro), Swan Lake, Op.20 - Highlights: Act 3: No.5b Pas de deux (Tempo di valse - Andante - Tempo di Valse - Allegro molto vivace), Swan Lake, Op.20 - Highlights: Act 4: No.27 Danse des petits cygnes (Moderato), Swan Lake, Op.20 - Highlights: Act 4: No.29 Scène Final (Andante - Allegro agitato), Swan Lake, Op.20 - Highlights: Act.1, No.1 Scène (Allegro giusto), Swan Lake, Op.20 - Highlights: Introduction (Moderato assai), Violin Concerto in D: III. Finale
Brayden performing orchestra Jeux (Poèm dansé), Nocturnes: Fêtes, Nocturnes: Nuages, Nocturnes: Sirènes, Symphony no. 6 in A: I. Majestoso, Symphony no. 6 in A: II. Adagio (sehr feierlich), Symphony no. 6 in A: II. Adagio (sehr feierlich) (conclusion), Symphony no. 6 in A: III. Scherzo (nicht schnell) – Trio (langsam), Symphony no. 6 in A: IV. Finale (bewegt, doch nicht zu schnell), Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo, Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto, Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace, Symphony no. 9 in C major, D. 944 “The Great”: IV. Allegro vivace, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: I. Adagio – Allegro, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: II. Andante, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: III. Menuetto. Allegretto, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: IV. Finale (Vivace)
Mo Labrique performing orchestra Rosamunde, D797: Ballet Music No. 2, Rosamunde, D797: Entr'acte No. 1, Rosamunde, D797: Entr'acte No. 3, Rosamunde, D797: Ouvertüre "Die Zauberharfe", D644, Symphony No. 3 in F major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 8 in G major, Op. 88: I. Allegro con brio, Symphony No. 8 in G major, Op. 88: II. Adagio, Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso, Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro
Garci Sánchez de Badajoz performing orchestra Sni (Dreams), op. 6, Symphonic Dances, op. 45: I. Non allegro, Symphony No. 3 in A minor, Op. 44: I. Lento - Allegro moderato, Symphony No. 3 in A minor, Op. 44: II. Adagio ma non troppo, Symphony No. 3 in A minor, Op. 44: III. Allegro, Symphony no. 1 in D minor, op. 13: 1. Grave - Allegro ma non troppo, Symphony no. 1 in D minor, op. 13: 2. Allegro animato, Symphony no. 1 in D minor, op. 13: 3. Larghetto, Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco, Symphony no. 2, op. 27: I. Largo - Allegro moderato, Symphony no. 2, op. 27: II. Allegro molto, Symphony no. 2, op. 27: III. Adagio, Symphony no. 2, op. 27: IV. Allegro vivace, Symphony no. 2: III. Adagio (conclusion), The Isle of the Dead, op. 29, Youth Symphony (1891)
Matthew M. Ronay performing orchestra Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo: Allegro scherzando, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo: Molto allegro, Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Piano Concerto No. 3 in C minor, Op. 37: III. Rondo: Allegro, Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato, Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto, Piano Concerto No. 4 in G major, Op. 58: III. Rondo: Vivace, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco moto, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo: Allegro
Mojo Rising performing orchestra Symfonie nr. 1, op. 68 in C kleine terts: I. Un poco sostenuto - Allegro, Symfonie nr. 1, op. 68 in C kleine terts: II. Andante sostenuto, Symfonie nr. 1, op. 68 in C kleine terts: III. Un poco allegretto e grazioso, Symfonie nr. 1, op. 68 in C kleine terts: IV. Adagio - Allegro non troppo, ma con brio, Symfonie nr. 2, op. 73 in D grote terts: I. Allegro non troppo, Symfonie nr. 2, op. 73 in D grote terts: II. Adagio non troppo, Symfonie nr. 2, op. 73 in D grote terts: III. Allegretto grazioso (quasi andantino), Symfonie nr. 2, op. 73 in D grote terts: IV. Allegro con spirito, Symfonie nr. 3, op. 90 in F grote terts: I. Allegro con brio, Symfonie nr. 3, op. 90 in F grote terts: II. Andante, Symfonie nr. 3, op. 90 in F grote terts: III. Poco allegretto, Symfonie nr. 3, op. 90 in F grote terts: IV. Allegro, Symfonie nr. 4, op. 98 in E kleine terts: I. Allegro non troppo, Symfonie nr. 4, op. 98 in E kleine terts: II. Andante moderato, Symfonie nr. 4, op. 98 in E kleine terts: IV. Allegro energico e passionato
Tristan Clarridge performing orchestra Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo. Vivace, Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato, Piano Concerto no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema. Andantino - Variations - Tema. L'istesso tempo, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo, Piano Concerto no. 3 in C major, op. 26: IIa. Tema. Andantino –, Piano Concerto no. 3 in C major, op. 26: IIb. Variation I. L’istesso tempo, Piano Concerto no. 3 in C major, op. 26: IIc. Variation II. Allegro, Piano Concerto no. 3 in C major, op. 26: IId. Variation III. Allegro moderato (poco meno mosso), Piano Concerto no. 3 in C major, op. 26: IIe. Variation IV. Andante meditativo, Piano Concerto no. 3 in C major, op. 26: IIf. Variation V. Allegro giusto, Piano Concerto no. 3 in C major, op. 26: IIg. Tema. L’istesso tempo
Sir Colin Davis orchestrator Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue
Nadja Schulz-Berlinghoff performing orchestra Ma Mere l'Oye: I. Pavane de la Belle au bois dormant. Lent, Ma Mere l'Oye: II. Petit Poucet. Très modéré, Ma Mere l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche, Ma Mere l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré, Ma Mere l'Oye: V. Le Jardin féerique. Lent et grave, Prelude to the Afternoon of a Faun, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace, Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro, Symphony no. 9 in E minor "From the new World": I. Adagio - Allegro molto, Symphony no. 9 in E minor "From the new World": II. Largo, Symphony no. 9 in E minor "From the new World": III. Scherzo, Molto vivace, Symphony no. 9 in E minor "From the new World": IV. Allegro con fuoco
Johannes Brahms performing orchestra Alto Rhapsody, Double concerto pour violon & violoncelle en la mineur Op.102 : I. Allegro, I. Selig sind, die da Leid tragen, II. Denn alles Fleisch, es ist wie Gras, III. Herr, lehre doch mich, IV. Wie lieblich sind deine Wohnungen, Symphony no. 2 in D major, op. 73: Adagio non troppo, Symphony no. 2 in D major, op. 73: Allegretto grazioso, Symphony no. 2 in D major, op. 73: Allegro con spirito, Symphony no. 2 in D major, op. 73: Allegro non troppo, V. Ihr habt nun Traurigkeit, VI. Denn wir haben hie keine bleibende Statt, VII. Selig sind die Toten
Hector Berlioz performing orchestra Le Carnaval romain, op. 9: Allegro assai con fuoco, Le Carnaval romain, op. 9: Andante sostenuto, Le Carnaval romain, op. 9: Tempo I. Allegro vivace, Symphonie fantastique, op. 14: I. Rêveries, Passions. Allegro agitato e appassionato assai, Symphonie fantastique, op. 14: I. Rêveries, Passions. Largo, Symphonie fantastique, op. 14: II. Un bal, Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche aux supplice. Allegro non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Allegro, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Dies irae, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Dies irae & Ronde du Sabbat, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Larghetto, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Ronde du Sabbat
MeCha performing orchestra Swan Lake, op. 20: Act 1. No. 1.. Scène (Allegro giusto), Swan Lake, op. 20: Act 1. No. 2. Valse (Corps de Ballet), Swan Lake, op. 20: Act 1. No. 8. Danse des coupes (Tempo di polacca), Swan Lake, op. 20: Act 2. No. 10. Scène (Moderato), Swan Lake, op. 20: Act 2. No. 11. Scène (Allegro moderato), Swan Lake, op. 20: Act 2. No. 13d. Danse des petits cygnes (Allegro moderato), Swan Lake, op. 20: Act 2. No. 13e. Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante), Swan Lake, op. 20: Act 3. No. 20. Danse hongroise (Czárdás), Swan Lake, op. 20: Act 3. No. 24. Scène (Allegro - Valse - Allegro vivo), Swan Lake, op. 20: Act 3. No. 27. Danses des petits cygnes (Moderato), Swan Lake, op. 20: Act 3. No. 29. Scène finale (Andante), Swan Lake, op. 20: Act 3. Pas de deux, Swan Lake, op. 20: Introduction
Yasmine Penniman performing orchestra Symphony no. 5 in B-flat: I. Introduction. Adagio - Allegro, mäßig, Symphony no. 5 in B-flat: II. Adagio. Sehr langsam, Symphony no. 5 in B-flat: III. Scherzo. Molto vivace, schnell, Symphony no. 5 in B-flat: IV. Finale. Adagio - Allegro moderato, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace
Jenn Hatedream performing orchestra Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso, Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai, Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando, Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace, Piano Concerto no. 4 in B-flat major, op. 53: II. Andante, Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato - Allegro moderato, Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace, Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio, Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato, Piano Concerto no. 5 in G major, op. 55: III. Toccata: Allegro con fuoco, Piano Concerto no. 5 in G major, op. 55: IV. Larghetto, Piano Concerto no. 5 in G major, op. 55: V. Vivo
Chromoscience performing orchestra Der Schauspieldirektor, KV 486: Nr. 1. Da schlägt die Abschiedsstunde, Der Schauspieldirektor, KV 486: Nr. 2. Bester Jüngling, Der Schauspieldirektor, KV 486: Nr. 3. Ich bin die erste Sängerin, Der Schauspieldirektor, KV 486: Nr. 4. Schlußgesang - Jeder Künstler strebt nach Ehre, Prima la musica, poi le parole: Nr. 1. Signor Poeta mio, Prima la musica, poi le parole: Nr. 10. Via largo, largo, largo, Prima la musica, poi le parole: Nr. 11. Cucuzze! Che concorso, Prima la musica, poi le parole: Nr. 13. Se questo mio pianto il cor non ti tocca. Per pieta, padrona mia, Prima la musica, poi le parole: Nr. 3 Non dubitar, verrò, Prima la musica, poi le parole: Nr. 4. Là tu vedrai chi sono, Prima la musica, poi le parole: Nr. 6. Cari oggeti, Prima la musica, poi le parole: Sinfonia (Allegro con brio)
Candy Says performing orchestra Symphony No. 21 in A major, K. 134: I. Allegro, Symphony No. 21 in A major, K. 134: II. Andante, Symphony No. 21 in A major, K. 134: III. Minuetto & trio, Symphony No. 21 in A major, K. 134: IV. Allegro, Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante, Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro, Symphony No. 31 in D major, K. 300a/297 (second version) "Paris": III. Andante, Symphony No. 36 in C major, K. 425 "Linz": I. Adagio - allegro con spirito, Symphony No. 36 in C major, K. 425 "Linz": II. Andante, Symphony No. 36 in C major, K. 425 "Linz": III. Minuetto & Trio, Symphony No. 36 in C major, K. 425 "Linz": IV. Presto
arbeit performing orchestra Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato, Piano Concerto no. 1 in D minor, op. 15: 2. Adagio, Piano Concerto no. 1 in D minor, op. 15: 3. Rondo (Allegro non troppo), Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 3, I. Allegro ma non tanto (excerpt), Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano concert no. 2 in C, op 18: Adagio sostenuto, Piano concert no. 2 in C, op 18: Allegro scherzando, Piano concert no. 2 in C, op 18: Moderato
Cornelia Büttner performing orchestra Piano Concerto No. 1 in C major, Op. 15: Cadenza, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: Cadenza, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro, Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato, Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto, Piano Concerto No. 4 in G major, Op. 58: III. Rondo. Vivace
Uluru performing orchestra "Salome" - Tanz der sieben Schleier, Don Juan, op. 20, Ouvertüre "Leonore III", op. 72a, Ouvertüre zu "Der Freischütz", Salome, op. 54: Tanz der Sieben Schleier "Dance of the Seven Veils", Symphonie Nr. 1 c-moll, op. 68: 1. Un poco sostenuto - Allegro, Symphonie Nr. 1 c-moll, op. 68: 2. Andante sostenuto, Symphonie Nr. 1 c-moll, op. 68: 3. Un poco allegretto e grazioso, Symphonie Nr. 1 c-moll, op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brio
Rolando Briceño performing orchestra Piano Concerto No. 2 in C minor, Op. 18: I. Moderato, Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto No. 3 in D minor, Op. 30: I. Allegro ma non tanto, Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo: Adagio, Piano Concerto No. 3 in D minor, Op. 30: III. Finale: Alla breve, Piano Concerto No. 4 in G minor, Op. 40: I. Allegro vivace, Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace
Richard Wagner performing orchestra "Die Meistersinger von Nürnberg", Prelude to Act 1, Die Meistersinger von Nürenberg, WWV 96: Vorspiel, Die Walküre - Walkürenritt - 'Apocalypse Now', Die Walküre, WWV 86b: Der Ritt der Walküren, Götterdämmerung, WWV 86d: Trauermusic beim Tode Siegfrieds, Lohengrin, WWV 75: Vorspiel (3. Akt), Tannhäuser, WWV 70: Bacchanal, Tannhäuser, WWV 70: Overtüre
Wolfgang Amadeus Mozart performing orchestra Così fan tutte, K. 588: Act 1 "Un' aura amorosa" (Ferrando), Don Giovanni, K. 527: Act 2 "Deh! vieni alla finestra" (Don Giovanni), Don Giovanni, K. 527: Act 2 "Vedrai, carino" (Zerlina), Le nozze di Figaro, K. 492: Act 1 "Non più andrai" (Figaro), Le nozze di Figaro, K. 492: Act 2 "Porgi amor qualche ristoro" (La Contessa), Symphony No. 29 in A Major, K. 201: I. Allegro Moderato (Royal Concertgebouw Orchestra), Symphony no. 32 in G major, K 318: Tempo I, Symphony no. 38 in D major, K 504 "Prague": Adagio - Allegro
Freud Massengo Massika performing orchestra Orchestral Set No. 2: I. An Elegy to Our Forefathers, Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting, Symphony No. 2: I. Andante moderato / II. Allegro, Symphony No. 2: III. Adagio cantabile, Symphony No. 2: IV. Lento maestoso / V. Allegro molto vivace, Symphony No. 3: I. Old Folks Gatherin', Symphony No. 3: II. Children's Day, Symphony No. 3: III. Communion
Drugdealer performing orchestra Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo vivace: Allegro, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro -, Symphony no. 5 in C minor, op. 67: IV. Allegro
Lone Wanderer performing orchestra Scheherazade, op. 35: I. The sea and Sindbad's ship, Scheherazade, op. 35: II. The story of the Kalender prince, Scheherazade, op. 35: III. The young prince and princess, Scheherazade, op. 35: IV. Festival at Baghdad - The sea - Shipwreck - Conclusion, Symphony no. 2 in B minor: I. Allegro, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Trio: Allegretto, Symphony no. 2 in B minor: III. Andante, Symphony no. 2 in B minor: IV. Finale: Allegro
Max Löffler performing orchestra Academic Festival Overture, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Tragic Overture, op. 81
Clarence Eddy performing orchestra Rosamunde, D. 797: Ballet Music no. 2, Rosamunde, D. 797: Entr'acte no. 1, Rosamunde, D. 797: Entr'acte no. 3, Rosamunde: Overture, D. 644 (Die Zauberharfe), Symphony no. 34 in C major, K. 338: I. Allegro vivace, Symphony no. 34 in C major, K. 338: II. Andante di molto, Symphony no. 34 in C major, K. 338: III. Finale: Allegro vivace
Alban Berg performing orchestra Seven Early Songs: I. Nacht, Seven Early Songs: II. Schilflied, Seven Early Songs: III. Die Nachtigall, Seven Early Songs: IV. Traumgekrönt, Seven Early Songs: V. Im Zimmer, Seven Early Songs: VI. Liebesode, Seven Early Songs: VII. Sommertage
Fudo Kazuki performing orchestra Des Knaben Wunderhorn: I. Der Schildwache Nachtlied, Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?, Des Knaben Wunderhorn: IV. Das irdische Leben, Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt, Des Knaben Wunderhorn: VIII. Rheinlegendchen, Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen, Des Knaben Wunderhorn: XIII. Urlicht
Gorevenge performing orchestra Concerto for Piano no. 23 in A major, K. 488: I. Allegro, Concerto for Piano no. 23 in A major, K. 488: II. Andante, Concerto for Piano no. 23 in A major, K. 488: III. Allegro, Concerto for Piano no. 26 in D major, K. 537 “Coronation”: I. Allegro, Concerto for Piano no. 26 in D major, K. 537 “Coronation”: II. Larghetto, Concerto for Piano no. 26 in D major, K. 537 “Coronation”: III. Allegretto
Gerald Clark's Iere String Band performing orchestra Piano Concerto no. 2 in C minor, Op. 18: I. Moderato, Piano Concerto no. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto no. 3 in D minor, Op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, Op. 30: II. Intermezzo, Piano Concerto no. 3 in D minor, Op. 30: III. Finale
Jimmy Stadt performing orchestra The Planets, op. 32: Jupiter, the Bringer of Jollity, The Planets, op. 32: Mars, the Bringer of War, The Planets, op. 32: Mercury, the Winged Messenger, The Planets, op. 32: Saturn, the Bringer of Old Age, The Planets, op. 32: Uranus, the Magician, The Planets, op. 32: Venus, the Bringer of Peace
Claude Arrieu performing orchestra Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. Scherzo: In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In tempo des Scherzos. Wild herausfahrend, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Sports performing orchestra Symphonie espagnole, op. 21: I. Allegro non troppo, Symphonie espagnole, op. 21: II. Scherzando. Allegro molto, Symphonie espagnole, op. 21: III. Intermezzo. Allegretto non troppo, Symphonie espagnole, op. 21: IV. Andante, Symphonie espagnole, op. 21: V. Rondo. Allegro
Fink performing orchestra Berlin Sunrise, Perfect Darkness, Sort of Revolution, What Power Art Thou?, Yesterday Was Hard on All of Us
No Respect For Beauty performing orchestra Violin Concerto in D major, op. 61: I. Allegro ma troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo. Allegro, Violin Romance no. 1 in G major, op. 40, Violin Romance no. 2 in F major, op. 50
Askata performing orchestra Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante, Symphony no. 10 in E minor, op. 93: V. Allegro
Bedřich Smetana performing orchestra Má Vlast: Blanik, Má Vlast: Sarka, Má Vlast: Tabor, Má Vlast: Vyschrad, Má Vlast: Z ceskych luhu a haju (From Bohemia's Woods and Fields)
VHS Logos performing orchestra Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo, Concerto for Violin and Orchestra in D major, op. 77: II. Adagio, Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto, Danse macabre
Conal McDonagh performing orchestra The Bells, op. 35: III. Presto (Alarm Bells), Three Russian Songs, op. 41: 1. Moderato, Three Russian Songs, op. 41: 2. Largo, Three Russian Songs, op. 41: 3. Allegro moderato
Franz Schubert performing orchestra Symphony no. 9 in C major, D.944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D.944: II. Andante con moto, Symphony no. 9 in C major, D.944: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D.944: IV. Allegro vivace
Info Gates performing orchestra Symphony no. 5 in B flat major: I. Allegro, Symphony no. 5 in B flat major: II. Andante con moto, Symphony no. 5 in B flat major: III. Menuetto. Allegro molto - Trio, Symphony no. 5 in B flat major: IV. Allegro vivace
Carroll Ashby performing orchestra Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro
Coco Banana performing orchestra Violin Concerto in D major: I. Allegro moderato, Violin Concerto in D major: II. Canzonetta. Andante, Violin Concerto in D major: III. Allegro vivacissimo, Vioolromance no. 2 in F, op. 50
Axel Jansson performing orchestra Piano Concerto no. 2 in B major, op. 83: Allegretto giocoso, Piano Concerto no. 2 in B major, op. 83: Allegro appassionato, Piano Concerto no. 2 in B major, op. 83: Allegro non troppo, Piano Concerto no. 2 in B major, op. 83: Andante
Richard Birchall performing orchestra Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto
Amanté performing orchestra Violin Concerto in E minor, Op. 64: 1. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: 2. Andante, Violin Concerto in E minor, Op. 64: 3. Allegro non troppo - Allegro molto vivace, Violin Romance No. 1 in G major, Op. 40
Fingers Lee & The Upper Hand performing orchestra Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro appassionato, Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante – Più adagio, Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso – Un poco più presto
Malte Seidel performing orchestra Pétrouchka: Fourth Tableau. Scene IV. Fête populaire de la semaine grasse (vers le soir) / Danse des nounous / L'ours et un paysan / Un marchand fêtard avec deux tziganes / Danse des cochers et des palefreniers / Les déguisés / La rixe: Le Maure et Pétrouchka / La police et le charlatan / Apparition du double de Pétrouchka, Pétrouchka: Premiere Tableau. Scene I. Fête populaire de la semaine grasse / Le tour de passe-passe / Danse russe, Pétrouchka: Second Tableau. Scene II. Chez Pétrouchka, Pétrouchka: Third Tableau. Scene III. Chez le Maure / Danse de la Ballerine / Valse: La Ballerine et le Maure - Pétrouchka
Simon Wilde performing orchestra Double Concerto in A minor, Op. 102: I. Allegro, Double Concerto in A minor, Op. 102: II. Andante, Double Concerto in A minor, Op. 102: III. Vivace non troppo
A. Smith performing orchestra Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (feat. horn: Jakob Slagter), Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro
Gavin John Sheehan performing orchestra Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto - attacca, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro
FlipDaScript performing orchestra Concerto No. 10 in E-flat major for Two Pianos, KV 365: I. Allegro, Concerto No. 10 in E-flat major for Two Pianos, KV 365: II. Andante, Concerto No. 10 in E-flat major for Two Pianos, KV 365: III. Rondeaux. Allegro
Frank Oxley performing orchestra Des Knaben Wunderhorn: III. Der Tamboursg'sell, Des Knaben Wunderhorn: IX. Lob des hohen Verstandes, Des Knaben Wunderhorn: VII. Revelge
Luis Ávila performing orchestra Violin Concerto in D, Op.77: 1. Allegro non troppo, Violin Concerto in D, Op.77: 2. Adagio, Violin Concerto in D, Op.77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto
Claude Debussy performing orchestra Danse, Prélude à l'Après-midi d'un Faune, Rhapsodie pour orchestre et clarinette principale, L 116
Beth Chalmers performing orchestra Symphony no. 3 in A minor, op. 44: 1. Lento - Allegro moderato, Symphony no. 3 in A minor, op. 44: 2. Adagio ma non troppo, Symphony no. 3 in A minor, op. 44: 3. Allegro
Varoujan Hakhbandian performing orchestra Violin Concerto in D major, Op. 77: I. Allegro non troppo, Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace
Manny Crusto performing orchestra Des Knaben Wunderhorn: V. Verlor'ne Müh', Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm, Des Knaben Wunderhorn: XII. Trost im Unglück
Presque l'Amour performing orchestra Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro
Barbara Bonney performing orchestra Giunse alfin il momento - Deh vieni, non tardar, Speil ich die Unschuld vom Lande, Vedrai carion
Сергей Сергеевич Прокофьев performing orchestra Dreams, op. 6, Peter and the Wolf, Op. 67, Peter und der Wolf
James McMillan performing orchestra Des Knaben Wunderhorn: Das himmlische Leben, Des Knaben Wunderhorn: Verlor'ne Muh, Die Nachtigall from Sieben frühe Lieder
Steffen Friedrich performing orchestra Danses Pour Harpe et Orchestre: 1. Danse Sacree, Danses Pour Harpe et Orchestre: 2. Danse Profane
After All performing orchestra Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai – Allegro vivace
V. Bozeman performing orchestra Piano Concerto no. 2 in G minor: I. Andante sostenuto, Piano Concerto no. 2 in G minor: II. Allegro scherzando
Fryderyk Chopin performing orchestra Grande polonaise brillante précedée d'un Andante spianato in E flat major, op. 22: Andante spianato. Tranquillo - Polonaise. Allegro molto, Grande valse brillante no.1 in E flat major, op. 18: Vivo
Daniela Kosinova performing orchestra Der Freischutz, Overture, Leonore III, Op. 72a, Overture
Ray Niznik performing orchestra Symphony no. 4 in G major: IV. Sehr behaglich
Maurice Ravel performing orchestra Concerto per la mano sinistra in Re maggiore
Richard Strauss performing orchestra Don Juan, op. 20
Martin Groenendijk performing orchestra The Bells, op. 35: I. Allegro ma non tanto (Silver Bells)
MATTN performing orchestra Symphony no. 8 in E-flat major: II-x. "Komm! Komm!"
Luke Martin performing orchestra Symphony no. 8 in E-flat major: II-xi. "Blicket auf zum Retterblick"
P.S. performing orchestra Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Las Bibas From Vizcaya performing orchestra Symphony no. 8 in E-flat major: II-viii. "Bei der Liebe, die den Fussen"
Kusumam performing orchestra Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
Sage Starkiller performing orchestra VIOLIN CONCERTO IN D MINOR, Op.47 ~ 1st Movement: Allegro moderato
Sally Simpson performing orchestra The Bells, op. 35: II. Lento (Golden Bells)
Sam Ewing performing orchestra Symfonie Nr. 9, Op. 95 "From the New World": III. Scherzo - Molto vivace
Kills Roots performing orchestra Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden
Kathleen Holeman performing orchestra L'oiseau de feu
Joseph Haydn performing orchestra Herr der Gezeiten: Menuet Symphonie D-dur Hob.1:104
Sputnik performing orchestra Symphony no. 8 in E-flat major: II-iv. "Gerettet ist das edle Glied"
Sputñik performing orchestra Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto. Allegro assai
Nehuda performing orchestra Symphony no. 8 in E-flat major: II-i. Poco adagio "Waldung, sie schwant heran"
Stephen Taranto performing orchestra Symphony no. 8 in E-flat major: II-vi. "Höchste Herrscherin der Welt"
Steve Sai performing orchestra Symphony no. 3, K. 71
The 4th Floor performing orchestra Symfonie no. 8 in G grote terts, op. 88
The Mission Creeps performing orchestra Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
Too Hon performing orchestra Symphony no. 2 in C minor: IV. Sehr feierlich aber schlicht "O Röschen rot! Der Mensch liegt in grösster Not!"
Jaycee performing orchestra Symphony no. 4 in G major: IV. Sehr behaglich "Das himmlische Leben"
Jake Howsam Lowe performing orchestra Symphony no. 8 in E-flat major: II-v. "Uns bleibt ein Erdenrest"
Permit performing orchestra The Bells, op. 35: IV. Lento lugubre (Iron Bell)
Hteeth performing orchestra Symfonie no. 3 “Orgelsymfonie” in C minor, op. 78
Nathan Lee Graham performing orchestra Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig
Motel Brothers performing orchestra Symphony no. 8 in E-flat major: II-ix. "Neige, neige, du Ohnegleiche"
Burt Eckoff performing orchestra Pictures at an Exhibition: The Great Gate of Kiev
Zenobia Powell Perry performing orchestra Romance from "The Gadfly"
Bossy Mina performing orchestra Piano Concerto no. 2 in G minor, op. 22: 3. Presto
Billie Jewel performing orchestra Symphony no. 3 in D minor: I. Kräftig. Entschieden
Aron Scarlet performing orchestra Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso "O mensch, gib acht"
Aqueous performing orchestra Symfonie no. 4 in A grote terts, op. 90 “De Italiaanse”
Ann Hjort performing orchestra Symphony no. 8 in E-flat major: II-ii. "Ewiner Wonnebrand"
パニックスマイル performing orchestra The Planets, op. 32: Neptune, the Mystic
Alecxis Ferri performing orchestra Symphony no. 8 in E-flat major: II-vii. "Dir, der Unberührbaren"
杉浦太陽 performing orchestra A Faust Symphony: III. Mephistopheles - Final Chorus