| Janet Hill |
performing orchestra |
A Midsummer Night's Dream: Incidental Music, Op. 61: Finale: "Tro' This House", A Midsummer Night's Dream: Incidental Music, Op. 61: I. Scherzo. Allegro vivace, A Midsummer Night's Dream: Incidental Music, Op. 61: II. Fairies' March, A Midsummer Night's Dream: Incidental Music, Op. 61: III. Song with Chorus: "You Spotted Snakes", A Midsummer Night's Dream: Incidental Music, Op. 61: IX. Wedding March, A Midsummer Night's Dream: Incidental Music, Op. 61: V. Intermezzo, A Midsummer Night's Dream: Incidental Music, Op. 61: VII. Notturno, A Midsummer Night's Dream: Incidental Music, Op. 61: X. Marcia funebre, A Midsummer Night's Dream: Incidental Music, Op. 61: XI. A Dance of Clowns, A Midsummer Night's Dream: Overture, Op. 21, Academic Festival Overture for Orchestra in C minor, op. 80, Capriccio Italien, Op. 45, Capriccio Italien, op. 45, Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro, Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in den Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Ersheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Stille vor dem Sturm, Eine Alpensinfonie: Vision, Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix!, Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire, Et exspecto resurrectionem mortuorum: III. L'heure vient où les morts entendront la voix du Fils de Dieu, Et exspecto resurrectionem mortuorum: IV. Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel, Et exspecto resurrectionem mortuorum: V. Et j'entendis la voix d'une foule immense..., Francesca da Rimini, Op. 32, Francesca da Rimini, op. 32, Genoveva, Op. 81: Overture, Hungarian Dance for Orchestra in A minor, WoO 1 No. 8 (Robert Schollum orchestration): Presto, Hungarian Dance for Orchestra in D minor, WoO 1 No. 2 (Johan Andreas Hallén orchestration): Allegro non assai - Vivo, Hungarian Dance for Orchestra in D-flat major, WoO 1 No. 6 (Albert Parlow orchestration): Vivace - Molto sostenuto, Hungarian Dance for Orchestra in E minor, WoO 1 No. 9 (Robert Schollum orchestration): Allegro non troppo - Poco sostenuto, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 7 (Johan Andreas Hallén orchestration): Allegretto, Hungarian Dance for Orchestra in F minor, WoO 1 No. 4 (Paul Juon orchestration): Poco sostenuto - Vivace - Molto Allegro, Hungarian Dance for Orchestra in G minor, WoO 1 No. 5 (Albert Parlow orchestration): Allegro - Vivace, Images pour orchestre, L 122: I. Gigues, Images pour orchestre, L 122: II. Ibéria: No. 1. Par les rues et par les chemins, Images pour orchestre, L 122: II. Ibéria: No. 2. Les Parfums de la nuit, Images pour orchestre, L 122: II. Ibéria: No. 3. Le Matin d'un jour de fête, Images pour orchestre, L 122: III. Rondes de printemps, Jeux "Poeme danse", Jeux, L 126, Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n, Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen, Kindertotenlieder: III. Wenn dein Mütterlein, Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen, Kindertotenlieder: V. In diesem Wetter, La Mer, L 109: I. De l'aube à midi sur la mer, La Mer, L 109: II. Jeux de vagues, La Mer, L 109: III. Dialogue du vent et de la mer, Le Tombeau de Couperin: I. Prélude, Le Tombeau de Couperin: II. Forlane, Le Tombeau de Couperin: III. Menuet, Le Tombeau de Couperin: IV. Rigaudon, Manfred Overture, Op. 115, Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony in B minor, op. 58: II. Vivace con spirito, Manfred Symphony in B minor, op. 58: III. Andante con moto, Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco, Marche slave, op. 31, Marche écossaise sur un thème populaire, Nocturnes, L 91: I. Nuages, Nocturnes, L 91: II. Fêtes, Nocturnes, L 91: III. Sirènes, Nuages, Ouverture solennelle 1812, op. 49, Prélude à l'après-midi d'un faune, L. 86, Romeo and Juliet, Rosamunde D797: Balletmuziek no. 1, Rosamunde D797: Entr’acte no. 3, Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Entracte no. 1, Rosamunde, D. 797: Entracte no. 2, Rosamunde, D. 797: Entracte no. 3, Rosamunde, D. 797: Overture, D. 644 "Die Zauberharfe", Rosamunde, D. 797: Shepherd's Melody, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 1 - Andante un poco assai, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Ballet Music No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Shepherds: "Hier auf den Fluren....", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 2, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino Royal Concertgebouw Orchestra, Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644), Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n", Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Shepherd's melody, Scherzo from Symphony no. 3 “Rhenish”, Siegfried Idyll, Sinfonía N.º 6 en fa mayor, op. 68 “Pastoral”: Allegro “La Tormenta”, Sirenes, Slavonic March, Op. 31, Symfonie no. 1 in C: Andante (Adagio), Symfonie no. 4 in A, op. 90 “Italiaanse”: Allegro vivace, Symfonie no. 5 in cis kleine terts: Adagietto, Symfonie no. 8 in C kleine terts, op. 108 (versie Robert Haas), Symphonie No. 2 C-moll: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphonie No. 2 C-moll: II. Andante moderato. Sehr gemächlich, Symphonie No. 2 C-moll: III. In ruhig fließender Bewegung, Symphonie No. 2 C-moll: IV. Urlicht: Sehr feierlich, aber schlicht "O Röschen rot!", Symphonie No. 2 C-moll: V. Im Tempo des Scherzos: Wild herausfahrend, Symphonie No. 2 C-moll: Va. Maestoso, Symphonie No. 2 C-moll: Vb. Sehr langsam und gedehnt, Symphonie No. 2 C-moll: Vc. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du", Symphonie No. 2 C-moll: Vd. Etwas bewegter, Symphony No. 0 in D minor: I. Allegro - Poco meno mosso, Symphony No. 0 in D minor: II. Andante sostenuto, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto, Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace, Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No. 1 in C minor: I. Allegro molto moderato, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo. Lebhaft, Symphony No. 1 in C minor: IV. Finale: Bewegt und feurig, Symphony No. 12 in D minor, Op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony No. 12 in D minor, Op. 112 "The Year 1917": II. Razliv, Symphony No. 12 in D minor, Op. 112 "The Year 1917": III. Aurora, Symphony No. 12 in D minor, Op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo - Con fuoco, Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace, Symphony No. 2 in C major, Op. 61: III. Adagio espressivo, Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio. Feierlich, etwas bewegt, Symphony No. 2 in C minor: III. Scherzo. Schnell, Symphony No. 2 in C minor: IV. Finale. Mehr schnell - Sehr schnell, Symphony No. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor: II. Adagio, bewegt, quasi andante, Symphony No. 3 in D minor: III. Scherzo. Ziemlich schnell, Symphony No. 3 in D minor: IV. Finale. Allegro, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": I. Lebhaft, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": III. Nicht schnell, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": IV. Feierlich, Symphony No. 3 in E-flat major, Op. 97 "Rhenish": V. Lebhaft, Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft - Trio, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 6 in B minor, Op. 54: I. Largo, Symphony No. 6 in B minor, Op. 54: II. Allegro, Symphony No. 6 in B minor, Op. 54: III. Presto, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo. Allegro moderato, Symphony No. 8 in C minor: III. Adagio. Feierlich langsam, aber nicht schleppend, Symphony No. 8 in C minor: IV. Finale. Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich. Misterioso, Symphony No. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony No. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro, Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Dreams of a Winter Journey: Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo: Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale: Andante lugubre - Allegro maestoso, Symphony no. 10 in F-sharp minor: I. Andante - Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: I. The Palace Square. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: II. 9 January. Allegro, Symphony no. 11 in G minor, op. 103 “The Year 1905”: III. In Memoriam. Adagio, Symphony no. 11 in G minor, op. 103 “The Year 1905”: IV. Tocsin. Allegro non troppo, Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv, Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora, Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. The Dawn of Humanity, Symphony no. 15, op. 141, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marciale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro: Moderato assai - Allegro brillante, Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca: Allegro moderato e semplice, Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco, Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo: Allegro vivo, Symphony no. 3 in D major, op. 29 "Polish": V. Finale: Allegro con fuoco, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 3 in D minor: II. Tempo di minuetto. Sehr mässig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus "O Mensch! Gib acht!" (aus: Friedrich Nietzsche "Also sprach Zarathustra"), Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm" / "Es sungen drei Engel" (aus: "Des Knaben Wunderhorn"), Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Allegretto scherzando, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco, Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen - Recht gemaechlich, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich, Symphony no. 4 in G major: II. In Gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: II. In gemächlicher Bewegung, Symphony no. 4 in G major: III. Ruhevoll (Poco adagio), Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" (aus: "Des Knaben Wunderhorn"), Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C-sharp minor: I. Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony no. 5 in C-sharp minor: II. Part I. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito, Symphony no. 5 in C-sharp minor: III. Part II. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Part III. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: III. Largo (Finale), Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace, Symphony no. 5, op. 47: I. Moderato, Symphony no. 5, op. 47: II. Allegretto, Symphony no. 5, op. 47: III. Largo, Symphony no. 5, op. 47: IV. Allegro non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro, ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande", Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach", Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute", Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Gewitter - Sturm", Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm", Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam – Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft – Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 7 in E minor: I. Langsam. Adagio - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik. Allegro moderato, Symphony no. 7: Nachtmusik. Andante amoroso, Symphony no. 7: Rondo - Finale (Allegro ordinario) - Allegro moderato ma energico, Symphony no. 7: Scherzo, Symphony no. 8 in C minor: I. Adagio, Symphony no. 8 in C minor: II. Allegretto, Symphony no. 8 in C minor: III. Allegro non troppo, Symphony no. 8 in C minor: IV. Largo, Symphony no. 8 in C minor: V. Allegretto, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: "Qui Paraclitus diceris", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Gloria sit Patri Domino", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: A tempo - "Imple superna gratia", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Allegro impetuoso - "Veni, Creator Spiritus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung - "Accende lumen sensibus", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Sehr fließend - noch einmal so langsam als vorher. Nicht schleppend - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 1: Tempo I - "Infirma nostri corporis", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Alles Vergängliche", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Bei der Liebe, die den Füßen", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Blicket auf zum Retterblick", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": "Er überwacht uns schon", Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ewiger Wonnebrand, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Jene Rosen, aus den Händen, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Più mosso. Allegro moderato, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Poco adagio, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Waldung, sie schwankt heran, Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil 2: Final scene from "Faust": Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di minuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 8: I. Allegro moderato, Symphony no. 8: II. Scherzo - Allegro moderato, Symphony no. 8: III. Adagio - Feierlich langsam doch nicht schleppend, Symphony no. 8: IV. Finale - Feierlich, nicht schnell, Symphony no. 9 in D major: I. Andante comodo - Mit Wut. Allegro risoluto - Tempo I, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig - Presto, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125: IV. (a) Presto, Symphony no. 9 in D minor, op. 125: IV. (b) "O Freunde, nicht diese Töne", Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai, Symphony no. 9 in D minor, op. 125: IV. (d) Alla marcia. Allegro vivace assai, Symphony no. 9 in D minor, op. 125: IV. (e) Andante maestoso - Adagio non troppo ma divoto, Symphony no. 9 in D minor, op. 125: IV. (f) Allegro energico, sempre ben marcato, Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto, The Storm, op. 76, Tragic Overture for Orchestra in D minor, op. 81, Variations on a Theme by Haydn, op. 56a, "St. Antoni Chorale", Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo, “Egmont” Ouvertüre f-moll op. 84 |
| Distant Echoes |
performing orchestra |
Don Giovanni, K. 527, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio) / Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III: Recitativo: "Ah del padre in periglio", Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) / Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a], Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira, Il Commendatore, Donna Anna, Don Ottavio, Zerlina, Masetto)), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi ... Mi tradì quell'alma ingrata" (Donna Elvira) [540c], Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Overture in C major, D. 591: "In the Italian Style", Overture in the Italian Style in C major, D 591, Overture in the Italian Style in D major, D 590, Polednice Op. 108: Andante, Symfonie no. 8 in B kleine terts, D. 759 “De onvoltooide”, Symphony No. 101 in D major, Hob I:101 "The Clock": I. Adagio - Presto, Symphony No. 101 in D major, Hob I:101 "The Clock": II. Andante, Symphony No. 101 in D major, Hob I:101 "The Clock": III. Menuet - Allegretto - Trio, Symphony No. 101 in D major, Hob I:101 "The Clock": IV. Finale - Vivace, Symphony No. 102 in B-flat major, Hob I:102: I. Largo - Vivace, Symphony No. 102 in B-flat major, Hob I:102: II. Adagio, Symphony No. 102 in B-flat major, Hob I:102: III. Menuet: Allegro - Trio, Symphony No. 102 in B-flat major, Hob I:102: IV. Finale: Presto, Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio - Allegro molto, Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco, Symphony No.35, D Major, K.385 I. Allegro con spirito, Symphony No.36, C Major, K.425 IV. Presto, Symphony no. 1 in D major, D 82: I. Adagio - Allegro vivace, Symphony no. 1 in D major, D 82: II. Andante, Symphony no. 1 in D major, D 82: III. Menuetto: Allegretto, Symphony no. 1 in D major, D 82: IV. Allegro vivace, Symphony no. 1 in D major, D. 82: I. Adagio - Allegro Vivace, Symphony no. 1 in D major, D. 82: II. Andante, Symphony no. 1 in D major, D. 82: III. Menuetto: Allegretto, Symphony no. 1 in D major, D. 82: IV. Allegro vivace, Symphony no. 100 in G major "Military": I. Adagio - Allegro, Symphony no. 100 in G major "Military": II. Allegretto, Symphony no. 100 in G major "Military": III. Menuet: Moderato, Symphony no. 100 in G major "Military": IV. Finale: Presto, Symphony no. 2 in B-flat major, D 125: I. Largo - Allegro vivace, Symphony no. 2 in B-flat major, D 125: II. Andante, Symphony no. 2 in B-flat major, D 125: III. Menuetto: Allegro vivace, Symphony no. 2 in B-flat major, D 125: IV. Presto vivace, Symphony no. 3 in D major, D 200: I. Adagio maestoso - Allegro con brio, Symphony no. 3 in D major, D 200: II. Allegretto, Symphony no. 3 in D major, D 200: III. Menuetto: Vivace - Trio, Symphony no. 3 in D major, D 200: IV. Presto vivace, Symphony no. 34 for Orchestra in C major, K. 338: I. Allegro vivace, Symphony no. 34 for Orchestra in C major, K. 338: II. Andante di molto più tosto allegretto, Symphony no. 34 for Orchestra in C major, K. 338: III. Finale. Allegro vivace, Symphony no. 38 in D major, K. 504 "Prague": I. Adagio – Allegro, Symphony no. 38 in D major, K. 504 "Prague": II. Andante, Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony no. 39 in E-flat major, K. 543: I. Adagio – Allegro, Symphony no. 39 in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto, Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 4 in C minor, D 417 "Tragic": I. Adagio molto - Allegro vivace, Symphony no. 4 in C minor, D 417 "Tragic": II. Andante, Symphony no. 4 in C minor, D 417 "Tragic": III. Menuetto: Allegro vivace, Symphony no. 4 in C minor, D 417 "Tragic": IV. Allegro, Symphony no. 4 in C minor, D. 417 "Tragic": I. Adagio molto -Allegro vivace, Symphony no. 4 in C minor, D. 417 "Tragic": II. Andante, Symphony no. 4 in C minor, D. 417 "Tragic": III. Menuetto: Allegro vivace, Symphony no. 4 in C minor, D. 417 "Tragic": IV. Allegro, Symphony no. 5 in B-flat major, D 485: I. Allegro, Symphony no. 5 in B-flat major, D 485: II. Andante con moto, Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto, Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace, Symphony no. 6 in C major, D 589 "Little": I. Adagio - Allegro, Symphony no. 6 in C major, D 589 "Little": II. Andante, Symphony no. 6 in C major, D 589 "Little": III. Scherzo: Presto - Più lento, Symphony no. 6 in C major, D 589 "Little": IV. Allegro moderato, Symphony no. 68 in B-flat major: I. Vivace, Symphony no. 68 in B-flat major: II. Menuetto, Symphony no. 68 in B-flat major: III. Adagio cantabile, Symphony no. 68 in B-flat major: IV. Finale: Presto, Symphony no. 7 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony no. 7 in B minor, D 759 "Unfinished": II. Andante con moto, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo, Symphony no. 7 in D minor, op. 70: IV. Finale, Symphony no. 8 in C major, D 944 "Great": I. Andante - Allegro ma non troppo, Symphony no. 8 in C major, D 944 "Great": II. Andante con moto, Symphony no. 8 in C major, D 944 "Great": III. Scherzo: Allegro vivace, Symphony no. 8 in C major, D 944 "Great": IV. Finale: Allegro vivace, Symphony no. 8, “Unfinished”: I. Allegro moderato (excerpt), Symphony no. 93 in D major: I. Adagio - Allegro assai, Symphony no. 93 in D major: II. Largo, Symphony no. 93 in D major: III. Menuetto: Allegro, Symphony no. 93 in D major: IV. Finale: Presto ma non troppo, Symphony no. 94 in G major "Surprise": I. Adagio - Vivace assai, Symphony no. 94 in G major "Surprise": II. Andante, Symphony no. 94 in G major "Surprise": III. Menuetto: Allegro molto, Symphony no. 94 in G major "Surprise": IV. Finale: Allegro di molto, Symphony no. 95 in C minor: I. Allegro moderato, Symphony no. 95 in C minor: II. Andante, Symphony no. 95 in C minor: III. Menuetto, Symphony no. 95 in C minor: IV. Finale: Vivace, Symphony no. 96 in D major "Le Miracle": I. Adagio - Allegro, Symphony no. 96 in D major "Le Miracle": II. Andante, Symphony no. 96 in D major "Le Miracle": III. Menuetto: Allegretto, Symphony no. 96 in D major "Le Miracle": IV. Finale: Vivace assai, Symphony no. 97 in C major: I. Adagio - Vivace, Symphony no. 97 in C major: II. Adagio ma non troppo, Symphony no. 97 in C major: III. Menuetto: Allegretto, Symphony no. 97 in C major: IV. Finale: Presto assai, Symphony no. 98 in B-flat major: I. Adagio - Allegro, Symphony no. 98 in B-flat major: II. Adagio cantabile, Symphony no. 98 in B-flat major: III. Menuetto: Allegro, Symphony no. 98 in B-flat major: IV. Finale: Presto, Symphony no. 99 in E-flat major: I. Adagio - Vivace assai, Symphony no. 99 in E-flat major: II. Adagio, Symphony no. 99 in E-flat major: III. Menuetto: Allegretto, Symphony no. 99 in E-flat major: IV. Finale: Vivace, The Gipsy Baron, Der Zigeunerbaron, Le baron tzigane, The Water Goblin, Op. 107, The Wild Dove, op. 110 |
| 川村ケン |
performing orchestra |
Alone, op. 26 (excerpts): Altai, Alone, op. 26 (excerpts): Barrel organ, Alone, op. 26 (excerpts): Calm after the storm, Alone, op. 26 (excerpts): Galop, Alone, op. 26 (excerpts): In Kuzmina's hut, Alone, op. 26 (excerpts): March, Alone, op. 26 (excerpts): March. The street, Alone, op. 26 (excerpts): School children, Storm scene, Alone, op. 26 (excerpts): Snow storm, Amériques (original version), Arcana, Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto, Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: I. Allegretto, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: II. Lento, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: III. Moderato, Concerto for Piano, Trumpet and Strings no. 1 in C minor, op. 35: IV. Allegro con brio, Formazioni, Fuga ricercata à 6 from The Musical Offering, BWV 1079, Hamlet, op. 116 (excerpts): Ball, Hamlet, op. 116 (excerpts): Ball at the castle, Hamlet, op. 116 (excerpts): In the garden, Hamlet, op. 116 (excerpts): Introduction, Hamlet, op. 116 (excerpts): Military music, Hamlet, op. 116 (excerpts): Palace music, Hamlet, op. 116 (excerpts): Scene of the poisoning, Pirogov, op. 76a: Finale, Pirogov, op. 76a: Scherzo, Sofia Perovskaya, op. 132: Waltz, Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato, Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto, Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato, Suite for Variety Orchestra: I. March. Giocoso. Alla marcia, Suite for Variety Orchestra: II. Dance 1. Presto, Suite for Variety Orchestra: III. Dance 2. Allegretto scherzando, Suite for Variety Orchestra: IV. Little Polka. Allegretto, Suite for Variety Orchestra: V. Lyric Waltz. Allegretto, Suite for Variety Orchestra: VI. Waltz 1. Sostenuto, Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato, Suite for Variety Orchestra: VIII. Finale. Allegro moderato, Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in D: II. Kräftig bewegt, doch nicht du schnell, Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck, Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor: III. In ruhig fließender Bewegung, Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck "Bimm bamm... Es sungen drei Engel", Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: II. Scherzo: Wuchtig, Symphony no. 6 in A minor: III. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam - Allegro, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: IX. Wie Felsenabgrund mir zu Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Accende lumen sensibus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Gloria sit Patri Domino, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Imple superna gratia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Infirma nostri corporis, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni creator spiritus, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: Part I. Veni, Creator... Da gaudiorum praemia, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VII. Poco adagio: Waldung, sie schwankt heran, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: VIII. Ewiger Wonnebrand, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: X. Gerettet ist das edle Glied, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XI. Uns bleibt ein Erdenrest, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XII. Höchste Herrscherin der Welt, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIII. Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XIV. Bei der Liebe, die den Füßen, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XV. Neige, neige, du Ohnegleiche, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVI. Komm! Komm!, Symphony no. 8 in E-flat major, “Symphony of a Thousand”: XVIII. Alles Vergängliche, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Tahiti Trot (Tea for Two), Op. 16, Tahiti Trot (Tea for Two), op. 16, The Counterplan, op. 33 (excerpts): Presto, The Counterplan, op. 33 (excerpts): The song of the counterplan, The Great Citizen, op. 55: Funeral March, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game, The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises..., The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave), The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio), The Story of the Silly Little Mouse, Tuning Up |
| キララ |
performing orchestra |
A Faust Symphony: I. Faust, A Faust Symphony: II. Gretchen, Academic Festival Overture, op. 80, Apollon musagète: Apothéose, Apollon musagète: Coda: Apollon et les Muses, Apollon musagète: Naissance d’Apollon, Apollon musagète: Pas de deux: Apollon et Terpsichore, Apollon musagète: Pas d’action: Apollon et les trois Muses, Clliope, Polyhymnie et Terpsichore, Apollon musagète: Variation de Calliope (l’Alexandrin), Apollon musagète: Variation de Polymnie, Apollon musagète: Variation de Terpsichore, Apollon musagète: Variation d’Aplollon: Apollon et les Muses, Apollon musagète: Variation d’Apollon, Danse (Tarantelle styrienne), Daphnis et Chloé, Deuxième partie : I. Introduction, Daphnis et Chloé, Deuxième partie : II. Danse guerrière, Daphnis et Chloé, Deuxième partie : III. Scène – Danse suppliante de Chloé, Daphnis et Chloé, Première partie : I. Introduction et danse religieuse, Daphnis et Chloé, Première partie : II. Scène – Danse générale, Daphnis et Chloé, Première partie : III. Danse grotesque de Dorcon – Scène, Daphnis et Chloé, Première partie : IV. Danse légère et gracieuse de Daphnis, Daphnis et Chloé, Première partie : V. Scène – Danse de Lyceion – Scène (les pirates), Daphnis et Chloé, Première partie : VI. Scène – Danse lente et mystérieuse, Daphnis et Chloé, Troisième partie : I. Lever du jour – Scène, Daphnis et Chloé, Troisième partie : II. Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé, Troisième partie : III. Danse générale, Eine florentinische Tragödie: Ouvertüre, Götterdämmerung, WWV 86d: Tagesgrauen und Siegfrieds Rheinfahrt, Jeu de cartes: Deuxième donne: Musique d’introduction (alla breve), Marche, Variation des quatre reines, Variation du valet de cœur, Coda (più mosso), Reprise de la marche et danse d’ensemble, Jeu de cartes: Première donne: Musique d’introduction, Pas d’action, Danse du joker, Petite valse, Jeu de cartes: Troisiéme donne: Musique d’introduction (alle breve), Valse, Presto (Combat des piques et des cœurs), Danse finale (Triomphe des cœurs), Kammermusik no. 1, op. 24 no. 1: I. Sehr schnell und wild, Kammermusik no. 1, op. 24 no. 1: II. Mäßig schnell Halbe, Kammermusik no. 1, op. 24 no. 1: III. Quartett: Sehr langsam und mit Ausdruck, Kammermusik no. 1, op. 24 no. 1: IV. Finale 1921: Lebhaft, Khamma, L’Oiseau de feu (Suite): Berceuse: L’Oiseau de feu, L’Oiseau de feu (Suite): Danse des princesses, L’Oiseau de feu (Suite): Danse infernal du roi Kachtchei, L’Oiseau de feu (Suite): Finale, L’Oiseau de feu (Suite): Introduction, L’Oiseau de feu (Suite): L’Oiseau de feu et sa danse, L’Oiseau de feu (Suite): Pantomime I, L’Oiseau de feu (Suite): Pantomime II, L’Oiseau de feu (Suite): Pantomime III, L’Oiseau de feu (Suite): Pas de deux: L’Oiseau de feu et Ivan Tsarévitch, L’Oiseau de feu (Suite): Tone des princesses (Khorovod), Petrouchka: Apparition des maques, Petrouchka: Apparition du double de Petrouchka, Petrouchka: Chez Petrouchka, Petrouchka: Chez le Maure, Petrouchka: Danse des cochers, Petrouchka: Danse des nourrices, Petrouchka: Danse russe, Petrouchka: Fête populaire de la Semaine grasse, Petrouchka: Fête populaire de la Semaine grasse (vers le soir), Petrouchka: La police et le charlatan, Petrouchka: La rixe: le Maure et Petrouchka, Petrouchka: Le montreur d’ours avec sa bête, Petrouchka: Mort de Petrouchka, Petrouchka: Un marchand fêtard avec deux tziganes, Petrouchka: Valse, Scheherazade: The Sea and Sinbad's Ship, Scheherazade: The Sea; the Ship Goes to Pieces on a Rock, Scheherazade: The Tale of the Kalender Prince, Scheherazade: The Young Prince and the Young Princess, Scherzo Fantastique, op. 3, Symphony No. 2: I. Ziemlich schnell, Symphony No. 2: II. Adagio: Feierlich, etwas bewegt, Symphony No. 2: III. Scherzo: Schnell - Trio, Symphony No. 2: IV. Finale: Mehr schnell, Symphony No. 5 in B-flat major: I. Adagio - Allegro, Symphony No. 5 in B-flat major: II. Adagio: Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo: Molto vivace - Trio, Symphony No. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato, Symphony No. 6 in A major: I. Maestoso, Symphony No. 6 in A major: II. Adagio: Sehr feierlich, Symphony No. 6 in A major: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony No. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo: Allegro moderato, Symphony No. 8 in C minor: III. Adagio - feierlich langsam; doch nicht schleppend, Symphony No. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Symphony No. 9 in D minor: I. Feierlich, misterioso, Symphony No. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony No. 9 in D minor: III. Adagio: Langsam, feierlich, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony no. 2 in D major, op. 73: I. Allegro non troppo, Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso, Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai, Symphony no. 2 in D major, op. 73: IV. Allegro con spirito, Symphony no. 3 in F major, op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in E-flat major “Romantic”: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major “Romantic”: II. Andante quasi allegretto, Symphony no. 4 in E-flat major “Romantic”: III. Scherzo: Bewegt - Trio: Nicht zu schnell, Symphony no. 4 in E-flat major “Romantic”: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Tahiti Trot, Tahiti Trot, op. 19 |
| Mong Rosseel |
performing orchestra |
Alborada del gracioso, Also sprach Zarathustra, op. 30: (Sonnenaufgang), Also sprach Zarathustra, op. 30: Das Grablied, Also sprach Zarathustra, op. 30: Das Nachtwandlerlied, Also sprach Zarathustra, op. 30: Das Tanzlied, Also sprach Zarathustra, op. 30: Der Genesende, Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: Von den Hinterweltlern, Also sprach Zarathustra, op. 30: Von der Wissenschaft, Also sprach Zarathustra, op. 30: Von der großen Sehnsucht, Bolero, Daphnis et Chloé, Suite no. 2: 1. Lever du nour, Daphnis et Chloé, Suite no. 2: 2. Pantomime, Daphnis et Chloé, Suite no. 2: 3. Danse générale, Das Klagende Lied, Part I: I. Beim Weidenbaum, im kühlen Tann, Das Klagende Lied, Part I: II. Ein Spielmann zog einst des Weges daher, Das Klagende Lied, Part I: III. Ach Spielmann, lieber Spielmann mein!, Das Klagende Lied, Part II: IV. Von hohen Felsen erglänzt das Schloß, Das Klagende Lied, Part II: V. Was ist der König so stumm und bleich, Das Klagende Lied, Part II: VI. Ach Spielmann, lieber Spielmann mein!, Das Klagende Lied, Part II: VII. Auf springt der König von seinem Thron, Das Klagende Lied, Part II: VIII. Ach Bruder, lieber Bruder mein!, Don Juan, op. 20, Hungarian Dance for Orchestra in F major, WoO 1 No. 10: Presto, Hungarian Dance for Orchestra in F major, WoO 1 No. 3: Allegretto, Hungarian Dance for Orchestra in G minor, WoO 1 No. 1: Allegro molto, Jeux d'enfants, op. 22: I. Marche: Trompette et tambour, Jeux d'enfants, op. 22: II. Berceuse: La Poupée, Jeux d'enfants, op. 22: III. Impromptu: La toupie, Jeux d'enfants, op. 22: IV. Duo: Petit mari, petite femme, Jeux d'enfants, op. 22: V. Galop: Le bal, La Valse, Ma mère l'Oye: Apothéose: Le Jardin féerique, Ma mère l'Oye: Danse du rouet et scène - Interlude, Ma mère l'Oye: Interlude, Ma mère l'Oye: Laideronnette, impératrice des pagodes, Ma mère l'Oye: Les Entretiens de la Belle et de la Bête, Ma mère l'Oye: Pavane de la Belle au bois dormant, Ma mère l'Oye: Petit Poucet, Ma mère l'Oye: Prélude, Menuet antique, Music for the Royal Fireworks, Suite HWV 351: I. Overture, Music for the Royal Fireworks, Suite HWV 351: II. Bourrée, Music for the Royal Fireworks, Suite HWV 351: IV. La Réjouissance, Music for the Royal Fireworks, Suite HWV 351: V. Menuet I–II, Music for the Royal Fireworks: I. Overture. Grave - Andante - Allegro, Music for the Royal Fireworks: II. Bourrée. Allegro, Music for the Royal Fireworks: III. La paix, Music for the Royal Fireworks: IV. La Réjouissance. Allegro, Music for the Royal Fireworks: V. Menuet I & II. Andante, Pavane for a Dead Princess, Pavane pour une infante défunte, Rhapsodie espagnole: Feria, Rhapsodie espagnole: Habanera, Rhapsodie espagnole: Malagueña, Rhapsodie espagnole: Prélude à la nuit, Serenade for Orchestra No. 1 in D major, Op. 11: I. Allegro molto, Serenade for Orchestra No. 1 in D major, Op. 11: II. Scherzo. Allegro non troppo, Serenade for Orchestra No. 1 in D major, Op. 11: III. Adagio non troppo, Serenade for Orchestra No. 1 in D major, Op. 11: IV. Menuetto I - Menuetto II, Serenade for Orchestra No. 1 in D major, Op. 11: V. Scherzo. Allegro, Serenade for Orchestra No. 1 in D major, Op. 11: VI. Rondo. Allegro, Serenade for Orchestra No. 2 in A major, Op. 16: I. Allegro moderato, Serenade for Orchestra No. 2 in A major, Op. 16: II. Scherzo. Vivace, Serenade for Orchestra No. 2 in A major, Op. 16: III. Adagio non troppo, Serenade for Orchestra No. 2 in A major, Op. 16: IV. Quasi menuetto, Serenade for Orchestra No. 2 in A major, Op. 16: V. Rondo. Allegro, Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro, Symphony No. 10 in F-sharp minor: Andante - Adagio, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso - Presto ma non assai, Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 1 in C minor: I. Allegro molto moderato, Symphony no. 1 in C minor: II. Adagio, Symphony no. 1 in C minor: III. Scherzo. Lebhaft, Symphony no. 1 in C minor: IV. Finale. Bewegt und feurig, Till Eulenspiegels lustige Streiche, op. 28, Tragic Overture for Orchestra in D minor, op. 81, Valses nobles et sentimentales: Assez animé, Valses nobles et sentimentales: Assez lent, Valses nobles et sentimentales: Epilogue. Lent, Valses nobles et sentimentales: Modéré, Valses nobles et sentimentales: Moins vif, Valses nobles et sentimentales: Presque lent, Valses nobles et sentimentales: Vif, Variations on a Theme by Joseph Haydn, Op. 56a: Thema. Chorale St. Antoni. Andante |
| José Manuel Hierro |
performing orchestra |
L'Oiseau de feu: Introduction, L'Oiseau de feu: Tableau I. Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Berceuse (L'Oiseau de feu) - réveil de Katchtcheï - mort de Katchtcheï - profonds ténèbres, L'Oiseau de feu: Tableau I. Brusque apparition d'Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Capture de l'Oiseau de feu par Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Carillon féerique - apparition des monstres-gardiens de Katchtcheï - capture d'Ivan Tsarévitch, L'Oiseau de feu: Tableau I. Danse de l'Oiseau de feu, L'Oiseau de feu: Tableau I. Danse de la suite de Katchtcheï enchantée par l'Oiseau de feu, L'Oiseau de feu: Tableau I. Danse infernale de tous les sujets de Katchtcheï, L'Oiseau de feu: Tableau I. Jeu des princesses avec les pommes d'or, L'Oiseau de feu: Tableau I. Khorovod (ronde) des princesses, L'Oiseau de feu: Tableau I. Le jardin enchanté de Katchtcheï, L'Oiseau de feu: Tableau I. Lever de jour - Ivan Tsarévitch pénètre dans le palais de Katchtcheï, L'Oiseau de feu: Tableau I. Supplications de l'Oiseau de feu - apparition des treize princesses enchantées, L'Oiseau de feu: Tableau II. Disparition du palais et des sortilèges de Katchtcheï - animation des chevaliers pétrifiés - allégresse générale, Night on the Bare Mountain, Pictures at an Exibition: Bydlo, Pictures at an Exibition: Cum mortuis in lingua mortua, Pictures at an Exibition: Gnomus, Pictures at an Exibition: Il vecchio castello, Pictures at an Exibition: Promenade, Pictures at an Exibition: Promenade. Ballet of the chickens in their shells, Pictures at an Exibition: Samuel Goldenberg and Schmuyle, Pictures at an Exibition: The hut on fowl’s legs (Baba Yaga) / The great gate of Kiev, Pictures at an Exibition: The market-place at Limoges. Catacombae (Sepulchrum romanum), Pictures at an Exibition: Tuileries, Symphony in B-flat, Hob I:102: I. Largo - Vivace, Symphony in B-flat, Hob I:102: II. Adagio, Symphony in B-flat, Hob I:102: III. Menuet (Allegro), Symphony in B-flat, Hob I:102: IV. Finale (Presto), Symphony in B-flat, Hob I:98: I. Adagio - Allegro, Symphony in B-flat, Hob I:98: II. Adagio, Symphony in B-flat, Hob I:98: III. Menuet (Allegro), Symphony in B-flat, Hob I:98: IV. Finale (Presto), Symphony in C minor, Hob I:95: I. Allegro moderato, Symphony in C minor, Hob I:95: II. Andante, Symphony in C minor, Hob I:95: III. Menuetto, Symphony in C minor, Hob I:95: IV. Finale (Vivace), Symphony in C, Hob I:97: I. Adagio - Vivace, Symphony in C, Hob I:97: II. Adagio ma non troppo, Symphony in C, Hob I:97: III. Menuetto (Allegretto), Symphony in C, Hob I:97: IV. Finale (Presto assai), Symphony in D, Hob I:101 "The Clock": I. Adagio - Presto, Symphony in D, Hob I:101 "The Clock": II. Andante, Symphony in D, Hob I:101 "The Clock": III. Menuetto (Allegretto), Symphony in D, Hob I:101 "The Clock": IV. Finale (Vivace), Symphony in D, Hob I:104 "London": I. Adagio - Allegro moderato, Symphony in D, Hob I:104 "London": II. Andante, Symphony in D, Hob I:104 "London": III. Menuet (Allegro), Symphony in D, Hob I:104 "London": IV. Finale (Spiritoso), Symphony in D, Hob I:93: I. Adagio - Allegro assai, Symphony in D, Hob I:93: II. Largo cantabile, Symphony in D, Hob I:93: III. Menuetto (Allegro), Symphony in D, Hob I:93: IV. Finale (Presto ma non troppo), Symphony in D, Hob I:96 "The Miracle": I. Adagio - Allegro, Symphony in D, Hob I:96 "The Miracle": II. Andante, Symphony in D, Hob I:96 "The Miracle": III. Menuetto. Allegretto, Symphony in D, Hob I:96 "The Miracle": IV. Finale. Vivace assai, Symphony in E-flat, Hob I:103 "Drum Roll": I. Adagio - Allegro con spirito, Symphony in E-flat, Hob I:103 "Drum Roll": II. Andante più tosto allegretto, Symphony in E-flat, Hob I:103 "Drum Roll": III. Menuet, Symphony in E-flat, Hob I:103 "Drum Roll": IV. Finale. Allegro con spirito, Symphony in E-flat, Hob I:99: I. Adagio - Vivace assai, Symphony in E-flat, Hob I:99: II. Adagio, Symphony in E-flat, Hob I:99: III. Menuetto (Allegretto), Symphony in E-flat, Hob I:99: IV. Finale (Vivace), Symphony in G major, Hob I:100 "Military": I. Adagio - Allegro, Symphony in G major, Hob I:100 "Military": II. Allegretto, Symphony in G major, Hob I:100 "Military": III. Menuet (Moderato), Symphony in G major, Hob I:100 "Military": IV. Finale (Presto), Symphony in G, Hob I:94 "Surprise": I. Adagio - Vivace assai, Symphony in G, Hob I:94 "Surprise": II. Andante, Symphony in G, Hob I:94 "Surprise": III. Menuet (Allegro molto), Symphony in G, Hob I:94 "Surprise": IV. Finale (Allegro di molto), Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 9 in E minor, op. 95: I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95: II. Largo, Symphony no. 9 in E minor, op. 95: III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95: IV. Allegro con fuoco, “Night on the Bare Mountain” |
| Dooda |
performing orchestra |
Der Rosenkavalier, op. 59 - First Suite of Waltzes, Der Rosenkavalier, op. 59 - Second Suite of Waltzes, Don Juan, op. 20, TrV 156, Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen", Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte", Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen", Matthäus-Passion, BWV 244: Teil I, IV. (Evangelist, Chor) "Da versammelten sich die Hohenpriester", etc., Matthäus-Passion, BWV 244: Teil I, IX. "Aber am ersten Tage der süssen Brot", etc., Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du", Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu", Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer", Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz", Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen", Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach", Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt", Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken", Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten", Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral "O Schmerz! Hier zittert das gequälte Herz", Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter", Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm", Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen", Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe", Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen", Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig", Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder", Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen", Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern", Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß", Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit", Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend", Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen", etc., Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren", Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott", Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen", Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista), etc., Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden", Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha", Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista), Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut", Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen", Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen", etc., Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?", Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden", Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista), etc., Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war", Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus), etc., Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein", Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht", Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder", Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista), etc., Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista), etc., Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen", Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder", Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus), Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege", Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben", Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas), etc., Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe", Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus), Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan", Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori), etc., Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin", Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten", Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht", Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten", Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille", Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott", Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen", Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen", Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus), etc., Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus), etc., Till Eulenspiegels lustige Streiche, op. 28, TrV 171 |
| Gary Montalvo |
performing orchestra |
Le Carnaval romain, Matthäus Passion, BWV 244: 28. Evangelist, Jesus "Und siehe, einer aus denen, die mit Jesu waren", Matthäus Passion, BWV 244: 29. Choral "O Mensch, bewein' dein Sünde gross", Matthäus Passion, BWV 244: 30. Aria (Alto, Chorus) "Ach, nun ist mein Jesus hin", Matthäus Passion, BWV 244: 31. Evangelist "Die aber Jesum gegriffen hatten", Matthäus Passion, BWV 244: 33. Evangelist, Hohepriester "Und der Hohepriester stand auf", Matthäus Passion, BWV 244: 34. Recitativo (Tenor) "Mein Jesus schweigt", Matthäus Passion, BWV 244: 36a. Evangelist, Pontifex, Jesus "Und der Hohepriester antwortete" ; 36b. Chorus "Er is des Todes schuldig!", Matthäus Passion, BWV 244: 36c. Evangelist "Da speieten sie asu in sein Angesicht" ; 36d. Chorus "Weissage uns, Christe", Matthäus Passion, BWV 244: 38a. Evangelist, Ancillla, Petrus "Petrus aber sas draussen im Palast", Matthäus Passion, BWV 244: 38b. Chorus "Wahrlich du bist auch einer von denen" ; 38c. Evangelist, Petrus "Da hub er an", Matthäus Passion, BWV 244: 39. Aria (Alto) "Erbarme dich, mein Gott!", Matthäus Passion, BWV 244: 41a. Evangelist, Judas "Des Morgens aber hielten alle Hohenpriester", Matthäus Passion, BWV 244: 45a. Evangelist, Pilatus "Auf das Fest aber hatte der Landpfleger Gewohnheit" 45b. Chorus "Lass ihn kreuzigen!", Matthäus Passion, BWV 244: 47. Evangelist, Pilatus "Der Landpfleger sagte", Matthäus Passion, BWV 244: 48. Recitativo (Soprano) "Er hat uns allen wohlgetan", Matthäus Passion, BWV 244: 49. Aria (Soprano) "Aus liebe will mein Heiland sterben", Matthäus Passion, BWV 244: 50a. Evangelist "Sie schrieen aber noch mehr" 50b. Chorus 50c. Evangelist, Pilatus 50d. Chorus 50e. Evangelist, Matthäus Passion, BWV 244: 51. Recitativo (Alto) "Erbarm es Gott", Matthäus Passion, BWV 244: 53a.Evangelist "Da nahmen die Kriegsknechte" 53.b Chorus "Gegrüsset seist du, Judenkönig!" 53c.Evangelist "Und speieten ihn an", Matthäus Passion, BWV 244: 54. Choral "O Haupt voll Blut und Wunden", Matthäus Passion, BWV 244: 55. Evangelist "Und da sie ihn verspottet hatten", Matthäus Passion, BWV 244: 58a. Evangelist "Und da wurden zween Mörder" 58b. Chorus 58c. Evangelist 58d. Chorus, Matthäus Passion, BWV 244: 58e. Evangelist "Desgleichen schmäheten ihn auch die Mörder", Matthäus Passion, BWV 244: 59. Recitativo (Alto) "Ach Golgatha", Matthäus Passion, BWV 244: 61a. Evangelist, Jesus "Und von der sechsten Stunde an" 61b.Chorus 61c. Evangelist 61d. Chorus 61e. Evangelist, Matthäus Passion, BWV 244: 62. Choral "Wenn ich einmal soll scheiden", Matthäus Passion, BWV 244: 63a. Evangelist "Und siehe da, den Vorhang im Tempel" 63b. Chorus "Wahrlich, dieser ist Gottes Sohn gewesen" 63c. Evangelist, Matthäus Passion, BWV 244: 64. Recitativo (Basso) "Am Abend, da es kühle war", Matthäus Passion, BWV 244: 66. Evangelist "Und Joseph nahm den Leib", Matthäus Passion, BWV 244: 67. Recitativo (Soprano, Alto, Tenore, Basso, Chorus) "Nun ist der Herr zu Ruh' gebracht", Matthäus Passion, BWV 244: 68. Chorus "Wir setzen uns mit Tränen nieder", Matthäus Passion: 1. Chorus "Kommt, ihr Töchter, helft mir Klagen", Matthäus Passion: 10. Choral "Ich bin's, ich sollte büssen", Matthäus Passion: 11. Evangelist, Jesus, Judas "Er antwortete und sprach", Matthäus Passion: 12. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt", Matthäus Passion: 13. Aria (Soprano) "Ich will dir mein Herze schenken", Matthäus Passion: 14. Evangelist, Jesus "Und da sie den Lobgesang gesprochen hatten", Matthäus Passion: 15. Choral "Erkenne mich, mein Hüter", Matthäus Passion: 16. Evangelist, Jesus, Petrus "Petrus aber antwortete", Matthäus Passion: 18. Evangelist, Jesus "Da kam Jesus mit ihnen zu einem Hofe", Matthäus Passion: 19. Recitativo (Tenor, Chorus) "O Schmerz! Hier zittert das gequälte Herz!", Matthäus Passion: 2. Evangelist, Jesus "Da Jesus diese Rede vollendet hatte", Matthäus Passion: 20. Aria (Tenor, Chorus) "Ich will bei meinen Jesu wachen", Matthäus Passion: 21. Evangelist, Jesus "Und ging hin ein wenig", Matthäus Passion: 24. Evangelist, Jesus "Und er kam zu seinen Jüngern", Matthäus Passion: 25. Choral "Was mein Gott will, das g'scheh allzeit", Matthäus Passion: 26. Evangelist, Jesus, Judas "Und er kam und fand sie aber schlafend", Matthäus Passion: 27a. Aria (Soprano, Alto, Chorus) "So ist mein Jesus nun gefangen" 27b. Chorus "Sind Blitze, sind Donner", Matthäus Passion: 3. Choral "Herzliebster Jesu, was hast du verbrochen", Matthäus Passion: 4a. Evangelist "Da versammleten sich die Hohenpriester", Matthäus Passion: 4b. Chorus "Ja nicht auf das Fest", Matthäus Passion: 4c. Evangelist "Da nun Jesus war zu Bethanien", Matthäus Passion: 4d. Chorus "Wozu dienet dieser Unrat", Matthäus Passion: 4e. Evangelist, Jesus "Da das Jesus merkete", Matthäus Passion: 5. Recitativo (Alto) "Du lieber Heiland du", Matthäus Passion: 6. Aria (Alto) "Buss und Reu", Matthäus Passion: 7. Evangelist, Judas "Da ging hin der Zwölfen einer", Matthäus Passion: 8. Aria (Soprano) "Blute nur, du liebes Herz", Matthäus Passion: 9a. Evangelist, Chorus "Aber am ersten Tage der süssen Brot", Matthäus Passion: 9b. Chorus "Wo willst du, dass wir dir bereiten", Matthäus Passion: 9c. Evangelist, Jesus; 9d. Evangelist; 9e. Chorus, Prélude à l'après-midi d'un faune, Psyché et Éros, Symphony in d minor: Allegretto, Symphony in d minor: Allegro non troppo, Symphony in d minor: Lent – Allegro non troppo |
| Gustav Mahler |
performing orchestra |
(applause), Bach Suite: I. Overture, Bach Suite: II. Rondeau - Badinerie, Bach Suite: III. Air, Bach Suite: IV: Gavottes I and II, Das Rheinlegendchen, Das klagende Lied: Erster Teil, I. "Beim Weidenbaum, im kühlen Tann", Das klagende Lied: Erster Teil, II. "Ein Spielmann zog einst des Weges daher", Das klagende Lied: Erster Teil, III. "Ach Spielmann, lieber Spielmann mein!", Das klagende Lied: Zweiter Teil, IV. "Von hohen Felsen erglanzt das Schloß", Das klagende Lied: Zweiter Teil, V. "Was ist der Konig so stumm und bleich", Das klagende Lied: Zweiter Teil, VI. "Ach Spielmann, lieber Spielmann mein!", Das klagende Lied: Zweiter Teil, VII. "Auf springt der Konig von seinem Thron", Das klagende Lied: Zweiter Teil, VIII. "Ach Bruder, lieber Bruder mein!", Des Knaben Wunderhorn: I. Der Schildwache Nachtlied, Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?, Des Knaben Wunderhorn: III. Der Tamboursg'sell, Des Knaben Wunderhorn: IV. Das irdische Leben, Des Knaben Wunderhorn: IX. Rheinlegendchen, Des Knaben Wunderhorn: V. Verlor'ne Müh', Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt, Des Knaben Wunderhorn: VII. Urlicht, Des Knaben Wunderhorn: VIII. Revelge, Des Knaben Wunderhorn: X. Lob des hohen Verstands, Des Knaben Wunderhorn: XI. Trost im Unglück, Des Knaben Wunderhorn: XII. Wo die schönen Trompeten blasen, Des Knaben Wunderhorn: XIII. Lied des Verfolgten im Turm, Des Knaben Wunderhorn: XIV. Das himmlische Leben, Symphonie No. 10 Fis-moll: Andante. Adagio, Symphonie Nr. 4 in G-dur: I. Bedächtig, nicht eilen, Symphonie Nr. 4 in G-dur: II. In gemachlicher Bewegung, Symphonie Nr. 4 in G-dur: III. Ruhevoll, sehr behaglich, Symphonie Nr. 4 in G-dur: IV. Sehr behaglich, Symphony No 3 - I. Kräftig, Entschieden, Symphony No 3 - II. Tempo di Menuetto. Sehr mässig, Symphony No 3 - III. Comodo. Scherzando. Ohne Hast, Symphony No 3 - IV. Sehr Langsam. Misterioso. 'Mensch Gib Acht!', Symphony No 3 - V. Lustig im Tempo und keck im Ausdruck: 'Es sungen drei Engel', Symphony No 3 - VI. Langsam. Ruhevoll. Empfunden, Symphony No. 1 in D major: I. Langsam, schleppend (Wie ein Naturlaut) - Im anfang sehr gemächlich, Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: I. Mit Wut. Allegro risoluto, Symphony No. 9 in D major: I. Tempo I, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb, Symphony No. 9 in D major: II. Ländler, ganz langsam, Symphony No. 9 in D major: II. Poco più mosso subito, Symphony No. 9 in D major: III. Rondo, Burleske (Allegro assai. Sehr trotzig), Symphony No. 9 in D major: III. Rondo, Burleske (Presto), Symphony No. 9 in D major: IV. Adagio (Sehr langsam), Symphony no. 3 in D minor: I. Kräftig - Entschieden, Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig., Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso: "Oh Mensch! Gib acht!", Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm bamm ... Es sungen drei Engel", Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich: Das himmlische Leben, Symphony no. 7: Langsam - Allegro, Symphony no. 7: Nachtmusik I: Allegro moderato, Symphony no. 7: Nachtmusik II: Andante amoroso, Symphony no. 7: Rondo - Finale, Symphony no. 7: Scherzo: Schattenhaft |
| Игорь Фёдорович Стравинский |
performing orchestra |
Applause, L'Oiseau de feu: I. Introduction, L'Oiseau de feu: I. L'Oiseau de feu et sa danse, L'Oiseau de feu: I. Variation de l'Oiseau de feu, L'Oiseau de feu: II. Ronde des princesses (Khorovode), L'Oiseau de feu: III. Berceuse, L'Oiseau de feu: III. Danse infernale du roi Kachtcheï, L'Oiseau de feu: III. Finale, Le Sacre du printemps: I. L'Adoration de la terre: I. Introduction, Le Sacre du printemps: I. L'Adoration de la terre: II. Les Augures Printaniers (Danses des adolescentes), Le Sacre du printemps: I. L'Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: I. L'Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: I. L'Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: I. L'Adoration de la terre: VI. Cortège du Sage, Le Sacre du printemps: I. L'Adoration de la terre: VII. Adoration de la terre, Le Sacre du printemps: I. L'Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: II. Le Sacrifice: I. Introduction, Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes, Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l'Elue, Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres, Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres, Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L'Elue), Petrushka: Part I, No. 1a. "The Shrove-tide Fair", Petrushka: Part I, No. 1b. "The Crowds", Petrushka: Part I, No. 1c. "The Charlatan's Booth", Petrushka: Part I, No. 1d. "Russian Dance", Petrushka: Part II, No. 2. "Petrushka's Room", Petrushka: Part III, No. 3a. "The Moor's Room", Petrushka: Part III, No. 3b. "Dance of the Ballerina", Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor), Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening), Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses", Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear", Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls", Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms", Petrushka: Part IV, No. 4f. "The Masqueraders", Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death), Pulcinella: Allegro, Pulcinella: Allegro - Alla breve, Pulcinella: Allegro - Alla breve: "Con queste paroline" (bass), Pulcinella: Allegro assai, Pulcinella: Allegro: "Nce sta quaccuna po" (soprano) - "Una te fa la zemprece" (tenor), Pulcinella: Ancora poco meno: "Contento forse vivere" (soprano), Pulcinella: Andante: "Sento dire no'nce pace" (soprano, tenor, bass), Pulcinella: Andantino, Pulcinella: Andantino: "Se tu m'ami" (soprano), Pulcinella: Gavotta con due variazioni, Pulcinella: Ouverture: Allegro moderato, Pulcinella: Presto: "Una te fa la zemprece" (tenor), Pulcinella: Scherzino: Allegro, Pulcinella: Serenata: Larghetto: "Mentre l'erbetta" (tenor), Pulcinella: Tarantella, Pulcinella: Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor, bass), Pulcinella: Vivo, The Firebird (L'oiseau de feu) - Suite: Final Hymn |
| Jesé Rodríguez |
performing orchestra |
Symfonie no. 1 in D grote terts “Der Titan”, Symphonie No. 9 D-dur: IIIa. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphonie No. 9 D-dur: IIIb. Rondo-Burleske: L'istesso tempo, Symphonie No. 9 D-dur: IIIc. Rondo-Burleske: Sempre l'istesso tempo, Symphonie No. 9 D-dur: IIId. Rondo-Burleske: L'istesso tempo, Symphonie No. 9 D-dur: IIIe. Rondo-Burleske, Symphonie No. 9 D-dur: IIIf. Rondo-Burleske: (Klarinetteneinsatz), Symphonie No. 9 D-dur: IIIg. Rondo-Burleske: Tempo I. subito, Symphonie No. 9 D-dur: IIIh. Rondo-Burleske: Più stretto, Symphonie No. 9 D-dur: IIa. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphonie No. 9 D-dur: IIb. Poco più mosso subito (Tempo II.), Symphonie No. 9 D-dur: IIc. Tempo III., Symphonie No. 9 D-dur: IId. Tempo II., Symphonie No. 9 D-dur: IIe. Tempo I., Symphonie No. 9 D-dur: IIf. Tempo II., Symphonie No. 9 D-dur: IIg. Tempo I. subito, Symphonie No. 9 D-dur: IVa. Sehr langsam und noch zurückhaltend, Symphonie No. 9 D-dur: IVb. Plötzlich wieder sehr langsam (wie zu Anfang), Symphonie No. 9 D-dur: IVc. Molto adagio subito, Symphonie No. 9 D-dur: IVd. A tempo (Molto adagio), Symphonie No. 9 D-dur: IVe. Stets sehr gehalten, Symphonie No. 9 D-dur: IVf. Fließender, doch durchaus nicht eilend, Symphonie No. 9 D-dur: IVg. Tempo I. Molto adagio, Symphonie No. 9 D-dur: IVh. Adagissimo, Symphonie No. 9 D-dur: Ia. Andante comodo, Symphonie No. 9 D-dur: Ib. (Horneinsatz), Symphonie No. 9 D-dur: Ic. Bewegter, Symphonie No. 9 D-dur: Id., Symphonie No. 9 D-dur: Ie. Wie von Anfang, Symphonie No. 9 D-dur: If. Plötzlich bedeutend langsamer (Lento) und leise, Symphony no. 1 in D major, "Titan": I. Langsam. Schleppend, Symphony no. 1 in D major, "Titan": II. Kräftig bewegt, Symphony no. 1 in D major, "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major, "Titan": IV. Stürmisch bewegt, Symphony no. 4 in G major: I. Bedächtig, nicht eilen, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 8 in B minor "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio, Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend |
| Ravi Shakti |
performing orchestra |
The Sleeping Beauty, op. 66: Act I, no. 5. Scène, The Sleeping Beauty, op. 66: Act I, no. 7. Scène, The Sleeping Beauty, op. 66: Act I, no. 8. Coda, The Sleeping Beauty, op. 66: Act I, no. 8. Danse des demoiselles d'honneur et des pages, The Sleeping Beauty, op. 66: Act I, no. 8. Pas d'action, The Sleeping Beauty, op. 66: Act I, no. 8. Variation d'Aurore, The Sleeping Beauty, op. 66: Act I, no. 9. Final, The Sleeping Beauty, op. 66: Act II, no. 10. Entracte et scène, The Sleeping Beauty, op. 66: Act II, no. 11. Colin-maillard, The Sleeping Beauty, op. 66: Act II, no. 12. Scène, The Sleeping Beauty, op. 66: Act II, no. 13. Farandole, The Sleeping Beauty, op. 66: Act II, no. 14. Scène, The Sleeping Beauty, op. 66: Act II, no. 15. Coda, The Sleeping Beauty, op. 66: Act II, no. 15. Pas d'action, The Sleeping Beauty, op. 66: Act II, no. 15. Variation d'Aurore, The Sleeping Beauty, op. 66: Act II, no. 16. Scène, The Sleeping Beauty, op. 66: Act II, no. 17. Panorama, The Sleeping Beauty, op. 66: Act II, no. 19. Entracte symphonique, The Sleeping Beauty, op. 66: Act II, no. 20. Final, The Sleeping Beauty, op. 66: Act III, no. 21. Marche, The Sleeping Beauty, op. 66: Act III, no. 22. Polacca, The Sleeping Beauty, op. 66: Act III, no. 23. Pas de quatre, The Sleeping Beauty, op. 66: Act III, no. 23. Variations I-IV - Coda, The Sleeping Beauty, op. 66: Act III, no. 24. Pas de caractère, The Sleeping Beauty, op. 66: Act III, no. 25. Pas de quatre, The Sleeping Beauty, op. 66: Act III, no. 25. Variations I-II - Coda, The Sleeping Beauty, op. 66: Act III, no. 26. Cendrillon et le prince Fortune, The Sleeping Beauty, op. 66: Act III, no. 26. Pas de caractère, The Sleeping Beauty, op. 66: Act III, no. 27. Pas berrichon 28. Pas de deux, The Sleeping Beauty, op. 66: Act III, no. 28. Adagio, The Sleeping Beauty, op. 66: Act III, no. 28. Pas de deux: Entrée, The Sleeping Beauty, op. 66: Act III, no. 28. Variations I-II - Coda, The Sleeping Beauty, op. 66: Act III, no. 29. Sarabande, The Sleeping Beauty, op. 66: Act III, no. 30. Apothéose, The Sleeping Beauty, op. 66: Act III, no. 30. Final, The Sleeping Beauty, op. 66: Introduction, The Sleeping Beauty, op. 66: Prologue, no. 1. Marche, The Sleeping Beauty, op. 66: Prologue, no. 2. Scène dansante, The Sleeping Beauty, op. 66: Prologue, no. 3. Pas de six, The Sleeping Beauty, op. 66: Prologue, no. 3. Variations I-VI - Coda, The Sleeping Beauty, op. 66: Prologue, no. 4. Final |
| Ludwig van Beethoven |
performing orchestra |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem, Overture “Leonore”, op. 138, Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile, Symphonie No. 5 en do mineur, Op. 67: I. Allegro con brio, Symphonie No. 9 in D minor, Op. 125: IV. Allegro ma non tanto - Prestissimo (Royal Concertgebouw Orchestra), Symphony No. 3 "Eroica": Allegro Con Brio, Symphony No. 3 "Eroica": Finale (Allegro Molto), Symphony No. 3 "Eroica": Marcia Funebre (Adagio Assai), Symphony No. 3 "Eroica": Scherzo (Allegro Vivace), Symphony No. 9 in D minor, Op. 125 "Choral": IVa. Presto, Symphony No. 9 in D minor, Op. 125 "Choral": IVb. O Freunde, Nicht Diese Toene!, Symphony No. 9 in D minor, Op. 125 "Choral": IVc. Allegro assai, Symphony No. 9 in D minor, Op. 125 "Choral": IVd. Alla Marcia, Symphony No. 9 in D minor, Op. 125 "Choral": IVe. Andante maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": IVf. Allegro energico, Symphony No. 9 in D minor, Op. 125 "Choral": IVg. Allegro ma non tano, Symphony no. 4 in B-flat major, op. 60: I. Andante - Allegro ma non troppo, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo |
| Ozzy |
performing orchestra |
"Alceste" Overture, "Rosamunde" Overture, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Opening of Mahler’s Adagietto as recorded in 1926 by Willem Mengelberg and the Amsterdam Concertgebouw, Overture "De getemde feeks", op. 25, Serenade for Strings in C major, op. 48: I. Pezzo in forma sonatina: Andante non troppo - Allegro moderato, Serenade for Strings in C major, op. 48: II. Waltz: Moderato (Tempo di valse), Serenade for Strings in C major, op. 48: III. Élégie: Larghetto elegiaco, Serenade for Strings in C major, op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito, Symphony No. 4 in G major: I. Bedächtig, nicht eilen, Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast, Symphony No. 4 in G major: III. Ruhevoll, poco adagio, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony no. 5 in E minor, op. 64: Andante - allegro con anima, Symphony no. 5 in E minor, op. 64: Andante cantabile, con alcuma licenza, Symphony no. 5 in E minor, op. 64: Andante maestoso - allegro vivace, Symphony no. 5 in E minor, op. 64: Valse: Allegro moderato, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso, Symphony no. 8 (9) in C major, D 944 'The Great': Allegro moderato, Symphony no. 8 (9) in C major, D 944 'The Great': Andante con moto, Symphony no. 8 (9) in C major, D 944 'The Great': Andante — Allegro ma non troppo, Symphony no. 8 (9) in C major, D 944 'The Great': Scherzo, Allegro vivace |
| Johann Strauss |
performing orchestra |
"Der Zigeunerbaron" Overtüre, An der schönen blauen Donau, Op. 314, Die Fledermaus - Overtüre, Die Fledermaus: "Also jetzt einmal ehrlich..." (Frosch), Die Fledermaus: "Das ist vielleicht ein fideles Gefängnis..." (Frosch), Die Fledermaus: "Ich glaub, Komödie..." (Frosch), Die Fledermaus: "O je, jetzt hab i meinen Auftritt verpasst..." (Frosch), Die Fledermaus: Act I, no. 1a Introduction "Täubchen, das entflattert ist" (Alfred, Adele), Die Fledermaus: Act I, no. 1b Duettino "Ach, ich darf nicht hin zu dir" (Adele, Rosalinde), Die Fledermaus: Act I, no. 2 Trio "Nein, mit solchen Advokaten" (Eisenstein, Rosalinde, Blind), Die Fledermaus: Act I, no. 3 Duet "Komm mit mir zum Souper" (Falke, Eisenstein), Die Fledermaus: Act I, no. 4 Trio "So muss allein ich bleiben" (Rosalinde, Adele, Eisenstein), Die Fledermaus: Act I, no. 5 Finale I "Trinke, Liebchen, trinke schnell" (Alfred, Rosalinde, Frank), Die Fledermaus: Act II, no. 11a Finale II. Ensemble with Chorus "Im Feuerstrom der Reben... Brüderlein und Schwesterlein", Die Fledermaus: Act II, no. 11b Finale II. Ballet. Spanisch - Schottisch - Russisch - Böhmisch - Ungarisch, Die Fledermaus: Act II, no. 11c Finale II. Ensemble with Chorus "Genug damit, genug... Ha, welch ein Fest", Die Fledermaus: Act II, no. 6 Chorus and Ensemble "Ein Souper heut' uns winkt", Die Fledermaus: Act II, no. 7 Couplet "Ich lade gern mir Gäste ein" (Orlofsky), Die Fledermaus: Act II, no. 8 Ensemble and Couplet "Ach, meine Herrn und Damen... Mein Herr Marquis" (Adele, ensemble), Die Fledermaus: Act II, no. 9 Duet "Dieser Anstand, so manierlich" (Eisenstein, Rosalinde), Die Fledermaus: Act III, no. 13 Melodrama "Olga, komm her..." (Frank), Die Fledermaus: Act III, no. 14 Couplet "Spiel' ich die Unschuld vom Lande" (Adele, Ida, Frank), Die Fledermaus: Act III, no. 15 Trio "Ich stell voll Zagen... Mein Herr Notar" (Rosalinde, Alfred, Eisenstein), Die Fledermaus: Act III, no. 16 Finale III "O Fledermaus, o Fledermaus" (ensemble, Die Fledermaus: Entreact, Die Fledermaus: Ouvertüre, Egyptischer Marsch, Op. 335, G'schichten aus dem Wienerwald, op. 325, Kreuzfidel, Op. 301, Leichtes Blut op. 319, Pizzicato Polka, Unter Donner und Blitz, op. 324, Wiener Bonbons op. 307 |
| Ronald Lipscomb |
performing orchestra |
Overture “Fidelio” in E major, op. 72c, Overture “Leonore” no. 3 in C major, op. 72b, Overtüre Leonore no. 2, op. 72a, Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace, Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto, Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country”, Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook”, Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”, Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”, Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm”, Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace – Presto, Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante Moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo, Till Eulenspiegels lustige Streiche, Op. 28 (IX. C, S. 452) (Amsterdam Concertgebouw Orchestra, Eugen Jochum) |
| Antonín Dvořák |
performing orchestra |
(applause), Requiem - Part 1. Confutatis maledictus, Requiem - Part 1. Graduale: Requiem aeternam, Requiem - Part 1. Introitus: Requiem aeternam, Requiem - Part 1. Lacrimosa, Requiem - Part 1. Quid sum miser, Requiem - Part 1. Recordare, Jesu pie, Requiem - Part 1. Sequentia: Dies irae, Requiem - Part 1. Tuba mirum, Requiem - Part 2. Agnus Dei, Requiem - Part 2. Hostias, Requiem - Part 2. Offertorium: Domine Jesu Christe, Requiem - Part 2. Pie Jesu, Requiem - Part 2. Sanctus: Sanctus & Benedictus, Symphony No 8 - I. Allegro con brio, Symphony No 8 - II. Adagio, Symphony No 8 - III. Allegretto grazioso, Symphony No 8 - IV. Allegro ma non troppo, Symphony No. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony No. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony No. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace, Symphony No. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 8, op. 88: I. Allegro con brio, Symphony no. 8, op. 88: II. Adagio, Symphony no. 8, op. 88: III. Allegretto grazioso, Symphony no. 8, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor From “The New World”: II. Largo (excerpt), The Noon Witch, op. 108: I. Allegretto, The Noon Witch, op. 108: II. Andante sostenuto, The Noon Witch, op. 108: III. Allegro, The Noon Witch, op. 108: IV. Andante |
| Robin Vining |
performing orchestra |
Images pour orchestre: I. Gigues, Images pour orchestre: II. Ibéria: Par les rues et par les chemins, Images pour orchestre: III. Rondes de printemps, Images pour orchestre: Le matin d’un jour de fête, Images pour orchestre: Les parfums de la nuit, La Mer: De l’aube à midi sur la mer, La Mer: Dialogue du vent et de la mer, La Mer: Jeux de vagues, Trois Nocturnes: Fêtes, Trois Nocturnes: Nuages, Trois Nocturnes: Sirénes, Water Music: Alla Hornpipe, Water Music: I. Overture. Grave - Allegro, Water Music: II. Adagio e staccato, Water Music: III. Allegro - Andante - Allegro, Water Music: IV. A tempo di minuetto, Water Music: IX. Allegro moderato, Water Music: V. Air. Andante, Water Music: VI. Menuet. Pomposo, Water Music: VII. Bourrée. Allegro, Water Music: VIII. Hornpipe. Allegro, Water Music: X. Andante - Allegro, Water Music: XI. Alla hornpipe, Water Music: XII. Menuet. Moderato, Water Music: XIII. Aria. Allegro, Water Music: XIV. Loure. Lentement, Water Music: XIX. Coro. Pomposo, Water Music: XV. Air. Allegro, Water Music: XVI. Menuet. Moderato, Water Music: XVII. Menuet. Allegretto, Water Music: XVIII. Affettuoso - Cantabile |
| Manuel Haefliger |
performing orchestra |
Jeu de cartes: Deuxième donne. Coda. Più mosso, Jeu de cartes: Deuxième donne. Ensemble. Con moto, Jeu de cartes: Deuxième donne. Introduction. Alla breve, Jeu de cartes: Deuxième donne. March. Marcia, Jeu de cartes: Deuxième donne. Reprise of March. Marcia, Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante, Jeu de cartes: Deuxième donne. Variations I–IV. Allegretto, Jeu de cartes: Première donne. Dance Variation. Moderato assai, Jeu de cartes: Première donne. Dance of the Joker. Stringendo, Jeu de cartes: Première donne. Introduction. Alla breve, Jeu de cartes: Première donne. Pas d’action. Meno mosso, Jeu de cartes: Première donne. Waltz-Coda. Tranquillo, Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto, Jeu de cartes: Troisième donne. Final Dance – Coda. Tempo del principio, Jeu de cartes: Troisième donne. Introduction. Alla breve, Jeu de cartes: Troisième donne. Waltz, Orpheus: Scene 1. Air de danse. Andante con moto, Orpheus: Scene 1. Dance of the Angel of Death. L’istesso tempo, Orpheus: Scene 1. Interlude, Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto, Orpheus: Scene 2. Air de danse (Conclusion). L’istesso tempo, Orpheus: Scene 2. Air de danse. Grave – Un poco meno mosso, Orpheus: Scene 2. Interlude. L’istesso tempo, Orpheus: Scene 2. Interlude. Moderato assai, Orpheus: Scene 2. Pas de deux. Andante sostenuto, Orpheus: Scene 2. Pas des Furies. Agitato in piano – Sempre alla breve ma meno mosso, Orpheus: Scene 2. Pas d’action. Andantino leggiadro, Orpheus: Scene 2. Pas d’action. Vivace, Orpheus: Scene 3. Orpheus’s apotheosis. Lento sostenuto, Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: IV. Poco vivace |
| Christer Nerfont |
performing orchestra |
Alborada del gracioso, Bolero, Daphnis et Chloé, Suite Nr. 1 : 1. Nocturne, Daphnis et Chloé, Suite Nr. 1 : 2. Interlude, Daphnis et Chloé, Suite Nr. 1 : 3. Danse guerrière, La Valse, Le Tombeau de Couperin : 1. Prélude, Le Tombeau de Couperin : 2. Forlane, Le Tombeau de Couperin : 3. Menuet, Le Tombeau de Couperin : 4. Rigaudon, Ma Mère l’Oye (ballet) : Apothéose : Le Jardin féerique, Ma Mère l’Oye (ballet) : Danse du rouet et Scène – Interlude, Ma Mère l’Oye (ballet) : Laideronnette, Impératrice des Pagodes – Interlude, Ma Mère l’Oye (ballet) : Les Entretiens de la Belle et de la Bête – Interlude, Ma Mère l’Oye (ballet) : Pavane de la Belle au bois dormant – Interlude, Ma Mère l’Oye (ballet) : Petit Poucet – Interlude, Ma Mère l’Oye (ballet) : Prelude, Menuet antique, Pavane pour une infante défunte, Rapsodie espagnole : 1. Prélude à la nuit, Rapsodie espagnole : 2. Malagueña, Rapsodie espagnole : 3. Habanera, Rapsodie espagnole : 4. Feria, Symphony in C major: I. Allegro - Allegro vivo, Symphony in C major: II. Andante - Adagio, Symphony in C major: III. Scherzo. Allegro vivace, Symphony in C major: IV. Finale. Allegro vivace, Valses nobles et sentimentales |
| Pedro Pablo Seco |
performing orchestra |
The Nutcracker: Act I, no. 1. The Christmas Tree, The Nutcracker: Act I, no. 2. March, The Nutcracker: Act I, no. 3. Galop and Dance of the Parents, The Nutcracker: Act I, no. 4. Dance Scene: The Presents of Drosselmeyer, The Nutcracker: Act I, no. 5. Scene: Grandfather Dance, The Nutcracker: Act I, no. 6. Clara and the Nutcracker, The Nutcracker: Act I, no. 7. The Nutcracker Battles the Army of the Mouse King: He Wins and Is Transformed into Prince Charming, The Nutcracker: Act I, no. 8. in the Christmas Tree, The Nutcracker: Act II, no. 10. The Magic Castle on the Mountain of Sweets, The Nutcracker: Act II, no. 11. Clara and Prince Charming, The Nutcracker: Act II, no. 12a. Character Dances: Chocolate (Spanish Dance), The Nutcracker: Act II, no. 12b. Character Dances: Coffee (Arabian Dance), The Nutcracker: Act II, no. 12c. Character Dances: Tea (Chinese Dance), The Nutcracker: Act II, no. 12d. Character Dances: Trépak (Russian Dance), The Nutcracker: Act II, no. 12e. Character Dances: Dance of the Reed Pipes, The Nutcracker: Act II, no. 12f. Character Dances: Polchinelle (The Clown), The Nutcracker: Act II, no. 13. Waltz of the Flowers, The Nutcracker: Act II, no. 14a. Pas de deux: Intrada, The Nutcracker: Act II, no. 14b. Pas de deux: Variation I (Tarantella), The Nutcracker: Act II, no. 14c. Pas de deux: Variation II (Dance of the Sugar-Plum Fairy), The Nutcracker: Act II, no. 14d. Pas de deux: Coda, The Nutcracker: Act II, no. 15. Final Waltz and Apotheosis, The Nutcracker: Intrada (Pas de deux), The Nutcracker: Overture, The Sleeping Beauty, op. 66: Act I, no. 6. Valse |
| Muhammad Iqbal |
performing orchestra |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso, Klavierkonzer Nr. 1 D-Moll, Op. 15: I. Maestoso – Poco più moderato, Klavierkonzer Nr. 1 D-Moll, Op. 15: II. Adagio, Klavierkonzer Nr. 1 D-Moll, Op. 15: III. Rondo (Allegro non troppo – Più animato – Tempo 1), Klavierkonzert Nr. 2 B-dur, Op. 83: I. Allegro non troppo., Klavierkonzert Nr. 2 B-dur, Op. 83: II. Allegro appassionato, Klavierkonzert Nr. 2 B-dur, Op. 83: III. Andante – Più adagio, Klavierkonzert Nr. 2 B-dur, Op. 83: IV. Allegretto grazioso – Un poco più presto, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro, Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo, Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro |
| Robert Schumann |
performing orchestra |
Dritte Abtheilung: 7. Faust's Verklärung: 1. Chor. „Waldung, sie schwankt heran.", Dritte Abtheilung: 7. Faust's Verklärung: 2. Tenor-solo. „Ewiger Wonnebrand, glühendes Liebesband.", Dritte Abtheilung: 7. Faust's Verklärung: 3a. Bass-solo. „Wie Felsen-Abgrund mir zu Füssen.", Dritte Abtheilung: 7. Faust's Verklärung: 3b. Bass-solo. „Welch ein Morgenwölkchen schwebet", Dritte Abtheilung: 7. Faust's Verklärung: 4a. Chor. „Gerettet ist das edle Glied.", Dritte Abtheilung: 7. Faust's Verklärung: 4b. Chor. „Gerettet ist das edle Glied.", Dritte Abtheilung: 7. Faust's Verklärung: 5. Bass-solo. „Hier ist die Aussicht frei.", Dritte Abtheilung: 7. Faust's Verklärung: 6. Bass-solo. Chor. „Dir, der Unberührbaren.", Dritte Abtheilung: 7. Faust's Verklärung: 7. Chorus mysticus. „Alles Vergängliche ist nur ein Gleichniss.", Erste Abtheilung: 1. Scene im Garten. „Du kanntest mich, o kleiner Engel.", Erste Abtheilung: 2. Gretchen for dem Bild der Mater dolorosa. „Ach neige, du Schmerzenreiche.", Erste Abtheilung: 3. Scene im Dom. „Wie anders, Gretchen, war dir's.", Ouverture, Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische Sinfonie": 4. Feierlich, Zweite Abtheilung: 4a. Ariel. Sonnenaufgang. „Die ihr dies Haupt umschwebt im luftigen Kreise.", Zweite Abtheilung: 4b. Ariel. Sonnenaufgang. „Täler grünen, Hügel Schwellen", Zweite Abtheilung: 4c. Ariel. Sonnenaufgang. „Des Lebens Pulse schlagen frisch lebendig", Zweite Abtheilung: 4d. Ariel. Sonnenaufgang. „So ist es also, wenn ein sehnend Hoffen", Zweite Abtheilung: 5a. Mitternacht. „Ich heisse der Mangel.", Zweite Abtheilung: 5b. Mitternacht. „Vier sah ich kommen, drei nur gehn", Zweite Abtheilung: 5c. Mitternacht. „Die Nacht scheint tiefer tief hereinzudringen", Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." |
| Benjamin Britten |
performing orchestra |
Four Sea Interludes From “Peter Grimes”: Dawn (Act I), Four Sea Interludes From “Peter Grimes”: Moonlight (Act III), Four Sea Interludes From “Peter Grimes”: Storm (Act IV), Four Sea Interludes From “Peter Grimes”: Sunday Morning (Act II), Four Sea Interludes, op. 33A: I. Dawn, Four Sea Interludes, op. 33A: II. Sunday Morning, Four Sea Interludes, op. 33A: III. Moonlight, Four Sea Interludes, op. 33A: IV. Storm, Spring Symphony, op. 44: I. Introduction: "Shine out", Spring Symphony, op. 44: II. The merry cuckoo, Spring Symphony, op. 44: III. Spring, Spring Symphony, op. 44: IV. The driving boy (When as rye), Spring Symphony, op. 44: IX. When will my May come, Spring Symphony, op. 44: V. The morning star, Spring Symphony, op. 44: VI. Welcome maids of honor, Spring Symphony, op. 44: VII. Waters above, Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed, Spring Symphony, op. 44: X. Fair and fair, Spring Symphony, op. 44: XI. Sound the flute, Spring Symphony, op. 44: XII. Finale: "London, to thee I do present", The Young Person's Guide to the Orchestra, op. 34, The Young Person’s Guide to Orchestra (Variations and Fugue on a Theme of Purcell) |
| Ruggero Leoncavallo |
performing orchestra |
Pagliacci: "Si può? Si può?", Pagliacci: Arlecchin!- Colombina!, Pagliacci: Cammina adagio e li sorprenderai, Pagliacci: Decidi il mio destin, Pagliacci: Di fare il segno convenuto appressa l'istante, Pagliacci: E allor perché, di', Pagliacci: Intermezzo, Pagliacci: Introduzione, Pagliacci: Nedda! Silvio, a quest'ora, che imprudenza..., Pagliacci: No, pagliaccio non son, Pagliacci: Noin mi tentar!, Pagliacci: Ohè! ... Ohè! Presto, affrettiamoci, Pagliacci: Pagliaccio mio marito, Pagliacci: Qual fiamma ayea nel guardo! ... Stridono lassù, Pagliacci: Recitar! ... Vesti la giubba, Pagliacci: Sei là! Credea che te ne fossi andato, Pagliacci: Son quai Ritornano..., Pagliacci: Un grande spettacolo a ventitré ore, Pagliacci: Un tal gioco, credeterni, Pagliacci: Versa il filtro ne la tazza sua, Pagliacci: | zampognani! ... Don, din, don |
| Ms. Nora |
performing orchestra |
Symphonie No. 40 en sol mineur, K. 550: I. Molto allegro, Symphony No. 26 in E-flat major, K. 184: I. Molto presto, Symphony No. 26 in E-flat major, K. 184: II. Andante, Symphony No. 26 in E-flat major, K. 184: III. Allegro, Symphony No. 32 in G major, K. 318 (Overture in G): I. Allegro spiritoso, Symphony No. 32 in G major, K. 318 (Overture in G): II. Andante, Symphony No. 32 in G major, K. 318 (Overture in G): III. Tempo I, Symphony No. 39 in E-flat major, K. 543: I. Adagio - allegro, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Menuetto (Allegretto), Symphony No. 39 in E-flat major, K. 543: IV. Finale (Allegro), Symphony No. 40 in G minor, K. 550: I. Molto allegro, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Menuetto (Allegretto), Symphony No. 40 in G minor, K. 550: IV. Finale (Allegro assai), Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto), Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro, Tod und Verklärung, Op. 24 |
| Brooks Wheelan |
performing orchestra |
Sebastian im Traum: I. ~ 80 bpm, Sebastian im Traum: II. Ruhig fliessend, Sebastian im Traum: III. ~ 60 bpm, Symphony no. 2 in D major, op. 43: 1. Allegretto, Symphony no. 2 in D major, op. 43: 2. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: 3. Vivacissimo – Lento e suave, Symphony no. 2 in D major, op. 43: 4. Finale: Allegro moderato, Symphony no. 3 in D minor (Version 1889 / Edition Nowak 1959): I. Mehr Langsam, Misterioso, Symphony no. 3 in D minor (Version 1889 / Edition Nowak 1959): II. Adagio: Bewegt, quasi andante, Symphony no. 3 in D minor (Version 1889 / Edition Nowak 1959): III. Ziemlich schnell, Symphony no. 3 in D minor (Version 1889 / Edition Nowak 1959): IV. Allegro, Symphony no. 4 in E-flat major 'Romantic' (Version 1878-80 / Edition Nowak 1953): I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major 'Romantic' (Version 1878-80 / Edition Nowak 1953): II. Andante quasi allegretto, Symphony no. 4 in E-flat major 'Romantic' (Version 1878-80 / Edition Nowak 1953): III. Scherzo: Bewegt — Trio: nicht zu schnell. keinesfalls schleppend, Symphony no. 4 in E-flat major 'Romantic' (Version 1878-80 / Edition Nowak 1953): IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegretto moderato |
| Anton Bruckner |
performing orchestra |
Symphony No. 5 in B-flat major: I. Introduction. Adagio - Allegro. Mäßig, Symphony No. 5 in B-flat major: II. Adagio. Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo. Molto vivace (schnell) - Trio. Im gleichen Tempo, Symphony No. 5 in B-flat major: IV. Finale. Adagio - Allegro moderato, Symphony No. 6 in A major: I. Maestoso, Symphony No. 6 in A major: II. Adagio. Sehr feierlich, Symphony No. 6 in A major: III. Scherzo. Nicht schnell - Trio. Langsam, Symphony No. 6 in A major: IV. Finale. Bewegt, doch nicht zu schnell, Symphony no. 5 in B-flat major: I. Introduction. Adagio) — Allegro. Mäßig, Symphony no. 5 in B-flat major: II. Adagio. Sehr langsam, Symphony no. 5 in B-flat major: III. Scherzo. Molto vivace, schnell – Trio. Im gleichen Tempo, Symphony no. 5 in B-flat major: IV. Finale. Adagio. — Allegro moderato, Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso, Symphony no. 9 in D minor, WAB 109: II. Scherzo. Bewegt, lebhaft, Symphony no. 9 in D minor, WAB 109: III. Adagio. Langsam, feierlich, Symphony no. 9 in D minor: I. Feierlich. Misterioso, Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell – Scherzo da capo, Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich |
| Пётр Ильич Чайковский |
performing orchestra |
Manfred Symphony, op. 58: I. Lento lugubre, Manfred Symphony, op. 58: II. Vivace con spirito, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Swan Lake, Op.20 - Highlights: Act 1, No.2 Valse, Swan Lake, Op.20 - Highlights: Act 1, No.8 Danse des coupes (Tempo di polacca), Swan Lake, Op.20 - Highlights: Act 2, No.10 Scène (Moderato), Swan Lake, Op.20 - Highlights: Act 2: No.11 Scène (Allegro moderato), Swan Lake, Op.20 - Highlights: Act 2: No.13d Danses des cygnes (Allegro moderato), Swan Lake, Op.20 - Highlights: Act 2: No.13e Pas d'action, Swan Lake, Op.20 - Highlights: Act 3: No.20 Danse hongroise (Czardas: Moderato assai), Swan Lake, Op.20 - Highlights: Act 3: No.24 Scène (Allegro), Swan Lake, Op.20 - Highlights: Act 3: No.5b Pas de deux (Tempo di valse - Andante - Tempo di Valse - Allegro molto vivace), Swan Lake, Op.20 - Highlights: Act 4: No.27 Danse des petits cygnes (Moderato), Swan Lake, Op.20 - Highlights: Act 4: No.29 Scène Final (Andante - Allegro agitato), Swan Lake, Op.20 - Highlights: Act.1, No.1 Scène (Allegro giusto), Swan Lake, Op.20 - Highlights: Introduction (Moderato assai), Violin Concerto in D: III. Finale |
| Brayden |
performing orchestra |
Jeux (Poèm dansé), Nocturnes: Fêtes, Nocturnes: Nuages, Nocturnes: Sirènes, Symphony no. 6 in A: I. Majestoso, Symphony no. 6 in A: II. Adagio (sehr feierlich), Symphony no. 6 in A: II. Adagio (sehr feierlich) (conclusion), Symphony no. 6 in A: III. Scherzo (nicht schnell) – Trio (langsam), Symphony no. 6 in A: IV. Finale (bewegt, doch nicht zu schnell), Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo, Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto, Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace, Symphony no. 9 in C major, D. 944 “The Great”: IV. Allegro vivace, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: I. Adagio – Allegro, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: II. Andante, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: III. Menuetto. Allegretto, Symphony no. 96 in D major, Hob. I:96 “The Miracle”: IV. Finale (Vivace) |
| Mo Labrique |
performing orchestra |
Rosamunde, D797: Ballet Music No. 2, Rosamunde, D797: Entr'acte No. 1, Rosamunde, D797: Entr'acte No. 3, Rosamunde, D797: Ouvertüre "Die Zauberharfe", D644, Symphony No. 3 in F major, Op. 90: I. Allegro con brio - Un poco sostenuto - Tempo I, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 8 in G major, Op. 88: I. Allegro con brio, Symphony No. 8 in G major, Op. 88: II. Adagio, Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso, Symphony No. 8 in G major, Op. 88: IV. Allegro ma non troppo, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro |
| Garci Sánchez de Badajoz |
performing orchestra |
Sni (Dreams), op. 6, Symphonic Dances, op. 45: I. Non allegro, Symphony No. 3 in A minor, Op. 44: I. Lento - Allegro moderato, Symphony No. 3 in A minor, Op. 44: II. Adagio ma non troppo, Symphony No. 3 in A minor, Op. 44: III. Allegro, Symphony no. 1 in D minor, op. 13: 1. Grave - Allegro ma non troppo, Symphony no. 1 in D minor, op. 13: 2. Allegro animato, Symphony no. 1 in D minor, op. 13: 3. Larghetto, Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco, Symphony no. 2, op. 27: I. Largo - Allegro moderato, Symphony no. 2, op. 27: II. Allegro molto, Symphony no. 2, op. 27: III. Adagio, Symphony no. 2, op. 27: IV. Allegro vivace, Symphony no. 2: III. Adagio (conclusion), The Isle of the Dead, op. 29, Youth Symphony (1891) |
| Matthew M. Ronay |
performing orchestra |
Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo: Allegro scherzando, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo: Molto allegro, Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Piano Concerto No. 3 in C minor, Op. 37: III. Rondo: Allegro, Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato, Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto, Piano Concerto No. 4 in G major, Op. 58: III. Rondo: Vivace, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco moto, Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo: Allegro |
| Mojo Rising |
performing orchestra |
Symfonie nr. 1, op. 68 in C kleine terts: I. Un poco sostenuto - Allegro, Symfonie nr. 1, op. 68 in C kleine terts: II. Andante sostenuto, Symfonie nr. 1, op. 68 in C kleine terts: III. Un poco allegretto e grazioso, Symfonie nr. 1, op. 68 in C kleine terts: IV. Adagio - Allegro non troppo, ma con brio, Symfonie nr. 2, op. 73 in D grote terts: I. Allegro non troppo, Symfonie nr. 2, op. 73 in D grote terts: II. Adagio non troppo, Symfonie nr. 2, op. 73 in D grote terts: III. Allegretto grazioso (quasi andantino), Symfonie nr. 2, op. 73 in D grote terts: IV. Allegro con spirito, Symfonie nr. 3, op. 90 in F grote terts: I. Allegro con brio, Symfonie nr. 3, op. 90 in F grote terts: II. Andante, Symfonie nr. 3, op. 90 in F grote terts: III. Poco allegretto, Symfonie nr. 3, op. 90 in F grote terts: IV. Allegro, Symfonie nr. 4, op. 98 in E kleine terts: I. Allegro non troppo, Symfonie nr. 4, op. 98 in E kleine terts: II. Andante moderato, Symfonie nr. 4, op. 98 in E kleine terts: IV. Allegro energico e passionato |
| Tristan Clarridge |
performing orchestra |
Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo. Vivace, Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato, Piano Concerto no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema. Andantino - Variations - Tema. L'istesso tempo, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo, Piano Concerto no. 3 in C major, op. 26: IIa. Tema. Andantino –, Piano Concerto no. 3 in C major, op. 26: IIb. Variation I. L’istesso tempo, Piano Concerto no. 3 in C major, op. 26: IIc. Variation II. Allegro, Piano Concerto no. 3 in C major, op. 26: IId. Variation III. Allegro moderato (poco meno mosso), Piano Concerto no. 3 in C major, op. 26: IIe. Variation IV. Andante meditativo, Piano Concerto no. 3 in C major, op. 26: IIf. Variation V. Allegro giusto, Piano Concerto no. 3 in C major, op. 26: IIg. Tema. L’istesso tempo |
| Sir Colin Davis |
orchestrator |
Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue |
| Nadja Schulz-Berlinghoff |
performing orchestra |
Ma Mere l'Oye: I. Pavane de la Belle au bois dormant. Lent, Ma Mere l'Oye: II. Petit Poucet. Très modéré, Ma Mere l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche, Ma Mere l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré, Ma Mere l'Oye: V. Le Jardin féerique. Lent et grave, Prelude to the Afternoon of a Faun, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace, Symphony no. 7 in D minor, op. 70: IV. Finale. Allegro, Symphony no. 9 in E minor "From the new World": I. Adagio - Allegro molto, Symphony no. 9 in E minor "From the new World": II. Largo, Symphony no. 9 in E minor "From the new World": III. Scherzo, Molto vivace, Symphony no. 9 in E minor "From the new World": IV. Allegro con fuoco |
| Johannes Brahms |
performing orchestra |
Alto Rhapsody, Double concerto pour violon & violoncelle en la mineur Op.102 : I. Allegro, I. Selig sind, die da Leid tragen, II. Denn alles Fleisch, es ist wie Gras, III. Herr, lehre doch mich, IV. Wie lieblich sind deine Wohnungen, Symphony no. 2 in D major, op. 73: Adagio non troppo, Symphony no. 2 in D major, op. 73: Allegretto grazioso, Symphony no. 2 in D major, op. 73: Allegro con spirito, Symphony no. 2 in D major, op. 73: Allegro non troppo, V. Ihr habt nun Traurigkeit, VI. Denn wir haben hie keine bleibende Statt, VII. Selig sind die Toten |
| Hector Berlioz |
performing orchestra |
Le Carnaval romain, op. 9: Allegro assai con fuoco, Le Carnaval romain, op. 9: Andante sostenuto, Le Carnaval romain, op. 9: Tempo I. Allegro vivace, Symphonie fantastique, op. 14: I. Rêveries, Passions. Allegro agitato e appassionato assai, Symphonie fantastique, op. 14: I. Rêveries, Passions. Largo, Symphonie fantastique, op. 14: II. Un bal, Valse. Allegro non troppo, Symphonie fantastique, op. 14: III. Scène aux champs. Adagio, Symphonie fantastique, op. 14: IV. Marche aux supplice. Allegro non troppo, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Allegro, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Dies irae, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Dies irae & Ronde du Sabbat, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Larghetto, Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat. Ronde du Sabbat |
| MeCha |
performing orchestra |
Swan Lake, op. 20: Act 1. No. 1.. Scène (Allegro giusto), Swan Lake, op. 20: Act 1. No. 2. Valse (Corps de Ballet), Swan Lake, op. 20: Act 1. No. 8. Danse des coupes (Tempo di polacca), Swan Lake, op. 20: Act 2. No. 10. Scène (Moderato), Swan Lake, op. 20: Act 2. No. 11. Scène (Allegro moderato), Swan Lake, op. 20: Act 2. No. 13d. Danse des petits cygnes (Allegro moderato), Swan Lake, op. 20: Act 2. No. 13e. Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante), Swan Lake, op. 20: Act 3. No. 20. Danse hongroise (Czárdás), Swan Lake, op. 20: Act 3. No. 24. Scène (Allegro - Valse - Allegro vivo), Swan Lake, op. 20: Act 3. No. 27. Danses des petits cygnes (Moderato), Swan Lake, op. 20: Act 3. No. 29. Scène finale (Andante), Swan Lake, op. 20: Act 3. Pas de deux, Swan Lake, op. 20: Introduction |
| Yasmine Penniman |
performing orchestra |
Symphony no. 5 in B-flat: I. Introduction. Adagio - Allegro, mäßig, Symphony no. 5 in B-flat: II. Adagio. Sehr langsam, Symphony no. 5 in B-flat: III. Scherzo. Molto vivace, schnell, Symphony no. 5 in B-flat: IV. Finale. Adagio - Allegro moderato, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace |
| Jenn Hatedream |
performing orchestra |
Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso, Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai, Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando, Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace, Piano Concerto no. 4 in B-flat major, op. 53: II. Andante, Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato - Allegro moderato, Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace, Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio, Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato, Piano Concerto no. 5 in G major, op. 55: III. Toccata: Allegro con fuoco, Piano Concerto no. 5 in G major, op. 55: IV. Larghetto, Piano Concerto no. 5 in G major, op. 55: V. Vivo |
| Chromoscience |
performing orchestra |
Der Schauspieldirektor, KV 486: Nr. 1. Da schlägt die Abschiedsstunde, Der Schauspieldirektor, KV 486: Nr. 2. Bester Jüngling, Der Schauspieldirektor, KV 486: Nr. 3. Ich bin die erste Sängerin, Der Schauspieldirektor, KV 486: Nr. 4. Schlußgesang - Jeder Künstler strebt nach Ehre, Prima la musica, poi le parole: Nr. 1. Signor Poeta mio, Prima la musica, poi le parole: Nr. 10. Via largo, largo, largo, Prima la musica, poi le parole: Nr. 11. Cucuzze! Che concorso, Prima la musica, poi le parole: Nr. 13. Se questo mio pianto il cor non ti tocca. Per pieta, padrona mia, Prima la musica, poi le parole: Nr. 3 Non dubitar, verrò, Prima la musica, poi le parole: Nr. 4. Là tu vedrai chi sono, Prima la musica, poi le parole: Nr. 6. Cari oggeti, Prima la musica, poi le parole: Sinfonia (Allegro con brio) |
| Candy Says |
performing orchestra |
Symphony No. 21 in A major, K. 134: I. Allegro, Symphony No. 21 in A major, K. 134: II. Andante, Symphony No. 21 in A major, K. 134: III. Minuetto & trio, Symphony No. 21 in A major, K. 134: IV. Allegro, Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante, Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro, Symphony No. 31 in D major, K. 300a/297 (second version) "Paris": III. Andante, Symphony No. 36 in C major, K. 425 "Linz": I. Adagio - allegro con spirito, Symphony No. 36 in C major, K. 425 "Linz": II. Andante, Symphony No. 36 in C major, K. 425 "Linz": III. Minuetto & Trio, Symphony No. 36 in C major, K. 425 "Linz": IV. Presto |
| arbeit |
performing orchestra |
Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato, Piano Concerto no. 1 in D minor, op. 15: 2. Adagio, Piano Concerto no. 1 in D minor, op. 15: 3. Rondo (Allegro non troppo), Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 3, I. Allegro ma non tanto (excerpt), Piano Concerto no. 4 in G minor, op. 40: II. Largo, Piano concert no. 2 in C, op 18: Adagio sostenuto, Piano concert no. 2 in C, op 18: Allegro scherzando, Piano concert no. 2 in C, op 18: Moderato |
| Cornelia Büttner |
performing orchestra |
Piano Concerto No. 1 in C major, Op. 15: Cadenza, Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: Cadenza, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio, Piano Concerto No. 3 in C minor, Op. 37: II. Largo, Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro, Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato, Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto, Piano Concerto No. 4 in G major, Op. 58: III. Rondo. Vivace |
| Uluru |
performing orchestra |
"Salome" - Tanz der sieben Schleier, Don Juan, op. 20, Ouvertüre "Leonore III", op. 72a, Ouvertüre zu "Der Freischütz", Salome, op. 54: Tanz der Sieben Schleier "Dance of the Seven Veils", Symphonie Nr. 1 c-moll, op. 68: 1. Un poco sostenuto - Allegro, Symphonie Nr. 1 c-moll, op. 68: 2. Andante sostenuto, Symphonie Nr. 1 c-moll, op. 68: 3. Un poco allegretto e grazioso, Symphonie Nr. 1 c-moll, op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brio |
| Rolando Briceño |
performing orchestra |
Piano Concerto No. 2 in C minor, Op. 18: I. Moderato, Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto No. 3 in D minor, Op. 30: I. Allegro ma non tanto, Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo: Adagio, Piano Concerto No. 3 in D minor, Op. 30: III. Finale: Alla breve, Piano Concerto No. 4 in G minor, Op. 40: I. Allegro vivace, Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace |
| Richard Wagner |
performing orchestra |
"Die Meistersinger von Nürnberg", Prelude to Act 1, Die Meistersinger von Nürenberg, WWV 96: Vorspiel, Die Walküre - Walkürenritt - 'Apocalypse Now', Die Walküre, WWV 86b: Der Ritt der Walküren, Götterdämmerung, WWV 86d: Trauermusic beim Tode Siegfrieds, Lohengrin, WWV 75: Vorspiel (3. Akt), Tannhäuser, WWV 70: Bacchanal, Tannhäuser, WWV 70: Overtüre |
| Wolfgang Amadeus Mozart |
performing orchestra |
Così fan tutte, K. 588: Act 1 "Un' aura amorosa" (Ferrando), Don Giovanni, K. 527: Act 2 "Deh! vieni alla finestra" (Don Giovanni), Don Giovanni, K. 527: Act 2 "Vedrai, carino" (Zerlina), Le nozze di Figaro, K. 492: Act 1 "Non più andrai" (Figaro), Le nozze di Figaro, K. 492: Act 2 "Porgi amor qualche ristoro" (La Contessa), Symphony No. 29 in A Major, K. 201: I. Allegro Moderato (Royal Concertgebouw Orchestra), Symphony no. 32 in G major, K 318: Tempo I, Symphony no. 38 in D major, K 504 "Prague": Adagio - Allegro |
| Freud Massengo Massika |
performing orchestra |
Orchestral Set No. 2: I. An Elegy to Our Forefathers, Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting, Symphony No. 2: I. Andante moderato / II. Allegro, Symphony No. 2: III. Adagio cantabile, Symphony No. 2: IV. Lento maestoso / V. Allegro molto vivace, Symphony No. 3: I. Old Folks Gatherin', Symphony No. 3: II. Children's Day, Symphony No. 3: III. Communion |
| Drugdealer |
performing orchestra |
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo vivace: Allegro, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro -, Symphony no. 5 in C minor, op. 67: IV. Allegro |
| Lone Wanderer |
performing orchestra |
Scheherazade, op. 35: I. The sea and Sindbad's ship, Scheherazade, op. 35: II. The story of the Kalender prince, Scheherazade, op. 35: III. The young prince and princess, Scheherazade, op. 35: IV. Festival at Baghdad - The sea - Shipwreck - Conclusion, Symphony no. 2 in B minor: I. Allegro, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Trio: Allegretto, Symphony no. 2 in B minor: III. Andante, Symphony no. 2 in B minor: IV. Finale: Allegro |
| Max Löffler |
performing orchestra |
Academic Festival Overture, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Tragic Overture, op. 81 |
| Clarence Eddy |
performing orchestra |
Rosamunde, D. 797: Ballet Music no. 2, Rosamunde, D. 797: Entr'acte no. 1, Rosamunde, D. 797: Entr'acte no. 3, Rosamunde: Overture, D. 644 (Die Zauberharfe), Symphony no. 34 in C major, K. 338: I. Allegro vivace, Symphony no. 34 in C major, K. 338: II. Andante di molto, Symphony no. 34 in C major, K. 338: III. Finale: Allegro vivace |
| Alban Berg |
performing orchestra |
Seven Early Songs: I. Nacht, Seven Early Songs: II. Schilflied, Seven Early Songs: III. Die Nachtigall, Seven Early Songs: IV. Traumgekrönt, Seven Early Songs: V. Im Zimmer, Seven Early Songs: VI. Liebesode, Seven Early Songs: VII. Sommertage |
| Fudo Kazuki |
performing orchestra |
Des Knaben Wunderhorn: I. Der Schildwache Nachtlied, Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?, Des Knaben Wunderhorn: IV. Das irdische Leben, Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt, Des Knaben Wunderhorn: VIII. Rheinlegendchen, Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen, Des Knaben Wunderhorn: XIII. Urlicht |
| Gorevenge |
performing orchestra |
Concerto for Piano no. 23 in A major, K. 488: I. Allegro, Concerto for Piano no. 23 in A major, K. 488: II. Andante, Concerto for Piano no. 23 in A major, K. 488: III. Allegro, Concerto for Piano no. 26 in D major, K. 537 “Coronation”: I. Allegro, Concerto for Piano no. 26 in D major, K. 537 “Coronation”: II. Larghetto, Concerto for Piano no. 26 in D major, K. 537 “Coronation”: III. Allegretto |
| Gerald Clark's Iere String Band |
performing orchestra |
Piano Concerto no. 2 in C minor, Op. 18: I. Moderato, Piano Concerto no. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto no. 3 in D minor, Op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, Op. 30: II. Intermezzo, Piano Concerto no. 3 in D minor, Op. 30: III. Finale |
| Jimmy Stadt |
performing orchestra |
The Planets, op. 32: Jupiter, the Bringer of Jollity, The Planets, op. 32: Mars, the Bringer of War, The Planets, op. 32: Mercury, the Winged Messenger, The Planets, op. 32: Saturn, the Bringer of Old Age, The Planets, op. 32: Uranus, the Magician, The Planets, op. 32: Venus, the Bringer of Peace |
| Claude Arrieu |
performing orchestra |
Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. Scherzo: In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In tempo des Scherzos. Wild herausfahrend, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht |
| Sports |
performing orchestra |
Symphonie espagnole, op. 21: I. Allegro non troppo, Symphonie espagnole, op. 21: II. Scherzando. Allegro molto, Symphonie espagnole, op. 21: III. Intermezzo. Allegretto non troppo, Symphonie espagnole, op. 21: IV. Andante, Symphonie espagnole, op. 21: V. Rondo. Allegro |
| Fink |
performing orchestra |
Berlin Sunrise, Perfect Darkness, Sort of Revolution, What Power Art Thou?, Yesterday Was Hard on All of Us |
| No Respect For Beauty |
performing orchestra |
Violin Concerto in D major, op. 61: I. Allegro ma troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo. Allegro, Violin Romance no. 1 in G major, op. 40, Violin Romance no. 2 in F major, op. 50 |
| Askata |
performing orchestra |
Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante, Symphony no. 10 in E minor, op. 93: V. Allegro |
| Bedřich Smetana |
performing orchestra |
Má Vlast: Blanik, Má Vlast: Sarka, Má Vlast: Tabor, Má Vlast: Vyschrad, Má Vlast: Z ceskych luhu a haju (From Bohemia's Woods and Fields) |
| VHS Logos |
performing orchestra |
Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo, Concerto for Violin and Orchestra in D major, op. 77: II. Adagio, Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto, Danse macabre |
| Conal McDonagh |
performing orchestra |
The Bells, op. 35: III. Presto (Alarm Bells), Three Russian Songs, op. 41: 1. Moderato, Three Russian Songs, op. 41: 2. Largo, Three Russian Songs, op. 41: 3. Allegro moderato |
| Franz Schubert |
performing orchestra |
Symphony no. 9 in C major, D.944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D.944: II. Andante con moto, Symphony no. 9 in C major, D.944: III. Scherzo: Allegro vivace, Symphony no. 9 in C major, D.944: IV. Allegro vivace |
| Info Gates |
performing orchestra |
Symphony no. 5 in B flat major: I. Allegro, Symphony no. 5 in B flat major: II. Andante con moto, Symphony no. 5 in B flat major: III. Menuetto. Allegro molto - Trio, Symphony no. 5 in B flat major: IV. Allegro vivace |
| Carroll Ashby |
performing orchestra |
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro |
| Coco Banana |
performing orchestra |
Violin Concerto in D major: I. Allegro moderato, Violin Concerto in D major: II. Canzonetta. Andante, Violin Concerto in D major: III. Allegro vivacissimo, Vioolromance no. 2 in F, op. 50 |
| Axel Jansson |
performing orchestra |
Piano Concerto no. 2 in B major, op. 83: Allegretto giocoso, Piano Concerto no. 2 in B major, op. 83: Allegro appassionato, Piano Concerto no. 2 in B major, op. 83: Allegro non troppo, Piano Concerto no. 2 in B major, op. 83: Andante |
| Richard Birchall |
performing orchestra |
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major, op. 36: IV. Allegro molto |
| Amanté |
performing orchestra |
Violin Concerto in E minor, Op. 64: 1. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: 2. Andante, Violin Concerto in E minor, Op. 64: 3. Allegro non troppo - Allegro molto vivace, Violin Romance No. 1 in G major, Op. 40 |
| Fingers Lee & The Upper Hand |
performing orchestra |
Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro appassionato, Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante – Più adagio, Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso – Un poco più presto |
| Malte Seidel |
performing orchestra |
Pétrouchka: Fourth Tableau. Scene IV. Fête populaire de la semaine grasse (vers le soir) / Danse des nounous / L'ours et un paysan / Un marchand fêtard avec deux tziganes / Danse des cochers et des palefreniers / Les déguisés / La rixe: Le Maure et Pétrouchka / La police et le charlatan / Apparition du double de Pétrouchka, Pétrouchka: Premiere Tableau. Scene I. Fête populaire de la semaine grasse / Le tour de passe-passe / Danse russe, Pétrouchka: Second Tableau. Scene II. Chez Pétrouchka, Pétrouchka: Third Tableau. Scene III. Chez le Maure / Danse de la Ballerine / Valse: La Ballerine et le Maure - Pétrouchka |
| Simon Wilde |
performing orchestra |
Double Concerto in A minor, Op. 102: I. Allegro, Double Concerto in A minor, Op. 102: II. Andante, Double Concerto in A minor, Op. 102: III. Vivace non troppo |
| A. Smith |
performing orchestra |
Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony No. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (feat. horn: Jakob Slagter), Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro |
| Gavin John Sheehan |
performing orchestra |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto - attacca, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro |
| FlipDaScript |
performing orchestra |
Concerto No. 10 in E-flat major for Two Pianos, KV 365: I. Allegro, Concerto No. 10 in E-flat major for Two Pianos, KV 365: II. Andante, Concerto No. 10 in E-flat major for Two Pianos, KV 365: III. Rondeaux. Allegro |
| Frank Oxley |
performing orchestra |
Des Knaben Wunderhorn: III. Der Tamboursg'sell, Des Knaben Wunderhorn: IX. Lob des hohen Verstandes, Des Knaben Wunderhorn: VII. Revelge |
| Luis Ávila |
performing orchestra |
Violin Concerto in D, Op.77: 1. Allegro non troppo, Violin Concerto in D, Op.77: 2. Adagio, Violin Concerto in D, Op.77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto |
| Claude Debussy |
performing orchestra |
Danse, Prélude à l'Après-midi d'un Faune, Rhapsodie pour orchestre et clarinette principale, L 116 |
| Beth Chalmers |
performing orchestra |
Symphony no. 3 in A minor, op. 44: 1. Lento - Allegro moderato, Symphony no. 3 in A minor, op. 44: 2. Adagio ma non troppo, Symphony no. 3 in A minor, op. 44: 3. Allegro |
| Varoujan Hakhbandian |
performing orchestra |
Violin Concerto in D major, Op. 77: I. Allegro non troppo, Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace |
| Manny Crusto |
performing orchestra |
Des Knaben Wunderhorn: V. Verlor'ne Müh', Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm, Des Knaben Wunderhorn: XII. Trost im Unglück |
| Presque l'Amour |
performing orchestra |
Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppo, Konzert für Violine und Orchester D-dur op. 61: II. Larghetto, Konzert für Violine und Orchester D-dur op. 61: III. Rondo. Allegro |
| Barbara Bonney |
performing orchestra |
Giunse alfin il momento - Deh vieni, non tardar, Speil ich die Unschuld vom Lande, Vedrai carion |
| Сергей Сергеевич Прокофьев |
performing orchestra |
Dreams, op. 6, Peter and the Wolf, Op. 67, Peter und der Wolf |
| James McMillan |
performing orchestra |
Des Knaben Wunderhorn: Das himmlische Leben, Des Knaben Wunderhorn: Verlor'ne Muh, Die Nachtigall from Sieben frühe Lieder |
| Steffen Friedrich |
performing orchestra |
Danses Pour Harpe et Orchestre: 1. Danse Sacree, Danses Pour Harpe et Orchestre: 2. Danse Profane |
| After All |
performing orchestra |
Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai – Allegro vivace |
| V. Bozeman |
performing orchestra |
Piano Concerto no. 2 in G minor: I. Andante sostenuto, Piano Concerto no. 2 in G minor: II. Allegro scherzando |
| Fryderyk Chopin |
performing orchestra |
Grande polonaise brillante précedée d'un Andante spianato in E flat major, op. 22: Andante spianato. Tranquillo - Polonaise. Allegro molto, Grande valse brillante no.1 in E flat major, op. 18: Vivo |
| Daniela Kosinova |
performing orchestra |
Der Freischutz, Overture, Leonore III, Op. 72a, Overture |
| Ray Niznik |
performing orchestra |
Symphony no. 4 in G major: IV. Sehr behaglich |
| Maurice Ravel |
performing orchestra |
Concerto per la mano sinistra in Re maggiore |
| Richard Strauss |
performing orchestra |
Don Juan, op. 20 |
| Martin Groenendijk |
performing orchestra |
The Bells, op. 35: I. Allegro ma non tanto (Silver Bells) |
| MATTN |
performing orchestra |
Symphony no. 8 in E-flat major: II-x. "Komm! Komm!" |
| Luke Martin |
performing orchestra |
Symphony no. 8 in E-flat major: II-xi. "Blicket auf zum Retterblick" |
| P.S. |
performing orchestra |
Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt |
| Las Bibas From Vizcaya |
performing orchestra |
Symphony no. 8 in E-flat major: II-viii. "Bei der Liebe, die den Fussen" |
| Kusumam |
performing orchestra |
Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose |
| Sage Starkiller |
performing orchestra |
VIOLIN CONCERTO IN D MINOR, Op.47 ~ 1st Movement: Allegro moderato |
| Sally Simpson |
performing orchestra |
The Bells, op. 35: II. Lento (Golden Bells) |
| Sam Ewing |
performing orchestra |
Symfonie Nr. 9, Op. 95 "From the New World": III. Scherzo - Molto vivace |
| Kills Roots |
performing orchestra |
Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden |
| Kathleen Holeman |
performing orchestra |
L'oiseau de feu |
| Joseph Haydn |
performing orchestra |
Herr der Gezeiten: Menuet Symphonie D-dur Hob.1:104 |
| Sputnik |
performing orchestra |
Symphony no. 8 in E-flat major: II-iv. "Gerettet ist das edle Glied" |
| Sputñik |
performing orchestra |
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto. Allegro assai |
| Nehuda |
performing orchestra |
Symphony no. 8 in E-flat major: II-i. Poco adagio "Waldung, sie schwant heran" |
| Stephen Taranto |
performing orchestra |
Symphony no. 8 in E-flat major: II-vi. "Höchste Herrscherin der Welt" |
| Steve Sai |
performing orchestra |
Symphony no. 3, K. 71 |
| The 4th Floor |
performing orchestra |
Symfonie no. 8 in G grote terts, op. 88 |
| The Mission Creeps |
performing orchestra |
Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast |
| Too Hon |
performing orchestra |
Symphony no. 2 in C minor: IV. Sehr feierlich aber schlicht "O Röschen rot! Der Mensch liegt in grösster Not!" |
| Jaycee |
performing orchestra |
Symphony no. 4 in G major: IV. Sehr behaglich "Das himmlische Leben" |
| Jake Howsam Lowe |
performing orchestra |
Symphony no. 8 in E-flat major: II-v. "Uns bleibt ein Erdenrest" |
| Permit |
performing orchestra |
The Bells, op. 35: IV. Lento lugubre (Iron Bell) |
| Hteeth |
performing orchestra |
Symfonie no. 3 “Orgelsymfonie” in C minor, op. 78 |
| Nathan Lee Graham |
performing orchestra |
Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig |
| Motel Brothers |
performing orchestra |
Symphony no. 8 in E-flat major: II-ix. "Neige, neige, du Ohnegleiche" |
| Burt Eckoff |
performing orchestra |
Pictures at an Exhibition: The Great Gate of Kiev |
| Zenobia Powell Perry |
performing orchestra |
Romance from "The Gadfly" |
| Bossy Mina |
performing orchestra |
Piano Concerto no. 2 in G minor, op. 22: 3. Presto |
| Billie Jewel |
performing orchestra |
Symphony no. 3 in D minor: I. Kräftig. Entschieden |
| Aron Scarlet |
performing orchestra |
Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso "O mensch, gib acht" |
| Aqueous |
performing orchestra |
Symfonie no. 4 in A grote terts, op. 90 “De Italiaanse” |
| Ann Hjort |
performing orchestra |
Symphony no. 8 in E-flat major: II-ii. "Ewiner Wonnebrand" |
| パニックスマイル |
performing orchestra |
The Planets, op. 32: Neptune, the Mystic |
| Alecxis Ferri |
performing orchestra |
Symphony no. 8 in E-flat major: II-vii. "Dir, der Unberührbaren" |
| 杉浦太陽 |
performing orchestra |
A Faust Symphony: III. Mephistopheles - Final Chorus |