Musical Bacon: Mike Clements (engineer)

Artist name	Roles	Recordings
Benny Greb	balance	Asyla, op. 17: I, Asyla, op. 17: II, Asyla, op. 17: III. Ecstasio, Asyla, op. 17: IV, Barcarola per grande orchestra, Boléro, Concerto for Orchestra (Sz. 116): Elegia (Andante non troppo), Concerto for Orchestra (Sz. 116): Finale (Pesante - Presto), Concerto for Orchestra (Sz. 116): Giuoco delle coppie (Allegretto scherzando), Concerto for Orchestra (Sz. 116): Intermezzo interrotto (Allegretto), Concerto for Orchestra (Sz. 116): Introduzione (Andante non troppo - Allegro vivace), Country Gardens, Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé, Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Interlude, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte, Daphnis et Chloé: Première Partie. Les jeunes filles, Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion, Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint, Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale, Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisiéme Partie. Lever du jour, Drowned Out, Enigma Variations: VIII. W.N. (Winifred Norbury), Estampes - Pagodes, Flourish with Fireworks, op. 22, Harnasie: Tableau I, In the mountain pasture, No. 1: Driving the Sheep, Harnasie: Tableau I, In the mountain pasture, No. 2: Mimed Scene (Courtship), Harnasie: Tableau I, In the mountain pasture, No. 4: Mimed Scene (The Harnaś and the girl), Harnasie: Tableau I, In the mountain pasture, No. 5: The Tatra Robbers' Dance. Finale, In a Nutshell: I. Arrival Platform Humlet, In a Nutshell: II. Gay but Wistful, In a Nutshell: III. Pastoral, In a Nutshell: IV. The Gum-Suckers March, Jeux, Lincolnshire Posy: I. Lisbon (Sailor's Song), Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy), Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song), Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love), Lincolnshire Posy: V. Lord Melbourne (War Song), Lincolnshire Posy: VI. The Lost Lady Found (Dance Song), Momentum, Musique pour Le Roi Lear: Fanfare, Musique pour Le Roi Lear: Le Sommeil de Lear, Pagodes from Estampes, Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce, Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto, Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino, Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun: Tempostoso, Symphonie Nr. 102: I. Largo - Vivace, Symphonie Nr. 102: II. Adagio, Symphonie Nr. 102: III. Menuet (Allegro) & Trio, Symphonie Nr. 102: IV. Finale (Presto), Symphonie Nr. 22 "Der Philosoph": I. Adagio, Symphonie Nr. 22 "Der Philosoph": II. Presto, Symphonie Nr. 22 "Der Philosoph": III. Menuetto & Trio, Symphonie Nr. 22 "Der Philosoph": IV. Finale (Presto), Symphonie Nr. 86: I. Adagio - Allegro spiritoso, Symphonie Nr. 86: II. Capriccio (Largo), Symphonie Nr. 86: III. Menuet (Allegretto) & Trio, Symphonie Nr. 86: IV. Finale (Allegro con spirito), Symphony No. 1 in D major: Blumine (original discarded movement), Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich, Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony no. 1 in B-flat minor: I: Allegro assai, Symphony no. 1 in B-flat minor: II: Presto, con malizia, Symphony no. 1 in B-flat minor: III: Andante con malinconia, Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 3 in D minor: I. Kräftig. Entschieden, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I), Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen - recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 4 in G major: IV. Sehr behaglich, Symphony no. 5 in B-flat, op. 100: I. Andante, Symphony no. 5 in B-flat, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat, op. 100: III. Adagio, Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: III. Scherzo: Wuchtig, Symphony no. 6 in A minor: IV. Finale: Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik: Allegro Moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft - Trio, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik: Andante Amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo-Finale: Tempo 1 (Allegro Ordinario), Symphony no. 7 in E: I. Allegro moderato, Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam), Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo, Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell, The Miraculous Mandarin, op. 19 (Sz. 73): Dance of the Girl, The Miraculous Mandarin, op. 19 (Sz. 73): First Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): Second Seduction Game, The Miraculous Mandarin, op. 19 (Sz. 73): The Beginning, the Curtain Rises, The Miraculous Mandarin, op. 19 (Sz. 73): The Chase, the Tramps Leap Out, The Miraculous Mandarin, op. 19 (Sz. 73): The Mandarin Falls to the Floor, The Miraculous Mandarin, op. 19 (Sz. 73): Third Seduction Game, the Mandarin Enters, The Warriors, Three Screaming Popes, Train Music, Trois Images pour orchestre: I. Gigues, Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins, Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit, Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête, Trois Images pour orchestre: III. Rondes de printemps, Variations for Orchestra, op. 31: Finale, Variations for Orchestra, op. 31: Introduction & Theme, Variations for Orchestra, op. 31: Variation 1, Variations for Orchestra, op. 31: Variation 2, Variations for Orchestra, op. 31: Variation 3, Variations for Orchestra, op. 31: Variation 4, Variations for Orchestra, op. 31: Variation 5, Variations for Orchestra, op. 31: Variation 6, Variations for Orchestra, op. 31: Variation 7, Variations for Orchestra, op. 31: Variation 8, Variations for Orchestra, op. 31: Variation 9, Zeitgestalten: III ♩ = 80
Tim Ries Quartet	balance, engineer	Asteroid 4179: Toutatis, Carmina Burana: Uf Dem Anger: Tanz, Ceres, Fidelio: Act I, no. 3. Quartett: Mir ist so wunderbar, Fidelio: Act II, no. 16. Finale - Wer ein holdes Weib errungen, Fidelio: Ouvertüre, Komarov's Fall, La Boîte à joujoux: Changement à vue - Quatrième Tableau: Après fortune faite - Épilogue, La Boîte à joujoux: Deuxième Tableau: Le Champ de bataille, La Boîte à joujoux: Premier Tableau: Le Magasin de jouets, La Boîte à joujoux: Prélude: Le Sommeil de la boîte, La Boîte à joujoux: Troisième Tableau: Le Bergerie à vendre, La Mer: I. De l'aube à midi sur la mer, La Mer: II. Jeux de vagues, La Mer: III. Dialogue du vent et de la mer, Ma Mère l'Oye: Le Jardin féerique, Pictures at an Exhibition: Cum mortuis in lingua mortua, Pictures at an Exhibition: I. Gnomus, Pictures at an Exhibition: II. The Old Castle, Pictures at an Exhibition: III. Tuileries, Pictures at an Exhibition: IV. The Ox Cart / Bydlo, Pictures at an Exhibition: IX. The Hut on Fowl's Legs, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: VII. The Market at Limoges, Pictures at an Exhibition: VIII. The Catacombs, Pictures at an Exhibition: X. The Great Gate of Kiev, Polovtsian Dances from Prince Igor, Pomp and Circumstance March no. 4 in G, Prélude à l'après-midi d'un faune, Symphony in C: I. Moderato alla breve, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. Overture - Allegro, Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, Symphony no. 1 in F minor, op. 10: I. Allegretto, Symphony no. 1 in F minor, op. 10: II. Allegro, Symphony no. 1 in F minor, op. 10: III. Lento, Symphony no. 1 in F minor, op. 10: IV. Allegro molto, Symphony no. 2 in B minor: I. Allegro, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto, Symphony no. 2 in B minor: III. Andante, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemachlichen Landlers. Etwas täppisch und sehr derb, Symphony no. 9 in D major: III. Rondo-Burleske (Allegro assai. Sehr trotzig), Symphony no. 9 in D major: IV. Adadigo (Sehr langsam und noch zurückhaltend), The Golden Spinning Wheel, op. 109, B. 197: I. Allegro, ma non troppo, The Golden Spinning Wheel, op. 109, B. 197: II. Molto vivace, The Golden Spinning Wheel, op. 109, B. 197: III. Lento, The Golden Spinning Wheel, op. 109, B. 197: IV. Allegro, ma non troppo, The Noon Witch, op. 108, B. 196: Andante, The Noon Witch, op. 108, B. 196: I. Allegretto, The Noon Witch, op. 108, B. 196: II. Andante sostenuto e molto tranquillo, The Water Goblin, op. 107, B. 195: I. Allegro vivo, The Water Goblin, op. 107, B. 195: II. Andante mesto come prima, The Water Goblin, op. 107, B. 195: III. Un poco piu mosso, The Water Goblin, op. 107, B. 195: IV. Allegro vivace, The Wild Dove, op. 110, B. 198: I. Allegro vivo, The Wild Dove, op. 110, B. 198: II. Andante mesto come prima, The Wild Dove, op. 110, B. 198: III. Un poco piu mosso, The Wild Dove, op. 110, B. 198: IV. Allegro vivace, Three Préludes: Ce qu'a vu le vent d'ouest, Three Préludes: Feuilles mortes, Three Préludes: Feux d'artifice, towards Osiris
Михаил Васильевич Плетнёв	sound	2 Morceaux, op. 57: I. Désir, 2 Morceaux, op. 57: II. Caresse dansée, 24 Preludes, op. 11: No. 1 in C major, 24 Preludes, op. 11: No. 10 in C-sharp minor, 24 Preludes, op. 11: No. 11 in B major, 24 Preludes, op. 11: No. 12 in G-sharp minor, 24 Preludes, op. 11: No. 13 in G-flat major, 24 Preludes, op. 11: No. 14 in E-flat minor, 24 Preludes, op. 11: No. 15 in D-flat major, 24 Preludes, op. 11: No. 16 in B-flat minor, 24 Preludes, op. 11: No. 17 in A-flat major, 24 Preludes, op. 11: No. 18 in F minor, 24 Preludes, op. 11: No. 19 in E-flat major, 24 Preludes, op. 11: No. 2 in A minor, 24 Preludes, op. 11: No. 20 in C minor, 24 Preludes, op. 11: No. 21 in B-flat major, 24 Preludes, op. 11: No. 22 in G minor, 24 Preludes, op. 11: No. 23 in F major, 24 Preludes, op. 11: No. 24 in D minor, 24 Preludes, op. 11: No. 3 in G major, 24 Preludes, op. 11: No. 4 in E minor, 24 Preludes, op. 11: No. 5 in D major, 24 Preludes, op. 11: No. 6 in B minor, 24 Preludes, op. 11: No. 7 in A major, 24 Preludes, op. 11: No. 8 in F-sharp minor, 24 Preludes, op. 11: No. 9 in E major, 3 Morceaux, op. 45: No. 1. Feuillet d'album, 3 Morceaux, op. 45: No. 2. Poème fantastique, 3 Morceaux, op. 45: No. 3. Prélude, Danse languide, op. 51 no. 4, Poème languide, op. 52 no. 3, Prelude in A minor, op. 51 no. 2, Prelude in F major, op. 49 no. 2, Rêverie, op. 49 no. 3, Sonata no. 10, op. 70, Sonata no. 4 in F-sharp major, op. 30: I. Andante, Sonata no. 4 in F-sharp major, op. 30: II. Prestissimo volando
Ludwig van Beethoven	balance	Fidelio: Act I, no. 1. Duett - Jetzt, Schätzchen, jetzt sind wir allein, Fidelio: Act I, no. 1. Rezitativ - Armer Jaquin, Fidelio: Act I, no. 10. Finale - Ach! Vater, eilt!, Fidelio: Act I, no. 10. Finale - Leb wohl, du warmes Sonnenlicht, Fidelio: Act I, no. 10. Finale - Nun sprecht, wie ging's?, Fidelio: Act I, no. 10. Finale: O welche Lust!, Fidelio: Act I, no. 2. Arie: O wär' ich schon mit dir vereint, Fidelio: Act I, no. 2. Rezitativ - Marzelline, ist Fidelio noch nicht zurückgekommen?, Fidelio: Act I, no. 3. Rezitativ - Höre, Fidelio, ich gebe dir meine Tochter zur Frau, Fidelio: Act I, no. 4. Arie: Hat man nicht auch Gold beineben, Fidelio: Act I, no. 4. Rezitativ - Ihr könnt das leicht sagen, Meister Rocco, Fidelio: Act I, no. 5. Terzett - Gut, Söhnchen, gut, hab' immer Mut, Fidelio: Act I, no. 5. Terzett - Nur auf der Hut, dann geht es gut, Fidelio: Act I, no. 6. Marsch - (Orchestra), Fidelio: Act I, no. 6. Rezitativ - Wo sind die Depeschen?, Fidelio: Act I, no. 7. Arie mit Chor: Ha! Welch ein Augenblick!, Fidelio: Act I, no. 7. Rezitativ - Hauptmann! Besteigen Sie mit einem Trompeter, Fidelio: Act I, no. 8. Duett: Jetzt, Alter, jetzt hat es Eile!, Fidelio: Act I, no. 9. Rezitativ - Abscheulicher! Wo eilst du hin?, Fidelio: Act I, no. 9. Rezitativ - Meister Rocco, Ihr verspracht so oft, Fidelio: Act I, no. 9. und Arie - Komm, Hoffnung, lass den letzten Stern, Fidelio: Act II, no. 11. Introduction, Fidelio: Act II, no. 11. und Arie - Gott! Welch' Dunkel Heir! In des Lebens Frühlingstagen, Fidelio: Act II, no. 12. Melodram - Wie kalt is es heir!, Fidelio: Act II, no. 12. Rezitativ - Er er warch!, Fidelio: Act II, no. 12. un Duett - Nur hurtig fort, nur frisch gegraben, Fidelio: Act II, no. 13. Rezitativ - Alles is bereit, Fidelio: Act II, no. 13. Terzett - Euch werde Lohn in besser'n Welten, Fidelio: Act II, no. 14. Quartett - Er sterbe! Rezitativ - Vater Rocco!, Fidelio: Act II, no. 14. Rezitativ Es schlägt der rache Stunde!, Fidelio: Act II, no. 15. Duett: "O namenlose Freude!", Fidelio: Act II, no. 16. Finale - Des besten Königs Wink und Wille, Fidelio: Act II, no. 16. Finale - O Gott !Welch' ein Augenblick!, Fidelio: Act II, no. 16. Finale: "Heil sei dem Tag"
Vincenzo Ficili	engineer	Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo, Symphony no. 1 in F minor, op. 10: II. Allegro, Symphony no. 1 in F minor, op. 10: III. Lento, Symphony no. 1 in F minor, op. 10: IV. Allegro molto, Symphony no. 12 in D minor, op. 112, “The Year of 1917”: I. Revolutionary Petrograd. Moderato —, Symphony no. 12 in D minor, op. 112, “The Year of 1917”: II. Razliv. Adagio —, Symphony no. 12 in D minor, op. 112, “The Year of 1917”: III. Aurora. Allegro —, Symphony no. 12 in D minor, op. 112, “The Year of 1917”: IV. The Dawn of Humanity. L’istesso tempo, Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": I. Babi Yar: Adagio, Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": II. Humour: Allegretto, Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": III. In the Store: Adagio -, Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": IV. Fears: Largo -, Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": V. A Career: Allegretto, Symphony no. 14, op. 135: At the Santé Prison: Adagio, Symphony no. 14, op. 135: Conclusion: Moderato, Symphony no. 14, op. 135: De profundis: Adagio, Symphony no. 14, op. 135: Lorelei: Allegro molto -, Symphony no. 14, op. 135: Madam, look!: Allegretto -, Symphony no. 14, op. 135: Malagueña: Allegretto -, Symphony no. 14, op. 135: O Delvig, Delvig!: Andante, Symphony no. 14, op. 135: On Watch: Allegretto -, Symphony no. 14, op. 135: The Suicide: Adagio, Symphony no. 14, op. 135: The Zaporozhian Cossacks’ Reply to the Sultan of Constantinople: Allegro -, Symphony no. 14, op. 135: The death of the poet: Largo -, Symphony no. 2 in B major, op. 14 "To October": Largo -, Symphony no. 2 in B major, op. 14 "To October": Poco meno mosso - Allegro molto -, Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo - Allegro, Symphony no. 7, op. 60 "Leningrad": I. Allegretto, Symphony no. 7, op. 60 "Leningrad": II. Moderato (poco allegretto), Symphony no. 7, op. 60 "Leningrad": III. Adagio -, Symphony no. 7, op. 60 "Leningrad": IV. Allegro non troppo
Hi Vibe	engineer	During Music, Five Songs to Poems by Thomas Hardy: Beckon to Me to Come, Five Songs to Poems by Thomas Hardy: Dear, Think Not That They Will Forget You "Her Temple", Five Songs to Poems by Thomas Hardy: In My Sage Moments, Five Songs to Poems by Thomas Hardy: It Was What You Bore With You, Woman, Five Songs to Poems by Thomas Hardy: The Tragedy of That Moment, Five XVIth-Century Poems: A Report Song, Five XVIth-Century Poems: A Thanksgiving, Five XVIth-Century Poems: All in a Garden Green, Five XVIth-Century Poems: An Aside, Five XVIth-Century Poems: The Sweet Season, Great Things, Hope the Hornblower, If We Must Part, Santa Chiara (Palm Sunday: Naples), Sea Fever, Songs of a Wayfarer: English May, Songs of a Wayfarer: I Was Not Sorrowful (Spleen), Songs of a Wayfarer: I Will Walk on the Earth, Songs of a Wayfarer: Memory, Songs of a Wayfarer: When Daffodils Begin to Peer, Spleen, Spring Sorrow, The Bells of San Marie, The Vagabond, Three Songs to Poems by Thomas Hardy: Summer Schemes, Three Songs to Poems by Thomas Hardy: Weathers, Three Songs: Friendship in Misfortune, Three Songs: The One Hope, Tryst (In Fountain Court), Tutto è sciolto, When I Am Old, When the Lights Go Rolling Round the Sky
ILWT	sound	Dance Suite, Sz. 77: I. Moderato, Dance Suite, Sz. 77: II. Allegro Molto, Dance Suite, Sz. 77: III. Allegro Vivace, Dance Suite, Sz. 77: IV. Molto Tranquillo, Dance Suite, Sz. 77: V. Comodo - Finale, Hungarian Pictures, Sz. 97: An Evening in the Village, Hungarian Pictures, Sz. 97: Bear Dance, Hungarian Pictures, Sz. 97: Melody, Hungarian Pictures, Sz. 97: Slightly Tipsy, Hungarian Pictures, Sz. 97: Swineherd's Dance, Lady in the Dark — Symphonic Nocturne: Allegro alla marcia, Lady in the Dark — Symphonic Nocturne: Andante misterioso “My Ship”, Lady in the Dark — Symphonic Nocturne: Bolero “This Is New”, Lady in the Dark — Symphonic Nocturne: “Dance of the Tumblers”, Lady in the Dark — Symphonic Nocturne: “Girl of the Moment”, Lady in the Dark — Symphonic Nocturne: “The Saga of Jenny”, Symphony no. 1, Symphony no. 2: I. Sostenuto — Allegro molto, Symphony no. 2: II. Largo, Symphony no. 2: III. Allegro vivace, The Miraculous Mandarin, Sz. 73, op. 19: First Seduction Game: The Shabby Old Rake, The Miraculous Mandarin, Sz. 73, op. 19: Opening - The Girl and Three Tramps, The Miraculous Mandarin, Sz. 73, op. 19: Second Seduction Game: The Young Student, The Miraculous Mandarin, Sz. 73, op. 19: She Resists No Longer - They Embrace, The Miraculous Mandarin, Sz. 73, op. 19: Suddenly the Mandarin's Head Appears Between the Pillows and He Looks Longingly at the Girl, The Miraculous Mandarin, Sz. 73, op. 19: The Girl Begins a Hesitant Dance..., The Miraculous Mandarin, Sz. 73, op. 19: The Mandarin Enters and Remains Immobile in the Doorway, The Miraculous Mandarin, Sz. 73, op. 19: The Mandarin Stumbles - The Chase Becomes Even More Passionate, The Miraculous Mandarin, Sz. 73, op. 19: The Terrified Tramps Discuss How They Are to Get Rid of the Mandarin, The Miraculous Mandarin, Sz. 73, op. 19: The Three Tramps Leap Out, Seize the Mandarin and Tear Him Away From the Girl, The Miraculous Mandarin, Sz. 73, op. 19: Third Seduction Game
Benjamin Britten	balance, engineer	"Praise We Great Men" for Voices, Chorus and Orchestra: I., "Praise We Great Men" for Voices, Chorus and Orchestra: II., "Praise We Great Men" for Voices, Chorus and Orchestra: III., Now Sleeps the Crimson Petal, Serenade for Tenor, Horn and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn and Strings, Op. 31: I. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: II. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: III. Elegy, Serenade for Tenor, Horn and Strings, Op. 31: IV. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: Prologue, Serenade for Tenor, Horn and Strings, Op. 31: V. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VI. Sonnet, The Young Person's Guide to the Orchestra, op. 34: I. Theme: Allegro maestoso e largamente, The Young Person's Guide to the Orchestra, op. 34: II. Variation 1 (Flutes and piccolo), The Young Person's Guide to the Orchestra, op. 34: III. Variation 2 (Oboes): Lento, The Young Person's Guide to the Orchestra, op. 34: IV. Variation 3 (Clarinets): Moderato, The Young Person's Guide to the Orchestra, op. 34: IX. Variation 8 (Double basses): Comminciando lento ma poco a poco accel. al Allegro, The Young Person's Guide to the Orchestra, op. 34: V. Variation 4 (Bassoons): Allegro alla marcia, The Young Person's Guide to the Orchestra, op. 34: VI. Variation 5 (Violins): Brillante, alla polacca, The Young Person's Guide to the Orchestra, op. 34: VII. Variation 6 (Violas): Meno mosso, The Young Person's Guide to the Orchestra, op. 34: VIII. Variation 7 (Cellos), The Young Person's Guide to the Orchestra, op. 34: X. Variation 9 (Harp): Maestoso, The Young Person's Guide to the Orchestra, op. 34: XI. Variation 10 (Horns): L'istesso tempo, The Young Person's Guide to the Orchestra, op. 34: XII. Variation 11 (Trumpets): Vivace, The Young Person's Guide to the Orchestra, op. 34: XIII. Variation 12 (Trombones and bass tuba): Allegro pomposo, The Young Person's Guide to the Orchestra, op. 34: XIV. Variation 13 (Percussion): Moderato, The Young Person's Guide to the Orchestra, op. 34: XV. Fugue: Allegro moderato
Karol Szymanowski	balance	Król Roger: Act I. "Boże pobłogosław Panie praodwieczny", Król Roger: Act I. "Czyś słyszał?", Król Roger: Act I. "Hagios! Hagios!", Król Roger: Act I. "Mój Bóg jest piękny jako ja", Król Roger: Act I. "Niech odejdzie Pasterz", Król Roger: Act I. "Oto bluźnierca!", Król Roger: Act I. "W jego uśmiechu!", Król Roger: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!", Król Roger: Act II. "A ...!...Roksana! Jej śpiew!", Król Roger: Act II. "Kto śmie mój czar łańcuchem pętać rabów?", Król Roger: Act II. "Ktoś mglisty przeszedł między strażą!", Król Roger: Act II. "Niepokój bladych gwiazd", Król Roger: Act II. "O przychodzę sam, jako kazałeś, Królu", Król Roger: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie", Król Roger: Act II. "Tajemnych głębin życia żar wszechmocną", Król Roger: Act II. (Orchestra), Król Roger: Act II. Dance of the Shepherd's followers, Król Roger: Act II. Roxana's Entrance. "A...! W radosnym tańcu", Król Roger: Act III. "Edrisi, już świt!", Król Roger: Act III. "Na sąd, na sąd staw się Królu", Król Roger: Act III. "Rogerze! Rogerze!", Król Roger: Act III. "Syć ofiarny", Król Roger: Act III. "Słońce! Słońce! Edrisi!", Król Roger: Act III. "Wokół martwota głazów", Król Roger: Act III. (Orchestra), Król Roger: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!"
Arnold Schönberg	balance	Des Sommers Wilde Jagd: Herr Gänseßuss, Frau Gänsekraut (Sprecher), Des Sommers Wilde Jagd: Seht die Sonne (Chor), Des Sommers Wilde Jagd: Vorspiel, Gurrelieder: Dritter Teil. "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr), Gurrelieder: Dritter Teil. Deckel des Sarges klappert (Bauer), Gurrelieder: Dritter Teil. Der Hahn erhebt den Kopf zur Kraht (Waldermars Mannen), Gurrelieder: Dritter Teil. Du strenger Richter droben (Waldemar), Gurrelieder: Dritter Teil. Erwacht, König Waldemars Mannen (Waldemar), Gurrelieder: Dritter Teil. Gegrüßt, o König (Waldermars Mannen), Gurrelieder: Dritter Teil. Mit Toves Stimme flüstert der Wald (Waldemar), Gurrelieder: Erster Teil. Du sendest mir einen Liebesblick (Tove), Gurrelieder: Erster Teil. Du wunderlische Tove! (Waldemar), Gurrelieder: Erster Teil. Es ist Mitternachtszeit (Waldemar), Gurrelieder: Erster Teil. Nun dämpft die Daemm'rung (Waldemar), Gurrelieder: Erster Teil. Nun sag ich dir zum ersten Mal (Tove), Gurrelieder: Erster Teil. O, wenn des Mondes Strahlen (Tove), Gurrelieder: Erster Teil. Orchestervorspiel, Gurrelieder: Erster Teil. Orchesterzwischenspiel, Gurrelieder: Erster Teil. Ross! Mein Ross! (Waldemar), Gurrelieder: Erster Teil. So tanzen die Engel vor Gottes Thron nicht (Waldemar), Gurrelieder: Erster Teil. Sterne jubeln (Tove), Gurrelieder: Erster Teil. Tauben von Gurre! (Waldtaube), Gurrelieder: Zweiter Teil. Herrgott, weißt du, was du tatest (Waldemar)
Dieter Limbourg	balance	American Suite, op. 98b: I. Andante con moto, American Suite, op. 98b: II. Allegro, American Suite, op. 98b: III. Moderato (alla polacca), American Suite, op. 98b: IV. Andante, American Suite, op. 98b: V. Allegro, Symphony no. 1 in C minor, op. 3: I. Allegro, Symphony no. 1 in C minor, op. 3: II. Adagio Molto, Symphony no. 1 in C minor, op. 3: III. Allegretto, Symphony no. 1 in C minor, op. 3: IV. Finale: Allegretto, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace, Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro, Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor, op. 95: I. Adagio – Allegro molto, Symphony no. 9 in E minor, op. 95: II. Largo, Symphony no. 9 in E minor, op. 95: III. Scherzo (molto vivace), Symphony no. 9 in E minor, op. 95: IV. Allegro con fuoco, The Wild Dove, Symphonic Poem, op. 110
Stereociti	balance	Goethe-Lieder: Anakreons Grab, Goethe-Lieder: Blumengruß, Goethe-Lieder: Der Rattenfänger, Goethe-Lieder: Erschatten und Beleben, Goethe-Lieder: Gleich und gleich, Goethe-Lieder: Harfenspieler I, Goethe-Lieder: Harfenspieler II, Goethe-Lieder: Harfenspieler III, Goethe-Lieder: Ob der Koran von Ewigkeit sei?, Goethe-Lieder: Phänomen, Goethe-Lieder: Sie haben wegen der Trunkenheit, Goethe-Lieder: So lang man nüchtern ist, Goethe-Lieder: Spottlied aus Wilhelm Meister, Goethe-Lieder: Trunken müssen wir alle sein!, Goethe-Lieder: Was in der Schenke waren heute, Mörike-Lieder: An eine Äolsharfe, Mörike-Lieder: Der Tambour, Mörike-Lieder: Elfenlied, Mörike-Lieder: Fußreise, Mörike-Lieder: Gesang Weylas, Mörike-Lieder: Heimweh, Mörike-Lieder: Jägerlied
Inés Breuer	engineer	Bed in Summer, Earth’s Call (A Sylvan Rhapsody), I Have Twelve Oxen, If There Were Dreams to Sell, Mother and Child: Baby, Mother and Child: Death-Parting, Mother and Child: Hope, Mother and Child: Newborn, Mother and Child: Skylark and Nightingale, Mother and Child: The Blind Boy, Mother and Child: The Garland, Mother and Child: The Only Child, The Journey, Three Songs to Poems by Thomas Hardy: Her Song, Three Songs: Love and Friendship, Three Songs: Rest, Three Songs: The Adoration, Three Songs: The Rat, What Art Thou Thinking of?, When I Am Dead, My Dearest
Ezra Hocquard	balance, engineer	Carmina Burana: Blanziflor et Helena: Ave formosissima, Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera, Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna, Carmina Burana: I. Primo Vere: Ecce gratum, Carmina Burana: I. Primo Vere: Veris leta facies, Carmina Burana: II. In Taberna: In taberna quando sumus, Carmina Burana: III. Cour d'amours: Veni, veni, venias, Carmina Burana: Uf Dem Anger: Chramer, gip die varwe mir, Carmina Burana: Uf Dem Anger: Floret silva, Carmina Burana: Uf Dem Anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe, Carmina Burana: Uf Dem Anger: Were diu werlt alle min, Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras, Ein deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen, Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, Symphony of Psalms: I. Exaudi orationem meam, Symphony of Psalms: II. Expectans expectavi Dominum, Symphony of Psalms: III. Alleluia. Laudate Dominum
Cempopoloah	balance	Enigma Variations: I. C.A.E. (the composer's wife), Enigma Variations: II. H.D.S-P. (Hew David Steuart-Powell), Enigma Variations: III. R.B.T. (Richard Baxter Townshend), Enigma Variations: IV. W.M.B. (William Meath Baker), Enigma Variations: IX. Nimrod (A.J. Jaeger), Enigma Variations: Theme, Enigma Variations: V. R.P.A. (Richard Penroes Arnold), Enigma Variations: VI. Ysobel (Isabel Fitton), Enigma Variations: VII. Troyte (Troyte Griffith), Enigma Variations: X. Intermezzo: Dorabella (Dora Penny), Enigma Variations: XI. G.R.S. (George Robertson Sinclair), Enigma Variations: XII. B.G.N. (Basil G. Nevinson), Enigma Variations: XIII. Romanza: *** (Lady Mary Lygon), Enigma Variations: XIV. Finale: E.D.U. (the composer), Grania and Diarmid: I. Incidental Music, Grania and Diarmid: II. Funeral March
600 BJ	engineer	Alas, alas, alas, Fortune alas, Kyrie Deus creator omnium, Mi verry joy, Missa Flos regalis: Agnus Dei, Missa Flos regalis: Credo, Missa Flos regalis: Gloria, Missa Flos regalis: Sanctus, Missa Sine nomine: Agnus Dei, Missa Sine nomine: Credo, Missa Sine nomine: Gloria, Missa Sine nomine: Kyrie Omnipotens pater, Missa Sine nomine: Sanctus, Myn hertis lust, Pryncesse of youthe, So ys emprentid
Ellie	engineer	Symphony no. 1 in C minor, op. 4: I. Strepitoso, Symphony no. 1 in C minor, op. 4: II. Religioso, Largo - Andante, Symphony no. 1 in C minor, op. 4: III. Presto, Symphony no. 1 in C minor, op. 4: IV. Molto energico, Symphony no. 2 in E major, op. 6: I. Ouverture: Assez animé, Symphony no. 2 in E major, op. 6: II. Danses: Vif, Symphony no. 2 in E major, op. 6: III. Chant varié: Très nuancé, Symphony no. 2 in E major, op. 6: IV. Final: Vif et gai, Symphony no. 3 in B-flat minor, op. 11: I. Introduction et Ouverture: Modéré - Vif, Symphony no. 3 in B-flat minor, op. 11: II. Danses: Très vif, Symphony no. 3 in B-flat minor, op. 11: III. Pastorale: Modéré, Symphony no. 3 in B-flat minor, op. 11: IV. Final: Vif, Symphony no. 4 in C-sharp minor, op. 21: I. Modéré, Symphony no. 4 in C-sharp minor, op. 21: II. Vif, Symphony no. 4 in C-sharp minor, op. 21: III. Sans lenteur et nuancé, Symphony no. 4 in C-sharp minor, op. 21: IV. Animé
Freddie Wall	engineer	Eonia, Ikon of Light: Movement 1 FOS I, DOXA, Ikon of Light: Movement 2 piu intensita, Ikon of Light: Movement 3 TRISAGION I, Ikon of Light: Movement 4a MYSTIC PRAYER TO THE HOLY SPIRIT, Ikon of Light: Movement 4b, Ikon of Light: Movement 4c, Ikon of Light: Movement 4d, Ikon of Light: Movement 4e, Ikon of Light: Movement 5 TRISAGION II, Ikon of Light: Movement 6 FOS II, Ikon of Light: Movement 7 EPIPHANIA, The Tiger, Today the Virgin, Two Hymns to the Mother of God: A Hymn to the Mother of God, Two Hymns to the Mother of God: Hymn for the Dormition of the Mother of God
Bob Garrett	engineer	Ladslove, Love Is a Sickness Full of Woes, Remember, Songs Sacred and Profane: Hymn for a Child, Songs Sacred and Profane: My Fair, Songs Sacred and Profane: The Advent, Songs Sacred and Profane: The Salley Gardens, Songs Sacred and Profane: The Scapegoat, Songs Sacred and Profane: The Soldier’s Return, The Heart’s Desire, The Sacred Flame, Two Songs: My True Love Hath My Heart, Two Songs: The Trellis, We’ll to the Woods No More: In Boyhood, We’ll to the Woods No More: We’ll to the Woods No More
Liliane Dorekens	balance	The Seasons, Op 37b: I. Javier "au coin du feu", The Seasons, Op 37b: II. Fevrier "Carnaval", The Seasons, Op 37b: III. Mars "Chant de l'alouette", The Seasons, Op 37b: IV. Avril "Perce-neige", The Seasons, Op 37b: IX. Septembre "La chasse", The Seasons, Op 37b: V. Mai "Les nuits de mai", The Seasons, Op 37b: VI. Juin "Barcarolle", The Seasons, Op 37b: VII .Juillet "Chant des moissonneurs", The Seasons, Op 37b: VIII. Aout "La moisson", The Seasons, Op 37b: X. Octobre "Chant d'automne", The Seasons, Op 37b: XI. Novembre "Course en troika", The Seasons, Op 37b: XII. Decembre "Noel"
Hiraeth	balance	Diversions for Piano Left Hand and Orchestra, op. 21: II. Variation 1: Recitative, Diversions for Piano Left Hand and Orchestra, op. 21: III. Variation 2: Romance, Diversions for Piano Left Hand and Orchestra, op. 21: IV. Variation 3: March, Diversions for Piano Left Hand and Orchestra, op. 21: IX. Variation 8: Burlesque, Diversions for Piano Left Hand and Orchestra, op. 21: V. Variation 4: Arabesque, Diversions for Piano Left Hand and Orchestra, op. 21: VI. Variation 5: Chant, Diversions for Piano Left Hand and Orchestra, op. 21: VII. Variation 6: Nocturne, Diversions for Piano Left Hand and Orchestra, op. 21: VIII. Variation 7: Badinerie, Diversions for Piano Left Hand and Orchestra, op. 21: X. Variation 9a: Toccata 1 - Variation 9b: Toccata 2, Diversions for Piano Left Hand and Orchestra, op. 21: XI. Variation 10: Adagio, Diversions for Piano Left Hand and Orchestra, op. 21: XII. Finale: Tarantella, Diversions for Piano Left-hand and Orchestra, op. 21: I. Theme
Typerite	balance	Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro, Concerto no. 1 in E, RV 269 “La primavera”: II. Largo, Concerto no. 1 in E, RV 269 “La primavera”: III. Allegro, Concerto no. 2 in G minor, RV 315 “L’estate”: I. Allegro non molto, Concerto no. 2 in G minor, RV 315 “L’estate”: II. Adagio, Concerto no. 2 in G minor, RV 315 “L’estate”: III. Presto, Concerto no. 3 in F, RV 293 “L’autunno”: I. Allegro, Concerto no. 3 in F, RV 293 “L’autunno”: II. Adagio molto, Concerto no. 4 in F minor, RV 297 “L’inverno”: I. Allegro non molto, Concerto no. 4 in F minor, RV 297 “L’inverno”: II. Largo, Concerto no. 4 in F minor, RV 297 “L’inverno”: III. Allegro, The Four Seasons: Autumn: III. Allegro
Trust Image	engineer	"The Counterplan", op. 33: II. Andante, Concertino from "Eastern Promises": I. Eastern Promises, Concertino from "Eastern Promises": II. Tatiana, Die tote Stadt, op. 12: Marietta’s Lied, Die tote Stadt, op. 12: Tanzlied des Pierrots, Ladies In Lavender, Schindler’s List: Main Theme, The Gadfly, op. 97a: III. Youth, Violin Concerto in D major, op. 35: I. Moderato nobile, Violin Concerto in D major, op. 35: II. Romance: Andante, Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace
The Workers	engineer	Norfolk Rhapsody No. 1 in E Minor (feat. viola: Stuart Green), Suite "Flos Campi": I. Lento. (feat. viola: Paul Silverthorne), Suite "Flos Campi": II. Andante con moto. (feat. viola: Paul Silverthorne), Suite "Flos Campi": III. Lento. (feat. viola: Paul Silverthorne), Suite "Flos Campi": IV. Moderato alla marcia. (feat. viola: Paul Silverthorne), Suite "Flos Campi": V. Andante quasi lento. (feat. viola: Paul Silverthorne), Suite "Flos Campi": VI. Moderato tranquillo. (feat. viola: Paul Silverthorne), Symphony No. 4 in F minor: I. Allegro, Symphony No. 4 in F minor: II. Andante moderato, Symphony No. 4 in F minor: III. Scherzo. Allegro molto, Symphony No. 4 in F minor: IV. Finale con epilogo fugato. Allegro molto
The Reggister's	engineer	Abschiedsserenade: I. Adagio, Abschiedsserenade: II. Moderato, Concerto for Orchestra no. 1 "Musikalnoe prinosheniye Kievu": I. Maestoso -, Concerto for Orchestra no. 1 "Musikalnoe prinosheniye Kievu": II. Presto, Concerto for Orchestra no. 2: I. Allegro -, Concerto for Orchestra no. 2: II. Andante, molto espressivo -, Concerto for Orchestra no. 2: III. Moderato, Concerto for Orchestra no. 3 "Holosinnya": I. Largo rubato -, Concerto for Orchestra no. 3 "Holosinnya": II. Allegro, Elegie
Alexander Bonduriansky	engineer	Fantasy Overture after Shakespeare in B minor "Romeo & Juliet", Romeo & Juliet - Excerpts from the ballet: Balcony Scene (Romeo and Juliet), Romeo & Juliet - Excerpts from the ballet: Death of Tybalt, Romeo & Juliet - Excerpts from the ballet: Friar Laurence, Romeo & Juliet - Excerpts from the ballet: Juliet, the young girl, Romeo & Juliet - Excerpts from the ballet: Madrigal, Romeo & Juliet - Excerpts from the ballet: Minuet, Romeo & Juliet - Excerpts from the ballet: Montagues and Capulets, Romeo & Juliet - Excerpts from the ballet: Romeo at Juliet's before parting, Romeo & Juliet - Excerpts from the ballet: Romeo at Juliet's tomb
Renzo Rubino	balance	Chamber Symphony, op. 110a: I. Largo, Chamber Symphony, op. 110a: II. Allegro molto, Chamber Symphony, op. 110a: III. Allegretto, Chamber Symphony, op. 110a: IV. Largo, Chamber Symphony, op. 110a: V. Largo, Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
Елена Шуенкова	balance	Symphony no. 9 in D minor, op. 125 "Choral": IVa. Presto - Allegro ma non troppo - Tempo I - Vivace - Tempo I - Adagio cantabile - Tempo I - Allegro assai - Tempo I - Allegro assai -, Symphony no. 9 in D minor, op. 125 "Choral": IVb. Presto - Recitativo - Allegro assai -, Symphony no. 9 in D minor, op. 125 "Choral": IVc. Allegro assai vivace. Alla marcia -, Symphony no. 9 in D minor, op. 125 "Choral": IVd. Andante maestoso - Adagio ma non troppo, ma divoto -, Symphony no. 9 in D minor, op. 125 "Choral": IVe. Andante energico e sempre ben marcato -, Symphony no. 9 in D minor, op. 125 "Choral": IVf. Allegro ma non tanto -, Symphony no. 9 in D minor, op. 125 "Choral": IVg. Poco allegro, stringendo il tempo, sempre più allegro -, Symphony no. 9 in D minor, op. 125 "Choral": IVh. Presto -, Symphony no. 9 in D minor, op. 125 "Choral": IVi. Maestoso - Prestissimo
Jeanne Findberg	engineer	Discomfort them, O Lord, I call and cry to thee, O Lord, Missa Salve intemerata: Agnus Dei, Missa Salve intemerata: Credo, Missa Salve intemerata: Gloria, Missa Salve intemerata: Sanctus, Salve intemerata (Motet), Spem in alium (40-voice Motet), With all our heart
K-Nite 13	engineer	Symphony no. 3 in F major, op. 90: Allegro, Symphony no. 3 in F major, op. 90: Allegro con brio, Symphony no. 3 in F major, op. 90: Andante, Symphony no. 3 in F major, op. 90: Poco allegretto, Symphony no. 4 in E minor, op. 98: Allegro energico e passionato, Symphony no. 4 in E minor, op. 98: Allegro giocoso, Symphony no. 4 in E minor, op. 98: Allegro non troppo, Symphony no. 4 in E minor, op. 98: Andante moderato
Nan Schaefer	balance	Symphonies of Wind Instruments, The Planets Suite for Orchestra, op. 32: Jupiter, the Bringer of Jollity, The Planets Suite for Orchestra, op. 32: Mars, the Bringer of War, The Planets Suite for Orchestra, op. 32: Mercury, the Winged Messenger, The Planets Suite for Orchestra, op. 32: Saturn, the Bringer of Old Age, The Planets Suite for Orchestra, op. 32: Uranus, the Magician, The Planets Suite for Orchestra, op. 32: Venus, the Bringer of Peace
Abys	engineer	By Footpath and Stile, op. 2: Exeunt omnes, By Footpath and Stile, op. 2: Paying calls, By Footpath and Stile, op. 2: The master and the leaves, By Footpath and Stile, op. 2: The oxen, By Footpath and Stile, op. 2: Voices from things growing in a churchyard, By Footpath and Stile, op. 2: Where the picnic was
Julia Reinhardt	balance	Six Pieces (Composed on a Single Theme), Op. 21: VI. Scherzo, Six Pieces (Composed on a Single Theme), op. 21: I. Prélude, Six Pieces (Composed on a Single Theme), op. 21: II. Fugue à quatre voix, Six Pieces (Composed on a Single Theme), op. 21: III. Impromptu, Six Pieces (Composed on a Single Theme), op. 21: IV. Marche funèbre, Six Pieces (Composed on a Single Theme), op. 21: V. Mazurque
Razend	balance	Klavierkonzert Nr. 1 d-Moll, op. 15: I. Maestoso, Klavierkonzert Nr. 1 d-Moll, op. 15: II. Adagio, Klavierkonzert Nr. 1 d-Moll, op. 15: III. Rondo. Allegro non troppo, Symphony No. 4 "Symphonie Concertante", Op. 60: I. Moderato - Tempo comodo, Symphony No. 4 "Symphonie Concertante", Op. 60: II. Andante molto sostenuto, Symphony No. 4 "Symphonie Concertante", Op. 60: III. Allegro non troppo, ma agitato ed ansioso
Henry Purcell	engineer	Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet", Orpheus Britannicus: "Let sullen discorn smile", Orpheus Britannicus: "So when the glittering Queen of Night", Orpheus Britannicus: "Thou tun'st this world", Orpheus Britannicus: "Why should men quarrel?"
Gioachino Rossini	engineer	Rossini Suite: I. March. Allegro brillante, Rossini Suite: II. Canzonetta. Allegretto, Rossini Suite: III. Allegretto, Rossini Suite: IV. Bolero. Allegro moderato, Rossini Suite: V. Allegro con brio
Пётр Ильич Чайковский	engineer	1812 Overture, op. 49, Francesca da Rimini: Symphonic Fantasia After Dante, op. 32, Marche Slave, op. 31, Romeo and Juliet: Fantasy Overture
BadNews	balance	Symphony No. 5 in C minor, op. 67: IV. Allegro, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro -
Sam Vicari	balance	Symphony no. 14, op. 135: De profundis, Symphony no. 14, op. 135: O delvig, delvig!, Symphony no. 14, op. 135: Otvet zaporozhskikh kazakov konstantinopolskomu sultanu, Symphony no. 14, op. 135: V turme Santé
Wormhole	balance	Symphony no. 14, op. 135: Malagueña, Symphony no. 14, op. 135: Nacheku, Symphony no. 14, op. 135: Samoublitsa, Symphony no. 14, op. 135: Smert poeta
Liveson	engineer	Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo. Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
Chris Gonzalez	recording	Symphony no. 4: I. Allegro molto moderato. Bewegt, nicht zu schnell, Symphony no. 4: II. Andante quasi allegretto, Symphony no. 4: III. Scherzo: Bewegt - Trio: Nicht zu schnell, keinesfalls schleppend, Symphony no. 4: IV. Finale: Bewegt, doch nicht zu schnell
Von Durden	balance	String Quartet, op. 11: I. Molto allegro e appassionato, String Quartet, op. 11: II. Adagio, String Quartet, op. 11: III. Molto adagio - Presto
Xerosun	balance	Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
Syzygy Twins	balance	Symphony no. 14, op. 135: Loreleya, Symphony no. 14, op. 135: Madam, posmotrite!, Symphony no. 14, op. 135: Zaklyucheniye
Jean-François Brun	balance	Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta. Andante, Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo
Enimore	balance	Ouverture-Fantaisie: Romeo and Juliet, Overture: 1812, op. 49, Symphonic Fantasy: Francesca da Rimini, op. 32
[anonymous]	engineer	Oliver Cromwell, The Bonny Earl o' Moray
José Angulo	engineer	Piano Concerto no. 2 in F major, op. 102: I. Allegro, Piano Concerto no. 2 in F major, op. 102: II. Andante / III. Allegro
Heleen Koele	balance	Pluto, the Renewer, The Planets Suite for Orchestra, op. 32: Neptune, the Mystic
Robert Schumann	engineer	Liederkreis, Op. 39, No. 12 "Frühlingsnacht"
Eurgh	balance	Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
Ella Young	balance	Karelia Suite, op. 11: III. Alla marcia
Franz Schubert	engineer	Die Forelle, D 550
Bobby Hodges	engineer	Symphony no. 2 in B major, op. 14 "To October": Chorus "To October"
Stefen Svensson	engineer	Canzonetta for Oboe and Strings, op. posth. 48
Sodium	engineer	Piano Concerto no. 1 in C major, op. 35: III. Moderato / IV. Allegro con brio
The Tallis Scholars	recording	Funeral Ikos
Harouna Dembélé	engineer	Intermezzo from "Vanessa"
Berliner Philharmoniker	balance	Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt)
Nicola Benedetti	engineer	Auld Lang Syne Variations
Manatee	engineer	Symphony no. 9 in D minor, op. 125 (S. 657 / R. 376) "Choral": I. Allegro ma non troppo, un poco maestoso
池田宜史	engineer	Knoxville: Summer of 1915, op. 24
赵琪	balance	Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio

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Mike Clements

Top collaborators

Work on other artists' recordings

Artist name	Roles	Recordings
Benny Greb
Tim Ries Quartet
Михаил Васильевич Плетнёв (pianist & conductor)
Ludwig van Beethoven
Vincenzo Ficili (Sicilian singer)