MUSICAL BACON
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Daniel Barenboim
conductor, piano, grand piano, vocal, cello, performer
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Richard Wagner
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Helmut Kaufmann
Mark Vigars
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12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Air Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation I, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation II, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation III, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IV, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IX, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation V, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VI, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VII, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VIII Tempo di Menuetto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation X Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XI, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XII Molto Adagio, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Tema, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation I, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation II, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation III, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IV, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IX, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation V, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VI, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VII, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VIII, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation X, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XI. Adagio, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XII. Presto, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Menuet, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation I, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation II, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation III, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IV, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IX, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation V, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VI, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VII, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VIII, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation X, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XI Adagio, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XII Allegro, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180: Menuetto Andante. Thema, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation I, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation II, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation III, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation IV, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation V Adagio, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation VI Allegretto, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation I, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation II, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation III, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation IV, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation V, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation VI, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Air - Allegro, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation I, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation II, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation III, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation IV, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation V Adagio, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VI, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VII, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Tema., 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation I, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation II, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation III, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation IV, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation V, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VI, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VII. Adagio, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VIII. Allegro, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Tema. Allegretto, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation I, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation II, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation III, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation IV, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation V, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VI, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VII Adagio, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VIII Tempo I, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Tema, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 1, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 10, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 11: Adagio, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 12: Allegro, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 3, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 4, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 5, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 6, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 7: Adagio, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 8, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 9, Variations on a "Ah, vous dirai-jo, maman", K. 265- Var. 2, Variations on a Minuet by J.P. Duport, K. 573: (Tempo I), Variations on a Minuet by J.P. Duport, K. 573: Tema, Variations on a Minuet by J.P. Duport, K. 573: Var. 1, Variations on a Minuet by J.P. Duport, K. 573: Var. 2, Variations on a Minuet by J.P. Duport, K. 573: Var. 3, Variations on a Minuet by J.P. Duport, K. 573: Var. 4, Variations on a Minuet by J.P. Duport, K. 573: Var. 5, Variations on a Minuet by J.P. Duport, K. 573: Var. 6, Variations on a Minuet by J.P. Duport, K. 573: Var. 7, Variations on a Minuet by J.P. Duport, K. 573: Var. 8: Adagio, Variations on a Minuet by J.P. Duport, K. 573: Var. 9: Allegro, Variations on a Theme by B. Schack, K. 613: (Tempo I), Variations on a Theme by B. Schack, K. 613: Tema, Variations on a Theme by B. Schack, K. 613: Var. 1, Variations on a Theme by B. Schack, K. 613: Var. 2, Variations on a Theme by B. Schack, K. 613: Var. 3, Variations on a Theme by B. Schack, K. 613: Var. 4, Variations on a Theme by B. Schack, K. 613: Var. 5, Variations on a Theme by B. Schack, K. 613: Var. 6, Variations on a Theme by B. Schack, K. 613: Var. 7: Adagio, Variations on a Theme by B. Schack, K. 613: Var. 8: Allegro, Variations on a Theme by Gluck, K. 455: (Tempo I), Variations on a Theme by Gluck, K. 455: Tema: Allegretto, Variations on a Theme by Gluck, K. 455: Var. 1, Variations on a Theme by Gluck, K. 455: Var. 10: Allegro, Variations on a Theme by Gluck, K. 455: Var. 2, Variations on a Theme by Gluck, K. 455: Var. 3, Variations on a Theme by Gluck, K. 455: Var. 4, Variations on a Theme by Gluck, K. 455: Var. 5, Variations on a Theme by Gluck, K. 455: Var. 6, Variations on a Theme by Gluck, K. 455: Var. 7, Variations on a Theme by Gluck, K. 455: Var. 8, Variations on a Theme by Gluck, K. 455: Var. 9: Adagio, Variations on a Theme by Paisiello K. 398 - Tema, Variations on an Air by N. Dezede, K. 264 - Tema: Andante, Variations on an Air by N. Dezede, K. 264 - Tempo di tema, Variations on an Air by N. Dezede, K. 264 - Var. 1, Variations on an Air by N. Dezede, K. 264 - Var. 2, Variations on an Air by N. Dezede, K. 264 - Var. 3, Variations on an Air by N. Dezede, K. 264 - Var. 4, Variations on an Air by N. Dezede, K. 264 - Var. 5, Variations on an Air by N. Dezede, K. 264 - Var. 6, Variations on an Air by N. Dezede, K. 264 - Var. 7, Variations on an Air by N. Dezede, K. 264 - Var. 8: Adagio, Variations on an Air by N. Dezede, K. 264 - Var. 9: Allegro, Variations on an Original Theme, K. 500: (Tempo I), Variations on an Original Theme, K. 500: Tema: Allegretto, Variations on an Original Theme, K. 500: Var. 1, Variations on an Original Theme, K. 500: Var. 10, Variations on an Original Theme, K. 500: Var. 11: Adagio, Variations on an Original Theme, K. 500: Var. 12: Allegro, Variations on an Original Theme, K. 500: Var. 2, Variations on an Original Theme, K. 500: Var. 3, Variations on an Original Theme, K. 500: Var. 4, Variations on an Original Theme, K. 500: Var. 5, Variations on an Original Theme, K. 500: Var. 6, Variations on an Original Theme, K. 500: Var. 7, Variations on an Original Theme, K. 500: Var. 8, Variations on an Original Theme, K. 500: Var. 9, Variations on an Original Theme, K. 54: Tema: Allegretto, Variations on an Original Theme, K. 54: Var. 1, Variations on an Original Theme, K. 54: Var. 2, Variations on an Original Theme, K. 54: Var. 3, Variations on an Original Theme, K. 54: Var. 4, Variations on an Original Theme, K. 54: Var. 5, Variations on an Original Theme, K. 54: Var. 6
John Fraser
producer
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Air Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation I, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation II, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation III, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IV, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IX, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation V, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VI, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VII, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VIII Tempo di Menuetto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation X Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XI, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XII Molto Adagio, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Tema, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation I, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation II, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation III, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IV, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IX, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation V, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VI, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VII, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VIII, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation X, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XI. Adagio, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XII. Presto, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Menuet, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation I, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation II, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation III, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IV, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IX, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation V, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VI, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VII, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VIII, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation X, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XI Adagio, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XII Allegro, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180: Menuetto Andante. Thema, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation I, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation II, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation III, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation IV, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation V Adagio, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation VI Allegretto, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation I, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation II, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation III, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation IV, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation V, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation VI, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Air - Allegro, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation I, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation II, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation III, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation IV, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation V Adagio, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VI, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VII, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Tema., 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation I, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation II, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation III, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation IV, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation V, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VI, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VII. Adagio, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VIII. Allegro, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Tema. Allegretto, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation I, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation II, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation III, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation IV, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation V, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VI, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VII Adagio, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VIII Tempo I, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Tema, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 1, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 10, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 11: Adagio, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 12: Allegro, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 3, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 4, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 5, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 6, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 7: Adagio, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 8, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 9, Variations on a "Ah, vous dirai-jo, maman", K. 265- Var. 2, Variations on a Minuet by J.P. Duport, K. 573: (Tempo I), Variations on a Minuet by J.P. Duport, K. 573: Tema, Variations on a Minuet by J.P. Duport, K. 573: Var. 1, Variations on a Minuet by J.P. Duport, K. 573: Var. 2, Variations on a Minuet by J.P. Duport, K. 573: Var. 3, Variations on a Minuet by J.P. Duport, K. 573: Var. 4, Variations on a Minuet by J.P. Duport, K. 573: Var. 5, Variations on a Minuet by J.P. Duport, K. 573: Var. 6, Variations on a Minuet by J.P. Duport, K. 573: Var. 7, Variations on a Minuet by J.P. Duport, K. 573: Var. 8: Adagio, Variations on a Minuet by J.P. Duport, K. 573: Var. 9: Allegro, Variations on a Theme by B. Schack, K. 613: (Tempo I), Variations on a Theme by B. Schack, K. 613: Tema, Variations on a Theme by B. Schack, K. 613: Var. 1, Variations on a Theme by B. Schack, K. 613: Var. 3, Variations on a Theme by B. Schack, K. 613: Var. 4, Variations on a Theme by B. Schack, K. 613: Var. 5, Variations on a Theme by B. Schack, K. 613: Var. 6, Variations on a Theme by B. Schack, K. 613: Var. 7: Adagio, Variations on a Theme by B. Schack, K. 613: Var. 8: Allegro, Variations on a Theme by Gluck, K. 455: (Tempo I), Variations on a Theme by Gluck, K. 455: Tema: Allegretto, Variations on a Theme by Gluck, K. 455: Var. 1, Variations on a Theme by Gluck, K. 455: Var. 10: Allegro, Variations on a Theme by Gluck, K. 455: Var. 2, Variations on a Theme by Gluck, K. 455: Var. 3, Variations on a Theme by Gluck, K. 455: Var. 4, Variations on a Theme by Gluck, K. 455: Var. 5, Variations on a Theme by Gluck, K. 455: Var. 6, Variations on a Theme by Gluck, K. 455: Var. 7, Variations on a Theme by Gluck, K. 455: Var. 8, Variations on a Theme by Gluck, K. 455: Var. 9: Adagio, Variations on a Theme by Paisiello K. 398 - Tema, Variations on an Air by N. Dezede, K. 264 - Tema: Andante, Variations on an Air by N. Dezede, K. 264 - Tempo di tema, Variations on an Air by N. Dezede, K. 264 - Var. 1, Variations on an Air by N. Dezede, K. 264 - Var. 2, Variations on an Air by N. Dezede, K. 264 - Var. 3, Variations on an Air by N. Dezede, K. 264 - Var. 4, Variations on an Air by N. Dezede, K. 264 - Var. 5, Variations on an Air by N. Dezede, K. 264 - Var. 6, Variations on an Air by N. Dezede, K. 264 - Var. 7, Variations on an Air by N. Dezede, K. 264 - Var. 8: Adagio, Variations on an Air by N. Dezede, K. 264 - Var. 9: Allegro, Variations on an Original Theme, K. 500: (Tempo I), Variations on an Original Theme, K. 500: Tema: Allegretto, Variations on an Original Theme, K. 500: Var. 1, Variations on an Original Theme, K. 500: Var. 10, Variations on an Original Theme, K. 500: Var. 11: Adagio, Variations on an Original Theme, K. 500: Var. 12: Allegro, Variations on an Original Theme, K. 500: Var. 2, Variations on an Original Theme, K. 500: Var. 3, Variations on an Original Theme, K. 500: Var. 4, Variations on an Original Theme, K. 500: Var. 5, Variations on an Original Theme, K. 500: Var. 6, Variations on an Original Theme, K. 500: Var. 7, Variations on an Original Theme, K. 500: Var. 8, Variations on an Original Theme, K. 500: Var. 9, Variations on an Original Theme, K. 54: Tema: Allegretto, Variations on an Original Theme, K. 54: Var. 1, Variations on an Original Theme, K. 54: Var. 2, Variations on an Original Theme, K. 54: Var. 3, Variations on an Original Theme, K. 54: Var. 4, Variations on an Original Theme, K. 54: Var. 5, Variations on an Original Theme, K. 54: Var. 6
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Mark Vigars
balance
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Air Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation I, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation II, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation III, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IV, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IX, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation V, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VI, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VII, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VIII Tempo di Menuetto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation X Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XI, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XII Molto Adagio, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Tema, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation I, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation II, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation III, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IV, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IX, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation V, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VI, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VII, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VIII, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation X, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XI. Adagio, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XII. Presto, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Menuet, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation I, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation II, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation III, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IV, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IX, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation V, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VI, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VII, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VIII, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation X, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XI Adagio, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XII Allegro, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180: Menuetto Andante. Thema, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation I, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation II, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation III, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation IV, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation V Adagio, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation VI Allegretto, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation I, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation II, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation III, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation IV, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation V, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation VI, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Air - Allegro, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation I, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation II, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation III, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation IV, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation V Adagio, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VI, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VII, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Tema., 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation I, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation II, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation III, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation IV, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation V, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VI, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VII. Adagio, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VIII. Allegro, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Tema. Allegretto, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation I, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation II, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation III, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation IV, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation V, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VI, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VII Adagio, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VIII Tempo I, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Tema, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 1, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 10, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 11: Adagio, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 12: Allegro, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 3, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 4, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 5, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 6, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 7: Adagio, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 8, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 9, Variations on a "Ah, vous dirai-jo, maman", K. 265- Var. 2, Variations on a Minuet by J.P. Duport, K. 573: (Tempo I), Variations on a Minuet by J.P. Duport, K. 573: Tema, Variations on a Minuet by J.P. Duport, K. 573: Var. 1, Variations on a Minuet by J.P. Duport, K. 573: Var. 2, Variations on a Minuet by J.P. Duport, K. 573: Var. 3, Variations on a Minuet by J.P. Duport, K. 573: Var. 4, Variations on a Minuet by J.P. Duport, K. 573: Var. 5, Variations on a Minuet by J.P. Duport, K. 573: Var. 6, Variations on a Minuet by J.P. Duport, K. 573: Var. 7, Variations on a Minuet by J.P. Duport, K. 573: Var. 8: Adagio, Variations on a Minuet by J.P. Duport, K. 573: Var. 9: Allegro, Variations on a Theme by B. Schack, K. 613: (Tempo I), Variations on a Theme by B. Schack, K. 613: Tema, Variations on a Theme by B. Schack, K. 613: Var. 1, Variations on a Theme by B. Schack, K. 613: Var. 2, Variations on a Theme by B. Schack, K. 613: Var. 3, Variations on a Theme by B. Schack, K. 613: Var. 4, Variations on a Theme by B. Schack, K. 613: Var. 5, Variations on a Theme by B. Schack, K. 613: Var. 6, Variations on a Theme by B. Schack, K. 613: Var. 7: Adagio, Variations on a Theme by B. Schack, K. 613: Var. 8: Allegro, Variations on a Theme by Gluck, K. 455: (Tempo I), Variations on a Theme by Gluck, K. 455: Tema: Allegretto, Variations on a Theme by Gluck, K. 455: Var. 1, Variations on a Theme by Gluck, K. 455: Var. 10: Allegro, Variations on a Theme by Gluck, K. 455: Var. 2, Variations on a Theme by Gluck, K. 455: Var. 3, Variations on a Theme by Gluck, K. 455: Var. 4, Variations on a Theme by Gluck, K. 455: Var. 5, Variations on a Theme by Gluck, K. 455: Var. 6, Variations on a Theme by Gluck, K. 455: Var. 7, Variations on a Theme by Gluck, K. 455: Var. 8, Variations on a Theme by Gluck, K. 455: Var. 9: Adagio, Variations on a Theme by Paisiello K. 398 - Tema, Variations on an Air by N. Dezede, K. 264 - Tema: Andante, Variations on an Air by N. Dezede, K. 264 - Tempo di tema, Variations on an Air by N. Dezede, K. 264 - Var. 1, Variations on an Air by N. Dezede, K. 264 - Var. 2, Variations on an Air by N. Dezede, K. 264 - Var. 3, Variations on an Air by N. Dezede, K. 264 - Var. 4, Variations on an Air by N. Dezede, K. 264 - Var. 5, Variations on an Air by N. Dezede, K. 264 - Var. 6, Variations on an Air by N. Dezede, K. 264 - Var. 7, Variations on an Air by N. Dezede, K. 264 - Var. 8: Adagio, Variations on an Air by N. Dezede, K. 264 - Var. 9: Allegro, Variations on an Original Theme, K. 500: (Tempo I), Variations on an Original Theme, K. 500: Tema: Allegretto, Variations on an Original Theme, K. 500: Var. 1, Variations on an Original Theme, K. 500: Var. 10, Variations on an Original Theme, K. 500: Var. 11: Adagio, Variations on an Original Theme, K. 500: Var. 12: Allegro, Variations on an Original Theme, K. 500: Var. 2, Variations on an Original Theme, K. 500: Var. 3, Variations on an Original Theme, K. 500: Var. 4, Variations on an Original Theme, K. 500: Var. 5, Variations on an Original Theme, K. 500: Var. 6, Variations on an Original Theme, K. 500: Var. 7, Variations on an Original Theme, K. 500: Var. 8, Variations on an Original Theme, K. 500: Var. 9, Variations on an Original Theme, K. 54: Tema: Allegretto, Variations on an Original Theme, K. 54: Var. 1, Variations on an Original Theme, K. 54: Var. 2, Variations on an Original Theme, K. 54: Var. 3, Variations on an Original Theme, K. 54: Var. 4, Variations on an Original Theme, K. 54: Var. 5, Variations on an Original Theme, K. 54: Var. 6
John Fraser
producer
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Air Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation I, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation II, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation III, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IV, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IX, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation V, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VI, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VII, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VIII Tempo di Menuetto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation X Allegretto, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XI, 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XII Molto Adagio, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Tema, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation I, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation II, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation III, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IV, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IX, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation V, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VI, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VII, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VIII, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation X, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XI. Adagio, 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XII. Presto, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Menuet, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation I, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation II, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation III, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IV, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IX, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation V, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VI, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VII, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VIII, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation X, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XI Adagio, 12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XII Allegro, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180: Menuetto Andante. Thema, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation I, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation II, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation III, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation IV, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation V Adagio, 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation VI Allegretto, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation I, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation II, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation III, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation IV, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation V, 6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation VI, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Air - Allegro, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation I, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation II, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation III, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation IV, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation V Adagio, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VI, 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VII, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Tema., 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation I, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation II, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation III, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation IV, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation V, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VI, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VII. Adagio, 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VIII. Allegro, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Tema. Allegretto, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation I, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation II, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation III, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation IV, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation V, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VI, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VII Adagio, 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VIII Tempo I, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Tema, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 1, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 10, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 11: Adagio, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 12: Allegro, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 3, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 4, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 5, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 6, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 7: Adagio, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 8, Variations on a "Ah, vous dirai-jo, maman", K. 265 - Var. 9, Variations on a "Ah, vous dirai-jo, maman", K. 265- Var. 2, Variations on a Minuet by J.P. Duport, K. 573: (Tempo I), Variations on a Minuet by J.P. Duport, K. 573: Tema, Variations on a Minuet by J.P. Duport, K. 573: Var. 1, Variations on a Minuet by J.P. Duport, K. 573: Var. 2, Variations on a Minuet by J.P. Duport, K. 573: Var. 3, Variations on a Minuet by J.P. Duport, K. 573: Var. 4, Variations on a Minuet by J.P. Duport, K. 573: Var. 5, Variations on a Minuet by J.P. Duport, K. 573: Var. 6, Variations on a Minuet by J.P. Duport, K. 573: Var. 7, Variations on a Minuet by J.P. Duport, K. 573: Var. 8: Adagio, Variations on a Minuet by J.P. Duport, K. 573: Var. 9: Allegro, Variations on a Theme by B. Schack, K. 613: (Tempo I), Variations on a Theme by B. Schack, K. 613: Tema, Variations on a Theme by B. Schack, K. 613: Var. 1, Variations on a Theme by B. Schack, K. 613: Var. 3, Variations on a Theme by B. Schack, K. 613: Var. 4, Variations on a Theme by B. Schack, K. 613: Var. 5, Variations on a Theme by B. Schack, K. 613: Var. 6, Variations on a Theme by B. Schack, K. 613: Var. 7: Adagio, Variations on a Theme by B. Schack, K. 613: Var. 8: Allegro, Variations on a Theme by Gluck, K. 455: (Tempo I), Variations on a Theme by Gluck, K. 455: Tema: Allegretto, Variations on a Theme by Gluck, K. 455: Var. 1, Variations on a Theme by Gluck, K. 455: Var. 10: Allegro, Variations on a Theme by Gluck, K. 455: Var. 2, Variations on a Theme by Gluck, K. 455: Var. 3, Variations on a Theme by Gluck, K. 455: Var. 4, Variations on a Theme by Gluck, K. 455: Var. 5, Variations on a Theme by Gluck, K. 455: Var. 6, Variations on a Theme by Gluck, K. 455: Var. 7, Variations on a Theme by Gluck, K. 455: Var. 8, Variations on a Theme by Gluck, K. 455: Var. 9: Adagio, Variations on a Theme by Paisiello K. 398 - Tema, Variations on an Air by N. Dezede, K. 264 - Tema: Andante, Variations on an Air by N. Dezede, K. 264 - Tempo di tema, Variations on an Air by N. Dezede, K. 264 - Var. 1, Variations on an Air by N. Dezede, K. 264 - Var. 2, Variations on an Air by N. Dezede, K. 264 - Var. 3, Variations on an Air by N. Dezede, K. 264 - Var. 4, Variations on an Air by N. Dezede, K. 264 - Var. 5, Variations on an Air by N. Dezede, K. 264 - Var. 6, Variations on an Air by N. Dezede, K. 264 - Var. 7, Variations on an Air by N. Dezede, K. 264 - Var. 8: Adagio, Variations on an Air by N. Dezede, K. 264 - Var. 9: Allegro, Variations on an Original Theme, K. 500: (Tempo I), Variations on an Original Theme, K. 500: Tema: Allegretto, Variations on an Original Theme, K. 500: Var. 1, Variations on an Original Theme, K. 500: Var. 10, Variations on an Original Theme, K. 500: Var. 11: Adagio, Variations on an Original Theme, K. 500: Var. 12: Allegro, Variations on an Original Theme, K. 500: Var. 2, Variations on an Original Theme, K. 500: Var. 3, Variations on an Original Theme, K. 500: Var. 4, Variations on an Original Theme, K. 500: Var. 5, Variations on an Original Theme, K. 500: Var. 6, Variations on an Original Theme, K. 500: Var. 7, Variations on an Original Theme, K. 500: Var. 8, Variations on an Original Theme, K. 500: Var. 9, Variations on an Original Theme, K. 54: Tema: Allegretto, Variations on an Original Theme, K. 54: Var. 1, Variations on an Original Theme, K. 54: Var. 2, Variations on an Original Theme, K. 54: Var. 3, Variations on an Original Theme, K. 54: Var. 4, Variations on an Original Theme, K. 54: Var. 5, Variations on an Original Theme, K. 54: Var. 6
Cord Garben
producer
2 Klavierstücke: No. 1. Gondellied: Andante cantabile, 2 Klavierstücke: No. 2. Presto agitato, Albumblatt, op. 117: Allegro, Gondellied: Allegretto non troppo, Kinderstücke, op. 72: No. 1. Allegro non troppo, Kinderstücke, op. 72: No. 2. Andante sostenuto, Kinderstücke, op. 72: No. 3. Allegretto, Kinderstücke, op. 72: No. 4. Andante con moto, Kinderstücke, op. 72: No. 5. Allegro assai, Kinderstücke, op. 72: No. 6. Vivace, Lieder ohne Worte, op. 102: No. 1 in E minor: Andante un poco agitato, Lieder ohne Worte, op. 102: No. 2 in D: Adagio, Lieder ohne Worte, op. 102: No. 3 in C: Presto, Lieder ohne Worte, op. 102: No. 4 in G minor: Un poco agitato ma andante, Lieder ohne Worte, op. 102: No. 5 in A: Allegro vivace, Lieder ohne Worte, op. 102: No. 6 in C: Andante, Lieder ohne Worte, op. 62: No. 1 in G: Andante espressivo, Lieder ohne Worte, op. 62: No. 2 in B-flat: Allegro con fuoco, Lieder ohne Worte, op. 62: No. 3 in E minor: Andante maestoso "Funeral March", Lieder ohne Worte, op. 62: No. 4 in G: Allegro con anima, Lieder ohne Worte, op. 62: No. 5 in A minor: Andante con moto "Venetian Gondola Song", Lieder ohne Worte, op. 62: No. 6 in A: Allegretto grazioso "Spring Song", Lieder ohne Worte, op. 67: No. 1 in E-flat: Andante, Lieder ohne Worte, op. 67: No. 2 in F-sharp minor: Allegro leggiero, Lieder ohne Worte, op. 67: No. 3 in B-flat: Andante tranquillo, Lieder ohne Worte, op. 67: No. 4 in C: Presto "Spinning Song", Lieder ohne Worte, op. 67: No. 5 in B minor: Moderato, Lieder ohne Worte, op. 67: No. 6 in E: Allegretto non troppo "Wiegenlied", Lieder ohne Worte, op. 85: No. 1 in F: Andante espressivo, Lieder ohne Worte, op. 85: No. 2 in A minor: Allegro agitato, Lieder ohne Worte, op. 85: No. 3 in E-flat: Presto, Lieder ohne Worte, op. 85: No. 4 in D: Andante sostenuto, Lieder ohne Worte, op. 85: No. 5 in A: Allegretto, Lieder ohne Worte, op. 85: No. 6 in B-flat: Allegretto con moto, Nocturne No. 1 in B-flat minor, Op. 9 No. 1: Larghetto, Nocturne No. 10 in A-flat major, Op. 32 No. 2: Lento, Nocturne No. 12 in G major, Op. 37 No. 2: Andantino, Nocturne No. 19 in E minor, Op. 72 No. 1: Andante, Nocturne No. 3 in B major, Op. 9 No. 3: Allegretto, Nocturne No. 4 in F major, Op. 15 No. 1: Andante cantabile, Nocturne No. 7 in C-sharp minor, Op. 27 No. 1: Larghetto, Nocturne No. 8 in D-flat major, Op. 27 No. 2: Lento sostenuto, Nocturne No. 9 in B major, Op. 32 No. 1: Andante sostenuto, Nocturne no. 11 in G minor, op. 37 no. 1: Andante sostenuto, Nocturne no. 2 in E-flat major, op. 9 no. 2, Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione, Nocturne no. 21 in C minor, B. 108, Nocturne no. 6 in G minor, op. 15 no. 3: Lento, Romances sans paroles, op. 19: no. 1 en mi majeur: Andante con moto, Romances sans paroles, op. 19: no. 2 en la mineur: Andante espressivo, Romances sans paroles, op. 19: no. 3 en la majeur "La chasse": Molto allegro e vivace, Romances sans paroles, op. 19: no. 4 en la majeur: Moderato, Romances sans paroles, op. 19: no. 5 en fa dièse mineur: Piano agitato, Romances sans paroles, op. 19: no. 6 en sol mineur "Barcarolle vénitienne": Andante sostenuto, Romances sans paroles, op. 30: no. 1 en mi bémol majeur: Andante espressivo, Romances sans paroles, op. 30: no. 2 en si bémol mineur: Allegro di molto, Romances sans paroles, op. 30: no. 3 en mi majeur: Adagio non troppo, Romances sans paroles, op. 30: no. 4 en si mineur: Agitato e con fuoco, Romances sans paroles, op. 30: no. 5 en ré majeur: Andante grazioso, Romances sans paroles, op. 30: no. 6 en fa dièse mineur "Barcarolle vénitienne": Allegretto tranquillo, Romances sans paroles, op. 38: no. 1 en mi bémol majeur: Con moto, Romances sans paroles, op. 38: no. 2 en ut mineur: Allegro non troppo, Romances sans paroles, op. 38: no. 3 en mi majeur: Presto e molto vivace, Romances sans paroles, op. 38: no. 4 en la majeur: Andante, Romances sans paroles, op. 38: no. 5 en la mineur: Agitato, Romances sans paroles, op. 38: no. 6 en la bémol majeur "Duetto": Andante con moto, Romances sans paroles, op. 53: no. 1 en la bémol majeur: Andante con moto, Romances sans paroles, op. 53: no. 2 en mi bémol majeur: Allegro non troppo, Romances sans paroles, op. 53: no. 3 en sol mineur: Presto agitato, Romances sans paroles, op. 53: no. 4 en fa majeur: Adagio, Romances sans paroles, op. 53: no. 5 en la mineur "Chanson populaire": Allegro con fuoco, Romances sans paroles, op. 53: no. 6 en la majeur: Molto allegro, vivace
Günther Breest
producer
2 Klavierstücke: No. 1. Gondellied: Andante cantabile, 2 Klavierstücke: No. 2. Presto agitato, Albumblatt, op. 117: Allegro, Gondellied: Allegretto non troppo, Kinderstücke, op. 72: No. 1. Allegro non troppo, Kinderstücke, op. 72: No. 2. Andante sostenuto, Kinderstücke, op. 72: No. 3. Allegretto, Kinderstücke, op. 72: No. 4. Andante con moto, Kinderstücke, op. 72: No. 5. Allegro assai, Kinderstücke, op. 72: No. 6. Vivace, Lieder ohne Worte, op. 102: No. 1 in E minor: Andante un poco agitato, Lieder ohne Worte, op. 102: No. 2 in D: Adagio, Lieder ohne Worte, op. 102: No. 3 in C: Presto, Lieder ohne Worte, op. 102: No. 4 in G minor: Un poco agitato ma andante, Lieder ohne Worte, op. 102: No. 5 in A: Allegro vivace, Lieder ohne Worte, op. 102: No. 6 in C: Andante, Lieder ohne Worte, op. 62: No. 1 in G: Andante espressivo, Lieder ohne Worte, op. 62: No. 2 in B-flat: Allegro con fuoco, Lieder ohne Worte, op. 62: No. 3 in E minor: Andante maestoso "Funeral March", Lieder ohne Worte, op. 62: No. 4 in G: Allegro con anima, Lieder ohne Worte, op. 62: No. 5 in A minor: Andante con moto "Venetian Gondola Song", Lieder ohne Worte, op. 62: No. 6 in A: Allegretto grazioso "Spring Song", Lieder ohne Worte, op. 67: No. 1 in E-flat: Andante, Lieder ohne Worte, op. 67: No. 2 in F-sharp minor: Allegro leggiero, Lieder ohne Worte, op. 67: No. 3 in B-flat: Andante tranquillo, Lieder ohne Worte, op. 67: No. 4 in C: Presto "Spinning Song", Lieder ohne Worte, op. 67: No. 5 in B minor: Moderato, Lieder ohne Worte, op. 67: No. 6 in E: Allegretto non troppo "Wiegenlied", Lieder ohne Worte, op. 85: No. 1 in F: Andante espressivo, Lieder ohne Worte, op. 85: No. 2 in A minor: Allegro agitato, Lieder ohne Worte, op. 85: No. 3 in E-flat: Presto, Lieder ohne Worte, op. 85: No. 4 in D: Andante sostenuto, Lieder ohne Worte, op. 85: No. 5 in A: Allegretto, Lieder ohne Worte, op. 85: No. 6 in B-flat: Allegretto con moto, Romances sans paroles, op. 19: no. 1 en mi majeur: Andante con moto, Romances sans paroles, op. 19: no. 2 en la mineur: Andante espressivo, Romances sans paroles, op. 19: no. 3 en la majeur "La chasse": Molto allegro e vivace, Romances sans paroles, op. 19: no. 4 en la majeur: Moderato, Romances sans paroles, op. 19: no. 5 en fa dièse mineur: Piano agitato, Romances sans paroles, op. 19: no. 6 en sol mineur "Barcarolle vénitienne": Andante sostenuto, Romances sans paroles, op. 30: no. 1 en mi bémol majeur: Andante espressivo, Romances sans paroles, op. 30: no. 2 en si bémol mineur: Allegro di molto, Romances sans paroles, op. 30: no. 3 en mi majeur: Adagio non troppo, Romances sans paroles, op. 30: no. 4 en si mineur: Agitato e con fuoco, Romances sans paroles, op. 30: no. 5 en ré majeur: Andante grazioso, Romances sans paroles, op. 30: no. 6 en fa dièse mineur "Barcarolle vénitienne": Allegretto tranquillo, Romances sans paroles, op. 38: no. 1 en mi bémol majeur: Con moto, Romances sans paroles, op. 38: no. 2 en ut mineur: Allegro non troppo, Romances sans paroles, op. 38: no. 3 en mi majeur: Presto e molto vivace, Romances sans paroles, op. 38: no. 4 en la majeur: Andante, Romances sans paroles, op. 38: no. 5 en la mineur: Agitato, Romances sans paroles, op. 38: no. 6 en la bémol majeur "Duetto": Andante con moto, Romances sans paroles, op. 53: no. 1 en la bémol majeur: Andante con moto, Romances sans paroles, op. 53: no. 2 en mi bémol majeur: Allegro non troppo, Romances sans paroles, op. 53: no. 3 en sol mineur: Presto agitato, Romances sans paroles, op. 53: no. 4 en fa majeur: Adagio, Romances sans paroles, op. 53: no. 5 en la mineur "Chanson populaire": Allegro con fuoco, Romances sans paroles, op. 53: no. 6 en la majeur: Molto allegro, vivace
Hans-Peter Schweigmann
balance
2 Klavierstücke: No. 1. Gondellied: Andante cantabile, 2 Klavierstücke: No. 2. Presto agitato, Albumblatt, op. 117: Allegro, Gondellied: Allegretto non troppo, Kinderstücke, op. 72: No. 1. Allegro non troppo, Kinderstücke, op. 72: No. 2. Andante sostenuto, Kinderstücke, op. 72: No. 3. Allegretto, Kinderstücke, op. 72: No. 4. Andante con moto, Kinderstücke, op. 72: No. 5. Allegro assai, Kinderstücke, op. 72: No. 6. Vivace, Lieder ohne Worte, op. 102: No. 1 in E minor: Andante un poco agitato, Lieder ohne Worte, op. 102: No. 2 in D: Adagio, Lieder ohne Worte, op. 102: No. 3 in C: Presto, Lieder ohne Worte, op. 102: No. 4 in G minor: Un poco agitato ma andante, Lieder ohne Worte, op. 102: No. 5 in A: Allegro vivace, Lieder ohne Worte, op. 102: No. 6 in C: Andante, Lieder ohne Worte, op. 62: No. 1 in G: Andante espressivo, Lieder ohne Worte, op. 62: No. 2 in B-flat: Allegro con fuoco, Lieder ohne Worte, op. 62: No. 3 in E minor: Andante maestoso "Funeral March", Lieder ohne Worte, op. 62: No. 4 in G: Allegro con anima, Lieder ohne Worte, op. 62: No. 5 in A minor: Andante con moto "Venetian Gondola Song", Lieder ohne Worte, op. 62: No. 6 in A: Allegretto grazioso "Spring Song", Lieder ohne Worte, op. 67: No. 1 in E-flat: Andante, Lieder ohne Worte, op. 67: No. 2 in F-sharp minor: Allegro leggiero, Lieder ohne Worte, op. 67: No. 3 in B-flat: Andante tranquillo, Lieder ohne Worte, op. 67: No. 4 in C: Presto "Spinning Song", Lieder ohne Worte, op. 67: No. 5 in B minor: Moderato, Lieder ohne Worte, op. 67: No. 6 in E: Allegretto non troppo "Wiegenlied", Lieder ohne Worte, op. 85: No. 1 in F: Andante espressivo, Lieder ohne Worte, op. 85: No. 2 in A minor: Allegro agitato, Lieder ohne Worte, op. 85: No. 3 in E-flat: Presto, Lieder ohne Worte, op. 85: No. 4 in D: Andante sostenuto, Lieder ohne Worte, op. 85: No. 5 in A: Allegretto, Lieder ohne Worte, op. 85: No. 6 in B-flat: Allegretto con moto, Romances sans paroles, op. 19: no. 1 en mi majeur: Andante con moto, Romances sans paroles, op. 19: no. 2 en la mineur: Andante espressivo, Romances sans paroles, op. 19: no. 3 en la majeur "La chasse": Molto allegro e vivace, Romances sans paroles, op. 19: no. 4 en la majeur: Moderato, Romances sans paroles, op. 19: no. 5 en fa dièse mineur: Piano agitato, Romances sans paroles, op. 19: no. 6 en sol mineur "Barcarolle vénitienne": Andante sostenuto, Romances sans paroles, op. 30: no. 1 en mi bémol majeur: Andante espressivo, Romances sans paroles, op. 30: no. 2 en si bémol mineur: Allegro di molto, Romances sans paroles, op. 30: no. 3 en mi majeur: Adagio non troppo, Romances sans paroles, op. 30: no. 4 en si mineur: Agitato e con fuoco, Romances sans paroles, op. 30: no. 5 en ré majeur: Andante grazioso, Romances sans paroles, op. 30: no. 6 en fa dièse mineur "Barcarolle vénitienne": Allegretto tranquillo, Romances sans paroles, op. 38: no. 1 en mi bémol majeur: Con moto, Romances sans paroles, op. 38: no. 2 en ut mineur: Allegro non troppo, Romances sans paroles, op. 38: no. 3 en mi majeur: Presto e molto vivace, Romances sans paroles, op. 38: no. 4 en la majeur: Andante, Romances sans paroles, op. 38: no. 5 en la mineur: Agitato, Romances sans paroles, op. 38: no. 6 en la bémol majeur "Duetto": Andante con moto, Romances sans paroles, op. 53: no. 1 en la bémol majeur: Andante con moto, Romances sans paroles, op. 53: no. 2 en mi bémol majeur: Allegro non troppo, Romances sans paroles, op. 53: no. 3 en sol mineur: Presto agitato, Romances sans paroles, op. 53: no. 4 en fa majeur: Adagio, Romances sans paroles, op. 53: no. 5 en la mineur "Chanson populaire": Allegro con fuoco, Romances sans paroles, op. 53: no. 6 en la majeur: Molto allegro, vivace
Michael Sheady
balance
Fantasia in C minor, KV 475, Sonata for Piano no. 10 in C major, K. 300h/330: I. Allegro moderato, Sonata for Piano no. 10 in C major, K. 300h/330: II. Andante cantabile, Sonata for Piano no. 10 in C major, K. 300h/330: III. Allegretto, Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso, Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto, Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto, Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro, Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio, Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai, Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro, Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile, Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto, Sonata for Piano no. 14 in C minor, K. 457: I. Allegro molto, Sonata for Piano no. 14 in C minor, K. 457: II. Adagio, Sonata for Piano no. 14 in C minor, K. 457: III. Allegro assai, Sonata for Piano no. 15 in F major, K. 494+533: I. Allegro, Sonata for Piano no. 15 in F major, K. 494+533: II. Andante, Sonata for Piano no. 15 in F major, K. 494+533: III. Rondeau, Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": I. Allegro, Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": II. Andante, Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro, Sonata for Piano no. 17 in B-flat major, K. 570: I. Allegro, Sonata for Piano no. 17 in B-flat major, K. 570: II. Adagio, Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto, Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro, Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio, Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto, Sonata for Piano no. 9 in D major, K. 284c/311: I. Allegro con spirito, Sonata for Piano no. 9 in D major, K. 284c/311: II. Andante con espressione, Sonata for Piano no. 9 in D major, K. 284c/311: III. Rondeau. Allegro - andante - presto - adagio - tempo primo
Suvi Raj Grubb
producer
Fantasia in C minor, KV 475, Sonata for Piano no. 10 in C major, K. 300h/330: I. Allegro moderato, Sonata for Piano no. 10 in C major, K. 300h/330: II. Andante cantabile, Sonata for Piano no. 10 in C major, K. 300h/330: III. Allegretto, Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso, Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto, Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto, Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro, Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio, Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai, Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro, Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile, Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto, Sonata for Piano no. 14 in C minor, K. 457: I. Allegro molto, Sonata for Piano no. 14 in C minor, K. 457: II. Adagio, Sonata for Piano no. 14 in C minor, K. 457: III. Allegro assai, Sonata for Piano no. 15 in F major, K. 494+533: I. Allegro, Sonata for Piano no. 15 in F major, K. 494+533: II. Andante, Sonata for Piano no. 15 in F major, K. 494+533: III. Rondeau, Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": I. Allegro, Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": II. Andante, Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro, Sonata for Piano no. 17 in B-flat major, K. 570: I. Allegro, Sonata for Piano no. 17 in B-flat major, K. 570: II. Adagio, Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto, Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro, Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio, Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto, Sonata for Piano no. 9 in D major, K. 284c/311: I. Allegro con spirito, Sonata for Piano no. 9 in D major, K. 284c/311: II. Andante con espressione, Sonata for Piano no. 9 in D major, K. 284c/311: III. Rondeau. Allegro - andante - presto - adagio - tempo primo
Klaus Scheibe (editor/engineer)
balance, engineer
Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto, Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": II. Allegretto, Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": III. Presto agitato, Klaviersonate Nr. 23 f-Moll, Op. 57 "Appassionata": I. Allegro assai, Klaviersonate Nr. 23 f-Moll, Op. 57 "Appassionata": II. Andante con moto, Klaviersonate Nr. 23 f-Moll, Op. 57 "Appassionata": III. Allegro, ma non troppo - Presto, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": II. Adagio cantabile, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": III. Rondo. Allegro, Liebesträume: Notturno no. 1 "Hohe Liebe", Liebesträume: Notturno no. 2 "Seliger Tod", Liebesträume: Notturno no. 3 "O lieb, so lang du lieben kannst", Moments musicaux: No. 1 in C. Moderato, Moments musicaux: No. 2 in A-flat. Andantino, Moments musicaux: No. 3 in F minor. Allegro moderato, Moments musicaux: No. 4 in C-sharp minor. Moderato, Moments musicaux: No. 5 in F minor. Allegro vivace, Moments musicaux: No. 6 in A-flat. Allegretto, Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto, Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto, Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave – Allegro di molto e con brio, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro
Werner Mayer (classical producer)
producer
Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto, Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": II. Allegretto, Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": III. Presto agitato, Klaviersonate Nr. 23 f-Moll, Op. 57 "Appassionata": I. Allegro assai, Klaviersonate Nr. 23 f-Moll, Op. 57 "Appassionata": II. Andante con moto, Klaviersonate Nr. 23 f-Moll, Op. 57 "Appassionata": III. Allegro, ma non troppo - Presto, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": II. Adagio cantabile, Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": III. Rondo. Allegro, Liebesträume: Notturno no. 1 "Hohe Liebe", Liebesträume: Notturno no. 2 "Seliger Tod", Liebesträume: Notturno no. 3 "O lieb, so lang du lieben kannst", Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto, Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto, Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave – Allegro di molto e con brio, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro
Dr. Steven Paul
producer
Nocturne No. 1 in B-flat minor, Op. 9 No. 1: Larghetto, Nocturne No. 10 in A-flat major, Op. 32 No. 2: Lento, Nocturne No. 12 in G major, Op. 37 No. 2: Andantino, Nocturne No. 19 in E minor, Op. 72 No. 1: Andante, Nocturne No. 3 in B major, Op. 9 No. 3: Allegretto, Nocturne No. 4 in F major, Op. 15 No. 1: Andante cantabile, Nocturne No. 7 in C-sharp minor, Op. 27 No. 1: Larghetto, Nocturne No. 8 in D-flat major, Op. 27 No. 2: Lento sostenuto, Nocturne No. 9 in B major, Op. 32 No. 1: Andante sostenuto, Nocturne no. 11 in G minor, op. 37 no. 1: Andante sostenuto, Nocturne no. 2 in E-flat major, op. 9 no. 2, Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione, Nocturne no. 21 in C minor, B. 108, Nocturne no. 6 in G minor, op. 15 no. 3: Lento
Karl-August Naegler
engineer
Nocturne No. 1 in B-flat minor, Op. 9 No. 1: Larghetto, Nocturne No. 10 in A-flat major, Op. 32 No. 2: Lento, Nocturne No. 12 in G major, Op. 37 No. 2: Andantino, Nocturne No. 19 in E minor, Op. 72 No. 1: Andante, Nocturne No. 3 in B major, Op. 9 No. 3: Allegretto, Nocturne No. 4 in F major, Op. 15 No. 1: Andante cantabile, Nocturne No. 7 in C-sharp minor, Op. 27 No. 1: Larghetto, Nocturne No. 8 in D-flat major, Op. 27 No. 2: Lento sostenuto, Nocturne No. 9 in B major, Op. 32 No. 1: Andante sostenuto, Nocturne no. 11 in G minor, op. 37 no. 1: Andante sostenuto, Nocturne no. 2 in E-flat major, op. 9 no. 2, Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione, Nocturne no. 21 in C minor, B. 108, Nocturne no. 6 in G minor, op. 15 no. 3: Lento
Toine Mertens
balance
Barcarolle in F-sharp major, op. 60, Berceuse in D-flat major, op. 57, Fantasia in F minor, op. 49, Nocturne in D-flat major, op. 27 no. 2, Polonaise in A-flat major, op. 53, Sonata in B-flat minor, op. 35: I. Grave - Doppio movimento, Sonata in B-flat minor, op. 35: II. Scherzo - Più lento - Tempo I, Sonata in B-flat minor, op. 35: III. Marche funèbre (Lento), Sonata in B-flat minor, op. 35: IV. Finale (Presto), Waltz in A minor, op. 34 no. 2, Waltz in C-sharp minor, op. 64 no. 2, Waltz in D-flat major, op. 64 no. 1, Waltz in F major, op. 34 no. 3
Günter Atteln
producer
Barcarolle in F-sharp major, op. 60, Berceuse in D-flat major, op. 57, Fantasia in F minor, op. 49, Nocturne in D-flat major, op. 27 no. 2, Polonaise in A-flat major, op. 53, Sonata in B-flat minor, op. 35: I. Grave - Doppio movimento, Sonata in B-flat minor, op. 35: II. Scherzo - Più lento - Tempo I, Sonata in B-flat minor, op. 35: III. Marche funèbre (Lento), Sonata in B-flat minor, op. 35: IV. Finale (Presto), Waltz in A minor, op. 34 no. 2, Waltz in C-sharp minor, op. 64 no. 2, Waltz in D-flat major, op. 64 no. 1, Waltz in F major, op. 34 no. 3
Maria Stodtmeier
producer
Barcarolle in F-sharp major, op. 60, Berceuse in D-flat major, op. 57, Fantasia in F minor, op. 49, Nocturne in D-flat major, op. 27 no. 2, Polonaise in A-flat major, op. 53, Sonata in B-flat minor, op. 35: I. Grave - Doppio movimento, Sonata in B-flat minor, op. 35: II. Scherzo - Più lento - Tempo I, Sonata in B-flat minor, op. 35: III. Marche funèbre (Lento), Sonata in B-flat minor, op. 35: IV. Finale (Presto), Waltz in A minor, op. 34 no. 2, Waltz in C-sharp minor, op. 64 no. 2, Waltz in D-flat major, op. 64 no. 1, Waltz in F major, op. 34 no. 3
Michael Mulcahy (trombone player)
trombone
Do Nothing Till You Hear From Me, Don't Get Around Much Anymore, In a Sentimental Mood, Mood Indigo / Purple Gazelle, Prelude to a Kiss, Satin Doll, Squatty Roo, Star-Crossed Lovers, Take the 'A' Train
Brad Opland
bass
Do Nothing Till You Hear From Me, Don't Get Around Much Anymore, In a Sentimental Mood, Mood Indigo / Purple Gazelle, Prelude to a Kiss, Satin Doll, Squatty Roo, Star-Crossed Lovers, Take the 'A' Train
John Hagstrom
trumpet
Do Nothing Till You Hear From Me, Don't Get Around Much Anymore, In a Sentimental Mood, Mood Indigo / Purple Gazelle, Prelude to a Kiss, Satin Doll, Squatty Roo, Star-Crossed Lovers, Take the 'A' Train
Dale Clevenger
horn
Do Nothing Till You Hear From Me, Don't Get Around Much Anymore, In a Sentimental Mood, Mood Indigo / Purple Gazelle, Prelude to a Kiss, Satin Doll, Squatty Roo, Star-Crossed Lovers, Take the 'A' Train
Charlie Vernon
trombone
Do Nothing Till You Hear From Me, Don't Get Around Much Anymore, In a Sentimental Mood, Mood Indigo / Purple Gazelle, Prelude to a Kiss, Satin Doll, Squatty Roo, Star-Crossed Lovers, Take the 'A' Train
Burl Lane
soprano saxophone, tenor saxophone
Do Nothing Till You Hear From Me, Don't Get Around Much Anymore, In a Sentimental Mood, Mood Indigo / Purple Gazelle, Prelude to a Kiss, Satin Doll, Squatty Roo, Star-Crossed Lovers, Take the 'A' Train
Larry Combs
alto saxophone, clarinet, soprano saxophone
Do Nothing Till You Hear From Me, Don't Get Around Much Anymore, In a Sentimental Mood, Mood Indigo / Purple Gazelle, Prelude to a Kiss, Satin Doll, Squatty Roo, Star-Crossed Lovers, Take the 'A' Train
Amir ElSaffar
flugelhorn, trumpet
Do Nothing Till You Hear From Me, Don't Get Around Much Anymore, In a Sentimental Mood, Mood Indigo / Purple Gazelle, Prelude to a Kiss, Satin Doll, Squatty Roo, Star-Crossed Lovers, Take the 'A' Train
Joel Spencer
drums
Do Nothing Till You Hear From Me, In a Sentimental Mood, Mood Indigo / Purple Gazelle, Prelude to a Kiss, Satin Doll, Squatty Roo, Star-Crossed Lovers, Take the 'A' Train
Wolfgang Stengel
producer
Moments musicaux: No. 1 in C. Moderato, Moments musicaux: No. 2 in A-flat. Andantino, Moments musicaux: No. 3 in F minor. Allegro moderato, Moments musicaux: No. 4 in C-sharp minor. Moderato, Moments musicaux: No. 5 in F minor. Allegro vivace, Moments musicaux: No. 6 in A-flat. Allegretto
Charley Harrison
electric guitar
In a Sentimental Mood
Kyle Woodring (Production music composer)
drums, percussion
Don't Get Around Much Anymore
Work on other artists' recordings
Artist name
Roles
Recordings
Richard Wagner
conductor
"Rüstet euch wohl", Chevauchée des Walkyries, Das Rheingold: Scene I. "He he! Ihr Nicker!" (Alberich, Wogelinde, Wellgunde, Flosshilde), Das Rheingold: Scene I. "Was ist's, ihr Glatten, das dort so glänzt" (Alberich, Wogelinde, Wellgunde, Flosshilde), Das Rheingold: Scene I. "Wie in den Gliedern brünstige Glut mir brennt" (Alberich), Das Rheingold: Scene II. "Auf, Loge! hinab mit mir!" (Wotan, Loge, Donner, Froh, Fricka), Das Rheingold: Scene II. "Dir's zu melden gelobt' ich den Mädchen" (Loge, Wotan, Fasolt, Fafner, Fricka, Donner, Froh), Das Rheingold: Scene II. "Um des Gatten Treue besorgt" (Fricka, Wotan, Freia), Das Rheingold: Scene II. "Über Stock und Stein zu Tail stapfen sie hin" (Loge), Das Rheingold: Scene III. "Die in linder Lüfte Wehn da oben ihr lebt" (Alberich), Das Rheingold: Scene III. "Hehe! hehe! hieher!" (Alberich, Mime), Das Rheingold: Scene III. "Krumm und grau krieche Kröte!" (Alberich, Loge, Wotan), Das Rheingold: Scene III. "Riesen-Wurm winde sich ringelnd!" (Alberich, Loge, Wotan), Das Rheingold: Scene III. "Was wollt ihr hier?" (Alberich, Wotan, Loge), Das Rheingold: Scene III. "Wen doch faßte nicht Wunder, erfährt er Alberichs Werk?" (Loge, Alberich), Das Rheingold: Scene III. "Wer hälfe mir?" (Mime, Loge), Das Rheingold: Scene III. "Zittre und zage, gezähmtes Heer" (Alberich), Das Rheingold: Scene IV. "Ein goldner Ring ragt dir am Finger" (Wotan, Alberich), Das Rheingold: Scene IV. "Halt, du Gieriger! Gönne mir auch was!" (Fasolt, Fafner), Das Rheingold: Scene IV. "Ihrem Ende eilen sie zu" (Loge), Das Rheingold: Scene IV. "Ist er gelöst?" (Loge, Wotan, Alberich), Das Rheingold: Scene IV. "Lauschtest du seinem Liebesgruß?" (Loge, Wotan, Froh, Donner, Fricka), Das Rheingold: Scene IV. "Lieblichste Schwester, süßeste Lust!" (Fricka, Fasolt, Wotan), Das Rheingold: Scene IV. "Rheingold! Rheingold!" (Wogelinde, Wellgunde, Flosshilde, Wotan, Loge), Das Rheingold: Scene IV. "So sind wir denn fertig. Seid ihr zufrieden?" (Loge, Fasolt, Fafner, Wotan), Das Rheingold: Scene IV. "Was gleicht, Wotan, wohl deinem Glücke?" (Loge, Wotan, Fricka), Der fliegende Holländer: Act I, Scene I. "Hojohe! Hallojo!" (Norwegische Matrosen, Daland, Steuermann), Der fliegende Holländer: Act I, Scene I. "Mit Gewitter und Sturm aus fernem Meer" (Steuermann), Der fliegende Holländer: Act I, Scene II. "Die Frist ist um" (Holländer, Mannschaft des Holländers), Der fliegende Holländer: Act I, Scene III. "Durch Sturm und bösen Wind verschlagen" (Holländer, Daland), Der fliegende Holländer: Act I, Scene III. "He! Holla! Steuermann!" (Daland, Steuermann, Holländer), Der fliegende Holländer: Act I, Scene III. "Südwind! Südwind!" (Steuermann, norwegische Matrosen, Daland, Holländer), Der fliegende Holländer: Act I, Scene III. "Wie? Hört' ich recht? Meine Tochter sein Weib?" (Daland, Holländer), Der fliegende Holländer: Act II, Scene I. "Ach! wo weilt sie" (Mädchen, Senta, Mary, Erik), Der fliegende Holländer: Act II, Scene I. "Du böses Kind! Wenn du nicht spinnst" (Mary, Mädchen, Senta), Der fliegende Holländer: Act II, Scene I. "Johohoe!" - "Traft ihr das Schiff im Meere an" (Senta), Der fliegende Holländer: Act II, Scene I. "Summ und brumm, du gutes Rädchen" (Mädchen, Mary), Der fliegende Holländer: Act II, Scene II. "Bleib, Senta! Bleib nur einen Augenblick!" (Erik, Senta), Der fliegende Holländer: Act II, Scene III. "Mein Kind, du siehst mich auf der Schwelle" (Daland, Senta), Der fliegende Holländer: Act II, Scene III. "Mögst du, mein Kind, den fremden Mann willkommen heißen!" (Daland), Der fliegende Holländer: Act II, Scene III. "Verzeiht! Mein Volk hält draußen sich nicht mehr" (Daland, Senta, Holländer), Der fliegende Holländer: Act II, Scene III. "Wie aus der Ferne längst vergang'ner Zeiten" (Holländer, Senta), Der fliegende Holländer: Act III, Scene I. "Johohoe! Johohoe! Hoe! Hoe!" (Mannschaft des Holländers, norwegische Matrosen), Der fliegende Holländer: Act III, Scene I. "Steuermann, laß die Wacht!" (Norwegische Matrosen, Chor der Mädchen, Steuermann), Der fliegende Holländer: Act III, Scene II. "Verloren! Ach, verloren! Ewig verlornes Heil!" (Holländer, Erik, Senta, Daland, Mary, Mädchen, norwegische Matrosen, Mannschaft des Holländers), Der fliegende Holländer: Act III, Scene II. "Was mußt' ich hören!" (Erik, Senta), Der fliegende Holländer: Act III, Scene II. "Willst jenes Tag's du nicht dich mehr entsinnen" (Erik), Die Meistersinger von Nürnberg: Act I, Scene I. "Ach, David! David!" (Magdalene, David, Walther, Eva), Die Meistersinger von Nürnberg: Act I, Scene I. "Da zu dir der Heiland kam" (Die Gemeinde), Die Meistersinger von Nürnberg: Act I, Scene I. "Verweilt! - Ein Wort - ein einzig Wort!" (Walther, Eva, Magdalene), Die Meistersinger von Nürnberg: Act I, Scene II. "David! Was stehst?" (Lehrbuben, David, Walther), Die Meistersinger von Nürnberg: Act I, Scene II. "Der Meister Tön' und Weisen" (David, Walther, Lehrbuben), Die Meistersinger von Nürnberg: Act I, Scene II. "Mein Herr! Der Singer Meister-Schlag gewinnt sich nicht an einem Tag" (David, Walther), Die Meistersinger von Nürnberg: Act I, Scene II. "Nur dies noch: Wer wird "Meister" genannt?" (Walther, David, Lehrbuben), Die Meistersinger von Nürnberg: Act I, Scene III. "Am stillen Herd in Winterszeit" (Walther, Sachs, Beckmesser, Kothner, Vogelgesang, Nachtigal), Die Meistersinger von Nürnberg: Act I, Scene III. "Das heißt ein Wort!" (Vogelgesang, Nachtigal, Beckmesser, Kothner, Zorn, Eißlinger, Moser, Ortel, Schwartz, Foltz, Sachs, Pogner, Lehrbuben), Die Meistersinger von Nürnberg: Act I, Scene III. "Ein saures Amt, und heut' zumal" (Beckmesser, Kothner, Walther), Die Meistersinger von Nürnberg: Act I, Scene III. "Für dich, Geliebte, sei's getan!" - "Fanget an!" (Walther, Kothner, Beckmesser), Die Meistersinger von Nürnberg: Act I, Scene III. "Für wicht'gen Anttag bitt' ich ums Wort" (Pogner, Kothner), Die Meistersinger von Nürnberg: Act I, Scene III. "Halt, Meister! Nicht so geeilt!" (Sachs, Beckmesser, Nachtigal, Kothner, Pogner, Vogelgesang, Zorn, Eißlinger, Moser, Ortel, Schwartz, Foltz, Walther, Lehrbuben), Die Meistersinger von Nürnberg: Act I, Scene III. "Seid ihr nun fertig?" (Beckmesser, Walther, Pogner, Kothner, Ortel, Foltz, Moser, Nachtigal, Vogelgesang, Zorn, Eißlinger, Schwartz), Die Meistersinger von Nürnberg: Act I, Scene III. "Seid meiner Treue wohl versehen" (Pogner, Beckmesser, Walther, Sachs, Vogelgesang, Nachtigal), Die Meistersinger von Nürnberg: Act I, Scene III. "Wohl Meister! Zur Tagesordnung kehrt!" (Pogner, Beckmesser, Vogelgesang, Nachtigal, Kothner, Zorn, Eißlinger, Moser, Ortel, Schwartz, Foltz, Sachs), Die Meistersinger von Nürnberg: Act I, Scene III. "Zu einer Freiung und Zunftberatung ging an die Meister ein' Einladung" (Kothner, Pogner, Vogelgesang, Ortel, Zorn, Nachtigal, Moser, David, Sachs, Beckmesser, Eißlinger, Foltz, Schwartz, Lehrbuben), Die Meistersinger von Nürnberg: Act II, Scene I. "Johannistag! Johannistag!" (Lehrbuben, David, Magdalene, Sachs), Die Meistersinger von Nürnberg: Act II, Scene II. "Laß seh'n, ob Meister Sachs zu Haus?" (Pogner, Eva, Magdalene), Die Meistersinger von Nürnberg: Act II, Scene III. "Was duftet doch der Flieder" (Sachs), Die Meistersinger von Nürnberg: Act II, Scene III. "Zeig her! - 's ist gut" (Sachs, David), Die Meistersinger von Nürnberg: Act II, Scene IV. "Ach ja! Hast recht! 's ist im Kopf mir kraus" (Sachs, Eva, Magdalene), Die Meistersinger von Nürnberg: Act II, Scene IV. "Das dacht' ich wohl" (Sachs, Magdalene, Eva, Pogner), Die Meistersinger von Nürnberg: Act II, Scene IV. "Gut'n Abend, Meister!" (Eva, Sachs), Die Meistersinger von Nürnberg: Act II, Scene V. "Da ist er!" (Eva, Magdalene, Walther, Nachtwächter), Die Meistersinger von Nürnberg: Act II, Scene V. "Üble Dinge, die ich da merk'" (Sachs, Walther, Eva), Die Meistersinger von Nürnberg: Act II, Scene VI. "Das Fenster geht auf" (Beckmesser, Eva, Walther, Sachs), Die Meistersinger von Nürnberg: Act II, Scene VI. "Den Tag seh' ich erscheinen" (Beckmesser, Sachs), Die Meistersinger von Nürnberg: Act II, Scene VI. "Jerum! Jerum!" (Sachs, Beckmesser, Walther, Eva), Die Meistersinger von Nürnberg: Act II, Scene VI. "Seid Ihr nun fertig?" (Sachs, Beckmesser, David, Nachbarn), Die Meistersinger von Nürnberg: Act II, Scene VI. "Tu's nicht!" (Eva, Walther, Sachs), Die Meistersinger von Nürnberg: Act II, Scene VII. "Ach, Himmel! David! Gott, welche Not!" (Magdalene, Beckmesser, David, Pogner, Walther, Sachs, Nachtwächter, Nachbarn, Lehrbuben, Gesellen, Meister), Die Meistersinger von Nürnberg: Act III, Scene I. "Am Jordan Sankt Johannes stand" (David, Sachs), Die Meistersinger von Nürnberg: Act III, Scene I. "Gleich, Meister! Hier!" (David, Sachs), Die Meistersinger von Nürnberg: Act III, Scene I. "Wahn! Wahn! Überall Wahn!" (Sachs), Die Meistersinger von Nürnberg: Act III, Scene II. "Abendlich glühend in himmlischer Pracht" (Walther, Sachs), Die Meistersinger von Nürnberg: Act III, Scene II. "Grüß Gott, mein Junker!" (Sachs, Walther), Die Meistersinger von Nürnberg: Act III, Scene II. "Mein Freund! In holder Jugendzeit" (Sachs, Walther), Die Meistersinger von Nürnberg: Act III, Scene II. "Morgenlich leuchtend in rosigem Schein" (Walther, Sachs), Die Meistersinger von Nürnberg: Act III, Scene III. "Das Gedicht? Hier ließ ich's" (Sachs, Beckmesser), Die Meistersinger von Nürnberg: Act III, Scene III. "Ein Werbelied! Von Sachs?" (Beckmesser), Die Meistersinger von Nürnberg: Act III, Scene III. "Sieh da! Herr Schreiber? Auch am Morgen?" (Sachs, Beckmesser), Die Meistersinger von Nürnberg: Act III, Scene IV. ""Die selige Morgentraum-Deutweise" sei sie genannt" (Sachs, Eva, Magdalene, Walther, David), Die Meistersinger von Nürnberg: Act III, Scene IV. "Ein Kind ward hier geboren" (Sachs), Die Meistersinger von Nürnberg: Act III, Scene IV. "Hat man mit dem Schuhwerk nicht seine Not!" (Sachs), Die Meistersinger von Nürnberg: Act III, Scene IV. "Immer schustern! Das ist nun mein Los" (Sachs, Walther), Die Meistersinger von Nürnberg: Act III, Scene IV. "O Sachs! Mein Freund! Du teurer Mann!" (Eva, Sachs), Die Meistersinger von Nürnberg: Act III, Scene IV. "Sieh, Evchen! Dacht ich doch, wo sie blieb!" (Sachs, Eva), Die Meistersinger von Nürnberg: Act III, Scene V. "Den Zeugen, denk' es, wählt' ich gut" (Sachs, Pogner, Walther, Volk, Meistersinger), Die Meistersinger von Nürnberg: Act III, Scene V. "Die Meistersinger" (Gesellen, Lehrbuben, David), Die Meistersinger von Nürnberg: Act III, Scene V. "Euch macht ihr's leicht, mir macht ihr's schwer" (Sachs), Die Meistersinger von Nürnberg: Act III, Scene V. "Ihr tanzt? Was werden die Meister sagen?" (David, Lehrbuben), Die Meistersinger von Nürnberg: Act III, Scene V. "Morgen ich leuchte in rosigem Schein" (Beckmesser, Meistersinger, Volk), Die Meistersinger von Nürnberg: Act III, Scene V. "Morgenlich leuchtend im rosigen Schein" (Walther, Sachs, Pogner, Eva, Volk, Meistersinger), Die Meistersinger von Nürnberg: Act III, Scene V. "O Sachs! Mein Freund! Wie dankenswert!" (Pogner, Sachs, Beckmesser, Kothner, Volk, Lehrbuben), Die Meistersinger von Nürnberg: Act III, Scene V. "Sankt Krispin, lobet ihn!" (chuster, Schneider, Bäcker, Lehrbuben), Die Meistersinger von Nürnberg: Act III, Scene V. "Verachtet mir die Meister nicht" (Sachs, alle), Die Meistersinger von Nürnberg: Act III, Scene V. "Wach' auf! Es nahet gen den Tag" (Gesellen, Lehrbuben, David), Die Meistersinger von Nürnberg: Act III, Scene V. "Welch eig'ner Fall!" (Meistersinger, Sachs, Volk, Lehrbuben), Die Meistersinger von Nürnberg: Vorspiel, Die Walküre: "Aus dem Wald trieb es mich fort", Die Walküre: "Der Augen leuchtendes Paar", Die Walküre: "Du bist der Lenz", Die Walküre: "Du sahest der Walküre sehrenden Blick", Die Walküre: "Du zeugtest ein edles Geschlecht", Die Walküre: "Friedmund darf ich nicht heißen", Die Walküre: "Leb wohl, du kühnes, herrliches Kind!", Die Walküre: "Loge, hör! Lausche hieher!", Die Walküre: "O süsseste Wonne!", Die Walküre: "Schützt mich und helft", Die Walküre: "Siegmund heiss' ich", Die Walküre: "Siegmund! Sich' auf mich!", Die Walküre: "War wälse dein Vater", Die Walküre: "Was hast du erdacht, dass ich erdulde", Die Walküre: "Winterstürme wichen dem Wonnemond", Die Walküre: Vorspiel (3. Aufzug) / "Hojotoho! Hojotoho!", Die Walküre: Vorspiel (I. Aufzug), Götterdämmerung - Twilight of the Gods: Finale (Immolation of the Gods), Götterdämmerung: Act I, Scene I. "Brächte Siegfried die Braut dir heim" (Hagen, Gunther, Gutrune), Götterdämmerung: Act I, Scene I. "Jagt er auf Taten wonnig umher" (Hagen, Gunther, Siegfried), Götterdämmerung: Act I, Scene I. "Nun hör, Hagen" (Gunther, Hagen), Götterdämmerung: Act I, Scene I. "Wen rätst du zu frein, daß unserm Ruhm es fromm'?" (Gunther, Hagen, Gutrune), Götterdämmerung: Act I, Scene II. "Begrüße froh, o Held, die Halle meines Vaters" (Gunther, Siegfried, Hagen), Götterdämmerung: Act I, Scene II. "Blühenden Lebens labendes Blut traufelt' ich den Trank" (Siegfried, Gunther), Götterdämmerung: Act I, Scene II. "Deinem Bruder bat ich mich zum Mann" (Siegfried, Gunther), Götterdämmerung: Act I, Scene II. "Frisch auf die Fahrt!" (Siegfried, Gunther, Gutrune, Hagen), Götterdämmerung: Act I, Scene II. "Hier sitz' ich zur Wacht" (Hagen), Götterdämmerung: Act I, Scene II. "Wer ist Gibichs Sohn?" (Siegfried, Gunther, Hagen), Götterdämmerung: Act I, Scene II. "Willkommen, Gast, in Gibichs Haus!" (Gutrune, Siegfried, Gunther), Götterdämmerung: Act I, Scene III. "Altgewohntes Geräusch raunt meinem Ohr die Ferne" (Brünnhilde, Waltraute), Götterdämmerung: Act I, Scene III. "Blitzend Gewölk, vom Wind getragen, stürme dahin" (Brünnhilde), Götterdämmerung: Act I, Scene III. "Brünnhild'! Ein Freier kam, den dein Frauer nicht erschreckt" (Siegfried, Brünnhilde), Götterdämmerung: Act I, Scene III. "Höre mit Sinn, was ich dir sage!" (Waltraute, Brünnhilde), Götterdämmerung: Act I, Scene III. "Welche banger Träume Mären meldest du Traurige mir!" (Brünnhilde, Waltraute), Götterdämmerung: Act II, Scene I. "Der ewigen Macht, wer erbte sie?" (Hagen, Alberich), Götterdämmerung: Act II, Scene I. "Schläfst du, Hagen, mein Sohn?" (Alberich, Hagen), Götterdämmerung: Act II, Scene II. "Heiß mich willkommen, Gibichskind!" (Siegfried, Gutrune, Hagen), Götterdämmerung: Act II, Scene II. "Hoiho, Hagen! Müder Mann!" (Siegfried, Hagen), Götterdämmerung: Act II, Scene III. "Hoiho! Hoihohoho! Ihr Gibichsmannen, machet euch auf!" (Hagen), Götterdämmerung: Act II, Scene III. "Was tost das Horn?" (Mannen), Götterdämmerung: Act II, Scene IV. "Achtest Du so der eigenen Ehre?" (Siegfried, Brünnhilde, Mannen, Frauen, Gunther, Gutrune), Götterdämmerung: Act II, Scene IV. "Betrug! Betrug! Schändlichster Betrug!" (Brünnhilde, Frauen, Mannen, Gutrune, Gunther), Götterdämmerung: Act II, Scene IV. "Einen Ring sah ich an deiner Hand" (Brünnhilde, Siegfried, Hagen), Götterdämmerung: Act II, Scene IV. "Gegrüßt sei, teurer Held; gegrüßt, holde Schwester!" (Gunther, Mannen, Siegfried, Brünnhilde, Hagen), Götterdämmerung: Act II, Scene IV. "Heil dir, Gunther!" (Mannen, Gunther), Götterdämmerung: Act II, Scene IV. "Helle Wehr! Heilige Waffe!" (Siegfried, Brünnhilde, Mannen), Götterdämmerung: Act II, Scene IV. "Hilf, Donner" (Mannen, Siegfried), Götterdämmerung: Act II, Scene IV. "Rüstet euch wohl und rastet nicht" (Hagen, Mannen), Götterdämmerung: Act II, Scene V. "Auf, Gunther, edler Gibichung!" (Hagen, Gunther, Brünnhilde), Götterdämmerung: Act II, Scene V. "Muß sein Tod sie betrüben, verhehlt sei ihr die Tat" (Hagen, Gunther, Brünnhilde), Götterdämmerung: Act II, Scene V. "Welches Unholds List liegt hier verhohlen?" (Brünnhilde), Götterdämmerung: Act II, Scene V. "Wer bietet mir nun das Schwert" (Brünnhilde, Hagen), Götterdämmerung: Act II. Orchestervorspiel, Götterdämmerung: Act III, Scene I. "Behalt ihn, Held, und wahr ihn wohl" (Woglinde, Wellgunde, Flosshilde, Siegfried), Götterdämmerung: Act III, Scene I. "Ein Albe führte mich irr" (Woglinde, Wellgunde, Flosshilde), Götterdämmerung: Act III, Scene I. "Frau Sonne sendet lichte Strahlen" (Woglinde, Wellgunde, Flosshilde), Götterdämmerung: Act III, Scene I. "Ihr listigen Frauen, laßt das sein!" (Siegfried, Woglinde, Wellgunde, Flosshilde), Götterdämmerung: Act III, Scene I. "Kommt, Schwestern!" (Woglinde, Wellgunde, Flosshilde, Siegfried), Götterdämmerung: Act III, Scene I. "Noch bin ich beutelos" (Woglinde, Wellgunde, Flosshilde), Götterdämmerung: Act III, Scene II. "Brünnhilde! Heilige Braut!" (Siegfried), Götterdämmerung: Act III, Scene II. "Errätst du auch dieser Raben Geraun'?" (Hagen, Mannen, Gunther), Götterdämmerung: Act III, Scene II. "Hoiho!" (Hagen, Mannen, Siegfried), Götterdämmerung: Act III, Scene II. "In Leid zu dem Wipfel lauscht' ich hinauf" (Siegfried, Hagen, Gunther), Götterdämmerung: Act III, Scene II. "Mirne hieß ein mürrischer Zwerg" (Siegfried, Hagen), Götterdämmerung: Act III, Scene II. "Trink, Gunther, trink!" (Siegfried, Gunther, Hagen), Götterdämmerung: Act III, Scene II. Orchesterzwischenspiel: Trauerzug, Götterdämmerung: Act III, Scene III. "Fliegt heim, ihr Raben!" (Brünnhilde), Götterdämmerung: Act III, Scene III. "Grane, mein Roß, sei mir gegrüßt!" (Brünnhilde), Götterdämmerung: Act III, Scene III. "Hoiho! Hoiho! Wacht auf! Wacht auf!" (Hagen, Gutrune), Götterdämmerung: Act III, Scene III. "Mein Erbe nun nehm' ich zu eigen" (Brünnhilde), Götterdämmerung: Act III, Scene III. "O Ihr, der Erde ewiger Hüter!" (Brünnhilde), Götterdämmerung: Act III, Scene III. "Schweigt eures Jammers jauchzenden Schwall" (Brünnhilde, Gutrune), Götterdämmerung: Act III, Scene III. "Siegfried - Siegfried erschlagen!" (Gutrune, Gunther, Hagen), Götterdämmerung: Act III, Scene III. "Starke Scheite schichtet mir dort am Rende des Rheins" (Brünnhilde), Götterdämmerung: Act III, Scene III. "War das sein Horn? Nein! Noch kehrt er nicht heim" (Gutrune), Götterdämmerung: Act III, Scene III. "Zurück vom Ring!" (Hagen), Götterdämmerung: Act III. Orchestervorspiel, Götterdämmerung: Prologue. "Durch deine Tugend allein sol so ich Taten noch wirken?" (Siegfried, Brünnhilde), Götterdämmerung: Prologue. "Laß ich, Liebste, dich hier" (Siegfried, Brünnhilde), Götterdämmerung: Prologue. "Singe, Schwester, dir werf' ich's zu" (3 Nornen), Götterdämmerung: Prologue. "Spinne Schwester, und singe!" (3 Nornen), Götterdämmerung: Prologue. "Willst du mir Minne schenken, gedenke deiner nur" (Brünnhilde, Siegfried), Götterdämmerung: Prologue. "Zu neuen Taten, teurer Helde" (Brünnhilde, Siegfried), Götterdämmerung: Prologue. Orchestervorspiel, Götterdämmerung: Prologue. Orchesterzwischenspiel: Tagesgrauen, Heil dir, Gunther!, Lohengrin: 2. Aufzug, 3. Szene "Des Königs Wort und Will' tu ich euch kund", Lohengrin: Act I, Scene I. "Dank, König, dir, daß du zu richten kamst!" (Friedrich, Heinrich, Heerrufer, Männer), Lohengrin: Act I, Scene I. "Hört! Grafen, Edle, Freie von Brabant!" (Heerrufer, Heinrich, Branbanter, Sachsen, Thüringer), Lohengrin: Act I, Scene II. "Einsam in trüben Tagen" (Elsa, Heinrich, Männer), Lohengrin: Act I, Scene II. "Mich irret nicht ihr träumerischer Mut" (Friedrich, Heinrich, Elsa, Branbanter, Männer), Lohengrin: Act I, Scene II. "Seht hin! Sie naht, die hart Beklagte!" (Männer, Heinrich, Elsa), Lohengrin: Act I, Scene II. "Wer hier im Gotteskampf zu streiten kam für Elsa von Brabant" (Heinrich, Friedrich, Elsa, Männer, Frauen), Lohengrin: Act I, Scene III. "Durch Gottes Sieg ist jetzt dein Leben mein" (Lohengrin, Heinrich, Elsa, Friedrich, Ortrud, Männer und Frauen), Lohengrin: Act I, Scene III. "Nun höret mich und achtet wohl" (Heerrufer, Lohengrin, Friedrich, Heinrich, Elsa, Ortrud, Männer, Frauen), Lohengrin: Act I, Scene III. "Nun hört! Euch, Volk und Edlen, mach' ich kund" (Lohengrin, Friedrich, Heinrich, brabantische Edle), Lohengrin: Act I, Scene III. "Nun sei bedankt, mein lieber Schwan!" (Lohengrin, Heinrich, Männer und Frauen), Lohengrin: Act I, Scene III. "Zum Kampf für eine Magd zu stehn" (Lohengrin, Elsa, Männer und Frauen), Lohengrin: Act II, Scene I. "Du wilde Seherin, wie willst du doch geheimnisvoll den Geist mir neu berücken?" (Friedrich, Ortrud), Lohengrin: Act II, Scene I. "Erhebe dich, Genossin meiner Schmach!" (Friedrich, Ortrud), Lohengrin: Act II, Scene II. "Elsa!" - "Wer ruft?" (Ortrud, Elsa), Lohengrin: Act II, Scene II. "Entweihte Götter! Helft jetzt meiner Rache!" (Ortrud, Elsa), Lohengrin: Act II, Scene II. "Euch Lüften, die mein Klagen so traurig oft erfüllt" (Elsa, Ortrud, Friedrich), Lohengrin: Act II, Scene II. "Wie kann ich solche Huld dir lohnen" (Ortrud, Elsa, Friedrich), Lohengrin: Act II, Scene III. "Des Königs Wort und Will' tu ich euch kund" (Heerrufer, 4 Edle, Friedrich, 4 Edelknaben, Männer), Lohengrin: Act II, Scene III. "In Früh'n versammelt uns der Ruf" (Edle und Mannen), Lohengrin: Act II, Scene IV. "Gesegnet soll sie schreiten" (Edle und Mannen, Männer und Frauen), Lohengrin: Act II, Scene IV. "Zurück, Elsa! Nicht langer will ich dulden, daß ich gleich einer Magd dir folken soll!" (Ortrud, Elsa, Edelknaben, Männer, Frauen), Lohengrin: Act II, Scene V. "Mein Held, entgegne kühn dem Ungetreuen" (Heinrich, Lohengrin, Friedrich, Elsa, sächsische und brabantische Edle, Männer, Frauen, Edelknaben), Lohengrin: Act II, Scene V. "O König! Trugbetörte Fürsten! Haltet ein!" (Friedrich, Heinrich, Lohengrin, Ortrud, Männer, Frauen, Edelknaben), Lohengrin: Act II, Scene V. "Welch ein Geheimnis muß der Held bewahren?" (Heinrich, Elsa, Männer, Frauen, Edelknaben), Lohengrin: Act II. Einleitung, Lohengrin: Act III, Scene I. "Treulich geführt ziehet dahin" (Männer und Frauen), Lohengrin: Act III, Scene II. "Atmest du nicht mit mir die süßen Düfte?" (Lohengrin, Elsa), Lohengrin: Act III, Scene II. "Das süße Lied verhallt" (Lohengrin, Elsa), Lohengrin: Act III, Scene II. "Fühl' ich zu dir so süß mein Herz entbrennen" (Elsa, Lohengrin), Lohengrin: Act III, Scene II. "Höchstes Vertrau'n hast du mir schon zu danken" (Lohengrin, Elsa), Lohengrin: Act III, Scene II. "Weh, nun ist all unser Glück dahin!" (Lohengrin, Elsa), Lohengrin: Act III, Scene III. "Heil König Heinrich!" (Männer, Heinrich, 4 Edle), Lohengrin: Act III, Scene III. "In fernem Land, unnahbar euren Schritten" (Lohengrin, Heinrich, Männer, Frauen), Lohengrin: Act III, Scene III. "Macht Platz dem Helden von Brabant!" (Männer, Heinrich, Lohengrin, Branbanter, Frauen), Lohengrin: Act III, Scene III. "Mein lieber Schwan!" (Lohengrin, Heinrich, Ortrud, Elsa, Männer und Frauen), Lohengrin: Act III, Scene III. "Mir schwankt der Boden! Welche Nacht!" (Elsa, Lohengrin, Heinrich, Männer, Frauen, Edle), Lohengrin: Vorspiel, Parsifal: Act I. "Du siehst, mein Sohn, zum Raum wird die Zeit" (Gurnemanz) - Verwandlungsmusik, Parsifal: Act I. "Enthüllet den Gral!" - "Nehmet hin mein Blut" (Titurel, Stimmen aus der Höhe, Knaben), Parsifal: Act I. "He! Ho! Waldhüter ihr" - "Seht dort, die wilde Reiterin" (Gurnemanz, 2. Ritter, 1. & 2. Knappe, Kundry, Gurnemanz), Parsifal: Act I. "Mein Sohn Amfortas, bist du am Amt?" - "Wehvolles Erbe, dem ich verfallen" (Titurel, Amfortas, Knaben, Jünglinge, Ritter), Parsifal: Act I. "Nicht Dank! Haha! Was wird es helfen?" (Kundry, 3. & 4. Knappe, Gurnemanz), Parsifal: Act I. "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" (Gurnemanz, Ritter, Jünglinge, Knaben), Parsifal: Act I. "Nun sag! Nichts weißt du, was ich dich frage" (Gurnemanz, Parsifal, Kundry), Parsifal: Act I. "O wunden-wundervoller heiliger Speer" (Gurnemanz, 1.-3. Knappe), Parsifal: Act I. "Recht so! Habt Dank! Ein wenig Rast" (Amfortas, 2. Ritter, Gurnemanz), Parsifal: Act I. "Titurel, der fromme Held" (Gurnemanz, 4 Knappen), Parsifal: Act I. "Vom Bade kehrt der König heim" (Gurnemanz, Parsifal), Parsifal: Act I. "Weh! - Hoho! - Auf! - Wer ist der Frevler?" (4 Knappen, Ritter, Gurnemanz, Parsifal), Parsifal: Act I. "Wein und Brot des letzten Mahles" (Knaben, Jünglinge, Ritter) - Auszug der Ritter - "Was stehst du noch da?" (Gurnemanz, Altsolo, Stimmen aus der Höhe), Parsifal: Act I. Vorspiel, Parsifal: Act II. "Ach! - Ach! Tiefe Nacht! - Wahnsinn!" - "Furchtbare Not!" - "Ho! Ihr Wächter! Ho! Ritter!" (Kundry, Klingsor), Parsifal: Act II. "Amfortas! Die Wunde!" (Parsifal, Kundry), Parsifal: Act II. "Die Zeit ist da" (Klingsor), Parsifal: Act II. "Dies alles - hab' ich nun geträumt?" (Parsifal, Kundry), Parsifal: Act II. "Grausamer! - Fühlst du im Herzen nur and'rer Schmerzen" (Kundry, Parsifal), Parsifal: Act II. "Hier war das Tosen!" (Blumenmädchen, Parsifal), Parsifal: Act II. "Ich sah das Kind an seiner Mutter Brust" (Kundry), Parsifal: Act II. "Komm, holder Knabe!" (Blumenmädchen, Parsifal), Parsifal: Act II. "Parsifal! Weile!" (Kundry, Parsifal, Blumenmädchen), Parsifal: Act II. "Vergeh, unseliges Weib!" (Parsifal, Kundry, Klingsor), Parsifal: Act II. "Wehe! Was tat ich? Wo war ich?" (Parsifal, Kundry), Parsifal: Act II. Vorspiel, Parsifal: Act III. "Du siehst, das ist nicht so" (Gurnemanz, Parsifal), Parsifal: Act III. "Geleiten wir im bergenden Schrein" (Ritter), Parsifal: Act III. "Gesegnet sei, du Reiner, durch das Reine!" (Gurnemanz, Parsifal), Parsifal: Act III. "Heil dir, mein Gast!" (Gurnemanz), Parsifal: Act III. "Heil mir, daß ich dich wiederfinde!" (Parsifal, Gurnemanz), Parsifal: Act III. "Höchsten Heiles Wunder!" (Knaben, Jünglinge, Ritter), Parsifal: Act III. "Ja, Wehe! Wehe! Weh' über mich!" (Amfortas, Ritter), Parsifal: Act III. "Mittag. Die Stund' ist da" (Gurnemanz) - Verwandlungsmusik, Parsifal: Act III. "Nicht so! Die heil'ge Quelle selbst erquicke unsres Pilgers Bad" (Gurnemanz, Parsifal), Parsifal: Act III. "Nur eine Waffe taugt" (Parsifal), Parsifal: Act III. "O Herr! War es ein Fluch, der dich vom rechten Pfad vertrieb" (Gurnemanz, Parsifal), Parsifal: Act III. "Von dorther kam das Stöhnen" (Gurnemanz, Kundry), Parsifal: Act III. "Wie dünkt mich doch die Aue heut so schön" (Parsifal, Gurnemanz) - (Karfreitagszauber), Parsifal: Act III. Vorspiel, Siegfried: Act I, Scene I. "Als zullendes Kind zog ich dich auf" (Mime), Siegfried: Act I, Scene I. "Da hast du die Stücken, schändlicher Stümper" (Siegfried, Mime), Siegfried: Act I, Scene I. "Da stürmt er hin!" (Mime), Siegfried: Act I, Scene I. "Einst lag wimmernd ein Weib" (Mime, Siegfried), Siegfried: Act I, Scene I. "Hoiho! Hoiho! Hau ein! Hau ein!" (Mime), Siegfried: Act I, Scene I. "Mein Kind, das lehrt dich kennen" (Mime, Siegfried), Siegfried: Act I, Scene I. "Und diese Stücken sollst du mir schmieden" (Siegfried, Mime), Siegfried: Act I, Scene I. "Vieles lehrtest du, Mime" (Mime, Siegfried), Siegfried: Act I, Scene I. "Wo hast du nun, Mime, dein minniges Weibchen" (Siegfried, Mime), Siegfried: Act I, Scene I. "Zwangvolle Plage! Müh ohne Zweck!" (Mime), Siegfried: Act I, Scene II. "Dreimal solltest du fragen, dreimal stand ich dir frei" (Wanderer), Siegfried: Act I, Scene II. "Du rührtest dich viel auf der Erde Rücken" (Mime, Wanderer), Siegfried: Act I, Scene II. "Fragen und Haupt hast du gelöst" (Wanderer, Mime), Siegfried: Act I, Scene II. "Ha ha ha ha! Der witzigste bist du unter den Weisen" (Wanderer, Mime), Siegfried: Act I, Scene II. "Heil dir weiser Schmied!" (Wanderer, Mime), Siegfried: Act I, Scene II. "Hier sitz' ich am Herd und setze mein Haupt" (Wanderer, Mime), Siegfried: Act I, Scene II. "Nun, ehrlicher Zwerg, sag mir zum ersten" (Wanderer, Mime), Siegfried: Act I, Scene II. "Viel, Wanderer, weißt du mir aus der Erde Nabelnest" (Mime, Wanderer), Siegfried: Act I, Scene II. "Viel, Wanderer, weißt du mir von der Erde rauhem Rücken" (Mime, Wanderer), Siegfried: Act I, Scene II. "Wie doch genau das Geschlecht du mir nennst" (Wanderer, Mime), Siegfried: Act I, Scene III. "Bald schwing' ich dich als mein Schwert!" (Siegfried, Mime), Siegfried: Act I, Scene III. "Feine Finten weiß mir der Faule" (Siegfried, Mime), Siegfried: Act I, Scene III. "Fühltest du nie im finstren Wald" (Mime), Siegfried: Act I, Scene III. "Heda! Du Fauler! Bist du nun fertig?" (Siegfried, Mime), Siegfried: Act I, Scene III. "Hoho! Hoho! Hahei!" (Siegfried, Mime), Siegfried: Act I, Scene III. "Notung! Notung! Neidliches Schwert!" (Siegfried, Mime), Siegfried: Act I, Scene III. "Sonderlich seltsam muß das sein!" (Siegfried, Mime), Siegfried: Act I, Scene III. "Verfluchtes Licht! Was flammt dort die Luft?" (Mime), Siegfried: Act I. Orchestervorspiel, Siegfried: Act II, Scene I. "Fafner! Fafner! Erwache, Wurm!" (Wanderer, Alberich, Fafner), Siegfried: Act II, Scene I. "In Wald und Nacht vor Neidhöhl' halt' ich Wacht" (Alberich), Siegfried: Act II, Scene I. "Mit mir nicht, hadre mit Mime" (Wanderer, Alberich), Siegfried: Act II, Scene I. "Nun, Alberich, das schlug fehl" (Wanderer, Alberich), Siegfried: Act II, Scene I. "Wer naht dort schimmernd im Schatten?" (Alberich, Wanderer), Siegfried: Act II, Scene II. "Aber - wie sah meine Mutter wohl aus?" (Siegfried), Siegfried: Act II, Scene II. "Da liegt, neidischer Kerl: Notung trägst du im Herzen!" (Siegfried, Fafner), Siegfried: Act II, Scene II. "Daß der mein Vater nicht ist, wie fühl' ich mich drop so froh!" (Siegfried), Siegfried: Act II, Scene II. "Haha! Da hätte mein Lied mir was Liebes erblasen!" (Siegfried, Fafner), Siegfried: Act II, Scene II. "Meine Mutter - ein Menschenweib!" (Siegfried), Siegfried: Act II, Scene II. "Wir sind zur Stelle!" (Mime, Siegfried), Siegfried: Act II, Scene II. "Zur Kunde taucht kein Toter" (Siegfried, Stimme des Waldvogels), Siegfried: Act II, Scene III. "Heiß ward mir von der harten Last!" (Siegfried), Siegfried: Act II, Scene III. "Neides Zoll zahlt Notung" (Siegfried), Siegfried: Act II, Scene III. "Nun sing! Ich lausche dem Gesang" (Siegfried, Stimme des Waldvogels), Siegfried: Act II, Scene III. "Sieh, du bist müde von harter Müh'" (Mime, Siegfried, Alberich), Siegfried: Act II, Scene III. "Was ihr mir nützt, weiß ich nicht" (Siegfried, Stimme des Waldvogels), Siegfried: Act II, Scene III. "Willkommen Siegfried!" (Mime, Siegfried), Siegfried: Act II, Scene III. "Wohin schleichst du eilig und schlau" (Alberich, Mime), Siegfried: Act II. Orchestervorspiel, Siegfried: Act III, Scene I. "Dir Unweisen ruf' ich ins Ohr" (Wanderer), Siegfried: Act III, Scene I. "Mein Schlaf ist Träumen" (Erda, Wanderer), Siegfried: Act III, Scene I. "Stark ruft das Lied" (Erda, Wanderer), Siegfried: Act III, Scene I. "Wache, Wala! Wala! Erwach!" (Wanderer), Siegfried: Act III, Scene II. "Dort seh' ich Siegfried nahn" (Wanderer, Siegfried), Siegfried: Act III, Scene II. "Kenntest du mich, kühner Sproß, den Schimpf spartest du mir!" (Wanderer, Siegfried), Siegfried: Act III, Scene II. "Mit zerfochtner Waffe floh mir der Feige?" (Siegfried), Siegfried: Act III, Scene II. "Was lachst du mich aus? Alter Frager!" (Siegfried, Wanderer), Siegfried: Act III, Scene III. "Das ist kein Mann!" (Siegfried), Siegfried: Act III, Scene III. "Dich lieb' ich: o liebtest mich du!" (Siegfried, Brünnhilde), Siegfried: Act III, Scene III. "Dort seh' ich Grane, mein selig Roß" (Brünnhilde, Siegfried), Siegfried: Act III, Scene III. "Ewig war ich, ewig bin ich" (Brünnhilde, Siegfried), Siegfried: Act III, Scene III. "Heil dir, Sonne!" (Brünnhilde, Siegfried), Siegfried: Act III, Scene III. "Kein Gott nahte mir je!" (Brünnhilde, Siegfried), Siegfried: Act III, Scene III. "Lachend muß ich dich lieben" (Brünnhilde, Siegfried), Siegfried: Act III, Scene III. "O Siegfried! Siegfried! Seliger Held" (Brünnhilde, Siegfried), Siegfried: Act III, Scene III. "Selige Öde auf sonniger Höh'!" (Siegfried), Siegfried: Act III. Orchestervorspiel, Tannhäuser: Act I, Scene I. "Naht euch dem Strande!" (Sirenen), Tannhäuser: Act I, Scene II. "Dank deiner Huld! Gepriesen sei dein Lieben!" (Tannhäuser, Venus), Tannhäuser: Act I, Scene II. "Dir töne Lob! Die Wunder sei'n gepriesen" (Tannhäuser, Venus), Tannhäuser: Act I, Scene II. "Geliebter, komm! Sieh dort die Grotte" (Venus, Sirenen), Tannhäuser: Act I, Scene II. "Geliebter, sag, wo weilt dein Sinn?" (Venus, Tannhäuser), Tannhäuser: Act I, Scene II. "Nein! Mein Stolz soll dir den Jammer sparen" (Tannhäuser, Venus), Tannhäuser: Act I, Scene II. "Stets soll nur dir mein Lied ertönen" (Tannhäuser), Tannhäuser: Act I, Scene II. "Zieh hin, Wahnbetörter! Zieh hin!" (Venus), Tannhäuser: Act I, Scene III. "Frau Holda kam aus dem Berg hervor" (Hirt), Tannhäuser: Act I, Scene III. "Zu dir wall' ich, mein Jesus Christ" (Pilger, Hirt, Tannhäuser), Tannhäuser: Act I, Scene IV. "Als du in kühnem Sange uns bestrittest" (Wolfram, Walther, Heinrich, Biterolf, Reinmar, Tannhäuser, Landgraft), Tannhäuser: Act I, Scene IV. "Wer ist der dort im brünstigen Gebete?" (Landgraft, Walther, Biterolf, Wolfram, Heinrich, Reinmar, Tannhäuser), Tannhäuser: Act II, Scene I. "Dich, teure Halle, grüß ich wieder" (Elisabeth), Tannhäuser: Act II, Scene II. "Den Gott der Liebe sollst du preisen" (Tannhäuser, Elisabeth, Wolfram), Tannhäuser: Act II, Scene II. "Dort ist sie; nahe dich ihr ungestört!" - "Der Sänger klugen Weisen lauscht' ich sonst gern und viel" (Wolfram, Tannhäuser, Elisabeth), Tannhäuser: Act II, Scene III. "Dich treff' ich hier, in dieser Halle, die so lange du gemieden?" (Landgraft, Elisabeth), Tannhäuser: Act II, Scene III. Einzug der Gäste, Tannhäuser: Act II, Scene IV. "Auch ich darf mich so glücklich nennen zu schaun, was, Wolfram, du geschaut!" (Tannhäuser), Tannhäuser: Act II, Scene IV. "Blick' ich umher in diesem edlen Kreise" (Wolfram, Ritter und Edelfrauen), Tannhäuser: Act II, Scene IV. "Den Bronnen, den uns Wolfram nannte, ihn schaut auch meines Geistes Licht" (Walther, Ritter und Edelfrauen), Tannhäuser: Act II, Scene IV. "Der Unglücksel'ge, den gefangen ein furchtbar mächt'ger Zauber hält" (Elisabeth), Tannhäuser: Act II, Scene IV. "Ein furchtbares Verbrechen ward begangen" (Landgraft), Tannhäuser: Act II, Scene IV. "Freudig begrüßen wir die edle Halle" (Ritter, Grafen, Edelfrauen, Edelknaben), Tannhäuser: Act II, Scene IV. "Gar viel und schön ward hier in dieser Halle von euch, ihr lieben Sänger, schon gesungen" (Landgraft, Ritter und Edelfrauen, Edelknaben), Tannhäuser: Act II, Scene IV. "Ha, der Verruchte!" (Wolfram, Walther, Heinrich, Biterolf, Reinmar, Landgraft, Ritter und Edelfrauen, Elisabeth), Tannhäuser: Act II, Scene IV. "Heraus zum Kampfe mit uns allen!" (Biterolf, Ritter und Frauen, Tannhäuser, Landgraft), Tannhäuser: Act II, Scene IV. "O Himmel, laß dich jetzt erflehen, gib meinem Lied der Weihe Preis" - "Dir, Göttin der Liebe, soll mein Lied ertönen!" (Wolfram, Tannhäuser), Tannhäuser: Act II, Scene IV. "O Walther, der du also sangest, du hast die Liebe arg entstellt!" (Tannhäuser), Tannhäuser: Act II, Scene IV. "Versammelt sind aus meinen Landen bußfert'ge Pilger" (Landgraft, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Elisabeth, Tannhäuser, Ritter, Pilger), Tannhäuser: Act II, Scene IV. "Weh! Weh mir Unglücksel'gem!" (Tannhäuser, Landgraft, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Elisabeth, Ritter), Tannhäuser: Act III, Scene I. "Allmächt'ge Jungfrau, hör mein Flehen!" (Elisabeth, Wolfram), Tannhäuser: Act III, Scene I. "Beglückt darf nun dich, o Heimat, ich schauen" (Pilger, Elisabeth, Wolfram), Tannhäuser: Act III, Scene I. "Wohl wußt' ich hier sie im Gebet zu finden" (Wolfram), Tannhäuser: Act III, Scene II. "O du, mein holder Abendstern" (Wolfram), Tannhäuser: Act III, Scene II. "Wie Todesahnung Dämmerung deckt die Lande" (Wolfram), Tannhäuser: Act III, Scene III. "Dahin zog's mich, wo ich der Wonn' und Lust so viel genoß, an ihre warme Brust!" - "Halt ein! Unsel'ger!" (Tannhäuser, Wolfram), Tannhäuser: Act III, Scene III. "Heil! Heil! Der Gnade Wunder Heil!" (Pilger, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Landgraft), Tannhäuser: Act III, Scene III. "Ich hörte Harfenschlag, wie klang er traurig!" (Tannhäuser, Wolfram), Tannhäuser: Act III, Scene III. "Inbrunst im Herzen, wie kein Büßer noch sie je gefühlt" (Tannhäuser), Tannhäuser: Act III, Scene III. "Willkommen, ungetreuer Mann!" - "Der Seele Heil" (Venus, Tannhäuser, Wolfram, Walther, Heinrich, Biterolf, Reinmar, Pilger), Tannhäuser: Act III. Einleitung, Tannhäuser: Ouvertüre, Tristan und Isolde: Act I, Scene I. "Westwärts schweift der Blick" (Ein junger Seemann, Isolde, Brangäne), Tristan und Isolde: Act I, Scene II. "Frisch weht der Wind der Heimat zu" (Ein junger Seemann, Isolde, Brangäne, Kurwenal, Tristan), Tristan und Isolde: Act I, Scene III. "Den als Tantris unerkant ich entlassen" (Isolde, Brangäne, Schiffsvolk), Tristan und Isolde: Act I, Scene III. "Weh, ach wehe! Dies zu dulden!" (Brangäne, Isolde), Tristan und Isolde: Act I, Scene IV. "Auf! Auf! Ihr Frauen! Frisch und froh!" (Kurwenal, Isolde, Brangäne), Tristan und Isolde: Act I, Scene IV. "Herr Tristan trete nah!" (Isolde), Tristan und Isolde: Act I, Scene V. "Tristan!" - "Isolde!" - "Treuloser Holder!" (Isolde, Tristan, Schiffsvolk, Brangäne, Kurwenal), Tristan und Isolde: Act I, Scene V. "War Morold dir so wert, nun wieder nimm das Schwert" (Tristan, Isolde, Schiffsvolk), Tristan und Isolde: Act I. Vorspiel, Tristan und Isolde: Act II, Scene I. "Hörst du sie noch?" (Isolde, Brangäne), Tristan und Isolde: Act II, Scene II. "Einsam wachend in der Nacht" (Brangäne), Tristan und Isolde: Act II, Scene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" (Tristan, Isolde), Tristan und Isolde: Act II, Scene II. "Lausch, Geliebter!" - "Laß mich sterben!" (Isolde, Tristan), Tristan und Isolde: Act II, Scene II. "O eitler Tagesknecht!" (Isolde, Tristan), Tristan und Isolde: Act II, Scene II. "O sink hernieder, Nacht der Liebe" (Isolde, Tristan), Tristan und Isolde: Act II, Scene II. "So starben wir, um ungetrennt" (Tristan, Isolde, Brangäne), Tristan und Isolde: Act II, Scene III. "O König, das kann ich dir nicht sagen" (Tristan, Isolde, Melot), Tristan und Isolde: Act II, Scene III. "Rette dich, Tristan!" (Kurwenal, Tristan, Melot), Tristan und Isolde: Act II, Scene III. "Tatest du's wirklich? Wähnst du das?" (Marke, Tristan), Tristan und Isolde: Act II. Vorspiel, Tristan und Isolde: Act III, Scene I. "Bist du nun tot? Lebst du noch?" (Kurwenal, Tristan), Tristan und Isolde: Act III, Scene I. "Dünkt dich das? Ich weiß es anders" (Tristan, Kurwenal), Tristan und Isolde: Act III, Scene I. "Isolde kommt!" (Tristan), Tristan und Isolde: Act III, Scene I. "Kurwenal! He! Sag, Kurwenal!" (Ein Hirt, Kurwenal, Tristan), Tristan und Isolde: Act III, Scene I. "Noch ist kein Schiff zu sehn!" (Kurwenal, Tristan), Tristan und Isolde: Act III, Scene I. "O Wonne! Freude!" (Kurwenal, Tristan), Tristan und Isolde: Act III, Scene II. "Ich bin's, süßester Freund!" (Isolde), Tristan und Isolde: Act III, Scene II. "O diese Sonne! Ha, dieser Tag!" (Tristan, Isolde), Tristan und Isolde: Act III, Scene III. "Kurwenal! Hör! Ein zweites Schiff" (Ein Hirt, Kurwenal, ein Steuermann, Brangäne, Melot, Marke), Tristan und Isolde: Act III, Scene III. "Mild und leise wie er lächelt" (Isolde), Tristan und Isolde: Act III, Scene III. "Tot denn alles!" (Marke, Brangäne), Tristan und Isolde: Act III. Vorspiel, Tristan und Isolde: Einsam wachend in der Nacht, Tristan und Isolde: Isolde! Geliebte! - Tristan! Geliebter!, Tristan und Isolde: Kurwenal! Hör! Ein zweites Schiff, Tristan und Isolde: Mild und leise wie er lächelt, Tristan und Isolde: O eitler Tagesknecht!, Tristan und Isolde: Tatest du's wirklich?, Tristan und Isolde: Tot denn alles!, Tristan und Isolde: Tristan!... Isolde!, Tristan und Isolde: Vorspiel (Erster Aufzug), Tristan und Isolde: Vorspiel dritter Aufzug
Track Killer
conductor, piano
Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro, Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto, Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di Minuetto, Concerto for Piano No. 12 in A major, K. 385p/414: I. Allegro, Concerto for Piano No. 12 in A major, K. 385p/414: II. Andante, Concerto for Piano No. 12 in A major, K. 385p/414: III. Rondo. Allegretto, Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro, Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante, Concerto for Piano No. 13 in C major, K. 387b/415: III. Allegro, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo, Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro, Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante, Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto, Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace, Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto, Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace, Concerto for Piano No. 19 in F major, K. 459: I. Allegro, Concerto for Piano No. 19 in F major, K. 459: II. Allegretto, Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai, Concerto for Piano No. 27 in B-flat major, K. 595: I. Allegro, Concerto for Piano No. 27 in B-flat major, K. 595: II. Larghetto, Concerto for Piano No. 27 in B-flat major, K. 595: III. Allegro, Concerto for Piano no. 16 in D major, K. 451: I. Allegro assai, Concerto for Piano no. 16 in D major, K. 451: II. Andante, Concerto for Piano no. 16 in D major, K. 451: III. Rondo. Allegro di molto, Concerto for Piano no. 20 in D minor, K. 466: I. Allegro, Concerto for Piano no. 20 in D minor, K. 466: II. Romanze, Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai, Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro, Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante, Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro - Andante cantabile - Tempo primo, Concerto for Piano no. 23 in A major, K. 488: I. Allegro, Concerto for Piano no. 23 in A major, K. 488: II. Adagio, Concerto for Piano no. 23 in A major, K. 488: III. Allegro assai, Concerto for Piano no. 24 in C minor, K. 491: I. Allegro, Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto, Concerto for Piano no. 24 in C minor, K. 491: III. Allegretto, Concerto for Piano no. 25 in C major, K. 503: I. Allegro maestoso, Concerto for Piano no. 25 in C major, K. 503: II. Andante, Concerto for Piano no. 25 in C major, K. 503: III. Allegretto, Concerto for Piano no. 26 in D major, K. 537: I. Allegro, Concerto for Piano no. 26 in D major, K. 537: II. [Larghetto], Concerto for Piano no. 26 in D major, K. 537: III. [Allegretto], Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Cosi fan tutte: Atto Primo: "Ah che tutta in un momento" (Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Despina), Cosi fan tutte: Atto Primo: "Ah non partite" (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi), Cosi fan tutte: Atto Primo: "Alla bella Despinetta" (Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso), Cosi fan tutte: Atto Primo: "Bella vita militar" (Chorus), Cosi fan tutte: Atto Primo: "Che sussurro" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Cosi fan tutte: Atto Primo: "Che vita maledetta" (Despina) "Madame, ecco la vostra colazione" (Despina, Fiordiligi, Dorabella), Cosi fan tutte: Atto Primo: "Come scoglio immoto resta" (Fiordiligi), Cosi fan tutte: Atto Primo: "Di scrivermi ogni giorno" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso), Cosi fan tutte: Atto Primo: "E la fede delle femmine" (Ferrando, Don Alfonso, Guglielmo), Cosi fan tutte: Atto Primo: "E voi ridete?" (Ferrando, Guglielmo, Don Alfonso), Cosi fan tutte: Atto Primo: "Fuor la spada" (Ferrando, Don Alfonso, Guglielmo), Cosi fan tutte: Atto Primo: "In uomini, in soldati" (Despina), Cosi fan tutte: Atto Primo: "La commedia è graziosa" (Ferrando, Don Alfonso, Dorabella, Fiordiligi), Cosi fan tutte: Atto Primo: "La mia Dorabella capace non è" (Ferrando, Don Alfonso, Guglielmo), Cosi fan tutte: Atto Primo: "Mi par che stamattina volentieri" (Fiordiligi, Dorabella, Don Alfonso), Cosi fan tutte: Atto Primo: "Non siate ritrosi" (Guglielmo), Cosi fan tutte: Atto Primo: "Non v'e più tempo, amici" (Don Alfonso, Fiordiligi, Dorabella, Guglielmo, Ferrando), Cosi fan tutte: Atto Primo: "Oh, la saria da ridere" (Don Alfonso, Despina), Cosi fan tutte: Atto Primo: "Scioccherie di poeti!" (Ferrando, Don Alfonso, Guglielmo), Cosi fan tutte: Atto Primo: "Sento, o Dio, che questo piede" (Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo), Cosi fan tutte: Atto Primo: "Si può sapere un poco" (Don Alfonso, Guglielmo, Ferrando), Cosi fan tutte: Atto Primo: "Signora Dorabella" (Despina, Dorabella, Fiordiligi), Cosi fan tutte: Atto Primo: "Smanie implacabili" (Dorabella), Cosi fan tutte: Atto Primo: "Un'aura amorosa" (Ferrando), Cosi fan tutte: Atto Primo: "Una bella serenata" (Ferrando, Don Alfonso, Guglielmo), Cosi fan tutte: Atto Primo: "Vorrei dir e cor non ho" (Don Alfonso), Cosi fan tutte: Atto Secondo: "Ah, correte al giardino" (Don Alfonso, Dorabella), Cosi fan tutte: Atto Secondo: "Amico, abbiamo vinto!" (Ferrando), Cosi fan tutte: Atto Secondo: "Andate la, che siete" (Despina, Fiordiligi, Dorabella), Cosi fan tutte: Atto Secondo: "Barbara! Perche fuggi?" (Fiordiligi, Ferrando), Cosi fan tutte: Atto Secondo: "Bravo, questa è constanza" (Don Alfonso, Ferrando, Guglielmo), Cosi fan tutte: Atto Secondo: "Comme tutto congiura" (Fiordiligi, Guglielmo, Despina, Don Alfonso) "L'abito di Ferrando" (Fiordiligi, Despina, Guglielmo), Cosi fan tutte: Atto Secondo: "Cos'è tal mascherata" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Cosi fan tutte: Atto Secondo: "Donne mie, la fate a tanti" (Guglielmo), Cosi fan tutte: Atto Secondo: "Ei parte..." (Fiordiligi), Cosi fan tutte: Atto Secondo: "Fate presto, o cari amici" (Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso), Cosi fan tutte: Atto Secondo: "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando), Cosi fan tutte: Atto Secondo: "In qual fiero contrasto" (Ferrando), Cosi fan tutte: Atto Secondo: "La mano a me date" (Despina, Don Alfonso, Ferrando, Guglielmo), Cosi fan tutte: Atto Secondo: "O che bella giornata" (Fiordiligi, Ferrando, Dorabella, Guglielmo), Cosi fan tutte: Atto Secondo: "Ora vedo che siete" (Despina, Dorabella, Fiordiligi), Cosi fan tutte: Atto Secondo: "Per pieta, ben mio" (Fiordiligi), Cosi fan tutte: Atto Secondo: "Secondate aurette amiche" (Ferrando, Guglielmo, Chorus), Cosi fan tutte: Atto Secondo: "Sorella, cosa dici" (Fiordiligi, Dorabella), Cosi fan tutte: Atto Secondo: "Tradito, schernito" (Ferrando), Cosi fan tutte: Atto Secondo: "Una donna a quindici anni" (Despina), Cosi fan tutte: Atto Secondo: "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo), Cosi fan tutte: Ouvertura, Così fa tutte - Recit. 'Non v'e più tempo amici, Quintet,'Di scrivermi ogni giorno', Così fan tutte: Atto Primo: "Che silenzio - che aspetto di tristezza" (Don Alfonso, Despina), Così fan tutte: Atto Primo: "Dove son?" (Fiordiligi, Dorabella, Don Alfonso), Così fan tutte: Atto Primo: "Non son cattivo comico" (Don Alfonso), Così fan tutte: Atto Primo: "Stelle! Per carità, signor Alfonso" (Fiordiligi, Dorabella, Don Alfonso), Così fan tutte: Atto Secondo: "Ah poveretto me" (Don Alfonso, Guglielmo, Ferrando), Così fan tutte: Atto Secondo: "Tutti accusan le donne" (Don Alfonso, Guglielmo, Ferrando), Don Giovanni: Act I. "Ah! Chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni: Act I. "Ah! del padre in periglio" (Donna Anna, Don Ottavio), Don Giovanni: Act I. "Ah, fuggi il traditor" (Donna Elvira), Don Giovanni: Act I. "Alfin siamo liberato" (Don Giovanni, Zerlina), Don Giovanni: Act I. "Batti, batti, o bel Masetto" (Zerlina), Don Giovanni: Act I. "Chi è là?" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni: Act I. "Come mai creder deggio" (Don Ottavio), Don Giovanni: Act I. "Dalla sua pace" (Don Ottavio), Don Giovanni: Act I. "Don Ottavio... son morta!" (Donna Anna, Don Ottavio, Don Giovanni), Don Giovanni: Act I. "Fermati, scellerato!" (Donna Elvira, Zerlina, Don Giovanni), Don Giovanni: Act I. "Fin ch'han dal vino" (Don Giovanni), Don Giovanni: Act I. "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Don Giovanni: Act I. "Giovinette che fate all'amore" (Zerlina, Masetto, Chorus), Don Giovanni: Act I. "Guarda un po' come sepe" (Masetto, Don Giovanni, Zerlina), Don Giovanni: Act I. "Ho capito, signor, si" (Masetto), Don Giovanni: Act I. "In questa forma" (Donna Elvira, Chorus), Don Giovanni: Act I. "Io deggio ad ogni patto" (Leporello, Don Giovanni), Don Giovanni: Act I. "Leporello, ove sei?" (Don Giovanni, Leporello), Don Giovanni: Act I. "Là ci darem la mano" (Don Giovanni, Zerlina), Don Giovanni: Act I. "Ma qual mai s'offre" (Donna Anna, Don Ottavio), Don Giovanni: Act I. "Madamina, il catalogo è questo" (Leporello), Don Giovanni: Act I. "Manco male, è partita" (Don Giovanni, Leporello, Zerlina, Masetto), Don Giovanni: Act I. "Masetto..." (Zerlina, Masetto), Don Giovanni: Act I. "Mi par ch'oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna), Don Giovanni: Act I. "Non ti fidar, o misera" (Donna Elvira, Don Ottavio, Donna Anna, Don Giovanni), Don Giovanni: Act I. "Notte e giorne faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendarore), Don Giovanni: Act I. "Or sai chi l'onore" (Donna Anna), Don Giovanni: Act I. "Orsù, spicciati presto" (Don Giovanni, Leporello), Don Giovanni: Act I. "Povera sventurata!" (Donna Elvira, Don Ottavio, Donna Anna, Don Giovanni), Don Giovanni: Act I. "Presto, presto, pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Chorus, Donna Elvira, Don Ottavio, Donna Anna, Leporello), Don Giovanni: Act II. "Ah si sequa il suo passo" (Don Ottavio), Don Giovanni: Act II. "Ah! Ah! questa è buona" (Don Giovanni, Leporello, Il Commendatore), Don Giovanni: Act II. "Ah, pietà, signori miei!" (Leporello), Don Giovanni: Act II. "Ah, taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Don Giovanni: Act II. "Ahi! Ahi!" (Masetto, Zerlina), Don Giovanni: Act II. "Amico, che ti par?" (Don Giovanni, Leporello), Don Giovanni: Act II. "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Don Giovanni: Act II. "Crudele!" (Donna Anna), Don Giovanni: Act II. "Deh, vieni alla finestra" (Don Giovanni), Don Giovanni: Act II. "Di molte faci il lune" (Leporello, Donna Elvira), Don Giovanni: Act II. "Dunque, quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Don Giovanni: Act II. "Eccomi a voi" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni: Act II. "Eh, via, buffone" (Don Giovanni, Leporello), Don Giovanni: Act II. "Ferma, perfido!" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Don Giovanni: Act II. "Il mio tesoro intanto" (Ottavio, Zerlina, Donna Elvira, Masetto), Don Giovanni: Act II. "In quali eccessi, o Numi" (Donna Elvira), Don Giovanni: Act II. "Leporello" (Don Giovanni, Leporello", Don Giovanni: Act II. "Metà di voi quà vadano" (Don Giovanni), Don Giovanni: Act II. "Mi tradi, quell'alma ingrata" (Donna Elvira), Don Giovanni: Act II. "Non mi dir, bell'idol mio" (Donna Anna), Don Giovanni: Act II. "O statua gentillissima" (Leporello, Don Giovanni, Il Commendatore), Don Giovanni: Act II. "Sola sola, in buio loco" (Donna Elvira, Leporello, Don Ottavio, Zerlina, Masetto, Donna Anna), Don Giovanni: Act II. "V'è gente alla finestra" (Don Giovanni, Masetto), Don Giovanni: Act II. "Vedrai, carino" (Zerlina), Don Giovanni: Act II. "Zitto..." (Don Giovanni, Masetto), Don Giovanni: Act II. Già la mensa è preparata" (Don Giovanni, Leporello, Il Commendatore, Donna Elvira, Zerlina, Masetto, Donna Anna, Don Ottavio), Don Giovanni: Overture, Eine Faust-Symphonie: I. Faust. Lento assai, Eine Faust-Symphonie: II. Gretchen. Andante soave, Eine Faust-Symphonie: III. Mephistopheles. Allegro vivace, ironico, Klavierkonzert Nr. 2 B-Dur, op. 19: I. Allegro con brio, Klavierkonzert Nr. 2 B-Dur, op. 19: II. Adagio, Klavierkonzert Nr. 2 B-Dur, op. 19: III. Rondo. Molto allegro, Klavierkonzert Nr. 3 c-Moll, op. 37: I. Allegro con brio, Klavierkonzert Nr. 3 c-Moll, op. 37: II. Largo, Klavierkonzert Nr. 3 c-Moll, op. 37: III. Rondo. Allegro, Klavierkonzert Nr. 5 Es-Dur, op. 73: I. Allegro, Klavierkonzert Nr. 5 Es-Dur, op. 73: II. Adagio un poco mosso, Klavierkonzert Nr. 5 Es-Dur, op. 73: III. Rondo. Allegro, Konzert No.1, C-Dur, op.15 - I: Allegro con brio, Konzert No.1, C-Dur, op.15 - II: Largo, Konzert No.1, C-Dur, op.15 - III: Rondo (Allegro scherzando), Konzert No.4, G-Dur, op.58 - I: Allegro moderato, Konzert No.4, G-Dur, op.58 - II: Andante con moto, Konzert No.4, G-Dur, op.58 - III: Rondo (Vivace), Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro), Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa), Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro), Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Questo giorno di tormenti" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Deh vieni non tardar" (Susanna), Le nozze di Figaro, K. 492: Sinfonia, Le nozze di Figaro: Ac tIV, Scene 1: Cavatina: 'L ho perduta, me meschina', Le nozze di Figaro: Act III, Scene 9: Recitativo: 'lo vi dico, signor', Le nozze di Figaro: Act IV, Scene 2 & 3: Recitativo: 'Barbarina, cos'hai?', Le nozze di Figaro: Act IV, Scene 4: Recitativo: 'Presto av vertiam Susanna', Le nozze di Figaro: Act IV, Scene 5-7: Recitativo: 'Nel padiglione a manca', Le nozze di Figaro: Act IV, Scene 8: Recitativo ed Aria: 'Tutto e disposto', Le nozze di Figaro: Act IV, Scene 9 - 10: Recitativo: 'Signora, ella mi disse', Le nozze di Figaro: Act One, Scene 1-2 Duettino: 'Cinque...dieci...venti...', Le nozze di Figaro: Act One, Scene 3 'Ed aspettaste it giorno fissato', Le nozze di Figaro: Act One, Scene 6-7: Recitativo: 'Ah son perduto!', Le nozze di Figaro: Act Three, Scene 1-3: Recitativo: 'Che imbarrazzo e mai questo!', Le nozze di Figaro: Act Three, Scene 4: Recitativo ed Aria, Le nozze di Figaro: Act Three, Scene 5: Recitativo: 'E decisa la lite', Le nozze di Figaro: Act Three, Scene 6: Recitativo: 'Eccovi, oh caro amico', Le nozze di Figaro: Act Three, Scene 7: Recitativo: 'Andiam, andiam, bel paggio', Le nozze di Figaro: Act Three, Scene 8: Recitativo ed Aria, Le nozze di Figaro: Act Two, Scene 1: Cavatina: 'Porgi amor qualche ris, Le nozze di Figaro: Act Two, Scene 3: Recitativo: 'Che novita!', Le nozze di Figaro: Aria "Deh vieni, non tardar", Le nozze di Figaro: Aria - Venite...inginocchiatevi, Le nozze di Figaro: Aria: "Dove sono i bei momenti", Le nozze di Figaro: Aria: "Non piu andrai, farfallone amoroso", Le nozze di Figaro: Aria: 'Aprite un po' quegl'occhi', Le nozze di Figaro: Aria: 'Il capro e la capretta', Le nozze di Figaro: Aria: 'In quegl'anni, in cui val poco', Le nozze di Figaro: Aria: 'La vendetta, oh, la vendetta!', Le nozze di Figaro: Aria: 'Vedro mentre io sospiro', Le nozze di Figaro: Cavatina ("Se vuol ballare, Signor Contino"), Le nozze di Figaro: Coro: 'Giovani lieti, fiori spargete', Le nozze di Figaro: Coro: 'Ricevete, oh padroncina', Le nozze di Figaro: Duettino - Aprite, presto, aprite, Le nozze di Figaro: Duettino - Via, resti servita, madama brillante, Le nozze di Figaro: Duettino: "Se a caso Madama la notte ti chiama", Le nozze di Figaro: Duettino: 'Che soave zeffireto', Le nozze di Figaro: Duettino: 'Crudel! perche finora', Le nozze di Figaro: Finale - Ecco la marcia... andiamo, Le nozze di Figaro: Finale: 'Esci omai, garzon malnato', Le nozze di Figaro: Finale: 'Pian pianin le andro piu presso', Le nozze di Figaro: Overture, Le nozze di Figaro: Recitativo: "Bravo! che bella voce!", Le nozze di Figaro: Recitativo: "Cos'e questa commedia?", Le nozze di Figaro: Recitativo: "Cosa stai misurando", Le nozze di Figaro: Recitativo: "Dunque, voi non aprite?", Le nozze di Figaro: Recitativo: "Or bene, ascolta, e taci", Le nozze di Figaro: Recitativo: "Perfida! e in quella forma meco mentia?", Le nozze di Figaro: Recitativo: "Piegato e il foglio", Le nozze di Figaro: Recitativo: "Quante buffonerie!", Le nozze di Figaro: Recitativo: "Tutto ancor non ho perso", Le nozze di Figaro: Recitativo: "Vieni, cara Susanna", Le nozze di Figaro: Recitativo: 'Basilio, in traccia tosto di Figaro volate', Le nozze di Figaro: Recitativo: 'Cosa mi narri', Le nozze di Figaro: Recitativo: 'E perche fosti meco', Le nozze di Figaro: Recitativo: 'Ev viva!', Le nozze di Figaro: Recitativo: 'Giunse alfin il momento', Le nozze di Figaro: Recitativo: 'Or guarda il demonietto!', Le nozze di Figaro: Recitativo: 'Quanto duol' mi, Susanna', Le nozze di Figaro: Recitativo: 'Queste sono, madame', Le nozze di Figaro: Recitativo: 'Tutto e come il lasciai!', Le nozze di Figaro: Recitativo: 'Val la, Vecchia pedante', Le nozze di Figaro: Sestetto: 'Riconosci in questo amplesso', Le nozze di Figaro: Terzetto: "Cosa sento! tosto andate", Le nozze di Figaro: Terzetto: 'Susanna, or via sorite', Overture, D. 644 "The Magic Harp", Piano Concerto no. 5 in D major, K. 175: I. Allegro, Piano Concerto no. 5 in D major, K. 175: II. Andante ma un poco adagio, Piano Concerto no. 5 in D major, K. 175: III. Allegro, Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto, Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio, Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau: Allegro, Piano Concerto no. 8 in C major, K. 246 “Lützow-Konzert”: I. Allegro aperto, Piano Concerto no. 8 in C major, K. 246 “Lützow-Konzert”: II. Andante, Piano Concerto no. 8 in C major, K. 246 “Lützow-Konzert”: III. Rondeau: Tempo di menuetto, Rondo for Piano & Orchestra in D major, K. 382: Rondo. Allegretto grazioso - allegro, Rosamunde, D. 797, no. 3: Entr'acte, Rosamunde, D. 797, no. 9: Ballet music, Symphonie fantastique: Marche au Supplice (March to the Scaffold, Der Gang zum Richtplatz), Symphonie fantastique: Reveries - Passions (Träumereien, Leidenschaften), Symphonie fantastique: Scene aux Champs (Scene in the Meadows, Szene auf dem Lande), Symphonie fantastique: Songe d'une Nuit de Sabbat (Dream of a Witches' Sabbath, Beim Hexensabbat), Symphonie fantastique: Un Bal (A Ball, Ein Ball), Symphony No. 5 in B-flat major, WAB 105: I. Adagio - Allegro, Symphony No. 5 in B-flat major, WAB 105: II. Adagio: Sehr langsam, Symphony No. 5 in B-flat major, WAB 105: III. Scherzo: Molto vivace (schnell), Symphony No. 5 in B-flat major, WAB 105: IV. Finale: Adagio - Allegro moderato, Symphony No. 6 in A major, WAB 106: I. Majestoso, Symphony No. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony No. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony No. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Symphony No. 7 in E major, WAB 107: I. Allegro moderato, Symphony No. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam, Symphony No. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer, Symphony No. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht schnell, Symphony No. 8 in C minor, WAB 108: I. Allegro moderato, Symphony No. 8 in C minor, WAB 108: II. Scherzo: Allegro moderato - Trio: Langsam, Symphony No. 8 in C minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend, Symphony No. 8 in C minor, WAB 108: IV. Finale: Feierlich, nicht schnell, Symphony no. 1 in D major, D. 82: I. Adagio. Allegro vivace, Symphony no. 1 in D major, D. 82: II. Andante, Symphony no. 1 in D major, D. 82: III. Menuetto e trio. Allegro, Symphony no. 1 in D major, D. 82: IV. Allegro vivace, Symphony no. 2, D. 125: I. Largo - Allegro vivace, Symphony no. 2, D. 125: II. Andante, Symphony no. 2, D. 125: III. Menuetto. Allegro vivace, Symphony no. 2, D. 125: IV. Presto vivace, Symphony no. 3: I. Adagio maestoso - Allegro con brio, Symphony no. 3: II. Allegretto, Symphony no. 3: III. Menuetto (Vivace) & Trio, Symphony no. 3: IV. Presto. Vivace, Symphony no. 4 in C minor, D. 417 "The Tragic": I. Adagio molto. Allegro vivace, Symphony no. 4 in C minor, D. 417 "The Tragic": II. Andante, Symphony no. 4 in C minor, D. 417 "The Tragic": III. Menuetto e Trio. Allegro vivace, Symphony no. 4 in C minor, D. 417 "The Tragic": IV. Allegro, Symphony no. 5: I. Allegro, Symphony no. 5: II. Andante con moto, Symphony no. 5: III. Menuetto (Allegro molto) & Trio, Symphony no. 5: IV. Allegro vivace, Symphony no. 6 in C major, D. 589: I. Adagio. Allegro, Symphony no. 6 in C major, D. 589: II. Andante, Symphony no. 6 in C major, D. 589: III. Scherzo. Presto, Symphony no. 6 in C major, D. 589: IV. Allegro moderato, Symphony no. 8, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944 "The Great": I. Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "The Great": I. Andante, Symphony no. 9 in C major, D. 944 "The Great": I. Più moto, Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto, Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo (da capo al fine), Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace, Symphony no. 9 in C major, D. 944 "The Great": III. Trio, Symphony no. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace, Symphony no. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace (repeat)
Helmut Kaufmann
conductor, performer, piano
Cassatio ex G mit der »Kindersymphonie«: Allegretto, Cassatio ex G mit der »Kindersymphonie«: Allegro, Cassatio ex G mit der »Kindersymphonie«: Marche, Cassatio ex G mit der »Kindersymphonie«: Menuetto – Trio, Cassatio ex G mit der »Kindersymphonie«: Presto, Concerto for Piano no. 11 in F major, K. 387a/413: I. Allegro, Concerto for Piano no. 11 in F major, K. 387a/413: II. Larghetto, Concerto for Piano no. 11 in F major, K. 387a/413: III. Tempo di Minuetto, Concerto for Piano no. 12 in A major, K. 385p/414: I. Allegro, Concerto for Piano no. 12 in A major, K. 385p/414: II. Andante, Concerto for Piano no. 12 in A major, K. 385p/414: III. Rondo. Allegretto, Concerto for Piano no. 13 in C major, K. 387b/415: I. Allegro, Concerto for Piano no. 13 in C major, K. 387b/415: II. Andante, Concerto for Piano no. 13 in C major, K. 387b/415: III. Allegro, Concerto for Piano no. 17 in G Major, K. 453: I. Allegro, Concerto for Piano no. 17 in G Major, K. 453: II. Andante, Concerto for Piano no. 17 in G Major, K. 453: III. Allegretto, Concerto for Piano no. 20 in D minor, K. 466: I. Allegro, Concerto for Piano no. 20 in D minor, K. 466: II. Romanze, Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai, Concerto for Piano no. 21 in C major, K. 467: I. Allegro maestoso, Concerto for Piano no. 21 in C major, K. 467: II. Andante, Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai, Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro, Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante, Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro, Concerto for Piano no. 23 in A major, K. 488: I. Allegro, Concerto for Piano no. 23 in A major, K. 488: II. Andante, Concerto for Piano no. 23 in A major, K. 488: III. Allegro, Concerto for Piano no. 24 in C minor, K. 491: I. Allegro, Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto, Concerto for Piano no. 24 in C minor, K. 491: III. Allegretto, Concerto for Piano no. 26 in D major, K. 537: I. Allegro, Concerto for Piano no. 26 in D major, K. 537: II. Larghetto, Concerto for Piano no. 26 in D major, K. 537: III. Allegretto, Concerto for Piano no. 8 in C major, K. 246 "Lutzow": I. Allegro aperto, Concerto for Piano no. 8 in C major, K. 246 "Lutzow": II. Andante, Concerto for Piano no. 8 in C major, K. 246 "Lutzow": III. Rondeau. Tempo di menuetto, Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Concerto no. 14 in E-flat major for Piano, K. 449 "First Ployer": I. Allegro vivace, Concerto no. 14 in E-flat major for Piano, K. 449 "First Ployer": II. Andantino, Concerto no. 14 in E-flat major for Piano, K. 449 "First Ployer": III. Allegro ma non troppo, Concerto no. 15 in B-flat major for Piano, K. 450: I. Allegro, Concerto no. 15 in B-flat major for Piano, K. 450: II. Adagio, Concerto no. 15 in B-flat major for Piano, K. 450: III. Allegro assai, Concerto no. 16 in D major for Piano, K. 451: I. Allegro assai, Concerto no. 16 in D major for Piano, K. 451: II. Andante, Concerto no. 16 in D major for Piano, K. 451: III. Rondo. Allegro di molto, Concerto no. 18 in B-flat major for Piano, K. 456 "Paradis": I. Allegro vivace, Concerto no. 18 in B-flat major for Piano, K. 456 "Paradis": II. Andante un poco sostenuto, Concerto no. 18 in B-flat major for Piano, K. 456 "Paradis": III. Allegro vivace, Concerto no. 19 in F major for Piano, K. 459: I. Allegro, Concerto no. 19 in F major for Piano, K. 459: II. Allegretto, Concerto no. 19 in F major for Piano, K. 459: III. Allegro assai, Concerto no. 5 in D major for Piano, K. 175: I. Allegro, Concerto no. 5 in D major for Piano, K. 175: II. Andante ma un poco adagio, Concerto no. 5 in D major for Piano, K. 175: III. Allegro, Concerto no. 6 in B-flat major for Piano, K. 238: I. Allegro aperto, Concerto no. 6 in B-flat major for Piano, K. 238: II. Andante un poco adagio, Concerto no. 6 in B-flat major for Piano, K. 238: III. Rondeau. Allegro, Don Giovanni, K.527, Act I, Scena quinta: Trema trema, o scellerato! (Tutti), Don Giovanni, K.527, Act II, Scena quinta: Questo è il fin (Tutti), Don Giovanni, K.527: Overture, Elegy for String Orchestra, op. 58, Fantasia on Greensleeves, Intermezzo From "Fennimore and Gerda", Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: I. Allegro ma non troppo, Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: II. Larghetto, Klavierkonzert nach dem Violinkonzert D-dur, Op. 61: III. Rondo. Allegro, Le Nozze di Figaro: Ah! Signor, signor!, Le Nozze di Figaro: Aprite, presto, aprite, Le Nozze di Figaro: Barbarina, cos'hai?, Le Nozze di Figaro: Basilio, in traccia tosto di Figaro volate, Le Nozze di Figaro: Bravo! Che bella voce!, Le Nozze di Figaro: Bravo, signor padrone!...Se vuol ballare, Le Nozze di Figaro: Canzonetta sull'aria, Le Nozze di Figaro: Che imbarazzo è mai questo, Le Nozze di Figaro: Cinque...dici...venti, Le Nozze di Figaro: Cosa sento!, Le Nozze di Figaro: Cosa stai misurando, Le Nozze di Figaro: Crudel! Perché finora farmi languir così?, Le Nozze di Figaro: Deh vieni, non tardar, Le Nozze di Figaro: Dunque voi non aprite?, Le Nozze di Figaro: E Susanna non vien! ... Dove sono, Le Nozze di Figaro: E decisa la lite, Le Nozze di Figaro: E perché fosti meco, Le Nozze di Figaro: Ecco la marcia, Le Nozze di Figaro: Eccovi, o caro amico, Le Nozze di Figaro: Ed aspettaste il giorno, Le Nozze di Figaro: Esci, ormai, garzon malnato, Le Nozze di Figaro: Evviva! Evviva!, Le Nozze di Figaro: Gente, gente, all'armi, all'armi!, Le Nozze di Figaro: Giovani liete, Le Nozze di Figaro: Giunse alfin il momento, Le Nozze di Figaro: Ha i diavoli nel corpo!...In quegli anni, Le Nozze di Figaro: Hai già vinta la causa! ... Vedrò, mentr'io sospiro, Le Nozze di Figaro: Io vi dico, signor, Le Nozze di Figaro: L'ho perduta, me meschina!, Le Nozze di Figaro: La vendatta, oh, la vendetta, Le Nozze di Figaro: Nel padiglione a manca, Le Nozze di Figaro: Non pi andrai, farfallone amoroso, Le Nozze di Figaro: Non so piu cosa son, cosa faccio, Le Nozze di Figaro: Oh guarda il demonietto, Le Nozze di Figaro: Or bene, ascolta, e taci, Le Nozze di Figaro: Overture, Le Nozze di Figaro: Pace, pace, mio dolce tesoro, Le Nozze di Figaro: Partito alfin l'audace, Le Nozze di Figaro: Perfida! E in quella forma meco mentia?, Le Nozze di Figaro: Pian, pianin..., Le Nozze di Figaro: Porgi amor, Le Nozze di Figaro: Quante buffonerie!, Le Nozze di Figaro: Ricevete, o padroncina, Le Nozze di Figaro: Riconosci in quest'amplesso, Le Nozze di Figaro: Se a caso Madama, Le Nozze di Figaro: Signora, ella mi disse, Le Nozze di Figaro: Signori, di fuori, Le Nozze di Figaro: Susanna! Susanna!, Le Nozze di Figaro: Susanna, or via sortite, Le Nozze di Figaro: Taci, Vien Gente..., Le Nozze di Figaro: Tutto ancor non ho perso...Via, resti servita, Le Nozze di Figaro: Tutto disposto...Aprite un po' quegli occhi, Le Nozze di Figaro: Tutto tranquillo e placido, Le Nozze di Figaro: Va l, vecchia pedante, Le Nozze di Figaro: Venite, inginocchiatevi, Le Nozze di Figaro: Vieni, cara Susanna, Le Nozze di Figaro: Voi che sapete, Le Nozze di Figaro: Voi signor, che giusto siete, On Hearing the First Cuckoo in Spring, Piano Concerto no. 25 in C, K 503: I. Allegro maestoso, Piano Concerto no. 25 in C, K 503: II. Andante, Piano Concerto no. 25 in C, K 503: III. Allegretto, Piano Concerto no. 27 in B-flat, K 595: I. Allegro, Piano Concerto no. 27 in B-flat, K 595: II. Larghetto, Piano Concerto no. 27 in B-flat, K 595: III. Allegro, Rondo for Piano & Orchestra in D major, K. 382: Rondo. Allegretto grazioso - allegro, Summer Night on the River, Symphony no. 29 in A, K. 201: I. Allegro moderato, Symphony no. 29 in A, K. 201: II. Andante, Symphony no. 29 in A, K. 201: III. Menuetto - Trio, Symphony no. 29 in A, K. 201: IV. Allegro con spirito, Symphony no. 30 in D, K. 202: I. Molto allegro, Symphony no. 30 in D, K. 202: II. Andantino con moto, Symphony no. 30 in D, K. 202: III. Menuetto - Trio, Symphony no. 30 in D, K. 202: IV. Presto, Symphony no. 31 in D, K. 297 "Paris": I. Allegro assai, Symphony no. 31 in D, K. 297 "Paris": II. Andantino, Symphony no. 31 in D, K. 297 "Paris": III. Allegro, Symphony no. 33 in B-flat, K. 319: I. Allegro assai, Symphony no. 33 in B-flat, K. 319: II. Andante moderato, Symphony no. 33 in B-flat, K. 319: III. Menuetto - Trio, Symphony no. 33 in B-flat, K. 319: IV. Finale: Allegro assai, Symphony no. 34 in C, K. 338: I. Allegro vivace, Symphony no. 34 in C, K. 338: II. Andante di molto, Symphony no. 34 in C, K. 338: III. Finale: Allegro vivace, Symphony no. 38 in D, K. 504 "Prague": I. Adagio - Allegro, Symphony no. 38 in D, K. 504 "Prague": II. Andante con moto, Symphony no. 38 in D, K. 504 "Prague": III. Finale: Presto, Symphony no. 39 in E-flat, K. 543: I. Adagio - Allegro, Symphony no. 39 in E-flat, K. 543: II. Andante con moto, Symphony no. 39 in E-flat, K. 543: III. Menuetto: Allegretto - Trio, Symphony no. 39 in E-flat, K. 543: IV. Finale: Allegro, Symphony no. 40 in G minor K550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto, Symphony no. 40 in G minor, K. 550: IV. Allegro assai, Symphony no. 41 in C K551, “Jupiter”: Finale. Molto allegro, Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: I. Allegro assai, Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: II. Adagio, Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: III. Menuet. Allegretto – Trio – Menuet, Symphony no. 45 in F‐sharp minor, Hob. I:45 “Farewell”: IV. Finale. Presto – Adagio, Symphony no. 46 in B major, Hob. I:46: I. Vivace, Symphony no. 46 in B major, Hob. I:46: II. Poco adagio, Symphony no. 46 in B major, Hob. I:46: III. Menuet. Allegretto – Trio, Symphony no. 46 in B major, Hob. I:46: IV. Finale. Presto e scherzando, Symphony no. 47 in G major, Hob. I:47 “Palindrome”: I. Allegro, Symphony no. 47 in G major, Hob. I:47 “Palindrome”: II. Un poco adagio, Symphony no. 47 in G major, Hob. I:47 “Palindrome”: III. Menuet al roverso – Trio al roverso, Symphony no. 47 in G major, Hob. I:47 “Palindrome”: IV. Finale. Presto assai, Two Aquarelles: Gaily, but Not Quick, Two Aquarelles: Gaily, but not too quick, Two Aquarelles: Lento, ma non troppo, Two Pieces for Small Orchestra From the Film Music "Henry V": Passacaglia: Death of Falstaff, Two Pieces for Small Orchestra From the Film Music "Henry V": Touch Her Soft Lips and Part, Two Pieces for Small Orchestra: On Hearing the First Cuckoo in Spring, Verklärte Nacht, Op. 4: Etwas bewegter, Verklärte Nacht, Op. 4: Schwer betont, Verklärte Nacht, Op. 4: Sehr breit und langsam, Verklärte Nacht, Op. 4: Sehr langsam, Verklärte Nacht, Op. 4: Sehr ruhig, Verklärte Nacht, op. 4: I. Sehr langsam, Verklärte Nacht, op. 4: II. Etwas bewegter, Verklärte Nacht, op. 4: III. Schwer befont, Verklärte Nacht, op. 4: IV. Sehr breit und langsam, Verklärte Nacht, op. 4: V. Sehr ruhig
Johannes Brahms
conductor, piano
11 Zigeunerlieder op. 103 No.1, 'He, Zigeuner, greife in die Saiten ein!', 11 Zigeunerlieder op. 103 No.11, 'Rote Abendwolken zieh'n am Firmament', 11 Zigeunerlieder op. 103 No.2, 'Hochgetürmte Rimaflut', 11 Zigeunerlieder op. 103 No.3, 'Wisst Ihr, wann mein Kindchen am allerschönsten ist ?', 11 Zigeunerlieder op. 103 No.4, 'Lieber Gott, du weisst wie oft bereut ich hab', 11 Zigeunerlieder op. 103 No.5, 'Brauner Bursche führt zum Tanze', 11 Zigeunerlieder op. 103 No.6, 'Röslein dreie in der Reihe blüh'n so rot', 11 Zigeunerlieder op. 103 No.7, 'Kommt dir manchmal in den Sinn', 8 Lieder für Stimme und Klavier op. 57, 1. 'Von waldbekränzter Höhe', Ach Lieder und Gesänge op. 59 No.5, 'Agnes', Ach Lieder und Gesänge op. 59 No.8, 'Dein blaues Auge hält so still', Clarinet Sonata in E-flat major, Op. 120 No. 2: I. Allegro amabile, Clarinet Sonata in E-flat major, Op. 120 No. 2: II. Allegro appassionato, Clarinet Sonata in E-flat major, Op. 120 No. 2: III. Andante con moto, Clarinet Sonata in F minor, Op. 120 No. 1: I. Allegro appassionato, Clarinet Sonata in F minor, Op. 120 No. 1: II. Andante un poco adagio, Clarinet Sonata in F minor, Op. 120 No. 1: III. Allegretto grazioso, Clarinet Sonata in F minor, Op. 120 No. 1: IV. Vivace, Das Mädchen spricht, Op. 107 No. 3, Das Mädchen, Op. 95 No. 1, Dein blaues Auge hält so still, Op. 59 No. 8, Der Schmied, Op. 19 No. 4, Der Schmied, op. 19 No. 4 (feat. soprano: Jessye Norman, piano: Daniel Barenboim), Des Liebsten Schwur, Op. 69 No. 4, Des Liebsten Schwur, op. 69 no. 4 (feat. soprano: Jessye Norman, piano: Daniel Barenboim), Dort in den Weiden, Op. 97 No. 4, Ein deutsches Requiem, Op. 45: "Denn alles Fleisch es ist wie Grass", Ein deutsches Requiem, Op. 45: "Ihr habt nun Traurigkeit", Ein deutsches Requiem, Op. 45: "Selig sind die Toten", Ein deutsches Requiem, Op. 45: "Wie lieblich sind Deine Wohnungen", Fünf Gedichte op. 19 No.4, 'Der Schmied', Fünf Gesänge op. 72 No.1, 'Alte Liebe', Fünf Lieder op. 105 No.1, 'Wie Melodien zieht es', Fünf Lieder op. 105 No.2, 'Immer leiser wird mein Schlummer', Fünf Lieder op. 105 No.3, 'Klage', Fünf Lieder op. 107 No.3, 'Das Mädchen spricht', Fünf Lieder op. 107 No.5, 'Mädchenlied', Fünf Lieder op. 47 No.5, 'Die Liebende schreibt', Fünf Lieder op. 94 No.4, 'Sapphische Ode', Fünf Ophelia Lieder WoO 22, 1. 'Wie erkenn' ich dein Treulieb', Fünf Ophelia Lieder WoO 22, 2. 'Sein Leichenhemd, weiss wie Schnee', Fünf Ophelia Lieder WoO 22, 3. 'Auf morgen ist Sankt Valentins Tag', Fünf Ophelia Lieder WoO 22, 4. 'Sie trugen ihn auf der Bahre bloss', Fünf Ophelia Lieder WoO 22, 5. 'Und kommt er nicht mehr zurück', Fünf Romanzen und Lieder op. 84 No.1, 'Sommerabend', Fünf Romanzen und Lieder op. 84 No.2, 'Der Kranz', Fünf Romanzen und Lieder op. 84 No.3, 'In Den Beeren', Fünf Romanzen und Lieder op. 84 No.4, 'Vergebliches Standchen', Fünf Romanzen und Lieder op. 84 No.5, 'Spannung, Immer leiser wird mein Schlummer, Op. 105 No. 2, Klage I, Op. 69 No. 1, Klage II, Op. 69 No. 2, Libestreu, op. 3 no. 1 (feat. soprano: Jessye Norman, piano: Daniel Barenboim), Liebestreu, Op. 3 No. 1, Meine Liebe ist grün, Op 635, Neun Gesänge op. 69 No.1, 'Klage I', Neun Gesänge op. 69 No.2, 'Klage II', Neun Gesänge op. 69 No.4, 'Des Liebsten Schwur', Neun Gesänge op. 69 No.6, 'Vom Strande', Neun Gesänge op. 69 No.8, 'Salome', Neun Gesänge op. 69 No.9, 'Mädchenfluch', O komme, holde Sommernacht, Op 584, Regenlied, Regenlied WoO 23, Romanzen und Lieder, Op. 84: 1. Sommerabend, Romanzen und Lieder, Op. 84: 2. Der Kranz, Romanzen und Lieder, Op. 84: 3. In den Beeren, Romanzen und Lieder, Op. 84: 4. Vergebliches Ständchen, Romanzen und Lieder, Op. 84: 5. Spannung, Salome, Op. 69 No. 8, Sapphische Ode, Op. 94 No. 4, Sappische Ode, op. 94 No. 4 (feat. soprano: Jessye Norman, piano: Daniel Barenboim), Sechs Gesänge op. 3 No.1, 'Liebestreu', Sechs Gesänge op. 6 No.1, 'Spanisches Lied', Sechs Gesänge op. 7 No.1, 'Die Trauernde', Sechs Lieder op. 85 No.3, 'Mädchenlied', Sechs Lieder op. 86 No.1, 'Therese', Sechs Lieder op. 86 No.6, 'Todessehnen', Sechs Lieder op. 97 No.4, 'Dort in den Weiden', Sieben Lieder op. 48 No.3, 'Liebesklage des Mädchens', Sieben Lieder op. 48 No.4, 'Gold überwiegt die Liebe', Sieben Lieder op. 95 No.1, 'Das Mädchen', Sieben Lieder op. 95 No.4, 'Der Jäger', Sieben Lieder op. 95 No.5, 'Vorschneller Schwur', Sieben Lieder op. 95 No.6, 'Mädchenlied', Therese, Op. 86 No. 1, Therese, op. 86 No. 4 (feat. soprano: Jessye Norman, piano: Daniel Barenboim), Vergebliches Ständchen, op. 84 no. 4 (feat. soprano: Jessye Norman, piano: Daniel Barenboim), Vier Gesänge Op.43: 1. Von ewiger Liebe, Vom Strande, Op. 69 No. 6, Wie Melodien zieht es, Op. 105 No. 1, Zigeunerlieder, Op. 103: 1. He, Zigeuner, greife in die Saiten ein, Zigeunerlieder, Op. 103: 2. Hochgetürmte Rimaflut, Zigeunerlieder, Op. 103: 3. Wisst ihr, wann mein Kindchen, Zigeunerlieder, Op. 103: 4. Lieber Gott, du weißt, Zigeunerlieder, Op. 103: 5. Brauner Bursche führt zum Tanze, Zigeunerlieder, Op. 103: 6. Röslein dreie in der Reihe, Zigeunerlieder, Op. 103: 7. Kommt dir manchmal in den Sinn, Zigeunerlieder, Op. 103: 8. Rote Abendwolken ziehn, Zwei Gesänge op. 91 No.1, 'Gestillte Sehnsucht', Zwei Gesänge op. 91 No.2, 'Geistliches Wiegenlied', Zwei Gesänge, Op. 91: 1. Gestillte Sehnsucht, Zwei Gesänge, Op. 91: 2. Geistliches Wiegenlied
Karea
conductor
Alborada del gracioso, Bolero, Boléro, Capriccio italien, op. 45, Continuo, Daphnis et Chloé: Deuxième suite (feat. flute: Donald Peck), Don Juan Op. 20, Ein Heldenleben, Op. 40: I. Der Held, Ein Heldenleben, Op. 40: II. Des Helden Widersacher, Ein Heldenleben, Op. 40: III. Des Helden Gefährtin, Ein Heldenleben, Op. 40: IV. Des Helden Walstatt, Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke, Ein Heldenleben, Op. 40: VI. Des Helden Weltflucht und Vollendung, Francesca da Rimini op. 32, Hungarian Dance No. 1 in G minor, Hungarian Dance No. 10 in E major, Hungarian Dance No. 3 in F major, Konzertstück F‐dur, op. 86 für 4 Hörner und Großes Orchester: 1. Lebhaft, Konzertstück F‐dur, op. 86 für 4 Hörner und Großes Orchester: 2. Romanze: Ziemlich Langsam, Doch Nicht Schleppend, Konzertstück F‐dur, op. 86 für 4 Hörner und Großes Orchester: 3. Sehr Lebhaft, Les Préludes Symphonic Poem No. 3, Manfred: Ouvertüre, Ouverture solennelle 1812, op. 49, Partita, Pavane pour une infante défunte, Polovtsian Dances, Rapsodie espagnole: I. Prélude, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: IV. Feria, Romeo and Juliet, Scheherazade: I. The Sea and Sinbad's ship (Largo e maestoso), Scheherazade: II. The Story of the Kalander Prince (Lento), Scheherazade: III. The Young Prince and the Young Princess (Andantino quasi allegretto), Scheherazade: IV. Festival in Baghdad; The Sea; Shipwreck (Allegro molto), Slavonic Dance No. 1 in C major, Slavonic Dance No. 8 in G minor, Symphonie nr. 2 C‐dur, op. 61: 1. Sostenuto assai – Un poco più vivace – Allegro ma non troppo – Con fuoco, Symphonie nr. 2 C‐dur, op. 61: 2. Scherzo – Allegro vivace, Symphonie nr. 2 C‐dur, op. 61: 3. Adagio espresssivo, Symphonie nr. 2 C‐dur, op. 61: 4. Allegro molto vivace, Symphonie nr. 3 Es‐dur, op. 97 “Rheinische”: 1. Lebhaft, Symphonie nr. 3 Es‐dur, op. 97 “Rheinische”: 2. Scherzo – Sehr mäßig, Symphonie nr. 3 Es‐dur, op. 97 “Rheinische”: 3. Nicht schnell, Symphonie nr. 3 Es‐dur, op. 97 “Rheinische”: 4. Feierlich, Symphonie nr. 3 Es‐dur, op. 97 “Rheinische”: 5. Lebhaft, Symphony No. 0 in D minor: I. Allegro, Symphony No. 0 in D minor: II. Andante, Symphony No. 0 in D minor: III. Scherzo. Presto - Trio. Langsamer und ruhiger - Scherzo da capo, Symphony No. 0 in D minor: IV. Finale. Moderato - Allegro vivace, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante quasi Allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell - Keinesfalls schleppend - Scherzo, Symphony No. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell, Symphony No. 7 in E major: I. Allegro moderato, Symphony No. 7 in E major: III. Scherzo. Sehr schnell, Symphony No.1 in B flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony No.1 in B flat major, Op. 38 "Spring": II. Larghetto, Symphony No.1 in B flat major, Op. 38 "Spring": III. Scherzo (Molto vivace), Symphony No.1 in B flat major, Op. 38 "Spring": IV. Allegro animato e grazioso, Symphony No.4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft, Symphony No.4 in D minor, Op. 120: II. Romanze (Ziemlich langsam), Symphony No.4 in D minor, Op. 120: III. Scherzo, Symphony No.4 in D minor, Op. 120: IV. Langsam - Lebhaft - Schneller - Presto, Symphony no. 1: I. Apologue: Of Rage And Remembrance, Symphony no. 1: II. Tarantella, Symphony no. 1: III. Chaconne: Giulio's Song, Symphony no. 1: IV. Epilogue, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace (excerpt), The Moldau, The Ride of the Valkyries: Die Walküre, Till Eulenspiegels lustige Streiche, Op. 28, Tsar Saltan: I. The Tsar's Farewell and Departure (Allegro - Allegretto alla marcia), Tsar Saltan: II. The Tsarina in a Barrel at Sea (Allegro - Maestoso), Tsar Saltan: III. The Three Wonders (Allegro - Moderato), Visions: Les Yeux clos, Visions: Mystère
The Sideways Mob
conductor
Das Rheingold: Scene I. "Der Welt Erbe gewänn' ich zu eigen durch dich?" (Alberich, Wogelinde, Wellgunde, Flosshilde), Das Rheingold: Scene I. "Garstig glatter glitschriger Glimmer!" (Alberich, Wogelinde, Wellgunde, Flosshilde), Das Rheingold: Scene I. "Lugt, Schwestern!" (Wogelinde, Wellgunde, Flosshilde), Das Rheingold: Scene I. "Weia! Waga! Woge, du Welle" (Wogelinde, Wellgunde, Flosshilde), Das Rheingold: Scene I. Vorspiel, Das Rheingold: Scene II. "Endlich Loge!" (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt), Das Rheingold: Scene II. "Hör, Wotan, der Harrenden Wort!" (Fafner, Wotan, Fasolt, Freia, Froh, Donner), Das Rheingold: Scene II. "Immer ist Undank Loges Lohn!" (Loge), Das Rheingold: Scene II. "Sanft schloß Schlaf dein Aug'" (Fasolt, Wotan, Fafner, Freia, Froh, Donner, Fricka), Das Rheingold: Scene II. "Was sinnt nun Wotan so wild?" (Loge, Fricka, Donner, Froh), Das Rheingold: Scene II. "Wotan, Gemahl! erwache!" (Fricka, Wotan), Das Rheingold: Scene III. "Nehmt euch in acht! Alberich naht" (Mime, Wotan, Alberich), Das Rheingold: Scene III. "Nibelheim hier" (Loge, Mime, Wotan), Das Rheingold: Scene IV. "Abendlich strahlt der Sonne Auge" (Wotan, Fricka), Das Rheingold: Scene IV. "Da, Vetter sitze du fest!" (Loge, Alberich, Wotan), Das Rheingold: Scene IV. "Gezahlt hab' ich: nun laßt mich ziehn!" (Alberich, Loge, Wotan), Das Rheingold: Scene IV. "Hört, ihr Riesen! Zurück, und harret" (Donner, Freia, Wotan), Das Rheingold: Scene IV. "Schwüles Gedünst schwebt in der Luft" (Donner, Froh), Das Rheingold: Scene IV. "Weiche, Wotan, weiche!" (Erda, Wotan), Die Walküre: Act I, Scene I. "Einen Unseligen labtest du" (Siegmund, Sieglinde), Die Walküre: Act I, Scene I. "Kühlende Labung gab mir der Quell" (Siegmund, Sieglinde), Die Walküre: Act I, Scene I. "Wes Herd dies auch sei" (Siegmund, Sieglinde), Die Walküre: Act I, Scene II. "Aus dem Wald trieb es mich fort" (Siegmund), Die Walküre: Act I, Scene II. "Die so leidig Los dir beschied" (Hunding, Sieglinde, Siegmund), Die Walküre: Act I, Scene II. "Friedmund darf ich nicht heißen" (Siegmund, Hunding, Sieglinde), Die Walküre: Act I, Scene II. "Ich weiß ein wildes Geschlecht" (Hunding), Die Walküre: Act I, Scene II. "Müd am Herd fand ich den Mann" (Sieglinde, Hunding, Siegmund), Die Walküre: Act I, Scene III. "Der Männer Sippe saß hier im Saal" (Siegmund), Die Walküre: Act I, Scene III. "Du bist der Lenz, nach dem ich verlangte" (Sieglinde), Die Walküre: Act I, Scene III. "Ein Schwert verhieß mir der Vater" (Siegmund), Die Walküre: Act I, Scene III. "O süßeste Wonne!" (Siegmund, Sieglinde), Die Walküre: Act I, Scene III. "Schläfst du, Gast?" (Sieglinde, Siegmund), Die Walküre: Act I, Scene III. "Siegmund heiß' ich" (Siegmund, Sieglinde), Die Walküre: Act I, Scene III. "War Wälse dein Vater" (Sieglinde, Siegmund), Die Walküre: Act I, Scene III. "Winterstürme wichen dem Wonnemond" (Siegmund), Die Walküre: Act I. Vorspiel, Die Walküre: Act II, Scene I. "Deiner ew'gen Gattin heilige Ehre" (Fricka, Wotan), Die Walküre: Act II, Scene I. "Der alte Sturm, die alte Müh'!" (Wotan, Fricka), Die Walküre: Act II, Scene I. "Nichts lerntest du, wollt' ich dich lehren" (Wotan, Fricka), Die Walküre: Act II, Scene I. "Nun zäume dein Roß, reisige Maid!" (Wotan, Brünnhilde), Die Walküre: Act II, Scene I. "So ist es denn aus mit den ewigen Göttern" (Fricka), Die Walküre: Act II, Scene I. "Was verlangst du?" (Wotan, Fricka), Die Walküre: Act II, Scene II. "Als junger Liebe Lust mir verblich" (Wotan, Brünnhilde), Die Walküre: Act II, Scene II. "Ein andres ist's: achte es wohl" (Wotan, Brünnhilde), Die Walküre: Act II, Scene II. "Schlimm, fürcht' ich, schloß der Streit" (Brünnhilde, Wotan), Die Walküre: Act II, Scene II. "So nimm meinen Segen, Niblungen-Sohn" (Wotan, Brünnhilde), Die Walküre: Act II, Scene II. "So nimmst du von Siegmund den Sieg?" (Brünnhilde, Wotan), Die Walküre: Act II, Scene II. "So sah ich Siegvater nie" (Brünnhilde), Die Walküre: Act II, Scene III. "Hinweg! Hinweg! Flieh die Entweihte!" (Sieglinde, Siegmund), Die Walküre: Act II, Scene III. "Raste nun hier; gönne dir Ruh!" (Siegmund, Sieglinde), Die Walküre: Act II, Scene III. "Wo bist du, Siegmund?" (Sieglinde, Siegmund), Die Walküre: Act II, Scene IV. "Du sahest der Walküre sehrenden Blick" (Brünnhilde, Siegmund), Die Walküre: Act II, Scene IV. "Siegmund! Sieh auf mich!" (Brünnhilde, Siegmund), Die Walküre: Act II, Scene IV. "So jung und schön erschimmerst du mir" (Siegmund, Brünnhilde), Die Walküre: Act II, Scene IV. "Weh! Weh! Süßestes Weib" (Siegmund, Brünnhilde), Die Walküre: Act II, Scene V. "Wehwalt! Wehwalt!" (Brünnhilde, Wotan), Die Walküre: Act II, Scene V. "Zauberfest bezähmt ein Schlaf der Holden Schmerz" (Siegmund), Die Walküre: Act II. Vorspiel, Die Walküre: Act III, Scene I. "Nicht sehre dich Sorge um mich" (Brünnhilde, Walküren), Die Walküre: Act III, Scene I. "Schützt mich und helft in höchster Not!" (Brünnhilde, Walküren), Die Walküre: Act III, Scene I. "So fliehe denn eilig und fliehe allein!" (Sieglinde, Walküren), Die Walküre: Act III, Scene II. "Hier bin ich, Vater: gebiete die Strafe" (Wotan, Walküren), Die Walküre: Act III, Scene II. "Wo ist Brünnhild', wo die Verbrecherin?" (Wotan, Walküren), Die Walküre: Act III, Scene III. "Als Fricka den eignen Sinn dir entfremdet" (Wotan, Brünnhilde), Die Walküre: Act III, Scene III. "Der Augen leuchtendes Paar" (Wotan), Die Walküre: Act III, Scene III. "Du zeugtest ein edles Geschlecht" (Brünnhilde, Wotan), Die Walküre: Act III, Scene III. "Leb wohl, du kühnes, herrliches Kind!" (Wotan), Die Walküre: Act III, Scene III. "Loge, hör! Lausche hieher!" (Wotan), Die Walküre: Act III, Scene III. "So tatest du, was so gern zu tun ich begehrt" (Wotan, Brünnhilde), Die Walküre: Act III, Scene III. "War es so schmählich, was ich verbrach" (Brünnhilde, Wotan), Die Walküre: Act III, Scene III. "Was hast du erdacht, daß ich erdulde?" (Brünnhilde, Wotan), Die Walküre: Act III. Vorspiel / Act III, Scene I. "Hojotoho!, Hojotoho!" (Walküren), Götterdämmerung: Prologue. "Welch Licht leuchtet dort?" (3 Nornen), Götterdämmerung: Prologue. Orchesterzwischenspiel: Siegfrieds Rheinfahrt
Kentaro Fischer
conductor
Der fliegende Holländer: Ouvertüre, Elektra: "Allein! Weh ganz allein" (Elektra), Elektra: "Du wirst es tun? Allein?" (Elektra, Orest), Elektra: "Es geht ein Lärm los" (Elektra, Chrysothemis), Elektra: "Es muß etwas geschehen sein" (Chrysothemis, 1., 2., 3. & 4. Magd, Dienerinnen), Elektra: "He! Lichter! Lichter!" (Aegisth, Elektra), Elektra: "Helft! Mörder!" (Aegisth, Elektra), Elektra: "Ich habe keine guten Nächte" (Klytämnestra, Elektra), Elektra: "Ich kann nicht sitzen und ins Dunkel starren" (Chrysothemis, Elektra), Elektra: "Ich will nichts hören" (Klytämnestra), Elektra: "Ich will vor ihr mich niederwerfen" (5. Magd, Aufseherin, 1., 3., 2. & 4. Magd), Elektra: "Läßt Du den Bruder nicht nach Hause, Mutter?" (Elektra, Klytämnestra), Elektra: "Nun denn, allein!" (Elektra, Orest), Elektra: "Nun muß es hier von uns geschehn" (Elektra, Chrysothemis), Elektra: "Ob ich nicht höre?" (Elektra, Chrysothemis), Elektra: "Orest! Orest ist tot!" (Chrysothemis, Elektra, junger Diener, alter Diener), Elektra: "Orest!" (Elektra, Orest), Elektra: "Seid ihr von Sinnen?" (Pfleger, Elektra), Elektra: "Von jetzt an will ich deine Schwester sein" (Elektra, Chrysothemis), Elektra: "Was bluten muß? Dein eigenes Genick" (Elektra, Klytämnestra), Elektra: "Was willst du? Seht doch, dort!" (Klytämnestra, Elektra, Vertraute, Schleppträgerin), Elektra: "Wenn das rechte Blutopfer unterm Beile fällt" (Elektra, Klytämnestra), Elektra: "Wer bist denn du? - Was kümmert's dich" (Orest, Elektra), Elektra: "Wie stark du bist" (Elektra, Chrysothemis), Elektra: "Wir sind bei den Göttern" (Elektra, Chrysothemis), Elektra: "Wo bleibt Elektra?" (1., 2., 3. & 4. Magd), Lohengrin: 1. Aufzug Vorspiel, Lohengrin: 2. Aufzug Einleitung, Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto: Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Finale: Adagio - Allegro molto e vivace, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo: Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo: Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto moto: Szene am Bach, Symphony No. 6 in F major, Op. 68 "Pastoral": III: Allegro: Lustiges Zusammensein der Landleute -, Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro: Gewitter, Sturm -, Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto: Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto. Allegro assai, Symphony no. 2, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2, op. 63: II. Larghetto, Symphony no. 2, op. 63: III. Rondo. Presto., Symphony no. 2, op. 63: IV. Moderato e maestoso, Symphony no. 3 in E-flat major, op. 55 "Sinfonia eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Sinfonia eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Sinfonia eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Sinfonia eroica": IV. Finale: Allegro molto, Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile
Bob Scumaci Lincoln
conductor
Boléro, Concerto for viola and orchestra, Op. Post.: I. Moderato - Lento parlando, Concerto for viola and orchestra, Op. Post.: II. Adagio religioso - Allegretto, Concerto for viola and orchestra, Op. Post.: III. Allegro vivace, Danse macabre, op. 40, Daphnis et Chloé: Danse Generale, Daphnis et Chloé: Lever Du Jour, Daphnis et Chloé: Pantomime, Der fliegende Holländer - Overture, Die Meistersinger von Nürnberg: Act I. Prelude, Die Walküre: Walkürenritt, Götterdämmerung - Finale, Götterdämmerung - Trauermarsch, Götterdämmerung - Twilight of the Gods - Dawn and Siegfried's Rhine Journey, Iberia: El Albaicín, Iberia: El puerto, Iberia: Evocation, Iberia: Fête-Dieu à Séville, Iberia: Triana, La Mer - Trois esquisses symphoniques: I. De l'aube à midi sur la mer. Trés lent, La Mer - Trois esquisses symphoniques: II. Jeus de vagues. Allegro - Animé, La Mer - Trois esquisses symphoniques: III. Dialogue du vent et de la mer. Animé et tumultueux, La Valse, Le Chasseur maudit, M. 44: I. Andantino quasi allegretto, Le Chasseur maudit, M. 44: II. L'istesso tempo, Le Chasseur maudit, M. 44: III. Molto lento, Le Chasseur maudit, M. 44: IV. Più animato, Le Déluge, op. 45: Prélude: Adagio - Andante sostenuto - Andantino, Le Martyre de Saint Sébastien: I. La Cour des lys, Prélude. Lent, doux et soutenu, expressif, Le Martyre de Saint Sébastien: II. Danse extatique et Final du 1er Acte. Assez animé, Le Martyre de Saint Sébastien: III. La Passion. Lent, Le Martyre de Saint Sébastien: IV. Le Bon Pasteur. Sombre et lent, Messagesquisse, Nocturnes - Triptyque symphonique pour orchestre et chœur: I. Nuages: Modéré - Un peu animé, Nocturnes - Triptyque symphonique pour orchestre et chœur: II. Fêtes: Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore en serrant le mouvement, Nocturnes: I. Nuages. Modéré / Un peu animé, Nocturnes: II. Fêtes. Animé et très rythmé / Modéré mais toujours très rythmé / De plus en plus sonore en serra, Nocturnes: III. Sirènes. Modérément animé, Notations 1 - Modéré - Fantasque, Notations 2 - Très vif - Strident, Notations 3 - Très modéré, Notations 4 - Rythmique, Pavane pour une infante défunte, Printemps: I. Très modéré, Printemps: II. Modéré, Ride of the Valkyries, Rituel, Rédemption, Morceau symphonique: Maestoso poco lento, Samson et Dalila, Act III: Bacchanale, Samson et Dalila, op. 47: Bacchanale, Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade in G, K. 525 "Eine kleine Nachtmusik": II. Romaze (Andante), Serenade in G, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto) & Trio, Serenade in G, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro), Symphonie: I. Lento - Agitato, Symphonie: II. Tranquillo, Symphonie: III. Agitato, Symphonie: IV. Adagio, Symphony in D minor: 1. Lento – Allegro ma non troppo – Allegro, Symphony in D minor: 2. Allegretto, Symphony in D minor: 3. Allegro non troppo, Tristan und Isolde - Liebestod, Tristan und Isolde - Prelude, Tristan und Isolde - Prelude Act 3
Liisi Grünberg
conductor
Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre (Adagio assai), Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo, Symphony No. 6 in F major, Op. 68 "Pastorale": II. Szene am Bach: (Andante molto mosso), Symphony No. 6 in F major, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute (Allegro), Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Gewitter, Sturm (Allegro), Symphony No. 6 in F major, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefuhle nach dem Sturm: Allegretto, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai, Symphony no. 6: Adagio - Allegro non troppo, Symphony no. 6: Allegro con gracia, Symphony no. 6: Allegro molto vivace, Symphony no. 6: Finale. Adagio lamentoso - Andante, Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto, Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo primo – Andante moderato – Adagio – Lo stesso tempo, Variations for Orchestra, op. 31: Finale. Mäßig schell - Grazioso - Presto - Adagio - Presto, Variations for Orchestra, op. 31: Introduction. Mäßig, ruhig, Variations for Orchestra, op. 31: Thema. Molto moderato, Variations for Orchestra, op. 31: Variation 1. Moderato, Variations for Orchestra, op. 31: Variation 2. Langsam, Variations for Orchestra, op. 31: Variation 3. Mäßig, Variations for Orchestra, op. 31: Variation 4. Walzertempo, Variations for Orchestra, op. 31: Variation 5. Bewegt, Variations for Orchestra, op. 31: Variation 6. Andante, Variations for Orchestra, op. 31: Variation 7. Langsam, Variations for Orchestra, op. 31: Variation 8. Sehr rasch, Variations for Orchestra, op. 31: Variation 9. L’istesso tempo, abre etwas langsamer
Domenico Cimarosa
conductor
Ascoltate Un Uom Di Mondo, Cara, non dubitar, Carolina, Fuori, Fuori..., Carolina, son tutto vostro / Brillar mi sento il core, Certo sarete stanco, Chetatevi, e scusatela, Come Tacerlo Poi, Se In Un Ritiro, Cosa Farete? Via, Su, Parlate, Deh Lasciate Ch'io Respiri, Deh, Ti Conforta, O Cara, Dove? Dove, Mia Cara, Dunque Andra In Un Ritiro, Ebben? Sei Persuasa, Ecco Che Or Ora Scoppia, Ecco che qui sen vien, Il Parlar Di Carolina, Io ti lascio, perché uniti, Lasciatemi, Signore, Non State A Infastidirmi, Le faccio un inchino, Lusinga, no, non c'è, Oh, Carolina, Orsu, Saper Conviene, Orsù, più non si tardi, Perdonate, Signor Mio, Più a lungo la scoperta, Pria Che Spunti In Ciel L'aurora, Prima che arrivi il conte, Qua Nulla Si Conclude, Questa Invero E Curiosa, Sarete Or Persuasa, Se Fiato In Corpo Avete, Se Son Vendicata, Sento in petto un freddo gelo, Sento, Ahime Che Mi Vien Male, Senza tante cerimonie, Si, Coraggio Mi Faccio, Signor, Deh Concedete..., Signora sorellina, ch'io le rammenti, Silenzio, Silenzio, Che Vien Mio Fratello, Son Lunatico, Bilioso, Sortite, Sortite, Tu Mi Dici Che Del Conte, Udite, tutti udite, Vanne, Vanne, La Seguita, È vero che in casa io son la padrona
Andrew
piano
Cello Sonata in A major: I. Allegro ben moderato, Cello Sonata in A major: II. Allegro, Cello Sonata in A major: III. Recitativo - Fantasia: molto lento, Cello Sonata in A major: IV. Allegretto poco mosso, Cello Sonata in G minor, Op. 65: I. Allegro moderato, Cello Sonata in G minor, Op. 65: II. Scherzo (Allegro con brio), Cello Sonata in G minor, Op. 65: IV. Finale (Allegro), Cello Sonata in G minor, op. 65: I. Allegro moderato, Cello Sonata in G minor, op. 65: II. Scherzo: Allegro con brio, Cello Sonata in G minor, op. 65: III. Largo, Cello Sonata in G minor, op. 65: IV. Finale: Allegro, Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo, Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi Menuetto & Trio, Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto, Cello Sonata no. 1 in E minor, op. 38: III. Allegro, Cello Sonata no. 1 in F major, op. 5 no. 1: Allegro, Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto, Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro vivace, Cello Sonata no. 2 in F, op. 99: I. Allegro vivace, Cello Sonata no. 2 in F, op. 99: II. Adagio Affettuoso, Cello Sonata no. 2 in F, op. 99: II. Adagio affettuoso, Cello Sonata no. 2 in F, op. 99: III. Allegro Passionato, Cello Sonata no. 2 in F, op. 99: III. Allegro passionato, Cello Sonata no. 2 in F, op. 99: IV. Allegro Molto, Cello Sonata no. 2 in F, op. 99: IV. Allegro molto, Cello Sonata no. 2 in G minor, op. 5 no. 2: Allegro molto più tosto presto, Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro, Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace, Seven Variations on Mozart's 'Bei Maennern, Welche Liebe Fuehlen (from Die Zauberfloete) WoO 46, Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante - Allegro vivace, Sonata in A: I. Allegro ben moderato, Sonata in A: II. Allegro, Sonata in A: III. Recitativo-fantasia (Ben moderato - Molto lento), Sonata in A: IV. Allegretto poco mosso, Twelve Variations on Handel's 'See the conqu'ring hero comes' (from Judas Maccabaeus) WoO.45, Twelve Variations on Mozart's 'Ein Madchen Oder Weibchen' Op. 66 (From Die Zauberfloete)
Ludwig van Beethoven
conductor, grand piano, piano
12 Variations sur le thème "Ein Mädchen oder Weibchen", Cello Sonata No. 3 in A major, Op. 69: III. Adagio cantabile, Cello Sonata No. 3 in A major, Op. 69: IV. Allegro vivace, Fidelio Overture, Op. 72c, Leonore Overture No. 1, Op. 138, Leonore Overture No. 2, Op. 72a, Leonore Overture No. 3, Op. 72b, Piano Sonata No. 11 in B-flat major, Op. 22: I. Allegro con brio, Piano Sonata No. 11 in B-flat major, Op. 22: II. Adagio con molta espressione, Piano Sonata No. 11 in B-flat major, Op. 22: III. Minuetto, Piano Sonata No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto, Piano Sonata No. 12 in A-flat major, Op. 26: I. Andante von Variazioni 1-5, Piano Sonata No. 12 in A-flat major, Op. 26: II. Scherzo. Allegro molto, Piano Sonata No. 12 in A-flat major, Op. 26: III. Marcia funebre sulla morte d'un Eroe, Piano Sonata No. 12 in A-flat major, Op. 26: IV. Allegro, Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: I. Andante - Allegro, Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace, Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione - Allegro vivace, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - I. Adagio sostenuto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - II. Allegretto, Piano Sonata No.14 in C sharp minor, Op.27 No.2 "Moonlight" - III. Presto agitato - Adagio - Presto agitato, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - I. Allegro assai, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - II. Andante con moto, Piano Sonata No.23 in F minor, Op.57 "Appassionata" - III. Allegro ma non troppo - Presto, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - I. Grave - Allegro molto e con brio, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - II. Adagio cantabile, Piano Sonata No.8 in C minor, Op.13 "Pathétique" - III. Rondo: Allegro, Romance for Violin and Orchestra No. 2 in F major, Op. 50, Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: II. Adagio - Tempo d'Andante - Allegro vivace, Symphony No 9, "Ode to Joy", Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
Anton Bruckner
conductor
Helgoland, WAB 71, Symphonie No. 1 c-moll: 1. Allegro, Symphonie No. 1 c-moll: 2. Adagio, Symphonie No. 1 c-moll: 3. Scherzo. Schnell, Symphonie No. 1 c-moll: 4. Finale. Bewegt, feurig, Symphony No. 1 in C minor, WAB 101: I. Allegro, Symphony No. 1 in C minor, WAB 101: II. Adagio, Symphony No. 1 in C minor, WAB 101: III. Scherzo: Schnell - Trio: Langsamer, Symphony No. 1 in C minor, WAB 101: IV. Finale: Bewegt, feurig, Symphony No. 2 in C minor, WAB 102: I. Moderato, Symphony No. 2 in C minor, WAB 102: II. Andante. Feierlich, etwas bewegt, Symphony No. 2 in C minor, WAB 102: III. Scherzo: Mäßig schnell, Symphony No. 2 in C minor, WAB 102: IV. Finale: Mehr schnell, Symphony No. 3 in D minor, WAB 103: I. Gemäßigt, mehr bewegt, misterioso, Symphony No. 3 in D minor, WAB 103: II. Adagio. Bewegt, quasi andante, Symphony No. 3 in D minor, WAB 103: III. Scherzo: Ziemlich schnell, Symphony No. 3 in D minor, WAB 103: IV. Finale: Allegro, Symphony No. 9 in D minor, WAB 109: I. Feierlich, misterioso, Symphony No. 9 in D minor, WAB 109: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony No. 9 in D minor, WAB 109: III. Adagio: Langsam, feierlich, Symphony No. 9 in D minor: I. Feierlich, misterioso, Symphony No. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony No. 9 in D minor: III. Adagio: Langsam, feierlich, Te Deum: Aeterna fac. Allegro moderato. Feierlich mit Kraft, Te Deum: In te, Domine, speravi. Mäßig bewegt - Allegro moderato - Alla breve, Te Deum: Salvum fac populum tuum. Moderato - Allegro moderato, Te Deum: Te Deum. Allegro, Te Deum: Te ergo quaesumus. Moderato
Wolfgang Amadeus Mozart
conductor, piano
Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act IV, Ecco la marcia (All), Marriage of Figaro: "Non so più cosa son, cosa faccio" (Cherubino), Piano Concerto no. 22 in E-flat major, K. 482: 1. Allegro, Piano Concerto no. 22 in E-flat major, K. 482: 2. Andante, Piano Concerto no. 22 in E-flat major, K. 482: 3. Allegro, Piano Sonata no. 16 in B-flat, K. 570: 1. Allegro, Piano Sonata no. 16 in B-flat, K. 570: 2. Adagio, Piano Sonata no. 16 in B-flat, K. 570: 3. Allegretto, Piano Sonata no. 8 in A minor, K. 310: 1. Allegro Maestoso, Piano Sonata no. 8 in A minor, K. 310: 2. Andante Cantabile Con Espressione, Piano Sonata no. 8 in A minor, K. 310: 3. Presto, Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis maledictis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem Aeternam, Requiem: Rex tremendae, Requiem: Sanctus, Requiem: Tuba mirum, Sonate voor 2 Piano's in D, K. 448: III. Allegro molto
Nanie
piano
Four Songs, Op. 2 No. 2: Plenivšis’ rozoy, solovey, Four Songs, Op. 26 No. 4: Pesnya Zyuleyki, Four Songs, Op. 27 No. 4: Prosti! Ne pomni dney paden’ya, Four Songs, Op. 3 No. 4: Na kholmakh Gruzii, Four Songs, Op. 40 No. 3: O čyom, v tiši nočey, Four Songs, Op. 42 No. 3: Redeyet oblakov letučaya gryada, Gypsy Melodies, Op. 55 No. 4: Když mne stará matka, Seven Romances, Op. 47 No. 6: Den’ li carit, Seven Romances, Op. 47 No. 7: Ya li v pole da ne travuška bïla, Six Romances, Op. 16 No. 1: Kolïbel’naya pesnya, Six Romances, Op. 57 No. 1: Skaži, o čyom v teni vetvey, Six Romances, Op. 6 No. 5: Otčego?, Six Romances, Op. 63 No. 6: Serenada, Six Romances, Op. 73 No. 5: Sred’ mračnïkh dney, Six Songs, Op. 8 No. 5: V carstvo rozï i vina, Twelve Romances, Op. 60 No. 6: Noči bezumnïye, Two Songs, Op. 56 No. 1: Nimfa, Two Songs, Op. 56 No. 2: Son v letnyuyu noč’, Vesnoy, Op. 43 No. 1: Zvonče žavoronka pen’ye, Vesnoy, Op. 43 No. 2: Ne veter, veya s vïsotï, Vier Lieder, Op. 27 No. 2: Cäcilie, Zabït’ tak skoro
Richard Strauss
conductor, piano
Andante for Horn and Piano in C major, AV 86A, Concerto for Oboe and Small Orchestra in D major, AV 144: I. Allegro moderato, Concerto for Oboe and Small Orchestra in D major, AV 144: II. Andante, Concerto for Oboe and Small Orchestra in D major, AV 144: III. Vivace, Duett-Concertino for Clarinet and Bassoon, Strings and Harp in F major, AV 147: I. Allegro moderato, Duett-Concertino for Clarinet and Bassoon, Strings and Harp in F major, AV 147: II. Rondo: Allegro ma non troppo, Ein heldenleben, op. 40: Der Held, Ein heldenleben, op. 40: Des Helden Friedenswerke, Ein heldenleben, op. 40: Des Helden Gefahrtin, Ein heldenleben, op. 40: Des Helden Walstatt, Ein heldenleben, op. 40: Des Helden Weltflucht und Vollendung, Ein heldenleben, op. 40: Des Helden Widersacher, Horn Concerto no. 1 in E flat major, op. 11: I. Allegro, Horn Concerto no. 1 in E flat major, op. 11: II. Andante, Horn Concerto no. 1 in E flat major, op. 11: III. Allegro, Stimmungsbilder, op. 9 for Piano: No. 2 in A flat major "An einsamer Quelle", Stimmungsbilder, op. 9 for Piano: No. 4 in B major "Traeumerei", Vier letzte Lieder: I. Frühling, Vier letzte Lieder: II. September, Vier letzte Lieder: III. Beim Schlafengehen, Vier letzte Lieder: IV. Im Abendrot
Arnold Schönberg
piano
Pierrot lunaire, op. 21, Part I: 1. Mondestrunken, Pierrot lunaire, op. 21, Part I: 2. Colombine, Pierrot lunaire, op. 21, Part I: 3. Der Dandy, Pierrot lunaire, op. 21, Part I: 4. Eine blasse Wäscherin, Pierrot lunaire, op. 21, Part I: 5. Valse de Chopin, Pierrot lunaire, op. 21, Part I: 6. Madonna, Pierrot lunaire, op. 21, Part I: 7. Der kranke Mond, Pierrot lunaire, op. 21, Part II: 10. Raub, Pierrot lunaire, op. 21, Part II: 11. Rote Messe, Pierrot lunaire, op. 21, Part II: 12. Galgenlied, Pierrot lunaire, op. 21, Part II: 13. Enthauptung, Pierrot lunaire, op. 21, Part II: 14. Die Kreuze, Pierrot lunaire, op. 21, Part II: 8. Nacht (Passacaglia), Pierrot lunaire, op. 21, Part II: 9. Gebet an Pierrot, Pierrot lunaire, op. 21, Part III: 15. Heimweh, Pierrot lunaire, op. 21, Part III: 16. Gemeinheit, Pierrot lunaire, op. 21, Part III: 17. Parodie, Pierrot lunaire, op. 21, Part III: 18. Der Mondfleck, Pierrot lunaire, op. 21, Part III: 19. Serenade, Pierrot lunaire, op. 21, Part III: 20. Heimfahrt, Pierrot lunaire, op. 21, Part III: 21. O alter Duft
ゆずまな
conductor
Messa da requiem: IIIa. Offertorio: Domine Jesu Christe, Messa da requiem: IIIb. Offertorio: Hostias, Messa da requiem: IIa. Dies irae: Dies irae, Messa da requiem: IIb. Dies irae: Tuba mirum, Messa da requiem: IIc. Dies irae: Mors stupebit, Messa da requiem: IId. Dies irae: Liber scriptus, Messa da requiem: IIe. Dies irae: Quid sum miser, Messa da requiem: IIf. Dies irae: Rex tremendae, Messa da requiem: IIg. Dies irae: Recordare, Messa da requiem: IIh. Dies irae: Ingemisco, Messa da requiem: IIi. Dies irae: Confutatis, Messa da requiem: IIj. Dies irae: Lacrymosa, Messa da requiem: IV. Sanctus, Messa da requiem: Ia. Requiem: Requiem aeternam, Messa da requiem: Ib. Requiem: Kyrie eleison, Messa da requiem: V. Agnus Dei, Messa da requiem: VI. Lux aeterna, Messa da requiem: VIIa. Libera me: Libera me, Domine, Messa da requiem: VIIb. Libera me: Dies irae, Messa da requiem: VIIc. Libera me: Requiem aeternam, Messa da requiem: VIId. Libera me: Libera me, Domine
Alban Berg
conductor, piano
Piano Sonata, op.1: Mässig bewegt, Wozzeck, 1. Akt, 1. Szene: Langsam, Wozzeck, Wozzeck, 1. Akt, 1. Szene: Verwandlung, Wozzeck, 1. Akt, 1. Szene: Wozzeck, er sieht immer so verhetzt aus, Wozzeck, 1. Akt, 1. Szene: Wozzek, er ist ein guter Mensch, Wozzeck, 1. Akt, 2. Szene: Du, der Platz ist verflucht, Wozzeck, 1. Akt, 2. Szene: Läuft dort ein Haas vorbei, Wozzeck, 1. Akt, 2. Szene: Still, still, still, Wozzeck, 1. Akt, 3. Szene: Komm mein Bub, Wozzeck, 1. Akt, 3. Szene: Tschin bum, Wozzeck, 1. Akt, 3. Szene: Verwandlung, Wozzeck, 1. Akt, 3. Szene: Wer da?, Wozzeck, 1. Akt, 4. Szene: Sehn sie, Herr Doktor?, Wozzeck, 1. Akt, 4. Szene: Verwandlung, Wozzeck, 1. Akt, 4. Szene: Was erleb ich Wozzeck?, Wozzeck, 1. Akt, 4. Szene: Wozzeck, er kommt ins Narrenhaus, Wozzeck, 1. Akt, 5. Szene: Geh einmal vor dich hin, Wozzeck, 2. Akt, 1. Szene: S'ist gewiß Gold, Wozzeck, 2. Akt, 1. Szene: Verwandlung, Wozzeck, 2. Akt, 1. Szene: Was die Sterne glänzen, Wozzeck, 2. Akt, 1. Szene: Was hast da?
Giuseppe Verdi
conductor, piano
Agnus Dei, Confutatis, Dies irae, Ingemisco, Lacrymosa, Liber scriptus, Libera me, Lux aeterna, Mors stupebit, Offertorio, Quid sum miser, Recordare, Requiem, Rex tremendae, Sanctus, Tuba mirum, Verdi transcriptions: "Miserere du Trovatore" S433, Verdi transcriptions: Aida "Danza sacra e duetto finale" S436, Verdi transcriptions: Rigoletto "Concert Paraphrase" S434
Forget me note Airlines
piano
Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio, Piano Concerto no. 1 in C major, op. 15: II. Largo, Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando), Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio, Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio, Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo (Molto allegro), Piano Concerto no. 25 in C, KV. 503: I. Allegro maestoso, Piano Concerto no. 25 in C, KV. 503: II. Andante, Piano Concerto no. 25 in C, KV. 503: III. Allegretto, Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio, Piano Concerto no. 3 in C minor, op. 37: II. Largo, Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro), Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato, Piano Concerto no. 4 in G major, op. 58: II. Andante con moto, Piano Concerto no. 4 in G major, op. 58: III. Rondo (Vivace), Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro)
Charles Kensington Salaman
piano
"F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato, Sonata for Piano and Violin no. 2 in A major, op. 100: 1. Allegro amabile, Sonata for Piano and Violin no. 2 in A major, op. 100: 2. Andante tranquillo, Sonata for Piano and Violin no. 2 in A major, op. 100: 3. Allegretto grazioso (quasi Andante), Sonata for Piano and Violin no. 3 in D minor, op. 108: 1. Allegro, Sonata for Piano and Violin no. 3 in D minor, op. 108: 2. Adagio, Sonata for Piano and Violin no. 3 in D minor, op. 108: 3. Un poco presto e con sentimento, Sonata for Piano and Violin no. 3 in D minor, op. 108: 4. Presto agitato, Sonata no. 1 in F minor, op. 120 no. 1: I. Allegro appassionato - Sostenuto ed espressivo, Sonata no. 1 in F minor, op. 120 no. 1: II. Andante un poco adagio, Sonata no. 1 in F minor, op. 120 no. 1: III. Allegretto grazioso, Sonata no. 1 in F minor, op. 120 no. 1: IV. Vivace, Sonata no. 2 in E-flat major, op. 120 no. 2: I. Allegro amabile, Sonata no. 2 in E-flat major, op. 120 no. 2: II. Allegro appassionato - Sostenuto - Tempo I, Sonata no. 2 in E-flat major, op. 120 no. 2: III. Andante con moto - Allegro - Più tranquilo, Sonate für Klavier und Violine, op. 78 “Regenlied‐Sonate”: I. Vivace ma non troppo, Sonate für Klavier und Violine, op. 78 “Regenlied‐Sonate”: II. Adagio, Sonate für Klavier und Violine, op. 78 “Regenlied‐Sonate”: III. Allegro molto moderato
Hector Berlioz
conductor
Béatrice et Bénédict: Ah! Je vais l'aimer mon cœur me l'annonce, La Damnation de Faust: "Dans mon cœur retentit sa voix", La Damnation de Faust: "Has! Irimirukarabrao! Has! Has! Has!", La Damnation de Faust: "Merci, doux crépuscle!", La Damnation de Faust: "Nature immerse, impénétrable et fière", La damnation de Faust: Invocation à la nature, La mort de Cléopâtre: I. Allegro vivace con impeto - Recitativo, La mort de Cléopâtre: II. Lento cantabile - Recitativo, La mort de Cléopâtre: III. Méditation. Largo misterioso, La mort de Cléopâtre: IV. Allegro assai agitato, La mort de Cléopâtre: V. Moderato. Recitativo misurato, Les nuits d'été, Op. 7: I. Villanelle. Allegro, Les nuits d'été, Op. 7: II. Le Spectre de la rose. Adagio un poco lento e dolce assai, Les nuits d'été, Op. 7: III. Sur les lagunes. Lamento. Andantino, Les nuits d'été, Op. 7: IV. Absence. Adagio, Les nuits d'été, Op. 7: V. Au Cimetière. Andantino non troppo lento, Les nuits d'été, Op. 7: VI. L'ile inconnue. Allegro spiritoso, Requiem: "Sanctus"
Gustav Mahler
conductor, piano
Das Lied von der Erde: Das Trinklied vom Jammer der Erde, Das Lied von der Erde: Der Abschied, Das Lied von der Erde: Der Einsame im Herbst, Das Lied von der Erde: Der Trunkene im Fruhling, Das Lied von der Erde: Von der Jugend, Das Lied von der Erde: Von der Schonheit, Des Knaben Wunderhorn: "Der Tamboursg’sell", Ich bin der Welt abhanden gekommen, Symphony No. 5 in C-sharp minor: I. Trauermarsch, Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, Symphony No. 5 in C-sharp minor: III. Scherzo, Symphony No. 5 in C-sharp minor: IV. Adagietto, Symphony No. 5 in C-sharp minor: V. Rondo-finale, Symphony No. 7: I. Langsam - Allegro con fuoco, Symphony No. 7: II. Nachtmusik I. Allegro moderato, Symphony No. 7: III. Scherzo. Schattenhaft, Symphony No. 7: IV. Nachtmusik II. Andante amoroso, Symphony No. 7: V. Rondo-Finale. Allegro ordinario - Allegro moderato, ma energico
Artilleria
conductor
Magnificat in D major, BWV 243: I. Magnificat, Magnificat in D major, BWV 243: II. Et exsultavit, Magnificat in D major, BWV 243: III. Quia respexit, Magnificat in D major, BWV 243: IV. Omnes generationes, Magnificat in D major, BWV 243: IX. Esurientes implevit bonis, Magnificat in D major, BWV 243: V. Quia fecit mihi magna, Magnificat in D major, BWV 243: VI. Et misericordia, Magnificat in D major, BWV 243: VII. Fecit potentiam, Magnificat in D major, BWV 243: VIII. Deposuit potentes, Magnificat in D major, BWV 243: X. Suscepit Israel, Magnificat in D major, BWV 243: XI. Sicut locutus est, Magnificat in D major, BWV 243: XII. Gloria Patri, Te Deum: Aeterna Fac Cum Sanctis Tuis, Te Deum: In Te, Domine, Speravi, Te Deum: Salvum Fac Populum Tuum, Te Deum: Te Deum Laudamus, Te Deum: Te Ergo Quaesumus
Shields
piano
Fantaisie for Violin & Piano in C major "Sei mir gegrüsst!", Op. Post. 159, D. 934, Rondo (Rondeau Brillant) for Piano and Violin in B minor, Op. 70, D. 895, Sonata (Duo) for Piano and Violin in A major, Op. 162. D. 574: I. Allegro moderato, Sonata (Duo) for Piano and Violin in A major, Op. 162. D. 574: II. Scherzo: Presto. Trio, Sonata (Duo) for Piano and Violin in A major, Op. 162. D. 574: III. Andantino, Sonata (Duo) for Piano and Violin in A major, Op. 162. D. 574: IV. Allegro vivace, Sonata (Sonatina) for Piano and Violin in A minor, Op. Posth. 137, No. 2, D. 385: I. Allegro moderato, Sonata (Sonatina) for Piano and Violin in A minor, Op. Posth. 137, No. 2, D. 385: II. Andante, Sonata (Sonatina) for Piano and Violin in A minor, Op. Posth. 137, No. 2, D. 385: III. Menuetto: Allegro. Trio, Sonata (Sonatina) for Piano and Violin in A minor, Op. Posth. 137, No. 2, D. 385: IV. Allegro, Sonata (Sonatina) for Piano and Violin in G minor, Op. Post. 137, No. 3, D. 408: I. Allegro giusto, Sonata (Sonatina) for Piano and Violin in G minor, Op. Post. 137, No. 3, D. 408: II. Andante, Sonata (Sonatina) for Piano and Violin in G minor, Op. Post. 137, No. 3, D. 408: III. Menuetto, Sonata (Sonatina) for Piano and Violin in G minor, Op. Post. 137, No. 3, D. 408: IV. Allegro moderato, Sonata (Sonatina) for Piano and Violin, Op. Posth. 137, No. 1, D. 384: I. Allegro molto, Sonata (Sonatina) for Piano and Violin, Op. Posth. 137, No. 1, D. 384: II. Andante, Sonata (Sonatina) for Piano and Violin, Op. Posth. 137, No. 1, D. 384: III. Allegro vivace
Ponyboy
conductor
Concerto in A minor, BWV 1041: I. (Allegro), Concerto in A minor, BWV 1041: II. Andante, Concerto in A minor, BWV 1041: III. Allegro assai, Concerto in A minor, BWV. 1041: I. Allegro, Concerto in A minor, BWV. 1041: II. Andante, Concerto in A minor, BWV. 1041: III. Allegro Assai, Concerto in D minor, from BWV. 1052: I. Allegro, Concerto in D minor, from BWV. 1052: II. Adagio, Concerto in D minor, from BWV. 1052: III. Allegro, Concerto in E, BWV 1042: I. Allegro, Concerto in E, BWV 1042: II. Adagio, Concerto in E, BWV 1042: III. Allegro assai, Concerto in G minor, BWV 1056: I. (Allegro), Concerto in G minor, BWV 1056: II. Largo, Concerto in G minor, BWV 1056: II. Largo / III. Presto, Concerto in G minor, BWV 1056: III. Presto
Franz Liszt
conductor, grand piano, piano
Annees de Pelerinage II: Sonetto 47 del Petrarca, Après une lecture du Dante (Fantasia quasi sonata), Après une lecture du Dante, "Dante Sonata": Andante maestoso - Presto agitato assai - Tempo I (Andante) - Andante (quasi improvvisato) - Andante - Recitativo - Adagio - Allegro moderato - Più mosso - Tempo rubato e molto ritenuto - Andante - Più mosso - Allegro - Allegro vivace - Presto - Andante (Tempo I), Dante Sonata, Dante Symphony: I. Inferno, Dante Symphony: II. Purgatorio, Dante Symphony: III. Magnificat, Sonata for Piano in B minor: I. Lento assai - Allegro energico, Sonata for Piano in B minor: II. Andante sostenuto, Sonata for Piano in B minor: III. Andante energico, St François d'Assise: La Prédication aux oiseaux, Tre sonetti del Petrarca: Sonetto 104 "Pace non trovo", Tre sonetti del Petrarca: Sonetto 123 "I' vidi in terra angelici costumi", Tre sonetti del Petrarca: Sonetto 47 "Benedetto sia' l giorno"
Hannibal
conductor
400 years ago today - Living inside the clear glass cell, Act 1: Drum and Cross - Libation Harvest, Act 2: Land Of Milk And Honey - Auction: Potter's Mart, Attack/Subjugation, Chorus: "Duwa beh", Chorus: "You can find a way", Epilogue, Music Man, Redemption, The Middle Passage, The Three Dueces Club, Victor Nelson's Cotton Field, Wailing Song
Rebourne
piano
A fuego lento, Adiós nonino, Aquellos tangos camperos, Bailecito, Contrabajeando, Don Agustín Bardi, El día que me quieras, Invierno porteño, La moza donosa, Mi Buenos Aires querido, Primavera porteña, Tzigane tango, Verano porteño
Da Miller
conductor
Cello Concerto: I. Drammatico, Cello Concerto: II. Allegro appassionato, Cello Concerto: III. Giocoso, Cello Concerto: IV. Lento, Cello Concerto: V. Maestoso, Cello Concerto: VI. Tranquillo, Cello Concerto: VII. Allegro fantastico, Concerto for Cello and Orchestra in E minor, op. 85: I. Adagio - Moderato, Concerto for Cello and Orchestra in E minor, op. 85: II. Lento - Allegro molto, Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio, Concerto for Cello and Orchestra in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo, Kol Nidre, op. 47
Bernard Desgraupes
conductor
Concerto for Violin and Orchestra no. 2 in D minor, op. 22: I. Allegro moderato, Concerto for Violin and Orchestra no. 2 in D minor, op. 22: II. Romance. Andante non troppo, Concerto for Violin and Orchestra no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (à la zingara), Rêverie et Caprice, op. 8: Romance. Adagio - Allegro vivace - Adagio - Allegro vivace - Vivo, Symphonie espagnole, op. 21: I. Allegro non troppo, Symphonie espagnole, op. 21: II. Scherzando. Allegro molto, Symphonie espagnole, op. 21: III. Intermezzo. Allegretto non troppo, Symphonie espagnole, op. 21: IV. Andante, Symphonie espagnole, op. 21: V. Rondo. Allegro, Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo, Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto, Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro
Christian Hüser
conductor
Don Quixote Op. 35: I. Theme, Don Quixote Op. 35: II. Variation I, Don Quixote Op. 35: III. Variation II, Don Quixote Op. 35: IV. Variation III, Don Quixote Op. 35: IX. Variation VIII, Don Quixote Op. 35: V. Variation IV, Don Quixote Op. 35: VI. Variation V, Don Quixote Op. 35: VII. Variation VI, Don Quixote Op. 35: VIII. Variation VII, Don Quixote Op. 35: X. Variation IX, Don Quixote Op. 35: XI. Variation X
北田てつや
conductor
Adagio for Cello & Orchestra “Silent Woods”, op. 68/5, B.173, Cello Concerto in B minor, Op. 104: I. Allegro, Cello Concerto in B minor, Op. 104: II. Adagio ma non troppo, Cello Concerto in B minor, Op. 104: III. Finale: Allegro moderato, Cello Concerto in B minor, op. 104, B. 191: I. Allegro, Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo, Cello Concerto in B minor, op. 104, B. 191: III. Finale. Allegro moderato, Cello Concerto in B minor, op. 104: Allegro, Silent Woods, for cello & orchestra, Op. 68 No. 5, Silent Woods, op. 68 no. 5, Waldesruhe (Silence Woods) pour violoncelle et orchestre, op. 68
ANIE
piano
Piano Concerto no. 1 in E-flat major: 1. Allegro maestoso, Piano Concerto no. 1 in E-flat major: 2. Quasi adagio - Allegretto vivace - Allegro animato, Piano Concerto no. 1 in E-flat major: 3. Allegretto vivace, Piano Concerto no. 1 in E-flat major: 4. Allegro marziale animato - Presto, Piano Concerto no. 2 in A major: Adagio sostenuto assai -, Piano Concerto no. 2 in A major: Allegro agitato assai -, Piano Concerto no. 2 in A major: Allegro animato - Stretto (molto accelerando), Piano Concerto no. 2 in A major: Allegro deciso -, Piano Concerto no. 2 in A major: Allegro moderato -, Piano Concerto no. 2 in A major: Marziale un poco meno allegro -
The Bowery Ensemble
conductor
Cello Concerto in E minor, op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: I. Adagio. Moderato, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: II. Lento. Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo, Cello Concerto in E minor, op. 85: IV. Allegro. Moderato. Allegro ma non troppo, Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo, Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto, Cello Concerto no. 1 in A minor, op. 33: III. Allegro non troppo
Moon Zero
conductor
Cello Concerto No. 1 in A minor, Op. 33, Cello Concerto No. 1 in A minor, Op. 33: II. Allegretto con moto, Cello Concerto No. 1 in A minor, Op. 33: III. Allegro non troppo, Cello Concerto in A minor, Op. 129: I. Nicht zu schnell, Cello Concerto in A minor, Op. 129: II. Langsam - Etwas lebhafter - Schneller, Cello Concerto in A minor, Op. 129: III. Serh lebhaft - Kadenz - Tempo I, Cello Concerto in A minor, op. 129: I. Nicht zu schnell, Cello Concerto in A minor, op. 129: II. Langsam, Etwas lebhafter, Schneller, Cello Concerto in A minor, op. 129: III. Sehr lebhaft, Cello Concerto in A minor, op. 129: III. Sehr lebhaft - Cadenza - Sehr lebhaft
Пётр Ильич Чайковский
conductor
Francesca da Rimini, op. 32, Marche slave, op. 31, Ouverture solennelle 1812, Op. 49, Ouverture solennelle «1812», op. 49, Overture "1812", Op. 49, Symphony No. 5 in E minor, Op. 64: I. Andante – Allegro con anima, Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza, Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato, Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace
Oliver Age 24
conductor
Piano Concerto no. 2 in B-flat, K. 39: I. Allegro spiritoso, Piano Concerto no. 2 in B-flat, K. 39: II. Andante staccato, Piano Concerto no. 2 in B-flat, K. 39: III. Molto allegro, Piano concerto No. 4 in G, K. 41: I. Allegro, Piano concerto No. 4 in G, K. 41: II. Andante, Piano concerto No. 4 in G, K. 41: III. Allegro, Piano concerto no. 3 in D, K. 40: I. Allegro maestoso, Piano concerto no. 3 in D, K. 40: II. Andante, Piano concerto no. 3 in D, K. 40: III. Presto
Nick Woodland
piano
5 Gedichte, op. 19: 4. Der Schmied, 5 Lieder, op. 47: 5. Die Liebende schreibt, 6 Gesänge, op. 3: 1. Liebestreu, 6 Gesänge, op. 6: 1. Spanisches Lied, 6 Gesänge, op. 7: 5. Die Trauernde, 7 Lieder, op. 48: 3. Liebesklage des Mädchens, 7 Lieder, op. 48: 4. Gold überwiegt die Liebe, Lieder und Gesänge, op. 57: 1. Von waldbekränzter Höhe
Rebound
piano
Nocturne #1 In B Flat Minor, Op. 9/1, CT 108 - Various Artists, Nocturne #2 In E Flat, Op. 9/2, CT 109 - Various Artists, Nocturne #20 In C Sharp Minor, Bi 49 - Various Artists, Nocturne #3 In B, Op. 9/3, CT 110 - Various Artists, Nocturne No. 19 in E Minor, Op. 72, No. 1 - Daniel Barenboim, Nocturne No. 5 in F-Sharp, Op. 15, No. 2 - Daniel Barenboim, Nocturne No. 6 in G Minor, Op. 15, No. 3 - Daniel Barenboim, Nocturne in E-flat major, Op. 9 No. 2 (extract)
Marla Lukofsky
conductor
Romance no. 1 in G major, op. 40, Romance no. 2 in F major, op. 50, Violin Concerto in D major, op. 61: I. Allegro ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo. Allegro, Violin Concerto in D, op. 77: I. Allegro non troppo, Violin Concerto in D, op. 77: II. Adagio, Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
Law Boss
conductor
Requiem in D minor, K. 626: II. Kyrie Eleison, Requiem in D minor, K. 626: III. Sequenz: a) Dies Irae, Requiem in D minor, K. 626: III. Sequenz: c) Rex tremendae, Requiem in D minor, K. 626: III. Sequenz: e) Confutatis, Requiem in D minor, K. 626: III. Sequenz: f) Lacrimosa, Requiem in D minor, K. 626: IV. Offertorium: b) Hostias et Precis, Requiem in D minor, K. 626: V. Sanctus, Requiem in D minor, K. 626: VII. Agnus Dei
Gabriel Fauré
conductor
In Paradisum, Pavane, op. 50, Requiem, op. 48: I. Introït et Kyrie, Requiem, op. 48: II. Offertoire, Requiem, op. 48: III. Sanctus, Requiem, op. 48: IV. Pie Jesu, Requiem, op. 48: V. Agnus Dei, Requiem, op. 48: VI. Libera me
Joseph Foley
conductor
Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto (excerpt), Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto, Violin Concerto, op. 33: Part I. Allegro cavalleresco, Violin Concerto, op. 33: Part I. Praeludium, Largo, Violin Concerto, op. 33: Part II. Poco adagio, Violin Concerto, op. 33: Part II. Rondo, Allegretto scherzando
Edward Elgar
conductor
Cello Concerto in e, Op. 85: II. Lento - Allegro molto, Cellokonzert e-moll op. 85: I. Adagio. Moderato, Cellokonzert e-moll op. 85: II. Lento. Allegro molto, Cellokonzert e-moll op. 85: III. Adagio, Cellokonzert e-moll op. 85: IV. Allegro. Moderatro. Allegro ma no troppo, Concerto for Cello and Orchestra in E minor, Op. 85: I. Adagio - Moderato, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto
Anne Judith Wilk
piano
Clarinet Sonata no. 1 in F minor, op. 120 no. 1: I. Allegro appassionato, Clarinet Sonata no. 1 in F minor, op. 120 no. 1: II. Andante un poco adagio, Clarinet Sonata no. 1 in F minor, op. 120 no. 1: III. Allegretto grazioso, Clarinet Sonata no. 1 in F minor, op. 120 no. 1: IV. Vivace, Clarinet Sonata no. 2 in E-flat major, op. 120 no. 2: I. Allegro amabile, Clarinet Sonata no. 2 in E-flat major, op. 120 no. 2: II. Allegro appassionato, Clarinet Sonata no. 2 in E-flat major, op. 120 no. 2: III. Andante con moto
新井直介
piano
Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: I. Maestoso, Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: II. Adagio, Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: II. Allegro appassionato, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: III. Andante - Più adagio, Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso
Jutta Puchhammer-Sédillot
conductor
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen, Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras, Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich, daB ein Ende mit mir haben muB, Ein deutsches Requiem, Op. 45: IV. Wie liebich sind deine Wohnungen, Herr Zebaoth, Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit, Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt, Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten die im dem Herren sterben
Rock Da World
conductor
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco, Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco, Piano Concerto no. 1 in G minor, op. 25: II. Andante, Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro e vivace
Sally Clarke
conductor
Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando, Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio, Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio, Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto
Lloyd Anthony Gordon
piano
Clarinet Trio in B-flat major, op. 11 "Gassenhauser": I. Allegro con brio, Clarinet Trio in B-flat major, op. 11 "Gassenhauser": II. Adagio, Clarinet Trio in B-flat major, op. 11 "Gassenhauser": III. Allegretto, Clarinet Trio in B-flat major, op. 11: I. Allegro con brio, Clarinet Trio in B-flat major, op. 11: II Adagio, Clarinet Trio in B-flat major, op. 11: III. Tema: pria ch'io l'impregno
Francine Lupien
conductor, piano
Konzert für Klavier und Orchester in B-dur KV 595, 3. Satz: Allegro, Piano Concerto No.19, F Major, K.459 I. Allegro vivace, Symphony no. 4 in E-flat major: I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major: II. Andante quasi allegretto, Symphony no. 4 in E-flat major: III. Scherzo: Bewegt, Symphony no. 4 in E-flat major: IV. Finale: Bewegt, doch nicht zu schnell
Lily Henley
conductor, piano
Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": I. Adagio, Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": II-i. Finale. Allegro - Meno Allegro, Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": II-ii. Allegro molto, Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": II-iii. Adagio ma non troppo, Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": II-iv. Marcia, assai vivace - Allegro, Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": II-v. Allegretto, ma non troppo (quasi andante con moto) - Presto
Puddles Pity Party
conductor
Cello Concerto in B-flat major, G. 482 (arr. Grützmacher): I. Allegro moderato, Cello Concerto in B-flat major, G. 482 (arr. Grützmacher): II. Adagio non troppo, Cello Concerto in B-flat major, G. 482 (arr. Grützmacher): III. Rondo: Allegro, Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato, Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio, Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto
asukrai
piano
Pieces for clarinet and piano, Op. 5: I. Mäßig, Pieces for clarinet and piano, Op. 5: II. Sehr langsam, Pieces for clarinet and piano, Op. 5: III. Sehr rasch, Pieces for clarinet and piano, Op. 5: IV. Langsam
Different Shades of Brown
conductor
Romance for Violin and Orchestra No. 1 in G major, Op. 40, Violin Concerto in B minor, op. 61: I. Allegro, Violin Concerto in B minor, op. 61: II. Andante, Violin Concerto in B minor, op. 61: III. Allegro
Letters to Nepal
piano
Violin Sonata No. 3 in D minor, Op. 108: I. Allegro, Violin Sonata No. 3 in D minor, Op. 108: II. Adagio, Violin Sonata No. 3 in D minor, Op. 108: III. Un poco presto e con sentimento, Violin Sonata No. 3 in D minor, Op. 108: IV. Presto agitato
4 Hr. Ramona
conductor
Concerto for Oboe and Strings: Finale, Presto, Concerto for Oboe and Strings: Minuet and Musette, Allegro Moderato, Concerto for Oboe and Strings: Rondo Pastorale, Allegro Moderato
Sam Glorioso
cello
Concerto for piano, violin, cello & orchestra in C major ('Triple Concerto'), Op. 56; I. Allegro, Concerto for piano, violin, cello & orchestra in C major ('Triple Concerto'), Op. 56; II. Largo, Concerto for piano, violin, cello & orchestra in C major ('Triple Concerto'), Op. 56; III.Rondo alla polacca
Alejandro Almenares
conductor
Piano concerto no. 1 in F, K. 37: I. Allegro, Piano concerto no. 1 in F, K. 37: II. Andante, Piano concerto no. 1 in F, K. 37: III. Allegro
morigasigeru
conductor
Cello Concerto in B flat: I. Allegro moderato - Cadenza, Cello Concerto in B flat: II. Adagio non troppo, Cello Concerto in B flat: III. Rondo (Allegro) - Cadenza
Robert Schumann
piano
Fantasia in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im legenden - Ton - Tempo primo, Fantasia in C major, op. 17: II. Mässig. Durchaus energisch - Etwas langsamer - Viel bewegter, Fantasia in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter - Nach und nach bewegter und schneller
Paper James
conductor
Konzert für Violine und Orchester D‐Dur, op. 77: I. Allegro non troppo, Konzert für Violine und Orchester D‐Dur, op. 77: II. Adagio, Konzert für Violine und Orchester D‐Dur, op. 77: III. Allegro giocoso, ma non troppo vivace – poco più presto
A2A
conductor
Concerto (2 Violins) in D minor, BWV 1043: I. Vivace, Concerto (2 Violins) in D minor, BWV 1043: II. Largo ma non tanto, Concerto (2 Violins) in D minor, BWV 1043: III. Allegro
Sartaz Khan Barna
conductor
Violin Concerto in D major, Op. 77: I. Allegro non troppo, Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace
尤虹文
conductor, piano
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro, Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo, Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": III. Rondo alla Polacca
Serena Williams
piano
Concerto for 2 Pianos and Orchestra (No. 10) in E-flat, K. 365: I. Allegro, Concerto for 2 Pianos and Orchestra (No. 10) in E-flat, K. 365: II. Andante, Concerto for 2 Pianos and Orchestra (No. 10) in E-flat, K. 365: III. Rondeau (Allegro)
髏々宮カルタ
piano
14 Variations in E-flat, op. 44, Allegretto in B-flat, WoO 39, Allegretto in E-flat, H. 48
Eugene Fox
conductor
Oboe Concerto in D major, Op. 144 / TrV 292: Andante, Oboe Concerto in D major, Op. 144 / TrV 292: I. Allegro moderato - Vivace - Tempo primo, Oboe Concerto in D major, Op. 144 / TrV 292: Vivace - Allegro - Vivace
Luigi Boccherini
conductor
Cello Concerto in B-flat: I. Allegro Moderato, Cello Concerto in B-flat: II. Allegro Non Troppo, Cello Concerto in B-flat: III. Rondo (Allegro)
Derek Luke
conductor, piano
Concerto for 3 Pianos and Orchestra (No. 7) in F, K. 242 "Lodron": 1. Allegro, Concerto for 3 Pianos and Orchestra (No. 7) in F, K. 242 "Lodron": 2. Adagio, Concerto for 3 Pianos and Orchestra (No. 7) in F, K. 242 "Lodron": 3. Rondeau (Tempo di menuetto)
Sergio Avil
conductor
Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto, Samson et Dalila: Vois ma misère / Samson, qu'as-tu fait du Dieu de tes pêres?
Marc Bélanger
conductor
Lohengrin: Vorspiel zum Ersten Aufzug, Symphonie Nr. 5 in c-moll, 1. Satz: Allegro con brio
厄鬼
piano
Piano Trio in A minor, op. 50: I. Pezzo elegiaco, Piano Trio in A minor, op. 50: II. Tema con variazione
Trevor Sax
conductor
Noches en los jardines de España: Danza lejana - En los jardines de la sierra de Córdoba, Noches en los jardines de España: En el Generalife
Claude Debussy
conductor
Deux Fanfares du "Martyre de Saint Sébastien", Prélude à L'aprés-Midi D'un Faune
Antonín Dvořák
conductor
Silent Woods, Op.68, No.5, Silent Woods, op. 68 no. 5
Maurice Ravel
conductor
Bolero, Pavane pour une infante défunte
Frederick Delius
conductor
Two Pieces for Small Orchestra: Summer Night on the River
François Goudreau
piano
Brazilian Rhapsody
The Minute Steak
conductor
Elektra: "Elektra!... Ah, das Gesicht!" (Chrysothemis, Elektra)
Dread
piano
Fantasia in C minor for Piano, Chorus, and Orchestra, op. 80 “Choral Fantasy”
Lesley Robertson
conductor
Elektra: "Elektra! - Schweig, und tanze" (Chrysothemis, Elektra)
César Franck
piano
Sonata in A: I. Allegro ben moderato
Solange Bouchard
conductor
Die Walküre: Vorspiel zum Dritten Aufzug
CheerLeader
piano
Violin Sonata no. 9 in A “Kreutzer”, op. 47: III. Finale. Presto
Blackbird and Spenser
conductor
Elektra: "Elektra! Schwester!" (Chrysothemis, Chor)
Black Seagull
piano
Piano Trio in B-flat “Archduke” op. 97: I. Allegro moderato
Bits
conductor
Symphony no. 9 in D minor, op. 125 “Choral”: VI. Presto – Allegro assai – Alla marcia – Allegro assai vivace – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – Prestissimo
Benis Cletin
conductor
Octet, D. 714 "Gesang der Geister über den Wassern"
Ben Pier
conductor
Motet, BWV 225 "Singet dem Herrn ein Neues Lied"
Gary Wood
cello
Fantasia for piano, chorus, and orchestra ('Choral Fantasy'), Op. 80
Fryderyk Chopin
piano
Nocturne No. 5 in F-sharp major, Op. 15 No. 2
Guordan
conductor
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai / Recitative - Allegro assai
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