| Karl Böhm (Austrian conductor) |
conductor |
Concerto for Horn and Orchestra No. 3 in E-flat major, KV 447: I. Allegro, Così fan tutte, Atto I, Scena 1: Fuor la spada, Così fan tutte, Atto I, Scena 1: La mia Dorabella capace non è, Così fan tutte, Atto I, Scena 1: Scioccherie di poeti!, Così fan tutte, Atto I, Scena 1: Una bella serenata, Così fan tutte, Atto I, Scena 1: È la fede delle femmine, Così fan tutte, Atto I, Scena 2: Ah, guarda, sorella, Così fan tutte, Atto I, Scena 2: Barbaro fato!... Vorrei dir, e cor non ho, Così fan tutte, Atto I, Scena 2: Bella vita militar!, Così fan tutte, Atto I, Scena 2: Dove son?, Così fan tutte, Atto I, Scena 2: La commedia è graziosa, Così fan tutte, Atto I, Scena 2: Mi par che stamattina, Così fan tutte, Atto I, Scena 2: Muoio d'affanno!... Di scrivermi ogni giorno, Così fan tutte, Atto I, Scena 2: Non son cattivo comico, Così fan tutte, Atto I, Scena 2: Non v'è più tempo, Così fan tutte, Atto I, Scena 2: Sento, oddio, che questo piede, Così fan tutte, Atto I, Scena 2: Soave sia il vento, Così fan tutte, Atto I, Scena 2: Stelle! Per carità, Signor Alfonso, Così fan tutte, Atto I, Scena 3: Ah, non partite!, Così fan tutte, Atto I, Scena 3: Ah, scostati!, Così fan tutte, Atto I, Scena 3: Alla bella Despinetta, Così fan tutte, Atto I, Scena 3: Che silenzio! Che aspetto di tristezza, Così fan tutte, Atto I, Scena 3: Che sussurro! Che strepito!, Così fan tutte, Atto I, Scena 3: Che vita maledetta, Così fan tutte, Atto I, Scena 3: Come scoglio immoto resta, Così fan tutte, Atto I, Scena 3: E voi ridete?, Così fan tutte, Atto I, Scena 3: In uomini, in soldati sperare fedeltà?, Così fan tutte, Atto I, Scena 3: L'intatta fede, Così fan tutte, Atto I, Scena 3: La cagion di quel riso?, Così fan tutte, Atto I, Scena 3: Non siate ritrosi, Così fan tutte, Atto I, Scena 3: Signora Dorabella, Signora Fiordiligi, Così fan tutte, Atto I, Scena 3: Smanie implacabili che m'agitate, Così fan tutte, Atto I, Scena 3: Un'aura amorosa del nostro tesoro, Così fan tutte, Atto I, Scena 4: Ah, che del sole il raggio, Così fan tutte, Atto I, Scena 4: Ah, che tutto in un momento, Così fan tutte, Atto I, Scena 4: Dammi un bacio, o mio tesoro, Così fan tutte, Atto I, Scena 4: Dove son? Che loco è questo?, Così fan tutte, Atto I, Scena 4: Eccovi il medico, Così fan tutte, Atto II, Scena 1: Madame... trattar l'amore, Così fan tutte, Atto II, Scena 1: Prenderò quel brunettino, Così fan tutte, Atto II, Scena 1: Sorella, cosa dici?, Così fan tutte, Atto II, Scena 1: Una donna a quindici anni, Così fan tutte, Atto II, Scena 2: Amico, abbiamo vinto!, Così fan tutte, Atto II, Scena 2: Barbara, perché fuggi?, Così fan tutte, Atto II, Scena 2: Cos'è tal mascherata?, Così fan tutte, Atto II, Scena 2: Donne mie, la fate a tanti a tanti, Così fan tutte, Atto II, Scena 2: Ei parte... senti... ah no!, Così fan tutte, Atto II, Scena 2: Il core vi dono, Così fan tutte, Atto II, Scena 2: In qual fiero contrasto, Così fan tutte, Atto II, Scena 2: La mano a me date, Così fan tutte, Atto II, Scena 2: Oh, che bella giornata!, Così fan tutte, Atto II, Scena 2: Per pietà, ben mio, perdona, Così fan tutte, Atto II, Scena 2: Secondate, aurette amiche, Così fan tutte, Atto II, Scena 2: Tradito, schernito, Così fan tutte, Atto II, Scena 3: Ah, poveretto me, cosa ho veduto!, Così fan tutte, Atto II, Scena 3: Come tutto congiura, Così fan tutte, Atto II, Scena 3: Fra gli amplessi in pochi istanti, Così fan tutte, Atto II, Scena 3: Ora vedo che siete una donna di garbo, Così fan tutte, Atto II, Scena 3: Tutti accussan le donne, Così fan tutte, Atto II, Scena 3: È amore un ladroncello, Così fan tutte, Atto II, Scena 4: Ah, Signor, son rea di morte, Così fan tutte, Atto II, Scena 4: Bella vita militar!, Così fan tutte, Atto II, Scena 4: Benedetti i doppi coniugi, Così fan tutte, Atto II, Scena 4: E nel tuo, nel mio bicchiero, Così fan tutte, Atto II, Scena 4: Fate presto, o cari amici, Così fan tutte, Atto II, Scena 4: Fortunato l'uom che prende, Così fan tutte, Atto II, Scena 4: Miei, signori, tutto è fatto, Così fan tutte, Atto II, Scena 4: Richiamata da regio contrordine, Così fan tutte, Overture, Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno), Die Zauberflöte, K. 620: Akt I, Szene I: Der Vogelfänger bin ich ja, Die Zauberflöte, K. 620: Akt I, Szene II: Dies Bildnis ist bezaubernd schön, Die Zauberflöte, K. 620: Akt I, Szene III: O zittre nicht, mein lieber Sohn!, Die Zauberflöte, K. 620: Akt I, Szene IV: Bei Männern, welche Liebe fühlen, Die Zauberflöte, K. 620: Akt I, Szene V: Wie stark Ist nicht dein Zauberton ... Schnelle Füße, rascher Mut ... Das klinget so herrlich ... Könnte jeder brave Mann, Die Zauberflöte, K. 620: Akt II, Szene I: Marsch der Priester, Die Zauberflöte, K. 620: Akt II, Szene II: Der Hölle Rache in meinem Herzen, Die Zauberflöte, K. 620: Akt II, Szene III: In diesen heil'gen Hallen, Die Zauberflöte, K. 620: Akt II, Szene IV: Ach, ich fühl's, Die Zauberflöte, K. 620: Akt II, Szene V: Ein Mädchen oder Weibchen, Die Zauberflöte, K. 620: Akt II, Szene VI: Tamino mein, Die Zauberflöte, K. 620: Akt II, Szene VII: Klinget, Glöckchen, klinget ... Pa-pa-papagena, Die Zauberflöte: Dies Bildnis ist bezaubernd schön (Tamino), Die Zauberflöte: Ouvertüre, Don Giovanni: Ah! Dov´è il perfido, Don Giovanni: Don Giovanni, a cenar teco m'invitasti, Don Giovanni: L'ultima prova dell'amor mio, Don Giovanni: Mi tradì quell'alma ingrata, Don Giovanni: N. 21b Recitativo accompagnato ed Aria [KV 540c]: In quali eccessi, o Numi, Don Giovanni: N. 22 Duetto: O statua gentilissima, Don Giovanni: N. 23 Recitativo accompagnato e Rondo: Crudele! Ah no, mio bene!, Don Giovanni: N. 24 Finale II: Già la mensa è preparata, Don Giovanni: Non mi dir, bell'idol mio, Don Giovanni: Recitativo: Ah, ah, ah, ah, questa è buona!, Don Giovanni: Recitativo: Calmatevi, idol mio, Idomeneo: Cieli! che veggo!, Idomeneo: Coro Vicino: Pieta! Numi, pieta!, Idomeneo: Eccoci salvi alfin, Idomeneo: Elettra: Prence, signor, tutta la Grecia oltraggi; tu proteggi il nemico, Idomeneo: Elettra: Tutte nel cor vi sento, Idomeneo: Eletttra: Estinto e Idomeneo?, Idomeneo: Idamante: Il padre adorato, Idomeneo: Idamante: Non ho colpa, e mi condanni, Idomeneo: Idamante: RAdunate i Troiani, ite, e la corte sia pronta questo giorno a celebrar, Idomeneo: Idamante: Scingete la catene, Idomeneo: Ilia: Padre, germani, addio!, Idomeneo: Ilia: Quando avran fine omai l'aspre sventure mie?, Idomeneo: Marcia, Idomeneo: Sinfonia, Idomeneo: Tutti: Godiam la pace, Idomeneo: Tutti: Nettuno s'onori!, Idomeneo: Vedrommi intorno, Konzert für Klavier und Orchester Nr. 27 B-dur KV 595: 1. Allegro, Konzert für Klavier und Orchester Nr. 27 B-dur KV 595: 2. Larghetto, Konzert für Klavier und Orchester Nr. 27 B-dur KV 595: 3. Allegro, La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto), La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia), La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia), La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto), La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto), La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia, La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro), La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Deh più sublime soglio" (Tito), La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Publio, Annio, Tito), La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito), La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio" (Sesto), La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia), La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia), La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Che mi rechi in quel foglio?" (Tito, Publio), La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito), La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativo "Felice me!" (Servilia, Vitellia), La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio), La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio), La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto), La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro), La clemenza di Tito, K. 621: Act II, Scene I. No. 13 Aria "Torna di Tito a lato" (Annio), La clemenza di Tito, K. 621: Act II, Scene I. Recitativo "Sesto, come tu credi" (Annio, Sesto), La clemenza di Tito, K. 621: Act II, Scene II. Recitativo "Partir deggio, oh restar?" (Sesto, Vitellia), La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio), La clemenza di Tito, K. 621: Act II, Scene V. No. 15 Coro "Ah grazie si rendano" (Tito, Publio), La clemenza di Tito, K. 621: Act II, Scene V. No. 16 Aria "Tardi s'avvede" (Publio), La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio), La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito), La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio), La clemenza di Tito, K. 621: Act II, Scene X. No. 19 Rondo "Deh per questo istante solo" (Sesto), La clemenza di Tito, K. 621: Act II, Scene X. Recitativo "Eppur mi fa pietà" (Tito, Sesto), La clemenza di Tito, K. 621: Act II, Scene XI. Recitativo "Ove s’intese mai più contumace" (Tito), La clemenza di Tito, K. 621: Act II, Scene XII. No. 20 Aria "Se all’impero, amici Dei" (Tito), La clemenza di Tito, K. 621: Act II, Scene XIII. Recitativo "Publio, ascolta!" (Vitellia, Publio), La clemenza di Tito, K. 621: Act II, Scene XIV. No. 21 Aria "S’altro che lacrime" (Servilia), La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia), La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" (Vitellia), La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro), La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito), La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro), La clemenza di Tito, K. 621: Ouverture, La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Act II, XIX. Rondo. "Deh per questo istante solo" (Sesto), La clemenza di Tito: Atto II. Recitativo "Annio, che rechi?" (Tito, Annio, Publio), La clemenza di Tito: Atto II. Recitativo "Pria che principio a' lieti spettacoli si dia" (Tito, Annio, Servilia, Vitellia), La clemenza di Tito: Atto II. Recitativo "È tutto colà d'intorno" (Publio, Tito), Le nozze di Figaro: Atto I. 1. Duetto: “Cinque … dieci … venti … trenta” (Figaro, Susanna), Le nozze di Figaro: Atto I. 2. Duettino: “Se a caso Madama la notte ti chiama” (Figaro, Susanna), Le nozze di Figaro: Atto I. 4. Aria: “La vendetta, oh, la vendetta” (Bartolo), Le nozze di Figaro: Atto I. 5. Duettino: “Via, resti servita” (Marcellina, Susanna), Le nozze di Figaro: Atto I. 7. Terzetto: “Cosa sento! tosto andate” (Conte, Basilio, Susanna), Le nozze di Figaro: Atto I. 8. Coro: “Giovani liete, fiori spargete” (Contadini, Contadine), Le nozze di Figaro: Atto I. 8a. Coro: “Giovani liete, fiori spargete” (Contadini, Contadine), Le nozze di Figaro: Atto I. 9. Aria: “Non più andrai, farfallone amoroso” (Figaro), Le nozze di Figaro: Atto I. Recitativo: “Ah, son perduto!” (Cherubino, Susanna, Conte, Basilio), Le nozze di Figaro: Atto I. Recitativo: “Basilio, in traccia tosto di Figaro” (Conte, Susanna, Cherubino, Basilio), Le nozze di Figaro: Atto I. Recitativo: “Bravo, Signor padrone!” (Figaro), Le nozze di Figaro: Atto I. Recitativo: “Cosa stai misurando” (Susanna, Figaro), Le nozze di Figaro: Atto I. Recitativo: “Cos’è questa commedia?” (Conte, Figaro, Susanna, Coro), Le nozze di Figaro: Atto I. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina), Le nozze di Figaro: Atto I. Recitativo: “Evviva!” … “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, Conte), Le nozze di Figaro: Atto I. Recitativo: “Or bene, ascolta, e taci” (Susanna, Figaro), Le nozze di Figaro: Atto I. Recitativo: “Tutto ancor no ho perso” (Marcellina, Susanna), Le nozze di Figaro: Atto I. Recitativo: “Va là, vecchia pedante” (Susanna, Cherubino), Le nozze di Figaro: Atto II. 12. Aria: “Venite… inginocchiaveti…” (Susanna), Le nozze di Figaro: Atto II. 13. Terzetto: “Susanna, or via, sortite” (Conte, Contessa, Susanna), Le nozze di Figaro: Atto II. 14. Duettino: “Aprite, presto, aprite” (Susanna, Cherubino), Le nozze di Figaro: Atto II. 15. Finale: “Ah! signore … signor” – “Cosa è stato?” (Antonio, Conte, Contessa, Susanna, Figaro), Le nozze di Figaro: Atto II. 15. Finale: “Esci, omai, garzon malnato” (Conte, Contessa), Le nozze di Figaro: Atto II. 15. Finale: “Signore! Cos’è quel stupore?” (Susanna, Conte, Contessa), Le nozze di Figaro: Atto II. 15. Finale: “Signori, di fuori son già i suonatori” (Figaro, Conte, Susanna, Contessa), Le nozze di Figaro: Atto II. 15. Finale: “Voi signor, che giusto siete” (Marcellina, Basilio, Bartolo, Conte, Susanna, Contessa, Figaro), Le nozze di Figaro: Atto II. Recitativo: “Bravo! che bella voce!” (Contessa, Susanna, Cherubino), Le nozze di Figaro: Atto II. Recitativo: “Conoscete, signor Figaro” (Conte, Figaro, Susanna, Contessa), Le nozze di Figaro: Atto II. Recitativo: “Dunque, voi non aprite?” (Conte, Contessa), Le nozze di Figaro: Atto II. Recitativo: “Oh guarda il demonietto!” (Susanna), Le nozze di Figaro: Atto II. Recitativo: “Quante buffonerie!” (Contessa, Susanna, Cherubino, Conte), Le nozze di Figaro: Atto II. Recitativo: “Quanto duolmi, Susanna” (Contessa, Susanna, Cherubino), Le nozze di Figaro: Atto II. Recitativo: “Susanna, son morta” (Contessa, Susanna, Conte), Le nozze di Figaro: Atto II. Recitativo: “Vieni, cara Susanna” (Contessa, Susanna, Figaro), Le nozze di Figaro: Atto II. Recitativo: “Vostre dunque saran queste carte” (Antonio, Conte, Figaro, Susanna, Contessa), Le nozze di Figaro: Atto II. “Che novità! non fu mai vostra usanza” (Conte, Contessa), Le nozze di Figaro: Atto II. “Tutto è come io lasciai” (Conte, Contessa), Le nozze di Figaro: Atto III. 16. Duetto: “Crudel! perchè finora farmi languir così?” (Conte, Susanna), Le nozze di Figaro: Atto III. 17. Aria: “Vedrò mentr’io sospiro” (Conte), Le nozze di Figaro: Atto III. 17. Recitativo: “Hai già vinta la causa!” (Conte), Le nozze di Figaro: Atto III. 18. Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna), Le nozze di Figaro: Atto III. 19. Aria: “Dove sono i bei momenti” (Contesa), Le nozze di Figaro: Atto III. 19. Recitativo: “E Susanna non vien” (Contessa), Le nozze di Figaro: Atto III. 21. Coro: “Ricevete, o padroncina” (Contadinelle), Le nozze di Figaro: Atto III. 22. Finale: Allegretto – “Amanti costanti” (Due ragazzi, Coro), Le nozze di Figaro: Atto III. 22. Finale: Andante – “Eh già, solita usanza” (Conte, Figaro), Le nozze di Figaro: Atto III. 22. Finale: “Ecco la marcia…andiamo” (Figaro, Susanna, Conte, Contessa), Le nozze di Figaro: Atto III. Recitativo: “Andate, amici” (Conte, Coro), Le nozze di Figaro: Atto III. Recitativo: “Che imbarazzo è mai questo!” (Conte, Contessa, Susanna), Le nozze di Figaro: Atto III. Recitativo: “E perchè fosti meco stamattina sì austera?” (Conte, Susanna, Figaro), Le nozze di Figaro: Atto III. Recitativo: “Io vi dico, signor” (Antonio, Conte, Contessa, Susanna), Le nozze di Figaro: Atto III. Recitativo: “Piegato è il foglio” (Susanna, Contessa), Le nozze di Figaro: Atto III. Recitativo: “Queste sono, Madama, le ragazze del loco” (Barbarina, Contessa, Susanna, Antonio, Conte, Cherubino, Figaro), Le nozze di Figaro: Atto III. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, Conte, Bartolo), Le nozze di Figaro: Atto III. “Andiamo, andiam, bel paggio” (Barbarina, Cherubino), Le nozze di Figaro: Atto III. “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro), Le nozze di Figaro: Atto IV. 23. Cavatina: “L’ho perduta…me meschina!” (Barbarina), Le nozze di Figaro: Atto IV. 24. Aria: “Il capro e la capretta” (Marcellina), Le nozze di Figaro: Atto IV. 25. Aria: “In quegli anni in cui val poco” (Basilio), Le nozze di Figaro: Atto IV. 26. Aria: “Aprite un po’quegli occhi” (Figaro), Le nozze di Figaro: Atto IV. 26. Recitativo: “Tutto è disposto” (Figaro), Le nozze di Figaro: Atto IV. 27. Aria: “Deh vieni, non tardar, o gioia bella” (Susanna), Le nozze di Figaro: Atto IV. 27. Recitativo: “Giunse alfin il momento” (Susanna), Le nozze di Figaro: Atto IV. 28. Finale: “Ecco qui la mia Susanna” (Conte, Susanna, Figaro, Cherubino, Contessa), Le nozze di Figaro: Atto IV. 28. Finale: “Gente, gente, all’armi, all’armi” (Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna, Contessa; tutti), Le nozze di Figaro: Atto IV. 28. Finale: “Pace, pace, mio dolce tesoro” (Figaro, Susanna, Conte), Le nozze di Figaro: Atto IV. 28. Finale: “Pian pianin le andrò più presso” (Cherubino, Contessa), Le nozze di Figaro: Atto IV. 28. Finale: “Tutto è tranquillo e placido” (Figaro, Susanna), Le nozze di Figaro: Atto IV. Recitativo: “Barbarina, cos’hai?” (Figaro, Barbarina, Marcellina), Le nozze di Figaro: Atto IV. Recitativo: “Nel padiglione a manca” (Barbarina, Figaro, Basilio, Bartolo), Le nozze di Figaro: Atto IV. Recitativo: “Perfida! e in quella forma meco mentia?” (Figaro, Cherubino, Contessa), Le nozze di Figaro: Atto IV. Recitativo: “Signora, ella mi disse” (Susanna, Marcellina, Contessa, Figaro), O Prinz, nimm dieses Geschenk von mir, Requiem in D Minor, K. 626: Kyrie, Serenade No. 10 in B flat major, K361: 1. Largo — Molto allegro, Serenade No. 10 in B flat major, K361: 2. Menuetto —Trio I / II, Serenade No. 10 in B flat major, K361: 3. Adagio, Serenade No. 10 in B flat major, K361: 4. Menuetto: Allegretto — Trio I / II, Serenade No. 10 in B flat major, K361: 5. Romance: Adagio — Allegretto, Serenade No. 10 in B flat major, K361: 6. Thema — Variationen I – VI, Serenade No. 10 in B flat major, K361: 7. Finale: Molto allegro |
| Wiener Philharmoniker |
performing orchestra |
Concerto for Horn and Orchestra No. 3 in E-flat major, KV 447: I. Allegro, Così fan tutte, K 588: Ah, scostati!, Così fan tutte, K 588: Alla bella Despinetta, Così fan tutte, K 588: Come scoglio immoto resta, Così fan tutte, K 588: Donne mie, la fate a tanti, Così fan tutte, K 588: E voi ridete?, Così fan tutte, K 588: Ei parte... Senti! ...Ah, no!, Così fan tutte, K 588: Fortunato l'uom che prende, Così fan tutte, K 588: Fra gli amplessi in pochi istanti, Così fan tutte, K 588: In uomini, in soldati, Così fan tutte, K 588: La mano a me date, Così fan tutte, K 588: Per pietà, ben mio, perdona, Così fan tutte, K 588: Prenderò quel brunettino, Così fan tutte, K 588: Rivolgete a lui lo sguardo, Così fan tutte, K 588: Smanie implacabili che m'agitate, Così fan tutte, K 588: Soave sia il vento, Così fan tutte, K 588: Un' aura amorosa del nostro tesoro, Così fan tutte, K 588: Una donna a quindici anni, Così fan tutte: Soave sia il vento, Deh, vieni alla finestra (Don Giovanni), Die Zauberflöte, K. 620: Akt I, Szene I: Der Vogelfänger bin ich ja, Die Zauberflöte, K. 620: Akt I, Szene II: Dies Bildnis ist bezaubernd schön, Die Zauberflöte, K. 620: Akt I, Szene III: O zittre nicht, mein lieber Sohn!, Die Zauberflöte, K. 620: Akt I, Szene IV: Bei Männern, welche Liebe fühlen, Die Zauberflöte, K. 620: Akt I, Szene V: Wie stark Ist nicht dein Zauberton ... Schnelle Füße, rascher Mut ... Das klinget so herrlich ... Könnte jeder brave Mann, Die Zauberflöte, K. 620: Akt II, Szene I: Marsch der Priester, Die Zauberflöte, K. 620: Akt II, Szene II: Der Hölle Rache in meinem Herzen, Die Zauberflöte, K. 620: Akt II, Szene III: In diesen heil'gen Hallen, Die Zauberflöte, K. 620: Akt II, Szene IV: Ach, ich fühl's, Die Zauberflöte, K. 620: Akt II, Szene V: Ein Mädchen oder Weibchen, Die Zauberflöte, K. 620: Akt II, Szene VI: Tamino mein, Die Zauberflöte, K. 620: Akt II, Szene VII: Klinget, Glöckchen, klinget ... Pa-pa-papagena, Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT I (Part 2), Don Giovanni KV 527: ACT II (Part 1), Don Giovanni KV 527: ACT II (Part 2), Don Giovanni, K. 527: Ah ! Del padre in periglio... Ma qual mai s'offre, Don Giovanni, K. 527: Ah, dov'è il perfido ?, Don Giovanni, K. 527: Ah, fuggi il traditor !, Don Giovanni, K. 527: Ah, si sugua il suo passo, Don Giovanni, K. 527: Ahi, ahi ! La testa mia !, Don Giovanni, K. 527: Alfin siam liberati, Don Giovanni, K. 527: Amico, che ti par, Don Giovanni, K. 527: Bisogna aver coraggio, Don Giovanni, K. 527: Calmatevi, idol mio !, Don Giovanni, K. 527: Chi è la ?, Don Giovanni, K. 527: Come mai creder deggio, Don Giovanni, K. 527: Dunque quello sei tu, Don Giovanni, K. 527: Ecco il birbo, Don Giovanni, K. 527: Eccomi a voi, Don Giovanni, K. 527: Eh via, buffone, Don Giovanni, K. 527: Fermati, scellerato, Don Giovanni, K. 527: Fruggi, crudele, fruggi !, Don Giovanni, K. 527: Giovinette, che fate all'amore, Don Giovanni, K. 527: Guarda un po', Don Giovanni, K. 527: Ho capito, signor si !, Don Giovanni, K. 527: In quali accessi, o numi, Don Giovanni, K. 527: In questa forma dunque, Don Giovanni, K. 527: Leporello !... Signore, Don Giovanni, K. 527: Ma poi, masetto mio... Batti, batti, o bel masetto, Don Giovanni, K. 527: Manco male è partita, Don Giovanni, K. 527: Masetto, senti un po' !, Don Giovanni, K. 527: Met di voi qua vadano, Don Giovanni, K. 527: Mi par ch'oggi il demonio, Don Giovanni, K. 527: Mille torbidi pensieri, Don Giovanni, K. 527: Non ci stanchiamo, Don Giovanni, K. 527: Non mi dir, dell'idol mio, Don Giovanni, K. 527: Non ti fidar, Don Giovanni, K. 527: Or che tutti, o mio tesoro, Don Giovanni, K. 527: Povera sventurata !, Don Giovanni, K. 527: Presto, presto, pria ch'ei venga, Don Giovanni, K. 527: Protegga il giusto cielo, Don Giovanni, K. 527: Ricominciate il suono !, Don Giovanni, K. 527: Sola, sola in buio loco, Don Giovanni, K. 527: Tra quest'arbori celata, Don Giovanni, K. 527: Venite pur avanti, Don Giovanni, K. 527: Zitto, lascia ch'io senta !, Don Giovanni: Ah! Dov´è il perfido, Don Giovanni: Don Giovanni, a cenar teco m'invitasti, Don Giovanni: L'ultima prova dell'amor mio, Don Giovanni: Mi tradì quell'alma ingrata, Don Giovanni: N. 21b Recitativo accompagnato ed Aria [KV 540c]: In quali eccessi, o Numi, Don Giovanni: N. 22 Duetto: O statua gentilissima, Don Giovanni: N. 23 Recitativo accompagnato e Rondo: Crudele! Ah no, mio bene!, Don Giovanni: N. 24 Finale II: Già la mensa è preparata, Don Giovanni: Non mi dir, bell'idol mio, Don Giovanni: Recitativo: Ah, ah, ah, ah, questa è buona!, Don Giovanni: Recitativo: Calmatevi, idol mio, Il dissoluto punito, ossia il Don Giovanni for Soprano in E-flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria "In quali eccessi, oh numi" - "Mi tradì quell'alma ingrata" (Soprano), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato e duetto "Ma qual mai s'offre, oh Dei" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 5 Recitativo "Manco male è partita" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira) / Scene XII. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a], Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello) / Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1], Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XIII-XIV. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Kontretanz C-Dur, KV 609 Nr. 1, Kontretanz D-Dur, KV 609 Nr. 3, Konzert für Klavier und Orchester Nr. 27 B-dur KV 595: 1. Allegro, Konzert für Klavier und Orchester Nr. 27 B-dur KV 595: 2. Larghetto, Konzert für Klavier und Orchester Nr. 27 B-dur KV 595: 3. Allegro, Le nozze de figaro: Acte Quatre / "Gente, Gente! All'armi, All'Armi!", Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), Messe C-dur KV 317 "Krönungsmesse": Agnus Dei, O Prinz, nimm dieses Geschenk von mir, Obertura, Primer Acto: "Bein Männern, welche Liebe fühlen", Primer Acto: "Dies Bildnis ist bezaubernd schön", Primer Acto: "Du feines Täubchen, nur herein!", Primer Acto: "Es lebe Sarastro! Sarastro lebe!", Primer Acto: "Führt diese beiden Fremdlinge", Primer Acto: "Herr, ich bin zwar Verbrecherin", Primer Acto: "Hm, hm, hm, hm, hm!", Primer Acto: "Könnte jeder brave Mann", Primer Acto: "Na, stolzer Jüngling, nur hierher", Primer Acto: "O ew'ge Nacht, wann wirst du schwinden?", Primer Acto: "O zittre nicht, mein lieber Sohn!", Primer Acto: "Schnelle Füße, rascher Mut", Primer Acto: "Wer viel wagt, gewinnt oft viel!", Primer Acto: "Zu hilfe! Zu hilfe!", Primer Acto: "Zurück!", Requiem en rémineur, K. 626 : I. Introitus "Requiem" (chorus, sopran), Requiem en rémineur, K. 626 : II. "Kyrie" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 1 "Dies irae" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 2 "Tuba mirum" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 3 "Rex tremendae" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 4 "Recordare" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 5 "Confutatis" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 6 "Lacrimosa" (chorus), Requiem en rémineur, K. 626 : IV. Offertorium: No. 1 "Domine Jesu" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : IV. Offertorium: No. 2 "Hostia" (chorus), Requiem en rémineur, K. 626 : V. "Sanctus" (chorus), Requiem en rémineur, K. 626 : VI. "Benedictus" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : VII. "Agnus Dei" (chorus), Requiem en rémineur, K. 626 : VIII. Communio "Lux aeterna" (chorus, sopran), Requiem in D Minor, K. 626: Kyrie, Requiem, K. 626: Dies irae, Requiem, K. 626: Lacrimosa, Segundo Acto: "Ach, ich fühl's, es ist verchwunden", Segundo Acto: "Alles fühlt der Liebe Freuden", Segundo Acto: "Bald prangt, den Morgen zu verkünden", Segundo Acto: "Bewahret euch vor Weibertücken", Segundo Acto: "Der, welcher wandert diese Straße voll Beschwerden", Segundo Acto: "Die Strahlen der Sonne vertreiben die Nacht", Segundo Acto: "Ein Mädchen oder Weibchen", Segundo Acto: "In diesen heil'gen Hallen", Segundo Acto: "Nur stille, stille, stille, stille!", Segundo Acto: "O Isis und Osiris, schenket", Segundo Acto: "O Isis und Osiris, welche Wonne!", Segundo Acto: "Pa-pa-pa-pa-pa-pa-Papagena!", Segundo Acto: "Papagena! Papagena! Papagena!", Segundo Acto: "Seid uns zum zweitenmal willkommen", Segundo Acto: "Soll ich dich, Teurer, nicht mehr seh'n?", Segundo Acto: "Tamino mein! O welch ein Glück!", Segundo Acto: "Triumph! Triumph! Du edles Paar!", Segundo Acto: "Wie? Wie? Wie?", Segundo Acto: Marcha de los sacerdotes, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": II. Minuetto. Allegretto & Trio, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": III. Concertante. Andante grazioso, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": V. Andantino, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VI. Minuetto & Trio I & Trio II, Serenade in G, K.525 "Eine kleine Nachtmusik": Romance (Andante), Symphonie no. 21 en la majeur, K. 134 : I. Allegro, Symphonie no. 21 en la majeur, K. 134 : II. Andante, Symphonie no. 21 en la majeur, K. 134 : III. Menuetto - Trio - Menuetto, Symphonie no. 21 en la majeur, K. 134 : IV. Allegro, Symphony no. 22 in C major, K. 162: I. Allegro assai, Symphony no. 22 in C major, K. 162: II. Andantino grazioso, Symphony no. 22 in C major, K. 162: III. Presto assai, Symphony no. 23 in D major, K. 181 (162b): I. Allegro spritoso, Symphony no. 23 in D major, K. 181 (162b): II. Andantino grazioso, Symphony no. 23 in D major, K. 181 (162b): III. Presto assai, Symphony no. 24 in B flat major, K. 182 (173dA): I. Allegro spiritoso, Symphony no. 24 in B flat major, K. 182 (173dA): II. Andantino grazioso, Symphony no. 24 in B flat major, K. 182 (173dA): III. Allegro, Symphony no. 29 in A major, K. 201 (186a): I. Allegro moderato, Symphony no. 29 in A major, K. 201 (186a): II. Andante, Symphony no. 29 in A major, K. 201 (186a): III. Menuetto - Trio, Symphony no. 29 in A major, K. 201 (186a): IV. Allegro con spirito, Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto, Symphony no. 41 in C major, K. 551 "Jupiter": IV. Finale, Molto allegro |
| Herbert von Karajan |
conductor |
Cosi Fan Tutte, K. 588 - Un'aura amorosa del nostro tesoro, Cosi fan tutte: Act I, Scene I. "E la fede delle femmine", Cosi fan tutte: Act I, Scene I. "La mia Dorabella capace non e", Cosi fan tutte: Act I, Scene I. "Una bella serenata", Cosi fan tutte: Act I, Scene II. "Soave sia il vento", Cosi fan tutte: Act I, Scene III. "Ah, scostati!... - Smanie implacabili", Cosi fan tutte: Act I, Scene III. "Alla bella Despinetta", Cosi fan tutte: Act I, Scene III. "E voi ridete?", Cosi fan tutte: Act I, Scene III. "In uomini, in soldati", Cosi fan tutte: Act I, Scene III. "L'intatta fede che...Come scoglio immoto resta", Cosi fan tutte: Act I, Scene III. "Non siate ritrosi, occhietti vezzosi", Cosi fan tutte: Act I, Scene III. "Un'aura amorosa del nostro tesoro", Cosi fan tutte: Act II, Scene I. "Prendero quel brunettino", Cosi fan tutte: Act II, Scene I. "Una donna a quindici anni", Cosi fan tutte: Act II, Scene II. "Donne mie, la fate a tanti a tanti", Cosi fan tutte: Act II, Scene II. "Ei parte... senti... ah no!", Cosi fan tutte: Act II, Scene II. "Il core vi dono", Cosi fan tutte: Act II, Scene II. "La mano a me date", Cosi fan tutte: Act II, Scene II. "Per pieta, ben mio, perdona", Cosi fan tutte: Act II, Scene III. "Fra gli amplessi in pochi istanti", Cosi fan tutte: Act II, Scene III. "Tutti accusan le donne", Cosi fan tutte: Act II, Scene IV. "Fortunato l'uom che prende", Cosi fan tutte: Overture, Die Zauberflote: Overture, Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno), Die Zauberflöte, K. 620: Overture, Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": I. Allegro, Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": II. Andante, Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": III. Presto, Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": I. Allegro, Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": II. Andante, Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": III. Presto, Grande Messe en ut mineur K427 (417a) Kyrie, Grande messe en ut mineur, K. 427 (417a) : I. Kyrie (Andante moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 1 "Gloria in excelsis Deo" (Allegro vivace), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 2 "Laudamus te" (Allegro aperto), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 3 "Gratias" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 4 "Domine" (Allegro moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 5 "Qui tollis peccato mundi" (Largo), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 6 "Quoniam tu solus sanctus" (Allegro), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 7 "Jesus Christe" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 8 "Cum sancto spiritu", Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 1 "Credo in unum Deum" (Allegro maestoso), Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 2 "Et incarnatus est" (Andante), Grande messe en ut mineur, K. 427 (417a) : IV. Sanctus (Largo), Grande messe en ut mineur, K. 427 (417a) : V. Benedictus (Allegro comodo), Grosse Messe en ut mineur K 427 (471a) Credo: Credo in unum Deum, Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus", Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato e duetto "Ma qual mai s'offre, oh Dei" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 5 Recitativo "Manco male è partita" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira) / Scene XII. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a], Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello) / Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1], Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XIII-XIV. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, La Flûte Enchantée, Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna), Messa dell'Incoronazione K317 - Agnus Dei, Messa dell'Incoronazione K317 - Benedictus, Messa dell'Incoronazione K317 - Credo, Messa dell'Incoronazione K317 - Gloria, Messa dell'Incoronazione K317 - Kyrie, Messa dell'Incoronazione K317 - Sanctus, Messe C-dur KV 317 "Krönungsmesse": Agnus Dei, Obertura, Primer Acto: "Bein Männern, welche Liebe fühlen", Primer Acto: "Dies Bildnis ist bezaubernd schön", Primer Acto: "Du feines Täubchen, nur herein!", Primer Acto: "Es lebe Sarastro! Sarastro lebe!", Primer Acto: "Führt diese beiden Fremdlinge", Primer Acto: "Herr, ich bin zwar Verbrecherin", Primer Acto: "Hm, hm, hm, hm, hm!", Primer Acto: "Könnte jeder brave Mann", Primer Acto: "Na, stolzer Jüngling, nur hierher", Primer Acto: "O ew'ge Nacht, wann wirst du schwinden?", Primer Acto: "O zittre nicht, mein lieber Sohn!", Primer Acto: "Schnelle Füße, rascher Mut", Primer Acto: "Wer viel wagt, gewinnt oft viel!", Primer Acto: "Zu hilfe! Zu hilfe!", Primer Acto: "Zurück!", Requiem en rémineur, K. 626 : I. Introitus "Requiem" (chorus, sopran), Requiem en rémineur, K. 626 : II. "Kyrie" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 1 "Dies irae" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 2 "Tuba mirum" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 3 "Rex tremendae" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 4 "Recordare" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 5 "Confutatis" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 6 "Lacrimosa" (chorus), Requiem en rémineur, K. 626 : IV. Offertorium: No. 1 "Domine Jesu" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : IV. Offertorium: No. 2 "Hostia" (chorus), Requiem en rémineur, K. 626 : V. "Sanctus" (chorus), Requiem en rémineur, K. 626 : VI. "Benedictus" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : VII. "Agnus Dei" (chorus), Requiem en rémineur, K. 626 : VIII. Communio "Lux aeterna" (chorus, sopran), Requiem, K. 626: Dies irae, Requiem, K. 626: Lacrimosa, Segundo Acto: "Ach, ich fühl's, es ist verchwunden", Segundo Acto: "Alles fühlt der Liebe Freuden", Segundo Acto: "Bald prangt, den Morgen zu verkünden", Segundo Acto: "Bewahret euch vor Weibertücken", Segundo Acto: "Der, welcher wandert diese Straße voll Beschwerden", Segundo Acto: "Die Strahlen der Sonne vertreiben die Nacht", Segundo Acto: "Ein Mädchen oder Weibchen", Segundo Acto: "In diesen heil'gen Hallen", Segundo Acto: "Nur stille, stille, stille, stille!", Segundo Acto: "O Isis und Osiris, schenket", Segundo Acto: "O Isis und Osiris, welche Wonne!", Segundo Acto: "Pa-pa-pa-pa-pa-pa-Papagena!", Segundo Acto: "Papagena! Papagena! Papagena!", Segundo Acto: "Seid uns zum zweitenmal willkommen", Segundo Acto: "Soll ich dich, Teurer, nicht mehr seh'n?", Segundo Acto: "Tamino mein! O welch ein Glück!", Segundo Acto: "Triumph! Triumph! Du edles Paar!", Segundo Acto: "Wie? Wie? Wie?", Segundo Acto: Marcha de los sacerdotes, Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Simfonia No. 35 KV 385 "Haffner": I. Allegro con spirito, Simfonia No. 35 KV 385 "Haffner": II. Andante, Simfonia No. 35 KV 385 "Haffner": III. Menuetto, Simfonia No. 35 KV 385 "Haffner": IV. Presto, Symphony No. 40 in G Minor: Allegro Molto, Symphony No. 40 in G Minor: Andante, Symphony No. 40 in G Minor: Menuetto, Symphony No. 40 in G Minor: Presto, Symphony No. 41, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41, K. 551 "Jupiter": III. Menuetto. Allegretto, Symphony No. 41, K. 551 "Jupiter": IV. Molto allegro, Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto, Symphony no. 41 in C major, K. 551 "Jupiter": IV. Finale, Molto allegro |
| Chamber Choir of Europe |
vocal |
Kyrie for Chorus & Orchestra in F major, K. 33, Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: I. "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: II. "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: III. "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: IV. "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: V. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: V. "Tremendum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VI. "Panis omnipotentia", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VII. "Viaticum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": I. "Kyrie", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": II. "Gloria", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": III. "Credo", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": IV. "Sanctus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": V. "Benedictus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Gloria. "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Gloria. "Gratias agimus tibi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Gloria. "Domine Deus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Gloria. "Qui tollis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VII. Gloria. "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIII. Gloria. "Cum sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": X. Credo. "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XI. Credo. "Crucifixus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XII. Credo. "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIII. Credo. "Et in Spiritum Sanctum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIV. Credo. "Et in unam Sanctam Catholicam", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XV. Credo. "Et vitam venturi saeculi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVI. Credo. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVII. Credo. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVIII. Credo. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": II. "Christe eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": III. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IX. "Quoniam tu solus sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": V. "Laudamus te", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VI. "Gratias agimus tibi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VII. "Domine Deus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIII. "Qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": X. "Cum Sancto Spiritu", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XII. "Et incarnatus est", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIII. "Crucifixus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIV. "Et resurrexit", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XV. "Et in Spiritum Sanctum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVI. "Et unam Sanctam Catholicam", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVII. "Et vitam venturi saeculi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XXI. "Dona nobis pacem", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": I. "Kyrie", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": II. "Gloria", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": III. "Credo", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": IV. "Sanctus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": V. "Benedictus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": VI. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Missa brevis in C major, KV 259 “Orgelsolo Messe”: I. Kyrie, Missa brevis in C major, KV 259 “Orgelsolo Messe”: II. Gloria, Missa brevis in C major, KV 259 “Orgelsolo Messe”: III. Credo, Missa brevis in C major, KV 259 “Orgelsolo Messe”: IV. Sanctus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: V. Benedictus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: VI. Agnus Dei, Missa in C major, KV 258 “Spaurmesse”: I. Kyrie, Missa in C major, KV 258 “Spaurmesse”: II. Gloria, Missa in C major, KV 258 “Spaurmesse”: III. Credo, Missa in C major, KV 258 “Spaurmesse”: IV. Sanctus, Missa in C major, KV 258 “Spaurmesse”: V. Benedictus, Missa in C major, KV 258 “Spaurmesse”: VI. Agnus Dei, Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" |
| René Jacobs |
conductor |
Die Zauberflöte: I. Akt, 1. Auftritt (Tamino, Die Drei Damen). Nr. 1 Introduktion. Tamino: ''Zu Hilfe! Zu Hilfe!'', Die Zauberflöte: I. Akt, 11. Auftritt (Monostatos, Pamina). Nr. 6 Terzett Monostatos: ''Du Feines Täubchen, Nur Herein'' - 12. Auftritt (Papageno, Monostatos). Papageno: ''Wo Bin Ich Wohl?'', Die Zauberflöte: I. Akt, 13. Auftritt (Pamina). Pamina: ''Mutter'' - 14. Auftritt (Papageno, Pamina). Papageno: ''Bin Ich Nicht Ein Narr'', Die Zauberflöte: I. Akt, 14. Auftritt. Nr. 7 Duett Pamina, Papageno: ''Bei Männern, Welche Liebe Fühlen'', Die Zauberflöte: I. Akt, 15. Auftritt (Drei Knaben, Tamino). Drei Knaben: ''Zum Ziele Führt Dich Diese Bahn'', Die Zauberflöte: I. Akt, 15. Auftritt (Tamino, Priester). Tamino: ''Die Weisheitslehre Dieser Knaben'', Die Zauberflöte: I. Akt, 15. Auftritt. Tamino: ''Wie Stark Ist Nichts Dein Zauberton'', Die Zauberflöte: I. Akt, 16. Auftritt (Papageno, Pamina). Beide: ''Schnelle Füße, Rascher Mut'', Die Zauberflöte: I. Akt, 17. Auftritt (Papageno, Pamina). Chor: ''Es Lebe Sarastro'' - 18. Auftritt (Pamina, Sarastro). Chor: ''Es Lebe Sarastro'', Die Zauberflöte: I. Akt, 17. Auftritt (Papageno, Pamina, Monostatos). Monostatos: ''Ha, Hab Ich Euch Noch Erwischt'', Die Zauberflöte: I. Akt, 19. Auftritt (Monostatos, Tamino, Pamina, Sarastro). Monostatos: ''Nun Stolzer Jüngling, Nur Hieher!'', Die Zauberflöte: I. Akt, 2. Auftritt (Papageno, Tamino). Nr. 2 Arie Papageno: ''Der Vogelfänger Bin Ich Ja'', Die Zauberflöte: I. Akt, 2. Auftritt. Tamino: ''He Da!'' - 3. Auftritt (Die Drei Damen, Papageno, Tamino), Die Zauberflöte: I. Akt, 4. Auftritt (Tamino, Papageno). Nr. 3 Arie Tamino: ''Dies Bildnis Ist Bezaubernd Schön'', Die Zauberflöte: I. Akt, 5. Auftritt (Die Drei Damen, Papageno, Tamino). Erste Dame: ''Rüste Dich Mit Mut Und Standhaftigkeit'', Die Zauberflöte: I. Akt, 6. Auftritt (Königin). Nr.4 Rezitativ Und Arie Königin: ''O Zittre Nicht'' - 7. Auftritt (Tamino, Papageno). Tamino: ''Ist's Denn Auch Wirklichkeit'', Die Zauberflöte: I. Akt, 7. Auftritt. Nr. 5 Quintett Papageno: ''Hm! Hm! Hm!'' - 8. Auftritt (Die Drei Damen, Papageno, Tamino). Erste Dame: ''Die Königin Begnadigt Dich'', Die Zauberflöte: I. Akt, 9. Auftritt (Drei Sklaven). Dritter Sklave: ''Ha, Ha, Ha!'' - 10. Auftritt (Drei Sklaven, Monostatos). Monostatos: ''He Sklaven!'', Die Zauberflöte: II. Akt, 1. Auftritt (Sarastro, Priester, Sprecher). Sarastro: ''Ihr, In Dem Weisheitstempel Eingeweihten Diener'', Die Zauberflöte: II. Akt, 1. Auftritt. Nr. 9 Marsch Der Priester, Die Zauberflöte: II. Akt, 1. Auftritt. Nr.10 Arie Mit Chor. Sarastro: ''O Isis Und Osiris'', Die Zauberflöte: II. Akt, 12. Auftritt. Nr. 15 Arie Sarastro: ''In Diesen Heil'Gen Hallen'', Die Zauberflöte: II. Akt, 13. Auftritt (Sprecher, Zweiter Priester) - 14. Auftritt (Tamino, Papageno) - 15. Auftritt (Papageno, Weib), Die Zauberflöte: II. Akt, 16. Auftritt (Die Drei Knaben). Nr. 16 Terzett. Die Drei Knaben: ''Seid Uns Zum Zweiten Mal Willkommen'', Die Zauberflöte: II. Akt, 17. Auftritt (Tamino, Papageno) Papageno: ''Tamino, Wollen Wir Nicht Speisen?'' - 18. Auftritt (Pamina, Tamino, Papageno), Die Zauberflöte: II. Akt, 18. Auftritt. Nr. 17 Arie Pamina: ''Ach Ich Fühl's, Es Ist Verschwunden'', Die Zauberflöte: II. Akt, 19. Auftritt (Tamino, Papageno). Papageno: ''Nicht Wahr Tamino, Ich Kann Auch Schweigen'', Die Zauberflöte: II. Akt, 2. Auftritt (Tamino, Papageno). Tamino: ''Eine Schreckliche Nacht!'' - 3. Auftritt (Sprecher, Priester, Tamino, Papageno). Sprecher: ''Ihr Fremdlinge'', Die Zauberflöte: II. Akt, 20. Szene (Chor Der Priester). Nr. 18 Chor Der Priester: ''O Isis Und Osiris'', Die Zauberflöte: II. Akt, 21. Auftritt (Tamino, Pamina, Sarastro). Sarastro: ''Prinz, Dein Betragen'', Die Zauberflöte: II. Akt, 21. Auftritt. Nr. 19 Terzett (Pamina, Sarastro, Tamino). Pamina: ''Soll Ich Dich, Teurer! Nicht Mehr Seh'n?'', Die Zauberflöte: II. Akt, 22. Auftritt (Papageno) - 23. Auftritt (Sprecher, Papageno). Sprecher: ''Mensch! Du Hättest Verdient'', Die Zauberflöte: II. Akt, 23. Auftritt. Nr. 20 Arie Papageno: ''Ein Mädchen Oder Weibchen'', Die Zauberflöte: II. Akt, 24. Auftritt (Weib, Papageno) - 25. Auftritt (Weib, Papageno, Sprecher) - 26. Auftritt (Die Drei Knaben). Nr. 21 Finale: ''Bald Pragnt, Den Morgen Zu Verkünden'', Die Zauberflöte: II. Akt, 27. Auftritt (Pamina, Die Drei Knaben). Pamina: ''Du Also Bist Mein Bräutigam?'', Die Zauberflöte: II. Akt, 28. Auftritt (Pamina, Tamino, Chor). Pamina Und Tamino: ''Wir Wandelten Durch Feuergluten'', Die Zauberflöte: II. Akt, 28. Auftritt (Pamina, Tamino, Die Geharnischten). Pamina: ''Tamino, Halt'', Die Zauberflöte: II. Akt, 28. Auftritt (Zwei Männer, Tamino). Zwei Geharnischte Männer: ''Der, Welcher Wandert Dieser Straße'', Die Zauberflöte: II. Akt, 29. Auftritt (Drei Knaben, Papageno). Drei Knaben: ''Halt Ein, O Papageno!'', Die Zauberflöte: II. Akt, 29. Auftritt (Papageno). Papageno: ''Papagena! Papagena!'', Die Zauberflöte: II. Akt, 29. Auftritt. Duette Papageno, Weib: ''Pa - Pa - Pa'', Die Zauberflöte: II. Akt, 3. Auftritt. Nr.11 Duett Zweiter Priester Und Sprecher: ''Bewahret Euch Vor Weibertücken'' - 4. Auftritt (Papageno, Tamino). Papageno: ''He, Lichter Her!'', Die Zauberflöte: II. Akt, 30. Auftritt (Mohr, Weiber, Königin, Damen). Mohr: ''Nur Stille!'', Die Zauberflöte: II. Akt, 30. Auftritt (Sarastro, Chor Von Priestern). Sarastro: ''Die Strahlen Der Sonne Vertreiben Die Nacht'', Die Zauberflöte: II. Akt, 5. Auftritt (Die Drei Damen, Papageno, Tamino). Nr. 12 Quintett. Die Drei Damen: ''Wie? Wie? Wie?'', Die Zauberflöte: II. Akt, 6. Auftritt (Tamino, Papageno, Sprecher, Zweiter Priester). Sprecher: ''Heil Dir, Jüngling!'', Die Zauberflöte: II. Akt, 7. Auftritt (Monostatos). Monostatos: ''Ha, Da Find' Ich Ja Die Spröde Schöne!'', Die Zauberflöte: II. Akt, 7. Auftritt. Nr. 13 Arie Monostatos: ''Alles Fühlt Der Liebe Freuden'', Die Zauberflöte: II. Akt, 8. Auftritt (Königin, Pamina, Monostatos). Königin: ''Zurücke!'', Die Zauberflöte: II. Akt, 8. Auftritt. Nr. 14 Arie Königin: ''Die Hölle Rache Kocht In Meinem Herzen'', Die Zauberflöte: II. Akt, 9. Auftritt (Pamina) - 10. Auftritt (Pamina, Monostatos) - 11. Auftritt (Monostatos, Sarastro) - 12. Auftritt (Pamina, Sarastro). Pamina: ''Herr, Strafe Meine Mutter Nicht'', Die Zauberflöte: Ouvertüre, Don Giovanni, Prague version: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Don Giovanni, Prague version: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Don Giovanni, Prague version: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Don Giovanni, Prague version: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Don Giovanni: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Don Giovanni: Act I, Scene II. Recitativo "Ah del padre in periglio" (Donna Anna, Don Ottavio) / No. 2 Recitativo accomp. "Ma qual mai s'offre, o Dei" (Donna Anna, Don Ottavio), Don Giovanni: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello), Don Giovanni: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Don Giovanni: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Don Giovanni: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Don Giovanni: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Don Giovanni: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Don Giovanni: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Don Giovanni: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira), Don Giovanni: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Don Giovanni: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Don Giovanni: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Don Giovanni: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Don Giovanni: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni), Don Giovanni: Act I, Scene XI. Recitativo "Ah ti ritrovo ancor" (Donna Elvira) / Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Don Giovanni: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna), Don Giovanni: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni), Don Giovanni: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Don Giovanni: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio), Don Giovanni: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a], Don Giovanni: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni), Don Giovanni: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello), Don Giovanni: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Don Giovanni: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Don Giovanni: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Don Giovanni: Act I, Scene XVI. No. 13 Finale "Presto presto" (Zerlina, Masetto) / Act I, Scene XVII. "Su svegliatevi, da bravi" (Don Giovanni, Servi), Don Giovanni: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Don Giovanni: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Don Giovanni: Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro), Don Giovanni: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Don Giovanni: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello), Don Giovanni: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello), Don Giovanni: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Don Giovanni: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / Act II, Scene II. Recitativo "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Don Giovanni: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto) / Act II, Scene IV. Recitativo "Non ci stanchiamo" (Don Giovanni, Masetto), Don Giovanni: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Don Giovanni: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) / Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Don Giovanni: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni), Don Giovanni: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Don Giovanni: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) / Act II, Scene VIII. "Ferma, briccone", Don Giovanni: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Don Giovanni: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Don Giovanni: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello), Don Giovanni: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna), Don Giovanni: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna), Don Giovanni: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Don Giovanni: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Don Giovanni: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira), Don Giovanni: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira), Don Giovanni: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Don Giovanni: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Don Giovanni: Act II, Scene Xa. Anhang. No. 21 Duetto "Per queste tue manine" (Zerlina, Leporello) [K. 540b], Don Giovanni: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello), Don Giovanni: Act II, Scene Xb. Recitativo "Guarda un po'come stretto" (Leporello), Don Giovanni: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto), Don Giovanni: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2], Don Giovanni: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1], Don Giovanni: Ouvertura, Mitridate: Aria Già dagli occhi il velo è tolto, Symphonie n°38 "Prague" en ré Majeur: I. Adagio allegro, Symphonie n°38 "Prague" en ré Majeur: II. Andante, Symphonie n°38 "Prague" en ré Majeur: III. Finale. Presto, Symphony No. 38 en ré majeur, K. 504 "Prague": I. Adagio - Allegro, Symphony No. 38 en ré majeur, K. 504 "Prague": II. Andante, Symphony No. 38 en ré majeur, K. 504 "Prague": III. Finale. Presto, Symphony No. 39 in E-flat major, K. 543: I. Adagio - Allegro, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Menuetto - Allegretto, Symphony No. 39 in E-flat major, K. 543: IV. Finale - Allegro, Symphony No. 40 in G minor, K. 550: I. Molto allegro, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Minuetto. Allegretto, Symphony No. 40 in G minor, K. 550: IV. Allegro assai, Symphony No. 41 en ut majeur, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 en ut majeur, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 en ut majeur, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio, Symphony No. 41 en ut majeur, K. 551 "Jupiter": IV. Allegro molto |
| Nicol Matt |
conductor |
Kyrie for Chorus & Orchestra in F major, K. 33, Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: I. "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: II. "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: III. "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: IV. "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: V. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: V. "Tremendum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VI. "Panis omnipotentia", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VII. "Viaticum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": I. "Kyrie", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": II. "Gloria", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": III. "Credo", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": IV. "Sanctus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": V. "Benedictus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Gloria. "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Gloria. "Gratias agimus tibi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Gloria. "Domine Deus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Gloria. "Qui tollis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VII. Gloria. "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIII. Gloria. "Cum sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": X. Credo. "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XI. Credo. "Crucifixus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XII. Credo. "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIII. Credo. "Et in Spiritum Sanctum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIV. Credo. "Et in unam Sanctam Catholicam", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XV. Credo. "Et vitam venturi saeculi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVI. Credo. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVII. Credo. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVIII. Credo. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": II. "Christe eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": III. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IX. "Quoniam tu solus sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": V. "Laudamus te", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VI. "Gratias agimus tibi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VII. "Domine Deus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIII. "Qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": X. "Cum Sancto Spiritu", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XII. "Et incarnatus est", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIII. "Crucifixus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIV. "Et resurrexit", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XV. "Et in Spiritum Sanctum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVI. "Et unam Sanctam Catholicam", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVII. "Et vitam venturi saeculi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XXI. "Dona nobis pacem", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": I. "Kyrie", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": II. "Gloria", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": III. "Credo", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": IV. "Sanctus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": V. "Benedictus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": VI. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Missa brevis in C major, KV 259 “Orgelsolo Messe”: I. Kyrie, Missa brevis in C major, KV 259 “Orgelsolo Messe”: II. Gloria, Missa brevis in C major, KV 259 “Orgelsolo Messe”: III. Credo, Missa brevis in C major, KV 259 “Orgelsolo Messe”: IV. Sanctus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: V. Benedictus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: VI. Agnus Dei, Missa in C major, KV 258 “Spaurmesse”: I. Kyrie, Missa in C major, KV 258 “Spaurmesse”: II. Gloria, Missa in C major, KV 258 “Spaurmesse”: III. Credo, Missa in C major, KV 258 “Spaurmesse”: IV. Sanctus, Missa in C major, KV 258 “Spaurmesse”: V. Benedictus, Missa in C major, KV 258 “Spaurmesse”: VI. Agnus Dei |
| Staatskapelle Dresden |
performing orchestra |
Der Schauspieldirektor, K. 486: Overture, Die Entführung aus dem Serail, KV 384: "Konstanze, dich wiederzusehen" - "O wie ängstlich" (Belmonte), Die Entführung aus dem Serail, KV 384: "Vivat Bacchus, Bacchus lebe" (Pedrillo, Osmin), Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Bei Männern, welche Liebe fühlen, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Bin ich nicht ein Narr, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Der Vogelfänger bin ich ja, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Dies Bildnis ist bezaubernd schön, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Du feines Täubchen, nur herein! Wo bin ich wohl?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: He da! - Was da!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Ist's denn Wirklichkeit, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Könnte jeder brave Mann, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Nun, stolzer Jüngling, nur hierher, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: O zitt're nicht, mein lieber Sohn!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Rüste dich mit Mut und Standhaftigkeit, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Schnelle Füße, rascher Mut, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Wie stark ist nicht dein Zauberton, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Wo bin ich? Ist's Phantasie, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Zu Hilfe! Zu Hilfe!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Zum Ziele führt dich diese Bahn, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Zurück! - Zurück?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Bald prangt, den Morgen zu verkünden, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Bewahret euch vor Weibertücken, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Da bin ich schon, mein Engel!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Der, welcher wandert diese Straße, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Die Strahlen der Sonne vertreiben die Nacht, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Ein Mädchen oder Weibchen, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Eine schreckliche Nacht!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: March, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Nicht wahr, Tamino, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Nur stille, stille, stille, stille!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: O Isis und Osiris, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papagena!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Papagena! Papagena! Papagena!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Soll ich dich, Teurer, nicht mehr sehn?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Tamino mein! O welch ein Glück!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Tamino, deine Haltung, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Wie? Wie? Wie?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Overture, Die Zauberflöte, K. 620: Act I. Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, K. 620: Act I: Es lebe Sarastro, Die Zauberflöte, K. 620: Act I: Hm, hm, hm, Die Zauberflöte, K. 620: Act I: Komm, Tamino!, Die Zauberflöte, K. 620: Act I: Pst! Pst!, Die Zauberflöte, K. 620: Act II: Ach, ich fühl's, Die Zauberflöte, K. 620: Act II: Alles fühlt der Liebe Freuden, Die Zauberflöte, K. 620: Act II: He, Lichter her!, Die Zauberflöte, K. 620: Act II: Hier seid ihr beide euch allein überlassen, Die Zauberflöte, K. 620: Act II: Ihr in den Weisheitstempel eingeweihten Diener, Die Zauberflöte, K. 620: Act II: In diesen heil'gen Hallen, Die Zauberflöte, K. 620: Act II: Morden soll ich?, Die Zauberflöte, K. 620: Act II: Mutter! - O meine Mutter, Die Zauberflöte, K. 620: Act II: Seid uns zum zweitenmal willkommen, Die Zauberflöte, K. 620: Act II: Tamino! Deine Standhaftigkeit hat gesiegt, Die Zauberflöte, K. 620: Act II: Tamino! Tamino!, Die Zauberflöte, K. 620: Act II: Tamino, wollen wir nicht speisen?, Die Zauberflöte, KV 620: "Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, KV 620: "Dies Bildnis ist bezaubernd schön" (Tamino), Die Zauberflöte, KV 620: "Ein Mädchen oder Weibchen" (Papageno), Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A, Die Zauberflöte: O, Isis und Osiris, Don Giovanni, K. 527: Overture, Don Giovanni, KV 527: "Fin ch'an dal vino" (Don Giovanni), Don Giovanni, KV 527: "Madamina, il catalogo è questo" (Leporello), Exsultate, jubilate, K. 165 (158a): Allegro - (Andante) - (Vivace), Idomeneo: Cieli! che veggo!, Idomeneo: Coro Vicino: Pieta! Numi, pieta!, Idomeneo: Eccoci salvi alfin, Idomeneo: Elettra: Prence, signor, tutta la Grecia oltraggi; tu proteggi il nemico, Idomeneo: Elettra: Tutte nel cor vi sento, Idomeneo: Eletttra: Estinto e Idomeneo?, Idomeneo: Idamante: Il padre adorato, Idomeneo: Idamante: Non ho colpa, e mi condanni, Idomeneo: Idamante: RAdunate i Troiani, ite, e la corte sia pronta questo giorno a celebrar, Idomeneo: Idamante: Scingete la catene, Idomeneo: Ilia: Padre, germani, addio!, Idomeneo: Ilia: Quando avran fine omai l'aspre sventure mie?, Idomeneo: Marcia, Idomeneo: Sinfonia, Idomeneo: Tutti: Godiam la pace, Idomeneo: Tutti: Nettuno s'onori!, Idomeneo: Vedrommi intorno, Konzert für Klarinette und Orchester A-dur, KV 622 - Rekonstruierte Fassung für Bassettklarinette: II. Adagio, La Flûte enchantée : Der Hölle Rache (Air de la reine de la nuit), La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto), La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia), La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia), La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto), La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto), La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia, La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro), La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Deh più sublime soglio" (Tito), La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Publio, Annio, Tito), La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito), La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio" (Sesto), La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia), La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia), La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Che mi rechi in quel foglio?" (Tito, Publio), La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito), La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativo "Felice me!" (Servilia, Vitellia), La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio), La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio), La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto), La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro), La clemenza di Tito, K. 621: Act II, Scene I. No. 13 Aria "Torna di Tito a lato" (Annio), La clemenza di Tito, K. 621: Act II, Scene I. Recitativo "Sesto, come tu credi" (Annio, Sesto), La clemenza di Tito, K. 621: Act II, Scene II. Recitativo "Partir deggio, oh restar?" (Sesto, Vitellia), La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio), La clemenza di Tito, K. 621: Act II, Scene V. No. 15 Coro "Ah grazie si rendano" (Tito, Publio), La clemenza di Tito, K. 621: Act II, Scene V. No. 16 Aria "Tardi s'avvede" (Publio), La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio), La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito), La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio), La clemenza di Tito, K. 621: Act II, Scene X. No. 19 Rondo "Deh per questo istante solo" (Sesto), La clemenza di Tito, K. 621: Act II, Scene X. Recitativo "Eppur mi fa pietà" (Tito, Sesto), La clemenza di Tito, K. 621: Act II, Scene XI. Recitativo "Ove s’intese mai più contumace" (Tito), La clemenza di Tito, K. 621: Act II, Scene XII. No. 20 Aria "Se all’impero, amici Dei" (Tito), La clemenza di Tito, K. 621: Act II, Scene XIII. Recitativo "Publio, ascolta!" (Vitellia, Publio), La clemenza di Tito, K. 621: Act II, Scene XIV. No. 21 Aria "S’altro che lacrime" (Servilia), La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia), La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" (Vitellia), La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro), La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito), La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro), La clemenza di Tito, K. 621: Ouverture, La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Act II, XIX. Rondo. "Deh per questo istante solo" (Sesto), La clemenza di Tito: Atto II. Recitativo "Annio, che rechi?" (Tito, Annio, Publio), La clemenza di Tito: Atto II. Recitativo "Pria che principio a' lieti spettacoli si dia" (Tito, Annio, Servilia, Vitellia), La clemenza di Tito: Atto II. Recitativo "È tutto colà d'intorno" (Publio, Tito), Symphony no. 41 in C major (“Jupiter”): I. Allegro vivace, Symphony no. 41 in C major (“Jupiter”): II. Andante cantabile, Symphony no. 41 in C major (“Jupiter”): III. Menuetto. Allegretto, Symphony no. 41 in C major (“Jupiter”): IV. Molto allegro, The Abduction From Seraglio, Overture |
| Mozarteum Orchester Salzburg |
conductor, performing orchestra |
Clarinet Quintet in A major: 1st Movement, Il sogno di Scipione, K. 126: Act I No. 1 Aria "Risolver non osa" (Scipione), Il sogno di Scipione, K. 126: Act I No. 10 Aria "Di che sei l'arbitra del mondo intero" (Scipione), Il sogno di Scipione, K. 126: Act I No. 11a+b Aria "Ah, perché cercar degg'io" (La Licenza), Il sogno di Scipione, K. 126: Act I No. 12 Coro "Cento volte con lieto sembiante" (Coro), Il sogno di Scipione, K. 126: Act I No. 2 Aria "Lieve sono al par del vento" (Fortuna), Il sogno di Scipione, K. 126: Act I No. 3 Aria "Ciglio che al sol si gira" (Constanza), Il sogno di Scipione, K. 126: Act I No. 4 Coro "Germe di cento eroi" (Coro), Il sogno di Scipione, K. 126: Act I No. 5 Aria "Se vuoi che te raccolgano" (Publio), Il sogno di Scipione, K. 126: Act I No. 6 Aria "Voi colaggiù ridete" (Emilio), Il sogno di Scipione, K. 126: Act I No. 7 Aria "Quercia annosa su l'erte pendici" (Publio), Il sogno di Scipione, K. 126: Act I No. 8 Aria "A chi serena io miro" (Fortuna), Il sogno di Scipione, K. 126: Act I No. 9 Aria "Biancheggia in mar lo scoglio" (Constanza), Il sogno di Scipione, K. 126: Act I Recitativo "Dunque ove son?" (Scipione, Constanza, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "E a sì enorme possanza" (Scipione, Costanza), Il sogno di Scipione, K. 126: Act I Recitativo "E quali abitatori" (Scipione, Fortuna, Constanza), Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Giusta è la tua richiesta" (Constanza, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "Non più, bella Costanza" (Scipione, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "Non è Scipio" (La Licenza), Il sogno di Scipione, K. 126: Act I Recitativo "Numi, è vero o m'inganno?" (Scipione, Publio), Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Vieni e segui i mici passi" (Fortuna, Constanza, Scipione), Il sogno di Scipione, K. 126: Act I Recitativo accompagnato "E v'è mortal" (Fortuna, Scipione), Il sogno di Scipione, K. 126: Overtura, Il sogno di Scipione, opera, K. 126: Overture, La finta giardiniera, opera, K 196: Overture, Lucio Silla, K. 135: Act I, Scene I. No. 1 Aria "Vieni ov'amor t'invita" (Cinna), Lucio Silla, K. 135: Act I, Scene I. Recitativo "Ah ciel l'amico cinna" (Cecilio, Cinna), Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio), Lucio Silla, K. 135: Act I, Scene II. Recitativo accompagnato "Dunque sperar poss'io" (Cecilio), Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia), Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia) / Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia), Lucio Silla, K. 135: Act I, Scene III. Recitativo "A te dell'amor mio" (Silla, Celia, Aufidio), Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia), Lucio Silla, K. 135: Act I, Scene VI. No. 5 Aria "Il desio de vendetta" (Silla), Lucio Silla, K. 135: Act I, Scene VI. Recitativo accompagnato "E tollerare lo posso" (Silla), Lucio Silla, K. 135: Act I, Scene VII. Recitativo accompagnato "Morte, morte fatal" (Cecilio), Lucio Silla, K. 135: Act I, Scene VIII-IX. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia) Recitativo "Eccomi, oh cara" (Giunia, Cecilio) No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio), Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro) / Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia), Lucio Silla, K. 135: Act II, Scene I. Recitativo "Tel' predissi, oh Signor, che la superba" (Silla, Aufidio), Lucio Silla, K. 135: Act II, Scene II. No. 8 Aria Guerrier, che d'un acciaro (Aufidio), Lucio Silla, K. 135: Act II, Scene II. Recitativi "Ah non mai non credea... Qual furor ti trasporta? Cecilio a che t'arresti... Al fiero suon... Ah corri, vola" (Celia, Silla, Cinna, Cecilio), Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio), Lucio Silla, K. 135: Act II, Scene IV. No. 10 Aria "Se il labbro timido" (Celia), Lucio Silla, K. 135: Act II, Scene IV. Recitativo "Ah sì, s'affretti il colpo" (Cinna, Celia), Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio), Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio) Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia), Lucio Silla, K. 135: Act II, Scene V. No. 11 Aria "Ah se il crudel periglio" (Giunia), Lucio Silla, K. 135: Act II, Scene V. Recitativo "Di piegarsi capace" (Cinna, Giunia) Recitativo accompagnato "Vanne. T'affretta" (Cinna, Giunia), Lucio Silla, K. 135: Act II, Scene VI. Recitativo accompagnato "Ah sì, scuotasi omai" (Cinna) / Lucio Silla, K. 135: Act II, Scene VI. No. 12 Aria "Nel fortunato istante" (Cinna), Lucio Silla, K. 135: Act II, Scene VII. Recitativo "Signor, ai cenni tuoi… Silla? L'odiato aspetto" (Aufidio, Silla), Lucio Silla, K. 135: Act II, Scene VIII. No. 13 Aria "D'ogni pietà mi spoglio" (Silla), Lucio Silla, K. 135: Ouverture. Molto allegro. Andante. Molto allegro, Lucio Silla, opera, K. 135: Overture, Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativi "Sin a quando, O Regina... Ferma, O germano... All'ire freno, Principi, olà" (Farnace, Aspasia, Silfare, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI-VII. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) No. 4 Aria "Nel sen mi palpita" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Parto: Nel gran cimento" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. Recitativo "Un tale addio, germano, si spiega assai" (Farnace, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 7 Marcia. Maestoso, Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 8 Cavata "Se di lauri il crine adorno" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII. Recitativo "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. Recitativo accompagnato "Respira alfin" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Ismene, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Grazie ai Numi parti" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XII. No. 15 Aria "So quanto a te dispiace" (Ismene), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. No. 16 Aria "Son reo; l'error confesso" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. Recitativo "Ah, giacché son tradito" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. No. 17 Aria "Già di pietà mi spoglio" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro... Io sposa di quel mostro" (Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. No. 19 Aria "Tu sai per chi m'accese" (Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. No. 21 Recitativo accompagnato e Cavatina "Ah ben ne fui presaga!… Pallid'ombre, che scorgete" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. Recitativo "Lagrime internpestive" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. Recitativo accompagnate "Vadasi… Oh ciel" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VI. No. 22 Aria "Se il rigor d'ingrata sorte" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Quintetto "Non si ceda al Campidoglio" (Sifare, Asapasia, Farnace, Ismene, Arbate), Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto, Mitridate, rè di Ponto, opera, K. 87 (K. 74a): Overture, Piano Concerto No. 9 in E-flat major, KV 271: III. Rondo. Presto, Slow Movement (from Clarinet Concerto), Symphony No. 34 in C major, K. 338: I. Allegro vivace, Symphony No. 34 in C major, K. 338: II. Andante di molto, Symphony No. 34 in C major, K. 338: III. Finale. Allegro vivace, Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony No. 35 in D major, K. 385 "Haffner": II. Andante, Symphony No. 35 in D major, K. 385 "Haffner": III. Menuetto, Symphony No. 35 in D major, K. 385 "Haffner": IV. Presto, Symphony No. 36 in C major, K. 425 "Linz": I. Adagio - allegro spiritoso, Symphony No. 36 in C major, K. 425 "Linz": II. Poco Adagio, Symphony No. 36 in C major, K. 425 "Linz": III. Menuetto, Symphony No. 36 in C major, K. 425 "Linz": IV. Presto, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Presto, Symphony No. 38 in D, "Prague": Andante, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Menuetto. Allegretto, Symphony No. 40 in G minor, K. 550: IV. Allegro assai, Symphony no. 25 in G minor, K. 183 (K. 173dB): I. Allegro con brio, Symphony no. 40 in G minor, K. 550: Molto Allegro |
| English Baroque Soloists |
performing orchestra |
Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento", Così fan tutte, K. 588: Act I, "Oh, la saria da ridere!", Così fan tutte, K. 588: Act I. "Ah, guarda, sorella", Così fan tutte, K. 588: Act I. "Ah, non partite", Così fan tutte, K. 588: Act I. "Ah, scostati!", Così fan tutte, K. 588: Act I. "Al fato dan legge", Così fan tutte, K. 588: Act I. "Alla bella Despinetta", Così fan tutte, K. 588: Act I. "Bella vita militar!", Così fan tutte, K. 588: Act I. "Che silenzio!", Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!", Così fan tutte, K. 588: Act I. "Che vita maledetta", Così fan tutte, K. 588: Act I. "Come scoglio", Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno", Così fan tutte, K. 588: Act I. "Dove son?", Così fan tutte, K. 588: Act I. "E la fede delle femminine", Così fan tutte, K. 588: Act I. "E voi ridete?" - "La cagion di quel riso?", Così fan tutte, K. 588: Act I. "Fuor la spada", Così fan tutte, K. 588: Act I. "In uominI. in soldati", Così fan tutte, K. 588: Act I. "La commedia è graziosa", Così fan tutte, K. 588: Act I. "La mia Dorabella", Così fan tutte, K. 588: Act I. "Mi par che stamattina", Così fan tutte, K. 588: Act I. "Non piangere, idol mio!", Così fan tutte, K. 588: Act I. "Non siate ritrosi", Così fan tutte, K. 588: Act I. "Non son cattivo comico", Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici", Così fan tutte, K. 588: Act I. "Scioccerie di poeti", Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede", Così fan tutte, K. 588: Act I. "Si può sapere un poco la cagion di quel riso?", Così fan tutte, K. 588: Act I. "Signora Dorabella", Così fan tutte, K. 588: Act I. "Smanie implacabili", Così fan tutte, K. 588: Act I. "Soave sia il vento", Così fan tutte, K. 588: Act I. "Stelle! Per carità, signor Alfonso", Così fan tutte, K. 588: Act I. "Un'aura amorosa", Così fan tutte, K. 588: Act I. "Una bella serenata", Così fan tutte, K. 588: Act I. "Vorrei dir, e cor non ho", Così fan tutte, K. 588: Act I. Ouverture, Così fan tutte, K. 588: Act II. "Ah, correte al giardino", Così fan tutte, K. 588: Act II. "Ah, lo veggio", Così fan tutte, K. 588: Act II. "Amico, abbiamo vinto!", Così fan tutte, K. 588: Act II. "Andate là", Così fan tutte, K. 588: Act II. "Barbara! Perché fuggi?", Così fan tutte, K. 588: Act II. "Bravo, questa è costanza", Così fan tutte, K. 588: Act II. "Come tutto congiura", Così fan tutte, K. 588: Act II. "Donne mie, la fate a tanti", Così fan tutte, K. 588: Act II. "E amore un ladroncello", Così fan tutte, K. 588: Act II. "Ei parte... senti... ah no!", Così fan tutte, K. 588: Act II. "Fate presto, o cari amici", Così fan tutte, K. 588: Act II. "Fra gli amplessi in pochi istanti", Così fan tutte, K. 588: Act II. "Il cor vi dono", Così fan tutte, K. 588: Act II. "Il tutto deponete", Così fan tutte, K. 588: Act II. "In qual fiero contrasto", Così fan tutte, K. 588: Act II. "La mano a me date", Così fan tutte, K. 588: Act II. "Oh che bella giornata!", Così fan tutte, K. 588: Act II. "Oh poveretto me", Così fan tutte, K. 588: Act II. "Ora vedo che siete", Così fan tutte, K. 588: Act II. "Per pietà, ben mio, perdona", Così fan tutte, K. 588: Act II. "Prenderò quel brunettino", Così fan tutte, K. 588: Act II. "Secondate, aurette amiche", Così fan tutte, K. 588: Act II. "Sorella, cosa dici?", Così fan tutte, K. 588: Act II. "Tradito, schernito", Così fan tutte, K. 588: Act II. "Tutti accusan le donne", Così fan tutte, K. 588: Act II. "Una donna a quindici anni", Così fan tutte, K. 588: Act II. "Vittoria, padroncini!", Così fan tutte, K. 588: Appendix. "Rivolgete a lui lo sguardo" - "E voi ridete?", Don Giovanni - Act I - 'Riposate, vezzose ragazze!', Keyboard Concerto in C, K.246: I. (bar 133 to end), Keyboard Concerto in C, K.246: I. (bars 1-192), La clemenza di Tito: Atto I, Scena I. No 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) - "Fan mille affetti insieme" (Sesto, Vitellia), La clemenza di Tito: Atto I, Scena I. Recitativo "Ma ché? sempre l'istesso" (Vitellia, Sesto), La clemenza di Tito: Atto I, Scena II. No 2 Aria "Deh, se piacer mi vuoi" (Vitellia), La clemenza di Tito: Atto I, Scena II. Recitativo "Amico, il passo affreta" (Annio, Vitellia, Sesto), La clemenza di Tito: Atto I, Scena III. No 3 Duettino "Deh, prendi un dolce amplesso" (Annio, Sesto), La clemenza di Tito: Atto I, Scena III. Recitativo "Amico, ecco il momento" (Annio, Sesto), La clemenza di Tito: Atto I, Scena IV. No 4 Marcia, La clemenza di Tito: Atto I, Scena IV. No 5 Coro "Serbate, oh Dei custodi", La clemenza di Tito: Atto I, Scena IV. No 5 Coro da capo "Serbate, oh Dei custodi", La clemenza di Tito: Atto I, Scena IV. No 6 Aria "Del più sublime soglio" (Tito), La clemenza di Tito: Atto I, Scena IV. Recitativo "Adesso, oh Sesto, parla per me" (Annio, Sesto, Tito), La clemenza di Tito: Atto I, Scena IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito), La clemenza di Tito: Atto I, Scena IX. No 10 Terzetto "Vengo...aspettate...Sesto!" (Vitellia, Annio, Publio), La clemenza di Tito: Atto I, Scena IX. Recitativo "Vedrai, Tito, vedrai" (Vitellia, Publio, Annio), La clemenza di Tito: Atto I, Scena V. No 7 Duetto "Ah, perdona al primo affetto" (Annio, Servilia), La clemenza di Tito: Atto I, Scena V. Recitativo "Non ci pentiam" (Annio, Servilia), La clemenza di Tito: Atto I, Scena VI. No 8 Aria "Ah, se fosse intorno al trono" (Tito), La clemenza di Tito: Atto I, Scena VI. Recitativo "Servilia! Augusta!" (Tito, Servilia), La clemenza di Tito: Atto I, Scena VII. Recitativo "Felice me!" (Servilia, Vitellia) - Scena VIII. Recitativo "Ancor mi schernisce?" (Vitellia, Sesto), La clemenza di Tito: Atto I, Scena VIII. No 9 Aria "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Atto I, Scena X. No 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto), La clemenza di Tito: Atto I, Scena X. No 12 Quintetto con Coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Coro, Publio, Vitellia), La clemenza di Tito: Atto II, Scena I. No 13 Aria "Torna di Tito a lato" (Annio), La clemenza di Tito: Atto II, Scena I. Recitativo "Sesto, come tu credi" (Annio, Sesto), La clemenza di Tito: Atto II, Scena II. Recitativo "Partir deggio, o restar?" (Sesto, Vitellia) - Scena III. Recitativo "Sesto!" / "Che chiedi?" (Publio, Sesto, Vitellia), La clemenza di Tito: Atto II, Scena IV. No 14 Terzetto: "Se al volto mai ti senti" (Sesto, Vitellia, Publio), La clemenza di Tito: Atto II, Scena IX. No 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) - Recitativo "Odimi, oh Sesto" (Tito, Sesto), La clemenza di Tito: Atto II, Scena IX. No 19 Rondo "Deh, per questo istante solo" (Sesto), La clemenza di Tito: Atto II, Scena V. No 15 Coro "Ah, grazie si rendano" (Coro, Tito) - Recitativo "È tutto colà d'intorno" (Publio, Tito), La clemenza di Tito: Atto II, Scena V. No 16 Aria "Tardi s'avvede d'un tradimento" (Publio), La clemenza di Tito: Atto II, Scena VI. Recitativo "No, così scellerato" (Tito, Annio) - Scena VII. "Cesare, nol diss'io" (Publio, Tito, Annio), La clemenza di Tito: Atto II, Scena VII. No 17 Aria "Tu fosti tradito" (Annio), La clemenza di Tito: Atto II, Scena VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito), La clemenza di Tito: Atto II, Scena X. Recitativo "Ove s'intese mai più contumace infedeltà?" (Tito) - Scena XI. Recitativo "Publio." / "Cesare." (Tito, Publio), La clemenza di Tito: Atto II, Scena XI. No 20 Aria "Se all'impero, amici Dei" (Tito), La clemenza di Tito: Atto II, Scena XII. No 21 Aria "S'altro che lacrime per lui non tenti" (Servilia), La clemenza di Tito: Atto II, Scena XII. Recitativo "Ah, Vitellia!" (Servilia, Annio, Vitellia), La clemenza di Tito: Atto II, Scena XIII. No 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia), La clemenza di Tito: Atto II, Scena XIII. No 23 Rondo "Non più di fiori vaghe catene" (Vitellia), La clemenza di Tito: Atto II, Scena XIV. No 24 Coro "Che del ciel, che degli Dei", La clemenza di Tito: Atto II, Scena XV. No 26 Sestetto con Coro "Tu, è ver, m'assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro), La clemenza di Tito: Atto II, Scena XV. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio) - No 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito), La clemenza di Tito: Ouverture, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Presto, Symphony No. 39 in E-flat major, K. 543: I. Adagio - allegro, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Minuetto, Symphony No. 39 in E-flat major, K. 543: IV. Allegro, Symphony No. 40 in G minor with clarinets, K. 550: I. Allegro molto, Symphony No. 40 in G minor with clarinets, K. 550: II. Andante, Symphony No. 40 in G minor with clarinets, K. 550: III. Minuetto. Allegretto & Trio, Symphony No. 40 in G minor with clarinets, K. 550: IV. Allegro assai, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto |
| Sir John Eliot Gardiner |
conductor |
Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento", Così fan tutte, K. 588: Act I, "Oh, la saria da ridere!", Così fan tutte, K. 588: Act I. "Ah, guarda, sorella", Così fan tutte, K. 588: Act I. "Ah, non partite", Così fan tutte, K. 588: Act I. "Ah, scostati!", Così fan tutte, K. 588: Act I. "Al fato dan legge", Così fan tutte, K. 588: Act I. "Alla bella Despinetta", Così fan tutte, K. 588: Act I. "Bella vita militar!", Così fan tutte, K. 588: Act I. "Che silenzio!", Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!", Così fan tutte, K. 588: Act I. "Che vita maledetta", Così fan tutte, K. 588: Act I. "Come scoglio", Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno", Così fan tutte, K. 588: Act I. "Dove son?", Così fan tutte, K. 588: Act I. "E la fede delle femminine", Così fan tutte, K. 588: Act I. "E voi ridete?" - "La cagion di quel riso?", Così fan tutte, K. 588: Act I. "Fuor la spada", Così fan tutte, K. 588: Act I. "In uominI. in soldati", Così fan tutte, K. 588: Act I. "La commedia è graziosa", Così fan tutte, K. 588: Act I. "La mia Dorabella", Così fan tutte, K. 588: Act I. "Mi par che stamattina", Così fan tutte, K. 588: Act I. "Non piangere, idol mio!", Così fan tutte, K. 588: Act I. "Non siate ritrosi", Così fan tutte, K. 588: Act I. "Non son cattivo comico", Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici", Così fan tutte, K. 588: Act I. "Scioccerie di poeti", Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede", Così fan tutte, K. 588: Act I. "Si può sapere un poco la cagion di quel riso?", Così fan tutte, K. 588: Act I. "Signora Dorabella", Così fan tutte, K. 588: Act I. "Smanie implacabili", Così fan tutte, K. 588: Act I. "Soave sia il vento", Così fan tutte, K. 588: Act I. "Stelle! Per carità, signor Alfonso", Così fan tutte, K. 588: Act I. "Un'aura amorosa", Così fan tutte, K. 588: Act I. "Una bella serenata", Così fan tutte, K. 588: Act I. "Vorrei dir, e cor non ho", Così fan tutte, K. 588: Act I. Ouverture, Così fan tutte, K. 588: Act II. "Ah, correte al giardino", Così fan tutte, K. 588: Act II. "Ah, lo veggio", Così fan tutte, K. 588: Act II. "Amico, abbiamo vinto!", Così fan tutte, K. 588: Act II. "Andate là", Così fan tutte, K. 588: Act II. "Barbara! Perché fuggi?", Così fan tutte, K. 588: Act II. "Bravo, questa è costanza", Così fan tutte, K. 588: Act II. "Come tutto congiura", Così fan tutte, K. 588: Act II. "Donne mie, la fate a tanti", Così fan tutte, K. 588: Act II. "E amore un ladroncello", Così fan tutte, K. 588: Act II. "Ei parte... senti... ah no!", Così fan tutte, K. 588: Act II. "Fate presto, o cari amici", Così fan tutte, K. 588: Act II. "Fra gli amplessi in pochi istanti", Così fan tutte, K. 588: Act II. "Il cor vi dono", Così fan tutte, K. 588: Act II. "Il tutto deponete", Così fan tutte, K. 588: Act II. "In qual fiero contrasto", Così fan tutte, K. 588: Act II. "La mano a me date", Così fan tutte, K. 588: Act II. "Oh che bella giornata!", Così fan tutte, K. 588: Act II. "Oh poveretto me", Così fan tutte, K. 588: Act II. "Ora vedo che siete", Così fan tutte, K. 588: Act II. "Per pietà, ben mio, perdona", Così fan tutte, K. 588: Act II. "Prenderò quel brunettino", Così fan tutte, K. 588: Act II. "Secondate, aurette amiche", Così fan tutte, K. 588: Act II. "Sorella, cosa dici?", Così fan tutte, K. 588: Act II. "Tradito, schernito", Così fan tutte, K. 588: Act II. "Tutti accusan le donne", Così fan tutte, K. 588: Act II. "Una donna a quindici anni", Così fan tutte, K. 588: Act II. "Vittoria, padroncini!", Così fan tutte, K. 588: Appendix. "Rivolgete a lui lo sguardo" - "E voi ridete?", Don Giovanni - Act I - 'Riposate, vezzose ragazze!', Keyboard Concerto in C, K.246: I. (bar 133 to end), Keyboard Concerto in C, K.246: I. (bars 1-192), La clemenza di Tito: Atto I, Scena I. No 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) - "Fan mille affetti insieme" (Sesto, Vitellia), La clemenza di Tito: Atto I, Scena I. Recitativo "Ma ché? sempre l'istesso" (Vitellia, Sesto), La clemenza di Tito: Atto I, Scena II. No 2 Aria "Deh, se piacer mi vuoi" (Vitellia), La clemenza di Tito: Atto I, Scena II. Recitativo "Amico, il passo affreta" (Annio, Vitellia, Sesto), La clemenza di Tito: Atto I, Scena III. No 3 Duettino "Deh, prendi un dolce amplesso" (Annio, Sesto), La clemenza di Tito: Atto I, Scena III. Recitativo "Amico, ecco il momento" (Annio, Sesto), La clemenza di Tito: Atto I, Scena IV. No 4 Marcia, La clemenza di Tito: Atto I, Scena IV. No 5 Coro "Serbate, oh Dei custodi", La clemenza di Tito: Atto I, Scena IV. No 5 Coro da capo "Serbate, oh Dei custodi", La clemenza di Tito: Atto I, Scena IV. No 6 Aria "Del più sublime soglio" (Tito), La clemenza di Tito: Atto I, Scena IV. Recitativo "Adesso, oh Sesto, parla per me" (Annio, Sesto, Tito), La clemenza di Tito: Atto I, Scena IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito), La clemenza di Tito: Atto I, Scena IX. No 10 Terzetto "Vengo...aspettate...Sesto!" (Vitellia, Annio, Publio), La clemenza di Tito: Atto I, Scena IX. Recitativo "Vedrai, Tito, vedrai" (Vitellia, Publio, Annio), La clemenza di Tito: Atto I, Scena V. No 7 Duetto "Ah, perdona al primo affetto" (Annio, Servilia), La clemenza di Tito: Atto I, Scena V. Recitativo "Non ci pentiam" (Annio, Servilia), La clemenza di Tito: Atto I, Scena VI. No 8 Aria "Ah, se fosse intorno al trono" (Tito), La clemenza di Tito: Atto I, Scena VI. Recitativo "Servilia! Augusta!" (Tito, Servilia), La clemenza di Tito: Atto I, Scena VII. Recitativo "Felice me!" (Servilia, Vitellia) - Scena VIII. Recitativo "Ancor mi schernisce?" (Vitellia, Sesto), La clemenza di Tito: Atto I, Scena VIII. No 9 Aria "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Atto I, Scena X. No 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto), La clemenza di Tito: Atto I, Scena X. No 12 Quintetto con Coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Coro, Publio, Vitellia), La clemenza di Tito: Atto II, Scena I. No 13 Aria "Torna di Tito a lato" (Annio), La clemenza di Tito: Atto II, Scena I. Recitativo "Sesto, come tu credi" (Annio, Sesto), La clemenza di Tito: Atto II, Scena II. Recitativo "Partir deggio, o restar?" (Sesto, Vitellia) - Scena III. Recitativo "Sesto!" / "Che chiedi?" (Publio, Sesto, Vitellia), La clemenza di Tito: Atto II, Scena IV. No 14 Terzetto: "Se al volto mai ti senti" (Sesto, Vitellia, Publio), La clemenza di Tito: Atto II, Scena IX. No 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) - Recitativo "Odimi, oh Sesto" (Tito, Sesto), La clemenza di Tito: Atto II, Scena IX. No 19 Rondo "Deh, per questo istante solo" (Sesto), La clemenza di Tito: Atto II, Scena V. No 15 Coro "Ah, grazie si rendano" (Coro, Tito) - Recitativo "È tutto colà d'intorno" (Publio, Tito), La clemenza di Tito: Atto II, Scena V. No 16 Aria "Tardi s'avvede d'un tradimento" (Publio), La clemenza di Tito: Atto II, Scena VI. Recitativo "No, così scellerato" (Tito, Annio) - Scena VII. "Cesare, nol diss'io" (Publio, Tito, Annio), La clemenza di Tito: Atto II, Scena VII. No 17 Aria "Tu fosti tradito" (Annio), La clemenza di Tito: Atto II, Scena VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito), La clemenza di Tito: Atto II, Scena X. Recitativo "Ove s'intese mai più contumace infedeltà?" (Tito) - Scena XI. Recitativo "Publio." / "Cesare." (Tito, Publio), La clemenza di Tito: Atto II, Scena XI. No 20 Aria "Se all'impero, amici Dei" (Tito), La clemenza di Tito: Atto II, Scena XII. No 21 Aria "S'altro che lacrime per lui non tenti" (Servilia), La clemenza di Tito: Atto II, Scena XII. Recitativo "Ah, Vitellia!" (Servilia, Annio, Vitellia), La clemenza di Tito: Atto II, Scena XIII. No 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia), La clemenza di Tito: Atto II, Scena XIII. No 23 Rondo "Non più di fiori vaghe catene" (Vitellia), La clemenza di Tito: Atto II, Scena XIV. No 24 Coro "Che del ciel, che degli Dei", La clemenza di Tito: Atto II, Scena XV. No 26 Sestetto con Coro "Tu, è ver, m'assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro), La clemenza di Tito: Atto II, Scena XV. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio) - No 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito), La clemenza di Tito: Ouverture, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Presto, Symphony No. 39 in E-flat major, K. 543: I. Adagio - allegro, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Minuetto, Symphony No. 39 in E-flat major, K. 543: IV. Allegro, Symphony No. 40 in G minor with clarinets, K. 550: I. Allegro molto, Symphony No. 40 in G minor with clarinets, K. 550: II. Andante, Symphony No. 40 in G minor with clarinets, K. 550: III. Minuetto. Allegretto & Trio, Symphony No. 40 in G minor with clarinets, K. 550: IV. Allegro assai, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto |
| Leopold Hager |
conductor, harpsichord |
Die Zauberflöte, KV 620: Overtüre, Il sogno di Scipione, K. 126: Act I No. 1 Aria "Risolver non osa" (Scipione), Il sogno di Scipione, K. 126: Act I No. 10 Aria "Di che sei l'arbitra del mondo intero" (Scipione), Il sogno di Scipione, K. 126: Act I No. 11a+b Aria "Ah, perché cercar degg'io" (La Licenza), Il sogno di Scipione, K. 126: Act I No. 12 Coro "Cento volte con lieto sembiante" (Coro), Il sogno di Scipione, K. 126: Act I No. 2 Aria "Lieve sono al par del vento" (Fortuna), Il sogno di Scipione, K. 126: Act I No. 3 Aria "Ciglio che al sol si gira" (Constanza), Il sogno di Scipione, K. 126: Act I No. 4 Coro "Germe di cento eroi" (Coro), Il sogno di Scipione, K. 126: Act I No. 5 Aria "Se vuoi che te raccolgano" (Publio), Il sogno di Scipione, K. 126: Act I No. 6 Aria "Voi colaggiù ridete" (Emilio), Il sogno di Scipione, K. 126: Act I No. 7 Aria "Quercia annosa su l'erte pendici" (Publio), Il sogno di Scipione, K. 126: Act I No. 8 Aria "A chi serena io miro" (Fortuna), Il sogno di Scipione, K. 126: Act I No. 9 Aria "Biancheggia in mar lo scoglio" (Constanza), Il sogno di Scipione, K. 126: Act I Recitativo "Dunque ove son?" (Scipione, Constanza, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "E a sì enorme possanza" (Scipione, Costanza), Il sogno di Scipione, K. 126: Act I Recitativo "E quali abitatori" (Scipione, Fortuna, Constanza), Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Giusta è la tua richiesta" (Constanza, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "Non più, bella Costanza" (Scipione, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "Non è Scipio" (La Licenza), Il sogno di Scipione, K. 126: Act I Recitativo "Numi, è vero o m'inganno?" (Scipione, Publio), Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Vieni e segui i mici passi" (Fortuna, Constanza, Scipione), Il sogno di Scipione, K. 126: Act I Recitativo accompagnato "E v'è mortal" (Fortuna, Scipione), Il sogno di Scipione, K. 126: Overtura, Il sogno di Scipione, opera, K. 126: Overture, La finta giardiniera, opera, K 196: Overture, Lucio Silla, K. 135: Act I, Scene I. No. 1 Aria "Vieni ov'amor t'invita" (Cinna), Lucio Silla, K. 135: Act I, Scene I. Recitativo "Ah ciel l'amico cinna" (Cecilio, Cinna), Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio), Lucio Silla, K. 135: Act I, Scene II. Recitativo accompagnato "Dunque sperar poss'io" (Cecilio), Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia), Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia) / Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia), Lucio Silla, K. 135: Act I, Scene III. Recitativo "A te dell'amor mio" (Silla, Celia, Aufidio), Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia), Lucio Silla, K. 135: Act I, Scene VI. No. 5 Aria "Il desio de vendetta" (Silla), Lucio Silla, K. 135: Act I, Scene VI. Recitativo accompagnato "E tollerare lo posso" (Silla), Lucio Silla, K. 135: Act I, Scene VII. Recitativo accompagnato "Morte, morte fatal" (Cecilio), Lucio Silla, K. 135: Act I, Scene VIII-IX. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia) Recitativo "Eccomi, oh cara" (Giunia, Cecilio) No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio), Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro) / Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia), Lucio Silla, K. 135: Act II, Scene I. Recitativo "Tel' predissi, oh Signor, che la superba" (Silla, Aufidio), Lucio Silla, K. 135: Act II, Scene II. No. 8 Aria Guerrier, che d'un acciaro (Aufidio), Lucio Silla, K. 135: Act II, Scene II. Recitativi "Ah non mai non credea... Qual furor ti trasporta? Cecilio a che t'arresti... Al fiero suon... Ah corri, vola" (Celia, Silla, Cinna, Cecilio), Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio), Lucio Silla, K. 135: Act II, Scene IV. No. 10 Aria "Se il labbro timido" (Celia), Lucio Silla, K. 135: Act II, Scene IV. Recitativo "Ah sì, s'affretti il colpo" (Cinna, Celia), Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio), Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio) Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia), Lucio Silla, K. 135: Act II, Scene V. No. 11 Aria "Ah se il crudel periglio" (Giunia), Lucio Silla, K. 135: Act II, Scene V. Recitativo "Di piegarsi capace" (Cinna, Giunia) Recitativo accompagnato "Vanne. T'affretta" (Cinna, Giunia), Lucio Silla, K. 135: Act II, Scene VI. Recitativo accompagnato "Ah sì, scuotasi omai" (Cinna) / Lucio Silla, K. 135: Act II, Scene VI. No. 12 Aria "Nel fortunato istante" (Cinna), Lucio Silla, K. 135: Act II, Scene VII. Recitativo "Signor, ai cenni tuoi… Silla? L'odiato aspetto" (Aufidio, Silla), Lucio Silla, K. 135: Act II, Scene VIII. No. 13 Aria "D'ogni pietà mi spoglio" (Silla), Lucio Silla, K. 135: Act II, Scene X. No. 15 Aria "Quando sugl'arsi campi" (Celia), Lucio Silla, K. 135: Act II, Scene X. Recitativo "Perché mi balzi in seno" (Giunia, Celia), Lucio Silla, K. 135: Act II, Scene XI. No. 16 Aria "Parto,m'affretto" (Giunia), Lucio Silla, K. 135: Act II, Scene XI. Recitativo accompagnato "In un istante oh come" (Giunia), Lucio Silla, K. 135: Act II, Scene XII-XII. Recitativi "Padri Coscritti... Sposa ah no, non temer... Come? D'un ferro armato" (Silla, Giunnia, Aufidio, Cecillio, Cinna), Lucio Silla, K. 135: Act II, Scene XII. No. 17 Coro "Se gloria il crin ti cinse" (Coro), Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Silla), Lucio Silla, K. 135: Act III, Scene I. No. 19 Aria "Strider sento la procella" (Celia), Lucio Silla, K. 135: Act III, Scene I. Recitativo "Ah sì tu solo, amico" (Cecilia, Celia, Cinna), Lucio Silla, K. 135: Act III, Scene II. No. 20 Aria "De' più superbi il core" (Cinna), Lucio Silla, K. 135: Act III, Scene II. Recitativo "Forse tu credi, amico" (Cecilio, Cinna), Lucio Silla, K. 135: Act III, Scene III-IV. Recitativi "Ah no, che il fato estremo... Tosto seguir tu dei" (Giunia, Cecilio, Aufidio), Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio), Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla), Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia), Lucio Silla, K. 135: Act III, Scene V. Recitativo accompagnato "Sposo... mia vita..." (Giunia), Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia... Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio), Lucio Silla, K. 135: Ouverture. Molto allegro. Andante. Molto allegro, Lucio Silla, opera, K. 135: Overture, Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativi "Sin a quando, O Regina... Ferma, O germano... All'ire freno, Principi, olà" (Farnace, Aspasia, Silfare, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI-VII. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) No. 4 Aria "Nel sen mi palpita" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Parto: Nel gran cimento" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. Recitativo "Un tale addio, germano, si spiega assai" (Farnace, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 7 Marcia. Maestoso, Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 8 Cavata "Se di lauri il crine adorno" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII. Recitativo "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. Recitativo accompagnato "Respira alfin" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Ismene, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Grazie ai Numi parti" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XII. No. 15 Aria "So quanto a te dispiace" (Ismene), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. No. 16 Aria "Son reo; l'error confesso" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. Recitativo "Ah, giacché son tradito" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. No. 17 Aria "Già di pietà mi spoglio" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro... Io sposa di quel mostro" (Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. No. 19 Aria "Tu sai per chi m'accese" (Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. No. 21 Recitativo accompagnato e Cavatina "Ah ben ne fui presaga!… Pallid'ombre, che scorgete" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. Recitativo "Lagrime internpestive" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. Recitativo accompagnate "Vadasi… Oh ciel" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VI. No. 22 Aria "Se il rigor d'ingrata sorte" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Quintetto "Non si ceda al Campidoglio" (Sifare, Asapasia, Farnace, Ismene, Arbate), Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto, Mitridate, rè di Ponto, opera, K. 87 (K. 74a): Overture |
| Jens Wollenschläger |
organ |
Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": I. "Kyrie", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": II. "Gloria", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": III. "Credo", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": IV. "Sanctus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": V. "Benedictus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Gloria. "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Gloria. "Gratias agimus tibi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Gloria. "Domine Deus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Gloria. "Qui tollis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VII. Gloria. "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIII. Gloria. "Cum sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": X. Credo. "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XI. Credo. "Crucifixus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XII. Credo. "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIII. Credo. "Et in Spiritum Sanctum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIV. Credo. "Et in unam Sanctam Catholicam", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XV. Credo. "Et vitam venturi saeculi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVI. Credo. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVII. Credo. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVIII. Credo. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": II. "Christe eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": III. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IX. "Quoniam tu solus sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": V. "Laudamus te", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VI. "Gratias agimus tibi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VII. "Domine Deus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIII. "Qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": X. "Cum Sancto Spiritu", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XII. "Et incarnatus est", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIII. "Crucifixus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIV. "Et resurrexit", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XV. "Et in Spiritum Sanctum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVI. "Et unam Sanctam Catholicam", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVII. "Et vitam venturi saeculi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XXI. "Dona nobis pacem", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": I. "Kyrie", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": II. "Gloria", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": III. "Credo", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": IV. "Sanctus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": V. "Benedictus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": VI. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Missa brevis in C major, KV 259 “Orgelsolo Messe”: I. Kyrie, Missa brevis in C major, KV 259 “Orgelsolo Messe”: II. Gloria, Missa brevis in C major, KV 259 “Orgelsolo Messe”: III. Credo, Missa brevis in C major, KV 259 “Orgelsolo Messe”: IV. Sanctus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: V. Benedictus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: VI. Agnus Dei, Missa in C major, KV 258 “Spaurmesse”: I. Kyrie, Missa in C major, KV 258 “Spaurmesse”: II. Gloria, Missa in C major, KV 258 “Spaurmesse”: III. Credo, Missa in C major, KV 258 “Spaurmesse”: IV. Sanctus, Missa in C major, KV 258 “Spaurmesse”: V. Benedictus, Missa in C major, KV 258 “Spaurmesse”: VI. Agnus Dei |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Cosi Fan Tutte, K. 588 - Un'aura amorosa del nostro tesoro, Cosi fan tutte: Act I, Scene I. "E la fede delle femmine", Cosi fan tutte: Act I, Scene I. "La mia Dorabella capace non e", Cosi fan tutte: Act I, Scene I. "Una bella serenata", Cosi fan tutte: Act I, Scene II. "Soave sia il vento", Cosi fan tutte: Act I, Scene III. "Ah, scostati!... - Smanie implacabili", Cosi fan tutte: Act I, Scene III. "Alla bella Despinetta", Cosi fan tutte: Act I, Scene III. "E voi ridete?", Cosi fan tutte: Act I, Scene III. "In uomini, in soldati", Cosi fan tutte: Act I, Scene III. "L'intatta fede che...Come scoglio immoto resta", Cosi fan tutte: Act I, Scene III. "Non siate ritrosi, occhietti vezzosi", Cosi fan tutte: Act I, Scene III. "Un'aura amorosa del nostro tesoro", Cosi fan tutte: Act II, Scene I. "Prendero quel brunettino", Cosi fan tutte: Act II, Scene I. "Una donna a quindici anni", Cosi fan tutte: Act II, Scene II. "Donne mie, la fate a tanti a tanti", Cosi fan tutte: Act II, Scene II. "Ei parte... senti... ah no!", Cosi fan tutte: Act II, Scene II. "Il core vi dono", Cosi fan tutte: Act II, Scene II. "La mano a me date", Cosi fan tutte: Act II, Scene II. "Per pieta, ben mio, perdona", Cosi fan tutte: Act II, Scene III. "Fra gli amplessi in pochi istanti", Cosi fan tutte: Act II, Scene III. "Tutti accusan le donne", Cosi fan tutte: Act II, Scene IV. "Fortunato l'uom che prende", Cosi fan tutte: Overture, Così fan tutte, Atto I, Scena 1: Fuor la spada, Così fan tutte, Atto I, Scena 1: La mia Dorabella capace non è, Così fan tutte, Atto I, Scena 1: Scioccherie di poeti!, Così fan tutte, Atto I, Scena 1: Una bella serenata, Così fan tutte, Atto I, Scena 1: È la fede delle femmine, Così fan tutte, Atto I, Scena 2: Ah, guarda, sorella, Così fan tutte, Atto I, Scena 2: Barbaro fato!... Vorrei dir, e cor non ho, Così fan tutte, Atto I, Scena 2: Bella vita militar!, Così fan tutte, Atto I, Scena 2: Dove son?, Così fan tutte, Atto I, Scena 2: La commedia è graziosa, Così fan tutte, Atto I, Scena 2: Mi par che stamattina, Così fan tutte, Atto I, Scena 2: Muoio d'affanno!... Di scrivermi ogni giorno, Così fan tutte, Atto I, Scena 2: Non son cattivo comico, Così fan tutte, Atto I, Scena 2: Non v'è più tempo, Così fan tutte, Atto I, Scena 2: Sento, oddio, che questo piede, Così fan tutte, Atto I, Scena 2: Soave sia il vento, Così fan tutte, Atto I, Scena 2: Stelle! Per carità, Signor Alfonso, Così fan tutte, Atto I, Scena 3: Ah, non partite!, Così fan tutte, Atto I, Scena 3: Ah, scostati!, Così fan tutte, Atto I, Scena 3: Alla bella Despinetta, Così fan tutte, Atto I, Scena 3: Che silenzio! Che aspetto di tristezza, Così fan tutte, Atto I, Scena 3: Che sussurro! Che strepito!, Così fan tutte, Atto I, Scena 3: Che vita maledetta, Così fan tutte, Atto I, Scena 3: Come scoglio immoto resta, Così fan tutte, Atto I, Scena 3: E voi ridete?, Così fan tutte, Atto I, Scena 3: In uomini, in soldati sperare fedeltà?, Così fan tutte, Atto I, Scena 3: L'intatta fede, Così fan tutte, Atto I, Scena 3: La cagion di quel riso?, Così fan tutte, Atto I, Scena 3: Non siate ritrosi, Così fan tutte, Atto I, Scena 3: Signora Dorabella, Signora Fiordiligi, Così fan tutte, Atto I, Scena 3: Smanie implacabili che m'agitate, Così fan tutte, Atto I, Scena 3: Un'aura amorosa del nostro tesoro, Così fan tutte, Atto I, Scena 4: Ah, che del sole il raggio, Così fan tutte, Atto I, Scena 4: Ah, che tutto in un momento, Così fan tutte, Atto I, Scena 4: Dammi un bacio, o mio tesoro, Così fan tutte, Atto I, Scena 4: Dove son? Che loco è questo?, Così fan tutte, Atto I, Scena 4: Eccovi il medico, Così fan tutte, Atto II, Scena 1: Madame... trattar l'amore, Così fan tutte, Atto II, Scena 1: Prenderò quel brunettino, Così fan tutte, Atto II, Scena 1: Sorella, cosa dici?, Così fan tutte, Atto II, Scena 1: Una donna a quindici anni, Così fan tutte, Atto II, Scena 2: Amico, abbiamo vinto!, Così fan tutte, Atto II, Scena 2: Barbara, perché fuggi?, Così fan tutte, Atto II, Scena 2: Cos'è tal mascherata?, Così fan tutte, Atto II, Scena 2: Donne mie, la fate a tanti a tanti, Così fan tutte, Atto II, Scena 2: Ei parte... senti... ah no!, Così fan tutte, Atto II, Scena 2: Il core vi dono, Così fan tutte, Atto II, Scena 2: In qual fiero contrasto, Così fan tutte, Atto II, Scena 2: La mano a me date, Così fan tutte, Atto II, Scena 2: Oh, che bella giornata!, Così fan tutte, Atto II, Scena 2: Per pietà, ben mio, perdona, Così fan tutte, Atto II, Scena 2: Secondate, aurette amiche, Così fan tutte, Atto II, Scena 2: Tradito, schernito, Così fan tutte, Atto II, Scena 3: Ah, poveretto me, cosa ho veduto!, Così fan tutte, Atto II, Scena 3: Come tutto congiura, Così fan tutte, Atto II, Scena 3: Fra gli amplessi in pochi istanti, Così fan tutte, Atto II, Scena 3: Ora vedo che siete una donna di garbo, Così fan tutte, Atto II, Scena 3: Tutti accussan le donne, Così fan tutte, Atto II, Scena 3: È amore un ladroncello, Così fan tutte, Atto II, Scena 4: Ah, Signor, son rea di morte, Così fan tutte, Atto II, Scena 4: Bella vita militar!, Così fan tutte, Atto II, Scena 4: Benedetti i doppi coniugi, Così fan tutte, Atto II, Scena 4: E nel tuo, nel mio bicchiero, Così fan tutte, Atto II, Scena 4: Fate presto, o cari amici, Così fan tutte, Atto II, Scena 4: Fortunato l'uom che prende, Così fan tutte, Atto II, Scena 4: Miei, signori, tutto è fatto, Così fan tutte, Atto II, Scena 4: Richiamata da regio contrordine, Così fan tutte, Overture, Don Giovanni : Non mi dir, Exsultate, jubilate, K. 165: "Alleluja", Exsultate, jubilate, K. 165: "Exsultate, jubilate", Exsultate, jubilate, K. 165: "Tu virginum corona", Exsultate, jubilate, K. 165: Recit. "Fulget amicadies", Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Piano Concerto no. 21 in C: 2. Andante, Requiem in Re minore K 626: Agnus Dei, Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Confutatis, Requiem in Re minore K 626: Dies irae, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Hostias, Requiem in Re minore K 626: Introito e Kyrie, Requiem in Re minore K 626: Lacrymosa, Requiem in Re minore K 626: Lux aeterna, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Rex tremendae maiestatis, Requiem in Re minore K 626: Sanctus, Requiem in Re minore K 626: Tuba mirum, Requiem, Dies Irae (Philharmonia Orchestra and Chorus feat. conductor: Carlo Maria Giulini) |
| Ulrich Vette |
balance |
Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento", Così fan tutte, K. 588: Act I, "Oh, la saria da ridere!", Così fan tutte, K. 588: Act I. "Ah, guarda, sorella", Così fan tutte, K. 588: Act I. "Ah, non partite", Così fan tutte, K. 588: Act I. "Ah, scostati!", Così fan tutte, K. 588: Act I. "Al fato dan legge", Così fan tutte, K. 588: Act I. "Alla bella Despinetta", Così fan tutte, K. 588: Act I. "Bella vita militar!", Così fan tutte, K. 588: Act I. "Che silenzio!", Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!", Così fan tutte, K. 588: Act I. "Che vita maledetta", Così fan tutte, K. 588: Act I. "Come scoglio", Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno", Così fan tutte, K. 588: Act I. "Dove son?", Così fan tutte, K. 588: Act I. "E la fede delle femminine", Così fan tutte, K. 588: Act I. "E voi ridete?" - "La cagion di quel riso?", Così fan tutte, K. 588: Act I. "Fuor la spada", Così fan tutte, K. 588: Act I. "In uominI. in soldati", Così fan tutte, K. 588: Act I. "La commedia è graziosa", Così fan tutte, K. 588: Act I. "La mia Dorabella", Così fan tutte, K. 588: Act I. "Mi par che stamattina", Così fan tutte, K. 588: Act I. "Non piangere, idol mio!", Così fan tutte, K. 588: Act I. "Non siate ritrosi", Così fan tutte, K. 588: Act I. "Non son cattivo comico", Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici", Così fan tutte, K. 588: Act I. "Scioccerie di poeti", Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede", Così fan tutte, K. 588: Act I. "Si può sapere un poco la cagion di quel riso?", Così fan tutte, K. 588: Act I. "Signora Dorabella", Così fan tutte, K. 588: Act I. "Smanie implacabili", Così fan tutte, K. 588: Act I. "Soave sia il vento", Così fan tutte, K. 588: Act I. "Stelle! Per carità, signor Alfonso", Così fan tutte, K. 588: Act I. "Un'aura amorosa", Così fan tutte, K. 588: Act I. "Una bella serenata", Così fan tutte, K. 588: Act I. "Vorrei dir, e cor non ho", Così fan tutte, K. 588: Act I. Ouverture, Così fan tutte, K. 588: Act II. "Ah, correte al giardino", Così fan tutte, K. 588: Act II. "Ah, lo veggio", Così fan tutte, K. 588: Act II. "Amico, abbiamo vinto!", Così fan tutte, K. 588: Act II. "Andate là", Così fan tutte, K. 588: Act II. "Barbara! Perché fuggi?", Così fan tutte, K. 588: Act II. "Bravo, questa è costanza", Così fan tutte, K. 588: Act II. "Come tutto congiura", Così fan tutte, K. 588: Act II. "Donne mie, la fate a tanti", Così fan tutte, K. 588: Act II. "E amore un ladroncello", Così fan tutte, K. 588: Act II. "Ei parte... senti... ah no!", Così fan tutte, K. 588: Act II. "Fate presto, o cari amici", Così fan tutte, K. 588: Act II. "Fra gli amplessi in pochi istanti", Così fan tutte, K. 588: Act II. "Il cor vi dono", Così fan tutte, K. 588: Act II. "Il tutto deponete", Così fan tutte, K. 588: Act II. "In qual fiero contrasto", Così fan tutte, K. 588: Act II. "La mano a me date", Così fan tutte, K. 588: Act II. "Oh che bella giornata!", Così fan tutte, K. 588: Act II. "Oh poveretto me", Così fan tutte, K. 588: Act II. "Ora vedo che siete", Così fan tutte, K. 588: Act II. "Per pietà, ben mio, perdona", Così fan tutte, K. 588: Act II. "Prenderò quel brunettino", Così fan tutte, K. 588: Act II. "Secondate, aurette amiche", Così fan tutte, K. 588: Act II. "Sorella, cosa dici?", Così fan tutte, K. 588: Act II. "Tradito, schernito", Così fan tutte, K. 588: Act II. "Tutti accusan le donne", Così fan tutte, K. 588: Act II. "Una donna a quindici anni", Così fan tutte, K. 588: Act II. "Vittoria, padroncini!", Così fan tutte, K. 588: Appendix. "Rivolgete a lui lo sguardo" - "E voi ridete?", La clemenza di Tito: Atto I, Scena I. No 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) - "Fan mille affetti insieme" (Sesto, Vitellia), La clemenza di Tito: Atto I, Scena I. Recitativo "Ma ché? sempre l'istesso" (Vitellia, Sesto), La clemenza di Tito: Atto I, Scena II. No 2 Aria "Deh, se piacer mi vuoi" (Vitellia), La clemenza di Tito: Atto I, Scena II. Recitativo "Amico, il passo affreta" (Annio, Vitellia, Sesto), La clemenza di Tito: Atto I, Scena III. No 3 Duettino "Deh, prendi un dolce amplesso" (Annio, Sesto), La clemenza di Tito: Atto I, Scena III. Recitativo "Amico, ecco il momento" (Annio, Sesto), La clemenza di Tito: Atto I, Scena IV. No 4 Marcia, La clemenza di Tito: Atto I, Scena IV. No 5 Coro "Serbate, oh Dei custodi", La clemenza di Tito: Atto I, Scena IV. No 5 Coro da capo "Serbate, oh Dei custodi", La clemenza di Tito: Atto I, Scena IV. No 6 Aria "Del più sublime soglio" (Tito), La clemenza di Tito: Atto I, Scena IV. Recitativo "Adesso, oh Sesto, parla per me" (Annio, Sesto, Tito), La clemenza di Tito: Atto I, Scena IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito), La clemenza di Tito: Atto I, Scena IX. No 10 Terzetto "Vengo...aspettate...Sesto!" (Vitellia, Annio, Publio), La clemenza di Tito: Atto I, Scena IX. Recitativo "Vedrai, Tito, vedrai" (Vitellia, Publio, Annio), La clemenza di Tito: Atto I, Scena V. No 7 Duetto "Ah, perdona al primo affetto" (Annio, Servilia), La clemenza di Tito: Atto I, Scena V. Recitativo "Non ci pentiam" (Annio, Servilia), La clemenza di Tito: Atto I, Scena VI. No 8 Aria "Ah, se fosse intorno al trono" (Tito), La clemenza di Tito: Atto I, Scena VI. Recitativo "Servilia! Augusta!" (Tito, Servilia), La clemenza di Tito: Atto I, Scena VII. Recitativo "Felice me!" (Servilia, Vitellia) - Scena VIII. Recitativo "Ancor mi schernisce?" (Vitellia, Sesto), La clemenza di Tito: Atto I, Scena VIII. No 9 Aria "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Atto I, Scena X. No 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto), La clemenza di Tito: Atto I, Scena X. No 12 Quintetto con Coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Coro, Publio, Vitellia), La clemenza di Tito: Atto II, Scena I. No 13 Aria "Torna di Tito a lato" (Annio), La clemenza di Tito: Atto II, Scena I. Recitativo "Sesto, come tu credi" (Annio, Sesto), La clemenza di Tito: Atto II, Scena II. Recitativo "Partir deggio, o restar?" (Sesto, Vitellia) - Scena III. Recitativo "Sesto!" / "Che chiedi?" (Publio, Sesto, Vitellia), La clemenza di Tito: Atto II, Scena IV. No 14 Terzetto: "Se al volto mai ti senti" (Sesto, Vitellia, Publio), La clemenza di Tito: Atto II, Scena IX. No 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) - Recitativo "Odimi, oh Sesto" (Tito, Sesto), La clemenza di Tito: Atto II, Scena IX. No 19 Rondo "Deh, per questo istante solo" (Sesto), La clemenza di Tito: Atto II, Scena V. No 15 Coro "Ah, grazie si rendano" (Coro, Tito) - Recitativo "È tutto colà d'intorno" (Publio, Tito), La clemenza di Tito: Atto II, Scena V. No 16 Aria "Tardi s'avvede d'un tradimento" (Publio), La clemenza di Tito: Atto II, Scena VI. Recitativo "No, così scellerato" (Tito, Annio) - Scena VII. "Cesare, nol diss'io" (Publio, Tito, Annio), La clemenza di Tito: Atto II, Scena VII. No 17 Aria "Tu fosti tradito" (Annio), La clemenza di Tito: Atto II, Scena VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito), La clemenza di Tito: Atto II, Scena X. Recitativo "Ove s'intese mai più contumace infedeltà?" (Tito) - Scena XI. Recitativo "Publio." / "Cesare." (Tito, Publio), La clemenza di Tito: Atto II, Scena XI. No 20 Aria "Se all'impero, amici Dei" (Tito), La clemenza di Tito: Atto II, Scena XII. No 21 Aria "S'altro che lacrime per lui non tenti" (Servilia), La clemenza di Tito: Atto II, Scena XII. Recitativo "Ah, Vitellia!" (Servilia, Annio, Vitellia), La clemenza di Tito: Atto II, Scena XIII. No 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia), La clemenza di Tito: Atto II, Scena XIII. No 23 Rondo "Non più di fiori vaghe catene" (Vitellia), La clemenza di Tito: Atto II, Scena XIV. No 24 Coro "Che del ciel, che degli Dei", La clemenza di Tito: Atto II, Scena XV. No 26 Sestetto con Coro "Tu, è ver, m'assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro), La clemenza di Tito: Atto II, Scena XV. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio) - No 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito), La clemenza di Tito: Ouverture |
| London Philharmonic Orchestra |
performer, performing orchestra |
Concerto Pour Piano No. 21 "Elvira Madigan" en Ut Majeur, KV 467, I. Allegro maestosos – Cadence (Eschenbach), Concerto Pour Piano No. 21 „Elvira Madigan“ en Ut Majeur, KV 467, III Allegro vivace assai – Cadences (Eschenbach), Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso, Concerto pour Piano No. 21 „Elvira Madigan“ en Ut Majeur, KV 467, II. Andante, Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, I Allegro – Cadene (Mozart), Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, II Larghetto, Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, III Allegro – Cadence (Mozart), Cosi fan Tutte: Soave sia il vento… Non son cattivo comico, Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 1 Terzetto Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) / Recitativo "Fuor la spada!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act I. No. 10 Terzettino "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) / Recitativo "Non son cattivo comico! ... Nel mare solca..." (Don Alfonso), Così fan tutte, K. 588: Act I. No. 12 Aria "In uomini! In soldati sperare fedeltà?" (Despina), Così fan tutte, K. 588: Act I. No. 13 Sestetto "Alla bella Despinetta vi presento, amici miei" (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo "Che sussurro! Che strepito, che scompglio è mai questo!" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act I. No. 15 Aria "Non siate ritrosi, occhietti vezzosi" (Guglielmo), Così fan tutte, K. 588: Act I. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Si può sapere un poco la cagion di quel riso? (Don Alfonso, Guglielmo, Ferrando), Così fan tutte, K. 588: Act I. No. 17 Aria "Un'aura amorosa del nostro tesoro" (Ferrando) / Recitativo "Oh la saria da ridere" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Ah, che tutta in un momento si cangiò la sorte mia!" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Dammi un bacio, o mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Eccovi il medico, signor belle!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act I. No. 2 Terzetto "È la fede delle femmine come l'araba fenice" (Ferrando, Don Alfonso, Guglielmo) / Recitativo "Scioccherie di poeti!" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I. No. 3 Terzetto "Una bella serenata far io voglio" (Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act I. No. 4 Duetto "Ah guarda sorella" (Fiordiligi, Dorabella) / Recitativo "Mi par, che stamattina ... Non son essi: è" (Ferrando, Guglielmo, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso) / Recitativo "Stelle! Per carità, signor Alfonso, no ci fate morir" (Fiordiligi, Don Alfonso, Dorabella), Così fan tutte, K. 588: Act I. No. 6 Quintetto "Sento oddio, che questo piede è restio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) / Recitativo "Non piangere, idol mio (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 7 Duettino "Al fato dàn legge quegli occhi vezzosi" (Ferrando, Guglielmo) / Recitativo La commedia è graziosa... (Don Alfonso, Ferrando, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 8 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Non v'è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I. No. 8a Quintetto "Di scrivermi ogni giorno, giurami, vita mia!" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Dove son? - Son partiti" (Dorabella, Don Alfonso, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Ah! scostati, paventa il tristo effetto d'un disperato affetto!" (Dorabella) / No. 11 Aria "Smanie implacabili, che m'agitate" (Dorabella) / Recitativo "Signora Dorabella, signora Fiordiligi, ditemi, che cosa è stato?" (Despina, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Che silenzio! Che aspetto di tristezza spirano queste stanze!" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. Recitativo "Che vita maledetta è il far la cameriera! ... Madame, ecco la vostra colazione (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) / No. 14 Aria "Come scoglio immoto resta contra i venti" (Fiordiligi) / Recitativo "Ah, non partite!" (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act II. No. 19 Aria "Una donna a quindici anni" (Despina) / Recitativo "Sorella, cosa dici?" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. No. 20 Duetto "Prenderò quel brunettino" (Dorabella, Fiordiligi) / Recitativo "Ah, correte al giardino, le mie care ragazze!" (Don Alfonso, Dorabella), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo), Così fan tutte, K. 588: Act II. No. 23 Duetto "Il core vi dono" (Guglielmo, Dorabella), Così fan tutte, K. 588: Act II. No. 26 Aria "Donne mie, la fate a tanti" (Guglielmo), Così fan tutte, K. 588: Act II. No. 28 Aria "È Amore un ladroncello" (Dorabella) / Recitativo "Come tutto congiura a sedurre il mio cor!" (Fiordiligi, Guglielmo, Despina, Don Alfonso) / Recitativo "L'abito di Ferrando sarà buono per me" (Fiordiligi, Guglielmo), Così fan tutte, K. 588: Act II. No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando) / Recitativo "Ah, poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act II. No. 30 "Tutti accusan le donne, ed io le scuso" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Benedetti i doppi coniugi e le amabili sposine!" (coro di servi, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Fate presto, o cari amici" (Despina, coro di servi, Don Alfonso), Così fan tutte, K. 588: Act II. No. 31 Finale "Miei signori, tutto è fatto ... Bella vita militar!" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act II. No. 31 Finale "Sani e salvi agli amplessi amorosi ... Fortunato l'uom che prende ogni cosa pel buon verso" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act II. Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. Recitativo "Andate là, che siete due bizzarre ragazze!" (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. Recitativo "Barbara! Perché fuggi?" (Ferrando, Fiordiligi) / No. 24 Aria "Ah, lo veggio, quell'anima bella al mio pianto resister non sa" (Ferrando), Così fan tutte, K. 588: Act II. Recitativo "Ei parte... senti!" (Fiordiligi) / No. 25 Rondò "Per pietà, ben mio, perdona all'error d'un'alma amante" (Fiordiligi), Così fan tutte, K. 588: Act II. Recitativo "In qual fiero contrasto, in qual disordine di pensieri e di affetti io mi ritrovo!" (Ferrando) / No. 27 Cavatina "Tradito, schernito dal perfido cor" (Ferrando) / Recitativo "Bravo: questa è constanza" (Don Alfonso, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. Recitativo "Ora vedo che siete una donna di garbo" (Despina, Dorabella, Fiordiligi), Così fan tutte, K. 588: Overtura, Die Zauberflöte (Ouvertüre), KV 620, Don Giovanni - Act 1: Champagne Aria, Don Giovanni - Act 1: Don Ottavio Son Morta... Or Sai Chi L'Onore (excerpt), Don Giovanni - Act 2; Don Giovanni's Descent Into Hell, From Don Giovanni: Don Giovanni and Zerlina's Duet, "Come On, We're Wasting Time" - "There Will My Arms Enfold You", Idomeneo, Act I: Ecco il misero… Godiam la pace – Ilia/Chorus, Idomeneo, Act I: Estinto è Idomeneo? – Elettra, Idomeneo, Act I: March… Nettuno s’onori! – Chorus, Idomeneo, Act I: Non ho colpa – Idamante, Idomeneo, Act I: Padre, germani, addio! – Ilia, Idomeneo, Act I: Pietà Numi, pietà! – Chorus, Idomeneo, Act I: Quando avran fine – Ilia, Idomeneo, Act I: Spiagge romite… Il padre adorato – Idamante, Idomeneo, Act I: Tutte nel cor vi sento – Elettra, Idomeneo, Act I: Vedrommi intorno l’ombra dolente – Idomeneo, Idomeneo, Act II: Chi mai del mio – Elettra, Idomeneo, Act II: Corriamo, fuggiamo – Chorus, Idomeneo, Act II: Del ciel la clemenza… Qual nuova terrore! – Idomeneo/Idamante/Elettra, Idomeneo, Act II: Fuor del mar – Idomeneo, Idomeneo, Act II: Idol mio… March – Elettra, Idomeneo, Act II: Placido è il mar – Chorus, Idomeneo, Act II: Pria di partir, o Dio! – Idamante/Elettra/Idomeneo, Idomeneo, Act II: Qual mi conturba – Idomeneo, Idomeneo, Act II: Se il padre perdei – Ilia, Idomeneo, Act II: Siam soli – Idomeneo, Idomeneo, Act III: Accogli, o rè del mar – Idomoneo, Idomeneo, Act III: Deh vibro un colpo… No, la morte io non pavento – Idamante, Idomeneo, Act III: D’Oreste, d’Aiace – Elettra, Idomeneo, Act III: O voto tremendo! – Chorus, Idomeneo, Act III: Oh, ciel pietoso! – Elettra, Idomeneo, Act III: Padre, mio caro padre! – Idamante, Idomeneo, Act III: Popoli! a voi l’ultima legge impone – Idomeneo, Idomeneo, Act III: Principessa, a tuoi sguardi… Spiegarti non poss’io… Andrò ramingo e solo – Idomeneo/Ilia/Elettra/Idamante, Idomeneo, Act III: Scenda Amore – Chorus, Idomeneo, Act III: Torna la pace al core – Idomeneo, Idomeneo, Act III: Volgi intorno lo sguardo, o Sire – High Priest, Idomeneo, Act III: Zeffiretti lusinghieri (conclusion) – Ilia, Idomeneo, Act III: Zeffiretti lusinghieri – Ilia, Idomeneo: Overture, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Konzert Nr. 5 für Violine und Orchester A-moll, KV 219: III. Rondeau: Tempo di menuetto, Non Ho Colpa E Mi Condanni (Idomeo), Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": I. Allegro vivace, Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": II. Andante cantabile, Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": IV. Allegro molto, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto, The Magic Flute, The Magic Flute: Act II. “A woman’s beauty is beguiling” (Second Priest, Speaker, Papageno), The Marriage of Figaro: Dove sono, The Marriage of Figaro: Finale, The Marriage of Figaro: Non so più cosa son, cosa faccio, The Marriage of Figaro: Se vuol ballare |
| Berliner Philharmoniker |
performing orchestra |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel), Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno), Die Zauberflöte: 'Die Bildnis ist bezaubernd schon', Die Zauberflöte: Ach, ich fühl's, Die Zauberflöte: Alles fühlt der Liebe Freuden, Die Zauberflöte: Bald prangt, den Morgen zu verkünden, Die Zauberflöte: Behahret euch vor Weiberstücken, Die Zauberflöte: Bei Männern, Die Zauberflöte: Der Hölle Rache kocht in meinen Herzen, Die Zauberflöte: Der Vogelfänger bin ich ja, Die Zauberflöte: Der, welcher wandelt diese strasse, Die Zauberflöte: Dies Bildnis ist bezaubernd schön (Tamino), Die Zauberflöte: Du feines Täubchen, nur herein!, Die Zauberflöte: Ein Mädchen oder Weibchen, Die Zauberflöte: Es lebe Sarastro, Sarastro lebe!, Die Zauberflöte: Herr, ich bin zwar Verbrecherin, Die Zauberflöte: Hm! Hm! Hm! Hm!, Die Zauberflöte: Ihr Götter, welch ein Augenblick!, Die Zauberflöte: In diesen heill'gen Hallen, Die Zauberflöte: March of Priests, Die Zauberflöte: Nur stille, stille, stille, stille!, Die Zauberflöte: O Isis und Osiris, Die Zauberflöte: O Isis und Osiris, welche Wonne!, Die Zauberflöte: O zittre nicht, mein lieber Sohn, Die Zauberflöte: Ouvertüre, Die Zauberflöte: Pa-pa-gena! Pa-pa-geno!, Die Zauberflöte: Papagena! Papagena! Papagena!, Die Zauberflöte: Schnelle Füsse, Rascher Mut, Die Zauberflöte: Seid uns zum zweiten Mal willkommen, Die Zauberflöte: Soll ich dich, Teurer, nicht mehr sehn?, Die Zauberflöte: Tamino mein! O welch ein Glück!, Die Zauberflöte: Wie? Wie? Wie?, Die Zauberflöte: Wies stark ist nicht dein Zauberton, Die Zauberflöte: Zu Hilfe! Zu Hilfe!, Die Zauberflöte: Zum Ziele führt dich diese Bahn, Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": I. Allegro, Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": II. Andante, Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": III. Presto, Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": I. Allegro, Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": II. Andante, Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": III. Presto, Divertimento in D major, K. 125a/136 "Salzburg Symphony No. 1": I. Allegro, Divertimento in D major, K. 125a/136 "Salzburg Symphony No. 1": II. Andante, Divertimento in D major, K. 125a/136 "Salzburg Symphony No. 1": III. Presto, Grande Messe en ut mineur K. 427 : Cum Sancto Spiritu, Grande Messe en ut mineur K. 427 : Domine (Allegro moderato), Grande Messe en ut mineur K. 427 : Et incarnatus est, Grande Messe en ut mineur K. 427 : III. Credo : Credo in unum Deum (Allegro maestoso), Grande Messe en ut mineur K. 427 : IV. Sanctus, Grande Messe en ut mineur K. 427 : Jesu Christe (Adagio), Grande Messe en ut mineur K. 427 : Qui tollis (Largo), Grande Messe en ut mineur K. 427 : Quoniam (Allegro), Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo), Grande Messe en ut mineur K427 (417a) Kyrie, Grande messe en ut mineur, K. 427 (417a) : I. Kyrie (Andante moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 1 "Gloria in excelsis Deo" (Allegro vivace), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 2 "Laudamus te" (Allegro aperto), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 3 "Gratias" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 4 "Domine" (Allegro moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 5 "Qui tollis peccato mundi" (Largo), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 6 "Quoniam tu solus sanctus" (Allegro), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 7 "Jesus Christe" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 8 "Cum sancto spiritu", Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 1 "Credo in unum Deum" (Allegro maestoso), Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 2 "Et incarnatus est" (Andante), Grande messe en ut mineur, K. 427 (417a) : IV. Sanctus (Largo), Grande messe en ut mineur, K. 427 (417a) : V. Benedictus (Allegro comodo), Grosse Messe en ut mineur K 427 (471a) Credo: Credo in unum Deum, Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus", Konzert für Klavier und Orchester Nr. 26 D-dur KV 537 »Krönungskonzert«: 1. Allegro, Konzert für Klavier und Orchester Nr. 26 D-dur KV 537 »Krönungskonzert«: 2. (Larghetto), Konzert für Klavier und Orchester Nr. 26 D-dur KV 537 »Krönungskonzert«: 3. (Allegretto), Requiem enre mineur, KV 626: I. Itroitus: Requiem aeternam, Requiem enre mineur, KV 626: II. Kyrie eleison, Requiem enre mineur, KV 626: III. Sequenz: Confutatis maledictis, Requiem enre mineur, KV 626: III. Sequenz: Dies irae, Requiem enre mineur, KV 626: III. Sequenz: Lacrimosa, Requiem enre mineur, KV 626: III. Sequenz: Recordare, Requiem enre mineur, KV 626: III. Sequenz: Rex tremendae majestatis, Requiem enre mineur, KV 626: III. Sequenz: Tuba mirum, Requiem enre mineur, KV 626: IV. Offertorium: Domine Jesu Christe, Requiem enre mineur, KV 626: IV. Offertorium: Hostias et preces tibi, Domine, Requiem enre mineur, KV 626: V. Sanctus: Benedictus - Osanna II, Requiem enre mineur, KV 626: V. Sanctus: Sanctus - Osanna I, Requiem enre mineur, KV 626: VI. Agnus Dei, Requiem enre mineur, KV 626: VII Communio: Lux aeterna - Cum sanctis tuis, Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Sinfonia Concertante in E flat, K. 364: I. Allegro maestoso, Sinfonia Concertante in E flat, K. 364: II. Andante, Sinfonia Concertante in E flat, K. 364: III. Presto (cadenzas: Mozart) |
| Freiburger Barockorchester |
performing orchestra |
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (feat. clarinette d'amour: Lorenzo Coppola), Don Giovanni, Prague version: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Don Giovanni, Prague version: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Don Giovanni, Prague version: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Don Giovanni, Prague version: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Don Giovanni: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Don Giovanni: Act I, Scene II. Recitativo "Ah del padre in periglio" (Donna Anna, Don Ottavio) / No. 2 Recitativo accomp. "Ma qual mai s'offre, o Dei" (Donna Anna, Don Ottavio), Don Giovanni: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello), Don Giovanni: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Don Giovanni: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Don Giovanni: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Don Giovanni: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Don Giovanni: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Don Giovanni: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Don Giovanni: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira), Don Giovanni: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Don Giovanni: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Don Giovanni: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Don Giovanni: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Don Giovanni: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni), Don Giovanni: Act I, Scene XI. Recitativo "Ah ti ritrovo ancor" (Donna Elvira) / Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Don Giovanni: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna), Don Giovanni: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni), Don Giovanni: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Don Giovanni: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio), Don Giovanni: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a], Don Giovanni: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni), Don Giovanni: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello), Don Giovanni: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Don Giovanni: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Don Giovanni: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Don Giovanni: Act I, Scene XVI. No. 13 Finale "Presto presto" (Zerlina, Masetto) / Act I, Scene XVII. "Su svegliatevi, da bravi" (Don Giovanni, Servi), Don Giovanni: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Don Giovanni: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Don Giovanni: Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro), Don Giovanni: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Don Giovanni: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello), Don Giovanni: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello), Don Giovanni: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Don Giovanni: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / Act II, Scene II. Recitativo "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello), Don Giovanni: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Don Giovanni: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto) / Act II, Scene IV. Recitativo "Non ci stanchiamo" (Don Giovanni, Masetto), Don Giovanni: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Don Giovanni: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) / Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Don Giovanni: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni), Don Giovanni: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Don Giovanni: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) / Act II, Scene VIII. "Ferma, briccone", Don Giovanni: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Don Giovanni: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Don Giovanni: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello), Don Giovanni: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna), Don Giovanni: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna), Don Giovanni: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Don Giovanni: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Don Giovanni: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira), Don Giovanni: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira), Don Giovanni: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Don Giovanni: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Don Giovanni: Act II, Scene Xa. Anhang. No. 21 Duetto "Per queste tue manine" (Zerlina, Leporello) [K. 540b], Don Giovanni: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello), Don Giovanni: Act II, Scene Xb. Recitativo "Guarda un po'come stretto" (Leporello), Don Giovanni: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto), Don Giovanni: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2], Don Giovanni: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1], Don Giovanni: Ouvertura, Symphonie n°38 "Prague" en ré Majeur: I. Adagio allegro, Symphonie n°38 "Prague" en ré Majeur: II. Andante, Symphonie n°38 "Prague" en ré Majeur: III. Finale. Presto, Symphony No. 31 'Paris', K. 297: I. Allegro assai, Symphony No. 31 'Paris', K. 297: II/1. Andante, Symphony No. 31 'Paris', K. 297: II/2. Andante (deuxième version), Symphony No. 31 'Paris', K. 297: III. Allegro, Symphony No. 38 en ré majeur, K. 504 "Prague": I. Adagio - Allegro, Symphony No. 38 en ré majeur, K. 504 "Prague": II. Andante, Symphony No. 38 en ré majeur, K. 504 "Prague": III. Finale. Presto, Symphony No. 39 in E-flat major, K. 543: I. Adagio - Allegro, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Menuetto - Allegretto, Symphony No. 39 in E-flat major, K. 543: IV. Finale - Allegro, Symphony No. 40 in G minor, K. 550: I. Molto allegro, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Minuetto. Allegretto, Symphony No. 40 in G minor, K. 550: IV. Allegro assai, Symphony No. 41 en ut majeur, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 en ut majeur, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 en ut majeur, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio, Symphony No. 41 en ut majeur, K. 551 "Jupiter": IV. Allegro molto |
| The London Classical Players |
performing orchestra |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Ah del padre in periglio" / Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) / "Ah ti ritrovo ancor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" / "Pace, pace, o vita mia" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XIV-XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" / "Non ci stanchiamo" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Anhang. Recitativo "Ah pietà... compassion" (Leporello, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) / "Ahi ahi! la testa mia" (Masetto, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "Ah signor ... per carità!" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Duetto "Per queste tue manine" (Zerlina, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xb. Anhang. Recitativo "Amico, per pietà" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Ode funèbre maçonnique, K477 (feat. London Classical Players, Roger Norrington), Symphony No. 39 in E-flat major, K. 543: I. Adagio - Allegro, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Menuetto (Allegretto) & Trio, Symphony No. 39 in E-flat major, K. 543: IV. Finale: Allegro, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto) & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Finale. Molto allegro |
| Ian Page (British conductor) |
conductor |
Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena I. Recitativo: "Vieni, Signor" (Arbate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. No. 1. Aria: "Al destin, che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. Recitativo: "Se a me s'unisce Arbate" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. No. 2. Aria: "Soffre il mio cor con pace" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. Recitativo accompagnato: "Qual tumulto nell'alma" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IV. Recitativo: "Sin a quando, o Regina" (Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. No. 6. Aria: "Venga pur, minacci e frema" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. Recitativo: "Eccovi in un momento sconvolti" (Farnace, Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena V. Recitativo: "Ferma, o germano" (Sifare, Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. No. 3. Aria: "L'odio nel cor frenate" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. Recitativo: "All'ire freno, Principi, olà" (Arbate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. No. 4. Aria: "Nel sen mi palpita" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. Recitativo: "Principe, che facemmo!" (Farnace, Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. No. 5. Aria: "Parto: Nel gran cimento" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. Recitativo: "Un tale addio, germano" (Farnace, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 7. Marcia: Maestoso, Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. Recitativo: "Tu mi revedi, Arbate" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. No. 9. Aria: "In faccia all'oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. Recitativo: "Su la temuta destra" (Sifare, Mitridate, Farnace, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XII. Recitativo: "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. No. 10. Aria: "Quel ribelle e quell'ingrato" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. Recitativo accompagnato: "Respira alfin, respira" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. No. 11. Aria: "Va, l'error mio palesa" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. Recitativo: "Questo è l'amor, Farnace" (Ismene, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena II. Recitativo: "Perfido, ascolto" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena III. Recitativo: "Eccomi a' cenni tuoi" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. No. 12. Aria: "Tu che fedel mi sei" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. Recitativo: "(Respiro, oh Dei!)" (Aspasia, Sifare, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IX. Recitativo: "Qui, dove la vendetta si prepara" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena V. Recitativo: "Che dirò? Che ascoltai?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VI. Recitativo: "Alla tua fede il padre, Sifare, applaude" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo accompagnato: "Non più, Regina" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo: "Oh giorno di dolore!" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. No. 14. Aria: "Nel grave tormento" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. Recitativo accompagnato: "Grazie ai Numi parti" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena X. Recitativo: "Sedete, o Prenci" (Mitridate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XI. Recitativo: ""Signor, son io" (Marzio, Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. No. 15. Aria: "So quanto a te dispiace" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. Recitativo: "Inclita Ismene" (Mitridate, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. No. 16. Aria: "Son reo; l'error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. Recitativo: "Ah, giacchè son tradito" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. No. 17. Aria: "Già di pietà mi spoglia" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. Recitativo: "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. No. 18. Duetto: "Se viver non degg'io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo accompagnato: "Io sposa di quel mostro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo: "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. No. 19. Aria: "Tu sai per ch m'accese" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. Recitativo: "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena II. Recitativo: "Re crudel, re spietato" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. Recitativo: "Mio re, t'affretta" (Arbate, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. No. 21. Cavatina: "Pallid’ ombre, che scorgete" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Ah ben ne fui presaga!" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Bevasi... Ahimè" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo: "Lagrime intempestive" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. No. 24. Aria: "Già dagli occhi il velo è tolto" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. Recitativo accompagnato: "Vadasi... Oh ciel" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena V. Recitativo: "Che fai, Regina?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. No. 22. Aria: "Se il rigor d'ingrata sorte" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. Recitativo: "Che mi val questa vita" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VII. Recitativo: "Sorte crudel, stelle inimiche" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. No. 23. Aria: "Se di regnar sei vago" (Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. Recitativo: "Teco i patti, o Farnace" (Marzio, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena X. Recitativo: "Figlio, amico, non più" (Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XI. Recitativo: "Ah vieni, o dolce dell'amor mio" (Mitridate, Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. No. 25. Coro: "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. Recitativo: "Reo non si chiami, o Sire" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 1. Aria: "Al destin che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): No. 14. Aria: "Nel grave tormento" (Aspasia) (Completion by Stanley Sadie), Mitridate, re di Ponto, K. 87 (74a): No. 16. Aria: "Son reo; l’error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): No. 18. Duetto: "Se viver non degg’io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate) (Completion of original sketch by Stanley Sadie/Ian Page), Mitridate, re di Ponto, K. 87 (74a): No. 9. Aria: "In faccia all’oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Ouverture: Allegro, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Andante grazioso, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Presto |
| Orchestra of Classical Opera |
performing orchestra |
Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena I. Recitativo: "Vieni, Signor" (Arbate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. No. 1. Aria: "Al destin, che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. Recitativo: "Se a me s'unisce Arbate" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. No. 2. Aria: "Soffre il mio cor con pace" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. Recitativo accompagnato: "Qual tumulto nell'alma" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IV. Recitativo: "Sin a quando, o Regina" (Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. No. 6. Aria: "Venga pur, minacci e frema" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. Recitativo: "Eccovi in un momento sconvolti" (Farnace, Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena V. Recitativo: "Ferma, o germano" (Sifare, Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. No. 3. Aria: "L'odio nel cor frenate" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. Recitativo: "All'ire freno, Principi, olà" (Arbate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. No. 4. Aria: "Nel sen mi palpita" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. Recitativo: "Principe, che facemmo!" (Farnace, Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. No. 5. Aria: "Parto: Nel gran cimento" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. Recitativo: "Un tale addio, germano" (Farnace, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 7. Marcia: Maestoso, Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. Recitativo: "Tu mi revedi, Arbate" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. No. 9. Aria: "In faccia all'oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. Recitativo: "Su la temuta destra" (Sifare, Mitridate, Farnace, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XII. Recitativo: "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. No. 10. Aria: "Quel ribelle e quell'ingrato" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. Recitativo accompagnato: "Respira alfin, respira" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. No. 11. Aria: "Va, l'error mio palesa" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. Recitativo: "Questo è l'amor, Farnace" (Ismene, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena II. Recitativo: "Perfido, ascolto" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena III. Recitativo: "Eccomi a' cenni tuoi" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. No. 12. Aria: "Tu che fedel mi sei" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. Recitativo: "(Respiro, oh Dei!)" (Aspasia, Sifare, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IX. Recitativo: "Qui, dove la vendetta si prepara" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena V. Recitativo: "Che dirò? Che ascoltai?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VI. Recitativo: "Alla tua fede il padre, Sifare, applaude" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo accompagnato: "Non più, Regina" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo: "Oh giorno di dolore!" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. No. 14. Aria: "Nel grave tormento" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. Recitativo accompagnato: "Grazie ai Numi parti" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena X. Recitativo: "Sedete, o Prenci" (Mitridate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XI. Recitativo: ""Signor, son io" (Marzio, Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. No. 15. Aria: "So quanto a te dispiace" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. Recitativo: "Inclita Ismene" (Mitridate, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. No. 16. Aria: "Son reo; l'error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. Recitativo: "Ah, giacchè son tradito" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. No. 17. Aria: "Già di pietà mi spoglia" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. Recitativo: "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. No. 18. Duetto: "Se viver non degg'io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo accompagnato: "Io sposa di quel mostro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo: "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. No. 19. Aria: "Tu sai per ch m'accese" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. Recitativo: "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena II. Recitativo: "Re crudel, re spietato" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. Recitativo: "Mio re, t'affretta" (Arbate, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. No. 21. Cavatina: "Pallid’ ombre, che scorgete" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Ah ben ne fui presaga!" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Bevasi... Ahimè" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo: "Lagrime intempestive" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. No. 24. Aria: "Già dagli occhi il velo è tolto" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. Recitativo accompagnato: "Vadasi... Oh ciel" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena V. Recitativo: "Che fai, Regina?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. No. 22. Aria: "Se il rigor d'ingrata sorte" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. Recitativo: "Che mi val questa vita" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VII. Recitativo: "Sorte crudel, stelle inimiche" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. No. 23. Aria: "Se di regnar sei vago" (Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. Recitativo: "Teco i patti, o Farnace" (Marzio, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena X. Recitativo: "Figlio, amico, non più" (Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XI. Recitativo: "Ah vieni, o dolce dell'amor mio" (Mitridate, Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. No. 25. Coro: "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. Recitativo: "Reo non si chiami, o Sire" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 1. Aria: "Al destin che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): No. 14. Aria: "Nel grave tormento" (Aspasia) (Completion by Stanley Sadie), Mitridate, re di Ponto, K. 87 (74a): No. 16. Aria: "Son reo; l’error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): No. 18. Duetto: "Se viver non degg’io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate) (Completion of original sketch by Stanley Sadie/Ian Page), Mitridate, re di Ponto, K. 87 (74a): No. 9. Aria: "In faccia all’oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Ouverture: Allegro, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Andante grazioso, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Presto |
| Andrew Mellor |
engineer, producer |
Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena I. Recitativo: "Vieni, Signor" (Arbate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. No. 1. Aria: "Al destin, che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. Recitativo: "Se a me s'unisce Arbate" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. No. 2. Aria: "Soffre il mio cor con pace" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. Recitativo accompagnato: "Qual tumulto nell'alma" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IV. Recitativo: "Sin a quando, o Regina" (Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. No. 6. Aria: "Venga pur, minacci e frema" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. Recitativo: "Eccovi in un momento sconvolti" (Farnace, Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena V. Recitativo: "Ferma, o germano" (Sifare, Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. No. 3. Aria: "L'odio nel cor frenate" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. Recitativo: "All'ire freno, Principi, olà" (Arbate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. No. 4. Aria: "Nel sen mi palpita" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. Recitativo: "Principe, che facemmo!" (Farnace, Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. No. 5. Aria: "Parto: Nel gran cimento" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. Recitativo: "Un tale addio, germano" (Farnace, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 7. Marcia: Maestoso, Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. Recitativo: "Tu mi revedi, Arbate" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. No. 9. Aria: "In faccia all'oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. Recitativo: "Su la temuta destra" (Sifare, Mitridate, Farnace, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XII. Recitativo: "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. No. 10. Aria: "Quel ribelle e quell'ingrato" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. Recitativo accompagnato: "Respira alfin, respira" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. No. 11. Aria: "Va, l'error mio palesa" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. Recitativo: "Questo è l'amor, Farnace" (Ismene, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena II. Recitativo: "Perfido, ascolto" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena III. Recitativo: "Eccomi a' cenni tuoi" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. No. 12. Aria: "Tu che fedel mi sei" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. Recitativo: "(Respiro, oh Dei!)" (Aspasia, Sifare, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IX. Recitativo: "Qui, dove la vendetta si prepara" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena V. Recitativo: "Che dirò? Che ascoltai?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VI. Recitativo: "Alla tua fede il padre, Sifare, applaude" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo accompagnato: "Non più, Regina" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo: "Oh giorno di dolore!" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. No. 14. Aria: "Nel grave tormento" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. Recitativo accompagnato: "Grazie ai Numi parti" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena X. Recitativo: "Sedete, o Prenci" (Mitridate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XI. Recitativo: ""Signor, son io" (Marzio, Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. No. 15. Aria: "So quanto a te dispiace" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. Recitativo: "Inclita Ismene" (Mitridate, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. No. 16. Aria: "Son reo; l'error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. Recitativo: "Ah, giacchè son tradito" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. No. 17. Aria: "Già di pietà mi spoglia" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. Recitativo: "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. No. 18. Duetto: "Se viver non degg'io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo accompagnato: "Io sposa di quel mostro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo: "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. No. 19. Aria: "Tu sai per ch m'accese" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. Recitativo: "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena II. Recitativo: "Re crudel, re spietato" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. Recitativo: "Mio re, t'affretta" (Arbate, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. No. 21. Cavatina: "Pallid’ ombre, che scorgete" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Ah ben ne fui presaga!" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Bevasi... Ahimè" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo: "Lagrime intempestive" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. No. 24. Aria: "Già dagli occhi il velo è tolto" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. Recitativo accompagnato: "Vadasi... Oh ciel" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena V. Recitativo: "Che fai, Regina?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. No. 22. Aria: "Se il rigor d'ingrata sorte" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. Recitativo: "Che mi val questa vita" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VII. Recitativo: "Sorte crudel, stelle inimiche" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. No. 23. Aria: "Se di regnar sei vago" (Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. Recitativo: "Teco i patti, o Farnace" (Marzio, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena X. Recitativo: "Figlio, amico, non più" (Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XI. Recitativo: "Ah vieni, o dolce dell'amor mio" (Mitridate, Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. No. 25. Coro: "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. Recitativo: "Reo non si chiami, o Sire" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 1. Aria: "Al destin che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): No. 14. Aria: "Nel grave tormento" (Aspasia) (Completion by Stanley Sadie), Mitridate, re di Ponto, K. 87 (74a): No. 16. Aria: "Son reo; l’error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): No. 18. Duetto: "Se viver non degg’io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate) (Completion of original sketch by Stanley Sadie/Ian Page), Mitridate, re di Ponto, K. 87 (74a): No. 9. Aria: "In faccia all’oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Ouverture: Allegro, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Andante grazioso, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Presto |
| Brett Cox |
engineer |
Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena I. Recitativo: "Vieni, Signor" (Arbate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. No. 1. Aria: "Al destin, che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. Recitativo: "Se a me s'unisce Arbate" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. No. 2. Aria: "Soffre il mio cor con pace" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. Recitativo accompagnato: "Qual tumulto nell'alma" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IV. Recitativo: "Sin a quando, o Regina" (Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. No. 6. Aria: "Venga pur, minacci e frema" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. Recitativo: "Eccovi in un momento sconvolti" (Farnace, Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena V. Recitativo: "Ferma, o germano" (Sifare, Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. No. 3. Aria: "L'odio nel cor frenate" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. Recitativo: "All'ire freno, Principi, olà" (Arbate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. No. 4. Aria: "Nel sen mi palpita" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. Recitativo: "Principe, che facemmo!" (Farnace, Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. No. 5. Aria: "Parto: Nel gran cimento" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. Recitativo: "Un tale addio, germano" (Farnace, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 7. Marcia: Maestoso, Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. Recitativo: "Tu mi revedi, Arbate" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. No. 9. Aria: "In faccia all'oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. Recitativo: "Su la temuta destra" (Sifare, Mitridate, Farnace, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XII. Recitativo: "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. No. 10. Aria: "Quel ribelle e quell'ingrato" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. Recitativo accompagnato: "Respira alfin, respira" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. No. 11. Aria: "Va, l'error mio palesa" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. Recitativo: "Questo è l'amor, Farnace" (Ismene, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena II. Recitativo: "Perfido, ascolto" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena III. Recitativo: "Eccomi a' cenni tuoi" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. No. 12. Aria: "Tu che fedel mi sei" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. Recitativo: "(Respiro, oh Dei!)" (Aspasia, Sifare, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IX. Recitativo: "Qui, dove la vendetta si prepara" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena V. Recitativo: "Che dirò? Che ascoltai?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VI. Recitativo: "Alla tua fede il padre, Sifare, applaude" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo accompagnato: "Non più, Regina" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo: "Oh giorno di dolore!" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. No. 14. Aria: "Nel grave tormento" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. Recitativo accompagnato: "Grazie ai Numi parti" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena X. Recitativo: "Sedete, o Prenci" (Mitridate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XI. Recitativo: ""Signor, son io" (Marzio, Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. No. 15. Aria: "So quanto a te dispiace" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. Recitativo: "Inclita Ismene" (Mitridate, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. No. 16. Aria: "Son reo; l'error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. Recitativo: "Ah, giacchè son tradito" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. No. 17. Aria: "Già di pietà mi spoglia" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. Recitativo: "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. No. 18. Duetto: "Se viver non degg'io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo accompagnato: "Io sposa di quel mostro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo: "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. No. 19. Aria: "Tu sai per ch m'accese" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. Recitativo: "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena II. Recitativo: "Re crudel, re spietato" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. Recitativo: "Mio re, t'affretta" (Arbate, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. No. 21. Cavatina: "Pallid’ ombre, che scorgete" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Ah ben ne fui presaga!" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Bevasi... Ahimè" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo: "Lagrime intempestive" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. No. 24. Aria: "Già dagli occhi il velo è tolto" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. Recitativo accompagnato: "Vadasi... Oh ciel" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena V. Recitativo: "Che fai, Regina?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. No. 22. Aria: "Se il rigor d'ingrata sorte" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. Recitativo: "Che mi val questa vita" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VII. Recitativo: "Sorte crudel, stelle inimiche" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. No. 23. Aria: "Se di regnar sei vago" (Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. Recitativo: "Teco i patti, o Farnace" (Marzio, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena X. Recitativo: "Figlio, amico, non più" (Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XI. Recitativo: "Ah vieni, o dolce dell'amor mio" (Mitridate, Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. No. 25. Coro: "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. Recitativo: "Reo non si chiami, o Sire" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 1. Aria: "Al destin che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): No. 14. Aria: "Nel grave tormento" (Aspasia) (Completion by Stanley Sadie), Mitridate, re di Ponto, K. 87 (74a): No. 16. Aria: "Son reo; l’error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): No. 18. Duetto: "Se viver non degg’io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate) (Completion of original sketch by Stanley Sadie/Ian Page), Mitridate, re di Ponto, K. 87 (74a): No. 9. Aria: "In faccia all’oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Ouverture: Allegro, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Andante grazioso, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Presto |
| Claire Hay |
engineer |
Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena I. Recitativo: "Vieni, Signor" (Arbate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. No. 1. Aria: "Al destin, che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena II. Recitativo: "Se a me s'unisce Arbate" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. No. 2. Aria: "Soffre il mio cor con pace" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena III. Recitativo accompagnato: "Qual tumulto nell'alma" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IV. Recitativo: "Sin a quando, o Regina" (Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. No. 6. Aria: "Venga pur, minacci e frema" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena IX. Recitativo: "Eccovi in un momento sconvolti" (Farnace, Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena V. Recitativo: "Ferma, o germano" (Sifare, Farnace, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. No. 3. Aria: "L'odio nel cor frenate" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VI. Recitativo: "All'ire freno, Principi, olà" (Arbate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. No. 4. Aria: "Nel sen mi palpita" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VII. Recitativo: "Principe, che facemmo!" (Farnace, Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. No. 5. Aria: "Parto: Nel gran cimento" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena VIII. Recitativo: "Un tale addio, germano" (Farnace, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 7. Marcia: Maestoso, Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena X. Recitativo: "Tu mi revedi, Arbate" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. No. 9. Aria: "In faccia all'oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XI. Recitativo: "Su la temuta destra" (Sifare, Mitridate, Farnace, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XII. Recitativo: "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. No. 10. Aria: "Quel ribelle e quell'ingrato" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto primo, Scena XIII. Recitativo accompagnato: "Respira alfin, respira" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. No. 11. Aria: "Va, l'error mio palesa" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena I. Recitativo: "Questo è l'amor, Farnace" (Ismene, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena II. Recitativo: "Perfido, ascolto" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena III. Recitativo: "Eccomi a' cenni tuoi" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. No. 12. Aria: "Tu che fedel mi sei" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IV. Recitativo: "(Respiro, oh Dei!)" (Aspasia, Sifare, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena IX. Recitativo: "Qui, dove la vendetta si prepara" (Mitridate, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena V. Recitativo: "Che dirò? Che ascoltai?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VI. Recitativo: "Alla tua fede il padre, Sifare, applaude" (Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo accompagnato: "Non più, Regina" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VII. Recitativo: "Oh giorno di dolore!" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. No. 14. Aria: "Nel grave tormento" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena VIII. Recitativo accompagnato: "Grazie ai Numi parti" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena X. Recitativo: "Sedete, o Prenci" (Mitridate, Sifare, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XI. Recitativo: ""Signor, son io" (Marzio, Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. No. 15. Aria: "So quanto a te dispiace" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XII. Recitativo: "Inclita Ismene" (Mitridate, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. No. 16. Aria: "Son reo; l'error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIII. Recitativo: "Ah, giacchè son tradito" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. No. 17. Aria: "Già di pietà mi spoglia" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XIV. Recitativo: "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. No. 18. Duetto: "Se viver non degg'io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo accompagnato: "Io sposa di quel mostro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto secondo, Scena XV. Recitativo: "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. No. 19. Aria: "Tu sai per ch m'accese" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena I. Recitativo: "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena II. Recitativo: "Re crudel, re spietato" (Aspasia, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena III. Recitativo: "Mio re, t'affretta" (Arbate, Mitridate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. No. 21. Cavatina: "Pallid’ ombre, che scorgete" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Ah ben ne fui presaga!" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo accompagnato: "Bevasi... Ahimè" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IV. Recitativo: "Lagrime intempestive" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. No. 24. Aria: "Già dagli occhi il velo è tolto" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena IX. Recitativo accompagnato: "Vadasi... Oh ciel" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena V. Recitativo: "Che fai, Regina?" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. No. 22. Aria: "Se il rigor d'ingrata sorte" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VI. Recitativo: "Che mi val questa vita" (Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VII. Recitativo: "Sorte crudel, stelle inimiche" (Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. No. 23. Aria: "Se di regnar sei vago" (Marzio), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena VIII. Recitativo: "Teco i patti, o Farnace" (Marzio, Farnace), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena X. Recitativo: "Figlio, amico, non più" (Mitridate, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XI. Recitativo: "Ah vieni, o dolce dell'amor mio" (Mitridate, Aspasia, Sifare), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. No. 25. Coro: "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace, Ismene, Arbate), Mitridate, re di Ponto, K. 87 (74a): Atto terzo, Scena XII. Recitativo: "Reo non si chiami, o Sire" (Ismene, Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 1. Aria: "Al destin che la minaccia" (Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 13. Aria: "Lungi da te, mio bene" (Sifare), Mitridate, re di Ponto, K. 87 (74a): No. 14. Aria: "Nel grave tormento" (Aspasia) (Completion by Stanley Sadie), Mitridate, re di Ponto, K. 87 (74a): No. 16. Aria: "Son reo; l’error confesso" (Farnace), Mitridate, re di Ponto, K. 87 (74a): No. 18. Duetto: "Se viver non degg’io" (Sifare, Aspasia), Mitridate, re di Ponto, K. 87 (74a): No. 20. Aria: "Vado incontro al fato estremo" (Mitridate), Mitridate, re di Ponto, K. 87 (74a): No. 8. Cavata: "Se di lauri il crine adorno" (Mitridate) (Completion of original sketch by Stanley Sadie/Ian Page), Mitridate, re di Ponto, K. 87 (74a): No. 9. Aria: "In faccia all’oggetto" (Ismene), Mitridate, re di Ponto, K. 87 (74a): Ouverture: Allegro, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Andante grazioso, Mitridate, re di Ponto, K. 87 (74a): Ouverture: Presto |
| Barbara Werner |
vocal |
Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Gloria. "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Gloria. "Gratias agimus tibi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Gloria. "Domine Deus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Gloria. "Qui tollis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VII. Gloria. "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIII. Gloria. "Cum sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": X. Credo. "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XI. Credo. "Crucifixus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XII. Credo. "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIII. Credo. "Et in Spiritum Sanctum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIV. Credo. "Et in unam Sanctam Catholicam", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XV. Credo. "Et vitam venturi saeculi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVI. Credo. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVII. Credo. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVIII. Credo. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": II. "Christe eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": III. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IX. "Quoniam tu solus sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": V. "Laudamus te", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VI. "Gratias agimus tibi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VII. "Domine Deus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIII. "Qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": X. "Cum Sancto Spiritu", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XII. "Et incarnatus est", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIII. "Crucifixus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIV. "Et resurrexit", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XV. "Et in Spiritum Sanctum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVI. "Et unam Sanctam Catholicam", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVII. "Et vitam venturi saeculi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XXI. "Dona nobis pacem", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": I. "Kyrie", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": II. "Gloria", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": III. "Credo", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": IV. "Sanctus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": V. "Benedictus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": VI. "Agnus Dei", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Missa brevis in C major, KV 259 “Orgelsolo Messe”: I. Kyrie, Missa brevis in C major, KV 259 “Orgelsolo Messe”: II. Gloria, Missa brevis in C major, KV 259 “Orgelsolo Messe”: III. Credo, Missa brevis in C major, KV 259 “Orgelsolo Messe”: IV. Sanctus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: V. Benedictus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: VI. Agnus Dei, Missa in C major, KV 258 “Spaurmesse”: I. Kyrie, Missa in C major, KV 258 “Spaurmesse”: II. Gloria, Missa in C major, KV 258 “Spaurmesse”: III. Credo, Missa in C major, KV 258 “Spaurmesse”: IV. Sanctus, Missa in C major, KV 258 “Spaurmesse”: V. Benedictus, Missa in C major, KV 258 “Spaurmesse”: VI. Agnus Dei |
| Nikolaus Harnoncourt |
conductor |
Così fan tutte, K 588: Ah, guarda sorella, Così fan tutte, K 588: Ah, scostati, Così fan tutte, K 588: Alla bella Despinetta, Così fan tutte, K 588: Bella vita militar, Così fan tutte, K 588: Come scoglio, Così fan tutte, K 588: Donne mie, la fate a tanti, Così fan tutte, K 588: E voi ridete?, Così fan tutte, K 588: Fate presto, Così fan tutte, K 588: Fortunato l'uom che prende, Così fan tutte, K 588: Fra gli amplessi, Così fan tutte, K 588: In uomini, in soldati, Così fan tutte, K 588: La mano a me date, Così fan tutte, K 588: Lia Mia Dorabella, Così fan tutte, K 588: Non siate ritrosi, Così fan tutte, K 588: Ouvertura, Così fan tutte, K 588: Per pietà, ben mio, perdona, Così fan tutte, K 588: Prenderò quel brunettino, Così fan tutte, K 588: Smanie implacabile, Così fan tutte, K 588: Soave sia il vento, Così fan tutte, K 588: Tutti accusan le donne, Così fan tutte, K 588: Una aura amorosa, Così fan tutte, K 588: Una bella serenata, Così fan tutte, K 588: Una donna a quindici anni, Così fan tutte, K 588: Vorrei dir, e cor non ho, Così fan tutte, K. 588: Act 1 "Un' aura amorosa" (Ferrando), Die Entführung aus dem Serail, K. 384: Act 2 "Martern aller Arten" (Konstanze), Die Zauberflöte, K. 620: Act 1 "Dies Bildnis ist bezaubernd schön" (Tamino), Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino), Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) / ... / Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester, Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino), Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino), Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben), Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester), Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Don Giovanni, K. 527: Act 2 "Deh! vieni alla finestra" (Don Giovanni), Don Giovanni, K. 527: Act 2 "Vedrai, carino" (Zerlina), Hosanna (Great Mass K. 427), Hostia sancta (Litaniae de venerabili altaris sacramento K. 243), Idomeneo, K. 366: Act 2 "Fuor del mar" (Idomeneo), Kontretanz KV 603, Nr. 1, Kontretanz KV 609, Nr. 1, Kontretanz in C, KV 609, Nr. 4, La clemenza di Tito, K. 621: Act 1 "Parto, ma tu ben mio" (Sesto), La clemenza di Tito, K. 621: Act 2 "Non, più di fiori" (Vitellia), La clemenza di Tito, K. 621: Act 2 "Se all'impero, amici Dei" (Tito), Last Action Hero: Le nozze di Fagiaro: Overture, Le nozze di Figaro, K. 492: Act 1 "Non più andrai" (Figaro), Le nozze di Figaro, K. 492: Act 2 "Porgi amor qualche ristoro" (La Contessa), Lucio Silla, K. 135: Act 1 "Il tenero momento" (Cecilio), Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIa. Credo: Allegro "Credo in unum Deum" / IIIb. Credo: Poco adagio "Et incarnatus est" / IIIc. Credo: Allegro - adagio - allegro "Et resurrexit" / IIId. Credo: Andante "Et i, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" / IVb. Sanctus: Allegro Pleni sunt coeli" / IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem", Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 1 in D, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 2 in A, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 3 in C, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 4 in G, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 5 in B, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 6 in D, Serenade in B-flat major, K.361: I. (extract) |
| Johan Steinmann |
bassoon |
Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: I. Allegro, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: II. Minuetto. Allegretto & Trio, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: III. Adagio, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: IV. Minuetto & Trio, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: V. Rondo. Allegro, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: I. Andante, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: II. Minuetto, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: III. Polonaise, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: I. Tema. Andante con variazioni, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: II. Minuetto, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: III. Allegro assai, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: I. Allegro molto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: II. Andantino, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: IV. Presto, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: I. Allegro, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: II. Minuetto, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: III. Larghetto, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: IV. Minuetto & Trio, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: V. Rondo, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: I. Allegro, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: II. Minuetto & Trio, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: III. Adagio, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: IV. Minuetto & Trio, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: V. Rondo. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: I. Allegro, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: II. Larghetto, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: III. Minuetto & Trio, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: IV. Adagio, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: V. Allegretto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: I. Adagio, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: II. Minuetto & Trio, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: III. Adagio, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: IV. Romance. Andante, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: V. Polonaise, Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): I. Serenade: Rondo. Larghetto. Le nozze di Figaro “Al descio, di che t’adora", Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): III. Serenade: Le nozze di Figaro: "Non più andrai", Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano", Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): V. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Vedrai, carino", Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: I. Allegro spiritoso, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: II. Andante, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: III. Minuetto, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: IV. Contredanse en rondeau, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: I. Allegro, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: II. Andante grazioso, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: III. Minuetto, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: IV. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): I. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): II. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): III. Adagio, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): V. Finale, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): I. Allegro moderato, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): II. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): III. Romance, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): V. Rondo, Serenade No. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso, Serenade No. 11 for Winds in E-flat major, K. 375: II. Minuetto, Serenade No. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio, Serenade No. 11 for Winds in E-flat major, K. 375: V. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro |
| Kurpfälzisches Kammerorchester Mannheim |
performing orchestra |
Kyrie for Chorus & Orchestra in F major, K. 33, Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: I. "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: II. "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: III. "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: IV. "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: V. "Agnus Dei", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": I. "Kyrie", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": II. "Gloria", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": III. "Credo", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": IV. "Sanctus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": V. "Benedictus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": I. "Kyrie", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": II. "Gloria", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": III. "Credo", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": IV. "Sanctus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": V. "Benedictus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": VI. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Missa brevis in C major, KV 259 “Orgelsolo Messe”: I. Kyrie, Missa brevis in C major, KV 259 “Orgelsolo Messe”: II. Gloria, Missa brevis in C major, KV 259 “Orgelsolo Messe”: III. Credo, Missa brevis in C major, KV 259 “Orgelsolo Messe”: IV. Sanctus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: V. Benedictus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: VI. Agnus Dei, Missa in C major, KV 258 “Spaurmesse”: I. Kyrie, Missa in C major, KV 258 “Spaurmesse”: II. Gloria, Missa in C major, KV 258 “Spaurmesse”: III. Credo, Missa in C major, KV 258 “Spaurmesse”: IV. Sanctus, Missa in C major, KV 258 “Spaurmesse”: V. Benedictus, Missa in C major, KV 258 “Spaurmesse”: VI. Agnus Dei, Serenade in D major, K. 100: I. Allegro, Serenade in D major, K. 100: II. Andante, Serenade in D major, K. 100: III. Menuetto, Serenade in D major, K. 100: IV. Allegro, Serenade in D major, K. 100: V. Menuetto, Serenade in D major, K. 100: VI. Andante, Serenade in D major, K. 100: VII. Menuetto, Serenade in D major, K. 100: VIII. Allegro |
| MDR Rundfunkchor Leipzig |
performer, vocal |
Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A, Die Zauberflöte: O, Isis und Osiris, Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: I. Allegro - andante - allegro "Dixit Dominus Domino meo", Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: II. Allegro "Magnificat anima mea", Kyrie for Chorus & Orchestra in F major, K. 33, Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: II. "Panis vivus", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: V. "Tremendum ac vivificum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. "Dulcissimum convivium", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VII. "Viaticum in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VIII. "Pignus in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: X. "Miserere", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Gloria: II. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: Allegro molto, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: Adagio "Sanctus Dominus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: Allegro moderato "Benedictus qui venit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: Allegro moderato "Agnus Dei qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": I. "Miserere" / II. "Et secundum" / III. "Quoniam" / IV. "Ecce" / V. "Asperges" / VI. "Averte" / VII. "Ne projicias" / VIII. "Docebo", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: III. Credo, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" IVb. Sanctus: Allegro Pleni sunt coeli" IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" VIa. Agnus Dei: Adagio "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem", Motet for Chorus in G minor, K. 20: (Soprano, Alto, Tenor, Bass) "God is our refuge", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": I. "Benedictus sit Deus", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": II. "Aria", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": III. "Jubilate" |
| Orchester der Deutschen Oper Berlin |
performing orchestra |
Le nozze di Figaro: Atto I. 1. Duetto: “Cinque … dieci … venti … trenta” (Figaro, Susanna), Le nozze di Figaro: Atto I. 2. Duettino: “Se a caso Madama la notte ti chiama” (Figaro, Susanna), Le nozze di Figaro: Atto I. 4. Aria: “La vendetta, oh, la vendetta” (Bartolo), Le nozze di Figaro: Atto I. 5. Duettino: “Via, resti servita” (Marcellina, Susanna), Le nozze di Figaro: Atto I. 7. Terzetto: “Cosa sento! tosto andate” (Conte, Basilio, Susanna), Le nozze di Figaro: Atto I. 8. Coro: “Giovani liete, fiori spargete” (Contadini, Contadine), Le nozze di Figaro: Atto I. 8a. Coro: “Giovani liete, fiori spargete” (Contadini, Contadine), Le nozze di Figaro: Atto I. 9. Aria: “Non più andrai, farfallone amoroso” (Figaro), Le nozze di Figaro: Atto I. Recitativo: “Ah, son perduto!” (Cherubino, Susanna, Conte, Basilio), Le nozze di Figaro: Atto I. Recitativo: “Basilio, in traccia tosto di Figaro” (Conte, Susanna, Cherubino, Basilio), Le nozze di Figaro: Atto I. Recitativo: “Bravo, Signor padrone!” (Figaro), Le nozze di Figaro: Atto I. Recitativo: “Cosa stai misurando” (Susanna, Figaro), Le nozze di Figaro: Atto I. Recitativo: “Cos’è questa commedia?” (Conte, Figaro, Susanna, Coro), Le nozze di Figaro: Atto I. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina), Le nozze di Figaro: Atto I. Recitativo: “Evviva!” … “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, Conte), Le nozze di Figaro: Atto I. Recitativo: “Or bene, ascolta, e taci” (Susanna, Figaro), Le nozze di Figaro: Atto I. Recitativo: “Tutto ancor no ho perso” (Marcellina, Susanna), Le nozze di Figaro: Atto I. Recitativo: “Va là, vecchia pedante” (Susanna, Cherubino), Le nozze di Figaro: Atto II. 12. Aria: “Venite… inginocchiaveti…” (Susanna), Le nozze di Figaro: Atto II. 13. Terzetto: “Susanna, or via, sortite” (Conte, Contessa, Susanna), Le nozze di Figaro: Atto II. 14. Duettino: “Aprite, presto, aprite” (Susanna, Cherubino), Le nozze di Figaro: Atto II. 15. Finale: “Ah! signore … signor” – “Cosa è stato?” (Antonio, Conte, Contessa, Susanna, Figaro), Le nozze di Figaro: Atto II. 15. Finale: “Esci, omai, garzon malnato” (Conte, Contessa), Le nozze di Figaro: Atto II. 15. Finale: “Signore! Cos’è quel stupore?” (Susanna, Conte, Contessa), Le nozze di Figaro: Atto II. 15. Finale: “Signori, di fuori son già i suonatori” (Figaro, Conte, Susanna, Contessa), Le nozze di Figaro: Atto II. 15. Finale: “Voi signor, che giusto siete” (Marcellina, Basilio, Bartolo, Conte, Susanna, Contessa, Figaro), Le nozze di Figaro: Atto II. Recitativo: “Bravo! che bella voce!” (Contessa, Susanna, Cherubino), Le nozze di Figaro: Atto II. Recitativo: “Conoscete, signor Figaro” (Conte, Figaro, Susanna, Contessa), Le nozze di Figaro: Atto II. Recitativo: “Dunque, voi non aprite?” (Conte, Contessa), Le nozze di Figaro: Atto II. Recitativo: “Oh guarda il demonietto!” (Susanna), Le nozze di Figaro: Atto II. Recitativo: “Quante buffonerie!” (Contessa, Susanna, Cherubino, Conte), Le nozze di Figaro: Atto II. Recitativo: “Quanto duolmi, Susanna” (Contessa, Susanna, Cherubino), Le nozze di Figaro: Atto II. Recitativo: “Susanna, son morta” (Contessa, Susanna, Conte), Le nozze di Figaro: Atto II. Recitativo: “Vieni, cara Susanna” (Contessa, Susanna, Figaro), Le nozze di Figaro: Atto II. Recitativo: “Vostre dunque saran queste carte” (Antonio, Conte, Figaro, Susanna, Contessa), Le nozze di Figaro: Atto II. “Che novità! non fu mai vostra usanza” (Conte, Contessa), Le nozze di Figaro: Atto II. “Tutto è come io lasciai” (Conte, Contessa), Le nozze di Figaro: Atto III. 16. Duetto: “Crudel! perchè finora farmi languir così?” (Conte, Susanna), Le nozze di Figaro: Atto III. 17. Aria: “Vedrò mentr’io sospiro” (Conte), Le nozze di Figaro: Atto III. 17. Recitativo: “Hai già vinta la causa!” (Conte), Le nozze di Figaro: Atto III. 18. Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna), Le nozze di Figaro: Atto III. 19. Aria: “Dove sono i bei momenti” (Contesa), Le nozze di Figaro: Atto III. 19. Recitativo: “E Susanna non vien” (Contessa), Le nozze di Figaro: Atto III. 21. Coro: “Ricevete, o padroncina” (Contadinelle), Le nozze di Figaro: Atto III. 22. Finale: Allegretto – “Amanti costanti” (Due ragazzi, Coro), Le nozze di Figaro: Atto III. 22. Finale: Andante – “Eh già, solita usanza” (Conte, Figaro), Le nozze di Figaro: Atto III. 22. Finale: “Ecco la marcia…andiamo” (Figaro, Susanna, Conte, Contessa), Le nozze di Figaro: Atto III. Recitativo: “Andate, amici” (Conte, Coro), Le nozze di Figaro: Atto III. Recitativo: “Che imbarazzo è mai questo!” (Conte, Contessa, Susanna), Le nozze di Figaro: Atto III. Recitativo: “E perchè fosti meco stamattina sì austera?” (Conte, Susanna, Figaro), Le nozze di Figaro: Atto III. Recitativo: “Io vi dico, signor” (Antonio, Conte, Contessa, Susanna), Le nozze di Figaro: Atto III. Recitativo: “Piegato è il foglio” (Susanna, Contessa), Le nozze di Figaro: Atto III. Recitativo: “Queste sono, Madama, le ragazze del loco” (Barbarina, Contessa, Susanna, Antonio, Conte, Cherubino, Figaro), Le nozze di Figaro: Atto III. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, Conte, Bartolo), Le nozze di Figaro: Atto III. “Andiamo, andiam, bel paggio” (Barbarina, Cherubino), Le nozze di Figaro: Atto III. “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro), Le nozze di Figaro: Atto IV. 23. Cavatina: “L’ho perduta…me meschina!” (Barbarina), Le nozze di Figaro: Atto IV. 24. Aria: “Il capro e la capretta” (Marcellina), Le nozze di Figaro: Atto IV. 25. Aria: “In quegli anni in cui val poco” (Basilio), Le nozze di Figaro: Atto IV. 26. Aria: “Aprite un po’quegli occhi” (Figaro), Le nozze di Figaro: Atto IV. 26. Recitativo: “Tutto è disposto” (Figaro), Le nozze di Figaro: Atto IV. 27. Aria: “Deh vieni, non tardar, o gioia bella” (Susanna), Le nozze di Figaro: Atto IV. 27. Recitativo: “Giunse alfin il momento” (Susanna), Le nozze di Figaro: Atto IV. 28. Finale: “Ecco qui la mia Susanna” (Conte, Susanna, Figaro, Cherubino, Contessa), Le nozze di Figaro: Atto IV. 28. Finale: “Gente, gente, all’armi, all’armi” (Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna, Contessa; tutti), Le nozze di Figaro: Atto IV. 28. Finale: “Pace, pace, mio dolce tesoro” (Figaro, Susanna, Conte), Le nozze di Figaro: Atto IV. 28. Finale: “Pian pianin le andrò più presso” (Cherubino, Contessa), Le nozze di Figaro: Atto IV. 28. Finale: “Tutto è tranquillo e placido” (Figaro, Susanna), Le nozze di Figaro: Atto IV. Recitativo: “Barbarina, cos’hai?” (Figaro, Barbarina, Marcellina), Le nozze di Figaro: Atto IV. Recitativo: “Nel padiglione a manca” (Barbarina, Figaro, Basilio, Bartolo), Le nozze di Figaro: Atto IV. Recitativo: “Perfida! e in quella forma meco mentia?” (Figaro, Cherubino, Contessa), Le nozze di Figaro: Atto IV. Recitativo: “Signora, ella mi disse” (Susanna, Marcellina, Contessa, Figaro) |
| Peter Schreier |
conductor, performing orchestra, vocal |
Die Entführung aus dem Serail, KV 384: "Vivat Bacchus, Bacchus lebe" (Pedrillo, Osmin), Grande messe en ut mineur, K. 427 (417a) : I. Kyrie (Andante moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 1 "Gloria in excelsis Deo" (Allegro vivace), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 2 "Laudamus te" (Allegro aperto), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 3 "Gratias" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 4 "Domine" (Allegro moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 5 "Qui tollis peccato mundi" (Largo), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 6 "Quoniam tu solus sanctus" (Allegro), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 7 "Jesus Christe" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 8 "Cum sancto spiritu", Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 1 "Credo in unum Deum" (Allegro maestoso), Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 2 "Et incarnatus est" (Andante), Grande messe en ut mineur, K. 427 (417a) : IV. Sanctus (Largo), Grande messe en ut mineur, K. 427 (417a) : V. Benedictus (Allegro comodo), Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus", Il sogno di Scipione, K. 126: Act I No. 1 Aria "Risolver non osa" (Scipione), Il sogno di Scipione, K. 126: Act I No. 10 Aria "Di che sei l'arbitra del mondo intero" (Scipione), Il sogno di Scipione, K. 126: Act I Recitativo "Dunque ove son?" (Scipione, Constanza, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "E a sì enorme possanza" (Scipione, Costanza), Il sogno di Scipione, K. 126: Act I Recitativo "E quali abitatori" (Scipione, Fortuna, Constanza), Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Non più, bella Costanza" (Scipione, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "Numi, è vero o m'inganno?" (Scipione, Publio), Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Vieni e segui i mici passi" (Fortuna, Constanza, Scipione), Il sogno di Scipione, K. 126: Act I Recitativo accompagnato "E v'è mortal" (Fortuna, Scipione), La finta semplice, K. 46a / KV 51: Act II, Scene IX. Recitativo "Dove andate, signore?" (Rosina, Cassandro), La finta semplice, K. 46a / KV 51: Act II, Scene VII. No. 18 Aria. Allegro grazioso - allegretto - tempo primo - allegretto "Ho sentito a dir da tutte" (Rosina), La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "Ehi... dormite, signore?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. No. 19 Duetto "Cospetton, cospettonaccio!" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. Recitativo "Sciocca è la Baronessa" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene X. Recitativo "Siam quasi in porto adesso" (Rosina, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XI. No. 20 Aria. Grazioso - allegro "In voi, belle, è leggiadria" (Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XI. Recitativo "Vieni a tempo, Simone" (Fracasso, Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta), La finta semplice, K. 46a / KV 51: Act III, Scene I. Recitativo "Io non ho gran paura" (Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 24 Aria. Allegro "Che scompiglio, che flagello" (Giacinta), La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 25 Aria. Andante maestoso - tempo di menuetto - tempo primo "Nelle guerre d'amore" (Fracasso), La finta semplice, K. 46a / KV 51: Act III, Scene II. Recitativo "Che smorfie, che paura!" (Fracasso, Giacinta), La finta semplice, K. 46a / KV 51: Act III, Scene III. Recitativo "E così, Baronessa?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene IV. Recitativo "Eh ben, quando facciamo queste nozze, signora?" (Polidoro, Rosina), Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia) / Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia), Lucio Silla, K. 135: Act I, Scene III. Recitativo "A te dell'amor mio" (Silla, Celia, Aufidio), Lucio Silla, K. 135: Act I, Scene VI. No. 5 Aria "Il desio de vendetta" (Silla), Lucio Silla, K. 135: Act I, Scene VI. Recitativo accompagnato "E tollerare lo posso" (Silla), Lucio Silla, K. 135: Act II, Scene I. Recitativo "Tel' predissi, oh Signor, che la superba" (Silla, Aufidio), Lucio Silla, K. 135: Act II, Scene II. Recitativi "Ah non mai non credea... Qual furor ti trasporta? Cecilio a che t'arresti... Al fiero suon... Ah corri, vola" (Celia, Silla, Cinna, Cecilio), Lucio Silla, K. 135: Act II, Scene VII. Recitativo "Signor, ai cenni tuoi… Silla? L'odiato aspetto" (Aufidio, Silla), Lucio Silla, K. 135: Act II, Scene VIII. No. 13 Aria "D'ogni pietà mi spoglio" (Silla), Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Silla), Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla), Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia... Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio), Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Requiem, K. 626: III. Sequenz: Recordare, Requiem, K. 626: III. Sequenz: Tuba mirum, Requiem, K. 626: VI. Benedictus |
| Herbert Kegel |
chorus master, conductor |
Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: I. Allegro - andante - allegro "Dixit Dominus Domino meo", Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: II. Allegro "Magnificat anima mea", Kyrie for Chorus & Orchestra in F major, K. 33, Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: II. "Panis vivus", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: V. "Tremendum ac vivificum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. "Dulcissimum convivium", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VII. "Viaticum in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VIII. "Pignus in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: X. "Miserere", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Gloria: II. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: Allegro molto, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: Adagio "Sanctus Dominus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: Allegro moderato "Benedictus qui venit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: Allegro moderato "Agnus Dei qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": I. "Miserere" / II. "Et secundum" / III. "Quoniam" / IV. "Ecce" / V. "Asperges" / VI. "Averte" / VII. "Ne projicias" / VIII. "Docebo", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: III. Credo, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" IVb. Sanctus: Allegro Pleni sunt coeli" IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" VIa. Agnus Dei: Adagio "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem", Motet for Chorus in G minor, K. 20: (Soprano, Alto, Tenor, Bass) "God is our refuge", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": I. "Benedictus sit Deus", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": II. "Aria", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": III. "Jubilate" |
| Anja Bittner |
vocal |
Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": I. "Kyrie", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": II. "Gloria", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": III. "Credo", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": IV. "Sanctus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": V. "Benedictus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Gloria. "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Gloria. "Gratias agimus tibi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Gloria. "Domine Deus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Gloria. "Qui tollis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VII. Gloria. "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIII. Gloria. "Cum sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": X. Credo. "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XI. Credo. "Crucifixus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XII. Credo. "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIII. Credo. "Et in Spiritum Sanctum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIV. Credo. "Et in unam Sanctam Catholicam", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XV. Credo. "Et vitam venturi saeculi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVI. Credo. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVII. Credo. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVIII. Credo. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": II. "Christe eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": III. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IX. "Quoniam tu solus sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": V. "Laudamus te", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VI. "Gratias agimus tibi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VII. "Domine Deus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIII. "Qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": X. "Cum Sancto Spiritu", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XII. "Et incarnatus est", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIII. "Crucifixus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIV. "Et resurrexit", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XV. "Et in Spiritum Sanctum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVI. "Et unam Sanctam Catholicam", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVII. "Et vitam venturi saeculi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XXI. "Dona nobis pacem", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei" |
| Manfred Bittner |
vocal |
Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": I. "Kyrie", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": II. "Gloria", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": III. "Credo", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": IV. "Sanctus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": V. "Benedictus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Gloria. "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Gloria. "Gratias agimus tibi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Gloria. "Domine Deus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Gloria. "Qui tollis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VII. Gloria. "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIII. Gloria. "Cum sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": X. Credo. "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XI. Credo. "Crucifixus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XII. Credo. "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIII. Credo. "Et in Spiritum Sanctum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIV. Credo. "Et in unam Sanctam Catholicam", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XV. Credo. "Et vitam venturi saeculi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVI. Credo. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVII. Credo. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVIII. Credo. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": II. "Christe eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": III. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IX. "Quoniam tu solus sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": V. "Laudamus te", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VI. "Gratias agimus tibi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VII. "Domine Deus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIII. "Qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": X. "Cum Sancto Spiritu", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XII. "Et incarnatus est", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIII. "Crucifixus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIV. "Et resurrexit", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XV. "Et in Spiritum Sanctum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVI. "Et unam Sanctam Catholicam", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVII. "Et vitam venturi saeculi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XXI. "Dona nobis pacem", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei" |
| Ferenc Fricsay |
conductor |
Die Hochzeit des Figaro: I. Akt. "Ach, ich weiß je nicht mehr", Die Hochzeit des Figaro: I. Akt. "Basilio, schnell hole Figaro", Die Hochzeit des Figaro: I. Akt. "Bravo mein gnäd'ger Gebieter", Die Hochzeit des Figaro: I. Akt. "Er lebe!", Die Hochzeit des Figaro: I. Akt. "Fahr hin, du alte Törin", Die Hochzeit des Figaro: I. Akt. "Fröhliche Jugend", Die Hochzeit des Figaro: I. Akt. "Fünfe, Zehne, Zwanzig", Die Hochzeit des Figaro: I. Akt. "Ich bin verloren", Die Hochzeit des Figaro: I. Akt. "Noch ist nicht alles verloren", Die Hochzeit des Figaro: I. Akt. "Nun vergiß leises Flehn", Die Hochzeit des Figaro: I. Akt. "Nun, Herr Hauptmann", Die Hochzeit des Figaro: I. Akt. "Nur vorwärts, ich bitte", Die Hochzeit des Figaro: I. Akt. "Sag, was hast du da zu messen?", Die Hochzeit des Figaro: I. Akt. "Sollt einstens die Gräfin", Die Hochzeit des Figaro: I. Akt. "Und sie konnten warten", Die Hochzeit des Figaro: I. Akt. "Was sollte die Komödie?", Die Hochzeit des Figaro: I. Akt. "Wie, was hör ich?", Die Hochzeit des Figaro: I. Akt. "Will der Herr Graf ein Tänzchen nun wagen", Die Hochzeit des Figaro: I. Akt. "Wohlan, so hör und schweige", Die Hochzeit des Figaro: II. Akt. "Also Sie wollen nicht öffnen", Die Hochzeit des Figaro: II. Akt. "Bravo, welch schöne Stimme", Die Hochzeit des Figaro: II. Akt. "Ende nun diese Possen!", Die Hochzeit des Figaro: II. Akt. "Euch, schöne Frauen", Die Hochzeit des Figaro: II. Akt. "Geschwind die Tür geöffnet", Die Hochzeit des Figaro: II. Akt. "Gnädger Herr, von Ihren Händen", Die Hochzeit des Figaro: II. Akt. "Herr Graf, uns erwarten", Die Hochzeit des Figaro: II. Akt. "Hör mein Flehn2, Die Hochzeit des Figaro: II. Akt. "Komm heraus, verworfner Knabe", Die Hochzeit des Figaro: II. Akt. "Komm nun, liebe Susanna", Die Hochzeit des Figaro: II. Akt. "Nur näher, knien Sie vor mir", Die Hochzeit des Figaro: II. Akt. "O sieh den kleinen Teufel", Die Hochzeit des Figaro: II. Akt. "Was ist denn das?", Die Hochzeit des Figaro: II. Akt. "Weißt du nicht, mein lieber Figaro", Die Hochzeit des Figaro: II. Akt. "Wohlan, wirds bald geschehen?", Die Hochzeit des Figaro: III. Akt. "Da naht der Festzug", Die Hochzeit des Figaro: III. Akt. "Der Brief ist gefaltet", Die Hochzeit des Figaro: III. Akt. "Der Prozeß ist entschieden", Die Hochzeit des Figaro: III. Akt. "Der Prozeß schon gewonnen?", Die Hochzeit des Figaro: III. Akt. "Dies sind, gnädge Frau", Die Hochzeit des Figaro: III. Akt. "Ganz gewiß, gnädger Herr", Die Hochzeit des Figaro: III. Akt. "Geschwind, komm mit, schöner Page", Die Hochzeit des Figaro: III. Akt. "Gnädge Gräfin, diese Rosen", Die Hochzeit des Figaro: III. Akt. "Ich schreibe", Die Hochzeit des Figaro: III. Akt. "Ihr treuen Geliebten", Die Hochzeit des Figaro: III. Akt. "Laß mein liebes Kind dich nennen", Die Hochzeit des Figaro: III. Akt. "Nun geht, Ihr Freunde", Die Hochzeit des Figaro: III. Akt. "Nun sagt, Susanna", Die Hochzeit des Figaro: III. Akt. "Sehn Sie in ihm, lieber Doktor", Die Hochzeit des Figaro: III. Akt. "Und Susanna kommt nicht?", Die Hochzeit des Figaro: III. Akt. "Und warum warst du mit mir", Die Hochzeit des Figaro: III. Akt. "Warum gabst du bis heute", Die Hochzeit des Figaro: III. Akt. "Welch sonderbare Wirren", Die Hochzeit des Figaro: III. Akt. "Wohin flohen die schönen Stunden?", Die Hochzeit des Figaro: IV. Akt. "Ach, öffner eure Augen", Die Hochzeit des Figaro: IV. Akt. "Alles ist richtig", Die Hochzeit des Figaro: IV. Akt. "Barbarina, was suchst du?", Die Hochzeit des Figaro: IV. Akt. "Der kleine Page!", Die Hochzeit des Figaro: IV. Akt. "Endlich naht sich die Stunde", Die Hochzeit des Figaro: IV. Akt. "Frau Gräfin, wie Sie zittern", Die Hochzeit des Figaro: IV. Akt. "Friede, Friede, du einzig Geliebte", Die Hochzeit des Figaro: IV. Akt. "Holla, Leute, Leute, Leute", Die Hochzeit des Figaro: IV. Akt. "O säume länger nicht", Die Hochzeit des Figaro: IV. Akt. "Still, nur still, ich will mich nähern", Die Hochzeit des Figaro: IV. Akt. "Unglückselge kleine Nadel", Exsultate, jubilate, K. 165: I. Exsultate, jubilate, Exsultate, jubilate, K. 165: II. Fulget amica dies, Exsultate, jubilate, K. 165: III. Tu virginum corona, Exsultate, jubilate, K. 165: IV. Alleluia, Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) |
| RIAS Kammerchor |
vocal |
Die Zauberflöte: I. Akt, 1. Auftritt (Tamino, Die Drei Damen). Nr. 1 Introduktion. Tamino: ''Zu Hilfe! Zu Hilfe!'', Die Zauberflöte: I. Akt, 11. Auftritt (Monostatos, Pamina). Nr. 6 Terzett Monostatos: ''Du Feines Täubchen, Nur Herein'' - 12. Auftritt (Papageno, Monostatos). Papageno: ''Wo Bin Ich Wohl?'', Die Zauberflöte: I. Akt, 13. Auftritt (Pamina). Pamina: ''Mutter'' - 14. Auftritt (Papageno, Pamina). Papageno: ''Bin Ich Nicht Ein Narr'', Die Zauberflöte: I. Akt, 14. Auftritt. Nr. 7 Duett Pamina, Papageno: ''Bei Männern, Welche Liebe Fühlen'', Die Zauberflöte: I. Akt, 15. Auftritt (Drei Knaben, Tamino). Drei Knaben: ''Zum Ziele Führt Dich Diese Bahn'', Die Zauberflöte: I. Akt, 15. Auftritt (Tamino, Priester). Tamino: ''Die Weisheitslehre Dieser Knaben'', Die Zauberflöte: I. Akt, 15. Auftritt. Tamino: ''Wie Stark Ist Nichts Dein Zauberton'', Die Zauberflöte: I. Akt, 16. Auftritt (Papageno, Pamina). Beide: ''Schnelle Füße, Rascher Mut'', Die Zauberflöte: I. Akt, 17. Auftritt (Papageno, Pamina). Chor: ''Es Lebe Sarastro'' - 18. Auftritt (Pamina, Sarastro). Chor: ''Es Lebe Sarastro'', Die Zauberflöte: I. Akt, 17. Auftritt (Papageno, Pamina, Monostatos). Monostatos: ''Ha, Hab Ich Euch Noch Erwischt'', Die Zauberflöte: I. Akt, 19. Auftritt (Monostatos, Tamino, Pamina, Sarastro). Monostatos: ''Nun Stolzer Jüngling, Nur Hieher!'', Die Zauberflöte: I. Akt, 2. Auftritt (Papageno, Tamino). Nr. 2 Arie Papageno: ''Der Vogelfänger Bin Ich Ja'', Die Zauberflöte: I. Akt, 2. Auftritt. Tamino: ''He Da!'' - 3. Auftritt (Die Drei Damen, Papageno, Tamino), Die Zauberflöte: I. Akt, 4. Auftritt (Tamino, Papageno). Nr. 3 Arie Tamino: ''Dies Bildnis Ist Bezaubernd Schön'', Die Zauberflöte: I. Akt, 5. Auftritt (Die Drei Damen, Papageno, Tamino). Erste Dame: ''Rüste Dich Mit Mut Und Standhaftigkeit'', Die Zauberflöte: I. Akt, 6. Auftritt (Königin). Nr.4 Rezitativ Und Arie Königin: ''O Zittre Nicht'' - 7. Auftritt (Tamino, Papageno). Tamino: ''Ist's Denn Auch Wirklichkeit'', Die Zauberflöte: I. Akt, 7. Auftritt. Nr. 5 Quintett Papageno: ''Hm! Hm! Hm!'' - 8. Auftritt (Die Drei Damen, Papageno, Tamino). Erste Dame: ''Die Königin Begnadigt Dich'', Die Zauberflöte: I. Akt, 9. Auftritt (Drei Sklaven). Dritter Sklave: ''Ha, Ha, Ha!'' - 10. Auftritt (Drei Sklaven, Monostatos). Monostatos: ''He Sklaven!'', Die Zauberflöte: II. Akt, 1. Auftritt (Sarastro, Priester, Sprecher). Sarastro: ''Ihr, In Dem Weisheitstempel Eingeweihten Diener'', Die Zauberflöte: II. Akt, 1. Auftritt. Nr. 9 Marsch Der Priester, Die Zauberflöte: II. Akt, 1. Auftritt. Nr.10 Arie Mit Chor. Sarastro: ''O Isis Und Osiris'', Die Zauberflöte: II. Akt, 12. Auftritt. Nr. 15 Arie Sarastro: ''In Diesen Heil'Gen Hallen'', Die Zauberflöte: II. Akt, 13. Auftritt (Sprecher, Zweiter Priester) - 14. Auftritt (Tamino, Papageno) - 15. Auftritt (Papageno, Weib), Die Zauberflöte: II. Akt, 16. Auftritt (Die Drei Knaben). Nr. 16 Terzett. Die Drei Knaben: ''Seid Uns Zum Zweiten Mal Willkommen'', Die Zauberflöte: II. Akt, 17. Auftritt (Tamino, Papageno) Papageno: ''Tamino, Wollen Wir Nicht Speisen?'' - 18. Auftritt (Pamina, Tamino, Papageno), Die Zauberflöte: II. Akt, 18. Auftritt. Nr. 17 Arie Pamina: ''Ach Ich Fühl's, Es Ist Verschwunden'', Die Zauberflöte: II. Akt, 19. Auftritt (Tamino, Papageno). Papageno: ''Nicht Wahr Tamino, Ich Kann Auch Schweigen'', Die Zauberflöte: II. Akt, 2. Auftritt (Tamino, Papageno). Tamino: ''Eine Schreckliche Nacht!'' - 3. Auftritt (Sprecher, Priester, Tamino, Papageno). Sprecher: ''Ihr Fremdlinge'', Die Zauberflöte: II. Akt, 20. Szene (Chor Der Priester). Nr. 18 Chor Der Priester: ''O Isis Und Osiris'', Die Zauberflöte: II. Akt, 21. Auftritt (Tamino, Pamina, Sarastro). Sarastro: ''Prinz, Dein Betragen'', Die Zauberflöte: II. Akt, 21. Auftritt. Nr. 19 Terzett (Pamina, Sarastro, Tamino). Pamina: ''Soll Ich Dich, Teurer! Nicht Mehr Seh'n?'', Die Zauberflöte: II. Akt, 22. Auftritt (Papageno) - 23. Auftritt (Sprecher, Papageno). Sprecher: ''Mensch! Du Hättest Verdient'', Die Zauberflöte: II. Akt, 23. Auftritt. Nr. 20 Arie Papageno: ''Ein Mädchen Oder Weibchen'', Die Zauberflöte: II. Akt, 24. Auftritt (Weib, Papageno) - 25. Auftritt (Weib, Papageno, Sprecher) - 26. Auftritt (Die Drei Knaben). Nr. 21 Finale: ''Bald Pragnt, Den Morgen Zu Verkünden'', Die Zauberflöte: II. Akt, 27. Auftritt (Pamina, Die Drei Knaben). Pamina: ''Du Also Bist Mein Bräutigam?'', Die Zauberflöte: II. Akt, 28. Auftritt (Pamina, Tamino, Chor). Pamina Und Tamino: ''Wir Wandelten Durch Feuergluten'', Die Zauberflöte: II. Akt, 28. Auftritt (Pamina, Tamino, Die Geharnischten). Pamina: ''Tamino, Halt'', Die Zauberflöte: II. Akt, 28. Auftritt (Zwei Männer, Tamino). Zwei Geharnischte Männer: ''Der, Welcher Wandert Dieser Straße'', Die Zauberflöte: II. Akt, 29. Auftritt (Drei Knaben, Papageno). Drei Knaben: ''Halt Ein, O Papageno!'', Die Zauberflöte: II. Akt, 29. Auftritt (Papageno). Papageno: ''Papagena! Papagena!'', Die Zauberflöte: II. Akt, 29. Auftritt. Duette Papageno, Weib: ''Pa - Pa - Pa'', Die Zauberflöte: II. Akt, 3. Auftritt. Nr.11 Duett Zweiter Priester Und Sprecher: ''Bewahret Euch Vor Weibertücken'' - 4. Auftritt (Papageno, Tamino). Papageno: ''He, Lichter Her!'', Die Zauberflöte: II. Akt, 30. Auftritt (Mohr, Weiber, Königin, Damen). Mohr: ''Nur Stille!'', Die Zauberflöte: II. Akt, 30. Auftritt (Sarastro, Chor Von Priestern). Sarastro: ''Die Strahlen Der Sonne Vertreiben Die Nacht'', Die Zauberflöte: II. Akt, 5. Auftritt (Die Drei Damen, Papageno, Tamino). Nr. 12 Quintett. Die Drei Damen: ''Wie? Wie? Wie?'', Die Zauberflöte: II. Akt, 6. Auftritt (Tamino, Papageno, Sprecher, Zweiter Priester). Sprecher: ''Heil Dir, Jüngling!'', Die Zauberflöte: II. Akt, 7. Auftritt (Monostatos). Monostatos: ''Ha, Da Find' Ich Ja Die Spröde Schöne!'', Die Zauberflöte: II. Akt, 7. Auftritt. Nr. 13 Arie Monostatos: ''Alles Fühlt Der Liebe Freuden'', Die Zauberflöte: II. Akt, 8. Auftritt (Königin, Pamina, Monostatos). Königin: ''Zurücke!'', Die Zauberflöte: II. Akt, 8. Auftritt. Nr. 14 Arie Königin: ''Die Hölle Rache Kocht In Meinem Herzen'', Die Zauberflöte: II. Akt, 9. Auftritt (Pamina) - 10. Auftritt (Pamina, Monostatos) - 11. Auftritt (Monostatos, Sarastro) - 12. Auftritt (Pamina, Sarastro). Pamina: ''Herr, Strafe Meine Mutter Nicht'', Die Zauberflöte: Ouvertüre, Don Giovanni: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: I. Kyrie, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: II. Gloria, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: III. Credo, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: IV. Sanctus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: V. Benedictus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: VI. Agnus Dei, Sancta Maria, Mater Dei, K. 273, Venite Populi, K. 260, Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) |
| Alain Lombard |
conductor |
Concerto for Piano No. 20 in D minor, K. 466: I. Allegro, Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concerto for Piano No. 24 in C minor, K. 491: I. Allegro, Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto, Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto, Così fan tutte: Act I, Scene I. No. 1 Terzetto "La mia Dorabella capace non è", Così fan tutte: Act I, Scene I. No. 2 Terzetto "E la fede delle femmine", Così fan tutte: Act I, Scene I. No. 3 Terzetto "Una bella serenata", Così fan tutte: Act I, Scene I. Recitativo "Fuor la spada", Così fan tutte: Act I, Scene I. Recitativo "Scioccerie di poeti!", Così fan tutte: Act I, Scene II. No. 4 Duetto "Ah guarda, sorella", Così fan tutte: Act I, Scene II. Recitativo "Mi par che stamattina volentieri", Così fan tutte: Act I, Scene III. No. 5 Aria "Vorrei dir e cor non ho", Così fan tutte: Act I, Scene III. Recitativo "Stelle! Per carita, Signor Alfonson", Così fan tutte: Act I, Scene IV. No. 6 Quintetto "Sento, O Dio, che questo piede", Così fan tutte: Act I, Scene IV. Recitativo "La commedia e graziosa", Così fan tutte: Act I, Scene IX. No. 11 Aria "Smanie implacabili", Così fan tutte: Act I, Scene IX. No. 12 Aria "In uomini, in soldati", Così fan tutte: Act I, Scene IX. Recitativo "Signora Dorabella", Così fan tutte: Act I, Scene V. No. 8 Coro "Bella vita militar", Così fan tutte: Act I, Scene V. No. 9 Quintetto (e Coro) "Di scrivermi ogni giorno", Così fan tutte: Act I, Scene V. Recitativo "Non v'e piu temp, amici", Così fan tutte: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento", Così fan tutte: Act I, Scene VI. Recitativo "Dove son?", Così fan tutte: Act I, Scene VII. Recitativo "Non son cattivo comico", Così fan tutte: Act I, Scene VIII. Recitativo 'Che vita maledetta' And Recitativo "Madame, ecco la vostra colazione", Così fan tutte: Act I, Scene X. Recitativo "Che silenzio: che aspetto di tristezza", Così fan tutte: Act I, Scene XI. No. 13 Sestetto "Alla bella Despinetta", Così fan tutte: Act I, Scene XI. No. 14 Aria "Come scoglio immoto resta", Così fan tutte: Act I, Scene XI. No. 15 Aria "Non siate ritrosi", Così fan tutte: Act I, Scene XI. Recitativo "Ah non partite", Così fan tutte: Act I, Scene XI. Recitativo "Che sussurro", Così fan tutte: Act I, Scene XII. No. 16 Terzetto "E voi ridete?", Così fan tutte: Act I, Scene XII. No. 17 Aria "Un' aura amorosa", Così fan tutte: Act I, Scene XII. Recitativo "Si puo sapere un poco", Così fan tutte: Act I, Scene XIV. No. 18 Finale "Ah che tutta in un momento, Così fan tutte: Act II, Scene I. No. 19 Aria "Una donna a quindici anni", Così fan tutte: Act II, Scene I. Recitativo "Andate la, che siete", Così fan tutte: Act II, Scene II. No. 20 Duetto "Prendero quel brunettino", Così fan tutte: Act II, Scene II. Recitativo "Sorella, cosa dici?", Così fan tutte: Act II, Scene III. Recitativo "Ah, correte al giardino", Così fan tutte: Act II, Scene IV. No. 21 Duetto con coro "Secondate aurette amiche", Così fan tutte: Act II, Scene IV. No. 22 Quartetto "La mano a me date", Così fan tutte: Act II, Scene IV. Recitativo "Cos'e tal mascherata", Così fan tutte: Act II, Scene IX. No. 27 Cavatina "Traditio, Schernito", Così fan tutte: Act II, Scene IX. Recitativo "Bravo, questa e costanza", Così fan tutte: Act II, Scene IX. Recitativo "In qual fiero contrasto", Così fan tutte: Act II, Scene V. Recitativo "O che bella giornata", Così fan tutte: Act II, Scene VI. Recitativo "Barbara! Perche fuggi?", Così fan tutte: Act II, Scene VII. No. 25 Rondo "Per pieta, ben mio", Così fan tutte: Act II, Scene VII. Recitativo "Ei parte...", Così fan tutte: Act II, Scene VIII. No. 26 Aria "Donne mie, la fate a tanti", Così fan tutte: Act II, Scene VIII. Recitativo "Amico, abbiamo vinto!", Così fan tutte: Act II, Scene X. No. 28 Aria 'E'amore un ladroncello, Così fan tutte: Act II, Scene X. Recitativo "Ora vedo che siete", Così fan tutte: Act II, Scene XII. No. 29 Duetto "Fra gli amplessi in pochi istanti", Così fan tutte: Act II, Scene XII. Recitativo "Comme tutto conqiura" / Recitativo "L' abito di Ferrando", Così fan tutte: Act II, Scene XIII. No. 30 Andante "Tutti accusan le donne", Così fan tutte: Act II, Scene XIII. Recitativo "Ah poveretto me", Così fan tutte: Act II, Scene XIV. Recitativo "Vittoria, padroncini!, Così fan tutte: Act II, Scene XV. No. 31 Finale "Fate presto, o cari amici", Così fan tutte: Ouvertura |
| MDR Sinfonieorchester |
performing orchestra |
Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: I. Allegro - andante - allegro "Dixit Dominus Domino meo", Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: II. Allegro "Magnificat anima mea", Kyrie for Chorus & Orchestra in F major, K. 33, Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: II. "Panis vivus", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: V. "Tremendum ac vivificum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. "Dulcissimum convivium", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VII. "Viaticum in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VIII. "Pignus in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: X. "Miserere", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Gloria: II. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: Allegro molto, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: Adagio "Sanctus Dominus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: Allegro moderato "Benedictus qui venit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: Allegro moderato "Agnus Dei qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": I. "Miserere" / II. "Et secundum" / III. "Quoniam" / IV. "Ecce" / V. "Asperges" / VI. "Averte" / VII. "Ne projicias" / VIII. "Docebo", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: III. Credo, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" IVb. Sanctus: Allegro Pleni sunt coeli" IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" VIa. Agnus Dei: Adagio "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem", Motet for Chorus in G minor, K. 20: (Soprano, Alto, Tenor, Bass) "God is our refuge", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": I. "Benedictus sit Deus", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": II. "Aria", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": III. "Jubilate" |
| Sir Georg Solti (conductor) |
conductor |
Come scoglio (Così fan tutte), Cosi fan Tutte: Soave sia il vento… Non son cattivo comico, Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 1 Terzetto Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) / Recitativo "Fuor la spada!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act I. No. 10 Terzettino "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) / Recitativo "Non son cattivo comico! ... Nel mare solca..." (Don Alfonso), Così fan tutte, K. 588: Act I. No. 12 Aria "In uomini! In soldati sperare fedeltà?" (Despina), Così fan tutte, K. 588: Act I. No. 13 Sestetto "Alla bella Despinetta vi presento, amici miei" (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo "Che sussurro! Che strepito, che scompglio è mai questo!" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act I. No. 15 Aria "Non siate ritrosi, occhietti vezzosi" (Guglielmo), Così fan tutte, K. 588: Act I. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Si può sapere un poco la cagion di quel riso? (Don Alfonso, Guglielmo, Ferrando), Così fan tutte, K. 588: Act I. No. 17 Aria "Un'aura amorosa del nostro tesoro" (Ferrando) / Recitativo "Oh la saria da ridere" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Ah, che tutta in un momento si cangiò la sorte mia!" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Dammi un bacio, o mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Eccovi il medico, signor belle!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act I. No. 2 Terzetto "È la fede delle femmine come l'araba fenice" (Ferrando, Don Alfonso, Guglielmo) / Recitativo "Scioccherie di poeti!" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I. No. 3 Terzetto "Una bella serenata far io voglio" (Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act I. No. 4 Duetto "Ah guarda sorella" (Fiordiligi, Dorabella) / Recitativo "Mi par, che stamattina ... Non son essi: è" (Ferrando, Guglielmo, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso) / Recitativo "Stelle! Per carità, signor Alfonso, no ci fate morir" (Fiordiligi, Don Alfonso, Dorabella), Così fan tutte, K. 588: Act I. No. 6 Quintetto "Sento oddio, che questo piede è restio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) / Recitativo "Non piangere, idol mio (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 7 Duettino "Al fato dàn legge quegli occhi vezzosi" (Ferrando, Guglielmo) / Recitativo La commedia è graziosa... (Don Alfonso, Ferrando, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 8 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Non v'è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I. No. 8a Quintetto "Di scrivermi ogni giorno, giurami, vita mia!" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Dove son? - Son partiti" (Dorabella, Don Alfonso, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Ah! scostati, paventa il tristo effetto d'un disperato affetto!" (Dorabella) / No. 11 Aria "Smanie implacabili, che m'agitate" (Dorabella) / Recitativo "Signora Dorabella, signora Fiordiligi, ditemi, che cosa è stato?" (Despina, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Che silenzio! Che aspetto di tristezza spirano queste stanze!" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. Recitativo "Che vita maledetta è il far la cameriera! ... Madame, ecco la vostra colazione (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) / No. 14 Aria "Come scoglio immoto resta contra i venti" (Fiordiligi) / Recitativo "Ah, non partite!" (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act II. No. 19 Aria "Una donna a quindici anni" (Despina) / Recitativo "Sorella, cosa dici?" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. No. 20 Duetto "Prenderò quel brunettino" (Dorabella, Fiordiligi) / Recitativo "Ah, correte al giardino, le mie care ragazze!" (Don Alfonso, Dorabella), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo), Così fan tutte, K. 588: Act II. No. 23 Duetto "Il core vi dono" (Guglielmo, Dorabella), Così fan tutte, K. 588: Act II. No. 26 Aria "Donne mie, la fate a tanti" (Guglielmo), Così fan tutte, K. 588: Act II. No. 28 Aria "È Amore un ladroncello" (Dorabella) / Recitativo "Come tutto congiura a sedurre il mio cor!" (Fiordiligi, Guglielmo, Despina, Don Alfonso) / Recitativo "L'abito di Ferrando sarà buono per me" (Fiordiligi, Guglielmo), Così fan tutte, K. 588: Act II. No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando) / Recitativo "Ah, poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act II. No. 30 "Tutti accusan le donne, ed io le scuso" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Benedetti i doppi coniugi e le amabili sposine!" (coro di servi, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Fate presto, o cari amici" (Despina, coro di servi, Don Alfonso), Così fan tutte, K. 588: Act II. No. 31 Finale "Miei signori, tutto è fatto ... Bella vita militar!" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act II. No. 31 Finale "Sani e salvi agli amplessi amorosi ... Fortunato l'uom che prende ogni cosa pel buon verso" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act II. Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. Recitativo "Andate là, che siete due bizzarre ragazze!" (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. Recitativo "Barbara! Perché fuggi?" (Ferrando, Fiordiligi) / No. 24 Aria "Ah, lo veggio, quell'anima bella al mio pianto resister non sa" (Ferrando), Così fan tutte, K. 588: Act II. Recitativo "Ei parte... senti!" (Fiordiligi) / No. 25 Rondò "Per pietà, ben mio, perdona all'error d'un'alma amante" (Fiordiligi), Così fan tutte, K. 588: Act II. Recitativo "In qual fiero contrasto, in qual disordine di pensieri e di affetti io mi ritrovo!" (Ferrando) / No. 27 Cavatina "Tradito, schernito dal perfido cor" (Ferrando) / Recitativo "Bravo: questa è constanza" (Don Alfonso, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. Recitativo "Ora vedo che siete una donna di garbo" (Despina, Dorabella, Fiordiligi), Così fan tutte, K. 588: Overtura, Die Entführung aus dem Serail: Welche Wonne, welche Lust, Die Zauberflüte: Der hölle Rache, Don Giovanni - Act 1: Champagne Aria, Don Giovanni - Act 1: Don Ottavio Son Morta... Or Sai Chi L'Onore (excerpt), Don Giovanni - Act 2; Don Giovanni's Descent Into Hell, Don Giovanni: Finch'han dal vino, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Le Nozze Di Figaro - Act 2: Dove Sono, Le nozze di Figaro: "E Susanna non vien!" - "Dove sono i bei momenti", Le nozze di Figaro: "Porgi amor", Le nozze di Figaro: Pace, pace, mio dolce tesoro, Porgi, amor (Le nozze di Figaro), Trio: Soave Sia Il Vento - Cosi Fan Tutte |
| Orchestre philharmonique de Strasbourg |
performing orchestra |
Così fan tutte: Act I, Scene I. No. 1 Terzetto "La mia Dorabella capace non è", Così fan tutte: Act I, Scene I. No. 2 Terzetto "E la fede delle femmine", Così fan tutte: Act I, Scene I. No. 3 Terzetto "Una bella serenata", Così fan tutte: Act I, Scene I. Recitativo "Fuor la spada", Così fan tutte: Act I, Scene I. Recitativo "Scioccerie di poeti!", Così fan tutte: Act I, Scene II. No. 4 Duetto "Ah guarda, sorella", Così fan tutte: Act I, Scene II. Recitativo "Mi par che stamattina volentieri", Così fan tutte: Act I, Scene III. No. 5 Aria "Vorrei dir e cor non ho", Così fan tutte: Act I, Scene III. Recitativo "Stelle! Per carita, Signor Alfonson", Così fan tutte: Act I, Scene IV. No. 6 Quintetto "Sento, O Dio, che questo piede", Così fan tutte: Act I, Scene IV. Recitativo "La commedia e graziosa", Così fan tutte: Act I, Scene IX. No. 11 Aria "Smanie implacabili", Così fan tutte: Act I, Scene IX. No. 12 Aria "In uomini, in soldati", Così fan tutte: Act I, Scene IX. Recitativo "Signora Dorabella", Così fan tutte: Act I, Scene V. No. 8 Coro "Bella vita militar", Così fan tutte: Act I, Scene V. No. 9 Quintetto (e Coro) "Di scrivermi ogni giorno", Così fan tutte: Act I, Scene V. Recitativo "Non v'e piu temp, amici", Così fan tutte: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento", Così fan tutte: Act I, Scene VI. Recitativo "Dove son?", Così fan tutte: Act I, Scene VII. Recitativo "Non son cattivo comico", Così fan tutte: Act I, Scene VIII. Recitativo 'Che vita maledetta' And Recitativo "Madame, ecco la vostra colazione", Così fan tutte: Act I, Scene X. Recitativo "Che silenzio: che aspetto di tristezza", Così fan tutte: Act I, Scene XI. No. 13 Sestetto "Alla bella Despinetta", Così fan tutte: Act I, Scene XI. No. 14 Aria "Come scoglio immoto resta", Così fan tutte: Act I, Scene XI. No. 15 Aria "Non siate ritrosi", Così fan tutte: Act I, Scene XI. Recitativo "Ah non partite", Così fan tutte: Act I, Scene XI. Recitativo "Che sussurro", Così fan tutte: Act I, Scene XII. No. 16 Terzetto "E voi ridete?", Così fan tutte: Act I, Scene XII. No. 17 Aria "Un' aura amorosa", Così fan tutte: Act I, Scene XII. Recitativo "Si puo sapere un poco", Così fan tutte: Act I, Scene XIV. No. 18 Finale "Ah che tutta in un momento, Così fan tutte: Act II, Scene I. No. 19 Aria "Una donna a quindici anni", Così fan tutte: Act II, Scene I. Recitativo "Andate la, che siete", Così fan tutte: Act II, Scene II. No. 20 Duetto "Prendero quel brunettino", Così fan tutte: Act II, Scene II. Recitativo "Sorella, cosa dici?", Così fan tutte: Act II, Scene III. Recitativo "Ah, correte al giardino", Così fan tutte: Act II, Scene IV. No. 21 Duetto con coro "Secondate aurette amiche", Così fan tutte: Act II, Scene IV. No. 22 Quartetto "La mano a me date", Così fan tutte: Act II, Scene IV. Recitativo "Cos'e tal mascherata", Così fan tutte: Act II, Scene IX. No. 27 Cavatina "Traditio, Schernito", Così fan tutte: Act II, Scene IX. Recitativo "Bravo, questa e costanza", Così fan tutte: Act II, Scene IX. Recitativo "In qual fiero contrasto", Così fan tutte: Act II, Scene V. No. 23 Duetto "Il core vi dono", Così fan tutte: Act II, Scene V. Recitativo "O che bella giornata", Così fan tutte: Act II, Scene VI. Recitativo "Barbara! Perche fuggi?", Così fan tutte: Act II, Scene VII. No. 25 Rondo "Per pieta, ben mio", Così fan tutte: Act II, Scene VII. Recitativo "Ei parte...", Così fan tutte: Act II, Scene VIII. No. 26 Aria "Donne mie, la fate a tanti", Così fan tutte: Act II, Scene VIII. Recitativo "Amico, abbiamo vinto!", Così fan tutte: Act II, Scene X. No. 28 Aria 'E'amore un ladroncello, Così fan tutte: Act II, Scene X. Recitativo "Ora vedo che siete", Così fan tutte: Act II, Scene XII. No. 29 Duetto "Fra gli amplessi in pochi istanti", Così fan tutte: Act II, Scene XII. Recitativo "Comme tutto conqiura" / Recitativo "L' abito di Ferrando", Così fan tutte: Act II, Scene XIII. No. 30 Andante "Tutti accusan le donne", Così fan tutte: Act II, Scene XIII. Recitativo "Ah poveretto me", Così fan tutte: Act II, Scene XIV. Recitativo "Vittoria, padroncini!, Così fan tutte: Act II, Scene XV. No. 31 Finale "Fate presto, o cari amici", Così fan tutte: Ouvertura |
| Robert Johnson (Orchestra Conductor, NY Area) |
conductor |
Cosi fan tutti: Ah guarda sorella, Cosi fan tutti: Bella vita militar, Cosi fan tutti: Fortunato I'Uom, Cosi fan tutti: Il core vi dono, Cosi fan tutti: Overture, Cosi fan tutti: Prendero quel Brunettino, Cosi fan tutti: Sento o Dio, Cosi fan tutti: Un'aura amorosa, Cosi fan tutti: Una donna a quindici anni, Divertimento No. 1 in E-flat major, K. 133: I. Allegro, Divertimento No. 1 in E-flat major, K. 133: II. Andante, Divertimento No. 1 in E-flat major, K. 133: III. Menuetto, Divertimento No. 1 in E-flat major, K. 133: IV. Allegro, Divertimento No. 13 in F major, K. 253: I. Tema con Variazione, Divertimento No. 13 in F major, K. 253: II. Menueto, Divertimento No. 13 in F major, K. 253: III. Allegro assai, Divertimento No. 16 in E-flat major, K. 289: I. Adagio, Allegro, Divertimento No. 16 in E-flat major, K. 289: II. Menuetto, Divertimento No. 16 in E-flat major, K. 289: III. Adagio, Divertimento No. 16 in E-flat major, K. 289: IV. Finale, Divertimento No. 2 in D major, K. 131: I. Allegro, Divertimento No. 2 in D major, K. 131: II. Adagio, Divertimento No. 2 in D major, K. 131: III. Menuetto, Divertimento No. 2 in D major, K. 131: IV. Allegretto, Divertimento No. 2 in D major, K. 131: V. Menuetto, Divertimento No. 2 in D major, K. 131: VI. Adagio, Allegro molto, Divertimento No. 4 in B-flat major, K. 186: I. Allegro assai, Divertimento No. 4 in B-flat major, K. 186: II. Menuetto, Divertimento No. 4 in B-flat major, K. 186: III. Andante, Divertimento No. 4 in B-flat major, K. 186: IV. Adagio, Divertimento No. 4 in B-flat major, K. 186: V. Allegro, Divertimento No. 7 in D major, K. 205: I. March, K. 290, Divertimento No. 7 in D major, K. 205: II. Largo, Allegro, Divertimento No. 7 in D major, K. 205: III. Menuetto I, Divertimento No. 7 in D major, K. 205: IV. Adagio, Divertimento No. 7 in D major, K. 205: V. Menuetto II, Divertimento No. 7 in D major, K. 205: VI. Finale, Presto, March, K. 290, Sarenade No. 11 in E flat, K. 375: Adagio, Sarenade No. 11 in E flat, K. 375: Allegro, Sarenade No. 11 in E flat, K. 375: Allegro maestoso, Sarenade No. 11 in E flat, K. 375: Menuetto/Trio, Sarenade No. 12 in C, K. 388: Allegro, Sarenade No. 12 in C, K. 388: Andante, Sarenade No. 12 in C, K. 388: Menuetto in canone/Trio in canone al rovescio, Serenade No. 10 in B flat, K. 361: Adagio, Serenade No. 10 in B flat, K. 361: Finale (Molto allegro), Serenade No. 10 in B flat, K. 361: Largo, Molto allegro, Serenade No. 10 in B flat, K. 361: Menuetto, Serenade No. 10 in B flat, K. 361: Menuetto (Allegretto), Trio 1, Trio 2, Serenade No. 10 in B flat, K. 361: Romance (Adagio, Allegretto, Adagio), Serenade No. 10 in B flat, K. 361: Tema con variazione, Andante (I-VI), The Marriage of Figaro: Crudel! Perche finora, The Marriage of Figaro: Ecco la marcia, The Marriage of Figaro: L'Introduzione, The Marriage of Figaro: Non piu andrai farfallone amoroso, The Marriage of Figaro: Porgi amor, The Marriage of Figaro: Se a casa madama, The Marriage of Figaro: Se vuol ballare Signor Contino |
| Otmar Suitner |
conductor |
Die Entführung aus dem Serail, KV 384: "Vivat Bacchus, Bacchus lebe" (Pedrillo, Osmin), Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Bei Männern, welche Liebe fühlen, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Bin ich nicht ein Narr, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Der Vogelfänger bin ich ja, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Dies Bildnis ist bezaubernd schön, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Du feines Täubchen, nur herein! Wo bin ich wohl?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: He da! - Was da!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Ist's denn Wirklichkeit, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Könnte jeder brave Mann, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Nun, stolzer Jüngling, nur hierher, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: O zitt're nicht, mein lieber Sohn!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Rüste dich mit Mut und Standhaftigkeit, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Schnelle Füße, rascher Mut, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Wie stark ist nicht dein Zauberton, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Wo bin ich? Ist's Phantasie, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Zu Hilfe! Zu Hilfe!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Zum Ziele führt dich diese Bahn, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Zurück! - Zurück?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Bald prangt, den Morgen zu verkünden, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Bewahret euch vor Weibertücken, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Da bin ich schon, mein Engel!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Der, welcher wandert diese Straße, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Die Strahlen der Sonne vertreiben die Nacht, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Ein Mädchen oder Weibchen, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Eine schreckliche Nacht!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: March, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Nicht wahr, Tamino, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Nur stille, stille, stille, stille!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: O Isis und Osiris, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papagena!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Papagena! Papagena! Papagena!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Soll ich dich, Teurer, nicht mehr sehn?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Tamino mein! O welch ein Glück!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Tamino, deine Haltung, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Wie? Wie? Wie?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Overture, Die Zauberflöte, K. 620: Act I. Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, K. 620: Act I: Es lebe Sarastro, Die Zauberflöte, K. 620: Act I: Hm, hm, hm, Die Zauberflöte, K. 620: Act I: Komm, Tamino!, Die Zauberflöte, K. 620: Act I: Pst! Pst!, Die Zauberflöte, K. 620: Act II: Ach, ich fühl's, Die Zauberflöte, K. 620: Act II: Alles fühlt der Liebe Freuden, Die Zauberflöte, K. 620: Act II: He, Lichter her!, Die Zauberflöte, K. 620: Act II: Hier seid ihr beide euch allein überlassen, Die Zauberflöte, K. 620: Act II: Ihr in den Weisheitstempel eingeweihten Diener, Die Zauberflöte, K. 620: Act II: In diesen heil'gen Hallen, Die Zauberflöte, K. 620: Act II: Morden soll ich?, Die Zauberflöte, K. 620: Act II: Mutter! - O meine Mutter, Die Zauberflöte, K. 620: Act II: Seid uns zum zweitenmal willkommen, Die Zauberflöte, K. 620: Act II: Tamino! Deine Standhaftigkeit hat gesiegt, Die Zauberflöte, K. 620: Act II: Tamino! Tamino!, Die Zauberflöte, K. 620: Act II: Tamino, wollen wir nicht speisen?, Die Zauberflöte, KV 620: "Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, KV 620: "Ein Mädchen oder Weibchen" (Papageno), Don Giovanni, KV 527: "Fin ch'an dal vino" (Don Giovanni), Don Giovanni, KV 527: "Madamina, il catalogo è questo" (Leporello), La Flûte enchantée : Der Hölle Rache (Air de la reine de la nuit) |
| Henk de Graaf |
clarinet |
Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: I. Allegro, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: II. Minuetto. Allegretto & Trio, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: III. Adagio, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: IV. Minuetto & Trio, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: V. Rondo. Allegro, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: I. Allegro, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: II. Minuetto, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: III. Larghetto, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: IV. Minuetto & Trio, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: V. Rondo, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: I. Allegro, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: II. Minuetto & Trio, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: III. Adagio, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: IV. Minuetto & Trio, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: V. Rondo. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: I. Allegro, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: II. Larghetto, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: III. Minuetto & Trio, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: IV. Adagio, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: V. Allegretto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: I. Adagio, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: II. Minuetto & Trio, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: III. Adagio, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: IV. Romance. Andante, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: V. Polonaise, Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): I. Serenade: Rondo. Larghetto. Le nozze di Figaro “Al descio, di che t’adora", Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): III. Serenade: Le nozze di Figaro: "Non più andrai", Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano", Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): V. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Vedrai, carino", Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): I. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): II. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): III. Adagio, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): V. Finale, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): I. Allegro moderato, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): II. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): III. Romance, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): V. Rondo, Serenade No. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso, Serenade No. 11 for Winds in E-flat major, K. 375: II. Minuetto, Serenade No. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio, Serenade No. 11 for Winds in E-flat major, K. 375: V. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro |
| Glenn Gould (pianist) |
piano |
Fantasia in C minor for Piano, K. 475: Adagio, Fantasia in D minor for Piano, K. 397: Andante, Piano Sonata No. 1 in C major, K. 279: I. Allegro, Piano Sonata No. 1 in C major, K. 279: II. Andante, Piano Sonata No. 1 in C major, K. 279: III. Allegro, Piano Sonata No. 10 in C major, K. 330: I. Allegro moderato, Piano Sonata No. 10 in C major, K. 330: II. Andante cantabile con espressione, Piano Sonata No. 10 in C major, K. 330: III. Allegretto, Piano Sonata No. 11 in A major, K. 331: I. Tema. Andante grazioso, Piano Sonata No. 11 in A major, K. 331: II. Menuetto - Trio, Piano Sonata No. 11 in A major, K. 331: III. Alla Turca - Allegretto, Piano Sonata No. 12 in F major, K. 332: I. Allegro, Piano Sonata No. 12 in F major, K. 332: II. Adagio, Piano Sonata No. 12 in F major, K. 332: III. Allegro assai, Piano Sonata No. 13 in B-flat major, K. 333: I. Allegro, Piano Sonata No. 13 in B-flat major, K. 333: II. Andante cantabile, Piano Sonata No. 13 in B-flat major, K. 333: III. Allegretto grazioso, Piano Sonata No. 15 in F major, K. 494: III. Rondo - Allegretto, Piano Sonata No. 15 in F major, K. 533: I. Allegro, Piano Sonata No. 15 in F major, K. 533: II. Andante, Piano Sonata No. 16 in C major, K. 545: I. Allegro, Piano Sonata No. 16 in C major, K. 545: II. Andante, Piano Sonata No. 16 in C major, K. 545: III. Rondo. Allegretto, Piano Sonata No. 2 in F major, K. 280: I. Allegro assai, Piano Sonata No. 2 in F major, K. 280: II. Adagio, Piano Sonata No. 2 in F major, K. 280: III. Presto, Piano Sonata No. 3 in B-flat major, K. 281: I. Allegro, Piano Sonata No. 3 in B-flat major, K. 281: II. Andante amoroso, Piano Sonata No. 3 in B-flat major, K. 281: III. Rondo: Allegro, Piano Sonata No. 4 in E-flat major, K. 282: I. Adagio, Piano Sonata No. 4 in E-flat major, K. 282: II. Menuetto I & II, Piano Sonata No. 4 in E-flat major, K. 282: III. Allegro, Piano Sonata No. 5 in G major, K. 283: I. Allegro, Piano Sonata No. 5 in G major, K. 283: II. Andante, Piano Sonata No. 5 in G major, K. 283: III. Presto, Piano Sonata No. 6 in D major, K. 284: I. Allegro, Piano Sonata No. 6 in D major, K. 284: II. Rondeau en Polonaise - Andante, Piano Sonata No. 6 in D major, K. 284: III. Theme and Variations, Piano Sonata No. 7 in C major, K. 309: I. Allegro con spirito, Piano Sonata No. 7 in C major, K. 309: II. Andante un poco Adagio, Piano Sonata No. 7 in C major, K. 309: III. Rondo - Allegretto grazioso, Piano Sonata No. 8 in A minor, K. 310: I. Allegro maestoso, Piano Sonata No. 8 in A minor, K. 310: II. Andante cantabile con espressione, Piano Sonata No. 8 in A minor, K. 310: III. Presto, Piano Sonata No. 9 in D major, K. 311: I. Allegro con spirito, Piano Sonata No. 9 in D major, K. 311: II. Andante con espressione, Piano Sonata No. 9 in D major, K. 311: III. Rondo - Allegro, Piano Sonata in F major, K.332: II. (extract), Piano Sonata no. 14 in C minor, K. 457: I. Allegro, Piano Sonata no. 14 in C minor, K. 457: II. Adagio, Piano Sonata no. 14 in C minor, K. 457: III. Molto allegro, Piano Sonata no. 17 in B-flat major, K. 570: I. Allegro, Piano Sonata no. 17 in B-flat major, K. 570: II. Adagio, Piano Sonata no. 17 in B-flat major, K. 570: III. Allegretto, Piano Sonata no. 18 in D major, K. 576: I. Allegro, Piano Sonata no. 18 in D major, K. 576: II. Adagio, Piano Sonata no. 18 in D major, K. 576: III. Allegretto |
| Jan Jansen |
clarinet |
Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: I. Allegro, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: II. Minuetto. Allegretto & Trio, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: III. Adagio, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: IV. Minuetto & Trio, Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: V. Rondo. Allegro, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: I. Allegro, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: II. Minuetto, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: III. Larghetto, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: IV. Minuetto & Trio, Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: V. Rondo, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: I. Allegro, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: II. Minuetto & Trio, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: III. Adagio, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: IV. Minuetto & Trio, Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: V. Rondo. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: I. Allegro, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: II. Larghetto, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: III. Minuetto & Trio, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: IV. Adagio, Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: V. Allegretto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: I. Adagio, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: II. Minuetto & Trio, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: III. Adagio, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: IV. Romance. Andante, Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: V. Polonaise, Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): I. Serenade: Rondo. Larghetto. Le nozze di Figaro “Al descio, di che t’adora", Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): III. Serenade: Le nozze di Figaro: "Non più andrai", Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano", Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): V. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Vedrai, carino", Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): I. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): II. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): III. Adagio, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): V. Finale, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): I. Allegro moderato, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): II. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): III. Romance, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): V. Rondo, Serenade No. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso, Serenade No. 11 for Winds in E-flat major, K. 375: II. Minuetto, Serenade No. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio, Serenade No. 11 for Winds in E-flat major, K. 375: V. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro |
| Scottish Chamber Orchestra |
performing orchestra |
Concert Rondo in E-flat major, K. 371 (reconstructed by John Humphries), Concert in E-flat major, K. 417: Allegro maestoso, Concert in E-flat major, K. 417: Andante, Concert in E-flat major, K. 417: Rondo, Concerto in D major, K. 412: (Allegro), Concerto in D major, K. 412: Rondo: Allegro, Concerto in E-flat major, K. 447: Allegro, Concerto in E-flat major, K. 447: Romanze: Larghetto, Concerto in E-flat major, K. 447: Rondo: Allegro, Concerto in E-flat major, K. 495: Allegro moderato, Concerto in E-flat major, K. 495: Romanca: Andante, Concerto in E-flat major, K. 495: Rondo: Allegro vivace, Flander & Swann: III Wind (based on Mozart's Horn Concerto K. 495, transcribed for Orchestra, Fragment in E major, K. 494a (edited by John Humphries), Il tenero momento ('Lucio Silla', Act 1), Lungi da te, mio bene ('Mitridate, rè di Ponto', Act 2), Parto, parto ('La clemenza di Tito', Act 1), Symphony No. 38 in D major ("Prague"), K.504 - I Adagio - Allegro, Symphony No. 38 in D major ("Prague"), K.504 - II Andante, Symphony No. 38 in D major ("Prague"), K.504 - III Finale: Presto, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Finale: Presto, Symphony No. 39 in E-flat major, K. 543: I. Adagio, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Menuetto: Allegretto & Trio, Symphony No. 39 in E-flat major, K. 543: IV. Finale: Allegro, Symphony No. 39 in E-flat major, K.543 - I Adagio - Allegro, Symphony No. 39 in E-flat major, K.543 - II Andante con moto, Symphony No. 39 in E-flat major, K.543 - III Minuetto (Allegretto) & Trio, Symphony No. 39 in E-flat major, K.543 - IV Finale: Allegro, Symphony No. 40 in G minor, K. 550: I. Molto allegro, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Menuetto: Allegretto, Symphony No. 40 in G minor, K. 550: IV. Finale. Allegro assai, Symphony No. 40 in G minor, K.550 - I Molto allegro, Symphony No. 40 in G minor, K.550 - II Andante, Symphony No. 40 in G minor, K.550 - III Menuetto: Allegretto, Symphony No. 40 in G minor, K.550 - IV Finale: Allegro assai, Symphony No. 41 in C major ("Jupiter"), K.551 - I Allegro vivace, Symphony No. 41 in C major ("Jupiter"), K.551 - II Andante cantabile, Symphony No. 41 in C major ("Jupiter"), K.551 - III Menuetto: Allegretto, Symphony No. 41 in C major ("Jupiter"), K.551 - IV Molto allegro, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto: Allegretto, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro, Symphony no. 32 in G major K.318, Symphony no. 35 in D major K.385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major K.385 "Haffner": II. Andante, Symphony no. 35 in D major K.385 "Haffner": III. Menuetto, Symphony no. 35 in D major K.385 "Haffner": IV. Finale: Presto, Symphony no. 36 in C major K.425, "Linz": I. Adagio - Allegro spiritoso, Symphony no. 36 in C major K.425, "Linz": II. Andante, Symphony no. 36 in C major K.425, "Linz": III. Menuetto, Symphony no. 36 in C major K.425, "Linz": IV. Presto |
| Christof Fischesser |
vocal |
Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": I. "Kyrie", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": II. "Gloria", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": III. "Credo", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": IV. "Sanctus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": V. "Benedictus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": VI. "Agnus Dei", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Missa brevis in C major, KV 259 “Orgelsolo Messe”: I. Kyrie, Missa brevis in C major, KV 259 “Orgelsolo Messe”: II. Gloria, Missa brevis in C major, KV 259 “Orgelsolo Messe”: III. Credo, Missa brevis in C major, KV 259 “Orgelsolo Messe”: IV. Sanctus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: V. Benedictus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: VI. Agnus Dei, Missa in C major, KV 258 “Spaurmesse”: I. Kyrie, Missa in C major, KV 258 “Spaurmesse”: II. Gloria, Missa in C major, KV 258 “Spaurmesse”: III. Credo, Missa in C major, KV 258 “Spaurmesse”: IV. Sanctus, Missa in C major, KV 258 “Spaurmesse”: V. Benedictus, Missa in C major, KV 258 “Spaurmesse”: VI. Agnus Dei |
| Akademie für Alte Musik Berlin |
performing orchestra |
Die Zauberflöte: I. Akt, 1. Auftritt (Tamino, Die Drei Damen). Nr. 1 Introduktion. Tamino: ''Zu Hilfe! Zu Hilfe!'', Die Zauberflöte: I. Akt, 11. Auftritt (Monostatos, Pamina). Nr. 6 Terzett Monostatos: ''Du Feines Täubchen, Nur Herein'' - 12. Auftritt (Papageno, Monostatos). Papageno: ''Wo Bin Ich Wohl?'', Die Zauberflöte: I. Akt, 13. Auftritt (Pamina). Pamina: ''Mutter'' - 14. Auftritt (Papageno, Pamina). Papageno: ''Bin Ich Nicht Ein Narr'', Die Zauberflöte: I. Akt, 14. Auftritt. Nr. 7 Duett Pamina, Papageno: ''Bei Männern, Welche Liebe Fühlen'', Die Zauberflöte: I. Akt, 15. Auftritt (Drei Knaben, Tamino). Drei Knaben: ''Zum Ziele Führt Dich Diese Bahn'', Die Zauberflöte: I. Akt, 15. Auftritt (Tamino, Priester). Tamino: ''Die Weisheitslehre Dieser Knaben'', Die Zauberflöte: I. Akt, 15. Auftritt. Tamino: ''Wie Stark Ist Nichts Dein Zauberton'', Die Zauberflöte: I. Akt, 16. Auftritt (Papageno, Pamina). Beide: ''Schnelle Füße, Rascher Mut'', Die Zauberflöte: I. Akt, 17. Auftritt (Papageno, Pamina). Chor: ''Es Lebe Sarastro'' - 18. Auftritt (Pamina, Sarastro). Chor: ''Es Lebe Sarastro'', Die Zauberflöte: I. Akt, 17. Auftritt (Papageno, Pamina, Monostatos). Monostatos: ''Ha, Hab Ich Euch Noch Erwischt'', Die Zauberflöte: I. Akt, 19. Auftritt (Monostatos, Tamino, Pamina, Sarastro). Monostatos: ''Nun Stolzer Jüngling, Nur Hieher!'', Die Zauberflöte: I. Akt, 2. Auftritt (Papageno, Tamino). Nr. 2 Arie Papageno: ''Der Vogelfänger Bin Ich Ja'', Die Zauberflöte: I. Akt, 2. Auftritt. Tamino: ''He Da!'' - 3. Auftritt (Die Drei Damen, Papageno, Tamino), Die Zauberflöte: I. Akt, 4. Auftritt (Tamino, Papageno). Nr. 3 Arie Tamino: ''Dies Bildnis Ist Bezaubernd Schön'', Die Zauberflöte: I. Akt, 5. Auftritt (Die Drei Damen, Papageno, Tamino). Erste Dame: ''Rüste Dich Mit Mut Und Standhaftigkeit'', Die Zauberflöte: I. Akt, 6. Auftritt (Königin). Nr.4 Rezitativ Und Arie Königin: ''O Zittre Nicht'' - 7. Auftritt (Tamino, Papageno). Tamino: ''Ist's Denn Auch Wirklichkeit'', Die Zauberflöte: I. Akt, 7. Auftritt. Nr. 5 Quintett Papageno: ''Hm! Hm! Hm!'' - 8. Auftritt (Die Drei Damen, Papageno, Tamino). Erste Dame: ''Die Königin Begnadigt Dich'', Die Zauberflöte: I. Akt, 9. Auftritt (Drei Sklaven). Dritter Sklave: ''Ha, Ha, Ha!'' - 10. Auftritt (Drei Sklaven, Monostatos). Monostatos: ''He Sklaven!'', Die Zauberflöte: II. Akt, 1. Auftritt (Sarastro, Priester, Sprecher). Sarastro: ''Ihr, In Dem Weisheitstempel Eingeweihten Diener'', Die Zauberflöte: II. Akt, 1. Auftritt. Nr. 9 Marsch Der Priester, Die Zauberflöte: II. Akt, 1. Auftritt. Nr.10 Arie Mit Chor. Sarastro: ''O Isis Und Osiris'', Die Zauberflöte: II. Akt, 12. Auftritt. Nr. 15 Arie Sarastro: ''In Diesen Heil'Gen Hallen'', Die Zauberflöte: II. Akt, 13. Auftritt (Sprecher, Zweiter Priester) - 14. Auftritt (Tamino, Papageno) - 15. Auftritt (Papageno, Weib), Die Zauberflöte: II. Akt, 16. Auftritt (Die Drei Knaben). Nr. 16 Terzett. Die Drei Knaben: ''Seid Uns Zum Zweiten Mal Willkommen'', Die Zauberflöte: II. Akt, 17. Auftritt (Tamino, Papageno) Papageno: ''Tamino, Wollen Wir Nicht Speisen?'' - 18. Auftritt (Pamina, Tamino, Papageno), Die Zauberflöte: II. Akt, 18. Auftritt. Nr. 17 Arie Pamina: ''Ach Ich Fühl's, Es Ist Verschwunden'', Die Zauberflöte: II. Akt, 19. Auftritt (Tamino, Papageno). Papageno: ''Nicht Wahr Tamino, Ich Kann Auch Schweigen'', Die Zauberflöte: II. Akt, 2. Auftritt (Tamino, Papageno). Tamino: ''Eine Schreckliche Nacht!'' - 3. Auftritt (Sprecher, Priester, Tamino, Papageno). Sprecher: ''Ihr Fremdlinge'', Die Zauberflöte: II. Akt, 20. Szene (Chor Der Priester). Nr. 18 Chor Der Priester: ''O Isis Und Osiris'', Die Zauberflöte: II. Akt, 21. Auftritt (Tamino, Pamina, Sarastro). Sarastro: ''Prinz, Dein Betragen'', Die Zauberflöte: II. Akt, 21. Auftritt. Nr. 19 Terzett (Pamina, Sarastro, Tamino). Pamina: ''Soll Ich Dich, Teurer! Nicht Mehr Seh'n?'', Die Zauberflöte: II. Akt, 22. Auftritt (Papageno) - 23. Auftritt (Sprecher, Papageno). Sprecher: ''Mensch! Du Hättest Verdient'', Die Zauberflöte: II. Akt, 23. Auftritt. Nr. 20 Arie Papageno: ''Ein Mädchen Oder Weibchen'', Die Zauberflöte: II. Akt, 24. Auftritt (Weib, Papageno) - 25. Auftritt (Weib, Papageno, Sprecher) - 26. Auftritt (Die Drei Knaben). Nr. 21 Finale: ''Bald Pragnt, Den Morgen Zu Verkünden'', Die Zauberflöte: II. Akt, 27. Auftritt (Pamina, Die Drei Knaben). Pamina: ''Du Also Bist Mein Bräutigam?'', Die Zauberflöte: II. Akt, 28. Auftritt (Pamina, Tamino, Chor). Pamina Und Tamino: ''Wir Wandelten Durch Feuergluten'', Die Zauberflöte: II. Akt, 28. Auftritt (Pamina, Tamino, Die Geharnischten). Pamina: ''Tamino, Halt'', Die Zauberflöte: II. Akt, 28. Auftritt (Zwei Männer, Tamino). Zwei Geharnischte Männer: ''Der, Welcher Wandert Dieser Straße'', Die Zauberflöte: II. Akt, 29. Auftritt (Drei Knaben, Papageno). Drei Knaben: ''Halt Ein, O Papageno!'', Die Zauberflöte: II. Akt, 29. Auftritt (Papageno). Papageno: ''Papagena! Papagena!'', Die Zauberflöte: II. Akt, 29. Auftritt. Duette Papageno, Weib: ''Pa - Pa - Pa'', Die Zauberflöte: II. Akt, 3. Auftritt. Nr.11 Duett Zweiter Priester Und Sprecher: ''Bewahret Euch Vor Weibertücken'' - 4. Auftritt (Papageno, Tamino). Papageno: ''He, Lichter Her!'', Die Zauberflöte: II. Akt, 30. Auftritt (Mohr, Weiber, Königin, Damen). Mohr: ''Nur Stille!'', Die Zauberflöte: II. Akt, 30. Auftritt (Sarastro, Chor Von Priestern). Sarastro: ''Die Strahlen Der Sonne Vertreiben Die Nacht'', Die Zauberflöte: II. Akt, 5. Auftritt (Die Drei Damen, Papageno, Tamino). Nr. 12 Quintett. Die Drei Damen: ''Wie? Wie? Wie?'', Die Zauberflöte: II. Akt, 6. Auftritt (Tamino, Papageno, Sprecher, Zweiter Priester). Sprecher: ''Heil Dir, Jüngling!'', Die Zauberflöte: II. Akt, 7. Auftritt (Monostatos). Monostatos: ''Ha, Da Find' Ich Ja Die Spröde Schöne!'', Die Zauberflöte: II. Akt, 7. Auftritt. Nr. 13 Arie Monostatos: ''Alles Fühlt Der Liebe Freuden'', Die Zauberflöte: II. Akt, 8. Auftritt (Königin, Pamina, Monostatos). Königin: ''Zurücke!'', Die Zauberflöte: II. Akt, 8. Auftritt. Nr. 14 Arie Königin: ''Die Hölle Rache Kocht In Meinem Herzen'', Die Zauberflöte: II. Akt, 9. Auftritt (Pamina) - 10. Auftritt (Pamina, Monostatos) - 11. Auftritt (Monostatos, Sarastro) - 12. Auftritt (Pamina, Sarastro). Pamina: ''Herr, Strafe Meine Mutter Nicht'', Die Zauberflöte: Ouvertüre, Mitridate: Aria Già dagli occhi il velo è tolto |
| Charles Mackerras (Australian conductor) |
conductor |
Concert Rondo in E-flat major, K. 371 (reconstructed by John Humphries), Concert in E-flat major, K. 417: Allegro maestoso, Concert in E-flat major, K. 417: Andante, Concert in E-flat major, K. 417: Rondo, Concerto in D major, K. 412: (Allegro), Concerto in D major, K. 412: Rondo: Allegro, Concerto in E-flat major, K. 447: Allegro, Concerto in E-flat major, K. 447: Romanze: Larghetto, Concerto in E-flat major, K. 447: Rondo: Allegro, Concerto in E-flat major, K. 495: Allegro moderato, Concerto in E-flat major, K. 495: Romanca: Andante, Concerto in E-flat major, K. 495: Rondo: Allegro vivace, Eine kleine Nachtmusik: I. (abridged), Flander & Swann: III Wind (based on Mozart's Horn Concerto K. 495, transcribed for Orchestra, Fragment in E major, K. 494a (edited by John Humphries), Le Nozze Di Figaro, K.492/Act 4 - ''Giunse Alfin Il Momento'' - ''Deh Vieni Non Tardar'', Sinfonie Nr. 35 in D-Dur, KV 385 "Haffner Sinfonie": I. Allegro con spirito, Sinfonie Nr. 35 in D-Dur, KV 385 "Haffner Sinfonie": II. Andante, Sinfonie Nr. 35 in D-Dur, KV 385 "Haffner Sinfonie": III. Menuetto. Trio, Sinfonie Nr. 35 in D-Dur, KV 385 "Haffner Sinfonie": IV. Presto, Symphony No. 38 in D major ("Prague"), K.504 - I Adagio - Allegro, Symphony No. 38 in D major ("Prague"), K.504 - II Andante, Symphony No. 38 in D major ("Prague"), K.504 - III Finale: Presto, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Finale: Presto, Symphony No. 39 in E-flat major, K. 543: I. Adagio, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Menuetto: Allegretto & Trio, Symphony No. 39 in E-flat major, K. 543: IV. Finale: Allegro, Symphony No. 39 in E-flat major, K.543 - I Adagio - Allegro, Symphony No. 39 in E-flat major, K.543 - II Andante con moto, Symphony No. 39 in E-flat major, K.543 - III Minuetto (Allegretto) & Trio, Symphony No. 39 in E-flat major, K.543 - IV Finale: Allegro, Symphony No. 40 in G minor, K. 550: I. Molto allegro, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Menuetto: Allegretto, Symphony No. 40 in G minor, K. 550: IV. Finale. Allegro assai, Symphony No. 40 in G minor, K.550 - I Molto allegro, Symphony No. 40 in G minor, K.550 - II Andante, Symphony No. 40 in G minor, K.550 - III Menuetto: Allegretto, Symphony No. 40 in G minor, K.550 - IV Finale: Allegro assai, Symphony No. 40 in G minor, KV. 550: III. Menuetto. Allegretto - Trio, Symphony No. 41 in C major ("Jupiter"), K.551 - I Allegro vivace, Symphony No. 41 in C major ("Jupiter"), K.551 - II Andante cantabile, Symphony No. 41 in C major ("Jupiter"), K.551 - III Menuetto: Allegretto, Symphony No. 41 in C major ("Jupiter"), K.551 - IV Molto allegro, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto: Allegretto, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro, The Magic Flute: Act II. “A woman’s beauty is beguiling” (Second Priest, Speaker, Papageno) |
| James Levine (US conductor and pianist) |
conductor, grand piano, piano |
Così fan tutte, K 588: Ah, scostati!, Così fan tutte, K 588: Alla bella Despinetta, Così fan tutte, K 588: Come scoglio immoto resta, Così fan tutte, K 588: Donne mie, la fate a tanti, Così fan tutte, K 588: E voi ridete?, Così fan tutte, K 588: Ei parte... Senti! ...Ah, no!, Così fan tutte, K 588: Fortunato l'uom che prende, Così fan tutte, K 588: Fra gli amplessi in pochi istanti, Così fan tutte, K 588: In uomini, in soldati, Così fan tutte, K 588: La mano a me date, Così fan tutte, K 588: Per pietà, ben mio, perdona, Così fan tutte, K 588: Prenderò quel brunettino, Così fan tutte, K 588: Rivolgete a lui lo sguardo, Così fan tutte, K 588: Smanie implacabili che m'agitate, Così fan tutte, K 588: Soave sia il vento, Così fan tutte, K 588: Un' aura amorosa del nostro tesoro, Così fan tutte, K 588: Una donna a quindici anni, Das Veilchen K. 476, Le Nozze di Figaro: Deh vieni, non tardar, o gioia bella, Le Nozze di Figaro: Dove sono i bei momenti, Le Nozze di Figaro: Hai già vinta la causa! / Vedro mentr'io sospiro, Le Nozze di Figaro: Non so più cosa son, cosa faccio, Magic Flute, Ridente La Calma K. 152 (210a), Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": II. Minuetto. Allegretto & Trio, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": III. Concertante. Andante grazioso, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": V. Andantino, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VI. Minuetto & Trio I & Trio II, Sonata for Two Pianos in D major, K. 448: Andante, Symphonie no. 21 en la majeur, K. 134 : I. Allegro, Symphonie no. 21 en la majeur, K. 134 : II. Andante, Symphonie no. 21 en la majeur, K. 134 : III. Menuetto - Trio - Menuetto, Symphonie no. 21 en la majeur, K. 134 : IV. Allegro, Symphony no. 22 in C major, K. 162: I. Allegro assai, Symphony no. 22 in C major, K. 162: II. Andantino grazioso, Symphony no. 22 in C major, K. 162: III. Presto assai, Symphony no. 23 in D major, K. 181 (162b): I. Allegro spritoso, Symphony no. 23 in D major, K. 181 (162b): II. Andantino grazioso, Symphony no. 23 in D major, K. 181 (162b): III. Presto assai, Symphony no. 24 in B flat major, K. 182 (173dA): I. Allegro spiritoso, Symphony no. 24 in B flat major, K. 182 (173dA): II. Andantino grazioso, Symphony no. 24 in B flat major, K. 182 (173dA): III. Allegro, Symphony no. 29 in A major, K. 201 (186a): I. Allegro moderato, Symphony no. 29 in A major, K. 201 (186a): II. Andante, Symphony no. 29 in A major, K. 201 (186a): III. Menuetto - Trio, Symphony no. 29 in A major, K. 201 (186a): IV. Allegro con spirito, Symphony no. 40 in G minor, K. 550: III. Menuetto; Allegretto, Symphony no. 40 in G minor, K. 550: IV. Allegro assai, Un Moto Di Gioia K. 579 |
| Academy of St Martin in the Fields |
performing orchestra |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel`" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel), Concerto for Clarinet in A major, K. 622: II. Adagio, Concerto for Piano No. 20 in D minor, K. 466: II. Romance, Concerto for Piano No. 20 in D minor, K. 466: II. Romanze, Concerto for Piano No. 20 in D minor, KV 466: II. Romance, Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 2. Andantino cantabile (reconstruction and cadenzas: Philip Wilby), Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 3. Allegretto – Allegro (reconstruction and cadenzas: Philip Wilby), Così fan tutte: Soave sia il vento, Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) / Aria for Bass & Orchestra in A major, K. 539: "Ich möchte wohl der Kaiser sein", Die Entführung aus dem Serail, K. 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!", Die Entführung aus dem Serail, KV 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!", Die Entführung aus dem Serail, KV 384: Act III, Nr. 21b Chorus: "Bassa Selim leve lange!", Die Zauberflöte, K. 620: Ouverture, Die Zauberflöte: Der Hölle Rache, Die Zauberflöte: Ein Mädchen oder Weibchen, Die Zauberflöte: Zu Hilfe! Zu Hilfe!, Divertimento in F, KV 138/125c: 1. (Allegro), Divertimento in F, KV 138/125c: 2. Andante, Divertimento in F, KV 138/125c: 3. Presto, Don Giovanni: Là ci darem la mano, Flute Concerto in D major, K. 314, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. no. 2 Recitativo accompagnato "Ma qual mai s’offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), J.F.K.: Horn Concerto No. 2: Rondo allegro, La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegretto - tempo primo - allegretto "Sono in amore, voglio marito" (Ninetta), Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro), Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. Andantino "Dulcissimum convivium", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Messe c-Moll KV 427: Et incarnatus est, Motet for Soprano & Orchestra in F major, K. 158a/165: I. "Exsultate, jubilate", Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Fra l'oscure ombre funeste", Piano Concerto no. 21: II., Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison" / IIIa. Sequenz: "Dies irae" / IIIc. Sequenz: "Rex tremendae" / IIIe. Sequenz: "Confutatis" / IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio, Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino, Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): I. Allegro, Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): II. Adagio, Symphonie (ouverture) no. 32 en sol majeur, K. 318 : Allegro spiritoso - Andante - Tempo I, Symphony No. 29 in A major, K. 186a/201: I. Allegro moderato, Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. Andante ma un poco sostenuto "Laudate dominum", Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. Allegro "Laudate dominum" |
| Niels Høirup |
producer |
Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Bei Männern, welche Liebe fühlen, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Bin ich nicht ein Narr, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Der Vogelfänger bin ich ja, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Dies Bildnis ist bezaubernd schön, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Du feines Täubchen, nur herein! Wo bin ich wohl?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: He da! - Was da!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Ist's denn Wirklichkeit, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Könnte jeder brave Mann, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Nun, stolzer Jüngling, nur hierher, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: O zitt're nicht, mein lieber Sohn!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Rüste dich mit Mut und Standhaftigkeit, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Schnelle Füße, rascher Mut, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Wie stark ist nicht dein Zauberton, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Wo bin ich? Ist's Phantasie, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Zu Hilfe! Zu Hilfe!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Zum Ziele führt dich diese Bahn, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act I: Zurück! - Zurück?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Bald prangt, den Morgen zu verkünden, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Bewahret euch vor Weibertücken, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Da bin ich schon, mein Engel!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Der, welcher wandert diese Straße, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Die Strahlen der Sonne vertreiben die Nacht, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Ein Mädchen oder Weibchen, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Eine schreckliche Nacht!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: March, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Nicht wahr, Tamino, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Nur stille, stille, stille, stille!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: O Isis und Osiris, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papagena!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Papagena! Papagena! Papagena!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Soll ich dich, Teurer, nicht mehr sehn?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Tamino mein! O welch ein Glück!, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Tamino, deine Haltung, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Act II: Wie? Wie? Wie?, Die Zauberflöte, K. 620 (Highlights): Die Zauberflöte, K. 620: Overture, Die Zauberflöte, K. 620: Act I: Es lebe Sarastro, Die Zauberflöte, K. 620: Act I: Hm, hm, hm, Die Zauberflöte, K. 620: Act I: Komm, Tamino!, Die Zauberflöte, K. 620: Act I: Pst! Pst!, Die Zauberflöte, K. 620: Act II: Ach, ich fühl's, Die Zauberflöte, K. 620: Act II: Alles fühlt der Liebe Freuden, Die Zauberflöte, K. 620: Act II: He, Lichter her!, Die Zauberflöte, K. 620: Act II: Hier seid ihr beide euch allein überlassen, Die Zauberflöte, K. 620: Act II: Ihr in den Weisheitstempel eingeweihten Diener, Die Zauberflöte, K. 620: Act II: In diesen heil'gen Hallen, Die Zauberflöte, K. 620: Act II: Morden soll ich?, Die Zauberflöte, K. 620: Act II: Mutter! - O meine Mutter, Die Zauberflöte, K. 620: Act II: Seid uns zum zweitenmal willkommen, Die Zauberflöte, K. 620: Act II: Tamino! Deine Standhaftigkeit hat gesiegt, Die Zauberflöte, K. 620: Act II: Tamino! Tamino!, Die Zauberflöte, K. 620: Act II: Tamino, wollen wir nicht speisen? |
| Михаил Ханонович Гантварг |
conductor, violin |
Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro, Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto, Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di menuetto, Concerto for Piano No. 12 in A major, K. 385p/414: I. Allegro, Concerto for Piano No. 12 in A major, K. 385p/414: II. Andante, Concerto for Piano No. 12 in A major, K. 385p/414: III. Rondo. Allegretto, Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro, Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante, Concerto for Piano No. 13 in C major, K. 387b/415: III. Allegro, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo, Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro, Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante, Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai, Concerto for Piano No. 16 in D major, K. 451: I. Allegro assai, Concerto for Piano No. 16 in D major, K. 451: II. Andante, Concerto for Piano No. 16 in D major, K. 451: III. Rondo. Allegro di molto, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto, Concerto for Piano No. 20 in D minor, K. 466: I. Allegro, Concerto for Piano No. 20 in D minor, K. 466: II. Romanze, Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concerto for Piano No. 23 in A major, K. 488: I. Allegro, Concerto for Piano No. 23 in A major, K. 488: II. Andante, Concerto for Piano No. 23 in A major, K. 488: III. Allegro, Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro, Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto, Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto, Concerto for Piano No. 5 in D major, K. 175: I. Allegro, Concerto for Piano No. 5 in D major, K. 175: II. Andante ma un poco adagio, Concerto for Piano No. 5 in D major, K. 175: III. Allegro, Concerto for Piano No. 6 in B-flat major, K. 238: I. Allegro aperto, Concerto for Piano No. 6 in B-flat major, K. 238: II. Andante un poco adagio, Concerto for Piano No. 6 in B-flat major, K. 238: III. Rondeau. Allegro, Concerto for Piano No. 8 in C major, K. 246 "Lutzow": I. Allegro aperto, Concerto for Piano No. 8 in C major, K. 246 "Lutzow": II. Andante, Concerto for Piano No. 8 in C major, K. 246 "Lutzow": III. Rondeau. Tempo di menuetto, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Concerto for Violin and Orchestra No. 4 in D major, K. 218: I. Allegro aperto, Concerto for Violin and Orchestra No. 4 in D major, K. 218: II. Andante cantabile, Concerto for Violin and Orchestra No. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso, Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": II. Adagio, Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": I. Allegro, Rondo for Piano & Orchestra No. 1 in D major, K. 382: Rondo. Allegretto grazioso - allegro, Rondo for Piano & Orchestra No. 2 in A major, K. 386 |
| Sir Neville Marriner |
conductor, vocal |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel`" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel), Concerto for Clarinet in A major, K. 622: II. Adagio, Concerto for Piano No. 20 in D minor, K. 466: II. Romance, Concerto for Piano No. 20 in D minor, K. 466: II. Romanze, Concerto for Piano No. 20 in D minor, KV 466: II. Romance, Così fan tutte: Soave sia il vento, Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) / Aria for Bass & Orchestra in A major, K. 539: "Ich möchte wohl der Kaiser sein", Die Entführung aus dem Serail, K. 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!", Die Entführung aus dem Serail, KV 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!", Die Entführung aus dem Serail, KV 384: Act III, Nr. 21b Chorus: "Bassa Selim leve lange!", Die Zauberflote, Die Zauberflöte, K. 620: Ouverture, Die Zauberflöte: Der Hölle Rache, Die Zauberflöte: Ein Mädchen oder Weibchen, Die Zauberflöte: Zu Hilfe! Zu Hilfe!, Don Giovanni Overture, Don Giovanni: Là ci darem la mano, Flute Concerto in D major, K. 314, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. no. 2 Recitativo accompagnato "Ma qual mai s’offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), J.F.K.: Horn Concerto No. 2: Rondo allegro, Klavierkonzert Nr. 20, La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegretto - tempo primo - allegretto "Sono in amore, voglio marito" (Ninetta), Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro), Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. Andantino "Dulcissimum convivium", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Messe c-Moll KV 427: Et incarnatus est, Motet for Soprano & Orchestra in F major, K. 158a/165: I. "Exsultate, jubilate", Musical Dice Game in C minor, K. 516f/deest "Musikalisches Wurfelspiel", Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Fra l'oscure ombre funeste", Piano Concerto no. 21: II., Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio, Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino, Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): I. Allegro, Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): II. Adagio, Symphonie (ouverture) no. 32 en sol majeur, K. 318 : Allegro spiritoso - Andante - Tempo I, Symphony No. 29 in A major, K. 186a/201: I. Allegro moderato, Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. Andante ma un poco sostenuto "Laudate dominum", Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. Allegro "Laudate dominum" |
| Riccardo Muti |
conductor |
Concerto for Violin No. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin No. 5 in A major, K. 219 "Turkish": II. Adagio, Concerto for Violin No. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro, Così fan tutte: Soave sia il vento, Divertimento in D major, K. 125a/136 "Salzburg Symphony No. 1": I. Allegro, Divertimento in D major, K. 125a/136 "Salzburg Symphony No. 1": II. Andante, Divertimento in D major, K. 125a/136 "Salzburg Symphony No. 1": III. Presto, Don Giovanni, K. 527: Ah ! Del padre in periglio... Ma qual mai s'offre, Don Giovanni, K. 527: Ah, dov'è il perfido ?, Don Giovanni, K. 527: Ah, fuggi il traditor !, Don Giovanni, K. 527: Ah, si sugua il suo passo, Don Giovanni, K. 527: Ahi, ahi ! La testa mia !, Don Giovanni, K. 527: Alfin siam liberati, Don Giovanni, K. 527: Amico, che ti par, Don Giovanni, K. 527: Bisogna aver coraggio, Don Giovanni, K. 527: Calmatevi, idol mio !, Don Giovanni, K. 527: Chi è la ?, Don Giovanni, K. 527: Come mai creder deggio, Don Giovanni, K. 527: Dunque quello sei tu, Don Giovanni, K. 527: Ecco il birbo, Don Giovanni, K. 527: Eccomi a voi, Don Giovanni, K. 527: Eh via, buffone, Don Giovanni, K. 527: Fermati, scellerato, Don Giovanni, K. 527: Fruggi, crudele, fruggi !, Don Giovanni, K. 527: Giovinette, che fate all'amore, Don Giovanni, K. 527: Guarda un po', Don Giovanni, K. 527: Ho capito, signor si !, Don Giovanni, K. 527: In quali accessi, o numi, Don Giovanni, K. 527: In questa forma dunque, Don Giovanni, K. 527: Leporello !... Signore, Don Giovanni, K. 527: Ma poi, masetto mio... Batti, batti, o bel masetto, Don Giovanni, K. 527: Manco male è partita, Don Giovanni, K. 527: Masetto, senti un po' !, Don Giovanni, K. 527: Met di voi qua vadano, Don Giovanni, K. 527: Mi par ch'oggi il demonio, Don Giovanni, K. 527: Mille torbidi pensieri, Don Giovanni, K. 527: Non ci stanchiamo, Don Giovanni, K. 527: Non mi dir, dell'idol mio, Don Giovanni, K. 527: Non ti fidar, Don Giovanni, K. 527: Or che tutti, o mio tesoro, Don Giovanni, K. 527: Povera sventurata !, Don Giovanni, K. 527: Presto, presto, pria ch'ei venga, Don Giovanni, K. 527: Protegga il giusto cielo, Don Giovanni, K. 527: Ricominciate il suono !, Don Giovanni, K. 527: Sola, sola in buio loco, Don Giovanni, K. 527: Tra quest'arbori celata, Don Giovanni, K. 527: Venite pur avanti, Don Giovanni, K. 527: Zitto, lascia ch'io senta !, Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) |
| Leningrad Soloists |
performing orchestra |
Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro, Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto, Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di menuetto, Concerto for Piano No. 12 in A major, K. 385p/414: I. Allegro, Concerto for Piano No. 12 in A major, K. 385p/414: II. Andante, Concerto for Piano No. 12 in A major, K. 385p/414: III. Rondo. Allegretto, Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro, Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante, Concerto for Piano No. 13 in C major, K. 387b/415: III. Allegro, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo, Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro, Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante, Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai, Concerto for Piano No. 16 in D major, K. 451: I. Allegro assai, Concerto for Piano No. 16 in D major, K. 451: II. Andante, Concerto for Piano No. 16 in D major, K. 451: III. Rondo. Allegro di molto, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto, Concerto for Piano No. 20 in D minor, K. 466: I. Allegro, Concerto for Piano No. 20 in D minor, K. 466: II. Romanze, Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concerto for Piano No. 23 in A major, K. 488: I. Allegro, Concerto for Piano No. 23 in A major, K. 488: II. Andante, Concerto for Piano No. 23 in A major, K. 488: III. Allegro, Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro, Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto, Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto, Concerto for Piano No. 5 in D major, K. 175: I. Allegro, Concerto for Piano No. 5 in D major, K. 175: II. Andante ma un poco adagio, Concerto for Piano No. 5 in D major, K. 175: III. Allegro, Concerto for Piano No. 6 in B-flat major, K. 238: I. Allegro aperto, Concerto for Piano No. 6 in B-flat major, K. 238: II. Andante un poco adagio, Concerto for Piano No. 6 in B-flat major, K. 238: III. Rondeau. Allegro, Concerto for Piano No. 8 in C major, K. 246 "Lutzow": I. Allegro aperto, Concerto for Piano No. 8 in C major, K. 246 "Lutzow": II. Andante, Concerto for Piano No. 8 in C major, K. 246 "Lutzow": III. Rondeau. Tempo di menuetto, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Concerto for Violin and Orchestra No. 4 in D major, K. 218: I. Allegro aperto, Concerto for Violin and Orchestra No. 4 in D major, K. 218: II. Andante cantabile, Concerto for Violin and Orchestra No. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso, Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": II. Adagio, Rondo for Piano & Orchestra No. 1 in D major, K. 382: Rondo. Allegretto grazioso - allegro, Rondo for Piano & Orchestra No. 2 in A major, K. 386 |
| Südwestdeutsches Kammerorchester Pforzheim |
performing orchestra |
Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: V. "Tremendum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VI. "Panis omnipotentia", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VII. "Viaticum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Gloria. "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Gloria. "Gratias agimus tibi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Gloria. "Domine Deus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Gloria. "Qui tollis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VII. Gloria. "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIII. Gloria. "Cum sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": X. Credo. "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XI. Credo. "Crucifixus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XII. Credo. "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIII. Credo. "Et in Spiritum Sanctum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIV. Credo. "Et in unam Sanctam Catholicam", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XV. Credo. "Et vitam venturi saeculi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVI. Credo. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVII. Credo. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVIII. Credo. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": II. "Christe eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": III. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IX. "Quoniam tu solus sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": V. "Laudamus te", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VI. "Gratias agimus tibi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VII. "Domine Deus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIII. "Qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": X. "Cum Sancto Spiritu", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XII. "Et incarnatus est", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIII. "Crucifixus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIV. "Et resurrexit", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XV. "Et in Spiritum Sanctum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVI. "Et unam Sanctam Catholicam", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVII. "Et vitam venturi saeculi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XXI. "Dona nobis pacem", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Te Deum, for chorus & orchestra, K. 141 (K. 66b): Allegro-Adagio-Allegro |
| Daniel Sans |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": I. "Kyrie", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": II. "Gloria", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": III. "Credo", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": IV. "Sanctus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": V. "Benedictus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": VI. "Agnus Dei", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Missa brevis in C major, KV 259 “Orgelsolo Messe”: I. Kyrie, Missa brevis in C major, KV 259 “Orgelsolo Messe”: II. Gloria, Missa brevis in C major, KV 259 “Orgelsolo Messe”: III. Credo, Missa brevis in C major, KV 259 “Orgelsolo Messe”: IV. Sanctus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: V. Benedictus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: VI. Agnus Dei, Missa in C major, KV 258 “Spaurmesse”: I. Kyrie, Missa in C major, KV 258 “Spaurmesse”: II. Gloria, Missa in C major, KV 258 “Spaurmesse”: III. Credo, Missa in C major, KV 258 “Spaurmesse”: IV. Sanctus, Missa in C major, KV 258 “Spaurmesse”: V. Benedictus, Missa in C major, KV 258 “Spaurmesse”: VI. Agnus Dei |
| Jos Buurman |
French horn |
Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: I. Andante, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: II. Minuetto, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: III. Polonaise, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: I. Tema. Andante con variazioni, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: II. Minuetto, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: III. Allegro assai, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: I. Allegro molto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: II. Andantino, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: IV. Presto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: I. Allegro spiritoso, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: II. Andante, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: III. Minuetto, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: IV. Contredanse en rondeau, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: I. Allegro, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: II. Andante grazioso, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: III. Minuetto, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: IV. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): I. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): II. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): III. Adagio, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): V. Finale, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): I. Allegro moderato, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): II. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): III. Romance, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): V. Rondo, Serenade No. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso, Serenade No. 11 for Winds in E-flat major, K. 375: II. Minuetto, Serenade No. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio, Serenade No. 11 for Winds in E-flat major, K. 375: V. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro |
| Carmen Piazzini |
piano |
Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro, Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto, Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di menuetto, Concerto for Piano No. 12 in A major, K. 385p/414: I. Allegro, Concerto for Piano No. 12 in A major, K. 385p/414: II. Andante, Concerto for Piano No. 12 in A major, K. 385p/414: III. Rondo. Allegretto, Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro, Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante, Concerto for Piano No. 13 in C major, K. 387b/415: III. Allegro, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo, Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro, Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante, Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai, Concerto for Piano No. 16 in D major, K. 451: I. Allegro assai, Concerto for Piano No. 16 in D major, K. 451: II. Andante, Concerto for Piano No. 16 in D major, K. 451: III. Rondo. Allegro di molto, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante, Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto, Concerto for Piano No. 20 in D minor, K. 466: I. Allegro, Concerto for Piano No. 20 in D minor, K. 466: II. Romanze, Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concerto for Piano No. 23 in A major, K. 488: I. Allegro, Concerto for Piano No. 23 in A major, K. 488: II. Andante, Concerto for Piano No. 23 in A major, K. 488: III. Allegro, Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro, Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto, Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto, Concerto for Piano No. 5 in D major, K. 175: I. Allegro, Concerto for Piano No. 5 in D major, K. 175: II. Andante ma un poco adagio, Concerto for Piano No. 5 in D major, K. 175: III. Allegro, Concerto for Piano No. 6 in B-flat major, K. 238: I. Allegro aperto, Concerto for Piano No. 6 in B-flat major, K. 238: II. Andante un poco adagio, Concerto for Piano No. 6 in B-flat major, K. 238: III. Rondeau. Allegro, Concerto for Piano No. 8 in C major, K. 246 "Lutzow": I. Allegro aperto, Concerto for Piano No. 8 in C major, K. 246 "Lutzow": II. Andante, Concerto for Piano No. 8 in C major, K. 246 "Lutzow": III. Rondeau. Tempo di menuetto, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": I. Allegro, Rondo for Piano & Orchestra No. 1 in D major, K. 382: Rondo. Allegretto grazioso - allegro, Rondo for Piano & Orchestra No. 2 in A major, K. 386 |
| Jean-Pierre Rampal |
flute |
Concerto No. 1 in G major, KV 313: I. Allegro maestoso, Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo, Concerto No. 1 in G major, KV 313: III. Rondo: Tempo di Menuetto, Concerto No. 2 in D major, KV 314: I. Allegro aperto, Concerto No. 2 in D major, KV 314: II. Adagio ma non troppo, Concerto No. 2 in D major, KV 314: III. Rondo: Allegretto, Concerto in C major, KV 299 - I. Allegro (Candenza: Carl Reinecke), Concerto in C major, KV 299 - II. Andantino (Candenza: John Thomas), Concerto in C major, KV 299 - III. Rondo: Allegro (Cadenza: Carl Reinecke), Concerto in C major, KV 299: I. Allegro (Cadenza by Carl Reinecke), Concerto in C major, KV 299: II. Andantino (Cadenza by John Thomas), Concerto in C major, KV 299: III. Rondo: Allegro (Cadenza by Carl Reinecke), Divertimento No. 5 in C major, KV 187 - I. Allegro moderato, Divertimento No. 5 in C major, KV 187 - II. Menuetto, Divertimento No. 5 in C major, KV 187 - III. Adagio, Divertimento No. 5 in C major, KV 187 - IV. Menuetto, Divertimento No. 5 in C major, KV 187 - V. Allegro, Divertimento No. 5 in C major, KV 187 - VI. Allegro moderato, Divertimento No. 5 in C major, KV 187 - VII. Allegro molto, Divertimento No. 5 in C major, KV 187 - VIII. Allegro non troppo, Divertimento No. 6 in C major, KV 188 - I. Andante, Divertimento No. 6 in C major, KV 188 - II. allegro, Divertimento No. 6 in C major, KV 188 - III. Menuetto, Divertimento No. 6 in C major, KV 188 - IV. Andante, Divertimento No. 6 in C major, KV 188 - V. Menuetto, Divertimento No. 6 in C major, KV 188 - VI. Gavotte, Flute and Harp Concerto in C major, K. 297c/299: I. Allegro, Flute and Harp Concerto in C major, K. 297c/299: III. Rondeau, Rondo in D major, KV Anh. 184, Sonata in A major, KV 12 - I. Andante, Sonata in A major, KV 12 - II. Allegro, Sonata in B-flat major, KV 10 - I. Allegro, Sonata in B-flat major, KV 10 - II. Andante, Sonata in B-flat major, KV 10 - III. Menuetto I-II, Sonata in B-flat major, KV 15 - I. Andante maestoso, Sonata in B-flat major, KV 15 - II. Allegro grazioso, Sonata in C major, KV 15 - I. Allegro, Sonata in C major, KV 15 - II. Allegro, Sonata in C major, KV 15 - III. Menuetto I-II (en Carillon), Sonata in G major, KV 11 - I. Andante, Sonata in G major, KV 11 - II. Allegro - Menuetto - Allegro, Sonata in G major, KV 13 - I. Allegro, Sonata in G major, KV 13 - II. Andante, Sonata in G major, KV 13 - III. Menuetto I-II |
| Arleen Augér |
vocal |
Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: X. Parte I. No. 4 Aria "Hat der Schöpfer von Leben" (Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIV. Parte I. No. 6 Aria "Schildre einen Philosophen" (Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist), Grande Messe en ut mineur K. 427 : Domine (Allegro moderato), Grande Messe en ut mineur K. 427 : Quoniam (Allegro), Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo), Le nozze di Figaro: "Deh vieni, non tardar", Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia) / Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia), Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia), Lucio Silla, K. 135: Act I, Scene VIII-IX. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia) Recitativo "Eccomi, oh cara" (Giunia, Cecilio) No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio), Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro) / Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia), Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio) Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia), Lucio Silla, K. 135: Act II, Scene V. No. 11 Aria "Ah se il crudel periglio" (Giunia), Lucio Silla, K. 135: Act II, Scene V. Recitativo "Di piegarsi capace" (Cinna, Giunia) Recitativo accompagnato "Vanne. T'affretta" (Cinna, Giunia), Lucio Silla, K. 135: Act II, Scene X. Recitativo "Perché mi balzi in seno" (Giunia, Celia), Lucio Silla, K. 135: Act II, Scene XI. No. 16 Aria "Parto,m'affretto" (Giunia), Lucio Silla, K. 135: Act II, Scene XI. Recitativo accompagnato "In un istante oh come" (Giunia), Lucio Silla, K. 135: Act II, Scene XII-XII. Recitativi "Padri Coscritti... Sposa ah no, non temer... Come? D'un ferro armato" (Silla, Giunnia, Aufidio, Cecillio, Cinna), Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Silla), Lucio Silla, K. 135: Act III, Scene III-IV. Recitativi "Ah no, che il fato estremo... Tosto seguir tu dei" (Giunia, Cecilio, Aufidio), Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla), Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia), Lucio Silla, K. 135: Act III, Scene V. Recitativo accompagnato "Sposo... mia vita..." (Giunia), Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia... Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativi "Sin a quando, O Regina... Ferma, O germano... All'ire freno, Principi, olà" (Farnace, Aspasia, Silfare, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI-VII. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) No. 4 Aria "Nel sen mi palpita" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Grazie ai Numi parti" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro... Io sposa di quel mostro" (Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. No. 21 Recitativo accompagnato e Cavatina "Ah ben ne fui presaga!… Pallid'ombre, che scorgete" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. Recitativo "Lagrime internpestive" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene) |
| Andreas Schmidt (classical baritone) |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) / "Ah ti ritrovo ancor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XIV-XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" / "Non ci stanchiamo" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) / "Ahi ahi! la testa mia" (Masetto, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "Ah signor ... per carità!" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), La finta semplice, K. 46a / KV 51: Act II, Scene XI. Recitativo "Vieni a tempo, Simone" (Fracasso, Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. Recitativo "Io non ho gran paura" (Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone), Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei" |
| Martin van de Merwe |
French horn |
Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: I. Andante, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: II. Minuetto, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: III. Polonaise, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: I. Tema. Andante con variazioni, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: II. Minuetto, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: III. Allegro assai, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: I. Allegro molto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: II. Andantino, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: IV. Presto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: I. Allegro spiritoso, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: II. Andante, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: III. Minuetto, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: IV. Contredanse en rondeau, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: I. Allegro, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: II. Andante grazioso, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: III. Minuetto, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: IV. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): I. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): II. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): III. Adagio, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): V. Finale, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): I. Allegro moderato, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): II. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): III. Romance, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): V. Rondo, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro |
| English Chamber Orchestra |
performing orchestra |
Clarinet Concerto in A major, KV 622: II. Adagio, Concerto for Clarinet and Orchestra in A major: I. Allegro, Concerto for Clarinet and Orchestra in A major: II. Adagio, Concerto for Clarinet and Orchestra in A major: III. Rondo. Allegro, Concerto for Clarinet and Orchestra in A: II. Adagio, Die Zauberflöte, KV 620: Overtüre, Exsultate, jubilate, KV 165: Alleluja (English Chamber Orchestra feat. conductor: Raymond Leppard, soprano: Elly Ameling, organ: Leslie Pearson), Klavierkonzert No. 21 C-Dur KV 467: I. Allegro maestoso, Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa), Le nozze di Figaro, K. 492: Act IV, Ecco la marcia (All), Marriage of Figaro: "Non so più cosa son, cosa faccio" (Cherubino), Piano Concerto no. 21 in C major ("Elvira Madigan") K. 467: II. Andante, Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna", Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis maledictis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem Aeternam, Requiem: Rex tremendae, Requiem: Sanctus, Requiem: Tuba mirum, Sinfonie Nr. 35 in D-Dur, KV 385 "Haffner Sinfonie": I. Allegro con spirito, Sinfonie Nr. 35 in D-Dur, KV 385 "Haffner Sinfonie": II. Andante, Sinfonie Nr. 35 in D-Dur, KV 385 "Haffner Sinfonie": III. Menuetto. Trio, Sinfonie Nr. 35 in D-Dur, KV 385 "Haffner Sinfonie": IV. Presto |
| Karl-August Naegler |
producer |
La clemenza di Tito: Atto I, Scena I. No 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) - "Fan mille affetti insieme" (Sesto, Vitellia), La clemenza di Tito: Atto I, Scena I. Recitativo "Ma ché? sempre l'istesso" (Vitellia, Sesto), La clemenza di Tito: Atto I, Scena II. No 2 Aria "Deh, se piacer mi vuoi" (Vitellia), La clemenza di Tito: Atto I, Scena II. Recitativo "Amico, il passo affreta" (Annio, Vitellia, Sesto), La clemenza di Tito: Atto I, Scena III. No 3 Duettino "Deh, prendi un dolce amplesso" (Annio, Sesto), La clemenza di Tito: Atto I, Scena III. Recitativo "Amico, ecco il momento" (Annio, Sesto), La clemenza di Tito: Atto I, Scena IV. No 4 Marcia, La clemenza di Tito: Atto I, Scena IV. No 5 Coro "Serbate, oh Dei custodi", La clemenza di Tito: Atto I, Scena IV. No 5 Coro da capo "Serbate, oh Dei custodi", La clemenza di Tito: Atto I, Scena IV. No 6 Aria "Del più sublime soglio" (Tito), La clemenza di Tito: Atto I, Scena IV. Recitativo "Adesso, oh Sesto, parla per me" (Annio, Sesto, Tito), La clemenza di Tito: Atto I, Scena IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito), La clemenza di Tito: Atto I, Scena IX. No 10 Terzetto "Vengo...aspettate...Sesto!" (Vitellia, Annio, Publio), La clemenza di Tito: Atto I, Scena IX. Recitativo "Vedrai, Tito, vedrai" (Vitellia, Publio, Annio), La clemenza di Tito: Atto I, Scena V. No 7 Duetto "Ah, perdona al primo affetto" (Annio, Servilia), La clemenza di Tito: Atto I, Scena V. Recitativo "Non ci pentiam" (Annio, Servilia), La clemenza di Tito: Atto I, Scena VI. No 8 Aria "Ah, se fosse intorno al trono" (Tito), La clemenza di Tito: Atto I, Scena VI. Recitativo "Servilia! Augusta!" (Tito, Servilia), La clemenza di Tito: Atto I, Scena VII. Recitativo "Felice me!" (Servilia, Vitellia) - Scena VIII. Recitativo "Ancor mi schernisce?" (Vitellia, Sesto), La clemenza di Tito: Atto I, Scena VIII. No 9 Aria "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Atto I, Scena X. No 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto), La clemenza di Tito: Atto I, Scena X. No 12 Quintetto con Coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Coro, Publio, Vitellia), La clemenza di Tito: Atto II, Scena I. No 13 Aria "Torna di Tito a lato" (Annio), La clemenza di Tito: Atto II, Scena I. Recitativo "Sesto, come tu credi" (Annio, Sesto), La clemenza di Tito: Atto II, Scena II. Recitativo "Partir deggio, o restar?" (Sesto, Vitellia) - Scena III. Recitativo "Sesto!" / "Che chiedi?" (Publio, Sesto, Vitellia), La clemenza di Tito: Atto II, Scena IV. No 14 Terzetto: "Se al volto mai ti senti" (Sesto, Vitellia, Publio), La clemenza di Tito: Atto II, Scena IX. No 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) - Recitativo "Odimi, oh Sesto" (Tito, Sesto), La clemenza di Tito: Atto II, Scena IX. No 19 Rondo "Deh, per questo istante solo" (Sesto), La clemenza di Tito: Atto II, Scena V. No 15 Coro "Ah, grazie si rendano" (Coro, Tito) - Recitativo "È tutto colà d'intorno" (Publio, Tito), La clemenza di Tito: Atto II, Scena V. No 16 Aria "Tardi s'avvede d'un tradimento" (Publio), La clemenza di Tito: Atto II, Scena VI. Recitativo "No, così scellerato" (Tito, Annio) - Scena VII. "Cesare, nol diss'io" (Publio, Tito, Annio), La clemenza di Tito: Atto II, Scena VII. No 17 Aria "Tu fosti tradito" (Annio), La clemenza di Tito: Atto II, Scena VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito), La clemenza di Tito: Atto II, Scena X. Recitativo "Ove s'intese mai più contumace infedeltà?" (Tito) - Scena XI. Recitativo "Publio." / "Cesare." (Tito, Publio), La clemenza di Tito: Atto II, Scena XI. No 20 Aria "Se all'impero, amici Dei" (Tito), La clemenza di Tito: Atto II, Scena XII. No 21 Aria "S'altro che lacrime per lui non tenti" (Servilia), La clemenza di Tito: Atto II, Scena XII. Recitativo "Ah, Vitellia!" (Servilia, Annio, Vitellia), La clemenza di Tito: Atto II, Scena XIII. No 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia), La clemenza di Tito: Atto II, Scena XIII. No 23 Rondo "Non più di fiori vaghe catene" (Vitellia), La clemenza di Tito: Atto II, Scena XIV. No 24 Coro "Che del ciel, che degli Dei", La clemenza di Tito: Atto II, Scena XV. No 26 Sestetto con Coro "Tu, è ver, m'assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro), La clemenza di Tito: Atto II, Scena XV. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio) - No 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito), La clemenza di Tito: Ouverture |
| Helmuth Rilling |
conductor |
Credo in unum Deum, Dies Irae, Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317: 2. Gloria, Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIc. Credo: "Crucifixus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIId. Credo: "Er resurrexit", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIe. Credo: "Et in Spiritum Sanctum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIf. Credo: "Et unam sanctam", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIg. Credo: "Et vitam venturi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": VIa. Agnus Dei: "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": VIb. Agnus Dei: "Dona nobis pacem", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" / IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Mass in C major, KV 317: Agnus Dei, Mass in C major, KV 317: Benedictus, Mass in C major, KV 317: Credo, Mass in C major, KV 317: Gloria, Mass in C major, KV 317: Kyrie, Mass in C major, KV 317: Sanctus, Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
| Stanislav Bogunia |
piano |
Sonate en fa majeur, K. 376: I. Allegro, Sonate en fa majeur, K. 376: II. Andante, Sonate en fa majeur, K. 376: III. Rondo : allegretto grazioso, Sonate en fa majeur, K. 377: I. Allegro, Sonate en fa majeur, K. 377: II. Thema con variazioni. Andante, Sonate en fa majeur, K. 377: III. Tempo di minuetto, Sonate en fa majeur, K. 547: I. Andantino cantabile, Sonate en fa majeur, K. 547: II. Allegro, Sonate en fa majeur, K. 547: III. Andante con variazioni, Sonate en la majeur, K. 526: I. Molto allegro, Sonate en la majeur, K. 526: II. Andante, Sonate en la majeur, K. 526: III. Presto, Sonate en la majeur, K.305: I. Allegro di molto, Sonate en la majeur, K.305: II. Thème (andante grazioso) et variations, Sonate en mi bémol majeur, K. 481: I. Molto allegro, Sonate en mi bémol majeur, K. 481: II. Adagio, Sonate en mi bémol majeur, K. 481: III. Allegretto, Sonate en mi bémol majeur, K.302: I. Allegro, Sonate en mi bémol majeur, K.302: II. Rondo : andante grazioso, Sonate en mi bémol majeur, K.380 : I. Allegro, Sonate en mi bémol majeur, K.380: II. Andante con moto, Sonate en mi bémol majeur, K.380: III. Rondo, Sonate en mi mineur, K. 304: I. Allegro, Sonate en mi mineur, K. 304: II. Tempo di minuetto, Sonate en mi mineur, K.454: I. Largo. Allegro, Sonate en mi mineur, K.454: II. Andante, Sonate en mi mineur, K.454: III. Allegretto, Sonate en ré majeur, K. 306: I. Allegro con spirito, Sonate en ré majeur, K. 306: II. Andantino cantabile, Sonate en ré majeur, K. 306: III. Allegretto, Sonate en si bémol majeur, K.378: I. Allegro moderato, Sonate en si bémol majeur, K.378: II. Andantino sostenuto cantabile, Sonate en si bémol majeur, K.378: III. Allegro, Sonate en sol majeur, K. 301: I. Adagio con spirito, Sonate en sol majeur, K. 301: II. Allegro, Sonate en sol majeur, K. 379: I. Adagio, Allegro, Sonate en sol majeur, K. 379: II. Thème (andante cantabile) et variations, Sonate en ut majeur, K. 296: I. Allegro vivace, Sonate en ut majeur, K. 296: II. Andante sostenuto, Sonate en ut majeur, K. 296: III. Rondeau. Allegro, Sonate en ut majeur, K. 303: I. Adagio. Molto allegro. Adagio. Moloto allegro, Sonate en ut majeur, K. 303: II. Tempo di minuetto |
| Petr Messiereur |
violin |
Sonate en fa majeur, K. 376: I. Allegro, Sonate en fa majeur, K. 376: II. Andante, Sonate en fa majeur, K. 376: III. Rondo : allegretto grazioso, Sonate en fa majeur, K. 377: I. Allegro, Sonate en fa majeur, K. 377: II. Thema con variazioni. Andante, Sonate en fa majeur, K. 377: III. Tempo di minuetto, Sonate en fa majeur, K. 547: I. Andantino cantabile, Sonate en fa majeur, K. 547: II. Allegro, Sonate en fa majeur, K. 547: III. Andante con variazioni, Sonate en la majeur, K. 526: I. Molto allegro, Sonate en la majeur, K. 526: II. Andante, Sonate en la majeur, K. 526: III. Presto, Sonate en la majeur, K.305: I. Allegro di molto, Sonate en la majeur, K.305: II. Thème (andante grazioso) et variations, Sonate en mi bémol majeur, K. 481: I. Molto allegro, Sonate en mi bémol majeur, K. 481: II. Adagio, Sonate en mi bémol majeur, K. 481: III. Allegretto, Sonate en mi bémol majeur, K.302: I. Allegro, Sonate en mi bémol majeur, K.302: II. Rondo : andante grazioso, Sonate en mi bémol majeur, K.380 : I. Allegro, Sonate en mi bémol majeur, K.380: II. Andante con moto, Sonate en mi bémol majeur, K.380: III. Rondo, Sonate en mi mineur, K. 304: I. Allegro, Sonate en mi mineur, K. 304: II. Tempo di minuetto, Sonate en mi mineur, K.454: I. Largo. Allegro, Sonate en mi mineur, K.454: II. Andante, Sonate en mi mineur, K.454: III. Allegretto, Sonate en ré majeur, K. 306: I. Allegro con spirito, Sonate en ré majeur, K. 306: II. Andantino cantabile, Sonate en ré majeur, K. 306: III. Allegretto, Sonate en si bémol majeur, K.378: I. Allegro moderato, Sonate en si bémol majeur, K.378: II. Andantino sostenuto cantabile, Sonate en si bémol majeur, K.378: III. Allegro, Sonate en sol majeur, K. 301: I. Adagio con spirito, Sonate en sol majeur, K. 301: II. Allegro, Sonate en sol majeur, K. 379: I. Adagio, Allegro, Sonate en sol majeur, K. 379: II. Thème (andante cantabile) et variations, Sonate en ut majeur, K. 296: I. Allegro vivace, Sonate en ut majeur, K. 296: II. Andante sostenuto, Sonate en ut majeur, K. 296: III. Rondeau. Allegro, Sonate en ut majeur, K. 303: I. Adagio. Molto allegro. Adagio. Moloto allegro, Sonate en ut majeur, K. 303: II. Tempo di minuetto |
| Remco de Vries |
oboe |
Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: I. Andante, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: II. Minuetto, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: III. Polonaise, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: I. Tema. Andante con variazioni, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: II. Minuetto, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: III. Allegro assai, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: I. Allegro molto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: II. Andantino, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: IV. Presto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: I. Allegro spiritoso, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: II. Andante, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: III. Minuetto, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: IV. Contredanse en rondeau, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: I. Allegro, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: II. Andante grazioso, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: III. Minuetto, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: IV. Allegro, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): I. Allegro moderato, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): II. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): III. Romance, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): V. Rondo, Serenade No. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso, Serenade No. 11 for Winds in E-flat major, K. 375: II. Minuetto, Serenade No. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio, Serenade No. 11 for Winds in E-flat major, K. 375: V. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro |
| Capella Istropolitana |
performer, performing orchestra |
Concerto No. 5 in A major for Violin, K. 219 "Turkish": II. Adagio, Concerto for Piano No. 23 in A major, K. 488: I. Allegro, Concerto para piano e orquestra No. 21 em dó maior, K. 467 "Elvira Madigan": I. Allegro maestoso, Concerto para piano e orquestra No. 21 em dó maior, K. 467 "Elvira Madigan": III. Allegro vivace assai, Così fan tutte: Act I. Aria: Come scoglio, Così fan tutte: Act I. Aria: In uomini, in soldati, Così fan tutte: Act I. Aria: Non siate ritrosi, Così fan tutte: Act I. Aria: Smanie implacabili, Così fan tutte: Act I. Aria: Un'aura amorosa, Così fan tutte: Act I. Aria: Vorrei dir, e cor non ho, Così fan tutte: Act I. Coro: Bella vita militar!, Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act I. Quintetto: Sento, oh Dio, Così fan tutte: Act I. Sestetto: Alla bella Despinetta, Così fan tutte: Act I. Terzetto: E la fede delle femmine, Così fan tutte: Act I. Terzetto: La mia Dorabella capace non è, Così fan tutte: Act I. Terzetto: Una bella serenata, Così fan tutte: Act II. Aria: Donne mie, la fate a tanti, Così fan tutte: Act II. Aria: Una donna a quindici anni, Così fan tutte: Act II. Duetto: Fra gli amplessi, Così fan tutte: Act II. Duetto: Prenderò quel brunettino, Così fan tutte: Act II. Finale: Fortunato l'uom che prende, Così fan tutte: Act II. Recitativo: Ei parte… Senti!… Ah, no!, Così fan tutte: Ouverture, Die Zauberflöte, KV 620: Dies Bildnis ist bezaubernd, Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": II. Andante grazioso, Divertimento in D major, III, K. 205, Flute Concerto No. 1 in G major, III, K. 313, German Dances No. 3, KV 605, Konzert für Violine und Orchester Nr. 5 A-Dur KV 219, 3.Satz: Tempo die Menuetto, Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante, Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo, Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino, Symphonie Nr. 19 in Es-Dur: KV. 132: Andante, Symphonie Nº 19 K. 132 en Mi bemol majeur - Allegro, Symphonie Nº 19 K. 132 en Mi bemol majeur - Andante, Symphonie Nº 19 K. 132 en Mi bemol majeur - Menuetto, Symphony No. 19 in E-flat major, K. 132: II. Andante |
| Hermann Christian Polster |
vocal |
Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: I. Allegro - andante - allegro "Dixit Dominus Domino meo", Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: II. Allegro "Magnificat anima mea", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei" |
| Annemarie Kremer |
vocal |
Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: I. "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: II. "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: III. "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: IV. "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d/195: V. "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Gloria. "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Gloria. "Gratias agimus tibi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Gloria. "Domine Deus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Gloria. "Qui tollis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VII. Gloria. "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIII. Gloria. "Cum sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": X. Credo. "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XI. Credo. "Crucifixus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XII. Credo. "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIII. Credo. "Et in Spiritum Sanctum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIV. Credo. "Et in unam Sanctam Catholicam", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XV. Credo. "Et vitam venturi saeculi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVI. Credo. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVII. Credo. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVIII. Credo. "Agnus Dei" |
| Jörg-Peter Weigle |
chorus master |
Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Gloria: II. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: Allegro molto, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: Adagio "Sanctus Dominus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: Allegro moderato "Benedictus qui venit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: Allegro moderato "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: III. Credo, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" IVb. Sanctus: Allegro Pleni sunt coeli" IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" VIa. Agnus Dei: Adagio "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem" |
| Sir Thomas Beecham |
conductor |
Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso, Die Entführung aus dem Serail, K. 384: Act II. Scene III. No. 11 Aria "Martern aller Arten" (Konstanze), Die Zauberflöte: 'Die Bildnis ist bezaubernd schon', Die Zauberflöte: Ach, ich fühl's, Die Zauberflöte: Alles fühlt der Liebe Freuden, Die Zauberflöte: Bald prangt, den Morgen zu verkünden, Die Zauberflöte: Behahret euch vor Weiberstücken, Die Zauberflöte: Bei Männern, Die Zauberflöte: Der Hölle Rache kocht in meinen Herzen, Die Zauberflöte: Der Vogelfänger bin ich ja, Die Zauberflöte: Der, welcher wandelt diese strasse, Die Zauberflöte: Du feines Täubchen, nur herein!, Die Zauberflöte: Ein Mädchen oder Weibchen, Die Zauberflöte: Es lebe Sarastro, Sarastro lebe!, Die Zauberflöte: Herr, ich bin zwar Verbrecherin, Die Zauberflöte: Hm! Hm! Hm! Hm!, Die Zauberflöte: Ihr Götter, welch ein Augenblick!, Die Zauberflöte: In diesen heill'gen Hallen, Die Zauberflöte: March of Priests, Die Zauberflöte: Nur stille, stille, stille, stille!, Die Zauberflöte: O Isis und Osiris, Die Zauberflöte: O Isis und Osiris, welche Wonne!, Die Zauberflöte: O zittre nicht, mein lieber Sohn, Die Zauberflöte: Ouvertüre, Die Zauberflöte: Pa-pa-gena! Pa-pa-geno!, Die Zauberflöte: Papagena! Papagena! Papagena!, Die Zauberflöte: Schnelle Füsse, Rascher Mut, Die Zauberflöte: Seid uns zum zweiten Mal willkommen, Die Zauberflöte: Soll ich dich, Teurer, nicht mehr sehn?, Die Zauberflöte: Tamino mein! O welch ein Glück!, Die Zauberflöte: Wie? Wie? Wie?, Die Zauberflöte: Wies stark ist nicht dein Zauberton, Die Zauberflöte: Zu Hilfe! Zu Hilfe!, Die Zauberflöte: Zum Ziele führt dich diese Bahn, Divertimento No. 15 in B-flat major, K. 287 (K. 271H) "Lodron Serenade No. 2": II. Tema con variazioni - Andante, Divertimento No. 15 in B-flat major, K. 287 (K. 271H) "Lodron Serenade No. 2": III. Menuetto - Trio |
| Sir John Pritchard |
conductor |
Idomeneo, Act I: Ecco il misero… Godiam la pace – Ilia/Chorus, Idomeneo, Act I: Estinto è Idomeneo? – Elettra, Idomeneo, Act I: March… Nettuno s’onori! – Chorus, Idomeneo, Act I: Non ho colpa – Idamante, Idomeneo, Act I: Padre, germani, addio! – Ilia, Idomeneo, Act I: Pietà Numi, pietà! – Chorus, Idomeneo, Act I: Quando avran fine – Ilia, Idomeneo, Act I: Spiagge romite… Il padre adorato – Idamante, Idomeneo, Act I: Tutte nel cor vi sento – Elettra, Idomeneo, Act I: Vedrommi intorno l’ombra dolente – Idomeneo, Idomeneo, Act II: Chi mai del mio – Elettra, Idomeneo, Act II: Corriamo, fuggiamo – Chorus, Idomeneo, Act II: Del ciel la clemenza… Qual nuova terrore! – Idomeneo/Idamante/Elettra, Idomeneo, Act II: Fuor del mar – Idomeneo, Idomeneo, Act II: Idol mio… March – Elettra, Idomeneo, Act II: Placido è il mar – Chorus, Idomeneo, Act II: Pria di partir, o Dio! – Idamante/Elettra/Idomeneo, Idomeneo, Act II: Qual mi conturba – Idomeneo, Idomeneo, Act II: Se il padre perdei – Ilia, Idomeneo, Act II: Siam soli – Idomeneo, Idomeneo, Act III: Accogli, o rè del mar – Idomoneo, Idomeneo, Act III: Deh vibro un colpo… No, la morte io non pavento – Idamante, Idomeneo, Act III: D’Oreste, d’Aiace – Elettra, Idomeneo, Act III: O voto tremendo! – Chorus, Idomeneo, Act III: Oh, ciel pietoso! – Elettra, Idomeneo, Act III: Padre, mio caro padre! – Idamante, Idomeneo, Act III: Popoli! a voi l’ultima legge impone – Idomeneo, Idomeneo, Act III: Principessa, a tuoi sguardi… Spiegarti non poss’io… Andrò ramingo e solo – Idomeneo/Ilia/Elettra/Idamante, Idomeneo, Act III: Scenda Amore – Chorus, Idomeneo, Act III: Torna la pace al core – Idomeneo, Idomeneo, Act III: Volgi intorno lo sguardo, o Sire – High Priest, Idomeneo, Act III: Zeffiretti lusinghieri (conclusion) – Ilia, Idomeneo, Act III: Zeffiretti lusinghieri – Ilia, Idomeneo: Overture, Non Ho Colpa E Mi Condanni (Idomeo) |
| Pilar Lorengar |
vocal |
Cosi fan Tutte: Soave sia il vento… Non son cattivo comico, Così fan tutte, K. 588: Act I. No. 10 Terzettino "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) / Recitativo "Non son cattivo comico! ... Nel mare solca..." (Don Alfonso), Così fan tutte, K. 588: Act I. No. 13 Sestetto "Alla bella Despinetta vi presento, amici miei" (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo "Che sussurro! Che strepito, che scompglio è mai questo!" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Ah, che tutta in un momento si cangiò la sorte mia!" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Dammi un bacio, o mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Eccovi il medico, signor belle!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act I. No. 4 Duetto "Ah guarda sorella" (Fiordiligi, Dorabella) / Recitativo "Mi par, che stamattina ... Non son essi: è" (Ferrando, Guglielmo, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso) / Recitativo "Stelle! Per carità, signor Alfonso, no ci fate morir" (Fiordiligi, Don Alfonso, Dorabella), Così fan tutte, K. 588: Act I. No. 6 Quintetto "Sento oddio, che questo piede è restio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) / Recitativo "Non piangere, idol mio (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 7 Duettino "Al fato dàn legge quegli occhi vezzosi" (Ferrando, Guglielmo) / Recitativo La commedia è graziosa... (Don Alfonso, Ferrando, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 8 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Non v'è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I. No. 8a Quintetto "Di scrivermi ogni giorno, giurami, vita mia!" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Dove son? - Son partiti" (Dorabella, Don Alfonso, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Ah! scostati, paventa il tristo effetto d'un disperato affetto!" (Dorabella) / No. 11 Aria "Smanie implacabili, che m'agitate" (Dorabella) / Recitativo "Signora Dorabella, signora Fiordiligi, ditemi, che cosa è stato?" (Despina, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Che vita maledetta è il far la cameriera! ... Madame, ecco la vostra colazione (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) / No. 14 Aria "Come scoglio immoto resta contra i venti" (Fiordiligi) / Recitativo "Ah, non partite!" (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act II. No. 19 Aria "Una donna a quindici anni" (Despina) / Recitativo "Sorella, cosa dici?" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. No. 20 Duetto "Prenderò quel brunettino" (Dorabella, Fiordiligi) / Recitativo "Ah, correte al giardino, le mie care ragazze!" (Don Alfonso, Dorabella), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo), Così fan tutte, K. 588: Act II. No. 28 Aria "È Amore un ladroncello" (Dorabella) / Recitativo "Come tutto congiura a sedurre il mio cor!" (Fiordiligi, Guglielmo, Despina, Don Alfonso) / Recitativo "L'abito di Ferrando sarà buono per me" (Fiordiligi, Guglielmo), Così fan tutte, K. 588: Act II. No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando) / Recitativo "Ah, poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act II. No. 31 Finale "Benedetti i doppi coniugi e le amabili sposine!" (coro di servi, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Miei signori, tutto è fatto ... Bella vita militar!" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act II. No. 31 Finale "Sani e salvi agli amplessi amorosi ... Fortunato l'uom che prende ogni cosa pel buon verso" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act II. Recitativo "Andate là, che siete due bizzarre ragazze!" (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. Recitativo "Barbara! Perché fuggi?" (Ferrando, Fiordiligi) / No. 24 Aria "Ah, lo veggio, quell'anima bella al mio pianto resister non sa" (Ferrando), Così fan tutte, K. 588: Act II. Recitativo "Ei parte... senti!" (Fiordiligi) / No. 25 Rondò "Per pietà, ben mio, perdona all'error d'un'alma amante" (Fiordiligi), Così fan tutte, K. 588: Act II. Recitativo "Ora vedo che siete una donna di garbo" (Despina, Dorabella, Fiordiligi), Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Introito e Kyrie, Requiem in Re minore K 626: Lux aeterna, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Tuba mirum |
| Barbara Hendricks |
vocal |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel`" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel), Dans un bois solitaire KV 308, Grande Messe en ut mineur K427 (417a) Kyrie, Grande messe en ut mineur, K. 427 (417a) : I. Kyrie (Andante moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 1 "Gloria in excelsis Deo" (Allegro vivace), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 2 "Laudamus te" (Allegro aperto), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 3 "Gratias" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 4 "Domine" (Allegro moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 5 "Qui tollis peccato mundi" (Largo), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 6 "Quoniam tu solus sanctus" (Allegro), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 7 "Jesus Christe" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 8 "Cum sancto spiritu", Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 1 "Credo in unum Deum" (Allegro maestoso), Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 2 "Et incarnatus est" (Andante), Grande messe en ut mineur, K. 427 (417a) : IV. Sanctus (Largo), Grande messe en ut mineur, K. 427 (417a) : V. Benedictus (Allegro comodo), Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus", La finta semplice, K. 46a / KV 51: Act II, Scene IX. Recitativo "Dove andate, signore?" (Rosina, Cassandro), La finta semplice, K. 46a / KV 51: Act II, Scene VII. No. 18 Aria. Allegro grazioso - allegretto - tempo primo - allegretto "Ho sentito a dir da tutte" (Rosina), La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "Ehi... dormite, signore?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act II, Scene X. Recitativo "Siam quasi in porto adesso" (Rosina, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene III. Recitativo "E così, Baronessa?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene IV. Recitativo "Eh ben, quando facciamo queste nozze, signora?" (Polidoro, Rosina), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa), Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. Andantino "Dulcissimum convivium", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Messe c-Moll KV 427: Et incarnatus est, Motet for Soprano & Orchestra in F major, K. 158a/165: I. "Exsultate, jubilate", Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Fra l'oscure ombre funeste", Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. Andante ma un poco sostenuto "Laudate dominum", Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. Allegro "Laudate dominum" |
| Gregory Yurisich |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XIV-XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Anhang. Recitativo "Ah pietà... compassion" (Leporello, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "Ah signor ... per carità!" (Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Duetto "Per queste tue manine" (Zerlina, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xb. Anhang. Recitativo "Amico, per pietà" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) |
| Wiener Sängerknaben |
performer, vocal |
Das Kinderspiel KV 598, Im Frühlingsanfang KV 597, Kronungsmesse KV 317: Sanctus, Krönungsmesse KV 317: Agnus dei, Krönungsmesse KV 317: Benedictus, Krönungsmesse KV 317: Credo, Krönungsmesse KV 317: Gloria, Krönungsmesse KV 317: Kyrie, Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Meine Wünsche KV 539, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : I. Kyrie, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : II. Gloria, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : III. Credo, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : IV. Sanctus-Benedictus, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : V. Agnus Dei, Missa en ut majeur, K. 317 "Messe du Couronnement" : I. Kyrie, Missa en ut majeur, K. 317 "Messe du Couronnement" : II. Gloria, Missa en ut majeur, K. 317 "Messe du Couronnement" : III. Credo, Missa en ut majeur, K. 317 "Messe du Couronnement" : IV. Sanctus-Benedictus, Missa en ut majeur, K. 317 "Messe du Couronnement" : V. Agnus Dei, Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Motet for Soprano & Orchestra in F major, K. 158a/165: I. "Exsultate, jubilate", Motette in D-Dur, KV 618: Ave verum corpus (Wiener Dom-Orchester feat. chor: Wiener Sänger Knaben and Chorus Viennensis, organ: Josef Boehm, conductor: Ferdinand Grossmann) |
| Petra Labitzke |
vocal |
Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": I. "Kyrie", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": II. "Gloria", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": III. "Credo", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": IV. "Sanctus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": V. "Benedictus", Mass No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12/140 (possibly spurious) "Missa brevis": VI. "Agnus Dei", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Missa brevis in C major, KV 259 “Orgelsolo Messe”: I. Kyrie, Missa brevis in C major, KV 259 “Orgelsolo Messe”: II. Gloria, Missa brevis in C major, KV 259 “Orgelsolo Messe”: III. Credo, Missa brevis in C major, KV 259 “Orgelsolo Messe”: IV. Sanctus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: V. Benedictus, Missa brevis in C major, KV 259 “Orgelsolo Messe”: VI. Agnus Dei, Missa in C major, KV 258 “Spaurmesse”: I. Kyrie, Missa in C major, KV 258 “Spaurmesse”: II. Gloria, Missa in C major, KV 258 “Spaurmesse”: III. Credo, Missa in C major, KV 258 “Spaurmesse”: IV. Sanctus, Missa in C major, KV 258 “Spaurmesse”: V. Benedictus, Missa in C major, KV 258 “Spaurmesse”: VI. Agnus Dei |
| Werner Hollweg |
vocal |
Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo), Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: III. Parte I. No. 1 Aria "Mit Jammer muss ich schauen" (Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: VI. Parte I. Recitativo "Was glaubst du" (Bermherzigkeit, Gerechtigkeit, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. No. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVI. Parte I. No. 7 Aria "Manches Übel will zuweilen" (Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVIII. Parte I. Recitativo "Hast du nunmehr erfahren" (Barmherzigkeit, Christgeist, Gerechtigkeit), Idomeneo, K. 366: Act 2 "Fuor del mar" (Idomeneo), Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: I. Kyrie, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: II. Gloria, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: III. Credo, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: IV. Sanctus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: V. Benedictus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: VI. Agnus Dei, Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 8 Cavata "Se di lauri il crine adorno" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII. Recitativo "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. Recitativo accompagnato "Respira alfin" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. No. 17 Aria "Già di pietà mi spoglio" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene), Sancta Maria, Mater Dei, K. 273, Venite Populi, K. 260 |
| Walter Heinz Bernstein |
organ |
Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: II. "Panis vivus", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: V. "Tremendum ac vivificum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. "Dulcissimum convivium", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VII. "Viaticum in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VIII. "Pignus in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: X. "Miserere", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei" |
| London Symphony Orchestra |
performing orchestra |
Eine kleine Nachtmusik: III. Menuetto, Exsultate jubilate, KV 165/158a: I. Exsultate, jubilate, Exsultate jubilate, KV 165/158a: II. Fulget amica dies, Exsultate jubilate, KV 165/158a: III. Tu virginum corona, Le Nozze Di Figaro - Act 2: Dove Sono, Le nozze di Figaro: "E Susanna non vien!" - "Dove sono i bei momenti", Le nozze di Figaro: "Porgi amor", Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene III, No. 2 Aria "Nacqui all'aria trionfale" (Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IV, No. 3 Aria "Dove mai trovai quel ciglio?" (Pulcherio), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Ouvertura, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan" (excerpt), Piano concerto n°24 in C minor K491 - I. Allegro, Piano concerto n°24 in C minor K491 - II Larghetto, Piano concerto n°24 in C minor K491 - III Allegretto, Porgi, amor (Le nozze di Figaro), Requiem in D minor, KV. 626: VII. Lacrimosa Larghetto, Requiem: No 1. Introitus and Kyrie: Requiem and Kyrie, Requiem: No 10. Sanctus: Sanctus, Requiem: No 11. Benedictus: Benedictus, Requiem: No 12. Agnus Dei and Communio: Agnus Dei, Requiem: No 2. Sequence: Dies irae, Requiem: No 3. Sequence: Tuba mirum, Requiem: No 4. Sequence: Rex tremendae, Requiem: No 5. Sequence: Recordare, Requiem: No 6. Sequence: Confutatis maledictis, Requiem: No 7. Sequence: Lacrimosa, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias, Romanze from Eine kleine Nachtmusik, Symphony No. 41 in C major, K. 551 "Jupiter", The Logue Method (Mozart: The Marriage of Figaro / Clarinet Concerto Mvt. 1), Vesperae solennes de confessore, KV 339; Laudate dominum (London Symphony Orchestra feat. conductor: Colin Davis, soprano: Kiri te Kanawa, organ; John Constable) |
| Royal Philharmonic Orchestra |
performing orchestra |
Concerto for Clarinet and Orchestra, Die Entführung aus dem Serail, K. 384: Act II. Scene III. No. 11 Aria "Martern aller Arten" (Konstanze), Die Entführung aus dem Serail: Act III, "O! wie will ich triumphieren", Divertimento No. 15 in B-flat major, K. 287 (K. 271H) "Lodron Serenade No. 2": II. Tema con variazioni - Andante, Divertimento No. 15 in B-flat major, K. 287 (K. 271H) "Lodron Serenade No. 2": III. Menuetto - Trio, Don Giovanni: "Il mio tesoro", Eine kleine Nachtmusik, Elvira Madigan, Horn Concert no. 1 in D major, Horn Concerto no. 4 in E-flat: IV. Rondo Allegro vivace, Molto allegro, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso, Sinfonia no. 36 em dó maior, K. 425 "Linz": I. Adagio - Allegro spirituoso, Sinfonia no. 36 em dó maior, K. 425 "Linz": II. Poco adagio, Sinfonia no. 36 em dó maior, K. 425 "Linz": III. Menuetto, Sinfonia no. 36 em dó maior, K. 425 "Linz": IV. Presto, Sinfonia no. 39 em mi bemol maior, K. 543: I. Adagio - Allegro, Sinfonia no. 39 em mi bemol maior, K. 543: II. Andante con moto, Sinfonia no. 39 em mi bemol maior, K. 543: III. Menuetto: Allegro, Sinfonia no. 39 em mi bemol maior, K. 543: IV. Finale: Allegro, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 39 in E-flat, K. 543: 1. Adagio - Allegro, Symphony no. 39 in E-flat, K. 543: 2. Andante Con Moto, Symphony no. 39 in E-flat, K. 543: 3. Menuetto (Allegretto), Symphony no. 39 in E-flat, K. 543: 4. Finale (Allegro), Symphony no. 40 in G minor, K. 550: 1. Molto Allegro, Symphony no. 40 in G minor, K. 550: 2. Andante, Symphony no. 40 in G minor, K. 550: 3. Menuetto (Allegretto) - Trio, Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro Assai), Symphony no. 41 in C, K. 551 "Jupiter": 1. Allegro Vivace, Symphony no. 41 in C, K. 551 "Jupiter": 2. Andante Cantabile, Symphony no. 41 in C, K. 551 "Jupiter": 3. Menuetto (Allegretto), Symphony no. 41 in C, K. 551 "Jupiter": 4. Molto Allegro |
| Camerata Salzburg |
performing orchestra |
Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: III. Allegro, ma non troppo, Divertimento K 251: Andantino, Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": III. Presto, Flötenkonzert G-Dur KV 313: Adagia ma non troppo, Flötenkonzert G-Dur KV 313: Allegro maestoso, Flötenkonzert G-Dur KV 313: Rondo. Tempo di Menuetto, Konzert für Klavier und Orchester Nr. 14 in Es-Dur, KV 449: 1. Allegro vivace, Konzert für Klavier und Orchester Nr. 14 in Es-Dur, KV 449: 2. Andantino, Konzert für Klavier und Orchester Nr. 14 in Es-Dur, KV 449: 3. Allegro ma non troppo, Konzert für Klavier und Orchester Nr. 24 in c-moll, KV 491: 1. Allegro, Konzert für Klavier und Orchester Nr. 24 in c-moll, KV 491: 2. Larghetto, Konzert für Klavier und Orchester Nr. 24 in c-moll, KV 491: 3. Allegretto, Oboenkonzert C-Dur KV 314: Adagio non troppo, Oboenkonzert C-Dur KV 314: Allegro aperto, Oboenkonzert C-Dur KV 314: Rondo. Allegretto, Piano Concerto No. 21, K. 467: I. Allegro maestoso, Piano Concerto No. 21, K. 467: II. Andante, Piano Concerto No. 21, K. 467: III. Allegro vivace assai, Rondo C-Dur KV 373 I. Allegretto grazioso, Serenade No. 4, KV 203, D-Dur / in D: 3. Menuetto, Serenade No. 4, KV 203, D-Dur / in D: 6. Andante, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Serenade No. 6, KV 239, D-Dur / in D (Serenata Notturna): Rondo: Allegretto, Vier Arien aus der „Zauberflöte“: Alles fühlt der Liebe Freuden, Vier Arien aus der „Zauberflöte“: Dies Bildnis ist bezaubernd schön, Vier Arien aus der „Zauberflöte“: Ein Mädchen oder Weibchen, Vier Arien aus „Don Giovanni“: Canzonetta: Deh, vieni alla finestra, Vier Arien aus „Don Giovanni“: Fin ch'han dal vino, Vier Arien aus „Don Giovanni“: Là ci darem la mano, Vier Arien aus „Don Giovanni“: Non mi dir, bell'idol mio, Violin Concerto no. 5 in A major, K.219: 1. Allegro Aperto (Extract) |
| Edita Gruberová |
vocal |
Die Entführung aus dem Serail: Act Three. Nie werd' ich deine Huld verkennen (Belmonte), Die Entführung aus dem Serail: Act Three. Welch ein Geschick!... Meinetwegen sollst du sterben! (Belmonte), Die Entführung aus dem Serail: Act Two. Ach, Belmonte! Ach, mein Leben! (Konstanze), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Il sogno di Scipione, K. 126: Act I No. 2 Aria "Lieve sono al par del vento" (Fortuna), Il sogno di Scipione, K. 126: Act I No. 8 Aria "A chi serena io miro" (Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "Dunque ove son?" (Scipione, Constanza, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "E quali abitatori" (Scipione, Fortuna, Constanza), Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Giusta è la tua richiesta" (Constanza, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "Non più, bella Costanza" (Scipione, Fortuna), Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Vieni e segui i mici passi" (Fortuna, Constanza, Scipione), Il sogno di Scipione, K. 126: Act I Recitativo accompagnato "E v'è mortal" (Fortuna, Scipione), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI-VII. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) No. 4 Aria "Nel sen mi palpita" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Parto: Nel gran cimento" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. Recitativo "Un tale addio, germano, si spiega assai" (Farnace, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro... Io sposa di quel mostro" (Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VI. No. 22 Aria "Se il rigor d'ingrata sorte" (Sifare), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Quintetto "Non si ceda al Campidoglio" (Sifare, Asapasia, Farnace, Ismene, Arbate) |
| Sir Colin Davis |
conductor |
Concerto pour clarinette K. 622 : II. Adagio, Concerto pour piano No. 21 en ut majeur, K. 467: II. Andante, Der Schauspieldirektor, K. 486: Overture, Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A, Don Giovanni, K. 527: Overture, Don Giovanni: Là ci darem la mano, Exsultate jubilate, KV 165/158a: I. Exsultate, jubilate, Exsultate jubilate, KV 165/158a: II. Fulget amica dies, Exsultate jubilate, KV 165/158a: III. Tu virginum corona, Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene III, No. 2 Aria "Nacqui all'aria trionfale" (Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IV, No. 3 Aria "Dove mai trovai quel ciglio?" (Pulcherio), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Ouvertura, Piano Concerto no. 21 in C major ("Elvira Madigan") K. 467: II. Andante, Piano concerto n°24 in C minor K491 - I. Allegro, Piano concerto n°24 in C minor K491 - II Larghetto, Piano concerto n°24 in C minor K491 - III Allegretto, Requiem in D minor, KV. 626: VII. Lacrimosa Larghetto, Requiem: No 1. Introitus and Kyrie: Requiem and Kyrie, Requiem: No 10. Sanctus: Sanctus, Requiem: No 11. Benedictus: Benedictus, Requiem: No 12. Agnus Dei and Communio: Agnus Dei, Requiem: No 2. Sequence: Dies irae, Requiem: No 3. Sequence: Tuba mirum, Requiem: No 4. Sequence: Rex tremendae, Requiem: No 5. Sequence: Recordare, Requiem: No 6. Sequence: Confutatis maledictis, Requiem: No 7. Sequence: Lacrimosa, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias, Vesperae solennes de confessore, KV 339; Laudate dominum (London Symphony Orchestra feat. conductor: Colin Davis, soprano: Kiri te Kanawa, organ; John Constable) |
| Rainer Trost |
vocal |
Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento", Così fan tutte, K. 588: Act I. "Ah, non partite", Così fan tutte, K. 588: Act I. "Al fato dan legge", Così fan tutte, K. 588: Act I. "Alla bella Despinetta", Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!", Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno", Così fan tutte, K. 588: Act I. "E la fede delle femminine", Così fan tutte, K. 588: Act I. "E voi ridete?" - "La cagion di quel riso?", Così fan tutte, K. 588: Act I. "Fuor la spada", Così fan tutte, K. 588: Act I. "La commedia è graziosa", Così fan tutte, K. 588: Act I. "La mia Dorabella", Così fan tutte, K. 588: Act I. "Non piangere, idol mio!", Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici", Così fan tutte, K. 588: Act I. "Scioccerie di poeti", Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede", Così fan tutte, K. 588: Act I. "Si può sapere un poco la cagion di quel riso?", Così fan tutte, K. 588: Act I. "Un'aura amorosa", Così fan tutte, K. 588: Act I. "Una bella serenata", Così fan tutte, K. 588: Act II. "Ah, lo veggio", Così fan tutte, K. 588: Act II. "Amico, abbiamo vinto!", Così fan tutte, K. 588: Act II. "Barbara! Perché fuggi?", Così fan tutte, K. 588: Act II. "Bravo, questa è costanza", Così fan tutte, K. 588: Act II. "Fra gli amplessi in pochi istanti", Così fan tutte, K. 588: Act II. "Il tutto deponete", Così fan tutte, K. 588: Act II. "In qual fiero contrasto", Così fan tutte, K. 588: Act II. "La mano a me date", Così fan tutte, K. 588: Act II. "Oh che bella giornata!", Così fan tutte, K. 588: Act II. "Oh poveretto me", Così fan tutte, K. 588: Act II. "Secondate, aurette amiche", Così fan tutte, K. 588: Act II. "Tradito, schernito", Così fan tutte, K. 588: Act II. "Tutti accusan le donne", Così fan tutte, K. 588: Act II. "Vittoria, padroncini!" |
| SWR Sinfonieorchester Baden-Baden und Freiburg |
performing orchestra |
Concerto pour cor KV 495 en mi bémol majeur : I. Allegro moderato, Ouverture Cosi Fan Tutte KV 588, Symphony No. 21 in A major, K. 134: I. Allegro, Symphony No. 21 in A major, K. 134: II. Andante, Symphony No. 21 in A major, K. 134: III. Minuetto & Trio, Symphony No. 21 in A major, K. 134: IV. Allegro, Symphony No. 25 in G minor, K. 173dB / 183 "Little G Minor": I. Allegro con brio, Symphony No. 25 in G minor, K. 173dB / 183 "Little G Minor": II. Andante, Symphony No. 25 in G minor, K. 173dB / 183 "Little G Minor": III. Minuetto & Trio, Symphony No. 25 in G minor, K. 173dB / 183 "Little G Minor": IV. Allegro, Symphony No. 28 in C major, K. 189k / K3 173e / 200: I. Allegro spiritoso, Symphony No. 28 in C major, K. 189k / K3 173e / 200: II. Andante, Symphony No. 28 in C major, K. 189k / K3 173e / 200: III. Minuetto. Allegretto & Trio, Symphony No. 28 in C major, K. 189k / K3 173e / 200: IV. Presto, Symphony No. 31 in D major, K. 300a / 297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 300a / 297 "Paris": II. Andante, Symphony No. 31 in D major, K. 300a / 297 "Paris": III. Allegro, Symphony No. 33 in B-flat major, K. 319: I. Allegro assai, Symphony No. 33 in B-flat major, K. 319: II. Andante moderato, Symphony No. 33 in B-flat major, K. 319: III. Minuetto & Trio, Symphony No. 33 in B-flat major, K. 319: IV. Allegro assai, Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony No. 35 in D major, K. 385 "Haffner": II. Andante, Symphony No. 35 in D major, K. 385 "Haffner": III. Minuetto & Trio, Symphony No. 35 in D major, K. 385 "Haffner": IV. Presto, Symphony No. 36 in C major, K. 425 "Linz": I. Adagio - allegro con spirito, Symphony No. 36 in C major, K. 425 "Linz": II. Andante, Symphony No. 36 in C major, K. 425 "Linz": III. Minuetto & Trio, Symphony No. 36 in C major, K. 425 "Linz": IV. Presto, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Presto |
| Teresa Berganza |
vocal |
Cosi fan Tutte: Soave sia il vento… Non son cattivo comico, Così fan tutte, K. 588: Act I. No. 10 Terzettino "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) / Recitativo "Non son cattivo comico! ... Nel mare solca..." (Don Alfonso), Così fan tutte, K. 588: Act I. No. 13 Sestetto "Alla bella Despinetta vi presento, amici miei" (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo "Che sussurro! Che strepito, che scompglio è mai questo!" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Ah, che tutta in un momento si cangiò la sorte mia!" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Dammi un bacio, o mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Eccovi il medico, signor belle!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act I. No. 4 Duetto "Ah guarda sorella" (Fiordiligi, Dorabella) / Recitativo "Mi par, che stamattina ... Non son essi: è" (Ferrando, Guglielmo, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso) / Recitativo "Stelle! Per carità, signor Alfonso, no ci fate morir" (Fiordiligi, Don Alfonso, Dorabella), Così fan tutte, K. 588: Act I. No. 6 Quintetto "Sento oddio, che questo piede è restio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) / Recitativo "Non piangere, idol mio (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 7 Duettino "Al fato dàn legge quegli occhi vezzosi" (Ferrando, Guglielmo) / Recitativo La commedia è graziosa... (Don Alfonso, Ferrando, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 8 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Non v'è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I. No. 8a Quintetto "Di scrivermi ogni giorno, giurami, vita mia!" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Dove son? - Son partiti" (Dorabella, Don Alfonso, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Ah! scostati, paventa il tristo effetto d'un disperato affetto!" (Dorabella) / No. 11 Aria "Smanie implacabili, che m'agitate" (Dorabella) / Recitativo "Signora Dorabella, signora Fiordiligi, ditemi, che cosa è stato?" (Despina, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Che vita maledetta è il far la cameriera! ... Madame, ecco la vostra colazione (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) / No. 14 Aria "Come scoglio immoto resta contra i venti" (Fiordiligi) / Recitativo "Ah, non partite!" (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act II. No. 19 Aria "Una donna a quindici anni" (Despina) / Recitativo "Sorella, cosa dici?" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. No. 20 Duetto "Prenderò quel brunettino" (Dorabella, Fiordiligi) / Recitativo "Ah, correte al giardino, le mie care ragazze!" (Don Alfonso, Dorabella), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo), Così fan tutte, K. 588: Act II. No. 23 Duetto "Il core vi dono" (Guglielmo, Dorabella), Così fan tutte, K. 588: Act II. No. 28 Aria "È Amore un ladroncello" (Dorabella) / Recitativo "Come tutto congiura a sedurre il mio cor!" (Fiordiligi, Guglielmo, Despina, Don Alfonso) / Recitativo "L'abito di Ferrando sarà buono per me" (Fiordiligi, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Benedetti i doppi coniugi e le amabili sposine!" (coro di servi, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Miei signori, tutto è fatto ... Bella vita militar!" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act II. No. 31 Finale "Sani e salvi agli amplessi amorosi ... Fortunato l'uom che prende ogni cosa pel buon verso" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act II. Recitativo "Andate là, che siete due bizzarre ragazze!" (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. Recitativo "Ora vedo che siete una donna di garbo" (Despina, Dorabella, Fiordiligi), La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Act II, XIX. Rondo. "Deh per questo istante solo" (Sesto), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Marriage of Figaro: "Non so più cosa son, cosa faccio" (Cherubino) |
| Bart van Oort |
fortepiano |
Quartet for Piano No. 1 in G minor, K. 478: I. Allegro, Quartet for Piano No. 1 in G minor, K. 478: II. Andante, Quartet for Piano No. 1 in G minor, K. 478: III. Rondeau, Quartet for Piano No. 2 in E-flat major, K. 493: I. Allegro, Quartet for Piano No. 2 in E-flat major, K. 493: II. Larghetto, Quartet for Piano No. 2 in E-flat major, K. 493: III. Allegretto, Song Reduction on Josef Mysliveček: Aria "Il mio caro bene attendo sospiro" for Voice & Piano in F major, K. 210a/152 (possibly spurious) "Ridente la calma", Song for Tenor, Men's Chorus & Piano in D major, K. 125h/148 "Lobgesang auf die feierliche Johannisloge": "O heiliges Band", Song for Voice & Piano (or Mandolin) in G major, K. 367a/349 "Die Zufriedenheit": "Was frag ich viel", Song for Voice & Piano in A major, K. 552 "Beim Auszug in das Feld": "Dem hohe Kaiser - Worte treu", Song for Voice & Piano in A major, K. 598 "Das Kinderspiel": "Wir Kinder, wir schmecken", Song for Voice & Piano in A-flat major, K. 295b/308 "Dans un bois solitaire", Song for Voice & Piano in B-flat major, K. 340b/391 "An die Einsamkeit": "Sei du mein trost", Song for Voice & Piano in B-flat major, K. 468 "Gesellenreise": "Die ihr einem neuen Grad", Song for Voice & Piano in C major, K. 284d/307 "Oiseaux, si tous les ans", Song for Voice & Piano in C major, K. 531 "Die kleine Spinnerin": "Was spinnst du?", Song for Voice & Piano in C minor, K. 520 "Als Luise die Briefe": "Erzeugt von heisser Phantasie", Song for Voice & Piano in D minor, K. 340c/390 "An die Hoffnung": "Ich würd auf meinem Pfad", Song for Voice & Piano in E minor, K. 517 "Die Alte": "Zu meiner Zeit", Song for Voice & Piano in E-flat major, K. 530 "Das Traumbild": "Wo bist du, Bild", Song for Voice & Piano in E-flat major, K. 597 "Im Frühlingsanfang": "Erwacht zum neuen Leben", Song for Voice & Piano in F major, K. 125g/147 "Wie unglücklich bin ich nit", Song for Voice & Piano in F major, K. 340a/392 "Verdankt sei es dem Glanz der Grossen", Song for Voice & Piano in F major, K. 506 "Lied der Freiheit": "Wer unter eines Mädchens Hand", Song for Voice & Piano in F major, K. 518 "Die Verschweigung": "Sobald Damötas Chloen sieht", Song for Voice & Piano in F major, K. 523 "Abendempfindung an Laura": "Abend ist's", Song for Voice & Piano in F major, K. 529 "Des kleinen Friedrichs Geburtstag": "Es war einmal", Song for Voice & Piano in F major, K. 596 "Sehnsucht nach dem Frühling": "Komm, lieber Mai", Song for Voice & Piano in F minor, K. 519 "Das Lied der Trennung": "Die Engel Gottes weinen", Song for Voice & Piano in G major, K. 474 "Die Betrogene Welt": "Der reiche Tor", Trio for Piano No. 2 in G major, K. 496: III. Allegretto |
| Carlos Feller |
vocal |
Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento", Così fan tutte, K. 588: Act I, "Oh, la saria da ridere!", Così fan tutte, K. 588: Act I. "Ah, non partite", Così fan tutte, K. 588: Act I. "Alla bella Despinetta", Così fan tutte, K. 588: Act I. "Che silenzio!", Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!", Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno", Così fan tutte, K. 588: Act I. "Dove son?", Così fan tutte, K. 588: Act I. "E la fede delle femminine", Così fan tutte, K. 588: Act I. "E voi ridete?" - "La cagion di quel riso?", Così fan tutte, K. 588: Act I. "Fuor la spada", Così fan tutte, K. 588: Act I. "La commedia è graziosa", Così fan tutte, K. 588: Act I. "La mia Dorabella", Così fan tutte, K. 588: Act I. "Mi par che stamattina", Così fan tutte, K. 588: Act I. "Non piangere, idol mio!", Così fan tutte, K. 588: Act I. "Non son cattivo comico", Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici", Così fan tutte, K. 588: Act I. "Scioccerie di poeti", Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede", Così fan tutte, K. 588: Act I. "Si può sapere un poco la cagion di quel riso?", Così fan tutte, K. 588: Act I. "Soave sia il vento", Così fan tutte, K. 588: Act I. "Stelle! Per carità, signor Alfonso", Così fan tutte, K. 588: Act I. "Una bella serenata", Così fan tutte, K. 588: Act I. "Vorrei dir, e cor non ho", Così fan tutte, K. 588: Act II. "Ah, correte al giardino", Così fan tutte, K. 588: Act II. "Bravo, questa è costanza", Così fan tutte, K. 588: Act II. "Come tutto congiura", Così fan tutte, K. 588: Act II. "Il tutto deponete", Così fan tutte, K. 588: Act II. "La mano a me date", Così fan tutte, K. 588: Act II. "Oh poveretto me", Così fan tutte, K. 588: Act II. "Vittoria, padroncini!" |
| Rod Gilfry |
vocal |
Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento", Così fan tutte, K. 588: Act I. "Ah, non partite", Così fan tutte, K. 588: Act I. "Al fato dan legge", Così fan tutte, K. 588: Act I. "Alla bella Despinetta", Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!", Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno", Così fan tutte, K. 588: Act I. "E la fede delle femminine", Così fan tutte, K. 588: Act I. "E voi ridete?" - "La cagion di quel riso?", Così fan tutte, K. 588: Act I. "Fuor la spada", Così fan tutte, K. 588: Act I. "La mia Dorabella", Così fan tutte, K. 588: Act I. "Non piangere, idol mio!", Così fan tutte, K. 588: Act I. "Non siate ritrosi", Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici", Così fan tutte, K. 588: Act I. "Scioccerie di poeti", Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede", Così fan tutte, K. 588: Act I. "Si può sapere un poco la cagion di quel riso?", Così fan tutte, K. 588: Act I. "Una bella serenata", Così fan tutte, K. 588: Act II. "Amico, abbiamo vinto!", Così fan tutte, K. 588: Act II. "Bravo, questa è costanza", Così fan tutte, K. 588: Act II. "Come tutto congiura", Così fan tutte, K. 588: Act II. "Donne mie, la fate a tanti", Così fan tutte, K. 588: Act II. "Il cor vi dono", Così fan tutte, K. 588: Act II. "Il tutto deponete", Così fan tutte, K. 588: Act II. "La mano a me date", Così fan tutte, K. 588: Act II. "Oh che bella giornata!", Così fan tutte, K. 588: Act II. "Oh poveretto me", Così fan tutte, K. 588: Act II. "Secondate, aurette amiche", Così fan tutte, K. 588: Act II. "Tutti accusan le donne", Così fan tutte, K. 588: Appendix. "Rivolgete a lui lo sguardo" - "E voi ridete?", Don Giovanni - Act I - 'Riposate, vezzose ragazze!' |
| Helmuth Froschauer |
chorus master |
Grande Messe en ut mineur K427 (417a) Kyrie, Grande messe en ut mineur, K. 427 (417a) : I. Kyrie (Andante moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 1 "Gloria in excelsis Deo" (Allegro vivace), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 2 "Laudamus te" (Allegro aperto), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 3 "Gratias" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 4 "Domine" (Allegro moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 5 "Qui tollis peccato mundi" (Largo), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 6 "Quoniam tu solus sanctus" (Allegro), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 7 "Jesus Christe" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 8 "Cum sancto spiritu", Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 1 "Credo in unum Deum" (Allegro maestoso), Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 2 "Et incarnatus est" (Andante), Grande messe en ut mineur, K. 427 (417a) : IV. Sanctus (Largo), Grande messe en ut mineur, K. 427 (417a) : V. Benedictus (Allegro comodo), Grosse Messe en ut mineur K 427 (471a) Credo: Credo in unum Deum, Messe C-dur KV 317 "Krönungsmesse": Agnus Dei, Requiem en rémineur, K. 626 : I. Introitus "Requiem" (chorus, sopran), Requiem en rémineur, K. 626 : II. "Kyrie" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 1 "Dies irae" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 2 "Tuba mirum" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 3 "Rex tremendae" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 4 "Recordare" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 5 "Confutatis" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 6 "Lacrimosa" (chorus), Requiem en rémineur, K. 626 : IV. Offertorium: No. 1 "Domine Jesu" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : IV. Offertorium: No. 2 "Hostia" (chorus), Requiem en rémineur, K. 626 : V. "Sanctus" (chorus), Requiem en rémineur, K. 626 : VI. "Benedictus" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : VII. "Agnus Dei" (chorus), Requiem en rémineur, K. 626 : VIII. Communio "Lux aeterna" (chorus, sopran) |
| Wiener Singverein |
vocal |
Grande Messe en ut mineur K427 (417a) Kyrie, Grande messe en ut mineur, K. 427 (417a) : I. Kyrie (Andante moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 1 "Gloria in excelsis Deo" (Allegro vivace), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 2 "Laudamus te" (Allegro aperto), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 3 "Gratias" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 4 "Domine" (Allegro moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 5 "Qui tollis peccato mundi" (Largo), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 6 "Quoniam tu solus sanctus" (Allegro), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 7 "Jesus Christe" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 8 "Cum sancto spiritu", Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 1 "Credo in unum Deum" (Allegro maestoso), Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 2 "Et incarnatus est" (Andante), Grande messe en ut mineur, K. 427 (417a) : IV. Sanctus (Largo), Grande messe en ut mineur, K. 427 (417a) : V. Benedictus (Allegro comodo), Grosse Messe en ut mineur K 427 (471a) Credo: Credo in unum Deum, Messe C-dur KV 317 "Krönungsmesse": Agnus Dei, Requiem en rémineur, K. 626 : I. Introitus "Requiem" (chorus, sopran), Requiem en rémineur, K. 626 : II. "Kyrie" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 1 "Dies irae" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 3 "Rex tremendae" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 5 "Confutatis" (chorus), Requiem en rémineur, K. 626 : III. Sequenz: No. 6 "Lacrimosa" (chorus), Requiem en rémineur, K. 626 : IV. Offertorium: No. 1 "Domine Jesu" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : IV. Offertorium: No. 2 "Hostia" (chorus), Requiem en rémineur, K. 626 : V. "Sanctus" (chorus), Requiem en rémineur, K. 626 : VI. "Benedictus" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : VII. "Agnus Dei" (chorus), Requiem en rémineur, K. 626 : VIII. Communio "Lux aeterna" (chorus, sopran), Requiem, K. 626: Dies irae, Requiem, K. 626: Lacrimosa |
| Ernest Bour |
conductor |
Symphony No. 21 in A major, K. 134: I. Allegro, Symphony No. 21 in A major, K. 134: II. Andante, Symphony No. 21 in A major, K. 134: III. Minuetto & Trio, Symphony No. 21 in A major, K. 134: IV. Allegro, Symphony No. 25 in G minor, K. 173dB / 183 "Little G Minor": I. Allegro con brio, Symphony No. 25 in G minor, K. 173dB / 183 "Little G Minor": II. Andante, Symphony No. 25 in G minor, K. 173dB / 183 "Little G Minor": III. Minuetto & Trio, Symphony No. 25 in G minor, K. 173dB / 183 "Little G Minor": IV. Allegro, Symphony No. 28 in C major, K. 189k / K3 173e / 200: I. Allegro spiritoso, Symphony No. 28 in C major, K. 189k / K3 173e / 200: II. Andante, Symphony No. 28 in C major, K. 189k / K3 173e / 200: III. Minuetto. Allegretto & Trio, Symphony No. 28 in C major, K. 189k / K3 173e / 200: IV. Presto, Symphony No. 31 in D major, K. 300a / 297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 300a / 297 "Paris": II. Andante, Symphony No. 31 in D major, K. 300a / 297 "Paris": III. Allegro, Symphony No. 33 in B-flat major, K. 319: I. Allegro assai, Symphony No. 33 in B-flat major, K. 319: II. Andante moderato, Symphony No. 33 in B-flat major, K. 319: III. Minuetto & Trio, Symphony No. 33 in B-flat major, K. 319: IV. Allegro assai, Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony No. 35 in D major, K. 385 "Haffner": II. Andante, Symphony No. 35 in D major, K. 385 "Haffner": III. Minuetto & Trio, Symphony No. 35 in D major, K. 385 "Haffner": IV. Presto, Symphony No. 36 in C major, K. 425 "Linz": I. Adagio - allegro con spirito, Symphony No. 36 in C major, K. 425 "Linz": II. Andante, Symphony No. 36 in C major, K. 425 "Linz": III. Minuetto & Trio, Symphony No. 36 in C major, K. 425 "Linz": IV. Presto, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Presto |
| Michael-Christfried Winkler |
organ |
Kyrie for Chorus & Orchestra in F major, K. 33, Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Gloria: II. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: Allegro molto, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: Adagio "Sanctus Dominus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: Allegro moderato "Benedictus qui venit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: Allegro moderato "Agnus Dei qui tollis", Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": I. "Miserere" / II. "Et secundum" / III. "Quoniam" / IV. "Ecce" / V. "Asperges" / VI. "Averte" / VII. "Ne projicias" / VIII. "Docebo", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: III. Credo, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" IVb. Sanctus: Allegro Pleni sunt coeli" IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" VIa. Agnus Dei: Adagio "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem", Motet for Chorus in G minor, K. 20: (Soprano, Alto, Tenor, Bass) "God is our refuge", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": I. "Benedictus sit Deus", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": II. "Aria", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": III. "Jubilate" |
| Slovenská filharmónia (Slovak Philharmonic, Bratislava) |
performing orchestra |
Cliffhanger, Concerto for Piano No. 20 in D minor, K. 466: I. Allegro, Concerto for Piano No. 20 in D minor, K. 466: II. Romanze, Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concierto para flauta, arpa y orquesta en Do Mayor (Allegro), Concierto para flauta, arpa y orquesta en Do Mayor (Andantino), Concierto para flauta, arpa y orquesta en Do Mayor (Rondó. Allegro), Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna", Serenade Nr. 13 G-Dur KV 525 „Eine kleine Nachtmusik“, 2.Satz: Romanze, Sinfonie Nr. 38 D-Dur KV 504 "Prager": II. Andante, Sinfonie Nr. 38 D-Dur KV 504 "Prager": III. Presto, Sinfonie Nr. 40 g-Moll, KV 550: I. Allegro molto, Symphonie Nr. 40 g-moll KV 550, 1.Satz: Molto Allegro, Symphony No. 25 in G minor, K. 173dB/183: I. Allegro con brio, Symphony No. 25 in G minor, K. 173dB/183: II. Andante, Symphony No. 25 in G minor, K. 173dB/183: III. Minuetto & Trio, Symphony No. 25 in G minor, K. 173dB/183: IV. Allegro, Symphony No. 26 in E-flat major, K. 161a/184: I. Molto presto, Symphony No. 26 in E-flat major, K. 161a/184: II. Andantino, Symphony No. 26 in E-flat major, K. 161a/184: III. Allegro, Symphony No. 28 in C major, K. 189k/200: I. Allegro spiritoso, Symphony No. 28 in C major, K. 189k/200: III. Minuetto. Allegretto & Trio, Symphony No. 28 in C major, K. 189k/200: IV. Presto, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 40 in G minor with clarinets, K. 550: I. Allegro molto, Symphony No. 40 in G minor with clarinets, K. 550: II. Andante, Symphony No. 40 in G minor with clarinets, K. 550: III. Minuetto. Allegretto & Trio, Symphony No. 40 in G minor with clarinets, K. 550: IV. Allegro assai, Symphony No. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto, Symphony No. 40 in G minor, K. 550 "Great": IV. Allegro assai |
| Robert Morvaj |
vocal |
Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": I. "Kyrie", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": II. "Gloria", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": III. "Credo", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": IV. "Sanctus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": V. "Benedictus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei" |
| New York Philomusica Winds |
performing orchestra |
Cosi fan tutti: Ah guarda sorella, Cosi fan tutti: Bella vita militar, Cosi fan tutti: Fortunato I'Uom, Cosi fan tutti: Il core vi dono, Cosi fan tutti: Overture, Cosi fan tutti: Prendero quel Brunettino, Cosi fan tutti: Sento o Dio, Cosi fan tutti: Un'aura amorosa, Cosi fan tutti: Una donna a quindici anni, Sarenade No. 11 in E flat, K. 375: Adagio, Sarenade No. 11 in E flat, K. 375: Allegro, Sarenade No. 11 in E flat, K. 375: Allegro maestoso, Sarenade No. 11 in E flat, K. 375: Menuetto/Trio, Sarenade No. 12 in C, K. 388: Allegro, Sarenade No. 12 in C, K. 388: Andante, Sarenade No. 12 in C, K. 388: Menuetto in canone/Trio in canone al rovescio, Serenade No. 10 in B flat, K. 361: Adagio, Serenade No. 10 in B flat, K. 361: Finale (Molto allegro), Serenade No. 10 in B flat, K. 361: Largo, Molto allegro, Serenade No. 10 in B flat, K. 361: Menuetto, Serenade No. 10 in B flat, K. 361: Menuetto (Allegretto), Trio 1, Trio 2, Serenade No. 10 in B flat, K. 361: Romance (Adagio, Allegretto, Adagio), Serenade No. 10 in B flat, K. 361: Tema con variazione, Andante (I-VI), The Marriage of Figaro: Crudel! Perche finora, The Marriage of Figaro: Ecco la marcia, The Marriage of Figaro: L'Introduzione, The Marriage of Figaro: Non piu andrai farfallone amoroso, The Marriage of Figaro: Porgi amor, The Marriage of Figaro: Se a casa madama, The Marriage of Figaro: Se vuol ballare Signor Contino |
| Gabriele Wunderer |
vocal |
Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": I. "Kyrie", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": II. "Gloria", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": III. "Credo", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": IV. "Sanctus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": V. "Benedictus", Mass No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus", Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei" |
| Edith Mathis |
vocal |
Exsultate, jubilate, K. 165 (158a): Allegro - (Andante) - (Vivace), Il sogno di Scipione, K. 126: Act I No. 11a+b Aria "Ah, perché cercar degg'io" (La Licenza), Il sogno di Scipione, K. 126: Act I Recitativo "Non è Scipio" (La Licenza), Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo: "Quante buffonerie!" (La Contessa, Susanna, Cherubino), Lucio Silla, K. 135: Act I, Scene I. No. 1 Aria "Vieni ov'amor t'invita" (Cinna), Lucio Silla, K. 135: Act I, Scene I. Recitativo "Ah ciel l'amico cinna" (Cecilio, Cinna), Lucio Silla, K. 135: Act II, Scene II. Recitativi "Ah non mai non credea... Qual furor ti trasporta? Cecilio a che t'arresti... Al fiero suon... Ah corri, vola" (Celia, Silla, Cinna, Cecilio), Lucio Silla, K. 135: Act II, Scene IV. Recitativo "Ah sì, s'affretti il colpo" (Cinna, Celia), Lucio Silla, K. 135: Act II, Scene V. Recitativo "Di piegarsi capace" (Cinna, Giunia) Recitativo accompagnato "Vanne. T'affretta" (Cinna, Giunia), Lucio Silla, K. 135: Act II, Scene VI. Recitativo accompagnato "Ah sì, scuotasi omai" (Cinna) / Lucio Silla, K. 135: Act II, Scene VI. No. 12 Aria "Nel fortunato istante" (Cinna), Lucio Silla, K. 135: Act II, Scene XII-XII. Recitativi "Padri Coscritti... Sposa ah no, non temer... Come? D'un ferro armato" (Silla, Giunnia, Aufidio, Cecillio, Cinna), Lucio Silla, K. 135: Act III, Scene I. Recitativo "Ah sì tu solo, amico" (Cecilia, Celia, Cinna), Lucio Silla, K. 135: Act III, Scene II. No. 20 Aria "De' più superbi il core" (Cinna), Lucio Silla, K. 135: Act III, Scene II. Recitativo "Forse tu credi, amico" (Cecilio, Cinna), Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla), Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia... Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio), Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Gloria: II. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: Allegro molto, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: Adagio "Sanctus Dominus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: Allegro moderato "Benedictus qui venit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: Allegro moderato "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: III. Credo, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" IVb. Sanctus: Allegro Pleni sunt coeli" IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" VIa. Agnus Dei: Adagio "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem", Requiem in D Minor, K. 626: Kyrie |
| Gabriel Bacquier |
vocal |
Cosi fan Tutte: Soave sia il vento… Non son cattivo comico, Così fan tutte, K. 588: Act I. No. 1 Terzetto Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) / Recitativo "Fuor la spada!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act I. No. 10 Terzettino "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) / Recitativo "Non son cattivo comico! ... Nel mare solca..." (Don Alfonso), Così fan tutte, K. 588: Act I. No. 13 Sestetto "Alla bella Despinetta vi presento, amici miei" (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo "Che sussurro! Che strepito, che scompglio è mai questo!" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act I. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Si può sapere un poco la cagion di quel riso? (Don Alfonso, Guglielmo, Ferrando), Così fan tutte, K. 588: Act I. No. 17 Aria "Un'aura amorosa del nostro tesoro" (Ferrando) / Recitativo "Oh la saria da ridere" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Dammi un bacio, o mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Eccovi il medico, signor belle!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act I. No. 2 Terzetto "È la fede delle femmine come l'araba fenice" (Ferrando, Don Alfonso, Guglielmo) / Recitativo "Scioccherie di poeti!" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I. No. 3 Terzetto "Una bella serenata far io voglio" (Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act I. No. 4 Duetto "Ah guarda sorella" (Fiordiligi, Dorabella) / Recitativo "Mi par, che stamattina ... Non son essi: è" (Ferrando, Guglielmo, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso) / Recitativo "Stelle! Per carità, signor Alfonso, no ci fate morir" (Fiordiligi, Don Alfonso, Dorabella), Così fan tutte, K. 588: Act I. No. 6 Quintetto "Sento oddio, che questo piede è restio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) / Recitativo "Non piangere, idol mio (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 7 Duettino "Al fato dàn legge quegli occhi vezzosi" (Ferrando, Guglielmo) / Recitativo La commedia è graziosa... (Don Alfonso, Ferrando, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 8 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Non v'è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I. No. 8a Quintetto "Di scrivermi ogni giorno, giurami, vita mia!" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Dove son? - Son partiti" (Dorabella, Don Alfonso, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Che silenzio! Che aspetto di tristezza spirano queste stanze!" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) / No. 14 Aria "Come scoglio immoto resta contra i venti" (Fiordiligi) / Recitativo "Ah, non partite!" (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act II. No. 20 Duetto "Prenderò quel brunettino" (Dorabella, Fiordiligi) / Recitativo "Ah, correte al giardino, le mie care ragazze!" (Don Alfonso, Dorabella), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo), Così fan tutte, K. 588: Act II. No. 28 Aria "È Amore un ladroncello" (Dorabella) / Recitativo "Come tutto congiura a sedurre il mio cor!" (Fiordiligi, Guglielmo, Despina, Don Alfonso) / Recitativo "L'abito di Ferrando sarà buono per me" (Fiordiligi, Guglielmo), Così fan tutte, K. 588: Act II. No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando) / Recitativo "Ah, poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act II. No. 30 "Tutti accusan le donne, ed io le scuso" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Fate presto, o cari amici" (Despina, coro di servi, Don Alfonso), Così fan tutte, K. 588: Act II. No. 31 Finale "Miei signori, tutto è fatto ... Bella vita militar!" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act II. No. 31 Finale "Sani e salvi agli amplessi amorosi ... Fortunato l'uom che prende ogni cosa pel buon verso" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act II. Recitativo "In qual fiero contrasto, in qual disordine di pensieri e di affetti io mi ritrovo!" (Ferrando) / No. 27 Cavatina "Tradito, schernito dal perfido cor" (Ferrando) / Recitativo "Bravo: questa è constanza" (Don Alfonso, Ferrando, Guglielmo) |
| Irma Kort |
English horn, oboe |
Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: I. Andante, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: II. Minuetto, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: III. Polonaise, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: I. Tema. Andante con variazioni, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: II. Minuetto, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: III. Allegro assai, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: I. Allegro molto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: II. Andantino, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: IV. Presto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: I. Allegro spiritoso, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: II. Andante, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: III. Minuetto, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: IV. Contredanse en rondeau, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: I. Allegro, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: II. Andante grazioso, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: III. Minuetto, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: IV. Allegro |
| New York Philomusica Chamber Ensemble |
performing orchestra |
Divertimento No. 1 in E-flat major, K. 133: I. Allegro, Divertimento No. 1 in E-flat major, K. 133: II. Andante, Divertimento No. 1 in E-flat major, K. 133: III. Menuetto, Divertimento No. 1 in E-flat major, K. 133: IV. Allegro, Divertimento No. 13 in F major, K. 253: I. Tema con Variazione, Divertimento No. 13 in F major, K. 253: II. Menueto, Divertimento No. 13 in F major, K. 253: III. Allegro assai, Divertimento No. 16 in E-flat major, K. 289: I. Adagio, Allegro, Divertimento No. 16 in E-flat major, K. 289: II. Menuetto, Divertimento No. 16 in E-flat major, K. 289: III. Adagio, Divertimento No. 16 in E-flat major, K. 289: IV. Finale, Divertimento No. 2 in D major, K. 131: I. Allegro, Divertimento No. 2 in D major, K. 131: II. Adagio, Divertimento No. 2 in D major, K. 131: III. Menuetto, Divertimento No. 2 in D major, K. 131: IV. Allegretto, Divertimento No. 2 in D major, K. 131: V. Menuetto, Divertimento No. 2 in D major, K. 131: VI. Adagio, Allegro molto, Divertimento No. 4 in B-flat major, K. 186: I. Allegro assai, Divertimento No. 4 in B-flat major, K. 186: II. Menuetto, Divertimento No. 4 in B-flat major, K. 186: III. Andante, Divertimento No. 4 in B-flat major, K. 186: IV. Adagio, Divertimento No. 4 in B-flat major, K. 186: V. Allegro, Divertimento No. 7 in D major, K. 205: I. March, K. 290, Divertimento No. 7 in D major, K. 205: II. Largo, Allegro, Divertimento No. 7 in D major, K. 205: III. Menuetto I, Divertimento No. 7 in D major, K. 205: IV. Adagio, Divertimento No. 7 in D major, K. 205: V. Menuetto II, Divertimento No. 7 in D major, K. 205: VI. Finale, Presto, March, K. 290 |
| Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra) |
performing orchestra |
Clarinet Concerto in A: Adagio, Concerto for Horn and Orchestra No. 2, K. 417: I. Allegro maestoso, Flute and Harp Concerto in C major, K. 297c/299: I. Allegro, Flute and Harp Concerto in C major, K. 297c/299: III. Rondeau, Gallimathias musicum, K. 32: I. Molto allegro, Gallimathias musicum, K. 32: II. Andante, Gallimathias musicum, K. 32: IV. Allegro finale, Gallimathias musicum, K. 32: IX. Molto adagio, Gallimathias musicum, K. 32: V. Pastorella, Gallimathias musicum, K. 32: VI. Allegro - VII. Allegretto, Gallimathias musicum, K. 32: VIII. Allegro, Gallimathias musicum, K. 32: X. Allegro, Gallimathias musicum, K. 32: XI. Largo - XII. Molto allegro, Gallimathias musicum, K. 32: XIII. Andante - XIV. Allegro, Gallimathias musicum, K. 32: XV. Menuett, Gallimathias musicum, K. 32: XVI. Adagio - XVII. Presto, Gallimathias musicum, K. 32: XVIII. Fuga, Les petits riens: No. 1. Largo, Les petits riens: No. 10. Pantomime, Les petits riens: No. 11. Passepied, Les petits riens: No. 12. Gavotte, Les petits riens: No. 13. Andante, Les petits riens: No. 2. Gavotte, Les petits riens: No. 3. Gavotte (joyeuse). Allegro, Les petits riens: No. 7. Adagio, Les petits riens: No. 8. (sem indicação de tempo), Les petits riens: Ouverture. Allegro, Serenade No.13 in G Major, K. 525, "Eine kleine Nachtmusik": IV. Rondo Allegro (From "There's Something About Mary") |
| Amanda Roocroft |
vocal |
Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento", Così fan tutte, K. 588: Act I. "Ah, guarda, sorella", Così fan tutte, K. 588: Act I. "Ah, non partite", Così fan tutte, K. 588: Act I. "Alla bella Despinetta", Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!", Così fan tutte, K. 588: Act I. "Che vita maledetta", Così fan tutte, K. 588: Act I. "Come scoglio", Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno", Così fan tutte, K. 588: Act I. "Dove son?", Così fan tutte, K. 588: Act I. "La commedia è graziosa", Così fan tutte, K. 588: Act I. "Mi par che stamattina", Così fan tutte, K. 588: Act I. "Non piangere, idol mio!", Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici", Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede", Così fan tutte, K. 588: Act I. "Signora Dorabella", Così fan tutte, K. 588: Act I. "Soave sia il vento", Così fan tutte, K. 588: Act I. "Stelle! Per carità, signor Alfonso", Così fan tutte, K. 588: Act II. "Andate là", Così fan tutte, K. 588: Act II. "Barbara! Perché fuggi?", Così fan tutte, K. 588: Act II. "Come tutto congiura", Così fan tutte, K. 588: Act II. "Ei parte... senti... ah no!", Così fan tutte, K. 588: Act II. "Fra gli amplessi in pochi istanti", Così fan tutte, K. 588: Act II. "Il tutto deponete", Così fan tutte, K. 588: Act II. "Oh che bella giornata!", Così fan tutte, K. 588: Act II. "Ora vedo che siete", Così fan tutte, K. 588: Act II. "Per pietà, ben mio, perdona", Così fan tutte, K. 588: Act II. "Prenderò quel brunettino", Così fan tutte, K. 588: Act II. "Sorella, cosa dici?" |
| Lynne Dawson |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) / "Ah ti ritrovo ancor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XIV-XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto), Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: V. Laudate Dominum, Vesperae de Dominica, K. 321: VI. Magnificat |
| Peter Neumann |
conductor |
Epistle Sonata No. 16 in C major, K. 329, Epistle Sonata No. 17 in C major, K. 336, Laudate Domnium KV339, Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass in C minor, K. 427: I. Kyrie, Mass in C minor, K. 427: III. Credo: Credo in unum Deum, Mass in C minor, K. 427: IIIb. Credo: Et incarnatus est, Mass in C minor, K. 427: IIa. Gloria: Gloria in excelsis Deo, Mass in C minor, K. 427: IIb. Gloria: Laudamus te, Mass in C minor, K. 427: IIc. Gloria: Gratias agimus tibi, Mass in C minor, K. 427: IId. Gloria: Domine Deus, Mass in C minor, K. 427: IIe. Gloria: Qui tollis, Mass in C minor, K. 427: IIf. Gloria: Quoniam tu solus, Mass in C minor, K. 427: IIg. Gloria: Jesu Christe / Cum Sancto Spiritu, Mass in C minor, K. 427: IV. Sanctus, Mass in C minor, K. 427: V. Benedictus qui venit, Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: I. "Kyrie", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: II. "Gloria", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: III. "Credo", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: IV. "Sanctus", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: V. "Benedictus", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: VI. "Agnus Dei", Motet: Ave verum corpus, K. 618 |
| Kölner Kammerchor |
performer, vocal |
Epistle Sonata No. 16 in C major, K. 329, Epistle Sonata No. 17 in C major, K. 336, Laudate Domnium KV339, Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass in C minor, K. 427: I. Kyrie, Mass in C minor, K. 427: III. Credo: Credo in unum Deum, Mass in C minor, K. 427: IIIb. Credo: Et incarnatus est, Mass in C minor, K. 427: IIa. Gloria: Gloria in excelsis Deo, Mass in C minor, K. 427: IIb. Gloria: Laudamus te, Mass in C minor, K. 427: IIc. Gloria: Gratias agimus tibi, Mass in C minor, K. 427: IId. Gloria: Domine Deus, Mass in C minor, K. 427: IIe. Gloria: Qui tollis, Mass in C minor, K. 427: IIf. Gloria: Quoniam tu solus, Mass in C minor, K. 427: IIg. Gloria: Jesu Christe / Cum Sancto Spiritu, Mass in C minor, K. 427: IV. Sanctus, Mass in C minor, K. 427: V. Benedictus qui venit, Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: I. "Kyrie", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: II. "Gloria", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: III. "Credo", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: IV. "Sanctus", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: V. "Benedictus", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: VI. "Agnus Dei", Motet: Ave verum corpus, K. 618 |
| Collegium Cartusianum |
performer |
Epistle Sonata No. 16 in C major, K. 329, Epistle Sonata No. 17 in C major, K. 336, Laudate Domnium KV339, Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass in C minor, K. 427: I. Kyrie, Mass in C minor, K. 427: III. Credo: Credo in unum Deum, Mass in C minor, K. 427: IIIb. Credo: Et incarnatus est, Mass in C minor, K. 427: IIa. Gloria: Gloria in excelsis Deo, Mass in C minor, K. 427: IIb. Gloria: Laudamus te, Mass in C minor, K. 427: IIc. Gloria: Gratias agimus tibi, Mass in C minor, K. 427: IId. Gloria: Domine Deus, Mass in C minor, K. 427: IIe. Gloria: Qui tollis, Mass in C minor, K. 427: IIf. Gloria: Quoniam tu solus, Mass in C minor, K. 427: IIg. Gloria: Jesu Christe / Cum Sancto Spiritu, Mass in C minor, K. 427: IV. Sanctus, Mass in C minor, K. 427: V. Benedictus qui venit, Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: I. "Kyrie", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: II. "Gloria", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: III. "Credo", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: IV. "Sanctus", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: V. "Benedictus", Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: VI. "Agnus Dei", Motet: Ave verum corpus, K. 618 |
| Tom Krause (bass-baritone) |
vocal |
Così fan tutte, K. 588: Act I. No. 1 Terzetto Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) / Recitativo "Fuor la spada!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act I. No. 13 Sestetto "Alla bella Despinetta vi presento, amici miei" (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo "Che sussurro! Che strepito, che scompglio è mai questo!" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act I. No. 15 Aria "Non siate ritrosi, occhietti vezzosi" (Guglielmo), Così fan tutte, K. 588: Act I. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Si può sapere un poco la cagion di quel riso? (Don Alfonso, Guglielmo, Ferrando), Così fan tutte, K. 588: Act I. No. 18 Finale "Dammi un bacio, o mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Eccovi il medico, signor belle!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act I. No. 2 Terzetto "È la fede delle femmine come l'araba fenice" (Ferrando, Don Alfonso, Guglielmo) / Recitativo "Scioccherie di poeti!" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I. No. 3 Terzetto "Una bella serenata far io voglio" (Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act I. No. 4 Duetto "Ah guarda sorella" (Fiordiligi, Dorabella) / Recitativo "Mi par, che stamattina ... Non son essi: è" (Ferrando, Guglielmo, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 6 Quintetto "Sento oddio, che questo piede è restio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) / Recitativo "Non piangere, idol mio (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 7 Duettino "Al fato dàn legge quegli occhi vezzosi" (Ferrando, Guglielmo) / Recitativo La commedia è graziosa... (Don Alfonso, Ferrando, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 8 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Non v'è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I. No. 8a Quintetto "Di scrivermi ogni giorno, giurami, vita mia!" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Dove son? - Son partiti" (Dorabella, Don Alfonso, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) / No. 14 Aria "Come scoglio immoto resta contra i venti" (Fiordiligi) / Recitativo "Ah, non partite!" (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo), Così fan tutte, K. 588: Act II. No. 23 Duetto "Il core vi dono" (Guglielmo, Dorabella), Così fan tutte, K. 588: Act II. No. 26 Aria "Donne mie, la fate a tanti" (Guglielmo), Così fan tutte, K. 588: Act II. No. 28 Aria "È Amore un ladroncello" (Dorabella) / Recitativo "Come tutto congiura a sedurre il mio cor!" (Fiordiligi, Guglielmo, Despina, Don Alfonso) / Recitativo "L'abito di Ferrando sarà buono per me" (Fiordiligi, Guglielmo), Così fan tutte, K. 588: Act II. No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando) / Recitativo "Ah, poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act II. No. 30 "Tutti accusan le donne, ed io le scuso" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Benedetti i doppi coniugi e le amabili sposine!" (coro di servi, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Miei signori, tutto è fatto ... Bella vita militar!" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act II. No. 31 Finale "Sani e salvi agli amplessi amorosi ... Fortunato l'uom che prende ogni cosa pel buon verso" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act II. Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. Recitativo "In qual fiero contrasto, in qual disordine di pensieri e di affetti io mi ritrovo!" (Ferrando) / No. 27 Cavatina "Tradito, schernito dal perfido cor" (Ferrando) / Recitativo "Bravo: questa è constanza" (Don Alfonso, Ferrando, Guglielmo), Là Ci Darem La Mano - Don Giovanni |
| Rosa Mannion |
vocal |
Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento", Così fan tutte, K. 588: Act I. "Ah, guarda, sorella", Così fan tutte, K. 588: Act I. "Ah, non partite", Così fan tutte, K. 588: Act I. "Ah, scostati!", Così fan tutte, K. 588: Act I. "Alla bella Despinetta", Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!", Così fan tutte, K. 588: Act I. "Che vita maledetta", Così fan tutte, K. 588: Act I. "Di scrivermi ogni giorno", Così fan tutte, K. 588: Act I. "Dove son?", Così fan tutte, K. 588: Act I. "La commedia è graziosa", Così fan tutte, K. 588: Act I. "Mi par che stamattina", Così fan tutte, K. 588: Act I. "Non piangere, idol mio!", Così fan tutte, K. 588: Act I. "Non vè più tempo: Amici", Così fan tutte, K. 588: Act I. "Sento, oh Dio, che questo piede", Così fan tutte, K. 588: Act I. "Signora Dorabella", Così fan tutte, K. 588: Act I. "Smanie implacabili", Così fan tutte, K. 588: Act I. "Soave sia il vento", Così fan tutte, K. 588: Act I. "Stelle! Per carità, signor Alfonso", Così fan tutte, K. 588: Act II. "Ah, correte al giardino", Così fan tutte, K. 588: Act II. "Andate là", Così fan tutte, K. 588: Act II. "E amore un ladroncello", Così fan tutte, K. 588: Act II. "Il cor vi dono", Così fan tutte, K. 588: Act II. "Il tutto deponete", Così fan tutte, K. 588: Act II. "Oh che bella giornata!", Così fan tutte, K. 588: Act II. "Ora vedo che siete", Così fan tutte, K. 588: Act II. "Prenderò quel brunettino", Così fan tutte, K. 588: Act II. "Sorella, cosa dici?" |
| Elly Ameling |
vocal |
Exsultate, jubilate, KV 165: Alleluja (English Chamber Orchestra feat. conductor: Raymond Leppard, soprano: Elly Ameling, organ: Leslie Pearson), Song Reduction on Josef Mysliveček: Aria "Il mio caro bene attendo sospiro" for Voice & Piano in F major, K. 210a/152 (possibly spurious) "Ridente la calma", Song for Tenor, Men's Chorus & Piano in D major, K. 125h/148 "Lobgesang auf die feierliche Johannisloge": "O heiliger Bund, dir weih' ich meine Lieder", Song for Voice & Mandolin in C major, K. 367b/351 (possibly spurious): "Komm, liebe Zither, komm", Song for Voice & Mandolin in G major, K. 367a/349 "Die Zufriedenheit": "Was frag' ich viel nach Geld und Gut", Song for Voice & Piano in A-flat major, K. 295b/308 "Dans un bois solitaire", Song for Voice & Piano in B-flat major, K. 340b/391 "An die Einsamkeit": "Sei du mein Trost", Song for Voice & Piano in B-flat major, K. 468 "Gesellenreise": "Wenn den langen Weg durchs Leben", Song for Voice & Piano in B-flat major, K. 473 "Die Zufriedenheit": "Wie sanft, wie ruhig fühl' ich hier", Song for Voice & Piano in C major, K. 284d/307 "Oiseaux, si tous les ans", Song for Voice & Piano in C major, K. 531 "Die kleine Spinnerin": "Was spinnst du?", Song for Voice & Piano in C minor, K. 520 "Als Luise die Briefe ihres ungetreuen Liebhabers": "Erzeugt von heißer Phantasie", Song for Voice & Piano in D minor, K. 340c/390 "An die Hoffnung": "Ich würd auf meinem Pfad", Song for Voice & Piano in E minor, K. 517 "Die Alte": "Zu meiner Zeit", Song for Voice & Piano in E-flat major, K. 524 "An Chloë": "Wenn die Lieb' aus deinen blauen", Song for Voice & Piano in E-flat major, K. 530 "Das Traumbild": "Wo bist du, Bild", Song for Voice & Piano in E-flat major, K. 597 "Der Frühling": "Erwacht zum neuen Leben", Song for Voice & Piano in F major, K. 125g/147 "Wie unglücklich bin ich nit", Song for Voice & Piano in F major, K. 340a/392 "Verdankt sei es dem Glanz der Großen", Song for Voice & Piano in F major, K. 506 "Lied der Freiheit": "Wer unter eines Mädchens Hand", Song for Voice & Piano in F major, K. 518 "Die Verschweigung": "Sobald Damötas Chloen sieht", Song for Voice & Piano in F major, K. 523 "Abendempfindung an Laura": "Abend ist's", Song for Voice & Piano in F major, K. 529 "Des kleinen Friedrichs Geburtstag": "Es war einmal, ihr Leute", Song for Voice & Piano in F major, K. 596 "Sehnsucht nach dem Frühling": "Komm, lieber Mai", Song for Voice & Piano in F minor, K. 519 "Das Lied der Trennung": "Die Engel Gottes weinen", Song for Voice & Piano in G major, K. 474 "Die Betrogene Welt": "Der reiche Tor", Song for Voice & Piano in G minor, K. 472 "Der Zauberer": "Ihr Mädchen, flieht Damöten ja!" |
| Helen Donath |
vocal |
Cor sincerum (mit obligater Klarinette), Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo), Die Hoffnung dient zum Stabe (mit obligater Klarinette), Domine Deus salutis meae (mit obligater Klarinette), Jesu dulcis memoria (mit obligater Klarinette), Jesu, amor meus (mit obligater Violine), Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia), Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia) / Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia), Lucio Silla, K. 135: Act I, Scene III. Recitativo "A te dell'amor mio" (Silla, Celia, Aufidio), Lucio Silla, K. 135: Act II, Scene II. Recitativi "Ah non mai non credea... Qual furor ti trasporta? Cecilio a che t'arresti... Al fiero suon... Ah corri, vola" (Celia, Silla, Cinna, Cecilio), Lucio Silla, K. 135: Act II, Scene IV. No. 10 Aria "Se il labbro timido" (Celia), Lucio Silla, K. 135: Act II, Scene IV. Recitativo "Ah sì, s'affretti il colpo" (Cinna, Celia), Lucio Silla, K. 135: Act II, Scene X. No. 15 Aria "Quando sugl'arsi campi" (Celia), Lucio Silla, K. 135: Act II, Scene X. Recitativo "Perché mi balzi in seno" (Giunia, Celia), Lucio Silla, K. 135: Act III, Scene I. No. 19 Aria "Strider sento la procella" (Celia), Lucio Silla, K. 135: Act III, Scene I. Recitativo "Ah sì tu solo, amico" (Cecilia, Celia, Cinna), Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia... Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio), Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mens Sancta Deo (mit obligater Fagott), Mens Sancta Deo (mit obligater Klarinette), Offertorium "Salve Regina" (mit obligater Violine), Plasmator Deus (mit obligater Fagott) |
| Annelies Burmeister |
vocal |
Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: II. "Panis vivus", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: V. "Tremendum ac vivificum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. "Dulcissimum convivium", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VII. "Viaticum in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VIII. "Pignus in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: X. "Miserere", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei" |
| Wolfgang Gönnenwein (conductor) |
conductor |
Mass in C minor, K. 427: I. Kyrie, Mass in C minor, K. 427: IIIa. Credo: Credo in unum Deum, Mass in C minor, K. 427: IIIb. Credo: Et incarnatus est, Mass in C minor, K. 427: IIa. Gloria: Gloria in excelsis Deo, Mass in C minor, K. 427: IIb. Gloria: Laudamus te, Mass in C minor, K. 427: IIc. Gloria: Gratias agimus tibi, Mass in C minor, K. 427: IId. Gloria: Domine Deus, Mass in C minor, K. 427: IIe. Gloria: Qui tollis, Mass in C minor, K. 427: IIf. Gloria: Quoniam tu solus, Mass in C minor, K. 427: IIg. Gloria: Cum Sancto Spiritu, Mass in C minor, K. 427: IIg. Gloria: Jesu Christe, Mass in C minor, K. 427: IV. Sanctus, Mass in C minor, K. 427: V. Benedictus qui venit, Requiem, K. 626: I. Introitus: Requiem aeternam, Requiem, K. 626: II. Kyrie eleison, Requiem, K. 626: III. Sequenz: Confutatis maledictis, Requiem, K. 626: III. Sequenz: Dies irae, Requiem, K. 626: III. Sequenz: Lacrimosa, Requiem, K. 626: III. Sequenz: Recordare, Requiem, K. 626: III. Sequenz: Rex tremendae, Requiem, K. 626: III. Sequenz: Tuba mirum, Requiem, K. 626: IV. Offertorium: Domine Jesu Christe, Requiem, K. 626: IV. Offertorium: Hostias et preces, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Communio: Lux aeterna |
| Alison Browner (Irish classical singer) |
vocal |
Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): I. Kyrie, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): II. Gloria, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): III. Laudamus te, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IV. Gratias, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IX. Credo, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): V. Domine, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VI. Qui tollis, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VII. Quoniam, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VIII. Jesu Christe - Cum spirito sancto, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): X. Et incarnatus est, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XI. Sanctus, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XII. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): I. Introitus, Requiem, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): II. Kyrie, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 1. Dies irae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 2. Tuba mirum, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 3. Rex tremendae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 4. Recordare, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 5. Confutatis, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 6. Lacrimosa, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 1. Domine Jesu, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 2. Hostias, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): V. Sanctus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VI. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VII. Agnus Dei, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VIII. Communio |
| Markus Volpert (German classical singer) |
vocal |
Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): I. Kyrie, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): II. Gloria, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): III. Laudamus te, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IV. Gratias, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IX. Credo, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): V. Domine, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VI. Qui tollis, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VII. Quoniam, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VIII. Jesu Christe - Cum spirito sancto, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): X. Et incarnatus est, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XI. Sanctus, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XII. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): I. Introitus, Requiem, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): II. Kyrie, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 1. Dies irae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 2. Tuba mirum, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 3. Rex tremendae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 4. Recordare, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 5. Confutatis, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 6. Lacrimosa, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 1. Domine Jesu, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 2. Hostias, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): V. Sanctus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VI. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VII. Agnus Dei, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VIII. Communio |
| Concentus Musicus Wien |
performing orchestra |
Hosanna (Great Mass K. 427), Hostia sancta (Litaniae de venerabili altaris sacramento K. 243), Kontretanz KV 603, Nr. 1, Kontretanz KV 609, Nr. 1, Kontretanz in C, KV 609, Nr. 4, Lucio Silla, K. 135: Act 1 "Il tenero momento" (Cecilio), Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIa. Credo: Allegro "Credo in unum Deum" / IIIb. Credo: Poco adagio "Et incarnatus est" / IIIc. Credo: Allegro - adagio - allegro "Et resurrexit" / IIId. Credo: Andante "Et i, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" / IVb. Sanctus: Allegro Pleni sunt coeli" / IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem", Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 1 in D, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 2 in A, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 3 in C, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 4 in G, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 5 in B, Sechs deutsche Tänze KV 571: Deutscher Tanz Nr. 6 in D |
| Bach-Collegium Stuttgart |
performer, performing orchestra, vocal |
Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317: 2. Gloria, Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIc. Credo: "Crucifixus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIId. Credo: "Er resurrexit", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIe. Credo: "Et in Spiritum Sanctum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIf. Credo: "Et unam sanctam", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIg. Credo: "Et vitam venturi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": VIa. Agnus Dei: "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": VIb. Agnus Dei: "Dona nobis pacem", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" / IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Mass in C major, KV 317: Agnus Dei, Mass in C major, KV 317: Benedictus, Mass in C major, KV 317: Credo, Mass in C major, KV 317: Gloria, Mass in C major, KV 317: Kyrie, Mass in C major, KV 317: Sanctus |
| Johann Christian Bach-Akademie |
performing orchestra |
Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): I. Kyrie, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): II. Gloria, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): III. Laudamus te, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IV. Gratias, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IX. Credo, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): V. Domine, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VI. Qui tollis, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VII. Quoniam, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VIII. Jesu Christe - Cum spirito sancto, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): X. Et incarnatus est, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XI. Sanctus, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XII. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): I. Introitus, Requiem, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): II. Kyrie, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 1. Dies irae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 2. Tuba mirum, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 3. Rex tremendae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 4. Recordare, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 5. Confutatis, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 6. Lacrimosa, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 1. Domine Jesu, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 2. Hostias, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): V. Sanctus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VI. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VII. Agnus Dei, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VIII. Communio |
| Volker Hempfling |
conductor |
Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): I. Kyrie, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): II. Gloria, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): III. Laudamus te, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IV. Gratias, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IX. Credo, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): V. Domine, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VI. Qui tollis, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VII. Quoniam, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VIII. Jesu Christe - Cum spirito sancto, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): X. Et incarnatus est, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XI. Sanctus, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XII. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): I. Introitus, Requiem, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): II. Kyrie, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 1. Dies irae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 2. Tuba mirum, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 3. Rex tremendae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 4. Recordare, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 5. Confutatis, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 6. Lacrimosa, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 1. Domine Jesu, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 2. Hostias, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): V. Sanctus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VI. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VII. Agnus Dei, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VIII. Communio |
| Erich Leinsdorf |
conductor |
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna", Symphony no. 39 in E-flat, K. 543: 1. Adagio - Allegro, Symphony no. 39 in E-flat, K. 543: 2. Andante Con Moto, Symphony no. 39 in E-flat, K. 543: 3. Menuetto (Allegretto), Symphony no. 39 in E-flat, K. 543: 4. Finale (Allegro), Symphony no. 40 in G minor, K. 550: 1. Molto Allegro, Symphony no. 40 in G minor, K. 550: 2. Andante, Symphony no. 40 in G minor, K. 550: 3. Menuetto (Allegretto) - Trio, Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro Assai), Symphony no. 41 in C, K. 551 "Jupiter": 1. Allegro Vivace, Symphony no. 41 in C, K. 551 "Jupiter": 2. Andante Cantabile, Symphony no. 41 in C, K. 551 "Jupiter": 3. Menuetto (Allegretto), Symphony no. 41 in C, K. 551 "Jupiter": 4. Molto Allegro |
| Ingeborg Scheerer |
chorus master |
Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): I. Kyrie, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): II. Gloria, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): III. Laudamus te, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IV. Gratias, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IX. Credo, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): V. Domine, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VI. Qui tollis, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VII. Quoniam, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VIII. Jesu Christe - Cum spirito sancto, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): X. Et incarnatus est, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XI. Sanctus, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XII. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): I. Introitus, Requiem, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): II. Kyrie, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 1. Dies irae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 2. Tuba mirum, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 3. Rex tremendae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 4. Recordare, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 5. Confutatis, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 6. Lacrimosa, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 1. Domine Jesu, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 2. Hostias, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): V. Sanctus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VI. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VII. Agnus Dei, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VIII. Communio |
| Kölner Kantorei |
vocal |
Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): I. Kyrie, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): II. Gloria, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): III. Laudamus te, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IV. Gratias, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IX. Credo, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): V. Domine, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VI. Qui tollis, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VII. Quoniam, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VIII. Jesu Christe - Cum spirito sancto, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): X. Et incarnatus est, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XI. Sanctus, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XII. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): I. Introitus, Requiem, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): II. Kyrie, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 1. Dies irae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 2. Tuba mirum, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 3. Rex tremendae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 4. Recordare, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 5. Confutatis, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 6. Lacrimosa, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 1. Domine Jesu, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 2. Hostias, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): V. Sanctus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VI. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VII. Agnus Dei, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VIII. Communio |
| Gabriele Hierdeis (German Soprano singer) |
vocal |
Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): I. Kyrie, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): II. Gloria, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): III. Laudamus te, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IV. Gratias, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IX. Credo, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): V. Domine, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VI. Qui tollis, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VII. Quoniam, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VIII. Jesu Christe - Cum spirito sancto, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): X. Et incarnatus est, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XI. Sanctus, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XII. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): I. Introitus, Requiem, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): II. Kyrie, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 1. Dies irae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 2. Tuba mirum, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 3. Rex tremendae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 4. Recordare, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 5. Confutatis, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 6. Lacrimosa, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 1. Domine Jesu, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 2. Hostias, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): V. Sanctus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VI. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VII. Agnus Dei, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VIII. Communio |
| János Rolla |
conductor |
Clarinet Concerto in A: Adagio, Flute and Harp Concerto in C major, K. 297c/299: I. Allegro, Flute and Harp Concerto in C major, K. 297c/299: III. Rondeau, Gallimathias musicum, K. 32: I. Molto allegro, Gallimathias musicum, K. 32: II. Andante, Gallimathias musicum, K. 32: IV. Allegro finale, Gallimathias musicum, K. 32: IX. Molto adagio, Gallimathias musicum, K. 32: V. Pastorella, Gallimathias musicum, K. 32: VI. Allegro - VII. Allegretto, Gallimathias musicum, K. 32: VIII. Allegro, Gallimathias musicum, K. 32: X. Allegro, Gallimathias musicum, K. 32: XI. Largo - XII. Molto allegro, Gallimathias musicum, K. 32: XIII. Andante - XIV. Allegro, Gallimathias musicum, K. 32: XV. Menuett, Gallimathias musicum, K. 32: XVI. Adagio - XVII. Presto, Gallimathias musicum, K. 32: XVIII. Fuga, Les petits riens: No. 1. Largo, Les petits riens: No. 10. Pantomime, Les petits riens: No. 11. Passepied, Les petits riens: No. 12. Gavotte, Les petits riens: No. 13. Andante, Les petits riens: No. 2. Gavotte, Les petits riens: No. 3. Gavotte (joyeuse). Allegro, Les petits riens: No. 7. Adagio, Les petits riens: No. 8. (sem indicação de tempo), Les petits riens: Ouverture. Allegro |
| Marcus Ullmann |
vocal |
Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): I. Kyrie, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): II. Gloria, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): III. Laudamus te, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IV. Gratias, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): IX. Credo, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): V. Domine, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VI. Qui tollis, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VII. Quoniam, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): VIII. Jesu Christe - Cum spirito sancto, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): X. Et incarnatus est, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XI. Sanctus, Grosse Messe c-moll / Great Mass in C Minor, K 427 (Edition H. C. Robbins Landon): XII. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): I. Introitus, Requiem, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): II. Kyrie, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 1. Dies irae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 2. Tuba mirum, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 3. Rex tremendae, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 4. Recordare, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 5. Confutatis, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): III. Sequenzia. 6. Lacrimosa, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 1. Domine Jesu, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): IV. Offertorium. 2. Hostias, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): V. Sanctus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VI. Benedictus, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VII. Agnus Dei, Requiem d-moll / Requiem in D minor, K 626 (Edition Franz Beyer): VIII. Communio |
| Daniel Barenboim |
conductor, piano |
Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act IV, Ecco la marcia (All), Marriage of Figaro: "Non so più cosa son, cosa faccio" (Cherubino), Piano Concerto no. 22 in E-flat major, K. 482: 1. Allegro, Piano Concerto no. 22 in E-flat major, K. 482: 2. Andante, Piano Concerto no. 22 in E-flat major, K. 482: 3. Allegro, Piano Sonata no. 16 in B-flat, K. 570: 1. Allegro, Piano Sonata no. 16 in B-flat, K. 570: 2. Adagio, Piano Sonata no. 16 in B-flat, K. 570: 3. Allegretto, Piano Sonata no. 8 in A minor, K. 310: 1. Allegro Maestoso, Piano Sonata no. 8 in A minor, K. 310: 2. Andante Cantabile Con Espressione, Piano Sonata no. 8 in A minor, K. 310: 3. Presto, Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis maledictis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem Aeternam, Requiem: Rex tremendae, Requiem: Sanctus, Requiem: Tuba mirum, Sonate voor 2 Piano's in D, K. 448: III. Allegro molto |
| Johannes Wildner |
conductor |
Clarinet Concerto in A major: Adagio (Out of Africa), Concerto pour clarinette : Adagio, Concerto pour clarinette K622: Andante, Così fan tutte: Act I. Aria: Come scoglio, Così fan tutte: Act I. Aria: In uomini, in soldati, Così fan tutte: Act I. Aria: Non siate ritrosi, Così fan tutte: Act I. Aria: Smanie implacabili, Così fan tutte: Act I. Aria: Un'aura amorosa, Così fan tutte: Act I. Aria: Vorrei dir, e cor non ho, Così fan tutte: Act I. Coro: Bella vita militar!, Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act I. Quintetto: Sento, oh Dio, Così fan tutte: Act I. Sestetto: Alla bella Despinetta, Così fan tutte: Act I. Terzetto: E la fede delle femmine, Così fan tutte: Act I. Terzetto: La mia Dorabella capace non è, Così fan tutte: Act I. Terzetto: Una bella serenata, Così fan tutte: Act II. Aria: Donne mie, la fate a tanti, Così fan tutte: Act II. Aria: Una donna a quindici anni, Così fan tutte: Act II. Duetto: Fra gli amplessi, Così fan tutte: Act II. Duetto: Prenderò quel brunettino, Così fan tutte: Act II. Finale: Fortunato l'uom che prende, Così fan tutte: Act II. Recitativo: Ei parte… Senti!… Ah, no!, Così fan tutte: Ouverture, Die Zauberflöte, KV 620: Dies Bildnis ist bezaubernd, German Dances No. 3, KV 605 |
| Ryland Davies (tenor) |
vocal |
Così fan tutte, K. 588: Act I. No. 1 Terzetto Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) / Recitativo "Fuor la spada!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act I. No. 13 Sestetto "Alla bella Despinetta vi presento, amici miei" (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo "Che sussurro! Che strepito, che scompglio è mai questo!" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act I. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Si può sapere un poco la cagion di quel riso? (Don Alfonso, Guglielmo, Ferrando), Così fan tutte, K. 588: Act I. No. 17 Aria "Un'aura amorosa del nostro tesoro" (Ferrando) / Recitativo "Oh la saria da ridere" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Dammi un bacio, o mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Eccovi il medico, signor belle!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act I. No. 2 Terzetto "È la fede delle femmine come l'araba fenice" (Ferrando, Don Alfonso, Guglielmo) / Recitativo "Scioccherie di poeti!" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I. No. 3 Terzetto "Una bella serenata far io voglio" (Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act I. No. 4 Duetto "Ah guarda sorella" (Fiordiligi, Dorabella) / Recitativo "Mi par, che stamattina ... Non son essi: è" (Ferrando, Guglielmo, Dorabella, Don Alfonso), Così fan tutte, K. 588: Act I. No. 6 Quintetto "Sento oddio, che questo piede è restio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) / Recitativo "Non piangere, idol mio (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 7 Duettino "Al fato dàn legge quegli occhi vezzosi" (Ferrando, Guglielmo) / Recitativo La commedia è graziosa... (Don Alfonso, Ferrando, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 8 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Non v'è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I. No. 8a Quintetto "Di scrivermi ogni giorno, giurami, vita mia!" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Dove son? - Son partiti" (Dorabella, Don Alfonso, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) / No. 14 Aria "Come scoglio immoto resta contra i venti" (Fiordiligi) / Recitativo "Ah, non partite!" (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo), Così fan tutte, K. 588: Act II. No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando) / Recitativo "Ah, poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando), Così fan tutte, K. 588: Act II. No. 30 "Tutti accusan le donne, ed io le scuso" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Benedetti i doppi coniugi e le amabili sposine!" (coro di servi, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Miei signori, tutto è fatto ... Bella vita militar!" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act II. No. 31 Finale "Sani e salvi agli amplessi amorosi ... Fortunato l'uom che prende ogni cosa pel buon verso" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act II. Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. Recitativo "Barbara! Perché fuggi?" (Ferrando, Fiordiligi) / No. 24 Aria "Ah, lo veggio, quell'anima bella al mio pianto resister non sa" (Ferrando), Così fan tutte, K. 588: Act II. Recitativo "In qual fiero contrasto, in qual disordine di pensieri e di affetti io mi ritrovo!" (Ferrando) / No. 27 Cavatina "Tradito, schernito dal perfido cor" (Ferrando) / Recitativo "Bravo: questa è constanza" (Don Alfonso, Ferrando, Guglielmo) |
| Camerata Würzburg |
performing orchestra |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus", Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei" |
| Opera Orchestra Bratislava |
performing orchestra |
Così fan tutte, K. 588: Act I, Scene I. No. 1 Terzetto "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene I. No. 3 Terzetto "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene II. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso), Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina), Così fan tutte, K. 588: Act I, Scene IX. Recitativo "Ah, scostati!" (Dorabella), Così fan tutte, K. 588: Act I, Scene XI. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi), Così fan tutte, K. 588: Act I, Scene XII. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I, Scene XII. No. 17 Aria "Un'aura amorosa" (Ferrando), Così fan tutte, K. 588: Act II, Scene I. No.19 Aria "Una donna a quindici anni" (Despina), Così fan tutte, K. 588: Act II, Scene VIII. No. 26 Aria "Donne mie, la fate a tanti" (Guglielmo), Così fan tutte, K. 588: Act II, Scene X. No. 28 Aria "È amore un ladroncello" (Dorabella), Der Schauspieldirektor, K. 486: Ouverture, Don Giovanni, opera, K. 527: La ci darem la mano, Don Giovanni, opera, K. 527: Madammina..., Don Giovanni: Overture, Il dissoluto punito, ossia il Don Giovanni for Soprano in E-flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria "In quali eccessi, oh numi" (Soprano), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Non più andrai..., Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi amor |
| Thomas Hampson |
vocal |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": I. Recitativo "Wo bin ich bittrer Schmerz" (Die Seele) / II. Aria "Felsen, spaltet euren Rachen" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel'" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": V. Recitativo "O Himmel, was ein traurig Licht (Die Seele, Basso)" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel) / VIII. Coro "Jesu, wahrer Gottessohn" (Coro), Don Giovanni, K. 527: Act 2 "Deh! vieni alla finestra" (Don Giovanni), Le Nozze di Figaro: Hai già vinta la causa! / Vedro mentr'io sospiro, Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) / Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andate" (Il Conte, Basilio, Susanna) / Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro) / Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Coro "Giovani liete, fiori spargete" (Coro) / Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna) / Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna) / Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) / Act II, Scene III. Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) / Act II, Scene IV. Recitativo "Oh guarda il demonietto!" (Susanna) / Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / Act II, Scene VII. No. 16 FiContenale "Signore, cos'è quel stupore?" (Il Conte, La ssa, Susanna) / Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor" ... "Cosa è stato?" (Il Conte, La Contessa, Susanna, Antonio, Figaro) / Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna, Marcellina, Basilio, Bartolo, Figaro), Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna) / Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte) / Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna) / Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa) / Act III, Scene IX. Recitativo "Io vi dico, signor, che Cherubino" (Antonio, Il Conte) / Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act IV, Scena Ultima: No. 23 Gente, Gente, All'armi, All'armi (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Ecco qui la mia Susanna" (Il Conte, Susanna, Figaro, Cherubino, La Contessa) / Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le nozze di Figaro: "Hai gìa vinta la causa!" / "Vedrò mentre io sospiro" |
| Oliver von Dohnányi |
conductor |
Così fan tutte, K. 588: Act I, Scene I. No. 1 Terzetto "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene I. No. 3 Terzetto "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene II. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso), Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina), Così fan tutte, K. 588: Act I, Scene IX. Recitativo "Ah, scostati!" (Dorabella), Così fan tutte, K. 588: Act I, Scene XI. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi), Così fan tutte, K. 588: Act I, Scene XII. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I, Scene XII. No. 17 Aria "Un'aura amorosa" (Ferrando), Così fan tutte, K. 588: Act II, Scene I. No.19 Aria "Una donna a quindici anni" (Despina), Così fan tutte, K. 588: Act II, Scene VIII. No. 26 Aria "Donne mie, la fate a tanti" (Guglielmo), Così fan tutte, K. 588: Act II, Scene X. No. 28 Aria "È amore un ladroncello" (Dorabella), Der Schauspieldirektor, K. 486: Ouverture, Don Giovanni, opera, K. 527: La ci darem la mano, Don Giovanni, opera, K. 527: Madammina..., Don Giovanni: Overture, Il dissoluto punito, ossia il Don Giovanni for Soprano in E-flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria "In quali eccessi, oh numi" (Soprano), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Non più andrai..., Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi amor |
| Dalton Baldwin |
piano |
Song Reduction on Josef Mysliveček: Aria "Il mio caro bene attendo sospiro" for Voice & Piano in F major, K. 210a/152 (possibly spurious) "Ridente la calma", Song for Tenor, Men's Chorus & Piano in D major, K. 125h/148 "Lobgesang auf die feierliche Johannisloge": "O heiliger Bund, dir weih' ich meine Lieder", Song for Voice & Piano in A-flat major, K. 295b/308 "Dans un bois solitaire", Song for Voice & Piano in B-flat major, K. 340b/391 "An die Einsamkeit": "Sei du mein Trost", Song for Voice & Piano in B-flat major, K. 468 "Gesellenreise": "Wenn den langen Weg durchs Leben", Song for Voice & Piano in B-flat major, K. 473 "Die Zufriedenheit": "Wie sanft, wie ruhig fühl' ich hier", Song for Voice & Piano in C major, K. 284d/307 "Oiseaux, si tous les ans", Song for Voice & Piano in C major, K. 531 "Die kleine Spinnerin": "Was spinnst du?", Song for Voice & Piano in C minor, K. 520 "Als Luise die Briefe ihres ungetreuen Liebhabers": "Erzeugt von heißer Phantasie", Song for Voice & Piano in D minor, K. 340c/390 "An die Hoffnung": "Ich würd auf meinem Pfad", Song for Voice & Piano in E minor, K. 517 "Die Alte": "Zu meiner Zeit", Song for Voice & Piano in E-flat major, K. 524 "An Chloë": "Wenn die Lieb' aus deinen blauen", Song for Voice & Piano in E-flat major, K. 530 "Das Traumbild": "Wo bist du, Bild", Song for Voice & Piano in E-flat major, K. 597 "Der Frühling": "Erwacht zum neuen Leben", Song for Voice & Piano in F major, K. 125g/147 "Wie unglücklich bin ich nit", Song for Voice & Piano in F major, K. 340a/392 "Verdankt sei es dem Glanz der Großen", Song for Voice & Piano in F major, K. 506 "Lied der Freiheit": "Wer unter eines Mädchens Hand", Song for Voice & Piano in F major, K. 518 "Die Verschweigung": "Sobald Damötas Chloen sieht", Song for Voice & Piano in F major, K. 523 "Abendempfindung an Laura": "Abend ist's", Song for Voice & Piano in F major, K. 529 "Des kleinen Friedrichs Geburtstag": "Es war einmal, ihr Leute", Song for Voice & Piano in F major, K. 596 "Sehnsucht nach dem Frühling": "Komm, lieber Mai", Song for Voice & Piano in F minor, K. 519 "Das Lied der Trennung": "Die Engel Gottes weinen", Song for Voice & Piano in G major, K. 474 "Die Betrogene Welt": "Der reiche Tor", Song for Voice & Piano in G minor, K. 472 "Der Zauberer": "Ihr Mädchen, flieht Damöten ja!" |
| Benoît Haller |
vocal |
Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Gloria. "Laudamus te", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Gloria. "Gratias agimus tibi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Gloria. "Domine Deus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Gloria. "Qui tollis", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VII. Gloria. "Quoniam tu solus sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIII. Gloria. "Cum sancto Spiritu", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": X. Credo. "Et incarnatus est", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XI. Credo. "Crucifixus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XII. Credo. "Et resurrexit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIII. Credo. "Et in Spiritum Sanctum", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XIV. Credo. "Et in unam Sanctam Catholicam", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XV. Credo. "Et vitam venturi saeculi", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVI. Credo. "Sanctus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVII. Credo. "Benedictus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": XVIII. Credo. "Agnus Dei" |
| Nancy Argenta |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" / "Pace, pace, o vita mia" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) / "Ahi ahi! la testa mia" (Masetto, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Duetto "Per queste tue manine" (Zerlina, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) |
| Hans Wisse |
bassoon |
Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: I. Andante, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: II. Minuetto, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: III. Polonaise, Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: I. Tema. Andante con variazioni, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: II. Minuetto, Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: III. Allegro assai, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: I. Allegro molto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: II. Andantino, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto, Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: IV. Presto, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: I. Allegro spiritoso, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: II. Andante, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: III. Minuetto, Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: IV. Contredanse en rondeau, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: I. Allegro, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: II. Andante grazioso, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: III. Minuetto, Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: IV. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro |
| Arthur Rubinstein (pianist) |
piano |
Concerto for Piano and Orchestra No. 24 in C Minor, K. 491: I. Allegro, Concerto for Piano and Orchestra No. 24 in C Minor, K. 491: II. Larghetto, Concerto for Piano and Orchestra No. 24 in C Minor, K. 491: III. Allegretto, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": Andante (RCA Victor Symphony Orchestra feat conductor: Alfred Wallenstein, piano: Artur Rubinstein), Piano Concerto No. 23 in A major K. 488: I. Allegro, Piano Concerto No. 23 in A major K. 488: II. Andante, Piano Concerto No. 23 in A major K. 488: III. Presto, Piano Concerto no. 17 in G major, op. 9, K. 453: I. Allegro, Piano Concerto no. 17 in G major, op. 9, K. 453: II. Andante, Piano Concerto no. 17 in G major, op. 9, K. 453: III. Allegretto, Piano Concerto no. 20 in D minor, K. 466: I. Allegro, Piano Concerto no. 20 in D minor, K. 466: II. Romance, Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai, Piano Concerto no. 21 in C major, K. 467, "Elvira Madigan": I. Allegro maestoso, Piano Concerto no. 21 in C major, K. 467, "Elvira Madigan": II. Andante, Piano Concerto no. 21 in C major, K. 467, "Elvira Madigan": III. Allegro vivace assai, Piano Concerto no. 23 in A major, K. 488: I. Allegro, Piano Concerto no. 23 in A major, K. 488: II. Andante, Piano Concerto no. 23 in A major, K. 488: III. Presto, Piano Concerto no. 24 in C minor, K. 491: I. Allegro, Piano Concerto no. 24 in C minor, K. 491: II. Larghetto, Piano Concerto no. 24 in C minor, K. 491: III. Allegretto, Rondo in a Minor, K. 511 |
| John Mark Ainsley |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Ah del padre in periglio" / Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) / "Ah ti ritrovo ancor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XIV-XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Anhang. Recitativo "Ah pietà... compassion" (Leporello, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) |
| Philharmonia Zürich |
performing orchestra |
Die Entführung aus dem Serail, K. 384: Act 2 "Martern aller Arten" (Konstanze), Die Zauberflöte, K. 620: Act 1 "Dies Bildnis ist bezaubernd schön" (Tamino), Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino), Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) / ... / Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester, Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino), Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino), Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben), Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester), Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Die Zauberflöte: Dies Bildnis ist bezaubernd schön, Idomeneo, K. 366: Act 2 "Fuor del mar" (Idomeneo), La clemenza di Tito, K. 621: Act 1 "Parto, ma tu ben mio" (Sesto), La clemenza di Tito, K. 621: Act 2 "Non, più di fiori" (Vitellia), La clemenza di Tito, K. 621: Act 2 "Se all'impero, amici Dei" (Tito) |
| Dawn Upshaw |
vocal |
Le Nozze di Figaro: Deh vieni, non tardar, o gioia bella, Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… venti… trenta…" (Figaro, Susanna) / Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) / Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) / Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) / Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andate" (Il Conte, Basilio, Susanna) / Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro) / Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Coro "Giovani liete, fiori spargete" (Coro) / Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) / Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro) / Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna) / Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna) / Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) / Act II, Scene III. Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) / Act II, Scene IV. Recitativo "Oh guarda il demonietto!" (Susanna) / Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / Act II, Scene VII. No. 16 FiContenale "Signore, cos'è quel stupore?" (Il Conte, La ssa, Susanna) / Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor" ... "Cosa è stato?" (Il Conte, La Contessa, Susanna, Antonio, Figaro) / Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna, Marcellina, Basilio, Bartolo, Figaro), Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna) / Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna) / Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa) / Act III, Scene IX. Recitativo "Io vi dico, signor, che Cherubino" (Antonio, Il Conte) / Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Ecco qui la mia Susanna" (Il Conte, Susanna, Figaro, Cherubino, La Contessa) / Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna) / Act IV, Scene VIII. No. 27 Aria "Aprite un po' quegl'occhi" (Figaro) / Act IV, Scene IX. Recitativo "Signora, ella mi disse" (Figaro, La Contessa, Marcellina, Susanna), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) / Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna) / Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Cherubino, Figaro, La Contessa) |
| 鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) |
conductor |
Requiem, K. 626: I. Introitus: Requiem, Requiem, K. 626: II. Kyrie, Requiem, K. 626: III. Sequentia: 1. Dies irae, Requiem, K. 626: III. Sequentia: 2. Tuba mirum, Requiem, K. 626: III. Sequentia: 3. Rex tremendae, Requiem, K. 626: III. Sequentia: 4. Recordare, Requiem, K. 626: III. Sequentia: 5. Confutatis, Requiem, K. 626: III. Sequentia: 6. Lacrimosa, Requiem, K. 626: III. Sequentia: 7. Amen, Requiem, K. 626: IV. Offertorium: 1. Domine Jesu, Requiem, K. 626: IV. Offertorium: 2. Hostias, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Lux aeterna, Tuba mirum from Requiem (alternative version), Vesperae solennes de confessore, K. 339: I. Dixit Dominus, Vesperae solennes de confessore, K. 339: II. Confitebor, Vesperae solennes de confessore, K. 339: III. Beatus vir, Vesperae solennes de confessore, K. 339: IV. Laudate pueri, Vesperae solennes de confessore, K. 339: V. Laudate Dominum, Vesperae solennes de confessore, K. 339: VI. Magnificat |
| Hans Kipfer |
sound |
Requiem, K. 626: I. Introitus: Requiem, Requiem, K. 626: II. Kyrie, Requiem, K. 626: III. Sequentia: 1. Dies irae, Requiem, K. 626: III. Sequentia: 2. Tuba mirum, Requiem, K. 626: III. Sequentia: 3. Rex tremendae, Requiem, K. 626: III. Sequentia: 4. Recordare, Requiem, K. 626: III. Sequentia: 5. Confutatis, Requiem, K. 626: III. Sequentia: 6. Lacrimosa, Requiem, K. 626: III. Sequentia: 7. Amen, Requiem, K. 626: IV. Offertorium: 1. Domine Jesu, Requiem, K. 626: IV. Offertorium: 2. Hostias, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Lux aeterna, Tuba mirum from Requiem (alternative version), Vesperae solennes de confessore, K. 339: I. Dixit Dominus, Vesperae solennes de confessore, K. 339: II. Confitebor, Vesperae solennes de confessore, K. 339: III. Beatus vir, Vesperae solennes de confessore, K. 339: IV. Laudate pueri, Vesperae solennes de confessore, K. 339: V. Laudate Dominum, Vesperae solennes de confessore, K. 339: VI. Magnificat |
| Bach Collegium Japan |
performing orchestra |
Requiem, K. 626: I. Introitus: Requiem, Requiem, K. 626: II. Kyrie, Requiem, K. 626: III. Sequentia: 1. Dies irae, Requiem, K. 626: III. Sequentia: 2. Tuba mirum, Requiem, K. 626: III. Sequentia: 3. Rex tremendae, Requiem, K. 626: III. Sequentia: 4. Recordare, Requiem, K. 626: III. Sequentia: 5. Confutatis, Requiem, K. 626: III. Sequentia: 6. Lacrimosa, Requiem, K. 626: III. Sequentia: 7. Amen, Requiem, K. 626: IV. Offertorium: 1. Domine Jesu, Requiem, K. 626: IV. Offertorium: 2. Hostias, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Lux aeterna, Tuba mirum from Requiem (alternative version), Vesperae solennes de confessore, K. 339: I. Dixit Dominus, Vesperae solennes de confessore, K. 339: II. Confitebor, Vesperae solennes de confessore, K. 339: III. Beatus vir, Vesperae solennes de confessore, K. 339: IV. Laudate pueri, Vesperae solennes de confessore, K. 339: V. Laudate Dominum, Vesperae solennes de confessore, K. 339: VI. Magnificat |
| Slovenský filharmonický zbor |
vocal |
Cliffhanger, Commuini: Lux Aeterna (Requiem), Così fan tutte: Act I. Aria: Come scoglio, Così fan tutte: Act I. Aria: In uomini, in soldati, Così fan tutte: Act I. Aria: Non siate ritrosi, Così fan tutte: Act I. Aria: Smanie implacabili, Così fan tutte: Act I. Aria: Un'aura amorosa, Così fan tutte: Act I. Aria: Vorrei dir, e cor non ho, Così fan tutte: Act I. Coro: Bella vita militar!, Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act I. Quintetto: Sento, oh Dio, Così fan tutte: Act I. Sestetto: Alla bella Despinetta, Così fan tutte: Act I. Terzetto: E la fede delle femmine, Così fan tutte: Act I. Terzetto: La mia Dorabella capace non è, Così fan tutte: Act I. Terzetto: Una bella serenata, Così fan tutte: Act II. Aria: Donne mie, la fate a tanti, Così fan tutte: Act II. Aria: Una donna a quindici anni, Così fan tutte: Act II. Duetto: Fra gli amplessi, Così fan tutte: Act II. Duetto: Prenderò quel brunettino, Così fan tutte: Act II. Finale: Fortunato l'uom che prende, Così fan tutte: Act II. Recitativo: Ei parte… Senti!… Ah, no!, Così fan tutte: Ouverture |
| Alfred Scholz |
conductor |
Concerto No. 3 in E-flat major for Horn, K. 447: I. Allegro, Concerto No. 3 in E-flat major for Horn, K. 447: II. Romance. Larghetto, Concerto No. 3 in E-flat major for Horn, K. 447: III. Allegro, Piano concerto No. 21 in C major K. 467, "Elvira Madigan": I. Allegro maestoso, Piano concerto No. 21 in C major K. 467, "Elvira Madigan": III. Allegro vivace assai, Serenade No. 4, KV 203, D-Dur / in D: 3. Menuetto, Serenade No. 4, KV 203, D-Dur / in D: 6. Andante, Serenade No. 6, KV 239, D-Dur / in D (Serenata Notturna): Rondo: Allegretto, Symphonie No. 41 C-Dur, K. 551 „Jupiter“: I. Allegro vivace, Symphonie Nr. 36 in C-Dur, KV 425 "Linzer Symphonie": Adagio - Allegro spiritoso (Philharmonia Slavonica feat. conductor: Alfred Scholz), Symphonie Nr. 36 in C-Dur, KV 425 "Linzer Symphonie": Andante (Philharmonia Slavonica feat. conductor: Alfred Scholz), Symphonie Nr. 36 in C-Dur, KV 425 "Linzer Symphonie": Menuett (Philharmonia Slavonica feat. conductor: Alfred Scholz), Symphonie Nr. 36 in C-Dur, KV 425 "Linzer Symphonie": Presto (Philharmonia Slavonica feat. conductor: Alfred Scholz), Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto, Symphony no. 40 in G minor, KV 550: I. Molto allegro, Symphony no. 40 in G minor, KV 550: II. Andante, Symphony no. 40 in G minor, KV 550: III. Menuetto, Symphony no. 40 in G minor, KV 550: IV. Allegro assai, The Magic Flute |
| Jens Braun (classical engineer) |
producer |
Requiem, K. 626: I. Introitus: Requiem, Requiem, K. 626: II. Kyrie, Requiem, K. 626: III. Sequentia: 1. Dies irae, Requiem, K. 626: III. Sequentia: 2. Tuba mirum, Requiem, K. 626: III. Sequentia: 3. Rex tremendae, Requiem, K. 626: III. Sequentia: 4. Recordare, Requiem, K. 626: III. Sequentia: 5. Confutatis, Requiem, K. 626: III. Sequentia: 6. Lacrimosa, Requiem, K. 626: III. Sequentia: 7. Amen, Requiem, K. 626: IV. Offertorium: 1. Domine Jesu, Requiem, K. 626: IV. Offertorium: 2. Hostias, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Lux aeterna, Tuba mirum from Requiem (alternative version), Vesperae solennes de confessore, K. 339: I. Dixit Dominus, Vesperae solennes de confessore, K. 339: II. Confitebor, Vesperae solennes de confessore, K. 339: III. Beatus vir, Vesperae solennes de confessore, K. 339: IV. Laudate pueri, Vesperae solennes de confessore, K. 339: V. Laudate Dominum, Vesperae solennes de confessore, K. 339: VI. Magnificat |
| Australian Intervarsity Choral Festival Choir |
vocal |
Marriage of Figaro: Tis disgraceful, Mass in C-minor: Benedictus, Mass in C-minor: Credo, Mass in C-minor: Gloria, Mass in C-minor: Gratias, Mass in C-minor: Jesu Christe, Mass in C-minor: Kyrie, Mass in C-minor: Laudamus te, Mass in C-minor: Qui Tollis, Mass in C-minor: Sanctus & Osanna, Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis, Requiem: Dies Irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Kyrie, Requiem: Lacrymosa, Requiem: Recordare, Requiem: Rex tremendae, Requiem: Sanctus, Requiem: Tuba Mirum |
| Maria João Pires (pianist) |
piano |
Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro, Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante, Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": III. Allegretto & Finale. Presto, Concerto No. 23 in A major, K. 488: I. Allegro, Concerto No. 23 in A major, K. 488: II. Adagio, Concerto No. 23 in A major, K. 488: III. Allegro assai, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Dans un bois solitaire KV 308, Konzert-Rondo No. 28 in D major, K. 382: Allegretto grazioso, Piano Concerto No. 14 in E-flat major, K. 449: I. Allegro vivace, Piano Concerto No. 14 in E-flat major, K. 449: II. Andantino, Piano Concerto No. 14 in E-flat major, K. 449: III. Allegro ma non troppo, Piano Sonata in E-flat major, K. 189g/282: I. Adagio, Piano Sonata in E-flat major, K. 189g/282: II. Menuetto I-II, Piano Sonata in E-flat major, K. 189g/282: III. Allegro, Rondo for Piano & Orchestra in D major, K. 382: Rondo. Allegretto grazioso - allegro, Rondo in D major, KV 382, Sonata for Piano and Violin in E minor, K304/300c: I. Allegro, Sonata for Piano and Violin in E minor, K304/300c: II. Tempo Di Menuetto |
| Mitsuko Shirai |
vocal |
Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: I. Allegro - andante - allegro "Dixit Dominus Domino meo", Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: II. Allegro "Magnificat anima mea", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei" |
| Sir Roger Norrington |
conductor |
Ode funèbre maçonnique, K477 (feat. London Classical Players, Roger Norrington), Symphony No. 39 in E-flat major, K. 543: I. Adagio - Allegro, Symphony No. 39 in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 in E-flat major, K. 543: III. Menuetto (Allegretto) & Trio, Symphony No. 39 in E-flat major, K. 543: IV. Finale: Allegro, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto) & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Finale. Molto allegro, Symphony no. 12 in G major, K. 110: I. Allegro, Symphony no. 12 in G major, K. 110: II. Andante, Symphony no. 12 in G major, K. 110: III. Menuetto, Symphony no. 12 in G major, K. 110: IV. Allegro, Symphony no. 29 in A major, K. 201: I. Allegro moderato, Symphony no. 29 in A major, K. 201: II. Andante, Symphony no. 29 in A major, K. 201: III. Menuetto, Symphony no. 29 in A major, K. 201: IV. Allegro con spirito, Symphony no. 39 in E-flat major, K. 543: I. Adagio. Allegro, Symphony no. 39 in E-flat major, K. 543: II. Andante cantabile, Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto, Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro |
| Gerhard Nennemann |
vocal |
Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": II. "Christe eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": III. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IX. "Quoniam tu solus sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": V. "Laudamus te", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VI. "Gratias agimus tibi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VII. "Domine Deus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIII. "Qui tollis", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": X. "Cum Sancto Spiritu", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XII. "Et incarnatus est", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIII. "Crucifixus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIV. "Et resurrexit", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XV. "Et in Spiritum Sanctum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVI. "Et unam Sanctam Catholicam", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVII. "Et vitam venturi saeculi", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XXI. "Dona nobis pacem" |
| Hubert Geschwandtner (producer/engineer) |
producer |
Così fan tutte: Act I. Aria: Come scoglio, Così fan tutte: Act I. Aria: In uomini, in soldati, Così fan tutte: Act I. Aria: Non siate ritrosi, Così fan tutte: Act I. Aria: Smanie implacabili, Così fan tutte: Act I. Aria: Un'aura amorosa, Così fan tutte: Act I. Aria: Vorrei dir, e cor non ho, Così fan tutte: Act I. Coro: Bella vita militar!, Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act I. Quintetto: Sento, oh Dio, Così fan tutte: Act I. Sestetto: Alla bella Despinetta, Così fan tutte: Act I. Terzetto: E la fede delle femmine, Così fan tutte: Act I. Terzetto: La mia Dorabella capace non è, Così fan tutte: Act I. Terzetto: Una bella serenata, Così fan tutte: Act II. Aria: Donne mie, la fate a tanti, Così fan tutte: Act II. Aria: Una donna a quindici anni, Così fan tutte: Act II. Duetto: Fra gli amplessi, Così fan tutte: Act II. Duetto: Prenderò quel brunettino, Così fan tutte: Act II. Finale: Fortunato l'uom che prende, Così fan tutte: Act II. Recitativo: Ei parte… Senti!… Ah, no!, Così fan tutte: Ouverture, Don Giovanni (excerpt): La ci darem la mano |
| Claudio Abbado |
conductor |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel), Grande Messe en ut mineur K. 427 : Cum Sancto Spiritu, Grande Messe en ut mineur K. 427 : Domine (Allegro moderato), Grande Messe en ut mineur K. 427 : Et incarnatus est, Grande Messe en ut mineur K. 427 : III. Credo : Credo in unum Deum (Allegro maestoso), Grande Messe en ut mineur K. 427 : IV. Sanctus, Grande Messe en ut mineur K. 427 : Jesu Christe (Adagio), Grande Messe en ut mineur K. 427 : Qui tollis (Largo), Grande Messe en ut mineur K. 427 : Quoniam (Allegro), Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo), Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : I. Allegro maestoso, Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : II. Andante, Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : III. Presto, Symphonie n°23 en ré majeur K. 181 : I. Allegro spiritoso, Symphonie n°23 en ré majeur K. 181 : II. Andantino grazioso, Symphonie n°23 en ré majeur K. 181 : III. Presto assai, Symphonie n°36 en ut majeur "Linz" K. 425 : I. Adagio - Allegro spiritoso, Symphonie n°36 en ut majeur "Linz" K. 425 : II. Andante, Symphonie n°36 en ut majeur "Linz" K. 425 : III. Menuetto - Trio, Symphonie n°36 en ut majeur "Linz" K. 425 : IV. Presto |
| Karol Kopernický (producer) |
producer |
Così fan tutte: Act I. Aria: Come scoglio, Così fan tutte: Act I. Aria: In uomini, in soldati, Così fan tutte: Act I. Aria: Non siate ritrosi, Così fan tutte: Act I. Aria: Smanie implacabili, Così fan tutte: Act I. Aria: Un'aura amorosa, Così fan tutte: Act I. Aria: Vorrei dir, e cor non ho, Così fan tutte: Act I. Coro: Bella vita militar!, Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act I. Quintetto: Sento, oh Dio, Così fan tutte: Act I. Sestetto: Alla bella Despinetta, Così fan tutte: Act I. Terzetto: E la fede delle femmine, Così fan tutte: Act I. Terzetto: La mia Dorabella capace non è, Così fan tutte: Act I. Terzetto: Una bella serenata, Così fan tutte: Act II. Aria: Donne mie, la fate a tanti, Così fan tutte: Act II. Aria: Una donna a quindici anni, Così fan tutte: Act II. Duetto: Fra gli amplessi, Così fan tutte: Act II. Duetto: Prenderò quel brunettino, Così fan tutte: Act II. Finale: Fortunato l'uom che prende, Così fan tutte: Act II. Recitativo: Ei parte… Senti!… Ah, no!, Così fan tutte: Ouverture, Don Giovanni (excerpt): La ci darem la mano |
| Nederlands Solistenensemble |
instrument |
Concerto for Clarinet & Strings in A major, K. 581a/Anh 88 (fragment), Divertimento for Orchestra in F major, K. 246c/288 (77 measure fragment): Allegro, Fantasia Movement for Violin and Piano in C minor, K. 385f / 396 Fr 1782l (27 measure fragment): (no tempo indication), Movement for 2 Violins, 2 Violas, and Cello in A minor, K. 515c / Anh 79 Fr 1791c (72 measure fragment): Allegro moderato, Movement for 2 Violins, 2 Violas, and Cello in B-flat major, K. 514a / Anh 80 Fr 1787j (122 measure fragment): (no tempo indication), Movement for 2 Violins, 2 Violas, and Cello in E-flat major, K. 613a / Anh 81 Fr 1784l (71 measure fragment): Quintetto, Movement for 2 Violins, 2 Violas, and Cello in E-flat major, K. 613b / Anh 82 Fr 1786i (19 measure fragment): Quintetto, Movement for String Quartet in A major, K. 464a/Anh 72 (170 measure fragment): Rondo, Piano Trio No. 1 in D minor, K. 442 (55 measure fragment): Allegro / Piano Trio No. 2 in D minor, K. 442 (151 measure fragment): Tempo di minuetto / Piano Trio No. 3 in D minor, K. 442 (133 measure fragment): Allegro, Quartet Movement for Strings in B-flat major, K. 589a/Anh 68 (fragment): Minuet, Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (fragment): Allegro, Quintet for Clarinet in B-flat, K. 516c/Anh 91 Fr 1789d (fragment): Allegro, Quintet for Piano and Winds in B-flat major, K. 452a/Anh 54: Larghetto, Sonata Movement for 2 Pianos in B-flat major, K. 375b / Anh 42 Fr 1782b (fragment): I. Grave / II. Presto, Sonata Movement for 2 Pianos in B-flat major, K. 375c / Anh 43 Fr 1782c (fragment): (no tempo indication), Sonata for Keyboard with 4 Hands in G major, K. 497a/KV 357/1 (fragment): Allegro, Sonata for Violin & Piano No. 31 in B-flat major, K. 372 (65 measure fragment): Allegro, Sonata for Violin & Piano No. 37 in A major, K. 385e/402 (fragment): I. Andante / II. Fugo, Sonata for Violin & Piano No. 38 in C major, K. 385c/403 (fragment): I. Allegro moderato / II. Andante - allegretto, Sonata for Violin & Piano No. 39 in C major, K. 385d/404 (fragment): I. Andante / K. 385d/404 Fr 1785b (fragment): II. Allegretto, Trio for Strings in G major, K. 562e⁄Anh 66 Fr 1789g (fragment): Allegro |
| Roland Bader |
conductor, harpsichord |
Die Schuldigkeit des ersten Gebots in C major, K. 35: I. Parte I. Sinfonia, Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: III. Parte I. No. 1 Aria "Mit Jammer muss ich schauen" (Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: IV. Parte I. Recitativo "So vieler Seelen Fall" (Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: V. Parte I. No. 2 Aria "Ein ergrimmter Löwe brüllet" (Barmherzigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: VI. Parte I. Recitativo "Was glaubst du" (Bermherzigkeit, Gerechtigkeit, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: VII. Parte I. No. 3 Aria "Erwache, fauler Knecht" (Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: X. Parte I. No. 4 Aria "Hat der Schöpfer von Leben" (Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XI. Parte I. Recitativo "Daß Träume Träume sind" (Christ), Die Schuldigkeit des ersten Gebots in C major, K. 35: XII. Parte I. No. 5 Aria "Jener Donnerworte Kraft" (Christ), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIV. Parte I. No. 6 Aria "Schildre einen Philosophen" (Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. No. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVI. Parte I. No. 7 Aria "Manches Übel will zuweilen" (Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVIII. Parte I. Recitativo "Hast du nunmehr erfahren" (Barmherzigkeit, Christgeist, Gerechtigkeit), Exultate, Jubilate, KV 165 |
| Jane Berbié (mezzo-soprano) |
vocal |
Così fan tutte, K. 588: Act I. No. 10 Terzettino "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) / Recitativo "Non son cattivo comico! ... Nel mare solca..." (Don Alfonso), Così fan tutte, K. 588: Act I. No. 12 Aria "In uomini! In soldati sperare fedeltà?" (Despina), Così fan tutte, K. 588: Act I. No. 13 Sestetto "Alla bella Despinetta vi presento, amici miei" (Don Alfonso, Guglielmo, Ferrando, Despina, Fiordiligi, Dorabella) / Recitativo "Che sussurro! Che strepito, che scompglio è mai questo!" (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act I. No. 17 Aria "Un'aura amorosa del nostro tesoro" (Ferrando) / Recitativo "Oh la saria da ridere" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Dammi un bacio, o mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Don Alfonso, Despina), Così fan tutte, K. 588: Act I. No. 18 Finale "Eccovi il medico, signor belle!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act I. No. 18 Finale "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act I. Recitativo "Ah! scostati, paventa il tristo effetto d'un disperato affetto!" (Dorabella) / No. 11 Aria "Smanie implacabili, che m'agitate" (Dorabella) / Recitativo "Signora Dorabella, signora Fiordiligi, ditemi, che cosa è stato?" (Despina, Dorabella, Fiordiligi), Così fan tutte, K. 588: Act I. Recitativo "Che silenzio! Che aspetto di tristezza spirano queste stanze!" (Don Alfonso, Despina), Così fan tutte, K. 588: Act I. Recitativo "Che vita maledetta è il far la cameriera! ... Madame, ecco la vostra colazione (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. No. 19 Aria "Una donna a quindici anni" (Despina) / Recitativo "Sorella, cosa dici?" (Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Recitativo "Oh che bella giornata! (Fiordiligi, Ferrando, Dorabella, Guglielmo), Così fan tutte, K. 588: Act II. No. 28 Aria "È Amore un ladroncello" (Dorabella) / Recitativo "Come tutto congiura a sedurre il mio cor!" (Fiordiligi, Guglielmo, Despina, Don Alfonso) / Recitativo "L'abito di Ferrando sarà buono per me" (Fiordiligi, Guglielmo), Così fan tutte, K. 588: Act II. No. 30 "Tutti accusan le donne, ed io le scuso" (Don Alfonso, Ferrando, Guglielmo) / Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Fate presto, o cari amici" (Despina, coro di servi, Don Alfonso), Così fan tutte, K. 588: Act II. No. 31 Finale "Miei signori, tutto è fatto ... Bella vita militar!" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina), Così fan tutte, K. 588: Act II. No. 31 Finale "Sani e salvi agli amplessi amorosi ... Fortunato l'uom che prende ogni cosa pel buon verso" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina), Così fan tutte, K. 588: Act II. Recitativo "Andate là, che siete due bizzarre ragazze!" (Despina, Fiordiligi, Dorabella), Così fan tutte, K. 588: Act II. Recitativo "Ora vedo che siete una donna di garbo" (Despina, Dorabella, Fiordiligi) |
| Wiener Symphoniker |
performing orchestra |
Concerto No. 3 in E-flat major for Horn, K. 447: I. Allegro, Concerto No. 3 in E-flat major for Horn, K. 447: II. Romance. Larghetto, Concerto No. 3 in E-flat major for Horn, K. 447: III. Allegro, Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto, Symphony no.29 in A major, K201: I. Allegro moderato (Excerpt) |
| Bruno Weil |
conductor |
Concerto No. 1 in D Major, K412 (386b) - I. (Allegro), Concerto No. 1 in D Major, K514 (386b) - II. Rondo (Allegro), Concerto No.2 in E-flat major, K.417 - I. Allegro, Concerto No.2 in E-flat major, K.417 - II. Andante, Concerto No.2 in E-flat major, K.417 - III. Rondo (Allegro), Concerto No.3 in E-flat major, K.447 - I. Allegro, Concerto No.3 in E-flat major, K.447 - II. Romance (Larghetto), Concerto No.3 in E-flat major, K.447 - III. Allegro, Concerto No.4 in E-flat major, K.495 - I. Allegro maestoso, Concerto No.4 in E-flat major, K.495 - II. Romance (Andante cantabile), Concerto No.4 in E-flat major, K.495 - III. Rondo (Allegro vivace), Rondo in E-flat major, K 371: Allegro, Symphony No. 40 in G minor, K. 550: I. Molto allegro, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Menuetto. Allegretto, Symphony No. 40 in G minor, K. 550: IV. Allegro assai, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro |
| Alberto Lizzio (conductor, an Alfred Scholz pseudonym) |
conductor |
Concerto for Flute, Harp and Orchestra in C major, KV 299: III. Rondo: Allegro, Klavierkonzert Nr. 26 d-Moll, KV 537 "Krönungskonzert": Larghetto, Konzert für Klarinette und Orchester A-Dur KV 622, 2.Satz: Adagio, Marsch KV 215 D-Dur, Salzburg Symphony no. 1, Divertimento K.136: Allegro, Salzburg Symphony no. 1, Divertimento K.136: Andante, Salzburg Symphony no. 1, Divertimento K.136: Presto, Salzburg Symphony no. 2, Divertimento K.137: Allegro assai, Salzburg Symphony no. 2, Divertimento K.137: Allegro di molto, Salzburg Symphony no. 2, Divertimento K.137: Andante, Salzburg Symphony no. 3, Divertimento K.138: Allegro assai, Salzburg Symphony no. 3, Divertimento K.138: Allegro di molto, Salzburg Symphony no. 3, Divertimento K.138: Andante, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Symphonie no. 21: I. Allegro, Symphonie no. 21: II. Andante, Symphonie no. 21: III. Menuetto, Symphonie no. 21: IV. Allegro |
| Dymphna van Dooremaal |
bassoon |
Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): I. Allegro, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): II. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): III. Adagio, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/(K3) 196f/Anh 227 (spurious): V. Finale, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): I. Allegro moderato, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): II. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): III. Romance, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): V. Rondo |
| Chorus Viennensis |
performer, performing orchestra, vocal |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": I. Recitativo "Wo bin ich bittrer Schmerz" (Die Seele) / II. Aria "Felsen, spaltet euren Rachen" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel'" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": V. Recitativo "O Himmel, was ein traurig Licht (Die Seele, Basso)" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel) / VIII. Coro "Jesu, wahrer Gottessohn" (Coro), Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Motette in D-Dur, KV 618: Ave verum corpus (Wiener Dom-Orchester feat. chor: Wiener Sänger Knaben and Chorus Viennensis, organ: Josef Boehm, conductor: Ferdinand Grossmann) |
| Barbara Bonney |
performer, vocal |
Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno), Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) / ... / Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno), Die Zauberflöte, K. 620: Act I. "Herr, ich bin zwar Verbrecherin", Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandelten durch Feuersgluten" (Pamina, Tamino), Die Zauberflöte, K. 620: Act II. "Du also bist mein Bräutigam?", Die Zauberflöte, K. 620: Act II. "Tamino mein! O welch ein Glück!", Die Zauberflöte: Ach, ich fühl's, Don Giovanni, K. 527: Act 2 "Vedrai, carino" (Zerlina), Exsultate, Jubilate, KV 165: Alleluia, Grande Messe en ut mineur K. 427 : Domine (Allegro moderato), Grande Messe en ut mineur K. 427 : Et incarnatus est, Grande Messe en ut mineur K. 427 : Quoniam (Allegro), Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo), Le Nozze di Figaro: Deh! vieni, non tardar, Vespers, KV 339: Laudate Dominum |
| Ferruccio Furlanetto |
vocal |
Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… venti… trenta…" (Figaro, Susanna) / Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) / Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) / Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro) / Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Coro "Giovani liete, fiori spargete" (Coro) / Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) / Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro) / Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / Act II, Scene VII. No. 16 FiContenale "Signore, cos'è quel stupore?" (Il Conte, La ssa, Susanna) / Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor" ... "Cosa è stato?" (Il Conte, La Contessa, Susanna, Antonio, Figaro) / Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna, Marcellina, Basilio, Bartolo, Figaro), Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna) / Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte) / Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna) / Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina) / Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Ecco qui la mia Susanna" (Il Conte, Susanna, Figaro, Cherubino, La Contessa) / Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Basilio) / Act IV, Scenes V-VII. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo), Le nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Recitativo "In quegli anni in cui val poco" (Figaro), Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna) / Act IV, Scene VIII. No. 27 Aria "Aprite un po' quegl'occhi" (Figaro) / Act IV, Scene IX. Recitativo "Signora, ella mi disse" (Figaro, La Contessa, Marcellina, Susanna), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) / Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna) / Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Cherubino, Figaro, La Contessa), Messe C-dur KV 317 "Krönungsmesse": Agnus Dei |
| Amanda Halgrimson |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Ah del padre in periglio" / Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) / "Ah ti ritrovo ancor" (Donna Elvira), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XIV-XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) |
| Berliner Domkapelle |
performing orchestra |
Die Schuldigkeit des ersten Gebots in C major, K. 35: I. Parte I. Sinfonia, Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: III. Parte I. No. 1 Aria "Mit Jammer muss ich schauen" (Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: IV. Parte I. Recitativo "So vieler Seelen Fall" (Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: V. Parte I. No. 2 Aria "Ein ergrimmter Löwe brüllet" (Barmherzigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: VI. Parte I. Recitativo "Was glaubst du" (Bermherzigkeit, Gerechtigkeit, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: VII. Parte I. No. 3 Aria "Erwache, fauler Knecht" (Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: X. Parte I. No. 4 Aria "Hat der Schöpfer von Leben" (Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XI. Parte I. Recitativo "Daß Träume Träume sind" (Christ), Die Schuldigkeit des ersten Gebots in C major, K. 35: XII. Parte I. No. 5 Aria "Jener Donnerworte Kraft" (Christ), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIV. Parte I. No. 6 Aria "Schildre einen Philosophen" (Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. No. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVI. Parte I. No. 7 Aria "Manches Übel will zuweilen" (Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVIII. Parte I. Recitativo "Hast du nunmehr erfahren" (Barmherzigkeit, Christgeist, Gerechtigkeit) |
| Rudolf Firkušný |
piano |
Double Piano Concerto in E flat major, K365: I. Allegro (Excerpt), Sonata No. 1 in G major for Piano 4-Hands, K. 357: I. Allegro, Sonata No. 1 in G major for Piano 4-Hands, K. 357: II. Andante, Sonata No. 2 in B-flat major for Piano 4-Hands, K. 358: I. Allegro, Sonata No. 2 in B-flat major for Piano 4-Hands, K. 358: II. Adagio, Sonata No. 2 in B-flat major for Piano 4-Hands, K. 358: III. Molto presto, Sonata No. 3 in D major for Piano 4-Hands, K. 381: I. Allegro, Sonata No. 3 in D major for Piano 4-Hands, K. 381: II. Andante, Sonata No. 3 in D major for Piano 4-Hands, K. 381: III. Allegro molto, Sonata No. 4 in F major for Piano 4-Hands, K. 497: I. Adagio; Allegro di molto, Sonata No. 4 in F major for Piano 4-Hands, K. 497: II. Andante, Sonata No. 4 in F major for Piano 4-Hands, K. 497: III. Allegretto, Sonata No. 5 in C major for Piano 4-Hands, K. 521: III. Allegretto, Sonata in C major, K. 19d: I. Allegro, Sonata in C major, K. 19d: II. Minuet and Trio, Sonata in C major, K. 19d: III. Rondo, Sonata in D major for 2 Pianos, K. 448: I. Allegro con spirito, Sonata in D major for 2 Pianos, K. 448: II. Andante, Sonata in D major for 2 Pianos, K. 448: III. Allegro molto |
| Alan Weiss (pianist) |
piano |
Double Piano Concerto in E flat major, K365: I. Allegro (Excerpt), Sonata No. 1 in G major for Piano 4-Hands, K. 357: I. Allegro, Sonata No. 1 in G major for Piano 4-Hands, K. 357: II. Andante, Sonata No. 2 in B-flat major for Piano 4-Hands, K. 358: I. Allegro, Sonata No. 2 in B-flat major for Piano 4-Hands, K. 358: II. Adagio, Sonata No. 2 in B-flat major for Piano 4-Hands, K. 358: III. Molto presto, Sonata No. 3 in D major for Piano 4-Hands, K. 381: I. Allegro, Sonata No. 3 in D major for Piano 4-Hands, K. 381: II. Andante, Sonata No. 3 in D major for Piano 4-Hands, K. 381: III. Allegro molto, Sonata No. 4 in F major for Piano 4-Hands, K. 497: I. Adagio; Allegro di molto, Sonata No. 4 in F major for Piano 4-Hands, K. 497: II. Andante, Sonata No. 4 in F major for Piano 4-Hands, K. 497: III. Allegretto, Sonata No. 5 in C major for Piano 4-Hands, K. 521: III. Allegretto, Sonata in C major, K. 19d: I. Allegro, Sonata in C major, K. 19d: II. Minuet and Trio, Sonata in C major, K. 19d: III. Rondo, Sonata in D major for 2 Pianos, K. 448: I. Allegro con spirito, Sonata in D major for 2 Pianos, K. 448: II. Andante, Sonata in D major for 2 Pianos, K. 448: III. Allegro molto |
| Hans Peter Blochwitz |
vocal |
Die Zauberflöte, K. 620: Act 1 "Dies Bildnis ist bezaubernd schön" (Tamino), Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino), Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) / ... / Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die Zauberflöte, K. 620: Act I, Scene XV. no. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino), Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Grande Messe en ut mineur K. 427 : Quoniam (Allegro), Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. No. 19 Duetto "Cospetton, cospettonaccio!" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. Recitativo "Sciocca è la Baronessa" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene X. Recitativo "Siam quasi in porto adesso" (Rosina, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XI. No. 20 Aria. Grazioso - allegro "In voi, belle, è leggiadria" (Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XI. Recitativo "Vieni a tempo, Simone" (Fracasso, Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 25 Aria. Andante maestoso - tempo di menuetto - tempo primo "Nelle guerre d'amore" (Fracasso), La finta semplice, K. 46a / KV 51: Act III, Scene II. Recitativo "Che smorfie, che paura!" (Fracasso, Giacinta), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone) |
| Chorus Musicus Köln |
chorus master |
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem", Requiem in D minor, K. 626 (Süßmayr completion): II. Kyrie, Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequentia: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequentia: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequentia: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequentia: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna", Requiem in D minor, K. 626 (autograph fragemente): Amen, Requiem in D minor, K. 626 (autograph fragemente): IIIa. Sequentia: "Dies irae", Requiem in D minor, K. 626 (autograph fragemente): IIIc. Sequentia: "Rex tremendae", Requiem in D minor, K. 626 (autograph fragemente): IIIe. Sequentia: "Confutatis", Requiem in D minor, K. 626 (autograph fragemente): IIIf. Sequentia: "Lacrimosa", Requiem in D minor, K. 626 (autograph fragemente): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (autograph fragemente): IVb. Offertorium: "Hostias" |
| Gächinger Kantorei Stuttgart |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIc. Credo: "Crucifixus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIId. Credo: "Er resurrexit", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIe. Credo: "Et in Spiritum Sanctum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIf. Credo: "Et unam sanctam", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": IIIg. Credo: "Et vitam venturi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": VIa. Agnus Dei: "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Robert Levin completion) "Great": VIb. Agnus Dei: "Dona nobis pacem", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" / IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Kammerorchester Carl Philipp Emanuel Bach |
performing orchestra |
La finta semplice, K. 46a / KV 51: Act II, Scene IX. Recitativo "Dove andate, signore?" (Rosina, Cassandro), La finta semplice, K. 46a / KV 51: Act II, Scene VII. No. 18 Aria. Allegro grazioso - allegretto - tempo primo - allegretto "Ho sentito a dir da tutte" (Rosina), La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "Ehi... dormite, signore?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. No. 19 Duetto "Cospetton, cospettonaccio!" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. Recitativo "Sciocca è la Baronessa" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene X. Recitativo "Siam quasi in porto adesso" (Rosina, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XI. No. 20 Aria. Grazioso - allegro "In voi, belle, è leggiadria" (Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XI. Recitativo "Vieni a tempo, Simone" (Fracasso, Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta), La finta semplice, K. 46a / KV 51: Act III, Scene I. Recitativo "Io non ho gran paura" (Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 24 Aria. Allegro "Che scompiglio, che flagello" (Giacinta), La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 25 Aria. Andante maestoso - tempo di menuetto - tempo primo "Nelle guerre d'amore" (Fracasso), La finta semplice, K. 46a / KV 51: Act III, Scene II. Recitativo "Che smorfie, che paura!" (Fracasso, Giacinta), La finta semplice, K. 46a / KV 51: Act III, Scene III. Recitativo "E così, Baronessa?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene IV. Recitativo "Eh ben, quando facciamo queste nozze, signora?" (Polidoro, Rosina) |
| Gerald Finley |
vocal |
From Don Giovanni: Don Giovanni and Zerlina's Duet, "Come On, We're Wasting Time" - "There Will My Arms Enfold You", Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" / "Pace, pace, o vita mia" (Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" / "Non ci stanchiamo" (Don Giovanni, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) / "Ahi ahi! la testa mia" (Masetto, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) |
| Uwe Heilmann |
vocal |
Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Gloria: II. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: Allegro molto, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: Adagio "Sanctus Dominus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: Allegro moderato "Benedictus qui venit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: Allegro moderato "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: III. Credo, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" IVb. Sanctus: Allegro Pleni sunt coeli" IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" VIa. Agnus Dei: Adagio "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem" |
| Christine Schornsheim |
harpsichord |
La finta semplice, K. 46a / KV 51: Act II, Scene IX. Recitativo "Dove andate, signore?" (Rosina, Cassandro), La finta semplice, K. 46a / KV 51: Act II, Scene VII. No. 18 Aria. Allegro grazioso - allegretto - tempo primo - allegretto "Ho sentito a dir da tutte" (Rosina), La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "Ehi... dormite, signore?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. No. 19 Duetto "Cospetton, cospettonaccio!" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. Recitativo "Sciocca è la Baronessa" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene X. Recitativo "Siam quasi in porto adesso" (Rosina, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XI. No. 20 Aria. Grazioso - allegro "In voi, belle, è leggiadria" (Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XI. Recitativo "Vieni a tempo, Simone" (Fracasso, Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta), La finta semplice, K. 46a / KV 51: Act III, Scene I. Recitativo "Io non ho gran paura" (Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 24 Aria. Allegro "Che scompiglio, che flagello" (Giacinta), La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 25 Aria. Andante maestoso - tempo di menuetto - tempo primo "Nelle guerre d'amore" (Fracasso), La finta semplice, K. 46a / KV 51: Act III, Scene II. Recitativo "Che smorfie, che paura!" (Fracasso, Giacinta), La finta semplice, K. 46a / KV 51: Act III, Scene III. Recitativo "E così, Baronessa?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene IV. Recitativo "Eh ben, quando facciamo queste nozze, signora?" (Polidoro, Rosina) |
| Rosemarie Lang |
vocal |
Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Gloria: II. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: Allegro molto, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: Adagio "Sanctus Dominus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: Allegro moderato "Benedictus qui venit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: Allegro moderato "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: III. Credo, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" IVb. Sanctus: Allegro Pleni sunt coeli" IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" VIa. Agnus Dei: Adagio "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem" |
| Alexander Schneider |
conductor, violin |
Clarinet Concerto in A major, KV 622: II. Adagio, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": I. Largo - allegro molto, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": II. Minuetto, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": IV. Minuetto. Allegretto, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": V. Romanze. Adagio, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VII. Rondo, Serenade No. 10 for winds in B flat major ("Gran Partita"), K. 361 (K. 370a): III. Adagio, String Quartet No. 19 in C major, K. 465 "Dissonance": I. Adagio - Allegro, String Quartet No. 19 in C major, K. 465 "Dissonance": II. Andante cantabile, String Quartet No. 19 in C major, K. 465 "Dissonance": III. Menuetto. Allegretto, String Quartet No. 19 in C major, K. 465 "Dissonance": IV. Allegro molto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": I. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": II. Menuetto. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": III. Adagio, String Quartet No. 20 in D major, K. 499 "Hoffmeister": IV. Allegro |
| Charles Gerhardt |
conductor |
Die Entführung aus dem Serail: Ouvertüre, Divertimento Nr. 17 in D-Dur, KV 334: III. Menuett, Divertimento für Streicher Nr. 1 in D-Dur, KV 136 "Erste Salzburger Sinfonie": I. Allegro, Divertimento für Streicher Nr. 1 in D-Dur, KV 136 "Erste Salzburger Sinfonie": II. Andante, Divertimento für Streicher Nr. 1 in D-Dur, KV 136 "Erste Salzburger Sinfonie": III. Presto, Don Giovanni: Ouvertüre, Exsultate jubilate, KV 165: Alleluja, Konzert für Horn und Orchester Nr. 1 in D-Dur, KV 412: I. Allegro, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: I. Allegro, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: II. Romanza. Larghetto, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: III. Allegro, Konzert für Horn und Orchester Nr. 4 in Es-Dur, KV 495: III. Rondo, Messe in C-Dur, KV 317 "Krönungsmesse": Gloria, Requiem in d-moll, KV 626: Confutatis maledictis "Wird die Hölle ohne Schonung", Requiem in d-moll, KV 626: Dies irae "Tag des Zorns", Schlafe, mein Prinzchen, schlaf ein (Wiegenlied), Vesperae solennes de confessore, KV 339: Laudate Dominum |
| Júlia Várady |
vocal |
Lucio Silla, K. 135: Act I, Scene I. Recitativo "Ah ciel l'amico cinna" (Cecilio, Cinna), Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio), Lucio Silla, K. 135: Act I, Scene II. Recitativo accompagnato "Dunque sperar poss'io" (Cecilio), Lucio Silla, K. 135: Act I, Scene VII. Recitativo accompagnato "Morte, morte fatal" (Cecilio), Lucio Silla, K. 135: Act I, Scene VIII-IX. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia) Recitativo "Eccomi, oh cara" (Giunia, Cecilio) No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio), Lucio Silla, K. 135: Act II, Scene II. Recitativi "Ah non mai non credea... Qual furor ti trasporta? Cecilio a che t'arresti... Al fiero suon... Ah corri, vola" (Celia, Silla, Cinna, Cecilio), Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio), Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio), Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio) Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia), Lucio Silla, K. 135: Act II, Scene XII-XII. Recitativi "Padri Coscritti... Sposa ah no, non temer... Come? D'un ferro armato" (Silla, Giunnia, Aufidio, Cecillio, Cinna), Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Silla), Lucio Silla, K. 135: Act III, Scene I. Recitativo "Ah sì tu solo, amico" (Cecilia, Celia, Cinna), Lucio Silla, K. 135: Act III, Scene II. Recitativo "Forse tu credi, amico" (Cecilio, Cinna), Lucio Silla, K. 135: Act III, Scene III-IV. Recitativi "Ah no, che il fato estremo... Tosto seguir tu dei" (Giunia, Cecilio, Aufidio), Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio), Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla), Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia... Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio) |
| The Ambrosian Singers |
vocal |
Die Entführung aus dem Serail, K. 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!", Die Entführung aus dem Serail, KV 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!", Die Entführung aus dem Serail, KV 384: Act III, Nr. 21b Chorus: "Bassa Selim leve lange!", Exsultate jubilate, KV 165: Alleluja, Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. no. 2 Recitativo accompagnato "Ma qual mai s’offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Messe in C-Dur, KV 317 "Krönungsmesse": Gloria, Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison" / IIIa. Sequenz: "Dies irae" / IIIc. Sequenz: "Rex tremendae" / IIIe. Sequenz: "Confutatis" / IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in d-moll, KV 626: Confutatis maledictis "Wird die Hölle ohne Schonung", Requiem in d-moll, KV 626: Dies irae "Tag des Zorns", Vesperae solennes de confessore, KV 339: Laudate Dominum |
| Jaap ter Linden |
conductor, cello |
Quartet for Piano No. 1 in G minor, K. 478: I. Allegro, Quartet for Piano No. 1 in G minor, K. 478: II. Andante, Quartet for Piano No. 1 in G minor, K. 478: III. Rondeau, Quartet for Piano No. 2 in E-flat major, K. 493: I. Allegro, Quartet for Piano No. 2 in E-flat major, K. 493: II. Larghetto, Quartet for Piano No. 2 in E-flat major, K. 493: III. Allegretto, Symphony No. 35 in D major, K. 385 "Haffner": III. Minuetto, Symphony No. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony No. 40 in G minor, KV 550: I. Molto allegro, Symphony No. 40 in G minor, KV 550: II. Andante, Symphony No. 40 in G minor, KV 550: III. Menuetto, Symphony No. 40 in G minor, KV 550: IV. Allegro assai, Symphony No. 41 in C major, KV 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, KV 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, KV 551 "Jupiter": III. Menuetto, Symphony No. 41 in C major, KV 551 "Jupiter": IV. Molto allegro, Trio for Piano No. 2 in G major, K. 496: III. Allegretto |
| Dr. Steven Paul |
producer |
Symphonie no. 21 en la majeur, K. 134 : I. Allegro, Symphonie no. 21 en la majeur, K. 134 : II. Andante, Symphonie no. 21 en la majeur, K. 134 : III. Menuetto - Trio - Menuetto, Symphonie no. 21 en la majeur, K. 134 : IV. Allegro, Symphony no. 22 in C major, K. 162: I. Allegro assai, Symphony no. 22 in C major, K. 162: II. Andantino grazioso, Symphony no. 22 in C major, K. 162: III. Presto assai, Symphony no. 23 in D major, K. 181 (162b): I. Allegro spritoso, Symphony no. 23 in D major, K. 181 (162b): II. Andantino grazioso, Symphony no. 23 in D major, K. 181 (162b): III. Presto assai, Symphony no. 24 in B flat major, K. 182 (173dA): I. Allegro spiritoso, Symphony no. 24 in B flat major, K. 182 (173dA): II. Andantino grazioso, Symphony no. 24 in B flat major, K. 182 (173dA): III. Allegro, Symphony no. 29 in A major, K. 201 (186a): I. Allegro moderato, Symphony no. 29 in A major, K. 201 (186a): II. Andante, Symphony no. 29 in A major, K. 201 (186a): III. Menuetto - Trio, Symphony no. 29 in A major, K. 201 (186a): IV. Allegro con spirito |
| Uwe Christian Harrer |
conductor |
Das Kinderspiel KV 598, Im Frühlingsanfang KV 597, Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei", Meine Wünsche KV 539, Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Motet for Soprano & Orchestra in F major, K. 158a/165: I. "Exsultate, jubilate" |
| National Philharmonic Orchestra |
performing orchestra |
Die Entführung aus dem Serail: Ouvertüre, Divertimento Nr. 17 in D-Dur, KV 334: III. Menuett, Divertimento für Streicher Nr. 1 in D-Dur, KV 136 "Erste Salzburger Sinfonie": I. Allegro, Divertimento für Streicher Nr. 1 in D-Dur, KV 136 "Erste Salzburger Sinfonie": II. Andante, Divertimento für Streicher Nr. 1 in D-Dur, KV 136 "Erste Salzburger Sinfonie": III. Presto, Don Giovanni: Ouvertüre, Exsultate jubilate, KV 165: Alleluja, Konzert für Horn und Orchester Nr. 1 in D-Dur, KV 412: I. Allegro, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: I. Allegro, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: II. Romanza. Larghetto, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: III. Allegro, Konzert für Horn und Orchester Nr. 4 in Es-Dur, KV 495: III. Rondo, Messe in C-Dur, KV 317 "Krönungsmesse": Gloria, Requiem in d-moll, KV 626: Confutatis maledictis "Wird die Hölle ohne Schonung", Requiem in d-moll, KV 626: Dies irae "Tag des Zorns", Schlafe, mein Prinzchen, schlaf ein (Wiegenlied) |
| Alexander Janiczek |
violin |
Divertimento, K. 334 (320b): I. Allegro, Divertimento, K. 334 (320b): III. Menuetto, Trio, Divertimento, K. 334 (320b): IIa. Theme and Variations - Andante, Divertimento, K. 334 (320b): IIb. Theme and Variations - Variation I, Divertimento, K. 334 (320b): IIc. Theme and Variations - Variation II, Divertimento, K. 334 (320b): IId. Theme and Variations - Variation III, Divertimento, K. 334 (320b): IIe. Theme and Variations - Variation IV, Divertimento, K. 334 (320b): IIf. Theme and Variations - Variation V, Divertimento, K. 334 (320b): IIg. Theme and Variations - Variation VI, Divertimento, K. 334 (320b): IV. Adagio, Divertimento, K. 334 (320b): V. Menuetto, Trio I and Trio II, Divertimento, K. 334 (320b): VI. Rondo Allegro, March, K. 445 (320c), Quartet for oboe, violin, viola, and cello in F major, KV370: I. Allegro, Quartet for oboe, violin, viola, and cello in F major, KV370: II. Adagio, Quartet for oboe, violin, viola, and cello in F major, KV370: III. Rondeau Allegro |
| RCA Victor Symphony Orchestra |
performing orchestra |
Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": Andante (RCA Victor Symphony Orchestra feat conductor: Alfred Wallenstein, piano: Artur Rubinstein), Piano Concerto no. 17 in G major, op. 9, K. 453: I. Allegro, Piano Concerto no. 17 in G major, op. 9, K. 453: II. Andante, Piano Concerto no. 17 in G major, op. 9, K. 453: III. Allegretto, Piano Concerto no. 20 in D minor, K. 466: I. Allegro, Piano Concerto no. 20 in D minor, K. 466: II. Romance, Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai, Piano Concerto no. 21 in C major, K. 467, "Elvira Madigan": I. Allegro maestoso, Piano Concerto no. 21 in C major, K. 467, "Elvira Madigan": II. Andante, Piano Concerto no. 21 in C major, K. 467, "Elvira Madigan": III. Allegro vivace assai, Piano Concerto no. 23 in A major, K. 488: I. Allegro, Piano Concerto no. 23 in A major, K. 488: II. Andante, Piano Concerto no. 23 in A major, K. 488: III. Presto, Piano Concerto no. 24 in C minor, K. 491: I. Allegro, Piano Concerto no. 24 in C minor, K. 491: II. Larghetto, Piano Concerto no. 24 in C minor, K. 491: III. Allegretto |
| Kiri Te Kanawa |
vocal |
Exsultate jubilate, KV 165/158a: I. Exsultate, jubilate, Exsultate jubilate, KV 165/158a: II. Fulget amica dies, Exsultate jubilate, KV 165/158a: III. Tu virginum corona, Le Nozze di Figaro: Dove sono i bei momenti, Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) / Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro) / Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna) / Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna) / Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) / Act II, Scene III. Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) / Act II, Scene IV. Recitativo "Oh guarda il demonietto!" (Susanna) / Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / Act II, Scene VII. No. 16 FiContenale "Signore, cos'è quel stupore?" (Il Conte, La ssa, Susanna) / Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor" ... "Cosa è stato?" (Il Conte, La Contessa, Susanna, Antonio, Figaro) / Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna, Marcellina, Basilio, Bartolo, Figaro), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa) / Act III, Scene IX. Recitativo "Io vi dico, signor, che Cherubino" (Antonio, Il Conte) / Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Ecco qui la mia Susanna" (Il Conte, Susanna, Figaro, Cherubino, La Contessa) / Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna) / Act IV, Scene VIII. No. 27 Aria "Aprite un po' quegl'occhi" (Figaro) / Act IV, Scene IX. Recitativo "Signora, ella mi disse" (Figaro, La Contessa, Marcellina, Susanna), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) / Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna) / Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Cherubino, Figaro, La Contessa), Vesperae solennes de confessore, KV 339; Laudate dominum (London Symphony Orchestra feat. conductor: Colin Davis, soprano: Kiri te Kanawa, organ; John Constable) |
| Jane Atkins |
viola |
Divertimento, K. 334 (320b): I. Allegro, Divertimento, K. 334 (320b): III. Menuetto, Trio, Divertimento, K. 334 (320b): IIa. Theme and Variations - Andante, Divertimento, K. 334 (320b): IIb. Theme and Variations - Variation I, Divertimento, K. 334 (320b): IIc. Theme and Variations - Variation II, Divertimento, K. 334 (320b): IId. Theme and Variations - Variation III, Divertimento, K. 334 (320b): IIe. Theme and Variations - Variation IV, Divertimento, K. 334 (320b): IIf. Theme and Variations - Variation V, Divertimento, K. 334 (320b): IIg. Theme and Variations - Variation VI, Divertimento, K. 334 (320b): IV. Adagio, Divertimento, K. 334 (320b): V. Menuetto, Trio I and Trio II, Divertimento, K. 334 (320b): VI. Rondo Allegro, March, K. 445 (320c), Quartet for oboe, violin, viola, and cello in F major, KV370: I. Allegro, Quartet for oboe, violin, viola, and cello in F major, KV370: II. Adagio, Quartet for oboe, violin, viola, and cello in F major, KV370: III. Rondeau Allegro |
| Eirian James |
performer, vocal |
Così fan tutte, K. 588: Act I, "Ah, che tutta in un momento", Così fan tutte, K. 588: Act I, "Oh, la saria da ridere!", Così fan tutte, K. 588: Act I. "Alla bella Despinetta", Così fan tutte, K. 588: Act I. "Che silenzio!", Così fan tutte, K. 588: Act I. "Che sussurro! Che strepito!", Così fan tutte, K. 588: Act I. "Che vita maledetta", Così fan tutte, K. 588: Act I. "In uominI. in soldati", Così fan tutte, K. 588: Act I. "Signora Dorabella", Così fan tutte, K. 588: Act II. "Andate là", Così fan tutte, K. 588: Act II. "Come tutto congiura", Così fan tutte, K. 588: Act II. "Il tutto deponete", Così fan tutte, K. 588: Act II. "La mano a me date", Così fan tutte, K. 588: Act II. "Ora vedo che siete", Così fan tutte, K. 588: Act II. "Una donna a quindici anni", Così fan tutte, K. 588: Act II. "Vittoria, padroncini!", Don Giovanni - Act I - 'Riposate, vezzose ragazze!' |
| Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) |
performing orchestra |
Concerto for Harp in C Major, K 415: I. Allegro, Concerto for Harp in C Major, K 415: II. Andante, Concerto for Harp in C Major, K 415: III. Allegro, Concerto for Horn & Orchestra in E flat major, K 417: I. Allegro Maestoso, Concerto for Horn & Orchestra in E flat major, K 417: II. Andante, Concerto for Horn & Orchestra in E flat major, K 417: III. Allegro, Magic Flute Overture K.620, Piano Concerto No. 21 in C major, K 467: I. Allegro, Piano Concerto No. 21 in C major, K 467: II. Andante, Piano Concerto No. 21 in C major, K 467: III. Allegro vivace assai, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan", Piano Concerto No. 24 in C minor, K 491: I. Allegro, Piano Concerto No. 24 in C minor, K 491: II. Larghetto, Piano Concerto No. 24 in C minor, K 491: III. Allegretto, Piano Concerto No. 26 in D major, K. 537 "Coronation", Symphony No. 23 in D major, K 181: Allegro spiritoso - Andantino grazioso - Presto assai |
| Sandra Zoer |
oboe |
Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): I. Allegro moderato, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): II. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): III. Romance, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): IV. Minuetto, Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/(K3) 196e/Anh 226 (spurious): V. Rondo |
| Heinz Holliger |
oboe |
Divertimento No.11 in D K251 Nannerl-Septett - I. Marcia alla francese, Divertimento No.11 in D K251 Nannerl-Septett - II. Allegro molto, Divertimento No.11 in D K251 Nannerl-Septett - III. Menuetto, Divertimento No.11 in D K251 Nannerl-Septett - IV. Andantino, Divertimento No.11 in D K251 Nannerl-Septett - IX. Rondeau - Allegro assai, Divertimento No.11 in D K251 Nannerl-Septett - V. Menuetto (Tema con variazioni), Divertimento No.11 in D K251 Nannerl-Septett - VI. Variazione I, Divertimento No.11 in D K251 Nannerl-Septett - VII. Variazione II, Divertimento No.11 in D K251 Nannerl-Septett - VIII. Variazione III, Divertimento No.11 in D K251 Nannerl-Septett - X. Marcia alla francese, Quartet in F K370 for oboe, violin, viola and cello - I. Allegro, Quartet in F K370 for oboe, violin, viola and cello - II. Adagio, Quartet in F K370 for oboe, violin, viola and cello - III. Rondeau - Allegro, Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): I. Allegro, Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): II. Adagio |
| Aγνή Mπάλτσα (mezzo-soprano) |
vocal |
Così fan tutte: Soave sia il vento, Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativi "Sin a quando, O Regina... Ferma, O germano... All'ire freno, Principi, olà" (Farnace, Aspasia, Silfare, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI-VII. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) No. 4 Aria "Nel sen mi palpita" (Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. Recitativo "Un tale addio, germano, si spiega assai" (Farnace, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Ismene, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. No. 16 Aria "Son reo; l'error confesso" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. Recitativo "Ah, giacché son tradito" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. Recitativo accompagnate "Vadasi… Oh ciel" (Farnace), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Quintetto "Non si ceda al Campidoglio" (Sifare, Asapasia, Farnace, Ismene, Arbate) |
| Rudolf Kempe |
conductor |
Horn Concerto no. 4 in E-flat: IV. Rondo Allegro vivace, Requiem enre mineur, KV 626: I. Itroitus: Requiem aeternam, Requiem enre mineur, KV 626: II. Kyrie eleison, Requiem enre mineur, KV 626: III. Sequenz: Confutatis maledictis, Requiem enre mineur, KV 626: III. Sequenz: Dies irae, Requiem enre mineur, KV 626: III. Sequenz: Lacrimosa, Requiem enre mineur, KV 626: III. Sequenz: Recordare, Requiem enre mineur, KV 626: III. Sequenz: Rex tremendae majestatis, Requiem enre mineur, KV 626: III. Sequenz: Tuba mirum, Requiem enre mineur, KV 626: IV. Offertorium: Domine Jesu Christe, Requiem enre mineur, KV 626: IV. Offertorium: Hostias et preces tibi, Domine, Requiem enre mineur, KV 626: V. Sanctus: Benedictus - Osanna II, Requiem enre mineur, KV 626: V. Sanctus: Sanctus - Osanna I, Requiem enre mineur, KV 626: VI. Agnus Dei, Requiem enre mineur, KV 626: VII Communio: Lux aeterna - Cum sanctis tuis |
| Kurt Redel |
conductor |
Concerto de piano No 17 en sol majeur : Allegretto, Concerto de piano No 17 en sol majeur : Allegro, Concerto de piano No 17 en sol majeur : Andante, Concerto f. Oboe & Orchester / Orchestra, KV 314, C-Dur / in C: 2. Adagio non troppo, Concerto no. 3 in E-flat major for Horn and Orchestra, K. 447: I. Allegro moderato, Horn Concerto No. 1 in D, K 412: I. Allegro, Horn Concerto No. 1 in D, K 412: II. Rondo: Allegro, No.1 in D major K 412 Menuetto K 65a, String Quartet in D minor, K. 421 "Haydn Quartet No. 2": I. Allegro, String Quartet in D minor, K. 421 "Haydn Quartet No. 2": II. Andante, String Quartet in D minor, K. 421 "Haydn Quartet No. 2": III. Menuetto: Allegro, String Quartet in D minor, K. 421 "Haydn Quartet No. 2": IV. Allegro ma non troppo, Voncerto de piano No 9 en mi bémol majeur : Allegro, Voncerto de piano No 9 en mi bémol majeur : Andante, Voncerto de piano No 9 en mi bémol majeur : Rondo presto |
| Hans Graf |
conductor |
Symphony No. 34 in C major, K. 338: I. Allegro vivace, Symphony No. 34 in C major, K. 338: II. Andante di molto, Symphony No. 34 in C major, K. 338: III. Finale. Allegro vivace, Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony No. 35 in D major, K. 385 "Haffner": II. Andante, Symphony No. 35 in D major, K. 385 "Haffner": III. Menuetto, Symphony No. 35 in D major, K. 385 "Haffner": IV. Presto, Symphony No. 36 in C major, K. 425 "Linz": I. Adagio - allegro spiritoso, Symphony No. 36 in C major, K. 425 "Linz": II. Poco Adagio, Symphony No. 36 in C major, K. 425 "Linz": III. Menuetto, Symphony No. 36 in C major, K. 425 "Linz": IV. Presto, Symphony No. 38 in D, "Prague": Andante, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Menuetto. Allegretto, Symphony No. 40 in G minor, K. 550: IV. Allegro assai |
| Boston Symphony Orchestra |
performing orchestra |
Klarinettenkonzert A-Dur, Kv 622 (Adagio), Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
| Anne Sofie von Otter |
vocal |
Così fan tutte: Soave sia il vento, Le Nozze di Figaro: Non so più cosa son, cosa faccio, Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) / Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) / Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andate" (Il Conte, Basilio, Susanna) / Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Coro "Giovani liete, fiori spargete" (Coro) / Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) / Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro) / Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna) / Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna) / Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) / Act II, Scene IV. Recitativo "Oh guarda il demonietto!" (Susanna) / Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna) / Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa) / Act III, Scene IX. Recitativo "Io vi dico, signor, che Cherubino" (Antonio, Il Conte) / Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Ecco qui la mia Susanna" (Il Conte, Susanna, Figaro, Cherubino, La Contessa) / Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) / Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna) / Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Cherubino, Figaro, La Contessa), Trio: Soave Sia Il Vento - Cosi Fan Tutte |
| Camerata Labacensis |
performing orchestra |
Concerto de piano No 17 en sol majeur : Allegretto, Concerto de piano No 17 en sol majeur : Allegro, Concerto de piano No 17 en sol majeur : Andante, Concerto f. Oboe & Orchester / Orchestra, KV 314, C-Dur / in C: 2. Adagio non troppo, Horn Concerto No. 1 in D, K 412: I. Allegro, Horn Concerto No. 1 in D, K 412: II. Rondo: Allegro, Horn Concerto No. 2, K. 417: Rondo, No.1 in D major K 412 Menuetto K 65a, String Quartet in D minor, K. 421 "Haydn Quartet No. 2": I. Allegro, String Quartet in D minor, K. 421 "Haydn Quartet No. 2": II. Andante, String Quartet in D minor, K. 421 "Haydn Quartet No. 2": III. Menuetto: Allegro, String Quartet in D minor, K. 421 "Haydn Quartet No. 2": IV. Allegro ma non troppo, Voncerto de piano No 9 en mi bémol majeur : Allegro, Voncerto de piano No 9 en mi bémol majeur : Andante, Voncerto de piano No 9 en mi bémol majeur : Rondo presto |
| Dagmar Birwe |
producer |
Flötenkonzert G-Dur KV 313: Adagia ma non troppo, Flötenkonzert G-Dur KV 313: Allegro maestoso, Flötenkonzert G-Dur KV 313: Rondo. Tempo di Menuetto, Oboenkonzert C-Dur KV 314: Adagio non troppo, Oboenkonzert C-Dur KV 314: Allegro aperto, Oboenkonzert C-Dur KV 314: Rondo. Allegretto, Rondo C-Dur KV 373 I. Allegretto grazioso, Vier Arien aus der „Zauberflöte“: Alles fühlt der Liebe Freuden, Vier Arien aus der „Zauberflöte“: Dies Bildnis ist bezaubernd schön, Vier Arien aus der „Zauberflöte“: Ein Mädchen oder Weibchen, Vier Arien aus „Don Giovanni“: Canzonetta: Deh, vieni alla finestra, Vier Arien aus „Don Giovanni“: Fin ch'han dal vino, Vier Arien aus „Don Giovanni“: Là ci darem la mano, Vier Arien aus „Don Giovanni“: Non mi dir, bell'idol mio |
| Consortium Musicum |
performing orchestra |
Requiem, K. 626: I. Introitus: Requiem aeternam, Requiem, K. 626: II. Kyrie eleison, Requiem, K. 626: III. Sequenz: Confutatis maledictis, Requiem, K. 626: III. Sequenz: Dies irae, Requiem, K. 626: III. Sequenz: Lacrimosa, Requiem, K. 626: III. Sequenz: Recordare, Requiem, K. 626: III. Sequenz: Rex tremendae, Requiem, K. 626: III. Sequenz: Tuba mirum, Requiem, K. 626: IV. Offertorium: Domine Jesu Christe, Requiem, K. 626: IV. Offertorium: Hostias et preces, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Communio: Lux aeterna |
| Concertgebouw Kamerorkest |
performing orchestra |
Last Action Hero: Le nozze di Fagiaro: Overture, Symphony no. 11 in D Major, K. 84: I. Allegro, Symphony no. 11 in D Major, K. 84: II. Andante, Symphony no. 11 in D Major, K. 84: III. Allegro, Symphony no. 21 in A Major, K. 134: I. Allegro, Symphony no. 21 in A Major, K. 134: II. Andante, Symphony no. 21 in A Major, K. 134: III. Menuetto - Trio, Symphony no. 21 in A Major, K. 134: IV. Allegro, Symphony no. 27 in G Major, K. 199: I. Allegro, Symphony no. 27 in G Major, K. 199: II. Andantino grazioso, Symphony no. 27 in G Major, K. 199: III. Presto, Symphony no. 5 in B flat major, K. 22: I. Allegro, Symphony no. 5 in B flat major, K. 22: II. Andante, Symphony no. 5 in B flat major, K. 22: III. Allegro molto |
| Renate Frank-Reinecke |
vocal |
Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: II. "Panis vivus", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: V. "Tremendum ac vivificum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. "Dulcissimum convivium", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VII. "Viaticum in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VIII. "Pignus in Domino morientum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: X. "Miserere" |
| Werner Mayer (classical producer) |
producer |
Don Giovanni: Ah! Dov´è il perfido, Don Giovanni: Don Giovanni, a cenar teco m'invitasti, Don Giovanni: L'ultima prova dell'amor mio, Don Giovanni: Mi tradì quell'alma ingrata, Don Giovanni: N. 21b Recitativo accompagnato ed Aria [KV 540c]: In quali eccessi, o Numi, Don Giovanni: N. 22 Duetto: O statua gentilissima, Don Giovanni: N. 23 Recitativo accompagnato e Rondo: Crudele! Ah no, mio bene!, Don Giovanni: N. 24 Finale II: Già la mensa è preparata, Don Giovanni: Non mi dir, bell'idol mio, Don Giovanni: Recitativo: Ah, ah, ah, ah, questa è buona!, Don Giovanni: Recitativo: Calmatevi, idol mio, Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus", La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Act II, XIX. Rondo. "Deh per questo istante solo" (Sesto) |
| Radcliff Glee Club |
vocal |
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
| Harvard Glee Club |
vocal |
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
| Ernst Rothe (engineer) |
balance |
Requiem, K. 626: I. Introitus: Requiem aeternam, Requiem, K. 626: II. Kyrie eleison, Requiem, K. 626: III. Sequenz: Confutatis maledictis, Requiem, K. 626: III. Sequenz: Dies irae, Requiem, K. 626: III. Sequenz: Lacrimosa, Requiem, K. 626: III. Sequenz: Recordare, Requiem, K. 626: III. Sequenz: Rex tremendae, Requiem, K. 626: III. Sequenz: Tuba mirum, Requiem, K. 626: IV. Offertorium: Domine Jesu Christe, Requiem, K. 626: IV. Offertorium: Hostias et preces, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Communio: Lux aeterna |
| Jean-Claude Malgoire |
conductor |
Requiem in D minor, K. 626 (Neukomm completion): I. Introitus: "Requiem aeternam" / II. Kyrie, Requiem in D minor, K. 626 (Neukomm completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Neukomm completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Neukomm completion): IIIc. Sequenz: "Liber scriptus", Requiem in D minor, K. 626 (Neukomm completion): IIId. Sequenz: "Quid Sum Miser", Requiem in D minor, K. 626 (Neukomm completion): IIIe. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Neukomm completion): IIIf. Sequenz: "Recordare", Requiem in D minor, K. 626 (Neukomm completion): IIIg. Sequenz: "Ingemisco Tamquam", Requiem in D minor, K. 626 (Neukomm completion): IIIh. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Neukomm completion): IIIi. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Neukomm completion): IV. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Neukomm completion): V. "Sanctus", Requiem in D minor, K. 626 (Neukomm completion): VI. "Agnus Dei", Requiem in D minor, K. 626 (Neukomm completion): VII. Communio: "Lux aeterna" |
| Peter Arts (producer/engineer) |
engineer, producer, recording |
Quartet for Piano No. 1 in G minor, K. 478: I. Allegro, Quartet for Piano No. 1 in G minor, K. 478: II. Andante, Quartet for Piano No. 1 in G minor, K. 478: III. Rondeau, Quartet for Piano No. 2 in E-flat major, K. 493: I. Allegro, Quartet for Piano No. 2 in E-flat major, K. 493: II. Larghetto, Quartet for Piano No. 2 in E-flat major, K. 493: III. Allegretto, Serenade No. 4 in D major, KV 203: I. Andante maestoso - Allegro assai, Serenade No. 7 in D major, K. 250 "Haffner": Adagio-allegro assai, Serenade No. 7 in D major, K. 250 "Haffner": Allegro maestoso-allegro molto, Serenade No. 7 in D major, K. 250 "Haffner": Andante, Serenade No. 7 in D major, K. 250 "Haffner": Menuetto, Serenade No. 7 in D major, K. 250 "Haffner": Menuetto galante, Serenade No. 7 in D major, K. 250 "Haffner": Rondo. Allegro, Trio for Piano No. 2 in G major, K. 496: III. Allegretto |
| Janet Perry |
vocal |
Grande messe en ut mineur, K. 427 (417a) : I. Kyrie (Andante moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 1 "Gloria in excelsis Deo" (Allegro vivace), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 2 "Laudamus te" (Allegro aperto), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 3 "Gratias" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 4 "Domine" (Allegro moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 5 "Qui tollis peccato mundi" (Largo), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 6 "Quoniam tu solus sanctus" (Allegro), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 7 "Jesus Christe" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 8 "Cum sancto spiritu", Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 1 "Credo in unum Deum" (Allegro maestoso), Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 2 "Et incarnatus est" (Andante), Grande messe en ut mineur, K. 427 (417a) : IV. Sanctus (Largo), Grande messe en ut mineur, K. 427 (417a) : V. Benedictus (Allegro comodo), Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus" |
| Elisabeth Schwarzkopf (German-born Austrian/British soprano opera) |
vocal |
Così fan tutte (Atto I) : « L'intatta fede... Come scoglio », Don Giovanni (Atto II) : « In quali eccessi, o numi... Mi tradì », Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT I (Part 2), Don Giovanni KV 527: ACT II (Part 1), Don Giovanni KV 527: ACT II (Part 2), Exsultate, jubilate, K. 165: "Alleluja", Exsultate, jubilate, K. 165: "Exsultate, jubilate", Exsultate, jubilate, K. 165: "Tu virginum corona", Exsultate, jubilate, K. 165: Recit. "Fulget amicadies", Le nozze di Figaro (Atto I) : « Non so più », Le nozze di Figaro (Atto II) : « Porgi amor », Le nozze di Figaro (Atto III) : « E Susanna non vien! ... Dove sono », Soave Sia il Vento (from Così fan tutte) |
| Süddeutscher Madrigalchor |
vocal |
Requiem, K. 626: I. Introitus: Requiem aeternam, Requiem, K. 626: II. Kyrie eleison, Requiem, K. 626: III. Sequenz: Confutatis maledictis, Requiem, K. 626: III. Sequenz: Dies irae, Requiem, K. 626: III. Sequenz: Lacrimosa, Requiem, K. 626: III. Sequenz: Recordare, Requiem, K. 626: III. Sequenz: Rex tremendae, Requiem, K. 626: III. Sequenz: Tuba mirum, Requiem, K. 626: IV. Offertorium: Domine Jesu Christe, Requiem, K. 626: IV. Offertorium: Hostias et preces, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Communio: Lux aeterna |
| Johannes Somary |
conductor |
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
| Peter Lichtenthal |
instrument arranger |
in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", in D minor, K. 626 (Süßmayr completion): V. "Sanctus", in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
| Claron McFadden |
vocal |
Song Reduction on Josef Mysliveček: Aria "Il mio caro bene attendo sospiro" for Voice & Piano in F major, K. 210a/152 (possibly spurious) "Ridente la calma", Song for Voice & Piano in A major, K. 598 "Das Kinderspiel": "Wir Kinder, wir schmecken", Song for Voice & Piano in A-flat major, K. 295b/308 "Dans un bois solitaire", Song for Voice & Piano in C major, K. 284d/307 "Oiseaux, si tous les ans", Song for Voice & Piano in C major, K. 531 "Die kleine Spinnerin": "Was spinnst du?", Song for Voice & Piano in C minor, K. 520 "Als Luise die Briefe": "Erzeugt von heisser Phantasie", Song for Voice & Piano in D minor, K. 340c/390 "An die Hoffnung": "Ich würd auf meinem Pfad", Song for Voice & Piano in E minor, K. 517 "Die Alte": "Zu meiner Zeit", Song for Voice & Piano in E-flat major, K. 597 "Im Frühlingsanfang": "Erwacht zum neuen Leben", Song for Voice & Piano in F major, K. 125g/147 "Wie unglücklich bin ich nit", Song for Voice & Piano in F major, K. 340a/392 "Verdankt sei es dem Glanz der Grossen", Song for Voice & Piano in F major, K. 523 "Abendempfindung an Laura": "Abend ist's", Song for Voice & Piano in F major, K. 529 "Des kleinen Friedrichs Geburtstag": "Es war einmal", Song for Voice & Piano in F major, K. 596 "Sehnsucht nach dem Frühling": "Komm, lieber Mai" |
| Armin Ude |
vocal |
Die Entführung aus dem Serail, KV 384: "Konstanze, dich wiederzusehen" - "O wie ängstlich" (Belmonte), Die Zauberflöte, KV 620: "Dies Bildnis ist bezaubernd schön" (Tamino), Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei" |
| Valentina Farcas |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Wiener Kammerensemble |
performing orchestra |
Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": I. Allegro, Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": II. Andante grazioso, Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": III. Minuetto, Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": IV. Adagio, Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": V. Minuetto, Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": VI. Andante - Allegro assai, Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: I. Largo, Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: II. Minuetto, Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: III. Minuetto, Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: IV. Adagio, Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: V. Finale presto, March for 2 Horns, 2 Violins, Viola and Bass in F major, K. 248: (no tempo indication), March for 2 Horns, Violin, Viola and Bass in D major, K. 167AB / K3 173b / 290: (no tempo indication), Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto |
| Rüdiger Herrmann |
engineer |
Flötenkonzert G-Dur KV 313: Adagia ma non troppo, Flötenkonzert G-Dur KV 313: Allegro maestoso, Flötenkonzert G-Dur KV 313: Rondo. Tempo di Menuetto, Oboenkonzert C-Dur KV 314: Adagio non troppo, Oboenkonzert C-Dur KV 314: Allegro aperto, Oboenkonzert C-Dur KV 314: Rondo. Allegretto, Rondo C-Dur KV 373 I. Allegretto grazioso, Vier Arien aus der „Zauberflöte“: Alles fühlt der Liebe Freuden, Vier Arien aus der „Zauberflöte“: Dies Bildnis ist bezaubernd schön, Vier Arien aus der „Zauberflöte“: Ein Mädchen oder Weibchen, Vier Arien aus „Don Giovanni“: Canzonetta: Deh, vieni alla finestra, Vier Arien aus „Don Giovanni“: Fin ch'han dal vino, Vier Arien aus „Don Giovanni“: Là ci darem la mano, Vier Arien aus „Don Giovanni“: Non mi dir, bell'idol mio |
| Anton Nanut (conductor) |
conductor |
Concerto for Harp in C Major, K 415: I. Allegro, Concerto for Harp in C Major, K 415: II. Andante, Concerto for Harp in C Major, K 415: III. Allegro, Concerto for Horn & Orchestra in E flat major, K 417: I. Allegro Maestoso, Concerto for Horn & Orchestra in E flat major, K 417: II. Andante, Concerto for Horn & Orchestra in E flat major, K 417: III. Allegro, Piano Concerto No. 21 in C major, K 467: I. Allegro, Piano Concerto No. 21 in C major, K 467: II. Andante, Piano Concerto No. 21 in C major, K 467: III. Allegro vivace assai, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan", Piano Concerto No. 24 in C minor, K 491: I. Allegro, Piano Concerto No. 24 in C minor, K 491: II. Larghetto, Piano Concerto No. 24 in C minor, K 491: III. Allegretto, Piano Concerto No. 26 in D major, K. 537 "Coronation" |
| David Bell (organist) |
organ |
Grande messe en ut mineur, K. 427 (417a) : I. Kyrie (Andante moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 1 "Gloria in excelsis Deo" (Allegro vivace), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 2 "Laudamus te" (Allegro aperto), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 3 "Gratias" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 4 "Domine" (Allegro moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 5 "Qui tollis peccato mundi" (Largo), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 6 "Quoniam tu solus sanctus" (Allegro), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 7 "Jesus Christe" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 8 "Cum sancto spiritu", Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 1 "Credo in unum Deum" (Allegro maestoso), Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 2 "Et incarnatus est" (Andante), Grande messe en ut mineur, K. 427 (417a) : IV. Sanctus (Largo), Grande messe en ut mineur, K. 427 (417a) : V. Benedictus (Allegro comodo), Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus" |
| François Leleux |
oboe |
Flötenkonzert G-Dur KV 313: Adagia ma non troppo, Flötenkonzert G-Dur KV 313: Allegro maestoso, Flötenkonzert G-Dur KV 313: Rondo. Tempo di Menuetto, Oboenkonzert C-Dur KV 314: Adagio non troppo, Oboenkonzert C-Dur KV 314: Allegro aperto, Oboenkonzert C-Dur KV 314: Rondo. Allegretto, Rondo C-Dur KV 373 I. Allegretto grazioso, Vier Arien aus der „Zauberflöte“: Alles fühlt der Liebe Freuden, Vier Arien aus der „Zauberflöte“: Dies Bildnis ist bezaubernd schön, Vier Arien aus der „Zauberflöte“: Ein Mädchen oder Weibchen, Vier Arien aus „Don Giovanni“: Canzonetta: Deh, vieni alla finestra, Vier Arien aus „Don Giovanni“: Fin ch'han dal vino, Vier Arien aus „Don Giovanni“: Là ci darem la mano, Vier Arien aus „Don Giovanni“: Non mi dir, bell'idol mio |
| Wolfgang Gülich (engineer) |
balance |
Requiem, K. 626: I. Introitus: Requiem aeternam, Requiem, K. 626: II. Kyrie eleison, Requiem, K. 626: III. Sequenz: Confutatis maledictis, Requiem, K. 626: III. Sequenz: Dies irae, Requiem, K. 626: III. Sequenz: Lacrimosa, Requiem, K. 626: III. Sequenz: Recordare, Requiem, K. 626: III. Sequenz: Rex tremendae, Requiem, K. 626: III. Sequenz: Tuba mirum, Requiem, K. 626: IV. Offertorium: Domine Jesu Christe, Requiem, K. 626: IV. Offertorium: Hostias et preces, Requiem, K. 626: V. Sanctus, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VII. Agnus Dei, Requiem, K. 626: VIII. Communio: Lux aeterna |
| Eric Ruske |
horn |
Concert Rondo in E-flat major, K. 371 (reconstructed by John Humphries), Concert in E-flat major, K. 417: Allegro maestoso, Concert in E-flat major, K. 417: Andante, Concert in E-flat major, K. 417: Rondo, Concerto in D major, K. 412: (Allegro), Concerto in D major, K. 412: Rondo: Allegro, Concerto in E-flat major, K. 447: Allegro, Concerto in E-flat major, K. 447: Romanze: Larghetto, Concerto in E-flat major, K. 447: Rondo: Allegro, Concerto in E-flat major, K. 495: Allegro moderato, Concerto in E-flat major, K. 495: Romanca: Andante, Concerto in E-flat major, K. 495: Rondo: Allegro vivace, Flander & Swann: III Wind (based on Mozart's Horn Concerto K. 495, transcribed for Orchestra, Fragment in E major, K. 494a (edited by John Humphries) |
| La Grande Écurie et la Chambre du Roy |
performing orchestra |
Requiem in D minor, K. 626 (Neukomm completion): I. Introitus: "Requiem aeternam" / II. Kyrie, Requiem in D minor, K. 626 (Neukomm completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Neukomm completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Neukomm completion): IIIc. Sequenz: "Liber scriptus", Requiem in D minor, K. 626 (Neukomm completion): IIId. Sequenz: "Quid Sum Miser", Requiem in D minor, K. 626 (Neukomm completion): IIIe. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Neukomm completion): IIIf. Sequenz: "Recordare", Requiem in D minor, K. 626 (Neukomm completion): IIIg. Sequenz: "Ingemisco Tamquam", Requiem in D minor, K. 626 (Neukomm completion): IIIh. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Neukomm completion): IIIi. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Neukomm completion): IV. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Neukomm completion): V. "Sanctus", Requiem in D minor, K. 626 (Neukomm completion): VI. "Agnus Dei", Requiem in D minor, K. 626 (Neukomm completion): VII. Communio: "Lux aeterna" |
| Nederlands Blazers Ensemble |
performer, performing orchestra |
Finale I, From Don Giovanni, K.527, Serenade in B flat, K.361 "Gran partita": 1. Largo - Allegro molto, Serenade in B flat, K.361 "Gran partita": 2. Menuetto (Allegretto) - Trio I-II, Serenade in B flat, K.361 "Gran partita": 3. Adagio, Serenade in B flat, K.361 "Gran partita": 4. Menuetto (Allegretto) - Trio I-II, Serenade in B flat, K.361 "Gran partita": 5. Romanze (Adagio - Allegretto - Adagio), Serenade in B flat, K.361 "Gran partita": 6. Thema con 6 variazioni (Andante), Serenade in B flat, K.361 "Gran partita": 7. Finale (Molto allegro), Serenade in E flat, K.375: 1. Allegro maestoso, Serenade in E flat, K.375: 2. Menuetto, Serenade in E flat, K.375: 3. Adagio, Serenade in E flat, K.375: 4. Menuetto, Serenade in E flat, K.375: 5. Finale (Allegro) |
| Rudolf Bayer |
producer |
Mass in C minor, K. 427: I. Kyrie, Mass in C minor, K. 427: IIIa. Credo: Credo in unum Deum, Mass in C minor, K. 427: IIIb. Credo: Et incarnatus est, Mass in C minor, K. 427: IIa. Gloria: Gloria in excelsis Deo, Mass in C minor, K. 427: IIb. Gloria: Laudamus te, Mass in C minor, K. 427: IIc. Gloria: Gratias agimus tibi, Mass in C minor, K. 427: IId. Gloria: Domine Deus, Mass in C minor, K. 427: IIe. Gloria: Qui tollis, Mass in C minor, K. 427: IIf. Gloria: Quoniam tu solus, Mass in C minor, K. 427: IIg. Gloria: Cum Sancto Spiritu, Mass in C minor, K. 427: IIg. Gloria: Jesu Christe, Mass in C minor, K. 427: IV. Sanctus, Mass in C minor, K. 427: V. Benedictus qui venit |
| Tuija Hakkila |
fortepiano |
Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIa. Tema. Andante, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIb. Variation I, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIc. Variation II, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIId. Variation III, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIe. Variation IV, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIf. Variation V, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIg. Variation VI, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIh. Variation VII, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIi. Variation VIII, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIj. Variation IX, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIk. Variation X, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIl. Variation XI. Adagio cantabile, Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": IIIm. Variation XII. Allegro |
| Slovenský komorný orchester Bohdana Warchala |
performing orchestra |
Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro, Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto, Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di Minuetto, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Symphony No. 29 in A major, K. 186a/201: I. Allegro moderato, Symphony No. 29 in A major, K. 186a/201: II. Andante, Symphony No. 29 in A major, K. 186a/201: III. Minuetto & Trio, Symphony No. 29 in A major, K. 186a/201: IV. Allegro con spirito |
| Carlo Maria Giulini (conductor) |
conductor |
Requiem in Re minore K 626: Agnus Dei, Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Confutatis, Requiem in Re minore K 626: Dies irae, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Hostias, Requiem in Re minore K 626: Introito e Kyrie, Requiem in Re minore K 626: Lacrymosa, Requiem in Re minore K 626: Lux aeterna, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Rex tremendae maiestatis, Requiem in Re minore K 626: Sanctus, Requiem in Re minore K 626: Tuba mirum |
| Harry Johnstone (horn player) |
natural horn |
Divertimento, K. 334 (320b): I. Allegro, Divertimento, K. 334 (320b): III. Menuetto, Trio, Divertimento, K. 334 (320b): IIa. Theme and Variations - Andante, Divertimento, K. 334 (320b): IIb. Theme and Variations - Variation I, Divertimento, K. 334 (320b): IIc. Theme and Variations - Variation II, Divertimento, K. 334 (320b): IId. Theme and Variations - Variation III, Divertimento, K. 334 (320b): IIe. Theme and Variations - Variation IV, Divertimento, K. 334 (320b): IIf. Theme and Variations - Variation V, Divertimento, K. 334 (320b): IIg. Theme and Variations - Variation VI, Divertimento, K. 334 (320b): IV. Adagio, Divertimento, K. 334 (320b): V. Menuetto, Trio I and Trio II, Divertimento, K. 334 (320b): VI. Rondo Allegro, March, K. 445 (320c) |
| Ileana Cotrubaş |
vocal |
Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo), La Flûte Enchantée : Ach ich fühls, Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII. Recitativo "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Ismene, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia, Sifare), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XII. No. 15 Aria "So quanto a te dispiace" (Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. No. 19 Aria "Tu sai per chi m'accese" (Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Quintetto "Non si ceda al Campidoglio" (Sifare, Asapasia, Farnace, Ismene, Arbate) |
| Hans Peter Ebner (sound engineer) |
sound |
Requiem in Re minore K 626: Agnus Dei, Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Confutatis, Requiem in Re minore K 626: Dies irae, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Hostias, Requiem in Re minore K 626: Introito e Kyrie, Requiem in Re minore K 626: Lacrymosa, Requiem in Re minore K 626: Lux aeterna, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Rex tremendae maiestatis, Requiem in Re minore K 626: Sanctus, Requiem in Re minore K 626: Tuba mirum |
| Guy Penson |
fortepiano, harpsichord |
Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: I. Andante maestoso, Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: II. Allegro grazioso, Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: I. Allegro, Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: II. Andante, Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: III. Minuetto, Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: I. Andante, Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: II. Allegro, Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: I. Allegro, Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: II. Andante, Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: III. Minuetto, Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: I. Allegro, Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: II. Allegro, Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: III. Minuetto |
| Benjamin Luxon (baritone) |
vocal |
Grande messe en ut mineur, K. 427 (417a) : I. Kyrie (Andante moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 1 "Gloria in excelsis Deo" (Allegro vivace), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 2 "Laudamus te" (Allegro aperto), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 3 "Gratias" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 4 "Domine" (Allegro moderato), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 5 "Qui tollis peccato mundi" (Largo), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 6 "Quoniam tu solus sanctus" (Allegro), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 7 "Jesus Christe" (Adagio), Grande messe en ut mineur, K. 427 (417a) : II. Gloria: No. 8 "Cum sancto spiritu", Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 1 "Credo in unum Deum" (Allegro maestoso), Grande messe en ut mineur, K. 427 (417a) : III. Credo: No. 2 "Et incarnatus est" (Andante), Grande messe en ut mineur, K. 427 (417a) : IV. Sanctus (Largo), Grande messe en ut mineur, K. 427 (417a) : V. Benedictus (Allegro comodo) |
| Ruth Crouch (violinist) |
violin |
Divertimento, K. 334 (320b): I. Allegro, Divertimento, K. 334 (320b): III. Menuetto, Trio, Divertimento, K. 334 (320b): IIa. Theme and Variations - Andante, Divertimento, K. 334 (320b): IIb. Theme and Variations - Variation I, Divertimento, K. 334 (320b): IIc. Theme and Variations - Variation II, Divertimento, K. 334 (320b): IId. Theme and Variations - Variation III, Divertimento, K. 334 (320b): IIe. Theme and Variations - Variation IV, Divertimento, K. 334 (320b): IIf. Theme and Variations - Variation V, Divertimento, K. 334 (320b): IIg. Theme and Variations - Variation VI, Divertimento, K. 334 (320b): IV. Adagio, Divertimento, K. 334 (320b): V. Menuetto, Trio I and Trio II, Divertimento, K. 334 (320b): VI. Rondo Allegro, March, K. 445 (320c) |
| Marc Grauwels |
flute |
Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: I. Andante maestoso, Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: II. Allegro grazioso, Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: I. Allegro, Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: II. Andante, Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: III. Minuetto, Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: I. Andante, Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: II. Allegro, Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: I. Allegro, Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: II. Andante, Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: III. Minuetto, Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: I. Allegro, Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: II. Allegro, Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: III. Minuetto |
| New England Conservatory of Music Chorus pro Musica |
vocal |
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias", Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
| Gabrieli Consort & Players |
performing orchestra |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IV. Sanctus, Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Nikita Naumov |
double bass |
Divertimento, K. 334 (320b): I. Allegro, Divertimento, K. 334 (320b): III. Menuetto, Trio, Divertimento, K. 334 (320b): IIa. Theme and Variations - Andante, Divertimento, K. 334 (320b): IIb. Theme and Variations - Variation I, Divertimento, K. 334 (320b): IIc. Theme and Variations - Variation II, Divertimento, K. 334 (320b): IId. Theme and Variations - Variation III, Divertimento, K. 334 (320b): IIe. Theme and Variations - Variation IV, Divertimento, K. 334 (320b): IIf. Theme and Variations - Variation V, Divertimento, K. 334 (320b): IIg. Theme and Variations - Variation VI, Divertimento, K. 334 (320b): IV. Adagio, Divertimento, K. 334 (320b): V. Menuetto, Trio I and Trio II, Divertimento, K. 334 (320b): VI. Rondo Allegro, March, K. 445 (320c) |
| Pip Eastop |
natural horn |
Divertimento, K. 334 (320b): I. Allegro, Divertimento, K. 334 (320b): III. Menuetto, Trio, Divertimento, K. 334 (320b): IIa. Theme and Variations - Andante, Divertimento, K. 334 (320b): IIb. Theme and Variations - Variation I, Divertimento, K. 334 (320b): IIc. Theme and Variations - Variation II, Divertimento, K. 334 (320b): IId. Theme and Variations - Variation III, Divertimento, K. 334 (320b): IIe. Theme and Variations - Variation IV, Divertimento, K. 334 (320b): IIf. Theme and Variations - Variation V, Divertimento, K. 334 (320b): IIg. Theme and Variations - Variation VI, Divertimento, K. 334 (320b): IV. Adagio, Divertimento, K. 334 (320b): V. Menuetto, Trio I and Trio II, Divertimento, K. 334 (320b): VI. Rondo Allegro, March, K. 445 (320c) |
| Orchester der Ludwigsburger Festspiele |
performing orchestra |
Mass in C minor, K. 427: I. Kyrie, Mass in C minor, K. 427: IIIa. Credo: Credo in unum Deum, Mass in C minor, K. 427: IIIb. Credo: Et incarnatus est, Mass in C minor, K. 427: IIa. Gloria: Gloria in excelsis Deo, Mass in C minor, K. 427: IIb. Gloria: Laudamus te, Mass in C minor, K. 427: IIc. Gloria: Gratias agimus tibi, Mass in C minor, K. 427: IId. Gloria: Domine Deus, Mass in C minor, K. 427: IIe. Gloria: Qui tollis, Mass in C minor, K. 427: IIf. Gloria: Quoniam tu solus, Mass in C minor, K. 427: IIg. Gloria: Cum Sancto Spiritu, Mass in C minor, K. 427: IIg. Gloria: Jesu Christe, Mass in C minor, K. 427: IV. Sanctus, Mass in C minor, K. 427: V. Benedictus qui venit |
| Jan Sciffer |
cello |
Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: I. Andante maestoso, Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: II. Allegro grazioso, Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: I. Allegro, Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: II. Andante, Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: III. Minuetto, Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: I. Andante, Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: II. Allegro, Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: I. Allegro, Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: II. Andante, Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: III. Minuetto, Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: I. Allegro, Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: II. Allegro, Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: III. Minuetto |
| Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) |
vocal |
Requiem in Re minore K 626: Agnus Dei, Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Confutatis, Requiem in Re minore K 626: Dies irae, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Hostias, Requiem in Re minore K 626: Introito e Kyrie, Requiem in Re minore K 626: Lacrymosa, Requiem in Re minore K 626: Lux aeterna, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Rex tremendae maiestatis, Requiem in Re minore K 626: Sanctus, Requiem in Re minore K 626: Tuba mirum |
| The John Alldis Choir |
vocal |
Le nozze di Figaro, K. 492: Act IV, Ecco la marcia (All), Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis maledictis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem Aeternam, Requiem: Rex tremendae, Requiem: Sanctus, Requiem: Tuba mirum |
| Eduardo Marturet |
conductor |
Symphony no. 11 in D Major, K. 84: I. Allegro, Symphony no. 11 in D Major, K. 84: II. Andante, Symphony no. 11 in D Major, K. 84: III. Allegro, Symphony no. 21 in A Major, K. 134: I. Allegro, Symphony no. 21 in A Major, K. 134: II. Andante, Symphony no. 21 in A Major, K. 134: III. Menuetto - Trio, Symphony no. 21 in A Major, K. 134: IV. Allegro, Symphony no. 27 in G Major, K. 199: I. Allegro, Symphony no. 27 in G Major, K. 199: II. Andantino grazioso, Symphony no. 27 in G Major, K. 199: III. Presto, Symphony no. 5 in B flat major, K. 22: I. Allegro, Symphony no. 5 in B flat major, K. 22: II. Andante, Symphony no. 5 in B flat major, K. 22: III. Allegro molto |
| Paul McCreesh |
conductor |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IV. Sanctus, Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Günter Appenheimer (producer/engineer) |
engineer |
Mass in C minor, K. 427: I. Kyrie, Mass in C minor, K. 427: IIIa. Credo: Credo in unum Deum, Mass in C minor, K. 427: IIIb. Credo: Et incarnatus est, Mass in C minor, K. 427: IIa. Gloria: Gloria in excelsis Deo, Mass in C minor, K. 427: IIb. Gloria: Laudamus te, Mass in C minor, K. 427: IIc. Gloria: Gratias agimus tibi, Mass in C minor, K. 427: IId. Gloria: Domine Deus, Mass in C minor, K. 427: IIe. Gloria: Qui tollis, Mass in C minor, K. 427: IIf. Gloria: Quoniam tu solus, Mass in C minor, K. 427: IIg. Gloria: Cum Sancto Spiritu, Mass in C minor, K. 427: IIg. Gloria: Jesu Christe, Mass in C minor, K. 427: IV. Sanctus, Mass in C minor, K. 427: V. Benedictus qui venit |
| Большой симфонический оркестр имени П. И. Чайковского |
performing orchestra |
Requiem, K.626: Agnus Dei (Larghetto), Requiem, K.626: Benedictus (Andante), Requiem, K.626: Confutatis (Andante), Requiem, K.626: Dies irae (Allegro), Requiem, K.626: Domine Jesu (Andante), Requiem, K.626: Hostias (Andante), Requiem, K.626: Kyrie (Adagio), Requiem, K.626: Lacrymosa (Larghetto), Requiem, K.626: Recordare (Andante), Requiem, K.626: Rex tremendae (Grave), Requiem, K.626: Sanctus (Adagio), Requiem, K.626: Tuba mirum (Andante) |
| John Alldis |
chorus master |
Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis maledictis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem Aeternam, Requiem: Rex tremendae, Requiem: Sanctus, Requiem: Tuba mirum |
| Vincent Deprecq |
viola |
Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem, Requiem: Rex tremendae majestatis, Requiem: Sanctus, Requiem: Tuba mirum |
| Chamber Orchestra of Europe |
performing orchestra, wind instruments |
Come scoglio (Così fan tutte), Serenade Gran Partita: Adagio, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": I. Largo - allegro molto, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": II. Minuetto, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": IV. Minuetto. Allegretto, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": V. Romanze. Adagio, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VII. Rondo, Serenade No. 10 for winds in B flat major ("Gran Partita"), K. 361 (K. 370a): III. Adagio, Serenade no. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525: II. Romanze: Andante, Trio: Soave Sia Il Vento - Cosi Fan Tutte |
| Dresdner Philharmonie |
performing orchestra |
Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei" |
| Marga Schiml |
vocal |
Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus", Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei" |
| Christophe Collette |
violin |
Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem, Requiem: Rex tremendae majestatis, Requiem: Sanctus, Requiem: Tuba mirum |
| Horst Neumann (choir master and conductor) |
chorus master |
Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei" |
| Gerhard Eder |
vocal |
Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei" |
| Celestina Casapietra |
vocal |
Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie eleison", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Gloria in excelsis Deo", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XI. "Credo in unum Deum", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XIX. "Benedictus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XVIII. "Sanctus", Mass No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": XX. "Agnus Dei", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus", Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei" |
| Steven Lubin |
conductor, fortepiano |
Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: I. Allegro, Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: II. Andante, Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: III. Rondo. Allegretto, Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro, Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante, Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai, Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: III. Rondeau. Allegro moderato, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: I. Allegro, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: II. Larghetto, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: III. Allegretto |
| Pierre Doukan |
conductor |
Concerto pour hautbois en ut majeur K 314 : Adagio non troppo, Concerto pour hautbois en ut majeur K 314 : Allegro aperto, Concerto pour hautbois en ut majeur K 314 : Rondo, Concertone pour 2 violons et orchestre en ut majeur K 190 : Allegro spiritoso, Concertone pour 2 violons et orchestre en ut majeur K 190 : Andante grazioso, Concertone pour 2 violons et orchestre en ut majeur K 190 : Tempo di menuetto - Vivace, Divertimento en re majeur K 136: Allegro, Divertimento en re majeur K 136: Andante, Divertimento en re majeur K 136: Presto, Serenade No 6 en re majeur K 239 pour 2 petits orchestres "Serenata Notturna" : Marcia (maestoso), Serenade No 6 en re majeur K 239 pour 2 petits orchestres "Serenata Notturna" : Menuetto - Trio menuetto, Serenade No 6 en re majeur K 239 pour 2 petits orchestres "Serenata Notturna" : Rondo - Allegretto - Adagio - Allegro |
| Alain Brunier |
cello |
Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem, Requiem: Rex tremendae majestatis, Requiem: Sanctus, Requiem: Tuba mirum |
| Michael G. Gormley |
organ |
Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei" |
| Quatuor Debussy |
bowed string instruments |
Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem, Requiem: Rex tremendae majestatis, Requiem: Sanctus, Requiem: Tuba mirum |
| Peter Jelosits |
vocal |
Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei" |
| Radio-Sinfonieorchester Stuttgart des SWR |
performing orchestra |
Symphony no. 12 in G major, K. 110: I. Allegro, Symphony no. 12 in G major, K. 110: II. Andante, Symphony no. 12 in G major, K. 110: III. Menuetto, Symphony no. 12 in G major, K. 110: IV. Allegro, Symphony no. 29 in A major, K. 201: I. Allegro moderato, Symphony no. 29 in A major, K. 201: II. Andante, Symphony no. 29 in A major, K. 201: III. Menuetto, Symphony no. 29 in A major, K. 201: IV. Allegro con spirito, Symphony no. 39 in E-flat major, K. 543: I. Adagio. Allegro, Symphony no. 39 in E-flat major, K. 543: II. Andante cantabile, Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto, Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro |
| Richard Fuller |
fortepiano |
Piano Sonata No. 10 in C major, K. 330: I. Allegro moderato, Piano Sonata No. 10 in C major, K. 330: II. Andante cantabile, Piano Sonata No. 10 in C major, K. 330: III. Allegretto, Piano Sonata No. 16 in C major, K. 545: I. Allegro, Piano Sonata No. 16 in C major, K. 545: II. Andante, Piano Sonata No. 16 in C major, K. 545: III. Rondo, Piano Sonata No. 4 in E-flat major, K. 282: I. Adagio, Piano Sonata No. 4 in E-flat major, K. 282: II. Menuet I & II, Piano Sonata No. 4 in E-flat major, K. 282: III. Allegro, Piano Sonata No. 5 in G major, K. 283: I. Allegro, Piano Sonata No. 5 in G major, K. 283: II. Andante, Piano Sonata No. 5 in G major, K. 283: III. Presto |
| Anthony Newman |
performer |
Sonate_Nr.15_A-Dur-I, Sonate_Nr.15_A-Dur-II, Sonate_Nr.15_A-Dur-III, Sonate_Nr.16_F-Dur-I, Sonate_Nr.16_F-Dur-II, Sonate_Nr.16_F-Dur-III, Sonate_Nr.18_B-Dur-I, Sonate_Nr.18_B-Dur-II, Sonate_Nr.18_B-Dur-III, Sonate_Nr.19_D-Dur-I, Sonate_Nr.19_D-Dur-II, Sonate_Nr.19_D-Dur-III |
| Николай Семёнович Голованов |
conductor |
Requiem, K.626: Agnus Dei (Larghetto), Requiem, K.626: Benedictus (Andante), Requiem, K.626: Confutatis (Andante), Requiem, K.626: Dies irae (Allegro), Requiem, K.626: Domine Jesu (Andante), Requiem, K.626: Hostias (Andante), Requiem, K.626: Kyrie (Adagio), Requiem, K.626: Lacrymosa (Larghetto), Requiem, K.626: Recordare (Andante), Requiem, K.626: Rex tremendae (Grave), Requiem, K.626: Sanctus (Adagio), Requiem, K.626: Tuba mirum (Andante) |
| Mozarteum Quartett Salzburg |
performer, strings |
String Quartet No. 18 in A major, K. 464: I. Allegro, String Quartet No. 18 in A major, K. 464: II. Menuetto, String Quartet No. 18 in A major, K. 464: III. Andante, String Quartet No. 18 in A major, K. 464: IV. Allegro non troppo, String Quartet No. 19 in C Major, K. 465 "Dissonance": I. Adagio. Allegro, String Quartet No. 19 in C Major, K. 465 "Dissonance": II. Andante cantabile, String Quartet No. 19 in C Major, K. 465 "Dissonance": III. Menuetto. Allegro, String Quartet No. 19 in C Major, K. 465 "Dissonance": IV. Allegro molto, String Quartet in G major, K. 387 "Haydn Quartet No. 1": I. Allegro vivace assai, String Quartet in G major, K. 387 "Haydn Quartet No. 1": II. Menuetto: Allegro, String Quartet in G major, K. 387 "Haydn Quartet No. 1": III. Andante cantabile, String Quartet in G major, K. 387 "Haydn Quartet No. 1": IV. Molto allegro |
| Dorian Lamotte |
violin |
Requiem: Agnus Dei, Requiem: Benedictus, Requiem: Confutatis, Requiem: Dies irae, Requiem: Domine Jesu, Requiem: Hostias, Requiem: Lacrimosa, Requiem: Recordare, Requiem: Requiem, Requiem: Rex tremendae majestatis, Requiem: Sanctus, Requiem: Tuba mirum |
| Tafelmusik |
performing orchestra |
Concerto No. 1 in D Major, K412 (386b) - I. (Allegro), Concerto No. 1 in D Major, K514 (386b) - II. Rondo (Allegro), Concerto No.2 in E-flat major, K.417 - I. Allegro, Concerto No.2 in E-flat major, K.417 - II. Andante, Concerto No.2 in E-flat major, K.417 - III. Rondo (Allegro), Concerto No.3 in E-flat major, K.447 - I. Allegro, Concerto No.3 in E-flat major, K.447 - II. Romance (Larghetto), Concerto No.3 in E-flat major, K.447 - III. Allegro, Concerto No.4 in E-flat major, K.495 - I. Allegro maestoso, Concerto No.4 in E-flat major, K.495 - II. Romance (Andante cantabile), Concerto No.4 in E-flat major, K.495 - III. Rondo (Allegro vivace), Rondo in E-flat major, K 371: Allegro |
| Mozart Festival Orchestra (an Alfred Scholz pseudonym) |
performing orchestra |
Clarinet Concerto in A major, K. 622: II. Adagio (from Out of Africa), Concerto for Flute, Harp and Orchestra in C major, KV 299: III. Rondo: Allegro, Klavierkonzert Nr. 26 d-Moll, KV 537 "Krönungskonzert": Larghetto, Konzert für Klarinette und Orchester A-Dur KV 622, 2.Satz: Adagio, Marsch KV 215 D-Dur, Piano concerto No. 21 in C major K. 467, "Elvira Madigan": I. Allegro maestoso, Piano concerto No. 21 in C major K. 467, "Elvira Madigan": III. Allegro vivace assai, Romance from Piano Concerto #20, Symphonie no. 21: I. Allegro, Symphonie no. 21: II. Andante, Symphonie no. 21: III. Menuetto, Symphonie no. 21: IV. Allegro |
| Edo de Waart |
conductor |
Serenade in B flat, K.361 "Gran partita": 1. Largo - Allegro molto, Serenade in B flat, K.361 "Gran partita": 2. Menuetto (Allegretto) - Trio I-II, Serenade in B flat, K.361 "Gran partita": 3. Adagio, Serenade in B flat, K.361 "Gran partita": 4. Menuetto (Allegretto) - Trio I-II, Serenade in B flat, K.361 "Gran partita": 5. Romanze (Adagio - Allegretto - Adagio), Serenade in B flat, K.361 "Gran partita": 6. Thema con 6 variazioni (Andante), Serenade in B flat, K.361 "Gran partita": 7. Finale (Molto allegro), Serenade in E flat, K.375: 1. Allegro maestoso, Serenade in E flat, K.375: 2. Menuetto, Serenade in E flat, K.375: 3. Adagio, Serenade in E flat, K.375: 4. Menuetto, Serenade in E flat, K.375: 5. Finale (Allegro) |
| Ab Koster |
natural horn |
Concerto No. 1 in D Major, K412 (386b) - I. (Allegro), Concerto No. 1 in D Major, K514 (386b) - II. Rondo (Allegro), Concerto No.2 in E-flat major, K.417 - I. Allegro, Concerto No.2 in E-flat major, K.417 - II. Andante, Concerto No.2 in E-flat major, K.417 - III. Rondo (Allegro), Concerto No.3 in E-flat major, K.447 - I. Allegro, Concerto No.3 in E-flat major, K.447 - II. Romance (Larghetto), Concerto No.3 in E-flat major, K.447 - III. Allegro, Concerto No.4 in E-flat major, K.495 - I. Allegro maestoso, Concerto No.4 in E-flat major, K.495 - II. Romance (Andante cantabile), Concerto No.4 in E-flat major, K.495 - III. Rondo (Allegro vivace), Rondo in E-flat major, K 371: Allegro |
| Claes-Håkan Ahnsjö |
vocal |
Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XI. Parte I. Recitativo "Daß Träume Träume sind" (Christ), Die Schuldigkeit des ersten Gebots in C major, K. 35: XII. Parte I. No. 5 Aria "Jener Donnerworte Kraft" (Christ), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist), Il sogno di Scipione, K. 126: Act I No. 5 Aria "Se vuoi che te raccolgano" (Publio), Il sogno di Scipione, K. 126: Act I No. 7 Aria "Quercia annosa su l'erte pendici" (Publio), Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Numi, è vero o m'inganno?" (Scipione, Publio), Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio) |
| Álvaro Cassuto |
conductor |
Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony No. 35 in D major, K. 385 "Haffner": II. Andante, Symphony No. 35 in D major, K. 385 "Haffner": III. Minuetto, Symphony No. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony No. 40 in G minor, K. 550: I. Allegro molto, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Minuetto. Allegretto & Trio, Symphony No. 40 in G minor, K. 550: IV. Allegro assai, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto |
| Jan-Hendrik Rootering |
vocal |
Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Gloria: II. "Gloria in excelsis Deo", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie. "Kyrie", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: Allegro molto, Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: Adagio "Sanctus Dominus", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: Allegro moderato "Benedictus qui venit", Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: Allegro moderato "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: III. Credo, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" IVb. Sanctus: Allegro Pleni sunt coeli" IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" VIa. Agnus Dei: Adagio "Agnus Dei qui tollis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem" |
| Günter Hermanns (producer/engineer) |
balance |
Don Giovanni: Ah! Dov´è il perfido, Don Giovanni: Don Giovanni, a cenar teco m'invitasti, Don Giovanni: L'ultima prova dell'amor mio, Don Giovanni: Mi tradì quell'alma ingrata, Don Giovanni: N. 21b Recitativo accompagnato ed Aria [KV 540c]: In quali eccessi, o Numi, Don Giovanni: N. 22 Duetto: O statua gentilissima, Don Giovanni: N. 23 Recitativo accompagnato e Rondo: Crudele! Ah no, mio bene!, Don Giovanni: N. 24 Finale II: Già la mensa è preparata, Don Giovanni: Non mi dir, bell'idol mio, Don Giovanni: Recitativo: Ah, ah, ah, ah, questa è buona!, Don Giovanni: Recitativo: Calmatevi, idol mio, Große Messe C-moll, KV. 427 (417a): II. Gloria: "Quoniam tu solus Sanctus" |
| Solist der Wiener Sängerknaben |
vocal |
Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus", Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei" |
| Nova Filarmonia Portuguesa |
performing orchestra |
Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony No. 35 in D major, K. 385 "Haffner": II. Andante, Symphony No. 35 in D major, K. 385 "Haffner": III. Minuetto, Symphony No. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony No. 40 in G minor, K. 550: I. Allegro molto, Symphony No. 40 in G minor, K. 550: II. Andante, Symphony No. 40 in G minor, K. 550: III. Minuetto. Allegretto & Trio, Symphony No. 40 in G minor, K. 550: IV. Allegro assai, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto |
| John Boyden |
producer |
Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": I. Largo - allegro molto, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": II. Minuetto, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": IV. Minuetto. Allegretto, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": V. Romanze. Adagio, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni, Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VII. Rondo, Serenade in E-flat major, K. 375: I. Allegro maestoso, Serenade in E-flat major, K. 375: II. Menuetto I, Serenade in E-flat major, K. 375: III. Adagio, Serenade in E-flat major, K. 375: IV. Menuetto II, Serenade in E-flat major, K. 375: V. Allegro |
| Wiener Domorchester |
performing orchestra |
Missa brevis en ut majeur, K. 220 "Messe des moineaux" : I. Kyrie, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : II. Gloria, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : III. Credo, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : IV. Sanctus-Benedictus, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : V. Agnus Dei, Missa en ut majeur, K. 317 "Messe du Couronnement" : I. Kyrie, Missa en ut majeur, K. 317 "Messe du Couronnement" : II. Gloria, Missa en ut majeur, K. 317 "Messe du Couronnement" : III. Credo, Missa en ut majeur, K. 317 "Messe du Couronnement" : IV. Sanctus-Benedictus, Missa en ut majeur, K. 317 "Messe du Couronnement" : V. Agnus Dei, Motette in D-Dur, KV 618: Ave verum corpus (Wiener Dom-Orchester feat. chor: Wiener Sänger Knaben and Chorus Viennensis, organ: Josef Boehm, conductor: Ferdinand Grossmann) |
| Libor Pešek |
conductor |
Concierto para flauta, arpa y orquesta en Do Mayor (Allegro), Concierto para flauta, arpa y orquesta en Do Mayor (Andantino), Concierto para flauta, arpa y orquesta en Do Mayor (Rondó. Allegro), Serenade Nr. 13 G-Dur KV 525 „Eine kleine Nachtmusik“, 2.Satz: Romanze, Sinfonie Nr. 38 D-Dur KV 504 "Prager": II. Andante, Sinfonie Nr. 38 D-Dur KV 504 "Prager": III. Presto, Sinfonie Nr. 40 g-Moll, KV 550: I. Allegro molto, Symphonie Nr. 40 g-moll KV 550, 1.Satz: Molto Allegro, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto, Symphony No. 40 in G minor, K. 550 "Great": IV. Allegro assai |
| Orkiestra Symfoniczna Filharmonii Narodowej |
performing orchestra |
Requiem d-moll KV 626: Agnus Dei, Requiem d-moll KV 626: Benedictus, Requiem d-moll KV 626: Confutatis, Requiem d-moll KV 626: Dies irae, Requiem d-moll KV 626: Domine Jesu, Requiem d-moll KV 626: Hostias, Requiem d-moll KV 626: Lacrimosa, Requiem d-moll KV 626: Recordare, Requiem d-moll KV 626: Rex tremendae, Requiem d-moll KV 626: Sanctus, Requiem d-moll KV 626: Tuba mirum |
| Orchestra della Svizzera italiana (known by this name since 1991) |
performing orchestra |
La Clemenza di Tito, KV 621: Overture, Piano Concero no. 16 in D major, KV 451: III. Rondo, Piano Concerto no. 20 in D minor, KV 466: I. Allegro, Piano Concerto no. 20 in D minor, KV 466: II. Romanza, Piano Concerto no. 20 in D minor, KV 466: III. Rondò: allegro assai, Piano Concerto no. 21 in C major, KV 467: I. Allegro maestoso, Piano Concerto no. 21 in C major, KV 467: III. Allegro vivace assai, Symphony no. 35, KV 285, "Haffner": I. Allegro con spirito, Symphony no. 35, KV 285, "Haffner": II. Andante, Symphony no. 35, KV 285, "Haffner": III. Minuetto, Symphony no. 35, KV 285, "Haffner": IV. Finale: Presto |
| Stephen Hough (pianist) |
piano |
Piano Concerto No.21 in C K467-1 Allegro Maestoso, Piano Concerto No.21 in C K467-2 Andante, Piano Concerto No.21 in C K467-3 Allegro vivace assai, Piano Concerto No.9 in E flat K271- 1. Allegro, Piano Concerto No.9 in E flat K271-2 Andantino, Piano Concerto No.9 in E flat K271-3 Rondo, Presto, Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso, Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai, Piano Concerto no. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Piano Concerto no. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Piano Concerto no. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondo, Presto |
| Chór Filharmonii Narodowej |
vocal |
Requiem d-moll KV 626: Agnus Dei, Requiem d-moll KV 626: Benedictus, Requiem d-moll KV 626: Confutatis, Requiem d-moll KV 626: Dies irae, Requiem d-moll KV 626: Domine Jesu, Requiem d-moll KV 626: Hostias, Requiem d-moll KV 626: Lacrimosa, Requiem d-moll KV 626: Recordare, Requiem d-moll KV 626: Rex tremendae, Requiem d-moll KV 626: Sanctus, Requiem d-moll KV 626: Tuba mirum |
| Rundfunk-Sinfonieorchester Berlin (East Berlin, 1923–) |
performing orchestra |
Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: I. Kyrie, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: II. Gloria, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: III. Credo, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: IV. Sanctus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: V. Benedictus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: VI. Agnus Dei, Sancta Maria, Mater Dei, K. 273, Sinfonia in D-Dur, KV 19, I. Allegro, Sinfonia in D-Dur, KV 19, II. Andante, Sinfonia in D-Dur, KV 19, III. Presto, Venite Populi, K. 260 |
| Kazimierz Kord |
conductor |
Requiem d-moll KV 626: Agnus Dei, Requiem d-moll KV 626: Benedictus, Requiem d-moll KV 626: Confutatis, Requiem d-moll KV 626: Dies irae, Requiem d-moll KV 626: Domine Jesu, Requiem d-moll KV 626: Hostias, Requiem d-moll KV 626: Lacrimosa, Requiem d-moll KV 626: Recordare, Requiem d-moll KV 626: Rex tremendae, Requiem d-moll KV 626: Sanctus, Requiem d-moll KV 626: Tuba mirum |
| Chor der Wiener Staatsoper |
vocal |
Die Entführung aus dem Serail: Act Three. Bassa Selim lebe lange! (Chor der Janitscharen), Die Entführung aus dem Serail: Act Three. Nie werd' ich deine Huld verkennen (Belmonte), Die Entführung aus dem Serail: Act Two. Ach, Belmonte! Ach, mein Leben! (Konstanze), Le nozze de figaro: Acte Quatre / "Gente, Gente! All'armi, All'Armi!", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus, Requiem in D Minor, K. 626: Kyrie |
| Hallé Orchestra |
performing orchestra |
Piano Concerto No.21 in C K467-1 Allegro Maestoso, Piano Concerto No.21 in C K467-2 Andante, Piano Concerto No.21 in C K467-3 Allegro vivace assai, Piano Concerto No.9 in E flat K271- 1. Allegro, Piano Concerto No.9 in E flat K271-2 Andantino, Piano Concerto No.9 in E flat K271-3 Rondo, Presto, Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso, Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai, Piano Concerto no. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Piano Concerto no. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Piano Concerto no. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondo, Presto |
| Bryden Thomson |
conductor |
Piano Concerto No.21 in C K467-1 Allegro Maestoso, Piano Concerto No.21 in C K467-2 Andante, Piano Concerto No.21 in C K467-3 Allegro vivace assai, Piano Concerto No.9 in E flat K271- 1. Allegro, Piano Concerto No.9 in E flat K271-2 Andantino, Piano Concerto No.9 in E flat K271-3 Rondo, Presto, Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso, Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai, Piano Concerto no. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Piano Concerto no. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Piano Concerto no. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondo, Presto |
| Henryk Wojnarowski |
chorus master |
Requiem d-moll KV 626: Agnus Dei, Requiem d-moll KV 626: Benedictus, Requiem d-moll KV 626: Confutatis, Requiem d-moll KV 626: Dies irae, Requiem d-moll KV 626: Domine Jesu, Requiem d-moll KV 626: Hostias, Requiem d-moll KV 626: Lacrimosa, Requiem d-moll KV 626: Recordare, Requiem d-moll KV 626: Rex tremendae, Requiem d-moll KV 626: Sanctus, Requiem d-moll KV 626: Tuba mirum |
| Christoph Eschenbach |
conductor, piano |
Concerto Pour Piano No. 21 "Elvira Madigan" en Ut Majeur, KV 467, I. Allegro maestosos – Cadence (Eschenbach), Concerto Pour Piano No. 21 „Elvira Madigan“ en Ut Majeur, KV 467, III Allegro vivace assai – Cadences (Eschenbach), Concerto pour Piano No. 21 „Elvira Madigan“ en Ut Majeur, KV 467, II. Andante, Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, I Allegro – Cadene (Mozart), Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, II Larghetto, Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, III Allegro – Cadence (Mozart), Sonata for 2 Pianos in F major, K 497: I. Adagio - Allegro di molto, Sonata for 2 Pianos in F major, K 497: II. Andante, Sonata for 2 Pianos in F major, K 497: III. Allegro, Sonata para piano No. 16 en do mayor, K545: I. Allegro |
| Ron Tyhuis |
English horn |
Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio, Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio, Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro |
| Henry Adolph (conductor, an Alfred Scholz pseudonym) |
conductor |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Serenade no. 6 in D major, Serenata Notturna K. 239: Marcia. Maestoso, Serenade no. 6 in D major, Serenata Notturna K. 239: Menuetto, Serenade no. 6 in D major, Serenata Notturna K. 239: Rondeau. Allegretto, Symphony no. 35 in D major, KV 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major, KV 385 "Haffner": II. Andante, Symphony no. 35 in D major, KV 385 "Haffner": III. Menuetto & Trio, Symphony no. 35 in D major, KV 385 "Haffner": IV. Finale. Presto |
| André Previn |
conductor, piano |
Exsultate Jubilate, K 165 (158a): Alleluia, Piano Concerto No. 17 in G major, K. 453: 1. Allegro, Piano Concerto No. 17 in G major, K. 453: 2. Andante, Piano Concerto No. 17 in G major, K. 453: 3. Allegretto, Piano Trio no. 3 in B-flat major, K. 502: I. Allegro, Piano Trio no. 3 in B-flat major, K. 502: II. Larghetto, Piano Trio no. 3 in B-flat major, K. 502: III. Allegretto, Piano Trio no. 5 in C major, K. 548: I. Allegro, Piano Trio no. 5 in C major, K. 548: II. Andante cantabile, Piano Trio no. 5 in C major, K. 548: III. Allegro |
| Robert Behan |
vocal |
Missa brevis en ut majeur, K. 220 "Messe des moineaux" : I. Kyrie, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : II. Gloria, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : III. Credo, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : IV. Sanctus-Benedictus, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : V. Agnus Dei, Missa en ut majeur, K. 317 "Messe du Couronnement" : I. Kyrie, Missa en ut majeur, K. 317 "Messe du Couronnement" : II. Gloria, Missa en ut majeur, K. 317 "Messe du Couronnement" : III. Credo, Missa en ut majeur, K. 317 "Messe du Couronnement" : IV. Sanctus-Benedictus, Missa en ut majeur, K. 317 "Messe du Couronnement" : V. Agnus Dei |
| Hermann Fischer |
vocal |
Oratorio in A minor, K. 469 "Daviddepenitente": IV. Adagio: Choir "Sii pur sempre", Oratorio in B-flat major, K. 469 "Daviddepenitente": VI. Andante, allegro: Aria "A te, fra tanti affanni", Oratorio in C major, K. 469 "Daviddepenitente": II. Allegro vivace: Choir "Cantiam le glorie", Oratorio in C major, K. 469 "Daviddepenitente": X. Adagio: Choir "Chi in Dio sol spera", Oratorio in C minor, K. 469 "Davidde penitente": I. Andante moderato: Soloist and Choir "Alzai le flebili voci al Signor", Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Tra l'oscure ombre", Oratorio in D minor, K. 469 "Daviddepenitente": V. Allegro moderato: Duetto "Sorgi, oh Signore", Oratorio in E minor, K. 469 "Daviddepenitente": IX. Allegro: Trio "Tutte le mie speranze", Oratorio in F major, K. 469 "Daviddepenitente": III. Allegro aperto: Aria "Lungi le cure", Oratorio in G minor, K. 469 "Daviddepenitente": VII. Largo: Double Choir "Se vuoi, puniscimi" |
| Susanne Johns |
vocal |
Oratorio in A minor, K. 469 "Daviddepenitente": IV. Adagio: Choir "Sii pur sempre", Oratorio in B-flat major, K. 469 "Daviddepenitente": VI. Andante, allegro: Aria "A te, fra tanti affanni", Oratorio in C major, K. 469 "Daviddepenitente": II. Allegro vivace: Choir "Cantiam le glorie", Oratorio in C major, K. 469 "Daviddepenitente": X. Adagio: Choir "Chi in Dio sol spera", Oratorio in C minor, K. 469 "Davidde penitente": I. Andante moderato: Soloist and Choir "Alzai le flebili voci al Signor", Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Tra l'oscure ombre", Oratorio in D minor, K. 469 "Daviddepenitente": V. Allegro moderato: Duetto "Sorgi, oh Signore", Oratorio in E minor, K. 469 "Daviddepenitente": IX. Allegro: Trio "Tutte le mie speranze", Oratorio in F major, K. 469 "Daviddepenitente": III. Allegro aperto: Aria "Lungi le cure", Oratorio in G minor, K. 469 "Daviddepenitente": VII. Largo: Double Choir "Se vuoi, puniscimi" |
| Theodor Guschlbauer |
conductor |
Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro, Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante, Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": III. Allegretto & Finale. Presto, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Rondo for Piano & Orchestra in D major, K. 382: Rondo. Allegretto grazioso - allegro, Rondo in D major, KV 382, Rondo in E-flat major for horn and orchestra, KV 371, The Living Daylights: Symphony No. 40: Molto allegro (excerpt) |
| Mozart Akademie Amsterdam |
performing orchestra |
Symphony No. 35 in D major, K. 385 "Haffner": III. Minuetto, Symphony No. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony No. 40 in G minor, KV 550: I. Molto allegro, Symphony No. 40 in G minor, KV 550: II. Andante, Symphony No. 40 in G minor, KV 550: III. Menuetto, Symphony No. 40 in G minor, KV 550: IV. Allegro assai, Symphony No. 41 in C major, KV 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, KV 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, KV 551 "Jupiter": III. Menuetto, Symphony No. 41 in C major, KV 551 "Jupiter": IV. Molto allegro |
| Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) |
performing orchestra |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Serenade no. 6 in D major, Serenata Notturna K. 239: Marcia. Maestoso, Serenade no. 6 in D major, Serenata Notturna K. 239: Menuetto, Serenade no. 6 in D major, Serenata Notturna K. 239: Rondeau. Allegretto, Symphony no. 35 in D major, KV 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major, KV 385 "Haffner": II. Andante, Symphony no. 35 in D major, KV 385 "Haffner": III. Menuetto & Trio, Symphony no. 35 in D major, KV 385 "Haffner": IV. Finale. Presto |
| Hermann Scherchen |
conductor |
Le Nozze di Figaro, K. 492, Act 2: "Un Moto di Gioia" (alternative Aria), Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Ridente La Calma K. 152, Sancta Maria, mater Dei, KV 273, Te Deum, KV 141 |
| Gertraud Landwehr-Herrmann |
vocal |
Oratorio in A minor, K. 469 "Daviddepenitente": IV. Adagio: Choir "Sii pur sempre", Oratorio in B-flat major, K. 469 "Daviddepenitente": VI. Andante, allegro: Aria "A te, fra tanti affanni", Oratorio in C major, K. 469 "Daviddepenitente": II. Allegro vivace: Choir "Cantiam le glorie", Oratorio in C major, K. 469 "Daviddepenitente": X. Adagio: Choir "Chi in Dio sol spera", Oratorio in C minor, K. 469 "Davidde penitente": I. Andante moderato: Soloist and Choir "Alzai le flebili voci al Signor", Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Tra l'oscure ombre", Oratorio in D minor, K. 469 "Daviddepenitente": V. Allegro moderato: Duetto "Sorgi, oh Signore", Oratorio in E minor, K. 469 "Daviddepenitente": IX. Allegro: Trio "Tutte le mie speranze", Oratorio in F major, K. 469 "Daviddepenitente": III. Allegro aperto: Aria "Lungi le cure", Oratorio in G minor, K. 469 "Daviddepenitente": VII. Largo: Double Choir "Se vuoi, puniscimi" |
| University of Tübingen Collegium Musicum Chorus |
vocal |
Oratorio in A minor, K. 469 "Daviddepenitente": IV. Adagio: Choir "Sii pur sempre", Oratorio in B-flat major, K. 469 "Daviddepenitente": VI. Andante, allegro: Aria "A te, fra tanti affanni", Oratorio in C major, K. 469 "Daviddepenitente": II. Allegro vivace: Choir "Cantiam le glorie", Oratorio in C major, K. 469 "Daviddepenitente": X. Adagio: Choir "Chi in Dio sol spera", Oratorio in C minor, K. 469 "Davidde penitente": I. Andante moderato: Soloist and Choir "Alzai le flebili voci al Signor", Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Tra l'oscure ombre", Oratorio in D minor, K. 469 "Daviddepenitente": V. Allegro moderato: Duetto "Sorgi, oh Signore", Oratorio in E minor, K. 469 "Daviddepenitente": IX. Allegro: Trio "Tutte le mie speranze", Oratorio in F major, K. 469 "Daviddepenitente": III. Allegro aperto: Aria "Lungi le cure", Oratorio in G minor, K. 469 "Daviddepenitente": VII. Largo: Double Choir "Se vuoi, puniscimi" |
| University of Tübingen Collegium Musicum Orchestra |
performing orchestra |
Oratorio in A minor, K. 469 "Daviddepenitente": IV. Adagio: Choir "Sii pur sempre", Oratorio in B-flat major, K. 469 "Daviddepenitente": VI. Andante, allegro: Aria "A te, fra tanti affanni", Oratorio in C major, K. 469 "Daviddepenitente": II. Allegro vivace: Choir "Cantiam le glorie", Oratorio in C major, K. 469 "Daviddepenitente": X. Adagio: Choir "Chi in Dio sol spera", Oratorio in C minor, K. 469 "Davidde penitente": I. Andante moderato: Soloist and Choir "Alzai le flebili voci al Signor", Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Tra l'oscure ombre", Oratorio in D minor, K. 469 "Daviddepenitente": V. Allegro moderato: Duetto "Sorgi, oh Signore", Oratorio in E minor, K. 469 "Daviddepenitente": IX. Allegro: Trio "Tutte le mie speranze", Oratorio in F major, K. 469 "Daviddepenitente": III. Allegro aperto: Aria "Lungi le cure", Oratorio in G minor, K. 469 "Daviddepenitente": VII. Largo: Double Choir "Se vuoi, puniscimi" |
| Bas Ramselaar |
vocal |
Song for Tenor, Men's Chorus & Piano in D major, K. 125h/148 "Lobgesang auf die feierliche Johannisloge": "O heiliges Band", Song for Voice & Piano (or Mandolin) in G major, K. 367a/349 "Die Zufriedenheit": "Was frag ich viel", Song for Voice & Piano in A major, K. 552 "Beim Auszug in das Feld": "Dem hohe Kaiser - Worte treu", Song for Voice & Piano in B-flat major, K. 340b/391 "An die Einsamkeit": "Sei du mein trost", Song for Voice & Piano in B-flat major, K. 468 "Gesellenreise": "Die ihr einem neuen Grad", Song for Voice & Piano in E-flat major, K. 530 "Das Traumbild": "Wo bist du, Bild", Song for Voice & Piano in F major, K. 506 "Lied der Freiheit": "Wer unter eines Mädchens Hand", Song for Voice & Piano in F major, K. 518 "Die Verschweigung": "Sobald Damötas Chloen sieht", Song for Voice & Piano in F minor, K. 519 "Das Lied der Trennung": "Die Engel Gottes weinen", Song for Voice & Piano in G major, K. 474 "Die Betrogene Welt": "Der reiche Tor" |
| Ferdinand Grossmann |
conductor |
Missa brevis en ut majeur, K. 220 "Messe des moineaux" : I. Kyrie, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : II. Gloria, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : III. Credo, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : IV. Sanctus-Benedictus, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : V. Agnus Dei, Missa en ut majeur, K. 317 "Messe du Couronnement" : I. Kyrie, Missa en ut majeur, K. 317 "Messe du Couronnement" : II. Gloria, Missa en ut majeur, K. 317 "Messe du Couronnement" : III. Credo, Missa en ut majeur, K. 317 "Messe du Couronnement" : IV. Sanctus-Benedictus, Missa en ut majeur, K. 317 "Messe du Couronnement" : V. Agnus Dei |
| Karl Ristenpart |
conductor |
Divertimento No. 11 en Ré majeur, KV 251: Allegro molto (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Andantino (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Marcia alla francese (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Menuetto (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Menuetto (thème et variations) (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Rondo (Allegro assai) (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Exsultate, jubilate, KV 165: "Alleluia", Exsultate, jubilate, KV 165: "Exsultate, jubilate", Exsultate, jubilate, KV 165: "Fulget amica", Exsultate, jubilate, KV 165: "Tu Virginum" |
| Jozef Spaček (baritone) |
vocal |
Così fan tutte, K. 588: Act I, Scene I. No. 1 Terzetto "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene I. No. 3 Terzetto "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene II. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso), Così fan tutte, K. 588: Act I, Scene XII. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo), Don Giovanni, opera, K. 527: La ci darem la mano, Don Giovanni, opera, K. 527: Madammina..., Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello), Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Non più andrai..., Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi amor |
| Walter Raninger |
vocal |
Missa brevis en ut majeur, K. 220 "Messe des moineaux" : I. Kyrie, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : II. Gloria, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : III. Credo, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : IV. Sanctus-Benedictus, Missa brevis en ut majeur, K. 220 "Messe des moineaux" : V. Agnus Dei, Missa en ut majeur, K. 317 "Messe du Couronnement" : I. Kyrie, Missa en ut majeur, K. 317 "Messe du Couronnement" : II. Gloria, Missa en ut majeur, K. 317 "Messe du Couronnement" : III. Credo, Missa en ut majeur, K. 317 "Messe du Couronnement" : IV. Sanctus-Benedictus, Missa en ut majeur, K. 317 "Messe du Couronnement" : V. Agnus Dei |
| Tatiana Troyanos (mezzo-soprano) |
vocal |
Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo), Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) / Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) / Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo: "Quante buffonerie!" (La Contessa, Susanna, Cherubino), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / Act II, Scene VII. No. 16 FiContenale "Signore, cos'è quel stupore?" (Il Conte, La ssa, Susanna) / Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor" ... "Cosa è stato?" (Il Conte, La Contessa, Susanna, Antonio, Figaro) / Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna, Marcellina, Basilio, Bartolo, Figaro), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte) / Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna) / Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina) / Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina), Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna) / Act IV, Scene VIII. No. 27 Aria "Aprite un po' quegl'occhi" (Figaro) / Act IV, Scene IX. Recitativo "Signora, ella mi disse" (Figaro, La Contessa, Marcellina, Susanna) |
| London Symphony Chorus |
vocal |
Requiem: No 1. Introitus and Kyrie: Requiem and Kyrie, Requiem: No 10. Sanctus: Sanctus, Requiem: No 11. Benedictus: Benedictus, Requiem: No 12. Agnus Dei and Communio: Agnus Dei, Requiem: No 2. Sequence: Dies irae, Requiem: No 4. Sequence: Rex tremendae, Requiem: No 6. Sequence: Confutatis maledictis, Requiem: No 7. Sequence: Lacrimosa, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias |
| Wilfried Fischer |
conductor |
Oratorio in A minor, K. 469 "Daviddepenitente": IV. Adagio: Choir "Sii pur sempre", Oratorio in B-flat major, K. 469 "Daviddepenitente": VI. Andante, allegro: Aria "A te, fra tanti affanni", Oratorio in C major, K. 469 "Daviddepenitente": II. Allegro vivace: Choir "Cantiam le glorie", Oratorio in C major, K. 469 "Daviddepenitente": X. Adagio: Choir "Chi in Dio sol spera", Oratorio in C minor, K. 469 "Davidde penitente": I. Andante moderato: Soloist and Choir "Alzai le flebili voci al Signor", Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Tra l'oscure ombre", Oratorio in D minor, K. 469 "Daviddepenitente": V. Allegro moderato: Duetto "Sorgi, oh Signore", Oratorio in E minor, K. 469 "Daviddepenitente": IX. Allegro: Trio "Tutte le mie speranze", Oratorio in F major, K. 469 "Daviddepenitente": III. Allegro aperto: Aria "Lungi le cure", Oratorio in G minor, K. 469 "Daviddepenitente": VII. Largo: Double Choir "Se vuoi, puniscimi" |
| Svenska Kammarorkestern |
performing orchestra |
Concerto for Flute, Harp and Orchestra, KV 299: I. Allegro, Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino, Concerto for Flute, Harp and Orchestra, KV 299: III. Rondeau (Allegro), Flute Concerto No. 1 in G major, KV 313: I. Allegro maestoso, Flute Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo, Flute Concerto No. 1 in G major, KV 313: III. Rondo (Tempo di menuetto), Flute Concerto No. 2 in D major, KV 314: I. Allegro aperto, Flute Concerto No. 2 in D major, KV 314: II. Adagio ma non troppo, Flute Concerto No. 2 in D major, KV 314: III. Rondeau (Allegro), Flute Concerto in D major: I. |
| Kammerorchester des Saarländischen Rundfunks |
performing orchestra |
Divertimento No. 11 en Ré majeur, KV 251: Allegro molto (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Andantino (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Marcia alla francese (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Menuetto (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Menuetto (thème et variations) (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Divertimento No. 11 en Ré majeur, KV 251: Rondo (Allegro assai) (Orchestre de chambre de la radiodiffusion sarroise feat. conductor: Karl Ristenpart, oboe: Jacques Chambon), Exsultate, jubilate, KV 165: "Alleluia", Exsultate, jubilate, KV 165: "Exsultate, jubilate", Exsultate, jubilate, KV 165: "Fulget amica", Exsultate, jubilate, KV 165: "Tu Virginum" |
| Patrick Gallois |
flute |
Concerto for Flute, Harp and Orchestra, KV 299: I. Allegro, Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino, Concerto for Flute, Harp and Orchestra, KV 299: III. Rondeau (Allegro), Flute Concerto No. 1 in G major, KV 313: I. Allegro maestoso, Flute Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo, Flute Concerto No. 1 in G major, KV 313: III. Rondo (Tempo di menuetto), Flute Concerto No. 2 in D major, KV 314: I. Allegro aperto, Flute Concerto No. 2 in D major, KV 314: II. Adagio ma non troppo, Flute Concerto No. 2 in D major, KV 314: III. Rondeau (Allegro), Flute Concerto in D major: I. |
| Gilles Cachemaille |
performer |
Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno), Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben), Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXIX. "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina), Die Zauberflöte, K. 620: Act II. "Du also bist mein Bräutigam?" |
| Orchester der Wiener Staatsoper |
performing orchestra |
Piano Concerto no. 22 in E-flat major, K. 482: 1. Allegro, Piano Concerto no. 22 in E-flat major, K. 482: 2. Andante, Piano Concerto no. 22 in E-flat major, K. 482: 3. Allegro, Piano Sonata no. 16 in B-flat, K. 570: 1. Allegro, Piano Sonata no. 16 in B-flat, K. 570: 2. Adagio, Piano Sonata no. 16 in B-flat, K. 570: 3. Allegretto, Piano Sonata no. 8 in A minor, K. 310: 1. Allegro Maestoso, Piano Sonata no. 8 in A minor, K. 310: 2. Andante Cantabile Con Espressione, Piano Sonata no. 8 in A minor, K. 310: 3. Presto |
| Andrew Hallifax |
engineer |
Concerto for Flute, Harp and Orchestra, KV 299: I. Allegro, Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino, Concerto for Flute, Harp and Orchestra, KV 299: III. Rondeau (Allegro), Flute Concerto No. 1 in G major, KV 313: I. Allegro maestoso, Flute Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo, Flute Concerto No. 1 in G major, KV 313: III. Rondo (Tempo di menuetto), Flute Concerto No. 2 in D major, KV 314: I. Allegro aperto, Flute Concerto No. 2 in D major, KV 314: II. Adagio ma non troppo, Flute Concerto No. 2 in D major, KV 314: III. Rondeau (Allegro) |
| Andreas Neubronner (engineer/producer) |
producer |
Serenade in D major, K. 320 "Posthorn": I. Adagio maestoso - Allegro con spirito, Serenade in D major, K. 320 "Posthorn": II. Menuetto. Allegretto, Serenade in D major, K. 320 "Posthorn": III. Concertante. Andante grazioso, Serenade in D major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo, Serenade in D major, K. 320 "Posthorn": V. Andantino, Serenade in D major, K. 320 "Posthorn": VI. Menuetto - Trio 1 - Trio 2, Serenade in D major, K. 320 "Posthorn": VII. Finale. Presto, Two Marches in D major, K. 335: I. (no tempo indication), Two Marches in D major, K. 335: II. Maestro assai |
| Iride Martinez |
vocal |
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem", Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequentia: "Tuba Mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequentia: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna", Requiem in D minor, K. 626 (autograph fragemente): IIIb. Sequentia: "Tuba Mirum", Requiem in D minor, K. 626 (autograph fragemente): IIId. Sequentia: "Recordare", Requiem in D minor, K. 626 (autograph fragemente): IVa. Offertorium: "Domine Jesu" |
| Klaus Donath |
conductor |
Cor sincerum (mit obligater Klarinette), Die Hoffnung dient zum Stabe (mit obligater Klarinette), Domine Deus salutis meae (mit obligater Klarinette), Jesu dulcis memoria (mit obligater Klarinette), Jesu, amor meus (mit obligater Violine), Mens Sancta Deo (mit obligater Fagott), Mens Sancta Deo (mit obligater Klarinette), Offertorium "Salve Regina" (mit obligater Violine), Plasmator Deus (mit obligater Fagott) |
| Klaas A. Posthuma |
engineer |
Serenade in D major, K. 320 "Posthorn": I. Adagio maestoso - Allegro con spirito, Serenade in D major, K. 320 "Posthorn": II. Menuetto. Allegretto, Serenade in D major, K. 320 "Posthorn": III. Concertante. Andante grazioso, Serenade in D major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo, Serenade in D major, K. 320 "Posthorn": V. Andantino, Serenade in D major, K. 320 "Posthorn": VI. Menuetto - Trio 1 - Trio 2, Serenade in D major, K. 320 "Posthorn": VII. Finale. Presto, Two Marches in D major, K. 335: I. (no tempo indication), Two Marches in D major, K. 335: II. Maestro assai |
| Sukův komorní orchestr |
performing orchestra |
Cor sincerum (mit obligater Klarinette), Die Hoffnung dient zum Stabe (mit obligater Klarinette), Domine Deus salutis meae (mit obligater Klarinette), Jesu dulcis memoria (mit obligater Klarinette), Jesu, amor meus (mit obligater Violine), Mens Sancta Deo (mit obligater Fagott), Mens Sancta Deo (mit obligater Klarinette), Offertorium "Salve Regina" (mit obligater Violine), Plasmator Deus (mit obligater Fagott) |
| Süddeutsche Philharmonie (an Alfred Scholz pseudonym) |
performing orchestra |
Salzburg Symphony no. 1, Divertimento K.136: Allegro, Salzburg Symphony no. 1, Divertimento K.136: Andante, Salzburg Symphony no. 1, Divertimento K.136: Presto, Salzburg Symphony no. 2, Divertimento K.137: Allegro assai, Salzburg Symphony no. 2, Divertimento K.137: Allegro di molto, Salzburg Symphony no. 2, Divertimento K.137: Andante, Salzburg Symphony no. 3, Divertimento K.138: Allegro assai, Salzburg Symphony no. 3, Divertimento K.138: Allegro di molto, Salzburg Symphony no. 3, Divertimento K.138: Andante |
| László Somogyi |
conductor |
Piano Concerto no. 22 in E-flat major, K. 482: 1. Allegro, Piano Concerto no. 22 in E-flat major, K. 482: 2. Andante, Piano Concerto no. 22 in E-flat major, K. 482: 3. Allegro, Piano Sonata no. 16 in B-flat, K. 570: 1. Allegro, Piano Sonata no. 16 in B-flat, K. 570: 2. Adagio, Piano Sonata no. 16 in B-flat, K. 570: 3. Allegretto, Piano Sonata no. 8 in A minor, K. 310: 1. Allegro Maestoso, Piano Sonata no. 8 in A minor, K. 310: 2. Andante Cantabile Con Espressione, Piano Sonata no. 8 in A minor, K. 310: 3. Presto |
| Roderick Shaw |
harpsichord |
Concerto for Flute, Harp and Orchestra, KV 299: I. Allegro, Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino, Concerto for Flute, Harp and Orchestra, KV 299: III. Rondeau (Allegro), Flute Concerto No. 1 in G major, KV 313: I. Allegro maestoso, Flute Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo, Flute Concerto No. 1 in G major, KV 313: III. Rondo (Tempo di menuetto), Flute Concerto No. 2 in D major, KV 314: I. Allegro aperto, Flute Concerto No. 2 in D major, KV 314: II. Adagio ma non troppo, Flute Concerto No. 2 in D major, KV 314: III. Rondeau (Allegro) |
| Joachim Fontaine |
chorus master |
Requiem in D minor, K. 626 (Neukomm completion): I. Introitus: "Requiem aeternam" / II. Kyrie, Requiem in D minor, K. 626 (Neukomm completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Neukomm completion): IIIe. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Neukomm completion): IIIh. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Neukomm completion): IIIi. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Neukomm completion): IV. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Neukomm completion): V. "Sanctus", Requiem in D minor, K. 626 (Neukomm completion): VI. "Agnus Dei", Requiem in D minor, K. 626 (Neukomm completion): VII. Communio: "Lux aeterna" |
| Anne-Sophie Mutter |
violin |
Concerto for Violin No. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin No. 5 in A major, K. 219 "Turkish": II. Adagio, Concerto for Violin No. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro, Piano Trio no. 3 in B-flat major, K. 502: I. Allegro, Piano Trio no. 3 in B-flat major, K. 502: II. Larghetto, Piano Trio no. 3 in B-flat major, K. 502: III. Allegretto, Piano Trio no. 5 in C major, K. 548: I. Allegro, Piano Trio no. 5 in C major, K. 548: II. Andante cantabile, Piano Trio no. 5 in C major, K. 548: III. Allegro |
| Denes Koromzay (Violist) |
viola |
Streichquintett Nr 3 C-Dur KV 515 - I Allegro, Streichquintett Nr 3 C-Dur KV 515 - II Andante, Streichquintett Nr 3 C-Dur KV 515 - III Menuetto Allegretto, Streichquintett Nr 3 C-Dur KV 515 - IV Allegro, Streichquintett Nr 4 g-Moll KV 516 - Allegro, Streichquintett Nr 4 g-Moll KV 516 - I Allegro, Streichquintett Nr 4 g-Moll KV 516 - II Menuetto Allegretto, Streichquintett Nr 4 g-Moll KV 516 - III Adagio ma non troppo, Streichquintett Nr 4 g-Moll KV 516 - IV Adagio - Allegro |
| Symphonieorchester des Bayerischen Rundfunks |
performing orchestra |
Concerto pour clarinette K. 622 : II. Adagio, Missa brevis, K.220: Agnus dei, Missa brevis, K.220: Benedictus, Missa brevis, K.220: Credo, Missa brevis, K.220: Gloria, Missa brevis, K.220: Kyrie, Missa brevis, K.220: Sanctus, O Isis und Osiris, The Magic Flute |
| Jukka-Pekka Saraste |
conductor |
Symphony no. 32 in G major K.318, Symphony no. 35 in D major K.385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major K.385 "Haffner": II. Andante, Symphony no. 35 in D major K.385 "Haffner": III. Menuetto, Symphony no. 35 in D major K.385 "Haffner": IV. Finale: Presto, Symphony no. 36 in C major K.425, "Linz": I. Adagio - Allegro spiritoso, Symphony no. 36 in C major K.425, "Linz": II. Andante, Symphony no. 36 in C major K.425, "Linz": III. Menuetto, Symphony no. 36 in C major K.425, "Linz": IV. Presto |
| Finesplice Ltd (editor) |
editor |
Concerto for Flute, Harp and Orchestra, KV 299: I. Allegro, Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino, Concerto for Flute, Harp and Orchestra, KV 299: III. Rondeau (Allegro), Flute Concerto No. 1 in G major, KV 313: I. Allegro maestoso, Flute Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo, Flute Concerto No. 1 in G major, KV 313: III. Rondo (Tempo di menuetto), Flute Concerto No. 2 in D major, KV 314: I. Allegro aperto, Flute Concerto No. 2 in D major, KV 314: II. Adagio ma non troppo, Flute Concerto No. 2 in D major, KV 314: III. Rondeau (Allegro) |
| Erik Smith (British producer, pianist and harpsichordist) |
producer, vocal |
Divertimento in F, KV 138/125c: 1. (Allegro), Divertimento in F, KV 138/125c: 2. Andante, Divertimento in F, KV 138/125c: 3. Presto, Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene III, No. 2 Aria "Nacqui all'aria trionfale" (Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IV, No. 3 Aria "Dove mai trovai quel ciglio?" (Pulcherio), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Ouvertura, Musical Dice Game in C minor, K. 516f/deest "Musikalisches Wurfelspiel" |
| Kantorei Saarlouis |
vocal |
Requiem in D minor, K. 626 (Neukomm completion): I. Introitus: "Requiem aeternam" / II. Kyrie, Requiem in D minor, K. 626 (Neukomm completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Neukomm completion): IIIe. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Neukomm completion): IIIh. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Neukomm completion): IIIi. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Neukomm completion): IV. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Neukomm completion): V. "Sanctus", Requiem in D minor, K. 626 (Neukomm completion): VI. "Agnus Dei", Requiem in D minor, K. 626 (Neukomm completion): VII. Communio: "Lux aeterna" |
| Ben Turner (Producer) |
producer |
Concerto for Flute, Harp and Orchestra, KV 299: I. Allegro, Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino, Concerto for Flute, Harp and Orchestra, KV 299: III. Rondeau (Allegro), Flute Concerto No. 1 in G major, KV 313: I. Allegro maestoso, Flute Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo, Flute Concerto No. 1 in G major, KV 313: III. Rondo (Tempo di menuetto), Flute Concerto No. 2 in D major, KV 314: I. Allegro aperto, Flute Concerto No. 2 in D major, KV 314: II. Adagio ma non troppo, Flute Concerto No. 2 in D major, KV 314: III. Rondeau (Allegro) |
| Ann Murray (Irish mezzo-soprano) |
vocal |
Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A, Il tenero momento ('Lucio Silla', Act 1), La clemenza di Tito, K. 621: Act 1 "Parto, ma tu ben mio" (Sesto), La finta semplice, K. 46a / KV 51: Act II, Scene XI. No. 20 Aria. Grazioso - allegro "In voi, belle, è leggiadria" (Fracasso), La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 24 Aria. Allegro "Che scompiglio, che flagello" (Giacinta), La finta semplice, K. 46a / KV 51: Act III, Scene II. Recitativo "Che smorfie, che paura!" (Fracasso, Giacinta), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone), Lungi da te, mio bene ('Mitridate, rè di Ponto', Act 2), Parto, parto ('La clemenza di Tito', Act 1) |
| Daniel-Ben Pienaar |
piano |
Sonata No. 10 in C, K330: Allegretto, Sonata No. 10 in C, K330: Allegro Moderato, Sonata No. 10 in C, K330: Andante Cantabile, Sonata No. 12 in F, K332: Adagio, Sonata No. 12 in F, K332: Allegro, Sonata No. 12 in F, K332: Allegro Assai, Sonata No. 13 in B Flat, K333: Allegretto Grazioso, Sonata No. 13 in B Flat, K333: Allegro, Sonata No. 13 in B Flat, K333: Andante Cantabile |
| Christine Weidinger |
vocal |
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativi "Sin a quando, O Regina... Ferma, O germano... All'ire freno, Principi, olà" (Farnace, Aspasia, Silfare, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace), Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII. Recitativo "Teme Ismene a ragion" (Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Quintetto "Non si ceda al Campidoglio" (Sifare, Asapasia, Farnace, Ismene, Arbate) |
| Takács Quartet |
performer |
Streichquintett Nr 3 C-Dur KV 515 - I Allegro, Streichquintett Nr 3 C-Dur KV 515 - II Andante, Streichquintett Nr 3 C-Dur KV 515 - III Menuetto Allegretto, Streichquintett Nr 3 C-Dur KV 515 - IV Allegro, Streichquintett Nr 4 g-Moll KV 516 - Allegro, Streichquintett Nr 4 g-Moll KV 516 - I Allegro, Streichquintett Nr 4 g-Moll KV 516 - II Menuetto Allegretto, Streichquintett Nr 4 g-Moll KV 516 - III Adagio ma non troppo, Streichquintett Nr 4 g-Moll KV 516 - IV Adagio - Allegro |
| Celina Lindsley |
vocal |
Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: I. Kyrie, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: II. Gloria, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: III. Credo, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: IV. Sanctus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: V. Benedictus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: VI. Agnus Dei, Sancta Maria, Mater Dei, K. 273, Venite Populi, K. 260 |
| Orquestra Gulbenkian |
performing orchestra |
Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro, Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante, Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": III. Allegretto & Finale. Presto, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Rondo for Piano & Orchestra in D major, K. 382: Rondo. Allegretto grazioso - allegro, Rondo in D major, KV 382 |
| Anda Géza |
conductor, piano |
Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: III. Allegro, ma non troppo, Konzert für Klavier und Orchester Nr. 14 in Es-Dur, KV 449: 1. Allegro vivace, Konzert für Klavier und Orchester Nr. 14 in Es-Dur, KV 449: 2. Andantino, Konzert für Klavier und Orchester Nr. 14 in Es-Dur, KV 449: 3. Allegro ma non troppo, Konzert für Klavier und Orchester Nr. 24 in c-moll, KV 491: 1. Allegro, Konzert für Klavier und Orchester Nr. 24 in c-moll, KV 491: 2. Larghetto, Konzert für Klavier und Orchester Nr. 24 in c-moll, KV 491: 3. Allegretto, Piano Concerto No. 21, K467 'Elvira Madigan' (2nd MVT) |
| Andrew McKeich (producer) |
producer |
Minuet in C major, K315g, No. 1, Minuet in D major, K315g, No. 3, Minuet in F major, K2, Minuet in G major, K1, Minuet in G major, K315g, No. 8, Sonata in A Major K331, 1st movement, Sonatina in G major, Tondo in C major |
| Kathleen Battle |
vocal |
Das Veilchen K. 476, Die Entführung aus dem Serail: Act Three. Nie werd' ich deine Huld verkennen (Belmonte), Die Entführung aus dem Serail: Act Two. Ach, Belmonte! Ach, mein Leben! (Konstanze), Die Entführung aus dem Serail: Act Two. Kein Bassa mehr da?... Welche Wonne, welche Lust (Blonde), Exsultate Jubilate, K 165 (158a): Alleluia, Messe C-dur KV 317 "Krönungsmesse": Agnus Dei, Ridente La Calma K. 152 (210a), Un Moto Di Gioia K. 579 |
| Katty Halvarson |
oboe |
Serenade No. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso, Serenade No. 11 for Winds in E-flat major, K. 375: II. Minuetto, Serenade No. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio, Serenade No. 11 for Winds in E-flat major, K. 375: V. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio, Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro |
| Josef Roisman |
violin |
String Quartet No. 19 in C major, K. 465 "Dissonance": I. Adagio - Allegro, String Quartet No. 19 in C major, K. 465 "Dissonance": II. Andante cantabile, String Quartet No. 19 in C major, K. 465 "Dissonance": III. Menuetto. Allegretto, String Quartet No. 19 in C major, K. 465 "Dissonance": IV. Allegro molto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": I. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": II. Menuetto. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": III. Adagio, String Quartet No. 20 in D major, K. 499 "Hoffmeister": IV. Allegro |
| Arnold Schönberg Chor |
vocal |
Hosanna (Great Mass K. 427), Hostia sancta (Litaniae de venerabili altaris sacramento K. 243), Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIa. Credo: Allegro "Credo in unum Deum" / IIIb. Credo: Poco adagio "Et incarnatus est" / IIIc. Credo: Allegro - adagio - allegro "Et resurrexit" / IIId. Credo: Andante "Et i, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" / IVb. Sanctus: Allegro Pleni sunt coeli" / IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem" |
| Sabine Meyer |
clarinet |
Die Zauberflöte: Dies Bildnis ist bezaubernd schön, Divertimento Nr.6 F-dur, KV 439b (KV Anh. 229): I. Rondo, Divertimento Nr.6 F-dur, KV 439b (KV Anh. 229): II. Andante, Divertimento Nr.6 F-dur, KV 439b (KV Anh. 229): III. Allegro, Divertimento Nr.6 F-dur, KV 439b (KV Anh. 229): IV. Andante - Allegretto, Divertimento Nr.6 F-dur, KV 439b (KV Anh. 229): V. Andante, Klarinettenkonzert A-Dur KV 622: Adagio, Konzert für Klarinette und Orchester A-dur, KV 622 - Rekonstruierte Fassung für Bassettklarinette: II. Adagio |
| Koninklijk Concertgebouworkest |
performing orchestra |
Così fan tutte, K. 588: Act 1 "Un' aura amorosa" (Ferrando), Don Giovanni, K. 527: Act 2 "Deh! vieni alla finestra" (Don Giovanni), Don Giovanni, K. 527: Act 2 "Vedrai, carino" (Zerlina), Le nozze di Figaro, K. 492: Act 1 "Non più andrai" (Figaro), Le nozze di Figaro, K. 492: Act 2 "Porgi amor qualche ristoro" (La Contessa), Symphony No. 29 in A Major, K. 201: I. Allegro Moderato (Royal Concertgebouw Orchestra), Symphony no. 32 in G major, K 318: Tempo I, Symphony no. 38 in D major, K 504 "Prague": Adagio - Allegro |
| Bamberger Symphoniker |
performing orchestra |
Piano Concerto No. 22 in E-flat major, K. 482: III. Allegro, Rondo in E-flat major for horn and orchestra, KV 371, Sinfonia concertante for violin, viola & orchestra in E flat major, K. 364 (K. 320d): 2. Andante, Symphony no. 40 in G minor, KV 550: I. Molto allegro, Symphony no. 40 in G minor, KV 550: II. Andante, Symphony no. 40 in G minor, KV 550: III. Menuetto, Symphony no. 40 in G minor, KV 550: IV. Allegro assai, The Living Daylights: Symphony No. 40: Molto allegro (excerpt) |
| Jiri Malát |
conductor |
Serenade in D major, K. 100: I. Allegro, Serenade in D major, K. 100: II. Andante, Serenade in D major, K. 100: III. Menuetto, Serenade in D major, K. 100: IV. Allegro, Serenade in D major, K. 100: V. Menuetto, Serenade in D major, K. 100: VI. Andante, Serenade in D major, K. 100: VII. Menuetto, Serenade in D major, K. 100: VIII. Allegro |
| Ron Craig (engineer/editor) |
recording |
Minuet in C major, K315g, No. 1, Minuet in D major, K315g, No. 3, Minuet in F major, K2, Minuet in G major, K1, Minuet in G major, K315g, No. 8, Sonata in A Major K331, 1st movement, Sonatina in G major, Tondo in C major |
| Budapest String Quartet |
strings |
String Quartet No. 19 in C major, K. 465 "Dissonance": I. Adagio - Allegro, String Quartet No. 19 in C major, K. 465 "Dissonance": II. Andante cantabile, String Quartet No. 19 in C major, K. 465 "Dissonance": III. Menuetto. Allegretto, String Quartet No. 19 in C major, K. 465 "Dissonance": IV. Allegro molto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": I. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": II. Menuetto. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": III. Adagio, String Quartet No. 20 in D major, K. 499 "Hoffmeister": IV. Allegro |
| Roger Woodward (pianist) |
piano |
Minuet in C major, K315g, No. 1, Minuet in D major, K315g, No. 3, Minuet in F major, K2, Minuet in G major, K1, Minuet in G major, K315g, No. 8, Sonata in A Major K331, 1st movement, Sonatina in G major, Tondo in C major |
| Lietuvos kamerinis orkestras (Lithuanian Chamber Orchestra) |
performing orchestra |
Symphony No. 35 in D major ("Haffner"), K. 385: I. Allegro con spirito, Symphony No. 35 in D major ("Haffner"), K. 385: II. Andante, Symphony No. 35 in D major ("Haffner"), K. 385: III. Menuetto, Symphony No. 35 in D major ("Haffner"), K. 385: IV. Finale. Presto, Symphony No. 39 on E flat major, K. 543: I. Adagio, Symphony No. 39 on E flat major, K. 543: II. Andante con moto, Symphony No. 39 on E flat major, K. 543: III. Menuetto. Allegro, Symphony No. 39 on E flat major, K. 543: IV. Finale. Allegro |
| Jan Van der Crabben |
vocal |
Dixit & Magnificat, K. 193: Dixit, Dixit & Magnificat, K. 193: Magnificat, Vesperae solennes de Dominica, K. 321: Beatus vir, Vesperae solennes de Dominica, K. 321: Confitebor, Vesperae solennes de Dominica, K. 321: Dixit, Vesperae solennes de Dominica, K. 321: Laudate Dominum, Vesperae solennes de Dominica, K. 321: Laudate pueri, Vesperae solennes de Dominica, K. 321: Magnificat |
| Capella Brugensis |
vocal |
Dixit & Magnificat, K. 193: Dixit, Dixit & Magnificat, K. 193: Magnificat, Vesperae solennes de Dominica, K. 321: Beatus vir, Vesperae solennes de Dominica, K. 321: Confitebor, Vesperae solennes de Dominica, K. 321: Dixit, Vesperae solennes de Dominica, K. 321: Laudate Dominum, Vesperae solennes de Dominica, K. 321: Laudate pueri, Vesperae solennes de Dominica, K. 321: Magnificat |
| Carl Schuricht |
conductor |
Symphonie Nr. 36 in C-dur, (K. 425 Linzer), Adagio, Symphonie Nr. 36 in C-dur, (K. 425 Linzer), Finale Presto, Symphonie Nr. 36 in C-dur, (K. 425 Linzer), Menuetto, Symphonie Nr. 36 in C-dur, (K. 425 Linzer), Poco Adagio, Symphonie Nr. 40 in g-moll, (K. 550), Andante, Symphonie Nr. 40 in g-moll, (K. 550), Finale Allegro Assai, Symphonie Nr. 40 in g-moll, (K. 550), Menuetto Allegretto, Symphonie Nr. 40 in g-moll, (K. 550), Molto allegro |
| James Lockhart |
conductor |
Sinfonia no. 36 em dó maior, K. 425 "Linz": I. Adagio - Allegro spirituoso, Sinfonia no. 36 em dó maior, K. 425 "Linz": II. Poco adagio, Sinfonia no. 36 em dó maior, K. 425 "Linz": III. Menuetto, Sinfonia no. 36 em dó maior, K. 425 "Linz": IV. Presto, Sinfonia no. 39 em mi bemol maior, K. 543: I. Adagio - Allegro, Sinfonia no. 39 em mi bemol maior, K. 543: II. Andante con moto, Sinfonia no. 39 em mi bemol maior, K. 543: III. Menuetto: Allegro, Sinfonia no. 39 em mi bemol maior, K. 543: IV. Finale: Allegro |
| Sỳlvia Geszty |
vocal |
Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: IV. Parte I. Recitativo "So vieler Seelen Fall" (Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: V. Parte I. No. 2 Aria "Ein ergrimmter Löwe brüllet" (Barmherzigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: VI. Parte I. Recitativo "Was glaubst du" (Bermherzigkeit, Gerechtigkeit, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. No. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVIII. Parte I. Recitativo "Hast du nunmehr erfahren" (Barmherzigkeit, Christgeist, Gerechtigkeit), La Flûte enchantée : Der Hölle Rache (Air de la reine de la nuit) |
| Ursula Buckel (soprano) |
vocal |
Exultate, Jubilate, KV 165, Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317: 2. Gloria, Mass in C major, KV 317: Agnus Dei, Mass in C major, KV 317: Benedictus, Mass in C major, KV 317: Credo, Mass in C major, KV 317: Gloria, Mass in C major, KV 317: Kyrie, Mass in C major, KV 317: Sanctus |
| István Ipolyi |
viola |
String Quartet No. 19 in C major, K. 465 "Dissonance": I. Adagio - Allegro, String Quartet No. 19 in C major, K. 465 "Dissonance": II. Andante cantabile, String Quartet No. 19 in C major, K. 465 "Dissonance": III. Menuetto. Allegretto, String Quartet No. 19 in C major, K. 465 "Dissonance": IV. Allegro molto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": I. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": II. Menuetto. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": III. Adagio, String Quartet No. 20 in D major, K. 499 "Hoffmeister": IV. Allegro |
| László Heltay |
chorus master |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. no. 2 Recitativo accompagnato "Ma qual mai s’offre, oh Dei" (Donna Anna, Don Ottavio), Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison", Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison" / IIIa. Sequenz: "Dies irae" / IIIc. Sequenz: "Rex tremendae" / IIIe. Sequenz: "Confutatis" / IIIf. Sequenz: "Lacrimosa", Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae", Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae", Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis", Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" |
| Amati Chamber Orchestra |
performing orchestra |
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romanze, Serenade No. 4 in D major, KV 203: I. Andante maestoso - Allegro assai, Serenade No. 7 in D major, K. 250 "Haffner": Adagio-allegro assai, Serenade No. 7 in D major, K. 250 "Haffner": Allegro maestoso-allegro molto, Serenade No. 7 in D major, K. 250 "Haffner": Andante, Serenade No. 7 in D major, K. 250 "Haffner": Menuetto, Serenade No. 7 in D major, K. 250 "Haffner": Menuetto galante, Serenade No. 7 in D major, K. 250 "Haffner": Rondo. Allegro |
| Renaat Deckers |
vocal |
Dixit & Magnificat, K. 193: Dixit, Dixit & Magnificat, K. 193: Magnificat, Vesperae solennes de Dominica, K. 321: Beatus vir, Vesperae solennes de Dominica, K. 321: Confitebor, Vesperae solennes de Dominica, K. 321: Dixit, Vesperae solennes de Dominica, K. 321: Laudate Dominum, Vesperae solennes de Dominica, K. 321: Laudate pueri, Vesperae solennes de Dominica, K. 321: Magnificat |
| Walton Grönroos |
vocal |
Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: I. Kyrie, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: II. Gloria, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: III. Credo, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: IV. Sanctus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: V. Benedictus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: VI. Agnus Dei, Sancta Maria, Mater Dei, K. 273, Venite Populi, K. 260 |
| Quatuor Mosaïques |
strings |
String Quartet No. 16 in E flat, K. 428 (K. 421b): Allegro ma non troppo, String Quartet No. 16 in E flat, K. 428 (K. 421b): Allegro vivace, String Quartet No. 16 in E flat, K. 428 (K. 421b): Andante con moto, String Quartet No. 16 in E flat, K. 428 (K. 421b): Menuetto & Trio, Allegretto, String Quartet No. 17 in B flat major ('Hunt'), K. 458: Adagio, String Quartet No. 17 in B flat major ('Hunt'), K. 458: Allegro assai, String Quartet No. 17 in B flat major ('Hunt'), K. 458: Allegro vivace assai, String Quartet No. 17 in B flat major ('Hunt'), K. 458: Menuetto &Trio moderato |
| Marcus Creed |
conductor |
Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: I. Kyrie, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: II. Gloria, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: III. Credo, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: IV. Sanctus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: V. Benedictus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: VI. Agnus Dei, Sancta Maria, Mater Dei, K. 273, Venite Populi, K. 260 |
| Hjördis Thébault |
vocal |
Requiem in D minor, K. 626 (Neukomm completion): I. Introitus: "Requiem aeternam" / II. Kyrie, Requiem in D minor, K. 626 (Neukomm completion): IIIc. Sequenz: "Liber scriptus", Requiem in D minor, K. 626 (Neukomm completion): IIId. Sequenz: "Quid Sum Miser", Requiem in D minor, K. 626 (Neukomm completion): IIIf. Sequenz: "Recordare", Requiem in D minor, K. 626 (Neukomm completion): IIIg. Sequenz: "Ingemisco Tamquam", Requiem in D minor, K. 626 (Neukomm completion): IV. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Neukomm completion): V. "Sanctus", Requiem in D minor, K. 626 (Neukomm completion): VII. Communio: "Lux aeterna" |
| Collegium Instrumentale Brugense |
performer, performing orchestra |
Dixit & Magnificat, K. 193: Dixit, Dixit & Magnificat, K. 193: Magnificat, Vesperae solennes de Dominica, K. 321: Beatus vir, Vesperae solennes de Dominica, K. 321: Confitebor, Vesperae solennes de Dominica, K. 321: Dixit, Vesperae solennes de Dominica, K. 321: Laudate Dominum, Vesperae solennes de Dominica, K. 321: Laudate pueri, Vesperae solennes de Dominica, K. 321: Magnificat |
| Marijke Arnhem |
vocal |
Dixit & Magnificat, K. 193: Dixit, Dixit & Magnificat, K. 193: Magnificat, Vesperae solennes de Dominica, K. 321: Beatus vir, Vesperae solennes de Dominica, K. 321: Confitebor, Vesperae solennes de Dominica, K. 321: Dixit, Vesperae solennes de Dominica, K. 321: Laudate Dominum, Vesperae solennes de Dominica, K. 321: Laudate pueri, Vesperae solennes de Dominica, K. 321: Magnificat |
| Paul Kantschieder |
conductor |
Concerto No. 5 in A major for Violin, K. 219 "Turkish": II. Adagio, Concerto for Piano No. 23 in A major, K. 488: I. Allegro, Konzert für Violine und Orchester Nr. 5 A-Dur KV 219, 3.Satz: Tempo die Menuetto, Symphonie Nr. 19 in Es-Dur: KV. 132: Andante, Symphonie Nº 19 K. 132 en Mi bemol majeur - Allegro, Symphonie Nº 19 K. 132 en Mi bemol majeur - Andante, Symphonie Nº 19 K. 132 en Mi bemol majeur - Menuetto, Symphony No. 19 in E-flat major, K. 132: II. Andante |
| Patrick Peire |
conductor |
Dixit & Magnificat, K. 193: Dixit, Dixit & Magnificat, K. 193: Magnificat, Vesperae solennes de Dominica, K. 321: Beatus vir, Vesperae solennes de Dominica, K. 321: Confitebor, Vesperae solennes de Dominica, K. 321: Dixit, Vesperae solennes de Dominica, K. 321: Laudate Dominum, Vesperae solennes de Dominica, K. 321: Laudate pueri, Vesperae solennes de Dominica, K. 321: Magnificat |
| Dubravka Tomšič |
piano |
Piano Concerto No. 21 in C major, K 467: I. Allegro, Piano Concerto No. 21 in C major, K 467: II. Andante, Piano Concerto No. 21 in C major, K 467: III. Allegro vivace assai, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan", Piano Concerto No. 24 in C minor, K 491: I. Allegro, Piano Concerto No. 24 in C minor, K 491: II. Larghetto, Piano Concerto No. 24 in C minor, K 491: III. Allegretto, Piano Concerto No. 26 in D major, K. 537 "Coronation" |
| Eberhard Büchner |
vocal |
Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: I. Allegro - andante - allegro "Dixit Dominus Domino meo", Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: II. Allegro "Magnificat anima mea", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie eleison", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum", Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison" |
| Orchestre de l’Opéra National de Paris |
performing orchestra |
Symphonie Nr. 36 in C-dur, (K. 425 Linzer), Adagio, Symphonie Nr. 36 in C-dur, (K. 425 Linzer), Finale Presto, Symphonie Nr. 36 in C-dur, (K. 425 Linzer), Menuetto, Symphonie Nr. 36 in C-dur, (K. 425 Linzer), Poco Adagio, Symphonie Nr. 40 in g-moll, (K. 550), Andante, Symphonie Nr. 40 in g-moll, (K. 550), Finale Allegro Assai, Symphonie Nr. 40 in g-moll, (K. 550), Menuetto Allegretto, Symphonie Nr. 40 in g-moll, (K. 550), Molto allegro |
| Filip Rathé (Belgian conductor) |
producer |
Dixit & Magnificat, K. 193: Dixit, Dixit & Magnificat, K. 193: Magnificat, Vesperae solennes de Dominica, K. 321: Beatus vir, Vesperae solennes de Dominica, K. 321: Confitebor, Vesperae solennes de Dominica, K. 321: Dixit, Vesperae solennes de Dominica, K. 321: Laudate Dominum, Vesperae solennes de Dominica, K. 321: Laudate pueri, Vesperae solennes de Dominica, K. 321: Magnificat |
| Olga Nodel |
violin |
Serenade in D major, K. 100: I. Allegro, Serenade in D major, K. 100: II. Andante, Serenade in D major, K. 100: III. Menuetto, Serenade in D major, K. 100: IV. Allegro, Serenade in D major, K. 100: V. Menuetto, Serenade in D major, K. 100: VI. Andante, Serenade in D major, K. 100: VII. Menuetto, Serenade in D major, K. 100: VIII. Allegro |
| Maurice André |
trumpet |
Concerto in C major for Trumpet and Orchestra, K. 314: I. Allegro Aperto, Concerto in C major for Trumpet and Orchestra, K. 314: II. Adagio Non Troppo, Concerto in C major for Trumpet and Orchestra, K. 314: III. Rondo (Allegretto), Concerto in C major: Rondo, La flûte enchantée, Trompetenkonzert As-dur: I. Allegro aperto, Trompetenkonzert As-dur: II. Adagio non troppo, Trompetenkonzert As-dur: III. Rondo allegretto |
| Florian Heyerick |
conductor |
Serenade in D major, K. 100: I. Allegro, Serenade in D major, K. 100: II. Andante, Serenade in D major, K. 100: III. Menuetto, Serenade in D major, K. 100: IV. Allegro, Serenade in D major, K. 100: V. Menuetto, Serenade in D major, K. 100: VI. Andante, Serenade in D major, K. 100: VII. Menuetto, Serenade in D major, K. 100: VIII. Allegro |
| Gabriele Schreckenbach |
vocal |
Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: I. Kyrie, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: II. Gloria, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: III. Credo, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: IV. Sanctus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: V. Benedictus, Missa Solemnis in C minor, K. 139, “Waisenhausmesse”: VI. Agnus Dei, Sancta Maria, Mater Dei, K. 273, Venite Populi, K. 260 |
| Georg Mais (conductor) |
conductor |
Symphony No. 35 in D major ("Haffner"), K. 385: I. Allegro con spirito, Symphony No. 35 in D major ("Haffner"), K. 385: II. Andante, Symphony No. 35 in D major ("Haffner"), K. 385: III. Menuetto, Symphony No. 35 in D major ("Haffner"), K. 385: IV. Finale. Presto, Symphony No. 39 on E flat major, K. 543: I. Adagio, Symphony No. 39 on E flat major, K. 543: II. Andante con moto, Symphony No. 39 on E flat major, K. 543: III. Menuetto. Allegro, Symphony No. 39 on E flat major, K. 543: IV. Finale. Allegro |
| Natalie Shea (Alto and producer) |
producer |
Minuet in C major, K315g, No. 1, Minuet in D major, K315g, No. 3, Minuet in F major, K2, Minuet in G major, K1, Minuet in G major, K315g, No. 8, Sonata in A Major K331, 1st movement, Sonatina in G major, Tondo in C major |
| Gil Sharon |
conductor, violin |
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romanze, Serenade No. 4 in D major, KV 203: I. Andante maestoso - Allegro assai, Serenade No. 7 in D major, K. 250 "Haffner": Adagio-allegro assai, Serenade No. 7 in D major, K. 250 "Haffner": Allegro maestoso-allegro molto, Serenade No. 7 in D major, K. 250 "Haffner": Andante, Serenade No. 7 in D major, K. 250 "Haffner": Menuetto, Serenade No. 7 in D major, K. 250 "Haffner": Menuetto galante, Serenade No. 7 in D major, K. 250 "Haffner": Rondo. Allegro |
| Mischa Schneider |
cello |
String Quartet No. 19 in C major, K. 465 "Dissonance": I. Adagio - Allegro, String Quartet No. 19 in C major, K. 465 "Dissonance": II. Andante cantabile, String Quartet No. 19 in C major, K. 465 "Dissonance": III. Menuetto. Allegretto, String Quartet No. 19 in C major, K. 465 "Dissonance": IV. Allegro molto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": I. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": II. Menuetto. Allegretto, String Quartet No. 20 in D major, K. 499 "Hoffmeister": III. Adagio, String Quartet No. 20 in D major, K. 499 "Hoffmeister": IV. Allegro |
| Gilbert Steurbaut (Sound / recording technician) |
engineer |
Dixit & Magnificat, K. 193: Dixit, Dixit & Magnificat, K. 193: Magnificat, Vesperae solennes de Dominica, K. 321: Beatus vir, Vesperae solennes de Dominica, K. 321: Confitebor, Vesperae solennes de Dominica, K. 321: Dixit, Vesperae solennes de Dominica, K. 321: Laudate Dominum, Vesperae solennes de Dominica, K. 321: Laudate pueri, Vesperae solennes de Dominica, K. 321: Magnificat |
| Greta de Reyghere |
vocal |
Dixit & Magnificat, K. 193: Dixit, Dixit & Magnificat, K. 193: Magnificat, Vesperae solennes de Dominica, K. 321: Beatus vir, Vesperae solennes de Dominica, K. 321: Confitebor, Vesperae solennes de Dominica, K. 321: Dixit, Vesperae solennes de Dominica, K. 321: Laudate Dominum, Vesperae solennes de Dominica, K. 321: Laudate pueri, Vesperae solennes de Dominica, K. 321: Magnificat |
| Krisztina Laki |
vocal |
Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: IV. Parte I. Recitativo "So vieler Seelen Fall" (Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: VI. Parte I. Recitativo "Was glaubst du" (Bermherzigkeit, Gerechtigkeit, Christgeist), Die Schuldigkeit des ersten Gebots in C major, K. 35: VII. Parte I. No. 3 Aria "Erwache, fauler Knecht" (Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. No. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die Schuldigkeit des ersten Gebots in C major, K. 35: XVIII. Parte I. Recitativo "Hast du nunmehr erfahren" (Barmherzigkeit, Christgeist, Gerechtigkeit) |
| Australian Chamber Orchestra |
performing orchestra |
Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante, Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto) e Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro |
| Johanne Monn (horn) |
horn |
Concerto No. 3 in E-flat major for Horn, K. 447: I. Allegro, Concerto No. 3 in E-flat major for Horn, K. 447: II. Romance. Larghetto, Concerto No. 3 in E-flat major for Horn, K. 447: III. Allegro, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto |
| ABC Casssic FM (radio station) |
recording |
Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante, Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto) e Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro |
| Yakov Kreizberg |
conductor |
Concerto for Violin & Orchestra in C major, K. 373: Rondo. Allegretto grazioso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: I. Allegro spiritoso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: II. Andantino grazioso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: III. Tempo di menuetto, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Julia Fischer (violinist / pianist) |
violin |
Concerto for Violin & Orchestra in C major, K. 373: Rondo. Allegretto grazioso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: I. Allegro spiritoso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: II. Andantino grazioso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: III. Tempo di menuetto, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Manfred Klier |
horn |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Howard Griffiths |
conductor |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto, Symphony No. 13 in F major, K. 112: IV. Allegro molto |
| Marcel Moyse |
conductor |
Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): I. Largo - Molto allegro, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): II. Menuetto - Trio I - Trio II, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): III. Adagio, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): IV. Menuetto: Allegretto - Trio I - Trio II, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): V. Romance: Adagio - Allegretto - Adagio, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): VI. Thema mit 6 Variationen - Andante, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): VII. Finale: Molto allegro |
| Piotr Anderszewski |
piano |
Piano Concerto No. 21 in C major, K. 467: I. Allegro maestoso, Piano Concerto No. 21 in C major, K. 467: II. Andante, Piano Concerto No. 21 in C major, K. 467: III. Allegro vivace assai, Piano Concerto No. 24 in C minor, K. 491: I. Allegro - Cadenza - Tempo I, Piano Concerto No. 24 in C minor, K. 491: II. Larghetto, Piano Concerto No. 24 in C minor, K. 491: III. Allegretto, Piano Concerto no. 23: Andante |
| Kwangchul Youn |
vocal |
Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequentia: "Tuba Mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequentia: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (autograph fragemente): IIIb. Sequentia: "Tuba Mirum", Requiem in D minor, K. 626 (autograph fragemente): IIId. Sequentia: "Recordare", Requiem in D minor, K. 626 (autograph fragemente): IVa. Offertorium: "Domine Jesu" |
| Sinfonia Varsovia |
performing orchestra |
Piano Concerto No. 21 in C major, K. 467: I. Allegro maestoso, Piano Concerto No. 21 in C major, K. 467: II. Andante, Piano Concerto No. 21 in C major, K. 467: III. Allegro vivace assai, Piano Concerto No. 24 in C minor, K. 491: I. Allegro - Cadenza - Tempo I, Piano Concerto No. 24 in C minor, K. 491: II. Larghetto, Piano Concerto No. 24 in C minor, K. 491: III. Allegretto, Piano Concerto no. 23: Andante |
| Hermann Winkler (tenor) |
vocal |
Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317: 2. Gloria, Mass in C major, KV 317: Agnus Dei, Mass in C major, KV 317: Benedictus, Mass in C major, KV 317: Credo, Mass in C major, KV 317: Gloria, Mass in C major, KV 317: Kyrie, Mass in C major, KV 317: Sanctus |
| Margit-Anna Süß |
arranger, harp |
Deutscher Tanz, Gavotte (aus "Les Petits riens"), Ländlerischer Tanz, Menuett, Menuett (aus "Don Giovanni"), Menuett (aus "Haffner-Serenade"), Menuett (aus Sinfonie Es-dur) |
| Werner Krenn (bassoonist / tenor) |
vocal |
Lucio Silla, K. 135: Act I, Scene III. Recitativo "A te dell'amor mio" (Silla, Celia, Aufidio), Lucio Silla, K. 135: Act II, Scene I. Recitativo "Tel' predissi, oh Signor, che la superba" (Silla, Aufidio), Lucio Silla, K. 135: Act II, Scene II. No. 8 Aria Guerrier, che d'un acciaro (Aufidio), Lucio Silla, K. 135: Act II, Scene VII. Recitativo "Signor, ai cenni tuoi… Silla? L'odiato aspetto" (Aufidio, Silla), Lucio Silla, K. 135: Act II, Scene XII-XII. Recitativi "Padri Coscritti... Sposa ah no, non temer... Come? D'un ferro armato" (Silla, Giunnia, Aufidio, Cecillio, Cinna), Lucio Silla, K. 135: Act III, Scene III-IV. Recitativi "Ah no, che il fato estremo... Tosto seguir tu dei" (Giunia, Cecilio, Aufidio), Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia... Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio) |
| Maria Stader |
vocal |
Exsultate, jubilate, K. 165: I. Exsultate, jubilate, Exsultate, jubilate, K. 165: II. Fulget amica dies, Exsultate, jubilate, K. 165: III. Tu virginum corona, Exsultate, jubilate, K. 165: IV. Alleluia, Le Nozze di Figaro, K. 492, Act 2: "Un Moto di Gioia" (alternative Aria), Ridente La Calma K. 152, Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) |
| Pinchas Zukerman |
conductor, performer |
Exsultate, jubilate, KV 165: I. Allegro, Exsultate, jubilate, KV 165: II. Recitativo - (Andante), Exsultate, jubilate, KV 165: III. (Allegro), Serenade for Winds in C minor, K. 388: I. Allegro, Serenade for Winds in C minor, K. 388: II. Andante, Serenade for Winds in C minor, K. 388: III. Menuetto in canone - Trio, Serenade for Winds in C minor, K. 388: IV. Allegro |
| Jerusalem Quartet |
instrument |
String Quartet in B flat major No. 17, K. 458: I. Allegro vivace assai, String Quartet in B flat major No. 17, K. 458: II. Menuetto. Moderato, String Quartet in B flat major No. 17, K. 458: III. Adagio, String Quartet in B flat major No. 17, K. 458: IV. Allegro assai, String Quartet in C major No. 4, K. 157: I. Allegro, String Quartet in C major No. 4, K. 157: II. Andante, String Quartet in C major No. 4, K. 157: III. Presto |
| Herbert Stähr |
clarinet |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Deutsches Symphonie-Orchester Berlin (RIAS-Symphonie-Orchester, 1946–1956 / Radio-Symphonie-Orchester Berlin, 1956–1993) |
performing orchestra |
Exsultate, jubilate, K. 165: I. Exsultate, jubilate, Exsultate, jubilate, K. 165: II. Fulget amica dies, Exsultate, jubilate, K. 165: III. Tu virginum corona, Exsultate, jubilate, K. 165: IV. Alleluia, Idomeneo, re di Creta, K. 366: Act III: "Zeffiretti lusinghieri", The Magic Flute: Act II. Scene III. ''Der Hölle Rache kocht in meinem Herzen'' (Queen of the Night), Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) |
| Henning Trog |
bassoon |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Peter Geisler |
basset horn |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Bläser der Berliner Philharmoniker |
instrument |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Bohdan Warchal |
conductor |
Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo, Symphony No. 29 in A major, K. 186a/201: I. Allegro moderato, Symphony No. 29 in A major, K. 186a/201: II. Andante, Symphony No. 29 in A major, K. 186a/201: III. Minuetto & Trio, Symphony No. 29 in A major, K. 186a/201: IV. Allegro con spirito |
| Karl Leister |
clarinet |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Pamela Heuvelmans |
vocal |
Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: III. "Verbum caro factum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IV. "Hostia sancta", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: IX. "Agnus Dei", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: V. "Tremendum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VI. "Panis omnipotentia", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VII. "Viaticum", Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae" |
| Marlboro Festival Orchestra |
performing orchestra |
Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): I. Largo - Molto allegro, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): II. Menuetto - Trio I - Trio II, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): III. Adagio, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): IV. Menuetto: Allegretto - Trio I - Trio II, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): V. Romance: Adagio - Allegretto - Adagio, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): VI. Thema mit 6 Variationen - Andante, Serenade no. 10 for Winds in B-flat major, "Gran Partita", K. 361 (K. 370a): VII. Finale: Molto allegro |
| Strings of Zürich |
performing orchestra |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto, Symphony No. 13 in F major, K. 112: IV. Allegro molto |
| Steve Davislim (tenor) |
vocal |
Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequentia: "Tuba Mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequentia: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (autograph fragemente): IIIb. Sequentia: "Tuba Mirum", Requiem in D minor, K. 626 (autograph fragemente): IIId. Sequentia: "Recordare", Requiem in D minor, K. 626 (autograph fragemente): IVa. Offertorium: "Domine Jesu" |
| Eduard Wollitz (bass) |
vocal |
Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317: 2. Gloria, Mass in C major, KV 317: Agnus Dei, Mass in C major, KV 317: Benedictus, Mass in C major, KV 317: Credo, Mass in C major, KV 317: Gloria, Mass in C major, KV 317: Kyrie, Mass in C major, KV 317: Sanctus |
| Burkhard Rohde |
oboe |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Orchestre de Chambre de Lausanne |
performer, performing orchestra |
Piano Concerto No. 20 in D minor, K. 466: II. Romance, Sinfonia Concertante for oboe, clarinet, horn, and bassoon K. 297b - Adagio, Sinfonia Concertante for oboe, clarinet, horn, and bassoon K. 297b - Allegro, Sinfonia Concertante for oboe, clarinet, horn, and bassoon K. 297b - Andantino con variazioni, Sinfonia Concertante for violin and alto in E-flat major K. 364 - Allegro maestoso, Sinfonia Concertante for violin and alto in E-flat major K. 364 - Andante, Sinfonia Concertante for violin and alto in E-flat major K. 364 - Presto |
| Simon Edwards (tenor) |
vocal |
Requiem in D minor, K. 626 (Neukomm completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Neukomm completion): IIIc. Sequenz: "Liber scriptus", Requiem in D minor, K. 626 (Neukomm completion): IIId. Sequenz: "Quid Sum Miser", Requiem in D minor, K. 626 (Neukomm completion): IIIf. Sequenz: "Recordare", Requiem in D minor, K. 626 (Neukomm completion): IIIg. Sequenz: "Ingemisco Tamquam", Requiem in D minor, K. 626 (Neukomm completion): IV. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Neukomm completion): V. "Sanctus" |
| Siegfried Schäfrich |
horn |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Siegfried Lorenz |
vocal |
La finta semplice, K. 46a / KV 51: Act II, Scene IX. Recitativo "Dove andate, signore?" (Rosina, Cassandro), La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "Ehi... dormite, signore?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. No. 19 Duetto "Cospetton, cospettonaccio!" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene VIII. Recitativo "Sciocca è la Baronessa" (Cassandro, Fracasso), La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene III. Recitativo "E così, Baronessa?" (Cassandro, Rosina), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone) |
| Anton Scharinger |
vocal |
Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) / ... / Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Le nozze di Figaro, K. 492: Act 1 "Non più andrai" (Figaro) |
| Frank-Ulrich Wurlitzer |
basset horn |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Frans Brüggen |
conductor |
Symfonie nr. 38 in D groot, KV 504 "Praagse" (1786): I. Adagio - Allegro, Symfonie nr. 38 in D groot, KV 504 "Praagse" (1786): II. Andante, Symfonie nr. 38 in D groot, KV 504 "Praagse" (1786): III. Finale, Presto, Symphony no. 35, KV 285, "Haffner": I. Allegro con spirito, Symphony no. 35, KV 285, "Haffner": II. Andante, Symphony no. 35, KV 285, "Haffner": III. Minuetto, Symphony no. 35, KV 285, "Haffner": IV. Finale: Presto |
| Karl-Friedrich Jungk |
contrabassoon |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Nederlands Kamerorkest |
performing orchestra |
Concerto for Violin & Orchestra in C major, K. 373: Rondo. Allegretto grazioso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: I. Allegro spiritoso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: II. Andantino grazioso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: III. Tempo di menuetto, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Richard Tognetti (violinist & conductor) |
conductor |
Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante, Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro, Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto) e Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro |
| Gerd Seifert |
horn |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Klaus Stoll |
arranger, double bass |
Deutscher Tanz, Gavotte (aus "Les Petits riens"), Ländlerischer Tanz, Menuett, Menuett (aus "Don Giovanni"), Menuett (aus "Haffner-Serenade"), Menuett (aus Sinfonie Es-dur) |
| Lothar Koch (oboist) |
oboe |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Renée Fleming |
vocal |
Come scoglio (Così fan tutte), Le Nozze Di Figaro - Act 2: Dove Sono, Le Nozze Di Figaro, K.492/Act 4 - ''Giunse Alfin Il Momento'' - ''Deh Vieni Non Tardar'', Le nozze di Figaro: "E Susanna non vien!" - "Dove sono i bei momenti", Le nozze di Figaro: "Porgi amor", Porgi, amor (Le nozze di Figaro), Trio: Soave Sia Il Vento - Cosi Fan Tutte |
| Günther Piesk |
bassoon |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Monica Groop (Finnish opera singer, mezzosopran) |
vocal |
Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequentia: "Tuba Mirum", Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequentia: "Recordare", Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus", Requiem in D minor, K. 626 (autograph fragemente): IIIb. Sequentia: "Tuba Mirum", Requiem in D minor, K. 626 (autograph fragemente): IIId. Sequentia: "Recordare", Requiem in D minor, K. 626 (autograph fragemente): IVa. Offertorium: "Domine Jesu" |
| NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester) |
performing orchestra |
Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo), Piano Concerto No. 21 in C major, K. 467: I. Allegro maestoso, Piano Concerto No. 21 in C major, K. 467: II. Andante, Piano Concerto No. 21 in C major, K. 467: III. Allegro vivace assai, Piano Concerto No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro, Piano Concerto No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino, Piano Concerto No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau: Presto |
| Amsterdam Mozart Players |
performing orchestra |
Concertone In C Major, KV 190, Later: 166B And KV 8:186E: I. Allegro Spirituoso, Concertone In C Major, KV 190, Later: 166B And KV 8:186E: II. Andantino Grazioso, Concertone In C Major, KV 190, Later: 166B And KV 8:186E: III. Tempo Di Menuetto, Sinfonia Concertante In A Major, KV Anhang 104/320E: Allegro, Sinfonia Concertante In E Flat Major, KV 364/320D: I. Allegro Maestoso, Sinfonia Concertante In E Flat Major, KV 364/320D: II. Andante, Sinfonia Concertante In E Flat Major, KV 364/320D: III. Presto |
| Stefan de Leval Jezierski |
horn |
Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : I. Largo - Molto allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : II. Menuetto - trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : III. Adagio, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : IV. Menuetto. Allegretto - Trio I - Trio II, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : V. Romance - Adagio - Allegretto - Adagio - Coda, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VI. Tema con variazioni I - VI. Andante - Allegro, Sérénade no. 10 en si bémol majeur pour 13 instruments à vent, K. 361 "Gran partita" : VII. Finale. Molto allegro |
| Rafael Kubelík |
conductor |
Missa brevis, K.220: Agnus dei, Missa brevis, K.220: Benedictus, Missa brevis, K.220: Credo, Missa brevis, K.220: Gloria, Missa brevis, K.220: Kyrie, Missa brevis, K.220: Sanctus |
| Guillermo García Calvo |
conductor |
Concerto for horn and orchestra in E-flat major, K.417: I. Allegro, Concerto for horn and orchestra in E-flat major, K.417: II. Andante, Concerto for horn and orchestra in E-flat major, K.417: III. Rondo Allegro, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: I. Allegro maestoso, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: II. Andante, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: III. Presto |
| Alain Buet |
vocal |
Requiem in D minor, K. 626 (Neukomm completion): IIIb. Sequenz: "Tuba mirum", Requiem in D minor, K. 626 (Neukomm completion): IIId. Sequenz: "Quid Sum Miser", Requiem in D minor, K. 626 (Neukomm completion): IIIf. Sequenz: "Recordare", Requiem in D minor, K. 626 (Neukomm completion): IIIg. Sequenz: "Ingemisco Tamquam", Requiem in D minor, K. 626 (Neukomm completion): IV. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Neukomm completion): V. "Sanctus" |
| Stanley Ritchie |
violin |
Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: III. Rondeau. Allegro moderato, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: I. Allegro, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: II. Larghetto, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: III. Allegretto |
| Myron Lutzke |
cello |
Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: III. Rondeau. Allegro moderato, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: I. Allegro, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: II. Larghetto, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: III. Allegretto |
| The Schütz Choir of London |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro) |
| Aldo Baldwin |
vocal |
Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus", Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei" |
| 今井信子 |
viola |
Duo No. 1 in G, K. 423: I, Allegro, Duo No. 1 in G, K. 423: II, Adagio, Duo No. 1 in G, K. 423: III, Rondeau (Allegro), Duo No. 2 in B Flat, K. 424: I, Adagio - Allegro, Duo No. 2 in B Flat, K. 424: II, Andante cantabile, Duo No. 2 in B Flat, K. 424: III, Tema con variazioni (Andante grazioso - Allegretto - Allegro) |
| Slovenska filharmonija (Ljubljana, Slovenia) |
performing orchestra |
Concerto for horn and orchestra in E-flat major, K.417: I. Allegro, Concerto for horn and orchestra in E-flat major, K.417: II. Andante, Concerto for horn and orchestra in E-flat major, K.417: III. Rondo Allegro, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: I. Allegro maestoso, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: II. Andante, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: III. Presto |
| Kate Gould (cellist) |
cello |
Piano Quartet in E flat, K493: I. Allegro, Piano Quartet in E flat, K493: II. Larghetto, Piano Quartet in E flat, K493: III. Allegretto, Piano Quartet in G minor, K478: I. Allegro, Piano Quartet in G minor, K478: II. Andante, Piano Quartet in G minor, K478: III. Rondo. Allegro |
| Anna Tomowa-Sintow |
vocal |
Requiem en rémineur, K. 626 : I. Introitus "Requiem" (chorus, sopran), Requiem en rémineur, K. 626 : III. Sequenz: No. 2 "Tuba mirum" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 4 "Recordare" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : IV. Offertorium: No. 1 "Domine Jesu" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : VI. "Benedictus" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : VIII. Communio "Lux aeterna" (chorus, sopran) |
| Annette Markert |
vocal |
Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus", Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei" |
| Studio van Dijken |
design/illustration |
Concerto Pour Piano No. 21 "Elvira Madigan" en Ut Majeur, KV 467, I. Allegro maestosos – Cadence (Eschenbach), Concerto Pour Piano No. 21 „Elvira Madigan“ en Ut Majeur, KV 467, III Allegro vivace assai – Cadences (Eschenbach), Concerto pour Piano No. 21 „Elvira Madigan“ en Ut Majeur, KV 467, II. Andante, Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, I Allegro – Cadene (Mozart), Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, II Larghetto, Concerto pour Piano No. 27 en Si Bémol Majeur, KV 595, III Allegro – Cadence (Mozart) |
| Semra Griffiths |
viola |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Scott Dickinson |
viola |
Piano Quartet in E flat, K493: I. Allegro, Piano Quartet in E flat, K493: II. Larghetto, Piano Quartet in E flat, K493: III. Allegretto, Piano Quartet in G minor, K478: I. Allegro, Piano Quartet in G minor, K478: II. Andante, Piano Quartet in G minor, K478: III. Rondo. Allegro |
| Armin Jordan |
conductor |
Sinfonia Concertante for oboe, clarinet, horn, and bassoon K. 297b - Adagio, Sinfonia Concertante for oboe, clarinet, horn, and bassoon K. 297b - Allegro, Sinfonia Concertante for oboe, clarinet, horn, and bassoon K. 297b - Andantino con variazioni, Sinfonia Concertante for violin and alto in E-flat major K. 364 - Allegro maestoso, Sinfonia Concertante for violin and alto in E-flat major K. 364 - Andante, Sinfonia Concertante for violin and alto in E-flat major K. 364 - Presto |
| John McCarthy (British choral conductor, scholar, composer and arranger) |
chorus master |
Die Entführung aus dem Serail, K. 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!", Die Entführung aus dem Serail, KV 384: Act III, Nr. 21b Chorus "Bassa Selim leve lange!", Die Entführung aus dem Serail, KV 384: Act III, Nr. 21b Chorus: "Bassa Selim leve lange!", Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. no. 2 Recitativo accompagnato "Ma qual mai s’offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) |
| Kurt Streit |
performer |
Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino), Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino), Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino), Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino), Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandelten durch Feuersgluten" (Pamina, Tamino), Die Zauberflöte, K. 620: Act II. "Was für eine schreckliche Nacht!" |
| Russell Emanuel (Production music composer) |
arranger |
Eine Kleine Nachtmusik: Allegro, Eine Kleine Nachtmusik: Rhondo, Marriage of Figaro, Piano Concerto No. 21, Symphony No. 40, Symphony No. 41 |
| Марк Давыдович Лубоцкий |
violin |
Duo No. 1 in G, K. 423: I, Allegro, Duo No. 1 in G, K. 423: II, Adagio, Duo No. 1 in G, K. 423: III, Rondeau (Allegro), Duo No. 2 in B Flat, K. 424: I, Adagio - Allegro, Duo No. 2 in B Flat, K. 424: II, Andante cantabile, Duo No. 2 in B Flat, K. 424: III, Tema con variazioni (Andante grazioso - Allegretto - Allegro) |
| Bernadette Verhagen |
viola |
Quartet for Piano No. 1 in G minor, K. 478: I. Allegro, Quartet for Piano No. 1 in G minor, K. 478: II. Andante, Quartet for Piano No. 1 in G minor, K. 478: III. Rondeau, Quartet for Piano No. 2 in E-flat major, K. 493: I. Allegro, Quartet for Piano No. 2 in E-flat major, K. 493: II. Larghetto, Quartet for Piano No. 2 in E-flat major, K. 493: III. Allegretto |
| The Mozartean Players |
performing orchestra |
Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: I. Allegro, Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: II. Andante, Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: III. Rondo. Allegretto, Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro, Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante, Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai |
| Гордан Николић |
viola, violin |
Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: I. Allegro spiritoso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: II. Andantino grazioso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: III. Tempo di menuetto, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Metropolitan Opera Orchestra |
performing orchestra |
Don Giovanni: Act II, Scene I. "Leporello! ... Signore!", Le Nozze di Figaro: Deh vieni, non tardar, o gioia bella, Le Nozze di Figaro: Dove sono i bei momenti, Le Nozze di Figaro: Hai già vinta la causa! / Vedro mentr'io sospiro, Le Nozze di Figaro: Non so più cosa son, cosa faccio, Magic Flute |
| Frank Gassmann |
violin |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Bruno Peier |
bass |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Richard Stilwell |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. no. 2 Recitativo accompagnato "Ma qual mai s’offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro), Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" |
| Tjamke Roelofs |
violin |
Quartet for Piano No. 1 in G minor, K. 478: I. Allegro, Quartet for Piano No. 1 in G minor, K. 478: II. Andante, Quartet for Piano No. 1 in G minor, K. 478: III. Rondeau, Quartet for Piano No. 2 in E-flat major, K. 493: I. Allegro, Quartet for Piano No. 2 in E-flat major, K. 493: II. Larghetto, Quartet for Piano No. 2 in E-flat major, K. 493: III. Allegretto |
| Figuralchor der Gedächtniskirche Stuttgart |
vocal |
Mass in C major, KV 317: Agnus Dei, Mass in C major, KV 317: Benedictus, Mass in C major, KV 317: Credo, Mass in C major, KV 317: Gloria, Mass in C major, KV 317: Kyrie, Mass in C major, KV 317: Sanctus |
| Catherine Montavon |
violin |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Regensburger Domspatzen (Regensburg Cathedral Choir) |
vocal |
Missa brevis, K.220: Agnus dei, Missa brevis, K.220: Benedictus, Missa brevis, K.220: Credo, Missa brevis, K.220: Gloria, Missa brevis, K.220: Kyrie, Missa brevis, K.220: Sanctus |
| Eva Lind (soprano) |
vocal |
La finta semplice, K. 46a / KV 51: Act II, Scene XI. Recitativo "Vieni a tempo, Simone" (Fracasso, Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone), La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta), La finta semplice, K. 46a / KV 51: Act III, Scene I. Recitativo "Io non ho gran paura" (Ninetta, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone) |
| Rainer Kussmaul |
violin |
Concertone In C Major, KV 190, Later: 166B And KV 8:186E: I. Allegro Spirituoso, Concertone In C Major, KV 190, Later: 166B And KV 8:186E: II. Andantino Grazioso, Concertone In C Major, KV 190, Later: 166B And KV 8:186E: III. Tempo Di Menuetto, Sinfonia Concertante In E Flat Major, KV 364/320D: I. Allegro Maestoso, Sinfonia Concertante In E Flat Major, KV 364/320D: II. Andante, Sinfonia Concertante In E Flat Major, KV 364/320D: III. Presto |
| Erwin Ortner |
chorus master |
Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIa. Credo: Allegro "Credo in unum Deum" / IIIb. Credo: Poco adagio "Et incarnatus est" / IIIc. Credo: Allegro - adagio - allegro "Et resurrexit" / IIId. Credo: Andante "Et i, Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" / IVb. Sanctus: Allegro Pleni sunt coeli" / IVc. Sanctus: Allegro "Hosanna in excelsis", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus", Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem" |
| Rainer Guenther |
timpani |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Gösta Winbergh |
vocal |
Die Entführung aus dem Serail: Act Three. Ich baue ganz auf deine Stärke (Belmonte), Die Entführung aus dem Serail: Act Three. Nie werd' ich deine Huld verkennen (Belmonte), Die Entführung aus dem Serail: Act Three. Welch ein Geschick!... Meinetwegen sollst du sterben! (Belmonte), Die Entführung aus dem Serail: Act Two. Ach, Belmonte! Ach, mein Leben! (Konstanze), Die Entführung aus dem Serail: Act Two. Wenn der Freude Tränen fließen (Belmonte), Messe C-dur KV 317 "Krönungsmesse": Agnus Dei |
| Marianne Thorsen |
violin |
Piano Quartet in E flat, K493: I. Allegro, Piano Quartet in E flat, K493: II. Larghetto, Piano Quartet in E flat, K493: III. Allegretto, Piano Quartet in G minor, K478: I. Allegro, Piano Quartet in G minor, K478: II. Andante, Piano Quartet in G minor, K478: III. Rondo. Allegro |
| Marie Arnet (soprano) |
vocal |
Requiem: No 1. Introitus and Kyrie: Requiem and Kyrie, Requiem: No 12. Agnus Dei and Communio: Agnus Dei, Requiem: No 3. Sequence: Tuba mirum, Requiem: No 5. Sequence: Recordare, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias |
| Daniel Müller-Schott |
cello |
Piano Trio no. 3 in B-flat major, K. 502: I. Allegro, Piano Trio no. 3 in B-flat major, K. 502: II. Larghetto, Piano Trio no. 3 in B-flat major, K. 502: III. Allegretto, Piano Trio no. 5 in C major, K. 548: I. Allegro, Piano Trio no. 5 in C major, K. 548: II. Andante cantabile, Piano Trio no. 5 in C major, K. 548: III. Allegro |
| David Miller (US violist) |
viola |
Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: III. Rondeau. Allegro moderato, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: I. Allegro, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: II. Larghetto, Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: III. Allegretto |
| Willard White |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. no. 2 Recitativo accompagnato "Ma qual mai s’offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro), Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" |
| Helen McKinnon (alto vocals) |
vocal |
Mass in C major, KV 317: Agnus Dei, Mass in C major, KV 317: Benedictus, Mass in C major, KV 317: Credo, Mass in C major, KV 317: Gloria, Mass in C major, KV 317: Kyrie, Mass in C major, KV 317: Sanctus |
| Marietta Fischesser |
vocal |
Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus", Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei" |
| Paul Plishka |
vocal |
Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) / Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina), Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / Act II, Scene VII. No. 16 FiContenale "Signore, cos'è quel stupore?" (Il Conte, La ssa, Susanna) / Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor" ... "Cosa è stato?" (Il Conte, La Contessa, Susanna, Antonio, Figaro) / Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna, Marcellina, Basilio, Bartolo, Figaro), Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte) / Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna) / Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Basilio) / Act IV, Scenes V-VII. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo) |
| Dolph Taylor (Production music composer) |
arranger |
Eine Kleine Nachtmusik: Allegro, Eine Kleine Nachtmusik: Rhondo, Marriage of Figaro, Piano Concerto No. 21, Symphony No. 40, Symphony No. 41 |
| Paul Lewis (English pianist) |
piano |
Piano Quartet in E flat, K493: I. Allegro, Piano Quartet in E flat, K493: II. Larghetto, Piano Quartet in E flat, K493: III. Allegretto, Piano Quartet in G minor, K478: I. Allegro, Piano Quartet in G minor, K478: II. Andante, Piano Quartet in G minor, K478: III. Rondo. Allegro |
| Marián Lapšanský |
piano |
Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro, Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto, Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di Minuetto, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino, Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo |
| Mark Levinson |
arranger |
Eine Kleine Nachtmusik: Allegro, Eine Kleine Nachtmusik: Rhondo, Marriage of Figaro, Piano Concerto No. 21, Symphony No. 40, Symphony No. 41 |
| Walter Klien |
piano |
Piano Concerto No. 17 in G major, K. 453: III. Allegretto, Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": Andante, Sonata for Piano No. 8 in A Minor, K. 310: III. Presto (Walter Klien), Sonata for violin & piano no. 33 in E-flat major, K. 481: II. Adagio -, Variations For Piano |
| Roberto Paternostro |
conductor |
Don Giovanni: La ci darem la mano, Idomeneo: Act I. ''Il padre adorato'' (Idamante), Idomeneo: Act I. ''Vedrommi intorno'' (Idomeneo), Idomeneo: Ballet Music, The Magic Flute: Act II. Scene III. ''Der Hölle Rache kocht in meinem Herzen'' (Queen of the Night) |
| Martin Haselböck |
conductor |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": I. Recitativo "Wo bin ich bittrer Schmerz" (Die Seele) / II. Aria "Felsen, spaltet euren Rachen" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel'" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": V. Recitativo "O Himmel, was ein traurig Licht (Die Seele, Basso)" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel) / VIII. Coro "Jesu, wahrer Gottessohn" (Coro) |
| Orpheus Chamber Orchestra (US orchestra) |
performing orchestra |
Clarinet Concerto: II., Flute Concerto No. 1 in G Major - Rondo, Sinfonia concertante K. Anh. C 14.01 (297b): I. Allegro, Sinfonia concertante K. Anh. C 14.01 (297b): II. Adagio, Sinfonia concertante K. Anh. C 14.01 (297b): III. Andantino con variazio |
| Dieter Klöcker |
clarinet |
Cor sincerum (mit obligater Klarinette), Die Hoffnung dient zum Stabe (mit obligater Klarinette), Domine Deus salutis meae (mit obligater Klarinette), Jesu dulcis memoria (mit obligater Klarinette), Mens Sancta Deo (mit obligater Klarinette) |
| Peter Ernst |
classical guitar |
Divertimento in B flat major, K. Anh. 229, No. 2: I. Allegro, Divertimento in B flat major, K. Anh. 229, No. 2: II. Menuetto, Divertimento in B flat major, K. Anh. 229, No. 2: III. Larghetto, Divertimento in B flat major, K. Anh. 229, No. 2: IV. Menuetto, Divertimento in B flat major, K. Anh. 229, No. 2: V. Rondo: Allegro |
| Edith Wiens |
vocal |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": I. Recitativo "Wo bin ich bittrer Schmerz" (Die Seele) / II. Aria "Felsen, spaltet euren Rachen" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel'" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": V. Recitativo "O Himmel, was ein traurig Licht (Die Seele, Basso)" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel) / VIII. Coro "Jesu, wahrer Gottessohn" (Coro) |
| Peter Langberg (Organist) |
arranger, organ |
Laudate Domino, KV 339, Rondo Concertante, C-dur, KV 269, Rondo, F-dur, Solfeggio, C-dur, KV 393 no. 5, Solfeggio, G-dur, KV 393 no. 2 |
| Heinz Zednik |
vocal |
Die Entführung aus dem Serail: Act Three. In Mohrenland gefangen war (Pedrillo), Die Entführung aus dem Serail: Act Three. Nie werd' ich deine Huld verkennen (Belmonte), Die Entführung aus dem Serail: Act Two. Ach, Belmonte! Ach, mein Leben! (Konstanze), Die Entführung aus dem Serail: Act Two. Frisch zum Kampfe! Frisch zum Streite! (Pedrillo), Die Entführung aus dem Serail: Act Two. Vivat Bacchus! Bacchus lebe! (Pedrillo) |
| Temenuschka Vesselinova |
fortepiano |
Sonata in F major, K. 376: I. Allegro, Sonata in F major, K. 376: II. Andante, Sonata in F major, K. 376: III. Rondeau. Allegretto grazioso, Sonata in G major, K. 379: I. Adagio - Allegro, Sonata in G major, K. 379: II. Thema con variazioni. Andantino cantabile |
| Peter Oswald (tenor) |
vocal |
Così fan tutte, K. 588: Act I, Scene I. No. 1 Terzetto "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene I. No. 3 Terzetto "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene XII. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I, Scene XII. No. 17 Aria "Un'aura amorosa" (Ferrando), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio) |
| Orchestre de la Société des Concerts du Conservatoire |
performing orchestra |
Don Giovanni - Non mi dir, Don Giovanni: Act II. "Mi tradì quell'alma ingrata", Klavierkonzert Nr. 24 c-Moll KV 491 – I. Allegro, Klavierkonzert Nr. 24 c-Moll KV 491 – II. Larghetto, Klavierkonzert Nr. 24 c-Moll KV 491 – III. Allegretto |
| Philippe Gosselin |
engineer |
Piano Concerto no. 12 in A major, K. 414: Allegretto, Piano Concerto no. 12 in A major, K. 414: Allegro, Piano Concerto no. 12 in A major, K. 414: Andante, Piano Concerto no. 13 in C major, K. 415: Allegro, Piano Concerto no. 13 in C major, K. 415: Andante |
| Concentus Vocalis (Vienna) |
vocal |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": I. Recitativo "Wo bin ich bittrer Schmerz" (Die Seele) / II. Aria "Felsen, spaltet euren Rachen" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel'" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": V. Recitativo "O Himmel, was ein traurig Licht (Die Seele, Basso)" (Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele), Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel) / VIII. Coro "Jesu, wahrer Gottessohn" (Coro) |
| Orchestre National Bordeaux Aquitaine |
performing orchestra |
Concerto for Piano No. 20 in D minor, K. 466: I. Allegro, Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concerto for Piano No. 24 in C minor, K. 491: I. Allegro, Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto, Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto |
| Christof Escher |
conductor |
La Clemenza di Tito, KV 621: Overture, Piano Concero no. 16 in D major, KV 451: III. Rondo, Piano Concerto no. 21 in C major, KV 467: I. Allegro maestoso, Piano Concerto no. 21 in C major, KV 467: II. Andante, Piano Concerto no. 21 in C major, KV 467: III. Allegro vivace assai |
| Christiane Oelze |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Chorus of the Royal Opera House, Covent Garden |
vocal |
Così fan tutte, K. 588: Act I. No. 8 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Non v'è più tempo, amici; andar conviene (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act I. No. 8a Quintetto "Di scrivermi ogni giorno, giurami, vita mia!" (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) / No. 9 Coro "Bella vita militar" (Coro di soldati) / Recitativo "Dove son? - Son partiti" (Dorabella, Don Alfonso, Fiordiligi), Così fan tutte, K. 588: Act II. No. 21 Duetto con Coro "Secondate, aurette amiche, secondate i miei desiri" (Ferrando, Guglielmo, coro di musici) / Recitativo "Il tutto deponete sopra quei tavolini" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Benedetti i doppi coniugi e le amabili sposine!" (coro di servi, Fiordiligi, Dorabella, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II. No. 31 Finale "Fate presto, o cari amici" (Despina, coro di servi, Don Alfonso) |
| Rachel Desoer |
cello |
Piano Concerto no. 12 in A major, K. 414: Allegretto, Piano Concerto no. 12 in A major, K. 414: Allegro, Piano Concerto no. 12 in A major, K. 414: Andante, Piano Concerto no. 13 in C major, K. 415: Allegro, Piano Concerto no. 13 in C major, K. 415: Andante |
| Chicago Symphony Winds |
instrument |
Serenade no. 11 in E-flat major: Adagio, Serenade no. 11 in E-flat major: Allegro, Serenade no. 11 in E-flat major: Allegro maestoso, Serenade no. 11 in E-flat major: Menuetto primo, Serenade no. 11 in E-flat major: Menuetto secondo |
| Emile Naoumoff |
piano |
Concerto for Piano No. 20 in D minor, K. 466: I. Allegro, Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai, Concerto for Piano No. 24 in C minor, K. 491: I. Allegro, Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto, Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto |
| Chiara Banchini |
violin |
Sonata in F major, K. 376: I. Allegro, Sonata in F major, K. 376: II. Andante, Sonata in F major, K. 376: III. Rondeau. Allegretto grazioso, Sonata in G major, K. 379: I. Adagio - Allegro, Sonata in G major, K. 379: II. Thema con variazioni. Andantino cantabile |
| Ezio Pinza |
vocal |
Die Zauberflöte, K. 620: Act II, Scene XX. "O Isis und Osiris" (Chor der Priester), Die Zauberflöte: In diesen heiligen Hallen / Within these holy portals (sung in english), Don Giovanni: Act I, Scene XV. "Fin ch'han dal vino" (Don Giovanni), Don Giovanni: Act II, Scene I. "Leporello! ... Signore!", Don Giovanni: Act II, Scene III. "Deh, vieni alla finestra" (Don Giovanni) |
| Cecilia String Quartet |
strings |
Piano Concerto no. 12 in A major, K. 414: Allegretto, Piano Concerto no. 12 in A major, K. 414: Allegro, Piano Concerto no. 12 in A major, K. 414: Andante, Piano Concerto no. 13 in C major, K. 415: Allegro, Piano Concerto no. 13 in C major, K. 415: Andante |
| Lucia Popp (soprano) |
vocal |
Il Ré Pastore: "L'amerò, sarò costante" (Aminta), Il sogno di Scipione, K. 126: Act I Recitativo "E a sì enorme possanza" (Scipione, Costanza), Il sogno di Scipione, K. 126: Act I Recitativo "Non più, bella Costanza" (Scipione, Fortuna), La clemenza di Tito, K. 621: Act 2 "Non, più di fiori" (Vitellia), Là Ci Darem La Mano - Don Giovanni |
| Carl Talbot |
producer, sound |
Piano Concerto no. 12 in A major, K. 414: Allegretto, Piano Concerto no. 12 in A major, K. 414: Allegro, Piano Concerto no. 12 in A major, K. 414: Andante, Piano Concerto no. 13 in C major, K. 415: Allegro, Piano Concerto no. 13 in C major, K. 415: Andante |
| Teresa Żylis-Gara (Polish operatic soprano) |
vocal |
Requiem, K. 626: I. Introitus: Requiem aeternam, Requiem, K. 626: III. Sequenz: Recordare, Requiem, K. 626: III. Sequenz: Tuba mirum, Requiem, K. 626: VI. Benedictus, Requiem, K. 626: VIII. Communio: Lux aeterna |
| Camilla Tilling |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Rochester Philharmonic Orchestra |
performing orchestra |
Double Piano Concerto in E flat major, K365: I. Allegro (Excerpt), Piano Concerto No. 26 in D major, K. 537 "Coronation": I. Allegro, Piano Concerto No. 26 in D major, K. 537 "Coronation": II. Larghetto, Piano Concerto No. 26 in D major, K. 537 "Coronation": III. Allegretto, Sleighride From "Three German Dances" |
| Caitlin Boyle |
viola |
Piano Concerto no. 12 in A major, K. 414: Allegretto, Piano Concerto no. 12 in A major, K. 414: Allegro, Piano Concerto no. 12 in A major, K. 414: Andante, Piano Concerto no. 13 in C major, K. 415: Allegro, Piano Concerto no. 13 in C major, K. 415: Andante |
| Leonard Bernstein |
conductor, piano |
German Dance No. 8, K. 605, No. 3: Sleigh Ride, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: III. Rondo, Sonata for Two Pianos in D major, K. 448: Andante |
| Maxine Neuman |
cello |
Divertimento in B flat major, K. Anh. 229, No. 2: I. Allegro, Divertimento in B flat major, K. Anh. 229, No. 2: II. Menuetto, Divertimento in B flat major, K. Anh. 229, No. 2: III. Larghetto, Divertimento in B flat major, K. Anh. 229, No. 2: IV. Menuetto, Divertimento in B flat major, K. Anh. 229, No. 2: V. Rondo: Allegro |
| Bratislava Opera Chorus |
vocal |
Don Giovanni, opera, K. 527: La ci darem la mano, Don Giovanni, opera, K. 527: Madammina..., Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Non più andrai..., Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi amor |
| Bratislava Chamber Orchestra |
performing orchestra |
Serenade in E-flat major, K. 375: I. Allegro maestoso, Serenade in E-flat major, K. 375: II. Menuetto I, Serenade in E-flat major, K. 375: III. Adagio, Serenade in E-flat major, K. 375: IV. Menuetto II, Serenade in E-flat major, K. 375: V. Allegro |
| Jeremy Tusz |
engineer |
Piano Concerto no. 12 in A major, K. 414: Allegretto, Piano Concerto no. 12 in A major, K. 414: Allegro, Piano Concerto no. 12 in A major, K. 414: Andante, Piano Concerto no. 13 in C major, K. 415: Allegro, Piano Concerto no. 13 in C major, K. 415: Andante |
| Bent Larsen (flautist) |
flute |
Laudate Domino, KV 339, Rondo Concertante, C-dur, KV 269, Rondo, F-dur, Solfeggio, C-dur, KV 393 no. 5, Solfeggio, G-dur, KV 393 no. 2 |
| Wiener Mozart Orchester |
performing orchestra |
Die Zauberflöte, KV 620: Der Vogelfänger bin ich ja, Die Zauberflöte, KV 620: Papageno, Papagena, Don Giovanni (excerpt): La ci darem la mano, Mandamina from Don Giovanni, Non più andrai ur 'Figaros bröllop' |
| Geert Bierling |
organ |
Divertimento in C/F naar KV 439b: I. Allegro brillante (organ: Geert Bierling), Divertimento in C/F naar KV 439b: II. Menuetto/Trio (organ: Geert Bierling), Divertimento in C/F naar KV 439b: III. Adagio (organ: Geert Bierling), Divertimento in C/F naar KV 439b: IV. Menuetto/Trio (organ: Geert Bierling), Divertimento in C/F naar KV 439b: V. Polonaise (organ: Geert Bierling) |
| Salzberger Solisten (an Alfred Scholz pseudonym, not the Salzburg Orchester Solisten) |
performing orchestra |
Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/(K3) 271b/287 "Lodron Serenade No 2": I. Allegro / II. Andante grazioso con variazioni / III. Minuetto & trio / IV. Adagio / V. Minuetto & trio / VI. Andante - allegr, Divertimento No. 15, KV 287 (KV 271 H), B-Dur / in B flat (zweite Lodron'sche Nachtmusik) f. Streicher & zwei Hörner / Strings & Two Horns: Adagio, Divertimento No. 15, KV 287 (KV 271 H), B-Dur / in B flat (zweite Lodron'sche Nachtmusik) f. Streicher & zwei Hörner / Strings & Two Horns: Andante grazioso, Quartet for Flute, Violin, Viola & Cello No. 2 in G major, K. 285a/deest: I. Andante, Quartet for Flute, Violin, Viola & Cello No. 2 in G major, K. 285a/deest: II. Tempo di minuetto - allegro |
| Salzburger Kammerchor |
vocal |
Il sogno di Scipione, K. 126: Act I No. 12 Coro "Cento volte con lieto sembiante" (Coro), Il sogno di Scipione, K. 126: Act I No. 4 Coro "Germe di cento eroi" (Coro), Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro) / Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia), Lucio Silla, K. 135: Act II, Scene XII. No. 17 Coro "Se gloria il crin ti cinse" (Coro), Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla) |
| Gemma Coma-Alabert |
vocal |
Requiem in D minor, K. 626 (Neukomm completion): IIId. Sequenz: "Quid Sum Miser", Requiem in D minor, K. 626 (Neukomm completion): IIIf. Sequenz: "Recordare", Requiem in D minor, K. 626 (Neukomm completion): IIIg. Sequenz: "Ingemisco Tamquam", Requiem in D minor, K. 626 (Neukomm completion): IV. Offertorium: "Domine Jesu", Requiem in D minor, K. 626 (Neukomm completion): V. "Sanctus" |
| Sarah Nematallah |
violin |
Piano Concerto no. 12 in A major, K. 414: Allegretto, Piano Concerto no. 12 in A major, K. 414: Allegro, Piano Concerto no. 12 in A major, K. 414: Andante, Piano Concerto no. 13 in C major, K. 415: Allegro, Piano Concerto no. 13 in C major, K. 415: Andante |
| John Tomlinson (English operatic bass) |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. no. 2 Recitativo accompagnato "Ma qual mai s’offre, oh Dei" (Donna Anna, Don Ottavio), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" |
| Heidi Grant Murphy |
vocal |
Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna) / Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina) / Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina), Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Basilio) / Act IV, Scenes V-VII. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo), Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro) / Act IV, Scene XIV. No. 23 Finale "Amanti costanti seguaci d'onor" (Barbarina, Coro) |
| Anthony Laciura (tenor) |
vocal |
Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) / Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andate" (Il Conte, Basilio, Susanna) / Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio), Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Coro "Giovani liete, fiori spargete" (Coro) / Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / Act II, Scene VII. No. 16 FiContenale "Signore, cos'è quel stupore?" (Il Conte, La ssa, Susanna) / Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor" ... "Cosa è stato?" (Il Conte, La Contessa, Susanna, Antonio, Figaro) / Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna, Marcellina, Basilio, Bartolo, Figaro), Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Basilio) / Act IV, Scenes V-VII. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo) |
| Kenneth Sillito |
violin |
Divertimento in F, KV 138/125c: 1. (Allegro), Divertimento in F, KV 138/125c: 2. Andante, Divertimento in F, KV 138/125c: 3. Presto, Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: I. Allegro, Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: III. Allegro |
| Michael Thompson (British horn player and conductor) |
horn |
Konzert für Horn und Orchester Nr. 1 in D-Dur, KV 412: I. Allegro, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: I. Allegro, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: II. Romanza. Larghetto, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: III. Allegro, Konzert für Horn und Orchester Nr. 4 in Es-Dur, KV 495: III. Rondo |
| Min-Jeong Koh |
violin |
Piano Concerto no. 12 in A major, K. 414: Allegretto, Piano Concerto no. 12 in A major, K. 414: Allegro, Piano Concerto no. 12 in A major, K. 414: Andante, Piano Concerto no. 13 in C major, K. 415: Allegro, Piano Concerto no. 13 in C major, K. 415: Andante |
| Sir Thomas Allen (baritone) |
vocal |
Don Giovanni: Là ci darem la mano, Don Giovanni: Serenade, Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), The Magic Flute: The Birdcatcher's Song, The Marriage of Figaro: Non più andrai |
| Theo Adam (German classical bass-baritone) |
vocal |
Die Entführung aus dem Serail, KV 384: "Vivat Bacchus, Bacchus lebe" (Pedrillo, Osmin), Die Zauberflöte, KV 620: "Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, KV 620: "Ein Mädchen oder Weibchen" (Papageno), Don Giovanni, KV 527: "Fin ch'an dal vino" (Don Giovanni), Don Giovanni, KV 527: "Madamina, il catalogo è questo" (Leporello) |
| Karin Kei Nagano |
piano |
Piano Concerto no. 12 in A major, K. 414: Allegretto, Piano Concerto no. 12 in A major, K. 414: Allegro, Piano Concerto no. 12 in A major, K. 414: Andante, Piano Concerto no. 13 in C major, K. 415: Allegro, Piano Concerto no. 13 in C major, K. 415: Andante |
| Gottfried von der Goltz |
conductor |
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (feat. clarinette d'amour: Lorenzo Coppola), Symphony No. 31 'Paris', K. 297: I. Allegro assai, Symphony No. 31 'Paris', K. 297: II/1. Andante, Symphony No. 31 'Paris', K. 297: II/2. Andante (deuxième version), Symphony No. 31 'Paris', K. 297: III. Allegro |
| [unknown] (Special Purpose Artist - Do not add releases here, if possible.) |
performing orchestra, clarinet |
Clarinet Quintet in A major, K. 581: II. Larghetto, Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso, Horn Concerto no. 2 in E-flat major, K. 417: II. Andante, Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo |
| Cesare Siepi |
vocal |
Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT I (Part 2), Don Giovanni KV 527: ACT II (Part 1), Don Giovanni KV 527: ACT II (Part 2) |
| Isidro Barrio |
piano |
Sonate für Klavier Nr. 8 in a-moll, KV 310: I. Allegro maestoso, Sonate für Klavier Nr. 8 in a-moll, KV 310: II. Andante cantabile con expressione, Sonate für Klavier Nr. 8 in a-moll, KV 310: III. Presto, Variationen für Klavier in D-Dur über ein Menuett von Duport, KV 573 |
| Walter Süsskind |
conductor |
Exsultate, jubilate, K. 165: "Alleluja", Exsultate, jubilate, K. 165: "Exsultate, jubilate", Exsultate, jubilate, K. 165: "Tu virginum corona", Exsultate, jubilate, K. 165: Recit. "Fulget amicadies" |
| David Zinman |
conductor |
Double Piano Concerto in E flat major, K365: I. Allegro (Excerpt), Piano Concerto No. 26 in D major, K. 537 "Coronation": I. Allegro, Piano Concerto No. 26 in D major, K. 537 "Coronation": II. Larghetto, Piano Concerto No. 26 in D major, K. 537 "Coronation": III. Allegretto |
| David Ogden (violinist) |
violin |
Clarinet quintet in A major, KV 581: I. Allegro, Clarinet quintet in A major, KV 581: II. Larghetto, Clarinet quintet in A major, KV 581: III. Menuetto, Clarinet quintet in A major, KV 581: IV. Allegretto con variazioni |
| Felicity Lott |
vocal |
Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro), Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" |
| Los Angeles Philharmonic |
performer |
Serenade for Winds in C minor, K. 388: I. Allegro, Serenade for Winds in C minor, K. 388: II. Andante, Serenade for Winds in C minor, K. 388: III. Menuetto in canone - Trio, Serenade for Winds in C minor, K. 388: IV. Allegro |
| Česká filharmonie (Czech Philharmonic) |
performing orchestra |
Concerto in A major for Clarinet, K. 622, I: Allegro, Concerto in A major for Clarinet, K. 622, II: Adagio, Concerto in A major for Clarinet, K. 622, III: Rondo, Allegro, Don Giovanni: "Madamina" (Catalogue Aria) |
| Richard Haan |
vocal |
Don Giovanni, opera, K. 527: La ci darem la mano, Don Giovanni, opera, K. 527: Madammina..., Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto |
| Richard Lewis (Welsh tenor) |
vocal |
Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Tuba mirum |
| Matti Salminen (bass singer) |
vocal |
Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) / ... / Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro) |
| Martin Babjak (Slovak bariton) |
vocal |
Così fan tutte, K. 588: Act I, Scene I. No. 1 Terzetto "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene I. No. 3 Terzetto "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso), Così fan tutte, K. 588: Act I, Scene XII. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo), Così fan tutte, K. 588: Act II, Scene VIII. No. 26 Aria "Donne mie, la fate a tanti" (Guglielmo) |
| Walter Legge |
producer |
Exsultate, jubilate, K. 165: "Alleluja", Exsultate, jubilate, K. 165: "Exsultate, jubilate", Exsultate, jubilate, K. 165: "Tu virginum corona", Exsultate, jubilate, K. 165: Recit. "Fulget amicadies" |
| David Kuebler |
vocal |
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio), Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio) |
| Robert Casadesus (French pianist/composer) |
piano |
Klavierkonzert Nr. 21 C-Dur KV 467: Andante, Klavierkonzert Nr. 24 c-Moll KV 491 – I. Allegro, Klavierkonzert Nr. 24 c-Moll KV 491 – II. Larghetto, Klavierkonzert Nr. 24 c-Moll KV 491 – III. Allegretto |
| London Opera Chorus |
vocal |
The Marriage of Figaro: Dove sono, The Marriage of Figaro: Finale, The Marriage of Figaro: Non so più cosa son, cosa faccio, The Marriage of Figaro: Se vuol ballare |
| Darren Jeffery (bass) |
vocal |
Requiem: No 3. Sequence: Tuba mirum, Requiem: No 5. Sequence: Recordare, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias |
| Paata Burchuladze (operatic bass) |
vocal |
Requiem en rémineur, K. 626 : III. Sequenz: No. 2 "Tuba mirum" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 4 "Recordare" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : IV. Offertorium: No. 1 "Domine Jesu" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : VI. "Benedictus" (chorus, sopran, alt, tenor, bass) |
| Cambridge Classical Players |
performing orchestra |
Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: V. Laudate Dominum, Vesperae de Dominica, K. 321: VI. Magnificat, Vespere solonnes de confessore: Laudate Dominum |
| Martti Talvela (bass) |
vocal |
Die Entführung aus dem Serail: Act Three. Ha! Wie will ich triumphieren (Osmin), Die Entführung aus dem Serail: Act Three. Nie werd' ich deine Huld verkennen (Belmonte), Die Entführung aus dem Serail: Act Two. Ach, Belmonte! Ach, mein Leben! (Konstanze), Die Entführung aus dem Serail: Act Two. Vivat Bacchus! Bacchus lebe! (Pedrillo) |
| Philippe Dussol |
viola |
String Quartet in G major, K. 387 "Haydn Quartet No. 1": I. Allegro vivace assai, String Quartet in G major, K. 387 "Haydn Quartet No. 1": II. Menuetto: Allegro, String Quartet in G major, K. 387 "Haydn Quartet No. 1": III. Andante cantabile, String Quartet in G major, K. 387 "Haydn Quartet No. 1": IV. Molto allegro |
| Walter Goehr |
conductor |
Divertimento, K. 136, Divertimento, K. 137, Divertimento, K. 138, Serenata notturna, K. 239 |
| Roger Chase |
viola |
Clarinet quintet in A major, KV 581: I. Allegro, Clarinet quintet in A major, KV 581: II. Larghetto, Clarinet quintet in A major, KV 581: III. Menuetto, Clarinet quintet in A major, KV 581: IV. Allegretto con variazioni |
| Walter Berry (bass-baritone singer) |
vocal |
Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT I (Part 2), Don Giovanni KV 527: ACT II (Part 1), Don Giovanni KV 527: ACT II (Part 2) |
| Douglas Larter |
sound |
Exsultate, jubilate, K. 165: "Alleluja", Exsultate, jubilate, K. 165: "Exsultate, jubilate", Exsultate, jubilate, K. 165: "Tu virginum corona", Exsultate, jubilate, K. 165: Recit. "Fulget amicadies" |
| Bruno Zwicker |
violin |
Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile, Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: III. Rondo. Allegro, Sonata for Violin & Piano No. 34 in B-flat major, K. 317d/378: I. Allegro moderato, Sonata for Violin and Piano No. 20 in B major |
| Jennifer Larmore |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Otto Edelmann (Austrian bass) |
vocal |
Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT I (Part 2), Don Giovanni KV 527: ACT II (Part 1), Don Giovanni KV 527: ACT II (Part 2) |
| Pau Casals (cellist, aka. Pablo Casals) |
conductor, cello |
Clarinet Quintet in A major, K. 581: II. Larghetto, Concerto for Violin No. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin No. 5 in A major, K. 219 "Turkish": II. Adagio, Concerto for Violin No. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto |
| Pietro di la Corona |
conductor |
Sinfonía nº 41 en Do Mayor, 'Júpiter' (Allegro vivace), Sinfonía nº 41 en Do Mayor, 'Júpiter' (Andante cantabile), Sinfonía nº 41 en Do Mayor, 'Júpiter' (Minueto (Allegretto)), Sinfonía nº 41 en Do Mayor, 'Júpiter' (Molto Allegro) |
| Rosel Molzer |
piano |
Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile, Sonata for Violin & Piano No. 26 in B-flat major, K. 317d/378: III. Rondo. Allegro, Sonata for Violin & Piano No. 34 in B-flat major, K. 317d/378: I. Allegro moderato, Sonata for Violin and Piano No. 20 in B major |
| Jenő Jandó |
piano |
Fantasy in D Minor, Piano Sonata No. 14 in C minor, K. 457: II. Adagio, Sonata no. 11 in A major, K. 331: I. Tema: Andante grazioso, Sonata no. 11 in A major, K. 331: II. Menuetto |
| Colin Armstrong (Conductor) |
conductor |
Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": I. Allegro vivace, Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": II. Andante cantabile, Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphonie Nr. 41 in C-Dur, K. 551 "Jupiter": IV. Allegro molto |
| Thomas Moser |
vocal |
Il sogno di Scipione, K. 126: Act I No. 6 Aria "Voi colaggiù ridete" (Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio), Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio) |
| Wiener Oktett |
instrument |
Klarinettenquintett KV 581: IV. Allegrocon con Variazioni, Klarinettenquintett, KV 581: I. Allegro, Klarinettenquintett, KV 581: II. Larghetto, Klarinettenquintett, KV 581: III. Menuetto |
| Elisabeth Grümmer |
vocal |
Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT I (Part 2), Don Giovanni KV 527: ACT II (Part 1), Don Giovanni KV 527: ACT II (Part 2) |
| Michael Collins (clarinettist & conductor) |
clarinet |
Clarinet quintet in A major, KV 581: I. Allegro, Clarinet quintet in A major, KV 581: II. Larghetto, Clarinet quintet in A major, KV 581: III. Menuetto, Clarinet quintet in A major, KV 581: IV. Allegretto con variazioni |
| Rundfunkchor Berlin |
vocal |
Grande Messe en ut mineur K. 427 : III. Credo : Credo in unum Deum (Allegro maestoso), Grande Messe en ut mineur K. 427 : IV. Sanctus, Grande Messe en ut mineur K. 427 : Jesu Christe (Adagio), Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo) |
| Marcia Crayford |
violin |
Clarinet quintet in A major, KV 581: I. Allegro, Clarinet quintet in A major, KV 581: II. Larghetto, Clarinet quintet in A major, KV 581: III. Menuetto, Clarinet quintet in A major, KV 581: IV. Allegretto con variazioni |
| Михаил Васильевич Плетнёв (pianist & conductor) |
conductor, piano |
Concerto pour piano No. 20, K466: II. Romanze (extract) (feat. piano: Mikhail Pletnev, Deutsche Kammerphilharmonie), Concerto pour piano No. 24, K491: II. Larghetto (feat. piano: Mikhail Pletnev, Deutsche Kammerphilharmonie), Piano Concerto No. 23 in A Major, K. 488 ― 3rd movement, Piano Concerto No. 23: II. Adagio |
| Christopher van Kampen |
cello |
Clarinet quintet in A major, KV 581: I. Allegro, Clarinet quintet in A major, KV 581: II. Larghetto, Clarinet quintet in A major, KV 581: III. Menuetto, Clarinet quintet in A major, KV 581: IV. Allegretto con variazioni |
| John Constable |
organ |
Exsultate jubilate, KV 165/158a: I. Exsultate, jubilate, Exsultate jubilate, KV 165/158a: II. Fulget amica dies, Exsultate jubilate, KV 165/158a: III. Tu virginum corona, Vesperae solennes de confessore, KV 339; Laudate dominum (London Symphony Orchestra feat. conductor: Colin Davis, soprano: Kiri te Kanawa, organ; John Constable) |
| Михаил Рудый |
piano |
Piano Concero no. 16 in D major, KV 451: III. Rondo, Piano Concerto no. 21 in C major, KV 467: I. Allegro maestoso, Piano Concerto no. 21 in C major, KV 467: II. Andante, Piano Concerto no. 21 in C major, KV 467: III. Allegro vivace assai |
| Neville Boyling (engineer) |
balance |
Le nozze di Figaro, K. 492: Act IV, Ecco la marcia (All), Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: V. Laudate Dominum, Vesperae de Dominica, K. 321: VI. Magnificat |
| Wilhelm Furtwängler |
conductor |
Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT I (Part 2), Don Giovanni KV 527: ACT II (Part 1), Don Giovanni KV 527: ACT II (Part 2) |
| Herbert Blomstedt |
conductor |
Symphony no. 41 in C major (“Jupiter”): I. Allegro vivace, Symphony no. 41 in C major (“Jupiter”): II. Andante cantabile, Symphony no. 41 in C major (“Jupiter”): III. Menuetto. Allegretto, Symphony no. 41 in C major (“Jupiter”): IV. Molto allegro |
| John Shirley-Quirk (bass-baritone) |
vocal |
Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Tuba mirum |
| Wayne Baker (engineer) |
engineer |
Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto) e Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro |
| Antony Howell (Engineer) |
engineer |
Clarinet quintet in A major, KV 581: I. Allegro, Clarinet quintet in A major, KV 581: II. Larghetto, Clarinet quintet in A major, KV 581: III. Menuetto, Clarinet quintet in A major, KV 581: IV. Allegretto con variazioni |
| Sarah Connolly (mezzo-soprano) |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Württembergisches Kammerorchester Heilbronn |
performing orchestra |
Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio (Wurttemberg Chamber Orchestra, Heilbronn), Flute Concerto No. 2 in D major, K. 314 (K. 285d): 3. Allegro, In diesen heil’gen Hallen, Serenade No. 7 for orchestra in D major ("Haffner"), K. 250 (K. 248b): 2. Andante |
| Teresa Stich-Randall |
vocal |
Exsultate, jubilate, KV 165: "Alleluia", Exsultate, jubilate, KV 165: "Exsultate, jubilate", Exsultate, jubilate, KV 165: "Fulget amica", Exsultate, jubilate, KV 165: "Tu Virginum" |
| Heinrich Amminger |
cello |
String Quartet in G major, K. 387 "Haydn Quartet No. 1": I. Allegro vivace assai, String Quartet in G major, K. 387 "Haydn Quartet No. 1": II. Menuetto: Allegro, String Quartet in G major, K. 387 "Haydn Quartet No. 1": III. Andante cantabile, String Quartet in G major, K. 387 "Haydn Quartet No. 1": IV. Molto allegro |
| Anton Dermota (tenor) |
vocal |
Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT I (Part 2), Don Giovanni KV 527: ACT II (Part 1), Don Giovanni KV 527: ACT II (Part 2) |
| Helga Müller-Molinari |
vocal |
Requiem en rémineur, K. 626 : III. Sequenz: No. 2 "Tuba mirum" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 4 "Recordare" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : IV. Offertorium: No. 1 "Domine Jesu" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : VI. "Benedictus" (chorus, sopran, alt, tenor, bass) |
| Vladislav Markovic |
violin |
String Quartet in G major, K. 387 "Haydn Quartet No. 1": I. Allegro vivace assai, String Quartet in G major, K. 387 "Haydn Quartet No. 1": II. Menuetto: Allegro, String Quartet in G major, K. 387 "Haydn Quartet No. 1": III. Andante cantabile, String Quartet in G major, K. 387 "Haydn Quartet No. 1": IV. Molto allegro |
| Kevin Roper |
producer |
Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto (Allegretto) e Trio, Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro |
| Ida Kirilova |
vocal |
Così fan tutte, K. 588: Act I, Scene IX. Recitativo "Ah, scostati!" (Dorabella), Così fan tutte, K. 588: Act II, Scene X. No. 28 Aria "È amore un ladroncello" (Dorabella), Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Non più andrai..., Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi amor |
| Vinson Cole |
vocal |
Requiem en rémineur, K. 626 : III. Sequenz: No. 2 "Tuba mirum" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : III. Sequenz: No. 4 "Recordare" (sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : IV. Offertorium: No. 1 "Domine Jesu" (chorus, sopran, alt, tenor, bass), Requiem en rémineur, K. 626 : VI. "Benedictus" (chorus, sopran, alt, tenor, bass) |
| Simon Lawman |
producer |
Clarinet quintet in A major, KV 581: I. Allegro, Clarinet quintet in A major, KV 581: II. Larghetto, Clarinet quintet in A major, KV 581: III. Menuetto, Clarinet quintet in A major, KV 581: IV. Allegretto con variazioni |
| William Purvis |
French horn, horn |
Horn Concerto no. 2 in E-flat, K.417: Adagio, Sinfonia concertante K. Anh. C 14.01 (297b): I. Allegro, Sinfonia concertante K. Anh. C 14.01 (297b): II. Adagio, Sinfonia concertante K. Anh. C 14.01 (297b): III. Andantino con variazio |
| Vera Beths |
violin |
Concertone In C Major, KV 190, Later: 166B And KV 8:186E: I. Allegro Spirituoso, Concertone In C Major, KV 190, Later: 166B And KV 8:186E: II. Andantino Grazioso, Concertone In C Major, KV 190, Later: 166B And KV 8:186E: III. Tempo Di Menuetto, Sinfonia Concertante In A Major, KV Anhang 104/320E: Allegro |
| Hans Vonk |
conductor |
Die Entführung aus dem Serail, KV 384: "Konstanze, dich wiederzusehen" - "O wie ängstlich" (Belmonte), Die Zauberflöte, KV 620: "Dies Bildnis ist bezaubernd schön" (Tamino), Konzert für Klarinette und Orchester A-dur, KV 622 - Rekonstruierte Fassung für Bassettklarinette: II. Adagio, The Abduction From Seraglio, Overture |
| Erna Berger |
vocal |
Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT I (Part 2), Don Giovanni KV 527: ACT II (Part 1), Don Giovanni KV 527: ACT II (Part 2) |
| Sir George Thomas Thalben-Ball |
organ |
Exsultate, jubilate, K. 165: "Alleluja", Exsultate, jubilate, K. 165: "Exsultate, jubilate", Exsultate, jubilate, K. 165: "Tu virginum corona", Exsultate, jubilate, K. 165: Recit. "Fulget amicadies" |
| Anna Stéphany (mezzo-soprano) |
vocal |
Requiem: No 3. Sequence: Tuba mirum, Requiem: No 5. Sequence: Recordare, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias |
| The Nash Ensemble |
performer |
Clarinet quintet in A major, KV 581: I. Allegro, Clarinet quintet in A major, KV 581: II. Larghetto, Clarinet quintet in A major, KV 581: III. Menuetto, Clarinet quintet in A major, KV 581: IV. Allegretto con variazioni |
| Andrew Kennedy (tenor vocalist) |
vocal |
Requiem: No 3. Sequence: Tuba mirum, Requiem: No 5. Sequence: Recordare, Requiem: No 8. Offertorium: Domine Jesu, Requiem: No 9. Offertorium: Hostias |
| Andrea Martin (baritone) |
vocal |
Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act II. Duetto: Prenderò quel brunettino, Die Zauberflöte, KV 620: Der Vogelfänger bin ich ja, Die Zauberflöte, KV 620: Papageno, Papagena |
| The London Pro Musica Symphony Orchestra |
performing orchestra |
Symphonie Nr. 40 in g-Moll, K. 550: I. Allegro molto, Symphonie Nr. 40 in g-Moll, K. 550: II. Andante, Symphonie Nr. 40 in g-Moll, K. 550: III. Minuetto. Allegretto & Trio, Symphonie Nr. 40 in g-Moll, K. 550: IV. Allegro assai |
| Joseph Kreutzer (20th century conductor) |
conductor |
Symphonie Nr. 40 in g-Moll, K. 550: I. Allegro molto, Symphonie Nr. 40 in g-Moll, K. 550: II. Andante, Symphonie Nr. 40 in g-Moll, K. 550: III. Minuetto. Allegretto & Trio, Symphonie Nr. 40 in g-Moll, K. 550: IV. Allegro assai |
| NHK Chamber Soloists |
performer, performing orchestra |
Don Giovanni: La ci darem la mano, Idomeneo: Act I. ''Il padre adorato'' (Idamante), Idomeneo: Act I. ''Vedrommi intorno'' (Idomeneo), Idomeneo: Ballet Music |
| Karlheinz Franke |
violin |
String Quartet in G major, K. 387 "Haydn Quartet No. 1": I. Allegro vivace assai, String Quartet in G major, K. 387 "Haydn Quartet No. 1": II. Menuetto: Allegro, String Quartet in G major, K. 387 "Haydn Quartet No. 1": III. Andante cantabile, String Quartet in G major, K. 387 "Haydn Quartet No. 1": IV. Molto allegro |
| Josephine Veasey |
vocal |
Requiem in Re minore K 626: Benedictus, Requiem in Re minore K 626: Domine Jesu, Requiem in Re minore K 626: Recordare, Requiem in Re minore K 626: Tuba mirum |
| Günter Kehr (conductor) |
conductor |
Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": Andante, Serenade in G major, K. 525 "Eine kleine Nachtmusik": Romanze. Andante, Symphony In G, 'Lambacher-Sinfonie' (II. Andante), Symphony no. 9 in C major: III. Menuetto |
| Alfred Brendel |
piano |
Piano Concerto no. 21: II., Piano Quartet no 1. in G minor, K 478: I. Allegro, Piano Quartet no 1. in G minor, K 478: II. Andante, Piano Quartet no 1. in G minor, K 478: III. Rondo: Allegro moderato |
| Joze Falout |
French horn |
Concerto for Horn & Orchestra in E flat major, K 417: I. Allegro Maestoso, Concerto for Horn & Orchestra in E flat major, K 417: II. Andante, Concerto for Horn & Orchestra in E flat major, K 417: III. Allegro, No.1 in D major K 412 Menuetto K 65a |
| 内田光子 (pianist) |
piano |
Klavierkonzert KV488, 2.Satz (Mitsuko Uchida), Piano Sonata No. 16 in C major, K. 545 "Sonata semplice": I. Allegro, Piano Sonata No. 16 in C major, K. 545 "Sonata semplice": II. Andante, Piano Sonata No. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro |
| Orquesta Amigos de Mozart de Praga |
performing orchestra |
Sinfonía nº 41 en Do Mayor, 'Júpiter' (Allegro vivace), Sinfonía nº 41 en Do Mayor, 'Júpiter' (Andante cantabile), Sinfonía nº 41 en Do Mayor, 'Júpiter' (Minueto (Allegretto)), Sinfonía nº 41 en Do Mayor, 'Júpiter' (Molto Allegro) |
| Musopen Symphony Orchestra |
performing orchestra |
Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto, Symphony no. 40 in G minor, K. 550: IV. Allegro assai |
| Stefan Vladar |
conductor, piano |
Klavierkonzert Nr. 20, Piano Concerto No. 21, K. 467: I. Allegro maestoso, Piano Concerto No. 21, K. 467: II. Andante, Piano Concerto No. 21, K. 467: III. Allegro vivace assai |
| Stefan Willich (Conductor) |
conductor |
Duo for Violin & Viola No. 1 in G major, K. 423: I. Allegro, Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: II. Andante, Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| Raymond Leppard |
conductor |
Exsultate, jubilate, KV 165: Alleluja (English Chamber Orchestra feat. conductor: Raymond Leppard, soprano: Elly Ameling, organ: Leslie Pearson), Il tenero momento ('Lucio Silla', Act 1), Lungi da te, mio bene ('Mitridate, rè di Ponto', Act 2), Parto, parto ('La clemenza di Tito', Act 1) |
| Stephen Cleobury |
conductor |
Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: V. Laudate Dominum, Vesperae de Dominica, K. 321: VI. Magnificat, Vespere solonnes de confessore: Laudate Dominum |
| Peter Schmidl |
clarinet |
Klarinettenquintett KV 581: IV. Allegrocon con Variazioni, Klarinettenquintett, KV 581: I. Allegro, Klarinettenquintett, KV 581: II. Larghetto, Klarinettenquintett, KV 581: III. Menuetto |
| Academy of St. Martin in the Fields Chorus |
vocal |
Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei", Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie", Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. Andante ma un poco sostenuto "Laudate dominum" |
| Jürgen Kussmaul |
viola |
Sinfonia Concertante In A Major, KV Anhang 104/320E: Allegro, Sinfonia Concertante In E Flat Major, KV 364/320D: I. Allegro Maestoso, Sinfonia Concertante In E Flat Major, KV 364/320D: II. Andante, Sinfonia Concertante In E Flat Major, KV 364/320D: III. Presto |
| Peter Maag |
conductor |
Piano Concerto no. 20 in D minor, KV 466: I. Allegro, Piano Concerto no. 20 in D minor, KV 466: II. Romanza, Piano Concerto no. 20 in D minor, KV 466: III. Rondò: allegro assai |
| Festival Strings Lucerne |
performing orchestra |
Tre Fughe da Wohltemperierte Klavier II di J.S. Bach, K. 405: Fuga no. 5, Tre Fughe da Wohltemperierte Klavier II di J.S. Bach, K. 405: Fuga no. 8, Tre Fughe da Wohltemperierte Klavier II di J.S. Bach, K. 405: Fuga no. 9 |
| Maria Tipo |
piano |
Piano Concerto no. 20 in D minor, KV 466: I. Allegro, Piano Concerto no. 20 in D minor, KV 466: II. Romanza, Piano Concerto no. 20 in D minor, KV 466: III. Rondò: allegro assai |
| David Watkin (cellist) |
cello |
Quartet for oboe, violin, viola, and cello in F major, KV370: I. Allegro, Quartet for oboe, violin, viola, and cello in F major, KV370: II. Adagio, Quartet for oboe, violin, viola, and cello in F major, KV370: III. Rondeau Allegro |
| Chorus of the Zürich Opera House |
vocal |
Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) / ... / Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro) |
| Chris White (engineer) |
engineer |
Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante, Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro |
| Peter Toperczer |
piano |
Concerto for Piano No. 20 in D minor, K. 466: I. Allegro, Concerto for Piano No. 20 in D minor, K. 466: II. Romanze, Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai |
| Aleksandar Milošev (violist) |
viola |
Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: I. Allegro maestoso, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: II. Andante, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: III. Presto |
| Alexander Heller |
bassoon |
Sonata for Bassoon & Cello in B-flat major, K. 292 (K. 196c): I. Allegro, Sonata for Bassoon & Cello in B-flat major, K. 292 (K. 196c): II. Andante, Sonata for Bassoon & Cello in B-flat major, K. 292 (K. 196c): III. Rondo: Allegro |
| Vladimír Říha (Clarinet player) |
clarinet |
Concerto in A major for Clarinet, K. 622, I: Allegro, Concerto in A major for Clarinet, K. 622, II: Adagio, Concerto in A major for Clarinet, K. 622, III: Rondo, Allegro |
| William Primrose |
viola |
Sinfonia Concertante in E-flat major, K. 364: I. Allegro maestoso, Sinfonia Concertante in E-flat major, K. 364: II. Andante, Sinfonia Concertante in E-flat major, K. 364: III. Presto |
| Denis Vigay |
cello |
Divertimento in F, KV 138/125c: 1. (Allegro), Divertimento in F, KV 138/125c: 2. Andante, Divertimento in F, KV 138/125c: 3. Presto |
| Игорь Ойстрах |
violin |
Sinfonia Concertante in E flat, K. 364: I. Allegro maestoso, Sinfonia Concertante in E flat, K. 364: II. Andante, Sinfonia Concertante in E flat, K. 364: III. Presto (cadenzas: Mozart) |
| Franz Crass |
vocal |
Requiem, K. 626: III. Sequenz: Recordare, Requiem, K. 626: III. Sequenz: Tuba mirum, Requiem, K. 626: VI. Benedictus |
| Judy Loman (harpist) |
harp |
Concerto for flute, harp and orchestra, K.299/297e: I. Allegro, Concerto for flute, harp and orchestra, K.299/297e: II. Andantino, Concerto for flute, harp and orchestra, K.299/297e: III. Rondeau - Allegro |
| Pierre Narrato |
conductor |
Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Allegro, Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Andantino, Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Rondeau allegro |
| Juilliard String Quartet |
performer |
Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: III. Rondo |
| Pierre-Alain Dahan |
arranger |
Le divertimento, Mozart est gai, Mozart est gai (re-mix) |
| Deutsche Kammerphilharmonie Bremen (German Chamber Philharmonic Bremen) |
performing orchestra |
Concerto pour piano No. 20, K466: II. Romanze (extract) (feat. piano: Mikhail Pletnev, Deutsche Kammerphilharmonie), Concerto pour piano No. 24, K491: II. Larghetto (feat. piano: Mikhail Pletnev, Deutsche Kammerphilharmonie), Piano Concerto No. 23 in A Major, K. 488 ― 3rd movement |
| Martin Petzold |
performer |
Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino), Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen) |
| Carl Edwards |
producer |
Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai, Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante, Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro |
| Vladimir Rylov |
conductor |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro |
| Juraj Čižmarovič (violinist) |
violin |
Concerto No. 5 in A major for Violin, K. 219 "Turkish": II. Adagio, Concerto for Piano No. 23 in A major, K. 488: I. Allegro, Konzert für Violine und Orchester Nr. 5 A-Dur KV 219, 3.Satz: Tempo die Menuetto |
| Tamás Vásáry |
conductor, piano |
Konzert für Klavier und Orchester Nr. 26 D-dur KV 537 »Krönungskonzert«: 1. Allegro, Konzert für Klavier und Orchester Nr. 26 D-dur KV 537 »Krönungskonzert«: 2. (Larghetto), Konzert für Klavier und Orchester Nr. 26 D-dur KV 537 »Krönungskonzert«: 3. (Allegretto) |
| Justus Frantz |
piano |
Sonata for 2 Pianos in F major, K 497: I. Adagio - Allegro di molto, Sonata for 2 Pianos in F major, K 497: II. Andante, Sonata for 2 Pianos in F major, K 497: III. Allegro |
| Евгений Игоревич Кисин |
piano |
Piano concerto n°24 in C minor K491 - I. Allegro, Piano concerto n°24 in C minor K491 - II Larghetto, Piano concerto n°24 in C minor K491 - III Allegretto |
| Vitas Antonavichius |
conductor |
Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": II. Adagio, Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro |
| Thomas Zehetmair |
violin |
Piano Quartet no 1. in G minor, K 478: I. Allegro, Piano Quartet no 1. in G minor, K 478: II. Andante, Piano Quartet no 1. in G minor, K 478: III. Rondo: Allegro moderato |
| Анна Юрьевна Нетребко |
vocal |
Il dissoluto punito, ossia il Don Giovanni: Act I. "Là ci darem la mano", Il dissoluto punito, ossia il Don Giovanni: Act I. "Ma qual mai s'offre, oh Dei" - "Fuggi crudele", Le nozze di Figaro: Act IV. "Giunse alfin il momento" - "Deh vieni non tardar" |
| Dietrich Fischer-Dieskau |
vocal |
Der Vogelfänger bin ich ja, Act I, Fin ch'han dal vino, Act I, Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte) |
| Christoph Eberle (conductor) |
conductor |
Concerto para piano e orquestra No. 21 em dó maior, K. 467 "Elvira Madigan": I. Allegro maestoso, Concerto para piano e orquestra No. 21 em dó maior, K. 467 "Elvira Madigan": III. Allegro vivace assai, Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante |
| Herre-Jan Stegenga |
cello |
Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: I. Allegro spiritoso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: II. Andantino grazioso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: III. Tempo di menuetto |
| Давид Фёдорович Ойстрах |
conductor, viola |
Sinfonia Concertante in E flat, K. 364: I. Allegro maestoso, Sinfonia Concertante in E flat, K. 364: II. Andante, Sinfonia Concertante in E flat, K. 364: III. Presto (cadenzas: Mozart) |
| Rafał Blechacz |
piano |
Piano Sonata in D major, K. 311: I. Allegro con spirito, Piano Sonata in D major, K. 311: II. Andantino con espressione, Piano Sonata in D major, K. 311: III. Rondo. Allegro |
| Taki Ozawa (harpist) |
harp |
Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Allegro, Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Andantino, Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Rondeau allegro |
| Douglas Johnson (opera tenor) |
vocal |
La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone), La finta semplice, K. 46a / KV 51: Act III, Scene IV. Recitativo "Eh ben, quando facciamo queste nozze, signora?" (Polidoro, Rosina) |
| 原田幸一郎 (Japanese violinist and conductor) |
conductor |
Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso, Horn Concerto no. 2 in E-flat major, K. 417: II. Andante, Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo |
| Alexander Kipnis |
vocal |
Die Zauberflote: "In diesen heil'gen Hallen", Don Giovanni: Act II, Scene I. "Leporello! ... Signore!", La nozze di figaro: Ach, öffnet eure Augen |
| Raphael Hillyer |
viola |
Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: III. Rondo |
| Miloš Jurkovič |
flute |
Concierto para flauta, arpa y orquesta en Do Mayor (Allegro), Concierto para flauta, arpa y orquesta en Do Mayor (Andantino), Concierto para flauta, arpa y orquesta en Do Mayor (Rondó. Allegro) |
| Raymund Koster |
double bass |
Divertimento in F, KV 138/125c: 1. (Allegro), Divertimento in F, KV 138/125c: 2. Andante, Divertimento in F, KV 138/125c: 3. Presto |
| Владимир Самойлович Горовиц |
piano |
Klavier Sonate No. 12 in F-Dur, KV 332: I. Allegro, Klavier Sonate No. 12 in F-Dur, KV 332: II. Adagio, Klavier Sonate No. 12 in F-Dur, KV 332: III. Allegro assai |
| Miran Kolbl |
violin |
Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: I. Allegro maestoso, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: II. Andante, Sinfonia concertante for Violin, Viola, and Orchestra in E-flat major, K.364: III. Presto |
| Tabea Zimmermann |
viola |
Piano Quartet no 1. in G minor, K 478: I. Allegro, Piano Quartet no 1. in G minor, K 478: II. Andante, Piano Quartet no 1. in G minor, K 478: III. Rondo: Allegro moderato |
| City of London Sinfonia (chamber orchestra) |
performing orchestra |
Concerto in B-flat major KV. 191: I. Allegro, Concerto in B-flat major KV. 191: II. Andante, Concerto in B-flat major KV. 191: III. Rondo |
| George Lloyd (British composer) |
conductor |
Concerto in B-flat major KV. 191: I. Allegro, Concerto in B-flat major KV. 191: II. Andante, Concerto in B-flat major KV. 191: III. Rondo |
| Badener Zitherquartett |
performer |
Gavotte - Aus Ballettmusik "Les petits riens", Gavotte-Allegro - Aus Ballettmusik "Les petits riens", Pantomime - Aus Ballettmusik "Les petits riens" |
| Renato Capecchi |
vocal |
Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / Act II, Scene VII. No. 16 FiContenale "Signore, cos'è quel stupore?" (Il Conte, La ssa, Susanna) / Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) / Act II, Scene X. No. 16 Finale "Ah signor" ... "Cosa è stato?" (Il Conte, La Contessa, Susanna, Antonio, Figaro) / Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna, Marcellina, Basilio, Bartolo, Figaro), Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa) / Act III, Scene IX. Recitativo "Io vi dico, signor, che Cherubino" (Antonio, Il Conte) / Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna), Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) |
| Ilmar Lapinsch |
conductor |
Konzert für Violine und Orchester Nr. 5 in A-Dur, KV 219: I. Allegro aperto, Konzert für Violine und Orchester Nr. 5 in A-Dur, KV 219: II. Adagio, Konzert für Violine und Orchester Nr. 5 in A-Dur, KV 219: III. Rondo. Tempo di minuetto. Trio "alla turca" |
| Imre Hartmann |
cello |
Quartet for Oboe and Strings in F major, K. 370: I. Allegro, Quartet for Oboe and Strings in F major, K. 370: II. Adagio, Quartet for Oboe and Strings in F major, K. 370: III. Rondo |
| Vienna Mozart Academy |
performing orchestra |
Clarinet Concerto in A major: Adagio (Out of Africa), Concerto pour clarinette : Adagio, Concerto pour clarinette K622: Andante |
| Richard Duven |
cello |
Piano Quartet no 1. in G minor, K 478: I. Allegro, Piano Quartet no 1. in G minor, K 478: II. Andante, Piano Quartet no 1. in G minor, K 478: III. Rondo: Allegro moderato |
| Ines Walachowski |
piano |
Sonata for Two Pianos in D Major, K 448: I. Allegro con spirito, Sonata for Two Pianos in D Major, K 448: II. Andante, Sonata for Two Pianos in D Major, K 448: III. Allegro molto |
| Baltic Festival Orchestra |
performing orchestra |
Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": II. Adagio, Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro |
| Božena Berkyová (soprano) |
vocal |
Don Giovanni, opera, K. 527: La ci darem la mano, Don Giovanni, opera, K. 527: Madammina..., Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto |
| Эмиль Григорьевич Гилельс |
piano |
Konzert für Klavier und Orchester Nr. 27 B-dur KV 595: 1. Allegro, Konzert für Klavier und Orchester Nr. 27 B-dur KV 595: 2. Larghetto, Konzert für Klavier und Orchester Nr. 27 B-dur KV 595: 3. Allegro |
| Gernot Sauter |
arranger |
Gavotte - Aus Ballettmusik "Les petits riens", Gavotte-Allegro - Aus Ballettmusik "Les petits riens", Pantomime - Aus Ballettmusik "Les petits riens" |
| Claus Adam |
cello |
Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: III. Rondo |
| Münchner Rundfunkorchester |
performing orchestra |
Idomeneo: Act III. ''Torna la pace'' (Idomeneo), Il Ré Pastore: "L'amerò, sarò costante" (Aminta), The Magic Flute: Act I. Scene I. ''Dies Bildnis ist bezaubernd schön'' (Tamino) |
| Münchner Symphoniker (known as Symphonie-Orchester Graunke until 1990, not the Alfred Scholz pseudonym) |
performing orchestra |
Eine kleine Nachtmusik, K 525: Finale. Rondo, Minuet from "Divertimento" No. 17 in D Major K334, Paris 1916: Viola Quintet in G Minor |
| Edmond de Stoutz |
conductor |
Trompetenkonzert As-dur: I. Allegro aperto, Trompetenkonzert As-dur: II. Adagio non troppo, Trompetenkonzert As-dur: III. Rondo allegretto |
| Keith John (organist) |
organ |
Pastorale variée: Theme, Pastorale variée: Variation 1, Pastorale variée: Variation 2, Cadenza, Theme |
| Robert Mann (American violinist) |
violin |
Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: I. Allegro, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: II. Andante, Quartet for Piano, Violin, Viola and Cello in G minor, K. 478: III. Rondo |
| Wolfgang Meyer (German clarinetist) |
basset clarinet |
Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": I. Andante, Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": II. Minuetto & Trio, Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": III. Rondo. Allegretto |
| Robert Tear |
vocal |
Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A, Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IV, No. 3 Aria "Dove mai trovai quel ciglio?" (Pulcherio) |
| István Kertész (conductor) |
conductor |
Le nozze Di Figaro, Là Ci Darem La Mano - Don Giovanni, Sinfonia concertante for violin, viola & orchestra in E flat major, K. 364 (K. 320d): 2. Andante |
| Robin Williams (oboist) |
oboe |
Quartet for oboe, violin, viola, and cello in F major, KV370: I. Allegro, Quartet for oboe, violin, viola, and cello in F major, KV370: II. Adagio, Quartet for oboe, violin, viola, and cello in F major, KV370: III. Rondeau Allegro |
| Itzhak Perlman |
violin |
Oboe Quartet in F, K 370: I. Allegro, Oboe Quartet in F, K 370: II. Adagio, Oboe Quartet in F, K 370: III. Rondo (Allegro) |
| Anima Eterna Brugge |
performing orchestra |
Concerto per pianoforte No. 21 in Do maggiore KV 467: I. Allegro maestoso, Concerto per pianoforte No. 21 in Do maggiore KV 467: II. Andante, Concerto per pianoforte No. 21 in Do maggiore KV 467: III. Allegro vivace |
| Akiko Miyazashi (flautist) |
concert flute |
Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Allegro, Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Andantino, Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Rondeau allegro |
| Jacques Israelievitch |
violin |
Sinfonia Concertante in E-flat major, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E-flat major, K. 320d/364: II. Andante, Sinfonia Concertante in E-flat major, K. 320d/364: III. Presto |
| Albert Jungmann |
conductor |
Divertimento en si bémol KV 137, Divertimento en sol KV 138, Symphonie Salzbourg |
| Barry Snyder |
piano |
Piano Concerto No. 26 in D major, K. 537 "Coronation": I. Allegro, Piano Concerto No. 26 in D major, K. 537 "Coronation": II. Larghetto, Piano Concerto No. 26 in D major, K. 537 "Coronation": III. Allegretto |
| Sándor Roth |
viola |
Quartet for Oboe and Strings in F major, K. 370: I. Allegro, Quartet for Oboe and Strings in F major, K. 370: II. Adagio, Quartet for Oboe and Strings in F major, K. 370: III. Rondo |
| Konrad Leitner |
conductor |
Die Zauberflöte, KV 620: Der Vogelfänger bin ich ja, Die Zauberflöte, KV 620: Papageno, Papagena, Don Giovanni (excerpt): La ci darem la mano |
| Roman Ortner (pianist) |
piano |
Das Kinderspiel KV 598, Im Frühlingsanfang KV 597, Meine Wünsche KV 539 |
| V. Miloslav |
harp |
Concierto para flauta, arpa y orquesta en Do Mayor (Allegro), Concierto para flauta, arpa y orquesta en Do Mayor (Andantino), Concierto para flauta, arpa y orquesta en Do Mayor (Rondó. Allegro) |
| Alexei Bruni |
violin |
Konzert für Violine und Orchester Nr. 5 in A-Dur, KV 219: I. Allegro aperto, Konzert für Violine und Orchester Nr. 5 in A-Dur, KV 219: II. Adagio, Konzert für Violine und Orchester Nr. 5 in A-Dur, KV 219: III. Rondo. Tempo di minuetto. Trio "alla turca" |
| התזמורת הפילהרמונית הישראלית |
performing orchestra |
Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Presto |
| Zürcher Kammerorchester |
performing orchestra |
Trompetenkonzert As-dur: I. Allegro aperto, Trompetenkonzert As-dur: II. Adagio non troppo, Trompetenkonzert As-dur: III. Rondo allegretto |
| Kurt Masur |
conductor |
Sinfonia in D-Dur, KV 19, I. Allegro, Sinfonia in D-Dur, KV 19, II. Andante, Sinfonia in D-Dur, KV 19, III. Presto |
| Anna Walachowski |
piano |
Sonata for Two Pianos in D Major, K 448: I. Allegro con spirito, Sonata for Two Pianos in D Major, K 448: II. Andante, Sonata for Two Pianos in D Major, K 448: III. Allegro molto |
| Dagmar Schellenberger-Ernst |
vocal |
Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": I. "Benedictus sit Deus", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": II. "Aria", Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": III. "Jubilate" |
| Ruda Kosi |
harp |
Concerto for Harp in C Major, K 415: I. Allegro, Concerto for Harp in C Major, K 415: II. Andante, Concerto for Harp in C Major, K 415: III. Allegro |
| Rudolf Baumgartner (conductor) |
conductor |
Tre Fughe da Wohltemperierte Klavier II di J.S. Bach, K. 405: Fuga no. 5, Tre Fughe da Wohltemperierte Klavier II di J.S. Bach, K. 405: Fuga no. 8, Tre Fughe da Wohltemperierte Klavier II di J.S. Bach, K. 405: Fuga no. 9 |
| Nora Shulman |
flute |
Concerto for flute, harp and orchestra, K.299/297e: I. Allegro, Concerto for flute, harp and orchestra, K.299/297e: II. Andantino, Concerto for flute, harp and orchestra, K.299/297e: III. Rondeau - Allegro |
| Jan Zybnovsky (possibly an Alfred Scholtz pseudonym) |
conductor |
Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Presto |
| Bryn Terfel (bass-baritone opera singer) |
vocal |
Don Giovanni - Act 1: Champagne Aria, Don Giovanni - Act 2; Don Giovanni's Descent Into Hell, Magic Flute |
| Zubin Mehta (conductor) |
conductor |
Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Presto |
| Ensemble Villa Musica |
instrument, performer |
Flute Quartet in C Major, Flute Quartet in C Major (dance mix), Flute Quartet no. 1 in D major, K. 285: Adagio |
| Sylvia van der Linden |
piano |
Concerto for Piano and Orchestra no. 9 in E-flat major, K. 271: Allegro, Concerto for Piano and Orchestra no. 9 in E-flat major, K. 271: Andante, Concerto for Piano and Orchestra no. 9 in E-flat major, K. 271: Rondo: Presto |
| Oralia Dominguez |
vocal |
Requiem, K. 626: III. Sequenz: Recordare, Requiem, K. 626: III. Sequenz: Tuba mirum, Requiem, K. 626: VI. Benedictus |
| Ladislav Slovák |
conductor |
Concerto for Piano No. 20 in D minor, K. 466: I. Allegro, Concerto for Piano No. 20 in D minor, K. 466: II. Romanze, Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai |
| Laurence Monteyrol |
vocal |
Missa Solemnis K139: Quoniam Tu Solus Sanctus, Noces de Figaro: Air de Barberine, Vepres Solennelles: Laudate Dominium |
| Yo-Yo Ma |
cello |
Sonata for Bassoon & Cello in B-flat major, K. 292 (K. 196c): I. Allegro, Sonata for Bassoon & Cello in B-flat major, K. 292 (K. 196c): II. Andante, Sonata for Bassoon & Cello in B-flat major, K. 292 (K. 196c): III. Rondo: Allegro |
| Erica Morini |
violin |
Concerto for Violin No. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin No. 5 in A major, K. 219 "Turkish": II. Adagio, Concerto for Violin No. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto |
| Bayerisches Staatsorchester |
performing orchestra |
Die Entführung aus dem Serail: Hier soll ich dich denn sehen (Belmonte), Die Entführung aus dem Serail: Wenn der Freude Tränen fliessen (Belmonte), Don Giovanni: Questo e il fin |
| Jean-Claude Gérard |
performer, flute |
Flute Quartet in C Major, Flute Quartet in C Major (dance mix), Flute Quartet no. 1 in D major, K. 285: Adagio |
| Yehudi Menuhin |
violin |
Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): I. Allegro maestoso, Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): III. Rondo. Allegro, Concerto for Violin and Orchestra in G major, K. 271i / K2 271a / KV deest (doubtful): II. Andante |
| Salzburger Kammerorchester |
performer, performing orchestra |
Flute Concerto No. 2 in D major, III, K. 314, Menuetto‐Trio, III, From the Serenade, K.203, Menuetto‐Trio, IV, From the Serenade, K.185 |
| Русская филармония |
performing orchestra |
Konzert für Violine und Orchester Nr. 5 in A-Dur, KV 219: I. Allegro aperto, Konzert für Violine und Orchester Nr. 5 in A-Dur, KV 219: II. Adagio, Konzert für Violine und Orchester Nr. 5 in A-Dur, KV 219: III. Rondo. Tempo di minuetto. Trio "alla turca" |
| Samuel Ramey (bass-baritone & bass) |
vocal |
Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro), Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" |
| Orchestra of the Eighteenth Century |
performing orchestra |
Symfonie nr. 38 in D groot, KV 504 "Praagse" (1786): I. Adagio - Allegro, Symfonie nr. 38 in D groot, KV 504 "Praagse" (1786): II. Andante, Symfonie nr. 38 in D groot, KV 504 "Praagse" (1786): III. Finale, Presto |
| Jean-Pierre Chevailler |
euphonium |
Concerto in B-flat major KV. 191: I. Allegro, Concerto in B-flat major KV. 191: II. Andante, Concerto in B-flat major KV. 191: III. Rondo |
| Orchestre Symphonique et Chæuers de Budapest |
performing orchestra |
Missa Solemnis K139: Quoniam Tu Solus Sanctus, Noces de Figaro: Air de Barberine, Vepres Solennelles: Laudate Dominium |
| Choir of King’s College, Cambridge |
vocal |
Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: VI. Magnificat, Vespere solonnes de confessore: Laudate Dominum |
| Orchestre de Festival Belgique |
performing orchestra |
Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Allegro, Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Andantino, Concerto pour flûte, Harpe et orchestre K. 299 en Ut-Majeur - Rondeau allegro |
| The Boyd Neel Orchestra |
performing orchestra |
Divertimento, K. 136, Divertimento, K. 137, Divertimento, K. 138 |
| Jeffrey Tate (conductor) |
conductor, harpsichord |
Cosi fan Tutte: Soave sia il vento… Non son cattivo comico, Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa), Symphonies nos. 25, 27, 31, "Paris" [Extract] |
| Hans Meyer |
oboe |
Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: I. Allegro spiritoso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: II. Andantino grazioso, Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: III. Tempo di menuetto |
| Ernst Hinreiner |
chorus master |
Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro) / Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia), Lucio Silla, K. 135: Act II, Scene XII. No. 17 Coro "Se gloria il crin ti cinse" (Coro), Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla) |
| Ernst Ottensamer |
clarinet |
Clarinet Concerto in A major: Adagio (Out of Africa), Concerto pour clarinette : Adagio, Concerto pour clarinette K622: Andante |
| Jenö Léner |
violin |
Quartet for Oboe and Strings in F major, K. 370: I. Allegro, Quartet for Oboe and Strings in F major, K. 370: II. Adagio, Quartet for Oboe and Strings in F major, K. 370: III. Rondo |
| Albert Spalding |
violin |
Sinfonia Concertante in E-flat major, K. 364: I. Allegro maestoso, Sinfonia Concertante in E-flat major, K. 364: II. Andante, Sinfonia Concertante in E-flat major, K. 364: III. Presto |
| David Groves |
producer |
Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: V. Laudate Dominum, Vesperae de Dominica, K. 321: VI. Magnificat |
| Hans-Martin Linde |
arranger, flute |
Flute Concerto No. 2 in D major, K. 314 (K. 285d): 3. Allegro, Solfeggio, C-dur, KV 393 no. 5, Solfeggio, G-dur, KV 393 no. 2 |
| Alain Jomy |
conductor |
Missa Solemnis K139: Quoniam Tu Solus Sanctus, Noces de Figaro: Air de Barberine, Vepres Solennelles: Laudate Dominium |
| Harald Nerat |
conductor |
Flute Concerto No. 2 in D major, III, K. 314, Menuetto‐Trio, III, From the Serenade, K.203, Menuetto‐Trio, IV, From the Serenade, K.185 |
| Léon Goossens |
oboe |
Quartet for Oboe and Strings in F major, K. 370: I. Allegro, Quartet for Oboe and Strings in F major, K. 370: II. Adagio, Quartet for Oboe and Strings in F major, K. 370: III. Rondo |
| Václav Talich |
conductor |
Concerto in A major for Clarinet, K. 622, I: Allegro, Concerto in A major for Clarinet, K. 622, II: Adagio, Concerto in A major for Clarinet, K. 622, III: Rondo, Allegro |
| Eugène Bigot (conductor) |
performer |
Klavierkonzert Nr. 24 c-Moll KV 491 – I. Allegro, Klavierkonzert Nr. 24 c-Moll KV 491 – II. Larghetto, Klavierkonzert Nr. 24 c-Moll KV 491 – III. Allegretto |
| Patrick Cohen (pianist) |
fortepiano |
Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": I. Andante, Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": II. Minuetto & Trio, Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": III. Rondo. Allegretto |
| Mainzer Kammerorchester |
performing orchestra |
Serenade in G major, K. 525 "Eine kleine Nachtmusik": Romanze. Andante, Symphony In G, 'Lambacher-Sinfonie' (II. Andante), Symphony no. 9 in C major: III. Menuetto |
| Andrej Žust |
French horn |
Concerto for horn and orchestra in E-flat major, K.417: I. Allegro, Concerto for horn and orchestra in E-flat major, K.417: II. Andante, Concerto for horn and orchestra in E-flat major, K.417: III. Rondo Allegro |
| Malcolm Latchem |
violin |
Divertimento in F, KV 138/125c: 1. (Allegro), Divertimento in F, KV 138/125c: 2. Andante, Divertimento in F, KV 138/125c: 3. Presto |
| Augustin Dumay |
conductor, violin |
Sonata for Piano and Violin in E minor, K304/300c: I. Allegro, Sonata for Piano and Violin in E minor, K304/300c: II. Tempo Di Menuetto, Violin Concerto no. 5 in A major, K.219: 1. Allegro Aperto (Extract) |
| Fabrice Pierre |
harp |
Concerto for Flute, Harp and Orchestra, KV 299: I. Allegro, Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino, Concerto for Flute, Harp and Orchestra, KV 299: III. Rondeau (Allegro) |
| Marc Chantereau |
arranger |
Le divertimento, Mozart est gai, Mozart est gai (re-mix) |
| 조수미 |
performer, vocal |
Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht), Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht), The Magic Flute: Act II. Scene III. ''Der Hölle Rache kocht in meinem Herzen'' (Queen of the Night) |
| Paul Meyer (clarinetist) |
clarinet |
Concerto for Clarinet and Orchestra in A major: I. Allegro, Concerto for Clarinet and Orchestra in A major: II. Adagio, Concerto for Clarinet and Orchestra in A major: III. Rondo. Allegro |
| David Pyatt |
French horn |
J.F.K.: Horn Concerto No. 2: Rondo allegro, Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: I. Allegro, Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: III. Allegro |
| Pavlovsk Symphony Orchestra |
performing orchestra |
Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio, Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro |
| Perpignan Festival Orchestra |
performing orchestra |
Concerto for Violin No. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin No. 5 in A major, K. 219 "Turkish": II. Adagio, Concerto for Violin No. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto |
| David R. Murray |
producer |
Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: V. Laudate Dominum, Vesperae de Dominica, K. 321: VI. Magnificat |
| John Cerminaro |
French horn |
Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso, Horn Concerto no. 2 in E-flat major, K. 417: II. Andante, Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo |
| David Rowland |
piano |
Keyboard Concerto in C, K.246: I. (first cadenza), Keyboard Concerto in C, K.246: I. (second cadenza), Modulierendes Präludium |
| John Dickie (tenor) |
vocal |
Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act II. Duetto: Prenderò quel brunettino, Die Zauberflöte, KV 620: Dies Bildnis ist bezaubernd |
| Peter Keller (tenor) |
vocal |
Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) / ... / Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro) |
| David Singer (clarinetist) |
clarinet |
Sinfonia concertante K. Anh. C 14.01 (297b): I. Allegro, Sinfonia concertante K. Anh. C 14.01 (297b): II. Adagio, Sinfonia concertante K. Anh. C 14.01 (297b): III. Andantino con variazio |
| Peter Lang (classical pianist) |
piano |
Concerto para piano e orquestra No. 21 em dó maior, K. 467 "Elvira Madigan": I. Allegro maestoso, Concerto para piano e orquestra No. 21 em dó maior, K. 467 "Elvira Madigan": III. Allegro vivace assai, Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante |
| Maria Callas |
vocal |
Don Giovanni - Non mi dir, Don Giovanni : Non mi dir, Don Giovanni: Act II. "Mi tradì quell'alma ingrata" |
| Steven Dibner |
bassoon |
Sinfonia concertante K. Anh. C 14.01 (297b): I. Allegro, Sinfonia concertante K. Anh. C 14.01 (297b): II. Adagio, Sinfonia concertante K. Anh. C 14.01 (297b): III. Andantino con variazio |
| Stephen Shingles |
viola |
Divertimento in F, KV 138/125c: 1. (Allegro), Divertimento in F, KV 138/125c: 2. Andante, Divertimento in F, KV 138/125c: 3. Presto |
| Stephen Taylor (oboeist) |
oboe |
Sinfonia concertante K. Anh. C 14.01 (297b): I. Allegro, Sinfonia concertante K. Anh. C 14.01 (297b): II. Adagio, Sinfonia concertante K. Anh. C 14.01 (297b): III. Andantino con variazio |
| Steven Dann |
viola |
Sinfonia Concertante in E-flat major, K. 320d/364: I. Allegro maestoso, Sinfonia Concertante in E-flat major, K. 320d/364: II. Andante, Sinfonia Concertante in E-flat major, K. 320d/364: III. Presto |
| Helmut Eilhofer |
violin |
Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": I. Allegro aperto, Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": II. Adagio, Concerto for Violin and Orchestra no. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro |
| Joanna Barowska (soprano) |
vocal |
Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act II. Duetto: Prenderò quel brunettino |
| Stephen Tees (violist) |
viola |
Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: I. Allegro, Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: III. Allegro |
| Stephen Layton |
organ |
Vesperae de Dominica, K. 321: V. Laudate Dominum, Vespere solonnes de confessore: Laudate Dominum |
| Staatskapelle Berlin |
performing orchestra |
Die Zauberflote: "In diesen heil'gen Hallen", Die Zauberflöte, K. 620: Overture |
| Simon Lepper (Pianist) |
piano |
Contredanse "Das Donnerwetter", K. 534 (version A), Contredanse "Das Donnerwetter", K. 534 (version B) |
| Scot Weir |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| San Francisco Opera Orchestra |
performing orchestra |
Le nozze di Figaro: "Deb vieni, non tardar", Le nozze di Figaro: "Non so più" |
| Susanne Lautenbacher |
violin |
Serenade No. 7 for orchestra in D major ("Haffner"), K. 250 (K. 248b): 2. Andante, Sinfonia concertante for violin, viola & orchestra in E flat major, K. 364 (K. 320d): 2. Andante |
| Salzburger Mozart-Solisten (an Alfred Scholz pseudonym) |
performing orchestra |
Concerto for Flute and Orchestra No 2 in D major, Quartet for Flute and String Trio No 2 |
| Svetlana Stanceva |
piano |
Klavierkonzert Nr. 26 d-Moll, KV 537 "Krönungskonzert": Larghetto, Piano Concerto no. 20 in D minor, K. 466: II. Romance (from Amadeus) |
| Rupert Huber (conductor) |
chorus master |
Il sogno di Scipione, K. 126: Act I No. 12 Coro "Cento volte con lieto sembiante" (Coro), Il sogno di Scipione, K. 126: Act I No. 4 Coro "Germe di cento eroi" (Coro) |
| Ronald Brautigam |
piano |
Piano Sonata in B-flat major, K333: I. (extract), Piano Sonata in C major, K545: II. (extract) |
| Rohangiz Yachmi (mezzo soprano) |
vocal |
Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act II. Duetto: Prenderò quel brunettino |
| Rogers Covey-Crump (tenor) |
vocal |
Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: VI. Magnificat |
| Robin Leggate (operatic tenor) |
vocal |
Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" |
| Richard Stoltzman |
clarinet |
Clarinet Concerto in A major: Adagio, M*A*S*H: Goodbye, Farewell, and Amen: Clarinet Quintet: I. |
| Richard Edlinger |
conductor |
Divertimento in D major, III, K. 205, Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino |
| Reimar Bluth |
producer |
La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Act II, XIX. Rondo. "Deh per questo istante solo" (Sesto) |
| Reginald Kell |
clarinet |
Quintette pour clarinette et quatuor à cordes en la majeur - Allegro, Quintette pour clarinette et quatuor à cordes en la majeur, K. 581: Larghetto |
| Raffaele Arié |
vocal |
Don Giovanni KV 527: ACT I (Part 1), Don Giovanni KV 527: ACT II (Part 2) |
| Priti Coles (coloratura soprano) |
vocal |
Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act II. Duetto: Prenderò quel brunettino |
| Pražský komorní orchestr |
performing orchestra |
Eine kleine Nachtmusik: I. (abridged), Symphony No. 40 in G minor, KV. 550: III. Menuetto. Allegretto - Trio |
| Pierre del Vescovo |
horn |
Concerto in E-flat major for horn and orchestra n. 4, KV 495: Romanza: Andante, Concerto in E-flat major for horn and orchestra n. 4, KV 495: Rondo: Allegro vivace |
| Peter Mikuláš (bass) |
vocal |
Così fan tutte: Act I. Duetto: Ah, guarda, sorella, Così fan tutte: Act II. Duetto: Prenderò quel brunettino |
| Teodor Currentzis |
conductor |
Così fan tutte: La mia Dorabella capace non è, Così fan tutte: Ouvertura |
| Peter Kooij |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Paul Hillier |
vocal |
Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: VI. Magnificat |
| Patricia Payne |
vocal |
Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" |
| Otto Wiener |
vocal |
Le Nozze di Figaro, K. 492, Act 2: "Un Moto di Gioia" (alternative Aria), Ridente La Calma K. 152 |
| The Baby Einstein Music Box Orchestra |
performing orchestra |
Piano Sonata in C, K 545, 2nd Movement, Piano Sonata in D, K 576, 3rd Movement |
| Orchestre de chambre Jean-François Paillard |
performing orchestra |
Concerto in E-flat major for horn and orchestra n. 4, KV 495: Romanza: Andante, Concerto in E-flat major for horn and orchestra n. 4, KV 495: Rondo: Allegro vivace |
| Orchestra of the Age of Enlightenment |
performing orchestra |
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht), La Clemenza di Tito: Deh, Per Questo Instante Solo |
| The Lansdowne String Quartet |
strings |
Divertimento, Menuetto |
| Orchestra of St. Luke’s |
performing orchestra |
Exsultate Jubilate, K 165 (158a): Alleluia, Le Nozze Di Figaro, K.492/Act 4 - ''Giunse Alfin Il Momento'' - ''Deh Vieni Non Tardar'' |
| Orchester der Wiener Volksoper |
performing orchestra |
Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Motet for Soprano & Orchestra in F major, K. 158a/165: I. "Exsultate, jubilate" |
| Nicola Rescigno |
conductor |
Don Giovanni - Non mi dir, Don Giovanni: Act II. "Mi tradì quell'alma ingrata" |
| Nachtmusique |
performing orchestra |
Harmoniemusik, La Flûte enchantée, Dies Bildnis ist bezaubernd schön, Harmoniemusik, La Flûte enchantée, Soll ich dich, Teurer, nicht mehr sehn? |
| Münchner Philharmoniker |
performing orchestra |
Sarastro's Aria: In diesen heil'gen Hallen (Die Zauberflöte), Sarastro's Aria: O Isis und Osiris (Die Zauberflöte) |
| Monteverdi Choir |
performer |
Così fan tutte, K. 588: Act I. "Bella vita militar!", Così fan tutte, K. 588: Act II. "Secondate, aurette amiche" |
| Monika Feszler |
producer |
Sonata no. 11 in A major, K. 331: I. Tema: Andante grazioso, Sonata no. 11 in A major, K. 331: II. Menuetto |
| Michael Forest |
vocal |
Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte) / Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo), Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) / Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna) / Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino) |
| Michael Bremner (producer/engineer) |
producer |
Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 2. Andantino cantabile (reconstruction and cadenzas: Philip Wilby), Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 3. Allegretto – Allegro (reconstruction and cadenzas: Philip Wilby) |
| Maurizio Pollini |
piano |
Piano Sonata in C minor op.111: II. (theme), Piano Sonata in C minor op.111: II. (variation 3) |
| Timothy Robinson |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus", Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Matthias Kirschnereit (classical pianist) |
piano |
Piano Concerto No. 22 in E-flat major, K. 482: III. Allegro, Piano Concerto No. 23 in A Major, K. 488 - Adagio |
| Martin Sieghart |
conductor |
Flute Concerto No. 1 in G major, III, K. 313, Flute Concerto No. 1: Rondo |
| Marielle Nordmann |
harp |
Flute and Harp Concerto in C major, K. 297c/299: I. Allegro, Flute and Harp Concerto in C major, K. 297c/299: III. Rondeau |
| Marie-Nicole Lemieux |
vocal |
La clemenza di Tito, K. 621: Deh, per questo istante solo, Mitridate, K. 78: Venga pur |
| Marie McLaughlin |
vocal |
Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A, Don Giovanni: Là ci darem la mano |
| Malcolm Bilson |
fortepiano |
Keyboard Concerto in C, K.246: I. (bar 133 to end), Keyboard Concerto in C, K.246: I. (bars 1-192) |
| Lutz Görner |
vocal |
Das Veilchen, Mailied |
| Le Cercle de l'Harmonie |
performer |
Le nozze di Figaro, Akt III: "Dove sono i bei momenti", Le nozze di Figaro, Akt III: "E Susanna non vien!" |
| Kurt Eichhorn |
conductor |
Idomeneo: Act III. ''Torna la pace'' (Idomeneo), The Magic Flute: Act I. Scene I. ''Dies Bildnis ist bezaubernd schön'' (Tamino) |
| Kristinn Sigmundsson (bass singer) |
performer |
Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro) |
| Klaus Strüben (german sound engineer) |
balance |
La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Act II, XIX. Rondo. "Deh per questo istante solo" (Sesto) |
| Kate Humey |
vocal |
Exsultate jubilate, KV 165: Alleluja, Schlafe, mein Prinzchen, schlaf ein (Wiegenlied) |
| Vienna Academy Chorus |
vocal |
Le Nozze di Figaro, K. 492, Act 2: "Un Moto di Gioia" (alternative Aria), Ridente La Calma K. 152 |
| Karl-Otto Hartmann |
bassoon |
Mens Sancta Deo (mit obligater Fagott), Plasmator Deus (mit obligater Fagott) |
| Jörg Faerber |
conductor |
Flute Concerto No. 2 in D major, K. 314 (K. 285d): 3. Allegro, In diesen heil’gen Hallen |
| Jérémie Rhorer |
conductor |
Le nozze di Figaro, Akt III: "Dove sono i bei momenti", Le nozze di Figaro, Akt III: "E Susanna non vien!" |
| János Sebestyén |
organ |
Experpts from Ah, Vous diraj-je, Maman, Organ Music |
| Julian Bream |
arranger, classical guitar |
Divertimenti, K. Anh 229: Allegro, Divertimenti, K. Anh 229: Larghetto |
| Josef Suk (violinist) |
violin |
Jesu, amor meus (mit obligater Violine), Offertorium "Salve Regina" (mit obligater Violine) |
| Josef Protschka |
vocal |
Idomeneo: Act III. ''Torna la pace'' (Idomeneo), The Magic Flute: Act I. Scene I. ''Dies Bildnis ist bezaubernd schön'' (Tamino) |
| Josef Krips |
conductor |
Symphony no. 32 in G major, K 318: Tempo I, Symphony no. 38 in D major, K 504 "Prague": Adagio - Allegro |
| Stephen Orton (cellist) |
cello |
Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: I. Allegro, Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: III. Allegro |
| Véronique Gens |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2], La Clemenza di Tito: Deh, Per Questo Instante Solo |
| Jean-François Paillard (French conductor) |
conductor |
Concerto in E-flat major for horn and orchestra n. 4, KV 495: Romanza: Andante, Concerto in E-flat major for horn and orchestra n. 4, KV 495: Rondo: Allegro vivace |
| Jean Martin (classical pianist) |
piano |
Sonate en ut majeur, K545, Sonatine viennoise |
| Jane Rutter |
flute |
Concerto in C major for Flute, KV314: Allegro, Concerto in C majorfor Flute and harp, KV299: Andantino |
| Jan Peerce (operatic tenor) |
vocal |
Le Nozze di Figaro, K. 492, Act 2: "Un Moto di Gioia" (alternative Aria), Ridente La Calma K. 152 |
| James Galway (flautist) |
conductor, flute |
Menuetto, Serenade no. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525: II. Romanze: Andante |
| Iveta Tannenbergerova |
vocal |
Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina), Così fan tutte, K. 588: Act II, Scene I. No.19 Aria "Una donna a quindici anni" (Despina) |
| István Berényi (engineer) |
engineer |
Sonata no. 11 in A major, K. 331: I. Tema: Andante grazioso, Sonata no. 11 in A major, K. 331: II. Menuetto |
| Iona Brown (violinist and director of the Academy of St Martin in the Fields) |
conductor, violin |
Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 2. Andantino cantabile (reconstruction and cadenzas: Philip Wilby), Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 3. Allegretto – Allegro (reconstruction and cadenzas: Philip Wilby) |
| Howard Shelley (British pianist and conductor) |
piano |
Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 2. Andantino cantabile (reconstruction and cadenzas: Philip Wilby), Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 3. Allegretto – Allegro (reconstruction and cadenzas: Philip Wilby) |
| Hermann Prey |
vocal |
Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo), Die Zauberflöte, K. 620: Act I. Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) |
| Herbert Weissberg |
flute |
Flute Concerto No. 1 in G major, III, K. 313, Flute Concerto No. 1: Rondo |
| Harald Feller |
organ |
Divertimento Nr. 7 in D-Dur: KV. 205: Adagio, Divertimento in D major, No. 7 K. 205: Adagio |
| Hagen Quartett |
performer, performing orchestra |
Don Giovanni, KV 527: II. Menuetto (oboe: Hansjörg Schellenberger, flute: Wolfgang Schulz), String Quartet no. 22 in B-flat, K.589 "Prussian No.2": Larghetto |
| Wiener Haydn-Orchester |
performing orchestra |
Le nozze Di Figaro, Là Ci Darem La Mano - Don Giovanni |
| Giuseppe Sabbatini (tenor) |
vocal |
Idomeneo: Act I. ''Il padre adorato'' (Idamante), Idomeneo: Act I. ''Vedrommi intorno'' (Idomeneo) |
| Wiener Kammerorchester |
performing orchestra |
Divertimento No.1 — Allegro, Symphony No.41, “Jupiter” — Molto allegro |
| Gaetano Merola |
conductor |
Le nozze di Figaro: "Deb vieni, non tardar", Le nozze di Figaro: "Non so più" |
| Franz Welser-Möst |
conductor |
Die Zauberflöte: Dies Bildnis ist bezaubernd schön, Divertimenti |
| Fine Arts Quartet |
strings |
Quintette pour clarinette et quatuor à cordes en la majeur - Allegro, Quintette pour clarinette et quatuor à cordes en la majeur, K. 581: Larghetto |
| Felicity Palmer (mezzo-soprano) |
vocal |
Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene III, No. 2 Aria "Nacqui all'aria trionfale" (Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia) |
| Eugen Jochum |
conductor |
Die Entführung aus dem Serail: Hier soll ich dich denn sehen (Belmonte), Die Entführung aus dem Serail: Wenn der Freude Tränen fliessen (Belmonte) |
| Eliot Fisk |
classical guitar |
Divertimento, K. 439b, No. 4: Adagio, Divertimento, K. 439b, No. 4: Finale: Allegro |
| Elena Holičková (soprano) |
vocal |
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Non più andrai..., Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi amor |
| Diana Damrau |
vocal |
Le nozze di Figaro, Akt III: "Dove sono i bei momenti", Le nozze di Figaro, Akt III: "E Susanna non vien!" |
| Dennis Brain Wind Ensemble |
performer |
Divertimento No.16 in E flat major, K289: II. Minuet, Divertimento No.16 in E flat major, K289: III. Adagio |
| Denis Vaughan |
conductor |
Le nozze di Figaro: Dove Sono?, Le nozze di Figaro: Letter Duet |
| Deborah Rees |
vocal |
Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" |
| David James (countertenor) |
vocal |
Vesperae de Dominica, K. 321: I. Dixit dominus, Vesperae de Dominica, K. 321: VI. Magnificat |
| Dame Moura Lympany (pianist) |
piano |
Piano Sonata no. 11 in A: III. Rondo Alla Turca, Rondo Alla Turca from Piano Sonata in A major, K. 331 |
| Clifford Grant (opera singer and actor) |
vocal |
Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia) |
| Christian Zacharias |
grand piano |
Concerto for Piano No. 20 in D minor, K. 466: II. Romance, Concerto for Piano No. 20 in D minor, KV 466: II. Romance |
| Chor des Bayerischen Rundfunks |
vocal |
O Isis und Osiris, Sarastro's Aria: O Isis und Osiris (Die Zauberflöte) |
| Chicago Symphony Orchestra |
performing orchestra |
Symphony no. 40 in G minor, K. 550: III. Menuetto; Allegretto, Symphony no. 40 in G minor, K. 550: IV. Allegro assai |
| Charlotte Margiono |
vocal |
Don Giovanni - Act I - 'Riposate, vezzose ragazze!', Le nozze di Figaro, K. 492: Act 2 "Porgi amor qualche ristoro" (La Contessa) |
| Zdeněk Košler |
conductor |
Cliffhanger, Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" |
| Zoltán Rozsnyai (Hungarian conductor) |
conductor, performer |
Cosi fan tutte: Der odem der liebe, Orgelsonate Nr. 17 C-Dur, KV 336 |
| Charles Neidich |
clarinet |
Clarinet Concerto: II., Quartet für Klarinette, Violine, Viola und Violoncello in B-Dur, KV 378 (317d): III. Rondo. Allegro - Allegro vivace -Tempo primo |
| Charles Anderson |
engineer |
Divertimento No.16 in E flat major, K289: II. Minuet, Divertimento No.16 in E flat major, K289: III. Adagio |
| Chamber Orchestra of Naples |
performing orchestra |
Le nozze di Figaro: Dove Sono?, Le nozze di Figaro: Letter Duet |
| Cecilia Bartoli |
vocal |
Lucio Silla, K. 135: Act 1 "Il tenero momento" (Cecilio), Vesperae solennes de confessore in C, K.339: Laudate Dominum |
| Éder Quartet |
performer |
Presto, I, From the String Quartet in G major, K.156, Rondo: Allegro grazioso, III, From the String Quartet in B flat major, K.159 |
| Carl-August Bünte |
conductor |
German Dances No. 1 & No. 2, Symphony No. 41 in C major K. 551, "Jupiter": I. Allegro vivace |
| Carl Seemann |
piano |
Sonata in F, K. 547a: 1. Allegro, Sonata in F, K. 547a: 2. Allegretto |
| Bram de Groot |
balance |
Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 2. Andantino cantabile (reconstruction and cadenzas: Philip Wilby), Concerto for Violin, Piano and Orchestra in D, KV App. 56/315: 3. Allegretto – Allegro (reconstruction and cadenzas: Philip Wilby) |
| Bob Smissen |
viola |
Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: I. Allegro, Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: III. Allegro |
| Bidu Sayão |
vocal |
Le nozze di Figaro: "Deb vieni, non tardar", Le nozze di Figaro: "Non so più" |
| Bernhard Schmid |
trumpet |
Divertimento Nr. 7 in D-Dur: KV. 205: Adagio, Divertimento in D major, No. 7 K. 205: Adagio |
| Bernhard Paumgartner |
conductor |
Clarinet Quintet in A major: 1st Movement, Slow Movement (from Clarinet Concerto) |
| Bernard Haitink |
conductor |
O Isis und Osiris, The Magic Flute |
| Benny Ludemann |
mandolin |
Song for Voice & Mandolin in C major, K. 367b/351 (possibly spurious): "Komm, liebe Zither, komm", Song for Voice & Mandolin in G major, K. 367a/349 "Die Zufriedenheit": "Was frag' ich viel nach Geld und Gut" |
| Basil Lam (English producer, harpsichordist) |
producer |
Divertimento No.16 in E flat major, K289: II. Minuet, Divertimento No.16 in E flat major, K289: III. Adagio |
| Arturo Toscanini |
conductor |
Die Zauberflöte: Overture, Don Giovanni: Overture |
| Arie Vardi (pianist/conductor) |
conductor, piano |
Piano Concerto No. 12 in A major, K. 385p / K3 386a / KV 414: II. Andante, Piano Concerto no. 23 in A major, K. 488: II. Andante |
| Anthony Rolfe Johnson |
vocal |
Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia) |
| Anne Howells |
vocal |
Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" |
| Софийска Филхармония |
performing orchestra |
Ein Mädchen oder Weibchen, The Magic Flute: Act II. Scene X. ''Heil sei euch Geweihten'' (Chorus) |
| Angela Giulini |
piano |
Piano concerto No. 21 in C major K. 467, "Elvira Madigan": I. Allegro maestoso, Piano concerto No. 21 in C major K. 467, "Elvira Madigan": III. Allegro vivace assai |
| Andreas Haefliger |
performer |
Sonata in C major, KV 454: Rondo, Allegretto, Sonata in F major, KV 533-494 |
| התזמורת הקאמרית הישראלית |
performing orchestra |
Piano Concerto No. 12 in A major, K. 385p / K3 386a / KV 414: II. Andante, Piano Concerto no. 23 in A major, K. 488: II. Andante |
| Alfred Halbartschlager (organist) |
organ |
Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", Motet for Soprano & Orchestra in F major, K. 158a/165: I. "Exsultate, jubilate" |
| Alexander Oliver |
vocal |
Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" |
| Alan Civil |
French horn, horn |
Horn Concerto no. 4 in E-flat: IV. Rondo Allegro vivace, Rondo in E flat major for Horn and Orchestra K.371 |
| Kim Borg |
vocal |
Sarastro's Aria: In diesen heil'gen Hallen (Die Zauberflöte), Sarastro's Aria: O Isis und Osiris (Die Zauberflöte) |
| Leon Fleisher |
piano |
Sonata in C, K. 330: Finale (excerpt) |
| Leon Young |
arranger |
Serenade From "Don Giovanni" (Deh Vieni Alla Finestra) |
| Arthur Fiedler |
conductor |
Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante |
| Leonard Slatkin |
conductor |
Il Ré Pastore: "L'amerò, sarò costante" (Aminta) |
| Il Quartettone |
performing orchestra |
Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile |
| Rachel Harnisch |
vocal |
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel) |
| Les Arts Florissants |
performing orchestra |
Die Zauberflöte, K. 620: Act I, Scene XV. no. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) |
| Leslie Pearson |
organ |
Exsultate, jubilate, KV 165: Alleluja (English Chamber Orchestra feat. conductor: Raymond Leppard, soprano: Elly Ameling, organ: Leslie Pearson) |
| Radio-Symphonieorchester Wien (previously ORF-Symphonieorchester) |
performing orchestra |
Piano Concerto No. 21 in C major, K. 467: Adagio |
| Radiokören |
vocal |
Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" |
| Ildebrando d’Arcangelo |
vocal |
Don Giovanni - Act I - 'Riposate, vezzose ragazze!' |
| Arthur Grumiaux (Belgian violinist) |
violin |
Sonata for violin & piano no. 33 in E-flat major, K. 481: II. Adagio - |
| Lily Laskine |
harp |
Concerto for Flute & Harp in C major, K. 299: II. Andantino |
| Linos Ensemble |
performing orchestra |
Serenade no. 10 in B, Gran Partita: III. Adagio |
| Francisco Araiza (tenor) |
vocal |
Non Temer, Amato Bene (Mozart) |
| Lois Marshall |
vocal |
Die Entführung aus dem Serail, K. 384: Act II. Scene III. No. 11 Aria "Martern aller Arten" (Konstanze) |
| Ralf Gothóni |
piano |
Le nozze di Figaro: "Deh vieni, non tardar" |
| Ralph Couzens (engineer/editor/producer) |
sound |
The Magic Flute: Act II. “A woman’s beauty is beguiling” (Second Priest, Speaker, Papageno) |
| Imogen Cooper |
grand piano |
Concerto for Piano No. 20 in D minor, K. 466: II. Romanze |
| Frank Beermann (conductor) |
conductor |
Piano Concerto No. 22 in E-flat major, K. 482: III. Allegro |
| Frank Chacksfield & His Orchestra |
performing orchestra |
Serenade From "Don Giovanni" (Deh Vieni Alla Finestra) |
| Alberto Guerrero |
producer |
Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile |
| Lorenzo Coppola |
clarinet |
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (feat. clarinette d'amour: Lorenzo Coppola) |
| Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation) |
performing orchestra |
Symphony No. 41 in C major K. 551, "Jupiter": I. Allegro vivace |
| Irena Grafenauer (flautist) |
flute |
Flute Concerto in D major, K. 314 |
| Louis Langrée |
conductor |
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) |
| Renata Modron |
harp |
Concerto for Flute, Harp and Orchestra in C major, KV 299: III. Rondo: Allegro |
| Louis Moyse (flautist) |
arranger |
Rondo, F-dur |
| Renato Bruson |
vocal |
Don Giovanni: La ci darem la mano |
| Artur Rother |
conductor |
Idomeneo, re di Creta, K. 366: Act III: "Zeffiretti lusinghieri" |
| Luciana Serra (soprano) |
vocal |
Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A |
| Luciano Pavarotti |
vocal |
Non Ho Colpa E Mi Condanni (Idomeo) |
| Cantata Academy Chorale |
vocal |
Vesperae Solennes de Confessore, K. 339: I. "Dixit Dominus" |
| Dennis Brain |
horn |
Horn Concerto no.4 in E flat: Rondo |
| Franz Xaver Süßmayr |
vocal |
Commuini: Lux Aeterna (Requiem) |
| Capella Academica Wien |
performer |
Concerto for 3 Harpsichords, KV242 |
| Deon van der Walt |
vocal |
Così fan tutte, K. 588: Act 1 "Un' aura amorosa" (Ferrando) |
| Léopold Simoneau |
vocal |
Cosi Fan Tutte, K. 588 - Un'aura amorosa del nostro tesoro |
| L’Orchestre de la Suisse Romande |
performing orchestra |
Symphonie No. 38 "Prague" en Ré majeur, K 504: Adagio, Allegro |
| Friedrich Gulda |
piano |
Piano Sonata no. 16 in B-flat, K.570: Adagio |
| Richard Suart (baritone singer) |
vocal |
Flander & Swann: III Wind (based on Mozart's Horn Concerto K. 495, transcribed for Orchestra |
| Andreas Grau |
piano |
Overture to "The Magic Flute" - Transcription for two pianos |
| Rita Streich |
vocal |
Idomeneo, re di Creta, K. 366: Act III: "Zeffiretti lusinghieri" |
| Robert Aldwinckle |
harpsichord |
Fantasia in D minor |
| Magyar Rádió Szimfonikus Zenekara (a.k.a. Budapest Symphony) |
performing orchestra |
Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro |
| Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra) |
performing orchestra |
Idomeneo: Act III. "D'Oreste, d'Ajace" (Electra) |
| Robert Holl |
vocal |
Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo) |
| Mahler Chamber Orchestra |
performing orchestra |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2] |
| Ivo Rgeljic |
oboe |
Concerto f. Oboe & Orchester / Orchestra, KV 314, C-Dur / in C: 2. Adagio non troppo |
| Ivor Bolton |
conductor |
La Clemenza di Tito: Deh, Per Questo Instante Solo |
| Robert Stallman |
arranger |
Rondo Concertante, C-dur, KV 269 |
| J. Tamblyn Henderson, Jr. |
producer |
Piano Concerto No. 21 in C major, K. 467: II. Andante |
| Maman |
performer |
Organ Music |
| Manfred Ackermann (baritone) |
vocal |
Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum |
| Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) |
performing orchestra |
Die Zauberflöte: Ouvertüre |
| Jack Brymer |
clarinet |
Concerto for Clarinet in A major, K. 622: II. Adagio |
| Christoph Prégardien |
vocal |
Don Giovanni - Act I - 'Riposate, vezzose ragazze!' |
| Roderick Kettlewell |
piano |
Piano Sonata in A, K331: I. |
| Didier Réty (pianist) |
piano |
Minuet in F, K2 |
| Ah Vous Dirai-Je |
performer |
Organ Music |
| Christopher Kite |
fortepiano |
Keyboard Sonata in F, K.332: II. |
| Marcia Gordon Martin |
producer |
Piano Concerto No. 21 in C major, K. 467: II. Andante |
| Gary Karr |
cello |
Sehnsucht nach dem Frühlinge, KV 596: May Time |
| Rolf Schweizer |
conductor |
Te Deum, for chorus & orchestra, K. 141 (K. 66b): Allegro-Adagio-Allegro |
| Don Jackson (conductor) |
conductor |
Romanze from Eine kleine Nachtmusik |
| Margaret Marshall (Scots soprano active in late 20th century) |
vocal |
Così fan tutte: Soave sia il vento |
| Margarete Babinsky |
performer |
Türkischer Marsch (aus "Klaviersonate A-Dur") |
| Geoffrey Simon |
conductor |
Concerto for Clarinet and Orchestra in A: II. Adagio |
| Christophorus Ensemble |
performing orchestra |
Laudate Dominus, KV 339 |
| Douglas Jimerson (US tenor) |
vocal |
Die Zauberflöte, KV 620: Act I, Scene I. "Dies Bildnis ist bezaubernd schön" |
| George Szell |
conductor |
Klavierkonzert Nr. 21 C-Dur KV 467: Andante |
| Roy Goodman |
conductor |
Clarinet Concerto: I. |
| Royal Liverpool Philharmonic Orchestra |
performing orchestra |
Clarinet Concerto: I. |
| Georges Barboteu |
horn |
Rondo in E-flat major for horn and orchestra, KV 371 |
| Maria Wieslander |
chorus master |
Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" |
| Marian Baumann (pianist) |
piano |
Piano Concerto No. 21 in C major, K. 467: Adagio |
| Jane Glover |
conductor |
Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile |
| Bernhard Klee |
conductor |
Exsultate, jubilate, K. 165 (158a): Allegro - (Andante) - (Vivace) |
| Gerard Schwarz (conductor) |
conductor |
Piano Concerto No. 21 in C major, K. 467: II. Andante |
| Rudolf Scholz (organist) |
organ |
Messe C-dur KV 317 "Krönungsmesse": Agnus Dei |
| Rudolf Streng |
viola |
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto |
| Jascha Heifetz |
violin |
Konzert Nr. 5 für Violine und Orchester A-moll, KV 219: III. Rondeau: Tempo di menuetto |
| Cincinnati Pops Orchestra |
performing orchestra |
Piano Concerto No. 21 in C major, K. 467: II. Andante |
| Jean-Bernard Pommier |
piano |
Sonate pour piano no. 8, K. 310: II. Andante Cantabile con Espressione (extract) |
| Dr. Stefan Schaub |
vocal |
Klavierkonzert Nr. 17 |
| Marin Alsop |
conductor |
Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace |
| Mario Bernardi |
conductor |
Sinfonia Concertante for Flute, Harp & Orchestra in C major, K. 297c/299: I. Allegro |
| Alfred Prinz (clarinet) |
clarinet |
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto |
| Gerhard Pluskwik |
cello |
Flute Quartet K. 285a: Tempo di Minuetto |
| Marko Munih |
conductor |
Symphony No. 23 in D major, K 181: Allegro spiritoso - Andantino grazioso - Presto assai |
| Saint Paul Chamber Orchestra |
performing orchestra |
Klavierkonzert in d-Moll: Rondo, Allegro assai |
| Gerhard Unger (tenor) |
vocal |
Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo) |
| Salzburg Consort |
performer |
Minuet |
| Gerhard Wilhelm |
conductor |
Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum |
| Marlene Plum |
vocal |
Vesperae Solennes de Confessore, K. 339: I. "Dixit Dominus" |
| Martha Argerich |
piano |
Sonate voor 2 Piano's in D, K. 448: III. Allegro molto |
| Martha Bergerich (pseudonym used on budget recordings - not Martha Argerich) |
piano |
Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": Andante |
| Gerhart Hetzel (violinist) |
violin |
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto |
| Jennifer Gale |
piano |
Vesperae Solennes de Confessore, K. 339: I. "Dixit Dominus" |
| Andreas Staier |
fortepiano |
Suite for Piano in C major, K. 385i / 399 Fr 1782i (5.5 measure fragment): IV. Sarabande |
| Carlo Assalini |
engineer |
Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile |
| Sarah Paquet |
vocal |
Vesperae Solennes de Confessore, K. 339: I. "Dixit Dominus" |
| Gil Shaham (violinist) |
violin |
The Magic Flute |
| Bernhard Woess (Conductor - possibly an Alfred Scholtz pseudonym) |
conductor |
Così fan tutte, opera, K. 588: [Excerpt] |
| Scott Venman |
vocal |
Vesperae Solennes de Confessore, K. 339: I. "Dixit Dominus" |
| E. Power Biggs |
organ |
Orgelsonate Nr. 17 C-Dur, KV 336 |
| Seattle Symphony |
performing orchestra |
Piano Concerto No. 21 in C major, K. 467: II. Andante |
| Classical Brass (US Brass Ensemble) |
instrument |
Vergistmeinieht |
| Sidney Harth |
violin |
Violin Concerto No. 5 in A major, K. 219 "Turkish" |
| Jerry Goldsmith (soundtrack composer & conductor) |
conductor |
Sonata in D for Two Pianofortes K448 |
| Giuliano Carmignola |
violin |
Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile |
| Silvio Varviso |
conductor |
Die Zauberflöte: O, Isis und Osiris |
| Max Emanuel Cenčić |
vocal |
Motet for Soprano & Orchestra in F major, K. 158a/165: I. "Exsultate, jubilate" |
| Jessye Norman |
vocal |
Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo) |
| Eckart Haupt |
flute |
Flute Quartet K. 285a: Tempo di Minuetto |
| Carlo Pantelli |
conductor |
Symphony no. 40 in G minor, K. 550: Molto Allegro |
| Simon Preston |
arranger, grand piano |
Le nozze di Figaro, K. 492: "Salieri's March" Turned Into "Non più andrai" |
| Joachim Müller (engineer) |
bass clarinet |
La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto) |
| Sir Adrian Boult |
conductor |
Symphony No. 41 in C major, K. 551 "Jupiter" |
| Carlo de Martini |
conductor |
Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile |
| Sir Edward Downes |
conductor |
Don Giovanni: "Il mio tesoro" |
| Joel McNeely (soundtrack composer & conductor) |
conductor |
Paris 1916: Viola Quintet in G Minor |
| Michael Gielen |
conductor |
Concerto pour cor KV 495 en mi bémol majeur : I. Allegro moderato |
| Sir John Barbirolli |
conductor |
Konzert Nr. 5 für Violine und Orchester A-moll, KV 219: III. Rondeau: Tempo di menuetto |
| Gottlob Frick |
vocal |
Die Entführung aus dem Serail: Act III, "O! wie will ich triumphieren" |
| BBC Symphony Orchestra |
performing orchestra |
Die Zauberflöte: Overture |
| Michel Bouvard |
organ |
Fantasie en fa mineur, K. 608 |
| Michele Pertusi |
vocal |
Trio: Soave Sia Il Vento - Cosi Fan Tutte |
| Miguel Alvarez (pianist) |
piano |
Klavier-Sonate Nr. 11 A-Dur KV 331, 3.Satz: Alla turca |
| Birgit Nilsson |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna) |
| Anner Bylsma |
cello |
Sinfonia Concertante In A Major, KV Anhang 104/320E: Allegro |
| Minnesota Orchestra |
performing orchestra |
Piano Concerto No. 17 in G major, K. 453: III. Allegretto |
| Gundula Janowitz |
vocal |
Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo: "Quante buffonerie!" (La Contessa, Susanna, Cherubino) |
| Gustav Kuhn (Austrian conductor, stage director) |
conductor |
Symphony no. 25 in G minor, K. 183 (K. 173dB): I. Allegro con brio |
| John Beecham |
conductor |
Die Entführung aus dem Serail: Act III, "O! wie will ich triumphieren" |
| Sona Ghazarian |
vocal |
Don Giovanni: La ci darem la mano |
| St. Petersburg Soloists |
performing orchestra |
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": I. Allegro |
| Mogens Christensen |
viola da gamba |
Solfeggio, C-dur, KV 393 no. 5 |
| Eduard Melkus |
performer |
Concerto for 3 Harpsichords, KV242 |
| Gyula Kiss (Hungarian classical pianist) |
piano |
Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro |
| Stanisław Skrowaczewski |
conductor |
Piano Concerto No. 17 in G major, K. 453: III. Allegretto |
| Motettenchor Pforzheim |
vocal |
Te Deum, for chorus & orchestra, K. 141 (K. 66b): Allegro-Adagio-Allegro |
| Moyzesovo kvarteto |
performer |
String Quartet No. 17 in B flat major, K. 458, "Hunt": III. Adagio |
| John Debney |
conductor |
Divertimento no. 17 in D, K. 334 |
| Steffi Sieber (soprano) |
vocal |
Te Deum, for chorus & orchestra, K. 141 (K. 66b): Allegro-Adagio-Allegro |
| Collegium Vocale Gent |
vocal |
Messe en Do mineur: Jesu Christe |
| Götz Schumacher |
piano |
Overture to "The Magic Flute" - Transcription for two pianos |
| Edward Gardner |
conductor |
From Don Giovanni: Don Giovanni and Zerlina's Duet, "Come On, We're Wasting Time" - "There Will My Arms Enfold You" |
| Colorado Symphony |
performing orchestra |
Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace |
| Günter Högner |
horn |
Concerto for Horn and Orchestra No. 3 in E-flat major, KV 447: I. Allegro |
| Münchener Bach-Chor |
vocal |
Dies Irae From Requiem |
| Münchener Kammerorchester |
performing orchestra |
Sinfonie in D "The Peasant's Wedding": 5. Finale: Molto Allegro |
| Jonel Perlea |
conductor |
Symphony no.29 in A major, K201: I. Allegro moderato (Excerpt) |
| Columbia Symphony Orchestra |
performing orchestra |
Orgelsonate Nr. 17 C-Dur, KV 336 |
| Josef Boehm (organist) |
organ |
Motette in D-Dur, KV 618: Ave verum corpus (Wiener Dom-Orchester feat. chor: Wiener Sänger Knaben and Chorus Viennensis, organ: Josef Boehm, conductor: Ferdinand Grossmann) |
| Günther Arndt |
chorus master |
Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) |
| Steven Page (opera baritone) |
vocal |
Don Giovanni: "Madamina" (Catalogue Aria) |
| NBC Symphony Orchestra |
performing orchestra |
Don Giovanni: Overture |
| Bobby McFerrin |
conductor |
Klavierkonzert in d-Moll: Rondo, Allegro assai |
| Stuttgarter Fidelis-Chorknaben |
vocal |
Laudate Dominus, KV 339 |
| Stuttgarter Hymnus-Chorknaben |
vocal |
Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum |
| Stuttgarter Philharmoniker |
performing orchestra |
Exultate, Jubilate, KV 165 |
| Alfred Wallenstein |
conductor |
Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": Andante (RCA Victor Symphony Orchestra feat conductor: Alfred Wallenstein, piano: Artur Rubinstein) |
| Susan Catanese |
conductor |
Vesperae Solennes de Confessore, K. 339: I. "Dixit Dominus" |
| Susan Palma-Nidel |
flute |
Flute Concerto No. 1 in G Major - Rondo |
| Boston Early Music Festival Chorus |
vocal |
Requiem, K.623: Dies Irae |
| Joseph Keilberth |
conductor |
Don Giovanni: Questo e il fin |
| Suvi Raj Grubb |
producer |
Le nozze di Figaro, K. 492: Act IV, Ecco la marcia (All) |
| Natalie Dessay |
vocal |
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) |
| Hamburger Kammerorchester |
performing orchestra |
Serenata notturna, K. 239 |
| Sylvia Sass (Hungarian soprano) |
vocal |
Idomeneo: Act III. "D'Oreste, d'Ajace" (Electra) |
| Hamburger Symphoniker |
performing orchestra |
Eine Kleine Nachtmusik (2nd Movement) |
| Symphonic Festival Orchestra |
performing orchestra |
Così fan tutte, opera, K. 588: [Excerpt] |
| National Symphony Orchestra (of London) |
performing orchestra |
Sonata in D for Two Pianofortes K448 |
| Neal Davies (bass) |
vocal |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
| Sándor Végh |
conductor |
Divertimento K 251: Andantino |
| Jost Michaels |
clarinet |
Clarinet Concerto in A major, K. 622: Allegro |
| José Ostranec (clarinettist, an Alfred Scholz pseudonym) |
clarinet |
Konzert für Klarinette und Orchester A-Dur KV 622, 2.Satz: Adagio |
| José van Dam |
vocal |
Così fan tutte: Soave sia il vento |
| Hanna Schwarz |
vocal |
Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A |
| Elizabeth Wallfisch |
violin |
Trio for Piano No. 2 in G major, K. 496: III. Allegretto |
| New World Symphony |
performing orchestra |
Concerto for Clarinet and Orchestra in A Major, K 622: Allegro |
| New York Philharmonic |
performing orchestra |
German Dance No. 8, K. 605, No. 3: Sleigh Ride |
| Judith Sherman |
producer |
Double Piano Concerto in E flat major, K365: I. Allegro (Excerpt) |
| Boston Early Music Festival Orchestra |
performing orchestra |
Requiem, K.623: Dies Irae |
| Tashi Quartet |
performer |
M*A*S*H: Goodbye, Farewell, and Amen: Clarinet Quintet: I. |
| New York Trombone Quartet |
trombone |
Suite Divertissement: II. Sonata Allegro from Sym. 13 |
| Hans Knappertsbusch |
conductor |
Die Zauberflöte: Ach, ich fühl's, es ist verschwunden (4.12.1941) |
| Nicola Frisardi |
piano |
Piano Concerto No. 9 in E-flat major, KV 271: III. Rondo. Presto |
| Elzbieta Szmytka |
vocal |
La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegretto - tempo primo - allegretto "Sono in amore, voglio marito" (Ninetta) |
| Hans Otto |
organ |
Exsultate, jubilate, K. 165 (158a): Allegro - (Andante) - (Vivace) |
| Julian Bigg |
conductor |
Don Giovanni: "Madamina" (Catalogue Aria) |
| Terry Davies |
conductor |
The Logue Method (Mozart: The Marriage of Figaro / Clarinet Concerto Mvt. 1) |
| Cornelia Samuelis |
vocal |
Laudate Domnium KV339 |
| Julian Clarkson |
vocal |
Don Giovanni - Act I - 'Riposate, vezzose ragazze!' |
| The Boston Brass Ensemble |
instrument |
The Magic Flute: Queen of the Night Vengeance Aria |
| Juliette Hurel (French flautist) |
transverse flute |
Sonate pour flûte et piano en ut majeur K14: Allegro |
| The Cleveland Orchestra |
performing orchestra |
Klavierkonzert Nr. 21 C-Dur KV 467: Andante |
| The English Concert |
performing orchestra |
Symphony No. 40 in G minor (K. 550) - I. Molto allegro |
| The Hilliard Ensemble |
vocal |
Vespere solonnes de confessore: Laudate Dominum |
| Olaf Bär |
vocal |
Die Zauberflöte: Ein Mädchen oder Weibchen |
| Cornelia Weismann (soprano) |
vocal |
Laudate Dominus, KV 339 |
| Hans Schmidt-Isserstedt |
conductor |
Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo) |
| Hans Stadlmair |
conductor |
Sinfonie in D "The Peasant's Wedding": 5. Finale: Molto Allegro |
| Opernhaus- und Museumsorchester Frankfurt |
performing orchestra |
Symphonie Nr. 32 - 1. Satz |
| Boston Pops Orchestra |
performing orchestra |
Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante |
| The Philadelphia Orchestra |
performing orchestra |
Cosi fan tutte: Soave sia il vento |
| Balint Vazsonyi |
piano |
Fantasy in D minor, K. 397 |
| Hans-Detlef Löchner |
clarinet |
Clarinet Quintet in A Major, K. 581: Larghetto |
| Epiphanias Kantorei (Choir of the Epiphanias church in Frankfurt am Main) |
vocal |
KV 141, Te Deum |
| Epiphanias Orchester (Orchestra of the Epiphanias church in Frankfurt am Main) |
performing orchestra |
KV 141, Te Deum |
| Orchestra del Maggio Musicale Fiorentino |
performing orchestra |
Don Giovanni : Non mi dir |
| Thomas Quasthoff |
vocal |
In diesen heil’gen Hallen |
| Thomas Schulze |
vocal |
Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum |
| Dale Clevenger |
French horn |
Concerto for Horn and Orchestra No. 2, K. 417: I. Allegro maestoso |
| Kammerensemble des Figuralchors Stuttgart |
performer |
Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317: 2. Gloria |
| Harmon Lewis (Pianist) |
piano |
Sehnsucht nach dem Frühlinge, KV 596: May Time |
| Harold Newman (classical conductor) |
conductor |
Eine Kleine Nachtmusik (2nd Movement) |
| Tomoko Takashima |
clarinet |
Divertimento No.1 andante |
| Trevor Pinnock |
conductor |
Symphony No. 40 in G minor (K. 550) - I. Molto allegro |
| Trudeliese Schmidt |
vocal |
Messe C-dur KV 317 "Krönungsmesse": Agnus Dei |
| Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks (Chamber orchestra of the Bavarian Radio Symphony Orchestra) |
performing orchestra |
Piano Concerto No.19 in F Major, K.459: 3. Allegro assai |
| Tullio Serafin |
conductor |
Don Giovanni : Non mi dir |
| Tátrai Quartet |
performer |
Clarinet Quintet in A Major, K. 581: Larghetto |
| Orchestra of the Royal Opera House, Covent Garden |
performing orchestra |
Don Giovanni: Là ci darem la mano |
| Alicia de Larrocha |
piano |
Sonate n°11 en la majeur, K.311 : III. Marche turque |
| Erich Kleiber |
conductor |
Le nozze de figaro: Acte Quatre / "Gente, Gente! All'armi, All'Armi!" |
| Karin Ott |
performer |
Die Zauberflöte, K.620 / Act 2 - Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) |
| Karita Mattila |
vocal |
Così fan tutte: Soave sia il vento |
| Erich Kunzel |
conductor |
Piano Concerto No. 21 in C major, K. 467: II. Andante |
| Heidi Riess |
vocal |
Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. "Kyrie eleison" |
| Karl Richter (conductor/ choir master/ organist/ harpsichordist) |
conductor |
Dies Irae From Requiem |
| Valery Lloyd-Watts (pianist) |
piano |
Minuet K.2 |
| Orchestre des Champs-Élysées |
performing orchestra |
Messe en Do mineur: Jesu Christe |
| Alison Balsom |
trumpet |
Rondo alla turca |
| Erich Orthmann |
conductor |
Die Zauberflote: "In diesen heil'gen Hallen" |
| Heinz Wallberg |
conductor |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna) |
| Karl-Heinz Schickhaus |
Appalachian dulcimer |
Sinfonie in D "The Peasant's Wedding": 5. Finale: Molto Allegro |
| Orquesta Sinfónica de Radio Televisión Española |
performing orchestra |
Réquiem en re menor: Lacrimosa |
| Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) |
conductor, piano |
Piano Concerto no. 21 in C: 2. Andante |
| Vladimir Cosma |
arranger |
Le Plus Beau Métier du monde : Andantino grazioso |
| Karl-Heinz Steffens |
clarinet |
Concerto pour clarinette K. 622 : II. Adagio |
| Oscar Ravina (violinist) |
violin |
Serenade No. 4 In D, K. 203 |
| Osian Ellis (Welsh harpist and composer) |
harp |
Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino |
| Vlado Perlemuter |
piano |
Piano Sonata no.12 in F major, K322: II. Adagio (Excerpt) |
| Karl-Magnus Fredriksson |
vocal |
Figaros bröllop: Grevens aria |
| Danica Moziova |
piano |
Minuet in D maj. |
| Aladar Mozi |
violin |
Minuet in D maj. |
| W.F. Wahl (conductor) |
conductor |
Laudate Dominus, KV 339 |
| Daniel Harding |
conductor |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2] |
| Katarina Andreasson |
conductor |
Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino |
| Helena Kaupova |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira) |
| Andrew Parrott |
conductor |
Requiem, K.623: Dies Irae |
| Alois Aigner |
French horn |
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare) |
| Helmut Heller |
violin |
Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) |
| Kay Johannsen |
organ |
Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" |
| Paul Gay |
vocal |
Don Giovanni: Madamina |
| Ward Botsford |
producer |
Symphony no.29 in A major, K201: I. Allegro moderato (Excerpt) |
| Brian Couzens (engineer/editor/producer) |
producer |
The Magic Flute: Act II. “A woman’s beauty is beguiling” (Second Priest, Speaker, Papageno) |
| Ervin Lukács (conductor) |
conductor |
Idomeneo: Act III. "D'Oreste, d'Ajace" (Electra) |
| Keith O. Johnson (engineer) |
recording |
Piano Concerto No. 21 in C major, K. 467: II. Andante |
| Cheryl Studer |
vocal |
Die Zauberflöte: Der Hölle Rache |
| Werner Tripp |
flute |
Flute Concerto no.1 in G, K.313: Adagio non troppo |
| Alastair Miles (bass) |
vocal |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) |
| Eugene Cottle |
vocal |
Vesperae Solennes de Confessore, K. 339: I. "Dixit Dominus" |
| Paul Stubblebine |
editor |
Piano Concerto No. 21 in C major, K. 467: II. Andante |
| Eugene Istomin |
piano |
Piano Concerto No. 21 in C major, K. 467: II. Andante |
| Eugene Ormandy |
conductor |
Cosi fan tutte: Soave sia il vento |
| Klaus Arp |
conductor |
Ouverture Cosi Fan Tutte KV 588 |
| David Blackside |
conductor |
Die Zauberflöte (Ouvertüre), KV 620 |
| Klaus Maetzl (violinist) |
violin |
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto |
| Peter Jancovic (flautist, an Alfred Scholz pseudonym) |
flute |
Concerto for Flute, Harp and Orchestra in C major, KV 299: III. Rondo: Allegro |
| David Garrett (classical violinist) |
violin |
Sonata for Piano and Violin in B-flat, K.454: Andante |
| Eva Seniglova |
vocal |
Così fan tutte, K. 588: Act I, Scene XI. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) |
| Klaus-Peter Hahn |
conductor |
Serenade No. 4 in D major, KV 203: Menuetto |
| Wilhelm Loibner |
conductor |
Le Nozze di Figaro: Non più andrai (24.5.1938) |
| Will Sanders (french horn) |
French horn |
Concerto pour cor KV 495 en mi bémol majeur : I. Allegro moderato |
| Kocian Quartet |
instrument |
String Quartet, KV575 |
| William Bennett (flautist) |
flute |
Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino |
| William Christie |
conductor |
Die Zauberflöte, K. 620: Act I, Scene XV. no. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) |
| Kodály Quartet |
performer |
Rondo: Allegro, III, From the String Quartet in F major, K.370 |
| Koji Okazaki |
bassoon |
Divertimento No.1 andante |
| Wojciech Rajski |
conductor |
Rondo for piano & orchestra in A major, K. 386 |
| Wolf Harden |
piano |
Sonata for Violin & Piano No. 32 in F major, K. 374d/376: III. Rondo. Allegretto |
| Wolfgang Brendel (baritone) |
vocal |
The Magic Flute |
| David Glazer |
clarinet |
Concerto for Clarinet and Orchestra in A: II. Adagio |
| Bruno Walter |
conductor |
Don Giovanni: Act II, Scene I. "Leporello! ... Signore!" |
| Wolfgang Isenhardt (tenor) |
vocal |
Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum |
| Wolfgang Meyer (organist, harpsichordist) |
organ |
Vesperae solennes de confessore in C, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117) |
| Peter Mirring |
violin |
Flute Quartet K. 285a: Tempo di Minuetto |
| Wout van Andel |
organ |
Fuga in g, KV 401 (organ: Wout van Andel) |
| Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006) |
performing orchestra |
German Dances No. 1 & No. 2 |
| Kovács Béla |
instrument |
Clarinet Concerto in A: Adagio |
| Peter Schikora |
viola |
Flute Quartet K. 285a: Tempo di Minuetto |
| Peter Schmalfuss (pianist) |
piano |
Rondo für Klavier D-Dur KV 315 |
| Yvonne Kenny |
vocal |
Die Entführung aus dem Serail, K. 384: Act 2 "Martern aller Arten" (Konstanze) |
| Failoni Kamarazenekar |
performing orchestra |
Der Vogelfänger bin ich ja ur 'Trollflöjten' |
| Zoltán Kocsis |
piano |
Fantasia no. 3 in C minor, KV 475 |
| Alban Berg Quartett |
instrument |
String Quartets |
| Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) |
conductor |
Menuetto |
| Kurpfalz Chamber Orchestra |
performing orchestra |
Serenade No. 4 in D major, KV 203: Menuetto |
| Chick Corea |
piano |
Klavierkonzert in d-Moll: Rondo, Allegro assai |
| Arife Gülşen Tatu |
flute |
Concerto for Flute and Orchestra No 2 in D major |
| Kurt Graunke |
conductor |
Eine kleine Nachtmusik, K 525: Finale. Rondo |
| Philharmonia Hungarica |
performing orchestra |
Cosi fan tutte: Der odem der liebe |
| Ľuba Orgonášová (soprano) |
vocal |
Don Giovanni - Act I - 'Riposate, vezzose ragazze!' |
| Ferdinand Leitner |
conductor |
Serenade No. 7 for orchestra in D major ("Haffner"), K. 250 (K. 248b): 2. Andante |
| Kurt Moll |
vocal |
Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A |
| Виртуозы Москвы |
performing orchestra |
Quartet in F major, KV 370 |
| Philharmonic Orchestra London (Alfred Scholz related) |
performing orchestra |
Symphonie No. 41 C-Dur, K. 551 „Jupiter“: I. Allegro vivace |
| Георги Робев |
conductor |
The Magic Flute: Act II. Scene X. ''Heil sei euch Geweihten'' (Chorus) |
| Philip Langridge |
vocal |
La clemenza di Tito, K. 621: Act 2 "Se all'impero, amici Dei" (Tito) |
| Alexander Martin (Pianist) |
piano |
Don Giovanni: Madamina |
| Philippe Entremont |
piano |
Piano Sonata no. 11 (Rondo) All Turca (from Fame) |
| Емил Табаков |
performer |
Ein Mädchen oder Weibchen |
| Adalbert Skocic |
cello |
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto |
| Philippe Herreweghe |
conductor |
Messe en Do mineur: Jesu Christe |
| Howard Cable |
arranger |
Die Zauberflöte, K. 620: Aria "Der Hölle Rache" |
| Kálmán Berkes |
clarinet |
Divertimento No.1 andante |
| Bejun Mehta |
vocal |
Mitridate: Aria Già dagli occhi il velo è tolto |
| Националния филхармоничен хор „Светослав Обретенов“ |
vocal |
The Magic Flute: Act II. Scene X. ''Heil sei euch Geweihten'' (Chorus) |
| Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created) |
performing orchestra |
Menuetto |
| L'Archibudelli |
performing orchestra |
Quartet für Klarinette, Violine, Viola und Violoncello in B-Dur, KV 378 (317d): III. Rondo. Allegro - Allegro vivace -Tempo primo |
| La Chapelle Royale |
performing orchestra |
Messe en Do mineur: Jesu Christe |
| CBC Radio Orchestra |
performing orchestra |
Sinfonia Concertante for Flute, Harp & Orchestra in C major, K. 297c/299: I. Allegro |
| Hubert Reichert (conductor) |
conductor |
Clarinet Concerto in A major, K. 622: Allegro |
| Håkan Hagegård |
performer |
Die Zauberflöte, K. 620: Act I. "Wo willst du kühner Fremdling, hin?" |
| Plácido Domingo |
vocal |
Don Giovanni: "Il mio tesoro" |
| Polska Filharmonia Kameralna |
performing orchestra |
Rondo for piano & orchestra in A major, K. 386 |
| Hélène Grimaud |
piano |
Piano Concerto No.19 in F Major, K.459: 3. Allegro assai |
| 西崎崇子 |
violin |
Sonata for Violin & Piano No. 32 in F major, K. 374d/376: III. Rondo. Allegretto |
| 豊田耕児 (violinist) |
violin |
String Quartet No. 15 in D Minor, K. 421: III. Minuet |
| Adrian Leaper |
conductor |
Réquiem en re menor: Lacrimosa |