Klaus Strüben

balance, engineer, sound, recording

Top collaborators

Artist name Roles Recordings
Jayachamaraja Wodeyar
Anton Bruckner
Zuzanna Skolias
Richard Grant (engineer)
Leoš Janáček (Czech composer)

Work on other artists' recordings

Artist name Roles Recordings
Jayachamaraja Wodeyar balance Also sprach Zarathustra, op. 30, Aus Italien, op. 16: I. Andante. In the Campagna, Aus Italien, op. 16: II. Allegro molto con brio. The Ruins of Rome, Aus Italien, op. 16: III. Andantino. On the Beach at Sorrento, Aus Italien, op. 16: IV. Finale: Allegro molto. Neapolitan Folk Life, Burleske for Piano and Orchestra in D minor, Dance Suite From Harpsichord Pieces by François Couperin: I. Entrée and Stately Round, Dance Suite From Harpsichord Pieces by François Couperin: II. Courante, Dance Suite From Harpsichord Pieces by François Couperin: III. Carillon, Dance Suite From Harpsichord Pieces by François Couperin: IV. Sarabande, Dance Suite From Harpsichord Pieces by François Couperin: V. Gavotte, Dance Suite From Harpsichord Pieces by François Couperin: VI. Tourbillon, Dance Suite From Harpsichord Pieces by François Couperin: VII. Allemande, Dance Suite From Harpsichord Pieces by François Couperin: VIII. Marsch, Der Rosenkavalier, op. 59: Waltzes, Don Juan, op. 20, Duett-Concertino for Clarinet, Bassoon and Strings: I. Allegro moderato, Duett-Concertino for Clarinet, Bassoon and Strings: II. Andante, Duett-Concertino for Clarinet, Bassoon and Strings: III. Rondo. Allegro ma non troppo, Ein Heldenleben, op. 40: I. The Hero, Ein Heldenleben, op. 40: II. The Hero's Adversaries, Ein Heldenleben, op. 40: III. The Hero's Wife, Ein Heldenleben, op. 40: IV. Certainty of Victory, Ein Heldenleben, op. 40: IX. Renunciation, Ein Heldenleben, op. 40: V. The Hero's Battlefield, Ein Heldenleben, op. 40: VI. War Fanfares, Ein Heldenleben, op. 40: VII. The Hero's Works of Peace, Ein Heldenleben, op. 40: VIII. The Hero's Withdrawal From the World, Eine Alpensinfonie, op. 64: I. Night, Eine Alpensinfonie, op. 64: II. Sunrise, Eine Alpensinfonie, op. 64: III. The Ascent, Eine Alpensinfonie, op. 64: IV. Entering the Forest, Eine Alpensinfonie, op. 64: IX. In a Mountain Pasture, Eine Alpensinfonie, op. 64: V. Strolling by the Stream, Eine Alpensinfonie, op. 64: VI. By the Waterfall, Eine Alpensinfonie, op. 64: VII. Apparition, Eine Alpensinfonie, op. 64: VIII. In Flowery Meadows, Eine Alpensinfonie, op. 64: X. Lost in the Thickets and Undergrowth, Eine Alpensinfonie, op. 64: XI. On the Glacier, Eine Alpensinfonie, op. 64: XII. Dangerous Moments, Eine Alpensinfonie, op. 64: XIII. On the Summit, Eine Alpensinfonie, op. 64: XIV. Vision, Eine Alpensinfonie, op. 64: XIX. A Thunderstorm, Eine Alpensinfonie, op. 64: XV. Mists Rise Up, Eine Alpensinfonie, op. 64: XVI. The Sun Grows Dark, Eine Alpensinfonie, op. 64: XVII. Elegy, Eine Alpensinfonie, op. 64: XVIII. Quiet Before the Storm, Eine Alpensinfonie, op. 64: XX. Sunset, Eine Alpensinfonie, op. 64: XXI. Conclusion, Eine Alpensinfonie, op. 64: XXII. Night, Horn Concerto no. 1 in E-flat major, op. 11: I. Allegro, Horn Concerto no. 1 in E-flat major, op. 11: II. Andante, Horn Concerto no. 1 in E-flat major, op. 11: III. Allegro, Horn Concerto no. 2 in E-flat major: I. Allegro, Horn Concerto no. 2 in E-flat major: II. Andante con moto, Horn Concerto no. 2 in E-flat major: III. Rondo. Allegro molto, Josephslegende, op. 63, Le Bourgeois gentilhomme, op. 60: I. Overture, Le Bourgeois gentilhomme, op. 60: II. Jourdain-Minuet, Le Bourgeois gentilhomme, op. 60: III. The Fencing Master, Le Bourgeois gentilhomme, op. 60: IV. Entrance and Dance of the Tailors, Le Bourgeois gentilhomme, op. 60: IX. The Dinner, Le Bourgeois gentilhomme, op. 60: V. Minuet of Lully, Le Bourgeois gentilhomme, op. 60: VI. Courante, Le Bourgeois gentilhomme, op. 60: VII. Entry of Cléonte, Le Bourgeois gentilhomme, op. 60: VIII. Intermezzo, Macbeth, op. 23, Metamorphosen, Oboe Concerto in D major: I. Allegro moderato, Oboe Concerto in D major: II. Andante, Oboe Concerto in D major: III. Vivace, Panathenäenzug, op. 74, Parergon zur Sinfonia Domestica, op. 73, Salome, op. 54: Dance of the Seven Veils, Schlagobers, op. 70, Sinfonia Domestica, op. 53: I. Bewegt — Thema I — Thema II — Thema III, Sinfonia Domestica, op. 53: II. Scherzo (Munter), Sinfonia Domestica, op. 53: III. Wiegenlied — Mäßig langsam, Sinfonia Domestica, op. 53: IV. Adagio — (Langsam), Sinfonia Domestica, op. 53: V. Finale (Sehr lebhaft), Till Eulenspiegels lustige Streiche, op. 28, Tod und Verklärung, op. 24, Violin Concerto in D minor, op. 8: I. Allegro, Violin Concerto in D minor, op. 8: II. Lento, Violin Concerto in D minor, op. 8: III. Rondo
Anton Bruckner engineer, recording **3) Scherzo. Sehr schnell, Symphony No. 1 in C minor: I. Allegro, Symphony No. 1 in C minor: II. Adagio, Symphony No. 1 in C minor: III. Scherzo: Schnell - Trio: Langsamer, Symphony No. 1 in C minor: IV. Finale: Bewegt, feurig, Symphony No. 2 in C minor: I. Ziemlich schnell, Symphony No. 2 in C minor: II. Adagio, Symphony No. 2 in C minor: III. Scherzo: Schnell - Trio: Im gleichen Tempo, Symphony No. 2 in C minor: IV. Finale: Sehr schnell, Symphony No. 3 in D minor: I. Sehr langsam, misterioso, Symphony No. 3 in D minor: II. Adagio bewegt, quasi andante, Symphony No. 3 in D minor: III. Ziemlich schnell - Trio, Symphony No. 3 in D minor: IV. Allegro, Symphony No. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony No. 4 in E-flat major "Romantic": II. Andante, quasi allegretto, Symphony No. 4 in E-flat major "Romantic": III. Scherzo: Bewegt, Symphony No. 4 in E-flat major "Romantic": IV. Finale: Bewegt, doch nicht zu schnell, Symphony No. 5 in B-flat major: I. Introduktion: Adagio - Allegro, Symphony No. 5 in B-flat major: II. Adagio: Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo: Molto vivace - Trio: Im gleichen Tempo, Symphony No. 5 in B-flat major: IV. Finale: Adagio - Allegro molto, Symphony No. 6 in A major: I. Maestoso, Symphony No. 6 in A major: II. Adagio: Sehr feierlich, Symphony No. 6 in A major: III. Scherzo: Nicht schnell, Symphony No. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony No. 7: I. Allegro moderato, Symphony No. 7: II. Adagio - sehr feierlich und sehr langsam, Symphony No. 7: IV. Finale. Bewegt, doch nich zu schnell, Symphony No. 9 in D minor: I. Feierlich - misterioso, Symphony No. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony No. 9 in D minor: III. Adagio: Langsam, feierlich
Zuzanna Skolias balance Overture, Scherzo and Finale in E major, op. 52: I. Overture (Andante con moto - Allegro), Overture, Scherzo and Finale in E major, op. 52: II. Scherzo (Vivo) - Trio, Overture, Scherzo and Finale in E major, op. 52: III. Finale (Allegro molto vivace), Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace, Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto, Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo (Molto vivace) - Trios I & II, Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso, Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo, Symphony no. 2 in C major, op. 61: II. Scherzo (Allegro vivace) - Trios 1 & 2, Symphony no. 2 in C major, op. 61: III. Adagio espressivo, Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace, Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft, Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo (Sehr mäßig), Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell, Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich, Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) - Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft - Schneller-Presto
Richard Grant balance Don Quixote, op. 35: I. Introduktion: Mäßiges Zeitmaß. Don Quixote Sinks Into Madness, Don Quixote, op. 35: II. Mäßig. Don Quixote, Don Quixote, op. 35: III. Maggiore. Sancho Panza, Don Quixote, op. 35: IV. Variation I. The Adventure With the Windmills, Don Quixote, op. 35: IX. Variation VI. The Meeting With Dulcinea, Don Quixote, op. 35: V. Variation II. The Battle With the Sheep, Don Quixote, op. 35: VI. Variation III. Discourse Between Knight and Squire, Don Quixote, op. 35: VII. Variation IV. The Adventure With the Pilgrims, Don Quixote, op. 35: VIII. Variation V. The Knight's Vigil, Don Quixote, op. 35: X. Variation VII. The Ride Through the Air, Don Quixote, op. 35: XI. Variation VIII. The Voyage in the Enchanted Boat, Don Quixote, op. 35: XII. Variation IX. The Combat With the Two Magicians, Don Quixote, op. 35: XIII. Variation X. The Defeat of Don Quixote, Don Quixote: Finale (Sehr ruhig)
Leoš Janáček balance Glagolitic Mass: I. Úvod (Introduction), Glagolitic Mass: II. Gospodi pomiluj (Kyrie), Glagolitic Mass: III. Slava (Gloria), Glagolitic Mass: IV. Věruju (Credo), Glagolitic Mass: V. Svet (Sanctus), Glagolitic Mass: VI. Agneče Božij (Agnus Dei), Glagolitic Mass: VII. Varhany sólo, Glagolitic Mass: VIII. Intrada, Taras Bulba: I. The Death Of Andri, Taras Bulba: II. The Death Of Ostap, Taras Bulba: III. The Prophecy And Death Of Taras Bulba
Guy Pharand balance, engineer Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo: Allegro moderato, Symphony No. 8 in C minor: III. Adagio: Feierlich langsam, doch nicht schleppend, Symphony No. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Symphony no. 9 in D minor, op. 125 "Choral": 1. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 "Choral": 2. Molto vivace, Symphony no. 9 in D minor, op. 125 "Choral": 3. Adagio molto e cantabile, Symphony no. 9 in D minor, op. 125 "Choral": 4. Presto
MAXX balance Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro ma non tanto
Wolfgang Amadeus Mozart balance La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto), La clemenza di Tito: Act II, XIX. Rondo. "Deh per questo istante solo" (Sesto)
Sergej Van Bouwel engineer Fidelio overture, Op. 72b