Orchestra of the Age of Enlightenment

performing orchestra, wind instruments, performer

Top collaborators

Artist name Roles Recordings
Max Lipscomb
Henry Purcell (baroque composer)
Philippe Villa
Destitutes (Punk from Sweden)
Deams (Dutch rapper Deams Tesfah)

Work on other artists' recordings

Artist name Roles Recordings
Max Lipscomb performing orchestra Cantata, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia, Cantata, BWV 21 "Ich hatte viel Bekümmernis": Part I, I. Sinfonia, Chamber Concerto in G minor for Flute, Oboe, Bassoon, Violin and Continuo, RV 107: I. Allegro, Chamber Concerto in G minor for Flute, Oboe, Bassoon, Violin and Continuo, RV 107: II. Largo, Chamber Concerto in G minor for Flute, Oboe, Bassoon, Violin and Continuo, RV 107: III. Presto, Concerto No. 1 in F Major, BWV 1046: I. (No tempo indication), Concerto No. 1 in F Major, BWV 1046: II. Adagio, Concerto No. 1 in F Major, BWV 1046: III. Allegro, Concerto No. 1 in F Major, BWV 1046: IV. Menuetto - Trio I - Polacco - Trio II, Concerto No. 3 in G Major, BWV 1048: I. (No tempo indication), Concerto No. 3 in G Major, BWV 1048: II. Adagio - Allegro, Concerto No. 4 in G major, BWV 1049: I. Allegro, Concerto No. 4 in G major, BWV 1049: II. Andante, Concerto No. 5 in D major, BWV 1050: I. Allegro, Concerto No. 5 in D major, BWV 1050: II. Affettuoso, Concerto No. 5 in D major, BWV 1050: III. Allegro, Concerto No. 6 in B-flat major, BWV 1051: I. (No tempo indication), Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto, Concerto No. 6 in B-flat major, BWV 1051: III. Allegro, Concerto for Oboe, Strings and Continuo in D Minor, BWV 1059a (reconstruction): II. Adagio, Concerto for Oboe, Strings and Continuo in D Minor, BWV 1059a (reconstruction): III. Presto, Concerto for Oboe, Strings and Continuo in D Minor, BWV 1059a (reconstuction): I., Concerto for Oboe, Strings, and Continuo in F major, BWV 1053a (reconstruction): II. Siciliano, Concerto for Oboe, Strings, and Continuo in F major, BWV 1053a (reconstruction): III. Allegro, Concerto for Oboe, Strings, and Continuo in F major, BWV 1053a (reconstruction): Siciliano (alternate version), Concerto for Oboe, Strings, and Continuo in F major, BWV 1053a (reconstuction): I., Concerto in D minor for 2 Recorders, 2 Oboes, Bassoon and 2 Violins, RV 566: I. Allegro assai, Concerto in D minor for 2 Recorders, 2 Oboes, Bassoon and 2 Violins, RV 566: II. Largo, Concerto in D minor for 2 Recorders, 2 Oboes, Bassoon and 2 Violins, RV 566: III. Allegro, Concerto in D minor for Lute and Viola d’Amore, RV 540: I. Allegro, Concerto in D minor for Lute and Viola d’Amore, RV 540: II. Largo, Concerto in D minor for Lute and Viola d’Amore, RV 540: III. Allegro, Concerto in D minor for Oboe, RV 454: I. Allegro, Concerto in D minor for Oboe, RV 454: II. Largo, Concerto in D minor for Oboe, RV 454: III. Allegro, Concerto in F major for 2 Flutes, 2 Oboes, Violin, Cello and Harpsichord "Il proteo o sia il mondo al rovescio", RV 572: I. Allegro, Concerto in F major for 2 Flutes, 2 Oboes, Violin, Cello and Harpsichord "Il proteo o sia il mondo al rovescio", RV 572: II. Largo, Concerto in F major for 2 Flutes, 2 Oboes, Violin, Cello and Harpsichord "Il proteo o sia il mondo al rovescio", RV 572: III. Allegro, Concerto in F major for 2 Horns, RV 539: I. Allegro, Concerto in F major for 2 Horns, RV 539: II. Larghetto, Concerto in F major for 2 Horns, RV 539: III. Allegro, Concerto in F major, 1st Movement, Concerto in G major for Cello, RV 413: I. Allegro, Concerto in G major for Cello, RV 413: II. Largo, Concerto in G major for Cello, RV 413: III. Allegro, Concerto in G minor for Flute "La notte", RV 439: I. Largo / Presto / Largo / Presto, Concerto in G minor for Flute "La notte", RV 439: II. Largo, Concerto in G minor for Flute "La notte", RV 439: III. Allegro, Horn Concerto no. 2: Andante
Henry Purcell performing orchestra Come ye sons of art, ode for Queen Mary (1694): Come ye sons of art, Come ye sons of art, ode for Queen Mary (1694): Sound the trumpet, sound, Come ye sons of art, ode for Queen Mary (1694): Strike the viols, touch the lute, Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido), Dido & Aeneas Act I: Cupid only throws the dart (Chorus), Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman), Dido & Aeneas Act I: Grief increases by concealing (Belinda), Dido & Aeneas Act I: If not for mine (Aeneas), Dido & Aeneas Act I: Pursue thy conquest (Belinda), Dido & Aeneas Act I: See, your Royal Guest appears (Belinda), Dido & Aeneas Act I: Shake the cloud (Belinda), Dido & Aeneas Act I: The Triumphing Dance, Dido & Aeneas Act I: To the hills and the vales (Chorus), Dido & Aeneas Act I: When monarchs unite (Chorus), Dido & Aeneas Act I: Whence could so much virtue spring? (Dido), Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas), Dido & Aeneas Act II: But ere we this perform (Two Witches), Dido & Aeneas Act II: Echo Dance of Furies, Dido & Aeneas Act II: Harm's our delight (Chorus), Dido & Aeneas Act II: Haste, haste to town (Belinda), Dido & Aeneas Act II: Ho ho ho, ho ho ho! (Chorus), Dido & Aeneas Act II: In our deep vaulted cell (Chorus), Dido & Aeneas Act II: Oft she visits this lov'd mountain (Second Woman), Dido & Aeneas Act II: Prelude for the Witches, Dido & Aeneas Act II: Ritornelle, Dido & Aeneas Act II: Stay, Prince and hear great Jove's command (Spirit), Dido & Aeneas Act II: Thanks to these lovesome vales (Belinda), Dido & Aeneas Act II: The Grove's Dance, Dido & Aeneas Act II: The Queen of Carthage (Sorceress), Dido & Aeneas Act II: Then since our Charmes have Sped (Chorus), Dido & Aeneas Act III: Come away, fellow sailors (Chorus), Dido & Aeneas Act III: Destruction's our delight (Chorus), Dido & Aeneas Act III: Great minds against themselves conspire (Chorus), Dido & Aeneas Act III: Our next Motion (Sorceress), Dido & Aeneas Act III: Prelude, Dido & Aeneas Act III: See the flags and streamers curling (Sorceress), Dido & Aeneas Act III: The Witches' Dance, Dido & Aeneas Act III: Thy hand, Belinda (Dido), Dido & Aeneas Act III: When I am laid in earth (Dido), Dido & Aeneas Act III: With dropping wings ye Cupids come (Chorus), Dido & Aeneas Act III: Your counsel all is urged in vain (Dido), Dido & Aeneas: Ouverture
Philippe Villa performing orchestra Himmelfahrts-Oratorium, BWV 11: 1. Chor «Lobet Gott in seinen Reichen», Himmelfahrts-Oratorium, BWV 11: 2. Rezitative (Tenor) «Der Herr Jesus hub seine Hände auf», Himmelfahrts-Oratorium, BWV 11: 3. Rezitativ (Baß) «Ach, Jesu, ist dein Abschied schon so nah?», Himmelfahrts-Oratorium, BWV 11: 4. Arie (Altus) «Ach, bleibe doch, mein leibstes Leben», Himmelfahrts-Oratorium, BWV 11: 5. Rezitativ (Tenor) «Und ward aufgehoben zusehends», Himmelfahrts-Oratorium, BWV 11: 6. Choral «Nun lieget alles unter dir», Himmelfahrts-Oratorium, BWV 11: 7a. Rezitativ (Tenor, Baß) «Und sa sie ihm nachshen gen Himmel fahren», Himmelfahrts-Oratorium, BWV 11: 7b. Rezitativ (Altus) «Ach ja! So komme bald zurück», Himmelfahrts-Oratorium, BWV 11: 7c. Rezitativ (Tenor) «Sie aber beteten ihn an», Himmelfahrts-Oratorium, BWV 11: 8. Arie (Sopran) «Jesus, deine Gnadenblicke», Himmelfahrts-Oratorium, BWV 11: 9. Choral «Wenn soll es doch geschehen», Oster-Oratorium, BWV 249: 1. Sinfonia, Oster-Oratorium, BWV 249: 10. Rezitativ (Baß) «Wir sind erfreut», Oster-Oratorium, BWV 249: 11. Chor und Allegro «Preis und Dank», Oster-Oratorium, BWV 249: 2. Adagio, Oster-Oratorium, BWV 249: 3. Chor und Duett (Tenor, Baß) «Kommt, eilet und laufet», Oster-Oratorium, BWV 249: 4. Rezitativ (Altus, Sopran, Tenor, Baß) «O kalter Männer Sinn», Oster-Oratorium, BWV 249: 5. Arie (Sopran) «Seele, deine Spezereien», Oster-Oratorium, BWV 249: 6. Rezitativ (Tenor, Baß, Altus) «Hier ist die Gruft», Oster-Oratorium, BWV 249: 7. Arie (Tenor) «Sanfte soll mein Todeskummer», Oster-Oratorium, BWV 249: 8. Rezitativ und Arioso (Sopran, Altus) «Indessen seufzen wir mit brennender Begier», Oster-Oratorium, BWV 249: 9. Arie (Altus) «Saget, saget mir geschwinde»
Destitutes performing orchestra Concerto in A major, RV 396: I. Allegro, Concerto in A major, RV 396: II. Andante, Concerto in A major, RV 396: III. Allegro, Concerto in A minor, RV 397: I. Allegro, Concerto in A minor, RV 397: II. Largo, Concerto in A minor, RV 397: III. Allegro, Concerto in D major, RV 392: I. Allegro, Concerto in D major, RV 392: II. Largo, Concerto in D major, RV 392: III. Allegro, Concerto in D minor, RV 393: I. Allegro, Concerto in D minor, RV 393: II. Largo, Concerto in D minor, RV 393: III. Allegro, Concerto in D minor, RV 394: I. Allegro, Concerto in D minor, RV 394: II. Largo, Concerto in D minor, RV 394: III. Allegro, Concerto in D minor, RV 395: I. Allegro, Concerto in D minor, RV 395: II. Andante, Concerto in D minor, RV 395: III. Allegro, Concerto in D minor, RV 395: IV. Largo
Deams performing orchestra Rinaldo/Act 2 - ''Lascia Ch'io Pianga'', Serse, HWV 40: Aria: "Ombra mai fu", Serse, HWV 40: Aria: "Se bramate d'amar, chi vi sdegna", Serse, HWV 40: Recitativo: "Fondi tenere e belle", Serse: Frondi tenere, Serse: Ombra mai fù, Tamerlano: A dispetto, Theodora, HWV 68: "New scenes of joy", Theodora, HWV 68: Aria: "As with rosy steps the morn", Theodora, HWV 68: Aria: "Bane of virtue, nurse of passions", Theodora, HWV 68: Aria: "Defend her Heav'n!", Theodora, HWV 68: Aria: "Lord, to Thee each night and day", Theodora, HWV 68: Recitativo: "Ah! Whither should we fly, or fly from whom?", Theodora, HWV 68: Recitativo: "O bright example of all goodness!", Theodora, HWV 68: Recitativo: "She's gone, disdaining liberty and life", Theodora, HWV 68: Recitativo: "The clouds begin to veil the hemisphere"
Rascasuelos performing orchestra Clarinet Concerto no. 1 in E flat, op. 1: I. Allegro, Clarinet Concerto no. 1 in E flat, op. 1: II. Adagio, Clarinet Concerto no. 1 in E flat, op. 1: III. Rondo (Allegretto), Clarinet Concerto no. 1 in F minor, op. 73: I. Allegro moderato, Clarinet Concerto no. 1 in F minor, op. 73: II. Adagio ma non troppo, Clarinet Concerto no. 2 in E flat, op. 74: I. Allegro, Clarinet Concerto no. 2 in E flat, op. 74: II. Romanze. Andante. Andante con moto, Clarinet Concerto no. 2 in E flat, op. 74: III. Alla Polacca, Clarinet Concerto no. 2 in F minor, op. 5: I. Allegro, Clarinet Concerto no. 2 in F minor, op. 5: II. Andante pastorale, Clarinet Concerto no. 2 in F minor, op. 5: III. Rondo (Allegretto), Clarinet Concerto no. 3 in B flat, op. 11: I. Allegro risoluto, Clarinet Concerto no. 3 in B flat, op. 11: II. Andante moderato, Clarinet Concerto no. 3 in B flat, op. 11: III. Alla polacca, Concertino for Clarinet & Orchestra in E flat, op. 26
David Harvey performing orchestra Elijah, op. 70: Part I, no. 1 Chorus "Help, Lord! Wilt Thou quite destroy us" (the people), Elijah, op. 70: Part I, no. 11 Chorus "Baal, we cry to thee (prophets of Baal), Elijah, op. 70: Part I, no. 2 Duet with chorus "Lord, bow Thine ear to our prayer" (the people, two women), Elijah, op. 70: Part I, no. 20 Chorus "Thanks be to God! He laveth the thirsty land" (the people), Elijah, op. 70: Part I, no. 5 Chorus "Yet doth the Lord see it not" (the people), Elijah, op. 70: Part I, no. 9 Chorus "Blessed are the men who fear Him", Elijah, op. 70: Part II, no. 22 Chorus "'Be Not afraid', saith God the Lord", Elijah, op. 70: Part II, no. 24 Chorus "Woe to him! He shall perish" (the people), Elijah, op. 70: Part II, no. 29 Chorus "He, watching over Israel", Elijah, op. 70: Part II, no. 32 Chorus "He that shall endure to the end, shall be saved", Elijah, op. 70: Part II, no. 34 Chorus "Behold, God the Lord passed by!", Elijah, op. 70: Part II, no. 38 Chorus "Then did Elijah the prophet break forth like a fire", Elijah, op. 70: Part II, no. 41 Chorus - Quartet "But the Lord from the north hath raised one...Oh come everyone that thirsteth", Elijah, op. 70: Part II, no. 42 Chorus "And then shall your light break forth"
Cecilia Bartoli performing orchestra Alfin son sola...Sola e mesta (La cifra (Eurilla)), Dopo pranzo addormentata (Il ricco d'un giorno (Lauretta)), E non degg'io seguirla...Lungi da te...Forse, chi sa? veranno...Vieni a me sull'ali d'oro (Armida (Rinaldo)), E voi da buon marito...Non vo' già che vi suonino (La cifra (Lisotta)), Eccomi piú che mai...Amor, pietoso Amore (Il ricco d'un giorno (Emilia)), La Ra la (La grotta di Trofonio (Ofelia)), Lungi da me sen vada...Contro un'alma sventurata (Palmira, regina di Persia (Palmira)), No, non vacillerá...Sulle mie tempie (La secchia rapita (Gheranda)), Or ei con Ernestina...Ah sia già (La scuola de' gelosi (La Contessa)), Se lo dovessi vendere (La finta scema (Ninetta)), Son qual lacera tartana (La secchia rapita (Renoppia)), Vi sono sposa e amante (La fiera di Venezia (Calloandra)), Voi lusingate invano...Misera abbandonata (Palmira, regina di Persia (Palmira))
Joseph Haydn performing orchestra Symphony No. 83 in G minor "La Poule": I. Allegro spiritoso, Symphony No. 83 in G minor "La Poule": II. Andante, Symphony No. 83 in G minor "La Poule": III. Menuetto: Allegretto - Trio, Symphony No. 83 in G minor "La Poule": IV. Finale: Vivace, Symphony No. 84 in E-flat minor: I. Largo - Allegro, Symphony No. 84 in E-flat minor: II. Andante, Symphony No. 84 in E-flat minor: III. Menuet. Allegretto - Trio, Symphony No. 84 in E-flat minor: IV. Finale: Vivace, Symphony No. 85 in B-flat major "La Reine de France": I. Adagio - Vivace, Symphony No. 85 in B-flat major "La Reine de France": II. Romance: Allegretto, Symphony No. 85 in B-flat major "La Reine de France": III. Menuetto: Allegretto - Trio, Symphony No. 85 in B-flat major "La Reine de France": IV. Finale: Presto
Enzo Pietropaoli Quartet performing orchestra Aria for Soprano & Orchestra in B-flat major, K. 578: "Alma grande e nobil core", Aria for Soprano & Orchestra in E-flat major, K. 583: "Vado, ma dove?", Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina), Così fan tutte, K. 588: Act II, Scene X. No. 28 Aria "È amore un ladroncello" (Dorabella), Così fan tutte, KV 588: Ei parte... Senti!... Ah, no! - Per pietà, ben mio, perdona, Idomeneo, re di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia), La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" (Vitellia), Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino), Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Finale "Giunse alfin il momento" (Cherubino, La Contessa, Il Conte, Susanna, Figaro), Le nozze di Figaro, KV 492: Giunse alfin il momento - Al desio di chi t'adora, Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene"
Carl Philipp Emanuel Bach performing orchestra Cello Concerto in A Major, Wq 172 (H 432): I. Allegro, Cello Concerto in A Major, Wq 172 (H 432): II. Largo, Cello Concerto in A Minor, Wq 170 (H 439): I. Allegro Assai, Cello Concerto in A Minor, Wq 170 (H 439): II. Andante, Cello Concerto in A Minor, Wq 170 (H 439): III. Allegro Assai, Cello Concerto in B-Flat Major, Wq 171 (H 432): I. Allegro, Cello Concerto in B-Flat Major, Wq 171 (H 432): II. Adagio, Cello Concerto in B-Flat Major, Wq 171 (H 432): III. Allegro Assai
Ascended Dead performing orchestra Elijah, op. 70: Part I, no. 10 Recitative - Chorus "As God the Lord of Sabaoth liveth (Elijah, Ahab, the people), Elijah, op. 70: Part I, no. 14 Aria "Lord God of Abraham, Isaac and Israel" (Elijah), Elijah, op. 70: Part I, no. 17 Aria "Is not His word like a fire" (Elijah), Elijah, op. 70: Part I. Introduction "As God the Lord of Israel liveth" (Elijah), Elijah, op. 70: Part II, no. 26 Aria "It is enough! O Lord, now take away my life" (Elijah), Elijah, op. 70: Part II, no. 30 Recitative "Arise, Elijah, for thou hast a long journey before thee", Elijah, op. 70: Part II, no. 37 Arioso "For the mountains shall depart" (Elijah)
比嘉真優子 performing orchestra Violin Concerto in D minor: I. Allegro, Violin Concerto in D minor: II. Andante, Violin Concerto in D minor: III. Allegro, Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace
Franz Schubert performing orchestra Deutsche Messe: Wohin soll ich mich wenden?, Messe As-Dur, D. 678: II. Gloria, Messe D 950: Benedictus, Symphonie No. 8 "Inachevée" : II. Andante Con Moto (extrait) (feat. Orchestra of the Age of Enlightement, Charles Mackerras), Symphonie No. 9 "La Grande" : Andante con moto (extrait) (feat. Orchestra of the Age of Enlightement, Charles Mackerras)
Octavia performing orchestra Elijah, op. 70: Part I, no. 15 Quartet "Cast thy burden upon the Lord" (Angels), Elijah, op. 70: Part I, no. 7 Double quartet "For He shall give His Angels charge over thee" (Angels), Elijah, op. 70: Part I. Overture, Elijah, op. 70: Part II, no. 28 Trio "Lift thine eyes to the mountains" (Angels)
Vinyl Scratch performing orchestra Elijah, op. 70: Part I, no. 3 Recitative "Ye people, rend your hearts and not your garments" (Obadiah), Elijah, op. 70: Part I, no. 4 Aria "If with all your hearts ye truly seek Me..." (Obadiah), Elijah, op. 70: Part II, no. 27 Recitative "See, now he sleepeth beneath a juniper tree" (tenor I), Elijah, op. 70: Part II, no. 39 Aria "Then shall the righteous shine forth" (tenor I)
Jean-Philippe Rameau performing orchestra Les Paladins, comédie lyrique, Air pour les Pagodes, Les Paladins, comédie lyrique, Contredanse en rondeau, Les Paladins, comédie lyrique, Entrée des Paladines et ensuite Paladins, Les Paladins, comédie lyrique, Gavotte I-II
Jim Carney performing orchestra Elijah, op. 70: Part I, no. 18 Arioso "Woe, woe unto them who forsake Him!" (contralto I), Elijah, op. 70: Part I, no. 6 Recitative "Elijah! Get thee hence, Elijah!" (an Angel), Elijah, op. 70: Part II, no. 31 Aria "Oh rest in the Lord" (an Angel), Elijah, op. 70: Part II, no. 35 Recitative - Chorus "Above Him stood the Seraphim...Holy is God the Lord Sabaoth" (contralto I, Seraphim)
Chris Watson performing orchestra Symphony no. 9 in C major: I. Andante - allegro ma non troppo, Symphony no. 9 in C major: II. Andante con moto, Symphony no. 9 in C major: III. Scherzo (Allegro vivace), Symphony no. 9 in C major: IV. Finale (Allegro vivace)
Ignis Haereticum performing orchestra Elijah, op. 70: Part I, no. 12 Recitative - Chorus "Call him louder, for he is a god!" (Elijah, prophets of Baal), Elijah, op. 70: Part I, no. 13 Recitative - Chorus "Call him louder! He heareth not" (Elijah, prophets of Baal), Elijah, op. 70: Part I, no. 16 Recitative - Chorus "O Thou, who makest Thine angels spirits" (Elijah, the people), Elijah, op. 70: Part II, no. 23 Recitative - Chorus "The Lord hath exalted thee from among the people" (Elijah, The Queen, the people)
George Frideric Handel performing orchestra L'Allegro, il Penseroso ed il Moderato, HWV 55: III. Il Moderato "As Steals the Morn", Serse, Act I: "Frondi tenere", Serse, HWV 40: "Frondi tenere... ombra mai fù" (Serse), Serse: Ombra Mai Fu
Felix Mendelssohn performing orchestra Ein Sommernachtstraum: Nocturne, Elijah - Part 1: O Thou Who Makest... Is Not His Word Like A Fire, Le songe d'une nuit d'été : Nocturne (feat. Orchestra of the Age of Enlightement, Charles Mackerras)
Winnifred May performing orchestra Concerto no. 6 in B-flat, BWV 1051: I. Allegro, Concerto no. 6 in B-flat, BWV 1051: II. Adagio Ma Non Tanto, Concerto no. 6 in B-flat, BWV 1051: III. Allegro
Danfango700 performing orchestra Elijah, Part II: “It is enough! O Lord now take away” / “See now he sleepeth”, Elijah, op. 70: Part II, no. 25 Recitative "Man of God, now let my words be precious in thy sight"
Christoph Willibald Gluck performing orchestra Orfeo ed Euridice: Ahimè! Dove trascorsi, Orfeo ed Euridice: Che faro senza Euridice?
Wolfgang Amadeus Mozart performing orchestra Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht), La Clemenza di Tito: Deh, Per Questo Instante Solo
Andrew & Ric performing orchestra Heute noch, lieber Vater, tut es doch from Schweigt stille, plaudert nicht "Coffee Cantata", Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Heute Noch, Lieber Vater
Antonio Vivaldi performing orchestra Nulla in Mundo Pax Sincera
Marminatrix performing orchestra Elijah, op. 70: Part I, no. 8 Aria - Duet "What have I to do with thee, o man of God?" (the widow, Elijah)
José Ramón Ripoll performing orchestra Suite No. 3 in D major, BWV 1068: II. Air
John Blow performer Venus & Adonis: Act II. The Cupid's Lesson: You place such delightful care (Venus, Cupid) (Orchestra of the Age of Enlightenment, feat. director René Jacobs, soprano: Rosemary Joshua, countertenor: Robin Blaze)
Johann Sebastian Bach performing orchestra Violin Concerto in G minor
MrYaridovich performing orchestra Elijah, op. 70: Part II, no. 21 Aria "Hear ye, Israel" (soprano I)
FluffyMixer performing orchestra Elijah, op. 70: Part II, no. 36 Chorus - Recitative "Go, return upon thy way!" (Elijah)
Exowave1 performing orchestra Elijah, op. 70: Part I, no. 19 Recitative and Chorus "O man of God, help thy people!" (Obadiah, Elijah, the boy, the people)
alioopster27 performing orchestra Elijah, op. 70: Part II, no. 33 Recitative "Night falleth round me, o Lord!" (Elijah, an Angel)
Contrarian performing orchestra Elijah, op. 70: Part II, no. 40 Recitative "Behold, God hath sent Elijah the prophet" (soprano I)
鳩間可奈子 performing orchestra The Hebrides (Fingal's Cave), op. 26