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The Hilliard Ensemble
vocal, performing orchestra, performer
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Artist name
Roles
Recordings
Rogers Covey-Crump (tenor)
vocal
4 Gesange for 4 Part Male Voices, D. 983: I. Junglingswonne, 4 Gesange for 4 Part Male Voices, D. 983: II. Liebe, 4 Gesange for 4 Part Male Voices, D. 983: III. Zum Rundtanz, 4 Gesange for 4 Part Male Voices, D. 983: IV. Die Nacht, Ah! My dear Son, Ah, gentle Jesu, Anna mater, Ave Maria, Mater Dei, Clangat tuba, De souspirant cuer, Ecce quod natura, Gesang der Geister uber den Wassern (a cappella), D. 538, Il nome del bel fior: IV. Il nome del bel fior, Il nome del bel fior: V. Maria III, Lullay, I saw, Marvel not Joseph, Missa pro defunctis: I. Responsorium "Memento mei Deus", Missa pro defunctis: II. Introitus, Missa pro defunctis: III. Kyrie, Missa pro defunctis: IV. Graduale, Missa pro defunctis: IX. Antiphona "In paradisum", Missa pro defunctis: V. Offertorium, Missa pro defunctis: VI. Sanctus & Benedictus, Missa pro defunctis: VII. Agnus Dei, Missa pro defunctis: VIII. Communio, Mondenschein, D. 875, Musique sacrée dans l'Angleterre du XIV siècle: Campanis cum cymbalis / Honoremus Dominam, Musique sacrée dans l'Angleterre du XIV siècle: Edi be thu, Musique sacrée dans l'Angleterre du XIV siècle: Gabriel from heven-king, Musique sacrée dans l'Angleterre du XIV siècle: Gaude virgo Mater Christi, Musique sacrée dans l'Angleterre du XIV siècle: Mater ora filium, O pulcherrima mulierum, Prophetiae Sibyllarum: I. Carmina Chromatico, Prophetiae Sibyllarum: II. Sibylla Persica, Prophetiae Sibyllarum: III. Sibylla Libyca, Prophetiae Sibyllarum: IV. Sibylla Delphica, Prophetiae Sibyllarum: IX. Sibylla Phrygia, Prophetiae Sibyllarum: V. Sibylla Cimmeria, Prophetiae Sibyllarum: VI. Sibylla Samia, Prophetiae Sibyllarum: VII. Sibylla Cumana, Prophetiae Sibyllarum: VIII. Sibylla Hellespontiaca, Prophetiae Sibyllarum: X. Sibylla Europaea, Prophetiae Sibyllarum: XII. Sibylla Erythraea, Prophetiae Sibyllarum: XIII. Sibylla Agrippa, Sancta mater gracie / Dou way Robin, Sehnsucht, D. 656, St. Thomas honour we, Stella Caeli, There is no rose, Thomas gemma Cantuariae / Thomas cesus in Doveria
Carlo Gesualdo
David James (countertenor)
vocal
Ah! My dear Son, Ah, gentle Jesu, Anna mater, Ave Maria, Mater Dei, Clangat tuba, De souspirant cuer, Ecce quod natura, Il nome del bel fior: IV. Il nome del bel fior, Il nome del bel fior: V. Maria III, Lullay, I saw, Marvel not Joseph, Missa pro defunctis: I. Responsorium "Memento mei Deus", Missa pro defunctis: II. Introitus, Missa pro defunctis: III. Kyrie, Missa pro defunctis: IV. Graduale, Missa pro defunctis: IX. Antiphona "In paradisum", Missa pro defunctis: V. Offertorium, Missa pro defunctis: VI. Sanctus & Benedictus, Missa pro defunctis: VII. Agnus Dei, Missa pro defunctis: VIII. Communio, Musique sacrée dans l'Angleterre du XIV siècle: Campanis cum cymbalis / Honoremus Dominam, Musique sacrée dans l'Angleterre du XIV siècle: Edi be thu, Musique sacrée dans l'Angleterre du XIV siècle: Gabriel from heven-king, Musique sacrée dans l'Angleterre du XIV siècle: Gaude virgo Mater Christi, Musique sacrée dans l'Angleterre du XIV siècle: Mater ora filium, O pulcherrima mulierum, Prophetiae Sibyllarum: I. Carmina Chromatico, Prophetiae Sibyllarum: II. Sibylla Persica, Prophetiae Sibyllarum: III. Sibylla Libyca, Prophetiae Sibyllarum: IV. Sibylla Delphica, Prophetiae Sibyllarum: IX. Sibylla Phrygia, Prophetiae Sibyllarum: V. Sibylla Cimmeria, Prophetiae Sibyllarum: VI. Sibylla Samia, Prophetiae Sibyllarum: VII. Sibylla Cumana, Prophetiae Sibyllarum: VIII. Sibylla Hellespontiaca, Prophetiae Sibyllarum: X. Sibylla Europaea, Prophetiae Sibyllarum: XII. Sibylla Erythraea, Prophetiae Sibyllarum: XIII. Sibylla Agrippa, Sancta mater gracie / Dou way Robin, Sehnsucht, D. 656, St. Thomas honour we, Stella Caeli, There is no rose, Thomas gemma Cantuariae / Thomas cesus in Doveria
Gordon Jones (baritone)
vocal
Ah! My dear Son, Ah, gentle Jesu, Anna mater, Ave Maria, Mater Dei, Clangat tuba, De souspirant cuer, Ecce quod natura, Gesang der Geister uber den Wassern (a cappella), D. 538, Il nome del bel fior: IV. Il nome del bel fior, Il nome del bel fior: V. Maria III, Lullay, I saw, Marvel not Joseph, Missa pro defunctis: I. Responsorium "Memento mei Deus", Missa pro defunctis: II. Introitus, Missa pro defunctis: III. Kyrie, Missa pro defunctis: IV. Graduale, Missa pro defunctis: IX. Antiphona "In paradisum", Missa pro defunctis: V. Offertorium, Missa pro defunctis: VI. Sanctus & Benedictus, Missa pro defunctis: VII. Agnus Dei, Missa pro defunctis: VIII. Communio, O pulcherrima mulierum, Prophetiae Sibyllarum: I. Carmina Chromatico, Prophetiae Sibyllarum: II. Sibylla Persica, Prophetiae Sibyllarum: III. Sibylla Libyca, Prophetiae Sibyllarum: IV. Sibylla Delphica, Prophetiae Sibyllarum: IX. Sibylla Phrygia, Prophetiae Sibyllarum: V. Sibylla Cimmeria, Prophetiae Sibyllarum: VI. Sibylla Samia, Prophetiae Sibyllarum: VII. Sibylla Cumana, Prophetiae Sibyllarum: VIII. Sibylla Hellespontiaca, Prophetiae Sibyllarum: X. Sibylla Europaea, Prophetiae Sibyllarum: XII. Sibylla Erythraea, Prophetiae Sibyllarum: XIII. Sibylla Agrippa, Sancta mater gracie / Dou way Robin, St. Thomas honour we, Stella Caeli, There is no rose, Thomas gemma Cantuariae / Thomas cesus in Doveria
Giovanni Pierluigi da Palestrina
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Rogers Covey-Crump (tenor)
vocal
4 Gesange for 4 Part Male Voices, D. 983: I. Junglingswonne, 4 Gesange for 4 Part Male Voices, D. 983: II. Liebe, 4 Gesange for 4 Part Male Voices, D. 983: III. Zum Rundtanz, 4 Gesange for 4 Part Male Voices, D. 983: IV. Die Nacht, Ah! My dear Son, Ah, gentle Jesu, Anna mater, Ave Maria, Mater Dei, Clangat tuba, De souspirant cuer, Ecce quod natura, Gesang der Geister uber den Wassern (a cappella), D. 538, Il nome del bel fior: IV. Il nome del bel fior, Il nome del bel fior: V. Maria III, Lullay, I saw, Marvel not Joseph, Missa pro defunctis: I. Responsorium "Memento mei Deus", Missa pro defunctis: II. Introitus, Missa pro defunctis: III. Kyrie, Missa pro defunctis: IV. Graduale, Missa pro defunctis: IX. Antiphona "In paradisum", Missa pro defunctis: V. Offertorium, Missa pro defunctis: VI. Sanctus & Benedictus, Missa pro defunctis: VII. Agnus Dei, Missa pro defunctis: VIII. Communio, Mondenschein, D. 875, Musique sacrée dans l'Angleterre du XIV siècle: Campanis cum cymbalis / Honoremus Dominam, Musique sacrée dans l'Angleterre du XIV siècle: Edi be thu, Musique sacrée dans l'Angleterre du XIV siècle: Gabriel from heven-king, Musique sacrée dans l'Angleterre du XIV siècle: Gaude virgo Mater Christi, Musique sacrée dans l'Angleterre du XIV siècle: Mater ora filium, O pulcherrima mulierum, Prophetiae Sibyllarum: I. Carmina Chromatico, Prophetiae Sibyllarum: II. Sibylla Persica, Prophetiae Sibyllarum: III. Sibylla Libyca, Prophetiae Sibyllarum: IV. Sibylla Delphica, Prophetiae Sibyllarum: IX. Sibylla Phrygia, Prophetiae Sibyllarum: V. Sibylla Cimmeria, Prophetiae Sibyllarum: VI. Sibylla Samia, Prophetiae Sibyllarum: VII. Sibylla Cumana, Prophetiae Sibyllarum: VIII. Sibylla Hellespontiaca, Prophetiae Sibyllarum: X. Sibylla Europaea, Prophetiae Sibyllarum: XII. Sibylla Erythraea, Prophetiae Sibyllarum: XIII. Sibylla Agrippa, Sancta mater gracie / Dou way Robin, Sehnsucht, D. 656, St. Thomas honour we, Stella Caeli, There is no rose, Thomas gemma Cantuariae / Thomas cesus in Doveria
David James (countertenor)
vocal
Ah! My dear Son, Ah, gentle Jesu, Anna mater, Ave Maria, Mater Dei, Clangat tuba, De souspirant cuer, Ecce quod natura, Il nome del bel fior: IV. Il nome del bel fior, Il nome del bel fior: V. Maria III, Lullay, I saw, Marvel not Joseph, Missa pro defunctis: I. Responsorium "Memento mei Deus", Missa pro defunctis: II. Introitus, Missa pro defunctis: III. Kyrie, Missa pro defunctis: IV. Graduale, Missa pro defunctis: IX. Antiphona "In paradisum", Missa pro defunctis: V. Offertorium, Missa pro defunctis: VI. Sanctus & Benedictus, Missa pro defunctis: VII. Agnus Dei, Missa pro defunctis: VIII. Communio, Musique sacrée dans l'Angleterre du XIV siècle: Campanis cum cymbalis / Honoremus Dominam, Musique sacrée dans l'Angleterre du XIV siècle: Edi be thu, Musique sacrée dans l'Angleterre du XIV siècle: Gabriel from heven-king, Musique sacrée dans l'Angleterre du XIV siècle: Gaude virgo Mater Christi, Musique sacrée dans l'Angleterre du XIV siècle: Mater ora filium, O pulcherrima mulierum, Prophetiae Sibyllarum: I. Carmina Chromatico, Prophetiae Sibyllarum: II. Sibylla Persica, Prophetiae Sibyllarum: III. Sibylla Libyca, Prophetiae Sibyllarum: IV. Sibylla Delphica, Prophetiae Sibyllarum: IX. Sibylla Phrygia, Prophetiae Sibyllarum: V. Sibylla Cimmeria, Prophetiae Sibyllarum: VI. Sibylla Samia, Prophetiae Sibyllarum: VII. Sibylla Cumana, Prophetiae Sibyllarum: VIII. Sibylla Hellespontiaca, Prophetiae Sibyllarum: X. Sibylla Europaea, Prophetiae Sibyllarum: XII. Sibylla Erythraea, Prophetiae Sibyllarum: XIII. Sibylla Agrippa, Sancta mater gracie / Dou way Robin, Sehnsucht, D. 656, St. Thomas honour we, Stella Caeli, There is no rose, Thomas gemma Cantuariae / Thomas cesus in Doveria
Gordon Jones (baritone)
vocal
Ah! My dear Son, Ah, gentle Jesu, Anna mater, Ave Maria, Mater Dei, Clangat tuba, De souspirant cuer, Ecce quod natura, Gesang der Geister uber den Wassern (a cappella), D. 538, Il nome del bel fior: IV. Il nome del bel fior, Il nome del bel fior: V. Maria III, Lullay, I saw, Marvel not Joseph, Missa pro defunctis: I. Responsorium "Memento mei Deus", Missa pro defunctis: II. Introitus, Missa pro defunctis: III. Kyrie, Missa pro defunctis: IV. Graduale, Missa pro defunctis: IX. Antiphona "In paradisum", Missa pro defunctis: V. Offertorium, Missa pro defunctis: VI. Sanctus & Benedictus, Missa pro defunctis: VII. Agnus Dei, Missa pro defunctis: VIII. Communio, O pulcherrima mulierum, Prophetiae Sibyllarum: I. Carmina Chromatico, Prophetiae Sibyllarum: II. Sibylla Persica, Prophetiae Sibyllarum: III. Sibylla Libyca, Prophetiae Sibyllarum: IV. Sibylla Delphica, Prophetiae Sibyllarum: IX. Sibylla Phrygia, Prophetiae Sibyllarum: V. Sibylla Cimmeria, Prophetiae Sibyllarum: VI. Sibylla Samia, Prophetiae Sibyllarum: VII. Sibylla Cumana, Prophetiae Sibyllarum: VIII. Sibylla Hellespontiaca, Prophetiae Sibyllarum: X. Sibylla Europaea, Prophetiae Sibyllarum: XII. Sibylla Erythraea, Prophetiae Sibyllarum: XIII. Sibylla Agrippa, Sancta mater gracie / Dou way Robin, St. Thomas honour we, Stella Caeli, There is no rose, Thomas gemma Cantuariae / Thomas cesus in Doveria
Paul Hillier
conductor, vocal
4 Gesange for 4 Part Male Voices, D. 983: I. Junglingswonne, 4 Gesange for 4 Part Male Voices, D. 983: II. Liebe, 4 Gesange for 4 Part Male Voices, D. 983: III. Zum Rundtanz, 4 Gesange for 4 Part Male Voices, D. 983: IV. Die Nacht, Bon Jour Mon Coeur, Chanson: En l'ombre d'ung buissonet (a 3), Chanson: In te Domine speravi (a 4), Chanson: Je me complains (a 5), Chanson: Je ne me puis tenir d'aimer (a 5), Chanson: Milles regretz (a 4), Chanson: Petite camusette (a 6), Cum Natus Esset Jesus, Fleur de Quinze Ans, Frotolla: El grillo (a 4), Frotolla: Scaramella va alla guerra (a 4), Gesang der Geister uber den Wassern (a cappella), D. 538, In Monte Oliveti, J'Ayme la Pierre Précieuse, La Nuict Froide et Sombre, Margot Labourez les Vignes, Mondenschein, D. 875, Motet-Chanson: La deploration de Jehan Ockeghem (a 5), Motet: Ave Maria... Virgo serena (a 4), Motet: De profundis clamavi (a 4), Motet: Veni sancte Spiritus (a 6), Musique sacrée dans l'Angleterre du XIV siècle: Campanis cum cymbalis / Honoremus Dominam, Musique sacrée dans l'Angleterre du XIV siècle: Edi be thu, Musique sacrée dans l'Angleterre du XIV siècle: Gabriel from heven-king, Musique sacrée dans l'Angleterre du XIV siècle: Gaude virgo Mater Christi, Musique sacrée dans l'Angleterre du XIV siècle: Mater ora filium, Pour Courir en Poste à la Ville, Sehnsucht, D. 656, Stabat Mater, Susanne Ung Jour
John Potter
vocal
4 Gesange for 4 Part Male Voices, D. 983: I. Junglingswonne, 4 Gesange for 4 Part Male Voices, D. 983: II. Liebe, 4 Gesange for 4 Part Male Voices, D. 983: III. Zum Rundtanz, 4 Gesange for 4 Part Male Voices, D. 983: IV. Die Nacht, Gesang der Geister uber den Wassern (a cappella), D. 538, Missa pro defunctis: I. Responsorium "Memento mei Deus", Missa pro defunctis: II. Introitus, Missa pro defunctis: III. Kyrie, Missa pro defunctis: IV. Graduale, Missa pro defunctis: IX. Antiphona "In paradisum", Missa pro defunctis: V. Offertorium, Missa pro defunctis: VI. Sanctus & Benedictus, Missa pro defunctis: VII. Agnus Dei, Missa pro defunctis: VIII. Communio, Mondenschein, D. 875, Musique sacrée dans l'Angleterre du XIV siècle: Campanis cum cymbalis / Honoremus Dominam, Musique sacrée dans l'Angleterre du XIV siècle: Edi be thu, Musique sacrée dans l'Angleterre du XIV siècle: Gabriel from heven-king, Musique sacrée dans l'Angleterre du XIV siècle: Gaude virgo Mater Christi, Musique sacrée dans l'Angleterre du XIV siècle: Mater ora filium, Prophetiae Sibyllarum: I. Carmina Chromatico, Prophetiae Sibyllarum: II. Sibylla Persica, Prophetiae Sibyllarum: III. Sibylla Libyca, Prophetiae Sibyllarum: IV. Sibylla Delphica, Prophetiae Sibyllarum: IX. Sibylla Phrygia, Prophetiae Sibyllarum: V. Sibylla Cimmeria, Prophetiae Sibyllarum: VI. Sibylla Samia, Prophetiae Sibyllarum: VII. Sibylla Cumana, Prophetiae Sibyllarum: VIII. Sibylla Hellespontiaca, Prophetiae Sibyllarum: X. Sibylla Europaea, Prophetiae Sibyllarum: XII. Sibylla Erythraea, Prophetiae Sibyllarum: XIII. Sibylla Agrippa, Sehnsucht, D. 656
Peter Laenger (engineer/producer)
balance
De souspirant cuer, Missa pro defunctis: I. Responsorium "Memento mei Deus", Missa pro defunctis: II. Introitus, Missa pro defunctis: III. Kyrie, Missa pro defunctis: IV. Graduale, Missa pro defunctis: IX. Antiphona "In paradisum", Missa pro defunctis: V. Offertorium, Missa pro defunctis: VI. Sanctus & Benedictus, Missa pro defunctis: VII. Agnus Dei, Missa pro defunctis: VIII. Communio, Prophetiae Sibyllarum: I. Carmina Chromatico, Prophetiae Sibyllarum: II. Sibylla Persica, Prophetiae Sibyllarum: III. Sibylla Libyca, Prophetiae Sibyllarum: IV. Sibylla Delphica, Prophetiae Sibyllarum: IX. Sibylla Phrygia, Prophetiae Sibyllarum: V. Sibylla Cimmeria, Prophetiae Sibyllarum: VI. Sibylla Samia, Prophetiae Sibyllarum: VII. Sibylla Cumana, Prophetiae Sibyllarum: VIII. Sibylla Hellespontiaca, Prophetiae Sibyllarum: X. Sibylla Europaea, Prophetiae Sibyllarum: XII. Sibylla Erythraea, Prophetiae Sibyllarum: XIII. Sibylla Agrippa
Steven Harrold (tenor)
vocal
Ah! My dear Son, Ah, gentle Jesu, Anna mater, Ave Maria, Mater Dei, Clangat tuba, De souspirant cuer, Ecce quod natura, Il nome del bel fior: IV. Il nome del bel fior, Il nome del bel fior: V. Maria III, Lullay, I saw, Marvel not Joseph, O pulcherrima mulierum, Sancta mater gracie / Dou way Robin, St. Thomas honour we, Stella Caeli, There is no rose, Thomas gemma Cantuariae / Thomas cesus in Doveria
Simon Woods (producer)
producer
4 Gesange for 4 Part Male Voices, D. 983: I. Junglingswonne, 4 Gesange for 4 Part Male Voices, D. 983: II. Liebe, 4 Gesange for 4 Part Male Voices, D. 983: III. Zum Rundtanz, 4 Gesange for 4 Part Male Voices, D. 983: IV. Die Nacht, Gesang der Geister uber den Wassern (a cappella), D. 538, Mondenschein, D. 875, Sehnsucht, D. 656
Morris Miller (Editor)
editor
4 Gesange for 4 Part Male Voices, D. 983: I. Junglingswonne, 4 Gesange for 4 Part Male Voices, D. 983: II. Liebe, 4 Gesange for 4 Part Male Voices, D. 983: III. Zum Rundtanz, 4 Gesange for 4 Part Male Voices, D. 983: IV. Die Nacht, Gesang der Geister uber den Wassern (a cappella), D. 538, Mondenschein, D. 875, Sehnsucht, D. 656
Simon Rhodes
engineer
4 Gesange for 4 Part Male Voices, D. 983: I. Junglingswonne, 4 Gesange for 4 Part Male Voices, D. 983: II. Liebe, 4 Gesange for 4 Part Male Voices, D. 983: III. Zum Rundtanz, 4 Gesange for 4 Part Male Voices, D. 983: IV. Die Nacht, Gesang der Geister uber den Wassern (a cappella), D. 538, Mondenschein, D. 875, Sehnsucht, D. 656
David Beavan
vocal
4 Gesange for 4 Part Male Voices, D. 983: I. Junglingswonne, 4 Gesange for 4 Part Male Voices, D. 983: II. Liebe, 4 Gesange for 4 Part Male Voices, D. 983: III. Zum Rundtanz, 4 Gesange for 4 Part Male Voices, D. 983: IV. Die Nacht, Mondenschein, D. 875, Sehnsucht, D. 656
Michael George (operatic bass)
vocal
Musique sacrée dans l'Angleterre du XIV siècle: Campanis cum cymbalis / Honoremus Dominam, Musique sacrée dans l'Angleterre du XIV siècle: Edi be thu, Musique sacrée dans l'Angleterre du XIV siècle: Gabriel from heven-king, Musique sacrée dans l'Angleterre du XIV siècle: Gaude virgo Mater Christi, Musique sacrée dans l'Angleterre du XIV siècle: Mater ora filium
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
vocal
Musique sacrée dans l'Angleterre du XIV siècle: Campanis cum cymbalis / Honoremus Dominam, Musique sacrée dans l'Angleterre du XIV siècle: Edi be thu, Musique sacrée dans l'Angleterre du XIV siècle: Gabriel from heven-king, Musique sacrée dans l'Angleterre du XIV siècle: Gaude virgo Mater Christi, Musique sacrée dans l'Angleterre du XIV siècle: Mater ora filium
David Gould (countertenor)
vocal
De souspirant cuer
Manfred Eicher
producer
De souspirant cuer
Mark Padmore
vocal
Mondenschein, D. 875
Martin Wieland
recording
Summa
Work on other artists' recordings
Artist name
Roles
Recordings
Carlo Gesualdo
vocal
Asciugate i begli occhi, Benedictus, Correte, amanti, a prova, Deh, coprite il bel seno, Dolcissima mia vita, Felicissimo sonno, Feria V “In Coena Domini”: In I Nocturno, Responsorium 1, Feria V “In Coena Domini”: In I Nocturno, Responsorium 2, Feria V “In Coena Domini”: In I Nocturno, Responsorium 3, Feria V “In Coena Domini”: In II Nocturno, Responsorium 4, Feria V “In Coena Domini”: In II Nocturno, Responsorium 5, Feria V “In Coena Domini”: In II Nocturno, Responsorium 6, Feria V “In Coena Domini”: In III Nocturno, Responsorium 7, Feria V “In Coena Domini”: In III Nocturno, Responsorium 8, Feria V “In Coena Domini”: In III Nocturno, Responsorium 9, Feria VI “In Parasceve”: In I Nocturno, Responsorium 1, Feria VI “In Parasceve”: In I Nocturno, Responsorium 2, Feria VI “In Parasceve”: In I Nocturno, Responsorium 3, Feria VI “In Parasceve”: In II Nocturno, Responsorium 4, Feria VI “In Parasceve”: In II Nocturno, Responsorium 5, Feria VI “In Parasceve”: In II Nocturno, Responsorium 6, Feria VI “In Parasceve”: In III Nocturno, Responsorium 7, Feria VI “In Parasceve”: In III Nocturno, Responsorium 8, Feria VI “In Parasceve”: In III Nocturno, Responsorium 9, Gioite voi col canto, Itene, o miei sospiri, Languisce al fin, Ma tu, cagion, Mercè grido piangendo, Miserere, O dolorosa gioia, O tenebroso giorno, O voi, troppo felici, Occhi del mio cor vita, Poichè l'avida sete, Qual fora, donna, S'io non miro non moro, Sabbato Sancto: In I Nocturno: Responsorium 1, Sabbato Sancto: In I Nocturno: Responsorium 2, Sabbato Sancto: In I Nocturno: Responsorium 3, Sabbato Sancto: In II Nocturno: Responsorium 4, Sabbato Sancto: In II Nocturno: Responsorium 5, Sabbato Sancto: In II Nocturno: Responsorium 6, Sabbato Sancto: In III Nocturno: Responsorium 7, Sabbato Sancto: In III Nocturno: Responsorium 9, Se tu fuggi, io non resto, Se vi duol il mio duolo, T'amo, mia vita, Tu m'uccidi, o crudele
Giovanni Pierluigi da Palestrina
performing orchestra
Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Adiuro vos, filiae Ierusalem, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Caput eius aurum optimum, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Descendi in hortum meum, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Dilectus meus descendit, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Dilectus meus mihi, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Duo ubera tua sicut duo hinnuli, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Ecce tu pulcher es, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Fasciculus myrrhae, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Guttur tuum sicut vinum optimum, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Introduxit me rex in cellam, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Laeva eius sub capite meo, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Nigra sum, sed formosa, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Osculetur me osculo oris sui, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Pulchra es amica mea, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Pulchrae sunt genae tuae, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Quae est ista quae progreditur, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Quam pulchra es, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Quam pulchri sunt gressus tui, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Si ignoras te, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Sicut lilium inter spinas, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Surgam, et circuibo civitatem, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Surge, amica mea, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Surge, propera, amica mea, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Tota pulchra es, amica mea, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Trahe me, post te curremus, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Veni dilecte mi, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Vineam meam non custodivi, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Vox dilecti mei, Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Vulnerasti cor meum, Stanze sopra la Vergine (Petrarca) Il primo libro de madrigali a cinque voci: Vergine bella, che di sol vestita, Stanze sopra la Vergine (Petrarca) Il primo libro de madrigali a cinque voci: Vergine chiara e stabile in eterno, Stanze sopra la Vergine (Petrarca) Il primo libro de madrigali a cinque voci: Vergine pura, d'ogni part'intiera, Stanze sopra la Vergine (Petrarca) Il primo libro de madrigali a cinque voci: Vergine saggia, e del bel numer'una, Stanze sopra la Vergine (Petrarca) Il primo libro de madrigali a cinque voci: Vergine santa, d'ogni gratia piena, Stanze sopra la Vergine (Petrarca) Il primo libro de madrigali a cinque voci: Vergine sol'al mondo senza esempio, Stanze sopra la Vergine (Petrarca) Il primo libro de madrigali a cinque voci: Vergine, quante lagrim'ho gia sparte, Stanze sopra la Vergine (Petrarca) Il primo libro de madrigali a cinque voci: Vergine, tal è terra e post'ha in doglia
Heinrich Schütz
vocal
Deutsches Magnificat, SWV 494 "Meine Seele erhebt den Herren", Deutsches Magnificat, SWV 494: Meine Seele erhebt den Herren, Matthäus-Passion, SWV 479: I. Introitus, Matthäus-Passion, SWV 479: II. Und es begab sich, da Jesus diese Rede vollendet hatte, Matthäus-Passion, SWV 479: III. Da ging hin der Zwölfen Einer, Matthäus-Passion, SWV 479: IV. Da sie aber aßen, nahm Jesus das Brot, Matthäus-Passion, SWV 479: IX. Des Morgrens aber hielten alle Hohenpriester und Ältesten des Volks einen Rat über Jesum, Matthäus-Passion, SWV 479: V. Und da sie den Lobgesang gesprochen hatten, Matthäus-Passion, SWV 479: VI. Und als er noch redete, Matthäus-Passion, SWV 479: VII. Die aber Jesum gegriffen hatten, Matthäus-Passion, SWV 479: VIII. Petrus aber saß draußen im Palast, Matthäus-Passion, SWV 479: X. Jesus aber stund für dem Landpfleger, Matthäus-Passion, SWV 479: XI. Da nahmen die Kriegsknechte des Landpflegers Jesum zu sich, Matthäus-Passion, SWV 479: XII. Da sie ihn aber gekreuziget hatten, Matthäus-Passion, SWV 479: XIII. Desgleichen schmäheten ihn auch die Mörder, Matthäus-Passion, SWV 479: XIV. Und siehe da, der Vorhang im Tempel zerriß in zwei Stück, Matthäus-Passion, SWV 479: XV. Ehre sei dir, Christe, Psalm 100, SWV 493: Jauchzet dem Herren, alle Welt, Psalm 119, SWV 482: Wohl denen, die ohne Wandel leben, Psalm 119, SWV 483: Tue wohl deinem Knechte, daß ich lebe, Psalm 119, SWV 484: Zeige mir, Herr, den Weg deiner Rechte, Psalm 119, SWV 485: Gedenke deinem Knechte an dein Wort, Psalm 119, SWV 486: Du tust Guts deinem Knechte, Psalm 119, SWV 487: Meine Seele verlanget nach deinem Heil, Psalm 119, SWV 488: Wie habe ich dein Gesetze so lieb, Psalm 119, SWV 489: Ich hasse die Flattergeister, Psalm 119, SWV 490: Deine Zeugnisse sind wunderbarlich, Psalm 119, SWV 491: Ich rufe von ganzem Herzen, Psalm 119, SWV 492: Die Fürsten verfolgen mich ohn Ursach
[anonymous]
vocal
Alleluia : A newë Work, Alleluia: A newë work (Hilliard Ensemble), Alleluia: Hic est vere martir, Anna Mater Matris Christi (John Plummer), Civitas Nusquam Conditur, Dindirin, dindirin, Doleo super te, Isaias cecinit, Ite missa est, L'Angleterre du XIVe siècle: Campanis cum cymbalis. Honoremus Dominam, L'Angleterre du XIVe siècle: Ovet mundus letabundus, L'Angleterre du XIVe siècle: Valde mane diluculo, L'Angleterre du XIVe siècle: Worldes blisse have good day (Benedicamus Domino), La tricotera, Marvel Not, Joseph, Mater Christi nobilis, O Maria virginei, O potores exquisiti, Si la noche haze escura, Singularis laudis digna, There Is No Rose, Thomas gemma Cantuarie, Tierra i çielos se quexavan, Tota pulcra es amica mea, Tu civium primas, Veni creator spiritus
Guillaume de Machaut
vocal
Biauté parée de valour, Bone pastor, Diligenter inquiramus, Eins que ma dame d'onnur, Faus Samblant m'a deceü, Fine Amour, qui me vint navrer, Fins cuers dous, Ha! Fortune, Helas! où sera pris confors, Inviolata genitrix, Lasse! je suis en aventure, Notre Dame Mass, Agnus Dei, Part 1 (Hilliard Ensemble feat. conductor: Paul Hillier), Notre Dame Mass, Agnus Dei, Part 2 (Hilliard Ensemble feat. conductor: Paul Hillier), Notre Dame Mass, Agnus Dei, Part 3 (Hilliard Ensemble feat. conductor: Paul Hillier), O livoris feritas, Plange, regni respublica, Puis que la douce rousée, Qui plus aimme, Se j'aim mon loyal ami, Veni creator spiritus
Johannes Ockeghem
vocal
Agnus Dei (Missa Prolationum), Credo (Missa De plus en plus), Kyrie and Gloria (Missa Mi Mi), Missa Pro Defunctis, Missa ‘Mi-Mi’: I. Kyrie, Missa ‘Mi-Mi’: II. Gloria, Missa ‘Mi-Mi’: III. Credo, Missa ‘Mi-Mi’: IV. Sanctus & Benedictus, Missa ‘Mi-Mi’: V. Agnus Dei, Requiem: I. Introitus, Requiem: II. Kyrie, Requiem: III. Graduale, Requiem: IV. Tractus, Requiem: IX. Postcommunio, Requiem: V. Offertorium, Requiem: VI. Sanctus & Benedictus, Requiem: VII. Agnus Dei, Requiem: VIII. Communio, Sanctus (Missa Caput)
Lynn Halper
vocal
Alma Redemptoris mater, Ave Maria, Intemerata Dei mater, Missa prolationum: I. Kyrie - Christe eleison, Missa prolationum: I. Kyrie - Kyrie eleison I, Missa prolationum: I. Kyrie - Kyrie eleison II, Missa prolationum: II. Gloria, Missa prolationum: III. Credo, Missa prolationum: IV. Sanctus - Osanna, Missa prolationum: IV. Sanctus - Pleni sunt coeli, Missa prolationum: IV. Sanctus - Sanctus, Missa prolationum: V. Benedictus, Missa prolationum: VI. Agnus Dei I, Missa prolationum: VI. Agnus Dei II, III, Salve Regina
William Byrd
vocal
Christ rising again (Rom. 6:9-11; Cor. I, 15:20-22), Christe Qui Es Et Dies - Precamur, Come to me griefe for ever - The funerall Songs of that honorable Gent. Syr Phillip Sydney, Knight, Come wofull Orpheus, De Lamentatione Hieremiae, From Virgin's wombe - A Carowle for Christmas Day, Have mercy upon me, O God (Ps. 51:1-2), Laetentur Coeli, Lulla, lullaby, Make ye ioy to God (Ps. 100:1-2), Praise our Lord all yee Gentiles (Ps. 117), Through Amarillis daunce in greene, Turne our captivitie (Ps. 126:5-7), Who made thee, Hob - A dialogue between two shepherds, Ye sacred Muses - Elegy on the death of Thomas Tallis
Pierre de la Rue
vocal
Ave Regina celorum, Delicta juventutis, Four-part motets: Considera Israel, Four-part motets: Gaude virgo, Four-part motets: Plorer, gemier / Requiem, Four-part motets: Vexilla Regis / Passio Domini, Missa ‘Cum iocunditate’: I. Kyrie, Missa ‘Cum iocunditate’: II. Gloria, Missa ‘Cum iocunditate’: III. Credo, Missa ‘Cum iocunditate’: IV. Sanctus, Missa ‘Cum iocunditate’: V. Agnus Dei, O Salutaris Hostia
Thomas Tallis
vocal
Absterge Domine, Mass for four voices - Agnus Dei, Mass for four voices - Benedictus, Mass for four voices - Credo, Mass for four voices - Gloria, Mass for four voices - Sanctus, O Sacrum Convivium, Salvator mundi, The Lamentations of Jeremiah - De lamentatione, The Lamentations of Jeremiah - Incipit lamentatione
Guillaume Dufay
vocal
Agnus Dei, Anima mea, Ave Regina, Credo, Exultet celum laudibus, Flos florum, Missa Se la face ay pale: Kyrie / Gloria, Moribus, Sanctus and Benedictus, Vergene bella
Josquin des Prez
vocal
Miserere mei Deus, Missa Hercules Dux Ferrariae: Agnus Dei, Missa Hercules Dux Ferrariae: Benedictus, Missa Hercules Dux Ferrariae: Credo, Missa Hercules Dux Ferrariae: Gloria, Missa Hercules Dux Ferrariae: Kyrie, Missa Hercules Dux Ferrariae: Sanctus, Pater noster / Ave Maria, Tu solus qui facis mirabilia
Terje Rypdal
performer, vocal
Melodic Warrior, op. 79: A Prayer, Melodic Warrior, op. 79: Awakening, Melodic Warrior, op. 79: But Then Again, Melodic Warrior, op. 79: Easy Now, Melodic Warrior, op. 79: Magician Song, Melodic Warrior, op. 79: My Music Reaches to the Sky, Melodic Warrior, op. 79: Song of Thunders, Melodic Warrior, op. 79: The Morning Star, Melodic Warrior, op. 79: The Secret File
Orlande de Lassus
vocal
Prophetiae Sibyllarum: XI. Sibylla Tiburtina, Psalmi Davidis poenitentiales: I. Domine ne in furore tuo ... Miserere, Psalmi Davidis poenitentiales: II. Beati quorum remissae sunt, Psalmi Davidis poenitentiales: III. Domine ne in furore tuo ... Quoniam, Psalmi Davidis poenitentiales: IV. Miserere mei Deus, Psalmi Davidis poenitentiales: V. Domine exaudi orationem meam: et clamor meus, Psalmi Davidis poenitentiales: VI. De profundis clamavi ad te Domine, Psalmi Davidis poenitentiales: VII. V. Domine exaudi orationem meam: auribus percipe
Pérotin
vocal
Alleluia nativitas, Alleluia posui adiutorium, Beata viscera, Dum sigillum, Sederunt principes, Viderunt omnes
Max Reger
vocal
Fünf ausgewählte Volkslieder, No. 2. Liebchens Bote, Fünf ausgewählte Volkslieder, No. 5. Ich hab' die Nacht geträumet, Neun ausgewählte Volkslieder, No. 7. - Verlorenes Lieb', Neun ausgewählte Volkslieder, No. 7. Der Tod als Schnitter
Robert Schumann
vocal
Ritornelle von Friedrich Rückert, Op. 65 No. 1. Die Rose stand im Tau, Sechs Lieder für vierstimmigen Männerchor, Op33 No. 1. Der träumende See, Sechs Lieder für vierstimmigen Männerchor, Op33 No. 2. Die Minnesänger, Sechs Lieder für vierstimmigen Männerchor, Op33 No. 3. Die Lotosblume
Juan del Encina
vocal
Cucu, cucu, Mas vale trocar, Oy comamos y bebamos, Triste España sin ventura
Pedro de Escobar
vocal
Clamabat autem mulier, Passame por Dios, barquero, Salve regina
Cristóbal de Morales
vocal
Magnificat, Parce mihi, Domine, Pater noster / Ave Maria
Hernando Franco
vocal
Dios itlazu nantzine, In ihuicac cihuapille, Mementio mei, Deus
Peter Cornelius
vocal
Drei Männerchöre, Op. 12 No. 1. Der alte Soldat, Fünf Trauerchöre, Op. 9 No. 1. Ach, wie nichtig, ach, wie flüchtig
Francisco de Peñalosa
vocal
Inter vestibulum et altare, Magnificat
Alonso Perez de Alba
vocal
Stabat mater
Sam Mickens
vocal
Ave rex noster
Steven Stavrakis
vocal
De profundis
Nicolas Gombert
vocal
Lugebat David Absalon
Loyset Compère
vocal
Omnium bonorum plena
Juan Gutiérrez de Padilla
vocal
Transfige, dulcissme Domine
Wolfgang Amadeus Mozart
vocal
Vespere solonnes de confessore: Laudate Dominum
John Stafford Smith
performer
The Anacreontic Song (Anacreon in Heaven)
kusamaru
vocal
The Voice of St Columba
John Plummer
vocal
Ars nova et pré-Renaissance: Anna Mater Matris Christi
Johannes Lupi
vocal
Ergone conticuit
Randy Nichols
vocal
Di, por que mueres en cruz
Gavin Bryars
vocal
Glorious Hill
Alonso Lobo
vocal
O quam suavis est, Domine
Francisco Guerrero
vocal
Ave Virgio sanctissima
Cipriano de Rore
vocal
Anchor che col partire (Hilliard Ensemble)
Chip Meyers
vocal
Vox dilecti mei
Calogero
vocal
A la caça, sus, a caça
Bird Courage
vocal
O dulce y triste memoria
Antoine Busnois
vocal
In hydraulis
Andy deGanahl
vocal
Nunca fue pena mayor
Grad Hölzken
vocal
An den Wassern zu Babel saßen wir und weinten
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