Felicity Palmer

vocal, performer

Sample recordings

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Top collaborators

Artist name Roles Recordings
Gioachino Rossini
Arnold Schönberg
Deams (Dutch rapper Deams Tesfah)
Giuseppe Verdi (Italian opera composer)
Mark Mariash

Work on other artists' recordings

Artist name Roles Recordings
Gioachino Rossini vocal La Cenerentola: Atto I. "Cenerentola, vien qua" (Cenerentola, Clorinda, Tisbe, Alidoro, Coro), La Cenerentola: Atto I. Coro "Scegli la sposa" / Cavatina "Come un'ape ne' giorni d'aprile" (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, Coro), La Cenerentola: Atto I. Duetto "Un soave non so che" (Ramiro, Cenerentola, Clorinda, Tisbe), La Cenerentola: Atto I. Introduzione "No, no, no: non v'è" (Clorinda, Tisbe), La Cenerentola: Atto I. Introduzione "O figlie amabili" (Coro, Clorinda, Tisbe, Cenerentola, Alidoro), La Cenerentola: Atto I. Introduzione "Una volta c'era un re" (Cenerentola, Clorinda, Tisbe, Alidoro), La Cenerentola: Atto I. Recitativo "Allegrissimamente, che bei quadri!" (Dandini, Clorinda, Magnifico, Ramiro, Tisbe, Cenerentola), La Cenerentola: Atto I. Recitativo "Cenerentola, presto" (Tisbe, Clorinda, Cenerentola), La Cenerentola: Atto I. Recitativo "Ma bravo, bravo, bravo" (Dandini, Magnifico, Ramiro, Clorinda, Tisbe), La Cenerentola: Atto I. Recitativo "Sappiate che fra poco" (Clorinda, Tisbe, Magnifico), La Cenerentola: Atto II. Canzone "Una volta c'era un re" (Cenerentola) / Recitativo "Quanto sei caro!" (Cenerentola, Clorinda, Magnifico, Tisbe), La Cenerentola: Atto II. Recitativo "Mi par che quei birbanti" (Magnifico, Tisbe, Clorinda), La Cenerentola: Atto II. Recitativo "Scusate, amici" (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola, Clorinda, Tisbe), La Cenerentola: Atto II. Sestetto "Donna sciocca! Alma di fango!" (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico), La Cenerentola: Atto II. Sestetto "Siete voi?" - "Questo è un nodo avviluppato" (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico), La Cenerentola: Finale I. "Mi par d'essere sognando" (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini), La Cenerentola: Finale I. "Parlar, pensar, vorrei" (Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro), La Cenerentola: Finale I. "Sapientissimo Alidoro, questo strepito cos'è? " (Ramiro, Dandini, Alidoro, Clorinda, Tisbe), La Cenerentola: Finale I. "Signor, Altezza, è in tavola" (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini), La Cenerentola: Finale I. "Sprezzo quei don" (Cenerentola, Ramiro, Dandini, Clorinda, Tisbe), La Cenerentola: Finale I. Duetto "Zitto, zitto: piano piano" (Ramiro, Dandini) / "Principino, dove siete?" (Clorinda, Tisbe, Dandini, Ramiro, Alidoro, Coro) / "Venga, inoltri" (Coro), La Cenerentola: Finale II. Rondò "Nacqui all'affanno" (Cenerentola, Ramiro, Tisbe, Clorinda, Dandini, Magnifico, Alidoro, Coro), La Cenerentola: Finale II. Rondò "Non più mesta" (Cenerentola, Ramiro, Tisbe, Clorinda, Dandini, Magnifico, Alidoro, Coro), La Cerentola, Siete voi- Questo é un nodo Avviluppato
Arnold Schönberg performer Interlude, Moses und Aron, Act I: Scene 1: Moses' Berufung (Moses, Stimme), Moses und Aron, Act I: Scene 2: Moses begegnet Aaron in der Wüste (Aron, Moses), Moses und Aron, Act I: Scene 3: Moses und Aaron verkünden dem Volk die Botschaft Gottes (Junges Mädchen, junger Mann, anderer Mann, Priester, Chor), Moses und Aron, Act I: Scene 4: "Allmächtiger, meine Kraft ist zu Ende" (Moses, Aron, 6 Solostimmen, Chor), Moses und Aron, Act I: Scene 4: "Bringt ihr Erhörung" (Chor, Moses, Aron, Mädchen, junger Mann, Mann, Priester), Moses und Aron, Act I: Scene 4: "Ein Wunder erfüllt uns mit Schrecken" (Chor, Mädchen, junger Mann, Mann, Priester, Aron), Moses und Aron, Act I: Scene 4: "Er hat uns auserwählt" (Chor), Moses und Aron, Act I: Scene 4: "Erkennt euch darin" (Aron, 6 Solostimmen, Chor, Priester, Moses), Moses und Aron, Act II: Scene 1: Aaron und die 70 Ältesten vor dem Berg der Offenbarung (70 Älteste, Priester, Aron), Moses und Aron, Act II: Scene 2: "Wo ist Moses?" (Chor, 70 Älteste, Aron), Moses und Aron, Act II: Scene 3: "Dieses Bild bezeugt" (Aron), Moses und Aron, Act II: Scene 3: "O Götterbild" (Eine Kranke, Chor, 70 Älteste, Ephraimit, Stammesfürsten, junger Mann), Moses und Aron, Act II: Scene 3: "O goldener Gott" (4 nackte Jungfrauen, Chor, 70 Älteste), Moses und Aron, Act II: Scene 3: Feierlich (bar 320), Moses und Aron, Act II: Scene 3: Orgie der Trunkenheit und des Tanzes (70 Älteste) / Orgie der Vernichtung und des Selbstmordes (Mädchen), Moses und Aron, Act II: Scene 3: Rasch (bar 497), Moses und Aron, Act II: Scene 3: Tanz der Schlächter, Moses und Aron, Act II: Scene 3: Ziemlich rasch (bar 824) / Ertische Orgie (nackter Jüngling, andere Nackte, Chor), Moses und Aron, Act II: Scene 4: "Moses steigt vom Berg herab!" (Ein Mann, Moses, Volk), Moses und Aron, Act II: Scene 5: "Aron, was hast du getan?" (Moses, Aron, Chor)
Deams vocal Judas Maccabaeus, HWV 63: Act I, no. 14: Recitative "To Heav'n's Almighty king we kneel" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 15: Aria "Oh liberty, thou choicest treasure" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 16: Aria "Come, ever-smiling liberty" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 19: Duet "Come, ever-smiling liberty" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act I, no. 3: Recitative "Well, may your sorrows, brethren, flow" (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act I, no. 4: Duet "From this dread scene, these adverse pow'rs (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act II, no. 31: Duet "Sion now hear head shall raise" (Israelitish Woman and Man) / no. 32: Chorus "Sion now her head shall raise", Judas Maccabaeus, HWV 63: Act II, no. 33: Recitative "Oh let eternal honours crown his name" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 34: Aria "From mighty kings he took the spoil" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 40: Aria "Ah, wretched, wretched Israel" (Israelitish Woman) / no. 41 Chorus "Ah, wretched, wretched Israel!", Judas Maccabaeus, HWV 63: Act II, no. 49: Recitative "Ye worshippers of God" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act II, no. 50: Aria "Wise men, flatt'ring, may deceive us" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 51: Duet "Oh! Never, never bow we down" (Israelitish Woman and Man) / no. 52: Chorus "We never, never will bow down", Judas Maccabaeus, HWV 63: Act III, no. 55: Recitative "O grant it, Heav'n, that our long woes may cease (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 56: Aria "So shall the lute and harp awake" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 65: Recitative "Again to earth let gratitude descend (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 66: Aria, Duet "O lovely peace, with plenty crown'd" (Israelitish Woman and Man)
Giuseppe Verdi vocal Agnus Dei, Domine Jesu, Lux aeterna, Requiem e Kyrie: Kyrie, Requiem e Kyrie: Requiem, Sequence (Dies irae): Lacrymosa, Sequence (Dies irae): Liber Scriptus, Sequence (Dies irae): Quid sum miser, Sequence (Dies irae): Recordare, Sequence (Dies irae): Rex tremendae
Mark Mariash vocal Oratorio "Alexander's Feast", HWV 75: Part I, VI. Recitative: "The song began from Jove", Oratorio "Alexander's Feast", HWV 75: Part I, VIII. Aria (soprano): "With ravish'd ears", Oratorio "Alexander's Feast", HWV 75: Part I, XII. Recitative: "He chose a mournful muse", Oratorio "Alexander's Feast", HWV 75: Part I, XIII. Aria (soprano): "He sung Darius, great and good", Oratorio "Alexander's Feast", HWV 75: Part I, XIV. Recitative: "With downcast looks", Oratorio "Alexander's Feast", HWV 75: Part I, XVII. Arioso: "Softly sweet in Lydian measures", Oratorio "Alexander's Feast", HWV 75: Part I, XVIII. Aria: "War, he sung, is toil and trouble", Oratorio "Alexander's Feast", HWV 75: Part I, XX. Aria: "The prince, unable to conceal his pain", Oratorio "Alexander's Feast", HWV 75: Part II, VIII. Air and chorus: "Thais led the way", Oratorio "Alexander's Feast", HWV 75: Part II, X. Chorus: "At last divine Cecilia came"
Sir Michael Tippett vocal A Spiritual, A Spiritual (3.46), Alto Solo (0.53), Alto Solo (2.14), General Ensemble (5.15), Scena (Bass & Alto Soli), Scena (Chorus & Alto Solo), Scena (Solo Quartet), The Argument
Бессмертные vocal On a Tree by a River ("Tit Willow"), The Mikado: Act II. “Alone, and yet alive”, The Mikado: Act II. “For he’s gone and married Yum-Yum”, The Mikado: Act II. “Miya sama, miya sama”, The Mikado: Act II. “See how the Fates their gifts allot”, The Mikado: Act II. “There is beauty in the bellow of the blast”, There Is Beauty in the Bellow of the Blast
Dialog Dini Hari vocal Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren, Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus, Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke, Mass in B minor, BWV 232: Christe Eleison, Mass in B minor, BWV 232: Domine Deus, Mass in B minor, BWV 232: Et in Unum Dominum
Павел Арский vocal The Dream of Gerontius, op. 38: Part II. "And now the threshold" (The Angel), The Dream of Gerontius, op. 38: Part II. "It is the restless panting of their being" (The Angel), The Dream of Gerontius, op. 38: Part II. "My work is done" (The Angel), The Dream of Gerontius, op. 38: Part II. "Praise to His Name!" (The Angel), The Dream of Gerontius, op. 38: Part II. "Softly and gently" (The Angel)
Edward Elgar vocal Sea Pictures, op. 37: I. Sea Slumber Song, Sea Pictures, op. 37: II. In Haven (Capri), Sea Pictures, op. 37: III. Sabbath Morning at Sea, Sea Pictures, op. 37: IV. Where Corals Lie, Sea Pictures, op. 37: V. The Swimmer
Kryptonia85 vocal Magnificat in D major, BWV 243: Et exultavit (soprano solo), Magnificat in D major, BWV 243: Quia respexit (soprano solo) Qmnes generationes (chorus), Magnificat in D major, H. 772, Wq. 215: Quia Respexit (soprano solo)
N.R.G. Cell vocal The Dream of Gerontius, op. 38: Part II. "All hail, My child!" (The Angel, The Soul), The Dream of Gerontius, op. 38: Part II. "I see not those false spirits" (The Angel, The Soul), The Dream of Gerontius, op. 38: Part II. "They sing of they approaching agony" (The Angel, The Soul)
Benny Greb vocal Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada
Wolfgang Amadeus Mozart vocal Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene III, No. 2 Aria "Nacqui all'aria trionfale" (Eugenia), Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia)
Claudio Monteverdi vocal Madrigali guerrieri, et amorosi, Libro ottavo, Canti amorosi: "Mentre vaga angioletta"
Eddie Tudor vocal Szenen aus Goethes Faust: Zweite Abteilung. Ich heiße der Mangel
Radiant vocal Denn du bist klug (Elektra)
mk vocal The Dream of Gerontius, op. 38: Part II. "Thy judgement now is near" (The Angel, The Soul)
DJ Guit vocal Le nozze di Figaro, K. 492: Act III, Scene V. no. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)