| Violetshaped |
producer, sound |
Bergensiana, Bojarernes Indtogsmarsch, Brudefølget drager forbi, Dance Scene from "Queen Tamara", Fossegrimen, op. 21: Danse visionaire. Andante, Fossegrimen, op. 21: II. Huldremoyarnes dans. Allegretto grazioso, Fossegrimen, op. 21: IV. Melodrama og auds sang. Allegro, La Mélancolie, Norsk festouverture, op. 16, Norsk kunstnerkarneval, op. 14, Norske eventyrbilleder, op. 37: I. Peik, Prinsessen og Stortroldet, Norske eventyrbilleder, op. 37: II. Prinsessen kommer ridende på Bjørnen, Norske eventyrbilleder, op. 37: III. Troldenes Indtog i Berget det blå, Norske eventyrbilleder, op. 37: IV. Dans av Småtrold, Norske eventyrbilleder, op. 37: Troldmøernes Dans, Norwegian Rhapsody no. 3, op. 21, Norwegian Rhapsody no. 4, op. 22, Rabnabryllaup uti Kraakjalund, Rhapsodie norvégienne no. 1, Rhapsodie norvégienne no. 2, Sorte svaner, Suite ancienne, op. 31a: I. Intrata, Suite ancienne, op. 31a: II. Air con variazioni, Suite ancienne, op. 31a: III. Gigue, Suite ancienne, op. 31a: IV. Sarabande, Suite ancienne, op. 31a: V. Bourrée, Suite from "Mascarade": I. Holberg-Ouverture, Suite from "Mascarade": II. Cotillon, Suite from "Mascarade": III. Menuetto, Suite from "Mascarade": IV. Hanedansen, Suite from "Mascarade": V. Gavotte - Musette, Suite from "Mascarade": VI. Molinasque, Suite from "Mascarade": VII. Kehraus, Suite from "Mascarade": VIIIa. Arietta, Suite from "Mascarade": VIIIb. Passepied, Swan Lake, op. 20: Act I: 1. Scene: Allegro giusto, Swan Lake, op. 20: Act I: 2. Valse: Intrada. Tempo di valse - Valse, Swan Lake, op. 20: Act I: 3. Scene: Allegro moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: I. Intrada. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: II. Andante sostenuto, Swan Lake, op. 20: Act I: 4. Pas de Trois: III. Allegro simplice - Presto, Swan Lake, op. 20: Act I: 4. Pas de Trois: IV. Moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: V. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: VI. Coda. Allegro vivace, Swan Lake, op. 20: Act I: 5. Pas de Deux: I. Tempo di valse ma mon troppo vivo, quasi moderato, Swan Lake, op. 20: Act I: 5. Pas de Deux: II. Andante - Allegro - Molto più mosso, Swan Lake, op. 20: Act I: 5. Pas de Deux: III. Tempo di valse -, Swan Lake, op. 20: Act I: 5. Pas de Deux: IV. Coda. Allegro molto vivace, Swan Lake, op. 20: Act I: 6. Pas d'Action: Andantino quasi moderato - Allegro, Swan Lake, op. 20: Act I: 7. Sujet (Scene): [Moderato] -, Swan Lake, op. 20: Act I: 8. Danse des Coupes: Tempo di polacca, Swan Lake, op. 20: Act I: 9. Finale: I. Andante, Swan Lake, op. 20: Act II: 10. Scene: Moderato - Più mosso, Swan Lake, op. 20: Act II: 11. Scene. Allegro moderato - Moderato - Più mosso -, Swan Lake, op. 20: Act II: 12. Scene. Allegro - Moderato assai quasi andante, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: I. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: II. (Solo d'Odette.) Moderato più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: III. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: IV. [Pas de Quatre.] Allegro moderato, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VI. (Tour le Monde Danse): Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VII. Coda: Allegro vivo, Swan Lake, op. 20: Act II: 14. Scene (Finale II): Moderato - Più mosso, Swan Lake, op. 20: Act III: 15. Allegro giusto, Swan Lake, op. 20: Act III: 16. Danses du Corps de Ballet et des Nains: Moderato assai - (Ballabile.) Allegro vivo - Trio, Swan Lake, op. 20: Act III: 17. Scene. La Sortie des Invités et la Valse: Allegro - Tempo di valse - Allegro - Tempo di valse - Allegro - Tempo di valse, Swan Lake, op. 20: Act III: 18. Scene: Allegro - [Allegro] - Allegro giusto, Swan Lake, op. 20: Act III: 19. Pas de Six: Intrada: Moderato assai, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation I: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [III]: Moderato, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [IV]: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [V]: Moderato - Allegro simplice - Più mosso, Swan Lake, op. 20: Act III: 19. Pas de Six: [Variation II.]: Andante con moto, Swan Lake, op. 20: Act III: 19a. Pas de Deux: Moderato - Andante, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Coda.]: Allegro molto vivace, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation I.]: Allegro moderato, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation II.]: Allegro, Swan Lake, op. 20: Act III: 20. Danse Hongroise (Czardas): Moderato assai - Allegro moderato - Vivace, Swan Lake, op. 20: Act III: 20a. Danse Russe (pour Mlle Pelagia Karpakova): Moderato - Cadenza - Andante simplice - Allegro vivo - Presto, Swan Lake, op. 20: Act III: 21. Danse Espagnole: Allegro non troppo - Tempo di bolero - L'istesso tempo - Più mosso, Swan Lake, op. 20: Act III: 22. Danse Napolitaine: Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto, Swan Lake, op. 20: Act III: 23. Mazurka: Tempo di mazurka - Più mosso, Swan Lake, op. 20: Act III: 24. Scene (Finale III): Allegro - Valse - Allegro vivo - L'istesso tempo, Swan Lake, op. 20: Act III: Coda: Allegro molto, Swan Lake, op. 20: Act IV: 25. Entr'acte: Moderato -, Swan Lake, op. 20: Act IV: 26. Scene: Allegro non troppo -, Swan Lake, op. 20: Act IV: 27. Danses des Petits Cygnes: Moderato, Swan Lake, op. 20: Act IV: 28. Scene: Allegro agitato - Molto meno mosso - Allegro vivace -, Swan Lake, op. 20: Act IV: 29. Scene Finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Meno mosso - Moderato, Swan Lake, op. 20: Introduction: Moderato assai - Allegro ma non troppo - Tempo I, Symphonic Intermezzo from "The King", Symphony no. 1 in C minor: I. Allegro non troppo, Symphony no. 1 in C minor: II. Andante, Symphony no. 1 in C minor: III. Scherzo, Symphony no. 1 in C minor: IV. Finale, Symphony no. 1 in D major, op. 4: I. Molto allegro, Symphony no. 1 in D major, op. 4: II. Andante, Symphony no. 1 in D major, op. 4: III. Allegretto scherzando, Symphony no. 1 in D major, op. 4: IV. Finale. Maestoso – Allegro assai con fuoco, Symphony no. 2 in B-flat major, op. 15: I. Allegro, Symphony no. 2 in B-flat major, op. 15: II. Andante sostenuto, Symphony no. 2 in B-flat major, op. 15: III. Intermezzo. Allegro giusto, Symphony no. 2 in B-flat major, op. 15: IV. Finale. Andante – Allegro con fuoco – Stretto, Symphony no. 2 in D minor "Fatum": I. Allegro moderato, Symphony no. 2 in D minor "Fatum": II. Romance, Symphony no. 2 in D minor "Fatum": III. Intermezzo, Symphony no. 2 in D minor "Fatum": IV. Finale, Symphony no. 3 in C major: I. Poco andante, Symphony no. 3 in C major: II. Andante, Symphony no. 3 in C major: III. Finale. Allegro impetuoso, To islandske melodier: I. Maestoso, To islandske melodier: II. Moderato |
| Dewayne Petty |
engineer, producer, sound |
12 Études (a Madame la Comtesse D`Agoult) in A flat major "Aeolian Harp", Op. 25 No. 1: Allegro sostenuto, 12 Études (a Madame la Comtesse D`Agoult) in A minor "Winter Wind", Op. 25 No. 11: Allegro con brio, 12 Études (a Madame la Comtesse D`Agoult) in A minor, Op. 25 No. 4: Agitato, 12 Études (a Madame la Comtesse D`Agoult) in B minor, Op. 25 No. 10: Allegro con fuoco, 12 Études (a Madame la Comtesse D`Agoult) in C minor "Ocean", Op. 25 No. 12: Allegro molto con fuoco, 12 Études (a Madame la Comtesse D`Agoult) in C sharp minor, Op. 25 No. 7: Lento, 12 Études (a Madame la Comtesse D`Agoult) in D flat major, Op. 25 No. 8: Vivace assai, 12 Études (a Madame la Comtesse D`Agoult) in E minor, Op. 25 No. 5: Vivace, 12 Études (a Madame la Comtesse D`Agoult) in F major "Cartwheel", Op. 25 No. 3: Allegro, 12 Études (a Madame la Comtesse D`Agoult) in F minor "Balm", Op. 25 No. 2: Presto, 12 Études (a Madame la Comtesse D`Agoult) in G flat major "Butterfly", Op. 25 No. 9: Allegro assai, 12 Études (a Madame la Comtesse D`Agoult) in G sharp minor, Op. 25 No. 6: Allegro, 12 Études (a son ami Franz Liszt) in A flat major, Op. 10 No. 10: Vivace assai, 12 Études (a son ami Franz Liszt) in A minor, Op. 10 No. 2: Allegro, 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 1: Allegro, 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 7: Vivace, 12 Études (a son ami Franz Liszt) in C minor "Revolutionary", Op. 10 No. 12: Allegro con fuoco, 12 Études (a son ami Franz Liszt) in C sharp minor, Op. 10 No. 4: Presto, 12 Études (a son ami Franz Liszt) in E flat major, Op. 10 No. 11: Allegretto, 12 Études (a son ami Franz Liszt) in E flat minor, Op. 10 No. 6: Andante con molto espressione, 12 Études (a son ami Franz Liszt) in E major "Tristesse", Op. 10 No. 3: Lento ma non troppo, 12 Études (a son ami Franz Liszt) in F major, Op. 10 No. 8: Allegro, 12 Études (a son ami Franz Liszt) in F minor, Op. 10 No. 9: Allegro molto agitato, 12 Études (a son ami Franz Liszt) in G flat major "Black Keys", Op. 10 No. 5: Vivace, Années de Pèlerinage: Deuxième Année, Italie, S. 161: I. Sposalizio, Années de Pèlerinage: Deuxième Année, Italie, S. 161: II. Il Penseroso, Années de Pèlerinage: Deuxième Année, Italie, S. 161: III. Canzonetta del Salvator Rosa, Années de Pèlerinage: Deuxième Année, Italie, S. 161: IV. Sonetto 47 del Petrarca, Années de Pèlerinage: Deuxième Année, Italie, S. 161: V. Sonetto 104 del Petrarca, Années de Pèlerinage: Deuxième Année, Italie, S. 161: VI. Sonetto 123 del Petrarca, Années de Pèlerinage: Deuxième Année, Italie, S. 161: VII. Après une lecture du Dante. Fantasia quasi sonata, Années de Pèlerinage: Première Année, Suisse, S. 160: I. Chappelle de Guillaume Tell, Années de Pèlerinage: Première Année, Suisse, S. 160: II. Au lac de Wallenstadt, Années de Pèlerinage: Première Année, Suisse, S. 160: III. Pastorale, Années de Pèlerinage: Première Année, Suisse, S. 160: IV. Au bord d’une source, Années de Pèlerinage: Première Année, Suisse, S. 160: IX. Les cloches de Genève. Nocturne, Années de Pèlerinage: Première Année, Suisse, S. 160: V. Orage, Années de Pèlerinage: Première Année, Suisse, S. 160: VI. Vallée d’Obermann, Années de Pèlerinage: Première Année, Suisse, S. 160: VII. Églogue. De l’expression romantique et du ranz-des-vaches, Années de Pèlerinage: Première Année, Suisse, S. 160: VIII. Le mal du pays, Années de Pèlerinage: Troisième Année, S. 163: I. Angelus! Prière aux anges gardiens, Années de Pèlerinage: Troisième Année, S. 163: II. Aux cyprès de la Villa d’Este. Thrénodie (I), Années de Pèlerinage: Troisième Année, S. 163: III. Aux cyprès de la Villa d’Este. Thrénodie (II), Années de Pèlerinage: Troisième Année, S. 163: IV. Les Jeux d’eaux à la Villa d’Este, Années de Pèlerinage: Troisième Année, S. 163: V. Sunt lacrymae rerum. En mode hongrois. An Hans von Bülow, Années de Pèlerinage: Troisième Année, S. 163: VI. Marche funèbre. En mémoire de Maximilien I, Empereur du Mexique. † 19 Juin 1867, Années de Pèlerinage: Troisième Année, S. 163: VII. Sursum corda, Années de Pèlerinage: Venezia e Napoli, S. 162: I. Gondoliera ("La biondina in gondoletta", canzone del Cavaliere Peruchini), Années de Pèlerinage: Venezia e Napoli, S. 162: II. Canzone ("Nessùn maggior dolore", canzone del Gondoliere nel Otello di Rossini), Années de Pèlerinage: Venezia e Napoli, S. 162: III. Tarantella da Guillaume Louis Cottrau, Années de pèlerinage, deuxième année : Italie : Après une lecture du Dante, Années de pèlerinage, deuxième année : Italie : Canzonetta del Salvator Rosa, Années de pèlerinage, deuxième année : Italie : II Penseroso, Années de pèlerinage, deuxième année : Italie : Sonetto 104 del Petrarca, Années de pèlerinage, deuxième année : Italie : Sonetto 123 del Petrarca, Années de pèlerinage, deuxième année : Italie : Sonetto 47 del Petrarca, Années de pèlerinage, deuxième année : Italie : Sposalizio, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: I. Andante – Allegro – Andante –, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: II. Allegro molto e vivace –, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: III. Adagio con espressione –, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: IV. Allegro vivace – Adagio con espressione – Presto, Piano Sonata no. 14 "quasi una fantasia" in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto –, Piano Sonata no. 14 "quasi una fantasia" in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto, Piano Sonata no. 14 "quasi una fantasia" in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Piano Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro, Piano Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante, Piano Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro vivace, Piano Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo, Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace, Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso, Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto – Adagio – Presto, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo – Allegro, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto. Moderato e grazioso – Trio, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco, Piano Sonata no. 28 in A major, op. 101: I. Allegretto ma non troppo -, Piano Sonata no. 28 in A major, op. 101: II. Vivace alla marcia -, Piano Sonata no. 28 in A major, op. 101: III. Adagio ma non troppo, con affetto - Tempo del primo pezzo - Presto -, Piano Sonata no. 28 in A major, op. 101: IV. Allegro, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: I. Allegro, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: II. Scherzo: assai vivace - Presto: - Tempo I, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: III. Adagio sostenuto - Appassionato e con molto sentimento, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: IV. Largo - Allegro risoluto, Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in A flat major, No. 3: Allegretto, Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in D flat major, No. 2: Allegretto, Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in F minor, No. 1: Andantino |
| Flophouse Phonics |
sound |
The Nutcracker, op. 71: Act I, Tableau I. No. 1. Scène. Allegro non troppo - Poco più sostenuto - Tempo I - Più moderato - Allegro vivace - Meno -, The Nutcracker, op. 71: Act I, Tableau I. No. 2. Marche. Tempo di Marcia viva, The Nutcracker, op. 71: Act I, Tableau I. No. 3. Petit galop des enfants et Entrée des parents. Presto - Andante - Allegro -, The Nutcracker, op. 71: Act I, Tableau I. No. 4. Scène dansante. Andantino - Stringendo - Allegro vivo - Andantino sostenuto - Più andante - Allegro molto vivace - Molto più presto - Tempo di Valse (Pas de Deux) - Presto -, The Nutcracker, op. 71: Act I, Tableau I. No. 5. Scène et Danse du Gross-Vater. Andante (Tempo di Valse) - Poco animando - Tempo I - Andantino - Tempo I - Più allegro - Tempo I - Più mosso - Moderato assai - Andante - L’istesso tempo (La Berceuse) - Più mosso - Tempo I - Più mosso - L’istesso tempo - Tempo di Gross-Vater - Allegro vivacissimo - Tempo, The Nutcracker, op. 71: Act I, Tableau I. No. 6. Scène. Allegro semplice - Moderato con moto - Allegro giusto - Più allegro - Moderato assai -, The Nutcracker, op. 71: Act I, Tableau II. No. 7. Scène. Allegro vivo - Pochissimo più mosso - La Bataille - La Seconde Bataille, The Nutcracker, op. 71: Act I, Tableau II. No. 8. Scène. Andante, The Nutcracker, op. 71: Act II. No. 10. Scène. Andante -, The Nutcracker, op. 71: Act II. No. 11. Scène. Andante con moto - Un poco animando - Moderato - Allegro agitato - Poco più allegro - Tempo precedente [Allegro agitato, The Nutcracker, op. 71: Act II. No. 12. Divertissement: a. Le Chocolat. Allegro brillante - Più mosso, The Nutcracker, op. 71: Act II. No. 12. Divertissement: b. Le Café. Commodo, The Nutcracker, op. 71: Act II. No. 12. Divertissement: c. Le Thé. Allegro moderato, The Nutcracker, op. 71: Act II. No. 12. Divertissement: d. Trépak. Tempo di Trepak, molto vivace - Stringendo - Prestissimo, The Nutcracker, op. 71: Act II. No. 12. Divertissement: e. Les Mirlitons. Moderato assai, The Nutcracker, op. 71: Act II. No. 12. Divertissement: f. La Mère Gigogne et les polichinelles. Allegro giocoso - Allegro vivo - Poco più, The Nutcracker, op. 71: Act II. No. 13. Valse des Fleurs. Tempo di Valse, The Nutcracker, op. 71: Act II. No. 14. Coda. Vivace assai, The Nutcracker, op. 71: Act II. No. 14. Pas de Deux. Andante maestoso - Poco stringendo - Poco più mosso - Incalzando - Animando - Ritenuto - Tempo I - Poco stringendo - Tempo, The Nutcracker, op. 71: Act II. No. 14. Variation I (Pour le danseur). Tempo di Tarantella, The Nutcracker, op. 71: Act II. No. 14. Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo - Presto -, The Nutcracker, op. 71: Act II. No. 15. Valse finale et Apothéose. Tempo di Valse - Molto meno - L'apothéose, The Nutcracker, op. 71: Act II. No. 9. Valse des Flocons de neige. Tempo di Valse, ma con moto - Presto - Poco meno, The Nutcracker, op. 71: Ouverture. Allegro giusto, The Sleeping Beauty, op. 66: Act I. 5. Scène. Allegro vivo - Moderato - Allegro vivo (come il tempo precedente) - Moderato - Allegro vivo - Moderato con moto, The Sleeping Beauty, op. 66: Act I. 6. Valse. Allegro (Tempo di Valse), The Sleeping Beauty, op. 66: Act I. 7. Scène. Andante espressivo e cantabile - Un poco stringendo - Poco più animato - Allegro giusto - L’istesso tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. 9. Finale. Allegro giusto - Allegro vivo - Presto - Andante con moto - Grave - Allegro vivo - Poco più vivace - Andantino (come sopra in Andantino I) - Andante sostenuto, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. a) Adagio. Andante - Adagio maestoso - Più mosso - Tempo I - Molto sostenuto, quasi più andante - Tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. b) Danse des demoiselles d’honneur et des pages. Allegro moderato - (Pages.) Più mosso, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. c) Variation d’Aurore. Allegro moderato - Meno mosso quasi andantino - Tempo I - Allegro vivace, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. d) Coda. Allegro giusto - Poco più mosso - Tempo I - L’istesso tempo, The Sleeping Beauty, op. 66: Act II. 10. Entr’acte et Scène. Allegro con spirito - Un poco più tranquillo, The Sleeping Beauty, op. 66: Act II. 11. Colin-maillard. Allegro vivo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. a) Scène. Moderato, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. b) Danse des duchesses. Moderato con moto (Tempo di Minuetto), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. c) Danse des baronnes. Allegro moderato (Tempo di Gavotte), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. d) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. e) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). a) Scène. Poco più vivo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). b) Danse. Allegro non troppo (Tempo di Mazurka) - Presto, The Sleeping Beauty, op. 66: Act II. 14. Scène. Allegro con spirito - Andantino - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 15. a) Pas d’Action (Scène d’Aurore et de Désiré). Andante cantabile - Pochissimo più animato - Tempo I - Più mosso - Allegro, The Sleeping Beauty, op. 66: Act II. 15. b) Variation d’Aurore. Allegro con moto, The Sleeping Beauty, op. 66: Act II. 15. c) Coda. Presto, The Sleeping Beauty, op. 66: Act II. 16. Scène. Allegro agitato, The Sleeping Beauty, op. 66: Act II. 17. Panorama. Andantino, The Sleeping Beauty, op. 66: Act II. 18. Entr’acte. Andante sostenuto, The Sleeping Beauty, op. 66: Act II. 19. Entr’acte symphonique (le Sommeil) et Scène. Andante misterioso - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 20. Finale. Allegro agitato - Un pochettino più tranquillo - Tempo, The Sleeping Beauty, op. 66: Act III. 21. Marche. Allegro non troppo, The Sleeping Beauty, op. 66: Act III. 22. Polacca (Cortège des Contes de Fées). Allegro moderato e brillante, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre (La Fée-Or, la Fée-Argent, la Fée-Saphir et la Fée-Diamant). Allegro non tanto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Coda. L’istesso tempo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation I. La Fée-Or. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation II. La Fée-Argent. Allegro giusto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation III. La Fée-Saphir. Vivacissimo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation IV. La Fée-Diamant. Vivace, The Sleeping Beauty, op. 66: Act III. 24. Pas de Caractère (Le Chat botté et la Chatte blanche). Allegro moderato -, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre (Cendrillon, Prince Fortuné, L’Oiseau Bleu, La Princesse Florine). Adagio, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Coda. Presto, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation I. Cendrillon et Prince Fortuné. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation II. L’Oiseau Bleu et la Princesse Florine. Andantin, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. a) Chaperon Rouge et le Loup. Allegro moderato - Più mosso, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. b) Cendrillon et Le Prince Fortuné. Allegro agitato - Tempo di Valse (Moderato) - Vivace assai - Presto, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon (Le Petit Poucet, ses frères et l’Ogre). Allegro, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon,. Coda. [], The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux (Aurore et Désiré). Allegretto, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Coda. Allegro vivace, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation I. Désiré. Vivace – Prestissimo, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation II. Aurore. Andantino, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. a) Entrée. Allegro moderato, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. b) Adagio. Andante non troppo - Poco più mosso - Tempo I, The Sleeping Beauty, op. 66: Act III. 29. Sarabande. Andante, The Sleeping Beauty, op. 66: Act III. 30. Finale. Allegro brillante (Tempo di Mazurka) – Presto, The Sleeping Beauty, op. 66: Act III. 30. Finale. Apothéose. Andante molto maestoso, The Sleeping Beauty, op. 66: Introduction. Allegro vivo - Andantino - Moderato (Tempo di Marcia), The Sleeping Beauty, op. 66: Prologue. 1. Marche. Moderato, The Sleeping Beauty, op. 66: Prologue. 2. Scène dansante. Moderato con moto - Un poco più animato - Allegro moderato - Tempo di Valse - Grazioso, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Coda. Allegro giusto – Poco più animato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation I. Candide. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation II. Coulante. Fleur de Farine. Allegro, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation III. Fée aux Miettes. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation IV. Canari qui chante. Moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation V. Violente. Allegro molto vivace, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation VI. La Fée des Lilas. Tempo di Valse, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. a) Intrada. Adagio, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. b) Adagio. Andante - Allegro vivo, The Sleeping Beauty, op. 66: Prologue. 4. Finale. Andantino - Allegro vivo - L’istesso tempo - Moderato assai - Andantino - Allegro vivo - Allegro risoluto - Allegro vivo - Andante |
| The River Versus |
recording, sound |
Appalachia: [Introduction I.] Molto moderato – Tranquillo –, Appalachia: [Introduction II.] Poco più vivo ma moderato –, Appalachia: [Theme.] Andante –, Appalachia: [Variation I.] Un poco più – Moderato –, Appalachia: [Variation II.] Più vivo –, Appalachia: [Variation III.] Molto moderato – Poco più mosso – Lento – Moderato (molto ritmico) –, Appalachia: [Variation IV.] Con moto – Un poco più tranquillo –, Appalachia: [Variation IX.] Allegro alla marcia – Adagio –, Appalachia: [Variation V.] Giocoso. Allegro moderato – Meno mosso. Più tranquillo –, Appalachia: [Variation VI.] Lento e molto tranquillo – Misterioso. Più mosso – Un poco meno –, Appalachia: [Variation VII.] Andante con grazia – Calando –, Appalachia: [Variation VIII.] Lento sostenuto e tranquillo – Un poco più – Tempo I –, Appalachia: [Variation X.] Marcia. Molto lento maestoso –, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "And as I sat, over the light blue hills". Allegretto, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "Beneath my palm trees, by the river side". Andante –, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 2. Chorus "Whence came ye, merry Damsels! whence came ye!", First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 5. Solo "Onward the tiger and the leopard pants". Poco animato – Più mosso / Part 6. Chorus "Bacchus, young Bacchus! good or ill betide". Andante maestoso, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Ah, happy, happy boughs! that cannot shed". [Tempo I] –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Heard melodies are sweet, but those unheard". Tempo I – Poco animato – Tempo I –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "O Attic shape! fair attitude! with brede". [Tempo I] – Largo, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Thou still unravish’d bride of quietness". Molto adagio –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Who are these coming to the sacrifice?". [Tempo I] –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 1. Fancy. Chorus "Ever let the Fancy roam". Allegro –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 2. Folly’s Song. Chorus "When wedding fiddles are a-playing". ♩= ♩(160) – Più mosso – Presto – Prestissimo, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 1. Solo "Spirit here that reignest!". Senza misura (quasi Andante) / Part 2. Chorus "God of the golden bow". Lento – Chorus "Here Homer with his nervous arms". Più mosso –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 3. Solo "Then, through thy Temple wide, melodious swells". Andante sostenuto / Part 4. Chorus "Tis awful silence then again". Lento – Chorus "Thou biddest Shakespeare wave his hand". Vivace ma pesante – Molto pesante ma in tempo – Andante – Chorus "A silver trumpet Spenser blows". Animato – Poco lento –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 5. Solo "Next thy Tasso’s ardent numbers". [Poco lento] – Moderato – Poco più lento / Part 6. Chorus "But when Thou joinest with the Nine". Moderato maestoso – Allegro – Andante con moto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 6. Chorus "Bards of Passion and of Mirth". Allegretto – Chorus "Thus ye live on high, and then". [Allegretto] – Poco meno mosso – Allegretto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 7. Solo "Spirit here that reignest!". Senza misura (quasi Andante) – Chorus "Bards of Passion and of Mirth". Sempre andante e non animato, First Choral Symphony, op. 41, H. 155: Prelude. Invocation to Pan: Chorus "O Thou, whose mighty palace roof doth hang". Andante, The Dream of Gerontius: Part I. Assistants: "Be merciful, be gracious' spare him, Lord" -, The Dream of Gerontius: Part I. Assistants: "Kyrie eleïson" -, The Dream of Gerontius: Part I. Assistants: "Rescue him, O Lord, in this his evil hour" -, The Dream of Gerontius: Part I. Assistantst: "Go, in the name of Angels and Archangels", The Dream of Gerontius: Part I. Gerontius: "I can no more; for now it comes again" -, The Dream of Gerontius: Part I. Gerontius: "Jesu, Maria - I am near to death" -, The Dream of Gerontius: Part I. Gerontius: "Novissima hora est; and I fain would sleep" -, The Dream of Gerontius: Part I. Gerontius: "Rouse thee, my fainting soul, and play the man" -, The Dream of Gerontius: Part I. Gerontius: "Sanctus fortis, Sanctus Deus" -, The Dream of Gerontius: Part I. Prelude. Lento, mistico -, The Dream of Gerontius: Part I. The Priest: "Proficiscere, anima Christiana, de hoc mundo!" -, The Dream of Gerontius: Part II. Angel of the Agony: "Jesu! by that shuddering dread which fell on Thee" -, The Dream of Gerontius: Part II. Angel: "My work is done" -, The Dream of Gerontius: Part II. Angel: "Softly and gently, dearly-ransom"d soul", The Dream of Gerontius: Part II. Angel: "Thy judgment now is near" -, The Dream of Gerontius: Part II. Angel: "…Praise to His Name!" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Glory to Him, who evermore by truth and justice reigns" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Praise to the Holiest in the height" -, The Dream of Gerontius: Part II. Demons: "Low-born clods of brute earth" -, The Dream of Gerontius: Part II. Demons: "The mind bold and independent" -, The Dream of Gerontius: Part II. Introduction. Soul of Gerontius: "I went to sleep; and now I am refresh"d" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hard! upon my sense comes a fierce hubbub" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hark! a grand, mysterious harmony" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I ever had believed" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I go before my Judge" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I see not those false spirits" -, The Dream of Gerontius: Part II. Soul of Gerontius: "It is a member of that family" -, The Dream of Gerontius: Part II. Soul of Gerontius: "Take me away, and in the lowest deep there let me be" -, The Dream of Gerontius: Part II. Souls in Purgatory: "Lord, Thou hast been our refuge: in every generation" -, The Dream of Gerontius: Prelude, Concert Version |
| Dulcie Kelly |
producer, sound |
Diptyque mediterraneen, op. 87: I. Soleil matinal. Modéré - Un peu animé - Au Mouvement - Calme, Diptyque mediterraneen, op. 87: II. Soleil vespéral. Modéré et solennel - Avec un peu plus d'animation -, Istar, op. 42, Jour d'été à la montagne, op. 61: I. Aurore. Très modéré - 1er Mouvement, un peu animé - Plus vite - Assez lent - Un peu plus animé - Plus animé, Jour d'été à la montagne, op. 61: II. Jour (Après-midi sous les pins). Très modéré - Très vif - Modéré - Mouvement initial - Second Mouvement, trés vif - Assez lent - Très animé - Modéré - Mouvement initial - Un peu plus vite - 1er Mouvement, Jour d'été à la montagne, op. 61: III. Soir. Très animé et joyeux - Un peu moins animé et sans rigeur - 1er Mouvement - Très Mouvement - Très modéré - Le double plus lent - Lent - Très lent - Même Mouvement, Karadec, op. 34: I. Prélude. Mouvement de marche modéré -, Karadec, op. 34: II. Chanson. Modéré, Karadec, op. 34: III. Noce bretonne. Modéré sans lenteur -, La Forêt enchantée, op. 8: Adagio - Allegro -, La Forêt enchantée, op. 8: Allegro con fuoco - Plus lent - Très lent - Allegretto non troppo - Un peu plus lent - Andante maestoso - Plus lent, La Forêt enchantée, op. 8: Un peu plus lent - Même Mouvement - Plus lent - Andante maestoso, Prelude to Act III of "Fervaal", op. 40, Serenade et Valse, op. 28: Sérénade. Allegretto giocoso - Plus lent - Tempo I, Serenade et Valse, op. 28: Valse. Allegro molto moderato – Un peu plus vite, Souvenirs, op. 62: Anime (1er Mouvement) - Lent - 1er Mouvement - Lent - 1er Mouvement - Plus animé - Lento - Très lent - Même Mouvement, un peu retenu, Souvenirs, op. 62: Animé - Très calme - Même Mouvement - La moitié moins vite, très intense d'expression - Plus animé, avec chaleur, Souvenirs, op. 62: Mouvement initial, très lent - Un peu plus vite, très modéré - Très calme -, Souvenirs, op. 62: Très lent -, Suite dans le style ancien, op. 24: I. Prélude. Lent, Suite dans le style ancien, op. 24: II. Entrée. Gai et modéré - Un peu retenu - Premiere Mouvement - Un peu retenu - Premiere Mouvement, Suite dans le style ancien, op. 24: III. Sarabande. Lent, Suite dans le style ancien, op. 24: IV. Menuet. Animé - Un peu plus lent - Animé - Un peu plus lent - Plus lent - Animé, Suite dans le style ancien, op. 24: V. Ronde Française. Assez animé - [ ] - Premiere Mouvement - Un peu plus vite - Plus vite et en pressant toujours - Trés vif, Symphony no. 2 in B-flat major, op. 57: I. Extrêment lent - Très vif - Un peu plus modéré -, Symphony no. 2 in B-flat major, op. 57: II. Modérément lent - Un peu plus lent - Plus animé -, Symphony no. 2 in B-flat major, op. 57: III. Modéré - Très animé - Un peu plus calme - Modéré -, Symphony no. 2 in B-flat major, op. 57: IV. Lent - Modérément lent - 1er Mouvement (Lent) - Très lent -, Symphony no. 3, op. 70: I. Lent et calme - Animé (Premier Mouvement) - Moins vite -, Symphony no. 3, op. 70: II. Assez vite - Un peu moins vite (très peu), Symphony no. 3, op. 70: III. Lent - Plus animé - Mouvement initial (un peu animé) -, Symphony no. 3, op. 70: IV. Très animé - Animé, mais un peu plus calme (Premier Mouvement) -, Tableaux de voyage, op. 36: I. Préamble. Assez lent, Tableaux de voyage, op. 36: II. En marche. Joyeusement - Un peu plus lent -, Tableaux de voyage, op. 36: III. Le Glas. Lent, Tableaux de voyage, op. 36: IV. Lac Vert. Tranquillement, Tableaux de voyage, op. 36: V. La Poste. Assez vite, Tableaux de voyage, op. 36: VI. Rêve. Assez lent - Vite - 1er Mouvement (très lent) -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Allegro risoluto - Andante moderato - Allegro risoluto -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Andante -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Andante tranquillo -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Maestoso - Allegro risoluto - Andante moderato - Adagio - Lento, Wallenstein, op. 12: Première Partie. Le Camp de Wallenstein. Allegretto moderato e giocoso - Allegro con fuoco -, Wallenstein, op. 12: Première Partie. Le Camp de Wallenstein. Allegro giusto - Un peu moins vite - Poco slentando e scherzando -, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Allegro - Maestoso (le double plus lent) - Allegro (Tempo I) -, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Andante tranquillo - Maestoso - [ ] - Allegro (Tempo I) -, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Maestoso (Tempo I) - Très large, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Très large - |
| Benjamin Britten |
engineer |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..." |
| The Great Society |
sound |
Andante festivo, JS 34b, Finlandia, op. 26, Karelia Suite, op. 11: I. Intermezzo. Moderato - Meno - Più moderato, Karelia Suite, op. 11: II. Ballade. Tempo di menuetto - Un poco più lento, Karelia Suite, op. 11: III. Alla marcia. Moderato - Poco largamente, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus. Recitative. Bass: "In the convent of Drontheim". Allegro -, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “It is accepted”. Andante - [ ] -, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “Stronger than steel”. Più mosso - Animato - Andante (Tempo I), Scenes From the Saga of King Olaf: Gudrun. Recitative. Bass: "How the Wraith of Odin old". Allegro -, Scenes From the Saga of King Olaf: Gudrun. Scene. Soprano: "On King Olaf’s bridal night". Adagio - Più mosso - Tempo I - Poco più mosso - [Tempo I] - Allegro - Allegro molto - [Tempo I], Scenes From the Saga of King Olaf: Introduction. Recitative. Bass: "Summon now the God of Thunder". Allegro con fuoco - Poco meno mosso -, Scenes From the Saga of King Olaf: Introduction. Soli and Chorus: ‘There is [...] a wondrous book’. Andante -, Scenes From the Saga of King Olaf: King Olaf's Return. Recitative. Bass: "Tell how Olaf bore the Cross". Allegro moderato - Meno mosso - Più lento -, Scenes From the Saga of King Olaf: King Olaf's Return. Solo. Tenor: "And King Olaf heard the cry". Allegro - [ ] - Allegro - Allegro molto - Tranquillo - Più mosso - Moderato - Allegro - Poco più mosso - Tempo I, Scenes From the Saga of King Olaf: Sigrid. Olaf (Tenor): "Sigrid, hail! with royal hand". Meno mosso - Più animato - Più animato - Allegro con fuoco - [ ] - Meno mosso - [Allegro con fuoco], Scenes From the Saga of King Olaf: Sigrid. Recitative. Bass: "Hark! she flies from Wendland forth". Allegretto -, Scenes From the Saga of King Olaf: Sigrid.Scene. Chorus: "Sigrid sits in her high abode". Allegro -, Scenes From the Saga of King Olaf: The Challenge of Thor. Chorus: "I am the God Thor". Moderato - Molto maestoso -, Scenes From the Saga of King Olaf: The Conversion. Chorus: "As leap the lights of winter". Allegro con fuoco - Moderato - Lento - [ ] - Animato -, Scenes From the Saga of King Olaf: The Conversion. Chorus: "Then o’er the blood-stained Horg-stone". L’istesso tempo - Lento - Allegretto - [ ] - Allargando al fine, Scenes From the Saga of King Olaf: The Conversion. Olaf (Tenor): "Behold me, my people, and answer and say". [ ] - Allegro - Più mosso - L’istesso tempo - Più mosso - [ ] -, Scenes From the Saga of King Olaf: The Conversion. Recitative. Bass: "Now the child of Ironbeard dead". Andantino -, Scenes From the Saga of King Olaf: The Conversion. Scene. Chorus: "King Olaf’s prows at Nidaros". Allegro moderato - Poco più mosso - L’istesso tempo - [ ] -, Scenes From the Saga of King Olaf: The Death of Olaf. Chorus: "King Olaf’s dragons take the sea". Allegro - Vivace – Più mosso - Poco a poco meno mosso -, Scenes From the Saga of King Olaf: The Wraith of Odin. Chorus (Ballad): "The guests were loud, the ale was strong". Allegro - L’istesso tempo - Molto sostenuto - [Tempo I], Scenes From the Saga of King Olaf: The Wraith of Odin. Recitative. Bass: "Sisters, sing ye now the song". Allegro -, Scenes From the Saga of King Olaf: Thyri. Choral Recitative: "After Queen Gunhild’s death". Allegro moderato -, Scenes From the Saga of King Olaf: Thyri. Chorus (Ballad): "A little bird in the air". Allegro -, Scenes From the Saga of King Olaf: Thyri. Duet. Thyri (Soprano): "The gray land breaks to lively green". Allegro - Tranquillo -, Scenes From the Saga of King Olaf: Thyri. Olaf (Tenor): "Thyri, my beloved". Moderato - [ ] - Più tranquillo - Più mosso - Lento - [ ], The Banner of Saint George: Epilogue (March). "It comes from the misty ages". Maestoso, alla Marcia - Largamente e grandioso, The Banner of Saint George: Scene 1. "Forth from the palace, beautiful as day". Allegretto - Più mosso - Animato - [ ] - A tempo [Più mosso] - Poco lento -, The Banner of Saint George: Scene 1. "The women of Sylenë rend their hair". Allegretto - Andantino -, The Banner of Saint George: Scene 1. "Within Sylenë’s walls no sound is heard". Andantino - Animato - Tempo I -, The Banner of Saint George: Scene 1. “O calm your hearts [she cries] O still your fears”. Allegro -, The Banner of Saint George: Scene 2. "Hark! ’tis the ringing hoof of steed". Allegro - [ ] -, The Banner of Saint George: Scene 2. "Loud cry the people, Haste! the dragon comes!”. [ ] - Tempo I - L’istesso tempo - Andantino - Animato - Più lento, The Banner of Saint George: Scene 2. "Without a fear beside the dragon’s tarn". Andante - Tranquillo - L’istesso tempo -, The Swan of Tuonela, op. 22 no. 2, Valse lyrique, op. 96a, Valse triste, op. 44 no. 1 |
| Sara Kana |
engineer, producer |
First Symphony op. 9 in One Movement, Four Symphonic Interludes from Intermezzo: No. 1. Reisefieber und Walzerszene: Lebhaft – Walzer: ruhig beginnend, Four Symphonic Interludes from Intermezzo: No. 2. Träumerei am Kamin: Ruhig schwebend, Four Symphonic Interludes from Intermezzo: No. 3. Am Spieltisch: Sehr gemächlich – Gemächlich fließend, Four Symphonic Interludes from Intermezzo: No. 4. Fröhlicher Beschluß: Sehr lebhaft und fröhlich, Medea's Meditation and Dance of Vengeance, op. 23a, Music for a Scene from Shelley, op. 7, Overture: The School for Scandal, op. 5, Symphony Nr. 1 in E-Dur: I. Sehr langsam - Sehr lebhaft, Symphony Nr. 1 in E-Dur: II. Langsam, Symphony Nr. 1 in E-Dur: III. Schnell und leicht, Symphony Nr. 1 in E-Dur: IV. Lebhaft, doch nicht zu schnell, Symphony in E minor, op. 32 "Gaelic": I. Allegro con fuoco, Symphony in E minor, op. 32 "Gaelic": II. Alla siciliana - Allegro vivace, Symphony in E minor, op. 32 "Gaelic": III. Lento con molto espressione, Symphony in E minor, op. 32 "Gaelic": IV. Allegro di molto, Symphony no. 3 in F major: I. Allegro sostenuto, Symphony no. 3 in F major: II. Andante cantabile, Symphony no. 3 in F major: III. Vivace non troppo, Symphony no. 3 in F major: IV. Allegro molto energico, Symphony no. 3: I. Con moto (Tragic), Symphony no. 3: I. Molto moderato - with simple expression, Symphony no. 3: II. (Lyric), Symphony no. 3: II. Allegro molto, Symphony no. 3: III. Andantino quasi allegretto, Symphony no. 3: III. Poco più mosso (Pastoral), Symphony no. 3: IV. (Fugue - Dramatic), Symphony no. 3: IV. Molto deliberato, Symphony no. 3: V. Con moto (Dramatic - Tragic), The Snow Maiden, op. 12: 1. Introduction, The Snow Maiden, op. 12: 10. Melodrama, The Snow Maiden, op. 12: 13. Jester's Dance, The Snow Maiden, op. 12: 16. Appearance of the Wood Bird, The Snow Maiden, op. 12: 17a. Entr'acte, The Snow Maiden, op. 12: 19. Final, The Snow Maiden, op. 12: 5a. Melodrama, The Snow Maiden, op. 12: 5b. Entr'acte, The Snow Maiden, op. 12: 8. Entr'acte, Vanessa, Act IV Scene 1: Intermezzo, Vanessa: Under the Willow Tree |
| Aivo Kallas |
engineer, sound |
Belkis, regina di Saba, P 177: I. Il sogno di Salomone, Belkis, regina di Saba, P 177: II. Danza guerresca, Belkis, regina di Saba, P 177: III. La danza di Belkis all’aurora, Belkis, regina di Saba, P 177: IV. Danza orgiastica, L'Éventail de Jeanne: I. Fanfare, L'Éventail de Jeanne: II. Marche, L'Éventail de Jeanne: III. Valse, L'Éventail de Jeanne: IV. Canarie, L'Éventail de Jeanne: IX. Rondeau, L'Éventail de Jeanne: V. Bourée, L'Éventail de Jeanne: VI. Sarabande, L'Éventail de Jeanne: VII. Polka, L'Éventail de Jeanne: VIII. Pastourelle, L'Éventail de Jeanne: X. Kermesse-Valse, Les Mariés de la Tour Eiffel: I. Ouverture. Le 14 juillet, Les Mariés de la Tour Eiffel: II. Marche nuptiale, Les Mariés de la Tour Eiffel: III. Discours du général. Polka pour deux cornets à pistons, Les Mariés de la Tour Eiffel: IV. La Baigneuse e Trouville. Carte postale en couleurs, Les Mariés de la Tour Eiffel: IX. Ritournelles, Les Mariés de la Tour Eiffel: V. Fugue du massacre, Les Mariés de la Tour Eiffel: VI. Valse des dépêches, Les Mariés de la Tour Eiffel: VII. Marche funèbre, Les Mariés de la Tour Eiffel: VIII. Quadrille. Panalon-Été-Poule-Pastourelle Final, Les Mariés de la Tour Eiffel: X. Sortie de la noce, Metamorphoseon modi XII, P 169: Modus I. Moderato non troppo -, Metamorphoseon modi XII, P 169: Modus II. Allegretto -, Metamorphoseon modi XII, P 169: Modus III. Lento -, Metamorphoseon modi XII, P 169: Modus IV. Lento espressivo -, Metamorphoseon modi XII, P 169: Modus IX. Lento non troppo -, Metamorphoseon modi XII, P 169: Modus V. Molto vivace -, Metamorphoseon modi XII, P 169: Modus VI. Vivo -, Metamorphoseon modi XII, P 169: Modus VII. Cadenze -, Metamorphoseon modi XII, P 169: Modus VIII. Andantino mosso -, Metamorphoseon modi XII, P 169: Modus X. Molto allegro -, Metamorphoseon modi XII, P 169: Modus XI. Molto allegro -, Metamorphoseon modi XII, P 169: Modus XII. Vivo non troppo, Metamorphoseon modi XII, P 169: Tema. Andante moderato - |
| Brian Sagrafena |
producer, sound |
Album for Children, op. 39: I. Morning Prayer, Album for Children, op. 39: II. A Winter Morning, Album for Children, op. 39: III. The Hobby-Horse, Album for Children, op. 39: IV. Mother, Album for Children, op. 39: IX. The New Doll, Album for Children, op. 39: V. March of the Wooden Soldiers, Album for Children, op. 39: VI. The Sick Doll, Album for Children, op. 39: VII. The Doll's Funeral, Album for Children, op. 39: VIII. Waltz, Album for Children, op. 39: X. Mazurka, Album for Children, op. 39: XI. Russian Song, Album for Children, op. 39: XII. The Peasant Plays His Ziehharmonika, Album for Children, op. 39: XIII. Folk Song "Kamarinskaya", Album for Children, op. 39: XIV. Polka, Album for Children, op. 39: XIX. The Old Nanny's Tale, Album for Children, op. 39: XV. Italian Song, Album for Children, op. 39: XVI. Old French Melody, Album for Children, op. 39: XVII. German Song, Album for Children, op. 39: XVIII. Neopolitan Song, Album for Children, op. 39: XX. The Witch "Baba-Yaga", Album for Children, op. 39: XXI. Sweet Dreams, Album for Children, op. 39: XXII. Song of the Lark, Album for Children, op. 39: XXIII. The Organ-Grinder Sings, Album for Children, op. 39: XXIV. Evening Prayer, Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): I. Largo, Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): II. Allegro molto, Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): III. Allegretto, Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): IV. Largo, Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): V. Largo, Noëls pour cordes, String Quartet no. 2, op. 10: I. Mäßig (Moderato), String Quartet no. 2, op. 10: II. Sehr Rasch, Toy Symphony: I. Allegro, Toy Symphony: II. Menuetto - Trio, Toy Symphony: III. Finale: Allegro, Verklärte Nacht, op. 4 |
| Logman |
engineer, recording |
Symphony in A major, op. 35 no. 3 (G. 511): I. Allegro giusto, Symphony in A major, op. 35 no. 3 (G. 511): II. Andante, Symphony in A major, op. 35 no. 3 (G. 511): III. Allegro ma non presto, Symphony in A major, op. 37 no. 4 (G. 518): I. Allegro spiritoso, Symphony in A major, op. 37 no. 4 (G. 518): II. Minuetto - Allegro - Trio, Symphony in A major, op. 37 no. 4 (G. 518): III. Andante, Symphony in A major, op. 37 no. 4 (G. 518): IV. Finale: Allegro ma non presto, Symphony in B flat major, op. 35 no. 6 (G. 514): I. Allegro vivace, Symphony in B flat major, op. 35 no. 6 (G. 514): II. Poco andante, Symphony in B flat major, op. 35 no. 6 (G. 514): III. Presto - Tempo di minuetto - Presto, Symphony in C major, op. 12 no. 3 (G. 505): I. Allegro, ma non molto, Symphony in C major, op. 12 no. 3 (G. 505): II. Andante amoroso, Symphony in C major, op. 12 no. 3 (G. 505): III. Tempo di minuetto, Symphony in C major, op. 12 no. 3 (G. 505): IV. Presto, ma non tanto, Symphony in D major, G. 490: I. Allegro, Symphony in D major, G. 490: II. Andante grazioso, Symphony in D major, G. 490: III. Allegro assai, Symphony in D major, op. 37 no. 3 (G. 517) "Grande": I. Allegro, Symphony in D major, op. 37 no. 3 (G. 517) "Grande": II. Minuetto con moto, Symphony in D major, op. 37 no. 3 (G. 517) "Grande": III. Andante amoroso, Symphony in D major, op. 37 no. 3 (G. 517) "Grande": IV. Finale: Allegro vivo, ma non tanto presto, Symphony in D minor, op. 12 no. 4 (G. 506) "La casa del diavolo": I. Andante sostenuto, Symphony in D minor, op. 12 no. 4 (G. 506) "La casa del diavolo": II. Andantino con moto, Symphony in D minor, op. 12 no. 4 (G. 506) "La casa del diavolo": III. Allegro con moto, Symphony no. 22 in E-flat major "The Philosopher": I. Adagio, Symphony no. 22 in E-flat major "The Philosopher": II. Presto, Symphony no. 22 in E-flat major "The Philosopher": III. Menuetto and Trio, Symphony no. 22 in E-flat major "The Philosopher": IV. Finale. Presto, Symphony no. 24 in D major: I. Allegro, Symphony no. 24 in D major: II. Adagio, Symphony no. 24 in D major: III. Menuet and Trio, Symphony no. 24 in D major: IV. Finale. Allegro, Symphony no. 30 in C major "Alleluja": I. Allegro, Symphony no. 30 in C major "Alleluja": II. Andante, Symphony no. 30 in C major "Alleluja": III. Finale. Tempo di menuet, più tosto allegretto |
| Jonathan Deutsch |
sound |
Piano Trio no. 2 in E minor, op. 67: I. Andante - Moderato, Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo, Piano Trio no. 2 in E minor, op. 67: III. Largo, Piano Trio no. 2 in E minor, op. 67: IV. Allegretto, Trio no. 1 in E-flat major, op. 1 no. 1: I. Allegro, Trio no. 1 in E-flat major, op. 1 no. 1: II. Adagio cantabile, Trio no. 1 in E-flat major, op. 1 no. 1: III. Scherzo, Trio no. 1 in E-flat major, op. 1 no. 1: IV. Finale. Presto, Trio no. 10 in E-flat major, op. 44, 14 Variations on an Original Theme, Trio no. 11 in G major, op. 121a, Variations on "Ich bin der Schneider Kakadu" by Wenzel Muller, Trio no. 2 in G major, op. 1 no. 2: I. Adagio - Allegro vivace, Trio no. 2 in G major, op. 1 no. 2: II. Largo con espressione, Trio no. 2 in G major, op. 1 no. 2: III. Scherzo. Allegro, with Trio, Trio no. 2 in G major, op. 1 no. 2: IV. Finale. Presto, Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio, Trio no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni, Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi allegro, with Trio, Trio no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo, Trio no. 5 in D major, op. 70 no. 1, "Ghost": I. Allegro vivace e con brio, Trio no. 5 in D major, op. 70 no. 1, "Ghost": II. Largo assai ed espressione, Trio no. 5 in D major, op. 70 no. 1, "Ghost": III. Presto, Trio no. 6 in E-flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo, Trio no. 6 in E-flat major, op. 70 no. 2: II. Allegretto, Trio no. 6 in E-flat major, op. 70 no. 2: III. Allegretto ma non troppo, Trio no. 6 in E-flat major, op. 70 no. 2: IV. Finale. Allegro, Trio no. 7 in B-flat major, op. 97 "Archduke": I. Allegro moderato, Trio no. 7 in B-flat major, op. 97 "Archduke": II. Allegretto, Trio no. 7 in B-flat major, op. 97 "Archduke": III. Andante cantabile, ma pero con moto, Trio no. 7 in B-flat major, op. 97 "Archduke": IV. Finale. Allegro, Trio no. 8 in B-flat major, op. posth. (WoO 38): Allegretto, Trio no. 9 in E-flat major, op. posth. (WoO 39): I. Allegro moderato, Trio no. 9 in E-flat major, op. posth. (WoO 39): II. Scherzo. Allegro ma non troppo, Trio no. 9 in E-flat major, op. posth. (WoO 39): III. Rondo. Allegretto |
| Brandon Estelle |
sound |
Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her |
| Manuel Haefliger |
producer, sound |
Jeu de cartes: Deuxième donne. Coda. Più mosso, Jeu de cartes: Deuxième donne. Ensemble. Con moto, Jeu de cartes: Deuxième donne. Introduction. Alla breve, Jeu de cartes: Deuxième donne. March. Marcia, Jeu de cartes: Deuxième donne. Reprise of March. Marcia, Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante, Jeu de cartes: Deuxième donne. Variations I–IV. Allegretto, Jeu de cartes: Première donne. Dance Variation. Moderato assai, Jeu de cartes: Première donne. Dance of the Joker. Stringendo, Jeu de cartes: Première donne. Introduction. Alla breve, Jeu de cartes: Première donne. Pas d’action. Meno mosso, Jeu de cartes: Première donne. Waltz-Coda. Tranquillo, Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto, Jeu de cartes: Troisième donne. Final Dance – Coda. Tempo del principio, Jeu de cartes: Troisième donne. Introduction. Alla breve, Jeu de cartes: Troisième donne. Waltz, Orpheus: Scene 1. Air de danse. Andante con moto, Orpheus: Scene 1. Dance of the Angel of Death. L’istesso tempo, Orpheus: Scene 1. Interlude, Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto, Orpheus: Scene 2. Air de danse (Conclusion). L’istesso tempo, Orpheus: Scene 2. Air de danse. Grave – Un poco meno mosso, Orpheus: Scene 2. Interlude. L’istesso tempo, Orpheus: Scene 2. Interlude. Moderato assai, Orpheus: Scene 2. Pas de deux. Andante sostenuto, Orpheus: Scene 2. Pas des Furies. Agitato in piano – Sempre alla breve ma meno mosso, Orpheus: Scene 2. Pas d’action. Andantino leggiadro, Orpheus: Scene 2. Pas d’action. Vivace, Orpheus: Scene 3. Orpheus’s apotheosis. Lento sostenuto, Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: IV. Poco vivace |
| Max Charbonnier |
producer |
HUL 1325, HUL 1326/9, HUL 1327/2. Allegro moderato, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico - Tranquillo -, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) - Un poco meno andante - Tempo I - Molto tranquillo - Poco sollecitato - Poco tenuto - Poco sollecitato - Adagio - Tempo I - Poco a poco meno andante - Tempo I - Allargando, Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro - Lento (ma non troppo) - Tempo I - Stretto, Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi Una Fantasia). Andante - Poco stretto - Meno andante - Allegro molto - Poco a poco più Allegro - Andante assai - (Poco a poco meno Andante) - Allegro molto come prima - Poco a poco più Allegro - Andante (ma non troppo) - (Poco a poco meno Andante) - Poco tenuto - Più largamente poco a poco, Symphony no. 2 in D major, op. 43: Allegretto - Poco Allegro - Poco tranquillo - Poco largamente - Tempo I - Poco Allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Poco allegro - Molto largamente - Andante sostenuto - Andante con moto ed energico - Allegro - Poco largamente - Poco allargando - Molto largamente - Più moderato e largamente - Pesante, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Tempo I - Lento e suave - Poco accelerando - Largamente - Allargando, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato - Pesante - Un poco con moto - Moderato assai - Meno moderato e poco a poco ravivando il tempo - Poco allargando - Tempo I - Largamente e pesante - Un poco con moto - Poco largamente - Molto largamente, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto - Un pochettino con moto - Tempo I - Andante, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto) - Meno allegro - Più allegro - Poco a poco meno allegro - Allegro (non tanto) - Poco a poco più moderato - Allegro - Sempre energico - Sempre energico - Più energico, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio - Adagio - Tempo I - Adagio - Tempo, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace - Tranquillo - Tranquillo - Doppio più lent, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto - Poco tranquillo - Poco a poco stretto - Poco a poco a tempo - Poco a poco stretto - Tempo I -, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente - Poco più largo - Largamente assai - Un pochettino stretto, Symphony no. 5 in E-flat major, op. 82: Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più Presto -, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato - Poco allargando - Poco tranquillo, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato - Poco con moto - Poco a poco meno piano - Tempo I, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto – Allegro assai – Doppio più lento, Symphony no. 7 in C major, op. 105: Adagio -Un pochettino meno adagio - Poco a poco affrettando il tempo I -, Symphony no. 7 in C major, op. 105: Allegro molto moderato - Allegro moderato, Symphony no. 7 in C major, op. 105: Vivace - Presto - Poco a poco rallentando al adagio - Largamente - Affettuoso - Tempo, Symphony no. 7 in C major, op. 105: Vivacissimo - Adagio - |
| Tamara Mumford |
engineer, sound |
A Child of Our Time: Part II: 19. Burn Down Their Houses!, A Child of Our Time: Part II: 24. The Dark Forces Rise Like a Flood, King's Herald, Norfolk Rhapsody no. 1 in E minor: Adagio- Allegro vivace - Tempo I (Lento), Norfolk Rhapsody no. 2 in D minor: Larghetto - Allegro - Molto tranquillo, Paradise Rondel, Pastoral Rhapsody, Procession, Symphony no. 2 in G major "A London Symphony": I. Lento - Allegro risoluto, Symphony no. 2 in G major "A London Symphony": II. Lento, Symphony no. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino, Symphony no. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento, Symphony no. 3 "Pastoral": I. Molto moderato - Poco tranquillo - Tempo I - Largamente - Tempo I, Symphony no. 3 "Pastoral": II. Lento moderato - Poco tranquillo, tempo rubato - Tempo I, Symphony no. 3 "Pastoral": III. Moderato pesante - Poco animato - A tempo - Presto, Symphony no. 5: I. Preludio - Moderato, Symphony no. 5: II. Scherzo - Presto misterioso, Symphony no. 5: III. Romanza - Lento, Symphony no. 5: IV. Passacaglia - Moderato, Symphony no. 6 in E minor: I. Allegro - Poco animato - Tranquillo, Symphony no. 6 in E minor: II. Moderato, Symphony no. 6 in E minor: III. Scherzo (Allegro vivace), Symphony no. 6 in E minor: IV. Epilogue (Moderato), Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema), Symphony no. 8 in D minor: II. Scherzo alla marcia, Per glo stromenti a vento, Symphony no. 8 in D minor: III. Cavatina, Per gli stromenti a corde, Symphony no. 8 in D minor: IV. Toccata colle campanelle, The Banks of Green Willow: Idyll, The Running Set: Presto |
| Billbrook bluesband |
sound |
Chain 3, Concert Overture, op. 12, Concerto for Orchestra: I. Intrada. Allegro maestoso, Concerto for Orchestra: II. Capriccio, Notturno e Arioso. Vivace - Stesso movimento - Stesso movimento, Concerto for Orchestra: IIIa. Passacaglia, Toccata e Corale. Andante con moto -, Concerto for Orchestra: IIIb. Allegro giusto (alle breve) - Poco sostenuto - Quasi stesso movimento - Molto allegro (quasi alla breve) - Presto, Symphony no. 1, op. 15: III. Finale. Allegretto con moto. Grazioso – (Meno mosso) Mesto – Tempo I, Symphony no. 1, op. 15: [I] Allegro patetico, Symphony no. 1: I. Allegro giusto - Poco meno mosso - Tempo I - Poco meno mosso - Poco sostenuto e poi accelerando - Tempo I - Un poco meno mosso, Symphony no. 1: II. Poco adagio - Pochissimo più mosso - Tempo I - Poco più largo - A tempo ma molto sostenuto - Lento, Symphony no. 1: III. Allegretto misterioso - A tempo ma poco meno mosso (Tempo II) - Tempo I, Symphony no. 1: IV. Allegro vivace - Subito meno mosso - Poco più vivo - Tempo I - Subito mosso - Tempo I - Poco meno mosso - Poco lento - Tempo I, Symphony no. 2, op. 19: Finale. Introduzione - Variation VI, Symphony no. 2, op. 19: Fuga finale, Symphony no. 2, op. 19: I. Allegro moderato, Symphony no. 2, op. 19: II. Theme, Symphony no. 2, op. 19: Variation I, Symphony no. 2, op. 19: Variation II, Symphony no. 2, op. 19: Variation III, Symphony no. 2, op. 19: Variation IV, Symphony no. 2, op. 19: Variation V, Symphony no. 3: A tempo - Poco meno mosso - Presto - Stesso movimento - Poco lento - Allegro, Symphony no. 3: Meno mosso - Tempo I - Meno mosso - Tempo I - Meno mosso - Ancora meno mosso - Piu largo - Tempo I - Lento - Vivo - Lento - Vivo, Symphony no. 3: Tempo I, Symphony no. 3: Vivo - Lento - Vivo - Lento - Vivo - Stesso movimento - Lento, Symphony no. 3: Vivo - Poco meno mosso - Meno mosso, Symphony no. 3: Vivo - Stesso movimento - Adagio - Piu mosso - Lento, Symphony no. 3: Vivo - Stesso movimento - Lento |
| Kavon Salyer |
sound |
Sospiri, op. 70, Sursum corda, op. 11, The Kingdom, op. 51: Jerusalem. Prelude. Allegro maestoso –, The Kingdom, op. 51: Part I “In the Upper Room”. Chorus: “O ye priests!”, The Kingdom, op. 51: Part I “In the Upper Room”. Peter, John, and the Disciples: “Thou, Lord, Which knowest the hearts of all men” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “He took bread, and blessed it” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “Where two or three are gathered together in My Name’ –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter:“Men and brethren” –, The Kingdom, op. 51: Part I “In the Upper Room”. Recitative. Chorus: “They gave forth their lots” –, The Kingdom, op. 51: Part I “In the Upper Room”. The Disciples and the Holy Women: “Seek first the Kingdom of God” –, The Kingdom, op. 51: Part II “At the Beautiful Gate”: The Morn of Pentecost 9 Mary and Mary Magdalene: “The singers are before the altar”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Repent, and be baptised every one of you”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Ye men of Judæa” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Mezzo-soprano: “And suddenly there came from heaven a sound...” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Tenor: “And when the day of Pentecost was fully come” –, The Kingdom, op. 51: Part III “Pentecost”: The Disciples: “When the great Lord will” –, The Kingdom, op. 51: Part III “Pentecost”: The People: “Behold, are not all these which speak, Galilæans?” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: John: “Unto you that fear His Name...” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mary: “The sun goeth down”, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mezzo-soprano: “The man that was lame” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “And as they spake” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “Then they that gladly received his word were baptised”’ –, The Kingdom, op. 51: Part V “The Upper Room”: All: “Our Father, Which art in Heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: John: “Ye have received the Spirit of adoption”, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Lord, Thou didst make the heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “The voice of joy is in the dwelling of the righteous” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Thou, Almighty Lord, hast given food and drink to mankind” – |
| Kim Storm |
producer |
A Fugal Concerto for Flute, Oboe & String Orchestra Op. 40 No. 2: I. Moderato, A Fugal Concerto for Flute, Oboe & String Orchestra Op.40 No.2: II. Adagio, A Fugal Concerto for Flute, Oboe & String Orchestra Op.40 No.2: III. Allegro, Brook Green Suite: I. Prelude, Brook Green Suite: II. Air, Brook Green Suite: III. Dance, Concerto for String Orchestra: I. Allegro, assai vivace, Concerto for String Orchestra: II. Quasi lento: teneramente, Concerto for String Orchestra: III. Allegro vivo: ritmico e giocoso, Double Concerto for Two Violins & Small Orchestra, op. 49: I. Scherzo, Double Concerto for Two Violins & Small Orchestra, op. 49: II. Lament, Double Concerto for Two Violins & Small Orchestra, op. 49: III. Variations on a Ground, Elegy for Solo Viola, String Quartet and String Orchestra, Serenade for Strings, St. Pauls Suite, Op. 29 No. 2: I. Jig, St. Pauls Suite, Op. 29 No. 2: II. Ostinato, St. Pauls Suite, Op. 29 No. 2: III. Intermezzo, St. Pauls Suite, Op. 29 No. 2: IV. Finale (The Dargason), Suite for String Orchestra: I. Allegro deciso, Suite for String Orchestra: II. Siciliano Elegiaco. Con moto, ma tenerezza, Suite for String Orchestra: III. Alla Menuetto. Allegro moderato, Suite for String Orchestra: IV. Rondo. Allegro assai: brioso, Two Songs Without Words, op. 22: I. Country Song, Two Songs Without Words, op. 22: II. Marching Song |
| A-Morality |
sound |
Incidental Music from “Grania & Diarmid”, op. 42: Funeral March, Incidental Music from “Grania & Diarmid”, op. 42: Incidental Music, The Sanguine Fan, op. 81: Allegretto moderato, The Sanguine Fan, op. 81: Allegro, The Sanguine Fan, op. 81: Allegro molto, The Sanguine Fan, op. 81: Andantino, The Sanguine Fan, op. 81: Grandioso, The Sanguine Fan, op. 81: Moderato, The Sanguine Fan, op. 81: Moderato, Maestoso, The Sanguine Fan, op. 81: Più moderato, Variation on an Original Theme (“Enigma”) for orchestra, op. 36: II. (H.D.S-P.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: III. (R.B.T.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: IV. (W.M.B.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: IX. (Nimrod), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: Introduction - I. (C.A.E.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: V. (R.P.A.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: VI. (Ysobel), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: VII. (Troyte), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: VIII. (W.N.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: X. (Dorabella) Intermezzo, Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XI. (G.R.S.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XII. (B.G.N.), Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XIII. (***) Romanza, Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XIV. (E.D.U.) Finale |
| Bouke Zoete |
sound |
Album for the Young, op. 39: A Winter Morning, Album for the Young, op. 39: Folk Song: Kamarinskaya, Album for the Young, op. 39: German Song (Ländler), Album for the Young, op. 39: In Church, Album for the Young, op. 39: Italian Song, Album for the Young, op. 39: Little Mother, Album for the Young, op. 39: March of the Wooden Soldiers, Album for the Young, op. 39: Mazurka, Album for the Young, op. 39: Morning Prayer, Album for the Young, op. 39: Neopolitan Song, Album for the Young, op. 39: Old French Melody, Album for the Young, op. 39: Polka, Album for the Young, op. 39: Russian Song, Album for the Young, op. 39: Song of the Lark, Album for the Young, op. 39: Sweet Dreams, Album for the Young, op. 39: The Doll's Funeral, Album for the Young, op. 39: The Hobby-Horse, Album for the Young, op. 39: The New Doll, Album for the Young, op. 39: The Old Nurse's Tale, Album for the Young, op. 39: The Organ-Grinder Sings, Album for the Young, op. 39: The Peasant Plays His Ziehharmonika, Album for the Young, op. 39: The Sick Doll, Album for the Young, op. 39: The Witch: Baba-Yaga, Album for the Young, op. 39: Waltz |
| John Foulds |
producer |
A World Requiem, op. 60: I. Requiem -, A World Requiem, op. 60: II. Pronuntiatio -, A World Requiem, op. 60: III. Confessio -, A World Requiem, op. 60: IV. Jubilatio -, A World Requiem, op. 60: IX. Lux Veritatis -, A World Requiem, op. 60: V. Audite -, A World Requiem, op. 60: VI. Pax -, A World Requiem, op. 60: VII. Consolatio -, A World Requiem, op. 60: VIII. Refutatio -, A World Requiem, op. 60: X. Requiem, A World Requiem, op. 60: XI. Laudamus -, A World Requiem, op. 60: XII. Elysium -, A World Requiem, op. 60: XIII. Hymn of the Redeemed -, A World Requiem, op. 60: XIII. In Pace -, A World Requiem, op. 60: XIV. Angeli -, A World Requiem, op. 60: XIX. Benedictio -, A World Requiem, op. 60: XV. Vox Dei -, A World Requiem, op. 60: XVI. Adventus -, A World Requiem, op. 60: XVII. Vigilate -, A World Requiem, op. 60: XVIII. Promissio et Invocatio -, A World Requiem, op. 60: XX. Consummatus |
| Sniper |
sound |
Suite from the Ballet "The Prince of the Pagodas", op. 57: Part I. Prelude, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the East. Slow and languorous -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the North. Quick and heavy -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the South. Quick and heavy - Energetic -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the West. Moderately quick -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part III. Belle Rose is borne in by Frogs. As at the beginning -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part III. Coda. Male and Female Flames and Corps de ballet of Flames. Very quick and impetuous -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part III. Pas de deux: Male and Female Flames. Majestic -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part IV. Pas de deux: The Prince and Belle Rose. Gently moving - Very quick -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part IV. Very free - Slow - Quick - Slower -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Pas de deux: Broadly -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Pas de six: Entrée. Quick and energetic -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Pas de trois: Flowing -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Slow - Same tempo -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Apotheosis. Quick - Broadly - Quick, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Belle Rose -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Boys of the Pas de six -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Girls of the Pas de six -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. The Emperor and the Fool -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. The Prince of the Pagodas -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Very quick - Waltz time - |
| Beathoven |
sound |
Meeresstille und glücklich Fahrt, op. 27: II. Glückliche Fahrt, Symphony no. 2, op. 52, “Hymn of Praise”: 10a. Chorus: “Ye nations, offer to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 10b. Chorus: “O give thanks to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 1a. Sinfonia: Maestoso con moto - Allegro, Symphony no. 2, op. 52, “Hymn of Praise”: 1b. Sinfonia: Allegretto un poco agitato, Symphony no. 2, op. 52, “Hymn of Praise”: 1c. Sinfonia: Adagio religioso, Symphony no. 2, op. 52, “Hymn of Praise”: 2a. Chorus: “All men, all things…”, Symphony no. 2, op. 52, “Hymn of Praise”: 2b. Soprano: “Praise thou the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 3a. Recitativo: Tenor: “Sing ye praise”, Symphony no. 2, op. 52, “Hymn of Praise”: 3b. Tenor: “He counteth all your sorrows…”, Symphony no. 2, op. 52, “Hymn of Praise”: 4. Chorus: “All ye that cried unto the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 5. Soprano: “I waited for the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 6a. Tenor: “The sorrows of death had closed…”, Symphony no. 2, op. 52, “Hymn of Praise”: 6b. Tenor: “We called thro' the darkness…”, Symphony no. 2, op. 52, “Hymn of Praise”: 7. Chorus: “The night is departing”, Symphony no. 2, op. 52, “Hymn of Praise”: 8a. Chorus: “Let all men praise the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 8b. Chorus: “Glory and praise to God”, Symphony no. 2, op. 52, “Hymn of Praise”: 9. Tenor: “My song shall alway be Thy mercy” |
| Tadeo Arredondo |
producer |
Médée, op. 47: I. Prélude, Médée, op. 47: II. Pantomime - Danse, Médée, op. 47: III. L'Attente de Médée, Médée, op. 47: IV. Médée et Jason, Médée, op. 47: V. Le Triomphe Auroral, Poeme des rivages, op. 77: I. Calme et lumière. Agay (Méditerranée). Tranquillement -, Poeme des rivages, op. 77: II. La joie du bleu profond. Miramar de Mallorca (Méditerranée). Animé - Modéré -, Poeme des rivages, op. 77: III. Horizons verts. Falconara (Adriatique). Très animé - Modéré, un peu moins vite -, Poeme des rivages, op. 77: IV. Le mystère de l'Océan. La Grande Côte (Golfe de Gascogne). Très largement -, Prelude to Act I of "Fervaal", op. 40, Saugefleurie, op. 21: Assez lent et calme - Plus vite -, Saugefleurie, op. 21: Assez lent et calme - Un peu plus vite - Plus animé - Vif et agité - Un peu moins vite -, Saugefleurie, op. 21: Gaîment, mais modéré -, Saugefleurie, op. 21: Tempo I (un peu plus vite) - Gaîment, mais modéré - Plus lent - Lent et calme, Symphonie italienne: I. Introduction et Allegro. Rome. Andante maestoso - Un peu plus vite - Tempo I -, Symphonie italienne: II. Scherzo. Florence. Allegro vivace, Symphonie italienne: III. Andante. Venise. Andante sans lenteur, Symphonie italienne: IV. Final (Saltarelle). Naples. Allegro ma non troppo - Allegro maestoso - Tempo I |
| Paul Baron |
producer |
Ballade for Piano and Orchestra from 'Stolen Face', Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Fantasy on Christmas Carols from 'The Holly and The Ivy', Overture from 'The Roots of Heaven', Postcard from the Med from 'The Captain's Paradise', Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30 |
| Ryan Angelos |
sound |
Baba-Yaga, op. 56, Dubinushka, op. 62, Kikimora, op. 63, The Enchanted Lake, op. 62, The Firebird Ballet Suite: Final Hymn, The Firebird Ballet Suite: Infernal Dance, The Firebird Ballet Suite: Introduction, The Firebird Ballet Suite: Lullaby (Firebird), The Firebird Ballet Suite: Pantomime I, The Firebird Ballet Suite: Pantomime II, The Firebird Ballet Suite: Pantomime III, The Firebird Ballet Suite: Pas de deux (Firebird and Ivan Tsarevich), The Firebird Ballet Suite: Prelude and Dance of the Firebird, The Firebird Ballet Suite: Rondo (Khorovod), The Firebird Ballet Suite: Scherzo (Dance of the Princess), The Firebird Ballet Suite: Variations (Firebird) |
| Тиранія |
sound |
Symphony no. 2, op. 45: I. Lento rubato, Symphony no. 2, op. 45: II. Scherzo: Vivace assai, Symphony no. 2, op. 45: III. Adagio tranquillo, Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto, Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto, Symphony no. 6, op. 80: II. Canto: Largo e sereno, Symphony no. 6, op. 80: III. Vivace impetuoso, Symphony no. 6, op. 80: IV. Poco andante - Allegro moderato, The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure |
| Natty Rico |
sound |
Symphony no. 8 in C minor: I. Allegro moderato, Symphony no. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam, Symphony no. 8 in C minor: III. Adagio: Feierlich langsam; doch nicht schleppend, Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Variations and Fugue on a Theme of Beethoven, op. 86: Fugue: Con spirito (non troppo allegro), Variations and Fugue on a Theme of Beethoven, op. 86: Theme: Andante, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 1: Un poco più lento, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 2: Appassionato, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 3: Andante grazioso, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 4: Vivace, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 5: Andante sostenuto, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 6: Allegretto con grazia, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 7: Poco vivace, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 8: Allegro pomposo |
| S. J. Bluewater |
sound |
Don Quixote, op. 35: Finale. Don Quixotes Tod, Don Quixote, op. 35: Introduktion -, Don Quixote, op. 35: Variation I. Das Abenteuer mit den Windmühlen -, Don Quixote, op. 35: Variation II. Der Kampf gegen die Hammelherde -, Don Quixote, op. 35: Variation III. Gespräche zwischen Ritter und Knappe -, Don Quixote, op. 35: Variation IV. Das Abenteuer mit der Prozession von Büßern -, Don Quixote, op. 35: Variation IX. Der Kampf gegen die vermeintlichen Zauberer: der Angriff auf die Mönche -, Don Quixote, op. 35: Variation V. Don Quixotes Wacht in der Sommernacht -, Don Quixote, op. 35: Variation VI. Die verzauberte Dulzinea -, Don Quixote, op. 35: Variation VII. Der Ritt durch die Luft -, Don Quixote, op. 35: Variation VIII. Die Fahrt auf dem verzauberten Nachen (Barcarolle) -, Don Quixote, op. 35: Variation X. Zweikampf mit dem Ritter vom blanken Monde; Heimkehr des geschlagenen Don Quixote -, Romanze for Cello and Orchestra in F major |
| Sean Babcock |
producer |
Five Pieces From "Cinderella": I. Waltz, Five Pieces From "Cinderella": II. Gavotte, Five Pieces From "Cinderella": III. Passepied, Five Pieces From "Cinderella": IV. Winter Fairy, Five Pieces From "Cinderella": V. Mazurka, Improvisation, op. 21, Sonata for Viola and Piano: I. Largo, Sonata for Viola and Piano: II. Allegretto quasi moderato, Sonata for Viola and Piano: III. Toccata. Allegro marcato, Sonata for Viola and Piano: IV. Apolalerion. A tempo di parte prima, Sonata in G minor: I. Marcia. Maestoso, Sonata in G minor: II. Allegro assai, Sonata in G minor: III. Andante con variazioni |
| Stuart Anthony |
producer, sound |
Symphony no. 14, op. 135: I. De profundis, Symphony no. 14, op. 135: II. Malagueña, Symphony no. 14, op. 135: III. Loreley, Symphony no. 14, op. 135: IV. The Suicide, Symphony no. 14, op. 135: IX. O Delvig, Delvig!, Symphony no. 14, op. 135: V. On Watch, Symphony no. 14, op. 135: VI. Madam, Look!, Symphony no. 14, op. 135: VII. In the Santé Jail, Symphony no. 14, op. 135: VIII. Reply of the Zaporozhye Cossacks to the Sultan of Constantinople, Symphony no. 14, op. 135: X. Death of the Poet, Symphony no. 14, op. 135: XI. Conclusion |
| Media Noctis |
engineer |
Suite de ballet, Op. 10: I. Danse rustique, Suite de ballet, Op. 10: II. Valse, Suite de ballet, Op. 10: IV. Carnival, The Wandering Scholar, Op. 50: As I was walking here to-day (Pierre, Louis, Alison), The Wandering Scholar, Op. 50: Before that I was twenty (Pierre, Father Philippe, Alison), The Wandering Scholar, Op. 50: He'll lie all day in the sun (Louis, Pierre, Alison), The Wandering Scholar, Op. 50: Heigho, a pretty knave! (Alison, Father Philippe), The Wandering Scholar, Op. 50: Learned? Comely? (Father Philippe, Pierre, Alison), The Wandering Scholar, Op. 50: Piggy, piggy, piggy! (Father Philippe, Alison), The Wandering Scholar, Op. 50: Someone is coming! (Alison, Father Philippe, Pierre), The Wandering Scholar, Op. 50: When rainbows follow flying showers (Alison) |
| David Ervin |
sound |
Cockaigne (In London Town), op. 40, Froissart, op. 19, In the South (Alassio), op. 50, Overture in D minor, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto |
| St. Symeon the New Theologian |
sound |
Ten Biblical Songs, op. 99: I. Clouds and Darkness Are Round About Him, Ten Biblical Songs, op. 99: II. Thou Art My Defence and Shield, Ten Biblical Songs, op. 99: III. Hear My Prayer, O God, Ten Biblical Songs, op. 99: IV. The Lord Is My Shepherd, Ten Biblical Songs, op. 99: IX. I Will Lift Up Mine Eyes Unto the Hills, Ten Biblical Songs, op. 99: V. I Will Sing a New Song, Ten Biblical Songs, op. 99: VI. Hear My Crying, O God, Ten Biblical Songs, op. 99: VII. By the Waters of Babylon, Ten Biblical Songs, op. 99: VIII. Turn Thee Unto Me, Ten Biblical Songs, op. 99: X. O Sing Unto the Lord a New Song |
| Wilson |
sound |
The Golden Goose, op. 45 no. 1: Jack and Princess embrace, The Golden Goose, op. 45 no. 1: Sound of drum and trumpets play, The Golden Goose, op. 45 no. 1: The Human Organ, The Golden Goose, op. 45 no. 1: The Mummers' Play, The Morning of the Year, op. 45 no. 2: Dance of Headman and Hobby-horse, The Morning of the Year, op. 45 no. 2: Dance of Maidens, The Morning of the Year, op. 45 no. 2: Dance of Youths, The Morning of the Year, op. 45 no. 2: Dance of the Youngest Couple, The Morning of the Year, op. 45 no. 2: I am that which men did make, The Morning of the Year, op. 45 no. 2: Mating Dance |
| Rasmus Tauk |
producer, sound |
Du bist die Ruh, D. 776 (No. 3 from Vier Lieder, op. 59), Fantasy in C major, op. 15 D. 760 "Wandererfantasie": Adagio -, Fantasy in C major, op. 15 D. 760 "Wandererfantasie": Allegro, Fantasy in C major, op. 15 D. 760 "Wandererfantasie": Allegro con fuoco ma non troppo -, Fantasy in C major, op. 15 D. 760 "Wandererfantasie": Presto -, Piano Sonata in B-flat major, op. posth., D. 960: Allegro, ma non troppo - Presto, Piano Sonata in B-flat major, op. posth., D. 960: Andante sostenuto, Piano Sonata in B-flat major, op. posth., D. 960: Molto moderato, Piano Sonata in B-flat major, op. posth., D. 960: Scherzo. Allegro vivace con delicatezza - Trio - Scherzo d.C. sin’ al Fine e poi la Coda, Ungeduld, D. 795 (No. 7 from Die schöne Müllerin, op. 25) |
| Bella Blasko |
producer, sound |
3 Norwegian Dances: No. 1. Allegro con brio, 3 Norwegian Dances: No. 2. Allegretto, 3 Norwegian Dances: No. 3. Allegro non troppo, Air norvégien, op. 7, Andante religioso, Bryllupsmarsch, op. 32 no. 1, Chant de la Veslemöy, Concerto for Violin and Orchestra in A major, op. 6: I. Allegro moderato ben risoluto, Concerto for Violin and Orchestra in A major, op. 6: II. Andante, Concerto for Violin and Orchestra in A major, op. 6: III. Finale. Allegro giusto |
| Nútímabörn |
sound |
Chain 2: I. Ad libitum, Chain 2: II. A battuta. Crotchet=c. 150 [Tempo I] - Tempo II - Tempo III, Chain 2: III. Ad libitum, Chain 2: IV. A battuta. Vivace - Ad libitum - A battuta. Presto - Più mosso, furioso, Partita: I. Allegro giusto - Un poco meno mosso - Ancora meno mosso - Tempo I, Partita: II. Ad libitum -, Partita: III. Largo - Poco meno mosso - A tempo - Meno mosso -, Partita: IV. Ad libitum -, Partita: V. Presto - Poco meno mosso - Tempo I - Ad libitum - Presto |
| [anonymous] |
producer, sound |
All sons of Adam, Ane exempill of tripla, Basse Dance "Content desir", Depairte, depairte (The Lady Marie's galliard), Galliarda la Royne d'Escosse and Queen of Scots galliard, Pavane et Gaillarde (La Royne d'Escosse), Richt soir opprest, Support your servand, The Queine of Ingland's Paven |
| Red Bandit |
sound |
Symphony no. 4 in A major, op. 90 "Italian": Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": Saltarello. Presto, Symphony no. 5 in D major, op. 107 "Reformation": Allegro vivace, Symphony no. 5 in D major, op. 107 "Reformation": Andante –, Symphony no. 5 in D major, op. 107 "Reformation": Andante – Allegro con fuoco – Andante come prima – Meno allegro come prima, Symphony no. 5 in D major, op. 107 "Reformation": Chorale: Ein’ feste Burg ist unser Gott. Andante con moto – Allegro vivace – Allegro maestoso – Più animato poco a poco, The Hebrides, op. 26 |
| Hyper[borea] |
sound |
Ivan the Terrible, Concert Scenario: I. Overture, Ivan the Terrible, Concert Scenario: III. Wedding: i. Allegro fastoso, Ivan the Terrible, Concert Scenario: III. Wedding: ii. Andante, Ivan the Terrible, Concert Scenario: III. Wedding: iii. Allegro fastoso, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: ii. Moderato energico, Ivan the Terrible, Concert Scenario: VI. The Storming of Kazan, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: ii. Andante sostenuto, Ivan the Terrible, Concert Scenario: XII. Murder in the Cathedral |
| Afrostatic |
sound |
Berceuse, Op. 16, Introduction et Rondo capriccioso in A Minor, Op. 28, Prelude and Allegro, Romanze in F Minor, Rondo in A Major, D. 438, Salut d'amour, Schön Rosmarin, Your Grey-Blue Eyes |
| Manuel de Falla |
sound |
The Three Cornered Hat: Afternoon. Allegretto mosso, The Three Cornered Hat: Dance of the Miller's Wife (Fandango). Allegro ma non troppo / The Corregidor. Moderato / The Miller's Wife. Poco più mosso, The Three Cornered Hat: Final Dance (Jota). Poco mosso, The Three Cornered Hat: Introduction. Allegretto ma non troppo — Poco meno mosso, The Three Cornered Hat: The Corregidor's Dance. Allegretto, The Three Cornered Hat: The Grapes. Vivo, The Three Cornered Hat: The Miller's Dance (Farruca). Poco vivo, The Three Cornered Hat: The Neighbour's Dance (Seguidillas). Allegro ma non troppo |
| r00ms |
producer |
Symphony no. 1 in G major, op. 4: I. Allegro assai, Symphony no. 1 in G major, op. 4: II. Larghetto, Symphony no. 1 in G major, op. 4: III. Finale. Allegro con brio, Symphony no. 2 in E minor, op. 31: I. Moderato, Symphony no. 2 in E minor, op. 31: II. Lento. Tranquillo, Symphony no. 2 in E minor, op. 31: III. Allegro scherzando, ma moderato, Symphony no. 2 in E minor, op. 31: IV. Finale. Grave - Allegro molto, con fuoco |
| Sose |
sound |
Concerto for Cello and Orchestra: Con moto tranquillo – Becoming slower and slower –, Concerto for Cello and Orchestra: Meno mosso – Becoming slower –, Concerto for Cello and Orchestra: Quietly, Concerto for Cello and Orchestra: Rather slower, very quietly – Tempo I – Rather slower –, Concerto for Cello and Orchestra: Slow – Not quick; quietly –, Concerto for Cello and Orchestra: Slow – Quicker – Rather slower – Rather quicker – Very slow – Very quietly –, Concerto for Cello and Orchestra: With animation – Becoming slower – |
| GIFT |
sound |
Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto, Cello Concerto no. 1 in E-flat major, op. 107: II. Andante sostenuto, Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza, Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con brio, Cello Concerto, op. 22: I. Allegro moderato, Cello Concerto, op. 22: II. Andante sostenuto, Cello Concerto, op. 22: III. Molto allegro ed appassionato |
| Burning the Day |
sound |
Cello Concerto no. 2, op. 77: I. Molto sostenuto - Allegro molto e energico -, Cello Concerto no. 2, op. 77: II. Presto marcato -, Cello Concerto no. 2, op. 77: III. Andante con moto, Cello Concerto: I. Allegro moderato, Cello Concerto: II. Andante sostenuto, Cello Concerto: III. Allegro [a battuta], Chant du Ménestrel, op. 71 |
| Dan Wood |
producer |
The Snow Maiden, op. 12: 11. Khor Naroda i Tsaredvortsev, The Snow Maiden, op. 12: 12. Khorovod Devushek, The Snow Maiden, op. 12: 17b. Deklamatsia Vensy, The Snow Maiden, op. 12: 18. Marsh Tsaria Berendeia i Khor, The Snow Maiden, op. 12: 2. Tanets i Khor Ptits, The Snow Maiden, op. 12: 4. Provody Maslenitsy, The Snow Maiden, op. 12: 9. Khor Slepykh Gusliarov |
| Jojo |
sound |
Merciless Beauty: I. Western Wind. Allegro moderato, Merciless Beauty: II. Letter to Anna, pregnant. Lento, Merciless Beauty: III. The Sick Rose. Allegro moderato, Merciless Beauty: IV. Tune for an Ice Cream Van. Allegro, Merciless Beauty: V. Merciless Beauty. Lento, Merciless Beauty: VI. Iron City Love Song. Moderato, Merciless Beauty: VII. Campionesque for Anna. Lento |
| Isabelle Yalkovsky |
sound |
Doctor Atomic Symphony: I. The Laboratory, Doctor Atomic Symphony: II. Panic. Agitato - Same tempo - New tempo -, Doctor Atomic Symphony: III. Trinity. Animato - Solennemente - Animato -, Harmonielehre: I. [Untitled.] Slow (new tempo) - Suddenly very slow -, Harmonielehre: II. The Anfortas Wound Very slow - New tempo - Floating -, Harmonielehre: III. Meister Eckhardt and Quackie. Slowly rocking - Precise, spirited, but not heavy ("scherzando"), Short Ride in a Fast Machine |
| Cody Walton |
engineer |
Concerto no. 1 in C minor for Piano and Orchestra, op. 4: I. Allegro moderato, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: II. Tranquillo, e quasi lento, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: III. Allegro moderato, e scherzando, Concerto no. 2 in C major for Piano and Orchestra, op. 39: I. Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: II. Poco lento, calmato - Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: III. Allegro assai - Giocoso - A tempo |
| Valentine |
producer |
La Tragédie de Salomé, op. 50: I. Danse des perles. Assez vif – Un peu moins vif – Plus calme – Animez – Un peu moins vif – Avec éclat – Animez peu à peu – Très vif, toutefois sans exagération, La Tragédie de Salomé, op. 50: I. Prélude. Lent – Animez un peu – Animez encore – Un peu plus lent (Mouvement initial) – Calme [Animez un peu] – Plus lent –, La Tragédie de Salomé, op. 50: II. Danse de l’effroi. Animé – Très élargi – Accélérez graduellement jusqu’à la fin, La Tragédie de Salomé, op. 50: II. Danse des éclairs. Animé, sans exagération – Avec frénésie – Lent – Animé – Lent – Animé – Lent –, La Tragédie de Salomé, op. 50: II. Lent – Les Enchantements sur la mer. Un peu moins lent (Mouvement du Prélude) – Animez un peu – Cédez un peu – Un peu plus lent – Plus lent – Animez peu à peu – Animez toujours –, Le Palais hanté, op. 49 |
| Stewart Francis |
sound |
Blitz, op. 65, Journey into Freedom, Pageantry: I. King's Herald, Pageantry: II. Cortege, Pageantry: III. Jousts, Tam O'Shanter's Ride |
| Gretel Scarlett |
producer |
Six Songs, op. 68: No. 1. An die Nacht, Six Songs, op. 68: No. 2. Ich wollt’ ein Sträußlein binden, Six Songs, op. 68: No. 3. Säusle, liebe Myrthe, Six Songs, op. 68: No. 4. Als mir dein Lied erklang, Six Songs, op. 68: No. 5. Amor, Six Songs, op. 68: No. 6. Lied der Frauen |
| Steel Storm |
sound |
Piano Concerto no. 2 in C minor, op. 50: I. Toccata: Allegro risoluto, Piano Concerto no. 2 in C minor, op. 50: II. Romanza: Andante con moto, Piano Concerto no. 2 in C minor, op. 50: III. Divertimento: Allegro risoluto e molto vivace, Piano Concerto no. 3 in E minor, op. 60 "Ballade": I. Con moto largamento - Allegretto con moto, Piano Concerto no. 3 in E minor, op. 60 "Ballade": II. Interludium: Allegro, molto sostenuto, misterioso, Piano Concerto no. 3 in E minor, op. 60 "Ballade": III. Finale: Allegro molto, Svegliando, eroico - Andante con moto tranquillo - Allegro molto - Coda |
| Francisco |
producer, sound |
Violin Concerto in C major, Op. 48: II. Andantino cantabile, Violin Concerto in C major, op. 48: I. Allegro molto e con brio, Violin Concerto in C major, op. 48: III. Vivace giocoso, Violin Concerto in D minor: I. Allegro con fermezza, Violin Concerto in D minor: II. Andante sostenuto, Violin Concerto in D minor: III. Allegro vivace |
| Cecilia Maria Barthélemon |
sound |
Violin Concerto: Allegretto – Più moderato – Rather quicker –, Violin Concerto: Broadly, Violin Concerto: Slower -, Violin Concerto: Tempo I – Very broad – With vigour – Rather quicker – Rather slower – With vigour –, Violin Concerto: With moderate tempo – Rather quicker – Rather slower – Broad – Slower and very quietly – Vigorously – Maestoso –, Violin Concerto: [Cadenza] – |
| The Tombstone Ramblers |
sound |
Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, op. 54: III. Allegro vivace, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace |
| Isaac Albéniz |
sound |
Iberia Suite: El Albaicín. Allegro, Iberia Suite: El Puerto. Allegro comodo, Iberia Suite: Evocation. Allegretto espressivo, Iberia Suite: La Fête Dieu à Séville (El Corpus en Sevilla). Allegro grazioso, Iberia Suite: Triana. Allegretto |
| Óskar Pétursson |
sound |
Preludia taneczne: Allegro molto, Preludia taneczne: II. Andantino - Un poco più vivo - Tempo I - Poco meno mosso, Preludia taneczne: III. Allegro giocoso, Preludia taneczne: IV. Andante - Tranquillo, Preludia taneczne: V. Allegro molto - Poco più tranquillo - Avvivando poco a poco - Presto |
| ESA |
sound |
Piano Quintet in G minor, op. 57: I. Prelude: Lento, Piano Quintet in G minor, op. 57: II. Fugue: Adagio, Piano Quintet in G minor, op. 57: III. Scherzo: Allegretto, Piano Quintet in G minor, op. 57: IV. Intermezzo: Lento, Piano Quintet in G minor, op. 57: V. Finale: Allegretto |
| Stefano Podda |
producer |
Concerto soirée: I. Valzer-Fantasia. Tempo di valzer tranquillo – Un poco animato – Poco più, brillante ma tranquillo – Animando insensibilmente – Tempo di valzer – Molto più calmo – Tempo I, Concerto soirée: II. Ballo figurato. Allegretto calmo, con spirito – Più calmo – Riprendendo il tempo, Concerto soirée: III. Romanza. Andante malinconico – Poco più mosso, capriccioso – Mosso – Calmo – Tempo I, Concerto soirée: IV. Quadriglia. Allegro con spirito – Lo stesso tempo – Lo stesso tempo – Poco meno, con spirito – Tempo I – Un poco sostenuto, Concerto soirée: V. Can-can. Animatissimo – Poco trattenuto – Più mosso, quasi presto – Ancora più |
| Jennifer Engel |
sound |
Sea Pictures, op. 37: 1. Sea-Slumber- Song. Andantino - Tranquillo - Tempo I - Tranquillo -, Sea Pictures, op. 37: 2. In Haven (Capri). Allegretto, Sea Pictures, op. 37: 3. Sabbath Morning at Sea. Moderato - Più mosso - Più mosso - Tempo I - Molto maestoso -, Sea Pictures, op. 37: 4. Where Corals Lie. Allegretto ma non troppo, Sea Pictures, op. 37: 5. The Swimmer. Allegro di molto - Largamente - Poco meno mosso - Tempo I - Largamente |
| Dany Legendre |
sound |
Jealousy, JW VI/10, Taras Bulba, JW VI/15: I. The Death of Andriy, Taras Bulba, JW VI/15: II. The Death of Ostap, Taras Bulba, JW VI/15: III. The Prophesy and the Death of Taras Bulba, The Ballad of Blaník, JW VI/16 |
| Lithke |
sound |
Concerto for Violin, Cello and Orchestra: Quietly -, Concerto for Violin, Cello and Orchestra: Slowly and Quietly – Molto tranquillo, rather quicker – Rather slower – [Cadenza.] Quicker – Rather slower –, Concerto for Violin, Cello and Orchestra: Tempo I – Rather quicker, tranquillo – Quicker – Rather slower – Rather more lively –, Concerto for Violin, Cello and Orchestra: Very quietly – Molto tranquillo, tempo I – Very quietly, slow, Concerto for Violin, Cello and Orchestra: With moderate speed – Rather quicker – Rather quieter – Quicker – Quietly – Rather slower, molto tranquillo – Vigorously – |
| David Eyre |
sound |
Symphony no. 3: Part I. I. Kräftig, Entschieden, Symphony no. 3: Part II. II. Tempo di menuetto. Sehr mässig, Symphony no. 3: Part II. III. Comodo. Scherzando, Symphony no. 3: Part II. VI. Langsam. Ruhevoll. Empfunden |
| ياسر أنور |
sound |
The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter!". Moderato – Poco allegro – Più allegro – Andante – Adagio – "O, how the immortal phantoms crowd around me!". Moderato ma agitato – Affrettando – Moderato – Allegro moderato – Presto – Prestissimo – Allegro agitato –, The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter". Allegro – "O trumpeter!". Andante – Poco animato – Molto sostenuto – Andante maestoso –, The Mystic Trumpeter, op. 18, H. 71: Allegro moderato – "Now, trumpeter, for thy close’. Andante – "O glad, exulting, culminating song!". Maestoso – Pochettino animato – Poco animato – Più mosso – Andante maestoso – Adagio – Andante, The Mystic Trumpeter, op. 18, H. 71: Molto sostenuto – Allegro agitato – "Hark! some wild trumpeter’. Moderato – Lento – "Blow, trumpeter, free and clear". Poco allegro – Meno mosso – Adagio – Allegretto – Andante – Più lento – Molto adagio – |
| Imelda Roland |
sound |
Concerto no. 1 for Piano and Orchestra in B-flat minor: I. Molto moderato e maestoso - Sostenuto e tranquillo - Animato, Concerto no. 1 for Piano and Orchestra in B-flat minor: II. Scherzo (Vivacissimo), Concerto no. 1 for Piano and Orchestra in B-flat minor: III. Andante, Concerto no. 1 for Piano and Orchestra in B-flat minor: IV. Allegro commodo |
| Dave Porter |
sound |
The Danube, JW IX/7: 1. Andante - Un poco più mosso - Con moto, The Danube, JW IX/7: 2. [ ] - Un poco più mosso - Meno mosso - Presto - [ ] - Adagio -, The Danube, JW IX/7: 3. Allegro - Meno - Più mosso - Più mosso - Meno mosso - Tempo I, The Danube, JW IX/7: 4. [Allegretto] - [Waltz] - Più mosso - [Poco tranquillo] - Presto |
| Ryan Marino |
sound |
Piano Concerto no. 1 in C minor, op. 35: I. Allegro moderato, Piano Concerto no. 1 in C minor, op. 35: II. Lento, Piano Concerto no. 1 in C minor, op. 35: III. Moderato, Piano Concerto no. 1 in C minor, op. 35: IV. Allegro con brio |
| Aux Field |
sound |
Praeludium for Brass, Bells and Percussion, Symphony no. 3: Part 1. Allegro non troppo e pesante -, Symphony no. 3: Part 1. Lento, Symphony no. 3: Part 2. Allegro molto - |
| Paolo Seu |
producer |
Symphony no. 3: I. Allegro, Symphony no. 3: II. Adagio con moto – Poco più mosso – Calmando – Tempo I, Symphony no. 3: III. Scherzo. Allegretto mosso – Trio – Con anima – [Scherzo. Allegretto mosso], Symphony no. 3: IV. Vivace con spirito |
| Smak |
sound |
Symphony no. 4, op. 29, FS 76 "The Inextinguishable": I. Allegro, Symphony no. 4, op. 29, FS 76 "The Inextinguishable": II. Poco allegretto, Symphony no. 4, op. 29, FS 76 "The Inextinguishable": III. Poco adagio quasi andante, Symphony no. 4, op. 29, FS 76 "The Inextinguishable": IV. Allegro - Glorioso - Tempo giusto |
| Mike Champion |
producer |
The Snow Maiden, op. 12: 14a. Tret'la Pesnia Lelia, The Snow Maiden, op. 12: 14b. Tret'la Pesnia Lelia, The Snow Maiden, op. 12: 6. Pervala Pesnia Lelia, The Snow Maiden, op. 12: 7. Second Song of Lei |
| BiggTrill |
producer |
Divertimento concertante: I. Allegro. Allegro maestoso – Poco sostenuto – Più sostenuto – Calmo – Tempo I – Cadenza – Animato, Divertimento concertante: II. Marcia. Alla marcia, allegramente, Divertimento concertante: III. Aria. Andante – A tempo, molto calmo, Divertimento concertante: IV. Finale. Allegro marcato – Meno mosso, con ampiezza – Tempo I – Cadenza – Vivacissimo |
| Claus Jacobi |
sound |
Fossegrimen, op. 21: I. Fossegrimen. Allegro moderato, Fossegrimen, op. 21: III. Bruremarsch. Allegretto marciale, Fossegrimen, op. 21: V. Fanitullen. Allegro con fuoco |
| Lenny Lashley |
producer |
Symphonie sur un chant montagnard français, op. 25: I. Assez lent, Symphonie sur un chant montagnard français, op. 25: II. Assez modéré, mais sans lenteur, Symphonie sur un chant montagnard français, op. 25: III. Animé |
| Jim Behringer |
sound |
Concerto for Piano and Orchestra: I. Allegro maestoso, Concerto for Piano and Orchestra: II. Andante con anima, Concerto for Piano and Orchestra: III. Allegro brillante |
| Anka Vondung |
engineer |
Cello Concerto in A minor, Op. 40: I. Allegro moderato, Cello Concerto in A minor, Op. 40: II. Andante quieto, Cello Concerto in A minor, Op. 40: III. Rondo: Adagio – Allegro giocoso |
| Waft |
recording |
Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso, The Song of the High Hills: In ruhigem fließendem Tempo – Tranquillo. Very quietly but not dragging – With vigour – Not too slow – Rather quicker – Slower. Maestoso (not hurried). With exultation –, The Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow |
| Ibrahim Soumano |
sound |
Balinese Ceremonial Music: I. Pemeongkah, Balinese Ceremonial Music: II. Gambangan, Balinese Ceremonial Music: III. Taboeh teloe |
| Chill |
sound |
Symphony no. 4, op. 60 "Symphonie concertante": I. Moderato, Symphony no. 4, op. 60 "Symphonie concertante": II. Andante molto sostenuto, Symphony no. 4, op. 60 "Symphonie concertante": III. Allegro non troppo, ma agitato ed ansioso |
| Georges Beckerich |
sound |
Tabuh-Tabuhan: I. Ostinatos, Tabuh-Tabuhan: II. Nocturne, Tabuh-Tabuhan: III. Finale |
| German Pops Orchestra |
sound |
Cello Concerto: I. Con moto – Più mosso – Più mosso – Meno mosso –, Cello Concerto: II. Lento e calmo – Più mosso – A tempo I – Meno mosso, Cello Concerto: III. Vivo – Meno mosso – Lento – Meno mosso – Più mosso – Meno mosso |
| Ruggero Pasquarelli |
sound |
Concerto for Cello and Orchestra in D major, op. 7: Allegro –, Concerto for Cello and Orchestra in D major, op. 7: Andante –, Concerto for Cello and Orchestra in D major, op. 7: Tempo I |
| Mercan Özkan |
producer |
Psaume XLVII, op. 38: Animé. ‘Gloire au Seigneur!’ – Même mouvement. ‘Frappez des mains!’ – Large. ‘Parce que le Seigneur est très élevé…’ – Premier Mouvement. ‘Gloire au Seigneur!’ –, Psaume XLVII, op. 38: Même mouvement. ‘Dieu est monté au milieu des chants de joie!’ – Mouvement initial (Animé). ‘Nations, frappez des mains!’ – Même mouvement. ‘Parce que le Seigneur est très élevé…’, Psaume XLVII, op. 38: Un peu moins vite. ‘Parce que le Seigneur est très élevé…’ – Un peu plus animé. ‘Frappez des mains toutes ensemble!’ – Large, mais sans emphase. ‘Il nous a assujetti les peuples…’ – Même mouvement. ‘Gloire au Seigneur!’ – |
| 石井真 |
sound |
Viola Concerto "Ghosts of the Dance": First Dance. Moderato – Presto – Meno mosso –, Viola Concerto "Ghosts of the Dance": Second Dance. Lento, quasi tango, Viola Concerto "Ghosts of the Dance": Third Dance. Vivo – Più mosso – Tempo I – Più mosso – Tempo I – Più mosso – Moderato – Meno mosso |
| Mordecai |
engineer |
Violin Sonata, Op. 134: I. Andante, Violin Sonata, Op. 134: II. Allegretto, Violin Sonata, Op. 134: III. Largo - Andante |
| Spook |
sound |
Concerto for Violin and Orchestra in A minor, op. 82: I. Moderato, Concerto for Violin and Orchestra in A minor, op. 82: II. Cadenza, Concerto for Violin and Orchestra in A minor, op. 82: III. Allegro |
| Murder One Gangster |
sound |
The Fiddler’s Child, JW VI/14: Allegro - Maestoso, The Fiddler’s Child, JW VI/14: Con moto - Vivo - Adagio - Allegro - Tempo Vivo - Tempo I - Meno mosso - Allegro -, The Fiddler’s Child, JW VI/14: Larghetto - Poco mosso - Tempo I - Con moto - |
| Floriane Tiozzo |
engineer |
Concerto for Cello and Orchestra, op. 31: I. Allegro con moto - Meno mosso, Concerto for Cello and Orchestra, op. 31: II. Scherzo and Trio. Allegro molto e ritmico (il più presto possibile) - Moderato e dolce, Concerto for Cello and Orchestra, op. 31: III. Lentissimo. Molto sostenuto |
| Kobi Arditi |
engineer |
Piano Concerto in A minor, op. 16: I. Allegro molto moderato, Piano Concerto in A minor, op. 16: II. Adagio, Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato |
| Cool Heat |
sound |
Concerto for Violin and Orchestra, op. 47: I. Allegro moderato - [Cadenza] - Tempo I - Molto moderato e tranquillo - Largamente - Allegro molto - Moderato assai - [Cadenza] - Allegro moderato - Allegro molto vivace, Concerto for Violin and Orchestra, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra, op. 47: III. Allegro, ma non tanto |
| Claudin de Sermisy |
producer, sound |
For love of one (Dont vient cela), Le cueur de vous |
| Ashok Bhadra |
producer |
The Snow Maiden, op. 12: 15. Pesnia Brusily, The Snow Maiden, op. 12: 3. Monolog Moroza |
| Amy Andersson |
producer, sound |
Chanson russe, Danse russe |
| William Byrd |
producer, sound |
In angells weede I saw a noble Queene, The noble famous Queene |
| saftWerk |
sound |
Fantasia for Cello and Orchestra, Threnody for Cello and Orchestra |
| Disha & Bhakta |
sound |
Ivan the Terrible, Concert Scenario: II. Russian Sea, Ivan the Terrible, Concert Scenario: X. Song of the Beaver (Ephrosynia's Lullaby) |
| Pierre Certon |
producer, sound |
Je suis un demidieu |
| Orlande de Lassus |
producer, sound |
Susanne un jour, S. xiv/29 |
| Odyssey |
sound |
Ivan the Terrible, Concert Scenario: XI. The Banquet: ii. Allegro moderato |
| Nasty Bulletz |
sound |
Passacaglia, op. 20 no. 2 |
| Suck Em Dry |
engineer |
The Wandering Scholar, Op. 50: When boughs are green in April (Louis, Alison) |
| Naked Masks |
engineer |
Suite de ballet, Op. 10: III. Scène de nuit |
| Arturo Klauft |
sound |
Fragment from Symphony no. 3 (Revised by Tommy B. Andersson) |
| Ted Ganung |
engineer |
Penguinski |
| Liveola |
sound |
Symphony no. 3: Part II. V. Lustig im tempo und keck im ausdruck |
| Andrew Blackhall |
producer, sound |
Bankis of Helicon: Adeu, o desie of delyt |
| The Skates |
sound |
Meeresstille und glücklich Fahrt, op. 27: I. Meeresstille |
| Kriss Riss Too Tone |
producer |
Choral varie, op. 55 |
| Shakeb Hamdard |
sound |
Symphony no. 3 "Pastoral": IV. Lento - Moderato maestoso - Animato - Poco più lento - Tempo I |
| True Temper |
sound |
The Shining One |
| Julia Brennan |
sound |
Violin Concerto "The Wandering of a Little Soul", JW IX/10 |
| Savannah |
producer, sound |
Nocturne |
| Johann Bernhard Bach |
producer, sound |
Lied, op. 19 |
| Sardini Moupsi |
producer |
Psaume XLVII, op. 38: Calme. ‘Il a choisi dans son héritage la beauté de Jacob…’ – Large. ‘La beauté de Jacob!’ – |
| William Kinloch |
producer, sound |
Gailliard of the lang paven |
| Jeff Neiblum |
sound |
Meditation |
| Wolfgang Amadeus Mozart |
sound |
The Magic Flute: Act II. “A woman’s beauty is beguiling” (Second Priest, Speaker, Papageno) |
| Zła Wola |
producer |
Lyric Movement for Viola and Small Orchestra |
| James Lauder |
producer, sound |
My Lord of Marche Paven |
| Gustav Holst |
sound |
The Perfect Fool, op. 39: Dance of Spirits of Fire. Allegro moderato - Andante |
| Shea Tohill |
producer, sound |
Jesus, Dear Jesus |
| C.L. Wilson |
producer, sound |
Benedictus |
| Μαρίσα Τριανταφυλλίδου |
producer |
Fantasy for piano and orchestra (arr. G. Rozhdestvensky) |
| Ігар Плевін |
sound |
Symphony no. 3: Part II. IV. Sehr langsam. Misterioso |
| Politics of Ego |
engineer |
A Song of the Night, Op. 19, No. 1 |
| Crust |
recording |
The Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato – |
| Thoinot Arbeau |
producer, sound |
Branles d'Escosse |