| Jerry Goldsmith |
performer, performing orchestra |
"9M-3", "Where Is She?" / The Monster Bumper Cars, "Where's Linda?", 666, A Doctor, Please, A Meal and a Bath, A New Face, A New Life, A New School, A Sad Message, A T.V. First, Acid Test, After Hours / The Loading Bay / Hidden Weapons, All in Vain, Allergic Reaction / Athletic Type, Angry Link, Argo City Mall, Arrival on Earth / Flying Ballet, At Your Service, Ave Satani, Bedtime Story, Beheaded, Black Magic, Blood Test, Bravo Link, Break Out, Breakaway, Breakout, Broken Bottles, Broken Ice, Broken Vows, Campbell and the Children, Capricorn One: Bedtime Story, Capricorn One: Break Out, Capricorn One: Docking, Capricorn One: Kay's Theme, Capricorn One: Main Title, Capricorn One: No Water, Capricorn One: The Celebration, Capricorn One: The Letter, Capricorn One: The Long Climb, Capricorn One: The Message, Capricorn One: The Snake, Capricorn One: The Station, Cat Nip, Chicago Lights / Street Attack, Claws, Clever Girl, December 11th, Do Yours, Docking, Don't Leave, Don't Let Him, Don’t Let Him, Drop Out, Dry Spell, Early Arrival, Early Estimate / Early Arrival, Electric Storm, End Credits, End Link, End Title, End Title (All the Power), End Title / Ave Satani, End of a Dream, Escape From NIMH / In Disguise, Escape Route, Ethan Spellbound, Fallen Temple, Family Talk, Fatal Fall / Sad Message, Father Spiletto, Final Flight, Final Message, Find It / Don't Believe Me, Finger Painting, First Blood, First Break, First Flight, First Flight (Revised), First Kiss / The Monster Storm, First Meeting, First Morning, First Test, Flaming Link, Flying Ballet (alternate version), Flying High / End Title, For Old Times’ Sake, Frau Doring, Friends, Gathering Forces, Hanging On, Hanging On (alternate), Hanging On (demonstration excerpt), Have No Fear, Helpful Link, Here Kitty, Home Coming, Hot Water, Hot Wire, Howdy Stranger, Hyper Sleep, Hyper Sleep (alternate), I Love You, Mark, I Love my Wife, I Want an Abortion / The Fall, I Was Here, I Was There, Identification, In the West, Into the West (Revised), It's All for You / Fatal Fall, It's a Long Road (Theme), It's a Long Road (instrumental), It’s a Droid, It’s a Droid (unused inserts), Jungle Holocaust, Kay's Theme, Kay’s Theme, Kill Him, Killer’s Storm, Legend: Faerie Dance / Re-united, Legend: Main Theme / The Goblins, Lies, Lost Children, Main Title, Main Title & Argo City, Main Title (alternate), Main Title (film version), Main Title (original version), Main Title / Ave Satani, Meet Spengo, Mighty Link, Missing Link, Mistaken Identity, Misunderstood, Mocara, Monster Storm, More Broken Vows / A Doctor Please, Morning Paper/The Abduction, Mountain High, Mountain Hunt, Moving Day, My Town, Night Stories, No Job, No Power, No Thanks, No Time to Wait, No Water, Nothing to Say, Old Photos, On This Night, On the Roof, Orchestra Only Suite: The Lake / Night Stories / Trapped / Don't Leave / First Break / Check Point / End Credits, Out the Door, Out the Door (alternate), Outland: Early Arrival, Outland: Final Message, Outland: Hot Water, Outland: Spiders, Outland: The Air Lock, Outland: The Hostage, Outland: The Hunted, Outland: The Message, Outland: The Rec Room, Over the Cliff, Over the Top / Frieda Maloney, Overture, Parker's Death, Parker’s Death (demonstration excerpt), Parted Hair, Peeping Link, Photo Session, Plans, Print! / The Dark Room / End Title, Prologue, Rae's Arrival, Rebel Dance, Rec Room #2, Released, Remembering, Reuters News, Runaway Train, Safari Park, School's Out, Secret Agent, Shafted, She'll Die, Short of Time, Sleepy Alien, Spiders, Steel Guitar, Step Inside My House, Stiffed, Stiffed (alternate), Street Call, Success, Suite from The Boys from Brazil, Swallow It, Swinging Link, Target Practice, The Aftermath, The Air Lock, The Airlock, The Alien Planet, The Altar, The Ambassador, The Bags, The Bags (alternate), The Basement, The Bed, The Bed / 666, The Big Jump, The Blood, The Blooding, The Bracelet, The Bug, The Butterfly, The Buy, The Car, The Celebration, The Chemist, The Craft, The Cupboard, The Cupboard (alternate), The Dam, The Day He Died, The Death Ray Laser, The Demise of Mrs Bavlock, The Demise of Mrs. Baylock, The Dogs & Finale, The Dogs Attack, The Droid, The Eggs, The Face Hugger, The Fall, The Final Conflict, The Final Showdown & Victory / End Title (short version), The Fire, The Fix, The Flag/Back Home, The Flight Home, The Flying Bumper Car, The Flying Car, The Greenhouse, The Harvest, The Hollowgram, The Homecoming, The Hospital (original), The Hospital (revised), The Hostage, The House Raising, The Hunt, The Hunted, The Hunters, The Implant, The Injection, The Iron, The Johnny Cab, The Journey Begins, The Killer Storm, The Killers Arrive, The Killers Arrive (without percussion overlay), The Knife, The Lab, The Lake, The Landing, The Last Battle (Broken Hose), The Letter, The Long Climb, The Lub-lubs, The Map, The Map (alternate version), The Market, The Massacre, The Message, The Mine, The Monastery, The Monster Tractor, The Mountain, The Mutant, The Needle, The New Ambassador, The Next Ambassador, The Nose Job, The Passage, The Passage (demonstration excerpt), The Patches, The Phantom Zone, The Picnic, The Piper Dreams, The Promise, The Razor, The Rec Room, The Recovery, The Recruiters, The Right One, The Second Coming, The Sentry Reel / The Story of N.I.M.H., The Shaft, The Showdown, The Skeleton, The Skeleton (alternate take), The Skeleton (alternate), The Snake, The Space Station, The Station, The Statue, The Sugar, The Superman Poster, The Terrain, The Terrain (alternate), The Tractor, The Treatment, The Trees, The Tunnel, The Vortex / The End of Zaltar, Thoughtful Night, Threats, To Sleep, Tod, The Destroyer, Tomorrow We Go, Too Much Work, Total Recall: The Dream, Trapped, Trial Run, True Power, Watching, We're Home Again (Film mix), We're Home Again (album mix), Welcome Link, What Does He Want, What's Wrong, Where Am I?, Where Is He, Where Is He?, Where Is She?, Where's Linda?, Without Air, Without Hope / Frau Doring, Without a Net, You!, s29 |
| Rain Pryor |
performing orchestra |
Ballet Music from "Le Cid": Andalouse, Ballet Music from "Le Cid": Aragonaise, Ballet Music from "Le Cid": Aubade, Ballet Music from "Le Cid": Castillane, Ballet Music from "Le Cid": Catalane, Ballet Music from "Le Cid": Madrilene, Ballet Music from "Le Cid": Navarraise, Coppélia: Act I. Ballade de l'épi, Coppélia: Act I. Czárdás (Danse hongroise), Coppélia: Act I. Final, Coppélia: Act I. Mazurka, Coppélia: Act I. Prélude et mazurka, Coppélia: Act I. Scène, Coppélia: Act I. Thème slave varié, Coppélia: Act I. Valse lente, Coppélia: Act II. Boléro, Coppélia: Act II. Chanson à boire et scène, Coppélia: Act II. Entr'acte et valse, Coppélia: Act II. Gigue, Coppélia: Act II. Musique des automates - Scène, Coppélia: Act II. Scène, Coppélia: Act II. Scène et valse de la poupée, Coppélia: Act III. Danse de fête, Coppélia: Act III. Galop final, Coppélia: Act III. Introduction, Coppélia: Act III. L'Aurore, Coppélia: Act III. L'Hymen (Noce villageoise), Coppélia: Act III. La Discorde et la guerre, Coppélia: Act III. La Paix, Coppélia: Act III. La Prière, Coppélia: Act III. Le Travail (La Fileuse), Coppélia: Act III. Marche de la cloche - Fête de la cloche - Divertissement, Coppélia: Act III. Valse des heures, Invitation to the Dance, La Boutique fantasque (complete ballet), La boutique fantasque, P. 120: I. Overture, La boutique fantasque, P. 120: II. Tarantella, La boutique fantasque, P. 120: III. Mazurka, La boutique fantasque, P. 120: IV. Danse cosaque, La boutique fantasque, P. 120: V. Cancan, La boutique fantasque, P. 120: VI. Valse lente, La boutique fantasque, P. 120: VII. Nocturne, La boutique fantasque, P. 120: VIII. Galop, La traviata: Act 1. Prelude, Le Carillon: Danse flamande, Le Carillon: Dialogue sentimental, Le Carillon: Scène, Le Cid "Aragonaise", "Aubade", Le Cid: Aragonaise, Les Sylphides: Grand Valse Brillante (orch. Roy Douglas), Les Sylphides: I. Prelude, Les Sylphides: II. Nocturne, Les Sylphides: III. Waltz, Les Sylphides: IV. Mazurka, Les Sylphides: Nocturne (orch. Douglas), Les Sylphides: Prelude (orch. Roy Douglas), Les Sylphides: V. Mazurka, Les Sylphides: VI. Prelude, Les Sylphides: VII. Waltz, Les Sylphides: VIII. Waltz, Mam'zell Angot (arr. Gordon Jacob): No. 10. Allegro - Valse, Mam'zell Angot (arr. Gordon Jacob): No. 11. Allegro - Presto, Mam'zell Angot (arr. Gordon Jacob): No. 12. Adagio, Mam'zell Angot (arr. Gordon Jacob): No. 13. Allegro moderato / No. 14. Finale, Mam'zell Angot (arr. Gordon Jacob): No. 2. Allegretto, Mam'zell Angot (arr. Gordon Jacob): No. 3. Mazurka, Mam'zell Angot (arr. Gordon Jacob): No. 4. Andantino - Valse, Mam'zell Angot (arr. Gordon Jacob): No. 5. Tempo di marcia - Gavotte, Mam'zell Angot (arr. Gordon Jacob): No. 6. Allegro vivace, Mam'zell Angot (arr. Gordon Jacob): No. 7. Allegretto, Mam'zell Angot (arr. Gordon Jacob): No. 9. Allegretto - Galop, Mam'zell Angot (arr. Gordon Jacob): Overture, Matinées musicales, op. 24: I. March, Matinées musicales, op. 24: II. Nocturne, Matinées musicales, op. 24: III. Waltz, Matinées musicales, op. 24: IV. Pantomime, Matinées musicales, op. 24: V. Moto perpetuo, Scènes alsaciennes: Dimanche matin, Scènes alsaciennes: III. Sous les tilleuls, Soirées musicales, op. 9: I. March, Soirées musicales, op. 9: II. Canzonetta, Soirées musicales, op. 9: III. Tirolese, Soirées musicales, op. 9: IV. Bolero, Soirées musicales, op. 9: V. Tarantella, Swan Lake : Act I: no. 5a: Pas de deux: Intrada - Valse, Swan Lake, op. 20: Act 2, no. 13e. Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante), Swan Lake: Act I: no. 1: Scène (Allegro giusto), Swan Lake: Act I: no. 2: Valse (Corps de Ballet), Swan Lake: Act I: no. 3: Scène (Allegro moderato), Swan Lake: Act I: no. 4a: Pas de trois: Intrada (Allegro), Swan Lake: Act I: no. 4b: Pas de trois: Andante sostenuto, Swan Lake: Act I: no. 4c: Pas de trois: Allegro semplice, Swan Lake: Act I: no. 4d: Pas de trois: Moderato, Swan Lake: Act I: no. 4e: Pas de trois: Allegro, Swan Lake: Act I: no. 4f: Pas de trois: Coda (Allegro vivace), Swan Lake: Act I: no. 5b: Pas de deux: Andante, Swan Lake: Act I: no. 5c: Pas de deux: Valse, Swan Lake: Act I: no. 5d: Pas de deux: Coda (Allegro molto vivace), Swan Lake: Act I: no. 6: Pas d'action (Andantino quasi moderato - Allegro), Swan Lake: Act I: no. 7: Sujet, Swan Lake: Act I: no. 8: Danse des coupes (Tempo di polacca), Swan Lake: Act I: no. 9: Finale (Andante), Swan Lake: Act II: no. 10: Scène (Moderato), Swan Lake: Act II: no. 11: Scène (Allegro moderato), Swan Lake: Act II: no. 12: Scène (Allegro), Swan Lake: Act II: no. 13a: Danse des cygnes: Valse, Swan Lake: Act II: no. 13b: Danse des cygnes: Odette solo / Première danse de la reine des cygnes (Moderato assai), Swan Lake: Act II: no. 13c: Danse des cygnes: Valse, Swan Lake: Act II: no. 13d: Danse des petits cygnes (Allegro moderato), Swan Lake: Act II: no. 13f: Danse des cygnes: Danse générale (Valse), Swan Lake: Act II: no. 13g: Danse des cygnes: Coda (Allegro vivace), Swan Lake: Act II: no. 14: Scène (Moderato), Swan Lake: Act III. Danse russe (Moderato), Swan Lake: Act III. Pas de deux: Introduction (Moderato) / Variation I / Variation II / Coda, Swan Lake: Act III: no. 15: Danse de fançailles (Allegro giusto), Swan Lake: Act III: no. 16: Danses du corps de ballet et des nains (Moderato assai), Swan Lake: Act III: no. 17: Scène: Entrée des invités (Fanfares) et la valse (Allegro), Swan Lake: Act III: no. 18: Scène (Allegro), Swan Lake: Act III: no. 19: Pas de six: Intrada (Moderato assai) - Variations I/V - Coda, Swan Lake: Act III: no. 20: Danse hongroise (Czárdás), Swan Lake: Act III: no. 21: Danse espagnole (Allegro non troppo. Tempo di bolero), Swan Lake: Act III: no. 22: Danse napolitaine, Swan Lake: Act III: no. 23: Mazurka, Swan Lake: Act III: no. 24: Scène (Allegro - Valse - Allegro vivo), Swan Lake: Act IV: no. 25: Entr'acte (Moderato), Swan Lake: Act IV: no. 26: Scène (Allegro non troppo), Swan Lake: Act IV: no. 27: Danses des petits cygnes (Moderato), Swan Lake: Act IV: no. 28: Scène (Allegro agitato), Swan Lake: Act IV: no. 29: Scène finale (Andante), Swan Lake: Danse des petits cygnes, Swan Lake: Introduction, Swan Lake: Scene - Act II, Swan Lake: Valse, The Nutcracker: Act 1, No. 1: The Christmas Tree, The Nutcracker: Act 1, No. 2: March, The Nutcracker: Act 1, No. 3: Galop and Dance of the Parents, The Nutcracker: Act 1, No. 4: Dance Scene - The Presents of Drosselmeyer, The Nutcracker: Act 1, No. 5: Scene - Grandfather Dance, The Nutcracker: Act 1, No. 6: Clara and the Nutcracker, The Nutcracker: Act 1, No. 7: The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming, The Nutcracker: Act 1, No. 8a: A Pine Forest in Winter, The Nutcracker: Act 1, No. 9: Scene and Waltz of the Snowflakes, The Nutcracker: Act 2, No. 10: The Magic Castle on the Mountain of Sweets, The Nutcracker: Act 2, No. 11: Clara and Prince Charming, The Nutcracker: Act 2, No. 12a: Character Dances: Chocolate (Spanish Dance), The Nutcracker: Act 2, No. 12b: Character Dances: Coffee (Arabian Dance), The Nutcracker: Act 2, No. 12c: Character Dances: Tea (Chinese Dance), The Nutcracker: Act 2, No. 12d: Character Dances: Trépak (Russian Dance), The Nutcracker: Act 2, No. 12e: Character Dances: Dance of the Reed Pipes, The Nutcracker: Act 2, No. 12f: Character Dances: Polchinelle (The Clown), The Nutcracker: Act 2, No. 13: Waltz of the Flowers, The Nutcracker: Act 2, No.14: The Prince And The Sugar-Plum Fairy, The Nutcracker: Act 2, No.15: Final Waltz And Apotheosis, The Nutcracker: Act 2, Var.1: Tarantella, The Nutcracker: Act 2, Var.2: Dance Of The Sugar-Plum Fairy, The Nutcracker: Act 2: Coda, The Nutcracker: Dance of the Sugar Plum Fairy, The Nutcracker: Miniature Overture, The Nutcracker: Overture, The Nutcracker: Waltz of the Flowers, The Sleeping Beauty: "Rose" Adagio, The Sleeping Beauty: Act I: no. 5: Scène (The Palace Garden), The Sleeping Beauty: Act I: no. 6: Valse, The Sleeping Beauty: Act I: no. 7: Scène (The Four Princes), The Sleeping Beauty: Act I: no. 8a: Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio"), The Sleeping Beauty: Act I: no. 8b: Pas d'action: Danse des demoiselles d'honneur et des pages, The Sleeping Beauty: Act I: no. 8c: Pas d'action: Variation d'Aurore, The Sleeping Beauty: Act I: no. 8d: Pas d'action: Coda, The Sleeping Beauty: Act I: no. 9: Final (La Fée des lilas paraît), The Sleeping Beauty: Act II: no. 10: Entr'acte et scène, The Sleeping Beauty: Act II: no. 11: Colin-maillard (Allegro vivo), The Sleeping Beauty: Act II: no. 12: Scène - Danse des duchesses - Danse des baronnes - Danse des comtesses - Danse des marquises, The Sleeping Beauty: Act II: no. 13: Farandole: Scène - Danse, The Sleeping Beauty: Act II: no. 14: Scène (Arrival of Huntsmen), The Sleeping Beauty: Act II: no. 15a: Pas d'action (Vision of Aurora), The Sleeping Beauty: Act II: no. 15b: Variation d'Aurore (Allegro comodo), The Sleeping Beauty: Act II: no. 15c: Coda, The Sleeping Beauty: Act II: no. 16: Scène (Allegro agitato), The Sleeping Beauty: Act II: no. 17: Panorama (Andantino), The Sleeping Beauty: Act II: no. 18: Entr'acte (Andante sostenuto), The Sleeping Beauty: Act II: no. 19: Entr'acte symphonique - Scène (Aurora's sleep), The Sleeping Beauty: Act II: no. 20: Final (Allegro agitato) (Breaking of spell), The Sleeping Beauty: Act III: Cendrillon et le prince Fortune (Allegro - Waltz), The Sleeping Beauty: Act III: no. 21: Marche, The Sleeping Beauty: Act III: no. 22: Polacca (Allegro moderato), The Sleeping Beauty: Act III: no. 23a: Pas de quatre: Intrada (Allegro non tanto), The Sleeping Beauty: Act III: no. 23b: Pas de quatre: Variation I (Valse) (Golden Fairy), The Sleeping Beauty: Act III: no. 23c: Pas de quatre: Variation II (Polka) (Silver Fairy), The Sleeping Beauty: Act III: no. 23d: Pas de quatre: Variation III (Saphir Fairy), The Sleeping Beauty: Act III: no. 23e: Pas de quatre: Variation IV (Diamond Fairy), The Sleeping Beauty: Act III: no. 23f: Pas de quatre: Coda, The Sleeping Beauty: Act III: no. 24: Pas de caractère (Puss in Boots), The Sleeping Beauty: Act III: no. 25a: Pas de quatre: Adagio, The Sleeping Beauty: Act III: no. 25b: Pas de quatre: Variation I (Cinderella and Prince) (Waltz), The Sleeping Beauty: Act III: no. 25c: Pas de quatre: Variation II (Bluebird and Florisse), The Sleeping Beauty: Act III: no. 25d: Pas de quatre: Coda, The Sleeping Beauty: Act III: no. 26: Pas de caractère (Red Riding Hood), The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb), The Sleeping Beauty: Act III: no. 28a: Pas de deux: Intrada, The Sleeping Beauty: Act III: no. 28b: Pas de deux: Adagio, The Sleeping Beauty: Act III: no. 28c: Pas de deux: Variation I (Prince), The Sleeping Beauty: Act III: no. 28d: Pas de deux: Variation II (Aurora), The Sleeping Beauty: Act III: no. 28e: Pas de deux: Coda (Allegro vivace) (The Three Ivans), The Sleeping Beauty: Act III: no. 29: Sarabande, The Sleeping Beauty: Act III: no. 30a: Finale: Allegro brillante (Mazurka), The Sleeping Beauty: Act III: no. 30b: Finale: Apothéose (Andante molto maestoso), The Sleeping Beauty: Prologue: no. 2. Scène dansante (Entrance of Fairies), The Sleeping Beauty: Prologue: no. 3: Pas de six: Intrada - Adagio (Allegro vivo), The Sleeping Beauty: Prologue: no. 3c: Pas de six: Variation I (Candite), The Sleeping Beauty: Prologue: no. 3d: Pas de six: Variation II (Coulante), The Sleeping Beauty: Prologue: no. 3e: Pas de six: Variation III (Falling crumbs), The Sleeping Beauty: Prologue: no. 3f: Pas de six: Variation IV (Song-bird Fairy), The Sleeping Beauty: Prologue: no. 3g: Pas de six: Variation V (Violente), The Sleeping Beauty: Prologue: no. 3h: Pas de six: Variation VI (Lilac Fairy)(Waltz), The Sleeping Beauty: Prologue: no. 3i: Pas de six: Coda, The Sleeping Beauty: Prologue: no. 4: Final (La Fée des lilas sort), The Sleeping Beauty: Prologue: no. Introduction, The Sleeping Beauty: Valse |
| Frank Naples |
performing orchestra |
20th Century Fox Fanfare, 20th Century Fox Fanfare / The Imperial Probe, A Place In The Sun: Prelude / Angela / Loon Lake / Farewell & Frenzy /The Farewell, Adagietto from Symphony no.5, Air (2.Satz) aus der Suite für Orchester No.3 D-Dur BWV 1068, Air on the G String, Apotheosis: Melanie's Death, Scarlett and Rhett, Tara, Ballet Music from "Aïda", Battle in the Forest, Belle Watling, Beneath the 12-Mile Reef: Descending, Beneath the 12-Mile Reef: The Octopus - Homecoming, Beneath the 12-Mile Reef: The sea - The Lagoon, Bolero, Bölcsődal vonósokra, Chanson du Matin, Choral "O Haupt voll Blut und Wunden", BWV 244, Citizen Kane: Aria from Salammbo, Citizen Kane: Prelude - Xanadu - Snow Picture, Citizen Kane: Rosebud and Finale, Citizen Kane: Theme and Variations (Breakfast Montage), Civil War, Fall of the South, Scarlett Walks Among the Wounded, Close Encounters of the Third Kind: Barnstormings / Arrival of the Mother Ship / The Pilot's Return / The Visitors / Final Scene, Czárdás, Dance Montage: Charleston Heel and Toe Polka, Southern Belle Waltz, Can Can, Dance of the Water Nymphs from "Lorelei", Danube Waves, Double Indemnity: Mrs. Dietrichson, the Conspiracy, Dreaming (Traümerei), Driving Home, Gerald O'Hara, Scarlett, Tara, Egyptian March, Elegie C-Moll Op.24, Elizabethan Serenade, Erzsébet-kori szerenád, Farandole from "L'Arlésienne Suite", Finale, Grazioso, Mammy, Ashley, Ashley and Scarlett, Scarlett, Ashley and Melanie Love Theme, Gymnopédie N°. 1, Gymnopédie no. 1, Gymnopédie no. 2, Han Solo Returns, Han Solo and the Princess, Hangover Square: Concerto Macabre for Piano and Orchestra, Heroic Ewok, Indianer Galopp, Op. 111, Into the Trap / Fight in the Dungeon, Ivanhoe: Overture, Jabba the Hutt, Jesu, Joy of Man's Desiring, Karácsonyfa-jelenet - "Diótörő", Lando’s Palace, the Duel (Through the Window), Le tombeau de Couperin: I. Prélude, Le tombeau de Couperin: II. Forlane, Le tombeau de Couperin: III. Menuet, Le tombeau de Couperin: IV. Rigaudon, Leichtes Blut Polka, Luke and Leia, Luke’s First Crash, Main Title / Approaching the Death Star, Main Title, The Imperial Probe, Mammy and Melanie on the Staircase, Rhett's Sorrow, Marche Militaire, Marche militaire no. 1 in D major (orchestral version), Menuett (3.Satz) aus dem Divertimento No.17 D-Dur KV 334, Mephisto Waltz, Minuet, Nimrod, Nimrod from Enigma Variations, Nocturne from “A Midsummer Night’s Dream”, op. 61, Norwegian Rustic March, Old Acquaintance: Elegy For Strings And Harp(s), On Dangerous Ground: The Death Hunt, Opening Sequence: The Twins, Katie Bell, Ashley, Mammy, Overture "Der Freischütz", Overture: Orpheus in the Underworld, Overture: The Huntsman (Der Freischütz), Overture: The Magic Flute, Parade of the Ewoks, Pavane, Pavane in F-sharp minor, op. 50, Pavane pour une infante défunte, Persian March, Polovtsian Dances from "Prince Igor", Prelude to Act I "La Traviata", Prince Igor: Polovtsian Dance no. 2, Prince Valiant (Prelude; King Aguar's Escape; The Fens; The First Chase; The Tournament; Sir Brack's Death And Finale), Rebecca: Prelude / After The Ball / Mrs. Danvers / Confession Scene / Manderley In Flames, Reconstruction, the Nightmare, Tara Rebuilt, Bonnie, the Accident, Return of the Jedi, Romeo and Juliet Overture-Fantasy, Scherzo from "A Midsummer Night's Dream", Scherzo from “A Midsummer Night’s Dream”, op. 61, Scottish Dance no.1, Selznick International Trademark - Main Title: Dixie, Mammy, Tara, Rhett, Spellbound: The Dream Sequence, the Mountain Lodge, Star Wars: Here They Come!, Star Wars: Main Title, Star Wars: Princess Leia, Star Wars: The Final Battle, Star Wars: The Little People Work, Star Wars: The Throne Room and End Title, Suite No. 3 in D major, BWV 1068, 1. Overture, Suite No. 3 in D major, BWV 1068, 2. Air, Suite No. 3 in D major, BWV 1068, 3. Gavotte I and II, Suite No. 3 in D major, BWV 1068, 4. Bourée, Suite No. 3 in D major, BWV 1068, 5. Gigue, Sunset Boulevard: Main Title / Norma Desmond / The Studio Stroll / The Comeback / Norma As Salome, Swedish Rhapsody, Taras Bulba: The Ride To Dubno, The Asteroid Field, The Battle in the Snow, The Bride Of Frankenstein: The Creation Of The Female Monster, The Ewok Battle, The Four Feathers: Sunstroke, River Journey, The Herd Girl's Sunday Romance, The Imperial March, The Lost Weekend: Love Scene and Finale, The Lost Weekend: The Bottle, First Meeting, The Lost Weekend: The Mouse and the Bat, Nightmare, The Magic Tree, The Moldau from "Má Vlast" (My Homeland), The Nutcracker, op. 71: Christmas Tree Scene, The Philadelphia Story: Metro-Goldwyn-Mayer Fanfare / Main Title / The True Love, The Rebels Escape Again, The Red House: Meg Finds the Red House, The Red House: Pete's Death and Finale, The Red House: Prelude, The Red House: Teller Shoots at Meg, The Red House: The Morgan Farm, the New Hired Hand, Swimming Scene, The Thief of Bagdad: The Love of the Princess, The Training of a Jedi Knight and “May the Force Be With You”, Traumerei, True Love, Ashley Returns to Tara From the War, Tara in Ruins, Turkish March from "The Ruins of Athens", Turkish March from The Ruins of Athens, Vocalise, Waltz from "Serenade for Strings", Wedding March from "A Midsummer Night's Dream", Wedding March from 'A Midsummer Night's Dream', White Witch Doctor: Abduction of the Bakuba Boys - The Skulls, White Witch Doctor: Lonni Bound by Ropes - Departure, White Witch Doctor: Nocturne, White Witch Doctor: Talking Drums - Prelude - The Riverboat - Petticoat Dance - The Safari, White Witch Doctor: Tarantula - The Lion, Yoda’s Theme, Zapateado, Zwölf Deutsche Tänze, Hob. IX:12 |
| Tiare Helberg |
performing orchestra |
Aurora's Wedding: Act II: Farandole – Danse – Tempo di mazurka, Aurora's Wedding: Act II: Scène – Danse des duchesses – Danse des marquises, Aurora's Wedding: Act III: Coda – Les Trois Ivan, Aurora's Wedding: Act III: Pas de caractère – Le Chaperon Rouge et le Loup, Aurora's Wedding: Act III: Pas de deux, Aurora's Wedding: Act III: Pas de quatre, Aurora's Wedding: Act III: Polacca, Aurora's Wedding: Act III: Tempo di Mazurka – Apothéose, Aurora's Wedding: Introduction (Prologue), Aurora's Wedding: Pas de six (Prologue), Carmen Suite No. 1: Aragonaise. Allegro vivo (Prelude to Act IV), Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III), Carmen Suite No. 1: Les Dragons d'Alcala. Allegro moderato (Prelude to Act II), Carmen Suite No. 1: Les Toréadors. Allegro giocoso (Introduction to Act I), Carmen Suite No. 1: Prélude. Andante moderato (Prelude to Act I), Carmen Suite No. 1: Séguédille. Allegretto (Act I), Carmen Suite No. 2: Danse bohème. Andatino quasi Allegretto (Act II), Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I), Carmen Suite No. 2: La Garde montante. Allegro (Act I), Carmen Suite No. 2: Marche des contrebandiers. Allegro moderato (Act III), Carmen suite : Aragonaise, Carmen suite : Danse bohème, Carmen suite : Habanera, Carmen suite : Intermezzo, Carmen suite : La garde montante, Carmen suite : Les dragons d'alcalá, Carmen suite : Les toreadors, Carmen suite : Marche des contrabandiers, Carmen suite : Prelude, Carmen suite : Seguidille, Carmen: Act II/Act III Intermezzo. Andantino quasi allegretto, Carmen: Seguidilla. Allegretto (Act I), Clair de Lune, Flight of the Bumblebee, Fête-Dieu à Séville, Humoresque, Ivan the Terrible: Prelude to Act III, L'Arlésienne Suite No. 1: I. Prélude. Allegro deciso (Tempo di Marcia) – Andantino, L'Arlésienne Suite No. 1: II. Minuetto. Allegro giocoso, L'Arlésienne Suite No. 1: III. Adagietto. Adagio, L'Arlésienne Suite No. 1: IV. Carillon. Allegro moderato – Andantino – Tempo I, L'Arlésienne Suite No. 2: I. Pastorale. Adante sostenuto assai – Andantino – Tempo I, L'Arlésienne Suite No. 2: III. Menuet. Andantino quasi Allegretto, L'Arlésienne Suite No. 2: IV. Farandole. Allegro deciso (Tempo di Marcia) – Allegro vivo e deciso, L'arlesienne suite : Adagietto, L'arlesienne suite : Carillon, L'arlesienne suite : Farandole, L'arlesienne suite : Menuetto, L'arlesienne suite : Overture, L'arlesienne suite : Pastorale, La Soirée dans Grenade, Mazurka in B-flat minor, op. 24/4, Perpetuum mobile, Prelude in D minor, op. 28/24, Prelude in E-flat minor, op. 87/14, Symphony No. 1 in C major: I. Allegro vivo, Symphony No. 1 in C major: II. Adagio, Symphony No. 1 in C major: III. Allegro vivace, Symphony No. 1 in C major: IV. Allegro vivace, Symphony No. 1 in E minor, op. 39: I. Andante, ma non troppo – Allegro energico, Symphony No. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony No. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony No. 1 in E minor, op. 39: IV. Finale (Quasi una Fantasia) – Andante, Symphony No. 2 in D major, op. 73: I. Allegro non troppo, Symphony No. 2 in D major, op. 73: II. Adagio non troppo, Symphony No. 2 in D major, op. 73: III. Allegretto grazioso, Symphony No. 2 in D major, op. 73: IV. Allegro con spirito, Symphony No. 4 in A major op.90 "Italian": I. Allegro vivace, Symphony No. 4 in A major op.90 "Italian": II. Andante con moto, Symphony No. 4 in A major op.90 "Italian": III. Con moto moderato, Symphony No. 4 in A major op.90 "Italian": IV. Saltarello. Presto, Symphony No.3 in Amin, Op.44 - I. Lento--Allegro Moderato--Allegro, Symphony No.3 in Amin, Op.44 - II. Adagio ma non troppo--Allegro vivace, Symphony No.3 in Amin, Op.44 - III. Allegro--allegro vivace, The Swan of Tuonela, op. 22/3, Tragic Overture, op. 81, Vocalise Op.34No.14 (orch. by the composer) |
| Giuseppe Verdi |
performing orchestra |
Ave Maria, Di quella pira - Il trovatore, Il Trovatore: Act I, Scene I. "All'erta! All'erta", Il Trovatore: Act I, Scene I. "Di due figle vivea padre beato", Il Trovatore: Act I, Scene II. "Che più t'arresti?", Il Trovatore: Act I, Scene II. "Deserto sulla terra", Il Trovatore: Act I, Scene II. "Di tale amor, che dirsi", Il Trovatore: Act I, Scene II. "Infida - Qual voce! Di geloso amor sprezzato", Il Trovatore: Act I, Scene II. "Tace la notte!", Il Trovatore: Act I, Scene II. "Tacea la notte placida", Il Trovatore: Act II, Scene I. "Mal reggendo all'aspro assalto", Il Trovatore: Act II, Scene I. "Non son tuo figlio!", Il Trovatore: Act II, Scene I. "Perigliarti ancor languente", Il Trovatore: Act II, Scene I. "Soli or siamo", Il Trovatore: Act II, Scene I. "Stride la vampa!", Il Trovatore: Act II, Scene I. "Vedi! Le fosche notturne spoglie", Il Trovatore: Act II, Scene II. "Ah! se l'error t'ingombra", Il Trovatore: Act II, Scene II. "E deggio e posso crederlo?", Il Trovatore: Act II, Scene II. "Il balen del suo sorriso", Il Trovatore: Act II, Scene II. "Tutto è deserto", Il Trovatore: Act III, Scene I. "Giorni poveri vivea", Il Trovatore: Act III, Scene I. "In braccio al mio rival!", Il Trovatore: Act III, Scene I. "Or co' dadi, ma fra poco", Il Trovatore: Act III, Scene I. "Squilli, echeggi la tromba guerriera", Il Trovatore: Act IV, Scene I. "D'amor sull'ali rosee", Il Trovatore: Act IV, Scene I. "Miserere d'un alma già vicina", Il Trovatore: Act IV, Scene I. "Siam giunti: ecco la torre", Il Trovatore: Act IV, Scene I. "Tu vedrai che amore in terra", Il Trovatore: Act IV, Scene II. "A te davanti", Il Trovatore: Act IV, Scene II. "Mira di acerbe lagrime", Il Trovatore: Act IV, Scene II. "Udiste? Come albeggi", Il Trovatore: Act IV, Scene II. "Vivra!... contende il giubilo", Il Trovatore: Act IV, Scene III. "Che!... non m'inganna quel fioco lume?", Il Trovatore: Act IV, Scene III. "Madre, non dormi?", Il Trovatore: Act IV, Scene III. "Parlar non vuoi?", Il Trovatore: Act IV, Scene III. "Prima che d'altri vivere", Il Trovatore: Act IV, Scene III. "Sì; la stanchezza m'opprime", Il Trovatore: Act IV, Scene III. "Ti scosta! - Non respingermi!", La rivedra nell'estasi (Un ballo in maschera), Saper vorreste - Un ballo in maschera, Stride la vampa! - Il trovatore, Un Ballo in Maschera: Act I: "Alla vita che t'arride", Un Ballo in Maschera: Act I: "Che v'agita così?" / "Della città all'occaso", Un Ballo in Maschera: Act I: "La rivedrà nell'estasi", Un Ballo in Maschera: Act I: "Posa in pace", Un Ballo in Maschera: Act I: "Su profetessa" / "Di' tu se fedele" / "Orsù, amici", Un Ballo in Maschera: Act I: "Volta la terrea" / "Ogni cura si doni al diletto", Un Ballo in Maschera: Act I: "Zitti... l'incanto non dèssi turbare" / "Re dell'abisso, affrettati", Un Ballo in Maschera: Act I: "È scherzo od è follia", Un Ballo in Maschera: Act I: Preludio, Un Ballo in Maschera: Act II: "Ahime! S'appressa alcun!" / "Per salvarti da lor", Un Ballo in Maschera: Act II: "Ecco l'orrido campo", Un Ballo in Maschera: Act II: "Ma dall'arido stelo divulsa", Un Ballo in Maschera: Act II: "Seguitemi" / "Ve' se di notte", Un Ballo in Maschera: Act II: "Teco io sto", Un Ballo in Maschera: Act II: Preludio, Un Ballo in Maschera: Act III: "A tal colpa è nulla il pianto", Un Ballo in Maschera: Act III: "Ah! dessà e là", Un Ballo in Maschera: Act III: "Ah! perché qui! Fuggite", Un Ballo in Maschera: Act III: "Alzati; là tuo figlio" / "Eri tu", Un Ballo in Maschera: Act III: "D'una grazia vi supplico", Un Ballo in Maschera: Act III: "Ella è pura", Un Ballo in Maschera: Act III: "Fervono amori e danze", Un Ballo in Maschera: Act III: "Forse la soglia attinse" / "Ma se m'è forza perderti", Un Ballo in Maschera: Act III: "Il messaggio entri" - "Ah! di che fulgor", Un Ballo in Maschera: Act III: "Morrò, ma prima in grazia", Un Ballo in Maschera: Act III: "Saper vorreste", Un Ballo in Maschera: Act III: "Siam soli. Udite" / "Dunque l'onta di tutti sol una", Un Ballo in Maschera: Un Ballo in Maschera: Act I: "Finisci il vaticinio", Un ballo in maschera: Di' tu se fedele, Voorspel tot 1e akte van La Traviata |
| Gioachino Rossini |
performing orchestra |
William Tell, Act 1 Scene 1: Il piccol legno ascendi, William Tell, Act 1 Scene 1: Oh! quale alta d'intorno, William Tell, Act 1 Scene 1: È il ciel sereno, seren il giorno, William Tell, Act 1 Scene 2: Al fremer del torrente, William Tell, Act 1 Scene 3: Contro l'ardor del giorno, William Tell, Act 1 Scene 4: Il mio giuro, egli disse?, William Tell, Act 1 Scene 5: Arresta! Quali sguardi!.., William Tell, Act 1 Scene 6: Delle antiche virtudi l'esempio rinnovate, William Tell, Act 1 Scene 6: Il sol che intorno splende, William Tell, Act 1 Scene 6: O smania!, William Tell, Act 1 Scene 8: Cinto il crine di bei fiori, William Tell, Act 1 Scene 8: Gloria e onore al giovinetto, William Tell, Act 1 Scene 8: Pas de six, William Tell, Act I Scene 11: Che sento!.. ohimè!, William Tell, Act I Scene 11: Ciò ch'ei fece l'oserebbe, William Tell, Act I Scene 11: Nume pietoso, Dio di bontà!, William Tell, Act I Scene 8: Ecco là, tremante, e reggendosi appena, William Tell, Act II Scene 1: Qual silvestre metro intorno, William Tell, Act II Scene 2: S'allontanano alfine!, William Tell, Act II Scene 2: Selva opaca, deserta brughiera, William Tell, Act II Scene 3: Ciel! Guglielmo! Gualtiero! Dio!, William Tell, Act II Scene 3: Se il mio giungere t'oltraggia, William Tell, Act II Scene 3: Tutto apprendi, o sventurato, William Tell, Act II Scene 4: Allor che scorre de' forti il sangue, William Tell, Act II Scene 4: Confuso da quel bosco, William Tell, Act II Scene 6: De' prodi, ascolta, è già compiuto il patto, William Tell, Act II Scene 6: Domo, o ciel, da un stranier, William Tell, Act II Scene 7: Giuriam, giuriam pei nostri danni..., William Tell, Act II Scene 7: La valanga che volve dalla cima dei monti, William Tell, Act III Scene 1: Ah! se privo di speme è l'amore, William Tell, Act III Scene 1: Arnoldo! e d'onde nasce, William Tell, Act III Scene 2: Ballabile di soldati, William Tell, Act III Scene 2: Gloria al poter supremo!, William Tell, Act III Scene 2: Quell' agil piè ch'egual non ha, William Tell, Act III Scene 3: Corri alla madre, William Tell, Act III Scene 3: Inchinati, superbo, William Tell, Act III Scene 3: Quel fasto m'offende, William Tell, Act III Scene 3: Resta immobile, e vêr la terra, William Tell, Act III Scene 3: Vittoria! vittoria!, William Tell, Act III Scene 4: ...è il suo destin segnato, William Tell, Act III Scene 4: Anàtema a Gessler, William Tell, Act IV Scene 10: Tutto cangia, il ciel si abbella, William Tell, Act IV Scene 1: Non mi lasciare, o speme di vendetta, William Tell, Act IV Scene 1: muto asil del pianto, William Tell, Act IV Scene 3: Resta omai! ah, ti perde il duolo, William Tell, Act IV Scene 4: E per partire i nostri mali estremi, William Tell, Act IV Scene 4: Sottratto a orribil nembo, William Tell, Act IV Scene 5: Tu che l'appogio del debol sei, William Tell, Act IV Scene 6: Io lo vidi, io lo vidi!, William Tell, Act IV Scene 7: Io ti rivedo, William Tell: Overture |
| Bernard Herrmann |
performing orchestra |
Cabin 1, Cabin 10, Citizen Kane Theme, Discovery, Finale, Flight, Hotel Room, Marion, Marion and Sam, Phone Booth, Prelude, Suite For Psycho: Finale, Suite For Psycho: Flight, The Petrol Car, The Car Lot, The Package, The Rainstorm, Suite For Psycho: Hotel Room, The Window, The Parlour, Suite For Psycho: Prelude, Suite For Psycho: Temptation, Suite For Psycho: The City, Marion, Marion And Sam, Suite For Psycho: The Madhouse, Suite For Psycho: The Peephole, Temptation, The Bathroom, The Bedroom, The Body, The Car, The Car Lot, The Cellar, The City, The Curtain, The First Floor, The Hill, The Knife, The Madhouse, The Murder, The Office, The Package, The Parlour, The Patrol Car, The Peephole, The Porch, The Rainstorm, The Search, The Shadow, The Stairs, The Swamp, The Toys, The Water, The Window, Tom Curtain: Prelude |
| Luciano Pavarotti |
performing orchestra |
A voi tutti salute, Addio, fiorito asil, Annina donde vieni, Aprile, Au fond du temple saint, Ave Maria, Come un bel dì di maggio, Dai campi, dai prati, Donna non vidi mai, Forse la soglia attinse, Il foglio dunque!, L'Africana: Mi battle il cuor … O paradiso, L'anima ho stanca, La traviata: Act II, Scene I. “Lunge da lei … O mio rimorso!”, La traviata: Atto II, Scena I. “De’ miei bollenti spiriti” (Alfredo), La traviata: Atto II, Scena I. “Lunge da lei” (Alfredo), La traviata: Atto II, Scena I. “O mio rimorso!” (Alfredo), Linda! Linda!… Da quel dì che t'incontrai, Lontano lontano, Lunge da lei… De' miei bollenti spiriti, M'ardon le vene, Ma chi vien…, Ma se m'è forza perderti, Mamma quel vino è generoso, Manon Lescaut: Donna non vidi mai, Mario! Mario! Mario!, No, pagliaccio non son, O sole mio, Ogni mortal mister, Or lasciami al lavoro, Pagliacci: Recitar! … Vesti la giubba, Perdona o mia diletta…, Pietà, Signore, Prendi! L'anel ti dono, Qual giglio candido, Quando le sere al placido, Quando le sere al placido chiaror d'un ciel stellato, Su profetessa... Di tu se fedele, Teco io sto…, Torna a Surriento, Tosca: E Lucevan Le Stelle (Puccini), Tosca: Recondita armonia, Tra voi, belle, Vesti la giubba, Viva il vino spumeggiante |
| Brooke Alcaide |
performing orchestra |
Alla Marcia from "Karelia Suite", Andalucia (Spanish Dances), Andaluçia from "Spanish Dances", Berceuse from "Jeux d'Enfants", Cossack Dance from "Mazeppa", Dance of the Comedians from "The Bartered Bride", Egmont Overture, Entr'acte from Rosamunde, Furiant from "The Bartered Bride", Galop from "Jeux d'Enfants", Grand March from "The Queen of Sheba", Gypsy Air (Zigeunerweisen), Habañera, Hora Staccato, Hungarian Rhapody no. 2, Le nozze di Figaro, KV 492: Overture, Lullaby, March from "Jeux d'Enfants", March: Folk Songs from Somerset, Overture to 'Yeomen of the Guard', Overture: Queen of Spades, Overture: Russlan and Ludmilla, Overture: Sicilian Vespers, Overture: The Bronze Horse, Overture: The Marriage of Figaro, Overture: The Yeoman of the Guard, Polka from "The Bartered Bride", Prelude and Rigaudon from "Holberg Suite", Radetzky March, Rustle of Spring, Slavonic Dance in C, No.7, Slavonic Dance in C, op. 72 no. 7, Slavonic Dance in E minor, op. 72 no. 2, Slavonic Dance in G minor, op. 46 no. 8, Slavonic Rhapsody, Tavaszi zsongás, The Maiden and the Nightingale, The Trout (“Die Forelle”) Theme, Valse triste |
| Pietro Mascagni |
performing orchestra |
Cavalleria Rusticana: Intermezzo (extract), Cavalleria Rusticana: Regina Coeli, Laetare - Alleluja!, Cavalleria rusticana: "O Lola chái la, di latti la cammisa" (Turiddu), Cavalleria rusticana: Atto. "A voi tutti salute!" (Alfio, peasants, Turiddu, Lola), Cavalleria rusticana: Atto. "Ah, lo vedi, che hai tu detto?" (Turiddu, Santuzza), Cavalleria rusticana: Atto. "Bada, Santuzza, schiavo non sono" (Turiddu, Santuzza), Cavalleria rusticana: Atto. "Beato voi, compar Alfio" (Lucia, Alfio, Santuzza), Cavalleria rusticana: Atto. "Compar Turiddu" (Alfio, Turiddu), Cavalleria rusticana: Atto. "Dite, mamma Lucia" (Santuzza, Lucia), Cavalleria rusticana: Atto. "Fior di giaggiolo, gli angeli belli stanno" (Lola, Turiddu, Santuzza), Cavalleria rusticana: Atto. "Gli aranci olezzano..." (peasants), Cavalleria rusticana: Atto. "Il cavallo scalpita" (Alfio, peasants), Cavalleria rusticana: Atto. "Il ver" (Santuzza, Alfio), Cavalleria rusticana: Atto. "Intanto, amici, qua, beviamone un bicchiere." (peasants, Lola, Turiddu), Cavalleria rusticana: Atto. "Mamma, mamma ... quel vino è generoso." (Turiddu, Lucia, Santuzza, a peasant girl), Cavalleria rusticana: Atto. "Oh, il Signore vi manda, compar Alfio." (Santuzza, Alfio), Cavalleria rusticana: Atto. "Regina coeli, laetare - Alleluja!" (choir, Santuzza, Lucia), Cavalleria rusticana: Atto. "Tu qui, Santuzza?" (Turiddu, Santuzza), Cavalleria rusticana: Atto. "Turiddu, ascolta!" (Santuzza, Turiddu), Cavalleria rusticana: Atto. "Voi lo sapete" (Santuzza, Lucia), Cavalleria rusticana: Atto. Intermezzo sinfonico, Cavalleria rusticana: Preludio, Intermezzo, Iris: Apri la tua finestra! |
| Erich Wolfgang Korngold |
performing orchestra |
Anthony Adverse: No Father, No Mother, No Name, Between Two Worlds (Main Title; Mother and Son), Between Two Worlds: Main Title / Mother and Son, Captain Blood (Overture), Captain Blood: Overture, Deception: Main Title, Devotion: The Death Of Emily Bronte, Devotion: The Death of Emily Bronte, Elisabeth die Erste: Elisabeth, Escape Me Never: Main Title / Venice / March / Love Scene / Finale, Escape Me Never: Main Title / Venice / March / Lover Scene / Finale, Juarez (Love Theme), Juarez: Love Theme, Kings Row: Main Title, Of Human Bondage (Nora's Theme), Of Human Bondage: Nora’s Theme, The Adventures Of Robin Hood: March Of The Merry Men / Battle, The Adventures of Robin Hood (March of Merry Men; Battle), The Constant Nymph: Tomorrow, The Constant Nymph: Tomorrow: Tone Poem For Contralto, Women's Chorus And Orchestra, op. 33, The Sea Hawk (Main Title; Reunion; Finale), The Sea Hawk: Main Title / Reunion / Finale, The Sea Hawk: Suite |
| Johann Strauss |
performing orchestra |
Auf der Jagd, Schnellpolka, Op. 373, Canciones de amor, El bello Danubio azul, Galop de los bandidos, Marcha persa, Marcha índigo, Marsch, Op. 289 "Persischer Marsch", Marsch, Op. 335 "Ägyptischer Marsch", Marsch, Op. 426 "Russicher Marsch", Polka sangre ligera, Polka, Op. 281 "Vergnügungszug", Polka, Op. 319 "Leichtes Blut", Prinz Methusalem: Walzer, Op. 375 "O schöner Mai", Schnellpolka, Op. 378 "Banditen-Galopp", The Blue Danube (excerpt), Tritsch-Tratsch Polka, Walzer, Op. 114 "Liebeslieder", Walzer, Op. 234 "Accelerationen", Walzer, Op. 307 "Wiener Bonbons", Walzer, Op. 314 "An der schönen blauen Donau", Walzer, Op. 342 "Neu-Wien" |
| Giacomo Puccini |
performing orchestra |
Act One: Gente là dentro, Act One: Mario! Mario! Mario!, Act One: Or lasciami al lavoro, Act One: Sante ampolle ... Recondita armonia, Act One: Tre sbirri, una carrozza, Act Three: Come è lunga l'attesa!, Act Three: E lucevan le stelle, Act Three: Mario Cavaradossi? A voi, Act Three: Prelude ... lo de' sospiri, Act Three: Senti, l'ora è vicina, Act Two: Io tenni la promessa, Act Two: Se la giurata fede, Act Two: Vissi d'arte, La Fanciulla del West: Ch'ella mi creda, Manon Lescaut: Act I. "Ma se vi talenta... tra voi, belle" (Des Grieux), Manon Lescaut: Ah! non v'avvicinate… No! no! pazzo son!, Manon Lescaut: Donna non vidi mai, Manon Lescaut: Ma se vi talenta… Tra voi belle, Suor Angelica: "Senza mamma" (Suor Angelica), Tosca: Act I. "Recondita armonia" (Cavaradossi) |
| Mir-Nb |
performing orchestra |
Cowkeeper's Tune & Country Dance, Elegiac Melody no. 2 (The Last Spring), Holberg Suite, op. 40: I. Präludium, Holberg Suite, op. 40: II. Sarabande (Andante), Holberg Suite, op. 40: III. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte, Holberg Suite, op. 40: IV. Air (Andante religioso), Holberg Suite, op. 40: V. Riguadon (Allegro con brio), Holberg Suite: I. Prelude, Holberg Suite: II. Sarabande, Holberg Suite: III. Gavotte & Musette, Holberg Suite: IV. Air, Holberg Suite: V. Rigaudon, Homage March (Sigurd Jorsalfar), Peer Gynt, op 23: No. 12. The death of Aase, Sigurd Jorsalfar, op. 56: No. 4. Ceremonial March (Homage March), Two Elegiac Melodies, op. 34: I. Heart’s wounds, Two Nordic Melodies, op. 63: I. In the style of a folk song, Two Nordic Melodies, op. 63: II. Cowkeeper’s tune and country dance |
| Ian Nygaard |
performing orchestra |
Cavalleria Rusticana: Intermezzo, Cavalleria rusticana: "A casa, a casa" (uomini, donne, Turiddu, Lola), Cavalleria rusticana: "A voi tutti, salute!" (Alfio, coro, Turiddu, Lola, alcune donne), Cavalleria rusticana: "Ah! lo vedi" (Turiddu, Santuzza), Cavalleria rusticana: "Ah!" - "Gli aranci olezzano" (coro, donne, uomini), Cavalleria rusticana: "Beato voi, compar Alfio" (Lucia, Alfio, Santuzza, coro), Cavalleria rusticana: "Dite, mamma Lucia" (Santuzza, Lucia), Cavalleria rusticana: "Fior di giaggiola" (Lola, Turiddu, Santuzza), Cavalleria rusticana: "Il cavallo scalpita" (Alfio, coro), Cavalleria rusticana: "Mamma, quel vino è generoso" (Turiddu, Lucia, Santuzza, una donna), Cavalleria rusticana: "O Lola ch'hai di latti la cammisa" (Turiddu), Cavalleria rusticana: "Oh! Il Signore vi manda" (Santuzza, Alfio), Cavalleria rusticana: "Tu qui, Santuzza?" (Turiddu, Santuzza), Cavalleria rusticana: "Viva il vino spumeggiante" (Turiddu, coro, Lola), Cavalleria rusticana: "Voi lo sapete, o mamma" (Santuzza, Lucia), Cavalleria rusticana: Intermezzo, Cavalleria rusticana: Preludio |
| Wolfgang Amadeus Mozart |
performing orchestra |
Die Entführung aus dem Serail: Ouvertüre, Divertimento Nr. 17 in D-Dur, KV 334: III. Menuett, Divertimento für Streicher Nr. 1 in D-Dur, KV 136 "Erste Salzburger Sinfonie": I. Allegro, Divertimento für Streicher Nr. 1 in D-Dur, KV 136 "Erste Salzburger Sinfonie": II. Andante, Divertimento für Streicher Nr. 1 in D-Dur, KV 136 "Erste Salzburger Sinfonie": III. Presto, Don Giovanni: Ouvertüre, Exsultate jubilate, KV 165: Alleluja, Konzert für Horn und Orchester Nr. 1 in D-Dur, KV 412: I. Allegro, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: I. Allegro, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: II. Romanza. Larghetto, Konzert für Horn und Orchester Nr. 3 in Es-Dur, KV 447: III. Allegro, Konzert für Horn und Orchester Nr. 4 in Es-Dur, KV 495: III. Rondo, Messe in C-Dur, KV 317 "Krönungsmesse": Gloria, Requiem in d-moll, KV 626: Confutatis maledictis "Wird die Hölle ohne Schonung", Requiem in d-moll, KV 626: Dies irae "Tag des Zorns", Schlafe, mein Prinzchen, schlaf ein (Wiegenlied) |
| Miklós Rózsa |
performing orchestra |
Ben Hur: I. Fanfare to Prelude, Ben Hur: II. Star of Bethlehem and Adoration of the Magi, Ben Hur: III. Friendship, Ben Hur: IV. The Burning Desert, Ben Hur: IX. Return to Judea, Ben Hur: V. Arrius's Party, Ben Hur: VI. Rowing of the Galley Slaves, Ben Hur: VII. Parade of the Charioteers, Ben Hur: VIII. The Mother's Love, Ben Hur: X. Ring for Freedom, Ben Hur: XI. Lepers' Search for the Christ, Ben Hur: XII. Procession to Calvary, Ben Hur: XIII. Miracle and Finale, Sahara, Spellbound: The Dream |
| Alex North |
performing orchestra |
Belle Reve, Belle Reve Reflections, Birthday Party, Blanche and Mitch, Blanchie, Della Robia Blue, Main Title, Mania, New Orleans Street, Revelation, Seduction, Soliloquy, Stan Meets Blanche, Stan and Stella, The Doctor / Affirmation |
| Hugo Friedhofer |
performing orchestra |
A Taste Of Ivory (Jeri Southern), Amanda Is Gone, Corpse In The Cellar, End Title, Esther's Arrival, Find A Companion, First Nell, Then Father, Knife For Jethro, Locked Cupboard, Main Title, Rooftop Struggle, The Confessional, The Ring, The Word Is Murder, Visitors Of The Mind |
| Michael Kamen |
performing orchestra |
After Autopsy, Caine's Theme / Fallada's Office / Int-Basement Quarantine Room / Caine and Fallada Reaction & Run to the Basement, Guard Enters Autopsy Room / Alien Girl-Eyes Open / Alien Girl Approaches Guard / Guards React to Alien Girl / Window Blows Out, His Funny Valentine, Hypnosis, Interior Alien Craft, James & Felix on Their Way to Church, Licence Revoked, London in Chaos, Ninja, Pam, Passage of Time / Back, Rescue Mission, Sanchez Is in the Bahamas / Shark Fishing |
| Gus Coma |
performing orchestra |
Christopher Robin Is Saying His Prayers, Come Into the Garden, Maud, I'll Sing Thee Songs of Araby, I'll Walk Beside You, Jeanie With the Light Brown Hair, Just A-Wearyin' for You, Little Grey Home in the West, Plaisir d'amour, The Trumpeter, Thora, Trees, Two Blue Eyes, Whispering Hope |
| Henry Mancini |
performing orchestra |
Bombe Richelieu (Natasha's Theme), Bombes Away / Natasha in Venice (Natasha's Theme), Fiery Finale (Who Is Killing The Great Chefs Of Europe?), Italian Soup, Late Night Call / The Gathering (Theme from Who Is Killing The Great Chefs Of Europe?), Natasha's Theme, Natasha's Theme (End Title), Pesce!, The Final Feast / The Confession, The Movable Feast, Theme From Who Is Killing The Great Chefs Of Europe?, They Hang Chefs, Don't They?, Well Done Louis |
| Kiri Te Kanawa |
performing orchestra |
An Island Spinning Song, Annie Laurie, Come to the Fair, Comin' Thro' the Rye, Danny Boy, Greensleeves, O Can Ye Sew Cushions?, She Is Far From the Land, The Ash Grove, The Gentle Maiden, The Keel Row, The Last Rose of Summer, Tosca: Act II. "Vissi d'arte, vissi d'amore" |
| Lâm Nhật Tiến |
performing orchestra |
An Unending Story, Catherine’s Sorrow, Crossed Legs, Eine kleine Nachtmusik (source), Kitchen Help, Main Title (Theme From Basic Instinct), Morning After, Night Life, Outland: The Mine, Pillow Talk, Roxy Loses, The Games Are Over |
| James Galway |
performing orchestra |
Allegro, Annie’s Song, Bachianas Brasileiras No. 5: Aria, Carmen Fantasy, La plus que lente, Le Basque, Liebesfreud, Nocturne No. 5 in B-flat major, Nocturne in E-flat, op. 9 no.2, Spanish Love Song, Tambourin |
| Maurice Jarre |
performing orchestra |
Die Aale (The Eels), Die Emigranten (The Emigrants), Die Polnische Post (The Polish Post), Gentil Trio (Gentil Trio), Kaschubien (Kaschubien), Leidenschaftliches Rendez-Vous (Passionate Rendez' Vous), Main Title: Lara's Theme, Marcus Der Spielzeughändler (Marcus the Toyseller), Oskar's Trommel (Oskar's Drum), Roswitha (Roswitha), Unterbrochene Parade (Interrupted Parade) |
| Max Steiner |
performing orchestra |
Casablanca, Casablanca Suite, Key Largo, King Kong: Suite, Passage to Marseille, The Big Sleep, The Big Sleep: Love Themes, The Caine Mutiny, The Treasure of the Sierra Madre, Virginia City |
| David Gilmour |
performing orchestra |
All Lovers Are Deranged, Blue Light, Cruise, Let’s Get Metaphysical, Love on the Air, Murder, Near the End, Out of the Blue, Until We Sleep, You Know I’m Right |
| Bilbao |
performing orchestra |
Concerto in D major for Trumpet & Orchestra: I. Adagio, Concerto in D major for Trumpet & Orchestra: II. Allegro moderato, Concerto in E‐flat major for Trumpet & Orchestra: I. Allegro, Concerto in E‐flat major for Trumpet & Orchestra: I. Allegro con spirito, Concerto in E‐flat major for Trumpet & Orchestra: II. Andante, Concerto in E‐flat major for Trumpet & Orchestra: III. Allegro, Concerto in E‐flat major for Trumpet & Orchestra: III. Rondo, Allegro molto, Trumpet Concerto in E or E-flat major, WoO 1: II. Andante, Trumpet Concerto in E or E-flat major, WoO 1: III. Rondo, Trumpet Concerto in E-flat major, H. 7e/1: III. Finale |
| Tony Banks |
performing orchestra |
Caroline’s Theme, Finale, Kit’s Theme, Pastorale, Portrait of Jerry Jackson, Prelude to the Wicked Lady, Scherzo, The Wicked Lady |
| Umberto Giordano |
performing orchestra |
Andrea Chenier: "Come un bel dì di maggio", Andrea Chenier: "Un dì all'azzurro spazio", Andrea Chénier: Act I. "Colpito qui m'avete... Un dì all'azzurro spazio", Andrea Chénier: Act III. "Sì, fui soldato... Passa la vita mia", Andrea Chénier: Colpito qui m'avete… Un dì all'azzurro spazio, Andrea Chénier: Come un bel dì di maggio, Andrea Chénier: Sì, fui soldato, Fedora: Amor ti vieta |
| Hazmadic |
performing orchestra |
Otello: Atto I (Conclusion), Otello: Atto I (Part 1), Otello: Atto II (Conclusion), Otello: Atto II (Part 1), Otello: Atto III (Conclusion), Otello: Atto III (Part 1), Otello: Atto IV. |
| Franz Lehár |
performing orchestra |
Das Land des Lächelns: Dein ist mein ganzes Herz, Der Graf von Luxemburg: Bist du's, lachendes Glück, Die lustige Witwe, Konzertsuite, Friederike: Suite: Menuett / Intermezzo / Polka, Zigeunerliebe: Csárdás, Zigeunerliebe: Walzer |
| Josef Strauss |
performing orchestra |
Delirios, Polka, Op. 269 "Feuerfest", Schnellpolka, Op. 133 "Auf Ferienreise", Walzer, Op. 212 "Delirien", Walzer, Op. 235 "Sphärenklänge", Walzer, Op. 64 "Dorfschwalben aus Österreich" |
| Richard Wagner |
performing orchestra |
Die Walküre: Ride of the Valkyries, Die Walküre: Wontan's Farewell and Magic Fire Music, Götterdämmerung: Siegfried's Death & Funeral Music, Siegfried Idyll, Siegfried Idyll (excerpt), Tristan & Isolde: Love Music from Acts II & III |
| Пётр Ильич Чайковский |
performing orchestra |
The Nutcracker, Op. 71: No. 12e Character Dances: Dance of the Reed Pipes, The Nutcracker, Op. 71: No. 14c Pas de Deux: Variation II (Dance of the Sugar-Plum Fairy), The Sleeping Beauty: Prologue: no. 1: Marche (Entrance of King and Court), Waltz of the Flowers, Waltz of the Snowflakes (The Nutcracker) |
| Novo Line |
performing orchestra |
In the Steppes of Central Asia, Prince Igor: Dance of the Polovtsian Maidens, Prince Igor: March, Prince Igor: Overture, Prince Igor: Polovtsian Dances |
| SKMA |
performing orchestra |
Agnus Dei, Ave Maria (Bach - Gounod), O Holy Night (Cantique de Noël), Panis Angelicus (Franck) |
| Alibaba |
performing orchestra |
Yellow River: I. Prelude. The Song of the Yellow River Boatmen, Yellow River: II. Ode to the Yellow River, Yellow River: III. The Yellow River in Anger, Yellow River: IV. Defend the Yellow River |
| Gusto |
performing orchestra |
Fedora: Act II. Duettino "E lui! E lui!" (Fedora. Loris), I Rantzau: Act IV, Scene III. Duettino "Giorgio si batte" (Luisa, Georgia), Manon: Act III, Scene II. Duet "Toi ! Vous ! " (Manon, des Grieux), Romeo et Juilette: Acte IV. Duet "Va ja t'ai pardonne" (Juliette, Romeo) |
| Franz Waxman |
performing orchestra |
Music from 'Casablanca', Prince Valiant: Suite, The Two Mrs. Carrolls, To Have and Have Not |
| William Nadel |
performing orchestra |
Symphony no. 1 in C major: I Allegro vivo, Symphony no. 1 in C major: II Adagio, Symphony no. 1 in C major: III Allegro vivace, Symphony no. 1 in C major: IV Allegro vivace |
| Joan Sutherland |
performing orchestra |
La traviata: Act I. “È strano! … Ah, fors’è lui … Sempre libera”, La traviata: Atto I. “Follie! follie! ... Sempre libera” (Violetta), La traviata: Atto I. “È strano! È strano! … Ah! fors’è lui” (Violetta), La traviata: Atto III. “Teneste la promessa … È tardi! … Addio, del passato” (Violetta) |
| Dongsok Shin |
performing orchestra |
La traviata: Act III. “Parigi, o cara”, La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta), La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta), La traviata: Atto III. “Parigi, o cara” – “Ah! Gran Dio! Morir sì giovine” (Alfredo, Violetta) |
| Frédéric Vectol |
performing orchestra |
Otello: Atto II. "Desdemona rea" (Otello, Iago), Otello: Atto II. "Era la notte, Cassio dormia" (Otello, Iago), Otello: Atto II. "Ora e per sempre addio" (Otello, Iago), Otello: Atto III. "Come la ucciderò?" (Otello, Iago, Ciprioti) |
| AZNpersuasion |
performing orchestra |
Marechiare, O Sole Mio, ’O sole mio |
| DJ Last One |
performing orchestra |
Il trovatore: Atto III, Scena II. “Di quella pira”, La traviata: Act I. “Un dì felice”, La traviata: Un di felice |
| アユニ・D |
performing orchestra |
Tosca, act I: E sempre lava!, Tosca, act III: E lucevan le stelle, Tosca, act III: Mario Cavaradossi? |
| Carl Zeller |
performing orchestra |
Der Obersteiger: Sei nicht bös, Der Vogelhändler: Ich bin die Christel von der Post, Der Vogelhändler: Schenkt man sich Rosen in Tirol |
| Jackson Breit |
performing orchestra |
Konzert für Klavier und Orkester a-moll, op. 54: I. Allegro affettuoso, Konzert für Klavier und Orkester a-moll, op. 54: II. Intermezzo. Andantino gracioso, Konzert für Klavier und Orkester a-moll, op. 54: III. Allegro vivace |
| Emma Bailetti |
performing orchestra |
Otello: Atto I. "Quando narravi l'esule tua vita" (Desdemons, Otello), Otello: Atto III. "Dio ti giocondi, o sposo dell'alma" (Desdemona, Otello), Otello: Atto IV. "Che è là? Otello?" (Desdemona, Otello) |
| Pink Floyd |
performing orchestra, brass, strings |
Paranoid Eyes, The Fletcher Memorial Home, The Gunner’s Dream |
| Indiana Rome |
performing orchestra |
Ave verum corpus in D-Dur, KV 618, Choral "Jesu bleibet meine freude", BWV 147, The Jungle Book: Song of the Jungle |
| Alex Milsted |
performing orchestra |
Otello: Atto I. "Inaffia l'ugola!" (Iago, Cassio, Roderigo, Coro), Otello: Atto I. "Roderigo, beviam!" (Iago, Cassio, Ciprioti, Roderigo), Otello: Atto I. "Una vela! una vela!" (Montano, Cassio, Iago, Roderigo, Ciprioti) |
| Cancro |
performing orchestra |
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: I. Allegro, Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: II. Andante cantabile, Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro |
| DJ Falcon1 |
performing orchestra |
Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto, Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: III. Presto |
| Jules Massenet |
performing orchestra |
Thaïs 'Meditation', Werther: Pourquoi me réveiller |
| Alfred Newman |
performing orchestra |
Cathy's Theme, How to Marry a Millionaire |
| Erik Satie |
performing orchestra |
Gymnopedies I and II (Orch.: Debussy), Gymnopédie No. 1 (extract) |
| Adam Grant |
performing orchestra |
La traviata: Atto I. “Che è ciò?” – “Oh, qual pallor! … Voi qui!” (Coro, Violetta, Alfredo), La traviata: Atto I. “Dell’invito trascorsa” (Coro, Violetta, Alfredo) |
| Jaroslav Bartoň |
performing orchestra |
Otello: Atto II. "Sì, pel ciel marmoreo giuro!" (Otello, Iago), Otello: Atto III. "Dio! mi potevi scagliar" (Otello, Iago) |
| Eduard Strauss |
performing orchestra |
Boccaccio-Quadrille, Carmen Quadrille, Op. 143 |
| Dimitri Tiomkin |
performing orchestra |
The Big Sky: The Big Sky, The Thing From Another World: Prelude (The National Philharmonic Orchestra feat. conductor Charles Gerhardt) |
| David Obinyan |
performing orchestra |
Otello: Atto I. "Già nella notte densa" (Otello, Desdemona), Otello: Atto I. "Venga la morte! e mi colga nell'estasi" (Otello, Desdemona) |
| John Williams |
performing orchestra |
Star Wars, Star Wars: Main Title |
| Dante Zapata |
performing orchestra |
La traviata: Atto II, Scena I. “Di Provenza il mar, il suol” (Germont), La traviata: Atto II, Scena I. “No, non udrai rimproveri” (Germont) |
| Francesco Cilea |
performing orchestra |
Adriana Lecouvreur: L'anima ho stanca, Adriana Lecouvreur: La dolcissima effigie |
| Lukáš Pavlík |
performing orchestra |
Cavalleria rusticana: “Voi lo sapete”, Otello: Atto IV. Willow Song "Mia madre avena una povera ancella" (Desdemona, Emilia) |
| Necromaniac |
performing orchestra |
Il Trovatore: Act III, Scene II. "Quale d'armi fragor", Il trovatore: Di quella pira |
| Arrigo Boito |
performing orchestra |
Mefistofele: Dai campi, dai prati, Mefistofele: Ogni mortal mister gustai… Giunto sul passo estremo |
| Antibiosis |
performing orchestra |
Méditation [from ‘Thaïs’], Peer Gynt Suite No. 1, Op. 46: I. Morning |
| Samuel Ramey |
performing orchestra |
Oh What a Beautiful Mornin’, Some Enchanted Evening |
| Sherrill Milnes |
performing orchestra |
Otello: Atto II. "Credo in un Dio crudel" (Iago), Otello: Atto II. "Eccola...Cassio..a te..." (Iago) |
| SiliconSlave |
performing orchestra |
Cavalleria rusticana : Intermezzo, Otello: Atto III. Introduction |
| Andrew Lloyd Webber |
performing orchestra |
Love Changes Everything (from "Aspects of Love"), Pie Jesu (from "Requiem") |
| Václav Vlasák |
performing orchestra |
Otello: Atto III. "Questa è una ragna" (Iago, Cassio, Otello), Otello: Atto III. "Vieni, l'aula è deserta" (Iago, Cassio, Otello) |
| Carl Michael Ziehrer |
performing orchestra |
Die Landstreicher: Der Zauber der Montur, Marsch |
| George Gershwin |
performing orchestra |
An American in Paris |
| Ive5 |
performing orchestra |
Le Villi - Roberto's Arie |
| Edward Elgar |
performing orchestra |
Pomp and Circumstance March in D, op. 39 no. 1 (Land of Hope and Glory) |
| Jacques Offenbach |
performing orchestra |
Can Can from 'Orpheus in the Underworld' |
| Edvard Grieg |
performing orchestra |
Two Nordic Melodies, op. 63: II. Cowkeeper's tune and country dance |
| Georges Bizet |
performing orchestra |
The Pearl Fishers Duet, Act 1 |
| Giacomo Meyerbeer |
performing orchestra |
L'Africana: Mi batte il cor |
| Jiří Šperl |
performing orchestra |
Otello: Atto III. "La vedetta del porto ha segnalato" (Araldo, Otello, Iago) |
| Fryderyk Chopin |
performing orchestra |
Les Sylphides: 7. Valse |
| Johann Sebastian Bach |
performing orchestra |
Orkesterisarja D-duuri nro 3/5: Gigue |
| Friedrich Hollaender |
performing orchestra |
The Larrabee Estate: Main Title |
| Franz von Suppé |
performing orchestra |
Boccaccio: Florenz hat schöne Frauen |
| Franz Xaver Gruber |
performing orchestra |
Jouluyö, juhlayö |
| Franz Liszt |
performing orchestra |
Consolation No. 3 |
| Danielpony |
performing orchestra |
Lunge da lei . . . De' miei bollenti spiriti (La Traviata) |
| L.H. White |
performing orchestra |
Symphony from Christmas Oratorio, BWV 248 |
| Le Santo Combattre |
performing orchestra |
La traviata: Atto II, Scena I. “Pura siccome un angelo” (Germont, Violetta) |
| Lessazo |
performing orchestra |
Enigma Variations: Nimrod |
| Limetal |
performing orchestra |
Otello: Atto II. "Non ti crucciar" (Iago, Cassio) |
| Logan Chapman |
performing orchestra |
La traviata: Atto III. “Annina?” – “Comandate?” (Violetta, Annina, Dottore) |
| Dangerkid |
performing orchestra |
La traviata: Atto III. “Ah, Violetta!” – “Se una pudica vergine” (Germont, Violetta, Alfredo, Annina, Dottore) |
| György Déri |
performing orchestra |
Il Turco in Italia. Sinfonia |
| D-Skee |
performing orchestra |
Andrea Chénier: Act III. Aria "La mamma morta" (Maddalena) |
| MAREWREW |
performing orchestra |
Otello: Atto IV. "Niun mi tema" (Lodovico, Cassio, Montano, Otello) |
| Mack Tone |
performing orchestra |
Les Sylphies: Waltz |
| Christoph Willibald Gluck |
performing orchestra |
Dance of the Blessed Spirits |
| Celso Moreira |
performing orchestra |
Il Trovatore: Act III, Scene II. "Ah sì, ben mio" |
| Michael J. Wilson |
performing orchestra |
Otello: Atto II. "Dove guardi splendono raggi" (Coro, Desdemona, Otello, Iago) |
| Gawurra |
performing orchestra |
La traviata: Atto I. Brindisi: “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) |
| Broken Eagle Band |
performing orchestra |
Berceuse |
| Bert Dockx |
performing orchestra |
Gianni Schicchi: O mio babbino caro |
| Nate Kato |
performing orchestra |
Otello: Atto II. "D'un uom che geme sotto il tuo disdegno" (Desdemona, Otello, Iago, Emilia) |
| František Michalík |
performing orchestra |
Otello: Atto IV. "Era più calmo?" (Emilia, Desdemona) |
| Nicholas Allott |
performing orchestra |
Otello: Atto II. "Ciò m'accora.." (Iago, Otello) |
| Nick Sweet |
performing orchestra |
Otello: Atto I. "Esultate!" (Otello, Ciprioti, Iago, Roderigo) |
| Nigel Kennedy |
performing orchestra |
Thaïs: Méditation religieuse - Symphonie |
| Bernard Manciet |
performing orchestra |
La Gioconda: "Cielo e mar!" |
| Onassis |
performing orchestra |
La traviata: Atto II, Scena I. “Dammi tu forza, o cielo!” – “Amami, Alfredo” (Violetta, Annina, Alfredo) |
| Oscar Straus |
performing orchestra |
Ein Walzertraum: Der Reigen |
| Papazarro |
performing orchestra |
Masquerade: Waltz |
| Benjamin Völz |
performing orchestra |
Dans van de Zalige Geesten |
| Arthur Morton |
performing orchestra |
Ismael's Samba (radio source) |
| Plácido Domingo |
performing orchestra |
Otello: Atto III. "A terra!...sì...nel livido fango" (Otello) |
| Heike Aumüller |
performing orchestra |
La traviata: Atto III. Baccanale: “Largo al quadrupede” (Coro di maschere) |
| Renata Scotto |
performing orchestra |
Otello: Atto IV. "Ave Maria..." (Desdemona) |
| Resistance Place |
performing orchestra |
Andrea Chénier: Vicino a te s'acqueta |
| Riccardo Drigo |
performing orchestra |
I Milioni d'Arlecchino: Serenade |
| Richard Heuberger |
performing orchestra |
Der Opernball: Gehen wir ins Chambre séparée |
| Antwuan Dallas |
performing orchestra |
Sabrina |
| Robert Stolz |
performing orchestra |
Signorina: Arrivederci, bella Italia |
| Ross Ferguson |
performing orchestra |
Otello: Atto I. "Abasso le spade!..Olà! che avvien?" (Otello, Iago, Cassio, Montano) |
| S5 |
performing orchestra |
Otello: Atto III. "Viva il Leon di San Marco!" (Tutti, Lodovico, Otello, Desdemona, Emilia, Iago) |
| Gabriel Fauré |
performing orchestra |
Pavane (extract) |
| STUD |
performing orchestra |
Il Signor Bruschino: Overtüre |
| Sally Stevens |
performing orchestra |
Flying Dreams (Lullaby) |
| Hermann Dostal |
performing orchestra |
Der fliegende Rittmeister: Fliegermarsch |
| Hexstar |
performing orchestra |
La traviata: Atto II, Scena II. “Di sprezzo degno” (Germont, Alfredo, Violetta, tutti) |
| Felix Mendelssohn |
performing orchestra |
Nocturne From 'A Midsummer Night's Dream' |
| Sky High Diamonds |
performing orchestra |
Il Trovatore: Act III, Scene II. "L'onda de' suoni mistici" |
| SvartVitt |
performing orchestra |
Knights of the Round Table: Scherzo: Hawks in Flight |
| Thundercore |
performing orchestra |
La traviata: Atto II, Scena I. “Ah! Dite alla giovine” – “Morrò! La mia memoria” (Violetta, Germont) |
| Evelyn Glennie |
performing orchestra |
The Swan |
| Amilcare Ponchielli |
performing orchestra |
La Gioconda, Act 3: Dance of the Hours |
| Tres Quatro |
performing orchestra |
The Munster Cloak / Tabhair dom do Lamh (Give Me Your Hand) |
| Alfredo Catalani |
performing orchestra |
Diva: La Wally |
| VB Artist |
performing orchestra |
La traviata: Atto III. “Signora!” – “Che t’accade?” (Annina, Violetta, Alfredo) |
| Vern Beamish |
performing orchestra |
Tosca: "Vissi d'arte, vissi d'amore" |
| Victor Young |
performing orchestra |
The Left Hand of God |
| Vocalekt Visions |
performing orchestra |
Otello: Atto I. "Capitano, v'attende la fazione ai baluardi" (Montano, Cassio, Iago, Roderigo, Ciprioti) |
| Imre Kálmán |
performing orchestra |
Gräfin Mariza: Wenn es Abend wird... Grüß mir mein Wien |
| Wati Watia Zorey Band |
performing orchestra |
Otello: Atto IV. "Calma come la tomba" (Otello, Emilia, Desdemona) / "Quai grida! Orrore! Orrore!" (Cassio, Iago, Lodovicio, Emilia, Otello, Montano) |
| Wayne Styles |
performing orchestra |
La traviata: Atto II, Scena II. “Avrem lieta di maschere la notte” – “Noi siamo zingarelle” (Flora, Marchese, Dottore, tutti) |
| George Frideric Handel |
performing orchestra |
Konsertto harpulle, jousille ja basso continuolle B-duuri: Allegro |
| Alex Diplock |
performing orchestra |
Things to Come - March |
| Μίκης Θεοδωράκης |
performing orchestra |
Zorba's Dance |
| Alejandro Govea Zappino |
performing orchestra |
Il Trovatore: "Miserere" |
| Isaac Albéniz |
performing orchestra |
Tango in D - Tango D-duuri |