Edward Gardner

conductor, vocal
Billbrook bluesbandBeathovenRed BanditDany LegendreNútímabörnChillkariiibaPaul SaucidoGrover EveretteÓskar PéturssonDave PorterTotemsBlaazRichard WagnerTouchstoneMurder One Gangster倉田“MASAKI”雅貴Madame Mangue, José LandaMark-Anthony TurnageDirty BoysFoxtrotGaetano DonizettiGeorges BizetRichard RodgersGiacomo PucciniThe SkatesGiuseppe VerdiGregorio AllegriWolfgang Amadeus MozartCarl Maria von WeberJohn AdamsПётр Ильич ЧайковскийJulia BrennanOnly other artist's recordings

Top collaborators

Artist name Roles Recordings
Billbrook bluesband
Beathoven (Australian power pop)
Red Bandit (US rapper - James Bowman Jr.)
Dany Legendre
Nútímabörn

Work on other artists' recordings

Artist name Roles Recordings
Billbrook bluesband conductor Cantus in memoriam Benjamin Britten, Chain 3, Chantefleurs et Chantefables (1990) - La Belle-de-nuit. 𝅘𝅥𝅭 = c. 75, Chantefleurs et Chantefables (1990) - La Rose. 𝅘𝅮 = c. 80, Chantefleurs et Chantefables (1990) - La Sauterelle. 𝅘𝅥𝅭 = c. 100, Chantefleurs et Chantefables (1990) - La Tortue. 𝅘𝅥 = c. 55, Chantefleurs et Chantefables (1990) - La Véronique. 𝅘𝅮 = c. 100, Chantefleurs et Chantefables (1990) - Le Papillon. 𝅘𝅥 = c. 160, Chantefleurs et Chantefables (1990) - L’Alligator. 𝅘𝅥 = c. 120, Chantefleurs et Chantefables (1990) - L’Angélique. 𝅘𝅥 = c. 70, Chantefleurs et Chantefables (1990) - L’Églantine, l’aubépine et la glycine. 𝅘𝅥 = c. 140, Concert Overture, op. 12, Concerto for Orchestra: I. Intrada. Allegro maestoso, Concerto for Orchestra: II. Capriccio, Notturno e Arioso. Vivace - Stesso movimento - Stesso movimento, Concerto for Orchestra: IIIa. Passacaglia, Toccata e Corale. Andante con moto -, Concerto for Orchestra: IIIb. Allegro giusto (alle breve) - Poco sostenuto - Quasi stesso movimento - Molto allegro (quasi alla breve) - Presto, Lacrimosa, Les Espaces du sommeil - ‘Dans la nuit il y a naturellement les sept merveilles’. ♩ = c. 58 –, Les Espaces du sommeil - ‘Il y a toi l’immolée, toi que j’attends’. Tranquillo –, Les Espaces du sommeil - ‘Il y a toi sans doute que je ne connais pas’. ♩ = c. 152 – Meno mosso – [Tempo I] – Lento – Allegro, Mala suita: I. Fujarka (Fife). Allegretto – Poco meno – Poco lento, Mala suita: II. Hurra polka (Hurrah Polka). Vivace, Mala suita: III. Piosenka (Song). Andante molto sostenuto, Mala suita: IV. Tanlec (Dance). Allegro molto – Poco più largo – Tempo I – Presto, Paroles tissées - ‘Dormez cette pâleur nous est venue de loin’. Quieto, Paroles tissées - ‘Mille chevaux hors d’haleine’. Allegro molto – Lento – Lento, accelerando – Poco meno mosso –, Paroles tissées - ‘Quand le jour a rouvert les branches du jardin’. Quieto – Andante con moto – Quieto – Andante con moto –, Paroles tissées - ‘Un chat qui s’émerveille’. (♩ = c. 84) –, Sinfonietta, op. 1: I. Poco presto ed agitato, Sinfonietta, op. 1: II. Variations, Sinfonietta, op. 1: III. Tarantella, Symphonic Variations: Adagio - Andante -, Symphonic Variations: Allegro - Stesso movimento -, Symphonic Variations: Allegro non troppo - Subito poco meno mosso - Vivace, Symphonic Variations: Andante -, Symphony no. 1, op. 15: III. Finale. Allegretto con moto. Grazioso – (Meno mosso) Mesto – Tempo I, Symphony no. 1, op. 15: [I] Allegro patetico, Symphony no. 1: I. Allegro assai, Symphony no. 1: I. Allegro giusto - Poco meno mosso - Tempo I - Poco meno mosso - Poco sostenuto e poi accelerando - Tempo I - Un poco meno mosso, Symphony no. 1: II. Poco adagio - Pochissimo più mosso - Tempo I - Poco più largo - A tempo ma molto sostenuto - Lento, Symphony no. 1: II. Presto con malizia, Symphony no. 1: III. Allegretto misterioso - A tempo ma poco meno mosso (Tempo II) - Tempo I, Symphony no. 1: III. Andante con malinconia, Symphony no. 1: IV. Allegro vivace - Subito meno mosso - Poco più vivo - Tempo I - Subito mosso - Tempo I - Poco meno mosso - Poco lento - Tempo I, Symphony no. 1: IV. Maestoso: Allegro brioso ed ardentemente, Symphony no. 2, op. 19: Finale. Introduzione - Variation VI, Symphony no. 2, op. 19: Fuga finale, Symphony no. 2, op. 19: I. Allegro moderato, Symphony no. 2, op. 19: II. Theme, Symphony no. 2, op. 19: Variation I, Symphony no. 2, op. 19: Variation II, Symphony no. 2, op. 19: Variation III, Symphony no. 2, op. 19: Variation IV, Symphony no. 2, op. 19: Variation V, Symphony no. 2: Direct, Symphony no. 2: Hésitant –, Symphony no. 3: A tempo - Poco meno mosso - Presto - Stesso movimento - Poco lento - Allegro, Symphony no. 3: Meno mosso - Tempo I - Meno mosso - Tempo I - Meno mosso - Ancora meno mosso - Piu largo - Tempo I - Lento - Vivo - Lento - Vivo, Symphony no. 3: Tempo I, Symphony no. 3: Vivo - Lento - Vivo - Lento - Vivo - Stesso movimento - Lento, Symphony no. 3: Vivo - Poco meno mosso - Meno mosso, Symphony no. 3: Vivo - Stesso movimento - Adagio - Piu mosso - Lento, Symphony no. 3: Vivo - Stesso movimento - Lento, Symphony no. 4: Lento (♩. = c. 60) - Tempo I (♩. = c. 85) - ♩. = c. 100 - Poco meno mosso (♩. = c. 70) -, Symphony no. 4: ♩ = c. 160 - 170, Symphony no. 4: ♩ = c. 55 - ♩ = c. 80 - ♪ = c. 160 - Tempo I (♩ = c. 55) - ♪ = c. 160 - Tempo I (♩ = c. 55) - ♪ = c. 160 -, Symphony no. 4: ♩. = c. 70 - ♩ = c. 60 -, Symphony no. 4: ♩. = c. 85 - ♩. = c. 115 - Tempo I (♩. = c. 85) - Un poco meno mosso (♩. = c. 75) - Tempo I (♩. = c. 85) -, Tryptyk śląski - I. Allegro non troppo. 'Oj mi się owiesek wysypywa', Tryptyk śląski - II. Andante quieto. 'Ach, w tej studni żródło bije', Tryptyk śląski - III. Allegro vivace. 'Kukułeczka kuka', Śpijże, śpij
Beathoven conductor Meeresstille und glücklich Fahrt, op. 27: II. Glückliche Fahrt, Symphony no. 2, op. 52, “Hymn of Praise”: 10a. Chorus: “Ye nations, offer to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 10b. Chorus: “O give thanks to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 1a. Sinfonia: Maestoso con moto - Allegro, Symphony no. 2, op. 52, “Hymn of Praise”: 1b. Sinfonia: Allegretto un poco agitato, Symphony no. 2, op. 52, “Hymn of Praise”: 1c. Sinfonia: Adagio religioso, Symphony no. 2, op. 52, “Hymn of Praise”: 2a. Chorus: “All men, all things…”, Symphony no. 2, op. 52, “Hymn of Praise”: 2b. Soprano: “Praise thou the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 3a. Recitativo: Tenor: “Sing ye praise”, Symphony no. 2, op. 52, “Hymn of Praise”: 3b. Tenor: “He counteth all your sorrows…”, Symphony no. 2, op. 52, “Hymn of Praise”: 4. Chorus: “All ye that cried unto the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 5. Soprano: “I waited for the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 6a. Tenor: “The sorrows of death had closed…”, Symphony no. 2, op. 52, “Hymn of Praise”: 6b. Tenor: “We called thro' the darkness…”, Symphony no. 2, op. 52, “Hymn of Praise”: 7. Chorus: “The night is departing”, Symphony no. 2, op. 52, “Hymn of Praise”: 8a. Chorus: “Let all men praise the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 8b. Chorus: “Glory and praise to God”, Symphony no. 2, op. 52, “Hymn of Praise”: 9. Tenor: “My song shall alway be Thy mercy”
Red Bandit conductor Incidental Music to “A Midsummer Night's Dream”, op. 61: 1. Scherzo (After the end of the first act). Allegro vivace, Incidental Music to “A Midsummer Night's Dream”, op. 61: 11. A Dance of Clowns. Allegro di molto, Incidental Music to “A Midsummer Night's Dream”, op. 61: 3. Song with Chorus. Allegro ma non troppo, Incidental Music to “A Midsummer Night's Dream”, op. 61: 5. Intermezzo (After the end of the second act). Allegro appassionato - Allegro molto comodo, Incidental Music to “A Midsummer Night's Dream”, op. 61: 7. Notturno (After the end of the fourth act). Allegro vivace, Incidental Music to “A Midsummer Night's Dream”, op. 61: 9. Wedding March (After the end of the fourth act). Allegro vivace, Incidental Music to “A Midsummer Night's Dream”, op. 61: Finale. Allegro di molto - Un poco ritardando - A tempo I. Allegro molto, Incidental Music to “A Midsummer Night's Dream”, op. 61: Overture (op. 21). Allegro di molto - [ ] - Tempo I - Poco ritenuto, Symphony no. 4 in A major, op. 90 "Italian": Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": Saltarello. Presto, Symphony no. 5 in D major, op. 107 "Reformation": Allegro vivace, Symphony no. 5 in D major, op. 107 "Reformation": Andante –, Symphony no. 5 in D major, op. 107 "Reformation": Andante – Allegro con fuoco – Andante come prima – Meno allegro come prima, Symphony no. 5 in D major, op. 107 "Reformation": Chorale: Ein’ feste Burg ist unser Gott. Andante con moto – Allegro vivace – Allegro maestoso – Più animato poco a poco, The Hebrides, op. 26
Dany Legendre conductor Adagio, JW VI/5, Glagolitic Mass, JW III/9: I. Úvod, Glagolitic Mass, JW III/9: VIII. Intrada. Moderato, Horns in Landscapes: From the Mountain Pastures, Horns in Landscapes: In the Deep Calm of the Forest, Horns in Landscapes: The Wild Hunt, Jealousy, JW VI/10, Taras Bulba, JW VI/15: I. The Death of Andriy, Taras Bulba, JW VI/15: II. The Death of Ostap, Taras Bulba, JW VI/15: III. The Prophesy and the Death of Taras Bulba, The Ballad of Blaník, JW VI/16
Nútímabörn conductor Chain 2: I. Ad libitum, Chain 2: II. A battuta. Crotchet=c. 150 [Tempo I] - Tempo II - Tempo III, Chain 2: III. Ad libitum, Chain 2: IV. A battuta. Vivace - Ad libitum - A battuta. Presto - Più mosso, furioso, Partita: I. Allegro giusto - Un poco meno mosso - Ancora meno mosso - Tempo I, Partita: II. Ad libitum -, Partita: III. Largo - Poco meno mosso - A tempo - Meno mosso -, Partita: IV. Ad libitum -, Partita: V. Presto - Poco meno mosso - Tempo I - Ad libitum - Presto
Chill conductor Piano Concerto: I. ♩. = c. 110 - ♩ = c. 70 -, Piano Concerto: II. Presto (♩ = c. 160) - Poco meno mosso - Lento -, Piano Concerto: III. ♪ = c. 85 - Largo (♩ = 40 – 45) - Più mosso - Ancora più mosso - Ancora più mosso - Tempo I - Pochino meno mosso - Tempo I -, Piano Concerto: IV. ♩ = c. 84 - Poco meno mosso - Più mosso (♩ = c. 110) - Più mosso (♩ = c. 120) - Ancora più mosso (♩ = c. 130) - Presto (♩ = c. 165), Symphony no. 4, op. 60 "Symphonie concertante": I. Moderato, Symphony no. 4, op. 60 "Symphonie concertante": II. Andante molto sostenuto, Symphony no. 4, op. 60 "Symphonie concertante": III. Allegro non troppo, ma agitato ed ansioso, Variations on a Theme of Paganini
kariiiba conductor Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn, Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning, Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight, Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm, Symphonic Suite from "Gloriana", op. 53a: I. The Tournament, Symphonic Suite from "Gloriana", op. 53a: III. The Courtly Dances, Symphonic Suite from "Gloriana", op. 53a: IV. Gloriana Moritura
Paul Saucido conductor A Charm of Lullabies, op. 41: I. A Cradle Song, A Charm of Lullabies, op. 41: II. The Highland Balou, A Charm of Lullabies, op. 41: III. Sephestia's Lullaby, A Charm of Lullabies, op. 41: IV. A Charm, A Charm of Lullabies, op. 41: V. The Nurse's Song, Phaedra, op. 93
Grover Everette conductor Concerto for Cello and Orchestra: I. Introduction -, Concerto for Cello and Orchestra: II. Episodes -, Concerto for Cello and Orchestra: III. Cantilena -, Concerto for Cello and Orchestra: IV. Finale, Grave
Óskar Pétursson conductor Preludia taneczne: Allegro molto, Preludia taneczne: II. Andantino - Un poco più vivo - Tempo I - Poco meno mosso, Preludia taneczne: III. Allegro giocoso, Preludia taneczne: IV. Andante - Tranquillo, Preludia taneczne: V. Allegro molto - Poco più tranquillo - Avvivando poco a poco - Presto
Dave Porter conductor The Danube, JW IX/7: 1. Andante - Un poco più mosso - Con moto, The Danube, JW IX/7: 2. [ ] - Un poco più mosso - Meno mosso - Presto - [ ] - Adagio -, The Danube, JW IX/7: 3. Allegro - Meno - Più mosso - Più mosso - Meno mosso - Tempo I, The Danube, JW IX/7: 4. [Allegretto] - [Waltz] - Più mosso - [Poco tranquillo] - Presto
Totems conductor Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso, Symphony for Cello and Orchestra, op. 68: II. Presto inquieto, Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza ad lib, Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro
Blaaz conductor Concerto for Violin and Orchestra: I. Andante tranquillo, Concerto for Violin and Orchestra: II. Presto capriccioso alla napolitana, Concerto for Violin and Orchestra: III. Vivace
Richard Wagner conductor From Tannhäuser: Wolfram's Aria, "Turning My Gaze Upon This Proud Assembly", From Tannhäuser: Wolfram's Aria, "With Dark Foreboding Twilight Casts Her Shadow" - "Look Down, Oh Gentle Evening Star", From The Mastersingers of Nuremberg: Sachs' Aria, "Do Not Disdain Our Masters Thus"
Touchstone conductor Lacrymae, op. 48a, Two Portraits: I. D. Layton, Two Portraits: II. E.B.B.
Murder One Gangster conductor The Fiddler’s Child, JW VI/14: Allegro - Maestoso, The Fiddler’s Child, JW VI/14: Con moto - Vivo - Adagio - Allegro - Tempo Vivo - Tempo I - Meno mosso - Allegro -, The Fiddler’s Child, JW VI/14: Larghetto - Poco mosso - Tempo I - Con moto -
倉田“MASAKI”雅貴 conductor Glagolitic Mass, JW III/9: VII. Varhany solo
Madame Mangue, José Landa conductor Sir Peter Maxwell Davies - Musica benevolens / Béla Bartók - The Miraculous Mandarin: Suite / Richard Wagner - Götterdämmerung: Immolation Scene / Franz Liszt - Piano Concerto No. 1 in E-flat major
Mark-Anthony Turnage conductor From The Silver Tassie: Harry Songs, "Oh Bring to Me a Pint of Wine"
Dirty Boys conductor In trutina
Foxtrot conductor Symphonic Suite from "Gloriana", op. 53a: II. The Lute Song
Gaetano Donizetti conductor From Linda of Chamounix: "Antonio's Aria, "In this Valley We Shared Our Childhood"
Georges Bizet conductor From Carmen: Escamillo's Couplets, "You're Most Kind, and in Return I Toast You" - "Toreador, Be Ready!"
Richard Rodgers conductor Some Enchanted Evening
Giacomo Puccini conductor From Tosca: Te Deum, "Three Agents, Quick as You Can Now"
The Skates conductor Meeresstille und glücklich Fahrt, op. 27: I. Meeresstille
Giuseppe Verdi conductor From Otello: Iago's Aria, "Take It; Take the Path to Your Ruin" - "Yes, I Believe in God Who Has Created Me"
Gregorio Allegri vocal Miserere
Wolfgang Amadeus Mozart conductor From Don Giovanni: Don Giovanni and Zerlina's Duet, "Come On, We're Wasting Time" - "There Will My Arms Enfold You"
Carl Maria von Weber conductor From Euranthe: Lysiart's Aria, "What Refuge Here?"
John Adams conductor From Doctor Atomic: Oppenheimer's Solo, "Batter My Heart"
Пётр Ильич Чайковский conductor From Iolanta: Robert's Aria, "My Only Beloved Mathilde I Claim"
Julia Brennan conductor Violin Concerto "The Wandering of a Little Soul", JW IX/10
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