Edward Gardner

conductor, vocal

Top collaborators

Artist name Roles Recordings
Billbrook bluesband
Beathoven (Australian power pop)
Red Bandit (US rapper - James Bowman Jr.)
Dany Legendre
Nútímabörn

Work on other artists' recordings

Artist name Roles Recordings
Billbrook bluesband conductor Cantus in memoriam Benjamin Britten, Chain 3, Chantefleurs et Chantefables (1990) - La Belle-de-nuit. 𝅘𝅥𝅭 = c. 75, Chantefleurs et Chantefables (1990) - La Rose. 𝅘𝅮 = c. 80, Chantefleurs et Chantefables (1990) - La Sauterelle. 𝅘𝅥𝅭 = c. 100, Chantefleurs et Chantefables (1990) - La Tortue. 𝅘𝅥 = c. 55, Chantefleurs et Chantefables (1990) - La Véronique. 𝅘𝅮 = c. 100, Chantefleurs et Chantefables (1990) - Le Papillon. 𝅘𝅥 = c. 160, Chantefleurs et Chantefables (1990) - L’Alligator. 𝅘𝅥 = c. 120, Chantefleurs et Chantefables (1990) - L’Angélique. 𝅘𝅥 = c. 70, Chantefleurs et Chantefables (1990) - L’Églantine, l’aubépine et la glycine. 𝅘𝅥 = c. 140, Concert Overture, op. 12, Concerto for Orchestra: I. Intrada. Allegro maestoso, Concerto for Orchestra: II. Capriccio, Notturno e Arioso. Vivace - Stesso movimento - Stesso movimento, Concerto for Orchestra: IIIa. Passacaglia, Toccata e Corale. Andante con moto -, Concerto for Orchestra: IIIb. Allegro giusto (alle breve) - Poco sostenuto - Quasi stesso movimento - Molto allegro (quasi alla breve) - Presto, Lacrimosa, Les Espaces du sommeil - ‘Dans la nuit il y a naturellement les sept merveilles’. ♩ = c. 58 –, Les Espaces du sommeil - ‘Il y a toi l’immolée, toi que j’attends’. Tranquillo –, Les Espaces du sommeil - ‘Il y a toi sans doute que je ne connais pas’. ♩ = c. 152 – Meno mosso – [Tempo I] – Lento – Allegro, Mala suita: I. Fujarka (Fife). Allegretto – Poco meno – Poco lento, Mala suita: II. Hurra polka (Hurrah Polka). Vivace, Mala suita: III. Piosenka (Song). Andante molto sostenuto, Mala suita: IV. Tanlec (Dance). Allegro molto – Poco più largo – Tempo I – Presto, Paroles tissées - ‘Dormez cette pâleur nous est venue de loin’. Quieto, Paroles tissées - ‘Mille chevaux hors d’haleine’. Allegro molto – Lento – Lento, accelerando – Poco meno mosso –, Paroles tissées - ‘Quand le jour a rouvert les branches du jardin’. Quieto – Andante con moto – Quieto – Andante con moto –, Paroles tissées - ‘Un chat qui s’émerveille’. (♩ = c. 84) –, Sinfonietta, op. 1: I. Poco presto ed agitato, Sinfonietta, op. 1: II. Variations, Sinfonietta, op. 1: III. Tarantella, Symphonic Variations: Adagio - Andante -, Symphonic Variations: Allegro - Stesso movimento -, Symphonic Variations: Allegro non troppo - Subito poco meno mosso - Vivace, Symphonic Variations: Andante -, Symphony no. 1, op. 15: III. Finale. Allegretto con moto. Grazioso – (Meno mosso) Mesto – Tempo I, Symphony no. 1, op. 15: [I] Allegro patetico, Symphony no. 1: I. Allegro assai, Symphony no. 1: I. Allegro giusto - Poco meno mosso - Tempo I - Poco meno mosso - Poco sostenuto e poi accelerando - Tempo I - Un poco meno mosso, Symphony no. 1: II. Poco adagio - Pochissimo più mosso - Tempo I - Poco più largo - A tempo ma molto sostenuto - Lento, Symphony no. 1: II. Presto con malizia, Symphony no. 1: III. Allegretto misterioso - A tempo ma poco meno mosso (Tempo II) - Tempo I, Symphony no. 1: III. Andante con malinconia, Symphony no. 1: IV. Allegro vivace - Subito meno mosso - Poco più vivo - Tempo I - Subito mosso - Tempo I - Poco meno mosso - Poco lento - Tempo I, Symphony no. 1: IV. Maestoso: Allegro brioso ed ardentemente, Symphony no. 2, op. 19: Finale. Introduzione - Variation VI, Symphony no. 2, op. 19: Fuga finale, Symphony no. 2, op. 19: I. Allegro moderato, Symphony no. 2, op. 19: II. Theme, Symphony no. 2, op. 19: Variation I, Symphony no. 2, op. 19: Variation II, Symphony no. 2, op. 19: Variation III, Symphony no. 2, op. 19: Variation IV, Symphony no. 2, op. 19: Variation V, Symphony no. 2: Direct, Symphony no. 2: Hésitant –, Symphony no. 3: A tempo - Poco meno mosso - Presto - Stesso movimento - Poco lento - Allegro, Symphony no. 3: Meno mosso - Tempo I - Meno mosso - Tempo I - Meno mosso - Ancora meno mosso - Piu largo - Tempo I - Lento - Vivo - Lento - Vivo, Symphony no. 3: Tempo I, Symphony no. 3: Vivo - Lento - Vivo - Lento - Vivo - Stesso movimento - Lento, Symphony no. 3: Vivo - Poco meno mosso - Meno mosso, Symphony no. 3: Vivo - Stesso movimento - Adagio - Piu mosso - Lento, Symphony no. 3: Vivo - Stesso movimento - Lento, Symphony no. 4: Lento (♩. = c. 60) - Tempo I (♩. = c. 85) - ♩. = c. 100 - Poco meno mosso (♩. = c. 70) -, Symphony no. 4: ♩ = c. 160 - 170, Symphony no. 4: ♩ = c. 55 - ♩ = c. 80 - ♪ = c. 160 - Tempo I (♩ = c. 55) - ♪ = c. 160 - Tempo I (♩ = c. 55) - ♪ = c. 160 -, Symphony no. 4: ♩. = c. 70 - ♩ = c. 60 -, Symphony no. 4: ♩. = c. 85 - ♩. = c. 115 - Tempo I (♩. = c. 85) - Un poco meno mosso (♩. = c. 75) - Tempo I (♩. = c. 85) -, Tryptyk śląski - I. Allegro non troppo. 'Oj mi się owiesek wysypywa', Tryptyk śląski - II. Andante quieto. 'Ach, w tej studni żródło bije', Tryptyk śląski - III. Allegro vivace. 'Kukułeczka kuka', Śpijże, śpij
Beathoven conductor Meeresstille und glücklich Fahrt, op. 27: II. Glückliche Fahrt, Symphony no. 2, op. 52, “Hymn of Praise”: 10a. Chorus: “Ye nations, offer to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 10b. Chorus: “O give thanks to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 1a. Sinfonia: Maestoso con moto - Allegro, Symphony no. 2, op. 52, “Hymn of Praise”: 1b. Sinfonia: Allegretto un poco agitato, Symphony no. 2, op. 52, “Hymn of Praise”: 1c. Sinfonia: Adagio religioso, Symphony no. 2, op. 52, “Hymn of Praise”: 2a. Chorus: “All men, all things…”, Symphony no. 2, op. 52, “Hymn of Praise”: 2b. Soprano: “Praise thou the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 3a. Recitativo: Tenor: “Sing ye praise”, Symphony no. 2, op. 52, “Hymn of Praise”: 3b. Tenor: “He counteth all your sorrows…”, Symphony no. 2, op. 52, “Hymn of Praise”: 4. Chorus: “All ye that cried unto the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 5. Soprano: “I waited for the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 6a. Tenor: “The sorrows of death had closed…”, Symphony no. 2, op. 52, “Hymn of Praise”: 6b. Tenor: “We called thro' the darkness…”, Symphony no. 2, op. 52, “Hymn of Praise”: 7. Chorus: “The night is departing”, Symphony no. 2, op. 52, “Hymn of Praise”: 8a. Chorus: “Let all men praise the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 8b. Chorus: “Glory and praise to God”, Symphony no. 2, op. 52, “Hymn of Praise”: 9. Tenor: “My song shall alway be Thy mercy”
Red Bandit conductor Incidental Music to “A Midsummer Night's Dream”, op. 61: 1. Scherzo (After the end of the first act). Allegro vivace, Incidental Music to “A Midsummer Night's Dream”, op. 61: 11. A Dance of Clowns. Allegro di molto, Incidental Music to “A Midsummer Night's Dream”, op. 61: 3. Song with Chorus. Allegro ma non troppo, Incidental Music to “A Midsummer Night's Dream”, op. 61: 5. Intermezzo (After the end of the second act). Allegro appassionato - Allegro molto comodo, Incidental Music to “A Midsummer Night's Dream”, op. 61: 7. Notturno (After the end of the fourth act). Allegro vivace, Incidental Music to “A Midsummer Night's Dream”, op. 61: 9. Wedding March (After the end of the fourth act). Allegro vivace, Incidental Music to “A Midsummer Night's Dream”, op. 61: Finale. Allegro di molto - Un poco ritardando - A tempo I. Allegro molto, Incidental Music to “A Midsummer Night's Dream”, op. 61: Overture (op. 21). Allegro di molto - [ ] - Tempo I - Poco ritenuto, Symphony no. 4 in A major, op. 90 "Italian": Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": Saltarello. Presto, Symphony no. 5 in D major, op. 107 "Reformation": Allegro vivace, Symphony no. 5 in D major, op. 107 "Reformation": Andante –, Symphony no. 5 in D major, op. 107 "Reformation": Andante – Allegro con fuoco – Andante come prima – Meno allegro come prima, Symphony no. 5 in D major, op. 107 "Reformation": Chorale: Ein’ feste Burg ist unser Gott. Andante con moto – Allegro vivace – Allegro maestoso – Più animato poco a poco, The Hebrides, op. 26
Dany Legendre conductor Adagio, JW VI/5, Glagolitic Mass, JW III/9: I. Úvod, Glagolitic Mass, JW III/9: VIII. Intrada. Moderato, Horns in Landscapes: From the Mountain Pastures, Horns in Landscapes: In the Deep Calm of the Forest, Horns in Landscapes: The Wild Hunt, Jealousy, JW VI/10, Taras Bulba, JW VI/15: I. The Death of Andriy, Taras Bulba, JW VI/15: II. The Death of Ostap, Taras Bulba, JW VI/15: III. The Prophesy and the Death of Taras Bulba, The Ballad of Blaník, JW VI/16
Nútímabörn conductor Chain 2: I. Ad libitum, Chain 2: II. A battuta. Crotchet=c. 150 [Tempo I] - Tempo II - Tempo III, Chain 2: III. Ad libitum, Chain 2: IV. A battuta. Vivace - Ad libitum - A battuta. Presto - Più mosso, furioso, Partita: I. Allegro giusto - Un poco meno mosso - Ancora meno mosso - Tempo I, Partita: II. Ad libitum -, Partita: III. Largo - Poco meno mosso - A tempo - Meno mosso -, Partita: IV. Ad libitum -, Partita: V. Presto - Poco meno mosso - Tempo I - Ad libitum - Presto
Chill conductor Piano Concerto: I. ♩. = c. 110 - ♩ = c. 70 -, Piano Concerto: II. Presto (♩ = c. 160) - Poco meno mosso - Lento -, Piano Concerto: III. ♪ = c. 85 - Largo (♩ = 40 – 45) - Più mosso - Ancora più mosso - Ancora più mosso - Tempo I - Pochino meno mosso - Tempo I -, Piano Concerto: IV. ♩ = c. 84 - Poco meno mosso - Più mosso (♩ = c. 110) - Più mosso (♩ = c. 120) - Ancora più mosso (♩ = c. 130) - Presto (♩ = c. 165), Symphony no. 4, op. 60 "Symphonie concertante": I. Moderato, Symphony no. 4, op. 60 "Symphonie concertante": II. Andante molto sostenuto, Symphony no. 4, op. 60 "Symphonie concertante": III. Allegro non troppo, ma agitato ed ansioso, Variations on a Theme of Paganini
kariiiba conductor Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn, Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning, Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight, Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm, Symphonic Suite from "Gloriana", op. 53a: I. The Tournament, Symphonic Suite from "Gloriana", op. 53a: III. The Courtly Dances, Symphonic Suite from "Gloriana", op. 53a: IV. Gloriana Moritura
Paul Saucido conductor A Charm of Lullabies, op. 41: I. A Cradle Song, A Charm of Lullabies, op. 41: II. The Highland Balou, A Charm of Lullabies, op. 41: III. Sephestia's Lullaby, A Charm of Lullabies, op. 41: IV. A Charm, A Charm of Lullabies, op. 41: V. The Nurse's Song, Phaedra, op. 93
Grover Everette conductor Concerto for Cello and Orchestra: I. Introduction -, Concerto for Cello and Orchestra: II. Episodes -, Concerto for Cello and Orchestra: III. Cantilena -, Concerto for Cello and Orchestra: IV. Finale, Grave
Óskar Pétursson conductor Preludia taneczne: Allegro molto, Preludia taneczne: II. Andantino - Un poco più vivo - Tempo I - Poco meno mosso, Preludia taneczne: III. Allegro giocoso, Preludia taneczne: IV. Andante - Tranquillo, Preludia taneczne: V. Allegro molto - Poco più tranquillo - Avvivando poco a poco - Presto
Dave Porter conductor The Danube, JW IX/7: 1. Andante - Un poco più mosso - Con moto, The Danube, JW IX/7: 2. [ ] - Un poco più mosso - Meno mosso - Presto - [ ] - Adagio -, The Danube, JW IX/7: 3. Allegro - Meno - Più mosso - Più mosso - Meno mosso - Tempo I, The Danube, JW IX/7: 4. [Allegretto] - [Waltz] - Più mosso - [Poco tranquillo] - Presto
Totems conductor Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso, Symphony for Cello and Orchestra, op. 68: II. Presto inquieto, Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza ad lib, Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro
Blaaz conductor Concerto for Violin and Orchestra: I. Andante tranquillo, Concerto for Violin and Orchestra: II. Presto capriccioso alla napolitana, Concerto for Violin and Orchestra: III. Vivace
Richard Wagner conductor From Tannhäuser: Wolfram's Aria, "Turning My Gaze Upon This Proud Assembly", From Tannhäuser: Wolfram's Aria, "With Dark Foreboding Twilight Casts Her Shadow" - "Look Down, Oh Gentle Evening Star", From The Mastersingers of Nuremberg: Sachs' Aria, "Do Not Disdain Our Masters Thus"
Touchstone conductor Lacrymae, op. 48a, Two Portraits: I. D. Layton, Two Portraits: II. E.B.B.
Murder One Gangster conductor The Fiddler’s Child, JW VI/14: Allegro - Maestoso, The Fiddler’s Child, JW VI/14: Con moto - Vivo - Adagio - Allegro - Tempo Vivo - Tempo I - Meno mosso - Allegro -, The Fiddler’s Child, JW VI/14: Larghetto - Poco mosso - Tempo I - Con moto -
倉田“MASAKI”雅貴 conductor Glagolitic Mass, JW III/9: VII. Varhany solo
Madame Mangue, José Landa conductor Sir Peter Maxwell Davies - Musica benevolens / Béla Bartók - The Miraculous Mandarin: Suite / Richard Wagner - Götterdämmerung: Immolation Scene / Franz Liszt - Piano Concerto No. 1 in E-flat major
Mark-Anthony Turnage conductor From The Silver Tassie: Harry Songs, "Oh Bring to Me a Pint of Wine"
Dirty Boys conductor In trutina
Foxtrot conductor Symphonic Suite from "Gloriana", op. 53a: II. The Lute Song
Gaetano Donizetti conductor From Linda of Chamounix: "Antonio's Aria, "In this Valley We Shared Our Childhood"
Georges Bizet conductor From Carmen: Escamillo's Couplets, "You're Most Kind, and in Return I Toast You" - "Toreador, Be Ready!"
Richard Rodgers conductor Some Enchanted Evening
Giacomo Puccini conductor From Tosca: Te Deum, "Three Agents, Quick as You Can Now"
The Skates conductor Meeresstille und glücklich Fahrt, op. 27: I. Meeresstille
Giuseppe Verdi conductor From Otello: Iago's Aria, "Take It; Take the Path to Your Ruin" - "Yes, I Believe in God Who Has Created Me"
Gregorio Allegri vocal Miserere
Wolfgang Amadeus Mozart conductor From Don Giovanni: Don Giovanni and Zerlina's Duet, "Come On, We're Wasting Time" - "There Will My Arms Enfold You"
Carl Maria von Weber conductor From Euranthe: Lysiart's Aria, "What Refuge Here?"
John Adams conductor From Doctor Atomic: Oppenheimer's Solo, "Batter My Heart"
Пётр Ильич Чайковский conductor From Iolanta: Robert's Aria, "My Only Beloved Mathilde I Claim"
Julia Brennan conductor Violin Concerto "The Wandering of a Little Soul", JW IX/10