Júlia Várady

vocal

Top collaborators

Artist name Roles Recordings
Giuseppe Verdi (Italian opera composer)
Wolfgang Amadeus Mozart (classical composer)
DJ Guit
Robert Schumann (German classical composer)
Gustav Mahler

Work on other artists' recordings

Artist name Roles Recordings
Giuseppe Verdi vocal Agnus Dei, Domine Jesu, Lifera me, Requiem Mass: I. Introit and Kyrie, Requiem Mass: III. Offertorium: Domine Jesu Christe; Hostias, Requiem Mass: IIe. Quid sum miser, Requiem Mass: IIf. Rex tremendae, Requiem Mass: IIg. Recordare, Requiem Mass: IIj. Lacrymosa, Requiem Mass: V. Agnus Dei, Requiem Mass: VII. Libera me, Requiem e Kyrie: Kyrie, Requiem e Kyrie: Requiem, Sequence (Dies irae): Lacrymosa, Sequence (Dies irae): Quid sum miser, Sequence (Dies irae): Recordare, Sequence (Dies irae): Rex tremendae
Wolfgang Amadeus Mozart vocal Lucio Silla, K. 135: Act I, Scene I. Recitativo "Ah ciel l'amico cinna" (Cecilio, Cinna), Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio), Lucio Silla, K. 135: Act I, Scene II. Recitativo accompagnato "Dunque sperar poss'io" (Cecilio), Lucio Silla, K. 135: Act I, Scene VII. Recitativo accompagnato "Morte, morte fatal" (Cecilio), Lucio Silla, K. 135: Act I, Scene VIII-IX. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia) Recitativo "Eccomi, oh cara" (Giunia, Cecilio) No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio), Lucio Silla, K. 135: Act II, Scene II. Recitativi "Ah non mai non credea... Qual furor ti trasporta? Cecilio a che t'arresti... Al fiero suon... Ah corri, vola" (Celia, Silla, Cinna, Cecilio), Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio), Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio), Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio) Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia), Lucio Silla, K. 135: Act II, Scene XII-XII. Recitativi "Padri Coscritti... Sposa ah no, non temer... Come? D'un ferro armato" (Silla, Giunnia, Aufidio, Cecillio, Cinna), Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Silla), Lucio Silla, K. 135: Act III, Scene I. Recitativo "Ah sì tu solo, amico" (Cecilia, Celia, Cinna), Lucio Silla, K. 135: Act III, Scene II. Recitativo "Forse tu credi, amico" (Cecilio, Cinna), Lucio Silla, K. 135: Act III, Scene III-IV. Recitativi "Ah no, che il fato estremo... Tosto seguir tu dei" (Giunia, Cecilio, Aufidio), Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio), Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla), Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia... Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio)
DJ Guit vocal Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet", Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Soprano) "Ach, es schmeckt doch gar zu gut", Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Soprano) "Es bleibt dabei, daß unser Herr der beste sei", Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Soprano) "Unser trefflicher, lieber Kammerherr", Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Soprano) "Das ist galant", Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Soprano) "Im Ernst ein Wort!", Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse", Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Soprano) "Das klingt zu liederlich", Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Soprano) "Gib, Schöne, viel Söhne", Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Soprano) "Und daß ihr's alle wißt", Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Soprano) "Ei, wie schmeckt der Coffee süße", Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Soprano) "Heute noch, lieber Vater, tut est doch"
Robert Schumann vocal Minnesspiel, Op. 101: III. Duet: Ich bin dein Baum, o Gärtner, Minnesspiel, Op. 101: VII. Duet: Die tausend Grüße, die wir dir senden, Vier Duette, Op. 34: I. Liebesgarten (R. Reinick), Vier Duette, Op. 34: II. Liebhabers Ständchen (R. Burns), Vier Duette, Op. 34: III. Unterm Fenster (R. Burns), Vier Duette, Op. 34: IV. Familien-Gemälde (A. Grün), Vier Duette, Op. 78: I. Tanzlied (F. Rückert), Vier Duette, Op. 78: II. Er und sie (J. Kerner), Vier Duette, Op. 78: III. Ich denke dein (J. W. v. Goethe), Vier Duette, Op. 78: IV. Wiegenlied am Lager eines kranken Kindes (F. Hebbel)
Gustav Mahler vocal Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Accende lumen sensibus, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Gloria sit Patri Domino, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Imple superna gratia, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Veni, creator spiritus, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Bei dem hochgeweihten Orte, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Bei der Liebe, die den Füßen, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Dir, der Unberührbaren - Du schwebst zu Höhen der ewigen Reiche
Johann Strauss vocal Die Fledermaus - Klänge der Heimat, Die Fledermaus - Komm mit mir zum Souper, Die Fledermaus - Ouvertüre, Die Fledermaus - Trinke, Liebchen, trinke schnell
Aribert Reimann vocal Lear, Teil 2: "Mein lieber Vater", Lear, Teil 2: "Sturm, dem Regen und den Blitzen"
Luciano Pavarotti vocal Mamma quel vino è generoso
Stanaj vocal Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis