Philip Langridge

vocal, performer

Top collaborators

Artist name Roles Recordings
Tkash (Us Rapper)
Benjamin Britten
Arnold Schönberg
Hercyn
Maxxi Basshead

Work on other artists' recordings

Artist name Roles Recordings
Tkash vocal 5 Poems, Op. 53: I. Lauds, 5 Poems, Op. 53: II. O lurcher-loving collier, 5 Poems, Op. 53: III. What's in your mind, my dove, my coney, 5 Poems, Op. 53: IV. Eyes look into the well, 5 Poems, Op. 53: V. Carry her over the water, Fish in the unruffled lakes, If it's ever Spring again, Night covers up the rigid land, Night covers up the rigid land, Op. 14 No. 2: I. Lay your sleeping head, my love, Night covers up the rigid land, Op. 14 No. 2: I. Night covers up the rigid land, On this Island, Op. 11: I. Let the florid music praise, On this Island, Op. 11: II. Now the leaves are falling fast, On this Island, Op. 11: III. Seascape, On this Island, Op. 11: IV. Nocturne, On this Island, Op. 11: V. As it is, plenty, Seven Sonnets of Michelangelo, op. 22: Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai, Seven Sonnets of Michelangelo, op. 22: Sonetto XVI: Si come nella penna e nell'inchiostro, Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV: Spirto ben nato, in cui si specchia e vede, Seven Sonnets of Michelangelo, op. 22: Sonetto XXX: Veggio co' be' vostri occhi un dolce lume, Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI: A che piu debb'io mai l'intensa voglia, Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII: S'un casto amor, s'una pieta superna, Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII: Rendete a gli occhi miei, o fonte o fiume, Seven Sonnets of Michelangelo, op. 22: Sonnetto XVI: Sì come nella penna e nell'inchiostro, The Children and Sir Nameless, The Holy Sonnets of John Donne, op. 35: Sonnet I: Thou hast made me, The Holy Sonnets of John Donne, op. 35: Sonnet III: O might those sighes and teares, The Holy Sonnets of John Donne, op. 35: Sonnet VI: Oh my blacke Soule!, The Holy Sonnets of John Donne, op. 35: Sonnet VII: At the round earth's imagin'd corners, The Holy Sonnets of John Donne, op. 35: Sonnet X: Death, be not proud, The Holy Sonnets of John Donne, op. 35: Sonnet XIII: What if this present, The Holy Sonnets of John Donne, op. 35: Sonnet XIV: Batter my heart, The Holy Sonnets of John Donne, op. 35: Sonnet XIX: Oh, to vex me, The Holy Sonnets of John Donne, op. 35: Sonnet XVII: Since she whom I lov'd, The foggy, foggy dew, The sun shines down, To lie flat on the back, Twelve Humbert Wolfe Songs, op. 48: A little music, Twelve Humbert Wolfe Songs, op. 48: Betelgeuse, Twelve Humbert Wolfe Songs, op. 48: Envoi, Twelve Humbert Wolfe Songs, op. 48: In the street of lost time, Twelve Humbert Wolfe Songs, op. 48: Journey's end, Twelve Humbert Wolfe Songs, op. 48: Now in these fairylands, Twelve Humbert Wolfe Songs, op. 48: Persephone, Twelve Humbert Wolfe Songs, op. 48: Rhyme, Twelve Humbert Wolfe Songs, op. 48: The dream-city, Twelve Humbert Wolfe Songs, op. 48: The floral bandit, Twelve Humbert Wolfe Songs, op. 48: The thought, Twelve Humbert Wolfe Songs, op. 48: Things lovelier, Underneath the abject willow, What's On Your Mind, Winter Words, op. 52: At Day-close in November, Winter Words, op. 52: At the Railway Station, Upway, Winter Words, op. 52: Before Life and After, Winter Words, op. 52: Midnight on the Great Western, Winter Words, op. 52: Proud Songsters, Winter Words, op. 52: The Choirmaster's Burial, Winter Words, op. 52: The Little Old Table, Winter Words, op. 52: Wagtail and Baby
Benjamin Britten vocal Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man...", Nocturne, Op. 60: I. On a poet's lips I slept, Nocturne, Op. 60: II. Below the thunders of the upper deep, Nocturne, Op. 60: III. Encinctured with a twine of leaves, Nocturne, Op. 60: IV. Midnight's bell goes ting, ting, ting, ting, Nocturne, Op. 60: V. But that night when on my bed I lay, Nocturne, Op. 60: VI. She sleeps on soft, last breaths; but no ghost looms, Nocturne, Op. 60: VII. What is more gentle than a wind in summer, Nocturne, Op. 60: VIII. When most I wink, then do mine eyes best see, Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue, Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: III. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: VI. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VII. Sonnet, Serenade for Tenor, Horn and Strings, Op. 31: VIII. Epilogue, Serenade for Tenor, Horn, and Strings, Op. 31: IV. Elegy, Serenade for tenor, horn & strings, Op. 31: Nocturne "The splendour falls on castle walls", Serenade, op. 31 - Elegy “O Rose, thou art sick!”, The Turn of the Screw - Variation 8, Scene 1: Colloquy
Arnold Schönberg performer, vocal Gurrelieder: Dritter Teil. "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr), Interlude, Moses und Aron, Act I: Scene 1: Moses' Berufung (Moses, Stimme), Moses und Aron, Act I: Scene 2: Moses begegnet Aaron in der Wüste (Aron, Moses), Moses und Aron, Act I: Scene 3: Moses und Aaron verkünden dem Volk die Botschaft Gottes (Junges Mädchen, junger Mann, anderer Mann, Priester, Chor), Moses und Aron, Act I: Scene 4: "Allmächtiger, meine Kraft ist zu Ende" (Moses, Aron, 6 Solostimmen, Chor), Moses und Aron, Act I: Scene 4: "Bringt ihr Erhörung" (Chor, Moses, Aron, Mädchen, junger Mann, Mann, Priester), Moses und Aron, Act I: Scene 4: "Ein Wunder erfüllt uns mit Schrecken" (Chor, Mädchen, junger Mann, Mann, Priester, Aron), Moses und Aron, Act I: Scene 4: "Er hat uns auserwählt" (Chor), Moses und Aron, Act I: Scene 4: "Erkennt euch darin" (Aron, 6 Solostimmen, Chor, Priester, Moses), Moses und Aron, Act II: Scene 1: Aaron und die 70 Ältesten vor dem Berg der Offenbarung (70 Älteste, Priester, Aron), Moses und Aron, Act II: Scene 2: "Wo ist Moses?" (Chor, 70 Älteste, Aron), Moses und Aron, Act II: Scene 3: "Dieses Bild bezeugt" (Aron), Moses und Aron, Act II: Scene 3: "O Götterbild" (Eine Kranke, Chor, 70 Älteste, Ephraimit, Stammesfürsten, junger Mann), Moses und Aron, Act II: Scene 3: "O goldener Gott" (4 nackte Jungfrauen, Chor, 70 Älteste), Moses und Aron, Act II: Scene 3: Feierlich (bar 320), Moses und Aron, Act II: Scene 3: Orgie der Trunkenheit und des Tanzes (70 Älteste) / Orgie der Vernichtung und des Selbstmordes (Mädchen), Moses und Aron, Act II: Scene 3: Rasch (bar 497), Moses und Aron, Act II: Scene 3: Tanz der Schlächter, Moses und Aron, Act II: Scene 3: Ziemlich rasch (bar 824) / Ertische Orgie (nackter Jüngling, andere Nackte, Chor), Moses und Aron, Act II: Scene 4: "Moses steigt vom Berg herab!" (Ein Mann, Moses, Volk), Moses und Aron, Act II: Scene 5: "Aron, was hast du getan?" (Moses, Aron, Chor), Moses und Aron: Act I, Scene 2. "Du Sohn meiner Väter", Moses und Aron: Act I, Scene 4. "Bringt ihr Erhörung... In der Wüste wird euch die Reinheit!", Moses und Aron: Act II, Scene 1. "Vierzig Tage", Moses und Aron: Act II, Scene 2. "Wo ist Moses?... Volk Israels!", Moses und Aron: Act II, Scene 3. "Dieses Bild bezeugt... Götter, die ihr Seele schenket", Moses und Aron: Act II, Scene 5. "Aron, was hast du getan?... Unvorstellbarer Gott!"
Hercyn vocal Alte Liebe rostet nie, D. 477, Am See, D. 124, Am Strome, D. 539, An Herrn Josef von Spaun, Assessor in Linz (Epistel), D. 749, Auf der Riesenkoppe, D. 611, Das gestörte Glück, D. 309, Das war ich, D. 174, Dass sie hier gewesen!, D. 775, Der Liedler, D. 209, Die Einsiedelei, D. 563, Entra l'uomo allor che nasce (Aria di Abramo), D. 33 no. 1, Erinnerungen, D. 98, Geisternähe, D. 100, Liebeslauschen, D. 698, Liebesrausch, D. 179, Liebeständelei, D. 206, Nachtstück, D. 672, Sehnsucht der Liebe, D. 180, Sängers Morgenlied, D. 163, Sängers Morgenlied, D. 165
Maxxi Basshead vocal St Nicolas, op. 42: I. Introduction, St Nicolas, op. 42: II. The Birth of Nicolas, St Nicolas, op. 42: III. Nicolas devotes himself to God, St Nicolas, op. 42: IV. He journeys to Palestine, St Nicolas, op. 42: IX. The Death of Nicolas, St Nicolas, op. 42: V. He comes to Myra and is chosen Bishop, St Nicolas, op. 42: VI. Nicolas from Prison, St Nicolas, op. 42: VII. Nicolas and the Pickled Boys, St Nicolas, op. 42: VIII. His Piety and Marvellous Works
Rich Bitting vocal Orchestral Arrangements: Come You not From Newcastle, Orchestral Arrangements: Little Sir William, Orchestral Arrangements: O Can Ye Sew Cushions, Orchestral Arrangements: O Waly, Waly, Orchestral Arrangements: Oliver Cromwell, Orchestral Arrangements: The Bonny Earl o’ Moray, Orchestral Arrangements: The Plough Boy, Orchestral Arrangements: The Salley Gardens (orchestration for strings, bassoon and harp)
Helmut Zierl vocal Eight Folk Song Arrangements for High Voice and Harp: Bird Scarer's Song, Eight Folk Song Arrangements for High Voice and Harp: Bonny at Morn, Eight Folk Song Arrangements for High Voice and Harp: Bugeilio'r Gwenith Gwyn, Eight Folk Song Arrangements for High Voice and Harp: Dafydd y Garreg Wen, Eight Folk Song Arrangements for High Voice and Harp: Lemady, Eight Folk Song Arrangements for High Voice and Harp: Lord! I Married Me a Wife, Eight Folk Song Arrangements for High Voice and Harp: She's Like the Swallow, Eight Folk Song Arrangements for High Voice and Harp: The False Knight upon the Road
Sir Michael Tippett vocal A Spiritual, A Spiritual (3.46), General Ensemble (5.15), Scena (Bass Solo & Chorus) (6.31), Scena (Solo Quartet), Tenor Solo, The Boy Sings in His Prison
Deams vocal Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted", Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out", Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God", Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living...", Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels...", Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven...", Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..."
Игорь Фёдорович Стравинский vocal Akt 1: "Dicere non possum", Akt 1: "Invidia fortunam odit", Akt 1: "Non reperias vetus scelus", Akt 2: "Ego senem cecidi", Akt 2: "In monte reppertus est", Akt 2: "Nonne monstrum rescituri"
Scarpast vocal Adoration, H 57, Blow out, you bugles, H 132, Love went a-riding, H 115, Thy hand in mine, H 124, Where she lies asleep, H 114
Claudio Monteverdi vocal Lamento della ninfa, Madrigali guerrieri, et amorosi, Libro ottavo, Canti amorosi: "Lamento della Ninfa", Madrigali guerrieri, et amorosi, Libro ottavo, Canti guerrieri: "Ogni amante e guerrier, Ogni amante è guerrier
邰肇玫 vocal From Jewish Folk Poetry, op. 79a: No. 11. Happiness, From Jewish Folk Poetry, op. 79a: No. 6. The Deserted Father, From Jewish Folk Poetry, op. 79a: No. 8. Winter
UFO Fingertwin vocal King Herod and the Cock, The Bitter Withy, The Twelve Apostles
Rick Watford vocal Duets: My heart adorn'd with thee, Love at the Inn: Love calls through the summer night
Graflex vocal From Jewish Folk Poetry, op. 79a: No. 7. A Song of Poverty, From Jewish Folk Poetry, op. 79a: No. 9. The Good Life
George Frideric Handel vocal Messiah, Part 1: Comfort Ye, Messiah, Part 1: Ev'ry Valley
Erick Barnes vocal Irish song: The Rose of Tralee, New Discoveries: What will you do, love?
SOYC vocal From Jewish Folk Poetry, op. 79a: No. 4. Before a Long Separation
Philipp Volksmund vocal Underneath the abject willow
Hard2def vocal Le Mort du nombre
We Die Tonight vocal War Requiem, op. 66: V. Agnus Dei
Wolfgang Amadeus Mozart vocal La clemenza di Tito, K. 621: Act 2 "Se all'impero, amici Dei" (Tito)
Ralph Vaughan Williams vocal Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato)