Brian Couzens

producer, sound, engineer

Top collaborators

Artist name Roles Recordings
Bouke Zoete
Dewayne Petty
Benjamin Britten
Jonathan Deutsch
David Eyre

Work on other artists' recordings

Artist name Roles Recordings
Bouke Zoete producer Album for the Young, op. 39: A Winter Morning, Album for the Young, op. 39: Folk Song: Kamarinskaya, Album for the Young, op. 39: German Song (Ländler), Album for the Young, op. 39: In Church, Album for the Young, op. 39: Italian Song, Album for the Young, op. 39: Little Mother, Album for the Young, op. 39: March of the Wooden Soldiers, Album for the Young, op. 39: Mazurka, Album for the Young, op. 39: Morning Prayer, Album for the Young, op. 39: Neopolitan Song, Album for the Young, op. 39: Old French Melody, Album for the Young, op. 39: Polka, Album for the Young, op. 39: Russian Song, Album for the Young, op. 39: Song of the Lark, Album for the Young, op. 39: Sweet Dreams, Album for the Young, op. 39: The Doll's Funeral, Album for the Young, op. 39: The Hobby-Horse, Album for the Young, op. 39: The New Doll, Album for the Young, op. 39: The Old Nurse's Tale, Album for the Young, op. 39: The Organ-Grinder Sings, Album for the Young, op. 39: The Peasant Plays His Ziehharmonika, Album for the Young, op. 39: The Sick Doll, Album for the Young, op. 39: The Witch: Baba-Yaga, Album for the Young, op. 39: Waltz, Album für die Jugend, op. 68: Teil I "Für Kleinere": I. Melodie, Album für die Jugend, op. 68: Teil I "Für Kleinere": II. Soldatenmarsch, Album für die Jugend, op. 68: Teil I "Für Kleinere": III. Trällerliedchen, Album für die Jugend, op. 68: Teil I "Für Kleinere": IV. Ein Choral, Album für die Jugend, op. 68: Teil I "Für Kleinere": IX. Volksliedchen, Album für die Jugend, op. 68: Teil I "Für Kleinere": V. Stückchen, Album für die Jugend, op. 68: Teil I "Für Kleinere": VI. Armes Waisenkind, Album für die Jugend, op. 68: Teil I "Für Kleinere": VII. Jägerliedchen, Album für die Jugend, op. 68: Teil I "Für Kleinere": VIII. Wilder Reiter, Album für die Jugend, op. 68: Teil I "Für Kleinere": X. Fröhlicher Landmann, Album für die Jugend, op. 68: Teil I "Für Kleinere": XI. Sizilianisch, Album für die Jugend, op. 68: Teil I "Für Kleinere": XII. Knecht Ruprecht, Album für die Jugend, op. 68: Teil I "Für Kleinere": XIII. Mai, lieber Mai, Album für die Jugend, op. 68: Teil I "Für Kleinere": XIV. Kleiner Studie, Album für die Jugend, op. 68: Teil I "Für Kleinere": XV. Frühlingsgesang, Album für die Jugend, op. 68: Teil I "Für Kleinere": XVI. Erster Verlust, Album für die Jugend, op. 68: Teil I "Für Kleinere": XVII. Kleiner Morgenwanderer, Album für die Jugend, op. 68: Teil I "Für Kleinere": XVIII. Schnitterliedchen, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": I. Kleine Romanze, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": II. Ländliches Lied, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": III. (untitled).Lento espressivo, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": IV. Rundgesang, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": IX. Kanonisches Liedchen, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": V. Reiterstück, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VI. Ernteliedchen, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VII. Nachklänge aus dem Theater, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VIII. (untitled).Andante con moto, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": X. Erinnerung, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XI. Fremder Mann, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XII. (untitled).Molto lento, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIII. Kriegslied, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIV. Sheherazade, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIX. Matrosenlied, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XV. "Weinlesezeit - Fröhliche Zeit!", Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVI. Thema, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVII. Mignon, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVIII. Lied italienischer Marinari, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XX. Winterzeit I, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXI. Winterzeit II, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXII. Kleine Fuge, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXIII. Nordisches Lied, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXIV. Figurierter Choral, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXV. Silversterlied
Dewayne Petty producer 12 Études (a Madame la Comtesse D`Agoult) in A flat major "Aeolian Harp", Op. 25 No. 1: Allegro sostenuto, 12 Études (a Madame la Comtesse D`Agoult) in A minor "Winter Wind", Op. 25 No. 11: Allegro con brio, 12 Études (a Madame la Comtesse D`Agoult) in A minor, Op. 25 No. 4: Agitato, 12 Études (a Madame la Comtesse D`Agoult) in B minor, Op. 25 No. 10: Allegro con fuoco, 12 Études (a Madame la Comtesse D`Agoult) in C minor "Ocean", Op. 25 No. 12: Allegro molto con fuoco, 12 Études (a Madame la Comtesse D`Agoult) in C sharp minor, Op. 25 No. 7: Lento, 12 Études (a Madame la Comtesse D`Agoult) in D flat major, Op. 25 No. 8: Vivace assai, 12 Études (a Madame la Comtesse D`Agoult) in E minor, Op. 25 No. 5: Vivace, 12 Études (a Madame la Comtesse D`Agoult) in F major "Cartwheel", Op. 25 No. 3: Allegro, 12 Études (a Madame la Comtesse D`Agoult) in F minor "Balm", Op. 25 No. 2: Presto, 12 Études (a Madame la Comtesse D`Agoult) in G flat major "Butterfly", Op. 25 No. 9: Allegro assai, 12 Études (a Madame la Comtesse D`Agoult) in G sharp minor, Op. 25 No. 6: Allegro, 12 Études (a son ami Franz Liszt) in A flat major, Op. 10 No. 10: Vivace assai, 12 Études (a son ami Franz Liszt) in A minor, Op. 10 No. 2: Allegro, 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 1: Allegro, 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 7: Vivace, 12 Études (a son ami Franz Liszt) in C minor "Revolutionary", Op. 10 No. 12: Allegro con fuoco, 12 Études (a son ami Franz Liszt) in C sharp minor, Op. 10 No. 4: Presto, 12 Études (a son ami Franz Liszt) in E flat major, Op. 10 No. 11: Allegretto, 12 Études (a son ami Franz Liszt) in E flat minor, Op. 10 No. 6: Andante con molto espressione, 12 Études (a son ami Franz Liszt) in E major "Tristesse", Op. 10 No. 3: Lento ma non troppo, 12 Études (a son ami Franz Liszt) in F major, Op. 10 No. 8: Allegro, 12 Études (a son ami Franz Liszt) in F minor, Op. 10 No. 9: Allegro molto agitato, 12 Études (a son ami Franz Liszt) in G flat major "Black Keys", Op. 10 No. 5: Vivace, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: I. Andante – Allegro – Andante –, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: II. Allegro molto e vivace –, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: III. Adagio con espressione –, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: IV. Allegro vivace – Adagio con espressione – Presto, Piano Sonata no. 14 "quasi una fantasia" in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto –, Piano Sonata no. 14 "quasi una fantasia" in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto, Piano Sonata no. 14 "quasi una fantasia" in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Piano Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro, Piano Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante, Piano Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro vivace, Piano Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo, Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace, Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso, Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto – Adagio – Presto, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo – Allegro, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto. Moderato e grazioso – Trio, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco, Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in A flat major, No. 3: Allegretto, Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in D flat major, No. 2: Allegretto, Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in F minor, No. 1: Andantino
Benjamin Britten producer Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..."
Jonathan Deutsch producer Piano Trio in A minor, op. 50: I. Pezzo elegiaco: Moderato assai - Allegro giusto, Piano Trio in A minor, op. 50: IIa. Tema con Variazioni: Andante con moto, Piano Trio in A minor, op. 50: IIb. Variazione finale e Coda: Allegro risoluto e con fuoco - Andante con moto, Piano Trio in A minor: I. Allegro ma non troppo, Piano Trio in A minor: II. Adagio, Piano Trio in A minor: III. Allegretto, Piano Trio no. 2 in E minor, op. 67: I. Andante - Moderato, Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo, Piano Trio no. 2 in E minor, op. 67: III. Largo, Piano Trio no. 2 in E minor, op. 67: IV. Allegretto, Trio no. 1 in E-flat major, op. 1 no. 1: I. Allegro, Trio no. 1 in E-flat major, op. 1 no. 1: II. Adagio cantabile, Trio no. 1 in E-flat major, op. 1 no. 1: III. Scherzo, Trio no. 1 in E-flat major, op. 1 no. 1: IV. Finale. Presto, Trio no. 10 in E-flat major, op. 44, 14 Variations on an Original Theme, Trio no. 11 in G major, op. 121a, Variations on "Ich bin der Schneider Kakadu" by Wenzel Muller, Trio no. 2 in G major, op. 1 no. 2: I. Adagio - Allegro vivace, Trio no. 2 in G major, op. 1 no. 2: II. Largo con espressione, Trio no. 2 in G major, op. 1 no. 2: III. Scherzo. Allegro, with Trio, Trio no. 2 in G major, op. 1 no. 2: IV. Finale. Presto, Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio, Trio no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni, Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi allegro, with Trio, Trio no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo, Trio no. 5 in D major, op. 70 no. 1, "Ghost": I. Allegro vivace e con brio, Trio no. 5 in D major, op. 70 no. 1, "Ghost": II. Largo assai ed espressione, Trio no. 5 in D major, op. 70 no. 1, "Ghost": III. Presto, Trio no. 6 in E-flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo, Trio no. 6 in E-flat major, op. 70 no. 2: II. Allegretto, Trio no. 6 in E-flat major, op. 70 no. 2: III. Allegretto ma non troppo, Trio no. 6 in E-flat major, op. 70 no. 2: IV. Finale. Allegro, Trio no. 7 in B-flat major, op. 97 "Archduke": I. Allegro moderato, Trio no. 7 in B-flat major, op. 97 "Archduke": II. Allegretto, Trio no. 7 in B-flat major, op. 97 "Archduke": III. Andante cantabile, ma pero con moto, Trio no. 7 in B-flat major, op. 97 "Archduke": IV. Finale. Allegro, Trio no. 8 in B-flat major, op. posth. (WoO 38): Allegretto, Trio no. 9 in E-flat major, op. posth. (WoO 39): I. Allegro moderato, Trio no. 9 in E-flat major, op. posth. (WoO 39): II. Scherzo. Allegro ma non troppo, Trio no. 9 in E-flat major, op. posth. (WoO 39): III. Rondo. Allegretto
David Eyre producer En saga, op. 9, Pohjola's Daughter, op. 49, String Quartet in F minor, op. 95 (arr. for String Orchestra by Mahler): I. Allegro con brio, String Quartet in F minor, op. 95 (arr. for String Orchestra by Mahler): II. Allegretto ma non troppo, String Quartet in F minor, op. 95 (arr. for String Orchestra by Mahler): III. Allegro assai vivace ma serioso, String Quartet in F minor, op. 95 (arr. for String Orchestra by Mahler): IV. Larghetto espressivo - Allegretto agitato - Allegro, Symphonic Movement "Blumine": Andante allegretto, Symphony no. 1 in D major "Titan": I. Langsam, schleppend. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt, Symphony no. 2 "Resurrection": I. Allegro maestoso, Symphony no. 2 "Resurrection": II. Andante moderato, Symphony no. 2 "Resurrection": III. In ruhig fließender Bewegung, Symphony no. 3: Part I. I. Kräftig, Entschieden, Symphony no. 3: Part II. II. Tempo di menuetto. Sehr mässig, Symphony no. 3: Part II. III. Comodo. Scherzando, Symphony no. 3: Part II. VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4: I. Bedächtig, Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4: III. Ruhevoll, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 6: I. Allegro energico, ma non troppo, Symphony no. 6: II. Scherzo: Wuchtig, Symphony no. 6: III. Andante moderato, Symphony no. 6: IV. Finale: Allegro moderato, Symphony no. 7 in E minor: I. Langsam (Adagio) - Allegro con fuoco, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft - Trio - Wieder wie zu Anfang, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario, Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio, Todtenfeier
Aivo Kallas producer Belkis, regina di Saba, P 177: I. Il sogno di Salomone, Belkis, regina di Saba, P 177: II. Danza guerresca, Belkis, regina di Saba, P 177: III. La danza di Belkis all’aurora, Belkis, regina di Saba, P 177: IV. Danza orgiastica, L'Éventail de Jeanne: I. Fanfare, L'Éventail de Jeanne: II. Marche, L'Éventail de Jeanne: III. Valse, L'Éventail de Jeanne: IV. Canarie, L'Éventail de Jeanne: IX. Rondeau, L'Éventail de Jeanne: V. Bourée, L'Éventail de Jeanne: VI. Sarabande, L'Éventail de Jeanne: VII. Polka, L'Éventail de Jeanne: VIII. Pastourelle, L'Éventail de Jeanne: X. Kermesse-Valse, Les Mariés de la Tour Eiffel: I. Ouverture. Le 14 juillet, Les Mariés de la Tour Eiffel: II. Marche nuptiale, Les Mariés de la Tour Eiffel: III. Discours du général. Polka pour deux cornets à pistons, Les Mariés de la Tour Eiffel: IV. La Baigneuse e Trouville. Carte postale en couleurs, Les Mariés de la Tour Eiffel: IX. Ritournelles, Les Mariés de la Tour Eiffel: V. Fugue du massacre, Les Mariés de la Tour Eiffel: VI. Valse des dépêches, Les Mariés de la Tour Eiffel: VII. Marche funèbre, Les Mariés de la Tour Eiffel: VIII. Quadrille. Panalon-Été-Poule-Pastourelle Final, Les Mariés de la Tour Eiffel: X. Sortie de la noce, Metamorphoseon modi XII, P 169: Modus I. Moderato non troppo -, Metamorphoseon modi XII, P 169: Modus II. Allegretto -, Metamorphoseon modi XII, P 169: Modus III. Lento -, Metamorphoseon modi XII, P 169: Modus IV. Lento espressivo -, Metamorphoseon modi XII, P 169: Modus IX. Lento non troppo -, Metamorphoseon modi XII, P 169: Modus V. Molto vivace -, Metamorphoseon modi XII, P 169: Modus VI. Vivo -, Metamorphoseon modi XII, P 169: Modus VII. Cadenze -, Metamorphoseon modi XII, P 169: Modus VIII. Andantino mosso -, Metamorphoseon modi XII, P 169: Modus X. Molto allegro -, Metamorphoseon modi XII, P 169: Modus XI. Molto allegro -, Metamorphoseon modi XII, P 169: Modus XII. Vivo non troppo, Metamorphoseon modi XII, P 169: Tema. Andante moderato -
Logman producer Symphony in A major, op. 35 no. 3 (G. 511): I. Allegro giusto, Symphony in A major, op. 35 no. 3 (G. 511): II. Andante, Symphony in A major, op. 35 no. 3 (G. 511): III. Allegro ma non presto, Symphony in A major, op. 37 no. 4 (G. 518): I. Allegro spiritoso, Symphony in A major, op. 37 no. 4 (G. 518): II. Minuetto - Allegro - Trio, Symphony in A major, op. 37 no. 4 (G. 518): III. Andante, Symphony in A major, op. 37 no. 4 (G. 518): IV. Finale: Allegro ma non presto, Symphony in B flat major, op. 35 no. 6 (G. 514): I. Allegro vivace, Symphony in B flat major, op. 35 no. 6 (G. 514): II. Poco andante, Symphony in B flat major, op. 35 no. 6 (G. 514): III. Presto - Tempo di minuetto - Presto, Symphony in C major, op. 12 no. 3 (G. 505): I. Allegro, ma non molto, Symphony in C major, op. 12 no. 3 (G. 505): II. Andante amoroso, Symphony in C major, op. 12 no. 3 (G. 505): III. Tempo di minuetto, Symphony in C major, op. 12 no. 3 (G. 505): IV. Presto, ma non tanto, Symphony in D major, G. 490: I. Allegro, Symphony in D major, G. 490: II. Andante grazioso, Symphony in D major, G. 490: III. Allegro assai, Symphony in D major, op. 37 no. 3 (G. 517) "Grande": I. Allegro, Symphony in D major, op. 37 no. 3 (G. 517) "Grande": II. Minuetto con moto, Symphony in D major, op. 37 no. 3 (G. 517) "Grande": III. Andante amoroso, Symphony in D major, op. 37 no. 3 (G. 517) "Grande": IV. Finale: Allegro vivo, ma non tanto presto, Symphony in D minor, op. 12 no. 4 (G. 506) "La casa del diavolo": I. Andante sostenuto, Symphony in D minor, op. 12 no. 4 (G. 506) "La casa del diavolo": II. Andantino con moto, Symphony in D minor, op. 12 no. 4 (G. 506) "La casa del diavolo": III. Allegro con moto, Symphony no. 22 in E-flat major "The Philosopher": I. Adagio, Symphony no. 22 in E-flat major "The Philosopher": II. Presto, Symphony no. 22 in E-flat major "The Philosopher": III. Menuetto and Trio, Symphony no. 22 in E-flat major "The Philosopher": IV. Finale. Presto, Symphony no. 24 in D major: I. Allegro, Symphony no. 24 in D major: II. Adagio, Symphony no. 24 in D major: III. Menuet and Trio, Symphony no. 24 in D major: IV. Finale. Allegro, Symphony no. 30 in C major "Alleluja": I. Allegro, Symphony no. 30 in C major "Alleluja": II. Andante, Symphony no. 30 in C major "Alleluja": III. Finale. Tempo di menuet, più tosto allegretto
Brandon Estelle producer Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her
Tamara Mumford producer A Child of Our Time: Part II: 19. Burn Down Their Houses!, A Child of Our Time: Part II: 24. The Dark Forces Rise Like a Flood, King's Herald, Norfolk Rhapsody no. 1 in E minor: Adagio- Allegro vivace - Tempo I (Lento), Norfolk Rhapsody no. 2 in D minor: Larghetto - Allegro - Molto tranquillo, Paradise Rondel, Pastoral Rhapsody, Procession, Symphony no. 2 in G major "A London Symphony": I. Lento - Allegro risoluto, Symphony no. 2 in G major "A London Symphony": II. Lento, Symphony no. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino, Symphony no. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento, Symphony no. 3 "Pastoral": I. Molto moderato - Poco tranquillo - Tempo I - Largamente - Tempo I, Symphony no. 3 "Pastoral": II. Lento moderato - Poco tranquillo, tempo rubato - Tempo I, Symphony no. 3 "Pastoral": III. Moderato pesante - Poco animato - A tempo - Presto, Symphony no. 5: I. Preludio - Moderato, Symphony no. 5: II. Scherzo - Presto misterioso, Symphony no. 5: III. Romanza - Lento, Symphony no. 5: IV. Passacaglia - Moderato, Symphony no. 6 in E minor: I. Allegro - Poco animato - Tranquillo, Symphony no. 6 in E minor: II. Moderato, Symphony no. 6 in E minor: III. Scherzo (Allegro vivace), Symphony no. 6 in E minor: IV. Epilogue (Moderato), Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema), Symphony no. 8 in D minor: II. Scherzo alla marcia, Per glo stromenti a vento, Symphony no. 8 in D minor: III. Cavatina, Per gli stromenti a corde, Symphony no. 8 in D minor: IV. Toccata colle campanelle, The Banks of Green Willow: Idyll, The Running Set: Presto
Kavon Salyer producer Sospiri, op. 70, Sursum corda, op. 11, The Kingdom, op. 51: Jerusalem. Prelude. Allegro maestoso –, The Kingdom, op. 51: Part I “In the Upper Room”. Chorus: “O ye priests!”, The Kingdom, op. 51: Part I “In the Upper Room”. Peter, John, and the Disciples: “Thou, Lord, Which knowest the hearts of all men” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “He took bread, and blessed it” –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “Where two or three are gathered together in My Name’ –, The Kingdom, op. 51: Part I “In the Upper Room”. Peter:“Men and brethren” –, The Kingdom, op. 51: Part I “In the Upper Room”. Recitative. Chorus: “They gave forth their lots” –, The Kingdom, op. 51: Part I “In the Upper Room”. The Disciples and the Holy Women: “Seek first the Kingdom of God” –, The Kingdom, op. 51: Part II “At the Beautiful Gate”: The Morn of Pentecost 9 Mary and Mary Magdalene: “The singers are before the altar”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Repent, and be baptised every one of you”, The Kingdom, op. 51: Part III “Pentecost”: Peter: “Ye men of Judæa” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Mezzo-soprano: “And suddenly there came from heaven a sound...” –, The Kingdom, op. 51: Part III “Pentecost”: Recitative. Tenor: “And when the day of Pentecost was fully come” –, The Kingdom, op. 51: Part III “Pentecost”: The Disciples: “When the great Lord will” –, The Kingdom, op. 51: Part III “Pentecost”: The People: “Behold, are not all these which speak, Galilæans?” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: John: “Unto you that fear His Name...” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mary: “The sun goeth down”, The Kingdom, op. 51: Part IV “The Sign of Healing”: Mezzo-soprano: “The man that was lame” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “And as they spake” –, The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “Then they that gladly received his word were baptised”’ –, The Kingdom, op. 51: Part V “The Upper Room”: All: “Our Father, Which art in Heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: John: “Ye have received the Spirit of adoption”, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Lord, Thou didst make the heaven” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “The voice of joy is in the dwelling of the righteous” –, The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Thou, Almighty Lord, hast given food and drink to mankind” –
David Ervin producer, sound Cockaigne (In London Town), op. 40, En Saga, op. 9, Finlandia, op. 26, Froissart, op. 19, In the South (Alassio), op. 50, Night Ride and Sunrise, op. 55, Overture in D minor, Pohjola's Daughter, op. 49, Pomp and Circumstance Marches, op. 39: No. 4 in G major, Spring Song, op. 16, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Tapiola, op. 112, The Bard, op. 64, The Dryad, op. 45 no. 1, The Oceanides, op. 73, The Swan of Tuonela, op. 22 no. 3, Variations on an Original Thema "Enigma", Op. 36: I. L'istesso tempo (C.A.E.), Variations on an Original Thema "Enigma", Op. 36: Theme: Andante
Sniper producer Suite from the Ballet "The Prince of the Pagodas", op. 57: Part I. Prelude, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the East. Slow and languorous -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the North. Quick and heavy -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the South. Quick and heavy - Energetic -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part II. Variation of the King of the West. Moderately quick -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part III. Belle Rose is borne in by Frogs. As at the beginning -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part III. Coda. Male and Female Flames and Corps de ballet of Flames. Very quick and impetuous -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part III. Pas de deux: Male and Female Flames. Majestic -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part IV. Pas de deux: The Prince and Belle Rose. Gently moving - Very quick -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part IV. Very free - Slow - Quick - Slower -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Pas de deux: Broadly -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Pas de six: Entrée. Quick and energetic -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Pas de trois: Flowing -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part V. Slow - Same tempo -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Apotheosis. Quick - Broadly - Quick, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Belle Rose -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Boys of the Pas de six -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Girls of the Pas de six -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. The Emperor and the Fool -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. The Prince of the Pagodas -, Suite from the Ballet "The Prince of the Pagodas", op. 57: Part VI. Very quick - Waltz time -
Atlas&Axis engineer, producer Prelude No. 1 in C major, Op. 34: Moderato, Prelude No. 10 in C-sharp minor, Op. 34: Moderato non troppo, Prelude No. 11 in B major, Op. 34: Allegretto, Prelude No. 12 in G-sharp minor, Op. 34: Allegretto non troppo, Prelude No. 13 in F-sharp major, Op. 34: Moderato, Prelude No. 15 in D-flat major, Op. 34: Allegretto, Prelude No. 16 in B-flat minor, Op. 34: Andantino, Prelude No. 17 in A-flat major, Op. 34: Largo, Prelude No. 18 in F minor, Op. 34: Allegretto, Prelude No. 19 in E-flat major, Op. 34: Andantino, Prelude No. 2 in A minor, Op. 34: Allegretto, Prelude No. 20 in C minor, Op. 34: Allegretto furioso, Prelude No. 21 in B-flat major, Op. 34: Allegretto poco moderato, Prelude No. 22 in G minor, Op. 34: Adagio, Prelude No. 24 in D minor, Op. 34: Allegretto, Prelude No. 3 in G major, Op. 34: Andante, Prelude No. 5 in D minor, Op 34: Allegro Vivace, Prelude No. 6 in B minor, Op. 34: Allegretto, Prelude No. 8 in F-sharp minor, Op. 34: Allegretto
Albinö Rhino sound Pomp And Circumstance Marches, op. 39: no. 1 in D major, Pomp And Circumstance Marches, op. 39: no. 2 in A minor, Pomp And Circumstance Marches, op. 39: no. 3 in C minor, Pomp And Circumstance Marches, op. 39: no. 5 in C major, Variations on an Original Theme "Enigma", op. 36: (***) Romanza-Moderato, Variations on an Original Theme "Enigma", op. 36: (B.G.N.) Andante, Variations on an Original Theme "Enigma", op. 36: (C.A.E.) l'istesso tempo, Variations on an Original Theme "Enigma", op. 36: (Dorabella) Allegretto, Variations on an Original Theme "Enigma", op. 36: (E.D.U.) Finale Allegro, Variations on an Original Theme "Enigma", op. 36: (G.R.S) Allegro di molto, Variations on an Original Theme "Enigma", op. 36: (H.D.S.-P) Allegro, Variations on an Original Theme "Enigma", op. 36: (Nimrod) Adagio, Variations on an Original Theme "Enigma", op. 36: (R.B.T.) Allegretto, Variations on an Original Theme "Enigma", op. 36: (R.P.A.) Moderato, Variations on an Original Theme "Enigma", op. 36: (Troyte) Presto, Variations on an Original Theme "Enigma", op. 36: (W.M.B.) Allegro di molto, Variations on an Original Theme "Enigma", op. 36: (W.N.) Allegretto, Variations on an Original Theme "Enigma", op. 36: (Ysobel) Andantino
Ryan Angelos producer Baba-Yaga, op. 56, Dubinushka, op. 62, Kikimora, op. 63, The Enchanted Lake, op. 62, The Firebird Ballet Suite: Final Hymn, The Firebird Ballet Suite: Infernal Dance, The Firebird Ballet Suite: Introduction, The Firebird Ballet Suite: Lullaby (Firebird), The Firebird Ballet Suite: Pantomime I, The Firebird Ballet Suite: Pantomime II, The Firebird Ballet Suite: Pantomime III, The Firebird Ballet Suite: Pas de deux (Firebird and Ivan Tsarevich), The Firebird Ballet Suite: Prelude and Dance of the Firebird, The Firebird Ballet Suite: Rondo (Khorovod), The Firebird Ballet Suite: Scherzo (Dance of the Princess), The Firebird Ballet Suite: Variations (Firebird)
Pat Burnham producer Anna, Dindi, Girls, Girls, Girls!, Gwendoline, Have You Met Miss Jones?, Jeannie With the Light Brown Hair, Laura, Maria, Music to Watch Girls By, Portrait of Jeannie, Pretty Girl by Moonlight, Stella by Starlight, The Girl From Ipanema, The Girl That I Marry
Natty Rico producer Symphony no. 8 in C minor: I. Allegro moderato, Symphony no. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam, Symphony no. 8 in C minor: III. Adagio: Feierlich langsam; doch nicht schleppend, Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Variations and Fugue on a Theme of Beethoven, op. 86: Fugue: Con spirito (non troppo allegro), Variations and Fugue on a Theme of Beethoven, op. 86: Theme: Andante, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 1: Un poco più lento, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 2: Appassionato, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 3: Andante grazioso, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 4: Vivace, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 5: Andante sostenuto, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 6: Allegretto con grazia, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 7: Poco vivace, Variations and Fugue on a Theme of Beethoven, op. 86: Variation 8: Allegro pomposo
S. J. Bluewater producer Don Quixote, op. 35: Finale. Don Quixotes Tod, Don Quixote, op. 35: Introduktion -, Don Quixote, op. 35: Variation I. Das Abenteuer mit den Windmühlen -, Don Quixote, op. 35: Variation II. Der Kampf gegen die Hammelherde -, Don Quixote, op. 35: Variation III. Gespräche zwischen Ritter und Knappe -, Don Quixote, op. 35: Variation IV. Das Abenteuer mit der Prozession von Büßern -, Don Quixote, op. 35: Variation IX. Der Kampf gegen die vermeintlichen Zauberer: der Angriff auf die Mönche -, Don Quixote, op. 35: Variation V. Don Quixotes Wacht in der Sommernacht -, Don Quixote, op. 35: Variation VI. Die verzauberte Dulzinea -, Don Quixote, op. 35: Variation VII. Der Ritt durch die Luft -, Don Quixote, op. 35: Variation VIII. Die Fahrt auf dem verzauberten Nachen (Barcarolle) -, Don Quixote, op. 35: Variation X. Zweikampf mit dem Ritter vom blanken Monde; Heimkehr des geschlagenen Don Quixote -, Romanze for Cello and Orchestra in F major
Wende Wen producer Stimmen... Verstummen: I, Stimmen... Verstummen: II, Stimmen... Verstummen: III, Stimmen... Verstummen: IV, Stimmen... Verstummen: IX, Stimmen... Verstummen: V, Stimmen... Verstummen: VI, Stimmen... Verstummen: VII, Stimmen... Verstummen: VIII, Stimmen... Verstummen: X, Stimmen... Verstummen: XI, Stimmen... Verstummen: XII, Stufen
Media Noctis producer Suite de ballet, Op. 10: I. Danse rustique, Suite de ballet, Op. 10: II. Valse, Suite de ballet, Op. 10: IV. Carnival, The Wandering Scholar, Op. 50: As I was walking here to-day (Pierre, Louis, Alison), The Wandering Scholar, Op. 50: Before that I was twenty (Pierre, Father Philippe, Alison), The Wandering Scholar, Op. 50: He'll lie all day in the sun (Louis, Pierre, Alison), The Wandering Scholar, Op. 50: Heigho, a pretty knave! (Alison, Father Philippe), The Wandering Scholar, Op. 50: Learned? Comely? (Father Philippe, Pierre, Alison), The Wandering Scholar, Op. 50: Piggy, piggy, piggy! (Father Philippe, Alison), The Wandering Scholar, Op. 50: Someone is coming! (Alison, Father Philippe, Pierre), The Wandering Scholar, Op. 50: When rainbows follow flying showers (Alison)
St. Symeon the New Theologian producer Ten Biblical Songs, op. 99: I. Clouds and Darkness Are Round About Him, Ten Biblical Songs, op. 99: II. Thou Art My Defence and Shield, Ten Biblical Songs, op. 99: III. Hear My Prayer, O God, Ten Biblical Songs, op. 99: IV. The Lord Is My Shepherd, Ten Biblical Songs, op. 99: IX. I Will Lift Up Mine Eyes Unto the Hills, Ten Biblical Songs, op. 99: V. I Will Sing a New Song, Ten Biblical Songs, op. 99: VI. Hear My Crying, O God, Ten Biblical Songs, op. 99: VII. By the Waters of Babylon, Ten Biblical Songs, op. 99: VIII. Turn Thee Unto Me, Ten Biblical Songs, op. 99: X. O Sing Unto the Lord a New Song
Wilson producer The Golden Goose, op. 45 no. 1: Jack and Princess embrace, The Golden Goose, op. 45 no. 1: Sound of drum and trumpets play, The Golden Goose, op. 45 no. 1: The Human Organ, The Golden Goose, op. 45 no. 1: The Mummers' Play, The Morning of the Year, op. 45 no. 2: Dance of Headman and Hobby-horse, The Morning of the Year, op. 45 no. 2: Dance of Maidens, The Morning of the Year, op. 45 no. 2: Dance of Youths, The Morning of the Year, op. 45 no. 2: Dance of the Youngest Couple, The Morning of the Year, op. 45 no. 2: I am that which men did make, The Morning of the Year, op. 45 no. 2: Mating Dance
Manuel de Falla producer The Three Cornered Hat: Afternoon. Allegretto mosso, The Three Cornered Hat: Dance of the Miller's Wife (Fandango). Allegro ma non troppo / The Corregidor. Moderato / The Miller's Wife. Poco più mosso, The Three Cornered Hat: Final Dance (Jota). Poco mosso, The Three Cornered Hat: Introduction. Allegretto ma non troppo — Poco meno mosso, The Three Cornered Hat: The Corregidor's Dance. Allegretto, The Three Cornered Hat: The Grapes. Vivo, The Three Cornered Hat: The Miller's Dance (Farruca). Poco vivo, The Three Cornered Hat: The Neighbour's Dance (Seguidillas). Allegro ma non troppo
Hyper[borea] producer Ivan the Terrible, Concert Scenario: I. Overture, Ivan the Terrible, Concert Scenario: III. Wedding: i. Allegro fastoso, Ivan the Terrible, Concert Scenario: III. Wedding: ii. Andante, Ivan the Terrible, Concert Scenario: III. Wedding: iii. Allegro fastoso, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: ii. Moderato energico, Ivan the Terrible, Concert Scenario: VI. The Storming of Kazan, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: ii. Andante sostenuto, Ivan the Terrible, Concert Scenario: XII. Murder in the Cathedral
Afrostatic producer Berceuse, Op. 16, Introduction et Rondo capriccioso in A Minor, Op. 28, Prelude and Allegro, Romanze in F Minor, Rondo in A Major, D. 438, Salut d'amour, Schön Rosmarin, Your Grey-Blue Eyes
Тиранія producer The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure
Kim Storm producer Lento, Serenade for Strings: I. Barcarolle, Serenade for Strings: II. Romance, Serenade for Strings: III. Elegy, Three Spring Miniatures: I. Gossamer (A little waltz), Three Spring Miniatures: II. Willow Song (A lament), Three Spring Miniatures: III. Tree Tops (A toccatina)
GIFT producer Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto, Cello Concerto no. 1 in E-flat major, op. 107: II. Andante sostenuto, Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza, Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con brio, Cello Concerto, op. 22: I. Allegro moderato, Cello Concerto, op. 22: II. Andante sostenuto, Cello Concerto, op. 22: III. Molto allegro ed appassionato
Burning the Day producer Cello Concerto no. 2, op. 77: I. Molto sostenuto - Allegro molto e energico -, Cello Concerto no. 2, op. 77: II. Presto marcato -, Cello Concerto no. 2, op. 77: III. Andante con moto, Cello Concerto: I. Allegro moderato, Cello Concerto: II. Andante sostenuto, Cello Concerto: III. Allegro [a battuta], Chant du Ménestrel, op. 71
Cody Walton producer Concerto no. 1 in C minor for Piano and Orchestra, op. 4: I. Allegro moderato, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: II. Tranquillo, e quasi lento, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: III. Allegro moderato, e scherzando, Concerto no. 2 in C major for Piano and Orchestra, op. 39: I. Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: II. Poco lento, calmato - Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: III. Allegro assai - Giocoso - A tempo
The Tombstone Ramblers producer Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, op. 54: III. Allegro vivace, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
Head for the Hills producer Soir de fête, op. 32, Symphony in B-flat, op. 20: I. Lento - Allegro vivo, Symphony in B-flat, op. 20: II. Molto lento, Symphony in B-flat, op. 20: III. Animato, The Tempest, op. 18: II. Air de danse, The Tempest, op. 18: IV. Danse rustique
Stewart Francis producer Blitz, op. 65, Journey into Freedom, Pageantry: I. King's Herald, Pageantry: II. Cortege, Pageantry: III. Jousts, Tam O'Shanter's Ride
Michał Pepol producer Love Divine, All Loves Excelling, Mass: 'Princeps pacis': I. Kyrie, Mass: 'Princeps pacis': II. Gloria, Mass: 'Princeps pacis': III. Sanctus, Mass: 'Princeps pacis': IV. Benedictus, Mass: 'Princeps pacis': V. Agnus Dei
Steel Storm producer Piano Concerto no. 2 in C minor, op. 50: I. Toccata: Allegro risoluto, Piano Concerto no. 2 in C minor, op. 50: II. Romanza: Andante con moto, Piano Concerto no. 2 in C minor, op. 50: III. Divertimento: Allegro risoluto e molto vivace, Piano Concerto no. 3 in E minor, op. 60 "Ballade": I. Con moto largamento - Allegretto con moto, Piano Concerto no. 3 in E minor, op. 60 "Ballade": II. Interludium: Allegro, molto sostenuto, misterioso, Piano Concerto no. 3 in E minor, op. 60 "Ballade": III. Finale: Allegro molto, Svegliando, eroico - Andante con moto tranquillo - Allegro molto - Coda
Brian Sagrafena producer Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): I. Largo, Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): II. Allegro molto, Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): III. Allegretto, Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): IV. Largo, Chamber Symphony, op. 110a (arr. R. Barshai from String Quartet no. 8): V. Largo
ESA producer Piano Quintet in G minor, op. 57: I. Prelude: Lento, Piano Quintet in G minor, op. 57: II. Fugue: Adagio, Piano Quintet in G minor, op. 57: III. Scherzo: Allegretto, Piano Quintet in G minor, op. 57: IV. Intermezzo: Lento, Piano Quintet in G minor, op. 57: V. Finale: Allegretto
Shortfall producer Symphony no. 5: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony no. 5: Part I. II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5: Part III. IV. Adagietto; Sehr langsam, Symphony no. 5: Part III. V. Rondo-Finale: Allegro - Allegro giocoso. Frisch
Isaac Albéniz producer Iberia Suite: El Albaicín. Allegro, Iberia Suite: El Puerto. Allegro comodo, Iberia Suite: Evocation. Allegretto espressivo, Iberia Suite: La Fête Dieu à Séville (El Corpus en Sevilla). Allegro grazioso, Iberia Suite: Triana. Allegretto
Imelda Roland producer Concerto no. 1 for Piano and Orchestra in B-flat minor: I. Molto moderato e maestoso - Sostenuto e tranquillo - Animato, Concerto no. 1 for Piano and Orchestra in B-flat minor: II. Scherzo (Vivacissimo), Concerto no. 1 for Piano and Orchestra in B-flat minor: III. Andante, Concerto no. 1 for Piano and Orchestra in B-flat minor: IV. Allegro commodo
Aux Field producer Praeludium for Brass, Bells and Percussion, Symphony no. 3: Part 1. Allegro non troppo e pesante -, Symphony no. 3: Part 1. Lento, Symphony no. 3: Part 2. Allegro molto -
Μαρίσα Τριανταφυλλίδου producer Piano Concerto in F-sharp minor, Op. 20: I. Allegro, Piano Concerto in F-sharp minor, Op. 20: II. Tema con variazioni, Piano Concerto in F-sharp minor, Op. 20: III. Allegro moderato, Prometheus, Poem of Fire, Op. 60
Ryan Marino producer Piano Concerto no. 1 in C minor, op. 35: I. Allegro moderato, Piano Concerto no. 1 in C minor, op. 35: II. Lento, Piano Concerto no. 1 in C minor, op. 35: III. Moderato, Piano Concerto no. 1 in C minor, op. 35: IV. Allegro con brio
Jim Behringer engineer, producer Concerto for Piano and Orchestra: I. Allegro maestoso, Concerto for Piano and Orchestra: II. Andante con anima, Concerto for Piano and Orchestra: III. Allegro brillante
Floriane Tiozzo producer Concerto for Cello and Orchestra, op. 31: I. Allegro con moto - Meno mosso, Concerto for Cello and Orchestra, op. 31: II. Scherzo and Trio. Allegro molto e ritmico (il più presto possibile) - Moderato e dolce, Concerto for Cello and Orchestra, op. 31: III. Lentissimo. Molto sostenuto
Spook producer Concerto for Violin and Orchestra in A minor, op. 82: I. Moderato, Concerto for Violin and Orchestra in A minor, op. 82: II. Cadenza, Concerto for Violin and Orchestra in A minor, op. 82: III. Allegro
Mordecai producer Violin Sonata, Op. 134: I. Andante, Violin Sonata, Op. 134: II. Allegretto, Violin Sonata, Op. 134: III. Largo - Andante
Anka Vondung producer Cello Concerto in A minor, Op. 40: I. Allegro moderato, Cello Concerto in A minor, Op. 40: II. Andante quieto, Cello Concerto in A minor, Op. 40: III. Rondo: Adagio – Allegro giocoso
Ibrahim Soumano producer Balinese Ceremonial Music: I. Pemeongkah, Balinese Ceremonial Music: II. Gambangan, Balinese Ceremonial Music: III. Taboeh teloe
Georges Beckerich producer Tabuh-Tabuhan: I. Ostinatos, Tabuh-Tabuhan: II. Nocturne, Tabuh-Tabuhan: III. Finale
Marek Czech producer Aurora, Invocation
Disha & Bhakta producer Ivan the Terrible, Concert Scenario: II. Russian Sea, Ivan the Terrible, Concert Scenario: X. Song of the Beaver (Ephrosynia's Lullaby)
saftWerk producer Fantasia for Cello and Orchestra, Threnody for Cello and Orchestra
Jane Ellen Bryant producer Symphony no. 2 "Resurrection": V. Im Tempo des Scherzos
Brian Pounds producer Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Politics of Ego producer A Song of the Night, Op. 19, No. 1
Manuel Haefliger producer Variations and Fugue on a Theme of Johann Adam Hiller, op. 100: IV. Poco vivace
Suck Em Dry producer The Wandering Scholar, Op. 50: When boughs are green in April (Louis, Alison)
Gustav Holst producer The Perfect Fool, op. 39: Dance of Spirits of Fire. Allegro moderato - Andante
Ted Ganung producer Penguinski
Naked Masks producer Suite de ballet, Op. 10: III. Scène de nuit
Arturo Klauft producer Fragment from Symphony no. 3 (Revised by Tommy B. Andersson)
Shakeb Hamdard producer Symphony no. 3 "Pastoral": IV. Lento - Moderato maestoso - Animato - Poco più lento - Tempo I
Wolfgang Amadeus Mozart producer The Magic Flute: Act II. “A woman’s beauty is beguiling” (Second Priest, Speaker, Papageno)
dj Madgic producer Symphony no. 4: IV. Sehr behaglich
Jeff Neiblum producer Meditation
Odyssey producer Ivan the Terrible, Concert Scenario: XI. The Banquet: ii. Allegro moderato
Ігар Плевін producer Symphony no. 3: Part II. IV. Sehr langsam. Misterioso
Liveola producer Symphony no. 3: Part II. V. Lustig im tempo und keck im ausdruck